
Browse content similar to Spy Hard. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
We're approaching target area, a mile from your DZ. | 0:00:12 | 0:00:16 | |
You ready, WD-40? | 0:00:16 | 0:00:18 | |
I never felt more ready in my life. | 0:00:19 | 0:00:22 | |
Oh, man! Steele, you crazy fool! | 0:00:24 | 0:00:27 | |
-TAPE: -'This is the "Free World's In Double Jeopardy" round of your mission. | 0:00:29 | 0:00:34 | |
'He's a criminal mastermind | 0:00:34 | 0:00:37 | |
'and an international arms dealer who has sold a Scorpion missile | 0:00:37 | 0:00:42 | |
'to Middle Eastern terrorists. The question is, who is Rancor? | 0:00:42 | 0:00:47 | |
'General Derwood Rancor. | 0:00:47 | 0:00:49 | |
'Begin your mission. Good luck, WD-40.' | 0:00:49 | 0:00:53 | |
'And don't forget. This tape will self-destruct in three seconds.' | 0:00:54 | 0:01:00 | |
BLEEPING | 0:00:59 | 0:01:04 | |
STEELE! | 0:01:01 | 0:01:04 | |
ALARM BLARES | 0:01:43 | 0:01:45 | |
General Rancor, your chopper is waiting. | 0:01:50 | 0:01:53 | |
Be there in a minute. I ain't done with this one yet. | 0:01:53 | 0:01:57 | |
Talk to me, boy. He doesn't wanna talk. | 0:01:57 | 0:02:01 | |
Take him outside and shoot him. | 0:02:01 | 0:02:04 | |
HE CHUCKLES | 0:02:11 | 0:02:13 | |
And when you shoot him, | 0:02:13 | 0:02:16 | |
use the silencer(!) | 0:02:16 | 0:02:19 | |
Thank you. Have a nice flight. | 0:02:35 | 0:02:37 | |
Have a great flight. | 0:02:39 | 0:02:41 | |
Enjoy destroying the world. | 0:02:41 | 0:02:44 | |
Thanks, I will. | 0:02:42 | 0:02:44 | |
I'm going in there. | 0:02:46 | 0:02:48 | |
My God. Look at you. | 0:02:48 | 0:02:52 | |
You are such an incredible man. | 0:02:52 | 0:02:56 | |
It's my job, darling. I do it for my country. | 0:02:56 | 0:03:00 | |
Hm? Oh! Good luck. | 0:03:01 | 0:03:03 | |
HE CHUCKLES Luck's got nothing to do with it. | 0:03:03 | 0:03:07 | |
CRUNCH | 0:03:08 | 0:03:11 | |
TROUSERS RIP | 0:03:11 | 0:03:13 | |
DEVICE BLEEPS | 0:03:17 | 0:03:20 | |
-HE CHUCKLES -Nothing can stop me now. | 0:03:26 | 0:03:29 | |
Not even that sanctimonious secret agent, Boy Scout Dick... | 0:03:29 | 0:03:35 | |
Yoo-hoo! STEELE LAUGHS | 0:03:35 | 0:03:39 | |
Steele?! | 0:03:39 | 0:03:41 | |
Aaaaaargh! | 0:03:42 | 0:03:44 | |
Dick, don't drop me! | 0:03:44 | 0:03:47 | |
Grab my wrist! | 0:03:47 | 0:03:50 | |
Aaaargh! | 0:03:52 | 0:03:55 | |
Whoaaaaaa! | 0:03:55 | 0:03:58 | |
Don't drop me! | 0:03:58 | 0:04:01 | |
AAAAAAAAAAAAARGH! | 0:04:02 | 0:04:04 | |
SPLASH | 0:04:09 | 0:04:11 | |
# A man of intrigue | 0:04:25 | 0:04:27 | |
# He lives for the thrill | 0:04:27 | 0:04:29 | |
# Always has places to go | 0:04:33 | 0:04:36 | |
# And people to kill | 0:04:36 | 0:04:38 | |
# Danger is the game he plays | 0:04:41 | 0:04:44 | |
# And he holds every card | 0:04:44 | 0:04:47 | |
# Cos if you wanna win | 0:04:48 | 0:04:51 | |
# You gotta Spy Hard | 0:04:51 | 0:04:55 | |
# A man of the world | 0:04:57 | 0:04:59 | |
# So suave and discreet | 0:04:59 | 0:05:03 | |
# He trips over the women | 0:05:05 | 0:05:07 | |
# Piled up at his feet | 0:05:07 | 0:05:10 | |
# But evil's lurking | 0:05:13 | 0:05:16 | |
# So he's always on his guard | 0:05:16 | 0:05:19 | |
# Cos if you're gonna spy | 0:05:20 | 0:05:23 | |
# You better Spy Hard | 0:05:23 | 0:05:26 | |
# He's always there | 0:05:29 | 0:05:32 | |
# When the chips Are beginning to fall | 0:05:32 | 0:05:37 | |
# He wouldn't care | 0:05:37 | 0:05:40 | |
# If they kicked him and grabbed him | 0:05:40 | 0:05:42 | |
# And shot him and stabbed him | 0:05:42 | 0:05:44 | |
# And nailed Both his ears to the wall | 0:05:44 | 0:05:48 | |
# Facing death every day | 0:05:50 | 0:05:52 | |
# Is a tough job for any man | 0:05:52 | 0:05:57 | |
# But his hours are flexible | 0:05:57 | 0:06:01 | |
# And he's got a great dental plan | 0:06:01 | 0:06:03 | |
# By the way, if you walked in late | 0:06:05 | 0:06:09 | |
# Allow me to reiterate | 0:06:09 | 0:06:13 | |
# The name of this movie | 0:06:12 | 0:06:16 | |
# Is Spy Hard | 0:06:16 | 0:06:20 | |
# They call it Spy Hard | 0:06:20 | 0:06:24 | |
# You're watching Spy Hard | 0:06:24 | 0:06:26 | |
# It's the theme from Spy Hard... # | 0:06:26 | 0:06:30 | |
THUNDER CRASHES | 0:07:05 | 0:07:08 | |
BIRD SQUAWKS | 0:07:30 | 0:07:32 | |
HE ROARS | 0:07:42 | 0:07:44 | |
HE SQUAWKS | 0:07:44 | 0:07:46 | |
Sir, we've got something interesting on the infrared detection system. | 0:07:57 | 0:08:02 | |
'Well, what is it?' | 0:08:02 | 0:08:08 | |
It's a neat security system that picks up intruders. | 0:08:03 | 0:08:08 | |
'What is it detecting?' | 0:08:08 | 0:08:10 | |
It looks like Agent Barbara Dahl, sir. | 0:08:10 | 0:08:14 | |
Barbara Dahl? | 0:08:20 | 0:08:23 | |
Hot damn, at last. | 0:08:23 | 0:08:26 | |
Arm me. | 0:08:26 | 0:08:28 | |
Yeah. Now, bring me the bait. | 0:08:29 | 0:08:32 | |
-GRUFF VOICE: -Welcome. General Rancor wants to see you. | 0:08:33 | 0:08:38 | |
Don't even think about it! | 0:08:38 | 0:08:40 | |
Put the gun down! | 0:08:40 | 0:08:42 | |
Move! Don't try anything funny. | 0:08:47 | 0:08:50 | |
Oh, you morons! Let go! | 0:08:52 | 0:08:55 | |
Well, look at you. | 0:08:58 | 0:09:00 | |
Barbara Dahl. | 0:09:00 | 0:09:03 | |
You're the spitting image of your mama. | 0:09:03 | 0:09:06 | |
Don't you talk about my mother, you hybrid curiosity. | 0:09:06 | 0:09:11 | |
My mother was twice the man you are. | 0:09:11 | 0:09:14 | |
I think you're carrying this spitting image thing too far. | 0:09:14 | 0:09:19 | |
Now that I got Barbara Dahl, | 0:09:19 | 0:09:22 | |
it's just a matter of time before Dick Steele comes to get her. | 0:09:22 | 0:09:27 | |
HE LAUGHS | 0:09:27 | 0:09:29 | |
Have you confirmed this transmission? | 0:09:41 | 0:09:44 | |
I have. It's Barbara Dahl. | 0:09:44 | 0:09:47 | |
Who authorised her to go on this operation? | 0:09:47 | 0:09:52 | |
No-one. She's working on her own. | 0:09:50 | 0:09:52 | |
This one is personal. | 0:09:52 | 0:09:54 | |
This mission may have cost a good agent her life | 0:09:54 | 0:09:58 | |
and put the free world in jeopardy. We must inform the Director. | 0:09:58 | 0:10:03 | |
'This is the Director. What is it?' | 0:10:03 | 0:10:06 | |
We've intercepted a disturbing transmission | 0:10:06 | 0:10:10 | |
from our station on Gibraltar. | 0:10:10 | 0:10:13 | |
-'What is it?' -It's a big rock | 0:10:11 | 0:10:13 | |
sticking out of the water near Spain. | 0:10:13 | 0:10:16 | |
'What is the transmission?' | 0:10:20 | 0:10:22 | |
You will have to see it to believe it, sir. | 0:10:22 | 0:10:25 | |
Put it on channel three. | 0:10:37 | 0:10:41 | |
No, four. Switch it to VHS. | 0:10:38 | 0:10:41 | |
And take it off of cable. | 0:10:41 | 0:10:43 | |
Put it on the monitor. | 0:10:43 | 0:10:45 | |
-TV: -'Now a message from Rancor Industries.' | 0:10:45 | 0:10:48 | |
She makes a pretty hood ornament. | 0:10:48 | 0:10:54 | |
Rancor! | 0:10:51 | 0:10:54 | |
Yes, it is I, | 0:10:52 | 0:10:54 | |
good old General Rancor. | 0:10:54 | 0:10:56 | |
I'm back, big as life and twice as ugly. | 0:10:56 | 0:10:59 | |
Steele blew him up. | 0:10:59 | 0:11:05 | |
Apparently not. | 0:11:01 | 0:11:05 | |
You did everything except eat me | 0:11:02 | 0:11:05 | |
and I'm still alive. Steele only blew off a couple of arms. | 0:11:05 | 0:11:09 | |
That's no big thing. Now I got plenty of arms. | 0:11:09 | 0:11:13 | |
Big arms. | 0:11:13 | 0:11:15 | |
Pretty arms. | 0:11:15 | 0:11:18 | |
'I got arms up the wazoo. Let me show you something. | 0:11:18 | 0:11:22 | |
'Your pretty agent is now the nose cone | 0:11:22 | 0:11:25 | |
'on top of my missile. | 0:11:25 | 0:11:27 | |
'This missile will be launched in 36 hours | 0:11:27 | 0:11:31 | |
'and nothing will stop me.' | 0:11:31 | 0:11:33 | |
He's a madman. | 0:11:33 | 0:11:35 | |
'Only thing is, I'm missing one little chip | 0:11:35 | 0:11:38 | |
'that controls my satellite and I want it back. | 0:11:38 | 0:11:42 | |
'Hand me my chip and I'll give you back your agent.' | 0:11:42 | 0:11:49 | |
Good God. He must me stopped! | 0:11:46 | 0:11:49 | |
Dick Steele couldn't stop me 15 years ago. | 0:11:49 | 0:11:53 | |
All the dicks you've got won't stop me now. | 0:11:53 | 0:11:57 | |
He hasn't seen the SIZE of our newer members. | 0:11:57 | 0:12:01 | |
With the chip, he rules the world. | 0:12:01 | 0:12:04 | |
Without the chip, he destroys the world. | 0:12:04 | 0:12:07 | |
VIOLIN PLAYS | 0:12:07 | 0:12:13 | |
Practise some place else! I'm trying to think! | 0:12:09 | 0:12:13 | |
The world! Hah! | 0:12:13 | 0:12:15 | |
We all know what Rancor really wants. | 0:12:15 | 0:12:18 | |
Steele. | 0:12:18 | 0:12:22 | |
Yes, and we'll give Steele to him. | 0:12:19 | 0:12:22 | |
Steele? Have you forgotten what happened last time | 0:12:22 | 0:12:26 | |
Steele was in the line of fire? | 0:12:26 | 0:12:29 | |
APPLAUSE AND CHEERING | 0:12:29 | 0:12:32 | |
BAND PLAYS | 0:12:32 | 0:12:35 | |
'We'll stop here. Traveller wants to mingle.' | 0:12:44 | 0:12:47 | |
POP! | 0:12:58 | 0:13:02 | |
POP! | 0:12:59 | 0:13:02 | |
POP! | 0:13:02 | 0:13:03 | |
Steele, what the hell do you think you're doing?! | 0:13:12 | 0:13:16 | |
Get him in the limo! Get him in the limo! | 0:13:16 | 0:13:19 | |
Go! Go! Go! Go! | 0:13:19 | 0:13:22 | |
Go! Go! | 0:13:22 | 0:13:23 | |
HE GRUNTS | 0:13:27 | 0:13:29 | |
TANNOY: 'The bridge is out. | 0:13:29 | 0:13:32 | |
'The bridge is out.' | 0:13:33 | 0:13:39 | |
The bridge is out! The bridge is out, dammit! Stop this car! | 0:13:34 | 0:13:39 | |
BRAKES SCREECH | 0:13:39 | 0:13:41 | |
Stay away from the window, sir. | 0:14:06 | 0:14:09 | |
Steele, do something! | 0:14:09 | 0:14:11 | |
Good job, Steele! Thanks! | 0:14:29 | 0:14:34 | |
It's about time he did something right. | 0:14:31 | 0:14:34 | |
Hang on, Mr President! | 0:14:34 | 0:14:38 | |
THEY ALL YELL | 0:14:36 | 0:14:38 | |
'The bridge is out.' | 0:14:45 | 0:14:47 | |
Thank God our president was one good swimmer. | 0:14:49 | 0:14:53 | |
Nonetheless, | 0:14:53 | 0:14:55 | |
there's only one man for this operation. | 0:14:55 | 0:14:59 | |
Agent WD-40. Steele. | 0:14:59 | 0:15:01 | |
Dick Steele. | 0:15:01 | 0:15:03 | |
Dick, Dick, Dick Steele! | 0:15:03 | 0:15:07 | |
Oh, mm, Dick. | 0:15:08 | 0:15:10 | |
Oh, Dick, that was incredible. | 0:15:10 | 0:15:14 | |
Thank you. | 0:15:15 | 0:15:17 | |
Don't thank me, darling. The art of lovemaking takes two. | 0:15:17 | 0:15:22 | |
Sometimes three or four, depending on how well you do at craps. | 0:15:22 | 0:15:27 | |
Fore! | 0:15:27 | 0:15:31 | |
Well, my putter's up. | 0:15:29 | 0:15:31 | |
Oh, Dick, I'm exhausted. | 0:15:31 | 0:15:34 | |
You are insatiable. | 0:15:34 | 0:15:36 | |
15 minutes to tee-off time. | 0:15:36 | 0:15:38 | |
There's something we should discuss openly and honestly | 0:15:38 | 0:15:43 | |
before I head off to my golf game. | 0:15:43 | 0:15:46 | |
What is it, Dick? | 0:15:46 | 0:15:50 | |
It's a game. People dress funny, | 0:15:47 | 0:15:50 | |
hit a little ball with clubs, | 0:15:50 | 0:15:52 | |
drinking is involved. | 0:15:52 | 0:15:56 | |
Is something wrong, Dick? | 0:15:53 | 0:15:56 | |
Whatever we've had between us, | 0:15:56 | 0:15:58 | |
my heart still belongs to the girl I fell in love with years ago. | 0:15:58 | 0:16:03 | |
Victoria. She fell off a cliff. | 0:16:03 | 0:16:06 | |
She died. | 0:16:06 | 0:16:08 | |
Yes, I was just getting to that. | 0:16:08 | 0:16:11 | |
After Victoria, I don't think I'll ever find room for another woman | 0:16:11 | 0:16:17 | |
in this ripped apart, torn up, burned out | 0:16:17 | 0:16:20 | |
lump in my chest | 0:16:20 | 0:16:22 | |
where a human heart once beat. | 0:16:22 | 0:16:26 | |
I hope you understand what I'm trying to say. | 0:16:25 | 0:16:29 | |
-RUSSIAN ACCENT: -I'll live, Mr Steele. | 0:16:29 | 0:16:32 | |
It's YOUR life I'm worried about. | 0:16:32 | 0:16:36 | |
I'm glad you understand. | 0:16:36 | 0:16:38 | |
I know how much these things can hurt. | 0:16:39 | 0:16:42 | |
-Hi, Dick! -> | 0:16:45 | 0:16:47 | |
-Hi. -Morning, Mrs Hutton. | 0:16:51 | 0:16:53 | |
-< -Fore! | 0:16:53 | 0:16:57 | |
Watch out! | 0:16:54 | 0:16:57 | |
All right? | 0:17:00 | 0:17:03 | |
Thank you. | 0:17:01 | 0:17:03 | |
-Thank you! -> | 0:17:03 | 0:17:05 | |
SMACK! | 0:17:05 | 0:17:08 | |
-TANNOY: -'Deena Talley-Forson to starter's window.' | 0:17:09 | 0:17:13 | |
GLASS SHATTERS WOMAN SCREAMS | 0:17:13 | 0:17:17 | |
Aaaaaargh! | 0:17:21 | 0:17:24 | |
Dick, wait! | 0:17:22 | 0:17:24 | |
Oh, well, Steve! Steve Bishop. | 0:17:24 | 0:17:27 | |
You look great. | 0:17:27 | 0:17:31 | |
Thank you. We go back a long way. | 0:17:29 | 0:17:31 | |
Yeah. | 0:17:31 | 0:17:35 | |
'Aaaaaargh!' | 0:17:33 | 0:17:35 | |
Let's have a drink. Sit right there, Steve. | 0:17:35 | 0:17:38 | |
The usual, Mr Steele? | 0:17:38 | 0:17:44 | |
You betcha. How's everything at the Agency? | 0:17:40 | 0:17:44 | |
It used to be fun, killing a few spies | 0:17:44 | 0:17:47 | |
with gas from a banana grenade, | 0:17:47 | 0:17:50 | |
but now it's all bureaucratic politics. | 0:17:50 | 0:17:53 | |
You gotta fill out 20 forms in triplicate just to take a piss! | 0:17:53 | 0:17:58 | |
STEVE LAUGHS | 0:17:58 | 0:18:00 | |
THEY GRUNT AND GROAN | 0:18:10 | 0:18:12 | |
Oh, boy, that was fun. | 0:18:14 | 0:18:17 | |
Thank you. | 0:18:17 | 0:18:19 | |
They don't do that at the Agency. | 0:18:19 | 0:18:22 | |
I'm sorry to hear that. | 0:18:22 | 0:18:24 | |
Er, Dickie, there is something. | 0:18:24 | 0:18:27 | |
I'm out of the Service. | 0:18:27 | 0:18:30 | |
It's a plot to launch a satellite. | 0:18:30 | 0:18:35 | |
I'm out of the Service. Talk about something else. | 0:18:31 | 0:18:35 | |
-PHONE RINGS -Bishop here. | 0:18:35 | 0:18:38 | |
'Got a new lead. Need you here.' | 0:18:38 | 0:18:42 | |
-Yeah. -'And get a dozen eggs.' | 0:18:39 | 0:18:42 | |
I'll leave right away. | 0:18:42 | 0:18:44 | |
No more headsets. They put the receiver right in your head now. | 0:18:44 | 0:18:49 | |
The Director wants you to see this. | 0:18:49 | 0:18:53 | |
I'm not interested. | 0:18:53 | 0:18:59 | |
Dickie, take a look at the tape. It'll change your mind. | 0:18:54 | 0:18:59 | |
HE HUMS | 0:19:11 | 0:19:13 | |
Hm-mm. | 0:19:13 | 0:19:15 | |
She makes a pretty hood ornament, don't you think? | 0:19:28 | 0:19:32 | |
Yes, it is I, good old General Rancor. | 0:19:32 | 0:19:35 | |
I'm back, big as life and twice as ugly. | 0:19:35 | 0:19:39 | |
HE CHUCKLES | 0:19:39 | 0:19:41 | |
'Steele just blow off my arms.' | 0:19:43 | 0:19:47 | |
Rancor. | 0:19:45 | 0:19:47 | |
He can't be alive. | 0:19:47 | 0:19:50 | |
My...God. | 0:19:50 | 0:19:53 | |
Barbara Dahl. | 0:19:53 | 0:19:55 | |
Victoria, why would your daughter join the Agency, | 0:19:58 | 0:20:02 | |
knowing what happened to you? | 0:20:02 | 0:20:05 | |
Why? | 0:20:05 | 0:20:08 | |
Why? | 0:20:08 | 0:20:10 | |
Why, why, why, why? | 0:20:10 | 0:20:12 | |
Victoria Dahl, | 0:20:12 | 0:20:14 | |
you were the only woman I ever loved. | 0:20:14 | 0:20:17 | |
# Raindrops keep falling on my head | 0:20:18 | 0:20:22 | |
# And just like the guy Whose feet are too big | 0:20:22 | 0:20:25 | |
# For his bed | 0:20:25 | 0:20:28 | |
# Nothing seems to fit | 0:20:28 | 0:20:30 | |
# Those raindrops Are falling on my head | 0:20:30 | 0:20:34 | |
# They keep falling | 0:20:34 | 0:20:35 | |
# So I just did me | 0:20:35 | 0:20:38 | |
# Some talking to the sun | 0:20:38 | 0:20:41 | |
# And I said I didn't like the way | 0:20:41 | 0:20:44 | |
# He got things done | 0:20:44 | 0:20:47 | |
# Sleeping on the job | 0:20:47 | 0:20:49 | |
# Those raindrops Are falling on my head | 0:20:49 | 0:20:52 | |
# They keep falling | 0:20:52 | 0:20:54 | |
# But there's one thing | 0:20:54 | 0:20:58 | |
# I know | 0:20:58 | 0:21:00 | |
# The blues they send to meet me | 0:21:00 | 0:21:04 | |
# Won't defeat me | 0:21:04 | 0:21:07 | |
# It won't be long | 0:21:07 | 0:21:08 | |
# Till happiness | 0:21:08 | 0:21:11 | |
# Steps up to greet me... # | 0:21:11 | 0:21:13 | |
-THEY SCREAM -# Raindrops keep falling on my head | 0:21:17 | 0:21:22 | |
# But that doesn't mean my eyes Will soon be turning red... # | 0:21:22 | 0:21:26 | |
-TV: -'We now join Kelly Lang downtown.' | 0:21:26 | 0:21:29 | |
'I'm here for Channel 3 News. | 0:21:29 | 0:21:31 | |
A tragic accident has claimed the life of Steven Bishop | 0:21:31 | 0:21:36 | |
'when a huge grand piano | 0:21:36 | 0:21:38 | |
fell from the 17th floor of the hotel behind me, | 0:21:38 | 0:21:42 | |
'landing on his car.' | 0:21:42 | 0:21:45 | |
An accident? | 0:21:43 | 0:21:45 | |
Having a kid at 60, that's an accident. | 0:21:45 | 0:21:48 | |
Having a piano fall on you, that's bad luck. | 0:21:48 | 0:21:52 | |
'..removed the driver's body from the oil pan of the car.' | 0:21:52 | 0:21:57 | |
'Operator.' | 0:21:57 | 0:22:00 | |
Get me Washington. | 0:21:58 | 0:22:00 | |
'George?' | 0:22:00 | 0:22:02 | |
DC. | 0:22:01 | 0:22:02 | |
I'll take care of the luggage. Just some overnight things. | 0:22:07 | 0:22:11 | |
CRASH | 0:22:21 | 0:22:23 | |
Bonjour, Monsieur. | 0:22:23 | 0:22:25 | |
It looks like you could use a hand. | 0:22:29 | 0:22:32 | |
I'm afraid I'm pretty clumsy. | 0:22:35 | 0:22:38 | |
You must be headed to Los Angeles. | 0:22:38 | 0:22:44 | |
How do you know that? | 0:22:41 | 0:22:44 | |
It's on your ticket. | 0:22:42 | 0:22:44 | |
Oh-ho, thank you. | 0:22:44 | 0:22:47 | |
You're welcome. Have a nice flight and I wish you adieu. | 0:22:47 | 0:22:52 | |
Thanks, but I'm satisfied with the do I have. | 0:22:52 | 0:22:55 | |
If you want to see me again, turn around now. | 0:23:02 | 0:23:06 | |
Ah-ha. | 0:23:15 | 0:23:18 | |
It's right here on the aisle. | 0:23:27 | 0:23:29 | |
No, no, no. | 0:23:29 | 0:23:31 | |
I asked for a window seat. | 0:23:31 | 0:23:33 | |
I'm not getting up every time someone wants to get in and out. | 0:23:33 | 0:23:38 | |
I always have a window seat. | 0:23:38 | 0:23:42 | |
Sir, do you mind? | 0:23:40 | 0:23:42 | |
No problem. Please, be my guest. | 0:23:42 | 0:23:45 | |
I prefer an aisle seat. | 0:23:45 | 0:23:47 | |
Be my guest. | 0:23:47 | 0:23:49 | |
Here, let me help you. | 0:23:49 | 0:23:56 | |
I hope this is the last of the conversations on this trip. | 0:23:51 | 0:23:56 | |
Your ticket. | 0:23:55 | 0:23:57 | |
SQUEALING | 0:24:03 | 0:24:08 | |
Take it easy with that luggage. | 0:24:04 | 0:24:08 | |
GLASS SHATTERS | 0:24:08 | 0:24:12 | |
Could you put your table up for take-off? | 0:24:09 | 0:24:12 | |
No, the table stays down, thank you very much. | 0:24:12 | 0:24:16 | |
You've made things very inconvenient. | 0:24:16 | 0:24:19 | |
-What is this?! -BABY CRIES | 0:24:19 | 0:24:22 | |
Is this yours? Do you mind? | 0:24:22 | 0:24:27 | |
Let me make more room for you. | 0:24:24 | 0:24:27 | |
Ooh! Aw! | 0:24:28 | 0:24:31 | |
Excuse me. | 0:24:33 | 0:24:35 | |
Is this seat taken? | 0:24:35 | 0:24:38 | |
Please. | 0:24:38 | 0:24:41 | |
Thank you. | 0:24:39 | 0:24:41 | |
Do you always take matters into your own hands? | 0:24:45 | 0:24:49 | |
Things often end up in my hands. | 0:24:49 | 0:24:52 | |
And I bet your hands end up in a lot of things. | 0:24:52 | 0:24:57 | |
My hands and things are often | 0:24:55 | 0:24:57 | |
in the same place at the same time. | 0:24:57 | 0:25:00 | |
Can I get you a drink? | 0:25:00 | 0:25:02 | |
We'll have dry Minoli and Russos | 0:25:02 | 0:25:06 | |
on the rocks, stirred not beaten, twist of lemon | 0:25:06 | 0:25:09 | |
in chilled glasses, not frozen. And two curly straws. | 0:25:09 | 0:25:14 | |
SHE ROARS | 0:25:38 | 0:25:40 | |
'30 hours, 11 minutes, 10 seconds. | 0:25:48 | 0:25:51 | |
'30 hours, 11 minutes, 8 seconds, | 0:25:51 | 0:25:53 | |
'30 hours, ll minutes, 5 seconds.' | 0:25:53 | 0:25:56 | |
DOGS BARK | 0:25:56 | 0:25:58 | |
'When Agent Steele arrives, send him right in.' | 0:26:00 | 0:26:03 | |
Mm-hm. | 0:26:03 | 0:26:05 | |
Miss Cheevus, is the Director available? | 0:26:12 | 0:26:17 | |
No, he's married. | 0:26:14 | 0:26:17 | |
Oh, you kidder. | 0:26:16 | 0:26:19 | |
Miss Cheevus, you wouldn't be trying to make things hard for me? | 0:26:20 | 0:26:25 | |
Oh, Dick, if only I could. | 0:26:25 | 0:26:28 | |
You and I would work well together deep undercover. | 0:26:28 | 0:26:32 | |
You know the Agency's rules about secrecy. They're very...rigid. | 0:26:32 | 0:26:38 | |
And we wouldn't want to blow it, would we? | 0:26:38 | 0:26:41 | |
-BUZZ -'You two get a motel room. | 0:26:41 | 0:26:44 | |
'I need you in here now, Steele!' | 0:26:44 | 0:26:47 | |
Miss Cheevus, wasn't the Director in the office here? | 0:27:16 | 0:27:20 | |
'He buzzed me from in there, my pumpy-wumpy.' | 0:27:20 | 0:27:24 | |
I'll just sit down and wait for him. | 0:27:24 | 0:27:27 | |
HE PASSES WIND | 0:27:36 | 0:27:38 | |
Great Scott! | 0:27:44 | 0:27:46 | |
Steele, see a doctor! | 0:27:46 | 0:27:48 | |
Good show, Steele. | 0:27:49 | 0:27:51 | |
I hid for weeks from my wife's attorney like this. | 0:27:52 | 0:27:56 | |
Good to see you, WD-40. | 0:27:56 | 0:27:58 | |
You are my most noble warrior. | 0:27:58 | 0:28:01 | |
Glad to find you, sir. | 0:28:01 | 0:28:02 | |
You have to find someone more important now. | 0:28:02 | 0:28:06 | |
You saw the tape with Rancor? | 0:28:06 | 0:28:12 | |
I can't believe he's alive. | 0:28:08 | 0:28:12 | |
He's a madman. He wants the world! | 0:28:09 | 0:28:12 | |
But I'll be frank. He wants you first. | 0:28:12 | 0:28:15 | |
He knew I'd send you the tape of Barbara Dahl. | 0:28:15 | 0:28:19 | |
'Barbara. Looks just like Victoria when she was alive.' | 0:28:21 | 0:28:26 | |
No time for flashbacks. | 0:28:26 | 0:28:28 | |
Rancor wants the world and wants to kill you. | 0:28:28 | 0:28:31 | |
Barbara Dahl last radioed from Los Angeles. | 0:28:31 | 0:28:35 | |
We couldn't pinpoint her location exactly. | 0:28:35 | 0:28:39 | |
Find her, you find him, you find the rocket. | 0:28:39 | 0:28:43 | |
For the rest, your guess is a good as mine. Miss Cheevus, | 0:28:42 | 0:28:47 | |
tell Noggin we're coming. | 0:28:47 | 0:28:49 | |
-Hello, Noggin. -Steele. | 0:28:49 | 0:28:51 | |
Do you have a refill for that laser watch? | 0:28:51 | 0:28:54 | |
Ah, new air freshener? | 0:28:54 | 0:28:57 | |
Careful! | 0:28:57 | 0:29:02 | |
-MAN IMPERSONATES MICHAEL JACKSON -Not again! | 0:28:58 | 0:29:02 | |
Aaaargh!! | 0:29:02 | 0:29:04 | |
This looks like a clever contraption. | 0:29:04 | 0:29:07 | |
A mini-mobile crime lab? | 0:29:07 | 0:29:10 | |
It's a briefcase. | 0:29:10 | 0:29:15 | |
What does it do? | 0:29:11 | 0:29:15 | |
It holds papers, files, pens | 0:29:13 | 0:29:15 | |
and a calculator. | 0:29:15 | 0:29:20 | |
And these numbers in a certain sequence, | 0:29:16 | 0:29:20 | |
the briefcase will explode? | 0:29:20 | 0:29:25 | |
No, it's a lock so other people can't open it. | 0:29:21 | 0:29:25 | |
Very complex contemporary technology. | 0:29:25 | 0:29:28 | |
Your state-of-the-art field kit with additions. | 0:29:28 | 0:29:32 | |
This is our latest development. Microchip Z-ray lenses. | 0:29:32 | 0:29:37 | |
You'll be able to see if an enemy is carrying a weapon. | 0:29:37 | 0:29:41 | |
Er, Director? | 0:29:41 | 0:29:47 | |
Oh, now Steele, should you find your hands bound, | 0:29:43 | 0:29:47 | |
just reach down and pull this pin with your teeth. | 0:29:47 | 0:29:51 | |
Squeeze that tube and it'll emit lasers | 0:29:56 | 0:29:59 | |
powerful enough to cut steel. | 0:29:59 | 0:30:01 | |
Fire in the hole, Director. Thank you. | 0:30:03 | 0:30:07 | |
BELL RINGS | 0:30:08 | 0:30:11 | |
And one more thing. | 0:30:11 | 0:30:13 | |
This detonator will explode 30 seconds after you plant it. | 0:30:13 | 0:30:17 | |
It has enough power to blow up a two-storey building. | 0:30:17 | 0:30:22 | |
Fantastic. | 0:30:20 | 0:30:22 | |
All right, here we go and, er... | 0:30:22 | 0:30:25 | |
Your glasses. | 0:30:25 | 0:30:29 | |
Thanks. Good to see you again, Noggin. | 0:30:26 | 0:30:29 | |
-TANNOY: -'Bienvenidos a Los Angeles. | 0:30:40 | 0:30:42 | |
'Welcome to Los Angeles. | 0:30:42 | 0:30:45 | |
'Ciudad de Los Angeles. | 0:30:45 | 0:30:47 | |
'City of the angels. | 0:30:47 | 0:30:49 | |
'Donde esta Maria? | 0:30:49 | 0:30:51 | |
'Where is Maria? | 0:30:51 | 0:30:53 | |
'Maria esta en la biblioteca. | 0:30:53 | 0:30:55 | |
'Maria is in the library.' | 0:30:55 | 0:30:59 | |
Do you have a lighter? | 0:30:57 | 0:30:59 | |
I use matches. | 0:30:59 | 0:31:03 | |
Does you mother know you smoke? | 0:31:01 | 0:31:03 | |
Yes, but I don't inhale. | 0:31:03 | 0:31:06 | |
Kabul. | 0:31:06 | 0:31:10 | |
Er... | 0:31:08 | 0:31:10 | |
I'm Kabul. Agent WD-40? | 0:31:10 | 0:31:12 | |
Get in! Get in! | 0:31:12 | 0:31:14 | |
In the car! | 0:31:14 | 0:31:17 | |
Hello! Excuse me! | 0:31:20 | 0:31:22 | |
Our operatives believe you may be in grave danger. | 0:31:22 | 0:31:26 | |
Take a look. In that file is a photo of Desiree Moore. | 0:31:26 | 0:31:31 | |
She's expert-trained in karate, kung fu and is a crack shot. | 0:31:31 | 0:31:35 | |
Rancor may have sent her to take you out. | 0:31:35 | 0:31:39 | |
She likes easy listening. | 0:31:39 | 0:31:42 | |
He measurements are 36-24-36-22. | 0:31:42 | 0:31:47 | |
And for God's sakes be careful, WD-40. | 0:31:48 | 0:31:51 | |
My cousins got salmonella at this hotel. | 0:31:51 | 0:31:55 | |
Ooh! HE MUTTERS | 0:32:08 | 0:32:11 | |
'It sure looked like her but you can't be too sure. | 0:32:16 | 0:32:20 | |
'Yeah, almost positive.' | 0:32:21 | 0:32:24 | |
Mm-hm. | 0:32:24 | 0:32:26 | |
Drink? | 0:32:27 | 0:32:29 | |
Only when I'm thirsty. | 0:32:29 | 0:32:34 | |
Tap water, OK? | 0:32:30 | 0:32:34 | |
Poured, not decanted. | 0:32:32 | 0:32:34 | |
'Sometimes you see a woman you'd love to have kill ya. | 0:32:34 | 0:32:38 | |
'But timing is everything, so it wouldn't be today.' | 0:32:38 | 0:32:43 | |
Says who? | 0:32:41 | 0:32:43 | |
'She's smart. I decided to play it casual.' | 0:32:43 | 0:32:46 | |
Casual is overrated. | 0:32:46 | 0:32:48 | |
Oops. | 0:32:53 | 0:32:55 | |
The game is over, Mr Steele. | 0:33:03 | 0:33:05 | |
You'll look like Swiss cheese when they find you. | 0:33:05 | 0:33:10 | |
Oh, that's no Gouda. | 0:33:08 | 0:33:10 | |
KUNG FU CRIES AND GRUNTS | 0:33:12 | 0:33:14 | |
"Coca Cabana." | 0:33:44 | 0:33:47 | |
I'll be back for you. | 0:33:52 | 0:33:54 | |
Where are you going? | 0:33:54 | 0:33:58 | |
In my country, we have a saying. | 0:33:55 | 0:33:58 | |
"A man who rides a camel is rich, | 0:33:58 | 0:34:00 | |
"but a man who drives a Ferrari can get lucky." | 0:34:00 | 0:34:04 | |
CAR HORN BEEPS | 0:34:04 | 0:34:06 | |
Aaaargh! | 0:34:06 | 0:34:10 | |
I am so sorry. What is your phone number? | 0:34:07 | 0:34:10 | |
Loser. | 0:34:10 | 0:34:13 | |
Oh, thank you. | 0:34:11 | 0:34:13 | |
Like look at what you've done. | 0:34:13 | 0:34:16 | |
End of the line, pal. | 0:34:17 | 0:34:19 | |
GUNSHOT Hey, goombah! | 0:34:35 | 0:34:37 | |
Huh? STEELE CHUCKLES | 0:34:37 | 0:34:39 | |
If it isn't Agent Steele. | 0:34:45 | 0:34:48 | |
Excuse me. Do you have a light? | 0:34:50 | 0:34:53 | |
Yeah, sure, I got a light. | 0:34:56 | 0:34:59 | |
Very good. | 0:35:14 | 0:35:16 | |
Remind me never to light YOUR cigarette. | 0:35:16 | 0:35:21 | |
We won't lose them for long. | 0:35:19 | 0:35:21 | |
We'll be safe on the bus. | 0:35:21 | 0:35:23 | |
Transfer? | 0:35:25 | 0:35:29 | |
Er, no thank you. | 0:35:27 | 0:35:29 | |
-Nice dress. -HE CHUCKLES | 0:35:31 | 0:35:33 | |
Next stop, Sunset Boulevard! | 0:35:39 | 0:35:42 | |
I guess it's Sunset Boulevard. | 0:35:43 | 0:35:46 | |
Pop quiz, hot shot. | 0:35:53 | 0:35:56 | |
Someone's on the bus won't pay the fare. What do you do? | 0:35:56 | 0:36:01 | |
What do you do? | 0:36:01 | 0:36:03 | |
Stop the bus and let him off? | 0:36:03 | 0:36:07 | |
Negatory, honcho, | 0:36:04 | 0:36:07 | |
because he cut the brake line. | 0:36:06 | 0:36:09 | |
Excusez-moi, monsieur. | 0:36:23 | 0:36:25 | |
THEY ALL YELL | 0:36:31 | 0:36:34 | |
Aaaaaargh! | 0:36:34 | 0:36:36 | |
Whoooaaaaaaa! | 0:37:02 | 0:37:05 | |
THEY APPLAUD | 0:37:31 | 0:37:35 | |
Thank you, thank you. | 0:37:33 | 0:37:35 | |
Next stop, Melrose...I think. | 0:37:35 | 0:37:38 | |
You must be fameeshed. Let's manger. | 0:37:38 | 0:37:41 | |
That sounds good, but I'm hungry. Let's eat first. | 0:37:41 | 0:37:46 | |
Here you go. Enjoy yourselves. | 0:37:48 | 0:37:51 | |
Brian will be right here to take your drink order. | 0:37:51 | 0:37:55 | |
We shared an aeroplane, a drink, | 0:37:55 | 0:37:58 | |
been chased, bussed, seated, but... | 0:37:58 | 0:38:01 | |
I still don't really know you. | 0:38:01 | 0:38:05 | |
I'm Bud Fudlacker. I own a mail order business. | 0:38:04 | 0:38:08 | |
I travel with the Gladiators, | 0:38:08 | 0:38:11 | |
I like small appliances | 0:38:11 | 0:38:13 | |
and do tax accounting on the side. | 0:38:13 | 0:38:18 | |
Let me guess. You are Dick Steele. | 0:38:15 | 0:38:18 | |
Agent WD-40 with the Secret Service. | 0:38:18 | 0:38:22 | |
You're 52, you like big screen TVs | 0:38:22 | 0:38:25 | |
and you want to stop General Rancor. | 0:38:25 | 0:38:28 | |
That could describe a thousand guys. Tell me about you. | 0:38:28 | 0:38:33 | |
I like loose-fitting clothes and I drive a '69 Pinto. | 0:38:33 | 0:38:37 | |
I'm Brian. May I take your drink orders? | 0:38:37 | 0:38:41 | |
-I'll have... -A Minoli and Russo on the rocks. | 0:38:40 | 0:38:44 | |
Stirred, not beaten, | 0:38:44 | 0:38:46 | |
with a twist. In a chilled glass, not frozen | 0:38:46 | 0:38:50 | |
with two curly little straws. | 0:38:50 | 0:38:53 | |
Be right back. | 0:38:53 | 0:38:57 | |
Tell me, who are you? | 0:38:57 | 0:39:02 | |
Why don't you use your... | 0:38:58 | 0:39:02 | |
..legendary skills | 0:39:02 | 0:39:04 | |
and guess? | 0:39:04 | 0:39:06 | |
You carry a UB-21 Shnauzer with a silencer. That's KGB. | 0:39:06 | 0:39:11 | |
You prefer an H&K over an AK. | 0:39:11 | 0:39:13 | |
Your technique is NSA, ID is CIA, | 0:39:13 | 0:39:16 | |
had your PhD from NYU, drive a BMW, | 0:39:16 | 0:39:19 | |
you listen to CDs by REM and STP | 0:39:19 | 0:39:21 | |
and you'd like to see JFK in his BVDs getting down with OPP. | 0:39:21 | 0:39:26 | |
And you put toilet paper back on roll with the paper on the inside. | 0:39:26 | 0:39:32 | |
Hm. | 0:39:30 | 0:39:32 | |
Here's to your remarkable powers of observation. | 0:39:32 | 0:39:36 | |
I am Agent 3.14. | 0:39:36 | 0:39:39 | |
Veronique Ukrinsky. My father is the professor. | 0:39:39 | 0:39:45 | |
Oh, yes, I know. | 0:39:43 | 0:39:45 | |
The megachip. | 0:39:45 | 0:39:47 | |
When he found out he was making the chip for Rancor, | 0:39:47 | 0:39:51 | |
he escaped with it and is in hiding. | 0:39:51 | 0:39:55 | |
In hiding. Where? | 0:39:52 | 0:39:55 | |
He wouldn't tell me where he was going | 0:39:55 | 0:39:58 | |
but he said, "The pendant." | 0:39:57 | 0:40:00 | |
"Follow the path of your pendant to find me." | 0:40:01 | 0:40:05 | |
Hmm. | 0:40:06 | 0:40:08 | |
Haven't seen too many like these. | 0:40:08 | 0:40:10 | |
Pendant. | 0:40:10 | 0:40:15 | |
-Pendant. -Pendant. | 0:40:11 | 0:40:15 | |
-Pendant. -Pendant. | 0:40:13 | 0:40:15 | |
We don't have much time. | 0:40:15 | 0:40:17 | |
Sooner or later, Rancor will find him. | 0:40:17 | 0:40:20 | |
I'll order our food to go. | 0:40:20 | 0:40:24 | |
I'm so worried about my father. | 0:40:22 | 0:40:24 | |
What shall we do? What shall we do? | 0:40:24 | 0:40:27 | |
ROCK'N'ROLL MUSIC PLAYS | 0:40:27 | 0:40:29 | |
# It was a teenage wedding And the old folks wished 'em well | 0:40:29 | 0:40:34 | |
# You could see that Pierre Did truly love the mademoiselle | 0:40:35 | 0:40:39 | |
# And now The young monsieur and madame | 0:40:41 | 0:40:43 | |
# Have rung the chapel bell | 0:40:43 | 0:40:46 | |
# C'est la vie said the old folks | 0:40:47 | 0:40:49 | |
# It goes to show You never can tell... # | 0:40:49 | 0:40:52 | |
CRACKING | 0:40:59 | 0:41:00 | |
Do you have a reser... Oh! | 0:41:00 | 0:41:03 | |
CRACKING | 0:41:03 | 0:41:04 | |
Steele's here somewhere. | 0:41:04 | 0:41:07 | |
Rancor wants him dead. Find him. | 0:41:07 | 0:41:10 | |
CRACKING | 0:41:10 | 0:41:11 | |
Dance time is over. | 0:41:12 | 0:41:15 | |
Stay close. Kill him. | 0:41:15 | 0:41:17 | |
Cigarettes? Cigars? | 0:41:17 | 0:41:19 | |
Throwing knife? | 0:41:18 | 0:41:21 | |
Cigarettes? Cigars? | 0:41:22 | 0:41:24 | |
Whoops. | 0:41:27 | 0:41:30 | |
Whyyy? | 0:41:28 | 0:41:30 | |
Quick! Get this up against the door. | 0:41:36 | 0:41:39 | |
I got an idea. | 0:41:45 | 0:41:48 | |
This is my father. If we get separated, | 0:41:48 | 0:41:52 | |
find him, save him. | 0:41:52 | 0:41:54 | |
Why?! | 0:41:55 | 0:41:58 | |
Go! Go, go! | 0:41:58 | 0:42:00 | |
Go! | 0:42:00 | 0:42:02 | |
Shut up! | 0:42:02 | 0:42:05 | |
Aw! I came here to dance. | 0:42:03 | 0:42:05 | |
Dick, help me!! | 0:42:05 | 0:42:07 | |
I'll kill you! | 0:42:08 | 0:42:11 | |
Let me go! | 0:42:11 | 0:42:13 | |
HE GRUNTS | 0:42:16 | 0:42:18 | |
OK, let's go! | 0:42:26 | 0:42:29 | |
Dick, help me!! | 0:42:29 | 0:42:32 | |
'Follow the path of your pendant to find me.' | 0:42:37 | 0:42:41 | |
What is that? | 0:42:41 | 0:42:46 | |
Her pendant. "Follow the path to find me." | 0:42:42 | 0:42:46 | |
Have you ever seen anything like that? | 0:42:46 | 0:42:49 | |
Ahhhh! | 0:42:49 | 0:42:54 | |
What? What? | 0:42:50 | 0:42:54 | |
No. | 0:42:52 | 0:42:54 | |
Any idea where it came from? | 0:42:54 | 0:42:56 | |
Museum of Natural History. | 0:42:58 | 0:43:02 | |
How do you know that? | 0:42:59 | 0:43:02 | |
It says at the bottom. | 0:43:00 | 0:43:02 | |
Take me to the Museum of Natural History. | 0:43:04 | 0:43:07 | |
In my country, we have a saying. | 0:43:07 | 0:43:09 | |
I'm sure you do. | 0:43:09 | 0:43:16 | |
"The museum closes at five, so go the next morning at nine." | 0:43:11 | 0:43:16 | |
< Excuse me, Mr Pushy. | 0:43:18 | 0:43:21 | |
MUFFLED CRIES FROM SECRETARY | 0:43:22 | 0:43:27 | |
I'm getting sick and tired of your... | 0:43:24 | 0:43:27 | |
No, he'd never fit in there. | 0:43:44 | 0:43:46 | |
I'm sick and tired of these games. | 0:43:52 | 0:43:55 | |
This is stupid, stupid. | 0:43:59 | 0:44:01 | |
We're a government agency, for God's sakes. | 0:44:01 | 0:44:05 | |
THUD | 0:44:05 | 0:44:08 | |
Huh? | 0:44:06 | 0:44:08 | |
Ha! | 0:44:11 | 0:44:13 | |
Wait, wait! | 0:44:13 | 0:44:15 | |
You're sicker than I thought. | 0:44:17 | 0:44:20 | |
What is it, Coleman? I'm busy. | 0:44:21 | 0:44:23 | |
I, er, can see that. | 0:44:23 | 0:44:25 | |
You wouldn't understand. It's Origatsi. | 0:44:25 | 0:44:29 | |
Why are you keeping Steele on this assignment? | 0:44:29 | 0:44:33 | |
He is no closer to Rancor | 0:44:33 | 0:44:35 | |
and who knows when Rancor will launch his satellite? | 0:44:35 | 0:44:39 | |
Let ME take over this search before I... | 0:44:39 | 0:44:43 | |
Before you what? I don't know how you got this job, | 0:44:43 | 0:44:47 | |
but you're a disgrace to the Service. | 0:44:47 | 0:44:50 | |
How dare you! You and your bleeding heart nonsense. | 0:44:50 | 0:44:54 | |
YOU'RE too old to run this agency. | 0:44:54 | 0:44:57 | |
Since you won't step down, you'll be stepped on. | 0:44:57 | 0:45:01 | |
Ha! Loser! | 0:45:05 | 0:45:08 | |
What you got? | 0:45:08 | 0:45:10 | |
Is there a jewellery district here? | 0:45:10 | 0:45:16 | |
Come on, this is Hollywood. We have jewellery... | 0:45:12 | 0:45:16 | |
Is there a Russian jewellery section? | 0:45:16 | 0:45:19 | |
Da. | 0:45:19 | 0:45:22 | |
-Where? -I don't know. | 0:45:20 | 0:45:22 | |
A lot of Russian jewellers hung out at the warehouse at... | 0:45:22 | 0:45:27 | |
31st and Phlegm. | 0:45:27 | 0:45:29 | |
-Damn it. -We'll split up. | 0:45:32 | 0:45:35 | |
Accident. Excuse me. | 0:45:36 | 0:45:39 | |
Whoaa! Wh-whoaa! | 0:45:57 | 0:45:59 | |
Aaaaargh! | 0:46:03 | 0:46:05 | |
Watch it! Watch it! | 0:46:12 | 0:46:14 | |
-MAN: -Cheerio. | 0:46:33 | 0:46:35 | |
HORSE URINATES | 0:46:44 | 0:46:47 | |
You're mine, Steele. | 0:47:01 | 0:47:03 | |
Aaaaaaargh! | 0:47:11 | 0:47:13 | |
HORSE: Whoaaaa! | 0:47:16 | 0:47:17 | |
HORSE NEIGHS | 0:47:19 | 0:47:21 | |
Aaaaaargh! | 0:47:38 | 0:47:40 | |
OK, bring it up! Bring it up! Up, up, up! | 0:47:47 | 0:47:51 | |
OK, that's where the sign goes! | 0:47:51 | 0:47:53 | |
Ah, 31st and Phlegm. I'm on a waiting list for a co-op. | 0:47:56 | 0:48:00 | |
You better get outta here. | 0:48:06 | 0:48:08 | |
I can drop off my dog. | 0:48:08 | 0:48:10 | |
Mr Steele, I presume? | 0:48:41 | 0:48:44 | |
Professor...? | 0:48:44 | 0:48:47 | |
Ukrinsky, with a Y. | 0:48:45 | 0:48:47 | |
Ah. Right. | 0:48:57 | 0:49:00 | |
The pendant. | 0:49:03 | 0:49:05 | |
And I suppose... | 0:49:05 | 0:49:07 | |
..this is what you need? | 0:49:08 | 0:49:10 | |
And this is...? | 0:49:10 | 0:49:15 | |
This is the chip for Rancor's satellite. | 0:49:11 | 0:49:15 | |
The megachip. Who'd have thought the fate of so many | 0:49:15 | 0:49:19 | |
would rely on something so small? | 0:49:19 | 0:49:22 | |
There's only one thing to do with this. | 0:49:21 | 0:49:24 | |
Oh, no! No! | 0:49:27 | 0:49:29 | |
What are you doing?! | 0:49:30 | 0:49:38 | |
Protecting the world from tyranny. | 0:49:32 | 0:49:38 | |
But it can be used for world peace. | 0:49:34 | 0:49:38 | |
Sorry. You better let me get that into the proper hands | 0:49:38 | 0:49:42 | |
and get you to safety. | 0:49:42 | 0:49:45 | |
You found me through my daughter? She is safe? | 0:49:46 | 0:49:50 | |
The van they took her in has air bags. | 0:49:50 | 0:49:53 | |
BRAKES SCREECH | 0:49:53 | 0:49:55 | |
Kabul. | 0:49:55 | 0:50:01 | |
Nice new wheels, huh? | 0:49:57 | 0:50:01 | |
Quite an improvement. In the back. | 0:49:58 | 0:50:01 | |
We have to find a safe place for the professor. | 0:50:01 | 0:50:06 | |
In my country, we have a saying. | 0:50:04 | 0:50:06 | |
"The rabbit hops, the spider crawls, but the camel spits." | 0:50:06 | 0:50:12 | |
Let's see if this Charger can run. | 0:50:10 | 0:50:12 | |
Now, I don't want you to be surprised. | 0:50:16 | 0:50:19 | |
This guy is a top agent. He's most capable. | 0:50:19 | 0:50:23 | |
Aaaaaaaaaaargh!! | 0:50:24 | 0:50:26 | |
McCluckey! | 0:50:28 | 0:50:31 | |
Kabul! | 0:50:29 | 0:50:31 | |
Come on in. | 0:50:34 | 0:50:38 | |
All right. Come on. | 0:50:35 | 0:50:38 | |
McCluckey, we need to hide the professor. | 0:50:37 | 0:50:41 | |
Professor, it's an honour. | 0:50:41 | 0:50:43 | |
I read your paper on Laboratory Loneliness. | 0:50:43 | 0:50:47 | |
Superb! | 0:50:47 | 0:50:48 | |
Well, thank you. | 0:50:48 | 0:50:54 | |
I'd like you to meet Agent... | 0:50:50 | 0:50:54 | |
Dick Steele, Agent WD-40. | 0:50:51 | 0:50:54 | |
Good to see you. Your video on deception? | 0:50:54 | 0:50:57 | |
"Is It A Woman? Is The Moustache Real?" | 0:50:57 | 0:51:01 | |
Beautiful work. | 0:51:00 | 0:51:02 | |
Thank you. | 0:51:02 | 0:51:04 | |
We need to hide this guy. | 0:51:04 | 0:51:09 | |
Sure, sure. Come, he'll be safe here. | 0:51:06 | 0:51:09 | |
You have a telephone? | 0:51:10 | 0:51:12 | |
Right over there. | 0:51:12 | 0:51:14 | |
Is it clean? | 0:51:14 | 0:51:18 | |
A woman comes in once a week. | 0:51:16 | 0:51:18 | |
'Sir?' | 0:51:21 | 0:51:23 | |
-What? -'Dick Luscious Lips Steele is on the line.' | 0:51:23 | 0:51:27 | |
Put him through. | 0:51:27 | 0:51:29 | |
'Director, is it safe?' | 0:51:30 | 0:51:32 | |
Just a minute. I'll use the cloaking device. | 0:51:32 | 0:51:36 | |
Go ahead, Dick. It's safe. | 0:51:46 | 0:51:49 | |
'I have the chip Rancor needs.' | 0:51:49 | 0:51:52 | |
Good, Dick. Good. Are you coming in? | 0:51:52 | 0:51:56 | |
'No. Rancor kidnapped Ukrinsky's daughter. I gotta find her.' | 0:51:56 | 0:52:04 | |
'Well, good, Dick.' | 0:52:01 | 0:52:04 | |
Good luck. Call me if I can help. | 0:52:04 | 0:52:07 | |
'19 hours and 35 minutes...' | 0:52:15 | 0:52:18 | |
That Steele will be sorry his mama ever met his papa. | 0:52:18 | 0:52:22 | |
We gonna heat up the fire. Boys! | 0:52:22 | 0:52:25 | |
They know our moves. Someone inside must be leaking. | 0:52:25 | 0:52:30 | |
Well, I'm not leaking. I can prove it. | 0:52:29 | 0:52:33 | |
Go ahead, ask me something. | 0:52:33 | 0:52:35 | |
Ask me who's the director of our agency. | 0:52:35 | 0:52:39 | |
Who's the director of our agency? | 0:52:37 | 0:52:39 | |
I don't know. You see, I know who it is, | 0:52:39 | 0:52:42 | |
but I won't tell you cos I am no leak. | 0:52:42 | 0:52:45 | |
Rancor and his men must be here. | 0:52:46 | 0:52:49 | |
There's one of them now. Follow him. | 0:52:49 | 0:52:52 | |
Do you have to keep revving the engine? | 0:52:54 | 0:52:57 | |
It's an American V-8. It's a beautiful sound. | 0:52:57 | 0:53:01 | |
Listen to this. My cousin's a recording star. | 0:53:01 | 0:53:04 | |
LOUD ETHNIC MUSIC | 0:53:04 | 0:53:06 | |
Duck! | 0:53:06 | 0:53:09 | |
Aw! | 0:53:07 | 0:53:09 | |
Did he see us? | 0:53:20 | 0:53:22 | |
I'm going in. Cover me. | 0:53:30 | 0:53:34 | |
I got to buy my lottery ticket. | 0:53:32 | 0:53:34 | |
Rancor's guy is here. | 0:53:40 | 0:53:42 | |
Right. | 0:53:42 | 0:53:44 | |
CHOIR SINGS "Amazing Grace" | 0:53:44 | 0:53:47 | |
# ..Like me | 0:53:47 | 0:53:49 | |
# I once | 0:53:50 | 0:53:52 | |
# Was lost | 0:53:52 | 0:53:54 | |
# But now am found | 0:53:54 | 0:53:59 | |
# Was blind... # | 0:53:59 | 0:54:01 | |
What are you doing here? | 0:54:05 | 0:54:09 | |
I am the new choirmaster. | 0:54:06 | 0:54:09 | |
Where did you come from? | 0:54:09 | 0:54:13 | |
I was doing refrectories. | 0:54:10 | 0:54:13 | |
"Refrectories"? | 0:54:13 | 0:54:18 | |
A new popal relevate. John, chapter seven, verse two. | 0:54:14 | 0:54:18 | |
"Popal"? | 0:54:18 | 0:54:24 | |
Er, sisters? Michael, chapter seven, verse two. | 0:54:20 | 0:54:24 | |
Sing as ye play. | 0:54:24 | 0:54:26 | |
Yea, unto thee a voice like a blenth. | 0:54:26 | 0:54:29 | |
As you approach the alla troppo, | 0:54:29 | 0:54:32 | |
tres mucho picante abierto. | 0:54:32 | 0:54:36 | |
THEY HUM | 0:54:36 | 0:54:38 | |
# You know you make me wanna shout, Kick my heels up and | 0:54:38 | 0:54:40 | |
# Shout | 0:54:40 | 0:54:44 | |
Throw my hands up and | 0:54:41 | 0:54:44 | |
-Shout -Throw my head back and | 0:54:42 | 0:54:44 | |
-# Shout -Come on now | 0:54:44 | 0:54:45 | |
# Don't forget to say you will... # | 0:54:45 | 0:54:47 | |
Are you gentlemen with Ranc...? Ohh! | 0:54:49 | 0:54:52 | |
Steele's here somewhere. Find him! | 0:54:52 | 0:54:56 | |
# Come on, come on | 0:54:56 | 0:54:58 | |
# Say you will | 0:54:58 | 0:55:00 | |
# Say that you will | 0:55:00 | 0:55:03 | |
# Say that you love me | 0:55:04 | 0:55:06 | |
# Say that you need me | 0:55:06 | 0:55:08 | |
# Say that you want me You wanna please me | 0:55:08 | 0:55:11 | |
# Come on now | 0:55:11 | 0:55:12 | |
# Come on now | 0:55:12 | 0:55:14 | |
# Come on now | 0:55:14 | 0:55:16 | |
# I still remember | 0:55:16 | 0:55:18 | |
# When I used to be nine years old, Hey, yeah... # | 0:55:18 | 0:55:23 | |
All right, random inspection. Directive 21, psalm two. | 0:55:23 | 0:55:28 | |
# Yeah, yeah | 0:55:28 | 0:55:29 | |
# I want you to know | 0:55:29 | 0:55:32 | |
# I said I want you to know right now | 0:55:32 | 0:55:36 | |
# You been good to me, sisters | 0:55:36 | 0:55:39 | |
# Much better than I been to myself | 0:55:39 | 0:55:41 | |
# So good, so good | 0:55:41 | 0:55:43 | |
# And if you ever leave me | 0:55:43 | 0:55:45 | |
# I don't want nobody else, Hey, hey | 0:55:45 | 0:55:50 | |
# I said I want you to know | 0:55:50 | 0:55:54 | |
# I said I want you to know right now... # | 0:55:54 | 0:55:57 | |
Veronique? | 0:55:57 | 0:56:00 | |
-Dick. -Are you all right? | 0:55:58 | 0:56:00 | |
Get out of here. This is a front for Rancor. | 0:56:00 | 0:56:04 | |
Yeah, I know. | 0:56:04 | 0:56:06 | |
I'll get out of here all right. | 0:56:06 | 0:56:08 | |
You're coming with me. | 0:56:08 | 0:56:11 | |
Code Yellow! Code Yellow! Get me epinephrinox. | 0:56:11 | 0:56:15 | |
Get me two litres of gasohol mixed with neonephecine! | 0:56:15 | 0:56:19 | |
She's going into fibrolcanination! | 0:56:19 | 0:56:22 | |
Prepare the operating room! | 0:56:22 | 0:56:25 | |
For God's sake, can anyone help me?! | 0:56:27 | 0:56:31 | |
# Now wait a minute... # | 0:56:42 | 0:56:45 | |
No, uh-uh. No! | 0:56:45 | 0:56:48 | |
# You know you make me wanna shout. # | 0:56:48 | 0:56:51 | |
High blood pressure. | 0:57:00 | 0:57:02 | |
In here. | 0:57:06 | 0:57:08 | |
You'll be safe here, I'll be right back. | 0:57:08 | 0:57:12 | |
VERONIQUE MOANS | 0:57:12 | 0:57:15 | |
Oh, Dick, it's so cold. | 0:57:24 | 0:57:28 | |
What have they done to you? They'll pay for this. | 0:57:28 | 0:57:32 | |
Oh, Dick! | 0:57:32 | 0:57:34 | |
SHE GRUNTS | 0:57:34 | 0:57:36 | |
SHE GROANS | 0:57:38 | 0:57:41 | |
Move 'em, fat head! | 0:57:41 | 0:57:44 | |
Sisters, make 'em holy! | 0:57:44 | 0:57:46 | |
Oh, Dick, you came for me. | 0:57:48 | 0:57:51 | |
Tell me, wh-what's been happening? | 0:57:51 | 0:57:55 | |
Well, I've been doing a lot of soul searching. | 0:57:54 | 0:57:58 | |
I've decided I love you. | 0:57:58 | 0:58:00 | |
But what about my father? | 0:58:00 | 0:58:02 | |
Well, I have to get to know him better. | 0:58:02 | 0:58:06 | |
No, is he OK? Do you have the chip? | 0:58:06 | 0:58:08 | |
No, he's fine and I've got the chip. | 0:58:08 | 0:58:13 | |
Oh, I love you, too. | 0:58:10 | 0:58:13 | |
CAR HORN BLARES | 0:58:13 | 0:58:16 | |
Look out, you crazy nun! | 0:58:17 | 0:58:19 | |
Thank God I stopped you! You could have been killed! | 0:58:25 | 0:58:30 | |
Let me help. | 0:58:29 | 0:58:32 | |
You smell nice. | 0:58:33 | 0:58:35 | |
Where is my father? | 0:58:36 | 0:58:39 | |
Is he safe? | 0:58:39 | 0:58:44 | |
He's safe, Veronique. Safe as you and me. | 0:58:40 | 0:58:44 | |
Ha, so cute! | 0:58:44 | 0:58:46 | |
Safer. | 0:58:49 | 0:58:54 | |
In my country, when an armless weirdo chases your woman, | 0:58:50 | 0:58:54 | |
you must hide her. | 0:58:54 | 0:58:56 | |
Upstairs, apartment 5B. | 0:58:57 | 0:58:59 | |
I'll keep my eyes open. | 0:58:59 | 0:59:01 | |
I just put in new carpet. Take your shoes off. | 0:59:05 | 0:59:09 | |
Oh, Dick. | 0:59:16 | 0:59:18 | |
It's so nice to know everything is going to be all right. | 0:59:19 | 0:59:24 | |
You have the chip | 0:59:25 | 0:59:28 | |
and my father is safe. | 0:59:28 | 0:59:30 | |
You love me, Dick. | 0:59:31 | 0:59:33 | |
Love? Let me tell you about love, | 0:59:35 | 0:59:39 | |
Veronique. | 0:59:39 | 0:59:41 | |
Love is a dew drop on a rose petal. | 0:59:41 | 0:59:44 | |
Love is a drop of rain, pure and shimmering and trembling. | 0:59:46 | 0:59:51 | |
So moist, so wet. | 0:59:51 | 0:59:54 | |
And those tiny little drops of love | 0:59:55 | 0:59:58 | |
come together, gathering up broken buds | 0:59:59 | 1:00:03 | |
and fallen flowers | 1:00:03 | 1:00:05 | |
and dirt | 1:00:05 | 1:00:07 | |
and dung | 1:00:07 | 1:00:09 | |
and deer droppings flowing faster and faster | 1:00:09 | 1:00:14 | |
outward to the sea, | 1:00:14 | 1:00:16 | |
onward and onward and... | 1:00:16 | 1:00:18 | |
SHE GROANS | 1:00:21 | 1:00:23 | |
Goodnight. | 1:00:41 | 1:00:43 | |
We'll talk more in the morning. | 1:00:44 | 1:00:47 | |
MUEZZIN CALL TO PRAYER | 1:00:51 | 1:00:54 | |
DOG BARKS | 1:01:02 | 1:01:04 | |
Hot shots, come and get me. | 1:01:14 | 1:01:17 | |
You no-good juvenile delinquent! Come on! | 1:01:17 | 1:01:20 | |
Cool. | 1:01:23 | 1:01:25 | |
Heads up! | 1:01:25 | 1:01:27 | |
Nice shot. We got you now! | 1:01:27 | 1:01:30 | |
Where's the professor? | 1:01:33 | 1:01:35 | |
With Gilligan, dickweed. | 1:01:35 | 1:01:37 | |
Aaaaargh!! | 1:01:37 | 1:01:39 | |
This is for Getting Even With Dad. | 1:01:42 | 1:01:47 | |
-This is for My Girl. -And My Girl 2. | 1:01:44 | 1:01:47 | |
I wasn't even in My Girl 2! | 1:01:47 | 1:01:50 | |
BOTH: We don't care! | 1:01:50 | 1:01:52 | |
OK, smart boy, where's the professor? | 1:01:55 | 1:01:58 | |
OK, OK, down the hall to the right. | 1:01:58 | 1:02:01 | |
OK, the left! | 1:02:03 | 1:02:05 | |
Help! Somebody help me! | 1:02:09 | 1:02:12 | |
They're taking us to Kikiree Island! | 1:02:12 | 1:02:15 | |
They've taken him to Rancor. | 1:02:17 | 1:02:22 | |
They won't kill him until he installs the chip. | 1:02:18 | 1:02:22 | |
And not even then. Maybe just torture him. | 1:02:22 | 1:02:25 | |
We'll talk about it on the way. Let's get to Kikiree. | 1:02:25 | 1:02:30 | |
You like this disguise? | 1:02:40 | 1:02:42 | |
It's very good. | 1:02:42 | 1:02:44 | |
I'm proud of this one. Like this, I can look like anybody. | 1:02:44 | 1:02:49 | |
Rancor owns this island. | 1:02:51 | 1:02:53 | |
Natives say stranger things happen here than at Neverland Valley Ranch. | 1:02:53 | 1:03:00 | |
Look. | 1:02:58 | 1:03:00 | |
It's nice. | 1:03:00 | 1:03:02 | |
Kabul, stay in the boat. | 1:03:02 | 1:03:05 | |
Why? | 1:03:05 | 1:03:11 | |
When you hear the words, "Stay in the boat," you stay in the boat. | 1:03:06 | 1:03:11 | |
Bye-bye. | 1:03:11 | 1:03:13 | |
ANIMAL ROARS | 1:03:17 | 1:03:19 | |
Dick, this is crazy. | 1:03:20 | 1:03:23 | |
Crazy? Some people think muttering to yourself is crazy. | 1:03:23 | 1:03:28 | |
I'll tell you what crazy is. | 1:03:28 | 1:03:30 | |
Crazy is having a cantaloupe on your head saying,"I'm a hamster." | 1:03:30 | 1:03:35 | |
"I'm a hamster." That's crazy. | 1:03:35 | 1:03:38 | |
My life's work is now complete. | 1:03:46 | 1:03:49 | |
Your co-operation is commendable. Thank you. | 1:03:49 | 1:03:53 | |
Throw him in the cell. | 1:03:56 | 1:03:58 | |
You said it was for world peace! | 1:03:58 | 1:04:01 | |
Hello, General? Skippy. | 1:04:09 | 1:04:11 | |
They're on the island. | 1:04:11 | 1:04:14 | |
Ah-ha. Yeah. | 1:04:14 | 1:04:16 | |
Well, well, well. What perfect timing. | 1:04:16 | 1:04:20 | |
We are going to have more guests. Steele's not dead. | 1:04:20 | 1:04:24 | |
He's on his way here. Throw her in the cell! | 1:04:24 | 1:04:27 | |
-SHE SOBS -I thought you loved me! | 1:04:27 | 1:04:31 | |
Nah, I was just using you. | 1:04:31 | 1:04:33 | |
'7 hours, 59 minutes, 41 seconds. | 1:04:33 | 1:04:36 | |
'7 hours, 59 minutes, 38 seconds. | 1:04:36 | 1:04:39 | |
'7 hours, 59 minutes, 3...' | 1:04:39 | 1:04:41 | |
Dick, look out! | 1:04:48 | 1:04:51 | |
I got you now, Steele. | 1:04:51 | 1:04:53 | |
Hey, where are you going? | 1:04:53 | 1:04:55 | |
Take that! | 1:04:57 | 1:04:59 | |
Hey, come back! | 1:05:00 | 1:05:02 | |
Nowhere to go, Steele! | 1:05:05 | 1:05:08 | |
How fast can you run, my friend? | 1:05:13 | 1:05:16 | |
All right, men, tie him up. | 1:05:20 | 1:05:22 | |
OK, go ahead, kill me. | 1:05:22 | 1:05:25 | |
I got a bomb. You touch me and you'll blow up. | 1:05:25 | 1:05:29 | |
You don't think I'd fall for that trick, do ya? | 1:05:29 | 1:05:33 | |
Well, how about the old snake trick?! | 1:05:35 | 1:05:39 | |
Aaaaaargh!! | 1:05:39 | 1:05:41 | |
BEAST ROARS | 1:05:51 | 1:05:53 | |
What is it? | 1:06:02 | 1:06:05 | |
Shh. | 1:06:03 | 1:06:05 | |
BURP | 1:06:05 | 1:06:07 | |
Let's go. | 1:06:13 | 1:06:15 | |
'2 hours, 59 minutes and 26 seconds to launch.' | 1:06:15 | 1:06:18 | |
2 hours, 59 minutes and 21 seconds to launch. | 1:06:18 | 1:06:22 | |
2 hours, 59 minutes and 19 seconds to launch. | 1:06:22 | 1:06:26 | |
We have to get into Rancor's complex. Ready? | 1:06:26 | 1:06:30 | |
Ready. | 1:06:30 | 1:06:32 | |
BELL RINGS | 1:06:57 | 1:06:59 | |
Here, help me with this. | 1:07:09 | 1:07:11 | |
How patriotic, Dick. | 1:07:11 | 1:07:13 | |
And deadly. | 1:07:13 | 1:07:17 | |
Oh, Dick. | 1:07:15 | 1:07:17 | |
-< -On my mark...Hi, Mark! | 1:07:27 | 1:07:30 | |
Get set! | 1:07:30 | 1:07:32 | |
-Father! -My child. | 1:07:33 | 1:07:35 | |
Well, well. | 1:07:35 | 1:07:38 | |
Dick Steele. | 1:07:38 | 1:07:40 | |
I'd shake your hand, but I forgot where it landed. | 1:07:40 | 1:07:44 | |
Clever. Clever? Clever(!) | 1:07:44 | 1:07:46 | |
Take their weapons. | 1:07:46 | 1:07:48 | |
Throw her in with the others. Bind him! | 1:07:56 | 1:07:59 | |
Dick Steele? | 1:08:06 | 1:08:09 | |
Miss Dahl. | 1:08:07 | 1:08:09 | |
-Barbara Dahl. -Get your paws off me, you ape! | 1:08:10 | 1:08:14 | |
You remember Barbara Dahl? | 1:08:18 | 1:08:21 | |
Victoria's daughter? I'd like you to see her go up | 1:08:21 | 1:08:25 | |
like you watched her mother go down, | 1:08:25 | 1:08:28 | |
but I'd rather let you be a dessert for my little pet. | 1:08:28 | 1:08:32 | |
-HE LAUGHS -What's left of you will watch helplessly | 1:08:32 | 1:08:37 | |
while I play Mortal Kombat with the entire world! | 1:08:37 | 1:08:41 | |
HE LAUGHS | 1:08:41 | 1:08:43 | |
It's gonna blow! | 1:09:31 | 1:09:33 | |
Ha-ha! | 1:09:56 | 1:09:58 | |
You are very immature. Bullies have bad self-esteem. | 1:10:28 | 1:10:33 | |
Ah-ha! | 1:10:37 | 1:10:38 | |
Oh-ho! | 1:10:40 | 1:10:42 | |
Leave me alone! I'm an unarmed man! | 1:10:45 | 1:10:49 | |
Oh, Miss Cheevus. | 1:11:17 | 1:11:21 | |
Dick, I'm sorry. | 1:11:19 | 1:11:21 | |
Ah! | 1:11:23 | 1:11:25 | |
You were under the influence of an evil man. | 1:11:25 | 1:11:28 | |
It was still a lousy thing to do. | 1:11:28 | 1:11:31 | |
Oh, oh! | 1:11:34 | 1:11:36 | |
It's broken. You'll like space. Lots of elbow room and... | 1:11:36 | 1:11:41 | |
Oh, oops, sorry. | 1:11:41 | 1:11:43 | |
'1 minute and 11 seconds.' | 1:11:43 | 1:11:45 | |
ALARM BEEPS | 1:11:45 | 1:11:47 | |
You lose, Steele. That countdown is irreversible. | 1:11:47 | 1:11:52 | |
RANCOR LAUGHS | 1:11:52 | 1:11:55 | |
Really? | 1:11:53 | 1:11:55 | |
Well, let's just see... | 1:11:55 | 1:11:58 | |
..how irreversible that really is. | 1:11:58 | 1:12:01 | |
There is nothing you patriotic pansies can do about it. | 1:12:01 | 1:12:06 | |
Let me tell you what patriotic really is, you scumbag poop. | 1:12:06 | 1:12:11 | |
This is a great country where a man can sue anyone. | 1:12:11 | 1:12:15 | |
It's great because thousands die every year | 1:12:15 | 1:12:19 | |
from handguns, yet right now you can walk into a store anywhere | 1:12:19 | 1:12:24 | |
'and buy one of those guns.' | 1:12:24 | 1:12:26 | |
It's time somebody does what Steele should have done. | 1:12:26 | 1:12:31 | |
And it's gonna be me! | 1:12:31 | 1:12:33 | |
Let's go!! | 1:12:34 | 1:12:36 | |
..to run for President. This is a great country because any moron... | 1:12:37 | 1:12:43 | |
OK, everyone, drop your guns! | 1:12:43 | 1:12:46 | |
I'm, er, taking over. | 1:12:46 | 1:12:48 | |
Steele? Get down from there! | 1:12:50 | 1:12:53 | |
Dick, come on, we have to go. Now! | 1:12:54 | 1:12:58 | |
Oh! | 1:12:58 | 1:12:59 | |
Come on, come on. | 1:12:59 | 1:13:04 | |
I wasn't finished. | 1:13:00 | 1:13:04 | |
Hurry up. Just move it. | 1:13:02 | 1:13:04 | |
I'm c-c-coming! | 1:13:06 | 1:13:08 | |
Steele, you're always doing this to me! | 1:13:08 | 1:13:12 | |
'You lose, Steele! I'll be back! | 1:13:14 | 1:13:18 | |
'Maybe just tissue or brain...' | 1:13:18 | 1:13:21 | |
Open the door! I'm stuck! | 1:13:21 | 1:13:23 | |
I'm going up, but you and your whole world | 1:13:23 | 1:13:27 | |
are going down! | 1:13:27 | 1:13:29 | |
'I'll be back, maybe without legs or minor organs.' | 1:13:29 | 1:13:35 | |
I don't want to miss the fireworks! | 1:13:32 | 1:13:35 | |
Aaaaaaaaaaaargh!! | 1:13:35 | 1:13:37 | |
How about a hand for General Rancor? | 1:13:47 | 1:13:50 | |
'You're not through with me!' | 1:13:51 | 1:13:53 | |
Oh, well! | 1:13:55 | 1:13:57 | |
'Er, Houston, we have a problem.' | 1:13:58 | 1:14:02 | |
# He's always there | 1:14:10 | 1:14:13 | |
# When the chips Are beginning to fall | 1:14:13 | 1:14:18 | |
# He wouldn't care | 1:14:18 | 1:14:21 | |
# If they kicked him and grabbed him | 1:14:21 | 1:14:24 | |
# And shot him and stabbed him | 1:14:24 | 1:14:25 | |
# And nailed Both his ears to the wall | 1:14:25 | 1:14:30 | |
# Facing death every day | 1:14:31 | 1:14:33 | |
# Is a tough job for any man | 1:14:33 | 1:14:38 | |
# But his hours are flexible | 1:14:38 | 1:14:41 | |
# And he's got a great dental plan | 1:14:41 | 1:14:46 | |
# By the way, if you walked in late | 1:14:46 | 1:14:50 | |
# Allow me to reiterate | 1:14:50 | 1:14:54 | |
# The name of this movie | 1:14:54 | 1:14:57 | |
# Was Spy Hard | 1:14:57 | 1:15:01 | |
# They called it Spy Hard | 1:15:01 | 1:15:05 | |
# You just saw Spy Hard | 1:15:05 | 1:15:09 | |
# It's the end of Spy Hard! # | 1:15:09 | 1:15:14 | |
Subtitles by Mali Griffiths IMS | 1:15:15 | 1:15:18 | |
E-mail us at [email protected] | 1:15:18 | 1:15:21 |