Tadpole


Tadpole

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Transcript


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This film contains some strong language.

0:01:000:01:06

Snap out of it, Grubber. Miranda Spear, one o'clock.

0:01:080:01:10

Hey, Oscar.

0:01:120:01:13

Hi, Miranda.

0:01:130:01:15

What are you reading?

0:01:150:01:17

Voltaire.

0:01:170:01:18

You see, Oscar and I were just debating on...

0:01:180:01:20

MIRANDA: Voltaire? Really?

0:01:200:01:22

That's so cool.

0:01:220:01:24

My friends are waiting, so...

0:01:260:01:28

See you after break.

0:01:280:01:30

Sure.

0:01:300:01:32

All right. I'll see you, Miranda.

0:01:320:01:34

Oh, my God.

0:01:370:01:38

She's totally hot for you.

0:01:380:01:40

She's got friends.

0:01:400:01:42

You're hooking me up.

0:01:420:01:43

I'm not asking her out.

0:01:430:01:45

What?

0:01:450:01:47

Why not? She's perfect.

0:01:470:01:49

Did you see her hands?

0:01:490:01:50

I-I wasn't looking at her hands.

0:01:500:01:53

Experience, wit, intellect...

0:01:530:01:55

All revealed by the hands.

0:01:550:01:57

Does she have fat hands?

0:01:570:01:59

She had hands like a...

0:01:590:02:01

Like a steel worker?

0:02:010:02:02

She had hands like a...

0:02:020:02:06

child.

0:02:060:02:08

MAN SINGING IN FRENCH

0:02:100:02:11

CHARLIE: I worry about you, Oscar.

0:02:110:02:13

I really do.

0:02:130:02:15

Why, because I'm interested in more than websites?

0:02:150:02:17

Because you're fetishising hands.

0:02:170:02:19

I wouldn't call it a fetish.

0:02:190:02:20

You find reasons not to like things.

0:02:200:02:23

That's not true.

0:02:230:02:24

Like what?

0:02:240:02:25

Like Miranda Spear.

0:02:250:02:27

Like simple explanations.

0:02:270:02:29

I like things I don't understand.

0:02:290:02:31

Never gonna get laid that way.

0:02:310:02:33

It's not all about getting laid, Charlie.

0:02:330:02:35

Yeah, it is.

0:02:350:02:36

No, it isn't.

0:02:360:02:37

It is so.

0:02:370:02:38

What about love?

0:02:380:02:39

Yeah. I've heard of it.

0:02:390:02:41

It's not like you're in love with someone.

0:02:410:02:43

I knew something was up.

0:02:460:02:49

Wow. The Grubber, in love.

0:02:490:02:53

Who the hell is it?

0:02:530:02:54

Someone I've known for a while.

0:02:540:02:56

Do I know her?

0:02:580:02:59

She doesn't even know...

0:02:590:03:01

yet.

0:03:010:03:02

All right.

0:03:030:03:05

When do you plan on telling her?

0:03:050:03:07

That's the thing.

0:03:070:03:08

I want to find the right time.

0:03:080:03:10

Definitely this weekend. Maybe tonight.

0:03:100:03:12

Is she coming over for Thanksgiving?

0:03:120:03:14

She'll be there. Why?

0:03:140:03:17

I'm coming over for pie.

0:03:170:03:18

No, you're not. You're not invited.

0:03:180:03:20

Grubbs.

0:03:200:03:22

Hi, Tadpole.

0:03:330:03:34

Hey, Jimmy.

0:03:340:03:35

Home for Thanksgiving?

0:03:350:03:37

That's right.

0:03:370:03:38

What happened to your hair?

0:03:380:03:40

I combed it.

0:03:400:03:43

Well, I don't like it.

0:03:430:03:45

SOFT JAZZ MUSIC PLAYS

0:04:100:04:12

INDISTINCT CHATTER

0:04:140:04:17

Hi, Oscar.

0:04:180:04:19

Oh, hi, Mrs Lodder.

0:04:190:04:21

Diane, please.

0:04:210:04:22

Diane, have you seen Eve anywhere?

0:04:220:04:23

Yeah, she was just here.

0:04:230:04:25

Oh, she went to go get some keys

0:04:250:04:26

so she could get in the lab tomorrow.

0:04:260:04:28

HORN HONKS Ca va?

0:04:280:04:30

Excuse me.

0:04:300:04:31

So, Oscar... can we plan on

0:04:430:04:45

seeing you at Columbia?

0:04:450:04:47

Leave him alone, Dad. He's only a sophomore.

0:04:470:04:50

It's never too early

0:04:500:04:51

to think about college, Daphne,

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as it would behove you to realise.

0:04:520:04:53

Actually, Professor Tisch,

0:04:530:04:55

I have given some thought to Columbia pre med.

0:04:550:04:57

Not history?

0:04:570:04:59

Well, I... STANLEY: Excuse me.

0:04:590:05:01

May I have your attention, everybody?

0:05:010:05:02

I'm sorry to interrupt,

0:05:020:05:05

but I'd like to make a short Thanksgiving toast

0:05:050:05:07

and then invite you all to commence eating.

0:05:070:05:11

First of all,

0:05:110:05:13

I'd like to apologise to Native Americans everywhere

0:05:130:05:15

for decimating their population,

0:05:150:05:17

basically stealing this country from out...

0:05:170:05:19

Stick to antiquities, Stanley.

0:05:190:05:21

No, no, no. I'm a traditionalist.

0:05:210:05:23

And far be it from me to dispense with any excuse

0:05:230:05:25

to eat turkey and pecan pie.

0:05:250:05:27

And so...

0:05:270:05:28

to my recently returned prodigal son.

0:05:280:05:31

WOMAN: Hear, hear.

0:05:310:05:33

To my distinguished colleagues

0:05:330:05:35

at the Columbia History Department

0:05:350:05:36

and their families.

0:05:360:05:38

And, er...

0:05:380:05:40

am I leaving anyone out?

0:05:400:05:41

Eve.

0:05:410:05:43

Yes, of course,

0:05:430:05:44

although not here, she...

0:05:440:05:44

DOOR IS UNLOCKED Could it be?

0:05:440:05:46

Could it be?

0:05:460:05:48

To my lovely wife Eve.

0:05:510:05:54

Oh, I'm so sorry.

0:05:540:05:55

# She may be the face I can't forget

0:05:550:06:00

# A trace of pleasure or regret

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# Maybe the treasure

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# Or the price I have to pay

0:06:060:06:09

# She

0:06:090:06:12

# She... #

0:06:130:06:16

You turn the corner, then hidden away

0:06:160:06:18

in this small forgotten backstreet,

0:06:180:06:20

is this old, old house...

0:06:200:06:21

DAPHNE: How's your mom, Oscar?

0:06:210:06:23

She still in France?

0:06:230:06:24

OSCAR: Yeah, she went back a while ago.

0:06:240:06:26

When's the last time you saw her?

0:06:260:06:27

I went back last summer.

0:06:270:06:30

I wish I had an exotic French mother.

0:06:320:06:35

There's nothing exotic

0:06:350:06:36

about mothers who live on the Upper East Side.

0:06:360:06:39

Well, they can be exotic in their own way.

0:06:390:06:41

You walk in, and it's a home,

0:06:410:06:43

a timeless home. You feel it.

0:06:430:06:45

It's hard to put it into words, but...

0:06:450:06:46

DAPHNE: My mom brings me back the stupidest things.

0:06:460:06:49

That's not what I'm saying.

0:06:490:06:51

There was this lovely fresco that...

0:06:510:06:52

It's very intimate.

0:06:520:06:53

Completely out of context.

0:06:530:06:54

DAPHNE: ...too small or whatever.

0:06:540:06:55

There was some...

0:06:550:06:57

DAPHNE: That's cool. You've got, like,

0:06:570:06:59

that look, that faraway look.

0:06:590:07:00

That's cool.

0:07:000:07:02

I've-been-studying for-four-days thing.

0:07:020:07:04

EVE SIGHS

0:07:070:07:09

It sounded beautiful.

0:07:170:07:19

What's that?

0:07:190:07:20

The timeless home.

0:07:200:07:22

Oh. Thanks.

0:07:220:07:25

I get a little caught up in the whole...

0:07:250:07:28

I don't know.

0:07:280:07:29

No, no. That's good.

0:07:290:07:30

It's good to get caught up

0:07:300:07:32

in the feeling of something, the aura.

0:07:320:07:34

I mean, if everything could be reduced

0:07:340:07:36

to verbalisable facts,

0:07:360:07:38

we wouldn't have any need for music, would we?

0:07:380:07:40

You might have a point there.

0:07:420:07:46

Of course I have a point.

0:07:460:07:47

The timeless home, that's like...

0:07:470:07:50

The title of some great lost Puccini operetta.

0:07:500:07:54

Heh. You're sweet, you know that?

0:07:540:07:57

HE POURS THE WINE

0:07:570:07:58

So, how are things at...at Chauncey?

0:07:580:08:00

Not bad.

0:08:000:08:02

Any girls there?

0:08:020:08:05

Sure, there are girls.

0:08:050:08:06

Well? Any you like?

0:08:060:08:09

Well, they're mostly pretty dumb.

0:08:090:08:11

They can't all be dumb.

0:08:110:08:13

It just seems like

0:08:130:08:14

they haven't lived that much, you know?

0:08:140:08:16

Well...

0:08:160:08:18

We're talking about sophomores, right?

0:08:180:08:20

Yeah.

0:08:200:08:22

Maybe you should give them a chance, Oscar.

0:08:220:08:24

I mean...

0:08:240:08:25

They might've lived more than you think.

0:08:250:08:29

Sure.

0:08:290:08:32

You have high expectations, don't you, Oscar?

0:08:320:08:36

Hey.

0:08:420:08:44

How are you?

0:08:460:08:47

Good.

0:08:470:08:48

That's better.

0:08:510:08:53

Don't want back problems before you're 40.

0:08:530:08:56

So, how's the chiropody business?

0:08:560:08:59

Heh. Chiropody is feet.

0:08:590:09:01

Huh. Chiropractic?

0:09:010:09:03

It's pretty good.

0:09:030:09:05

I stare at backs all day.

0:09:050:09:07

Can tell a lot about a person by their back.

0:09:070:09:09

I've always thought of my spine

0:09:090:09:11

as incredibly personal.

0:09:110:09:13

I don't think I could show my spine to just anyone.

0:09:130:09:15

Maybe if you were in enough pain, you could.

0:09:150:09:18

Not even then, maybe.

0:09:180:09:19

Throw a couple cubes in there, would you, Diane?

0:09:190:09:21

Sure.

0:09:210:09:22

How's that endodontist of yours?

0:09:220:09:24

Great.

0:09:240:09:25

Je suis amoureux de la mere et moi... da-da, la-la.

0:09:250:09:32

Oscar.

0:09:320:09:33

Je sais, Professor Sherman.

0:09:330:09:35

Comme si ce n'etait pas evident.

0:09:400:09:43

What is this?

0:09:430:09:45

Voltaire?

0:09:450:09:47

Oscar.

0:09:470:09:48

Voltaire said,

0:09:480:09:50

"If God did not exist, he would have to be invented."

0:09:500:09:52

He was a funny guy.

0:09:540:09:56

STANLEY: Oscar!

0:09:580:10:01

Excusez moi.

0:10:010:10:03

Professor Tisch wants to stay and gossip

0:10:060:10:09

about our colleagues a little longer.

0:10:090:10:10

Will you walk Daphne home?

0:10:100:10:11

Dad, no.

0:10:110:10:12

Daphne's been taking the subways

0:10:120:10:14

since she was eight.

0:10:140:10:15

She's a good-looking girl, don't you think?

0:10:150:10:17

She's all right.

0:10:170:10:18

Well, it would be a nice gesture.

0:10:180:10:20

An empty gesture.

0:10:200:10:21

No, Dad. I'm fatigued this evening.

0:10:210:10:22

I've been on trains, in cars,

0:10:220:10:24

I've had two lengthy debates

0:10:240:10:25

on Voltaire and Henry Miller,

0:10:250:10:26

both of which I won, incidentally.

0:10:260:10:28

I haven't unpacked yet,

0:10:280:10:29

I've got a lot of things to do,

0:10:290:10:31

And I'm not gonna stand here and argue

0:10:310:10:32

with you about it, all right?

0:10:320:10:33

Do you wanna go with me to the Moby concert

0:10:330:10:35

on Sunday?

0:10:350:10:37

Not really.

0:10:370:10:39

I don't go in much for contemporary pop music.

0:10:390:10:42

What do you go in for?

0:10:420:10:44

You know, regular stuff.

0:10:440:10:46

Oscar, contemporary pop music

0:10:460:10:48

is regular stuff for a 15-year-old.

0:10:480:10:51

Voltaire or whatever is not regular.

0:10:510:10:54

Well, we differ.

0:10:540:10:56

Yeah.

0:10:560:10:57

God, you're like a 40-year-old

0:10:570:11:00

trapped in a 15-year-old's body.

0:11:000:11:02

I mean, it's not a bad body.

0:11:020:11:04

Taxi!

0:11:040:11:05

Hold on.

0:11:090:11:11

Come on.

0:11:110:11:12

I live six blocks from here.

0:11:150:11:17

It's cold.

0:11:170:11:19

78th and Lex. I have to wake up early.

0:11:200:11:23

You are so weird.

0:11:230:11:24

OK. Safe trip.

0:11:240:11:26

ROMANTIC SONG PLAYS ON JUKEBOX

0:11:390:11:42

Hey, happy Thanksgiving, pal.

0:11:460:11:48

FRENCH SONG ON JUKEBOX

0:11:500:11:54

Say, how old are you, anyway?

0:12:020:12:04

40.

0:12:040:12:06

Me, too.

0:12:060:12:08

Doesn't it suck?

0:12:100:12:12

Ah, it's not so bad.

0:12:120:12:14

Your wife probably didn't leave you.

0:12:140:12:16

I'm not married, actually.

0:12:160:12:19

Well, don't wait too long.

0:12:190:12:21

All the best ones get taken.

0:12:210:12:24

I hear you there.

0:12:240:12:26

J'adore les chansons francaises de cette epoque.

0:12:320:12:37

You're not French.

0:12:400:12:42

It's part of my act.

0:12:420:12:44

What act?

0:12:440:12:45

You gonna buy me a drink?

0:12:450:12:48

Bob, the lady's dry.

0:12:480:12:50

Well, I got to go feed the cat.

0:12:520:12:55

Why so glum, chum?

0:12:570:12:59

I have high expectations.

0:12:590:13:02

Yeah, I know what you mean.

0:13:020:13:04

You have beautiful hands.

0:13:150:13:17

Oh, Jeez.

0:13:490:13:50

Oscar?

0:13:510:13:53

Oh, hiya, Diane.

0:13:540:13:56

Top of the night to you.

0:13:590:14:00

Oscar, you don't look so hot.

0:14:000:14:03

Oh, don't worry about me.

0:14:030:14:04

Hey... Oh, careful!

0:14:040:14:05

Careful. Come here.

0:14:050:14:06

Come on. Come on.

0:14:060:14:07

Let me get you some coffee.

0:14:070:14:08

No, no, no. I gotta get home.

0:14:080:14:09

No, no. You don't want your father

0:14:090:14:11

to see you like this.

0:14:110:14:13

My wallet was stolen.

0:14:180:14:19

You got mugged?

0:14:190:14:21

Sort of.

0:14:210:14:23

What do you mean, "sort of"?

0:14:230:14:24

She was very pleasant about it.

0:14:240:14:26

Take your coat?

0:14:320:14:33

No.

0:14:330:14:35

Well, come in.

0:14:380:14:39

Make yourself comfortable.

0:14:390:14:41

Oh. It got chilly in here.

0:14:470:14:50

Hey, that's Eve's scarf.

0:14:500:14:52

Yeah, I know. I like it.

0:14:520:14:54

I might forget to give it back.

0:14:540:14:56

Oh! Oh, dear.

0:15:140:15:18

OK. What hurts?

0:15:180:15:21

OSCAR: Everything.

0:15:210:15:23

OK.

0:15:230:15:24

Diane? Mm-hm?

0:15:320:15:33

What's it like being 40?

0:15:330:15:35

Not as bad as people make out.

0:15:360:15:39

Except everyone you know seems kind of tired.

0:15:390:15:42

Worn out, you mean?

0:15:420:15:43

Yeah, like they've seen it all before.

0:15:430:15:47

Eve's not like that.

0:15:470:15:49

No, Eve's not like that.

0:15:490:15:51

And you're not like that.

0:15:510:15:54

It's nice.

0:15:540:15:56

You know what?

0:15:560:15:57

This is really hard to do with your sweater on.

0:15:570:15:59

OSCAR: Eve.

0:16:500:16:53

Ow!

0:17:070:17:08

Oh, Jeez.

0:17:110:17:13

Morning.

0:18:260:18:28

Diane's good, isn't she?

0:18:280:18:31

Yes. Yes.

0:18:310:18:34

I'm Phil, the boyfriend.

0:18:340:18:37

Boyfriend.

0:18:370:18:38

I'm Oscar Grubman. I'm just a friend.

0:18:380:18:41

So how long's she been doing you?

0:18:410:18:44

This was the first time, I swear to you,

0:18:440:18:47

And the only time.

0:18:470:18:48

You're kind of young, aren't you?

0:18:480:18:51

Yes, way too young.

0:18:510:18:52

Young and stupid.

0:18:520:18:54

Pinched nerve?

0:18:540:18:56

Excuse me?

0:18:560:18:58

Did you twist your neck or something?

0:18:580:18:59

Hell, I didn't see a chiropractor

0:18:590:19:00

till I turned 40.

0:19:000:19:02

Oh! Yeah.

0:19:020:19:03

Um, very pinched nerve.

0:19:030:19:04

Actually 3 of them. Um...

0:19:040:19:07

Medial collateral, collateral,

0:19:070:19:08

and hyper collateral.

0:19:080:19:09

Although the hyper wasn't quite as severe.

0:19:090:19:12

So, the old girl give you your money's worth?

0:19:120:19:14

Good morning.

0:19:140:19:15

Didn't hear you come in.

0:19:150:19:17

I just got here. Oscar here was saying

0:19:170:19:19

you worked him over pretty good.

0:19:190:19:21

No, I didn't. I mean,

0:19:210:19:22

yes, you worked out the pinched nerve

0:19:220:19:24

in my back.

0:19:240:19:25

Yeah, he had quite a knotted muscle.

0:19:250:19:27

My God, the pain right here in my shoulder.

0:19:270:19:30

Took a lot of work.

0:19:300:19:31

Thank God my vocation gives me such pleasure.

0:19:310:19:33

We should all be so blessed.

0:19:330:19:36

Well, thanks again, Mrs Lodder.

0:19:360:19:38

I'll put that check in the mail pronto.

0:19:380:19:39

Nice to meet you, Phil.

0:19:390:19:41

Hey, you take care, buddy.

0:19:410:19:42

I'll walk you out.

0:19:420:19:43

Er, please don't bother.

0:19:430:19:44

No. It's no bother.

0:19:440:19:46

Diane, no-one can ever find out about last night, OK?

0:19:540:19:58

OK.

0:19:580:19:59

I mean it. I'm serious.

0:19:590:20:01

It's very important to me that Eve...

0:20:010:20:03

and my dad never find out about this.

0:20:030:20:07

OK. All right. I won't tell.

0:20:070:20:09

Good. Phil, either. He's a lot bigger than me.

0:20:090:20:11

Actually, he's not.

0:20:110:20:13

Diane, please.

0:20:130:20:15

OK. All right. Mum's the word.

0:20:150:20:17

Thank you.

0:20:170:20:18

DIANE: Give that to Eve for me.

0:20:220:20:24

Hey, Oscar.

0:20:490:20:51

That girl sure was pretty.

0:20:510:20:53

Who?

0:20:530:20:55

Professor Tisch's girl.

0:20:550:20:57

Oh, Daphne.

0:20:570:20:58

Yeah, I guess she's pretty.

0:20:580:21:00

Is she new to the pond, Tadpole?

0:21:000:21:03

Don't you sleep?

0:21:030:21:05

FLOORBOARD CREAKS

0:21:150:21:17

STANLEY: So.

0:21:340:21:36

Hi, Dad.

0:21:360:21:38

I didn't hear you come in.

0:21:380:21:40

Daphne and I got to talking last night.

0:21:410:21:44

Is that right?

0:21:440:21:46

Is Eve around?

0:21:480:21:50

No. She left for work at dawn.

0:21:500:21:53

Why is she working today?

0:21:530:21:56

She likes to go in

0:21:560:21:57

when there's no-one around to bug her.

0:21:570:21:58

So she's by herself.

0:21:580:22:00

What's that?

0:22:000:22:02

Nothing. Nothing.

0:22:020:22:03

Picnic?

0:22:160:22:17

Sort of.

0:22:170:22:19

But you have time to help old dad

0:22:190:22:21

do some grocery shopping, don't you?

0:22:210:22:23

Now?

0:22:230:22:24

Yeah. Come on.

0:22:240:22:25

Dad, I thought you were gonna

0:22:250:22:27

take some time to work on your book today.

0:22:270:22:29

Well, come on. I mean, that can wait.

0:22:290:22:31

How many people really are dying to read

0:22:310:22:33

The Life And Times Of Arnobias Of Sicca?

0:22:330:22:36

Well, I think you really underestimate your audience.

0:22:360:22:39

There are a lot of Arnobias of Sicca fans

0:22:390:22:41

out there that you're completely unaware of.

0:22:410:22:43

Really? You think so?

0:22:430:22:44

Yeah.

0:22:440:22:46

I mean, the kids at school...

0:22:470:22:48

the ones in the know, anyway...

0:22:480:22:49

talk about Arnobias of Sicca

0:22:490:22:51

like he was THE hip ancient scholar.

0:22:510:22:53

Arnobias. Really?

0:22:530:22:55

You picked a winner.

0:22:550:22:56

You should feel really good about it

0:22:560:22:58

and really motivated.

0:22:580:22:59

You put it that way,

0:22:590:23:00

I...I do feel pretty damn motivated.

0:23:000:23:02

Either way, we need paper towels, cereal,

0:23:020:23:05

and we're completely out of cheesecake.

0:23:050:23:07

Dad, I'm not really into cheesecake any more.

0:23:070:23:09

Grab your coat.

0:23:090:23:10

WOMAN: Taxi!

0:23:130:23:13

HORNS HONK

0:23:130:23:15

Who is she, Oscar?

0:23:150:23:17

Who, Dad?

0:23:170:23:18

Where did you sleep last night?

0:23:180:23:21

I know it wasn't at Charlie's.

0:23:210:23:23

Come clean.

0:23:230:23:24

This is your old man here.

0:23:240:23:26

What happened? Did you, er...

0:23:260:23:28

run into some buddies from Chauncey...

0:23:280:23:32

go downtown, get a couple of beers,

0:23:320:23:34

and stare at the hippies in Greenwich Village?

0:23:340:23:36

There are no hippies in Greenwich Village any more, Dad.

0:23:360:23:38

What is it now? Punks, druggies,

0:23:380:23:40

folk-mopers, cross-dressers, bikers?

0:23:400:23:43

Bankers.

0:23:430:23:44

Bankers?

0:23:440:23:45

Oh, God, has it come to that?

0:23:450:23:47

I'm afraid so.

0:23:470:23:48

What a state of affairs. Bankers?

0:23:480:23:51

So where DID you spend the night?

0:23:540:23:56

I ran into a...into... A girl?

0:23:560:23:59

Yes, a girl.

0:23:590:24:00

A pretty girl?

0:24:000:24:01

Yes, a pretty girl.

0:24:010:24:02

Oh, Oscar.

0:24:020:24:05

It wasn't a... you know...

0:24:050:24:08

it wasn't a call girl?

0:24:080:24:09

Dad!

0:24:090:24:10

Of course it wasn't a call girl.

0:24:100:24:13

What's wrong with you?

0:24:130:24:15

Kids are crazy these days.

0:24:150:24:17

I bumped into a girl.

0:24:170:24:18

From Chauncey?

0:24:180:24:19

Yes, a girl from Chauncey.

0:24:190:24:20

Well, what was her name, Oscar?

0:24:200:24:21

Her name?

0:24:210:24:22

Is it someone even I should meet?

0:24:220:24:24

No!

0:24:240:24:25

I mean, there just isn't any point.

0:24:250:24:28

Her name's, er, Miranda Spear,

0:24:280:24:31

and she's just some dumb girl...

0:24:310:24:33

Hey, have some respect, Oscar.

0:24:330:24:36

Maybe this girl's only 15, 16.

0:24:360:24:39

And maybe right now her interests

0:24:390:24:40

are different from yours, but...

0:24:400:24:42

girls have things to say.

0:24:420:24:43

They can be funny.

0:24:430:24:45

Consider them, Oscar. Listen to them.

0:24:450:24:49

So, I should listen to girls

0:24:490:24:50

like you listen to Eve, you mean?

0:24:500:24:52

Exactly.

0:24:520:24:53

BIRDS TWITTER

0:25:380:25:40

MAN SINGS "She" IN FRENCH

0:25:460:25:50

CORK POPS

0:26:140:26:15

GLASSES CLINK

0:26:260:26:27

HE CLEARS HIS THROAT

0:27:040:27:05

Oscar.

0:27:070:27:09

What a nice surprise.

0:27:090:27:11

I brought you lunch.

0:27:110:27:13

You're kidding.

0:27:130:27:15

EVE LAUGHS

0:27:150:27:17

Wait. Wait one second.

0:27:170:27:19

Wow. Cookies, too.

0:27:240:27:26

Yeah. I know you like 'em.

0:27:260:27:27

Thank you.

0:27:270:27:29

So, what are you working on?

0:27:320:27:34

I'm monitoring the depolarisation

0:27:340:27:36

of cardiac myocytes.

0:27:360:27:38

Oh. Hmm.

0:27:380:27:41

Pericardium.

0:27:520:27:54

Mitral, aorta...

0:27:540:27:58

Such beautiful words.

0:27:580:28:02

Poetry.

0:28:020:28:04

Never thought of it that way.

0:28:040:28:07

It's, er, pretty complicated business.

0:28:070:28:10

No. The heart is simple.

0:28:100:28:13

Fixing it is complicated.

0:28:130:28:15

So, when you're...

0:28:170:28:20

working on...

0:28:200:28:22

whatever it is you're working on,

0:28:220:28:25

I mean...

0:28:250:28:27

How do you see the heart as anything more than a...?

0:28:270:28:30

Than a pump.

0:28:300:28:31

Yeah.

0:28:310:28:32

I mean, in the end, it's just an organ, right,

0:28:320:28:36

but, symbolically...?

0:28:360:28:39

Your heart can fit right in my hand.

0:28:390:28:42

The heart is this incredibly smart machine.

0:28:420:28:45

It beats 70-80 times a minute,

0:28:450:28:47

and in the space of each beat

0:28:470:28:49

sends deoxygenated blood to your lungs

0:28:490:28:51

and oxygenated blood to all your organs.

0:28:510:28:54

Cut the aorta, and you'll release

0:28:540:28:56

a jet of blood that hits the ceiling.

0:28:560:28:58

Now, who needs to use it as a symbol

0:28:580:29:01

when the thing itself is so magnificent?

0:29:010:29:04

The thing itself.

0:29:040:29:06

Hmm.

0:29:060:29:08

Well, as a symbol, it should be replaced.

0:29:100:29:13

The heart's had its day.

0:29:130:29:15

Why not the kidney as a symbol of love,

0:29:150:29:17

or the liver?

0:29:170:29:18

Hmm. "You broke my liver."

0:29:180:29:21

"My liver aches for you"?

0:29:210:29:23

Doesn't rhyme as well,

0:29:230:29:25

you know, for country songs and Shakespeare.

0:29:250:29:28

Sure it does.

0:29:280:29:29

"I'm aquiver.

0:29:290:29:31

"Please deliver.

0:29:310:29:34

"Deep as a river,

0:29:340:29:36

"my love, my liver."

0:29:360:29:37

I just can't...

0:29:380:29:40

TELEPHONE RINGS

0:29:400:29:41

RING

0:29:410:29:43

Hello?

0:29:450:29:46

Hi. Oscar's here, visiting.

0:29:460:29:50

Yeah. I know.

0:29:500:29:54

OK.

0:29:540:29:55

Your father says, "Don't forget

0:29:550:29:57

"we're having dinner tonight."

0:29:570:29:59

I haven't forgotten!

0:29:590:30:01

He says, "Did you ask Miranda Spear to join us?"

0:30:030:30:07

Who?

0:30:070:30:08

Miranda...

0:30:080:30:09

No. No! Tonight's family night.

0:30:090:30:10

Well, don't worry about that, Oscar.

0:30:100:30:12

I mean, Diane is coming.

0:30:120:30:14

Diane? And Phil.

0:30:140:30:17

It sure would be nice to see Diane and Phil.

0:30:170:30:19

Have you met Phil?

0:30:190:30:22

I think so.

0:30:220:30:25

Well, Phil isn't coming, OK?

0:30:250:30:27

Diane likes to keep her options open.

0:30:270:30:30

It's just Diane, right? Yeah. I thought so.

0:30:300:30:33

DOORBELL RINGS

0:30:330:30:35

Hey, buddy. Come on in.

0:30:350:30:39

Is Diane around?

0:30:390:30:41

She isn't.

0:30:410:30:42

Is your back still bothering you?

0:30:420:30:43

Well, come on in.

0:30:430:30:44

I'll give you a rub-a-dub.

0:30:440:30:45

Thanks, anyway.

0:30:450:30:46

I'd rather not trust my back to a dentist.

0:30:460:30:48

Eh, the old gal taught me a few tricks.

0:30:480:30:50

Why do you call her "old gal"?

0:30:500:30:52

You make her sound like she's a horse.

0:30:520:30:53

Actually, she's more of a wild cat.

0:30:530:30:56

Diane's with the girls down at Payard

0:30:560:30:58

if your back's really that bad.

0:30:580:30:59

Hey, you know, buddy!

0:31:000:31:02

You're gonna have to learn to relax.

0:31:020:31:04

You're gonna be dead before you reach 20.

0:31:040:31:07

CAR HORN HONKS

0:31:210:31:22

PIANO PLAYS

0:31:410:31:43

MAN: Thank you very much.

0:31:430:31:46

Here you go.

0:31:470:31:48

INDISTINCT CHATTER

0:31:480:31:51

No, you didn't.

0:31:510:31:52

Is that right?

0:31:540:31:56

Diane.

0:31:560:31:58

Can I talk to you for a minute, please?

0:31:590:32:01

You must be Oscar.

0:32:010:32:03

I'm Samantha.

0:32:030:32:04

So, it sounds like you have some

0:32:060:32:08

interesting ideas about French philosophy.

0:32:080:32:10

Yes. Er, Diane was telling us

0:32:100:32:12

that you regard Voltaire

0:32:120:32:14

as a comedian.

0:32:140:32:15

Well, I think that when you look at his body...

0:32:220:32:24

Excuse me.

0:32:240:32:25

Diane, can I talk to you for a minute, please?

0:32:250:32:27

In a minute, Oscar.

0:32:270:32:29

Oscar... have some tea.

0:32:290:32:33

The assertion that all man's actions

0:32:350:32:37

are essentially self-serving

0:32:370:32:38

has never been taken in the spirit it was intended,

0:32:380:32:41

which was a quote, a quote.

0:32:410:32:43

And that's what Adam Smith was really saying

0:32:430:32:45

In The Wealth Of Nations.

0:32:450:32:47

At least, that's what I've always thought.

0:32:470:32:49

More tea, Oscar?

0:32:490:32:50

Thank you, Abigail.

0:32:500:32:52

Now, most people are going to tell you

0:32:520:32:54

that Quine's belief in the inherent goodness...

0:32:540:32:56

But, Oscar, I don't see how you can dismiss

0:32:560:32:58

Mirabaud so easily.

0:32:580:33:00

Mirabaud never even got out of the gate.

0:33:000:33:02

Oh, you naughty girl.

0:33:020:33:04

Where did you find him?

0:33:040:33:06

Isn't he lovely?

0:33:060:33:07

He's so passionate,

0:33:070:33:09

and he really listens.

0:33:090:33:11

Do you mind if I give him my number?

0:33:110:33:13

No. Go ahead.

0:33:130:33:14

Oscar...

0:33:140:33:15

I'd love to chat more with you

0:33:150:33:17

about this sometime,

0:33:170:33:18

or, um, about anything.

0:33:180:33:20

I'm pretty busy with midterms and all.

0:33:200:33:24

Anything...any time.

0:33:240:33:26

Bye, Oscar.

0:33:260:33:28

Bye, Samantha.

0:33:280:33:29

Bye, Oscar.

0:33:290:33:29

Abigail.

0:33:290:33:31

Bye, Diane. Bye, girls.

0:33:310:33:33

Well...

0:33:360:33:38

Oscar, it was a pleasure to meet you.

0:33:380:33:40

Pleasure.

0:33:400:33:41

You two be good. SHE LAUGHS

0:33:410:33:44

I'll call you tomorrow.

0:33:440:33:46

Diane.

0:33:480:33:50

Mm-hm.

0:33:500:33:51

You didn't, er,

0:33:510:33:52

tell anybody about what happened last night,

0:33:520:33:54

did you?

0:33:540:33:55

Does it matter if I had?

0:33:550:33:56

You're a grown-up...

0:33:560:33:58

or close enough.

0:33:580:34:00

Did you?

0:34:000:34:01

I didn't say anything definite.

0:34:040:34:07

I may have hinted a little.

0:34:070:34:09

Hinted?

0:34:090:34:10

Why do they need hints? This isn't charades.

0:34:100:34:12

What if one of them tells Phil?

0:34:120:34:14

Phil, schmil.

0:34:140:34:15

"Phil, schmil?"

0:34:150:34:16

That isn't very nice.

0:34:160:34:18

That isn't very sensitive at all.

0:34:180:34:20

Oscar, please.

0:34:200:34:21

Phil and I are not an item.

0:34:210:34:23

Ahem. Excuse me. There's no smoking.

0:34:230:34:26

OK.

0:34:260:34:28

Forget about Phil.

0:34:280:34:30

Diane, I'd like to ask you

0:34:300:34:34

not to come to dinner tonight.

0:34:340:34:35

Not go to Cafe Balou?

0:34:350:34:37

Are you kidding? Your father's paying.

0:34:370:34:39

I want to minimise the likelihood

0:34:390:34:41

of your blabbing to Eve.

0:34:410:34:42

Maybe you've already told Eve.

0:34:440:34:46

I haven't even seen Eve yet.

0:34:460:34:47

Yet? Do you plan to tell her?

0:34:470:34:50

Oscar, Eve and I grew up together.

0:34:500:34:54

Jeez, the stories I could tell you

0:34:540:34:56

about Eve when we were 15.

0:34:560:34:57

You wouldn't have recognised her.

0:34:570:34:58

I don't want to hear it.

0:34:580:34:59

When we were 15,

0:34:590:35:01

Eve had this thing for Elvis.

0:35:010:35:03

Elvis Presley?

0:35:030:35:04

Hmm.

0:35:040:35:05

Flipped for any guy in sideburns.

0:35:050:35:07

Sideburns?

0:35:070:35:09

What's so great about sideburns?

0:35:090:35:10

I don't know.

0:35:100:35:11

The strangest things made her happy.

0:35:110:35:14

She was always happy back then.

0:35:140:35:16

Back then?

0:35:160:35:17

Are you saying now she isn't?

0:35:170:35:20

No. That wasn't my intention.

0:35:210:35:25

Look. You know what? Let's just forget it.

0:35:250:35:27

I shouldn't have said anything.

0:35:270:35:28

No. We can't just forget it.

0:35:280:35:29

We're talking about Eve's happiness here.

0:35:290:35:31

Well, I guess I can confide in you.

0:35:320:35:34

We're close now, right?

0:35:340:35:35

In a manner of speaking.

0:35:350:35:37

OK. Ahem.

0:35:370:35:39

I don't think Eve is happy.

0:35:390:35:42

There's a void. Something's missing.

0:35:420:35:44

What makes you say that?

0:35:440:35:46

It's a woman thing. I sense it.

0:35:460:35:48

I feel it.

0:35:480:35:49

Plus, last week, she said there was a void

0:35:490:35:52

and something was missing.

0:35:520:35:54

Did she say what?

0:35:540:35:55

Couldn't put her finger on it.

0:35:550:35:58

I wouldn't worry about it. She'll get over it.

0:36:010:36:04

CHARLIE: So, who is this girl?

0:36:100:36:12

A friend of the family's.

0:36:120:36:14

You gonna see each other again?

0:36:140:36:15

Tonight.

0:36:150:36:17

But her best friend's gonna be there.

0:36:170:36:19

Well, is the friend cute?

0:36:190:36:21

I wouldn't call her cute, exactly.

0:36:210:36:23

I mean, would I like her?

0:36:230:36:26

Well, you know,

0:36:260:36:27

I slept with her last night.

0:36:270:36:28

With the friend?

0:36:300:36:32

Damn!

0:36:320:36:33

Yeah, with the friend.

0:36:330:36:35

But you don't like the friend.

0:36:350:36:37

Not really. Not like that.

0:36:370:36:40

But you're going to dinner with both of them...

0:36:400:36:43

the woman you like

0:36:430:36:45

and the woman you slept with?

0:36:450:36:46

Yeah. My dad's coming, too.

0:36:460:36:49

Nothing's simple for the Grubber.

0:36:510:36:54

Talk to me, Oscar.

0:36:590:37:00

What's going on here?

0:37:000:37:03

I don't know, Charlie.

0:37:030:37:05

I found her.

0:37:050:37:06

The girl with the great hands.

0:37:060:37:08

Terrific hands.

0:37:080:37:09

CHARLIE: Are you gonna tell me her name?

0:37:090:37:11

Eve.

0:37:150:37:16

Eve...like your mother.

0:37:160:37:18

Eve's not my mother. She's my stepmother.

0:37:180:37:20

We're not blood relatives at all.

0:37:200:37:22

Wait. So, your Eve is that Eve?

0:37:240:37:27

Your mother.

0:37:270:37:29

She's very wise... and soft.

0:37:290:37:33

Are you out of your mind?

0:37:330:37:36

Do you want to end up in hell or something?

0:37:360:37:38

Charlie, I love her.

0:37:380:37:40

Oscar, Eve is married to your father.

0:37:400:37:44

I know, but I sense there's a void there.

0:37:440:37:46

Something missing.

0:37:460:37:47

She needs something more in her life.

0:37:470:37:49

Oh, and that would be you...her stepson.

0:37:490:37:52

I mean, hey, I know you're French,

0:37:540:37:56

and you have, like, a different idea

0:37:560:37:58

of family relations, but...

0:37:580:38:00

Wait...this means you slept with Diane.

0:38:000:38:05

I realise that was a mistake.

0:38:050:38:07

She was wearing Eve's scarf. It smelled of her perfume.

0:38:070:38:09

I got confused.

0:38:090:38:11

Er...I mean,

0:38:110:38:13

Diane's pretty hot.... for that age group.

0:38:130:38:18

These look fake.

0:38:180:38:20

You really fucked up.

0:38:200:38:22

Charlie, help me. I need sideburns.

0:38:220:38:26

Well...all right. Let me think.

0:38:260:38:28

DOG BARKS

0:38:300:38:32

DOG BARKS

0:38:350:38:37

HE HUMS "Ode To Joy"

0:38:490:38:54

STANLEY: I know we've talked about it

0:38:540:38:55

just being the two of us,

0:38:550:38:56

but the Shermans love Beethoven, as it turns out.

0:38:560:38:59

Is it all right with you if they come with us?

0:38:590:39:00

Honey? Did you hear me?

0:39:020:39:05

EVE: Sure. Fine.

0:39:060:39:08

STANLEY: Norm knows the Galea like the back of his hand.

0:39:080:39:10

He'll be humming along, like he did with Carmen.

0:39:100:39:13

Remember that?

0:39:130:39:16

STANLEY: Eve, have you seen my tie?

0:39:210:39:23

Honey?

0:39:240:39:26

Honey, I want the tie

0:39:280:39:29

the Shermans gave me for Christmas.

0:39:290:39:31

DOORBELL BUZZES

0:39:310:39:34

Hi.

0:39:360:39:38

Hi.

0:39:380:39:39

You look nice.

0:39:420:39:43

You look...er... different.

0:39:450:39:49

Worse or better?

0:39:490:39:51

Very handsome.

0:39:530:39:54

You're making me nervous.

0:39:540:39:55

Relax, I'll be very good tonight.

0:39:550:39:57

Just don't let me drink.

0:39:570:39:59

OSCAR SIGHS

0:40:030:40:04

He looks over at me and he goes,

0:40:040:40:06

"You know, you have really beautiful eyes."

0:40:060:40:08

I go, "Yeah, I know that."

0:40:080:40:11

But, you know, we're in a movie theatre.

0:40:110:40:14

There's no way he could see my eyes.

0:40:140:40:15

It's dark.

0:40:150:40:16

So, he goes, "You know what's wrong

0:40:160:40:18

"with the modern woman?

0:40:180:40:20

"They're acutely sensitive."

0:40:200:40:22

So, Oscar...are you happy at Chauncey?

0:40:220:40:25

You already asked me that, Dad.

0:40:250:40:26

I did?

0:40:260:40:28

And what did you say?

0:40:280:40:29

I said it was OK.

0:40:290:40:31

Sometimes you don't listen so good.

0:40:310:40:33

So well. Listen so well.

0:40:330:40:35

See, you correct, or you add facts,

0:40:350:40:37

or you give your own little anecdotes,

0:40:370:40:38

but you don't really absorb the reason

0:40:380:40:40

the person is saying the thing that she is.

0:40:400:40:42

She? Me, I mean.

0:40:420:40:44

The reason I'm telling you something.

0:40:440:40:46

Hmm, that's interesting.

0:40:460:40:48

And silence, Dad.

0:40:480:40:49

Silence?

0:40:490:40:50

Listen to what it tells you.

0:40:500:40:52

Sometimes it's peaceful,

0:40:520:40:54

sometimes it's a shrill scream.

0:40:540:40:56

Honey, this is Bob Spear.

0:41:090:41:11

Oh, pleased to meet you.

0:41:110:41:12

This is my daughter, Miranda.

0:41:120:41:14

Oh, how's Chauncey treating you, Miranda?

0:41:140:41:16

MIRANDA: Good.

0:41:160:41:17

Have a nice holiday. You, too.

0:41:170:41:19

BOB SPEAR: Nice to meet you.

0:41:190:41:20

STANLEY: Hello, I'm Stanley Grubman,

0:41:200:41:21

Oscar's father.

0:41:210:41:23

Oscar Grubman? He's here.

0:41:230:41:25

STANLEY: This is such a coincidence.

0:41:250:41:27

We were just talking about you,

0:41:270:41:28

er, today. About, er...

0:41:280:41:31

Dad! Dad!

0:41:310:41:33

I was just meeting your friend here.

0:41:330:41:35

And if you don't mind my saying so,

0:41:350:41:36

she is a little firecracker.

0:41:360:41:37

OSCAR: I think Eve wants to see you.

0:41:370:41:39

She has to give you a pill or something.

0:41:390:41:41

What pill?

0:41:410:41:42

For your...condition.

0:41:420:41:43

For my cholesterol?

0:41:430:41:45

Yes. Yes. Your cholesterol.

0:41:450:41:47

I'm sorry. He gets a little confused.

0:41:470:41:49

How are you, Oscar?

0:41:490:41:50

Er, fine.

0:41:500:41:51

Happy Thanksgiving.

0:41:510:41:53

What are you two talking about?

0:41:550:41:57

Colorado.

0:41:570:41:59

What's this about pills?

0:41:590:42:00

He's never been to Colorado.

0:42:000:42:03

Oscar, you're acting very strangely.

0:42:030:42:05

What pills?

0:42:050:42:07

Bon soir. Would you like to take something to drink?

0:42:070:42:09

May we see a wine list, please?

0:42:090:42:12

Oubliez le vin, personne n'en veux.

0:42:120:42:14

WAITER: What's this? No wine?

0:42:150:42:17

Pardon?

0:42:170:42:18

The boy, he says you are not in the mood for wine.

0:42:180:42:21

Oscar...

0:42:210:42:22

STANLEY: Oscar.

0:42:260:42:27

I'm in the mood.

0:42:270:42:29

Moi aussi.

0:42:290:42:30

Shouldn't we take a break once in a while?

0:42:300:42:32

I mean, what are we, dependent?

0:42:320:42:33

We can't have a good time without alcohol?

0:42:330:42:34

Oscar, you're making it sound

0:42:340:42:35

as if we have a problem.

0:42:350:42:37

Fine.

0:42:400:42:42

Wine list, please.

0:42:420:42:43

CORK POPS

0:42:480:42:50

STANLEY: But why Portugal?

0:42:500:42:51

When people go to Portugal,

0:42:510:42:53

I always think all the hotel rooms in Spain

0:42:530:42:54

must have been booked.

0:42:540:42:55

EVE: See, to me,

0:42:550:42:57

Portugal is the one that's always held

0:42:570:42:58

the eternal mystery.

0:42:580:43:01

Oh...

0:43:010:43:03

None for me, thanks.

0:43:030:43:06

Monsieur, des salades vertes et chanterelles sans oignons,

0:43:070:43:11

et s'il vous plait, tres peu de persil.

0:43:110:43:14

Pour monsieur, un filet mignon un peu saignant, des poivreaux au lieu des frites.

0:43:140:43:18

Une nicoise sans anchois.

0:43:180:43:20

Et pour moi, le saumon, s'il vous plait, prepare sans persil...

0:43:200:43:26

And what do you want, Diane?

0:43:260:43:28

WINE IS POURED

0:43:280:43:31

OSCAR: Peter says I may have a shot at the English prize

0:43:340:43:36

if I read Beowulf properly.

0:43:360:43:38

That is, taking into account the times,

0:43:380:43:39

instead of reading it with a contemporary slant.

0:43:390:43:42

You can't discount history, Oscar.

0:43:420:43:45

No, you can't.

0:43:450:43:48

You can't discount it at all.

0:43:480:43:50

WINE IS POURED

0:43:500:43:51

STANLEY: The sales representative,

0:43:510:43:53

this 25-year-old kid who's talking to me

0:43:530:43:55

about book jackets for 4 hours,

0:43:550:43:57

I went cross-eyed...

0:43:570:43:59

DIANE: How many pages you got there, Stanley?

0:43:590:44:01

STANLEY: Well, I have about 715...

0:44:010:44:03

How are you?

0:44:030:44:04

I'm good.

0:44:040:44:06

No...how are you?

0:44:060:44:10

I'm good, Oscar.

0:44:100:44:12

It's good to see you.

0:44:120:44:14

You, too.

0:44:140:44:15

Are you sure you don't have a girlfriend

0:44:150:44:17

at Chauncey?

0:44:170:44:19

I would think they'd be lining up.

0:44:190:44:22

Eve...I've been thinking about maybe going premed.

0:44:220:44:27

Maybe Columbia.

0:44:270:44:29

I'd be in the city, we could meet...

0:44:290:44:34

to go over my homework.

0:44:340:44:35

I mean, if you'd be willing.

0:44:350:44:37

Well, I'd love to, Oscar,

0:44:370:44:38

but you love literature.

0:44:380:44:41

You're fluent in French.

0:44:410:44:43

You should be a scholar.

0:44:430:44:44

A lot of medicine's in Latin, right?

0:44:440:44:45

So I figure, French, Latin...

0:44:450:44:47

I'm not doing so badly in biology.

0:44:470:44:50

I mean, I know what an isotope is.

0:44:500:44:51

But if you went premed,

0:44:510:44:53

you couldn't get caught up in the poetry

0:44:530:44:55

of the pericardium.

0:44:550:44:57

I would get caught up in the poetry

0:44:570:44:58

of the thing itself, like you do.

0:44:580:45:00

EVE: Don't quote me back to myself.

0:45:000:45:03

Is the world really waiting for another academic?

0:45:030:45:05

STANLEY: ...a new subject,

0:45:050:45:07

something I am passionate...

0:45:070:45:08

Diane?

0:45:080:45:10

Diane, would you pass the bread, please?

0:45:100:45:11

Ahem.

0:45:110:45:13

Thank you.

0:45:190:45:20

Are you coming down with something?

0:45:200:45:22

I'm fine.

0:45:220:45:23

Are we still playing tennis tomorrow?

0:45:230:45:25

Oh, is that tomorrow, tennis?

0:45:250:45:27

Don't you think you've had enough?

0:45:270:45:29

STANLEY: ...look at some first editions

0:45:290:45:30

he just bought.

0:45:300:45:31

He suspects he's been swindled.

0:45:310:45:33

Tu ne peux pas etre un peu plus relaxe? Je dis rien de moi.

0:45:330:45:37

Tu m'enerves!

0:45:370:45:39

OK. Maybe you could go to Norm's

0:45:390:45:41

in the afternoon.

0:45:410:45:42

STANLEY: I could.

0:45:420:45:44

I could go in the afternoon...

0:45:440:45:46

Est-ce que tu peux enlever ton pied?

0:45:460:45:50

Est-ce que tu peux enlever ton pied?

0:45:500:45:53

The thing is, I hate tennis.

0:45:530:45:56

I have the court booked.

0:45:560:45:58

I'll play tennis with you, Eve.

0:45:580:45:59

I love tennis.

0:45:590:46:00

Yes, Oscar's a wonderful sport.

0:46:010:46:03

There you go. Oscar'll play with you.

0:46:030:46:04

You will? You don't mind?

0:46:040:46:06

Not at all.

0:46:060:46:07

Oscar is very gallant.

0:46:070:46:10

(Oscar has a new girlfriend.)

0:46:100:46:13

Really? Mm-hm.

0:46:130:46:14

It seems last evening

0:46:140:46:15

he had quite the late-night conversation.

0:46:150:46:19

Oh, tell us about it.

0:46:190:46:20

Diane, wine is bad for your heart.

0:46:200:46:22

I thought wine was good for your heart.

0:46:250:46:26

It is, in moderation.

0:46:260:46:29

So, who is this girl, Oscar?

0:46:290:46:31

She's quite a little number, by the looks of her.

0:46:310:46:33

I thought the girls at Chauncey

0:46:330:46:34

hadn't lived enough.

0:46:340:46:35

Can we change the subject, please?

0:46:350:46:37

Well, if we're going to change the subject,

0:46:420:46:43

I'm going to excuse myself for the ladies' room.

0:46:430:46:46

Excuse me.

0:46:530:46:54

I think that's why he's acting so strangely.

0:46:580:47:01

What the hell are you doing?!

0:47:030:47:04

What do you mean?

0:47:040:47:05

What do I mean? You're drinking,

0:47:050:47:07

you're making these jokes,

0:47:070:47:08

you have your foot in my crotch...

0:47:080:47:09

Loosen up. Loosen up?

0:47:090:47:11

I asked you not to let them know.

0:47:110:47:13

HE CHUCKLES

0:47:130:47:15

THEN CHOKES

0:47:150:47:16

Oh, my!

0:47:160:47:17

EVE: What is it?

0:47:170:47:19

Something very unusual.

0:47:200:47:22

(No-one knows anything.)

0:47:260:47:29

EVE: What is that on your face?

0:47:460:47:49

What?

0:47:490:47:50

Oh! Aah!

0:47:530:47:55

Ow!

0:47:550:47:56

Do you two have something

0:47:570:47:58

you'd like to share with us?

0:47:580:47:59

What?

0:47:590:48:01

Oh, God.

0:48:070:48:09

What's going on?

0:48:090:48:10

Well?

0:48:100:48:12

OK, I think what we're talking about here

0:48:120:48:14

is Prufigger's theory of distortion,

0:48:140:48:15

which states that prismatic effect of a body

0:48:150:48:18

reflected on a plane at a certain angle...

0:48:180:48:20

Stanley, what is it?

0:48:200:48:22

..an illusion...

0:48:220:48:23

Oh, what the hell?! We're all adults here.

0:48:230:48:26

No, actually, we're not.

0:48:260:48:27

Eve...

0:48:270:48:29

..Oscar and I...

0:48:300:48:31

..both speak French.

0:48:310:48:33

DIANE: Oscar and I are lovers.

0:48:330:48:38

What?!

0:48:380:48:40

What?! Are you drunk?

0:48:400:48:41

Oscar, just relax.

0:48:410:48:43

I saw them in the mirror.

0:48:430:48:45

I just hope Miranda Spear

0:48:450:48:46

didn't see it, too.

0:48:460:48:48

Dad, there is no Miranda Spear.

0:48:480:48:50

There is no Mir... What are you talking about?

0:48:500:48:52

I just shook hands with her father.

0:48:520:48:53

EVE: When did this happen?

0:48:530:48:55

Last night?

0:48:550:48:56

Mm-hm.

0:48:560:48:57

Stanley...

0:48:590:49:00

Of course, you know, it's not that uncommon.

0:49:000:49:01

In Ancient Rome, 50-year-old men

0:49:010:49:03

would marry 14-year-old girls.

0:49:030:49:05

This is not Ancient Rome.

0:49:050:49:07

I am nowhere near 50!

0:49:070:49:09

Well, it is all very The Graduate.

0:49:090:49:12

Except that Oscar hasn't graduated.

0:49:120:49:14

THUNDER RUMBLES

0:49:270:49:30

There.

0:49:320:49:34

Thanks.

0:49:340:49:36

So, you coming to bed soon?

0:49:380:49:39

Er, in a while.

0:49:390:49:40

I just have to finish these chapter notes.

0:49:400:49:43

Good night, sweetheart.

0:49:430:49:45

DIANE: I just don't see why you're so upset.

0:50:030:50:05

I'm entrusted with his welfare, Diane.

0:50:050:50:07

I mean, can you imagine

0:50:070:50:08

if Oscar's mother found out?

0:50:080:50:11

She's French, isn't she?

0:50:110:50:12

They're not all like that, OK?

0:50:120:50:15

You're taking advantage of him.

0:50:150:50:17

Oh, bullshit, Eve.

0:50:170:50:19

Oscar's a smart kid.

0:50:190:50:21

Now, there are some 40-year-old men

0:50:210:50:23

of whom I am taking advantage.

0:50:230:50:24

Am I overreacting? He's 15!

0:50:240:50:27

Well, you and I were hardly innocent

0:50:270:50:29

when we were 15.

0:50:290:50:31

Who went to the Jefferson Airplane concert

0:50:310:50:32

and pulled down their tube top and...?

0:50:320:50:35

That's different, OK?

0:50:350:50:37

All right, that's different.

0:50:370:50:39

I know why you're upset.

0:50:390:50:43

You're upset because you know

0:50:430:50:44

that deep down inside,

0:50:440:50:45

if our situations were reversed,

0:50:450:50:47

you would have done the exact same thing.

0:50:470:50:49

Don't be ridiculous.

0:50:490:50:51

You would have.

0:50:510:50:52

With a 15-year-old?! Not on your life.

0:50:520:50:55

Not just a 15-year-old.

0:50:550:50:56

A smart, sweet, passionate person.

0:50:560:51:00

You're not the only one with something missing.

0:51:000:51:03

Samantha Steadman gave Oscar

0:51:050:51:06

her phone number.

0:51:060:51:08

And you let her?

0:51:080:51:11

He can take care of himself.

0:51:110:51:13

I'm not his mother. Neither are you.

0:51:130:51:15

What is wrong with your friends?

0:51:150:51:17

Nothing. Jesus.

0:51:170:51:18

And if you hadn't met somebody

0:51:180:51:21

in a really long time

0:51:210:51:22

who was very excited about life,

0:51:220:51:24

you would consider a 15-year-old.

0:51:240:51:27

EVE: Love-30.

0:52:110:52:13

Or, 0-30.

0:52:130:52:16

As if you know what love means.

0:52:160:52:19

Comes from the French word for egg.

0:52:190:52:21

L'oeuf.

0:52:210:52:23

Eve...

0:52:230:52:25

I know how it must look.

0:52:250:52:27

I understand how misled you must feel.

0:52:270:52:32

I spoke of poetic thoughts...

0:52:320:52:35

of love and livers

0:52:350:52:37

merely hours after having cheap,

0:52:370:52:40

meaningless sexual intercourse

0:52:400:52:41

with your best friend.

0:52:410:52:43

No.

0:52:430:52:44

That's 15-30, right?

0:52:440:52:46

Serve!

0:52:460:52:48

Eve...

0:52:500:52:52

sometimes the natural call of man

0:52:520:52:56

is just too strong to... No. Ugh.

0:52:560:52:59

So that's 15-40, right?

0:52:590:53:02

A ratio you seem particularly fond of.

0:53:020:53:06

And, yes, Eve, true passion does still exist,

0:53:090:53:12

and I know this

0:53:120:53:14

because I'm a man who feels true passion.

0:53:140:53:18

I think you'll be fine.

0:53:380:53:40

CHARLIE: If you're gonna mess with

0:53:450:53:46

the stuff of Greek tragedies, Oscar,

0:53:460:53:47

you're gonna have to be prepared for the fallout.

0:53:470:53:49

Charlie, help me.

0:53:490:53:52

OK, let's look at this rationally.

0:53:540:53:57

If you had met Eve in, say, a coffee shop,

0:53:570:53:59

would you still be attracted to her?

0:53:590:54:01

I mean, it's not just cos she's your mother, is it?

0:54:010:54:04

She's not my mother. Stop saying that.

0:54:040:54:06

DOG BARKS

0:54:060:54:08

OK, look, maybe it's not your fault.

0:54:080:54:12

I mean, since your father's been married to another woman,

0:54:120:54:14

in the eyes of the church, he's a polygamist.

0:54:140:54:17

So maybe you're just genetically predisposed...

0:54:170:54:20

that is, programmed to repeat the mistakes

0:54:200:54:23

or sins of your biological...

0:54:230:54:25

Shut up, Charlie.

0:54:250:54:28

KNOCKING ON DOOR

0:54:280:54:30

You kids having fun?

0:54:310:54:33

Do you want some cookies or anything?

0:54:330:54:35

No, Ma, we're fine.

0:54:350:54:36

My, Oscar,

0:54:360:54:38

I can't believe how big you've gotten.

0:54:380:54:39

Yeah, I guess I hit quite a spurt there.

0:54:390:54:41

All right, yeah, er...

0:54:410:54:44

All right, Ma, thanks.

0:54:440:54:45

And I'll, er, see you later.

0:54:450:54:47

Stick to your own mom, will you?

0:54:480:54:50

Hey, Jimmy.

0:55:070:55:08

What's on your mind, Tadpole?

0:55:080:55:11

Nobody calls me that any more, Jimmy.

0:55:110:55:14

What do they call you now?

0:55:150:55:16

Stupid.

0:55:160:55:18

Everything's messed up.

0:55:200:55:23

Well, what's the trouble, Tadp...

0:55:230:55:25

er, Stupid?

0:55:250:55:28

Women, I guess.

0:55:280:55:31

Not girls?

0:55:310:55:33

No, they're definitely women.

0:55:330:55:36

No women...

0:55:380:55:40

No cry.

0:55:400:55:42

Thanks for that, Jimmy.

0:55:440:55:46

I made you a sandwich.

0:56:240:56:26

Thanks.

0:56:260:56:28

Grilled cheese - my favourite.

0:56:310:56:33

I know.

0:56:350:56:37

Good thing it's something I can actually cook.

0:56:370:56:41

Dad always burns them.

0:56:410:56:44

He won't use Teflon.

0:56:440:56:46

Well, he's a traditionalist.

0:56:460:56:49

These, er... Teflon make

0:56:510:56:54

replacement heart valves, right?

0:56:540:56:57

You know way too much for a 15-year-old.

0:56:570:56:59

Nothing worth knowing.

0:56:590:57:02

That's not true, Oscar, plenty worth knowing.

0:57:020:57:05

You know...

0:57:090:57:11

..with Diane...

0:57:130:57:15

Oscar, I've already decided

0:57:150:57:18

it's really none of my business.

0:57:180:57:20

You are old enough to make your own decisions.

0:57:200:57:22

I want to explain.

0:57:220:57:24

With Diane, well...

0:57:260:57:29

..it was Teflon sex.

0:57:300:57:32

Pardon me?

0:57:320:57:34

She was doing this thing to my back - pressing...

0:57:340:57:36

and I was drunk, she's a chiropractor,

0:57:360:57:38

that kind of thing.

0:57:380:57:39

That kind of thing.

0:57:390:57:40

Hormones racing out of control, or pheromones.

0:57:400:57:43

I'm not that kind of a person.

0:57:430:57:45

You told me once that it could be years

0:57:460:57:50

before anyone really understood

0:57:500:57:52

what the hell I was talking about

0:57:520:57:54

but that the day would come

0:57:540:57:55

when everyone caught up to me,

0:57:550:57:58

and while I knew

0:57:580:57:59

that maybe you were just being kind,

0:57:590:58:01

I knew one thing.

0:58:010:58:03

..that I love...

0:58:050:58:06

..things.

0:58:080:58:11

And, and, er...

0:58:110:58:13

It's OK.

0:58:130:58:14

And there was Diane,

0:58:140:58:15

and she was...

0:58:150:58:17

..wearing your scarf.

0:58:190:58:21

I better do the dishes.

0:58:420:58:45

DOOR SHUTS

1:00:521:00:54

Well, I lost big-time.

1:00:581:01:01

Look at you.

1:01:011:01:02

You're a good boy, Oscar.

1:01:021:01:05

Where's Eve?

1:01:051:01:06

How should I know?

1:01:061:01:08

In bed, probably.

1:01:081:01:10

Probably.

1:01:121:01:13

That professor Tisch, I think he's a cheat.

1:01:151:01:17

I bet he palms off the bottom of the deck.

1:01:171:01:21

Oscar, have you noticed

1:01:321:01:33

anything different about Eve this weekend?

1:01:331:01:36

Different?

1:01:401:01:41

Like what?

1:01:411:01:44

I don't know, for the last few months,

1:01:441:01:47

she's been going to bed earlier.

1:01:471:01:50

Maybe she's just tired or...

1:01:501:01:53

Or what?

1:01:561:01:58

I don't know what.

1:01:591:02:01

Maybe I'm missing something.

1:02:011:02:03

I thought about what you said last night.

1:02:031:02:05

Maybe I haven't been listening too well.

1:02:051:02:09

Then again, maybe I'm just imagining things.

1:02:121:02:14

# Tom, get your plane right on time

1:02:341:02:40

# I know your part'll go fine

1:02:401:02:46

# Fly down to Mexico

1:02:461:02:52

# Do-n-do-n-do-n-do and here I am

1:02:521:02:58

# The only living boy in New York

1:02:581:03:03

# I get the news I need on the weather report

1:03:061:03:10

# I can gather all the news I need on the weather report

1:03:101:03:16

# Hey, I got nothing to do today but smile

1:03:181:03:24

# Do-n-do-n-do-n-do and here I am

1:03:241:03:28

# The only living boy in New York

1:03:291:03:33

# Half of the time we're gone but we don't know where

1:03:371:03:41

# And we don't know when

1:03:411:03:44

# Ah-h-h-h-h-h... #

1:03:441:03:48

I'll get your ticket. I'll be right back.

1:03:561:03:59

You have a loose button.

1:04:061:04:08

I'd sew it for you, but I don't sew.

1:04:101:04:13

I know.

1:04:131:04:15

I'm not a very good mother...

1:04:151:04:17

Step-mother.

1:04:171:04:19

Who says they have to cook and sew?

1:04:191:04:22

Anyway, you know how to monitor

1:04:221:04:26

cardiac myocytes - that's enough.

1:04:261:04:29

How's your liver?

1:04:351:04:38

Hurts.

1:04:381:04:39

Broken?

1:04:391:04:41

No.

1:04:411:04:44

I love your father very much.

1:04:441:04:47

Me, too.

1:04:471:04:50

So, see you back here in about three weeks?

1:04:521:04:55

You two look very serious.

1:04:561:04:58

We're talking about Christmas.

1:04:581:05:00

Oscar's going to his mother's in France.

1:05:001:05:03

He is?

1:05:031:05:05

We're going to Portugal, just the two of us.

1:05:051:05:08

We are?

1:05:091:05:10

If you want.

1:05:101:05:12

Hey.

1:05:121:05:13

Bye, sweetie.

1:05:151:05:17

Here.

1:05:461:05:47

Thanks, Oscar.

1:05:471:05:50

You're welcome.

1:05:501:05:51

See you at school.

1:05:511:05:53

OK.

1:05:531:05:55

If we don't find anything pleasant,

1:05:551:05:57

at least we shall find something new.

1:05:571:06:00

What's that?

1:06:001:06:03

Voltaire.

1:06:031:06:05

Oh, right.

1:06:071:06:08

See you at school.

1:06:101:06:13

She is so hot for you.

1:06:221:06:25

She smells nice.

1:06:251:06:28

She what?

1:06:291:06:32

So, what happened with Eve?

1:06:391:06:42

Come on, talk to me, Grubber.

1:06:451:06:48

Well, it wasn't as important as I thought it was.

1:06:521:06:56

# ..Of how the others must see the faker

1:06:581:07:01

# I'm much too fast to take that test

1:07:011:07:05

# Ch-ch-ch-ch-changes

1:07:051:07:07

# Turn and face the strain

1:07:071:07:10

# Ch-ch-ch-changes

1:07:101:07:11

# Don't want to be a richer man

1:07:111:07:13

# Ch-ch-ch-ch-changes

1:07:131:07:16

# Turn and face the strain

1:07:161:07:18

# Ch-ch-ch-changes

1:07:181:07:20

# Just gonna have to be a different man

1:07:201:07:22

# Time may change me

1:07:221:07:25

# But I can't trace time

1:07:251:07:28

# Ooh yeah

1:07:351:07:36

# I watch the ripples change their size

1:07:391:07:42

# But never leave the stream of warm impermanence

1:07:421:07:47

# And so the days float through my eyes

1:07:471:07:51

# But still the days seem the same

1:07:511:07:54

# And these children that you spit on

1:07:551:07:59

# As they try to change their worlds

1:07:591:08:03

# Are immune to your consultations

1:08:031:08:07

# They're quite aware what they're going through

1:08:071:08:10

# Ch-ch-ch-ch-changes

1:08:101:08:12

# Turn and face the strain

1:08:121:08:15

# Ch-ch-changes

1:08:151:08:16

# Don't tell them to grow up and out of it

1:08:161:08:19

# Ch-ch-ch-ch-changes

1:08:191:08:21

# Turn and face the strain

1:08:211:08:24

# Ch-ch-changes

1:08:241:08:25

# Where's your shame?

1:08:251:08:26

# You've left us up to our necks in it

1:08:261:08:28

# Time may change me

1:08:281:08:30

# But you can't trace time

1:08:301:08:34

# Strange fascination, fascinating me

1:08:351:08:40

# Changes are taking the pace I'm going through

1:08:421:08:49

# Ch-ch-ch-ch-changes

1:08:491:08:51

# Turn and face the strain

1:08:511:08:53

# Ch-ch-changes

1:08:531:08:55

# Ooh, look out you rock 'n' rollers

1:08:551:08:57

# Ch-ch-ch-ch-changes

1:08:571:09:00

# Turn and face the strain

1:09:001:09:02

# Ch-ch-changes

1:09:021:09:04

# Pretty soon now you're gonna get older

1:09:041:09:06

# Time may change me

1:09:061:09:09

# But I can't trace time

1:09:091:09:12

# I said that time may change me

1:09:121:09:15

# But I can't trace time. #

1:09:151:09:18

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1:09:271:09:29

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1:09:291:09:32

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