Browse content similar to Starsky and Hutch. Check below for episodes and series from the same categories and more!
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LIGHT-HEARTED WHISTLING AND PIANO PLAYING | 0:00:02 | 0:00:04 | |
This film contains some strong language. | 0:00:04 | 0:00:08 | |
# You know I can't smile without you | 0:00:08 | 0:00:15 | |
# I can't smile without you | 0:00:15 | 0:00:19 | |
# I can't laugh and I can't sing | 0:00:19 | 0:00:24 | |
# I'm findin' it hard to do anything | 0:00:24 | 0:00:27 | |
# You see, I feel sad when you're sad | 0:00:27 | 0:00:33 | |
# I feel glad when you're glad | 0:00:33 | 0:00:37 | |
# If you only knew what I'm goin' through | 0:00:37 | 0:00:42 | |
# I just can't smile without you | 0:00:42 | 0:00:48 | |
# You came along just like a song | 0:00:49 | 0:00:54 | |
# And brightened my day... # | 0:00:54 | 0:00:56 | |
WOMAN: Don't stress. Just relax. | 0:00:56 | 0:00:58 | |
MAN: I don't understand. I understand you can lose keys, | 0:00:58 | 0:01:01 | |
you know, you can lose your wallet. H-How do you lose a plane? | 0:01:01 | 0:01:03 | |
MAN 2: What do you want me to do? | 0:01:03 | 0:01:05 | |
We got three out of four planes in. | 0:01:05 | 0:01:06 | |
That's still a lot of coke. | 0:01:06 | 0:01:08 | |
Now, see that? That's the kind of winning attitude | 0:01:08 | 0:01:10 | |
that'll take this enterprise to the top. | 0:01:10 | 0:01:12 | |
In all fairness, Reese, it...it wasn't his fault. | 0:01:12 | 0:01:15 | |
W-W-Wait, what are you, his attorney? Why are you in the conversation? | 0:01:15 | 0:01:18 | |
Come on, g... I'm kidding! | 0:01:18 | 0:01:21 | |
I'm just kidding with you. He loves to joke. | 0:01:21 | 0:01:23 | |
Terrence, is absolutely right. | 0:01:23 | 0:01:25 | |
I mean, hell, three out of four ain't bad. | 0:01:25 | 0:01:27 | |
You know what? Let's celebrate. | 0:01:29 | 0:01:31 | |
Who wants a beer?! Great! | 0:01:31 | 0:01:32 | |
OK. | 0:01:32 | 0:01:33 | |
Whoa, whoa, whoa. Oh... | 0:01:34 | 0:01:36 | |
Baby! | 0:01:36 | 0:01:37 | |
Coke, it costs money. Planes, they cost money. | 0:01:37 | 0:01:41 | |
This yacht, this perm, my kid's braces, it all costs money. | 0:01:41 | 0:01:45 | |
Do you think Kitty's free? Huh? What?! Kitty, turn around. | 0:01:45 | 0:01:48 | |
Wha...? Turn around! | 0:01:48 | 0:01:50 | |
Reese, please put the gun down. | 0:01:50 | 0:01:53 | |
Wha...? Now, the next time | 0:01:58 | 0:02:00 | |
that a plane goes down, you better be on it. | 0:02:00 | 0:02:04 | |
Will you do my back, please? | 0:02:04 | 0:02:07 | |
Sure, babe. Am I tanning weird? | 0:02:07 | 0:02:09 | |
No, you look good. Honestly. You're bronzing. | 0:02:09 | 0:02:11 | |
SIREN WAILING IN DISTANCE | 0:02:15 | 0:02:18 | |
MAN: There's no such thing as a petty crime. | 0:02:20 | 0:02:24 | |
No minor infractions. | 0:02:24 | 0:02:26 | |
There's only the law. | 0:02:26 | 0:02:28 | |
Freeze! Bay City PD! | 0:02:29 | 0:02:32 | |
'That's me in the leather jacket and tight jeans.' | 0:02:35 | 0:02:38 | |
Whoa! 'See that guy I'm chasing? | 0:02:38 | 0:02:40 | |
'I hate him, and I'm gonna do everything in my power to stop him.' | 0:02:40 | 0:02:43 | |
You want to play? Let's play. | 0:02:43 | 0:02:46 | |
Cos it's my job to stop him.' | 0:02:46 | 0:02:48 | |
HE GRUNTS | 0:02:50 | 0:02:51 | |
Oh, goddamn... | 0:02:51 | 0:02:53 | |
'And the city pays me a damn good salary to do my job.' | 0:02:53 | 0:02:56 | |
'Besides, he crossed the line... | 0:02:58 | 0:03:01 | |
'and in Bay City, when you cross the line...' | 0:03:01 | 0:03:04 | |
HE YELLS | 0:03:04 | 0:03:05 | |
HE GRUNTS | 0:03:05 | 0:03:08 | |
'... Your nuts are mine. ' | 0:03:08 | 0:03:10 | |
I said freeze! | 0:03:10 | 0:03:12 | |
'My name is David Starsky, and I'm a cop.' | 0:03:12 | 0:03:17 | |
MAN 2: 'I've always had this theory about police work | 0:03:18 | 0:03:23 | |
'If you can't beat 'em, join 'em.' | 0:03:23 | 0:03:24 | |
TYRES SCREECH | 0:03:26 | 0:03:28 | |
No, no, no, no! | 0:03:30 | 0:03:31 | |
WOMAN YELLS | 0:03:31 | 0:03:32 | |
YELLS AND GRUNTS | 0:03:32 | 0:03:34 | |
Put the money in there. | 0:03:37 | 0:03:39 | |
'Too many cops worry about the wrong thing - crime. | 0:03:39 | 0:03:42 | |
'Not me, though. I'm looking out for numero uno.' | 0:03:42 | 0:03:46 | |
Hey, old timer, put this on Dallas. | 0:03:46 | 0:03:49 | |
Come on, let's go! > | 0:03:49 | 0:03:51 | |
'I'm just a realist, that's all. | 0:03:52 | 0:03:54 | |
'And besides, you have any idea how little the City pays us? | 0:03:54 | 0:03:58 | |
SIRENS BLARE | 0:03:58 | 0:03:59 | |
Freeze! Bay City PD! | 0:03:59 | 0:04:01 | |
Whoa, whoa! Take it easy! | 0:04:01 | 0:04:03 | |
Guys, come on. | 0:04:03 | 0:04:05 | |
I'm undercover here. | 0:04:05 | 0:04:08 | |
Geez. | 0:04:11 | 0:04:12 | |
'My name is Ken Hutchinson, and I'm a cop.' | 0:04:13 | 0:04:18 | |
WHISPERING: Where'd they come from? | 0:04:18 | 0:04:20 | |
HE SIGHS | 0:04:20 | 0:04:21 | |
MAN 3: Jesus Christ, Starsky! | 0:04:24 | 0:04:27 | |
You fired three rounds into a crowded intersection. | 0:04:27 | 0:04:29 | |
We got an old man with a broken hip, and some asshole | 0:04:29 | 0:04:32 | |
wants me to buy a new top for his Caddy? | 0:04:32 | 0:04:35 | |
That purse had seven dollars in it. | 0:04:35 | 0:04:39 | |
OK, want my badge? Here, take it. Fine. | 0:04:39 | 0:04:41 | |
Whoa, whoa, whoa. Come on. I was just making a point. | 0:04:41 | 0:04:45 | |
David, David... | 0:04:45 | 0:04:47 | |
Your mother was one of the finest cops Bay City ever seen. | 0:04:47 | 0:04:52 | |
22 years on the force with the same partner. | 0:04:52 | 0:04:55 | |
YOU have had 12 partners over the past four years. | 0:04:55 | 0:05:01 | |
She died a legend. | 0:05:01 | 0:05:02 | |
I am not my mother! | 0:05:02 | 0:05:06 | |
I'm sorry. | 0:05:06 | 0:05:08 | |
Uh, Detective Hutchinson is here. | 0:05:08 | 0:05:11 | |
Send him in. ..Have a seat. | 0:05:11 | 0:05:14 | |
BOTH LAUGH How you doing, Captain? | 0:05:14 | 0:05:17 | |
I believe you two know each other. | 0:05:17 | 0:05:19 | |
Yeah, a little bit. | 0:05:19 | 0:05:21 | |
How you doing? | 0:05:21 | 0:05:22 | |
Yeah, right. | 0:05:22 | 0:05:23 | |
Hutch...you've got a lot of explaining to do. | 0:05:23 | 0:05:27 | |
I know. I understand. Look, I was trying to infiltrate one of the East Side gangs | 0:05:27 | 0:05:30 | |
and work my way up to the big fish. It's pretty simple. | 0:05:30 | 0:05:33 | |
You were robbing a bookie. | 0:05:33 | 0:05:35 | |
That's right. | 0:05:35 | 0:05:36 | |
You've robbed seven bookies in six months. | 0:05:36 | 0:05:38 | |
You haven't filed a report, turned in any money or arrested anybody. | 0:05:38 | 0:05:41 | |
How can I arrest them? They'll know I'm a cop. I wouldn't worry. | 0:05:41 | 0:05:45 | |
You won't be mistaken for a real cop. | 0:05:45 | 0:05:46 | |
Oh, really? Hey, why don't you do me a favour | 0:05:46 | 0:05:49 | |
and go get yourself another perm and let the grown-ups talk. | 0:05:49 | 0:05:52 | |
For your information, my hair is naturally curly. | 0:05:52 | 0:05:54 | |
No, it's not. Yes, it is. | 0:05:54 | 0:05:56 | |
That's a perm job all the way. | 0:05:56 | 0:05:57 | |
Touch it! | 0:05:57 | 0:05:59 | |
Hey! Why are you touching him? | 0:05:59 | 0:06:02 | |
Jesus! | 0:06:05 | 0:06:07 | |
You know something? | 0:06:09 | 0:06:11 | |
You two deserve each other. | 0:06:11 | 0:06:14 | |
Make nice. | 0:06:16 | 0:06:18 | |
You're partners. | 0:06:18 | 0:06:19 | |
REESE: You're crazy. | 0:06:22 | 0:06:23 | |
MAN: No, I'm not. | 0:06:23 | 0:06:25 | |
REESE: I don't know what you're so upset about. | 0:06:25 | 0:06:27 | |
The guy cost us two hundred grand. A thank-you might be more appropriate in this particular situation. | 0:06:27 | 0:06:31 | |
Who cares about two hundred grand? What if they link us to the murder? | 0:06:31 | 0:06:34 | |
They will not link us to the murder, all right? You don't know that. | 0:06:34 | 0:06:37 | |
Will you let it go, please? | 0:06:37 | 0:06:39 | |
Jesus. Take a lude or something. Calm down. | 0:06:39 | 0:06:41 | |
I did and I'm still pissed. OK, fine. Fine, fine. | 0:06:41 | 0:06:44 | |
Look, I'm sorry. I promise, I'm not going to kill Terrence again. Now pull it together. Let's go. | 0:06:44 | 0:06:50 | |
Gentlemen, I apologise about the delay, | 0:06:50 | 0:06:53 | |
but I promise you what we have | 0:06:53 | 0:06:55 | |
is worth the wait. | 0:06:55 | 0:06:57 | |
It looks like cocaine. | 0:06:58 | 0:07:00 | |
That's because it IS cocaine. | 0:07:00 | 0:07:02 | |
With a twist. | 0:07:02 | 0:07:04 | |
You see, we've managed to find a way to alter the cell structure | 0:07:04 | 0:07:08 | |
of the coca plant, giving it properties | 0:07:08 | 0:07:11 | |
that heighten the perfluoralkylation process, | 0:07:11 | 0:07:13 | |
creating a new kind of diazomethane. | 0:07:13 | 0:07:15 | |
What are you talking about? | 0:07:15 | 0:07:17 | |
Gets a little complicated after that. | 0:07:17 | 0:07:19 | |
Excuse me. | 0:07:19 | 0:07:21 | |
So, do you get extra high or what? | 0:07:21 | 0:07:24 | |
Actually, it has all the same effects as regular cocaine. | 0:07:24 | 0:07:28 | |
Well, if it's the same, well, why are we here? | 0:07:28 | 0:07:32 | |
Canis familiaris - the German shepherd. | 0:07:32 | 0:07:35 | |
Its nose has over 220 million scent receptors. | 0:07:35 | 0:07:38 | |
It can detect smells that even the most advanced technology in the world cannot. | 0:07:38 | 0:07:42 | |
Now, for example: | 0:07:42 | 0:07:43 | |
Ivan... Search! | 0:07:43 | 0:07:46 | |
GROWLS AND BARKS | 0:07:48 | 0:07:51 | |
Ivan, stop! | 0:07:52 | 0:07:55 | |
What do you got? You holding? Huh? | 0:07:58 | 0:08:02 | |
He brought old coke. | 0:08:05 | 0:08:08 | |
This is new coke. | 0:08:08 | 0:08:12 | |
As far as a dog's concerned, there's nothing there. | 0:08:12 | 0:08:14 | |
100% undetectable, pure cocaine. | 0:08:14 | 0:08:18 | |
Got no coke smell. Same coke ride. | 0:08:18 | 0:08:22 | |
Mmm. Tastes kind of sweet. | 0:08:22 | 0:08:24 | |
If this shit wasn't illegal, we'd be up for the Nobel prize. | 0:08:24 | 0:08:27 | |
ALL LAUGH | 0:08:27 | 0:08:29 | |
Our initial run pumped out about two tons of this stuff, | 0:08:29 | 0:08:31 | |
and it will be available for your purchase in about three weeks. | 0:08:31 | 0:08:34 | |
You boys know who to call. | 0:08:34 | 0:08:36 | |
Ivan! | 0:08:36 | 0:08:38 | |
MAN: You don't understand. | 0:08:41 | 0:08:43 | |
They're not like you. They're criminals. | 0:08:43 | 0:08:47 | |
Look, I know we all got to make living, | 0:08:47 | 0:08:51 | |
but these guys, | 0:08:51 | 0:08:53 | |
they are dealing hard drugs right in front of my shop. | 0:08:53 | 0:08:56 | |
I can dig what you're saying, Mr Chowdury. | 0:08:57 | 0:09:00 | |
First of all, I want to thank you for coming in today. | 0:09:00 | 0:09:04 | |
Of course. | 0:09:04 | 0:09:05 | |
Those gentlemen you speak of, | 0:09:05 | 0:09:08 | |
they'll no longer be a problem. | 0:09:08 | 0:09:10 | |
You have my word. | 0:09:10 | 0:09:12 | |
This is my neighbourhood, | 0:09:12 | 0:09:14 | |
people tend to forget that. | 0:09:14 | 0:09:17 | |
Mm. Beebee, make sure he gets home safely. | 0:09:17 | 0:09:20 | |
Yeah, boss. Thank you very much, Huggy. | 0:09:20 | 0:09:22 | |
You are a great man. | 0:09:23 | 0:09:24 | |
Be gone, little Indian. | 0:09:24 | 0:09:27 | |
BEEBEE: Let's go, little man. | 0:09:27 | 0:09:28 | |
Come on. Taking up time. | 0:09:28 | 0:09:31 | |
This neighbourhood is in desperate need of some help. | 0:09:31 | 0:09:33 | |
It's cold-blooded, Daddy. | 0:09:33 | 0:09:34 | |
Who's next? | 0:09:34 | 0:09:36 | |
You got Hutch waiting outside. | 0:09:36 | 0:09:37 | |
What you got my man waiting outside for? | 0:09:37 | 0:09:41 | |
He brought some extra fuzz with him. | 0:09:41 | 0:09:42 | |
So what? You go get him, and get him in here now. | 0:09:42 | 0:09:45 | |
What, you've never run an errand on the clock before? | 0:09:46 | 0:09:49 | |
No, I take care of my personal business after work, | 0:09:49 | 0:09:52 | |
when the taxpayers aren't paying me to protect them. | 0:09:52 | 0:09:54 | |
You've never stopped and bought yourself a cup of coffee? | 0:09:55 | 0:09:57 | |
DOOR OPENS I bring a thermos. | 0:09:57 | 0:10:00 | |
OK, Hutch, he'll see you now. | 0:10:00 | 0:10:03 | |
Wait here, I'll be back in five minutes. | 0:10:03 | 0:10:06 | |
Second door on the right. | 0:10:12 | 0:10:14 | |
How you doing? | 0:10:14 | 0:10:15 | |
Hi, Hutch. | 0:10:15 | 0:10:17 | |
KNOCKS ON DOOR | 0:10:21 | 0:10:24 | |
Hey, look what the wind blew in. | 0:10:24 | 0:10:27 | |
Huggy Bear. | 0:10:27 | 0:10:28 | |
Hey, I want you to meet my new partner, David Starsky. | 0:10:28 | 0:10:31 | |
Hey, how you doing? | 0:10:31 | 0:10:32 | |
Hey, nobody touches the Bear. | 0:10:34 | 0:10:36 | |
Have a seat. ..Hutch, you'll have the usual? | 0:10:36 | 0:10:39 | |
You know it, and make it a double. | 0:10:39 | 0:10:41 | |
Leon, get my boy a Jack and Tab. And double that. | 0:10:41 | 0:10:44 | |
LEON: You got it, boss. | 0:10:44 | 0:10:45 | |
I'll get a, er, seltzer with a little lime if you got it. | 0:10:45 | 0:10:48 | |
I don't got it. | 0:10:48 | 0:10:49 | |
Or not. It's cool. I'm good. | 0:10:49 | 0:10:52 | |
Listen, I just came by to apologise for what happened in Chinatown. | 0:10:52 | 0:10:55 | |
Let me tell you something, I was as surprised as you were. | 0:10:55 | 0:10:57 | |
Don't sweat it, baby. I wasn't surprised. | 0:10:57 | 0:10:59 | |
I ain't never surprised. | 0:10:59 | 0:11:01 | |
THEY LAUGH | 0:11:01 | 0:11:03 | |
STARSKY: Hey, Champ? You got a permit for that weapon you're carrying? | 0:11:03 | 0:11:08 | |
HUTCH: Starsky, please. STARSKY: Huh? | 0:11:08 | 0:11:11 | |
Uh, no, I don't. THEY CHUCKLE | 0:11:11 | 0:11:14 | |
Yeah, me neither. | 0:11:14 | 0:11:16 | |
THEY LAUGH | 0:11:16 | 0:11:18 | |
I'm sorry, did I say something that was funny? | 0:11:18 | 0:11:20 | |
THEY CONTINUE LAUGHING | 0:11:20 | 0:11:22 | |
Come on, stop it. He's kidding. | 0:11:22 | 0:11:23 | |
No, I want to see permits right now, or I'm confiscating those weapons. | 0:11:23 | 0:11:26 | |
HUGGY: Hey, hey, hey. Slow up, man. | 0:11:26 | 0:11:28 | |
Around here, we govern ourselves. | 0:11:28 | 0:11:30 | |
Think of us like, um, Luxembourg. | 0:11:30 | 0:11:32 | |
You dig? No, I don't dig. | 0:11:32 | 0:11:35 | |
You see, Luxembourg's a constitutional monarchy, an independent sovereign state, | 0:11:35 | 0:11:39 | |
established after the Treaty of Vienna. | 0:11:39 | 0:11:41 | |
LEON: Technically, it's a part of Europe, but they govern themselves; | 0:11:41 | 0:11:45 | |
like us. | 0:11:45 | 0:11:46 | |
Just like us. | 0:11:46 | 0:11:48 | |
HUTCH: All right, enough, OK? | 0:11:50 | 0:11:53 | |
Oh, shit! Whoa, whoa, hold up! | 0:11:54 | 0:11:55 | |
Hold up! Just chill out! | 0:11:55 | 0:11:58 | |
Chill! watch yourself! | 0:11:58 | 0:11:59 | |
Oh, no. Hell, no! Jesus! | 0:11:59 | 0:12:01 | |
What happened? Did he shoot Corky? | 0:12:01 | 0:12:02 | |
Your boy shot his tail off. Corky lost his tail? | 0:12:02 | 0:12:06 | |
You should keep that thing in a terrarium. | 0:12:06 | 0:12:08 | |
Man, what the hell is a terrarium? | 0:12:08 | 0:12:10 | |
What the fuck is a terrarium? | 0:12:10 | 0:12:12 | |
A terrarium is an artificial ecosystem. | 0:12:12 | 0:12:14 | |
It's designed to simulate Corky's natural habitat. | 0:12:14 | 0:12:16 | |
Well, I can dig that, but I say we shoot him in the ass. | 0:12:16 | 0:12:19 | |
Oh, hell, yeah. An eye for an eye. | 0:12:19 | 0:12:20 | |
Whoa, take it easy. ..Huggy, help me out here. | 0:12:20 | 0:12:22 | |
Hey, hey, hey, slow up, fellas. An iguana can lose his tail and grow it back. He regenerates. | 0:12:22 | 0:12:27 | |
That's how he escapes his predator. | 0:12:27 | 0:12:29 | |
Yeah, it's true. It's a defence mechanism. I read it in a magazine. | 0:12:29 | 0:12:33 | |
So, him shooting Corky's tail off, and us shooting him in the ass, | 0:12:34 | 0:12:38 | |
it really ain't the same thing. | 0:12:38 | 0:12:40 | |
HUGGY: Nah, the punishment don't fit the crime. | 0:12:40 | 0:12:43 | |
And besides, it was an accident, right? | 0:12:43 | 0:12:45 | |
Right. | 0:12:45 | 0:12:48 | |
So, we're cool. | 0:12:48 | 0:12:50 | |
We're always cool, breeze. | 0:12:50 | 0:12:51 | |
Lower your pieces. | 0:12:51 | 0:12:52 | |
Whew. | 0:12:56 | 0:12:58 | |
RADIO ANNOUNCER: 'Good morning, Bay City, you are tuned in to KBay, 93.3 on your dial. | 0:12:58 | 0:13:02 | |
'This next tune is number eight on the charts, and number one in our hearts.' | 0:13:02 | 0:13:06 | |
# Old days | 0:13:06 | 0:13:08 | |
# Good times I remember... # | 0:13:08 | 0:13:11 | |
HE GRUNTS, MUSIC MUFFLED | 0:13:11 | 0:13:15 | |
# Drive-in movies... # | 0:13:15 | 0:13:17 | |
HE GROANS # Baseball cards | 0:13:17 | 0:13:19 | |
# And birthdays, take me back | 0:13:19 | 0:13:24 | |
# To a world gone away | 0:13:24 | 0:13:27 | |
# Oh, old days... # | 0:13:31 | 0:13:34 | |
ALARM BEEPS # Good times I remember | 0:13:34 | 0:13:38 | |
# Gold days | 0:13:38 | 0:13:40 | |
# Days I'll always treasure | 0:13:41 | 0:13:44 | |
# Funny faces... # | 0:13:46 | 0:13:49 | |
Hey, Hutch! | 0:13:49 | 0:13:51 | |
Whoa, there he is. | 0:13:51 | 0:13:52 | |
What's going on, Willis? | 0:13:52 | 0:13:54 | |
Same old, same old. | 0:13:54 | 0:13:56 | |
So, how's life at the clink treating you? | 0:13:56 | 0:13:58 | |
HE SIGHS It's not that great. | 0:13:58 | 0:14:00 | |
I got some new tight-ass partner that they stuck me with, | 0:14:00 | 0:14:04 | |
and then... I don't know. | 0:14:04 | 0:14:05 | |
I mean, hopefully, it's probably not going to last that long. | 0:14:05 | 0:14:09 | |
So, got that 20 you owe me? | 0:14:09 | 0:14:11 | |
Twenty?! Willis, I thought it was five. | 0:14:11 | 0:14:14 | |
Hutch, that was my grandmother's birthday money. | 0:14:14 | 0:14:17 | |
Come on, give me a break for a second, OK? | 0:14:17 | 0:14:19 | |
I just told you I got a new partner, | 0:14:19 | 0:14:21 | |
stuff isn't great for me down at the precinct. Back off for a second. | 0:14:21 | 0:14:24 | |
Can I get it to you on Thursday? | 0:14:26 | 0:14:28 | |
Fine, but no later than Thursday. | 0:14:28 | 0:14:30 | |
No later than Thursday. Word of honour. Cute little kid. | 0:14:30 | 0:14:35 | |
HE GROANS | 0:14:39 | 0:14:40 | |
Hoo! | 0:14:40 | 0:14:42 | |
HE EXHALES | 0:14:42 | 0:14:45 | |
It's 10:00. You're late. | 0:14:45 | 0:14:46 | |
I've been here since 8:00. | 0:14:46 | 0:14:48 | |
8:00? I didn't know this place opened at 8:00. | 0:14:48 | 0:14:51 | |
Well, don't sweat it, cos you know what? | 0:14:51 | 0:14:53 | |
Crime called in sick. It's going to get a late start, too(!) | 0:14:53 | 0:14:57 | |
"Crime called in sick," I like that. | 0:14:58 | 0:15:02 | |
So, what's on the agenda today? | 0:15:02 | 0:15:04 | |
Same as every day. | 0:15:04 | 0:15:06 | |
Finding bad guys, bringing them down. | 0:15:06 | 0:15:08 | |
Great, we can take my car, right there. | 0:15:08 | 0:15:10 | |
That? Yeah. | 0:15:10 | 0:15:11 | |
What the hell is that? | 0:15:11 | 0:15:13 | |
It's like a camper/pickup truck. What's the matter? | 0:15:13 | 0:15:16 | |
We're undercover. That thing sticks out like a sore thumb. | 0:15:16 | 0:15:19 | |
You think so? You're in for a treat. | 0:15:19 | 0:15:22 | |
It's not that bad. | 0:15:24 | 0:15:25 | |
TYRES SCREECH | 0:15:25 | 0:15:28 | |
ENGINE REVS | 0:15:28 | 0:15:29 | |
TYRES SCREECH | 0:15:34 | 0:15:36 | |
Whoa! | 0:15:42 | 0:15:44 | |
Man, your stock just went up in my book, my friend. | 0:15:45 | 0:15:48 | |
Here, pop the hood. Let me see what you got under this... | 0:15:48 | 0:15:51 | |
Hey! Hey! Hotshot, what do you think you're doing? | 0:15:51 | 0:15:53 | |
This is a Ford Gran Torino, OK? | 0:15:53 | 0:15:55 | |
It's not some crappy camper/apartment. | 0:15:55 | 0:15:59 | |
There are rules. OK, OK. | 0:15:59 | 0:16:01 | |
You do not bang on the hood. You never, under any circumstances, drive. | 0:16:01 | 0:16:04 | |
And you will certainly not put your coffee mug on the roof of the car. | 0:16:04 | 0:16:08 | |
Coffee goes on the ground, you get in the car, we go. | 0:16:08 | 0:16:11 | |
DISPATCHER: 'Attention, all units. We got a 6140 at Bay City marina.' | 0:16:18 | 0:16:23 | |
HUTCH: Oh, no. | 0:16:23 | 0:16:26 | |
This is zebra-three. We're on it. Hang on. | 0:16:26 | 0:16:28 | |
TYRES SCREECH | 0:16:28 | 0:16:30 | |
HORNS HONK | 0:16:30 | 0:16:33 | |
You got to be kidding me. No way. | 0:16:35 | 0:16:37 | |
What? Floater. | 0:16:37 | 0:16:39 | |
Nothing harder to solve than a floater. | 0:16:39 | 0:16:41 | |
No prints, body's usually bloated. | 0:16:41 | 0:16:43 | |
It's next to impossible. | 0:16:43 | 0:16:45 | |
All right, I say we push it out, hope the current | 0:16:45 | 0:16:48 | |
carries it down to the next precinct. | 0:16:48 | 0:16:50 | |
Whoa, what are you doing? | 0:16:50 | 0:16:51 | |
Trust me, you're gonna thank me for this one. Hey, seriously, stop it. | 0:16:51 | 0:16:55 | |
Now, the key is not to pop it. You've got to be very ginger. Hey! | 0:16:55 | 0:16:58 | |
What are you doing? | 0:16:58 | 0:17:00 | |
I said drop the stick. | 0:17:00 | 0:17:02 | |
Going to point a gun at me? | 0:17:02 | 0:17:03 | |
OK, fine, have it your way. | 0:17:03 | 0:17:05 | |
If it's so important, knock yourself out. | 0:17:05 | 0:17:07 | |
What are you going to solve, anyway? | 0:17:07 | 0:17:09 | |
A murder. I'm going to solve a murder. | 0:17:09 | 0:17:11 | |
Monday, June 3: body of a male caucasian, apparently dumped from the Bay Bridge... | 0:17:11 | 0:17:15 | |
Actually, there's no sign of impact, so he was probably just dropped out at sea. | 0:17:15 | 0:17:19 | |
Could you please not talk while I'm recording? Thank you. | 0:17:19 | 0:17:22 | |
All right, you know what? | 0:17:26 | 0:17:27 | |
I'm just going to call in the meat wagon, all right? | 0:17:27 | 0:17:30 | |
Looks like you punched your last ticket, amigo. | 0:17:30 | 0:17:32 | |
I'm sorry, did you just tough-talk a dead body? | 0:17:32 | 0:17:36 | |
I lost my flow. | 0:17:36 | 0:17:38 | |
STARSKY: Zebra-three to base. | 0:17:41 | 0:17:43 | |
'Dispatch. Go ahead, zebra-three.' | 0:17:43 | 0:17:45 | |
STARSKY: We're going to need a coroner notification. | 0:17:45 | 0:17:48 | |
We've got a DB down at Municipal jetty. | 0:17:48 | 0:17:50 | |
Tell them to bring a body bag and some galoshes. He's a wet one. | 0:17:51 | 0:17:55 | |
Found a wallet. Nothing in it. | 0:17:55 | 0:17:59 | |
STARSKY: Medium rare. OK? You got it, Starsky. | 0:17:59 | 0:18:01 | |
HUTCH: Look at all these cops. You really want to eat here? | 0:18:01 | 0:18:03 | |
It's a great place. Pop's? Come on. | 0:18:03 | 0:18:05 | |
If you're one of the cops, you eat at Pop's. | 0:18:05 | 0:18:07 | |
OK, hot stuff. | 0:18:07 | 0:18:09 | |
DISPATCHER: 'Zebra-three, 2-11 in progress, please respond.' | 0:18:09 | 0:18:12 | |
Go for Starsky. 'Hurry, Starsky. ' | 0:18:12 | 0:18:14 | |
We got two perps holding up a gum ball machine on Fifth Street. | 0:18:14 | 0:18:17 | |
Let's go. | 0:18:17 | 0:18:19 | |
A gum ball machine? | 0:18:19 | 0:18:20 | |
..use lethal force if necessary. | 0:18:20 | 0:18:22 | |
THEY LAUGH | 0:18:22 | 0:18:24 | |
Very funny, Manetti. | 0:18:24 | 0:18:27 | |
Hey, it's Captain and Tennille. | 0:18:27 | 0:18:29 | |
Well, I guess that means one of you would actually have to make captain. | 0:18:29 | 0:18:32 | |
Radio is for police business only, Manetti. | 0:18:32 | 0:18:34 | |
That's true - why did they give you one? | 0:18:34 | 0:18:36 | |
THEY LAUGH | 0:18:36 | 0:18:38 | |
STARSKY: It's not that funny. | 0:18:38 | 0:18:39 | |
That Manetti thinks he's something with this whole thing. | 0:18:39 | 0:18:42 | |
But you know what? He's not. | 0:18:42 | 0:18:44 | |
BANGS WINDOW Take it easy. | 0:18:44 | 0:18:46 | |
You think that's funny? | 0:18:47 | 0:18:48 | |
No, no, I mean, no, you just got to rise above it. | 0:18:48 | 0:18:51 | |
What did we got in the wallet? | 0:18:51 | 0:18:53 | |
Not much - driver's licence, | 0:18:53 | 0:18:55 | |
a couple of receipts, no cash whatsoever. | 0:18:55 | 0:18:58 | |
HE CLEARS HIS THROAT | 0:18:58 | 0:18:59 | |
"Reese Feldman Corporation." What do you call that? | 0:19:01 | 0:19:05 | |
REESE: Terrence Myers. | 0:19:14 | 0:19:17 | |
That name does sound familiar. Isn't he part of our Nearly There programme? | 0:19:17 | 0:19:20 | |
Mm-hmm, I think he is. | 0:19:20 | 0:19:22 | |
Terrence Myers. Baby, isn't he the guy dating a Bay City kitty? | 0:19:22 | 0:19:26 | |
Remember? We were joking about it. | 0:19:26 | 0:19:28 | |
Really? Bay City Kitty. You mean the cheerleaders? | 0:19:28 | 0:19:30 | |
You happen to remember her name? | 0:19:30 | 0:19:33 | |
Uh, no, I don't, er... | 0:19:33 | 0:19:37 | |
Can I get you boys anything else? | 0:19:37 | 0:19:38 | |
REESE: We're good. Thank you so much though, honey. | 0:19:38 | 0:19:41 | |
That's my angel. I love her. | 0:19:41 | 0:19:44 | |
You mentioned the Nearly There Foundation. What is that? | 0:19:44 | 0:19:47 | |
That's a programme that, that, that we set up to help ex-cons get back on their feet. | 0:19:47 | 0:19:51 | |
Part of their parole is that they're required to have a job. | 0:19:51 | 0:19:54 | |
The catch-22 of it is, | 0:19:54 | 0:19:55 | |
not that many people are that excited to hire a felon. | 0:19:55 | 0:19:58 | |
Yeah, those poor ex-cons, they can't catch a break, can they? | 0:19:58 | 0:20:00 | |
No, no, it's a vicious cycle that those guys get caught up in. | 0:20:00 | 0:20:03 | |
Did you happen to see the article in the New Times? | 0:20:03 | 0:20:05 | |
You bet your ass, I did. I love that writer. | 0:20:05 | 0:20:08 | |
But I'd be lying to you if I didn't say that we get some pretty good tax breaks, too. | 0:20:08 | 0:20:12 | |
There it is, the kicker. Just a perk. | 0:20:12 | 0:20:13 | |
This sly dog here. | 0:20:13 | 0:20:15 | |
Now, what do you got? | 0:20:15 | 0:20:16 | |
Tickets to our annual fund-raiser. | 0:20:16 | 0:20:17 | |
I'd love for you to be my guests. | 0:20:17 | 0:20:19 | |
Oh, no, no, no, we can't accept gratuities. | 0:20:19 | 0:20:21 | |
It's against policy. | 0:20:21 | 0:20:23 | |
These don't look like gratuities, | 0:20:23 | 0:20:24 | |
they look like a couple of tickets. | 0:20:24 | 0:20:25 | |
I'd be happy to accept them. | 0:20:25 | 0:20:27 | |
Hey, what about Terrence? | 0:20:27 | 0:20:28 | |
Is he in some kind of trouble? | 0:20:28 | 0:20:29 | |
He's dead. | 0:20:29 | 0:20:31 | |
His body washed up | 0:20:31 | 0:20:32 | |
in the marina this morning. | 0:20:32 | 0:20:33 | |
Oh, no. | 0:20:33 | 0:20:34 | |
Punched his last ticket, as they say. | 0:20:34 | 0:20:38 | |
You know, you try to do all you can for these guys, | 0:20:38 | 0:20:42 | |
but it's just never enough, is it? | 0:20:42 | 0:20:44 | |
No, I guess it isn't. | 0:20:44 | 0:20:45 | |
When was the last time you saw him? | 0:20:45 | 0:20:46 | |
The last place I saw... | 0:20:46 | 0:20:48 | |
Wow. | 0:20:48 | 0:20:49 | |
This is a nice boat. | 0:20:49 | 0:20:51 | |
Reese, is this yours? | 0:20:51 | 0:20:52 | |
Uh, actually, that's a yacht. | 0:20:52 | 0:20:53 | |
I'm sorry, a yacht. Excuse me, Hutch? | 0:20:53 | 0:20:56 | |
Excuse me. Can we please focus | 0:20:56 | 0:20:57 | |
on the investigation? | 0:20:57 | 0:20:58 | |
Sure. Thank you. | 0:20:58 | 0:20:59 | |
I could use another one of these. | 0:20:59 | 0:21:01 | |
JACKSON FIVE: # Dancin', dancin', dancin' | 0:21:01 | 0:21:05 | |
# Automatic, systematic | 0:21:05 | 0:21:07 | |
# Full of colour, self-contained | 0:21:07 | 0:21:10 | |
# Tune and channelled to your vibes | 0:21:10 | 0:21:13 | |
# She's movin', she's groovin' | 0:21:13 | 0:21:15 | |
# Dancin' until the music stops now | 0:21:15 | 0:21:19 | |
# Yeah | 0:21:19 | 0:21:22 | |
# Rhythmatic, acrobatic | 0:21:22 | 0:21:24 | |
# She's a dynamite attraction | 0:21:24 | 0:21:27 | |
# At the drop of a coin, she comes alive... # | 0:21:27 | 0:21:29 | |
CHEERING | 0:21:29 | 0:21:30 | |
Right on! That was great, girls. | 0:21:30 | 0:21:32 | |
Take five. | 0:21:32 | 0:21:33 | |
Let's go. | 0:21:35 | 0:21:36 | |
Look alive. Here they come. | 0:21:36 | 0:21:38 | |
We usually don't allow spectators. | 0:21:38 | 0:21:40 | |
Even cute ones. | 0:21:40 | 0:21:42 | |
David Starsky, Bay City PD. This is my partner, Ken Hutchinson. | 0:21:42 | 0:21:45 | |
Girls. | 0:21:45 | 0:21:46 | |
WHISPERS: They're so cute. | 0:21:46 | 0:21:47 | |
I'm Stacey. That's Holly. | 0:21:47 | 0:21:49 | |
God, I loved your moves out there. | 0:21:49 | 0:21:51 | |
Fantastic. | 0:21:51 | 0:21:53 | |
I've never dated a cop before. | 0:21:53 | 0:21:55 | |
My horoscope said I should try | 0:21:55 | 0:21:57 | |
new things today. Is that right? | 0:21:57 | 0:21:59 | |
WHISPERS: You're awful. | 0:21:59 | 0:22:01 | |
So, what brings you around here, officers? | 0:22:01 | 0:22:05 | |
Well, you know, that depends, er... | 0:22:05 | 0:22:07 | |
Yeah, er, either of you two know a Terrence Myers? | 0:22:07 | 0:22:10 | |
Oh, yeah. | 0:22:10 | 0:22:11 | |
Heather dated him. Oh, yeah. | 0:22:11 | 0:22:13 | |
The girl right over there with the yellow top. | 0:22:13 | 0:22:15 | |
But, um, they split up a while ago. | 0:22:15 | 0:22:16 | |
We haven't seen him around. | 0:22:16 | 0:22:17 | |
Hello. Let's go ask Heather some questions. | 0:22:17 | 0:22:19 | |
All right, thank you. | 0:22:19 | 0:22:20 | |
Oh, and, er, be careful with those moves. | 0:22:20 | 0:22:22 | |
You could hurt someone. | 0:22:22 | 0:22:23 | |
That's why we practise. | 0:22:23 | 0:22:24 | |
Actually, I was talking about us. | 0:22:24 | 0:22:27 | |
Oh... | 0:22:27 | 0:22:28 | |
GIGGLES | 0:22:28 | 0:22:29 | |
Where'd that come from? a little charm. | 0:22:30 | 0:22:32 | |
But I would have tried the horoscope line. | 0:22:32 | 0:22:34 | |
No, too obvious. | 0:22:34 | 0:22:35 | |
Hey! | 0:22:35 | 0:22:36 | |
Wait up. | 0:22:36 | 0:22:37 | |
See what I mean? | 0:22:37 | 0:22:38 | |
Here's my number. | 0:22:39 | 0:22:41 | |
In case you need us for...questioning. | 0:22:41 | 0:22:45 | |
Thank you, ladies. | 0:22:45 | 0:22:46 | |
Bye. Bye. | 0:22:46 | 0:22:48 | |
He was always fascinated | 0:22:48 | 0:22:50 | |
by all that macho mobster bullshit. | 0:22:50 | 0:22:52 | |
I hope this is OK. I need to make this quick. | 0:22:52 | 0:22:54 | |
I got to pick my kid up in 20 minutes. | 0:22:54 | 0:22:56 | |
Oh, yeah, totally. | 0:22:56 | 0:22:57 | |
Yeah, we were gonna move in together, | 0:22:57 | 0:22:59 | |
and he promised he'd quit all that stuff | 0:22:59 | 0:23:01 | |
after he got out. | 0:23:01 | 0:23:02 | |
But then he goes and gets himself killed. | 0:23:02 | 0:23:04 | |
He's such an asshole. | 0:23:04 | 0:23:06 | |
Mm. | 0:23:06 | 0:23:07 | |
I can only imagine what you must be going through. | 0:23:07 | 0:23:10 | |
I think that... | 0:23:10 | 0:23:12 | |
Honestly, you know, if I knew what he was up to, | 0:23:12 | 0:23:14 | |
I'd be happy to tell you. | 0:23:14 | 0:23:16 | |
But we didn't talk much. | 0:23:16 | 0:23:19 | |
Yeah. | 0:23:19 | 0:23:20 | |
So...did you, um... | 0:23:20 | 0:23:22 | |
When did he... did he...what'd... | 0:23:22 | 0:23:25 | |
So, Hutch, do you got any more questions? | 0:23:25 | 0:23:28 | |
Yeah, well, um, sure. We could... | 0:23:28 | 0:23:32 | |
What's your sign? | 0:23:32 | 0:23:33 | |
Gemini. | 0:23:35 | 0:23:36 | |
What, er... | 0:23:36 | 0:23:39 | |
what do you weigh? | 0:23:39 | 0:23:41 | |
And what does that have to do with anything? | 0:23:41 | 0:23:43 | |
It has everything to do with anything. | 0:23:43 | 0:23:44 | |
And just answer the question, please, ma'am. | 0:23:44 | 0:23:47 | |
Um... SHE SIGHS | 0:23:47 | 0:23:49 | |
Around 115, I guess, | 0:23:49 | 0:23:51 | |
give or take a pound or two. | 0:23:51 | 0:23:52 | |
HUTCH CLEARS THROAT | 0:23:52 | 0:23:55 | |
I wish I could be more helpful. | 0:23:55 | 0:23:56 | |
Just...s-stop. | 0:23:56 | 0:23:58 | |
Don't do that. You've been great. | 0:23:58 | 0:24:00 | |
I mean, it's terrific, I mean... | 0:24:00 | 0:24:02 | |
We got what we, you know, needed. | 0:24:02 | 0:24:04 | |
Anything else? Hmm? | 0:24:04 | 0:24:07 | |
I'm good. | 0:24:07 | 0:24:09 | |
Yeah. Yeah. | 0:24:09 | 0:24:10 | |
Thank you. | 0:24:10 | 0:24:11 | |
Oh, thank you so much. | 0:24:11 | 0:24:13 | |
Oh, wait. | 0:24:13 | 0:24:14 | |
Uh, I don't know if this'll be of any help. | 0:24:14 | 0:24:16 | |
Uh, it's his. Take it. | 0:24:16 | 0:24:18 | |
I don't want it. | 0:24:18 | 0:24:19 | |
OK. | 0:24:21 | 0:24:22 | |
Thank you. Again. | 0:24:22 | 0:24:24 | |
SCHOOL BELL RINGS | 0:24:26 | 0:24:29 | |
WILLIS: Things getting any better at work, Hutch? | 0:24:29 | 0:24:31 | |
Actually, work was pretty good today. | 0:24:31 | 0:24:33 | |
How 'bout you? anything new? | 0:24:33 | 0:24:34 | |
Nope. | 0:24:34 | 0:24:35 | |
You get a chance to ask that girl out? | 0:24:35 | 0:24:37 | |
Huh? Nah. | 0:24:37 | 0:24:38 | |
Willis, I want you to meet my new partner, | 0:24:38 | 0:24:40 | |
David Starsky. | 0:24:40 | 0:24:41 | |
Hey, there, Willis, nice to meet you. | 0:24:41 | 0:24:42 | |
Is this the dickweed you were telling me about? | 0:24:42 | 0:24:45 | |
Look, just shake his hand. | 0:24:46 | 0:24:47 | |
Come on. | 0:24:47 | 0:24:49 | |
Go on, hop in. | 0:24:49 | 0:24:50 | |
Dickweed, huh? | 0:24:52 | 0:24:53 | |
His mom works late on wednesday, so I kind of look after him. | 0:24:53 | 0:24:56 | |
You take a kid out on patrol with you? | 0:24:56 | 0:24:58 | |
Yeah, that's what we do, isn't it, Willis? | 0:24:58 | 0:25:01 | |
Patrol. | 0:25:01 | 0:25:02 | |
Whatever you say, Hutch. | 0:25:02 | 0:25:05 | |
Whoa! Damn! | 0:25:05 | 0:25:07 | |
# Keep on bumpin' | 0:25:07 | 0:25:10 | |
# Right on bumpin'... # | 0:25:10 | 0:25:12 | |
WILLIS: Man, this thing is bad! | 0:25:14 | 0:25:16 | |
Don't encourage him. | 0:25:16 | 0:25:19 | |
MUSIC STOPS Oh! | 0:25:19 | 0:25:21 | |
Holy shit! | 0:25:22 | 0:25:24 | |
Starsky, this your ride? | 0:25:24 | 0:25:25 | |
Uh-huh. | 0:25:25 | 0:25:26 | |
Damn, you just moved up a notch in my book. | 0:25:26 | 0:25:31 | |
That puts you at notch one. | 0:25:31 | 0:25:32 | |
I like your Lincoln. | 0:25:32 | 0:25:35 | |
It's a '76. | 0:25:35 | 0:25:36 | |
It won't be out till next year. | 0:25:36 | 0:25:37 | |
But I know some people that know some people | 0:25:37 | 0:25:39 | |
that robbed some people. | 0:25:39 | 0:25:40 | |
So what do you hear on the street these days, Huggy? | 0:25:40 | 0:25:44 | |
Dig this. A little bird tells me | 0:25:44 | 0:25:47 | |
there's gonna be a big coke deal in Bay City. | 0:25:47 | 0:25:50 | |
One for the Guinness books, | 0:25:50 | 0:25:51 | |
so they say. | 0:25:51 | 0:25:52 | |
Interesting. | 0:25:52 | 0:25:53 | |
And, uh, who would this little bird be? | 0:25:53 | 0:25:55 | |
Look, man, I lay it out for y'all to play it out. | 0:25:55 | 0:25:58 | |
All right. What does that mean? | 0:25:58 | 0:26:00 | |
Don't worry about it. | 0:26:02 | 0:26:03 | |
Huggy, what can you tell us about this? | 0:26:03 | 0:26:05 | |
This looks like the work of Big Earl. | 0:26:10 | 0:26:12 | |
This boy loves dragons. | 0:26:12 | 0:26:14 | |
He makes these with his hands, you know? | 0:26:14 | 0:26:16 | |
There's his name, stitched right up under | 0:26:16 | 0:26:18 | |
the dragon's belly. | 0:26:18 | 0:26:19 | |
Starsky: Big Earl. | 0:26:19 | 0:26:21 | |
Yeah, he sews, but he's one tough mother. | 0:26:21 | 0:26:23 | |
He owns a biker bar about 80 miles east of Route Four. | 0:26:23 | 0:26:26 | |
Biker bar, huh? | 0:26:26 | 0:26:28 | |
What goes on down there? | 0:26:28 | 0:26:30 | |
I don't know. Listen to Jim Croce, | 0:26:30 | 0:26:33 | |
play darts, whatever the hell else you white people do. | 0:26:33 | 0:26:35 | |
Look, fuzz, | 0:26:35 | 0:26:36 | |
I gots to buzz. | 0:26:36 | 0:26:37 | |
This meeting is adjourned. | 0:26:37 | 0:26:39 | |
That's it? | 0:26:39 | 0:26:40 | |
That's it. | 0:26:40 | 0:26:41 | |
He lays it out for us to play it out. | 0:26:41 | 0:26:43 | |
Oh, and by the way... | 0:26:43 | 0:26:44 | |
This little meeting? It never happened. | 0:26:44 | 0:26:46 | |
What meeting? # Bumpin'... | 0:26:46 | 0:26:48 | |
C'est la vie, gentlemen. | 0:26:48 | 0:26:50 | |
# Right on bumpin'... | 0:26:50 | 0:26:52 | |
KITTY: I'm learning this really great new technique | 0:26:54 | 0:26:56 | |
where you press really hard... | 0:26:56 | 0:26:57 | |
REESE: With the hands? What is it, a verbal technique? | 0:26:57 | 0:26:59 | |
KITTY: No. | 0:26:59 | 0:27:00 | |
Keep your hands on me, I'm teasing. | 0:27:00 | 0:27:02 | |
What do you got on those two cops? | 0:27:03 | 0:27:04 | |
I got everything. | 0:27:04 | 0:27:05 | |
I got their records, their home addresses, | 0:27:05 | 0:27:07 | |
credit history... Nice. | 0:27:07 | 0:27:09 | |
REESE: "Starsky and Hutchinson"? | 0:27:09 | 0:27:12 | |
They call him Hutch, actually. | 0:27:12 | 0:27:13 | |
I mean, it's like I don't have enough on my plate already? | 0:27:13 | 0:27:16 | |
I got a major coke deal, my daughter's bat mitzvah - | 0:27:16 | 0:27:18 | |
which is turning into a total nightmare, by the way - | 0:27:19 | 0:27:21 | |
and now I got these two guys. You think they're onto us? | 0:27:21 | 0:27:23 | |
They're investigating a murder, my man. | 0:27:23 | 0:27:25 | |
That's what cops do. | 0:27:25 | 0:27:26 | |
It's why we pay taxes. | 0:27:26 | 0:27:28 | |
You're the worst. | 0:27:28 | 0:27:29 | |
I mean, are you kidding? will you look at these two guys? | 0:27:29 | 0:27:31 | |
He's cute, the blond. | 0:27:31 | 0:27:34 | |
But I like dark hair. | 0:27:34 | 0:27:35 | |
You know, maybe we ought | 0:27:35 | 0:27:36 | |
to just, uh, push this whole thing, huh, | 0:27:36 | 0:27:38 | |
till things cool off? | 0:27:38 | 0:27:39 | |
Kevin, please, with the worry. | 0:27:39 | 0:27:42 | |
We're moving ahead as scheduled. | 0:27:42 | 0:27:44 | |
I'll handle those two clowns. | 0:27:44 | 0:27:45 | |
So, tomorrow, I say we check out this biker bar, | 0:27:46 | 0:27:49 | |
do a little deep cover. | 0:27:49 | 0:27:50 | |
Sounds good. | 0:27:50 | 0:27:53 | |
Who does your wig work? | 0:27:53 | 0:27:55 | |
I'm sorry, my what? | 0:27:55 | 0:27:57 | |
Your wig work, your undercover work. | 0:27:57 | 0:27:58 | |
You know, your disguises. | 0:27:58 | 0:28:00 | |
You, you have a wig guy? | 0:28:00 | 0:28:01 | |
Oh, yeah, he's incredible. | 0:28:01 | 0:28:03 | |
Well, if it isn't Sonny and Cher. | 0:28:03 | 0:28:05 | |
Sonny and Cher! | 0:28:05 | 0:28:07 | |
Sit on it, Manetti. | 0:28:07 | 0:28:08 | |
Oh, me sit on it? | 0:28:08 | 0:28:09 | |
Yeah, you sit on it. | 0:28:09 | 0:28:10 | |
Oh, why don't you sit on it, Starsky? | 0:28:10 | 0:28:11 | |
How's that sound? | 0:28:11 | 0:28:13 | |
You wish, cos I'm never sitting on it. Ever. | 0:28:13 | 0:28:16 | |
That's not what I heard. | 0:28:16 | 0:28:17 | |
Ooh! | 0:28:17 | 0:28:18 | |
Whoa! | 0:28:18 | 0:28:20 | |
Starsky! Come on. | 0:28:20 | 0:28:21 | |
Come on, come on. Jesus! | 0:28:21 | 0:28:23 | |
Stop it! | 0:28:23 | 0:28:24 | |
Easy, big guy. | 0:28:24 | 0:28:25 | |
What the hell is going on? | 0:28:25 | 0:28:26 | |
What the hell's going on?! | 0:28:26 | 0:28:28 | |
Cool your jets, Starsky. | 0:28:28 | 0:28:30 | |
Everybody, back off. | 0:28:30 | 0:28:32 | |
Including you, Manetti. | 0:28:32 | 0:28:34 | |
I apologise, captain. | 0:28:34 | 0:28:36 | |
You're absolutely right. | 0:28:36 | 0:28:37 | |
You know, you're not even worth it, Starsky. | 0:28:37 | 0:28:39 | |
And for the record, those are hand towels. | 0:28:39 | 0:28:42 | |
The big towels are on the top shelf. | 0:28:42 | 0:28:44 | |
MEN LAUGH | 0:28:44 | 0:28:46 | |
Hand towels. What a rod. | 0:28:46 | 0:28:47 | |
Jesus Christ. He's right. | 0:28:47 | 0:28:51 | |
Go cover up. | 0:28:51 | 0:28:53 | |
# I pulled into Nazareth | 0:29:00 | 0:29:03 | |
# Was feeling 'bout half past dead | 0:29:03 | 0:29:06 | |
# I just need someplace where I can lay my head | 0:29:06 | 0:29:13 | |
# "Hey, mister, can you tell me where a man might find a bed?" | 0:29:13 | 0:29:19 | |
# He just grinned and shook my hand | 0:29:19 | 0:29:23 | |
# "No" was all he said | 0:29:23 | 0:29:26 | |
# Take a load off, Fanny | 0:29:26 | 0:29:29 | |
# Take a load for free | 0:29:29 | 0:29:32 | |
# Take a load off, Fanny | 0:29:32 | 0:29:36 | |
# And... you put the load right on me. # | 0:29:36 | 0:29:43 | |
("Folsom Prison Blues" by Johnny Cash playing) | 0:29:43 | 0:29:45 | |
# ...And smokin' big cigars | 0:29:45 | 0:29:47 | |
# Well, I know I had it comin' | 0:29:47 | 0:29:49 | |
# I know I can't be free | 0:29:49 | 0:29:52 | |
# But those people keep a-movin'... # | 0:29:54 | 0:29:58 | |
STARSKY CLEARS THROAT | 0:29:58 | 0:30:00 | |
Who are you guys? | 0:30:00 | 0:30:02 | |
My name's Kansas, | 0:30:02 | 0:30:05 | |
and this is my little man, Toto. | 0:30:05 | 0:30:08 | |
We're, uh, Jesters from up in Big Cliff, | 0:30:08 | 0:30:09 | |
come down to check out your place. | 0:30:10 | 0:30:11 | |
This it? Is this your place? | 0:30:11 | 0:30:13 | |
Yeah. | 0:30:13 | 0:30:14 | |
HUTCH: Nice. | 0:30:14 | 0:30:16 | |
Tell me, if you two are Jesters, | 0:30:16 | 0:30:18 | |
what's our credo? | 0:30:18 | 0:30:19 | |
Credo? Uh... | 0:30:19 | 0:30:21 | |
HUTCH CHUCKLES Well... | 0:30:21 | 0:30:23 | |
You almost got me there. There's no credo. | 0:30:23 | 0:30:27 | |
Other than the secret credo. | 0:30:28 | 0:30:30 | |
It ain't no secret. | 0:30:30 | 0:30:32 | |
It's written right on our damn crest. | 0:30:32 | 0:30:34 | |
So, what is that, like, a trick question? | 0:30:34 | 0:30:36 | |
Because if it's printed on the crest, | 0:30:36 | 0:30:37 | |
then you don't have to give it to us as a test. | 0:30:37 | 0:30:38 | |
Anybody can read the crest, that wouldn't prove | 0:30:38 | 0:30:40 | |
that we're Jesters. | 0:30:40 | 0:30:41 | |
Not cool. | 0:30:41 | 0:30:42 | |
That's a fake mustache. | 0:30:42 | 0:30:43 | |
Oh, really? | 0:30:44 | 0:30:45 | |
Well, I wonder if you think this is fake. | 0:30:46 | 0:30:48 | |
MAN GRUNTS | 0:30:48 | 0:30:51 | |
Now, we got some questions. | 0:30:51 | 0:30:52 | |
I don't got to give you nothing, cop! | 0:30:52 | 0:30:54 | |
Wrong! | 0:30:54 | 0:30:57 | |
First, you got to give me a little respect. | 0:30:57 | 0:30:59 | |
Second, you're gonna give me some answers, | 0:30:59 | 0:31:01 | |
comprende, muchacho? | 0:31:02 | 0:31:03 | |
Oh, hey, ha... | 0:31:04 | 0:31:05 | |
I like your style. | 0:31:12 | 0:31:13 | |
I like your moves. | 0:31:13 | 0:31:15 | |
Now, where were we? | 0:31:15 | 0:31:16 | |
You were gonna tell us about Terrence Myers. | 0:31:16 | 0:31:19 | |
Who's Terrence Myers? | 0:31:19 | 0:31:21 | |
Wrong answer, Big Earl. | 0:31:21 | 0:31:23 | |
Big Earl? I'm not Big Earl. | 0:31:23 | 0:31:25 | |
I'm... I'm Jeff. | 0:31:25 | 0:31:26 | |
Oh, yeah, yeah. | 0:31:26 | 0:31:28 | |
No, no-one's who they say they are. | 0:31:28 | 0:31:31 | |
Look. Honest. | 0:31:31 | 0:31:33 | |
Think about it. I'm not even big. | 0:31:33 | 0:31:35 | |
Yeah. | 0:31:36 | 0:31:37 | |
No, that's... a good point. | 0:31:38 | 0:31:40 | |
Well, maybe it's one of those ironic names. | 0:31:40 | 0:31:41 | |
You know, like, uh, Tiny over in vice. | 0:31:41 | 0:31:42 | |
He's like eight feet tall. | 0:31:43 | 0:31:44 | |
Everybody says he's tiny, except he's big. | 0:31:44 | 0:31:45 | |
I know, except this guy's sort of normal size, | 0:31:45 | 0:31:47 | |
so he'd have to be a lot smaller with a name like Big Earl | 0:31:47 | 0:31:50 | |
for it to be ironic. | 0:31:50 | 0:31:51 | |
Yeah, but, I mean, you don't have to be a midget. | 0:31:51 | 0:31:53 | |
You're not exactly, well, how tall are you? | 0:31:53 | 0:31:54 | |
Uh, I don't know. Five-nine? | 0:31:54 | 0:31:56 | |
Uh-huh. Well, that is kind of... | 0:31:56 | 0:31:57 | |
So, basically, like... Borderline. It's average. | 0:31:57 | 0:31:59 | |
Yeah. Regular. Look, guys, | 0:31:59 | 0:32:00 | |
Big Earl got pinched two weeks ago. | 0:32:00 | 0:32:02 | |
He's in Bay City Correctional, | 0:32:02 | 0:32:03 | |
and I took over the bar as a favour, | 0:32:03 | 0:32:04 | |
until he gets out. | 0:32:04 | 0:32:05 | |
Jeff, I'm sorry. | 0:32:05 | 0:32:07 | |
We apologise. | 0:32:07 | 0:32:08 | |
We're gonna pay Big Earl a visit. | 0:32:08 | 0:32:10 | |
Let me just get this for you. There you go. | 0:32:10 | 0:32:12 | |
Good as new. | 0:32:12 | 0:32:13 | |
STARSKY: a little word of advice. | 0:32:13 | 0:32:15 | |
Next time you're watching a place, | 0:32:15 | 0:32:16 | |
don't claim that you own it | 0:32:16 | 0:32:17 | |
just cos you're watching it, OK? | 0:32:17 | 0:32:18 | |
I house-sit for my sister all the time. | 0:32:18 | 0:32:20 | |
It's not like I claim that I own her house, | 0:32:20 | 0:32:22 | |
you know what I mean? | 0:32:22 | 0:32:23 | |
That goes for all y'all. | 0:32:23 | 0:32:25 | |
Don't pretend to be something you're not. | 0:32:25 | 0:32:28 | |
Just be who you are. | 0:32:28 | 0:32:29 | |
That's what's really cool. | 0:32:29 | 0:32:32 | |
BELL RINGS | 0:32:43 | 0:32:46 | |
How did you guys get in here? visiting hours are over. | 0:33:01 | 0:33:03 | |
Special treatment. | 0:33:03 | 0:33:05 | |
We got some questions about Terrence Myers. | 0:33:06 | 0:33:09 | |
Terrence Myers? Yeah. | 0:33:09 | 0:33:11 | |
You made this jacket for him, didn't you? | 0:33:11 | 0:33:13 | |
Gee whiz, I don't seem to know anyone by that name at all. | 0:33:13 | 0:33:17 | |
Hard customer. | 0:33:17 | 0:33:19 | |
Offer him a radio or some bullshit. | 0:33:19 | 0:33:22 | |
Maybe there's something we can do | 0:33:22 | 0:33:23 | |
to make your stay a little more comfortable. | 0:33:23 | 0:33:25 | |
Nice transistor radio for your cell, maybe? | 0:33:25 | 0:33:27 | |
No. | 0:33:27 | 0:33:28 | |
How about a TV? | 0:33:28 | 0:33:30 | |
I tell you what... | 0:33:30 | 0:33:32 | |
I do like your blond friend here. | 0:33:32 | 0:33:34 | |
Let me see your bellybutton. | 0:33:36 | 0:33:37 | |
No. What...? | 0:33:39 | 0:33:41 | |
Whoa, whoa, whoa. Let's go. Come on. | 0:33:41 | 0:33:43 | |
No, I'm not gonna... Hold on a second. | 0:33:43 | 0:33:44 | |
He's obviously a freak. Just show a little skin. | 0:33:44 | 0:33:46 | |
Just show him your stomach. | 0:33:46 | 0:33:47 | |
Just, pull it... Nobody's here. | 0:33:47 | 0:33:49 | |
Are we cool? | 0:33:49 | 0:33:50 | |
Yes, we're cool. | 0:33:50 | 0:33:52 | |
Oh, eureka. | 0:33:56 | 0:33:58 | |
God, that's nice. | 0:33:58 | 0:34:00 | |
Oh, it's like a little bowl of oatmeal | 0:34:00 | 0:34:02 | |
with a hole in it. | 0:34:02 | 0:34:04 | |
I got one, too. | 0:34:04 | 0:34:05 | |
HUTCH: Oh, come on. | 0:34:05 | 0:34:06 | |
I just got a little more brown sugar on mine. | 0:34:06 | 0:34:07 | |
Did you say Terrence Myers? | 0:34:08 | 0:34:11 | |
Yeah, I think I did make that little jacket. | 0:34:11 | 0:34:13 | |
In fact, we might have even pulled a job together. | 0:34:13 | 0:34:15 | |
What job? | 0:34:15 | 0:34:16 | |
Who were you working for? | 0:34:16 | 0:34:18 | |
Stand up, walk to the back and do a slow spin for me. | 0:34:18 | 0:34:22 | |
Now, wait a second, Big Earl. | 0:34:22 | 0:34:23 | |
I just showed you my stomach, I... | 0:34:23 | 0:34:24 | |
Come on, a deal's a deal, Earl. | 0:34:24 | 0:34:27 | |
Fine, then this conversation is over. | 0:34:27 | 0:34:30 | |
Wait, wait, wait. Wait. Wait. Wait. | 0:34:31 | 0:34:32 | |
Hold it, come on, wait a second. | 0:34:32 | 0:34:35 | |
Get up. | 0:34:38 | 0:34:40 | |
T-tell him to take his jacket off. | 0:34:43 | 0:34:44 | |
Take your jacket off. | 0:34:44 | 0:34:47 | |
Slow spin. | 0:34:47 | 0:34:48 | |
He says to do a slow spin. | 0:34:48 | 0:34:51 | |
Tell him to arch his back, | 0:34:51 | 0:34:52 | |
and then... and then look back at me, | 0:34:52 | 0:34:54 | |
mean, like a... like a dragon. | 0:34:54 | 0:34:56 | |
He says to arch your back and look back at him, | 0:34:58 | 0:35:01 | |
mean, like a dragon. | 0:35:01 | 0:35:03 | |
BIG EARL: But keep it mean. | 0:35:03 | 0:35:05 | |
HUTCH GROWLS | 0:35:08 | 0:35:10 | |
HE GROWLS | 0:35:10 | 0:35:11 | |
HE GROWLS | 0:35:12 | 0:35:14 | |
HE MOANS | 0:35:14 | 0:35:15 | |
HE GROWLS | 0:35:15 | 0:35:17 | |
HE MOANS | 0:35:17 | 0:35:19 | |
HUTCH GROWLS | 0:35:19 | 0:35:21 | |
That's great. Tell him great job. | 0:35:21 | 0:35:23 | |
He can sit down. | 0:35:23 | 0:35:24 | |
You're a very convincing dragon. | 0:35:24 | 0:35:26 | |
You should feel good about that. | 0:35:26 | 0:35:28 | |
Just get this over with. | 0:35:28 | 0:35:30 | |
OK, here's the deal. | 0:35:30 | 0:35:32 | |
Terrence and I worked as extra muscle | 0:35:32 | 0:35:34 | |
for a couple of dealers. | 0:35:34 | 0:35:35 | |
I'd like to tell you who they were, | 0:35:36 | 0:35:37 | |
but... but I don't know. | 0:35:37 | 0:35:38 | |
I never got a name. I never got a face. | 0:35:38 | 0:35:40 | |
But I do know one thing. | 0:35:40 | 0:35:42 | |
They paid us in coke. | 0:35:44 | 0:35:47 | |
OK, I was pretty pissed at the time. | 0:35:47 | 0:35:48 | |
I was hoping to get some cash, | 0:35:48 | 0:35:49 | |
cos I'm not a coke dealer. | 0:35:49 | 0:35:51 | |
Right, so where's the coke? | 0:35:51 | 0:35:52 | |
STARSKY: If we find that coke, | 0:35:52 | 0:35:54 | |
we can probably trace it. Please. | 0:35:54 | 0:35:55 | |
Fine. Fine. | 0:35:55 | 0:35:58 | |
Look, I like you guys, OK? | 0:35:58 | 0:36:00 | |
Especially you. | 0:36:00 | 0:36:01 | |
OK, don't feel bad about that. | 0:36:01 | 0:36:03 | |
But I like you guys, so I'll tell you where it is. | 0:36:03 | 0:36:05 | |
But, uh... but first... | 0:36:05 | 0:36:09 | |
I need to see something, OK? | 0:36:09 | 0:36:11 | |
And it's gonna involve both of you. | 0:36:11 | 0:36:14 | |
I'm not gonna lie to you, it's gonna get weird. | 0:36:14 | 0:36:18 | |
Two dragons. | 0:36:18 | 0:36:19 | |
BIG EARL: Ready? | 0:36:24 | 0:36:26 | |
Both take your shirts off. | 0:36:26 | 0:36:28 | |
But do it slow. | 0:36:28 | 0:36:30 | |
| Gonna find my baby, gonna hold her tight | | 0:36:35 | 0:36:38 | |
| Gonna grab some afternoon delight | | 0:36:38 | 0:36:42 | |
| My motto's always been: when it's right, it's right | | 0:36:42 | 0:36:45 | |
| Why wait until the middle... | | 0:36:45 | 0:36:47 | |
I guess it's supposed to rain later tonight. | 0:36:47 | 0:36:50 | |
Yeah, that's what I heard. | 0:36:50 | 0:36:53 | |
Look, you know what happened... | 0:36:53 | 0:36:55 | |
Can we please not talk about this, Hutch? | 0:36:55 | 0:36:58 | |
We got the coke. | 0:36:58 | 0:36:59 | |
Now let's not ever talk about it. | 0:36:59 | 0:37:01 | |
You're right. | 0:37:01 | 0:37:02 | |
That's a good policy. | 0:37:02 | 0:37:04 | |
We got what we came for. | 0:37:04 | 0:37:06 | |
# A little afternoon delight | 0:37:06 | 0:37:07 | |
# Rubbin' sticks and stones together makes... # | 0:37:07 | 0:37:08 | |
You think dragons ever really...? | 0:37:09 | 0:37:10 | |
Stop! | 0:37:10 | 0:37:11 | |
I don't want to talk about it. | 0:37:11 | 0:37:12 | |
# Gettin' so excited | 0:37:12 | 0:37:14 | |
# Sky rockets in flight | 0:37:14 | 0:37:16 | |
# Afternoon delight | 0:37:16 | 0:37:20 | |
# Afternoon delight. # | 0:37:21 | 0:37:26 | |
What the hell is wrong with you two? | 0:37:27 | 0:37:30 | |
LAUGHTER | 0:37:30 | 0:37:32 | |
Oh, come on, what are you...? | 0:37:32 | 0:37:33 | |
You have brought disgrace | 0:37:33 | 0:37:34 | |
on everyone who's ever worn a uniform. | 0:37:35 | 0:37:36 | |
My God. | 0:37:36 | 0:37:39 | |
Well, we didn't know there was a camera. | 0:37:39 | 0:37:40 | |
Look, Cap, we're sorry, | 0:37:40 | 0:37:42 | |
but at least we got the stash. | 0:37:42 | 0:37:43 | |
I mean, there's got to be | 0:37:43 | 0:37:44 | |
30 grams of coke here, minimum. | 0:37:44 | 0:37:46 | |
Look, this could lead us to the dealers | 0:37:46 | 0:37:47 | |
that iced Terrence Myers. | 0:37:48 | 0:37:49 | |
Yeah, it's the beginning of the evidence chain. | 0:37:49 | 0:37:50 | |
We can print the bag, run forensics. | 0:37:50 | 0:37:52 | |
We did. | 0:37:52 | 0:37:53 | |
We got nothing. | 0:37:53 | 0:37:55 | |
What we got | 0:37:55 | 0:37:56 | |
is a bag of artificial sweetener. | 0:37:56 | 0:38:00 | |
What are you talking about? | 0:38:00 | 0:38:02 | |
This wouldn't pass for cocaine with my grandmammy. | 0:38:02 | 0:38:04 | |
Come on, that's impossible. | 0:38:04 | 0:38:05 | |
We got the stuff from Big Earl. | 0:38:05 | 0:38:07 | |
I'm taking you two off of this floater. | 0:38:07 | 0:38:10 | |
What?! | 0:38:10 | 0:38:10 | |
I'm giving it to Manetti. | 0:38:10 | 0:38:12 | |
Manetti?! Oh, come on, cap! | 0:38:12 | 0:38:13 | |
Manetti's the worst cop on the force. | 0:38:13 | 0:38:15 | |
Starsky, stop. | 0:38:16 | 0:38:17 | |
Go on. Sit down. | 0:38:17 | 0:38:19 | |
Come on. | 0:38:19 | 0:38:21 | |
STARSKY SIGHS | 0:38:21 | 0:38:23 | |
Look, captain, we're sorry, but come on, | 0:38:23 | 0:38:25 | |
you can't take us off this. | 0:38:25 | 0:38:26 | |
I just did. | 0:38:26 | 0:38:28 | |
Now leave. | 0:38:28 | 0:38:31 | |
And take your bag | 0:38:33 | 0:38:34 | |
of artificial sweetener with you. | 0:38:34 | 0:38:37 | |
Kicking the chair was a nice touch. | 0:38:37 | 0:38:40 | |
Yeah, too bad it didn't work. | 0:38:40 | 0:38:41 | |
Ah, he'll get over it. | 0:38:41 | 0:38:43 | |
What I can't figure out | 0:38:43 | 0:38:45 | |
is why Earl got paid with bunk cocaine. | 0:38:45 | 0:38:46 | |
Look, right now we've got two leads. | 0:38:46 | 0:38:48 | |
We do? | 0:38:48 | 0:38:49 | |
Stacey and Holly. | 0:38:49 | 0:38:51 | |
Those two cheerleaders? | 0:38:51 | 0:38:52 | |
No, no, no, those two witnesses. | 0:38:52 | 0:38:54 | |
They met Terrence, right? | 0:38:54 | 0:38:56 | |
Let's take them out, see what we can learn. | 0:38:56 | 0:38:59 | |
I mean, is it our fault | 0:38:59 | 0:39:00 | |
that they also happen to be a couple of hot foxes? | 0:39:00 | 0:39:04 | |
BIG EARL: Look, Reese, | 0:39:04 | 0:39:05 | |
I couldn't help myself. They were cops. | 0:39:05 | 0:39:07 | |
They were just too macho. | 0:39:07 | 0:39:08 | |
REESE: Macho? | 0:39:08 | 0:39:09 | |
It's pretty simple, Earl, | 0:39:09 | 0:39:10 | |
you should've lied to them. | 0:39:10 | 0:39:12 | |
I did lie. I lied about you. | 0:39:12 | 0:39:13 | |
I didn't tell them anything. | 0:39:13 | 0:39:14 | |
But I had to give them something. | 0:39:14 | 0:39:15 | |
They were so pure. | 0:39:16 | 0:39:16 | |
You're very lucky you're in the joint, my man. | 0:39:16 | 0:39:19 | |
Do you understand me when I say that? | 0:39:19 | 0:39:20 | |
Look at the bright side, OK? | 0:39:20 | 0:39:21 | |
The bright side? | 0:39:22 | 0:39:22 | |
This is the ultimate test. | 0:39:22 | 0:39:24 | |
That coke was in the police station all night, | 0:39:24 | 0:39:26 | |
and they cleared it. | 0:39:26 | 0:39:27 | |
You should be happy. | 0:39:27 | 0:39:28 | |
Well, guess what? I'm not happy. | 0:39:28 | 0:39:30 | |
I'm not happy | 0:39:30 | 0:39:31 | |
at all about it, Earl! Shh, shh, shh. | 0:39:31 | 0:39:33 | |
- Calm down. - Don't shush me! | 0:39:33 | 0:39:34 | |
Don't tell me to calm down, you understand? | 0:39:34 | 0:39:36 | |
What are you wearing? Real quick. | 0:39:36 | 0:39:37 | |
Be honest. | 0:39:37 | 0:39:38 | |
What am I wearing? | 0:39:38 | 0:39:39 | |
Silk flowered shirt and a vest, why? | 0:39:39 | 0:39:41 | |
BIG EARL MOANS | 0:39:41 | 0:39:43 | |
That's gorgeous. | 0:39:43 | 0:39:44 | |
You sick son of a bitch. | 0:39:44 | 0:39:46 | |
Don't hang up. Don't hang up! | 0:39:46 | 0:39:47 | |
CLICK, DIAL TONE | 0:39:47 | 0:39:49 | |
God, some people. | 0:39:51 | 0:39:54 | |
LAUGHTER | 0:39:54 | 0:39:55 | |
HOLLY: I'm not going to be able | 0:39:55 | 0:39:56 | |
to fit in my uniform tomorrow. | 0:39:56 | 0:39:57 | |
Ooh, is that a good thing or a bad thing? | 0:39:57 | 0:39:58 | |
Uh-oh! | 0:39:58 | 0:39:59 | |
LAUGHTER | 0:39:59 | 0:40:01 | |
Is this the way you two always treat your witnesses? | 0:40:01 | 0:40:03 | |
Well, that depends. | 0:40:03 | 0:40:04 | |
If it's a misdemeanor, we've been known to skip | 0:40:04 | 0:40:07 | |
the fondue and move right | 0:40:07 | 0:40:08 | |
to the foot massages. | 0:40:08 | 0:40:09 | |
Let me just see that. Oh! | 0:40:09 | 0:40:10 | |
Watch out. Wait a minute. | 0:40:10 | 0:40:11 | |
I think that's police brutality. | 0:40:11 | 0:40:13 | |
Whoa. | 0:40:13 | 0:40:14 | |
Anybody for some coffee? | 0:40:14 | 0:40:15 | |
Oh, no thanks. I'm OK. | 0:40:15 | 0:40:17 | |
OK, one for le chef. | 0:40:17 | 0:40:18 | |
Mm. | 0:40:18 | 0:40:21 | |
HOLLY: Wow, this place is great. | 0:40:21 | 0:40:22 | |
HUTCH: Yeah... | 0:40:22 | 0:40:23 | |
HE SNAPS FINGERS | 0:40:23 | 0:40:24 | |
Let's see... | 0:40:24 | 0:40:26 | |
It serves my needs. | 0:40:29 | 0:40:30 | |
It's cosy. Homey. | 0:40:30 | 0:40:31 | |
Hey, Hutch, can you help me find the sugar? | 0:40:31 | 0:40:32 | |
It's in there. | 0:40:32 | 0:40:33 | |
No, Hutch. | 0:40:33 | 0:40:34 | |
WHISPERS: Help me find the sugar. | 0:40:34 | 0:40:36 | |
Oh, OK. | 0:40:36 | 0:40:38 | |
Pardon me. | 0:40:38 | 0:40:39 | |
OK. | 0:40:39 | 0:40:40 | |
- How we doing? - Great. | 0:40:40 | 0:40:41 | |
Your fondue just put us over the top. | 0:40:41 | 0:40:42 | |
Really? | 0:40:42 | 0:40:43 | |
Let me ask you something. | 0:40:43 | 0:40:44 | |
Which one do you like? | 0:40:44 | 0:40:45 | |
Cos we're going to stick to this. | 0:40:45 | 0:40:47 | |
Well, I've always had a thing for blondes. | 0:40:47 | 0:40:48 | |
Good, cos I'll take anything. | 0:40:48 | 0:40:49 | |
HUTCH: And they're both such | 0:40:49 | 0:40:50 | |
sweet little angels. | 0:40:50 | 0:40:51 | |
Now, in two minutes, | 0:40:51 | 0:40:52 | |
I want you to grab my guitar, | 0:40:52 | 0:40:54 | |
bring it out to me, | 0:40:54 | 0:40:55 | |
put it in my hands, and then step back. | 0:40:55 | 0:40:57 | |
You play? | 0:40:57 | 0:40:58 | |
Just bring me the guitar. | 0:40:58 | 0:41:00 | |
Wait, hey, hey. Where's the sugar? | 0:41:00 | 0:41:02 | |
I don't think I have any. | 0:41:02 | 0:41:04 | |
Come here. Both of you. | 0:41:05 | 0:41:07 | |
LAUGHTER You're so funny. | 0:41:07 | 0:41:09 | |
HUTCH: Magpie convention in here. | 0:41:09 | 0:41:11 | |
This could help out. | 0:41:11 | 0:41:13 | |
Thank you, Big Earl. | 0:41:17 | 0:41:19 | |
Do you ever get scared out there, | 0:41:21 | 0:41:23 | |
on the streets? | 0:41:23 | 0:41:24 | |
Yeah, I'd like to say no, | 0:41:24 | 0:41:27 | |
but the truth is, I do sometimes. | 0:41:27 | 0:41:29 | |
Oh... | 0:41:29 | 0:41:30 | |
HE SLURPS | 0:41:30 | 0:41:31 | |
HE BLUBBERS | 0:41:31 | 0:41:32 | |
Mm. | 0:41:32 | 0:41:34 | |
There we go. | 0:41:35 | 0:41:36 | |
HE SUCKS TEETH | 0:41:36 | 0:41:38 | |
It's more that there's someone out there | 0:41:38 | 0:41:39 | |
I might not be able to help. | 0:41:39 | 0:41:41 | |
A citizen that needs... | 0:41:41 | 0:41:43 | |
aid, or even an animal. | 0:41:43 | 0:41:45 | |
Look what I found. | 0:41:45 | 0:41:46 | |
Put that away. Put it away. | 0:41:46 | 0:41:48 | |
Hutch, you got to play. | 0:41:48 | 0:41:49 | |
Come on-- play, play, play, play, please. | 0:41:49 | 0:41:51 | |
Don't you want to play? | 0:41:51 | 0:41:52 | |
Come on, Hutch. Hutch! | 0:41:52 | 0:41:53 | |
Whoo! All right, Holly, turn off the music, OK? | 0:41:53 | 0:41:56 | |
Now! Come on! Oh, sorry. | 0:41:56 | 0:41:57 | |
Look alive. Let's go. | 0:41:57 | 0:41:58 | |
Tune this thing... | 0:41:58 | 0:41:59 | |
Hutch is going to play. | 0:41:59 | 0:42:00 | |
What have you got me into, Starsky? | 0:42:00 | 0:42:02 | |
WOMEN WHOOP Thought we were partners. | 0:42:02 | 0:42:03 | |
STACEY: Whoo! Come on, Hutch. | 0:42:03 | 0:42:05 | |
TUNES GUITAR | 0:42:05 | 0:42:07 | |
One... | 0:42:07 | 0:42:09 | |
two...three... | 0:42:09 | 0:42:10 | |
# Don't give up on us, baby | 0:42:13 | 0:42:16 | |
# Don't make the wrong | 0:42:17 | 0:42:20 | |
# Seem right | 0:42:20 | 0:42:22 | |
# It's written in the moonlight | 0:42:24 | 0:42:27 | |
# Painted on the stars | 0:42:27 | 0:42:30 | |
# We can't change ours | 0:42:30 | 0:42:33 | |
HE SLURPS | 0:42:33 | 0:42:35 | |
# Don't give up on us, baby | 0:42:36 | 0:42:39 | |
# Lord knows we've come | 0:42:39 | 0:42:42 | |
# This far | 0:42:43 | 0:42:45 | |
CHIRPING # The angel and the dreamer | 0:42:45 | 0:42:48 | |
# Who sometimes plays a fool | 0:42:50 | 0:42:53 | |
# Don't give up on us, I know # | 0:42:53 | 0:42:56 | |
Wha! Wha! | 0:42:56 | 0:42:57 | |
# We can still come through. # | 0:42:57 | 0:43:00 | |
Ooh, ooh, ooh... | 0:43:00 | 0:43:03 | |
THEY LAUGH | 0:43:03 | 0:43:05 | |
Whoa! | 0:43:05 | 0:43:06 | |
STACEY: Wow. | 0:43:06 | 0:43:07 | |
Whoo! | 0:43:07 | 0:43:08 | |
That was great, Hutch! | 0:43:08 | 0:43:09 | |
Oh, come on, you guys. | 0:43:09 | 0:43:10 | |
It was just a guy up here with a guitar, | 0:43:10 | 0:43:12 | |
singing his heart out. | 0:43:12 | 0:43:14 | |
HE CHUCKLES You guys. | 0:43:14 | 0:43:15 | |
Starsky's bored. | 0:43:15 | 0:43:16 | |
STARSKY HOOTS | 0:43:16 | 0:43:18 | |
Anybody else bored? What? | 0:43:18 | 0:43:20 | |
- Huh? - A club could be fun. | 0:43:20 | 0:43:21 | |
A club! Yeah? | 0:43:21 | 0:43:22 | |
OK, I'll go get some more coffee, and then we'll go. | 0:43:22 | 0:43:25 | |
Boy. | 0:43:25 | 0:43:26 | |
Is he OK? | 0:43:26 | 0:43:27 | |
( "Right Back Where We Started From" plays ) | 0:43:27 | 0:43:30 | |
# Ooh, and it's all right | 0:43:30 | 0:43:31 | |
# And it's coming on | 0:43:31 | 0:43:33 | |
# We got to get right back to where we started from | 0:43:33 | 0:43:36 | |
# Love is good | 0:43:36 | 0:43:38 | |
# Love can be strong | 0:43:38 | 0:43:39 | |
# We got to get right back to where we started from # | 0:43:39 | 0:43:43 | |
WOMEN LAUGH | 0:43:43 | 0:43:45 | |
# Do you remember the day | 0:43:50 | 0:43:51 | |
# That sunny day... # Whoo! | 0:43:51 | 0:43:53 | |
Isn't this place great? Uh-huh. | 0:43:53 | 0:43:55 | |
Do you like coming to places like this? | 0:43:55 | 0:43:56 | |
Cos, you know, you're a cheerleader, | 0:43:56 | 0:43:57 | |
so all the time you're always dancing | 0:43:57 | 0:43:58 | |
in formation like this, but then you come | 0:43:58 | 0:44:00 | |
to a place like this, it can't be much fun, | 0:44:00 | 0:44:01 | |
because it's like you're at work or something, right? | 0:44:01 | 0:44:03 | |
Are you OK? | 0:44:03 | 0:44:04 | |
You seem kind of wound up. | 0:44:04 | 0:44:05 | |
Wound up? No, I'm just, uh, pumped. | 0:44:05 | 0:44:07 | |
I'm excited, you know? | 0:44:07 | 0:44:08 | |
Rock solid, ready to go. | 0:44:08 | 0:44:09 | |
A little bit paranoid, | 0:44:09 | 0:44:10 | |
but feeling really, really good, you know? | 0:44:10 | 0:44:11 | |
Can I kiss you? OK. | 0:44:11 | 0:44:13 | |
Whoo! | 0:44:13 | 0:44:15 | |
Whoa, whoa, whoa, whoa. | 0:44:15 | 0:44:16 | |
Watch it, man. Excuse me? | 0:44:16 | 0:44:18 | |
I said watch it. | 0:44:18 | 0:44:19 | |
This floor's made for dancing. | 0:44:19 | 0:44:20 | |
You can tell by the lights. | 0:44:20 | 0:44:22 | |
You want to tangle, curly? | 0:44:22 | 0:44:23 | |
Come on, no, no, no. We're going to dance. | 0:44:23 | 0:44:24 | |
No, no, no, no, no, no, no. | 0:44:24 | 0:44:26 | |
Curly wants to tangle. | 0:44:26 | 0:44:27 | |
Do you really want a piece of this? | 0:44:27 | 0:44:29 | |
Oh, I don't want a piece, | 0:44:29 | 0:44:32 | |
I want the whole thing. | 0:44:32 | 0:44:35 | |
SHOUTING | 0:44:35 | 0:44:36 | |
Yeah! | 0:44:36 | 0:44:37 | |
Oh, my, folks! | 0:44:37 | 0:44:39 | |
Please don't do this. | 0:44:39 | 0:44:40 | |
Hutch, don't worry. I can take this guy. | 0:44:40 | 0:44:41 | |
This guy's a piece of cake. It's not that. | 0:44:41 | 0:44:43 | |
You shouldn't do this | 0:44:43 | 0:44:44 | |
cos it's so incredibly lame. | 0:44:44 | 0:44:45 | |
Tonight, our very own Dancin' Rick | 0:44:45 | 0:44:47 | |
is being called out by a new guy, David Stamsky! | 0:44:47 | 0:44:50 | |
No, no, it's Starsky. | 0:44:50 | 0:44:51 | |
Right back at you. | 0:44:51 | 0:44:52 | |
So, folks, if you've got a pair of sunglasses, | 0:44:52 | 0:44:54 | |
I advise puttin' 'em on, | 0:44:54 | 0:44:55 | |
cos I got a feeling these two are going to light it up! | 0:44:55 | 0:44:58 | |
CHEERING | 0:44:58 | 0:44:59 | |
Boz, reel it in! | 0:44:59 | 0:45:02 | |
All right, everybody settle down. | 0:45:05 | 0:45:07 | |
Everybody settle. You know the rules. | 0:45:07 | 0:45:09 | |
Keep it safe, keep it sexy, | 0:45:09 | 0:45:10 | |
and above all, turn up the night! | 0:45:10 | 0:45:12 | |
( "That's The Way I Like It" plays ) | 0:45:12 | 0:45:16 | |
DJ: All right, Dancin' Rick's | 0:45:16 | 0:45:17 | |
getting warmed up here. | 0:45:17 | 0:45:18 | |
What's he going to bring out for the appetiser course? | 0:45:18 | 0:45:20 | |
Oh, it's a little hand over | 0:45:20 | 0:45:22 | |
hand tug-o-man. | 0:45:22 | 0:45:24 | |
Right into the centre of the floor. | 0:45:24 | 0:45:26 | |
Yeah, it's... | 0:45:26 | 0:45:28 | |
Oh, oh, and that's all he's giving them, folks. | 0:45:28 | 0:45:30 | |
That's a bucket full of confidence, right there. | 0:45:30 | 0:45:32 | |
Over to new guy, David Starsky. | 0:45:32 | 0:45:33 | |
Oh-ho! This guy could be trouble. | 0:45:35 | 0:45:39 | |
Oh, it's the Wild West. | 0:45:39 | 0:45:40 | |
Those are six guns full of sexy. | 0:45:40 | 0:45:42 | |
The good, the bad, and the groovy. | 0:45:42 | 0:45:47 | |
All right, one, two, three, four, we've got | 0:45:47 | 0:45:49 | |
disco war, folks. | 0:45:49 | 0:45:50 | |
Dancin' Rick's going, | 0:45:52 | 0:45:53 | |
"Hmm, I don't like you, but I respect your moves." | 0:45:53 | 0:45:55 | |
Here comes Starsky again. | 0:45:56 | 0:45:58 | |
Oh, driving that disco big rig. | 0:45:58 | 0:46:01 | |
Shift gears, blow your funky horn. | 0:46:01 | 0:46:03 | |
Pull it into the truck stop | 0:46:03 | 0:46:05 | |
and get yourself some scrapple made out of sexy. | 0:46:05 | 0:46:08 | |
Disco Rick | 0:46:08 | 0:46:09 | |
brings it right back, and he's not wasting | 0:46:09 | 0:46:11 | |
any time, folks, it's-- | 0:46:11 | 0:46:12 | |
Oh, from the future | 0:46:12 | 0:46:14 | |
of 1984, that's a funky disco robot. | 0:46:14 | 0:46:16 | |
Oh, they're both | 0:46:16 | 0:46:18 | |
on the floor, folks, | 0:46:18 | 0:46:19 | |
eye-to-eye-- it's disco Vietnam. | 0:46:19 | 0:46:21 | |
Neither one's blinking. | 0:46:21 | 0:46:23 | |
Neither one's backing down. | 0:46:23 | 0:46:24 | |
Let's see what happens. | 0:46:24 | 0:46:25 | |
Ooh, angry cat. | 0:46:25 | 0:46:26 | |
Kitten has claws. | 0:46:26 | 0:46:28 | |
All right, looks like it's over. | 0:46:28 | 0:46:29 | |
Remember, two-dollar harvey wall... | 0:46:29 | 0:46:30 | |
Oh, my God! | 0:46:30 | 0:46:31 | |
David Starsky | 0:46:31 | 0:46:33 | |
taking it over the line! | 0:46:33 | 0:46:35 | |
CHEERING | 0:46:35 | 0:46:37 | |
Whoa-ho-ho-ho! | 0:46:38 | 0:46:40 | |
Yeah! | 0:46:40 | 0:46:42 | |
Whoo! | 0:46:42 | 0:46:43 | |
How about that? | 0:46:43 | 0:46:44 | |
Very sexy, very macho, but you know what? | 0:46:44 | 0:46:46 | |
That's a little too close to call. | 0:46:46 | 0:46:48 | |
We're going to have to depend | 0:46:48 | 0:46:49 | |
on our patented American lights applause-o-meter. | 0:46:49 | 0:46:52 | |
So, let's bring out our combatants, folks. | 0:46:52 | 0:46:54 | |
Come on, big hand for them. | 0:46:54 | 0:46:56 | |
Here we go. | 0:46:56 | 0:46:57 | |
First off, | 0:46:57 | 0:47:00 | |
over to my man, Dancin' Rick. | 0:47:00 | 0:47:02 | |
CHEERING | 0:47:02 | 0:47:04 | |
And over to the new guy, | 0:47:04 | 0:47:06 | |
David Starsky. | 0:47:06 | 0:47:07 | |
LOUDER CHEERING | 0:47:07 | 0:47:09 | |
Yeah! | 0:47:09 | 0:47:10 | |
Folks, folks... | 0:47:10 | 0:47:11 | |
pretty close. | 0:47:11 | 0:47:12 | |
I hate to do this, but I got to give it | 0:47:12 | 0:47:14 | |
to my man, Dancin' Rick. | 0:47:14 | 0:47:15 | |
BOOING Yeah! | 0:47:15 | 0:47:17 | |
What? | 0:47:17 | 0:47:18 | |
Hey, hey, do it again. That's BS. | 0:47:18 | 0:47:20 | |
What? I won. Do it again. | 0:47:20 | 0:47:21 | |
Do the applause thing again. | 0:47:21 | 0:47:22 | |
It was just for fun, forget... | 0:47:23 | 0:47:24 | |
I said do it again, liar! | 0:47:24 | 0:47:25 | |
Not cool, not cool. | 0:47:25 | 0:47:26 | |
Whoa, whoa. Liar! | 0:47:26 | 0:47:27 | |
Do it again! | 0:47:27 | 0:47:28 | |
Hey, hey, settle down. | 0:47:28 | 0:47:30 | |
GUNFIRE Settle down! I'm a cop! | 0:47:30 | 0:47:33 | |
It's cool. SCREAMING | 0:47:33 | 0:47:34 | |
HUTCH: It's OK. | 0:47:35 | 0:47:36 | |
It's OK, it's OK. | 0:47:38 | 0:47:40 | |
Calm down, people. | 0:47:40 | 0:47:41 | |
Bay City PD. | 0:47:41 | 0:47:43 | |
We got him. | 0:47:43 | 0:47:44 | |
STARSKY GROANS | 0:47:44 | 0:47:45 | |
We're going to get you home. | 0:47:45 | 0:47:47 | |
HE GASPS | 0:47:47 | 0:47:48 | |
Where am I? | 0:47:48 | 0:47:49 | |
You were freaking out. | 0:47:49 | 0:47:50 | |
I had to take you down. | 0:47:50 | 0:47:51 | |
What? | 0:47:51 | 0:47:53 | |
HUTCH: Oh, there we go. | 0:47:55 | 0:47:57 | |
Easy does it. | 0:47:57 | 0:47:58 | |
Uh-huh, uh-huh, that's the way... | 0:47:58 | 0:48:00 | |
Here we go. | 0:48:00 | 0:48:01 | |
Oh... I think I was drugged. | 0:48:02 | 0:48:06 | |
Sounds like you did some coke. | 0:48:07 | 0:48:10 | |
I mean, from what I've read about the effects. | 0:48:12 | 0:48:15 | |
I don't use coke. | 0:48:15 | 0:48:17 | |
That coffee tonight... | 0:48:17 | 0:48:18 | |
What is that? | 0:48:22 | 0:48:24 | |
Sweetener, right? | 0:48:24 | 0:48:25 | |
That the stuff we got from Earl's? | 0:48:25 | 0:48:26 | |
What are you doing with this? | 0:48:26 | 0:48:28 | |
Hey, Hutch... | 0:48:28 | 0:48:29 | |
Where'd you get this? | 0:48:29 | 0:48:30 | |
I beat that guy. | 0:48:30 | 0:48:31 | |
What was that about? | 0:48:31 | 0:48:32 | |
Sure, you did. You won. | 0:48:32 | 0:48:33 | |
You won, you danced your heart out. | 0:48:33 | 0:48:35 | |
And everybody saw it. | 0:48:35 | 0:48:36 | |
Shh, go to sleep. | 0:48:36 | 0:48:37 | |
I was robbed. | 0:48:37 | 0:48:38 | |
I know. We was robbed. | 0:48:38 | 0:48:40 | |
We was robbed. | 0:48:40 | 0:48:42 | |
Go to sleep. | 0:48:42 | 0:48:44 | |
STARSKY GROANS Shh. | 0:48:44 | 0:48:46 | |
Go to sleep, tiny dancer. | 0:48:46 | 0:48:48 | |
All right. | 0:48:48 | 0:48:49 | |
Jesus Christ. | 0:48:50 | 0:48:52 | |
BOTH SIGH | 0:48:52 | 0:48:54 | |
Is he OK? | 0:48:54 | 0:48:56 | |
Oh, yeah, he's OK. | 0:48:56 | 0:48:58 | |
He just needs to sleep it off. | 0:48:58 | 0:49:00 | |
Oh... | 0:49:00 | 0:49:01 | |
Quite a night, huh? | 0:49:01 | 0:49:02 | |
Oh, you can say that again. | 0:49:02 | 0:49:04 | |
Yeah. | 0:49:04 | 0:49:06 | |
Guess it's kind of winding down. | 0:49:06 | 0:49:08 | |
Well, it doesn't have to be over. | 0:49:08 | 0:49:10 | |
What do you mean? | 0:49:10 | 0:49:11 | |
FUNK MUSIC PLAYS | 0:49:11 | 0:49:13 | |
# They keep trying to tell me... # | 0:49:13 | 0:49:16 | |
HE CHUCKLES | 0:49:16 | 0:49:17 | |
Where did that come from? | 0:49:17 | 0:49:19 | |
# All you want to do is use me... # | 0:49:19 | 0:49:22 | |
I just want you to know. | 0:49:22 | 0:49:24 | |
I really like your partner. | 0:49:24 | 0:49:27 | |
Oh, I know, he's such a good guy. | 0:49:27 | 0:49:29 | |
This is just, like, whatever. | 0:49:29 | 0:49:31 | |
Yeah, I don't think we even have to judge it. | 0:49:31 | 0:49:33 | |
It's just, it's too natural. | 0:49:33 | 0:49:34 | |
OK. | 0:49:34 | 0:49:35 | |
Do you guys want to kiss? | 0:49:35 | 0:49:37 | |
# I-i-i wanna spread the news | 0:49:37 | 0:49:41 | |
# That if it feels this good getting used | 0:49:41 | 0:49:44 | |
# Oh, you just keep on usin' me | 0:49:44 | 0:49:47 | |
# Until you use me up... # | 0:49:50 | 0:49:52 | |
HUTCH: I hear somebody stirring. | 0:49:52 | 0:49:54 | |
There he is. | 0:49:54 | 0:49:55 | |
Ooh, I feel for you. | 0:49:55 | 0:49:58 | |
Ow! | 0:49:58 | 0:50:00 | |
LOUD WHIRRING | 0:50:00 | 0:50:01 | |
Jesus! | 0:50:01 | 0:50:02 | |
Please, turn that off! | 0:50:02 | 0:50:03 | |
Easy, killer. Just a blender. | 0:50:03 | 0:50:05 | |
Oh! | 0:50:05 | 0:50:07 | |
What time is it? | 0:50:07 | 0:50:09 | |
Time for Hutch's hangover cure. | 0:50:09 | 0:50:11 | |
What's in it? | 0:50:11 | 0:50:13 | |
Pepto-bismol, Aunt Jemima mix, | 0:50:13 | 0:50:16 | |
Tang, and a little flat Tab, oh... | 0:50:16 | 0:50:17 | |
most important thing. | 0:50:17 | 0:50:19 | |
And a raw egg. | 0:50:20 | 0:50:22 | |
Saves lives. Trust me. | 0:50:22 | 0:50:24 | |
And? | 0:50:28 | 0:50:29 | |
It's good. | 0:50:32 | 0:50:33 | |
What'd I tell you? | 0:50:33 | 0:50:35 | |
Oh, sorry about last night. | 0:50:35 | 0:50:37 | |
Thanks for taking care of the girls. | 0:50:37 | 0:50:39 | |
Hey, no problem. | 0:50:39 | 0:50:40 | |
Happy to do it. | 0:50:40 | 0:50:41 | |
What are partners for? | 0:50:41 | 0:50:43 | |
Oh, speaking of which, uh.... | 0:50:43 | 0:50:45 | |
I checked this stuff out, | 0:50:45 | 0:50:46 | |
and even though it tastes like sugar, | 0:50:46 | 0:50:48 | |
that is cocaine. | 0:50:48 | 0:50:50 | |
You sure? | 0:50:50 | 0:50:52 | |
I'm sure. | 0:50:53 | 0:50:54 | |
Stacey's sure. Holly's sure. | 0:50:54 | 0:50:56 | |
HE CLEARS THROAT | 0:50:56 | 0:50:58 | |
How do you like your eggs? | 0:50:58 | 0:51:00 | |
STARSKY: Didn't Huggy mention | 0:51:00 | 0:51:01 | |
something about a coke deal going down? | 0:51:01 | 0:51:04 | |
"One for the Guinness book" was how he put it. | 0:51:04 | 0:51:05 | |
Seems like a pretty big coincidence, huh? | 0:51:06 | 0:51:08 | |
Hey, why don't you let me drive? | 0:51:08 | 0:51:09 | |
You don't look so good. | 0:51:09 | 0:51:11 | |
No, if I'm alive, I drive. | 0:51:11 | 0:51:12 | |
Rhyming already. | 0:51:13 | 0:51:14 | |
You must be feeling... Whoa! | 0:51:14 | 0:51:16 | |
You OK? I'm fine. | 0:51:22 | 0:51:23 | |
He blew out my fricking window! | 0:51:23 | 0:51:25 | |
All right, enough with the car already! | 0:51:27 | 0:51:28 | |
We get it! | 0:51:28 | 0:51:29 | |
Stop shooting my car! | 0:51:29 | 0:51:32 | |
OK, cover me. | 0:51:32 | 0:51:33 | |
Say when. Go! | 0:51:33 | 0:51:35 | |
HUTCH: Zebra-three to base, | 0:51:38 | 0:51:39 | |
I want you to run a plate for me. | 0:51:39 | 0:51:40 | |
Larry-one- apple-nine- | 0:51:40 | 0:51:41 | |
eight-four. | 0:51:41 | 0:51:43 | |
Larry-one-apple-nine- | 0:51:43 | 0:51:44 | |
eight-four. | 0:51:44 | 0:51:45 | |
Damn it. You OK? | 0:51:46 | 0:51:47 | |
Oh, look at this! | 0:51:47 | 0:51:48 | |
This is horrible! | 0:51:48 | 0:51:50 | |
I mean, what kind of world do we live in | 0:51:51 | 0:51:52 | |
where somebody does something like this? | 0:51:53 | 0:51:54 | |
Well, I think he was aiming at us. | 0:51:54 | 0:51:56 | |
Do you think this is funny? | 0:51:58 | 0:51:59 | |
Seriously, do you think this is funny? | 0:51:59 | 0:52:00 | |
DISPATCHER: Zebra-three, we have | 0:52:00 | 0:52:02 | |
an ID on that plate: Lee M Chau, 1325 western. | 0:52:02 | 0:52:04 | |
Ready to dish out a little payback? | 0:52:04 | 0:52:07 | |
JERRY SPEAKS SPANISH | 0:52:08 | 0:52:11 | |
CLANGING | 0:52:27 | 0:52:28 | |
SCREAMING | 0:52:37 | 0:52:39 | |
Freeze! | 0:52:39 | 0:52:40 | |
Bay City PD! | 0:52:40 | 0:52:42 | |
What the hell was that? | 0:52:43 | 0:52:45 | |
I think it's his kid! | 0:52:45 | 0:52:46 | |
Just sit tight, little boy! | 0:52:47 | 0:52:48 | |
Oh. Well, well, well. | 0:52:48 | 0:52:50 | |
This looks familiar. | 0:52:50 | 0:52:51 | |
Possession of cocaine and attempted murder, huh? | 0:52:51 | 0:52:53 | |
SCREAMING | 0:52:54 | 0:52:55 | |
Jesus! Ow! What was that?! | 0:52:55 | 0:52:57 | |
That ain't a kid! | 0:52:58 | 0:52:59 | |
It's a tiny little man! | 0:52:59 | 0:53:00 | |
And he's got knives! | 0:53:00 | 0:53:01 | |
Goddamn! | 0:53:01 | 0:53:03 | |
Not my arm! Oh, shit! | 0:53:03 | 0:53:04 | |
Make him stop! | 0:53:06 | 0:53:07 | |
Make him stop. Tell him to stop. | 0:53:07 | 0:53:09 | |
CHAU SPEAKS KOREAN | 0:53:09 | 0:53:11 | |
Stop it! | 0:53:11 | 0:53:12 | |
Starsky! Whoa! | 0:53:17 | 0:53:19 | |
We need to go now! Come on! | 0:53:19 | 0:53:20 | |
Wait a minute! Wait a minute! | 0:53:20 | 0:53:22 | |
All right... now... | 0:53:25 | 0:53:28 | |
OK, time out. | 0:53:28 | 0:53:29 | |
Let's just take a little break. | 0:53:29 | 0:53:31 | |
I'm going to get out of here... | 0:53:31 | 0:53:32 | |
Oh, geez! | 0:53:32 | 0:53:32 | |
Listen... | 0:53:32 | 0:53:34 | |
Ow! Oh, mama! | 0:53:34 | 0:53:35 | |
Ow! What is your problem? | 0:53:35 | 0:53:37 | |
STARSKY: I said time out! | 0:53:37 | 0:53:39 | |
HUTCH SCREAMS | 0:53:39 | 0:53:40 | |
Ow, Hutch. | 0:53:40 | 0:53:42 | |
A little help. | 0:53:42 | 0:53:44 | |
Oh, he pinned you good, partner. | 0:53:44 | 0:53:46 | |
On three-- one, two... | 0:53:46 | 0:53:48 | |
Ow! | 0:53:48 | 0:53:50 | |
Time to answer some questions, old man. | 0:53:50 | 0:53:52 | |
Who's the limber little dwarf you got | 0:53:52 | 0:53:54 | |
throwing knives at me and my partner?! | 0:53:54 | 0:53:56 | |
That was no dwarf. That was my son! | 0:53:56 | 0:53:58 | |
Liar! | 0:53:58 | 0:53:59 | |
CHAU GRUNTS | 0:53:59 | 0:54:00 | |
Come on, you're going downtown. | 0:54:00 | 0:54:02 | |
Let's go, Starsky! On your feet! | 0:54:02 | 0:54:05 | |
Now... you want to tell me who hired you? | 0:54:31 | 0:54:34 | |
CHAU CHUCKLES | 0:54:34 | 0:54:35 | |
We have a saying in Koreatown. | 0:54:35 | 0:54:37 | |
It goes... | 0:54:37 | 0:54:39 | |
"Kiss my yellow ass, copper." | 0:54:39 | 0:54:40 | |
All right, you want to play games? | 0:54:41 | 0:54:43 | |
I got a game for you, Chau. | 0:54:43 | 0:54:45 | |
Let's play a little Russian roulette. | 0:54:50 | 0:54:51 | |
We've got a little saying here in Bay City. | 0:54:53 | 0:54:56 | |
You cross the line... | 0:54:58 | 0:54:59 | |
...your nuts are mine. | 0:55:02 | 0:55:03 | |
Whoa, whoa, whoa, whoa, whoa, whoa! | 0:55:03 | 0:55:04 | |
Whoa, there's really a bullet | 0:55:04 | 0:55:05 | |
in the gun. | 0:55:05 | 0:55:06 | |
Yes, I know. | 0:55:06 | 0:55:07 | |
That is the point of Russian roulette. | 0:55:07 | 0:55:08 | |
- No, you don't understand. - Come on, you want to play? | 0:55:08 | 0:55:10 | |
Let's play! | 0:55:10 | 0:55:10 | |
No, the bullet went back inside! | 0:55:10 | 0:55:12 | |
BOTH SCREAM | 0:55:12 | 0:55:14 | |
HAMMER CLICKS | 0:55:14 | 0:55:15 | |
Your turn! Come on. No! no! no! | 0:55:16 | 0:55:17 | |
I thought you wanted to play. | 0:55:17 | 0:55:18 | |
Let's play. | 0:55:18 | 0:55:19 | |
BOTH SHOUT | 0:55:19 | 0:55:20 | |
HAMMER CLICKS | 0:55:20 | 0:55:22 | |
What are you doing? Jesus! | 0:55:22 | 0:55:23 | |
Our little friend here is about to talk. | 0:55:23 | 0:55:26 | |
HUTCH SPEAKS KOREAN | 0:55:26 | 0:55:29 | |
All right, enough with the talking, huh? | 0:55:37 | 0:55:39 | |
Let's go, right now! What? No! | 0:55:39 | 0:55:41 | |
GRUNTING | 0:55:41 | 0:55:42 | |
GUNSHOT | 0:55:42 | 0:55:43 | |
CHAU PANTS | 0:55:43 | 0:55:46 | |
You're crazy! | 0:55:46 | 0:55:47 | |
Are you out of your mind? | 0:55:47 | 0:55:49 | |
CHAU SHRIEKS | 0:55:49 | 0:55:51 | |
HUTCH: Calm down. | 0:55:51 | 0:55:52 | |
CHAU: Calm down? | 0:55:52 | 0:55:53 | |
He tried to kill me. | 0:55:53 | 0:55:55 | |
He shoot everything. | 0:55:55 | 0:55:56 | |
I have heart attack already. | 0:55:56 | 0:55:58 | |
HUTCH: It's over, it's over. | 0:55:58 | 0:56:00 | |
Calm down. | 0:56:00 | 0:56:01 | |
CONVERSE IN KOREAN | 0:56:01 | 0:56:06 | |
LAUGHING | 0:56:08 | 0:56:10 | |
What? | 0:56:10 | 0:56:12 | |
No, nothing, nothing. This guy is funny. | 0:56:12 | 0:56:13 | |
It's not about you. | 0:56:14 | 0:56:15 | |
That's great. He can be your new partner. | 0:56:15 | 0:56:17 | |
Chau and Hutch. Sounds cool. | 0:56:17 | 0:56:19 | |
Forget it. | 0:56:19 | 0:56:20 | |
All right, Chau, what else can you tell me | 0:56:20 | 0:56:23 | |
about the guys that hired you? | 0:56:23 | 0:56:25 | |
Not much. | 0:56:25 | 0:56:26 | |
Couple of whities. | 0:56:26 | 0:56:27 | |
Nice suit. Perry Ellis. | 0:56:27 | 0:56:30 | |
They pay, I do job. | 0:56:30 | 0:56:32 | |
What'd they look like? | 0:56:32 | 0:56:33 | |
I don't know. | 0:56:33 | 0:56:35 | |
They were white. | 0:56:35 | 0:56:36 | |
All you guys look alike to me. | 0:56:36 | 0:56:38 | |
LAUGHING | 0:56:38 | 0:56:39 | |
That's funny. All you guys look alike to us. | 0:56:39 | 0:56:43 | |
Orientals. | 0:56:43 | 0:56:44 | |
So where'd you meet him? | 0:56:44 | 0:56:46 | |
Well, we met, um... | 0:56:46 | 0:56:48 | |
How do you say? | 0:56:48 | 0:56:50 | |
By water. | 0:56:50 | 0:56:52 | |
At the beach? | 0:56:52 | 0:56:53 | |
No, no, no, no. | 0:56:53 | 0:56:54 | |
On water. | 0:56:54 | 0:56:56 | |
Right, a boat. You met on a boat. | 0:56:56 | 0:56:58 | |
No, no, no, | 0:56:58 | 0:56:59 | |
not a boat. | 0:56:59 | 0:57:00 | |
It's a yacht. | 0:57:00 | 0:57:03 | |
DISCO MUSIC PLAYS | 0:57:03 | 0:57:05 | |
# That's the time | 0:57:05 | 0:57:07 | |
# Yeah, I feel like making | 0:57:07 | 0:57:09 | |
# Love to you | 0:57:09 | 0:57:12 | |
# Oh, baby... # | 0:57:12 | 0:57:14 | |
Come on, y'all! | 0:57:14 | 0:57:16 | |
# In a restaurant, ah | 0:57:16 | 0:57:18 | |
# In a topless bar | 0:57:18 | 0:57:20 | |
# In a high school bus | 0:57:20 | 0:57:22 | |
# In the back | 0:57:22 | 0:57:23 | |
# Of your mama's car | 0:57:23 | 0:57:25 | |
# On a trampoline | 0:57:25 | 0:57:27 | |
# In the middle of a putting green | 0:57:27 | 0:57:29 | |
# Anywhere you're near or far | 0:57:29 | 0:57:31 | |
# Right here at this Bat Mitzvah | 0:57:31 | 0:57:34 | |
# Ow, that's the time | 0:57:34 | 0:57:35 | |
# Yeah | 0:57:35 | 0:57:37 | |
# I feel like making l-o-v-e | 0:57:37 | 0:57:39 | |
# T-o y-o-u | 0:57:39 | 0:57:41 | |
# Oh, baby. # | 0:57:41 | 0:57:44 | |
All right. | 0:57:44 | 0:57:46 | |
Rock into womanhood, Elizabeth. | 0:57:46 | 0:57:47 | |
We know that you will. | 0:57:48 | 0:57:50 | |
All right. | 0:57:50 | 0:57:51 | |
What's that supposed to mean? | 0:57:51 | 0:57:52 | |
We have a special delivery for the little lady. | 0:57:52 | 0:57:55 | |
It's right over here. | 0:57:55 | 0:57:56 | |
Let's see what's inside. | 0:57:56 | 0:57:58 | |
DRUM ROLL | 0:57:58 | 0:58:00 | |
GASPS | 0:58:01 | 0:58:02 | |
MUSIC: "Send In The Clowns" | 0:58:02 | 0:58:04 | |
LIGHT APPLAUSE | 0:58:05 | 0:58:08 | |
# Isn't it rich? | 0:58:08 | 0:58:12 | |
# Isn't it queer? | 0:58:12 | 0:58:16 | |
# Me here at last on the ground | 0:58:17 | 0:58:20 | |
# You in midair... # These pantomimes suck. | 0:58:20 | 0:58:22 | |
Don't look at me, I didn't hire them. | 0:58:22 | 0:58:25 | |
Well, who did? | 0:58:25 | 0:58:26 | |
I don't know. | 0:58:26 | 0:58:27 | |
# Where are the clowns? # | 0:58:27 | 0:58:30 | |
These pantomimes aren't very good. | 0:58:30 | 0:58:31 | |
# Send in the clowns... # | 0:58:31 | 0:58:33 | |
This must be Reese's big surprise. | 0:58:33 | 0:58:36 | |
Look at me, guys, I'm a mime, too. | 0:58:36 | 0:58:37 | |
You know what I mean? | 0:58:37 | 0:58:38 | |
All I'm saying is, everyone's miming something. | 0:58:38 | 0:58:40 | |
MUSIC CONTINUES | 0:58:42 | 0:58:45 | |
OK. | 0:58:45 | 0:58:46 | |
Reese just left. | 0:58:49 | 0:58:50 | |
Yeah, I know. | 0:58:50 | 0:58:51 | |
Stay here, I'm going to follow him. | 0:58:51 | 0:58:52 | |
No, no, no, you stay and I'll follow him. | 0:58:52 | 0:58:53 | |
No, you stay, you got to keep them occupied. | 0:58:53 | 0:58:55 | |
You're doing great. They love you. | 0:58:55 | 0:58:56 | |
MUSIC CONTINUES | 0:58:56 | 0:59:03 | |
WOMAN COUGHS | 0:59:03 | 0:59:05 | |
I might do the glass wall one more time. | 0:59:07 | 0:59:11 | |
GIRL BOOS | 0:59:12 | 0:59:14 | |
I think it's terrific. | 0:59:14 | 0:59:15 | |
I don't know, tell the guy you like him. | 0:59:15 | 0:59:16 | |
Then ask him to sit next to you at the cafeteria. | 0:59:16 | 0:59:18 | |
How do I know how that works? | 0:59:18 | 0:59:19 | |
What am I, your counsellor? | 0:59:19 | 0:59:21 | |
Yeah, I'd like to get to the information that I need, OK? | 0:59:21 | 0:59:23 | |
BIG EARL: 'It's done.' | 0:59:25 | 0:59:26 | |
My buddy delivered the package. OK? | 0:59:26 | 0:59:29 | |
It's in your garage. | 0:59:29 | 0:59:30 | |
It's locked up nice and tight, | 0:59:30 | 0:59:32 | |
'in case anybody gets nosy.' | 0:59:32 | 0:59:33 | |
REESE: Is he positive that no-one saw him? | 0:59:33 | 0:59:35 | |
'Not a soul.' | 0:59:35 | 0:59:37 | |
- Now, about my fee. - 'You'll be paid as soon' | 0:59:37 | 0:59:39 | |
as I've checked it out, all right? | 0:59:39 | 0:59:40 | |
'Now, if you'll excuse me, | 0:59:40 | 0:59:41 | |
'I got to get back to my daughter's Bat Mitzvah.' | 0:59:41 | 0:59:43 | |
- 'Reese, wait.' - What? | 0:59:43 | 0:59:44 | |
SIGHS | 0:59:44 | 0:59:45 | |
- Mazel tov, man. - 'Thanks.' | 0:59:45 | 0:59:47 | |
They grow up so fast. | 0:59:48 | 0:59:49 | |
Go play dragon. I got to go. | 0:59:49 | 0:59:51 | |
'All right. Big kisses.' | 0:59:51 | 0:59:52 | |
Thank you so much, everybody, for coming out tonight | 0:59:54 | 0:59:56 | |
to celebrate my little girl's Bat Mitzvah. | 0:59:56 | 0:59:58 | |
I guess I should say young woman. | 0:59:58 | 1:00:02 | |
It'll take me a while to get used to that. | 1:00:02 | 1:00:03 | |
This guy's good. It's pretty sweet. | 1:00:03 | 1:00:04 | |
It's in his garage. What? | 1:00:04 | 1:00:06 | |
The cocaine. It's in his garage. | 1:00:06 | 1:00:07 | |
Are you sure? Yeah. We take him down now. | 1:00:07 | 1:00:09 | |
Come on. Let's go. | 1:00:09 | 1:00:10 | |
# My eyes adore you... # | 1:00:10 | 1:00:11 | |
All right, cut the music. | 1:00:11 | 1:00:12 | |
Whoa, whoa, whoa, whoa. Cut the music. | 1:00:12 | 1:00:13 | |
Hey, guys. | 1:00:13 | 1:00:15 | |
I think I speak for everyone | 1:00:15 | 1:00:16 | |
when I say we're a little mimed out. | 1:00:16 | 1:00:18 | |
Yeah, well, don't worry. Show's over, Feldman. | 1:00:18 | 1:00:19 | |
HUTCH: Putting you under arrest | 1:00:19 | 1:00:21 | |
for possession with intent to sell. | 1:00:21 | 1:00:22 | |
This man's a drug dealer. | 1:00:22 | 1:00:23 | |
GUESTS GASP AND MURMUR | 1:00:24 | 1:00:25 | |
OK, I think what we have here is... | 1:00:25 | 1:00:26 | |
Maybe you didn't hear us! | 1:00:26 | 1:00:27 | |
HUTCH: Take it easy, everybody. Everything will be OK. | 1:00:27 | 1:00:29 | |
You're making the biggest mistake of your life, clown. | 1:00:29 | 1:00:31 | |
No. You hear me? | 1:00:31 | 1:00:32 | |
You're the one making the mistake, pusher man! | 1:00:32 | 1:00:33 | |
Kevin, call my attorney, please. Ridiculous. | 1:00:35 | 1:00:37 | |
Open it. | 1:00:37 | 1:00:40 | |
My hands are tied. | 1:00:40 | 1:00:41 | |
Fine. | 1:00:41 | 1:00:42 | |
Allow me. | 1:00:42 | 1:00:43 | |
Now, let this be a lesson to everyone, especially you kids. | 1:00:45 | 1:00:47 | |
Don't be fooled by the first-class suit and the big house. | 1:00:48 | 1:00:50 | |
Reese Feldman's nothing more than a two-bit drug dealer. | 1:00:50 | 1:00:54 | |
You want some proof? | 1:00:54 | 1:00:56 | |
Here's some proof. | 1:00:56 | 1:00:57 | |
This is a bad man. | 1:01:01 | 1:01:03 | |
And this is what bad men do. | 1:01:03 | 1:01:05 | |
GIRL: A pony! | 1:01:07 | 1:01:09 | |
Happy Bat Mitzvah, baby. I love you. | 1:01:09 | 1:01:11 | |
PONY WHINNIES | 1:01:11 | 1:01:12 | |
GUESTS SCREAM | 1:01:12 | 1:01:14 | |
It's all right, baby. | 1:01:17 | 1:01:19 | |
It's OK. Come here, come here. | 1:01:19 | 1:01:20 | |
We'll get you a new pony. | 1:01:20 | 1:01:22 | |
We'll get you another one. | 1:01:22 | 1:01:23 | |
Hey there, little fella. | 1:01:24 | 1:01:25 | |
You OK? | 1:01:25 | 1:01:27 | |
Mr Feldman, on behalf | 1:01:31 | 1:01:34 | |
of the entire Bay City Police Department, | 1:01:34 | 1:01:37 | |
I sincerely apologise. | 1:01:37 | 1:01:39 | |
That's OK, captain. | 1:01:39 | 1:01:40 | |
My attorney here would love | 1:01:40 | 1:01:42 | |
to take them down, but I know that, | 1:01:42 | 1:01:45 | |
in the bottom of their hearts, | 1:01:45 | 1:01:46 | |
these two detectives were just trying to protect me | 1:01:46 | 1:01:49 | |
and my family. | 1:01:49 | 1:01:50 | |
I got you. | 1:01:50 | 1:01:53 | |
Thank you. | 1:01:53 | 1:01:54 | |
I respect your attitude, | 1:01:56 | 1:01:58 | |
but you can be sure it will never happen again, | 1:01:58 | 1:02:01 | |
because, as of right now, | 1:02:01 | 1:02:03 | |
both of you are suspended indefinitely. | 1:02:03 | 1:02:05 | |
Look, cap, this was my fault. | 1:02:05 | 1:02:06 | |
Come on. There's no... | 1:02:06 | 1:02:08 | |
No, no, no, don't drag Hutch into this, all right? | 1:02:08 | 1:02:09 | |
I shot the pony. | 1:02:09 | 1:02:10 | |
Since when do you care what happens to Hutch? | 1:02:10 | 1:02:12 | |
You filed for a transfer two weeks ago, | 1:02:12 | 1:02:14 | |
citing his behaviour as a reason. | 1:02:14 | 1:02:16 | |
Captain. Oh, yeah, yeah. | 1:02:16 | 1:02:18 | |
Check this out. | 1:02:18 | 1:02:19 | |
Sounds like you're quite the crime fighter, Hutchinson. | 1:02:19 | 1:02:22 | |
You filed for a transfer? | 1:02:22 | 1:02:23 | |
Guns and badges right here, on my desk. | 1:02:23 | 1:02:25 | |
Your mother would be very disappointed in you. | 1:02:29 | 1:02:31 | |
SIGHS | 1:02:45 | 1:02:47 | |
Man, I've really had it with that Doby. | 1:02:47 | 1:02:48 | |
I mean, it's enough, already, you know? | 1:02:48 | 1:02:50 | |
"Cavorting with nefarious characters." | 1:02:50 | 1:02:53 | |
"Conduct unbecoming of an officer." | 1:02:53 | 1:02:55 | |
Look, I wrote that thing two weeks ago, OK? | 1:02:55 | 1:02:57 | |
Things are really cool with us now. I... | 1:02:57 | 1:02:59 | |
Hey, did you go through my locker? | 1:02:59 | 1:03:00 | |
No. | 1:03:00 | 1:03:01 | |
You went through my locker. | 1:03:01 | 1:03:02 | |
I mean, I might have looked inside of it | 1:03:02 | 1:03:04 | |
when it was already open, but... | 1:03:04 | 1:03:05 | |
Look, if you've got a problem with someone, | 1:03:05 | 1:03:07 | |
you tell it to their face. | 1:03:07 | 1:03:08 | |
You come to them as a man. | 1:03:08 | 1:03:09 | |
You don't go behind their back and write a thesis, | 1:03:09 | 1:03:11 | |
and try to get transferred to another precinct. | 1:03:11 | 1:03:13 | |
Backstabber! | 1:03:20 | 1:03:22 | |
Yeah, don't anybody work with David Starsky. | 1:03:22 | 1:03:25 | |
He'll stab you in the back. | 1:03:25 | 1:03:27 | |
You've got to let this go, OK? | 1:03:28 | 1:03:30 | |
We got so lucky, these guys screwed up. | 1:03:30 | 1:03:32 | |
They can't even touch us now. | 1:03:32 | 1:03:33 | |
It is over. I don't care. | 1:03:33 | 1:03:35 | |
No one dresses up like a mime and embarrasses me | 1:03:35 | 1:03:37 | |
at my daughter's Bat Mitzvah. | 1:03:38 | 1:03:39 | |
In my own house, no less. | 1:03:39 | 1:03:41 | |
Let's have some perspective here, OK? | 1:03:41 | 1:03:43 | |
We're almost finished. | 1:03:43 | 1:03:44 | |
We're a few days away from closing a 35 million deal. | 1:03:44 | 1:03:46 | |
Why don't you let it slide? | 1:03:46 | 1:03:47 | |
Yeah, I'll let it slide... | 1:03:47 | 1:03:49 | |
when they're dead. | 1:03:49 | 1:03:50 | |
Mm. | 1:03:50 | 1:03:51 | |
Why did I get so lucky? | 1:03:51 | 1:03:53 | |
KITTY: I don't know. | 1:03:53 | 1:03:54 | |
I just love when you talk so tough. | 1:03:54 | 1:03:56 | |
Of course you do, baby. | 1:03:56 | 1:03:57 | |
That's why you're my girlfriend on the side. | 1:03:57 | 1:03:59 | |
GIGGLES | 1:03:59 | 1:04:01 | |
MUSIC: "We've Only Just Begun" by The Carpenters | 1:04:01 | 1:04:03 | |
# We've only just begun | 1:04:04 | 1:04:10 | |
# To live | 1:04:10 | 1:04:12 | |
# White lace and promises | 1:04:12 | 1:04:18 | |
# A kiss for luck and we're on our way | 1:04:18 | 1:04:23 | |
# We've only begun | 1:04:23 | 1:04:26 | |
# Before the risin' sun, we fly | 1:04:26 | 1:04:34 | |
# So many roads to choose | 1:04:34 | 1:04:40 | |
# We start off walkin' and learn to run | 1:04:40 | 1:04:44 | |
# And yet, we've just begun | 1:04:45 | 1:04:51 | |
# Sharin' horizons that are new to us | 1:04:51 | 1:04:56 | |
# Watchin' the signs along the way | 1:04:57 | 1:05:02 | |
# Talkin' it over, just the two of us | 1:05:02 | 1:05:06 | |
# Workin' together, day to day... # | 1:05:08 | 1:05:13 | |
Ruin me! | 1:05:13 | 1:05:14 | |
LAUGHS | 1:05:14 | 1:05:16 | |
Excuse me, Smoky. | 1:05:19 | 1:05:21 | |
Let me have a minute with my friend. | 1:05:21 | 1:05:22 | |
He didn't care if he got ruined. | 1:05:22 | 1:05:24 | |
That was the whole point of the episode. | 1:05:24 | 1:05:26 | |
He didn't... Did you see? | 1:05:26 | 1:05:27 | |
Look here, Hutch, | 1:05:27 | 1:05:28 | |
you gonna have to lay up off of this juice. | 1:05:28 | 1:05:30 | |
You done had too much to drink. | 1:05:30 | 1:05:31 | |
Come on. | 1:05:31 | 1:05:32 | |
Feel like a million bucks. | 1:05:32 | 1:05:34 | |
Just laughing, having a good time. | 1:05:34 | 1:05:36 | |
Look, man, it ain't even funny no more. | 1:05:36 | 1:05:38 | |
There used to be a time around here | 1:05:38 | 1:05:39 | |
when you peed against the wall, | 1:05:39 | 1:05:41 | |
you did it outside. | 1:05:41 | 1:05:42 | |
HUFFS | 1:05:42 | 1:05:45 | |
Lighten up, it's Friday night. | 1:05:45 | 1:05:47 | |
OK, it's a bar. | 1:05:48 | 1:05:49 | |
Hutch, it's Wednesday afternoon, man. | 1:05:49 | 1:05:50 | |
Snap out of it. | 1:05:50 | 1:05:51 | |
What time is it? | 1:05:53 | 1:05:55 | |
It's 5, man. | 1:05:55 | 1:05:56 | |
Ah, shit! | 1:05:56 | 1:05:58 | |
I'm supposed to pick up Willis at 3. | 1:05:58 | 1:05:59 | |
Uh, Huggy, I'm sorry, we... | 1:06:00 | 1:06:02 | |
Hutch! | 1:06:04 | 1:06:05 | |
Hey, Hutch! you home? | 1:06:05 | 1:06:08 | |
You were supposed to pick me up at 3 today. | 1:06:08 | 1:06:11 | |
What happened? | 1:06:11 | 1:06:12 | |
Deadbeat! | 1:06:13 | 1:06:14 | |
SIREN WAILS | 1:06:29 | 1:06:32 | |
HUGGY: "If you could have yourself | 1:06:34 | 1:06:37 | |
"one wish, what would it be for? | 1:06:37 | 1:06:39 | |
"Mama put the salt back on the straight line | 1:06:39 | 1:06:41 | |
"with the pepper and got that look on her face | 1:06:41 | 1:06:43 | |
"like when she be telling me that old wise stuff. | 1:06:43 | 1:06:45 | |
"She told Nobie that he should wish for..." | 1:06:45 | 1:06:48 | |
Good friends. | 1:06:48 | 1:06:49 | |
"Free to be you and me." | 1:06:49 | 1:06:51 | |
That's what Mama tells Nobie to wish for, right? | 1:06:51 | 1:06:53 | |
Well, well, well. | 1:06:53 | 1:06:54 | |
How are you doing, Willis? | 1:06:54 | 1:06:56 | |
I'm pretty good. | 1:06:56 | 1:06:57 | |
Yeah? Got you something. | 1:06:57 | 1:06:58 | |
Damn. | 1:06:59 | 1:07:01 | |
A wrist rocket. | 1:07:01 | 1:07:03 | |
Watch out with that thing. Very powerful. | 1:07:03 | 1:07:05 | |
WILLIS: Cool. | 1:07:05 | 1:07:06 | |
Thanks, Starsky. | 1:07:06 | 1:07:07 | |
Now, I'm pretty sure those are illegal, Willis, | 1:07:07 | 1:07:10 | |
and even though you're my friend, | 1:07:10 | 1:07:11 | |
might have to report you to Doby. | 1:07:11 | 1:07:13 | |
All right, | 1:07:14 | 1:07:15 | |
OK, look, Hutch, can we...? | 1:07:15 | 1:07:17 | |
Is it all right if I talk to you outside | 1:07:19 | 1:07:21 | |
for a second? | 1:07:21 | 1:07:22 | |
No, I better stay here with the kid. | 1:07:22 | 1:07:24 | |
All right. | 1:07:24 | 1:07:26 | |
Hey, feel better, all right? | 1:07:26 | 1:07:27 | |
You got it. | 1:07:27 | 1:07:29 | |
SCOFFS Can you believe that guy? What a... | 1:07:30 | 1:07:33 | |
Hutch, the man was trying to apologise. | 1:07:33 | 1:07:35 | |
HUGGY: Dig this, man. | 1:07:35 | 1:07:36 | |
Someone once said, "To err is human, to forgive, divine." | 1:07:36 | 1:07:41 | |
What idiot said that? | 1:07:43 | 1:07:45 | |
I believe that was God, the greatest mack of all. | 1:07:45 | 1:07:49 | |
SNIFFS | 1:07:50 | 1:07:51 | |
David, David. | 1:07:51 | 1:07:53 | |
Yeah. | 1:07:54 | 1:07:55 | |
OK, so what'd you want to say? | 1:07:55 | 1:07:58 | |
Nothing, nothing. | 1:07:58 | 1:07:59 | |
Apparently, you know, you're too busy, | 1:07:59 | 1:08:01 | |
and I'm not worth it, so, it's fine. | 1:08:01 | 1:08:02 | |
No, really, it's good. Huh? | 1:08:02 | 1:08:03 | |
Come on, come on, let's hear it. | 1:08:03 | 1:08:05 | |
There's nothing that, you know... | 1:08:05 | 1:08:06 | |
I just, I just, I just was going to say that I, um, | 1:08:06 | 1:08:08 | |
I think you're... | 1:08:08 | 1:08:09 | |
I think you're a good cop. | 1:08:09 | 1:08:11 | |
Hey, well, thank you. | 1:08:11 | 1:08:12 | |
And, um...I am... sorry about... | 1:08:12 | 1:08:17 | |
what I wrote in the report. | 1:08:17 | 1:08:18 | |
Yeah, cos I'm telling you, that... | 1:08:18 | 1:08:20 | |
I felt like I had just gotten, like, my world rocked. | 1:08:20 | 1:08:21 | |
It's like... | 1:08:21 | 1:08:22 | |
Are you crying? | 1:08:22 | 1:08:24 | |
What's that? | 1:08:24 | 1:08:25 | |
Are you crying? | 1:08:25 | 1:08:26 | |
Am I crying? No, I'm not crying. You're crying. | 1:08:26 | 1:08:29 | |
It's OK to cry. People cry. | 1:08:29 | 1:08:31 | |
It's great, but I'm not crying. | 1:08:31 | 1:08:32 | |
I don't... I'm not a crier. | 1:08:32 | 1:08:33 | |
I don't cry. I, you know, I work out. | 1:08:33 | 1:08:34 | |
I have hobbies. I don't, I don't... | 1:08:34 | 1:08:36 | |
Come here, come here. | 1:08:36 | 1:08:38 | |
I forgive you, all right? | 1:08:39 | 1:08:40 | |
OK. | 1:08:40 | 1:08:41 | |
(I forgive you.) | 1:08:41 | 1:08:43 | |
STARSKY SOBS | 1:08:43 | 1:08:44 | |
OK, OK, that's probably enough. | 1:08:44 | 1:08:45 | |
That's enough. | 1:08:46 | 1:08:47 | |
All right? | 1:08:47 | 1:08:48 | |
OK, are we good? | 1:08:48 | 1:08:49 | |
Yeah, I'm good. | 1:08:49 | 1:08:51 | |
OK, cos we got some people that want us dead. | 1:08:51 | 1:08:53 | |
OK, they took a shot at you, they tried to blow up my house, | 1:08:53 | 1:08:55 | |
almost killed little Willis. | 1:08:55 | 1:08:57 | |
We gotta do... SNIFFS | 1:08:57 | 1:08:59 | |
Now what? | 1:08:59 | 1:09:00 | |
Nothing. I'm just excited. | 1:09:00 | 1:09:01 | |
I want to get these... Let's get these scumbags! | 1:09:01 | 1:09:03 | |
Come on, that's what I want to see. | 1:09:03 | 1:09:05 | |
Good. Yes! | 1:09:05 | 1:09:06 | |
What are you doing? Let's go. | 1:09:06 | 1:09:09 | |
MUSIC: "Cocaine" by Eric Clapton | 1:09:09 | 1:09:11 | |
# If you wanna hang out | 1:09:11 | 1:09:13 | |
# You've got to take her out | 1:09:13 | 1:09:15 | |
# Cocaine | 1:09:15 | 1:09:17 | |
# If you wanna get down | 1:09:19 | 1:09:22 | |
# Down on the ground | 1:09:22 | 1:09:24 | |
# Cocaine | 1:09:24 | 1:09:27 | |
# She don't lie, she don't lie, she don't lie | 1:09:28 | 1:09:32 | |
# Cocaine | 1:09:33 | 1:09:34 | |
# If you've got bad news | 1:09:38 | 1:09:39 | |
# You wanna kick them blues | 1:09:39 | 1:09:42 | |
# Cocaine | 1:09:42 | 1:09:43 | |
# When your day is done | 1:09:46 | 1:09:48 | |
# And you wanna run | 1:09:48 | 1:09:51 | |
# Cocaine | 1:09:51 | 1:09:52 | |
# She don't lie, she don't lie, she don't lie | 1:09:54 | 1:09:58 | |
# Cocaine... # | 1:09:58 | 1:10:01 | |
WHISTLES | 1:10:01 | 1:10:03 | |
Man, tell you that. | 1:10:03 | 1:10:05 | |
Look, I'm telling you, it's right here. | 1:10:05 | 1:10:08 | |
Reese is meeting with the biggest drug dealers in Bay City | 1:10:08 | 1:10:10 | |
in back alleys all over the place. | 1:10:10 | 1:10:12 | |
Mm, but talking isn't illegal. | 1:10:12 | 1:10:14 | |
Yeah. | 1:10:14 | 1:10:16 | |
The guy's not stupid. | 1:10:16 | 1:10:17 | |
He knows how to stay clean. | 1:10:17 | 1:10:18 | |
Dirty ones always do. | 1:10:18 | 1:10:20 | |
SIGHS We got to do something. | 1:10:20 | 1:10:21 | |
We got to find a way to get close to him, | 1:10:21 | 1:10:23 | |
get inside and hear what's going on. | 1:10:23 | 1:10:24 | |
It's gonna be tough. | 1:10:24 | 1:10:25 | |
The guy knows what we look like. | 1:10:25 | 1:10:26 | |
He doesn't know what Huggy Bear looks like. | 1:10:26 | 1:10:30 | |
SLURPS | 1:10:30 | 1:10:32 | |
Man, this is a bunch of crap. | 1:10:32 | 1:10:34 | |
I am an urban informant. | 1:10:34 | 1:10:35 | |
I am not a snitch. | 1:10:35 | 1:10:37 | |
Come on, Huggy, what's the difference? | 1:10:37 | 1:10:38 | |
A snitch wears a wire. | 1:10:38 | 1:10:40 | |
A snitch is the scum of the information industry. | 1:10:40 | 1:10:43 | |
Oh. Wait a minute. A snitch has no soul. | 1:10:43 | 1:10:45 | |
Ow! Damn, man, that shit hurt. | 1:10:45 | 1:10:47 | |
I'm sorry. | 1:10:47 | 1:10:48 | |
You got to be more careful. I know. | 1:10:48 | 1:10:49 | |
Look, Huggy, we wouldn't ask you to do this | 1:10:49 | 1:10:51 | |
unless it was really important. | 1:10:51 | 1:10:53 | |
I'm gonna owe you one. | 1:10:53 | 1:10:54 | |
No, you're gonna owe me more than one, man. | 1:10:54 | 1:10:55 | |
Well, let's slow down with the scorekeeping, | 1:10:55 | 1:10:57 | |
cos I might have to start remembering | 1:10:57 | 1:10:58 | |
some of the stuff I've overlooked over the years | 1:10:58 | 1:11:00 | |
and then mention it to my partner here. | 1:11:00 | 1:11:02 | |
How'd that be? | 1:11:02 | 1:11:05 | |
All right, man. | 1:11:07 | 1:11:08 | |
Get this over with. Hurry up. All right, all right. | 1:11:08 | 1:11:10 | |
Good. We're done. | 1:11:10 | 1:11:11 | |
All right, let's get that outfit. | 1:11:11 | 1:11:13 | |
HUGGY: Outfit?! | 1:11:13 | 1:11:14 | |
Ta-dum. | 1:11:14 | 1:11:16 | |
Oh, no, man. | 1:11:16 | 1:11:17 | |
You know Huggy Bear wouldn't wear that, man. | 1:11:17 | 1:11:19 | |
Y'all gonna have to come up with something better than that. | 1:11:19 | 1:11:21 | |
Y'all got to take that shit back to Florida. | 1:11:21 | 1:11:23 | |
That ain't me, baby. | 1:11:23 | 1:11:24 | |
REESE: Mr Casual. So nice of you to join us. | 1:11:30 | 1:11:32 | |
Hey, sorry about that, sir. | 1:11:32 | 1:11:34 | |
What would you say this is? | 1:11:35 | 1:11:37 | |
Uh, golf? | 1:11:38 | 1:11:39 | |
Real funny, Amos. | 1:11:39 | 1:11:41 | |
Give me the nine iron. | 1:11:42 | 1:11:43 | |
Where the hell's my nine iron? | 1:11:49 | 1:11:51 | |
Well, I was gonna bring the other bag... | 1:11:51 | 1:11:52 | |
Let me explain something to you, all right? | 1:11:52 | 1:11:55 | |
You are in charge of this area right here. | 1:11:55 | 1:11:58 | |
The clubs come out, but they gotta go back in. | 1:11:58 | 1:12:00 | |
Now, I realise this is a very complex procedure, | 1:12:00 | 1:12:03 | |
but it's up to you to manage the whole business. | 1:12:03 | 1:12:05 | |
Do you got that, Nipsy? | 1:12:05 | 1:12:06 | |
HUGGY: Yes, sir. | 1:12:06 | 1:12:07 | |
REESE: I should make you run your ass | 1:12:07 | 1:12:08 | |
'back to the driving range and get it. | 1:12:08 | 1:12:10 | |
'Just give me the wedge.' | 1:12:10 | 1:12:13 | |
Three wood? | 1:12:17 | 1:12:18 | |
My man gave me a three wood. | 1:12:18 | 1:12:20 | |
'Do you even know what a pitching wedge is? | 1:12:20 | 1:12:22 | |
'Are you even a real caddie' | 1:12:22 | 1:12:24 | |
Come on. | 1:12:24 | 1:12:25 | |
HUGGY: Look, man, | 1:12:25 | 1:12:26 | |
this grass is Alabama creeping bend, | 1:12:26 | 1:12:30 | |
'as opposed to Georgia creeping bend.' | 1:12:30 | 1:12:33 | |
It's lighter. | 1:12:33 | 1:12:35 | |
KEVIN: Lighter meaning faster? | 1:12:35 | 1:12:37 | |
Exactly. | 1:12:37 | 1:12:39 | |
Hold this. | 1:12:42 | 1:12:44 | |
KEVIN: Look at that. Good shot! | 1:12:49 | 1:12:51 | |
You know a lot about golf. | 1:12:56 | 1:12:58 | |
I know even more about grass. | 1:12:58 | 1:13:00 | |
I don't question that. | 1:13:00 | 1:13:01 | |
REESE: 'That was a great shot. Don't even start.' | 1:13:01 | 1:13:03 | |
KEVIN: 'Yeah, fine, whatever. | 1:13:03 | 1:13:04 | |
'Back to business. The stuff...' | 1:13:04 | 1:13:06 | |
Yeah. | 1:13:06 | 1:13:07 | |
..is all ready to be moved, OK? | 1:13:07 | 1:13:08 | |
All two tons of it. | 1:13:08 | 1:13:10 | |
We just need to be at the banquet by 2pm, right? | 1:13:10 | 1:13:11 | |
Is there anything else? | 1:13:11 | 1:13:12 | |
No, just stay calm and... | 1:13:12 | 1:13:14 | |
What, are we dating? | 1:13:14 | 1:13:15 | |
Why are you standing so close to me? | 1:13:15 | 1:13:17 | |
Back off. | 1:13:17 | 1:13:18 | |
It's cool, baby. | 1:13:18 | 1:13:19 | |
What is your deal? | 1:13:21 | 1:13:23 | |
The Nearly There Banquet. | 1:13:25 | 1:13:26 | |
Remember, he gave me the invite? It's tomorrow. | 1:13:26 | 1:13:29 | |
How's he gonna move two tons of coke at a banquet? | 1:13:29 | 1:13:31 | |
I don't know, but we got to be there. | 1:13:31 | 1:13:33 | |
No. He'll kill us if he sees us. | 1:13:33 | 1:13:34 | |
You want to use my wig guy. | 1:13:37 | 1:13:40 | |
Ha-ha! | 1:13:40 | 1:13:41 | |
MUSIC: "Love will keep us together" | 1:13:41 | 1:13:44 | |
# Love, love will keep us together | 1:13:47 | 1:13:51 | |
# Think of me babe, whenever | 1:13:52 | 1:13:55 | |
# Some sweet-talking girl comes along | 1:13:55 | 1:13:59 | |
# Singing her song | 1:13:59 | 1:14:01 | |
# Don't mess around | 1:14:01 | 1:14:03 | |
# You just got to be strong | 1:14:03 | 1:14:05 | |
# Just stop, cos I really love you | 1:14:05 | 1:14:09 | |
# Stop, I've been thinking of you | 1:14:09 | 1:14:12 | |
Look in my heart and let love keep us together | 1:14:12 | 1:14:20 | |
# You, you belong to me now... # | 1:14:22 | 1:14:27 | |
Hello, sir. | 1:14:27 | 1:14:29 | |
May I check your briefcase? | 1:14:29 | 1:14:31 | |
Oh, yeah. | 1:14:31 | 1:14:34 | |
Thanks a lot. | 1:14:34 | 1:14:36 | |
Thank you very much. | 1:14:43 | 1:14:44 | |
Now, what you want to do is take this ticket stub. | 1:14:44 | 1:14:48 | |
It's for the raffle. | 1:14:48 | 1:14:50 | |
And see that car up on stage? | 1:14:50 | 1:14:51 | |
# ..Together... # | 1:14:51 | 1:14:53 | |
There's seven of them, all up for grabs, | 1:14:53 | 1:14:56 | |
with plenty of trunk space. | 1:14:56 | 1:14:58 | |
HE LAUGHS | 1:15:01 | 1:15:02 | |
Oh, trunk space. I get it. | 1:15:02 | 1:15:04 | |
Very good, very good. | 1:15:04 | 1:15:06 | |
Thank you very much. | 1:15:06 | 1:15:08 | |
# ...Look in my heart and let love | 1:15:08 | 1:15:09 | |
# Keep us together, whatever | 1:15:09 | 1:15:16 | |
# I will, I will, I will... # | 1:15:16 | 1:15:18 | |
STARSKY PUTTING ON A DEEP VOICE: That's what I'm talking about. | 1:15:19 | 1:15:22 | |
There we go. What do you think? | 1:15:22 | 1:15:24 | |
Oh, I love it. Great stuff. | 1:15:26 | 1:15:27 | |
You look just like a rich cowboy who came riding in off the farm. | 1:15:27 | 1:15:31 | |
Hey, do me a favour. Tip your hat forward. | 1:15:31 | 1:15:33 | |
No, I like it where it is. | 1:15:33 | 1:15:34 | |
No, seriously, come on, do it. Do it. | 1:15:34 | 1:15:36 | |
Will you, will you stop with that? | 1:15:36 | 1:15:38 | |
That voice makes you sound crazy. | 1:15:38 | 1:15:40 | |
It does not make me sound crazy. It makes me sound like Maury Finkel. | 1:15:40 | 1:15:43 | |
Founder of Finkel Fixtures, | 1:15:43 | 1:15:44 | |
biggest lighting fixture chain in the Southland. | 1:15:44 | 1:15:45 | |
Oh, it's a little voice and a character. | 1:15:45 | 1:15:48 | |
You got a whole back story, that's good. | 1:15:48 | 1:15:50 | |
Yeah, little touches, you know, little details. | 1:15:50 | 1:15:51 | |
You want to make the character real. What's your character? | 1:15:51 | 1:15:53 | |
Well, I don't really... | 1:15:53 | 1:15:55 | |
I don't really have, a character. I don't really do voices. | 1:15:55 | 1:15:58 | |
Hutch, what are you talking about? We're going upstairs. | 1:15:58 | 1:16:00 | |
Half those people will recognise us | 1:16:00 | 1:16:01 | |
if we don't have a character. | 1:16:01 | 1:16:02 | |
I mean, come on, think of something. | 1:16:02 | 1:16:03 | |
This is it. OK, OK. | 1:16:03 | 1:16:05 | |
Buck up, let's do it. | 1:16:05 | 1:16:06 | |
How are you? How's it going? | 1:16:06 | 1:16:09 | |
All right. | 1:16:10 | 1:16:11 | |
How you doing? All right. | 1:16:11 | 1:16:13 | |
HOLLY LAUGHS Ooh, look at these two hot chickens. | 1:16:13 | 1:16:15 | |
Finkel wants some dinkle. Give it to me. Huh? | 1:16:15 | 1:16:18 | |
Come on. Do it. | 1:16:18 | 1:16:19 | |
Lay it on, right here. Do it. Do it. | 1:16:19 | 1:16:23 | |
He means a kiss. We're doing little voices. Undercover. | 1:16:23 | 1:16:25 | |
Come on, sweetie. | 1:16:25 | 1:16:26 | |
OK. | 1:16:26 | 1:16:27 | |
Oh, that's a sweet little pucker. | 1:16:27 | 1:16:29 | |
I love it. | 1:16:29 | 1:16:30 | |
Hi. Can I get you two a drink? You sure can, sweetheart. | 1:16:30 | 1:16:32 | |
Johnnie red neat, OK? Do it. Do it. | 1:16:32 | 1:16:35 | |
All right. And you? | 1:16:35 | 1:16:38 | |
Do it. | 1:16:41 | 1:16:42 | |
Bacardi and cola. Do it. Do it. | 1:16:42 | 1:16:44 | |
OK. I'll be right back. | 1:16:44 | 1:16:46 | |
(What are you doing?) | 1:16:46 | 1:16:47 | |
What? What was that? | 1:16:47 | 1:16:49 | |
You just stole my voice. | 1:16:49 | 1:16:51 | |
No, I didn't. Yes, you did. | 1:16:51 | 1:16:52 | |
You gotta come up with your own voice, OK? | 1:16:52 | 1:16:53 | |
That's my thing. What am I supposed to do? | 1:16:53 | 1:16:54 | |
I don't have a great, cool little voice like you do. | 1:16:54 | 1:16:56 | |
You come up with your own character. | 1:16:56 | 1:16:58 | |
You're a Texas oil tycoon guy. | 1:16:58 | 1:16:59 | |
You have, like, a moustache... | 1:16:59 | 1:17:00 | |
and like a funny Southern... Don't shame me. | 1:17:00 | 1:17:02 | |
REESE: I'm sorry to interrupt everyone, but if you could hustle back... | 1:17:02 | 1:17:05 | |
All right, let's sit down. | 1:17:05 | 1:17:06 | |
..so we can, uh, get down to business, | 1:17:06 | 1:17:08 | |
and then get back to the business of gettin' down. | 1:17:08 | 1:17:10 | |
Yeah, now that's what I'm talking about. Let's get down! | 1:17:10 | 1:17:13 | |
LAUGHTER | 1:17:13 | 1:17:15 | |
REESE: Captain Doby, you're not right. | 1:17:15 | 1:17:17 | |
But today is right. | 1:17:19 | 1:17:20 | |
Can I see a show of hands? | 1:17:20 | 1:17:22 | |
I'm talking to everyone in this room. | 1:17:22 | 1:17:24 | |
How many of us have made a mistake? | 1:17:25 | 1:17:28 | |
STARSKY: Guilty. Yeah. | 1:17:28 | 1:17:29 | |
You know, I believe it was our buddy, | 1:17:29 | 1:17:31 | |
Bill Shakespeare, who said, "To err is human, | 1:17:31 | 1:17:35 | |
"but to forgive, well, that's right on." | 1:17:35 | 1:17:39 | |
And that's exactly why we're here tonight. | 1:17:39 | 1:17:41 | |
Because everyone out there deserves a second chance. | 1:17:41 | 1:17:44 | |
Everyone. | 1:17:44 | 1:17:45 | |
APPLAUSE | 1:17:45 | 1:17:46 | |
REESE: Thank you. | 1:17:46 | 1:17:47 | |
I didn't say it. Bill Shakespeare did. | 1:17:47 | 1:17:49 | |
I recognise some of these guys from our surveillance. | 1:17:51 | 1:17:53 | |
I know. | 1:17:53 | 1:17:54 | |
Check out the guy behind us from the alley. | 1:17:54 | 1:17:56 | |
Already did. | 1:17:56 | 1:17:57 | |
Do you think he's got the stuff here? | 1:17:57 | 1:18:00 | |
Where? | 1:18:01 | 1:18:03 | |
REESE: I'd like to thank the folks | 1:18:03 | 1:18:04 | |
over at Bay City Volkswagen | 1:18:04 | 1:18:05 | |
for donating seven brand-new cars | 1:18:05 | 1:18:07 | |
to our annual fund-raising raffle. | 1:18:07 | 1:18:11 | |
Thank you, Bay City Volkswagen. | 1:18:11 | 1:18:12 | |
OK, everybody, go ahead, > pull out your ticket stubs. | 1:18:12 | 1:18:16 | |
I hope you held on to them. | 1:18:16 | 1:18:18 | |
I'd hate to have your number called and have you be left behind. | 1:18:18 | 1:18:20 | |
Because this train's leaving the station. | 1:18:20 | 1:18:22 | |
Uh, tonight's first winner... | 1:18:31 | 1:18:32 | |
Um...63. | 1:18:32 | 1:18:34 | |
Hot damn! | 1:18:34 | 1:18:35 | |
That baby's mine! Congratulations. | 1:18:35 | 1:18:37 | |
That's one of his guys. | 1:18:37 | 1:18:38 | |
Thank you very much. | 1:18:39 | 1:18:39 | |
If you could just wait here. Thank you. | 1:18:40 | 1:18:41 | |
We got a winner, guys. | 1:18:41 | 1:18:42 | |
You got a new car owner. Let him hear it. | 1:18:42 | 1:18:43 | |
He took the bus here today. | 1:18:43 | 1:18:45 | |
The car. Let's keep it moving. > | 1:18:45 | 1:18:47 | |
STARSKY: Cocaine is in the car. | 1:18:47 | 1:18:48 | |
He's doing it right in front of everybody. | 1:18:48 | 1:18:49 | |
Come on, he's not that stupid. | 1:18:49 | 1:18:51 | |
No, but he's that arrogant. Trust me. | 1:18:51 | 1:18:53 | |
Tonight's second winner, number 1-1-7. | 1:18:53 | 1:18:55 | |
Go! Right on! Yeah! | 1:18:55 | 1:18:57 | |
Yee-hah! | 1:18:57 | 1:18:58 | |
Whoo! Yes! | 1:18:58 | 1:19:00 | |
APPLAUSE | 1:19:00 | 1:19:01 | |
Thank you very much. | 1:19:01 | 1:19:02 | |
Sit. Now. Do it. Do it! | 1:19:02 | 1:19:06 | |
Old Shakes McGinty did it! | 1:19:06 | 1:19:07 | |
- Yes! Unbelievable. - This is incredible. | 1:19:07 | 1:19:10 | |
I'm a rich man, and I'm gonna kiss ya. | 1:19:10 | 1:19:13 | |
Get your hands off, bro. | 1:19:13 | 1:19:14 | |
I said I don't, I, uh, wow! | 1:19:14 | 1:19:15 | |
STARSKY: My friend won. I can't believe it. | 1:19:15 | 1:19:17 | |
Give him the car. Come on, do it. | 1:19:17 | 1:19:18 | |
Do what? Seriously, give him the car. | 1:19:18 | 1:19:20 | |
The kid's from Texas. | 1:19:20 | 1:19:21 | |
I don't even know if he has a licence. | 1:19:21 | 1:19:22 | |
He rides a horse down there, for God's sake. | 1:19:22 | 1:19:23 | |
- Excuse me, you have a ticket? - It's wonderful. | 1:19:23 | 1:19:25 | |
I need a ticket to give you the car. | 1:19:25 | 1:19:26 | |
Aw, come on, Hoss, you got to trust the kid for once. | 1:19:26 | 1:19:28 | |
I can't, cowboy. I need to see the ticket to make sure it matches. | 1:19:28 | 1:19:31 | |
Do me a favour. Pop the trunk. | 1:19:31 | 1:19:32 | |
Let's get a whiff of that new car smell. Come on. | 1:19:32 | 1:19:33 | |
Yeah, who wants a whiff of that new car smell? | 1:19:33 | 1:19:35 | |
Yeah, yeah, let's smell it. | 1:19:35 | 1:19:36 | |
That's what I'm talking about. Come on, pop the trunk. | 1:19:36 | 1:19:39 | |
Seriously. Do it. Do it. | 1:19:39 | 1:19:41 | |
Do it. | 1:19:42 | 1:19:44 | |
Listen, jackass, either give me a ticket, | 1:19:44 | 1:19:47 | |
or get the hell off the stage. You dig that? | 1:19:47 | 1:19:49 | |
GUESTS GASP | 1:19:49 | 1:19:50 | |
Whoa, whoa, whoa, whoa, guys. | 1:19:50 | 1:19:52 | |
Pop the trunk, candyman. | 1:19:52 | 1:19:53 | |
You heard him. | 1:19:53 | 1:19:56 | |
Pop it. | 1:19:56 | 1:19:58 | |
DOBY: What the hell | 1:19:58 | 1:19:59 | |
are you two doing? | 1:19:59 | 1:20:00 | |
Pop it! | 1:20:00 | 1:20:01 | |
You screwed up once already, Starsky. | 1:20:01 | 1:20:04 | |
Like you said, Feldman, everyone deserves a second chance. | 1:20:07 | 1:20:10 | |
HUTCH: Whoa, what have we here? | 1:20:13 | 1:20:15 | |
This look familiar? | 1:20:15 | 1:20:17 | |
Some cocaine. | 1:20:18 | 1:20:20 | |
Captain Doby, I suggest you take this to the lab, | 1:20:20 | 1:20:22 | |
get it analysed this time... | 1:20:22 | 1:20:23 | |
Hutch! All right, freeze! | 1:20:23 | 1:20:25 | |
All right, everybody, freeze! | 1:20:25 | 1:20:26 | |
Put your hands where I can see them! | 1:20:26 | 1:20:28 | |
Do it now! | 1:20:28 | 1:20:29 | |
You relax, pal. Relax. | 1:20:29 | 1:20:30 | |
Let's do it! | 1:20:30 | 1:20:31 | |
Put that gun down or I'll kill your friend right here. | 1:20:31 | 1:20:33 | |
Put it down! Reese, what are we doing? | 1:20:33 | 1:20:34 | |
Do it now! Put it down! | 1:20:34 | 1:20:36 | |
Hutch, I got a clean shot, but I need your permission. | 1:20:36 | 1:20:38 | |
No! No, no, no, Starsky. | 1:20:38 | 1:20:40 | |
Hutch, I can do this! Just move your head to the left. | 1:20:40 | 1:20:43 | |
No, you don't have my permission, partner. I can't give it to you. | 1:20:43 | 1:20:46 | |
Your nuts are mine, Feldman. | 1:20:46 | 1:20:49 | |
No, they're not! Your nuts are yours. | 1:20:49 | 1:20:51 | |
Your nuts are yours. Starsky, | 1:20:51 | 1:20:52 | |
listen to me. I don't want to die. | 1:20:52 | 1:20:54 | |
And I'm not giving you my permission. | 1:20:54 | 1:20:56 | |
Please, put it down. | 1:20:56 | 1:20:58 | |
Ow. Ow, ow. | 1:20:58 | 1:20:59 | |
Put it down. Down. | 1:20:59 | 1:21:02 | |
OK. All right. You're right. | 1:21:05 | 1:21:07 | |
It's too close. | 1:21:07 | 1:21:08 | |
Oh, thank God. | 1:21:08 | 1:21:08 | |
Stay down! | 1:21:13 | 1:21:15 | |
GUNFIRE | 1:21:15 | 1:21:16 | |
Doby? | 1:21:17 | 1:21:18 | |
REESE: Come on, let's move it! | 1:21:20 | 1:21:22 | |
What? Let's go! Let's go! | 1:21:22 | 1:21:23 | |
What?! | 1:21:23 | 1:21:24 | |
Wait, I'm not...! Walk away. Let's go. | 1:21:24 | 1:21:25 | |
Hey, Cap, are you OK? | 1:21:25 | 1:21:26 | |
Yeah, I just got my wing clipped. | 1:21:26 | 1:21:28 | |
Jesus Christ, who the hell shot me? | 1:21:28 | 1:21:30 | |
I'm sorry, sir. I was trying to get... | 1:21:30 | 1:21:32 | |
Starsky! It was Reese Feldman. | 1:21:32 | 1:21:33 | |
Reese Feldman hit you, that son of a bitch. | 1:21:33 | 1:21:35 | |
Well, go get him! | 1:21:35 | 1:21:37 | |
Is somebody coming? | 1:21:37 | 1:21:38 | |
No, we're on vacation. Oh! | 1:21:38 | 1:21:40 | |
What's going on? Gotta go. | 1:21:40 | 1:21:42 | |
GUNSHOTS | 1:21:42 | 1:21:43 | |
Oh, my God! | 1:21:43 | 1:21:44 | |
KITTY: Baby, look out! | 1:21:46 | 1:21:47 | |
REESE: I want to hit him! | 1:21:47 | 1:21:49 | |
Jesus, watch out for the bunker! | 1:22:05 | 1:22:07 | |
STARSKY: I don't know what a bunker is! | 1:22:07 | 1:22:09 | |
HUTCH: It's a sand trap. | 1:22:09 | 1:22:11 | |
It's OK. Go faster! | 1:22:13 | 1:22:14 | |
I'm going fast. I got it floored. | 1:22:14 | 1:22:16 | |
Look, dogleg right up here on the par three. | 1:22:20 | 1:22:21 | |
What? Watch the bunker! | 1:22:21 | 1:22:23 | |
What bunker? | 1:22:23 | 1:22:24 | |
HUTCH: Jesus! | 1:22:25 | 1:22:26 | |
Come on! Pay attention! | 1:22:27 | 1:22:30 | |
Hey, get out of here! | 1:22:32 | 1:22:34 | |
Move that ice-cream truck, now! | 1:22:40 | 1:22:42 | |
No, you move. | 1:22:42 | 1:22:43 | |
Bay City PD. Move it! | 1:22:43 | 1:22:45 | |
Let's go. | 1:22:45 | 1:22:46 | |
Grab those and meet me in the marina. | 1:22:46 | 1:22:48 | |
Let's go, move. Move! | 1:22:48 | 1:22:49 | |
If you guys are cops, let's see some badge. | 1:22:49 | 1:22:51 | |
We don't have any badges. | 1:22:53 | 1:22:54 | |
Show him your gun. | 1:22:54 | 1:22:55 | |
GUNSHOTS | 1:22:55 | 1:22:56 | |
Oh! | 1:22:56 | 1:22:57 | |
Come on. Come on, move! | 1:22:57 | 1:22:59 | |
Oh! | 1:22:59 | 1:23:00 | |
Come on, hurry up, let's go! | 1:23:10 | 1:23:12 | |
They're coming! | 1:23:12 | 1:23:14 | |
REESE: God, these two | 1:23:14 | 1:23:16 | |
with the running and the chasing. | 1:23:16 | 1:23:17 | |
Good-bye, heroes! | 1:23:19 | 1:23:21 | |
Come on, double back to the shipping yard! | 1:23:21 | 1:23:23 | |
- You got a boat? - No, but I got an idea. | 1:23:23 | 1:23:25 | |
Hey, watch out! | 1:23:40 | 1:23:42 | |
OK, now what? | 1:23:47 | 1:23:48 | |
OK, we're gonna take this car, | 1:23:48 | 1:23:49 | |
and land it on that boat. | 1:23:49 | 1:23:51 | |
You want to crash the car into his boat? | 1:23:53 | 1:23:56 | |
No, I want to land it on that boat. | 1:23:56 | 1:23:58 | |
Now, go. | 1:23:58 | 1:24:00 | |
Go! | 1:24:02 | 1:24:03 | |
I can't do it. | 1:24:03 | 1:24:05 | |
This is unbelievable. | 1:24:05 | 1:24:06 | |
Here you get me out here | 1:24:06 | 1:24:07 | |
to risk my life, | 1:24:07 | 1:24:08 | |
and now you're telling me you can't do this? | 1:24:08 | 1:24:11 | |
I'm a quitter, but... | 1:24:11 | 1:24:12 | |
You're crying again. | 1:24:13 | 1:24:14 | |
I'm not crying. | 1:24:14 | 1:24:15 | |
This is different. It's... | 1:24:15 | 1:24:18 | |
It's my mother. She always used to, | 1:24:18 | 1:24:20 | |
used to say that I... that this was too much car for me to handle. | 1:24:20 | 1:24:23 | |
She said that? | 1:24:23 | 1:24:25 | |
"You couldn't handle the V8." | 1:24:25 | 1:24:27 | |
I don't know, maybe she was right. | 1:24:27 | 1:24:29 | |
Hey, look at me. | 1:24:29 | 1:24:31 | |
Look at me. | 1:24:31 | 1:24:33 | |
I am not your mother. I'm your partner. | 1:24:33 | 1:24:37 | |
Now, go! | 1:24:37 | 1:24:39 | |
Go! | 1:24:41 | 1:24:42 | |
STARSKY: Listen, things could go | 1:24:47 | 1:24:48 | |
pretty wrong in a second, so I... | 1:24:48 | 1:24:49 | |
Keep your eyes on the road! | 1:24:49 | 1:24:50 | |
STARSKY: Just listen to me, Ken. | 1:24:50 | 1:24:51 | |
If we don't make it - | 1:24:51 | 1:24:52 | |
this, | 1:24:52 | 1:24:54 | |
you know, us... | 1:24:54 | 1:24:55 | |
it's been good. | 1:24:56 | 1:24:57 | |
It's been great. | 1:24:57 | 1:24:59 | |
Now will you stop talking and hit that boat? | 1:24:59 | 1:25:01 | |
It's not a boat, it's a yacht. | 1:25:02 | 1:25:05 | |
YELLING | 1:25:08 | 1:25:11 | |
REESE: Son of a bitch! | 1:25:14 | 1:25:16 | |
KITTY YELLS | 1:25:16 | 1:25:17 | |
REESE: Come on, are you kidding me? | 1:25:17 | 1:25:19 | |
Oh, my God. | 1:25:19 | 1:25:21 | |
We almost just got killed. | 1:25:21 | 1:25:23 | |
REESE: Thank you for pointing out something that I couldn't notice on my own. | 1:25:23 | 1:25:26 | |
You're a real benefit to have. | 1:25:26 | 1:25:27 | |
Kitty: we should save them. | 1:25:27 | 1:25:29 | |
GASPING | 1:25:32 | 1:25:34 | |
Son of a bitch! | 1:25:34 | 1:25:36 | |
Nice plan(!) | 1:25:36 | 1:25:37 | |
What do you expect? | 1:25:37 | 1:25:38 | |
You gave it too much gas and you overshot it. | 1:25:38 | 1:25:40 | |
Car has a lot of horsepower. I'm going to go get it. | 1:25:40 | 1:25:43 | |
What are you doing? Stop it. | 1:25:43 | 1:25:45 | |
Starsky! | 1:25:46 | 1:25:48 | |
It hasn't hit the bottom yet. Starsky, Starsky, stop! | 1:25:49 | 1:25:50 | |
Stop, damn it! What?! | 1:25:50 | 1:25:52 | |
Listen to me. | 1:25:52 | 1:25:53 | |
It's gone, OK? It's over. | 1:25:53 | 1:25:56 | |
But it's my car. | 1:25:56 | 1:25:58 | |
I know it is, partner. | 1:25:58 | 1:26:00 | |
I know it is. | 1:26:00 | 1:26:01 | |
HORN BLOWS | 1:26:01 | 1:26:04 | |
KITTY LAUGHS | 1:26:04 | 1:26:07 | |
Oh, my God, honey, that was so incredible! | 1:26:07 | 1:26:09 | |
I feel like my adrenaline is just... | 1:26:09 | 1:26:12 | |
You and me, babe, | 1:26:12 | 1:26:13 | |
we are such a good team, don't you think? | 1:26:13 | 1:26:15 | |
I mean, this is just the beginning. | 1:26:15 | 1:26:18 | |
We could go so far, honey. | 1:26:18 | 1:26:19 | |
ENGINE STALLS | 1:26:19 | 1:26:20 | |
I mean, I feel so exhilarated. | 1:26:20 | 1:26:22 | |
Come on! What was that? | 1:26:22 | 1:26:23 | |
Son of a bitch. | 1:26:23 | 1:26:25 | |
What is it, Reese? | 1:26:25 | 1:26:29 | |
Who are you? | 1:26:34 | 1:26:35 | |
I found your nine iron, bitch! | 1:26:36 | 1:26:38 | |
GRUNTS | 1:26:38 | 1:26:40 | |
That's for putting hands on Huggy Bear. | 1:26:41 | 1:26:43 | |
Nobody touches the bear, | 1:26:43 | 1:26:45 | |
you dig? | 1:26:45 | 1:26:46 | |
Yeah, now these will work. | 1:26:49 | 1:26:53 | |
What have we here? | 1:26:53 | 1:26:56 | |
Ooh! | 1:26:56 | 1:26:57 | |
Now, that's what I'm talking about. | 1:26:57 | 1:27:02 | |
MUSIC: "Cut The Cake" by Average White Band | 1:27:02 | 1:27:05 | |
# Cut the cake | 1:27:05 | 1:27:07 | |
# I want a little piece | 1:27:07 | 1:27:08 | |
# And let me lick up the cream | 1:27:08 | 1:27:10 | |
# Cut the cake... # | 1:27:10 | 1:27:11 | |
We don't really do private shows. | 1:27:11 | 1:27:14 | |
But I'm a good friend of Huggy Bear. | 1:27:14 | 1:27:16 | |
Well, it's kind of against cheerleading policy. | 1:27:16 | 1:27:19 | |
You need to change that policy. | 1:27:19 | 1:27:21 | |
You know what I can't figure out, | 1:27:21 | 1:27:23 | |
is how in the hell did you know to get on that boat? | 1:27:23 | 1:27:25 | |
Well, you know when, uh, your two boys | 1:27:25 | 1:27:27 | |
put me on that undercover golf course mission, | 1:27:27 | 1:27:29 | |
that cat, uh, Reese, | 1:27:29 | 1:27:30 | |
all he did was talk about that damn yacht. | 1:27:30 | 1:27:33 | |
And you know, like I say, why go to the starting line | 1:27:33 | 1:27:36 | |
when you can go straight to the finish? | 1:27:36 | 1:27:38 | |
"Straight to the finish"? Yes, sir. | 1:27:38 | 1:27:40 | |
I like that, man, I like that. | 1:27:40 | 1:27:41 | |
Are you, uh, interested in doing any undercover work? | 1:27:41 | 1:27:44 | |
Uh, not in the least. | 1:27:44 | 1:27:45 | |
Captain, let me borrow him for just a second. | 1:27:45 | 1:27:47 | |
You know, the weird thing is, one of those briefcases | 1:27:47 | 1:27:50 | |
with 5 million just up and vanished. | 1:27:50 | 1:27:52 | |
Hmm. | 1:27:52 | 1:27:53 | |
Whoa, what is this, a brand-new fur coat? | 1:27:53 | 1:27:55 | |
Look at this thing. | 1:27:55 | 1:27:57 | |
Uh, yeah, I inherited some money | 1:27:57 | 1:27:58 | |
from a dead uncle of mines. | 1:27:58 | 1:27:59 | |
Is that right? | 1:27:59 | 1:28:00 | |
I didn't even know you had an uncle. | 1:28:00 | 1:28:02 | |
Well, I did, and he was rich as hell, too, baby. | 1:28:02 | 1:28:07 | |
Chin up, little man. | 1:28:07 | 1:28:08 | |
Ah, I think he's still upset about the car. | 1:28:08 | 1:28:11 | |
Come on, let's get up. You're going outside. | 1:28:11 | 1:28:13 | |
No, no thanks. | 1:28:13 | 1:28:15 | |
Come on, we're taking you out. | 1:28:15 | 1:28:16 | |
We're going to get you some coffee, | 1:28:16 | 1:28:17 | |
get you cleaned up. On the double, man. I don't feel like it. | 1:28:17 | 1:28:19 | |
SIREN WAILS IN DISTANCE | 1:28:20 | 1:28:23 | |
Look, Starsky, I know these two white dudes | 1:28:23 | 1:28:25 | |
that got a car that you might be interested in. | 1:28:25 | 1:28:28 | |
I don't want another car, Hug. | 1:28:28 | 1:28:29 | |
Oh, come on, at least take a look. | 1:28:29 | 1:28:31 | |
STARSKY: My car! | 1:28:34 | 1:28:36 | |
Where did you...? | 1:28:36 | 1:28:37 | |
Hey, Hutch, | 1:28:45 | 1:28:46 | |
who the hell are these guys? | 1:28:47 | 1:28:48 | |
I don't know, but I... I get a good vibe from them. | 1:28:48 | 1:28:51 | |
So, are you selling the car? | 1:28:52 | 1:28:54 | |
Well, actually your friend here has already paid for it. | 1:28:54 | 1:28:57 | |
STARSKY LAUGHS | 1:28:57 | 1:28:59 | |
I owe you one, Huggy. | 1:28:59 | 1:29:01 | |
HE CHUCKLES | 1:29:01 | 1:29:02 | |
All right. | 1:29:02 | 1:29:04 | |
Come on, give him the keys. | 1:29:04 | 1:29:06 | |
Thank you. Thank you. | 1:29:12 | 1:29:13 | |
Uh, now, uh, with this transmission, | 1:29:15 | 1:29:16 | |
you're really going to want to jump the clutch. | 1:29:16 | 1:29:18 | |
Yeah, yeah, I know. I usually pop it | 1:29:18 | 1:29:19 | |
from second to fourth. Yeah, I got it. | 1:29:19 | 1:29:21 | |
DISPATCHER: Come in, zebra-three... Right. | 1:29:21 | 1:29:23 | |
We have a 420 on fifth and tucker, please respond. | 1:29:23 | 1:29:24 | |
This is zebra-three. We're on it. | 1:29:28 | 1:29:30 | |
Hutch. | 1:29:30 | 1:29:31 | |
Let's roll. | 1:29:31 | 1:29:32 | |
I think he means you. | 1:29:33 | 1:29:34 | |
Good luck. | 1:29:36 | 1:29:38 | |
Allow me. | 1:29:38 | 1:29:39 | |
All right, thank you. You're welcome. | 1:29:39 | 1:29:40 | |
MUSIC: "Sweet Emotion" by Aerosmith All right. | 1:29:40 | 1:29:43 | |
TYRES SQUEAL Hey! | 1:29:43 | 1:29:44 | |
Not that... TYRES SCREECH | 1:29:44 | 1:29:46 | |
HE GROANS | 1:29:46 | 1:29:48 | |
How does it feel? | 1:29:49 | 1:29:50 | |
It feels pretty good. | 1:29:50 | 1:29:52 | |
I'm just going take it slow for a while, | 1:29:52 | 1:29:54 | |
get the feel of it. | 1:29:54 | 1:29:55 | |
No, that's smart. Do that. | 1:29:55 | 1:29:56 | |
Starsky... | 1:30:01 | 1:30:02 | |
Hang on. | 1:30:02 | 1:30:03 | |
No! | 1:30:03 | 1:30:04 | |
No! Hang on! | 1:30:04 | 1:30:06 | |
# Sweet emotion | 1:30:06 | 1:30:14 | |
# You talk about things that nobody cares | 1:30:14 | 1:30:17 | |
# You're wearin' out things that nobody wears | 1:30:18 | 1:30:21 | |
# You're callin' my name, but I gotta make clear | 1:30:23 | 1:30:27 | |
# I can't say, baby, where I'll be in a year | 1:30:27 | 1:30:30 | |
# Some sweat hog mama with a face like a gent | 1:30:41 | 1:30:46 | |
# Said my get up and go musta got up and went | 1:30:46 | 1:30:48 | |
ENGINE RUMBLING | 1:30:48 | 1:30:51 | |
# Well I got good news, she's a real good liar | 1:30:51 | 1:30:54 | |
# Cos the backstage boogie set your pants on fire | 1:30:55 | 1:30:58 | |
TYRES SCREECHING | 1:31:00 | 1:31:04 | |
# Sweet... | 1:31:16 | 1:31:21 | |
# Emotion | 1:31:21 | 1:31:25 | |
# Sweet... | 1:31:25 | 1:31:30 | |
# Emotion | 1:31:30 | 1:31:35 | |
# I pulled into town in a police car | 1:31:35 | 1:31:38 | |
# Your daddy said I took it just a little too far | 1:31:39 | 1:31:43 | |
# You're telling me things, but your girlfriend lied | 1:31:43 | 1:31:47 | |
# You can't catch me cos the rabbit gone died | 1:31:47 | 1:31:51 | |
# Yes, it did | 1:31:52 | 1:31:53 | |
ENGINE ROARS | 1:32:07 | 1:32:09 | |
SONG FADES | 1:32:18 | 1:32:22 | |
MUSIC: Starsky & Hutch Theme by Tom Scott | 1:32:24 | 1:32:26 |