A Hard Day's Night

Line	From	To
# It's been a hard day's night	0:00:02	0:00:05
# And I've been workin' like a dog	0:00:05	0:00:08
# It's been a hard day's night	0:00:08	0:00:12
# I should be sleepin' like a log	0:00:12	0:00:15
# But when I get home to you	0:00:15	0:00:17
# I find the things that you do	0:00:17	0:00:19
# Will make me feel all right	0:00:19	0:00:22
# You know I work all day	0:00:22	0:00:25
# To get you money to buy you things	0:00:25	0:00:29
# And it's worth it just to hear you say	0:00:29	0:00:32
# You're gonna give me everything	0:00:32	0:00:35
# So why on earth should I moan?	0:00:35	0:00:37
# Cos when I get you alone	0:00:37	0:00:39
# You know I feel OK	0:00:39	0:00:42
# When I'm home	0:00:42	0:00:45
# Everything seems to be right	0:00:45	0:00:48
# When I'm home	0:00:49	0:00:51
# Feeling you holding me tight	0:00:51	0:00:54
# Tight, yeah	0:00:54	0:00:55
# It's been a hard day's night	0:00:55	0:00:59
# And I've been workin' like a dog	0:00:59	0:01:02
# It's been a hard day's night	0:01:02	0:01:05
# I should be sleepin' like a log	0:01:05	0:01:09
# But when I get home to you	0:01:09	0:01:11
# I find the things that you do	0:01:11	0:01:12
# Will make me feel all right	0:01:12	0:01:15
# Aah!	0:01:15	0:01:17
# So why on earth should I moan?	0:01:29	0:01:31
# Cos when I get you alone	0:01:31	0:01:33
# You know I feel OK	0:01:33	0:01:36
# When I'm home	0:01:36	0:01:38
# Everything seems to be right	0:01:38	0:01:42
# When I'm home	0:01:42	0:01:45
# Feeling you holding me tight	0:01:45	0:01:48
# Tight, yeah	0:01:48	0:01:50
# It's been a hard day's night	0:01:50	0:01:53
# And I've been workin' like a dog	0:01:53	0:01:57
# It's been a hard day's night	0:01:57	0:02:00
# I should be sleepin' like a log	0:02:00	0:02:04
# But when I get home to you	0:02:04	0:02:05
# I find the things that you do	0:02:05	0:02:07
# Will make me feel all right	0:02:07	0:02:10
# You know I feel all right	0:02:10	0:02:14
# You know I feel all right. #	0:02:14	0:02:16
CROWD SCREAMS	0:02:16	0:02:18
Hey, pardon me for askin',	0:02:55	0:02:57
but who's that little old man?	0:02:57	0:02:58
What little old man?	0:02:58	0:03:00
That little old man.	0:03:00	0:03:01
Oh, that one. That's my grandfather.	0:03:01	0:03:03
Your grandfather? Yeah.	0:03:03	0:03:05
That's not your grandfather.	0:03:05	0:03:08
PAUL: It is, you know.	0:03:08	0:03:09
But I've seen your grandfather.	0:03:09	0:03:10
He lives in your house.	0:03:10	0:03:11
Oh, that's my other grandfather,	0:03:11	0:03:13
but he's my grandfather as well.	0:03:13	0:03:14
How do you reckon that one out?	0:03:14	0:03:16
Well, everyone's entitled to two, aren't they?	0:03:16	0:03:18
And this is my other one.	0:03:18	0:03:19
We know that, but what's he doin' here?	0:03:19	0:03:21
Well, my mother thought the trip would do him good.	0:03:21	0:03:23
How's that?	0:03:23	0:03:24
He's nursin' a broken heart.	0:03:24	0:03:27
Ah, poor old thing.	0:03:27	0:03:29
Hey, mister, are you nursin' a broken heart?	0:03:29	0:03:31
He's a nice old man, isn't he?	0:03:34	0:03:37
He's very clean.	0:03:37	0:03:39
Hello, Grandfather.	0:03:45	0:03:47
Hello.	0:03:47	0:03:48
He can talk then, can he?	0:03:48	0:03:49
Of course he can talk. He's a human being, isn't he?	0:03:49	0:03:51
Well, if he's YOUR grandfather, who knows?	0:03:51	0:03:53
Ha-ha-ha.	0:03:53	0:03:54
And we're lookin' after him, are we?	0:03:55	0:03:57
I look after meself.	0:03:57	0:03:58
Yeah, that's what I'm afraid of.	0:03:58	0:04:00
He's got you worried, then?	0:04:00	0:04:01
Him, he's a villain, a real mixer,	0:04:01	0:04:03
and he costs you a fortune in breach of promise cases.	0:04:03	0:04:06
GEORGE: Get on. No, straight up.	0:04:06	0:04:08
Hiya.	0:04:08	0:04:09
- Hello, Shake. - Hello, Shake.	0:04:10	0:04:12
You got on all right, then?	0:04:12	0:04:14
No.	0:04:14	0:04:15
Oh? Well, we're here.	0:04:15	0:04:18
Norm'll be along in a minute with the tickets.	0:04:18	0:04:19
Hey, who's the little old man?	0:04:19	0:04:21
It's Paul's grandfather.	0:04:21	0:04:24
Oh, aye, but I thought...	0:04:24	0:04:26
No, that's his other one.	0:04:26	0:04:28
Oh, that's all right, then.	0:04:28	0:04:30
Clean, though, isn't he?	0:04:30	0:04:32
Oh, aye. He's very clean.	0:04:32	0:04:34
MAN: Mornin', lads.	0:04:34	0:04:35
Hi, Norm. Mornin', Norm.	0:04:35	0:04:37
Thank God you've all got here.	0:04:37	0:04:38
Now, look, I've had a marvellous idea.	0:04:38	0:04:40
Just for once, let's all try to behave	0:04:40	0:04:42
like ordinary respectable citizens.	0:04:42	0:04:44
NORM: Let's not cause any trouble,	0:04:44	0:04:45
pull any strokes,	0:04:45	0:04:46
or do anything I'm going to be sorry for,	0:04:46	0:04:48
especially tomorrow in that television theatre,	0:04:48	0:04:50
because...	0:04:50	0:04:52
Are you listening to me, Lennon?	0:04:52	0:04:54
You're a swine. Isn't he, George?	0:04:54	0:04:56
Yeah, a swine.	0:04:56	0:04:58
Thanks. Hey!	0:04:58	0:05:00
ALL: Who's that little old man?	0:05:00	0:05:02
Well, who is he?	0:05:02	0:05:04
He belongs to Paul.	0:05:04	0:05:06
Oh, well. I'm going down for a cup of coffee.	0:05:06	0:05:07
Anyone coming?	0:05:07	0:05:08
We'll follow you down.	0:05:08	0:05:10
I want me coffee.	0:05:10	0:05:11
Well, you can come with Shake and me, if you like.	0:05:11	0:05:13
Look after him. I don't want to find you've lost him.	0:05:13	0:05:15
Don't be cheeky. I'll bind him to me with promises.	0:05:15	0:05:20
Very clean, isn't he? Come 'ed, Grandad.	0:05:20	0:05:23
Make up your mind, will you?	0:05:25	0:05:27
Hello. Morning.	0:05:49	0:05:51
All right?	0:05:53	0:05:54
Whoa.	0:06:10	0:06:11
Do you mind if we have it open?	0:06:11	0:06:13
Yes, I do.	0:06:13	0:06:14
Yeah, well, there are four of us,	0:06:14	0:06:15
and we'd like it open, not if it's	0:06:15	0:06:16
all the same to you, that is.	0:06:16	0:06:18
It isn't. I travel on this train regularly,	0:06:19	0:06:22
twice a week,	0:06:22	0:06:23
so I suppose I have some rights.	0:06:23	0:06:25
So have we.	0:06:25	0:06:26
ROCK'N'ROLL PLAYS	0:06:31	0:06:34
And we'll have that thing off as well. Thank you.	0:06:34	0:06:36
MUSIC STOPS But...	0:06:36	0:06:38
An elementary knowledge of the Railway Acts	0:06:38	0:06:39
would tell you that I am perfectly within my rights.	0:06:39	0:06:41
PAUL: Yeah, but we want to hear it. There's more of us than you.	0:06:41	0:06:43
We're a community, a majority vote.	0:06:43	0:06:45
Up the workers and all that stuff.	0:06:45	0:06:46
Then I suggest you take that damn thing	0:06:46	0:06:48
into the corridor, or some other part of the train	0:06:48	0:06:50
where you obviously belong.	0:06:50	0:06:52
Give us a kiss.	0:06:52	0:06:55
Look, mister, we paid for our seats, too, you know.	0:06:55	0:06:57
I travel on this train regularly, twice a week.	0:06:57	0:07:00
Knock it off, Paul. You can't win with his sort.	0:07:00	0:07:01
After all, it's his train, isn't it, mister?	0:07:01	0:07:03
And don't take that tone with me, young man.	0:07:03	0:07:05
I fought the war for your sort.	0:07:05	0:07:07
I bet you're sorry you won.	0:07:07	0:07:08
I shall call the guard.	0:07:08	0:07:10
Ah, but what?	0:07:10	0:07:11
They don't take kindly to insults, you know.	0:07:11	0:07:13
Come on. Let's go and have some coffee	0:07:13	0:07:14
and leave the kennel to Lassie.	0:07:14	0:07:16
DOOR CLOSES	0:07:19	0:07:20
PAUL: Hey, mister, can we have our ball back?	0:07:20	0:07:22
PAUL: Look, mister! Mister!	0:07:26	0:07:28
Can we have our ball back?	0:07:28	0:07:30
JOHN: Hey!	0:07:30	0:07:31
PAUL: Please, mister!	0:07:31	0:07:33
You want to watch it. Well, it's not my fault.	0:07:37	0:07:39
You stick to that story, son.	0:07:39	0:07:40
I can't help it. I'm just taller than you are.	0:07:40	0:07:43
They always say that.	0:07:43	0:07:44
Well, I've got me eye on ya.	0:07:44	0:07:46
I'm sorry, Norm. I can't help being taller than you.	0:07:46	0:07:48
Well, don't rub it in!	0:07:48	0:07:50
I've a good mind to thump you, Shake.	0:07:50	0:07:51
Hey, if you're going to have a barney,	0:07:51	0:07:52
can I hold your coat? He started it.	0:07:52	0:07:54
I did not. You did.	0:07:54	0:07:55
Well, what happened?	0:07:55	0:07:56
The old fella said that,	0:07:56	0:07:57
could he have these pictures,	0:07:57	0:07:58
and Norm said, "No",	0:07:58	0:08:00
and all I said was, "Well, why not be big about it?"	0:08:00	0:08:02
And?	0:08:02	0:08:03
Your grandfather pointed out	0:08:03	0:08:04
that Shake was always being taller than me just to spite me.	0:08:04	0:08:07
I knew it. He started it.	0:08:07	0:08:08
PAUL: I should've known. NORM: You what?	0:08:08	0:08:10
You two have never had an argument in your life,	0:08:10	0:08:12
and in two minutes flat, he's got you at it.	0:08:12	0:08:14
He's a king mixer. He hates group unity,	0:08:14	0:08:16
so he gets everyone at it.	0:08:16	0:08:18
Well, I suggest you just give him the photos	0:08:18	0:08:20
and have done with it.	0:08:20	0:08:21
Oh, all right, you old devil. Here you are.	0:08:22	0:08:24
Hey, Pauly, would you ever sign one of them for us?	0:08:26	0:08:29
Ah, come 'ed, Shake.	0:08:29	0:08:31
JOHN: Hey, look at the talent.	0:08:39	0:08:41
Let's give 'em a pull.	0:08:41	0:08:42
Should I? Aye, but don't rush.	0:08:42	0:08:44
None of your five bar gate jumps and over sort of stuff.	0:08:44	0:08:46
What's that supposed to mean?	0:08:46	0:08:47
I don't know.	0:08:47	0:08:48
I thought it just sounded distinguished-like.	0:08:48	0:08:50
George Harrison, the Scouse of distinction.	0:08:50	0:08:52
Excuse me, madame.	0:08:52	0:08:53
Excuse me, but these young men I'm sitting with	0:08:56	0:08:58
wondered if two of us could come over and join you.	0:08:58	0:09:01
I'd ask you myself, only I'm shy.	0:09:01	0:09:03
I'm sorry, miss. You mustn't fraternise with me prisoners.	0:09:03	0:09:06
Prisoners? GRANDFATHER: Convict in transit.	0:09:06	0:09:08
Typical old lags, the lot of them. ALL: You what?	0:09:08	0:09:10
GRANDFATHER: Get out, ladies! Get out while you can!	0:09:10	0:09:13
He's been gone a long time.	0:09:17	0:09:18
Who? Paul's grandfather.	0:09:18	0:09:20
Oh, I didn't notice. Where'd he go?	0:09:20	0:09:22
Down the, er....	0:09:22	0:09:23
Oh, down the, er...	0:09:23	0:09:25
Yeah, down the, er...	0:09:25	0:09:26
Oh, well, give him a couple of minutes, then.	0:09:26	0:09:29
Hey, have you seen Paul's grandfather?	0:09:36	0:09:38
Of course. He's concealed about me person.	0:09:38	0:09:40
Now, he must've slipped off somewhere.	0:09:40	0:09:42
Have you lost him? Now, don't exaggerate.	0:09:42	0:09:44
You've lost him!	0:09:44	0:09:45
Look, put it this way, Pauly, he's mislaid him.	0:09:45	0:09:48
Honest, you can't trust you with anything, Norm.	0:09:48	0:09:50
If you've lost him, I'll cripple ya.	0:09:50	0:09:51
He can't have got far.	0:09:51	0:09:52
Come 'ed, let's look up the sharp end.	0:09:52	0:09:55
What's the matter with you, then?	0:09:55	0:09:57
It's his grandfather. I can tell he doesn't like me.	0:09:57	0:10:00
It's cos I'm little.	0:10:00	0:10:01
You've got an inferiority complex, you have.	0:10:01	0:10:03
Yeah, I know. That's why I play the drums.	0:10:03	0:10:05
It's me active compensatory factor.	0:10:05	0:10:07
Goin' in, then?	0:10:27	0:10:29
No, she'll only reject me in the end,	0:10:29	0:10:30
and I'll be frustrated.	0:10:30	0:10:31
You never know. You may be lucky this time.	0:10:31	0:10:33
No, I know the psychological pattern.	0:10:33	0:10:35
It plays havoc with me drum skins.	0:10:35	0:10:37
Excuse me. Have you seen that little old man we were with?	0:10:44	0:10:46
We've broken out. Oh, the blessed freedom of it all.	0:10:46	0:10:48
Have you got a nail file?	0:10:48	0:10:49
These handcuffs are killing me.	0:10:49	0:10:51
I was framed! I'm innocent!	0:10:51	0:10:52
I don't want to go!	0:10:52	0:10:54
Sorry for disturbing you, girls.	0:10:54	0:10:55
I bet you can't guess what I was in for.	0:10:55	0:10:58
Should we go in here?	0:11:01	0:11:02
No, it's probably a honeymoon couple	0:11:02	0:11:04
or a company director or something.	0:11:04	0:11:06
Well, I don't care. I'm going to broaden my outlook.	0:11:06	0:11:08
Congratulate me, boys. I'm engaged.	0:11:11	0:11:13
PAUL: Oh, no, you're not. Not this time.	0:11:13	0:11:16
And to think me own grandson	0:11:18	0:11:19
would've let them put me behind bars.	0:11:19	0:11:21
Don't dramatise. Let's face it,	0:11:21	0:11:22
you're lucky to be here.	0:11:22	0:11:24
If they'd have had their own way,	0:11:24	0:11:25
you would have been dropped off already.	0:11:25	0:11:27
Well, you've got to admit you upset a lot of people.	0:11:27	0:11:29
At least I can keep my eye on you	0:11:29	0:11:31
while you're stuck in here.	0:11:31	0:11:32
Shove up.	0:11:37	0:11:38
Odds or evens? Odds.	0:11:41	0:11:43
JOHN: Don't worry, son.	0:11:43	0:11:44
We'll get you the best lawyer green stamps can buy.	0:11:44	0:11:47
PAUL: Oh! It's a laugh a line with Lennon.	0:11:47	0:11:48
Anyway, it's your fault.	0:11:48	0:11:49
RINGO: Why me? Why not you?	0:11:49	0:11:51
JOHN: God, it's depressing in here, isn't it? Funny...	0:11:51	0:11:53
they usually reckon dogs	0:11:53	0:11:55
more than people in England.	0:11:55	0:11:56
You'd expect something more palatial.	0:11:56	0:11:58
Let's do somethin', then.	0:12:00	0:12:01
Like what?	0:12:01	0:12:02
Hmm.	0:12:02	0:12:04
OK.	0:12:04	0:12:06
GIRLS LAUGH	0:12:06	0:12:08
PAUL: Cor, there's the girls.	0:12:08	0:12:10
RINGO: I'll deal 'em.	0:12:10	0:12:12
JOHN: Aye aye, the Liverpool shuffle.	0:12:12	0:12:15
< Two for you, two for me, three for them.	0:12:15	0:12:17
# I...	0:12:22	0:12:25
# Should have known better with a girl like you	0:12:25	0:12:29
# That I would love everything that you do	0:12:29	0:12:32
# And I do	0:12:32	0:12:34
# Hey, hey, hey	0:12:34	0:12:36
# And I do	0:12:36	0:12:37
# Whoa, whoa, I...	0:12:39	0:12:43
# Never realised what a kiss could be	0:12:43	0:12:46
# This could only happen to me	0:12:46	0:12:50
# Can't you see, can't you see	0:12:50	0:12:55
# That when I tell you that I love you	0:12:55	0:12:59
# Oh	0:12:59	0:13:02
# You're gonna say you love me, too	0:13:02	0:13:07
# Oh	0:13:07	0:13:09
# And when I ask you to be mine	0:13:09	0:13:16
# You're gonna say you love me, too	0:13:16	0:13:20
# So, oh, I...	0:13:21	0:13:25
# Should have realised a lot of things before	0:13:25	0:13:29
# If this is love, you gotta give me more	0:13:29	0:13:33
# Give me more, hey, hey, hey	0:13:33	0:13:37
# Give me more	0:13:37	0:13:38
# Whoa, whoa, I...	0:13:57	0:14:01
# Never realised what a kiss could be	0:14:01	0:14:05
# This could only happen to me	0:14:05	0:14:08
# Can't you see, can't you see	0:14:08	0:14:13
# That when I tell you that I love you	0:14:13	0:14:18
# Oh	0:14:18	0:14:20
# You're gonna say you love me, too	0:14:20	0:14:26
# Oh	0:14:26	0:14:27
# And when I ask you to be mine	0:14:27	0:14:34
# You're gonna say you love me, too	0:14:34	0:14:39
# You love me, too	0:14:41	0:14:43
# You love me, too	0:14:43	0:14:46
# You love me, too... #	0:14:48	0:14:50
GEORGE: He's wearin' his lucky rings.	0:14:50	0:14:52
All mine.	0:14:52	0:14:53
JOHN: It won't buy you happiness, my son.	0:14:53	0:14:56
SCREAMING	0:14:56	0:14:58
Hey, don't move, any of you.	0:14:58	0:15:01
They've gone potty out there.	0:15:01	0:15:02
The place is surging with girls.	0:15:02	0:15:04
Please, sir, sir.	0:15:04	0:15:05
Can I have one to surge me, sir, please, sir?	0:15:05	0:15:07
No, you can't. Now listen. As soon as I tell you,	0:15:07	0:15:08
get out through this door there,	0:15:08	0:15:10
into that big car that's waiting.	0:15:10	0:15:12
GIRLS SCREAM	0:15:14	0:15:16
GIRLS SCREAM	0:15:20	0:15:22
Come 'ed, lads. Come 'ed!	0:15:22	0:15:24
TRAIN WHISTLE BLOWS	0:15:45	0:15:47
FANS SCREAM	0:16:11	0:16:13
PIANO PLAYS	0:16:17	0:16:19
I don't snore.	0:16:28	0:16:29
You do, repeatedly.	0:16:29	0:16:31
Do I snore, John?	0:16:31	0:16:32
Yeah, you're a window rattler, son.	0:16:32	0:16:34
That's just your opinion. Do I snore, Paul?	0:16:34	0:16:37
With a trombone hooter like yours,	0:16:37	0:16:39
it would be unnatural if you didn't.	0:16:39	0:16:40
Now, Pauly, don't mock the afflicted.	0:16:40	0:16:43
Oh, come off it. It's only a joke.	0:16:43	0:16:44
Ah, it may be a joke, but it's his nose.	0:16:44	0:16:47
GRANDFATHER: He can't help havin'	0:16:47	0:16:48
a hideous great hooter.	0:16:48	0:16:49
And the poor little head	0:16:49	0:16:51
tremblin' under the weight of it.	0:16:51	0:16:54
John, Paul, George, come 'ed.	0:16:54	0:16:55
NORM: Get at it.	0:16:55	0:16:56
Hello, the income tax have caught up with us at last.	0:16:58	0:17:00
None for me, then? Sorry.	0:17:00	0:17:03
This'll keep you busy.	0:17:05	0:17:07
It's your nose, you know.	0:17:07	0:17:08
Fans are funny that way.	0:17:08	0:17:10
They take a dislike to things.	0:17:10	0:17:11
They'll pick on a nose.	0:17:11	0:17:12
Ah, you pick on your own.	0:17:12	0:17:14
Hey, here.	0:17:14	0:17:15
Are those yours?	0:17:15	0:17:16
No, they're for Ringo.	0:17:16	0:17:18
Must've cost you a fortune in stamps, Ringo.	0:17:18	0:17:19
He comes from a large family.	0:17:19	0:17:21
Well.	0:17:21	0:17:23
What's Le Cirque Club?	0:17:24	0:17:27
"The management of Le Cirque Club	0:17:28	0:17:29
"takes pleasure in requesting the company	0:17:29	0:17:30
"of Mr Richard Starkey..." That's you.	0:17:30	0:17:32
"..to their gaming rooms -	0:17:32	0:17:33
"chemin de fer, baccarat, and champagne buffet."	0:17:33	0:17:36
They want me?	0:17:36	0:17:37
JOHN: It's got around you're a big spender.	0:17:37	0:17:39
Well, you're not goin'. Aw.	0:17:39	0:17:41
Quite right. Invites to gamblin' dens	0:17:41	0:17:43
full of easy money and fast women,	0:17:43	0:17:45
chicken sandwiches and cornets of caviar.	0:17:45	0:17:47
Disgustin'.	0:17:47	0:17:49
That's mine.	0:17:49	0:17:50
Come 'ed, you lot. Get your pens out.	0:17:50	0:17:51
Why? It's homework time	0:17:51	0:17:53
for you load of college puddings.	0:17:53	0:17:54
I want this lot answered tonight.	0:17:54	0:17:56
- Yeah, right. - I want to go out.	0:17:56	0:17:58
Now, I'll brook no denial.	0:17:58	0:18:00
You couldn't get a pen in your foot, you swine.	0:18:00	0:18:02
Oh, chatter on, son. Chatter on.	0:18:02	0:18:04
A touch of the writer's cramp	0:18:04	0:18:05
will soon sort you out.	0:18:05	0:18:07
Come 'ed, Shake.	0:18:07	0:18:08
Ta ta, then.	0:18:10	0:18:11
See ya.	0:18:11	0:18:13
JOHN HUMS AND CHUCKLES	0:18:14	0:18:16
Where are you goin', then?	0:18:16	0:18:17
Well, he told us to stay, didn't he?	0:18:17	0:18:19
Come 'ed!	0:18:19	0:18:20
Right. ALL MUMBLE	0:18:20	0:18:23
Couldn't we get a taxi?	0:18:23	0:18:25
PAUL AND RINGO: No, we couldn't get a taxi.	0:18:25	0:18:27
LAUGHTER	0:18:27	0:18:29
KNOCK AT DOOR Come in.	0:18:29	0:18:31
I'll clear up, sir.	0:18:32	0:18:33
Yeah.	0:18:33	0:18:35
# I wanna be your man	0:18:47	0:18:49
# I wanna be your man	0:18:49	0:18:51
# I wanna be your man	0:18:51	0:18:54
# I wanna be your man	0:18:54	0:18:57
# Tell me that you love me, baby	0:18:57	0:18:59
# Let me understand	0:18:59	0:19:02
# Tell me that you love me, baby	0:19:02	0:19:04
# I wanna be your man	0:19:04	0:19:06
# I wanna be your lover, baby	0:19:06	0:19:09
# I wanna be your man	0:19:09	0:19:11
# I wanna be your lover, baby	0:19:11	0:19:14
# I wanna be your man	0:19:14	0:19:16
# I wanna be your man	0:19:16	0:19:19
# I wanna be your man	0:19:19	0:19:21
# I wanna be your man	0:19:21	0:19:23
# I wanna be your man... #	0:19:23	0:19:26
Wow! Wow!	0:19:26	0:19:27
DEALER: Banco.	0:19:27	0:19:29
MAN: Banco. Suivais.	0:19:29	0:19:31
MAN: Banco.	0:19:31	0:19:33
WOMAN: Suivais.	0:19:33	0:19:36
Alors, monsieur.	0:19:36	0:19:38
Souffle.	0:19:38	0:19:41
I bet you're a great swimmer.	0:19:42	0:19:45
My turn?	0:19:45	0:19:46
Bingo.	0:19:46	0:19:48
Pas bingo, monsieur. Banco.	0:19:48	0:19:50
Ah, I'll take the little darlings, anyway.	0:19:50	0:19:53
two and one is three, carry one is four.	0:19:53	0:19:55
Huit...	0:19:55	0:19:58
et sept.	0:19:58	0:20:00
# I can't believe that she would leave me on my own	0:20:01	0:20:07
# It's just not right when every night I'm all alone	0:20:07	0:20:13
# I've got no time for you right now	0:20:13	0:20:15
# Don't bother me	0:20:15	0:20:18
# I know I'll never be the same	0:20:18	0:20:24
# If I don't get her back again	0:20:24	0:20:29
# Because I know she'll always be	0:20:29	0:20:36
# The only girl for me... #	0:20:36	0:20:40
Bingo.	0:21:08	0:21:10
# Close your eyes and I'll kiss you	0:21:10	0:21:13
# Tomorrow I'll miss you	0:21:13	0:21:16
# Remember I'll always be true	0:21:16	0:21:21
# And then while I'm away	0:21:22	0:21:24
# I'll write home every day	0:21:24	0:21:28
# And I'll send all my lovin' to you	0:21:28	0:21:33
# I'll pretend that I'm kissing	0:21:33	0:21:37
# The lips I am missing	0:21:37	0:21:40
# And hope that my dreams will come true	0:21:40	0:21:45
# And then while I'm away	0:21:45	0:21:48
# I'll write home every day	0:21:48	0:21:52
# And I'll send all my lovin' to you	0:21:52	0:21:57
# All my lovin'	0:21:57	0:22:00
# I will send to you	0:22:00	0:22:03
# All my lovin', darlin', I'll be true	0:22:03	0:22:09
# Close your eyes and I'll kiss you	0:22:21	0:22:25
# Tomorrow I'll miss you	0:22:25	0:22:28
# Remember I'll always be true	0:22:28	0:22:33
# And then while I'm away	0:22:33	0:22:36
# I'll write home every day	0:22:36	0:22:40
# And I'll send all my lovin' to you. #	0:22:40	0:22:45
VOICES IN HALLWAY	0:22:45	0:22:47
The manager.	0:22:47	0:22:49
ALL TALK AT ONCE	0:22:54	0:22:56
Now, come 'ed, you lot. Get on with it.	0:22:56	0:22:58
We were gonna do 'em, but, you know.	0:22:58	0:22:59
Aye. Well, now, now, now.	0:22:59	0:23:01
Hey, any of you lot put a man in the cupboard?	0:23:05	0:23:09
A man? Don't be soft.	0:23:09	0:23:10
Well, somebody did.	0:23:10	0:23:12
He's right, you know.	0:23:24	0:23:26
There you go.	0:23:26	0:23:27
Hey, er... hey, what's all this?	0:23:31	0:23:34
PAUL: Oh, him. He's been lurking.	0:23:34	0:23:36
He looks a right lurker, doesn't he?	0:23:36	0:23:38
You're undressed. Where are your clothes?	0:23:38	0:23:39
The old gentleman.	0:23:39	0:23:41
He borrowed them to go gambling at Le Cirque.	0:23:41	0:23:43
He's gone to my club, has he?	0:23:43	0:23:45
Yeah! It's all your fault.	0:23:45	0:23:46
What?	0:23:46	0:23:47
Gettin' invites to gambling clubs and all that.	0:23:47	0:23:49
He's probably in the middle of some orgy by now.	0:23:49	0:23:51
An orgy? Orgy! Ha-ha-ha!	0:23:51	0:23:53
But what about me?	0:23:53	0:23:54
You're too old.	0:23:54	0:23:55
Encore de champagne, monsieur?	0:23:56	0:23:58
Oh, yeah. And I'll have some more champagne, as well.	0:23:58	0:24:01
Lord John McCartney, millionaire Irish peer.	0:24:02	0:24:04
Filthy rich, of course.	0:24:04	0:24:06
Well, I don't know. He looks quite clean to me.	0:24:06	0:24:08
Come 'ed, you lot. Try to act with a bit of decorum.	0:24:08	0:24:10
This is a posh place.	0:24:10	0:24:12
PAUL: We know how to behave. We've had lessons.	0:24:12	0:24:14
I'm sorry, sir. Members and invited guests only.	0:24:14	0:24:16
Aye. Well, er...	0:24:16	0:24:17
Oh, yes.	0:24:17	0:24:19
I'm with them.	0:24:22	0:24:23
I'm Ringo's sister.	0:24:23	0:24:26
Excuse me. Have you got a little old man here?	0:24:26	0:24:28
Do you mean Lord McCartney?	0:24:28	0:24:29
Oh, he's at it again.	0:24:29	0:24:30
Look, I'm his grandfather. I mean...	0:24:30	0:24:32
WOMAN: Oh, it must be the dolly floor show.	0:24:32	0:24:34
GRANDFATHER: Put me down!	0:24:34	0:24:35
Who are these ruffians? I never saw them before.	0:24:35	0:24:37
MANAGER: Before you go, gentlemen,	0:24:37	0:24:39
there's a little matter of the bill.	0:24:39	0:24:40
I'll take care of that.	0:24:40	0:24:42
£180?	0:24:42	0:24:45
I beg your pardon - guineas.	0:24:45	0:24:46
WAITER: Your winnings, My Lord -	0:24:46	0:24:47
£190.	0:24:47	0:24:48
Ha!	0:24:48	0:24:50
What about me change?	0:24:50	0:24:51
Cloak room charge.	0:24:51	0:24:52
Ah, well, easy come, easy go.	0:24:52	0:24:54
Well?	0:24:54	0:24:56
Guten morgen, mein Herr.	0:25:04	0:25:07
HE SPEAKS GERMAN	0:25:07	0:25:09
HE IMITATES AN ENGINE	0:25:09	0:25:12
Ah, ze filthy Englander. Guten morgen.	0:25:12	0:25:14
Keep Britain tiny.	0:25:14	0:25:16
Aw, go on, George. Don't be ridiculous.	0:25:16	0:25:18
But you said I could.	0:25:18	0:25:19
Honestly, me mind boggles at the very idea.	0:25:19	0:25:22
A grown man, and you haven't shaved with a safety razor.	0:25:22	0:25:24
It's not my fault.	0:25:24	0:25:26
I come from a long line of electricians.	0:25:26	0:25:27
Well, you're not practising on me.	0:25:27	0:25:29
All right, then. But show us.	0:25:29	0:25:31
Oh, come on, then.	0:25:31	0:25:33
Aah hee hee ho!	0:25:33	0:25:36
Ooh.	0:25:36	0:25:37
HE GASPS	0:25:49	0:25:51
# Rule, Britannia	0:25:51	0:25:52
# Britannia rules the... #	0:25:52	0:25:53
Put your tongue away. It looks disgusting	0:25:58	0:26:00
hanging there all pink and naked.	0:26:00	0:26:02
One slip of the razor, and...	0:26:02	0:26:04
Ooh!	0:26:04	0:26:05
JOHN HUMS "Deutschland Uber Alles"	0:26:05	0:26:07
Help! Ich! Headphones! Help me!	0:26:10	0:26:13
Help! HE BLOWS BUBBLES	0:26:13	0:26:15
Torpedoed again, eh?	0:26:15	0:26:18
Come on, lads. There's a car waiting	0:26:18	0:26:20
to take you to the studio.	0:26:20	0:26:21
Hey, where's John? In the bath.	0:26:21	0:26:23
All right, Lennon, let's have you.	0:26:23	0:26:25
Come on, John. Stop larking about.	0:26:29	0:26:32
John? John?	0:26:38	0:26:41
John? John?	0:26:41	0:26:44
What are you messing around with that boat for?	0:26:46	0:26:48
There's a car waiting. Come on.	0:26:48	0:26:51
Ready, John? As soon as we draw up,	0:26:54	0:26:56
open that door and straight in.	0:26:56	0:26:57
GIRLS SHRIEK	0:26:57	0:26:59
We can't keep them waiting much longer.	0:27:11	0:27:13
I knew they'd be late.	0:27:13	0:27:14
Oh, here they are. Boys, come on.	0:27:14	0:27:15
Where have you been?	0:27:15	0:27:16
It's your press conference we're arranging.	0:27:16	0:27:18
NORM: All right. Give us a couple of shakes	0:27:18	0:27:20
to get our breath, will you?	0:27:20	0:27:22
JOHN: Hey, I've got a suit just like him, you know.	0:27:22	0:27:24
MAN: Ringo. Yeah.	0:27:24	0:27:26
I don't like the handkerchief.	0:27:26	0:27:27
I always have the handkerchief in me trouser pocket.	0:27:27	0:27:29
You can't blow your nose on it up there, can you?	0:27:29	0:27:30
MAN: No, you can't.	0:27:30	0:27:31
CROWD CHATTERS	0:27:31	0:27:33
REPORTER: How about highbrow music?	0:28:11	0:28:13
GEORGE: I've always liked that question.	0:28:13	0:28:15
JOHN: I never noted his nose	0:28:15	0:28:16
till about six months ago.	0:28:16	0:28:18
GEORGE: And me mother asked me before we left for America	0:28:18	0:28:20
if we wanted any sandwiches.	0:28:20	0:28:22
JOHN: And when I plugged her in, she just blew up.	0:28:22	0:28:24
Tell me - how did you find America?	0:28:31	0:28:34
Turn left at Greenland.	0:28:34	0:28:35
Has success changed your life?	0:28:35	0:28:37
Yes.	0:28:37	0:28:38
I'd like to keep Britain tidy.	0:28:38	0:28:40
Are you a mod or a rocker?	0:28:40	0:28:42
Um, no, I'm a mocker.	0:28:42	0:28:44
Oh.	0:28:44	0:28:45
Have you any hobbies?	0:28:45	0:28:47
No. Actually, we're just good friends.	0:28:53	0:28:55
Do you think these haircuts have come to stay?	0:28:55	0:28:58
Well, this one has, you know.	0:28:58	0:28:59
It's stuck on good and proper now.	0:28:59	0:29:01
Frightfully nice.	0:29:01	0:29:03
What would you call that hairstyle you're wearing?	0:29:03	0:29:06
Arthur.	0:29:06	0:29:07
No. Actually, we're just good friends.	0:29:07	0:29:09
No, they're brown, aren't they?	0:29:09	0:29:11
What do you call that collar?	0:29:11	0:29:13
Oh.	0:29:13	0:29:14
A collar. Oh.	0:29:14	0:29:16
Do you often see your father?	0:29:16	0:29:18
No. Actually, we're just good friends.	0:29:18	0:29:19
How do you like your girlfriends to dress?	0:29:19	0:29:24
Ha-ha!	0:29:24	0:29:25
CONVERSATION INAUDIBLE	0:29:28	0:29:30
JOHN: What a drag that was.	0:29:45	0:29:47
GEORGE: I'm starving.	0:29:47	0:29:48
Didn't even get a jam butty, did you?	0:29:48	0:29:51
Anything left?	0:29:51	0:29:53
We've just finished, Pauly.	0:29:54	0:29:57
Hey, George, give us your John Henry	0:29:57	0:29:58
on that picture.	0:29:58	0:30:00
Hey, look at that.	0:30:00	0:30:02
PAUL: Is that our set down there?	0:30:02	0:30:03
GEORGE: Shall we go down, have a go? RINGO: Yeah.	0:30:03	0:30:05
Trees and everything.	0:30:05	0:30:06
JOHN: There's a lot of fellas for one set.	0:30:06	0:30:09
Look, it's a bird.	0:30:10	0:30:12
Just passing through, like.	0:30:15	0:30:17
MAN: Where are they?	0:30:18	0:30:19
SECOND MAN: On the stage, down here.	0:30:19	0:30:20
CHATTERING	0:30:20	0:30:22
Leave them drums alone.	0:30:33	0:30:34
MAN: Oh, surely I could just have a little touch.	0:30:34	0:30:36
You so much as breathe heavy on them,	0:30:36	0:30:37
and I'm out on strike.	0:30:37	0:30:39
Aren't you being rather arbitrary?	0:30:39	0:30:41
There you go, hiding behind a smoke screen	0:30:41	0:30:43
of bourgeois cliches.	0:30:43	0:30:44
I don't go messing about	0:30:44	0:30:45
with your earphones, do I?	0:30:45	0:30:47
Spoilsport.	0:30:47	0:30:48
Well?	0:30:48	0:30:49
He's very fussy about his drums, you know.	0:30:51	0:30:53
They loom large in his legend.	0:30:53	0:30:56
What's up? Oh, he's sulking again.	0:30:56	0:30:58
JOHN: Ha-ha-ha! I'll show him.	0:30:58	0:31:00
# If I fell in love with you	0:31:00	0:31:02
# Would you promise to be true	0:31:02	0:31:05
# And help me	0:31:05	0:31:08
# Understand	0:31:08	0:31:09
# Cos I've been in love before	0:31:09	0:31:12
# And I found that love was more	0:31:12	0:31:14
# Than just holding hands	0:31:14	0:31:18
# If I give my heart	0:31:18	0:31:23
# To you	0:31:23	0:31:25
# I must be sure	0:31:25	0:31:27
# From the very start	0:31:27	0:31:32
# That you	0:31:32	0:31:34
# Would love me more than her	0:31:34	0:31:39
# If I trust in you	0:31:41	0:31:45
# Oh, please	0:31:45	0:31:48
# Don't run and hide	0:31:48	0:31:50
# If I love you, too	0:31:50	0:31:54
# Oh, please	0:31:54	0:31:57
# Don't hurt my pride like her	0:31:57	0:32:01
# Cos I couldn't stand the pain	0:32:01	0:32:05
# And I	0:32:05	0:32:07
# Would be sad if our new love	0:32:07	0:32:12
# Was in vain	0:32:12	0:32:14
# So I hope you'll see	0:32:14	0:32:19
# That I	0:32:19	0:32:21
# Would love to love you	0:32:21	0:32:24
# And that she	0:32:24	0:32:28
# Will cry	0:32:28	0:32:30
# When she learns we are two	0:32:30	0:32:34
# Cos I couldn't stand the pain	0:32:34	0:32:39
# And I	0:32:39	0:32:41
# Would be sad if our new love	0:32:41	0:32:46
# Was in vain	0:32:46	0:32:48
# So I hope you see	0:32:48	0:32:52
# That I	0:32:52	0:32:55
# Would love to love you	0:32:55	0:32:58
# And that she	0:32:58	0:33:01
# Will cry	0:33:01	0:33:04
# When she learns we are two	0:33:04	0:33:08
# If I fell in love with you. #	0:33:08	0:33:12
Pardon...pardon me. Excuse me. Pardon me.	0:33:19	0:33:20
More - I'd like more drums there.	0:33:20	0:33:22
No. I think it's on that...	0:33:22	0:33:23
It sounds like a...	0:33:23	0:33:25
On the third bit. You know, on the third bit.	0:33:25	0:33:26
Third bit, more bang.	0:33:26	0:33:28
Right. Let's hear no more about it.	0:33:31	0:33:33
You're probably right.	0:33:33	0:33:35
Now, look...	0:33:35	0:33:37
if you think I'm unsuitable, let's have it out in the open.	0:33:37	0:33:39
I can't stand these backstage politics.	0:33:39	0:33:41
Aren't you tending	0:33:41	0:33:42
to black and white the situation somewhat?	0:33:42	0:33:43
Well, quite honestly,	0:33:43	0:33:44
I wasn't expecting a musical arranger	0:33:44	0:33:46
to question my ability picture-wise.	0:33:46	0:33:49
I could listen to him for hours.	0:33:49	0:33:50
What's all this about a musical arranger?	0:33:50	0:33:52
Mr McCartney senior.	0:33:52	0:33:54
Hey, Pauly, they're trying to fob you off	0:33:54	0:33:56
with this musical charlatan,	0:33:56	0:33:58
but I gave him the test.	0:33:58	0:33:59
DIRECTOR: I'm quite happy to be replaced.	0:33:59	0:34:01
GRANDFATHER: He's a typical buck-passer.	0:34:01	0:34:04
I won an award.	0:34:04	0:34:05
JOHN: A likely story.	0:34:05	0:34:06
It's on the wall in my office.	0:34:06	0:34:08
Hello, our lot. Everybody happy?	0:34:10	0:34:12
All right, all right. If you don't need them,	0:34:15	0:34:17
I'll lock them up in the dressing room.	0:34:17	0:34:19
Please do. I'll not need them for half an hour.	0:34:19	0:34:21
Thank you.	0:34:21	0:34:23
Get me a bottle of milk and some tranquillisers.	0:34:23	0:34:26
I see it all now. It's a plot...	0:34:26	0:34:28
a plot.	0:34:28	0:34:29
Tranquillisers.	0:34:31	0:34:32
Come 'ed, you lot. I've got the key.	0:34:32	0:34:34
Come 'ed, Ringo.	0:34:41	0:34:43
Uhh.	0:34:44	0:34:45
Hello. Come on.	0:34:47	0:34:49
Leslie Jackson?	0:34:49	0:34:50
I saw your father in the Old Empire	0:34:50	0:34:52
in nineteen hundred and nine.	0:34:52	0:34:53
Ah, if you're as good as him, son,	0:34:53	0:34:55
you're all right.	0:34:55	0:34:57
Gear costume.	0:35:14	0:35:16
Swap? Cheeky.	0:35:16	0:35:18
NORM: Come 'ed, lads. First door, and no messing about.	0:35:21	0:35:24
Lennon, put them girls down,	0:35:24	0:35:25
or I'll tell your mother of you. And stop messing about.	0:35:25	0:35:29
Stay in here until that rehearsal.	0:35:29	0:35:30
NORM: I'm going to keep you in, even if I have to put	0:35:30	0:35:32
the lock in the key and turn it.	0:35:32	0:35:33
We're out!	0:35:33	0:35:35
# Can't buy me love	0:35:35	0:35:39
# Love	0:35:39	0:35:40
# Can't buy me love	0:35:40	0:35:44
# I'll buy you a diamond ring, my friend	0:35:44	0:35:46
# If it makes you feel all right	0:35:46	0:35:49
# I'll get you anything, my friend	0:35:49	0:35:52
# If it makes you feel all right	0:35:52	0:35:54
# Cos I don't care too much for money	0:35:54	0:35:57
# Money can't buy me love	0:35:57	0:36:00
# I'll give you all I've got to give	0:36:00	0:36:02
# If you say you love me, too	0:36:02	0:36:05
# I may not have a lot to give	0:36:05	0:36:08
# But what I got I'll give to you	0:36:08	0:36:11
# I don't care too much for money	0:36:11	0:36:14
# Money can't buy me love	0:36:14	0:36:15
# Can't buy me love	0:36:15	0:36:19
# Everybody tells me so	0:36:19	0:36:21
# Can't buy me love	0:36:21	0:36:25
# No, no, no	0:36:25	0:36:26
# No	0:36:26	0:36:27
# Say you don't need no diamond rings	0:36:27	0:36:30
# And I'll be satisfied	0:36:30	0:36:33
# Tell me that you want the kind of things	0:36:33	0:36:35
# That money just can't buy	0:36:35	0:36:38
# I don't care too much for money	0:36:38	0:36:41
# Money can't buy me love	0:36:41	0:36:43
# Ow!	0:36:43	0:36:45
# Can't buy me love	0:37:01	0:37:04
# Everybody tells me so	0:37:04	0:37:06
# Can't buy me love	0:37:06	0:37:09
# No, no, no	0:37:09	0:37:10
# No	0:37:10	0:37:12
# Say you don't need no diamond rings	0:37:12	0:37:15
# And I'll be satisfied	0:37:15	0:37:18
# Tell me that you want the kind of things	0:37:18	0:37:20
# That money just can't buy	0:37:20	0:37:23
# I don't care too much for money	0:37:23	0:37:26
# Money can't buy me love	0:37:26	0:37:28
# Can't buy me love	0:37:28	0:37:32
# Love	0:37:32	0:37:33
# Can't buy me love. #	0:37:33	0:37:38
MAN: I suppose you realise this is private property.	0:37:40	0:37:45
Sorry we hurt your field, mister.	0:37:45	0:37:48
Not here. Hello, Dicky.	0:37:53	0:37:55
Probably gone to the canteen -	0:37:55	0:37:56
cup of tea, like.	0:37:56	0:37:57
No, that's too easy for Lennon.	0:37:57	0:38:00
He's out there somewhere causing trouble	0:38:00	0:38:02
just to upset me.	0:38:02	0:38:04
You're imagining it, Norm.	0:38:04	0:38:05
You're letting it prey on your mind.	0:38:05	0:38:07
No. This is a battle of nerves	0:38:07	0:38:08
between John and me.	0:38:08	0:38:09
But John hasn't got any.	0:38:09	0:38:10
What?	0:38:10	0:38:11
Nerves.	0:38:11	0:38:13
No. That's just the trouble.	0:38:13	0:38:15
I've toyed with the idea of a ball and chain,	0:38:15	0:38:18
but he'd just rattle them at me -	0:38:18	0:38:19
and in public, too.	0:38:19	0:38:21
Sometimes I think he enjoys seeing me suffer.	0:38:21	0:38:23
Hello. Hello.	0:38:28	0:38:30
Oh, wait a minute. Don't tell me...	0:38:30	0:38:31
No, I'm not. Oh, you are.	0:38:31	0:38:33
I'm not. Oh, you are. I know you are.	0:38:33	0:38:34
I'm not. No.	0:38:34	0:38:37
You look just like him.	0:38:37	0:38:38
Do I?	0:38:38	0:38:40
You're the first one that's said that ever.	0:38:40	0:38:42
Yes, you do. Look.	0:38:42	0:38:43
No. Me eyes are lighter.	0:38:45	0:38:46
Excuse me. All right, Noddy.	0:38:46	0:38:47
Oh, yes. Me nose.	0:38:47	0:38:48
Yes. Your nose is, very. Is it?	0:38:48	0:38:51
Well, I would've said so.	0:38:51	0:38:52
Oh, you know him better, though.	0:38:52	0:38:53
I do not. He's only a casual acquaintance.	0:38:53	0:38:55
That's what you say.	0:38:55	0:38:56
What have you heard?	0:38:56	0:38:58
It's all over the place.	0:38:58	0:39:00
Is it? Is it really?	0:39:00	0:39:01
Mmm, but I wouldn't have it. I stuck up for you.	0:39:01	0:39:03
I knew I could rely on you.	0:39:03	0:39:05
Thanks.	0:39:05	0:39:06
You don't look like him at all.	0:39:11	0:39:13
She looks more like him than I do.	0:39:19	0:39:23
PA: 'There will be a full rehearsal	0:39:25	0:39:26
'in ten minutes' time.	0:39:26	0:39:28
'ten minutes from now, a full rehearsal.'	0:39:28	0:39:31
DOLLY: Oh, there you are.	0:39:37	0:39:38
Oh, sorry. Must've made a mistake.	0:39:38	0:39:40
No, you haven't. You're just late.	0:39:40	0:39:41
I am?	0:39:41	0:39:42
Actually, I think he'll be very pleased with you.	0:39:42	0:39:44
Will he?	0:39:44	0:39:45
Yes. You're quite a feather in the cap.	0:39:45	0:39:47
Hello?	0:39:49	0:39:51
I've got one.	0:39:51	0:39:52
Oh, I think so.	0:39:54	0:39:55
Yes, he can talk.	0:39:57	0:40:00
Well, I think you ought to see him.	0:40:00	0:40:03
Yes. All right.	0:40:03	0:40:04
Come on.	0:40:09	0:40:10
Sorry.	0:40:10	0:40:12
You don't see many of these nowadays, do you?	0:40:15	0:40:18
IT RATTLES	0:40:18	0:40:19
DOLLY: Come on.	0:40:19	0:40:20
Simon, will this do?	0:40:22	0:40:24
Oh, not bad, Dolly - not really bad.	0:40:24	0:40:26
Turn around, chicky baby.	0:40:26	0:40:28
SIMON: Oh, yes, he's a definite poss.	0:40:28	0:40:29
He'll look good alongside Susan.	0:40:29	0:40:31
All right, Sonny Jim,	0:40:31	0:40:32
this is all going to be quite painless.	0:40:32	0:40:33
Don't breathe on me, Adrian.	0:40:33	0:40:34
GEORGE: I'm terribly sorry,	0:40:34	0:40:35
but there seems to be some sort of misunderstanding.	0:40:35	0:40:38
Oh, you can come off it with us.	0:40:38	0:40:39
You don't have to do all the old adenoidal glottal stop	0:40:39	0:40:41
and carry on for our benefit.	0:40:41	0:40:43
I'm afraid I don't understand.	0:40:43	0:40:45
Oh, my God. He's a natural.	0:40:45	0:40:46
Well, I did tell them	0:40:46	0:40:47
not to send us real ones.	0:40:47	0:40:49
Well, they ought to know by now	0:40:49	0:40:50
the phonies are much easier to handle.	0:40:50	0:40:51
Still, he's a good type.	0:40:51	0:40:53
We'd like you to give us your opinion	0:40:53	0:40:56
on some clothes for teenagers.	0:40:56	0:40:58
Oh, by all means.	0:40:58	0:41:00
I'd be quite prepared for that eventuality.	0:41:00	0:41:02
Well, not your real opinion, naturally.	0:41:02	0:41:04
It'll be written out, and you'll learn it. Can he read?	0:41:04	0:41:06
Of course I can. I mean lines, ducky.	0:41:06	0:41:08
Can you handle lines?	0:41:08	0:41:09
Well, I'll have a bash. Good.	0:41:09	0:41:11
Give him whatever it is they drink.	0:41:11	0:41:12
A coke-a-rama?	0:41:12	0:41:14
Ta.	0:41:14	0:41:15
Well, at least he's polite.	0:41:15	0:41:17
Show him the shirts, Adrian.	0:41:17	0:41:19
SIMON: Now, you'll like these.	0:41:23	0:41:24
You'll really dig them.	0:41:24	0:41:26
They're fab and all the other pimply hyperboles.	0:41:26	0:41:29
I wouldn't be seen dead in them.	0:41:30	0:41:32
They're dead grotty.	0:41:32	0:41:33
Grotty? Yeah. Grotesque.	0:41:33	0:41:35
Make a note of that word and give it to Susan.	0:41:35	0:41:39
It's rather touching, really.	0:41:39	0:41:40
Here's this kid	0:41:40	0:41:41
trying to give me his utterly valueless opinion	0:41:41	0:41:43
when I know for a fact that within a month	0:41:43	0:41:45
he'll be suffering from a violent inferiority complex	0:41:45	0:41:48
and loss of status	0:41:48	0:41:49
because he isn't wearing one of these nasty things.	0:41:49	0:41:51
Of course they're grotty, you wretched nit.	0:41:51	0:41:54
That's why they were designed,	0:41:54	0:41:55
but that's what you'll want. I won't.	0:41:55	0:41:57
You can be replaced, chicky baby. I don't care.	0:41:57	0:41:59
And that pose is out, too, Sonny Jim.	0:41:59	0:42:01
The new thing is to care passionately	0:42:01	0:42:03
and be right wing.	0:42:03	0:42:05
Anyway, if you don't cooperate,	0:42:05	0:42:06
you won't meet Susan.	0:42:06	0:42:07
And who's this Susan when she's at home?	0:42:07	0:42:09
Only Susan Campy our resident teenager.	0:42:09	0:42:13
You'll have to love her. She's your symbol.	0:42:13	0:42:15
Oh, you mean that posh bird who gets everything wrong?	0:42:15	0:42:18
I beg your pardon.	0:42:18	0:42:20
Oh, yeah, the lads frequently	0:42:20	0:42:21
sit round the television and watch her for a giggle.	0:42:21	0:42:24
In fact, once we all sat down and wrote these letters	0:42:24	0:42:26
saying how gear she was and all that rubbish.	0:42:26	0:42:28
She's a trendsetter. It's her profession.	0:42:28	0:42:30
She's a drag - a well-known drag.	0:42:30	0:42:33
We turn the sound down on her	0:42:33	0:42:34
and say rude things.	0:42:34	0:42:35
Get him out of here.	0:42:35	0:42:36
Have I said something amiss? Get him out.	0:42:36	0:42:38
He's knocking the programme's image.	0:42:38	0:42:40
Sorry about the shirts.	0:42:40	0:42:41
Get him out!	0:42:41	0:42:43
You don't think he's a new phenomenon, do you?	0:42:45	0:42:47
You mean an early clue to the new direction?	0:42:47	0:42:49
HE SNAPS FINGERS Where's the calendar?	0:42:49	0:42:52
Oh, no, no, no, no. It's all right.	0:42:53	0:42:55
He's just a troublemaker.	0:42:55	0:42:56
The change isn't due for three weeks yet.	0:42:56	0:42:58
All the same, make a note not to extend Susan's contract.	0:42:58	0:43:00
And let's not take any unnecessary chances...hmm?	0:43:00	0:43:04
HE SINGS IN GERMAN	0:43:04	0:43:06
SINGING CONTINUES	0:43:12	0:43:15
GIRL: So I explained to my mother	0:43:15	0:43:16
that he was a very clean man.	0:43:16	0:43:18
She was quite pleased.	0:43:18	0:43:20
CHORUS SINGS IN GERMAN	0:43:35	0:43:37
FOOTSTEPS	0:43:47	0:43:50
NORM: There's no-one here.	0:43:50	0:43:51
SHAKE: No-one here?	0:43:51	0:43:52
Well, where have they gone?	0:43:52	0:43:54
MOTOR REVS	0:43:56	0:43:58
MAN AND WOMAN SING LONG, HIGH NOTE	0:43:58	0:44:02
BOTH SING AND STOP	0:44:06	0:44:08
That's wrong, isn't it?	0:44:09	0:44:10
Surely, that's wrong. No, not you.	0:44:10	0:44:12
DIRECTOR OVER PA: 'Get him out!'	0:44:12	0:44:14
There's someone coming. Quick, hide.	0:44:19	0:44:22
Stop being taller than me.	0:44:25	0:44:26
It's not my... Shh!	0:44:26	0:44:29
JOHN: Ha ha ha ha!	0:44:29	0:44:31
What are you doing here? Hiding.	0:44:31	0:44:33
You must be soft or something.	0:44:33	0:44:34
Well, we weren't hiding. We were resting.	0:44:34	0:44:36
I thought I told you lot to stop here.	0:44:36	0:44:38
RINGO: Well?	0:44:38	0:44:39
When I say stay put, I mean stay put.	0:44:39	0:44:41
Don't cane me, sir. I was led astray.	0:44:41	0:44:43
Oh, shut up, John.	0:44:43	0:44:44
They're waiting for you in the studio.	0:44:44	0:44:46
Gear. I'm dying to do a bit of work.	0:44:46	0:44:48
NORM: Well, God bless you, Ringo.	0:44:48	0:44:49
Oh, listen to teacher's pet.	0:44:49	0:44:50
- Crawler. - Betrayed the class, eh?	0:44:50	0:44:52
Aw, lay off.	0:44:52	0:44:53
Temper, temper. Well?	0:44:53	0:44:54
Will you get a move on? They're waiting for you.	0:44:54	0:44:56
Sorry.	0:44:56	0:44:57
IN A WOMAN'S VOICE: I now declare this bridge open.	0:44:59	0:45:03
DIRECTOR: Where are they, hmm?	0:45:04	0:45:07
Where are they? Where are they?	0:45:07	0:45:11
They're coming.	0:45:11	0:45:12
Hmm?	0:45:12	0:45:13
They're coming, I promise you.	0:45:13	0:45:14
Aha. Yes, well...	0:45:14	0:45:16
if they aren't on this floor in 30 seconds,	0:45:16	0:45:18
there'll be trouble.	0:45:18	0:45:19
Understand me?	0:45:19	0:45:21
Trouble.	0:45:21	0:45:22
Standing about, eh?	0:45:25	0:45:26
Some people have it dead easy.	0:45:26	0:45:29
Once you're over 30, you're past it.	0:45:29	0:45:31
It's a young man's medium.	0:45:31	0:45:33
I just can't stand the pace.	0:45:33	0:45:34
RINGO: Oh, you're as young as that, then? I was.	0:45:34	0:45:36
JOHN: Ah, there he goes.	0:45:36	0:45:38
Look at him. I bet his wife doesn't know about her.	0:45:38	0:45:39
He hasn't even got a wife. Look at his sweater.	0:45:39	0:45:42
PAUL: You never know. She might've knitted it.	0:45:42	0:45:43
JOHN: She's knitted him.	0:45:43	0:45:45
DIRECTOR: 'Right. Stand-by. Run through a number	0:45:45	0:45:47
'and try not to jiggle out of position.'	0:45:47	0:45:50
Hello, three? Coming to you.	0:45:50	0:45:52
Three. Three, coming to you. Three.	0:45:52	0:45:54
MAN: 'We're on three.'	0:45:54	0:45:55
What? 'We're on three.'	0:45:55	0:45:56
Oh, yes.	0:45:56	0:45:57
DIRECTOR: 'Uh, music.'	0:45:57	0:45:59
# I give her all my love	0:46:08	0:46:12
# That's all I do	0:46:12	0:46:17
# And if you saw my love	0:46:17	0:46:21
# You'd love her, too	0:46:21	0:46:24
# I love her	0:46:24	0:46:27
# She gives me everything	0:46:30	0:46:34
# And tenderly	0:46:34	0:46:38
# The kiss my lover brings	0:46:38	0:46:42
# She brings to me	0:46:42	0:46:45
# And I love her	0:46:45	0:46:48
# A love like ours	0:46:51	0:46:55
# Could never die	0:46:55	0:47:00
# As long as I	0:47:00	0:47:02
# Have you near me	0:47:02	0:47:05
# Bright are the stars that shine	0:47:08	0:47:12
# Dark is the sky	0:47:12	0:47:17
# I know this love of mine	0:47:17	0:47:21
# Will never die	0:47:21	0:47:24
# And I love her	0:47:24	0:47:27
# Bright are the stars that shine	0:47:51	0:47:56
# Dark is the sky	0:47:56	0:48:00
# I know this love of mine	0:48:00	0:48:04
# Will never die	0:48:04	0:48:07
# And I love her. #	0:48:07	0:48:10
DIRECTOR: 'Thank you. Very nice.'	0:48:29	0:48:31
Make-up?	0:48:31	0:48:32
No, not really. They don't need any.	0:48:32	0:48:33
They'll just powder them off for the shine.	0:48:33	0:48:35
Oh, well, yes. Norm, would you take them down to make-up	0:48:35	0:48:37
and powder them off - the shine.	0:48:37	0:48:39
Sure.	0:48:39	0:48:40
You blinked.	0:48:43	0:48:44
NORM: Come on. Come 'ed.	0:48:44	0:48:45
Hello, lads.	0:48:45	0:48:46
Hey, your grandfather's not talking to me.	0:48:46	0:48:47
I think he's got a sulk on.	0:48:47	0:48:48
It must be catching on. He's given it to Ringo here.	0:48:48	0:48:50
Stop picking on him, George.	0:48:50	0:48:51
I don't need you to protect me, you know, Norm.	0:48:51	0:48:53
Got a touch of the swine fever, haven't you?	0:48:53	0:48:54
No. Come on, lads. Sit down.	0:48:54	0:48:55
This is impossible. We'll never get them all done in time.	0:48:55	0:48:58
Then you will have to do us first.	0:48:58	0:48:59
It doesn't matter to them whether they're made up or not.	0:48:59	0:49:01
By the way, what's that?	0:49:01	0:49:03
My name's Betty.	0:49:03	0:49:05
Do you want a punch up your frogged tunic?	0:49:05	0:49:07
No.	0:49:07	0:49:08
John, behave yourself, or I'll murder you.	0:49:08	0:49:10
Shake, take that wig off. It suits you.	0:49:10	0:49:13
Ringo, what are you up to?	0:49:13	0:49:15
Page five.	0:49:15	0:49:17
JOHN: You always fancied yourself	0:49:17	0:49:18
as a guardsman, didn't you?	0:49:18	0:49:19
Oh, that this too, too solid flesh would melt.	0:49:19	0:49:22
Zap!	0:49:22	0:49:23
Hey, you won't interfere	0:49:23	0:49:24
with the basic rugged concept	0:49:24	0:49:25
of me personality, will you, madam?	0:49:25	0:49:27
Hey, he's reading the Queen.	0:49:29	0:49:31
That's an in-joke, you know.	0:49:31	0:49:32
Shazam!	0:49:32	0:49:34
It's my considered opinion that you're a bunch of sissies.	0:49:34	0:49:36
You're just jealous.	0:49:36	0:49:38
NORM: Leave him alone, Lennon,	0:49:38	0:49:39
or I'll tell them all the truth about you.	0:49:39	0:49:41
You wouldn't.	0:49:41	0:49:42
Oh, I would, though.	0:49:42	0:49:44
Lookit, I thought I was supposed to be getting	0:49:44	0:49:45
a change of scenery,	0:49:45	0:49:46
and so far, I've been in a train and a room	0:49:46	0:49:49
and a car and a room and a room and a room.	0:49:49	0:49:51
GRANDFATHER: Well, maybe that's all right	0:49:51	0:49:52
for a bunch of powdered gewgaws like you lot,	0:49:52	0:49:54
but I'm feeling decidedly straight-jacketed.	0:49:54	0:49:57
What a clean old man.	0:49:57	0:49:59
Ah, don't press your luck.	0:49:59	0:50:00
JOHN: He's sex obsessed.	0:50:00	0:50:01
The older generation are leading this country	0:50:01	0:50:03
to galloping ruin.	0:50:03	0:50:04
What's a pretty girl like you	0:50:07	0:50:08
doing in a place like this?	0:50:08	0:50:11
They're nearly ready for you, lads.	0:50:12	0:50:13
Just finishing the band call.	0:50:13	0:50:14
PIANO MUSIC PLAYS	0:50:14	0:50:15
I say, did you go to Harrods?	0:50:15	0:50:17
I was there in '58, you know.	0:50:17	0:50:19
I can get you on the stage.	0:50:19	0:50:20
Oh, how?	0:50:20	0:50:21
You turn right here at the corridor	0:50:21	0:50:22
and go past the fireplace.	0:50:22	0:50:25
Ah, I don't like yours.	0:50:29	0:50:31
PIANO PLAYS "I'm Happy Just To Dance With You"	0:50:31	0:50:34
HE PLAYS ALONG	0:50:50	0:50:52
JOHN: Hey, kids, I got an idea.	0:51:00	0:51:01
Well, why don't we do the show right here? Yeah!	0:51:01	0:51:03
JOHN: Two, three, four...	0:51:05	0:51:06
# Before this dance is through	0:51:13	0:51:15
# I think I'll love you, too	0:51:15	0:51:17
# I'm so happy when you dance with me	0:51:17	0:51:20
# I don't want to kiss or hold your hand	0:51:20	0:51:24
# If it's funny, try and understand	0:51:24	0:51:28
# There is really nothing else I'd rather do	0:51:28	0:51:31
# Cos I'm happy just to dance with you	0:51:31	0:51:35
# I don't need to hug or hold you tight	0:51:35	0:51:39
# I just want to dance with you all night	0:51:39	0:51:42
# In this world there's nothing I would rather do	0:51:42	0:51:46
# Cos I'm happy just to dance with you	0:51:46	0:51:50
# Just to dance with you	0:51:50	0:51:52
# Is everything I need	0:51:54	0:51:56
# Oh, oh	0:51:56	0:51:58
# Before this dance is through	0:51:58	0:51:59
# I think I'll love you, too	0:51:59	0:52:01
# I'm so happy when you dance with me	0:52:01	0:52:05
# If somebody tries to take my place	0:52:05	0:52:08
# Let's pretend we just can't see his face	0:52:08	0:52:12
# In this world there's nothing I would rather do	0:52:12	0:52:16
# Cos I'm happy just to dance with you	0:52:16	0:52:20
# Just to dance with you	0:52:20	0:52:22
# Oh	0:52:22	0:52:23
# Is everything I need	0:52:23	0:52:26
# Oh, oh	0:52:26	0:52:27
# Before this dance is through	0:52:27	0:52:29
# I think I'll love you, too	0:52:29	0:52:31
# I'm so happy when you dance with me	0:52:31	0:52:35
# If somebody tries to take my place	0:52:35	0:52:38
# Let's pretend we just can't see his face	0:52:38	0:52:42
# In this world there's nothing I would rather do	0:52:42	0:52:45
# I've discovered I'm in love with you	0:52:45	0:52:50
# Oh, oh	0:52:50	0:52:51
# Cos I'm happy just to dance with you	0:52:51	0:52:55
# Oh, oh	0:52:55	0:52:57
# Oh, oh	0:52:57	0:52:59
# Oh. #	0:52:59	0:53:00
JOHN: Oh.	0:53:00	0:53:01
Very good, that, George.	0:53:01	0:53:03
# Oh... # Oh.	0:53:03	0:53:04
Well, we're trying.	0:53:04	0:53:06
JOHN: Yeah, keep trying.	0:53:06	0:53:07
Let's go. Go on.	0:53:07	0:53:08
NORM: That was great, lads.	0:53:08	0:53:09
Now, you've got about an hour,	0:53:09	0:53:10
but don't leave the theatre.	0:53:10	0:53:12
Where are you going, John?	0:53:12	0:53:13
She's going to show me her stamp collection.	0:53:13	0:53:15
PAUL: So's mine.	0:53:15	0:53:16
NORM: John, I'm talking to you.	0:53:16	0:53:17
This final run-through is important, understand?	0:53:17	0:53:19
Important.	0:53:19	0:53:20
Oink! Oink!	0:53:20	0:53:22
I want a cup of tea.	0:53:23	0:53:25
Uh, Shake?	0:53:25	0:53:26
Um, I've got to adjust the decibels	0:53:26	0:53:28
on the imbalance, Norm.	0:53:28	0:53:29
Clever. George?	0:53:29	0:53:30
- Ringo, look after him, will you? - Oh, hey, Norm.	0:53:31	0:53:34
Do I have to raise my voice?	0:53:34	0:53:36
All right. Come on, Grandad.	0:53:36	0:53:39
RINGO: I'm a drummer, not a wet nurse, you know.	0:53:39	0:53:42
GRANDFATHER: Would you look at him...	0:54:03	0:54:05
sitting there with his hooter	0:54:05	0:54:07
scraping away at that book.	0:54:07	0:54:08
Well, what's the matter with that?	0:54:08	0:54:11
Have you no natural resources of your own?	0:54:11	0:54:13
Have they even robbed you of that?	0:54:13	0:54:15
You can learn from books.	0:54:15	0:54:17
You can, can you?	0:54:17	0:54:18
Ahh. Sheeps' heads.	0:54:18	0:54:21
You could learn more by getting out there and living.	0:54:21	0:54:22
Out where?	0:54:22	0:54:24
Any old where.	0:54:24	0:54:26
But not our little Richard.	0:54:26	0:54:27
Oh, no.	0:54:27	0:54:29
When you're not thumping them pagan skins,	0:54:29	0:54:31
you're tormenting your eyes with that rubbish.	0:54:31	0:54:33
Books are good.	0:54:33	0:54:35
Parading's better.	0:54:35	0:54:36
Parading?	0:54:36	0:54:38
Parading the streets,	0:54:38	0:54:41
trailing your coat, bowling along -	0:54:41	0:54:43
living!	0:54:43	0:54:44
Well, I am living.	0:54:44	0:54:46
You? Living?	0:54:46	0:54:48
When was the last time you gave a girl	0:54:48	0:54:49
a pink-edged daisy?	0:54:49	0:54:51
When did you last embarrass a Sheila	0:54:51	0:54:53
with your cool, appraising stare?	0:54:53	0:54:57
You're a bit old for that sort of chat, aren't you?	0:54:57	0:54:59
Well, at least I've got a backlog of memories.	0:54:59	0:55:01
All you've got is... that book.	0:55:01	0:55:04
Ah, stop picking on me.	0:55:04	0:55:05
You're as bad as the rest of them.	0:55:05	0:55:06
Ah, so you are a man after all.	0:55:06	0:55:09
What's that mean?	0:55:09	0:55:11
Do you think I haven't noticed?	0:55:11	0:55:13
Do you think I wasn't aware of the drift?	0:55:13	0:55:16
You poor, unfortunate scruff.	0:55:16	0:55:18
They've driven you into books	0:55:19	0:55:21
with their cruel, unnatural treatment.	0:55:21	0:55:23
Exploiting your good nature.	0:55:23	0:55:25
I don't know.	0:55:25	0:55:27
Ah, sure. That lot's never happier	0:55:27	0:55:28
unless they're jeering you.	0:55:28	0:55:30
And where would they be	0:55:30	0:55:31
without the steady support of your drumbeat?	0:55:31	0:55:33
That's what I'd like to know.	0:55:33	0:55:35
Yeah. That's right.	0:55:35	0:55:36
And what's it all come to in the end?	0:55:38	0:55:41
Yeah. What's in it for me?	0:55:41	0:55:43
A book.	0:55:43	0:55:44
Yeah, a bloomin' book.	0:55:45	0:55:47
When you could be out there	0:55:47	0:55:48
betraying a rich American widow,	0:55:48	0:55:50
or sipping palm wine in Tahiti	0:55:50	0:55:52
before you're too old like me.	0:55:52	0:55:54
Yeah, funny, really, cos I never thought,	0:55:54	0:55:57
but being middle-aged and old	0:55:57	0:55:59
takes up most of your time, doesn't it?	0:55:59	0:56:00
You're only right.	0:56:00	0:56:02
Where are you going?	0:56:05	0:56:06
I'm going parading before it's too late.	0:56:06	0:56:09
Eh, Ringo, you know what just happened to me?	0:56:19	0:56:21
No, I don't.	0:56:21	0:56:22
You ought to stop looking so scornful.	0:56:23	0:56:25
It's twisting your face.	0:56:25	0:56:27
Tell him of the story about...	0:56:28	0:56:30
Hello, here he is, the middle-aged boy wonder.	0:56:30	0:56:32
I thought you were looking after the old man.	0:56:32	0:56:33
We've only got half an hour to the final run-through.	0:56:36	0:56:38
He can't walk out on us now.	0:56:38	0:56:39
Can't he? He's done it, son.	0:56:39	0:56:41
Eh, you know what happened?	0:56:41	0:56:42
We know.	0:56:42	0:56:43
Your grandfather. He's stirred him up.	0:56:43	0:56:45
He hasn't.	0:56:45	0:56:46
Yeah, he... he filled his head	0:56:46	0:56:47
with notions seemingly.	0:56:47	0:56:49
The old mixer. Come on, we'll have to put him right.	0:56:49	0:56:52
PA: 'Coming up, all dancers onstage for rehearsal.'	0:56:52	0:56:54
JOHN: Split up and look for him.	0:56:59	0:57:01
We've become a limited company.	0:57:06	0:57:08
I'll look in here again.	0:57:09	0:57:11
Aah! Aah!	0:57:27	0:57:29
Hello there.	0:57:57	0:57:58
Get out of it, shorty.	0:57:58	0:58:00
Hey, you should have more sense	0:59:03	0:59:04
than to go around chucking bricks about.	0:59:04	0:59:06
Southerner.	0:59:06	0:59:08
Here, mate. That's my hoop.	0:59:11	0:59:12
Stop playing with it.	0:59:12	0:59:13
Hoop? That isn't a hoop. It's a lethal weapon.	0:59:13	0:59:15
Have you got a licence for it? Oh, don't be so stroppy.	0:59:15	0:59:18
Well, a boy your age rolling hoops at people. How old are you, anyway?	0:59:18	0:59:20
11. I bet you're only 10½.	0:59:20	0:59:22
Ten and two thirds. There you are, then,	0:59:22	0:59:24
and don't be rolling at people.	0:59:24	0:59:25
Oh, you can have it.	0:59:25	0:59:27
I'm packing it in. It depresses me.	0:59:27	0:59:28
Y'what? You heard. It gets on my wick.	0:59:28	0:59:30
That's lovely talk, that is. And why aren't you at school?	0:59:30	0:59:32
I'm a deserter.	0:59:32	0:59:33
Are you now?	0:59:33	0:59:34
Yeah, I've blown school out. Just you?	0:59:34	0:59:36
No, Ginger, Eddy Fallon, and Ding Dong.	0:59:36	0:59:39
Oh, Ding Dong Bell, eh?	0:59:39	0:59:40
Yeah, that's right.	0:59:40	0:59:42
They was supposed to come with us,	0:59:42	0:59:43
but they chickened.	0:59:43	0:59:44
Yeah? And they're your mates, are they? Yeah.	0:59:44	0:59:46
Not much cop without 'em, is it? Oh, it's all right.	0:59:46	0:59:49
Yeah? What are they like? Ginger's mad.	0:59:49	0:59:51
He says things all the time.	0:59:51	0:59:52
And Eddy's good at spitting and punching.	0:59:52	0:59:54
Yeah? How about Ding Dong?	0:59:54	0:59:56
Oh, he's a big head.	0:59:56	0:59:57
He fancies himself, you know.	0:59:57	0:59:58
He's all right, though, cos he's one of the gang.	0:59:58	1:00:00
Hmm.	1:00:00	1:00:01
Why aren't you at work?	1:00:01	1:00:02
I'm a deserter, too.	1:00:02	1:00:04
Oh. SECOND BOY: Hey, Charlie!	1:00:04	1:00:06
See ya!	1:00:08	1:00:09
MAN: Come in, number seven. Your time's up.	1:00:24	1:00:27
I'm sorry, boys. I didn't mean it, honest.	1:00:30	1:00:33
If he says that again, I'll strike him.	1:00:36	1:00:39
Oh, don't worry. They're good lads. They'll be back.	1:00:39	1:00:41
Yes, well, we've only 20 minutes	1:00:41	1:00:43
to the final run-through.	1:00:43	1:00:44
I meant no harm.	1:00:47	1:00:48
I was only trying to encourage little Ringo	1:00:48	1:00:50
to enjoy himself.	1:00:50	1:00:51
God knows what you've unleashed	1:00:51	1:00:53
on the unsuspecting south.	1:00:53	1:00:55
It'll be wine, women, and song	1:00:55	1:00:56
all the way with Ringo	1:00:56	1:00:58
when he gets the taste for it.	1:00:58	1:00:59
That was fresh this morning.	1:01:08	1:01:10
Two and nine.	1:01:10	1:01:11
PARROT SCREECHES	1:01:50	1:01:52
Right. On your way.	1:01:56	1:01:57
You what?	1:01:57	1:01:59
You heard. On your way. Troublemaker!	1:01:59	1:02:01
Hey, watch it!	1:02:08	1:02:10
Shake. What? Worry, will you?	1:02:15	1:02:17
Well, that's it.	1:02:18	1:02:19
Two minutes to the final run-through.	1:02:19	1:02:22
They're bound to miss it now.	1:02:22	1:02:23
I'll murder that Lennon.	1:02:23	1:02:24
Still, we could survive a missed run-through	1:02:24	1:02:26
as long as they...	1:02:26	1:02:27
SHAKE: As long as they end up for the show?	1:02:27	1:02:28
Oh, you're right there. I mean, it wouldn't do	1:02:28	1:02:30
to miss the show, like, would it?	1:02:30	1:02:31
NORM: Shut up, cheerful.	1:02:31	1:02:32
You don't think...	1:02:32	1:02:33
Oh, oh, oh, no. Now, look, don't worry.	1:02:33	1:02:35
They can't do this to me, no.	1:02:35	1:02:37
It's all your fault.	1:02:37	1:02:38
Oh, yes, it is. If they don't turn up,	1:02:38	1:02:41
I wouldn't be in your shoes for all...	1:02:41	1:02:42
For all the tea in China.	1:02:42	1:02:44
Oh, you're right there. Neither would I.	1:02:44	1:02:45
You dirty traitor.	1:02:45	1:02:47
Well, of course.	1:02:47	1:02:48
Yes, of course.	1:02:48	1:02:49
BEATLES: # I have been working like a dog... #	1:02:49	1:02:52
Hello. Hi, John. John!	1:02:52	1:02:54
Did you want something?	1:02:54	1:02:55
Oh, I could eat the lot of you.	1:02:55	1:02:56
You'd look great with an apple in your gob.	1:02:56	1:02:58
Do you realise	1:02:58	1:02:59
you could have missed the final run-through?	1:02:59	1:03:00
Oh, we're sorry about that.	1:03:00	1:03:01
Norm? There's only three of 'em.	1:03:01	1:03:03
Oh, we were looking for Ringo,	1:03:03	1:03:05
but we realised he must've come back here.	1:03:05	1:03:07
Well, do you realise	1:03:07	1:03:08
that we are on the air live	1:03:08	1:03:09
in front of an audience	1:03:09	1:03:11
in 45 minutes, and you're one short?	1:03:11	1:03:12
Control yourself, or you'll spurt.	1:03:12	1:03:14
He must be here somewhere.	1:03:14	1:03:15
Aye, well, we'll look in the dressing room.	1:03:15	1:03:17
Shake.	1:03:17	1:03:18
Yes, the dressing room.	1:03:18	1:03:20
Hey, where's my grandfather? Don't worry about him, Paul.	1:03:20	1:03:22
He can look after himself. I suppose so.	1:03:22	1:03:24
Personally signed and handwritten	1:03:24	1:03:26
by your own sweet boys.	1:03:26	1:03:28
The chance of a lifetime!	1:03:28	1:03:29
FANS SCREAM	1:03:29	1:03:30
Be the envy of your less fortunate sisters!	1:03:30	1:03:33
GRANDFATHER: Oh, me bones.	1:03:33	1:03:36
POLICEMAN: All right there.	1:03:36	1:03:37
Come on, break it up. Break it up. Move on.	1:03:37	1:03:39
Hey, what's going on here? Right, move over. Move over.	1:03:39	1:03:41
Come on, move along. Here you are.	1:03:41	1:03:43
Why don't you go back home? You're making a disturbance.	1:03:43	1:03:45
Now, will you just move along now?	1:03:45	1:03:48
INDISTINCT ARGUING	1:03:48	1:03:50
Come on, ya. Aah! Yeah!	1:03:50	1:03:52
PNEUMATIC DRILL HAMMERS	1:03:54	1:03:57
RINGO HUMS	1:04:01	1:04:02
Thank you.	1:04:05	1:04:06
RINGO CONTINUES HUMMING	1:04:08	1:04:09
RINGO WHISTLES	1:04:23	1:04:24
Gotcha, you nasty little person, you.	1:04:24	1:04:25
RINGO: You what! Ooh, yeah.	1:04:25	1:04:27
I'm Ringo Starr. I've got a show to do.	1:04:29	1:04:31
I'm on in a few minutes.	1:04:31	1:04:32
You've got to let me go. I'm Ringo.	1:04:32	1:04:33
Yeah, that's what they all say these days.	1:04:33	1:04:35
Look, I don't care who you are.	1:04:35	1:04:36
You can save that for the stipendiary.	1:04:36	1:04:38
Here you are, Sarge.	1:04:38	1:04:39
All right. What is he?	1:04:39	1:04:40
Yeah, I got a little list here.	1:04:40	1:04:42
Wandering abroad, malicious intent,	1:04:42	1:04:44
acting in a suspicious manner,	1:04:44	1:04:46
conduct liable to cause a breach of the peace.	1:04:46	1:04:48
OFFICER: You name it, he's done it.	1:04:48	1:04:49
Oh, a little savage, is he?	1:04:49	1:04:50
Yeah, a proper little aborigine.	1:04:50	1:04:52
I demand to see my solicitor.	1:04:52	1:04:54
What's his name?	1:04:54	1:04:55
Well, if you're going to get technical about it.	1:04:55	1:04:58
GRANDFATHER: Dragging me through the streets...	1:04:58	1:04:59
Hello, it's going to be one of those nights, is it?	1:04:59	1:05:01
Sit Charlie Peace down over there, will you?	1:05:01	1:05:03
Well, you got me here, so do your worst,	1:05:03	1:05:06
but, by God, I'll take one of you with me.	1:05:06	1:05:08
Ow!	1:05:08	1:05:09
I know your game!	1:05:09	1:05:11
Get me into that tiled room,	1:05:11	1:05:13
and then out come the rubber hoses.	1:05:13	1:05:15
Oh, there's a fire, is there?	1:05:15	1:05:18
You ugly great brute.	1:05:18	1:05:19
You have sadism stamped all over	1:05:19	1:05:21
your bloated British kisser.	1:05:21	1:05:23
Eh? I'll go on hunger strike.	1:05:23	1:05:25
I know your caper.	1:05:25	1:05:26
The kidney punch and the rabbit clout.	1:05:26	1:05:28
The third degree	1:05:28	1:05:29
and the size 12 boot ankle tap.	1:05:29	1:05:31
What's he on about?	1:05:31	1:05:33
GRANDFATHER: I'm a soldier of the republic.	1:05:33	1:05:35
You'll need the mahogany truncheon on this boyo.	1:05:35	1:05:37
# A nation once again	1:05:37	1:05:40
# A nation once again... #	1:05:40	1:05:42
Get Lloyd George over there	1:05:42	1:05:44
next to the mechanic in the cloth cap	1:05:44	1:05:45
while I sort this lot out, will you?	1:05:45	1:05:47
OFFICER: Come on, Dad. Sit down over here.	1:05:47	1:05:50
Ringo, me old scout!	1:05:50	1:05:51
So they grabbed your leg for the iron, too, have they?	1:05:51	1:05:53
I'm not exactly a voluntary patient.	1:05:53	1:05:55
Sh, sh. Have they roughed you up yet?	1:05:55	1:05:56
What?	1:05:56	1:05:58
GRANDFATHER: Oh, they're a desperate crew of drippings,	1:05:58	1:06:00
and they've fists like matured hams	1:06:00	1:06:02
for pounding poor defenceless lads like you.	1:06:02	1:06:04
Right, that's it, then.	1:06:04	1:06:05
GRANDFATHER: One of us has got to escape.	1:06:05	1:06:07
I'll get the boys.	1:06:07	1:06:08
Hold on, son. I'll be back for you.	1:06:08	1:06:09
For me? And if they get you on the floor,	1:06:09	1:06:11
watch out for your brisket.	1:06:11	1:06:13
They seem all right to me.	1:06:13	1:06:14
Ah, sure, that's what they want you to think.	1:06:14	1:06:16
All coppers are villains.	1:06:16	1:06:19
Would you two like a cup of tea?	1:06:19	1:06:20
See? Sly villains.	1:06:20	1:06:23
Um, no thank you, Mr Sergeant, sir.	1:06:23	1:06:25
No, not for me. Please don't.	1:06:25	1:06:27
So you just brought the old chap	1:06:27	1:06:28
out of the crowd for his own good, eh?	1:06:28	1:06:30
Well, he was getting a bit nasty, you see,	1:06:30	1:06:31
so we had to bring him in.	1:06:31	1:06:33
Well, he can't stop here.	1:06:33	1:06:34
This is the stuff he's been hawking around, eh?	1:06:34	1:06:36
Yes, Sergeant. Photographs.	1:06:36	1:06:37
Photographs.	1:06:37	1:06:38
Well, son, it's now or never.	1:06:38	1:06:42
All right, you paid assassins!	1:06:42	1:06:43
Johnny McCartney'll give you a run	1:06:43	1:06:45
for your thruppence halfpenny.	1:06:45	1:06:46
Hey, you forgot your photographs.	1:06:46	1:06:47
Only half an hour, and you're on.	1:06:55	1:06:57
Can I say something? Yes. Anything.	1:06:57	1:06:59
It seems highly unlikely	1:06:59	1:07:01
we'll be on.	1:07:01	1:07:02
I mean, the law of averages	1:07:02	1:07:03
are against it.	1:07:03	1:07:04
I think if you could get the juggler on	1:07:04	1:07:07
with a couple more clubs,	1:07:07	1:07:08
that would fill in a bit of time.	1:07:08	1:07:10
I'll have the hides off of you lot.	1:07:27	1:07:29
LAUGHTER	1:07:29	1:07:31
You ought to be ashamed of yourself. Go home.	1:07:31	1:07:33
I must see Pauly.	1:07:33	1:07:34
Go home, then, and see him on the telly.	1:07:34	1:07:36
Can you fix him for me? Yeah.	1:07:38	1:07:40
Sixpence.	1:07:40	1:07:41
Each.	1:07:41	1:07:42
In advance.	1:07:42	1:07:43
Mercenaries.	1:07:44	1:07:46
LAUGHTER	1:07:54	1:07:56
It's all right. Leave him alone.	1:08:08	1:08:09
PA: 'What's up, Richard?'	1:08:09	1:08:11
GRANDFATHER: Paul? Where are you? I'm...	1:08:11	1:08:13
PAUL: Grandad. Where's Ringo?	1:08:15	1:08:17
The police have the poor unfortunate lad	1:08:17	1:08:19
in the Bridewell. The police station.	1:08:19	1:08:21
He'll be pulp by now. Go get him!	1:08:21	1:08:24
PAUL: We'll get him out. JOHN: We'll fix it, Norm.	1:08:24	1:08:26
BEATLES BARK	1:08:26	1:08:28
We've only got... 20 minutes.	1:08:28	1:08:30
# Can't buy me love	1:08:30	1:08:34
# Love	1:08:34	1:08:35
# Can't buy me love	1:08:35	1:08:39
# I'll buy you a diamond ring, my friend	1:08:39	1:08:41
# If it makes you feel all right	1:08:41	1:08:44
# I'll get you anything, my friend	1:08:44	1:08:46
# If it makes you feel all right	1:08:46	1:08:49
# Cos I don't care too much for money	1:08:49	1:08:52
# Money can't buy me love	1:08:52	1:08:55
# I'll give you all I've got to give	1:08:55	1:08:57
# If you say you'll love me, too	1:08:57	1:09:00
# I may not have a lot to give	1:09:00	1:09:02
# But what I got I'll give to you	1:09:02	1:09:06
# I don't care too much for money	1:09:06	1:09:08
# Money can't buy me love	1:09:08	1:09:10
# Can't buy me love	1:09:10	1:09:14
# Everybody tells me so	1:09:14	1:09:16
# Can't buy me love	1:09:16	1:09:19
# No, no, no, no	1:09:19	1:09:22
# Say you don't need no diamond rings	1:09:22	1:09:25
# And I'll be satisfied	1:09:25	1:09:27
# Tell me that you want the kind of things	1:09:27	1:09:30
# That money just can't buy	1:09:30	1:09:33
# I don't care too much for money	1:09:33	1:09:36
# Money can't buy me love. #	1:09:36	1:09:38
What is all this?	1:09:38	1:09:40
JOHN PANTS Hold on...	1:09:40	1:09:42
Fine. You all right now?	1:09:44	1:09:47
JOHN PANTS Yeah. Huh?	1:09:47	1:09:49
See.	1:09:49	1:09:51
# Can't buy me love	1:09:56	1:09:59
# Everybody tells me so	1:09:59	1:10:01
# Can't buy me love	1:10:01	1:10:05
# No, no, no, no	1:10:05	1:10:07
# Say you don't need no diamond rings	1:10:07	1:10:10
# And I'll be satisfied	1:10:10	1:10:12
# Tell me that you want the kind of things... #	1:10:12	1:10:15
Quick! Follow them!	1:10:15	1:10:16
# Just can't buy	1:10:16	1:10:18
# I don't care too much for money	1:10:18	1:10:21
# Money can't buy me love	1:10:21	1:10:23
# Can't buy me love	1:10:23	1:10:26
# Love	1:10:26	1:10:28
# Can't buy me love	1:10:28	1:10:32
# Oh... #	1:10:32	1:10:33
FANS SCREAM	1:10:33	1:10:35
I had to laugh even when they kick the stool away.	1:10:38	1:10:40
THEY GIGGLE	1:10:40	1:10:42
Lads. Lads! You're back!	1:10:42	1:10:44
Thank goodness. Where's Ringo?	1:10:44	1:10:45
There he is. We got him. Great, great, great.	1:10:45	1:10:47
You don't know what this means to me.	1:10:47	1:10:48
If you hadn't come back, it would have meant...	1:10:48	1:10:50
the epilogue or news in Welsh for life.	1:10:50	1:10:54
Hey, aren't you supposed to be in that box?	1:10:54	1:10:56
Yeah, where's the old mixer?	1:10:56	1:10:58
Here, Pauly. PAUL: Got a few words to say to you,	1:10:58	1:11:00
two-faced John McCartney.	1:11:00	1:11:01
Aw, leave him alone. He's back, isn't he?	1:11:01	1:11:02
It's not his fault he's old.	1:11:02	1:11:03
What's old got to do with it?	1:11:03	1:11:05
He's a troublemaker and a mixer.	1:11:05	1:11:06
That's good enough for me.	1:11:06	1:11:07
You're right. He's only asking for attention,	1:11:07	1:11:09
aren't you? You see, you know your trouble.	1:11:09	1:11:11
You should've gone west to America.	1:11:11	1:11:13
You would've been a senior citizen of Boston.	1:11:13	1:11:15
But you took a wrong turning. What happened?	1:11:15	1:11:17
You're a lonely old man from Liverpool.	1:11:17	1:11:18
- But I'm clean. - Are you?	1:11:18	1:11:21
Hey, Norm. What?	1:11:21	1:11:23
I've been thinking. It's not my fault.	1:11:23	1:11:24
What isn't?	1:11:24	1:11:25
I'm not taller than you are.	1:11:25	1:11:27
You're smaller than I am.	1:11:27	1:11:29
Anyone at home?	1:11:29	1:11:31
Hey, Shake, where's me boot?	1:11:31	1:11:32
Will you get us some tea while you're there?	1:11:32	1:11:34
All right, George. Ta.	1:11:34	1:11:35
Now come on, lads. Get changed.	1:11:35	1:11:37
Come on, get some tea.	1:11:37	1:11:38
OVERLAPPING CONVERSATION	1:11:38	1:11:40
FANS SCREAM	1:11:40	1:11:42
# Tell me why you cried	1:11:50	1:11:54
# And why you lied to me	1:11:54	1:11:59
# Tell me why you cried	1:11:59	1:12:04
# And why you lied to me	1:12:04	1:12:08
# Well, I gave you everything I had	1:12:09	1:12:12
# But you left me sitting on my own	1:12:12	1:12:15
# Did you have to treat me oh, so bad?	1:12:15	1:12:18
# All I do is hang my head and moan	1:12:18	1:12:21
# Tell me why you cried	1:12:21	1:12:26
# And why you lied to me	1:12:26	1:12:31
# Tell me why you cried	1:12:31	1:12:35
# And why you lied to me	1:12:35	1:12:39
# If it's something that I've said or done	1:12:41	1:12:44
# Tell me what and I'll apologise	1:12:44	1:12:47
# If you don't I really can't go on	1:12:47	1:12:50
# Holding back these tears in my eyes	1:12:50	1:12:53
# Tell me why you cried	1:12:53	1:12:57
# And why you lied to me	1:12:57	1:13:02
# Tell me why you cried	1:13:02	1:13:07
# And why you lied to me	1:13:07	1:13:11
# Well, I'm begging on my bended knees	1:13:12	1:13:15
# If you'll only listen to my pleas	1:13:15	1:13:19
# If there's anything I can do	1:13:19	1:13:22
# Cos I really can't stand it	1:13:22	1:13:24
# I'm so in love with you	1:13:24	1:13:26
# If I give my heart	1:13:28	1:13:32
# To you	1:13:32	1:13:35
# I must be sure	1:13:35	1:13:37
# From the very start	1:13:37	1:13:41
# That you	1:13:41	1:13:44
# Would love me more than her	1:13:44	1:13:48
# If I trust in you	1:13:50	1:13:55
# Oh, please	1:13:55	1:13:57
# Don't run and hide	1:13:57	1:13:59
# If I love you, too	1:13:59	1:14:04
# Oh, please	1:14:04	1:14:06
# Don't hurt my pride like her	1:14:06	1:14:11
# Cos I couldn't stand the pain	1:14:11	1:14:15
# And I	1:14:15	1:14:17
# Would be sad if our new love	1:14:17	1:14:22
# Was in vain	1:14:22	1:14:24
# So I hope you see	1:14:24	1:14:28
# That I	1:14:28	1:14:31
# Would love to love you	1:14:31	1:14:34
# And that she	1:14:34	1:14:37
# Will cry	1:14:37	1:14:40
# When she learns we are two	1:14:40	1:14:44
# Cos I couldn't stand the pain	1:14:44	1:14:49
# And I	1:14:49	1:14:51
# Would be sad if our new love	1:14:51	1:14:55
# Was in vain	1:14:55	1:14:57
# So I hope you see	1:14:57	1:15:02
# That I	1:15:02	1:15:05
# Would love to love you	1:15:05	1:15:07
# And that she	1:15:07	1:15:11
# Will cry	1:15:11	1:15:14
# When she learns we are... #	1:15:14	1:15:16
# I...	1:15:23	1:15:26
# Should have known better with a girl like you	1:15:26	1:15:30
# That I would love everything that you do	1:15:30	1:15:33
# And I do	1:15:33	1:15:35
# Hey, hey, hey	1:15:35	1:15:37
# And I do	1:15:37	1:15:39
# Whoa, whoa, I...	1:15:41	1:15:45
# Never realised what a kiss could be	1:15:45	1:15:49
# This could only happen to me	1:15:49	1:15:52
# Can't you see	1:15:52	1:15:54
# Can't you see	1:15:54	1:15:57
# That when I tell you that I love you	1:15:57	1:16:02
# Oh	1:16:02	1:16:05
# You're gonna say you love me, too	1:16:05	1:16:10
# Oh	1:16:10	1:16:12
# And when I ask you to be mine	1:16:12	1:16:19
# You're gonna say you love me, too	1:16:19	1:16:24
# So, oh, I...	1:16:25	1:16:29
# Should have realised a lot of things before	1:16:29	1:16:33
# If this is love you gotta give me more	1:16:33	1:16:37
# Give me more	1:16:37	1:16:39
# Hey, hey, hey	1:16:39	1:16:41
# Give me more	1:16:41	1:16:42
# Whoa, whoa, I...	1:17:03	1:17:06
# Never realised what a kiss could be	1:17:06	1:17:10
# This could only happen to me	1:17:10	1:17:14
# Can't you see	1:17:14	1:17:16
# Can't you see	1:17:16	1:17:19
# That when I tell you that I love you	1:17:19	1:17:24
# Oh	1:17:24	1:17:26
# You're gonna say you love me, too	1:17:26	1:17:32
# Oh	1:17:32	1:17:34
# And when I ask you to be mine	1:17:34	1:17:41
# You're gonna say you love me, too	1:17:41	1:17:46
# You love me, too	1:17:47	1:17:49
# You love me, too. #	1:17:51	1:17:53
AUDIENCE SCREAMS	1:17:53	1:17:55
# She loves you, yeah, yeah, yeah	1:18:11	1:18:14
# She loves you, yeah, yeah, yeah	1:18:14	1:18:17
# She loves you, yeah, yeah, yeah, yeah	1:18:17	1:18:22
# You think you've lost your love	1:18:23	1:18:26
# Well, I saw her yesterday	1:18:26	1:18:29
# It's you she's thinking of	1:18:29	1:18:32
# And she told me what to say	1:18:32	1:18:35
# She said she loves you	1:18:35	1:18:37
# And you know that can't be bad	1:18:37	1:18:40
# Yeah, she loves you	1:18:42	1:18:44
# And you know you should be glad	1:18:44	1:18:47
# She said you hurt her so	1:18:49	1:18:52
# She almost lost her mind	1:18:52	1:18:55
# But now she says she knows	1:18:55	1:18:59
# You're not the hurting kind	1:18:59	1:19:01
# She said she loves you	1:19:01	1:19:03
# And you know that can't be bad	1:19:03	1:19:07
# Yeah, she loves you	1:19:08	1:19:10
# And you know you should be glad	1:19:10	1:19:13
# Whoo	1:19:13	1:19:15
# She loves you, yeah, yeah, yeah	1:19:15	1:19:18
# She loves you, yeah, yeah, yeah	1:19:18	1:19:21
# With a love like that	1:19:21	1:19:22
# You know you should be glad	1:19:22	1:19:25
# You know it's up to you	1:19:27	1:19:31
# I think it's only fair	1:19:31	1:19:34
# Pride can hurt you, too	1:19:34	1:19:37
# Apologise to her	1:19:37	1:19:40
# Because she loves you	1:19:40	1:19:42
# And you know that can't be bad	1:19:42	1:19:46
# She loves you	1:19:47	1:19:49
# And you know you should be glad	1:19:49	1:19:52
# Whoo	1:19:52	1:19:53
# She loves you, yeah, yeah, yeah	1:19:53	1:19:57
# She loves you, yeah, yeah, yeah	1:19:57	1:19:59
# With a love like that	1:19:59	1:20:01
# You know you should be glad	1:20:01	1:20:04
# With a love like that	1:20:06	1:20:08
# You know you should be glad	1:20:08	1:20:10
# With a love like that	1:20:13	1:20:14
# You know you should	1:20:14	1:20:17
# Be glad	1:20:17	1:20:19
# Yeah, yeah, yeah	1:20:22	1:20:25
# Yeah, yeah, yeah, yeah. #	1:20:25	1:20:30
AUDIENCE SCREAMS	1:20:30	1:20:32
Now, I've got the stuff. Come 'ed, lads.	1:20:57	1:20:58
Aren't we going...	1:20:58	1:20:59
No, we're not. The office has been on the phone	1:20:59	1:21:01
and think it's best if we push on	1:21:01	1:21:02
to Wolverhampton straightaway.	1:21:02	1:21:03
Tonight? We'll never make it.	1:21:03	1:21:04
You've got a midnight matinee. Oh, eh, Norm!	1:21:04	1:21:06
Now, there's only one thing	1:21:06	1:21:07
I've got to say to you, John Lennon.	1:21:07	1:21:08
What? You're a swine.	1:21:08	1:21:10
# It's been a hard day's night	1:21:10	1:21:14
# And I've been working like a dog	1:21:14	1:21:17
# It's been a hard day's night	1:21:17	1:21:20
# I should be sleeping like a log	1:21:20	1:21:24
# But when I get home to you... #	1:21:24	1:21:25
Come on, you're hanging up the parade!	1:21:25	1:21:28
Get rid of those things!	1:21:30	1:21:32
# ..Work all day	1:21:32	1:21:33
# To get you money to buy you things	1:21:33	1:21:37
# And it's worth it just to hear you say	1:21:37	1:21:40
# You're gonna give me everything	1:21:40	1:21:44
# So why on earth should I moan?	1:21:44	1:21:45
# Cos when I get you alone	1:21:45	1:21:47
# You know I feel OK	1:21:47	1:21:50
# When I'm home	1:21:50	1:21:53
# Everything seems to be right	1:21:53	1:21:56
# When I'm home	1:21:57	1:21:59
# Feeling you holding me tight	1:21:59	1:22:03
# Tight, yeah	1:22:03	1:22:04
# It's been a hard day's night	1:22:04	1:22:07
# And I've been working like a dog	1:22:07	1:22:11
# It's been a hard day's night	1:22:11	1:22:14
# I should be sleeping like a log	1:22:14	1:22:17
# But when I get home to you	1:22:17	1:22:19
# I find the things that you do	1:22:19	1:22:21
# Will make me feel all right	1:22:21	1:22:24
# Aah	1:22:24	1:22:25
# So why on earth should I moan	1:22:38	1:22:40
# Cos when I get you alone	1:22:40	1:22:41
# You know I feel OK	1:22:41	1:22:44
# When I'm home	1:22:44	1:22:47
# Everything seems to be right	1:22:47	1:22:51
# When I'm home	1:22:51	1:22:54
# Feeling you holding me tight	1:22:54	1:22:57
# Tight, yeah	1:22:57	1:22:58
# It's been a hard day's night	1:22:58	1:23:02
# And I've been working like a dog	1:23:02	1:23:05
# It's been a hard day's night	1:23:05	1:23:08
# I should be sleeping like a log	1:23:08	1:23:12
# But when I get home to you	1:23:12	1:23:14
# I find the things that you do	1:23:14	1:23:15
# Will make me feel all right	1:23:15	1:23:19
# You know I feel all right	1:23:19	1:23:22
# You know I feel all right. #	1:23:22	1:23:25

A Hard Day's Night

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