Lucky Jim


Lucky Jim

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Sweet city with her dreaming spires,

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she needs not dew for beauty's heightening.

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STEAM TRAIN WHISTLES

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# Ooh, Lucky Jim

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# How I envy him

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# Ooh, Lucky Jim

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# How I envy him

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# Oh, Lucky Jim

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# How I envy him

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# Oh, Lucky Jim

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# How I envy him

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# Oh, Lucky Jim

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# How I envy him

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# Oh, Lucky Jim

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# How I envy him

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# Oh, Lucky Jim

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# How I envy him

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# Oh

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# Lucky. #

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So much for the Chancellor's installation. The seating plan will be on the board.

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-Principal.

-Yes.

-It's our first chancellor.

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Shouldn't there be some decorations - bunting, flowers or something?

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Yes, there should. And the quadrangle's looking pretty untidy,

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bicycles lying around and so on.

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-Get some of your chaps onto it, Welch.

-Hmm?

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That's all, thank you.

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-Coffee, principal?

-Thank you.

-Professor?

-Thank you.

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-Tell Dixon I want a word.

-He isn't here, sir.

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-He didn't come to the meeting.

-Oh?

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-Why not?

-Didn't come to the meeting?!

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I distinctly told him! You live in the same house - where is he?

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-KNOCK ON DOOR

-Open up.

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Dixon?

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You're driving yourself too hard.

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-I'm limbering up for tonight at the Welches.

-We're at the Swan tonight.

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You are, but for me, it's culture, lemonade and bed by 10.30.

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-Have you got a clean shirt?

-Yes, I've got it on.

-Chuck it over.

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-This is important. I need to know if Welch is keeping me on.

-Ask him.

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-I'm fed up of asking him. He dodges it.

-Then go over his head.

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I can't - it's like the Army! You have to go through the channels.

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-Margaret Peel will be there.

-Bound to be!

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-Still, this can't be helped.

-Be careful.

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-Since that bloke dropped her, she's been looking for a new victim.

-I know!

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This is my last chance to make a good impression.

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Last time, I knocked over a table - a spindly thing with one leg.

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Sounds like Margaret Peel! There's nothing in that.

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-No? When I got there, it had four!

-Sounds more like Margaret Peel!

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-And she saw me making a face.

-Which one?

-Martian invader.

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-That's my favourite!

-Not hers!

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Join the car trade like me. I'm off to see a man about a Bentley.

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Ah, sonny boy, come to spread some sunshine?

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I'm hoping to spread a little.

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Well...what about the Installation Committee, Dixon?

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-That's on Saturday.

-This is Saturday.

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So it is!

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Not much point in hurrying now. It's over.

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-Did anybody notice?

-Everyone.

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I tried to cover up for you, but as you were the only absentee...

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-Welch was livid.

-That was a fine start.

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-If it's Saturday, I'm late for my tutorial as well.

-Very.

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-By the way, you're doing the flowers.

-What are you talking about?

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The Chancellor's installation. You're flowers and bunting.

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Thanks(!) That makes it perfect(!)

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You're welcome.

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# Oh, Lucky Jim... #

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"He could only satisfy his thirst for glory by leading dukes, barons and their armies against the French."

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SHE CLEARS HER THROAT

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-Is that the lot?

-Yes. Do you think it's a bit obvious, Mr Dixon?

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No, no. But this point about his ambition, his thirst for glory -

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what makes you say that?

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-Well, it's in the book.

-Don't be too impressed by that.

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That's only one person's opinion. I want yours.

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-Surely it's generally accepted that Henry was ambitious.

-Bunkum!

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It's Henry - someone with ordinary human weaknesses.

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Like you - only better-looking.

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It was more profitable fighting the French than staying at home.

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-I'd have stayed home with the serving wenches.

-What I think is this.

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Henry and his boys had a great time, sacking castles, chasing girls...

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But they had guts.

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The top brass were in the thick of the scrapping.

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-BOY COUGHS LOUDLY

-Nasty cough - have a lozenge.

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The top brass mucking in like that was a snag for the PBI

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because they only got their cut when the best of the stuff was gone.

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But that's still true today.

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-So it wasn't a war of conquest at all?

-Oh, yes it was. Indeed it was.

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But what I'm saying, is that it was grade-A binge as well.

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-Oh, I'm, er, sorry, sir. I didn't...

-Carry on, Dixon,

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just as if I wasn't...

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Carry on.

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Oh...thank you, sir.

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Yes, well, I, um... Thank you.

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Well, that's, um, just one aspect

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of the, um... Not the only one, of course.

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Yes, well, that will be all for now.

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I'd like you to think through the earlier points we discussed and...

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-Well, thank you.

-Thank you, sir.

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-Good morning, sir.

-Good morning, sir.

-Morning.

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Grade-A binge, Dixon?

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PBI?

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Did you mean FBI?

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No, sir, no. PBI. It's students' abbreviation.

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-It stands for poor battling infantry.

-Oh.

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Even so, your picture of the flower of chivalry is hardly...er...

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-As you know, I like my staff to be completely free.

-Yes, I know, sir.

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But when I say free, there are limits.

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Yes, of course, sir.

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Good. I'm not happy about some of the references in these notes.

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-What are they?

-My book on Merrie England. I'd like you to check the references.

-I'll try, sir.

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-When are you leaving?

-Leaving? I have no intention of retiring.

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I meant for the weekend, sir. You invited me to stay.

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-It couldn't be this weekend. I've asked some friends.

-I see, sir.

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I suppose you could lend a hand. Yes, drive down with me after tea.

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-That's very kind. And your notes?

-Yes, don't waste any more time.

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# Oh, Lucky Jim, how... #

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Hello, James.

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-Hello, Margaret, I heard you were back.

-Yes, I'm back.

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-You're looking well.

-One doesn't die of a broken engagement, James.

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-Of course not. You won't want to talk about it now.

-But I do.

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-I want to say something.

-Oh?

-It's just that...I'm so utterly grateful.

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-Grateful?

-For what you did.

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-But I haven't done anything.

-That's just it.

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It was terribly understanding of you not to come and see me.

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-Oh.

-Not many people would have been so sensitive.

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-Well, I don't know...

-I do.

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It's the sort of thing that between two people creates a bond.

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-Bond?

-I shall never forget it, James.

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Never.

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I'm sorry you can't come to our party for Sir Hector.

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Yes, unfortunately, I'm occupied.

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I haven't really time myself, with the end of term and this installation.

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And the History Memorial Lecture.

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-Bryant's broken his leg.

-Bryant? His leg?

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-We were hoping you could help us out.

-Well, I'd be happy to,

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-but it would mean burning the midnight...

-No, you're far too busy.

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Who's in your department? Johns - no, not quite right.

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What about this new chap? What's his name? Dixon.

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-Dixon? Oh, he's quite unorthodox.

-Might be an interesting experiment.

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BICYCLE BELL RINGS

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-Sir.

-I couldn't wait any longer. Too much to do.

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-Sorry, but I was finishing your notes.

-Oh, next week will do.

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I really wanted to see you about Professor Bryant. His leg, you know.

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-Professor Bryant's leg, sir?

-Yes, it's broken.

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I can't possibly deal with it. I have too many other things to do.

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-You'll just have to do your best.

-With his leg?

-The Memorial Lecture.

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You mean that I am to give the Memorial Lecture?

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Well, there's no other way out.

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I'm sorry to have to bother you, but my contract's only for a year.

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-Is it?

-Yes, and it's nearly up,

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so if I'm not going to be kept on, I shall have to look for another job.

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-A teaching job?

-Yes.

-Oh...well, let me know what you decide, won't you?

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ENGINE STARTS NOISILY

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We shall be quite crowded out.

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My son Bertrand is down with his, er...

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with his, er...

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Well, she's Sir Hector's niece, really.

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Miss, er... She's Canadian, I think. Though how on earth Sir Hector...

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But he travels a great deal, I suppose.

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-Do get out! How can I talk to you in there?

-You've locked the door!

-Locked it?!

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You'd better take this now. You'll find it all in there.

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-What is it, sir?

-Merrie England, the first 300 pages.

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-You can draw on it freely.

-Thank you. What for?

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The Memorial Lecture. Sir Hector will be there. He's a publisher.

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-He may be impressed.

-That's kind but I'd rather choose my own subject.

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If you're to become my permanent assistant,

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you'd do well to be guided by my advice. My advice is Merrie England.

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Merrie England.

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I hope Mrs Welch can find you a bed, Dixon.

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You mean, she doesn't know I'm coming?

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Well, how could she? Celia?

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Here.

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Ah, there you are, my dear.

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Oh, our young friend Dixon asked if he might join us to lend a hand.

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-Good afternoon, Mrs Welch.

-This is a surprise.

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-You haven't forgotten Sir Hector's coming?

-No, no.

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Now, where did I put my...?

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How lovely to see you, James. You should have said you were coming.

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Come along, Mr Dixon.

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We'd better put you in here.

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-This way.

-Oh.

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Here you are.

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WATER RUMBLES IN THE TANK

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Oh, it's, er...it's charming.

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-The maid will make up the bed.

-Thank you.

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My husband said you'd lend a hand.

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Yes, Mrs, Welch, of course.

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Well, perhaps you can sing.

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Sing?!

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# Oh, I burn me Oh, I burn me

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# Oh, I burn me, alas

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# Alas, alas

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# La la la la la la

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# La la la la la la

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# La la la la la la

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# I burn me, oh, I burn me

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# Oh, I burn me Oh, I burn me

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# Alas, alas, alas

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# La la la la la la la la la

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# La la la la la

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# Oh, help, oh, help Oh, help, oh, help

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# Ay, me

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# Ay, me I sit and cry me... #

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Come along, Dixon. Attack it!

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-One, two...

-# I cry... #

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Yes, surely! # I cry for help, alas

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# But none comes nigh me. #

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-Bertrand, my boy!

-Father.

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Still keeping the torch burning.

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-Good to see you. Come and join in.

-My dear boy.

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-You look ten years younger. Sir Hector not here?

-We're expecting him.

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Ah, Mr Dixon, would you be so kind?

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-My son would like some coffee.

-Oh, yes, Mrs Welch.

-No sugar.

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Coffee for one immediately, Mrs Welch.

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Is that Bertrand's latest?

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She's quite pretty, in a way.

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Pity she looks so awkward.

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Your coffee, Mr Welch. Ah, the tenor - or was it the soprano?

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I was trying a bit of both, really.

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As I was saying, I often wish I'd chosen a less exhausting profession,

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like laying linoleum or something.

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Darling, I must serve the coffee.

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What exactly is your work, Mr Welch?

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I suppose you academic fellows would despise it, but I'm a novelist.

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-Nothing wrong with a good novel.

-You'd like Bertrand's - very interesting.

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About a man who doesn't know if he's murdered someone or killed himself.

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-He has to work it out.

-The real significance is deeper than that.

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Is man an entity or the projection of his own ego?

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-I'm working on the book jacket - an abstract woodcut to show the theme.

-It gives it body when it's visual.

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Yes, well, I can't wait to see it. When will it be published?

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It isn't written yet. A good novel is like a good wine -

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it must be kept until it reaches perfection. It's maturing.

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The wood?

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May we share the joke? PHONE RINGS

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-Mr Dixon, would you answer the telephone?

-Certainly.

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-It's in the dining room.

-Will you excuse me?

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What an extraordinary fellow!

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-Are you ready, Celia?

-Coming, Neddy.

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Let me give you an A.

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HE PLAYS A NOTE

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-I think that this should prove exhilarating.

-Oh, I'm sure.

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-DOG WHINES

-Boadicea, ssh!

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Boadicea, put a sock in it!

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Ready? One, two...

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DOG WHINES

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Bertrand!

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Please take that dog out!

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Come on, out you go!

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Yes, I'll give Mrs Welch that message. Goodbye.

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Hello. Are you brassed off with that lot too?

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Come on, I'll give you a biscuit. Come on.

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Come on, there's a good girl. How about that one?

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DOG WHINES

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Who brought that dog in?!

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Sorry, sir.

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(Sorry.)

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-A message from Sir Hector Gore-Urquhart.

-Well?

-He can't come.

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-What do you mean?

-Who's not coming?

-Sir Hector Gore-Urquhart.

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What are you talking about, Dixon?

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Sir Hector Gore-Urquhart, Professor.

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He rang up - well, his secretary did.

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-Rang YOU up?

-You should have asked me to come to the phone!

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I'm sorry.

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HE SIGHS

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What's all this about Sir Hector?

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-Sir Hector Gore-Urquhart - and I'm tired of saying Sir Hector Gore-Urquhart - can't come.

-Why?

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I don't know why. What's all the fuss about?

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He's only coming down to become a chancellor.

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-Probably some old cod who thinks there's something in it for him.

-Sir Hector is Miss Callaghan's uncle.

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-Oh, I say... I'm very sorry.

-That's quite all right.

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And the "fuss" is that he's considering my book for publication.

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That shouldn't take him very long.

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If you weren't a guest, I'd smack you on the nose.

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No, you stay there. Sorry, old girl.

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-HE BLOWS A RASPBERRY

-What a bunch!

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Brrrr! Even the dog tried to get out!

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-What's the girl like?

-97% Bertrand Welch.

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They often take after the chap they're with.

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No, thanks, I have to get back. I shouldn't be here at all, really.

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I'm their guest.

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You should have seen her - she's a stunner.

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The prettiest girl I've ever seen.

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-Well, some of those Italian film popsies might be prettier.

-They're special.

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And she was with ME. Well, when I say "with", I mean here.

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Well...so far.

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By Jove, it makes you realise what's possible.

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-Anything's possible. Let's have those again.

-What's the time?

-It's early.

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But I've got to go. Easy with that.

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-What is the time?

-Stop worrying about it.

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But I must go.

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HE SINGS DRUNKENLY

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-It really was great fun.

-Till next week, then.

-Good night to you all.

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-It was such fun.

-Do we go the same way?

-Yes, I'm glad to say we do.

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I hope the buses...

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Disgraceful! Dixon going off to bed without a word to anybody.

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Quite so, my dear. I'm afraid his manners...no breeding.

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Don't forget to turn off the kitchen light, Celia.

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All right.

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# Ooooh, Lucky Jim!

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# Ooooh, Lucky Jim! #

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(Jim!)

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-HE SLURS:

-Margaret?

-Jim, dear.

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-Is this wise?

-Wise?!

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-This is terrible.

-Shh, they're still moving about.

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-Sorry, Margaret.

-Oh, don't worry, Jim. What happened to you?

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-I went out. Did Mrs Welch...?

-Yes, she did.

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-I told her that you'd gone to bed, that you had a headache.

-Thank you.

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-Well, I, um...I'd better...

-Oh, Jim!

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-You're trembling like a leaf.

-Well, it was a hell of a climb!

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When did you realise that you were...?

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-HE SLURS:

-I couldn't make out which window it was!

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Poor darling! It was terribly naughty of you!

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-Well, I'd better be getting back...

-Back?

-To my room.

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-Thank goodness it was only you.

-Jim!

0:27:070:27:11

-Well, I mean, I might have picked one of the Welches.

-What?!

0:27:110:27:15

What was that for?

0:27:150:27:18

-Get out!

-What?

-I said, get out!

-Margaret...

0:27:180:27:21

-You're disgusting! Take your clothes and get out of here before I scream!

-Oh, my God!

-And don't blaspheme!

0:27:210:27:28

SHE SOBS

0:27:280:27:31

HE SIGHS

0:27:310:27:34

BERTRAND SINGS TO HIMSELF

0:27:390:27:42

< Oh, do hurry up! Come to bed!

0:27:520:27:54

DOG SNORES GENTLY

0:28:050:28:08

MUSICAL CHIMES

0:28:270:28:32

CHIMES STOP

0:28:400:28:44

CHIMES PLAY AGAIN

0:28:500:28:51

CHIMES STOP

0:28:510:28:53

CHIMES PLAY

0:28:530:28:57

DOG WHIMPERS

0:29:160:29:20

Shh!

0:29:200:29:22

JIM HICCUPS

0:30:150:30:17

HE HICCUPS

0:30:390:30:42

JIM HICCUPS

0:30:550:30:57

DOG WHIMPERS

0:31:010:31:04

DOG PANTS RAPIDLY

0:31:120:31:15

BIRDS TWITTER

0:31:220:31:26

HE SNORES

0:31:290:31:33

# Oooh, lucky! #

0:31:390:31:42

MAN SINGS OUTSIDE

0:31:510:31:56

BANG!

0:32:140:32:17

Oh.

0:32:220:32:23

DOOR CREAKS

0:33:230:33:25

-Good morning.

-Oh, um...

0:33:300:33:33

Morning.

0:33:330:33:35

HE CLEARS THROAT

0:33:350:33:37

Are you looking for something?

0:33:440:33:47

Oh, er... No!

0:33:470:33:49

No, no, no, that's, um...

0:33:490:33:52

It's all right.

0:33:530:33:55

SHE GIGGLES

0:33:550:33:58

What an extraordinary place to put a bottle!

0:34:040:34:08

You must feel awful.

0:34:500:34:52

No, I don't feel too good.

0:34:520:34:55

Let me pick this up for you.

0:34:550:34:58

I don't suppose they'll dust in here for some time.

0:35:000:35:05

-The maid!

-What's the matter with her?

0:35:060:35:09

Oh, er, nothing, nothing.

0:35:090:35:12

It's just that, um... Well, I had a fire in my bedroom last night.

0:35:120:35:16

-A fire!

-Cigarette. Hole in the sheet and two blankets.

0:35:160:35:20

How awful for you. What will Mrs Welch say?

0:35:200:35:24

-Can't you do anything?

-I can't even think!

0:35:240:35:27

-Maybe I could help.

-Would you?

0:35:270:35:30

-Sure.

-Oh, if you could just look at it. It is sort of a woman's job.

0:35:300:35:35

-I'll try.

-Come on.

0:35:350:35:38

-They're not only burnt, they're torn too!

-I tried to make it look better.

0:35:380:35:42

I hacked it about a bit with a razor blade.

0:35:420:35:46

-At least it doesn't look so burnt! I could've had a nightmare and stuck my foot through it!

-Some nightmare!

0:35:460:35:53

To go through a sheet and two blankets!

0:35:530:35:56

Yeah, well, what am I going to do about it?

0:35:560:35:59

-All you can do is make the whole bed over with all this mess at the bottom.

-Wonderful idea.

0:35:590:36:06

-I'll be able to think up an excuse.

-It won't like you've burnt them.

0:36:060:36:10

You wouldn't put your head right down at the bottom to smoke!

0:36:100:36:15

What I said about your uncle, I'm afraid I got off on the wrong foot.

0:36:150:36:21

That's OK. Bertrand says people are over-aggressive when they feel insecure among strangers.

0:36:210:36:27

-Dixon!

->

0:36:280:36:30

-You're wanted on the phone!

->

0:36:300:36:32

You go, I'll finish this off.

0:36:320:36:35

-Dixon!

->

0:36:360:36:38

Well, I hope you have a satisfactory explanation about last night!

0:36:400:36:45

Ah, there you are, Dixon.

0:36:450:36:48

We were wondering what, er...what, er...happened to you last...night.

0:36:480:36:53

Dixon!

0:36:530:36:55

Excuse me, sir, telephone. Must go, sir.

0:36:550:36:59

Ah, Mr Dixon.

0:37:000:37:02

Morning.

0:37:020:37:04

-What happened to you last night?

-Um, I'll explain in a minute,

0:37:040:37:08

-after the telephone.

-We're dying to hear.

0:37:080:37:12

Hello.

0:37:140:37:15

That you, sonny boy? How's everything this morning?

0:37:150:37:19

Mother!

0:37:190:37:21

-Is that you?

-Mother?!

-What? You're really here?

0:37:210:37:25

Oh, and Dad, too.

0:37:250:37:28

Well, yes, yes, I'll come straight away.

0:37:280:37:32

No. No, no, of course not.

0:37:320:37:35

Yes. Yes, right-o, then.

0:37:350:37:38

Goodbye, Mother.

0:37:380:37:40

I'm terribly sorry, Mrs Welch, I've got to go.

0:37:400:37:43

My parents - quite unexpected really. So goodbye and thank you, Mrs Welch. Goodbye, all.

0:37:430:37:49

I'm sorry, sir. Goodbye.

0:37:490:37:52

DOG BARKS

0:38:000:38:03

£1...

0:38:130:38:15

£1.15/7.

0:38:150:38:18

Coming to breakfast, old boy?

0:38:270:38:30

£1.17/3 altogether. Look, how much are sheets and blankets?

0:38:300:38:35

Oh, stop worrying about that.

0:38:350:38:37

-You're like an old woman!

-But they're Welch's and I burnt 'em.

0:38:370:38:42

-Emigrate! Join the Army! Anything, but stop creeping round Welch for fourpence a week.

-I am not!

0:38:420:38:49

Look, you don't understand. I'm a teacher.

0:38:510:38:54

-I like the job.

-But have you got it?

0:38:540:38:57

Well, I...I don't know.

0:38:570:39:00

HE SIGHS

0:39:000:39:02

-But I'm going to find out.

-Good.

0:39:020:39:06

-I'm going to go right up to Welch...

-That's my boy.

-Right up to him.

0:39:060:39:10

-And I'm...

-And?

-I'm going to see if I remind him of burning bedclothes.

0:39:100:39:16

Keys.

0:39:270:39:29

Professor.

0:39:320:39:33

Oh, yes,

0:39:460:39:48

I wanted to see you.

0:39:480:39:51

-I haven't seen your ground plans.

-Plans?

-For the quadrangle.

0:39:510:39:55

-The flowers were to be rearranged. Something festive.

-But it's tomorrow. There's so little time.

0:39:550:40:02

-I've got to work on Merrie England.

-On Merrie England? The work has already been done.

0:40:020:40:08

# Oooh, lucky, lucky... #

0:40:120:40:16

-Looks proper artistic, dunnit?

-Not bad at all. How many more?

-Another couple of dozen, sir.

0:40:280:40:34

It's staggering 'em what does it. I never like to see my pots congested.

0:40:340:40:40

Fine. Keep at it.

0:40:400:40:43

-Oh, get this stuck up on the board for me, Nesbitt.

-Thank you!

0:40:470:40:52

PHONE RINGS

0:40:560:40:59

HE SIGHS

0:40:590:41:02

Hello, what do you want?

0:41:040:41:06

This is Mrs Welch speaking. I want to leave a message for... Ah, that's Mr Dixon,

0:41:060:41:12

'isn't it?'

0:41:120:41:13

I've just been looking at my sheets and blankets, Mr Dixon...

0:41:130:41:18

-POSH VOICE:

-Ah, there's been a mistake - there's no Mr Dixon here.

0:41:180:41:22

-'What number?'

-5,3,2,1, University.

0:41:220:41:25

Oh, that explains it. This is the United Dairies.

0:41:250:41:30

Oh, Dixon.

0:41:350:41:37

Professor Welch is complaining about bicycles being left at the main gate.

0:41:370:41:43

I'd see to it if I were you.

0:41:430:41:46

Thank you(!)

0:41:460:41:48

Oh, James.

0:41:590:42:01

-Can you tell me where to put this?

-Yes, by heaven, I can!

-Don't shout at me, James.

0:42:010:42:07

Oh, I'm...I'm sorry, Margaret.

0:42:070:42:10

-I don't know where I am - decorations, the lecture!

-I thought you might have an apology to make.

0:42:100:42:16

-Who to?

-Well, to me! How do you think I feel? How would any girl feel after being compromised?

0:42:160:42:23

Compromised? But who's been compromised?

0:42:230:42:27

Oh, I think you're horrible!

0:42:270:42:29

Don't touch me! Don't speak to me! Keep away from me, you...you fiend!

0:42:290:42:35

SHE SOBS

0:42:350:42:38

< Hey, mind those hydrangeas! Raise it up a bit!

0:42:380:42:42

< No, the other end, you idiot!

0:42:420:42:45

Oh my...!

0:42:450:42:47

Hey!

0:42:470:42:49

Not that one, for heaven's sake! Look at it!

0:42:490:42:53

Now get it off at that end.

0:42:530:42:56

Pick the ones that don't mean anything.

0:42:560:43:00

-And that goes for you, too!

-Sir, I thought...

-Come on, don't muck about!

0:43:000:43:05

-Who dreamed up this village fete idea? Sir Hector will be amused.

-No, he'll like it. It looks gay.

0:43:050:43:12

No!

0:43:130:43:15

Not hydrangeas, too!

0:43:150:43:18

-What's the matter with them?

-They're always pink!

0:43:190:43:22

That's how they grow, pink and blue.

0:43:220:43:26

You have blue? Well, we must have some! Great pools of blue there!

0:43:260:43:31

I can't do that, sir. The blue's booked for the Young Conservatives.

0:43:310:43:35

My good man, by that time, the ceremony will be over. Then you can come and collect your plants.

0:43:350:43:43

Look, sir, just tell us what you want.

0:43:430:43:46

And put those up in the far corner! Get it right out of here, Williams.

0:43:460:43:52

CHRISTINE GIGGLES

0:43:520:43:55

Hello.

0:43:580:44:00

That's Bert, one of the founder members.

0:44:000:44:03

-I was thinking it should be carrying an umbrella.

-He left it on the bus.

0:44:030:44:09

What does it mean?

0:44:090:44:11

Real joy is a serious matter. You can tell that by looking at him!

0:44:110:44:17

He was one of the original...

0:44:210:44:24

It always amuses me to see the efforts they made to express their psychological fears in stone.

0:44:240:44:30

-Is that what they were at?

-We didn't expect YOU to appreciate it.

0:44:300:44:35

Come, Christine, I want my lunch.

0:44:350:44:38

Bye.

0:44:380:44:39

Cheerio.

0:44:390:44:41

Oh, er, sign here, guv, for the flowers.

0:44:410:44:44

Now, the procession.

0:44:450:44:48

We shall assemble here and cross the quadrangle to the hall.

0:44:480:44:53

I shall bring up the rear with the chancellor.

0:44:530:44:56

Now, the ball.

0:44:560:44:58

-Hutchinson?

-All fixed, Principal. We have the town hall, a bar, a licence, and an extension!

-Splendid.

0:44:580:45:05

You've got the idea!

0:45:050:45:08

FANFARE

0:45:080:45:11

-Well. Hmm. You've certainly done us proud, Welch.

-It was the best we could do in the time available.

0:45:140:45:21

-Welcome, Sir Hector.

-How are you, Principal?

-Very well. May I introduce Professor Welch?

0:45:410:45:48

This is...

0:45:480:45:50

-Get round to that quadrangle quick and load up them plants.

-Right-o!

0:46:000:46:05

I hear that Johns has proposed some organ music for the procession.

0:46:050:46:10

Sir Hector, we were all...very, very disappointed,

0:46:100:46:14

especially my son Bertrand, who was looking...

0:46:140:46:18

Excuse me.

0:46:180:46:20

So sorry.

0:46:200:46:23

-Sir Hector, may I present Mr Dixon, also of the history department.

-How do you do?

0:46:230:46:28

Oh, my...! Excuse me, sir.

0:46:300:46:33

'Ere!

0:46:390:46:41

Quick! Get them over there!

0:46:410:46:44

Put them back! For crying out loud, put them back!

0:46:440:46:47

Where's the...?

0:46:470:46:49

-What the devil are you doing?

-Got to be moved, guv'nor.

-But you can't!

0:46:530:46:59

I think, Sir Hector, we ought to get ready for the procession.

0:46:590:47:03

Leave the darn things alone, can't you?! Oh, my heavens!

0:47:030:47:08

Get out of the way! Oi! Where do you think you're going with this lot?

0:47:080:47:12

Here!

0:47:120:47:14

You blithering idiot!

0:47:170:47:20

STUDENTS LAUGH AND JEER

0:47:220:47:24

Bertrand! That oaf! What do you want to listen to him for?!

0:47:310:47:34

We haven't even started the procession yet!

0:47:340:47:36

Put those plants back, quick! >

0:47:420:47:45

Back that lorry up! Joe! Charlie!

0:47:540:47:57

Get them bushes out of the way.

0:47:570:48:00

THEY LAUGH

0:48:000:48:02

Hey!

0:48:040:48:06

STUDENTS LAUGH

0:48:060:48:09

'Ere, let's have a go.

0:48:130:48:15

Go on.

0:48:150:48:17

LORRY STARTS UP

0:48:190:48:22

-Oi! Stop!

-Look out!

0:48:230:48:26

Stop!

0:48:260:48:27

STUDENTS LAUGH AND APPLAUD

0:48:340:48:38

CRUNCHING

0:48:380:48:40

'Scuse me, guv'nor!

0:49:140:49:17

THEY CHEER

0:49:210:49:23

WOLF WHISTLES AND CHEERING

0:50:000:50:04

That was real bad luck, chum.

0:50:500:50:53

I understand, sir.

0:51:000:51:03

CEREMONIAL SPEECH BEGINS INSIDE BUILDING

0:51:230:51:27

JOLLY MUSIC PLAYS

0:51:370:51:41

-Of course, the fellow's an absolute oaf. I don't know why Father puts up with him.

-Couldn't we dance?

0:51:510:51:57

What, in this mob? My dear girl.

0:51:570:52:00

I'm told, Sir Hector, that the mishap was of political origin.

0:52:030:52:07

-Young Dixon, I'll take it up with him, insisted on pink. I advised blue.

-Often the cause of dissention!

0:52:070:52:15

-Principal, would you forgive me for ten minutes. I promised to join my niece.

-Of course, sir.

0:52:150:52:22

-I'd have booted Dixon out months ago.

-Christine, there you are.

0:52:220:52:27

-Hello, Uncle.

-Hello.

-Good evening.

0:52:270:52:29

Poor Dixon. Peel's got him cornered again!

0:52:290:52:33

Rescue party, drink up!

0:52:360:52:39

It isn't your reputation that's at stake. I've made excuses for you.

0:52:390:52:43

I know and I'm grateful, but you're making a mountain out of a molehill.

0:52:430:52:48

So my reputation is a molehill, is it? Thank you, James.

0:52:480:52:52

Just because I had a couple and got in your room by mistake doesn't mean to say you're compromised!

0:52:520:52:59

-Nobody knows.

-Of course they know!

-How? Who told them?

0:52:590:53:03

I did!

0:53:030:53:05

What?!

0:53:050:53:06

Why? Why?

0:53:060:53:08

-James, after all we've been through together, how little you really understand me.

-I'm not quite sure.

0:53:080:53:15

SHE SOBS Oh, James, I just...

0:53:150:53:20

There he is! Excuse us, Miss Peel. Come on, we'll buy you a drink!

0:53:230:53:28

Sorry!

0:53:280:53:30

# For he's a jolly good fellow

0:53:330:53:35

# For he's a jolly good fellow

0:53:350:53:38

# For he's a jolly good fellow

0:53:380:53:41

# And so say all of us! #

0:53:410:53:43

CHEERING He seems rather popular, don't you think?

0:53:430:53:48

In one sense, my novel might be considered to be an adventure piece,

0:53:480:53:53

but there are deep psychological implications...

0:53:530:53:57

Three cheers for good old Dixon! ALL: Hip-hip hooray! Hip-hip hooray! Hip-hip hooray!

0:53:570:54:04

-One can scarcely hear oneself talk.

-They're enjoying themselves.

-Quite.

0:54:040:54:09

-As I was saying, the psychological implications...

-Excuse me. Dixon!

0:54:090:54:14

Dixon! Do you care to come and join us?

0:54:160:54:20

Oh, um... Excuse me.

0:54:200:54:22

-Oh, thank you very much, sir.

-Sit down, old chap.

0:54:220:54:26

-You know my niece and Mr Welch.

-Hello.

0:54:260:54:30

-Well, this is very kind of you, sir.

-As I was saying! At the end of the book, I reach the conclusion...

0:54:300:54:36

-You ought to send it to a publisher.

-I was rather hoping that you...

0:54:360:54:40

-Don't you want to dance?

-I'd much rather talk.

-I'd much rather dance! Will you dance with me?

0:54:400:54:46

Yes.

0:54:470:54:49

Of course.

0:54:490:54:50

-Would you excuse us, Sir Hector.

-Certainly.

0:54:500:54:54

Welch, I'm going to need a brandy.

0:54:590:55:02

-A br...? Oh, oh, yes, sir. I'll get it myself. It may be one of the cruder blends.

-That's all right.

0:55:020:55:09

-Oh!

-I think we'd better sit down, Christine.

-Perhaps if you held me a bit closer.

-I'll try.

0:55:190:55:26

It's a bit ambitious really.

0:55:260:55:28

There. You see?

0:55:290:55:32

SHE GIGGLES

0:55:570:55:59

-Are you staying till the very end?

-Good Lord, no.

0:56:040:56:08

-I was going, but...

-I was thinking of going. Bertrand wants to talk to my uncle and I'm rather in the way.

0:56:080:56:15

Oh, if you were going, couldn't I take you home?

0:56:150:56:19

-You don't have to.

-I'd love to. I'll see you outside in five minutes.

0:56:200:56:24

-Fine. I'll go and tell Bertrand.

-Right. I'll see you outside!

0:56:240:56:28

Taxi!

0:56:420:56:44

-How far are you going?

-Larchfield Common.

-At this hour of the night?

0:56:440:56:49

-What's the difference?

-It's three mile.

0:56:490:56:53

-It's your job to drive people where they want to go.

-Don't try to teach me my job!

0:56:530:56:59

-Anyway, I'm booked.

-Booked? Well, um...who by?

0:56:590:57:02

-The Principal.

-I AM the Principal.

-Yes, you look like him(!)

0:57:020:57:07

-Ah, there you are.

-OK, but don't try to teach me my job, wack!

0:57:100:57:15

-What did Bertrand say?

-He wasn't there, I left a message with Uncle.

0:57:160:57:21

-Do you want Christine, Bertrand?

-No, Sir Hector.

-Oh, well, when you do, she's gone, slipped away...

0:57:400:57:46

-with Dixon.

-Thanks.

0:57:460:57:48

What's that?

0:57:480:57:51

THEY LAUGH

0:57:510:57:54

-It's funny how he ceded to talk to you. May I ask you a question?

-Do.

0:57:540:57:58

-How old do you think I am?

-Oh, about, um...24.

0:57:580:58:02

-That's just the trouble.

-Oh?

0:58:020:58:05

I won't be 20 until next birthday. I only seem to be old.

0:58:050:58:09

-It makes things awfully difficult.

-Difficult?

0:58:090:58:13

Well, in, um...what way?

0:58:130:58:16

All the men I go out with seem to think I'm older than I really am. It's such a nuisance.

0:58:160:58:22

-How do you mean?

-It's so difficult if you don't want to be seduced.

0:58:220:58:26

JIM SNIGGERS

0:58:260:58:28

Oh, yes, I see(!)

0:58:310:58:33

-That's one of the things I like about Bertrand.

-Bertrand?!

-Yes, he hasn't tried to seduce me once!

0:58:330:58:41

That's why you like him, because he hasn't tried to make love to you?

0:58:450:58:49

-Well, no, there's more to it than that.

-There'll need to be. What else?

0:58:490:58:54

He's so intelligent. He knows so much about people and how they feel about...things.

0:58:540:59:00

-Does he know how you feel about "things"?

-I'm not sure.

0:59:000:59:04

But then I'm not really sure myself.

0:59:040:59:07

-Anyway, Bertrand says that's only natural at the beginning.

-The beginning of what?

0:59:070:59:13

-Of becoming adult. If I'm going to marry Bertrand, I realise...

-Marry?! Are you in love with him?

0:59:130:59:20

-Why use that word?

-Why not?

-I'm not sure I know what it means.

-You must have come across it!

0:59:200:59:27

-Does he send you to the dictionary every time?!

-You're exaggerating!

0:59:270:59:31

It's simple. You know if you like greengages or not, you know if you're in love with Bertrand or not.

0:59:310:59:38

It isn't as easy as that. You can change about people but you can always be sure about greengages.

0:59:380:59:43

-All right, what about rhubarb?

-CAR BRAKES

0:59:430:59:47

Excuse me.

0:59:490:59:51

-This is it.

-Oh.

-I'm afraid I forgot to ask for a key.

0:59:510:59:56

-Would you mind coming with me in case I can't get in?

-All right.

0:59:561:00:00

You'd better wait.

1:00:051:00:07

You won't be long.

1:00:071:00:10

Oh, it is open.

1:00:131:00:15

I'll, er, put the light on for you.

1:00:171:00:20

Have some cocoa.

1:00:441:00:47

I don't want any cocoa.

1:00:471:00:50

-When am I going to see you again, Christine?

-I don't know.

1:01:061:01:11

What about some supper after the lecture tomorrow night?

1:01:111:01:15

-I-I don't think I can do that.

-Why not?

1:01:151:01:18

It's too complicated.

1:01:181:01:21

Well, what about coffee tomorrow morning?

1:01:211:01:24

Where?

1:01:251:01:26

-Central Hotel, 11.30.

-TAXI HORN BEEPS

1:01:261:01:29

All right, I'll try. You must go.

1:01:291:01:32

Night, Christine.

1:01:341:01:37

And the next thing I know, my dear chap, she's in my arms.

1:01:561:02:01

-Her head comes up to about here.

-Are you going to do something about it.

-We're having coffee this morning.

1:02:011:02:07

-How's your lecture coming along?

-All wrapped up and ready to go! Listen.

1:02:071:02:12

Now then, where are we? Here.

1:02:121:02:15

"And so, let each and every one of us speak out fearlessly in the cause of rustic culture.

1:02:151:02:22

"In this way, we will keep a garden in our hearts that is for ever Merrie England."

1:02:221:02:28

You're going to keep a garden in your heart?

1:02:281:02:32

-Does it mean anything?

-Not a perishing thing!

1:02:401:02:44

"Keep a garden in your heart"?! They'll chuck chairs at you!

1:02:501:02:56

Oh, hello.

1:03:141:03:16

I'm sorry I'm late, Christine,

1:03:161:03:19

but, er, well, I got a bit held up.

1:03:191:03:22

How are you?

1:03:221:03:24

-(Fine.)

-Good.

1:03:241:03:27

Like some coffee? Waiter, two coffees, please.

1:03:271:03:31

-You're not nervous being here with me, are you?

-No.

1:03:401:03:44

Well, er, everything all right at the Welch's?

1:03:481:03:52

Yes.

1:03:521:03:54

No trouble about last night?

1:03:541:03:56

No.

1:03:561:03:58

-At least...

-Yes?

-Jim...

1:03:581:04:00

Yes, Christine.

1:04:001:04:02

Thank you!

1:04:041:04:06

Well?

1:04:121:04:14

-What?

-You were just going to tell me something.

1:04:141:04:17

Oh, it doesn't matter.

1:04:171:04:20

-Look, have a cigarette.

-No. Thank you.

1:04:231:04:26

Bertrand's been unpleasant, has he?

1:04:261:04:30

Not only Bertrand, all of them.

1:04:301:04:33

-They made me feel...mean.

-They're pretty good at that.

1:04:331:04:37

Christine, is that what's upset you?

1:04:371:04:40

-I mean, not what happened last night?

-Yes, it was, partly.

1:04:401:04:45

Partly?

1:04:451:04:47

Christine, I mean...

1:04:471:04:49

-Didn't you like what happened?

-Yes. I mean, I did at the time.

1:05:011:05:06

-Now I...I don't think I should have come here this morning.

-What's wrong with having coffee?

1:05:061:05:12

-Or rather, not having coffee.

-It's not that.

1:05:121:05:15

What is it, then? Can't you tell me?

1:05:151:05:18

I just make trouble for everyone. I just make them unhappy.

1:05:181:05:23

Oh, for Pete's sake!

1:05:231:05:26

Look...Christine, you've made me happier than I've been for months.

1:05:261:05:31

That's just it, I was sort of settled with Bertrand till you came along.

1:05:311:05:37

Now I... Jim, I've decided what I'm going to do.

1:05:371:05:41

-Oh? What's that?

-I'm going to give up men.

1:05:411:05:44

WHAT?!

1:05:441:05:46

What?

1:05:481:05:50

For a few years, anyway. I don't really think I'm old enough for this sort of thing.

1:05:501:05:54

Do stop worrying about your age.

1:05:541:05:57

-I've got to worry about it! Nobody else does.

-You're not going.

1:05:571:06:01

-I shouldn't have come.

-Are we going to see each other again?

-It's better that we don't.

1:06:011:06:07

-I shall be coming to the lecture.

-Lovely(!) Grand(!)

-I'm sorry. I'm sure I'm doing the right thing.

1:06:071:06:14

-Goodbye.

-This is ridiculous.

1:06:141:06:16

Christine!

1:06:161:06:18

-My change.

-Change?

1:06:471:06:50

-Yes, I gave you two bob.

-Coffee's 1/6.

-That's right.

1:06:501:06:54

Most gentlemen give me a tip.

1:06:571:07:00

Most gentlemen would give you a kick up the...!

1:07:001:07:04

-What are you going to do?

-I'm going to tell Welch where he gets off!

1:07:231:07:29

It's quite out of the question.

1:07:291:07:32

-We can't start chopping...and changing everything just because...

-I just want to give my own lecture.

1:07:321:07:39

You are undermining my, er... my, er...

1:07:391:07:42

Going off in the middle of the ball! How can I explain that to Mrs Welch?

1:07:421:07:48

Or the disgrace you made of the, er, procession?

1:07:481:07:50

-But Mrs Welch...

-Mrs Welch has nothing to do with it!

1:07:501:07:54

I can't be expected to suffer... My wife says not only the sheet, but two blankets as well!

1:07:541:08:00

-I should have apologised before, sir.

-Please keep to the point!

1:08:001:08:06

You are representing me, Dixon, the history department. There's the question of your contract.

1:08:061:08:12

Ooh, I was something of a rebel myself at your age.

1:08:121:08:16

-Youth must give place to...

-Yes, sir.

1:08:161:08:20

Good. I'm very glad we've had this little talk. I'm always behind you, Dixon. Don't forget that.

1:08:201:08:26

No, sir, I won't.

1:08:261:08:29

-It's all there in the manuscript I gave you. Merrie England.

-PHONE RINGS

1:08:291:08:34

History speaking.

1:08:421:08:45

Ah! Here you are, Dixon.

1:09:131:09:15

-Go away!

-Now, listen, you stinker...

-Buzz off! I've got my lecture to...

-Damn your lecture! About Christine.

1:09:151:09:22

-She's only a child. You ought to know better. I'm not having it, Dixon.

-You've already had it!

1:09:221:09:28

-Precisely the attitude one expects. Amongst decent people, Dixon, there's a code.

-Put a sock in it!

-When...

1:09:281:09:34

-When a young girl becomes emotionally involved...

-With you?!

-Definitely.

1:09:341:09:39

-Has she told you?

-I'm here to teach you manners, not answer questions!

1:09:391:09:44

-Some other time!

-Why, you dirty little grammar-school pipsqueak!

1:09:441:09:48

-Put up your fists!

-Melodramatic tripe! People stopped saying that when button-boots went out!

-Father!

1:09:481:09:55

Right! You've asked for it.

1:09:561:09:58

Right. ..Ooh!

1:10:001:10:02

Perhaps that'll teach you a lesson!

1:10:031:10:06

JIM LAUGHS, KETTLE WHISTLES

1:10:171:10:19

DOG BARKS

1:10:191:10:21

Get down, blast you!

1:10:271:10:29

-Have I come at a bad time, old boy?

-Not at all. Mr Welch is just going.

1:10:291:10:35

Boadicea, stop it! You won't get away with this, Dixon.

1:10:351:10:39

Not with me, you won't. Better start looking for another job.

1:10:391:10:44

Oh...fall down the stairs!

1:10:441:10:46

Come on.

1:10:461:10:49

Well! What was all that about?

1:10:491:10:52

-Christine.

-Oh, jolly good.

1:10:521:10:55

-There.

-Cheers.

-Cheers.

1:10:561:10:58

-What about Christine?

-She's given up men.

-What's she going in for now?

1:10:581:11:03

-Why are we having a party?

-Tune you up for the lecture.

-I'm back up the creek with Merrie England. Look!

1:11:031:11:10

Nice! You're on in four hours' time.

1:11:101:11:12

-Oh!

-Take a couple of these pills, old boy. They give you confidence. I use them for selling pre-war cars.

1:11:121:11:19

I say! That eye is going to be a beauty.

1:11:191:11:23

Tell you what - if you get stuck, I'll create a diversion. I'll faint.

1:11:231:11:28

-If you want me to, scratch your ear - like this.

-Don't be a clot!

1:11:281:11:33

-Better shove this on your eye.

-Ooh!

1:11:331:11:35

-Dinner jacket?

-Yes.

-Got a shirt?

-Yes.

-Good. Mine's filthy.

1:11:351:11:40

Given up men(?) She doesn't know what's good for her!

1:11:401:11:44

I've made up my mind, Bertrand.

1:11:551:11:57

My dear girl, by renouncing mankind, you can't possibly expect to solve your problems.

1:11:571:12:03

Though I must say, it shows a familiar defence mechanism. We'll talk about that later.

1:12:031:12:09

Look after her for me, will you? She's quite domesticated.

1:12:091:12:13

Thank you!

1:12:151:12:17

Merrie England - a subject I have studied over a period of many years.

1:12:171:12:21

-Chancellor, we're due on the platform in five minutes.

-Excuse me.

1:12:211:12:26

-Welch, I'm looking forward to this lecture of Dixon's.

-Hmm!

1:12:261:12:30

-SPLASHING

-Ah! Dixon!

1:12:391:12:43

-Oh! Good evening, sir.

-Nervous?

-A bit, sir.

1:12:431:12:47

-Take a good pull at this.

-Well...

1:12:471:12:49

-Go on!

-Thank you very much, sir.

1:12:491:12:52

-Feel better?

-Much, thank you, sir. As a matter of fact, I've already taken some pills to pep me up.

1:13:081:13:14

You have? Good Lord! Perhaps you oughtn't to have taken this.

1:13:141:13:19

-Pep pills and alcohol can make you drunk pretty quickly.

-I'm feeling all right, thanks, sir.

1:13:191:13:25

-Nasty eye.

-Yes, sir.

1:13:251:13:28

-You don't seem to have much luck, Dixon.

-Oh, I dunno, sir.

1:13:281:13:33

-Where did you go to school?

-Local grammar school, sir.

-How long have you been in this game?

-Nine months.

1:13:331:13:39

-Happy?

-Not particularly.

-Where's the trouble - in you or the job?

1:13:391:13:43

Oh, both, I daresay. I waste their time, and they waste mine.

1:13:431:13:47

-You think teaching history is a waste of time?

-On the contrary, sir.

1:13:471:13:51

Well taught, it can do people a lot of good. Bad teaching's the trouble.

1:13:511:13:55

-I see. Well, Dixon, tonight you can show us how it's done.

-Afraid not, sir.

-Oh?

1:13:551:14:02

-The lecture isn't mine. It's Professor Welch's.

-Welch's?

-Yes.

1:14:021:14:06

By agreeing to give his, I may have saved myself from getting the sack.

1:14:061:14:10

-Really?

-I'm afraid you're in for a boring evening, sir.

-It's all right. I suffer hours of boredom every day.

1:14:101:14:17

-A couple more won't break my back.

-Why do you stand for it, sir? You can afford not to.

1:14:171:14:23

I'm afraid that's a question I haven't time to answer now. You're the star tonight, Dixon. Good luck.

1:14:231:14:29

Thank you, sir.

1:14:291:14:32

Star!

1:14:331:14:36

HICCUPS

1:14:361:14:38

# Ooh, lucky! #

1:14:401:14:43

APPLAUSE

1:14:461:14:49

All right, Welch?

1:14:571:14:59

-CLEARS THROAT

-Er, Chancellor, my Lord Mayor, ladies and gentlemen.

1:15:071:15:13

It is my happy duty to announce

1:15:131:15:16

that, er, er, Professor Bryant's lec... That although Professor Bryant cannot be with us tonight,

1:15:161:15:22

the History Memorial Lecture will be delivered by a member of my department.

1:15:221:15:29

It is natural, therefore, that he should have chosen for his subject

1:15:321:15:36

er, my, um...

1:15:361:15:39

That he should have chosen Merrie England.

1:15:391:15:42

Ladies and gentlemen, Mr Dixon.

1:15:421:15:45

LAUGHTER

1:15:531:15:55

AUDIENCE GASPS AND TITTERS

1:16:101:16:13

Pretty!

1:16:141:16:16

(Start, Dixon! Start!)

1:16:311:16:33

-(It is...)

-CLEARS THROAT

1:16:361:16:40

-SLURRING:

-It is a truism

1:16:401:16:44

that the character of an age

1:16:441:16:47

can best be defined in terms of its art.

1:16:471:16:51

(What's the matter, Dixon? Go on.)

1:16:551:16:57

Sorry, sir. A bit nervous.

1:16:571:17:00

-SLURRING EVEN MORE:

-How better, then, can we reveal

1:17:001:17:04

the happy, carefree spirit of the Middle Ages than through its music?

1:17:041:17:08

And, in particular,

1:17:081:17:11

in the structure of the Tudor mad-rigal.

1:17:111:17:16

TITTERING

1:17:161:17:19

Ssh! Ssh!

1:17:191:17:21

It...

1:17:231:17:25

..would not be going too far to say

1:17:281:17:31

that the madrigal, in its purest form,

1:17:311:17:36

may be...in its purest form,

1:17:361:17:40

may be taken to represent the highest ideals of democracy.

1:17:401:17:46

As a 'stinguished scholar...

1:17:471:17:50

PEALS OF LAUGHTER

1:17:501:17:53

..distinguished scholar... Thank you very much, sir. Thank you.

1:17:561:18:01

..as a distinguished scholar has observed,

1:18:011:18:05

and happily he is with us here tonight...

1:18:051:18:09

.."While each strand in the marvellous web of polyphony

1:18:171:18:21

"is a thing of beauty and delight,

1:18:211:18:24

"the total effect to the outside listener

1:18:241:18:28

"may always seem to be less... less than the sum of its parts.

1:18:281:18:33

The fellow's an absolute fool!

1:18:351:18:38

(Get on with it, Dixon! Stop wasting time!)

1:18:411:18:45

How clear the implications are...

1:18:541:18:57

-This was performers' music...

-GROWLING

1:18:571:19:01

Everybody sang, everybody -

1:19:011:19:05

scullions and serving wenches, they sang.

1:19:051:19:09

The lords and their ladies, they sang. And the children sang.

1:19:091:19:13

And the archers sang,

1:19:131:19:15

and the bowmen, and the yeomen, they sang.

1:19:151:19:19

There are cynics, of course, who will decry the moral influence of the lute.

1:19:191:19:25

WHIMPERING

1:19:251:19:29

THEY JEER

1:19:391:19:41

(Well, Dixon, continue. ..Dixon!

1:19:481:19:53

("It is not without significance...")

1:19:531:19:56

It is not without, er, significance

1:19:581:20:02

that the arts...the arts included

1:20:021:20:07

stained glass music...

1:20:071:20:10

..stained musical glass,

1:20:101:20:13

and arti-checture...

1:20:131:20:17

-especially a class-ecclesical architecture.

-HICCUPS

1:20:171:20:24

(He's drunk!)

1:20:241:20:27

Such were the simple joys of olden times.

1:20:271:20:30

One wonders what the good citizens of that happy era would have thought of the effusions

1:20:301:20:37

of the radio, the cinema,

1:20:371:20:40

and television.

1:20:401:20:42

"One wonders"? Well, who wonders?

1:20:451:20:49

I don't wonder! Do YOU wonder?

1:20:491:20:53

NO-O!

1:20:531:20:56

-What do you think you're doing, Dixon?

-What do I think I'm doing? That's a good one! Ha-ha-ha-ha!

1:20:561:21:03

I'll tell you what I'm doing! Henry Ford said, "History is bunk!"

1:21:031:21:08

-Well, if the stuff I've just dished out to you is history, Henry Ford was right!

-Hurray!

1:21:081:21:14

Aagh!

1:21:161:21:18

Shut up! Don't worry about him, he's faking. Get up, Bill! I'm all right.

1:21:201:21:25

Merrie England?! Lutes and flutes and chase-me-round-the-maypole?!

1:21:261:21:32

Phoney baloney! It never was merrie! It was murder.

1:21:321:21:36

Poverty, starvation, ignorance, tyranny, bloodshed - the lot!

1:21:361:21:41

But the boys that feed you that soft-centred slop about the good old days, they don't want to know!

1:21:411:21:47

They can't take it! Facts are too nasty for them. Can't bear reality - cover it up, that's their motto.

1:21:471:21:53

Well, don't you do it. Just take a look at the facts - they're all around you. Don't be afraid of them.

1:21:531:21:59

They won't bite. They may nibble a bit, but you bite 'em back!

1:21:591:22:04

(What do you think you're doing?!)

1:22:121:22:14

There was another thing, too...

1:22:141:22:17

LOUD CHEERING

1:22:191:22:21

CHANTING: Good old Dixon! Good old Dixon!

1:22:271:22:32

Good old Dixon! Good old Dixon!

1:22:321:22:34

Good old Dixon!

1:22:341:22:37

Good old Dixon! Good old Dixon...!

1:22:371:22:41

BELLS CHIME

1:22:441:22:47

Perhaps it was all a little unfair. Only one of you against so many of us. Goodbye, Dixon.

1:22:501:22:56

Goodbye, sir. Thank you.

1:22:561:22:58

Oh, Dixon!

1:22:591:23:02

-In my day, we found Nelson's Blood was a help.

-Sir?

1:23:021:23:05

Rum and strong ale - pulls you together.

1:23:051:23:09

Would aspirin do any good?

1:23:181:23:21

No. Nothing less than a guillotine.

1:23:211:23:24

What a farewell! How do you feel as a retired junior lecturer?

1:23:241:23:29

Oh! When I can feel anything, I think I'm going to feel fine.

1:23:291:23:34

Like getting out of jail! Ooh!

1:23:341:23:36

-That's where we dropped you, old boy.

-Mmm?

-Getting you upstairs.

1:23:361:23:41

-Well, what are you going to do?

-Look for another job, I suppose.

1:23:411:23:45

I'm free, very ill and only 24.

1:23:451:23:48

Well, what else?

1:23:481:23:51

Ah!

1:23:511:23:53

Merrie ruddy England! Now, where are those sheets?

1:23:531:23:57

Coming up.

1:23:571:23:59

Right. Now for the Welches.

1:24:021:24:05

PHONE RINGS

1:24:061:24:09

Yes? ..Speaking.

1:24:131:24:16

..Who?

1:24:161:24:19

Oh! Oh, good morning, sir.

1:24:191:24:22

Yes, I'm afraid so, sir.

1:24:221:24:24

Have you got anything in view? Would you care to come and see me at my London office next week?

1:24:241:24:31

Oh, I would, sir. Thank you very much, sir.

1:24:311:24:35

..Thank you very much, sir. Goodbye, sir.

1:24:371:24:41

Johns, there's a call for you.

1:24:441:24:46

-Who is it?

-The Principal. They're fetching him. You have to hold on.

1:24:461:24:51

Hello?

1:24:531:24:55

Well, good luck, old boy.

1:25:101:25:12

-Thanks, Bill. So long.

-So long.

1:25:121:25:15

Hello?

1:25:231:25:25

RINGS DOORBELL

1:25:291:25:32

Well?

1:25:321:25:35

Ah! Good morning, Mrs Welch. I owe you a sheet and two blankets.

1:25:351:25:39

-Hope you like the colour - white.

-Dixon! Where have you been? I was phoning.

-I had to see the principal.

1:25:391:25:46

-Nonsense. You only see the principal through me.

-This was urgent.

-You saw him over my head?

-You weren't there.

1:25:461:25:53

-You have the impertinence to come here...

-Please, let me deal with it.

1:25:531:25:57

-I'll see you in my rooms...

-Sorry, it's impossible.

-You've a nerve!

1:25:571:26:02

-Let me handle this. Dixon's a member of my staff...

-But I'm not.

-What?

1:26:021:26:06

-Your staff. I've resigned.

-Rubbish! It's not the end of term.

1:26:061:26:10

-Your contract...

-Stick it up your jumper!

1:26:101:26:13

-I beg your pardon, Mrs Welch.

-Neddy, Bertrand, are you going to allow...?

1:26:131:26:18

-No, I'm not! Look here, Dixon...

-One at a time, please.

1:26:181:26:22

Mrs Welch, you've got your sheets. No need for thanks.

1:26:221:26:26

Here's Merrie England. It had me in fits. Get Johns to set it to music. Oh, and razor blades for Junior.

1:26:261:26:32

-If you don't get out of here, I'll...I'll...

-Well, go on.

1:26:321:26:37

-I'll give you the biggest...

-Bertrand!

-Listen to me...

1:26:371:26:40

THEY SHOUT OVER EACH OTHER

1:26:401:26:43

Quiet!

1:26:431:26:46

-Now, I'd like to speak to Christine.

-Oh, would you?

1:26:461:26:50

-Ah, James!

-Look, I was just going. I came to say goodbye.

-Goodbye?

1:26:561:27:02

-Yes, I'm leaving, but I've got to see Christine.

-Well, you won't.

1:27:021:27:06

-Oh, won't I? Christine!

-James, stop behaving like an idiot. She's gone.

1:27:061:27:11

On the 11.15. So you may as well calm down and listen to me.

1:27:111:27:15

I think we ought to go somewhere quiet and talk this over calmly. The last time we were together...

1:27:151:27:22

James!

1:27:251:27:26

James!

1:27:281:27:30

James!

1:27:301:27:32

-Who's there?

-It's Dixon! He's stolen the car!

-Dixon's stolen the car!

1:27:331:27:39

-Well, stop him!

-How?

-I'll catch him!

1:27:391:27:41

-Get the police.

-Too late. Margaret, is this yours? Can I borrow it?

-Yes. I'll ring for the police.

1:27:411:27:47

-He'll make straight for the station.

-The station, quick!

1:27:471:27:51

Blasted thing!

1:27:511:27:54

Mad! Ought to be locked up.

1:28:421:28:45

-Mother must have taken the short cut.

-The what?

-The short cut - across the stile.

1:28:551:29:01

-Never get a car over there!

-Not Dixon! Mother!

-Other what?

1:29:011:29:07

BANG!

1:29:221:29:24

TRAIN WHISTLES

1:29:381:29:40

Single to London, quick!

1:30:041:30:07

-It's a disgrace!

-What does it mean?

1:30:131:30:15

BLOWS WHISTLE

1:30:151:30:18

Open her up! Come on! Quick! Sharpish! All right, throw her in!

1:30:221:30:28

# Oh, Lucky Jim

1:30:531:30:55

# How I envy him

1:30:551:30:58

# Oh, Lucky Jim

1:30:581:31:02

# How I envy

1:31:021:31:07

# How I envy him!

1:31:071:31:13

# Oh, Lucky Jim

1:31:151:31:20

# How...I envy him! #

1:31:211:31:25

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1:31:251:31:28

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