The Lady Vanishes


The Lady Vanishes

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MEN SPEAK GERMAN

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CLOCK CHIMES

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Allo!

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MAN SPEAKS ITALIAN

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-What's all this fuss about, Charters?

-I'm hanged if I know.

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MAN SPEAKS GERMAN

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Ladies and gentlemen, I'm very sorry,

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the train is little bit up-hold.

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And if you wish to stay in my hotel, you have to register immediately.

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Why the deuce didn't he say so in the first place?

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Ah!

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Oh! How do you do, Miss Henderson? How do you do, ladies?

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It's a great honour to have you with us again.

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Nice to see you too, Boris. You haven't changed a bit since Friday.

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-I see you haven't shaved either.

-Is everything ready?

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Everything is ready. I didn't change anything.

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Not even the sheets, we know.

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-Lead on, Boris.

-You see, I didn't expect you to come so quickly.

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Well, our legs gave out on us.

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-We had to do the last lap in a farm car.

-Oh!

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I see we've got company.

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Don't tell me Cook's are running cheap tours here?

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-What is it, Boris?

-It's the avalanche.

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-Avalunch?

-Avalanche, Boris. Avalanche.

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In the spring, we've got many avalanches.

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You know, the snow goes bloop, and everything disappear.

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Even train disappear under the avalanche.

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But I'm going home tomorrow. How long before they dig it up?

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By morning, it's lucky for you.

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You can leave by this train instead of your own.

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How you say it? It's a bad wind that blow nowhere no good.

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Talking of wind, we've not eaten since dawn.

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-Serve us supper in our room, Boris, in our room.

-I could eat a horse.

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Don't put ideas into his head.

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-Some chicken, Boris, and a magnum of champagne, and make it snappy.

-Yes.

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Bandrika may have a dictator, but tonight we're painting it red.

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Meanwhile, we have to stand here cooling our heels, I suppose.

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-Confounded impudence!

-Third-rate country. What do you expect?

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-I wonder who those women were.

-Possibly Americans, I should think.

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You know, almighty dollar, old man.

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I suppose we'll have to wait here.

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If only we hadn't missed the train at Budapest.

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I don't want to rub it in, but if you hadn't insisted standing

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while they sang their national anthem...

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Yes, but you must show respect, Caldicott.

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Of course, if I'd known it would last 20 minutes...

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It's my contention that the Hungarian Rhapsody

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is not their national anthem.

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-Any case, we were the only two standing.

-That's true.

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Well, I suppose we should be in time after all.

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I doubt it. That last report was pretty ghastly, do you remember?

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-"England on the Brink".

-Yes, but that's newspaper sensationalism.

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-The old country's been in tight corners before.

-Looks pretty black.

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Even if we get away first thing, there's the connection at Basle.

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We'll probably be hours.

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-That's true.

-Well, somebody surely can help us.

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Sir, do you happen to know what time the train leaves Basle for England?

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HE SPEAKS GERMAN

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Oh, really? Fellow doesn't speak English.

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ALL SHOUT

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Allo, Alex?

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HE SPEAKS GERMAN

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..champagne, Miss Anderson.

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BOTH SPEAK FRENCH

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Here's one leaves Basle, 21.20.

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-21.20?

-Yes.

-20, 20, 12 from 21 is...

-Yes. 21 from 20...

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One, two, three, four, five...

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I regret, sir, there is only left two single room in front,

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or a little double room at the back.

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-We'll take the two singles.

-Very well, sir. Here is it.

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-Thank you.

-Thank you.

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At least you might have asked me which I preferred.

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My dear, a small double room at the back in a place like this!

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You weren't so particular in Paris last autumn.

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It was quite different then. The exhibition was at its height.

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I realise that now. There's no need to rub it in.

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-We want a private suite with a bath.

-Facing the mountain.

-With a shower.

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-Hot and cold.

-And a private thingummy, if you've got one.

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Well, I'm sorry gentlemen, the only things I've got is the maid's room.

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-What?

-I'm sorry, the hotel is jammed to the sky.

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That's impossible, we haven't fixed up yet.

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You can't expect to put two of us up in the maid's room.

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Don't get excited, I'll remove the maid out.

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I should think so. What? What are you talking about?

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-I think I'd sooner sleep on the train.

-Would you?

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-There is no 'eating in the train.

-No eating?

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Yes, I mean, ha! Heating. Brrr!

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-Oh, heating, no heating.

-That's awkward. All right, we'll take it.

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Just a minute, on one condition -

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you have to have the maid comes to your room and remove her wardrobe.

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Anna!

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She's a good girl, and I don't want to lose her.

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HE SPEAKS ITALIAN

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We'd better go and grab it.

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-Rather primitive humour.

-Grown-up children, you know.

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That was rather an awkward situation over that girl.

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-Pity he couldn't have given us one each.

-Eh?

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-I mean, er, a room apiece.

-Oh.

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I, Iris Matilda Henderson, a spinster of no particular parish,

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do hereby solemnly renounce my maidenly past,

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and do declare that on Thursday next, the 26th inst,

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being in my right mind, I shall take the veil and the orange blossom,

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and change my name to Lady Charles Fotheringale.

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Can't you get him to change his name instead?

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The only thing I like about him is his moustache.

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You're a couple of cynics. I'm very fond of him.

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Well, I'm fond of rabbits, but they have to be kept down.

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Rudolf, give me a hand.

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Have you ever read about that little thing called love?

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It used to be very popular.

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Child, the carpet is already laid at St George's, Hanover Square,

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and father's simply aching to have a coat of arms on the jam label.

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To Iris and the happy days she's leaving behind.

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And the blue-blooded cheque-chaser she's dashing to London to marry.

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The blue-blooded cheque-chaser!

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I've no regrets. I've been everywhere and done everything.

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I've eaten caviar at Cannes, sausage rolls with the dogs.

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I've played baccarat at Biarritz and darts with the Rural Dean.

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What is there left for me but marriage?

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BOTH SPEAK GERMAN

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It's this hanging about that gets me.

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If only we knew what was happening in England.

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Mustn't lose grip, Charters. KNOCK AT DOOR

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Come in.

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SHE SPEAKS GERMAN

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-Did you follow that?

-I did.

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Tell her this has gone far enough.

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There is no, er, no change, change here.

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Erm, outside.

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SHE SPEAKS GERMAN

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-She doesn't understand.

-No. Come on.

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Ow!

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Nothing newer than last month.

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I don't suppose there's such a thing as a wireless set here.

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Awful being in the dark. Our communications cut off in a crisis.

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'Allo, 'allo. London?

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You want Mr Seltzer? Yes, hold on, I'm going right to find where he is.

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London!

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Go on, risk it.

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Hello. Hello, you, you in London.

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No, I'm not Mr Seltzer. Name's Charters.

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I don't suppose you know me.

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You needn't worry. They've just gone to fetch him.

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Tell me, what's happening to England?

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Blowing a gale? No, you don't follow me, sir.

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I'm enquiring about the Test match in Manchester.

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Cricket, sir, cricket! What, you don't know?

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You can't be in England and not know the Test score.

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-Fellow says he doesn't know.

-Silly arse.

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Can't you find out? Oh, nonsense, it won't take a second.

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All right, if you won't, you won't.

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Wasting my time. The fellow's an ignoramus!

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Mr Seltzer, at last, your call come through to London.

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Hello? Hello, hello?

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HE SPEAKS OWN LANGUAGE

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THEY SPEAK OWN LANGUAGE

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HE SPEAKS OWN LANGUAGE

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Thank you, waiter.

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What would you say to a grilled steak?

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That's a very good idea. Well done for me.

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On the red side for me.

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HE SPEAKS OWN LANGUAGE

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They have a passion for repeating themselves.

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-I beg your pardon.

-Mm-hm?

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He's trying to explain that, owing to the number of visitors,

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there's no food left.

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No food?! What sort of place is this?

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Expect us to share a blasted dog box

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with a servant girl on an empty stomach.

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Is that hospitality? Is that organisation?

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Oh, thank you.

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-I'm hungry.

-What a country. I don't wonder they have revolutions.

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You're welcome to what's left of the cheese.

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-Of course, it's not steak, but it's rich in vitamins.

-Really? Thank you.

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I am afraid they're not accustomed to catering for so many.

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-Bandrika is one of Europe's undiscovered corners.

-Yes.

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That's probably cos there's nothing worth discovering, I should think.

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You may not know it as well as I do.

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I'm feeling quite miserable at the thought of leaving it.

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-After you with the cheese, please.

-Why not? So you're going home?

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Tomorrow. My little charges are quite grown up.

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I'm a governess and music teacher, you know.

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In the six years I've lived here,

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I've grown to love the country, especially the mountains.

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I sometimes thinks they're like very friendly neighbours.

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The father and mother mountain, with their white snow hats,

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and their nephews and nieces, not quite so big, with smaller hats,

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right down to the tiniest hillock, without any hat at all.

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-Well, of course, that's just my fancy.

-Oh, really?

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I like to watch them from my bedroom every night when there's a moon.

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I'm so glad there's a moon tonight.

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MAN SINGS

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Do you hear that music?

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Everyone sings here. The people are just like happy children,

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with laughter on their lips and music in their hearts.

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It's not reflected in their politics, you know.

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I never think you should judge a country by its politics.

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After all, we English are quite honest by nature, aren't we?

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You'll excuse me if I run away?

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-Goodnight.

-Goodnight.

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Queer sort of bird.

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A trifle whimsical, I thought.

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After six years in this hole, we'd be whimsical.

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Oh, I don't think so, old man. She was very decent about that cheese.

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I see she's finished the pickles.

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Goodnight, Iris. Listen, someone's serenading.

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Oh, let him. Nothing'll keep me awake tonight.

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Goodnight, my children.

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MAN SINGS

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LOUD RHYTHMIC THUDS

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What's happening? An earthquake?

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That wouldn't account for the music, would it? What a horrible noise!

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-What can they be doing?

-I don't know, but I'll soon find out.

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Hello?

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THUDDING CONTINUES

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Musical country, this.

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Yes, I feel quite sorry for that poor singer outside,

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having to compete with this.

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Boris, Miss Henderson speaking.

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Look, someone upstairs is playing musical chairs with an elephant.

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Move one of them out, will you? I want to get some sleep. All right.

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-That ought to settle it.

-Thank you so much.

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Some people have so little consideration for others,

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which makes life so much more difficult than it need be,

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don't you think? Goodnight. Thank you so much.

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I expect you'll be going for the train in the morning.

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-Yes.

-I hope we shall meet again under...

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Under quieter circumstances.

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-Goodnight.

-Goodnight.

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HE SPEAKS ITALIAN

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Miss, please, I'll fix everything.

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You'd better.

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THUDDING CONTINUES

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Hold it. Don't move, don't move.

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-HE CLEARS THROAT

-Er...

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-..if you please, sir...

-Get out!

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One, two.

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THUDDING RESUMES

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Please, sir, will you kindly stop?

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They're all complaining in the hotel. You make too much noise.

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-Too much what?

-Too much noise.

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You dare to call it a noise. The ancient music with which

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your peasant ancestors celebrated every wedding for generations.

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The dance they danced when your father married your mother,

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supposing you were born in wedlock, which I doubt. Look at them!

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-I take it you're the manager of this...

-Sure, I am the manager!

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Fortunately, I'm accustomed to squalor. Tell me, who's complaining?

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This young English lady underneath.

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You tell the young English lady underneath

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that I am putting on record, for the benefit of mankind,

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one of the lost folk dances of central Europe.

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And furthermost, she does not own this hotel.

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Sir, don't you understand...?

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Now, one, two.

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THUDDING RESUMES

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You know what he said? "Who she think she is, the Queen of Sheba?

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"She think she owns this hotel?"

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-Can't you get rid of him?

-Impossible!

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-Are you sure?

-I begin to wonder.

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It's come back to me. I've got an idea.

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The German lady, she will call him on the telephone.

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She will say, "Young man, it's my room.

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-"I did pay for it. Get out quickly." How's that?

-Good enough.

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Then shock him with a little sh!

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He'll never forget it as long as long as he live.

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Nothing but baseball.

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You know, we used to call it rounders.

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Children play it with a rubber ball and a stick.

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Not a word about cricket.

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Americans have got no sense of proportion.

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KNOCK ON DOOR

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Come in.

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HE WHISTLES

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HE WHISTLES

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SHE SPEAKS GERMAN

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I can't stand this ridiculous lack of privacy. Lock the door.

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Oh!

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SHE SPEAKS GERMAN

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Who are you? What do you want?

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HE PLAYS FIDDLE

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-Recognise the signature tune?

-Will you please get out?

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Oh, this is a much better room. Definitely an acceptable room.

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What exactly do you think you're doing? Keep away.

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Would you hold those for a minute?

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Put those back at once.

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-Which side do you like to sleep?

-Do you want me to throw you out?

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In that case, I'll sleep in the middle.

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Smart of you to bribe the manager.

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An eye for an eye, and a tooth for a toothbrush.

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I suppose you realise you're behaving like a complete cad.

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On the contrary. You're perfectly at liberty to sleep

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in the corridor, if you want to.

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-Hello?

-Oh, I shouldn't, if I were you.

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I'd only tell everyone you invited me here.

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And when I say everyone, I mean everyone. I have a powerful voice.

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Come out of there at once!

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Not until you bribe the manager to restore me to my attic.

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Come out of that bathroom!

0:22:050:22:06

HE SINGS

0:22:060:22:09

Hello, Boris? Look, I was thinking,

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I might change my mind about that room upstairs if...

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Oh, by the way, you might have my things taken upstairs, would you?

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You're the most contemptible person I've ever met in all my life.

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-WHISPERS:

-Confidentially, I think you're a bit of a stinker, too.

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MAN SINGS

0:23:050:23:10

HE CHOKES

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SHE SINGS TO HERSELF

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ACCORDION MUSIC PLAYS

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I hope to get to Basle on time.

0:24:020:24:04

-We should see the last day of the match.

-Hope the weather's like this

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in Manchester. Perfect wicket for our fellas.

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-Isn't it somewhere along here?

-If you don't hurry, Margaret,

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-we shan't get a compartment to ourselves.

-Does it matter?

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-Well, there's still time to change your mind, Iris.

-Yes.

0:24:240:24:26

Why not send Charles a telegram, tell him he's all washed up?

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No, it's too late. This time next week, I shall be a sunburnt offering

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on an altar in Hanover Square.

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I shan't mind, really.

0:24:350:24:37

Oh, good morning.

0:24:370:24:40

I can't find my bag.

0:24:400:24:42

It's a brown holdall. Have you seen...?

0:24:420:24:44

No, of course not. Thank you. I gave it to the porter...

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Oh, she dropped her glasses.

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-You dropped your glasses.

-Thank you.

-Oh!

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Oh, dear, oh, dear, oh, dear. Oh, my dear.

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Darling, are you hurt?

0:25:000:25:01

I don't know. What was it?

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HE SPEAKS GERMAN

0:25:050:25:07

Never mind about that. This cockeyed station has brained my friend!

0:25:070:25:10

-Yes, indeed.

-What are you going to do about it?

0:25:100:25:12

-HE SPEAKS GERMAN

-He says he can't hold the train.

0:25:120:25:14

HE BLOWS WHISTLE

0:25:140:25:15

-Hurry up, it's going!

-Yes, my dear.

0:25:150:25:17

-I'll be all right.

-Are you sure? Be careful.

0:25:170:25:20

Don't worry, I'll look after her. Such carelessness.

0:25:200:25:23

You sure you're all right?

0:25:310:25:33

-Send us a copy of The Times. Write and tell us all about it.

-Good luck.

0:25:330:25:37

Look after yourself.

0:25:370:25:39

There, there. You'll be all right in a minute.

0:26:100:26:13

Just take everything quietly.

0:26:130:26:16

Put some of this eau de Cologne on your head.

0:26:160:26:18

-Do you feel any better?

-Yes, thank you. I'm all right now.

0:26:390:26:42

What you need is a good strong cup of tea.

0:26:420:26:45

-I'll ring for the attendant.

-No, no, please don't bother.

0:26:450:26:47

I'll go to the dining car myself. I need some air.

0:26:470:26:50

Oh, well, in that case, I'll come with you.

0:26:500:26:51

-If you don't mind, that is.

-No, of course not.

0:26:510:26:54

Oh, I beg your pardon. I'm so sorry.

0:27:080:27:12

You can always tell a honeymoon couple, you know. They're so shy.

0:27:120:27:15

-Why did you do that?

-We don't want people staring at us.

0:27:170:27:19

Anyone would think the whole legal profession were dogging you.

0:27:190:27:22

One would be enough.

0:27:220:27:23

You thought that beggar in Damascus was a barrister in disguise.

0:27:230:27:26

I merely said his face was distinguished enough for a judge.

0:27:260:27:28

You hurried off in the opposite direction, I noticed.

0:27:280:27:30

That's not true. I was looking for a street called Street.

0:27:300:27:33

-You weren't so careful the first two days.

-I know, I know.

0:27:330:27:36

And anyways, as for you meeting someone you know, what about me?

0:27:360:27:39

Robert thinks I'm cruising with mother.

0:27:390:27:41

If one's feeling a little bit shaky,

0:27:500:27:52

I always think it's best to sit in the middle of the coach,

0:27:520:27:55

preferably facing the engine.

0:27:550:27:57

-A pot of tea for two, please.

-Very good.

-Oh, and just a minute.

0:27:570:28:00

Will you please tell them to make it from this? I don't drink any other.

0:28:020:28:06

And make absolutely sure that the water is really boiling.

0:28:060:28:09

You understand?

0:28:090:28:10

It's a little fad of mine. My father and mother -

0:28:110:28:14

who, I'm thankful to say are still alive and enjoying

0:28:140:28:17

good health - invariably drink it.

0:28:170:28:19

And so I follow their footsteps.

0:28:190:28:21

Do you know, a million Mexicans drink it?

0:28:210:28:23

At least, that's what it says on the packet.

0:28:230:28:26

It's kind of you to help me like this.

0:28:260:28:27

I don't think we've introduced ourselves.

0:28:270:28:30

-My name is Iris Henderson. I'm going home to be married.

-Really?

0:28:300:28:32

-How very exciting. I do hope you'll be happy.

-Thank you.

0:28:320:28:36

You'll have children, won't you? They make such a difference.

0:28:360:28:39

I always think it's being with kiddies so much that's made me,

0:28:390:28:42

if I may say so, young for my age.

0:28:420:28:44

I'm a governess, you know. My name's Froy.

0:28:440:28:46

WHISTLE BLASTS

0:28:460:28:48

-Did you say Flora?

-Froy.

-I'm sorry, I can't hear.

0:28:480:28:52

Froy. It rhymes with joy.

0:29:040:29:06

Thank you. Please reserve two places for lunch.

0:29:060:29:09

-That is, if you care to have it with me?

-Of course.

0:29:090:29:12

There's nothing moot about it, it simply wasn't out, that's all.

0:29:120:29:15

But for the umpire's blunder, he'd still be batting.

0:29:150:29:17

What do you mean? I don't understand.

0:29:170:29:18

I'll show you. Look here, I saw the whole thing.

0:29:180:29:21

Now then, there's Hammond, there's the bowler, there's the umpire.

0:29:230:29:28

-Sugar?

-Two, please.

0:29:280:29:31

Dear me, there is no sugar.

0:29:310:29:33

Now watch this very, very carefully, Caldicott. Grimmet was bowling...

0:29:340:29:38

May I trouble you for the sugar, please?

0:29:380:29:40

-What?

-The sugar, please.

0:29:400:29:43

HE SIGHS

0:29:470:29:49

Thank you so much.

0:29:590:30:00

If I were you, I'd try and get a little sleep.

0:30:130:30:16

It'll make you feel quite well again.

0:30:160:30:18

There's an intriguing acrostic in The Needlewoman.

0:30:180:30:20

I'm going to try and unravel it before you wake up.

0:30:200:30:24

BOTH LAUGH

0:30:330:30:35

SHE SINGS TO HERSELF

0:30:380:30:40

WHISTLE BLASTS

0:31:130:31:17

HE SPEAKS ITALIAN

0:31:330:31:36

Reservations for lunch, please.

0:31:360:31:37

Madam has booked for lunch?

0:31:420:31:43

I think my friend did. She's got the tickets.

0:31:430:31:46

-Have you seen my friend?

-No?

0:31:530:31:55

Erm, my friend, where is she?

0:31:550:31:57

La signora Inglese, the English lady, where is she?

0:31:590:32:03

-There has been no English lady here.

-What?

0:32:030:32:05

There has been no English lady here.

0:32:060:32:10

There has. She sat there, in the corner.

0:32:100:32:12

You saw her, you spoke to her. She sat next to you.

0:32:120:32:14

But it's ridiculous.

0:32:160:32:17

She took me to the dining car and came back here with me.

0:32:170:32:19

You went and came back alone.

0:32:190:32:21

Maybe you don't understand -

0:32:220:32:23

I mean the lady who looked after me when I was knocked out.

0:32:230:32:26

Ah, perhaps it make you forget, eh?

0:32:260:32:29

I may be very dense, but if this is some part of a joke,

0:32:290:32:32

I'm afraid I don't see the point.

0:32:320:32:33

-Oh, steward, you served me tea just now.

-Yes, madam.

0:33:070:33:09

Have you seen the lady I was with? The English lady?

0:33:090:33:11

But madam was alone.

0:33:110:33:13

Pardon, madam, he make mistake.

0:33:130:33:15

Well, of course. He must remember the little English lady.

0:33:150:33:18

-She ordered the tea and paid for it.

-No, it is you who paid.

0:33:180:33:20

BOTH SPEAK ITALIAN

0:33:200:33:22

He say to look at the bill.

0:33:220:33:23

But she gave you a special packet of tea.

0:33:230:33:25

You can't have forgotten that.

0:33:250:33:26

The tea was ours, madam. I received no packet.

0:33:260:33:29

-But you did. I know what happened.

-Pardon, madam, the bill.

0:33:290:33:32

-Er, tea for one.

-But that's not right.

0:33:320:33:35

Perhaps madam would care to examine the bills herself?

0:33:350:33:38

No, I wouldn't. The whole thing's too absurd.

0:33:380:33:40

Please, have you seen a lady pass through...? Oh.

0:33:470:33:50

Well, if it isn't old stinker.

0:33:500:33:52

If I thought you'd be on this train,

0:33:520:33:54

I'd have stayed another week in the hotel. Er, lady, no. Why?

0:33:540:33:56

Doesn't matter. You probably wouldn't recognise one anyway.

0:33:560:33:59

-Hello? Feeling queer?

-It's that pipe of yours, George.

0:34:030:34:06

Why don't you throw your old socks away? Thanks for the help.

0:34:060:34:09

Oh, come on, sit down. Take it easy. What's the trouble?

0:34:090:34:11

If you must know, something fell on my head.

0:34:110:34:14

-When, infancy?

-At the station.

0:34:140:34:15

-Bad luck. Can I help?

-Only by going away.

0:34:150:34:19

No, no, no. My father always taught me, never desert a lady in trouble.

0:34:190:34:21

He even carried that as far as marrying mother.

0:34:210:34:23

Did you see a lady last night in the hotel in tweeds?

0:34:230:34:26

I saw one lady - she was hardly in tweeds.

0:34:260:34:28

Yes, but she was in my compartment, and now I can't find her.

0:34:280:34:31

She must be still on the train. We haven't stopped since we started.

0:34:310:34:34

Of course she's still on the train, I know that.

0:34:340:34:36

All right. Nobody said she isn't.

0:34:360:34:37

-That's just what they ARE saying.

-Who?

-The people in the compartment

0:34:370:34:40

and the stewards. They insist they never saw her.

0:34:400:34:42

-All of them?

-All of them.

0:34:420:34:44

-You said you got a knock on the head?

-What do you mean?

0:34:440:34:47

-Never mind. Do you talk the lingo?

-No.

0:34:470:34:49

They probably thought you were trying to borrow some money.

0:34:490:34:51

Come on, let's knock the idea out of their stupid heads.

0:34:510:34:54

That's the most unfortunate remark. I beg your pardon.

0:34:540:34:56

That's one of them, the little dark man.

0:35:000:35:02

I say, excuse me, I think there's been a misunderstanding.

0:35:030:35:06

-This young lady seems to have lost her friend.

-Yes, I have heard.

0:35:060:35:09

This gentleman has been explaining to me. Most interesting.

0:35:090:35:12

I think, under the circumstances, we shall all introduce ourselves.

0:35:120:35:16

I am Italian citizen. My wife and child.

0:35:160:35:18

How do you do? Bonny little chap. How old is he?

0:35:180:35:20

1934. And the lady in the corner is the Baroness Attorna.

0:35:200:35:25

Yes. I met her husband. He presented prizes at the folk dance festival.

0:35:250:35:28

Minister of Propaganda.

0:35:280:35:29

I am Dr Egon Hartz of Prague, you may have heard of me.

0:35:290:35:32

-Not the brain specialist?

-Yes, the same.

0:35:320:35:35

You flew over to England and operated on a cabinet minister.

0:35:350:35:37

-Oh, yes.

-Tell me, did you find anything?

0:35:370:35:40

A slight cerebral contusion.

0:35:400:35:41

Oh, well, that's better than nothing.

0:35:410:35:43

I am picking up a similar case at the next station,

0:35:430:35:46

but so much more complicated

0:35:460:35:47

I shall operate at the National Hospital tonight.

0:35:470:35:49

Among other things, a cranial fracture with compression.

0:35:490:35:52

-Do you understand?

-Oh, yes, a wallop on the bean.

0:35:520:35:55

-I suppose you haven't seen my friend?

-Unfortunately, no.

0:35:550:35:58

I'll just take a word with the baroness.

0:35:580:35:59

BOTH SPEAK ITALIAN

0:36:010:36:06

-What do they say?

-They both say that they've never seen her.

0:36:120:36:14

-But that's not true. She was sitting where you are.

-Can you describe her?

0:36:140:36:18

It's difficult. You see, she was sort of middle-aged.

0:36:180:36:20

-What was she wearing?

-Tweeds. Oatmeal, flecked with brown,

0:36:200:36:24

a three-quarter coat with patch pockets,

0:36:240:36:27

a scarf, felt hat, brown shoes,

0:36:270:36:29

a tussore shirt, and a small, blue handkerchief in her breast pocket.

0:36:290:36:33

-I can't remember any more.

-You couldn't have been paying attention.

0:36:330:36:36

-Now listen, you both went along to tea?

-Yes.

0:36:360:36:38

-Well, surely you met somebody?

-I suppose we did, but...

0:36:380:36:42

Wait, let me think. There was an Englishman who passed the sugar.

0:36:420:36:46

Right. Let's go and dig him out.

0:36:460:36:47

I come with you. This is most interesting to me.

0:36:470:36:50

We don't like people muscling in, but we'll make you a member.

0:36:500:36:53

Wait a moment, there WAS somebody else.

0:37:000:37:02

As we passed this compartment, Miss Froy stumbled in.

0:37:020:37:04

-There was a tall gentleman and a lady.

-Now we are getting somewhere.

0:37:040:37:07

If we can find someone who saw her, we will have the place searched.

0:37:070:37:10

-Can I be of any assistance?

-That is the gentleman.

0:37:100:37:12

Do you remember seeing this young lady pass the compartment

0:37:120:37:15

with a little English woman?

0:37:150:37:16

-I'm afraid not.

-You must have, she almost fell into your compartment.

0:37:160:37:22

Surely you haven't forgotten? It is very important.

0:37:220:37:24

Everybody is saying she was not on the train but I know she is.

0:37:240:37:27

I'm going to find her even if I have to stop the train to do it.

0:37:270:37:30

This is Charters. Can I come in?

0:37:310:37:33

You know that girl we saw at the hotel?

0:37:340:37:36

She's back there kicking up a devil of a fuss.

0:37:360:37:38

Says she's lost her friend.

0:37:380:37:39

-She hasn't been in here.

-The point is she threatens to stop the train.

0:37:390:37:43

If we miss our connection, we'll never make Manchester in time.

0:37:430:37:47

-This is serious.

-Let's hide in here.

0:37:470:37:49

Sorry, I haven't the faintest recollection.

0:37:500:37:52

You must be making a mistake.

0:37:520:37:54

He obviously doesn't remember. Let's look for the other fellow.

0:37:550:37:59

-Who were you talking to outside?

-Oh, nobody.

0:38:010:38:03

Just some people in the corridor arguing.

0:38:030:38:06

-There he is, there's the man.

-I'm sorry. I wonder if I can bother you.

0:38:120:38:16

-I wonder if you can help.

-How?

0:38:160:38:18

I was having tea about an hour ago with an English lady.

0:38:180:38:20

-You saw her, didn't you?

-I don't know.

0:38:200:38:23

-I was talking to my friend, wasn't I?

-Indubitably.

-But you were sitting

0:38:230:38:26

at the next table, she turned and borrowed the sugar.

0:38:260:38:28

-You must remember.

-Yes, I recall passing the sugar.

-Then you saw her?

0:38:280:38:31

We were deep in conversation about cricket.

0:38:310:38:33

I don't see how a thing like cricket

0:38:330:38:34

-can make you forget seeing people.

-Don't you?

0:38:340:38:36

If that is your attitude, there is nothing more to be said.

0:38:360:38:39

Come, Caldicott. "A thing like cricket"!

0:38:390:38:42

Wrong tactics, we should have told him we were looking for

0:38:420:38:44

-a lost cricket ball.

-But he spoke to her.

0:38:440:38:46

-There must be some explanation.

-There is. Please forgive me.

0:38:460:38:49

I'm quite possibly wrong, but I have known cases where a sudden shock

0:38:490:38:53

or blow has induced the most vivid impressions.

0:38:530:38:56

-I understand. You don't believe me.

-It is not a question of belief.

0:38:560:39:00

Even a simple concussion may have curious effects upon

0:39:000:39:03

-an imaginative person.

-I can remember every little detail.

0:39:030:39:06

Her name, Miss Froy, everything.

0:39:060:39:09

So interesting.

0:39:090:39:10

If one had time, one could trace the cause of the hallucination.

0:39:100:39:14

-Hallucination?

-Precisely. There is no Miss Froy. There never was.

0:39:140:39:19

-Merely a vivid subjective image.

-But I met her last night at the hotel.

0:39:190:39:22

-You thought you did.

-What about the name?

-Some past association.

0:39:220:39:26

An advertisement or a character in a novel, subconsciously remembered.

0:39:260:39:30

There is no reason to be frightened, if you are quiet and relax.

0:39:300:39:35

Thank you very much.

0:39:350:39:36

If you will excuse me, this is where my patient comes aboard. Excuse me.

0:39:450:39:49

Most interesting.

0:39:500:39:52

Stopping.

0:39:530:39:55

-This is the first stop, isn't it?

-Mm-hm.

0:39:550:39:57

Then Miss Froy must still be on the train. You look out of this window

0:39:570:40:00

and see if she gets off this side. I'll take the other.

0:40:000:40:03

Most interesting.

0:40:040:40:06

-What was she dressed in? Scotch tweeds, wasn't it?

-Oatmeal tweeds.

0:40:120:40:16

I knew it had something to do with porridge.

0:40:160:40:19

THEY SPEAK OWN LANGUAGE

0:40:250:40:30

How long does it take to get a divorce? Eric.

0:40:440:40:48

I beg your pardon, I wasn't listening.

0:40:480:40:50

-I said, how long does it take to get a divorce?

-That depends. Why?

0:40:500:40:55

Only wondering whether we could take our honeymoon next spring.

0:40:550:40:59

I mean the official one.

0:40:590:41:00

The difficulties are considerable.

0:41:000:41:02

For one thing, the courts are very crowded just now.

0:41:020:41:05

Although I suppose we barristers ought not to complain about that.

0:41:050:41:08

As a matter of fact, with the conditions as they are now,

0:41:080:41:11

my chances of becoming a judge are very rosy.

0:41:110:41:13

That is if nothing untoward occurs.

0:41:130:41:15

Such as you being mixed up in a divorce case yourself.

0:41:150:41:18

Yes.

0:41:180:41:20

In the first careless rapture of yours,

0:41:200:41:22

you said you didn't care what happened.

0:41:220:41:24

You must think of it from my point of view.

0:41:240:41:26

The law, like Caesar's wife, must be above suspicion.

0:41:260:41:28

-Even when the law spends six weeks with Caesar's wife?

-Look here.

0:41:280:41:32

Now I know why you've been running around like a scared rabbit,

0:41:320:41:35

why you lied so deliberately a few minutes ago.

0:41:350:41:37

-I lied?

-Yes, to those people in the corridor.

0:41:370:41:40

I heard every word you said.

0:41:400:41:42

It was merely I didn't wish to be mixed up in any enquiry.

0:41:420:41:45

"Enquiry"! Just because a little woman can't be found.

0:41:450:41:49

That girl was making a fuss. If the woman had disappeared

0:41:490:41:51

and I had admitted seeing her, we might become vital witnesses.

0:41:510:41:54

My name might even appear in the papers, coupled with yours.

0:41:540:41:58

-A scandal like that might lead anywhere. Anywhere.

-Yes.

0:41:580:42:02

I suppose it might.

0:42:030:42:05

WHISTLE BLASTS

0:42:100:42:12

-Nobody?

-Nobody.

0:42:250:42:27

The only thing that came out of my side was two bits of orange peel and

0:42:270:42:30

-a paper bag.

-I know there's a Miss Froy. She's as real as you are.

0:42:300:42:33

You say that, but there doesn't appear to be anybody else

0:42:330:42:36

-who's seen her.

-I saw her, I think.

0:42:360:42:38

-You did?

-A little woman in tweeds wearing a three-quarter coat.

0:42:390:42:43

-With a scarf?

-That's right.

0:42:430:42:45

-I saw her with you when you passed the compartment.

-I knew I was right!

0:42:450:42:48

But your husband said he hadn't seen her.

0:42:480:42:50

-He didn't notice, but as soon he mentioned I remembered.

-You win.

0:42:500:42:53

This calls for action. Are you prepared to make a statement?

0:42:530:42:56

-Of course, if it helps.

-Pardon. My patient has arrived.

0:42:560:42:59

The most fascinating complication.

0:42:590:43:01

We have some news. This lady actually saw Miss Froy.

0:43:010:43:03

We'll have the train searched.

0:43:030:43:05

You'll have to think of a fresh theory now, Doctor.

0:43:050:43:07

It is not necessary - my theory was perfectly good.

0:43:070:43:09

The facts were misleading. I hope you find your friend. Excuse me.

0:43:090:43:13

-I will be in here if you want me.

-Right you are. Come along.

0:43:130:43:16

Eric.

0:43:200:43:22

I was only going to mention that I told that girl I'd seen her friend.

0:43:240:43:27

What's that? Have you taken leave of your senses?

0:43:270:43:30

-On the contrary, I have come to them.

-What do you mean?

0:43:300:43:33

If there is a scandal, there would be a divorce.

0:43:330:43:35

You could not let me down.

0:43:350:43:37

You'd have to do the decent thing as reluctantly as you know.

0:43:370:43:41

You forget one very important thing. Your husband would divorce you,

0:43:410:43:44

but whatever happens, my wife will never divorce me.

0:43:440:43:47

It may seem crazy to you

0:43:490:43:50

-but I tell you you're going to search the train.

-Signorina!

0:43:500:43:53

Down there, they look for you. Your friend, she come back.

0:43:530:43:56

-Come back?

-Si.

-What happened?

-You go see. She tell you. Scusi.

0:43:560:44:01

Thanks. Relax. The crisis is over.

0:44:010:44:05

Come on, let's join the lady.

0:44:050:44:06

-Here we are.

-Miss Froy!

0:44:080:44:09

That isn't Miss Froy.

0:44:130:44:15

-Isn't it?

-No.

-It is a silly thing to say, but are you Miss Froy?

0:44:150:44:20

No, I am Madame Kummer.

0:44:210:44:24

SHE SPEAKS OWN LANGUAGE

0:44:240:44:27

She says she helped you into the carriage after you got

0:44:270:44:29

hit on the head then went to see some friends.

0:44:290:44:31

SHE SPEAKS OWN LANGUAGE

0:44:310:44:33

The baroness says that as you spoke about an English lady,

0:44:330:44:36

-she did not connect her with Madame Kummer.

-She wasn't the lady I saw.

0:44:360:44:39

-It was Miss Froy.

-Oatmeal tweeds, blouse, handkerchief.

0:44:390:44:42

I know, everything is the same, but it isn't her.

0:44:420:44:44

-When did you say you first met Miss Froy?

-Last night at the hotel.

0:44:440:44:48

-Was she wearing a costume like that?

-Yes.

0:44:480:44:52

Then I must apologise, you did meet her after all.

0:44:520:44:54

But not on this train. In your subconscious mind,

0:44:540:44:58

you substituted the face of Madame Kummer for Miss Froy.

0:44:580:45:00

But I didn't. I couldn't have, I tell you, I talked to her here.

0:45:000:45:03

That's very easily settled,

0:45:030:45:04

as an English woman on the train who said she saw her.

0:45:040:45:06

-If this lady wouldn't mind...

-THEY SPEAK OWN LANGUAGE

0:45:060:45:09

What a gift for languages the fellow's got.

0:45:120:45:14

Would you tell us, is this the woman you saw?

0:45:250:45:27

It isn't a bit like her, is it?

0:45:270:45:29

Yes, she's the woman.

0:45:320:45:33

-But it isn't, I tell you.

-Are you sure?

0:45:350:45:37

-Perfectly.

-She isn't, she isn't!

0:45:390:45:42

SHE SPEAKS OWN LANGUAGE

0:45:420:45:43

Come on, then. I'm so sorry to have troubled you.

0:45:460:45:49

Well? Aren't you going to say anything?

0:45:510:45:54

You might at least gloat, if nothing else.

0:45:540:45:56

You only did it to save your own skin.

0:45:560:45:59

She was lying. I saw it in her face. They're all lying, but why?

0:45:590:46:03

Why don't you sit down? Take it easy.

0:46:030:46:04

Do you think I substituted Miss Froy's face for Madame Kummer's?

0:46:040:46:07

I think any change would be an improvement.

0:46:070:46:10

Miss Froy was on this train,

0:46:100:46:11

and nothing will convince me otherwise.

0:46:110:46:15

Must you follow me round like a pet dog?

0:46:150:46:17

Let's say a watchdog - I've got all the better instincts.

0:46:170:46:20

Goodbye.

0:46:200:46:21

The doctor was right, I never saw Miss Froy on the train.

0:46:400:46:42

It didn't happen, I know now.

0:46:420:46:44

I'm glad you're going to take it like that. Forget all about it.

0:46:440:46:47

Make your mind a complete blank.

0:46:470:46:50

Watch me, you can't go wrong.

0:46:500:46:51

What about something to eat?

0:46:530:46:55

-Anything.

-That's right. Come along.

0:46:550:46:57

-Would you like a little air?

-Thanks.

0:47:060:47:09

-Do you think you can eat anything?

-I could try.

0:47:110:47:13

That's the spirit. You'll feel a different girl tomorrow.

0:47:130:47:16

I hope so. I don't want to meet my fiance a nervous wreck.

0:47:160:47:20

Your what?

0:47:200:47:22

I'm being married on Thursday.

0:47:220:47:24

-Quite sure you're not imagining that?

-Positive.

0:47:240:47:27

Oh, I was afraid so. Ah, food.

0:47:270:47:30

-I couldn't face it.

-Mind if I talk with my mouth full?

0:47:300:47:33

-If you must.

-Now then, would you like to hear about my early life?

0:47:330:47:37

-I don't think so.

-Well, since you press me, I'll begin with my father.

0:47:370:47:40

It's remarkable how many great men began with their father. Drink?

0:47:400:47:44

A cup of tea, please.

0:47:440:47:46

My father was a very colourful character,

0:47:490:47:51

and he was strongly addicted to...

0:47:510:47:53

You'll never guess.

0:47:530:47:55

-Harriman's Herbal Tea.

-No! Double Scotch.

0:47:550:47:58

-A million Mexicans drink it.

-Maybe they do, but Father didn't.

0:47:580:48:01

Miss Froy gave the waiter a packet of it.

0:48:010:48:04

-A packet of what?

-Harriman's Herbal Tea.

0:48:040:48:07

She said it was the only sort she liked.

0:48:070:48:08

We agreed you'd make your mind a complete blank.

0:48:080:48:11

-But it's so real, I'm sure it happened.

-Did we or did we not?

0:48:110:48:15

We did. Sorry.

0:48:150:48:18

Go on telling me about your father.

0:48:180:48:20

My father was a very remarkable man.

0:48:200:48:22

-Did he play the clarinet?

-Incessantly.

0:48:220:48:25

In fact, he never put it down unless it was absolutely necessary.

0:48:250:48:28

Naturally, I couldn't help inheriting his love of music.

0:48:280:48:31

-Why not?

-It was all he left me.

0:48:310:48:34

You know, you're remarkably attractive.

0:48:340:48:37

Has anyone ever told you?

0:48:370:48:39

We were discussing you.

0:48:390:48:40

-Yes, of course. Do you like me?

-Not much.

0:48:400:48:43

After I'd paid my father's debts, I started to travel,

0:48:460:48:49

until they tried to cash the cheques.

0:48:490:48:50

I'm writing a book now. Would you like to buy a copy?

0:48:500:48:54

I'd love to. When does it see the light of day?

0:48:540:48:56

About four years.

0:48:560:48:58

-That's a very long time.

-It's a very long book.

0:48:580:49:01

Do you know why you fascinate me? I'll tell you.

0:49:030:49:06

You have got two great qualities I admired in Father -

0:49:060:49:08

you haven't any manners at all, and you're always seeing things.

0:49:080:49:12

-What's the matter?

-Look!

0:49:130:49:16

WHISTLE BLASTS

0:49:160:49:18

-It's gone!

-What's gone?

0:49:220:49:25

Miss Froy's name on the window.

0:49:250:49:26

You saw it. You must have seen it! She's on the train!

0:49:260:49:29

No, steady, steady.

0:49:290:49:30

Excuse me, thank you very much.

0:49:300:49:32

We've got to find her. Something's happening to her. Stop the train!

0:49:320:49:37

Listen, everybody, there's a woman on this train - Miss Froy.

0:49:370:49:40

Some of you must have seen her. They're hiding her somewhere.

0:49:400:49:42

I appeal to you, all of you, to stop the train.

0:49:420:49:45

Please help me. Make them stop the train.

0:49:450:49:47

Why don't you do something before it's too late?

0:49:470:49:50

-Please.

-You think I'm crazy, but I'm not.

0:49:500:49:53

For heaven's sake, stop this train! Leave me alone!

0:49:530:49:56

Leave me alone!

0:49:560:49:57

WHISTLE BLASTS

0:49:570:50:00

BRAKES SQUEAL

0:50:010:50:05

Huh! Ten minutes late, thanks to that fool of a girl.

0:50:120:50:15

She gets up to any more tricks, we'll be too late for the match.

0:50:150:50:20

-I suppose you couldn't put it to her in some way?

-What?

0:50:200:50:23

Well, people just don't vanish, and so forth.

0:50:230:50:27

-She has.

-What?

0:50:270:50:29

-Vanished.

-Who?

-The old dame.

0:50:290:50:32

-Yes.

-Well?

0:50:330:50:35

-Well, how could she?

-What?

0:50:360:50:38

-Vanish.

-I don't know.

0:50:400:50:42

That explains my point. People don't just disappear into thin air.

0:50:420:50:47

-It's done in India.

-What?

0:50:470:50:50

-The rope trick.

-Oh, that.

0:50:500:50:53

It never comes out in a photograph.

0:50:530:50:55

Look, in half an hour we'll stop at Morshkan, just before the border.

0:50:560:51:00

I will leave there with my patient for the National Hospital.

0:51:000:51:04

If you come with me, you can stay overnight in a private ward.

0:51:040:51:07

-You need peace and rest.

-Sorry, nothing doing.

0:51:070:51:11

Isn't there anything we can do?

0:51:110:51:13

Yes. Find Miss Froy.

0:51:130:51:14

I tell you, if she does not rest, I will not answer for her.

0:51:210:51:25

It will be best if you persuade her. She likes you.

0:51:250:51:27

I'm as popular as a dose of strychnine.

0:51:270:51:30

If you coat it with sugar, she may swallow it.

0:51:300:51:33

Cosmopolitan train, this. People of all nations.

0:52:140:52:17

I've just seen at least a million Mexicans in the corridor.

0:52:190:52:23

I thought I'd look in to tell you to think over what Dr Hartz said.

0:52:250:52:28

If you fell like changing your mind, I'll be hanging around.

0:52:280:52:31

-What's all the mystery?

-You're right, Miss Froy is on this train.

0:52:390:52:42

I've just seen the packet of tea you were talking about in the rubbish.

0:52:420:52:45

-Trifle late, aren't you? She may be dead now.

-Dead or...

0:52:450:52:47

For sheer variety, give me an English summer.

0:52:470:52:49

I remember once spending a bank holiday at...

0:52:490:52:52

We'll search the train. There's something definitely queer in here.

0:52:520:52:55

-Looks like a supply service for trunk murderers.

-Don't!

0:53:120:53:15

Look at that!

0:53:230:53:24

-It's all right, Miss Froy, it's only us.

-Hurry up, quickly!

0:53:280:53:31

Perhaps it's Miss Froy bewitched, you never know!

0:53:380:53:41

I refuse to be discouraged. Faint heart never found old lady.

0:53:410:53:44

-Do you know anything about her?

-No.

0:53:460:53:48

Only that she was a governess going back home.

0:53:480:53:51

-What is this thing?

-Can't imagine.

0:53:550:53:57

There might be something down here.

0:53:570:53:59

-What on earth...?

-Our Italian friend!

0:54:020:54:05

I've got it! Wait a minute.

0:54:050:54:06

There you are, the Great Doppo.

0:54:080:54:09

-His visiting card, look.

-What's it say?

0:54:160:54:19

The Great Doppo, magician, illusionist, mind-reader...

0:54:190:54:21

see his fascinating act, the vanishing...

0:54:210:54:25

-..lady.

-The vanishing lady?!

0:54:250:54:28

-Perhaps that's the explanation.

-What?

-He's practising on Miss Froy.

0:54:280:54:32

-Perhaps it's a publicity stunt.

-No.

0:54:320:54:35

What about the Baroness and Madame Kummer?

0:54:350:54:37

-What's your theory?

-I don't know. My theory? I'll tell you.

0:54:370:54:42

Oh, dear! I can't get...

0:54:470:54:49

-Where are you?

-In here, with a strong smell of camphor ball.

0:54:590:55:03

-I can't see you.

-I'm about somewhere.

0:55:030:55:05

Here I am. Where are you?

0:55:070:55:10

I don't know!

0:55:100:55:12

This is what comes of not saying abracadabra.

0:55:120:55:14

-Ooh! Ooh!

-Are you hurt?

0:55:140:55:17

-Come on, out of it.

-Not much.

0:55:170:55:19

-Come and sit down.

-What is that?

0:55:190:55:22

In magic circles, we call it the disappearing cabinet.

0:55:220:55:25

-You get inside, and you vanish.

-So I noticed.

0:55:250:55:28

You were about to tell me of your theory.

0:55:280:55:30

Oh, my theory. Well...

0:55:300:55:33

my theory, my dear Watson, is that we are in very deep waters indeed.

0:55:330:55:37

-Ahem.

-Oh! Thank you very much.

0:55:370:55:40

Let us marshal our facts over a pipe full of Baker Street shag.

0:55:400:55:43

In the first place, a little old lady disappears.

0:55:430:55:45

Everyone who saw her insists she was never there, right?

0:55:450:55:49

-Right.

-We know that she was, therefore

0:55:490:55:51

they did see her, therefore they are deliberately lying.

0:55:510:55:54

-Why?

-I don't know. I'm only Watson.

0:55:540:55:56

Don't bury yourself in the part. I'll tell you why -

0:55:560:55:59

they daren't face an enquiry as Miss Froy's probably still on this train.

0:55:590:56:02

-I told you that hours ago.

-Yes, so you did.

0:56:020:56:06

-For that, my dear Watson, you shall have a cigar.

-Ooh, thank you.

0:56:060:56:09

Only one thing left to do - search the train in disguise.

0:56:090:56:12

-As what?

-Well, er...

0:56:120:56:15

-Old English gentleman.

-They'd see through you.

0:56:160:56:19

Perhaps you're right. Aha!

0:56:190:56:21

Will Hay.

0:56:230:56:24

Now, boys, boys, which of you has stolen Miss Froy? Own up!

0:56:240:56:28

-Give those glasses to me.

-Why?

0:56:280:56:31

-They're Miss Froy's!

-Are you sure?

0:56:310:56:33

Yes, they're exactly the same. Gold rims... Where did you find them?

0:56:330:56:36

-Down here on the floor. The glass is broken.

-Probably in the struggle.

0:56:360:56:39

Do you realise that this is our first piece of tangible proof?

0:56:400:56:43

That's the lot.

0:56:450:56:46

Will you please give me those spectacles?

0:56:510:56:52

They belong to me. My spectacles, please.

0:56:520:56:55

-Yours? Are you sure?

-HE SPEAKS ITALIAN

0:56:550:56:58

Naughty, naughty. That's a large nose for a small pair of spectacles.

0:57:000:57:04

That's the game, is it? We'll see about that.

0:57:050:57:07

They're Miss Froy's glasses, and you know it.

0:57:070:57:09

She's been here, and you know that too!

0:57:090:57:11

Don't stand hopping about there like a referee, kick him!

0:57:220:57:25

See if he's got a false bottom. Hang on, I'll get him up.

0:57:250:57:28

Ow! That doesn't help.

0:57:340:57:36

Quick, pull his ears back. Give them a twist.

0:57:400:57:43

Now I've got him.

0:57:480:57:49

He's got a knife!

0:58:040:58:06

Get hold of it before he cuts a slice off me.

0:58:080:58:11

I can't reach it.

0:58:120:58:13

Argh!

0:58:220:58:24

Well done, that's it. That's it.

0:58:240:58:26

We know how that thing works. Come out of there.

0:58:300:58:33

Is he out? We've got to hide him somewhere.

0:58:350:58:39

-What's in here?

-Hurry up, quick, before he comes to.

0:58:390:58:42

It's empty. We can lock him in.

0:58:460:58:47

Come on.

0:58:500:58:51

Oh, no, you don't!

0:58:540:58:55

-Oh!

-What's the matter?

0:58:590:59:02

Garlic. I'll be all right in a minute.

0:59:020:59:04

-Here, let's tie him up.

-Oh, yes.

0:59:040:59:07

So we definitely know that Miss Froy was on this train,

0:59:070:59:10

and our friend in here had something to do with it.

0:59:100:59:13

That ought to keep him quiet until we find her.

0:59:130:59:16

Hard work, but worth it. Let's have the evidence.

0:59:160:59:19

-Evidence?

-The glasses.

0:59:190:59:21

-You've got them.

-No, I haven't got them.

0:59:210:59:24

-Oh!

-He's got them!

0:59:240:59:26

He isn't there!

0:59:280:59:30

Snookered! It's a false bottom.

0:59:340:59:36

-The twister! He's a contortionist.

-He's gone.

0:59:390:59:41

To find the others. We can't fight the whole train, we need allies.

0:59:410:59:46

-But who can we trust?

-That's the snag.

0:59:460:59:48

There's that Dr Hartz person.

0:59:480:59:51

Yes, you're right. He might help. Let's tell him the symptoms.

0:59:510:59:53

All right. Oh, wait a minute.

0:59:530:59:55

This is the one.

1:00:081:00:09

He's not there.

1:00:151:00:16

Listen, I've just had a particularly idiotic idea.

1:00:201:00:23

-I quite believe that.

-Supposing that patient is Miss Froy.

1:00:231:00:27

It didn't come on the train till after Miss Froy disappeared.

1:00:271:00:30

Oh, yes. That's why it's idiotic. Come on, let's find the doctor.

1:00:301:00:33

-No, wait a minute.

-What is it?

1:00:331:00:37

-Did you notice anything wrong about that nun?

-No.

1:00:371:00:40

I don't think she's a nun at all. They don't wear high heels.

1:00:401:00:43

Yes, you're right. Did you see Madame Kummer get on the train?

1:00:561:01:00

-No.

-Well...

1:01:001:01:02

..supposing they decoyed Miss Froy into the luggage van and hid her,

1:01:021:01:06

the first stop, a patient comes aboard, head injury, all wrapped up,

1:01:061:01:10

the patient is Madame Kummer, she becomes Miss Froy,

1:01:101:01:13

Miss Froy becomes that.

1:01:131:01:15

Yes, but why go to all this trouble to kidnap a harmless governess?

1:01:151:01:19

Maybe it isn't a governess at all. Perhaps it's some political thing.

1:01:191:01:24

Let's investigate.

1:01:241:01:26

HE SPEAKS FRENCH

1:01:281:01:31

HE SPEAKS GERMAN

1:01:311:01:33

You'll just have to put up with it in English.

1:01:331:01:35

Can we look at your patient, please?

1:01:351:01:37

Thank you. Keep an eye on the nun.

1:01:371:01:39

-MAN:

-What are you doing here?

1:01:441:01:46

Why are you in here?

1:01:481:01:50

This is a most serious accident case.

1:01:501:01:52

You have no business to be here - neither of you do.

1:01:521:01:55

Dr Hartz, we want you to undo those bandages

1:01:551:01:57

and to look at your patient's face.

1:01:571:01:58

Are you out of your senses? There is no face there.

1:01:581:02:01

Nothing but lumps of raw flesh.

1:02:011:02:03

He has lost so much blood, only a transfusion can save him.

1:02:031:02:07

-Do you want me to murder my patient?

-You're sure this is your patient?

1:02:071:02:10

-We believe it's Miss Froy.

-Miss Froy!

1:02:101:02:15

You can't be serious! Whatever put such ideas into your heads?

1:02:151:02:18

-I understand she's deaf and dumb.

-But she may lip-read.

1:02:231:02:26

Oh, well, that's possible.

1:02:261:02:28

In that case, perhaps you'll join me in the dining car.

1:02:281:02:31

I'll be with you in a moment -

1:02:311:02:33

I want to be certain my patient hasn't been disturbed.

1:02:331:02:35

HE SPEAKS ITALIAN

1:02:381:02:41

How do I know how they cottoned on? Somebody must have tipped them off.

1:02:411:02:44

You never said the old girl was English.

1:02:471:02:50

What difference does that make?

1:02:501:02:52

In a few moments, I shall order three drinks in the dining car.

1:02:521:02:55

Mine will be chartreuse.

1:02:551:02:57

One of the stewards is working for us. Now, listen carefully...

1:02:571:03:01

There's that girl again.

1:03:071:03:08

Seems to have recovered. Lucky it blew over.

1:03:101:03:13

Now, tell me what this is all about.

1:03:221:03:24

Have you ever actually seen your patient?

1:03:241:03:27

-No.

-I just had a message to operate at Morshkan.

1:03:271:03:30

How do you know it's NOT Miss Froy?

1:03:301:03:31

We believe there's been a substitution.

1:03:311:03:33

You really think that someone else...?

1:03:331:03:35

HE HUMS

1:03:351:03:37

Oh, er, I want a green chartreuse.

1:03:371:03:39

-Won't you join me?

-Thanks. A large brandy.

1:03:391:03:42

-And you?

-I don't want anything.

1:03:421:03:43

-Come on, it'll do you good.

-No, really, I don't want anything.

1:03:431:03:46

You're very tired. It'll pick you up.

1:03:461:03:48

All right, then, just a small one.

1:03:491:03:51

Two brandies and a chartreuse.

1:03:511:03:53

Do you know anything about the nun who's looking after your patient?

1:03:561:03:59

Nun! No, only that she's from a convent

1:03:591:04:01

close to where the accident occurred.

1:04:011:04:03

Don't you think it's peculiar that she's wearing high-heeled shoes?

1:04:031:04:06

Oh, is she? That IS rather curious, isn't it?

1:04:061:04:11

It's a conspiracy.

1:04:111:04:13

All these people on the train say they haven't seen Miss Froy,

1:04:131:04:16

but they have. We know that because just now in the luggage van...

1:04:161:04:18

She's off again.

1:04:181:04:20

Hope she doesn't create another scene.

1:04:201:04:23

Put the lid on our getting back in time if she did.

1:04:231:04:25

And then this fellow, Doppo, came and grabbed the glasses.

1:04:251:04:29

Yeah, we went for him and had a bit of a fight.

1:04:291:04:31

-Oh, a fight?

-We knocked him out.

1:04:311:04:33

Oh!

1:04:331:04:35

He seems to have made a speedy recovery.

1:04:391:04:40

Yes. All that's just bluff.

1:04:401:04:42

-Here.

-Grazie.

1:04:451:04:47

How could he be involved in a conspiracy?

1:04:511:04:54

Look at the poor fellow - he's just a harmless traveller.

1:04:541:04:57

-He's also a music-hall artist on tour.

-Well?

1:04:571:05:00

The baroness's husband is Minister of Propaganda.

1:05:001:05:02

One word from her, and his tour would be cancelled.

1:05:021:05:04

-Oh, I see.

-And if the stewards don't behave,

1:05:041:05:07

they have a cosy brick wall to run up against.

1:05:071:05:10

But tell me about the two English travellers, they denied seeing her.

1:05:101:05:16

Just British diplomacy - "Never climb a fence if you can sit on it."

1:05:161:05:19

An old Foreign Office proverb.

1:05:191:05:21

I can't understand why anyone would want to dispose of the old lady.

1:05:211:05:24

That's what stumps us, but she was on this train and now she's...

1:05:241:05:29

..gone.

1:05:311:05:32

Well, if you're right, it means the whole train is against us.

1:05:341:05:38

What are we going to do?

1:05:381:05:40

Well, in view of what you just told me,

1:05:401:05:42

I shall risk examining the patient.

1:05:421:05:45

-Come on, then!

-However, one moment.

1:05:451:05:47

We mustn't act suspicious. Behave as is if nothing had happened.

1:05:471:05:51

Drink. That'll steady your nerves.

1:05:531:05:55

To our health.

1:06:011:06:03

And may our enemies, if they exist, be unconscious of our purpose.

1:06:031:06:06

Let's go. We must hurry now.

1:06:111:06:13

Come on, drink up.

1:06:131:06:15

Wait in here.

1:06:301:06:32

Go on.

1:06:321:06:33

-Anything wrong?

-Nothing.

1:06:381:06:41

Except they noticed you were wearing high heels.

1:06:411:06:43

However, it makes no difference.

1:06:451:06:48

We shall reach Morshkan in three minutes.

1:06:481:06:50

Quite an eventful journey.

1:06:511:06:53

Well?

1:06:571:06:58

Yes, the patient is Miss Froy.

1:06:581:07:00

She will be taken off the train at Morshkan in about three minutes.

1:07:011:07:05

She will be removed to the hospital there, and operated on.

1:07:051:07:08

Unfortunately, the operation will not be successful.

1:07:081:07:11

Oh, I should perhaps have explained.

1:07:111:07:13

The operation will be performed...

1:07:141:07:17

..by me.

1:07:171:07:18

You see, I am in this conspiracy, as you term it.

1:07:261:07:29

You are a very alert young couple, but it's quite useless to think,

1:07:331:07:37

as you are undoubtedly doing, of a way out of your dilemma.

1:07:371:07:40

The drinks you had, I regret to say, contained a quantity of hydrocin.

1:07:401:07:43

For your benefit, hydrocin is a little-known drug which has

1:07:451:07:48

the effect, in a small quantity, of paralysing the brain

1:07:481:07:51

and rendering the victim unconscious for considerable period.

1:07:511:07:54

In a slightly larger quantity, of course, it induces madness.

1:07:541:07:58

However, you have my word the dose was a normal one.

1:08:001:08:03

In a few moments, you will join your young friend.

1:08:091:08:11

Need I say how sorry I am having to take such a -

1:08:131:08:16

how shall I say? - melodramatic course.

1:08:161:08:19

But your persistent meddling made it necessary.

1:08:211:08:23

-Are you all right? You fainted.

-Did I?

1:08:381:08:41

Listen! There is a woman next door going to be murdered,

1:08:411:08:44

and we've got to get moving before this stuff takes effect.

1:08:441:08:47

I read that if you keep on the go, you can stay awake.

1:08:471:08:49

Right. Come on, let's get going.

1:08:491:08:51

It's locked.

1:08:531:08:54

We can't go that way, we'll be spotted.

1:08:571:09:00

-You can't do that!

-Don't worry, it's only next door.

1:09:001:09:02

You stand on your head, touch your toes, anything,

1:09:021:09:05

only, whatever you do, don't fall asleep.

1:09:051:09:07

WHISTLE BLASTS

1:09:181:09:21

Go on, you needn't be afraid. It is Miss Froy.

1:09:471:09:50

It's all right, you haven't been drugged.

1:09:521:09:55

He told me to put something in your drink, but I didn't.

1:09:551:09:57

Who the devil are you? He said you are deaf and dumb.

1:09:571:09:59

Never mind about that. If you want to save her, you've got to hurry.

1:09:591:10:03

Hartz will be back in a minute. What will happen then?

1:10:171:10:19

If we can hold him off till we get past Morshkan,

1:10:191:10:21

the frontier's a few miles beyond the station.

1:10:211:10:23

SHE CHOKES, GASPS

1:10:251:10:27

Come on, there's still time.

1:10:291:10:31

THEY SPEAK ITALIAN

1:10:331:10:39

That's Morshkan. Have you finished?

1:10:491:10:51

Come on, Miss Froy.

1:10:551:10:57

Cut it out, you're not drugged. I'll explain later. Abracadabra.

1:10:571:11:01

Miss Froy! Oh, I can't believe it!

1:11:011:11:04

-Thank you, my dear. Thank you very much.

-Careful!

1:11:041:11:07

-Ready?

-Yes.

1:11:171:11:19

HE SPEAKS ITALIAN

1:11:451:11:47

Are you all right, Miss Froy?

1:11:501:11:51

Yes, thank you. It's rather like the rush hour on the underground.

1:11:511:11:55

Careful, it's slowing down.

1:11:591:12:01

Drat!

1:12:171:12:19

I'm sorry you've had such an uncomfortable journey, Miss Froy.

1:12:441:12:47

Get back on the train.

1:13:111:13:12

I hope nothing goes wrong.

1:13:341:13:35

Aren't we stopping rather a long time?

1:13:371:13:38

The ambulance is going. We'll be off in a jiffy.

1:13:401:13:42

WHISTLE BLASTS

1:13:501:13:53

In a few minutes, we'll be over the border.

1:13:581:14:01

SHE SPEAKS OWN LANGUAGE

1:14:011:14:05

I know I've been well paid, and I've done plenty of dirty work for it,

1:14:051:14:08

but this was murder, and she was an English woman.

1:14:081:14:10

-You are Bandrikan?

-My husband was, but I'm English.

1:14:101:14:13

You were going to butcher her in cold blood.

1:14:131:14:15

Your little diversion made it necessary not only to remove

1:14:151:14:18

the lady in question, but two others as well.

1:14:181:14:22

-You can't do that.

-Also, it would be unwise of us

1:14:221:14:25

to permit the existence of anyone who cannot be trusted.

1:14:251:14:29

-You wouldn't dare. I know too much.

-Precisely.

1:14:291:14:33

I think we're over the border now.

1:14:381:14:40

-You can come out, Miss Froy.

-Oh, bless me.

1:14:411:14:45

What an unpleasant journey.

1:14:451:14:46

Never mind. You shall have a corner seat for the rest of the way.

1:14:461:14:49

There you are. Now it's over,

1:14:491:14:52

I think you should tell us what it's all about.

1:14:521:14:54

WOMAN SCREAMS

1:14:541:14:55

What was that scream?

1:14:551:14:57

-Surely it was only the train.

-It wasn't. It was a woman.

1:14:571:14:59

Be careful!

1:14:591:15:00

They've rumbled. We're on a branch line.

1:15:101:15:12

-They've slipped the rear part of the train.

-Oh, dear, dear.

1:15:121:15:14

Who are you, and why do they want to get hold of you?

1:15:141:15:17

I haven't the faintest idea. I'm a children's governess.

1:15:171:15:19

I can only think that they've made a terrible mistake.

1:15:191:15:22

Why are you holding out on us? Tell us the truth.

1:15:221:15:24

You've got us involved in this fantastic plot,

1:15:241:15:26

-you might at least trust us.

-I really don't kn... I...

1:15:261:15:29

-I wonder if there's anyone else left on the train.

-There's only the

1:15:301:15:33

dining car in front, but there won't be anybody there now.

1:15:331:15:35

What do you make it? Tea-time. Well, all the English will be there.

1:15:351:15:39

Come on, we'd better stick together.

1:15:401:15:42

There's the old girl turned up.

1:15:501:15:52

Told you it was a lot of fuss about nothing.

1:15:541:15:56

Bolt must have jammed.

1:15:561:15:57

I've got something to say. Will you all please listen?

1:15:591:16:01

An attempt was made to abduct this lady by force,

1:16:011:16:04

and I believe the people who did it will try again.

1:16:041:16:06

What's he drivelling about?

1:16:061:16:08

Look out the window. This train's been diverted on to a branch line.

1:16:081:16:11

What are you talking about? Abductions, diverted trains.

1:16:111:16:14

We're telling you the truth!

1:16:141:16:15

I'm not interested. You've annoyed us enough with your story.

1:16:151:16:19

You must have got the wrong end of the stick.

1:16:191:16:22

-Things like that just don't happen.

-We're not in England now.

1:16:221:16:25

I don't see what difference that makes.

1:16:251:16:27

We're stopping.

1:16:271:16:28

See those cars? They're here to take Miss Froy away.

1:16:311:16:34

Nonsense.

1:16:341:16:36

Look, there go a couple of people.

1:16:361:16:38

The car's come to pick them up.

1:16:401:16:42

Then why the trouble of uncoupling the train and diverting it?

1:16:421:16:44

-Uncoupling?

-There's nothing left of the train beyond the sleeping car.

1:16:441:16:47

There must be. Our bags are in the first-class carriage.

1:16:471:16:49

Not any longer. Would you like to come and look?

1:16:491:16:51

If this is a practical joke, I shan't think it very funny.

1:16:511:16:56

Good Lord!

1:16:561:16:58

Get some brandy.

1:17:051:17:07

You don't suppose there's something in his story, do you?

1:17:071:17:09

-Seems a bit queer.

-After all, people don't tie up nuns.

1:17:091:17:13

Thank you.

1:17:171:17:18

Someone's coming!

1:17:191:17:20

They can't do anything to us. We're British subjects.

1:17:261:17:28

I have come to offer the most sincere apologies.

1:17:411:17:44

An extremely serious incident has occurred -

1:17:441:17:47

an attempt was made to interfere with passengers on this train.

1:17:471:17:50

The authorities were notified, so if you'll accompany me to Morshkan,

1:17:501:17:56

I will inform the British Embassy. The cars are at your disposal.

1:17:561:18:01

We're grateful. Lucky some of you fellows understand English.

1:18:031:18:06

-Well, I was at Oxford.

-So was I. What year?

1:18:061:18:09

This woman's trying to say something.

1:18:091:18:11

I don't understand the language. Would you...?

1:18:111:18:14

That's fixed him.

1:18:181:18:19

-What the blazes did you do that for?

-I was at Cambridge.

1:18:211:18:24

What's that got to do with it? You heard what he said, didn't you?

1:18:241:18:27

I heard what SHE said. It's a trick to get us off the train.

1:18:271:18:29

I don't believe it. The man's explanation was quite satisfactory.

1:18:291:18:32

A thing like this might cause a war.

1:18:321:18:33

HE SPEAKS ITALIAN

1:18:331:18:37

I'm going outside. Tell him what's occurred.

1:18:371:18:39

It's up to us to apologise and put the matter right.

1:18:391:18:42

-You were right. Do you mind, old man?

-Certainly.

1:19:031:19:06

-Look as if they mean business.

-I'm afraid so.

1:19:091:19:11

They can't do anything, it'd mean an international situation.

1:19:111:19:13

It's happened before.

1:19:131:19:15

They're coming.

1:19:151:19:17

Don't let them in! They'll murder us.

1:19:171:19:19

They dare not let us go now.

1:19:191:19:21

I order you to surrender at once.

1:19:311:19:33

Nothing doing. Come any nearer, I'll fire.

1:19:331:19:36

I've warned you.

1:19:361:19:37

Better take cover. It'll start any minute now.

1:19:401:19:42

Nasty jam, this. Don't like the look of it.

1:19:461:19:48

-Got plenty of ammunition?

-A whole pouch.

-Good.

1:19:481:19:51

-Duck down.

-I'm not going to fight. It's madness.

1:19:511:19:54

It'll be safer to protest down here.

1:19:541:19:56

Hello, they're trying to work round to the other side.

1:20:011:20:03

You're behaving like a pack of fools.

1:20:031:20:04

What chance have we got against a lot of armed men?

1:20:041:20:07

You heard what the mother superior said -

1:20:071:20:09

if we surrender now, we're in for it.

1:20:091:20:10

Never get to the match now.

1:20:281:20:30

-Give it to me. Give it to me!

-No!

1:20:301:20:33

-What's going on?

-He's got a gun and he won't use it.

1:20:351:20:38

-What's the idea?

-I won't be a party to this.

1:20:381:20:41

I don't believe in fighting.

1:20:411:20:42

Pacifist, eh? Won't work, old boy. Early Christians tried it

1:20:421:20:45

and got thrown to the lions. Hand it over.

1:20:451:20:47

I'm not afraid to use it.

1:20:501:20:52

I'm probably more used to it.

1:20:521:20:54

I once won a box of cigars.

1:20:541:20:57

He's talking rot, he's a damn good shot.

1:20:571:20:59

You know, I'm half-inclined to believe...

1:21:001:21:04

..that there's some rational explanation to all this.

1:21:041:21:07

Rotten! Only knocked his hat off.

1:21:071:21:09

Would you mind if I talked to you for a minute?

1:21:101:21:13

-What, now?

-Yes, please forgive me, but it's very important.

1:21:131:21:18

-Hang on to this, will you?

-All right.

1:21:181:21:21

I think it's safer along here. You come, too.

1:21:221:21:24

GUNFIRE CONTINUES

1:21:241:21:26

I just wanted to tell you that I must be getting along now.

1:21:321:21:36

-You can't! You'll be shot down.

-I must take that risk.

1:21:361:21:39

Listen carefully - in case I'm unlucky and you get through,

1:21:391:21:43

I want you to take back a message to Mr Callender at the Foreign Office.

1:21:431:21:47

-You ARE a spy.

-That's such a grim word.

1:21:471:21:50

-What is the message?

-It's a tune.

1:21:501:21:53

-A tune?

-It contains, in code,

1:21:531:21:55

the vital clause of a secret pact between two European countries.

1:21:551:21:58

-I want you to memorise it.

-Go ahead.

-The first part goes like this.

1:21:581:22:02

# Da-da-da da, da-da de. #

1:22:021:22:04

GUNSHOT

1:22:041:22:05

Oh! Perhaps I'd better write it down. Got any paper?

1:22:051:22:07

Don't bother, I was brought up on music. I can memorise anything.

1:22:071:22:10

Very well. # Da-da-da da, da-da de... #

1:22:101:22:13

-The old girl's off her rocker.

-I don't wonder.

1:22:131:22:16

Why don't you face it? They'll kill the lot of us.

1:22:161:22:19

For goodness' sake, shut up.

1:22:191:22:21

-# Da-da dum-dum-de. #

-That's right.

1:22:211:22:23

Now we have two chances instead of one. You sure you'll remember it?

1:22:231:22:26

Don't worry, I won't stop whistling it.

1:22:261:22:28

-This is my best way out.

-Yes, just about.

1:22:281:22:30

Even if you do get away, they'll stop you at the frontier.

1:22:311:22:34

-We can't let her go like this.

-It's a hell of a risk you are taking...

1:22:341:22:37

In this job, one must take risks.

1:22:371:22:40

I'm very grateful to you both for all you've done.

1:22:401:22:43

I hope and pray no harm comes to you

1:22:431:22:45

and that we shall meet again one day.

1:22:451:22:48

I hope so too. Good luck.

1:22:481:22:50

Good luck.

1:22:501:22:52

Will you help me out?

1:22:531:22:54

Now, you take the weight on top.

1:22:571:23:00

Right you are.

1:23:001:23:01

Goodbye.

1:23:061:23:07

GUNFIRE

1:23:111:23:12

-Was she hit?

-I'm not sure.

1:23:201:23:22

Well, that's the end of my 12.

1:23:281:23:30

Not much left here either.

1:23:301:23:32

We've only got one chance - got to get this train going.

1:23:341:23:37

Try and get back to the main line and cross the frontier.

1:23:371:23:39

Those driver fellows won't do what you tell them.

1:23:391:23:42

We'll bluff them. Who's coming?

1:23:441:23:46

-Count on me.

-Me, too.

1:23:461:23:47

We can't all go. You carry on here. If we have any luck,

1:23:471:23:51

-we'll stop at the points then you can switch them over.

-OK.

1:23:511:23:54

You idiots. You're just inviting death.

1:23:541:23:57

I've had enough.

1:24:021:24:04

Just because I've the sense to try and avoid being murdered,

1:24:041:24:06

I'm accused of being a pacifist. All right.

1:24:061:24:09

I'd rather be called a rat than die like one.

1:24:091:24:11

Think for a moment - If we give ourselves up,

1:24:111:24:14

they're bound to give us a trial.

1:24:141:24:16

Stop it. Nobody's listening to you.

1:24:161:24:18

Very well, you go your way, I'll go mine.

1:24:181:24:22

-Where are you off to?

-To do the only sensible thing.

1:24:221:24:25

Oh, let the fellow go if he wants to.

1:24:251:24:27

I don't understand...

1:24:371:24:38

Oh, please!

1:24:561:24:58

Why aren't we going? Why aren't we going?!

1:24:581:25:01

They said we were going. Why aren't we?

1:25:011:25:03

If only he can get us away now, he must!

1:25:031:25:05

Only one left. I'll keep that for a sitter.

1:25:051:25:07

They're moving away from the car and coming towards us.

1:25:091:25:12

Pity we haven't a few more rounds.

1:25:131:25:15

It's funny, I told my husband when I left him

1:25:151:25:19

that I wouldn't see him again.

1:25:191:25:21

Gilbert. Gilbert!

1:25:211:25:23

ENGINE STARTS

1:25:301:25:32

-Egads, we're off!

-Gilbert came through!

1:25:321:25:35

Go on, keep going.

1:25:421:25:43

-Do you know how to control this thing?

-I watched him start it.

1:25:551:25:59

I know a bit about it. Once drove a miniature engine.

1:25:591:26:02

Good. I'll look out for the points.

1:26:021:26:04

The blighters are chasing us, look.

1:26:101:26:12

We can't have far to go.

1:26:151:26:17

Time for my little job - changing the points.

1:26:231:26:26

Thank heavens we shall be in neutral territory.

1:26:261:26:28

That will not be necessary.

1:26:281:26:29

I am sorry but the points, as you call them, will not be changed over.

1:26:321:26:36

Will you please be seated?

1:26:361:26:38

There they are, just ahead of us. Do you think you can stop it?

1:26:461:26:49

Hope so.

1:26:491:26:50

Keep still until my friends arrive. If you move, I will have to shoot.

1:26:531:26:58

There's one thing you don't know.

1:26:581:27:00

There's only one bullet left, and if you shoot me,

1:27:001:27:02

the others will have a chance.

1:27:021:27:05

You're in rather a difficult position, aren't you?

1:27:051:27:07

Sit down, please.

1:27:081:27:10

All right.

1:27:111:27:12

Where the devil's Charters?

1:27:171:27:18

Go ahead, she's done it.

1:27:301:27:32

GUNFIRE

1:27:321:27:34

Oh!

1:27:421:27:43

It's all right, it's just my leg.

1:27:431:27:45

SHE SPEAKS ITALIAN

1:27:591:28:00

HE SPEAKS ITALIAN

1:28:021:28:04

Or as they say in English, "Jolly good luck to them."

1:28:041:28:07

I'm glad all that's over, aren't you?

1:28:071:28:10

Heaven knows what the government will say about this.

1:28:101:28:13

-Nothing at all, they'll hush it up.

-What?

1:28:131:28:16

TRAIN WHISTLE BLASTS

1:28:161:28:17

Hey, take your hand off that thing, I've got to remember a tune.

1:28:171:28:20

-Remember...?

-HE WHISTLES

1:28:201:28:23

-Porter, sir?

-No, thanks.

1:28:381:28:41

Well, we're home, Gilbert. HE WHISTLES

1:28:411:28:43

Can't you stop humming that awful tune? You must know it backwards.

1:28:431:28:46

I'm not taking any risks.

1:28:461:28:48

-Charles be here to meet you?

-I expect so.

1:28:491:28:52

You'll be busy between now and Thursday.

1:28:541:28:56

I could meet you for lunch or dinner. Would you like that?

1:28:561:28:59

Sorry, I didn't mean that...

1:28:591:29:01

No, as a matter of fact, I've got to deliver this theme song

1:29:011:29:04

for Miss Froy, then I'm off to Yorkshire to finish my book.

1:29:041:29:06

HE HUMS

1:29:061:29:08

-Ready?

-Yes.

1:29:091:29:11

-Ample time to catch the 6.50 to Manchester after all.

-Yes.

1:29:211:29:25

HE HUMS

1:29:331:29:37

-Any sign of Charles yet?

-No, I can't see him.

1:29:371:29:39

Well, this is where we say goodbye.

1:29:411:29:43

What's the matter?

1:29:491:29:50

-Charles?

-Yes!

1:29:571:29:59

You heartless, callous, selfish, swollen-headed beast...!

1:29:591:30:02

-Are you going anywhere?

-Foreign Office.

1:30:071:30:09

THEY CHUCKLE

1:30:131:30:15

Where are we going for our honeymoon?

1:30:151:30:17

I don't know, somewhere quiet. Somewhere where there are no trains.

1:30:171:30:20

Mr Callender will see you now.

1:30:201:30:22

Wait a minute!

1:30:261:30:28

-It's gone.

-What's gone?

1:30:281:30:29

-The tune. I've forgotten it.

-Oh, no!

1:30:291:30:31

Wait a minute, let me concentrate.

1:30:311:30:33

HE HUMS WRONG TUNE

1:30:331:30:35

No, no, that's the Wedding March.

1:30:351:30:37

This is awful! I've done nothing else but sing it since the

1:30:391:30:41

day before yesterday, and now I've forgotten it completely.

1:30:411:30:44

PIANO PLAYS THE TUNE

1:30:441:30:46

-Miss Froy!

-Well, I'll be had!

1:31:061:31:08

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