Bringing Down the House

Line	From	To
Woman: Are you there?	0:00:17	0:00:19
-Man: -I'm here.	0:00:19	0:00:20
Help me. My client is going to jail.	0:00:20	0:00:24
Oh, no, she's not. I think I've got it.	0:00:24	0:00:27
Really?	0:00:27	0:00:29
Look up Hasson v Conrad.	0:00:29	0:00:31
Similar circumstantial evidence - case was thrown out.	0:00:31	0:00:35
Legaleagle, thank you.	0:00:35	0:00:36
You are by far the most brilliant mind in this chat room.	0:00:36	0:00:41
Thank you, Lawyer-girl.	0:00:41	0:00:42
I, uh, realize we have certain anonymity here,	0:00:42	0:00:46
But do you, by any chance, have a name?	0:00:46	0:00:49
It's Charlene.	0:00:51	0:00:52
I missed you yesterday.	0:01:07	0:01:11
How was your day?	0:01:11	0:01:13
Uneventful. I exercised for an hour in the morning,	0:01:13	0:01:17
poked around in the yard in the afternoon,	0:01:17	0:01:19
and visited with a girlfriend down the block in the evening.	0:01:19	0:01:22
Sounds innocent enough.	0:01:22	0:01:24
Don't let my humdrum day fool you, now.	0:01:24	0:01:26
I also have a very dark side.	0:01:26	0:01:29
COMPUTER BEEPS	0:01:29	0:01:31
Well, I'm 31 with long, flowing locks and an athletic body.	0:01:44	0:01:49
Peter, what do you look like?	0:01:49	0:01:50
I'm...a little older... 6' 2".	0:01:55	0:02:00
My hair is... It's light.	0:02:00	0:02:03
Uh, it's boyishly light.	0:02:03	0:02:06
KEYS TAP	0:02:06	0:02:09
And good night to you, Lawyer-girl.	0:02:09	0:02:11
COMPUTER CHIMES	0:02:11	0:02:13
BIRDS CHIRP	0:02:35	0:02:37
TYRES SCREECH	0:02:38	0:02:40
Gendler.	0:02:53	0:02:55
LIFT BELL DINGS	0:02:55	0:02:57
-Good morning, Mr Sanderson. -Hi.	0:03:00	0:03:02
-< Morning, peter. -How are you?	0:03:02	0:03:04
INDISTINCT CONVERSATIONS	0:03:05	0:03:07
-Gentlemen. -Oh, good. Peter's here. We can begin.	0:03:07	0:03:10
OK. On to pressing business.	0:03:10	0:03:12
Word has come to us that coffee heiress, Mrs Virginia Arness	0:03:12	0:03:16
has dismissed her current tax lawyers.	0:03:16	0:03:18
Virginia Arness.	0:03:18	0:03:20
74 years old, born and raised in Athens, Georgia.	0:03:20	0:03:23
At 13, she was shipped off to boarding school in England,	0:03:23	0:03:26
where she's been residing until just recently.	0:03:26	0:03:28
That was only two days ago.	0:03:28	0:03:30
Impressive.	0:03:30	0:03:31
Now, we've all heard that Mrs Arness has a penchant for thriftiness.	0:03:31	0:03:37
And that she brings new meaning to the term "conservative."	0:03:37	0:03:40
It's not going to be easy.	0:03:40	0:03:42
She's paranoid and suspicious. ..Peter...	0:03:42	0:03:45
-I'm her guy. ->	0:03:45	0:03:46
I'm single. I'll give her nights, weekends.	0:03:46	0:03:49
Aren't you getting married on Sunday, Todd?	0:03:49	0:03:51
That's flexible. And, Peter, I wouldn't want this to interfere	0:03:51	0:03:54
with your family's Hawaiian vacation.	0:03:54	0:03:56
You go on. I got it all taken care of.	0:03:56	0:03:59
Mahalo.	0:04:01	0:04:02
That's very admirable of you, Todd.	0:04:04	0:04:06
I mean, y-your youth, definitely makes you an as...	0:04:06	0:04:09
..set to the company,	0:04:10	0:04:12
Especially at the annual softball game.	0:04:12	0:04:15
But to an arch conservative, 74-year-old woman?	0:04:15	0:04:18
What will we do is not charge Mrs Arness one single red cent	0:04:18	0:04:21
for her estate planning.	0:04:22	0:04:24
Why? Because we don't care about that measly fee.	0:04:24	0:04:27
We use it as a loss leader to get her corporate business,	0:04:27	0:04:30
the multibillion-dollar Arness coffee conglomerate.	0:04:30	0:04:34
HE CLEARS HIS THROAT	0:04:35	0:04:37
Hmm.	0:04:38	0:04:40
How may I help you, Howie?	0:04:51	0:04:53
-Just thought I'd congratulate you on turning it around. -Turning what around?	0:04:53	0:04:57
You snaked Gendler.	0:04:57	0:04:59
Please. Gendler doesn't bother me.	0:04:59	0:05:01
Oh, that's right. He doesn't bother you.	0:05:01	0:05:05
What the heck was I thinking?	0:05:05	0:05:06
Listen, I thought maybe after work you and me go, tie one on, maybe check out some of the local talent.	0:05:08	0:05:13
-Can't. I'm meeting Mrs Arness at 6:00. -COMPUTER CHIMES	0:05:13	0:05:15
And by the way, it's "you and I go tie one on," not "you and me go."	0:05:15	0:05:18
Somebody messaging you here.	0:05:18	0:05:20
Who's Lawyer-girl?	0:05:20	0:05:23
-Nobody. -Whoa. Did someone make a blind internet date?	0:05:23	0:05:27
No. Well, technically, but, uh, no. I met her in a legal chat room.	0:05:27	0:05:31
She's, she's... Uh, she's, uh, very classy and smart.	0:05:31	0:05:34
-When do you nail her? -I'm courting her tonight at 7:00.	0:05:34	0:05:37
You're "courting" her. Sounds like a hot one. And this is her?	0:05:37	0:05:41
-Yeah, she's attractive, isn't she? -I don't know. It's not my cup of tea.	0:05:41	0:05:44
What do you... She is universally cute.	0:05:44	0:05:46
She's too anaemic-looking, Petey.	0:05:46	0:05:48
I like my Jell-O to jiggle, if I'm not being too subtle.	0:05:48	0:05:51
You're not being too subtle.	0:05:51	0:05:52
As long as she spins your knobs, I'm happy for you.	0:05:52	0:05:56
HE SIGHS	0:05:56	0:05:57
Have you nailed anyone since Kate?	0:05:57	0:06:00
Nail?! I was supposed to call her.	0:06:00	0:06:01
-Sofia, can you get my wife on the phone? -Ex-wife.	0:06:01	0:06:04
-Ex-wife on the phone? -'Right away.'	0:06:04	0:06:06
Can't help you with this one, pal. See you later.	0:06:06	0:06:09
DOOR OPENS	0:06:09	0:06:12
You cannot break another promise to these kids. You can't.	0:06:12	0:06:15
I said I can't take them to Hawaii. I didn't say I couldn't take them. They can spend the week with me.	0:06:15	0:06:20
'They are gonna be so disappointed.'	0:06:20	0:06:22
I can't talk to you right now.	0:06:22	0:06:24
Um... Daddy can't take you to Hawaii.	0:06:31	0:06:34
Oh, darn(!)	0:06:34	0:06:36
He always does this.	0:06:36	0:06:38
HE SNIFFS	0:06:40	0:06:41
Sanderson, party of two.	0:06:43	0:06:45
Oh, you're the last to arrive.	0:06:45	0:06:47
-How long has she been here? -Mmm, about 20 minutes.	0:06:47	0:06:49
Was she trouble?	0:06:49	0:06:51
SHE LAUGHS NERVOUSLY	0:06:51	0:06:53
Thank you.	0:06:56	0:06:58
Hello. I'm Peter Sanderson.	0:06:58	0:07:00
Well, I'm glad they didn't send a child.	0:07:01	0:07:04
I told them I specifically wanted someone my own age.	0:07:04	0:07:08
What a wonderful French bulldog.	0:07:13	0:07:15
My mother had one. They make great companions.	0:07:15	0:07:17
What's her name?	0:07:17	0:07:19
HIS name is William Shakespeare.	0:07:19	0:07:24
Well, of course.	0:07:24	0:07:26
Now, I've heard about your unfortunate escapade.	0:07:27	0:07:30
I don't have escapades.	0:07:30	0:07:33
Fiasco with your previous attorney.	0:07:33	0:07:36
The man was a thieving criminal.	0:07:36	0:07:38
Just because I have a lot of money	0:07:38	0:07:40
doesn't give people the right to overcharge.	0:07:40	0:07:43
I do not enjoy being taken advantage of.	0:07:43	0:07:46
Which is why our service is free of charge.	0:07:46	0:07:49
After all, you worked hard for your money.	0:07:49	0:07:51
I'm an heiress.	0:07:51	0:07:53
An heiress who worked hard to keep her money.	0:07:53	0:07:57
-Now, shall we get down to business? -Fine.	0:07:59	0:08:02
So, now you may hand over your proposal. I'll take it with me.	0:08:02	0:08:07
Proposal? Um, well, I was expecting to meet with you tomorrow.	0:08:07	0:08:11
I was assured the proposal would be ready for this afternoon.	0:08:11	0:08:15
I see no point in our meeting tomorrow.	0:08:15	0:08:17
-Excuse me. -And tonight I'm... -Madam, I'm sorry.	0:08:17	0:08:20
We have a no dog policy in the lounge.	0:08:20	0:08:23
-DOG WHINES -I have to ask you to remove the dog.	0:08:23	0:08:26
Excuse me. I am Mrs Arness' attorney, and because there is no sign posted regarding dogs,	0:08:26	0:08:31
that means there is no policy toward dogs. Now, if you want to avoid a legal situation,	0:08:31	0:08:35
I'd suggest you run to the kitchen and get some tuna tartare for William Shakespeare on the house!	0:08:35	0:08:40
Yes, sir. ..I'm terribly sorry, ma'am.	0:08:40	0:08:43
Where and when tomorrow?	0:08:53	0:08:55
TYRES SCREECH	0:08:55	0:08:57
Hello, Mr Sanderson.	0:09:03	0:09:05
Oh, Mrs Kline. Always a pleasure.	0:09:05	0:09:07
And when am I going to get to baby-sit with your charming little Georgey again?	0:09:07	0:09:11
Dog barking in distance	0:09:11	0:09:13
Oh, uh, well, uh, soon, because he just loves coming over to your place.	0:09:13	0:09:17
MRS KLINE LAUGHS	0:09:17	0:09:19
Uh, Mr Sanderson?	0:09:19	0:09:21
Those Latin people who were skulking around...	0:09:21	0:09:25
Oh. Uh, they were looking at the Aruda house.	0:09:25	0:09:29
Casing it?	0:09:29	0:09:31
No, uh, to buy it.	0:09:31	0:09:33
Laughing: Oh, please.	0:09:33	0:09:35
-If they're in this block and not carrying a leaf blower... -Yeah.	0:09:35	0:09:40
-I'd love to discuss this with you further, but I'm expecting someone. -Oh.	0:09:40	0:09:44
PHONE BEEPS	0:09:54	0:09:55
Hi.	0:11:00	0:11:01
SOFT PIANO MUSIC PLAYS	0:11:26	0:11:28
HE SNIFFS	0:11:31	0:11:32
Yeah.	0:11:34	0:11:35
DOORBELL RINGS	0:11:45	0:11:46
# Da-da da-da da da-da da-da da	0:11:54	0:11:59
# Da-da da-da da da-da da-da da... #	0:11:59	0:12:01
HE INHALES DEEPLY, CLEARS THROAT	0:12:01	0:12:03
# Da-da da-da da da-da da-da da	0:12:03	0:12:06
I hope you like cham...	0:12:06	0:12:08
..poo.	0:12:12	0:12:14
What's up, baby?	0:12:14	0:12:15
Ooh, champagne. I love champagne. This for me?	0:12:15	0:12:18
Oh, I'm sorry. I think you have the wrong house.	0:12:18	0:12:21
It is damn good to finally connect.	0:12:21	0:12:23
Pardon me?	0:12:23	0:12:24
It's me, fool - Charlene.	0:12:24	0:12:27
-Ooh, food. -What?!	0:12:27	0:12:29
It's me, honey. Your date - Lawyer-girl.	0:12:29	0:12:32
-You can't be. Hey, hey. Leave that alone. Leave it alone. -Well, why can't I?	0:12:32	0:12:36
Because you're not a blonde.	0:12:36	0:12:38
Can't get nothing past you.	0:12:38	0:12:40
SHE LAUGHS You must be a good lawyer.	0:12:40	0:12:43
Oh, look at all of these pretty candles -	0:12:43	0:12:45
all romantic.	0:12:45	0:12:47
Somebody was planning on getting some booty tonight.	0:12:47	0:12:51
Leave that alone. There are settings. And you can't be Charlene,	0:12:51	0:12:54
-Because Charlene is more of a... -Skinny white broad?	0:12:54	0:12:57
-Yeah. -You know, I get that a lot.	0:12:57	0:13:00
But that's your fault. You must have not have took a good look at that picture.	0:13:00	0:13:04
I have looked at that picture a lot, and trust me, you are not in it.	0:13:04	0:13:08
Mm-hmm.	0:13:08	0:13:10
SUCKING	0:13:10	0:13:12
Move, move, move. Let me do it, let me do it.	0:13:19	0:13:21
See?	0:13:21	0:13:22
There I am.	0:13:25	0:13:28
Sorry you got it twisted, dog.	0:13:28	0:13:29
I don't get a lot of photo ops where I been.	0:13:29	0:13:32
Where exactly have you been?	0:13:33	0:13:35
I got a rumble in the jungle. We still having dinner or what?	0:13:35	0:13:38
-I asked you a question. -Rolex.	0:13:38	0:13:41
-Rolex? -I did time, baby, but I ain't do the crime.	0:13:41	0:13:44
-You're a convict?! -Bump that.	0:13:44	0:13:47
Shoot, Roscoe cracked that door.	0:13:47	0:13:49
I kicked it off the heezy and bounced. For real, though.	0:13:49	0:13:52
What did you just say?	0:13:53	0:13:55
What, don't you hear good?	0:13:55	0:13:57
All right.	0:13:58	0:13:59
Let's see. How can I put this?	0:13:59	0:14:02
Um, I was recently liberated from a correctional facility...	0:14:02	0:14:05
-I get it. -..for the incarceration of female... -You got someone to type for you, and you get on the internet,	0:14:05	0:14:10
and you misrepresent yourself. It happens, and I'm a sucker,	0:14:10	0:14:13
-but now you have to go, because this is over. -No, no, no.	0:14:13	0:14:16
YOU misrepresented yourself.	0:14:16	0:14:18
"Boyishly light" - please(!) Grey.	0:14:18	0:14:21
You said you was a criminal lawyer.	0:14:21	0:14:23
I pulled your file. You're just some tax attorney.	0:14:23	0:14:27
-A tax lawyer IS a criminal lawyer. -Oh, yeah?	0:14:27	0:14:30
Well, good, cos that's why I'm here.	0:14:30	0:14:33
Well, do tell.	0:14:33	0:14:34
Well, I want to reopen my case.	0:14:34	0:14:37
And what did you do, smoke some homies on a drive-by(?)	0:14:37	0:14:41
Smoke? Homies?	0:14:42	0:14:44
Well, you a regular gangster, huh?	0:14:44	0:14:47
No. I was in for armed robbery, but I didn't do it.	0:14:47	0:14:49
-Yeah, nobody did it. -No, I really didn't do it. -You have to go.	0:14:49	0:14:53
-I can't have this conversation - you're a criminal. -I'm not.	0:14:53	0:14:56
If I was, I'd have shanked you when I had that knife in my hand.	0:14:56	0:14:59
-The fact that you even said that is a problem for me. -But I didn't!	0:14:59	0:15:02
-Please, just listen to me. Just give me one second. -No. I don't have a second.	0:15:02	0:15:06
-Can I just say something, please? -What?	0:15:06	0:15:09
I didn't do the crime. You rude...	0:15:09	0:15:12
LOCKS CLICK	0:15:12	0:15:15
I ain't goin'.	0:15:15	0:15:17
INSECTS CHIRP	0:15:17	0:15:19
HE SIGHS	0:15:26	0:15:27
Crying: It's your baby, Peter, and don't you deny it!	0:15:39	0:15:42
That DNA test told on you!	0:15:42	0:15:45
You lied, Peter!	0:15:45	0:15:47
You know Lil' Kareem is yours!	0:15:47	0:15:49
Why?! How you gonna do me like that, Peter?!	0:15:50	0:15:53
You told me I was your beautiful African queen.	0:15:53	0:15:58
And I loved you for that, Peter!	0:15:58	0:16:00
And Lil' Kareem don't want your child support.	0:16:04	0:16:06
He just want a relationship with his white daddy.	0:16:06	0:16:10
A little chocolate/vanilla swirl	0:16:11	0:16:13
from that magical night at the crack house.	0:16:13	0:16:16
Oh!	0:16:16	0:16:18
-DOGS BARK -Come on. Just be quiet!	0:16:18	0:16:20
Wait just a second. My shoes.	0:16:20	0:16:23
-Mr Sanderson? -Whoa!	0:16:23	0:16:24
Is everything OK?	0:16:24	0:16:25
I thought I heard negro.	0:16:25	0:16:28
-BUSHES RUSTLE -No. No negro spoken here.	0:16:28	0:16:31
Oh.	0:16:31	0:16:33
Well...good night, then.	0:16:33	0:16:36
Oh, uh... Good night.	0:16:36	0:16:40
BARKING CONTINUES	0:16:40	0:16:42
Come on! Come on, come on!	0:16:44	0:16:47
You stay. You stay.	0:16:51	0:16:52
-You wait right there. -Who you callin'?	0:16:52	0:16:55
-PHONE SPEED-DIALS -The police.	0:16:55	0:16:57
TELEPHONE RINGS	0:16:57	0:17:00
-WOMAN: -'Sergeant Panella. Please hold.' -What's that? -All of our e-mails.	0:17:00	0:17:04
You think anybody at Tobias, Kline, and Barnes would be interested	0:17:04	0:17:08
in hearing about you looking for boom-boom in the federal pen?	0:17:08	0:17:11
-And I'll send a photo. -'..Can I help you?'	0:17:11	0:17:14
HE SPEAKS GIBBERISH	0:17:14	0:17:17
Now, this is just for tonight, understand?	0:17:19	0:17:22
A'ight.	0:17:26	0:17:28
I can work with this.	0:17:28	0:17:30
But, uh, look, don't be gettin' no ideas	0:17:30	0:17:32
about sneakin' up in here and hittin' this, cos you blew your chance with this sister.	0:17:32	0:17:37
Dare to dream.	0:17:37	0:17:39
Tsk. Please.	0:17:39	0:17:42
DOOR CLOSES	0:17:42	0:17:44
Oh, my God! A bed!	0:17:45	0:17:48
Oh, a nice, big, cushy bed.	0:17:48	0:17:50
Oh, no roommates...	0:17:50	0:17:51
SNORING	0:17:52	0:17:54
SNORING CONTINUES	0:18:08	0:18:09
Charlene? Charlene.	0:18:09	0:18:13
SNORING CONTINUES	0:18:13	0:18:16
Charlene! Come on, you're not fooling anybody.	0:18:16	0:18:19
Who that? Who there?	0:18:19	0:18:22
Who want it with 'Lene?	0:18:22	0:18:25
I put some bagels outside.	0:18:25	0:18:27
I thought we could discuss your case.	0:18:27	0:18:30
Ahh!	0:18:31	0:18:32
What up, dog? Where 'em bagels at?	0:18:32	0:18:35
Guess what, girlfriend? Your game is up. I burned all those e-mails,	0:18:35	0:18:38
including the second set hidden in your coat.	0:18:38	0:18:41
AND I deleted everything off my computer.	0:18:41	0:18:43
So I never met you, and you never met me.	0:18:43	0:18:46
Don't even try, girlfriend, because it's locked.	0:18:46	0:18:49
And now I am going to go get my kids,	0:18:49	0:18:54
as in innocent young persons who will never even know you were here.	0:18:54	0:18:57
So now just go. Go, go, go, go, go, go, go, go!	0:18:57	0:19:00
And locky locky!	0:19:00	0:19:02
So ta-ta. And watch out - the gate closes automatically.	0:19:02	0:19:05
-What about my stuff? -Oh, it's right there on the street.	0:19:05	0:19:08
You put my stuff on the trash?	0:19:08	0:19:10
Oh, well, you know what? I wish you well. I really do.	0:19:10	0:19:14
And you know what? I had a great, great time. It was really fun.	0:19:14	0:19:17
So, oh, well. I guess I'll just see you in my next life.	0:19:17	0:19:20
Heh heh heh heh. Bye!	0:19:20	0:19:22
LAUGHS EVILLY	0:19:22	0:19:23
Ha ha. I'll see you when you get home.	0:19:24	0:19:27
So I said to him, "Just cos you whisked me off to Paris on your private jet,	0:19:32	0:19:36
"doesn't mean I'm gonna sleep with you."	0:19:36	0:19:38
What does he think I am? A hooker?	0:19:38	0:19:40
Can Aunt Ashley edit herself, please?	0:19:40	0:19:44
You stayed in the same room with him. What did you expect?	0:19:44	0:19:47
Hello. It was a suite - plenty of floor space.	0:19:47	0:19:49
Sweetie-pie, have a wonderful time. I love you.	0:19:49	0:19:52
-Be good to your brother and help him with his reading. -I will. -Thank you.	0:19:52	0:19:55
Is he still having problems?	0:19:55	0:19:58
-Yeah. -Oh, he struggles every day, but he's improving.	0:19:58	0:20:01
Dad's here. VIDEO GAME BEEPS	0:20:01	0:20:03
Thank you, sweetie pie.	0:20:03	0:20:06
Don't worry, sweetie.	0:20:06	0:20:07
-Daddy's stupid, too, and he became a lawyer. -Ashley!	0:20:07	0:20:10
-I'm not stupid. -That's right.	0:20:10	0:20:12
No, no, no. Of course not.	0:20:12	0:20:13
-Hey, Dad's here. -Speak of the dummy.	0:20:13	0:20:17
-Hey, how's my little girl doin'? -Hi, Dad.	0:20:17	0:20:20
Hey, how's it goin', big guy? Ahhh, here you go.	0:20:20	0:20:22
Hi, Kate.	0:20:23	0:20:25
Hi.	0:20:25	0:20:27
Oh, Ashley, I didn't realize you were gonna be here. What a pleasant surprise.	0:20:27	0:20:31
Peter, you're almost aging well.	0:20:31	0:20:33
OK, we're going down to the club to take a swim. How's that sound?	0:20:33	0:20:37
Ooh, that sounds much more fun than Maui(!)	0:20:37	0:20:39
Not all of us earn our living by milking rich geriatrics out of their money.	0:20:39	0:20:43
Some of us have to work for a living.	0:20:43	0:20:45
Peter, you sound much more intelligent with your mouth shut.	0:20:45	0:20:48
Let's not start this. I don't have time. Kids, go get your stuff.	0:20:48	0:20:51
All right, fine. But I warned you about marrying the first jerk you met out of college.	0:20:51	0:20:58
Now, if you'll excuse me, I have a date. Don't be good.	0:20:58	0:21:01
What morgue did you find this one at?	0:21:02	0:21:05
Stop being so childish!	0:21:05	0:21:07
KNOCK ON DOOR	0:21:09	0:21:11
Hey.	0:21:11	0:21:13
-Wow. You look beautiful. -Thank you.	0:21:14	0:21:17
Mmm.	0:21:17	0:21:19
Uh, hi.	0:21:19	0:21:21
Uh, Peter, this is Glen.	0:21:21	0:21:23
-Hey. -Hey, Mr Sanderson. Nice to see you.	0:21:24	0:21:27
Yeah, nice to meet you.	0:21:27	0:21:28
Uh, what do you say we get this road on the show?	0:21:28	0:21:32
-OK. -I will meet you outside. -OK.	0:21:32	0:21:37
-Road on the show. -Just don't.	0:21:37	0:21:39
How old is he?	0:21:39	0:21:41
-SIGHS: -Younger. -What does he do? -Golf instructor.	0:21:41	0:21:44
-How do you know that? -What?	0:21:44	0:21:45
You think you know somebody, and then one day you wake up in Thailand missing a kidney.	0:21:45	0:21:50
He could have made up this whole golf identity.	0:21:50	0:21:52
He caddied for you when he was 14.	0:21:52	0:21:54
That's little Glenny?!	0:21:56	0:21:59
Does that bother you?	0:21:59	0:22:01
Not at all. Go have fun on your statutory weekend.	0:22:01	0:22:05
SHE SIGHS	0:22:05	0:22:07
This does too bother you. I know you.	0:22:09	0:22:12
Do you want to talk about it?	0:22:12	0:22:14
-Well, it just looks a little silly. -PHONE RINGS -Hang on.	0:22:14	0:22:18
Hello?	0:22:18	0:22:19
-SHE EXHALES SHARPLY -Some things never change.	0:22:19	0:22:22
I can't talk right now.	0:22:22	0:22:24
Well, put him on. Hi...	0:22:24	0:22:27
You promised us you'd take us snorkelling.	0:22:27	0:22:30
Things come up. That's life.	0:22:30	0:22:32
I know. I'm really, really sorry. I really am.	0:22:32	0:22:34
But now it's over. We're gonna have a lot of fun. What's new with you?	0:22:34	0:22:38
Well, I got the female lead in the school play Oklahoma.	0:22:39	0:22:43
That's great. Congratulations.	0:22:45	0:22:46
-And how about you, big guy, how's school? -I don't like school.	0:22:46	0:22:50
Nobody likes school but there must be something you like about it.	0:22:50	0:22:53
He got into a fight the other day.	0:22:53	0:22:55
Why? Why did you get in a fight?	0:22:55	0:22:57
Some kid called me a baby cos of the way I read.	0:22:57	0:23:01
Hey, some of the greatest minds of all time had trouble learning,	0:23:02	0:23:06
like Edgar Allan Poe and Albert Einstein.	0:23:06	0:23:10
-And, er...Ozzy Osbourne. -HE LAUGHS	0:23:10	0:23:12
-Ozzy rules! -Ozzy rules.	0:23:12	0:23:15
HIP HOP MUSIC PLAYS	0:23:15	0:23:17
-Dad, what's goin' on? -You two wait here. I'll be right back.	0:23:19	0:23:23
INDISTINCT CONVERSATIONS	0:23:23	0:23:25
-Hey! -Whoa, whoa, whoa, whoa, whoa.	0:23:27	0:23:29
Where you think you're goin', milk? This here's a charitable event.	0:23:29	0:23:32
You wants to get in, you gots to make a donation.	0:23:32	0:23:35
Trust me, it is off the hook in there.	0:23:35	0:23:37
Off the what? I live here.	0:23:37	0:23:39
I don't care if you're Halle Berry, man.	0:23:39	0:23:42
No donation, no entry.	0:23:42	0:23:44
How 'bout if I call the police?	0:23:44	0:23:47
PHONE SPEED DIALS	0:23:47	0:23:49
Have a nice time.	0:23:50	0:23:52
# Rollin' through in the cranberry SKA	0:24:03	0:24:05
# and call the crew, tell 'em I'm comin' to the crib... #	0:24:05	0:24:08
Oh, yeah. Yeah, baby, show me.	0:24:08	0:24:10
Hey! What the hell is going on here?	0:24:10	0:24:12
Oh, yo, P, it's cool.	0:24:12	0:24:15
I hit up my home girl cos I had to get my hair done, as we both know.	0:24:15	0:24:18
And then she called a friend.	0:24:18	0:24:20
They holler to some other friends. Before you know it, we got us a house par-ty.	0:24:20	0:24:25
I want everyone out of here now!	0:24:25	0:24:28
People!	0:24:28	0:24:29
People!	0:24:29	0:24:31
Loosen your panties, Grandma.	0:24:31	0:24:34
Look, you lock me out, no money, no place to go.	0:24:34	0:24:37
I mean, a girl got to get her cheese on.	0:24:37	0:24:40
Seven. INDISTINCT SHOUTING	0:24:40	0:24:41
This is insane! My boss' sister lives across the street.	0:24:41	0:24:44
I can't have all these peop...	0:24:44	0:24:47
-Hey! -Give me a hard seven, baby.	0:24:49	0:24:51
Hey, hey, hey, hey.	0:24:51	0:24:53
-She doesn't even have her driver's permit. -Dad.	0:24:53	0:24:56
Do not go...	0:24:56	0:24:57
Don't inhale.	0:25:00	0:25:01
All right, now. Go on and toss them bones, lil' man.	0:25:01	0:25:05
-Hey! Give me... -I'm on a roll, Dad.	0:25:06	0:25:08
-INDISTINCT SHOUTING -Get out.	0:25:09	0:25:11
-I want you and your "dogs" to go back to the pound now. -What?	0:25:11	0:25:16
# ..ain't no more	0:25:16	0:25:18
# Tell me if you're trippin' with me... #	0:25:18	0:25:20
Well, she... It was the dogs? Cos she said dogs, and then I said dogs,	0:25:20	0:25:23
So I assumed that would be OK. Huh?	0:25:23	0:25:26
INDISTINCT SPEECH	0:25:26	0:25:29
MUSIC CONTINUES	0:25:29	0:25:30
Whoo!	0:25:34	0:25:36
Tsk.	0:25:39	0:25:41
SIGHS: Ohh.	0:25:41	0:25:42
-Bye, Tamika. Y'all be good, now. -Bye.	0:25:42	0:25:45
Hey, hey. Y'all got to go.	0:25:47	0:25:48
-A'ight. -That's a'ight.	0:25:48	0:25:50
-Hey, baby, gonna go. -Oh, bye, Bear. Thank you so much.	0:25:53	0:25:57
Party's over. OK. Thanks for coming.	0:25:57	0:25:59
But that's it. It's over.	0:25:59	0:26:01
Now, if I see Widow around, I'm gonna tell him you're out. You know he wants to know that.	0:26:01	0:26:05
-I don't know about that. -OK. Bye, baby. -Bye-bye.	0:26:05	0:26:08
MAN: It's like this.	0:26:10	0:26:11
-Hey. -How you doin', neighbour? -What's up?	0:26:11	0:26:14
What are you still doing here?	0:26:18	0:26:20
-What was all that, Dad? -Dad, who's this?	0:26:20	0:26:22
This is no one.	0:26:22	0:26:23
Tsk! What's up, Lil' Romeo? My name is Charlene. What's your name?	0:26:23	0:26:26
-I'm Georgey. -You cannot meet a non-existent person.	0:26:26	0:26:29
Can Charlene come to the club?	0:26:29	0:26:31
Club? What club? We're not going to a club, remember?	0:26:31	0:26:34
We're going to Hawaii, remember?	0:26:34	0:26:37
You know the routine. Outski! Come on!	0:26:37	0:26:39
-Out, out, out! -Let's go. Come on, man!	0:26:39	0:26:41
Sarah, get the door. Come on. Out. Come on. Out, out, out!	0:26:41	0:26:44
-Wait! -What?	0:26:45	0:26:47
Give me my money, lil' boy.	0:26:47	0:26:48
That money should go to charity! Ohh!	0:26:48	0:26:51
KNOCK ON DOOR	0:26:53	0:26:55
-What did... -Hey, I live here. -Yeah!	0:26:55	0:26:59
OK, you guys.	0:27:09	0:27:10
You know, you order...you order hot dogs, and you, splash and frolic	0:27:10	0:27:13
and just put everything on my account and have fun.	0:27:13	0:27:16
-Didn't you bring your bathing suit? -No. I've got a... I'm having tea with a client.	0:27:16	0:27:20
-But I will be right back. -Whatever you say.	0:27:20	0:27:24
-Want to go swimming? -With you? Get real. -Ow!	0:27:24	0:27:29
How's it looking?	0:27:29	0:27:30
Well, I was up all night, proofing.	0:27:30	0:27:32
It's absolutely brilliant. And you've got the cleanest background check I've ever seen.	0:27:32	0:27:36
Yeah, that check cost me a lot of fun in my life.	0:27:36	0:27:39
-JEWELLERY RATTLES MAN: -I don't know, honey.	0:27:39	0:27:41
-Don't say anything. She could hear you. -What's crackin', ma?	0:27:41	0:27:45
-I'm lookin' for the Sanderson table. We old college buddies. -O-O-OK.	0:27:45	0:27:49
He's i-in the dining room. I-I'll show you.	0:27:49	0:27:51
Oh, no, no, no. I tell you what, I'll surprise him.	0:27:51	0:27:54
No, you're in great shape, Petey. I'm gonna take off.	0:27:58	0:28:01
All right. Thanks. You're right.	0:28:01	0:28:03
I've done this a million times with important clients, so I'm fine.	0:28:03	0:28:06
-Shazam. -What?	0:28:06	0:28:08
MUSIC: "Jungle Love" by The Time	0:28:08	0:28:10
Oh, no.	0:28:10	0:28:11
Oh, swing it, you cocoa goddess.	0:28:12	0:28:15
-Cocoa goddess? That's the rude shock I was telling you about. -That's Charlene?!	0:28:15	0:28:19
Did she see me?	0:28:20	0:28:22
-# I... # -OK, OK, OK, police.	0:28:25	0:28:27
# I've been watchin' you... #	0:28:27	0:28:29
No, won't get here fast enough. Security? No, she could probably take him.	0:28:29	0:28:33
# I said I I'm a little dangerous	0:28:33	0:28:37
# Girl, I'd love to show ya, show ya	0:28:37	0:28:40
# My jungle love	0:28:40	0:28:42
-# Whoo! -Oh-wee-oh-wee-oh	0:28:42	0:28:44
# Ye-e-e-e-ah... #	0:28:44	0:28:45
Uh, money.	0:28:45	0:28:47
She'll take money.	0:28:48	0:28:50
Hi, hi. Here, just... H-Here's whatever...whatever.	0:28:50	0:28:53
-And there's more where that came from if you leave now. -No, boyfriend. We got business.	0:28:53	0:28:58
-Boyfriend? -Oh, didn't I tell you? Yeah, we're dating now.	0:28:58	0:29:02
-It's street talk. -It's street for "I'm not going nowhere until you help my problem go away."	0:29:02	0:29:06
Look, Mrs Arness, a very important client, is due here any minute.	0:29:06	0:29:12
-Good afternoon. -Good afternoon. Uh, Mr Sanderson?	0:29:17	0:29:20
-Oh, yes. He's in the dining room. -Thank you.	0:29:20	0:29:23
Charlene, how 'bout you and I havin' a smart cocktail down by the pool?	0:29:23	0:29:27
What do you say?	0:29:27	0:29:29
Who is this fool?	0:29:29	0:29:30
Good idea. Whatever you want, just put it on my bill.	0:29:30	0:29:32
I don't want no cocktail. I need your help.	0:29:32	0:29:34
-Miss. -SHE SNAPS HER FINGERS	0:29:34	0:29:36
Another Martini.	0:29:36	0:29:37
Hell, no. I know she ain't talkin' to me.	0:29:37	0:29:39
-Ashley, she doesn't work here. -Then what is she here for?	0:29:39	0:29:43
Oh, hells no, Miss Thing. You best pump your brakes.	0:29:43	0:29:46
She's my ex-wife's sister. I would have killed her myself years ago.	0:29:46	0:29:50
-GASPS: -It's Mrs Arness!	0:29:50	0:29:52
Mmm. Old iron ass be lookin' mean?	0:29:54	0:29:57
Yes. Now, you have to go.	0:29:57	0:29:59
You like raw oysters, Charlene?	0:29:59	0:30:01
Yeah. I guess I can hang out for a bit.	0:30:03	0:30:06
They got any hot wings around here?	0:30:06	0:30:08
OK. Whatever you want. Yes, yes.	0:30:08	0:30:10
-You give me a place to stay? -Yes.	0:30:10	0:30:11
-And you work on my case? -Around the clock.	0:30:11	0:30:13
-And I'll leave when you expunge my record. -Consider it expunged.	0:30:13	0:30:17
All right. I'd like a key, please.	0:30:18	0:30:20
KEYS JINGLE	0:30:22	0:30:24
-Mr Sanderson? -Mrs Arness.	0:30:24	0:30:27
Who is your associate?	0:30:27	0:30:30
This is, uh, Howie Rottman, the attorney I told you about.	0:30:30	0:30:34
A great pleasure to meet you, Mrs Arness.	0:30:34	0:30:36
-I meant her. -Oh.	0:30:36	0:30:39
Her?	0:30:39	0:30:40
Her?	0:30:40	0:30:42
Her is... Her, uh, she is our... our nanny.	0:30:42	0:30:45
Dad, I'm bored.	0:30:47	0:30:49
Kids, how good to see you.	0:30:49	0:30:50
Don't we just love our nanny, Charlene?	0:30:50	0:30:53
Uh, um...	0:30:53	0:30:55
Uh... Y-Yeah.	0:30:55	0:30:57
Don't you just love being our nanny, Charlene?	0:30:59	0:31:03
Yessir.	0:31:10	0:31:12
I'm gonna go on down to the pool with the child'n.	0:31:15	0:31:17
Maybe we make fun of the white folks again, huh, kids? Ooh-hoo!	0:31:17	0:31:21
Oh, the kids just love her.	0:31:21	0:31:23
-What a sense of humour. -Yeah.	0:31:23	0:31:24
Peter, I'm going to hang by the pool.	0:31:24	0:31:26
If you need me, that's where I'll be. ..Mrs Arness.	0:31:26	0:31:30
-Right this way, Mrs Arness. -Come, William.	0:31:30	0:31:33
-You have the papers? -Oh, yes, yes, I do.	0:31:33	0:31:36
-Strange clothes for a nanny. -It's just... It's a fashion to kids.	0:31:36	0:31:39
-Ow! -William, mind.	0:31:39	0:31:41
Hello, Sanderson Family.	0:31:52	0:31:55
-Georgey, don't forget poker night. -I won't.	0:31:56	0:31:59
How could I forget poker night?	0:31:59	0:32:01
-I propose a toast. -OK.	0:32:20	0:32:22
Mm-hmm. To us.	0:32:22	0:32:25
May we always... MOBILE PHONE RINGS	0:32:28	0:32:31
-Mmm. -Sorry. It's mine.	0:32:31	0:32:33
-You're not gonna answer that, are you? -Well, I...I...	0:32:33	0:32:36
It might be... might be one of my kids.	0:32:36	0:32:39
Just one minute.	0:32:39	0:32:41
RINGING CONTINUES	0:32:41	0:32:43
-Sorry. -BEEP	0:32:47	0:32:49
-Hello? -Hey, it's me.	0:32:49	0:32:51
'Hi, Ashley. Everything OK?'	0:32:51	0:32:53
I don't know.	0:32:53	0:32:55
I saw Peter hanging out at the club today.	0:32:55	0:32:58
He was mingling with a large black woman.	0:32:58	0:33:00
What? What are you talking about?	0:33:00	0:33:03
'He said it was his nanny.	0:33:03	0:33:04
'She didn't look like any nanny I'd ever seen. She was all...'	0:33:04	0:33:08
HE SLURPS ..tattooed and welfarish.	0:33:08	0:33:11
'It was...' SHE LAUGHS	0:33:11	0:33:13
Oh, is that funny to you? Is that funny?	0:33:13	0:33:15
'Am I funny to you?'	0:33:17	0:33:18
No, no. That's not funny.	0:33:18	0:33:20
-Were you laughing at me? -I wasn't...	0:33:20	0:33:22
Stop. Get away.	0:33:22	0:33:24
'No, I wasn't la...laughing at you.'	0:33:24	0:33:26
Just...hang on.	0:33:26	0:33:28
Um, you know, I... Look, I know Peter. I know him.	0:33:28	0:33:30
He's not gonna spend all his time taking care of the kids. He hired somebody!	0:33:30	0:33:34
Seriously, Kate! This woman was no nanny.	0:33:34	0:33:37
You need to do something.	0:33:37	0:33:38
'I was there. You weren't. Shouldn't you at least be looking at references?'	0:33:38	0:33:42
Thank you. Thank you.	0:33:42	0:33:44
Listen, Peter is nothing if not responsible.	0:33:44	0:33:47
It's not like he's gonna hire a convicted felon.	0:33:47	0:33:50
-Oh, I wouldn't be too sure about that. -Ohh!	0:33:50	0:33:53
Let's see - we got resisting arrest, assaulting an officer,	0:33:53	0:33:56
repeated attempts at eye-gouging and scrotum crushing.	0:33:56	0:34:00
I was a little riled up, being framed and all.	0:34:00	0:34:02
-And your clothes and id were found at the scene. -All plants. I never robbed nobody!	0:34:02	0:34:07
OK.	0:34:07	0:34:09
I know my rights. I get an appeal. I get an appeal!	0:34:09	0:34:12
No, you only get an appeal if you were convicted and incarcerated. You were released.	0:34:12	0:34:17
Why don't you just start over?	0:34:17	0:34:19
Go back to school and get at least a passing familiarity with the English language.	0:34:20	0:34:24
It's no end to what you can accomplish with a little commitment.	0:34:24	0:34:28
My daughter Sarah is fully committed, and she's going places.	0:34:28	0:34:32
Oh, she's goin' places, all right.	0:34:33	0:34:35
-HOWIE: So, it's a charitable remainder trust. -That way, she gets a huge deduction every year.	0:34:36	0:34:41
-TELEPHONE BEEPS -No more calls, Sofia.	0:34:41	0:34:43
-'It's not a call. There's someone here... -CHARLENE: Girl, get out!	0:34:43	0:34:46
-'Listen, I don't know who you are!' -Send her in.	0:34:46	0:34:50
-Bet you know me now, huh? -This couldn't wait until tonight?	0:34:52	0:34:56
Well, well, well!	0:34:56	0:34:57
Come in, have a seat.	0:34:57	0:34:59
Thanks, homeboy, and, no, it can't wait.	0:34:59	0:35:02
-What is it? -I found a deposition.	0:35:02	0:35:03
The prosecution interviewed an eyewitness, and she told them	0:35:03	0:35:07
that the perpetrator didn't have a tattoo on the chest.	0:35:07	0:35:09
-They never told my lawyer. -That's withholding exculp...	0:35:09	0:35:13
Exculpatory evidence. People vs Stanley, I know.	0:35:13	0:35:16
How do you know that? Why wouldn't she know that?	0:35:16	0:35:19
She's got it goin' on.	0:35:19	0:35:20
Damn, Pete, all I did in there was read law books.	0:35:20	0:35:23
And with comprehension.	0:35:23	0:35:24
Made you think I was a lawyer.	0:35:24	0:35:26
I mean, you obviously have pockets of intelligence.	0:35:26	0:35:29
So, why do you walk and talk and act the way you do?	0:35:29	0:35:34
Because it's sexy.	0:35:34	0:35:36
SCOFFS: It ain't actin'!	0:35:36	0:35:38
This is who I am.	0:35:38	0:35:40
I mean, you think I can't talk like you?	0:35:40	0:35:42
AS PETER : I absolutely love what you've done with the place!	0:35:42	0:35:46
It's so sterile, so... so bland, so wonderful!	0:35:46	0:35:49
See? You can do it.	0:35:49	0:35:51
You like that, huh?	0:35:51	0:35:52
Well, you can kiss my black behind. I don't need your approval.	0:35:52	0:35:56
No, she don't need your approval.	0:35:56	0:35:58
You don't think I compromise the way I act?	0:35:58	0:36:00
You think I like walking around like an uptight...honky?	0:36:00	0:36:04
Yes. I know your lingo.	0:36:04	0:36:06
TELEPHONE BEEPS	0:36:07	0:36:08
-'Peter, Mr Tobias is coming to see you.' -Oh, God.	0:36:08	0:36:11
Well, this should be interesting.	0:36:12	0:36:14
Uh-oh. What we gotta do, play "hide the sister"?	0:36:14	0:36:17
-Or do I gotta do that slave thing again? -Just...just act natural.	0:36:17	0:36:21
-Let's get her out of here. -Right, why don't we get her out?	0:36:21	0:36:25
LIFT BELL DINGS	0:36:30	0:36:31
Um, um, um, um, um...	0:36:31	0:36:33
-Peter... Howie. -Ed.	0:36:36	0:36:40
-W-Who is this? -This is the... well, we were just having...	0:36:40	0:36:43
Well, Mr Sanderson, I can see you are very busy, a very busy man.	0:36:43	0:36:47
That's why I appreciate you offering your services free of charge.	0:36:47	0:36:51
Ooh, I... Well, I just... Gosh.	0:36:51	0:36:53
Peter...	0:36:53	0:36:54
-She is... -Well, see, Mr Sanderson here, being the heavenly man that he is - God bless you!	0:36:54	0:37:01
Oh, you got that anointing on you -	0:37:01	0:37:03
has offered to do the taxes for the Compton Evangelistic Episcopal Baptist Church of south central.	0:37:03	0:37:09
-you know, just anything to help -Reverend Shack...tillfont.	0:37:09	0:37:13
LIFT BELL DINGS	0:37:13	0:37:14
-Just call him Shack. -Shack.	0:37:14	0:37:16
-I'll let you guys go. I'll see you at choir rehearsal on Thursday. -Thursday. -7:00, now!	0:37:16	0:37:21
# He got the whole world in his hands... #	0:37:21	0:37:23
I'll escort Mrs Shacktill...font to the elevator. Gentlemen.	0:37:23	0:37:29
Uh, Peter, we're really in a crunch.	0:37:29	0:37:32
I just got word that another firm's in the running for the R&S account.	0:37:32	0:37:35
We need to close this deal.	0:37:35	0:37:38
Look, I have no problem being Peter's wingman on this one.	0:37:38	0:37:41
Oh, thanks anyway, but I have it under control,	0:37:41	0:37:43
so, you don't have to worry, Ed.	0:37:43	0:37:45
-Good. Then I'll expect you -to -wrap it up in a day or two.	0:37:45	0:37:48
-LIFT BELL DINGS -Well, that's the plan. Ah.	0:37:48	0:37:51
Well.	0:38:01	0:38:03
-Could you? -Sure.	0:38:06	0:38:08
She can't tee up her own ball?	0:38:21	0:38:23
I've been playing this game for many years...	0:38:23	0:38:27
-That's what it feels like(!) -..And it's all about patience.	0:38:27	0:38:31
Well, you beat me by 19.	0:38:49	0:38:50
-MRS ARNESS: Let's make it 20. -All right.	0:38:50	0:38:54
Would you like to come over to my house on Thursday and possibly look over the contract?	0:38:54	0:38:59
I'll have to check with my secretary.	0:38:59	0:39:01
Mrs Arness, would you excuse me for a minute?	0:39:01	0:39:03
-I just have to check on my children. -Oh, of course. You do that.	0:39:03	0:39:06
I'd like to dip you in Cheez Whiz and spread you over a Ritz cracker, if I'm not being too subtle.	0:39:06	0:39:13
Boy, you are some kind of freaky.	0:39:13	0:39:16
Oh, you have no idea.	0:39:16	0:39:18
You got me straight trippin', boo.	0:39:18	0:39:19
Hey, hey, hey! Hey, what are you doing here?	0:39:19	0:39:22
What does it look like? I'm on a date. On a date.	0:39:22	0:39:25
You're... She's on a date? She's a felon.	0:39:25	0:39:27
-Hey, what is she doing here? -I am not a felon.	0:39:27	0:39:31
-Get used to it, Twiggy. You'll be seeing a lot more of me around here. -Not without a broom in your hand.	0:39:31	0:39:35
-If I have a broom, it's only cos I'm here to sweep up the white trash. -Save it for the YMCA.	0:39:35	0:39:41
I'm gonna kick the bulimia out of you. You don't know me!	0:39:41	0:39:45
Go back to the vodka bottle you crawled out of?	0:39:45	0:39:48
Mrs Arness is here. I am sheltering you. I'm helping you.	0:39:48	0:39:51
-Remember, I helped you, you help...? -All right! I'll let it ride.	0:39:51	0:39:54
Thank you for letting it ride. That is wise and mature.	0:39:54	0:39:57
Now, just get her walking that way.	0:39:57	0:39:59
Let me show you the place, Charlene.	0:39:59	0:40:01
-Looking good, Lois! -Hey, freak boy...	0:40:04	0:40:07
I'm gonna make myself a little more luscious for you, OK?	0:40:07	0:40:11
I'll be right back.	0:40:11	0:40:14
OK, precious.	0:40:14	0:40:17
HINGES SQUEAK	0:40:19	0:40:21
-What are you doin' in here? -I told you you was gonna be seein' more of me.	0:40:26	0:40:30
Look, I came here to warn you.	0:40:30	0:40:32
You keep disrespecting me, and it's gonna get rough around here.	0:40:32	0:40:36
Back off, Shaniqua. You don't scare me.	0:40:36	0:40:39
You know what? That's it.	0:40:39	0:40:41
You must need a little more eye shadow, right? Come on!	0:40:41	0:40:44
MUSIC: "Simply Irresistible" by Robert Palmer	0:40:45	0:40:47
Uhh!	0:40:47	0:40:48
# How can it be permissible...? #	0:40:51	0:40:53
You've messed with the wrong wasp, bitch.	0:40:53	0:40:56
# She's anything but typical... #	0:40:57	0:40:59
Aah!	0:40:59	0:41:01
# She's a craze you'd endorse, she's a powerful force	0:41:04	0:41:06
# you're obliged to conform when there's no other course	0:41:06	0:41:10
# She used to look good to me	0:41:10	0:41:12
# but now I find her... #	0:41:12	0:41:14
Uhh!	0:41:14	0:41:16
# simply irresistible... #	0:41:16	0:41:18
Compliments of Tae-bo, two hours a day, five days a week.	0:41:18	0:41:21
# simply irresistible... #	0:41:21	0:41:24
Grr! Uhh! Ohh!	0:41:26	0:41:29
# simply irresistible	0:41:29	0:41:30
# She's so fine, there's no tellin' where the money went	0:41:30	0:41:35
# Simply irresistible	0:41:35	0:41:36
# She's all mine, there's no other way to go	0:41:36	0:41:40
# Whoa...! #	0:41:40	0:41:42
Hmm?	0:41:45	0:41:46
Ah!	0:41:47	0:41:49
Uhh!	0:41:49	0:41:51
Aaah! Uhh!	0:41:51	0:41:53
GASPS, GURGLES Compliments of the 'hood, 24 hours a day, all my life.	0:41:58	0:42:02
# ..Our lives are indivisible	0:42:02	0:42:05
# Yeah, yeah	0:42:05	0:42:08
# She's a craze you'd endorse	0:42:08	0:42:10
# She's a powerful force, you're obliged to conform... #	0:42:10	0:42:12
You know, for a skinny white ho, you're pretty tough.	0:42:12	0:42:15
# ..well, she used to look good to me	0:42:15	0:42:17
# but now I find her... # Aaaah!	0:42:17	0:42:19
# ..simply irresistible She's so fine	0:42:20	0:42:23
# there's no tellin' where the money went	0:42:23	0:42:26
# Simply irresistible! #	0:42:26	0:42:30
And I don't ever want to have this conversation again!	0:42:33	0:42:37
JAW CRACKS	0:42:40	0:42:41
SHE HUMS	0:42:44	0:42:47
"..the girl had dou-"	0:42:47	0:42:52
"..ble"	0:42:52	0:42:54
"..double D-cups."	0:42:54	0:42:58
There you go. You got it, lil' man.	0:42:58	0:43:00
"I put my mouth on her nip...	0:43:02	0:43:08
-"..ples." -What is that?	0:43:08	0:43:10
What are you doing letting him read... He read. You read.	0:43:10	0:43:14
Georgey, you read.	0:43:14	0:43:17
-I'm gonna kill you! ..I am so proud of you. I'm turning you in! -I found it in your drawer.	0:43:17	0:43:21
Well, I am a grown man of 54...41...49 years old,	0:43:21	0:43:25
and he's eight, and what I read in the privacy of my... How'd you do it?	0:43:25	0:43:29
Oh, God, I'm never gonna get this done.	0:43:29	0:43:32
Look, the boy don't look carefully at the details in a word,	0:43:32	0:43:35
so most of the time he's just guessin'.	0:43:35	0:43:38
Now, what you got to do is just slow it down and give him somethin' stimulatin' to read.	0:43:38	0:43:42
-Dad? What's "a rack"? -It's a country.	0:43:42	0:43:45
Well...	0:43:46	0:43:48
I was just doin' it cos he was botherin' me.	0:43:48	0:43:52
-Well, either way... can you get rid of this? -DOORBELL RINGS	0:43:52	0:43:55
Put it back in my room. I'll get rid of it, cos I have a special...	0:43:55	0:43:59
Well, Mrs Kline, how wonderful to see you. Come in!	0:44:04	0:44:09
It's girls poker night. Where's my little dealer?	0:44:09	0:44:12
Just wait right here and I will just go get him.	0:44:12	0:44:14
Georgey, Mrs Kline is here!	0:44:14	0:44:16
Hi, Mrs Kline.	0:44:16	0:44:17
Come on, Georgey! Tonight, I'm gonna teach you to bluff.	0:44:17	0:44:21
MUFFLED HIP-HOP MUSIC PLAYS	0:44:21	0:44:23
-And I think we need to comb your hair differently. You look like a fag. -I'm not a fag!	0:44:23	0:44:28
-I didn't say you were. ..Hello. -Hi. How are you?	0:44:28	0:44:31
-Oh, good evening, sir. Hi, um... -Wait, wait, wait, wait, wait.	0:44:31	0:44:34
Dad, um, I don't want you to freak out, OK?	0:44:34	0:44:37
Why would I freak out?	0:44:37	0:44:40
Well... SHE CLEARS HER THROAT	0:44:40	0:44:42
Dad, this is Aaron.	0:44:42	0:44:44
-Hi. -Hello. -How do you do, sir?	0:44:44	0:44:47
I'm so glad to actually meet you.	0:44:47	0:44:50
I-I-I-I told Sarah that it was very important	0:44:50	0:44:53
that you feel comfortable with me taking her to my parents' for dinner.	0:44:53	0:44:56
So, this is a date?	0:44:59	0:45:00
Oh, um, I'll have her home by 11:00 at the latest, sir?	0:45:01	0:45:06
I guess that'd be all right.	0:45:09	0:45:11
ENGINE TURNS OVER	0:45:14	0:45:17
HE SIGHS	0:45:17	0:45:18
-All right. Did it work? -Yeah, like a charm, my friend.	0:45:25	0:45:29
All right. Let's party.	0:45:29	0:45:32
Hey, hey, watch the seats.	0:45:32	0:45:34
-OK. -Oh, shut up. -No, I'm serious. It's leather.	0:45:34	0:45:36
Well, look at you, all growed up.	0:45:48	0:45:50
There's nothing to eat in the house.	0:45:53	0:45:55
Yeah. You comin' to a point?	0:45:55	0:45:57
Well, I'm hungry. Are you?	0:46:01	0:46:03
You askin' me out?	0:46:04	0:46:06
Well, no, I'm not.	0:46:06	0:46:08
Yes, I am.	0:46:10	0:46:13
OK.	0:46:15	0:46:16
# You know every time I see you walking by	0:46:19	0:46:24
# You're so fine, you make me want to cry	0:46:24	0:46:29
# That's how I feel Girl, you know what's real	0:46:29	0:46:33
# But you had to look away... #	0:46:33	0:46:37
Oh, look at the legs on this wine.	0:46:40	0:46:41
I'm telling you, this place is bangin'.	0:46:41	0:46:44
Don't you mean this is nice?	0:46:44	0:46:47
Why does the word "bangin" make you so uptight?	0:46:47	0:46:50
You're smart. If you deigned to speak English with what you learned on the internet and prison	0:46:50	0:46:54
you'd be a paralegal tomorrow.	0:46:54	0:46:56
Like they gonna be beatin' down my door to let me into school.	0:46:56	0:46:59
As a matter of fact that exactly the kind of person they'd want.	0:46:59	0:47:02
Well why would I want to do that anyway?	0:47:02	0:47:04
I've been to your office - everybody's all uptight, bored, stressed out,	0:47:04	0:47:08
don't see their family. "Oh, Ed is coming. Ooh, Tobias"	0:47:08	0:47:12
-I get a wedgie just walking into your office. -It's what people do - work.	0:47:12	0:47:15
All I'm saying is I did the confinement thing for four years.	0:47:15	0:47:20
If you're so concerned with my future, just help me clear my name.	0:47:20	0:47:24
I got it from there. I got my own dreams, my own goals.	0:47:24	0:47:27
PHONE RINGS	0:47:27	0:47:29
Give it to me. Hey! What did you do that for?	0:47:29	0:47:32
-Cos you work too much. The reason why your wife left your sorry ass. -Yeah.	0:47:32	0:47:36
-OK, Oprah, if you're so good at relationships, how come you don't have a boyfriend? -I had one.	0:47:36	0:47:41
I haven't seen or heard from him since I went in four years ago.	0:47:43	0:47:46
Were you in love with him?	0:47:48	0:47:49
# Whoo!	0:48:02	0:48:04
# Captured effortlessly	0:48:08	0:48:10
# That's the way it was	0:48:10	0:48:12
-# It happened so naturally... # Let's dance. -Ha ha. No.	0:48:12	0:48:14
-Come on. When is the last time you danced? -At my wedding.	0:48:14	0:48:19
-Don't worry, I can dance. It's just that I don't wanna. -Come on, smooth.	0:48:19	0:48:23
-Show me what you're workin' with. -I can dance. I just don't want to.	0:48:23	0:48:26
Man, you can't dance.	0:48:26	0:48:28
-Well, I got moves. -Let me see.	0:48:28	0:48:30
All right, all right.	0:48:30	0:48:32
OK, one last little drink here.	0:48:32	0:48:35
-# Ain't nobody -Ohh	0:48:35	0:48:37
-# Loves me better -Loves me better	0:48:37	0:48:39
# Makes me happy... #	0:48:39	0:48:40
What, you got to pee?	0:48:40	0:48:42
This was big in high school.	0:48:42	0:48:43
Man, look, you can't dance from your brain.	0:48:43	0:48:46
You gotta feel it. Now, come on. Show me how you made them kids.	0:48:46	0:48:50
-# Makes me feel this way -O-o-ooh... #	0:48:50	0:48:53
-What the... -How's this?	0:48:53	0:48:55
Great for an epileptic.	0:48:55	0:48:58
Come on. You want hips. Get smooth with it.	0:48:58	0:49:02
# I can't resist this sweet surrender... #	0:49:02	0:49:05
I'm sorry. I can't help it, I do. I miss him.	0:49:06	0:49:09
Oh, snap out of it, already.	0:49:09	0:49:11
I'm not snapping at you.	0:49:11	0:49:14
# And what we see is no surprise... #	0:49:15	0:49:19
Oh, God, Ash. I still can't believe you were hit by a car.	0:49:19	0:49:24
Did you call a lawyer?	0:49:24	0:49:27
I can't talk to a lawyer. I was jaywalking. So, can we just stop...	0:49:27	0:49:30
SHE GASPS	0:49:30	0:49:32
-What? -Oh, my God.	0:49:32	0:49:34
# Makes me feel this way... #	0:49:34	0:49:36
-SHE GASPS -What?	0:49:36	0:49:38
# Ain't nobody loves me better	0:49:38	0:49:41
-# Makes me happy -Makes me happy... # -SHE GASPS	0:49:41	0:49:44
Look at that!	0:49:44	0:49:46
It's true. Look at that! Look at that! Look at that!	0:49:46	0:49:49
# Makes me happy... #	0:49:49	0:49:51
He never danced like that with me. I'm gonna go talk to him.	0:49:51	0:49:55
No! Sit!	0:49:55	0:49:57
Why?	0:49:57	0:49:59
I can't tell you.	0:49:59	0:50:01
If I talk about it, Gangster people will come to my house and cut me.	0:50:01	0:50:05
Oh.	0:50:07	0:50:09
He almost looks like a fun person.	0:50:11	0:50:13
Must have been me.	0:50:17	0:50:18
-Was it me? -No.	0:50:18	0:50:20
Stop beating yourself up - it's him. Can we just get out of here now?	0:50:20	0:50:24
You know what they say, once you go black, you never go back.	0:50:24	0:50:29
Can we get the check please.	0:50:31	0:50:33
# I feel like no one could feel I must be dreamin'	0:50:34	0:50:38
# I want this dream to be real I need this feelin'	0:50:38	0:50:43
# I make my wish upon a star and hope this night will last forever	0:50:43	0:50:49
# Oooh, oooh oooh ooh	0:50:49	0:50:52
-# Ain't nobody -Nobody -Loves me better than you	0:50:52	0:50:56
-# Makes me happy -Yeah -Makes me feel this way	0:50:56	0:51:00
-# Ain't nobody -Hey yeah... #	0:51:00	0:51:03
-LOCKS OPEN -..and that's why I worked so hard so I could give Kate a good life.	0:51:03	0:51:07
But it backfired!	0:51:07	0:51:09
-Man, bitches care nothing about that shit. -Bitches do too care.	0:51:09	0:51:13
I'm gonna tell you a secret.	0:51:13	0:51:15
Sometimes I drive by our old house and I remember my life and it just hurts.	0:51:15	0:51:20
-That is so pathetic. -Why?	0:51:21	0:51:23
-You know what I'm gonna help you get her back. -How?	0:51:23	0:51:26
Well first got to create the mood	0:51:26	0:51:28
MUSIC: "I'm Gonna Love You Just A Little More Babe" by Barry White	0:51:28	0:51:30
Just like at the restaurant, baby.	0:51:30	0:51:32
-I'm already there. -Yeah. Now feel the Barry.	0:51:32	0:51:36
-Feel Barry White. Talk like Barry. -OK. That's Barry.	0:51:36	0:51:40
-Yeah! -This is Kate.	0:51:40	0:51:41
-Hey, Kate. -I want you to talk nasty to her.	0:51:41	0:51:45
Talk nasty!	0:51:45	0:51:47
I'd like to kiss you a lot.	0:51:47	0:51:51
-Cut that sensitive shit, nancy boy! -What?	0:51:51	0:51:54
-You gotta be a beast. -A beast? -Yeah.	0:51:54	0:51:56
In the bedroom, a woman wants a man that knows how to ride 'em when she bucks.	0:51:56	0:52:00
Ride 'em when she bucks.	0:52:00	0:52:02
It's just... I can't. It's a sculpture.	0:52:02	0:52:05
All right. OK.	0:52:05	0:52:07
Use me then.	0:52:08	0:52:09
-Huh? -Damn it, grab these.	0:52:10	0:52:13
-What?! -Grab 'em!	0:52:13	0:52:14
# Run my fingers through your hair... #	0:52:17	0:52:20
-Hey, Kate. -Uh-huh. -You've been waiting for this for a while, huh?	0:52:21	0:52:26
-Now, what you gonna do to her? -I'll tell you what I'm gonna do,	0:52:26	0:52:29
I'm gonna give you an aromatherapy massage and incense.	0:52:29	0:52:34
No! Wimps give aromatherapy massages. Tell her again.	0:52:34	0:52:39
OK. I'm gonna have... sexual intercourse, baby.	0:52:40	0:52:45
No! You... You're a beast! You need some of these.	0:52:45	0:52:48
-Yeah. -Hoevos grandes. -I'm gonna put them... Get in there boys.	0:52:48	0:52:54
-Now grab 'em! -Grab 'em!	0:52:54	0:52:56
-Grab 'em. -Hey, baby. Hey.	0:52:56	0:52:58
What you gonna do? What you gonna do?	0:52:58	0:52:59
Mamma, you gonna be my little woman?	0:52:59	0:53:02
Damn right. Now get your humpin'.	0:53:02	0:53:04
-Yeah! -Whoa!	0:53:04	0:53:06
-How's that? -Yeah, that's good.	0:53:06	0:53:08
-I jumped on you like a lion. -I like it. -From above. -I like it.	0:53:08	0:53:12
-Aaah! -That's what I'm talkin'.	0:53:12	0:53:14
You ain't just no king of the jungle, you own that jungle.	0:53:14	0:53:17
That's your pride. You own that jungle and ain't no-one gonna come round and mess with your pride.	0:53:17	0:53:22
I like that.	0:53:22	0:53:25
You ain't ready for that shit. Come on. Be a beast.	0:53:25	0:53:28
-What you gonna do when she's ridin'? -I'll take care of her.	0:53:28	0:53:32
You're mine, Kate. Ride that lightnin' rod!	0:53:32	0:53:35
-Boy, you got your own. You found your balls. -I don't need those balls.	0:53:35	0:53:39
I got my own balls.	0:53:39	0:53:41
Mandingo!	0:53:44	0:53:45
What goes on in your personal life is none of our business	0:53:47	0:53:50
but if it begins to affect the firm, we need to call attention to it.	0:53:50	0:53:53
Guys, we were moving a statue and we lost our footing and we fell.	0:53:53	0:53:57
My sister's under the impression that you were humping your nanny.	0:53:57	0:54:01
I was not humping my nanny!	0:54:01	0:54:04
Peter, surely you understand that is Mrs Arness were to suspect any instability on your part...?	0:54:04	0:54:11
There is no instability in my home.	0:54:12	0:54:15
-You sure you can trust this guy? -He's helping me reopen my case.	0:54:16	0:54:20
-Y'all got any leads? -A still from the bank surveillance camera	0:54:20	0:54:25
and we found a deposition that could help.	0:54:25	0:54:27
Well, that's cool, baby.	0:54:27	0:54:30
If there's anything I can do to help, anything... you just holler.	0:54:30	0:54:34
I gotta run.	0:54:35	0:54:37
Hey, Widow, if you meant what you just said,	0:54:37	0:54:40
it's not gonna be an easy job.	0:54:40	0:54:42
I know it ain't.	0:54:42	0:54:46
I just gotta know that if things get rough, you're not gonna run out on me.	0:54:46	0:54:50
I've been waitin' four years for this.	0:54:50	0:54:53
I ain't gonna mess up.	0:54:53	0:54:54
HE CHUCKLES Mmm.	0:54:56	0:54:59
Ooh!	0:55:19	0:55:20
Planning another heist?	0:55:20	0:55:22
No. Why would you say that?	0:55:24	0:55:26
I don't know. Maybe it was hearing the words "job" and "hot"	0:55:26	0:55:30
bandied between two tattooed people?	0:55:30	0:55:32
Peter, that was just my old boyfriend I told you about,	0:55:32	0:55:35
Widow.	0:55:35	0:55:37
-He's just tryin' to get back with me. -Mm-hmm(!)	0:55:37	0:55:40
I'm tellin' you the truth!	0:55:40	0:55:42
I just didn't want you to see him,	0:55:42	0:55:43
because Widow, he...he ain't been the best boyfriend,	0:55:43	0:55:48
and I knew he'd be all over me.	0:55:48	0:55:50
Now you suddenly care what I think?	0:55:50	0:55:53
No.	0:55:54	0:55:56
Maybe.	0:55:57	0:55:59
A little bit.	0:56:00	0:56:01
-No more late visits? -Word.	0:56:05	0:56:08
-Convicted felon's honour? -Innocent convicted felon's honour.	0:56:08	0:56:12
-Now, give me some dap, right there on the edge. -What do I do?	0:56:14	0:56:17
Then come up here like like that. PHONE RINGS	0:56:17	0:56:19
-Pow, like that. -Hello?	0:56:19	0:56:21
-SARAH: -Dad! -'Yeah? Hey, sweetie.' -I-Is Charlene there?	0:56:21	0:56:24
Yeah, she's here. Do you want to talk to her?	0:56:24	0:56:26
-You OK? -'Yeah, I-I'm...' -All right.	0:56:26	0:56:29
-Sarah? OK. -Girl talk.	0:56:29	0:56:31
What up, dog?	0:56:31	0:56:33
I need you to come pick me up. I can't talk about it right now.	0:56:33	0:56:36
-Where you at? -I'm on the corner of Venice and Canal,	0:56:36	0:56:39
'and there's a whole lot of people out front.'	0:56:39	0:56:42
-Please don't tell my dad! Please! -OK. No, just calm down. I'm comin' to get you.	0:56:42	0:56:46
HIP HOP MUSIC PLAYS, INDISTINCT CONVERSATIONS	0:56:46	0:56:49
TYRES SCREECH	0:56:50	0:56:53
INDISTINCT CONVERSATIONS	0:56:53	0:56:55
-I'm sorry. I didn't know who else to call. -What's goin' on?	0:57:05	0:57:08
Hey, Sarah, what have you been up to? Hee hee!	0:57:08	0:57:12
Is that your boyfriend?	0:57:12	0:57:13
No, he's not my boyfriend.	0:57:13	0:57:15
I liked his friend, Mike, and we hung out a few times, and he was always really nice,	0:57:15	0:57:21
but then...all he wanted to do tonight was have sex,	0:57:21	0:57:23
-He just... He moved in kind of rough, and... -He got rough with you? Where he at? -I've never...	0:57:23	0:57:28
-I don't know. He went back there with that group. -Go wait downstairs.	0:57:28	0:57:31
Yo, Mike!	0:57:31	0:57:33
Please, don't kill me!	0:57:33	0:57:35
Oh, God!	0:57:35	0:57:37
What are you? Crazy?!	0:57:37	0:57:38
Pull me up! What do you want?!	0:57:38	0:57:41
Sarah!	0:57:41	0:57:43
Mike has somethin' to say to you. ..Say "sorry"!	0:57:43	0:57:46
I-I'm sorry! I'm sorry! God, I am sorry!	0:57:46	0:57:49
-Say "no means no." -No means no!	0:57:49	0:57:51
LAUGHTER, APPLAUSE	0:57:51	0:57:54
-She was where?! -Calm down. It's just...	0:57:54	0:57:57
-She is 14! -She's 15! Wait!	0:57:57	0:57:59
G... Well... Oh!	0:57:59	0:58:00
Look...	0:58:00	0:58:02
Sarah don't need a warden.	0:58:02	0:58:03
She needs her father - you.	0:58:03	0:58:06
So you can't get mad, all right?	0:58:06	0:58:08
You do it, she'll never tell you anything again.	0:58:08	0:58:10
All right. I get it. I get it.	0:58:13	0:58:15
Just be cool. Just play it cool, you know what I mean?	0:58:15	0:58:18
Just listen to her. Let her do the talkin'.	0:58:18	0:58:20
-I am listening to you! -Thank you.	0:58:20	0:58:24
HE EXHALES SHARPLY	0:58:24	0:58:26
Don't trip.	0:58:26	0:58:30
Don't trip.	0:58:30	0:58:31
So...	0:58:37	0:58:41
You went out with a boy...	0:58:41	0:58:42
And he took you to a party, where kids were...drinking	0:58:42	0:58:49
and trippin' on E	0:58:49	0:58:54
and then he took you up to a room Where he tried to... "get all up in that"...	0:58:54	0:59:00
Which he...didn't?	0:59:04	0:59:06
And then Charlene came -	0:59:11	0:59:14
in my new car - and brought you home after first...	0:59:14	0:59:18
bitch-slapping him.	0:59:18	0:59:21
Well...	0:59:26	0:59:31
..that was some night.	0:59:32	0:59:34
-SHE EXHALES DEEPLY -Oh, Dad!	0:59:34	0:59:37
-HE LAUGHS -I can't believe you're not killing me! -No.	0:59:37	0:59:41
Oh! This is so great! I want everything out in the open!	0:59:41	0:59:44
Oh, I have so much more to tell you!	0:59:44	0:59:46
-MUFFLED: -Aaaaaaaaah!	1:00:00	1:00:02
-MUFFLED: -Aaaaaaaaah!	1:00:21	1:00:23
-Kate, what are you doing here? -W-What are you doing here?	1:01:18	1:01:21
-It's my shortcut home from work. -No, it's not.	1:01:21	1:01:24
-Yes, it is. -Is not.	1:01:24	1:01:25
I thought you were in the mountains.	1:01:25	1:01:28
Well, yeah, I-I came back early.	1:01:29	1:01:32
There were bears that were mauling the campers	1:01:32	1:01:35
And eating them.	1:01:35	1:01:36
-Wow. -But other than went wrongthat nothing with your...? -Oh, no. He's great.	1:01:38	1:01:44
Yeah, I like him.	1:01:44	1:01:46
So, how's your...?	1:01:48	1:01:50
My what?	1:01:50	1:01:52
Your life? Anything hip and new?	1:01:53	1:01:56
No.	1:01:56	1:01:58
Um... I'm having a good time with the kids, though.	1:02:00	1:02:04
Good. Glad you're having fun with her. Them.	1:02:04	1:02:07
-HE SCOFFS -What?	1:02:12	1:02:14
-You look, um... -Yeah.	1:02:14	1:02:17
Rested.	1:02:17	1:02:18
-SHE SCOFFS -Nice. You look nice.	1:02:18	1:02:21
So, um, I guess I'll come by later and pick up the kids.	1:02:21	1:02:24
Oh, uh, I was wondering if I could keep them through Friday.	1:02:24	1:02:28
Really? You're not too busy?	1:02:29	1:02:31
No.	1:02:31	1:02:32
W-Well, yes, it's OK.	1:02:34	1:02:36
It's wonderful, Peter.	1:02:36	1:02:39
-You know, if you wanted to come... -MOBILE PHONE RINGS	1:02:39	1:02:42
-RINGING CONTINUES -Go ahead.	1:02:45	1:02:49
Sorry.	1:02:49	1:02:50
Hello?	1:02:54	1:02:55
'Yo, get your butt home, dog.	1:02:55	1:02:57
-I will be home in my own sweet time, girlfriend. -No, you gotta come now.	1:02:57	1:03:00
-Arness said she on her way over here. -Oh, I forgot all about that.	1:03:00	1:03:04
Oh, I'm sorry. I-I have to go.	1:03:04	1:03:07
I forgot about something, but I want to continue this conversation,	1:03:07	1:03:11
so I will call you, or you can call me on my cell. Bye!	1:03:11	1:03:15
-Uh-huh. -CAR DOOR CLOSES	1:03:15	1:03:18
-Is she here yet? -No!	1:03:45	1:03:47
-The place is a mess! -KEYS CLATTER	1:03:47	1:03:50
We gotta clean this place up!	1:03:50	1:03:52
Hey, hey, get upstairs and get ready!	1:03:52	1:03:54
Come on and what are you reading?! Get up there! Go! Go! Go! Go! Go!	1:03:54	1:03:58
-Yo, P, while we got this minute... -What minute?	1:03:58	1:04:01
-There's somethin' I been meanin' to tell you. -You'll have to wait.	1:04:01	1:04:04
Kids! She's here!	1:04:15	1:04:16
-Mrs Arness? -Oh! I'll get right to the point, Mr Sanderson.	1:04:24	1:04:30
There are rumours circulating that your personal life	1:04:30	1:04:34
and your home are in disarray,	1:04:34	1:04:37
and this makes me feel very unsettled.	1:04:37	1:04:40
I don't know who misinformed you, but please, come in.	1:04:40	1:04:42
I'd hate to think you're under any misapprehension about me or my family.	1:04:42	1:04:46
Sarah? Georgey?	1:04:47	1:04:50
You remember Mrs Arness?	1:04:50	1:04:52
So lovely to see you again.	1:04:52	1:04:55
Um, Father, when you have a moment,	1:04:55	1:04:57
would you mind helping me with my report on Queen Victoria?	1:04:57	1:05:00
Sure, kitten.	1:05:00	1:05:03
And don't forget, Pop, tomorrow you have to come to school and help hand out the food to the poor kids.	1:05:03	1:05:08
Have I ever forgotten to help the poor kids?	1:05:08	1:05:11
No, Pop. Never.	1:05:11	1:05:12
In truth, Mr Sanderson, you have a lovely home.	1:05:16	1:05:20
-Thank you. -And your children are very well-behaved.	1:05:20	1:05:23
They're angels.	1:05:23	1:05:25
-DOG WHINES -Oh, William.	1:05:25	1:05:27
Oh, look! He's even taken a fancy to your boy.	1:05:27	1:05:30
That's so sweet. We can go to the den and get the contracts...	1:05:30	1:05:33
What is that heavenly smell?	1:05:33	1:05:35
Ah, that would be Charlene preparing dinner.	1:05:35	1:05:38
-Anyway, the contracts... -Do you know, I haven't smelled home cooking like that since I was a child?	1:05:38	1:05:43
-Really? Anyway... -Brings back such happy memories.	1:05:43	1:05:46
Does it? Anyway, the... Actually, the den is closer...	1:05:46	1:05:50
Your table looks so inviting.	1:05:50	1:05:52
Yes. It's too bad it's so small.	1:05:52	1:05:56
-Small? -Well, actually, it's big, isn't it?	1:05:56	1:05:59
It's a big table, so...there would be room for one more.	1:05:59	1:06:04
-Oh, well, if it's not an imposition... -Oh...Oh.	1:06:04	1:06:08
Well, let me just go check if there's enough food. I'm not,	1:06:08	1:06:11
cos actually, this is the night of, uh, Yiminum, the, the holiday where	1:06:11	1:06:17
white people eat very little portions cos that was the night the Lord came down,	1:06:17	1:06:21
and he was given food, and there was just too much, and he said, "No."	1:06:21	1:06:24
And so, he had a smaller portion, and that's why we might not have enough.	1:06:24	1:06:29
So, I'll just go check on, uh, what the Lord would say. Just one second.	1:06:29	1:06:34
SARAH: Come here, William.	1:06:34	1:06:36
GEORGEY: Hey, come here. Are you hungry?	1:06:36	1:06:37
-Charlene, if there was ever a time I needed a favour, it's now. -You got it, baby. Anything.	1:06:40	1:06:45
Oh, thank you!	1:06:45	1:06:48
PAPER RUSTLES	1:06:48	1:06:50
-Oh. Mrs Arness? -Y-Yes? Oh, yes.	1:06:57	1:07:00
HE SIGHS	1:07:00	1:07:01
My family and I are pleased to invite you for dinner.	1:07:01	1:07:03
Yeah, oh. Very well. I wasn't expecting this.	1:07:03	1:07:07
Uh, but if you insist.	1:07:07	1:07:08
-And then afterwards, we can sign the contracts. -Of course.	1:07:08	1:07:11
Dinner is served.	1:07:11	1:07:13
I was raised in the South, you know.	1:07:15	1:07:17
That smells just like our Ivy's jambalaya.	1:07:17	1:07:21
She was so wonderful.	1:07:21	1:07:24
We paid her nothing, of course, you know.	1:07:24	1:07:26
But, then, people had standards of service in those days.	1:07:26	1:07:30
And, of course, Ivy did know	1:07:30	1:07:32
that you serve from the left and collect from the right.	1:07:32	1:07:37
Don't...stop with that story cos I just love hearing about your past.	1:07:40	1:07:44
-That is fascinating. -SNAPS	1:07:44	1:07:48
Oh, yes. Well, anyway, as I was saying...	1:07:48	1:07:51
SPEAKING INDISTINCTLY	1:07:51	1:07:54
Yeah.	1:07:54	1:07:56
Yeah. Fast-actin'.	1:07:56	1:07:59
Fast-actin'.	1:07:59	1:08:01
Ooh, I'm gonna get you.	1:08:01	1:08:04
I'm gonna get you.	1:08:04	1:08:06
Uh-huh. I'll serve your food right.	1:08:06	1:08:08
Was it the left? Was it the right?	1:08:08	1:08:10
Father's work with the Pasadena Republican Youth Group	1:08:10	1:08:13
has truly been invaluable.	1:08:13	1:08:16
I hope y'all brought y'all appetites.	1:08:16	1:08:18
Oh, yes.	1:08:18	1:08:20
I brought mine.	1:08:20	1:08:23
Oh, my goodness.	1:08:23	1:08:25
Uh, this is much too much for me.	1:08:25	1:08:27
I'll never get through all that.	1:08:27	1:08:28
-I have a little less. Here, I'll trade with you. -Oh.	1:08:28	1:08:31
Thank you.	1:08:33	1:08:34
What, Charlene?	1:08:37	1:08:40
-Nothing, sir. -Oh.	1:08:40	1:08:43
Oh, this food is so delicious.	1:08:45	1:08:47
Serves him right, makin' me wear this stinkin' outfit.	1:08:47	1:08:50
You're very lucky to have found such talented help.	1:08:50	1:08:54
Well, our Ivy was with us for so long,	1:08:54	1:08:57
we really thought of her as one of the family.	1:08:57	1:09:00
-Mmm. -And after every meal,	1:09:00	1:09:03
my mother would scrape all the food we hadn't eaten and put it on one big plate and give it to Ivy.	1:09:03	1:09:08
HE SIGHS HEAVILY	1:09:13	1:09:15
Charlene...what is that particular taste?	1:09:17	1:09:21
I... It is... It's familiar, yet...	1:09:21	1:09:23
Is it some kind of herb like sage?	1:09:23	1:09:28
No, it's sort of more like a milk of mint.	1:09:28	1:09:30
Milk of... Whatever it is, the taste is explosive.	1:09:30	1:09:33
-Mmm. -Well, good, then. Enjoy.	1:09:33	1:09:38
Oh, just one moment.	1:09:38	1:09:41
Uh, you know, uh, there's a lovely, sad negro spiritual...	1:09:41	1:09:46
SHE COUGHS	1:09:46	1:09:47
..that Ivy's brother used...	1:09:47	1:09:50
Uh, are you all right?	1:09:50	1:09:52
Anyway, Ivy's brother used to sing this when he came in	1:09:52	1:09:56
from the tobacco fields.	1:09:56	1:09:59
# Hmm, Mama	1:10:00	1:10:04
# Is master going to sell us tomorrow?	1:10:04	1:10:08
# Yes	1:10:08	1:10:10
# Yes	1:10:10	1:10:11
# Ye-e-e-s	1:10:11	1:10:13
# Mama	1:10:13	1:10:14
# Is master going to sell us tomorrow?	1:10:14	1:10:17
# Yes	1:10:17	1:10:19
# Ye-e-e-es	1:10:19	1:10:20
# Yes	1:10:20	1:10:23
# Mama	1:10:23	1:10:25
# Is master going to sell me tomorrow...? #	1:10:25	1:10:31
DISHES CLANKING, FALLING	1:10:31	1:10:32
# Yes, yes	1:10:32	1:10:34
# Go watch	1:10:34	1:10:37
# and pray. #	1:10:37	1:10:40
Now, there's a second verse	1:10:40	1:10:42
if you'd like to join in the chorus.	1:10:42	1:10:44
# Mama	1:10:44	1:10:46
-Mmm -STOMACH GURGLES	1:10:46	1:10:48
# Is master going to sell us in Georg... #	1:10:48	1:10:51
GURGLING, RUMBLING	1:10:51	1:10:53
GURGLING, RUMBLING CONTINUE	1:10:59	1:11:01
-Huh. -HE CLEARS HIS THROAT	1:11:01	1:11:04
-HE CHUCKLES -That's an unusual feeling.	1:11:04	1:11:06
GURGLING, RUMBLING INTENSIFIES	1:11:06	1:11:09
HE GRUNTS Dad? Are you OK?	1:11:10	1:11:13
Uh! Hmm.	1:11:13	1:11:16
-HE CHUCKLES -Ha ha!	1:11:16	1:11:18
# Halle...	1:11:18	1:11:19
# Hallelujah... # Ah ha ha ha!	1:11:19	1:11:21
Mmm. Ha! Ha ha ha ha! Whoa!	1:11:21	1:11:24
DOOR CLOSES	1:11:24	1:11:26
I hope your father's all right. Does this happen often?	1:11:26	1:11:29
Well, if you'll excuse us.	1:11:29	1:11:32
Um, Georgey, let's go watch that biography on Francis Drake.	1:11:32	1:11:36
SHE SIGHS	1:11:36	1:11:39
I mean, He... He seemed to be so moved by that song.	1:11:39	1:11:44
Oh, he movin', all right.	1:11:44	1:11:47
TOILET FLUSHES	1:11:47	1:11:48
DOG GROWLS	1:11:48	1:11:50
William? What...?	1:11:50	1:11:52
TV: 'The FBI needs your help in finding fugitive Charlene Morton.	1:11:52	1:11:56
-'Charlene is an African-American female, 31 years of age...' -What is it?	1:11:56	1:12:00
'..and 5'6", 175 pounds, with a tattoo on her left breast.	1:12:00	1:12:03
'Convicted of armed robbery, Charlene is considered cunning and highly dangerous.	1:12:03	1:12:08
'Having escaped from the women's correctional facility	1:12:08	1:12:11
'outside Los Angeles a mere six days ago, Morton is suspected to be armed.'	1:12:11	1:12:15
'This bank surveillance tape shows Charlene wielding a gun	1:12:15	1:12:19
'and holding a customer hostage.	1:12:19	1:12:21
'Charlene is considered dangerous and may be armed.	1:12:21	1:12:24
'If you have any information concerning Charlene Morton,	1:12:24	1:12:27
'please contact your local FBI office.	1:12:27	1:12:30
'That's it for tonight's edition of Criminals At Large.	1:12:30	1:12:33
'Good night and be safe.'	1:12:33	1:12:36
Mrs Arness, I can explain everything.	1:12:36	1:12:39
Pete, look, before you lose it, just let me explain.	1:12:45	1:12:48
-There's nothing to say. -But I didn't do it, Pete.	1:12:48	1:12:50
-You have to get out. -SHE SIGHS	1:12:50	1:12:53
SHE SCOFFS	1:12:53	1:12:56
All right. I'll get my stuff.	1:12:56	1:12:58
I don't understand. You saw her and where is she?	1:13:20	1:13:23
I don't know where she is.	1:13:23	1:13:24
IN A SINGSONG VOICE: Don't drop the soap.	1:13:24	1:13:28
What the hell does that mean?	1:13:28	1:13:30
I just don't believe this. I'm worried about her. She's out there all alone.	1:13:30	1:13:34
You're worried about the frail creature who can hardly take care of herself on the street?	1:13:34	1:13:39
What about me? Tobias is gonna fire me! And another goody -	1:13:39	1:13:42
if Arness calls the cops, I could go to jail!	1:13:42	1:13:44
Here's the local number for the bureau. The FBI takes harbouring a fugitive very seriously.	1:13:44	1:13:49
You will be the first to hear from me.	1:13:49	1:13:52
-Arness didn't call the cops, she called the FBI. You haven't seen me. -I have seen you.	1:13:54	1:13:58
-No, I mean, you haven't seen me. -I'm looking right at you.	1:13:58	1:14:01
What are you...? Peter?	1:14:01	1:14:03
If you do hear from her, please tell her the cool points are out the window and...	1:14:03	1:14:08
she's got me all twisted up in the game.	1:14:08	1:14:10
HE EXHALES SHARPLY	1:14:10	1:14:13
ENGINE TURNS OVER	1:14:19	1:14:20
Why you messin' with 'Lene?	1:14:22	1:14:24
-I'm not messing with her, I'm helping her. -Bullshit! HORN HONKS	1:14:24	1:14:27
Uh! I'm telling you the truth!	1:14:27	1:14:30
Listen up. You do not reopen this case.	1:14:30	1:14:32
From now on, I'm handlin' it for her.	1:14:32	1:14:34
-The case is closed. Why would I reopen...? -Stay out of her life.	1:14:34	1:14:38
If I got to come back here, things are gonna get bloody.	1:14:38	1:14:42
-Ugh! -HORN HONKS	1:14:42	1:14:44
Maybe I should just finish this now.	1:14:44	1:14:47
TYRES SCREECH	1:14:48	1:14:51
Hey, hey, hey, hey, hey.	1:14:58	1:15:00
We have to find Charlene.	1:15:00	1:15:01
I thought you hated Charlene.	1:15:01	1:15:03
-I found out she's innocent. -I knew it. I-I-I knew it.	1:15:03	1:15:06
-Where am I gonna find her? -Well, you can call her.	1:15:06	1:15:10
How can I call her if I don't know where she is?	1:15:10	1:15:12
GAME BEEPS	1:15:12	1:15:14
-I gave her your phone, in case you might... -My new phone?	1:15:14	1:15:18
You gave her my new 600 titanium phone?	1:15:18	1:15:20
Good idea. Come on.	1:15:21	1:15:22
What happened to your head?	1:15:23	1:15:25
PHONE RINGS	1:15:32	1:15:33
SHE SIGHS	1:15:35	1:15:37
Metropolitan Museum of Art. How may I help you?	1:15:38	1:15:41
-I know who set you up. -What?! Who?	1:15:41	1:15:43
-TYRES SCREECH -Get in.	1:15:49	1:15:51
So, what's up?	1:15:54	1:15:56
The guy put a gun to my head and tells me not to reopen the case. I'm thinking, "Why is he doing this?"	1:15:56	1:16:01
-And then it dawns on me, it's cos he was involved. -Goddamn him!	1:16:01	1:16:05
I can't believe Widow did this to me.	1:16:05	1:16:08
-Where do you think he is? -I don't know.	1:16:08	1:16:11
Probably downtown at this club he hang out at called the Down Low.	1:16:14	1:16:18
-Got to get a confession. -You can't go there.	1:16:18	1:16:22
Eh, man, I'm serious. A white man at the Down Low	1:16:22	1:16:25
is either a cop, a corpse, or a crack head.	1:16:25	1:16:28
You can't even talk 'hood.	1:16:28	1:16:30
I'll figure out something. Oh!	1:16:30	1:16:32
And Howie told me to tell you	1:16:32	1:16:34
that "the cool points are out the window,"	1:16:34	1:16:37
and you got him "all twisted up in the game."	1:16:37	1:16:40
Really?	1:16:42	1:16:44
That's the nicest thing anybody's ever said to me.	1:16:44	1:16:47
I'll drop you off here cos I got to get back to the office for a conference call.	1:16:50	1:16:53
So, I'll see you in a little bit.	1:16:53	1:16:55
All right. OK, cool.	1:16:55	1:16:57
PHONE SPEED-DIALS	1:17:02	1:17:04
Yeah, freak boy, I need a ride. Can you come now?	1:17:04	1:17:08
Damn. Arness a straight, cold pimp.	1:17:11	1:17:14
Looks like Gendler beat us to her.	1:17:14	1:17:17
I can assure you, Mrs Arness,	1:17:17	1:17:21
Peter Sanderson is no longer affiliated	1:17:21	1:17:24
with Tobias, Kline, and Barnes.	1:17:24	1:17:25
Good.	1:17:25	1:17:27
You have great ankles.	1:17:27	1:17:29
What?!	1:17:29	1:17:30
Were you a dancer?	1:17:30	1:17:32
Yeah... Well, yes. I was.	1:17:34	1:17:37
I bet you had great presence.	1:17:38	1:17:40
SHE CHUCKLES	1:17:40	1:17:42
Oh. How you two doin'?	1:17:42	1:17:46
I hope I'm not interruptin' anything. ..You're nasty.	1:17:46	1:17:49
W-What are you doing here?	1:17:50	1:17:52
Please, Mrs Arness, I'm not here to cause any trouble.	1:17:52	1:17:54
Well, that would be a first.	1:17:54	1:17:56
Julia? Julia?	1:17:56	1:17:58
Julia a little tied up right now.	1:17:58	1:18:00
Please, I just need you to hear me out for a minute. Peter is not responsible for any of this. I am.	1:18:00	1:18:05
I mean, the guy is a great lawyer.	1:18:05	1:18:07
-And he's one of the most decent men I've ever known. -I doubt that's saying much.	1:18:07	1:18:11
Shut up, fool.	1:18:11	1:18:13
If only you knew the lengths he'll go to to help a friend. That's what this whole...	1:18:13	1:18:17
-Listen...sister... -"Sister"?	1:18:17	1:18:20
Why don't you go back to Sanderson and the whole "jungle fever" thing	1:18:20	1:18:24
the two of you got goin' on, before I call the cops?	1:18:24	1:18:27
That's it, pretty boy. You ever met the big hurt?	1:18:27	1:18:30
The who?	1:18:30	1:18:31
Oh!	1:18:31	1:18:33
TOY SQUEAKS	1:18:33	1:18:35
I wouldn't do that if I were you!	1:18:35	1:18:37
And why not?	1:18:37	1:18:38
You'll be instantly returned to prison, where you belong.	1:18:38	1:18:41
All right. That's it.	1:18:41	1:18:42
How dare you!	1:18:42	1:18:43
To hell with what I just said.	1:18:43	1:18:45
You obviously one of them hard learners. ..Howie?	1:18:45	1:18:47
This is my house!	1:18:47	1:18:49
I will not be told to do what I...	1:18:49	1:18:51
RECEIVER CLICKS	1:18:51	1:18:52
William.	1:18:52	1:18:54
I'm Kate Sanderson. Have you seen my kids?	1:19:01	1:19:03
-Over there. -Oh!	1:19:03	1:19:05
-Hey! -Oh, God!	1:19:05	1:19:07
What is going on?	1:19:07	1:19:09
It's just the FBI, Mom.	1:19:09	1:19:14
-Yeah, they're just doing a, like, search. -For what?	1:19:10	1:19:14
-For Charlene. But she's not... -The FBI is looking for your nanny?	1:19:14	1:19:17
HIP-HOP MUSIC PLAYS IN DISTANCE	1:19:17	1:19:19
INDISTINCT CONVERSATIONS	1:19:25	1:19:27
MAN: Man, take your hands off me!	1:19:32	1:19:34
I said, back off me, punk!	1:19:34	1:19:35
That's what I mean. You know what I'm sayin'?	1:19:35	1:19:39
You don't want none of this.	1:19:39	1:19:40
Excuse me...homeboys...	1:19:45	1:19:47
# Fool, we gonna run this one	1:19:53	1:19:55
# Yeah, uh-huh	1:19:55	1:19:57
# Check it out This cash money killin' me, baby	1:19:57	1:19:59
# You better believe it Where ya at, lil' boy?	1:19:59	1:20:03
# Yeah	1:20:03	1:20:04
# Cash money Cash money... #	1:20:04	1:20:09
Say, yo. You got a bathroom in there?	1:20:09	1:20:12
# And let me slide in the Benz with the fished out fins	1:20:12	1:20:15
# Hit the mall with my girlfriend's dished out ends	1:20:15	1:20:17
# Cos you know it ain't trickin' if you got it	1:20:17	1:20:19
# Come, baby girl, what you desire it's chump change, mama...	1:20:19	1:20:23
Say, yo, what's the dealio?	1:20:23	1:20:26
Mmm. Who's your daddy?	1:20:26	1:20:29
Back that booty up and put it on the glass.	1:20:29	1:20:33
Anybody here dig what I'm sayin'?	1:20:33	1:20:34
# ..Cadillac truck, 28's no rub	1:20:34	1:20:36
# Flyin' in my Benz, Benz... #	1:20:36	1:20:38
So...your nanny was doing time...	1:20:38	1:20:43
for armed robbery.	1:20:43	1:20:47
And then she broke out of prison...	1:20:48	1:20:53
and then she came here.	1:20:53	1:20:56
But she's innocent.	1:21:00	1:21:02
And now your dad has gone off to...	1:21:02	1:21:05
help her.	1:21:05	1:21:07
Sounds crazy, right?	1:21:09	1:21:10
He's not the same guy anymore.	1:21:10	1:21:12
Yeah, he's really cool.	1:21:13	1:21:15
HIP-HOP MUSIC PLAYS	1:21:15	1:21:16
Any of you homies holding after dinner house	1:21:16	1:21:19
cos I'm all about crunching some of that boo-boo tonight.	1:21:19	1:21:23
If you harm one hair on that dog's head...	1:21:25	1:21:28
Yeah, yeah, "harm a hair on the head." You got me nervous.	1:21:28	1:21:30
-Hello? -'Sarah?' -Oh, hey, Charlene.	1:21:30	1:21:34
-Put your daddy on the phone. -No, he's not here. He went out to find you.	1:21:34	1:21:37
He went to find me?! Tsk. All right.	1:21:37	1:21:41
Howie, flip a U. We headed downtown.	1:21:41	1:21:43
Downtown's where I live, precious.	1:21:43	1:21:45
No! No! TYRES SCREECH	1:21:45	1:21:46
Whoa!	1:21:46	1:21:47
HIP-HOP MUSIC PLAYS	1:21:47	1:21:49
What's on your mind, player?	1:21:49	1:21:50
You been drinkin' some of that "hatorade"?	1:21:50	1:21:53
What's up, player? Where you from?	1:21:53	1:21:55
From the 'hood and misunderstood.	1:21:55	1:21:58
How's your pimp hand, dog?	1:21:58	1:22:00
Strong, baby, strong.	1:22:00	1:22:01
# ..that's what you want	1:22:01	1:22:03
# Said you need it in your life... #	1:22:03	1:22:04
Can you swerve, Snowman?	1:22:04	1:22:06
Do I got "honky" spray-painted on my forehead? I'm tryin' to peep a bow-wow.	1:22:06	1:22:10
If you so at home, man, then dance with the woman.	1:22:10	1:22:12
-I can't. I got b'ness. -Go on out there and get your groove on.	1:22:12	1:22:14
No, I can't. I got important b'ness to take care of.	1:22:14	1:22:17
# Yo, yo, yo	1:22:17	1:22:20
# Ain't got no time for the talkin'... #	1:22:20	1:22:22
I tell you, but...	1:22:22	1:22:23
# Crowd starts to slip	1:22:23	1:22:25
INDISTINCT RAPPING	1:22:25	1:22:27
# ..there's always one that's got to test you out	1:22:49	1:22:52
# can't even dance without a clown trying to strut you out	1:22:52	1:22:54
# hit the dance floor, don't play shy	1:22:54	1:22:56
# serenade her all night	1:22:56	1:22:58
# That's what you want, said you need it in your life... #	1:22:58	1:23:01
HE STARTS MOANING	1:23:14	1:23:16
You'll get a life sentence for this.	1:23:44	1:23:47
You're a kidnapper and a whore!	1:23:47	1:23:49
Hey! Keep talkin', tea bag.	1:23:49	1:23:51
Ooh?! Tea bag!	1:23:51	1:23:52
Yeah, you'll be gummin' your bubbles and squeak.	1:23:52	1:23:54
You... Oh!	1:23:54	1:23:56
HIP-HOP MUSIC PLAYS	1:23:57	1:23:59
Whoa, whoa, whoa, whoa, whoa, whoa.	1:24:22	1:24:25
# ..tryin' to strut you out Hit the dance floor... #	1:24:25	1:24:28
CHAINS RATTLE	1:24:28	1:24:30
Damn, boy, you lookin' all kind of stupid.	1:24:32	1:24:36
Really? Cos I got this outfit from your mama.	1:24:36	1:24:40
Yo, Eminem, cut the wigger shit.	1:24:42	1:24:44
You know how much trouble you in.	1:24:44	1:24:46
Fine, fine, fine. I'm here to talk business - private business.	1:24:46	1:24:52
HIP-HOP MUSIC PLAYS	1:24:53	1:24:55
What fresh hell is this?	1:24:57	1:24:59
I don't see him. I think he's in that back room over there.	1:24:59	1:25:02
What do we do with her majesty?	1:25:02	1:25:04
Sit down.	1:25:04	1:25:05
-What? -Sit it on down.	1:25:05	1:25:08
Now, look, if you move, your little Willy gonna be bridge diving.	1:25:08	1:25:12
-You dig? -Dig.	1:25:12	1:25:14
All right. Come on.	1:25:14	1:25:16
-Is that real? -Oh!	1:25:17	1:25:19
Uh, seven and seven, double.	1:25:19	1:25:23
-How you doin'? -What?	1:25:25	1:25:27
I said how you doin'?	1:25:27	1:25:29
Oh, fantastic(!)	1:25:30	1:25:33
You either the dumbest cracker I ever met or you straight up...	1:25:36	1:25:39
Hold that thought. I love this song.	1:25:39	1:25:41
VOLUME INCREASES # It's almost over now	1:25:41	1:25:43
# You think that you don't have the eloquey	1:25:43	1:25:45
# You think that you can get away with it... #	1:25:45	1:25:47
Turn that off.	1:25:47	1:25:48
# You think that life will be open late	1:25:48	1:25:50
# Well, it's almost over now, almost over... #	1:25:50	1:25:52
MUSIC STOPS Get everybody up out of here.	1:25:52	1:25:54
CHARLENE: I'm telling you, he is in there.	1:25:57	1:26:00
OK, all right. So he's in there,	1:26:00	1:26:02
and then you go in, and then what happens?	1:26:02	1:26:04
Three seconds.	1:26:04	1:26:06
Why you here?	1:26:06	1:26:08
I got a feeling you're sitting on a hefty sum of stolen cash.	1:26:08	1:26:11
You want to hide it, you need a lawyer.	1:26:11	1:26:13
What's with the phone? I'm calling in the cavalry.	1:26:13	1:26:16
You'll go back to prison.	1:26:16	1:26:17
So you wanna help me launder my money?	1:26:17	1:26:19
I can hide it in an untraceable account in the Cayman Islands. All I want is 100,000.	1:26:19	1:26:24
We both walk out of here wealthier men.	1:26:24	1:26:26
And I tell you where Charlene is. That simple.	1:26:26	1:26:29
You wearin' a wire?	1:26:32	1:26:33
Me? No. Are you?	1:26:33	1:26:36
And then they kidnapped me.	1:26:37	1:26:40
And they took my dog, William.	1:26:40	1:26:42
That's a shame.	1:26:42	1:26:44
Oh, you don't care.	1:26:47	1:26:50
You smokin', Grandma?	1:26:50	1:26:52
Why not?	1:26:54	1:26:56
To hell with your proposition.	1:27:06	1:27:07
Hold it. Charlene is ready to roll over on you.	1:27:07	1:27:10
She knows who your accomplice was.	1:27:10	1:27:11
-Oh, that's pretty funny. -I'm not kidding.	1:27:11	1:27:13
They're in the parking lot waiting for my signal and...	1:27:13	1:27:16
and...and the signal is...	1:27:16	1:27:18
-If I don't come back, they call the FBI. -There was no accomplice, fool.	1:27:18	1:27:22
There was a girl in the photo.	1:27:22	1:27:24
No, there was somebody in a wig and a dress. TRIGGER CLICKS	1:27:24	1:27:27
You...	1:27:27	1:27:28
You left her clothes, the gun, and the money.	1:27:28	1:27:31
See? You just too damn smart for your own good.	1:27:33	1:27:36
MRS ARNESS LAUGHS	1:27:41	1:27:43
Look, we can't wait no more.	1:27:43	1:27:45
Wait, wait. Charlene!	1:27:45	1:27:47
-Open up. Widow wanna see me. -Says who?	1:27:47	1:27:49
Says 'Lene.	1:27:49	1:27:51
Pete.	1:27:51	1:27:53
Well, ain't this a psychic moment?	1:27:53	1:27:54
I was just comin' to see you.	1:27:54	1:27:56
Come on, Widow. This is between me and you. Let him go.	1:27:56	1:27:59
No problem.	1:27:59	1:28:01
Ugh!	1:28:01	1:28:03
What are you doin'?	1:28:04	1:28:05
Ugh!	1:28:05	1:28:07
HOWIE: I got it.	1:28:07	1:28:08
Aim it, aim it, aim it, Howie! Aim it!	1:28:08	1:28:11
CHARLENE: Yeah! Uh-huh! Who got the gun now, huh?	1:28:11	1:28:14
Yeah, who got that gun? HOWIE: Yeah, homie.	1:28:14	1:28:16
Get y'all faces on the ground!	1:28:16	1:28:18
HOWIE: Faces on the ground where I can see 'em, huh?	1:28:18	1:28:20
Take him out!	1:28:20	1:28:21
PEOPLE SCREAM	1:28:21	1:28:24
Uh!	1:28:25	1:28:26
Pussies.	1:28:30	1:28:31
Wasn't that fun? I'm just gonna roll up on out of here.	1:28:46	1:28:50
SMOOCHES: Thank you.	1:28:50	1:28:52
MUSIC STOPS	1:28:53	1:28:54
HIP-HOP MUSIC RESUMES	1:29:00	1:29:02
-Aah! -FBI!	1:29:02	1:29:04
Everybody, freeze!	1:29:04	1:29:05
Charlene! Charlene! Oh, baby!	1:29:05	1:29:08
Oh, oh, baby.	1:29:08	1:29:10
Charlene.	1:29:10	1:29:11
Son of a...	1:29:11	1:29:14
Drop the weapon! Drop it!	1:29:14	1:29:16
Oh, Charlene.	1:29:20	1:29:23
WHIMPERING: Ow.	1:29:23	1:29:24
-What?! -Damn, dog.	1:29:24	1:29:27
Hey, Howie, she's all right.	1:29:35	1:29:37
Charlene, I...	1:29:39	1:29:41
Do me a favour, precious.	1:29:41	1:29:43
Don't ever scare me like that again, or I'm gonna have to give you a nasty spanking,	1:29:43	1:29:47
if I'm not being too subtle.	1:29:47	1:29:51
He's such a damn freak.	1:29:51	1:29:53
Are you Sanderson?	1:29:53	1:29:55
Yeah.	1:29:55	1:29:57
Wait, wait. She's innocent.	1:29:57	1:29:59
-Save it. -I can prove it.	1:29:59	1:30:01
CASSETTE SPLUTTERS	1:30:01	1:30:03
MAN SPEAKING INDISTINCTLY ON RADIO	1:30:08	1:30:10
Mr Sanderson...	1:30:10	1:30:13
You'd make a hell of an agent.	1:30:13	1:30:14
Oh, thank you very much, but I don't think I did anything	1:30:14	1:30:17
-an ordinary man wouldn't do. -Well, thanks again.	1:30:17	1:30:20
Mr Sanderson...	1:30:20	1:30:22
There you are.	1:30:22	1:30:23
You have behaved abonidably.	1:30:23	1:30:27
Aboni...	1:30:27	1:30:30
-Abomidably. -SHE LAUGHS	1:30:30	1:30:31
-Abodi... -Abominably.	1:30:31	1:30:33
I know.	1:30:33	1:30:35
Shakespeare. Shakespeare.	1:30:35	1:30:37
No, wait. This is serious. And I'll have you dis...	1:30:37	1:30:40
Disbarred.	1:30:40	1:30:42
And dis...balled.	1:30:42	1:30:45
Dis...	1:30:45	1:30:48
Disbarred?	1:30:48	1:30:49
-Disbarred. -MUMBLES INDISTINCTLY	1:30:49	1:30:51
Oh, to hell with it.	1:30:51	1:30:53
I do believe that I am stoned.	1:30:53	1:30:56
Just don't tell anybody you ever saw me like this.	1:30:57	1:31:00
-Mrs Arness... -William.	1:31:00	1:31:03
Oh, God, you are an ugly dog... and heavy.	1:31:03	1:31:06
-Here, I got him. -Thank you.	1:31:06	1:31:09
Is there a 24-hour diner around here?	1:31:09	1:31:12
-I know where one is. -You do?	1:31:12	1:31:14
-I'll take you there. -I'm dreadfully hungry.	1:31:14	1:31:16
-You guys OK? -What do you think?	1:31:16	1:31:18
Yo, be cool, G-Mo.	1:31:18	1:31:19
Yo, out back, G-Mo.	1:31:19	1:31:21
Full cheesy, homie.	1:31:21	1:31:23
-Tobias: -That's not good enough. Keep trying.	1:31:29	1:31:32
I called Arness four times, Ed. She'll only talk to Peter.	1:31:32	1:31:34
Well, we're gonna have to keep him around, aren't we?	1:31:34	1:31:37
-Oh, hey, guys. -Peter.	1:31:37	1:31:39
-Did I mention I'm going out on my own? -You don't have the resources.	1:31:39	1:31:43
Well, I have one multibillion-dollar client.	1:31:43	1:31:46
It's a start. And a partner.	1:31:46	1:31:49
-I'm all over it, G. -Let's go.	1:31:49	1:31:52
Excuse me.	1:31:52	1:31:53
Peter, w-w-we can talk about this.	1:31:54	1:31:57
-AS CHARLENE: -Ed, you can kiss my natural black ass.	1:31:57	1:32:02
LIFT BELL DINGS Peter...	1:32:07	1:32:09
-Ashley, who are you doing here? -Oh, I was, uh, meeting, uh, uh...	1:32:09	1:32:13
-For my aunt's estate. -About her aunt's estate.	1:32:13	1:32:15
-There was a codicil. -A cod...	1:32:15	1:32:17
Well, say goodbye to half your stuff.	1:32:17	1:32:19
I'll call you.	1:32:22	1:32:23
Lookin' good, kids. Almost there.	1:32:57	1:33:00
Peter, your 4:00 is waiting for you in your office.	1:33:00	1:33:02
I don't have any meetings today.	1:33:02	1:33:05
I'm sorry. I didn't realize I had an appointment.	1:33:05	1:33:08
-Hey. -So, this is how a big-time tax attorney lives, huh?	1:33:09	1:33:14
-This place is big pimpin', P Diddy. -How you doin'?	1:33:14	1:33:18
I'm a'ight.	1:33:18	1:33:19
I wanted to tell you again how much I appreciate what you did for me.	1:33:19	1:33:23
-If I could only give you back half of what you've given me. -Please. We'll call it even.	1:33:25	1:33:29
-Now give me a hug. -Hey, white people don't hug.	1:33:29	1:33:31
-You ain't white. -Well, I-I'm off-white.	1:33:31	1:33:34
Good to see you.	1:33:36	1:33:37
-Kate... -Hi.	1:33:39	1:33:42
Um, oh, well, I'm, uh I got to finish up some things with Howie.	1:33:44	1:33:49
Oh, Kate, this is Charlene. Charlene, this is Kate.	1:33:51	1:33:54
Hi. You've certainly been shaking things up around here.	1:33:56	1:33:59
SHE LAUGHS	1:33:59	1:34:00
Well, shakin' is what I do best. Ha ha!	1:34:00	1:34:04
-It's a pleasure to meet you, Kate. -Thank you.	1:34:04	1:34:08
And take care of him for me.	1:34:08	1:34:10
-Hi. -Hi.	1:34:16	1:34:19
Mmm. So...	1:34:20	1:34:23
What brings you down?	1:34:23	1:34:24
I mean, you know, not what brings you down,	1:34:24	1:34:27
but, I mean, what brings you down here?	1:34:27	1:34:32
Well, I was just wondering, um...	1:34:32	1:34:35
How often do you take that shortcut past my house?	1:34:35	1:34:38
Technically? Uh, well...	1:34:40	1:34:43
Uh, pretty much every day.	1:34:43	1:34:45
Well, you know, technically...	1:34:47	1:34:50
..that's stalking.	1:34:52	1:34:53
It's kind of cute.	1:34:56	1:34:58
Kate...	1:35:00	1:35:02
There's something I want to say to you.	1:35:04	1:35:06
The...the cool points are out the window, and I'm all twisted up in the game.	1:35:11	1:35:15
-LAUGHING: -What does that mean?	1:35:18	1:35:20
-It means I love you. -PHONE RINGS	1:35:20	1:35:22
RINGING CONTINUES	1:35:25	1:35:27
SOFT THUD	1:35:33	1:35:36
-Ohh! -Ohh! -RINGING CONTINUES	1:35:36	1:35:38
Rastaman, hold still,	1:35:47	1:35:49
or you'll have these Jamaican beads all over the floor.	1:35:49	1:35:52
Yeah, here we go.	1:35:52	1:35:54
All right, halfway done.	1:35:54	1:35:56
What you think?	1:35:56	1:35:58
HE LAUGHS	1:35:58	1:36:00
Holler at your boy.	1:36:00	1:36:01
Hey. Nothin' is nothin'.	1:36:02	1:36:04
Who's your daddy now?	1:36:04	1:36:07
Boy, you are some kind of freaky.	1:36:07	1:36:09
# Oh, whoa, whoa, whoa, whoa	1:36:09	1:36:12
-# Ain't nobody -Nobody	1:36:12	1:36:14
-# Loves me better -No one love me	1:36:14	1:36:17
-# Makes me happy -Yeah, yeah, yeah	1:36:17	1:36:19
# Makes me feel this way	1:36:19	1:36:21
-# Ain't nobody -No, no	1:36:21	1:36:23
# Loves me better than you... #	1:36:23	1:36:26
# South side, South side	1:36:26	1:36:28
INDISTINCT RAPPING	1:36:28	1:36:33
Queen, bring this one for me.	1:36:33	1:36:36
# Ain't the paper that makes me Dana	1:36:36	1:36:38
# I just see the strangers, they look at me stranger	1:36:38	1:36:40
# They all give me more lip, so I give ya	1:36:40	1:36:42
# More music, more scripts, less actin'	1:36:42	1:36:45
# I stepped up the salary cap	1:36:45	1:36:47
# Passin' traffic and look at what happened	1:36:47	1:36:49
# See how life takes a turn	1:36:49	1:36:50
# More paper earned	1:36:50	1:36:52
# Lawyers... case adjourned, goodbye	1:36:52	1:36:54
# I am what I am	1:36:54	1:36:55
# I come from Newark, so I'm creme de la creme	1:36:55	1:36:57
# Especially when y'all prayed for my downfall	1:36:57	1:37:00
# That's why I try to stay from 'round y'all	1:37:00	1:37:02
# Let's go, turn my days into dark	1:37:02	1:37:04
# They found less, like metre maids when I park	1:37:04	1:37:06
# But I'll be still doin' me... #	1:37:06	1:37:09
Subtitles by the National Captioning Institute	1:37:10	1:37:13

Bringing Down the House

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