
Browse content similar to The Terminator. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains very strong language | 0:00:02 | 0:00:07 | |
EERIE WIND | 0:00:39 | 0:00:42 | |
APPROACHING AIR VEHICLE | 0:00:46 | 0:00:49 | |
What the hell...? | 0:03:45 | 0:03:47 | |
Goddamn sonofabitch! | 0:03:47 | 0:03:50 | |
What the hell...? | 0:04:04 | 0:04:07 | |
Hey! My turn! | 0:04:57 | 0:04:59 | |
-Come on. -Hey! What's wrong with this picture? | 0:05:05 | 0:05:12 | |
THEY LAUGH | 0:05:12 | 0:05:15 | |
Nice night for a walk, eh? | 0:05:18 | 0:05:21 | |
Nice night for a walk. | 0:05:24 | 0:05:27 | |
Wash-day? Nothing clean, right? | 0:05:27 | 0:05:30 | |
-Nothing clean. Right. -He's a few cans short of a 6-pack! | 0:05:30 | 0:05:37 | |
Your clothes. Give them to me. | 0:05:37 | 0:05:40 | |
-Now. -Fuck you, asshole! | 0:05:40 | 0:05:43 | |
SIREN WAILS | 0:06:04 | 0:06:07 | |
I don't have to put up with that bu-u-ullshit, man! She's always after me! | 0:06:15 | 0:06:22 | |
I don't...(?) | 0:06:22 | 0:06:25 | |
Aaaaah! | 0:06:41 | 0:06:44 | |
Hey, buddy, did you just see a real bright light? | 0:07:21 | 0:07:26 | |
See that guy? Hold it right there! | 0:07:28 | 0:07:32 | |
Hey! I said hold it! Go! | 0:07:32 | 0:07:34 | |
That sonofabitch took my pants! | 0:07:35 | 0:07:38 | |
SIREN WAILS | 0:07:42 | 0:07:44 | |
-What day is it? -12th May. Thursday. | 0:08:20 | 0:08:24 | |
-What year? -What? | 0:08:24 | 0:08:27 | |
He's got my gun! | 0:08:38 | 0:08:40 | |
SIREN WAILS | 0:10:31 | 0:10:35 | |
Guard it for me, big buns! | 0:11:28 | 0:11:31 | |
-Hi. -Hi. I'm late. -So am I. | 0:11:34 | 0:11:38 | |
ENGINE STARTS | 0:12:15 | 0:12:18 | |
-I'm in it! -So am I. | 0:12:19 | 0:12:22 | |
-Can I have that coffee? -Yes, sir! | 0:12:27 | 0:12:30 | |
-Burly beef? -I said barbecued beef! | 0:12:30 | 0:12:34 | |
-Mine's the chilli beef de luxe. > -So who gets the burly beef? | 0:12:34 | 0:12:39 | |
-< We're ready to order. -Yes, ma'am. | 0:12:39 | 0:12:42 | |
Oh! I'm so sorry. | 0:12:43 | 0:12:47 | |
This isn't real leather, is it? | 0:12:48 | 0:12:51 | |
Nice going, kid! I ought to give YOU the tip! > | 0:12:53 | 0:12:58 | |
In 100 years, who's gonna care? | 0:12:59 | 0:13:02 | |
-A 12-gauge auto-loader. -That's Italian. You can go pump or auto. | 0:13:10 | 0:13:18 | |
-The .45 long-slide with laser sighting. -These are brand new. A good gun. | 0:13:18 | 0:13:24 | |
Just put the red dot where you want the bullet to go. You can't miss. | 0:13:24 | 0:13:32 | |
-Anything else? -A phased plasma rifle. -Hey, just what you see! | 0:13:32 | 0:13:38 | |
-The Uzi 9mm. -You know your weapons, buddy. These are ideal for home defence. | 0:13:38 | 0:13:46 | |
So...which will it be? | 0:13:46 | 0:13:50 | |
-All. -I may close early today! | 0:13:50 | 0:13:55 | |
There's a 15-day wait. | 0:13:55 | 0:13:58 | |
-Hey, you can't do that! -Wrong. | 0:13:58 | 0:14:03 | |
< Hi, baby. Yeah, yeah. It's me. | 0:14:25 | 0:14:29 | |
< You'll need to come pick me up. My bike broke down. | 0:14:29 | 0:14:34 | |
What the...? Hey, man! You have a serious attitude problem! | 0:14:35 | 0:14:42 | |
YELPING | 0:15:11 | 0:15:13 | |
-Sarah Connor? -Yes. | 0:15:32 | 0:15:35 | |
-I'm on my break! -Sarah, come here! It's about you! Well, sort of. | 0:15:47 | 0:15:53 | |
-It's so incredible! You're not gonna believe this! You'll love this. -What? | 0:15:55 | 0:16:02 | |
'..Sarah Connor, 35, mother of two, | 0:16:02 | 0:16:06 | |
-'brutally shot to death in her home.' -You're dead, honey! | 0:16:06 | 0:16:13 | |
ENGINE STARTS AND RADIO PLAYS | 0:16:30 | 0:16:35 | |
EXPLOSIONS ALL AROUND | 0:17:08 | 0:17:12 | |
Aaaaaargh! | 0:19:12 | 0:19:16 | |
'..For the greatest sound try Bob's Stereo at 25000 Sepulveda Boulevard. | 0:19:16 | 0:19:22 | |
'We've got woofers, tweeters and the newest in digital audio and compact laser discs...' | 0:19:22 | 0:19:29 | |
ROCK MUSIC PLAYS | 0:19:45 | 0:19:49 | |
Sorry. | 0:19:52 | 0:19:54 | |
TELEPHONE RINGS | 0:20:00 | 0:20:03 | |
Hello? | 0:20:05 | 0:20:08 | |
First, I'm going to rip the buttons off your blouse, one by one, | 0:20:08 | 0:20:13 | |
and then slowly, slowly, pull your jeans off... inch by inch! | 0:20:13 | 0:20:21 | |
Ginger! It's Matt! | 0:20:23 | 0:20:26 | |
..further down. And then pull your pants off with my teeth! | 0:20:26 | 0:20:31 | |
-Who IS this? -Eh...Sarah!? | 0:20:31 | 0:20:36 | |
Oh, Jesus! I...eh, I'm sorry. | 0:20:37 | 0:20:40 | |
-Can I talk to Ginger, please? -Sure. | 0:20:40 | 0:20:44 | |
It's the creep. | 0:20:46 | 0:20:48 | |
Hello? | 0:20:49 | 0:20:51 | |
I'm going to rip the buttons... | 0:20:51 | 0:20:54 | |
Aaargh! You fucking pig! Wait till I get my hands on you! | 0:20:54 | 0:21:00 | |
Ed! | 0:21:03 | 0:21:05 | |
-What have you got? -Dead girl. | 0:21:05 | 0:21:08 | |
-I can see that. -Sarah Ann Connor, shot 6 times at less than 10 feet, large calibre weapon. | 0:21:08 | 0:21:16 | |
You know, these work(!) | 0:21:16 | 0:21:19 | |
-What's this? -Dead girl two. Sent over from the Valley Division. | 0:21:19 | 0:21:24 | |
-Are you sure there's a point to all of this? -Look at the name, Ed. | 0:21:24 | 0:21:31 | |
Sarah Louise...Connor(!) | 0:21:31 | 0:21:33 | |
Is this right? You're kidding me! | 0:21:33 | 0:21:37 | |
-The press will be all over it. -A one-day pattern killer! -I hate the weird ones. | 0:21:37 | 0:21:44 | |
So...! | 0:21:48 | 0:21:50 | |
Better than mortal man deserves! | 0:21:51 | 0:21:54 | |
-Ginger, have you seen Pugsley? -No. Did you check messages? | 0:22:00 | 0:22:05 | |
Uh-uh. I thought you did. | 0:22:05 | 0:22:08 | |
ANSWERING MACHINE: 'Hi, Sarah. This is your mom...' | 0:22:08 | 0:22:14 | |
There you are! You mind your mother. | 0:22:14 | 0:22:18 | |
'Hi, Sarah! Stan Morsky. | 0:22:21 | 0:22:24 | |
'Something's come up. I can't make it tonight. | 0:22:24 | 0:22:29 | |
'I'm really sorry. I'll make it up to you.' | 0:22:29 | 0:22:33 | |
Sssh...bum! | 0:22:34 | 0:22:37 | |
So what if he has a Porsche? He can't treat you like this! | 0:22:37 | 0:22:42 | |
-I'll live. -I'll break his knee-caps! | 0:22:42 | 0:22:47 | |
Well, Pugsley still loves me. Don't you, baby? | 0:22:47 | 0:22:51 | |
God! It's disgusting! | 0:22:51 | 0:22:55 | |
-I'm gonna go to a movie. -Okay. | 0:22:55 | 0:22:58 | |
-Have a good time. -We will. You too. -Okay. | 0:22:58 | 0:23:02 | |
Aaah! Damn it, Matt! | 0:23:04 | 0:23:08 | |
CAR STARTS UP | 0:23:44 | 0:23:47 | |
Oh, shit! | 0:24:02 | 0:24:04 | |
-Are you aware that these killings occurred in the order of their phone book listings? -No comment. | 0:24:04 | 0:24:12 | |
That coffee's two hours cold. | 0:24:24 | 0:24:26 | |
I put a cigarette out in it! | 0:24:26 | 0:24:30 | |
-Got the next girl yet? -No answer. -Send a unit. -I did. | 0:24:30 | 0:24:34 | |
-There's no answer at the door. -Call her. -I just called her. -Call her again! | 0:24:34 | 0:24:41 | |
Give me a cigarette. | 0:24:41 | 0:24:44 | |
TELEPHONE RINGS | 0:24:47 | 0:24:50 | |
GINGER: 'Hi there! | 0:24:50 | 0:24:53 | |
'Ha ha! Fooled you! This is a machine.' | 0:24:53 | 0:24:58 | |
TURNS UP MUSIC VOLUME | 0:25:00 | 0:25:04 | |
Same shit. | 0:25:05 | 0:25:08 | |
I can hear it now. He'll be called the goddamn "Phone Book Killer"(!) | 0:25:08 | 0:25:13 | |
I hate these press cases. Especially the weird press cases. | 0:25:13 | 0:25:18 | |
-Where are you going? -To make a statement. | 0:25:19 | 0:25:24 | |
If I can get on the tube, maybe she'll call us. | 0:25:24 | 0:25:29 | |
-Well, how do I look? -Like shit, boss. -Your mama! | 0:25:29 | 0:25:35 | |
'Police have announced the name of the victim in the second murder to take place today. | 0:25:36 | 0:25:44 | |
'Incredibly, the names are virtually identical. Two hours ago, Sarah Ann Connor was pronounced dead...' | 0:25:44 | 0:25:52 | |
Can we change this? | 0:25:52 | 0:25:54 | |
-Don't touch it! -'..Sarah Louise Connor. | 0:25:54 | 0:25:58 | |
'Police are refusing to speculate on the apparent similarity | 0:25:58 | 0:26:03 | |
'and no other connection has been established. More on this as it comes in.' | 0:26:03 | 0:26:10 | |
VERY LOUD ROCK MUSIC | 0:27:19 | 0:27:22 | |
-You got a phone? -It's in the back. | 0:27:37 | 0:27:40 | |
Hey! Four-fifty. | 0:27:40 | 0:27:42 | |
'This is the Los Angeles Police Department emergency number. | 0:28:18 | 0:28:23 | |
'If you need help, stay on the line.' | 0:28:23 | 0:28:27 | |
POLICE RADIO: 'Two-eleven in progress at Bob's Liquor, corner of Third...' | 0:28:27 | 0:28:33 | |
MUSIC ON PERSONAL STEREO | 0:28:58 | 0:29:01 | |
AAAAAH! Shoo! Go on! I'm gonna make a belt out of you. | 0:29:27 | 0:29:33 | |
Whoa! | 0:29:44 | 0:29:45 | |
Don't make me bust you up, man! | 0:29:46 | 0:29:49 | |
AAAH! | 0:30:12 | 0:30:15 | |
TELEPHONE RINGS 'Ha ha! Fooled you! This is a machine. | 0:30:46 | 0:30:52 | |
'Talk to it and Ginger, that's me, or Sarah will get back to you. Wait for the beep.' | 0:30:52 | 0:30:59 | |
Ginger, this is Sarah. I'm at this place on Pico Boulevard called Tech Noir. | 0:30:59 | 0:31:06 | |
I'm really scared. I think that there's somebody after me. | 0:31:06 | 0:31:12 | |
I need you and Matt to come and pick me up. | 0:31:12 | 0:31:16 | |
The police keep transferring me. I'll give them another try. The number here is 555-9175. | 0:31:16 | 0:31:24 | |
Call me, kiddo. I need your help. | 0:31:24 | 0:31:27 | |
-It's her. -Sarah Connor? It's Lt Traxler. | 0:31:44 | 0:31:48 | |
Don't put me on hold! | 0:31:48 | 0:31:50 | |
-Don't worry. Where are you? -A bar called Tech Noir. -On Pico. Are you all right? | 0:31:50 | 0:31:58 | |
I think there's a guy following me. | 0:31:58 | 0:32:01 | |
Okay. You're in a public place, so you're safe, but stay visible. | 0:32:01 | 0:32:07 | |
-Don't go outside. I'll have a car there in a half minute. -Okay. | 0:32:07 | 0:32:12 | |
# I'm taking it I'm your never-ending goal, | 0:32:12 | 0:32:20 | |
# I'm your prisoner, | 0:32:20 | 0:32:23 | |
# I feel the heat of your desire, Don't set me on fire, | 0:32:23 | 0:32:29 | |
# You've got me burning! You've got me burning... # | 0:32:29 | 0:32:34 | |
< That guy didn't pay! | 0:32:34 | 0:32:37 | |
# You've got me burning! You've got me burning! | 0:32:41 | 0:32:46 | |
# You've got me burning in the third degree! # | 0:32:46 | 0:32:52 | |
Come with me if you want to live. | 0:35:09 | 0:35:12 | |
COME ON! | 0:35:20 | 0:35:22 | |
Aaaah! | 0:36:09 | 0:36:12 | |
I got a hit-and-run felony! Suspect vehicle, late model grey Ford, westbound on Seventh. | 0:36:31 | 0:36:37 | |
I'm going to need an ambulance at Seventh and Broadway right now! | 0:36:37 | 0:36:43 | |
Hey! Hold it! | 0:36:43 | 0:36:46 | |
Hold on! | 0:37:01 | 0:37:04 | |
Are you injured? | 0:37:12 | 0:37:15 | |
Are you shot? | 0:37:15 | 0:37:18 | |
Do exactly what I say - exactly! Don't move unless I say! | 0:37:22 | 0:37:28 | |
Don't make a sound! Do you understand? DO YOU? | 0:37:28 | 0:37:33 | |
YES! Please, don't hurt me! | 0:37:33 | 0:37:36 | |
I'm here to help you. | 0:37:52 | 0:37:54 | |
I'm Reese. Sergeant, Tech Com, assigned to protect you. You are targeted for termination! | 0:37:54 | 0:38:02 | |
RADIO: 'One-L-Nineteen?' | 0:38:06 | 0:38:10 | |
This is One-L-Nineteen, westbound on Olympic. | 0:38:10 | 0:38:15 | |
-It's a mistake. I've done nothing! -No, but you will. You must live. | 0:38:20 | 0:38:27 | |
-How could that man just get up...? -It's not a man! | 0:38:27 | 0:38:32 | |
A machine. A Terminator. Cyberdyne Systems model 101. | 0:38:32 | 0:38:37 | |
A machine? Like a robot? | 0:38:45 | 0:38:49 | |
Not a robot. A cyborg. Cybernetic Organism. | 0:38:49 | 0:38:54 | |
-He was bleeding! -Just a second. | 0:38:54 | 0:38:56 | |
-SIREN WAILS -Get your head down! | 0:38:56 | 0:39:01 | |
Listen. It's an infiltration unit, part-man, part-machine. | 0:39:43 | 0:39:48 | |
Underneath, it's a hyper-alloy combat chassis, | 0:39:48 | 0:39:52 | |
fully-armoured, very tough. But outside is living human tissue. | 0:39:52 | 0:39:58 | |
-Flesh, skin, hair, blood. -What do you want? -Pay attention! | 0:39:58 | 0:40:04 | |
I'm gonna ditch this car. | 0:40:04 | 0:40:06 | |
The 600 series had rubber skin. Easy to spot. | 0:40:11 | 0:40:15 | |
But these look human - sweat, bad breath. Very hard to spot. | 0:40:15 | 0:40:21 | |
-I had to wait till he moved on you. -Look, I am NOT stupid, you know. They can't make things like that. | 0:40:21 | 0:40:30 | |
Not yet. Not for about forty years. | 0:40:30 | 0:40:35 | |
-Are you saying it's from the future? -One possible future. | 0:40:36 | 0:40:42 | |
-I don't know tech stuff. -And you're from the future too, is that right? | 0:40:42 | 0:40:49 | |
-Right. -Right(!) | 0:40:49 | 0:40:52 | |
Cyborgs don't feel pain. I do. | 0:40:58 | 0:41:02 | |
-Don't do that again. -Just let me go. -Listen! And understand. | 0:41:02 | 0:41:08 | |
That Terminator is out there. | 0:41:08 | 0:41:11 | |
It can't be bargained or reasoned with. | 0:41:11 | 0:41:15 | |
It doesn't feel pity or remorse or fear and it absolutely will not stop! | 0:41:15 | 0:41:22 | |
Ever...until you are dead. | 0:41:22 | 0:41:26 | |
Can you stop it? | 0:41:34 | 0:41:37 | |
I don't know. | 0:41:40 | 0:41:42 | |
With these weapons... I don't know. | 0:41:42 | 0:41:46 | |
'All units! Grey Ford suspect vehicle is in a parking structure at Fourth and Broadway.' | 0:42:02 | 0:42:09 | |
Reese... Why me? | 0:42:48 | 0:42:52 | |
Why does it want me? | 0:42:53 | 0:42:56 | |
There was a nuclear war... a few years from now. | 0:43:02 | 0:43:08 | |
All this, this whole place, everything... | 0:43:10 | 0:43:15 | |
..it's gone. Just gone. | 0:43:16 | 0:43:20 | |
There were survivors. | 0:43:20 | 0:43:23 | |
Here, there. Nobody even knew who started it. | 0:43:23 | 0:43:28 | |
-It was the machines, Sarah. -I don't understand. | 0:43:32 | 0:43:37 | |
Defence network computers. | 0:43:37 | 0:43:40 | |
New...powerful... | 0:43:40 | 0:43:44 | |
Hooked into everything, trusted to run it all. | 0:43:44 | 0:43:48 | |
They say it got smart. A new order of intelligence. | 0:43:48 | 0:43:54 | |
It saw all people as a threat, not just those on the other side. | 0:43:54 | 0:43:59 | |
It decided our fate in a microsecond. | 0:43:59 | 0:44:03 | |
Extermination. | 0:44:04 | 0:44:06 | |
Did you see this war? | 0:44:19 | 0:44:22 | |
SCREECH OF TYRES | 0:44:22 | 0:44:25 | |
No. I grew up after. In the ruins. | 0:44:33 | 0:44:38 | |
-Starving, hiding from H-Ks. -H-Ks? -Hunter-Killers. | 0:44:38 | 0:44:43 | |
Patrol machines built in automated factories. | 0:44:43 | 0:44:49 | |
Most of us were rounded up, put in camps for orderly disposal. | 0:44:49 | 0:44:54 | |
This was burned in by laser scan. | 0:44:54 | 0:44:58 | |
Some of us were kept alive... | 0:45:00 | 0:45:02 | |
..to work. | 0:45:02 | 0:45:04 | |
Loading bodies. | 0:45:04 | 0:45:07 | |
Disposal units ran night and day. We were that close to going out forever. | 0:45:07 | 0:45:14 | |
But there was one man who taught us to fight, | 0:45:15 | 0:45:19 | |
to storm the wire and smash those metal mothers into junk! | 0:45:19 | 0:45:25 | |
He turned it around, brought us back from the brink. | 0:45:25 | 0:45:30 | |
His name was Connor, John Connor. Your son, Sarah. | 0:45:30 | 0:45:35 | |
Your unborn son. | 0:45:35 | 0:45:38 | |
ENGINE STARTS | 0:45:59 | 0:46:03 | |
GUNFIRE | 0:46:57 | 0:46:59 | |
Drive! | 0:47:24 | 0:47:26 | |
Reese! REESE! | 0:47:32 | 0:47:35 | |
SIRENS WAIL | 0:47:46 | 0:47:50 | |
No, Reese! No! No! They'll kill you. | 0:47:51 | 0:47:56 | |
Let me see your hands now! | 0:47:56 | 0:47:59 | |
Get out of the car! | 0:47:59 | 0:48:02 | |
Drop to your knees! Out of the car! | 0:48:05 | 0:48:09 | |
Drop to the ground! | 0:48:09 | 0:48:11 | |
Sarah? Sarah, try to drink some of this. | 0:48:38 | 0:48:43 | |
Are you sure it's them? I mean, maybe I should look at the bodies. | 0:48:43 | 0:48:49 | |
No, they've been identified. There's no doubt. | 0:48:49 | 0:48:54 | |
Ginger! | 0:48:56 | 0:48:58 | |
-Sarah... This is Dr Silberman. -Hi, Sarah. | 0:49:01 | 0:49:06 | |
-Tell him everything Reese told you. Feel up to that? -I guess so. | 0:49:06 | 0:49:12 | |
You're a doctor? | 0:49:12 | 0:49:15 | |
Criminal psychologist. | 0:49:15 | 0:49:18 | |
-Is Reese crazy? -Well, that's what we're gonna find out. | 0:49:18 | 0:49:22 | |
SIRENS WAIL > | 0:49:38 | 0:49:40 | |
So, you're a soldier. Fighting for whom? | 0:50:44 | 0:50:49 | |
With the 132nd under Perry, from '21 to '27. | 0:50:49 | 0:50:54 | |
-That's the year 2027? -That's right... | 0:50:54 | 0:50:58 | |
-This is fucking great! -..under John Connor. | 0:50:58 | 0:51:03 | |
-Who was the enemy again? -A computer defence system... -BEEPER SOUNDS | 0:51:03 | 0:51:09 | |
-..built for SAC-NORAD by Cyberdyne Systems. -I see. | 0:51:09 | 0:51:14 | |
And this computer thinks it can win by killing its enemy's mother before he's conceived? | 0:51:14 | 0:51:22 | |
A sort of retroactive abortion? | 0:51:22 | 0:51:25 | |
-He cracks me up! Last week he had this guy who burned his Afghan. He screwed it first... -Shut up! | 0:51:25 | 0:51:33 | |
-Why not kill Connor then? Why an elaborate Terminator scheme? -Their defence grid was smashed. | 0:51:33 | 0:51:41 | |
We'd won. Taking out Connor then would make no difference. They had to wipe out his existence. | 0:51:41 | 0:51:49 | |
Is that when you captured the lab and found... What is it? ..the time displacement equipment? | 0:51:49 | 0:51:56 | |
Yes. The Terminator was through. I came, then they blew the place. | 0:51:56 | 0:52:02 | |
-How are you supposed to get back? -I can't! | 0:52:02 | 0:52:07 | |
Nobody goes home. | 0:52:08 | 0:52:11 | |
And nobody else comes through. | 0:52:11 | 0:52:14 | |
It's just him...and me. | 0:52:15 | 0:52:18 | |
'It's just him...and me. | 0:53:58 | 0:54:01 | |
'Why didn't you bring any weapons? Something more advanced. | 0:54:01 | 0:54:09 | |
'Don't you have...ray guns?' | 0:54:09 | 0:54:11 | |
Ray guns! | 0:54:12 | 0:54:14 | |
'You go naked. It's the field generated by a living organism. Nothing dead will go. | 0:54:14 | 0:54:22 | |
-'I didn't build the fucking thing! -Okay. But if this cyborg is metal... -Surrounded by living tissue!' | 0:54:22 | 0:54:29 | |
This is great stuff! I could make a career out of him! | 0:54:29 | 0:54:33 | |
See how clever it is? Most paranoid delusions are intricate, but this is brilliant! | 0:54:33 | 0:54:41 | |
-'Why were the other 2 women killed? -Most records were lost in the war. | 0:54:41 | 0:54:46 | |
'They knew almost nothing about Connor's mother. Just the city. | 0:54:46 | 0:54:52 | |
'The Terminator was just being systematic. | 0:54:52 | 0:54:56 | |
-'Now... -I answered your questions! I have to see Sarah Connor! | 0:54:56 | 0:55:01 | |
-'Unfortunately, it's not up to me. -Who is in authority here? | 0:55:01 | 0:55:07 | |
-'Please... -SHUT UP! You still don't get it, do you? | 0:55:07 | 0:55:12 | |
'He'll find her! That's what he does! That's all he does! He won't stop!' | 0:55:12 | 0:55:18 | |
-He'll wait for you! -HE SHOUTS AND SWEARS | 0:55:18 | 0:55:23 | |
-Doc! -'Let go of me!' | 0:55:23 | 0:55:26 | |
Sorry. | 0:55:29 | 0:55:30 | |
-So, Reese is crazy? -In technical terms, he's a loon! | 0:55:34 | 0:55:40 | |
Sarah, this is called body armour. Our TAC guys wear these. It'll stop a 12-gauge round. | 0:55:40 | 0:55:48 | |
The other guy must have worn one. Feel that. | 0:55:48 | 0:55:52 | |
-He punched through the windshield. -Probably on PCP. Break his hand and wouldn't feel it. | 0:55:54 | 0:56:01 | |
-There was this guy once... -Here. | 0:56:01 | 0:56:04 | |
Why don't you try to sleep? | 0:56:04 | 0:56:07 | |
-It'll be at least an hour before your mother gets here. -I can't sleep. -Try. | 0:56:07 | 0:56:14 | |
Well, it may not look it, but that couch is very comfortable. | 0:56:14 | 0:56:19 | |
You'll be perfectly safe. We've got 30 cops in this building. | 0:56:19 | 0:56:24 | |
Thank you. | 0:56:24 | 0:56:26 | |
Good night. Good night. | 0:56:32 | 0:56:35 | |
BEEPER SOUNDS | 0:56:40 | 0:56:43 | |
I'm a friend of Sarah Connor. | 0:56:47 | 0:56:50 | |
-Can I see her? -No, you can't. | 0:56:50 | 0:56:54 | |
-Where is she? -If you wanna wait, there's a bench. | 0:56:54 | 0:56:59 | |
I'll be back. | 0:57:09 | 0:57:11 | |
Agh! | 0:57:47 | 0:57:49 | |
What's happening? Is it terrorists? | 0:57:58 | 0:58:02 | |
Stay here. | 0:58:05 | 0:58:07 | |
SHOUTING | 0:58:19 | 0:58:21 | |
BULLETS HIT THE TERMINATOR | 0:58:29 | 0:58:32 | |
Watch him! | 0:58:44 | 0:58:46 | |
MORE GUNFIRE | 0:58:52 | 0:58:54 | |
Automatic weapons! Let's go! | 0:59:04 | 0:59:07 | |
DYING MEN CRY OUT | 0:59:32 | 0:59:35 | |
Ed? | 0:59:50 | 0:59:52 | |
Hey! | 0:59:53 | 0:59:54 | |
Sarah? | 1:00:19 | 1:00:22 | |
Reese! | 1:00:22 | 1:00:25 | |
This way! | 1:00:27 | 1:00:29 | |
RADIO: 'KFLB Newstime. | 1:01:08 | 1:01:11 | |
'The largest single law enforcement mobilisation in Californian history is underway...' | 1:01:11 | 1:01:18 | |
'Police in five counties are engaged in a manhunt...' | 1:01:18 | 1:01:20 | |
Take this. | 1:01:23 | 1:01:25 | |
All right. Let's get this off the road. | 1:01:27 | 1:01:31 | |
-Cold? -Freezing! | 1:02:01 | 1:02:04 | |
TRAFFIC PASSES OVERHEAD | 1:02:07 | 1:02:10 | |
-Reese? You got a first name? -Kyle. | 1:02:17 | 1:02:22 | |
Kyle. What's it like when you go through time? | 1:02:22 | 1:02:28 | |
White light. | 1:02:30 | 1:02:33 | |
Pain. | 1:02:34 | 1:02:36 | |
It's like being born, maybe. | 1:02:37 | 1:02:40 | |
Oh, my God! | 1:02:40 | 1:02:43 | |
I caught one back there. | 1:02:43 | 1:02:46 | |
You mean you got shot? | 1:02:46 | 1:02:49 | |
-It's not bad. -You need a doctor! -It's okay. Forget it. | 1:02:49 | 1:02:54 | |
What do you mean? Are you crazy? Take this off. | 1:02:54 | 1:02:59 | |
-Jesus! -It passed right through the meat. -This is gonna make me puke! | 1:03:10 | 1:03:17 | |
-Talk about something. -What? | 1:03:17 | 1:03:21 | |
Anything. Tell me about my son. | 1:03:21 | 1:03:24 | |
He's about my height. | 1:03:24 | 1:03:27 | |
He has your eyes. | 1:03:30 | 1:03:33 | |
-What's he like? -You trust him. He's got a strength. | 1:03:36 | 1:03:41 | |
I'd die for John Connor. | 1:03:43 | 1:03:45 | |
At least now I know what to name him! | 1:03:47 | 1:03:51 | |
I don't suppose you know who the father is? | 1:03:53 | 1:03:57 | |
-John never said much about him. I know he dies before... -Wait! | 1:03:57 | 1:04:03 | |
I don't wanna know. | 1:04:03 | 1:04:06 | |
-Was it John that sent you here? -I volunteered. | 1:04:06 | 1:04:12 | |
Why? | 1:04:12 | 1:04:14 | |
It was a chance to meet the legend...Sarah Connor, | 1:04:14 | 1:04:19 | |
who taught her son how to fight, organise, prepared from when he was a kid. | 1:04:19 | 1:04:27 | |
When you were in hiding before the war. | 1:04:27 | 1:04:31 | |
You talk about things I haven't done yet in the past tense! | 1:04:31 | 1:04:36 | |
-It's driving me crazy! -Aaah! | 1:04:36 | 1:04:39 | |
-Are you sure you have the right person? -I'm sure. | 1:04:41 | 1:04:46 | |
Come on! Do I look like the mother of the future? | 1:04:46 | 1:04:50 | |
I mean, am I tough? | 1:04:50 | 1:04:53 | |
Organised? I can't balance my cheque-book! | 1:04:53 | 1:04:58 | |
Look, Reese. I didn't ask for this honour and I don't want it. Any of it! | 1:04:59 | 1:05:06 | |
Your son gave me a message for you. He made me memorise it. | 1:05:06 | 1:05:12 | |
"Thank you, Sarah, for your courage. | 1:05:12 | 1:05:16 | |
"I can only help by saying the future is not set. | 1:05:16 | 1:05:20 | |
"You must be strong. You must survive or I will never exist." | 1:05:20 | 1:05:25 | |
That's all. | 1:05:25 | 1:05:28 | |
That's a good field dressing. | 1:05:29 | 1:05:32 | |
You like it? | 1:05:32 | 1:05:34 | |
It's my first(!) | 1:05:35 | 1:05:38 | |
-A CAR PASSES -Do you want some sleep? It'll be light soon. | 1:05:38 | 1:05:45 | |
Okay. | 1:05:48 | 1:05:50 | |
Talk to me some more. | 1:05:59 | 1:06:02 | |
About what? | 1:06:03 | 1:06:06 | |
Tell me about where you're from. | 1:06:06 | 1:06:09 | |
All right. | 1:06:09 | 1:06:13 | |
You stay down by day, but at night you can move around. | 1:06:14 | 1:06:19 | |
You still have to be careful, because the H-Ks use infra-red. | 1:06:19 | 1:06:24 | |
But they're not too bright. | 1:06:24 | 1:06:27 | |
John taught us ways to dust them. | 1:06:27 | 1:06:30 | |
It's when the infiltrators started to appear... The Terminators were the newest. And the worst. | 1:06:30 | 1:06:38 | |
RADIO: 'Traversing your sector in search mode, 750 metres north.' | 1:06:46 | 1:06:52 | |
Let's go. | 1:06:55 | 1:06:57 | |
-Reese. E-N, three-eight-four. -Right. Let him in. | 1:07:40 | 1:07:46 | |
MAKES SHOOTING NOISES | 1:08:05 | 1:08:09 | |
COUGHING | 1:08:11 | 1:08:14 | |
WOMEN WEEPING | 1:08:28 | 1:08:31 | |
DOGS BARKING | 1:09:05 | 1:09:08 | |
< Terminator! Terminator! | 1:09:12 | 1:09:15 | |
I was dreaming about dogs. | 1:10:26 | 1:10:30 | |
We use them to spot Terminators. | 1:10:30 | 1:10:33 | |
Your world is pretty terrifying. | 1:10:35 | 1:10:37 | |
KNOCK ON DOOR | 1:11:06 | 1:11:09 | |
Hey, buddy? Got a dead cat in there or what? | 1:11:13 | 1:11:18 | |
Fuck you, asshole. | 1:11:24 | 1:11:27 | |
Damn! | 1:11:45 | 1:11:47 | |
Thank you! | 1:11:47 | 1:11:49 | |
HORN TOOTS | 1:11:49 | 1:11:52 | |
Eh...is this enough? | 1:11:52 | 1:11:55 | |
Yeah, it's enough! I don't want to ask where you got it. | 1:11:55 | 1:12:00 | |
-Yeah? -We need a room. -With a kitchen. -With a kitchen. | 1:12:05 | 1:12:10 | |
I am dying for a shower! | 1:12:25 | 1:12:28 | |
We should check your bandage, too. | 1:12:29 | 1:12:32 | |
Later. I'm going out for supplies. | 1:12:33 | 1:12:36 | |
Keep this. | 1:12:39 | 1:12:41 | |
I can't tell you where I am, Mom. I was told not to say. | 1:13:04 | 1:13:09 | |
But, honey, you tell me to hide out like some fugitive and you won't tell me what's going on? | 1:13:09 | 1:13:16 | |
I am worried sick here! | 1:13:16 | 1:13:19 | |
Okay. | 1:13:19 | 1:13:21 | |
-Okay, here's the number. -Yes. Go ahead. | 1:13:21 | 1:13:25 | |
-It's 408-555-1439. -Uh-huh. -Room Nine. Got it? | 1:13:25 | 1:13:31 | |
-I got it. -I've gotta go. I'm sorry I can't tell you more now. I love you, Mom. | 1:13:31 | 1:13:39 | |
I love you too, sweetheart. | 1:13:42 | 1:13:45 | |
-Tiki Motel. -Give me your address. | 1:13:55 | 1:13:59 | |
What have we got? | 1:14:02 | 1:14:05 | |
Moth balls, corn syrup... ammonia(!) | 1:14:07 | 1:14:13 | |
-What's for dinner? -Plastique. | 1:14:13 | 1:14:16 | |
Mm, that sounds good. What is it? | 1:14:16 | 1:14:20 | |
It's a nitroglycerine base. It's more stable. I learned to make it when I was a kid. | 1:14:20 | 1:14:27 | |
Make sure there's none on the threads. | 1:14:37 | 1:14:41 | |
Like this. | 1:14:41 | 1:14:44 | |
Screw the end-cap on. | 1:14:44 | 1:14:47 | |
Very gently! | 1:14:49 | 1:14:51 | |
You must have had a fun childhood(!) | 1:14:51 | 1:14:55 | |
That's good. Six more like that and we'll get started on the fuses. | 1:14:58 | 1:15:04 | |
He'll find us, won't he? | 1:15:14 | 1:15:17 | |
Probably. | 1:15:18 | 1:15:21 | |
It'll never be over, will it? | 1:15:36 | 1:15:40 | |
Look at me - I'm shaking! | 1:15:48 | 1:15:51 | |
Some legend, huh? | 1:15:51 | 1:15:54 | |
You must be pretty disappointed. | 1:15:54 | 1:15:57 | |
No...I'm not. | 1:15:57 | 1:16:01 | |
Kyle...the women in your time, what are they like? | 1:16:10 | 1:16:16 | |
Good fighters. | 1:16:18 | 1:16:21 | |
That's not what I meant. | 1:16:21 | 1:16:23 | |
Was there someone special? | 1:16:23 | 1:16:26 | |
-Someone? -A girl. You know. | 1:16:29 | 1:16:32 | |
No. | 1:16:32 | 1:16:35 | |
Never. | 1:16:38 | 1:16:40 | |
Never? | 1:16:41 | 1:16:43 | |
I'm sorry. | 1:16:46 | 1:16:48 | |
I'm so sorry. | 1:16:48 | 1:16:51 | |
So much pain. | 1:16:53 | 1:16:55 | |
Pain can be controlled. You just disconnect it. | 1:16:56 | 1:17:01 | |
So you feel nothing? | 1:17:01 | 1:17:04 | |
John Connor gave me a picture of you once. | 1:17:08 | 1:17:12 | |
I didn't know why at the time. It was very old. | 1:17:12 | 1:17:17 | |
Torn. Faded. | 1:17:19 | 1:17:22 | |
You were young, like you are now. | 1:17:24 | 1:17:27 | |
You seemed just...a little sad. | 1:17:27 | 1:17:31 | |
I used to wonder what you were thinking at that moment. I memorised every line. | 1:17:32 | 1:17:40 | |
Every curve. | 1:17:40 | 1:17:43 | |
I came across time for YOU, Sarah. | 1:17:44 | 1:17:47 | |
I love you. | 1:17:47 | 1:17:50 | |
I always have. | 1:17:52 | 1:17:54 | |
I shouldn't have said that. | 1:18:10 | 1:18:13 | |
Think fast! | 1:19:38 | 1:19:41 | |
DOG BARKS | 1:19:44 | 1:19:47 | |
Trade places! | 1:21:06 | 1:21:09 | |
Faster! Drive faster! | 1:21:19 | 1:21:23 | |
KYLE! Oh, my God! | 1:22:10 | 1:22:13 | |
AAAAAAAH! | 1:22:33 | 1:22:37 | |
Kyle...! | 1:22:46 | 1:22:47 | |
ENGINE ROARS | 1:22:56 | 1:22:59 | |
Sonofabitch! | 1:23:01 | 1:23:04 | |
You stay here. | 1:23:18 | 1:23:21 | |
Let's get outta here! | 1:23:42 | 1:23:46 | |
Get out. | 1:23:46 | 1:23:48 | |
Kyle! Come on! Get up! | 1:24:05 | 1:24:07 | |
Help me! | 1:24:12 | 1:24:14 | |
Kyle! | 1:24:14 | 1:24:17 | |
Come on! HELP ME! | 1:24:17 | 1:24:20 | |
Get out! | 1:24:20 | 1:24:22 | |
Don't stop! RUN! | 1:24:46 | 1:24:49 | |
-Sarah! -Kyle! | 1:26:54 | 1:26:57 | |
We did it, Kyle! | 1:27:07 | 1:27:09 | |
We got it! | 1:27:09 | 1:27:11 | |
No-o-o! | 1:27:29 | 1:27:32 | |
Wait! | 1:28:25 | 1:28:27 | |
-What are you doing? -Cover...so he can't track us. | 1:28:31 | 1:28:36 | |
Come on! Come on... | 1:28:46 | 1:28:49 | |
No, Kyle! Come on! | 1:28:49 | 1:28:53 | |
-Leave me here. -Get up! | 1:28:53 | 1:28:56 | |
Move it, Reese! On your feet, soldier! | 1:29:05 | 1:29:10 | |
On your feet! Move it! | 1:29:10 | 1:29:14 | |
MACHINE STARTS UP | 1:30:03 | 1:30:07 | |
Back! Go back! | 1:30:22 | 1:30:25 | |
-Run, Sarah. -No! | 1:30:56 | 1:30:59 | |
RUN! | 1:30:59 | 1:31:01 | |
RUN! | 1:31:04 | 1:31:06 | |
Come on, you mother! | 1:31:07 | 1:31:11 | |
Aaaah! | 1:31:55 | 1:31:57 | |
Aaaa...aaargh! | 1:32:14 | 1:32:17 | |
No, no...! | 1:32:55 | 1:32:57 | |
Aaaah! | 1:33:03 | 1:33:06 | |
You're terminated, fucker! | 1:34:50 | 1:34:53 | |
SIRENS WAIL | 1:35:34 | 1:35:37 | |
Kyle... | 1:35:49 | 1:35:51 | |
Tape Seven, November tenth. | 1:36:09 | 1:36:13 | |
What's most difficult for me is deciding what to tell you and what not to. | 1:36:13 | 1:36:19 | |
But it'll be a while before you understand these tapes. | 1:36:19 | 1:36:24 | |
They're more for me at this point, so I can get it straight. | 1:36:24 | 1:36:29 | |
-Gasolina, por favor. -Cuanta? | 1:36:57 | 1:37:00 | |
-Llene el tanque. -Ah, fill her up! Si. | 1:37:00 | 1:37:05 | |
Should I talk about your father? | 1:37:08 | 1:37:11 | |
Boy, that's a tough one. | 1:37:11 | 1:37:14 | |
Will it affect your decision to send him here, knowing that he is your father? | 1:37:14 | 1:37:21 | |
If you don't send Kyle, you could never be. God! A person could go crazy thinking about this! | 1:37:21 | 1:37:28 | |
I suppose I will tell you. I owe him that. | 1:37:31 | 1:37:36 | |
Maybe it will help if you know that in the few hours that we had together, | 1:37:38 | 1:37:45 | |
we loved a lifetime's worth. | 1:37:46 | 1:37:49 | |
Usted es muy hermosa y tengo que pedirle 5 dolares americanos. | 1:37:53 | 1:37:58 | |
-Si no, mi padre me pegara. -What did he just say? | 1:37:58 | 1:38:03 | |
You are very beautiful and he is ashamed to ask 5 for this picture, | 1:38:03 | 1:38:09 | |
-but if he doesn't, his father will beat him. -Pretty good hustle, kid. Quatro. | 1:38:09 | 1:38:16 | |
Si! Si! Gracias. | 1:38:16 | 1:38:19 | |
Miren! Miren! > | 1:38:22 | 1:38:24 | |
Alla! Viene la tormenta! | 1:38:26 | 1:38:30 | |
-What did he just say? -He said there's a storm coming. | 1:38:30 | 1:38:35 | |
I know. | 1:38:39 | 1:38:41 | |
DISTANT THUNDER | 1:38:53 | 1:38:55 | |
Subtitles by Red Bee Media Ltd | 1:40:05 | 1:40:07 |