
Browse content similar to Hurt's Rescue: Iris Prize. Check below for episodes and series from the same categories and more!
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Excuse me, are these croutons gluten-free? | 0:00:02 | 0:00:04 | |
# Can't read my, can't read my | 0:00:06 | 0:00:08 | |
# No, he can't read my poker face. # | 0:00:08 | 0:00:12 | |
The Iris Prize continues to be | 0:00:12 | 0:00:13 | |
the world's largest lesbian and gay short film prize. | 0:00:13 | 0:00:16 | |
Three years ago, I just felt like... | 0:00:16 | 0:00:19 | |
everything was... | 0:00:19 | 0:00:21 | |
Like nothing was there. | 0:00:21 | 0:00:23 | |
Um...like there was no hope at all. | 0:00:23 | 0:00:26 | |
So I tried to kill myself. | 0:00:26 | 0:00:28 | |
30 films, 30 of the best films compete annually for the prize. | 0:00:35 | 0:00:40 | |
They're screened at a public festival in Cardiff | 0:00:40 | 0:00:43 | |
where an international jury select the winner. | 0:00:43 | 0:00:48 | |
And that winner goes on to make another short film | 0:00:48 | 0:00:51 | |
with a prize which, um...at the moment is valued at £25,000. | 0:00:51 | 0:00:57 | |
Five films have been produced to date with the Iris Prize | 0:00:57 | 0:01:02 | |
and probably the film which has secured the most attention | 0:01:02 | 0:01:06 | |
has been a film called Burger, which was the fourth film. | 0:01:06 | 0:01:10 | |
And earlier this year, the film was selected out of 8,000 short films | 0:01:10 | 0:01:15 | |
to screen at the prestigious Sundance Film Festival. | 0:01:15 | 0:01:19 | |
-So, how are you doing, then, Mr Ireland? -Good. | 0:01:19 | 0:01:22 | |
I love that accent! Speak more to me. | 0:01:22 | 0:01:25 | |
-What do you want me to say? -Tell me you want to marry me. | 0:01:25 | 0:01:27 | |
I don't want to marry you. | 0:01:27 | 0:01:29 | |
-Why? -HE LAUGHS | 0:01:29 | 0:01:31 | |
So, what are you doing over here? Are you part of the IRA? | 0:01:31 | 0:01:34 | |
Are you here to bomb me? | 0:01:34 | 0:01:36 | |
Don't worry. My friend here is part of Al-Qaeda. | 0:01:36 | 0:01:40 | |
-You can discuss bombing together. -I'm not a terrorist. | 0:01:40 | 0:01:43 | |
-Well, you can discuss other things. He's very versatile. -Matthew! | 0:01:43 | 0:01:47 | |
Really, a celebration of storytelling. | 0:01:51 | 0:01:53 | |
The fact that some of the film-makers and some of the content | 0:01:53 | 0:01:56 | |
is gay or lesbian is an important part of the festival. | 0:01:56 | 0:02:00 | |
-Hey! -But really, I think what we're more interested in | 0:02:00 | 0:02:03 | |
is effective storytelling. | 0:02:03 | 0:02:06 | |
DANCE MUSIC | 0:02:14 | 0:02:16 | |
Tired today, huh? | 0:02:30 | 0:02:33 | |
It was hot in there, I tell you. | 0:02:33 | 0:02:35 | |
-Izi? -Yeah. -Yeah? -What is this? | 0:02:36 | 0:02:39 | |
-Come with us, please. -What's going on? -Come with us, please, sir. | 0:02:39 | 0:02:42 | |
-Hey! What is this? -Whoa-whoa-whoa! What's going on? | 0:02:42 | 0:02:45 | |
Out of the way! Excuse me, coming through. | 0:02:45 | 0:02:47 | |
Hey-hey-hey! Whoa-whoa-whoa! What's going on here? | 0:02:47 | 0:02:49 | |
The fifth film produced by the Iris Prize is Hurt's Rescue, | 0:02:49 | 0:02:53 | |
by Grant Scicluna from Australia. | 0:02:53 | 0:02:55 | |
I think what's unique about the Iris Prize is that we allow | 0:02:55 | 0:02:59 | |
the winning film-maker the freedom to develop whatever story they want. | 0:02:59 | 0:03:03 | |
It's quite unusual in the film industry | 0:03:03 | 0:03:06 | |
for a director to be given that amount of freedom. | 0:03:06 | 0:03:09 | |
And it's probably a rare opportunity | 0:03:09 | 0:03:12 | |
for the winner to take something | 0:03:12 | 0:03:15 | |
that maybe they've been thinking about for a long time | 0:03:15 | 0:03:18 | |
and having that opportunity to realise the vision | 0:03:18 | 0:03:22 | |
and for that story to appear on the big screen | 0:03:22 | 0:03:25 | |
with all the resources that they need to tell it. | 0:03:25 | 0:03:27 | |
It's quite unique to that extent. | 0:03:27 | 0:03:29 | |
I hope my Hungarian's going to be good enough for you. | 0:04:59 | 0:05:02 | |
-Koszonom. -Thank you. | 0:05:03 | 0:05:05 | |
SHE SPEAKS HUNGARIAN | 0:05:05 | 0:05:07 | |
COUGHING | 0:05:07 | 0:05:09 | |
SHE SPEAKS HUNGARIAN | 0:05:26 | 0:05:27 | |
She said that they make this with nine apples. | 0:05:32 | 0:05:35 | |
She talks to me, please. | 0:05:35 | 0:05:36 | |
Sorry. | 0:05:36 | 0:05:38 | |
SHE SPEAKS HUNGARIAN | 0:05:40 | 0:05:42 | |
Let's begin. | 0:05:42 | 0:05:44 | |
About the American you're selling. | 0:05:44 | 0:05:46 | |
HE SPEAKS HUNGARIAN | 0:05:46 | 0:05:48 | |
Can I see him? | 0:05:49 | 0:05:51 | |
HE SPEAKS HUNGARIAN | 0:05:51 | 0:05:52 | |
SHE SPEAKS HUNGARIAN | 0:05:52 | 0:05:54 | |
Where are you from? | 0:05:54 | 0:05:56 | |
Vietnam. | 0:05:56 | 0:05:58 | |
SHE SPEAKS HUNGARIAN | 0:05:58 | 0:06:00 | |
-You're not American? -No. I'm Vietnamese. | 0:06:00 | 0:06:04 | |
SHE SPEAKS HUNGARIAN | 0:06:04 | 0:06:06 | |
And the men you brought? | 0:06:06 | 0:06:08 | |
A German and a Belgian. | 0:06:12 | 0:06:14 | |
SHE SPEAKS HUNGARIAN | 0:06:22 | 0:06:24 | |
SHE SPEAKS HUNGARIAN | 0:06:29 | 0:06:30 | |
She wants to tell you a story about a two-headed cat. | 0:06:33 | 0:06:37 | |
SHE SPEAKS HUNGARIAN | 0:06:37 | 0:06:39 | |
It lived in the alleys of Miskolc. | 0:06:44 | 0:06:46 | |
It had two necks, two heads, but just one body. | 0:06:46 | 0:06:49 | |
SHE SPEAKS HUNGARIAN | 0:06:49 | 0:06:50 | |
One day, the cat found a plate of food outside a restaurant. | 0:06:59 | 0:07:02 | |
First head started eating it | 0:07:02 | 0:07:03 | |
and said it was the most delicious food he'd ever tasted. | 0:07:03 | 0:07:06 | |
SHE SPEAKS HUNGARIAN | 0:07:06 | 0:07:08 | |
The second head said, "Please let me taste that wonderful food." | 0:07:11 | 0:07:14 | |
SHE SPEAKS HUNGARIAN | 0:07:14 | 0:07:16 | |
The first head said, "Why? We've only got one stomach. | 0:07:25 | 0:07:27 | |
"I found it, so I'm going to eat it." | 0:07:27 | 0:07:29 | |
SHE SPEAKS HUNGARIAN | 0:07:29 | 0:07:31 | |
The second head was really angry at the first head's selfishness, | 0:07:48 | 0:07:52 | |
so the next day, he found some poison in a rat trap and he said, | 0:07:52 | 0:07:57 | |
"I'm going to eat this to avenge the insult you did to me, you cheat!" | 0:07:57 | 0:08:01 | |
SHE SPEAKS HUNGARIAN | 0:08:01 | 0:08:03 | |
The first head started begging, | 0:08:06 | 0:08:07 | |
"Please don't eat it. If you do, we'll both die." | 0:08:07 | 0:08:10 | |
SHE SPEAKS HUNGARIAN | 0:08:10 | 0:08:12 | |
The second head said, "Shut your mouth. | 0:08:15 | 0:08:17 | |
"I've got every right to eat it." | 0:08:17 | 0:08:18 | |
SHE SPEAKS HUNGARIAN | 0:08:18 | 0:08:21 | |
The first head started weeping, | 0:08:28 | 0:08:30 | |
but the second head still ate the poison. | 0:08:30 | 0:08:32 | |
And so they both died. | 0:08:32 | 0:08:34 | |
SHE SPEAKS HUNGARIAN | 0:08:34 | 0:08:36 | |
James, I've found you. | 0:08:54 | 0:08:56 | |
I'm taking you home. | 0:08:57 | 0:08:59 | |
SHE SPEAKS HUNGARIAN | 0:09:00 | 0:09:02 | |
SHE SPEAKS HUNGARIAN | 0:09:26 | 0:09:29 | |
Take your clothes off. | 0:09:29 | 0:09:30 | |
-SHE SHOUTS IN HUNGARIAN -Hurry up. | 0:09:32 | 0:09:35 | |
-SHE SHOUTS IN HUNGARIAN -Move! | 0:09:35 | 0:09:37 | |
-SHE SHOUTS IN HUNGARIAN -Don't look at him. | 0:09:39 | 0:09:42 | |
SHE SPEAKS HUNGARIAN | 0:09:45 | 0:09:47 | |
She said weak men are useless to them. | 0:09:49 | 0:09:52 | |
I have money. | 0:09:52 | 0:09:53 | |
HE SPEAKS HUNGARIAN | 0:09:53 | 0:09:56 | |
SHE SPEAKS HUNGARIAN | 0:09:56 | 0:09:58 | |
She wants 5,000 euros. | 0:09:58 | 0:10:01 | |
SHE SHOUTS IN HUNGARIAN | 0:10:01 | 0:10:03 | |
She told you, don't look at him, don't look at anyone. | 0:10:06 | 0:10:10 | |
You're no-one here. | 0:10:10 | 0:10:12 | |
THEY SPEAK HUNGARIAN | 0:10:12 | 0:10:14 | |
What kind of men are they? | 0:10:14 | 0:10:16 | |
You can't back out of this. | 0:10:16 | 0:10:18 | |
SHE SPEAKS HUNGARIAN | 0:10:18 | 0:10:19 | |
-Are they perverts? -They want to work. | 0:10:19 | 0:10:21 | |
SHE SPEAKS HUNGARIAN | 0:10:23 | 0:10:25 | |
SHE SPEAKS HUNGARIAN | 0:10:36 | 0:10:38 | |
GLASSES CLINK | 0:10:41 | 0:10:42 | |
THEY SPEAK HUNGARIAN | 0:11:00 | 0:11:02 | |
-Thank you. -SHE SPEAKS HUNGARIAN | 0:11:07 | 0:11:10 | |
I just told her I'd sleep in the car. | 0:11:10 | 0:11:12 | |
I'm sorry you had to see all that. | 0:11:16 | 0:11:19 | |
Those boys, the firm I work for, they found them. | 0:11:19 | 0:11:22 | |
They got no friends, no family, no life. | 0:11:22 | 0:11:26 | |
They knew what they were getting into. | 0:11:27 | 0:11:29 | |
Your family want you back. | 0:11:31 | 0:11:34 | |
You got nothing to be afraid of. | 0:11:34 | 0:11:35 | |
I'm going to get you back home. | 0:11:37 | 0:11:38 | |
HORSE WHINNIES | 0:11:58 | 0:12:00 | |
What are you scared of? | 0:12:02 | 0:12:04 | |
There'll be people that can help you soon. | 0:12:07 | 0:12:09 | |
Write a message. Anything you like. | 0:12:16 | 0:12:19 | |
A message home, a message to me. | 0:12:19 | 0:12:22 | |
No-one's angry at you for walking out. | 0:12:29 | 0:12:31 | |
Stop it, James! | 0:12:46 | 0:12:47 | |
KNOCK AT DOOR | 0:12:50 | 0:12:51 | |
EMBERS CRACKLE | 0:12:57 | 0:12:59 | |
I'd like to give him something to eat. | 0:13:16 | 0:13:18 | |
It can be some of mine. | 0:13:20 | 0:13:21 | |
HE SPEAKS HUNGARIAN | 0:13:24 | 0:13:26 | |
SHE SPEAKS HUNGARIAN | 0:13:35 | 0:13:36 | |
Eat something. | 0:14:02 | 0:14:04 | |
SHE SHOUTS IN HUNGARIAN | 0:14:15 | 0:14:16 | |
PLAYFUL INSTRUMENTAL | 0:14:28 | 0:14:30 | |
SHE SPEAKS HUNGARIAN | 0:14:30 | 0:14:31 | |
SHE SHOUTS IN HUNGARIAN | 0:15:05 | 0:15:07 | |
BOY SHOUTS IN HUNGARIAN | 0:15:09 | 0:15:12 | |
FLAMES ROAR | 0:15:45 | 0:15:47 | |
It'll be all right. | 0:16:30 | 0:16:31 | |
FAINT CHATTER | 0:16:46 | 0:16:48 | |
SHE SPEAKS HUNGARIAN | 0:17:34 | 0:17:35 | |
DOOR SLAMS SHUT | 0:17:38 | 0:17:40 | |
SHE SPEAKS HUNGARIAN | 0:17:42 | 0:17:44 | |
She asked if you would recognise your dog | 0:17:48 | 0:17:50 | |
if it went off white and came home black. | 0:17:50 | 0:17:53 | |
POIGNANT INSTRUMENTAL | 0:18:03 | 0:18:05 |