
Browse content similar to Lucky Jim. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Sweet city with her dreaming spires, | 0:00:10 | 0:00:13 | |
she needs not dew for beauty's heightening. | 0:00:13 | 0:00:17 | |
STEAM TRAIN WHISTLES | 0:00:17 | 0:00:21 | |
# Ooh, Lucky Jim | 0:00:41 | 0:00:45 | |
# How I envy him | 0:00:45 | 0:00:48 | |
# Ooh, Lucky Jim | 0:00:48 | 0:00:52 | |
# How I envy him | 0:00:52 | 0:00:56 | |
# Oh, Lucky Jim | 0:00:57 | 0:01:00 | |
# How I envy him | 0:01:00 | 0:01:04 | |
# Oh, Lucky Jim | 0:01:04 | 0:01:07 | |
# How I envy him | 0:01:07 | 0:01:11 | |
# Oh, Lucky Jim | 0:01:12 | 0:01:16 | |
# How I envy him | 0:01:16 | 0:01:19 | |
# Oh, Lucky Jim | 0:01:19 | 0:01:24 | |
# How I envy him | 0:01:24 | 0:01:27 | |
# Oh, Lucky Jim | 0:01:27 | 0:01:31 | |
# How I envy him | 0:01:31 | 0:01:34 | |
# Oh | 0:01:34 | 0:01:37 | |
# Lucky. # | 0:01:37 | 0:01:39 | |
So much for the Chancellor's installation. The seating plan will be on the board. | 0:01:55 | 0:02:00 | |
-Principal. -Yes. -It's our first chancellor. | 0:02:00 | 0:02:04 | |
Shouldn't there be some decorations - bunting, flowers or something? | 0:02:04 | 0:02:09 | |
Yes, there should. And the quadrangle's looking pretty untidy, | 0:02:09 | 0:02:13 | |
bicycles lying around and so on. | 0:02:13 | 0:02:16 | |
-Get some of your chaps onto it, Welch. -Hmm? | 0:02:16 | 0:02:20 | |
That's all, thank you. | 0:02:20 | 0:02:22 | |
-Coffee, principal? -Thank you. -Professor? -Thank you. | 0:02:27 | 0:02:31 | |
-Tell Dixon I want a word. -He isn't here, sir. | 0:02:31 | 0:02:35 | |
-He didn't come to the meeting. -Oh? | 0:02:35 | 0:02:37 | |
-Why not? -Didn't come to the meeting?! | 0:02:37 | 0:02:41 | |
I distinctly told him! You live in the same house - where is he? | 0:02:41 | 0:02:45 | |
-KNOCK ON DOOR -Open up. | 0:03:18 | 0:03:21 | |
Dixon? | 0:03:21 | 0:03:23 | |
You're driving yourself too hard. | 0:03:23 | 0:03:26 | |
-I'm limbering up for tonight at the Welches. -We're at the Swan tonight. | 0:03:26 | 0:03:31 | |
You are, but for me, it's culture, lemonade and bed by 10.30. | 0:03:31 | 0:03:35 | |
-Have you got a clean shirt? -Yes, I've got it on. -Chuck it over. | 0:03:35 | 0:03:40 | |
-This is important. I need to know if Welch is keeping me on. -Ask him. | 0:03:40 | 0:03:44 | |
-I'm fed up of asking him. He dodges it. -Then go over his head. | 0:03:44 | 0:03:49 | |
I can't - it's like the Army! You have to go through the channels. | 0:03:49 | 0:03:53 | |
-Margaret Peel will be there. -Bound to be! | 0:03:53 | 0:03:56 | |
-Still, this can't be helped. -Be careful. | 0:03:56 | 0:04:00 | |
-Since that bloke dropped her, she's been looking for a new victim. -I know! | 0:04:00 | 0:04:04 | |
This is my last chance to make a good impression. | 0:04:04 | 0:04:08 | |
Last time, I knocked over a table - a spindly thing with one leg. | 0:04:08 | 0:04:12 | |
Sounds like Margaret Peel! There's nothing in that. | 0:04:12 | 0:04:16 | |
-No? When I got there, it had four! -Sounds more like Margaret Peel! | 0:04:16 | 0:04:20 | |
-And she saw me making a face. -Which one? -Martian invader. | 0:04:20 | 0:04:24 | |
-That's my favourite! -Not hers! | 0:04:24 | 0:04:27 | |
Join the car trade like me. I'm off to see a man about a Bentley. | 0:04:27 | 0:04:32 | |
Ah, sonny boy, come to spread some sunshine? | 0:04:32 | 0:04:36 | |
I'm hoping to spread a little. | 0:04:36 | 0:04:38 | |
Well...what about the Installation Committee, Dixon? | 0:04:38 | 0:04:43 | |
-That's on Saturday. -This is Saturday. | 0:04:43 | 0:04:46 | |
So it is! | 0:04:47 | 0:04:49 | |
Not much point in hurrying now. It's over. | 0:04:49 | 0:04:53 | |
-Did anybody notice? -Everyone. | 0:04:53 | 0:04:56 | |
I tried to cover up for you, but as you were the only absentee... | 0:04:56 | 0:05:00 | |
-Welch was livid. -That was a fine start. | 0:05:00 | 0:05:04 | |
-If it's Saturday, I'm late for my tutorial as well. -Very. | 0:05:04 | 0:05:08 | |
-By the way, you're doing the flowers. -What are you talking about? | 0:05:08 | 0:05:13 | |
The Chancellor's installation. You're flowers and bunting. | 0:05:13 | 0:05:17 | |
Thanks(!) That makes it perfect(!) | 0:05:17 | 0:05:19 | |
You're welcome. | 0:05:19 | 0:05:22 | |
# Oh, Lucky Jim... # | 0:05:24 | 0:05:28 | |
"He could only satisfy his thirst for glory by leading dukes, barons and their armies against the French." | 0:05:31 | 0:05:37 | |
SHE CLEARS HER THROAT | 0:05:39 | 0:05:42 | |
-Is that the lot? -Yes. Do you think it's a bit obvious, Mr Dixon? | 0:05:42 | 0:05:47 | |
No, no. But this point about his ambition, his thirst for glory - | 0:05:47 | 0:05:51 | |
what makes you say that? | 0:05:51 | 0:05:54 | |
-Well, it's in the book. -Don't be too impressed by that. | 0:05:54 | 0:05:58 | |
That's only one person's opinion. I want yours. | 0:05:58 | 0:06:02 | |
-Surely it's generally accepted that Henry was ambitious. -Bunkum! | 0:06:02 | 0:06:07 | |
It's Henry - someone with ordinary human weaknesses. | 0:06:07 | 0:06:11 | |
Like you - only better-looking. | 0:06:11 | 0:06:13 | |
It was more profitable fighting the French than staying at home. | 0:06:13 | 0:06:18 | |
-I'd have stayed home with the serving wenches. -What I think is this. | 0:06:18 | 0:06:23 | |
Henry and his boys had a great time, sacking castles, chasing girls... | 0:06:23 | 0:06:28 | |
But they had guts. | 0:06:28 | 0:06:31 | |
The top brass were in the thick of the scrapping. | 0:06:31 | 0:06:34 | |
-BOY COUGHS LOUDLY -Nasty cough - have a lozenge. | 0:06:34 | 0:06:39 | |
The top brass mucking in like that was a snag for the PBI | 0:06:39 | 0:06:43 | |
because they only got their cut when the best of the stuff was gone. | 0:06:43 | 0:06:48 | |
But that's still true today. | 0:06:48 | 0:06:50 | |
-So it wasn't a war of conquest at all? -Oh, yes it was. Indeed it was. | 0:06:50 | 0:06:55 | |
But what I'm saying, is that it was grade-A binge as well. | 0:06:55 | 0:07:00 | |
-Oh, I'm, er, sorry, sir. I didn't... -Carry on, Dixon, | 0:07:02 | 0:07:06 | |
just as if I wasn't... | 0:07:06 | 0:07:09 | |
Carry on. | 0:07:10 | 0:07:13 | |
Oh...thank you, sir. | 0:07:13 | 0:07:16 | |
Yes, well, I, um... Thank you. | 0:07:18 | 0:07:21 | |
Well, that's, um, just one aspect | 0:07:21 | 0:07:25 | |
of the, um... Not the only one, of course. | 0:07:25 | 0:07:29 | |
Yes, well, that will be all for now. | 0:07:30 | 0:07:33 | |
I'd like you to think through the earlier points we discussed and... | 0:07:33 | 0:07:40 | |
-Well, thank you. -Thank you, sir. | 0:07:40 | 0:07:42 | |
-Good morning, sir. -Good morning, sir. -Morning. | 0:07:42 | 0:07:45 | |
Grade-A binge, Dixon? | 0:07:50 | 0:07:53 | |
PBI? | 0:07:55 | 0:07:57 | |
Did you mean FBI? | 0:07:58 | 0:08:00 | |
No, sir, no. PBI. It's students' abbreviation. | 0:08:00 | 0:08:04 | |
-It stands for poor battling infantry. -Oh. | 0:08:04 | 0:08:08 | |
Even so, your picture of the flower of chivalry is hardly...er... | 0:08:08 | 0:08:14 | |
-As you know, I like my staff to be completely free. -Yes, I know, sir. | 0:08:14 | 0:08:19 | |
But when I say free, there are limits. | 0:08:19 | 0:08:22 | |
Yes, of course, sir. | 0:08:22 | 0:08:24 | |
Good. I'm not happy about some of the references in these notes. | 0:08:24 | 0:08:29 | |
-What are they? -My book on Merrie England. I'd like you to check the references. -I'll try, sir. | 0:08:29 | 0:08:35 | |
-When are you leaving? -Leaving? I have no intention of retiring. | 0:08:35 | 0:08:39 | |
I meant for the weekend, sir. You invited me to stay. | 0:08:39 | 0:08:44 | |
-It couldn't be this weekend. I've asked some friends. -I see, sir. | 0:08:44 | 0:08:50 | |
I suppose you could lend a hand. Yes, drive down with me after tea. | 0:08:51 | 0:08:56 | |
-That's very kind. And your notes? -Yes, don't waste any more time. | 0:08:56 | 0:09:01 | |
# Oh, Lucky Jim, how... # | 0:09:01 | 0:09:05 | |
Hello, James. | 0:09:22 | 0:09:24 | |
-Hello, Margaret, I heard you were back. -Yes, I'm back. | 0:09:25 | 0:09:30 | |
-You're looking well. -One doesn't die of a broken engagement, James. | 0:09:30 | 0:09:35 | |
-Of course not. You won't want to talk about it now. -But I do. | 0:09:35 | 0:09:40 | |
-I want to say something. -Oh? -It's just that...I'm so utterly grateful. | 0:09:40 | 0:09:45 | |
-Grateful? -For what you did. | 0:09:45 | 0:09:48 | |
-But I haven't done anything. -That's just it. | 0:09:48 | 0:09:51 | |
It was terribly understanding of you not to come and see me. | 0:09:51 | 0:09:56 | |
-Oh. -Not many people would have been so sensitive. | 0:09:56 | 0:10:00 | |
-Well, I don't know... -I do. | 0:10:00 | 0:10:02 | |
It's the sort of thing that between two people creates a bond. | 0:10:02 | 0:10:07 | |
-Bond? -I shall never forget it, James. | 0:10:07 | 0:10:10 | |
Never. | 0:10:10 | 0:10:12 | |
I'm sorry you can't come to our party for Sir Hector. | 0:10:22 | 0:10:26 | |
Yes, unfortunately, I'm occupied. | 0:10:26 | 0:10:28 | |
I haven't really time myself, with the end of term and this installation. | 0:10:28 | 0:10:34 | |
And the History Memorial Lecture. | 0:10:34 | 0:10:36 | |
-Bryant's broken his leg. -Bryant? His leg? | 0:10:36 | 0:10:40 | |
-We were hoping you could help us out. -Well, I'd be happy to, | 0:10:40 | 0:10:45 | |
-but it would mean burning the midnight... -No, you're far too busy. | 0:10:45 | 0:10:50 | |
Who's in your department? Johns - no, not quite right. | 0:10:50 | 0:10:54 | |
What about this new chap? What's his name? Dixon. | 0:10:54 | 0:10:58 | |
-Dixon? Oh, he's quite unorthodox. -Might be an interesting experiment. | 0:10:58 | 0:11:03 | |
BICYCLE BELL RINGS | 0:11:03 | 0:11:07 | |
-Sir. -I couldn't wait any longer. Too much to do. | 0:11:22 | 0:11:26 | |
-Sorry, but I was finishing your notes. -Oh, next week will do. | 0:11:26 | 0:11:31 | |
I really wanted to see you about Professor Bryant. His leg, you know. | 0:11:31 | 0:11:36 | |
-Professor Bryant's leg, sir? -Yes, it's broken. | 0:11:36 | 0:11:39 | |
I can't possibly deal with it. I have too many other things to do. | 0:11:39 | 0:11:44 | |
-You'll just have to do your best. -With his leg? -The Memorial Lecture. | 0:11:44 | 0:11:49 | |
You mean that I am to give the Memorial Lecture? | 0:11:49 | 0:11:53 | |
Well, there's no other way out. | 0:11:53 | 0:11:56 | |
I'm sorry to have to bother you, but my contract's only for a year. | 0:12:11 | 0:12:15 | |
-Is it? -Yes, and it's nearly up, | 0:12:15 | 0:12:18 | |
so if I'm not going to be kept on, I shall have to look for another job. | 0:12:18 | 0:12:23 | |
-A teaching job? -Yes. -Oh...well, let me know what you decide, won't you? | 0:12:23 | 0:12:28 | |
ENGINE STARTS NOISILY | 0:12:28 | 0:12:30 | |
We shall be quite crowded out. | 0:13:02 | 0:13:05 | |
My son Bertrand is down with his, er... | 0:13:05 | 0:13:09 | |
with his, er... | 0:13:09 | 0:13:11 | |
Well, she's Sir Hector's niece, really. | 0:13:11 | 0:13:14 | |
Miss, er... She's Canadian, I think. Though how on earth Sir Hector... | 0:13:14 | 0:13:19 | |
But he travels a great deal, I suppose. | 0:13:19 | 0:13:22 | |
-Do get out! How can I talk to you in there? -You've locked the door! -Locked it?! | 0:13:24 | 0:13:30 | |
You'd better take this now. You'll find it all in there. | 0:13:37 | 0:13:41 | |
-What is it, sir? -Merrie England, the first 300 pages. | 0:13:41 | 0:13:46 | |
-You can draw on it freely. -Thank you. What for? | 0:13:46 | 0:13:49 | |
The Memorial Lecture. Sir Hector will be there. He's a publisher. | 0:13:49 | 0:13:54 | |
-He may be impressed. -That's kind but I'd rather choose my own subject. | 0:13:54 | 0:13:58 | |
If you're to become my permanent assistant, | 0:13:58 | 0:14:02 | |
you'd do well to be guided by my advice. My advice is Merrie England. | 0:14:02 | 0:14:07 | |
Merrie England. | 0:14:10 | 0:14:12 | |
I hope Mrs Welch can find you a bed, Dixon. | 0:14:18 | 0:14:21 | |
You mean, she doesn't know I'm coming? | 0:14:21 | 0:14:24 | |
Well, how could she? Celia? | 0:14:24 | 0:14:28 | |
Here. | 0:14:28 | 0:14:30 | |
Ah, there you are, my dear. | 0:14:30 | 0:14:33 | |
Oh, our young friend Dixon asked if he might join us to lend a hand. | 0:14:35 | 0:14:40 | |
-Good afternoon, Mrs Welch. -This is a surprise. | 0:14:40 | 0:14:43 | |
-You haven't forgotten Sir Hector's coming? -No, no. | 0:14:43 | 0:14:48 | |
Now, where did I put my...? | 0:14:48 | 0:14:50 | |
How lovely to see you, James. You should have said you were coming. | 0:14:50 | 0:14:55 | |
Come along, Mr Dixon. | 0:14:55 | 0:14:57 | |
We'd better put you in here. | 0:15:02 | 0:15:05 | |
-This way. -Oh. | 0:15:08 | 0:15:10 | |
Here you are. | 0:15:11 | 0:15:13 | |
WATER RUMBLES IN THE TANK | 0:15:15 | 0:15:17 | |
Oh, it's, er...it's charming. | 0:15:19 | 0:15:23 | |
-The maid will make up the bed. -Thank you. | 0:15:23 | 0:15:26 | |
My husband said you'd lend a hand. | 0:15:26 | 0:15:29 | |
Yes, Mrs, Welch, of course. | 0:15:29 | 0:15:31 | |
Well, perhaps you can sing. | 0:15:31 | 0:15:34 | |
Sing?! | 0:15:36 | 0:15:38 | |
# Oh, I burn me Oh, I burn me | 0:15:38 | 0:15:41 | |
# Oh, I burn me, alas | 0:15:41 | 0:15:43 | |
# Alas, alas | 0:15:43 | 0:15:46 | |
# La la la la la la | 0:15:46 | 0:15:48 | |
# La la la la la la | 0:15:48 | 0:15:50 | |
# La la la la la la | 0:15:50 | 0:15:51 | |
# I burn me, oh, I burn me | 0:15:51 | 0:15:54 | |
# Oh, I burn me Oh, I burn me | 0:15:54 | 0:15:57 | |
# Alas, alas, alas | 0:15:57 | 0:16:00 | |
# La la la la la la la la la | 0:16:00 | 0:16:04 | |
# La la la la la | 0:16:04 | 0:16:07 | |
# Oh, help, oh, help Oh, help, oh, help | 0:16:07 | 0:16:11 | |
# Ay, me | 0:16:11 | 0:16:14 | |
# Ay, me I sit and cry me... # | 0:16:14 | 0:16:20 | |
Come along, Dixon. Attack it! | 0:16:23 | 0:16:25 | |
-One, two... -# I cry... # | 0:16:28 | 0:16:31 | |
Yes, surely! # I cry for help, alas | 0:16:31 | 0:16:36 | |
# But none comes nigh me. # | 0:16:36 | 0:16:41 | |
-Bertrand, my boy! -Father. | 0:16:41 | 0:16:44 | |
Still keeping the torch burning. | 0:16:44 | 0:16:47 | |
-Good to see you. Come and join in. -My dear boy. | 0:16:47 | 0:16:50 | |
-You look ten years younger. Sir Hector not here? -We're expecting him. | 0:16:50 | 0:16:55 | |
Ah, Mr Dixon, would you be so kind? | 0:16:55 | 0:16:59 | |
-My son would like some coffee. -Oh, yes, Mrs Welch. -No sugar. | 0:16:59 | 0:17:04 | |
Coffee for one immediately, Mrs Welch. | 0:17:06 | 0:17:10 | |
Is that Bertrand's latest? | 0:17:19 | 0:17:22 | |
She's quite pretty, in a way. | 0:17:25 | 0:17:27 | |
Pity she looks so awkward. | 0:17:27 | 0:17:30 | |
Your coffee, Mr Welch. Ah, the tenor - or was it the soprano? | 0:17:35 | 0:17:39 | |
I was trying a bit of both, really. | 0:17:39 | 0:17:42 | |
As I was saying, I often wish I'd chosen a less exhausting profession, | 0:17:42 | 0:17:46 | |
like laying linoleum or something. | 0:17:46 | 0:17:49 | |
Darling, I must serve the coffee. | 0:17:49 | 0:17:51 | |
What exactly is your work, Mr Welch? | 0:17:51 | 0:17:54 | |
I suppose you academic fellows would despise it, but I'm a novelist. | 0:17:54 | 0:17:59 | |
-Nothing wrong with a good novel. -You'd like Bertrand's - very interesting. | 0:17:59 | 0:18:04 | |
About a man who doesn't know if he's murdered someone or killed himself. | 0:18:04 | 0:18:09 | |
-He has to work it out. -The real significance is deeper than that. | 0:18:09 | 0:18:15 | |
Is man an entity or the projection of his own ego? | 0:18:15 | 0:18:19 | |
-I'm working on the book jacket - an abstract woodcut to show the theme. -It gives it body when it's visual. | 0:18:19 | 0:18:25 | |
Yes, well, I can't wait to see it. When will it be published? | 0:18:28 | 0:18:32 | |
It isn't written yet. A good novel is like a good wine - | 0:18:32 | 0:18:37 | |
it must be kept until it reaches perfection. It's maturing. | 0:18:37 | 0:18:40 | |
The wood? | 0:18:40 | 0:18:42 | |
May we share the joke? PHONE RINGS | 0:18:43 | 0:18:47 | |
-Mr Dixon, would you answer the telephone? -Certainly. | 0:18:47 | 0:18:51 | |
-It's in the dining room. -Will you excuse me? | 0:18:51 | 0:18:55 | |
What an extraordinary fellow! | 0:18:57 | 0:18:59 | |
-Are you ready, Celia? -Coming, Neddy. | 0:19:00 | 0:19:04 | |
Let me give you an A. | 0:19:07 | 0:19:10 | |
HE PLAYS A NOTE | 0:19:10 | 0:19:13 | |
-I think that this should prove exhilarating. -Oh, I'm sure. | 0:19:15 | 0:19:20 | |
-DOG WHINES -Boadicea, ssh! | 0:19:22 | 0:19:27 | |
Boadicea, put a sock in it! | 0:19:27 | 0:19:30 | |
Ready? One, two... | 0:19:32 | 0:19:35 | |
DOG WHINES | 0:19:50 | 0:19:54 | |
Bertrand! | 0:19:56 | 0:19:58 | |
Please take that dog out! | 0:19:58 | 0:20:00 | |
Come on, out you go! | 0:20:00 | 0:20:04 | |
Yes, I'll give Mrs Welch that message. Goodbye. | 0:20:04 | 0:20:08 | |
Hello. Are you brassed off with that lot too? | 0:20:09 | 0:20:13 | |
Come on, I'll give you a biscuit. Come on. | 0:20:13 | 0:20:16 | |
Come on, there's a good girl. How about that one? | 0:20:16 | 0:20:20 | |
DOG WHINES | 0:20:33 | 0:20:36 | |
Who brought that dog in?! | 0:20:36 | 0:20:39 | |
Sorry, sir. | 0:20:40 | 0:20:42 | |
(Sorry.) | 0:21:00 | 0:21:02 | |
-A message from Sir Hector Gore-Urquhart. -Well? -He can't come. | 0:21:03 | 0:21:08 | |
-What do you mean? -Who's not coming? -Sir Hector Gore-Urquhart. | 0:21:08 | 0:21:12 | |
What are you talking about, Dixon? | 0:21:12 | 0:21:15 | |
Sir Hector Gore-Urquhart, Professor. | 0:21:15 | 0:21:18 | |
He rang up - well, his secretary did. | 0:21:18 | 0:21:21 | |
-Rang YOU up? -You should have asked me to come to the phone! | 0:21:21 | 0:21:27 | |
I'm sorry. | 0:21:28 | 0:21:30 | |
HE SIGHS | 0:21:31 | 0:21:33 | |
What's all this about Sir Hector? | 0:21:35 | 0:21:37 | |
-Sir Hector Gore-Urquhart - and I'm tired of saying Sir Hector Gore-Urquhart - can't come. -Why? | 0:21:37 | 0:21:44 | |
I don't know why. What's all the fuss about? | 0:21:44 | 0:21:47 | |
He's only coming down to become a chancellor. | 0:21:47 | 0:21:50 | |
-Probably some old cod who thinks there's something in it for him. -Sir Hector is Miss Callaghan's uncle. | 0:21:50 | 0:21:57 | |
-Oh, I say... I'm very sorry. -That's quite all right. | 0:21:57 | 0:22:02 | |
And the "fuss" is that he's considering my book for publication. | 0:22:04 | 0:22:09 | |
That shouldn't take him very long. | 0:22:09 | 0:22:11 | |
If you weren't a guest, I'd smack you on the nose. | 0:22:11 | 0:22:16 | |
No, you stay there. Sorry, old girl. | 0:22:39 | 0:22:43 | |
-HE BLOWS A RASPBERRY -What a bunch! | 0:22:46 | 0:22:49 | |
Brrrr! Even the dog tried to get out! | 0:22:49 | 0:22:52 | |
-What's the girl like? -97% Bertrand Welch. | 0:22:52 | 0:22:56 | |
They often take after the chap they're with. | 0:22:56 | 0:22:59 | |
No, thanks, I have to get back. I shouldn't be here at all, really. | 0:22:59 | 0:23:04 | |
I'm their guest. | 0:23:04 | 0:23:06 | |
You should have seen her - she's a stunner. | 0:23:06 | 0:23:09 | |
The prettiest girl I've ever seen. | 0:23:09 | 0:23:12 | |
-Well, some of those Italian film popsies might be prettier. -They're special. | 0:23:12 | 0:23:18 | |
And she was with ME. Well, when I say "with", I mean here. | 0:23:18 | 0:23:23 | |
Well...so far. | 0:23:23 | 0:23:26 | |
By Jove, it makes you realise what's possible. | 0:23:26 | 0:23:30 | |
-Anything's possible. Let's have those again. -What's the time? -It's early. | 0:23:30 | 0:23:35 | |
But I've got to go. Easy with that. | 0:23:35 | 0:23:38 | |
-What is the time? -Stop worrying about it. | 0:23:38 | 0:23:42 | |
But I must go. | 0:23:42 | 0:23:44 | |
HE SINGS DRUNKENLY | 0:23:48 | 0:23:52 | |
-It really was great fun. -Till next week, then. -Good night to you all. | 0:23:54 | 0:23:59 | |
-It was such fun. -Do we go the same way? -Yes, I'm glad to say we do. | 0:23:59 | 0:24:05 | |
I hope the buses... | 0:24:05 | 0:24:07 | |
Disgraceful! Dixon going off to bed without a word to anybody. | 0:24:25 | 0:24:29 | |
Quite so, my dear. I'm afraid his manners...no breeding. | 0:24:29 | 0:24:34 | |
Don't forget to turn off the kitchen light, Celia. | 0:24:34 | 0:24:38 | |
All right. | 0:24:38 | 0:24:40 | |
# Ooooh, Lucky Jim! | 0:24:50 | 0:24:53 | |
# Ooooh, Lucky Jim! # | 0:24:57 | 0:25:00 | |
(Jim!) | 0:26:17 | 0:26:19 | |
-HE SLURS: -Margaret? -Jim, dear. | 0:26:21 | 0:26:24 | |
-Is this wise? -Wise?! | 0:26:24 | 0:26:27 | |
-This is terrible. -Shh, they're still moving about. | 0:26:27 | 0:26:30 | |
-Sorry, Margaret. -Oh, don't worry, Jim. What happened to you? | 0:26:30 | 0:26:35 | |
-I went out. Did Mrs Welch...? -Yes, she did. | 0:26:35 | 0:26:39 | |
-I told her that you'd gone to bed, that you had a headache. -Thank you. | 0:26:39 | 0:26:44 | |
-Well, I, um...I'd better... -Oh, Jim! | 0:26:44 | 0:26:47 | |
-You're trembling like a leaf. -Well, it was a hell of a climb! | 0:26:47 | 0:26:52 | |
When did you realise that you were...? | 0:26:52 | 0:26:55 | |
-HE SLURS: -I couldn't make out which window it was! | 0:26:55 | 0:26:59 | |
Poor darling! It was terribly naughty of you! | 0:26:59 | 0:27:03 | |
-Well, I'd better be getting back... -Back? -To my room. | 0:27:03 | 0:27:07 | |
-Thank goodness it was only you. -Jim! | 0:27:07 | 0:27:11 | |
-Well, I mean, I might have picked one of the Welches. -What?! | 0:27:11 | 0:27:15 | |
What was that for? | 0:27:15 | 0:27:18 | |
-Get out! -What? -I said, get out! -Margaret... | 0:27:18 | 0:27:21 | |
-You're disgusting! Take your clothes and get out of here before I scream! -Oh, my God! -And don't blaspheme! | 0:27:21 | 0:27:28 | |
SHE SOBS | 0:27:28 | 0:27:31 | |
HE SIGHS | 0:27:31 | 0:27:34 | |
BERTRAND SINGS TO HIMSELF | 0:27:39 | 0:27:42 | |
< Oh, do hurry up! Come to bed! | 0:27:52 | 0:27:54 | |
DOG SNORES GENTLY | 0:28:05 | 0:28:08 | |
MUSICAL CHIMES | 0:28:27 | 0:28:32 | |
CHIMES STOP | 0:28:40 | 0:28:44 | |
CHIMES PLAY AGAIN | 0:28:50 | 0:28:51 | |
CHIMES STOP | 0:28:51 | 0:28:53 | |
CHIMES PLAY | 0:28:53 | 0:28:57 | |
DOG WHIMPERS | 0:29:16 | 0:29:20 | |
Shh! | 0:29:20 | 0:29:22 | |
JIM HICCUPS | 0:30:15 | 0:30:17 | |
HE HICCUPS | 0:30:39 | 0:30:42 | |
JIM HICCUPS | 0:30:55 | 0:30:57 | |
DOG WHIMPERS | 0:31:01 | 0:31:04 | |
DOG PANTS RAPIDLY | 0:31:12 | 0:31:15 | |
BIRDS TWITTER | 0:31:22 | 0:31:26 | |
HE SNORES | 0:31:29 | 0:31:33 | |
# Oooh, lucky! # | 0:31:39 | 0:31:42 | |
MAN SINGS OUTSIDE | 0:31:51 | 0:31:56 | |
BANG! | 0:32:14 | 0:32:17 | |
Oh. | 0:32:22 | 0:32:23 | |
DOOR CREAKS | 0:33:23 | 0:33:25 | |
-Good morning. -Oh, um... | 0:33:30 | 0:33:33 | |
Morning. | 0:33:33 | 0:33:35 | |
HE CLEARS THROAT | 0:33:35 | 0:33:37 | |
Are you looking for something? | 0:33:44 | 0:33:47 | |
Oh, er... No! | 0:33:47 | 0:33:49 | |
No, no, no, that's, um... | 0:33:49 | 0:33:52 | |
It's all right. | 0:33:53 | 0:33:55 | |
SHE GIGGLES | 0:33:55 | 0:33:58 | |
What an extraordinary place to put a bottle! | 0:34:04 | 0:34:08 | |
You must feel awful. | 0:34:50 | 0:34:52 | |
No, I don't feel too good. | 0:34:52 | 0:34:55 | |
Let me pick this up for you. | 0:34:55 | 0:34:58 | |
I don't suppose they'll dust in here for some time. | 0:35:00 | 0:35:05 | |
-The maid! -What's the matter with her? | 0:35:06 | 0:35:09 | |
Oh, er, nothing, nothing. | 0:35:09 | 0:35:12 | |
It's just that, um... Well, I had a fire in my bedroom last night. | 0:35:12 | 0:35:16 | |
-A fire! -Cigarette. Hole in the sheet and two blankets. | 0:35:16 | 0:35:20 | |
How awful for you. What will Mrs Welch say? | 0:35:20 | 0:35:24 | |
-Can't you do anything? -I can't even think! | 0:35:24 | 0:35:27 | |
-Maybe I could help. -Would you? | 0:35:27 | 0:35:30 | |
-Sure. -Oh, if you could just look at it. It is sort of a woman's job. | 0:35:30 | 0:35:35 | |
-I'll try. -Come on. | 0:35:35 | 0:35:38 | |
-They're not only burnt, they're torn too! -I tried to make it look better. | 0:35:38 | 0:35:42 | |
I hacked it about a bit with a razor blade. | 0:35:42 | 0:35:46 | |
-At least it doesn't look so burnt! I could've had a nightmare and stuck my foot through it! -Some nightmare! | 0:35:46 | 0:35:53 | |
To go through a sheet and two blankets! | 0:35:53 | 0:35:56 | |
Yeah, well, what am I going to do about it? | 0:35:56 | 0:35:59 | |
-All you can do is make the whole bed over with all this mess at the bottom. -Wonderful idea. | 0:35:59 | 0:36:06 | |
-I'll be able to think up an excuse. -It won't like you've burnt them. | 0:36:06 | 0:36:10 | |
You wouldn't put your head right down at the bottom to smoke! | 0:36:10 | 0:36:15 | |
What I said about your uncle, I'm afraid I got off on the wrong foot. | 0:36:15 | 0:36:21 | |
That's OK. Bertrand says people are over-aggressive when they feel insecure among strangers. | 0:36:21 | 0:36:27 | |
-Dixon! -> | 0:36:28 | 0:36:30 | |
-You're wanted on the phone! -> | 0:36:30 | 0:36:32 | |
You go, I'll finish this off. | 0:36:32 | 0:36:35 | |
-Dixon! -> | 0:36:36 | 0:36:38 | |
Well, I hope you have a satisfactory explanation about last night! | 0:36:40 | 0:36:45 | |
Ah, there you are, Dixon. | 0:36:45 | 0:36:48 | |
We were wondering what, er...what, er...happened to you last...night. | 0:36:48 | 0:36:53 | |
Dixon! | 0:36:53 | 0:36:55 | |
Excuse me, sir, telephone. Must go, sir. | 0:36:55 | 0:36:59 | |
Ah, Mr Dixon. | 0:37:00 | 0:37:02 | |
Morning. | 0:37:02 | 0:37:04 | |
-What happened to you last night? -Um, I'll explain in a minute, | 0:37:04 | 0:37:08 | |
-after the telephone. -We're dying to hear. | 0:37:08 | 0:37:12 | |
Hello. | 0:37:14 | 0:37:15 | |
That you, sonny boy? How's everything this morning? | 0:37:15 | 0:37:19 | |
Mother! | 0:37:19 | 0:37:21 | |
-Is that you? -Mother?! -What? You're really here? | 0:37:21 | 0:37:25 | |
Oh, and Dad, too. | 0:37:25 | 0:37:28 | |
Well, yes, yes, I'll come straight away. | 0:37:28 | 0:37:32 | |
No. No, no, of course not. | 0:37:32 | 0:37:35 | |
Yes. Yes, right-o, then. | 0:37:35 | 0:37:38 | |
Goodbye, Mother. | 0:37:38 | 0:37:40 | |
I'm terribly sorry, Mrs Welch, I've got to go. | 0:37:40 | 0:37:43 | |
My parents - quite unexpected really. So goodbye and thank you, Mrs Welch. Goodbye, all. | 0:37:43 | 0:37:49 | |
I'm sorry, sir. Goodbye. | 0:37:49 | 0:37:52 | |
DOG BARKS | 0:38:00 | 0:38:03 | |
£1... | 0:38:13 | 0:38:15 | |
£1.15/7. | 0:38:15 | 0:38:18 | |
Coming to breakfast, old boy? | 0:38:27 | 0:38:30 | |
£1.17/3 altogether. Look, how much are sheets and blankets? | 0:38:30 | 0:38:35 | |
Oh, stop worrying about that. | 0:38:35 | 0:38:37 | |
-You're like an old woman! -But they're Welch's and I burnt 'em. | 0:38:37 | 0:38:42 | |
-Emigrate! Join the Army! Anything, but stop creeping round Welch for fourpence a week. -I am not! | 0:38:42 | 0:38:49 | |
Look, you don't understand. I'm a teacher. | 0:38:51 | 0:38:54 | |
-I like the job. -But have you got it? | 0:38:54 | 0:38:57 | |
Well, I...I don't know. | 0:38:57 | 0:39:00 | |
HE SIGHS | 0:39:00 | 0:39:02 | |
-But I'm going to find out. -Good. | 0:39:02 | 0:39:06 | |
-I'm going to go right up to Welch... -That's my boy. -Right up to him. | 0:39:06 | 0:39:10 | |
-And I'm... -And? -I'm going to see if I remind him of burning bedclothes. | 0:39:10 | 0:39:16 | |
Keys. | 0:39:27 | 0:39:29 | |
Professor. | 0:39:32 | 0:39:33 | |
Oh, yes, | 0:39:46 | 0:39:48 | |
I wanted to see you. | 0:39:48 | 0:39:51 | |
-I haven't seen your ground plans. -Plans? -For the quadrangle. | 0:39:51 | 0:39:55 | |
-The flowers were to be rearranged. Something festive. -But it's tomorrow. There's so little time. | 0:39:55 | 0:40:02 | |
-I've got to work on Merrie England. -On Merrie England? The work has already been done. | 0:40:02 | 0:40:08 | |
# Oooh, lucky, lucky... # | 0:40:12 | 0:40:16 | |
-Looks proper artistic, dunnit? -Not bad at all. How many more? -Another couple of dozen, sir. | 0:40:28 | 0:40:34 | |
It's staggering 'em what does it. I never like to see my pots congested. | 0:40:34 | 0:40:40 | |
Fine. Keep at it. | 0:40:40 | 0:40:43 | |
-Oh, get this stuck up on the board for me, Nesbitt. -Thank you! | 0:40:47 | 0:40:52 | |
PHONE RINGS | 0:40:56 | 0:40:59 | |
HE SIGHS | 0:40:59 | 0:41:02 | |
Hello, what do you want? | 0:41:04 | 0:41:06 | |
This is Mrs Welch speaking. I want to leave a message for... Ah, that's Mr Dixon, | 0:41:06 | 0:41:12 | |
'isn't it?' | 0:41:12 | 0:41:13 | |
I've just been looking at my sheets and blankets, Mr Dixon... | 0:41:13 | 0:41:18 | |
-POSH VOICE: -Ah, there's been a mistake - there's no Mr Dixon here. | 0:41:18 | 0:41:22 | |
-'What number?' -5,3,2,1, University. | 0:41:22 | 0:41:25 | |
Oh, that explains it. This is the United Dairies. | 0:41:25 | 0:41:30 | |
Oh, Dixon. | 0:41:35 | 0:41:37 | |
Professor Welch is complaining about bicycles being left at the main gate. | 0:41:37 | 0:41:43 | |
I'd see to it if I were you. | 0:41:43 | 0:41:46 | |
Thank you(!) | 0:41:46 | 0:41:48 | |
Oh, James. | 0:41:59 | 0:42:01 | |
-Can you tell me where to put this? -Yes, by heaven, I can! -Don't shout at me, James. | 0:42:01 | 0:42:07 | |
Oh, I'm...I'm sorry, Margaret. | 0:42:07 | 0:42:10 | |
-I don't know where I am - decorations, the lecture! -I thought you might have an apology to make. | 0:42:10 | 0:42:16 | |
-Who to? -Well, to me! How do you think I feel? How would any girl feel after being compromised? | 0:42:16 | 0:42:23 | |
Compromised? But who's been compromised? | 0:42:23 | 0:42:27 | |
Oh, I think you're horrible! | 0:42:27 | 0:42:29 | |
Don't touch me! Don't speak to me! Keep away from me, you...you fiend! | 0:42:29 | 0:42:35 | |
SHE SOBS | 0:42:35 | 0:42:38 | |
< Hey, mind those hydrangeas! Raise it up a bit! | 0:42:38 | 0:42:42 | |
< No, the other end, you idiot! | 0:42:42 | 0:42:45 | |
Oh my...! | 0:42:45 | 0:42:47 | |
Hey! | 0:42:47 | 0:42:49 | |
Not that one, for heaven's sake! Look at it! | 0:42:49 | 0:42:53 | |
Now get it off at that end. | 0:42:53 | 0:42:56 | |
Pick the ones that don't mean anything. | 0:42:56 | 0:43:00 | |
-And that goes for you, too! -Sir, I thought... -Come on, don't muck about! | 0:43:00 | 0:43:05 | |
-Who dreamed up this village fete idea? Sir Hector will be amused. -No, he'll like it. It looks gay. | 0:43:05 | 0:43:12 | |
No! | 0:43:13 | 0:43:15 | |
Not hydrangeas, too! | 0:43:15 | 0:43:18 | |
-What's the matter with them? -They're always pink! | 0:43:19 | 0:43:22 | |
That's how they grow, pink and blue. | 0:43:22 | 0:43:26 | |
You have blue? Well, we must have some! Great pools of blue there! | 0:43:26 | 0:43:31 | |
I can't do that, sir. The blue's booked for the Young Conservatives. | 0:43:31 | 0:43:35 | |
My good man, by that time, the ceremony will be over. Then you can come and collect your plants. | 0:43:35 | 0:43:43 | |
Look, sir, just tell us what you want. | 0:43:43 | 0:43:46 | |
And put those up in the far corner! Get it right out of here, Williams. | 0:43:46 | 0:43:52 | |
CHRISTINE GIGGLES | 0:43:52 | 0:43:55 | |
Hello. | 0:43:58 | 0:44:00 | |
That's Bert, one of the founder members. | 0:44:00 | 0:44:03 | |
-I was thinking it should be carrying an umbrella. -He left it on the bus. | 0:44:03 | 0:44:09 | |
What does it mean? | 0:44:09 | 0:44:11 | |
Real joy is a serious matter. You can tell that by looking at him! | 0:44:11 | 0:44:17 | |
He was one of the original... | 0:44:21 | 0:44:24 | |
It always amuses me to see the efforts they made to express their psychological fears in stone. | 0:44:24 | 0:44:30 | |
-Is that what they were at? -We didn't expect YOU to appreciate it. | 0:44:30 | 0:44:35 | |
Come, Christine, I want my lunch. | 0:44:35 | 0:44:38 | |
Bye. | 0:44:38 | 0:44:39 | |
Cheerio. | 0:44:39 | 0:44:41 | |
Oh, er, sign here, guv, for the flowers. | 0:44:41 | 0:44:44 | |
Now, the procession. | 0:44:45 | 0:44:48 | |
We shall assemble here and cross the quadrangle to the hall. | 0:44:48 | 0:44:53 | |
I shall bring up the rear with the chancellor. | 0:44:53 | 0:44:56 | |
Now, the ball. | 0:44:56 | 0:44:58 | |
-Hutchinson? -All fixed, Principal. We have the town hall, a bar, a licence, and an extension! -Splendid. | 0:44:58 | 0:45:05 | |
You've got the idea! | 0:45:05 | 0:45:08 | |
FANFARE | 0:45:08 | 0:45:11 | |
-Well. Hmm. You've certainly done us proud, Welch. -It was the best we could do in the time available. | 0:45:14 | 0:45:21 | |
-Welcome, Sir Hector. -How are you, Principal? -Very well. May I introduce Professor Welch? | 0:45:41 | 0:45:48 | |
This is... | 0:45:48 | 0:45:50 | |
-Get round to that quadrangle quick and load up them plants. -Right-o! | 0:46:00 | 0:46:05 | |
I hear that Johns has proposed some organ music for the procession. | 0:46:05 | 0:46:10 | |
Sir Hector, we were all...very, very disappointed, | 0:46:10 | 0:46:14 | |
especially my son Bertrand, who was looking... | 0:46:14 | 0:46:18 | |
Excuse me. | 0:46:18 | 0:46:20 | |
So sorry. | 0:46:20 | 0:46:23 | |
-Sir Hector, may I present Mr Dixon, also of the history department. -How do you do? | 0:46:23 | 0:46:28 | |
Oh, my...! Excuse me, sir. | 0:46:30 | 0:46:33 | |
'Ere! | 0:46:39 | 0:46:41 | |
Quick! Get them over there! | 0:46:41 | 0:46:44 | |
Put them back! For crying out loud, put them back! | 0:46:44 | 0:46:47 | |
Where's the...? | 0:46:47 | 0:46:49 | |
-What the devil are you doing? -Got to be moved, guv'nor. -But you can't! | 0:46:53 | 0:46:59 | |
I think, Sir Hector, we ought to get ready for the procession. | 0:46:59 | 0:47:03 | |
Leave the darn things alone, can't you?! Oh, my heavens! | 0:47:03 | 0:47:08 | |
Get out of the way! Oi! Where do you think you're going with this lot? | 0:47:08 | 0:47:12 | |
Here! | 0:47:12 | 0:47:14 | |
You blithering idiot! | 0:47:17 | 0:47:20 | |
STUDENTS LAUGH AND JEER | 0:47:22 | 0:47:24 | |
Bertrand! That oaf! What do you want to listen to him for?! | 0:47:31 | 0:47:34 | |
We haven't even started the procession yet! | 0:47:34 | 0:47:36 | |
Put those plants back, quick! > | 0:47:42 | 0:47:45 | |
Back that lorry up! Joe! Charlie! | 0:47:54 | 0:47:57 | |
Get them bushes out of the way. | 0:47:57 | 0:48:00 | |
THEY LAUGH | 0:48:00 | 0:48:02 | |
Hey! | 0:48:04 | 0:48:06 | |
STUDENTS LAUGH | 0:48:06 | 0:48:09 | |
'Ere, let's have a go. | 0:48:13 | 0:48:15 | |
Go on. | 0:48:15 | 0:48:17 | |
LORRY STARTS UP | 0:48:19 | 0:48:22 | |
-Oi! Stop! -Look out! | 0:48:23 | 0:48:26 | |
Stop! | 0:48:26 | 0:48:27 | |
STUDENTS LAUGH AND APPLAUD | 0:48:34 | 0:48:38 | |
CRUNCHING | 0:48:38 | 0:48:40 | |
'Scuse me, guv'nor! | 0:49:14 | 0:49:17 | |
THEY CHEER | 0:49:21 | 0:49:23 | |
WOLF WHISTLES AND CHEERING | 0:50:00 | 0:50:04 | |
That was real bad luck, chum. | 0:50:50 | 0:50:53 | |
I understand, sir. | 0:51:00 | 0:51:03 | |
CEREMONIAL SPEECH BEGINS INSIDE BUILDING | 0:51:23 | 0:51:27 | |
JOLLY MUSIC PLAYS | 0:51:37 | 0:51:41 | |
-Of course, the fellow's an absolute oaf. I don't know why Father puts up with him. -Couldn't we dance? | 0:51:51 | 0:51:57 | |
What, in this mob? My dear girl. | 0:51:57 | 0:52:00 | |
I'm told, Sir Hector, that the mishap was of political origin. | 0:52:03 | 0:52:07 | |
-Young Dixon, I'll take it up with him, insisted on pink. I advised blue. -Often the cause of dissention! | 0:52:07 | 0:52:15 | |
-Principal, would you forgive me for ten minutes. I promised to join my niece. -Of course, sir. | 0:52:15 | 0:52:22 | |
-I'd have booted Dixon out months ago. -Christine, there you are. | 0:52:22 | 0:52:27 | |
-Hello, Uncle. -Hello. -Good evening. | 0:52:27 | 0:52:29 | |
Poor Dixon. Peel's got him cornered again! | 0:52:29 | 0:52:33 | |
Rescue party, drink up! | 0:52:36 | 0:52:39 | |
It isn't your reputation that's at stake. I've made excuses for you. | 0:52:39 | 0:52:43 | |
I know and I'm grateful, but you're making a mountain out of a molehill. | 0:52:43 | 0:52:48 | |
So my reputation is a molehill, is it? Thank you, James. | 0:52:48 | 0:52:52 | |
Just because I had a couple and got in your room by mistake doesn't mean to say you're compromised! | 0:52:52 | 0:52:59 | |
-Nobody knows. -Of course they know! -How? Who told them? | 0:52:59 | 0:53:03 | |
I did! | 0:53:03 | 0:53:05 | |
What?! | 0:53:05 | 0:53:06 | |
Why? Why? | 0:53:06 | 0:53:08 | |
-James, after all we've been through together, how little you really understand me. -I'm not quite sure. | 0:53:08 | 0:53:15 | |
SHE SOBS Oh, James, I just... | 0:53:15 | 0:53:20 | |
There he is! Excuse us, Miss Peel. Come on, we'll buy you a drink! | 0:53:23 | 0:53:28 | |
Sorry! | 0:53:28 | 0:53:30 | |
# For he's a jolly good fellow | 0:53:33 | 0:53:35 | |
# For he's a jolly good fellow | 0:53:35 | 0:53:38 | |
# For he's a jolly good fellow | 0:53:38 | 0:53:41 | |
# And so say all of us! # | 0:53:41 | 0:53:43 | |
CHEERING He seems rather popular, don't you think? | 0:53:43 | 0:53:48 | |
In one sense, my novel might be considered to be an adventure piece, | 0:53:48 | 0:53:53 | |
but there are deep psychological implications... | 0:53:53 | 0:53:57 | |
Three cheers for good old Dixon! ALL: Hip-hip hooray! Hip-hip hooray! Hip-hip hooray! | 0:53:57 | 0:54:04 | |
-One can scarcely hear oneself talk. -They're enjoying themselves. -Quite. | 0:54:04 | 0:54:09 | |
-As I was saying, the psychological implications... -Excuse me. Dixon! | 0:54:09 | 0:54:14 | |
Dixon! Do you care to come and join us? | 0:54:16 | 0:54:20 | |
Oh, um... Excuse me. | 0:54:20 | 0:54:22 | |
-Oh, thank you very much, sir. -Sit down, old chap. | 0:54:22 | 0:54:26 | |
-You know my niece and Mr Welch. -Hello. | 0:54:26 | 0:54:30 | |
-Well, this is very kind of you, sir. -As I was saying! At the end of the book, I reach the conclusion... | 0:54:30 | 0:54:36 | |
-You ought to send it to a publisher. -I was rather hoping that you... | 0:54:36 | 0:54:40 | |
-Don't you want to dance? -I'd much rather talk. -I'd much rather dance! Will you dance with me? | 0:54:40 | 0:54:46 | |
Yes. | 0:54:47 | 0:54:49 | |
Of course. | 0:54:49 | 0:54:50 | |
-Would you excuse us, Sir Hector. -Certainly. | 0:54:50 | 0:54:54 | |
Welch, I'm going to need a brandy. | 0:54:59 | 0:55:02 | |
-A br...? Oh, oh, yes, sir. I'll get it myself. It may be one of the cruder blends. -That's all right. | 0:55:02 | 0:55:09 | |
-Oh! -I think we'd better sit down, Christine. -Perhaps if you held me a bit closer. -I'll try. | 0:55:19 | 0:55:26 | |
It's a bit ambitious really. | 0:55:26 | 0:55:28 | |
There. You see? | 0:55:29 | 0:55:32 | |
SHE GIGGLES | 0:55:57 | 0:55:59 | |
-Are you staying till the very end? -Good Lord, no. | 0:56:04 | 0:56:08 | |
-I was going, but... -I was thinking of going. Bertrand wants to talk to my uncle and I'm rather in the way. | 0:56:08 | 0:56:15 | |
Oh, if you were going, couldn't I take you home? | 0:56:15 | 0:56:19 | |
-You don't have to. -I'd love to. I'll see you outside in five minutes. | 0:56:20 | 0:56:24 | |
-Fine. I'll go and tell Bertrand. -Right. I'll see you outside! | 0:56:24 | 0:56:28 | |
Taxi! | 0:56:42 | 0:56:44 | |
-How far are you going? -Larchfield Common. -At this hour of the night? | 0:56:44 | 0:56:49 | |
-What's the difference? -It's three mile. | 0:56:49 | 0:56:53 | |
-It's your job to drive people where they want to go. -Don't try to teach me my job! | 0:56:53 | 0:56:59 | |
-Anyway, I'm booked. -Booked? Well, um...who by? | 0:56:59 | 0:57:02 | |
-The Principal. -I AM the Principal. -Yes, you look like him(!) | 0:57:02 | 0:57:07 | |
-Ah, there you are. -OK, but don't try to teach me my job, wack! | 0:57:10 | 0:57:15 | |
-What did Bertrand say? -He wasn't there, I left a message with Uncle. | 0:57:16 | 0:57:21 | |
-Do you want Christine, Bertrand? -No, Sir Hector. -Oh, well, when you do, she's gone, slipped away... | 0:57:40 | 0:57:46 | |
-with Dixon. -Thanks. | 0:57:46 | 0:57:48 | |
What's that? | 0:57:48 | 0:57:51 | |
THEY LAUGH | 0:57:51 | 0:57:54 | |
-It's funny how he ceded to talk to you. May I ask you a question? -Do. | 0:57:54 | 0:57:58 | |
-How old do you think I am? -Oh, about, um...24. | 0:57:58 | 0:58:02 | |
-That's just the trouble. -Oh? | 0:58:02 | 0:58:05 | |
I won't be 20 until next birthday. I only seem to be old. | 0:58:05 | 0:58:09 | |
-It makes things awfully difficult. -Difficult? | 0:58:09 | 0:58:13 | |
Well, in, um...what way? | 0:58:13 | 0:58:16 | |
All the men I go out with seem to think I'm older than I really am. It's such a nuisance. | 0:58:16 | 0:58:22 | |
-How do you mean? -It's so difficult if you don't want to be seduced. | 0:58:22 | 0:58:26 | |
JIM SNIGGERS | 0:58:26 | 0:58:28 | |
Oh, yes, I see(!) | 0:58:31 | 0:58:33 | |
-That's one of the things I like about Bertrand. -Bertrand?! -Yes, he hasn't tried to seduce me once! | 0:58:33 | 0:58:41 | |
That's why you like him, because he hasn't tried to make love to you? | 0:58:45 | 0:58:49 | |
-Well, no, there's more to it than that. -There'll need to be. What else? | 0:58:49 | 0:58:54 | |
He's so intelligent. He knows so much about people and how they feel about...things. | 0:58:54 | 0:59:00 | |
-Does he know how you feel about "things"? -I'm not sure. | 0:59:00 | 0:59:04 | |
But then I'm not really sure myself. | 0:59:04 | 0:59:07 | |
-Anyway, Bertrand says that's only natural at the beginning. -The beginning of what? | 0:59:07 | 0:59:13 | |
-Of becoming adult. If I'm going to marry Bertrand, I realise... -Marry?! Are you in love with him? | 0:59:13 | 0:59:20 | |
-Why use that word? -Why not? -I'm not sure I know what it means. -You must have come across it! | 0:59:20 | 0:59:27 | |
-Does he send you to the dictionary every time?! -You're exaggerating! | 0:59:27 | 0:59:31 | |
It's simple. You know if you like greengages or not, you know if you're in love with Bertrand or not. | 0:59:31 | 0:59:38 | |
It isn't as easy as that. You can change about people but you can always be sure about greengages. | 0:59:38 | 0:59:43 | |
-All right, what about rhubarb? -CAR BRAKES | 0:59:43 | 0:59:47 | |
Excuse me. | 0:59:49 | 0:59:51 | |
-This is it. -Oh. -I'm afraid I forgot to ask for a key. | 0:59:51 | 0:59:56 | |
-Would you mind coming with me in case I can't get in? -All right. | 0:59:56 | 1:00:00 | |
You'd better wait. | 1:00:05 | 1:00:07 | |
You won't be long. | 1:00:07 | 1:00:10 | |
Oh, it is open. | 1:00:13 | 1:00:15 | |
I'll, er, put the light on for you. | 1:00:17 | 1:00:20 | |
Have some cocoa. | 1:00:44 | 1:00:47 | |
I don't want any cocoa. | 1:00:47 | 1:00:50 | |
-When am I going to see you again, Christine? -I don't know. | 1:01:06 | 1:01:11 | |
What about some supper after the lecture tomorrow night? | 1:01:11 | 1:01:15 | |
-I-I don't think I can do that. -Why not? | 1:01:15 | 1:01:18 | |
It's too complicated. | 1:01:18 | 1:01:21 | |
Well, what about coffee tomorrow morning? | 1:01:21 | 1:01:24 | |
Where? | 1:01:25 | 1:01:26 | |
-Central Hotel, 11.30. -TAXI HORN BEEPS | 1:01:26 | 1:01:29 | |
All right, I'll try. You must go. | 1:01:29 | 1:01:32 | |
Night, Christine. | 1:01:34 | 1:01:37 | |
And the next thing I know, my dear chap, she's in my arms. | 1:01:56 | 1:02:01 | |
-Her head comes up to about here. -Are you going to do something about it. -We're having coffee this morning. | 1:02:01 | 1:02:07 | |
-How's your lecture coming along? -All wrapped up and ready to go! Listen. | 1:02:07 | 1:02:12 | |
Now then, where are we? Here. | 1:02:12 | 1:02:15 | |
"And so, let each and every one of us speak out fearlessly in the cause of rustic culture. | 1:02:15 | 1:02:22 | |
"In this way, we will keep a garden in our hearts that is for ever Merrie England." | 1:02:22 | 1:02:28 | |
You're going to keep a garden in your heart? | 1:02:28 | 1:02:32 | |
-Does it mean anything? -Not a perishing thing! | 1:02:40 | 1:02:44 | |
"Keep a garden in your heart"?! They'll chuck chairs at you! | 1:02:50 | 1:02:56 | |
Oh, hello. | 1:03:14 | 1:03:16 | |
I'm sorry I'm late, Christine, | 1:03:16 | 1:03:19 | |
but, er, well, I got a bit held up. | 1:03:19 | 1:03:22 | |
How are you? | 1:03:22 | 1:03:24 | |
-(Fine.) -Good. | 1:03:24 | 1:03:27 | |
Like some coffee? Waiter, two coffees, please. | 1:03:27 | 1:03:31 | |
-You're not nervous being here with me, are you? -No. | 1:03:40 | 1:03:44 | |
Well, er, everything all right at the Welch's? | 1:03:48 | 1:03:52 | |
Yes. | 1:03:52 | 1:03:54 | |
No trouble about last night? | 1:03:54 | 1:03:56 | |
No. | 1:03:56 | 1:03:58 | |
-At least... -Yes? -Jim... | 1:03:58 | 1:04:00 | |
Yes, Christine. | 1:04:00 | 1:04:02 | |
Thank you! | 1:04:04 | 1:04:06 | |
Well? | 1:04:12 | 1:04:14 | |
-What? -You were just going to tell me something. | 1:04:14 | 1:04:17 | |
Oh, it doesn't matter. | 1:04:17 | 1:04:20 | |
-Look, have a cigarette. -No. Thank you. | 1:04:23 | 1:04:26 | |
Bertrand's been unpleasant, has he? | 1:04:26 | 1:04:30 | |
Not only Bertrand, all of them. | 1:04:30 | 1:04:33 | |
-They made me feel...mean. -They're pretty good at that. | 1:04:33 | 1:04:37 | |
Christine, is that what's upset you? | 1:04:37 | 1:04:40 | |
-I mean, not what happened last night? -Yes, it was, partly. | 1:04:40 | 1:04:45 | |
Partly? | 1:04:45 | 1:04:47 | |
Christine, I mean... | 1:04:47 | 1:04:49 | |
-Didn't you like what happened? -Yes. I mean, I did at the time. | 1:05:01 | 1:05:06 | |
-Now I...I don't think I should have come here this morning. -What's wrong with having coffee? | 1:05:06 | 1:05:12 | |
-Or rather, not having coffee. -It's not that. | 1:05:12 | 1:05:15 | |
What is it, then? Can't you tell me? | 1:05:15 | 1:05:18 | |
I just make trouble for everyone. I just make them unhappy. | 1:05:18 | 1:05:23 | |
Oh, for Pete's sake! | 1:05:23 | 1:05:26 | |
Look...Christine, you've made me happier than I've been for months. | 1:05:26 | 1:05:31 | |
That's just it, I was sort of settled with Bertrand till you came along. | 1:05:31 | 1:05:37 | |
Now I... Jim, I've decided what I'm going to do. | 1:05:37 | 1:05:41 | |
-Oh? What's that? -I'm going to give up men. | 1:05:41 | 1:05:44 | |
WHAT?! | 1:05:44 | 1:05:46 | |
What? | 1:05:48 | 1:05:50 | |
For a few years, anyway. I don't really think I'm old enough for this sort of thing. | 1:05:50 | 1:05:54 | |
Do stop worrying about your age. | 1:05:54 | 1:05:57 | |
-I've got to worry about it! Nobody else does. -You're not going. | 1:05:57 | 1:06:01 | |
-I shouldn't have come. -Are we going to see each other again? -It's better that we don't. | 1:06:01 | 1:06:07 | |
-I shall be coming to the lecture. -Lovely(!) Grand(!) -I'm sorry. I'm sure I'm doing the right thing. | 1:06:07 | 1:06:14 | |
-Goodbye. -This is ridiculous. | 1:06:14 | 1:06:16 | |
Christine! | 1:06:16 | 1:06:18 | |
-My change. -Change? | 1:06:47 | 1:06:50 | |
-Yes, I gave you two bob. -Coffee's 1/6. -That's right. | 1:06:50 | 1:06:54 | |
Most gentlemen give me a tip. | 1:06:57 | 1:07:00 | |
Most gentlemen would give you a kick up the...! | 1:07:00 | 1:07:04 | |
-What are you going to do? -I'm going to tell Welch where he gets off! | 1:07:23 | 1:07:29 | |
It's quite out of the question. | 1:07:29 | 1:07:32 | |
-We can't start chopping...and changing everything just because... -I just want to give my own lecture. | 1:07:32 | 1:07:39 | |
You are undermining my, er... my, er... | 1:07:39 | 1:07:42 | |
Going off in the middle of the ball! How can I explain that to Mrs Welch? | 1:07:42 | 1:07:48 | |
Or the disgrace you made of the, er, procession? | 1:07:48 | 1:07:50 | |
-But Mrs Welch... -Mrs Welch has nothing to do with it! | 1:07:50 | 1:07:54 | |
I can't be expected to suffer... My wife says not only the sheet, but two blankets as well! | 1:07:54 | 1:08:00 | |
-I should have apologised before, sir. -Please keep to the point! | 1:08:00 | 1:08:06 | |
You are representing me, Dixon, the history department. There's the question of your contract. | 1:08:06 | 1:08:12 | |
Ooh, I was something of a rebel myself at your age. | 1:08:12 | 1:08:16 | |
-Youth must give place to... -Yes, sir. | 1:08:16 | 1:08:20 | |
Good. I'm very glad we've had this little talk. I'm always behind you, Dixon. Don't forget that. | 1:08:20 | 1:08:26 | |
No, sir, I won't. | 1:08:26 | 1:08:29 | |
-It's all there in the manuscript I gave you. Merrie England. -PHONE RINGS | 1:08:29 | 1:08:34 | |
History speaking. | 1:08:42 | 1:08:45 | |
Ah! Here you are, Dixon. | 1:09:13 | 1:09:15 | |
-Go away! -Now, listen, you stinker... -Buzz off! I've got my lecture to... -Damn your lecture! About Christine. | 1:09:15 | 1:09:22 | |
-She's only a child. You ought to know better. I'm not having it, Dixon. -You've already had it! | 1:09:22 | 1:09:28 | |
-Precisely the attitude one expects. Amongst decent people, Dixon, there's a code. -Put a sock in it! -When... | 1:09:28 | 1:09:34 | |
-When a young girl becomes emotionally involved... -With you?! -Definitely. | 1:09:34 | 1:09:39 | |
-Has she told you? -I'm here to teach you manners, not answer questions! | 1:09:39 | 1:09:44 | |
-Some other time! -Why, you dirty little grammar-school pipsqueak! | 1:09:44 | 1:09:48 | |
-Put up your fists! -Melodramatic tripe! People stopped saying that when button-boots went out! -Father! | 1:09:48 | 1:09:55 | |
Right! You've asked for it. | 1:09:56 | 1:09:58 | |
Right. ..Ooh! | 1:10:00 | 1:10:02 | |
Perhaps that'll teach you a lesson! | 1:10:03 | 1:10:06 | |
JIM LAUGHS, KETTLE WHISTLES | 1:10:17 | 1:10:19 | |
DOG BARKS | 1:10:19 | 1:10:21 | |
Get down, blast you! | 1:10:27 | 1:10:29 | |
-Have I come at a bad time, old boy? -Not at all. Mr Welch is just going. | 1:10:29 | 1:10:35 | |
Boadicea, stop it! You won't get away with this, Dixon. | 1:10:35 | 1:10:39 | |
Not with me, you won't. Better start looking for another job. | 1:10:39 | 1:10:44 | |
Oh...fall down the stairs! | 1:10:44 | 1:10:46 | |
Come on. | 1:10:46 | 1:10:49 | |
Well! What was all that about? | 1:10:49 | 1:10:52 | |
-Christine. -Oh, jolly good. | 1:10:52 | 1:10:55 | |
-There. -Cheers. -Cheers. | 1:10:56 | 1:10:58 | |
-What about Christine? -She's given up men. -What's she going in for now? | 1:10:58 | 1:11:03 | |
-Why are we having a party? -Tune you up for the lecture. -I'm back up the creek with Merrie England. Look! | 1:11:03 | 1:11:10 | |
Nice! You're on in four hours' time. | 1:11:10 | 1:11:12 | |
-Oh! -Take a couple of these pills, old boy. They give you confidence. I use them for selling pre-war cars. | 1:11:12 | 1:11:19 | |
I say! That eye is going to be a beauty. | 1:11:19 | 1:11:23 | |
Tell you what - if you get stuck, I'll create a diversion. I'll faint. | 1:11:23 | 1:11:28 | |
-If you want me to, scratch your ear - like this. -Don't be a clot! | 1:11:28 | 1:11:33 | |
-Better shove this on your eye. -Ooh! | 1:11:33 | 1:11:35 | |
-Dinner jacket? -Yes. -Got a shirt? -Yes. -Good. Mine's filthy. | 1:11:35 | 1:11:40 | |
Given up men(?) She doesn't know what's good for her! | 1:11:40 | 1:11:44 | |
I've made up my mind, Bertrand. | 1:11:55 | 1:11:57 | |
My dear girl, by renouncing mankind, you can't possibly expect to solve your problems. | 1:11:57 | 1:12:03 | |
Though I must say, it shows a familiar defence mechanism. We'll talk about that later. | 1:12:03 | 1:12:09 | |
Look after her for me, will you? She's quite domesticated. | 1:12:09 | 1:12:13 | |
Thank you! | 1:12:15 | 1:12:17 | |
Merrie England - a subject I have studied over a period of many years. | 1:12:17 | 1:12:21 | |
-Chancellor, we're due on the platform in five minutes. -Excuse me. | 1:12:21 | 1:12:26 | |
-Welch, I'm looking forward to this lecture of Dixon's. -Hmm! | 1:12:26 | 1:12:30 | |
-SPLASHING -Ah! Dixon! | 1:12:39 | 1:12:43 | |
-Oh! Good evening, sir. -Nervous? -A bit, sir. | 1:12:43 | 1:12:47 | |
-Take a good pull at this. -Well... | 1:12:47 | 1:12:49 | |
-Go on! -Thank you very much, sir. | 1:12:49 | 1:12:52 | |
-Feel better? -Much, thank you, sir. As a matter of fact, I've already taken some pills to pep me up. | 1:13:08 | 1:13:14 | |
You have? Good Lord! Perhaps you oughtn't to have taken this. | 1:13:14 | 1:13:19 | |
-Pep pills and alcohol can make you drunk pretty quickly. -I'm feeling all right, thanks, sir. | 1:13:19 | 1:13:25 | |
-Nasty eye. -Yes, sir. | 1:13:25 | 1:13:28 | |
-You don't seem to have much luck, Dixon. -Oh, I dunno, sir. | 1:13:28 | 1:13:33 | |
-Where did you go to school? -Local grammar school, sir. -How long have you been in this game? -Nine months. | 1:13:33 | 1:13:39 | |
-Happy? -Not particularly. -Where's the trouble - in you or the job? | 1:13:39 | 1:13:43 | |
Oh, both, I daresay. I waste their time, and they waste mine. | 1:13:43 | 1:13:47 | |
-You think teaching history is a waste of time? -On the contrary, sir. | 1:13:47 | 1:13:51 | |
Well taught, it can do people a lot of good. Bad teaching's the trouble. | 1:13:51 | 1:13:55 | |
-I see. Well, Dixon, tonight you can show us how it's done. -Afraid not, sir. -Oh? | 1:13:55 | 1:14:02 | |
-The lecture isn't mine. It's Professor Welch's. -Welch's? -Yes. | 1:14:02 | 1:14:06 | |
By agreeing to give his, I may have saved myself from getting the sack. | 1:14:06 | 1:14:10 | |
-Really? -I'm afraid you're in for a boring evening, sir. -It's all right. I suffer hours of boredom every day. | 1:14:10 | 1:14:17 | |
-A couple more won't break my back. -Why do you stand for it, sir? You can afford not to. | 1:14:17 | 1:14:23 | |
I'm afraid that's a question I haven't time to answer now. You're the star tonight, Dixon. Good luck. | 1:14:23 | 1:14:29 | |
Thank you, sir. | 1:14:29 | 1:14:32 | |
Star! | 1:14:33 | 1:14:36 | |
HICCUPS | 1:14:36 | 1:14:38 | |
# Ooh, lucky! # | 1:14:40 | 1:14:43 | |
APPLAUSE | 1:14:46 | 1:14:49 | |
All right, Welch? | 1:14:57 | 1:14:59 | |
-CLEARS THROAT -Er, Chancellor, my Lord Mayor, ladies and gentlemen. | 1:15:07 | 1:15:13 | |
It is my happy duty to announce | 1:15:13 | 1:15:16 | |
that, er, er, Professor Bryant's lec... That although Professor Bryant cannot be with us tonight, | 1:15:16 | 1:15:22 | |
the History Memorial Lecture will be delivered by a member of my department. | 1:15:22 | 1:15:29 | |
It is natural, therefore, that he should have chosen for his subject | 1:15:32 | 1:15:36 | |
er, my, um... | 1:15:36 | 1:15:39 | |
That he should have chosen Merrie England. | 1:15:39 | 1:15:42 | |
Ladies and gentlemen, Mr Dixon. | 1:15:42 | 1:15:45 | |
LAUGHTER | 1:15:53 | 1:15:55 | |
AUDIENCE GASPS AND TITTERS | 1:16:10 | 1:16:13 | |
Pretty! | 1:16:14 | 1:16:16 | |
(Start, Dixon! Start!) | 1:16:31 | 1:16:33 | |
-(It is...) -CLEARS THROAT | 1:16:36 | 1:16:40 | |
-SLURRING: -It is a truism | 1:16:40 | 1:16:44 | |
that the character of an age | 1:16:44 | 1:16:47 | |
can best be defined in terms of its art. | 1:16:47 | 1:16:51 | |
(What's the matter, Dixon? Go on.) | 1:16:55 | 1:16:57 | |
Sorry, sir. A bit nervous. | 1:16:57 | 1:17:00 | |
-SLURRING EVEN MORE: -How better, then, can we reveal | 1:17:00 | 1:17:04 | |
the happy, carefree spirit of the Middle Ages than through its music? | 1:17:04 | 1:17:08 | |
And, in particular, | 1:17:08 | 1:17:11 | |
in the structure of the Tudor mad-rigal. | 1:17:11 | 1:17:16 | |
TITTERING | 1:17:16 | 1:17:19 | |
Ssh! Ssh! | 1:17:19 | 1:17:21 | |
It... | 1:17:23 | 1:17:25 | |
..would not be going too far to say | 1:17:28 | 1:17:31 | |
that the madrigal, in its purest form, | 1:17:31 | 1:17:36 | |
may be...in its purest form, | 1:17:36 | 1:17:40 | |
may be taken to represent the highest ideals of democracy. | 1:17:40 | 1:17:46 | |
As a 'stinguished scholar... | 1:17:47 | 1:17:50 | |
PEALS OF LAUGHTER | 1:17:50 | 1:17:53 | |
..distinguished scholar... Thank you very much, sir. Thank you. | 1:17:56 | 1:18:01 | |
..as a distinguished scholar has observed, | 1:18:01 | 1:18:05 | |
and happily he is with us here tonight... | 1:18:05 | 1:18:09 | |
.."While each strand in the marvellous web of polyphony | 1:18:17 | 1:18:21 | |
"is a thing of beauty and delight, | 1:18:21 | 1:18:24 | |
"the total effect to the outside listener | 1:18:24 | 1:18:28 | |
"may always seem to be less... less than the sum of its parts. | 1:18:28 | 1:18:33 | |
The fellow's an absolute fool! | 1:18:35 | 1:18:38 | |
(Get on with it, Dixon! Stop wasting time!) | 1:18:41 | 1:18:45 | |
How clear the implications are... | 1:18:54 | 1:18:57 | |
-This was performers' music... -GROWLING | 1:18:57 | 1:19:01 | |
Everybody sang, everybody - | 1:19:01 | 1:19:05 | |
scullions and serving wenches, they sang. | 1:19:05 | 1:19:09 | |
The lords and their ladies, they sang. And the children sang. | 1:19:09 | 1:19:13 | |
And the archers sang, | 1:19:13 | 1:19:15 | |
and the bowmen, and the yeomen, they sang. | 1:19:15 | 1:19:19 | |
There are cynics, of course, who will decry the moral influence of the lute. | 1:19:19 | 1:19:25 | |
WHIMPERING | 1:19:25 | 1:19:29 | |
THEY JEER | 1:19:39 | 1:19:41 | |
(Well, Dixon, continue. ..Dixon! | 1:19:48 | 1:19:53 | |
("It is not without significance...") | 1:19:53 | 1:19:56 | |
It is not without, er, significance | 1:19:58 | 1:20:02 | |
that the arts...the arts included | 1:20:02 | 1:20:07 | |
stained glass music... | 1:20:07 | 1:20:10 | |
..stained musical glass, | 1:20:10 | 1:20:13 | |
and arti-checture... | 1:20:13 | 1:20:17 | |
-especially a class-ecclesical architecture. -HICCUPS | 1:20:17 | 1:20:24 | |
(He's drunk!) | 1:20:24 | 1:20:27 | |
Such were the simple joys of olden times. | 1:20:27 | 1:20:30 | |
One wonders what the good citizens of that happy era would have thought of the effusions | 1:20:30 | 1:20:37 | |
of the radio, the cinema, | 1:20:37 | 1:20:40 | |
and television. | 1:20:40 | 1:20:42 | |
"One wonders"? Well, who wonders? | 1:20:45 | 1:20:49 | |
I don't wonder! Do YOU wonder? | 1:20:49 | 1:20:53 | |
NO-O! | 1:20:53 | 1:20:56 | |
-What do you think you're doing, Dixon? -What do I think I'm doing? That's a good one! Ha-ha-ha-ha! | 1:20:56 | 1:21:03 | |
I'll tell you what I'm doing! Henry Ford said, "History is bunk!" | 1:21:03 | 1:21:08 | |
-Well, if the stuff I've just dished out to you is history, Henry Ford was right! -Hurray! | 1:21:08 | 1:21:14 | |
Aagh! | 1:21:16 | 1:21:18 | |
Shut up! Don't worry about him, he's faking. Get up, Bill! I'm all right. | 1:21:20 | 1:21:25 | |
Merrie England?! Lutes and flutes and chase-me-round-the-maypole?! | 1:21:26 | 1:21:32 | |
Phoney baloney! It never was merrie! It was murder. | 1:21:32 | 1:21:36 | |
Poverty, starvation, ignorance, tyranny, bloodshed - the lot! | 1:21:36 | 1:21:41 | |
But the boys that feed you that soft-centred slop about the good old days, they don't want to know! | 1:21:41 | 1:21:47 | |
They can't take it! Facts are too nasty for them. Can't bear reality - cover it up, that's their motto. | 1:21:47 | 1:21:53 | |
Well, don't you do it. Just take a look at the facts - they're all around you. Don't be afraid of them. | 1:21:53 | 1:21:59 | |
They won't bite. They may nibble a bit, but you bite 'em back! | 1:21:59 | 1:22:04 | |
(What do you think you're doing?!) | 1:22:12 | 1:22:14 | |
There was another thing, too... | 1:22:14 | 1:22:17 | |
LOUD CHEERING | 1:22:19 | 1:22:21 | |
CHANTING: Good old Dixon! Good old Dixon! | 1:22:27 | 1:22:32 | |
Good old Dixon! Good old Dixon! | 1:22:32 | 1:22:34 | |
Good old Dixon! | 1:22:34 | 1:22:37 | |
Good old Dixon! Good old Dixon...! | 1:22:37 | 1:22:41 | |
BELLS CHIME | 1:22:44 | 1:22:47 | |
Perhaps it was all a little unfair. Only one of you against so many of us. Goodbye, Dixon. | 1:22:50 | 1:22:56 | |
Goodbye, sir. Thank you. | 1:22:56 | 1:22:58 | |
Oh, Dixon! | 1:22:59 | 1:23:02 | |
-In my day, we found Nelson's Blood was a help. -Sir? | 1:23:02 | 1:23:05 | |
Rum and strong ale - pulls you together. | 1:23:05 | 1:23:09 | |
Would aspirin do any good? | 1:23:18 | 1:23:21 | |
No. Nothing less than a guillotine. | 1:23:21 | 1:23:24 | |
What a farewell! How do you feel as a retired junior lecturer? | 1:23:24 | 1:23:29 | |
Oh! When I can feel anything, I think I'm going to feel fine. | 1:23:29 | 1:23:34 | |
Like getting out of jail! Ooh! | 1:23:34 | 1:23:36 | |
-That's where we dropped you, old boy. -Mmm? -Getting you upstairs. | 1:23:36 | 1:23:41 | |
-Well, what are you going to do? -Look for another job, I suppose. | 1:23:41 | 1:23:45 | |
I'm free, very ill and only 24. | 1:23:45 | 1:23:48 | |
Well, what else? | 1:23:48 | 1:23:51 | |
Ah! | 1:23:51 | 1:23:53 | |
Merrie ruddy England! Now, where are those sheets? | 1:23:53 | 1:23:57 | |
Coming up. | 1:23:57 | 1:23:59 | |
Right. Now for the Welches. | 1:24:02 | 1:24:05 | |
PHONE RINGS | 1:24:06 | 1:24:09 | |
Yes? ..Speaking. | 1:24:13 | 1:24:16 | |
..Who? | 1:24:16 | 1:24:19 | |
Oh! Oh, good morning, sir. | 1:24:19 | 1:24:22 | |
Yes, I'm afraid so, sir. | 1:24:22 | 1:24:24 | |
Have you got anything in view? Would you care to come and see me at my London office next week? | 1:24:24 | 1:24:31 | |
Oh, I would, sir. Thank you very much, sir. | 1:24:31 | 1:24:35 | |
..Thank you very much, sir. Goodbye, sir. | 1:24:37 | 1:24:41 | |
Johns, there's a call for you. | 1:24:44 | 1:24:46 | |
-Who is it? -The Principal. They're fetching him. You have to hold on. | 1:24:46 | 1:24:51 | |
Hello? | 1:24:53 | 1:24:55 | |
Well, good luck, old boy. | 1:25:10 | 1:25:12 | |
-Thanks, Bill. So long. -So long. | 1:25:12 | 1:25:15 | |
Hello? | 1:25:23 | 1:25:25 | |
RINGS DOORBELL | 1:25:29 | 1:25:32 | |
Well? | 1:25:32 | 1:25:35 | |
Ah! Good morning, Mrs Welch. I owe you a sheet and two blankets. | 1:25:35 | 1:25:39 | |
-Hope you like the colour - white. -Dixon! Where have you been? I was phoning. -I had to see the principal. | 1:25:39 | 1:25:46 | |
-Nonsense. You only see the principal through me. -This was urgent. -You saw him over my head? -You weren't there. | 1:25:46 | 1:25:53 | |
-You have the impertinence to come here... -Please, let me deal with it. | 1:25:53 | 1:25:57 | |
-I'll see you in my rooms... -Sorry, it's impossible. -You've a nerve! | 1:25:57 | 1:26:02 | |
-Let me handle this. Dixon's a member of my staff... -But I'm not. -What? | 1:26:02 | 1:26:06 | |
-Your staff. I've resigned. -Rubbish! It's not the end of term. | 1:26:06 | 1:26:10 | |
-Your contract... -Stick it up your jumper! | 1:26:10 | 1:26:13 | |
-I beg your pardon, Mrs Welch. -Neddy, Bertrand, are you going to allow...? | 1:26:13 | 1:26:18 | |
-No, I'm not! Look here, Dixon... -One at a time, please. | 1:26:18 | 1:26:22 | |
Mrs Welch, you've got your sheets. No need for thanks. | 1:26:22 | 1:26:26 | |
Here's Merrie England. It had me in fits. Get Johns to set it to music. Oh, and razor blades for Junior. | 1:26:26 | 1:26:32 | |
-If you don't get out of here, I'll...I'll... -Well, go on. | 1:26:32 | 1:26:37 | |
-I'll give you the biggest... -Bertrand! -Listen to me... | 1:26:37 | 1:26:40 | |
THEY SHOUT OVER EACH OTHER | 1:26:40 | 1:26:43 | |
Quiet! | 1:26:43 | 1:26:46 | |
-Now, I'd like to speak to Christine. -Oh, would you? | 1:26:46 | 1:26:50 | |
-Ah, James! -Look, I was just going. I came to say goodbye. -Goodbye? | 1:26:56 | 1:27:02 | |
-Yes, I'm leaving, but I've got to see Christine. -Well, you won't. | 1:27:02 | 1:27:06 | |
-Oh, won't I? Christine! -James, stop behaving like an idiot. She's gone. | 1:27:06 | 1:27:11 | |
On the 11.15. So you may as well calm down and listen to me. | 1:27:11 | 1:27:15 | |
I think we ought to go somewhere quiet and talk this over calmly. The last time we were together... | 1:27:15 | 1:27:22 | |
James! | 1:27:25 | 1:27:26 | |
James! | 1:27:28 | 1:27:30 | |
James! | 1:27:30 | 1:27:32 | |
-Who's there? -It's Dixon! He's stolen the car! -Dixon's stolen the car! | 1:27:33 | 1:27:39 | |
-Well, stop him! -How? -I'll catch him! | 1:27:39 | 1:27:41 | |
-Get the police. -Too late. Margaret, is this yours? Can I borrow it? -Yes. I'll ring for the police. | 1:27:41 | 1:27:47 | |
-He'll make straight for the station. -The station, quick! | 1:27:47 | 1:27:51 | |
Blasted thing! | 1:27:51 | 1:27:54 | |
Mad! Ought to be locked up. | 1:28:42 | 1:28:45 | |
-Mother must have taken the short cut. -The what? -The short cut - across the stile. | 1:28:55 | 1:29:01 | |
-Never get a car over there! -Not Dixon! Mother! -Other what? | 1:29:01 | 1:29:07 | |
BANG! | 1:29:22 | 1:29:24 | |
TRAIN WHISTLES | 1:29:38 | 1:29:40 | |
Single to London, quick! | 1:30:04 | 1:30:07 | |
-It's a disgrace! -What does it mean? | 1:30:13 | 1:30:15 | |
BLOWS WHISTLE | 1:30:15 | 1:30:18 | |
Open her up! Come on! Quick! Sharpish! All right, throw her in! | 1:30:22 | 1:30:28 | |
# Oh, Lucky Jim | 1:30:53 | 1:30:55 | |
# How I envy him | 1:30:55 | 1:30:58 | |
# Oh, Lucky Jim | 1:30:58 | 1:31:02 | |
# How I envy | 1:31:02 | 1:31:07 | |
# How I envy him! | 1:31:07 | 1:31:13 | |
# Oh, Lucky Jim | 1:31:15 | 1:31:20 | |
# How...I envy him! # | 1:31:21 | 1:31:25 | |
Subtitles by Red Bee Media Ltd | 1:31:25 | 1:31:28 |