Tapeheads


Tapeheads

Similar Content

Browse content similar to Tapeheads. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This programme contains very strong language.

0:00:000:00:02

-Everybody ready?

-Yes.

-I'll thread it up.

0:00:020:00:05

OK, put this on the table.

0:00:050:00:07

-Everybody comfortable?

-Yeah.

0:00:070:00:10

Gee...

0:00:100:00:12

Oh, no.

0:00:120:00:14

The camera is ready to roll and look at my boy, it's his birthday.

0:00:140:00:20

PROJECTOR JUDDERS

0:00:200:00:21

Oh, fuck it.

0:00:210:00:22

-Lights, camera...

-Action!

-Here's Josh!

0:00:290:00:35

There's my buddy.

0:00:350:00:37

Look at that smile.

0:00:380:00:40

-Hey, there's grandpa.

-Oh, hey, hey.

0:00:400:00:43

Here's where we first met, Ivan. Remember that?

0:00:430:00:46

Boys, you were so cute!

0:00:460:00:49

Ha, funny(!)

0:00:490:00:51

There's those two negro performers, the Stinky Moods.

0:00:510:00:55

-Swanky Modes.

-Oh, yeah, I got it, the Swanky Modes.

0:00:550:01:01

Whatever happened to them anyway?

0:01:010:01:03

They're legends.

0:01:030:01:05

Slap, underneath...

0:01:060:01:07

-Please don't do that.

-Boom. That was really fun.

0:01:070:01:09

Oh, tough break.

0:01:090:01:11

Babe Ruth, play-offs.

0:01:110:01:14

Come on, Josh, get that big hit.

0:01:140:01:16

This is when he struck out. Bottom of the ninth, bases loaded,

0:01:160:01:19

we lost the section three division.

0:01:190:01:21

And the 4C regionals.

0:01:210:01:24

Dad, get over it.

0:01:240:01:26

-Why didn't you bunt?

-You struck out, man.

0:01:260:01:28

-I told you to bunt.

-You said swing away.

0:01:280:01:31

-I didn't say that. Bunt.

-Second place. What was that, honey?

0:01:310:01:34

A high-gain radio frequency electro-static storage unit.

0:01:340:01:37

-Oh, yeah.

-Mine, can you see it? Look.

-What was yours, Ivan?

0:01:370:01:40

An edible tuba. First place.

0:01:400:01:43

Denise Trattagnia, my first love.

0:01:430:01:46

She's a physical therapist now. Did you know that?

0:01:460:01:49

I really liked Peggy Cornash.

0:01:490:01:51

How many stitches did she get, Josh?

0:01:530:01:55

It was an accident. Could happen to anybody.

0:01:550:01:57

Prom night in the emergency ward having her breast stitched up -

0:01:570:02:01

-what a date.

-Shut up!

0:02:010:02:02

Look at these clowns.

0:02:020:02:04

-Watch, watch the car. Watch.

-I'm watching!

0:02:050:02:08

-Put on the parking brake, Dad.

-Seen it.

0:02:080:02:10

This part gets me every single time. I just...

0:02:100:02:14

-I just feel like crying.

-This is the part that always makes me want to puke.

0:02:140:02:19

Not a bad little film, Joshy boy. Gets better every year.

0:02:190:02:22

Happy birthday, honey.

0:02:220:02:24

-Thanks, Mom.

-Not half bad? It's crap.

0:02:240:02:26

Crummy, lousy senior class project.

0:02:260:02:28

-What's he done since? Nothing.

-Sidney...

0:02:280:02:31

-Zero.

-Dad...

0:02:310:02:34

-Sidney...

-Called Stu Beaumont yet?

0:02:340:02:35

-Dad, I don't think I'd really be happy at H&R Block.

-Happy?

0:02:350:02:39

Sidney, don't start.

0:02:390:02:41

-I gotta go, Mom. Come on, Ivan, we're late.

-I'll save the cake for you, boys.

0:02:410:02:45

Dad put his fingers in it.

0:02:450:02:46

You didn't even let him have a piece of his birthday cake.

0:02:460:02:49

-Why are you always starting things?

-I asked him to call Stu Beaumont.

0:02:490:02:53

Josh, after seeing that film of yours for the fourth time

0:02:530:02:56

in four years, I've come to the conclusion that your life is fucked.

0:02:560:03:00

-Your parents are right.

-Fucked?

0:03:000:03:01

You're doing the same thing I'm doing.

0:03:010:03:04

I mean, you got me this security job.

0:03:040:03:06

But there's a big difference, brother.

0:03:060:03:08

I got a shitty job, right? But I know it's a shitty job.

0:03:080:03:11

You, you got no ambition.

0:03:110:03:13

You're content just existing.

0:03:130:03:15

You need what I got.

0:03:150:03:18

Herpes?

0:03:180:03:19

No, balls.

0:03:190:03:21

Come on, let's go.

0:03:230:03:25

BEEPING

0:03:300:03:32

-You boys are three minutes late.

-I know that, Sir, but Josh has a very good excuse.

0:03:390:03:44

-Why don't you just tell him, Josh?

-Yeah, why don't you tell me?

0:03:440:03:47

Er, you see, it's, erm...

0:03:470:03:49

-Three minutes is 5% of an hour.

-Er, yeah, erm...

0:03:490:03:53

It's kind of unbelievable, er...

0:03:530:03:57

Anybody else that saved Pablo Casals,

0:03:570:03:59

perhaps the greatest cellist in the world,

0:03:590:04:02

from a fiery car wreck on Sunset Boulevard would brag about it.

0:04:020:04:05

Not Josh. He didn't want to spoil the 11 o'clock news for you.

0:04:050:04:08

Don't bullshit me. I'm a big cello fan.

0:04:080:04:11

Casals died years ago.

0:04:110:04:13

Now get the hell out of here, boys, and man your stations.

0:04:130:04:17

Move it!

0:04:170:04:20

-Are you crazy?

-Uh-huh.

0:04:200:04:22

Where you going? We're supposed to be at our stations.

0:04:220:04:24

-I've got it covered.

-What do you mean covered?

0:04:240:04:27

-Norton can see everything.

-No, he can't.

0:04:270:04:29

I did that wire-switching thing you showed me.

0:04:290:04:31

Repatched the digital frame store with the recycle programme?

0:04:310:04:34

-Did it work?

-I hope so.

0:04:340:04:36

Ivan...

0:04:360:04:37

Ivan, what's going on?

0:04:370:04:40

What are you doing?

0:04:400:04:42

Let's go!

0:04:420:04:44

Here he is. Happy birthday, Josh!

0:04:440:04:47

-Who are all these people?

-I guess they saw the ad.

0:04:470:04:50

No, no, you can't come in here.

0:04:500:04:52

This is a high-security complex.

0:04:520:04:55

TV: ..the latest casualty in a rash of hostile takeovers was the US Postal Service.

0:04:550:04:59

-Postal Service board of directors tried to wage...

-It works.

0:04:590:05:03

-What works?

-Oh, er...

0:05:030:05:06

We were.

0:05:060:05:07

Right, Sir?

0:05:070:05:09

Take over.

0:05:090:05:11

..is spiralling towards Earth at incredible speed.

0:05:110:05:14

Nasa advise us, however, there is no cause for alarm.

0:05:140:05:17

CHATTING AND LAUGHTER

0:05:180:05:21

Oh, no.

0:05:210:05:23

Oh, jeez.

0:05:230:05:25

The DJ has arrived!

0:05:250:05:27

Don't you think this is getting out of hand?

0:05:270:05:30

Yeah, don't mention it.

0:05:300:05:31

MUSIC PLAYS

0:05:310:05:33

BOTH: Swanky Modes!

0:05:350:05:38

Uno, dos, quatro.

0:05:520:05:54

Suck on this, Stu Beaumont.

0:05:590:06:02

Very impressive, JT.

0:06:070:06:09

But here's my chance, I gots to dance!

0:06:090:06:12

Is it recording?

0:06:130:06:15

This thing recording??

0:06:150:06:16

# That's when you hooked on me, baby

0:06:260:06:29

# Threw the net around my heart

0:06:300:06:33

# I said you hooked, hooked

0:06:330:06:35

# On me, lady

0:06:350:06:37

# Now we'll never, ever

0:06:370:06:38

# Never, never drift apart

0:06:380:06:42

# That lady kissed a frog and it turned into a prince

0:06:460:06:51

# Then she kissed Pepe Le Pew and that skunk starts speaking French

0:06:520:06:57

# I've been waiting with my lips all puckered

0:06:590:07:02

# I wanna be your lover, and not your supper

0:07:030:07:06

# That's when you hooked, hooked

0:07:060:07:09

# On me, baby

0:07:090:07:11

# Threw a net around my heart.

0:07:110:07:13

# I said you hooked, hooked

0:07:130:07:15

# On me, lady

0:07:150:07:17

# Now we'll never, ever

0:07:170:07:19

# Never, never drift apart

0:07:190:07:23

# Yeah, yeah, yeah, yeah...

0:07:290:07:30

SOOTHING MUSIC

0:07:300:07:33

APPROACHING FOOTSTEPS

0:07:330:07:35

UNZIPPING

0:07:400:07:42

TINKLING

0:07:420:07:44

ZIPPING

0:07:480:07:50

TOILET FLUSHES

0:07:500:07:52

# ..Hooked

0:07:550:07:56

# I said, I said you hooked

0:07:560:07:59

# I said you hooked me, baby. #

0:07:590:08:01

INTERMITTENT BEEPING

0:08:030:08:05

Did you see anything strange?

0:08:100:08:13

No. Strange? No.

0:08:130:08:15

What do you mean, "No"?

0:08:150:08:16

-I saw a UFOP.

-UFOP?

0:08:160:08:20

Unidentified female on premises.

0:08:200:08:23

No, no, sir, I haven't seen anything...

0:08:230:08:25

Bail, pin dick! I'm commandeerin' this puppy.

0:08:250:08:29

Ivan!

0:08:290:08:31

Everybody, listen up, listen up. Let's all show Josh what we think of him.

0:08:310:08:36

Let's pitch in and help clean up.

0:08:360:08:39

-They love you, man!

-Fuck off. Woo!

0:08:390:08:41

Yeah! Woo!

0:08:410:08:43

Oh, sh...!

0:08:430:08:45

BARMAN: Closing time.

0:08:480:08:51

Josh, losing those jobs was the best thing that ever happened to us.

0:08:510:08:55

Free to pursue our destiny.

0:08:550:08:56

What? Dismal failure?

0:08:560:08:58

Negativity festers in you, man.

0:08:580:09:02

How'd you get to be my friend?

0:09:020:09:04

Ooh, check this out.

0:09:090:09:10

Stupid, inane,

0:09:140:09:16

vapid, mind-rot, stench, pabble.

0:09:160:09:21

Yeah, it's all right.

0:09:210:09:23

You could that.

0:09:230:09:26

I could do better than that.

0:09:260:09:28

You're right, you could. Where's that video you made tonight?

0:09:310:09:35

Quick, give it to me.

0:09:350:09:37

Easy, easy.

0:09:380:09:41

Did you know that you're a creative genius?

0:09:410:09:44

LAUGHTER

0:09:440:09:45

All right, maybe not a genius, but he certainly is creative.

0:09:450:09:49

Know what you are? He's an artist.

0:09:490:09:51

-I'm unemployed.

-All good artists are!

0:09:510:09:53

Till they find a manager, a guy like me who will mould their talents into cold, hard cash.

0:09:530:09:58

A guy who will tap into that vast store of potential

0:09:580:10:01

that lies dormant beneath that drab little exterior.

0:10:010:10:04

You're so full of shit.

0:10:050:10:07

Yeah, well, a lot of people out there

0:10:070:10:09

who are full of shit are making money and I'm not gonna be the exception.

0:10:090:10:13

This is our ticket and you are going to start making music videos.

0:10:130:10:18

-Me?

-Carshels...

0:10:180:10:21

Carshels, the video guy.

0:10:210:10:22

-Carshels...

-Bottoms up, ace.

0:10:220:10:24

Video Aces, that's what we'll call ourselves.

0:10:240:10:27

Video Aces, would you like that?

0:10:270:10:28

We are going to become the most sought-after team on Earth.

0:10:280:10:33

You gave up jobs with security for show business?

0:10:330:10:38

How many times have I told you, show business is a...

0:10:380:10:41

Lousy business, right.

0:10:410:10:43

But you're in show business.

0:10:430:10:45

Yeah, but that's different, I'm Conan from the Universal Studio Tours.

0:10:450:10:50

It's a great job. And for everybody in this business that makes it like me, 100 don't.

0:10:500:10:54

Look, Dad, video is the future. We can't lose.

0:10:540:10:59

Ha!

0:11:010:11:02

I'm gonna make him eat that syllable.

0:11:060:11:09

Roses are red,

0:11:090:11:11

violets are blue.

0:11:110:11:14

the Russians have satellite laser weapons,

0:11:140:11:18

why can't we, too?

0:11:180:11:20

OK, kids.

0:11:200:11:22

Hit it.

0:11:230:11:25

THEY SING RING-A-RING-A ROSES

0:11:250:11:29

Vote for Norman Mart for President.

0:11:320:11:35

Here's what the people have to say.

0:11:350:11:37

The man knows something about foreign policy.

0:11:370:11:40

"This country needs someone who's a winner."

0:11:400:11:43

To be honest, he's a good politician.

0:11:430:11:46

Be like me and vote for Norman Mart...

0:11:460:11:48

Sidney!

0:11:480:11:50

Ner, ner, ner, ner...

0:11:500:11:51

Ahhhh!!

0:11:530:11:54

Hello, and welcome to the world corporate headquarters of Video Aces.

0:11:580:12:02

-How many phone lines do you presently have?

-Hi, Mom.

0:12:020:12:05

Josh, what is that cable doing in my living room?

0:12:050:12:07

That's just until we get 220 installed in the house, Dad.

0:12:070:12:10

Stu Beaumont told me you forgot to call him today.

0:12:100:12:13

Dad, I finally realised what I wanna do with my life.

0:12:130:12:15

You should be happy for me.

0:12:150:12:17

I'm happy. You happy, Mum?

0:12:170:12:20

I don't think so, Son.

0:12:200:12:22

You just don't understand.

0:12:220:12:23

Sid, Josh is a visual visionary.

0:12:230:12:25

He communicates in images, not antiquated verbosity.

0:12:250:12:29

That could be why he's difficult to understand.

0:12:290:12:31

Well, I'm not gonna be difficult to understand.

0:12:310:12:34

Get that crap out of here now!

0:12:340:12:36

No! This is my big opportunity and I'm not gonna blow it.

0:12:360:12:39

-Ow!

-Could this be dangerous?

0:12:410:12:44

Ow!

0:12:440:12:45

IVAN SINGS TO MUSIC

0:12:450:12:47

"Chino townhouse. 1,900 down." Not bad.

0:12:540:13:00

You know, Josh, in primitive societies,

0:13:000:13:02

after they sever the umbilical cord, they eat the placenta

0:13:020:13:06

in a ritualistic ceremony.

0:13:060:13:07

-Wanna bite?

-Let's head downtown.

0:13:090:13:12

We'll find something there, it's cheaper.

0:13:140:13:16

Smoggy, harsh, ugly, rat-infested.

0:13:180:13:21

This place looks pretty weird, Ivan.

0:13:470:13:49

Hi, the door was open.

0:13:520:13:54

We're here about the loft.

0:13:540:13:55

You guys wanna share this space?

0:14:060:14:08

Er...

0:14:080:14:09

Well, we did. But we have some very specific needs.

0:14:110:14:16

There is our corporate image to think about.

0:14:160:14:18

Security. I mean, that door was wide open.

0:14:180:14:21

Power, access to power, you understand.

0:14:210:14:23

Of course, you probably also had to work out some sort of

0:14:230:14:26

-mutually satisfactory rental agreement, so...

-Is that it?

0:14:260:14:29

This place is free, my dad owns it.

0:14:290:14:31

Free?! We'll take it.

0:14:310:14:33

-That sounds great.

-Great.

0:14:330:14:35

Oh, watch this. Congratulations, Josh...

0:14:350:14:38

Come meet our new friend.

0:14:380:14:41

Hi, I'm Belinda.

0:14:410:14:43

You like it?

0:14:460:14:48

Like it? What is it?

0:14:480:14:50

-I call it destruction of art.

-Uh-huh.

0:14:500:14:54

Think of that little train, when you were in school and read that book.

0:14:560:15:00

"I think I can, I think I can."

0:15:000:15:02

But now the train's not saying, "I think I can,"

0:15:020:15:05

it's saying, "Cash flow, cash flow, cash flow."

0:15:050:15:08

Shouldn't you be on that train, going up that mountain to personal freedom?

0:15:080:15:13

The book, Prosperity to Exploitation, I wrote

0:15:130:15:15

when I was broke is like owning the keys to my brain.

0:15:150:15:19

It's like having the ability to just reach in, open up my head and diving in.

0:15:190:15:24

But without all the mess.

0:15:240:15:25

Ivan, why aren't you helping Josh set up the equipment?

0:15:250:15:29

He's an artist, he's hands on.

0:15:290:15:32

You know what I do?

0:15:320:15:33

Use my selling techniques to get my friend the personal freedom he needs.

0:15:330:15:37

Freedom of choice is possibilities.

0:15:370:15:39

That is what I'm about. Boring administrative stuff.

0:15:390:15:42

I envy him.

0:15:420:15:43

I'm not just any get-rich-quick guy...

0:15:430:15:45

-Could you get me another drink?

-Yeah.

0:15:450:15:48

Look, Ivan. I hope you're not putting too much faith in me.

0:15:480:15:52

I don't even know if I...

0:15:520:15:54

If - Instant Failure. Fear - False Evidence Appearing Real.

0:15:540:15:57

We've talked about this. Come on, now's not the time for doubt.

0:15:570:16:01

Now's the time for action.

0:16:010:16:02

Shit, man, you're a genius.

0:16:020:16:06

-Yeah, right.

-You are.

-Your family saying, "I love you."

0:16:060:16:09

-Thanks.

-"Thanks a lot for listening."

0:16:090:16:12

-Could you move?

-What?

-Move over, I can't... I can't see.

0:16:140:16:17

Oh, right.

0:16:170:16:19

We've got the lowest waffle prices and the lowest chicken prices in town.

0:16:190:16:23

We have got the competition scared chicken with our low prices.

0:16:230:16:28

-What a geek.

-I don't think he's so bad.

0:16:280:16:31

He's a moron.

0:16:310:16:32

..drumstick economy dinner.

0:16:320:16:34

-I feel he's evocative, without being too expansive.

-Belinda, that's crap.

0:16:340:16:39

-You could do better?

-Yeah.

0:16:390:16:42

Yeah, as a matter of fact, I could.

0:16:420:16:44

...Lady Bird Johnson off ramp and cut in left. You can park in the...

0:16:440:16:48

Hi, Roscoe, Ivan Alexeev, Video Aces.

0:16:480:16:51

DIFFERENT VOICE: Yo, friends, check this out!

0:16:510:16:53

# Roscoe's the name and they call me the king

0:16:530:16:57

# Grand master of the chicken and the waffle thing

0:16:570:17:00

# I said now read my lips, and, friends, don't miss a word

0:17:000:17:05

# Cos the grandmaster's gonna give you the bird!

0:17:050:17:09

# Come to Roscoe's for delicious food

0:17:090:17:12

# We've got fuel for your attitude

0:17:120:17:16

# Now, I'm the baddest DJ on the fast-food scene

0:17:160:17:19

# And my food's so cheap you'll lick your plate clean

0:17:190:17:24

# When I slow down, the ladies all beg

0:17:240:17:27

# Roscoe. let me taste your chicken leg

0:17:270:17:31

# Come on, Flygirls and wiggle them there bottoms

0:17:310:17:35

# Waffles just pancakes with little squares on 'em

0:17:350:17:38

SCRATCHING

0:17:380:17:40

# Now when you salivate and hear Pavlov's bell

0:17:420:17:46

# Don't go to no place where they serve you ill

0:17:460:17:50

# Roscoe's, that's the place to be

0:17:500:17:53

# Just like you see it on the TV

0:17:530:17:56

# Come on, all you homeboys and bring your freaks down

0:17:560:18:01

# And toss them chicken and waffles around

0:18:010:18:04

# It may be ugly or smell real funny

0:18:040:18:08

# Roscoe don't care cos it save you cash money

0:18:080:18:12

# I ain't lying

0:18:120:18:13

# Come to Roscoe's for delicious food

0:18:130:18:15

# We've got fuel for your attitude

0:18:150:18:19

# And we make the baddest waffles and cluck

0:18:190:18:23

# And you get good value for your buck

0:18:230:18:27

# Come to Roscoe's for delicious food

0:18:270:18:31

# We've got fuel for your attitude

0:18:310:18:34

# We make the baddest waffles and cluck

0:18:340:18:38

-# And get you good val...

-That's it.

0:18:380:18:40

Yeah!

0:18:400:18:42

That's really great, man.

0:18:420:18:44

I wouldn't lie. I told you you were a genius.

0:18:440:18:46

It's just a commercial. When am I going to do rock videos?

0:18:460:18:49

-Patience, man, it's all part of my master plan.

-Master plan!

0:18:490:18:53

You do what you have to, so you can do what you want to.

0:18:530:18:55

We do shitty little jobs like this So we can make money.

0:18:550:18:59

-Money to do what? Money to do your art.

-You mean like normal people?

0:18:590:19:04

They gotta do what they don't wanna do all the time.

0:19:040:19:07

Normal people don't get paid in chicken and waffles.

0:19:070:19:10

Hey, eat up, man, this stuff is good.

0:19:100:19:12

See now, we got like, a reel of our work.

0:19:120:19:15

That'll get us those big, big, big, big, big money gigs.

0:19:150:19:18

You won't be resting, you will be out on the streets

0:19:180:19:21

bringing in the bread and butter jobs with these.

0:19:210:19:23

You like pets?

0:19:230:19:24

Now fluffy,

0:19:240:19:27

concentrate with me if you will.

0:19:270:19:30

Come from your heavenly pound, out of purgatory,

0:19:300:19:33

we will help you make the transition now.

0:19:330:19:36

Fluffy, come home now.

0:19:360:19:40

Come on, Fluffy, come, little Fluffy.

0:19:400:19:43

Here's a bone.

0:19:430:19:45

Come... I feel Fluffy come!

0:19:450:19:47

SQUEAKS AND WHIMPERS

0:19:470:19:48

My dear,

0:19:520:19:54

our Fluffy is in trouble.

0:19:540:19:56

Hi, I'm Ivan Alexeev of Video Aces, we make rock videos.

0:19:560:20:00

If you could find time to look us and call me. Your name was...?

0:20:000:20:03

-Skip.

-Ivan. Give us a call.

0:20:030:20:05

Weird Al! I knew it. Mr Yankovic, My name is Ivan Alexeev,

0:20:130:20:17

I work for Video Aces and we make rock videos.

0:20:170:20:20

Let me give you my card.

0:20:200:20:21

Remind me to get some hollow points.

0:20:250:20:28

WOMAN: Your 3.30 has been cancelled.

0:20:280:20:30

It was a very fine meeting, it was good to meet you.

0:20:340:20:36

My briefcase!

0:20:380:20:39

Video Aces make rock videos and I'm leaving the country,

0:20:390:20:44

so if he wants to look at it, call me today. Ivan.

0:20:440:20:46

Let me give you my card, here it is.

0:20:460:20:48

Have him call. Thank you so much.

0:20:480:20:51

BEATBOXES

0:20:510:20:53

Fuzzball Records.

0:21:040:21:06

Fuck it!

0:21:220:21:24

WOMAN: The guy was all hands.

0:21:380:21:40

I mean, get this, you know,

0:21:400:21:41

he comes in, he opens the door, first thing he does? He gropes.

0:21:410:21:45

I'd like to speak with the Director of Artist Development And Promotion, Video Department, please.

0:21:450:21:49

So would I.

0:21:490:21:51

No, I'm kidding.

0:21:510:21:52

Mo Fuzz, President. What can I do for you?

0:21:520:21:56

Sir, my name is Ivan Alexeev.

0:21:560:21:58

-Take it down!

-So you want to make videos for Mo Fuzz?

0:22:060:22:10

-Yes.

-I want you to.

0:22:100:22:13

What kind of equipment do you got?

0:22:130:22:15

Top of the line, we've got our own studio.

0:22:150:22:18

BUZZING

0:22:190:22:21

Hold my calls.

0:22:220:22:25

I brought in a reel of our work.

0:22:250:22:27

It's a little rough, but I believe it captures the energy of our company.

0:22:270:22:31

-It shows...

-I don't need to see it to know I'm already crazy about it.

0:22:310:22:35

I've got a sense about you.

0:22:350:22:37

An instinct.

0:22:370:22:39

And I've got just the band.

0:22:390:22:41

Cube Squared.

0:22:410:22:43

This group is hotter than hot.

0:22:430:22:46

They've sold more records in Sweden then Abba.

0:22:460:22:50

Great! I want to thank you, Sir, for this opportunity.

0:22:500:22:53

What I'll do, is I'll hook up with my partner,

0:22:530:22:56

we'll drop a story board, come up with some concepts

0:22:560:22:59

and get back to you in a couple of days.

0:22:590:23:01

The Cube will be touring the Congo in a couple of days. I need it today.

0:23:010:23:05

OK. OK. Great, we'll do it.

0:23:050:23:09

What's the budget like?

0:23:090:23:11

Budget?

0:23:110:23:12

I'm going to let you do this one on spec.

0:23:120:23:15

What is spec?

0:23:150:23:17

It means you do this one for free.

0:23:170:23:21

It's the way everybody starts out.

0:23:210:23:23

Oh, spec.

0:23:230:23:25

Yeah, right, right. Spec, I know about spec.

0:23:250:23:29

Let's get into trouble, baby.

0:23:290:23:31

My brother.

0:23:310:23:33

Lets do it. Cube Squared, Baby Doll.

0:23:340:23:38

SINGS IN SCANDI

0:23:420:23:45

# My baby doll

0:23:550:23:58

# My baby doll

0:23:590:24:00

# Doll, baby doll

0:24:000:24:02

# My baby doll

0:24:020:24:03

# Baby, baby, baby doll

0:24:030:24:05

# My baby doll

0:24:050:24:07

# My baby doll

0:24:070:24:09

SINGS VERSE IN SCANDI

0:24:100:24:12

# My baby doll

0:24:170:24:19

# My baby doll

0:24:200:24:22

# Doll baby

0:24:220:24:23

# My baby doll

0:24:230:24:25

# Baby, baby, baby doll

0:24:250:24:27

# My baby doll

0:24:270:24:29

# My baby doll

0:24:290:24:31

# Baby doll

0:24:320:24:33

SINGS IN SCANDI

0:24:330:24:34

# Baby doll

0:24:340:24:36

SINGS IN SCANDI

0:24:360:24:38

# Baby doll

0:24:380:24:39

SINGS IN SCANDI

0:24:390:24:41

# Baby doll

0:24:410:24:43

SINGS IN SCANDI

0:24:430:24:45

# Baby doll

0:24:450:24:47

# Baby doll

0:24:480:24:50

# Baby doll

0:24:510:24:53

# Baby doll

0:24:550:24:56

SINGS IN SCANDI

0:24:580:25:01

# Baby doll

0:25:120:25:13

SINGS IN SCANDI

0:25:130:25:14

# Baby doll

0:25:140:25:16

SINGS IN SCANDI

0:25:160:25:18

# Baby doll

0:25:180:25:19

SINGS IN SCANDI

0:25:190:25:21

# Baby doll

0:25:210:25:23

SINGS IN SCANDI

0:25:230:25:25

# Baby doll

0:25:250:25:26

SINGS IN SCANDI

0:25:260:25:29

# Baby doll

0:25:290:25:30

SINGS IN SCANDI

0:25:300:25:32

# Baby doll

0:25:320:25:33

SINGS IN SCANDI

0:25:330:25:35

# Baby doll

0:25:350:25:36

SINGS IN SCANDI

0:25:360:25:38

# Baby doll...

0:25:380:25:40

WHIMPERS FROM BAND

0:25:410:25:44

Am I crying?

0:25:570:25:58

No.

0:25:580:26:00

Well, it wouldn't surprise me if I was. I was moved.

0:26:000:26:06

I can't do anything with this.

0:26:080:26:11

-Why not?

-I need production value.

0:26:110:26:15

What kind of production value did you have in mind for no money?

0:26:150:26:18

-There's only one thing that adds real production value.

-What's that?

0:26:180:26:24

Tits and ass.

0:26:240:26:26

Damn.

0:26:270:26:29

-Tits and ass.

-I'm going to do something I don't normally do, because I like you guys.

0:26:290:26:35

You can do another one, and this time I'll give you three days to shoot...

0:26:350:26:43

on spec.

0:26:430:26:45

-Spec, look...

-Don't thank me.

0:26:450:26:48

I know, I'm too nice.

0:26:480:26:50

Lets get into trouble, baby.

0:26:500:26:54

Spec is spec. It's where everybody starts out.

0:26:540:26:57

Yeah, but we don't have any money.

0:26:570:26:59

-We don't even have gas in the car.

-Somebody called about the flyer!

0:26:590:27:02

-Yeah?

-Yeah, you got a gig at the Hollywood Presbyterian.

0:27:020:27:06

-Is it on spec?

-No, it's on Wiltshire and Vermont.

0:27:060:27:09

And the rest of my estate

0:27:090:27:14

to be divided

0:27:140:27:17

equally among my great-great grandchildren.

0:27:170:27:22

-Cut.

-That was great, man. Lets get out of here, Josh.

0:27:220:27:25

-No, rewind the tape.

-Again?

0:27:250:27:28

Merlin, work with us.

0:27:280:27:30

Is this how you want to be remembered?

0:27:300:27:32

This is supposed to be a living will.

0:27:320:27:35

-Lets try to give that dialogue some life.

-Look, I'm not an actor.

0:27:350:27:39

I'm in the garment business.

0:27:390:27:40

This was my wife Miriam's idea.

0:27:400:27:43

I know, I know, but I think Miriam was right. I think she had an instinct.

0:27:430:27:46

Merlin, work with us, Goddamn it!

0:27:460:27:49

Hey, hey, hey! Can't talk to actors that way!

0:27:490:27:51

Now, I know you got it in you.

0:27:550:27:57

We're talking about your money.

0:27:570:27:59

-You and everybody else.

-So, I want you to feel the moment.

0:27:590:28:04

I want you to show us the generosity of spirit that is Merlin Hinkle.

0:28:040:28:08

The passion, the pathos.

0:28:080:28:11

Trust yourself, trust me, you can do it. Passion!

0:28:110:28:16

Here we go.

0:28:160:28:18

Here we go. Passion!

0:28:180:28:19

And...

0:28:230:28:25

from the top.

0:28:250:28:27

Merlin Hinkle, living will, take 14.

0:28:270:28:30

Get it right this time, Hinkle!

0:28:300:28:33

And...action.

0:28:330:28:35

Action! The passion.

0:28:350:28:39

I, Merlin Hinkle, being of sound mind and body,

0:28:390:28:44

do hereby bequeath to my loving wife Miriam, the sum of 5,000...

0:28:440:28:50

HE GASPS

0:28:500:28:52

Dollars, 5,000 dollars and all my worldly possessions.

0:28:520:28:56

-Is he improvising?

-No, Josh, he's dead.

0:28:590:29:04

Oh, shit. No, no, don't die on me!

0:29:040:29:07

-You can do it!

-Josh, Josh!

0:29:070:29:09

-You can do it!

-The man is dead!

0:29:090:29:10

You're not going to get a different line reading!

0:29:100:29:13

-This is horrible.

-Yeah, we're not going to get paid.

0:29:160:29:18

Are you guys running? OK.

0:29:220:29:25

And the rest of my estate shall be divided equally

0:29:250:29:30

among my great-great grandchildren.

0:29:300:29:34

OK?

0:29:340:29:36

Oh, and be sure to pay Video Aces,

0:29:360:29:40

my favourite video company.

0:29:400:29:44

They're terrific guys.

0:29:440:29:46

You get a lot for your dollar.

0:29:460:29:48

Getting late, I'm going to go to sleep now.

0:29:480:29:51

Great. That's a wrap. Nice working with you, Merlin.

0:29:510:29:55

-Nice crib!

-How did we get this job, Ivan?

0:29:570:30:00

Shrewed market penetration.

0:30:000:30:02

-What?

-Belinda. Flyers, advertisment.

0:30:020:30:04

-Oh. Sinking pretty low, Ivan.

-That's where you got to go to catch the big fish.

0:30:040:30:08

I don't like this Norman Mart guy.

0:30:080:30:11

-It's a great opportunity, man.

-What?

0:30:110:30:13

-Where are the outlets here, man?

-And elevator.

0:30:130:30:16

Yeah, I got to go upstairs, I'm going to get my elevator.

0:30:160:30:19

Let the prince dance with me.

0:30:240:30:27

Please, Fairy Godmother, let the prince pick me.

0:30:270:30:31

He'll pick you, he'll pick you.

0:30:310:30:33

You must be the video gentlemen. I'm Kay Mart.

0:30:470:30:51

Enchante.

0:30:530:30:54

I need more money, Norman.

0:30:550:30:57

-My condo needs new drapes.

-Hey, Nikki...

0:30:570:31:03

I'm tired of you snorting drapes up your damn nose.

0:31:040:31:08

But you're not tired of going to the ball, are you, Norman?

0:31:080:31:12

Hey, everybody, it's limbo time!

0:31:140:31:16

CALYPSO MUSIC

0:31:160:31:18

Oh, my God.

0:31:270:31:29

You fool, you've knocked out my contact lense.

0:31:290:31:32

Freeze. It's probably stuck to your body.

0:31:320:31:35

I'll find it.

0:31:360:31:37

Ivan.

0:31:370:31:39

Samantha Gregory.

0:31:390:31:42

Samantha Gregory. Yeah, you write for Rock Gossip.

0:31:420:31:45

That's just a side gig.

0:31:450:31:47

Find anything?

0:31:490:31:50

No, not yet, better take another pass.

0:31:500:31:52

What's that on your hand?

0:31:520:31:54

Oh, good eye, good eye. There it is.

0:31:540:31:57

Your image problems are just beginning, Norman.

0:31:570:31:59

Nikki, your indescretion is really starting to bother me.

0:32:090:32:12

I'm not joking, I got the goods on you.

0:32:120:32:14

Sometimes it's difficult to believe a slut.

0:32:140:32:17

C B Turkin.

0:32:170:32:19

Everybody thought his company had closed down, but the Pres put him back in business.

0:32:190:32:23

-What does he make?

-Nerve gas.

0:32:230:32:25

If Mr Mark wanted publicity pictures taken

0:32:310:32:34

he would have invited Richard Avedon.

0:32:340:32:37

Hey, wait a minute! You can't do this! Help!

0:32:370:32:40

Video Aces, we're in the book!

0:32:400:32:41

Where is Belinda?

0:32:430:32:45

I don't know.

0:32:450:32:47

But she asked me to ask you for that ten bucks you owe her.

0:32:470:32:50

Twenty.

0:32:550:32:56

They may not believe me, Norman, but they'll believe a video tape.

0:33:030:33:07

-What?

-Remember your Snow White period?

0:33:070:33:11

I've got some awfully nasty footage of you and those elves.

0:33:110:33:17

As of this moment, my dear Nikki,

0:33:170:33:19

you cease to exist.

0:33:190:33:21

Get her.

0:33:250:33:26

Oh, I'm sorry, can I help you?

0:33:370:33:40

-Here.

-Don't worry about it.

0:33:400:33:43

There you go. I gotta go or my boyfriend's going to kill me.

0:33:430:33:46

Bye!

0:33:460:33:48

You idiots.

0:33:520:33:54

You're all going back to training guerillas in Honduras if I don't find that fucking tape.

0:33:540:33:59

Sir, we searched her. She didn't have the tape.

0:33:590:34:01

We scoured the grounds. The tape just isn't here.

0:34:010:34:04

I theorise that in all probability, Norman,

0:34:040:34:07

she slipped the tape to an accomplice who will shortly

0:34:070:34:11

be contacting you with a tatty blackmail note,

0:34:110:34:13

hoping to exctract some exorbitant payment in exchange for...

0:34:130:34:17

Not frying your ass.

0:34:170:34:20

MUSIC PLAYS

0:34:200:34:22

Now that's production value.

0:34:450:34:48

I've got goose bumps all over my body.

0:34:480:34:51

Now we start making the big money right, Mo?

0:34:510:34:54

Right, babe. As soon as you complete your trilogy.

0:34:540:34:59

-Trilogy? What are you talking about?

-I'm talking about a package.

0:34:590:35:03

I'm talking about the way things work in nature.

0:35:030:35:07

All good things come in threes.

0:35:070:35:09

It's celebrity deaths that come in threes.

0:35:090:35:12

I need one more video.

0:35:120:35:15

-On spec?

-Right.

0:35:150:35:16

Forget it! We're out of here.

0:35:160:35:18

Stay, stay.

0:35:180:35:21

Am I crying?

0:35:210:35:23

Funeral - take one.

0:35:260:35:27

Josh, Josh are you rolling?

0:35:270:35:31

God, if you guys had money, I know you'd be doing something meaningful.

0:35:310:35:36

Well, thanks. You're all right too, Belinda.

0:35:360:35:39

I mean, I feel comfortable with you. It's like you're one of the guys.

0:35:390:35:43

-But I'm not a guy.

-I know that.

0:35:430:35:47

So why are you so shy?

0:35:500:35:52

All right, Belinda.

0:35:520:35:54

You want to know? All right, I'll tell you.

0:35:540:35:57

-My first girlfriend really fucked me over, OK?

-Sorry.

0:35:570:36:01

Yeah, so was I.

0:36:010:36:02

-When did you break up with her?

-Kindergarten.

0:36:040:36:07

What's so funny?

0:36:090:36:11

Swanky Modes!

0:36:130:36:16

FUNKY MUSIC

0:36:160:36:18

Josh, me and you got the moves!

0:36:250:36:28

-What are we doing?

-Dancing, man!

0:36:280:36:30

-Video Aces.

-What we always do.

0:36:300:36:32

Come on, man. You're missing a step. Get the step, man.

0:36:320:36:36

What about the master plan, huh?

0:36:420:36:45

Do what you gotta do so you do what you wanna do?

0:36:450:36:47

When are we gonna do what we wanna do?

0:36:470:36:50

I don't know.

0:36:500:36:52

Great(!) So we do bullshit jobs

0:36:520:36:54

so we can keep our equipment so we can do jobs on spec,

0:36:540:36:58

so that maybe one day, we can do a music video.

0:36:580:37:00

I mean, what's the point?

0:37:000:37:02

The point is trying, man.

0:37:020:37:04

Come on.

0:37:050:37:07

All right. How long do we stave off the inevitable?

0:37:100:37:14

Till they wrench the plug from our bloody hands.

0:37:140:37:17

It's gonna be tomorrow.

0:37:240:37:26

ROOSTER CROWS

0:37:280:37:31

HE SCREAMS

0:37:520:37:53

Problem?

0:37:530:37:55

The guy's a wanker.

0:37:550:37:56

I brought you the seven best directors in the business.

0:37:560:37:59

Gimme somebody who's gonna just push buttons, will you?

0:37:590:38:02

Dick, don't be a cunt.

0:38:020:38:04

I think I have just the two for you.

0:38:050:38:08

-Two what?

-Directors.

0:38:080:38:11

Miss Gregors, you look great.

0:38:110:38:13

Glad you could make it.

0:38:130:38:15

Video Aces reporting for duty.

0:38:150:38:18

You've tried the best, now try the rest.

0:38:180:38:21

Wow, so cool!

0:38:210:38:24

Sorry, Girlie. No groupies.

0:38:240:38:26

Oh, I work with Video Aces.

0:38:260:38:28

That's not all you do.

0:38:280:38:30

-What's that?

-Product placement, man.

0:38:350:38:37

Backbone of music videos.

0:38:370:38:39

No way, no way. Take it off the stage.

0:38:390:38:42

You guys all got your visors?

0:38:460:38:47

-Fuck off, Prick.

-Haven't got all bloody day!

0:38:470:38:51

-Ivan, what's going on?

-Is there an operating manual with that?

0:38:510:38:54

Standard crane, right?

0:38:540:38:56

-Yeah.

-Ivan, hello?

0:38:560:38:59

-Roll film.

-Roll film?

0:38:590:39:01

-I'm pointing towards a wall.

-OK, let's make some money.

0:39:010:39:05

Playback.

0:39:070:39:09

MUSIC PLAYS

0:39:090:39:11

# My name is Mr MX-7!

0:39:140:39:20

# Go ahead and drop the bomb!

0:39:300:39:32

# You don't want anyone!

0:39:320:39:34

# You don't want anyone to live!

0:39:340:39:36

# Go ahead and kill yourself!

0:39:370:39:40

# You live in a living hell, radiating all your...

0:39:400:39:43

WOMAN SCREAMS

0:39:430:39:44

# ..Don't you know, it's gonna blow

0:39:470:39:49

# Hide your heads, kill you dead See it blaze up till you blow

0:39:490:39:53

# I wanna be disengaged

0:39:530:39:55

# I wanna be disengaged

0:39:550:39:57

# I wanna be dissipated, yeah

0:39:570:40:00

FRENETIC GUITAR SOLO

0:40:000:40:02

Good, Ivan!

0:40:220:40:24

Enough, Ivan! Now, Ivan!

0:40:240:40:27

How, Ivan?!

0:40:270:40:29

Stop, Ivan!

0:40:290:40:31

Now, Ivan!

0:40:310:40:32

SCREAMING, PLAYBACK STOPS

0:40:340:40:36

-He's an arsehole. Let's try again.

-This is sabotage, man!

0:40:440:40:47

This is just dandy, I put my butt on the line for you guys and you blew it.

0:40:470:40:51

-We'll fix it...

-Forget it, you suck!

0:40:510:40:53

Just a sec...

0:40:530:40:55

-Are you guys famous?

-How do I look?

0:40:550:40:57

-Sign my butt.

-Teach me to read.

0:40:570:41:00

Ivan!

0:41:000:41:01

MUSIC PLAYS

0:41:060:41:09

# Well, the overlords thought it would be a good deed

0:41:160:41:18

# To mix the black with the white

0:41:180:41:21

# But if you're a fly in the buttermilk

0:41:210:41:23

# They'll chase y'all through the night...

0:41:230:41:24

Cowboys?

0:41:240:41:26

This ain't never happened in my day.

0:41:280:41:30

# ..daughter will be my wife!

0:41:300:41:33

# Round and around and around they go The bus is going mighty slow

0:41:330:41:37

# Brothers in the back seat Cops in the front

0:41:370:41:39

# People getting...

0:41:390:41:42

You know, I think we killed 'em.

0:41:420:41:44

-And I think we're gonna get the gig.

-Oh, come on, Lester.

0:41:440:41:48

And who would want this gig anyway,

0:41:480:41:50

when the whole place is full of nothing but losers and white trash?

0:41:500:41:53

How did we go wrong?

0:41:530:41:55

What did I do? We had everything set,

0:41:550:41:59

triangle of success, man, skills, attitude, knowledge.

0:41:590:42:02

I got attitude, he's got skills and knowledge.

0:42:020:42:04

Everything was cool, man, I had product placement.

0:42:040:42:09

Ain't this a shame.

0:42:090:42:10

Girl gave me a defective crane, now what have I got?

0:42:100:42:13

Check it out, man, Billy and Lester, the Swanky Modes.

0:42:130:42:16

Did you hear me? Billy and Lester...

0:42:190:42:22

Those guys are legends.

0:42:220:42:25

For the contribution they've given to mankind, they should be living like kings, nay gods!

0:42:250:42:30

It's not the way it works, bro.

0:42:310:42:33

Yeah, right.

0:42:350:42:37

Assholes like The Blender Children get to be big stars?

0:42:370:42:41

Where's the justice?

0:42:410:42:43

-There's no justice.

-None, man.

-It's fucked up.

0:42:430:42:46

Let's buy 'em a beer.

0:42:460:42:48

Two more.

0:42:480:42:50

Sorry, guys.

0:42:500:42:52

Brothers Against Drunk Driving, they've been bustin' my ass.

0:42:520:42:56

-Care to perform a sobriety test?

-All right, all right.

0:42:560:43:00

Close your eyes,

0:43:000:43:01

real tight, no peeking.

0:43:010:43:04

Now recite the alphabet backwards,

0:43:040:43:07

skipping all the vowels, and give me the sign language for each letter as you pass by.

0:43:070:43:11

Z-Y-X-W-V-T-S-R

0:43:110:43:15

Q-P-N-M-L-K-J-H-G-F-D-C-B.

0:43:150:43:21

You passed!

0:43:210:43:23

I'll get those beers for you.

0:43:230:43:25

-What's wrong?

-They're gone.

-Let's get out of here.

0:43:270:43:31

Fuck this.

0:43:320:43:34

Here's a KPLP real news update.

0:43:430:43:46

Tragedy hit the Greek Theatre tonight when a fragment of Spy Lab 14 struck the stage,

0:43:460:43:51

killing the surprised members of up and coming rock band, The Blender Children.

0:43:510:43:56

We go live now to the scene.

0:43:560:43:58

A terrible, terrible tragedy at the Greek tonight,

0:43:580:44:02

where the only things casted are chaos and bedlam.

0:44:020:44:05

We have with us a person who saw what happened and, Sir, what did happen?

0:44:050:44:09

Dick Slaver was hammering on his axe, doing this blazing solo,

0:44:090:44:14

when all of a sudden this thing that looked like a fireball from hell just slammed into him.

0:44:140:44:19

It was the most excellent effect I've ever seen.

0:44:190:44:23

I'm here front row next show, definitely!

0:44:230:44:25

-Sir, there won't be a next time, they're all dead.

-Awesome.

0:44:250:44:28

The Blender Children were in town recording a rock video for their next single.

0:44:280:44:32

No doubt fans will be clamouring to view that last video.

0:44:320:44:36

Awesome.

0:44:360:44:37

Oh, please, Fairy Godmother. I need to carriage to take me to the ball.

0:44:420:44:47

-All right, all right.

-Oh!

0:44:470:44:50

Hop on.

0:44:500:44:53

What are you doing here?

0:44:530:44:54

I'm about to do Video Aces a big favour.

0:44:540:44:58

Why don't you just leave them alone?

0:44:580:45:01

-They'll be worse off than they are now.

-That would be impossible.

0:45:010:45:04

Belinda, are you balling Josh?

0:45:060:45:10

It's none of your business.

0:45:100:45:11

Too bad.

0:45:110:45:13

Right now, I need the Blender Children video.

0:45:130:45:16

Tough.

0:45:160:45:17

Yeah?

0:45:170:45:18

Two Ninja bitches about to kill each other.

0:45:520:45:56

The Blender Children are mulch, they just bought the farm.

0:45:560:45:59

And RVTV wants to premier the video now, live and exclusive - do you get it?

0:45:590:46:05

Well, Samantha, even our shit is not without some endearing qualities.

0:46:050:46:10

-Perfect for RVTV.

-Belinda, let's make a copy.

0:46:100:46:13

-Fuck you.

-I'll do it myself, what's the big deal around here?

0:46:130:46:17

I think I'll tape over this red one.

0:46:210:46:23

-Don't do that!

-Yes, it's very unprofessional.

0:46:230:46:26

Tape over the Mangotti funeral, they didn't pay us.

0:46:260:46:30

I'm going to meet you guys at the RVTV studios in about half an hour.

0:46:320:46:36

OK, Video Aces world televised premiere live exclusive,

0:46:360:46:40

-thousands and thousands...

-Do you know what you're doing?

-Yeah.

0:46:400:46:44

I hold in my hand the last and first video made by The Blender Children,

0:46:490:46:54

just before their "explosive" finale at the Greek Theatre.

0:46:540:46:59

I can't believe they're screening this nationwide.

0:46:590:47:01

-We're never going to work again.

-We're not working now.

0:47:010:47:04

Shh, it's starting.

0:47:040:47:05

Mangotti funeral take one, Josh.

0:47:070:47:10

MUSIC PLAYS

0:47:100:47:11

I don't wanna go up this year.

0:47:280:47:30

You go and learn till it's over and done with.

0:47:300:47:34

There's no reason for this type of fear,

0:47:340:47:37

but you keep building me, one by one.

0:47:370:47:40

All I want is to be apart this year. No more threat to anyone.

0:47:400:47:45

# Thy will be done

0:47:470:47:51

HEAVY ROCK

0:47:540:47:57

# Go ahead and drop the bomb!

0:48:020:48:04

# You don't want anyone...

0:48:040:48:06

-Brilliant. Just brilliant.

-An astonishing example

0:48:060:48:10

of post-modernism, a prospicious portent...

0:48:100:48:12

-The emotion.

-Raw, so raw.

0:48:120:48:15

Interesting thing about that video, they chose to work with the video production team, Video Aces.

0:48:150:48:20

We've heard that name before...

0:48:200:48:22

How's it going?

0:48:220:48:23

OK.

0:48:230:48:25

-Did you watch RVTV tonight?

-No.

0:48:270:48:31

You missed it? We were hot!

0:48:310:48:34

I mean,

0:48:350:48:37

we have clients lined up for, like, Video Aces,

0:48:370:48:40

and we're going to do non-stop videos for the rest of our lives!

0:48:400:48:44

Look at all these business cards.

0:48:440:48:45

Congratulations.

0:48:450:48:47

Don't you know what this means?

0:48:480:48:51

That you guys will become exactly like Samantha.

0:48:510:48:53

To us, Ivan, and to our success.

0:48:530:48:57

To you, Samantha,

0:48:570:48:59

for helping make Video Aces what it is,

0:48:590:49:02

for making me feel for the first time in my life like I'm on fire.

0:49:020:49:06

Take my water.

0:49:120:49:14

-You were saying?

-You look ravishing,

0:49:150:49:18

and I'd like to chew on your thighs.

0:49:180:49:20

I thought we had a professional relationship.

0:49:200:49:23

So I'll pay.

0:49:230:49:24

Seriously, Ivan.

0:49:280:49:30

I think we should start planning our future fame and fortune.

0:49:300:49:33

I'd throw all of that away for one chance to flambe your flesh with my tongue.

0:49:330:49:38

Only absolute success can bring total fulfilment.

0:49:380:49:42

Want your cherry?

0:49:420:49:43

Power IS happiness.

0:49:460:49:48

And the media is the key to power.

0:49:480:49:50

What makes you happy makes you happy.

0:49:500:49:53

Fuck!

0:49:550:49:57

Bill Hearst, Otis Chandler,

0:49:590:50:01

Brooke Murdock, Ted Turner, Connie Chung -

0:50:010:50:05

these people seduced the masses, and in turn became legends in their own time.

0:50:050:50:11

That's what I want, Ivan.

0:50:130:50:15

And that's what I'm going to get, any way I can.

0:50:170:50:22

Want to dance?

0:50:230:50:25

I'll lead.

0:50:250:50:27

Samantha!

0:50:320:50:34

It's awfully hot out here.

0:50:470:50:49

How do you feel about representation?

0:50:510:50:54

Looks good.

0:50:540:50:55

You know, Ivan...

0:50:580:50:59

..in business it's the personal relationships...

0:51:010:51:05

..that make it all worthwhile.

0:51:080:51:12

UNZIPPING

0:51:120:51:14

Whatever.

0:51:140:51:15

They're off to Utah, to the Osmonds Christmas Show.

0:51:170:51:20

They're spending the month of January with peer.

0:51:200:51:23

But I like you a lot, so I'm going to talk to my clients.

0:51:230:51:27

You talk to them?

0:51:270:51:28

I'll talk to them.

0:51:290:51:31

What we're talking about is a live televised concert to 30 million people.

0:51:320:51:38

Everybody loves Menudo.

0:51:380:51:41

-Menudo?

-And you know that.

0:51:410:51:44

Yeah, we love Menudo.

0:51:440:51:46

The last album.

0:51:480:51:50

This is a small town.

0:51:540:51:56

No, it's not.

0:51:560:51:59

Don't worry about it, they'll be there.

0:51:590:52:01

In a surprising upset tonight, two virtual unknowns have snatched top honours

0:52:010:52:06

at the US Video Awards ceremony for The Blender Children's Mr MX-7.

0:52:060:52:11

We've got an exclusive interview now with these two sizzling hot guys.

0:52:110:52:14

We are live backstage at the US Video Awards...

0:52:140:52:17

-SHOUTS OUT PHONE NUMBER

-You'll get plenty of time to sell that!

0:52:170:52:20

Norman, aren't those the boys I hired to videotape the ball?

0:52:200:52:25

They never sent me the tape!

0:52:250:52:27

I got a lead.

0:52:310:52:33

I think I know who has my tape.

0:52:330:52:35

Terminal Bar.

0:52:370:52:39

Roger, that's a 10-4.

0:52:390:52:41

I love you guys.

0:52:410:52:43

# It would take a miracle

0:52:440:52:47

# To ease my troubled mind

0:52:500:52:55

# I know you tried help me

0:52:570:53:01

# Trying hard to be so kind

0:53:020:53:07

# Baby You are too good to be

0:53:100:53:14

# Just an audience for my pain

0:53:160:53:20

# I'm living in a prison

0:53:260:53:28

# Though you can't see the bars

0:53:300:53:35

# I've been wounded so many times

0:53:380:53:41

# Though you cannot see the scars

0:53:430:53:47

# I'm afraid you have to leave me now

0:53:510:53:54

# And the reason is plain

0:53:560:54:00

# Baby, you are too good to be

0:54:030:54:06

# Just an audience for my pain

0:54:080:54:13

# Audience for my pain

0:54:150:54:19

# I don't want you to look at me now

0:54:210:54:23

# Ohhhh, no

0:54:270:54:30

# No, no, no

0:54:330:54:37

# No, no, no, oh-ooh-oh

0:54:410:54:47

# No, no, no. #

0:54:490:54:54

That is music! Swanky Modes! All right!

0:54:550:54:58

All right, that is music!

0:54:580:55:01

The fabulous Brothers Diamond.

0:55:010:55:03

# You hooked me, baby!

0:55:050:55:08

# You threw a net around my heart

0:55:080:55:11

Show's over, boys.

0:55:110:55:13

Drinking time's begun.

0:55:130:55:15

# I said you hooked me, baby

0:55:150:55:17

We haven't sung that tune in 15 years.

0:55:170:55:21

And I can't even remember back that far.

0:55:210:55:23

Number three on the charts.

0:55:230:55:25

Yeah, you performed on the Ed Sullivan show October 12th, 1970,

0:55:250:55:29

-8.22 Eastern Standard time, right after those dancing elephants.

-Yeah!

0:55:290:55:33

You boys buying?

0:55:350:55:38

Yeah, sure, we love the Swanky Modes.

0:55:380:55:41

Set 'em up, Jack.

0:55:410:55:42

Except now, we're the Brothers Diamond.

0:55:420:55:45

Jack, two Courvoisiers.

0:55:450:55:47

The hottest acts in show business today are offshoots of you guys.

0:55:470:55:51

-Yeah, they ripped you off.

-And we're sittin' here all skinny.

0:55:510:55:55

-Maybe we can help you guys.

-Yeah!

0:55:580:56:02

We'll do a video, man!

0:56:020:56:05

A music video would broaden your demographics while retaining your integrity.

0:56:050:56:10

Yeah, we can get you on RVTV.

0:56:100:56:13

TV? Who'll want to see us?

0:56:130:56:15

Look at him, he's ugly.

0:56:150:56:17

There are a lot of people out there who are ugly who are making serious money.

0:56:180:56:23

Now, that's not a problem, see, we can package you...

0:56:230:56:25

-Package? No.

-So the public will find you palpable.

0:56:250:56:27

No, no!

0:56:270:56:30

I got it! We're going to give these guys the real thing.

0:56:300:56:34

As a matter of fact, we're going to start tomorrow night with a live simulcast of 20 - no, 30 countries!

0:56:340:56:40

-We are?

-Yeah!

-Why are you guys doing this?

0:56:400:56:43

Why? Because we have to!

0:56:430:56:46

If it wasn't for your influence, we'd know nothing about soul,

0:56:460:56:49

we'd be family men working for multi-nationals!

0:56:490:56:51

Earning six figures, driving LeBarons.

0:56:510:56:54

Hey, you can't pin that on us, we have lawyers.

0:56:550:56:58

It's too late, we out of the gate, but that's our fate!

0:56:580:57:02

This funky train!

0:57:020:57:03

Yeah! Hey, pay the man, Ivan!

0:57:030:57:07

I got some change here somewhere. We'll be in touch, man.

0:57:070:57:11

Now, what is that all about?

0:57:110:57:14

Nothing.

0:57:150:57:17

Whoa! Yeah!

0:57:180:57:22

I am totally psyched, man!

0:57:230:57:26

As of this moment, we are cancelling all our jive job videos.

0:57:260:57:30

-We are?

-Except Menudo.

0:57:300:57:33

Menudo?

0:57:330:57:34

The master plan has come to fruition!

0:57:340:57:37

Ah, yeah!

0:57:370:57:40

That's how to drive safely!

0:57:450:57:48

Anybody there?

0:57:480:57:51

Yeah, caucasian female, somewhere between the ages of 15 and 35.

0:57:510:57:58

Right, let's move.

0:57:580:58:00

There's some tapes.

0:58:020:58:05

-What's the definition of "fear"?

-What's the definition of "if"?

-Why Menudo?

0:58:050:58:10

Beat it, you hoodlums.

0:58:130:58:15

-Linda, what's happening?

-I don't know.

0:58:210:58:25

Bet you thought you'd seen the last of me.

0:58:270:58:29

Damn, I'm out.

0:58:310:58:32

Out of bullets, huh?

0:58:320:58:34

My video protector.

0:58:340:58:36

Say your prayers, slimeball.

0:58:360:58:38

Thanks, Skip. Who the hell are you guys?

0:58:420:58:45

-Gentlemen, we are the...

-Hitmen.

0:58:450:58:49

We need a video tape right away.

0:58:490:58:51

It's two in the morning, we're tired, and we're not doing any more jive job videos.

0:58:510:58:55

The only way we'd do a video with a limey garage man like you

0:58:550:58:58

-is if we got paid the big bucks.

-90 thou in non-sequential 50s acceptable?

0:58:580:59:03

Let's not haggle - 100 thou.

0:59:030:59:05

What are you doing, we have to set up for the Modes concert tomorrow night.

0:59:050:59:08

Josh, this is the capital we need to keep our equipment.

0:59:080:59:11

Cash flow equals personal freedom, the freedom to do the videos you want to do -

0:59:110:59:16

like the Swanky Modes. You can't pass this up.

0:59:160:59:18

Think about it.

0:59:200:59:22

All right,

0:59:220:59:24

we'll do it during our coffee break tomorrow. You bring the doughnuts.

0:59:240:59:29

-Now get out of here!

-Gentlemen, let me show you to your car.

0:59:290:59:32

You picked a fine company. I've seen your records, and I really respect your work quite a bit.

0:59:320:59:38

-I'm flattered.

-We're currently worked with Bonnie Ray.

0:59:380:59:40

-Not THE Bonnie Ray.

-Yeah, Bonnie Ray and Nigel Harrison.

0:59:400:59:43

-What kind of car are you driving?

-Well, you can see it...

0:59:430:59:46

Gosh, that was incredible.

0:59:460:59:48

You seem so changed.

0:59:480:59:51

You're so committed,

0:59:510:59:54

so reckless,

0:59:540:59:55

so passionate.

0:59:550:59:57

It's the Modes.

0:59:571:00:00

My blood is boiling,

1:00:001:00:02

and they stir up the thoughts and sensations that are pent up inside me.

1:00:021:00:05

I feel like I'm ready to explode.

1:00:051:00:07

Come here, you little filly.

1:00:091:00:11

Shall I get my diaphragm?

1:00:131:00:15

Damn straight, woman. We're going for a ride on the love train.

1:00:151:00:20

Are you sure this is going to be good for our relationship?

1:00:231:00:27

I don't know.

1:00:271:00:29

(HUSKY) Let's find out.

1:00:291:00:31

Hey, look who I ran into downstairs.

1:00:321:00:34

Hey, everybody, it's limbo time!

1:00:371:00:41

CALYPSO MUSIC

1:00:461:00:48

Honey, look.

1:01:051:01:08

See, that was just a front, this is beautiful.

1:01:081:01:12

That's Josh. Do you love it?

1:01:121:01:15

Aren't you proud?

1:01:151:01:17

There's Ivan.

1:01:171:01:19

-Let's surprise him.

-Yeah.

1:01:191:01:21

CALYPSO MUSIC

1:01:211:01:22

Hi.

1:01:321:01:33

Hi, Mom. Hi, Dad. This is Belinda.

1:01:421:01:46

-She's a girl.

-Hi.

1:01:461:01:48

Don't say a word, not one word!

1:01:511:01:54

All right, over here.

1:02:111:02:14

Move it!

1:02:141:02:16

All right, gentlemen, listen up.

1:02:161:02:18

Now, we'll distract them while you find that red tape.

1:02:181:02:21

And remember, there's a bonus for the man who puts it in my hand.

1:02:211:02:26

WOMAN: RVTV.

1:02:261:02:27

Hold on a second,

1:02:301:02:32

-where's the doughnuts?

-Standard Government issue.

1:02:321:02:36

Right this way, we'll be working in Studio D.

1:02:361:02:40

Watching? One, two...

1:02:401:02:42

OK, come on, let's go.

1:02:421:02:44

Come on, let's roll.

1:02:441:02:46

Ivan!

1:02:461:02:48

-Let's go.

-Touch, step, touch, step.

1:02:481:02:51

OK, ten minutes, ten minutes.

1:02:511:02:54

Come on! Get to work!

1:02:581:03:00

# No need to discuss it

1:03:041:03:07

# Cos the message is clear

1:03:091:03:13

# When I look into your loving eyes

1:03:131:03:16

# I know you want me near...

1:03:161:03:20

Shit!

1:03:201:03:21

# Hush, baby, don't make a sound

1:03:211:03:24

# We're only wasting precious time

1:03:241:03:27

# I know in my heart and soul...

1:03:291:03:32

A red tape.

1:03:321:03:33

-Give me that.

-Hey, fuck, give me that!

1:03:331:03:37

I'm gonna shoot you!

1:03:371:03:38

# Don't need no one, two, three

1:03:381:03:41

# There's no need to speak When your knees get weak

1:03:431:03:48

# It's the language of love

1:03:481:03:49

Give it back! Gimme!

1:03:491:03:51

# Don't need to hear you say

1:03:511:03:54

# Won't let you feel this way

1:03:551:03:58

-# Cos every time we kiss

-# Our lips will never miss

1:03:591:04:03

# That's the language of love

1:04:031:04:06

Gimme that!

1:04:081:04:11

That's a wrap.

1:04:111:04:12

Patrick - that's a fine Irish name.

1:04:141:04:16

What's on your mind, Patrick?

1:04:161:04:18

As your party's leading presidential contender, you are a staunch advocate of nuclear proliferation?

1:04:181:04:23

-That's right.

-Does wanting more and bigger missiles stem from a penis envy of the Russians?

1:04:231:04:28

No, that's not the case, son.

1:04:281:04:33

Let's... Matter of fact, that's primitive thinking.

1:04:331:04:36

But I will add,

1:04:361:04:38

I'll throw my slab up on the yard stick against Gorby any day of the Goddamn week.

1:04:381:04:43

APPLAUSE

1:04:431:04:45

Thank you very much.

1:04:471:04:48

Mr Mart, I hear that you're an avid video enthusiast?

1:04:481:04:52

Video?

1:04:531:04:55

Well, yeah, I mean, I dabble...

1:04:551:04:59

I've seen your work.

1:04:591:05:02

It's very provocative.

1:05:021:05:03

And if I refuse?

1:05:031:05:05

America would love to tune in to see its presidential candidate being spanked by a girl in a wetsuit.

1:05:051:05:11

All right.

1:05:131:05:14

Ten days.

1:05:161:05:19

You'll be publishing in ten days. Now, where's my tape?

1:05:191:05:23

Some place safe.

1:05:231:05:25

-Sir, here's the tape from the Video Aces.

-Entertain us, Mr G.

1:05:271:05:30

I'm sure Miss Gregory here would like to see my provocative work one last time.

1:05:301:05:36

You have 24 hours, Mart.

1:05:501:05:52

RVTV just confirmed the satellite hook up.

1:05:541:05:57

-Menudo's going to be pissed.

-They're young, they'll get over it.

1:05:571:06:01

Hey, now these are the Swanky Modes I remember.

1:06:011:06:05

-You guys look great!

-Yeah.

1:06:051:06:07

All right. Modes are coming back in a big way.

1:06:071:06:11

Kind of like old times, eh, Billy?

1:06:111:06:13

-Not really.

-Why don't you guys go into the video lounge and just kind of relax?

1:06:151:06:19

There's some wine coolers if you want a drink.

1:06:191:06:22

We've just got to do a couple more administrative type things.

1:06:221:06:25

-Let's warm up, Billy.

-OK.

1:06:251:06:28

One, two, one, two, three.

1:06:281:06:31

# Bet your bottom dollar on me

1:06:311:06:34

# I'm as good as good can be

1:06:341:06:37

TYRES SCREECH

1:06:371:06:38

Holy shit!

1:06:381:06:40

Some men are after me.

1:06:471:06:48

-Count me in.

-I'm serious, these guys are trying to kill me.

1:06:481:06:52

..somebody on that roof!

1:06:521:06:53

You, on top of that car, back him up.

1:06:531:06:56

Hey, hey, it's the Hitmen!

1:06:561:06:57

That's them.

1:06:571:06:59

-No, they're completely harmless, we just did their last video.

-Fire.

1:06:591:07:02

No refunds!

1:07:061:07:08

God!

1:07:191:07:20

-Josh, give them the money back.

-I'm not going down there!

-You should.

1:07:201:07:24

-Samantha.

-No!

-Fuck!

1:07:241:07:26

If it'll help you guys out, we'll take it to them.

1:07:261:07:29

Get here, Billy.

1:07:291:07:31

We can do that much for you.

1:07:311:07:33

We love the Swanky Modes.

1:07:371:07:40

Come on, Lester. Lester! Come on!

1:07:441:07:48

Hold your fire.

1:07:481:07:50

Come on, Lester.

1:07:501:07:52

-No problem, officer.

-Give me that case.

1:07:521:07:55

No problem, no problem.

1:07:551:07:56

They're opening the case.

1:07:581:08:02

-Looking inside the case.

-It's not here.

1:08:021:08:05

They're giving the case back to the Swanky Modes.

1:08:071:08:10

-The Modes are walking away.

-No, they're not, they're running away.

1:08:101:08:14

Now they're pointing a machine gun at us.

1:08:141:08:16

They're shooting at us again!

1:08:161:08:18

-No shit!

-They don't want your money, they're Mart's men!

1:08:181:08:22

ALL: What?

1:08:221:08:25

What are you doing?!

1:08:261:08:28

Hold it! Hold it!

1:08:291:08:31

They're talking to her.

1:08:321:08:34

-What are you idiots doing here?! You almost killed me.

-Are you OK?

1:08:341:08:38

You bozo! I live here! Get out of here.

1:08:381:08:40

-Get off that car!

-They're putting away their guns.

1:08:401:08:43

Get in the car, get out of here!

1:08:431:08:45

Get off that roof!

1:08:451:08:47

Come on, let's go, snap it up!

1:08:471:08:49

Go on, get out of here!

1:08:491:08:51

They're getting in their car.

1:08:511:08:53

Driving away. We're safe! We're safe!

1:08:551:08:58

We're safe!

1:08:581:09:00

-We're safe!

-Samantha, why did they want to kill us?

1:09:021:09:05

How did you get them not to kill us?

1:09:051:09:07

-Where the fuck did the Modes go with our money?!

-I don't know.

1:09:071:09:11

They'll be at the concert.

1:09:111:09:12

Welcome to RVTV's exclusive coverage of the Menudo concert,

1:09:151:09:20

beaming out to over 30 million households across the world,

1:09:201:09:24

so stay tuned to RVTV.

1:09:241:09:27

Bambinos!

1:09:321:09:34

Hey! Que pasa? Me amo, Ivan. Est el directore, senor Josh Tagermeister.

1:09:341:09:39

Hi, guys, it's going to be great working with you.

1:09:391:09:41

Listen, I've got to see your green cards.

1:09:411:09:44

Left them at the hotel? How could this have happened?

1:09:441:09:48

This puts us in an embarrassing situation.

1:09:481:09:50

The new immigration law and all.

1:09:501:09:52

-We could be fined up to 1,000 per Menudo.

-Why don't you jam back to the bungalow at the Bel Air Hotel,

1:09:521:09:57

pick them up, come right back.

1:09:571:09:58

I'm sorry, there's nothing we can do about it. Let's go, pull it out.

1:09:581:10:00

SHOUTS IN SPANISH

1:10:001:10:03

I hate to wait.

1:10:061:10:08

What time is it?

1:10:081:10:11

What time is it?

1:10:111:10:12

Where are they?

1:10:141:10:16

They're going to be here.

1:10:161:10:18

-The Modes are going to open for them.

-The Modes?

1:10:181:10:20

Who the hell are the Modes?!

1:10:201:10:22

-The Swanky Modes! They've been legends for 20 years, where have you been?

-I'm only 17.

1:10:221:10:27

TOUT: Anybody want these tickets? 25 bucks apiece is all I'm asking.

1:10:311:10:35

What if they don't show up? I mean, what if we wanted this more for them

1:10:381:10:41

than they wanted it for themselves?

1:10:411:10:43

That's an intriguing premise, Josh.

1:10:431:10:46

It means we've got a big problem.

1:10:461:10:48

It means you really fucked up.

1:10:481:10:49

Me! I fucked up, me?!

1:10:491:10:51

You're the one who always imitated the Modes!

1:10:531:10:56

You wanted us to be like Billy and Lester!

1:10:561:10:58

Listen, I delivered on the business end, now you can't deliver

1:10:581:11:02

on the creative end, so I'm going to take all the blame? Screw you!

1:11:021:11:05

-Screw you!

-Screw you!.

-Screw you!

-Screw you!

1:11:051:11:07

If the Modes don't show up, we're both screwed, do you understand that?

1:11:071:11:11

Hey, move it or lose it.

1:11:131:11:15

-What did you say?

-I said, "Move it."

1:11:151:11:18

That's what I thought you said.

1:11:181:11:19

I'll park it.

1:11:281:11:29

Move it.

1:11:341:11:35

Are you sure this is the place?

1:11:411:11:42

-Yeah, this looks like it.

-Sure?

1:11:421:11:44

This seems to be the backstage area. I think people are going back there.

1:11:441:11:48

That's him, that's the guy!

1:11:481:11:51

Hey.

1:11:511:11:53

Whoa! Shit!

1:11:531:11:55

Hey! Hey! Stop that!

1:11:551:11:58

-Hey, come on!

-We were gonna pay to park here!

1:11:581:12:02

NBC News?

1:12:021:12:03

Listen, I've got a video tape showing a presidential candidate

1:12:031:12:07

engaged in deviant sexual activities.

1:12:071:12:10

What do you mean, I need a release? This is news.

1:12:101:12:13

TOUT: 15.99, come on, who wants them? You want this?

1:12:131:12:16

Just take the shirt!

1:12:171:12:20

Here.

1:12:281:12:29

Gun.

1:12:291:12:30

CROWD CHEERS

1:12:511:12:53

# Don't need no A, B, Cs Don't need no one, two, threes

1:12:581:13:04

# Well, no need...

1:13:041:13:05

Tension's really building up here back stage at the big concert,

1:13:071:13:11

lots of surprises... Whoa. there!

1:13:111:13:12

Look who's snagged Samantha Gregory from Rock Gossip fanzine?!

1:13:121:13:16

-She's the face that discovered the Aces!

-Where are Josh and Ivan hiding?

1:13:161:13:21

Upstairs in the out-of-control booth!

1:13:211:13:23

What's the new whammy, Sammy?

1:13:231:13:25

Mart, Norman, congressmen, shape! Ahh!

1:13:251:13:29

-It's another RVTV exclusive!

-Step on it.

1:13:291:13:33

Satellite uplink starts in one minute.

1:13:371:13:40

-Which shot do you want to start with, Ivan?

-I don't know.

1:13:411:13:44

Anyone will do, that one, that one.

1:13:441:13:46

There she is.

1:13:471:13:49

Awesome!

1:14:001:14:02

Mart's goons are after me again.

1:14:061:14:09

Why did you come in here?

1:14:091:14:11

Give me the tape, Samantha.

1:14:141:14:17

Ahhh!

1:14:231:14:25

Wah!

1:14:271:14:28

Blackmail is not for the novice, Miss Gregory.

1:14:311:14:35

You've got your tape, Mart, so why don't you crawl back into your hole?

1:14:351:14:38

She didn't mean that, sir, she's been under a lot of stress.

1:14:381:14:42

Lady, this'd better be the right fucking tape.

1:14:421:14:45

What is the big deal? That charity ball was a dud.

1:14:451:14:48

-You idiots. This isn't a charity ball! This could ruin me!

-It could?

1:14:481:14:52

You bet your sweet ass it could.

1:14:521:14:54

I could be reduced to an insigificant pissant,

1:14:541:14:58

just like you.

1:14:581:14:59

-Well, then, let's check and make sure it's the right tape.

-What?

1:15:011:15:06

-I'll thread it up for you.

-Maybe he'd like to watch it at home?

1:15:061:15:09

No, I...I think Mr...

1:15:111:15:15

-Josh.

-Mr Josh is right.

1:15:151:15:17

Let's take a look.

1:15:191:15:22

This is nothing fancy, you understand that? It's just a little home camera,

1:15:221:15:26

and it's all right, you know?

1:15:281:15:29

Yeah, we understand.

1:15:291:15:31

No, no, oh no!

1:15:461:15:48

Ah-ah-ahhh!

1:15:481:15:50

No, no, no, ahhh!

1:15:501:15:51

Ahhhh!

1:15:511:15:54

Call my lawyer!

1:15:591:16:01

Ahhh! Ahh!

1:16:051:16:07

No, no, no! No! Ah! No! No! Don't do it! Ahhh!

1:16:071:16:11

RONALD REAGAN: Cancel my appointment with, what's his name, Norman Mart,

1:16:111:16:16

and can you make the picture a little less fuzzy?

1:16:161:16:19

-What the fuck's going on?

-Well, the tape interlocked with the satellite,

1:16:201:16:26

and it's being transmitted to downlinks throughout the world.

1:16:261:16:30

Pretty impressive, huh?

1:16:301:16:33

-Well, stop it!

-Too late, man!

1:16:331:16:36

You're ass has just gone out high speed

1:16:361:16:41

to thousands of affiliate stations, and each now has their own copy.

1:16:411:16:47

Say goodnight, Norman!

1:16:471:16:49

No more politics, no more kickbacks!

1:16:541:16:56

No more meet the Pres!

1:16:561:16:59

Dad, what are you doing here?

1:16:591:17:01

Dad?! This slimedog is your father?!

1:17:011:17:04

-I've been meaning to tell you.

-Well, thanks.

1:17:041:17:07

Hey, where's Menudo?!

1:17:071:17:10

Menudo!

1:17:101:17:12

OTHERS SHOUT

1:17:121:17:14

I won't get to be president! I want to be president!

1:17:141:17:17

Oh, my, oh, my!

1:17:171:17:20

I've lost everything, Belinda!

1:17:201:17:22

-No, you haven't.

-Whoa, whoa, whoa, I hate to break this up, Heidi,

1:17:221:17:26

but we've got a satellite thing happening in, like, six seconds.

1:17:261:17:30

-Did you find the Modes?

-No.

1:17:301:17:33

CROWD CHANTS: Menudo! Menudo!

1:17:331:17:35

I love these guys.

1:17:551:17:58

DRUMS, CHEERING

1:18:011:18:03

Come on. Let's go.

1:18:041:18:07

Open up! Coming through!

1:18:071:18:09

This way. OK, everybody, move out of the way, move out of the way.

1:18:181:18:22

Come on, move, out of the way!

1:18:221:18:24

You're on!

1:18:241:18:26

PA SYSTEM: Attention! Attention!

1:18:301:18:34

CHEERING AND WHISTLING

1:18:401:18:43

The Swanky Modes!

1:18:451:18:48

# Any ordinary man

1:18:531:18:54

# Would have given it up by now

1:18:541:18:57

# Any ordinary man

1:19:001:19:02

# Would have given it up by now

1:19:021:19:05

# Any ordinary man wouldn't think twice

1:19:071:19:11

# Taking his chances and rolling the dice

1:19:111:19:14

# Any ordinary man

1:19:141:19:16

# Would have given it up by now

1:19:161:19:19

# In this job, you gotta be crazy

1:19:231:19:26

# 50% out of your mind

1:19:261:19:28

# They say, "Forget it, boy, stay on your knees"

1:19:291:19:33

# They take the credit when you hit big time

1:19:331:19:36

# Any ordinary man

1:19:361:19:38

# Would have given it up by now

1:19:381:19:40

# Now, now

1:19:401:19:43

# Any ordinary man

1:19:431:19:45

# Would have given it up by now

1:19:451:19:48

# Any ordinary man wouldn't think twice

1:19:511:19:54

# Taking his chances and rolling the dice

1:19:541:19:57

# Any ordinary man

1:19:571:19:59

# Would have given it up by now

1:19:591:20:02

# You got to sacrifice You got to suffer

1:20:051:20:09

# You got to daily pay your dues

1:20:091:20:12

# He said, "There's no ain't no doubt that you being stubborn"

1:20:121:20:16

# One day you are up One day you're last week's news

1:20:161:20:19

# Any ordinary man

1:20:191:20:21

# Would have given it up by now

1:20:211:20:24

# Any ordinary man

1:20:271:20:29

# Would have given it up by now

1:20:291:20:31

# Any ordinary man wouldn't think twice

1:20:341:20:37

# Taking his chances and rolling the dice

1:20:371:20:41

# Any ordinary man

1:20:411:20:43

# Would have given it up by now

1:20:431:20:46

# Any ordinary man

1:21:311:21:33

# Would have given it up by now

1:21:331:21:36

# Any ordinary man

1:21:391:21:40

# Would have given it up by now

1:21:401:21:43

# Any ordinary man wouldn't think twice

1:21:461:21:50

# Taking his chances and rolling the dice

1:21:501:21:53

# Any ordinary man

1:21:531:21:55

# Would have given it up by now

1:21:551:21:58

# I wanna say it one more time

1:21:581:22:00

# Any ordinary man

1:22:001:22:02

# Would have given it up by now

1:22:021:22:05

# Any ordinary man

1:22:071:22:09

# Would have given it up by now

1:22:091:22:12

# Yeah, yeah!

1:22:121:22:14

# Any ordinary man wouldn't think twice

1:22:161:22:19

# Taking his chances and rolling the dice

1:22:191:22:22

# Any ordinary man

1:22:221:22:24

# Would have given it up by now. #

1:22:241:22:27

SONG ENDS

1:22:321:22:34

WILD CHEERING

1:22:341:22:36

-You really gotta hand it to those two.

-They pulled it off.

1:22:491:22:53

I'd like a champagne, and my friend would like a wine cooler.

1:22:531:22:58

-You guys are Video Aces?

-We'd like to talk to you.

1:22:581:23:00

Who you guys with? NBC? CBS? MCA?

1:23:001:23:03

-No, FBI.

-It's against the law to broadcast pornography.

1:23:031:23:08

You boys should have read the Commission reports before you tampered with the airwaves.

1:23:081:23:13

-What?!

-You have the right to remain silent...

-No fucking way!

1:23:131:23:16

-Remember what we did to Jello Biafra?

-Help!

1:23:161:23:19

# Hey, friends, check this out!

1:23:431:23:45

# Hold on a minute Don't leave yet

1:23:471:23:50

# Roscoe's end credits are your best bet

1:23:501:23:53

# Little Video Aces went from rags to riches

1:23:531:23:57

# Now they're in the can with no cash or bitches

1:23:571:24:00

# When they serve their time them suckers'll see

1:24:001:24:05

# 'Scoe's gone expanded vertically

1:24:051:24:08

# Tapers of the world take a tip from me

1:24:081:24:13

# You do what you gotta But don't do it for free

1:24:131:24:16

# Wings and waffles was just a start

1:24:161:24:19

# Now I'm making more money than Norman Mart

1:24:191:24:23

# Come to Roscoe's for delicious food

1:24:231:24:27

# We got fuel for your attitude

1:24:271:24:31

# We make the best waffles and cluck

1:24:311:24:34

# And you get good value for your buck

1:24:341:24:38

SCRATCHING

1:24:381:24:42

# Hamburgers are greasy and pizzas plain nasty

1:24:421:24:46

# And them little tacos just messy and rasty

1:24:461:24:50

# But my chicken's so fine it'll blow your mind

1:24:501:24:53

# It'll shake your hips and pad your behind

1:24:531:24:57

# Now when's the last time you had a wing with a waffle?

1:24:571:25:01

# Well, that's too long It oughta be unlawful

1:25:011:25:04

# Poultry ain't your bag? Well, that don't matter

1:25:041:25:08

# Cos I'm down by law with my waffle batter

1:25:081:25:12

# Come to Roscoe's for delicious food

1:25:121:25:17

# We've got fuel for your attitude

1:25:171:25:19

Go on, itch that scratch

1:25:191:25:20

SCRATCHING

1:25:201:25:22

# Everybody told me how good I was

1:25:491:25:52

# So I got me a contract with Mo Fuzz

1:25:521:25:56

# Anyone can be what they wanna be

1:25:561:26:00

# If they watch Don Druzel on the TV

1:26:001:26:04

# If you just can't seem to get enough of me

1:26:041:26:07

# Pick up the record album, tape or CD

1:26:071:26:11

# Now that I've come to the end of my tune

1:26:111:26:15

# Drop another six bucks and come back soon

1:26:151:26:19

# Come to Roscoe's for delicious food

1:26:191:26:22

# We've got fuel for your attitude

1:26:221:26:26

# We make the best waffles and cluck

1:26:261:26:30

# And you get good value for your buck

1:26:301:26:34

# Come to Roscoe's for delicious food

1:26:341:26:37

# We've got fuel for your attitude

1:26:371:26:41

# We make the best waffles and cluck

1:26:411:26:45

# And you get good value for your buck

1:26:451:26:48

GIRLS SING IN SPANISH

1:26:481:26:53

Download Subtitles

SRT

ASS