
Browse content similar to Waking Up in Reno. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:02 | 0:00:07 | |
You know, relationships can be a lot like a loaf of bread. | 0:00:26 | 0:00:30 | |
At the beginning, they're hot and fresh | 0:00:30 | 0:00:32 | |
and you can always get a rise. | 0:00:32 | 0:00:34 | |
But with time, if you don't knead them carefully, | 0:00:34 | 0:00:37 | |
they grow old and stale. | 0:00:37 | 0:00:38 | |
Now, I know that life ain't no Easy-Bake Oven, | 0:00:38 | 0:00:41 | |
but with the kids and my husband's job, | 0:00:41 | 0:00:44 | |
it's almost as if we've forgotten to add the yeast. | 0:00:44 | 0:00:47 | |
So I'm hoping this trip to Reno | 0:00:47 | 0:00:48 | |
with our best friends Candy and Roy | 0:00:48 | 0:00:50 | |
will be just what the doctor ordered. | 0:00:50 | 0:00:52 | |
'F'. | 0:00:52 | 0:00:54 | |
'L'. | 0:00:54 | 0:00:56 | |
'O'. | 0:00:56 | 0:00:58 | |
Can't you see it, Darlene? | 0:00:59 | 0:01:01 | |
No, it's kind of hard to make out. | 0:01:01 | 0:01:03 | |
I think I'm just nervous, Doc, | 0:01:07 | 0:01:09 | |
cos Lonnie Earl and I are going on vacation tomorrow | 0:01:09 | 0:01:12 | |
and I'm not real good about leaving home. | 0:01:12 | 0:01:14 | |
MAN: OK. | 0:01:23 | 0:01:25 | |
All right, baby, move that sign. | 0:01:25 | 0:01:28 | |
I'm trying to sell some cars here. | 0:01:28 | 0:01:30 | |
Hey, Lonnie Earl Dodd here. | 0:01:30 | 0:01:31 | |
Folks, it's time for our annual President's Day Blowout Sale, | 0:01:31 | 0:01:34 | |
and, I tell you, I'm feeling rather patriotic. | 0:01:34 | 0:01:36 | |
I guarantee we won't be undersold by anybody. | 0:01:36 | 0:01:39 | |
And if you can't trust old Lonnie Earl Dodd, | 0:01:39 | 0:01:41 | |
then you can't trust anybody. | 0:01:41 | 0:01:43 | |
All right, Darlene, just go ahead | 0:01:47 | 0:01:48 | |
and use one or two of those drops, if you feel the need, | 0:01:48 | 0:01:52 | |
especially on that old I40 around the Mojave Desert. | 0:01:52 | 0:01:55 | |
You just go on and have yourself a vacation. | 0:01:55 | 0:01:58 | |
-Thanks, Doc. -Roy. | 0:01:58 | 0:02:00 | |
Hey, Roy. | 0:02:00 | 0:02:02 | |
I've got to call Candy | 0:02:04 | 0:02:06 | |
and see if she's bringing any nice clothes. | 0:02:06 | 0:02:08 | |
-Is she home? -Yeah. | 0:02:08 | 0:02:09 | |
But I can't find your husband. | 0:02:09 | 0:02:11 | |
I've called the dealership, everywhere, | 0:02:11 | 0:02:13 | |
and I can't rally him. | 0:02:13 | 0:02:14 | |
You know Lonnie Earl. He's probably up to no good. | 0:02:14 | 0:02:17 | |
If you can't trust me, who can you trust? | 0:02:17 | 0:02:20 | |
You know if you can't trust me, Lonnie Earl... | 0:02:23 | 0:02:26 | |
-Is there a problem? -You're damn right there is! | 0:02:33 | 0:02:36 | |
How come you got to take a shower after, huh? | 0:02:36 | 0:02:40 | |
You feel dirty? | 0:02:40 | 0:02:41 | |
Cos I sure as hell feel dirty. | 0:02:41 | 0:02:43 | |
Oh, my God, Lonnie Earl, we're filthy. | 0:02:43 | 0:02:46 | |
I'm not. I'm zestfully clean. | 0:02:46 | 0:02:49 | |
-SCREAMS: -Oh, shit! | 0:02:49 | 0:02:51 | |
How can you do that to me? | 0:02:51 | 0:02:53 | |
One minute you're crying on my shoulder about Darlene, | 0:02:53 | 0:02:55 | |
next you're bangin' me from behind. | 0:02:55 | 0:02:57 | |
You said not to look at you. | 0:02:57 | 0:02:59 | |
DOCTOR: I've got to send The sample over to the lab. | 0:02:59 | 0:03:03 | |
Turn your head and cough. COUGHS | 0:03:03 | 0:03:05 | |
Don't waste your time worrying about it, though. | 0:03:05 | 0:03:08 | |
Y'all just go on and enjoy your vacation. | 0:03:08 | 0:03:10 | |
I guess you're right, cos I know worrying about it | 0:03:10 | 0:03:14 | |
ain't gonna change nothing, is it? | 0:03:14 | 0:03:16 | |
That's right. | 0:03:16 | 0:03:17 | |
So, er, what you all got lined up? | 0:03:17 | 0:03:20 | |
Lonnie Earl's got a bet with old Bill Moore | 0:03:20 | 0:03:23 | |
that he can eat this giant 72-ounce steak in Amarillo. | 0:03:23 | 0:03:26 | |
Then we'll pop to the Grand Canyon | 0:03:26 | 0:03:28 | |
cos Darlene's always wanted to see that. | 0:03:28 | 0:03:30 | |
And you know what a partier Candy is. | 0:03:30 | 0:03:32 | |
She's looking for the nightlife, | 0:03:32 | 0:03:34 | |
the shows and the gambling. | 0:03:34 | 0:03:35 | |
But the big thing is | 0:03:35 | 0:03:37 | |
we got tickets to the Monster Truck Jam. | 0:03:37 | 0:03:39 | |
Yeah, yeah, that sounds like a big time. | 0:03:39 | 0:03:42 | |
You know, Roy, I could send the test results | 0:03:42 | 0:03:45 | |
over to Candy's folks, let them know when they come in. | 0:03:45 | 0:03:49 | |
No, no, sir, I don't want them worrying or nothing | 0:03:49 | 0:03:52 | |
so I'd like to be first to know. | 0:03:52 | 0:03:54 | |
Well, all right, then. I'll just wait to hear from you. | 0:03:54 | 0:03:57 | |
And don't you worry. | 0:03:57 | 0:03:59 | |
I'll bet you that everything's going to be just fine. | 0:03:59 | 0:04:02 | |
RADIO PLAYS, DOG WHINES | 0:04:02 | 0:04:06 | |
Oh, do you have to go outside in this rain? | 0:04:06 | 0:04:10 | |
C'mon, sweetie. C'mon. | 0:04:13 | 0:04:15 | |
-BOY: -It's a bird, it's a plane. No, it's Superman! | 0:04:15 | 0:04:18 | |
Lane Aaron Dodd, get your ass down from there right now! | 0:04:18 | 0:04:21 | |
But I'm Superman. | 0:04:21 | 0:04:23 | |
Your butt's gonna be super red if you don't get down. | 0:04:23 | 0:04:26 | |
-ROY: -Hey, good lookin'. -Jesus H. Christ, Roy! | 0:04:34 | 0:04:36 | |
-Don't do that! -I'm sorry, darling. | 0:04:36 | 0:04:38 | |
You almost made me piss on the rug! | 0:04:38 | 0:04:41 | |
I'm sorry. Why are you so jumpy? | 0:04:41 | 0:04:43 | |
What are you doing here in the middle of the day? | 0:04:43 | 0:04:46 | |
Shouldn't you be at work? | 0:04:46 | 0:04:47 | |
Your daddy asked me to run some errands for him | 0:04:47 | 0:04:50 | |
so I thought I'd stop by and see if you was ovulating. | 0:04:50 | 0:04:54 | |
Well, I don't know if I am or not. | 0:04:54 | 0:04:56 | |
Well, you're dressed like you should be ovulating. | 0:04:56 | 0:05:00 | |
-Huh? -Roy, not right now. | 0:05:00 | 0:05:02 | |
You should go to work. Daddy will miss you. | 0:05:02 | 0:05:05 | |
Then there'd be lots of shit, and he'll get pissed off. | 0:05:05 | 0:05:08 | |
It ain't possible for him not to get pissed off. | 0:05:08 | 0:05:11 | |
He ain't gonna have no problem | 0:05:11 | 0:05:13 | |
if he thinks we're making a grandbaby. | 0:05:13 | 0:05:15 | |
-Roy... -Real quick. Just a little... | 0:05:15 | 0:05:16 | |
I can't do this right now. | 0:05:16 | 0:05:18 | |
-Sweetheart. -I have all this shit to do. | 0:05:18 | 0:05:20 | |
I've gotta pack. We've gotta leave tomorrow, baby. Reno! | 0:05:20 | 0:05:24 | |
Oh, all right. | 0:05:25 | 0:05:26 | |
Candy, what... | 0:05:26 | 0:05:28 | |
..what the hell happened to our wedding picture? | 0:05:28 | 0:05:31 | |
The cat. Too much catnip, you know? | 0:05:32 | 0:05:35 | |
-Murphy? -Yes. | 0:05:35 | 0:05:37 | |
He must've mule kicked the damn... | 0:05:37 | 0:05:39 | |
I have to tell you something. Come over here. | 0:05:39 | 0:05:42 | |
-You ready? -What? | 0:05:42 | 0:05:43 | |
OK, so I've been thinking and... | 0:05:43 | 0:05:47 | |
..you know what I really want to do when we get to Reno? | 0:05:48 | 0:05:52 | |
Huh? | 0:05:52 | 0:05:53 | |
I want to renew our wedding vows. | 0:05:53 | 0:05:56 | |
Why? What for? | 0:05:58 | 0:06:01 | |
Because it's romantic, Roy. | 0:06:03 | 0:06:05 | |
A lot of people get married where gambling is legal. | 0:06:05 | 0:06:10 | |
Well, one kind of does go with the other, don't it? | 0:06:11 | 0:06:15 | |
Yes, baby. | 0:06:15 | 0:06:16 | |
And it'd be so great | 0:06:16 | 0:06:18 | |
cos it'll be like a brand-new start for us. | 0:06:18 | 0:06:21 | |
Like, if either one of us | 0:06:21 | 0:06:23 | |
ever did anything in the past that we'd like to change... | 0:06:23 | 0:06:26 | |
..it would just be erased. | 0:06:27 | 0:06:29 | |
Like, it won't count no more, OK? | 0:06:29 | 0:06:32 | |
Have I done something wrong I don't know about? | 0:06:35 | 0:06:38 | |
If I did, I'm sorry. | 0:06:38 | 0:06:41 | |
Oh, honey, no. No. | 0:06:41 | 0:06:43 | |
-Well, what? -No, honey. | 0:06:45 | 0:06:47 | |
It's just something that I really, really want to do. | 0:06:47 | 0:06:50 | |
Picture it - Reno, with all the bright lights | 0:06:52 | 0:06:57 | |
and all the action. | 0:06:57 | 0:06:59 | |
Oh, baby, it would be so perfect. | 0:06:59 | 0:07:02 | |
Please, please, please, please, please. | 0:07:02 | 0:07:04 | |
Well, hell, if it means that much to you, let's do it. | 0:07:04 | 0:07:07 | |
SCREAMS IN DELIGHT | 0:07:07 | 0:07:09 | |
Thank you, thank you, thank you. | 0:07:09 | 0:07:10 | |
-ROY: Tell me. I hate surprises. -LONNIE EARL: See for yourself. | 0:07:10 | 0:07:14 | |
No! You didn't. | 0:07:16 | 0:07:19 | |
-I did. I sure did. -SONG: -# Oh, yeah... # | 0:07:19 | 0:07:22 | |
-Whoa! -# Oh, yeah... # | 0:07:22 | 0:07:25 | |
Oh, my lord. You did! You horndog, you. | 0:07:25 | 0:07:29 | |
See there. Ain't she a beaut? | 0:07:29 | 0:07:30 | |
Dealer exclusive. Anniversary special. | 0:07:30 | 0:07:33 | |
Roy, this son of a bitch has got everything on it | 0:07:33 | 0:07:35 | |
except electric dick massage. | 0:07:35 | 0:07:37 | |
I can't believe you, Lonnie Earl. | 0:07:37 | 0:07:38 | |
We're really gonna take this son of a bitch cross-country? | 0:07:38 | 0:07:41 | |
-Hell, yeah. -It's got to cost a fortune. | 0:07:41 | 0:07:43 | |
Nothing's too good for my friends. | 0:07:43 | 0:07:45 | |
We'll be riding, styling and profiling. | 0:07:45 | 0:07:46 | |
The smell's lovely. | 0:07:46 | 0:07:48 | |
That's probably that Corinthian leather, is what that is. | 0:07:48 | 0:07:51 | |
I would imagine. | 0:07:51 | 0:07:53 | |
-That's real leather? -Hell, yeah, it's real leather. | 0:07:53 | 0:07:55 | |
Dang me. | 0:07:55 | 0:07:56 | |
You know, besides that, I had Jerome unhook the odometer. | 0:07:56 | 0:07:59 | |
Sell the sonofabitch like brand new when we get back. | 0:07:59 | 0:08:02 | |
-See what I'm saying? -You're my hero. | 0:08:02 | 0:08:04 | |
-What do you think, Ronnie? -Sweet wheels. | 0:08:04 | 0:08:06 | |
They are, ain't they? | 0:08:06 | 0:08:08 | |
ROY: Whoa, whoa, whoa! | 0:08:09 | 0:08:11 | |
Hey, you guys! | 0:08:12 | 0:08:14 | |
Hey, Lonnie Earl. Where the hell have you been? | 0:08:14 | 0:08:17 | |
I haven't seen you for days. | 0:08:17 | 0:08:18 | |
Yeah, well, they keep me hopping. | 0:08:18 | 0:08:20 | |
Oh, Lonnie Earl, I've gotta stop by work on the way uptown. | 0:08:23 | 0:08:27 | |
What are you talking about? | 0:08:27 | 0:08:29 | |
Roy got in trouble with Daddy again. Just wants to see him. | 0:08:29 | 0:08:32 | |
Ain't nothin' to do with your daddy. | 0:08:32 | 0:08:34 | |
Yeah, well... | 0:08:34 | 0:08:36 | |
-Are you serious? -It ain't gonna take a minute. | 0:08:36 | 0:08:38 | |
You see this? | 0:08:38 | 0:08:40 | |
It's a TripTik. It's called a TripTik. | 0:08:40 | 0:08:43 | |
Now, I took the trouble to call AAA, | 0:08:43 | 0:08:45 | |
have them figure out everything for us - the whole schedule. | 0:08:45 | 0:08:48 | |
So we're sticking to it, OK? | 0:08:48 | 0:08:50 | |
Everybody needs to read that loud and clear, understand? | 0:08:50 | 0:08:52 | |
-Honey, don't get so uptight. -I'm not uptight. | 0:08:52 | 0:08:55 | |
Mr Kirkendall. | 0:09:06 | 0:09:08 | |
Mr Bush is mad as a riled up bull | 0:09:09 | 0:09:12 | |
about that Beef Nibby thing. | 0:09:12 | 0:09:13 | |
I didn't mean to use the wrong labels. | 0:09:13 | 0:09:16 | |
I feel awful. I need this job. | 0:09:16 | 0:09:18 | |
-June. -What if he fires me? | 0:09:18 | 0:09:20 | |
June, you listen to me. | 0:09:20 | 0:09:21 | |
You ain't gonna get fired, I promise. | 0:09:21 | 0:09:23 | |
Everybody makes mistakes. | 0:09:23 | 0:09:25 | |
Hell, look at me. Just ask my momma, OK? | 0:09:25 | 0:09:27 | |
Good to see you, sweetie pie. | 0:09:32 | 0:09:34 | |
Lonnie Earl, that car's running great. | 0:09:36 | 0:09:38 | |
Thanks. | 0:09:38 | 0:09:40 | |
Darlene, you're looking beautiful, as always. | 0:09:40 | 0:09:43 | |
-DARLENE: -Thank you, Fred. | 0:09:43 | 0:09:44 | |
Roy... you bumble-dick gourd-head. | 0:09:47 | 0:09:51 | |
Well, how about you, Fred? Nice morning, ain't it? | 0:09:54 | 0:09:57 | |
Damn it, boy, don't take that tone. | 0:09:57 | 0:09:59 | |
I'll slap the taste out of your mouth. | 0:09:59 | 0:10:01 | |
Do you even have any inkling why you're here? | 0:10:01 | 0:10:05 | |
Well...no. | 0:10:06 | 0:10:10 | |
I have got 200 cases of Ocean Delight | 0:10:10 | 0:10:13 | |
that are labellled Beef and Cheese Nibbys. | 0:10:13 | 0:10:16 | |
Tell me how the hell something like that happens. | 0:10:16 | 0:10:18 | |
Oh, no. | 0:10:18 | 0:10:20 | |
I am sorry. It is my fault. | 0:10:20 | 0:10:23 | |
I got the cans mixed up, | 0:10:23 | 0:10:25 | |
and then Candy paged me and I had to... | 0:10:25 | 0:10:28 | |
Well... | 0:10:28 | 0:10:30 | |
..I forgot. | 0:10:31 | 0:10:33 | |
Why did you go ahead and ship them? | 0:10:33 | 0:10:35 | |
I mean, we're talking about cat lovers here, boy. | 0:10:35 | 0:10:38 | |
When a cat lover opens Beef and Cheese Nibbys, | 0:10:38 | 0:10:40 | |
he expects to find Beef and Cheese Nibbys | 0:10:40 | 0:10:43 | |
not fuckin' Ocean Delight! | 0:10:43 | 0:10:44 | |
-Understood? -Yes, sir. | 0:10:44 | 0:10:47 | |
And just where in the hell were you yesterday afternoon | 0:10:49 | 0:10:52 | |
when all this was happening? | 0:10:52 | 0:10:53 | |
He was at the house. | 0:10:53 | 0:10:55 | |
I needed him for something. | 0:10:57 | 0:10:58 | |
Oh? Well, OK. | 0:10:58 | 0:11:02 | |
Why, what... Wasn't nothin' wrong, was there? | 0:11:03 | 0:11:06 | |
No...see, no, sir. | 0:11:08 | 0:11:10 | |
She's checking when she's ovulating | 0:11:10 | 0:11:12 | |
because we know how much you want that grandbaby. | 0:11:12 | 0:11:14 | |
So when she pages, I come. | 0:11:14 | 0:11:16 | |
Uh... I mean, I go. | 0:11:19 | 0:11:21 | |
You know what I mean. | 0:11:23 | 0:11:24 | |
I don't even want to think about that. | 0:11:27 | 0:11:29 | |
Just...just get the hell out of here. | 0:11:29 | 0:11:32 | |
LONNIE EARL: I'm glad we're finally on the road. | 0:11:33 | 0:11:35 | |
Here's to a big old time. | 0:11:37 | 0:11:39 | |
Look out, Reno. We're gonna put some hair on the wall. | 0:11:39 | 0:11:42 | |
-SIREN WAILS -Shit on a stick! | 0:11:52 | 0:11:55 | |
It's just Russell and Boyd. | 0:11:57 | 0:11:59 | |
We'll be out of here in a heartbeat. | 0:11:59 | 0:12:01 | |
All right, sir... | 0:12:01 | 0:12:03 | |
Well, hey, Lonnie Earl. I didn't know that was you. | 0:12:03 | 0:12:07 | |
-Hi, everybody. -How about you, Russell? | 0:12:07 | 0:12:09 | |
-Boyd. -Hi, Candy. | 0:12:09 | 0:12:11 | |
Ooh-wee, man, this is one fine vehicle you got here. | 0:12:11 | 0:12:15 | |
Has that got that dick massage? | 0:12:15 | 0:12:16 | |
No. Don't you start with me. | 0:12:16 | 0:12:18 | |
Listen, we're in kind of a hurry. | 0:12:18 | 0:12:20 | |
We're going out of town on vacation. | 0:12:20 | 0:12:22 | |
-Whereabouts are you going? -Reno, Nevada. | 0:12:22 | 0:12:24 | |
No shit? You all going to that Monster Truck Jam? | 0:12:24 | 0:12:27 | |
You got it. Check this out. | 0:12:27 | 0:12:28 | |
Lucky sons of bitches. | 0:12:28 | 0:12:30 | |
The biggest little city in the world. | 0:12:30 | 0:12:32 | |
-Well, see there. -Uh-huh. | 0:12:32 | 0:12:33 | |
That's if we get there in time. | 0:12:33 | 0:12:35 | |
I'd love to talk to you all day, | 0:12:35 | 0:12:38 | |
but we gotta get on the road, so just let us go. | 0:12:38 | 0:12:41 | |
Lonnie Earl, you know you ran that stop sign. | 0:12:41 | 0:12:44 | |
Hell, I've been running that son of a bitch | 0:12:44 | 0:12:45 | |
since I've been driving. | 0:12:45 | 0:12:47 | |
Everybody runs that damn sign. | 0:12:47 | 0:12:48 | |
-I know I do. -ALL LAUGH | 0:12:48 | 0:12:50 | |
-See? -Damn it, Boyd! | 0:12:50 | 0:12:52 | |
Look, Lonnie Earl, I understand that and all, | 0:12:53 | 0:12:56 | |
but you shouldn't do it in front of us. | 0:12:56 | 0:12:58 | |
Just look at you. | 0:12:58 | 0:13:00 | |
You're drinking that beer like we're at the drive-in movies | 0:13:00 | 0:13:03 | |
and I weren't wearing this here badge. | 0:13:03 | 0:13:05 | |
Russell, that's my first beer of the day, I swear. | 0:13:05 | 0:13:07 | |
I'll vouch for him. | 0:13:07 | 0:13:09 | |
-Me too, Boyd. -Me three. | 0:13:09 | 0:13:10 | |
Come on, Russ, everybody makes mistakes. | 0:13:10 | 0:13:13 | |
Come on, Russell. Shit. | 0:13:13 | 0:13:15 | |
You know how fond of the beer you are. | 0:13:15 | 0:13:18 | |
-Hey, now. -Isn't he, Boyd? | 0:13:18 | 0:13:20 | |
I swear to God. | 0:13:20 | 0:13:22 | |
What are you laughing at? | 0:13:22 | 0:13:24 | |
Why don't I hop on top of this truck, | 0:13:25 | 0:13:28 | |
unstrap a few cases and give it to you, call it even? | 0:13:28 | 0:13:31 | |
I wouldn't call that even. I'd call that a bribe. | 0:13:31 | 0:13:34 | |
Buckle up! | 0:13:39 | 0:13:41 | |
JAUNTY COUNTRY MUSIC | 0:13:41 | 0:13:44 | |
# Stick shifts And safety belts | 0:13:46 | 0:13:50 | |
# Bucket seats Have all got to go | 0:13:50 | 0:13:52 | |
# When we're driving in the car | 0:13:52 | 0:13:56 | |
# It makes my baby seem so far | 0:13:56 | 0:13:59 | |
# I need you here with me | 0:13:59 | 0:14:03 | |
# Not way over in a bucket seat | 0:14:03 | 0:14:06 | |
# I need you to be here with me | 0:14:06 | 0:14:09 | |
# Not way over In a bucket seat. # | 0:14:09 | 0:14:13 | |
LONNIE EARL: If anybody's gotta piss, go now, | 0:14:23 | 0:14:25 | |
because we won't stop for a while. | 0:14:25 | 0:14:27 | |
-ROY: -Shall I toss these bottles? | 0:14:27 | 0:14:29 | |
We can get a deposit later. Just pump the gas. | 0:14:29 | 0:14:32 | |
Yes, sir. | 0:14:32 | 0:14:33 | |
Lonnie Earl, can I get some wine coolers? | 0:14:34 | 0:14:37 | |
Why can't you drink beer like everybody else? | 0:14:37 | 0:14:39 | |
It's full up in there. We ain't got room for wine coolers. | 0:14:39 | 0:14:43 | |
I wouldn't mind having one of them wine coolers. | 0:14:43 | 0:14:45 | |
Buy some damn wine coolers, then. | 0:14:50 | 0:14:52 | |
Don't know why you like to drink them things. Sissy shit. | 0:14:54 | 0:14:57 | |
Hell, yeah, girls. You too, Roy. Just pile it the hell on there. | 0:14:57 | 0:15:01 | |
I've got plenty of money. I'm Mr Deep Pockets. | 0:15:01 | 0:15:04 | |
Anybody else want me to buy them anything while we're here? | 0:15:04 | 0:15:07 | |
CANDY LAUGHS | 0:15:07 | 0:15:09 | |
Ooh, look, Bob Barker is dating | 0:15:09 | 0:15:11 | |
another one of them Barker beauties. | 0:15:11 | 0:15:13 | |
That old man can't keep it in his pants. | 0:15:13 | 0:15:16 | |
He oughta take his own advice and get it neutered. | 0:15:16 | 0:15:19 | |
-I say more power to him. -You would. | 0:15:19 | 0:15:22 | |
Well, at least he's gettin' some. | 0:15:23 | 0:15:25 | |
Darlene. Hey, Darlene, it's an Oklahoma shot glass. | 0:15:25 | 0:15:29 | |
-They got one. You got one? -No, we don't. | 0:15:29 | 0:15:31 | |
You'd better get it | 0:15:31 | 0:15:33 | |
cos I doubt you'll find these suckers anywhere else. | 0:15:33 | 0:15:35 | |
We don't need another damn shot glass. They just collect dust. | 0:15:35 | 0:15:38 | |
Just put that son of a bitch back. | 0:15:38 | 0:15:40 | |
We have to make up some time before lunch. | 0:15:40 | 0:15:43 | |
Would you like me to help you bag up some of those? | 0:15:47 | 0:15:50 | |
-DARLENE: -Since Lonnie Earl planned the trip, | 0:15:57 | 0:15:59 | |
he decided to stop in Amarillo | 0:15:59 | 0:16:01 | |
so he could eat this 72-ounce steak. | 0:16:01 | 0:16:04 | |
Of course, his 50 bet with Bill Moore | 0:16:04 | 0:16:06 | |
was the real reason we were stopping there. | 0:16:06 | 0:16:08 | |
I swear, that husband of mine | 0:16:08 | 0:16:10 | |
would do anything to save a buck. | 0:16:10 | 0:16:12 | |
GRAND MUSIC | 0:16:12 | 0:16:15 | |
-Ain't that pretty? -Oh, no. | 0:16:18 | 0:16:20 | |
Wait, Lonnie Earl, let me get the picture. | 0:16:20 | 0:16:22 | |
-My lord! -One more. | 0:16:22 | 0:16:24 | |
You ready? Get closer to the meat. | 0:16:24 | 0:16:26 | |
That is...that... | 0:16:26 | 0:16:27 | |
..that is the ass end of a rhino. | 0:16:27 | 0:16:29 | |
This is no bigger than a Papa Burger at A&W. | 0:16:29 | 0:16:32 | |
Easily handleable, all right? | 0:16:32 | 0:16:34 | |
That hunk of meat's bigger than our cat. | 0:16:34 | 0:16:36 | |
You're gonna be sick's what's gonna happen. | 0:16:36 | 0:16:38 | |
Nah, I got a plan. | 0:16:38 | 0:16:39 | |
Take your time, breeze through it, | 0:16:39 | 0:16:41 | |
eat this other shit afterward, push it through. | 0:16:41 | 0:16:43 | |
Go with the flow, that kind of deal. | 0:16:43 | 0:16:46 | |
-You're gonna be sick. -Shut up, Darlene. | 0:16:46 | 0:16:48 | |
Look at all this meat. I get paid to eat it. | 0:16:48 | 0:16:51 | |
You'll be riding that porcelain pony. | 0:16:51 | 0:16:52 | |
Yeah, we'll see. | 0:16:52 | 0:16:54 | |
-You gonna go? -First bite. | 0:16:54 | 0:16:55 | |
-There we go. -I'm ready. | 0:16:55 | 0:16:57 | |
Ladies and gentlemen, could I have your attention, please? | 0:16:59 | 0:17:02 | |
This is Mr Lonnie Earl Dodd from Millsberg, | 0:17:02 | 0:17:05 | |
and he's going to try to eat this 72-ounce steak dinner. | 0:17:05 | 0:17:09 | |
He has one hour to eat 72 ounces of meat, | 0:17:09 | 0:17:12 | |
salad, shrimp, cocktail, baked potato and bread. | 0:17:12 | 0:17:15 | |
If you'd like to look at this steak, come over. | 0:17:16 | 0:17:19 | |
But don't ask too many questions. | 0:17:19 | 0:17:21 | |
He only has an hour to do this. | 0:17:21 | 0:17:23 | |
Let's give Lonnie Earl a little round of encouragement. | 0:17:23 | 0:17:26 | |
PATRONS APPLAUD | 0:17:26 | 0:17:30 | |
DRAMATIC PERCUSSIVE MUSIC | 0:17:31 | 0:17:34 | |
OK, you've got 45 seconds. | 0:18:13 | 0:18:16 | |
Everybody give him a hand. He's going to make it. | 0:18:16 | 0:18:20 | |
ALL APPLAUD AND CHEER | 0:18:20 | 0:18:23 | |
Lonnie Earl Dodd! | 0:18:26 | 0:18:28 | |
-READS: -"Big Texas State Ranch | 0:18:28 | 0:18:30 | |
"72-Ounce Steak Club Achievement Award." | 0:18:30 | 0:18:32 | |
Lonnie Earl Dodd. | 0:18:32 | 0:18:33 | |
That's free and you get 50 bucks? | 0:18:35 | 0:18:37 | |
-Mm-hm. -This is so good. | 0:18:37 | 0:18:39 | |
-Can I taste yours? -If I can have your cherry. | 0:18:39 | 0:18:42 | |
Sure you can. There you go. | 0:18:42 | 0:18:43 | |
I can't eat this little red thing. | 0:18:43 | 0:18:45 | |
-I'll help you. -I knew you would. | 0:18:45 | 0:18:48 | |
It's not like Lonnie Earl would help you. | 0:18:48 | 0:18:50 | |
BOTH LAUGH | 0:18:50 | 0:18:53 | |
-Lonnie Earl? -Lonnie Earl? | 0:18:53 | 0:18:54 | |
Look at this. | 0:18:54 | 0:18:56 | |
Come on. Come on, Lonnie Earl. | 0:18:56 | 0:18:58 | |
-You can do it. -I want to see you puke. | 0:18:58 | 0:19:01 | |
-Oh, he's faking. -It's not funny, Lonnie Earl. | 0:19:02 | 0:19:05 | |
What is it, honey? | 0:19:05 | 0:19:07 | |
-You want another one? -Whoa, whoa, whoa! | 0:19:07 | 0:19:09 | |
You gonna throw up? Get that bucket. | 0:19:09 | 0:19:11 | |
-What's wrong? -Lean over, honey? | 0:19:11 | 0:19:13 | |
-Lonnie Earl, put your arms up. -Get your hands off, homo! | 0:19:15 | 0:19:18 | |
Don't fuss, Candy. He's going to be fine. | 0:19:18 | 0:19:20 | |
You wanna throw up, Lonnie Earl? Can you breathe? | 0:19:20 | 0:19:23 | |
Oh, my God! I think he's dying! | 0:19:23 | 0:19:25 | |
-Lonnie Earl, don't die! -He just needs another beer. | 0:19:25 | 0:19:29 | |
BELCHES | 0:19:29 | 0:19:30 | |
Hey, Julio, what's up? | 0:19:30 | 0:19:32 | |
I brought something over for you and your father. | 0:19:32 | 0:19:34 | |
SIREN WAILS | 0:19:34 | 0:19:36 | |
Man, what is it? | 0:19:36 | 0:19:38 | |
That's some good food, man. I fixed it myself. | 0:19:38 | 0:19:40 | |
I ain't eating none of that fungus. | 0:19:40 | 0:19:43 | |
-WOMAN: -You've got to take it easy. | 0:19:44 | 0:19:46 | |
Y'all make sure he drinks plenty of fluids. | 0:19:46 | 0:19:49 | |
So, have a great rest of your trip and take care of yourself. | 0:19:54 | 0:19:58 | |
-And...don't forget this. -Oh, no, that's right. | 0:19:58 | 0:20:00 | |
-Thanks a lot. -Take care of yourself. | 0:20:00 | 0:20:02 | |
Hi, hon. You all better? | 0:20:02 | 0:20:04 | |
Well, like you all would give a shit. | 0:20:04 | 0:20:07 | |
OK, well, he just wanted me to check in with you, | 0:20:07 | 0:20:11 | |
cos, you know, Doc, he don't trust nobody else, | 0:20:11 | 0:20:13 | |
especially some snot-nosed little Texas doctor | 0:20:13 | 0:20:16 | |
who ain't too long off the tit. | 0:20:16 | 0:20:18 | |
But, listen, while I got you, | 0:20:19 | 0:20:21 | |
what about them tests I had done? | 0:20:21 | 0:20:24 | |
Uh-huh. | 0:20:25 | 0:20:27 | |
OK. | 0:20:27 | 0:20:28 | |
OK, I will bet one for you. | 0:20:28 | 0:20:30 | |
So doctor says that if you're still feeling puny tomorrow, | 0:20:32 | 0:20:36 | |
you're supposed to mix | 0:20:36 | 0:20:38 | |
a bunch of meat tenderiser and some water and drink it | 0:20:38 | 0:20:41 | |
and you'll be fine. | 0:20:41 | 0:20:43 | |
Yeah, I'm sure I'll be fine. | 0:20:43 | 0:20:45 | |
Plus I'm 50 richer, right? | 0:20:45 | 0:20:48 | |
And a hospital bill later. | 0:20:50 | 0:20:52 | |
Listen, if Bill Moore gives me shit about this bet, | 0:20:52 | 0:20:55 | |
you're my witness, right? | 0:20:55 | 0:20:57 | |
-Damn straight. -OK. | 0:20:57 | 0:21:00 | |
I know the boy. | 0:21:01 | 0:21:03 | |
What were you were talking to Doc Tuley about? | 0:21:04 | 0:21:06 | |
About some tests or something? | 0:21:06 | 0:21:08 | |
Um...nothing. | 0:21:08 | 0:21:09 | |
Just insurance crap where they make you | 0:21:09 | 0:21:11 | |
pee in a bottle all the time every time you turn around. | 0:21:11 | 0:21:15 | |
Are you going swimming or not? | 0:21:15 | 0:21:17 | |
I don't think so. I'd sink like a cat in a bag. | 0:21:19 | 0:21:22 | |
Know what I think I'll do? | 0:21:22 | 0:21:24 | |
Go to the souvenir shop and tease that rattlesnake. | 0:21:24 | 0:21:27 | |
-LAUGHS: -That's a good idea. | 0:21:27 | 0:21:28 | |
Besides, Darlene will be back in a bit. | 0:21:28 | 0:21:31 | |
She won't sneak in no hotel pool. | 0:21:31 | 0:21:33 | |
Sometimes when people are away from home, | 0:21:34 | 0:21:36 | |
they do things they might not normally do. | 0:21:36 | 0:21:39 | |
I wish. | 0:21:43 | 0:21:45 | |
SCHEMING MUSIC | 0:21:45 | 0:21:47 | |
SOFTLY: All clear. | 0:21:47 | 0:21:48 | |
-WHISPERS: -I can't believe I'm doing this. | 0:21:48 | 0:21:51 | |
CANDY: This is classy. | 0:21:51 | 0:21:52 | |
Something we're not used to it. | 0:21:52 | 0:21:54 | |
God help us. | 0:21:54 | 0:21:56 | |
CANDY SCREAMS EXCITEDLY | 0:21:56 | 0:21:57 | |
LOUD SPLASH | 0:21:57 | 0:21:59 | |
CANDY: Whoo! | 0:22:00 | 0:22:02 | |
-DARLENE: -Oh, it's cold. | 0:22:02 | 0:22:03 | |
Whoa! | 0:22:05 | 0:22:07 | |
Get in, Dar. | 0:22:07 | 0:22:08 | |
BOTH CHUCKLE | 0:22:11 | 0:22:13 | |
Whoo! | 0:22:13 | 0:22:14 | |
-SCREAMS: -Get away from me. | 0:22:14 | 0:22:16 | |
What do you weigh? About 98 pounds wet? | 0:22:16 | 0:22:20 | |
Shut up, Dar. | 0:22:20 | 0:22:21 | |
You've got a great body. | 0:22:21 | 0:22:23 | |
You just cover it up all the time. | 0:22:23 | 0:22:25 | |
Whatever. | 0:22:25 | 0:22:27 | |
Are you happy, Dar? | 0:22:28 | 0:22:30 | |
-CHUCKLES SOFTLY: -I guess. | 0:22:30 | 0:22:31 | |
Why wouldn't I be? | 0:22:31 | 0:22:33 | |
Oh... I don't know. | 0:22:33 | 0:22:36 | |
I mean... | 0:22:36 | 0:22:38 | |
..things just don't seem right between you two lately. | 0:22:38 | 0:22:41 | |
I mean, I always believed you two were meant for each other. | 0:22:41 | 0:22:45 | |
Like...like Bert and Loni. | 0:22:45 | 0:22:48 | |
Well, not like them because they ain't married no more. | 0:22:48 | 0:22:52 | |
But...but like, like... | 0:22:52 | 0:22:54 | |
..Elvis and Priscilla. | 0:22:54 | 0:22:55 | |
Well, you know what I mean. | 0:22:57 | 0:22:59 | |
Is there something you know that I don't? | 0:22:59 | 0:23:02 | |
No! No, no, no. No, Dar. | 0:23:02 | 0:23:04 | |
No. I don't know anything. | 0:23:04 | 0:23:06 | |
I just care about you guys so much, you know. | 0:23:08 | 0:23:11 | |
And especially you, Dar, because you're my best friend. | 0:23:11 | 0:23:14 | |
Oh, honey... | 0:23:14 | 0:23:16 | |
VOICE QUIVERS: Can't a friend try to help a friend? | 0:23:16 | 0:23:19 | |
Yeah. But, oh, honey, don't cry. | 0:23:19 | 0:23:22 | |
-DARLENE: -You fool. | 0:23:23 | 0:23:25 | |
Damn wine cooler has got me all emotional. | 0:23:25 | 0:23:28 | |
GATE SWINGS OPEN | 0:23:28 | 0:23:30 | |
SHOUTS LIKE TARZAN | 0:23:30 | 0:23:32 | |
Oh, that hurt like hell. | 0:23:35 | 0:23:37 | |
-Candy... -Hmm? | 0:23:38 | 0:23:40 | |
Do you love Roy? | 0:23:40 | 0:23:42 | |
CANDY CHUCKLES: Well... | 0:23:43 | 0:23:45 | |
..I don't think I ever got the chance to fall in love with Roy. | 0:23:47 | 0:23:51 | |
SIGHS: I guess it was more like nature took its own course. | 0:23:51 | 0:23:55 | |
Next thing I knew... | 0:23:57 | 0:23:58 | |
..Roy was working for Daddy and we was married. | 0:24:00 | 0:24:03 | |
Like there wasn't any middle - just then and now. | 0:24:03 | 0:24:06 | |
Oh, shit. | 0:24:07 | 0:24:09 | |
CANDY: What's wrong, Mark Spitz? | 0:24:09 | 0:24:11 | |
You seem a little out of shape. | 0:24:11 | 0:24:13 | |
-ROY: -Well, them 12-oz curls have kinda taken their toll. | 0:24:14 | 0:24:17 | |
BOTH GIRLS GIGGLE | 0:24:17 | 0:24:19 | |
Oh. Oooh. I gotta go pee. | 0:24:19 | 0:24:22 | |
I'm gonna go back to the hotel. | 0:24:22 | 0:24:24 | |
-Darling? -I gotta go pee. | 0:24:25 | 0:24:27 | |
-I'm going back to the hotel. -Pee in the pool. | 0:24:27 | 0:24:30 | |
-I do it all the time. -CANDY: Oh, gross. Roy. | 0:24:30 | 0:24:33 | |
-You coming, Dar? -I think I'll swim a little. | 0:24:33 | 0:24:36 | |
This was a pretty good idea, after all. | 0:24:36 | 0:24:39 | |
See ya. | 0:24:40 | 0:24:42 | |
-DARLENE: -Whoo! | 0:24:53 | 0:24:55 | |
-SIGHS CONTENTEDLY: -It feels good. | 0:24:55 | 0:24:58 | |
Whatcha doin', Roy? | 0:25:01 | 0:25:03 | |
I got you a little something. | 0:25:03 | 0:25:06 | |
Oh, Roy. You didn't have to. | 0:25:12 | 0:25:14 | |
I know. But Lady Luck usually has anything she wants. | 0:25:14 | 0:25:18 | |
-DARLENE: -Getting to New Mexico, I was so excited. | 0:25:21 | 0:25:24 | |
The Grand Canyon was just a day away. | 0:25:24 | 0:25:27 | |
-ROY: -You know what I'm lookin' forward to? | 0:25:27 | 0:25:29 | |
It's that Robosaurus smashing in cars. That'll be something. | 0:25:29 | 0:25:33 | |
Robo what? What on earth is that? | 0:25:33 | 0:25:35 | |
It's a ten-storey machine that squashes things. | 0:25:35 | 0:25:39 | |
Basically, a car dealer's nightmare. | 0:25:39 | 0:25:40 | |
-DARLENE: -What a thrill. -THUMP! | 0:25:40 | 0:25:43 | |
Armadillo. | 0:25:45 | 0:25:46 | |
You'd think they'd learn to stay out of the road. | 0:25:46 | 0:25:49 | |
-Don't you know? -You ever seen one alive? | 0:25:49 | 0:25:51 | |
ROY LAUGHS | 0:25:51 | 0:25:53 | |
I'll be damned. 97.1 degrees. I think I'm ovulatin'. | 0:25:53 | 0:25:56 | |
97.1 is what that library book said to look for. | 0:25:56 | 0:25:59 | |
Whoa. | 0:25:59 | 0:26:00 | |
LONNIE EARL: Maybe it's just the heat. | 0:26:00 | 0:26:02 | |
97.1, Lonnie. That's below normal temperature. | 0:26:02 | 0:26:05 | |
Well, she's pressing too close to the window. | 0:26:05 | 0:26:08 | |
My window's up. | 0:26:08 | 0:26:09 | |
According to this thermometer, | 0:26:09 | 0:26:11 | |
Farmer Roy needs to plant his seed right now. | 0:26:11 | 0:26:14 | |
-Come on, baby. Pull over! -Candy, I... | 0:26:14 | 0:26:16 | |
We ain't stopping at no motel. | 0:26:16 | 0:26:18 | |
Not now when we just got back on schedule. | 0:26:18 | 0:26:21 | |
Hey. Who said anything about a motel? | 0:26:21 | 0:26:23 | |
PANTING AND GROANING | 0:26:23 | 0:26:26 | |
Course you do realise that my schedule's gone to hell. | 0:26:27 | 0:26:30 | |
It's freezing-ass cold out here | 0:26:30 | 0:26:31 | |
and we're waiting on the damn carnival to be over. | 0:26:31 | 0:26:34 | |
You're the one who wanted to vacation in January. | 0:26:34 | 0:26:37 | |
You know about the July prices. I can't pay that kind of money. | 0:26:37 | 0:26:41 | |
CANDY PANTS | 0:26:42 | 0:26:44 | |
-CANDY: -Oh, baby! | 0:26:45 | 0:26:46 | |
LONNIE EARL: Just like travelling with | 0:26:48 | 0:26:50 | |
a damn high school biology experiment or something. | 0:26:50 | 0:26:52 | |
What the hell is he doing to her? | 0:26:52 | 0:26:55 | |
Something pretty good, I'd say. | 0:26:55 | 0:26:57 | |
Well, it's pissing me off. | 0:26:57 | 0:26:58 | |
OK. That's it. I'm putting a stop to this shit. I don't care. | 0:26:58 | 0:27:02 | |
You'll make a bigger scene than they are! | 0:27:02 | 0:27:04 | |
All right. TAPS WINDOW | 0:27:06 | 0:27:08 | |
-That'll be plenty. -What? | 0:27:09 | 0:27:10 | |
Come on. We're leavin'. | 0:27:10 | 0:27:12 | |
LAUGHTER AND APPLAUSE | 0:27:12 | 0:27:14 | |
Mission accomplished, sir. | 0:27:14 | 0:27:15 | |
There goes the new car smell. | 0:27:15 | 0:27:17 | |
You look kinda uptight, Lonnie Earl. You want me to drive? | 0:27:19 | 0:27:22 | |
No, I don't want you to drive. I'm the driver. | 0:27:22 | 0:27:25 | |
Just give us a couple of beers, I'll be fine. | 0:27:25 | 0:27:27 | |
-Hey, hon. -CANDY: -Hmm? | 0:27:27 | 0:27:29 | |
Can you grab us some beers | 0:27:29 | 0:27:31 | |
without spilling any of them tadpoles? | 0:27:31 | 0:27:32 | |
I sure can, sugar kitten. | 0:27:32 | 0:27:34 | |
Thank you. | 0:27:36 | 0:27:38 | |
I'm glad we stopped here. | 0:27:44 | 0:27:46 | |
They've got a sign over that toilet - | 0:27:48 | 0:27:50 | |
says it's the cleanest bathroom along I40. | 0:27:50 | 0:27:53 | |
We stay in Kingman tonight, we'd be back on schedule. | 0:27:53 | 0:27:56 | |
I thought we were stopping at the Grand Canyon tonight | 0:27:56 | 0:27:58 | |
and looking at it tomorrow? | 0:27:58 | 0:28:00 | |
We can't do that because our travelling sex-show | 0:28:00 | 0:28:02 | |
has put us behind schedule. | 0:28:02 | 0:28:04 | |
-Then why did we stop here? -Because we had to eat. | 0:28:04 | 0:28:07 | |
And this fits in. OK? | 0:28:07 | 0:28:09 | |
Besides, the Grand Canyon's just a big, old hole in the ground. | 0:28:09 | 0:28:12 | |
You can look out the window and see a big hole. | 0:28:12 | 0:28:15 | |
That ain't the same. I think it'd be nice to see it. | 0:28:15 | 0:28:20 | |
I wouldn't mind riding one of them jackasses down the sucker. | 0:28:20 | 0:28:24 | |
Damn it. That's the one thing I wanted to do on this trip. | 0:28:24 | 0:28:28 | |
I told you I wanted to see it since second grade | 0:28:28 | 0:28:31 | |
when Ms Beachner told us about it. | 0:28:31 | 0:28:33 | |
She said everyone thought God rested on the seventh day | 0:28:33 | 0:28:36 | |
but really he was working on his hobby, carving the canyon. | 0:28:36 | 0:28:39 | |
That's sweet, but if you remember, | 0:28:39 | 0:28:40 | |
Ms Beachner also kept her shit in a shoebox, remember? | 0:28:40 | 0:28:43 | |
So I don't know if that's the greatest authority in the world. | 0:28:43 | 0:28:47 | |
Let's go. | 0:28:47 | 0:28:49 | |
DEJECTED MUSIC | 0:28:49 | 0:28:53 | |
LOUD GROANING AND PANTING | 0:29:06 | 0:29:08 | |
Good God. That girl's gonna wake the dead in there. | 0:29:08 | 0:29:11 | |
GROANING CONTINUES | 0:29:11 | 0:29:13 | |
If this happens every time she reaches a certain temperature, | 0:29:13 | 0:29:16 | |
I'm going to get mad. | 0:29:16 | 0:29:17 | |
Why does it bother you so much? It's for a good cause. | 0:29:17 | 0:29:21 | |
It's just that they take so damn long. | 0:29:21 | 0:29:23 | |
They don't even think about us. | 0:29:23 | 0:29:25 | |
The least he can do is tiger fuck her. | 0:29:25 | 0:29:27 | |
You know I don't like that talk. | 0:29:27 | 0:29:29 | |
Just get up behind her, bite her neck, in and out and it's done. | 0:29:29 | 0:29:33 | |
How romantic(!) | 0:29:33 | 0:29:35 | |
What do you know about romance? | 0:29:35 | 0:29:37 | |
MELANCHOLY MUSIC | 0:29:40 | 0:29:43 | |
I'm sorry, honey. I'm just... | 0:29:44 | 0:29:47 | |
Look, face it. When was the last time we did it? | 0:29:48 | 0:29:51 | |
That's not romance. | 0:29:51 | 0:29:53 | |
If that's all you care about, | 0:29:55 | 0:29:57 | |
then just go ahead and do it with someone else. | 0:29:57 | 0:30:00 | |
Is this about the Grand Canyon? | 0:30:06 | 0:30:08 | |
No, it's not. Good grief! | 0:30:08 | 0:30:11 | |
Well, then, what's it about? Why don't you talk to me? | 0:30:12 | 0:30:16 | |
I'm your husband. You can talk to me. | 0:30:16 | 0:30:18 | |
Honey, listen. This is hard on me too. | 0:30:24 | 0:30:26 | |
For the last couple of years, | 0:30:29 | 0:30:31 | |
every time I try something with you, | 0:30:31 | 0:30:33 | |
you've got some damn excuse. | 0:30:33 | 0:30:34 | |
You don't know how it feels. | 0:30:37 | 0:30:39 | |
And besides that, I'm about to explode. | 0:30:41 | 0:30:43 | |
I am. SNIFFS | 0:30:45 | 0:30:46 | |
Tell me the truth. Is it me? | 0:30:50 | 0:30:52 | |
No. | 0:30:57 | 0:30:58 | |
It's me. | 0:30:58 | 0:31:00 | |
What are we going to do about that? | 0:31:05 | 0:31:07 | |
Like I said, maybe we could see that woman in Little Rock. | 0:31:07 | 0:31:11 | |
I'm ain't going to no shrink. | 0:31:11 | 0:31:13 | |
She'd make us sit there, and charge an arm, a leg and a nut | 0:31:13 | 0:31:17 | |
to say the shit that we're saying to each other here. | 0:31:17 | 0:31:20 | |
But she mightn't let you say something like you just said. | 0:31:20 | 0:31:23 | |
What did I say? | 0:31:23 | 0:31:24 | |
Well, if you can't hear yourself, | 0:31:24 | 0:31:26 | |
then how are you gonna hear me? | 0:31:26 | 0:31:29 | |
MELANCHOLY MUSIC | 0:31:30 | 0:31:33 | |
This bed sags in the middle. | 0:31:41 | 0:31:43 | |
We'll wind up laying in a puddle. | 0:31:43 | 0:31:45 | |
It sure as hell ain't no sort of perfect sleeper. | 0:31:45 | 0:31:48 | |
Would you all quit bitching? The bed's fine. | 0:31:48 | 0:31:51 | |
-ROY: -Goodnight, John-Boy. -LONNIE EARL: Kiss my ass. | 0:31:53 | 0:31:56 | |
ROY LAUGHS AND FARTS | 0:31:56 | 0:31:58 | |
-DARLENE: -Oh, my God. That's awful! | 0:31:58 | 0:32:01 | |
CANDY LAUGHS: Oh, Roy! ALL LAUGH: | 0:32:01 | 0:32:03 | |
That's disgusting! | 0:32:03 | 0:32:05 | |
-ROY: -Smell it. | 0:32:08 | 0:32:10 | |
LIVELY MUSIC | 0:32:10 | 0:32:13 | |
ALL SING: # Hey, now, Sloopy | 0:32:18 | 0:32:21 | |
# Sloopy, hang on | 0:32:21 | 0:32:23 | |
# Sloopy lives In a very bad part of town | 0:32:26 | 0:32:31 | |
# Bad part of town... # | 0:32:31 | 0:32:33 | |
STEVIE WONDER'S 'HIGHER GROUND' PLAYS | 0:32:33 | 0:32:36 | |
# People | 0:32:36 | 0:32:38 | |
# Keep on turning | 0:32:39 | 0:32:42 | |
-# Teachers... CANDY: -Teachers. | 0:32:44 | 0:32:46 | |
-SINGS: -# Keep on teaching | 0:32:46 | 0:32:49 | |
# Lovers... | 0:32:51 | 0:32:53 | |
-CANDY: -Keep on lovin'! | 0:32:53 | 0:32:54 | |
ALL SING: # Keep on lovin' | 0:32:54 | 0:32:57 | |
That's songwriting! | 0:32:57 | 0:32:59 | |
-# Believers... CANDY: -Keep on believing! | 0:32:59 | 0:33:00 | |
-# Keep on believing! GIRLS: -Whoo! | 0:33:00 | 0:33:04 | |
-# Sleepers... CANDY: -Keep on sleepin'! | 0:33:06 | 0:33:08 | |
# Just stop sleeping, yeah! | 0:33:08 | 0:33:11 | |
# Cos it won't be too long... | 0:33:11 | 0:33:14 | |
-ROY: -It won't be too long. -CANDY: -It won't be long. | 0:33:14 | 0:33:17 | |
# I'm so glad That He let me try it again | 0:33:21 | 0:33:24 | |
# Cos my last time on Earth I lived a whole world of sin | 0:33:24 | 0:33:28 | |
# I'm so glad that I know more Than I knew then | 0:33:28 | 0:33:31 | |
# Gonna keep on tryin' | 0:33:31 | 0:33:34 | |
# Till I reach the highest ground | 0:33:34 | 0:33:36 | |
# Whoo! | 0:33:39 | 0:33:40 | |
# Till I reach the highest ground | 0:33:41 | 0:33:45 | |
# No-one's gonna bring me down | 0:33:48 | 0:33:51 | |
# Oh, no | 0:33:54 | 0:33:55 | |
# Till I reach the highest ground... # | 0:33:55 | 0:33:59 | |
Oh, my God. | 0:34:01 | 0:34:02 | |
-DARLENE: -Tony Orlando's here. -LONNIE: Who? | 0:34:05 | 0:34:08 | |
Tony Orlando's here. We've gotta go see him. | 0:34:08 | 0:34:11 | |
-ROY: -Do you reckon he split up with Dawn? | 0:34:11 | 0:34:14 | |
LONNIE: Honey, we'll have to see if we've got time. | 0:34:14 | 0:34:17 | |
-We gotta make time. -I said we'd see. | 0:34:17 | 0:34:19 | |
I ain't never stayed overnight in a city this big before. | 0:34:21 | 0:34:24 | |
I'd sure hate to get lost here. | 0:34:26 | 0:34:29 | |
Don't get all nerved up, honey. We'll have a good time. | 0:34:29 | 0:34:32 | |
It's like back home. There's just a lot more of it. | 0:34:32 | 0:34:35 | |
EXCITING MUSIC | 0:34:35 | 0:34:39 | |
CANDY AND DARLENE GASP | 0:34:55 | 0:34:56 | |
-I'll be darned. -This is the Shamrock Suite. | 0:34:56 | 0:34:59 | |
-ROY: -Whoa! Whoa! | 0:34:59 | 0:35:00 | |
Oh...honey! | 0:35:02 | 0:35:04 | |
I knew this'd be the perfect place to get remarried. | 0:35:04 | 0:35:06 | |
I'll carry you over the threshold, baby. | 0:35:06 | 0:35:09 | |
PORTER: Both bedrooms have their own private entrance. | 0:35:11 | 0:35:14 | |
Look at that tub! It's like a swimming pool. | 0:35:14 | 0:35:17 | |
Oh, my God! | 0:35:17 | 0:35:18 | |
We're here, baby. We're actually here! | 0:35:18 | 0:35:21 | |
Mmm. This is romantic. | 0:35:21 | 0:35:24 | |
-ROY: -Look at that. | 0:35:24 | 0:35:25 | |
This door leads to the adjoining bedroom. | 0:35:26 | 0:35:29 | |
Oh, my God. We're neighbours! | 0:35:29 | 0:35:31 | |
Oh, Candy, you've got to see this view. | 0:35:31 | 0:35:33 | |
Oh, wow! We have the same over there. | 0:35:33 | 0:35:37 | |
-OK. -Take a picture of me. | 0:35:38 | 0:35:40 | |
-CANDY: OK. -Like a supermodel, OK? | 0:35:40 | 0:35:42 | |
Oh, I don't look like Cindy Crawford. | 0:35:42 | 0:35:44 | |
-I can take some pictures. -CANDY: That's OK. | 0:35:44 | 0:35:46 | |
Hey, y'all. Check it out. Check it out! | 0:35:46 | 0:35:48 | |
Hugh Hefner - international playboy. | 0:35:48 | 0:35:51 | |
Show me your tatas in cloth of terry. | 0:35:51 | 0:35:53 | |
Do we get to keep these things? | 0:35:53 | 0:35:55 | |
I've been known to look the other way. | 0:35:55 | 0:35:58 | |
-Whoa-ho. All right. -MUMBLES: For something. | 0:35:58 | 0:36:00 | |
Thank you. | 0:36:00 | 0:36:02 | |
Oh, my God. It's Shania Twain! | 0:36:02 | 0:36:04 | |
Come on! | 0:36:04 | 0:36:05 | |
-DARLENE: -She's so goddamn hot! | 0:36:05 | 0:36:07 | |
# Any man of mine... | 0:36:08 | 0:36:11 | |
Whoo! | 0:36:11 | 0:36:12 | |
Goddamn champagne! | 0:36:13 | 0:36:15 | |
# Well, any man of mine better disagree | 0:36:15 | 0:36:18 | |
# When I say another woman's lookin' better than me... | 0:36:18 | 0:36:21 | |
Whoa. Hey, y'all, they've got 24-hour room service. | 0:36:21 | 0:36:24 | |
You mean you can get anything any time you want? | 0:36:24 | 0:36:27 | |
PORTER: Yes, sir. Any time. Just dial 49. | 0:36:27 | 0:36:29 | |
Darlene, who am I? | 0:36:29 | 0:36:31 | |
PORTER: I guess you won't need any Pabsts. | 0:36:34 | 0:36:36 | |
-That will last me an hour and a half. -LAUGHS | 0:36:36 | 0:36:38 | |
-BOTH SING: -# ..breathtakin', Earthquakin' kind | 0:36:38 | 0:36:43 | |
There's your curtain remote and your key. | 0:36:43 | 0:36:46 | |
All right. Thank you. | 0:36:46 | 0:36:48 | |
All right. If there's nothing else, I'll be going. | 0:36:48 | 0:36:50 | |
Of course the chocolates are free. | 0:36:50 | 0:36:54 | |
-Ching ching. -CHUCKLES | 0:36:54 | 0:36:55 | |
I'm going to go, then. | 0:36:55 | 0:36:57 | |
While you're here, I want to ask you one question. | 0:36:57 | 0:36:59 | |
I understand that the hookers in Nevada are free. | 0:36:59 | 0:37:02 | |
Is that right? | 0:37:02 | 0:37:03 | |
-Legal. -Not free? | 0:37:03 | 0:37:05 | |
No. | 0:37:05 | 0:37:07 | |
All right. | 0:37:07 | 0:37:08 | |
Like I said, I'm on my way out. | 0:37:08 | 0:37:11 | |
I got the luggage, unpacked it, | 0:37:11 | 0:37:13 | |
you got the explanation of the menu... | 0:37:13 | 0:37:15 | |
That's it. OK. I'm gonna go. | 0:37:15 | 0:37:18 | |
I'll be at the bell captain's station if you need anything. | 0:37:18 | 0:37:21 | |
Oh, OK. I get you. | 0:37:21 | 0:37:23 | |
You want your dollar. | 0:37:23 | 0:37:24 | |
Here. | 0:37:24 | 0:37:26 | |
Wow. OK. | 0:37:27 | 0:37:29 | |
Straight to the casino. | 0:37:29 | 0:37:31 | |
Unless you wanted change. | 0:37:31 | 0:37:33 | |
BOTH SING: # Shimmy, shake | 0:37:33 | 0:37:34 | |
# Make the earth quake | 0:37:34 | 0:37:36 | |
# Kick, turn, stomp, stomp | 0:37:36 | 0:37:38 | |
# And then you jump! # | 0:37:38 | 0:37:40 | |
If I get to go to Tony Orlando, | 0:37:42 | 0:37:44 | |
should I wear my hair up or down? | 0:37:44 | 0:37:47 | |
Hmm. Let me see. | 0:37:47 | 0:37:48 | |
-You know what? -What? | 0:37:50 | 0:37:51 | |
You know what I think would be great? | 0:37:51 | 0:37:53 | |
If you put it like this. Yeah. | 0:37:53 | 0:37:56 | |
LONNIE EARL: You son of a bitch. | 0:37:56 | 0:37:58 | |
Jesus H Christ. | 0:37:58 | 0:38:00 | |
What is it with you and Tony Orlando, anyway? | 0:38:00 | 0:38:03 | |
Oh. He's always been like my guardian angel. | 0:38:03 | 0:38:06 | |
You see, when I was in fifth grade, | 0:38:06 | 0:38:08 | |
I caught Geoff Martin cheatin' on me. | 0:38:08 | 0:38:10 | |
And my momma knew I was depressed | 0:38:10 | 0:38:12 | |
so she let me spend the night at Deanna Stewart's house | 0:38:12 | 0:38:15 | |
to watch the Jerry Lewis telethon. | 0:38:15 | 0:38:17 | |
Anyway, they were up to about 8 million in donations | 0:38:17 | 0:38:20 | |
when out walked this dark, handsome man with a moustache | 0:38:20 | 0:38:24 | |
and a smile that could light up all of Branson. | 0:38:24 | 0:38:28 | |
And I just knew he was somethin' special. | 0:38:28 | 0:38:31 | |
I had something like that for Chuck Woolery one time. | 0:38:32 | 0:38:35 | |
Anyway, when he sang... | 0:38:37 | 0:38:40 | |
# Knock three times on The ceiling if you want me... # | 0:38:40 | 0:38:45 | |
It was like he was singing it right to me, | 0:38:45 | 0:38:49 | |
like he knew I needed to hear it right then. | 0:38:49 | 0:38:53 | |
And he's had a special place in my heart ever since. | 0:38:53 | 0:38:57 | |
Oh. That's so sweet. | 0:38:57 | 0:39:01 | |
THUMP! | 0:39:02 | 0:39:04 | |
-You know what I think we need? -What? | 0:39:05 | 0:39:07 | |
Some serious pink lips. | 0:39:07 | 0:39:09 | |
LAUGHS | 0:39:09 | 0:39:11 | |
I'll go and get my pink lipstick, OK? | 0:39:11 | 0:39:13 | |
-CRASH! -You OK? | 0:39:13 | 0:39:16 | |
EXHALES | 0:39:18 | 0:39:20 | |
Yeah. I think I'm fine. | 0:39:20 | 0:39:22 | |
I just... I got up too quick, maybe. | 0:39:22 | 0:39:24 | |
Well, I'll get it. | 0:39:24 | 0:39:26 | |
You sure you feel OK, hon? You are lookin' a little peaky. | 0:39:29 | 0:39:33 | |
-CANDY: -Oh, I'm fine. | 0:39:33 | 0:39:35 | |
I'm going to sit in here for a little bit. | 0:39:35 | 0:39:38 | |
-Can I do something? -CANDY: -No. | 0:39:38 | 0:39:41 | |
I probably just drank too much. | 0:39:41 | 0:39:43 | |
You go on down. I'll meet up with you later. | 0:39:43 | 0:39:45 | |
Let's shoot off and fly, guys. | 0:39:45 | 0:39:47 | |
I thought we was going downstairs. What's the deal? | 0:39:47 | 0:39:50 | |
You all go on. We'll catch up with you later. | 0:39:50 | 0:39:53 | |
You know what we ought to do? You and me take a bubble bath. | 0:39:53 | 0:39:57 | |
What do you say? | 0:39:57 | 0:39:58 | |
You know better than that. I don't take bubble baths. | 0:39:58 | 0:40:01 | |
Of course you don't. | 0:40:03 | 0:40:04 | |
I forgot. | 0:40:04 | 0:40:06 | |
Well, you know, that tub is big enough for all of us. | 0:40:06 | 0:40:10 | |
-CANDY: -Oh, great, Roy. | 0:40:10 | 0:40:11 | |
Just jump on the bandwagon, you dumbass. | 0:40:11 | 0:40:14 | |
LAUGHS | 0:40:14 | 0:40:17 | |
Yeah, I am dumb. | 0:40:17 | 0:40:18 | |
You guys definitely make me clear of that on a daily basis. | 0:40:18 | 0:40:22 | |
Dumb, dumb ass, dumb shit, | 0:40:22 | 0:40:24 | |
dipshit, shithead, shithole, shit for brains... | 0:40:24 | 0:40:26 | |
-Dildo. -Dildo... | 0:40:26 | 0:40:28 | |
You know, would it be possible to have | 0:40:28 | 0:40:31 | |
a "let's not pick on Roy" day? | 0:40:31 | 0:40:33 | |
Let's go downstairs. | 0:40:38 | 0:40:39 | |
OK. | 0:40:39 | 0:40:41 | |
I-I'm sorry. | 0:40:41 | 0:40:43 | |
SIGHS | 0:40:44 | 0:40:45 | |
-Darlene. -Mm-hm? | 0:40:52 | 0:40:54 | |
What do you mean you don't take bubble baths? | 0:40:54 | 0:40:56 | |
It gives my pootah an infection | 0:40:56 | 0:40:58 | |
that stings worse than a swarm of bees. | 0:40:58 | 0:41:01 | |
CHUCKLES | 0:41:01 | 0:41:02 | |
-SIGHS: -Oh, honey, I wasn't born yesterday. | 0:41:03 | 0:41:05 | |
I know something's wrong. You can talk to me, you know that. | 0:41:05 | 0:41:09 | |
-Don't start that again. -Darlene, I'm your best friend. | 0:41:09 | 0:41:11 | |
-I know. -Just drop it! | 0:41:11 | 0:41:13 | |
I know you mean well, hon. But just...stop. | 0:41:13 | 0:41:17 | |
OK. | 0:41:23 | 0:41:24 | |
SYNTHESISED POP MUSIC | 0:41:24 | 0:41:27 | |
I don't know about this. | 0:41:37 | 0:41:39 | |
This thing looks a bit too much like a sinus infection. | 0:41:39 | 0:41:42 | |
I tell you what. | 0:41:46 | 0:41:48 | |
They say they're one hell of aphrodilliac. | 0:41:48 | 0:41:50 | |
GIGGLES | 0:41:51 | 0:41:53 | |
Aphrodisiacs. | 0:41:53 | 0:41:55 | |
Oh, ye... | 0:41:56 | 0:41:57 | |
-LAUGHS: -Oh, dear. | 0:41:57 | 0:41:59 | |
Thank you, ma'am. | 0:42:00 | 0:42:02 | |
Actually, they're, er... Mother Nature's Viagra. | 0:42:02 | 0:42:05 | |
LAUGHS GOOFILY | 0:42:05 | 0:42:07 | |
Roy, don't be such a damn idiot, OK? | 0:42:08 | 0:42:10 | |
You make us look stupid. | 0:42:10 | 0:42:11 | |
Everybody knows what that word is. | 0:42:11 | 0:42:14 | |
Not bad. | 0:42:19 | 0:42:21 | |
Hey, can we get a couple of Pabsts? | 0:42:21 | 0:42:23 | |
Mm-hm. | 0:42:23 | 0:42:25 | |
And bring him a shot too, will you? Some kind of whisky. | 0:42:28 | 0:42:31 | |
Well, you need you a shot. | 0:42:31 | 0:42:33 | |
I had 140 beers. | 0:42:33 | 0:42:35 | |
But... | 0:42:35 | 0:42:37 | |
..I do have too much blood in my alcohol content. | 0:42:38 | 0:42:40 | |
See there. | 0:42:40 | 0:42:42 | |
I'm just trying to help you cut the...whatever those things are. | 0:42:42 | 0:42:45 | |
SIGHS | 0:42:45 | 0:42:47 | |
God knows I don't need any of them. | 0:42:48 | 0:42:51 | |
Oh. You mean you and Dar? | 0:42:53 | 0:42:56 | |
It's just a phase you guys are going through. | 0:42:56 | 0:42:59 | |
No, it's more than a phase. It's way past a phase. | 0:42:59 | 0:43:02 | |
It's a lot more serious than you might think. | 0:43:02 | 0:43:04 | |
You know, you're always going to be together. | 0:43:04 | 0:43:06 | |
You've always worked it out. You will now. | 0:43:06 | 0:43:09 | |
I've given it a lot of thought lately, to tell you the truth. | 0:43:09 | 0:43:12 | |
Not that that's what I want, you know. | 0:43:12 | 0:43:15 | |
She just don't get it. I don't know. | 0:43:15 | 0:43:17 | |
A man's got needs, you know. | 0:43:18 | 0:43:20 | |
Well, everybody's got needs. | 0:43:20 | 0:43:22 | |
Well, don't be going out | 0:43:22 | 0:43:23 | |
thinking about getting no nooky on the side. | 0:43:23 | 0:43:26 | |
Who said I was thinking about that? | 0:43:26 | 0:43:28 | |
Darlene's a great lady. You don't need to be doing that. | 0:43:28 | 0:43:32 | |
I would never do that. | 0:43:32 | 0:43:34 | |
I just got a tingle. | 0:43:34 | 0:43:36 | |
I'm going to get some more of these suckers. | 0:43:36 | 0:43:38 | |
I'm having a hard time keeping up with Candy. | 0:43:38 | 0:43:41 | |
I'll be back. | 0:43:41 | 0:43:42 | |
Oh, look! It's one of them theme weddings! | 0:43:43 | 0:43:46 | |
Oh, ain't that sweet, Darlene? | 0:43:46 | 0:43:49 | |
That's it! That's what Roy and I need! | 0:43:49 | 0:43:54 | |
-What? -A theme wedding! | 0:43:54 | 0:43:56 | |
I'd be Dorothy. | 0:43:56 | 0:43:58 | |
A-And he could be that tin guy. | 0:43:58 | 0:44:01 | |
And we could have midgets for bridesmaids. | 0:44:01 | 0:44:06 | |
Why would you dress up like that for a wedding? | 0:44:06 | 0:44:09 | |
Cos it's romantic! | 0:44:09 | 0:44:11 | |
-Come down here, didn't I? -Huh? | 0:44:31 | 0:44:33 | |
I said I came down here, didn't I? | 0:44:33 | 0:44:36 | |
-You did. -Yeah. | 0:44:36 | 0:44:38 | |
Now...you might have to twist my arm, but... | 0:44:39 | 0:44:42 | |
..I'll go up to your room with you. | 0:44:42 | 0:44:45 | |
I don't think you could handle me. | 0:44:48 | 0:44:50 | |
Oh, honey, I could handle it. | 0:44:50 | 0:44:51 | |
There's no doubt about it. | 0:44:51 | 0:44:53 | |
Well... I don't think you could afford it. | 0:44:53 | 0:44:56 | |
What the hell does that mean? | 0:44:56 | 0:44:58 | |
It means I see your type come through here all the time. | 0:44:58 | 0:45:02 | |
All blow and no dough. | 0:45:02 | 0:45:04 | |
Is that a fact? | 0:45:04 | 0:45:05 | |
Let me show you something, honey. | 0:45:08 | 0:45:10 | |
See that? Know what that is, baby? | 0:45:12 | 0:45:15 | |
A shoe? | 0:45:15 | 0:45:17 | |
Well, yeah, it is. | 0:45:17 | 0:45:19 | |
It's also two months rent. | 0:45:19 | 0:45:22 | |
Well... | 0:45:25 | 0:45:26 | |
See you there? | 0:45:30 | 0:45:31 | |
Rent must be very cheap. | 0:45:36 | 0:45:38 | |
That was a really shitty thing to say to somebody. | 0:45:45 | 0:45:48 | |
# The old grey mare | 0:45:48 | 0:45:50 | |
# Just ain't What she used to be | 0:45:50 | 0:45:52 | |
# Ain't what She used to be... # | 0:45:52 | 0:45:55 | |
-MAN IN BAND: -OK, everybody, we're back. | 0:45:55 | 0:45:57 | |
Kiss my ass. | 0:45:58 | 0:46:00 | |
They come over here and just... | 0:46:02 | 0:46:05 | |
..take over the damn country. | 0:46:05 | 0:46:06 | |
Why not? | 0:46:06 | 0:46:08 | |
Fuck her, she was a lesbian anyway. I could tell. | 0:46:09 | 0:46:12 | |
She ain't no lesbian, she's too pretty. | 0:46:12 | 0:46:14 | |
Son, there's all kinds of lesbians. | 0:46:14 | 0:46:16 | |
Pretty ones, ugly ones, all kinds, you know. | 0:46:16 | 0:46:18 | |
She had lesbian energy. That's all I know. | 0:46:18 | 0:46:20 | |
I'm a lesbian in a man's body. | 0:46:20 | 0:46:23 | |
Tell you what got it all started was that damn Gloria Steinem | 0:46:23 | 0:46:26 | |
when she started all that women's lib crap. | 0:46:26 | 0:46:28 | |
It was her and Helen Reddy | 0:46:28 | 0:46:30 | |
and that tennis player that beat Bobby Riggs that time. | 0:46:30 | 0:46:33 | |
Let's don't forget Helen Gurley Brown. | 0:46:33 | 0:46:35 | |
You know what they do, don't you? | 0:46:35 | 0:46:37 | |
They sit around the house all day readin' girly magazines. | 0:46:37 | 0:46:39 | |
Like Women's Day and Red Book and all that mess. | 0:46:39 | 0:46:42 | |
-And TV. -Hell, yeah. | 0:46:42 | 0:46:44 | |
Start cryin' with Oprah all damn afternoon. | 0:46:44 | 0:46:47 | |
Then by the time you get home from work, | 0:46:47 | 0:46:49 | |
shit, they'd rather fight than fuck. | 0:46:49 | 0:46:51 | |
Hmm? | 0:46:51 | 0:46:53 | |
I guess, you know... | 0:46:53 | 0:46:54 | |
..I'm a pretty lucky man, because Candy | 0:46:54 | 0:46:57 | |
has always had a very healthy appetite for old Gunther here. | 0:46:57 | 0:47:00 | |
You know, I kinda wonder sometimes | 0:47:00 | 0:47:03 | |
if she ain't borderline nympho. | 0:47:03 | 0:47:05 | |
But she ain't always as... | 0:47:05 | 0:47:06 | |
..wild and stuff as she's been lately. | 0:47:06 | 0:47:09 | |
She don't always scream and holler like that, does she? | 0:47:09 | 0:47:12 | |
-She sure does. -No, she don't. | 0:47:12 | 0:47:13 | |
-Yes, she does. -No, she don't. | 0:47:13 | 0:47:15 | |
I mean...you're kiddin' me. No, she don't. Does she? | 0:47:15 | 0:47:19 | |
You know, sometimes it can be downright embarrassing. | 0:47:19 | 0:47:22 | |
Other times it can make you feel like | 0:47:22 | 0:47:25 | |
you're Studley Do-Right, you know, you're the man! | 0:47:25 | 0:47:27 | |
Know what I'm saying? | 0:47:27 | 0:47:29 | |
But, ah... I gotta pee. I'll be back. | 0:47:29 | 0:47:31 | |
SIGHS: Oh, shit. | 0:47:37 | 0:47:38 | |
-DARLENE: -Card readin'... | 0:47:38 | 0:47:42 | |
..Madam Zora... | 0:47:42 | 0:47:43 | |
Oh, come on, let's go see what the future says! | 0:47:43 | 0:47:46 | |
Oh, no! It's kinda scary, I don't like it! | 0:47:46 | 0:47:49 | |
Come on! | 0:47:49 | 0:47:50 | |
This is very telling. | 0:47:50 | 0:47:53 | |
See, the queen depicts a strong slant to your feminine side. | 0:47:53 | 0:47:56 | |
-Hmm. -Feminine side. | 0:47:58 | 0:48:00 | |
Could you be expecting? | 0:48:00 | 0:48:03 | |
I'm gonna take all of these. | 0:48:07 | 0:48:09 | |
I'm not taking any chances tonight. | 0:48:09 | 0:48:11 | |
Hell, you know what? Gimme three of them Butter Fingers. | 0:48:13 | 0:48:16 | |
-DARLENE: -So, are you excited? | 0:48:17 | 0:48:18 | |
ROY: About what? | 0:48:18 | 0:48:20 | |
The pregnancy test! | 0:48:20 | 0:48:21 | |
Oh... I dunno... | 0:48:21 | 0:48:24 | |
I just don't understand why she thinks she is now. | 0:48:24 | 0:48:28 | |
She ain't even missed her... thing, or nothin'. | 0:48:28 | 0:48:30 | |
Well, I'm gonna let you in on a little female secret. | 0:48:30 | 0:48:33 | |
Sometimes you just know, even before you miss your thing. | 0:48:33 | 0:48:36 | |
You know, I'm not buying all that screaming and moaning shit | 0:48:37 | 0:48:40 | |
you been doing, just so you know. | 0:48:40 | 0:48:43 | |
What the hell are you talking about? | 0:48:43 | 0:48:45 | |
Don't bullshit me, Candy. You know what I'm talking about. | 0:48:45 | 0:48:48 | |
You're still mad about our little fling, | 0:48:48 | 0:48:50 | |
you're doing all that shit for my benefit, I get it. | 0:48:50 | 0:48:53 | |
Doing what? | 0:48:53 | 0:48:55 | |
Screamin' like a stuck hog with your husband when y'all do it. | 0:48:55 | 0:48:58 | |
But it ain't workin'. It's a bad actin' job. | 0:48:58 | 0:49:00 | |
Who's actin'? | 0:49:02 | 0:49:04 | |
Huh. | 0:49:06 | 0:49:08 | |
Well...all I know is that you don't make all that racket | 0:49:08 | 0:49:12 | |
when you and me do it. | 0:49:12 | 0:49:14 | |
Well, you figure that out, Sherlock. | 0:49:14 | 0:49:16 | |
TOILET FLUSHES | 0:49:20 | 0:49:23 | |
ROY: So? | 0:49:28 | 0:49:29 | |
Well, I've peed in a cup, on a stick, on my hand, | 0:49:29 | 0:49:33 | |
I got lines and crosses, and... | 0:49:33 | 0:49:36 | |
..they all say the same thing. | 0:49:38 | 0:49:39 | |
Yes. | 0:49:42 | 0:49:44 | |
Yeah? | 0:49:44 | 0:49:45 | |
Candy... | 0:49:46 | 0:49:48 | |
No...baby... | 0:49:48 | 0:49:49 | |
..did you...did you hear... | 0:49:49 | 0:49:51 | |
-Yeah?! -Yeah! | 0:49:51 | 0:49:52 | |
Oh, can you hold that? | 0:49:52 | 0:49:54 | |
You mean we're gonna have a baby? Oh, baby doll! | 0:49:54 | 0:49:59 | |
Oh, I love you! | 0:49:59 | 0:50:00 | |
-You happy? -Yeah. Are you? | 0:50:02 | 0:50:05 | |
You sure? | 0:50:05 | 0:50:07 | |
Mm-hm. | 0:50:07 | 0:50:08 | |
-I love you. -I love you, baby, I love you. | 0:50:08 | 0:50:11 | |
I love you so much. | 0:50:11 | 0:50:13 | |
# Baby got goin' On a Southern train, you know | 0:50:23 | 0:50:26 | |
# Fired up pistons Drivin' below | 0:50:26 | 0:50:28 | |
# And the whole vibration Seat upholstery... # | 0:50:28 | 0:50:31 | |
-Beer. -Beer. | 0:50:31 | 0:50:32 | |
# Conductor, let's roll Let's roll... # | 0:50:32 | 0:50:37 | |
-Beer. -Light beer. | 0:50:37 | 0:50:39 | |
Oh, my God! I won! | 0:50:43 | 0:50:45 | |
# My baby got goin' on the train | 0:50:45 | 0:50:47 | |
# My baby got goin' on the train | 0:50:47 | 0:50:50 | |
# My baby got goin' on the train... # | 0:50:50 | 0:50:52 | |
Whoo!! | 0:50:52 | 0:50:54 | |
Again! | 0:50:54 | 0:50:56 | |
I got 21! | 0:50:56 | 0:50:58 | |
ROY: Oh, my God, it's alive! SCREAMS | 0:51:14 | 0:51:16 | |
Where'd it go? | 0:51:16 | 0:51:17 | |
-It's gone. -Where'd he go? | 0:51:17 | 0:51:19 | |
Why is it flat? LAUGHS | 0:51:19 | 0:51:21 | |
You think I can hear him? | 0:51:21 | 0:51:23 | |
-I think maybe you could. -OH! | 0:51:23 | 0:51:25 | |
Little sucker kicks like a mule! LAUGHS | 0:51:25 | 0:51:28 | |
-Hey, honey? -Mm-hm? | 0:51:31 | 0:51:34 | |
Could you come sit by me for a minute? | 0:51:34 | 0:51:37 | |
Sure. | 0:51:38 | 0:51:40 | |
All right, here's the deal. | 0:51:46 | 0:51:47 | |
Um... | 0:51:47 | 0:51:50 | |
..I did pretty good tonight... you know, gambling. | 0:51:50 | 0:51:53 | |
Won a little extra money, that kinda thing. | 0:51:53 | 0:51:55 | |
It's nice, huh? | 0:51:55 | 0:51:57 | |
And, um... | 0:51:57 | 0:51:59 | |
..well, I got this deal that, er... | 0:51:59 | 0:52:03 | |
Maybe it's not... I dunno if it's down your alley or not. | 0:52:03 | 0:52:06 | |
It's just, er... a little something I got... | 0:52:06 | 0:52:10 | |
Anyhow, well, there. | 0:52:10 | 0:52:12 | |
It's for you, and everything. | 0:52:12 | 0:52:14 | |
I hope you like it, I dunno. | 0:52:16 | 0:52:18 | |
I'm not real good at pickin' shit out, you know? | 0:52:18 | 0:52:21 | |
Just, you know, a girl kinda thing. | 0:52:21 | 0:52:24 | |
GASPS | 0:52:24 | 0:52:25 | |
You like it? | 0:52:29 | 0:52:30 | |
-Lonnie Earl... -Bracelet. | 0:52:31 | 0:52:34 | |
It's beautiful. | 0:52:36 | 0:52:38 | |
It's not as beautiful as you are. | 0:52:41 | 0:52:44 | |
SENTIMENTAL MUSIC | 0:52:44 | 0:52:47 | |
Close the door. | 0:53:26 | 0:53:27 | |
Oh, yeah. | 0:53:29 | 0:53:31 | |
I'll be right back. Don't move. | 0:53:31 | 0:53:34 | |
-CANDY: -Well, look at you two lovebirds. | 0:53:43 | 0:53:45 | |
Y'all hear that earthquake last night? | 0:53:45 | 0:53:47 | |
LAUGHS | 0:53:47 | 0:53:48 | |
You want some coffee, hon? | 0:53:52 | 0:53:54 | |
Hey, son, you better get in here. Your eggs'll get crusty. | 0:53:56 | 0:53:59 | |
How's it possible? | 0:53:59 | 0:54:01 | |
Can't find any midgets. | 0:54:01 | 0:54:03 | |
You might try under "L" for "little people". | 0:54:03 | 0:54:07 | |
Honey, hurry up. | 0:54:10 | 0:54:12 | |
I gotta see if we can book that chapel. | 0:54:12 | 0:54:14 | |
OK. Bye. | 0:54:14 | 0:54:16 | |
I swear to God, if I don't get any midgets, I'll be so upset. | 0:54:16 | 0:54:20 | |
I can't have this wedding without midgets! | 0:54:20 | 0:54:23 | |
You'll have a beautiful wedding no matter what. | 0:54:23 | 0:54:26 | |
-What's wrong, honey? -Uh... | 0:54:29 | 0:54:31 | |
That was... I was just talkin' to Doc Tuley, and, um... | 0:54:31 | 0:54:34 | |
..he just told me that, er... | 0:54:34 | 0:54:36 | |
..um... | 0:54:36 | 0:54:38 | |
..er, he said I can't have babies. | 0:54:38 | 0:54:40 | |
SNIGGERS | 0:54:40 | 0:54:41 | |
That's funny. That's cute, baby. | 0:54:44 | 0:54:45 | |
What do you mean, we can't have babies? | 0:54:45 | 0:54:48 | |
No...not "we" - ME. | 0:54:48 | 0:54:50 | |
See, I didn't tell you cos I-I didn't want you worrying. | 0:54:50 | 0:54:53 | |
But I had some fertility tests done | 0:54:53 | 0:54:56 | |
cos, you know, we been tryin' | 0:54:56 | 0:54:58 | |
and, you know, weren't gettin' nowhere, and... | 0:54:58 | 0:55:00 | |
..well, anyway, the tests came back from Little Rock, | 0:55:01 | 0:55:04 | |
and...my tadpoles ain't swimmin'. | 0:55:04 | 0:55:07 | |
Roy, it's just a mistake. They made a mistake. | 0:55:07 | 0:55:09 | |
Because...in case you forgot... I'm definitely pollinated. | 0:55:09 | 0:55:13 | |
No, they said it's a for-sure thing. | 0:55:13 | 0:55:15 | |
Honey, it can't be a for-sure thing. | 0:55:15 | 0:55:17 | |
Damn it, they sent the samples off to a danged laboratory, | 0:55:17 | 0:55:20 | |
they ain't gonna be wrong in a laboratory. | 0:55:20 | 0:55:22 | |
They gotta be wrong, because I can't be pregnant. Unless... | 0:55:22 | 0:55:25 | |
What was that? | 0:55:31 | 0:55:32 | |
What was what? | 0:55:33 | 0:55:35 | |
-That look. -What look? | 0:55:35 | 0:55:36 | |
The look you two just gave each other. | 0:55:36 | 0:55:39 | |
Oh, that, that... that was no look. | 0:55:42 | 0:55:44 | |
TENSE MUSIC | 0:55:45 | 0:55:48 | |
Darlene, I'm...so sorry. | 0:55:52 | 0:55:54 | |
What do you mean, "You're sorry"? | 0:55:54 | 0:55:56 | |
-I'm so sorry. -What are you sorry about? | 0:55:56 | 0:55:58 | |
You got nothin' to be sorry about! | 0:55:58 | 0:56:00 | |
You looked at me, I looked at you... | 0:56:00 | 0:56:02 | |
People can look at one another, can't they? | 0:56:02 | 0:56:04 | |
Not like that, they can't. | 0:56:04 | 0:56:06 | |
Oh, God, please... please forgive me. | 0:56:07 | 0:56:12 | |
Forgive you for what?! | 0:56:12 | 0:56:15 | |
What do you mean, "forgive you"?! | 0:56:15 | 0:56:16 | |
This is ridiculous! | 0:56:16 | 0:56:18 | |
Now, hold on, I... Am I missin' something here? | 0:56:18 | 0:56:22 | |
Oh, for cryin' out loud, Roy, don't you see, this isn't Reno? | 0:56:22 | 0:56:26 | |
-This is Melrose Place. -Huh? | 0:56:26 | 0:56:29 | |
My husband has been doin' your wife. | 0:56:29 | 0:56:31 | |
-No... -Yes. | 0:56:33 | 0:56:34 | |
Take the shits... | 0:56:34 | 0:56:36 | |
I think y'all are jumping the gun... | 0:56:36 | 0:56:38 | |
Shut up! | 0:56:38 | 0:56:39 | |
Oh, just shut up, Lonnie Earl, goddamn it! | 0:56:39 | 0:56:42 | |
Stop acting like such an ass. You blew it! | 0:56:42 | 0:56:44 | |
Hell, you're the one that got pregnant! | 0:56:44 | 0:56:46 | |
She's the one got pregnant! Shit! | 0:56:46 | 0:56:48 | |
You insensitive son of a bitch! | 0:56:48 | 0:56:50 | |
Hey, Roy, listen, I'm sorry, man, I... | 0:57:05 | 0:57:07 | |
You're my best friend! | 0:57:09 | 0:57:11 | |
Listen...you gotta believe me, | 0:57:13 | 0:57:14 | |
this don't have a fuckin' thing to do with you! | 0:57:14 | 0:57:17 | |
She's my wife! | 0:57:17 | 0:57:18 | |
Bastard! | 0:57:20 | 0:57:22 | |
Darlene...please, wait! | 0:57:23 | 0:57:24 | |
Darlene... Darlene, please, wait... | 0:57:28 | 0:57:30 | |
Shut up! | 0:57:30 | 0:57:31 | |
Come on, we have to talk about this. You're my best friend. | 0:57:31 | 0:57:35 | |
Best friends?! | 0:57:35 | 0:57:36 | |
Best friends don't do that to best friends. | 0:57:36 | 0:57:39 | |
-Enjoying your stay, sir? -Oh, shut up. | 0:57:42 | 0:57:45 | |
OK, then. | 0:57:45 | 0:57:46 | |
I've known you since the third grade. | 0:57:50 | 0:57:53 | |
Just how long have you two been visitin' Sin City? | 0:57:53 | 0:57:56 | |
Twice...just two times, I swear to God, that's it. | 0:57:58 | 0:58:01 | |
What are you doin'? | 0:58:01 | 0:58:03 | |
-We need to talk! -Not now, Roy! | 0:58:03 | 0:58:05 | |
Can't you see I'm tryin' to console Darlene? | 0:58:05 | 0:58:08 | |
Oh, I don't want your consolin'. | 0:58:08 | 0:58:09 | |
That's your husband. He's the one who needs your consolin'! | 0:58:09 | 0:58:13 | |
Don't fight. | 0:58:13 | 0:58:14 | |
That's OK, you can go first. | 0:58:14 | 0:58:16 | |
Damn it, Roy! Show some backbone, will you? | 0:58:16 | 0:58:18 | |
Why are you mad at me? | 0:58:18 | 0:58:20 | |
Why yell at him? He's just tryin' to be nice. | 0:58:20 | 0:58:23 | |
-Shut up, whore! -Darlene. | 0:58:23 | 0:58:25 | |
Come on, hit me. | 0:58:25 | 0:58:26 | |
-What? -Hit me! I got it comin' to me. | 0:58:26 | 0:58:29 | |
-No. -It'll make you feel better. | 0:58:29 | 0:58:31 | |
-You'll hit me back. -Promise I won't. | 0:58:31 | 0:58:33 | |
-OK, come on! -Oh, my God! Lonnie Earl! | 0:58:33 | 0:58:36 | |
Get off me! | 0:58:36 | 0:58:38 | |
Get off him, you bastard! You hit him! | 0:58:38 | 0:58:40 | |
You hit me. | 0:58:40 | 0:58:41 | |
You sleep with my wife, then you hit me?! | 0:58:41 | 0:58:44 | |
Just a reflex action, that's all. | 0:58:44 | 0:58:46 | |
Folks, you really gotta keep it down... | 0:58:46 | 0:58:47 | |
GET THE FUCK OUT!! | 0:58:47 | 0:58:49 | |
Hold on! Hey, hey, hey, listen! | 0:58:50 | 0:58:52 | |
I got a great idea. OK? | 0:58:52 | 0:58:55 | |
I know how to fix everything. | 0:58:55 | 0:58:57 | |
Darlene and Roy have gotta sleep together. | 0:58:57 | 0:58:59 | |
It'll make it even. It's like a dealer trade-in. | 0:58:59 | 0:59:02 | |
You are such a sick fuck! | 0:59:02 | 0:59:03 | |
Have you finally lost your mind? | 0:59:03 | 0:59:05 | |
If I wanted a make-up fuck, it'd be with... | 0:59:05 | 0:59:08 | |
..Tony Orlando! | 0:59:08 | 0:59:09 | |
Jesus, help me, I feel so raw! | 0:59:09 | 0:59:12 | |
Like I haven't got any skin! | 0:59:12 | 0:59:14 | |
This is wrong! | 0:59:14 | 0:59:16 | |
-It's just wrong. -I know it's wrong. | 0:59:16 | 0:59:19 | |
If I could just wiggle my nose like Samantha on Bewitched | 0:59:19 | 0:59:22 | |
and make this all go away, Darlene, I would, I swear! | 0:59:22 | 0:59:25 | |
You'd probably call up Aunt Clara | 0:59:25 | 0:59:27 | |
and Lonnie Earl would fuck her too! | 0:59:27 | 0:59:29 | |
Hey, hey, whoa, whoa, honey, listen... | 0:59:29 | 0:59:31 | |
..listen...calm down... | 0:59:31 | 0:59:33 | |
-Don't tell me to calm down! -Calm down! | 0:59:33 | 0:59:35 | |
Let me go with you, and we'll talk. | 0:59:35 | 0:59:37 | |
I don't wanna be around you! | 0:59:37 | 0:59:39 | |
I don't wanna be around any of you! | 0:59:39 | 0:59:41 | |
-No... Darlene... -You'll need your eye drops. | 0:59:41 | 0:59:43 | |
My eyes are just fine. | 0:59:43 | 0:59:45 | |
They're just fine, I don't need 'em. | 0:59:45 | 0:59:47 | |
Everything's crystal clear. | 0:59:47 | 0:59:49 | |
Please don't go. Darlene, wait a minute. | 0:59:49 | 0:59:51 | |
SOBS | 0:59:51 | 0:59:52 | |
Hello? | 0:59:59 | 1:00:01 | |
This is definitely the shits! | 1:00:01 | 1:00:02 | |
I'm sorry, Roy. | 1:00:04 | 1:00:05 | |
You know what? | 1:00:05 | 1:00:07 | |
"Sorry" just ain't cuttin' it right now, Lonnie Earl. | 1:00:07 | 1:00:09 | |
Sugar kitten? | 1:00:12 | 1:00:14 | |
I mean, hell, I hope everybody's happy. | 1:00:14 | 1:00:16 | |
Friends? | 1:00:20 | 1:00:21 | |
Shit! Fuck! | 1:00:24 | 1:00:26 | |
Car number 5394, please. | 1:00:30 | 1:00:33 | |
Yes...you have a good day too. | 1:00:33 | 1:00:36 | |
Darlene, wait...you don't wanna leave like this. | 1:00:36 | 1:00:38 | |
Don't tell me what I want. | 1:00:38 | 1:00:40 | |
I'm sick and tired of people telling me what I wanna do! | 1:00:40 | 1:00:43 | |
God, I fucked up. I'm so sorry! We have to talk about this. | 1:00:43 | 1:00:48 | |
We're too close to throw away what we've got. | 1:00:48 | 1:00:51 | |
WHAT WE GOT?! | 1:00:51 | 1:00:52 | |
WE GOT A FUCKIN' MESS IS WHAT WE GOT! | 1:00:52 | 1:00:55 | |
And I had nothin' to do with it! | 1:00:55 | 1:00:58 | |
-Yes, you did. -Oh, excuse me? | 1:00:59 | 1:01:01 | |
You did have something to do with it, Darlene. | 1:01:01 | 1:01:04 | |
Hell, Lonnie Earl was cryin' for your attention, | 1:01:04 | 1:01:06 | |
and you refused to see it! | 1:01:06 | 1:01:08 | |
He came to me to talk about it, | 1:01:08 | 1:01:10 | |
and I was tryin' to be your friend, so I listened. | 1:01:10 | 1:01:14 | |
And before you knew it, he was spinnin' you like a helicopter. | 1:01:14 | 1:01:17 | |
You bitch! And you call yourself my friend? | 1:01:17 | 1:01:20 | |
Damn right I do. | 1:01:20 | 1:01:21 | |
In case you forgot, I tried to talk to you about it too. | 1:01:21 | 1:01:25 | |
And you kept tryin' to convince me and yourself | 1:01:25 | 1:01:28 | |
that everything was great, | 1:01:28 | 1:01:29 | |
that life was just one big bowl of cherries! | 1:01:29 | 1:01:32 | |
Oh, go away! | 1:01:32 | 1:01:33 | |
You know what? You're a fuckin' mole. | 1:01:33 | 1:01:35 | |
And I'm not talkin' about that thing on Cindy Crawford's lips, | 1:01:35 | 1:01:38 | |
I'm talking about them rodents | 1:01:38 | 1:01:40 | |
that bury themselves in the ground. | 1:01:40 | 1:01:42 | |
They got eyes, but can't see. | 1:01:42 | 1:01:44 | |
Come on, elevator! | 1:01:44 | 1:01:45 | |
Just go ahead. Just run away, Darlene, like you always do. | 1:01:45 | 1:01:49 | |
Just so you don't have to face anything. | 1:01:49 | 1:01:51 | |
Shut up! | 1:01:51 | 1:01:52 | |
You've got the world by its balls | 1:01:52 | 1:01:55 | |
and you don't even know it! | 1:01:55 | 1:01:56 | |
And you know why? | 1:01:56 | 1:01:59 | |
Because you're always throwing some goddamn | 1:01:59 | 1:02:02 | |
Darlene pity-party! | 1:02:02 | 1:02:04 | |
Mopin' around in those stupid overalls, | 1:02:04 | 1:02:06 | |
feelin' sorry for yourself. | 1:02:06 | 1:02:08 | |
Hidin' behind your kids! | 1:02:08 | 1:02:09 | |
God, you've got this prison built into your head, | 1:02:09 | 1:02:12 | |
and you're just living there. | 1:02:12 | 1:02:13 | |
Stop, now! | 1:02:13 | 1:02:15 | |
No! | 1:02:15 | 1:02:17 | |
Wake up, Darlene. | 1:02:17 | 1:02:19 | |
You've got a nice house, your bills are paid, | 1:02:19 | 1:02:22 | |
you've got healthy kids. | 1:02:22 | 1:02:24 | |
You've got friends who care about you, | 1:02:24 | 1:02:26 | |
if you only let them. | 1:02:26 | 1:02:27 | |
Damn it, you've got a husband who thinks | 1:02:27 | 1:02:29 | |
you're worth fightin' for. | 1:02:29 | 1:02:31 | |
He so desperately wants to find the woman he fell in love with. | 1:02:31 | 1:02:35 | |
Goddamn it, you could really enjoy life! | 1:02:35 | 1:02:38 | |
If you open your eyes, you'd see that I'm right. | 1:02:38 | 1:02:43 | |
All I'd see are your legs up over my husband's shoulders. | 1:02:43 | 1:02:47 | |
-Don't go there. -Ladies. | 1:02:50 | 1:02:52 | |
Only thing I'm still wondering is how a spoilt brat like you | 1:02:52 | 1:02:55 | |
fucked Lonnie Earl without your daddy's permission. | 1:02:55 | 1:02:57 | |
Arrgh! | 1:02:57 | 1:02:59 | |
MUFFLED SHOUTING | 1:02:59 | 1:03:02 | |
-Roy? Let's talk. -Oh, shut up! | 1:03:02 | 1:03:05 | |
Just a sec, I just came to tell you... | 1:03:08 | 1:03:11 | |
Stairs. | 1:03:11 | 1:03:13 | |
UP-TEMPO SURF MUSIC | 1:03:13 | 1:03:16 | |
CONFUSED SHOUTING | 1:03:19 | 1:03:22 | |
-Darlene, don't! -Let me go! | 1:03:24 | 1:03:26 | |
Get off of me, you bitch! | 1:03:28 | 1:03:30 | |
Oh...ow! Ow! Ow! Ow! | 1:03:31 | 1:03:33 | |
I hope that hurts you like you hurt me! | 1:03:33 | 1:03:36 | |
Arggh! Darlene! | 1:03:39 | 1:03:41 | |
Now, stop it! | 1:03:43 | 1:03:45 | |
Get up! CONFUSED SHOUTING | 1:03:45 | 1:03:48 | |
Let go of me! | 1:03:48 | 1:03:49 | |
-You let go of me. -Will you calm down? | 1:03:52 | 1:03:54 | |
Don't tell me to calm down! | 1:03:54 | 1:03:56 | |
Roy! Let go of me, put me down! | 1:03:56 | 1:03:59 | |
OH! I'm with child, you idiot! | 1:03:59 | 1:04:02 | |
Let go of that! | 1:04:02 | 1:04:04 | |
What are you...? Give me my wallet! | 1:04:04 | 1:04:06 | |
-Is this what you want? -No, honey, please... | 1:04:10 | 1:04:12 | |
-It's what I want. -Please, give me that! | 1:04:12 | 1:04:15 | |
She's the real deal, you know? | 1:04:28 | 1:04:31 | |
Aren't you gonna have the oysters? | 1:04:51 | 1:04:53 | |
They are aphrodilliacs, you know. | 1:04:54 | 1:04:56 | |
GIGGLES | 1:04:56 | 1:04:57 | |
So...can I buy you a real drink? | 1:05:02 | 1:05:05 | |
Yeah. Yeah, why not? | 1:05:07 | 1:05:10 | |
# You keep sayin' You've got something for me | 1:05:10 | 1:05:14 | |
# Something you call love But confess | 1:05:15 | 1:05:19 | |
# You've been messin' where you Shouldn't have been messin' | 1:05:21 | 1:05:26 | |
# And now someone else Is gettin' all of your best | 1:05:26 | 1:05:31 | |
# These boots are made For walkin' | 1:05:32 | 1:05:35 | |
# And that's just What they'll do | 1:05:35 | 1:05:37 | |
# One of these days these boots Are gonna walk all over you | 1:05:37 | 1:05:43 | |
# Yeah | 1:05:50 | 1:05:51 | |
# You keep lyin' When you oughta be truthin' | 1:05:53 | 1:05:57 | |
# And you keep losin' When you oughta not bet | 1:05:58 | 1:06:03 | |
# And you keep same-in' When you oughta be a-changin' | 1:06:04 | 1:06:09 | |
# What's right is right But you ain't been right yet | 1:06:09 | 1:06:14 | |
# These boots are made For walkin' | 1:06:15 | 1:06:18 | |
# And that's just What they'll do | 1:06:18 | 1:06:21 | |
# One of these days these boots Are gonna walk all over you | 1:06:21 | 1:06:26 | |
# Are ya ready, boots? | 1:06:32 | 1:06:34 | |
# Start walkin'... # | 1:06:34 | 1:06:37 | |
MUSIC SUBSIDES | 1:06:48 | 1:06:50 | |
TONY ORLANDO: Lay it on me. | 1:06:50 | 1:06:51 | |
-# My darlin'... AUDIENCE: -# Knock three times | 1:06:51 | 1:06:54 | |
# On the ceiling if you want me... # | 1:06:54 | 1:06:57 | |
Now you're talking. Keep those hands together now. | 1:06:57 | 1:06:59 | |
# Twice on the pipe if the answer is no | 1:06:59 | 1:07:05 | |
# Oh, my sweetness... BAND PLAYS TRIPLE BEAT | 1:07:05 | 1:07:08 | |
# Means you'll meet me in the hallway... # | 1:07:08 | 1:07:11 | |
Keep it comin', Reno. Come on, now. | 1:07:11 | 1:07:13 | |
# Twice on the pipe... AUDIENCE CLAPS TWICE | 1:07:13 | 1:07:15 | |
# Means you ain't gonna show... # | 1:07:15 | 1:07:19 | |
Oh, wait a second. | 1:07:19 | 1:07:21 | |
Don't tell me that beautiful lady's sittin' alone. | 1:07:21 | 1:07:24 | |
Whoo! | 1:07:24 | 1:07:25 | |
Welcome. AUDIENCE CLAPS IN RHYTHM | 1:07:27 | 1:07:29 | |
# Read how many times I saw you | 1:07:29 | 1:07:33 | |
# I can see your body swayin' | 1:07:33 | 1:07:36 | |
# You're one floor below me You don't even know me | 1:07:36 | 1:07:40 | |
# But I love you | 1:07:40 | 1:07:42 | |
# Oh, my darlin' | 1:07:42 | 1:07:44 | |
# Knock three times on the ceiling | 1:07:44 | 1:07:46 | |
# If you want me... # SINGING SUBSIDES | 1:07:46 | 1:07:48 | |
I can't take it any more. I can't be alone. | 1:07:48 | 1:07:51 | |
I'm gonna throw myself out to them women. | 1:07:51 | 1:07:53 | |
I gotta talk to somebody. You don't understand, Candy. | 1:07:53 | 1:07:56 | |
Ever since I was a kid, I didn't like being alone. | 1:07:56 | 1:07:59 | |
You've gotta talk to me. | 1:07:59 | 1:08:00 | |
Let me sit here just for a minute. Just talk to ya. | 1:08:00 | 1:08:03 | |
Swear to God, I won't try to get that monkey. Swear to God. | 1:08:03 | 1:08:07 | |
He's cheatin' on me. | 1:08:10 | 1:08:12 | |
-Huh? -Roy is cheatin' on me. | 1:08:12 | 1:08:14 | |
-What are you talkin' about? -Can you believe it? | 1:08:15 | 1:08:18 | |
That asshole. | 1:08:19 | 1:08:21 | |
I saw him dancin' with some Puerto Rican skank at the bar. | 1:08:22 | 1:08:26 | |
I know he is. | 1:08:26 | 1:08:28 | |
Did she have a hairy lower back? | 1:08:30 | 1:08:33 | |
Yeah. | 1:08:36 | 1:08:37 | |
Long black hair? | 1:08:37 | 1:08:39 | |
Uh-huh. | 1:08:40 | 1:08:41 | |
A little piece of deerskin covering her titties? | 1:08:41 | 1:08:44 | |
Yeah. | 1:08:44 | 1:08:45 | |
That ain't no big deal, | 1:08:46 | 1:08:48 | |
that's just this hooker that's working the bar down there. | 1:08:48 | 1:08:51 | |
Hooker? | 1:08:51 | 1:08:52 | |
CRIES: No! | 1:08:56 | 1:08:59 | |
I guess I said the wrong thing, didn't I? | 1:09:06 | 1:09:09 | |
He doesn't love me any more. | 1:09:12 | 1:09:14 | |
Oh, that's not true. | 1:09:14 | 1:09:16 | |
-Honey, he loves you. -No, he doesn't. | 1:09:16 | 1:09:19 | |
My Roy is bangin' a Puerto Rican hooker. | 1:09:19 | 1:09:23 | |
I doubt it. I think she's a lesbian anyway, hon. | 1:09:24 | 1:09:27 | |
She's not a lesbian. I saw her. | 1:09:27 | 1:09:31 | |
-Now, now... -SOBS | 1:09:31 | 1:09:33 | |
You wanna know why? | 1:09:33 | 1:09:35 | |
Cos we're shitty people, Lonnie Earl. | 1:09:36 | 1:09:40 | |
Oh, baby, we're not shitty people. | 1:09:40 | 1:09:42 | |
-We're not... -We are. | 1:09:42 | 1:09:44 | |
We're not either, baby. We're not shitty people. | 1:09:44 | 1:09:46 | |
-We're shitty people. -We're not. | 1:09:46 | 1:09:48 | |
I was here to talk about my problems... | 1:09:49 | 1:09:52 | |
-Jesus H... -You know, hon... | 1:09:52 | 1:09:53 | |
We're shitty people. | 1:09:53 | 1:09:55 | |
Why the hell did I come back? | 1:09:55 | 1:09:57 | |
Why don't you two get a room of your own? | 1:09:57 | 1:10:00 | |
Or should I wait in the hall till you're done? | 1:10:00 | 1:10:03 | |
Come in, Roy. We were just talkin' about you. | 1:10:03 | 1:10:05 | |
-Wasn't we, Candy? -SARCASTICALLY: -Oh, yeah. | 1:10:05 | 1:10:07 | |
Well... | 1:10:08 | 1:10:09 | |
..did you do her? | 1:10:11 | 1:10:12 | |
Do what? | 1:10:14 | 1:10:16 | |
Did you and your hot tamale Puerto Rican dancin' partner | 1:10:16 | 1:10:21 | |
do it?! | 1:10:21 | 1:10:22 | |
For your information, | 1:10:22 | 1:10:24 | |
she prefers to be called a lady of the night. | 1:10:24 | 1:10:27 | |
I don't care what she prefers to be called! | 1:10:27 | 1:10:30 | |
Goddamn it, Queen of Sheba, I don't fuckin' care! | 1:10:30 | 1:10:32 | |
-Did you do her?! -You wait a minute. | 1:10:32 | 1:10:34 | |
How dare you get your panties in a wad | 1:10:34 | 1:10:37 | |
when you two started this mess? | 1:10:37 | 1:10:39 | |
I'm just gonna go back to my room... | 1:10:39 | 1:10:41 | |
I thought you said you couldn't stand being alone. | 1:10:41 | 1:10:44 | |
Well, this ain't none of my business, really, you know. | 1:10:45 | 1:10:48 | |
Oh, the hell it ain't. | 1:10:48 | 1:10:50 | |
It became your business | 1:10:50 | 1:10:51 | |
when she pissed on that stick and turned it blue. | 1:10:51 | 1:10:54 | |
OK. I'll stay. | 1:10:54 | 1:10:55 | |
I'll sit here, and you can yell at me any time you want to. | 1:10:55 | 1:10:59 | |
Abuse me. | 1:10:59 | 1:11:01 | |
Roy... | 1:11:03 | 1:11:05 | |
..you have every reason to be mad at me. | 1:11:06 | 1:11:10 | |
But did you have to go and find some Puerto Rican skank | 1:11:12 | 1:11:17 | |
to get back at me? | 1:11:17 | 1:11:18 | |
Lord knows what kind of diseases she might have, | 1:11:18 | 1:11:21 | |
and now I'm gonna have 'em. | 1:11:21 | 1:11:22 | |
Sweetheart, get back at you? | 1:11:22 | 1:11:24 | |
I wasn't trying to get back at you, | 1:11:24 | 1:11:26 | |
I wasn't even thinkin' of you. | 1:11:26 | 1:11:28 | |
And do you have any idea how good that felt? | 1:11:29 | 1:11:32 | |
How much does a girl like that run you, Roy? | 1:11:32 | 1:11:35 | |
Goddamn it, Lonnie Earl, it's none of your business! | 1:11:35 | 1:11:37 | |
Well, I tried to leave. | 1:11:37 | 1:11:39 | |
I'll tell you. She didn't cost me a damn dime. | 1:11:41 | 1:11:44 | |
And you know why? | 1:11:44 | 1:11:46 | |
Cos she really liked me for me. | 1:11:46 | 1:11:48 | |
She...she thought I was a real good guy, you know. | 1:11:49 | 1:11:52 | |
And that I did not deserve | 1:11:52 | 1:11:54 | |
a wife and a best friend to do me the way you two did. | 1:11:54 | 1:11:58 | |
She thought that I deserved a hell of a lot more respect. | 1:11:58 | 1:12:01 | |
And, by God, she was right. | 1:12:02 | 1:12:04 | |
Cos I've had it up to here. | 1:12:04 | 1:12:06 | |
I'm sick and tired of being treated | 1:12:06 | 1:12:08 | |
like everybody's little punchin' bag. | 1:12:08 | 1:12:10 | |
I know you know what I'm talkin' about. | 1:12:10 | 1:12:12 | |
And I ain't gonna stand here and take it no more. | 1:12:12 | 1:12:16 | |
As of right now, | 1:12:16 | 1:12:17 | |
Roy Kirkendall is demandin' your utmost respect, | 1:12:17 | 1:12:19 | |
and he's gonna get it | 1:12:19 | 1:12:20 | |
or there's gonna be hell to pay, I promise you. | 1:12:20 | 1:12:23 | |
I'm gonna kick some ass and take some names. | 1:12:23 | 1:12:26 | |
-DARLENE: -I respect you, Roy. | 1:12:26 | 1:12:28 | |
Darlene, I've been worried sick about you, honey. | 1:12:30 | 1:12:32 | |
-Oh...my God. -Don't come near me. | 1:12:32 | 1:12:35 | |
You'll spoil my aura. | 1:12:35 | 1:12:36 | |
Your what? | 1:12:36 | 1:12:38 | |
Can't you see it? | 1:12:38 | 1:12:39 | |
It's all around me. It's a big old cloud of self-esteem. | 1:12:39 | 1:12:43 | |
And Tony Orlando gave it to me. | 1:12:43 | 1:12:45 | |
-LAUGHS: -Darlene...you... | 1:12:45 | 1:12:48 | |
-LAUGHS: -You look good enough to put in a JC Penney window. | 1:12:48 | 1:12:52 | |
Well, thank you, bubba. | 1:12:52 | 1:12:54 | |
You met Tony Orlando? | 1:13:04 | 1:13:06 | |
No... | 1:13:07 | 1:13:09 | |
..but he sang right to me. | 1:13:10 | 1:13:12 | |
You really did look pretty tonight, Darlene. | 1:13:17 | 1:13:20 | |
I actually felt pretty tonight, Candy. | 1:13:27 | 1:13:30 | |
Rise and shine. | 1:13:54 | 1:13:56 | |
2:15. Breakfast time. | 1:13:56 | 1:13:58 | |
Up, up, up, gentlemen. | 1:13:58 | 1:14:00 | |
Come on, out of bed, sleepy head. | 1:14:00 | 1:14:03 | |
Good morning, good morning! | 1:14:04 | 1:14:06 | |
Rise and shine. Feet on the floor. | 1:14:06 | 1:14:08 | |
Good morning, men. Wakey, wakey, hand off snakey. | 1:14:08 | 1:14:11 | |
I'm here on orders from Darlene Dodd. | 1:14:11 | 1:14:14 | |
Breakfast is being served. | 1:14:14 | 1:14:15 | |
Please join me, won't you? | 1:14:15 | 1:14:17 | |
Ms Candy, it's breakfast time. Won't you join us, please? | 1:14:17 | 1:14:22 | |
BOTH GROAN AND YAWN | 1:14:22 | 1:14:24 | |
Roy, you're gonna have the eggs Benedict. | 1:14:25 | 1:14:27 | |
Er...and eggs Florentine, | 1:14:27 | 1:14:29 | |
no coffee for the lady who is with child. | 1:14:29 | 1:14:32 | |
And this one is for... Let's see, how did she put it? | 1:14:32 | 1:14:35 | |
..um..."the whore-dog who sells cars in Millsberg". | 1:14:35 | 1:14:39 | |
Don't shoot the messenger. | 1:14:39 | 1:14:41 | |
OK. Bill's been taken care of. By you, Mr Dodd. | 1:14:41 | 1:14:44 | |
Yeah. I hope you've had a pleasant stay with us. | 1:14:44 | 1:14:48 | |
And I wish that I could say I hope you'll return soon, | 1:14:48 | 1:14:51 | |
but...I'd be lying. | 1:14:51 | 1:14:53 | |
OK. Goodbye. | 1:14:53 | 1:14:55 | |
Hang on a minute. | 1:14:55 | 1:14:56 | |
Oh, no, no. Please don't... give me your dollar. | 1:14:56 | 1:14:59 | |
I've been most pleasantly taken care of by...Darlene. | 1:14:59 | 1:15:04 | |
She's quite a woman. | 1:15:04 | 1:15:05 | |
All right. Whore-dog, all, good day. | 1:15:05 | 1:15:08 | |
I don't like that motherfucker. | 1:15:11 | 1:15:12 | |
I wasn't gonna tip the son of a bitch, anyway. | 1:15:12 | 1:15:14 | |
This says, "Meet me at the Monster Truck Jam." | 1:15:16 | 1:15:18 | |
LIVELY ROCKABILLY MUSIC | 1:15:18 | 1:15:21 | |
-ANNOUNCER: -The question I have to ask now - | 1:15:21 | 1:15:23 | |
is anybody ready to see some monster truck racing? | 1:15:23 | 1:15:26 | |
CROWD CHEERS WILDLY | 1:15:26 | 1:15:29 | |
OK. Let's do it! | 1:15:29 | 1:15:32 | |
Hey, baby. | 1:15:54 | 1:15:56 | |
Hey. | 1:15:56 | 1:15:58 | |
Just in time for the big event. | 1:15:58 | 1:16:00 | |
Whoo! | 1:16:02 | 1:16:04 | |
Wow. | 1:16:09 | 1:16:10 | |
Hey, that's impressive. | 1:16:14 | 1:16:15 | |
-ANNOUNCER: -Gonna have some monster truck action tonight! | 1:16:15 | 1:16:18 | |
Honey, I know I've been an asshole. | 1:16:18 | 1:16:20 | |
I swear to God I'm gonna do better. | 1:16:20 | 1:16:22 | |
It'd tear me to pieces if somethin' happened to us. | 1:16:22 | 1:16:25 | |
I'd rather get run over by them trucks than lose you. | 1:16:25 | 1:16:28 | |
-ANNOUNCER: -Ladies and gentlemen, | 1:16:28 | 1:16:29 | |
please welcome to Reno | 1:16:29 | 1:16:31 | |
the truck-chomping, Godzilla-of-beasts machine. | 1:16:31 | 1:16:34 | |
THEME FROM '2001: A SPACE ODYSSEY' PLAYS | 1:16:34 | 1:16:38 | |
Give it up, Reno, for Robosaurus! | 1:16:38 | 1:16:43 | |
MUSIC CONTINUES, CROWD APPLAUDS ENTHUSIASTICALLY | 1:16:43 | 1:16:46 | |
Whoo-hoo! | 1:16:51 | 1:16:52 | |
DANCE MUSIC PLAYS | 1:16:54 | 1:16:57 | |
So, what do you think, people? | 1:17:02 | 1:17:04 | |
Do we want him to bite that new car? | 1:17:04 | 1:17:06 | |
CROWD CHEERS AND CLAPS ENTHUSIASTICALLY | 1:17:06 | 1:17:09 | |
Whoo! | 1:17:10 | 1:17:11 | |
-GIGGLES: -Oh, no! | 1:17:14 | 1:17:16 | |
Go, baby! | 1:17:19 | 1:17:21 | |
LIVELY ROCKABILLY MUSIC | 1:17:29 | 1:17:31 | |
Lonnie Earl, so much for that Corinthian leather, huh? | 1:17:31 | 1:17:34 | |
-WHISTLES: -Go! | 1:17:47 | 1:17:49 | |
Whoo! | 1:17:49 | 1:17:50 | |
He's gonna eat it. | 1:17:57 | 1:17:59 | |
-CROWD CHANTS: -Chomp it! chomp it! | 1:17:59 | 1:18:01 | |
Oh, no! | 1:18:16 | 1:18:18 | |
Lonnie Earl, how are we gonna get home? | 1:18:19 | 1:18:21 | |
-ANNOUNCER: -Now, tonight's fully loaded, | 1:18:23 | 1:18:25 | |
dealer-exclusive offering was generously donated | 1:18:25 | 1:18:28 | |
by a Mr Lonnie Earl Dodd from Lonnie Earl Dodd Chevrolet! | 1:18:28 | 1:18:33 | |
If you can't trust Lonnie Earl, who can you trust? | 1:18:44 | 1:18:48 | |
Let's give it up for Lonnie Earl! | 1:18:48 | 1:18:51 | |
CROWD CHEERS WILDLY | 1:18:51 | 1:18:54 | |
DARLENE: I saw these two couples on The Jerry Springer Show | 1:19:02 | 1:19:05 | |
that screwed up a hell of a lot worse than we did. | 1:19:05 | 1:19:08 | |
I figured if they can make up by the end of the show, | 1:19:08 | 1:19:12 | |
in time, maybe we could too. | 1:19:12 | 1:19:13 | |
But I guess life isn't always that simple. | 1:19:15 | 1:19:18 | |
So we all decided we'd better leave what had happened | 1:19:18 | 1:19:21 | |
back in Reno. | 1:19:21 | 1:19:23 | |
While the baby issue still stuck in everyone's craw, | 1:19:23 | 1:19:26 | |
Roy said that if you had to drop two grand at a sperm bank | 1:19:26 | 1:19:30 | |
to buy some stranger's seed, | 1:19:30 | 1:19:31 | |
he thought it seemed better to get it from his best friend. | 1:19:31 | 1:19:35 | |
We all just wished Lonnie Earl had made the deposit in a cup. | 1:19:35 | 1:19:38 | |
Do you realise time heals all wounds? | 1:19:46 | 1:19:49 | |
And real friends endure tough times. | 1:19:49 | 1:19:52 | |
And that's what we are - real friends. | 1:19:52 | 1:19:56 | |
-CANDY: -Roy. | 1:19:57 | 1:19:58 | |
I wanted to tell you somethin'. | 1:20:03 | 1:20:05 | |
I love you. | 1:20:08 | 1:20:10 | |
ROY: I know. | 1:20:11 | 1:20:12 | |
No... I mean, I really love you. | 1:20:12 | 1:20:16 | |
# Love doesn't come With a contract | 1:20:34 | 1:20:40 | |
# You give me this I give you that | 1:20:41 | 1:20:47 | |
# It's scary business | 1:20:49 | 1:20:52 | |
# When your heart and soul is on the line | 1:20:52 | 1:20:56 | |
# Baby, why else would I be | 1:20:56 | 1:20:59 | |
# Standing round here so tongue-tied? | 1:20:59 | 1:21:03 | |
-# If I knew what I was doin' -# What I was doin' | 1:21:03 | 1:21:06 | |
-# I'd be doin' it right now -# Doin' it right now | 1:21:06 | 1:21:10 | |
# I would be the best I could | 1:21:10 | 1:21:13 | |
# Silver words out of my mouth | 1:21:13 | 1:21:17 | |
# Well, the words Might not be magic | 1:21:17 | 1:21:21 | |
# But they cut straight To the truth | 1:21:21 | 1:21:25 | |
# So if you need a lover And a friend | 1:21:25 | 1:21:30 | |
-# Baby, I'm... -# Baby, I'm... | 1:21:31 | 1:21:33 | |
# Baby, I'm in. # | 1:21:33 | 1:21:35 | |
DARLENE: Oh, and good news - Candy had a nine-pound baby boy, | 1:21:35 | 1:21:38 | |
the spittin' image of Roy. | 1:21:38 | 1:21:40 | |
Candy insisted they name him Gunther. | 1:21:40 | 1:21:43 | |
And after two more babies, there was no debatin' - | 1:21:43 | 1:21:46 | |
Roy's tadpoles were most definitely swimmin'. | 1:21:46 | 1:21:49 | |
As for us, Lonnie Earl finally agreed to see | 1:21:49 | 1:21:52 | |
that marriage counselllor in Little Rock. | 1:21:52 | 1:21:54 | |
And since then, things have been lookin' up. | 1:21:54 | 1:21:57 | |
I've been takin' a more active role in the family business. | 1:21:57 | 1:22:00 | |
You'd be surprised what it's done for my self-esteem, | 1:22:00 | 1:22:03 | |
not to mention our sales. | 1:22:03 | 1:22:04 | |
I guarantee you we won't be undersold by anybody. | 1:22:04 | 1:22:07 | |
If you can't trust Lonnie Earl... | 1:22:07 | 1:22:08 | |
..then you can trust Darlene. | 1:22:08 | 1:22:10 | |
Hi, I'm Darlene Dodd, invitin' you to come on down | 1:22:10 | 1:22:12 | |
to Lonnie Earl Dodd Chevrolet | 1:22:12 | 1:22:14 | |
where you'll find the best deals. | 1:22:14 | 1:22:16 | |
So swing by Lonnie Earl Dodd Dodge and Chevy, | 1:22:16 | 1:22:18 | |
and say hello to Ronnie the Rooster here. | 1:22:18 | 1:22:20 | |
Or try your luck with Trudie. | 1:22:20 | 1:22:22 | |
Right now, we've got a really great deal | 1:22:22 | 1:22:24 | |
on a used maroon Suburban, so come on over. | 1:22:24 | 1:22:27 | |
And just remember - if you can't trust Lonnie Earl, | 1:22:27 | 1:22:29 | |
you can trust Darlene. | 1:22:29 | 1:22:31 |