
Browse content similar to Gregory's Girl. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Where is it? Where is it?! | 0:00:16 | 0:00:19 | |
In the middle. There. | 0:00:19 | 0:00:21 | |
There! | 0:00:21 | 0:00:23 | |
Yeah, I've got it, I've got it! | 0:00:23 | 0:00:26 | |
Oh, yes. Yeeeessss! | 0:00:26 | 0:00:28 | |
Look at that! > | 0:00:29 | 0:00:31 | |
Calm down, I can't concentrate! | 0:00:31 | 0:00:34 | |
Oh...that is a brassiere. > | 0:00:37 | 0:00:40 | |
She's got a brassiere! | 0:00:40 | 0:00:42 | |
Take it off. Take it off! | 0:00:43 | 0:00:46 | |
Transmit. Tell her to take off her bra. | 0:00:46 | 0:00:48 | |
Take off your brassiere. | 0:00:48 | 0:00:50 | |
Concentrate, ya bastard! | 0:00:50 | 0:00:52 | |
LUSTFUL GROANS | 0:00:55 | 0:00:57 | |
Ooh, my! | 0:00:57 | 0:00:58 | |
Look! | 0:00:58 | 0:01:00 | |
I can't breathe! | 0:01:00 | 0:01:02 | |
Oh, Andy, grow up! | 0:01:02 | 0:01:04 | |
I can't see! | 0:01:04 | 0:01:06 | |
THUD | 0:01:07 | 0:01:08 | |
Where's your camera? | 0:01:08 | 0:01:11 | |
What a picture! | 0:01:11 | 0:01:13 | |
What a photograph! | 0:01:13 | 0:01:15 | |
You can make a fortune with a photograph like that. | 0:01:15 | 0:01:19 | |
TUTS Andy! | 0:01:19 | 0:01:21 | |
What a doll! | 0:01:23 | 0:01:25 | |
That was terrific. | 0:01:25 | 0:01:27 | |
Superb! | 0:01:27 | 0:01:29 | |
-What we doing tomorrow night? -Coming back! | 0:01:29 | 0:01:32 | |
We can bring sandwiches. | 0:01:32 | 0:01:35 | |
Chicken sandwiches. | 0:01:35 | 0:01:37 | |
A lot of fuss over a bit of tit, eh? | 0:01:39 | 0:01:41 | |
Yeah. | 0:01:41 | 0:01:43 | |
Hey, look, the knickers! | 0:01:45 | 0:01:47 | |
Oh, yeah! | 0:01:47 | 0:01:49 | |
BIRDS CHIRRUP | 0:01:50 | 0:01:52 | |
See you, Gregory. | 0:02:58 | 0:03:00 | |
Terrible game, eh? | 0:03:07 | 0:03:08 | |
Bad. Very bad. | 0:03:08 | 0:03:11 | |
Yeah. You've got to laugh. | 0:03:11 | 0:03:13 | |
-What have you got to laugh about? -Us. | 0:03:13 | 0:03:16 | |
Football is all about entertainment. | 0:03:18 | 0:03:21 | |
We gave them a good laugh. It's only a game. | 0:03:21 | 0:03:24 | |
It's only a game? It's only EIGHT games. | 0:03:24 | 0:03:27 | |
Eight games in a row you've lost. | 0:03:27 | 0:03:30 | |
We can't lose 'em all. | 0:03:30 | 0:03:32 | |
You push us really hard. No mercy. Lots of discipline. | 0:03:32 | 0:03:36 | |
Get tough. | 0:03:36 | 0:03:38 | |
We need goals. It's your job to get them and you don't. | 0:03:38 | 0:03:42 | |
Nobody's perfect. It's a tricky time for me. | 0:03:42 | 0:03:46 | |
I'm doing a lot of growing. | 0:03:46 | 0:03:49 | |
Slows you down. | 0:03:50 | 0:03:52 | |
Five inches this year. | 0:03:52 | 0:03:55 | |
Remember last year? I was away down here. | 0:03:55 | 0:03:58 | |
Are you growing a moustache? | 0:03:59 | 0:04:01 | |
I wanna make some changes. | 0:04:01 | 0:04:04 | |
Good idea. It'll make you look older. | 0:04:04 | 0:04:06 | |
In the team. I wanna make some changes in the team. | 0:04:06 | 0:04:10 | |
Hmm. You're the boss. | 0:04:10 | 0:04:13 | |
I want to try out some other people. | 0:04:13 | 0:04:16 | |
Switch the team around? | 0:04:16 | 0:04:18 | |
Take some people out. I was going to take you out. | 0:04:18 | 0:04:22 | |
-You don't want to do that. -Yes, I do. | 0:04:22 | 0:04:25 | |
-You don't. -I do. | 0:04:25 | 0:04:29 | |
You don't. | 0:04:29 | 0:04:31 | |
Well, what about Andy? | 0:04:35 | 0:04:37 | |
He's no' even started growing. He's gonna be trouble. I'll tell him. | 0:04:37 | 0:04:42 | |
I'll tell him. A week's trial in goal for you, then I'll decide. | 0:04:42 | 0:04:48 | |
Have you a jersey in my size? Andy's a lot smaller. | 0:04:48 | 0:04:52 | |
Never mind about the jersey. | 0:04:52 | 0:04:54 | |
A week's trial. Then I decide. | 0:04:55 | 0:04:58 | |
You're the boss. Who's taking over my position? | 0:04:58 | 0:05:01 | |
I want to try out some new people. | 0:05:01 | 0:05:04 | |
You won't regret this. | 0:05:06 | 0:05:09 | |
OK, so Phil Menzies is daft enough maybe to throw you out of the team. | 0:05:20 | 0:05:24 | |
I'm not saying he will fling you out. I didn't say that. | 0:05:24 | 0:05:28 | |
But he's daft enough to do it. | 0:05:28 | 0:05:31 | |
Look, I'll tell you what. | 0:05:31 | 0:05:33 | |
I'll tell you what. If, just supposing, | 0:05:33 | 0:05:36 | |
Phil Menzies is daft enough to throw you out the team... | 0:05:36 | 0:05:41 | |
Well, I'll resign. | 0:05:41 | 0:05:44 | |
Really? | 0:05:45 | 0:05:46 | |
Yeah, well, when I say resign, | 0:05:46 | 0:05:49 | |
what I'm getting at, what it boils down to, what I'm trying to say really, | 0:05:49 | 0:05:54 | |
is I'll resign myself to making a decision. | 0:05:54 | 0:05:57 | |
If it happens. I'm not saying it will. It might, but it won't. I don't think so. | 0:05:57 | 0:06:01 | |
-Well, I'll see you later, Gregory. OK? -Where you going? | 0:06:01 | 0:06:06 | |
I want to stay here a wee bit longer and watch the traffic. | 0:06:06 | 0:06:10 | |
I like looking at the big trucks. | 0:06:10 | 0:06:12 | |
Do you know 12 tons of cornflakes passes under here every day? | 0:06:14 | 0:06:19 | |
-Really? -It's a well-known fact. | 0:06:19 | 0:06:22 | |
Is it? I never knew that. Tsk! | 0:06:22 | 0:06:26 | |
-I'll see you later. -Yeah. See you. | 0:06:26 | 0:06:28 | |
I had that dream again last night. It's really terrific. | 0:06:52 | 0:06:56 | |
Hello, darlin'! | 0:07:01 | 0:07:03 | |
All right there, darlin'?! | 0:07:03 | 0:07:05 | |
WOLF WHISTLES | 0:07:05 | 0:07:07 | |
OK, lads. No chance. | 0:07:08 | 0:07:10 | |
WHISTLES | 0:07:49 | 0:07:52 | |
GREGORY SINGS AS TOOTHBRUSH VIBRATES | 0:08:21 | 0:08:24 | |
TOOTHBRUSH VIBRATES | 0:08:30 | 0:08:33 | |
CAN OPENER HUMS | 0:08:40 | 0:08:42 | |
WHISK WHINES | 0:08:48 | 0:08:50 | |
CACOPHONY | 0:08:54 | 0:08:56 | |
-CHILD'S VOICE: -Hello, Gregory. | 0:09:25 | 0:09:27 | |
CHILDREN SHOUT AND BAWL | 0:09:28 | 0:09:30 | |
TOOTHBRUSH VIBRATES | 0:09:48 | 0:09:51 | |
Two advantages about learning to drive in this new town environment. | 0:09:53 | 0:09:58 | |
Very obvious ones. Up into third here. | 0:09:58 | 0:10:00 | |
The absence of traffic lights, total absence of stray pedestrians. | 0:10:00 | 0:10:04 | |
Remember, other times things won't be so controlled. | 0:10:04 | 0:10:08 | |
Mirror and brake! That's the way. Relaxed position. Brake! | 0:10:08 | 0:10:12 | |
-TYRES SQUEAL -That's the way. | 0:10:12 | 0:10:15 | |
Come here, you! | 0:10:16 | 0:10:18 | |
-Was that the emergency stop? -Emergency stop. Unsimulated, yes. | 0:10:18 | 0:10:22 | |
Hi, Mike. | 0:10:22 | 0:10:24 | |
Call me Dad or Pop or something. It makes me feel better when you call me Dad or Father. | 0:10:24 | 0:10:29 | |
I won't take up your time. I know what it's like driving under instruction. | 0:10:29 | 0:10:33 | |
-That was my first emergency stop. -Was it? Well, that was really good. | 0:10:33 | 0:10:37 | |
Stay, Gregory! I'm sure Mr Clark would like to collect his thoughts. | 0:10:38 | 0:10:44 | |
My name's Anderson. | 0:10:44 | 0:10:46 | |
Are you going to school late or coming home early? | 0:10:46 | 0:10:49 | |
Handbrake in neutral. | 0:10:49 | 0:10:51 | |
-How are you, anyway? -Oh, fine. We're all very well. Your mother... | 0:10:51 | 0:10:56 | |
-You remember your mother? -Yeah, I remember Mum. | 0:10:56 | 0:10:58 | |
She was asking after you the other day. | 0:10:58 | 0:11:00 | |
I told her we'd met briefly in the hallway last Thursday and you looked fine. | 0:11:00 | 0:11:05 | |
Listen, I've got an idea. | 0:11:05 | 0:11:07 | |
Why don't we meet up later in the week for breakfast? Say eight o'clock in the kitchen? | 0:11:07 | 0:11:12 | |
-Friday? -Yeah. | 0:11:12 | 0:11:14 | |
That sounds fine, yeah. | 0:11:14 | 0:11:16 | |
-It's a date, then? -Yeah. | 0:11:16 | 0:11:19 | |
Ignition, mirror, signal, gear, Mr Clark. | 0:11:22 | 0:11:25 | |
We'll start the driving lessons when you've mastered the walking bit, OK? | 0:11:26 | 0:11:31 | |
HEARTY LAUGHTER | 0:11:43 | 0:11:45 | |
-Every bloody morning! -He's mad, he should be locked up. | 0:11:50 | 0:11:54 | |
Any tea? | 0:11:54 | 0:11:56 | |
-He must think he's invisible. -Stupid bastard! -Who is it? | 0:11:58 | 0:12:03 | |
That daft boy in fourth year, the one from your football team. | 0:12:03 | 0:12:06 | |
I heard they were awarded a corner and took a lap of honour! | 0:12:06 | 0:12:10 | |
Oh, him. His days are numbered. | 0:12:10 | 0:12:13 | |
After next week he's out. Kaput. Finished. | 0:12:13 | 0:12:16 | |
Got to get some new blood in the team. Big changes. | 0:12:16 | 0:12:20 | |
-Yeah. Have a sponge cake. -A new regime. | 0:12:20 | 0:12:22 | |
I'm signing a new striker this morning. | 0:12:22 | 0:12:25 | |
-Er...who made these? -Relax. It was Sandra and Alison, 3A. | 0:12:25 | 0:12:30 | |
Very nice girls. Very clean. | 0:12:30 | 0:12:32 | |
Sandra and Alison, eh? Very nice girls, eh, Alistair? | 0:12:32 | 0:12:36 | |
Still getting poems from wee June? You'll get put away. | 0:12:36 | 0:12:41 | |
-I like your moustache. -Does it show already? | 0:12:41 | 0:12:44 | |
I've only been growing it two days. Thanks. | 0:12:44 | 0:12:46 | |
Yeah... It's really nice. | 0:12:46 | 0:12:50 | |
Makes you look very...grown-up. | 0:12:50 | 0:12:53 | |
Thanks. | 0:12:53 | 0:12:54 | |
-Very mature. -Yeah. | 0:12:54 | 0:12:56 | |
You look at least 15 already. | 0:12:56 | 0:12:59 | |
I've got to scram. Important morning, this morning. | 0:12:59 | 0:13:02 | |
One place in the team for the best striker. Organise a trial. See what they're like under pressure. | 0:13:02 | 0:13:07 | |
-MURMURED CONVERSATION -See yous later. | 0:13:07 | 0:13:12 | |
Are you still getting those poems from June? | 0:13:15 | 0:13:18 | |
Ah, come on, you know it's no right to ask these questions. | 0:13:18 | 0:13:23 | |
We are dealing with the emotions of a vulnerable, sensitive... | 0:13:23 | 0:13:27 | |
16-year-old redhead. | 0:13:27 | 0:13:30 | |
Oh, I may have some news for you by lunchtime, son. | 0:13:35 | 0:13:39 | |
I'll keep you posted. | 0:13:39 | 0:13:41 | |
Right. You all know what I'm looking for - a goal-scorer. | 0:13:49 | 0:13:52 | |
That requires two basic skills - | 0:13:52 | 0:13:55 | |
ball control, shooting accuracy and the ability to read the game. | 0:13:55 | 0:13:59 | |
Three things. This trial will allow me to assess these two... | 0:13:59 | 0:14:04 | |
three basic aspects of your skills. | 0:14:04 | 0:14:06 | |
Right? | 0:14:06 | 0:14:08 | |
What's the idea of the sand shoes? No boots? | 0:14:08 | 0:14:11 | |
I'll get some. If I get in the team. | 0:14:11 | 0:14:14 | |
That's a dead loss, son. Go and get changed. | 0:14:14 | 0:14:18 | |
We play in real boots in this school, from the word go. | 0:14:18 | 0:14:21 | |
Right, basic ball control. The ball at your feet, 50 yards and back. | 0:14:21 | 0:14:26 | |
Two lines. Come on, go! | 0:14:26 | 0:14:29 | |
MUSIC STARTS | 0:14:35 | 0:14:39 | |
Both sides of the foot! I want to see complete control. | 0:14:40 | 0:14:44 | |
Come on, faster now! | 0:14:44 | 0:14:46 | |
Come on, more pace! Anybody can walk with a ball. | 0:14:51 | 0:14:56 | |
Come on. What do you want, lass? | 0:14:57 | 0:15:00 | |
-Faster now! What do you want, dear? -I'm here for the trial. | 0:15:01 | 0:15:05 | |
This is a football trial. Maybe Miss McAlpine's up to something with the hockey team, | 0:15:05 | 0:15:10 | |
I don't know, but this here is football - for boys. | 0:15:10 | 0:15:13 | |
That's right, football trials 11am. I saw the notice. | 0:15:13 | 0:15:18 | |
I'm sorry you picked it up wrongly, dear, but it was boys I wanted. | 0:15:18 | 0:15:22 | |
It didn't say so on the notice. It just said talented players. | 0:15:22 | 0:15:26 | |
I'm sorry you've picked it up wrong, there's been a misunderstanding, | 0:15:26 | 0:15:30 | |
but there's nothing I can do about it now. | 0:15:30 | 0:15:33 | |
-Come on. -You didn't say boys only. You're not allowed to, anyway. | 0:15:34 | 0:15:39 | |
I want a trial! | 0:15:39 | 0:15:41 | |
It's not possible, dear. Not today. | 0:15:41 | 0:15:44 | |
We don't have a spare ball. | 0:15:44 | 0:15:46 | |
Here's one. | 0:15:46 | 0:15:48 | |
OK, into twos. I want penetration work and a shot for goal. | 0:16:25 | 0:16:30 | |
One attacker, one defender. It's an open goal. Let's see who's first to score. | 0:16:30 | 0:16:35 | |
You're defending me, then. | 0:16:35 | 0:16:37 | |
What's going on? | 0:16:37 | 0:16:39 | |
She's gorgeous. | 0:16:39 | 0:16:42 | |
She is absolutely gorgeous. | 0:16:43 | 0:16:47 | |
It's Dorothy. | 0:16:50 | 0:16:53 | |
Do it again. Same pairs. | 0:16:53 | 0:16:56 | |
She's got funny ears. | 0:17:05 | 0:17:08 | |
Three shots each. Let's see how you do against a real goalkeeper. | 0:17:08 | 0:17:13 | |
You first, dear. | 0:17:16 | 0:17:18 | |
Right, that's it. Finished. | 0:17:25 | 0:17:28 | |
Stamina test. Once round the playing field, back to the dressing rooms. | 0:17:28 | 0:17:32 | |
It's only a quarter of a mile and should be treated as a sprint. Go! | 0:17:32 | 0:17:38 | |
Well? | 0:18:03 | 0:18:05 | |
I'll let everyone know in the fullness of time. | 0:18:05 | 0:18:08 | |
-I'll pass the word on to Miss McAlpine. -I was the best. You know I was the best. | 0:18:08 | 0:18:13 | |
It's not that simple. It could be out of my hands. We'll have to see. | 0:18:13 | 0:18:18 | |
If I was the best I should be in the team. The notice said so. | 0:18:18 | 0:18:22 | |
I said we'll see. You might well get into the team. | 0:18:22 | 0:18:26 | |
We'll work it out soon. | 0:18:26 | 0:18:28 | |
You've got to put me in the team list! I want to sign something. | 0:18:28 | 0:18:32 | |
What a dream! | 0:18:32 | 0:18:34 | |
Mr Menzies, I want to sign something. | 0:18:34 | 0:18:38 | |
Phwooaaarr! Eh, eh? | 0:18:38 | 0:18:41 | |
-Woarr! -Open the door. | 0:18:41 | 0:18:43 | |
We've got to get some girls. We've got to make a move. | 0:18:43 | 0:18:47 | |
Even Gregory's at it now. We're falling behind. | 0:18:47 | 0:18:51 | |
I don't think there's any advantage in putting it off any longer. | 0:18:51 | 0:18:56 | |
Besides, it's making me depressed. | 0:18:57 | 0:19:00 | |
Sorry I'm late. That's just paint there. | 0:19:06 | 0:19:09 | |
I've got the biscuit mix started, you put the oven on. 450 degrees. | 0:19:09 | 0:19:14 | |
Yes, boss. | 0:19:14 | 0:19:16 | |
Steve, can you help me with this pastry mix thing? | 0:19:22 | 0:19:25 | |
Pastry mix? There's more than one kind. | 0:19:26 | 0:19:30 | |
Short crust, flaky, rough puff. | 0:19:30 | 0:19:32 | |
Margaret's doing strudel soup. I'm on pies. It's eggs I'm not sure of. | 0:19:32 | 0:19:37 | |
Strudel soup! I'd love to try some of that (!) | 0:19:37 | 0:19:41 | |
It's noodle soup and you don't put eggs in pastry. | 0:19:41 | 0:19:44 | |
-It's 8oz of flour, 4oz of margarine. -Pinch of salt. | 0:19:44 | 0:19:49 | |
Mix it up. Put it in the oven for 15 minutes. | 0:19:49 | 0:19:53 | |
-No eggs, no strudels, nothing. OK? -That's simple. Really easy. | 0:19:53 | 0:19:58 | |
There are five guys in fifth year crying themselves to sleep over that. | 0:19:58 | 0:20:02 | |
Six if you count the music teacher. | 0:20:02 | 0:20:05 | |
Look, take it easy. Take it easy. | 0:20:07 | 0:20:10 | |
Have you ever been in love? | 0:20:13 | 0:20:16 | |
I'm in love. | 0:20:20 | 0:20:22 | |
Since when? | 0:20:22 | 0:20:23 | |
About half an hour ago. | 0:20:23 | 0:20:26 | |
It's great. I feel restless and I'm dizzy. | 0:20:26 | 0:20:29 | |
It's wonderful. | 0:20:29 | 0:20:31 | |
Bet I don't get any sleep tonight. | 0:20:31 | 0:20:34 | |
That sounds more like indigestion. | 0:20:34 | 0:20:36 | |
I'm serious. | 0:20:36 | 0:20:38 | |
Who is it? Is it a mature woman? Did you wash your hands? | 0:20:38 | 0:20:43 | |
Don't be crude. | 0:20:43 | 0:20:46 | |
It's someone in the football team. | 0:20:46 | 0:20:49 | |
-Really? -Yeah. | 0:20:49 | 0:20:51 | |
Have you told anyone else about this? | 0:20:51 | 0:20:53 | |
It's probably just a phase. Who is it? Andy? | 0:20:53 | 0:20:57 | |
-No, it's Dorothy! She's a girl. -Oh. -She's got lovely long hair. | 0:20:57 | 0:21:02 | |
And she smells... mmm, really gorgeous. | 0:21:02 | 0:21:06 | |
Even if you just walk past her she smells gorgeous. | 0:21:06 | 0:21:11 | |
She's got teeth. Lovely white teeth. | 0:21:11 | 0:21:15 | |
White, white teeth. | 0:21:15 | 0:21:17 | |
Oh, that Dorothy. The hair, the teeth and the smell. That Dorothy. | 0:21:18 | 0:21:23 | |
And she's in the team? | 0:21:24 | 0:21:26 | |
I think she's taken my position, but she's a really good footballer. | 0:21:26 | 0:21:30 | |
Can she cook? Can she do this? | 0:21:30 | 0:21:33 | |
Look, Steve, when you're in love, things like that don't matter. | 0:21:33 | 0:21:38 | |
Give me the margarine. | 0:21:38 | 0:21:40 | |
Think she'll love me back? | 0:21:43 | 0:21:45 | |
No chance. Watch that mixing. It'll go stiff, Gregory! | 0:21:45 | 0:21:50 | |
-What do you mean, no chance? -No chance. | 0:21:51 | 0:21:55 | |
HE GASPS | 0:22:48 | 0:22:51 | |
CHEERING AND SHOUTING FROM SPECTATORS | 0:22:52 | 0:22:55 | |
We're really garbage. | 0:23:04 | 0:23:06 | |
This is a real farce. | 0:23:06 | 0:23:08 | |
Nine games lost in a row and what do we do? | 0:23:08 | 0:23:11 | |
Sack the goalie and put a girl in the forward line! It's a madhouse! | 0:23:11 | 0:23:16 | |
Watch the game, Andy. Watch the game. She's good. She can move. | 0:23:16 | 0:23:20 | |
It's not right. It's unnatural. It doesn't even look nice. | 0:23:20 | 0:23:25 | |
It's modern, Andy. It's good. | 0:23:25 | 0:23:27 | |
Modern girls, modern boys. It's tremendous. Look. | 0:23:27 | 0:23:32 | |
CROWD SHOUTS ENCOURAGEMENT | 0:23:32 | 0:23:35 | |
Get back! | 0:23:44 | 0:23:46 | |
Girls weren't meant to play football - it's too tough, too physical. | 0:23:46 | 0:23:49 | |
Tough? Ever seen them play hockey? They're like wild animals. | 0:23:49 | 0:23:54 | |
Even at 12 and 13 they'd kill you. | 0:23:54 | 0:23:57 | |
Hockey was invented by the Red Indians as a form of torture. | 0:23:57 | 0:24:01 | |
-They used to make the cowboys play the squaws. -Shite - that was lacrosse. | 0:24:01 | 0:24:05 | |
Anyway, if women were meant to play football, they'd have their tits somewhere else. | 0:24:05 | 0:24:09 | |
They weren't designed for football. Gregory! | 0:24:09 | 0:24:13 | |
Watch the ball. Go out and meet it! Don't wait for it! | 0:24:14 | 0:24:17 | |
It's gone wide. Wait for the cross! | 0:24:17 | 0:24:21 | |
CHEERING AND WHISTLING | 0:24:24 | 0:24:26 | |
Come on, give us the ball! | 0:24:26 | 0:24:29 | |
What a prick! | 0:24:36 | 0:24:39 | |
Took my eye off the ball for a split second. Two microseconds. | 0:24:39 | 0:24:43 | |
We need more women in this team, more new blood. | 0:24:43 | 0:24:47 | |
Yeah, she's some girl. | 0:24:47 | 0:24:49 | |
CHEERING | 0:25:07 | 0:25:09 | |
What a goal! | 0:25:10 | 0:25:12 | |
Oh, great! What a goal! What a girl. | 0:25:12 | 0:25:16 | |
She's got a nice pair of legs as well. | 0:25:16 | 0:25:18 | |
Andy, please. | 0:25:18 | 0:25:21 | |
Look at that. It's disgusting. | 0:25:22 | 0:25:24 | |
That's perverse! | 0:25:24 | 0:25:27 | |
In a football field... | 0:25:27 | 0:25:30 | |
With kids watching! Come on, there's a football game to be played! | 0:25:30 | 0:25:34 | |
That sort of thing gives football a bad name. | 0:25:34 | 0:25:37 | |
That is disgusting! | 0:25:37 | 0:25:40 | |
-That's a girl! -You're a genius, Robert, you're a genius(!) | 0:25:42 | 0:25:46 | |
Have you got any plasters in here? There's none next door. | 0:25:58 | 0:26:01 | |
No. Maybe... I'll get some. | 0:26:01 | 0:26:06 | |
Don't panic. It's just a scratch. I want to save my tights getting blood on them. | 0:26:06 | 0:26:11 | |
Big gorilla on the left wing. | 0:26:15 | 0:26:18 | |
I got my own back. I got my boot on his shin and scraped it down. Big animal. | 0:26:19 | 0:26:25 | |
-You'll have a bruise there. -Not if I let it bleed. | 0:26:25 | 0:26:28 | |
That's the idea. I don't bruise easily. | 0:26:28 | 0:26:32 | |
I do. I bruise like a peach. | 0:26:32 | 0:26:35 | |
Bruise. | 0:26:37 | 0:26:39 | |
See that? I was only three when that happened. | 0:26:39 | 0:26:43 | |
I was chasing a wee boy on the beach. | 0:26:43 | 0:26:46 | |
I wasn't going to hurt him. I fell on a bottle. | 0:26:46 | 0:26:49 | |
That'll never go away. I'm marked for life. I'm imperfect. | 0:26:49 | 0:26:54 | |
No, no! It's nice. I like it. | 0:26:54 | 0:26:56 | |
-Really? -Yeah. | 0:26:57 | 0:26:59 | |
I hurt my arm once, at the join. | 0:27:02 | 0:27:05 | |
Can't get it higher than this. Used to get it way up here. | 0:27:07 | 0:27:11 | |
-You just did. -No, it's this arm. It's stuck. | 0:27:11 | 0:27:16 | |
Look at this. My big brother threw a bike at me. I was only seven. | 0:27:16 | 0:27:22 | |
I can only see it in the mirror. Nice, isn't it? Nice shape. | 0:27:22 | 0:27:26 | |
HIGH PITCHED: Yeah! ..Yeah. | 0:27:26 | 0:27:28 | |
Renaldo, the boy in Italy last summer, | 0:27:28 | 0:27:31 | |
he said it was like a new moon. Very romantic. La luna. | 0:27:31 | 0:27:36 | |
Ah, si, si. Bella, bella. | 0:27:36 | 0:27:40 | |
Ah, parliamo Italiano? | 0:27:40 | 0:27:42 | |
Nah, not really. Just bella, bella. | 0:27:42 | 0:27:45 | |
Oh. I think it's a wonderful language. | 0:27:45 | 0:27:49 | |
So alive. I want to live in Italy when I leave school. | 0:27:49 | 0:27:53 | |
I speaka da langauage. I'm a quarter Italian and a quarter Irish. | 0:27:53 | 0:27:58 | |
On my mother's side. | 0:27:58 | 0:28:00 | |
Hey, I can speak Irish. | 0:28:00 | 0:28:03 | |
What was Renaldo doing down there? | 0:28:07 | 0:28:10 | |
-He lives there. -No, I mean down there. | 0:28:10 | 0:28:14 | |
Ah. He was putting some suntan oil on. | 0:28:14 | 0:28:17 | |
Bella, bella. | 0:28:17 | 0:28:19 | |
Anything else to show me? | 0:28:21 | 0:28:23 | |
Any major wounds when you were 12, 14? | 0:28:23 | 0:28:28 | |
Hi, Dorothy. Nice to see you. Good game. | 0:28:28 | 0:28:30 | |
I'd like to chat with you for the school magazine. | 0:28:30 | 0:28:33 | |
I want to interview you and that girl in 2A who had triplets. You're famous now. | 0:28:33 | 0:28:39 | |
I'm sorry, this is a dressing room - you can't come in here. | 0:28:39 | 0:28:42 | |
Eric, get the dressing room and some close shots of Dorothy. | 0:28:42 | 0:28:45 | |
You don't mind if Eric flashes, do you? | 0:28:45 | 0:28:48 | |
This is no place for a camera, Eric. People take their clothes off here. | 0:28:50 | 0:28:55 | |
Yeah, where better? | 0:28:55 | 0:28:57 | |
Look, gonna stand in there? Too many shadows. Keep in there. | 0:28:57 | 0:29:01 | |
I like interviewing people like this, no preparation. Everything nice and natural. | 0:29:01 | 0:29:06 | |
How are the boys taking it, you being in the team? | 0:29:06 | 0:29:10 | |
You guys are so predictable. Always causing trouble. | 0:29:10 | 0:29:14 | |
We're all very happy. Dorothy's a very good player. | 0:29:14 | 0:29:18 | |
Slow down, Gregory. This is an in-depth interview. Dorothy? | 0:29:18 | 0:29:22 | |
Things are fine. I'm quicker than most boys, so I keep out of trouble. | 0:29:22 | 0:29:27 | |
I take dancing lessons too. That helps my balance. | 0:29:27 | 0:29:30 | |
What you've got to remember is that my body's quite different. | 0:29:30 | 0:29:35 | |
Hmm. You've got a good body. You must train a lot, keep in shape. | 0:29:35 | 0:29:40 | |
Do you have time for anything else? What do you and your body do on a Saturday night, for instance? | 0:29:40 | 0:29:45 | |
Saturday nights are special. I like to do something special. | 0:29:45 | 0:29:49 | |
What about doing something special this Saturday? | 0:29:49 | 0:29:52 | |
Come on, this is a dressing room! You lot conduct your business somewhere else! | 0:29:52 | 0:29:56 | |
I'll go and change, too. | 0:29:56 | 0:29:58 | |
OK, Dorothy. You're an interesting girl, | 0:29:58 | 0:30:00 | |
but I want to find the real Dorothy underneath the football strip. | 0:30:00 | 0:30:05 | |
Dorothy - the woman. | 0:30:05 | 0:30:07 | |
-OK? -OK. | 0:30:07 | 0:30:10 | |
-Cheerio, Gregory. -Arrivederci, Gordon. Hurry back(!) | 0:30:11 | 0:30:16 | |
Bella, bella! | 0:30:16 | 0:30:18 | |
Bella, bella. Bella, Renaldo. Bella, Gordon(!) | 0:30:18 | 0:30:21 | |
SIMPERS I like to do something special on Saturday nights. | 0:30:21 | 0:30:26 | |
BELLA, BELLA! | 0:30:26 | 0:30:28 | |
What's the sudden need to speak Italian, Gregory? | 0:30:28 | 0:30:31 | |
It's not sudden. I've been thinking about it for three years. | 0:30:31 | 0:30:35 | |
-It's taken me a while to make up my mind. -It's late in the term to start. | 0:30:35 | 0:30:39 | |
I've got some free time. I'll catch up. | 0:30:39 | 0:30:42 | |
It's very important to me. I want to live in Italy when I leave school. | 0:30:42 | 0:30:46 | |
-Been there, have you? -No. I've been to Ireland, though, and I met some Italians there. | 0:30:46 | 0:30:51 | |
They told me about it in English. Renaldo speaks good English. | 0:30:51 | 0:30:56 | |
-Renaldo. Is that your Italian friend? -Not just him. | 0:30:56 | 0:30:59 | |
There were girls, too. I said Renaldo cos he spoke good English. | 0:30:59 | 0:31:03 | |
What kind of work do you want to do in Italy? | 0:31:03 | 0:31:05 | |
I'll just learn the language and then I'll see what there is going. | 0:31:05 | 0:31:09 | |
You should think about taking technical Italian. | 0:31:09 | 0:31:11 | |
-Is that to do with work and engines? -Mm-hmm. | 0:31:11 | 0:31:14 | |
I'd rather do normal Italian and work my way down. | 0:31:14 | 0:31:18 | |
We'll leave it just now. I'll have a word with your form master. See what he can do, OK? | 0:31:18 | 0:31:24 | |
I'm pleased you're interested. It's a lovely country. | 0:31:24 | 0:31:27 | |
Yeah. Wonderful language. | 0:31:27 | 0:31:29 | |
Don't you think it's so alive? | 0:31:29 | 0:31:33 | |
-Did you pick any of it up? -A couple of words. | 0:31:33 | 0:31:35 | |
Hmm? | 0:31:35 | 0:31:38 | |
Er, bella...and bella. SHE LAUGHS | 0:31:38 | 0:31:42 | |
-Any words you could teach me now? -Te lo diro. | 0:31:42 | 0:31:46 | |
-Te lo diro. -Te lo diro. | 0:31:46 | 0:31:51 | |
It means I'll let you know, Gregory. OK? | 0:31:51 | 0:31:54 | |
Oh. | 0:31:54 | 0:31:56 | |
Te lo diro. | 0:31:58 | 0:32:00 | |
Te lo diro. | 0:32:02 | 0:32:06 | |
Te lo...diro! | 0:32:06 | 0:32:10 | |
What about Alan, do you think he's still a virgin? | 0:32:12 | 0:32:15 | |
Nah, he's been in the school orchestra for over a year now. | 0:32:15 | 0:32:19 | |
Pass the sulphuric acid, will you? | 0:32:21 | 0:32:23 | |
What's the pH of that? | 0:32:24 | 0:32:26 | |
Er...seven. | 0:32:26 | 0:32:28 | |
-How's football going? -Oh, it's good. | 0:32:31 | 0:32:34 | |
You need to cut that up a bit, it's a bit big. | 0:32:34 | 0:32:37 | |
What about the goalie, Gregory? | 0:32:37 | 0:32:40 | |
-Mmm? -What do you make of Gregory? | 0:32:40 | 0:32:44 | |
Well, he's a bit slow and bit awkward. | 0:32:44 | 0:32:48 | |
Yeah. Slow and awkward. | 0:32:48 | 0:32:50 | |
He's got a nice laugh. | 0:32:50 | 0:32:53 | |
Give me the bromide. | 0:32:53 | 0:32:55 | |
BELL RINGS | 0:32:55 | 0:32:57 | |
Hey! Room four. | 0:33:00 | 0:33:03 | |
Good afternoon. | 0:33:14 | 0:33:16 | |
Do you know that when you sneeze, | 0:33:19 | 0:33:22 | |
it comes out of your nose at 100 miles an hour? | 0:33:22 | 0:33:25 | |
It's a well-known fact. 100 miles an hour. | 0:33:27 | 0:33:30 | |
Pfffff! Just like that. | 0:33:30 | 0:33:32 | |
Room 16! | 0:33:43 | 0:33:45 | |
Hurry up! | 0:33:47 | 0:33:48 | |
Te lo diro. | 0:33:52 | 0:33:55 | |
"Here comes my messenger. How now, mad spirit, | 0:34:01 | 0:34:05 | |
"what night-rule now about this haunted grove? | 0:34:05 | 0:34:08 | |
"My mistress with a monster is in love | 0:34:08 | 0:34:11 | |
"Near to her close and consecrated bower | 0:34:11 | 0:34:13 | |
"while she was in her dull and sleeping hour. | 0:34:13 | 0:34:16 | |
"A crew of patches, rude mechanicals, | 0:34:16 | 0:34:18 | |
"that work for bread upon Athenian stalls | 0:34:18 | 0:34:21 | |
"Were met together to rehearse a play intended for great Theseus' nuptial day. | 0:34:21 | 0:34:25 | |
"The shallowest thickskin of that barren sort, who Pyramus presented in their sport | 0:34:25 | 0:34:30 | |
"Forsook his scene and enter'd in a break, | 0:34:30 | 0:34:33 | |
"when I did him at this advantage take. | 0:34:33 | 0:34:35 | |
"And forth my mimic comes when they him spy, | 0:34:35 | 0:34:39 | |
"as wild geese that creeping fowl or eye | 0:34:39 | 0:34:41 | |
"sever themselves and madly sweep the sky, | 0:34:41 | 0:34:44 | |
"so at his sight..." | 0:34:44 | 0:34:45 | |
Please, miss, there's Billy out there. | 0:34:45 | 0:34:48 | |
"..he "Murder!" cries and help from Athens calls. | 0:34:48 | 0:34:52 | |
-"Their sense thus weak..." -Be quiet, Andy. | 0:34:52 | 0:34:55 | |
-"..with their fears thus strong..." -Be quiet, Andy! | 0:34:55 | 0:34:58 | |
-ANDY CONTINUES READING -Hello, Billy! | 0:34:58 | 0:35:01 | |
-Nice of you to drop in. -"..from yielders all things catch..." | 0:35:01 | 0:35:05 | |
Well, you said you'd come back and see me again. | 0:35:08 | 0:35:11 | |
Here I am. Can I introduce my boss? | 0:35:11 | 0:35:14 | |
Miss Wilkes, this is Mr Hall. It's his own business. | 0:35:14 | 0:35:17 | |
Pleased to meet you. How's our Billy shaping up? | 0:35:17 | 0:35:21 | |
He's a good lad. He's been telling me about the characters in the school. | 0:35:21 | 0:35:26 | |
He likes you. And he's washed a few windows. | 0:35:26 | 0:35:30 | |
I hope you're doing mine free for old times' sake. | 0:35:30 | 0:35:33 | |
Give us your glasses and I'll do them. No charge. | 0:35:33 | 0:35:37 | |
Thank you. | 0:35:37 | 0:35:39 | |
See you outside at four, lads, eh? | 0:35:41 | 0:35:43 | |
Listen! Why don't you come up and see me sometime? | 0:35:43 | 0:35:46 | |
I'll do that. I'll use the stairs, though. | 0:35:46 | 0:35:49 | |
"I led them on in this distracted fear and left sweet Pyramus translated there. | 0:35:49 | 0:35:54 | |
"When in that moment, so it came to pass, | 0:35:54 | 0:35:57 | |
"Titania wak'd and straightaway loved an ass." | 0:35:57 | 0:36:01 | |
TYPEWRITER CLATTERS | 0:36:01 | 0:36:04 | |
Doughnuts? | 0:36:04 | 0:36:06 | |
We're still doing the two kinds - jam-filled and the rings. | 0:36:06 | 0:36:09 | |
What kind of jam? | 0:36:09 | 0:36:12 | |
What would you like? | 0:36:12 | 0:36:14 | |
-Blackcurrant? -That's no problem. | 0:36:14 | 0:36:17 | |
-I'll have half a dozen. -Half a dozen. | 0:36:18 | 0:36:21 | |
-I'll thow in some ring doughnuts. There's usually some left. -Good. | 0:36:21 | 0:36:26 | |
Have you given the petit choux any more thought? | 0:36:26 | 0:36:30 | |
-What was that again? -It was a basic choux pastry. | 0:36:30 | 0:36:34 | |
I've been working on it. I think I've got it perfect. | 0:36:34 | 0:36:37 | |
That's good. That's very good. | 0:36:44 | 0:36:46 | |
I'd like everything in my office by three o'clock, Friday. Understood? | 0:36:55 | 0:36:59 | |
Yes, sir. | 0:36:59 | 0:37:02 | |
I'm sorry I'm early. | 0:37:02 | 0:37:04 | |
Have a seat, Mr Menzies. | 0:37:08 | 0:37:10 | |
There's a girl in the football team. | 0:37:19 | 0:37:22 | |
Well, yes and no. | 0:37:22 | 0:37:24 | |
-Yes and no? -Yes. | 0:37:24 | 0:37:27 | |
-What do you mean? -We could have a girl in the team if we wanted one. | 0:37:27 | 0:37:31 | |
-Do we want one? -Well... | 0:37:31 | 0:37:35 | |
I think it's a wonderful idea. Terrific. | 0:37:35 | 0:37:38 | |
Yes. And she's a great player. She won't hold the team back. | 0:37:38 | 0:37:42 | |
One possible problem area. The showers. | 0:37:42 | 0:37:47 | |
What happens about the showers? | 0:37:47 | 0:37:49 | |
Oh, she'll bring her own soap. | 0:37:49 | 0:37:51 | |
And you'll undertake to keep everything above board? | 0:37:54 | 0:37:58 | |
Oh, yes, most definitely. Most definitely. | 0:37:58 | 0:38:02 | |
HE WHISTLES THEME FROM MASH | 0:38:02 | 0:38:06 | |
-Hiya. -Hello. | 0:38:07 | 0:38:09 | |
-Carry your bag for you? -I can't see you today. I've got to go up to the big school. -What for? | 0:38:09 | 0:38:13 | |
Family trouble. | 0:38:13 | 0:38:15 | |
Is it Gregory? | 0:38:15 | 0:38:17 | |
Guess what? He's fallen in love. | 0:38:17 | 0:38:20 | |
That's big trouble. Maybe I can see you later on. | 0:38:20 | 0:38:23 | |
Right. Bye-bye. | 0:38:23 | 0:38:26 | |
Bye. | 0:38:26 | 0:38:27 | |
Cigarette? | 0:38:49 | 0:38:51 | |
Waiting for somebody? | 0:39:01 | 0:39:03 | |
Yes. | 0:39:03 | 0:39:04 | |
You're not giving much away. There's 2,000 people in there. | 0:39:08 | 0:39:13 | |
Gregory. Fourth year. | 0:39:13 | 0:39:15 | |
Oh, Steve's pal. | 0:39:15 | 0:39:17 | |
Are you Gregory's girl? | 0:39:19 | 0:39:21 | |
I'm Madeline. | 0:39:21 | 0:39:23 | |
CHATTER | 0:39:27 | 0:39:29 | |
She's fancied me since first year. She's after my body. | 0:39:52 | 0:39:56 | |
I might have to give in. "Why don't you come up and see me sometime?" | 0:39:56 | 0:40:01 | |
Eh, watch the jacket. I had to wash and polish 84 windows for this. | 0:40:02 | 0:40:07 | |
That's some job. Do you get danger money for that? | 0:40:07 | 0:40:10 | |
No, but if I die my mother gets her windows washed free for 25 years, | 0:40:10 | 0:40:15 | |
inside and out. | 0:40:15 | 0:40:17 | |
I'll tell you what you need danger money for - the women. | 0:40:17 | 0:40:22 | |
Something about window cleaners turns them on. | 0:40:22 | 0:40:25 | |
Especially up that Loganville estate, the private houses. | 0:40:25 | 0:40:29 | |
They spend too much time on their own, so we turn up, once a week, | 0:40:29 | 0:40:34 | |
singing songs, telling jokes. | 0:40:34 | 0:40:36 | |
-Washing the windows? -Right, washing the windows. | 0:40:36 | 0:40:39 | |
Then round to the back door. "Hello, darlin', give us some hot water?" | 0:40:39 | 0:40:44 | |
I don't get it. | 0:40:46 | 0:40:48 | |
Hot water. Is that a code? | 0:40:48 | 0:40:51 | |
No, it's for washing the windaes. | 0:40:51 | 0:40:53 | |
That gets the conversation going. Anything can happen after that. | 0:40:53 | 0:40:57 | |
The worst thing that could happen is they give you some hot water. | 0:40:57 | 0:41:01 | |
Yeah, that sometimes happens. | 0:41:01 | 0:41:03 | |
We saw a great thing last week. A nurse up at the hostel - | 0:41:03 | 0:41:07 | |
tits, bum, fanny, the lot! | 0:41:07 | 0:41:10 | |
I could see that 50 times a day through a window. | 0:41:10 | 0:41:13 | |
Contact's the thing. Doing it. | 0:41:13 | 0:41:16 | |
-Have you done it? -11 times. | 0:41:16 | 0:41:18 | |
-In the one night? -Naw, at different times. Something new always crops up. | 0:41:18 | 0:41:23 | |
You mean stuff like foreplay? | 0:41:23 | 0:41:25 | |
Foreplay's important as long as it leads up to something, | 0:41:25 | 0:41:30 | |
otherwise it's just fooling around. | 0:41:30 | 0:41:32 | |
See you later. See you, Billy. | 0:41:32 | 0:41:35 | |
Bye, Madeline. | 0:41:35 | 0:41:36 | |
If I don't see you through the week I'll see you through a window! | 0:41:36 | 0:41:41 | |
They grow up fast, don't they? | 0:41:41 | 0:41:43 | |
Ten years old with the body of a woman of 13. | 0:41:43 | 0:41:47 | |
You need some new trousers. These baggy ones are awful. | 0:41:50 | 0:41:53 | |
I'll talk to Mum about it. Blue ones, Italian. | 0:41:53 | 0:41:56 | |
If you're in love you'll have to start taking care of yourself. | 0:41:56 | 0:42:01 | |
-Are Italians good dressers? -Yeah, they make nice trousers. They've got style. | 0:42:01 | 0:42:06 | |
I was talking to Steven's sister about Dorothy. | 0:42:09 | 0:42:13 | |
She's very attractive. I knew you'd fall for that type. | 0:42:13 | 0:42:17 | |
She's a quarter Italian. | 0:42:17 | 0:42:19 | |
Don't get too serious about her if you can help it. | 0:42:19 | 0:42:23 | |
Have you asked her out yet? | 0:42:23 | 0:42:25 | |
I can help you. I can tell you things. | 0:42:27 | 0:42:30 | |
I'm a girl. You were nice to me when other boys hated their sisters. | 0:42:30 | 0:42:34 | |
If it was brown, it would be OK. Not enough brown in it. | 0:42:34 | 0:42:39 | |
Yeah. | 0:42:40 | 0:42:42 | |
Nah... | 0:42:42 | 0:42:45 | |
There's a dark brown. | 0:42:45 | 0:42:47 | |
Well, the grey was quite nice, too. | 0:42:47 | 0:42:50 | |
You don't think about colours, do you? | 0:42:50 | 0:42:53 | |
If you don't take an interest in yourself you can't expect others to. | 0:42:53 | 0:42:58 | |
Talk to Dorothy. Ask her out. She won't say no, I bet you. | 0:42:58 | 0:43:02 | |
Don't treat her too special. You're too romantic. You'll scare her. | 0:43:02 | 0:43:06 | |
What kind of things should I say? | 0:43:06 | 0:43:08 | |
For goodness sake, don't plan it, don't think about it, do it! | 0:43:08 | 0:43:12 | |
So...I should think less about love and more about colours. | 0:43:12 | 0:43:17 | |
You've got it. | 0:43:17 | 0:43:19 | |
What would you like? | 0:43:21 | 0:43:22 | |
Ginger beer with lime juice and ice cream, please, but don't stir it. | 0:43:22 | 0:43:26 | |
Coffee, please. | 0:43:26 | 0:43:28 | |
-Black or white? -Er...brown? | 0:43:28 | 0:43:32 | |
They don't do blue coffees here. This isn't Italy. No style. | 0:43:34 | 0:43:39 | |
Do you dream about her? | 0:43:43 | 0:43:45 | |
That means you love her. The ones you have the dreams about count. | 0:43:45 | 0:43:50 | |
Who do you dream about? | 0:43:50 | 0:43:53 | |
Just ginger beer and ice cream. I'm still a little girl, remember. | 0:43:53 | 0:43:57 | |
-That looks nice, doesn't it? -Yeah. | 0:44:04 | 0:44:06 | |
The nicest part is just before you taste it. | 0:44:06 | 0:44:08 | |
Your mouth goes all tingly, but that can't go on forever. | 0:44:08 | 0:44:12 | |
"..adding a proportionate amount of sugar, which is two to one..." | 0:44:13 | 0:44:18 | |
Do you know anything about Italians? | 0:44:18 | 0:44:21 | |
Excellent seafood in the northwest. | 0:44:21 | 0:44:24 | |
Some of the regional pasta dishes are good, too. Good with salads. Stylish all round. | 0:44:24 | 0:44:29 | |
Whoa, whoa, go easy with the sugar, lady! | 0:44:31 | 0:44:33 | |
Food, food, food! Is that all you think about? | 0:44:33 | 0:44:37 | |
You're unnatural, pal. You're a freak! | 0:44:39 | 0:44:42 | |
You eat it, don't you? | 0:44:42 | 0:44:44 | |
I've never seen you turn your nose up at anything I've made. | 0:44:44 | 0:44:48 | |
Hours and hours I've spent making you lovely, lovely things, | 0:44:51 | 0:44:55 | |
and all it means to you is food. | 0:44:55 | 0:44:58 | |
In case you hadn't noticed, I'm going through a crisis. | 0:44:58 | 0:45:02 | |
Of course I've noticed. What do you want me to do? The whole world's got problems. | 0:45:02 | 0:45:06 | |
You're obsessed by a beautiful unattainable girl. So what? | 0:45:06 | 0:45:11 | |
-Stop saying things like obsessed and unattainable. It's love. -OK. | 0:45:11 | 0:45:16 | |
Go and attain her, then, sweep her off her feet. | 0:45:16 | 0:45:19 | |
-Oh, I forgot, you're the goalkeeper, she's the sweeper. -Ha, ha(!) | 0:45:19 | 0:45:24 | |
Look, one key question. Have you spoken to her, asked her for a date? Anything? | 0:45:24 | 0:45:30 | |
Well, do it, then complain. | 0:45:30 | 0:45:32 | |
HE TURNS TV ON | 0:45:35 | 0:45:37 | |
If I get a date, can I borrow your white jacket? | 0:45:39 | 0:45:43 | |
No! | 0:45:43 | 0:45:46 | |
DOORBELL RINGS | 0:45:48 | 0:45:51 | |
Maybe that's her. | 0:45:51 | 0:45:53 | |
-I wonder if Maddy's in. -You mean Madeline? | 0:45:59 | 0:46:02 | |
-She's out with her mother. -That's a shame. | 0:46:02 | 0:46:05 | |
I thought we could go for a walk. Maybe I could wait. | 0:46:05 | 0:46:08 | |
-Nah, they'll be ages. -Maybe she could phone me later. | 0:46:08 | 0:46:11 | |
Who are you, anyway? You're talking about my sister and she doesn't go walking with anybody! | 0:46:11 | 0:46:17 | |
What's the idea, coming to people's doors, seducing people's sisters? Act your age! | 0:46:17 | 0:46:22 | |
Away and break some windows, demolish some phone boxes. | 0:46:22 | 0:46:26 | |
See when I was your age...? | 0:46:26 | 0:46:28 | |
You're Gregory, aren't you? How are you feeling? Everything OK? | 0:46:28 | 0:46:32 | |
There's nothing wrong with me, son. | 0:46:32 | 0:46:35 | |
You're the one that should be worried, seducing children. | 0:46:35 | 0:46:39 | |
You're a freak. You're heading for big trouble. | 0:46:39 | 0:46:43 | |
Underage walks, dates. You'll run out of vices before you're 12 if you don't slow down! | 0:46:43 | 0:46:49 | |
-Go on, piss off! -OK, Gregory. Fair enough. | 0:46:49 | 0:46:52 | |
Richard's my name. Ask Maddy to call me anyway. | 0:46:52 | 0:46:56 | |
The name's Madeline. Go on, piss off! | 0:46:56 | 0:46:59 | |
CAT MEWS | 0:47:30 | 0:47:33 | |
Miaow! | 0:47:38 | 0:47:40 | |
Miaow! | 0:47:40 | 0:47:42 | |
Mia-ooowww. | 0:47:42 | 0:47:45 | |
Mi-aoooowww. | 0:47:45 | 0:47:48 | |
HE HOWLS LIKE A WOLF | 0:47:49 | 0:47:52 | |
MORE HOWLING | 0:47:52 | 0:47:55 | |
DISTANT HOWLING | 0:48:11 | 0:48:14 | |
Had that dream again last night. That's four nights in a row - that's really good, that. | 0:48:26 | 0:48:30 | |
DRUM FLOUIRSH | 0:48:30 | 0:48:33 | |
Yeah, hold on. I'm in the dark. > | 0:48:39 | 0:48:41 | |
-What is it? -Can I come in? | 0:48:46 | 0:48:49 | |
I'd make a lousy photographer. I get scared in the dark. | 0:48:52 | 0:48:56 | |
What do you want? | 0:48:56 | 0:48:58 | |
I wondered how the snaps turned out. The ones in the dressing room. | 0:48:58 | 0:49:01 | |
Oh, Dorothy? I'm working on it now. She's a beauty. | 0:49:01 | 0:49:05 | |
-She's a dream to photograph. -Very interesting. | 0:49:05 | 0:49:09 | |
I could go for this girl in a big way. Look at that nose. | 0:49:09 | 0:49:13 | |
Very pretty. | 0:49:13 | 0:49:15 | |
Some of the guys reckon she's too much like a boy. | 0:49:15 | 0:49:19 | |
I don't. I think she's wonderful. | 0:49:20 | 0:49:23 | |
Her like a boy? No. | 0:49:23 | 0:49:26 | |
She's just...modern. | 0:49:26 | 0:49:28 | |
You're right, it's modern, it's the future. | 0:49:28 | 0:49:32 | |
In another million years there'll be no men, no women - | 0:49:32 | 0:49:36 | |
there'll just be people. It's logical evolution. Evolution is a thing. | 0:49:36 | 0:49:40 | |
-No more men or women? -Just a whole world full of wankers. Drink? | 0:49:40 | 0:49:44 | |
This is a modern girl, made to be photographed. | 0:49:48 | 0:49:51 | |
I'd love to get my wide-angle lens on her. | 0:49:51 | 0:49:55 | |
A low-key light, a soft film. | 0:49:57 | 0:50:00 | |
Oh, the face and the body of the '80s. | 0:50:00 | 0:50:03 | |
I could really make that girl. | 0:50:03 | 0:50:06 | |
One elephant, two elephant, three elephant, four elephant, five elephant. | 0:50:10 | 0:50:16 | |
-If you don't put in the elephants you don't get real seconds. -Oh. | 0:50:16 | 0:50:19 | |
Ten elephant. | 0:50:19 | 0:50:21 | |
Each print needs an exact exposure. | 0:50:21 | 0:50:24 | |
This one needs ten elephants. | 0:50:24 | 0:50:27 | |
-Here she comes. -There you go, you beauty. | 0:50:31 | 0:50:35 | |
Look how quickly Gordon moved in. He knows what he likes. | 0:50:35 | 0:50:39 | |
I timed it - one elephant, two elephant. | 0:50:39 | 0:50:41 | |
One minute and 50 elephants and he had a date. That's a record, even for him. | 0:50:41 | 0:50:46 | |
What a guy, eh? What an absolutely incredible guy. Hmm? | 0:50:46 | 0:50:52 | |
What a guy. Absolutely. | 0:50:52 | 0:50:55 | |
Give us a photograph, will you? | 0:50:55 | 0:50:57 | |
Oh, I get it. You fancy her too, eh? | 0:50:57 | 0:51:01 | |
No, it's for a friend. Someone really shy. | 0:51:02 | 0:51:07 | |
Just give us a photograph, eh? | 0:51:07 | 0:51:10 | |
It's really expensive. The chemicals and the paper. Really expensive. | 0:51:10 | 0:51:14 | |
-20 pence. -40. | 0:51:14 | 0:51:16 | |
25. | 0:51:16 | 0:51:18 | |
-I'll frame it for a pound. -Nah, I'll take it the way it is, thanks. | 0:51:18 | 0:51:21 | |
BELL RINGS | 0:51:21 | 0:51:24 | |
Better give you a dry one. Don't want you dripping down the corridor. | 0:51:26 | 0:51:30 | |
Te lo... diro. | 0:51:32 | 0:51:35 | |
Te lo... diro! | 0:51:37 | 0:51:39 | |
Hey, are you Gregory? | 0:51:39 | 0:51:41 | |
-That's me, sweetheart. Who wants to know? -Dorothy wants to see you. | 0:51:41 | 0:51:46 | |
-Who, Dorothy? -That's what I said. | 0:51:47 | 0:51:49 | |
She'll be in room nine at break time, OK? | 0:51:49 | 0:51:53 | |
-Give us your comb, eh? -No. | 0:52:04 | 0:52:07 | |
-Gimme your comb. -No! | 0:52:07 | 0:52:09 | |
Thanks, pal. | 0:52:20 | 0:52:22 | |
Te lo diro. | 0:52:23 | 0:52:25 | |
GIRLS LAUGH | 0:52:32 | 0:52:35 | |
-Hi, Dorothy, I got your message. -Good. | 0:52:35 | 0:52:38 | |
I just wanted to know what you're up to at lunchtime. | 0:52:38 | 0:52:41 | |
Nothing that can't wait a million years. | 0:52:41 | 0:52:43 | |
-Will you help me out with some goal practice? -Sure. | 0:52:43 | 0:52:46 | |
It'll speed things up. I want to practise shots at different angles. | 0:52:46 | 0:52:52 | |
I'll bring my compass. | 0:52:52 | 0:52:54 | |
Good. Well, I'll see you at half twelve, then? | 0:52:54 | 0:52:58 | |
-Fine. -Good. See you. | 0:52:58 | 0:53:02 | |
Look at all these men. | 0:53:04 | 0:53:07 | |
-Boys. -What's the difference? | 0:53:07 | 0:53:09 | |
Come questo? | 0:53:09 | 0:53:12 | |
I'm on the way, Steve. It's off the ground. Romance - it's in the air. | 0:53:17 | 0:53:21 | |
-Hi, pal. -Can I have your white jacket? | 0:53:21 | 0:53:24 | |
No. | 0:53:24 | 0:53:26 | |
I don't want to make a big thing about it, | 0:53:27 | 0:53:30 | |
but the jacket would really help put the affair off on a proper footing. | 0:53:30 | 0:53:35 | |
-Just for one night. -What are you raving on about? | 0:53:35 | 0:53:38 | |
Me, Dorothy, date. It's in the bag. | 0:53:38 | 0:53:41 | |
She's after me. She wants me to play with her at lunchtime. | 0:53:41 | 0:53:45 | |
My, my. She wants you to play with her? How do you do it, Gregory? | 0:53:45 | 0:53:50 | |
It's football we're playing. I'll be in goals. | 0:53:50 | 0:53:53 | |
Not in my jacket. Morning, Kelvin. How's business? | 0:53:53 | 0:53:57 | |
-All right. -The jacket's for later, for the real date. | 0:53:57 | 0:54:00 | |
The doughnuts are going like hot cakes, | 0:54:00 | 0:54:03 | |
-but the marzipan almonds don't seem to be everyone's cup of tea. -Tasteless sods. | 0:54:03 | 0:54:07 | |
Come on, Steve, you gave Pete the jacket last week. Why not me? | 0:54:07 | 0:54:12 | |
That's exactly why. Did you see that jacket the day after? | 0:54:12 | 0:54:16 | |
Grass stains, I don't know all what kind of stains. | 0:54:16 | 0:54:20 | |
But with Dorothy and I, things would be high class. | 0:54:20 | 0:54:24 | |
No stains, no... | 0:54:24 | 0:54:27 | |
I'll make you a deal. You get the date, signed, sealed and delivered, | 0:54:27 | 0:54:32 | |
and then see me about the jacket. Fair enough? | 0:54:32 | 0:54:34 | |
Keep the doughnuts coming, Steve, | 0:54:34 | 0:54:36 | |
but the public says ease off the marzipans. | 0:54:36 | 0:54:40 | |
It's a deal. Want to throw in your brown shoes as well? | 0:54:40 | 0:54:43 | |
I could use a persuasive prick like you in the organisation. | 0:54:43 | 0:54:46 | |
Help me offload some marzipan onto an uncaring population. | 0:54:48 | 0:54:51 | |
Go on, get! | 0:54:54 | 0:54:56 | |
I bought one of these this morning and it cost 25 pence! | 0:54:56 | 0:55:00 | |
It's not my fault. See the boss. | 0:55:00 | 0:55:02 | |
-..31 elepant, 32 elephant... -FEMALE LAUGHTER | 0:55:02 | 0:55:06 | |
BOTH: 34 elephant, 35 elephant, 36 elephant... | 0:55:06 | 0:55:12 | |
INAUDIBLE | 0:55:12 | 0:55:14 | |
Don't touch the ravioli, it's garbage. | 0:55:28 | 0:55:31 | |
Ravioli, please. Thank you. | 0:55:34 | 0:55:36 | |
Hello, Brenda. Mind if I join you? | 0:55:38 | 0:55:41 | |
-How's the lunch? -Scary. | 0:55:41 | 0:55:44 | |
Meat looks OK. Urrghh! | 0:55:44 | 0:55:46 | |
Urrghh! Urrrgghh! Have you got a tissue? | 0:55:46 | 0:55:51 | |
Let's sweettalk these two, eh? | 0:55:52 | 0:55:55 | |
Good afternoon, ladies. | 0:55:58 | 0:56:01 | |
Mind if we join you? | 0:56:01 | 0:56:03 | |
-How's the roast beef? -It's veal. | 0:56:13 | 0:56:16 | |
Veal? You now how they make veal? | 0:56:16 | 0:56:19 | |
They get little baby calves and hang them upside down. | 0:56:19 | 0:56:24 | |
They slit their throats and let the blood drip out. Interesting? | 0:56:24 | 0:56:28 | |
This is great. I can really use the practice. | 0:56:44 | 0:56:47 | |
Thanks. | 0:56:50 | 0:56:51 | |
Good goal. | 0:56:51 | 0:56:53 | |
Just kick it out in future, it'll be much quicker. | 0:56:53 | 0:56:57 | |
Good idea. Great idea! I'll do that the next time. | 0:56:57 | 0:57:01 | |
Great shot! Got me that time. | 0:57:04 | 0:57:06 | |
Could you stop dancing around so much? | 0:57:08 | 0:57:10 | |
It's very distracting. | 0:57:10 | 0:57:13 | |
How can you judge a shot, dancing around like...? | 0:57:13 | 0:57:16 | |
Great. First class. | 0:57:18 | 0:57:20 | |
You're some girl. I haven't got near the ball yet, eh? | 0:57:20 | 0:57:24 | |
OOF! | 0:57:26 | 0:57:28 | |
Well held. You OK? | 0:57:29 | 0:57:31 | |
-LAUGHS WEAKLY -Come on. We've only got an hour. | 0:57:35 | 0:57:38 | |
-I think I've broke my neck chain. -Come out and tackle me. | 0:57:38 | 0:57:42 | |
Try and block, then move back and block some more. | 0:57:42 | 0:57:46 | |
And use your feet. Don't grab for the ball. | 0:57:46 | 0:57:49 | |
OK. OK. Keep them coming, Dorothy. | 0:57:49 | 0:57:53 | |
SHRILL WHISTLE | 0:58:07 | 0:58:09 | |
MUSIC HALL TUNE | 0:58:09 | 0:58:11 | |
Off you go, you small boys. | 0:58:33 | 0:58:36 | |
You know we're in the wrong place? | 0:58:43 | 0:58:46 | |
You know where we should be? | 0:58:46 | 0:58:49 | |
South America. | 0:58:51 | 0:58:53 | |
There's a town there, and this is a well-known fact. | 0:58:53 | 0:58:58 | |
But do you know the ratio of women to men? | 0:58:58 | 0:59:01 | |
8 to 1. | 0:59:02 | 0:59:04 | |
Eight women per one guy. | 0:59:04 | 0:59:06 | |
That's the sort of place for us, eh? | 0:59:06 | 0:59:09 | |
It's called Caracas. | 0:59:11 | 0:59:13 | |
Are you happy in goal? | 0:59:21 | 0:59:23 | |
It's OK. | 0:59:23 | 0:59:25 | |
You waste a lot of energy. | 0:59:25 | 0:59:28 | |
No control. | 0:59:28 | 0:59:30 | |
Got tons left. | 0:59:30 | 0:59:32 | |
Thanks for the practice. | 0:59:32 | 0:59:34 | |
No sweat. | 0:59:34 | 0:59:37 | |
Well, lots of sweat, actually. | 0:59:37 | 0:59:40 | |
But no sweat if you get my meaning. | 0:59:40 | 0:59:43 | |
I'm sorry you missed lunch. | 0:59:43 | 0:59:46 | |
It's OK. Lunch means nothing to me. | 0:59:46 | 0:59:48 | |
Some nuts. Some fresh fruit. | 0:59:48 | 0:59:51 | |
Double apple pie and custard? | 0:59:51 | 0:59:53 | |
That kind of thing. | 0:59:53 | 0:59:56 | |
I'm off for a shower. | 0:59:56 | 0:59:58 | |
Dorothy! | 1:00:08 | 1:00:10 | |
I just wanted to say... | 1:00:12 | 1:00:15 | |
..anytime. | 1:00:15 | 1:00:16 | |
For more practice. Anytime. | 1:00:19 | 1:00:22 | |
Right. Ta. | 1:00:22 | 1:00:24 | |
Also, would you like to come out with me? | 1:00:26 | 1:00:30 | |
OK. | 1:00:30 | 1:00:32 | |
I mean, on a kind of date? | 1:00:35 | 1:00:37 | |
I said OK. | 1:00:37 | 1:00:40 | |
Come on, stop fooling around. I mean... | 1:00:42 | 1:00:46 | |
If you're going to argue, forget it. | 1:00:46 | 1:00:49 | |
No, no. Fine. | 1:00:49 | 1:00:51 | |
When? | 1:00:52 | 1:00:54 | |
Tonight. Half past seven at the clock in the Plaza. | 1:00:54 | 1:00:58 | |
KNOCK AT DOOR | 1:01:12 | 1:01:14 | |
Yeah? | 1:01:14 | 1:01:16 | |
I just want to check... | 1:01:22 | 1:01:24 | |
Yeah? | 1:01:24 | 1:01:26 | |
-Tonight. -Tonight. | 1:01:26 | 1:01:28 | |
Yeah. Half seven? | 1:01:28 | 1:01:30 | |
Half past seven. | 1:01:30 | 1:01:31 | |
You'll be there? | 1:01:31 | 1:01:33 | |
-I'll be there. -And I'll be there. | 1:01:33 | 1:01:35 | |
-At the clock? -At the clock. | 1:01:35 | 1:01:37 | |
Yeah? What is it? | 1:01:56 | 1:01:59 | |
Has that boy been bothering you? | 1:02:01 | 1:02:03 | |
Nah, he's harmless. | 1:02:03 | 1:02:05 | |
How's the training been going? | 1:02:16 | 1:02:17 | |
I was practising some turns. | 1:02:17 | 1:02:19 | |
I'm not very happy with it. I'm using my feet too much. | 1:02:19 | 1:02:23 | |
That remark tells me a lot about you. | 1:02:23 | 1:02:26 | |
When you trap a ball, what you've got to do is kill that ball's energy. | 1:02:26 | 1:02:32 | |
You tame it. What do you use to kill a ball's energy? | 1:02:32 | 1:02:36 | |
-My feet? -And what else? | 1:02:36 | 1:02:37 | |
My chest? | 1:02:37 | 1:02:39 | |
And? | 1:02:39 | 1:02:41 | |
This. Your gluteus maximus trap, my dear. | 1:02:41 | 1:02:45 | |
Now this is what you do. | 1:02:45 | 1:02:47 | |
You've got a high ball and a fast ball. | 1:02:47 | 1:02:50 | |
It's behind you. You want to trap it and turn. | 1:02:50 | 1:02:53 | |
Let the ball bounce once, kill the momentum. | 1:02:53 | 1:02:57 | |
Then, this is what foxes them,... | 1:02:57 | 1:02:59 | |
..reverse up to it, catch it on the bounce with your fleshy part. | 1:02:59 | 1:03:04 | |
Drop down low and there it is, but don't waste time. | 1:03:04 | 1:03:08 | |
You're on your feet, you turn, steady,... | 1:03:08 | 1:03:11 | |
..and it's yours. | 1:03:11 | 1:03:13 | |
Bambino, that's really nifty! | 1:03:13 | 1:03:16 | |
You try it. I'll walk you through it. | 1:03:16 | 1:03:19 | |
Ready? Reverse,... | 1:03:19 | 1:03:20 | |
Reverse... | 1:03:20 | 1:03:22 | |
..down, trap, up,... | 1:03:22 | 1:03:24 | |
..turn, steady,... | 1:03:24 | 1:03:25 | |
-..steady,... -..kick! | 1:03:25 | 1:03:28 | |
BOTH: Reverse, down, trap, up,... | 1:03:28 | 1:03:30 | |
..turn, steady, kick! | 1:03:30 | 1:03:33 | |
Reverse, down, trap, up,... | 1:03:33 | 1:03:36 | |
..turn, steady, kick! | 1:03:36 | 1:03:38 | |
Reverse, down, trap, up,... | 1:03:39 | 1:03:41 | |
..turn, steady, kick! | 1:03:41 | 1:03:44 | |
Reverse, down, trap, up,... | 1:03:44 | 1:03:46 | |
(SINGING AND SPLASHING) | 1:03:51 | 1:03:53 | |
Remember your neck. | 1:03:55 | 1:03:57 | |
Yeah. | 1:03:57 | 1:03:59 | |
And under your arms. | 1:03:59 | 1:04:00 | |
Yeah, yeah. Everything's under control. | 1:04:00 | 1:04:02 | |
Think I should tell her some jokes? | 1:04:07 | 1:04:10 | |
Maybe. | 1:04:10 | 1:04:12 | |
Do you know any jokes? | 1:04:14 | 1:04:16 | |
-DON'T -tell her the one about Batman and Superwoman. | 1:04:16 | 1:04:20 | |
(GIGGLES) | 1:04:20 | 1:04:22 | |
Sit still. | 1:04:24 | 1:04:26 | |
DRUMMING | 1:04:27 | 1:04:29 | |
CLOCK TICKS LOUDLY | 1:04:43 | 1:04:46 | |
AMERICAN ACCENT: Hi, there! | 1:04:59 | 1:05:01 | |
Oh, hi, there! | 1:05:08 | 1:05:11 | |
FOOTSTEPS APROACH | 1:05:45 | 1:05:47 | |
Hi, Gregory. | 1:05:54 | 1:05:55 | |
-Hello, Carol. -Waiting for Dorothy? | 1:05:56 | 1:05:58 | |
Yeah. | 1:05:58 | 1:06:00 | |
She's not coming. | 1:06:00 | 1:06:03 | |
Right. Thanks. | 1:06:04 | 1:06:06 | |
WHISTLES NONCHALANTLY | 1:06:08 | 1:06:10 | |
Tsk! Wrong way. | 1:06:11 | 1:06:13 | |
Something turned up. To do with her football, I think. | 1:06:14 | 1:06:19 | |
Is that Steve's jacket? | 1:06:19 | 1:06:21 | |
No, no. | 1:06:21 | 1:06:23 | |
Steve's has got a stain there. There's no stain. | 1:06:23 | 1:06:27 | |
Thanks for the word about Dorothy. | 1:06:27 | 1:06:29 | |
Ah, that's OK. I couldn't leave you here all night. | 1:06:29 | 1:06:32 | |
What will you do now? | 1:06:32 | 1:06:35 | |
Fancy a walk? | 1:06:36 | 1:06:38 | |
Where? | 1:06:38 | 1:06:39 | |
Just up to the sports centre. | 1:06:39 | 1:06:41 | |
Nah. I'm pretty hungry, though. | 1:06:41 | 1:06:44 | |
We could go up to Capaldi's. I'll buy you some chips. | 1:06:44 | 1:06:46 | |
OK. I was going that way anyway. | 1:06:46 | 1:06:49 | |
Gregory! Hold on a minute. | 1:07:00 | 1:07:03 | |
Well, I feel like a human being again. | 1:07:41 | 1:07:43 | |
Aghhh! | 1:07:43 | 1:07:45 | |
I've got to go home. I really enjoyed the walk. | 1:07:46 | 1:07:50 | |
You go that way and I'll go this way. | 1:07:50 | 1:07:53 | |
Hold it. I thought we were going for chips. | 1:07:53 | 1:07:56 | |
Chips? | 1:07:56 | 1:07:58 | |
OK, here you are, 50 pence. You'll get lots of chips with that. | 1:07:58 | 1:08:02 | |
You're worse than my Dad. He's old, so at least he's got an excuse for being a prick! | 1:08:02 | 1:08:09 | |
OK, OK, put your coat on. | 1:08:09 | 1:08:12 | |
Oh, no. Come on, all I'm asking for is a walk to the chip shop. | 1:08:12 | 1:08:17 | |
I've got a date. I'm going away. | 1:08:17 | 1:08:20 | |
I've got a feeling something nice might happen there, so... come on! | 1:08:20 | 1:08:25 | |
OK. Walk ahead. | 1:08:25 | 1:08:28 | |
Gregory, hurry up. We haven't got all night. | 1:08:29 | 1:08:32 | |
Do you really fancy Dorothy? | 1:08:43 | 1:08:46 | |
Yeah. | 1:08:46 | 1:08:48 | |
-Can you drive? -No, but it runs in the family. Why? | 1:08:48 | 1:08:52 | |
Ricky Swift's got a car. Dorothy knows him. | 1:08:52 | 1:08:55 | |
He's at the Physical Ed college. | 1:08:55 | 1:08:58 | |
Must be quite old, then? | 1:08:58 | 1:08:59 | |
He's nearly 19. | 1:08:59 | 1:09:01 | |
19? Has he got any hair left? | 1:09:01 | 1:09:04 | |
Ricky Swift. Sounds like something out of a comic. | 1:09:04 | 1:09:08 | |
Does he fly through the air like Batman? HE LAUGHS | 1:09:08 | 1:09:11 | |
Quick, Dorothy, to the Rickmobile! | 1:09:11 | 1:09:13 | |
OK, calm down. Don't wet yourself. | 1:09:13 | 1:09:15 | |
Well, loverboy, I'm off. Hey, Margo, here's Gregory. | 1:09:17 | 1:09:22 | |
Dorothy stood him up, so he's buying chips and telling jokes. | 1:09:22 | 1:09:26 | |
Have fun, Gregory. Tell me all about it tomorrow. | 1:09:26 | 1:09:30 | |
By the way, pickled onions and dates don't mix. | 1:09:30 | 1:09:34 | |
You might have to do some kissing later on. | 1:09:34 | 1:09:38 | |
Bye! | 1:09:38 | 1:09:40 | |
Well, I'll buy my own chips. You keep telling jokes. | 1:09:43 | 1:09:47 | |
What's going on? | 1:09:52 | 1:09:55 | |
Don't know. | 1:09:55 | 1:09:57 | |
I think Margo's after me. | 1:09:57 | 1:10:00 | |
I get that feeling. | 1:10:00 | 1:10:02 | |
It's a good night for it. Are you taking her up the park? | 1:10:02 | 1:10:06 | |
Don't know. Think I should? | 1:10:06 | 1:10:09 | |
Aye! | 1:10:09 | 1:10:11 | |
Yeah. | 1:10:12 | 1:10:13 | |
PHONE RINGS | 1:10:13 | 1:10:16 | |
It's a fine night for it, eh? | 1:10:50 | 1:10:53 | |
You know, there's definitely something in the air tonight. | 1:10:54 | 1:10:59 | |
Something in the atmosphere. | 1:11:01 | 1:11:03 | |
Relax. | 1:11:33 | 1:11:35 | |
Where are we going? | 1:11:37 | 1:11:39 | |
Relax. Enjoy it. | 1:11:39 | 1:11:41 | |
I am... I will. | 1:11:43 | 1:11:45 | |
What are you up to? | 1:11:53 | 1:11:55 | |
Nothing! | 1:11:55 | 1:11:56 | |
Look, what's going on? | 1:11:59 | 1:12:01 | |
Where are we going? | 1:12:01 | 1:12:03 | |
Where are you and I going? | 1:12:03 | 1:12:06 | |
You can't enjoy yourself if you don't relax. | 1:12:06 | 1:12:09 | |
I'm just a bit emotional tonight, OK? | 1:12:10 | 1:12:14 | |
That's fine. Nothing wrong with a bit of emotion. Come on. | 1:12:14 | 1:12:18 | |
LAWN MOWERS HUM | 1:12:24 | 1:12:26 | |
Hallo, Gregory. What are you up to? | 1:12:38 | 1:12:41 | |
We're just cruising. | 1:12:50 | 1:12:52 | |
You're all dressed up. Anywhere to go? | 1:12:54 | 1:12:57 | |
I've got somewhere to go. | 1:13:07 | 1:13:09 | |
See you tomorrow, Susan. | 1:13:09 | 1:13:11 | |
Relax. | 1:13:11 | 1:13:13 | |
I believe you're short of a date. | 1:13:21 | 1:13:23 | |
There was a bit of a mix-up earlier on. It's OK. | 1:13:23 | 1:13:27 | |
Would you like to spend time with me on a kind of date? | 1:13:30 | 1:13:34 | |
I'm not sure what's going on. | 1:13:35 | 1:13:37 | |
Is this a joke, all this with Carol and Margo...? | 1:13:37 | 1:13:41 | |
It's a joke, isn't it? | 1:13:41 | 1:13:44 | |
Not a joke. It's just the way girls work. They help each other. | 1:13:44 | 1:13:48 | |
Does Dorothy? | 1:13:48 | 1:13:49 | |
Dorothy's a good sport. | 1:13:49 | 1:13:52 | |
Anyway, how about it? You and me, what do you say? | 1:13:52 | 1:13:56 | |
Think about it. | 1:13:58 | 1:14:00 | |
Sit down over there and think about it. | 1:14:04 | 1:14:07 | |
SHE WHISTLES | 1:14:20 | 1:14:23 | |
OK. A kind of date. | 1:14:29 | 1:14:31 | |
Do we start right away? | 1:14:31 | 1:14:33 | |
Yeah. | 1:14:33 | 1:14:36 | |
We'll go to the park. It's too nice an evening to sit in a bar. | 1:14:36 | 1:14:41 | |
Yeah, far too nice. | 1:14:41 | 1:14:43 | |
What we'll do is we'll just walk and talk. | 1:14:52 | 1:14:55 | |
And we don't need to talk that much, either. | 1:14:55 | 1:14:59 | |
-We'll see how it goes. -Fine. | 1:14:59 | 1:15:01 | |
I hope you don't think I do this kind of thing all the time. | 1:15:01 | 1:15:04 | |
No. | 1:15:04 | 1:15:06 | |
-Can we whistle, too? -Yes, we can whistle, too. | 1:15:06 | 1:15:08 | |
Good. | 1:15:08 | 1:15:10 | |
THEY BOTH WHISTLE | 1:15:10 | 1:15:12 | |
See, if we were going for a drink, what would you have to drink? | 1:15:12 | 1:15:17 | |
Bacardi and Coke with ice. | 1:15:17 | 1:15:20 | |
Same here. With ice. | 1:15:22 | 1:15:24 | |
There's definitely something in the air tonight, Charlie. | 1:15:25 | 1:15:29 | |
That's three women in a row he's had. | 1:15:29 | 1:15:32 | |
I like your jacket. | 1:15:44 | 1:15:46 | |
I like your skirt. | 1:15:49 | 1:15:52 | |
I like your shirt. | 1:15:57 | 1:16:00 | |
I like your beret. | 1:16:03 | 1:16:05 | |
Thank you. | 1:16:05 | 1:16:07 | |
Want to swap? | 1:16:11 | 1:16:13 | |
This is really good. I'm really enjoying myself. | 1:16:17 | 1:16:21 | |
Good. I'm glad we bumped into each other. | 1:16:21 | 1:16:24 | |
SHE WHISTLES | 1:16:26 | 1:16:28 | |
Do you want to dance? | 1:16:30 | 1:16:32 | |
It's really good. You just lie flat down... and dance. | 1:16:32 | 1:16:36 | |
I'll start it off. You join in when you feel confident enough. | 1:16:36 | 1:16:41 | |
OK? | 1:16:41 | 1:16:43 | |
SHE GIGGLES | 1:16:46 | 1:16:48 | |
Just dance. | 1:16:48 | 1:16:50 | |
I'll tell you something,... | 1:16:52 | 1:16:54 | |
..and not a lot of people know this,... | 1:16:54 | 1:16:57 | |
..we are clinging to the surface of this planet... | 1:16:57 | 1:17:00 | |
..while it spins through space at 1,000 miles an hour,... | 1:17:00 | 1:17:04 | |
..held only by the mystery force called gravity. | 1:17:04 | 1:17:06 | |
Wow! | 1:17:06 | 1:17:08 | |
A lot of people panic when you tell them that and they fall off. | 1:17:08 | 1:17:12 | |
You're not falling off. That means you've got the hang of it. | 1:17:12 | 1:17:17 | |
-That means that you have got... -Natural ability. | 1:17:17 | 1:17:20 | |
Yeah. | 1:17:20 | 1:17:22 | |
A thousand miles an hour, eh? | 1:17:24 | 1:17:26 | |
Why are boys obsessed with numbers? | 1:17:26 | 1:17:29 | |
I'm not. | 1:17:29 | 1:17:30 | |
You are! | 1:17:30 | 1:17:32 | |
Don't stop dancing or you'll fall off. | 1:17:32 | 1:17:35 | |
What are you two up to? | 1:18:07 | 1:18:10 | |
Why? What are you up to? | 1:18:11 | 1:18:13 | |
I'm going to the hospital to do the exposure test. | 1:18:13 | 1:18:18 | |
The flesh tone experiment. | 1:18:18 | 1:18:20 | |
The flesh tone experiment. Of course. | 1:18:20 | 1:18:23 | |
-Have you got the right equipment? -Of course. 400mm lens. | 1:18:23 | 1:18:28 | |
It opens up to 2.8. 700 foot, let's say, er,... | 1:18:28 | 1:18:32 | |
..100 yards? | 1:18:32 | 1:18:34 | |
A filming speed of 360 and the first processing about 1.5 stops. | 1:18:34 | 1:18:39 | |
-Do you like numbers, Eric? -Numbers make the world go round. | 1:18:39 | 1:18:43 | |
How many erm,... | 1:18:46 | 1:18:48 | |
..elephants will you give it tonight? | 1:18:48 | 1:18:51 | |
You can't have any time exposures. That would ruin the image. | 1:18:51 | 1:18:54 | |
Don't want to ruin the image. | 1:18:54 | 1:18:57 | |
That means a fast shutter. Say, at the outside, 125th of an elephant? | 1:18:57 | 1:19:02 | |
-Sounds fine. -Fine. | 1:19:03 | 1:19:05 | |
-You coming? -Erm, no. | 1:19:05 | 1:19:08 | |
I'd be interested in the results, though. | 1:19:08 | 1:19:10 | |
Maybe an advance order? Some eight-by-tens? | 1:19:10 | 1:19:13 | |
Yeah. Put me down for six. | 1:19:13 | 1:19:16 | |
No, make it half a dozen. | 1:19:16 | 1:19:18 | |
I want to tell you something. | 1:19:23 | 1:19:26 | |
Do you know that when you sneeze it come out your nose at 100mph. | 1:19:26 | 1:19:30 | |
Really? | 1:19:30 | 1:19:32 | |
Phew! Just like that. | 1:19:32 | 1:19:34 | |
One more number. | 1:19:43 | 1:19:46 | |
11. Home by. | 1:19:46 | 1:19:48 | |
I've got to be. | 1:19:48 | 1:19:50 | |
OK, Mr Spaceman, I'll walk you home. | 1:19:50 | 1:19:54 | |
-Really? -Mm-hm. | 1:19:57 | 1:19:59 | |
I don't want to put you to any trouble. | 1:19:59 | 1:20:02 | |
It's OK. | 1:20:02 | 1:20:04 | |
If you just want to walk me to the bridge, that's fine. | 1:20:04 | 1:20:07 | |
No, I don't mind. | 1:20:07 | 1:20:11 | |
OK, I'll do the same for you sometime. | 1:20:11 | 1:20:14 | |
That's good. You stopped kissing me like I was your auntie. | 1:20:44 | 1:20:49 | |
Nobody's looking. | 1:20:49 | 1:20:52 | |
What's my auntie going to say when I kiss her at Christmas? | 1:20:55 | 1:20:59 | |
Say something. | 1:21:07 | 1:21:10 | |
342. | 1:21:11 | 1:21:13 | |
1,000,009. | 1:21:17 | 1:21:19 | |
How come you know all the good numbers? | 1:21:24 | 1:21:27 | |
Thanks for seeing me home. | 1:21:29 | 1:21:32 | |
When can I see you again? | 1:21:35 | 1:21:37 | |
Tomorrow. History. 10.30. | 1:21:37 | 1:21:39 | |
I want a date. | 1:21:48 | 1:21:51 | |
OK, Mr Spaceman. 12.30, room 17 tomorrow. We'll talk about it. | 1:21:56 | 1:22:03 | |
THEY BOTH GIGGLE | 1:22:07 | 1:22:09 | |
Ten-four. | 1:22:09 | 1:22:11 | |
Goodnight, Mr Spaceman. | 1:22:19 | 1:22:21 | |
375. | 1:22:27 | 1:22:29 | |
5,672. | 1:22:31 | 1:22:34 | |
How did it go. Are you going to see her again? | 1:22:46 | 1:22:49 | |
Who, Dorothy? | 1:22:49 | 1:22:52 | |
Who else? | 1:22:52 | 1:22:54 | |
Well, maybe Susan, for instance. | 1:22:54 | 1:22:57 | |
Tell me or I'll hurt you. | 1:22:57 | 1:22:59 | |
OK, OK. Dorothy didn't show up,... | 1:22:59 | 1:23:02 | |
..but I met Carol, then Margo and then Susan. She's lovely. | 1:23:02 | 1:23:06 | |
We went to the park. I think she likes me. I'll see her tomorrow. | 1:23:06 | 1:23:11 | |
-Did you kiss her? -No. Maybe tomorrow. | 1:23:11 | 1:23:15 | |
You liar! You kissed her about 50 times. | 1:23:15 | 1:23:18 | |
Shh! You'll wake the mater and pater. | 1:23:18 | 1:23:21 | |
I better kiss you, too, then. | 1:23:21 | 1:23:23 | |
It's hard work being in love, especially if you don't know which girl it is. | 1:23:23 | 1:23:28 | |
Yeah. I'll work on it. | 1:23:28 | 1:23:31 | |
Who's going to be Gregory's girl? | 1:23:31 | 1:23:33 | |
You are. | 1:23:33 | 1:23:35 | |
Come on, Andy, let's go home. | 1:24:06 | 1:24:09 | |
That's not the way you spell Caracas anyway. | 1:24:13 | 1:24:16 | |
What? | 1:24:16 | 1:24:18 | |
What do you mean? | 1:24:18 | 1:24:20 | |
Caracas is spelled with an A. C-A-S, not C-U-S. | 1:24:20 | 1:24:27 | |
Why didn't you tell me that before? | 1:24:28 | 1:24:31 | |
Could you not have told me that four hours ago? We've been waiting here! | 1:24:31 | 1:24:37 | |
Come on, let's go home. | 1:24:37 | 1:24:39 | |
Come on, we can start again tomorrow. | 1:24:45 | 1:24:48 | |
There's some nice girls in third year. | 1:24:48 | 1:24:52 | |
They always go for the older guys. | 1:24:52 | 1:24:55 | |
At least the nice ones do. | 1:24:55 | 1:24:58 | |
There's even a couple of dolls in second year. | 1:24:58 | 1:25:02 | |
I saw them in the dining hall. June and Louise. | 1:25:02 | 1:25:05 | |
Andy, I think everything's going to be all right. | 1:25:05 | 1:25:09 | |
Intelfax Subtitles CATHERINE WALKER | 1:25:43 | 1:25:46 |