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MEN SPEAK GERMAN | 0:02:22 | 0:02:26 | |
CLOCK CHIMES | 0:02:28 | 0:02:31 | |
Allo! | 0:02:33 | 0:02:35 | |
MAN SPEAKS ITALIAN | 0:02:40 | 0:02:48 | |
-What's all this fuss about, Charters? -I'm hanged if I know. | 0:02:55 | 0:02:57 | |
MAN SPEAKS GERMAN | 0:02:57 | 0:03:00 | |
Ladies and gentlemen, I'm very sorry, | 0:03:04 | 0:03:06 | |
the train is little bit up-hold. | 0:03:06 | 0:03:08 | |
And if you wish to stay in my hotel, you have to register immediately. | 0:03:08 | 0:03:12 | |
Why the deuce didn't he say so in the first place? | 0:03:13 | 0:03:15 | |
Ah! | 0:03:15 | 0:03:17 | |
Oh! How do you do, Miss Henderson? How do you do, ladies? | 0:03:21 | 0:03:24 | |
It's a great honour to have you with us again. | 0:03:24 | 0:03:26 | |
Nice to see you too, Boris. You haven't changed a bit since Friday. | 0:03:26 | 0:03:29 | |
-I see you haven't shaved either. -Is everything ready? | 0:03:29 | 0:03:31 | |
Everything is ready. I didn't change anything. | 0:03:31 | 0:03:34 | |
Not even the sheets, we know. | 0:03:34 | 0:03:35 | |
-Lead on, Boris. -You see, I didn't expect you to come so quickly. | 0:03:35 | 0:03:38 | |
Well, our legs gave out on us. | 0:03:38 | 0:03:41 | |
-We had to do the last lap in a farm car. -Oh! | 0:03:41 | 0:03:43 | |
I see we've got company. | 0:03:43 | 0:03:44 | |
Don't tell me Cook's are running cheap tours here? | 0:03:44 | 0:03:46 | |
-What is it, Boris? -It's the avalanche. | 0:03:46 | 0:03:49 | |
-Avalunch? -Avalanche, Boris. Avalanche. | 0:03:49 | 0:03:52 | |
In the spring, we've got many avalanches. | 0:03:52 | 0:03:54 | |
You know, the snow goes bloop, and everything disappear. | 0:03:54 | 0:03:56 | |
Even train disappear under the avalanche. | 0:03:56 | 0:03:58 | |
But I'm going home tomorrow. How long before they dig it up? | 0:03:58 | 0:04:01 | |
By morning, it's lucky for you. | 0:04:01 | 0:04:03 | |
You can leave by this train instead of your own. | 0:04:03 | 0:04:05 | |
How you say it? It's a bad wind that blow nowhere no good. | 0:04:05 | 0:04:09 | |
Talking of wind, we've not eaten since dawn. | 0:04:09 | 0:04:11 | |
-Serve us supper in our room, Boris, in our room. -I could eat a horse. | 0:04:11 | 0:04:14 | |
Don't put ideas into his head. | 0:04:14 | 0:04:16 | |
-Some chicken, Boris, and a magnum of champagne, and make it snappy. -Yes. | 0:04:16 | 0:04:20 | |
Bandrika may have a dictator, but tonight we're painting it red. | 0:04:20 | 0:04:24 | |
Meanwhile, we have to stand here cooling our heels, I suppose. | 0:04:24 | 0:04:27 | |
-Confounded impudence! -Third-rate country. What do you expect? | 0:04:27 | 0:04:30 | |
-I wonder who those women were. -Possibly Americans, I should think. | 0:04:30 | 0:04:34 | |
You know, almighty dollar, old man. | 0:04:34 | 0:04:36 | |
I suppose we'll have to wait here. | 0:04:36 | 0:04:38 | |
If only we hadn't missed the train at Budapest. | 0:04:38 | 0:04:40 | |
I don't want to rub it in, but if you hadn't insisted standing | 0:04:40 | 0:04:43 | |
while they sang their national anthem... | 0:04:43 | 0:04:45 | |
Yes, but you must show respect, Caldicott. | 0:04:45 | 0:04:47 | |
Of course, if I'd known it would last 20 minutes... | 0:04:47 | 0:04:49 | |
It's my contention that the Hungarian Rhapsody | 0:04:49 | 0:04:51 | |
is not their national anthem. | 0:04:51 | 0:04:52 | |
-Any case, we were the only two standing. -That's true. | 0:04:52 | 0:04:56 | |
Well, I suppose we should be in time after all. | 0:04:56 | 0:04:58 | |
I doubt it. That last report was pretty ghastly, do you remember? | 0:04:58 | 0:05:00 | |
-"England on the Brink". -Yes, but that's newspaper sensationalism. | 0:05:00 | 0:05:04 | |
-The old country's been in tight corners before. -Looks pretty black. | 0:05:04 | 0:05:07 | |
Even if we get away first thing, there's the connection at Basle. | 0:05:07 | 0:05:10 | |
We'll probably be hours. | 0:05:10 | 0:05:11 | |
-That's true. -Well, somebody surely can help us. | 0:05:11 | 0:05:13 | |
Sir, do you happen to know what time the train leaves Basle for England? | 0:05:13 | 0:05:17 | |
HE SPEAKS GERMAN | 0:05:17 | 0:05:19 | |
Oh, really? Fellow doesn't speak English. | 0:05:19 | 0:05:21 | |
ALL SHOUT | 0:05:26 | 0:05:29 | |
Allo, Alex? | 0:05:34 | 0:05:36 | |
HE SPEAKS GERMAN | 0:05:36 | 0:05:41 | |
..champagne, Miss Anderson. | 0:05:41 | 0:05:42 | |
BOTH SPEAK FRENCH | 0:05:46 | 0:05:49 | |
Here's one leaves Basle, 21.20. | 0:05:51 | 0:05:55 | |
-21.20? -Yes. -20, 20, 12 from 21 is... -Yes. 21 from 20... | 0:05:55 | 0:06:00 | |
One, two, three, four, five... | 0:06:00 | 0:06:01 | |
I regret, sir, there is only left two single room in front, | 0:06:01 | 0:06:04 | |
or a little double room at the back. | 0:06:04 | 0:06:06 | |
-We'll take the two singles. -Very well, sir. Here is it. | 0:06:06 | 0:06:09 | |
-Thank you. -Thank you. | 0:06:09 | 0:06:11 | |
At least you might have asked me which I preferred. | 0:06:13 | 0:06:15 | |
My dear, a small double room at the back in a place like this! | 0:06:15 | 0:06:19 | |
You weren't so particular in Paris last autumn. | 0:06:19 | 0:06:21 | |
It was quite different then. The exhibition was at its height. | 0:06:21 | 0:06:24 | |
I realise that now. There's no need to rub it in. | 0:06:24 | 0:06:26 | |
-We want a private suite with a bath. -Facing the mountain. -With a shower. | 0:06:29 | 0:06:32 | |
-Hot and cold. -And a private thingummy, if you've got one. | 0:06:32 | 0:06:34 | |
Well, I'm sorry gentlemen, the only things I've got is the maid's room. | 0:06:34 | 0:06:37 | |
-What? -I'm sorry, the hotel is jammed to the sky. | 0:06:37 | 0:06:40 | |
That's impossible, we haven't fixed up yet. | 0:06:40 | 0:06:42 | |
You can't expect to put two of us up in the maid's room. | 0:06:42 | 0:06:45 | |
Don't get excited, I'll remove the maid out. | 0:06:45 | 0:06:47 | |
I should think so. What? What are you talking about? | 0:06:47 | 0:06:50 | |
-I think I'd sooner sleep on the train. -Would you? | 0:06:50 | 0:06:53 | |
-There is no 'eating in the train. -No eating? | 0:06:53 | 0:06:56 | |
Yes, I mean, ha! Heating. Brrr! | 0:06:56 | 0:06:59 | |
-Oh, heating, no heating. -That's awkward. All right, we'll take it. | 0:06:59 | 0:07:02 | |
Just a minute, on one condition - | 0:07:02 | 0:07:03 | |
you have to have the maid comes to your room and remove her wardrobe. | 0:07:03 | 0:07:07 | |
Anna! | 0:07:07 | 0:07:09 | |
She's a good girl, and I don't want to lose her. | 0:07:12 | 0:07:15 | |
HE SPEAKS ITALIAN | 0:07:15 | 0:07:19 | |
We'd better go and grab it. | 0:07:31 | 0:07:34 | |
-Rather primitive humour. -Grown-up children, you know. | 0:07:34 | 0:07:37 | |
That was rather an awkward situation over that girl. | 0:07:37 | 0:07:39 | |
-Pity he couldn't have given us one each. -Eh? | 0:07:39 | 0:07:41 | |
-I mean, er, a room apiece. -Oh. | 0:07:41 | 0:07:44 | |
I, Iris Matilda Henderson, a spinster of no particular parish, | 0:07:46 | 0:07:51 | |
do hereby solemnly renounce my maidenly past, | 0:07:51 | 0:07:54 | |
and do declare that on Thursday next, the 26th inst, | 0:07:54 | 0:07:57 | |
being in my right mind, I shall take the veil and the orange blossom, | 0:07:57 | 0:08:02 | |
and change my name to Lady Charles Fotheringale. | 0:08:02 | 0:08:05 | |
Can't you get him to change his name instead? | 0:08:06 | 0:08:09 | |
The only thing I like about him is his moustache. | 0:08:09 | 0:08:11 | |
You're a couple of cynics. I'm very fond of him. | 0:08:11 | 0:08:13 | |
Well, I'm fond of rabbits, but they have to be kept down. | 0:08:13 | 0:08:16 | |
Rudolf, give me a hand. | 0:08:16 | 0:08:18 | |
Have you ever read about that little thing called love? | 0:08:23 | 0:08:26 | |
It used to be very popular. | 0:08:26 | 0:08:27 | |
Child, the carpet is already laid at St George's, Hanover Square, | 0:08:27 | 0:08:31 | |
and father's simply aching to have a coat of arms on the jam label. | 0:08:31 | 0:08:34 | |
To Iris and the happy days she's leaving behind. | 0:08:34 | 0:08:36 | |
And the blue-blooded cheque-chaser she's dashing to London to marry. | 0:08:36 | 0:08:40 | |
The blue-blooded cheque-chaser! | 0:08:40 | 0:08:43 | |
I've no regrets. I've been everywhere and done everything. | 0:08:43 | 0:08:47 | |
I've eaten caviar at Cannes, sausage rolls with the dogs. | 0:08:50 | 0:08:53 | |
I've played baccarat at Biarritz and darts with the Rural Dean. | 0:08:53 | 0:08:57 | |
What is there left for me but marriage? | 0:08:57 | 0:09:00 | |
BOTH SPEAK GERMAN | 0:09:05 | 0:09:09 | |
It's this hanging about that gets me. | 0:09:17 | 0:09:19 | |
If only we knew what was happening in England. | 0:09:19 | 0:09:22 | |
Mustn't lose grip, Charters. KNOCK AT DOOR | 0:09:22 | 0:09:24 | |
Come in. | 0:09:24 | 0:09:25 | |
SHE SPEAKS GERMAN | 0:09:49 | 0:09:52 | |
-Did you follow that? -I did. | 0:09:52 | 0:09:54 | |
Tell her this has gone far enough. | 0:09:54 | 0:09:56 | |
There is no, er, no change, change here. | 0:09:56 | 0:10:00 | |
Erm, outside. | 0:10:00 | 0:10:02 | |
SHE SPEAKS GERMAN | 0:10:02 | 0:10:04 | |
-She doesn't understand. -No. Come on. | 0:10:06 | 0:10:09 | |
Ow! | 0:10:09 | 0:10:11 | |
Nothing newer than last month. | 0:10:53 | 0:10:55 | |
I don't suppose there's such a thing as a wireless set here. | 0:10:55 | 0:10:57 | |
Awful being in the dark. Our communications cut off in a crisis. | 0:10:57 | 0:11:01 | |
'Allo, 'allo. London? | 0:11:01 | 0:11:03 | |
You want Mr Seltzer? Yes, hold on, I'm going right to find where he is. | 0:11:03 | 0:11:07 | |
London! | 0:11:09 | 0:11:10 | |
Go on, risk it. | 0:11:14 | 0:11:15 | |
Hello. Hello, you, you in London. | 0:11:17 | 0:11:19 | |
No, I'm not Mr Seltzer. Name's Charters. | 0:11:19 | 0:11:21 | |
I don't suppose you know me. | 0:11:21 | 0:11:24 | |
You needn't worry. They've just gone to fetch him. | 0:11:24 | 0:11:26 | |
Tell me, what's happening to England? | 0:11:26 | 0:11:28 | |
Blowing a gale? No, you don't follow me, sir. | 0:11:30 | 0:11:33 | |
I'm enquiring about the Test match in Manchester. | 0:11:33 | 0:11:36 | |
Cricket, sir, cricket! What, you don't know? | 0:11:36 | 0:11:39 | |
You can't be in England and not know the Test score. | 0:11:39 | 0:11:41 | |
-Fellow says he doesn't know. -Silly arse. | 0:11:41 | 0:11:43 | |
Can't you find out? Oh, nonsense, it won't take a second. | 0:11:43 | 0:11:46 | |
All right, if you won't, you won't. | 0:11:46 | 0:11:49 | |
Wasting my time. The fellow's an ignoramus! | 0:11:49 | 0:11:51 | |
Mr Seltzer, at last, your call come through to London. | 0:11:51 | 0:11:55 | |
Hello? Hello, hello? | 0:11:55 | 0:11:57 | |
HE SPEAKS OWN LANGUAGE | 0:11:57 | 0:11:59 | |
THEY SPEAK OWN LANGUAGE | 0:12:15 | 0:12:17 | |
HE SPEAKS OWN LANGUAGE | 0:12:29 | 0:12:32 | |
Thank you, waiter. | 0:12:32 | 0:12:34 | |
What would you say to a grilled steak? | 0:12:34 | 0:12:35 | |
That's a very good idea. Well done for me. | 0:12:35 | 0:12:37 | |
On the red side for me. | 0:12:37 | 0:12:39 | |
HE SPEAKS OWN LANGUAGE | 0:12:39 | 0:12:41 | |
They have a passion for repeating themselves. | 0:12:41 | 0:12:43 | |
-I beg your pardon. -Mm-hm? | 0:12:43 | 0:12:45 | |
He's trying to explain that, owing to the number of visitors, | 0:12:45 | 0:12:48 | |
there's no food left. | 0:12:48 | 0:12:50 | |
No food?! What sort of place is this? | 0:12:50 | 0:12:53 | |
Expect us to share a blasted dog box | 0:12:53 | 0:12:55 | |
with a servant girl on an empty stomach. | 0:12:55 | 0:12:57 | |
Is that hospitality? Is that organisation? | 0:12:57 | 0:13:00 | |
Oh, thank you. | 0:13:00 | 0:13:02 | |
-I'm hungry. -What a country. I don't wonder they have revolutions. | 0:13:03 | 0:13:07 | |
You're welcome to what's left of the cheese. | 0:13:07 | 0:13:09 | |
-Of course, it's not steak, but it's rich in vitamins. -Really? Thank you. | 0:13:09 | 0:13:13 | |
I am afraid they're not accustomed to catering for so many. | 0:13:13 | 0:13:16 | |
-Bandrika is one of Europe's undiscovered corners. -Yes. | 0:13:16 | 0:13:19 | |
That's probably cos there's nothing worth discovering, I should think. | 0:13:19 | 0:13:22 | |
You may not know it as well as I do. | 0:13:22 | 0:13:24 | |
I'm feeling quite miserable at the thought of leaving it. | 0:13:24 | 0:13:26 | |
-After you with the cheese, please. -Why not? So you're going home? | 0:13:26 | 0:13:30 | |
Tomorrow. My little charges are quite grown up. | 0:13:30 | 0:13:33 | |
I'm a governess and music teacher, you know. | 0:13:33 | 0:13:35 | |
In the six years I've lived here, | 0:13:35 | 0:13:37 | |
I've grown to love the country, especially the mountains. | 0:13:37 | 0:13:40 | |
I sometimes thinks they're like very friendly neighbours. | 0:13:40 | 0:13:43 | |
The father and mother mountain, with their white snow hats, | 0:13:43 | 0:13:46 | |
and their nephews and nieces, not quite so big, with smaller hats, | 0:13:46 | 0:13:50 | |
right down to the tiniest hillock, without any hat at all. | 0:13:50 | 0:13:54 | |
-Well, of course, that's just my fancy. -Oh, really? | 0:13:54 | 0:13:57 | |
I like to watch them from my bedroom every night when there's a moon. | 0:13:57 | 0:14:00 | |
I'm so glad there's a moon tonight. | 0:14:00 | 0:14:01 | |
MAN SINGS | 0:14:01 | 0:14:03 | |
Do you hear that music? | 0:14:03 | 0:14:04 | |
Everyone sings here. The people are just like happy children, | 0:14:06 | 0:14:09 | |
with laughter on their lips and music in their hearts. | 0:14:09 | 0:14:12 | |
It's not reflected in their politics, you know. | 0:14:12 | 0:14:14 | |
I never think you should judge a country by its politics. | 0:14:14 | 0:14:17 | |
After all, we English are quite honest by nature, aren't we? | 0:14:17 | 0:14:21 | |
You'll excuse me if I run away? | 0:14:21 | 0:14:22 | |
-Goodnight. -Goodnight. | 0:14:22 | 0:14:25 | |
Queer sort of bird. | 0:14:30 | 0:14:31 | |
A trifle whimsical, I thought. | 0:14:33 | 0:14:34 | |
After six years in this hole, we'd be whimsical. | 0:14:34 | 0:14:37 | |
Oh, I don't think so, old man. She was very decent about that cheese. | 0:14:37 | 0:14:42 | |
I see she's finished the pickles. | 0:14:42 | 0:14:44 | |
Goodnight, Iris. Listen, someone's serenading. | 0:14:44 | 0:14:47 | |
Oh, let him. Nothing'll keep me awake tonight. | 0:14:47 | 0:14:50 | |
Goodnight, my children. | 0:14:50 | 0:14:51 | |
MAN SINGS | 0:15:14 | 0:15:18 | |
LOUD RHYTHMIC THUDS | 0:15:36 | 0:15:39 | |
What's happening? An earthquake? | 0:15:52 | 0:15:55 | |
That wouldn't account for the music, would it? What a horrible noise! | 0:15:55 | 0:15:59 | |
-What can they be doing? -I don't know, but I'll soon find out. | 0:15:59 | 0:16:02 | |
Hello? | 0:16:05 | 0:16:07 | |
THUDDING CONTINUES | 0:16:07 | 0:16:09 | |
Musical country, this. | 0:16:09 | 0:16:10 | |
Yes, I feel quite sorry for that poor singer outside, | 0:16:10 | 0:16:14 | |
having to compete with this. | 0:16:14 | 0:16:15 | |
Boris, Miss Henderson speaking. | 0:16:15 | 0:16:18 | |
Look, someone upstairs is playing musical chairs with an elephant. | 0:16:18 | 0:16:21 | |
Move one of them out, will you? I want to get some sleep. All right. | 0:16:21 | 0:16:25 | |
-That ought to settle it. -Thank you so much. | 0:16:25 | 0:16:27 | |
Some people have so little consideration for others, | 0:16:27 | 0:16:30 | |
which makes life so much more difficult than it need be, | 0:16:30 | 0:16:32 | |
don't you think? Goodnight. Thank you so much. | 0:16:32 | 0:16:35 | |
I expect you'll be going for the train in the morning. | 0:16:35 | 0:16:38 | |
-Yes. -I hope we shall meet again under... | 0:16:38 | 0:16:40 | |
Under quieter circumstances. | 0:16:40 | 0:16:42 | |
-Goodnight. -Goodnight. | 0:16:42 | 0:16:45 | |
HE SPEAKS ITALIAN | 0:16:45 | 0:16:48 | |
Miss, please, I'll fix everything. | 0:16:48 | 0:16:52 | |
You'd better. | 0:16:52 | 0:16:53 | |
THUDDING CONTINUES | 0:16:53 | 0:16:56 | |
Hold it. Don't move, don't move. | 0:17:06 | 0:17:09 | |
-HE CLEARS THROAT -Er... | 0:17:11 | 0:17:13 | |
-..if you please, sir... -Get out! | 0:17:16 | 0:17:20 | |
One, two. | 0:17:20 | 0:17:21 | |
THUDDING RESUMES | 0:17:21 | 0:17:24 | |
Please, sir, will you kindly stop? | 0:17:27 | 0:17:29 | |
They're all complaining in the hotel. You make too much noise. | 0:17:31 | 0:17:35 | |
-Too much what? -Too much noise. | 0:17:39 | 0:17:41 | |
You dare to call it a noise. The ancient music with which | 0:17:41 | 0:17:45 | |
your peasant ancestors celebrated every wedding for generations. | 0:17:45 | 0:17:49 | |
The dance they danced when your father married your mother, | 0:17:49 | 0:17:52 | |
supposing you were born in wedlock, which I doubt. Look at them! | 0:17:52 | 0:17:55 | |
-I take it you're the manager of this... -Sure, I am the manager! | 0:17:56 | 0:17:59 | |
Fortunately, I'm accustomed to squalor. Tell me, who's complaining? | 0:17:59 | 0:18:02 | |
This young English lady underneath. | 0:18:02 | 0:18:04 | |
You tell the young English lady underneath | 0:18:04 | 0:18:06 | |
that I am putting on record, for the benefit of mankind, | 0:18:06 | 0:18:09 | |
one of the lost folk dances of central Europe. | 0:18:09 | 0:18:11 | |
And furthermost, she does not own this hotel. | 0:18:11 | 0:18:14 | |
Sir, don't you understand...? | 0:18:14 | 0:18:16 | |
Now, one, two. | 0:18:16 | 0:18:18 | |
THUDDING RESUMES | 0:18:18 | 0:18:21 | |
You know what he said? "Who she think she is, the Queen of Sheba? | 0:18:27 | 0:18:30 | |
"She think she owns this hotel?" | 0:18:30 | 0:18:32 | |
-Can't you get rid of him? -Impossible! | 0:18:32 | 0:18:34 | |
-Are you sure? -I begin to wonder. | 0:18:36 | 0:18:39 | |
It's come back to me. I've got an idea. | 0:18:40 | 0:18:42 | |
The German lady, she will call him on the telephone. | 0:18:42 | 0:18:45 | |
She will say, "Young man, it's my room. | 0:18:45 | 0:18:47 | |
-"I did pay for it. Get out quickly." How's that? -Good enough. | 0:18:47 | 0:18:50 | |
Then shock him with a little sh! | 0:18:56 | 0:18:58 | |
He'll never forget it as long as long as he live. | 0:18:58 | 0:19:01 | |
Nothing but baseball. | 0:19:04 | 0:19:07 | |
You know, we used to call it rounders. | 0:19:07 | 0:19:09 | |
Children play it with a rubber ball and a stick. | 0:19:09 | 0:19:12 | |
Not a word about cricket. | 0:19:12 | 0:19:15 | |
Americans have got no sense of proportion. | 0:19:15 | 0:19:17 | |
KNOCK ON DOOR | 0:19:17 | 0:19:18 | |
Come in. | 0:19:18 | 0:19:19 | |
HE WHISTLES | 0:19:24 | 0:19:26 | |
HE WHISTLES | 0:19:37 | 0:19:41 | |
SHE SPEAKS GERMAN | 0:19:47 | 0:19:49 | |
I can't stand this ridiculous lack of privacy. Lock the door. | 0:19:50 | 0:19:54 | |
Oh! | 0:19:54 | 0:19:56 | |
SHE SPEAKS GERMAN | 0:20:00 | 0:20:01 | |
Who are you? What do you want? | 0:20:14 | 0:20:16 | |
HE PLAYS FIDDLE | 0:20:16 | 0:20:20 | |
-Recognise the signature tune? -Will you please get out? | 0:20:20 | 0:20:23 | |
Oh, this is a much better room. Definitely an acceptable room. | 0:20:23 | 0:20:27 | |
What exactly do you think you're doing? Keep away. | 0:20:48 | 0:20:51 | |
Would you hold those for a minute? | 0:20:55 | 0:20:57 | |
Put those back at once. | 0:21:03 | 0:21:05 | |
-Which side do you like to sleep? -Do you want me to throw you out? | 0:21:06 | 0:21:10 | |
In that case, I'll sleep in the middle. | 0:21:10 | 0:21:12 | |
Smart of you to bribe the manager. | 0:21:21 | 0:21:23 | |
An eye for an eye, and a tooth for a toothbrush. | 0:21:32 | 0:21:36 | |
I suppose you realise you're behaving like a complete cad. | 0:21:36 | 0:21:39 | |
On the contrary. You're perfectly at liberty to sleep | 0:21:39 | 0:21:42 | |
in the corridor, if you want to. | 0:21:42 | 0:21:44 | |
-Hello? -Oh, I shouldn't, if I were you. | 0:21:44 | 0:21:48 | |
I'd only tell everyone you invited me here. | 0:21:48 | 0:21:50 | |
And when I say everyone, I mean everyone. I have a powerful voice. | 0:21:55 | 0:22:00 | |
Come out of there at once! | 0:22:01 | 0:22:02 | |
Not until you bribe the manager to restore me to my attic. | 0:22:02 | 0:22:05 | |
Come out of that bathroom! | 0:22:05 | 0:22:06 | |
HE SINGS | 0:22:06 | 0:22:09 | |
Hello, Boris? Look, I was thinking, | 0:22:29 | 0:22:33 | |
I might change my mind about that room upstairs if... | 0:22:33 | 0:22:36 | |
Oh, by the way, you might have my things taken upstairs, would you? | 0:22:38 | 0:22:43 | |
You're the most contemptible person I've ever met in all my life. | 0:22:46 | 0:22:50 | |
-WHISPERS: -Confidentially, I think you're a bit of a stinker, too. | 0:22:50 | 0:22:53 | |
MAN SINGS | 0:23:05 | 0:23:10 | |
HE CHOKES | 0:23:20 | 0:23:23 | |
SHE SINGS TO HERSELF | 0:23:40 | 0:23:43 | |
ACCORDION MUSIC PLAYS | 0:23:50 | 0:23:53 | |
I hope to get to Basle on time. | 0:24:02 | 0:24:04 | |
-We should see the last day of the match. -Hope the weather's like this | 0:24:04 | 0:24:06 | |
in Manchester. Perfect wicket for our fellas. | 0:24:06 | 0:24:09 | |
-Isn't it somewhere along here? -If you don't hurry, Margaret, | 0:24:12 | 0:24:14 | |
-we shan't get a compartment to ourselves. -Does it matter? | 0:24:14 | 0:24:17 | |
-Well, there's still time to change your mind, Iris. -Yes. | 0:24:24 | 0:24:26 | |
Why not send Charles a telegram, tell him he's all washed up? | 0:24:26 | 0:24:29 | |
No, it's too late. This time next week, I shall be a sunburnt offering | 0:24:29 | 0:24:33 | |
on an altar in Hanover Square. | 0:24:33 | 0:24:34 | |
I shan't mind, really. | 0:24:35 | 0:24:37 | |
Oh, good morning. | 0:24:37 | 0:24:40 | |
I can't find my bag. | 0:24:40 | 0:24:42 | |
It's a brown holdall. Have you seen...? | 0:24:42 | 0:24:44 | |
No, of course not. Thank you. I gave it to the porter... | 0:24:44 | 0:24:47 | |
Oh, she dropped her glasses. | 0:24:49 | 0:24:51 | |
-You dropped your glasses. -Thank you. -Oh! | 0:24:55 | 0:24:58 | |
Oh, dear, oh, dear, oh, dear. Oh, my dear. | 0:24:58 | 0:25:00 | |
Darling, are you hurt? | 0:25:00 | 0:25:01 | |
I don't know. What was it? | 0:25:02 | 0:25:05 | |
HE SPEAKS GERMAN | 0:25:05 | 0:25:07 | |
Never mind about that. This cockeyed station has brained my friend! | 0:25:07 | 0:25:10 | |
-Yes, indeed. -What are you going to do about it? | 0:25:10 | 0:25:12 | |
-HE SPEAKS GERMAN -He says he can't hold the train. | 0:25:12 | 0:25:14 | |
HE BLOWS WHISTLE | 0:25:14 | 0:25:15 | |
-Hurry up, it's going! -Yes, my dear. | 0:25:15 | 0:25:17 | |
-I'll be all right. -Are you sure? Be careful. | 0:25:17 | 0:25:20 | |
Don't worry, I'll look after her. Such carelessness. | 0:25:20 | 0:25:23 | |
You sure you're all right? | 0:25:31 | 0:25:33 | |
-Send us a copy of The Times. Write and tell us all about it. -Good luck. | 0:25:33 | 0:25:37 | |
Look after yourself. | 0:25:37 | 0:25:39 | |
There, there. You'll be all right in a minute. | 0:26:10 | 0:26:13 | |
Just take everything quietly. | 0:26:13 | 0:26:16 | |
Put some of this eau de Cologne on your head. | 0:26:16 | 0:26:18 | |
-Do you feel any better? -Yes, thank you. I'm all right now. | 0:26:39 | 0:26:42 | |
What you need is a good strong cup of tea. | 0:26:42 | 0:26:45 | |
-I'll ring for the attendant. -No, no, please don't bother. | 0:26:45 | 0:26:47 | |
I'll go to the dining car myself. I need some air. | 0:26:47 | 0:26:50 | |
Oh, well, in that case, I'll come with you. | 0:26:50 | 0:26:51 | |
-If you don't mind, that is. -No, of course not. | 0:26:51 | 0:26:54 | |
Oh, I beg your pardon. I'm so sorry. | 0:27:08 | 0:27:12 | |
You can always tell a honeymoon couple, you know. They're so shy. | 0:27:12 | 0:27:15 | |
-Why did you do that? -We don't want people staring at us. | 0:27:17 | 0:27:19 | |
Anyone would think the whole legal profession were dogging you. | 0:27:19 | 0:27:22 | |
One would be enough. | 0:27:22 | 0:27:23 | |
You thought that beggar in Damascus was a barrister in disguise. | 0:27:23 | 0:27:26 | |
I merely said his face was distinguished enough for a judge. | 0:27:26 | 0:27:28 | |
You hurried off in the opposite direction, I noticed. | 0:27:28 | 0:27:30 | |
That's not true. I was looking for a street called Street. | 0:27:30 | 0:27:33 | |
-You weren't so careful the first two days. -I know, I know. | 0:27:33 | 0:27:36 | |
And anyways, as for you meeting someone you know, what about me? | 0:27:36 | 0:27:39 | |
Robert thinks I'm cruising with mother. | 0:27:39 | 0:27:41 | |
If one's feeling a little bit shaky, | 0:27:50 | 0:27:52 | |
I always think it's best to sit in the middle of the coach, | 0:27:52 | 0:27:55 | |
preferably facing the engine. | 0:27:55 | 0:27:57 | |
-A pot of tea for two, please. -Very good. -Oh, and just a minute. | 0:27:57 | 0:28:00 | |
Will you please tell them to make it from this? I don't drink any other. | 0:28:02 | 0:28:06 | |
And make absolutely sure that the water is really boiling. | 0:28:06 | 0:28:09 | |
You understand? | 0:28:09 | 0:28:10 | |
It's a little fad of mine. My father and mother - | 0:28:11 | 0:28:14 | |
who, I'm thankful to say are still alive and enjoying | 0:28:14 | 0:28:17 | |
good health - invariably drink it. | 0:28:17 | 0:28:19 | |
And so I follow their footsteps. | 0:28:19 | 0:28:21 | |
Do you know, a million Mexicans drink it? | 0:28:21 | 0:28:23 | |
At least, that's what it says on the packet. | 0:28:23 | 0:28:26 | |
It's kind of you to help me like this. | 0:28:26 | 0:28:27 | |
I don't think we've introduced ourselves. | 0:28:27 | 0:28:30 | |
-My name is Iris Henderson. I'm going home to be married. -Really? | 0:28:30 | 0:28:32 | |
-How very exciting. I do hope you'll be happy. -Thank you. | 0:28:32 | 0:28:36 | |
You'll have children, won't you? They make such a difference. | 0:28:36 | 0:28:39 | |
I always think it's being with kiddies so much that's made me, | 0:28:39 | 0:28:42 | |
if I may say so, young for my age. | 0:28:42 | 0:28:44 | |
I'm a governess, you know. My name's Froy. | 0:28:44 | 0:28:46 | |
WHISTLE BLASTS | 0:28:46 | 0:28:48 | |
-Did you say Flora? -Froy. -I'm sorry, I can't hear. | 0:28:48 | 0:28:52 | |
Froy. It rhymes with joy. | 0:29:04 | 0:29:06 | |
Thank you. Please reserve two places for lunch. | 0:29:06 | 0:29:09 | |
-That is, if you care to have it with me? -Of course. | 0:29:09 | 0:29:12 | |
There's nothing moot about it, it simply wasn't out, that's all. | 0:29:12 | 0:29:15 | |
But for the umpire's blunder, he'd still be batting. | 0:29:15 | 0:29:17 | |
What do you mean? I don't understand. | 0:29:17 | 0:29:18 | |
I'll show you. Look here, I saw the whole thing. | 0:29:18 | 0:29:21 | |
Now then, there's Hammond, there's the bowler, there's the umpire. | 0:29:23 | 0:29:28 | |
-Sugar? -Two, please. | 0:29:28 | 0:29:31 | |
Dear me, there is no sugar. | 0:29:31 | 0:29:33 | |
Now watch this very, very carefully, Caldicott. Grimmet was bowling... | 0:29:34 | 0:29:38 | |
May I trouble you for the sugar, please? | 0:29:38 | 0:29:40 | |
-What? -The sugar, please. | 0:29:40 | 0:29:43 | |
HE SIGHS | 0:29:47 | 0:29:49 | |
Thank you so much. | 0:29:59 | 0:30:00 | |
If I were you, I'd try and get a little sleep. | 0:30:13 | 0:30:16 | |
It'll make you feel quite well again. | 0:30:16 | 0:30:18 | |
There's an intriguing acrostic in The Needlewoman. | 0:30:18 | 0:30:20 | |
I'm going to try and unravel it before you wake up. | 0:30:20 | 0:30:24 | |
BOTH LAUGH | 0:30:33 | 0:30:35 | |
SHE SINGS TO HERSELF | 0:30:38 | 0:30:40 | |
WHISTLE BLASTS | 0:31:13 | 0:31:17 | |
HE SPEAKS ITALIAN | 0:31:33 | 0:31:36 | |
Reservations for lunch, please. | 0:31:36 | 0:31:37 | |
Madam has booked for lunch? | 0:31:42 | 0:31:43 | |
I think my friend did. She's got the tickets. | 0:31:43 | 0:31:46 | |
-Have you seen my friend? -No? | 0:31:53 | 0:31:55 | |
Erm, my friend, where is she? | 0:31:55 | 0:31:57 | |
La signora Inglese, the English lady, where is she? | 0:31:59 | 0:32:03 | |
-There has been no English lady here. -What? | 0:32:03 | 0:32:05 | |
There has been no English lady here. | 0:32:06 | 0:32:10 | |
There has. She sat there, in the corner. | 0:32:10 | 0:32:12 | |
You saw her, you spoke to her. She sat next to you. | 0:32:12 | 0:32:14 | |
But it's ridiculous. | 0:32:16 | 0:32:17 | |
She took me to the dining car and came back here with me. | 0:32:17 | 0:32:19 | |
You went and came back alone. | 0:32:19 | 0:32:21 | |
Maybe you don't understand - | 0:32:22 | 0:32:23 | |
I mean the lady who looked after me when I was knocked out. | 0:32:23 | 0:32:26 | |
Ah, perhaps it make you forget, eh? | 0:32:26 | 0:32:29 | |
I may be very dense, but if this is some part of a joke, | 0:32:29 | 0:32:32 | |
I'm afraid I don't see the point. | 0:32:32 | 0:32:33 | |
-Oh, steward, you served me tea just now. -Yes, madam. | 0:33:07 | 0:33:09 | |
Have you seen the lady I was with? The English lady? | 0:33:09 | 0:33:11 | |
But madam was alone. | 0:33:11 | 0:33:13 | |
Pardon, madam, he make mistake. | 0:33:13 | 0:33:15 | |
Well, of course. He must remember the little English lady. | 0:33:15 | 0:33:18 | |
-She ordered the tea and paid for it. -No, it is you who paid. | 0:33:18 | 0:33:20 | |
BOTH SPEAK ITALIAN | 0:33:20 | 0:33:22 | |
He say to look at the bill. | 0:33:22 | 0:33:23 | |
But she gave you a special packet of tea. | 0:33:23 | 0:33:25 | |
You can't have forgotten that. | 0:33:25 | 0:33:26 | |
The tea was ours, madam. I received no packet. | 0:33:26 | 0:33:29 | |
-But you did. I know what happened. -Pardon, madam, the bill. | 0:33:29 | 0:33:32 | |
-Er, tea for one. -But that's not right. | 0:33:32 | 0:33:35 | |
Perhaps madam would care to examine the bills herself? | 0:33:35 | 0:33:38 | |
No, I wouldn't. The whole thing's too absurd. | 0:33:38 | 0:33:40 | |
Please, have you seen a lady pass through...? Oh. | 0:33:47 | 0:33:50 | |
Well, if it isn't old stinker. | 0:33:50 | 0:33:52 | |
If I thought you'd be on this train, | 0:33:52 | 0:33:54 | |
I'd have stayed another week in the hotel. Er, lady, no. Why? | 0:33:54 | 0:33:56 | |
Doesn't matter. You probably wouldn't recognise one anyway. | 0:33:56 | 0:33:59 | |
-Hello? Feeling queer? -It's that pipe of yours, George. | 0:34:03 | 0:34:06 | |
Why don't you throw your old socks away? Thanks for the help. | 0:34:06 | 0:34:09 | |
Oh, come on, sit down. Take it easy. What's the trouble? | 0:34:09 | 0:34:11 | |
If you must know, something fell on my head. | 0:34:11 | 0:34:14 | |
-When, infancy? -At the station. | 0:34:14 | 0:34:15 | |
-Bad luck. Can I help? -Only by going away. | 0:34:15 | 0:34:19 | |
No, no, no. My father always taught me, never desert a lady in trouble. | 0:34:19 | 0:34:21 | |
He even carried that as far as marrying mother. | 0:34:21 | 0:34:23 | |
Did you see a lady last night in the hotel in tweeds? | 0:34:23 | 0:34:26 | |
I saw one lady - she was hardly in tweeds. | 0:34:26 | 0:34:28 | |
Yes, but she was in my compartment, and now I can't find her. | 0:34:28 | 0:34:31 | |
She must be still on the train. We haven't stopped since we started. | 0:34:31 | 0:34:34 | |
Of course she's still on the train, I know that. | 0:34:34 | 0:34:36 | |
All right. Nobody said she isn't. | 0:34:36 | 0:34:37 | |
-That's just what they ARE saying. -Who? -The people in the compartment | 0:34:37 | 0:34:40 | |
and the stewards. They insist they never saw her. | 0:34:40 | 0:34:42 | |
-All of them? -All of them. | 0:34:42 | 0:34:44 | |
-You said you got a knock on the head? -What do you mean? | 0:34:44 | 0:34:47 | |
-Never mind. Do you talk the lingo? -No. | 0:34:47 | 0:34:49 | |
They probably thought you were trying to borrow some money. | 0:34:49 | 0:34:51 | |
Come on, let's knock the idea out of their stupid heads. | 0:34:51 | 0:34:54 | |
That's the most unfortunate remark. I beg your pardon. | 0:34:54 | 0:34:56 | |
That's one of them, the little dark man. | 0:35:00 | 0:35:02 | |
I say, excuse me, I think there's been a misunderstanding. | 0:35:03 | 0:35:06 | |
-This young lady seems to have lost her friend. -Yes, I have heard. | 0:35:06 | 0:35:09 | |
This gentleman has been explaining to me. Most interesting. | 0:35:09 | 0:35:12 | |
I think, under the circumstances, we shall all introduce ourselves. | 0:35:12 | 0:35:16 | |
I am Italian citizen. My wife and child. | 0:35:16 | 0:35:18 | |
How do you do? Bonny little chap. How old is he? | 0:35:18 | 0:35:20 | |
1934. And the lady in the corner is the Baroness Attorna. | 0:35:20 | 0:35:25 | |
Yes. I met her husband. He presented prizes at the folk dance festival. | 0:35:25 | 0:35:28 | |
Minister of Propaganda. | 0:35:28 | 0:35:29 | |
I am Dr Egon Hartz of Prague, you may have heard of me. | 0:35:29 | 0:35:32 | |
-Not the brain specialist? -Yes, the same. | 0:35:32 | 0:35:35 | |
You flew over to England and operated on a cabinet minister. | 0:35:35 | 0:35:37 | |
-Oh, yes. -Tell me, did you find anything? | 0:35:37 | 0:35:40 | |
A slight cerebral contusion. | 0:35:40 | 0:35:41 | |
Oh, well, that's better than nothing. | 0:35:41 | 0:35:43 | |
I am picking up a similar case at the next station, | 0:35:43 | 0:35:46 | |
but so much more complicated | 0:35:46 | 0:35:47 | |
I shall operate at the National Hospital tonight. | 0:35:47 | 0:35:49 | |
Among other things, a cranial fracture with compression. | 0:35:49 | 0:35:52 | |
-Do you understand? -Oh, yes, a wallop on the bean. | 0:35:52 | 0:35:55 | |
-I suppose you haven't seen my friend? -Unfortunately, no. | 0:35:55 | 0:35:58 | |
I'll just take a word with the baroness. | 0:35:58 | 0:35:59 | |
BOTH SPEAK ITALIAN | 0:36:01 | 0:36:06 | |
-What do they say? -They both say that they've never seen her. | 0:36:12 | 0:36:14 | |
-But that's not true. She was sitting where you are. -Can you describe her? | 0:36:14 | 0:36:18 | |
It's difficult. You see, she was sort of middle-aged. | 0:36:18 | 0:36:20 | |
-What was she wearing? -Tweeds. Oatmeal, flecked with brown, | 0:36:20 | 0:36:24 | |
a three-quarter coat with patch pockets, | 0:36:24 | 0:36:27 | |
a scarf, felt hat, brown shoes, | 0:36:27 | 0:36:29 | |
a tussore shirt, and a small, blue handkerchief in her breast pocket. | 0:36:29 | 0:36:33 | |
-I can't remember any more. -You couldn't have been paying attention. | 0:36:33 | 0:36:36 | |
-Now listen, you both went along to tea? -Yes. | 0:36:36 | 0:36:38 | |
-Well, surely you met somebody? -I suppose we did, but... | 0:36:38 | 0:36:42 | |
Wait, let me think. There was an Englishman who passed the sugar. | 0:36:42 | 0:36:46 | |
Right. Let's go and dig him out. | 0:36:46 | 0:36:47 | |
I come with you. This is most interesting to me. | 0:36:47 | 0:36:50 | |
We don't like people muscling in, but we'll make you a member. | 0:36:50 | 0:36:53 | |
Wait a moment, there WAS somebody else. | 0:37:00 | 0:37:02 | |
As we passed this compartment, Miss Froy stumbled in. | 0:37:02 | 0:37:04 | |
-There was a tall gentleman and a lady. -Now we are getting somewhere. | 0:37:04 | 0:37:07 | |
If we can find someone who saw her, we will have the place searched. | 0:37:07 | 0:37:10 | |
-Can I be of any assistance? -That is the gentleman. | 0:37:10 | 0:37:12 | |
Do you remember seeing this young lady pass the compartment | 0:37:12 | 0:37:15 | |
with a little English woman? | 0:37:15 | 0:37:16 | |
-I'm afraid not. -You must have, she almost fell into your compartment. | 0:37:16 | 0:37:22 | |
Surely you haven't forgotten? It is very important. | 0:37:22 | 0:37:24 | |
Everybody is saying she was not on the train but I know she is. | 0:37:24 | 0:37:27 | |
I'm going to find her even if I have to stop the train to do it. | 0:37:27 | 0:37:30 | |
This is Charters. Can I come in? | 0:37:31 | 0:37:33 | |
You know that girl we saw at the hotel? | 0:37:34 | 0:37:36 | |
She's back there kicking up a devil of a fuss. | 0:37:36 | 0:37:38 | |
Says she's lost her friend. | 0:37:38 | 0:37:39 | |
-She hasn't been in here. -The point is she threatens to stop the train. | 0:37:39 | 0:37:43 | |
If we miss our connection, we'll never make Manchester in time. | 0:37:43 | 0:37:47 | |
-This is serious. -Let's hide in here. | 0:37:47 | 0:37:49 | |
Sorry, I haven't the faintest recollection. | 0:37:50 | 0:37:52 | |
You must be making a mistake. | 0:37:52 | 0:37:54 | |
He obviously doesn't remember. Let's look for the other fellow. | 0:37:55 | 0:37:59 | |
-Who were you talking to outside? -Oh, nobody. | 0:38:01 | 0:38:03 | |
Just some people in the corridor arguing. | 0:38:03 | 0:38:06 | |
-There he is, there's the man. -I'm sorry. I wonder if I can bother you. | 0:38:12 | 0:38:16 | |
-I wonder if you can help. -How? | 0:38:16 | 0:38:18 | |
I was having tea about an hour ago with an English lady. | 0:38:18 | 0:38:20 | |
-You saw her, didn't you? -I don't know. | 0:38:20 | 0:38:23 | |
-I was talking to my friend, wasn't I? -Indubitably. -But you were sitting | 0:38:23 | 0:38:26 | |
at the next table, she turned and borrowed the sugar. | 0:38:26 | 0:38:28 | |
-You must remember. -Yes, I recall passing the sugar. -Then you saw her? | 0:38:28 | 0:38:31 | |
We were deep in conversation about cricket. | 0:38:31 | 0:38:33 | |
I don't see how a thing like cricket | 0:38:33 | 0:38:34 | |
-can make you forget seeing people. -Don't you? | 0:38:34 | 0:38:36 | |
If that is your attitude, there is nothing more to be said. | 0:38:36 | 0:38:39 | |
Come, Caldicott. "A thing like cricket"! | 0:38:39 | 0:38:42 | |
Wrong tactics, we should have told him we were looking for | 0:38:42 | 0:38:44 | |
-a lost cricket ball. -But he spoke to her. | 0:38:44 | 0:38:46 | |
-There must be some explanation. -There is. Please forgive me. | 0:38:46 | 0:38:49 | |
I'm quite possibly wrong, but I have known cases where a sudden shock | 0:38:49 | 0:38:53 | |
or blow has induced the most vivid impressions. | 0:38:53 | 0:38:56 | |
-I understand. You don't believe me. -It is not a question of belief. | 0:38:56 | 0:39:00 | |
Even a simple concussion may have curious effects upon | 0:39:00 | 0:39:03 | |
-an imaginative person. -I can remember every little detail. | 0:39:03 | 0:39:06 | |
Her name, Miss Froy, everything. | 0:39:06 | 0:39:09 | |
So interesting. | 0:39:09 | 0:39:10 | |
If one had time, one could trace the cause of the hallucination. | 0:39:10 | 0:39:14 | |
-Hallucination? -Precisely. There is no Miss Froy. There never was. | 0:39:14 | 0:39:19 | |
-Merely a vivid subjective image. -But I met her last night at the hotel. | 0:39:19 | 0:39:22 | |
-You thought you did. -What about the name? -Some past association. | 0:39:22 | 0:39:26 | |
An advertisement or a character in a novel, subconsciously remembered. | 0:39:26 | 0:39:30 | |
There is no reason to be frightened, if you are quiet and relax. | 0:39:30 | 0:39:35 | |
Thank you very much. | 0:39:35 | 0:39:36 | |
If you will excuse me, this is where my patient comes aboard. Excuse me. | 0:39:45 | 0:39:49 | |
Most interesting. | 0:39:50 | 0:39:52 | |
Stopping. | 0:39:53 | 0:39:55 | |
-This is the first stop, isn't it? -Mm-hm. | 0:39:55 | 0:39:57 | |
Then Miss Froy must still be on the train. You look out of this window | 0:39:57 | 0:40:00 | |
and see if she gets off this side. I'll take the other. | 0:40:00 | 0:40:03 | |
Most interesting. | 0:40:04 | 0:40:06 | |
-What was she dressed in? Scotch tweeds, wasn't it? -Oatmeal tweeds. | 0:40:12 | 0:40:16 | |
I knew it had something to do with porridge. | 0:40:16 | 0:40:19 | |
THEY SPEAK OWN LANGUAGE | 0:40:25 | 0:40:30 | |
How long does it take to get a divorce? Eric. | 0:40:44 | 0:40:48 | |
I beg your pardon, I wasn't listening. | 0:40:48 | 0:40:50 | |
-I said, how long does it take to get a divorce? -That depends. Why? | 0:40:50 | 0:40:55 | |
Only wondering whether we could take our honeymoon next spring. | 0:40:55 | 0:40:59 | |
I mean the official one. | 0:40:59 | 0:41:00 | |
The difficulties are considerable. | 0:41:00 | 0:41:02 | |
For one thing, the courts are very crowded just now. | 0:41:02 | 0:41:05 | |
Although I suppose we barristers ought not to complain about that. | 0:41:05 | 0:41:08 | |
As a matter of fact, with the conditions as they are now, | 0:41:08 | 0:41:11 | |
my chances of becoming a judge are very rosy. | 0:41:11 | 0:41:13 | |
That is if nothing untoward occurs. | 0:41:13 | 0:41:15 | |
Such as you being mixed up in a divorce case yourself. | 0:41:15 | 0:41:18 | |
Yes. | 0:41:18 | 0:41:20 | |
In the first careless rapture of yours, | 0:41:20 | 0:41:22 | |
you said you didn't care what happened. | 0:41:22 | 0:41:24 | |
You must think of it from my point of view. | 0:41:24 | 0:41:26 | |
The law, like Caesar's wife, must be above suspicion. | 0:41:26 | 0:41:28 | |
-Even when the law spends six weeks with Caesar's wife? -Look here. | 0:41:28 | 0:41:32 | |
Now I know why you've been running around like a scared rabbit, | 0:41:32 | 0:41:35 | |
why you lied so deliberately a few minutes ago. | 0:41:35 | 0:41:37 | |
-I lied? -Yes, to those people in the corridor. | 0:41:37 | 0:41:40 | |
I heard every word you said. | 0:41:40 | 0:41:42 | |
It was merely I didn't wish to be mixed up in any enquiry. | 0:41:42 | 0:41:45 | |
"Enquiry"! Just because a little woman can't be found. | 0:41:45 | 0:41:49 | |
That girl was making a fuss. If the woman had disappeared | 0:41:49 | 0:41:51 | |
and I had admitted seeing her, we might become vital witnesses. | 0:41:51 | 0:41:54 | |
My name might even appear in the papers, coupled with yours. | 0:41:54 | 0:41:58 | |
-A scandal like that might lead anywhere. Anywhere. -Yes. | 0:41:58 | 0:42:02 | |
I suppose it might. | 0:42:03 | 0:42:05 | |
WHISTLE BLASTS | 0:42:10 | 0:42:12 | |
-Nobody? -Nobody. | 0:42:25 | 0:42:27 | |
The only thing that came out of my side was two bits of orange peel and | 0:42:27 | 0:42:30 | |
-a paper bag. -I know there's a Miss Froy. She's as real as you are. | 0:42:30 | 0:42:33 | |
You say that, but there doesn't appear to be anybody else | 0:42:33 | 0:42:36 | |
-who's seen her. -I saw her, I think. | 0:42:36 | 0:42:38 | |
-You did? -A little woman in tweeds wearing a three-quarter coat. | 0:42:39 | 0:42:43 | |
-With a scarf? -That's right. | 0:42:43 | 0:42:45 | |
-I saw her with you when you passed the compartment. -I knew I was right! | 0:42:45 | 0:42:48 | |
But your husband said he hadn't seen her. | 0:42:48 | 0:42:50 | |
-He didn't notice, but as soon he mentioned I remembered. -You win. | 0:42:50 | 0:42:53 | |
This calls for action. Are you prepared to make a statement? | 0:42:53 | 0:42:56 | |
-Of course, if it helps. -Pardon. My patient has arrived. | 0:42:56 | 0:42:59 | |
The most fascinating complication. | 0:42:59 | 0:43:01 | |
We have some news. This lady actually saw Miss Froy. | 0:43:01 | 0:43:03 | |
We'll have the train searched. | 0:43:03 | 0:43:05 | |
You'll have to think of a fresh theory now, Doctor. | 0:43:05 | 0:43:07 | |
It is not necessary - my theory was perfectly good. | 0:43:07 | 0:43:09 | |
The facts were misleading. I hope you find your friend. Excuse me. | 0:43:09 | 0:43:13 | |
-I will be in here if you want me. -Right you are. Come along. | 0:43:13 | 0:43:16 | |
Eric. | 0:43:20 | 0:43:22 | |
I was only going to mention that I told that girl I'd seen her friend. | 0:43:24 | 0:43:27 | |
What's that? Have you taken leave of your senses? | 0:43:27 | 0:43:30 | |
-On the contrary, I have come to them. -What do you mean? | 0:43:30 | 0:43:33 | |
If there is a scandal, there would be a divorce. | 0:43:33 | 0:43:35 | |
You could not let me down. | 0:43:35 | 0:43:37 | |
You'd have to do the decent thing as reluctantly as you know. | 0:43:37 | 0:43:41 | |
You forget one very important thing. Your husband would divorce you, | 0:43:41 | 0:43:44 | |
but whatever happens, my wife will never divorce me. | 0:43:44 | 0:43:47 | |
It may seem crazy to you | 0:43:49 | 0:43:50 | |
-but I tell you you're going to search the train. -Signorina! | 0:43:50 | 0:43:53 | |
Down there, they look for you. Your friend, she come back. | 0:43:53 | 0:43:56 | |
-Come back? -Si. -What happened? -You go see. She tell you. Scusi. | 0:43:56 | 0:44:01 | |
Thanks. Relax. The crisis is over. | 0:44:01 | 0:44:05 | |
Come on, let's join the lady. | 0:44:05 | 0:44:06 | |
-Here we are. -Miss Froy! | 0:44:08 | 0:44:09 | |
That isn't Miss Froy. | 0:44:13 | 0:44:15 | |
-Isn't it? -No. -It is a silly thing to say, but are you Miss Froy? | 0:44:15 | 0:44:20 | |
No, I am Madame Kummer. | 0:44:21 | 0:44:24 | |
SHE SPEAKS OWN LANGUAGE | 0:44:24 | 0:44:27 | |
She says she helped you into the carriage after you got | 0:44:27 | 0:44:29 | |
hit on the head then went to see some friends. | 0:44:29 | 0:44:31 | |
SHE SPEAKS OWN LANGUAGE | 0:44:31 | 0:44:33 | |
The baroness says that as you spoke about an English lady, | 0:44:33 | 0:44:36 | |
-she did not connect her with Madame Kummer. -She wasn't the lady I saw. | 0:44:36 | 0:44:39 | |
-It was Miss Froy. -Oatmeal tweeds, blouse, handkerchief. | 0:44:39 | 0:44:42 | |
I know, everything is the same, but it isn't her. | 0:44:42 | 0:44:44 | |
-When did you say you first met Miss Froy? -Last night at the hotel. | 0:44:44 | 0:44:48 | |
-Was she wearing a costume like that? -Yes. | 0:44:48 | 0:44:52 | |
Then I must apologise, you did meet her after all. | 0:44:52 | 0:44:54 | |
But not on this train. In your subconscious mind, | 0:44:54 | 0:44:58 | |
you substituted the face of Madame Kummer for Miss Froy. | 0:44:58 | 0:45:00 | |
But I didn't. I couldn't have, I tell you, I talked to her here. | 0:45:00 | 0:45:03 | |
That's very easily settled, | 0:45:03 | 0:45:04 | |
as an English woman on the train who said she saw her. | 0:45:04 | 0:45:06 | |
-If this lady wouldn't mind... -THEY SPEAK OWN LANGUAGE | 0:45:06 | 0:45:09 | |
What a gift for languages the fellow's got. | 0:45:12 | 0:45:14 | |
Would you tell us, is this the woman you saw? | 0:45:25 | 0:45:27 | |
It isn't a bit like her, is it? | 0:45:27 | 0:45:29 | |
Yes, she's the woman. | 0:45:32 | 0:45:33 | |
-But it isn't, I tell you. -Are you sure? | 0:45:35 | 0:45:37 | |
-Perfectly. -She isn't, she isn't! | 0:45:39 | 0:45:42 | |
SHE SPEAKS OWN LANGUAGE | 0:45:42 | 0:45:43 | |
Come on, then. I'm so sorry to have troubled you. | 0:45:46 | 0:45:49 | |
Well? Aren't you going to say anything? | 0:45:51 | 0:45:54 | |
You might at least gloat, if nothing else. | 0:45:54 | 0:45:56 | |
You only did it to save your own skin. | 0:45:56 | 0:45:59 | |
She was lying. I saw it in her face. They're all lying, but why? | 0:45:59 | 0:46:03 | |
Why don't you sit down? Take it easy. | 0:46:03 | 0:46:04 | |
Do you think I substituted Miss Froy's face for Madame Kummer's? | 0:46:04 | 0:46:07 | |
I think any change would be an improvement. | 0:46:07 | 0:46:10 | |
Miss Froy was on this train, | 0:46:10 | 0:46:11 | |
and nothing will convince me otherwise. | 0:46:11 | 0:46:15 | |
Must you follow me round like a pet dog? | 0:46:15 | 0:46:17 | |
Let's say a watchdog - I've got all the better instincts. | 0:46:17 | 0:46:20 | |
Goodbye. | 0:46:20 | 0:46:21 | |
The doctor was right, I never saw Miss Froy on the train. | 0:46:40 | 0:46:42 | |
It didn't happen, I know now. | 0:46:42 | 0:46:44 | |
I'm glad you're going to take it like that. Forget all about it. | 0:46:44 | 0:46:47 | |
Make your mind a complete blank. | 0:46:47 | 0:46:50 | |
Watch me, you can't go wrong. | 0:46:50 | 0:46:51 | |
What about something to eat? | 0:46:53 | 0:46:55 | |
-Anything. -That's right. Come along. | 0:46:55 | 0:46:57 | |
-Would you like a little air? -Thanks. | 0:47:06 | 0:47:09 | |
-Do you think you can eat anything? -I could try. | 0:47:11 | 0:47:13 | |
That's the spirit. You'll feel a different girl tomorrow. | 0:47:13 | 0:47:16 | |
I hope so. I don't want to meet my fiance a nervous wreck. | 0:47:16 | 0:47:20 | |
Your what? | 0:47:20 | 0:47:22 | |
I'm being married on Thursday. | 0:47:22 | 0:47:24 | |
-Quite sure you're not imagining that? -Positive. | 0:47:24 | 0:47:27 | |
Oh, I was afraid so. Ah, food. | 0:47:27 | 0:47:30 | |
-I couldn't face it. -Mind if I talk with my mouth full? | 0:47:30 | 0:47:33 | |
-If you must. -Now then, would you like to hear about my early life? | 0:47:33 | 0:47:37 | |
-I don't think so. -Well, since you press me, I'll begin with my father. | 0:47:37 | 0:47:40 | |
It's remarkable how many great men began with their father. Drink? | 0:47:40 | 0:47:44 | |
A cup of tea, please. | 0:47:44 | 0:47:46 | |
My father was a very colourful character, | 0:47:49 | 0:47:51 | |
and he was strongly addicted to... | 0:47:51 | 0:47:53 | |
You'll never guess. | 0:47:53 | 0:47:55 | |
-Harriman's Herbal Tea. -No! Double Scotch. | 0:47:55 | 0:47:58 | |
-A million Mexicans drink it. -Maybe they do, but Father didn't. | 0:47:58 | 0:48:01 | |
Miss Froy gave the waiter a packet of it. | 0:48:01 | 0:48:04 | |
-A packet of what? -Harriman's Herbal Tea. | 0:48:04 | 0:48:07 | |
She said it was the only sort she liked. | 0:48:07 | 0:48:08 | |
We agreed you'd make your mind a complete blank. | 0:48:08 | 0:48:11 | |
-But it's so real, I'm sure it happened. -Did we or did we not? | 0:48:11 | 0:48:15 | |
We did. Sorry. | 0:48:15 | 0:48:18 | |
Go on telling me about your father. | 0:48:18 | 0:48:20 | |
My father was a very remarkable man. | 0:48:20 | 0:48:22 | |
-Did he play the clarinet? -Incessantly. | 0:48:22 | 0:48:25 | |
In fact, he never put it down unless it was absolutely necessary. | 0:48:25 | 0:48:28 | |
Naturally, I couldn't help inheriting his love of music. | 0:48:28 | 0:48:31 | |
-Why not? -It was all he left me. | 0:48:31 | 0:48:34 | |
You know, you're remarkably attractive. | 0:48:34 | 0:48:37 | |
Has anyone ever told you? | 0:48:37 | 0:48:39 | |
We were discussing you. | 0:48:39 | 0:48:40 | |
-Yes, of course. Do you like me? -Not much. | 0:48:40 | 0:48:43 | |
After I'd paid my father's debts, I started to travel, | 0:48:46 | 0:48:49 | |
until they tried to cash the cheques. | 0:48:49 | 0:48:50 | |
I'm writing a book now. Would you like to buy a copy? | 0:48:50 | 0:48:54 | |
I'd love to. When does it see the light of day? | 0:48:54 | 0:48:56 | |
About four years. | 0:48:56 | 0:48:58 | |
-That's a very long time. -It's a very long book. | 0:48:58 | 0:49:01 | |
Do you know why you fascinate me? I'll tell you. | 0:49:03 | 0:49:06 | |
You have got two great qualities I admired in Father - | 0:49:06 | 0:49:08 | |
you haven't any manners at all, and you're always seeing things. | 0:49:08 | 0:49:12 | |
-What's the matter? -Look! | 0:49:13 | 0:49:16 | |
WHISTLE BLASTS | 0:49:16 | 0:49:18 | |
-It's gone! -What's gone? | 0:49:22 | 0:49:25 | |
Miss Froy's name on the window. | 0:49:25 | 0:49:26 | |
You saw it. You must have seen it! She's on the train! | 0:49:26 | 0:49:29 | |
No, steady, steady. | 0:49:29 | 0:49:30 | |
Excuse me, thank you very much. | 0:49:30 | 0:49:32 | |
We've got to find her. Something's happening to her. Stop the train! | 0:49:32 | 0:49:37 | |
Listen, everybody, there's a woman on this train - Miss Froy. | 0:49:37 | 0:49:40 | |
Some of you must have seen her. They're hiding her somewhere. | 0:49:40 | 0:49:42 | |
I appeal to you, all of you, to stop the train. | 0:49:42 | 0:49:45 | |
Please help me. Make them stop the train. | 0:49:45 | 0:49:47 | |
Why don't you do something before it's too late? | 0:49:47 | 0:49:50 | |
-Please. -You think I'm crazy, but I'm not. | 0:49:50 | 0:49:53 | |
For heaven's sake, stop this train! Leave me alone! | 0:49:53 | 0:49:56 | |
Leave me alone! | 0:49:56 | 0:49:57 | |
WHISTLE BLASTS | 0:49:57 | 0:50:00 | |
BRAKES SQUEAL | 0:50:01 | 0:50:05 | |
Huh! Ten minutes late, thanks to that fool of a girl. | 0:50:12 | 0:50:15 | |
She gets up to any more tricks, we'll be too late for the match. | 0:50:15 | 0:50:20 | |
-I suppose you couldn't put it to her in some way? -What? | 0:50:20 | 0:50:23 | |
Well, people just don't vanish, and so forth. | 0:50:23 | 0:50:27 | |
-She has. -What? | 0:50:27 | 0:50:29 | |
-Vanished. -Who? -The old dame. | 0:50:29 | 0:50:32 | |
-Yes. -Well? | 0:50:33 | 0:50:35 | |
-Well, how could she? -What? | 0:50:36 | 0:50:38 | |
-Vanish. -I don't know. | 0:50:40 | 0:50:42 | |
That explains my point. People don't just disappear into thin air. | 0:50:42 | 0:50:47 | |
-It's done in India. -What? | 0:50:47 | 0:50:50 | |
-The rope trick. -Oh, that. | 0:50:50 | 0:50:53 | |
It never comes out in a photograph. | 0:50:53 | 0:50:55 | |
Look, in half an hour we'll stop at Morshkan, just before the border. | 0:50:56 | 0:51:00 | |
I will leave there with my patient for the National Hospital. | 0:51:00 | 0:51:04 | |
If you come with me, you can stay overnight in a private ward. | 0:51:04 | 0:51:07 | |
-You need peace and rest. -Sorry, nothing doing. | 0:51:07 | 0:51:11 | |
Isn't there anything we can do? | 0:51:11 | 0:51:13 | |
Yes. Find Miss Froy. | 0:51:13 | 0:51:14 | |
I tell you, if she does not rest, I will not answer for her. | 0:51:21 | 0:51:25 | |
It will be best if you persuade her. She likes you. | 0:51:25 | 0:51:27 | |
I'm as popular as a dose of strychnine. | 0:51:27 | 0:51:30 | |
If you coat it with sugar, she may swallow it. | 0:51:30 | 0:51:33 | |
Cosmopolitan train, this. People of all nations. | 0:52:14 | 0:52:17 | |
I've just seen at least a million Mexicans in the corridor. | 0:52:19 | 0:52:23 | |
I thought I'd look in to tell you to think over what Dr Hartz said. | 0:52:25 | 0:52:28 | |
If you fell like changing your mind, I'll be hanging around. | 0:52:28 | 0:52:31 | |
-What's all the mystery? -You're right, Miss Froy is on this train. | 0:52:39 | 0:52:42 | |
I've just seen the packet of tea you were talking about in the rubbish. | 0:52:42 | 0:52:45 | |
-Trifle late, aren't you? She may be dead now. -Dead or... | 0:52:45 | 0:52:47 | |
For sheer variety, give me an English summer. | 0:52:47 | 0:52:49 | |
I remember once spending a bank holiday at... | 0:52:49 | 0:52:52 | |
We'll search the train. There's something definitely queer in here. | 0:52:52 | 0:52:55 | |
-Looks like a supply service for trunk murderers. -Don't! | 0:53:12 | 0:53:15 | |
Look at that! | 0:53:23 | 0:53:24 | |
-It's all right, Miss Froy, it's only us. -Hurry up, quickly! | 0:53:28 | 0:53:31 | |
Perhaps it's Miss Froy bewitched, you never know! | 0:53:38 | 0:53:41 | |
I refuse to be discouraged. Faint heart never found old lady. | 0:53:41 | 0:53:44 | |
-Do you know anything about her? -No. | 0:53:46 | 0:53:48 | |
Only that she was a governess going back home. | 0:53:48 | 0:53:51 | |
-What is this thing? -Can't imagine. | 0:53:55 | 0:53:57 | |
There might be something down here. | 0:53:57 | 0:53:59 | |
-What on earth...? -Our Italian friend! | 0:54:02 | 0:54:05 | |
I've got it! Wait a minute. | 0:54:05 | 0:54:06 | |
There you are, the Great Doppo. | 0:54:08 | 0:54:09 | |
-His visiting card, look. -What's it say? | 0:54:16 | 0:54:19 | |
The Great Doppo, magician, illusionist, mind-reader... | 0:54:19 | 0:54:21 | |
see his fascinating act, the vanishing... | 0:54:21 | 0:54:25 | |
-..lady. -The vanishing lady?! | 0:54:25 | 0:54:28 | |
-Perhaps that's the explanation. -What? -He's practising on Miss Froy. | 0:54:28 | 0:54:32 | |
-Perhaps it's a publicity stunt. -No. | 0:54:32 | 0:54:35 | |
What about the Baroness and Madame Kummer? | 0:54:35 | 0:54:37 | |
-What's your theory? -I don't know. My theory? I'll tell you. | 0:54:37 | 0:54:42 | |
Oh, dear! I can't get... | 0:54:47 | 0:54:49 | |
-Where are you? -In here, with a strong smell of camphor ball. | 0:54:59 | 0:55:03 | |
-I can't see you. -I'm about somewhere. | 0:55:03 | 0:55:05 | |
Here I am. Where are you? | 0:55:07 | 0:55:10 | |
I don't know! | 0:55:10 | 0:55:12 | |
This is what comes of not saying abracadabra. | 0:55:12 | 0:55:14 | |
-Ooh! Ooh! -Are you hurt? | 0:55:14 | 0:55:17 | |
-Come on, out of it. -Not much. | 0:55:17 | 0:55:19 | |
-Come and sit down. -What is that? | 0:55:19 | 0:55:22 | |
In magic circles, we call it the disappearing cabinet. | 0:55:22 | 0:55:25 | |
-You get inside, and you vanish. -So I noticed. | 0:55:25 | 0:55:28 | |
You were about to tell me of your theory. | 0:55:28 | 0:55:30 | |
Oh, my theory. Well... | 0:55:30 | 0:55:33 | |
my theory, my dear Watson, is that we are in very deep waters indeed. | 0:55:33 | 0:55:37 | |
-Ahem. -Oh! Thank you very much. | 0:55:37 | 0:55:40 | |
Let us marshal our facts over a pipe full of Baker Street shag. | 0:55:40 | 0:55:43 | |
In the first place, a little old lady disappears. | 0:55:43 | 0:55:45 | |
Everyone who saw her insists she was never there, right? | 0:55:45 | 0:55:49 | |
-Right. -We know that she was, therefore | 0:55:49 | 0:55:51 | |
they did see her, therefore they are deliberately lying. | 0:55:51 | 0:55:54 | |
-Why? -I don't know. I'm only Watson. | 0:55:54 | 0:55:56 | |
Don't bury yourself in the part. I'll tell you why - | 0:55:56 | 0:55:59 | |
they daren't face an enquiry as Miss Froy's probably still on this train. | 0:55:59 | 0:56:02 | |
-I told you that hours ago. -Yes, so you did. | 0:56:02 | 0:56:06 | |
-For that, my dear Watson, you shall have a cigar. -Ooh, thank you. | 0:56:06 | 0:56:09 | |
Only one thing left to do - search the train in disguise. | 0:56:09 | 0:56:12 | |
-As what? -Well, er... | 0:56:12 | 0:56:15 | |
-Old English gentleman. -They'd see through you. | 0:56:16 | 0:56:19 | |
Perhaps you're right. Aha! | 0:56:19 | 0:56:21 | |
Will Hay. | 0:56:23 | 0:56:24 | |
Now, boys, boys, which of you has stolen Miss Froy? Own up! | 0:56:24 | 0:56:28 | |
-Give those glasses to me. -Why? | 0:56:28 | 0:56:31 | |
-They're Miss Froy's! -Are you sure? | 0:56:31 | 0:56:33 | |
Yes, they're exactly the same. Gold rims... Where did you find them? | 0:56:33 | 0:56:36 | |
-Down here on the floor. The glass is broken. -Probably in the struggle. | 0:56:36 | 0:56:39 | |
Do you realise that this is our first piece of tangible proof? | 0:56:40 | 0:56:43 | |
That's the lot. | 0:56:45 | 0:56:46 | |
Will you please give me those spectacles? | 0:56:51 | 0:56:52 | |
They belong to me. My spectacles, please. | 0:56:52 | 0:56:55 | |
-Yours? Are you sure? -HE SPEAKS ITALIAN | 0:56:55 | 0:56:58 | |
Naughty, naughty. That's a large nose for a small pair of spectacles. | 0:57:00 | 0:57:04 | |
That's the game, is it? We'll see about that. | 0:57:05 | 0:57:07 | |
They're Miss Froy's glasses, and you know it. | 0:57:07 | 0:57:09 | |
She's been here, and you know that too! | 0:57:09 | 0:57:11 | |
Don't stand hopping about there like a referee, kick him! | 0:57:22 | 0:57:25 | |
See if he's got a false bottom. Hang on, I'll get him up. | 0:57:25 | 0:57:28 | |
Ow! That doesn't help. | 0:57:34 | 0:57:36 | |
Quick, pull his ears back. Give them a twist. | 0:57:40 | 0:57:43 | |
Now I've got him. | 0:57:48 | 0:57:49 | |
He's got a knife! | 0:58:04 | 0:58:06 | |
Get hold of it before he cuts a slice off me. | 0:58:08 | 0:58:11 | |
I can't reach it. | 0:58:12 | 0:58:13 | |
Argh! | 0:58:22 | 0:58:24 | |
Well done, that's it. That's it. | 0:58:24 | 0:58:26 | |
We know how that thing works. Come out of there. | 0:58:30 | 0:58:33 | |
Is he out? We've got to hide him somewhere. | 0:58:35 | 0:58:39 | |
-What's in here? -Hurry up, quick, before he comes to. | 0:58:39 | 0:58:42 | |
It's empty. We can lock him in. | 0:58:46 | 0:58:47 | |
Come on. | 0:58:50 | 0:58:51 | |
Oh, no, you don't! | 0:58:54 | 0:58:55 | |
-Oh! -What's the matter? | 0:58:59 | 0:59:02 | |
Garlic. I'll be all right in a minute. | 0:59:02 | 0:59:04 | |
-Here, let's tie him up. -Oh, yes. | 0:59:04 | 0:59:07 | |
So we definitely know that Miss Froy was on this train, | 0:59:07 | 0:59:10 | |
and our friend in here had something to do with it. | 0:59:10 | 0:59:13 | |
That ought to keep him quiet until we find her. | 0:59:13 | 0:59:16 | |
Hard work, but worth it. Let's have the evidence. | 0:59:16 | 0:59:19 | |
-Evidence? -The glasses. | 0:59:19 | 0:59:21 | |
-You've got them. -No, I haven't got them. | 0:59:21 | 0:59:24 | |
-Oh! -He's got them! | 0:59:24 | 0:59:26 | |
He isn't there! | 0:59:28 | 0:59:30 | |
Snookered! It's a false bottom. | 0:59:34 | 0:59:36 | |
-The twister! He's a contortionist. -He's gone. | 0:59:39 | 0:59:41 | |
To find the others. We can't fight the whole train, we need allies. | 0:59:41 | 0:59:46 | |
-But who can we trust? -That's the snag. | 0:59:46 | 0:59:48 | |
There's that Dr Hartz person. | 0:59:48 | 0:59:51 | |
Yes, you're right. He might help. Let's tell him the symptoms. | 0:59:51 | 0:59:53 | |
All right. Oh, wait a minute. | 0:59:53 | 0:59:55 | |
This is the one. | 1:00:08 | 1:00:09 | |
He's not there. | 1:00:15 | 1:00:16 | |
Listen, I've just had a particularly idiotic idea. | 1:00:20 | 1:00:23 | |
-I quite believe that. -Supposing that patient is Miss Froy. | 1:00:23 | 1:00:27 | |
It didn't come on the train till after Miss Froy disappeared. | 1:00:27 | 1:00:30 | |
Oh, yes. That's why it's idiotic. Come on, let's find the doctor. | 1:00:30 | 1:00:33 | |
-No, wait a minute. -What is it? | 1:00:33 | 1:00:37 | |
-Did you notice anything wrong about that nun? -No. | 1:00:37 | 1:00:40 | |
I don't think she's a nun at all. They don't wear high heels. | 1:00:40 | 1:00:43 | |
Yes, you're right. Did you see Madame Kummer get on the train? | 1:00:56 | 1:01:00 | |
-No. -Well... | 1:01:00 | 1:01:02 | |
..supposing they decoyed Miss Froy into the luggage van and hid her, | 1:01:02 | 1:01:06 | |
the first stop, a patient comes aboard, head injury, all wrapped up, | 1:01:06 | 1:01:10 | |
the patient is Madame Kummer, she becomes Miss Froy, | 1:01:10 | 1:01:13 | |
Miss Froy becomes that. | 1:01:13 | 1:01:15 | |
Yes, but why go to all this trouble to kidnap a harmless governess? | 1:01:15 | 1:01:19 | |
Maybe it isn't a governess at all. Perhaps it's some political thing. | 1:01:19 | 1:01:24 | |
Let's investigate. | 1:01:24 | 1:01:26 | |
HE SPEAKS FRENCH | 1:01:28 | 1:01:31 | |
HE SPEAKS GERMAN | 1:01:31 | 1:01:33 | |
You'll just have to put up with it in English. | 1:01:33 | 1:01:35 | |
Can we look at your patient, please? | 1:01:35 | 1:01:37 | |
Thank you. Keep an eye on the nun. | 1:01:37 | 1:01:39 | |
-MAN: -What are you doing here? | 1:01:44 | 1:01:46 | |
Why are you in here? | 1:01:48 | 1:01:50 | |
This is a most serious accident case. | 1:01:50 | 1:01:52 | |
You have no business to be here - neither of you do. | 1:01:52 | 1:01:55 | |
Dr Hartz, we want you to undo those bandages | 1:01:55 | 1:01:57 | |
and to look at your patient's face. | 1:01:57 | 1:01:58 | |
Are you out of your senses? There is no face there. | 1:01:58 | 1:02:01 | |
Nothing but lumps of raw flesh. | 1:02:01 | 1:02:03 | |
He has lost so much blood, only a transfusion can save him. | 1:02:03 | 1:02:07 | |
-Do you want me to murder my patient? -You're sure this is your patient? | 1:02:07 | 1:02:10 | |
-We believe it's Miss Froy. -Miss Froy! | 1:02:10 | 1:02:15 | |
You can't be serious! Whatever put such ideas into your heads? | 1:02:15 | 1:02:18 | |
-I understand she's deaf and dumb. -But she may lip-read. | 1:02:23 | 1:02:26 | |
Oh, well, that's possible. | 1:02:26 | 1:02:28 | |
In that case, perhaps you'll join me in the dining car. | 1:02:28 | 1:02:31 | |
I'll be with you in a moment - | 1:02:31 | 1:02:33 | |
I want to be certain my patient hasn't been disturbed. | 1:02:33 | 1:02:35 | |
HE SPEAKS ITALIAN | 1:02:38 | 1:02:41 | |
How do I know how they cottoned on? Somebody must have tipped them off. | 1:02:41 | 1:02:44 | |
You never said the old girl was English. | 1:02:47 | 1:02:50 | |
What difference does that make? | 1:02:50 | 1:02:52 | |
In a few moments, I shall order three drinks in the dining car. | 1:02:52 | 1:02:55 | |
Mine will be chartreuse. | 1:02:55 | 1:02:57 | |
One of the stewards is working for us. Now, listen carefully... | 1:02:57 | 1:03:01 | |
There's that girl again. | 1:03:07 | 1:03:08 | |
Seems to have recovered. Lucky it blew over. | 1:03:10 | 1:03:13 | |
Now, tell me what this is all about. | 1:03:22 | 1:03:24 | |
Have you ever actually seen your patient? | 1:03:24 | 1:03:27 | |
-No. -I just had a message to operate at Morshkan. | 1:03:27 | 1:03:30 | |
How do you know it's NOT Miss Froy? | 1:03:30 | 1:03:31 | |
We believe there's been a substitution. | 1:03:31 | 1:03:33 | |
You really think that someone else...? | 1:03:33 | 1:03:35 | |
HE HUMS | 1:03:35 | 1:03:37 | |
Oh, er, I want a green chartreuse. | 1:03:37 | 1:03:39 | |
-Won't you join me? -Thanks. A large brandy. | 1:03:39 | 1:03:42 | |
-And you? -I don't want anything. | 1:03:42 | 1:03:43 | |
-Come on, it'll do you good. -No, really, I don't want anything. | 1:03:43 | 1:03:46 | |
You're very tired. It'll pick you up. | 1:03:46 | 1:03:48 | |
All right, then, just a small one. | 1:03:49 | 1:03:51 | |
Two brandies and a chartreuse. | 1:03:51 | 1:03:53 | |
Do you know anything about the nun who's looking after your patient? | 1:03:56 | 1:03:59 | |
Nun! No, only that she's from a convent | 1:03:59 | 1:04:01 | |
close to where the accident occurred. | 1:04:01 | 1:04:03 | |
Don't you think it's peculiar that she's wearing high-heeled shoes? | 1:04:03 | 1:04:06 | |
Oh, is she? That IS rather curious, isn't it? | 1:04:06 | 1:04:11 | |
It's a conspiracy. | 1:04:11 | 1:04:13 | |
All these people on the train say they haven't seen Miss Froy, | 1:04:13 | 1:04:16 | |
but they have. We know that because just now in the luggage van... | 1:04:16 | 1:04:18 | |
She's off again. | 1:04:18 | 1:04:20 | |
Hope she doesn't create another scene. | 1:04:20 | 1:04:23 | |
Put the lid on our getting back in time if she did. | 1:04:23 | 1:04:25 | |
And then this fellow, Doppo, came and grabbed the glasses. | 1:04:25 | 1:04:29 | |
Yeah, we went for him and had a bit of a fight. | 1:04:29 | 1:04:31 | |
-Oh, a fight? -We knocked him out. | 1:04:31 | 1:04:33 | |
Oh! | 1:04:33 | 1:04:35 | |
He seems to have made a speedy recovery. | 1:04:39 | 1:04:40 | |
Yes. All that's just bluff. | 1:04:40 | 1:04:42 | |
-Here. -Grazie. | 1:04:45 | 1:04:47 | |
How could he be involved in a conspiracy? | 1:04:51 | 1:04:54 | |
Look at the poor fellow - he's just a harmless traveller. | 1:04:54 | 1:04:57 | |
-He's also a music-hall artist on tour. -Well? | 1:04:57 | 1:05:00 | |
The baroness's husband is Minister of Propaganda. | 1:05:00 | 1:05:02 | |
One word from her, and his tour would be cancelled. | 1:05:02 | 1:05:04 | |
-Oh, I see. -And if the stewards don't behave, | 1:05:04 | 1:05:07 | |
they have a cosy brick wall to run up against. | 1:05:07 | 1:05:10 | |
But tell me about the two English travellers, they denied seeing her. | 1:05:10 | 1:05:16 | |
Just British diplomacy - "Never climb a fence if you can sit on it." | 1:05:16 | 1:05:19 | |
An old Foreign Office proverb. | 1:05:19 | 1:05:21 | |
I can't understand why anyone would want to dispose of the old lady. | 1:05:21 | 1:05:24 | |
That's what stumps us, but she was on this train and now she's... | 1:05:24 | 1:05:29 | |
..gone. | 1:05:31 | 1:05:32 | |
Well, if you're right, it means the whole train is against us. | 1:05:34 | 1:05:38 | |
What are we going to do? | 1:05:38 | 1:05:40 | |
Well, in view of what you just told me, | 1:05:40 | 1:05:42 | |
I shall risk examining the patient. | 1:05:42 | 1:05:45 | |
-Come on, then! -However, one moment. | 1:05:45 | 1:05:47 | |
We mustn't act suspicious. Behave as is if nothing had happened. | 1:05:47 | 1:05:51 | |
Drink. That'll steady your nerves. | 1:05:53 | 1:05:55 | |
To our health. | 1:06:01 | 1:06:03 | |
And may our enemies, if they exist, be unconscious of our purpose. | 1:06:03 | 1:06:06 | |
Let's go. We must hurry now. | 1:06:11 | 1:06:13 | |
Come on, drink up. | 1:06:13 | 1:06:15 | |
Wait in here. | 1:06:30 | 1:06:32 | |
Go on. | 1:06:32 | 1:06:33 | |
-Anything wrong? -Nothing. | 1:06:38 | 1:06:41 | |
Except they noticed you were wearing high heels. | 1:06:41 | 1:06:43 | |
However, it makes no difference. | 1:06:45 | 1:06:48 | |
We shall reach Morshkan in three minutes. | 1:06:48 | 1:06:50 | |
Quite an eventful journey. | 1:06:51 | 1:06:53 | |
Well? | 1:06:57 | 1:06:58 | |
Yes, the patient is Miss Froy. | 1:06:58 | 1:07:00 | |
She will be taken off the train at Morshkan in about three minutes. | 1:07:01 | 1:07:05 | |
She will be removed to the hospital there, and operated on. | 1:07:05 | 1:07:08 | |
Unfortunately, the operation will not be successful. | 1:07:08 | 1:07:11 | |
Oh, I should perhaps have explained. | 1:07:11 | 1:07:13 | |
The operation will be performed... | 1:07:14 | 1:07:17 | |
..by me. | 1:07:17 | 1:07:18 | |
You see, I am in this conspiracy, as you term it. | 1:07:26 | 1:07:29 | |
You are a very alert young couple, but it's quite useless to think, | 1:07:33 | 1:07:37 | |
as you are undoubtedly doing, of a way out of your dilemma. | 1:07:37 | 1:07:40 | |
The drinks you had, I regret to say, contained a quantity of hydrocin. | 1:07:40 | 1:07:43 | |
For your benefit, hydrocin is a little-known drug which has | 1:07:45 | 1:07:48 | |
the effect, in a small quantity, of paralysing the brain | 1:07:48 | 1:07:51 | |
and rendering the victim unconscious for considerable period. | 1:07:51 | 1:07:54 | |
In a slightly larger quantity, of course, it induces madness. | 1:07:54 | 1:07:58 | |
However, you have my word the dose was a normal one. | 1:08:00 | 1:08:03 | |
In a few moments, you will join your young friend. | 1:08:09 | 1:08:11 | |
Need I say how sorry I am having to take such a - | 1:08:13 | 1:08:16 | |
how shall I say? - melodramatic course. | 1:08:16 | 1:08:19 | |
But your persistent meddling made it necessary. | 1:08:21 | 1:08:23 | |
-Are you all right? You fainted. -Did I? | 1:08:38 | 1:08:41 | |
Listen! There is a woman next door going to be murdered, | 1:08:41 | 1:08:44 | |
and we've got to get moving before this stuff takes effect. | 1:08:44 | 1:08:47 | |
I read that if you keep on the go, you can stay awake. | 1:08:47 | 1:08:49 | |
Right. Come on, let's get going. | 1:08:49 | 1:08:51 | |
It's locked. | 1:08:53 | 1:08:54 | |
We can't go that way, we'll be spotted. | 1:08:57 | 1:09:00 | |
-You can't do that! -Don't worry, it's only next door. | 1:09:00 | 1:09:02 | |
You stand on your head, touch your toes, anything, | 1:09:02 | 1:09:05 | |
only, whatever you do, don't fall asleep. | 1:09:05 | 1:09:07 | |
WHISTLE BLASTS | 1:09:18 | 1:09:21 | |
Go on, you needn't be afraid. It is Miss Froy. | 1:09:47 | 1:09:50 | |
It's all right, you haven't been drugged. | 1:09:52 | 1:09:55 | |
He told me to put something in your drink, but I didn't. | 1:09:55 | 1:09:57 | |
Who the devil are you? He said you are deaf and dumb. | 1:09:57 | 1:09:59 | |
Never mind about that. If you want to save her, you've got to hurry. | 1:09:59 | 1:10:03 | |
Hartz will be back in a minute. What will happen then? | 1:10:17 | 1:10:19 | |
If we can hold him off till we get past Morshkan, | 1:10:19 | 1:10:21 | |
the frontier's a few miles beyond the station. | 1:10:21 | 1:10:23 | |
SHE CHOKES, GASPS | 1:10:25 | 1:10:27 | |
Come on, there's still time. | 1:10:29 | 1:10:31 | |
THEY SPEAK ITALIAN | 1:10:33 | 1:10:39 | |
That's Morshkan. Have you finished? | 1:10:49 | 1:10:51 | |
Come on, Miss Froy. | 1:10:55 | 1:10:57 | |
Cut it out, you're not drugged. I'll explain later. Abracadabra. | 1:10:57 | 1:11:01 | |
Miss Froy! Oh, I can't believe it! | 1:11:01 | 1:11:04 | |
-Thank you, my dear. Thank you very much. -Careful! | 1:11:04 | 1:11:07 | |
-Ready? -Yes. | 1:11:17 | 1:11:19 | |
HE SPEAKS ITALIAN | 1:11:45 | 1:11:47 | |
Are you all right, Miss Froy? | 1:11:50 | 1:11:51 | |
Yes, thank you. It's rather like the rush hour on the underground. | 1:11:51 | 1:11:55 | |
Careful, it's slowing down. | 1:11:59 | 1:12:01 | |
Drat! | 1:12:17 | 1:12:19 | |
I'm sorry you've had such an uncomfortable journey, Miss Froy. | 1:12:44 | 1:12:47 | |
Get back on the train. | 1:13:11 | 1:13:12 | |
I hope nothing goes wrong. | 1:13:34 | 1:13:35 | |
Aren't we stopping rather a long time? | 1:13:37 | 1:13:38 | |
The ambulance is going. We'll be off in a jiffy. | 1:13:40 | 1:13:42 | |
WHISTLE BLASTS | 1:13:50 | 1:13:53 | |
In a few minutes, we'll be over the border. | 1:13:58 | 1:14:01 | |
SHE SPEAKS OWN LANGUAGE | 1:14:01 | 1:14:05 | |
I know I've been well paid, and I've done plenty of dirty work for it, | 1:14:05 | 1:14:08 | |
but this was murder, and she was an English woman. | 1:14:08 | 1:14:10 | |
-You are Bandrikan? -My husband was, but I'm English. | 1:14:10 | 1:14:13 | |
You were going to butcher her in cold blood. | 1:14:13 | 1:14:15 | |
Your little diversion made it necessary not only to remove | 1:14:15 | 1:14:18 | |
the lady in question, but two others as well. | 1:14:18 | 1:14:22 | |
-You can't do that. -Also, it would be unwise of us | 1:14:22 | 1:14:25 | |
to permit the existence of anyone who cannot be trusted. | 1:14:25 | 1:14:29 | |
-You wouldn't dare. I know too much. -Precisely. | 1:14:29 | 1:14:33 | |
I think we're over the border now. | 1:14:38 | 1:14:40 | |
-You can come out, Miss Froy. -Oh, bless me. | 1:14:41 | 1:14:45 | |
What an unpleasant journey. | 1:14:45 | 1:14:46 | |
Never mind. You shall have a corner seat for the rest of the way. | 1:14:46 | 1:14:49 | |
There you are. Now it's over, | 1:14:49 | 1:14:52 | |
I think you should tell us what it's all about. | 1:14:52 | 1:14:54 | |
WOMAN SCREAMS | 1:14:54 | 1:14:55 | |
What was that scream? | 1:14:55 | 1:14:57 | |
-Surely it was only the train. -It wasn't. It was a woman. | 1:14:57 | 1:14:59 | |
Be careful! | 1:14:59 | 1:15:00 | |
They've rumbled. We're on a branch line. | 1:15:10 | 1:15:12 | |
-They've slipped the rear part of the train. -Oh, dear, dear. | 1:15:12 | 1:15:14 | |
Who are you, and why do they want to get hold of you? | 1:15:14 | 1:15:17 | |
I haven't the faintest idea. I'm a children's governess. | 1:15:17 | 1:15:19 | |
I can only think that they've made a terrible mistake. | 1:15:19 | 1:15:22 | |
Why are you holding out on us? Tell us the truth. | 1:15:22 | 1:15:24 | |
You've got us involved in this fantastic plot, | 1:15:24 | 1:15:26 | |
-you might at least trust us. -I really don't kn... I... | 1:15:26 | 1:15:29 | |
-I wonder if there's anyone else left on the train. -There's only the | 1:15:30 | 1:15:33 | |
dining car in front, but there won't be anybody there now. | 1:15:33 | 1:15:35 | |
What do you make it? Tea-time. Well, all the English will be there. | 1:15:35 | 1:15:39 | |
Come on, we'd better stick together. | 1:15:40 | 1:15:42 | |
There's the old girl turned up. | 1:15:50 | 1:15:52 | |
Told you it was a lot of fuss about nothing. | 1:15:54 | 1:15:56 | |
Bolt must have jammed. | 1:15:56 | 1:15:57 | |
I've got something to say. Will you all please listen? | 1:15:59 | 1:16:01 | |
An attempt was made to abduct this lady by force, | 1:16:01 | 1:16:04 | |
and I believe the people who did it will try again. | 1:16:04 | 1:16:06 | |
What's he drivelling about? | 1:16:06 | 1:16:08 | |
Look out the window. This train's been diverted on to a branch line. | 1:16:08 | 1:16:11 | |
What are you talking about? Abductions, diverted trains. | 1:16:11 | 1:16:14 | |
We're telling you the truth! | 1:16:14 | 1:16:15 | |
I'm not interested. You've annoyed us enough with your story. | 1:16:15 | 1:16:19 | |
You must have got the wrong end of the stick. | 1:16:19 | 1:16:22 | |
-Things like that just don't happen. -We're not in England now. | 1:16:22 | 1:16:25 | |
I don't see what difference that makes. | 1:16:25 | 1:16:27 | |
We're stopping. | 1:16:27 | 1:16:28 | |
See those cars? They're here to take Miss Froy away. | 1:16:31 | 1:16:34 | |
Nonsense. | 1:16:34 | 1:16:36 | |
Look, there go a couple of people. | 1:16:36 | 1:16:38 | |
The car's come to pick them up. | 1:16:40 | 1:16:42 | |
Then why the trouble of uncoupling the train and diverting it? | 1:16:42 | 1:16:44 | |
-Uncoupling? -There's nothing left of the train beyond the sleeping car. | 1:16:44 | 1:16:47 | |
There must be. Our bags are in the first-class carriage. | 1:16:47 | 1:16:49 | |
Not any longer. Would you like to come and look? | 1:16:49 | 1:16:51 | |
If this is a practical joke, I shan't think it very funny. | 1:16:51 | 1:16:56 | |
Good Lord! | 1:16:56 | 1:16:58 | |
Get some brandy. | 1:17:05 | 1:17:07 | |
You don't suppose there's something in his story, do you? | 1:17:07 | 1:17:09 | |
-Seems a bit queer. -After all, people don't tie up nuns. | 1:17:09 | 1:17:13 | |
Thank you. | 1:17:17 | 1:17:18 | |
Someone's coming! | 1:17:19 | 1:17:20 | |
They can't do anything to us. We're British subjects. | 1:17:26 | 1:17:28 | |
I have come to offer the most sincere apologies. | 1:17:41 | 1:17:44 | |
An extremely serious incident has occurred - | 1:17:44 | 1:17:47 | |
an attempt was made to interfere with passengers on this train. | 1:17:47 | 1:17:50 | |
The authorities were notified, so if you'll accompany me to Morshkan, | 1:17:50 | 1:17:56 | |
I will inform the British Embassy. The cars are at your disposal. | 1:17:56 | 1:18:01 | |
We're grateful. Lucky some of you fellows understand English. | 1:18:03 | 1:18:06 | |
-Well, I was at Oxford. -So was I. What year? | 1:18:06 | 1:18:09 | |
This woman's trying to say something. | 1:18:09 | 1:18:11 | |
I don't understand the language. Would you...? | 1:18:11 | 1:18:14 | |
That's fixed him. | 1:18:18 | 1:18:19 | |
-What the blazes did you do that for? -I was at Cambridge. | 1:18:21 | 1:18:24 | |
What's that got to do with it? You heard what he said, didn't you? | 1:18:24 | 1:18:27 | |
I heard what SHE said. It's a trick to get us off the train. | 1:18:27 | 1:18:29 | |
I don't believe it. The man's explanation was quite satisfactory. | 1:18:29 | 1:18:32 | |
A thing like this might cause a war. | 1:18:32 | 1:18:33 | |
HE SPEAKS ITALIAN | 1:18:33 | 1:18:37 | |
I'm going outside. Tell him what's occurred. | 1:18:37 | 1:18:39 | |
It's up to us to apologise and put the matter right. | 1:18:39 | 1:18:42 | |
-You were right. Do you mind, old man? -Certainly. | 1:19:03 | 1:19:06 | |
-Look as if they mean business. -I'm afraid so. | 1:19:09 | 1:19:11 | |
They can't do anything, it'd mean an international situation. | 1:19:11 | 1:19:13 | |
It's happened before. | 1:19:13 | 1:19:15 | |
They're coming. | 1:19:15 | 1:19:17 | |
Don't let them in! They'll murder us. | 1:19:17 | 1:19:19 | |
They dare not let us go now. | 1:19:19 | 1:19:21 | |
I order you to surrender at once. | 1:19:31 | 1:19:33 | |
Nothing doing. Come any nearer, I'll fire. | 1:19:33 | 1:19:36 | |
I've warned you. | 1:19:36 | 1:19:37 | |
Better take cover. It'll start any minute now. | 1:19:40 | 1:19:42 | |
Nasty jam, this. Don't like the look of it. | 1:19:46 | 1:19:48 | |
-Got plenty of ammunition? -A whole pouch. -Good. | 1:19:48 | 1:19:51 | |
-Duck down. -I'm not going to fight. It's madness. | 1:19:51 | 1:19:54 | |
It'll be safer to protest down here. | 1:19:54 | 1:19:56 | |
Hello, they're trying to work round to the other side. | 1:20:01 | 1:20:03 | |
You're behaving like a pack of fools. | 1:20:03 | 1:20:04 | |
What chance have we got against a lot of armed men? | 1:20:04 | 1:20:07 | |
You heard what the mother superior said - | 1:20:07 | 1:20:09 | |
if we surrender now, we're in for it. | 1:20:09 | 1:20:10 | |
Never get to the match now. | 1:20:28 | 1:20:30 | |
-Give it to me. Give it to me! -No! | 1:20:30 | 1:20:33 | |
-What's going on? -He's got a gun and he won't use it. | 1:20:35 | 1:20:38 | |
-What's the idea? -I won't be a party to this. | 1:20:38 | 1:20:41 | |
I don't believe in fighting. | 1:20:41 | 1:20:42 | |
Pacifist, eh? Won't work, old boy. Early Christians tried it | 1:20:42 | 1:20:45 | |
and got thrown to the lions. Hand it over. | 1:20:45 | 1:20:47 | |
I'm not afraid to use it. | 1:20:50 | 1:20:52 | |
I'm probably more used to it. | 1:20:52 | 1:20:54 | |
I once won a box of cigars. | 1:20:54 | 1:20:57 | |
He's talking rot, he's a damn good shot. | 1:20:57 | 1:20:59 | |
You know, I'm half-inclined to believe... | 1:21:00 | 1:21:04 | |
..that there's some rational explanation to all this. | 1:21:04 | 1:21:07 | |
Rotten! Only knocked his hat off. | 1:21:07 | 1:21:09 | |
Would you mind if I talked to you for a minute? | 1:21:10 | 1:21:13 | |
-What, now? -Yes, please forgive me, but it's very important. | 1:21:13 | 1:21:18 | |
-Hang on to this, will you? -All right. | 1:21:18 | 1:21:21 | |
I think it's safer along here. You come, too. | 1:21:22 | 1:21:24 | |
GUNFIRE CONTINUES | 1:21:24 | 1:21:26 | |
I just wanted to tell you that I must be getting along now. | 1:21:32 | 1:21:36 | |
-You can't! You'll be shot down. -I must take that risk. | 1:21:36 | 1:21:39 | |
Listen carefully - in case I'm unlucky and you get through, | 1:21:39 | 1:21:43 | |
I want you to take back a message to Mr Callender at the Foreign Office. | 1:21:43 | 1:21:47 | |
-You ARE a spy. -That's such a grim word. | 1:21:47 | 1:21:50 | |
-What is the message? -It's a tune. | 1:21:50 | 1:21:53 | |
-A tune? -It contains, in code, | 1:21:53 | 1:21:55 | |
the vital clause of a secret pact between two European countries. | 1:21:55 | 1:21:58 | |
-I want you to memorise it. -Go ahead. -The first part goes like this. | 1:21:58 | 1:22:02 | |
# Da-da-da da, da-da de. # | 1:22:02 | 1:22:04 | |
GUNSHOT | 1:22:04 | 1:22:05 | |
Oh! Perhaps I'd better write it down. Got any paper? | 1:22:05 | 1:22:07 | |
Don't bother, I was brought up on music. I can memorise anything. | 1:22:07 | 1:22:10 | |
Very well. # Da-da-da da, da-da de... # | 1:22:10 | 1:22:13 | |
-The old girl's off her rocker. -I don't wonder. | 1:22:13 | 1:22:16 | |
Why don't you face it? They'll kill the lot of us. | 1:22:16 | 1:22:19 | |
For goodness' sake, shut up. | 1:22:19 | 1:22:21 | |
-# Da-da dum-dum-de. # -That's right. | 1:22:21 | 1:22:23 | |
Now we have two chances instead of one. You sure you'll remember it? | 1:22:23 | 1:22:26 | |
Don't worry, I won't stop whistling it. | 1:22:26 | 1:22:28 | |
-This is my best way out. -Yes, just about. | 1:22:28 | 1:22:30 | |
Even if you do get away, they'll stop you at the frontier. | 1:22:31 | 1:22:34 | |
-We can't let her go like this. -It's a hell of a risk you are taking... | 1:22:34 | 1:22:37 | |
In this job, one must take risks. | 1:22:37 | 1:22:40 | |
I'm very grateful to you both for all you've done. | 1:22:40 | 1:22:43 | |
I hope and pray no harm comes to you | 1:22:43 | 1:22:45 | |
and that we shall meet again one day. | 1:22:45 | 1:22:48 | |
I hope so too. Good luck. | 1:22:48 | 1:22:50 | |
Good luck. | 1:22:50 | 1:22:52 | |
Will you help me out? | 1:22:53 | 1:22:54 | |
Now, you take the weight on top. | 1:22:57 | 1:23:00 | |
Right you are. | 1:23:00 | 1:23:01 | |
Goodbye. | 1:23:06 | 1:23:07 | |
GUNFIRE | 1:23:11 | 1:23:12 | |
-Was she hit? -I'm not sure. | 1:23:20 | 1:23:22 | |
Well, that's the end of my 12. | 1:23:28 | 1:23:30 | |
Not much left here either. | 1:23:30 | 1:23:32 | |
We've only got one chance - got to get this train going. | 1:23:34 | 1:23:37 | |
Try and get back to the main line and cross the frontier. | 1:23:37 | 1:23:39 | |
Those driver fellows won't do what you tell them. | 1:23:39 | 1:23:42 | |
We'll bluff them. Who's coming? | 1:23:44 | 1:23:46 | |
-Count on me. -Me, too. | 1:23:46 | 1:23:47 | |
We can't all go. You carry on here. If we have any luck, | 1:23:47 | 1:23:51 | |
-we'll stop at the points then you can switch them over. -OK. | 1:23:51 | 1:23:54 | |
You idiots. You're just inviting death. | 1:23:54 | 1:23:57 | |
I've had enough. | 1:24:02 | 1:24:04 | |
Just because I've the sense to try and avoid being murdered, | 1:24:04 | 1:24:06 | |
I'm accused of being a pacifist. All right. | 1:24:06 | 1:24:09 | |
I'd rather be called a rat than die like one. | 1:24:09 | 1:24:11 | |
Think for a moment - If we give ourselves up, | 1:24:11 | 1:24:14 | |
they're bound to give us a trial. | 1:24:14 | 1:24:16 | |
Stop it. Nobody's listening to you. | 1:24:16 | 1:24:18 | |
Very well, you go your way, I'll go mine. | 1:24:18 | 1:24:22 | |
-Where are you off to? -To do the only sensible thing. | 1:24:22 | 1:24:25 | |
Oh, let the fellow go if he wants to. | 1:24:25 | 1:24:27 | |
I don't understand... | 1:24:37 | 1:24:38 | |
Oh, please! | 1:24:56 | 1:24:58 | |
Why aren't we going? Why aren't we going?! | 1:24:58 | 1:25:01 | |
They said we were going. Why aren't we? | 1:25:01 | 1:25:03 | |
If only he can get us away now, he must! | 1:25:03 | 1:25:05 | |
Only one left. I'll keep that for a sitter. | 1:25:05 | 1:25:07 | |
They're moving away from the car and coming towards us. | 1:25:09 | 1:25:12 | |
Pity we haven't a few more rounds. | 1:25:13 | 1:25:15 | |
It's funny, I told my husband when I left him | 1:25:15 | 1:25:19 | |
that I wouldn't see him again. | 1:25:19 | 1:25:21 | |
Gilbert. Gilbert! | 1:25:21 | 1:25:23 | |
ENGINE STARTS | 1:25:30 | 1:25:32 | |
-Egads, we're off! -Gilbert came through! | 1:25:32 | 1:25:35 | |
Go on, keep going. | 1:25:42 | 1:25:43 | |
-Do you know how to control this thing? -I watched him start it. | 1:25:55 | 1:25:59 | |
I know a bit about it. Once drove a miniature engine. | 1:25:59 | 1:26:02 | |
Good. I'll look out for the points. | 1:26:02 | 1:26:04 | |
The blighters are chasing us, look. | 1:26:10 | 1:26:12 | |
We can't have far to go. | 1:26:15 | 1:26:17 | |
Time for my little job - changing the points. | 1:26:23 | 1:26:26 | |
Thank heavens we shall be in neutral territory. | 1:26:26 | 1:26:28 | |
That will not be necessary. | 1:26:28 | 1:26:29 | |
I am sorry but the points, as you call them, will not be changed over. | 1:26:32 | 1:26:36 | |
Will you please be seated? | 1:26:36 | 1:26:38 | |
There they are, just ahead of us. Do you think you can stop it? | 1:26:46 | 1:26:49 | |
Hope so. | 1:26:49 | 1:26:50 | |
Keep still until my friends arrive. If you move, I will have to shoot. | 1:26:53 | 1:26:58 | |
There's one thing you don't know. | 1:26:58 | 1:27:00 | |
There's only one bullet left, and if you shoot me, | 1:27:00 | 1:27:02 | |
the others will have a chance. | 1:27:02 | 1:27:05 | |
You're in rather a difficult position, aren't you? | 1:27:05 | 1:27:07 | |
Sit down, please. | 1:27:08 | 1:27:10 | |
All right. | 1:27:11 | 1:27:12 | |
Where the devil's Charters? | 1:27:17 | 1:27:18 | |
Go ahead, she's done it. | 1:27:30 | 1:27:32 | |
GUNFIRE | 1:27:32 | 1:27:34 | |
Oh! | 1:27:42 | 1:27:43 | |
It's all right, it's just my leg. | 1:27:43 | 1:27:45 | |
SHE SPEAKS ITALIAN | 1:27:59 | 1:28:00 | |
HE SPEAKS ITALIAN | 1:28:02 | 1:28:04 | |
Or as they say in English, "Jolly good luck to them." | 1:28:04 | 1:28:07 | |
I'm glad all that's over, aren't you? | 1:28:07 | 1:28:10 | |
Heaven knows what the government will say about this. | 1:28:10 | 1:28:13 | |
-Nothing at all, they'll hush it up. -What? | 1:28:13 | 1:28:16 | |
TRAIN WHISTLE BLASTS | 1:28:16 | 1:28:17 | |
Hey, take your hand off that thing, I've got to remember a tune. | 1:28:17 | 1:28:20 | |
-Remember...? -HE WHISTLES | 1:28:20 | 1:28:23 | |
-Porter, sir? -No, thanks. | 1:28:38 | 1:28:41 | |
Well, we're home, Gilbert. HE WHISTLES | 1:28:41 | 1:28:43 | |
Can't you stop humming that awful tune? You must know it backwards. | 1:28:43 | 1:28:46 | |
I'm not taking any risks. | 1:28:46 | 1:28:48 | |
-Charles be here to meet you? -I expect so. | 1:28:49 | 1:28:52 | |
You'll be busy between now and Thursday. | 1:28:54 | 1:28:56 | |
I could meet you for lunch or dinner. Would you like that? | 1:28:56 | 1:28:59 | |
Sorry, I didn't mean that... | 1:28:59 | 1:29:01 | |
No, as a matter of fact, I've got to deliver this theme song | 1:29:01 | 1:29:04 | |
for Miss Froy, then I'm off to Yorkshire to finish my book. | 1:29:04 | 1:29:06 | |
HE HUMS | 1:29:06 | 1:29:08 | |
-Ready? -Yes. | 1:29:09 | 1:29:11 | |
-Ample time to catch the 6.50 to Manchester after all. -Yes. | 1:29:21 | 1:29:25 | |
HE HUMS | 1:29:33 | 1:29:37 | |
-Any sign of Charles yet? -No, I can't see him. | 1:29:37 | 1:29:39 | |
Well, this is where we say goodbye. | 1:29:41 | 1:29:43 | |
What's the matter? | 1:29:49 | 1:29:50 | |
-Charles? -Yes! | 1:29:57 | 1:29:59 | |
You heartless, callous, selfish, swollen-headed beast...! | 1:29:59 | 1:30:02 | |
-Are you going anywhere? -Foreign Office. | 1:30:07 | 1:30:09 | |
THEY CHUCKLE | 1:30:13 | 1:30:15 | |
Where are we going for our honeymoon? | 1:30:15 | 1:30:17 | |
I don't know, somewhere quiet. Somewhere where there are no trains. | 1:30:17 | 1:30:20 | |
Mr Callender will see you now. | 1:30:20 | 1:30:22 | |
Wait a minute! | 1:30:26 | 1:30:28 | |
-It's gone. -What's gone? | 1:30:28 | 1:30:29 | |
-The tune. I've forgotten it. -Oh, no! | 1:30:29 | 1:30:31 | |
Wait a minute, let me concentrate. | 1:30:31 | 1:30:33 | |
HE HUMS WRONG TUNE | 1:30:33 | 1:30:35 | |
No, no, that's the Wedding March. | 1:30:35 | 1:30:37 | |
This is awful! I've done nothing else but sing it since the | 1:30:39 | 1:30:41 | |
day before yesterday, and now I've forgotten it completely. | 1:30:41 | 1:30:44 | |
PIANO PLAYS THE TUNE | 1:30:44 | 1:30:46 | |
-Miss Froy! -Well, I'll be had! | 1:31:06 | 1:31:08 |