Browse content similar to The Importance of Being Earnest. Check below for episodes and series from the same categories and more!
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FOOTSTEPS | 0:00:23 | 0:00:27 | |
MAN: Hey! Hey! | 0:00:28 | 0:00:31 | |
There he is! | 0:00:31 | 0:00:34 | |
Where's he gone? | 0:00:41 | 0:00:43 | |
Stop! You won't get away, sir! | 0:00:49 | 0:00:52 | |
Time to pay your debt. | 0:00:52 | 0:00:54 | |
Hey! | 0:00:54 | 0:00:57 | |
Did you hear what I was playing, Lane? | 0:01:32 | 0:01:35 | |
I didn't think it polite to listen, sir. | 0:01:35 | 0:01:38 | |
I'm sorry for that, for your sake. | 0:01:38 | 0:01:40 | |
I don't play accurately - | 0:01:40 | 0:01:43 | |
anyone can play accurately - | 0:01:43 | 0:01:45 | |
but I play with wonderful expression. | 0:01:45 | 0:01:49 | |
Yes, sir. | 0:01:49 | 0:01:51 | |
Bills, bills, bills - all I ever get is bills. | 0:01:51 | 0:01:53 | |
And then there's the matter of my unpaid wages, sir. | 0:01:53 | 0:01:57 | |
Yet again the wasteful habits of my brother Ernest | 0:02:04 | 0:02:06 | |
tear me from my duties here. Yes, sir. | 0:02:06 | 0:02:09 | |
Terrible nuisance, but there's nothing to be done. | 0:02:09 | 0:02:12 | |
I shall return Monday afternoon. | 0:02:12 | 0:02:14 | |
Yes, sir. | 0:02:14 | 0:02:16 | |
Pay particular attention, if you will, Miss Prism, | 0:02:19 | 0:02:22 | |
to her German grammar. | 0:02:22 | 0:02:24 | |
Yes, Mr Worthing. | 0:02:24 | 0:02:26 | |
Have you found my cigarette case, Merriman? | 0:02:31 | 0:02:34 | |
We're still looking, sir. | 0:02:34 | 0:02:35 | |
CROWD CHEERS | 0:03:35 | 0:03:37 | |
Ernest! | 0:03:43 | 0:03:45 | |
Algy! How are you, my dear Ernest? | 0:03:47 | 0:03:50 | |
What brings you up to town? Oh, pleasure. | 0:03:50 | 0:03:52 | |
What else should bring one anywhere? | 0:03:52 | 0:03:54 | |
Where have you been? In the country. | 0:03:54 | 0:03:56 | |
What on earth do you do there? | 0:03:56 | 0:03:58 | |
Well, when one is in town, one amuses oneself. | 0:03:58 | 0:04:00 | |
In the country, one amuses other people. It's excessively boring. | 0:04:00 | 0:04:04 | |
Who are these people you amuse? Oh, neighbours. | 0:04:04 | 0:04:06 | |
Nice neighbours in Shropshire? Horrid. Never speak to them. | 0:04:06 | 0:04:10 | |
How immensely you must amuse them. | 0:04:10 | 0:04:12 | |
Shropshire is your county, is it not? | 0:04:12 | 0:04:14 | |
What? Shropshire. | 0:04:14 | 0:04:16 | |
Oh, yes, of course. | 0:04:16 | 0:04:18 | |
MUSIC STARTS UP CROWD CHEERS | 0:04:18 | 0:04:21 | |
Dear boy, what plans have you got for tea tomorrow? | 0:04:21 | 0:04:24 | |
You know Aunt Augusta is coming to tea tomorrow. | 0:04:24 | 0:04:27 | |
Aunt Augusta? | 0:04:27 | 0:04:29 | |
Yes, Aunt Augusta... | 0:04:29 | 0:04:31 | |
and Gwendolen. | 0:04:31 | 0:04:33 | |
How perfectly delightful. | 0:04:33 | 0:04:36 | |
Perhaps I might pay my respects. | 0:04:37 | 0:04:40 | |
Yes, that is all very well, but I'm afraid Aunt Augusta | 0:04:40 | 0:04:43 | |
won't approve. Why? | 0:04:43 | 0:04:45 | |
The way that you flirt with Gwendolen is disgraceful. | 0:04:45 | 0:04:48 | |
Almost as bad as the way she flirts with you. | 0:04:48 | 0:04:50 | |
I am in love with Gwendolen. Ahh. | 0:04:50 | 0:04:53 | |
And I have come up to town expressly to propose to her. | 0:04:53 | 0:04:56 | |
I thought you came up for pleasure. | 0:04:56 | 0:04:58 | |
I call that business. How utterly unromantic you are. | 0:04:58 | 0:05:01 | |
I don't see what there is romantic about proposing. | 0:05:01 | 0:05:04 | |
Why, one may be accepted. One usually is. | 0:05:04 | 0:05:06 | |
And then - ha ha! - the excitement is over. | 0:05:06 | 0:05:08 | |
No. The very essence of romance is uncertainty. | 0:05:08 | 0:05:13 | |
25 a player. | 0:05:17 | 0:05:19 | |
Anyway, I certainly can't see you and Gwendolen being married. | 0:05:21 | 0:05:25 | |
Why on earth do you say that? | 0:05:25 | 0:05:27 | |
In the first place, I don't give consent. Consent? | 0:05:27 | 0:05:30 | |
My dear fellow, Gwendolen is my cousin, | 0:05:30 | 0:05:32 | |
and before I allow you to marry her, | 0:05:32 | 0:05:34 | |
you shall have to clear up this whole question of Cecily. | 0:05:34 | 0:05:37 | |
Cecily? Mmm. | 0:05:37 | 0:05:38 | |
What on earth do you mean, Algy, by Cecily? | 0:05:38 | 0:05:41 | |
I don't know anyone by the name of Cecily. | 0:05:41 | 0:05:43 | |
Do you mean to say you have had my cigarette case all this time? | 0:05:43 | 0:05:46 | |
I wish you had let me know. | 0:05:46 | 0:05:48 | |
I've been writing to Scotland Yard. | 0:05:48 | 0:05:50 | |
nearly offering a large reward. | 0:05:50 | 0:05:52 | |
I wish you would offer one. I am more than usually hard up. | 0:05:52 | 0:05:55 | |
Oh, it makes no matter, | 0:05:55 | 0:05:57 | |
for I see now the thing isn't yours after all. | 0:05:57 | 0:05:59 | |
Of course it's mine. Not according to the inscription. | 0:05:59 | 0:06:02 | |
And you have no right to read what is written inside. | 0:06:02 | 0:06:05 | |
It is ungentlemanly to read a cigarette case. | 0:06:05 | 0:06:08 | |
Yes, but this isn't your cigarette case. | 0:06:08 | 0:06:10 | |
This is a present from someone of the name of Cecily, | 0:06:10 | 0:06:13 | |
and don't know anyone of that name. | 0:06:13 | 0:06:15 | |
Well, if you want to know, Cecily happens to be my aunt. | 0:06:15 | 0:06:20 | |
THEY LAUGH Your aunt? | 0:06:20 | 0:06:22 | |
Yes. Charming old lady she is, too. | 0:06:22 | 0:06:25 | |
Just give it back, Algy. | 0:06:25 | 0:06:26 | |
Yes, but why does your aunt call you her uncle? | 0:06:26 | 0:06:30 | |
Hmm? | 0:06:32 | 0:06:34 | |
"From little Cecily, with her fondest love | 0:06:38 | 0:06:40 | |
"to her dear Uncle Jack." Mmm. | 0:06:40 | 0:06:43 | |
There is no objection, I admit, | 0:06:43 | 0:06:45 | |
to an aunt being a small aunt, | 0:06:45 | 0:06:47 | |
but why an aunt, no matter what her size may be, | 0:06:47 | 0:06:49 | |
should call her own nephew her uncle | 0:06:49 | 0:06:51 | |
I can't quite make out. | 0:06:51 | 0:06:53 | |
And your name isn't Jack - it's Ernest. | 0:06:53 | 0:06:55 | |
It isn't Ernest, it's Jack. | 0:06:55 | 0:06:58 | |
WOMEN GASP | 0:06:58 | 0:07:00 | |
You've always told me it was Ernest. | 0:07:00 | 0:07:02 | |
I've introduced you as Ernest. | 0:07:02 | 0:07:04 | |
It is perfectly absurd. | 0:07:04 | 0:07:06 | |
It's on your cards. Here is one of them. | 0:07:06 | 0:07:08 | |
"Mr Ernest Worthing, B4, The Albany." | 0:07:08 | 0:07:11 | |
Well, it is Ernest - in town, | 0:07:11 | 0:07:12 | |
and Jack in the country, | 0:07:12 | 0:07:14 | |
and the cigarette case was given to me in the country. | 0:07:14 | 0:07:18 | |
So I've always pretended to have a younger brother. | 0:07:20 | 0:07:23 | |
Ah, of the name of Ernest. | 0:07:23 | 0:07:25 | |
And, uh, little Cecily? | 0:07:25 | 0:07:27 | |
My ward, Miss Cecily Cardew. | 0:07:27 | 0:07:29 | |
Where is that place in the country, by the way? | 0:07:29 | 0:07:32 | |
That is nothing to you, dear boy. | 0:07:32 | 0:07:34 | |
You are certainly not going to be invited. | 0:07:34 | 0:07:36 | |
It is not in Shropshire. | 0:07:36 | 0:07:38 | |
Oh, I suspected that, my dear fellow, | 0:07:38 | 0:07:40 | |
just as I suspected you to be a Bunburyist. | 0:07:40 | 0:07:44 | |
Indeed, you are one of the most advanced Bunburyists I know. | 0:07:44 | 0:07:48 | |
SHOUTS > | 0:07:48 | 0:07:50 | |
See you at five. | 0:07:50 | 0:07:52 | |
Moncrieff! | 0:07:55 | 0:07:56 | |
A quick word, sir! | 0:07:57 | 0:07:59 | |
"Bunburyist"? | 0:07:59 | 0:08:01 | |
Cecily, your German grammar is on the table. | 0:08:01 | 0:08:06 | |
Pray open it at page 15. | 0:08:06 | 0:08:08 | |
We will repeat yesterday's lesson. | 0:08:08 | 0:08:10 | |
But I don't like German. | 0:08:10 | 0:08:12 | |
It isn't at all a becoming language. | 0:08:12 | 0:08:15 | |
I know perfectly well I look quite plain after my German lesson. | 0:08:15 | 0:08:18 | |
Child, you know how anxious your guardian is | 0:08:18 | 0:08:21 | |
that you should improve yourself in every way. | 0:08:21 | 0:08:23 | |
Dear Uncle Jack is so very serious. | 0:08:23 | 0:08:26 | |
Sometimes I think he is so serious he cannot be quite well. | 0:08:26 | 0:08:29 | |
Cecily, I'm surprised at you. | 0:08:29 | 0:08:32 | |
Mr Worthing has many troubles in his life. | 0:08:32 | 0:08:35 | |
You must remember his constant anxiety | 0:08:35 | 0:08:38 | |
about that unfortunate young man, his brother. | 0:08:38 | 0:08:41 | |
I wish Uncle Jack would allow that unfortunate young man, | 0:08:41 | 0:08:44 | |
his brother, to come down here sometimes. | 0:08:44 | 0:08:47 | |
We might have a good influence over him. | 0:08:47 | 0:08:49 | |
I'm not sure that I would desire to reclaim him. | 0:08:49 | 0:08:52 | |
I'm not in favour of this modern mania | 0:08:52 | 0:08:55 | |
for turning bad people into good people at a moment's notice. | 0:08:55 | 0:08:58 | |
HORSE NEIGHS | 0:08:58 | 0:09:01 | |
< Cecily? | 0:09:02 | 0:09:04 | |
Do your work, child. | 0:09:04 | 0:09:06 | |
"Bunburyist"? | 0:09:13 | 0:09:15 | |
What on earth do you mean by a "Bunburyist"? | 0:09:15 | 0:09:18 | |
You have invented a very useful younger brother called Ernest | 0:09:18 | 0:09:21 | |
in order to come up to town as often as you like. | 0:09:21 | 0:09:25 | |
I have invented an invaluable permanent invalid called Bunbury | 0:09:25 | 0:09:30 | |
in order to go down to the country as often as I choose. | 0:09:30 | 0:09:35 | |
If it wasn't for Bunbury's extraordinary bad health, | 0:09:35 | 0:09:38 | |
I wouldn't be able to dine with you tonight, | 0:09:38 | 0:09:40 | |
for I've an appointment with Aunt Augusta. | 0:09:40 | 0:09:43 | |
I haven't asked you to dine with me. | 0:09:43 | 0:09:45 | |
I know. You're absurdly careless about giving out invitations. | 0:09:45 | 0:09:48 | |
Don't touch the cucumber sandwiches. | 0:09:48 | 0:09:50 | |
They're for Aunt Augusta. You've been eating them. | 0:09:50 | 0:09:53 | |
Well, that is quite a different matter. She is MY aunt. | 0:09:53 | 0:09:57 | |
BELL RINGS Oh, that must be her. | 0:09:57 | 0:09:59 | |
Only relatives or creditors ever ring in that Wagnerian manner. | 0:09:59 | 0:10:03 | |
Now, if I manage to get her out of the way for ten minutes | 0:10:03 | 0:10:07 | |
so that you may have an opportunity for proposing to Gwendolen, | 0:10:07 | 0:10:10 | |
may I dine with you at the Savoy tonight? | 0:10:10 | 0:10:13 | |
Lady Bracknell and Miss Fairfax. | 0:10:18 | 0:10:21 | |
Good afternoon, dear Algy. | 0:10:22 | 0:10:24 | |
I hope you are behaving very well. | 0:10:24 | 0:10:26 | |
Well, I'm feeling very well, Aunt Augusta. | 0:10:26 | 0:10:28 | |
That's not quite the same thing. | 0:10:28 | 0:10:30 | |
In fact, the two things rarely go together. | 0:10:30 | 0:10:33 | |
Lady Bracknell, I... | 0:10:33 | 0:10:34 | |
Oh, goodness, you are smart. | 0:10:34 | 0:10:36 | |
I'm always smart. Am I not, Mr Worthing? | 0:10:36 | 0:10:38 | |
You are quite perfect, Miss Fairfax. | 0:10:38 | 0:10:41 | |
Oh, I hope I am not that. | 0:10:41 | 0:10:42 | |
It would leave no room for development, | 0:10:42 | 0:10:44 | |
and I intend to develop in many directions. | 0:10:44 | 0:10:47 | |
AUGUSTA: I'm sorry if we're a little late, Algy. | 0:10:47 | 0:10:50 | |
I was obliged to call on dear Lady Harbury. | 0:10:50 | 0:10:53 | |
I had not been since her husband's death. | 0:10:53 | 0:10:55 | |
I never saw a woman so altered. | 0:10:55 | 0:10:57 | |
She looks quite 20 years younger. | 0:10:57 | 0:11:00 | |
And now I'll have a cup of tea | 0:11:01 | 0:11:03 | |
and one of those nice cucumber sandwiches you promised me. | 0:11:03 | 0:11:06 | |
Certainly, Aunt Augusta. | 0:11:06 | 0:11:08 | |
Won't you sit here, Gwendolen? | 0:11:08 | 0:11:09 | |
Thanks, Mama, I'm comfortable where I am. | 0:11:09 | 0:11:12 | |
Good heavens, Lane, why are there no cucumber sandwiches? | 0:11:13 | 0:11:16 | |
There were no cucumbers in the market, sir. | 0:11:16 | 0:11:18 | |
I went down twice. Oh, no cucumbers? | 0:11:18 | 0:11:21 | |
No, sir. Not even for ready money. | 0:11:21 | 0:11:22 | |
That will do, Lane. Thank you, sir. | 0:11:22 | 0:11:25 | |
I am greatly distressed, Aunt Augusta, | 0:11:31 | 0:11:33 | |
about there being no cucumbers, not even for ready money. | 0:11:33 | 0:11:37 | |
It makes no matter, Algy. | 0:11:37 | 0:11:39 | |
I had some crumpets with Lady Harbury. | 0:11:39 | 0:11:41 | |
I've got quite a treat for you tonight, Algy. | 0:11:41 | 0:11:44 | |
I'm going to send you down with Mary Farquhar. | 0:11:44 | 0:11:46 | |
She is such a nice... I'm afraid, Aunt Augusta, | 0:11:46 | 0:11:49 | |
I have to give up dining with you tonight. I hope not, Algy. | 0:11:49 | 0:11:52 | |
It will put my table completely out. | 0:11:52 | 0:11:55 | |
It is a great bore, and I need hardly say, | 0:11:55 | 0:11:57 | |
a terrible disappointment, | 0:11:57 | 0:11:59 | |
but I've just had a telegram to say that Bunbury is very ill again. | 0:11:59 | 0:12:02 | |
They seem to think I should be with him. | 0:12:02 | 0:12:04 | |
Very strange. | 0:12:04 | 0:12:06 | |
This Mr Bunbury seems to suffer from curiously bad health. | 0:12:06 | 0:12:10 | |
Oh, yes, poor Bunbury is a dreadful invalid. | 0:12:10 | 0:12:12 | |
I must say, Algy, it's time Mr Bunbury | 0:12:12 | 0:12:15 | |
made up his mind whether he was going to live or die. | 0:12:15 | 0:12:17 | |
This shilly-shallying with the question is absurd. | 0:12:17 | 0:12:20 | |
I should be much obliged if you would ask Mr Bunbury from me | 0:12:20 | 0:12:24 | |
to be kind enough not to have a relapse next Saturday. | 0:12:24 | 0:12:26 | |
It is my last reception, and I rely on you to arrange my music for me. | 0:12:26 | 0:12:30 | |
I'll speak to Bunbury, Aunt Augusta, | 0:12:30 | 0:12:33 | |
if he's still conscious. | 0:12:33 | 0:12:35 | |
Now, if you'll follow me into the next room, | 0:12:35 | 0:12:37 | |
I'll run over the programme I've drawn up. | 0:12:37 | 0:12:39 | |
Thank you, Algy. | 0:12:39 | 0:12:41 | |
It is very thoughtful of you. | 0:12:41 | 0:12:44 | |
Gwendolen, you will accompany me. | 0:12:44 | 0:12:47 | |
Certainly, Mama. | 0:12:47 | 0:12:49 | |
Charming day it has been, Miss Fairfax. | 0:13:00 | 0:13:02 | |
Pray don't talk to me about the weather, Mr Worthing. | 0:13:02 | 0:13:05 | |
Whenever people talk to me about the weather, | 0:13:05 | 0:13:07 | |
I always feel quite certain that they mean something else, | 0:13:07 | 0:13:10 | |
and that makes me nervous. I do mean something else. | 0:13:10 | 0:13:13 | |
I thought so. | 0:13:13 | 0:13:15 | |
I would like to take advantage of Lady Bracknell's temporary absence... | 0:13:15 | 0:13:18 | |
I would advise you to do so. | 0:13:18 | 0:13:19 | |
Mama has a way of coming back suddenly into a room | 0:13:19 | 0:13:22 | |
that I've often had to speak to her about. | 0:13:22 | 0:13:24 | |
Miss Fairfax, ever since I met you, | 0:13:26 | 0:13:29 | |
I have admired you more than any girl I have ever met since... | 0:13:29 | 0:13:33 | |
I met you. | 0:13:33 | 0:13:36 | |
Yes. I'm quite aware of the fact. | 0:13:36 | 0:13:38 | |
I often wish that in public, at any rate, you'd been more demonstrative. | 0:13:38 | 0:13:43 | |
For me... | 0:13:43 | 0:13:45 | |
you have always had an irresistible fascination. | 0:13:45 | 0:13:48 | |
Gwendolen... Even before I met you, | 0:13:48 | 0:13:51 | |
I was far from indifferent to you. | 0:13:51 | 0:13:54 | |
PIANO PLAYS IN BACKGROUND | 0:13:54 | 0:13:56 | |
We live, as I hope you know, Mr Worthing, | 0:13:56 | 0:13:59 | |
in an age of ideals, | 0:13:59 | 0:14:01 | |
and my ideal has always been to love someone | 0:14:01 | 0:14:04 | |
of the name of...Ernest. | 0:14:04 | 0:14:06 | |
There's something in that name | 0:14:06 | 0:14:10 | |
that inspires absolute confidence. | 0:14:10 | 0:14:12 | |
The moment Algy first mentioned to me | 0:14:12 | 0:14:14 | |
that he had a friend called Ernest, | 0:14:14 | 0:14:17 | |
I knew I was destined to love you. | 0:14:17 | 0:14:20 | |
You really love me, Gwendolen? | 0:14:20 | 0:14:23 | |
Passionately. Oh, darling, you... | 0:14:23 | 0:14:25 | |
you don't know how happy you've made me. My own Ernest. | 0:14:25 | 0:14:30 | |
You don't mean to say though, dear, | 0:14:30 | 0:14:32 | |
that you couldn't love me if my name wasn't Ernest...? | 0:14:32 | 0:14:35 | |
But your name is Ernest. | 0:14:35 | 0:14:37 | |
Yes, I know it is, | 0:14:37 | 0:14:38 | |
but supposing it was something else? | 0:14:38 | 0:14:41 | |
Ah. Well, that is clearly a metaphysical speculation, | 0:14:41 | 0:14:46 | |
and like most metaphysical speculations, | 0:14:46 | 0:14:50 | |
has very little reference at all | 0:14:50 | 0:14:53 | |
to the actual facts of real life as we know them. | 0:14:53 | 0:14:57 | |
Personally, darling, to speak quite candidly, | 0:14:57 | 0:15:00 | |
I don't much care about the name of Ernest. | 0:15:00 | 0:15:03 | |
I don't think it suits me at all. | 0:15:03 | 0:15:04 | |
It suits you perfectly. It is a divine name. | 0:15:04 | 0:15:07 | |
It has a music of its own. | 0:15:07 | 0:15:09 | |
It produces vibrations. | 0:15:09 | 0:15:13 | |
Well, really, Gwendolen, | 0:15:14 | 0:15:16 | |
I must say I think there are lots of other much nicer names. | 0:15:16 | 0:15:19 | |
I think... | 0:15:19 | 0:15:21 | |
Jack, for instance, a charming name. | 0:15:22 | 0:15:25 | |
Jack? I've known several Jacks, and they all, | 0:15:25 | 0:15:28 | |
without exception, were more than usually plain. | 0:15:28 | 0:15:31 | |
The only really safe name is Ernest. | 0:15:31 | 0:15:35 | |
Gwendolen, we must get married at once. | 0:15:35 | 0:15:38 | |
Married, Mr Worthing? Well, surely. | 0:15:39 | 0:15:43 | |
You know that I love you, | 0:15:43 | 0:15:44 | |
and you led me to believe, Miss Fairfax, | 0:15:44 | 0:15:48 | |
that you were not absolutely indifferent to me. | 0:15:48 | 0:15:51 | |
I adore you. But you haven't proposed to me yet. | 0:15:51 | 0:15:55 | |
Nothing's been said at all about marriage. | 0:15:55 | 0:15:57 | |
The subject has not even been touched on. | 0:15:57 | 0:16:00 | |
Gwendolen. | 0:16:08 | 0:16:10 | |
Yes, Mr Worthing, what have you to say to me? | 0:16:10 | 0:16:13 | |
You know what I have to say to you. | 0:16:13 | 0:16:15 | |
Yes, but you don't say it. | 0:16:15 | 0:16:17 | |
Gwendolen, | 0:16:21 | 0:16:23 | |
will you marry me? | 0:16:23 | 0:16:25 | |
Mr Worthing! | 0:16:26 | 0:16:28 | |
Rise, sir, from this semi-recumbent posture. It is indecorous. | 0:16:28 | 0:16:32 | |
Mama! I must beg you to retire. | 0:16:32 | 0:16:34 | |
Mr Worthing has not finished yet. Finished what, may I ask? | 0:16:34 | 0:16:38 | |
I am engaged to be married to Mr Worthing, Mama. | 0:16:38 | 0:16:41 | |
You are not engaged to anyone. | 0:16:41 | 0:16:43 | |
When you do become engaged to someone, I or your father, | 0:16:43 | 0:16:46 | |
should his health permit him, will inform you of the fact. | 0:16:46 | 0:16:51 | |
You will wait for me below in the carriage. | 0:16:51 | 0:16:54 | |
Mama... In the carriage, Gwendolen. | 0:16:54 | 0:16:56 | |
Gwendolen! The carriage! | 0:17:07 | 0:17:10 | |
I feel bound to tell you, Mr Worthing, | 0:17:17 | 0:17:19 | |
you are not down on my list of eligible young men. | 0:17:19 | 0:17:22 | |
However, I'm quite ready to enter your name as a possible candidate. | 0:17:22 | 0:17:26 | |
Perhaps you would attend a meeting at my house | 0:17:26 | 0:17:29 | |
at 11 o'clock tomorrow morning. | 0:17:29 | 0:17:31 | |
I shall have a few questions to put to you. | 0:17:31 | 0:17:34 | |
Algernon? | 0:17:36 | 0:17:38 | |
So, did you tell Gwendolen the truth | 0:17:38 | 0:17:41 | |
about being Ernest in town and Jack in the country? | 0:17:41 | 0:17:45 | |
My dear fellow, the truth isn't quite the sort of thing | 0:17:45 | 0:17:48 | |
one tells to a nice, sweet, refined girl. | 0:17:48 | 0:17:51 | |
What odd ideas you have about how to behave! | 0:17:51 | 0:17:53 | |
The only way to behave to a woman | 0:17:53 | 0:17:55 | |
is to love her if she's pretty and someone else if she is plain. | 0:17:55 | 0:17:57 | |
That is nonsense. You never talk anything but nonsense. | 0:17:57 | 0:18:00 | |
Well, nobody ever does. | 0:18:00 | 0:18:02 | |
Oh, my dear fellow, you forgot to pay the bill. | 0:18:02 | 0:18:05 | |
Not at all. | 0:18:05 | 0:18:06 | |
I make it a point never to pay at the Savoy. | 0:18:06 | 0:18:09 | |
Why on earth not? You have heaps of money. | 0:18:10 | 0:18:13 | |
Yes, but Ernest hasn't, | 0:18:13 | 0:18:14 | |
and he's got quite a reputation to keep up. | 0:18:14 | 0:18:17 | |
Cecily? | 0:18:25 | 0:18:28 | |
More intellectual pleasures await you, my child. | 0:18:28 | 0:18:31 | |
You should put away your diary, Cecily. | 0:18:35 | 0:18:37 | |
I really don't see why you should keep a diary at all. | 0:18:37 | 0:18:41 | |
I keep a diary in order to enter the wonderful secrets of my life. | 0:18:41 | 0:18:44 | |
If I didn't write them down, I'd probably forget all about them. | 0:18:44 | 0:18:47 | |
Memory, my dear Cecily, | 0:18:47 | 0:18:49 | |
is the diary that we all carry with us. | 0:18:49 | 0:18:51 | |
I believe memory is responsible | 0:18:51 | 0:18:53 | |
for nearly all these three-volume novels people write now. | 0:18:53 | 0:18:56 | |
Do not speak slightingly | 0:18:56 | 0:18:58 | |
of the three-volume novel, Cecily. | 0:18:58 | 0:19:00 | |
I wrote one myself in earlier days. | 0:19:00 | 0:19:02 | |
Did you really, Miss Prism? | 0:19:02 | 0:19:04 | |
I hope it did not end happily. | 0:19:04 | 0:19:06 | |
The good ended happily and the bad unhappily. | 0:19:06 | 0:19:09 | |
That is what fiction means. | 0:19:09 | 0:19:12 | |
Do your work, child. These speculations are profitless. | 0:19:13 | 0:19:16 | |
But I see dear Dr Chasuble | 0:19:18 | 0:19:20 | |
coming through the garden. | 0:19:20 | 0:19:22 | |
Oh, Dr Chasuble! | 0:19:22 | 0:19:25 | |
This is indeed a pleasure. | 0:19:27 | 0:19:29 | |
And how are we today? | 0:19:29 | 0:19:30 | |
Miss Prism, you are, I trust, well. | 0:19:30 | 0:19:33 | |
Miss Prism has just been complaining of a slight headache. | 0:19:33 | 0:19:36 | |
It would do her so much good | 0:19:36 | 0:19:38 | |
to have a short stroll with you in the park, Dr Chasuble. | 0:19:38 | 0:19:41 | |
Cecily! I have not mentioned anything about a headache. | 0:19:41 | 0:19:44 | |
No, I felt instinctively that you had a headache. | 0:19:44 | 0:19:47 | |
Indeed, I was thinking about that and not my German lesson | 0:19:47 | 0:19:50 | |
when the rector came along. | 0:19:50 | 0:19:52 | |
I hope, Cecily, you are not inattentive. I am afraid I am. | 0:19:52 | 0:19:55 | |
That's strange. | 0:19:55 | 0:19:57 | |
Were I fortunate enough to be Miss Prism's pupil, | 0:19:57 | 0:20:00 | |
I would hang upon her lips. | 0:20:00 | 0:20:02 | |
I spoke metaphorically. | 0:20:07 | 0:20:10 | |
My metaphor was drawn from...bees. | 0:20:12 | 0:20:16 | |
Oh... | 0:20:16 | 0:20:19 | |
Hmm. | 0:20:17 | 0:20:19 | |
Ahem. I shall, um, | 0:20:19 | 0:20:21 | |
see you both, no doubt, at Evensong. | 0:20:21 | 0:20:26 | |
Good luck, sir. | 0:20:51 | 0:20:53 | |
BELL RINGS | 0:20:56 | 0:20:58 | |
WHISPERED: Ernest! | 0:21:04 | 0:21:07 | |
This way, sir. Shall I, uh...? | 0:21:11 | 0:21:15 | |
You can take a seat, Mr Worthing. | 0:21:39 | 0:21:41 | |
Thank you, Lady Bracknell. I prefer standing. | 0:21:43 | 0:21:47 | |
Do you smoke? | 0:21:56 | 0:21:57 | |
Well, yes, I must admit I smoke. | 0:22:01 | 0:22:04 | |
I'm glad to hear it. | 0:22:04 | 0:22:06 | |
A man should always have an occupation. | 0:22:06 | 0:22:09 | |
There are far too many idle men in London as it is. | 0:22:09 | 0:22:12 | |
How old are you? | 0:22:12 | 0:22:16 | |
35. | 0:22:14 | 0:22:16 | |
A very good age to be married at. | 0:22:16 | 0:22:19 | |
I've always been of opinion a man who desires to get married | 0:22:19 | 0:22:23 | |
should know either everything or nothing. | 0:22:23 | 0:22:25 | |
Which do you know? | 0:22:25 | 0:22:28 | |
I know nothing, Lady Bracknell. | 0:22:29 | 0:22:32 | |
I'm pleased to hear it. | 0:22:32 | 0:22:35 | |
I do not approve of anything that tampers with natural ignorance. | 0:22:35 | 0:22:39 | |
Ignorance is like a delicate, exotic fruit. | 0:22:39 | 0:22:42 | |
Touch it, and the bloom is gone. | 0:22:42 | 0:22:45 | |
The whole theory of modern education is radically unsound. | 0:22:45 | 0:22:49 | |
Fortunately, in England, education produces no effect whatsoever. | 0:22:49 | 0:22:53 | |
If it did, it would prove a serious danger to the upper classes | 0:22:53 | 0:22:56 | |
and probably lead to acts of violence in Grosvenor Square. | 0:22:56 | 0:22:59 | |
What is your income? | 0:22:59 | 0:23:02 | |
Between 7 and 8,000 a year. | 0:23:01 | 0:23:02 | |
In land or in investments? | 0:23:02 | 0:23:05 | |
In investments, chiefly. Oh, that is satisfactory. | 0:23:05 | 0:23:09 | |
I have a country house with some land, of course, attached to it. | 0:23:10 | 0:23:14 | |
About 1,500 acres, I believe. | 0:23:14 | 0:23:16 | |
You have a town house, I hope. | 0:23:16 | 0:23:18 | |
A girl with a simple nature like Gwendolen | 0:23:18 | 0:23:20 | |
could not be expected to reside in the country. | 0:23:20 | 0:23:23 | |
I also own a house in Belgrave Square. | 0:23:23 | 0:23:25 | |
Number? 149. | 0:23:25 | 0:23:27 | |
The unfashionable side. | 0:23:27 | 0:23:29 | |
I thought there was something. | 0:23:32 | 0:23:34 | |
However, that could easily be altered. | 0:23:38 | 0:23:40 | |
Do you mean the fashion or the side? | 0:23:40 | 0:23:43 | |
Well, both, if necessary, I presume. | 0:23:43 | 0:23:46 | |
Are your parents living? | 0:23:48 | 0:23:51 | |
I have lost both my parents. | 0:23:52 | 0:23:55 | |
To lose one parent, Mr Worthing, | 0:23:55 | 0:23:57 | |
may be regarded as a misfortune. | 0:23:57 | 0:23:59 | |
To lose both looks like carelessness. | 0:23:59 | 0:24:02 | |
Who was your father? | 0:24:02 | 0:24:04 | |
He was evidently a man of some wealth. | 0:24:04 | 0:24:07 | |
I'm afraid I really don't know. | 0:24:07 | 0:24:10 | |
The fact is, Lady Bracknell, | 0:24:11 | 0:24:13 | |
I said I had lost my parents. | 0:24:13 | 0:24:15 | |
It would be nearer the truth | 0:24:15 | 0:24:17 | |
to say my parents seem to have lost me. | 0:24:17 | 0:24:19 | |
I actually don't know who I am by birth. | 0:24:19 | 0:24:23 | |
I was... | 0:24:23 | 0:24:26 | |
Well, I was found. | 0:24:26 | 0:24:28 | |
Found? | 0:24:28 | 0:24:29 | |
The late Mr Thomas Cardew, an old gentleman | 0:24:29 | 0:24:32 | |
of a very charitable and kindly disposition, found me | 0:24:32 | 0:24:35 | |
and called me Worthing because he happened to have a ticket for Worthing in his pocket. | 0:24:35 | 0:24:39 | |
Worthing is a place in Sussex. | 0:24:39 | 0:24:42 | |
It is a seaside resort. | 0:24:42 | 0:24:45 | |
And where did this charitable gentlemen | 0:24:45 | 0:24:47 | |
with a ticket for the seaside resort find you? | 0:24:47 | 0:24:50 | |
In a handbag. | 0:24:50 | 0:24:53 | |
A handbag? | 0:24:56 | 0:24:58 | |
Yes, Lady Bracknell. | 0:24:58 | 0:25:00 | |
I was in a handbag. | 0:25:00 | 0:25:02 | |
A somewhat large, um, | 0:25:02 | 0:25:05 | |
black leather handbag | 0:25:05 | 0:25:09 | |
with handles to it. | 0:25:09 | 0:25:12 | |
An ordinary handbag, in fact. | 0:25:13 | 0:25:16 | |
In what locality did this Mr James or Thomas Cardew | 0:25:16 | 0:25:21 | |
come across this ordinary handbag? | 0:25:21 | 0:25:24 | |
In the cloakroom at Victoria Station. | 0:25:24 | 0:25:26 | |
It was given him in mistake. | 0:25:26 | 0:25:28 | |
The cloakroom at Victoria Station? | 0:25:28 | 0:25:30 | |
Yes. The Brighton line. | 0:25:30 | 0:25:34 | |
The line is immaterial. | 0:25:32 | 0:25:34 | |
SHE TEARS PAPER | 0:25:34 | 0:25:37 | |
Mr Worthing, I confess I am somewhat bewildered | 0:25:37 | 0:25:40 | |
by what you have just told me. | 0:25:40 | 0:25:42 | |
To be born or at any rate bred in a handbag, | 0:25:42 | 0:25:45 | |
whether it has handles or not, | 0:25:45 | 0:25:47 | |
seems to display a contempt for the ordinary decencies of family life, | 0:25:47 | 0:25:51 | |
which remind one of the worst excesses of the French Revolution. | 0:25:51 | 0:25:55 | |
And I presume you know what that unfortunate movement led to. | 0:25:55 | 0:25:58 | |
May I ask you then what you would advise me to do? | 0:25:58 | 0:26:01 | |
I need hardly say I would do anything in the world | 0:26:01 | 0:26:04 | |
to ensure Gwendolen's happiness. | 0:26:04 | 0:26:06 | |
I would strongly advise you | 0:26:06 | 0:26:08 | |
to try and acquire some relations as soon as possible | 0:26:08 | 0:26:11 | |
and to make a definite effort to produce | 0:26:11 | 0:26:13 | |
one parent of either sex before the season is quite over. | 0:26:13 | 0:26:17 | |
I don't see how I could possibly do that! | 0:26:17 | 0:26:19 | |
I can produce the handbag at any moment. | 0:26:19 | 0:26:21 | |
It's in my storeroom at home. That should satisfy you, Lady Bracknell. | 0:26:21 | 0:26:25 | |
Me, sir? | 0:26:25 | 0:26:26 | |
What has it to do with me? | 0:26:26 | 0:26:29 | |
You can hardly imagine that I and Lord Bracknell | 0:26:29 | 0:26:32 | |
would dream of allowing our only daughter - | 0:26:32 | 0:26:35 | |
a girl brought up with the utmost care - | 0:26:35 | 0:26:37 | |
to marry into a cloakroom and form an alliance with a parcel. | 0:26:37 | 0:26:42 | |
Good morning, Mr Worthing. | 0:26:46 | 0:26:49 | |
Good morning. | 0:26:49 | 0:26:52 | |
You don't think there's any chance of Gwendolen | 0:26:57 | 0:26:59 | |
becoming like her mother in 150 years, do you? | 0:26:59 | 0:27:02 | |
My dear fellow, all women become like their mothers. That is their tragedy. | 0:27:02 | 0:27:06 | |
No man does, and that's his. | 0:27:06 | 0:27:09 | |
Is that clever? It's perfectly phrased | 0:27:09 | 0:27:11 | |
and as true as any observation in civilised life should be. | 0:27:11 | 0:27:14 | |
Ernest. | 0:27:14 | 0:27:17 | |
Gwendolen! | 0:27:16 | 0:27:17 | |
Ernest, my dear Ernest. | 0:27:17 | 0:27:18 | |
Algy, please, I have something very particular to say to Mr Worthing. | 0:27:18 | 0:27:22 | |
My own darling. | 0:27:22 | 0:27:24 | |
Ernest, the story of your romantic origin | 0:27:24 | 0:27:27 | |
as related to me by Mama with unpleasing comments | 0:27:27 | 0:27:30 | |
has naturally stirred the deeper fibres of my nature. | 0:27:30 | 0:27:33 | |
I followed you here to reassure you | 0:27:33 | 0:27:35 | |
that nothing that she can possibly do | 0:27:35 | 0:27:37 | |
can alter my eternal devotion to you. | 0:27:37 | 0:27:40 | |
Dear Gwendolen. | 0:27:40 | 0:27:41 | |
Your town address at the Albany I have. | 0:27:41 | 0:27:44 | |
What is your address in the country? | 0:27:44 | 0:27:47 | |
The Manor, Woolton, Hertfordshire. | 0:27:47 | 0:27:54 | |
I will communicate with you daily. | 0:27:54 | 0:27:56 | |
My own one. | 0:27:56 | 0:27:58 | |
Oh! | 0:27:58 | 0:28:00 | |
"Yes, I must confess, I do smoke." | 0:28:01 | 0:28:04 | |
"I know nothing, Lady Bracknell." | 0:28:04 | 0:28:06 | |
"I can produce the handbag at a moment's notice." Shh! Shh. | 0:28:11 | 0:28:14 | |
Before you can be found in a handbag at a railway station, | 0:28:14 | 0:28:18 | |
someone must have lost you in a handbag at a railway station. | 0:28:18 | 0:28:21 | |
Do you see? | 0:28:21 | 0:28:23 | |
In the first place, what with Lady Bracknell sniffing about, | 0:28:26 | 0:28:30 | |
dear, dissolute Ernest is a risk I can no longer afford. | 0:28:30 | 0:28:33 | |
And Cecily is becoming a little too interested in him. | 0:28:33 | 0:28:36 | |
It's rather a bore. I'd rather like to meet Cecily. | 0:28:36 | 0:28:39 | |
Well, I shall take very good care you never do. | 0:28:39 | 0:28:41 | |
She is excessively pretty and only just 18. | 0:28:41 | 0:28:45 | |
No, I'll say he died in Paris... | 0:28:45 | 0:28:48 | |
of apoplexy. | 0:28:48 | 0:28:51 | |
But it's hereditary, my dear fellow. | 0:28:51 | 0:28:53 | |
It runs in families. | 0:28:53 | 0:28:54 | |
You had much better say it was a chill. Very well, then. | 0:28:54 | 0:28:58 | |
Poor brother Ernest is carried off suddenly | 0:28:58 | 0:29:00 | |
in Paris by a severe chill. | 0:29:00 | 0:29:04 | |
That gets rid of him. | 0:29:04 | 0:29:06 | |
Have you told Gwendolen that you have an excessively pretty ward who's only just 18? | 0:29:09 | 0:29:14 | |
No. One doesn't blurt these things out to people. | 0:29:14 | 0:29:17 | |
Cecily and Gwendolen are certain to become extremely great friends. | 0:29:17 | 0:29:22 | |
I bet you half an hour after they've met | 0:29:22 | 0:29:24 | |
they will be calling each other sister. | 0:29:24 | 0:29:26 | |
Women only do that when they have called each other a lot of other things first. | 0:29:26 | 0:29:31 | |
HE CLEARS HIS THROAT | 0:29:59 | 0:30:01 | |
Don't let me disturb you. | 0:30:01 | 0:30:04 | |
I hope tomorrow will be a fine day, Lane. | 0:30:06 | 0:30:08 | |
It never is, sir. | 0:30:08 | 0:30:10 | |
You are a perfect pessimist. | 0:30:12 | 0:30:15 | |
I do my best to give satisfaction, sir. | 0:30:15 | 0:30:18 | |
Thank you. | 0:30:18 | 0:30:20 | |
You can put out my dress clothes, | 0:30:26 | 0:30:28 | |
my smoking jacket, | 0:30:28 | 0:30:30 | |
and even bring on the curling tongs. | 0:30:30 | 0:30:33 | |
Yes, sir. | 0:30:33 | 0:30:34 | |
Tomorrow, Lane... | 0:30:34 | 0:30:36 | |
..I'm going Bunburying. | 0:30:38 | 0:30:40 | |
Yes, sir. | 0:30:40 | 0:30:42 | |
That must be it over there. | 0:30:50 | 0:30:52 | |
Bring it down there, Mr Smithers. | 0:30:57 | 0:31:00 | |
Ask Mr Ernest Worthing to come here. | 0:31:21 | 0:31:23 | |
Yes, miss. | 0:31:23 | 0:31:25 | |
You are my little cousin Cecily, I'm sure. | 0:31:36 | 0:31:39 | |
You are under some strange mistake. | 0:31:39 | 0:31:42 | |
I'm not little. In fact, I believe | 0:31:42 | 0:31:44 | |
I'm more than usually tall for my age. | 0:31:44 | 0:31:47 | |
But I am your cousin Cecily. | 0:31:47 | 0:31:49 | |
And you, I see from your card, | 0:31:49 | 0:31:52 | |
are Uncle Jack's brother, my cousin Ernest. | 0:31:52 | 0:31:55 | |
My wicked cousin Ernest. | 0:31:55 | 0:31:57 | |
I'm not really wicked at all. You mustn't think I'm wicked. | 0:31:57 | 0:32:00 | |
Well, if you are not, then you've been | 0:32:00 | 0:32:02 | |
deceiving us in an inexcusable manner. | 0:32:02 | 0:32:05 | |
Well, I have been rather reckless. | 0:32:05 | 0:32:06 | |
Hmm, I'm glad to hear it. | 0:32:06 | 0:32:08 | |
In fact, now that you mention it, | 0:32:08 | 0:32:10 | |
I have been very bad in my own small way. | 0:32:10 | 0:32:12 | |
I don't think you should be proud of that, | 0:32:12 | 0:32:15 | |
though it must've been pleasant. | 0:32:15 | 0:32:17 | |
It's much pleasanter being here. | 0:32:17 | 0:32:19 | |
I can't understand how you're here at all. | 0:32:19 | 0:32:21 | |
Uncle Jack won't be back till Monday. | 0:32:21 | 0:32:23 | |
Oh, that is a disappointment. | 0:32:23 | 0:32:25 | |
I'm obliged to go out on Monday morning. | 0:32:25 | 0:32:27 | |
I have a business appointment I'm anxious to miss. | 0:32:27 | 0:32:30 | |
Hmm. That's all very well, but still, | 0:32:30 | 0:32:32 | |
I think you had better wait until Uncle Jack arrives. | 0:32:32 | 0:32:36 | |
I know he wants to speak to you about your emigrating. My what? | 0:32:36 | 0:32:39 | |
Uncle Jack is sending you to Australia. Australia? I'd sooner die. | 0:32:39 | 0:32:43 | |
He said at dinner on Wednesday | 0:32:43 | 0:32:45 | |
that you'd have to choose between this world, | 0:32:45 | 0:32:48 | |
the next world, and Australia. Oh, well! | 0:32:48 | 0:32:50 | |
The accounts I have received of Australia and the next world | 0:32:50 | 0:32:53 | |
are not particularly encouraging, cousin Cecily. | 0:32:53 | 0:32:56 | |
This world is good enough for me. | 0:32:56 | 0:32:58 | |
Yes, but are you good enough for it? | 0:32:58 | 0:33:01 | |
No, I'm afraid not. | 0:33:00 | 0:33:01 | |
That is why I want you to reform me. | 0:33:01 | 0:33:04 | |
You might make that your mission, if you don't mind. | 0:33:04 | 0:33:07 | |
I'm afraid I've no time this afternoon. | 0:33:07 | 0:33:09 | |
Well, would you mind me reforming myself this afternoon? | 0:33:09 | 0:33:12 | |
It is rather quixotic of you, | 0:33:16 | 0:33:18 | |
but I think you should try. | 0:33:18 | 0:33:20 | |
I will. | 0:33:20 | 0:33:22 | |
I feel better already. | 0:33:22 | 0:33:25 | |
You're looking a little worse. | 0:33:25 | 0:33:27 | |
Well, that's because I'm hungry. | 0:33:27 | 0:33:29 | |
Mr Worthing! Mr Worthing! | 0:33:36 | 0:33:38 | |
This is indeed a surprise. | 0:33:39 | 0:33:41 | |
We did not look for you till Monday afternoon. | 0:33:41 | 0:33:44 | |
I have returned sooner than I expected. | 0:33:44 | 0:33:46 | |
Dear Mr Worthing, I trust this garb of woe | 0:33:46 | 0:33:49 | |
does not betoken some terrible calamity. | 0:33:49 | 0:33:51 | |
My brother. | 0:33:51 | 0:33:53 | |
More shameful debts and extravagance. | 0:33:53 | 0:33:55 | |
Still leading a life of pleasure. | 0:33:55 | 0:33:58 | |
Dead. | 0:33:58 | 0:34:00 | |
Your brother Ernest is dead? | 0:34:04 | 0:34:07 | |
Quite dead. | 0:34:07 | 0:34:09 | |
What a lesson for him! | 0:34:09 | 0:34:11 | |
I trust he will profit by it. | 0:34:11 | 0:34:13 | |
He had many faults, but it is a sad, sad blow. | 0:34:13 | 0:34:16 | |
Yes, indeed, sad. | 0:34:16 | 0:34:18 | |
Um, were you with him at the end? | 0:34:18 | 0:34:24 | |
No. He died abroad. | 0:34:24 | 0:34:26 | |
In Paris, in fact. | 0:34:26 | 0:34:28 | |
I had a telegram last night | 0:34:28 | 0:34:30 | |
from the manager of the Grand Hotel. | 0:34:30 | 0:34:33 | |
Is the cause of death mentioned? | 0:34:33 | 0:34:37 | |
A severe chill, it seems. | 0:34:37 | 0:34:38 | |
As a man sows, so shall he reap. | 0:34:38 | 0:34:42 | |
Oh, charity, Miss Prism, charity. | 0:34:42 | 0:34:44 | |
I myself am peculiarly susceptible to draughts. | 0:34:44 | 0:34:47 | |
Ah...ah... | 0:34:47 | 0:34:49 | |
Ah-choo! | 0:34:49 | 0:34:52 | |
Bless you. | 0:34:52 | 0:34:54 | |
Uncle Jack, I'm so pleased to see you back. | 0:34:55 | 0:34:59 | |
What is the matter, Uncle Jack? | 0:34:59 | 0:35:01 | |
Do look happy. You look as if you had toothache, | 0:35:01 | 0:35:03 | |
and I have such a surprise. | 0:35:03 | 0:35:05 | |
Who do you think is in the rose garden? | 0:35:05 | 0:35:08 | |
Your brother. | 0:35:08 | 0:35:10 | |
Who? Your brother Ernest! | 0:35:10 | 0:35:12 | |
He arrived about half an hour ago. | 0:35:12 | 0:35:14 | |
Nonsense. I haven't got a brother. | 0:35:14 | 0:35:16 | |
I mean... Well, he's... | 0:35:16 | 0:35:19 | |
Come! He'll be pleased to see you've returned. | 0:35:19 | 0:35:21 | |
I... | 0:35:23 | 0:35:26 | |
These are joyful tidings. | 0:35:27 | 0:35:30 | |
Good heavens. | 0:35:45 | 0:35:47 | |
Mmm. | 0:35:49 | 0:35:52 | |
Brother John, | 0:36:05 | 0:36:07 | |
I've come down from town to tell you | 0:36:07 | 0:36:10 | |
that I'm very sorry for all the trouble I have given you | 0:36:10 | 0:36:13 | |
and that I fully intend to lead a better life in the future. | 0:36:13 | 0:36:16 | |
Well, what can I say? | 0:36:26 | 0:36:28 | |
The old Ernest is dead. Long live the new Ernest. | 0:36:28 | 0:36:31 | |
I thought you'd like my little joke. | 0:36:31 | 0:36:34 | |
Knowing me as you do, brother John, | 0:36:34 | 0:36:37 | |
I'm surprised you took it so seriously. | 0:36:37 | 0:36:39 | |
At any rate, I stand before you an entirely new man, | 0:36:39 | 0:36:41 | |
rising, as it were, like a phoenix from the ashes. | 0:36:41 | 0:36:45 | |
Uncle Jack, you're not going to refuse your own brother's hand? | 0:36:47 | 0:36:50 | |
Nothing would induce me to take his hand. | 0:36:50 | 0:36:53 | |
I think his behaviour disgraceful. He knows perfectly well why! | 0:36:53 | 0:36:57 | |
Do shake his hand, Uncle Jack. | 0:36:57 | 0:36:59 | |
After all, it could be worse. | 0:36:59 | 0:37:01 | |
I could be dead in Paris. You could, indeed. | 0:37:01 | 0:37:04 | |
Of a severe chill. | 0:37:04 | 0:37:07 | |
Ah-choo! | 0:37:09 | 0:37:11 | |
Sorry about that, Jack. Shake. Go on. | 0:37:14 | 0:37:16 | |
Excuse me, sir. | 0:37:21 | 0:37:23 | |
We're putting Mr Ernest's things | 0:37:23 | 0:37:26 | |
in the blue room on the second floor. | 0:37:26 | 0:37:28 | |
What? | 0:37:28 | 0:37:30 | |
Mr Ernest's luggage, sir. | 0:37:30 | 0:37:32 | |
We're taking it up to the blue room. | 0:37:32 | 0:37:34 | |
His luggage? Yes, sir. | 0:37:34 | 0:37:36 | |
Two portmanteaus, two dressing cases, | 0:37:36 | 0:37:38 | |
two hat boxes, and a large luncheon basket. | 0:37:38 | 0:37:41 | |
I fear I can only stay a week this time. | 0:37:41 | 0:37:43 | |
You scoundrel, Algy. Mmm? | 0:37:47 | 0:37:49 | |
What have you to say for yourself? | 0:37:49 | 0:37:51 | |
What I have to say, Uncle Jack, | 0:37:51 | 0:37:53 | |
is that little Cecily is a darling. | 0:37:53 | 0:37:55 | |
You are not to talk of Miss Cardew like that! | 0:37:55 | 0:37:59 | |
I don't like it. | 0:37:59 | 0:38:01 | |
Your vanity is ridiculous, | 0:38:01 | 0:38:03 | |
your conduct an outrage, and your presence in my house utterly absurd! | 0:38:03 | 0:38:08 | |
However, you have got to catch the four train. | 0:38:08 | 0:38:11 | |
I hope you have a pleasant journey. | 0:38:11 | 0:38:13 | |
This Bunburying, as you call it, has not been a great success for you. | 0:38:13 | 0:38:17 | |
HE SOBS | 0:38:19 | 0:38:22 | |
It's pleasant, is it not, | 0:38:34 | 0:38:35 | |
to see so perfect a reconciliation? | 0:38:35 | 0:38:38 | |
I think it's been a great success. | 0:38:40 | 0:38:44 | |
HE PLAYS HESITANTLY | 0:38:56 | 0:38:59 | |
HE SPEEDS UP | 0:39:10 | 0:39:13 | |
MISS PRISM CLEARS HER THROAT | 0:39:24 | 0:39:27 | |
GONG SOUNDS | 0:39:43 | 0:39:45 | |
< Dinner is served. | 0:39:45 | 0:39:46 | |
Cecily. | 0:39:46 | 0:39:48 | |
Might I have a, uh, buttonhole first? | 0:39:48 | 0:39:50 | |
I never have an appetite unless I have a buttonhole. | 0:39:50 | 0:39:53 | |
Mr Worthing. | 0:39:53 | 0:39:54 | |
Marigold? No. | 0:39:58 | 0:40:00 | |
I'd sooner have a pink rose. | 0:40:00 | 0:40:02 | |
Why? | 0:40:02 | 0:40:03 | |
Because you are like a pink rose, cousin Cecily. | 0:40:03 | 0:40:06 | |
I don't think it could be right for you to talk to me like that. | 0:40:06 | 0:40:10 | |
Miss Prism never says such things. Then Miss Prism | 0:40:10 | 0:40:13 | |
is a short-sighted old lady. | 0:40:13 | 0:40:15 | |
You are the prettiest girl I ever saw. GONG SOUNDS AGAIN | 0:40:18 | 0:40:22 | |
You see, Uncle Jack, there is some good in everyone. | 0:40:22 | 0:40:25 | |
Ernest was telling me about his poor invalid friend | 0:40:25 | 0:40:28 | |
whom he goes to visit so often. | 0:40:28 | 0:40:30 | |
He has been talking about poor Mr Bunbury? | 0:40:30 | 0:40:32 | |
There must be good in one who is kind to an invalid | 0:40:32 | 0:40:35 | |
and leaves the pleasures of London to sit by a bed of pain. | 0:40:35 | 0:40:38 | |
Hmm. | 0:40:38 | 0:40:41 | |
BABY CRIES | 0:41:10 | 0:41:12 | |
PEOPLE CHATTER | 0:41:14 | 0:41:18 | |
Right. It's first class. | 0:41:18 | 0:41:19 | |
CHATTERING CONTINUES | 0:41:19 | 0:41:21 | |
Good morning, sir. | 0:41:39 | 0:41:40 | |
Good morning. | 0:41:40 | 0:41:41 | |
'Dear Ernest... | 0:41:58 | 0:42:01 | |
'how desperately I have missed you. | 0:42:01 | 0:42:04 | |
'It seems an age since I last saw you, | 0:42:04 | 0:42:07 | |
'and our separation | 0:42:07 | 0:42:08 | |
'is now proving an intolerable strain. | 0:42:08 | 0:42:12 | |
'The feelings you have aroused within me | 0:42:20 | 0:42:23 | |
'are at once delightful | 0:42:23 | 0:42:25 | |
'and exquisitely...' | 0:42:25 | 0:42:26 | |
SHE GASPS '..Painful. | 0:42:26 | 0:42:29 | |
'My dearest darling Ernest, | 0:42:29 | 0:42:33 | |
'it is your very name that inspires me now | 0:42:33 | 0:42:36 | |
'to take my future in my hands - | 0:42:36 | 0:42:38 | |
'burnt, as it were, into my very being. | 0:42:38 | 0:42:43 | |
'And so it is I have resolved | 0:42:43 | 0:42:45 | |
'to flee these prison walls | 0:42:45 | 0:42:47 | |
'and make my way directly to your side, | 0:42:47 | 0:42:50 | |
'to my one and only.' | 0:42:50 | 0:42:53 | |
CECILY: Ernest. | 0:42:53 | 0:42:55 | |
Ernest! | 0:42:55 | 0:42:57 | |
Algy. | 0:43:01 | 0:43:02 | |
Hmm. | 0:43:02 | 0:43:05 | |
Algy. | 0:43:09 | 0:43:10 | |
Ernest. | 0:43:13 | 0:43:15 | |
Ah. Good morning, my dear fellow. | 0:43:17 | 0:43:19 | |
We have to talk. | 0:43:19 | 0:43:21 | |
You have to leave. | 0:43:21 | 0:43:23 | |
If I leave, how can we talk? We cannot both be called Ernest. | 0:43:23 | 0:43:26 | |
I don't believe we are, brother Jack. | 0:43:26 | 0:43:29 | |
SPEAKING GERMAN | 0:43:37 | 0:43:43 | |
Mmm. | 0:43:45 | 0:43:47 | |
SPEAKING GERMAN | 0:43:47 | 0:43:50 | |
MISS PRISM SNORES | 0:43:50 | 0:43:53 | |
I hope, Cecily, I shall not offend you | 0:43:55 | 0:43:58 | |
if I state quite openly and frankly, | 0:43:58 | 0:44:02 | |
you seem to me to be in every way | 0:44:02 | 0:44:06 | |
the visible personification | 0:44:06 | 0:44:08 | |
of absolute perfection. | 0:44:08 | 0:44:11 | |
I think your frankness does you great credit, Ernest. | 0:44:11 | 0:44:14 | |
If you will allow me, I will copy your remarks into my diary. | 0:44:14 | 0:44:18 | |
I'd give anything to see it. May I? | 0:44:18 | 0:44:20 | |
Oh, no. You'd see it as a very young girl's record | 0:44:20 | 0:44:23 | |
of her thoughts and impressions. | 0:44:23 | 0:44:25 | |
But, pray, Ernest, I delight in taking down from dictation. | 0:44:25 | 0:44:28 | |
You can go on. | 0:44:28 | 0:44:30 | |
HE COUGHS | 0:44:30 | 0:44:31 | |
Don't cough, Ernest. | 0:44:31 | 0:44:33 | |
When one is dictating, one should speak fluently and not cough. | 0:44:33 | 0:44:36 | |
Cecily... | 0:44:42 | 0:44:44 | |
ever since I first looked upon | 0:44:44 | 0:44:45 | |
your wondrous and incomparable beauty, | 0:44:45 | 0:44:48 | |
I have dared to love you wildly... | 0:44:48 | 0:44:50 | |
SHE SNORES | 0:44:50 | 0:44:52 | |
Wildly... | 0:44:52 | 0:44:54 | |
passionately... < Ahem. | 0:44:54 | 0:44:56 | |
Devotedly, hopelessly. | 0:44:56 | 0:44:59 | |
I beg your pardon, sir. | 0:44:59 | 0:45:01 | |
There are two gentlemen wishing to see you. | 0:45:01 | 0:45:04 | |
ENGINE SPUTTERS | 0:45:06 | 0:45:08 | |
ENGINE BACKFIRES | 0:45:08 | 0:45:11 | |
ENGINE BACKFIRES | 0:45:13 | 0:45:16 | |
Mr Ernest Worthing? Yes. | 0:45:16 | 0:45:17 | |
Of B4, The Albany? | 0:45:17 | 0:45:19 | |
Yes, that is my address. | 0:45:19 | 0:45:20 | |
I am very sorry, sir, but I have a writ against you | 0:45:20 | 0:45:24 | |
at the suit of the Savoy Hotel Company Limited | 0:45:24 | 0:45:26 | |
for 762 pounds, 14 shillings. | 0:45:26 | 0:45:29 | |
What perfect nonsense. I never dine at the Savoy at my own expense. | 0:45:29 | 0:45:33 | |
In the interests of our clients, | 0:45:33 | 0:45:34 | |
we have no option but committal of your person. | 0:45:34 | 0:45:38 | |
Committal? Of MY person? | 0:45:38 | 0:45:40 | |
For six months. | 0:45:40 | 0:45:41 | |
Oh, for six months? Ha ha! | 0:45:41 | 0:45:43 | |
No doubt you'll prefer to pay the bill. Pay it? | 0:45:43 | 0:45:46 | |
How am I going to do that? No gentleman ever has any money. | 0:45:46 | 0:45:49 | |
In my experience, it is usually relations who pay. | 0:45:49 | 0:45:53 | |
Oh, all right. Uh, brother Jack? | 0:45:53 | 0:45:56 | |
762 pounds, 14 shillings, | 0:46:03 | 0:46:06 | |
and tuppence - | 0:46:06 | 0:46:07 | |
since last October? | 0:46:07 | 0:46:09 | |
I'm bound to say | 0:46:09 | 0:46:11 | |
I never saw such reckless extravagance | 0:46:11 | 0:46:15 | |
in all my life. | 0:46:15 | 0:46:17 | |
How ridiculous you are. | 0:46:17 | 0:46:19 | |
You have your debts, and I have mine. | 0:46:19 | 0:46:22 | |
You know this bill is yours. | 0:46:22 | 0:46:23 | |
Mine? Yes, and you know it. | 0:46:23 | 0:46:25 | |
Mr Worthing... If this is another jest, it is most out of place. | 0:46:25 | 0:46:29 | |
It is not. Gross effrontery. | 0:46:29 | 0:46:31 | |
Just what I expected from him. | 0:46:31 | 0:46:32 | |
And it is ingratitude. I didn't expect that. | 0:46:32 | 0:46:35 | |
He'll be denying he's Ernest Worthing in the first place. | 0:46:35 | 0:46:39 | |
I'm sorry to disturb this pleasant family meeting, but time presses. | 0:46:41 | 0:46:45 | |
We have to be at Holloway not later than four. | 0:46:45 | 0:46:48 | |
Otherwise, it is difficult to obtain admission. | 0:46:48 | 0:46:51 | |
Holloway? | 0:46:51 | 0:46:52 | |
Get off me! | 0:46:52 | 0:46:54 | |
It is at Holloway that detentions of this character... | 0:46:54 | 0:46:57 | |
I will not be imprisoned for having dined in the West End! | 0:46:57 | 0:47:01 | |
Jack! | 0:47:01 | 0:47:03 | |
I agree to settle my brother's accounts... | 0:47:03 | 0:47:06 | |
..on the condition that he makes his way without delay | 0:47:08 | 0:47:11 | |
to the bedside of the poor bed-ridden Bunbury, | 0:47:11 | 0:47:13 | |
whose health, I am informed, is rapidly declining. | 0:47:13 | 0:47:17 | |
Well, Ernest? | 0:47:18 | 0:47:21 | |
ENGINE SPUTTERS | 0:47:44 | 0:47:46 | |
BICYCLE BELL RINGS | 0:47:52 | 0:47:54 | |
ENGINE BACKFIRES | 0:47:55 | 0:47:58 | |
CECILY SPEAKS FRENCH | 0:47:58 | 0:48:01 | |
Mr Worthing. | 0:48:03 | 0:48:05 | |
I would ask you not to interrupt | 0:48:05 | 0:48:07 | |
Miss Cardew's studies. Miss Prism, I almost forgot to mention | 0:48:07 | 0:48:11 | |
that Dr Chasuble is expecting you in the vestry. | 0:48:11 | 0:48:13 | |
In the vestry? Dr Chasuble? | 0:48:13 | 0:48:15 | |
Expecting you, yes. | 0:48:15 | 0:48:17 | |
That sounds serious. | 0:48:17 | 0:48:18 | |
I do not think it would be right to keep him waiting, Cecily. | 0:48:18 | 0:48:22 | |
It would be very, very wrong. | 0:48:22 | 0:48:24 | |
The vestry is, I am told, excessively damp. | 0:48:24 | 0:48:27 | |
This parting, Miss Cardew, is very painful. | 0:48:39 | 0:48:43 | |
But I suppose you cannot desert | 0:48:43 | 0:48:45 | |
poor Mr Bunbury in his hour of need. | 0:48:45 | 0:48:47 | |
I don't care about Bunbury. I don't seem to care about anything any more. | 0:48:47 | 0:48:51 | |
I only care for you. | 0:48:51 | 0:48:52 | |
I love you, Cecily. | 0:48:52 | 0:48:55 | |
Will you marry me, Cecily? Will you? | 0:49:00 | 0:49:02 | |
Of course. | 0:49:02 | 0:49:04 | |
Why, we have been engaged for the last three months. | 0:49:04 | 0:49:07 | |
For the last three months? | 0:49:08 | 0:49:10 | |
Yes. It will be exactly three months on Thursday. | 0:49:10 | 0:49:13 | |
Darling... | 0:49:14 | 0:49:16 | |
Aah! | 0:49:16 | 0:49:17 | |
So, when was the engagement actually settled? | 0:49:20 | 0:49:24 | |
On the 14th of February last. | 0:49:24 | 0:49:26 | |
After a long struggle with myself, | 0:49:26 | 0:49:28 | |
I accepted you under this dear old tree here. | 0:49:28 | 0:49:31 | |
Hmm. | 0:49:31 | 0:49:32 | |
And this is the box in which I keep all your dear letters. | 0:49:32 | 0:49:34 | |
My letters? | 0:49:34 | 0:49:36 | |
But my own sweet Cecily, I have never written any letters. | 0:49:36 | 0:49:39 | |
You need hardly remind me of that. | 0:49:39 | 0:49:41 | |
I remember only too well that I was forced to write your letters for you. | 0:49:41 | 0:49:44 | |
I wrote always three times a week. | 0:49:44 | 0:49:47 | |
Do let me look at them. Oh, no, I couldn't possibly. | 0:49:47 | 0:49:49 | |
They would make you far too conceited. | 0:49:49 | 0:49:52 | |
The three you wrote me after I had broken off the engagement | 0:49:52 | 0:49:55 | |
were so beautiful and so badly spelled. | 0:49:55 | 0:49:57 | |
Even now I can hardly read them | 0:49:57 | 0:49:59 | |
without crying a little. | 0:49:59 | 0:50:01 | |
Was our engagement ever broken off? | 0:50:01 | 0:50:03 | |
Yes, of course it was. What? | 0:50:03 | 0:50:05 | |
On the 22nd of last March. | 0:50:05 | 0:50:06 | |
You can see the entry if you like. | 0:50:06 | 0:50:08 | |
"Today I broke off my engagement with Ernest. | 0:50:10 | 0:50:13 | |
"The weather still continues charming." | 0:50:13 | 0:50:15 | |
Why did you break it off? I had done nothing at all. | 0:50:15 | 0:50:18 | |
Cecily, I'm very much hurt to hear you broke it off. | 0:50:18 | 0:50:21 | |
When the weather was charming. | 0:50:21 | 0:50:22 | |
It would hardly have been a really serious engagement | 0:50:22 | 0:50:25 | |
if I hadn't broken it off at least once, Ernest. | 0:50:25 | 0:50:28 | |
But I forgave you before the week was out. | 0:50:28 | 0:50:31 | |
Oh, you're a perfect angel. | 0:50:31 | 0:50:33 | |
You dear romantic boy. | 0:50:33 | 0:50:35 | |
MUSIC PLAYS | 0:50:41 | 0:50:43 | |
You know... | 0:50:57 | 0:50:58 | |
I never really thought of myself as the marrying kind until now. | 0:50:58 | 0:51:02 | |
You mustn't break it off again, Cecily. | 0:51:02 | 0:51:04 | |
I don't think I could break it off | 0:51:04 | 0:51:06 | |
now that I've actually met you. | 0:51:06 | 0:51:09 | |
Besides, of course, there is the question of your name. | 0:51:09 | 0:51:13 | |
MUSIC STOPS | 0:51:13 | 0:51:14 | |
Yes, of course. | 0:51:14 | 0:51:16 | |
You mustn't laugh at me, darling, | 0:51:16 | 0:51:18 | |
but it has always been a girlish dream of mine | 0:51:18 | 0:51:20 | |
to love someone whose name is Ernest. | 0:51:20 | 0:51:23 | |
There's something in that name | 0:51:23 | 0:51:25 | |
that seems to inspire confidence. | 0:51:25 | 0:51:28 | |
My own dear joy, | 0:51:28 | 0:51:29 | |
do you mean to say you couldn't love me if I had another name? | 0:51:29 | 0:51:32 | |
But what name? Well... | 0:51:32 | 0:51:34 | |
I mean, Algy, for instance. | 0:51:35 | 0:51:38 | |
I might respect you, Ernest, | 0:51:38 | 0:51:40 | |
I might admire your character, | 0:51:40 | 0:51:43 | |
but I fear that I would never be able to give you | 0:51:43 | 0:51:45 | |
my...undivided attention. | 0:51:45 | 0:51:48 | |
MAN: Ahem. | 0:51:51 | 0:51:53 | |
The dog cart is ready for you, sir. | 0:51:53 | 0:51:56 | |
And now you must go, | 0:51:57 | 0:51:58 | |
for sooner then shall you return. | 0:51:58 | 0:52:01 | |
Oh, what a charming boy. | 0:52:04 | 0:52:07 | |
I like his hair so much. | 0:52:07 | 0:52:11 | |
You wanted to see me, Dr Chasuble? | 0:52:17 | 0:52:20 | |
I didn't. | 0:52:22 | 0:52:24 | |
Oh. | 0:52:26 | 0:52:28 | |
You didn't? | 0:52:28 | 0:52:31 | |
Oh. | 0:52:32 | 0:52:34 | |
I'm sorry, | 0:52:38 | 0:52:40 | |
but merely for the purposes of clarification, | 0:52:40 | 0:52:42 | |
when you said you didn't, | 0:52:42 | 0:52:44 | |
did you mean you didn't SAY you wanted to see me | 0:52:44 | 0:52:48 | |
or that you didn't, in fact, want to see me? | 0:52:48 | 0:52:51 | |
Isn't language a curious thing? | 0:52:56 | 0:52:58 | |
Will you excuse me? | 0:53:00 | 0:53:02 | |
I have a double baptism this afternoon, | 0:53:02 | 0:53:04 | |
and I have to, um... top up the font. | 0:53:04 | 0:53:06 | |
SNEEZES LOUDLY Bless you. | 0:53:35 | 0:53:38 | |
A Miss Fairfax has called to see Mr Worthing - | 0:53:40 | 0:53:43 | |
on very important business, Miss Fairfax states. | 0:53:43 | 0:53:46 | |
Mr Worthing is sure to be out soon, Merriman, | 0:53:46 | 0:53:49 | |
so kindly bring some tea. Yes, ma'am. | 0:53:49 | 0:53:52 | |
Miss Cardew. Thank you. | 0:53:55 | 0:53:58 | |
Miss Fairfax, | 0:53:58 | 0:53:59 | |
pray let me introduce myself to you. | 0:53:59 | 0:54:01 | |
My name is Cecily Cardew. Cecily Cardew. What a very sweet name. | 0:54:01 | 0:54:05 | |
Something tells me we're going to be great friends. | 0:54:05 | 0:54:09 | |
I like you already, and my first impressions are never wrong. | 0:54:09 | 0:54:12 | |
CECILY COUGHS | 0:54:17 | 0:54:19 | |
You're here on a short visit, I suppose. | 0:54:22 | 0:54:24 | |
Oh, no, I live here. | 0:54:24 | 0:54:26 | |
Really? Your mother, no doubt, | 0:54:26 | 0:54:27 | |
or some female relative of advanced years | 0:54:27 | 0:54:30 | |
resides here also. Oh, no. I have no mother, nor, in fact, any relations. | 0:54:30 | 0:54:34 | |
Indeed. My guardian has the task of looking after me. | 0:54:34 | 0:54:37 | |
Your guardian? Yes. I'm Mr Worthing's ward. | 0:54:37 | 0:54:40 | |
Oh. | 0:54:40 | 0:54:42 | |
It is strange. He never mentioned it. | 0:54:44 | 0:54:47 | |
How secretive of him. | 0:54:47 | 0:54:48 | |
He grows more interesting hourly. | 0:54:48 | 0:54:52 | |
But I am bound to state that | 0:54:52 | 0:54:55 | |
now that I know you are Mr Worthing's ward, | 0:54:55 | 0:54:58 | |
I cannot help expressing a wish that you were, | 0:54:58 | 0:55:01 | |
well, just a little bit older than you seem to be | 0:55:01 | 0:55:04 | |
and not quite so very alluring in appearance. | 0:55:04 | 0:55:08 | |
In fact, if I may speak candidly... | 0:55:08 | 0:55:10 | |
Pray do. I think whenever one has anything unpleasant to say, | 0:55:10 | 0:55:13 | |
one should always be candid. | 0:55:13 | 0:55:15 | |
Yes. Well, to speak with perfect candour, Cecily, | 0:55:15 | 0:55:19 | |
I wish you were fully 42 | 0:55:19 | 0:55:21 | |
and more than usually plain for your age. | 0:55:21 | 0:55:24 | |
Ernest has a strong, upright nature. | 0:55:27 | 0:55:30 | |
He's the very soul of truth and honour. | 0:55:30 | 0:55:32 | |
I think Jack, for instance, Jack. | 0:55:32 | 0:55:34 | |
I think Jack, for instance, a charming name. | 0:55:34 | 0:55:37 | |
'Oh, but it is not Mr Ernest Worthing who's my guardian.' | 0:55:37 | 0:55:40 | |
It is his brother, his elder brother. | 0:55:40 | 0:55:42 | |
Oh. That accounts for it. | 0:55:42 | 0:55:45 | |
Cecily, you've lifted a load from my mind. | 0:55:45 | 0:55:48 | |
I was growing almost anxious. | 0:55:48 | 0:55:49 | |
Of course, you're quite sure | 0:55:49 | 0:55:52 | |
it's not Mr Ernest Worthing who is your guardian? | 0:55:52 | 0:55:55 | |
Quite sure. | 0:55:55 | 0:55:58 | |
In fact... | 0:55:58 | 0:55:59 | |
I am going to be his. | 0:56:01 | 0:56:03 | |
I beg your pardon? | 0:56:05 | 0:56:06 | |
Mr Ernest Worthing and I are engaged | 0:56:06 | 0:56:09 | |
to be married. | 0:56:09 | 0:56:10 | |
Oh. | 0:56:10 | 0:56:12 | |
My darling Cecily, | 0:56:13 | 0:56:14 | |
I think there must be some slight error. | 0:56:14 | 0:56:17 | |
Mr Ernest Worthing is engaged to me. | 0:56:17 | 0:56:19 | |
The announcement will appear in the Morning Post on Saturday. | 0:56:19 | 0:56:23 | |
I'm afraid you must be under some misconception. | 0:56:23 | 0:56:26 | |
Ernest proposed to me ten minutes ago. | 0:56:26 | 0:56:29 | |
Oh, it's very curious, | 0:56:29 | 0:56:31 | |
for he asked me to be his wife | 0:56:31 | 0:56:32 | |
yesterday afternoon at 5:30. | 0:56:32 | 0:56:35 | |
If you would care to verify the incident, | 0:56:35 | 0:56:38 | |
pray do so. | 0:56:38 | 0:56:41 | |
I never travel without my diary. | 0:56:41 | 0:56:42 | |
One should always have something sensational to read in the train. | 0:56:42 | 0:56:46 | |
I'm so sorry, dear Cecily, | 0:56:46 | 0:56:48 | |
but I'm afraid I have the prior claim. | 0:56:48 | 0:56:51 | |
Ow! | 0:57:17 | 0:57:18 | |
May I offer you some tea, Miss Fairfax? | 0:57:22 | 0:57:24 | |
Thank you, Miss Cardew. | 0:57:24 | 0:57:26 | |
Sugar? | 0:57:26 | 0:57:27 | |
No, thank you. Sugar is not fashionable anymore. | 0:57:27 | 0:57:30 | |
Cake or bread and butter? | 0:57:49 | 0:57:50 | |
Bread and butter, please. | 0:57:50 | 0:57:52 | |
Cake is rarely seen in the best houses nowadays. | 0:57:52 | 0:57:55 | |
From the moment I saw you, I distrusted you. | 0:58:09 | 0:58:12 | |
I felt you were false. | 0:58:12 | 0:58:13 | |
It seems to me, Miss Fairfax, | 0:58:13 | 0:58:15 | |
that I am trespassing on your valuable time. | 0:58:15 | 0:58:18 | |
No doubt, you have many other calls | 0:58:18 | 0:58:20 | |
of a similar character to make in the neighbourhood. | 0:58:20 | 0:58:23 | |
Ernest! | 0:58:23 | 0:58:26 | |
You're back so soon. My own love. | 0:58:30 | 0:58:32 | |
A moment, Ernest. | 0:58:32 | 0:58:33 | |
May I ask you, are you engaged to be married to this young lady? | 0:58:33 | 0:58:37 | |
What young lady? | 0:58:37 | 0:58:38 | |
Good heavens, Gwendolen! Yes, "Good heavens, Gwendolen." | 0:58:39 | 0:58:42 | |
Of course not. What put such an idea | 0:58:42 | 0:58:44 | |
into your pretty little head? | 0:58:44 | 0:58:46 | |
Thank you. You may. | 0:58:46 | 0:58:48 | |
I felt there must be some error. | 0:58:48 | 0:58:49 | |
The gentleman who is now embracing you is my cousin, | 0:58:49 | 0:58:52 | |
Mr Algernon Moncrieff. | 0:58:52 | 0:58:55 | |
Algernon? | 0:58:55 | 0:58:56 | |
Moncrieff? | 0:58:56 | 0:58:58 | |
Uhh... Yes. | 0:58:58 | 0:59:00 | |
Algy. | 0:59:00 | 0:59:02 | |
Ohh! | 0:59:02 | 0:59:03 | |
Here is Ernest. | 0:59:03 | 0:59:05 | |
Ohh. | 0:59:05 | 0:59:07 | |
Oh, my own Ernest. | 0:59:07 | 0:59:08 | |
Gwendolen, my darling. | 0:59:08 | 0:59:10 | |
I knew there must be some misunderstanding. | 0:59:10 | 0:59:13 | |
The gentleman whose arm is at present around your waist | 0:59:13 | 0:59:16 | |
is my guardian, Mr John Worthing. | 0:59:16 | 0:59:19 | |
I beg your pardon? | 0:59:19 | 0:59:21 | |
This is Uncle Jack. | 0:59:21 | 0:59:23 | |
Jack? | 0:59:24 | 0:59:25 | |
WHIRRING | 0:59:25 | 0:59:27 | |
GASPS | 0:59:27 | 0:59:28 | |
Are you called Algy? | 0:59:28 | 0:59:31 | |
I cannot deny it. | 0:59:31 | 0:59:33 | |
Is your name really John? | 0:59:33 | 0:59:36 | |
I could deny it if I liked. | 0:59:36 | 0:59:38 | |
I could deny anything, but it certainly is John. | 0:59:38 | 0:59:41 | |
It has been John for years. | 0:59:41 | 0:59:43 | |
A gross deception has been practiced on both of us. | 0:59:43 | 0:59:46 | |
My poor wounded Cecily. My sweet wronged Gwendolen. | 0:59:46 | 0:59:49 | |
You will call me sister, will you not? | 0:59:49 | 0:59:51 | |
Of course. | 0:59:51 | 0:59:53 | |
Let us go into the house, sister. | 0:59:53 | 0:59:55 | |
They will hardly venture to come after us there. | 0:59:55 | 0:59:57 | |
No. Men are so cowardly, aren't they? | 0:59:57 | 1:00:00 | |
How you can sit there calmly eating muffins | 1:00:05 | 1:00:07 | |
when we're in trouble I don't know. | 1:00:07 | 1:00:09 | |
You seem to be heartless. | 1:00:09 | 1:00:11 | |
I can hardly eat muffins in an agitated manner, can I? | 1:00:11 | 1:00:15 | |
The butter would get on my cuffs. | 1:00:15 | 1:00:17 | |
It's perfectly heartless you're eating muffins at all. | 1:00:17 | 1:00:21 | |
Eating is my only consolation. | 1:00:21 | 1:00:23 | |
Indeed, when I'm in really great trouble, | 1:00:23 | 1:00:25 | |
as anyone who knows me intimately will tell you, | 1:00:25 | 1:00:28 | |
I refuse everything except food and drink. | 1:00:28 | 1:00:31 | |
At the present moment, I am eating muffins because I am unhappy. | 1:00:31 | 1:00:34 | |
Besides, I am particularly fond of muffins. | 1:00:34 | 1:00:37 | |
There's no reason why you should eat them all in that greedy way. | 1:00:37 | 1:00:41 | |
Would you like some tea cake? I don't like tea cake. | 1:00:44 | 1:00:47 | |
Good heavens. I suppose a man | 1:00:47 | 1:00:49 | |
may eat his own muffins in his own garden. | 1:00:49 | 1:00:52 | |
They seem to be eating muffins. | 1:00:52 | 1:00:54 | |
But you just said it was perfectly heartless to eat muffins. | 1:00:56 | 1:01:00 | |
I said it was perfectly heartless of YOU. | 1:01:00 | 1:01:03 | |
That is a different thing. Maybe, but the muffins are the same. | 1:01:03 | 1:01:06 | |
No. Give them to me! | 1:01:06 | 1:01:08 | |
Well, I certainly don't rate your chances with my ward, Algernon. | 1:01:08 | 1:01:12 | |
I don't think there's much likelihood of you, Jack, and Miss Fairfax being united, Jack! | 1:01:12 | 1:01:17 | |
But is there any particular infant | 1:01:32 | 1:01:34 | |
in whom you are interested, Mr Worthing? | 1:01:34 | 1:01:36 | |
The fact is, dear doctor, | 1:01:36 | 1:01:38 | |
I would like to be christened myself. | 1:01:38 | 1:01:40 | |
This afternoon, if you have nothing better to do. | 1:01:41 | 1:01:45 | |
Surely... Mr Worthing, you've been christened already. | 1:01:45 | 1:01:49 | |
I don't remember anything about it. | 1:01:49 | 1:01:51 | |
Of course, I don't know if the thing would bother you in any way | 1:01:51 | 1:01:55 | |
or if you think that I'm a little too old now. | 1:01:55 | 1:01:57 | |
No, no, no, no, no. | 1:01:57 | 1:01:59 | |
Not at all, not at all, not at all. | 1:01:59 | 1:02:01 | |
The sprinkling and, indeed, immersion of adults | 1:02:01 | 1:02:04 | |
is a perfectly canonical practice. | 1:02:04 | 1:02:07 | |
Um, what hour would you wish | 1:02:07 | 1:02:09 | |
the ceremony performed? | 1:02:09 | 1:02:11 | |
I might trot round at about six if that would suit you. | 1:02:11 | 1:02:14 | |
Oh, perfectly, perfectly. | 1:02:14 | 1:02:16 | |
Thank you. | 1:02:16 | 1:02:17 | |
But we cannot both be christened Ernest. It's absurd. | 1:02:22 | 1:02:25 | |
I have a right to be christened. | 1:02:25 | 1:02:27 | |
You've been christened already. Yes, but not for years. | 1:02:27 | 1:02:30 | |
Yes, but you've been christened. | 1:02:30 | 1:02:32 | |
Quite so. So, I know my constitution can stand it. | 1:02:32 | 1:02:35 | |
If you're not sure about having been christened, | 1:02:35 | 1:02:38 | |
I think it rather dangerous your venturing on it now. | 1:02:38 | 1:02:41 | |
Oh, nonsense. You are always talking nonsense. | 1:02:41 | 1:02:44 | |
THEY LAUGH | 1:02:52 | 1:02:54 | |
PIANO PLAYS FAINTLY | 1:02:56 | 1:02:58 | |
Let us preserve a dignified silence. | 1:03:05 | 1:03:07 | |
Certainly. It's the only thing to do now. | 1:03:07 | 1:03:10 | |
JACK: # The western wind is blowing fair | 1:03:11 | 1:03:16 | |
ALGY: # Across the dark Aegean sea | 1:03:16 | 1:03:19 | |
BOTH: # And at the secret marble stair | 1:03:19 | 1:03:23 | |
# My Tyrian galley waits for thee | 1:03:23 | 1:03:27 | |
# Come down the purple sail is spread | 1:03:27 | 1:03:30 | |
# The watchman sleeps within the town... # | 1:03:30 | 1:03:34 | |
This dignified silence seems to have had an unpleasant effect. | 1:03:34 | 1:03:38 | |
A most distasteful one. | 1:03:38 | 1:03:40 | |
# O lady mine, Come down, come down | 1:03:40 | 1:03:43 | |
# Dum dum dum dum # Lady, come down... # | 1:03:43 | 1:03:46 | |
DOOR SLAMS | 1:03:46 | 1:03:49 | |
SONG BEGINS AGAIN | 1:03:54 | 1:03:57 | |
# She will not come I know her well | 1:03:57 | 1:04:00 | |
# Of lover's vows she hath no care | 1:04:00 | 1:04:05 | |
# And little good a man can tell | 1:04:05 | 1:04:09 | |
# For one so cruel and so fair | 1:04:09 | 1:04:12 | |
# True love is but a woman's toy | 1:04:12 | 1:04:16 | |
# They never know the lover's pain | 1:04:16 | 1:04:20 | |
# And I who loved as love's a boy | 1:04:20 | 1:04:24 | |
# Must love in vain Must love in vain | 1:04:24 | 1:04:28 | |
# Come down | 1:04:28 | 1:04:30 | |
# Lady, come down | 1:04:31 | 1:04:33 | |
# Dum dum dum dum # Come down | 1:04:33 | 1:04:36 | |
# Dum dum dum dum # Lady, come down | 1:04:36 | 1:04:40 | |
# Dum dum dum dum # Lady, come down. # | 1:04:40 | 1:04:44 | |
We will not be the first to speak. Certainly not. | 1:04:44 | 1:04:46 | |
Mr Worthing, I have something to ask you. Much depends on your reply. | 1:04:46 | 1:04:50 | |
Gwendolen, your common sense is invaluable. | 1:04:50 | 1:04:53 | |
Mr Moncrieff, kindly answer me the following question. | 1:04:53 | 1:04:56 | |
Why did you pretend to be my guardian's brother? | 1:04:56 | 1:04:59 | |
In order that I might meet you. | 1:04:59 | 1:05:01 | |
That seems a satisfactory explanation, does it not? | 1:05:01 | 1:05:05 | |
Yes, dear, if you can believe him. | 1:05:05 | 1:05:07 | |
Well, I don't, but that doesn't affect | 1:05:07 | 1:05:09 | |
the wonderful beauty of his answer. | 1:05:09 | 1:05:11 | |
True. In matters of grave importance, | 1:05:11 | 1:05:13 | |
style, not sincerity, is the vital thing. | 1:05:13 | 1:05:15 | |
Mr Worthing, what possible explanation | 1:05:15 | 1:05:18 | |
can you offer me for pretending to have a brother? | 1:05:18 | 1:05:20 | |
Was it in order that you might have an opportunity | 1:05:25 | 1:05:27 | |
of coming up to town to see me as often as possible? | 1:05:27 | 1:05:31 | |
Can you doubt it, Miss Fairfax? | 1:05:31 | 1:05:34 | |
I have the gravest doubts on the subject, | 1:05:34 | 1:05:36 | |
but I intend to crush them. | 1:05:36 | 1:05:39 | |
Their explanations appear to be quite satisfactory, | 1:05:40 | 1:05:44 | |
..especially Mr Worthing's. | 1:05:45 | 1:05:47 | |
That seems to me to have the stamp of truth. | 1:05:47 | 1:05:49 | |
I am content with Mr Moncrieff. | 1:05:49 | 1:05:51 | |
WHISPERING: His voice alone seemed to inspire credulity. | 1:05:51 | 1:05:55 | |
You think we should forgive them? Yes. | 1:05:55 | 1:05:57 | |
HE PLUCKS NOTE I mean, no. | 1:05:57 | 1:06:00 | |
True, there are principles at stake that one cannot surrender. | 1:06:00 | 1:06:04 | |
BOTH: Your Christian names are still an insuperable barrier. | 1:06:13 | 1:06:17 | |
That is all. Our Christian names? Is that all? | 1:06:17 | 1:06:20 | |
We're going to be christened today. | 1:06:20 | 1:06:22 | |
For my sake you're prepared to do this terrible thing? | 1:06:22 | 1:06:26 | |
I am. | 1:06:25 | 1:06:26 | |
To please me you're ready to face this fearful ordeal? | 1:06:26 | 1:06:30 | |
I am. | 1:06:29 | 1:06:30 | |
Where self-sacrifice is concerned men are beyond us. | 1:06:30 | 1:06:34 | |
We are. | 1:06:33 | 1:06:34 | |
Darling. | 1:06:34 | 1:06:35 | |
Darling. | 1:06:35 | 1:06:36 | |
CLEARS THROAT | 1:06:36 | 1:06:38 | |
Lady Bracknell. | 1:06:38 | 1:06:40 | |
Gwendolen! | 1:06:40 | 1:06:42 | |
What does this mean? | 1:06:42 | 1:06:44 | |
Merely that I am engaged to be married | 1:06:44 | 1:06:46 | |
to Mr Worthing, Mama. | 1:06:46 | 1:06:48 | |
Come here. | 1:06:48 | 1:06:49 | |
Sit down. | 1:06:49 | 1:06:51 | |
Sit down immediately. | 1:06:52 | 1:06:54 | |
Of course, you will clearly understand, sir, | 1:07:00 | 1:07:02 | |
that all communication must cease immediately from this moment. | 1:07:02 | 1:07:06 | |
On this point, as indeed on all points, I am firm. | 1:07:06 | 1:07:08 | |
I am engaged to be married to Gwendolen. | 1:07:08 | 1:07:11 | |
You are nothing of the kind, sir. | 1:07:11 | 1:07:14 | |
And now, as regards Algy... | 1:07:16 | 1:07:20 | |
Algy? | 1:07:22 | 1:07:24 | |
Yes, Aunt Augusta. | 1:07:24 | 1:07:25 | |
May I ask if it is in this house | 1:07:25 | 1:07:27 | |
that your Mr Bunbury resides? | 1:07:27 | 1:07:30 | |
Oh, no, Bunbury doesn't live here. | 1:07:30 | 1:07:32 | |
Bunbury's somewhere else at the present. | 1:07:32 | 1:07:34 | |
In fact, um, | 1:07:34 | 1:07:36 | |
Bunbury is dead. | 1:07:36 | 1:07:39 | |
Dead? Dead. | 1:07:40 | 1:07:43 | |
When did Mr Bunbury die? It must've been extremely sudden. | 1:07:43 | 1:07:47 | |
Bunbury died this afternoon. | 1:07:47 | 1:07:49 | |
What did he die of? | 1:07:49 | 1:07:51 | |
Bunbury? | 1:07:51 | 1:07:52 | |
He was quite exploded. | 1:07:52 | 1:07:55 | |
Exploded? | 1:07:55 | 1:07:58 | |
Mm. Was he the victim of some revolutionary outrage? | 1:07:58 | 1:08:02 | |
I was not aware that he was interested in social legislation. | 1:08:02 | 1:08:05 | |
My dear Aunt Augusta, I mean he was found out. | 1:08:05 | 1:08:08 | |
The doctors found out that Bunbury could not live. | 1:08:08 | 1:08:11 | |
That is what I mean. So Bunbury died. | 1:08:11 | 1:08:14 | |
He seems to have had great confidence | 1:08:14 | 1:08:17 | |
in the opinion of his physicians. | 1:08:17 | 1:08:18 | |
I am glad, however, that he made his up mind at the last | 1:08:18 | 1:08:21 | |
to some definite course of action, and acted under medical advice. | 1:08:21 | 1:08:25 | |
And now that we have finally got rid of this Mr Bunbury, | 1:08:25 | 1:08:29 | |
may I ask, Mr Worthing, who is that young person | 1:08:29 | 1:08:32 | |
whose hand my nephew Algernon is now holding | 1:08:32 | 1:08:35 | |
in what seems to me | 1:08:35 | 1:08:36 | |
to be a peculiarly unnecessary manner? | 1:08:36 | 1:08:39 | |
That lady is Miss Cecily Cardew, my ward. | 1:08:39 | 1:08:41 | |
Yes, I am engaged to be married to Cecily, Aunt Augusta. | 1:08:41 | 1:08:44 | |
I beg your pardon? | 1:08:44 | 1:08:45 | |
Mr Moncrieff and I are engaged to be married. | 1:08:45 | 1:08:48 | |
I do not know whether there's anything | 1:08:48 | 1:08:50 | |
peculiarly exciting about the air | 1:08:50 | 1:08:52 | |
of this part of Hertfordshire, | 1:08:52 | 1:08:54 | |
but the number of engagements that go on seem to me | 1:08:54 | 1:08:57 | |
to be above the proper average | 1:08:57 | 1:08:58 | |
that statistics have laid down for our guidance. | 1:08:58 | 1:09:02 | |
Mr Worthing, is Miss Cardew at all connected | 1:09:02 | 1:09:06 | |
with any of the larger railway stations in London? | 1:09:06 | 1:09:08 | |
I merely desire information. | 1:09:08 | 1:09:12 | |
Until recently, I was not aware that there were families or persons | 1:09:12 | 1:09:16 | |
whose origin was a terminus. | 1:09:16 | 1:09:18 | |
Gwendolen, the time approaches for our departure. | 1:09:20 | 1:09:23 | |
We have not a moment to lose. | 1:09:23 | 1:09:25 | |
Mr Worthing, I'd better ask if Miss Cardew has any fortune. | 1:09:25 | 1:09:28 | |
Oh, about £130,000 in the funds, that is all. | 1:09:28 | 1:09:31 | |
Goodbye, Lady Bracknell. A moment, Mr Worthing. | 1:09:31 | 1:09:35 | |
£130,000? | 1:09:36 | 1:09:40 | |
And in the funds? | 1:09:41 | 1:09:43 | |
Miss Cardew seems to me to be a most attractive young lady, | 1:09:46 | 1:09:50 | |
now that I look at her. | 1:09:50 | 1:09:51 | |
Come over here, dear. | 1:09:51 | 1:09:54 | |
The chin a little higher, dear. | 1:09:57 | 1:09:59 | |
Style largely depends on the way the chin is worn. | 1:09:59 | 1:10:02 | |
They're worn very high just at present. Algy? | 1:10:02 | 1:10:06 | |
Yes, Aunt Augusta. | 1:10:06 | 1:10:07 | |
There are possibilities in Miss Cardew's profile. | 1:10:07 | 1:10:10 | |
Cecily is the sweetest, prettiest girl | 1:10:10 | 1:10:12 | |
and I don't give tuppence for her social possibilities. | 1:10:12 | 1:10:15 | |
Never speak disrespectfully of society, Algernon. | 1:10:15 | 1:10:18 | |
Only people who can't get into it do that. | 1:10:18 | 1:10:21 | |
Dear child, you know, of course, | 1:10:21 | 1:10:24 | |
that Algy has nothing but his debts to depend upon. | 1:10:24 | 1:10:27 | |
But I do not approve of mercenary marriages. | 1:10:27 | 1:10:31 | |
Indeed, when I married Lord Bracknell, | 1:10:31 | 1:10:34 | |
I had no fortune of any kind. | 1:10:34 | 1:10:36 | |
MUSIC PLAYS | 1:10:36 | 1:10:38 | |
PEOPLE CHEER | 1:10:38 | 1:10:40 | |
LADY BRACKNELL: But I never dreamed for a moment | 1:10:47 | 1:10:50 | |
of allowing that to stand in my way. | 1:10:50 | 1:10:53 | |
Well, I suppose I give my consent. Thank you, Aunt Augusta. | 1:10:56 | 1:11:00 | |
I beg your pardon, Lady Bracknell, but I am Miss Cardew's guardian. | 1:11:00 | 1:11:03 | |
She cannot marry without my consent until she comes of age, | 1:11:03 | 1:11:06 | |
and that consent I absolutely decline to give. | 1:11:06 | 1:11:10 | |
Upon what grounds, may I ask? | 1:11:10 | 1:11:13 | |
I suspect him of being untruthful. | 1:11:13 | 1:11:16 | |
Untruthful? | 1:11:16 | 1:11:18 | |
My nephew Algy? | 1:11:18 | 1:11:20 | |
I fear there can be no possible doubt about the matter. | 1:11:20 | 1:11:23 | |
During my temporary absence in London | 1:11:27 | 1:11:29 | |
on an important question of romance, | 1:11:29 | 1:11:32 | |
he obtained admission to my house | 1:11:32 | 1:11:34 | |
by means of the false pretence of being my brother. | 1:11:34 | 1:11:38 | |
He then proceeded to win over the affections of my only ward, | 1:11:38 | 1:11:42 | |
when his own intentions, I'm convinced, were purely financial. | 1:11:42 | 1:11:45 | |
Deny it if you dare. | 1:11:45 | 1:11:47 | |
He subsequently stayed to tea | 1:11:47 | 1:11:49 | |
and devoured every single muffin, | 1:11:49 | 1:11:52 | |
and what makes his behaviour more heartless | 1:11:52 | 1:11:54 | |
is that he was aware from the start that I have no brother, | 1:11:54 | 1:11:57 | |
and that I don't intend to have a brother. | 1:11:57 | 1:12:00 | |
Uncle Jack, please! Oh, my word, Jack. | 1:12:00 | 1:12:02 | |
Come here, sweet child. | 1:12:02 | 1:12:05 | |
How old are you, dear? | 1:12:05 | 1:12:07 | |
18, Aunt Augusta. | 1:12:07 | 1:12:08 | |
18. | 1:12:08 | 1:12:10 | |
Well, it will not be long before you are of age | 1:12:10 | 1:12:13 | |
and free from the restraints of your guardian. | 1:12:13 | 1:12:16 | |
According to the terms of her grandfather's will, | 1:12:16 | 1:12:18 | |
she is not legally of age until she is 35. | 1:12:18 | 1:12:21 | |
That does not seem to me to be a grave objection. | 1:12:21 | 1:12:25 | |
35 is a very attractive age. | 1:12:25 | 1:12:27 | |
London society is full of women | 1:12:27 | 1:12:29 | |
of the very highest birth who have, | 1:12:29 | 1:12:31 | |
of their own free choice, remained 35 for years. | 1:12:31 | 1:12:34 | |
Algy, could you wait for me till I was 35? | 1:12:34 | 1:12:37 | |
Of course I could. You know I could. | 1:12:37 | 1:12:39 | |
Yes, I felt it instinctively. | 1:12:39 | 1:12:40 | |
But I couldn't wait all that time. | 1:12:40 | 1:12:42 | |
Then what is to be done, Cecily? | 1:12:42 | 1:12:44 | |
I don't know, Mr Moncrieff. | 1:12:44 | 1:12:47 | |
My dear Mr Worthing, | 1:12:48 | 1:12:50 | |
as Miss Cardew states quite positively | 1:12:50 | 1:12:53 | |
that she cannot wait until she is 35 - | 1:12:53 | 1:12:56 | |
a remark which I am bound to say | 1:12:56 | 1:12:58 | |
seems to me to show a somewhat impatient nature - | 1:12:58 | 1:13:00 | |
I would beg you to reconsider your decision. | 1:13:00 | 1:13:04 | |
But my dear Lady Bracknell, | 1:13:04 | 1:13:05 | |
the matter is entirely in your own hands. | 1:13:05 | 1:13:08 | |
If you consent to my marriage with Gwendolen, | 1:13:08 | 1:13:10 | |
I will gladly allow your nephew to form an alliance with my ward. | 1:13:10 | 1:13:14 | |
You must be aware that what you propose | 1:13:15 | 1:13:18 | |
is out of the question. | 1:13:18 | 1:13:20 | |
Then a passionate celibacy | 1:13:20 | 1:13:22 | |
is all any of us can look forward to. | 1:13:22 | 1:13:24 | |
Oh, but Mama! Come, dear. | 1:13:25 | 1:13:26 | |
We've already missed five or six trains. | 1:13:26 | 1:13:29 | |
To miss any more might expose us to comment. | 1:13:29 | 1:13:31 | |
Everything is quite ready | 1:13:31 | 1:13:33 | |
for the christenings. | 1:13:33 | 1:13:36 | |
The christenings, sir? | 1:13:36 | 1:13:37 | |
Is not that somewhat premature? | 1:13:37 | 1:13:40 | |
But both of these gentlemen have expressed a desire | 1:13:40 | 1:13:42 | |
for immediate baptism. | 1:13:42 | 1:13:44 | |
At their age? | 1:13:44 | 1:13:45 | |
The idea is grotesque and irreligious. | 1:13:45 | 1:13:48 | |
Algy, I forbid you to be baptised. | 1:13:48 | 1:13:50 | |
I will not hear of such excesses. | 1:13:50 | 1:13:53 | |
I'm sorry to interrupt, | 1:13:54 | 1:13:57 | |
Dr Chasuble. | 1:13:57 | 1:13:58 | |
Yes, yes. | 1:13:58 | 1:14:00 | |
Miss Prism has asked me to tell you | 1:14:04 | 1:14:06 | |
she's waiting for you in the vestry. | 1:14:06 | 1:14:09 | |
Indeed, I believe she's been waiting for some time. | 1:14:09 | 1:14:11 | |
Miss Prism... | 1:14:11 | 1:14:15 | |
in the vestry. | 1:14:15 | 1:14:16 | |
Waiting for you. | 1:14:16 | 1:14:18 | |
Yes. | 1:14:18 | 1:14:20 | |
Miss Prism? | 1:14:20 | 1:14:21 | |
Did I hear you mention a Miss Prism? | 1:14:22 | 1:14:25 | |
Yes, Madame, I'm... | 1:14:25 | 1:14:26 | |
I'm on my... | 1:14:26 | 1:14:31 | |
Bless you. Bless. | 1:14:30 | 1:14:31 | |
Yes, Madame, I'm on my way to join her. | 1:14:31 | 1:14:33 | |
Is this Miss Prism a female of repellent aspect, | 1:14:33 | 1:14:36 | |
connected with education? | 1:14:36 | 1:14:38 | |
She is the most cultivated of ladies | 1:14:38 | 1:14:41 | |
and the picture of respectability. | 1:14:41 | 1:14:43 | |
It is obviously the same person. | 1:14:43 | 1:14:45 | |
Dr Chasuble, take me to the vestry at once. | 1:14:45 | 1:14:48 | |
I've been expecting you, dear doctor. | 1:14:57 | 1:15:00 | |
LADY BRACKNELL: Prism! | 1:15:02 | 1:15:04 | |
Prism. | 1:15:10 | 1:15:11 | |
Prism! | 1:15:19 | 1:15:20 | |
Where is that baby? | 1:15:26 | 1:15:28 | |
< 34 years ago, Prism, | 1:15:44 | 1:15:46 | |
you left Lord Bracknell's house, | 1:15:46 | 1:15:48 | |
104 Upper Grosvener Street, | 1:15:48 | 1:15:50 | |
in charge of a perambulator that contained a baby of the male sex. | 1:15:50 | 1:15:54 | |
You never returned. | 1:15:55 | 1:15:57 | |
A few weeks later, | 1:15:57 | 1:15:59 | |
through the elaborate investigations of the police, | 1:15:59 | 1:16:02 | |
the perambulator was discovered at midnight | 1:16:02 | 1:16:04 | |
standing by itself in a remote corner of Bayswater. | 1:16:04 | 1:16:09 | |
It contained the manuscript of a three-volume novel | 1:16:09 | 1:16:12 | |
of more than usually revolting sentimentality. | 1:16:12 | 1:16:16 | |
But the baby was not there. | 1:16:17 | 1:16:20 | |
Prism, where is that baby? | 1:16:20 | 1:16:22 | |
Lady Bracknell, | 1:16:22 | 1:16:24 | |
I admit with shame that I do not know. | 1:16:24 | 1:16:28 | |
The plain facts of the case are these. | 1:16:28 | 1:16:31 | |
On the morning of the day in question - | 1:16:31 | 1:16:33 | |
a day that is forever branded on my memory - | 1:16:33 | 1:16:36 | |
I prepared, as usual, | 1:16:36 | 1:16:38 | |
to take the baby out in its perambulator. | 1:16:38 | 1:16:41 | |
I had also with me a somewhat old, | 1:16:41 | 1:16:44 | |
but capacious handbag, | 1:16:44 | 1:16:46 | |
in which I had intended to place the manuscript | 1:16:46 | 1:16:49 | |
of a work of fiction that I had written | 1:16:49 | 1:16:51 | |
during my few unoccupied hours. | 1:16:51 | 1:16:55 | |
In a moment of mental abstraction, | 1:16:55 | 1:16:58 | |
for which I never can forgive myself, | 1:16:58 | 1:17:01 | |
I deposited the manuscript | 1:17:01 | 1:17:03 | |
in the bassinet... | 1:17:03 | 1:17:04 | |
And placed the baby in the handbag. | 1:17:08 | 1:17:12 | |
MISS PRISM: ...Manuscript in the bassinet, | 1:17:17 | 1:17:19 | |
and placed the baby in the handbag. | 1:17:19 | 1:17:23 | |
But where did you deposit the handbag? | 1:17:25 | 1:17:27 | |
Do not ask me, Mr Worthing. | 1:17:28 | 1:17:30 | |
Miss Prism, this is a matter of no small importance to me. | 1:17:30 | 1:17:33 | |
I insist on knowing where you deposited the handbag that contained that infant. | 1:17:33 | 1:17:37 | |
I left it in the cloakroom | 1:17:38 | 1:17:40 | |
of one of the larger railway stations in London. | 1:17:40 | 1:17:43 | |
What railway station? | 1:17:43 | 1:17:45 | |
Victoria. | 1:17:45 | 1:17:47 | |
The Brighton line. | 1:17:47 | 1:17:50 | |
I... | 1:17:52 | 1:17:53 | |
Uncle Jack seems strangely agitated. | 1:18:04 | 1:18:07 | |
Is this the handbag, Miss Prism? | 1:18:14 | 1:18:16 | |
Examine it carefully before you speak. | 1:18:22 | 1:18:24 | |
The happiness of more than one life depends on your answer. | 1:18:24 | 1:18:28 | |
The bag is undoubtedly mine. | 1:18:28 | 1:18:30 | |
I am delighted to have it | 1:18:30 | 1:18:33 | |
so unexpectedly restored to me. | 1:18:33 | 1:18:35 | |
It has been a great inconvenience | 1:18:35 | 1:18:37 | |
being without it. | 1:18:37 | 1:18:38 | |
Miss Prism, more is restored to you than this handbag. | 1:18:38 | 1:18:41 | |
I was the baby you placed in it. | 1:18:41 | 1:18:45 | |
You? Yes. | 1:18:45 | 1:18:47 | |
Mother! | 1:18:47 | 1:18:49 | |
Oh, Mr Worthing, I am unmarried. | 1:18:49 | 1:18:52 | |
Unmarried? | 1:18:52 | 1:18:53 | |
I cannot deny that is a serious blow. | 1:18:53 | 1:18:55 | |
But after all, who has the right | 1:18:55 | 1:18:57 | |
to cast a stone against one who has suffered? | 1:18:57 | 1:19:00 | |
Cannot repentance wipe out an act of folly? | 1:19:00 | 1:19:03 | |
Mother, I forgive you! No, Mr Worthing! | 1:19:03 | 1:19:06 | |
There is some error. | 1:19:06 | 1:19:09 | |
There is the lady | 1:19:09 | 1:19:11 | |
who can tell you who you really are. | 1:19:11 | 1:19:14 | |
Lady Bracknell, I hate to seem inquisitive, | 1:19:16 | 1:19:19 | |
but would you kindly inform me who I am? | 1:19:19 | 1:19:23 | |
You are the son of my poor sister | 1:19:23 | 1:19:25 | |
Mrs Moncrieff, | 1:19:25 | 1:19:27 | |
and consequently Algy's younger brother. | 1:19:27 | 1:19:30 | |
Algy's younger brother? | 1:19:35 | 1:19:37 | |
Hmm. | 1:19:56 | 1:19:58 | |
BABY CRIES | 1:19:59 | 1:20:02 | |
So... | 1:20:02 | 1:20:04 | |
I have a brother after all. | 1:20:04 | 1:20:07 | |
Yes. | 1:20:07 | 1:20:09 | |
I knew I had a brother! | 1:20:15 | 1:20:17 | |
I always said I had a brother. Heh. | 1:20:19 | 1:20:21 | |
Cecily, how could you ever have doubted that I had a brother? | 1:20:21 | 1:20:25 | |
Dr Chasuble, my unfortunate brother. | 1:20:25 | 1:20:28 | |
How do you do? | 1:20:27 | 1:20:28 | |
Miss Prism, my unfortunate brother. | 1:20:28 | 1:20:30 | |
How do you do? | 1:20:29 | 1:20:30 | |
Gwendolen, my unfortunate brother. | 1:20:30 | 1:20:33 | |
How do you do? | 1:20:32 | 1:20:33 | |
Lady Bracknell, my-my brother. | 1:20:33 | 1:20:36 | |
Algy! Algy! | 1:20:36 | 1:20:38 | |
Oh! | 1:20:38 | 1:20:39 | |
Oh! | 1:20:39 | 1:20:41 | |
Under these strange and unforeseen circumstances, | 1:20:52 | 1:20:55 | |
Mr Moncrieff, you may kiss your Aunt Augusta. | 1:20:55 | 1:21:00 | |
MISS PRISM: Mr Moncrieff. | 1:21:12 | 1:21:14 | |
After all that has occurred | 1:21:14 | 1:21:17 | |
and any inconvenience I may have caused you | 1:21:17 | 1:21:20 | |
in your infancy, | 1:21:20 | 1:21:21 | |
I feel it is my duty to resign | 1:21:21 | 1:21:24 | |
my position in this household. | 1:21:24 | 1:21:26 | |
Miss Prism, the suggestion is absurd. I won't hear of it. | 1:21:26 | 1:21:29 | |
Sir, it is my duty to leave. | 1:21:29 | 1:21:31 | |
I have really nothing more to teach dear Cecily. | 1:21:31 | 1:21:35 | |
In the very difficult accomplishment | 1:21:35 | 1:21:38 | |
of getting married, | 1:21:38 | 1:21:40 | |
I fear my sweet and clever pupil | 1:21:40 | 1:21:42 | |
has far outstripped her teacher. | 1:21:42 | 1:21:45 | |
A moment, um, Miss Prism. > | 1:22:04 | 1:22:06 | |
Dr Chasuble. | 1:22:09 | 1:22:11 | |
I've come to the conclusion | 1:22:11 | 1:22:13 | |
that the church is in error | 1:22:13 | 1:22:16 | |
on certain points on the question of matrimony. | 1:22:16 | 1:22:19 | |
Um, corrupt readings | 1:22:19 | 1:22:21 | |
seem to have crept into the text. | 1:22:21 | 1:22:24 | |
In consequence, I... | 1:22:24 | 1:22:28 | |
I beg to solicit | 1:22:28 | 1:22:30 | |
the honour of your hand. | 1:22:30 | 1:22:33 | |
Frederick. | 1:22:33 | 1:22:36 | |
Letitia. | 1:22:36 | 1:22:38 | |
My dear Cecily. | 1:22:39 | 1:22:41 | |
My dearest Algernon. | 1:22:41 | 1:22:42 | |
My own Gwendolen. | 1:22:42 | 1:22:43 | |
My own...but wait! Who are you? | 1:22:43 | 1:22:45 | |
I mean, what is your Christian name, Mr Moncrieff? | 1:22:45 | 1:22:48 | |
Now you have become someone else. | 1:22:48 | 1:22:50 | |
Good heavens, I'd quite forgotten. | 1:22:50 | 1:22:53 | |
The question had better be cleared up at once. | 1:22:53 | 1:22:55 | |
Aunt Augusta, a moment. | 1:22:55 | 1:22:57 | |
At the time when Miss Prism left me in the handbag, | 1:22:57 | 1:23:00 | |
had I been christened? | 1:23:00 | 1:23:01 | |
Yes, I think you were christened after your father. | 1:23:01 | 1:23:04 | |
I see. Then what was my father's Christian name? | 1:23:04 | 1:23:07 | |
I cannot at the present moment recall | 1:23:07 | 1:23:09 | |
what the general's name was. I have no doubt he had one. | 1:23:09 | 1:23:12 | |
Algy, can't you recollect his Christian name? | 1:23:12 | 1:23:15 | |
We were hardly on speaking terms. He died when I was three. | 1:23:15 | 1:23:18 | |
His name would appear on the army lists, I suppose, Aunt Augusta. | 1:23:18 | 1:23:22 | |
The general was essentially a man of peace, | 1:23:22 | 1:23:24 | |
except in his domestic life. | 1:23:24 | 1:23:26 | |
But no doubt his name would appear | 1:23:26 | 1:23:28 | |
on any military directory. | 1:23:28 | 1:23:30 | |
The army lists of the last 40 years are here. | 1:23:32 | 1:23:35 | |
These delightful records should have been my constant study. | 1:23:35 | 1:23:39 | |
Lieutenants, captains, | 1:23:39 | 1:23:41 | |
colonels... | 1:23:41 | 1:23:43 | |
Oh! Colonels. | 1:23:43 | 1:23:45 | |
Generals. | 1:23:45 | 1:23:46 | |
M. | 1:23:46 | 1:23:48 | |
Maxbohm, Magley, | 1:23:48 | 1:23:51 | |
Markby, Migsby, Mobbs, | 1:23:51 | 1:23:52 | |
Moncrieff. | 1:23:52 | 1:23:54 | |
Lieutenant, 1860. | 1:23:54 | 1:23:55 | |
Christian names... | 1:23:55 | 1:23:58 | |
I always told you, Gwendolen, | 1:24:11 | 1:24:14 | |
that my name was Ernest, didn't I? | 1:24:14 | 1:24:17 | |
Well, it is Ernest after all. | 1:24:19 | 1:24:21 | |
I mean, it naturally is Ernest. | 1:24:24 | 1:24:27 | |
Ernest. | 1:24:27 | 1:24:28 | |
My own Ernest. I felt from the first | 1:24:28 | 1:24:31 | |
that you could have no other name. | 1:24:31 | 1:24:33 | |
Mmm. | 1:24:35 | 1:24:36 | |
My nephew. | 1:25:10 | 1:25:12 | |
You seem to be displaying signs of triviality. | 1:25:13 | 1:25:16 | |
On the contrary, Aunt Augusta, | 1:25:16 | 1:25:18 | |
I've now realised for the first time in my life, | 1:25:18 | 1:25:21 | |
the vital importance of being Ernest. | 1:25:21 | 1:25:24 | |
JACK AND ALGY, SINGING: # Mm-mm-mm-mm-mm-mm | 1:25:53 | 1:25:58 | |
JACK: # The western wind is blowing fair | 1:25:58 | 1:26:01 | |
# Across the dark Aegean sea | 1:26:01 | 1:26:05 | |
ALGY: # And at the secret marble stair | 1:26:05 | 1:26:09 | |
# My Tyrian galley waits for thee | 1:26:09 | 1:26:12 | |
BOTH: # Come down The purple sail is spread | 1:26:12 | 1:26:17 | |
# The watchman sleeps within the town | 1:26:17 | 1:26:20 | |
# Oh leave thy lily-flowered bed | 1:26:20 | 1:26:24 | |
# O lady mine, come down | 1:26:24 | 1:26:28 | |
# Come down | 1:26:28 | 1:26:30 | |
# Lady, come down | 1:26:32 | 1:26:34 | |
# Come down | 1:26:36 | 1:26:39 | |
# Lady, come down | 1:26:39 | 1:26:42 | |
# Oh lady, come down | 1:26:42 | 1:26:45 | |
# Lady, come down... # | 1:26:48 | 1:26:52 |