Browse content similar to Tapeheads. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains very strong language. | 0:00:00 | 0:00:02 | |
-Everybody ready? -Yes. -I'll thread it up. | 0:00:02 | 0:00:05 | |
OK, put this on the table. | 0:00:05 | 0:00:07 | |
-Everybody comfortable? -Yeah. | 0:00:07 | 0:00:10 | |
Gee... | 0:00:10 | 0:00:12 | |
Oh, no. | 0:00:12 | 0:00:14 | |
The camera is ready to roll and look at my boy, it's his birthday. | 0:00:14 | 0:00:20 | |
PROJECTOR JUDDERS | 0:00:20 | 0:00:21 | |
Oh, fuck it. | 0:00:21 | 0:00:22 | |
-Lights, camera... -Action! -Here's Josh! | 0:00:29 | 0:00:35 | |
There's my buddy. | 0:00:35 | 0:00:37 | |
Look at that smile. | 0:00:38 | 0:00:40 | |
-Hey, there's grandpa. -Oh, hey, hey. | 0:00:40 | 0:00:43 | |
Here's where we first met, Ivan. Remember that? | 0:00:43 | 0:00:46 | |
Boys, you were so cute! | 0:00:46 | 0:00:49 | |
Ha, funny(!) | 0:00:49 | 0:00:51 | |
There's those two negro performers, the Stinky Moods. | 0:00:51 | 0:00:55 | |
-Swanky Modes. -Oh, yeah, I got it, the Swanky Modes. | 0:00:55 | 0:01:01 | |
Whatever happened to them anyway? | 0:01:01 | 0:01:03 | |
They're legends. | 0:01:03 | 0:01:05 | |
Slap, underneath... | 0:01:06 | 0:01:07 | |
-Please don't do that. -Boom. That was really fun. | 0:01:07 | 0:01:09 | |
Oh, tough break. | 0:01:09 | 0:01:11 | |
Babe Ruth, play-offs. | 0:01:11 | 0:01:14 | |
Come on, Josh, get that big hit. | 0:01:14 | 0:01:16 | |
This is when he struck out. Bottom of the ninth, bases loaded, | 0:01:16 | 0:01:19 | |
we lost the section three division. | 0:01:19 | 0:01:21 | |
And the 4C regionals. | 0:01:21 | 0:01:24 | |
Dad, get over it. | 0:01:24 | 0:01:26 | |
-Why didn't you bunt? -You struck out, man. | 0:01:26 | 0:01:28 | |
-I told you to bunt. -You said swing away. | 0:01:28 | 0:01:31 | |
-I didn't say that. Bunt. -Second place. What was that, honey? | 0:01:31 | 0:01:34 | |
A high-gain radio frequency electro-static storage unit. | 0:01:34 | 0:01:37 | |
-Oh, yeah. -Mine, can you see it? Look. -What was yours, Ivan? | 0:01:37 | 0:01:40 | |
An edible tuba. First place. | 0:01:40 | 0:01:43 | |
Denise Trattagnia, my first love. | 0:01:43 | 0:01:46 | |
She's a physical therapist now. Did you know that? | 0:01:46 | 0:01:49 | |
I really liked Peggy Cornash. | 0:01:49 | 0:01:51 | |
How many stitches did she get, Josh? | 0:01:53 | 0:01:55 | |
It was an accident. Could happen to anybody. | 0:01:55 | 0:01:57 | |
Prom night in the emergency ward having her breast stitched up - | 0:01:57 | 0:02:01 | |
-what a date. -Shut up! | 0:02:01 | 0:02:02 | |
Look at these clowns. | 0:02:02 | 0:02:04 | |
-Watch, watch the car. Watch. -I'm watching! | 0:02:05 | 0:02:08 | |
-Put on the parking brake, Dad. -Seen it. | 0:02:08 | 0:02:10 | |
This part gets me every single time. I just... | 0:02:10 | 0:02:14 | |
-I just feel like crying. -This is the part that always makes me want to puke. | 0:02:14 | 0:02:19 | |
Not a bad little film, Joshy boy. Gets better every year. | 0:02:19 | 0:02:22 | |
Happy birthday, honey. | 0:02:22 | 0:02:24 | |
-Thanks, Mom. -Not half bad? It's crap. | 0:02:24 | 0:02:26 | |
Crummy, lousy senior class project. | 0:02:26 | 0:02:28 | |
-What's he done since? Nothing. -Sidney... | 0:02:28 | 0:02:31 | |
-Zero. -Dad... | 0:02:31 | 0:02:34 | |
-Sidney... -Called Stu Beaumont yet? | 0:02:34 | 0:02:35 | |
-Dad, I don't think I'd really be happy at H&R Block. -Happy? | 0:02:35 | 0:02:39 | |
Sidney, don't start. | 0:02:39 | 0:02:41 | |
-I gotta go, Mom. Come on, Ivan, we're late. -I'll save the cake for you, boys. | 0:02:41 | 0:02:45 | |
Dad put his fingers in it. | 0:02:45 | 0:02:46 | |
You didn't even let him have a piece of his birthday cake. | 0:02:46 | 0:02:49 | |
-Why are you always starting things? -I asked him to call Stu Beaumont. | 0:02:49 | 0:02:53 | |
Josh, after seeing that film of yours for the fourth time | 0:02:53 | 0:02:56 | |
in four years, I've come to the conclusion that your life is fucked. | 0:02:56 | 0:03:00 | |
-Your parents are right. -Fucked? | 0:03:00 | 0:03:01 | |
You're doing the same thing I'm doing. | 0:03:01 | 0:03:04 | |
I mean, you got me this security job. | 0:03:04 | 0:03:06 | |
But there's a big difference, brother. | 0:03:06 | 0:03:08 | |
I got a shitty job, right? But I know it's a shitty job. | 0:03:08 | 0:03:11 | |
You, you got no ambition. | 0:03:11 | 0:03:13 | |
You're content just existing. | 0:03:13 | 0:03:15 | |
You need what I got. | 0:03:15 | 0:03:18 | |
Herpes? | 0:03:18 | 0:03:19 | |
No, balls. | 0:03:19 | 0:03:21 | |
Come on, let's go. | 0:03:23 | 0:03:25 | |
BEEPING | 0:03:30 | 0:03:32 | |
-You boys are three minutes late. -I know that, Sir, but Josh has a very good excuse. | 0:03:39 | 0:03:44 | |
-Why don't you just tell him, Josh? -Yeah, why don't you tell me? | 0:03:44 | 0:03:47 | |
Er, you see, it's, erm... | 0:03:47 | 0:03:49 | |
-Three minutes is 5% of an hour. -Er, yeah, erm... | 0:03:49 | 0:03:53 | |
It's kind of unbelievable, er... | 0:03:53 | 0:03:57 | |
Anybody else that saved Pablo Casals, | 0:03:57 | 0:03:59 | |
perhaps the greatest cellist in the world, | 0:03:59 | 0:04:02 | |
from a fiery car wreck on Sunset Boulevard would brag about it. | 0:04:02 | 0:04:05 | |
Not Josh. He didn't want to spoil the 11 o'clock news for you. | 0:04:05 | 0:04:08 | |
Don't bullshit me. I'm a big cello fan. | 0:04:08 | 0:04:11 | |
Casals died years ago. | 0:04:11 | 0:04:13 | |
Now get the hell out of here, boys, and man your stations. | 0:04:13 | 0:04:17 | |
Move it! | 0:04:17 | 0:04:20 | |
-Are you crazy? -Uh-huh. | 0:04:20 | 0:04:22 | |
Where you going? We're supposed to be at our stations. | 0:04:22 | 0:04:24 | |
-I've got it covered. -What do you mean covered? | 0:04:24 | 0:04:27 | |
-Norton can see everything. -No, he can't. | 0:04:27 | 0:04:29 | |
I did that wire-switching thing you showed me. | 0:04:29 | 0:04:31 | |
Repatched the digital frame store with the recycle programme? | 0:04:31 | 0:04:34 | |
-Did it work? -I hope so. | 0:04:34 | 0:04:36 | |
Ivan... | 0:04:36 | 0:04:37 | |
Ivan, what's going on? | 0:04:37 | 0:04:40 | |
What are you doing? | 0:04:40 | 0:04:42 | |
Let's go! | 0:04:42 | 0:04:44 | |
Here he is. Happy birthday, Josh! | 0:04:44 | 0:04:47 | |
-Who are all these people? -I guess they saw the ad. | 0:04:47 | 0:04:50 | |
No, no, you can't come in here. | 0:04:50 | 0:04:52 | |
This is a high-security complex. | 0:04:52 | 0:04:55 | |
TV: ..the latest casualty in a rash of hostile takeovers was the US Postal Service. | 0:04:55 | 0:04:59 | |
-Postal Service board of directors tried to wage... -It works. | 0:04:59 | 0:05:03 | |
-What works? -Oh, er... | 0:05:03 | 0:05:06 | |
We were. | 0:05:06 | 0:05:07 | |
Right, Sir? | 0:05:07 | 0:05:09 | |
Take over. | 0:05:09 | 0:05:11 | |
..is spiralling towards Earth at incredible speed. | 0:05:11 | 0:05:14 | |
Nasa advise us, however, there is no cause for alarm. | 0:05:14 | 0:05:17 | |
CHATTING AND LAUGHTER | 0:05:18 | 0:05:21 | |
Oh, no. | 0:05:21 | 0:05:23 | |
Oh, jeez. | 0:05:23 | 0:05:25 | |
The DJ has arrived! | 0:05:25 | 0:05:27 | |
Don't you think this is getting out of hand? | 0:05:27 | 0:05:30 | |
Yeah, don't mention it. | 0:05:30 | 0:05:31 | |
MUSIC PLAYS | 0:05:31 | 0:05:33 | |
BOTH: Swanky Modes! | 0:05:35 | 0:05:38 | |
Uno, dos, quatro. | 0:05:52 | 0:05:54 | |
Suck on this, Stu Beaumont. | 0:05:59 | 0:06:02 | |
Very impressive, JT. | 0:06:07 | 0:06:09 | |
But here's my chance, I gots to dance! | 0:06:09 | 0:06:12 | |
Is it recording? | 0:06:13 | 0:06:15 | |
This thing recording?? | 0:06:15 | 0:06:16 | |
# That's when you hooked on me, baby | 0:06:26 | 0:06:29 | |
# Threw the net around my heart | 0:06:30 | 0:06:33 | |
# I said you hooked, hooked | 0:06:33 | 0:06:35 | |
# On me, lady | 0:06:35 | 0:06:37 | |
# Now we'll never, ever | 0:06:37 | 0:06:38 | |
# Never, never drift apart | 0:06:38 | 0:06:42 | |
# That lady kissed a frog and it turned into a prince | 0:06:46 | 0:06:51 | |
# Then she kissed Pepe Le Pew and that skunk starts speaking French | 0:06:52 | 0:06:57 | |
# I've been waiting with my lips all puckered | 0:06:59 | 0:07:02 | |
# I wanna be your lover, and not your supper | 0:07:03 | 0:07:06 | |
# That's when you hooked, hooked | 0:07:06 | 0:07:09 | |
# On me, baby | 0:07:09 | 0:07:11 | |
# Threw a net around my heart. | 0:07:11 | 0:07:13 | |
# I said you hooked, hooked | 0:07:13 | 0:07:15 | |
# On me, lady | 0:07:15 | 0:07:17 | |
# Now we'll never, ever | 0:07:17 | 0:07:19 | |
# Never, never drift apart | 0:07:19 | 0:07:23 | |
# Yeah, yeah, yeah, yeah... | 0:07:29 | 0:07:30 | |
SOOTHING MUSIC | 0:07:30 | 0:07:33 | |
APPROACHING FOOTSTEPS | 0:07:33 | 0:07:35 | |
UNZIPPING | 0:07:40 | 0:07:42 | |
TINKLING | 0:07:42 | 0:07:44 | |
ZIPPING | 0:07:48 | 0:07:50 | |
TOILET FLUSHES | 0:07:50 | 0:07:52 | |
# ..Hooked | 0:07:55 | 0:07:56 | |
# I said, I said you hooked | 0:07:56 | 0:07:59 | |
# I said you hooked me, baby. # | 0:07:59 | 0:08:01 | |
INTERMITTENT BEEPING | 0:08:03 | 0:08:05 | |
Did you see anything strange? | 0:08:10 | 0:08:13 | |
No. Strange? No. | 0:08:13 | 0:08:15 | |
What do you mean, "No"? | 0:08:15 | 0:08:16 | |
-I saw a UFOP. -UFOP? | 0:08:16 | 0:08:20 | |
Unidentified female on premises. | 0:08:20 | 0:08:23 | |
No, no, sir, I haven't seen anything... | 0:08:23 | 0:08:25 | |
Bail, pin dick! I'm commandeerin' this puppy. | 0:08:25 | 0:08:29 | |
Ivan! | 0:08:29 | 0:08:31 | |
Everybody, listen up, listen up. Let's all show Josh what we think of him. | 0:08:31 | 0:08:36 | |
Let's pitch in and help clean up. | 0:08:36 | 0:08:39 | |
-They love you, man! -Fuck off. Woo! | 0:08:39 | 0:08:41 | |
Yeah! Woo! | 0:08:41 | 0:08:43 | |
Oh, sh...! | 0:08:43 | 0:08:45 | |
BARMAN: Closing time. | 0:08:48 | 0:08:51 | |
Josh, losing those jobs was the best thing that ever happened to us. | 0:08:51 | 0:08:55 | |
Free to pursue our destiny. | 0:08:55 | 0:08:56 | |
What? Dismal failure? | 0:08:56 | 0:08:58 | |
Negativity festers in you, man. | 0:08:58 | 0:09:02 | |
How'd you get to be my friend? | 0:09:02 | 0:09:04 | |
Ooh, check this out. | 0:09:09 | 0:09:10 | |
Stupid, inane, | 0:09:14 | 0:09:16 | |
vapid, mind-rot, stench, pabble. | 0:09:16 | 0:09:21 | |
Yeah, it's all right. | 0:09:21 | 0:09:23 | |
You could that. | 0:09:23 | 0:09:26 | |
I could do better than that. | 0:09:26 | 0:09:28 | |
You're right, you could. Where's that video you made tonight? | 0:09:31 | 0:09:35 | |
Quick, give it to me. | 0:09:35 | 0:09:37 | |
Easy, easy. | 0:09:38 | 0:09:41 | |
Did you know that you're a creative genius? | 0:09:41 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:45 | |
All right, maybe not a genius, but he certainly is creative. | 0:09:45 | 0:09:49 | |
Know what you are? He's an artist. | 0:09:49 | 0:09:51 | |
-I'm unemployed. -All good artists are! | 0:09:51 | 0:09:53 | |
Till they find a manager, a guy like me who will mould their talents into cold, hard cash. | 0:09:53 | 0:09:58 | |
A guy who will tap into that vast store of potential | 0:09:58 | 0:10:01 | |
that lies dormant beneath that drab little exterior. | 0:10:01 | 0:10:04 | |
You're so full of shit. | 0:10:05 | 0:10:07 | |
Yeah, well, a lot of people out there | 0:10:07 | 0:10:09 | |
who are full of shit are making money and I'm not gonna be the exception. | 0:10:09 | 0:10:13 | |
This is our ticket and you are going to start making music videos. | 0:10:13 | 0:10:18 | |
-Me? -Carshels... | 0:10:18 | 0:10:21 | |
Carshels, the video guy. | 0:10:21 | 0:10:22 | |
-Carshels... -Bottoms up, ace. | 0:10:22 | 0:10:24 | |
Video Aces, that's what we'll call ourselves. | 0:10:24 | 0:10:27 | |
Video Aces, would you like that? | 0:10:27 | 0:10:28 | |
We are going to become the most sought-after team on Earth. | 0:10:28 | 0:10:33 | |
You gave up jobs with security for show business? | 0:10:33 | 0:10:38 | |
How many times have I told you, show business is a... | 0:10:38 | 0:10:41 | |
Lousy business, right. | 0:10:41 | 0:10:43 | |
But you're in show business. | 0:10:43 | 0:10:45 | |
Yeah, but that's different, I'm Conan from the Universal Studio Tours. | 0:10:45 | 0:10:50 | |
It's a great job. And for everybody in this business that makes it like me, 100 don't. | 0:10:50 | 0:10:54 | |
Look, Dad, video is the future. We can't lose. | 0:10:54 | 0:10:59 | |
Ha! | 0:11:01 | 0:11:02 | |
I'm gonna make him eat that syllable. | 0:11:06 | 0:11:09 | |
Roses are red, | 0:11:09 | 0:11:11 | |
violets are blue. | 0:11:11 | 0:11:14 | |
the Russians have satellite laser weapons, | 0:11:14 | 0:11:18 | |
why can't we, too? | 0:11:18 | 0:11:20 | |
OK, kids. | 0:11:20 | 0:11:22 | |
Hit it. | 0:11:23 | 0:11:25 | |
THEY SING RING-A-RING-A ROSES | 0:11:25 | 0:11:29 | |
Vote for Norman Mart for President. | 0:11:32 | 0:11:35 | |
Here's what the people have to say. | 0:11:35 | 0:11:37 | |
The man knows something about foreign policy. | 0:11:37 | 0:11:40 | |
"This country needs someone who's a winner." | 0:11:40 | 0:11:43 | |
To be honest, he's a good politician. | 0:11:43 | 0:11:46 | |
Be like me and vote for Norman Mart... | 0:11:46 | 0:11:48 | |
Sidney! | 0:11:48 | 0:11:50 | |
Ner, ner, ner, ner... | 0:11:50 | 0:11:51 | |
Ahhhh!! | 0:11:53 | 0:11:54 | |
Hello, and welcome to the world corporate headquarters of Video Aces. | 0:11:58 | 0:12:02 | |
-How many phone lines do you presently have? -Hi, Mom. | 0:12:02 | 0:12:05 | |
Josh, what is that cable doing in my living room? | 0:12:05 | 0:12:07 | |
That's just until we get 220 installed in the house, Dad. | 0:12:07 | 0:12:10 | |
Stu Beaumont told me you forgot to call him today. | 0:12:10 | 0:12:13 | |
Dad, I finally realised what I wanna do with my life. | 0:12:13 | 0:12:15 | |
You should be happy for me. | 0:12:15 | 0:12:17 | |
I'm happy. You happy, Mum? | 0:12:17 | 0:12:20 | |
I don't think so, Son. | 0:12:20 | 0:12:22 | |
You just don't understand. | 0:12:22 | 0:12:23 | |
Sid, Josh is a visual visionary. | 0:12:23 | 0:12:25 | |
He communicates in images, not antiquated verbosity. | 0:12:25 | 0:12:29 | |
That could be why he's difficult to understand. | 0:12:29 | 0:12:31 | |
Well, I'm not gonna be difficult to understand. | 0:12:31 | 0:12:34 | |
Get that crap out of here now! | 0:12:34 | 0:12:36 | |
No! This is my big opportunity and I'm not gonna blow it. | 0:12:36 | 0:12:39 | |
-Ow! -Could this be dangerous? | 0:12:41 | 0:12:44 | |
Ow! | 0:12:44 | 0:12:45 | |
IVAN SINGS TO MUSIC | 0:12:45 | 0:12:47 | |
"Chino townhouse. 1,900 down." Not bad. | 0:12:54 | 0:13:00 | |
You know, Josh, in primitive societies, | 0:13:00 | 0:13:02 | |
after they sever the umbilical cord, they eat the placenta | 0:13:02 | 0:13:06 | |
in a ritualistic ceremony. | 0:13:06 | 0:13:07 | |
-Wanna bite? -Let's head downtown. | 0:13:09 | 0:13:12 | |
We'll find something there, it's cheaper. | 0:13:14 | 0:13:16 | |
Smoggy, harsh, ugly, rat-infested. | 0:13:18 | 0:13:21 | |
This place looks pretty weird, Ivan. | 0:13:47 | 0:13:49 | |
Hi, the door was open. | 0:13:52 | 0:13:54 | |
We're here about the loft. | 0:13:54 | 0:13:55 | |
You guys wanna share this space? | 0:14:06 | 0:14:08 | |
Er... | 0:14:08 | 0:14:09 | |
Well, we did. But we have some very specific needs. | 0:14:11 | 0:14:16 | |
There is our corporate image to think about. | 0:14:16 | 0:14:18 | |
Security. I mean, that door was wide open. | 0:14:18 | 0:14:21 | |
Power, access to power, you understand. | 0:14:21 | 0:14:23 | |
Of course, you probably also had to work out some sort of | 0:14:23 | 0:14:26 | |
-mutually satisfactory rental agreement, so... -Is that it? | 0:14:26 | 0:14:29 | |
This place is free, my dad owns it. | 0:14:29 | 0:14:31 | |
Free?! We'll take it. | 0:14:31 | 0:14:33 | |
-That sounds great. -Great. | 0:14:33 | 0:14:35 | |
Oh, watch this. Congratulations, Josh... | 0:14:35 | 0:14:38 | |
Come meet our new friend. | 0:14:38 | 0:14:41 | |
Hi, I'm Belinda. | 0:14:41 | 0:14:43 | |
You like it? | 0:14:46 | 0:14:48 | |
Like it? What is it? | 0:14:48 | 0:14:50 | |
-I call it destruction of art. -Uh-huh. | 0:14:50 | 0:14:54 | |
Think of that little train, when you were in school and read that book. | 0:14:56 | 0:15:00 | |
"I think I can, I think I can." | 0:15:00 | 0:15:02 | |
But now the train's not saying, "I think I can," | 0:15:02 | 0:15:05 | |
it's saying, "Cash flow, cash flow, cash flow." | 0:15:05 | 0:15:08 | |
Shouldn't you be on that train, going up that mountain to personal freedom? | 0:15:08 | 0:15:13 | |
The book, Prosperity to Exploitation, I wrote | 0:15:13 | 0:15:15 | |
when I was broke is like owning the keys to my brain. | 0:15:15 | 0:15:19 | |
It's like having the ability to just reach in, open up my head and diving in. | 0:15:19 | 0:15:24 | |
But without all the mess. | 0:15:24 | 0:15:25 | |
Ivan, why aren't you helping Josh set up the equipment? | 0:15:25 | 0:15:29 | |
He's an artist, he's hands on. | 0:15:29 | 0:15:32 | |
You know what I do? | 0:15:32 | 0:15:33 | |
Use my selling techniques to get my friend the personal freedom he needs. | 0:15:33 | 0:15:37 | |
Freedom of choice is possibilities. | 0:15:37 | 0:15:39 | |
That is what I'm about. Boring administrative stuff. | 0:15:39 | 0:15:42 | |
I envy him. | 0:15:42 | 0:15:43 | |
I'm not just any get-rich-quick guy... | 0:15:43 | 0:15:45 | |
-Could you get me another drink? -Yeah. | 0:15:45 | 0:15:48 | |
Look, Ivan. I hope you're not putting too much faith in me. | 0:15:48 | 0:15:52 | |
I don't even know if I... | 0:15:52 | 0:15:54 | |
If - Instant Failure. Fear - False Evidence Appearing Real. | 0:15:54 | 0:15:57 | |
We've talked about this. Come on, now's not the time for doubt. | 0:15:57 | 0:16:01 | |
Now's the time for action. | 0:16:01 | 0:16:02 | |
Shit, man, you're a genius. | 0:16:02 | 0:16:06 | |
-Yeah, right. -You are. -Your family saying, "I love you." | 0:16:06 | 0:16:09 | |
-Thanks. -"Thanks a lot for listening." | 0:16:09 | 0:16:12 | |
-Could you move? -What? -Move over, I can't... I can't see. | 0:16:14 | 0:16:17 | |
Oh, right. | 0:16:17 | 0:16:19 | |
We've got the lowest waffle prices and the lowest chicken prices in town. | 0:16:19 | 0:16:23 | |
We have got the competition scared chicken with our low prices. | 0:16:23 | 0:16:28 | |
-What a geek. -I don't think he's so bad. | 0:16:28 | 0:16:31 | |
He's a moron. | 0:16:31 | 0:16:32 | |
..drumstick economy dinner. | 0:16:32 | 0:16:34 | |
-I feel he's evocative, without being too expansive. -Belinda, that's crap. | 0:16:34 | 0:16:39 | |
-You could do better? -Yeah. | 0:16:39 | 0:16:42 | |
Yeah, as a matter of fact, I could. | 0:16:42 | 0:16:44 | |
...Lady Bird Johnson off ramp and cut in left. You can park in the... | 0:16:44 | 0:16:48 | |
Hi, Roscoe, Ivan Alexeev, Video Aces. | 0:16:48 | 0:16:51 | |
DIFFERENT VOICE: Yo, friends, check this out! | 0:16:51 | 0:16:53 | |
# Roscoe's the name and they call me the king | 0:16:53 | 0:16:57 | |
# Grand master of the chicken and the waffle thing | 0:16:57 | 0:17:00 | |
# I said now read my lips, and, friends, don't miss a word | 0:17:00 | 0:17:05 | |
# Cos the grandmaster's gonna give you the bird! | 0:17:05 | 0:17:09 | |
# Come to Roscoe's for delicious food | 0:17:09 | 0:17:12 | |
# We've got fuel for your attitude | 0:17:12 | 0:17:16 | |
# Now, I'm the baddest DJ on the fast-food scene | 0:17:16 | 0:17:19 | |
# And my food's so cheap you'll lick your plate clean | 0:17:19 | 0:17:24 | |
# When I slow down, the ladies all beg | 0:17:24 | 0:17:27 | |
# Roscoe. let me taste your chicken leg | 0:17:27 | 0:17:31 | |
# Come on, Flygirls and wiggle them there bottoms | 0:17:31 | 0:17:35 | |
# Waffles just pancakes with little squares on 'em | 0:17:35 | 0:17:38 | |
SCRATCHING | 0:17:38 | 0:17:40 | |
# Now when you salivate and hear Pavlov's bell | 0:17:42 | 0:17:46 | |
# Don't go to no place where they serve you ill | 0:17:46 | 0:17:50 | |
# Roscoe's, that's the place to be | 0:17:50 | 0:17:53 | |
# Just like you see it on the TV | 0:17:53 | 0:17:56 | |
# Come on, all you homeboys and bring your freaks down | 0:17:56 | 0:18:01 | |
# And toss them chicken and waffles around | 0:18:01 | 0:18:04 | |
# It may be ugly or smell real funny | 0:18:04 | 0:18:08 | |
# Roscoe don't care cos it save you cash money | 0:18:08 | 0:18:12 | |
# I ain't lying | 0:18:12 | 0:18:13 | |
# Come to Roscoe's for delicious food | 0:18:13 | 0:18:15 | |
# We've got fuel for your attitude | 0:18:15 | 0:18:19 | |
# And we make the baddest waffles and cluck | 0:18:19 | 0:18:23 | |
# And you get good value for your buck | 0:18:23 | 0:18:27 | |
# Come to Roscoe's for delicious food | 0:18:27 | 0:18:31 | |
# We've got fuel for your attitude | 0:18:31 | 0:18:34 | |
# We make the baddest waffles and cluck | 0:18:34 | 0:18:38 | |
-# And get you good val... -That's it. | 0:18:38 | 0:18:40 | |
Yeah! | 0:18:40 | 0:18:42 | |
That's really great, man. | 0:18:42 | 0:18:44 | |
I wouldn't lie. I told you you were a genius. | 0:18:44 | 0:18:46 | |
It's just a commercial. When am I going to do rock videos? | 0:18:46 | 0:18:49 | |
-Patience, man, it's all part of my master plan. -Master plan! | 0:18:49 | 0:18:53 | |
You do what you have to, so you can do what you want to. | 0:18:53 | 0:18:55 | |
We do shitty little jobs like this So we can make money. | 0:18:55 | 0:18:59 | |
-Money to do what? Money to do your art. -You mean like normal people? | 0:18:59 | 0:19:04 | |
They gotta do what they don't wanna do all the time. | 0:19:04 | 0:19:07 | |
Normal people don't get paid in chicken and waffles. | 0:19:07 | 0:19:10 | |
Hey, eat up, man, this stuff is good. | 0:19:10 | 0:19:12 | |
See now, we got like, a reel of our work. | 0:19:12 | 0:19:15 | |
That'll get us those big, big, big, big, big money gigs. | 0:19:15 | 0:19:18 | |
You won't be resting, you will be out on the streets | 0:19:18 | 0:19:21 | |
bringing in the bread and butter jobs with these. | 0:19:21 | 0:19:23 | |
You like pets? | 0:19:23 | 0:19:24 | |
Now fluffy, | 0:19:24 | 0:19:27 | |
concentrate with me if you will. | 0:19:27 | 0:19:30 | |
Come from your heavenly pound, out of purgatory, | 0:19:30 | 0:19:33 | |
we will help you make the transition now. | 0:19:33 | 0:19:36 | |
Fluffy, come home now. | 0:19:36 | 0:19:40 | |
Come on, Fluffy, come, little Fluffy. | 0:19:40 | 0:19:43 | |
Here's a bone. | 0:19:43 | 0:19:45 | |
Come... I feel Fluffy come! | 0:19:45 | 0:19:47 | |
SQUEAKS AND WHIMPERS | 0:19:47 | 0:19:48 | |
My dear, | 0:19:52 | 0:19:54 | |
our Fluffy is in trouble. | 0:19:54 | 0:19:56 | |
Hi, I'm Ivan Alexeev of Video Aces, we make rock videos. | 0:19:56 | 0:20:00 | |
If you could find time to look us and call me. Your name was...? | 0:20:00 | 0:20:03 | |
-Skip. -Ivan. Give us a call. | 0:20:03 | 0:20:05 | |
Weird Al! I knew it. Mr Yankovic, My name is Ivan Alexeev, | 0:20:13 | 0:20:17 | |
I work for Video Aces and we make rock videos. | 0:20:17 | 0:20:20 | |
Let me give you my card. | 0:20:20 | 0:20:21 | |
Remind me to get some hollow points. | 0:20:25 | 0:20:28 | |
WOMAN: Your 3.30 has been cancelled. | 0:20:28 | 0:20:30 | |
It was a very fine meeting, it was good to meet you. | 0:20:34 | 0:20:36 | |
My briefcase! | 0:20:38 | 0:20:39 | |
Video Aces make rock videos and I'm leaving the country, | 0:20:39 | 0:20:44 | |
so if he wants to look at it, call me today. Ivan. | 0:20:44 | 0:20:46 | |
Let me give you my card, here it is. | 0:20:46 | 0:20:48 | |
Have him call. Thank you so much. | 0:20:48 | 0:20:51 | |
BEATBOXES | 0:20:51 | 0:20:53 | |
Fuzzball Records. | 0:21:04 | 0:21:06 | |
Fuck it! | 0:21:22 | 0:21:24 | |
WOMAN: The guy was all hands. | 0:21:38 | 0:21:40 | |
I mean, get this, you know, | 0:21:40 | 0:21:41 | |
he comes in, he opens the door, first thing he does? He gropes. | 0:21:41 | 0:21:45 | |
I'd like to speak with the Director of Artist Development And Promotion, Video Department, please. | 0:21:45 | 0:21:49 | |
So would I. | 0:21:49 | 0:21:51 | |
No, I'm kidding. | 0:21:51 | 0:21:52 | |
Mo Fuzz, President. What can I do for you? | 0:21:52 | 0:21:56 | |
Sir, my name is Ivan Alexeev. | 0:21:56 | 0:21:58 | |
-Take it down! -So you want to make videos for Mo Fuzz? | 0:22:06 | 0:22:10 | |
-Yes. -I want you to. | 0:22:10 | 0:22:13 | |
What kind of equipment do you got? | 0:22:13 | 0:22:15 | |
Top of the line, we've got our own studio. | 0:22:15 | 0:22:18 | |
BUZZING | 0:22:19 | 0:22:21 | |
Hold my calls. | 0:22:22 | 0:22:25 | |
I brought in a reel of our work. | 0:22:25 | 0:22:27 | |
It's a little rough, but I believe it captures the energy of our company. | 0:22:27 | 0:22:31 | |
-It shows... -I don't need to see it to know I'm already crazy about it. | 0:22:31 | 0:22:35 | |
I've got a sense about you. | 0:22:35 | 0:22:37 | |
An instinct. | 0:22:37 | 0:22:39 | |
And I've got just the band. | 0:22:39 | 0:22:41 | |
Cube Squared. | 0:22:41 | 0:22:43 | |
This group is hotter than hot. | 0:22:43 | 0:22:46 | |
They've sold more records in Sweden then Abba. | 0:22:46 | 0:22:50 | |
Great! I want to thank you, Sir, for this opportunity. | 0:22:50 | 0:22:53 | |
What I'll do, is I'll hook up with my partner, | 0:22:53 | 0:22:56 | |
we'll drop a story board, come up with some concepts | 0:22:56 | 0:22:59 | |
and get back to you in a couple of days. | 0:22:59 | 0:23:01 | |
The Cube will be touring the Congo in a couple of days. I need it today. | 0:23:01 | 0:23:05 | |
OK. OK. Great, we'll do it. | 0:23:05 | 0:23:09 | |
What's the budget like? | 0:23:09 | 0:23:11 | |
Budget? | 0:23:11 | 0:23:12 | |
I'm going to let you do this one on spec. | 0:23:12 | 0:23:15 | |
What is spec? | 0:23:15 | 0:23:17 | |
It means you do this one for free. | 0:23:17 | 0:23:21 | |
It's the way everybody starts out. | 0:23:21 | 0:23:23 | |
Oh, spec. | 0:23:23 | 0:23:25 | |
Yeah, right, right. Spec, I know about spec. | 0:23:25 | 0:23:29 | |
Let's get into trouble, baby. | 0:23:29 | 0:23:31 | |
My brother. | 0:23:31 | 0:23:33 | |
Lets do it. Cube Squared, Baby Doll. | 0:23:34 | 0:23:38 | |
SINGS IN SCANDI | 0:23:42 | 0:23:45 | |
# My baby doll | 0:23:55 | 0:23:58 | |
# My baby doll | 0:23:59 | 0:24:00 | |
# Doll, baby doll | 0:24:00 | 0:24:02 | |
# My baby doll | 0:24:02 | 0:24:03 | |
# Baby, baby, baby doll | 0:24:03 | 0:24:05 | |
# My baby doll | 0:24:05 | 0:24:07 | |
# My baby doll | 0:24:07 | 0:24:09 | |
SINGS VERSE IN SCANDI | 0:24:10 | 0:24:12 | |
# My baby doll | 0:24:17 | 0:24:19 | |
# My baby doll | 0:24:20 | 0:24:22 | |
# Doll baby | 0:24:22 | 0:24:23 | |
# My baby doll | 0:24:23 | 0:24:25 | |
# Baby, baby, baby doll | 0:24:25 | 0:24:27 | |
# My baby doll | 0:24:27 | 0:24:29 | |
# My baby doll | 0:24:29 | 0:24:31 | |
# Baby doll | 0:24:32 | 0:24:33 | |
SINGS IN SCANDI | 0:24:33 | 0:24:34 | |
# Baby doll | 0:24:34 | 0:24:36 | |
SINGS IN SCANDI | 0:24:36 | 0:24:38 | |
# Baby doll | 0:24:38 | 0:24:39 | |
SINGS IN SCANDI | 0:24:39 | 0:24:41 | |
# Baby doll | 0:24:41 | 0:24:43 | |
SINGS IN SCANDI | 0:24:43 | 0:24:45 | |
# Baby doll | 0:24:45 | 0:24:47 | |
# Baby doll | 0:24:48 | 0:24:50 | |
# Baby doll | 0:24:51 | 0:24:53 | |
# Baby doll | 0:24:55 | 0:24:56 | |
SINGS IN SCANDI | 0:24:58 | 0:25:01 | |
# Baby doll | 0:25:12 | 0:25:13 | |
SINGS IN SCANDI | 0:25:13 | 0:25:14 | |
# Baby doll | 0:25:14 | 0:25:16 | |
SINGS IN SCANDI | 0:25:16 | 0:25:18 | |
# Baby doll | 0:25:18 | 0:25:19 | |
SINGS IN SCANDI | 0:25:19 | 0:25:21 | |
# Baby doll | 0:25:21 | 0:25:23 | |
SINGS IN SCANDI | 0:25:23 | 0:25:25 | |
# Baby doll | 0:25:25 | 0:25:26 | |
SINGS IN SCANDI | 0:25:26 | 0:25:29 | |
# Baby doll | 0:25:29 | 0:25:30 | |
SINGS IN SCANDI | 0:25:30 | 0:25:32 | |
# Baby doll | 0:25:32 | 0:25:33 | |
SINGS IN SCANDI | 0:25:33 | 0:25:35 | |
# Baby doll | 0:25:35 | 0:25:36 | |
SINGS IN SCANDI | 0:25:36 | 0:25:38 | |
# Baby doll... | 0:25:38 | 0:25:40 | |
WHIMPERS FROM BAND | 0:25:41 | 0:25:44 | |
Am I crying? | 0:25:57 | 0:25:58 | |
No. | 0:25:58 | 0:26:00 | |
Well, it wouldn't surprise me if I was. I was moved. | 0:26:00 | 0:26:06 | |
I can't do anything with this. | 0:26:08 | 0:26:11 | |
-Why not? -I need production value. | 0:26:11 | 0:26:15 | |
What kind of production value did you have in mind for no money? | 0:26:15 | 0:26:18 | |
-There's only one thing that adds real production value. -What's that? | 0:26:18 | 0:26:24 | |
Tits and ass. | 0:26:24 | 0:26:26 | |
Damn. | 0:26:27 | 0:26:29 | |
-Tits and ass. -I'm going to do something I don't normally do, because I like you guys. | 0:26:29 | 0:26:35 | |
You can do another one, and this time I'll give you three days to shoot... | 0:26:35 | 0:26:43 | |
on spec. | 0:26:43 | 0:26:45 | |
-Spec, look... -Don't thank me. | 0:26:45 | 0:26:48 | |
I know, I'm too nice. | 0:26:48 | 0:26:50 | |
Lets get into trouble, baby. | 0:26:50 | 0:26:54 | |
Spec is spec. It's where everybody starts out. | 0:26:54 | 0:26:57 | |
Yeah, but we don't have any money. | 0:26:57 | 0:26:59 | |
-We don't even have gas in the car. -Somebody called about the flyer! | 0:26:59 | 0:27:02 | |
-Yeah? -Yeah, you got a gig at the Hollywood Presbyterian. | 0:27:02 | 0:27:06 | |
-Is it on spec? -No, it's on Wiltshire and Vermont. | 0:27:06 | 0:27:09 | |
And the rest of my estate | 0:27:09 | 0:27:14 | |
to be divided | 0:27:14 | 0:27:17 | |
equally among my great-great grandchildren. | 0:27:17 | 0:27:22 | |
-Cut. -That was great, man. Lets get out of here, Josh. | 0:27:22 | 0:27:25 | |
-No, rewind the tape. -Again? | 0:27:25 | 0:27:28 | |
Merlin, work with us. | 0:27:28 | 0:27:30 | |
Is this how you want to be remembered? | 0:27:30 | 0:27:32 | |
This is supposed to be a living will. | 0:27:32 | 0:27:35 | |
-Lets try to give that dialogue some life. -Look, I'm not an actor. | 0:27:35 | 0:27:39 | |
I'm in the garment business. | 0:27:39 | 0:27:40 | |
This was my wife Miriam's idea. | 0:27:40 | 0:27:43 | |
I know, I know, but I think Miriam was right. I think she had an instinct. | 0:27:43 | 0:27:46 | |
Merlin, work with us, Goddamn it! | 0:27:46 | 0:27:49 | |
Hey, hey, hey! Can't talk to actors that way! | 0:27:49 | 0:27:51 | |
Now, I know you got it in you. | 0:27:55 | 0:27:57 | |
We're talking about your money. | 0:27:57 | 0:27:59 | |
-You and everybody else. -So, I want you to feel the moment. | 0:27:59 | 0:28:04 | |
I want you to show us the generosity of spirit that is Merlin Hinkle. | 0:28:04 | 0:28:08 | |
The passion, the pathos. | 0:28:08 | 0:28:11 | |
Trust yourself, trust me, you can do it. Passion! | 0:28:11 | 0:28:16 | |
Here we go. | 0:28:16 | 0:28:18 | |
Here we go. Passion! | 0:28:18 | 0:28:19 | |
And... | 0:28:23 | 0:28:25 | |
from the top. | 0:28:25 | 0:28:27 | |
Merlin Hinkle, living will, take 14. | 0:28:27 | 0:28:30 | |
Get it right this time, Hinkle! | 0:28:30 | 0:28:33 | |
And...action. | 0:28:33 | 0:28:35 | |
Action! The passion. | 0:28:35 | 0:28:39 | |
I, Merlin Hinkle, being of sound mind and body, | 0:28:39 | 0:28:44 | |
do hereby bequeath to my loving wife Miriam, the sum of 5,000... | 0:28:44 | 0:28:50 | |
HE GASPS | 0:28:50 | 0:28:52 | |
Dollars, 5,000 dollars and all my worldly possessions. | 0:28:52 | 0:28:56 | |
-Is he improvising? -No, Josh, he's dead. | 0:28:59 | 0:29:04 | |
Oh, shit. No, no, don't die on me! | 0:29:04 | 0:29:07 | |
-You can do it! -Josh, Josh! | 0:29:07 | 0:29:09 | |
-You can do it! -The man is dead! | 0:29:09 | 0:29:10 | |
You're not going to get a different line reading! | 0:29:10 | 0:29:13 | |
-This is horrible. -Yeah, we're not going to get paid. | 0:29:16 | 0:29:18 | |
Are you guys running? OK. | 0:29:22 | 0:29:25 | |
And the rest of my estate shall be divided equally | 0:29:25 | 0:29:30 | |
among my great-great grandchildren. | 0:29:30 | 0:29:34 | |
OK? | 0:29:34 | 0:29:36 | |
Oh, and be sure to pay Video Aces, | 0:29:36 | 0:29:40 | |
my favourite video company. | 0:29:40 | 0:29:44 | |
They're terrific guys. | 0:29:44 | 0:29:46 | |
You get a lot for your dollar. | 0:29:46 | 0:29:48 | |
Getting late, I'm going to go to sleep now. | 0:29:48 | 0:29:51 | |
Great. That's a wrap. Nice working with you, Merlin. | 0:29:51 | 0:29:55 | |
-Nice crib! -How did we get this job, Ivan? | 0:29:57 | 0:30:00 | |
Shrewed market penetration. | 0:30:00 | 0:30:02 | |
-What? -Belinda. Flyers, advertisment. | 0:30:02 | 0:30:04 | |
-Oh. Sinking pretty low, Ivan. -That's where you got to go to catch the big fish. | 0:30:04 | 0:30:08 | |
I don't like this Norman Mart guy. | 0:30:08 | 0:30:11 | |
-It's a great opportunity, man. -What? | 0:30:11 | 0:30:13 | |
-Where are the outlets here, man? -And elevator. | 0:30:13 | 0:30:16 | |
Yeah, I got to go upstairs, I'm going to get my elevator. | 0:30:16 | 0:30:19 | |
Let the prince dance with me. | 0:30:24 | 0:30:27 | |
Please, Fairy Godmother, let the prince pick me. | 0:30:27 | 0:30:31 | |
He'll pick you, he'll pick you. | 0:30:31 | 0:30:33 | |
You must be the video gentlemen. I'm Kay Mart. | 0:30:47 | 0:30:51 | |
Enchante. | 0:30:53 | 0:30:54 | |
I need more money, Norman. | 0:30:55 | 0:30:57 | |
-My condo needs new drapes. -Hey, Nikki... | 0:30:57 | 0:31:03 | |
I'm tired of you snorting drapes up your damn nose. | 0:31:04 | 0:31:08 | |
But you're not tired of going to the ball, are you, Norman? | 0:31:08 | 0:31:12 | |
Hey, everybody, it's limbo time! | 0:31:14 | 0:31:16 | |
CALYPSO MUSIC | 0:31:16 | 0:31:18 | |
Oh, my God. | 0:31:27 | 0:31:29 | |
You fool, you've knocked out my contact lense. | 0:31:29 | 0:31:32 | |
Freeze. It's probably stuck to your body. | 0:31:32 | 0:31:35 | |
I'll find it. | 0:31:36 | 0:31:37 | |
Ivan. | 0:31:37 | 0:31:39 | |
Samantha Gregory. | 0:31:39 | 0:31:42 | |
Samantha Gregory. Yeah, you write for Rock Gossip. | 0:31:42 | 0:31:45 | |
That's just a side gig. | 0:31:45 | 0:31:47 | |
Find anything? | 0:31:49 | 0:31:50 | |
No, not yet, better take another pass. | 0:31:50 | 0:31:52 | |
What's that on your hand? | 0:31:52 | 0:31:54 | |
Oh, good eye, good eye. There it is. | 0:31:54 | 0:31:57 | |
Your image problems are just beginning, Norman. | 0:31:57 | 0:31:59 | |
Nikki, your indescretion is really starting to bother me. | 0:32:09 | 0:32:12 | |
I'm not joking, I got the goods on you. | 0:32:12 | 0:32:14 | |
Sometimes it's difficult to believe a slut. | 0:32:14 | 0:32:17 | |
C B Turkin. | 0:32:17 | 0:32:19 | |
Everybody thought his company had closed down, but the Pres put him back in business. | 0:32:19 | 0:32:23 | |
-What does he make? -Nerve gas. | 0:32:23 | 0:32:25 | |
If Mr Mark wanted publicity pictures taken | 0:32:31 | 0:32:34 | |
he would have invited Richard Avedon. | 0:32:34 | 0:32:37 | |
Hey, wait a minute! You can't do this! Help! | 0:32:37 | 0:32:40 | |
Video Aces, we're in the book! | 0:32:40 | 0:32:41 | |
Where is Belinda? | 0:32:43 | 0:32:45 | |
I don't know. | 0:32:45 | 0:32:47 | |
But she asked me to ask you for that ten bucks you owe her. | 0:32:47 | 0:32:50 | |
Twenty. | 0:32:55 | 0:32:56 | |
They may not believe me, Norman, but they'll believe a video tape. | 0:33:03 | 0:33:07 | |
-What? -Remember your Snow White period? | 0:33:07 | 0:33:11 | |
I've got some awfully nasty footage of you and those elves. | 0:33:11 | 0:33:17 | |
As of this moment, my dear Nikki, | 0:33:17 | 0:33:19 | |
you cease to exist. | 0:33:19 | 0:33:21 | |
Get her. | 0:33:25 | 0:33:26 | |
Oh, I'm sorry, can I help you? | 0:33:37 | 0:33:40 | |
-Here. -Don't worry about it. | 0:33:40 | 0:33:43 | |
There you go. I gotta go or my boyfriend's going to kill me. | 0:33:43 | 0:33:46 | |
Bye! | 0:33:46 | 0:33:48 | |
You idiots. | 0:33:52 | 0:33:54 | |
You're all going back to training guerillas in Honduras if I don't find that fucking tape. | 0:33:54 | 0:33:59 | |
Sir, we searched her. She didn't have the tape. | 0:33:59 | 0:34:01 | |
We scoured the grounds. The tape just isn't here. | 0:34:01 | 0:34:04 | |
I theorise that in all probability, Norman, | 0:34:04 | 0:34:07 | |
she slipped the tape to an accomplice who will shortly | 0:34:07 | 0:34:11 | |
be contacting you with a tatty blackmail note, | 0:34:11 | 0:34:13 | |
hoping to exctract some exorbitant payment in exchange for... | 0:34:13 | 0:34:17 | |
Not frying your ass. | 0:34:17 | 0:34:20 | |
MUSIC PLAYS | 0:34:20 | 0:34:22 | |
Now that's production value. | 0:34:45 | 0:34:48 | |
I've got goose bumps all over my body. | 0:34:48 | 0:34:51 | |
Now we start making the big money right, Mo? | 0:34:51 | 0:34:54 | |
Right, babe. As soon as you complete your trilogy. | 0:34:54 | 0:34:59 | |
-Trilogy? What are you talking about? -I'm talking about a package. | 0:34:59 | 0:35:03 | |
I'm talking about the way things work in nature. | 0:35:03 | 0:35:07 | |
All good things come in threes. | 0:35:07 | 0:35:09 | |
It's celebrity deaths that come in threes. | 0:35:09 | 0:35:12 | |
I need one more video. | 0:35:12 | 0:35:15 | |
-On spec? -Right. | 0:35:15 | 0:35:16 | |
Forget it! We're out of here. | 0:35:16 | 0:35:18 | |
Stay, stay. | 0:35:18 | 0:35:21 | |
Am I crying? | 0:35:21 | 0:35:23 | |
Funeral - take one. | 0:35:26 | 0:35:27 | |
Josh, Josh are you rolling? | 0:35:27 | 0:35:31 | |
God, if you guys had money, I know you'd be doing something meaningful. | 0:35:31 | 0:35:36 | |
Well, thanks. You're all right too, Belinda. | 0:35:36 | 0:35:39 | |
I mean, I feel comfortable with you. It's like you're one of the guys. | 0:35:39 | 0:35:43 | |
-But I'm not a guy. -I know that. | 0:35:43 | 0:35:47 | |
So why are you so shy? | 0:35:50 | 0:35:52 | |
All right, Belinda. | 0:35:52 | 0:35:54 | |
You want to know? All right, I'll tell you. | 0:35:54 | 0:35:57 | |
-My first girlfriend really fucked me over, OK? -Sorry. | 0:35:57 | 0:36:01 | |
Yeah, so was I. | 0:36:01 | 0:36:02 | |
-When did you break up with her? -Kindergarten. | 0:36:04 | 0:36:07 | |
What's so funny? | 0:36:09 | 0:36:11 | |
Swanky Modes! | 0:36:13 | 0:36:16 | |
FUNKY MUSIC | 0:36:16 | 0:36:18 | |
Josh, me and you got the moves! | 0:36:25 | 0:36:28 | |
-What are we doing? -Dancing, man! | 0:36:28 | 0:36:30 | |
-Video Aces. -What we always do. | 0:36:30 | 0:36:32 | |
Come on, man. You're missing a step. Get the step, man. | 0:36:32 | 0:36:36 | |
What about the master plan, huh? | 0:36:42 | 0:36:45 | |
Do what you gotta do so you do what you wanna do? | 0:36:45 | 0:36:47 | |
When are we gonna do what we wanna do? | 0:36:47 | 0:36:50 | |
I don't know. | 0:36:50 | 0:36:52 | |
Great(!) So we do bullshit jobs | 0:36:52 | 0:36:54 | |
so we can keep our equipment so we can do jobs on spec, | 0:36:54 | 0:36:58 | |
so that maybe one day, we can do a music video. | 0:36:58 | 0:37:00 | |
I mean, what's the point? | 0:37:00 | 0:37:02 | |
The point is trying, man. | 0:37:02 | 0:37:04 | |
Come on. | 0:37:05 | 0:37:07 | |
All right. How long do we stave off the inevitable? | 0:37:10 | 0:37:14 | |
Till they wrench the plug from our bloody hands. | 0:37:14 | 0:37:17 | |
It's gonna be tomorrow. | 0:37:24 | 0:37:26 | |
ROOSTER CROWS | 0:37:28 | 0:37:31 | |
HE SCREAMS | 0:37:52 | 0:37:53 | |
Problem? | 0:37:53 | 0:37:55 | |
The guy's a wanker. | 0:37:55 | 0:37:56 | |
I brought you the seven best directors in the business. | 0:37:56 | 0:37:59 | |
Gimme somebody who's gonna just push buttons, will you? | 0:37:59 | 0:38:02 | |
Dick, don't be a cunt. | 0:38:02 | 0:38:04 | |
I think I have just the two for you. | 0:38:05 | 0:38:08 | |
-Two what? -Directors. | 0:38:08 | 0:38:11 | |
Miss Gregors, you look great. | 0:38:11 | 0:38:13 | |
Glad you could make it. | 0:38:13 | 0:38:15 | |
Video Aces reporting for duty. | 0:38:15 | 0:38:18 | |
You've tried the best, now try the rest. | 0:38:18 | 0:38:21 | |
Wow, so cool! | 0:38:21 | 0:38:24 | |
Sorry, Girlie. No groupies. | 0:38:24 | 0:38:26 | |
Oh, I work with Video Aces. | 0:38:26 | 0:38:28 | |
That's not all you do. | 0:38:28 | 0:38:30 | |
-What's that? -Product placement, man. | 0:38:35 | 0:38:37 | |
Backbone of music videos. | 0:38:37 | 0:38:39 | |
No way, no way. Take it off the stage. | 0:38:39 | 0:38:42 | |
You guys all got your visors? | 0:38:46 | 0:38:47 | |
-Fuck off, Prick. -Haven't got all bloody day! | 0:38:47 | 0:38:51 | |
-Ivan, what's going on? -Is there an operating manual with that? | 0:38:51 | 0:38:54 | |
Standard crane, right? | 0:38:54 | 0:38:56 | |
-Yeah. -Ivan, hello? | 0:38:56 | 0:38:59 | |
-Roll film. -Roll film? | 0:38:59 | 0:39:01 | |
-I'm pointing towards a wall. -OK, let's make some money. | 0:39:01 | 0:39:05 | |
Playback. | 0:39:07 | 0:39:09 | |
MUSIC PLAYS | 0:39:09 | 0:39:11 | |
# My name is Mr MX-7! | 0:39:14 | 0:39:20 | |
# Go ahead and drop the bomb! | 0:39:30 | 0:39:32 | |
# You don't want anyone! | 0:39:32 | 0:39:34 | |
# You don't want anyone to live! | 0:39:34 | 0:39:36 | |
# Go ahead and kill yourself! | 0:39:37 | 0:39:40 | |
# You live in a living hell, radiating all your... | 0:39:40 | 0:39:43 | |
WOMAN SCREAMS | 0:39:43 | 0:39:44 | |
# ..Don't you know, it's gonna blow | 0:39:47 | 0:39:49 | |
# Hide your heads, kill you dead See it blaze up till you blow | 0:39:49 | 0:39:53 | |
# I wanna be disengaged | 0:39:53 | 0:39:55 | |
# I wanna be disengaged | 0:39:55 | 0:39:57 | |
# I wanna be dissipated, yeah | 0:39:57 | 0:40:00 | |
FRENETIC GUITAR SOLO | 0:40:00 | 0:40:02 | |
Good, Ivan! | 0:40:22 | 0:40:24 | |
Enough, Ivan! Now, Ivan! | 0:40:24 | 0:40:27 | |
How, Ivan?! | 0:40:27 | 0:40:29 | |
Stop, Ivan! | 0:40:29 | 0:40:31 | |
Now, Ivan! | 0:40:31 | 0:40:32 | |
SCREAMING, PLAYBACK STOPS | 0:40:34 | 0:40:36 | |
-He's an arsehole. Let's try again. -This is sabotage, man! | 0:40:44 | 0:40:47 | |
This is just dandy, I put my butt on the line for you guys and you blew it. | 0:40:47 | 0:40:51 | |
-We'll fix it... -Forget it, you suck! | 0:40:51 | 0:40:53 | |
Just a sec... | 0:40:53 | 0:40:55 | |
-Are you guys famous? -How do I look? | 0:40:55 | 0:40:57 | |
-Sign my butt. -Teach me to read. | 0:40:57 | 0:41:00 | |
Ivan! | 0:41:00 | 0:41:01 | |
MUSIC PLAYS | 0:41:06 | 0:41:09 | |
# Well, the overlords thought it would be a good deed | 0:41:16 | 0:41:18 | |
# To mix the black with the white | 0:41:18 | 0:41:21 | |
# But if you're a fly in the buttermilk | 0:41:21 | 0:41:23 | |
# They'll chase y'all through the night... | 0:41:23 | 0:41:24 | |
Cowboys? | 0:41:24 | 0:41:26 | |
This ain't never happened in my day. | 0:41:28 | 0:41:30 | |
# ..daughter will be my wife! | 0:41:30 | 0:41:33 | |
# Round and around and around they go The bus is going mighty slow | 0:41:33 | 0:41:37 | |
# Brothers in the back seat Cops in the front | 0:41:37 | 0:41:39 | |
# People getting... | 0:41:39 | 0:41:42 | |
You know, I think we killed 'em. | 0:41:42 | 0:41:44 | |
-And I think we're gonna get the gig. -Oh, come on, Lester. | 0:41:44 | 0:41:48 | |
And who would want this gig anyway, | 0:41:48 | 0:41:50 | |
when the whole place is full of nothing but losers and white trash? | 0:41:50 | 0:41:53 | |
How did we go wrong? | 0:41:53 | 0:41:55 | |
What did I do? We had everything set, | 0:41:55 | 0:41:59 | |
triangle of success, man, skills, attitude, knowledge. | 0:41:59 | 0:42:02 | |
I got attitude, he's got skills and knowledge. | 0:42:02 | 0:42:04 | |
Everything was cool, man, I had product placement. | 0:42:04 | 0:42:09 | |
Ain't this a shame. | 0:42:09 | 0:42:10 | |
Girl gave me a defective crane, now what have I got? | 0:42:10 | 0:42:13 | |
Check it out, man, Billy and Lester, the Swanky Modes. | 0:42:13 | 0:42:16 | |
Did you hear me? Billy and Lester... | 0:42:19 | 0:42:22 | |
Those guys are legends. | 0:42:22 | 0:42:25 | |
For the contribution they've given to mankind, they should be living like kings, nay gods! | 0:42:25 | 0:42:30 | |
It's not the way it works, bro. | 0:42:31 | 0:42:33 | |
Yeah, right. | 0:42:35 | 0:42:37 | |
Assholes like The Blender Children get to be big stars? | 0:42:37 | 0:42:41 | |
Where's the justice? | 0:42:41 | 0:42:43 | |
-There's no justice. -None, man. -It's fucked up. | 0:42:43 | 0:42:46 | |
Let's buy 'em a beer. | 0:42:46 | 0:42:48 | |
Two more. | 0:42:48 | 0:42:50 | |
Sorry, guys. | 0:42:50 | 0:42:52 | |
Brothers Against Drunk Driving, they've been bustin' my ass. | 0:42:52 | 0:42:56 | |
-Care to perform a sobriety test? -All right, all right. | 0:42:56 | 0:43:00 | |
Close your eyes, | 0:43:00 | 0:43:01 | |
real tight, no peeking. | 0:43:01 | 0:43:04 | |
Now recite the alphabet backwards, | 0:43:04 | 0:43:07 | |
skipping all the vowels, and give me the sign language for each letter as you pass by. | 0:43:07 | 0:43:11 | |
Z-Y-X-W-V-T-S-R | 0:43:11 | 0:43:15 | |
Q-P-N-M-L-K-J-H-G-F-D-C-B. | 0:43:15 | 0:43:21 | |
You passed! | 0:43:21 | 0:43:23 | |
I'll get those beers for you. | 0:43:23 | 0:43:25 | |
-What's wrong? -They're gone. -Let's get out of here. | 0:43:27 | 0:43:31 | |
Fuck this. | 0:43:32 | 0:43:34 | |
Here's a KPLP real news update. | 0:43:43 | 0:43:46 | |
Tragedy hit the Greek Theatre tonight when a fragment of Spy Lab 14 struck the stage, | 0:43:46 | 0:43:51 | |
killing the surprised members of up and coming rock band, The Blender Children. | 0:43:51 | 0:43:56 | |
We go live now to the scene. | 0:43:56 | 0:43:58 | |
A terrible, terrible tragedy at the Greek tonight, | 0:43:58 | 0:44:02 | |
where the only things casted are chaos and bedlam. | 0:44:02 | 0:44:05 | |
We have with us a person who saw what happened and, Sir, what did happen? | 0:44:05 | 0:44:09 | |
Dick Slaver was hammering on his axe, doing this blazing solo, | 0:44:09 | 0:44:14 | |
when all of a sudden this thing that looked like a fireball from hell just slammed into him. | 0:44:14 | 0:44:19 | |
It was the most excellent effect I've ever seen. | 0:44:19 | 0:44:23 | |
I'm here front row next show, definitely! | 0:44:23 | 0:44:25 | |
-Sir, there won't be a next time, they're all dead. -Awesome. | 0:44:25 | 0:44:28 | |
The Blender Children were in town recording a rock video for their next single. | 0:44:28 | 0:44:32 | |
No doubt fans will be clamouring to view that last video. | 0:44:32 | 0:44:36 | |
Awesome. | 0:44:36 | 0:44:37 | |
Oh, please, Fairy Godmother. I need to carriage to take me to the ball. | 0:44:42 | 0:44:47 | |
-All right, all right. -Oh! | 0:44:47 | 0:44:50 | |
Hop on. | 0:44:50 | 0:44:53 | |
What are you doing here? | 0:44:53 | 0:44:54 | |
I'm about to do Video Aces a big favour. | 0:44:54 | 0:44:58 | |
Why don't you just leave them alone? | 0:44:58 | 0:45:01 | |
-They'll be worse off than they are now. -That would be impossible. | 0:45:01 | 0:45:04 | |
Belinda, are you balling Josh? | 0:45:06 | 0:45:10 | |
It's none of your business. | 0:45:10 | 0:45:11 | |
Too bad. | 0:45:11 | 0:45:13 | |
Right now, I need the Blender Children video. | 0:45:13 | 0:45:16 | |
Tough. | 0:45:16 | 0:45:17 | |
Yeah? | 0:45:17 | 0:45:18 | |
Two Ninja bitches about to kill each other. | 0:45:52 | 0:45:56 | |
The Blender Children are mulch, they just bought the farm. | 0:45:56 | 0:45:59 | |
And RVTV wants to premier the video now, live and exclusive - do you get it? | 0:45:59 | 0:46:05 | |
Well, Samantha, even our shit is not without some endearing qualities. | 0:46:05 | 0:46:10 | |
-Perfect for RVTV. -Belinda, let's make a copy. | 0:46:10 | 0:46:13 | |
-Fuck you. -I'll do it myself, what's the big deal around here? | 0:46:13 | 0:46:17 | |
I think I'll tape over this red one. | 0:46:21 | 0:46:23 | |
-Don't do that! -Yes, it's very unprofessional. | 0:46:23 | 0:46:26 | |
Tape over the Mangotti funeral, they didn't pay us. | 0:46:26 | 0:46:30 | |
I'm going to meet you guys at the RVTV studios in about half an hour. | 0:46:32 | 0:46:36 | |
OK, Video Aces world televised premiere live exclusive, | 0:46:36 | 0:46:40 | |
-thousands and thousands... -Do you know what you're doing? -Yeah. | 0:46:40 | 0:46:44 | |
I hold in my hand the last and first video made by The Blender Children, | 0:46:49 | 0:46:54 | |
just before their "explosive" finale at the Greek Theatre. | 0:46:54 | 0:46:59 | |
I can't believe they're screening this nationwide. | 0:46:59 | 0:47:01 | |
-We're never going to work again. -We're not working now. | 0:47:01 | 0:47:04 | |
Shh, it's starting. | 0:47:04 | 0:47:05 | |
Mangotti funeral take one, Josh. | 0:47:07 | 0:47:10 | |
MUSIC PLAYS | 0:47:10 | 0:47:11 | |
I don't wanna go up this year. | 0:47:28 | 0:47:30 | |
You go and learn till it's over and done with. | 0:47:30 | 0:47:34 | |
There's no reason for this type of fear, | 0:47:34 | 0:47:37 | |
but you keep building me, one by one. | 0:47:37 | 0:47:40 | |
All I want is to be apart this year. No more threat to anyone. | 0:47:40 | 0:47:45 | |
# Thy will be done | 0:47:47 | 0:47:51 | |
HEAVY ROCK | 0:47:54 | 0:47:57 | |
# Go ahead and drop the bomb! | 0:48:02 | 0:48:04 | |
# You don't want anyone... | 0:48:04 | 0:48:06 | |
-Brilliant. Just brilliant. -An astonishing example | 0:48:06 | 0:48:10 | |
of post-modernism, a prospicious portent... | 0:48:10 | 0:48:12 | |
-The emotion. -Raw, so raw. | 0:48:12 | 0:48:15 | |
Interesting thing about that video, they chose to work with the video production team, Video Aces. | 0:48:15 | 0:48:20 | |
We've heard that name before... | 0:48:20 | 0:48:22 | |
How's it going? | 0:48:22 | 0:48:23 | |
OK. | 0:48:23 | 0:48:25 | |
-Did you watch RVTV tonight? -No. | 0:48:27 | 0:48:31 | |
You missed it? We were hot! | 0:48:31 | 0:48:34 | |
I mean, | 0:48:35 | 0:48:37 | |
we have clients lined up for, like, Video Aces, | 0:48:37 | 0:48:40 | |
and we're going to do non-stop videos for the rest of our lives! | 0:48:40 | 0:48:44 | |
Look at all these business cards. | 0:48:44 | 0:48:45 | |
Congratulations. | 0:48:45 | 0:48:47 | |
Don't you know what this means? | 0:48:48 | 0:48:51 | |
That you guys will become exactly like Samantha. | 0:48:51 | 0:48:53 | |
To us, Ivan, and to our success. | 0:48:53 | 0:48:57 | |
To you, Samantha, | 0:48:57 | 0:48:59 | |
for helping make Video Aces what it is, | 0:48:59 | 0:49:02 | |
for making me feel for the first time in my life like I'm on fire. | 0:49:02 | 0:49:06 | |
Take my water. | 0:49:12 | 0:49:14 | |
-You were saying? -You look ravishing, | 0:49:15 | 0:49:18 | |
and I'd like to chew on your thighs. | 0:49:18 | 0:49:20 | |
I thought we had a professional relationship. | 0:49:20 | 0:49:23 | |
So I'll pay. | 0:49:23 | 0:49:24 | |
Seriously, Ivan. | 0:49:28 | 0:49:30 | |
I think we should start planning our future fame and fortune. | 0:49:30 | 0:49:33 | |
I'd throw all of that away for one chance to flambe your flesh with my tongue. | 0:49:33 | 0:49:38 | |
Only absolute success can bring total fulfilment. | 0:49:38 | 0:49:42 | |
Want your cherry? | 0:49:42 | 0:49:43 | |
Power IS happiness. | 0:49:46 | 0:49:48 | |
And the media is the key to power. | 0:49:48 | 0:49:50 | |
What makes you happy makes you happy. | 0:49:50 | 0:49:53 | |
Fuck! | 0:49:55 | 0:49:57 | |
Bill Hearst, Otis Chandler, | 0:49:59 | 0:50:01 | |
Brooke Murdock, Ted Turner, Connie Chung - | 0:50:01 | 0:50:05 | |
these people seduced the masses, and in turn became legends in their own time. | 0:50:05 | 0:50:11 | |
That's what I want, Ivan. | 0:50:13 | 0:50:15 | |
And that's what I'm going to get, any way I can. | 0:50:17 | 0:50:22 | |
Want to dance? | 0:50:23 | 0:50:25 | |
I'll lead. | 0:50:25 | 0:50:27 | |
Samantha! | 0:50:32 | 0:50:34 | |
It's awfully hot out here. | 0:50:47 | 0:50:49 | |
How do you feel about representation? | 0:50:51 | 0:50:54 | |
Looks good. | 0:50:54 | 0:50:55 | |
You know, Ivan... | 0:50:58 | 0:50:59 | |
..in business it's the personal relationships... | 0:51:01 | 0:51:05 | |
..that make it all worthwhile. | 0:51:08 | 0:51:12 | |
UNZIPPING | 0:51:12 | 0:51:14 | |
Whatever. | 0:51:14 | 0:51:15 | |
They're off to Utah, to the Osmonds Christmas Show. | 0:51:17 | 0:51:20 | |
They're spending the month of January with peer. | 0:51:20 | 0:51:23 | |
But I like you a lot, so I'm going to talk to my clients. | 0:51:23 | 0:51:27 | |
You talk to them? | 0:51:27 | 0:51:28 | |
I'll talk to them. | 0:51:29 | 0:51:31 | |
What we're talking about is a live televised concert to 30 million people. | 0:51:32 | 0:51:38 | |
Everybody loves Menudo. | 0:51:38 | 0:51:41 | |
-Menudo? -And you know that. | 0:51:41 | 0:51:44 | |
Yeah, we love Menudo. | 0:51:44 | 0:51:46 | |
The last album. | 0:51:48 | 0:51:50 | |
This is a small town. | 0:51:54 | 0:51:56 | |
No, it's not. | 0:51:56 | 0:51:59 | |
Don't worry about it, they'll be there. | 0:51:59 | 0:52:01 | |
In a surprising upset tonight, two virtual unknowns have snatched top honours | 0:52:01 | 0:52:06 | |
at the US Video Awards ceremony for The Blender Children's Mr MX-7. | 0:52:06 | 0:52:11 | |
We've got an exclusive interview now with these two sizzling hot guys. | 0:52:11 | 0:52:14 | |
We are live backstage at the US Video Awards... | 0:52:14 | 0:52:17 | |
-SHOUTS OUT PHONE NUMBER -You'll get plenty of time to sell that! | 0:52:17 | 0:52:20 | |
Norman, aren't those the boys I hired to videotape the ball? | 0:52:20 | 0:52:25 | |
They never sent me the tape! | 0:52:25 | 0:52:27 | |
I got a lead. | 0:52:31 | 0:52:33 | |
I think I know who has my tape. | 0:52:33 | 0:52:35 | |
Terminal Bar. | 0:52:37 | 0:52:39 | |
Roger, that's a 10-4. | 0:52:39 | 0:52:41 | |
I love you guys. | 0:52:41 | 0:52:43 | |
# It would take a miracle | 0:52:44 | 0:52:47 | |
# To ease my troubled mind | 0:52:50 | 0:52:55 | |
# I know you tried help me | 0:52:57 | 0:53:01 | |
# Trying hard to be so kind | 0:53:02 | 0:53:07 | |
# Baby You are too good to be | 0:53:10 | 0:53:14 | |
# Just an audience for my pain | 0:53:16 | 0:53:20 | |
# I'm living in a prison | 0:53:26 | 0:53:28 | |
# Though you can't see the bars | 0:53:30 | 0:53:35 | |
# I've been wounded so many times | 0:53:38 | 0:53:41 | |
# Though you cannot see the scars | 0:53:43 | 0:53:47 | |
# I'm afraid you have to leave me now | 0:53:51 | 0:53:54 | |
# And the reason is plain | 0:53:56 | 0:54:00 | |
# Baby, you are too good to be | 0:54:03 | 0:54:06 | |
# Just an audience for my pain | 0:54:08 | 0:54:13 | |
# Audience for my pain | 0:54:15 | 0:54:19 | |
# I don't want you to look at me now | 0:54:21 | 0:54:23 | |
# Ohhhh, no | 0:54:27 | 0:54:30 | |
# No, no, no | 0:54:33 | 0:54:37 | |
# No, no, no, oh-ooh-oh | 0:54:41 | 0:54:47 | |
# No, no, no. # | 0:54:49 | 0:54:54 | |
That is music! Swanky Modes! All right! | 0:54:55 | 0:54:58 | |
All right, that is music! | 0:54:58 | 0:55:01 | |
The fabulous Brothers Diamond. | 0:55:01 | 0:55:03 | |
# You hooked me, baby! | 0:55:05 | 0:55:08 | |
# You threw a net around my heart | 0:55:08 | 0:55:11 | |
Show's over, boys. | 0:55:11 | 0:55:13 | |
Drinking time's begun. | 0:55:13 | 0:55:15 | |
# I said you hooked me, baby | 0:55:15 | 0:55:17 | |
We haven't sung that tune in 15 years. | 0:55:17 | 0:55:21 | |
And I can't even remember back that far. | 0:55:21 | 0:55:23 | |
Number three on the charts. | 0:55:23 | 0:55:25 | |
Yeah, you performed on the Ed Sullivan show October 12th, 1970, | 0:55:25 | 0:55:29 | |
-8.22 Eastern Standard time, right after those dancing elephants. -Yeah! | 0:55:29 | 0:55:33 | |
You boys buying? | 0:55:35 | 0:55:38 | |
Yeah, sure, we love the Swanky Modes. | 0:55:38 | 0:55:41 | |
Set 'em up, Jack. | 0:55:41 | 0:55:42 | |
Except now, we're the Brothers Diamond. | 0:55:42 | 0:55:45 | |
Jack, two Courvoisiers. | 0:55:45 | 0:55:47 | |
The hottest acts in show business today are offshoots of you guys. | 0:55:47 | 0:55:51 | |
-Yeah, they ripped you off. -And we're sittin' here all skinny. | 0:55:51 | 0:55:55 | |
-Maybe we can help you guys. -Yeah! | 0:55:58 | 0:56:02 | |
We'll do a video, man! | 0:56:02 | 0:56:05 | |
A music video would broaden your demographics while retaining your integrity. | 0:56:05 | 0:56:10 | |
Yeah, we can get you on RVTV. | 0:56:10 | 0:56:13 | |
TV? Who'll want to see us? | 0:56:13 | 0:56:15 | |
Look at him, he's ugly. | 0:56:15 | 0:56:17 | |
There are a lot of people out there who are ugly who are making serious money. | 0:56:18 | 0:56:23 | |
Now, that's not a problem, see, we can package you... | 0:56:23 | 0:56:25 | |
-Package? No. -So the public will find you palpable. | 0:56:25 | 0:56:27 | |
No, no! | 0:56:27 | 0:56:30 | |
I got it! We're going to give these guys the real thing. | 0:56:30 | 0:56:34 | |
As a matter of fact, we're going to start tomorrow night with a live simulcast of 20 - no, 30 countries! | 0:56:34 | 0:56:40 | |
-We are? -Yeah! -Why are you guys doing this? | 0:56:40 | 0:56:43 | |
Why? Because we have to! | 0:56:43 | 0:56:46 | |
If it wasn't for your influence, we'd know nothing about soul, | 0:56:46 | 0:56:49 | |
we'd be family men working for multi-nationals! | 0:56:49 | 0:56:51 | |
Earning six figures, driving LeBarons. | 0:56:51 | 0:56:54 | |
Hey, you can't pin that on us, we have lawyers. | 0:56:55 | 0:56:58 | |
It's too late, we out of the gate, but that's our fate! | 0:56:58 | 0:57:02 | |
This funky train! | 0:57:02 | 0:57:03 | |
Yeah! Hey, pay the man, Ivan! | 0:57:03 | 0:57:07 | |
I got some change here somewhere. We'll be in touch, man. | 0:57:07 | 0:57:11 | |
Now, what is that all about? | 0:57:11 | 0:57:14 | |
Nothing. | 0:57:15 | 0:57:17 | |
Whoa! Yeah! | 0:57:18 | 0:57:22 | |
I am totally psyched, man! | 0:57:23 | 0:57:26 | |
As of this moment, we are cancelling all our jive job videos. | 0:57:26 | 0:57:30 | |
-We are? -Except Menudo. | 0:57:30 | 0:57:33 | |
Menudo? | 0:57:33 | 0:57:34 | |
The master plan has come to fruition! | 0:57:34 | 0:57:37 | |
Ah, yeah! | 0:57:37 | 0:57:40 | |
That's how to drive safely! | 0:57:45 | 0:57:48 | |
Anybody there? | 0:57:48 | 0:57:51 | |
Yeah, caucasian female, somewhere between the ages of 15 and 35. | 0:57:51 | 0:57:58 | |
Right, let's move. | 0:57:58 | 0:58:00 | |
There's some tapes. | 0:58:02 | 0:58:05 | |
-What's the definition of "fear"? -What's the definition of "if"? -Why Menudo? | 0:58:05 | 0:58:10 | |
Beat it, you hoodlums. | 0:58:13 | 0:58:15 | |
-Linda, what's happening? -I don't know. | 0:58:21 | 0:58:25 | |
Bet you thought you'd seen the last of me. | 0:58:27 | 0:58:29 | |
Damn, I'm out. | 0:58:31 | 0:58:32 | |
Out of bullets, huh? | 0:58:32 | 0:58:34 | |
My video protector. | 0:58:34 | 0:58:36 | |
Say your prayers, slimeball. | 0:58:36 | 0:58:38 | |
Thanks, Skip. Who the hell are you guys? | 0:58:42 | 0:58:45 | |
-Gentlemen, we are the... -Hitmen. | 0:58:45 | 0:58:49 | |
We need a video tape right away. | 0:58:49 | 0:58:51 | |
It's two in the morning, we're tired, and we're not doing any more jive job videos. | 0:58:51 | 0:58:55 | |
The only way we'd do a video with a limey garage man like you | 0:58:55 | 0:58:58 | |
-is if we got paid the big bucks. -90 thou in non-sequential 50s acceptable? | 0:58:58 | 0:59:03 | |
Let's not haggle - 100 thou. | 0:59:03 | 0:59:05 | |
What are you doing, we have to set up for the Modes concert tomorrow night. | 0:59:05 | 0:59:08 | |
Josh, this is the capital we need to keep our equipment. | 0:59:08 | 0:59:11 | |
Cash flow equals personal freedom, the freedom to do the videos you want to do - | 0:59:11 | 0:59:16 | |
like the Swanky Modes. You can't pass this up. | 0:59:16 | 0:59:18 | |
Think about it. | 0:59:20 | 0:59:22 | |
All right, | 0:59:22 | 0:59:24 | |
we'll do it during our coffee break tomorrow. You bring the doughnuts. | 0:59:24 | 0:59:29 | |
-Now get out of here! -Gentlemen, let me show you to your car. | 0:59:29 | 0:59:32 | |
You picked a fine company. I've seen your records, and I really respect your work quite a bit. | 0:59:32 | 0:59:38 | |
-I'm flattered. -We're currently worked with Bonnie Ray. | 0:59:38 | 0:59:40 | |
-Not THE Bonnie Ray. -Yeah, Bonnie Ray and Nigel Harrison. | 0:59:40 | 0:59:43 | |
-What kind of car are you driving? -Well, you can see it... | 0:59:43 | 0:59:46 | |
Gosh, that was incredible. | 0:59:46 | 0:59:48 | |
You seem so changed. | 0:59:48 | 0:59:51 | |
You're so committed, | 0:59:51 | 0:59:54 | |
so reckless, | 0:59:54 | 0:59:55 | |
so passionate. | 0:59:55 | 0:59:57 | |
It's the Modes. | 0:59:57 | 1:00:00 | |
My blood is boiling, | 1:00:00 | 1:00:02 | |
and they stir up the thoughts and sensations that are pent up inside me. | 1:00:02 | 1:00:05 | |
I feel like I'm ready to explode. | 1:00:05 | 1:00:07 | |
Come here, you little filly. | 1:00:09 | 1:00:11 | |
Shall I get my diaphragm? | 1:00:13 | 1:00:15 | |
Damn straight, woman. We're going for a ride on the love train. | 1:00:15 | 1:00:20 | |
Are you sure this is going to be good for our relationship? | 1:00:23 | 1:00:27 | |
I don't know. | 1:00:27 | 1:00:29 | |
(HUSKY) Let's find out. | 1:00:29 | 1:00:31 | |
Hey, look who I ran into downstairs. | 1:00:32 | 1:00:34 | |
Hey, everybody, it's limbo time! | 1:00:37 | 1:00:41 | |
CALYPSO MUSIC | 1:00:46 | 1:00:48 | |
Honey, look. | 1:01:05 | 1:01:08 | |
See, that was just a front, this is beautiful. | 1:01:08 | 1:01:12 | |
That's Josh. Do you love it? | 1:01:12 | 1:01:15 | |
Aren't you proud? | 1:01:15 | 1:01:17 | |
There's Ivan. | 1:01:17 | 1:01:19 | |
-Let's surprise him. -Yeah. | 1:01:19 | 1:01:21 | |
CALYPSO MUSIC | 1:01:21 | 1:01:22 | |
Hi. | 1:01:32 | 1:01:33 | |
Hi, Mom. Hi, Dad. This is Belinda. | 1:01:42 | 1:01:46 | |
-She's a girl. -Hi. | 1:01:46 | 1:01:48 | |
Don't say a word, not one word! | 1:01:51 | 1:01:54 | |
All right, over here. | 1:02:11 | 1:02:14 | |
Move it! | 1:02:14 | 1:02:16 | |
All right, gentlemen, listen up. | 1:02:16 | 1:02:18 | |
Now, we'll distract them while you find that red tape. | 1:02:18 | 1:02:21 | |
And remember, there's a bonus for the man who puts it in my hand. | 1:02:21 | 1:02:26 | |
WOMAN: RVTV. | 1:02:26 | 1:02:27 | |
Hold on a second, | 1:02:30 | 1:02:32 | |
-where's the doughnuts? -Standard Government issue. | 1:02:32 | 1:02:36 | |
Right this way, we'll be working in Studio D. | 1:02:36 | 1:02:40 | |
Watching? One, two... | 1:02:40 | 1:02:42 | |
OK, come on, let's go. | 1:02:42 | 1:02:44 | |
Come on, let's roll. | 1:02:44 | 1:02:46 | |
Ivan! | 1:02:46 | 1:02:48 | |
-Let's go. -Touch, step, touch, step. | 1:02:48 | 1:02:51 | |
OK, ten minutes, ten minutes. | 1:02:51 | 1:02:54 | |
Come on! Get to work! | 1:02:58 | 1:03:00 | |
# No need to discuss it | 1:03:04 | 1:03:07 | |
# Cos the message is clear | 1:03:09 | 1:03:13 | |
# When I look into your loving eyes | 1:03:13 | 1:03:16 | |
# I know you want me near... | 1:03:16 | 1:03:20 | |
Shit! | 1:03:20 | 1:03:21 | |
# Hush, baby, don't make a sound | 1:03:21 | 1:03:24 | |
# We're only wasting precious time | 1:03:24 | 1:03:27 | |
# I know in my heart and soul... | 1:03:29 | 1:03:32 | |
A red tape. | 1:03:32 | 1:03:33 | |
-Give me that. -Hey, fuck, give me that! | 1:03:33 | 1:03:37 | |
I'm gonna shoot you! | 1:03:37 | 1:03:38 | |
# Don't need no one, two, three | 1:03:38 | 1:03:41 | |
# There's no need to speak When your knees get weak | 1:03:43 | 1:03:48 | |
# It's the language of love | 1:03:48 | 1:03:49 | |
Give it back! Gimme! | 1:03:49 | 1:03:51 | |
# Don't need to hear you say | 1:03:51 | 1:03:54 | |
# Won't let you feel this way | 1:03:55 | 1:03:58 | |
-# Cos every time we kiss -# Our lips will never miss | 1:03:59 | 1:04:03 | |
# That's the language of love | 1:04:03 | 1:04:06 | |
Gimme that! | 1:04:08 | 1:04:11 | |
That's a wrap. | 1:04:11 | 1:04:12 | |
Patrick - that's a fine Irish name. | 1:04:14 | 1:04:16 | |
What's on your mind, Patrick? | 1:04:16 | 1:04:18 | |
As your party's leading presidential contender, you are a staunch advocate of nuclear proliferation? | 1:04:18 | 1:04:23 | |
-That's right. -Does wanting more and bigger missiles stem from a penis envy of the Russians? | 1:04:23 | 1:04:28 | |
No, that's not the case, son. | 1:04:28 | 1:04:33 | |
Let's... Matter of fact, that's primitive thinking. | 1:04:33 | 1:04:36 | |
But I will add, | 1:04:36 | 1:04:38 | |
I'll throw my slab up on the yard stick against Gorby any day of the Goddamn week. | 1:04:38 | 1:04:43 | |
APPLAUSE | 1:04:43 | 1:04:45 | |
Thank you very much. | 1:04:47 | 1:04:48 | |
Mr Mart, I hear that you're an avid video enthusiast? | 1:04:48 | 1:04:52 | |
Video? | 1:04:53 | 1:04:55 | |
Well, yeah, I mean, I dabble... | 1:04:55 | 1:04:59 | |
I've seen your work. | 1:04:59 | 1:05:02 | |
It's very provocative. | 1:05:02 | 1:05:03 | |
And if I refuse? | 1:05:03 | 1:05:05 | |
America would love to tune in to see its presidential candidate being spanked by a girl in a wetsuit. | 1:05:05 | 1:05:11 | |
All right. | 1:05:13 | 1:05:14 | |
Ten days. | 1:05:16 | 1:05:19 | |
You'll be publishing in ten days. Now, where's my tape? | 1:05:19 | 1:05:23 | |
Some place safe. | 1:05:23 | 1:05:25 | |
-Sir, here's the tape from the Video Aces. -Entertain us, Mr G. | 1:05:27 | 1:05:30 | |
I'm sure Miss Gregory here would like to see my provocative work one last time. | 1:05:30 | 1:05:36 | |
You have 24 hours, Mart. | 1:05:50 | 1:05:52 | |
RVTV just confirmed the satellite hook up. | 1:05:54 | 1:05:57 | |
-Menudo's going to be pissed. -They're young, they'll get over it. | 1:05:57 | 1:06:01 | |
Hey, now these are the Swanky Modes I remember. | 1:06:01 | 1:06:05 | |
-You guys look great! -Yeah. | 1:06:05 | 1:06:07 | |
All right. Modes are coming back in a big way. | 1:06:07 | 1:06:11 | |
Kind of like old times, eh, Billy? | 1:06:11 | 1:06:13 | |
-Not really. -Why don't you guys go into the video lounge and just kind of relax? | 1:06:15 | 1:06:19 | |
There's some wine coolers if you want a drink. | 1:06:19 | 1:06:22 | |
We've just got to do a couple more administrative type things. | 1:06:22 | 1:06:25 | |
-Let's warm up, Billy. -OK. | 1:06:25 | 1:06:28 | |
One, two, one, two, three. | 1:06:28 | 1:06:31 | |
# Bet your bottom dollar on me | 1:06:31 | 1:06:34 | |
# I'm as good as good can be | 1:06:34 | 1:06:37 | |
TYRES SCREECH | 1:06:37 | 1:06:38 | |
Holy shit! | 1:06:38 | 1:06:40 | |
Some men are after me. | 1:06:47 | 1:06:48 | |
-Count me in. -I'm serious, these guys are trying to kill me. | 1:06:48 | 1:06:52 | |
..somebody on that roof! | 1:06:52 | 1:06:53 | |
You, on top of that car, back him up. | 1:06:53 | 1:06:56 | |
Hey, hey, it's the Hitmen! | 1:06:56 | 1:06:57 | |
That's them. | 1:06:57 | 1:06:59 | |
-No, they're completely harmless, we just did their last video. -Fire. | 1:06:59 | 1:07:02 | |
No refunds! | 1:07:06 | 1:07:08 | |
God! | 1:07:19 | 1:07:20 | |
-Josh, give them the money back. -I'm not going down there! -You should. | 1:07:20 | 1:07:24 | |
-Samantha. -No! -Fuck! | 1:07:24 | 1:07:26 | |
If it'll help you guys out, we'll take it to them. | 1:07:26 | 1:07:29 | |
Get here, Billy. | 1:07:29 | 1:07:31 | |
We can do that much for you. | 1:07:31 | 1:07:33 | |
We love the Swanky Modes. | 1:07:37 | 1:07:40 | |
Come on, Lester. Lester! Come on! | 1:07:44 | 1:07:48 | |
Hold your fire. | 1:07:48 | 1:07:50 | |
Come on, Lester. | 1:07:50 | 1:07:52 | |
-No problem, officer. -Give me that case. | 1:07:52 | 1:07:55 | |
No problem, no problem. | 1:07:55 | 1:07:56 | |
They're opening the case. | 1:07:58 | 1:08:02 | |
-Looking inside the case. -It's not here. | 1:08:02 | 1:08:05 | |
They're giving the case back to the Swanky Modes. | 1:08:07 | 1:08:10 | |
-The Modes are walking away. -No, they're not, they're running away. | 1:08:10 | 1:08:14 | |
Now they're pointing a machine gun at us. | 1:08:14 | 1:08:16 | |
They're shooting at us again! | 1:08:16 | 1:08:18 | |
-No shit! -They don't want your money, they're Mart's men! | 1:08:18 | 1:08:22 | |
ALL: What? | 1:08:22 | 1:08:25 | |
What are you doing?! | 1:08:26 | 1:08:28 | |
Hold it! Hold it! | 1:08:29 | 1:08:31 | |
They're talking to her. | 1:08:32 | 1:08:34 | |
-What are you idiots doing here?! You almost killed me. -Are you OK? | 1:08:34 | 1:08:38 | |
You bozo! I live here! Get out of here. | 1:08:38 | 1:08:40 | |
-Get off that car! -They're putting away their guns. | 1:08:40 | 1:08:43 | |
Get in the car, get out of here! | 1:08:43 | 1:08:45 | |
Get off that roof! | 1:08:45 | 1:08:47 | |
Come on, let's go, snap it up! | 1:08:47 | 1:08:49 | |
Go on, get out of here! | 1:08:49 | 1:08:51 | |
They're getting in their car. | 1:08:51 | 1:08:53 | |
Driving away. We're safe! We're safe! | 1:08:55 | 1:08:58 | |
We're safe! | 1:08:58 | 1:09:00 | |
-We're safe! -Samantha, why did they want to kill us? | 1:09:02 | 1:09:05 | |
How did you get them not to kill us? | 1:09:05 | 1:09:07 | |
-Where the fuck did the Modes go with our money?! -I don't know. | 1:09:07 | 1:09:11 | |
They'll be at the concert. | 1:09:11 | 1:09:12 | |
Welcome to RVTV's exclusive coverage of the Menudo concert, | 1:09:15 | 1:09:20 | |
beaming out to over 30 million households across the world, | 1:09:20 | 1:09:24 | |
so stay tuned to RVTV. | 1:09:24 | 1:09:27 | |
Bambinos! | 1:09:32 | 1:09:34 | |
Hey! Que pasa? Me amo, Ivan. Est el directore, senor Josh Tagermeister. | 1:09:34 | 1:09:39 | |
Hi, guys, it's going to be great working with you. | 1:09:39 | 1:09:41 | |
Listen, I've got to see your green cards. | 1:09:41 | 1:09:44 | |
Left them at the hotel? How could this have happened? | 1:09:44 | 1:09:48 | |
This puts us in an embarrassing situation. | 1:09:48 | 1:09:50 | |
The new immigration law and all. | 1:09:50 | 1:09:52 | |
-We could be fined up to 1,000 per Menudo. -Why don't you jam back to the bungalow at the Bel Air Hotel, | 1:09:52 | 1:09:57 | |
pick them up, come right back. | 1:09:57 | 1:09:58 | |
I'm sorry, there's nothing we can do about it. Let's go, pull it out. | 1:09:58 | 1:10:00 | |
SHOUTS IN SPANISH | 1:10:00 | 1:10:03 | |
I hate to wait. | 1:10:06 | 1:10:08 | |
What time is it? | 1:10:08 | 1:10:11 | |
What time is it? | 1:10:11 | 1:10:12 | |
Where are they? | 1:10:14 | 1:10:16 | |
They're going to be here. | 1:10:16 | 1:10:18 | |
-The Modes are going to open for them. -The Modes? | 1:10:18 | 1:10:20 | |
Who the hell are the Modes?! | 1:10:20 | 1:10:22 | |
-The Swanky Modes! They've been legends for 20 years, where have you been? -I'm only 17. | 1:10:22 | 1:10:27 | |
TOUT: Anybody want these tickets? 25 bucks apiece is all I'm asking. | 1:10:31 | 1:10:35 | |
What if they don't show up? I mean, what if we wanted this more for them | 1:10:38 | 1:10:41 | |
than they wanted it for themselves? | 1:10:41 | 1:10:43 | |
That's an intriguing premise, Josh. | 1:10:43 | 1:10:46 | |
It means we've got a big problem. | 1:10:46 | 1:10:48 | |
It means you really fucked up. | 1:10:48 | 1:10:49 | |
Me! I fucked up, me?! | 1:10:49 | 1:10:51 | |
You're the one who always imitated the Modes! | 1:10:53 | 1:10:56 | |
You wanted us to be like Billy and Lester! | 1:10:56 | 1:10:58 | |
Listen, I delivered on the business end, now you can't deliver | 1:10:58 | 1:11:02 | |
on the creative end, so I'm going to take all the blame? Screw you! | 1:11:02 | 1:11:05 | |
-Screw you! -Screw you!. -Screw you! -Screw you! | 1:11:05 | 1:11:07 | |
If the Modes don't show up, we're both screwed, do you understand that? | 1:11:07 | 1:11:11 | |
Hey, move it or lose it. | 1:11:13 | 1:11:15 | |
-What did you say? -I said, "Move it." | 1:11:15 | 1:11:18 | |
That's what I thought you said. | 1:11:18 | 1:11:19 | |
I'll park it. | 1:11:28 | 1:11:29 | |
Move it. | 1:11:34 | 1:11:35 | |
Are you sure this is the place? | 1:11:41 | 1:11:42 | |
-Yeah, this looks like it. -Sure? | 1:11:42 | 1:11:44 | |
This seems to be the backstage area. I think people are going back there. | 1:11:44 | 1:11:48 | |
That's him, that's the guy! | 1:11:48 | 1:11:51 | |
Hey. | 1:11:51 | 1:11:53 | |
Whoa! Shit! | 1:11:53 | 1:11:55 | |
Hey! Hey! Stop that! | 1:11:55 | 1:11:58 | |
-Hey, come on! -We were gonna pay to park here! | 1:11:58 | 1:12:02 | |
NBC News? | 1:12:02 | 1:12:03 | |
Listen, I've got a video tape showing a presidential candidate | 1:12:03 | 1:12:07 | |
engaged in deviant sexual activities. | 1:12:07 | 1:12:10 | |
What do you mean, I need a release? This is news. | 1:12:10 | 1:12:13 | |
TOUT: 15.99, come on, who wants them? You want this? | 1:12:13 | 1:12:16 | |
Just take the shirt! | 1:12:17 | 1:12:20 | |
Here. | 1:12:28 | 1:12:29 | |
Gun. | 1:12:29 | 1:12:30 | |
CROWD CHEERS | 1:12:51 | 1:12:53 | |
# Don't need no A, B, Cs Don't need no one, two, threes | 1:12:58 | 1:13:04 | |
# Well, no need... | 1:13:04 | 1:13:05 | |
Tension's really building up here back stage at the big concert, | 1:13:07 | 1:13:11 | |
lots of surprises... Whoa. there! | 1:13:11 | 1:13:12 | |
Look who's snagged Samantha Gregory from Rock Gossip fanzine?! | 1:13:12 | 1:13:16 | |
-She's the face that discovered the Aces! -Where are Josh and Ivan hiding? | 1:13:16 | 1:13:21 | |
Upstairs in the out-of-control booth! | 1:13:21 | 1:13:23 | |
What's the new whammy, Sammy? | 1:13:23 | 1:13:25 | |
Mart, Norman, congressmen, shape! Ahh! | 1:13:25 | 1:13:29 | |
-It's another RVTV exclusive! -Step on it. | 1:13:29 | 1:13:33 | |
Satellite uplink starts in one minute. | 1:13:37 | 1:13:40 | |
-Which shot do you want to start with, Ivan? -I don't know. | 1:13:41 | 1:13:44 | |
Anyone will do, that one, that one. | 1:13:44 | 1:13:46 | |
There she is. | 1:13:47 | 1:13:49 | |
Awesome! | 1:14:00 | 1:14:02 | |
Mart's goons are after me again. | 1:14:06 | 1:14:09 | |
Why did you come in here? | 1:14:09 | 1:14:11 | |
Give me the tape, Samantha. | 1:14:14 | 1:14:17 | |
Ahhh! | 1:14:23 | 1:14:25 | |
Wah! | 1:14:27 | 1:14:28 | |
Blackmail is not for the novice, Miss Gregory. | 1:14:31 | 1:14:35 | |
You've got your tape, Mart, so why don't you crawl back into your hole? | 1:14:35 | 1:14:38 | |
She didn't mean that, sir, she's been under a lot of stress. | 1:14:38 | 1:14:42 | |
Lady, this'd better be the right fucking tape. | 1:14:42 | 1:14:45 | |
What is the big deal? That charity ball was a dud. | 1:14:45 | 1:14:48 | |
-You idiots. This isn't a charity ball! This could ruin me! -It could? | 1:14:48 | 1:14:52 | |
You bet your sweet ass it could. | 1:14:52 | 1:14:54 | |
I could be reduced to an insigificant pissant, | 1:14:54 | 1:14:58 | |
just like you. | 1:14:58 | 1:14:59 | |
-Well, then, let's check and make sure it's the right tape. -What? | 1:15:01 | 1:15:06 | |
-I'll thread it up for you. -Maybe he'd like to watch it at home? | 1:15:06 | 1:15:09 | |
No, I...I think Mr... | 1:15:11 | 1:15:15 | |
-Josh. -Mr Josh is right. | 1:15:15 | 1:15:17 | |
Let's take a look. | 1:15:19 | 1:15:22 | |
This is nothing fancy, you understand that? It's just a little home camera, | 1:15:22 | 1:15:26 | |
and it's all right, you know? | 1:15:28 | 1:15:29 | |
Yeah, we understand. | 1:15:29 | 1:15:31 | |
No, no, oh no! | 1:15:46 | 1:15:48 | |
Ah-ah-ahhh! | 1:15:48 | 1:15:50 | |
No, no, no, ahhh! | 1:15:50 | 1:15:51 | |
Ahhhh! | 1:15:51 | 1:15:54 | |
Call my lawyer! | 1:15:59 | 1:16:01 | |
Ahhh! Ahh! | 1:16:05 | 1:16:07 | |
No, no, no! No! Ah! No! No! Don't do it! Ahhh! | 1:16:07 | 1:16:11 | |
RONALD REAGAN: Cancel my appointment with, what's his name, Norman Mart, | 1:16:11 | 1:16:16 | |
and can you make the picture a little less fuzzy? | 1:16:16 | 1:16:19 | |
-What the fuck's going on? -Well, the tape interlocked with the satellite, | 1:16:20 | 1:16:26 | |
and it's being transmitted to downlinks throughout the world. | 1:16:26 | 1:16:30 | |
Pretty impressive, huh? | 1:16:30 | 1:16:33 | |
-Well, stop it! -Too late, man! | 1:16:33 | 1:16:36 | |
You're ass has just gone out high speed | 1:16:36 | 1:16:41 | |
to thousands of affiliate stations, and each now has their own copy. | 1:16:41 | 1:16:47 | |
Say goodnight, Norman! | 1:16:47 | 1:16:49 | |
No more politics, no more kickbacks! | 1:16:54 | 1:16:56 | |
No more meet the Pres! | 1:16:56 | 1:16:59 | |
Dad, what are you doing here? | 1:16:59 | 1:17:01 | |
Dad?! This slimedog is your father?! | 1:17:01 | 1:17:04 | |
-I've been meaning to tell you. -Well, thanks. | 1:17:04 | 1:17:07 | |
Hey, where's Menudo?! | 1:17:07 | 1:17:10 | |
Menudo! | 1:17:10 | 1:17:12 | |
OTHERS SHOUT | 1:17:12 | 1:17:14 | |
I won't get to be president! I want to be president! | 1:17:14 | 1:17:17 | |
Oh, my, oh, my! | 1:17:17 | 1:17:20 | |
I've lost everything, Belinda! | 1:17:20 | 1:17:22 | |
-No, you haven't. -Whoa, whoa, whoa, I hate to break this up, Heidi, | 1:17:22 | 1:17:26 | |
but we've got a satellite thing happening in, like, six seconds. | 1:17:26 | 1:17:30 | |
-Did you find the Modes? -No. | 1:17:30 | 1:17:33 | |
CROWD CHANTS: Menudo! Menudo! | 1:17:33 | 1:17:35 | |
I love these guys. | 1:17:55 | 1:17:58 | |
DRUMS, CHEERING | 1:18:01 | 1:18:03 | |
Come on. Let's go. | 1:18:04 | 1:18:07 | |
Open up! Coming through! | 1:18:07 | 1:18:09 | |
This way. OK, everybody, move out of the way, move out of the way. | 1:18:18 | 1:18:22 | |
Come on, move, out of the way! | 1:18:22 | 1:18:24 | |
You're on! | 1:18:24 | 1:18:26 | |
PA SYSTEM: Attention! Attention! | 1:18:30 | 1:18:34 | |
CHEERING AND WHISTLING | 1:18:40 | 1:18:43 | |
The Swanky Modes! | 1:18:45 | 1:18:48 | |
# Any ordinary man | 1:18:53 | 1:18:54 | |
# Would have given it up by now | 1:18:54 | 1:18:57 | |
# Any ordinary man | 1:19:00 | 1:19:02 | |
# Would have given it up by now | 1:19:02 | 1:19:05 | |
# Any ordinary man wouldn't think twice | 1:19:07 | 1:19:11 | |
# Taking his chances and rolling the dice | 1:19:11 | 1:19:14 | |
# Any ordinary man | 1:19:14 | 1:19:16 | |
# Would have given it up by now | 1:19:16 | 1:19:19 | |
# In this job, you gotta be crazy | 1:19:23 | 1:19:26 | |
# 50% out of your mind | 1:19:26 | 1:19:28 | |
# They say, "Forget it, boy, stay on your knees" | 1:19:29 | 1:19:33 | |
# They take the credit when you hit big time | 1:19:33 | 1:19:36 | |
# Any ordinary man | 1:19:36 | 1:19:38 | |
# Would have given it up by now | 1:19:38 | 1:19:40 | |
# Now, now | 1:19:40 | 1:19:43 | |
# Any ordinary man | 1:19:43 | 1:19:45 | |
# Would have given it up by now | 1:19:45 | 1:19:48 | |
# Any ordinary man wouldn't think twice | 1:19:51 | 1:19:54 | |
# Taking his chances and rolling the dice | 1:19:54 | 1:19:57 | |
# Any ordinary man | 1:19:57 | 1:19:59 | |
# Would have given it up by now | 1:19:59 | 1:20:02 | |
# You got to sacrifice You got to suffer | 1:20:05 | 1:20:09 | |
# You got to daily pay your dues | 1:20:09 | 1:20:12 | |
# He said, "There's no ain't no doubt that you being stubborn" | 1:20:12 | 1:20:16 | |
# One day you are up One day you're last week's news | 1:20:16 | 1:20:19 | |
# Any ordinary man | 1:20:19 | 1:20:21 | |
# Would have given it up by now | 1:20:21 | 1:20:24 | |
# Any ordinary man | 1:20:27 | 1:20:29 | |
# Would have given it up by now | 1:20:29 | 1:20:31 | |
# Any ordinary man wouldn't think twice | 1:20:34 | 1:20:37 | |
# Taking his chances and rolling the dice | 1:20:37 | 1:20:41 | |
# Any ordinary man | 1:20:41 | 1:20:43 | |
# Would have given it up by now | 1:20:43 | 1:20:46 | |
# Any ordinary man | 1:21:31 | 1:21:33 | |
# Would have given it up by now | 1:21:33 | 1:21:36 | |
# Any ordinary man | 1:21:39 | 1:21:40 | |
# Would have given it up by now | 1:21:40 | 1:21:43 | |
# Any ordinary man wouldn't think twice | 1:21:46 | 1:21:50 | |
# Taking his chances and rolling the dice | 1:21:50 | 1:21:53 | |
# Any ordinary man | 1:21:53 | 1:21:55 | |
# Would have given it up by now | 1:21:55 | 1:21:58 | |
# I wanna say it one more time | 1:21:58 | 1:22:00 | |
# Any ordinary man | 1:22:00 | 1:22:02 | |
# Would have given it up by now | 1:22:02 | 1:22:05 | |
# Any ordinary man | 1:22:07 | 1:22:09 | |
# Would have given it up by now | 1:22:09 | 1:22:12 | |
# Yeah, yeah! | 1:22:12 | 1:22:14 | |
# Any ordinary man wouldn't think twice | 1:22:16 | 1:22:19 | |
# Taking his chances and rolling the dice | 1:22:19 | 1:22:22 | |
# Any ordinary man | 1:22:22 | 1:22:24 | |
# Would have given it up by now. # | 1:22:24 | 1:22:27 | |
SONG ENDS | 1:22:32 | 1:22:34 | |
WILD CHEERING | 1:22:34 | 1:22:36 | |
-You really gotta hand it to those two. -They pulled it off. | 1:22:49 | 1:22:53 | |
I'd like a champagne, and my friend would like a wine cooler. | 1:22:53 | 1:22:58 | |
-You guys are Video Aces? -We'd like to talk to you. | 1:22:58 | 1:23:00 | |
Who you guys with? NBC? CBS? MCA? | 1:23:00 | 1:23:03 | |
-No, FBI. -It's against the law to broadcast pornography. | 1:23:03 | 1:23:08 | |
You boys should have read the Commission reports before you tampered with the airwaves. | 1:23:08 | 1:23:13 | |
-What?! -You have the right to remain silent... -No fucking way! | 1:23:13 | 1:23:16 | |
-Remember what we did to Jello Biafra? -Help! | 1:23:16 | 1:23:19 | |
# Hey, friends, check this out! | 1:23:43 | 1:23:45 | |
# Hold on a minute Don't leave yet | 1:23:47 | 1:23:50 | |
# Roscoe's end credits are your best bet | 1:23:50 | 1:23:53 | |
# Little Video Aces went from rags to riches | 1:23:53 | 1:23:57 | |
# Now they're in the can with no cash or bitches | 1:23:57 | 1:24:00 | |
# When they serve their time them suckers'll see | 1:24:00 | 1:24:05 | |
# 'Scoe's gone expanded vertically | 1:24:05 | 1:24:08 | |
# Tapers of the world take a tip from me | 1:24:08 | 1:24:13 | |
# You do what you gotta But don't do it for free | 1:24:13 | 1:24:16 | |
# Wings and waffles was just a start | 1:24:16 | 1:24:19 | |
# Now I'm making more money than Norman Mart | 1:24:19 | 1:24:23 | |
# Come to Roscoe's for delicious food | 1:24:23 | 1:24:27 | |
# We got fuel for your attitude | 1:24:27 | 1:24:31 | |
# We make the best waffles and cluck | 1:24:31 | 1:24:34 | |
# And you get good value for your buck | 1:24:34 | 1:24:38 | |
SCRATCHING | 1:24:38 | 1:24:42 | |
# Hamburgers are greasy and pizzas plain nasty | 1:24:42 | 1:24:46 | |
# And them little tacos just messy and rasty | 1:24:46 | 1:24:50 | |
# But my chicken's so fine it'll blow your mind | 1:24:50 | 1:24:53 | |
# It'll shake your hips and pad your behind | 1:24:53 | 1:24:57 | |
# Now when's the last time you had a wing with a waffle? | 1:24:57 | 1:25:01 | |
# Well, that's too long It oughta be unlawful | 1:25:01 | 1:25:04 | |
# Poultry ain't your bag? Well, that don't matter | 1:25:04 | 1:25:08 | |
# Cos I'm down by law with my waffle batter | 1:25:08 | 1:25:12 | |
# Come to Roscoe's for delicious food | 1:25:12 | 1:25:17 | |
# We've got fuel for your attitude | 1:25:17 | 1:25:19 | |
Go on, itch that scratch | 1:25:19 | 1:25:20 | |
SCRATCHING | 1:25:20 | 1:25:22 | |
# Everybody told me how good I was | 1:25:49 | 1:25:52 | |
# So I got me a contract with Mo Fuzz | 1:25:52 | 1:25:56 | |
# Anyone can be what they wanna be | 1:25:56 | 1:26:00 | |
# If they watch Don Druzel on the TV | 1:26:00 | 1:26:04 | |
# If you just can't seem to get enough of me | 1:26:04 | 1:26:07 | |
# Pick up the record album, tape or CD | 1:26:07 | 1:26:11 | |
# Now that I've come to the end of my tune | 1:26:11 | 1:26:15 | |
# Drop another six bucks and come back soon | 1:26:15 | 1:26:19 | |
# Come to Roscoe's for delicious food | 1:26:19 | 1:26:22 | |
# We've got fuel for your attitude | 1:26:22 | 1:26:26 | |
# We make the best waffles and cluck | 1:26:26 | 1:26:30 | |
# And you get good value for your buck | 1:26:30 | 1:26:34 | |
# Come to Roscoe's for delicious food | 1:26:34 | 1:26:37 | |
# We've got fuel for your attitude | 1:26:37 | 1:26:41 | |
# We make the best waffles and cluck | 1:26:41 | 1:26:45 | |
# And you get good value for your buck | 1:26:45 | 1:26:48 | |
GIRLS SING IN SPANISH | 1:26:48 | 1:26:53 |