
Browse content similar to Nothing to Lose. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains very strong language | 0:00:02 | 0:00:12 | |
Where do I start? | 0:00:12 | 0:00:14 | |
SIGHS | 0:00:17 | 0:00:19 | |
It's not you. | 0:00:19 | 0:00:22 | |
Well, actually, it is you. | 0:00:23 | 0:00:25 | |
Look, I'm just not... | 0:00:27 | 0:00:30 | |
I'm not attracted to you any more. | 0:00:30 | 0:00:32 | |
I need space. | 0:00:34 | 0:00:36 | |
You kinda... | 0:00:38 | 0:00:40 | |
You kinda gross me out. | 0:00:42 | 0:00:45 | |
In the beginning, it was different. | 0:00:48 | 0:00:50 | |
In the beginning, you were better. | 0:00:50 | 0:00:52 | |
But then I got to know you real well, and... | 0:00:52 | 0:00:57 | |
I-I came to realise... | 0:00:57 | 0:01:00 | |
..that you're a fat idiot. | 0:01:03 | 0:01:05 | |
BOTH LAUGHING | 0:01:05 | 0:01:07 | |
I got ya. I got ya. | 0:01:07 | 0:01:09 | |
OK. OK. | 0:01:09 | 0:01:11 | |
OK, OK, OK. Let me try it. | 0:01:11 | 0:01:13 | |
You gotta be straight. Straight face. OK. OK. | 0:01:13 | 0:01:15 | |
OK. All right. OK. | 0:01:15 | 0:01:17 | |
I want a divorce. | 0:01:17 | 0:01:20 | |
Why? | 0:01:20 | 0:01:23 | |
It's a physical thing. | 0:01:23 | 0:01:26 | |
Physical? | 0:01:26 | 0:01:28 | |
I've been experimenting with other men lately. | 0:01:28 | 0:01:31 | |
A lot of other men... and women. | 0:01:31 | 0:01:35 | |
SIGHS: I don't know. | 0:01:35 | 0:01:38 | |
I mean, Antonio can do this thing with his tongue, | 0:01:38 | 0:01:41 | |
and William's stamina is amazing. | 0:01:41 | 0:01:46 | |
And as far as hands go, well, your father's hands are... | 0:01:46 | 0:01:50 | |
WHOOPING | 0:01:50 | 0:01:52 | |
You are no match. I have no equal. | 0:01:52 | 0:01:55 | |
YELLS Get down here. | 0:01:55 | 0:01:58 | |
# If the shoe fits | 0:01:58 | 0:02:01 | |
# I want you to wear it and wear it good | 0:02:01 | 0:02:04 | |
# Sulkin' about them times when I was by myself | 0:02:06 | 0:02:11 | |
# I was always lookin' for somebody else | 0:02:11 | 0:02:15 | |
# But as time went on I had a talk with my mind | 0:02:15 | 0:02:19 | |
# Friends like you and you I gotta leave behind | 0:02:19 | 0:02:23 | |
# And I'm sayin' call me a fool | 0:02:23 | 0:02:26 | |
# Cos you only rub it in | 0:02:26 | 0:02:28 | |
# And I'll never see you if I had known I'll never see them again | 0:02:28 | 0:02:33 | |
# Cos, well I know the difference just stay in my own business | 0:02:33 | 0:02:36 | |
# And I'll never, ever dump it on you | 0:02:36 | 0:02:40 | |
# Friends and enemies around me every day | 0:02:41 | 0:02:45 | |
# I can't believe the things they say | 0:02:45 | 0:02:50 | |
# Takin' me for granted give me no credit at all | 0:02:50 | 0:02:54 | |
# I'll just keep bouncin' like a bouncin' ball... # | 0:02:54 | 0:02:59 | |
VOCALIZING | 0:02:59 | 0:03:01 | |
# I don't wanna step on nobody's foot but... # | 0:03:05 | 0:03:08 | |
VOCALIZING | 0:03:08 | 0:03:11 | |
# You call me a fool but you only rub it in | 0:03:15 | 0:03:19 | |
# And I'll never see you if I had known | 0:03:19 | 0:03:22 | |
# I'll never see that again | 0:03:22 | 0:03:24 | |
# Cos, well, I know the difference Just stay in my own business | 0:03:24 | 0:03:28 | |
# I'll never, ever depend on you. # | 0:03:28 | 0:03:32 | |
MAN IMITATES ENGINE | 0:03:36 | 0:03:39 | |
CONTINUES IMITATING | 0:03:42 | 0:03:45 | |
B-B-Brickman's! | 0:03:49 | 0:03:52 | |
B-B-Brickman's Powerboats! | 0:03:52 | 0:03:55 | |
Get it? Brickman's sells powerboats. | 0:03:55 | 0:03:58 | |
We make the company mascot a powerboat. | 0:03:58 | 0:04:00 | |
What do you think? | 0:04:00 | 0:04:02 | |
I like it. | 0:04:02 | 0:04:04 | |
Good work, Allan. Zachary, you're up. | 0:04:04 | 0:04:07 | |
Ladies and gentlemen, Zachary. CHEERING AND APPLAUSE | 0:04:07 | 0:04:11 | |
I haven't taken it to the focus group yet. | 0:04:11 | 0:04:14 | |
But I just wanted you to know these are just preliminary sketches. | 0:04:14 | 0:04:17 | |
Zach. | 0:04:17 | 0:04:18 | |
Ladies and gentlemen, | 0:04:18 | 0:04:19 | |
in producing the new mascot for Hi-Di-Ho Cookies... | 0:04:19 | 0:04:23 | |
# Da-da-da-dum! # | 0:04:23 | 0:04:24 | |
Zippy! | 0:04:24 | 0:04:26 | |
What is that? | 0:04:34 | 0:04:36 | |
Zippy. | 0:04:36 | 0:04:37 | |
What is Zippy? | 0:04:37 | 0:04:38 | |
The Cookie Man. | 0:04:38 | 0:04:39 | |
What is that behind him? > | 0:04:40 | 0:04:43 | |
A trail of chocolate chips. | 0:04:43 | 0:04:44 | |
Wherever Zippy goes, he leaves a magical trail of chocolate for... | 0:04:44 | 0:04:49 | |
Magical? This looks like poo. > | 0:04:49 | 0:04:51 | |
It looks like Zippy's walking around just crapping all over the place. | 0:04:51 | 0:04:56 | |
No, those are chocolate chips. | 0:04:56 | 0:04:57 | |
What do you think it looks like? | 0:04:57 | 0:04:59 | |
Excrement. | 0:04:59 | 0:05:00 | |
Zach, let's just say you're about to take a big bite of a juicy chocolate chip cookie. | 0:05:00 | 0:05:04 | |
What's the last image you want floating through your head? | 0:05:04 | 0:05:08 | |
Excrement? Right. | 0:05:08 | 0:05:09 | |
I'm gonna go out on a limb and say we should avoid all bowel-related items with this particular product. | 0:05:09 | 0:05:15 | |
Just a hunch, you know? I'll work up something different. | 0:05:15 | 0:05:18 | |
PHONE RINGS Nick Beam's office. | 0:05:18 | 0:05:20 | |
Oh, hi, Ann. | 0:05:20 | 0:05:21 | |
Ooh, aah... | 0:05:21 | 0:05:23 | |
Everybody out. Big business deal. | 0:05:23 | 0:05:26 | |
Hello. | 0:05:27 | 0:05:28 | |
Now we're still on for tonight. You stood me up twice, you know? | 0:05:28 | 0:05:31 | |
It's a done deal. New York Philharmonic. Last night in town. | 0:05:31 | 0:05:33 | |
I'll be escorting the sexiest woman in the world. | 0:05:33 | 0:05:35 | |
What about me? We'll bring ya. | 0:05:35 | 0:05:37 | |
Oh, guess what? | 0:05:37 | 0:05:39 | |
My sister left a message on the machine. She's coming in with her fiance next Friday. | 0:05:39 | 0:05:43 | |
No. Oh, wow. Yeah! | 0:05:43 | 0:05:45 | |
I finally get to meet the mysterious queen of the Peace Corps. | 0:05:45 | 0:05:48 | |
Yes, you do. Hey, can you pick 'em up? | 0:05:48 | 0:05:50 | |
Yeah, sure. When is it? | 0:05:50 | 0:05:53 | |
A week from today. | 0:05:53 | 0:05:55 | |
I think it'll be around 10.30. I'm not sure. I'll have to check. | 0:05:55 | 0:05:59 | |
PB wants to see you ASAP. | 0:05:59 | 0:06:01 | |
Sorry, honey, I gotta go. There's an onslaught of initials coming at me. | 0:06:01 | 0:06:05 | |
- OK. Tell him hello. - I will. | 0:06:05 | 0:06:07 | |
- I hate you. - Me too. Bye. | 0:06:07 | 0:06:10 | |
Phillip. | 0:06:10 | 0:06:13 | |
Nick. | 0:06:13 | 0:06:15 | |
Oh, oh! Bungee jumping. Sunday. | 0:06:16 | 0:06:19 | |
Nick! | 0:06:19 | 0:06:21 | |
No thanks, Phillip. | 0:06:21 | 0:06:23 | |
- PB. - No thanks, PB. | 0:06:23 | 0:06:26 | |
- Nick? - PB? | 0:06:26 | 0:06:29 | |
OK, OK. OK, forget it. | 0:06:29 | 0:06:32 | |
This guy is new. Yeah. What do you think? | 0:06:32 | 0:06:35 | |
Uh, I think he likes me. | 0:06:35 | 0:06:39 | |
Niroog, the fertility god. | 0:06:39 | 0:06:42 | |
Boy, I like looking at this. | 0:06:42 | 0:06:44 | |
Handmade in the paleolithic period. | 0:06:44 | 0:06:46 | |
Had to sacrifice my Ides of March gold Aureus in trade. | 0:06:46 | 0:06:50 | |
Pity. But, er, I think worth it. | 0:06:50 | 0:06:54 | |
So, which one of you wanted to see me? | 0:06:54 | 0:06:56 | |
Charles Mcginty is coming in at 5.00. The Charles Mcginty? | 0:06:56 | 0:07:00 | |
"Mcginty Crackers" Charles Mcginty? The very same. Fantastic. | 0:07:00 | 0:07:03 | |
Anyway, I was supposed to have dinner with Mcginty tonight. I'd love for you to stand in. | 0:07:03 | 0:07:06 | |
Oh, no, er... Phillip, I promised Ann I would... | 0:07:06 | 0:07:09 | |
Nick. Oh, Nick. You gotta help me out here. | 0:07:09 | 0:07:12 | |
I don't get this lucky every day. | 0:07:12 | 0:07:14 | |
Look, if this is about a woman... You're a pal. | 0:07:14 | 0:07:17 | |
I gotta go. | 0:07:17 | 0:07:19 | |
It just needs to be... Guess who just called? | 0:07:21 | 0:07:23 | |
Ann's divorce lawyer? | 0:07:23 | 0:07:26 | |
Mcginty's secretary. He's rescheduling. | 0:07:26 | 0:07:28 | |
- All right! Yes! - Want me to get Ann on the line? | 0:07:28 | 0:07:32 | |
No, I'm gonna try to beat her home. I wanna surprise her. | 0:07:32 | 0:07:36 | |
This is great, huh? | 0:07:36 | 0:07:38 | |
ELEVATOR DINGS | 0:07:40 | 0:07:42 | |
- The wife again? - No, I just met this incredible brunette on the elevator. | 0:07:53 | 0:07:58 | |
Well, I'm jealous. What would I have to do to get flowers all the time? | 0:07:58 | 0:08:02 | |
You don't get flowers all the time? Nope. | 0:08:02 | 0:08:04 | |
That's a crime. | 0:08:04 | 0:08:06 | |
GLASS SHATTERS MAN MUTTERS | 0:08:31 | 0:08:34 | |
MUTTERING | 0:08:59 | 0:09:01 | |
MUTTERING CONTINUES | 0:09:07 | 0:09:09 | |
BED SQUEAKS | 0:09:20 | 0:09:23 | |
MOANING | 0:09:28 | 0:09:31 | |
Phillip. | 0:10:09 | 0:10:11 | |
MOANING CONTINUES | 0:10:14 | 0:10:16 | |
CAR HORNS HONK | 0:10:42 | 0:10:44 | |
Hey, asshole, get out of the road! | 0:10:49 | 0:10:52 | |
# Jump, jump, jump, jump, jump, jump, jump, jump, jump, jump | 0:11:01 | 0:11:04 | |
# I say fight you're outta the corner a day late, a dollar short | 0:11:04 | 0:11:07 | |
# Friday mornings most people don't get... # | 0:11:07 | 0:11:09 | |
INDISTINCT | 0:11:09 | 0:11:12 | |
# You change your life from left to right you get your wit tracks tight | 0:11:12 | 0:11:14 | |
# Must be testing the master | 0:11:14 | 0:11:16 | |
# The under hood the underworld's under man | 0:11:16 | 0:11:18 | |
# Never mind being understood long as we understand | 0:11:18 | 0:11:21 | |
# You can't twist transistor mixing friends | 0:11:21 | 0:11:23 | |
# Soldiers over here don't snitch they bitch and bit | 0:11:23 | 0:11:25 | |
# All hours while the crowds peepin' in... # | 0:11:25 | 0:11:28 | |
FADES | 0:11:28 | 0:11:31 | |
Welcome to hell, bitch. | 0:11:40 | 0:11:43 | |
Car, keys, wallet. Now! | 0:11:43 | 0:11:45 | |
Did you hear what I said? | 0:11:47 | 0:11:50 | |
< Now, you listen and you listen good. | 0:11:50 | 0:11:53 | |
This is a gun. Don't be fucking around with no gun, white boy! | 0:11:53 | 0:11:57 | |
Helen Keller, I'm talkin' to you. | 0:11:57 | 0:11:59 | |
I know you hear what I'm sayin'. | 0:11:59 | 0:12:02 | |
Boy, did you pick the wrong guy on the wrong day. | 0:12:03 | 0:12:07 | |
Oh! | 0:12:08 | 0:12:09 | |
Shit. | 0:12:12 | 0:12:13 | |
Oh, you're trying to lock me... U-u-unlock the door. | 0:12:14 | 0:12:17 | |
Stop it, man! Stop the car! | 0:12:18 | 0:12:21 | |
Stop the car! | 0:12:21 | 0:12:22 | |
SCREAMS | 0:12:22 | 0:12:24 | |
You're driving on the sidewalk, man! People got to walk there! | 0:12:28 | 0:12:32 | |
AGH! Pull over, man! | 0:12:32 | 0:12:35 | |
White boy, I said, pull over! | 0:12:35 | 0:12:38 | |
TYRES SCREECH | 0:12:38 | 0:12:39 | |
SCREAMING, HORNS HONKING | 0:12:39 | 0:12:41 | |
Yo, man, there's a truck. | 0:12:46 | 0:12:48 | |
I said, yo, man, there's a truck. | 0:12:48 | 0:12:51 | |
Yo, man, there's a truck right there. Stop! | 0:12:51 | 0:12:54 | |
What about my wallet? You wanted to rob me, didn't you? | 0:13:05 | 0:13:08 | |
Yes. I distinctly remember you wanting to rob me. | 0:13:08 | 0:13:11 | |
Here's my wallet. You want it? | 0:13:11 | 0:13:13 | |
Here it is. Here. Here. Right out there. | 0:13:13 | 0:13:16 | |
What you doin', man? That was money. | 0:13:17 | 0:13:18 | |
Oh, I'm sorry. I got something else for you. SCREAMS | 0:13:18 | 0:13:22 | |
I'm blind! I can't see. | 0:13:22 | 0:13:25 | |
The honeys dug my eyes. The honeys dug my eyes. | 0:13:27 | 0:13:32 | |
CAR HORNS HONK, SCREAMS | 0:13:33 | 0:13:36 | |
All right, you win, man. All right? Is that what you wanna hear? You win. | 0:14:08 | 0:14:12 | |
What the fuck? | 0:14:18 | 0:14:20 | |
No, you ain't one of them desert slashers, are you? | 0:14:20 | 0:14:23 | |
Cut a person's body up and leave it out in the desert in little tiny pieces and shit, huh? | 0:14:23 | 0:14:28 | |
Oh, shit! We are in the fucking desert. | 0:14:28 | 0:14:32 | |
I'm in the car with a psycho, freaky, Jason hack-killer mother fucker. | 0:14:32 | 0:14:37 | |
Hey, please don't kill me, freaky Jason. | 0:14:37 | 0:14:41 | |
I said, please don't kill me, freaky Jason. | 0:14:41 | 0:14:44 | |
I done fucking caught a ride with the wrong white boy! | 0:14:46 | 0:14:51 | |
Get out. With pleasure. | 0:15:11 | 0:15:14 | |
Sayo-fucking-nara, pal. | 0:15:14 | 0:15:17 | |
Oh, I can't feel my ass. | 0:15:19 | 0:15:23 | |
My ass done fell asleep. | 0:15:23 | 0:15:25 | |
I didn't even know an ass could fall asleep! | 0:15:25 | 0:15:28 | |
It's all tingly! | 0:15:28 | 0:15:31 | |
Come on, man. You can't leave me out here. | 0:15:31 | 0:15:33 | |
Yo, man! You can't just leave me out here. | 0:15:33 | 0:15:37 | |
OK, I'll make a deal with you. | 0:16:03 | 0:16:06 | |
You drive me home, I'll forget about this whole kidnapping shit. | 0:16:06 | 0:16:09 | |
Oh, come on. | 0:16:09 | 0:16:12 | |
Hello. You tried to rob me. | 0:16:12 | 0:16:14 | |
You had a gun to my head. | 0:16:16 | 0:16:19 | |
Look, I told you the gun wasn't loaded. | 0:16:19 | 0:16:22 | |
You got yourself into this. | 0:16:22 | 0:16:24 | |
You know what you are? You're a bad person. You're an armed robber. | 0:16:24 | 0:16:28 | |
Don't expect me to feel sorry for you. | 0:16:28 | 0:16:30 | |
Excuse me. Is there a problem here? | 0:16:30 | 0:16:33 | |
- Yes. - Is this man botherin' you? | 0:16:33 | 0:16:35 | |
- Yes, he is. - Oh, so you're just gonna come right at the brother. | 0:16:35 | 0:16:38 | |
Why don't you ask if he's bothering me? | 0:16:38 | 0:16:40 | |
Lady, for all you know, I could be Denzel Washington. | 0:16:40 | 0:16:43 | |
Take a good look. | 0:16:43 | 0:16:45 | |
He could be some celebrity stalker. | 0:16:45 | 0:16:48 | |
I'm gonna have to ask you to pay for this coffee now, | 0:16:48 | 0:16:50 | |
cos I've seen these things escalate before. | 0:16:50 | 0:16:53 | |
No problem. | 0:16:53 | 0:16:55 | |
My wallet. | 0:16:55 | 0:16:57 | |
Wow! | 0:17:00 | 0:17:02 | |
Looks like the celebrity stalker don't have a wallet. | 0:17:02 | 0:17:06 | |
Oh, well, thank you. I will get your change, sir. | 0:17:06 | 0:17:10 | |
CHUCKLING > | 0:17:12 | 0:17:14 | |
What? You want me to thank you? | 0:17:14 | 0:17:18 | |
So I owe you a buck. | 0:17:18 | 0:17:20 | |
How was you goin' to get gas? | 0:17:20 | 0:17:22 | |
You don't have no money, no credit cards. | 0:17:22 | 0:17:24 | |
No ID. | 0:17:24 | 0:17:26 | |
Shit, man. | 0:17:26 | 0:17:29 | |
OK. All right. | 0:17:29 | 0:17:32 | |
You give me money for gas, and I'll...take you back. | 0:17:32 | 0:17:37 | |
I'm cool. I'm... I'm straight. | 0:17:37 | 0:17:39 | |
As a matter of fact, I like it out here in the desert. | 0:17:39 | 0:17:43 | |
You know, you get all sweaty. | 0:17:43 | 0:17:45 | |
Just bubbling off your ass. | 0:17:45 | 0:17:47 | |
Just... What? | 0:17:47 | 0:17:49 | |
I just remembered. | 0:17:49 | 0:17:52 | |
I have a spare credit card in the side compartment. | 0:17:52 | 0:17:55 | |
Uh-uh. Like hell! | 0:18:06 | 0:18:09 | |
What's up? CHUCKLING | 0:18:09 | 0:18:11 | |
What's up, white boy? W-w-what's up, huh? | 0:18:11 | 0:18:15 | |
Come on, come on. What ya got? | 0:18:15 | 0:18:17 | |
Huh? Look at you. You fucked around and got dropped. | 0:18:17 | 0:18:21 | |
Get the fuck outta here. | 0:18:30 | 0:18:32 | |
- What? - You hit like a ole girl, man. | 0:18:32 | 0:18:35 | |
Get on out of here, man. Go about your business. | 0:18:35 | 0:18:38 | |
Mother... | 0:18:40 | 0:18:44 | |
What the hell is this, your merry-go-round move? | 0:18:46 | 0:18:51 | |
Thank you. | 0:19:20 | 0:19:22 | |
Hey. Oh! | 0:19:34 | 0:19:36 | |
I didn't know it was expired. I never use it. | 0:19:38 | 0:19:42 | |
So why are you out here? | 0:19:45 | 0:19:47 | |
What do you care? I'm curious. | 0:19:47 | 0:19:50 | |
I'm a student of human nature. | 0:19:50 | 0:19:52 | |
You're a freak of human nature. | 0:19:52 | 0:19:54 | |
That's all right. I forgive you. | 0:19:54 | 0:19:57 | |
It's clear you have woman problems. | 0:19:57 | 0:20:00 | |
You're way off base. | 0:20:00 | 0:20:02 | |
I'm off base? Yeah. Way off base. | 0:20:02 | 0:20:05 | |
She mess around on you? Look... | 0:20:05 | 0:20:07 | |
Even if I wanted to talk about it - which I don't - it wouldn't be with you. | 0:20:07 | 0:20:10 | |
You give her some nastiness? | 0:20:10 | 0:20:13 | |
I know you gave her some serious nastiness. Just forget it. | 0:20:13 | 0:20:15 | |
What about him? Did you fuck him up? | 0:20:15 | 0:20:17 | |
Did you whoop his ass? | 0:20:17 | 0:20:20 | |
I bet you hit that fucker with a bat, didn't ya? | 0:20:20 | 0:20:23 | |
Kling! Pow! Fucked his ass up, didn't ya? | 0:20:23 | 0:20:25 | |
No, wait a minute. You capped him. | 0:20:25 | 0:20:28 | |
You capped that mother, didn't you? | 0:20:28 | 0:20:30 | |
That's why you out here in the desert, ain't ya? | 0:20:30 | 0:20:32 | |
Look, I didn't shoot him. I didn't say anything to my wife. I just left. | 0:20:32 | 0:20:35 | |
What do you mean, you just left? Just left. | 0:20:35 | 0:20:37 | |
I-I saw them doing... you know, | 0:20:37 | 0:20:40 | |
and I...walked away. | 0:20:40 | 0:20:44 | |
What a pussy! | 0:20:45 | 0:20:48 | |
No wonder your woman is sneaking behind your back, man. | 0:20:48 | 0:20:52 | |
Know what your problem is? You don't have the respect of your woman, man. | 0:20:52 | 0:20:56 | |
That's what it is. Me, I got all that. | 0:20:56 | 0:20:58 | |
I go home, my dinner's on the table. | 0:20:58 | 0:21:00 | |
Bam! I don't wanna hear shit, woman. | 0:21:00 | 0:21:02 | |
And if I want lovin' - if I'm in the mood - I get that, too. | 0:21:02 | 0:21:05 | |
You're so full of shit. What would you have done? | 0:21:05 | 0:21:07 | |
I'd have went back to that house and pulled a Terminator on the front door. | 0:21:07 | 0:21:10 | |
Boom, boom, boom! Who do you think you're playin' with, woman? | 0:21:10 | 0:21:13 | |
Who do you think I am, some fruity pie? I ain't no fruity pie. | 0:21:13 | 0:21:17 | |
I'm...I'm Nick Beam. | 0:21:17 | 0:21:19 | |
That's what I told her. I'm Nick Beam. | 0:21:19 | 0:21:21 | |
And Nick Beam ain't puttin' up with that bullshit. | 0:21:21 | 0:21:25 | |
She'd have been crying, you know? "Oh, Nick, oh, Nick, please take me back. | 0:21:25 | 0:21:29 | |
"Please, please, Nick. It was only one time." | 0:21:29 | 0:21:31 | |
I'm gonna "one time" your ass. Nick Beam is the master of his fate, | 0:21:31 | 0:21:35 | |
the ruler of his destiny. | 0:21:35 | 0:21:37 | |
So if you wanna cry on somebody's shoulder, | 0:21:37 | 0:21:39 | |
why don't you cry on superdick? | 0:21:39 | 0:21:41 | |
As for Nick Beam, I'm fit, lit, | 0:21:41 | 0:21:44 | |
and I damn sure ain't takin' no shit. | 0:21:44 | 0:21:46 | |
So you can get the fuck out. | 0:21:46 | 0:21:51 | |
That's what I'd 'a told the bitch. | 0:21:53 | 0:21:55 | |
That's what I'd 'a told the bitch. | 0:21:55 | 0:21:58 | |
What the...? | 0:22:02 | 0:22:04 | |
MAN: Hey, hold it. Hold it. Break it up. Break it up. | 0:22:04 | 0:22:07 | |
Should I pay cash, or do you wanna use your credit card? | 0:22:07 | 0:22:11 | |
HE LAUGHS | 0:22:11 | 0:22:15 | |
PUMP DINGS | 0:22:16 | 0:22:17 | |
Ah! Oh! Shit! | 0:22:36 | 0:22:39 | |
< Put the money in the bag. | 0:22:39 | 0:22:42 | |
Put the money in the fucking bag! | 0:22:42 | 0:22:44 | |
Shit. | 0:22:44 | 0:22:45 | |
Let's go! | 0:22:45 | 0:22:47 | |
Shit. | 0:22:51 | 0:22:53 | |
You weren't gonna leave without me, were you? | 0:22:54 | 0:22:56 | |
- What do you think you're doing? - There's a special they got goin'. | 0:22:56 | 0:22:59 | |
You get a free stack of cash with every fill-up. Some luck, huh? | 0:22:59 | 0:23:02 | |
How stupid can you be? | 0:23:02 | 0:23:05 | |
- We'd better get out of here. - You take that money back. | 0:23:05 | 0:23:07 | |
COCKS RIFLE I'm serious, man. We'd better get goin'. | 0:23:07 | 0:23:09 | |
We'll get going as soon as you bring back that money. | 0:23:09 | 0:23:12 | |
- I'm not bullshitting! Move out! - I'm not going anywhere until... | 0:23:12 | 0:23:15 | |
Here we go. | 0:23:15 | 0:23:18 | |
Why? | 0:23:26 | 0:23:28 | |
I didn't have any money, man. | 0:23:28 | 0:23:29 | |
Oh, you had money. No. That five dollars I gave the waitress was it. | 0:23:29 | 0:23:33 | |
Oh, great. Buford's come to kill us. | 0:23:34 | 0:23:38 | |
TRUCK HORN HONKS | 0:23:38 | 0:23:41 | |
Persistent hillbilly mother fucker. He has every right to be. | 0:23:41 | 0:23:45 | |
You robbed him... at gunpoint. | 0:23:45 | 0:23:48 | |
You dick! | 0:23:48 | 0:23:49 | |
Hey, hey, you're the one who threw the wallet out the fuckin' window. | 0:23:49 | 0:23:53 | |
Smart(!) | 0:23:53 | 0:23:55 | |
POLICE SIREN WAILS Great. | 0:23:55 | 0:23:57 | |
Oh, shit. | 0:24:00 | 0:24:02 | |
- All right, man. What you doin'? - Come on, asshole. | 0:24:07 | 0:24:10 | |
Well, would you look at these crazy sons of bitches? | 0:24:12 | 0:24:16 | |
Oh, no. We gonna die. Pull off the road. | 0:24:16 | 0:24:18 | |
Pull off the fuckin' road! | 0:24:18 | 0:24:21 | |
Oh, shit! | 0:24:21 | 0:24:24 | |
- Oh, shit! - Oh, shit! | 0:24:24 | 0:24:27 | |
Hey, Earl. | 0:24:48 | 0:24:50 | |
Oh... | 0:25:00 | 0:25:02 | |
I'm alive! You alive! | 0:25:02 | 0:25:06 | |
How'd you know that hillbilly was gonna turn first? | 0:25:06 | 0:25:09 | |
You did know he was gonna turn first, didn't ya? | 0:25:09 | 0:25:11 | |
You know what? | 0:25:11 | 0:25:14 | |
It don't even matter. I'm alive! | 0:25:14 | 0:25:17 | |
You alive, man! | 0:25:17 | 0:25:19 | |
Get out! What? | 0:25:30 | 0:25:32 | |
Get out! | 0:25:32 | 0:25:34 | |
It's not even loaded, remember? | 0:25:38 | 0:25:40 | |
What are you even thinking when you do something like that? | 0:25:43 | 0:25:45 | |
You think you're never gonna get caught? We didn't get caught. | 0:25:45 | 0:25:48 | |
That's not the point. It's beetleheaded. | 0:25:48 | 0:25:51 | |
It's only a matter of time before you do get caught. | 0:25:51 | 0:25:53 | |
What is "beetleheaded"? | 0:25:53 | 0:25:55 | |
It's a synonym for "stupid." | 0:25:55 | 0:25:57 | |
Oh. Well, here's a synonym for "procreation." Fuck you! | 0:25:57 | 0:26:02 | |
It's easy for you to point the finger... | 0:26:02 | 0:26:04 | |
when you're sittin' on your rich ass in a big fucking house. | 0:26:04 | 0:26:06 | |
I'm not rich. Oh, yeah. | 0:26:06 | 0:26:08 | |
How big's your TV? What? | 0:26:08 | 0:26:11 | |
I say, how big's your TV? Fifty-inch. | 0:26:11 | 0:26:12 | |
Get in the car. Oh, please. Let's not make this a social issue. | 0:26:12 | 0:26:16 | |
The point is that even if you wanted to rob a place, there are smarter ways to do it. | 0:26:16 | 0:26:19 | |
- Enlighten me. - A mask. Wear a mask. | 0:26:19 | 0:26:23 | |
You see, the police have this thing called a "lineup," | 0:26:23 | 0:26:25 | |
and if someone recognises you, you go to jail! | 0:26:25 | 0:26:29 | |
Oh, how about this for a novel idea? Case the place first. | 0:26:29 | 0:26:31 | |
Find out if there's a security camera or a hidden alarm. | 0:26:31 | 0:26:35 | |
Then again, why even rob a convenience store? | 0:26:35 | 0:26:38 | |
How much money could you possibly get? Two, three hundred dollars? | 0:26:38 | 0:26:40 | |
Then what? You're set for two days! Wow! | 0:26:40 | 0:26:43 | |
What do you know, lanky? I know you go for the big score. | 0:26:43 | 0:26:46 | |
One robbery, you're set. | 0:26:46 | 0:26:48 | |
News flash, big slim. | 0:26:48 | 0:26:51 | |
People with big money, they protect it. | 0:26:51 | 0:26:53 | |
So you do a little research. Take Quality Design Group, where I work. | 0:26:53 | 0:26:56 | |
My boss keeps a ton of cash in his vault. | 0:26:56 | 0:26:58 | |
At night, there's only two guards and a personal security system. | 0:26:58 | 0:27:02 | |
Now, in this case, I happen to even know the code. | 0:27:02 | 0:27:05 | |
But even if I didn't, I... | 0:27:05 | 0:27:06 | |
< What? | 0:27:10 | 0:27:12 | |
I got a booger in my nose? | 0:27:15 | 0:27:17 | |
What? | 0:27:19 | 0:27:22 | |
IMITATING PHILLIP: Diversify. | 0:27:22 | 0:27:24 | |
You can't trust banks, Nick. | 0:27:24 | 0:27:26 | |
The entire system could crumble at any second. | 0:27:26 | 0:27:31 | |
That bastard's so heavily leveraged, it would wipe him out. | 0:27:31 | 0:27:34 | |
Wait a minute. Am I hearing you right? | 0:27:34 | 0:27:38 | |
Mr "High and mighty" is gonna rob his boss? | 0:27:38 | 0:27:41 | |
You hear that, gila monsters? | 0:27:44 | 0:27:47 | |
Old Nick Beam here is gonna rob his boss! | 0:27:47 | 0:27:50 | |
I say, do you hear that, gila monsters? | 0:27:50 | 0:27:54 | |
You know what, Nick? Your wife really messed your head up bad, man. | 0:27:54 | 0:27:59 | |
You're serious? | 0:28:01 | 0:28:03 | |
How much he got? | 0:28:05 | 0:28:07 | |
Only the bulk of his personal assets. | 0:28:07 | 0:28:11 | |
Six, seven hundred thousand. | 0:28:11 | 0:28:13 | |
You what? | 0:28:13 | 0:28:15 | |
Hey, you gonna need some help. Oh, no, this has nothing to do with you. | 0:28:15 | 0:28:19 | |
Hey, I was present at the time of creative inspiration, | 0:28:19 | 0:28:23 | |
which entitles me to partial ownership | 0:28:23 | 0:28:25 | |
in this criminalistic endeavour. | 0:28:25 | 0:28:27 | |
Get out. | 0:28:27 | 0:28:30 | |
Maybe I'll just call Quality Design Group when we get back. | 0:28:30 | 0:28:33 | |
I want half. | 0:28:34 | 0:28:37 | |
We're gonna bury this asshole. | 0:28:39 | 0:28:42 | |
Sure, you're right. ENGINE STARTS | 0:28:42 | 0:28:44 | |
# If you ever plan | 0:28:53 | 0:28:56 | |
# To motor west | 0:28:56 | 0:28:57 | |
# Travel my way take the highway | 0:28:59 | 0:29:03 | |
# That's the best | 0:29:03 | 0:29:05 | |
# Come on get your kicks | 0:29:05 | 0:29:08 | |
# On route sixty... # | 0:29:08 | 0:29:10 | |
ZIPS ZIPPER | 0:29:13 | 0:29:15 | |
CLOSES CAR DOOR # ..Six | 0:29:20 | 0:29:21 | |
# Well, it winds from Chicago | 0:29:23 | 0:29:26 | |
# To LA | 0:29:26 | 0:29:28 | |
# More than 2,000 miles... # | 0:29:30 | 0:29:33 | |
PHONES RING | 0:29:33 | 0:29:35 | |
- Highway shooters? - One black, one white. You tell me? | 0:29:35 | 0:29:40 | |
You were there, and they got away? | 0:29:40 | 0:29:42 | |
They were driving a 1996 Yukon. | 0:29:42 | 0:29:46 | |
RINGING CONTINUES Licence? | 0:29:46 | 0:29:49 | |
You know, if I had a licence number, Bart, I wouldn't be standing here | 0:29:49 | 0:29:52 | |
eating large quantities of shit, now, would I? No, sir. | 0:29:52 | 0:29:55 | |
Monitor calls on both sides of the border. Fax that photo to every precinct on the planet. | 0:29:55 | 0:29:59 | |
There's so much as a sneeze out there, | 0:29:59 | 0:30:01 | |
I wanna feel the mist. | 0:30:01 | 0:30:03 | |
PHONE RINGS | 0:30:03 | 0:30:05 | |
# I hear a voice... # | 0:30:15 | 0:30:18 | |
Give me all your money and a yoo hoo. The money's all locked up. | 0:30:18 | 0:30:20 | |
That'll be 79 cents, please. LAUGH | 0:30:24 | 0:30:26 | |
# I said come on, little prisoner | 0:30:29 | 0:30:31 | |
# I got something to say... # | 0:30:31 | 0:30:34 | |
SNIFFING | 0:30:38 | 0:30:42 | |
Something stinks, man. | 0:30:45 | 0:30:47 | |
You sure you ain't got a gas leak? | 0:30:47 | 0:30:49 | |
It's my shoes. | 0:30:49 | 0:30:51 | |
Your shoes? | 0:30:51 | 0:30:54 | |
You ever heard of Dr Scholl's? | 0:30:56 | 0:30:58 | |
I spilled some gas on my shoes at the gas station. | 0:30:58 | 0:31:01 | |
You know, the one you robbed. | 0:31:01 | 0:31:04 | |
Oh, so you got a camcorder up in here. What are you doing? | 0:31:06 | 0:31:09 | |
I'm just checkin' it out, man. | 0:31:09 | 0:31:11 | |
Put it down. I ain't gonna break it, man. | 0:31:11 | 0:31:13 | |
Just let me check it out. Just let me see. | 0:31:13 | 0:31:16 | |
Yo, this is your wife? | 0:31:18 | 0:31:20 | |
Man, I see why you were upset. | 0:31:20 | 0:31:24 | |
Not bad, Nick. Not bad, Nick. | 0:31:24 | 0:31:28 | |
I mean, you know, for a cheatin' bitch. | 0:31:28 | 0:31:30 | |
Look, don't you call her that. | 0:31:30 | 0:31:32 | |
You don't know her. Don't call her that. | 0:31:32 | 0:31:34 | |
OK. No disrespect. OK? | 0:31:34 | 0:31:38 | |
What should I call her? | 0:31:39 | 0:31:41 | |
Monogamously challenged? | 0:31:41 | 0:31:45 | |
God. | 0:31:45 | 0:31:47 | |
< I'm just funnin' with you, man. | 0:31:47 | 0:31:49 | |
You know, this is an all right camera for a regular eight. | 0:31:49 | 0:31:51 | |
- It's the best on the market. - Let me explain something to you, Nick. | 0:31:51 | 0:31:54 | |
If you ain't got digital, you ain't got shit. | 0:31:54 | 0:31:58 | |
This has only got one CCD chip. | 0:31:58 | 0:32:01 | |
Broadcast has three, Nick. | 0:32:01 | 0:32:03 | |
Don't look at me like that. What, are you surprised I know shit? | 0:32:03 | 0:32:07 | |
The guy that sold me that camera just set up our computer network. | 0:32:07 | 0:32:11 | |
- Windows NT? - No. Just Windows. | 0:32:11 | 0:32:14 | |
- Man, get out of here with that. - Look, here's a nutty idea. | 0:32:14 | 0:32:17 | |
If you actually know something about this stuff, | 0:32:17 | 0:32:19 | |
why not use that knowledge and get a job? | 0:32:19 | 0:32:21 | |
Take a good look at me. | 0:32:21 | 0:32:23 | |
I'm not exactly the corporate colour. That's ridiculous. | 0:32:23 | 0:32:26 | |
- If you wanted a job, you could have one. - There's a spider on your head. | 0:32:26 | 0:32:30 | |
- What? - There's a spider on your head. | 0:32:30 | 0:32:34 | |
Look, I am sorry. I am not up on all this... | 0:32:34 | 0:32:35 | |
jive-talkin', homeboy lingo. | 0:32:35 | 0:32:37 | |
What's that supposed to mean, there's a spider on your head? | 0:32:37 | 0:32:40 | |
It MEANS - there's a spider on your mother fucking head, man. | 0:32:40 | 0:32:45 | |
Well, get it off! Get it off, get it off! | 0:32:45 | 0:32:47 | |
I ain't touchin' that shit. Get it off! | 0:32:47 | 0:32:50 | |
Get it off, get it off, get if off, get if off! | 0:32:50 | 0:32:52 | |
- Get it off! - Yo, that's a big hairy spider, man. | 0:32:52 | 0:32:56 | |
SCREAMING: Oh! | 0:32:56 | 0:32:58 | |
SCREAMING CONTINUES | 0:32:58 | 0:33:01 | |
MAN SCATTING | 0:33:01 | 0:33:04 | |
SCATTING CONTINUES Nick, it's just a spider. | 0:33:04 | 0:33:06 | |
# I'm a scat man. # | 0:33:06 | 0:33:09 | |
No, no. Now don't go crazy. | 0:33:09 | 0:33:12 | |
- Yeah, you go, boy. - # I'm a scat man... # | 0:33:12 | 0:33:16 | |
Hold on, let me focus. Let me focus on this. | 0:33:18 | 0:33:21 | |
# I'm a scat man. # | 0:33:21 | 0:33:25 | |
SCATTING CONTINUES | 0:33:25 | 0:33:28 | |
You got the hot foot! Yo, Nick! | 0:33:35 | 0:33:38 | |
Get on the good foot. Get on... | 0:33:38 | 0:33:42 | |
Aw, got it! | 0:33:44 | 0:33:47 | |
# I'm a scat man. # | 0:34:04 | 0:34:06 | |
MAN SCATTING | 0:34:06 | 0:34:09 | |
# I'm a scat man. # | 0:34:11 | 0:34:14 | |
I gotta make a call. You pump. | 0:34:34 | 0:34:37 | |
Give me the gun. What? | 0:34:37 | 0:34:39 | |
Gimme the gun. | 0:34:39 | 0:34:41 | |
Man, I wasn't gonna rob the place, man. | 0:34:43 | 0:34:45 | |
Then you won't need this. | 0:34:45 | 0:34:48 | |
IMITATING NICK : Then you won't need this. | 0:34:48 | 0:34:50 | |
You must be really fast. | 0:35:00 | 0:35:02 | |
Twenty dollars on pump number 15... | 0:35:04 | 0:35:06 | |
and a sour fruity twist. | 0:35:06 | 0:35:10 | |
- You a cop? - No. | 0:35:12 | 0:35:16 | |
You bastards have tried this too many times! | 0:35:16 | 0:35:18 | |
Oh, listen... Shut up! | 0:35:18 | 0:35:20 | |
I wasn't gonna... Shut up. | 0:35:20 | 0:35:23 | |
'County Sheriff's station. | 0:35:27 | 0:35:31 | |
'Hello, hello.' | 0:35:31 | 0:35:33 | |
Uh... 'Yes, may I help you?' | 0:35:33 | 0:35:35 | |
That show, Cops... | 0:35:35 | 0:35:38 | |
I love it. | 0:35:38 | 0:35:40 | |
Have you ever had a really bad day? | 0:35:41 | 0:35:44 | |
I'm havin' one right now. | 0:35:46 | 0:35:48 | |
Now, look, baby, I told you I'll be home later. | 0:35:48 | 0:35:50 | |
Now, this guy say he got a job for me payin' big money. | 0:35:50 | 0:35:54 | |
OK, now, please, don't argue with me. Not now. All right? | 0:35:54 | 0:35:57 | |
I'll see you later. OK. | 0:35:57 | 0:36:00 | |
Oh, oh. Oh. | 0:36:08 | 0:36:10 | |
Now all I want's 20 on pump number 15 and a sour fruity twist. | 0:36:10 | 0:36:14 | |
Now is that too much to ask? No, sir. | 0:36:14 | 0:36:16 | |
Do you mind if I take your gun? No, sir. | 0:36:16 | 0:36:20 | |
Would you please rip the phone cord out of the wall? | 0:36:20 | 0:36:23 | |
What? Would you rip the phone cord out of the wall, please? | 0:36:23 | 0:36:27 | |
Thank you. | 0:36:27 | 0:36:29 | |
This is for the phone and for the gun... and for the sour fruity twist. | 0:36:29 | 0:36:33 | |
And 20 on pump number 15. Go on. | 0:36:33 | 0:36:38 | |
Thank you for your patience. Yes, sir. | 0:36:38 | 0:36:41 | |
MACHINE BEEPING | 0:36:41 | 0:36:43 | |
Let me get this straight. | 0:36:45 | 0:36:46 | |
It's all right for you to rob a place, but it ain't all right for me? | 0:36:46 | 0:36:49 | |
I didn't rob him. | 0:36:49 | 0:36:51 | |
Well, you've got a funny way of not robbing a mother fucker. | 0:36:51 | 0:36:54 | |
Nick, let's get out of here, man, before he calls the cops. | 0:36:54 | 0:36:57 | |
He's not gonna call the cops. How do you know? | 0:36:57 | 0:36:59 | |
I had him rip the phone cord out of the wall. | 0:36:59 | 0:37:02 | |
Oh, shoot. That's pretty good. | 0:37:02 | 0:37:04 | |
And you got his gun? | 0:37:04 | 0:37:07 | |
Not bad, Nicholas. Not bad. | 0:37:07 | 0:37:10 | |
CLASSICAL MUSIC PLAYS | 0:37:23 | 0:37:27 | |
HUMMING | 0:37:27 | 0:37:30 | |
Charlie, this shit's depressing the shit out of me. | 0:37:46 | 0:37:48 | |
- It's makin' me sad. - What? | 0:37:48 | 0:37:51 | |
Oh, come on, man. This is the shit. | 0:37:51 | 0:37:53 | |
This is the shit. It's supposed to make you sad. It's grim. | 0:37:53 | 0:37:55 | |
Oh, man, come on. This is the shit. | 0:37:55 | 0:37:57 | |
This shit is the shit. This is the hellified love music. | 0:37:57 | 0:38:01 | |
I'm in bad shape over here. | 0:38:01 | 0:38:03 | |
You know, maybe I can tune you in... to a nice AM station... | 0:38:03 | 0:38:07 | |
and get you some Donny Osmond. | 0:38:07 | 0:38:09 | |
HE LAUGHS > | 0:38:09 | 0:38:12 | |
Charlie, what's this? Slow down. What the fuck? | 0:38:12 | 0:38:16 | |
Pull over and turn the headlights off. | 0:38:16 | 0:38:17 | |
Yo, man, you could've gotten me a piece of licorice. | 0:38:29 | 0:38:32 | |
It's sour. So. | 0:38:32 | 0:38:35 | |
Still could've gotten me a piece. | 0:38:35 | 0:38:37 | |
I didn't think of it. Oh, you didn't think of it. | 0:38:37 | 0:38:39 | |
Just selfish, man. Guess that's the world. | 0:38:39 | 0:38:42 | |
You know? You just... you just selfish. Here. | 0:38:42 | 0:38:45 | |
GAGGING | 0:39:00 | 0:39:02 | |
Damn. | 0:39:02 | 0:39:04 | |
I swear, white people must got totally different taste buds, man. | 0:39:04 | 0:39:09 | |
That's a very racist thing to say. | 0:39:09 | 0:39:11 | |
Oh, yeah? Good. | 0:39:11 | 0:39:14 | |
CAR HITS BUMPER What the...?! | 0:39:18 | 0:39:21 | |
Whoa, they're rammin' us. | 0:39:22 | 0:39:24 | |
Thanks for the late-breakin' news. Step on the gas, Nick! | 0:39:24 | 0:39:29 | |
I hate new cars. | 0:39:29 | 0:39:31 | |
Look at his face, man. | 0:39:38 | 0:39:41 | |
Our turf, baby. | 0:39:47 | 0:39:49 | |
They don't look like cops. | 0:40:16 | 0:40:19 | |
Definitely not cops. | 0:40:19 | 0:40:21 | |
Get out of the car. | 0:40:21 | 0:40:24 | |
There you go. | 0:40:26 | 0:40:28 | |
All right, mother fuckers, back the fuck off! | 0:40:28 | 0:40:30 | |
Oh, shit. It's cool. | 0:40:36 | 0:40:39 | |
HE LAUGHS | 0:40:39 | 0:40:41 | |
Oh, yeah, I'm cool. We cool. | 0:40:41 | 0:40:43 | |
I was just fuckin' with y'all, man. | 0:40:43 | 0:40:45 | |
Hey, what's up? Y'all live around here? | 0:40:45 | 0:40:47 | |
Bring your ass around the front of the car. | 0:40:47 | 0:40:50 | |
Come on, baby, come on, baby. There you go. | 0:40:50 | 0:40:53 | |
There you go. | 0:40:53 | 0:40:55 | |
All right. OK. Oh! Uh-huh. Watch your feet. | 0:40:55 | 0:40:59 | |
Come on, rubber legs. Let's go. Watch where you're walkin'. | 0:40:59 | 0:41:02 | |
Watch your feet. There you go, baby. | 0:41:02 | 0:41:04 | |
Perhaps you two haven't heard that my partner and I here... | 0:41:04 | 0:41:07 | |
own the rights to all violent crime on this particular stretch of highway. | 0:41:07 | 0:41:10 | |
And we don't take kindly to any unauthorised criminal activities. | 0:41:10 | 0:41:14 | |
You don't understand. We were... | 0:41:14 | 0:41:17 | |
Oh, shit. That's my car. | 0:41:18 | 0:41:21 | |
Can I have your attention, please? Yeah. | 0:41:21 | 0:41:22 | |
I bet you used to sell more Girl Scout cookies | 0:41:22 | 0:41:25 | |
than any other member of the whole troop, didn't ya? | 0:41:25 | 0:41:27 | |
What were you calling yourself back then? | 0:41:27 | 0:41:29 | |
< Yolanda, you little bitch? | 0:41:29 | 0:41:31 | |
< Cynthia? Susan? What was it? I can't remember. | 0:41:31 | 0:41:33 | |
Guys, I will be gentle. Don't even worry about it. Huh? | 0:41:33 | 0:41:35 | |
Now...now, don't even worry. | 0:41:35 | 0:41:38 | |
Uh-huh. | 0:41:38 | 0:41:41 | |
I have these. | 0:41:43 | 0:41:45 | |
Oh, now that's not gonna be enough. | 0:41:45 | 0:41:47 | |
Where'd you put your booty? | 0:41:47 | 0:41:50 | |
Now I've done it. | 0:41:57 | 0:41:59 | |
I finally found someone I like less than you. | 0:41:59 | 0:42:02 | |
That's a fancy case, friend. | 0:42:02 | 0:42:04 | |
You know, when a sweet-mouthed girl like you has a fancy case like this, | 0:42:05 | 0:42:08 | |
a man gets to thinkin'... where's the wallet? | 0:42:08 | 0:42:12 | |
That's it. We're dead, man. | 0:42:12 | 0:42:15 | |
I'm gonna need that wallet, Alice. | 0:42:15 | 0:42:17 | |
Where's that big, fat wallet? Give it to me. | 0:42:17 | 0:42:21 | |
Give me your wallet, you little bitch. | 0:42:21 | 0:42:23 | |
- You know what? - Nick, Nick, what you doin'? | 0:42:26 | 0:42:29 | |
I'm sure you're a really scary guy. | 0:42:29 | 0:42:31 | |
I'm sure that, normally, people just quiver... | 0:42:31 | 0:42:33 | |
at the very sound of your voice. | 0:42:33 | 0:42:35 | |
But, you see, I can't see that right now. | 0:42:35 | 0:42:37 | |
I-I-I just see... | 0:42:37 | 0:42:40 | |
a weak, desperate little man... | 0:42:40 | 0:42:42 | |
that probably grew up torturing little animals. | 0:42:42 | 0:42:45 | |
Some puny, little uncoordinated... | 0:42:45 | 0:42:47 | |
can't-make-the-football-team- so-I'll-pick-on-third-graders- and-steal-their-lunch-money... | 0:42:47 | 0:42:52 | |
punk, jerk-off, bully... | 0:42:52 | 0:42:54 | |
that one day wakes up and realises he's nothing. | 0:42:54 | 0:42:57 | |
Just a sad, pathetic, useless, illiterate piece of inbred shit. | 0:42:57 | 0:43:01 | |
I just want you to know, I totally disagree. | 0:43:01 | 0:43:05 | |
Time to die. | 0:43:12 | 0:43:14 | |
That just makes you my best friend. | 0:43:14 | 0:43:17 | |
All right, drop the fuckin' gun. | 0:43:19 | 0:43:21 | |
Drop the fuckin' gun! > | 0:43:21 | 0:43:25 | |
Give me this, mother fucker. | 0:43:25 | 0:43:27 | |
Now back the fuck up before I kick you in your bitch ass chin. | 0:43:27 | 0:43:30 | |
Back the fuck up! I said, back the fuck up! | 0:43:30 | 0:43:33 | |
Didn't I say, back the fuck up? Everybody, back the fuck up. | 0:43:33 | 0:43:36 | |
Oh! | 0:43:36 | 0:43:39 | |
Shit. | 0:43:40 | 0:43:41 | |
- You shot me. - I'm sorry, Nick. | 0:43:43 | 0:43:47 | |
< Put down the gun. Shut up. | 0:43:47 | 0:43:48 | |
You shot me. I said, I'm sorry, man. I-I didn't mean it. | 0:43:50 | 0:43:53 | |
The gun just went off. | 0:43:53 | 0:43:55 | |
You know, I have that same trouble in bed. | 0:43:55 | 0:43:58 | |
Well, rarely. Every once in a great while. | 0:43:58 | 0:44:01 | |
- Put down that gun, you idiot. - Would you shut up? I'm shot here. | 0:44:01 | 0:44:04 | |
You shut the fuck up. Who the hell do you think you are? | 0:44:04 | 0:44:07 | |
You shut the fuck up! You shut the fuck up! | 0:44:07 | 0:44:10 | |
Man, you shut the fuck up. | 0:44:10 | 0:44:11 | |
You shut the fuck up. | 0:44:11 | 0:44:12 | |
- Hey, hey, hey! - Put that stupid gun down before you take a toe hit. | 0:44:12 | 0:44:15 | |
- You shut the fuck up! - I don't care! - Shut the fuck up! | 0:44:15 | 0:44:19 | |
- Shut the fuck up, man! - Shut the fuck up! - Hey, hey, hey! | 0:44:19 | 0:44:22 | |
Hey! Everybody, shut the fuck up! | 0:44:22 | 0:44:25 | |
Now, everybody, shut the fuck up! | 0:44:25 | 0:44:27 | |
Especially you. Shut the fuck up. | 0:44:27 | 0:44:29 | |
You like Girl Scout cookies? Come here. Come here. | 0:44:29 | 0:44:31 | |
You want cookie? Here's a cookie. | 0:44:31 | 0:44:33 | |
Now back the fuck up like I done told you two dumb-ass mother... | 0:44:33 | 0:44:37 | |
Back up, back up. | 0:44:37 | 0:44:39 | |
Get in the car, Nick! Look at you now. | 0:44:43 | 0:44:47 | |
That's good. | 0:44:49 | 0:44:51 | |
Bye, cowboys! | 0:44:51 | 0:44:53 | |
Nick. | 0:45:07 | 0:45:09 | |
Why the hell you start up with that guy, man? | 0:45:09 | 0:45:12 | |
- You shot me. - I'm sorry. | 0:45:12 | 0:45:15 | |
You shot me. I'm sorry. | 0:45:15 | 0:45:18 | |
You don't say you're sorry when you shoot someone. | 0:45:18 | 0:45:22 | |
You say you're sorry when you step on someone's toe, | 0:45:22 | 0:45:25 | |
or you accidentally break their glasses, | 0:45:25 | 0:45:28 | |
or you fart while they're eating. | 0:45:28 | 0:45:30 | |
You don't say you're sorry when you shoot someone. | 0:45:30 | 0:45:32 | |
Shit. | 0:45:32 | 0:45:35 | |
Oh, my God. It's going numb. It's going numb. It's going numb. | 0:45:35 | 0:45:38 | |
What? | 0:45:38 | 0:45:41 | |
Shit. | 0:45:41 | 0:45:43 | |
Oh, my God! | 0:45:50 | 0:45:52 | |
Nick, that's the most hideous thing I ever seen. | 0:45:52 | 0:45:55 | |
Hey, yo, man, you know, maybe if you wrap your arm in ice, | 0:45:55 | 0:45:58 | |
they can reattach it. | 0:45:58 | 0:46:02 | |
HE LAUGHS > | 0:46:02 | 0:46:05 | |
That's funny, man. | 0:46:05 | 0:46:07 | |
That's a baby gash. Shut up. | 0:46:07 | 0:46:10 | |
But it's a baby gash. | 0:46:10 | 0:46:12 | |
It could've been a lot worse. It could've been a lot worse. | 0:46:12 | 0:46:14 | |
It could've been, but it wasn't. What are you thinking, shooting? | 0:46:14 | 0:46:18 | |
Look, just calm down, all right? | 0:46:18 | 0:46:20 | |
You're gonna upset your wound. | 0:46:20 | 0:46:23 | |
'Ere, do you folks want a lift somewhere? | 0:46:43 | 0:46:45 | |
- Where you from? - London. | 0:46:45 | 0:46:47 | |
Me too! Really? | 0:46:47 | 0:46:49 | |
Yeah! That's terrific. | 0:46:49 | 0:46:50 | |
Hop in me car. Let's go then. Come on. Jump in. Let's go. | 0:46:50 | 0:46:55 | |
Oh, this is great. CHARLIE: Hey, would you scoot over a smidgen? | 0:46:55 | 0:46:58 | |
GRUNTING, LAUGHING | 0:46:58 | 0:47:00 | |
Sorry about that. Cheers, mate. | 0:47:00 | 0:47:04 | |
LAUGHING | 0:47:04 | 0:47:06 | |
Nick Beam. | 0:47:06 | 0:47:09 | |
- Where we headed? - LA. | 0:47:09 | 0:47:13 | |
City of angels. | 0:47:14 | 0:47:17 | |
So where you plan on stayin' tonight? | 0:47:27 | 0:47:29 | |
I'll just sleep in the car. Yeah, right. | 0:47:29 | 0:47:32 | |
You can stay at my place, man. | 0:47:32 | 0:47:34 | |
Thanks. Well, just for the night. | 0:47:34 | 0:47:38 | |
What? Did you think I was asking you to move in? | 0:47:38 | 0:47:40 | |
No, I was just sayin'... Please, Mr Beam. > | 0:47:40 | 0:47:43 | |
- Stay with me forever. - Just shut up. | 0:47:43 | 0:47:46 | |
Mr Beam. Shut up. | 0:47:46 | 0:47:49 | |
Mr Beam, Mr Beam, Mr Beam. You know how to shut up? | 0:47:49 | 0:47:52 | |
Mr Beam. Is it in your vocabulary? | 0:47:52 | 0:47:54 | |
Stay with me forever, Mr Beam. Do you ever shut up? | 0:47:54 | 0:47:56 | |
Will you stay with me forever, Mr Beam? | 0:47:56 | 0:47:59 | |
PANTING | 0:48:18 | 0:48:20 | |
Look here. When you meet my wife, | 0:48:21 | 0:48:24 | |
she don't know nothin' about my sideline gig. | 0:48:24 | 0:48:26 | |
You mean she doesn't know you're a thief? | 0:48:26 | 0:48:28 | |
I'm not a thief, OK? | 0:48:28 | 0:48:30 | |
I just dabble in future used goods. | 0:48:30 | 0:48:33 | |
Well, what does she think you do all day? Look for work, man. | 0:48:33 | 0:48:37 | |
Maybe if you did look for work, you wouldn't have to steal. | 0:48:39 | 0:48:43 | |
CHUCKLES Don't judge me. | 0:48:43 | 0:48:46 | |
SCOFFS | 0:48:46 | 0:48:48 | |
WHISPERS You stepped on my shoe. | 0:48:53 | 0:48:55 | |
I don't usually get in this late. | 0:48:55 | 0:48:57 | |
SIGHS Baby, am I glad to see you. | 0:48:59 | 0:49:02 | |
No, no, no. No, talk to me. Explain this to me now. | 0:49:02 | 0:49:06 | |
I got mugged. | 0:49:06 | 0:49:10 | |
OK, I didn't get mugged. | 0:49:10 | 0:49:12 | |
I got mugged. He got beat up. Thank... | 0:49:12 | 0:49:17 | |
Remember how I was tellin' you I had a job interview? | 0:49:17 | 0:49:19 | |
Baby, that's him. He right there. | 0:49:19 | 0:49:21 | |
That's the player right there. | 0:49:21 | 0:49:24 | |
My name's Nick. Nick Beam. Nice to meet you. | 0:49:24 | 0:49:30 | |
When are you gonna stop gettin' into trouble, Terrance? | 0:49:30 | 0:49:33 | |
Terrance? | 0:49:33 | 0:49:35 | |
"T." | 0:49:35 | 0:49:36 | |
OK? My friends call me "T." You can kiss my ass. Boo! | 0:49:36 | 0:49:39 | |
- OK, Terrance. - Oh, Mama. | 0:49:39 | 0:49:42 | |
Please go on back to bed, Mama. | 0:49:42 | 0:49:45 | |
What kind of man stays out till two in the morning, | 0:49:45 | 0:49:48 | |
then comes back lookin' like a bruised turd? | 0:49:48 | 0:49:50 | |
Mama, I ain't... Don't you talk back. | 0:49:50 | 0:49:53 | |
Don't talk back to your mother. | 0:49:53 | 0:49:55 | |
W-What-What'd I do? | 0:49:56 | 0:49:59 | |
You got that slap cos you with him. | 0:49:59 | 0:50:00 | |
- And I know you're part of whatever badness he's into. - Mama, enough. | 0:50:00 | 0:50:04 | |
You got some explainin' to do in the morning, Mr Gentleman. | 0:50:04 | 0:50:07 | |
Now you think on that. Oof. | 0:50:07 | 0:50:10 | |
WHIMPERING | 0:50:10 | 0:50:13 | |
Why do you keep on spankin' me, Mama? | 0:50:14 | 0:50:18 | |
OK. | 0:50:20 | 0:50:21 | |
Shh. | 0:50:22 | 0:50:24 | |
No, go ahead. Go ahead. | 0:50:24 | 0:50:28 | |
OK. Oh. | 0:50:28 | 0:50:30 | |
Now you come here. | 0:50:31 | 0:50:33 | |
Mama didn't have to smack me three times. | 0:50:33 | 0:50:36 | |
GUNFIRE | 0:50:36 | 0:50:39 | |
We gotta move out of here. I know. | 0:50:40 | 0:50:43 | |
I know. | 0:50:43 | 0:50:45 | |
< I heard gunshots. | 0:50:47 | 0:50:49 | |
Hey, there. | 0:50:49 | 0:50:51 | |
Hey, what you doing up this late, huh? | 0:50:51 | 0:50:54 | |
Huh? What's up? What are you doing up this late? | 0:50:54 | 0:50:56 | |
Oh, honey, we woke you. | 0:50:56 | 0:50:59 | |
Now look, don't worry. Give Daddy a kiss. | 0:50:59 | 0:51:02 | |
Don't worry. I ain't gonna let nothin' happen to y'all. | 0:51:02 | 0:51:05 | |
You know that, right? What happened to your face? | 0:51:05 | 0:51:07 | |
No, I'm cool, little man. | 0:51:07 | 0:51:10 | |
Hey, you do your homework? | 0:51:10 | 0:51:13 | |
Yes, sir. I said, did you do your homework? | 0:51:13 | 0:51:15 | |
Hmm? Hmm? Yes, sir. | 0:51:15 | 0:51:17 | |
- What about you, little miss? Did you do all your homework? - I don't have any homework. | 0:51:17 | 0:51:22 | |
< You don't have no homework? | 0:51:22 | 0:51:23 | |
All right, time to go back to bed. Let's go. | 0:51:23 | 0:51:26 | |
# Hut-two-three-four make a right at the right door | 0:51:26 | 0:51:30 | |
# Make your choice cos you got to grow up to be successful. # | 0:51:30 | 0:51:34 | |
I hope this isn't an inconvenience for you. | 0:51:34 | 0:51:37 | |
Not at all. You seem like a nice man. | 0:51:37 | 0:51:39 | |
Terrance can use a few of those in his life. | 0:51:39 | 0:51:42 | |
Good night. Good night. | 0:51:42 | 0:51:44 | |
Thanks. | 0:51:44 | 0:51:46 | |
Hey. Mm. | 0:51:51 | 0:51:53 | |
Mmm. Mmm. | 0:51:53 | 0:51:56 | |
MOANING PLEASURABLY > | 0:53:01 | 0:53:04 | |
You know, I never noticed before, but you got really nice eyes. | 0:53:50 | 0:53:54 | |
- Shut up! - But you do. | 0:53:54 | 0:53:56 | |
Let's get this over with. I can't believe it. | 0:53:56 | 0:53:59 | |
I'm committing armed robbery for two flashlights. Don't worry about it. | 0:53:59 | 0:54:02 | |
Let's go. | 0:54:02 | 0:54:04 | |
Freeze, mother fucker! | 0:54:20 | 0:54:22 | |
You move your ass so much as an inch, I'll blow it off! | 0:54:22 | 0:54:26 | |
You hear me, mother fucker? | 0:54:26 | 0:54:28 | |
Hey. You hear me? What? | 0:54:28 | 0:54:30 | |
Why you acting so mean? Hey, look, man. Now ain't the time, all right? | 0:54:30 | 0:54:35 | |
- You say scary shit, it scares 'em. - Yeah, but you have a gun. | 0:54:35 | 0:54:38 | |
Plus, what you're doing is a stereotypical robber thing. | 0:54:38 | 0:54:41 | |
I mean, it's a lot scarier if someone with a gun is calm and cool and collected, man. | 0:54:41 | 0:54:46 | |
That's bull, man. Don't... | 0:54:46 | 0:54:48 | |
Excuse me, sir. | 0:54:48 | 0:54:51 | |
Come here. | 0:54:51 | 0:54:53 | |
Come here. | 0:54:53 | 0:54:54 | |
Come here. | 0:54:54 | 0:54:56 | |
Now, look, Henry, | 0:54:59 | 0:55:02 | |
we're gonna take some things outta here, | 0:55:02 | 0:55:05 | |
and you're just gonna stand there. | 0:55:05 | 0:55:08 | |
You got a problem with that? | 0:55:11 | 0:55:13 | |
No. | 0:55:13 | 0:55:16 | |
Good. | 0:55:16 | 0:55:18 | |
Now, honestly, which one did you think was scarier? | 0:55:21 | 0:55:26 | |
Honestly? Mm-hmm. | 0:55:26 | 0:55:30 | |
He was scarier. Hah! | 0:55:33 | 0:55:34 | |
Really? You didn't find what he did contrived? | 0:55:34 | 0:55:39 | |
No. It was scary. | 0:55:39 | 0:55:42 | |
Well, what part? | 0:55:42 | 0:55:43 | |
Well, the, er... "Freeze, mother fucker" part was scary. | 0:55:43 | 0:55:48 | |
And then he led me to believe that if I moved my ass, | 0:55:48 | 0:55:51 | |
it might be blown off. | 0:55:51 | 0:55:54 | |
SIGHS | 0:55:54 | 0:55:56 | |
You were scary too. | 0:55:56 | 0:55:59 | |
Oh, come on, you're just saying that. You don't have to lie. | 0:55:59 | 0:56:01 | |
No, I'm not. I thought you were very scary. | 0:56:01 | 0:56:04 | |
Really? Yeah. | 0:56:04 | 0:56:05 | |
- Well, thank you, Henry. - Yo, check it out. | 0:56:05 | 0:56:08 | |
They're flashlights with AM/FM radio on it. | 0:56:08 | 0:56:12 | |
They all that. You can listen to your music while the light's on, boy. | 0:56:12 | 0:56:16 | |
All right, all right! | 0:56:16 | 0:56:18 | |
Come on. BELL ON DOOR RINGS | 0:56:18 | 0:56:21 | |
Freeze, sucker-bitch! | 0:56:26 | 0:56:28 | |
That was much better. | 0:56:29 | 0:56:32 | |
Thank you, Henry. See ya later now. | 0:56:32 | 0:56:36 | |
What the hell is "sucker-bitch"? | 0:56:36 | 0:56:39 | |
Yeah, come on over here and meet Ginger and Mary Ann. | 0:57:16 | 0:57:18 | |
Ow! God! GRUNTS | 0:57:21 | 0:57:23 | |
Charlie, we gotta go! | 0:57:23 | 0:57:25 | |
Hey, Nick, what floor is it on? Fifteenth. | 0:58:28 | 0:58:31 | |
What fifteenth? Come on. | 0:58:31 | 0:58:34 | |
Why can't we just use the elevator? | 0:58:34 | 0:58:36 | |
Cos there's a guard that patrols the building. | 0:58:36 | 0:58:38 | |
This is bullshit. | 0:58:38 | 0:58:39 | |
Come on, man. It's Saturday night. They're not gonna be there anyway. | 0:58:39 | 0:58:42 | |
Look, I know we're gonna go back Monday and get him. I just wanna check it out. | 0:58:42 | 0:58:45 | |
Take a left here, will you? | 0:58:45 | 0:58:47 | |
You seriously busted up my party. You know that. | 0:58:47 | 0:58:50 | |
Those girls were attracted to you. Christ's sake, they're only human. | 0:58:50 | 0:58:53 | |
- You're a handsome man. We will go back. - I'll hold you to that. | 0:58:53 | 0:58:55 | |
OK. Mm-hmm. What's the matter with you? | 0:58:55 | 0:58:58 | |
LAUGHING You sharp. | 0:58:58 | 0:59:02 | |
OK. Yeah. | 0:59:02 | 0:59:04 | |
PANTING, CLANGING | 0:59:04 | 0:59:06 | |
GRUNTS, PANTING Beat you. | 0:59:10 | 0:59:13 | |
I carried the damn bag. I still beat you. | 0:59:13 | 0:59:15 | |
Beat me at what? Climbing steps? | 0:59:15 | 0:59:18 | |
Guess we'll call you the "step king." | 0:59:19 | 0:59:23 | |
Oh, shit. | 0:59:28 | 0:59:30 | |
No problem. I know the code. | 0:59:32 | 0:59:34 | |
What? Come on. Come on. | 0:59:39 | 0:59:43 | |
Shit! | 0:59:44 | 0:59:46 | |
The asshole must've changed the code. | 0:59:46 | 0:59:48 | |
Step aside. Let me take a look. Let me take a look. | 0:59:48 | 0:59:52 | |
OK, let me look. Mm-hmm. | 0:59:52 | 0:59:54 | |
Mm-hmm. Mm-hmm. | 0:59:54 | 0:59:56 | |
- What are you gonna do? - You got 12 possible stations. You're only using seven. | 0:59:56 | 1:00:00 | |
I'm gonna make the other five stations active, run a test mode... | 1:00:00 | 1:00:04 | |
and force the system into rotation. | 1:00:04 | 1:00:07 | |
What does that mean? | 1:00:07 | 1:00:09 | |
BEEPING | 1:00:09 | 1:00:11 | |
We got five minutes. | 1:00:11 | 1:00:14 | |
Here. Put on your mask. | 1:00:22 | 1:00:25 | |
Is that mask sweaty? I think that's the one I hid behind my balls. | 1:00:25 | 1:00:28 | |
CHUCKLES, GRUNTS | 1:00:28 | 1:00:30 | |
All right. | 1:00:30 | 1:00:31 | |
Yeah, all right. All right, all right. | 1:00:54 | 1:00:58 | |
Ooh, yeah. Let's go. We got three minutes. Let's go. | 1:00:58 | 1:01:01 | |
- Lookin' good. - Yeah. | 1:01:01 | 1:01:03 | |
Put the money in there. Let's go. All right. Let's go. | 1:01:03 | 1:01:07 | |
Here we go. Money. Money. | 1:01:09 | 1:01:13 | |
Let's go. Mask, mask. | 1:01:13 | 1:01:16 | |
Let's go, baby. Let's go, baby. Let's go! | 1:01:19 | 1:01:22 | |
What the hell are you doin'? Nick? | 1:01:37 | 1:01:40 | |
OK, that's real clever, Nicholas(!) | 1:01:43 | 1:01:47 | |
Come on, man. | 1:01:51 | 1:01:52 | |
Aah! This is very nice. | 1:01:59 | 1:02:01 | |
It's very nice. Very nice. | 1:02:01 | 1:02:03 | |
Oh. I don't think I've ever seen a more beautiful piece of shit. | 1:02:03 | 1:02:07 | |
(Nick.) | 1:02:07 | 1:02:09 | |
Very nice. Very nice. Very nice. | 1:02:09 | 1:02:12 | |
Agh! | 1:02:12 | 1:02:16 | |
That's great. That's great. You done cut the dick off a statue. | 1:02:19 | 1:02:23 | |
How's it feel, Phillip? | 1:02:25 | 1:02:28 | |
You had it all, but it wasn't enough for you. You had to mess with me. | 1:02:28 | 1:02:33 | |
WHISPERING: Nobody messes with Nick Beam. | 1:02:33 | 1:02:36 | |
Ooh. | 1:02:37 | 1:02:40 | |
ELEVATOR BELL DINGS | 1:02:48 | 1:02:50 | |
# I feel lucky | 1:03:07 | 1:03:09 | |
# I just feel that way | 1:03:10 | 1:03:13 | |
# I'm on a bus to Atlantic city | 1:03:13 | 1:03:18 | |
# Later on today. # | 1:03:18 | 1:03:20 | |
Your face, man. You showed your face. It doesn't matter. | 1:03:25 | 1:03:28 | |
It does matter. They catch you, they catch me. It damn well matters! | 1:03:28 | 1:03:33 | |
ELEVATOR BELL DINGS | 1:03:33 | 1:03:34 | |
# I'm a winner. # | 1:03:34 | 1:03:37 | |
Hey, man, look at me. Look at me, man. I'm not goin' down for this. | 1:03:37 | 1:03:40 | |
# And now I know | 1:03:43 | 1:03:47 | |
# Why I've been sent... # | 1:03:47 | 1:03:49 | |
Hmm. | 1:04:08 | 1:04:11 | |
RAP MUSIC ON RADIO | 1:04:19 | 1:04:21 | |
# Little rump shaker she can really shake and bake | 1:04:26 | 1:04:29 | |
# She's got skills... # GRUNTS | 1:04:29 | 1:04:31 | |
# Watch her slippin' and a slidin'... # Here! | 1:04:34 | 1:04:37 | |
# Makin' booty left to right | 1:04:37 | 1:04:39 | |
# She's got skills... # | 1:04:39 | 1:04:41 | |
RADIO STOPS | 1:04:43 | 1:04:44 | |
Hmm. The alarm must've been set. | 1:04:53 | 1:04:57 | |
RADIO STATIC HUM | 1:04:57 | 1:04:59 | |
STATIONS RAPIDLY CHANGING | 1:04:59 | 1:05:01 | |
VOLUME INCREASING | 1:05:06 | 1:05:08 | |
MAN ON RADIO: # Addressing the groove I say a drinkin' again | 1:05:08 | 1:05:15 | |
# Just smokin' smack inside the cigarettes and lookin' pale and thin | 1:05:15 | 1:05:19 | |
# It's a shame | 1:05:19 | 1:05:21 | |
# It's a pity in new York city | 1:05:21 | 1:05:25 | |
# Well | 1:05:25 | 1:05:27 | |
# Well | 1:05:27 | 1:05:30 | |
# Well, well, well, well, well | 1:05:43 | 1:05:46 | |
# Something has changed | 1:05:46 | 1:05:49 | |
# The way these people think... # | 1:05:49 | 1:05:51 | |
SLOW MUSIC | 1:05:51 | 1:05:54 | |
# Hey there, lonely girl | 1:05:59 | 1:06:04 | |
# Lonely girl | 1:06:04 | 1:06:07 | |
# Let me make your broken heart like new | 1:06:07 | 1:06:14 | |
# Hey there, lonely... # | 1:06:14 | 1:06:16 | |
MUSIC OFF | 1:06:16 | 1:06:18 | |
White people! | 1:06:28 | 1:06:31 | |
HE LAUGHS | 1:06:35 | 1:06:37 | |
Our dates. | 1:06:37 | 1:06:39 | |
T AND NICK LAUGH | 1:06:51 | 1:06:53 | |
Oh! | 1:06:55 | 1:06:57 | |
Oh. Ohh. | 1:06:57 | 1:07:00 | |
Oh-ho-ho. Look at this, man! | 1:07:00 | 1:07:02 | |
Mama-say, mama-sa, makusa! Oh, smack me two times! | 1:07:02 | 1:07:07 | |
Calm down. | 1:07:07 | 1:07:09 | |
My son is going to the best schools. | 1:07:09 | 1:07:11 | |
My daughter, she ain't even gonna know what a food stamp is. | 1:07:11 | 1:07:14 | |
My wife, we goin' out all the time. | 1:07:14 | 1:07:17 | |
All the time! | 1:07:17 | 1:07:19 | |
What's wrong with you, man? | 1:07:23 | 1:07:25 | |
Nothing. | 1:07:25 | 1:07:27 | |
You sweatin' that bullshit, ain't you? You did what you had to do to that guy, man. | 1:07:27 | 1:07:31 | |
Don't worry about it, all right? Put that behind you. Where you goin'? | 1:07:31 | 1:07:35 | |
Where you goin'? Where you goin'? | 1:07:35 | 1:07:38 | |
I'm just gonna... I'm just gonna take a walk. | 1:07:38 | 1:07:41 | |
All right. Well, hurry back. | 1:07:41 | 1:07:43 | |
I got willpower, but I don't know how much. | 1:07:43 | 1:07:47 | |
You know what I'm sayin'? Yeah. | 1:07:47 | 1:07:50 | |
# There is somethin' | 1:07:50 | 1:07:52 | |
# On your mind | 1:07:52 | 1:07:55 | |
# By the way you look at me | 1:07:59 | 1:08:03 | |
# There is somethin' | 1:08:08 | 1:08:12 | |
# On your mind, honey. # | 1:08:12 | 1:08:15 | |
Did you ever do somethin' that you thought would make you feel great, | 1:08:19 | 1:08:22 | |
in a weird way, you almost feel worse? | 1:08:22 | 1:08:24 | |
Revenge, huh? Some things hurt no matter what. | 1:08:24 | 1:08:27 | |
That must be a fact of life. | 1:08:27 | 1:08:29 | |
# And what you're thinkin'... # | 1:08:29 | 1:08:31 | |
DANIELLE: Hi! | 1:08:31 | 1:08:33 | |
Hi! | 1:08:33 | 1:08:34 | |
Nick. | 1:08:34 | 1:08:36 | |
I can't believe it. What are you doin' here? | 1:08:36 | 1:08:38 | |
Danielle. Oops. | 1:08:38 | 1:08:42 | |
I don't know what I'm doin' here. | 1:08:42 | 1:08:45 | |
What are you doin' here? Sheila, my best friend... Well, she used to be my best friend. | 1:08:45 | 1:08:49 | |
I guess, technically, Marcy would be my best friend. | 1:08:49 | 1:08:52 | |
I mean, they both think they're my best friend, which is OK by me. | 1:08:52 | 1:08:54 | |
But once I did have this nightmare where Sheila and Marcy are sitting next to each other, | 1:08:54 | 1:08:58 | |
and this Eskimo guy comes over and says, "Pick." | 1:08:58 | 1:09:00 | |
I thought I was gonna die. I mean, an Eskimo guy. What is that all about? | 1:09:00 | 1:09:04 | |
Anyway, Sheila's visiting and she's staying here. | 1:09:04 | 1:09:07 | |
So I thought I'd take her to a party and show her a good time. | 1:09:07 | 1:09:10 | |
And she meets this guy and goes home with him instead. And, oh, well. | 1:09:10 | 1:09:14 | |
You really look good. | 1:09:14 | 1:09:15 | |
You look... you look good too. | 1:09:17 | 1:09:20 | |
Thank you. Do you want... a drink? | 1:09:20 | 1:09:23 | |
Uh-huh. Yeah. Sure. | 1:09:23 | 1:09:25 | |
You know, I'm such a klutz. | 1:09:26 | 1:09:29 | |
I spilled beer all over my dress earlier. | 1:09:29 | 1:09:31 | |
And, well, I think it's stained. Did it stain, Nick? | 1:09:31 | 1:09:36 | |
I have Sheila's room key. You wanna come up? | 1:09:45 | 1:09:49 | |
# Let's get hot | 1:09:49 | 1:09:51 | |
# Oh, yes, it's ladies' night | 1:09:51 | 1:09:53 | |
# And the vibes is right | 1:09:53 | 1:09:54 | |
# Oh, yes, it's ladies' night | 1:09:54 | 1:09:56 | |
# Oh, what a night | 1:09:56 | 1:09:57 | |
# Oh, what a night | 1:09:57 | 1:09:59 | |
# Oh, yes, it's ladies' night | 1:09:59 | 1:10:01 | |
# And the feeling's right | 1:10:01 | 1:10:03 | |
# Oh, yes, it's ladies' night | 1:10:03 | 1:10:05 | |
# Oh, what a night! | 1:10:05 | 1:10:06 | |
# Oh, what a night! # | 1:10:06 | 1:10:08 | |
ELEVATOR BELL DINGS | 1:10:08 | 1:10:09 | |
MUTTERING | 1:10:12 | 1:10:15 | |
KNOCKING Nick, Nick, use your key, man. | 1:10:15 | 1:10:19 | |
KNOCKING CONTINUES | 1:10:19 | 1:10:22 | |
All right. All right, Nick. Damn! | 1:10:22 | 1:10:24 | |
Hey, Nick, why didn't you just use your key? Turn your bed down? | 1:10:24 | 1:10:30 | |
HE LAUGHS > | 1:10:30 | 1:10:33 | |
Stay. | 1:10:44 | 1:10:45 | |
HIP HOP | 1:10:49 | 1:10:51 | |
# The lady is lookin' good | 1:11:05 | 1:11:07 | |
# Just like the lady should | 1:11:07 | 1:11:09 | |
# Just like the lady should... # | 1:11:09 | 1:11:11 | |
I've been thinking about this for so long. I want you so bad. | 1:11:11 | 1:11:15 | |
I just wanted to make her happy. | 1:11:15 | 1:11:17 | |
This is gonna be a night that you won't forget. | 1:11:17 | 1:11:20 | |
I try to forget, but I can't. | 1:11:20 | 1:11:21 | |
Give it to me, Nick. | 1:11:21 | 1:11:23 | |
Give! That's all I did, was give. | 1:11:23 | 1:11:25 | |
MUFFLED MOANING | 1:11:25 | 1:11:28 | |
CRYING | 1:11:28 | 1:11:31 | |
Nick? Nick, you're really putting a damper on the mood here. | 1:11:34 | 1:11:39 | |
I'm sorry. I'm... | 1:11:39 | 1:11:42 | |
Danielle, I can't. I just can't. | 1:11:42 | 1:11:44 | |
# I just wanna make you mine | 1:11:44 | 1:11:49 | |
# We'll be together till the end of time... # | 1:11:49 | 1:11:53 | |
Hey, Kareem. Are you aware that Charlie and I... | 1:11:53 | 1:11:56 | |
had intended to come up here and cap your punk ass? | 1:11:55 | 1:11:59 | |
And your girlfriend Nick. | 1:11:59 | 1:12:00 | |
But, shit, you two muffins did such an outstanding job with this financing... | 1:12:00 | 1:12:04 | |
who could think about killing at a time like this? | 1:12:04 | 1:12:08 | |
Thanks. Your approval means a lot. | 1:12:08 | 1:12:12 | |
- Did I tell you to speak? Did I tell you to speak? - Charlie...no. | 1:12:12 | 1:12:16 | |
That's gonna be too loud. | 1:12:16 | 1:12:18 | |
(Too loud.) | 1:12:19 | 1:12:21 | |
DIAL TONE | 1:12:32 | 1:12:33 | |
PHONE RINGS Hello? | 1:12:49 | 1:12:51 | |
'Hello?' Hi. | 1:12:51 | 1:12:54 | |
Oh, my God! Nick, is that you? Are you OK? | 1:12:54 | 1:12:58 | |
I'm fine. | 1:12:58 | 1:13:00 | |
Oh, thank God! I didn't know if, if you... | 1:13:00 | 1:13:04 | |
'I thought that... You're not hurt?' | 1:13:04 | 1:13:08 | |
No. 'Oh, thank God! Where are you?' | 1:13:08 | 1:13:13 | |
Look, Ann, let's not make this harder than it has to be. | 1:13:13 | 1:13:17 | |
I saw you. | 1:13:17 | 1:13:18 | |
What? 'I saw you.' | 1:13:18 | 1:13:21 | |
- I know. - Saw me what? What are you talking about? | 1:13:21 | 1:13:25 | |
Come on. Do you have to do this? You and Phillip. | 1:13:25 | 1:13:28 | |
- What about him? - You're denying it. She's denying it. | 1:13:28 | 1:13:31 | |
I don't believe this. Friday afternoon. Remember? | 1:13:31 | 1:13:35 | |
Well, guess what. I came home early. I saw you, Ann. | 1:13:35 | 1:13:40 | |
'I was there.' Oh. | 1:13:40 | 1:13:43 | |
Oh, no. | 1:13:43 | 1:13:46 | |
Yeah. Oh, no. | 1:13:46 | 1:13:48 | |
Nick, I was still at work Friday afternoon. | 1:13:48 | 1:13:53 | |
'At work? Well, your clone was at home screwing my boss.' | 1:13:53 | 1:13:58 | |
Nick, it was my sister. Remember, I told you... | 1:13:58 | 1:14:02 | |
she was coming next Friday with her fiance? | 1:14:02 | 1:14:05 | |
Well, I made a mistake. It was this Friday. They called from the airport. | 1:14:05 | 1:14:09 | |
I told them about the key in the planter. I called, but you'd already left the office, | 1:14:09 | 1:14:12 | |
'so I left you a message on the machine at home.' | 1:14:12 | 1:14:15 | |
What about...what about the cuff links? Phillip's cuff links were on the sink. | 1:14:15 | 1:14:19 | |
Honey, they've been in the dresser since the Christmas party. | 1:14:19 | 1:14:22 | |
I left them on the counter so you'd finally remember to bring them to him. | 1:14:22 | 1:14:25 | |
So you're not having an affair? | 1:14:25 | 1:14:27 | |
No, you dick! | 1:14:27 | 1:14:30 | |
You still love me? | 1:14:30 | 1:14:32 | |
More than anything in the world. | 1:14:32 | 1:14:34 | |
You...wouldn't believe what I've been through. | 1:14:34 | 1:14:37 | |
You're gonna laugh, but I actually... | 1:14:37 | 1:14:41 | |
Shit. | 1:14:42 | 1:14:44 | |
- What's the matter? What's wrong? - Shit! | 1:14:44 | 1:14:46 | |
'What's the matter? What?' Shit! | 1:14:46 | 1:14:49 | |
SHIT! SHIT! | 1:14:49 | 1:14:52 | |
Shit, shit, shit, shit, shit, shit, shit. | 1:14:52 | 1:14:56 | |
Going down. | 1:15:00 | 1:15:02 | |
Don't touch it. Oh, man. | 1:15:12 | 1:15:15 | |
Oh, man. | 1:15:15 | 1:15:17 | |
I think I can open the door and catch the sheet. | 1:15:22 | 1:15:27 | |
Don't touch the sheet, please. Don't... No, no. | 1:15:27 | 1:15:29 | |
- No, don't move. Don't move. - Oh, shit. Oh, shit. I done moved the hand. | 1:15:29 | 1:15:33 | |
I really don't think you should be moving right now. I think you're moving. | 1:15:33 | 1:15:37 | |
Call the paramedics. Listen to me. All right. | 1:15:37 | 1:15:39 | |
Get them here as fast as you can! | 1:15:39 | 1:15:43 | |
Have them meet me with a gurney. | 1:15:43 | 1:15:45 | |
Wait. Let me practise. Let you practise? | 1:15:45 | 1:15:47 | |
I'm hangin' on a fucking ledge, man. | 1:15:47 | 1:15:50 | |
I don't wanna die like this, Nick. All right. | 1:15:51 | 1:15:55 | |
I wasn't tryin' to stick you up, man! | 1:15:55 | 1:15:56 | |
First, I'm gonna say "one." Then I'm gonna say "two," then "three." Then I'm gonna... | 1:15:56 | 1:16:00 | |
do it. I can't hear you. | 1:16:00 | 1:16:01 | |
I'm gonna start with one and count to three! OK. | 1:16:01 | 1:16:05 | |
Ready? One... | 1:16:05 | 1:16:08 | |
Right. ..two... | 1:16:08 | 1:16:09 | |
I can't hear you! You gotta be louder, Nick! I said, "two"! | 1:16:09 | 1:16:13 | |
Are you on "two" already? Start from "one"! I'll start again. | 1:16:13 | 1:16:17 | |
One... | 1:16:17 | 1:16:19 | |
Right. ..two... | 1:16:19 | 1:16:21 | |
- I got you. - ..three! | 1:16:21 | 1:16:23 | |
Nick! | 1:16:24 | 1:16:26 | |
I got it! I got it! | 1:16:26 | 1:16:27 | |
Ha! | 1:16:27 | 1:16:29 | |
Way to go, boy! You my... | 1:16:31 | 1:16:35 | |
HE SCREAMS | 1:16:35 | 1:16:37 | |
The elevator! The money! | 1:16:47 | 1:16:49 | |
WHISTLES | 1:16:49 | 1:16:51 | |
Remind me to kick your ass later. | 1:16:51 | 1:16:55 | |
TYRES SCREECH | 1:17:06 | 1:17:09 | |
CHARLIE: We're rich, man! | 1:17:10 | 1:17:13 | |
We are in the bigs. Charlie, smell that. | 1:17:13 | 1:17:16 | |
Oh, yes! You, too, can be a millionaire! | 1:17:16 | 1:17:19 | |
Hookers! | 1:17:19 | 1:17:20 | |
Charlie, smell this. | 1:17:20 | 1:17:22 | |
More hookers! Aaah! | 1:17:22 | 1:17:25 | |
Hookers! We hit the mother lode, man! | 1:17:25 | 1:17:28 | |
BANGING What the fuck is that? | 1:17:28 | 1:17:30 | |
- OK. What now? - I don't know. | 1:17:30 | 1:17:32 | |
- What do you mean? I thought you had a plan. - That was my plan - to ram them. | 1:17:32 | 1:17:37 | |
Ram them. | 1:17:37 | 1:17:38 | |
Speed up! | 1:17:38 | 1:17:39 | |
Shoot the mother fucker! Shoot him! I got him! I got him! | 1:17:42 | 1:17:46 | |
Aaah! | 1:17:47 | 1:17:48 | |
Man, I'm tired of this shit. Let's go! | 1:17:49 | 1:17:53 | |
Charlie! Look out, Charlie! | 1:17:58 | 1:17:59 | |
I'm actually grabbing a gun and going after bad guys. | 1:18:06 | 1:18:10 | |
You the man. | 1:18:10 | 1:18:11 | |
All right. | 1:18:18 | 1:18:19 | |
You see 'em? No. | 1:18:26 | 1:18:28 | |
I'll, uh... I'll let you know. | 1:18:28 | 1:18:31 | |
Please do. | 1:18:31 | 1:18:32 | |
Nick. | 1:18:33 | 1:18:35 | |
What? | 1:18:40 | 1:18:41 | |
HE LAUGHS | 1:18:41 | 1:18:43 | |
You checkin' this out, man? | 1:18:43 | 1:18:46 | |
Hey, Nick, I like you like this, | 1:18:46 | 1:18:50 | |
you and your prom date both having weapons. > | 1:18:50 | 1:18:53 | |
That way I don't have to kill an unarmed couple. It's not my style. | 1:18:53 | 1:18:57 | |
Put down the bag. | 1:18:57 | 1:18:58 | |
CHARLIE LAUGHS | 1:18:58 | 1:18:59 | |
Paul Bunyan, come and take the bag. | 1:19:00 | 1:19:03 | |
- Let me... - You're an idiot! Shut up! | 1:19:03 | 1:19:05 | |
Shoot 'em. NICK: No, you're an idiot! | 1:19:05 | 1:19:07 | |
Who are you? Crime dog now? Are you aware there's only two kind of people on the planet? | 1:19:07 | 1:19:10 | |
There are killers, and then there's everybody else. | 1:19:10 | 1:19:14 | |
I'm a killer, Nick. Yes, yes, yes, yes. What are you, Nick? | 1:19:14 | 1:19:18 | |
I'm married. | 1:19:22 | 1:19:24 | |
Oh, you son of a... | 1:19:26 | 1:19:27 | |
Oh, shit, man! | 1:19:31 | 1:19:33 | |
What are you, fuckin' out of your mind? | 1:19:33 | 1:19:35 | |
What, are you crazy? | 1:19:35 | 1:19:37 | |
Huh? Who's in control now? | 1:19:43 | 1:19:46 | |
Hand over the bag, | 1:19:46 | 1:19:48 | |
or else my man Nick Beam here gonna put one in your ass. | 1:19:48 | 1:19:52 | |
Ain't that right, Nick? | 1:19:52 | 1:19:54 | |
SQUEAKING | 1:19:56 | 1:19:58 | |
RIG: I'll roll over. CHARLIE: OK, I see it. I see it. | 1:19:58 | 1:20:03 | |
Let me try to get around and get you. | 1:20:03 | 1:20:06 | |
RIG: No, it's not... | 1:20:06 | 1:20:08 | |
Charlie, it's the police. Oh, yes! | 1:20:10 | 1:20:13 | |
Thank God you're here. Oh, this nightmare's over. | 1:20:13 | 1:20:16 | |
What the fuck are you doin'? > < Put the gun down! | 1:20:16 | 1:20:20 | |
Put that gun down, you stupid pig! > | 1:20:20 | 1:20:22 | |
BOTH SHOUT: Come on, man! | 1:20:22 | 1:20:25 | |
It's them. | 1:20:27 | 1:20:29 | |
Well, some folks in Arizona are gonna be mighty happy to see you boys. | 1:20:31 | 1:20:35 | |
SHOUTING CONTINUES | 1:20:35 | 1:20:37 | |
Officer! Officer, two other guys... | 1:20:37 | 1:20:40 | |
"I'm married." Ka-blam! | 1:20:43 | 1:20:46 | |
You're too much. Is the money all there? | 1:20:46 | 1:20:49 | |
- Looks like it. - Great. We have just enough time to get it back. | 1:20:49 | 1:20:52 | |
Excuse me? | 1:20:54 | 1:20:56 | |
We have to put the money back. | 1:20:56 | 1:20:58 | |
< LAUGHING No, no. | 1:20:58 | 1:21:00 | |
Maybe you're a little bit confused about the purpose of a robbery. | 1:21:00 | 1:21:05 | |
Oh, T, I didn't tell you. When we were at the hotel, I called my wife. | 1:21:05 | 1:21:08 | |
Everything's all right. You see, it wasn't her. | 1:21:08 | 1:21:11 | |
She wasn't even there. Isn't that great? > | 1:21:11 | 1:21:14 | |
It was her sister and her sister's fiance. | 1:21:16 | 1:21:18 | |
I don't give a damn if it was her Uncle Fester and Gumby. | 1:21:18 | 1:21:22 | |
You ain't takin' this money anywhere, man. | 1:21:22 | 1:21:25 | |
< I don't wanna hear all that. | 1:21:25 | 1:21:27 | |
Let go. Let go. Gimme the bag. You let go. | 1:21:32 | 1:21:34 | |
- Let go of the bag. - It's not your money. | 1:21:34 | 1:21:36 | |
- It's not your money. - It's not your money! | 1:21:36 | 1:21:38 | |
- It's not yours. It's half mine. - Let go! | 1:21:38 | 1:21:40 | |
Let go! Let go! You let go! | 1:21:40 | 1:21:42 | |
Get back here! | 1:21:50 | 1:21:52 | |
You OK? Yeah, I'm OK. And you? | 1:22:12 | 1:22:16 | |
I'll live. | 1:22:16 | 1:22:18 | |
Can't let you take the money, Nick. | 1:22:18 | 1:22:22 | |
T, my life is in that bag. | 1:22:22 | 1:22:26 | |
Nick, even if you wanted to take the money back, you can't. | 1:22:26 | 1:22:31 | |
Your face is on the video, man. | 1:22:31 | 1:22:33 | |
They only review the tapes if something's missing. | 1:22:33 | 1:22:35 | |
I can go into work early and bring it back. No-one'll know. | 1:22:35 | 1:22:39 | |
T... | 1:22:43 | 1:22:44 | |
..I can get my life back. | 1:22:48 | 1:22:51 | |
You forget one thing, Nick. I get my life back too. | 1:23:05 | 1:23:10 | |
# Money don't make my world go round | 1:23:43 | 1:23:47 | |
# I'm reaching out for the higher ground | 1:23:47 | 1:23:52 | |
# To a warm and peaceful place | 1:23:52 | 1:23:57 | |
# I can rest my weary face | 1:23:58 | 1:24:02 | |
# Life's answers we try to find | 1:24:02 | 1:24:06 | |
# Oh, we try to find Yes, we try to find | 1:24:06 | 1:24:08 | |
# Battling inside our minds | 1:24:08 | 1:24:11 | |
# Where do I go from here | 1:24:13 | 1:24:17 | |
# Will all my friends be there | 1:24:17 | 1:24:21 | |
# Cos we're living we're living | 1:24:21 | 1:24:25 | |
# In a crazy maze | 1:24:25 | 1:24:28 | |
# And we're fighting we're fighting | 1:24:28 | 1:24:30 | |
# To rise above the haze | 1:24:30 | 1:24:32 | |
# Lights at the end of the tunnel | 1:24:32 | 1:24:35 | |
# Sometimes the journey's long | 1:24:35 | 1:24:38 | |
# There are many theories | 1:24:38 | 1:24:40 | |
# Who's right and who's wrong | 1:24:40 | 1:24:43 | |
# Pressure's on I have to choose | 1:24:45 | 1:24:49 | |
# I've got nothing to lose | 1:24:50 | 1:24:54 | |
# I close my eyes I take a chance | 1:24:55 | 1:24:59 | |
# I, I now dance a different dance | 1:24:59 | 1:25:04 | |
# What's the key to a happy life | 1:25:05 | 1:25:08 | |
# Tell me now, now, now | 1:25:08 | 1:25:10 | |
# Healthy mind and lots of spice | 1:25:10 | 1:25:13 | |
# Running barefoot through the trees. # | 1:25:16 | 1:25:19 | |
Oh, my God! | 1:25:19 | 1:25:20 | |
Ow. Ouch. | 1:25:22 | 1:25:24 | |
What happened to you? | 1:25:25 | 1:25:27 | |
It's a long story. | 1:25:27 | 1:25:29 | |
I got shot. What? | 1:25:29 | 1:25:31 | |
And I-I think I'm wanted in Arizona. | 1:25:31 | 1:25:34 | |
Plus, my shoes caught on fire. | 1:25:34 | 1:25:38 | |
You told me you were selling me the top of the line. The top of the line is digital. | 1:25:43 | 1:25:47 | |
Did you sell me a digital? No, you did not. | 1:25:47 | 1:25:49 | |
So, I'm bringing it back, and I expect a full refund. | 1:25:49 | 1:25:52 | |
If you do not give me a refund, you will not be doing business with myself or my company. Thank you. | 1:25:52 | 1:25:57 | |
Hmm. So... | 1:25:57 | 1:26:00 | |
did you hear? | 1:26:00 | 1:26:02 | |
What? Some, er, vandals broke in over the weekend. | 1:26:02 | 1:26:06 | |
- What? - Well, nothing was stolen. | 1:26:06 | 1:26:08 | |
They cut the...the...thingy... | 1:26:08 | 1:26:13 | |
off PB's statue. | 1:26:13 | 1:26:15 | |
Um, they're reviewing the videotape. | 1:26:19 | 1:26:22 | |
Hi, everybody. How's it going? Not now, Nick. | 1:26:29 | 1:26:32 | |
- Did anybody see that game last night? Hoo. - What game? | 1:26:32 | 1:26:37 | |
- Oh, that game. Overtime. - Will you please shut up! | 1:26:37 | 1:26:40 | |
Don't touch it. Don't touch it. Oh, you pig. Oh, you pig. | 1:26:42 | 1:26:47 | |
NICK SCREAMING ON TAPE | 1:26:47 | 1:26:50 | |
SMASHING STATUE ON TAPE Oooh! Oh. | 1:26:50 | 1:26:53 | |
Well, that's it. What's done is done. Listen... | 1:26:53 | 1:26:55 | |
I've got this great idea for the new Mcginty Cracker mascot. Move, move! Thank you. | 1:26:55 | 1:26:59 | |
This... Nick, shut up! | 1:26:59 | 1:27:01 | |
PHILLIP: What's happening? | 1:27:05 | 1:27:08 | |
T LAUGHING ON TAPE Well, what is this? | 1:27:10 | 1:27:13 | |
What the hell is this? | 1:27:13 | 1:27:15 | |
GUARD: I don't know. | 1:27:15 | 1:27:17 | |
T LAUGHING ON TAPE Somebody must've recorded over the tape. | 1:27:17 | 1:27:21 | |
- Who had access? - Uh...there was an electrician in here this morning. | 1:27:21 | 1:27:26 | |
What electrician? I did not order an electrician! | 1:27:26 | 1:27:28 | |
I did. The flickers on the... Fluorescent lights were flickering. | 1:27:28 | 1:27:33 | |
- I'm really sorry, sir. - This is terrible, Phil. | 1:27:33 | 1:27:35 | |
I would really like to be alone now. You should go. | 1:27:35 | 1:27:37 | |
You should go. You too. I would like to be extremely alone for a minute. | 1:27:37 | 1:27:41 | |
I'm gonna leave you alone. Thank you very much. Thank you, Nick. | 1:27:41 | 1:27:44 | |
T SHOUTING ON TAPE | 1:27:44 | 1:27:46 | |
All right now. Cut that out. Y'all wanna eat? | 1:27:49 | 1:27:52 | |
Yes. All right. | 1:27:52 | 1:27:54 | |
Don't burn the meat. I don't never burn the meat. | 1:27:54 | 1:27:57 | |
Uh-huh. What happened the last time? Hey, Dad don't burn the meat. | 1:27:57 | 1:28:00 | |
I'm gonna put some... > Joey. Tonya. | 1:28:00 | 1:28:03 | |
Go see your mama, boy. You know. | 1:28:03 | 1:28:06 | |
Now this is my very special mustard. | 1:28:06 | 1:28:09 | |
Don't let nobody touch that. OK, Mama. | 1:28:09 | 1:28:12 | |
Yeah. | 1:28:12 | 1:28:13 | |
So, how's the electrician business? | 1:28:13 | 1:28:17 | |
Hey. | 1:28:17 | 1:28:19 | |
Not bad. The hours are a bitch. | 1:28:19 | 1:28:23 | |
I wanna thank you. | 1:28:23 | 1:28:25 | |
I don't know why... I just wanna say I appreciate what you did. | 1:28:25 | 1:28:30 | |
Well, don't mention it. How's that? How did you know where I was anyway? | 1:28:30 | 1:28:36 | |
A friend gave me a tip. | 1:28:36 | 1:28:39 | |
A friend, huh? | 1:28:41 | 1:28:43 | |
You hungry? < Yes, we would love for you to join us. | 1:28:43 | 1:28:46 | |
Wouldn't we, Mama? | 1:28:46 | 1:28:48 | |
I talked to my boss today after things settled down. | 1:28:52 | 1:28:55 | |
Convinced him we need a new security system. Got any ideas? | 1:28:55 | 1:28:59 | |
Sure. I can help you pick one out. | 1:28:59 | 1:29:02 | |
You wanna run it? We need someone trustworthy. | 1:29:02 | 1:29:05 | |
I told him I know just the guy. | 1:29:05 | 1:29:08 | |
Well, I'm gonna have to think about this, Nick. | 1:29:08 | 1:29:10 | |
Right now, I'm weighing out several lucrative offers. They rollin' in. | 1:29:10 | 1:29:14 | |
A lot of people want me to work for them right now. > | 1:29:14 | 1:29:17 | |
Now, that's just the way I like it. | 1:29:17 | 1:29:20 | |
All I need now is some of Mama's special mustard. | 1:29:20 | 1:29:23 | |
Stop. | 1:29:23 | 1:29:25 | |
NICK: What'd I do? | 1:29:32 | 1:29:33 | |
MAMA SHOUTS | 1:29:36 | 1:29:38 | |
Run, run! Stay down, Nick. Get on outta here. | 1:29:44 | 1:29:48 | |
MAMA: I'll beat you into the... | 1:29:48 | 1:29:51 | |
# See you when you get there | 1:29:54 | 1:29:57 | |
# Now I seen places and faces of things you ain't never thought about thinkin' | 1:30:06 | 1:30:11 | |
# If you ain't peeked then you must be drinkin' and smokin' | 1:30:11 | 1:30:13 | |
# Pretendin' that you're locin' but you're broken let me get you open | 1:30:13 | 1:30:16 | |
# Now, little Timmy got his diploma and little Jimmy got life | 1:30:16 | 1:30:19 | |
# And Tamica around the corner just took her first hit off the pipe | 1:30:19 | 1:30:22 | |
# The other homey shot the other homey and ran off with his money | 1:30:22 | 1:30:25 | |
# And when the other homeys heard about it, they thought that it was funny | 1:30:25 | 1:30:28 | |
# But who's the dummy cos now you done lost a hustler | 1:30:28 | 1:30:30 | |
# A down-ass brother done replaced by a bustler | 1:30:30 | 1:30:32 | |
# And though I got love for ya I know I can't trust ya | 1:30:32 | 1:30:35 | |
# Cos my crew is rollin' numbers and your crew is rollin' dusters | 1:30:35 | 1:30:37 | |
# And just because of that you act like you don't like a brother no more | 1:30:37 | 1:30:40 | |
# The wide and crooked Or the straight and narrow | 1:30:40 | 1:30:42 | |
# We got one voice to give And one life to live | 1:30:42 | 1:30:45 | |
# Stand up for something Or lie down in the game | 1:30:45 | 1:30:47 | |
# Listen to the song that we sang | 1:30:47 | 1:30:50 | |
# It's up to you to make your beat | 1:30:50 | 1:30:52 | |
# I guess I'll see you when you see me | 1:30:52 | 1:30:55 | |
# I'll see you | 1:30:55 | 1:30:58 | |
# When you get there | 1:30:58 | 1:31:01 | |
# Really want to get there | 1:31:01 | 1:31:04 | |
# I'll see you when you get there | 1:31:04 | 1:31:11 | |
# I'll see you when you get there. # | 1:31:11 | 1:31:15 |