
Browse content similar to Confessions of a Teenage Drama Queen. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
# I'm in a new place with the Same face | 0:00:19 | 0:00:23 | |
# But nothing is familiar to me | 0:00:23 | 0:00:26 | |
# But there's a storm rush Then the winds start | 0:00:26 | 0:00:30 | |
# And it's bringing out the woman in me | 0:00:30 | 0:00:33 | |
# I know that you're out there somewhere | 0:00:34 | 0:00:37 | |
# Waiting on a deeper connection | 0:00:37 | 0:00:40 | |
# Now I'm looking to my left | 0:00:40 | 0:00:42 | |
# Searching on my right | 0:00:42 | 0:00:44 | |
# Cos we could be the greatest adventure | 0:00:44 | 0:00:48 | |
# I'm ready, come and find me | 0:00:48 | 0:00:52 | |
# I'm not gonna hog out the sun on my side | 0:00:52 | 0:00:55 | |
# It's heavy, cos I'm finally | 0:00:55 | 0:00:59 | |
# Open for the woman, I'm ready, ready | 0:00:59 | 0:01:04 | |
# I'm ready | 0:01:04 | 0:01:06 | |
# I'm moving out there | 0:01:06 | 0:01:08 | |
# So, baby, beware | 0:01:08 | 0:01:10 | |
# Cos now it's just a matter of time | 0:01:10 | 0:01:13 | |
# Before our paths cross and the sky falls | 0:01:13 | 0:01:17 | |
# The very moment that I tell you're mine | 0:01:17 | 0:01:21 | |
# I'm ready, come and find me | 0:01:21 | 0:01:25 | |
# I'm not gonna hog out the sun on my side | 0:01:25 | 0:01:28 | |
# It's heavy, cos I'm finally | 0:01:28 | 0:01:32 | |
# Open for the woman, I'm ready, ready | 0:01:32 | 0:01:36 | |
# I'm ready, come and find me | 0:01:36 | 0:01:39 | |
# I'm not gonna hog out the sun on my side | 0:01:39 | 0:01:43 | |
# It's heavy, cos I'm finally | 0:01:43 | 0:01:47 | |
# Open for the woman, I'm ready, ready | 0:01:47 | 0:01:51 | |
# I'm ready, come and find me... # | 0:01:51 | 0:01:55 | |
Goodbye, sweetheart! | 0:01:55 | 0:01:57 | |
< Take good care of yourself. | 0:01:57 | 0:01:59 | |
Oh, mummy, you forgot this. | 0:01:59 | 0:02:01 | |
Angel! | 0:02:01 | 0:02:03 | |
BOTH: Mwah! | 0:02:03 | 0:02:04 | |
I worry so about you living alone. | 0:02:04 | 0:02:07 | |
Oh, mother, it's adorable of you to be so concerned, | 0:02:07 | 0:02:10 | |
but I'm perfectly capable of taking care of myself, dear. | 0:02:10 | 0:02:13 | |
Come on, girls. | 0:02:17 | 0:02:18 | |
Good-bye, my chicken. | 0:02:18 | 0:02:20 | |
BELLS PEAL | 0:02:26 | 0:02:28 | |
Yes, I'm free! I can live in New York on my own. | 0:02:30 | 0:02:32 | |
I can do whatever I want! | 0:02:32 | 0:02:34 | |
Yay! | 0:02:34 | 0:02:35 | |
Yes! | 0:02:35 | 0:02:37 | |
I was born and nurtured in New York, the centre of the universe. | 0:02:37 | 0:02:40 | |
Unfortunately, my mother is moving me to another planet - | 0:02:40 | 0:02:43 | |
New Jersey. | 0:02:43 | 0:02:45 | |
Is it any wonder I couldn't face reality? | 0:02:45 | 0:02:47 | |
I mean, can anyone blame me for dreaming | 0:02:47 | 0:02:49 | |
that she was leaving me behind in my beloved city? | 0:02:49 | 0:02:52 | |
Mary! > | 0:02:52 | 0:02:53 | |
Mary, let's go! > | 0:02:53 | 0:02:55 | |
Goodbye childhood home. | 0:02:55 | 0:02:57 | |
Goodbye intellectual and spiritual stimulation. | 0:02:57 | 0:03:00 | |
Goodbye Broadway. | 0:03:01 | 0:03:02 | |
Mary, please. Don't be such a drama queen. | 0:03:02 | 0:03:05 | |
Lola! My name from this day forward is Lola. | 0:03:05 | 0:03:08 | |
I've known since I was five years old that my true name is Lola. | 0:03:08 | 0:03:11 | |
You were named Mary. It is the name on your birth certificate. | 0:03:11 | 0:03:14 | |
It is the name that I am going to call you. | 0:03:14 | 0:03:18 | |
In my family, I am a flamingo in a flock of pigeons. | 0:03:18 | 0:03:22 | |
# I trip, I fall, I catch myself | 0:03:22 | 0:03:26 | |
# Even wishing I was someone else | 0:03:26 | 0:03:31 | |
# I'm never where I'm supposed to be... # | 0:03:31 | 0:03:35 | |
Goodbye New York. | 0:03:35 | 0:03:37 | |
Goodbye any chance of becoming a famous actress. | 0:03:37 | 0:03:40 | |
# Adventure | 0:03:40 | 0:03:44 | |
# Finding the real me | 0:03:44 | 0:03:48 | |
# I'm a reflection | 0:03:48 | 0:03:52 | |
# Of everything I see | 0:03:52 | 0:03:55 | |
# Yeah. # | 0:03:55 | 0:03:56 | |
First, your parents tell you to have hopes and dreams. | 0:03:58 | 0:04:01 | |
And then they move you to New Jersey. | 0:04:01 | 0:04:03 | |
It makes no sense. | 0:04:03 | 0:04:04 | |
COW MOOS | 0:04:04 | 0:04:06 | |
Welcome to Deadwood. | 0:04:06 | 0:04:07 | |
Is she allowed to say that? | 0:04:07 | 0:04:10 | |
BRAKES SCREECH | 0:04:19 | 0:04:20 | |
Come on. | 0:04:25 | 0:04:26 | |
Hurry, hurry. | 0:04:26 | 0:04:27 | |
Let's see the new house. | 0:04:27 | 0:04:30 | |
Come on. | 0:04:30 | 0:04:31 | |
CHILDREN SHOUT IN DISTANCE | 0:04:31 | 0:04:33 | |
Oh, Mom. | 0:04:35 | 0:04:36 | |
It's just grass. | 0:04:36 | 0:04:38 | |
But it's all over the place. | 0:04:38 | 0:04:40 | |
The sun porch is my bedroom. | 0:04:43 | 0:04:45 | |
Ordinariness isn't the only thing I have to fight against in my house. | 0:04:45 | 0:04:48 | |
Gross injustice is another. | 0:04:48 | 0:04:50 | |
The only person I can turn to is Stu Wolff - | 0:04:50 | 0:04:53 | |
the greatest poet since Shakespeare and the lead singer of Sidarthur. | 0:04:53 | 0:04:56 | |
He'd see me through my dark suburban days. | 0:04:56 | 0:05:00 | |
In the city, I took two subways and a bus to get to school. | 0:05:01 | 0:05:04 | |
It amazes me that I can get to school without it costing 1.50. | 0:05:04 | 0:05:08 | |
Ow! Ugh! | 0:05:08 | 0:05:10 | |
Ow. | 0:05:12 | 0:05:13 | |
Dellwood High. | 0:05:17 | 0:05:18 | |
I shall be a bird in a cage with a good school district. | 0:05:18 | 0:05:23 | |
However, there is absolutely no point in being negative | 0:05:23 | 0:05:25 | |
about things you just can't change. | 0:05:25 | 0:05:27 | |
I look upon my new town as an empty stage to which I'm allowed to bring my own script. | 0:05:27 | 0:05:31 | |
In my heart, I feel that a legend is about to be born. | 0:05:31 | 0:05:34 | |
That legend would be me. | 0:05:34 | 0:05:36 | |
# It's all about style | 0:05:36 | 0:05:40 | |
# Living with style | 0:05:40 | 0:05:45 | |
# I'm living in, giving in | 0:05:45 | 0:05:48 | |
# Swimming in | 0:05:48 | 0:05:50 | |
# Style. # | 0:05:50 | 0:05:53 | |
Hello. | 0:05:55 | 0:05:56 | |
Hey. | 0:05:56 | 0:05:58 | |
I'm Lola Cep. | 0:05:58 | 0:06:00 | |
I'm from New York, originally. | 0:06:00 | 0:06:02 | |
Ella Gerard. | 0:06:02 | 0:06:03 | |
I'm from right here, originally. | 0:06:03 | 0:06:05 | |
Well...hi. | 0:06:05 | 0:06:08 | |
Hi. LOLA GASPS | 0:06:09 | 0:06:12 | |
Uh, hi! | 0:06:12 | 0:06:14 | |
Hi. | 0:06:16 | 0:06:17 | |
Have you ever seen Sidarthur in person? | 0:06:18 | 0:06:21 | |
No, but I think Stu Wolff is the greatest poet since Shakespeare. | 0:06:21 | 0:06:24 | |
I - I do, too. | 0:06:24 | 0:06:26 | |
I have every CD they ever made. | 0:06:26 | 0:06:27 | |
- You do? - Yeah! | 0:06:27 | 0:06:29 | |
And that's Stu Wolff dancing. | 0:06:29 | 0:06:31 | |
I've downloaded some great shots of him. | 0:06:31 | 0:06:33 | |
Here he is at the Grammys. | 0:06:33 | 0:06:34 | |
This is where he lives. | 0:06:34 | 0:06:36 | |
Oh, and this is the dress that I'm gonna wear when we get married. | 0:06:36 | 0:06:40 | |
This is him getting into his limo. | 0:06:40 | 0:06:42 | |
That black spot there - that's his head. | 0:06:42 | 0:06:43 | |
What a wonderful black spot it is. | 0:06:43 | 0:06:45 | |
Hi. Carla Santini. | 0:06:45 | 0:06:48 | |
Sidarthur. | 0:06:48 | 0:06:49 | |
My father is Stu Wolff's lawyer. | 0:06:49 | 0:06:51 | |
Really? Your dad must have been in the Same room as him and everything. | 0:06:51 | 0:06:55 | |
Many times. | 0:06:55 | 0:06:56 | |
Aren't you the girl who just moved into the Swenska house? | 0:06:56 | 0:06:59 | |
Well, I'm Lola Cep. I didn't know our home had a name. | 0:06:59 | 0:07:02 | |
Is that supposed to be that famous New York sense of humour? | 0:07:02 | 0:07:06 | |
Well, New Yorkers learn to laugh at themselves | 0:07:06 | 0:07:09 | |
and everything else when they're very young. | 0:07:09 | 0:07:11 | |
My parents took me to New York for my birthday. | 0:07:12 | 0:07:15 | |
I thought it was beautiful - the lights and everything. | 0:07:15 | 0:07:17 | |
I-I know why they call it the greatest city in the world. | 0:07:17 | 0:07:20 | |
Ella Gerard, you are the sister of my soul! | 0:07:20 | 0:07:22 | |
You should see Park Avenue at Christmas. | 0:07:22 | 0:07:24 | |
It's like walking through the Milky Way. | 0:07:24 | 0:07:26 | |
Except nobody gets mugged in the Milky Way. | 0:07:26 | 0:07:29 | |
BELL RINGS | 0:07:29 | 0:07:30 | |
We'll take our seats now. | 0:07:30 | 0:07:32 | |
Uh, Miss Baggoli? | 0:07:35 | 0:07:36 | |
Yes? | 0:07:36 | 0:07:37 | |
We have a new girl from New York City. | 0:07:37 | 0:07:40 | |
We do, we do. Uh, Miss... Miss Steppe. | 0:07:40 | 0:07:43 | |
Miss Cep. | 0:07:43 | 0:07:44 | |
Miss Baggoli, I know it must show on your records my name is Mary, | 0:07:44 | 0:07:48 | |
but everyone has referred to me as Lola | 0:07:48 | 0:07:50 | |
since I was a squealing infant in my mother's arms. | 0:07:50 | 0:07:52 | |
I don't even know who this Mary is. | 0:07:52 | 0:07:54 | |
I like that name - Lola. | 0:07:56 | 0:07:58 | |
Lola. | 0:07:58 | 0:08:00 | |
This is Lola. | 0:08:00 | 0:08:01 | |
Lola, I think you should know you're sitting in my favourite seat in history class. | 0:08:01 | 0:08:05 | |
I like to be dead centre. | 0:08:05 | 0:08:07 | |
Me, too. And I didn't think we had anything in common. | 0:08:07 | 0:08:10 | |
I've earned the centre seat. | 0:08:10 | 0:08:11 | |
Besides, if you want to fit in, | 0:08:11 | 0:08:13 | |
you shouldn't draw so much attention to yourself. | 0:08:13 | 0:08:15 | |
In case you haven't noticed, I like the attention. | 0:08:15 | 0:08:17 | |
Chill. | 0:08:17 | 0:08:19 | |
Also, I wouldn't hang out with Ella Never-had-a-fella. | 0:08:20 | 0:08:23 | |
She doesn't really have your potential, does she? | 0:08:23 | 0:08:26 | |
Look at her - she dresses like a politician's wife | 0:08:26 | 0:08:29 | |
with the hair and the shoes. She's so random. | 0:08:29 | 0:08:31 | |
What about those glasses? They are so ten minutes ago. | 0:08:31 | 0:08:34 | |
But I'm gonna stop myself before I get nasty. | 0:08:34 | 0:08:36 | |
I just want to let you know that if you're careful, | 0:08:36 | 0:08:38 | |
you could be chilling with us. | 0:08:38 | 0:08:40 | |
Chilling with you is what I've always dreamed of. | 0:08:40 | 0:08:43 | |
Hey, Ella, wait up! Do you mind if I sit with you? | 0:08:45 | 0:08:48 | |
Oh, no, that's fine. This is great. | 0:08:48 | 0:08:49 | |
When you eat outside in New York, your food gets dirty. | 0:08:49 | 0:08:52 | |
So, what's with the great Santini? | 0:08:53 | 0:08:56 | |
Uh, she's beautiful. She's popular. She's rich. | 0:08:56 | 0:08:58 | |
In kindergarten, she used to bite the heads off dolls. | 0:08:58 | 0:09:01 | |
Ew. | 0:09:01 | 0:09:02 | |
Who's that guy smiling at us? | 0:09:04 | 0:09:06 | |
That's Sam. | 0:09:07 | 0:09:09 | |
Sam! | 0:09:09 | 0:09:10 | |
Sam, Lola. | 0:09:13 | 0:09:15 | |
Lola, Sam. | 0:09:15 | 0:09:17 | |
Hi. | 0:09:17 | 0:09:18 | |
Hey. | 0:09:18 | 0:09:19 | |
- It's your first day here, right? - Yeah. | 0:09:19 | 0:09:22 | |
Well, it's good to meet you. | 0:09:22 | 0:09:24 | |
You, too. | 0:09:24 | 0:09:25 | |
I'll see you later. | 0:09:25 | 0:09:26 | |
'I couldn't possibly have a boyfriend. | 0:09:31 | 0:09:33 | |
'I mean, I have to focus on my acting career.' | 0:09:33 | 0:09:36 | |
'After three weeks, | 0:09:38 | 0:09:39 | |
'I'm getting used to the rich part of town - | 0:09:39 | 0:09:42 | |
'gated, dull, Armani-ridden. | 0:09:42 | 0:09:44 | |
'You know, I'm the kind of riffraff they try to keep out.' | 0:09:44 | 0:09:47 | |
# It's a day in the life It's a link in the chain | 0:09:50 | 0:09:54 | |
# Beginning, the ending, they both look the same | 0:09:54 | 0:09:57 | |
# Round and round | 0:09:57 | 0:10:00 | |
# No new ground | 0:10:00 | 0:10:03 | |
# O-o-h | 0:10:04 | 0:10:06 | |
# O-o-h | 0:10:06 | 0:10:08 | |
# O-o-o-o-o-h | 0:10:08 | 0:10:11 | |
# O-o-h | 0:10:11 | 0:10:13 | |
# O-o-h. # | 0:10:13 | 0:10:14 | |
When Stu Wolff sings, | 0:10:15 | 0:10:17 | |
"There's something in me that always wants more. | 0:10:17 | 0:10:21 | |
"More moons and stars and music in the wind", | 0:10:21 | 0:10:24 | |
it's as though he's just talking to me. | 0:10:24 | 0:10:26 | |
I like Steve. | 0:10:26 | 0:10:29 | |
I bet Stu is hard to get along with. | 0:10:29 | 0:10:32 | |
You can tell he's sort of moody. | 0:10:32 | 0:10:33 | |
Haunted. | 0:10:33 | 0:10:35 | |
All true geniuses are haunted. | 0:10:35 | 0:10:37 | |
It's part of what they have to suffer for their art. | 0:10:37 | 0:10:39 | |
Popovers, ladies. | 0:10:39 | 0:10:42 | |
Uh... wow. This is just like eating in a diner. Thank you. | 0:10:42 | 0:10:45 | |
Well, surely you have popovers at home. | 0:10:45 | 0:10:47 | |
I just popped them in the microwave. | 0:10:47 | 0:10:50 | |
My mother doesn't approve of microwaves. | 0:10:50 | 0:10:52 | |
She has very strong opinions. | 0:10:52 | 0:10:54 | |
Oh, I've never heard of anyone taking a stance on an appliance before. | 0:10:54 | 0:10:58 | |
Why doesn't your mother like me? | 0:11:03 | 0:11:05 | |
She likes you. She just thinks you're a little strange. | 0:11:05 | 0:11:08 | |
I mean, you are...a little. | 0:11:08 | 0:11:11 | |
Lola! | 0:11:13 | 0:11:14 | |
L-Lola, I'm sorry! | 0:11:14 | 0:11:15 | |
I-I... I-i-it's really your mother she thinks is strange. | 0:11:15 | 0:11:18 | |
My-my mom saw your mother in the supermarket | 0:11:18 | 0:11:21 | |
wearing dirty overalls with chopsticks in her hair | 0:11:21 | 0:11:24 | |
and arguing with the butcher. | 0:11:24 | 0:11:25 | |
It's not important. | 0:11:25 | 0:11:27 | |
Not important? | 0:11:27 | 0:11:28 | |
She's the woman who gave me life, | 0:11:28 | 0:11:31 | |
whose milk fed my fragile body, | 0:11:31 | 0:11:33 | |
whose blood flows through my veins. | 0:11:33 | 0:11:36 | |
Of course it's important. | 0:11:36 | 0:11:37 | |
M-my parents are square. | 0:11:37 | 0:11:40 | |
Neither of them is too happy about the fact | 0:11:40 | 0:11:43 | |
that your mother has three children and no husband. | 0:11:43 | 0:11:46 | |
Single motherhood is a transitory state. | 0:11:46 | 0:11:49 | |
Karen used to be married. | 0:11:49 | 0:11:51 | |
It could happen again. | 0:11:51 | 0:11:52 | |
But I thought you said you were a love child. | 0:11:52 | 0:11:55 | |
Uh... | 0:11:55 | 0:11:57 | |
Well, I-I was a love child. | 0:11:57 | 0:11:59 | |
Mom and Dad were married and passionately in love. | 0:11:59 | 0:12:02 | |
My parents were mad for each other as soon as their eyes met. | 0:12:07 | 0:12:10 | |
Dad was like a rock star. | 0:12:10 | 0:12:12 | |
Mom was a babe. | 0:12:12 | 0:12:13 | |
The rest was destiny. | 0:12:14 | 0:12:16 | |
They got married. | 0:12:18 | 0:12:20 | |
Then they camped in the desert. | 0:12:20 | 0:12:21 | |
Both: One million and two. | 0:12:21 | 0:12:23 | |
And counted the stars. | 0:12:23 | 0:12:24 | |
One million and three, | 0:12:24 | 0:12:25 | |
one million and four... | 0:12:25 | 0:12:26 | |
Jeez! My parents went on a cruise to Bermuda, | 0:12:26 | 0:12:29 | |
but they were afraid to get off the boat. | 0:12:29 | 0:12:31 | |
Mine were in love. | 0:12:31 | 0:12:33 | |
Deeply, movingly. | 0:12:33 | 0:12:35 | |
The only thing that could have made their lives better was having me. | 0:12:35 | 0:12:39 | |
Even as an infant, I aspired to have a relationship just like theirs. | 0:12:42 | 0:12:46 | |
And then the twins were conceived, | 0:12:46 | 0:12:48 | |
and we couldn't have been more thrilled. | 0:12:48 | 0:12:51 | |
Upon hearing the news, my father mounted his really cool motorcycle | 0:12:51 | 0:12:54 | |
to buy the mother of his child and future children | 0:12:54 | 0:12:57 | |
her favourite flowers. | 0:12:57 | 0:12:58 | |
HORN HONKS | 0:13:00 | 0:13:02 | |
Suddenly... | 0:13:02 | 0:13:04 | |
Aaaaah! | 0:13:04 | 0:13:05 | |
COOS | 0:13:09 | 0:13:10 | |
They found him strewn across 9th Avenue... | 0:13:10 | 0:13:14 | |
And 10th. | 0:13:14 | 0:13:16 | |
Lola, I'm so sorry. | 0:13:20 | 0:13:22 | |
I had no idea. | 0:13:22 | 0:13:24 | |
Ironic, isn't it? | 0:13:24 | 0:13:26 | |
Your parents think my mother | 0:13:26 | 0:13:28 | |
is the destroyer of our social order. | 0:13:28 | 0:13:31 | |
She's merely a victim of fate. | 0:13:31 | 0:13:33 | |
What? | 0:13:49 | 0:13:50 | |
Nothing. | 0:13:50 | 0:13:51 | |
I like the chopsticks in your hair. | 0:13:51 | 0:13:53 | |
# Sweet 16 | 0:13:56 | 0:13:59 | |
# Always acting like a beauty queen | 0:13:59 | 0:14:01 | |
# like you're posing in a magazine... # | 0:14:01 | 0:14:05 | |
WHISTLE BLOWS | 0:14:05 | 0:14:07 | |
LOLA: Because Carla Santini thinks she's Julia Roberts | 0:14:09 | 0:14:12 | |
and the universe is interested in everything she says, | 0:14:12 | 0:14:14 | |
you can't help overhearing her. | 0:14:14 | 0:14:15 | |
So I had this really long talk with Miss Baggoli yesterday | 0:14:15 | 0:14:18 | |
about the drama club's production of "Pygmalion." | 0:14:18 | 0:14:21 | |
And I told her I think it's really rigid to stick to the original. | 0:14:21 | 0:14:23 | |
(Not stick to the original?) | 0:14:23 | 0:14:25 | |
Not stick to the exquisite words of Mr George Bernard Shaw? | 0:14:25 | 0:14:28 | |
We're not English, and this isn't the 19th century, so I think we should adapt the classics | 0:14:28 | 0:14:32 | |
to reflect our own times. | 0:14:32 | 0:14:34 | |
They're classics because they're classic! | 0:14:34 | 0:14:36 | |
And then I told her my idea to move the location to present-day New York | 0:14:36 | 0:14:39 | |
and make Eliza a checkout girl. | 0:14:39 | 0:14:41 | |
So I guess you're gonna be playing Eliza. | 0:14:41 | 0:14:42 | |
Well, of course. I've already got the part. | 0:14:42 | 0:14:44 | |
LOLA: When I moved to Deadwood, | 0:14:45 | 0:14:46 | |
I really felt that a legend was about to be born. | 0:14:46 | 0:14:49 | |
Was Carla Santini going to stand in the way of that birth? | 0:14:49 | 0:14:52 | |
Miss Baggoli, Miss Baggoli! | 0:14:58 | 0:14:59 | |
I didn't know "Pygmalion" had already been cast. | 0:14:59 | 0:15:01 | |
And I would have loved to have had a chance to be Eliza Doolittle. | 0:15:01 | 0:15:04 | |
Maybe if I could just prove it to you now, then - | 0:15:04 | 0:15:06 | |
Oh, no, no, Lola. | 0:15:06 | 0:15:07 | |
I just put the notice on the board. Auditions are not until Friday. | 0:15:07 | 0:15:12 | |
Thank you, Miss Baggoli. | 0:15:13 | 0:15:15 | |
George Bernard Shaw is a great playwright. | 0:15:17 | 0:15:22 | |
And he's also a vegetarian. | 0:15:23 | 0:15:26 | |
You're just in time, Lola. Quickly. | 0:15:27 | 0:15:30 | |
I'm telling all the others about this idea | 0:15:30 | 0:15:35 | |
that I have had for our production of "Pygmalion." | 0:15:35 | 0:15:39 | |
Now, as you know, "Pygmalion" is a play | 0:15:39 | 0:15:42 | |
which takes place in old-timey London. | 0:15:42 | 0:15:45 | |
My idea is... | 0:15:45 | 0:15:48 | |
that we will set our production of "Pygmalion" | 0:15:48 | 0:15:51 | |
in modern-day New York. | 0:15:51 | 0:15:54 | |
And Eliza will be a checkout girl at a supermarket, | 0:15:54 | 0:15:58 | |
and Professor Higgins will be a professor at NYU. | 0:15:58 | 0:16:04 | |
That is such a brilliant idea. | 0:16:04 | 0:16:06 | |
That's gonna give the play new resonance and immediacy for today. | 0:16:06 | 0:16:09 | |
You mean it was your idea? | 0:16:09 | 0:16:11 | |
Yes, Lola, it's my idea. | 0:16:11 | 0:16:14 | |
I know I'm just a teacher, but I am capable of thought. | 0:16:14 | 0:16:18 | |
Now, since we're going hip and modern, | 0:16:19 | 0:16:23 | |
I have also added | 0:16:23 | 0:16:25 | |
contemporary songs, | 0:16:25 | 0:16:28 | |
and I am calling it "Eliza Rocks"! | 0:16:28 | 0:16:33 | |
OK, now, now - | 0:16:33 | 0:16:34 | |
each of you will be singing a song for me - | 0:16:34 | 0:16:37 | |
of your choice, of your choice - | 0:16:37 | 0:16:40 | |
and then you'll be reading a scene for me. | 0:16:40 | 0:16:42 | |
But I haven't rehearsed a song or anything. I-I'm simply not prepared. | 0:16:42 | 0:16:46 | |
That's fine. You can just wing it. | 0:16:46 | 0:16:48 | |
But acting is my chosen career. I mean, I intend to be in theatre. | 0:16:48 | 0:16:52 | |
I don't want anyone remembering my substandard audition. | 0:16:52 | 0:16:55 | |
Then how are we to proceed? | 0:16:55 | 0:16:57 | |
I-I guess I'll try, of course. | 0:16:57 | 0:17:00 | |
Perhaps you could try now. You could go first. | 0:17:00 | 0:17:03 | |
OK. | 0:17:06 | 0:17:07 | |
Take a spot on the stage - anywhere you're comfortable. | 0:17:09 | 0:17:12 | |
(Maybe if we're lucky, she'll fall.) | 0:17:16 | 0:17:18 | |
I'd like to sing a song by my favourite band - | 0:17:20 | 0:17:22 | |
Sidarthur. | 0:17:22 | 0:17:24 | |
# Don't move on | 0:17:25 | 0:17:28 | |
# Don't move on | 0:17:28 | 0:17:31 | |
# Don't move, don't move | 0:17:32 | 0:17:36 | |
# Don't move | 0:17:36 | 0:17:37 | |
# Don't move on | 0:17:37 | 0:17:41 | |
# You brought me to the highest mountain | 0:17:42 | 0:17:47 | |
# Out of my deep despair | 0:17:49 | 0:17:53 | |
# And you don't know how much I need you | 0:17:57 | 0:18:01 | |
# To stand beside you, to breathe your air | 0:18:03 | 0:18:09 | |
# Don't move on | 0:18:10 | 0:18:14 | |
# Don't move on | 0:18:14 | 0:18:17 | |
# Don't move, don't move | 0:18:17 | 0:18:21 | |
# Don't move | 0:18:21 | 0:18:23 | |
# Don't move on | 0:18:23 | 0:18:26 | |
# Behind some doors | 0:18:28 | 0:18:31 | |
# People are waiting | 0:18:31 | 0:18:35 | |
# People are waiting to sparkle | 0:18:35 | 0:18:39 | |
# Don't move on | 0:18:42 | 0:18:45 | |
# Don't move on | 0:18:45 | 0:18:49 | |
# Don't move, don't move | 0:18:49 | 0:18:52 | |
# Don't move | 0:18:52 | 0:18:54 | |
# Don't move | 0:18:54 | 0:18:55 | |
# O-o-o-o-n! # | 0:18:55 | 0:19:00 | |
APPLAUSE | 0:19:04 | 0:19:06 | |
# Uh-oh | 0:19:14 | 0:19:16 | |
# Uh-oh | 0:19:16 | 0:19:18 | |
# Uh-oh... # | 0:19:18 | 0:19:21 | |
LOLA: Self-doubt didn't kick in until the morning, | 0:19:21 | 0:19:22 | |
when I woke up with a heart as cold and as heavy as Mount Everest. | 0:19:22 | 0:19:25 | |
It was the day the cast list went up. | 0:19:25 | 0:19:28 | |
Why had I been so certain that I was going to get the lead? | 0:19:29 | 0:19:32 | |
Miss Baggoli didn't say anything encouraging. | 0:19:32 | 0:19:34 | |
Carla smiled. | 0:19:34 | 0:19:35 | |
# Oh-oh | 0:19:37 | 0:19:39 | |
# Oh-oh... # | 0:19:39 | 0:19:41 | |
- Well, look what the wind blew in. - Look what the cat dragged in. | 0:19:47 | 0:19:49 | |
Ladies. | 0:19:49 | 0:19:50 | |
After you. | 0:19:52 | 0:19:53 | |
Right. After me. | 0:19:53 | 0:19:54 | |
# Na-na na-na-na | 0:19:59 | 0:20:02 | |
# That's all I'm gonna say | 0:20:02 | 0:20:04 | |
# Cos na-na na-na-na | 0:20:04 | 0:20:07 | |
# You've made up your mind anyways | 0:20:07 | 0:20:10 | |
# Can't we be friends? | 0:20:10 | 0:20:12 | |
# Why does it end | 0:20:12 | 0:20:13 | |
# Before a word | 0:20:13 | 0:20:16 | |
# Is even heard? | 0:20:16 | 0:20:19 | |
# I look at you | 0:20:19 | 0:20:21 | |
# Your attitude | 0:20:21 | 0:20:23 | |
# Why can't you see | 0:20:23 | 0:20:25 | |
# That it's not me? | 0:20:25 | 0:20:27 | |
# La-la la-la-la | 0:20:27 | 0:20:29 | |
# Next time I won't let it stew | 0:20:29 | 0:20:31 | |
# La-la la-la-la... # | 0:20:31 | 0:20:33 | |
SHE WHIMPERS | 0:20:35 | 0:20:36 | |
Ow! | 0:20:36 | 0:20:37 | |
Well, | 0:20:50 | 0:20:51 | |
once again, I got the part that I wanted. | 0:20:51 | 0:20:53 | |
- Oh! - Oh! | 0:20:53 | 0:20:55 | |
There are no small parts, only small actors. | 0:20:57 | 0:21:00 | |
You can quote me. | 0:21:00 | 0:21:01 | |
I'm your new Eliza! Aah! | 0:21:07 | 0:21:10 | |
Amazing! | 0:21:11 | 0:21:12 | |
- I didn't think I'd get it. - I knew you'd get it. | 0:21:12 | 0:21:16 | |
BOTH TALK AT ONCE | 0:21:16 | 0:21:19 | |
Actually, my part, the one of Mrs Higgins, | 0:21:19 | 0:21:20 | |
is, um, much more interesting than Eliza's in many ways. | 0:21:20 | 0:21:24 | |
I mean, even though she's not the female lead, | 0:21:24 | 0:21:26 | |
it's a part with depth and true contemporary resonance. | 0:21:26 | 0:21:30 | |
And it's the one that I wanted. | 0:21:30 | 0:21:31 | |
Good, cos that's the one you got. | 0:21:31 | 0:21:34 | |
I'll show you what it's like to be in my school. | 0:21:36 | 0:21:39 | |
- Is that a threat? - Absolutely. | 0:21:39 | 0:21:41 | |
# Oh-oh | 0:21:41 | 0:21:43 | |
# Oh-oh... # | 0:21:43 | 0:21:45 | |
To Eliza Rocks! | 0:21:51 | 0:21:52 | |
BOTH: To Eliza Rocks! | 0:21:52 | 0:21:54 | |
Oh, man. Congratulations. | 0:21:54 | 0:21:57 | |
This is the best day ever. Carla got beat out! That was beautiful! | 0:21:57 | 0:22:01 | |
MAN ON RADIO: 'Hey, Sidarthur fans, how about some big news? | 0:22:05 | 0:22:07 | |
'You heard it here first - the band is breaking up.' | 0:22:07 | 0:22:11 | |
- What?! - 'Yep, Sidarthur is no more. | 0:22:11 | 0:22:13 | |
'I repeat - no more. | 0:22:13 | 0:22:14 | |
'Stu Wolff is moving on and saying, | 0:22:14 | 0:22:16 | |
'"Never, never, never will I work with them again." | 0:22:16 | 0:22:18 | |
'So, in memory of the band, let's hear a track from Always Morning.' | 0:22:18 | 0:22:22 | |
THUNDERCLAP | 0:22:22 | 0:22:23 | |
SLOW ROCK MUSIC PLAYS | 0:22:23 | 0:22:26 | |
- NO-O-O! - It can't be! | 0:22:27 | 0:22:29 | |
It just can't be! SHE SCREAMS | 0:22:29 | 0:22:32 | |
What...what... what's the matter? | 0:22:32 | 0:22:34 | |
I can't breathe. Mom, I can't breathe. | 0:22:34 | 0:22:36 | |
SHE SOBS | 0:22:38 | 0:22:40 | |
I heard. | 0:22:43 | 0:22:45 | |
Thanks for being here at a time like this. | 0:22:45 | 0:22:48 | |
ELLA: I don't want to believe it. | 0:22:53 | 0:22:56 | |
I made these flyers to hand out to fans urging them to protest. | 0:22:56 | 0:22:59 | |
As these balloons go to the heavens, | 0:23:01 | 0:23:03 | |
so do the stars of our Sidarthur | 0:23:03 | 0:23:05 | |
mix among the stars of our universe. | 0:23:05 | 0:23:08 | |
Symbolically, of course. | 0:23:11 | 0:23:13 | |
UP-TEMPO DANCE MUSIC | 0:23:15 | 0:23:18 | |
Can you believe this? One of the most catastrophic events | 0:23:28 | 0:23:30 | |
in the history of the universe has just occurred, | 0:23:30 | 0:23:32 | |
and everyone's acting as if nothing has happened. | 0:23:32 | 0:23:34 | |
BUZZER, MUSIC STOPS MECHANISED VOICE: 'Great!' | 0:23:36 | 0:23:38 | |
Me again, of course. | 0:23:38 | 0:23:40 | |
So, who's next? | 0:23:40 | 0:23:42 | |
Me. Are you crazy? Carla's the all-time champion. | 0:23:42 | 0:23:45 | |
So? There's gonna be a new all-time champion. | 0:23:45 | 0:23:47 | |
- I think you've peaked. - Hop on. | 0:23:51 | 0:23:53 | |
BELL RINGS 'Round one.' | 0:23:53 | 0:23:55 | |
My father, who, as you know, is the lawyer for Sidarthur, | 0:23:55 | 0:23:58 | |
just called me on my cell phone to tell me | 0:23:58 | 0:24:00 | |
what he found out about the band. | 0:24:00 | 0:24:01 | |
Oh, really? | 0:24:01 | 0:24:03 | |
What he told me isn't available to the public yet. | 0:24:03 | 0:24:05 | |
Sidarthur's having a farewell concert | 0:24:05 | 0:24:07 | |
in New York City next month. | 0:24:07 | 0:24:08 | |
Daddy already has VIP seats, | 0:24:08 | 0:24:10 | |
but that's not the best part. | 0:24:10 | 0:24:11 | |
I didn't think it would be. | 0:24:11 | 0:24:13 | |
There's gonna be an awesome party afterwards at Stu's loft | 0:24:16 | 0:24:18 | |
for all of Sidarthur's closest friends. | 0:24:18 | 0:24:20 | |
So I've heard. | 0:24:20 | 0:24:21 | |
And guess who already has an invitation? | 0:24:21 | 0:24:24 | |
It just so happens that Ella and I do. | 0:24:25 | 0:24:27 | |
- Oh, really? - Yeah, really. | 0:24:27 | 0:24:28 | |
- How'd you manage that? - Same way you did - | 0:24:28 | 0:24:31 | |
through parental connections. | 0:24:31 | 0:24:32 | |
What connections do you have other than the phone? | 0:24:32 | 0:24:35 | |
BUZZER, MUSIC STOPS | 0:24:42 | 0:24:43 | |
'Winner.' | 0:24:43 | 0:24:44 | |
Me again. | 0:24:44 | 0:24:45 | |
'Loser.' | 0:24:45 | 0:24:47 | |
Game's not over yet. | 0:24:47 | 0:24:48 | |
BELL DINGS 'Round two.' | 0:24:48 | 0:24:49 | |
Actually, my mother has the connections. | 0:24:50 | 0:24:52 | |
Marsh Warner bought a piece from her last summer. | 0:24:54 | 0:24:56 | |
And Marshie, as I call him, is their manager. | 0:24:56 | 0:24:58 | |
I know who he is. | 0:24:58 | 0:25:00 | |
He remembered I was crazy about Sidarthur, | 0:25:00 | 0:25:03 | |
so he got us invited. | 0:25:03 | 0:25:04 | |
Wow, your mom must be some potter. | 0:25:04 | 0:25:06 | |
BUZZER | 0:25:11 | 0:25:12 | |
CROWD CHEERS | 0:25:14 | 0:25:16 | |
'Winner.' | 0:25:22 | 0:25:24 | |
Me - Lola Cep. | 0:25:24 | 0:25:25 | |
Remember that name. | 0:25:25 | 0:25:26 | |
'Loser. | 0:25:26 | 0:25:28 | |
'Awesome!' | 0:25:28 | 0:25:29 | |
Why did you tell Carla that we were invited to his party? | 0:25:41 | 0:25:44 | |
You would have done the exact Same thing if you were me. | 0:25:44 | 0:25:46 | |
I wouldn't have lied. I would have thought before I spoke. | 0:25:46 | 0:25:48 | |
I...I can't even imagine being you. | 0:25:48 | 0:25:50 | |
Oh! Carla Santini drives me insane. | 0:25:50 | 0:25:52 | |
Don't even say that. | 0:25:52 | 0:25:53 | |
Two of her nannies were institutionalised. | 0:25:53 | 0:25:55 | |
Not to worry. | 0:25:55 | 0:25:56 | |
You just handed her exactly what she needs | 0:25:56 | 0:25:58 | |
to ridicule you and humiliate you | 0:25:58 | 0:25:59 | |
for the rest of your life, and me, too! | 0:25:59 | 0:26:01 | |
Well, I mean, I guess it depends, doesn't it? | 0:26:01 | 0:26:03 | |
Depends on what? | 0:26:03 | 0:26:04 | |
Well, on whether we go. | 0:26:04 | 0:26:05 | |
To the concert?! | 0:26:05 | 0:26:07 | |
In New York? | 0:26:07 | 0:26:07 | |
And the party. | 0:26:07 | 0:26:09 | |
We haven't exactly been invited. | 0:26:09 | 0:26:11 | |
You don't have to be invited | 0:26:11 | 0:26:13 | |
to a party like that. | 0:26:13 | 0:26:14 | |
There are people that live in New York that don't even go out | 0:26:14 | 0:26:16 | |
unless it's to crash a celebrity bash. | 0:26:16 | 0:26:18 | |
My mother would never let me go. | 0:26:18 | 0:26:20 | |
We can work around your mother, Ella. | 0:26:20 | 0:26:22 | |
Tell the truth - are you partially insane? | 0:26:22 | 0:26:25 | |
You know, we have to go. | 0:26:25 | 0:26:26 | |
It's a matter of pride. | 0:26:26 | 0:26:29 | |
Is there something wrong with the salmon? | 0:26:34 | 0:26:36 | |
No. Just not very hungry. | 0:26:36 | 0:26:38 | |
In too much pain. | 0:26:38 | 0:26:39 | |
I'm in pain, too. My tooth's coming out. | 0:26:39 | 0:26:41 | |
Oh! | 0:26:41 | 0:26:42 | |
It's not that kind of pain. | 0:26:42 | 0:26:43 | |
It's pain of the heart. | 0:26:43 | 0:26:44 | |
Sidarthur's broken up. | 0:26:44 | 0:26:47 | |
They're having one last concert in New York, | 0:26:47 | 0:26:48 | |
and then that's it - they're done. | 0:26:48 | 0:26:50 | |
Good night, sweet princes. | 0:26:51 | 0:26:52 | |
May choirs of rock angels sing you to sleep. | 0:26:52 | 0:26:55 | |
I have no reason to live without them. | 0:26:55 | 0:26:57 | |
Let me take a wild guess - | 0:26:57 | 0:26:59 | |
you want to go to the concert. | 0:26:59 | 0:27:00 | |
If I could just see them play live, | 0:27:00 | 0:27:02 | |
at least I'd have the memory to carry me | 0:27:02 | 0:27:04 | |
through the long, empty years | 0:27:04 | 0:27:05 | |
that lie ahead, | 0:27:05 | 0:27:06 | |
like a road in Kansas. OK, | 0:27:06 | 0:27:08 | |
I don't think that kids and rock concerts | 0:27:08 | 0:27:10 | |
are a great mix. | 0:27:10 | 0:27:11 | |
How can you treat me like this? | 0:27:11 | 0:27:13 | |
I was your firstborn. | 0:27:13 | 0:27:15 | |
You leaned over my crib to make sure I was breathing! | 0:27:15 | 0:27:17 | |
That's why I want to keep you alive. | 0:27:17 | 0:27:19 | |
She wouldn't even stop | 0:27:19 | 0:27:20 | |
for the tiniest, most subatomic second | 0:27:20 | 0:27:22 | |
to consider my fragile hopes and dreams. | 0:27:22 | 0:27:24 | |
What did Ella's mother say? | 0:27:24 | 0:27:25 | |
She didn't ask her. | 0:27:25 | 0:27:26 | |
She said her mom would bite off a 10 acrylic nail | 0:27:26 | 0:27:29 | |
if she even brought it up. | 0:27:29 | 0:27:31 | |
So, I guess that's that. | 0:27:31 | 0:27:33 | |
No, I'm not exactly a "que sera, sera" kind of person. | 0:27:33 | 0:27:38 | |
Right. | 0:27:38 | 0:27:39 | |
I like your necklace. | 0:27:41 | 0:27:43 | |
Thanks. | 0:27:43 | 0:27:44 | |
I've had it since I was six. | 0:27:44 | 0:27:45 | |
It's practically an antique. | 0:27:45 | 0:27:47 | |
I like your boots. | 0:27:49 | 0:27:50 | |
Thanks. I like your smile. | 0:27:50 | 0:27:52 | |
Om. | 0:27:57 | 0:27:59 | |
Om. | 0:28:01 | 0:28:03 | |
Dinner, Mary, now. | 0:28:06 | 0:28:07 | |
I'm on a hunger strike, like Gandhi, | 0:28:07 | 0:28:10 | |
driven to desperate measures | 0:28:10 | 0:28:11 | |
by the insensitivity of the British government. | 0:28:11 | 0:28:13 | |
Not one morsel will pass my lips | 0:28:13 | 0:28:15 | |
until you say I can go see Sidarthur. | 0:28:15 | 0:28:17 | |
You have got two minutes to get to this table | 0:28:17 | 0:28:19 | |
or the insensitive British government | 0:28:19 | 0:28:20 | |
is gonna take the door off its hinges | 0:28:20 | 0:28:22 | |
and drag you out here. | 0:28:22 | 0:28:23 | |
PHONE RINGS | 0:28:23 | 0:28:25 | |
Hello? | 0:28:25 | 0:28:26 | |
Om. | 0:28:26 | 0:28:29 | |
Come in if you must. | 0:28:29 | 0:28:30 | |
Yeah. ..OK, but the thing is, | 0:28:30 | 0:28:32 | |
the drama queen has been Gandhi for two days now. | 0:28:32 | 0:28:35 | |
- MAN: 'I'll take her.' - OK, I will try it. | 0:28:35 | 0:28:37 | |
Your dad wants to know if he can take you to the concert. | 0:28:37 | 0:28:40 | |
Hi, Dad. | 0:28:42 | 0:28:43 | |
Yeah, thanks for the invitation, | 0:28:43 | 0:28:45 | |
but I couldn't possibly go with my father. | 0:28:45 | 0:28:46 | |
I mean, I'd die of shame. | 0:28:46 | 0:28:48 | |
OK. All right. | 0:28:48 | 0:28:49 | |
Love you, too. Bye. | 0:28:49 | 0:28:51 | |
Hello? ..Yeah. | 0:28:53 | 0:28:54 | |
< Mm-hm. OK. | 0:28:55 | 0:28:56 | |
Om. | 0:28:56 | 0:28:57 | |
I'll try it. OK, how about this? | 0:28:57 | 0:29:00 | |
Daddy drops you off at the concert | 0:29:00 | 0:29:01 | |
and then picks you up after. | 0:29:01 | 0:29:02 | |
Oh, you mean like a little kid | 0:29:02 | 0:29:04 | |
being picked up from a day-care centre? | 0:29:04 | 0:29:06 | |
Is there no end to the humiliation | 0:29:06 | 0:29:07 | |
you want to heap upon me, Mom? | 0:29:07 | 0:29:10 | |
We're heaping humiliation. | 0:29:10 | 0:29:11 | |
< Yeah. | 0:29:11 | 0:29:13 | |
OK. | 0:29:13 | 0:29:14 | |
Bye. | 0:29:14 | 0:29:15 | |
All right, tonight you are eating. | 0:29:15 | 0:29:17 | |
Is Mary going to die? | 0:29:17 | 0:29:19 | |
No, she's not gonna die, | 0:29:19 | 0:29:20 | |
but it smells like something has died in here. | 0:29:20 | 0:29:22 | |
< What is that smell? | 0:29:23 | 0:29:25 | |
MOM GASPS | 0:29:26 | 0:29:28 | |
OK. That's it. | 0:29:31 | 0:29:33 | |
No allowance for one month, | 0:29:33 | 0:29:34 | |
and then you're gonna have a parole hearing. | 0:29:34 | 0:29:37 | |
But I could really use the money now, Mom. | 0:29:37 | 0:29:39 | |
Can't you take it away | 0:29:39 | 0:29:40 | |
next month, or September? | 0:29:40 | 0:29:42 | |
No. | 0:29:42 | 0:29:43 | |
That's so cool. | 0:29:43 | 0:29:45 | |
I have been looking all over for you two. | 0:29:48 | 0:29:50 | |
< I knew you'd want to see these. | 0:29:50 | 0:29:51 | |
See, they just came in the mail. | 0:29:51 | 0:29:54 | |
They've just been printed. | 0:29:54 | 0:29:55 | |
Please, you're blocking my view. | 0:29:55 | 0:29:57 | |
So, did you get yours yet? | 0:29:57 | 0:29:59 | |
Actually, mine came in the mail yesterday, | 0:29:59 | 0:30:02 | |
but I'm nice enough not to flaunt them. | 0:30:02 | 0:30:04 | |
Why don't you just admit that you don't have tickets | 0:30:04 | 0:30:05 | |
or an invite and get it over with? | 0:30:05 | 0:30:07 | |
You know, I'm sure there's gonna be a lot of photographers there. | 0:30:07 | 0:30:10 | |
Maybe we can even get our pictures taken together. | 0:30:10 | 0:30:12 | |
That's a deal. | 0:30:12 | 0:30:14 | |
Oh, and you can be in the shot, too, Ella. | 0:30:14 | 0:30:16 | |
Absolutely. I'll be there. | 0:30:19 | 0:30:21 | |
Really? | 0:30:25 | 0:30:26 | |
Uh...I guess. | 0:30:27 | 0:30:29 | |
Don't worry. I have enough for both of us. | 0:30:30 | 0:30:31 | |
I swear I'm gonna pay you back the minute... | 0:30:31 | 0:30:32 | |
no, the second I get my allowance reinstated. | 0:30:32 | 0:30:34 | |
It's OK. | 0:30:34 | 0:30:35 | |
And as soon as I get my first starring role, | 0:30:35 | 0:30:37 | |
I'm taking you to Europe. Great. | 0:30:37 | 0:30:38 | |
You sure we have enough for the...? | 0:30:38 | 0:30:39 | |
BOTH GASP | 0:30:39 | 0:30:40 | |
Oh, no. Company. | 0:30:47 | 0:30:48 | |
Well, look who's here. | 0:30:48 | 0:30:50 | |
I'd, uh, stay and chat, | 0:30:50 | 0:30:52 | |
but I don't want to stay and chat. | 0:30:52 | 0:30:55 | |
She was so mean to Callie Stevenson, | 0:30:55 | 0:30:56 | |
her family had to move to Cleveland. | 0:30:56 | 0:30:58 | |
Catch you at the concert Friday. | 0:30:58 | 0:31:00 | |
That would be a good line if we were going. | 0:31:00 | 0:31:03 | |
You know, I don't think something | 0:31:03 | 0:31:04 | |
as small as tickets should stop us. | 0:31:04 | 0:31:06 | |
Scalpers, Ella. | 0:31:06 | 0:31:08 | |
Part of the fun in going to New York | 0:31:08 | 0:31:09 | |
is dealing with the slimeball scalpers. | 0:31:09 | 0:31:11 | |
If we go, I just know | 0:31:11 | 0:31:12 | |
something is gonna go wrong, | 0:31:12 | 0:31:13 | |
and I'm gonna die, | 0:31:13 | 0:31:15 | |
and my parents are gonna find out. | 0:31:15 | 0:31:16 | |
LOLA: And then Mrs Higgins says, | 0:31:16 | 0:31:18 | |
"And what will you do now, dear?" | 0:31:18 | 0:31:19 | |
Hi. | 0:31:19 | 0:31:20 | |
Hey, Mom. | 0:31:20 | 0:31:21 | |
Um, there's gonna be a cast party | 0:31:21 | 0:31:23 | |
at Carla "The Bad" Santini's house after the show, | 0:31:23 | 0:31:25 | |
and everyone's gonna be | 0:31:25 | 0:31:26 | |
really dressed up, | 0:31:26 | 0:31:27 | |
and, I mean, it's my big night, | 0:31:27 | 0:31:28 | |
and I want to look absolutely perfect. | 0:31:28 | 0:31:30 | |
OK, well, the car broke down today. | 0:31:30 | 0:31:31 | |
That cost me 600, plus I have to buy a new kiln, | 0:31:31 | 0:31:34 | |
so, I mean, do you think you could look absolutely perfect | 0:31:34 | 0:31:37 | |
in something that you already own? | 0:31:37 | 0:31:39 | |
Sure, I'll try and find something. | 0:31:39 | 0:31:40 | |
Yeah. | 0:31:40 | 0:31:41 | |
MUSIC: "Any Other Girl" by Nu | 0:31:43 | 0:31:46 | |
Can you believe 64 hours from now | 0:31:47 | 0:31:49 | |
we'll be within touching distance | 0:31:49 | 0:31:50 | |
from the man who wrote so many great songs, | 0:31:50 | 0:31:52 | |
and I still haven't found something to wear? | 0:31:52 | 0:31:54 | |
# Saying, "Come on, baby, show it | 0:31:54 | 0:31:56 | |
# "Come on, baby, show it, come in and meet the boys..." # | 0:31:56 | 0:31:59 | |
LOLA: 'What I needed for the concert was a drop-dead-gorgeous dress | 0:31:59 | 0:32:02 | |
'that made me look 25 and sophisticated enough | 0:32:02 | 0:32:04 | |
'to have a perfume named after me. | 0:32:04 | 0:32:06 | |
'This had to be really, really special. | 0:32:06 | 0:32:08 | |
'It had to be glamorous, and it had to make a statement, | 0:32:08 | 0:32:10 | |
'if I wanted Stu Wolff to notice me, that is.' | 0:32:10 | 0:32:14 | |
# You better look good, you've got to have height... # | 0:32:15 | 0:32:18 | |
Might as well just wear this to see Stu. | 0:32:18 | 0:32:20 | |
Nothing else to wear, anyway. | 0:32:20 | 0:32:21 | |
I'm just gonna be the dowdy redhead who doesn't know how to dress. | 0:32:21 | 0:32:24 | |
ELLA SOBS | 0:32:24 | 0:32:27 | |
Don't worry, Ella, | 0:32:27 | 0:32:28 | |
I'll find something to wear. | 0:32:28 | 0:32:29 | |
I mean, accessories are good, too, | 0:32:29 | 0:32:31 | |
and they'll help me, and... | 0:32:31 | 0:32:33 | |
Don't cry. | 0:32:34 | 0:32:35 | |
I...I can't lie! | 0:32:35 | 0:32:38 | |
I can't say that I'm sleeping over | 0:32:38 | 0:32:40 | |
at your house when I'm not. | 0:32:40 | 0:32:41 | |
I can't go into New York behind my parents' backs. | 0:32:41 | 0:32:43 | |
I can't do it. | 0:32:43 | 0:32:44 | |
Well, we're not really | 0:32:44 | 0:32:45 | |
going behind their backs. | 0:32:45 | 0:32:46 | |
I mean, they're gonna be in the city, too, | 0:32:46 | 0:32:47 | |
Just not in the Same venue. | 0:32:47 | 0:32:49 | |
I'm not going. I'm not going. | 0:32:49 | 0:32:51 | |
I'm not going. | 0:32:51 | 0:32:52 | |
E-Ella, I mean, | 0:32:52 | 0:32:53 | |
we're supposed to do things like this. | 0:32:53 | 0:32:54 | |
15-year-olds in other cultures | 0:32:54 | 0:32:55 | |
are...are grandmothers, | 0:32:55 | 0:32:57 | |
and no-one gave their permission to do that. | 0:32:57 | 0:32:59 | |
I mean, it's not our fault | 0:32:59 | 0:33:00 | |
that the people who brought us into this world | 0:33:00 | 0:33:01 | |
don't understand that we must | 0:33:01 | 0:33:03 | |
fly away from the nest. | 0:33:03 | 0:33:04 | |
Nature is telling us to go. | 0:33:04 | 0:33:06 | |
And our parents are good people. | 0:33:06 | 0:33:07 | |
They love us. | 0:33:07 | 0:33:09 | |
Yeah, they love us, right? | 0:33:09 | 0:33:11 | |
They really love us, | 0:33:11 | 0:33:12 | |
and I'm sure they'd hate if | 0:33:12 | 0:33:13 | |
anything happened to us, | 0:33:13 | 0:33:14 | |
and... | 0:33:14 | 0:33:16 | |
Wait here one second, OK? | 0:33:18 | 0:33:20 | |
Don't cry. It's gonna work out. | 0:33:21 | 0:33:23 | |
We'll go, and it'll be fun. | 0:33:23 | 0:33:25 | |
I can't lie! | 0:33:25 | 0:33:28 | |
Mom, it's amazing how sometimes I come to your conclusions. | 0:33:30 | 0:33:34 | |
Ella and I could use, as you say, | 0:33:34 | 0:33:36 | |
adult supervision. Uh-huh. | 0:33:36 | 0:33:38 | |
So here's the plan. | 0:33:38 | 0:33:39 | |
You drive us to the train in broad, broad daylight. | 0:33:39 | 0:33:42 | |
Ella's parents are going to be in New York, | 0:33:42 | 0:33:43 | |
and they'd be more than happy to pick us up | 0:33:43 | 0:33:45 | |
at Grand Central - | 0:33:45 | 0:33:46 | |
Grand Central Station. | 0:33:46 | 0:33:47 | |
They'll drop us off at the concert, | 0:33:47 | 0:33:48 | |
and we'll stay overnight with them at their hotel. | 0:33:48 | 0:33:50 | |
Sounds so safe, I know. | 0:33:50 | 0:33:51 | |
I can't even believe it came out of my own head. | 0:33:51 | 0:33:53 | |
OK, OK, I'm gonna have to talk | 0:33:53 | 0:33:54 | |
with Ella's mom and dad. | 0:33:54 | 0:33:56 | |
Of course, and when you do it, do it gently, | 0:33:56 | 0:33:58 | |
because they know nothing about this. | 0:33:58 | 0:33:59 | |
Mary! | 0:33:59 | 0:34:01 | |
And try and remember, we're in suburbia. | 0:34:01 | 0:34:02 | |
Yeah, yeah, I know. | 0:34:02 | 0:34:04 | |
And, you know, it wouldn't hurt if you threw in | 0:34:04 | 0:34:05 | |
that microwaves aren't that bad. | 0:34:05 | 0:34:06 | |
Well, see, Mary feels she really | 0:34:08 | 0:34:10 | |
must, must, must see the concert. | 0:34:10 | 0:34:12 | |
And is that how you feel, sweetie - | 0:34:12 | 0:34:13 | |
that you must see these Sidarthur people? | 0:34:13 | 0:34:17 | |
It's their last performance. | 0:34:17 | 0:34:19 | |
Well, why didn't you just ask, pumpkin? | 0:34:19 | 0:34:22 | |
I didn't know I could. | 0:34:22 | 0:34:25 | |
DAD: All right. | 0:34:25 | 0:34:26 | |
Your mother and I are going into the city on Thursday | 0:34:26 | 0:34:29 | |
for a long weekend. Yeah. | 0:34:29 | 0:34:31 | |
We'll pick them up at the station, | 0:34:31 | 0:34:32 | |
and they can stay with us at the Hilton. | 0:34:32 | 0:34:33 | |
Which is practically down the street from the concert. | 0:34:33 | 0:34:35 | |
Well, that would be great. | 0:34:35 | 0:34:37 | |
Oh, it's as if the heavens wanted this. | 0:34:39 | 0:34:42 | |
- Miss Baggoli? - Yes? | 0:34:43 | 0:34:44 | |
Someone broke the heel. | 0:34:44 | 0:34:46 | |
No! Oh! | 0:34:46 | 0:34:48 | |
Girls, pl... Everybody! Listen up. | 0:34:48 | 0:34:50 | |
General announcement, everyone. | 0:34:50 | 0:34:52 | |
Costumes are sacred. | 0:34:53 | 0:34:57 | |
Costumes are sacred. | 0:34:57 | 0:35:01 | |
Please. | 0:35:01 | 0:35:03 | |
I mean, what does one wear to Stu Wolff's party? | 0:35:03 | 0:35:06 | |
There's gonna be so many famous people there. | 0:35:06 | 0:35:08 | |
I don't know. I just want to look hot. | 0:35:08 | 0:35:10 | |
One wears what one usually wears to these soirees. | 0:35:10 | 0:35:14 | |
# I wanna be loved by you | 0:35:14 | 0:35:16 | |
# Just you | 0:35:16 | 0:35:18 | |
# Nobody else but you | 0:35:18 | 0:35:21 | |
# I wanna be loved by you alone | 0:35:21 | 0:35:26 | |
# Boop, boop, ba-doo | 0:35:26 | 0:35:28 | |
# I wanna be kissed by you | 0:35:28 | 0:35:31 | |
# Just you | 0:35:31 | 0:35:32 | |
# Nobody else but you | 0:35:32 | 0:35:35 | |
# I wanna be kissed by you alone | 0:35:35 | 0:35:41 | |
# I couldn't aspire | 0:35:41 | 0:35:44 | |
# To anything higher | 0:35:44 | 0:35:48 | |
# Than to fill the desire to make you my own | 0:35:48 | 0:35:54 | |
# Ba-dum, ba-dum, dum-de-dum | 0:35:54 | 0:35:57 | |
# I wanna be loved by you | 0:35:57 | 0:36:00 | |
# Just you | 0:36:00 | 0:36:01 | |
# And nobody else but you... # | 0:36:01 | 0:36:05 | |
Oh...please... | 0:36:06 | 0:36:08 | |
Lola! Oh, my gosh! Lola! BELL RINGS | 0:36:08 | 0:36:11 | |
LOLA: 'Crime has never appealed to me as a way of life, | 0:36:11 | 0:36:13 | |
'but a girl's gotta do what a girl's gotta do, | 0:36:13 | 0:36:15 | |
'and I needed Eliza's dress.' | 0:36:15 | 0:36:17 | |
You know, you don't have to do this for me. | 0:36:17 | 0:36:19 | |
I mean, I know you said you'd do me a favour, | 0:36:19 | 0:36:20 | |
but this one may be too big. | 0:36:20 | 0:36:22 | |
Don't worry. | 0:36:22 | 0:36:23 | |
I'll be in and out of the drama room in seconds. | 0:36:23 | 0:36:25 | |
5, 6, 7, 8, and... | 0:36:25 | 0:36:27 | |
ROCK MUSIC PLAYS | 0:36:27 | 0:36:29 | |
LOLA: 'OK, I know it's not like me to be unprofessional, | 0:36:29 | 0:36:31 | |
'but how can I concentrate | 0:36:31 | 0:36:33 | |
'when Sam is risking his life for me? | 0:36:33 | 0:36:34 | |
'And when in ten hours' time, | 0:36:34 | 0:36:35 | |
'I'll be standing right in front of Stu Wolff?' | 0:36:35 | 0:36:38 | |
Oof. | 0:36:46 | 0:36:47 | |
Wait a minute. No, no. | 0:36:49 | 0:36:50 | |
OK, everybody, that's... That's enough! | 0:36:50 | 0:36:53 | |
Excuse me, PLEASE! | 0:36:53 | 0:36:54 | |
MUSIC STOPS | 0:36:54 | 0:36:56 | |
(I'm sorry.) | 0:36:56 | 0:36:58 | |
Maybe you're messing up so much | 0:37:01 | 0:37:02 | |
because you're so excited about the concert tonight. | 0:37:02 | 0:37:05 | |
No, I'm used to those things. | 0:37:05 | 0:37:07 | |
Lola and Carla, do you have to talk?! | 0:37:07 | 0:37:09 | |
< Opening night is in one week. | 0:37:09 | 0:37:12 | |
I would think that we could just have | 0:37:12 | 0:37:14 | |
one decent rehearsal by now! | 0:37:14 | 0:37:17 | |
SHE GASPS | 0:37:17 | 0:37:19 | |
< All right. | 0:37:19 | 0:37:20 | |
What I think we'll do now is we'll just breathe. | 0:37:20 | 0:37:23 | |
Breathe deep, and try and relax. | 0:37:23 | 0:37:24 | |
THEY INHALE | 0:37:24 | 0:37:26 | |
THEY VOCALISE | 0:37:26 | 0:37:29 | |
< And another one. | 0:37:29 | 0:37:30 | |
Shake it, shake it, shake it, shake it, | 0:37:32 | 0:37:33 | |
shake it, shake it, shake. | 0:37:33 | 0:37:34 | |
And you all just keep shaking and relaxing. | 0:37:34 | 0:37:37 | |
And I'm gonna get something I really need | 0:37:37 | 0:37:39 | |
out of the drama room. | 0:37:39 | 0:37:41 | |
No, no, no, Miss Baggoli, | 0:37:41 | 0:37:42 | |
it's OK, I'll get it for you. | 0:37:42 | 0:37:43 | |
No, that's all right, Lola, | 0:37:43 | 0:37:44 | |
because what I need | 0:37:44 | 0:37:45 | |
is locked up in the drama room. | 0:37:45 | 0:37:47 | |
No, but on page 42 of the script | 0:37:49 | 0:37:50 | |
is where I want to sort of look down demurely. | 0:37:50 | 0:37:52 | |
Lola, get out of my way! | 0:37:52 | 0:37:54 | |
Can't we just go back onto the stage? | 0:37:55 | 0:37:56 | |
Miss Baggoli, please. | 0:37:56 | 0:37:58 | |
Please, just get out of... | 0:37:58 | 0:37:59 | |
Lola, would you please get out of my way? | 0:37:59 | 0:38:03 | |
That's odd. | 0:38:03 | 0:38:04 | |
Why isn't this locked? Oh, my goodness. | 0:38:04 | 0:38:07 | |
Hmm... | 0:38:07 | 0:38:09 | |
But I always lock this door. | 0:38:09 | 0:38:11 | |
LOLA: You know, you probably did lock it. | 0:38:11 | 0:38:12 | |
I mean, we have the Same lock at home. | 0:38:12 | 0:38:13 | |
Sometimes it works. Sometimes it doesn't. | 0:38:13 | 0:38:14 | |
Sometimes it does. Sometimes it doesn't. | 0:38:14 | 0:38:15 | |
I mean, you never know what's gonna happen. | 0:38:15 | 0:38:17 | |
Oh, oh, oh. | 0:38:17 | 0:38:18 | |
OK, nothing seems to be missing. | 0:38:18 | 0:38:20 | |
Why would anything be missing here? | 0:38:20 | 0:38:22 | |
Well, I have no idea, do I? | 0:38:22 | 0:38:25 | |
You know, I...I just... | 0:38:25 | 0:38:26 | |
I want to talk to you about my lines. | 0:38:26 | 0:38:27 | |
I don't really know them that well. | 0:38:27 | 0:38:28 | |
What do you mean, you don't know your lines? | 0:38:28 | 0:38:30 | |
At this time, I don't even want to discuss this. | 0:38:30 | 0:38:33 | |
No, I'm not even gonna discuss this right now. | 0:38:33 | 0:38:35 | |
SHE GASPS | 0:38:48 | 0:38:49 | |
Lola, you're just making me so nervous. | 0:38:49 | 0:38:53 | |
Well, I...I need to show you something on the stage. | 0:38:53 | 0:38:55 | |
You know what I think? | 0:38:55 | 0:38:57 | |
I think that you've just been working so hard - | 0:38:57 | 0:39:00 | |
entirely too hard - | 0:39:00 | 0:39:01 | |
and that you should just really try | 0:39:01 | 0:39:03 | |
and take the weekend off and relax, OK? | 0:39:03 | 0:39:06 | |
I...I've never really relaxed before. | 0:39:06 | 0:39:08 | |
There's no reason I can't try. | 0:39:08 | 0:39:10 | |
I think you should. I just think you should. | 0:39:10 | 0:39:14 | |
Oh, my gosh! I was so terrified. | 0:39:20 | 0:39:21 | |
I know. I was just about to grab the dress | 0:39:21 | 0:39:23 | |
when Miss Baggoli came in. | 0:39:23 | 0:39:25 | |
Thanks for trying. | 0:39:25 | 0:39:26 | |
Trying? | 0:39:27 | 0:39:28 | |
Take a look under the hood. | 0:39:31 | 0:39:32 | |
SHE GASPS | 0:39:36 | 0:39:38 | |
Are you kidding me? | 0:39:39 | 0:39:40 | |
# Oh, yeah... # | 0:39:42 | 0:39:43 | |
LOLA: Hurry, quick, I don't want to miss the train. | 0:39:47 | 0:39:50 | |
ELLA: Wait for me! | 0:39:50 | 0:39:51 | |
TANNOY: 342 to Grand Central Station Now arriving. | 0:39:51 | 0:39:53 | |
I don't believe it. | 0:39:58 | 0:39:59 | |
I don't believe you stole Eliza's dress. | 0:39:59 | 0:40:02 | |
I didn't steal it. I borrowed it. | 0:40:02 | 0:40:04 | |
Borrowed? You mean you asked if it was OK? | 0:40:04 | 0:40:06 | |
Well, not exactly. I mean, Sam... | 0:40:06 | 0:40:08 | |
You got Sam to steal it for you? | 0:40:08 | 0:40:10 | |
Borrowed! Borrowed it. Sam borrowed it. | 0:40:10 | 0:40:11 | |
It'll be back in the closet by Monday morning. | 0:40:11 | 0:40:13 | |
Oh. Yeah. I'm gonna get off. | 0:40:13 | 0:40:14 | |
I can't go through with this. No, no. | 0:40:14 | 0:40:16 | |
Ella, Ella, don't back out now, please. | 0:40:16 | 0:40:17 | |
Please just let me have one night of pure joy | 0:40:17 | 0:40:19 | |
if I'm gonna have to spend the rest of my precious youth behind bars. | 0:40:19 | 0:40:23 | |
This better be one great concert. | 0:40:24 | 0:40:25 | |
That's a given. | 0:40:25 | 0:40:27 | |
I don't want to get near a scalper. | 0:40:27 | 0:40:29 | |
You take the money, OK? | 0:40:29 | 0:40:30 | |
OK. | 0:40:30 | 0:40:31 | |
# Oh, yeah | 0:40:34 | 0:40:36 | |
# Come on, come on, come on, come on | 0:40:38 | 0:40:39 | |
# Come on, get in | 0:40:41 | 0:40:43 | |
# Hang your coats | 0:40:43 | 0:40:44 | |
# Eat our chips, come on | 0:40:44 | 0:40:46 | |
# We've got notes | 0:40:46 | 0:40:47 | |
# Shake your coconuts | 0:40:47 | 0:40:49 | |
# Coco boys | 0:40:49 | 0:40:51 | |
# Until that nut comes out, come on | 0:40:51 | 0:40:53 | |
# Coco girls | 0:40:53 | 0:40:54 | |
# Just keep on dancing now | 0:40:54 | 0:40:56 | |
# Just keep on getting down | 0:40:56 | 0:40:57 | |
# Just keep on having fun | 0:40:57 | 0:40:59 | |
# The party's just begun | 0:40:59 | 0:41:00 | |
# All dressed up | 0:41:08 | 0:41:09 | |
# And dressed to kill | 0:41:09 | 0:41:11 | |
# Doctor says, "Come on, eat your pills" | 0:41:11 | 0:41:14 | |
# Shake your coconuts... # Atchoo! | 0:41:14 | 0:41:16 | |
# Coco boys | 0:41:16 | 0:41:17 | |
# Until that milk comes out | 0:41:17 | 0:41:19 | |
# Coco girls | 0:41:19 | 0:41:21 | |
# Just keep on having fun... # COUGHS | 0:41:21 | 0:41:22 | |
# The party's just begun | 0:41:22 | 0:41:24 | |
# Just keep on dancing | 0:41:24 | 0:41:26 | |
# Just keep on getting down | 0:41:26 | 0:41:27 | |
# Just keep on dancing | 0:41:27 | 0:41:29 | |
# Just keep on getting down | 0:41:29 | 0:41:31 | |
# Just keep on having fun | 0:41:31 | 0:41:32 | |
# The party's just begun | 0:41:32 | 0:41:34 | |
# Whoo! # | 0:41:34 | 0:41:36 | |
TANNOY: Hartford express, New Haven line. | 0:41:36 | 0:41:39 | |
Wow! | 0:41:39 | 0:41:40 | |
Wow, you... you look beautiful! | 0:41:40 | 0:41:43 | |
- You too, Lola. - Thanks. | 0:41:43 | 0:41:45 | |
Yes, you do... | 0:41:45 | 0:41:46 | |
both of you. | 0:41:46 | 0:41:48 | |
Now... now, the hotel is... | 0:41:48 | 0:41:49 | |
is just a few blocks from the theatre. | 0:41:49 | 0:41:50 | |
I know. I know my New York. | 0:41:50 | 0:41:52 | |
We'll be back in the hotel room at 12.00. | 0:41:52 | 0:41:55 | |
You have your tickets and your money? | 0:41:55 | 0:41:57 | |
We have the money. We'll buy the tickets. | 0:41:57 | 0:41:58 | |
Oh, here. | 0:41:58 | 0:42:00 | |
Thank you. | 0:42:00 | 0:42:02 | |
We'll, uh, we'll drop you off. | 0:42:02 | 0:42:04 | |
I can assure you, everything is gonna be fine. | 0:42:04 | 0:42:06 | |
It's just a quiet little concert. | 0:42:06 | 0:42:08 | |
# Ha, ha, ha, ha, ha | 0:42:08 | 0:42:10 | |
# Ha, ha | 0:42:10 | 0:42:12 | |
# Whoo... # | 0:42:12 | 0:42:13 | |
GIRLS SCREAM | 0:42:13 | 0:42:15 | |
# Ha, ha, ha, ha, ha | 0:42:17 | 0:42:19 | |
# Ha, ha | 0:42:19 | 0:42:21 | |
# Whoo... # | 0:42:21 | 0:42:21 | |
INDISTINCT SHOUTING | 0:42:21 | 0:42:23 | |
LOLA: OK, Ella, heads up, march forward. | 0:42:23 | 0:42:25 | |
- Get ready to rock'n'roll. - POLICEMAN: Girls, please. | 0:42:25 | 0:42:27 | |
- Oh, our tickets are at the door. - OK. | 0:42:27 | 0:42:29 | |
LOLA: Look for someone who's selling tickets. | 0:42:43 | 0:42:44 | |
Isn't there a stall or something? | 0:42:44 | 0:42:46 | |
No. They're just ordinary people doing ordinary scalping. | 0:42:46 | 0:42:49 | |
Oh! Watch this. | 0:42:49 | 0:42:51 | |
You have to be strict with these people. | 0:42:51 | 0:42:52 | |
You have to bargain and deal. | 0:42:52 | 0:42:54 | |
How much? | 0:42:54 | 0:42:55 | |
165 in orchestra. Can't get any better than that. | 0:42:55 | 0:42:57 | |
We'll take them. | 0:42:57 | 0:42:59 | |
165 doesn't leave us very much for incidentals. | 0:42:59 | 0:43:01 | |
When you get to see Stu Wolff, | 0:43:01 | 0:43:03 | |
you don't need incidentals. | 0:43:03 | 0:43:05 | |
It's in your make-up bag. | 0:43:05 | 0:43:06 | |
Oh, right. | 0:43:06 | 0:43:07 | |
W-w-what's wrong? | 0:43:11 | 0:43:13 | |
Ella, it's not here. My make-up bag's not here. | 0:43:13 | 0:43:17 | |
It must be. | 0:43:17 | 0:43:18 | |
It has to be. | 0:43:18 | 0:43:19 | |
When did you last see it? | 0:43:19 | 0:43:21 | |
In the train. I left it behind the... | 0:43:21 | 0:43:24 | |
sink. | 0:43:24 | 0:43:26 | |
Oh, no. | 0:43:26 | 0:43:28 | |
Oh. Maybe it's karma. | 0:43:28 | 0:43:29 | |
All we have to do is go in with a large group of people. | 0:43:29 | 0:43:33 | |
What? You mean sneak in? | 0:43:33 | 0:43:35 | |
Sneaking would be beneath us, but... | 0:43:35 | 0:43:36 | |
I can't think of a better word for what we're about to do. | 0:43:36 | 0:43:40 | |
I have never snuck, ever. I can't do it. | 0:43:40 | 0:43:44 | |
I'm terrified just being here. | 0:43:44 | 0:43:46 | |
Stage fright. It'll pass. | 0:43:46 | 0:43:47 | |
This is a little tricky, so just follow my lead, OK? | 0:43:47 | 0:43:50 | |
I wonder what song they'll do. | 0:43:50 | 0:43:52 | |
I hope they do Love Loser. | 0:43:52 | 0:43:53 | |
Oh, I'm so excited! | 0:43:53 | 0:43:54 | |
I feel like I've been waiting for this for ever. | 0:43:54 | 0:43:57 | |
Just a minute. | 0:43:59 | 0:44:00 | |
Can I have another look at your ticket, please? | 0:44:02 | 0:44:06 | |
Uh, right. Uh, my ticket. Sure. | 0:44:06 | 0:44:08 | |
RUSTLING | 0:44:08 | 0:44:09 | |
You know, i-it's not here. | 0:44:09 | 0:44:11 | |
I must have dropped it or something. | 0:44:11 | 0:44:13 | |
No ticket... | 0:44:15 | 0:44:16 | |
no concert. | 0:44:16 | 0:44:18 | |
I demand to see your supervisor. | 0:44:18 | 0:44:19 | |
Yeah? You can see him outside. | 0:44:19 | 0:44:21 | |
But... | 0:44:21 | 0:44:22 | |
Come to the door. | 0:44:30 | 0:44:32 | |
Come...to...the door. | 0:44:32 | 0:44:35 | |
OK, go see Stu. | 0:44:35 | 0:44:37 | |
Go...see...Stu. | 0:44:37 | 0:44:40 | |
Go see Stu! | 0:44:40 | 0:44:41 | |
OK, stay there. Don't move. I'm coming in. | 0:44:41 | 0:44:43 | |
I just have to be with my cousin. | 0:44:43 | 0:44:45 | |
She has this...this rare disease that makes you gag | 0:44:45 | 0:44:48 | |
and you can't breathe and then you die. | 0:44:48 | 0:44:49 | |
I mean, she shouldn't be left alone, and, look - | 0:44:49 | 0:44:51 | |
look, she's alone - the one who's gagging and not breathing. | 0:44:51 | 0:44:54 | |
I have to be with her at all times. | 0:44:54 | 0:44:56 | |
OK. | 0:44:57 | 0:44:58 | |
Good plan. | 0:45:02 | 0:45:03 | |
MUSIC PLAYS IN DISTANCE | 0:45:04 | 0:45:07 | |
Maybe we should just go to the hotel. | 0:45:07 | 0:45:09 | |
What? And miss the concert? | 0:45:09 | 0:45:11 | |
Yeah, I don't think so. | 0:45:11 | 0:45:13 | |
We're not actually at the concert. | 0:45:13 | 0:45:14 | |
We're close. I mean, | 0:45:14 | 0:45:15 | |
Stu Wolff's only a few yards away from us. | 0:45:15 | 0:45:17 | |
And then he'll be at the after-party with us. | 0:45:17 | 0:45:20 | |
Your belief system amazes me. | 0:45:20 | 0:45:22 | |
Ella, where are you going? | 0:45:22 | 0:45:24 | |
Don't leave me! | 0:45:24 | 0:45:26 | |
Come back! Ella! | 0:45:26 | 0:45:29 | |
What are you doing? | 0:45:29 | 0:45:30 | |
I'm going back to the hotel. | 0:45:30 | 0:45:32 | |
So you're just gonna give up? | 0:45:32 | 0:45:33 | |
If everyone gave up, | 0:45:33 | 0:45:35 | |
there'd be no America, no electricity, no TiVo. | 0:45:35 | 0:45:39 | |
We'd all have to watch shows at their scheduled times. | 0:45:39 | 0:45:41 | |
We'd never get to see Renee Zellweger or Christina Aguilera. | 0:45:41 | 0:45:44 | |
If everyone gave up, we'd all be sitting in mud huts in Europe eating weeds. | 0:45:44 | 0:45:48 | |
I didn't say stop progress. | 0:45:48 | 0:45:49 | |
I just said, "Go back to the hotel." | 0:45:49 | 0:45:51 | |
But don't you want to see the look on Carla's face | 0:45:51 | 0:45:53 | |
when we show up at that party? | 0:45:53 | 0:45:55 | |
Yeah, I do. | 0:45:55 | 0:45:57 | |
Great! Then let's go to SoHo. | 0:45:57 | 0:45:58 | |
Where in SoHo? We don't even know where Stu lives. | 0:45:58 | 0:46:01 | |
Oh, sure, we do. I have this. | 0:46:01 | 0:46:03 | |
ELLA: A picture of a door? | 0:46:07 | 0:46:09 | |
LOLA: It's not just a door. | 0:46:09 | 0:46:11 | |
It's a black door with windows. | 0:46:11 | 0:46:13 | |
Have some faith, Ella. | 0:46:13 | 0:46:15 | |
SoHo is New York's artistic soul. | 0:46:15 | 0:46:17 | |
And it's just around the corner. | 0:46:17 | 0:46:18 | |
# Get ready or not, cos here I come | 0:46:18 | 0:46:21 | |
# Dance, dance, dance, have some fun | 0:46:21 | 0:46:23 | |
# 6, 5, 4, 3, 2, 1... # | 0:46:23 | 0:46:25 | |
THUNDER # Get up, get up | 0:46:25 | 0:46:27 | |
# Get up, up, up | 0:46:27 | 0:46:29 | |
# O-o-h | 0:46:29 | 0:46:30 | |
# Up, up, up... # | 0:46:30 | 0:46:32 | |
ELLA: 67 blocks is "around the corner"?! | 0:46:32 | 0:46:35 | |
# ..Rain falls down on my parade | 0:46:35 | 0:46:38 | |
# Lemons into lemonade | 0:46:38 | 0:46:40 | |
# Can't slow me down, no way, no way... # | 0:46:40 | 0:46:43 | |
Ready? Yeah. | 0:46:43 | 0:46:45 | |
# Yesterday is in the past | 0:46:45 | 0:46:47 | |
# Dream on, tomorrow's coming fast | 0:46:47 | 0:46:50 | |
# All you got is now... # | 0:46:50 | 0:46:51 | |
Ready? # ..Get up, get up... # | 0:46:51 | 0:46:53 | |
Ohh! # Get ready or not, cos here I come | 0:46:53 | 0:46:56 | |
# Dance, dance, dance, have some fun | 0:46:56 | 0:46:58 | |
# 6, 5, 4, 3, 2, 1 | 0:46:58 | 0:47:01 | |
# Get up, get up... # | 0:47:01 | 0:47:02 | |
There's a man following us. | 0:47:21 | 0:47:24 | |
Don't be silly, Ella. | 0:47:24 | 0:47:25 | |
The crime rate in New York is going down. | 0:47:25 | 0:47:27 | |
(Come on. Let's go.) | 0:47:30 | 0:47:32 | |
There's a man and a dog following us. | 0:47:41 | 0:47:43 | |
OK. Stay here. I'll handle this. | 0:47:46 | 0:47:47 | |
New Yorkers know how to handle trouble. | 0:47:47 | 0:47:49 | |
Watch this. | 0:47:49 | 0:47:50 | |
Hey! Hey! | 0:47:50 | 0:47:51 | |
Dad, what are you doing here? | 0:47:51 | 0:47:53 | |
Your mom called. | 0:47:53 | 0:47:54 | |
Asked me to keep an eye on you. | 0:47:54 | 0:47:57 | |
She got nervous. | 0:47:57 | 0:47:58 | |
Mom was born nervous. | 0:47:58 | 0:47:59 | |
So, where are you going? | 0:47:59 | 0:48:02 | |
To a party. | 0:48:02 | 0:48:03 | |
Not like that. You're all wet. | 0:48:03 | 0:48:05 | |
Daddy, nothing can rain on my parade. | 0:48:05 | 0:48:07 | |
You know, I like parties. | 0:48:07 | 0:48:09 | |
Please, Dad. If you show up, | 0:48:09 | 0:48:10 | |
then Stu Wolff will never think I'm cool. | 0:48:10 | 0:48:12 | |
Can't you just wait outside or something? | 0:48:12 | 0:48:13 | |
Right outside. | 0:48:13 | 0:48:15 | |
But if I see something even slightly wrong, | 0:48:15 | 0:48:17 | |
I'm coming in. | 0:48:17 | 0:48:18 | |
You know, I really like parties. | 0:48:18 | 0:48:20 | |
Thanks, Dad. | 0:48:20 | 0:48:21 | |
And could you lay low? You're scaring my friend. | 0:48:21 | 0:48:23 | |
Right. | 0:48:25 | 0:48:26 | |
But I'll be watching. > | 0:48:26 | 0:48:27 | |
Well, he won't be bothering us any more. | 0:48:29 | 0:48:31 | |
So, are you ready to have fun? | 0:48:31 | 0:48:32 | |
I-I hope so. | 0:48:32 | 0:48:33 | |
OK. Good. | 0:48:33 | 0:48:35 | |
BOTH: # I'm going to a party | 0:48:40 | 0:48:42 | |
# With Sidarthur! # | 0:48:42 | 0:48:44 | |
Yeah! | 0:48:44 | 0:48:45 | |
# Oh-oh... # | 0:48:46 | 0:48:49 | |
That was the Santini car. | 0:48:49 | 0:48:51 | |
# Oh-oh | 0:48:51 | 0:48:53 | |
# Oh-oh | 0:48:53 | 0:48:56 | |
# Oh-oh | 0:48:56 | 0:48:58 | |
# Oh-oh | 0:48:58 | 0:49:00 | |
# Oh-oh | 0:49:00 | 0:49:03 | |
# Oh-oh... # | 0:49:03 | 0:49:05 | |
SHOUTING AND CHEERING | 0:49:17 | 0:49:21 | |
Hi! Lola Cep. Ella Gerard. Nice to see you again. | 0:49:33 | 0:49:36 | |
I'll have to see your invitations. | 0:49:36 | 0:49:37 | |
Strange you should ask. We left them at the concert. | 0:49:37 | 0:49:41 | |
Our names should be on the list. | 0:49:41 | 0:49:42 | |
There they are! | 0:49:48 | 0:49:49 | |
Dr and Mrs Lawrence? | 0:49:49 | 0:49:51 | |
Yeah. Uh, my mom and my dad. | 0:49:51 | 0:49:53 | |
They couldn't make it. | 0:49:53 | 0:49:55 | |
My mom has a rash, and my dad's in surgery. | 0:49:55 | 0:49:57 | |
I thought your name was Step. | 0:49:57 | 0:49:59 | |
Could I just use your phone? | 0:50:00 | 0:50:01 | |
I have to call my parents. Please? | 0:50:01 | 0:50:02 | |
This is a private residence, not Grand Central Station. | 0:50:02 | 0:50:05 | |
Use a public phone. | 0:50:05 | 0:50:07 | |
BARKING | 0:50:07 | 0:50:08 | |
Whoa, whoa! | 0:50:08 | 0:50:09 | |
MAN: Stu, this is your own party! It's your own party. | 0:50:10 | 0:50:13 | |
SLURRED: You don't tell me what to do any more, Steve. | 0:50:16 | 0:50:18 | |
Don't you remember? It's over. | 0:50:18 | 0:50:19 | |
STEVE: Come inside before you embarrass yourself. | 0:50:19 | 0:50:21 | |
You touch me... HE MUMBLES | 0:50:21 | 0:50:24 | |
Yeah, remember? He's been trouble all over the world. | 0:50:28 | 0:50:31 | |
Thank God he's not our problem any more. | 0:50:31 | 0:50:34 | |
Steve! Steve! | 0:50:34 | 0:50:36 | |
I-I love you. | 0:50:36 | 0:50:39 | |
Wait, let me just talk to you for one minute! | 0:50:39 | 0:50:42 | |
Well, except for the garbage and the cars, | 0:50:44 | 0:50:46 | |
it's like following Heathcliff out on the moors. | 0:50:46 | 0:50:47 | |
Maybe we shouldn't. | 0:50:47 | 0:50:48 | |
Would you please relax? | 0:50:48 | 0:50:50 | |
I'd rather lose him than lose my life. | 0:50:50 | 0:50:52 | |
Where do you think he's going? | 0:50:52 | 0:50:53 | |
Someplace great. | 0:50:53 | 0:50:56 | |
MUTTERING | 0:50:57 | 0:50:59 | |
This for you is great? | 0:51:02 | 0:51:05 | |
I'm getting really scared being out here all alone, Lola. | 0:51:05 | 0:51:08 | |
We're not alone. We're with an adult. | 0:51:08 | 0:51:10 | |
CANS RATTLE | 0:51:10 | 0:51:11 | |
Aside from the fact that he isn't actually with us, | 0:51:11 | 0:51:13 | |
he isn't actually an adult. He's a rock star. | 0:51:13 | 0:51:18 | |
STU MOANS | 0:51:18 | 0:51:20 | |
RUSTLING | 0:51:20 | 0:51:21 | |
LOLA: Mr Wolff? | 0:51:24 | 0:51:26 | |
What...? Come with me. | 0:51:26 | 0:51:28 | |
Come on. Help me get him out. | 0:51:30 | 0:51:31 | |
ELLA WHIMPERS | 0:51:31 | 0:51:32 | |
ELLA: He smells like a backed-up drain. | 0:51:33 | 0:51:36 | |
LOLA: Ella, Ella, Ella. I mean, see the beauty. | 0:51:36 | 0:51:38 | |
Oh, my God! He's crying. | 0:51:38 | 0:51:40 | |
Do you believe how lucky we are? | 0:51:40 | 0:51:43 | |
I almost hear them praying that we don't sit near them. | 0:51:43 | 0:51:46 | |
OK, well, quickly get him into a booth before anyone smells him. | 0:51:46 | 0:51:49 | |
Everybody wants something from me. | 0:51:54 | 0:51:57 | |
You think I'm a regular guy. | 0:51:57 | 0:51:59 | |
I'm not a regular guy. > | 0:51:59 | 0:52:01 | |
Do you...do you think anybody really knows who I am? | 0:52:01 | 0:52:06 | |
I don't even know who I am. | 0:52:06 | 0:52:08 | |
Once we get some coffee in him, | 0:52:10 | 0:52:11 | |
I'm sure he'll become the man of truth, passion, | 0:52:11 | 0:52:13 | |
and unflagging courage I know him to be. | 0:52:13 | 0:52:14 | |
So, what will it be? | 0:52:14 | 0:52:16 | |
Do you think I have any real friends? | 0:52:16 | 0:52:19 | |
We'll just have coffee. | 0:52:19 | 0:52:20 | |
Not me. | 0:52:20 | 0:52:22 | |
I'll have a deluxe hamburger platter, | 0:52:22 | 0:52:24 | |
well done, | 0:52:24 | 0:52:25 | |
and a large side of onion rings. | 0:52:25 | 0:52:28 | |
Uh, you know, you could just give him coffee. | 0:52:28 | 0:52:29 | |
He's not really up to a meal right now. | 0:52:29 | 0:52:31 | |
I-I want a deluxe hamburger platter. Is that too difficult? | 0:52:31 | 0:52:37 | |
Look, you two better keep him in line. | 0:52:37 | 0:52:39 | |
The boss won't stand for any nonsense. | 0:52:39 | 0:52:41 | |
What do you want? | 0:52:43 | 0:52:44 | |
Autographs? Money? A record deal? | 0:52:44 | 0:52:48 | |
Hey, there, girls, do you want something from me? | 0:52:48 | 0:52:50 | |
This is a poet who lit your darkest days? | 0:52:50 | 0:52:52 | |
Didn't I tell you he was a tortured soul? | 0:52:52 | 0:52:56 | |
Stu, do you have any cash on you? | 0:52:56 | 0:52:58 | |
We sort of left ours on the train. | 0:52:58 | 0:53:00 | |
I knew you wanted money. | 0:53:00 | 0:53:02 | |
Look. | 0:53:02 | 0:53:04 | |
Nothing. | 0:53:05 | 0:53:06 | |
That's not onion rings. | 0:53:09 | 0:53:11 | |
Can you believe this? | 0:53:11 | 0:53:12 | |
I mean, we're actually having coffee | 0:53:12 | 0:53:14 | |
With Stu Wolff. | 0:53:14 | 0:53:15 | |
I have so much to ask you about your work. | 0:53:15 | 0:53:18 | |
It's impossible to talk to someone who's had that much to drink. | 0:53:20 | 0:53:22 | |
You know, you just don't understand the artistic soul. | 0:53:22 | 0:53:25 | |
He drinks so much to numb the intensity of his feelings. | 0:53:25 | 0:53:28 | |
All geniuses do, Ella. | 0:53:28 | 0:53:30 | |
I want onion rings. | 0:53:30 | 0:53:33 | |
This is a donut! | 0:53:33 | 0:53:35 | |
I want onion rings. | 0:53:37 | 0:53:39 | |
Now. | 0:53:39 | 0:53:40 | |
What is wrong with the service around here? | 0:53:42 | 0:53:44 | |
Are we together? | 0:53:44 | 0:53:47 | |
Who are you? | 0:53:47 | 0:53:48 | |
Uh, the fates have sort of brought us together. | 0:53:48 | 0:53:50 | |
This is Ella. | 0:53:50 | 0:53:51 | |
Ella what? | 0:53:51 | 0:53:53 | |
Ella Gerard. 58 Birch Hollow Road, Dellwood, New Jersey. | 0:53:53 | 0:53:56 | |
201-555-0199. | 0:53:56 | 0:53:59 | |
But tonight my parents are staying at the New York Hilton, | 0:53:59 | 0:54:02 | |
and I really don't want to worry them by being incarcerated. | 0:54:02 | 0:54:04 | |
It's my mother's birthday. I bought her a rug. | 0:54:04 | 0:54:07 | |
Be quiet, Mr Wolff. You? | 0:54:07 | 0:54:09 | |
Lola Cep. My father's name is Calum Cep. | 0:54:09 | 0:54:13 | |
Address is 512 Bleecker Street. | 0:54:13 | 0:54:15 | |
212-555-0125. | 0:54:15 | 0:54:18 | |
< All right, the three of you, | 0:54:18 | 0:54:20 | |
sit over there while I make some calls. | 0:54:20 | 0:54:21 | |
What's wrong with you? | 0:54:23 | 0:54:24 | |
Why did you lie like that to the police? | 0:54:24 | 0:54:26 | |
Don't you think they're gonna find out | 0:54:26 | 0:54:27 | |
that your father is dead? | 0:54:27 | 0:54:28 | |
Excuse me, but what's going on? | 0:54:28 | 0:54:29 | |
Who are you two? | 0:54:29 | 0:54:30 | |
What's wrong with you? I mean... | 0:54:30 | 0:54:32 | |
How come you're not afraid of what your parents are gonna say? | 0:54:32 | 0:54:34 | |
I'm resigned to what life may bring. | 0:54:34 | 0:54:36 | |
But why did you give a false address? | 0:54:36 | 0:54:38 | |
You know, Ella, I think your true soul and spirit | 0:54:38 | 0:54:41 | |
are finally beginning to emerge. | 0:54:41 | 0:54:42 | |
Why did you lie? | 0:54:42 | 0:54:44 | |
I didn't lie. | 0:54:44 | 0:54:45 | |
My father does live on Bleecker Street, | 0:54:45 | 0:54:46 | |
and he has a rent-controlled apartment | 0:54:46 | 0:54:47 | |
and a dog named Negus. | 0:54:47 | 0:54:49 | |
You told me your father died in a motorcycle accident. | 0:54:49 | 0:54:53 | |
So I exaggerated a little. | 0:54:53 | 0:54:55 | |
A little? | 0:54:55 | 0:54:56 | |
Exaggerating "a little" | 0:54:56 | 0:54:58 | |
is saying you're a little taller. | 0:54:58 | 0:54:59 | |
Saying your father is dead when he's not | 0:54:59 | 0:55:01 | |
is lying beyond comprehension. | 0:55:01 | 0:55:03 | |
Can we talk about this later? | 0:55:03 | 0:55:04 | |
I mean, don't you think we should tell Stu what happened first? | 0:55:04 | 0:55:06 | |
I think you should tell me what happened. | 0:55:06 | 0:55:07 | |
Why did you say your father was dead? | 0:55:07 | 0:55:09 | |
He died? When? | 0:55:09 | 0:55:11 | |
I had a reason. | 0:55:11 | 0:55:13 | |
And what was that? | 0:55:13 | 0:55:14 | |
The truth? | 0:55:14 | 0:55:16 | |
No, a lie will do(!) Yes, the truth! | 0:55:16 | 0:55:18 | |
You do remember what that is, don't you? | 0:55:18 | 0:55:20 | |
Were we in a diner? I have an image of "Merry Xmas". | 0:55:20 | 0:55:23 | |
If you could just give me a moment, I'd be happy to explain. | 0:55:23 | 0:55:25 | |
But right now I'm talking to her. | 0:55:25 | 0:55:27 | |
All right. | 0:55:27 | 0:55:28 | |
The total truth. | 0:55:28 | 0:55:29 | |
I lied because I wanted to make myself seem more interesting. | 0:55:31 | 0:55:34 | |
More interesting? | 0:55:34 | 0:55:37 | |
We are 1,000 miles from home in a New York police station | 0:55:37 | 0:55:41 | |
with a drunken rock star | 0:55:41 | 0:55:42 | |
waiting for your dead father to show up, | 0:55:42 | 0:55:43 | |
and you want to be more interesting? | 0:55:43 | 0:55:46 | |
More interesting than what? | 0:55:46 | 0:55:47 | |
You know, you just don't understand. | 0:55:47 | 0:55:49 | |
It was a new town and a new school. | 0:55:49 | 0:55:51 | |
I understand. | 0:55:51 | 0:55:53 | |
And I lied for my mom. | 0:55:53 | 0:55:54 | |
I had to protect her against suburbia. | 0:55:54 | 0:55:56 | |
Your parents just didn't get her. | 0:55:56 | 0:55:57 | |
So you killed your father? | 0:55:57 | 0:56:01 | |
Ella! | 0:56:01 | 0:56:02 | |
I-I would appreciate it if you would just stop talking. | 0:56:02 | 0:56:05 | |
Ella, come on. | 0:56:05 | 0:56:06 | |
Just... | 0:56:06 | 0:56:08 | |
What's going on? | 0:56:16 | 0:56:18 | |
Arrest that man! He's a stalker. | 0:56:18 | 0:56:20 | |
Ella, Dad. Dad, Ella. | 0:56:20 | 0:56:21 | |
Hi. I'm Calum Cep, her father. What happened? | 0:56:21 | 0:56:23 | |
That's what I've been asking. | 0:56:23 | 0:56:25 | |
LOLA: 'As the night continued to fall on the dark, | 0:56:25 | 0:56:27 | |
'heartless streets around the precinct, | 0:56:27 | 0:56:28 | |
'the six of us gathered around the sergeant, | 0:56:28 | 0:56:30 | |
'and I told our tale.' | 0:56:30 | 0:56:31 | |
We were desperate to get into this man's concert | 0:56:31 | 0:56:33 | |
because I consider him to be the greatest poet since Shakespeare. | 0:56:33 | 0:56:36 | |
But we lost our money on the train, and we couldn't pay a scalper. | 0:56:36 | 0:56:38 | |
And then we tried to crash his party | 0:56:38 | 0:56:40 | |
rather than have our dreams forever denied. | 0:56:40 | 0:56:42 | |
And when he stormed out of his SoHo loft, | 0:56:42 | 0:56:43 | |
we followed him to make sure he didn't come into any harm. | 0:56:43 | 0:56:46 | |
I'm having memory flashes. | 0:56:46 | 0:56:47 | |
I was passed out amongst the rubbish. | 0:56:47 | 0:56:48 | |
I believe they helped me. | 0:56:48 | 0:56:50 | |
CALUM: I know I should be furious, | 0:56:50 | 0:56:52 | |
but it's too late for fury. | 0:56:52 | 0:56:54 | |
< I'm just thankful nothing worse happened. | 0:56:54 | 0:56:56 | |
He looks like the dog in The Dog Years. | 0:56:56 | 0:56:58 | |
He is the dog in The Dog Years. | 0:56:58 | 0:57:00 | |
The Dog Years? He's the dog in The Dog Years? | 0:57:00 | 0:57:01 | |
Yeah. | 0:57:01 | 0:57:02 | |
STU: My niece loves those books. | 0:57:02 | 0:57:04 | |
You're famous! He's not as famous as you. | 0:57:04 | 0:57:06 | |
Oh, Molly's not gonna believe I've actually met you... | 0:57:06 | 0:57:09 | |
Negus, right? | 0:57:09 | 0:57:10 | |
And Calum Cep, right? Right. | 0:57:10 | 0:57:13 | |
We checked your story, and you're free to go. | 0:57:13 | 0:57:16 | |
Uh, excuse me, Mr Wolff? Mm-hm? | 0:57:16 | 0:57:18 | |
Can I have your autograph? | 0:57:18 | 0:57:20 | |
Oh, yeah, sure. | 0:57:20 | 0:57:22 | |
Sure. | 0:57:22 | 0:57:23 | |
To... | 0:57:23 | 0:57:24 | |
Sergeant Rose... | 0:57:24 | 0:57:26 | |
Stu Wolff. | 0:57:26 | 0:57:27 | |
Right, well, now that that's settled, | 0:57:28 | 0:57:30 | |
um, would anyone like to come to a party with me? | 0:57:30 | 0:57:33 | |
I would. | 0:57:33 | 0:57:34 | |
LOLA SIGHS | 0:57:43 | 0:57:45 | |
You can't stay mad at me for ever. | 0:57:45 | 0:57:47 | |
Forgive me, please? | 0:57:47 | 0:57:49 | |
I-I am in no way ready to forgive you. | 0:57:49 | 0:57:51 | |
Well, this is the party of the century. | 0:57:51 | 0:57:53 | |
I mean, don't you want to enjoy it with me? | 0:57:53 | 0:57:54 | |
I'm not really in a partying mood. | 0:57:54 | 0:57:56 | |
Look, I'm sorry. | 0:57:56 | 0:57:58 | |
I really am. I'm sorry. | 0:57:58 | 0:57:59 | |
You're just saying that to save the evening. | 0:57:59 | 0:58:02 | |
No, I'm...I'm not. | 0:58:02 | 0:58:03 | |
I honestly don't know what I'd do without you. | 0:58:03 | 0:58:06 | |
What's going on? Why are you still out here? | 0:58:06 | 0:58:09 | |
We just don't feel like going in right now. | 0:58:09 | 0:58:11 | |
< Well, then... | 0:58:11 | 0:58:13 | |
Let me get you back to the hotel. | 0:58:13 | 0:58:15 | |
It... | 0:58:15 | 0:58:17 | |
Maybe we can just go in for a little while. | 0:58:18 | 0:58:21 | |
NEGUS BARKS | 0:58:23 | 0:58:24 | |
MUSIC PLAYS | 0:58:24 | 0:58:26 | |
# Sun is shining | 0:58:26 | 0:58:27 | |
# Sun is shining | 0:58:27 | 0:58:29 | |
# There's no need to sleep no more... # | 0:58:29 | 0:58:31 | |
Hi! | 0:58:31 | 0:58:32 | |
There you are! | 0:58:33 | 0:58:35 | |
All right. Listen, uh... | 0:58:35 | 0:58:36 | |
How about we get you guys something dry to wear, | 0:58:36 | 0:58:38 | |
and I'll have those dresses cleaned... Come on. | 0:58:38 | 0:58:40 | |
..and sent over to your dad's? | 0:58:40 | 0:58:41 | |
Who is brilliant, by the way. | 0:58:41 | 0:58:43 | |
I think he and I are gonna be pals. | 0:58:43 | 0:58:45 | |
Yeah, I bought all his books. | 0:58:45 | 0:58:47 | |
# Celebrity and superstition | 0:58:47 | 0:58:50 | |
# Whatever it takes to get some recognition... # | 0:58:50 | 0:58:54 | |
Just upstairs. | 0:58:54 | 0:58:55 | |
I don't see her, do you? No. | 0:58:55 | 0:58:58 | |
# ..Making you pay to feed the thoughts they... # | 0:58:58 | 0:59:01 | |
Can you believe this? | 0:59:01 | 0:59:02 | |
I mean, we're... we're in his clothes. | 0:59:02 | 0:59:05 | |
And in his bedroom. | 0:59:05 | 0:59:07 | |
Come on, Ella. | 0:59:07 | 0:59:09 | |
Celebrate with me, please. | 0:59:09 | 0:59:10 | |
I want everything to be OK between us. | 0:59:14 | 0:59:17 | |
And I do, too. | 0:59:17 | 0:59:19 | |
You have to promise that you'll never lie to me again. | 0:59:20 | 0:59:23 | |
I do. I-I promise. | 0:59:23 | 0:59:25 | |
I-I swear, Ella. I do. | 0:59:25 | 0:59:27 | |
You promise? | 0:59:28 | 0:59:29 | |
I do. | 0:59:29 | 0:59:31 | |
OK. | 0:59:32 | 0:59:33 | |
OK, then. | 0:59:34 | 0:59:35 | |
Come on, we're in his room. | 0:59:35 | 0:59:38 | |
What do you want to do? I mean... I don't know. | 0:59:38 | 0:59:40 | |
THEY LAUGH | 0:59:40 | 0:59:41 | |
# We're not done yet | 0:59:41 | 0:59:43 | |
# Not going quietly into the night | 0:59:43 | 0:59:46 | |
# Not me and my friends | 0:59:46 | 0:59:48 | |
# We're not done yet | 0:59:48 | 0:59:49 | |
# Not going quietly into the night | 0:59:49 | 0:59:53 | |
# Not me and my friends | 0:59:53 | 0:59:54 | |
# We're not done yet, don't take it too seriously | 0:59:54 | 0:59:58 | |
# It's just life, we'll win in the end | 0:59:58 | 1:00:02 | |
# We're not done yet | 1:00:13 | 1:00:16 | |
# Not going quietly into the night | 1:00:16 | 1:00:19 | |
# Not me and my friends... # | 1:00:19 | 1:00:20 | |
That is so gross. | 1:00:20 | 1:00:22 | |
Carla! | 1:00:22 | 1:00:24 | |
Hey, Carla! | 1:00:24 | 1:00:27 | |
We've been looking for you! | 1:00:27 | 1:00:28 | |
Did you see her face? | 1:00:30 | 1:00:33 | |
She looks really angry. | 1:00:33 | 1:00:34 | |
ELLA: I know that look. | 1:00:34 | 1:00:36 | |
You know, life can be so randomly beautiful. | 1:00:36 | 1:00:39 | |
# Come on, girls! | 1:00:40 | 1:00:41 | |
# Girls, we've all got one... # | 1:00:41 | 1:00:46 | |
Oh, my God! # ..A night that's special everywhere | 1:00:46 | 1:00:50 | |
# From New York | 1:00:50 | 1:00:52 | |
# To Hollywood | 1:00:52 | 1:00:54 | |
# It's ladies' night... # | 1:00:54 | 1:00:56 | |
Oh, my God! # And, girl, the feeling's good | 1:00:56 | 1:00:58 | |
# Oh, yes, it's ladies' night | 1:00:58 | 1:00:59 | |
# And the feeling's right | 1:00:59 | 1:01:02 | |
# Oh, yes, it's ladies' night | 1:01:02 | 1:01:04 | |
# Oh, what a night | 1:01:04 | 1:01:05 | |
# Oh, what a night | 1:01:05 | 1:01:06 | |
# Oh, yes, it's ladies' night | 1:01:06 | 1:01:08 | |
# And the feeling's right | 1:01:08 | 1:01:10 | |
# Oh, yes... # | 1:01:10 | 1:01:11 | |
My saviours. | 1:01:11 | 1:01:13 | |
BOTH: Oh, my God! | 1:01:13 | 1:01:15 | |
Oh, it's Steve. It's Steve! | 1:01:15 | 1:01:17 | |
Hang on. | 1:01:17 | 1:01:18 | |
Stu, I know you're really busy, | 1:01:18 | 1:01:19 | |
but I was wondering if I could just talk to you for a second. | 1:01:19 | 1:01:21 | |
Why not? Be my guest. | 1:01:21 | 1:01:23 | |
Uh, I can't believe I met you. | 1:01:24 | 1:01:26 | |
I mean, I can't believe I'm sitting here with the man | 1:01:26 | 1:01:28 | |
who wrote all those songs that made my spirit soar. | 1:01:28 | 1:01:31 | |
What were you thinking when you wrote, | 1:01:31 | 1:01:32 | |
"Behind some doors people are waiting to sparkle"? | 1:01:32 | 1:01:35 | |
I have no idea. | 1:01:37 | 1:01:39 | |
But you wrote it. | 1:01:40 | 1:01:41 | |
Life's a little foggy, a little soggy. | 1:01:41 | 1:01:45 | |
You know, that really said something to me. | 1:01:45 | 1:01:47 | |
And...and I'm sure to a hundred million other girls, | 1:01:47 | 1:01:49 | |
but especially to me. | 1:01:49 | 1:01:51 | |
I'm happy to oblige a fan. | 1:01:51 | 1:01:54 | |
No. I-I'm not just a fan. | 1:01:54 | 1:01:56 | |
I mean, I sat at your feet, metaphorically. | 1:01:56 | 1:01:58 | |
When I listened to Always Morning, | 1:01:58 | 1:02:00 | |
I wore a grey jacket because you wore a grey jacket on the CD. | 1:02:00 | 1:02:02 | |
And you wore grey because it was ambiguous. | 1:02:02 | 1:02:05 | |
Am I right? | 1:02:05 | 1:02:06 | |
No. | 1:02:06 | 1:02:07 | |
I'm right. | 1:02:07 | 1:02:09 | |
You look disappointed. | 1:02:15 | 1:02:17 | |
Well, I am. | 1:02:17 | 1:02:19 | |
In me? | 1:02:19 | 1:02:21 | |
Yeah. I mean, I still think you're the greatest thing since Shakespeare. | 1:02:21 | 1:02:24 | |
But it's just too bad I'll never be able to discuss your poetry with you. | 1:02:24 | 1:02:28 | |
Why? | 1:02:28 | 1:02:30 | |
Because, Mr Wolff... | 1:02:30 | 1:02:33 | |
you're a drunk. | 1:02:33 | 1:02:35 | |
I hope getting this thing back | 1:02:47 | 1:02:48 | |
is easier than getting it out. | 1:02:48 | 1:02:49 | |
Yeah. | 1:02:49 | 1:02:50 | |
Guess what! I've been grounded! | 1:02:50 | 1:02:53 | |
Me too! I'm so proud of you! | 1:02:53 | 1:02:55 | |
This is the day I've been waiting for | 1:02:57 | 1:02:58 | |
since my first summer camp when Carla told all the kids | 1:02:58 | 1:03:01 | |
that if they played with me, they'd die. | 1:03:01 | 1:03:03 | |
She's smiling. | 1:03:06 | 1:03:07 | |
LOLA: Oh, she's bluffing. | 1:03:07 | 1:03:08 | |
BELL RINGS | 1:03:08 | 1:03:10 | |
Well, look, I gotta get to class. | 1:03:10 | 1:03:12 | |
Tell me how it goes. | 1:03:12 | 1:03:14 | |
Come on. Let's watch her sink. | 1:03:14 | 1:03:17 | |
CARLA LAUGHS | 1:03:17 | 1:03:18 | |
Yeah, this one. Look at this one. | 1:03:18 | 1:03:20 | |
Hey, Carla. Did you have fun? | 1:03:20 | 1:03:22 | |
Well, if it isn't the great pretender. | 1:03:22 | 1:03:24 | |
Come to hear what the Sidarthur party was like? | 1:03:24 | 1:03:27 | |
Why would we want to hear what you have to say? | 1:03:27 | 1:03:28 | |
Ella and I were there, remember? | 1:03:28 | 1:03:30 | |
Did you hear that? She said they were there. | 1:03:30 | 1:03:32 | |
You know, lying's not gonna help you. | 1:03:32 | 1:03:34 | |
Everybody already knows that you didn't go. | 1:03:34 | 1:03:36 | |
Don't pretend you didn't see us there. I know you did. | 1:03:36 | 1:03:39 | |
It just so happens that Ella and I got in | 1:03:39 | 1:03:40 | |
because of Stu Wolff himself | 1:03:40 | 1:03:42 | |
after we practically saved his life. Tell them, Ella. | 1:03:42 | 1:03:44 | |
I don't have anything to prove to these people. Nor do you. | 1:03:44 | 1:03:47 | |
Ella, this is no time for your newfound personality. | 1:03:47 | 1:03:50 | |
Maybe you'd like to see some pictures from the party, Lola. | 1:03:50 | 1:03:52 | |
I know how fond you are of Stu Wolff, | 1:03:52 | 1:03:55 | |
and I got some great shots of him. | 1:03:55 | 1:03:56 | |
We spent the whole night with Stu. | 1:03:56 | 1:03:58 | |
Right. On the night of his biggest party of all time, | 1:03:58 | 1:04:00 | |
he left it to be with you. | 1:04:00 | 1:04:01 | |
You're not gonna get away with this. We were at that party. | 1:04:01 | 1:04:03 | |
My dad was there, too. And he and Stu are gonna get together sometime. | 1:04:03 | 1:04:06 | |
What dad? You don't have a dad. | 1:04:06 | 1:04:08 | |
You said he died before you moved here. > | 1:04:08 | 1:04:11 | |
I mean, what do you do? > | 1:04:11 | 1:04:12 | |
Do you just make all this up as you go along? | 1:04:12 | 1:04:15 | |
Do you think that just because we're not from New York that we're stupid? > | 1:04:15 | 1:04:18 | |
You saw us there. | 1:04:18 | 1:04:19 | |
No, I didn't, liar. | 1:04:19 | 1:04:20 | |
You know, that's what you are. You're a liar. > | 1:04:20 | 1:04:23 | |
Your name isn't even Lola... > | 1:04:23 | 1:04:24 | |
Mary. GIRLS LAUGH | 1:04:24 | 1:04:26 | |
Ella's right. | 1:04:26 | 1:04:29 | |
I don't have to prove anything to you people. | 1:04:29 | 1:04:31 | |
You know we were there. | 1:04:31 | 1:04:34 | |
Oh, no! She's crying. | 1:04:34 | 1:04:36 | |
Look at the baby. Oh. | 1:04:36 | 1:04:38 | |
CRUEL LAUGHTER | 1:04:38 | 1:04:40 | |
Yo, you got no right to write down what I'm saying. | 1:04:43 | 1:04:45 | |
Those are my... SHE INHALES DEEPLY | 1:04:45 | 1:04:48 | |
I'm sorry, Miss Baggoli, I can't go on. | 1:04:48 | 1:04:51 | |
There's something I have to say. | 1:04:51 | 1:04:53 | |
Well, quickly, Lola, quickly. | 1:04:53 | 1:04:54 | |
I have a confession to make. | 1:04:54 | 1:04:56 | |
I borrowed Eliza's dress for the weekend. | 1:04:56 | 1:04:58 | |
I'm really sorry, but I felt I had no other choice. | 1:04:58 | 1:05:02 | |
No choice?! | 1:05:02 | 1:05:03 | |
Why? | 1:05:03 | 1:05:05 | |
I had to wear it to the Sidarthur party. | 1:05:05 | 1:05:07 | |
When are you gonna give it up, Mary? | 1:05:07 | 1:05:08 | |
No, you didn't. No, you didn't. | 1:05:10 | 1:05:11 | |
You couldn't possibly have taken that dress | 1:05:11 | 1:05:12 | |
because I keep that dress locked up safe in the drama room. | 1:05:12 | 1:05:17 | |
There are ways, Miss Baggoli. There are ways. | 1:05:17 | 1:05:19 | |
Where is it now? | 1:05:19 | 1:05:21 | |
It's right back. It's safe and sound. | 1:05:21 | 1:05:23 | |
It looks exactly the same, but somehow different. | 1:05:23 | 1:05:26 | |
Can you believe her? | 1:05:26 | 1:05:27 | |
I mean, first, she takes the dress. | 1:05:27 | 1:05:29 | |
Then she puts it back, | 1:05:29 | 1:05:30 | |
and then she goes to this party where no-one saw her. | 1:05:30 | 1:05:33 | |
It's true! The dress got all wet, | 1:05:33 | 1:05:34 | |
and Stu Wolff made me change into something dry. | 1:05:34 | 1:05:37 | |
He said it was important that I felt comfortable. | 1:05:37 | 1:05:39 | |
Because on the night of his farewell concert, | 1:05:39 | 1:05:40 | |
Stu Wolff had nothing better to do than see Mary Cep dry. | 1:05:40 | 1:05:44 | |
Girls, please! | 1:05:44 | 1:05:45 | |
And he sent it back to my dad in a limousine as big as this stage. | 1:05:45 | 1:05:47 | |
A dress in a limousine - can you picture it? | 1:05:47 | 1:05:49 | |
He's also a big fan of my dad and my dad's dog. | 1:05:51 | 1:05:53 | |
And then your dog gave him his autograph, right? | 1:05:53 | 1:05:55 | |
But I did take the dress! | 1:05:55 | 1:05:57 | |
See, Stu Wolff gave me this himself. | 1:05:57 | 1:06:00 | |
It's his roadie T-shirt from his tour. | 1:06:02 | 1:06:03 | |
Where else would I have gotten it? | 1:06:03 | 1:06:05 | |
In a junk store where you get everything else. | 1:06:05 | 1:06:07 | |
But this is the tissue I used to wipe his tears. | 1:06:07 | 1:06:09 | |
Maybe we should send it off for DNA testing. | 1:06:09 | 1:06:12 | |
I also left my bottle-cap necklace at his house. | 1:06:12 | 1:06:14 | |
He told my dad he's gonna Fed-Ex it back. | 1:06:14 | 1:06:15 | |
A dress riding in a limousine! | 1:06:15 | 1:06:18 | |
I guess that's a good thing, | 1:06:18 | 1:06:19 | |
because otherwise it would have had to catch a cab. | 1:06:19 | 1:06:22 | |
You're funny, Lola. You could be a comedienne. | 1:06:22 | 1:06:25 | |
But can we please go back to work now? | 1:06:25 | 1:06:28 | |
We have so much to do before Wednesday night. | 1:06:28 | 1:06:32 | |
You believe me, don't you? I mean, Carla's the one who's lying. | 1:06:32 | 1:06:34 | |
We've worked so hard for this production, Lola. | 1:06:34 | 1:06:38 | |
And I... | 1:06:38 | 1:06:40 | |
I am not gonna let you ruin it for me. | 1:06:40 | 1:06:44 | |
We have all had enough. | 1:06:47 | 1:06:50 | |
Have you? | 1:06:51 | 1:06:53 | |
Have you finally had enough? | 1:06:53 | 1:06:55 | |
LAUGHTER | 1:06:55 | 1:06:57 | |
# Cos we lost it all | 1:07:00 | 1:07:03 | |
# Nothing lasts for ever | 1:07:03 | 1:07:05 | |
# I'm sorry | 1:07:05 | 1:07:07 | |
# I can't be perfect... # | 1:07:07 | 1:07:12 | |
LOLA: I sunk into a depression | 1:07:17 | 1:07:19 | |
that only Hamlet would recognise. | 1:07:19 | 1:07:20 | |
The one story I'd told that was both probable and possible | 1:07:20 | 1:07:24 | |
was the one that was true, and yet no-one believed me. | 1:07:24 | 1:07:27 | |
Maybe you can never win against | 1:07:27 | 1:07:29 | |
the Carla Santinis of this world. | 1:07:29 | 1:07:31 | |
I'd never felt so totally defeated. | 1:07:31 | 1:07:34 | |
I felt more like a pigeon than a flamingo. | 1:07:34 | 1:07:37 | |
Mary? Ella's here. | 1:07:37 | 1:07:39 | |
Go ahead. | 1:07:39 | 1:07:40 | |
I want to talk to you. | 1:07:42 | 1:07:43 | |
I don't really feel too well right now. | 1:07:43 | 1:07:45 | |
You can cut the crap. | 1:07:45 | 1:07:46 | |
I know what you're doing. | 1:07:46 | 1:07:47 | |
What happened to the most polite and well-mannered girl | 1:07:47 | 1:07:50 | |
in all of New Jersey? | 1:07:50 | 1:07:51 | |
What does it matter any more? | 1:07:51 | 1:07:53 | |
We know we went to the party. | 1:07:53 | 1:07:55 | |
We know who we met and what we did. | 1:07:55 | 1:07:58 | |
Get up! | 1:07:58 | 1:07:59 | |
I can't. I just can't. | 1:07:59 | 1:08:03 | |
Has anyone seen Lola Cep? | 1:08:04 | 1:08:07 | |
Has anyone seen Lola Cep? Lola? | 1:08:07 | 1:08:10 | |
You know, I really am sick. I mean, ask my mom. | 1:08:10 | 1:08:12 | |
I'm not buying it. | 1:08:12 | 1:08:13 | |
You're bailing out of the play. | 1:08:13 | 1:08:15 | |
You know, here I am, so sick this could turn into pneumonia, | 1:08:15 | 1:08:18 | |
and then I'll be on my deathbed, | 1:08:18 | 1:08:20 | |
and you're being accusatory. | 1:08:20 | 1:08:21 | |
You can't do this, Lola. | 1:08:21 | 1:08:23 | |
Everyone is depending on you. What about your parents and Sam? | 1:08:23 | 1:08:27 | |
Sam has never been to a school function in his life. | 1:08:27 | 1:08:29 | |
He's only going because of you. | 1:08:29 | 1:08:31 | |
Lola! | 1:08:31 | 1:08:33 | |
Lola Cep - my Eliza. | 1:08:33 | 1:08:35 | |
Get out of my way! | 1:08:35 | 1:08:37 | |
(Woman) One hour till curtain. | 1:08:37 | 1:08:40 | |
What about me? | 1:08:41 | 1:08:44 | |
I...I was miserable until you came to Dellwood. | 1:08:45 | 1:08:49 | |
I thought everyone's life was like mine - | 1:08:49 | 1:08:52 | |
just doing everything you're supposed to do | 1:08:52 | 1:08:53 | |
when you're supposed to do it. | 1:08:53 | 1:08:55 | |
Never questioning anything. | 1:08:55 | 1:08:57 | |
The only thing I could expect when I grew up | 1:08:59 | 1:09:03 | |
was a life like my parents'. | 1:09:03 | 1:09:05 | |
And then I met you. | 1:09:06 | 1:09:09 | |
You gave me courage, Lola. | 1:09:11 | 1:09:14 | |
Because of you, | 1:09:16 | 1:09:17 | |
I'm brave enough to be different. | 1:09:17 | 1:09:20 | |
Don't touch me! | 1:09:21 | 1:09:23 | |
You're a sham! | 1:09:24 | 1:09:26 | |
The one thing Carla can't do anything about | 1:09:26 | 1:09:29 | |
is you being Eliza Doolittle, | 1:09:29 | 1:09:30 | |
and you're just gonna hand it to her. | 1:09:30 | 1:09:32 | |
KNOCK ON DOOR | 1:09:35 | 1:09:36 | |
Mary, I left word with your dad. | 1:09:36 | 1:09:38 | |
Should I call Miss Baggoli? | 1:09:38 | 1:09:40 | |
No. I-I've... | 1:09:46 | 1:09:47 | |
I've had a miraculous recovery. | 1:09:47 | 1:09:50 | |
I need to be sure. Are you up to this? | 1:10:00 | 1:10:02 | |
Up to it? Miss Baggoli, I was born to play Eliza. | 1:10:02 | 1:10:05 | |
All right, then. Get into costume for the opening. | 1:10:05 | 1:10:06 | |
Knock 'em dead! | 1:10:06 | 1:10:08 | |
Knock 'em dead! | 1:10:08 | 1:10:09 | |
It even amazes me that I get everything that I want. | 1:10:10 | 1:10:13 | |
# Oh-oh | 1:10:13 | 1:10:15 | |
# Oh-oh... # Get out of my dress. | 1:10:15 | 1:10:17 | |
As of right now, I'm Eliza... | 1:10:17 | 1:10:18 | |
Get out of my dress! | 1:10:18 | 1:10:19 | |
Enjoy the show. Thanks. I will. | 1:10:19 | 1:10:22 | |
Oh, and get out of my first costume! | 1:10:22 | 1:10:24 | |
(Woman) Five minutes till curtain, people. Five minutes. | 1:10:24 | 1:10:26 | |
Get out of my dress. No! | 1:10:29 | 1:10:31 | |
Get out of my dress! | 1:10:31 | 1:10:33 | |
No! BOTH: Get out of that dress! | 1:10:33 | 1:10:35 | |
Ohh! | 1:10:35 | 1:10:37 | |
Sorry, Miss Baggoli. | 1:10:37 | 1:10:39 | |
I'm so glad to see you. | 1:10:39 | 1:10:40 | |
CHATTER | 1:10:40 | 1:10:43 | |
Do you want an ice cream? | 1:10:43 | 1:10:45 | |
Hey. You're gonna be great. | 1:10:47 | 1:10:50 | |
I'm scared. I'll admit it. | 1:10:50 | 1:10:53 | |
But I'm excited, too. | 1:10:53 | 1:10:54 | |
Don't be afraid. | 1:10:54 | 1:10:55 | |
You're gonna be wonderful, Lola. | 1:10:56 | 1:10:59 | |
You called me Lola. | 1:11:03 | 1:11:04 | |
You are a Lola. | 1:11:04 | 1:11:07 | |
Good luck! | 1:11:07 | 1:11:08 | |
APPLAUSE | 1:11:25 | 1:11:26 | |
CHEERING AND WHISTLING | 1:11:30 | 1:11:32 | |
Press your bars, children. | 1:11:44 | 1:11:46 | |
ROCK MUSIC PLAYS | 1:11:48 | 1:11:51 | |
Yo, you got no right to write down what I'm saying. | 1:12:07 | 1:12:09 | |
Those are my personal words. | 1:12:09 | 1:12:10 | |
# Living just enough | 1:12:11 | 1:12:13 | |
# Just enough | 1:12:13 | 1:12:16 | |
# For the city | 1:12:16 | 1:12:19 | |
# This girl, she works | 1:12:19 | 1:12:20 | |
# In downtown New York City | 1:12:20 | 1:12:23 | |
# Surrounded by | 1:12:23 | 1:12:24 | |
# Four walls that ain't so pretty | 1:12:24 | 1:12:27 | |
# Her parents give | 1:12:27 | 1:12:28 | |
# Her love and affection | 1:12:28 | 1:12:31 | |
# To keep her strong | 1:12:31 | 1:12:32 | |
# Moving in the right direction | 1:12:32 | 1:12:34 | |
# Living just enough | 1:12:34 | 1:12:36 | |
# Just enough | 1:12:36 | 1:12:38 | |
# For the city | 1:12:38 | 1:12:41 | |
# Yeah, yeah | 1:12:41 | 1:12:43 | |
# Living | 1:12:43 | 1:12:44 | |
# Just enough | 1:12:44 | 1:12:46 | |
# For the city | 1:12:46 | 1:12:47 | |
# Living | 1:12:47 | 1:12:48 | |
# Just enough | 1:12:48 | 1:12:50 | |
# Living for the city. # | 1:12:50 | 1:12:54 | |
APPLAUSE | 1:12:54 | 1:12:56 | |
Now say "New York". | 1:12:56 | 1:12:58 | |
New Yolk. | 1:12:58 | 1:12:59 | |
New York. | 1:12:59 | 1:13:01 | |
With an "r". | 1:13:01 | 1:13:02 | |
New Rolk. | 1:13:02 | 1:13:04 | |
LAUGHTER | 1:13:04 | 1:13:06 | |
You can't talk. | 1:13:06 | 1:13:07 | |
Let's see if you can walk. | 1:13:07 | 1:13:09 | |
Ugh! | 1:13:09 | 1:13:11 | |
# So I turn myself to face me | 1:13:11 | 1:13:15 | |
# Though I've never caught a glimpse | 1:13:15 | 1:13:18 | |
# Of how the others must see the faker | 1:13:18 | 1:13:22 | |
# Well, I'm much too fast to take that test | 1:13:22 | 1:13:25 | |
# Ch-ch-ch-ch-changes | 1:13:25 | 1:13:27 | |
# Turn and face the strange | 1:13:27 | 1:13:29 | |
# Ch-ch-ch-ch-changes | 1:13:29 | 1:13:31 | |
# Just gonna have to be a different girl | 1:13:31 | 1:13:34 | |
# Time may change me | 1:13:34 | 1:13:36 | |
# But I can't trace time... # | 1:13:36 | 1:13:39 | |
They all accepted her because of me! | 1:13:44 | 1:13:46 | |
THEY LAUGH All because of you?! | 1:13:46 | 1:13:49 | |
I was there, too! | 1:13:49 | 1:13:50 | |
I worked hard to make you look good! | 1:13:50 | 1:13:52 | |
Well, what will you do now, dear? | 1:13:52 | 1:13:55 | |
I will be a teacher, | 1:14:00 | 1:14:02 | |
because being a teacher is the most worthy thing | 1:14:02 | 1:14:04 | |
a person can be. | 1:14:04 | 1:14:06 | |
APPLAUSE | 1:14:06 | 1:14:08 | |
# Ch-ch-ch-ch-changes | 1:14:12 | 1:14:14 | |
# Turn and face the strange | 1:14:14 | 1:14:17 | |
# Ch-ch-changes | 1:14:17 | 1:14:19 | |
# Just gonna have to be a different girl | 1:14:19 | 1:14:22 | |
# Time may change me | 1:14:22 | 1:14:26 | |
# But I can't change time... # | 1:14:26 | 1:14:30 | |
CHEERING | 1:14:30 | 1:14:33 | |
# I can't change time. # | 1:14:33 | 1:14:39 | |
Bravo! | 1:14:39 | 1:14:40 | |
MUSIC ENDS | 1:14:44 | 1:14:45 | |
CHEERING AND WHISTLES | 1:14:45 | 1:14:47 | |
# That girl was a wild-child dreamer | 1:14:56 | 1:14:58 | |
# But she'll find herself | 1:14:58 | 1:15:00 | |
# Cos she believes in nothing else | 1:15:00 | 1:15:04 | |
# But she'll have changed her destiny | 1:15:04 | 1:15:07 | |
# Now she's a somebody | 1:15:07 | 1:15:10 | |
# That girl was a one-time teenage drama queen | 1:15:10 | 1:15:14 | |
# A hyped-up, everyday wannabe | 1:15:14 | 1:15:18 | |
# Then you'll look back, and you won't believe | 1:15:18 | 1:15:21 | |
# That girl was me | 1:15:21 | 1:15:25 | |
# Life is a work of art, you gotta paint it colourful | 1:15:25 | 1:15:28 | |
# You can make it anything you want | 1:15:28 | 1:15:30 | |
# Don't have to stick to any rules | 1:15:30 | 1:15:32 | |
# You don't need a high IQ to succeed in what you do | 1:15:32 | 1:15:36 | |
# You just gotta have no doubt, just believe in yourself | 1:15:36 | 1:15:40 | |
# That girl was a wild-child dreamer | 1:15:40 | 1:15:42 | |
# But she'll find herself | 1:15:42 | 1:15:45 | |
# Cos she believes in nothing else | 1:15:45 | 1:15:48 | |
# Then you'll look back, and you won't believe | 1:15:48 | 1:15:52 | |
# That girl was me. # | 1:15:52 | 1:15:55 | |
CHEERING AND APPLAUSE | 1:15:55 | 1:15:57 | |
MUSIC ENDS | 1:15:57 | 1:15:59 | |
RECORD SCRATCHES | 1:15:59 | 1:16:00 | |
# I am the best there is | 1:16:00 | 1:16:02 | |
# I'm fan 3, and I handle my biz | 1:16:02 | 1:16:04 | |
# I'm not universally known... # | 1:16:04 | 1:16:07 | |
DOORBELL RINGS | 1:16:07 | 1:16:08 | |
# ..But I'm known to leave the speakers blown | 1:16:08 | 1:16:09 | |
# See, I gotta get it pumping, you know how we do it | 1:16:09 | 1:16:12 | |
# My parents be like, "Turn down that rap music!" | 1:16:12 | 1:16:14 | |
# Gotta feel the bass vibrate, my pops be irate | 1:16:14 | 1:16:16 | |
# If the house don't shake, the beat don't break... # | 1:16:16 | 1:16:19 | |
Stu Wolff? | 1:16:22 | 1:16:23 | |
I don't... I don't believe this. | 1:16:24 | 1:16:27 | |
Um... | 1:16:27 | 1:16:29 | |
Did...did my father in...invite you here? | 1:16:29 | 1:16:32 | |
Uh, no. | 1:16:32 | 1:16:34 | |
Um... may I come in anyway? | 1:16:34 | 1:16:36 | |
Yes! Yeah, sure, of course. | 1:16:36 | 1:16:39 | |
I don't believe this. This is crazy. | 1:16:39 | 1:16:40 | |
Lola's father said she would be here. | 1:16:40 | 1:16:42 | |
You're here in my house because of Lola? | 1:16:44 | 1:16:47 | |
You know what? | 1:16:47 | 1:16:48 | |
Why don't you stay here? You stay. | 1:16:48 | 1:16:50 | |
And, um, I'm gonna go get her. | 1:16:50 | 1:16:51 | |
And I'm gonna go get her. You...you stay. | 1:16:51 | 1:16:54 | |
So I can't come in? | 1:16:54 | 1:16:56 | |
Uh...look who came to see me. | 1:17:04 | 1:17:07 | |
Hey, guys. Look who's here. | 1:17:09 | 1:17:11 | |
Is that Stu Wolff? | 1:17:11 | 1:17:13 | |
Look who came to my house. | 1:17:13 | 1:17:15 | |
ALL TALK AT ONCE | 1:17:15 | 1:17:17 | |
Hey, Ella. I just wanted to say... | 1:17:21 | 1:17:24 | |
Lola! | 1:17:24 | 1:17:25 | |
Um... | 1:17:28 | 1:17:30 | |
You left this at my place. | 1:17:30 | 1:17:33 | |
LOLA: 'I had pictured this moment in my craziest, wildest dreams. | 1:17:51 | 1:17:54 | |
'I mean, I guess if you don't dream crazy and wild, | 1:17:57 | 1:17:59 | |
'people like Stu Wolff don't return your jewellery personally.' | 1:17:59 | 1:18:03 | |
Agh! | 1:18:07 | 1:18:09 | |
LAUGHTER | 1:18:09 | 1:18:11 | |
Come on. It's just a hand. | 1:18:22 | 1:18:24 | |
Thanks for showing up. | 1:18:44 | 1:18:45 | |
So, how have you been? | 1:18:47 | 1:18:48 | |
Sober. | 1:18:48 | 1:18:50 | |
I'm in recovery... | 1:18:50 | 1:18:51 | |
again. | 1:18:51 | 1:18:52 | |
Someone very sweet told me I was a drunk, | 1:18:54 | 1:18:57 | |
and I didn't like it. | 1:18:57 | 1:18:58 | |
Sounds kinda harsh. | 1:18:58 | 1:19:00 | |
Mmm. But it woke me up. | 1:19:00 | 1:19:03 | |
So, maybe sometime soon we can talk about your amazing music. | 1:19:04 | 1:19:07 | |
Just say when. | 1:19:07 | 1:19:09 | |
I can say when? | 1:19:09 | 1:19:10 | |
Within reason. | 1:19:10 | 1:19:12 | |
Would you like to dance? | 1:19:16 | 1:19:18 | |
Absolutely. | 1:19:18 | 1:19:20 | |
# Yeah, yeah, yeah | 1:19:20 | 1:19:23 | |
# So you wanna change the world | 1:19:25 | 1:19:29 | |
# What are you waiting for? | 1:19:29 | 1:19:31 | |
# Say you're gonna start right now | 1:19:31 | 1:19:34 | |
# What are you waiting for...? # | 1:19:34 | 1:19:36 | |
LOLA: 'Here's what I learned - | 1:19:36 | 1:19:38 | |
'when you're happy, the whole world's New York, | 1:19:38 | 1:19:41 | |
'and that dreams are important. | 1:19:41 | 1:19:43 | |
'Someday, when you're not even looking, | 1:19:43 | 1:19:45 | |
'they find you. | 1:19:45 | 1:19:47 | |
'And then there's Sam. | 1:19:50 | 1:19:52 | |
'You know, he'd been there all along, | 1:19:52 | 1:19:53 | |
'but when I opened my heart to him, | 1:19:53 | 1:19:54 | |
'I thought, now that my career is launched, | 1:19:54 | 1:19:57 | |
'maybe I could have a boyfriend.' | 1:19:57 | 1:19:59 | |
# So you wanna change the world | 1:19:59 | 1:20:01 | |
# What are you waiting for? | 1:20:01 | 1:20:03 | |
# Say you're gonna start right now | 1:20:03 | 1:20:06 | |
# What are you waiting for? | 1:20:06 | 1:20:08 | |
# It only takes one voice | 1:20:08 | 1:20:10 | |
# So come on, now, and shout it out | 1:20:10 | 1:20:14 | |
# Give a little more... # | 1:20:14 | 1:20:16 | |
LOLA: 'It was the first time I realised | 1:20:16 | 1:20:18 | |
'that absolute reality could be so much more fun than fantasy. | 1:20:18 | 1:20:21 | |
'And can you believe all of this happened | 1:20:23 | 1:20:26 | |
'in Dellwood, New Jersey, | 1:20:26 | 1:20:27 | |
'of all places?' | 1:20:27 | 1:20:30 | |
# What are you waiting for? | 1:20:30 | 1:20:32 | |
# So you wanna change the world | 1:20:32 | 1:20:35 | |
# What are you waiting for...? # | 1:20:35 | 1:20:37 | |
Subtitles by The National Captioning Institute, Inc | 1:20:40 | 1:20:43 | |
# And you'll realise | 1:20:46 | 1:20:48 | |
# That girl was a one-time teenage drama queen | 1:20:48 | 1:20:52 | |
# A hyped-up, everyday wannabe | 1:20:52 | 1:20:56 | |
# But she'll have changed her destiny | 1:20:56 | 1:20:59 | |
# Now she's a somebody | 1:20:59 | 1:21:02 | |
# That girl was a wild-child dreamer | 1:21:02 | 1:21:05 | |
# But she'll find herself | 1:21:05 | 1:21:06 | |
# Cos she believes in nothing else | 1:21:06 | 1:21:10 | |
# Then you'll look back, and you won't believe | 1:21:10 | 1:21:14 | |
# That girl was me | 1:21:14 | 1:21:18 | |
# Armed with an attitude that she knows how to use | 1:21:18 | 1:21:21 | |
# She's gonna get there any way she can | 1:21:21 | 1:21:25 | |
# Now she knows what she wants | 1:21:25 | 1:21:26 | |
# No-one is gonna stop her | 1:21:26 | 1:21:28 | |
# Nothing's ever gonna hold her back | 1:21:28 | 1:21:31 | |
# For all the doubters, non-believers | 1:21:31 | 1:21:35 | |
# The cynical that once were dreamers... # | 1:21:35 | 1:21:38 | |
E-mail [email protected] | 1:21:38 | 1:21:40 |