Confessions of a Teenage Drama Queen


Confessions of a Teenage Drama Queen

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# I'm in a new place with the Same face

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# But nothing is familiar to me

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# But there's a storm rush Then the winds start

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# And it's bringing out the woman in me

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# I know that you're out there somewhere

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# Waiting on a deeper connection

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# Now I'm looking to my left

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# Searching on my right

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# Cos we could be the greatest adventure

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# I'm ready, come and find me

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# I'm not gonna hog out the sun on my side

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# It's heavy, cos I'm finally

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# Open for the woman, I'm ready, ready

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# I'm ready

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# I'm moving out there

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# So, baby, beware

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# Cos now it's just a matter of time

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# Before our paths cross and the sky falls

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# The very moment that I tell you're mine

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# I'm ready, come and find me

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# I'm not gonna hog out the sun on my side

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# It's heavy, cos I'm finally

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# Open for the woman, I'm ready, ready

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# I'm ready, come and find me

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# I'm not gonna hog out the sun on my side

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# It's heavy, cos I'm finally

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# Open for the woman, I'm ready, ready

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# I'm ready, come and find me... #

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Goodbye, sweetheart!

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< Take good care of yourself.

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Oh, mummy, you forgot this.

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Angel!

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BOTH: Mwah!

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I worry so about you living alone.

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Oh, mother, it's adorable of you to be so concerned,

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but I'm perfectly capable of taking care of myself, dear.

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Come on, girls.

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Good-bye, my chicken.

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BELLS PEAL

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Yes, I'm free! I can live in New York on my own.

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I can do whatever I want!

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Yay!

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Yes!

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I was born and nurtured in New York, the centre of the universe.

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Unfortunately, my mother is moving me to another planet -

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New Jersey.

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Is it any wonder I couldn't face reality?

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I mean, can anyone blame me for dreaming

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that she was leaving me behind in my beloved city?

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Mary! >

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Mary, let's go! >

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Goodbye childhood home.

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Goodbye intellectual and spiritual stimulation.

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Goodbye Broadway.

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Mary, please. Don't be such a drama queen.

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Lola! My name from this day forward is Lola.

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I've known since I was five years old that my true name is Lola.

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You were named Mary. It is the name on your birth certificate.

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It is the name that I am going to call you.

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In my family, I am a flamingo in a flock of pigeons.

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# I trip, I fall, I catch myself

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# Even wishing I was someone else

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# I'm never where I'm supposed to be... #

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Goodbye New York.

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Goodbye any chance of becoming a famous actress.

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# Adventure

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# Finding the real me

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# I'm a reflection

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# Of everything I see

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# Yeah. #

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First, your parents tell you to have hopes and dreams.

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And then they move you to New Jersey.

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It makes no sense.

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COW MOOS

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Welcome to Deadwood.

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Is she allowed to say that?

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BRAKES SCREECH

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Come on.

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Hurry, hurry.

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Let's see the new house.

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Come on.

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CHILDREN SHOUT IN DISTANCE

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Oh, Mom.

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It's just grass.

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But it's all over the place.

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The sun porch is my bedroom.

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Ordinariness isn't the only thing I have to fight against in my house.

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Gross injustice is another.

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The only person I can turn to is Stu Wolff -

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the greatest poet since Shakespeare and the lead singer of Sidarthur.

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He'd see me through my dark suburban days.

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In the city, I took two subways and a bus to get to school.

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It amazes me that I can get to school without it costing 1.50.

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Ow! Ugh!

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Ow.

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Dellwood High.

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I shall be a bird in a cage with a good school district.

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However, there is absolutely no point in being negative

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about things you just can't change.

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I look upon my new town as an empty stage to which I'm allowed to bring my own script.

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In my heart, I feel that a legend is about to be born.

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That legend would be me.

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# It's all about style

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# Living with style

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# I'm living in, giving in

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# Swimming in

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# Style. #

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Hello.

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Hey.

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I'm Lola Cep.

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I'm from New York, originally.

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Ella Gerard.

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I'm from right here, originally.

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Well...hi.

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Hi. LOLA GASPS

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Uh, hi!

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Hi.

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Have you ever seen Sidarthur in person?

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No, but I think Stu Wolff is the greatest poet since Shakespeare.

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I - I do, too.

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I have every CD they ever made.

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- You do? - Yeah!

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And that's Stu Wolff dancing.

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I've downloaded some great shots of him.

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Here he is at the Grammys.

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This is where he lives.

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Oh, and this is the dress that I'm gonna wear when we get married.

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This is him getting into his limo.

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That black spot there - that's his head.

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What a wonderful black spot it is.

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Hi. Carla Santini.

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Sidarthur.

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My father is Stu Wolff's lawyer.

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Really? Your dad must have been in the Same room as him and everything.

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Many times.

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Aren't you the girl who just moved into the Swenska house?

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Well, I'm Lola Cep. I didn't know our home had a name.

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Is that supposed to be that famous New York sense of humour?

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Well, New Yorkers learn to laugh at themselves

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and everything else when they're very young.

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My parents took me to New York for my birthday.

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I thought it was beautiful - the lights and everything.

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I-I know why they call it the greatest city in the world.

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Ella Gerard, you are the sister of my soul!

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You should see Park Avenue at Christmas.

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It's like walking through the Milky Way.

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Except nobody gets mugged in the Milky Way.

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BELL RINGS

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We'll take our seats now.

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Uh, Miss Baggoli?

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Yes?

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We have a new girl from New York City.

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We do, we do. Uh, Miss... Miss Steppe.

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Miss Cep.

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Miss Baggoli, I know it must show on your records my name is Mary,

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but everyone has referred to me as Lola

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since I was a squealing infant in my mother's arms.

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I don't even know who this Mary is.

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I like that name - Lola.

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Lola.

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This is Lola.

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Lola, I think you should know you're sitting in my favourite seat in history class.

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I like to be dead centre.

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Me, too. And I didn't think we had anything in common.

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I've earned the centre seat.

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Besides, if you want to fit in,

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you shouldn't draw so much attention to yourself.

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In case you haven't noticed, I like the attention.

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Chill.

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Also, I wouldn't hang out with Ella Never-had-a-fella.

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She doesn't really have your potential, does she?

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Look at her - she dresses like a politician's wife

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with the hair and the shoes. She's so random.

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What about those glasses? They are so ten minutes ago.

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But I'm gonna stop myself before I get nasty.

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I just want to let you know that if you're careful,

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you could be chilling with us.

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Chilling with you is what I've always dreamed of.

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Hey, Ella, wait up! Do you mind if I sit with you?

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Oh, no, that's fine. This is great.

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When you eat outside in New York, your food gets dirty.

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So, what's with the great Santini?

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Uh, she's beautiful. She's popular. She's rich.

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In kindergarten, she used to bite the heads off dolls.

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Ew.

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Who's that guy smiling at us?

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That's Sam.

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Sam!

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Sam, Lola.

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Lola, Sam.

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Hi.

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Hey.

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- It's your first day here, right? - Yeah.

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Well, it's good to meet you.

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You, too.

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I'll see you later.

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'I couldn't possibly have a boyfriend.

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'I mean, I have to focus on my acting career.'

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'After three weeks,

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'I'm getting used to the rich part of town -

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'gated, dull, Armani-ridden.

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'You know, I'm the kind of riffraff they try to keep out.'

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# It's a day in the life It's a link in the chain

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# Beginning, the ending, they both look the same

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# Round and round

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# No new ground

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# O-o-h

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# O-o-h

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# O-o-o-o-o-h

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# O-o-h

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# O-o-h. #

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When Stu Wolff sings,

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"There's something in me that always wants more.

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"More moons and stars and music in the wind",

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it's as though he's just talking to me.

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I like Steve.

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I bet Stu is hard to get along with.

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You can tell he's sort of moody.

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Haunted.

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All true geniuses are haunted.

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It's part of what they have to suffer for their art.

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Popovers, ladies.

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Uh... wow. This is just like eating in a diner. Thank you.

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Well, surely you have popovers at home.

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I just popped them in the microwave.

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My mother doesn't approve of microwaves.

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She has very strong opinions.

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Oh, I've never heard of anyone taking a stance on an appliance before.

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Why doesn't your mother like me?

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She likes you. She just thinks you're a little strange.

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I mean, you are...a little.

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Lola!

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L-Lola, I'm sorry!

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I-I... I-i-it's really your mother she thinks is strange.

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My-my mom saw your mother in the supermarket

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wearing dirty overalls with chopsticks in her hair

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and arguing with the butcher.

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It's not important.

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Not important?

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She's the woman who gave me life,

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whose milk fed my fragile body,

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whose blood flows through my veins.

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Of course it's important.

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M-my parents are square.

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Neither of them is too happy about the fact

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that your mother has three children and no husband.

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Single motherhood is a transitory state.

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Karen used to be married.

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It could happen again.

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But I thought you said you were a love child.

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Uh...

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Well, I-I was a love child.

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Mom and Dad were married and passionately in love.

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My parents were mad for each other as soon as their eyes met.

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Dad was like a rock star.

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Mom was a babe.

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The rest was destiny.

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They got married.

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Then they camped in the desert.

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Both: One million and two.

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And counted the stars.

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One million and three,

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one million and four...

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Jeez! My parents went on a cruise to Bermuda,

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but they were afraid to get off the boat.

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Mine were in love.

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Deeply, movingly.

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The only thing that could have made their lives better was having me.

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Even as an infant, I aspired to have a relationship just like theirs.

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And then the twins were conceived,

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and we couldn't have been more thrilled.

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Upon hearing the news, my father mounted his really cool motorcycle

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to buy the mother of his child and future children

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her favourite flowers.

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HORN HONKS

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Suddenly...

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Aaaaah!

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COOS

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They found him strewn across 9th Avenue...

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And 10th.

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Lola, I'm so sorry.

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I had no idea.

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Ironic, isn't it?

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Your parents think my mother

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is the destroyer of our social order.

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She's merely a victim of fate.

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What?

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Nothing.

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I like the chopsticks in your hair.

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# Sweet 16

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# Always acting like a beauty queen

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# like you're posing in a magazine... #

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WHISTLE BLOWS

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LOLA: Because Carla Santini thinks she's Julia Roberts

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and the universe is interested in everything she says,

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you can't help overhearing her.

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So I had this really long talk with Miss Baggoli yesterday

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about the drama club's production of "Pygmalion."

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And I told her I think it's really rigid to stick to the original.

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(Not stick to the original?)

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Not stick to the exquisite words of Mr George Bernard Shaw?

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We're not English, and this isn't the 19th century, so I think we should adapt the classics

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to reflect our own times.

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They're classics because they're classic!

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And then I told her my idea to move the location to present-day New York

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and make Eliza a checkout girl.

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So I guess you're gonna be playing Eliza.

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Well, of course. I've already got the part.

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LOLA: When I moved to Deadwood,

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I really felt that a legend was about to be born.

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Was Carla Santini going to stand in the way of that birth?

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Miss Baggoli, Miss Baggoli!

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I didn't know "Pygmalion" had already been cast.

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And I would have loved to have had a chance to be Eliza Doolittle.

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Maybe if I could just prove it to you now, then -

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Oh, no, no, Lola.

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I just put the notice on the board. Auditions are not until Friday.

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Thank you, Miss Baggoli.

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George Bernard Shaw is a great playwright.

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And he's also a vegetarian.

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You're just in time, Lola. Quickly.

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I'm telling all the others about this idea

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that I have had for our production of "Pygmalion."

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Now, as you know, "Pygmalion" is a play

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which takes place in old-timey London.

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My idea is...

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that we will set our production of "Pygmalion"

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in modern-day New York.

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And Eliza will be a checkout girl at a supermarket,

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and Professor Higgins will be a professor at NYU.

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That is such a brilliant idea.

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That's gonna give the play new resonance and immediacy for today.

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You mean it was your idea?

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Yes, Lola, it's my idea.

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I know I'm just a teacher, but I am capable of thought.

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Now, since we're going hip and modern,

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I have also added

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contemporary songs,

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and I am calling it "Eliza Rocks"!

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OK, now, now -

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each of you will be singing a song for me -

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of your choice, of your choice -

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and then you'll be reading a scene for me.

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But I haven't rehearsed a song or anything. I-I'm simply not prepared.

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That's fine. You can just wing it.

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But acting is my chosen career. I mean, I intend to be in theatre.

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I don't want anyone remembering my substandard audition.

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Then how are we to proceed?

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I-I guess I'll try, of course.

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Perhaps you could try now. You could go first.

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OK.

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Take a spot on the stage - anywhere you're comfortable.

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(Maybe if we're lucky, she'll fall.)

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I'd like to sing a song by my favourite band -

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Sidarthur.

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# Don't move on

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# Don't move on

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# Don't move, don't move

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# Don't move

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# Don't move on

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# You brought me to the highest mountain

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# Out of my deep despair

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# And you don't know how much I need you

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# To stand beside you, to breathe your air

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# Don't move on

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# Don't move on

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# Don't move, don't move

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# Don't move

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# Don't move on

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# Behind some doors

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# People are waiting

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# People are waiting to sparkle

0:18:350:18:39

# Don't move on

0:18:420:18:45

# Don't move on

0:18:450:18:49

# Don't move, don't move

0:18:490:18:52

# Don't move

0:18:520:18:54

# Don't move

0:18:540:18:55

# O-o-o-o-n! #

0:18:550:19:00

APPLAUSE

0:19:040:19:06

# Uh-oh

0:19:140:19:16

# Uh-oh

0:19:160:19:18

# Uh-oh... #

0:19:180:19:21

LOLA: Self-doubt didn't kick in until the morning,

0:19:210:19:22

when I woke up with a heart as cold and as heavy as Mount Everest.

0:19:220:19:25

It was the day the cast list went up.

0:19:250:19:28

Why had I been so certain that I was going to get the lead?

0:19:290:19:32

Miss Baggoli didn't say anything encouraging.

0:19:320:19:34

Carla smiled.

0:19:340:19:35

# Oh-oh

0:19:370:19:39

# Oh-oh... #

0:19:390:19:41

- Well, look what the wind blew in. - Look what the cat dragged in.

0:19:470:19:49

Ladies.

0:19:490:19:50

After you.

0:19:520:19:53

Right. After me.

0:19:530:19:54

# Na-na na-na-na

0:19:590:20:02

# That's all I'm gonna say

0:20:020:20:04

# Cos na-na na-na-na

0:20:040:20:07

# You've made up your mind anyways

0:20:070:20:10

# Can't we be friends?

0:20:100:20:12

# Why does it end

0:20:120:20:13

# Before a word

0:20:130:20:16

# Is even heard?

0:20:160:20:19

# I look at you

0:20:190:20:21

# Your attitude

0:20:210:20:23

# Why can't you see

0:20:230:20:25

# That it's not me?

0:20:250:20:27

# La-la la-la-la

0:20:270:20:29

# Next time I won't let it stew

0:20:290:20:31

# La-la la-la-la... #

0:20:310:20:33

SHE WHIMPERS

0:20:350:20:36

Ow!

0:20:360:20:37

Well,

0:20:500:20:51

once again, I got the part that I wanted.

0:20:510:20:53

- Oh! - Oh!

0:20:530:20:55

There are no small parts, only small actors.

0:20:570:21:00

You can quote me.

0:21:000:21:01

I'm your new Eliza! Aah!

0:21:070:21:10

Amazing!

0:21:110:21:12

- I didn't think I'd get it. - I knew you'd get it.

0:21:120:21:16

BOTH TALK AT ONCE

0:21:160:21:19

Actually, my part, the one of Mrs Higgins,

0:21:190:21:20

is, um, much more interesting than Eliza's in many ways.

0:21:200:21:24

I mean, even though she's not the female lead,

0:21:240:21:26

it's a part with depth and true contemporary resonance.

0:21:260:21:30

And it's the one that I wanted.

0:21:300:21:31

Good, cos that's the one you got.

0:21:310:21:34

I'll show you what it's like to be in my school.

0:21:360:21:39

- Is that a threat? - Absolutely.

0:21:390:21:41

# Oh-oh

0:21:410:21:43

# Oh-oh... #

0:21:430:21:45

To Eliza Rocks!

0:21:510:21:52

BOTH: To Eliza Rocks!

0:21:520:21:54

Oh, man. Congratulations.

0:21:540:21:57

This is the best day ever. Carla got beat out! That was beautiful!

0:21:570:22:01

MAN ON RADIO: 'Hey, Sidarthur fans, how about some big news?

0:22:050:22:07

'You heard it here first - the band is breaking up.'

0:22:070:22:11

- What?! - 'Yep, Sidarthur is no more.

0:22:110:22:13

'I repeat - no more.

0:22:130:22:14

'Stu Wolff is moving on and saying,

0:22:140:22:16

'"Never, never, never will I work with them again."

0:22:160:22:18

'So, in memory of the band, let's hear a track from Always Morning.'

0:22:180:22:22

THUNDERCLAP

0:22:220:22:23

SLOW ROCK MUSIC PLAYS

0:22:230:22:26

- NO-O-O! - It can't be!

0:22:270:22:29

It just can't be! SHE SCREAMS

0:22:290:22:32

What...what... what's the matter?

0:22:320:22:34

I can't breathe. Mom, I can't breathe.

0:22:340:22:36

SHE SOBS

0:22:380:22:40

I heard.

0:22:430:22:45

Thanks for being here at a time like this.

0:22:450:22:48

ELLA: I don't want to believe it.

0:22:530:22:56

I made these flyers to hand out to fans urging them to protest.

0:22:560:22:59

As these balloons go to the heavens,

0:23:010:23:03

so do the stars of our Sidarthur

0:23:030:23:05

mix among the stars of our universe.

0:23:050:23:08

Symbolically, of course.

0:23:110:23:13

UP-TEMPO DANCE MUSIC

0:23:150:23:18

Can you believe this? One of the most catastrophic events

0:23:280:23:30

in the history of the universe has just occurred,

0:23:300:23:32

and everyone's acting as if nothing has happened.

0:23:320:23:34

BUZZER, MUSIC STOPS MECHANISED VOICE: 'Great!'

0:23:360:23:38

Me again, of course.

0:23:380:23:40

So, who's next?

0:23:400:23:42

Me. Are you crazy? Carla's the all-time champion.

0:23:420:23:45

So? There's gonna be a new all-time champion.

0:23:450:23:47

- I think you've peaked. - Hop on.

0:23:510:23:53

BELL RINGS 'Round one.'

0:23:530:23:55

My father, who, as you know, is the lawyer for Sidarthur,

0:23:550:23:58

just called me on my cell phone to tell me

0:23:580:24:00

what he found out about the band.

0:24:000:24:01

Oh, really?

0:24:010:24:03

What he told me isn't available to the public yet.

0:24:030:24:05

Sidarthur's having a farewell concert

0:24:050:24:07

in New York City next month.

0:24:070:24:08

Daddy already has VIP seats,

0:24:080:24:10

but that's not the best part.

0:24:100:24:11

I didn't think it would be.

0:24:110:24:13

There's gonna be an awesome party afterwards at Stu's loft

0:24:160:24:18

for all of Sidarthur's closest friends.

0:24:180:24:20

So I've heard.

0:24:200:24:21

And guess who already has an invitation?

0:24:210:24:24

It just so happens that Ella and I do.

0:24:250:24:27

- Oh, really? - Yeah, really.

0:24:270:24:28

- How'd you manage that? - Same way you did -

0:24:280:24:31

through parental connections.

0:24:310:24:32

What connections do you have other than the phone?

0:24:320:24:35

BUZZER, MUSIC STOPS

0:24:420:24:43

'Winner.'

0:24:430:24:44

Me again.

0:24:440:24:45

'Loser.'

0:24:450:24:47

Game's not over yet.

0:24:470:24:48

BELL DINGS 'Round two.'

0:24:480:24:49

Actually, my mother has the connections.

0:24:500:24:52

Marsh Warner bought a piece from her last summer.

0:24:540:24:56

And Marshie, as I call him, is their manager.

0:24:560:24:58

I know who he is.

0:24:580:25:00

He remembered I was crazy about Sidarthur,

0:25:000:25:03

so he got us invited.

0:25:030:25:04

Wow, your mom must be some potter.

0:25:040:25:06

BUZZER

0:25:110:25:12

CROWD CHEERS

0:25:140:25:16

'Winner.'

0:25:220:25:24

Me - Lola Cep.

0:25:240:25:25

Remember that name.

0:25:250:25:26

'Loser.

0:25:260:25:28

'Awesome!'

0:25:280:25:29

Why did you tell Carla that we were invited to his party?

0:25:410:25:44

You would have done the exact Same thing if you were me.

0:25:440:25:46

I wouldn't have lied. I would have thought before I spoke.

0:25:460:25:48

I...I can't even imagine being you.

0:25:480:25:50

Oh! Carla Santini drives me insane.

0:25:500:25:52

Don't even say that.

0:25:520:25:53

Two of her nannies were institutionalised.

0:25:530:25:55

Not to worry.

0:25:550:25:56

You just handed her exactly what she needs

0:25:560:25:58

to ridicule you and humiliate you

0:25:580:25:59

for the rest of your life, and me, too!

0:25:590:26:01

Well, I mean, I guess it depends, doesn't it?

0:26:010:26:03

Depends on what?

0:26:030:26:04

Well, on whether we go.

0:26:040:26:05

To the concert?!

0:26:050:26:07

In New York?

0:26:070:26:07

And the party.

0:26:070:26:09

We haven't exactly been invited.

0:26:090:26:11

You don't have to be invited

0:26:110:26:13

to a party like that.

0:26:130:26:14

There are people that live in New York that don't even go out

0:26:140:26:16

unless it's to crash a celebrity bash.

0:26:160:26:18

My mother would never let me go.

0:26:180:26:20

We can work around your mother, Ella.

0:26:200:26:22

Tell the truth - are you partially insane?

0:26:220:26:25

You know, we have to go.

0:26:250:26:26

It's a matter of pride.

0:26:260:26:29

Is there something wrong with the salmon?

0:26:340:26:36

No. Just not very hungry.

0:26:360:26:38

In too much pain.

0:26:380:26:39

I'm in pain, too. My tooth's coming out.

0:26:390:26:41

Oh!

0:26:410:26:42

It's not that kind of pain.

0:26:420:26:43

It's pain of the heart.

0:26:430:26:44

Sidarthur's broken up.

0:26:440:26:47

They're having one last concert in New York,

0:26:470:26:48

and then that's it - they're done.

0:26:480:26:50

Good night, sweet princes.

0:26:510:26:52

May choirs of rock angels sing you to sleep.

0:26:520:26:55

I have no reason to live without them.

0:26:550:26:57

Let me take a wild guess -

0:26:570:26:59

you want to go to the concert.

0:26:590:27:00

If I could just see them play live,

0:27:000:27:02

at least I'd have the memory to carry me

0:27:020:27:04

through the long, empty years

0:27:040:27:05

that lie ahead,

0:27:050:27:06

like a road in Kansas. OK,

0:27:060:27:08

I don't think that kids and rock concerts

0:27:080:27:10

are a great mix.

0:27:100:27:11

How can you treat me like this?

0:27:110:27:13

I was your firstborn.

0:27:130:27:15

You leaned over my crib to make sure I was breathing!

0:27:150:27:17

That's why I want to keep you alive.

0:27:170:27:19

She wouldn't even stop

0:27:190:27:20

for the tiniest, most subatomic second

0:27:200:27:22

to consider my fragile hopes and dreams.

0:27:220:27:24

What did Ella's mother say?

0:27:240:27:25

She didn't ask her.

0:27:250:27:26

She said her mom would bite off a 10 acrylic nail

0:27:260:27:29

if she even brought it up.

0:27:290:27:31

So, I guess that's that.

0:27:310:27:33

No, I'm not exactly a "que sera, sera" kind of person.

0:27:330:27:38

Right.

0:27:380:27:39

I like your necklace.

0:27:410:27:43

Thanks.

0:27:430:27:44

I've had it since I was six.

0:27:440:27:45

It's practically an antique.

0:27:450:27:47

I like your boots.

0:27:490:27:50

Thanks. I like your smile.

0:27:500:27:52

Om.

0:27:570:27:59

Om.

0:28:010:28:03

Dinner, Mary, now.

0:28:060:28:07

I'm on a hunger strike, like Gandhi,

0:28:070:28:10

driven to desperate measures

0:28:100:28:11

by the insensitivity of the British government.

0:28:110:28:13

Not one morsel will pass my lips

0:28:130:28:15

until you say I can go see Sidarthur.

0:28:150:28:17

You have got two minutes to get to this table

0:28:170:28:19

or the insensitive British government

0:28:190:28:20

is gonna take the door off its hinges

0:28:200:28:22

and drag you out here.

0:28:220:28:23

PHONE RINGS

0:28:230:28:25

Hello?

0:28:250:28:26

Om.

0:28:260:28:29

Come in if you must.

0:28:290:28:30

Yeah. ..OK, but the thing is,

0:28:300:28:32

the drama queen has been Gandhi for two days now.

0:28:320:28:35

- MAN: 'I'll take her.' - OK, I will try it.

0:28:350:28:37

Your dad wants to know if he can take you to the concert.

0:28:370:28:40

Hi, Dad.

0:28:420:28:43

Yeah, thanks for the invitation,

0:28:430:28:45

but I couldn't possibly go with my father.

0:28:450:28:46

I mean, I'd die of shame.

0:28:460:28:48

OK. All right.

0:28:480:28:49

Love you, too. Bye.

0:28:490:28:51

Hello? ..Yeah.

0:28:530:28:54

< Mm-hm. OK.

0:28:550:28:56

Om.

0:28:560:28:57

I'll try it. OK, how about this?

0:28:570:29:00

Daddy drops you off at the concert

0:29:000:29:01

and then picks you up after.

0:29:010:29:02

Oh, you mean like a little kid

0:29:020:29:04

being picked up from a day-care centre?

0:29:040:29:06

Is there no end to the humiliation

0:29:060:29:07

you want to heap upon me, Mom?

0:29:070:29:10

We're heaping humiliation.

0:29:100:29:11

< Yeah.

0:29:110:29:13

OK.

0:29:130:29:14

Bye.

0:29:140:29:15

All right, tonight you are eating.

0:29:150:29:17

Is Mary going to die?

0:29:170:29:19

No, she's not gonna die,

0:29:190:29:20

but it smells like something has died in here.

0:29:200:29:22

< What is that smell?

0:29:230:29:25

MOM GASPS

0:29:260:29:28

OK. That's it.

0:29:310:29:33

No allowance for one month,

0:29:330:29:34

and then you're gonna have a parole hearing.

0:29:340:29:37

But I could really use the money now, Mom.

0:29:370:29:39

Can't you take it away

0:29:390:29:40

next month, or September?

0:29:400:29:42

No.

0:29:420:29:43

That's so cool.

0:29:430:29:45

I have been looking all over for you two.

0:29:480:29:50

< I knew you'd want to see these.

0:29:500:29:51

See, they just came in the mail.

0:29:510:29:54

They've just been printed.

0:29:540:29:55

Please, you're blocking my view.

0:29:550:29:57

So, did you get yours yet?

0:29:570:29:59

Actually, mine came in the mail yesterday,

0:29:590:30:02

but I'm nice enough not to flaunt them.

0:30:020:30:04

Why don't you just admit that you don't have tickets

0:30:040:30:05

or an invite and get it over with?

0:30:050:30:07

You know, I'm sure there's gonna be a lot of photographers there.

0:30:070:30:10

Maybe we can even get our pictures taken together.

0:30:100:30:12

That's a deal.

0:30:120:30:14

Oh, and you can be in the shot, too, Ella.

0:30:140:30:16

Absolutely. I'll be there.

0:30:190:30:21

Really?

0:30:250:30:26

Uh...I guess.

0:30:270:30:29

Don't worry. I have enough for both of us.

0:30:300:30:31

I swear I'm gonna pay you back the minute...

0:30:310:30:32

no, the second I get my allowance reinstated.

0:30:320:30:34

It's OK.

0:30:340:30:35

And as soon as I get my first starring role,

0:30:350:30:37

I'm taking you to Europe. Great.

0:30:370:30:38

You sure we have enough for the...?

0:30:380:30:39

BOTH GASP

0:30:390:30:40

Oh, no. Company.

0:30:470:30:48

Well, look who's here.

0:30:480:30:50

I'd, uh, stay and chat,

0:30:500:30:52

but I don't want to stay and chat.

0:30:520:30:55

She was so mean to Callie Stevenson,

0:30:550:30:56

her family had to move to Cleveland.

0:30:560:30:58

Catch you at the concert Friday.

0:30:580:31:00

That would be a good line if we were going.

0:31:000:31:03

You know, I don't think something

0:31:030:31:04

as small as tickets should stop us.

0:31:040:31:06

Scalpers, Ella.

0:31:060:31:08

Part of the fun in going to New York

0:31:080:31:09

is dealing with the slimeball scalpers.

0:31:090:31:11

If we go, I just know

0:31:110:31:12

something is gonna go wrong,

0:31:120:31:13

and I'm gonna die,

0:31:130:31:15

and my parents are gonna find out.

0:31:150:31:16

LOLA: And then Mrs Higgins says,

0:31:160:31:18

"And what will you do now, dear?"

0:31:180:31:19

Hi.

0:31:190:31:20

Hey, Mom.

0:31:200:31:21

Um, there's gonna be a cast party

0:31:210:31:23

at Carla "The Bad" Santini's house after the show,

0:31:230:31:25

and everyone's gonna be

0:31:250:31:26

really dressed up,

0:31:260:31:27

and, I mean, it's my big night,

0:31:270:31:28

and I want to look absolutely perfect.

0:31:280:31:30

OK, well, the car broke down today.

0:31:300:31:31

That cost me 600, plus I have to buy a new kiln,

0:31:310:31:34

so, I mean, do you think you could look absolutely perfect

0:31:340:31:37

in something that you already own?

0:31:370:31:39

Sure, I'll try and find something.

0:31:390:31:40

Yeah.

0:31:400:31:41

MUSIC: "Any Other Girl" by Nu

0:31:430:31:46

Can you believe 64 hours from now

0:31:470:31:49

we'll be within touching distance

0:31:490:31:50

from the man who wrote so many great songs,

0:31:500:31:52

and I still haven't found something to wear?

0:31:520:31:54

# Saying, "Come on, baby, show it

0:31:540:31:56

# "Come on, baby, show it, come in and meet the boys..." #

0:31:560:31:59

LOLA: 'What I needed for the concert was a drop-dead-gorgeous dress

0:31:590:32:02

'that made me look 25 and sophisticated enough

0:32:020:32:04

'to have a perfume named after me.

0:32:040:32:06

'This had to be really, really special.

0:32:060:32:08

'It had to be glamorous, and it had to make a statement,

0:32:080:32:10

'if I wanted Stu Wolff to notice me, that is.'

0:32:100:32:14

# You better look good, you've got to have height... #

0:32:150:32:18

Might as well just wear this to see Stu.

0:32:180:32:20

Nothing else to wear, anyway.

0:32:200:32:21

I'm just gonna be the dowdy redhead who doesn't know how to dress.

0:32:210:32:24

ELLA SOBS

0:32:240:32:27

Don't worry, Ella,

0:32:270:32:28

I'll find something to wear.

0:32:280:32:29

I mean, accessories are good, too,

0:32:290:32:31

and they'll help me, and...

0:32:310:32:33

Don't cry.

0:32:340:32:35

I...I can't lie!

0:32:350:32:38

I can't say that I'm sleeping over

0:32:380:32:40

at your house when I'm not.

0:32:400:32:41

I can't go into New York behind my parents' backs.

0:32:410:32:43

I can't do it.

0:32:430:32:44

Well, we're not really

0:32:440:32:45

going behind their backs.

0:32:450:32:46

I mean, they're gonna be in the city, too,

0:32:460:32:47

Just not in the Same venue.

0:32:470:32:49

I'm not going. I'm not going.

0:32:490:32:51

I'm not going.

0:32:510:32:52

E-Ella, I mean,

0:32:520:32:53

we're supposed to do things like this.

0:32:530:32:54

15-year-olds in other cultures

0:32:540:32:55

are...are grandmothers,

0:32:550:32:57

and no-one gave their permission to do that.

0:32:570:32:59

I mean, it's not our fault

0:32:590:33:00

that the people who brought us into this world

0:33:000:33:01

don't understand that we must

0:33:010:33:03

fly away from the nest.

0:33:030:33:04

Nature is telling us to go.

0:33:040:33:06

And our parents are good people.

0:33:060:33:07

They love us.

0:33:070:33:09

Yeah, they love us, right?

0:33:090:33:11

They really love us,

0:33:110:33:12

and I'm sure they'd hate if

0:33:120:33:13

anything happened to us,

0:33:130:33:14

and...

0:33:140:33:16

Wait here one second, OK?

0:33:180:33:20

Don't cry. It's gonna work out.

0:33:210:33:23

We'll go, and it'll be fun.

0:33:230:33:25

I can't lie!

0:33:250:33:28

Mom, it's amazing how sometimes I come to your conclusions.

0:33:300:33:34

Ella and I could use, as you say,

0:33:340:33:36

adult supervision. Uh-huh.

0:33:360:33:38

So here's the plan.

0:33:380:33:39

You drive us to the train in broad, broad daylight.

0:33:390:33:42

Ella's parents are going to be in New York,

0:33:420:33:43

and they'd be more than happy to pick us up

0:33:430:33:45

at Grand Central -

0:33:450:33:46

Grand Central Station.

0:33:460:33:47

They'll drop us off at the concert,

0:33:470:33:48

and we'll stay overnight with them at their hotel.

0:33:480:33:50

Sounds so safe, I know.

0:33:500:33:51

I can't even believe it came out of my own head.

0:33:510:33:53

OK, OK, I'm gonna have to talk

0:33:530:33:54

with Ella's mom and dad.

0:33:540:33:56

Of course, and when you do it, do it gently,

0:33:560:33:58

because they know nothing about this.

0:33:580:33:59

Mary!

0:33:590:34:01

And try and remember, we're in suburbia.

0:34:010:34:02

Yeah, yeah, I know.

0:34:020:34:04

And, you know, it wouldn't hurt if you threw in

0:34:040:34:05

that microwaves aren't that bad.

0:34:050:34:06

Well, see, Mary feels she really

0:34:080:34:10

must, must, must see the concert.

0:34:100:34:12

And is that how you feel, sweetie -

0:34:120:34:13

that you must see these Sidarthur people?

0:34:130:34:17

It's their last performance.

0:34:170:34:19

Well, why didn't you just ask, pumpkin?

0:34:190:34:22

I didn't know I could.

0:34:220:34:25

DAD: All right.

0:34:250:34:26

Your mother and I are going into the city on Thursday

0:34:260:34:29

for a long weekend. Yeah.

0:34:290:34:31

We'll pick them up at the station,

0:34:310:34:32

and they can stay with us at the Hilton.

0:34:320:34:33

Which is practically down the street from the concert.

0:34:330:34:35

Well, that would be great.

0:34:350:34:37

Oh, it's as if the heavens wanted this.

0:34:390:34:42

- Miss Baggoli? - Yes?

0:34:430:34:44

Someone broke the heel.

0:34:440:34:46

No! Oh!

0:34:460:34:48

Girls, pl... Everybody! Listen up.

0:34:480:34:50

General announcement, everyone.

0:34:500:34:52

Costumes are sacred.

0:34:530:34:57

Costumes are sacred.

0:34:570:35:01

Please.

0:35:010:35:03

I mean, what does one wear to Stu Wolff's party?

0:35:030:35:06

There's gonna be so many famous people there.

0:35:060:35:08

I don't know. I just want to look hot.

0:35:080:35:10

One wears what one usually wears to these soirees.

0:35:100:35:14

# I wanna be loved by you

0:35:140:35:16

# Just you

0:35:160:35:18

# Nobody else but you

0:35:180:35:21

# I wanna be loved by you alone

0:35:210:35:26

# Boop, boop, ba-doo

0:35:260:35:28

# I wanna be kissed by you

0:35:280:35:31

# Just you

0:35:310:35:32

# Nobody else but you

0:35:320:35:35

# I wanna be kissed by you alone

0:35:350:35:41

# I couldn't aspire

0:35:410:35:44

# To anything higher

0:35:440:35:48

# Than to fill the desire to make you my own

0:35:480:35:54

# Ba-dum, ba-dum, dum-de-dum

0:35:540:35:57

# I wanna be loved by you

0:35:570:36:00

# Just you

0:36:000:36:01

# And nobody else but you... #

0:36:010:36:05

Oh...please...

0:36:060:36:08

Lola! Oh, my gosh! Lola! BELL RINGS

0:36:080:36:11

LOLA: 'Crime has never appealed to me as a way of life,

0:36:110:36:13

'but a girl's gotta do what a girl's gotta do,

0:36:130:36:15

'and I needed Eliza's dress.'

0:36:150:36:17

You know, you don't have to do this for me.

0:36:170:36:19

I mean, I know you said you'd do me a favour,

0:36:190:36:20

but this one may be too big.

0:36:200:36:22

Don't worry.

0:36:220:36:23

I'll be in and out of the drama room in seconds.

0:36:230:36:25

5, 6, 7, 8, and...

0:36:250:36:27

ROCK MUSIC PLAYS

0:36:270:36:29

LOLA: 'OK, I know it's not like me to be unprofessional,

0:36:290:36:31

'but how can I concentrate

0:36:310:36:33

'when Sam is risking his life for me?

0:36:330:36:34

'And when in ten hours' time,

0:36:340:36:35

'I'll be standing right in front of Stu Wolff?'

0:36:350:36:38

Oof.

0:36:460:36:47

Wait a minute. No, no.

0:36:490:36:50

OK, everybody, that's... That's enough!

0:36:500:36:53

Excuse me, PLEASE!

0:36:530:36:54

MUSIC STOPS

0:36:540:36:56

(I'm sorry.)

0:36:560:36:58

Maybe you're messing up so much

0:37:010:37:02

because you're so excited about the concert tonight.

0:37:020:37:05

No, I'm used to those things.

0:37:050:37:07

Lola and Carla, do you have to talk?!

0:37:070:37:09

< Opening night is in one week.

0:37:090:37:12

I would think that we could just have

0:37:120:37:14

one decent rehearsal by now!

0:37:140:37:17

SHE GASPS

0:37:170:37:19

< All right.

0:37:190:37:20

What I think we'll do now is we'll just breathe.

0:37:200:37:23

Breathe deep, and try and relax.

0:37:230:37:24

THEY INHALE

0:37:240:37:26

THEY VOCALISE

0:37:260:37:29

< And another one.

0:37:290:37:30

Shake it, shake it, shake it, shake it,

0:37:320:37:33

shake it, shake it, shake.

0:37:330:37:34

And you all just keep shaking and relaxing.

0:37:340:37:37

And I'm gonna get something I really need

0:37:370:37:39

out of the drama room.

0:37:390:37:41

No, no, no, Miss Baggoli,

0:37:410:37:42

it's OK, I'll get it for you.

0:37:420:37:43

No, that's all right, Lola,

0:37:430:37:44

because what I need

0:37:440:37:45

is locked up in the drama room.

0:37:450:37:47

No, but on page 42 of the script

0:37:490:37:50

is where I want to sort of look down demurely.

0:37:500:37:52

Lola, get out of my way!

0:37:520:37:54

Can't we just go back onto the stage?

0:37:550:37:56

Miss Baggoli, please.

0:37:560:37:58

Please, just get out of...

0:37:580:37:59

Lola, would you please get out of my way?

0:37:590:38:03

That's odd.

0:38:030:38:04

Why isn't this locked? Oh, my goodness.

0:38:040:38:07

Hmm...

0:38:070:38:09

But I always lock this door.

0:38:090:38:11

LOLA: You know, you probably did lock it.

0:38:110:38:12

I mean, we have the Same lock at home.

0:38:120:38:13

Sometimes it works. Sometimes it doesn't.

0:38:130:38:14

Sometimes it does. Sometimes it doesn't.

0:38:140:38:15

I mean, you never know what's gonna happen.

0:38:150:38:17

Oh, oh, oh.

0:38:170:38:18

OK, nothing seems to be missing.

0:38:180:38:20

Why would anything be missing here?

0:38:200:38:22

Well, I have no idea, do I?

0:38:220:38:25

You know, I...I just...

0:38:250:38:26

I want to talk to you about my lines.

0:38:260:38:27

I don't really know them that well.

0:38:270:38:28

What do you mean, you don't know your lines?

0:38:280:38:30

At this time, I don't even want to discuss this.

0:38:300:38:33

No, I'm not even gonna discuss this right now.

0:38:330:38:35

SHE GASPS

0:38:480:38:49

Lola, you're just making me so nervous.

0:38:490:38:53

Well, I...I need to show you something on the stage.

0:38:530:38:55

You know what I think?

0:38:550:38:57

I think that you've just been working so hard -

0:38:570:39:00

entirely too hard -

0:39:000:39:01

and that you should just really try

0:39:010:39:03

and take the weekend off and relax, OK?

0:39:030:39:06

I...I've never really relaxed before.

0:39:060:39:08

There's no reason I can't try.

0:39:080:39:10

I think you should. I just think you should.

0:39:100:39:14

Oh, my gosh! I was so terrified.

0:39:200:39:21

I know. I was just about to grab the dress

0:39:210:39:23

when Miss Baggoli came in.

0:39:230:39:25

Thanks for trying.

0:39:250:39:26

Trying?

0:39:270:39:28

Take a look under the hood.

0:39:310:39:32

SHE GASPS

0:39:360:39:38

Are you kidding me?

0:39:390:39:40

# Oh, yeah... #

0:39:420:39:43

LOLA: Hurry, quick, I don't want to miss the train.

0:39:470:39:50

ELLA: Wait for me!

0:39:500:39:51

TANNOY: 342 to Grand Central Station Now arriving.

0:39:510:39:53

I don't believe it.

0:39:580:39:59

I don't believe you stole Eliza's dress.

0:39:590:40:02

I didn't steal it. I borrowed it.

0:40:020:40:04

Borrowed? You mean you asked if it was OK?

0:40:040:40:06

Well, not exactly. I mean, Sam...

0:40:060:40:08

You got Sam to steal it for you?

0:40:080:40:10

Borrowed! Borrowed it. Sam borrowed it.

0:40:100:40:11

It'll be back in the closet by Monday morning.

0:40:110:40:13

Oh. Yeah. I'm gonna get off.

0:40:130:40:14

I can't go through with this. No, no.

0:40:140:40:16

Ella, Ella, don't back out now, please.

0:40:160:40:17

Please just let me have one night of pure joy

0:40:170:40:19

if I'm gonna have to spend the rest of my precious youth behind bars.

0:40:190:40:23

This better be one great concert.

0:40:240:40:25

That's a given.

0:40:250:40:27

I don't want to get near a scalper.

0:40:270:40:29

You take the money, OK?

0:40:290:40:30

OK.

0:40:300:40:31

# Oh, yeah

0:40:340:40:36

# Come on, come on, come on, come on

0:40:380:40:39

# Come on, get in

0:40:410:40:43

# Hang your coats

0:40:430:40:44

# Eat our chips, come on

0:40:440:40:46

# We've got notes

0:40:460:40:47

# Shake your coconuts

0:40:470:40:49

# Coco boys

0:40:490:40:51

# Until that nut comes out, come on

0:40:510:40:53

# Coco girls

0:40:530:40:54

# Just keep on dancing now

0:40:540:40:56

# Just keep on getting down

0:40:560:40:57

# Just keep on having fun

0:40:570:40:59

# The party's just begun

0:40:590:41:00

# All dressed up

0:41:080:41:09

# And dressed to kill

0:41:090:41:11

# Doctor says, "Come on, eat your pills"

0:41:110:41:14

# Shake your coconuts... # Atchoo!

0:41:140:41:16

# Coco boys

0:41:160:41:17

# Until that milk comes out

0:41:170:41:19

# Coco girls

0:41:190:41:21

# Just keep on having fun... # COUGHS

0:41:210:41:22

# The party's just begun

0:41:220:41:24

# Just keep on dancing

0:41:240:41:26

# Just keep on getting down

0:41:260:41:27

# Just keep on dancing

0:41:270:41:29

# Just keep on getting down

0:41:290:41:31

# Just keep on having fun

0:41:310:41:32

# The party's just begun

0:41:320:41:34

# Whoo! #

0:41:340:41:36

TANNOY: Hartford express, New Haven line.

0:41:360:41:39

Wow!

0:41:390:41:40

Wow, you... you look beautiful!

0:41:400:41:43

- You too, Lola. - Thanks.

0:41:430:41:45

Yes, you do...

0:41:450:41:46

both of you.

0:41:460:41:48

Now... now, the hotel is...

0:41:480:41:49

is just a few blocks from the theatre.

0:41:490:41:50

I know. I know my New York.

0:41:500:41:52

We'll be back in the hotel room at 12.00.

0:41:520:41:55

You have your tickets and your money?

0:41:550:41:57

We have the money. We'll buy the tickets.

0:41:570:41:58

Oh, here.

0:41:580:42:00

Thank you.

0:42:000:42:02

We'll, uh, we'll drop you off.

0:42:020:42:04

I can assure you, everything is gonna be fine.

0:42:040:42:06

It's just a quiet little concert.

0:42:060:42:08

# Ha, ha, ha, ha, ha

0:42:080:42:10

# Ha, ha

0:42:100:42:12

# Whoo... #

0:42:120:42:13

GIRLS SCREAM

0:42:130:42:15

# Ha, ha, ha, ha, ha

0:42:170:42:19

# Ha, ha

0:42:190:42:21

# Whoo... #

0:42:210:42:21

INDISTINCT SHOUTING

0:42:210:42:23

LOLA: OK, Ella, heads up, march forward.

0:42:230:42:25

- Get ready to rock'n'roll. - POLICEMAN: Girls, please.

0:42:250:42:27

- Oh, our tickets are at the door. - OK.

0:42:270:42:29

LOLA: Look for someone who's selling tickets.

0:42:430:42:44

Isn't there a stall or something?

0:42:440:42:46

No. They're just ordinary people doing ordinary scalping.

0:42:460:42:49

Oh! Watch this.

0:42:490:42:51

You have to be strict with these people.

0:42:510:42:52

You have to bargain and deal.

0:42:520:42:54

How much?

0:42:540:42:55

165 in orchestra. Can't get any better than that.

0:42:550:42:57

We'll take them.

0:42:570:42:59

165 doesn't leave us very much for incidentals.

0:42:590:43:01

When you get to see Stu Wolff,

0:43:010:43:03

you don't need incidentals.

0:43:030:43:05

It's in your make-up bag.

0:43:050:43:06

Oh, right.

0:43:060:43:07

W-w-what's wrong?

0:43:110:43:13

Ella, it's not here. My make-up bag's not here.

0:43:130:43:17

It must be.

0:43:170:43:18

It has to be.

0:43:180:43:19

When did you last see it?

0:43:190:43:21

In the train. I left it behind the...

0:43:210:43:24

sink.

0:43:240:43:26

Oh, no.

0:43:260:43:28

Oh. Maybe it's karma.

0:43:280:43:29

All we have to do is go in with a large group of people.

0:43:290:43:33

What? You mean sneak in?

0:43:330:43:35

Sneaking would be beneath us, but...

0:43:350:43:36

I can't think of a better word for what we're about to do.

0:43:360:43:40

I have never snuck, ever. I can't do it.

0:43:400:43:44

I'm terrified just being here.

0:43:440:43:46

Stage fright. It'll pass.

0:43:460:43:47

This is a little tricky, so just follow my lead, OK?

0:43:470:43:50

I wonder what song they'll do.

0:43:500:43:52

I hope they do Love Loser.

0:43:520:43:53

Oh, I'm so excited!

0:43:530:43:54

I feel like I've been waiting for this for ever.

0:43:540:43:57

Just a minute.

0:43:590:44:00

Can I have another look at your ticket, please?

0:44:020:44:06

Uh, right. Uh, my ticket. Sure.

0:44:060:44:08

RUSTLING

0:44:080:44:09

You know, i-it's not here.

0:44:090:44:11

I must have dropped it or something.

0:44:110:44:13

No ticket...

0:44:150:44:16

no concert.

0:44:160:44:18

I demand to see your supervisor.

0:44:180:44:19

Yeah? You can see him outside.

0:44:190:44:21

But...

0:44:210:44:22

Come to the door.

0:44:300:44:32

Come...to...the door.

0:44:320:44:35

OK, go see Stu.

0:44:350:44:37

Go...see...Stu.

0:44:370:44:40

Go see Stu!

0:44:400:44:41

OK, stay there. Don't move. I'm coming in.

0:44:410:44:43

I just have to be with my cousin.

0:44:430:44:45

She has this...this rare disease that makes you gag

0:44:450:44:48

and you can't breathe and then you die.

0:44:480:44:49

I mean, she shouldn't be left alone, and, look -

0:44:490:44:51

look, she's alone - the one who's gagging and not breathing.

0:44:510:44:54

I have to be with her at all times.

0:44:540:44:56

OK.

0:44:570:44:58

Good plan.

0:45:020:45:03

MUSIC PLAYS IN DISTANCE

0:45:040:45:07

Maybe we should just go to the hotel.

0:45:070:45:09

What? And miss the concert?

0:45:090:45:11

Yeah, I don't think so.

0:45:110:45:13

We're not actually at the concert.

0:45:130:45:14

We're close. I mean,

0:45:140:45:15

Stu Wolff's only a few yards away from us.

0:45:150:45:17

And then he'll be at the after-party with us.

0:45:170:45:20

Your belief system amazes me.

0:45:200:45:22

Ella, where are you going?

0:45:220:45:24

Don't leave me!

0:45:240:45:26

Come back! Ella!

0:45:260:45:29

What are you doing?

0:45:290:45:30

I'm going back to the hotel.

0:45:300:45:32

So you're just gonna give up?

0:45:320:45:33

If everyone gave up,

0:45:330:45:35

there'd be no America, no electricity, no TiVo.

0:45:350:45:39

We'd all have to watch shows at their scheduled times.

0:45:390:45:41

We'd never get to see Renee Zellweger or Christina Aguilera.

0:45:410:45:44

If everyone gave up, we'd all be sitting in mud huts in Europe eating weeds.

0:45:440:45:48

I didn't say stop progress.

0:45:480:45:49

I just said, "Go back to the hotel."

0:45:490:45:51

But don't you want to see the look on Carla's face

0:45:510:45:53

when we show up at that party?

0:45:530:45:55

Yeah, I do.

0:45:550:45:57

Great! Then let's go to SoHo.

0:45:570:45:58

Where in SoHo? We don't even know where Stu lives.

0:45:580:46:01

Oh, sure, we do. I have this.

0:46:010:46:03

ELLA: A picture of a door?

0:46:070:46:09

LOLA: It's not just a door.

0:46:090:46:11

It's a black door with windows.

0:46:110:46:13

Have some faith, Ella.

0:46:130:46:15

SoHo is New York's artistic soul.

0:46:150:46:17

And it's just around the corner.

0:46:170:46:18

# Get ready or not, cos here I come

0:46:180:46:21

# Dance, dance, dance, have some fun

0:46:210:46:23

# 6, 5, 4, 3, 2, 1... #

0:46:230:46:25

THUNDER # Get up, get up

0:46:250:46:27

# Get up, up, up

0:46:270:46:29

# O-o-h

0:46:290:46:30

# Up, up, up... #

0:46:300:46:32

ELLA: 67 blocks is "around the corner"?!

0:46:320:46:35

# ..Rain falls down on my parade

0:46:350:46:38

# Lemons into lemonade

0:46:380:46:40

# Can't slow me down, no way, no way... #

0:46:400:46:43

Ready? Yeah.

0:46:430:46:45

# Yesterday is in the past

0:46:450:46:47

# Dream on, tomorrow's coming fast

0:46:470:46:50

# All you got is now... #

0:46:500:46:51

Ready? # ..Get up, get up... #

0:46:510:46:53

Ohh! # Get ready or not, cos here I come

0:46:530:46:56

# Dance, dance, dance, have some fun

0:46:560:46:58

# 6, 5, 4, 3, 2, 1

0:46:580:47:01

# Get up, get up... #

0:47:010:47:02

There's a man following us.

0:47:210:47:24

Don't be silly, Ella.

0:47:240:47:25

The crime rate in New York is going down.

0:47:250:47:27

(Come on. Let's go.)

0:47:300:47:32

There's a man and a dog following us.

0:47:410:47:43

OK. Stay here. I'll handle this.

0:47:460:47:47

New Yorkers know how to handle trouble.

0:47:470:47:49

Watch this.

0:47:490:47:50

Hey! Hey!

0:47:500:47:51

Dad, what are you doing here?

0:47:510:47:53

Your mom called.

0:47:530:47:54

Asked me to keep an eye on you.

0:47:540:47:57

She got nervous.

0:47:570:47:58

Mom was born nervous.

0:47:580:47:59

So, where are you going?

0:47:590:48:02

To a party.

0:48:020:48:03

Not like that. You're all wet.

0:48:030:48:05

Daddy, nothing can rain on my parade.

0:48:050:48:07

You know, I like parties.

0:48:070:48:09

Please, Dad. If you show up,

0:48:090:48:10

then Stu Wolff will never think I'm cool.

0:48:100:48:12

Can't you just wait outside or something?

0:48:120:48:13

Right outside.

0:48:130:48:15

But if I see something even slightly wrong,

0:48:150:48:17

I'm coming in.

0:48:170:48:18

You know, I really like parties.

0:48:180:48:20

Thanks, Dad.

0:48:200:48:21

And could you lay low? You're scaring my friend.

0:48:210:48:23

Right.

0:48:250:48:26

But I'll be watching. >

0:48:260:48:27

Well, he won't be bothering us any more.

0:48:290:48:31

So, are you ready to have fun?

0:48:310:48:32

I-I hope so.

0:48:320:48:33

OK. Good.

0:48:330:48:35

BOTH: # I'm going to a party

0:48:400:48:42

# With Sidarthur! #

0:48:420:48:44

Yeah!

0:48:440:48:45

# Oh-oh... #

0:48:460:48:49

That was the Santini car.

0:48:490:48:51

# Oh-oh

0:48:510:48:53

# Oh-oh

0:48:530:48:56

# Oh-oh

0:48:560:48:58

# Oh-oh

0:48:580:49:00

# Oh-oh

0:49:000:49:03

# Oh-oh... #

0:49:030:49:05

SHOUTING AND CHEERING

0:49:170:49:21

Hi! Lola Cep. Ella Gerard. Nice to see you again.

0:49:330:49:36

I'll have to see your invitations.

0:49:360:49:37

Strange you should ask. We left them at the concert.

0:49:370:49:41

Our names should be on the list.

0:49:410:49:42

There they are!

0:49:480:49:49

Dr and Mrs Lawrence?

0:49:490:49:51

Yeah. Uh, my mom and my dad.

0:49:510:49:53

They couldn't make it.

0:49:530:49:55

My mom has a rash, and my dad's in surgery.

0:49:550:49:57

I thought your name was Step.

0:49:570:49:59

Could I just use your phone?

0:50:000:50:01

I have to call my parents. Please?

0:50:010:50:02

This is a private residence, not Grand Central Station.

0:50:020:50:05

Use a public phone.

0:50:050:50:07

BARKING

0:50:070:50:08

Whoa, whoa!

0:50:080:50:09

MAN: Stu, this is your own party! It's your own party.

0:50:100:50:13

SLURRED: You don't tell me what to do any more, Steve.

0:50:160:50:18

Don't you remember? It's over.

0:50:180:50:19

STEVE: Come inside before you embarrass yourself.

0:50:190:50:21

You touch me... HE MUMBLES

0:50:210:50:24

Yeah, remember? He's been trouble all over the world.

0:50:280:50:31

Thank God he's not our problem any more.

0:50:310:50:34

Steve! Steve!

0:50:340:50:36

I-I love you.

0:50:360:50:39

Wait, let me just talk to you for one minute!

0:50:390:50:42

Well, except for the garbage and the cars,

0:50:440:50:46

it's like following Heathcliff out on the moors.

0:50:460:50:47

Maybe we shouldn't.

0:50:470:50:48

Would you please relax?

0:50:480:50:50

I'd rather lose him than lose my life.

0:50:500:50:52

Where do you think he's going?

0:50:520:50:53

Someplace great.

0:50:530:50:56

MUTTERING

0:50:570:50:59

This for you is great?

0:51:020:51:05

I'm getting really scared being out here all alone, Lola.

0:51:050:51:08

We're not alone. We're with an adult.

0:51:080:51:10

CANS RATTLE

0:51:100:51:11

Aside from the fact that he isn't actually with us,

0:51:110:51:13

he isn't actually an adult. He's a rock star.

0:51:130:51:18

STU MOANS

0:51:180:51:20

RUSTLING

0:51:200:51:21

LOLA: Mr Wolff?

0:51:240:51:26

What...? Come with me.

0:51:260:51:28

Come on. Help me get him out.

0:51:300:51:31

ELLA WHIMPERS

0:51:310:51:32

ELLA: He smells like a backed-up drain.

0:51:330:51:36

LOLA: Ella, Ella, Ella. I mean, see the beauty.

0:51:360:51:38

Oh, my God! He's crying.

0:51:380:51:40

Do you believe how lucky we are?

0:51:400:51:43

I almost hear them praying that we don't sit near them.

0:51:430:51:46

OK, well, quickly get him into a booth before anyone smells him.

0:51:460:51:49

Everybody wants something from me.

0:51:540:51:57

You think I'm a regular guy.

0:51:570:51:59

I'm not a regular guy. >

0:51:590:52:01

Do you...do you think anybody really knows who I am?

0:52:010:52:06

I don't even know who I am.

0:52:060:52:08

Once we get some coffee in him,

0:52:100:52:11

I'm sure he'll become the man of truth, passion,

0:52:110:52:13

and unflagging courage I know him to be.

0:52:130:52:14

So, what will it be?

0:52:140:52:16

Do you think I have any real friends?

0:52:160:52:19

We'll just have coffee.

0:52:190:52:20

Not me.

0:52:200:52:22

I'll have a deluxe hamburger platter,

0:52:220:52:24

well done,

0:52:240:52:25

and a large side of onion rings.

0:52:250:52:28

Uh, you know, you could just give him coffee.

0:52:280:52:29

He's not really up to a meal right now.

0:52:290:52:31

I-I want a deluxe hamburger platter. Is that too difficult?

0:52:310:52:37

Look, you two better keep him in line.

0:52:370:52:39

The boss won't stand for any nonsense.

0:52:390:52:41

What do you want?

0:52:430:52:44

Autographs? Money? A record deal?

0:52:440:52:48

Hey, there, girls, do you want something from me?

0:52:480:52:50

This is a poet who lit your darkest days?

0:52:500:52:52

Didn't I tell you he was a tortured soul?

0:52:520:52:56

Stu, do you have any cash on you?

0:52:560:52:58

We sort of left ours on the train.

0:52:580:53:00

I knew you wanted money.

0:53:000:53:02

Look.

0:53:020:53:04

Nothing.

0:53:050:53:06

That's not onion rings.

0:53:090:53:11

Can you believe this?

0:53:110:53:12

I mean, we're actually having coffee

0:53:120:53:14

With Stu Wolff.

0:53:140:53:15

I have so much to ask you about your work.

0:53:150:53:18

It's impossible to talk to someone who's had that much to drink.

0:53:200:53:22

You know, you just don't understand the artistic soul.

0:53:220:53:25

He drinks so much to numb the intensity of his feelings.

0:53:250:53:28

All geniuses do, Ella.

0:53:280:53:30

I want onion rings.

0:53:300:53:33

This is a donut!

0:53:330:53:35

I want onion rings.

0:53:370:53:39

Now.

0:53:390:53:40

What is wrong with the service around here?

0:53:420:53:44

Are we together?

0:53:440:53:47

Who are you?

0:53:470:53:48

Uh, the fates have sort of brought us together.

0:53:480:53:50

This is Ella.

0:53:500:53:51

Ella what?

0:53:510:53:53

Ella Gerard. 58 Birch Hollow Road, Dellwood, New Jersey.

0:53:530:53:56

201-555-0199.

0:53:560:53:59

But tonight my parents are staying at the New York Hilton,

0:53:590:54:02

and I really don't want to worry them by being incarcerated.

0:54:020:54:04

It's my mother's birthday. I bought her a rug.

0:54:040:54:07

Be quiet, Mr Wolff. You?

0:54:070:54:09

Lola Cep. My father's name is Calum Cep.

0:54:090:54:13

Address is 512 Bleecker Street.

0:54:130:54:15

212-555-0125.

0:54:150:54:18

< All right, the three of you,

0:54:180:54:20

sit over there while I make some calls.

0:54:200:54:21

What's wrong with you?

0:54:230:54:24

Why did you lie like that to the police?

0:54:240:54:26

Don't you think they're gonna find out

0:54:260:54:27

that your father is dead?

0:54:270:54:28

Excuse me, but what's going on?

0:54:280:54:29

Who are you two?

0:54:290:54:30

What's wrong with you? I mean...

0:54:300:54:32

How come you're not afraid of what your parents are gonna say?

0:54:320:54:34

I'm resigned to what life may bring.

0:54:340:54:36

But why did you give a false address?

0:54:360:54:38

You know, Ella, I think your true soul and spirit

0:54:380:54:41

are finally beginning to emerge.

0:54:410:54:42

Why did you lie?

0:54:420:54:44

I didn't lie.

0:54:440:54:45

My father does live on Bleecker Street,

0:54:450:54:46

and he has a rent-controlled apartment

0:54:460:54:47

and a dog named Negus.

0:54:470:54:49

You told me your father died in a motorcycle accident.

0:54:490:54:53

So I exaggerated a little.

0:54:530:54:55

A little?

0:54:550:54:56

Exaggerating "a little"

0:54:560:54:58

is saying you're a little taller.

0:54:580:54:59

Saying your father is dead when he's not

0:54:590:55:01

is lying beyond comprehension.

0:55:010:55:03

Can we talk about this later?

0:55:030:55:04

I mean, don't you think we should tell Stu what happened first?

0:55:040:55:06

I think you should tell me what happened.

0:55:060:55:07

Why did you say your father was dead?

0:55:070:55:09

He died? When?

0:55:090:55:11

I had a reason.

0:55:110:55:13

And what was that?

0:55:130:55:14

The truth?

0:55:140:55:16

No, a lie will do(!) Yes, the truth!

0:55:160:55:18

You do remember what that is, don't you?

0:55:180:55:20

Were we in a diner? I have an image of "Merry Xmas".

0:55:200:55:23

If you could just give me a moment, I'd be happy to explain.

0:55:230:55:25

But right now I'm talking to her.

0:55:250:55:27

All right.

0:55:270:55:28

The total truth.

0:55:280:55:29

I lied because I wanted to make myself seem more interesting.

0:55:310:55:34

More interesting?

0:55:340:55:37

We are 1,000 miles from home in a New York police station

0:55:370:55:41

with a drunken rock star

0:55:410:55:42

waiting for your dead father to show up,

0:55:420:55:43

and you want to be more interesting?

0:55:430:55:46

More interesting than what?

0:55:460:55:47

You know, you just don't understand.

0:55:470:55:49

It was a new town and a new school.

0:55:490:55:51

I understand.

0:55:510:55:53

And I lied for my mom.

0:55:530:55:54

I had to protect her against suburbia.

0:55:540:55:56

Your parents just didn't get her.

0:55:560:55:57

So you killed your father?

0:55:570:56:01

Ella!

0:56:010:56:02

I-I would appreciate it if you would just stop talking.

0:56:020:56:05

Ella, come on.

0:56:050:56:06

Just...

0:56:060:56:08

What's going on?

0:56:160:56:18

Arrest that man! He's a stalker.

0:56:180:56:20

Ella, Dad. Dad, Ella.

0:56:200:56:21

Hi. I'm Calum Cep, her father. What happened?

0:56:210:56:23

That's what I've been asking.

0:56:230:56:25

LOLA: 'As the night continued to fall on the dark,

0:56:250:56:27

'heartless streets around the precinct,

0:56:270:56:28

'the six of us gathered around the sergeant,

0:56:280:56:30

'and I told our tale.'

0:56:300:56:31

We were desperate to get into this man's concert

0:56:310:56:33

because I consider him to be the greatest poet since Shakespeare.

0:56:330:56:36

But we lost our money on the train, and we couldn't pay a scalper.

0:56:360:56:38

And then we tried to crash his party

0:56:380:56:40

rather than have our dreams forever denied.

0:56:400:56:42

And when he stormed out of his SoHo loft,

0:56:420:56:43

we followed him to make sure he didn't come into any harm.

0:56:430:56:46

I'm having memory flashes.

0:56:460:56:47

I was passed out amongst the rubbish.

0:56:470:56:48

I believe they helped me.

0:56:480:56:50

CALUM: I know I should be furious,

0:56:500:56:52

but it's too late for fury.

0:56:520:56:54

< I'm just thankful nothing worse happened.

0:56:540:56:56

He looks like the dog in The Dog Years.

0:56:560:56:58

He is the dog in The Dog Years.

0:56:580:57:00

The Dog Years? He's the dog in The Dog Years?

0:57:000:57:01

Yeah.

0:57:010:57:02

STU: My niece loves those books.

0:57:020:57:04

You're famous! He's not as famous as you.

0:57:040:57:06

Oh, Molly's not gonna believe I've actually met you...

0:57:060:57:09

Negus, right?

0:57:090:57:10

And Calum Cep, right? Right.

0:57:100:57:13

We checked your story, and you're free to go.

0:57:130:57:16

Uh, excuse me, Mr Wolff? Mm-hm?

0:57:160:57:18

Can I have your autograph?

0:57:180:57:20

Oh, yeah, sure.

0:57:200:57:22

Sure.

0:57:220:57:23

To...

0:57:230:57:24

Sergeant Rose...

0:57:240:57:26

Stu Wolff.

0:57:260:57:27

Right, well, now that that's settled,

0:57:280:57:30

um, would anyone like to come to a party with me?

0:57:300:57:33

I would.

0:57:330:57:34

LOLA SIGHS

0:57:430:57:45

You can't stay mad at me for ever.

0:57:450:57:47

Forgive me, please?

0:57:470:57:49

I-I am in no way ready to forgive you.

0:57:490:57:51

Well, this is the party of the century.

0:57:510:57:53

I mean, don't you want to enjoy it with me?

0:57:530:57:54

I'm not really in a partying mood.

0:57:540:57:56

Look, I'm sorry.

0:57:560:57:58

I really am. I'm sorry.

0:57:580:57:59

You're just saying that to save the evening.

0:57:590:58:02

No, I'm...I'm not.

0:58:020:58:03

I honestly don't know what I'd do without you.

0:58:030:58:06

What's going on? Why are you still out here?

0:58:060:58:09

We just don't feel like going in right now.

0:58:090:58:11

< Well, then...

0:58:110:58:13

Let me get you back to the hotel.

0:58:130:58:15

It...

0:58:150:58:17

Maybe we can just go in for a little while.

0:58:180:58:21

NEGUS BARKS

0:58:230:58:24

MUSIC PLAYS

0:58:240:58:26

# Sun is shining

0:58:260:58:27

# Sun is shining

0:58:270:58:29

# There's no need to sleep no more... #

0:58:290:58:31

Hi!

0:58:310:58:32

There you are!

0:58:330:58:35

All right. Listen, uh...

0:58:350:58:36

How about we get you guys something dry to wear,

0:58:360:58:38

and I'll have those dresses cleaned... Come on.

0:58:380:58:40

..and sent over to your dad's?

0:58:400:58:41

Who is brilliant, by the way.

0:58:410:58:43

I think he and I are gonna be pals.

0:58:430:58:45

Yeah, I bought all his books.

0:58:450:58:47

# Celebrity and superstition

0:58:470:58:50

# Whatever it takes to get some recognition... #

0:58:500:58:54

Just upstairs.

0:58:540:58:55

I don't see her, do you? No.

0:58:550:58:58

# ..Making you pay to feed the thoughts they... #

0:58:580:59:01

Can you believe this?

0:59:010:59:02

I mean, we're... we're in his clothes.

0:59:020:59:05

And in his bedroom.

0:59:050:59:07

Come on, Ella.

0:59:070:59:09

Celebrate with me, please.

0:59:090:59:10

I want everything to be OK between us.

0:59:140:59:17

And I do, too.

0:59:170:59:19

You have to promise that you'll never lie to me again.

0:59:200:59:23

I do. I-I promise.

0:59:230:59:25

I-I swear, Ella. I do.

0:59:250:59:27

You promise?

0:59:280:59:29

I do.

0:59:290:59:31

OK.

0:59:320:59:33

OK, then.

0:59:340:59:35

Come on, we're in his room.

0:59:350:59:38

What do you want to do? I mean... I don't know.

0:59:380:59:40

THEY LAUGH

0:59:400:59:41

# We're not done yet

0:59:410:59:43

# Not going quietly into the night

0:59:430:59:46

# Not me and my friends

0:59:460:59:48

# We're not done yet

0:59:480:59:49

# Not going quietly into the night

0:59:490:59:53

# Not me and my friends

0:59:530:59:54

# We're not done yet, don't take it too seriously

0:59:540:59:58

# It's just life, we'll win in the end

0:59:581:00:02

# We're not done yet

1:00:131:00:16

# Not going quietly into the night

1:00:161:00:19

# Not me and my friends... #

1:00:191:00:20

That is so gross.

1:00:201:00:22

Carla!

1:00:221:00:24

Hey, Carla!

1:00:241:00:27

We've been looking for you!

1:00:271:00:28

Did you see her face?

1:00:301:00:33

She looks really angry.

1:00:331:00:34

ELLA: I know that look.

1:00:341:00:36

You know, life can be so randomly beautiful.

1:00:361:00:39

# Come on, girls!

1:00:401:00:41

# Girls, we've all got one... #

1:00:411:00:46

Oh, my God! # ..A night that's special everywhere

1:00:461:00:50

# From New York

1:00:501:00:52

# To Hollywood

1:00:521:00:54

# It's ladies' night... #

1:00:541:00:56

Oh, my God! # And, girl, the feeling's good

1:00:561:00:58

# Oh, yes, it's ladies' night

1:00:581:00:59

# And the feeling's right

1:00:591:01:02

# Oh, yes, it's ladies' night

1:01:021:01:04

# Oh, what a night

1:01:041:01:05

# Oh, what a night

1:01:051:01:06

# Oh, yes, it's ladies' night

1:01:061:01:08

# And the feeling's right

1:01:081:01:10

# Oh, yes... #

1:01:101:01:11

My saviours.

1:01:111:01:13

BOTH: Oh, my God!

1:01:131:01:15

Oh, it's Steve. It's Steve!

1:01:151:01:17

Hang on.

1:01:171:01:18

Stu, I know you're really busy,

1:01:181:01:19

but I was wondering if I could just talk to you for a second.

1:01:191:01:21

Why not? Be my guest.

1:01:211:01:23

Uh, I can't believe I met you.

1:01:241:01:26

I mean, I can't believe I'm sitting here with the man

1:01:261:01:28

who wrote all those songs that made my spirit soar.

1:01:281:01:31

What were you thinking when you wrote,

1:01:311:01:32

"Behind some doors people are waiting to sparkle"?

1:01:321:01:35

I have no idea.

1:01:371:01:39

But you wrote it.

1:01:401:01:41

Life's a little foggy, a little soggy.

1:01:411:01:45

You know, that really said something to me.

1:01:451:01:47

And...and I'm sure to a hundred million other girls,

1:01:471:01:49

but especially to me.

1:01:491:01:51

I'm happy to oblige a fan.

1:01:511:01:54

No. I-I'm not just a fan.

1:01:541:01:56

I mean, I sat at your feet, metaphorically.

1:01:561:01:58

When I listened to Always Morning,

1:01:581:02:00

I wore a grey jacket because you wore a grey jacket on the CD.

1:02:001:02:02

And you wore grey because it was ambiguous.

1:02:021:02:05

Am I right?

1:02:051:02:06

No.

1:02:061:02:07

I'm right.

1:02:071:02:09

You look disappointed.

1:02:151:02:17

Well, I am.

1:02:171:02:19

In me?

1:02:191:02:21

Yeah. I mean, I still think you're the greatest thing since Shakespeare.

1:02:211:02:24

But it's just too bad I'll never be able to discuss your poetry with you.

1:02:241:02:28

Why?

1:02:281:02:30

Because, Mr Wolff...

1:02:301:02:33

you're a drunk.

1:02:331:02:35

I hope getting this thing back

1:02:471:02:48

is easier than getting it out.

1:02:481:02:49

Yeah.

1:02:491:02:50

Guess what! I've been grounded!

1:02:501:02:53

Me too! I'm so proud of you!

1:02:531:02:55

This is the day I've been waiting for

1:02:571:02:58

since my first summer camp when Carla told all the kids

1:02:581:03:01

that if they played with me, they'd die.

1:03:011:03:03

She's smiling.

1:03:061:03:07

LOLA: Oh, she's bluffing.

1:03:071:03:08

BELL RINGS

1:03:081:03:10

Well, look, I gotta get to class.

1:03:101:03:12

Tell me how it goes.

1:03:121:03:14

Come on. Let's watch her sink.

1:03:141:03:17

CARLA LAUGHS

1:03:171:03:18

Yeah, this one. Look at this one.

1:03:181:03:20

Hey, Carla. Did you have fun?

1:03:201:03:22

Well, if it isn't the great pretender.

1:03:221:03:24

Come to hear what the Sidarthur party was like?

1:03:241:03:27

Why would we want to hear what you have to say?

1:03:271:03:28

Ella and I were there, remember?

1:03:281:03:30

Did you hear that? She said they were there.

1:03:301:03:32

You know, lying's not gonna help you.

1:03:321:03:34

Everybody already knows that you didn't go.

1:03:341:03:36

Don't pretend you didn't see us there. I know you did.

1:03:361:03:39

It just so happens that Ella and I got in

1:03:391:03:40

because of Stu Wolff himself

1:03:401:03:42

after we practically saved his life. Tell them, Ella.

1:03:421:03:44

I don't have anything to prove to these people. Nor do you.

1:03:441:03:47

Ella, this is no time for your newfound personality.

1:03:471:03:50

Maybe you'd like to see some pictures from the party, Lola.

1:03:501:03:52

I know how fond you are of Stu Wolff,

1:03:521:03:55

and I got some great shots of him.

1:03:551:03:56

We spent the whole night with Stu.

1:03:561:03:58

Right. On the night of his biggest party of all time,

1:03:581:04:00

he left it to be with you.

1:04:001:04:01

You're not gonna get away with this. We were at that party.

1:04:011:04:03

My dad was there, too. And he and Stu are gonna get together sometime.

1:04:031:04:06

What dad? You don't have a dad.

1:04:061:04:08

You said he died before you moved here. >

1:04:081:04:11

I mean, what do you do? >

1:04:111:04:12

Do you just make all this up as you go along?

1:04:121:04:15

Do you think that just because we're not from New York that we're stupid? >

1:04:151:04:18

You saw us there.

1:04:181:04:19

No, I didn't, liar.

1:04:191:04:20

You know, that's what you are. You're a liar. >

1:04:201:04:23

Your name isn't even Lola... >

1:04:231:04:24

Mary. GIRLS LAUGH

1:04:241:04:26

Ella's right.

1:04:261:04:29

I don't have to prove anything to you people.

1:04:291:04:31

You know we were there.

1:04:311:04:34

Oh, no! She's crying.

1:04:341:04:36

Look at the baby. Oh.

1:04:361:04:38

CRUEL LAUGHTER

1:04:381:04:40

Yo, you got no right to write down what I'm saying.

1:04:431:04:45

Those are my... SHE INHALES DEEPLY

1:04:451:04:48

I'm sorry, Miss Baggoli, I can't go on.

1:04:481:04:51

There's something I have to say.

1:04:511:04:53

Well, quickly, Lola, quickly.

1:04:531:04:54

I have a confession to make.

1:04:541:04:56

I borrowed Eliza's dress for the weekend.

1:04:561:04:58

I'm really sorry, but I felt I had no other choice.

1:04:581:05:02

No choice?!

1:05:021:05:03

Why?

1:05:031:05:05

I had to wear it to the Sidarthur party.

1:05:051:05:07

When are you gonna give it up, Mary?

1:05:071:05:08

No, you didn't. No, you didn't.

1:05:101:05:11

You couldn't possibly have taken that dress

1:05:111:05:12

because I keep that dress locked up safe in the drama room.

1:05:121:05:17

There are ways, Miss Baggoli. There are ways.

1:05:171:05:19

Where is it now?

1:05:191:05:21

It's right back. It's safe and sound.

1:05:211:05:23

It looks exactly the same, but somehow different.

1:05:231:05:26

Can you believe her?

1:05:261:05:27

I mean, first, she takes the dress.

1:05:271:05:29

Then she puts it back,

1:05:291:05:30

and then she goes to this party where no-one saw her.

1:05:301:05:33

It's true! The dress got all wet,

1:05:331:05:34

and Stu Wolff made me change into something dry.

1:05:341:05:37

He said it was important that I felt comfortable.

1:05:371:05:39

Because on the night of his farewell concert,

1:05:391:05:40

Stu Wolff had nothing better to do than see Mary Cep dry.

1:05:401:05:44

Girls, please!

1:05:441:05:45

And he sent it back to my dad in a limousine as big as this stage.

1:05:451:05:47

A dress in a limousine - can you picture it?

1:05:471:05:49

He's also a big fan of my dad and my dad's dog.

1:05:511:05:53

And then your dog gave him his autograph, right?

1:05:531:05:55

But I did take the dress!

1:05:551:05:57

See, Stu Wolff gave me this himself.

1:05:571:06:00

It's his roadie T-shirt from his tour.

1:06:021:06:03

Where else would I have gotten it?

1:06:031:06:05

In a junk store where you get everything else.

1:06:051:06:07

But this is the tissue I used to wipe his tears.

1:06:071:06:09

Maybe we should send it off for DNA testing.

1:06:091:06:12

I also left my bottle-cap necklace at his house.

1:06:121:06:14

He told my dad he's gonna Fed-Ex it back.

1:06:141:06:15

A dress riding in a limousine!

1:06:151:06:18

I guess that's a good thing,

1:06:181:06:19

because otherwise it would have had to catch a cab.

1:06:191:06:22

You're funny, Lola. You could be a comedienne.

1:06:221:06:25

But can we please go back to work now?

1:06:251:06:28

We have so much to do before Wednesday night.

1:06:281:06:32

You believe me, don't you? I mean, Carla's the one who's lying.

1:06:321:06:34

We've worked so hard for this production, Lola.

1:06:341:06:38

And I...

1:06:381:06:40

I am not gonna let you ruin it for me.

1:06:401:06:44

We have all had enough.

1:06:471:06:50

Have you?

1:06:511:06:53

Have you finally had enough?

1:06:531:06:55

LAUGHTER

1:06:551:06:57

# Cos we lost it all

1:07:001:07:03

# Nothing lasts for ever

1:07:031:07:05

# I'm sorry

1:07:051:07:07

# I can't be perfect... #

1:07:071:07:12

LOLA: I sunk into a depression

1:07:171:07:19

that only Hamlet would recognise.

1:07:191:07:20

The one story I'd told that was both probable and possible

1:07:201:07:24

was the one that was true, and yet no-one believed me.

1:07:241:07:27

Maybe you can never win against

1:07:271:07:29

the Carla Santinis of this world.

1:07:291:07:31

I'd never felt so totally defeated.

1:07:311:07:34

I felt more like a pigeon than a flamingo.

1:07:341:07:37

Mary? Ella's here.

1:07:371:07:39

Go ahead.

1:07:391:07:40

I want to talk to you.

1:07:421:07:43

I don't really feel too well right now.

1:07:431:07:45

You can cut the crap.

1:07:451:07:46

I know what you're doing.

1:07:461:07:47

What happened to the most polite and well-mannered girl

1:07:471:07:50

in all of New Jersey?

1:07:501:07:51

What does it matter any more?

1:07:511:07:53

We know we went to the party.

1:07:531:07:55

We know who we met and what we did.

1:07:551:07:58

Get up!

1:07:581:07:59

I can't. I just can't.

1:07:591:08:03

Has anyone seen Lola Cep?

1:08:041:08:07

Has anyone seen Lola Cep? Lola?

1:08:071:08:10

You know, I really am sick. I mean, ask my mom.

1:08:101:08:12

I'm not buying it.

1:08:121:08:13

You're bailing out of the play.

1:08:131:08:15

You know, here I am, so sick this could turn into pneumonia,

1:08:151:08:18

and then I'll be on my deathbed,

1:08:181:08:20

and you're being accusatory.

1:08:201:08:21

You can't do this, Lola.

1:08:211:08:23

Everyone is depending on you. What about your parents and Sam?

1:08:231:08:27

Sam has never been to a school function in his life.

1:08:271:08:29

He's only going because of you.

1:08:291:08:31

Lola!

1:08:311:08:33

Lola Cep - my Eliza.

1:08:331:08:35

Get out of my way!

1:08:351:08:37

(Woman) One hour till curtain.

1:08:371:08:40

What about me?

1:08:411:08:44

I...I was miserable until you came to Dellwood.

1:08:451:08:49

I thought everyone's life was like mine -

1:08:491:08:52

just doing everything you're supposed to do

1:08:521:08:53

when you're supposed to do it.

1:08:531:08:55

Never questioning anything.

1:08:551:08:57

The only thing I could expect when I grew up

1:08:591:09:03

was a life like my parents'.

1:09:031:09:05

And then I met you.

1:09:061:09:09

You gave me courage, Lola.

1:09:111:09:14

Because of you,

1:09:161:09:17

I'm brave enough to be different.

1:09:171:09:20

Don't touch me!

1:09:211:09:23

You're a sham!

1:09:241:09:26

The one thing Carla can't do anything about

1:09:261:09:29

is you being Eliza Doolittle,

1:09:291:09:30

and you're just gonna hand it to her.

1:09:301:09:32

KNOCK ON DOOR

1:09:351:09:36

Mary, I left word with your dad.

1:09:361:09:38

Should I call Miss Baggoli?

1:09:381:09:40

No. I-I've...

1:09:461:09:47

I've had a miraculous recovery.

1:09:471:09:50

I need to be sure. Are you up to this?

1:10:001:10:02

Up to it? Miss Baggoli, I was born to play Eliza.

1:10:021:10:05

All right, then. Get into costume for the opening.

1:10:051:10:06

Knock 'em dead!

1:10:061:10:08

Knock 'em dead!

1:10:081:10:09

It even amazes me that I get everything that I want.

1:10:101:10:13

# Oh-oh

1:10:131:10:15

# Oh-oh... # Get out of my dress.

1:10:151:10:17

As of right now, I'm Eliza...

1:10:171:10:18

Get out of my dress!

1:10:181:10:19

Enjoy the show. Thanks. I will.

1:10:191:10:22

Oh, and get out of my first costume!

1:10:221:10:24

(Woman) Five minutes till curtain, people. Five minutes.

1:10:241:10:26

Get out of my dress. No!

1:10:291:10:31

Get out of my dress!

1:10:311:10:33

No! BOTH: Get out of that dress!

1:10:331:10:35

Ohh!

1:10:351:10:37

Sorry, Miss Baggoli.

1:10:371:10:39

I'm so glad to see you.

1:10:391:10:40

CHATTER

1:10:401:10:43

Do you want an ice cream?

1:10:431:10:45

Hey. You're gonna be great.

1:10:471:10:50

I'm scared. I'll admit it.

1:10:501:10:53

But I'm excited, too.

1:10:531:10:54

Don't be afraid.

1:10:541:10:55

You're gonna be wonderful, Lola.

1:10:561:10:59

You called me Lola.

1:11:031:11:04

You are a Lola.

1:11:041:11:07

Good luck!

1:11:071:11:08

APPLAUSE

1:11:251:11:26

CHEERING AND WHISTLING

1:11:301:11:32

Press your bars, children.

1:11:441:11:46

ROCK MUSIC PLAYS

1:11:481:11:51

Yo, you got no right to write down what I'm saying.

1:12:071:12:09

Those are my personal words.

1:12:091:12:10

# Living just enough

1:12:111:12:13

# Just enough

1:12:131:12:16

# For the city

1:12:161:12:19

# This girl, she works

1:12:191:12:20

# In downtown New York City

1:12:201:12:23

# Surrounded by

1:12:231:12:24

# Four walls that ain't so pretty

1:12:241:12:27

# Her parents give

1:12:271:12:28

# Her love and affection

1:12:281:12:31

# To keep her strong

1:12:311:12:32

# Moving in the right direction

1:12:321:12:34

# Living just enough

1:12:341:12:36

# Just enough

1:12:361:12:38

# For the city

1:12:381:12:41

# Yeah, yeah

1:12:411:12:43

# Living

1:12:431:12:44

# Just enough

1:12:441:12:46

# For the city

1:12:461:12:47

# Living

1:12:471:12:48

# Just enough

1:12:481:12:50

# Living for the city. #

1:12:501:12:54

APPLAUSE

1:12:541:12:56

Now say "New York".

1:12:561:12:58

New Yolk.

1:12:581:12:59

New York.

1:12:591:13:01

With an "r".

1:13:011:13:02

New Rolk.

1:13:021:13:04

LAUGHTER

1:13:041:13:06

You can't talk.

1:13:061:13:07

Let's see if you can walk.

1:13:071:13:09

Ugh!

1:13:091:13:11

# So I turn myself to face me

1:13:111:13:15

# Though I've never caught a glimpse

1:13:151:13:18

# Of how the others must see the faker

1:13:181:13:22

# Well, I'm much too fast to take that test

1:13:221:13:25

# Ch-ch-ch-ch-changes

1:13:251:13:27

# Turn and face the strange

1:13:271:13:29

# Ch-ch-ch-ch-changes

1:13:291:13:31

# Just gonna have to be a different girl

1:13:311:13:34

# Time may change me

1:13:341:13:36

# But I can't trace time... #

1:13:361:13:39

They all accepted her because of me!

1:13:441:13:46

THEY LAUGH All because of you?!

1:13:461:13:49

I was there, too!

1:13:491:13:50

I worked hard to make you look good!

1:13:501:13:52

Well, what will you do now, dear?

1:13:521:13:55

I will be a teacher,

1:14:001:14:02

because being a teacher is the most worthy thing

1:14:021:14:04

a person can be.

1:14:041:14:06

APPLAUSE

1:14:061:14:08

# Ch-ch-ch-ch-changes

1:14:121:14:14

# Turn and face the strange

1:14:141:14:17

# Ch-ch-changes

1:14:171:14:19

# Just gonna have to be a different girl

1:14:191:14:22

# Time may change me

1:14:221:14:26

# But I can't change time... #

1:14:261:14:30

CHEERING

1:14:301:14:33

# I can't change time. #

1:14:331:14:39

Bravo!

1:14:391:14:40

MUSIC ENDS

1:14:441:14:45

CHEERING AND WHISTLES

1:14:451:14:47

# That girl was a wild-child dreamer

1:14:561:14:58

# But she'll find herself

1:14:581:15:00

# Cos she believes in nothing else

1:15:001:15:04

# But she'll have changed her destiny

1:15:041:15:07

# Now she's a somebody

1:15:071:15:10

# That girl was a one-time teenage drama queen

1:15:101:15:14

# A hyped-up, everyday wannabe

1:15:141:15:18

# Then you'll look back, and you won't believe

1:15:181:15:21

# That girl was me

1:15:211:15:25

# Life is a work of art, you gotta paint it colourful

1:15:251:15:28

# You can make it anything you want

1:15:281:15:30

# Don't have to stick to any rules

1:15:301:15:32

# You don't need a high IQ to succeed in what you do

1:15:321:15:36

# You just gotta have no doubt, just believe in yourself

1:15:361:15:40

# That girl was a wild-child dreamer

1:15:401:15:42

# But she'll find herself

1:15:421:15:45

# Cos she believes in nothing else

1:15:451:15:48

# Then you'll look back, and you won't believe

1:15:481:15:52

# That girl was me. #

1:15:521:15:55

CHEERING AND APPLAUSE

1:15:551:15:57

MUSIC ENDS

1:15:571:15:59

RECORD SCRATCHES

1:15:591:16:00

# I am the best there is

1:16:001:16:02

# I'm fan 3, and I handle my biz

1:16:021:16:04

# I'm not universally known... #

1:16:041:16:07

DOORBELL RINGS

1:16:071:16:08

# ..But I'm known to leave the speakers blown

1:16:081:16:09

# See, I gotta get it pumping, you know how we do it

1:16:091:16:12

# My parents be like, "Turn down that rap music!"

1:16:121:16:14

# Gotta feel the bass vibrate, my pops be irate

1:16:141:16:16

# If the house don't shake, the beat don't break... #

1:16:161:16:19

Stu Wolff?

1:16:221:16:23

I don't... I don't believe this.

1:16:241:16:27

Um...

1:16:271:16:29

Did...did my father in...invite you here?

1:16:291:16:32

Uh, no.

1:16:321:16:34

Um... may I come in anyway?

1:16:341:16:36

Yes! Yeah, sure, of course.

1:16:361:16:39

I don't believe this. This is crazy.

1:16:391:16:40

Lola's father said she would be here.

1:16:401:16:42

You're here in my house because of Lola?

1:16:441:16:47

You know what?

1:16:471:16:48

Why don't you stay here? You stay.

1:16:481:16:50

And, um, I'm gonna go get her.

1:16:501:16:51

And I'm gonna go get her. You...you stay.

1:16:511:16:54

So I can't come in?

1:16:541:16:56

Uh...look who came to see me.

1:17:041:17:07

Hey, guys. Look who's here.

1:17:091:17:11

Is that Stu Wolff?

1:17:111:17:13

Look who came to my house.

1:17:131:17:15

ALL TALK AT ONCE

1:17:151:17:17

Hey, Ella. I just wanted to say...

1:17:211:17:24

Lola!

1:17:241:17:25

Um...

1:17:281:17:30

You left this at my place.

1:17:301:17:33

LOLA: 'I had pictured this moment in my craziest, wildest dreams.

1:17:511:17:54

'I mean, I guess if you don't dream crazy and wild,

1:17:571:17:59

'people like Stu Wolff don't return your jewellery personally.'

1:17:591:18:03

Agh!

1:18:071:18:09

LAUGHTER

1:18:091:18:11

Come on. It's just a hand.

1:18:221:18:24

Thanks for showing up.

1:18:441:18:45

So, how have you been?

1:18:471:18:48

Sober.

1:18:481:18:50

I'm in recovery...

1:18:501:18:51

again.

1:18:511:18:52

Someone very sweet told me I was a drunk,

1:18:541:18:57

and I didn't like it.

1:18:571:18:58

Sounds kinda harsh.

1:18:581:19:00

Mmm. But it woke me up.

1:19:001:19:03

So, maybe sometime soon we can talk about your amazing music.

1:19:041:19:07

Just say when.

1:19:071:19:09

I can say when?

1:19:091:19:10

Within reason.

1:19:101:19:12

Would you like to dance?

1:19:161:19:18

Absolutely.

1:19:181:19:20

# Yeah, yeah, yeah

1:19:201:19:23

# So you wanna change the world

1:19:251:19:29

# What are you waiting for?

1:19:291:19:31

# Say you're gonna start right now

1:19:311:19:34

# What are you waiting for...? #

1:19:341:19:36

LOLA: 'Here's what I learned -

1:19:361:19:38

'when you're happy, the whole world's New York,

1:19:381:19:41

'and that dreams are important.

1:19:411:19:43

'Someday, when you're not even looking,

1:19:431:19:45

'they find you.

1:19:451:19:47

'And then there's Sam.

1:19:501:19:52

'You know, he'd been there all along,

1:19:521:19:53

'but when I opened my heart to him,

1:19:531:19:54

'I thought, now that my career is launched,

1:19:541:19:57

'maybe I could have a boyfriend.'

1:19:571:19:59

# So you wanna change the world

1:19:591:20:01

# What are you waiting for?

1:20:011:20:03

# Say you're gonna start right now

1:20:031:20:06

# What are you waiting for?

1:20:061:20:08

# It only takes one voice

1:20:081:20:10

# So come on, now, and shout it out

1:20:101:20:14

# Give a little more... #

1:20:141:20:16

LOLA: 'It was the first time I realised

1:20:161:20:18

'that absolute reality could be so much more fun than fantasy.

1:20:181:20:21

'And can you believe all of this happened

1:20:231:20:26

'in Dellwood, New Jersey,

1:20:261:20:27

'of all places?'

1:20:271:20:30

# What are you waiting for?

1:20:301:20:32

# So you wanna change the world

1:20:321:20:35

# What are you waiting for...? #

1:20:351:20:37

Subtitles by The National Captioning Institute, Inc

1:20:401:20:43

# And you'll realise

1:20:461:20:48

# That girl was a one-time teenage drama queen

1:20:481:20:52

# A hyped-up, everyday wannabe

1:20:521:20:56

# But she'll have changed her destiny

1:20:561:20:59

# Now she's a somebody

1:20:591:21:02

# That girl was a wild-child dreamer

1:21:021:21:05

# But she'll find herself

1:21:051:21:06

# Cos she believes in nothing else

1:21:061:21:10

# Then you'll look back, and you won't believe

1:21:101:21:14

# That girl was me

1:21:141:21:18

# Armed with an attitude that she knows how to use

1:21:181:21:21

# She's gonna get there any way she can

1:21:211:21:25

# Now she knows what she wants

1:21:251:21:26

# No-one is gonna stop her

1:21:261:21:28

# Nothing's ever gonna hold her back

1:21:281:21:31

# For all the doubters, non-believers

1:21:311:21:35

# The cynical that once were dreamers... #

1:21:351:21:38

E-mail [email protected]

1:21:381:21:40

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