Browse content similar to The Life Aquatic with Steve Zissou. Check below for episodes and series from the same categories and more!
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This film contains strong language. | 0:00:02 | 0:00:05 | |
SPEAKS ITALIAN | 0:00:20 | 0:00:23 | |
APPLAUSE | 0:00:35 | 0:00:37 | |
The Oubyamywe Peninsula, | 0:01:01 | 0:01:03 | |
a remote and fascinating region | 0:01:03 | 0:01:05 | |
teeming with extraordinary marine life. | 0:01:05 | 0:01:08 | |
We chose its mysterious waters | 0:01:08 | 0:01:10 | |
as The Belafonte's next destination. | 0:01:10 | 0:01:12 | |
In preparation for our voyage, | 0:01:12 | 0:01:14 | |
the members of Team Zissou | 0:01:14 | 0:01:15 | |
gathered at my oceanographic observatory | 0:01:15 | 0:01:17 | |
here on Pescespada Island. | 0:01:17 | 0:01:19 | |
This was to be our most ambitious adventure to date | 0:01:19 | 0:01:22 | |
and, ultimately, a tragic one. | 0:01:22 | 0:01:26 | |
Our team included Esteban Du Plantier, chief diver. | 0:01:26 | 0:01:29 | |
Our senior statesman, | 0:01:29 | 0:01:31 | |
my closest colleague for 27 years. | 0:01:31 | 0:01:33 | |
Klaus Daimler, 40, engineer. | 0:01:33 | 0:01:35 | |
Calm, collected, German. | 0:01:35 | 0:01:37 | |
Vikram Ray, 28, cameraman. | 0:01:37 | 0:01:39 | |
Born on the Ganges. | 0:01:39 | 0:01:41 | |
Bobby Ogata, 22, frogman. | 0:01:41 | 0:01:44 | |
Renzo Pietro, 45, editor, soundman. | 0:01:44 | 0:01:47 | |
Vladimir Wolodarsky, 33, | 0:01:47 | 0:01:49 | |
physicist, original score composer. | 0:01:49 | 0:01:51 | |
Anne-Marie Sakowitz, 25, script girl. | 0:01:51 | 0:01:54 | |
Pele Dos Santos, 30, safety expert. | 0:01:54 | 0:01:57 | |
Eleanor Zissou, my wife, | 0:01:58 | 0:02:00 | |
vice-president of the Zissou Society. | 0:02:00 | 0:02:02 | |
We had also invited seven marine science students | 0:02:02 | 0:02:05 | |
from the university of North Alaska | 0:02:05 | 0:02:06 | |
to accompany us as unpaid interns | 0:02:06 | 0:02:08 | |
in exchange for school credit. | 0:02:08 | 0:02:10 | |
October 12th. | 0:02:12 | 0:02:13 | |
Esteban and I explore the blue reefs | 0:02:13 | 0:02:15 | |
beyond the peninsula. | 0:02:15 | 0:02:17 | |
Fluorescent snapper unexpectedly appear in the shallows, | 0:02:20 | 0:02:23 | |
extremely rare at this depth. | 0:02:23 | 0:02:24 | |
Where's your gun? | 0:02:35 | 0:02:37 | |
Steve? Steve? | 0:02:38 | 0:02:40 | |
Where's Esteban? Is that thing rolling, Vikram? | 0:02:40 | 0:02:42 | |
Encounter with highly abnormal shark-like fish, ten meters in length, | 0:02:42 | 0:02:46 | |
unfamiliar dorsal features, spots all over it. | 0:02:46 | 0:02:49 | |
I shot it dorsally with a homing dart. | 0:02:49 | 0:02:51 | |
Esteban was eaten. | 0:02:51 | 0:02:52 | |
Check the scanning monitor. | 0:02:52 | 0:02:54 | |
Start tracking it before it goes too deep! | 0:02:54 | 0:02:56 | |
Esteban was bitten? Eaten! | 0:02:56 | 0:02:58 | |
Is he dead? | 0:02:58 | 0:03:00 | |
Esteban was eaten. He was swallowed whole? | 0:03:00 | 0:03:02 | |
No! Chewed. Check the scanning monitor! | 0:03:02 | 0:03:06 | |
He's got hydrogen psychosis - | 0:03:06 | 0:03:08 | |
"crazy eye." | 0:03:08 | 0:03:10 | |
Steve, we think you got crazy eye. | 0:03:10 | 0:03:12 | |
Get him out of the fucking water. | 0:03:12 | 0:03:14 | |
Esteban! | 0:03:14 | 0:03:15 | |
Esteban! Esteban! | 0:03:15 | 0:03:18 | |
Esteban! | 0:03:18 | 0:03:19 | |
Esteban! | 0:03:19 | 0:03:20 | |
Steve! Esteban! | 0:03:20 | 0:03:23 | |
Esteban! | 0:03:23 | 0:03:24 | |
Esteban! | 0:03:24 | 0:03:25 | |
Esteban! | 0:03:25 | 0:03:28 | |
SPEAKS ITALIAN | 0:03:36 | 0:03:39 | |
Was it a deliberate choice never to show the jaguar shark? | 0:03:39 | 0:03:42 | |
No, I dropped the camera. | 0:03:44 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:48 | |
SPEAKS ITALIAN LAUGHTER | 0:03:48 | 0:03:51 | |
Why are they laughing? | 0:03:51 | 0:03:54 | |
SPEAKS ITALIAN | 0:03:54 | 0:03:56 | |
Yes. What's next for Team Zissou? | 0:03:58 | 0:04:00 | |
Well, that was only part one. | 0:04:00 | 0:04:02 | |
It's a cliff-hanger. | 0:04:02 | 0:04:04 | |
Now I'm gonna go hunt down that shark, | 0:04:04 | 0:04:06 | |
or whatever it is, | 0:04:06 | 0:04:08 | |
and hopefully kill it. | 0:04:08 | 0:04:11 | |
I don't know how yet. Maybe dynamite. | 0:04:11 | 0:04:13 | |
MURMURING: You don't know what it is? | 0:04:13 | 0:04:16 | |
No, I've never seen anything like it before in my life. | 0:04:16 | 0:04:19 | |
You say it is a jaguar shark. That's the title of your film. | 0:04:19 | 0:04:21 | |
It was coming right at us. | 0:04:21 | 0:04:22 | |
I just said the first two words that came into my head. | 0:04:22 | 0:04:25 | |
SPEAKS FRENCH | 0:04:25 | 0:04:27 | |
That's an endangered species at most. | 0:04:27 | 0:04:29 | |
What would be the scientific purpose | 0:04:29 | 0:04:31 | |
of killing it? | 0:04:31 | 0:04:33 | |
Revenge. | 0:04:36 | 0:04:37 | |
Bravo. What fun. | 0:04:46 | 0:04:49 | |
Steve, I'd like to introduce you to Antonia Cook. | 0:04:49 | 0:04:51 | |
She's the new head of the film society. | 0:04:51 | 0:04:54 | |
You must be so excited. | 0:04:54 | 0:04:56 | |
I hope so. You think it went OK? | 0:04:56 | 0:04:58 | |
No. Congratulations, seriously. | 0:04:58 | 0:05:01 | |
Thanks. I wish it didn't require the "seriously," but thank you. | 0:05:01 | 0:05:05 | |
Well, I just don't think they got it. | 0:05:05 | 0:05:09 | |
Steve... Good turnout tonight. | 0:05:09 | 0:05:11 | |
..you know Larry Amin, chairman of Saudi Film. Oh, yeah. Hi. | 0:05:11 | 0:05:14 | |
Larry and I were discussing our financial predicament. | 0:05:14 | 0:05:16 | |
I thought it would be nice if the three of us rode out | 0:05:16 | 0:05:18 | |
to the party together, just the three of us. | 0:05:18 | 0:05:19 | |
Why? Does Larry have that kind of spending bread to invest? | 0:05:19 | 0:05:22 | |
The king's backing him now... I just got 500 million capitalization from the king. | 0:05:22 | 0:05:25 | |
Captain Zissou, can I get a shot of you with Captain Hennessey? | 0:05:25 | 0:05:27 | |
Where? | 0:05:27 | 0:05:29 | |
Make it quick. | 0:05:32 | 0:05:33 | |
Hey, Steven. How's everything going with your... | 0:05:33 | 0:05:36 | |
What are you calling it? Leopard fish? | 0:05:36 | 0:05:37 | |
Jaguar shark. Jaguar shark. Exactly. | 0:05:37 | 0:05:41 | |
I love it. Tell me something. | 0:05:41 | 0:05:43 | |
Does it actually exist? | 0:05:43 | 0:05:45 | |
You know, Ali, I don't want to give away the ending. | 0:05:45 | 0:05:48 | |
Good man. | 0:05:49 | 0:05:50 | |
Oh, here comes our girl. | 0:05:50 | 0:05:54 | |
You're the most ravishing creature | 0:05:55 | 0:05:57 | |
that I've ever seen in my life. | 0:05:57 | 0:05:59 | |
Hello, skinny. Hello, Eleanor. | 0:05:59 | 0:06:00 | |
Is that a new merit badge? | 0:06:00 | 0:06:02 | |
Oh, yeah, as a matter of fact, it is. | 0:06:02 | 0:06:04 | |
I just became a knight in Portugal. | 0:06:04 | 0:06:06 | |
The presidente gave a special ball... | 0:06:06 | 0:06:08 | |
Don't be nice to Ali. He's my nemesis. | 0:06:08 | 0:06:12 | |
How could you lay that slick faggot? | 0:06:12 | 0:06:13 | |
Well, I was in love with him at the time. | 0:06:13 | 0:06:16 | |
Yeah, he's charismatic. | 0:06:16 | 0:06:19 | |
How are you feeling? | 0:06:19 | 0:06:20 | |
I'm right on the edge. | 0:06:20 | 0:06:22 | |
I don't know what comes next. | 0:06:22 | 0:06:24 | |
Wait here. I'll be right back. | 0:06:24 | 0:06:26 | |
I just wanted to say hello. Hi. | 0:06:30 | 0:06:33 | |
Hey, baby. | 0:06:33 | 0:06:35 | |
I said I wanted to say hello. | 0:06:35 | 0:06:37 | |
I didn't say I wanted you to touch me. | 0:06:37 | 0:06:40 | |
I'm here with my wife. Eleanor, this is Mendeeza. | 0:06:40 | 0:06:43 | |
Do we really want to put me through this? | 0:06:43 | 0:06:46 | |
People say Eleanor is the brains behind Team Zissou. | 0:06:48 | 0:06:51 | |
What is Steve? | 0:06:51 | 0:06:52 | |
LAUGHS | 0:06:52 | 0:06:54 | |
He's the Zissou. | 0:06:54 | 0:06:57 | |
INTERVIEW CONTINUING | 0:06:58 | 0:07:00 | |
Steve, this is my little nephew, Werner. | 0:07:03 | 0:07:07 | |
He wanted to meet you. | 0:07:07 | 0:07:10 | |
How you doing, Werner? | 0:07:10 | 0:07:11 | |
He brought you a present. | 0:07:11 | 0:07:13 | |
A crayon pony fish. | 0:07:15 | 0:07:17 | |
Wow. | 0:07:17 | 0:07:19 | |
Interesting specimen. | 0:07:19 | 0:07:21 | |
Thanks, pal. | 0:07:23 | 0:07:24 | |
You're welcome. | 0:07:24 | 0:07:26 | |
Steve... | 0:07:26 | 0:07:28 | |
you don't look too good. | 0:07:28 | 0:07:31 | |
How's this? | 0:07:31 | 0:07:33 | |
Steve, there's a bloke over there wants a word with you. | 0:07:33 | 0:07:36 | |
What do you need, old man? SPEAKS ITALIAN | 0:07:36 | 0:07:41 | |
How many of these do you have? | 0:07:56 | 0:07:58 | |
All right, look, | 0:07:58 | 0:08:00 | |
just forge the rest of them yourself, all right? | 0:08:00 | 0:08:03 | |
Get outta here. | 0:08:05 | 0:08:07 | |
Hey, Steve, how come you're not sitting Shivah for your friend Esteban? | 0:08:26 | 0:08:30 | |
What'd you say? | 0:08:32 | 0:08:34 | |
Who you gonna kill in part two? | 0:08:35 | 0:08:38 | |
CROWD GASPS Steve. | 0:08:42 | 0:08:43 | |
STEVE: Ow! | 0:08:46 | 0:08:48 | |
SINGS "ZIGGY STARDUST" IN PORTUGUESE | 0:09:10 | 0:09:13 | |
Larry Amin's flying back to Mecca tonight, | 0:09:32 | 0:09:34 | |
see if he can make the numbers work. | 0:09:34 | 0:09:35 | |
He should have an answer for us in ten days. | 0:09:35 | 0:09:37 | |
Tell him we need to know by Sunday. | 0:09:37 | 0:09:40 | |
Why would I do that, my darling? | 0:09:40 | 0:09:42 | |
To call his bluff, damn it, to light a fire under his ass. | 0:09:42 | 0:09:46 | |
My darling, we haven't made a hit documentary in nine years. | 0:09:46 | 0:09:49 | |
Let's not fuck with Larry Amin. | 0:09:49 | 0:09:51 | |
Doubles. Explain it to him, will you, Eleanor? | 0:09:51 | 0:09:53 | |
Screwdriver. He understands. | 0:09:53 | 0:09:55 | |
Amin needs to make a projection of the world grosses | 0:09:55 | 0:09:58 | |
to see if he can get a tax break and run it through his output deal. | 0:09:58 | 0:10:01 | |
I don't understand, but I can tell it's bullshit. | 0:10:01 | 0:10:04 | |
Oh, what the hell is going on? | 0:10:04 | 0:10:06 | |
Play the black jack on the red queen. | 0:10:06 | 0:10:08 | |
GENERATOR WHIRS | 0:10:08 | 0:10:10 | |
Well, if you'll excuse me, | 0:10:10 | 0:10:12 | |
I'm gonna go on an overnight drunk, | 0:10:12 | 0:10:13 | |
and in ten days, I'm gonna set out | 0:10:13 | 0:10:15 | |
to find the shark that ate my friend and destroy it. | 0:10:15 | 0:10:17 | |
Anyone that would care to join me is more than welcome. | 0:10:17 | 0:10:20 | |
Captain Zissou, I'm sorry to bother you. | 0:10:24 | 0:10:25 | |
I'm Ned Plimpton. | 0:10:25 | 0:10:27 | |
OK, man. | 0:10:27 | 0:10:29 | |
My mother's Catherine Plimpton. | 0:10:29 | 0:10:31 | |
You're kidding. | 0:10:35 | 0:10:36 | |
No. | 0:10:36 | 0:10:38 | |
How is she? | 0:10:38 | 0:10:39 | |
She died last month. | 0:10:39 | 0:10:41 | |
I'm sorry. Shit. | 0:10:43 | 0:10:45 | |
She was... | 0:10:45 | 0:10:48 | |
Hmm. | 0:10:48 | 0:10:50 | |
I've heard of you. | 0:10:53 | 0:10:55 | |
I don't know if it's true or not, by the way. Do you? | 0:11:03 | 0:11:06 | |
No, I don't. | 0:11:06 | 0:11:08 | |
I haven't heard from her in 30 years. | 0:11:08 | 0:11:11 | |
I guess it's too late now. | 0:11:13 | 0:11:15 | |
She never contacted me, you know. | 0:11:18 | 0:11:21 | |
Yes, I see. | 0:11:21 | 0:11:23 | |
You're supposed to be my son, right? | 0:11:26 | 0:11:28 | |
I don't know, | 0:11:28 | 0:11:30 | |
but I did want to meet you, | 0:11:30 | 0:11:32 | |
just in case. | 0:11:32 | 0:11:35 | |
I appreciate that. | 0:11:35 | 0:11:37 | |
I'll be right back. don't go away? | 0:11:44 | 0:11:47 | |
MUSIC: "Life On Mars" by David Bowie | 0:11:47 | 0:11:49 | |
Sorry about that. | 0:12:38 | 0:12:39 | |
You caught me with one foot off the merry-go-round tonight. | 0:12:39 | 0:12:42 | |
Oh, that's all right. I don't wanna take up too much of your time, | 0:12:42 | 0:12:44 | |
and I wanna thank you for talking to me and... | 0:12:44 | 0:12:46 | |
We'll find a way, mate. I know we will. | 0:12:46 | 0:12:49 | |
I just had a lovely chat with Sy Perlman. | 0:12:49 | 0:12:51 | |
He wants to make a big to-do of the Oceanographic Explorer article, | 0:12:51 | 0:12:54 | |
possibly give you the front cover, | 0:12:54 | 0:12:56 | |
so do be nice to this girl Miss Winslett-Richardson, won't you? | 0:12:56 | 0:12:59 | |
Apparently she worships you, and we dearly need the press. | 0:12:59 | 0:13:03 | |
Oseary, this is probably my son Ned. | 0:13:03 | 0:13:06 | |
We just met. | 0:13:06 | 0:13:07 | |
Ah. Oh, how delightful. | 0:13:07 | 0:13:09 | |
Hello. | 0:13:09 | 0:13:11 | |
Anyway, his mother just died. | 0:13:11 | 0:13:13 | |
Plus, we're having some problems. | 0:13:13 | 0:13:15 | |
I just think it'd be a very special opportunity | 0:13:15 | 0:13:17 | |
for all of us, especially him. | 0:13:17 | 0:13:18 | |
He needs this deal. OK, bring him over. | 0:13:18 | 0:13:21 | |
Well, he's right here. | 0:13:21 | 0:13:23 | |
I'm sorry. How do you do? | 0:13:27 | 0:13:29 | |
So what do you do? | 0:13:33 | 0:13:35 | |
I'm a pilot. Air Kentucky. | 0:13:35 | 0:13:38 | |
Air Kentucky. Co-pilot, actually. | 0:13:38 | 0:13:40 | |
Yeah, I don't know that one. | 0:13:40 | 0:13:42 | |
We hub out of Louisville. | 0:13:42 | 0:13:44 | |
Well, sure, there's some pretty country in those parts. | 0:13:44 | 0:13:47 | |
Landlocked. | 0:13:47 | 0:13:48 | |
I have to tell you | 0:13:48 | 0:13:49 | |
I've been a member of the Zissou Society since I was 11. | 0:13:49 | 0:13:53 | |
Well, I'll be damned. Look at that. | 0:13:54 | 0:13:56 | |
Wanna kill this? | 0:13:58 | 0:14:00 | |
Frankly, I better not. I don't usually try grass. | 0:14:00 | 0:14:04 | |
Let me tell you about my boat. | 0:14:09 | 0:14:12 | |
The Belafonte was a long-range subhunter | 0:14:18 | 0:14:20 | |
during the Second World War, | 0:14:20 | 0:14:22 | |
which we bought from the US Navy for 900,000. | 0:14:22 | 0:14:25 | |
This is my mentor, Lord Mandrake. | 0:14:25 | 0:14:27 | |
He's dead now. | 0:14:27 | 0:14:29 | |
The sauna was designed | 0:14:29 | 0:14:32 | |
by an engineer from the Chinese space programme, | 0:14:32 | 0:14:34 | |
and we keep a Swedish masseuse on staff. | 0:14:34 | 0:14:38 | |
Here's where we do all our different science projects | 0:14:38 | 0:14:41 | |
and experiments and so on. | 0:14:41 | 0:14:44 | |
This is the kitchen, which contains probably | 0:14:44 | 0:14:46 | |
some of the most technologically advanced equipment on the ship. | 0:14:46 | 0:14:49 | |
Eleanor put together a top-notch research library for us, | 0:14:51 | 0:14:53 | |
with a complete first-edition set | 0:14:53 | 0:14:55 | |
of The Life Aquatic companion series. | 0:14:55 | 0:14:58 | |
We process our own rushes and keep a cutting room on board | 0:14:58 | 0:15:01 | |
so we can do an assembly while we're shooting. | 0:15:01 | 0:15:03 | |
I can't find them. Once again, please. | 0:15:03 | 0:15:06 | |
This is the observation bubble, | 0:15:07 | 0:15:09 | |
which I thought up in a dream, actually. | 0:15:09 | 0:15:11 | |
Two albino scouts swim with the ship. | 0:15:13 | 0:15:15 | |
They're supposedly very intelligent, | 0:15:15 | 0:15:17 | |
although I've never seen any evidence of it. | 0:15:17 | 0:15:20 | |
Here's the engine room. | 0:15:20 | 0:15:22 | |
The bearing casings aren't supposed to look like that, | 0:15:22 | 0:15:24 | |
but we can't afford to fix 'em this year. | 0:15:24 | 0:15:27 | |
Topside we've got the bridge, the minisub, an old chopper | 0:15:27 | 0:15:29 | |
and all kinds of radar and sonar | 0:15:29 | 0:15:31 | |
and underwater movie gadgets. | 0:15:31 | 0:15:33 | |
NED: What happened to Jacqueline? | 0:15:33 | 0:15:36 | |
She didn't really love me. | 0:15:36 | 0:15:39 | |
Lord Mandrake. | 0:15:50 | 0:15:52 | |
It's wonderful. Very lifelike. | 0:15:54 | 0:15:57 | |
I'm not crazy about it. | 0:15:57 | 0:15:59 | |
This guy's a big-time asshole. | 0:16:04 | 0:16:06 | |
We were roommates at the Academy. | 0:16:06 | 0:16:08 | |
He used to be married to Eleanor. | 0:16:08 | 0:16:11 | |
He hogs up all the grant money. | 0:16:11 | 0:16:14 | |
You think you'll want to change your name? | 0:16:14 | 0:16:16 | |
Ned? | 0:16:16 | 0:16:17 | |
No, not the Ned part, unless you want to. | 0:16:17 | 0:16:20 | |
I meant your last name. | 0:16:20 | 0:16:21 | |
I thought you might like to let me give you mine. | 0:16:21 | 0:16:25 | |
Ned Zissou? | 0:16:26 | 0:16:27 | |
Ned Zissou. Exactly. | 0:16:27 | 0:16:29 | |
Or if you want to, you can change the first part, too. | 0:16:29 | 0:16:31 | |
I would have named you Kingsley if I'd had a say in it. | 0:16:31 | 0:16:34 | |
Kingsley. | 0:16:34 | 0:16:36 | |
I don't know. | 0:16:36 | 0:16:37 | |
Maybe I'll stick with Ned for now. | 0:16:37 | 0:16:40 | |
Sure. That's OK. | 0:16:40 | 0:16:41 | |
Anyway, I'll order you some correspondence stock. | 0:16:41 | 0:16:45 | |
What are you doing? I ordered the wine. | 0:16:45 | 0:16:47 | |
Pour it over here, please. He doesn't know anything about wine. | 0:16:47 | 0:16:51 | |
MEN SPEAK ITALIAN | 0:16:53 | 0:16:55 | |
Are those assholes talking about me? | 0:16:58 | 0:17:00 | |
People say when someone says something like that about you, | 0:17:16 | 0:17:18 | |
it's because they re jealous, | 0:17:18 | 0:17:20 | |
but it still hurts. | 0:17:20 | 0:17:23 | |
It hurts bad. | 0:17:23 | 0:17:24 | |
That man was damn rude. He can go straight to hell. | 0:17:24 | 0:17:27 | |
How did she die, by the way, your mother? | 0:17:44 | 0:17:47 | |
She took her own life. She took sleeping pills. | 0:17:47 | 0:17:52 | |
Why would she do that? | 0:17:52 | 0:17:55 | |
Well, she was in a great deal of pain, you know. | 0:17:55 | 0:17:59 | |
Oh. | 0:17:59 | 0:18:01 | |
I see, yeah. | 0:18:01 | 0:18:04 | |
You know, my best friend just got killed, Esteban. | 0:18:04 | 0:18:08 | |
Yeah, I know. | 0:18:08 | 0:18:10 | |
The old man. | 0:18:10 | 0:18:12 | |
Let's go to my island. | 0:18:14 | 0:18:17 | |
Well, I... | 0:18:17 | 0:18:19 | |
I have to be back in Kentucky on Thursday. | 0:18:19 | 0:18:21 | |
Thursday? OK. That's OK. | 0:18:21 | 0:18:26 | |
MUSIC: "Rebel Rebel" by David Bowie | 0:18:26 | 0:18:29 | |
Your cat's dead. | 0:19:01 | 0:19:03 | |
What? Which one? | 0:19:03 | 0:19:05 | |
Marmalade. I'm sorry. | 0:19:05 | 0:19:08 | |
What happened? | 0:19:08 | 0:19:09 | |
A rattlesnake bit it in the throat. | 0:19:10 | 0:19:12 | |
Goddamn it, Eleanor, why do you have to say it like that? | 0:19:14 | 0:19:17 | |
You couldn't try to break it a little bit nicer? | 0:19:17 | 0:19:20 | |
She's a rich bitch, you know. | 0:19:24 | 0:19:26 | |
She was raised by maids. | 0:19:26 | 0:19:29 | |
Her parents paid for this island and two of my worst movies. | 0:19:29 | 0:19:33 | |
People say she's the brains behind Team Zissou. | 0:19:35 | 0:19:38 | |
People say a lot of things. | 0:19:38 | 0:19:40 | |
What kind of cat was it? | 0:19:40 | 0:19:42 | |
Who gives a shit? I think it was a tabby. | 0:19:43 | 0:19:47 | |
Ned? Wanna come inside, we'll make up a room for you? | 0:19:47 | 0:19:51 | |
Steve, that reporter called. | 0:19:51 | 0:19:53 | |
STEVE: Ned, wake up. | 0:20:08 | 0:20:10 | |
Yes. I'm on the echo box. | 0:20:10 | 0:20:11 | |
Push the red button to answer. | 0:20:11 | 0:20:13 | |
Throw on your slob and meet me on the beach in 12 minutes. | 0:20:13 | 0:20:15 | |
The white button? OK. | 0:20:15 | 0:20:17 | |
Action! | 0:20:20 | 0:20:22 | |
Only twice before have I had the good fortune | 0:20:22 | 0:20:24 | |
to observe a rubber tide, | 0:20:24 | 0:20:26 | |
that rare occurrence when hundreds of electric jellyfish | 0:20:26 | 0:20:29 | |
spontaneously wash onto a beachhead at once. | 0:20:29 | 0:20:32 | |
Bobby Ogata brings exactly this | 0:20:32 | 0:20:34 | |
to our attention tonight. | 0:20:34 | 0:20:36 | |
Steve, what produces this effect of illumination? | 0:20:39 | 0:20:42 | |
Is there a chemical inside the organism? | 0:20:42 | 0:20:46 | |
No, Ned. Actually, it's the reflection of the moonlight | 0:20:46 | 0:20:49 | |
on their outer membranes. | 0:20:49 | 0:20:51 | |
That's a very good ad lib. | 0:20:53 | 0:20:56 | |
Klaus, come over here and get a two-shot of me and Ned. | 0:20:56 | 0:20:58 | |
Ned, come in here. | 0:20:58 | 0:21:00 | |
Would you like to join my crew? | 0:21:04 | 0:21:07 | |
Would I like to... I want you on Team Zissou. | 0:21:07 | 0:21:11 | |
I don't think I can do that. Why not? | 0:21:11 | 0:21:13 | |
Well, it's not my field. I don't have the background for it. | 0:21:13 | 0:21:17 | |
No-one here does. | 0:21:17 | 0:21:18 | |
Klaus used to be a bus driver. | 0:21:18 | 0:21:20 | |
Wolodarsky was a high-school substitute teacher. | 0:21:20 | 0:21:23 | |
We're a pack of strays, don't you get it? | 0:21:23 | 0:21:25 | |
Steve, I'm not even that strong a swimmer. | 0:21:25 | 0:21:28 | |
The answer's yes. | 0:21:30 | 0:21:32 | |
Well, it's got to be. | 0:21:32 | 0:21:34 | |
I'll order you a red cap and a Speedo. | 0:21:34 | 0:21:36 | |
Cut. Klaus, why aren't you rolling? | 0:21:36 | 0:21:39 | |
Could I have a word with you, please? | 0:21:39 | 0:21:40 | |
STEVE: Why aren't you getting this? | 0:21:40 | 0:21:44 | |
That was a goddamn tearjerker. | 0:21:44 | 0:21:46 | |
Why did you cut it, man? | 0:21:46 | 0:21:48 | |
Because the sound is going to be shit. | 0:21:48 | 0:21:50 | |
He doesn't even know how to hold a boom. | 0:21:50 | 0:21:53 | |
He doesn't know diddly-Jack about what we're doing. | 0:21:53 | 0:21:56 | |
Don't cut unless I say cut. | 0:21:56 | 0:21:58 | |
I've never seen so many electric jellyfish in all my life. | 0:21:58 | 0:22:02 | |
Those are Vietcong man-of-wars. | 0:22:02 | 0:22:04 | |
Oh, shit, she's right. | 0:22:13 | 0:22:15 | |
I guess we'll have to loop that line. | 0:22:15 | 0:22:18 | |
Where'd you come from? You look pregnant. | 0:22:18 | 0:22:20 | |
I am pregnant. | 0:22:20 | 0:22:21 | |
I'm not even going to ask what you men are doing out here | 0:22:21 | 0:22:23 | |
in your matching pyjamas, by the way. | 0:22:23 | 0:22:25 | |
We're producing a film, as a matter of fact. Who are you? | 0:22:25 | 0:22:29 | |
I'm Jane Winslett-Richardson. | 0:22:29 | 0:22:31 | |
I'm the reporter from The Oceanographic Explorer. | 0:22:31 | 0:22:34 | |
Oh, yeah, sure. How'd you get out here? | 0:22:34 | 0:22:35 | |
I hired some drunk in a fishing boat. | 0:22:35 | 0:22:38 | |
That would take four hours. Why would you do that? | 0:22:38 | 0:22:41 | |
Because no-one picked me up at the effing airport. | 0:22:41 | 0:22:43 | |
Jesus Christ, Klaus. | 0:22:43 | 0:22:46 | |
One of my guys was supposed to do that. | 0:22:46 | 0:22:48 | |
How long have you been working with Zissou? | 0:22:48 | 0:22:51 | |
Uh, approximately... | 0:22:51 | 0:22:53 | |
only ten minutes, actually. | 0:22:53 | 0:22:55 | |
I was hired during the scene on the beach. | 0:22:55 | 0:22:56 | |
He's Steve's son, supposedly. You are? | 0:22:56 | 0:22:59 | |
No, you're not. He doesn't have one. | 0:22:59 | 0:23:01 | |
Well, we're not 100% sure about that yet. | 0:23:01 | 0:23:03 | |
We just met yesterday. | 0:23:03 | 0:23:07 | |
Not this one, Klaus. Hmm? | 0:23:07 | 0:23:10 | |
You heard me. Not this one. | 0:23:14 | 0:23:16 | |
OK. | 0:23:16 | 0:23:18 | |
First thing in the morning, huh? Just print everything? | 0:23:18 | 0:23:20 | |
Yeah, tell him to push it a stop and a half. OK. | 0:23:20 | 0:23:23 | |
What are you gonna do with him? | 0:23:24 | 0:23:26 | |
Who? | 0:23:26 | 0:23:28 | |
Ned? What do you mean? | 0:23:28 | 0:23:30 | |
I don't understand the question. | 0:23:32 | 0:23:35 | |
I offered him a spot on The Belafonte. | 0:23:39 | 0:23:43 | |
He didn't take it, did he? | 0:23:43 | 0:23:45 | |
Of course he took it. | 0:23:45 | 0:23:47 | |
We're gonna put him on the map, Eleanor. | 0:23:47 | 0:23:50 | |
We're gonna throw him a life preserver. | 0:23:50 | 0:23:52 | |
I believe in this boy. Why? | 0:23:52 | 0:23:56 | |
Because he looks up to me. | 0:23:59 | 0:24:01 | |
Yes, sir, and McKennan's willing to take over my shuttle flights. | 0:24:01 | 0:24:05 | |
That's right. | 0:24:05 | 0:24:07 | |
Well, I just feel I need to see this thing through, sir. | 0:24:11 | 0:24:14 | |
Thank you for understanding. | 0:24:16 | 0:24:18 | |
I'll check in with the Louisville office again next month. | 0:24:18 | 0:24:21 | |
PIANO ON RADIO | 0:24:21 | 0:24:23 | |
JANE: "...As I have not, as they say, | 0:24:23 | 0:24:24 | |
"enough power of observation | 0:24:24 | 0:24:26 | |
"to isolate their sense of colour. | 0:24:26 | 0:24:28 | |
"For a long time afterwards, whenever I thought of her, | 0:24:28 | 0:24:31 | |
"the memory of those bright eyes | 0:24:31 | 0:24:33 | |
"would at once present itself to me as a vivid azure, | 0:24:33 | 0:24:38 | |
"so much so that perhaps if her eyes had not been quite so black, | 0:24:38 | 0:24:41 | |
"which was what struck one most forcibly | 0:24:41 | 0:24:43 | |
"on first meeting her, | 0:24:43 | 0:24:44 | |
"I should not have been, as I was, | 0:24:44 | 0:24:46 | |
"so especially enamoured of their imagined blue." | 0:24:46 | 0:24:49 | |
Hold it. | 0:24:54 | 0:24:55 | |
That's poetry? | 0:24:59 | 0:25:00 | |
No, it's a six-volume novel. | 0:25:00 | 0:25:03 | |
Oh, so you're gonna read that whole thing to yourself out loud. | 0:25:03 | 0:25:06 | |
I'm not reading it to myself, I'm reading it to him. | 0:25:06 | 0:25:09 | |
When did you learn Zissou was your father? | 0:25:12 | 0:25:16 | |
Does it freak you out for me to ask that? | 0:25:16 | 0:25:19 | |
No, it doesn't, but it's a difficult question. | 0:25:19 | 0:25:21 | |
I sort of pieced it together over the years. | 0:25:21 | 0:25:24 | |
Well, how did he first contact you? | 0:25:24 | 0:25:26 | |
He didn't. | 0:25:26 | 0:25:27 | |
I went looking for him last month after my mother died. | 0:25:27 | 0:25:30 | |
She had ovarian cancer, | 0:25:30 | 0:25:32 | |
then it spread to her stomach and liver, and she took her own life. | 0:25:32 | 0:25:35 | |
Oh. | 0:25:35 | 0:25:37 | |
Well, good night, I guess. | 0:25:37 | 0:25:39 | |
Oh, good night. | 0:25:39 | 0:25:42 | |
You mind if I stay and listen for a little while? | 0:25:42 | 0:25:44 | |
OK. | 0:25:47 | 0:25:48 | |
SHE CLEARS HER THROAT | 0:25:54 | 0:25:56 | |
Do you want me to catch you up on the story? | 0:25:56 | 0:25:58 | |
No, I'll be able to figure it out. | 0:25:58 | 0:26:01 | |
I'll just catch as catch can. | 0:26:01 | 0:26:03 | |
They made these for about... | 0:26:06 | 0:26:09 | |
three and a half years before they terminated my sponsorship. | 0:26:09 | 0:26:12 | |
These are great. | 0:26:20 | 0:26:22 | |
May I turn this on? Fire one. | 0:26:22 | 0:26:24 | |
So what happened, in your opinion? | 0:26:27 | 0:26:29 | |
What are you talking about? | 0:26:31 | 0:26:33 | |
Don't you think public perception of your work | 0:26:33 | 0:26:35 | |
has significantly altered in the last five years? | 0:26:35 | 0:26:37 | |
That's your first question? I thought this was supposed to be a puff piece. | 0:26:37 | 0:26:39 | |
Should we come back to it? | 0:26:39 | 0:26:41 | |
Yeah. | 0:26:41 | 0:26:42 | |
OK. | 0:26:42 | 0:26:44 | |
Is it true that this is going to be your last voyage? | 0:26:44 | 0:26:48 | |
Wow. No comment. | 0:26:48 | 0:26:51 | |
Who told you that? | 0:26:51 | 0:26:54 | |
No, goddamn it. I'm only 52. | 0:26:54 | 0:26:57 | |
How about we start out with some stock dialogue? | 0:26:57 | 0:27:00 | |
You know, favourite colour - blue. | 0:27:00 | 0:27:02 | |
Favourite food - sardines. | 0:27:02 | 0:27:04 | |
How do you feel about part one of your new film? | 0:27:04 | 0:27:06 | |
Why? How do you feel about part one of my new film? | 0:27:06 | 0:27:10 | |
Well, I'm honest, you know, so... Just say it. | 0:27:10 | 0:27:13 | |
I thought aspects of it seemed slightly fake. | 0:27:15 | 0:27:17 | |
Wolodarsky... | 0:27:17 | 0:27:20 | |
I'll take five, Steve. ..How about taking five? | 0:27:20 | 0:27:23 | |
Did it seem fake | 0:27:24 | 0:27:27 | |
when my best friend was bitten in half right in front of me, | 0:27:27 | 0:27:30 | |
then eaten alive, screaming? | 0:27:30 | 0:27:32 | |
I think you're a fake. | 0:27:32 | 0:27:35 | |
I think you're a phoney | 0:27:35 | 0:27:37 | |
and a bad reporter. | 0:27:37 | 0:27:39 | |
How does that feel? | 0:27:39 | 0:27:40 | |
Now, tell me something... | 0:27:40 | 0:27:43 | |
does this seem fake? | 0:27:43 | 0:27:45 | |
How dare you. | 0:27:45 | 0:27:48 | |
This entire article was my idea. | 0:27:48 | 0:27:50 | |
No-one else gives a shit. | 0:27:50 | 0:27:52 | |
What about Sy Perlman? | 0:27:52 | 0:27:53 | |
Are you joking? He's not even covering my expenses. | 0:27:55 | 0:27:58 | |
You're taking something out on me. | 0:28:01 | 0:28:02 | |
SHE SNIFFS | 0:28:10 | 0:28:11 | |
Stop crying. | 0:28:11 | 0:28:13 | |
What's the deal here? | 0:28:13 | 0:28:14 | |
I was only trying to defend myself. | 0:28:14 | 0:28:16 | |
Well, you did a great job. | 0:28:16 | 0:28:19 | |
SHE TURNS RECORDER ON I'm sure you'll make a terrific father. | 0:28:19 | 0:28:22 | |
So, you really think you're a Zissou? | 0:28:28 | 0:28:32 | |
I don't know. | 0:28:33 | 0:28:35 | |
You travelled a long way for "I don't know", sonny. | 0:28:35 | 0:28:38 | |
That's true, | 0:28:38 | 0:28:40 | |
but it's important to me. | 0:28:40 | 0:28:43 | |
Ja, well, there are a lot of things | 0:28:43 | 0:28:45 | |
that are important to some people around here, sonny. | 0:28:45 | 0:28:48 | |
Klaus, don't call me sonny. One more thing. | 0:28:48 | 0:28:50 | |
It's the Steve Zissou show, not the Ned show. | 0:28:50 | 0:28:54 | |
You hear me? | 0:28:57 | 0:28:58 | |
Yes, I do. | 0:28:58 | 0:29:01 | |
Klaus! | 0:29:01 | 0:29:02 | |
Ja? | 0:29:02 | 0:29:04 | |
If you ever touch me again, | 0:29:04 | 0:29:06 | |
I will kick your goddamned teeth out, is that understood? | 0:29:06 | 0:29:10 | |
Not if I don't see you first, sonny. | 0:29:11 | 0:29:14 | |
We gotta watch ourselves around this Jane character. | 0:29:24 | 0:29:26 | |
Don't tell her anything personal. | 0:29:26 | 0:29:28 | |
If you're not sure about something, | 0:29:28 | 0:29:30 | |
change the subject and look for me. | 0:29:30 | 0:29:33 | |
This bull dyke's got something against us. | 0:29:33 | 0:29:36 | |
I don't think she's a lesbian. She's pregnant. | 0:29:36 | 0:29:39 | |
Bull dykes can get pregnant. | 0:29:39 | 0:29:42 | |
Anyway, I'd back out now, but we need the press. | 0:29:42 | 0:29:46 | |
See you in the morning. | 0:29:46 | 0:29:48 | |
Steve? | 0:29:48 | 0:29:50 | |
Hmm? | 0:29:50 | 0:29:52 | |
When'd you first hear about me? | 0:29:52 | 0:29:54 | |
About five years ago. | 0:29:57 | 0:29:58 | |
I read it in an article about myself. | 0:29:58 | 0:30:01 | |
Did you believe it? | 0:30:01 | 0:30:04 | |
It was in the paper. | 0:30:05 | 0:30:07 | |
I assumed they... checked their facts. | 0:30:07 | 0:30:09 | |
Why didn't you contact me? | 0:30:12 | 0:30:14 | |
Because I hate fathers, and I never wanted to be one. | 0:30:16 | 0:30:20 | |
I forgot. | 0:30:28 | 0:30:30 | |
Your correspondence stock came in. | 0:30:30 | 0:30:32 | |
ANSWERING MACHINE BEEPS | 0:30:38 | 0:30:40 | |
JANE: Hi, Ross. Started today. | 0:30:40 | 0:30:42 | |
I'll forward some pages to you through the copy department. | 0:30:42 | 0:30:46 | |
You're probably right, though. | 0:30:47 | 0:30:49 | |
DISTANT SINGING | 0:30:49 | 0:30:51 | |
What am I doing here? | 0:30:51 | 0:30:55 | |
I miss you and... | 0:30:55 | 0:30:58 | |
Oh, God, I don't know, Ross. | 0:30:58 | 0:31:01 | |
Where are you? | 0:31:01 | 0:31:03 | |
Listen, I'm not leaving this message. | 0:31:06 | 0:31:09 | |
Don't even know why I'm still pregnant. | 0:31:09 | 0:31:12 | |
PHONE HANGS UP | 0:31:12 | 0:31:14 | |
The script girl uses these for continuity. | 0:31:20 | 0:31:23 | |
Here. Oh, no, no, no. | 0:31:24 | 0:31:26 | |
No exceptions. Everyone gets one. | 0:31:26 | 0:31:28 | |
Anne-Marie, do the interns get glocks? | 0:31:28 | 0:31:32 | |
No, they all share one. | 0:31:32 | 0:31:34 | |
Take it, Ned. | 0:31:34 | 0:31:37 | |
Steve! What? | 0:31:37 | 0:31:38 | |
Whack on the echo box. | 0:31:38 | 0:31:41 | |
Zissou here. | 0:31:42 | 0:31:44 | |
KLAUS: Steve, Oseary Drakoulias on line two. | 0:31:44 | 0:31:47 | |
Yeah? | 0:31:47 | 0:31:49 | |
I spoke with Larry Amin, | 0:31:49 | 0:31:51 | |
and it's a pass. | 0:31:51 | 0:31:53 | |
In other words, you fucked us. | 0:31:53 | 0:31:55 | |
Let's not cast stones at one another, my boy. | 0:31:55 | 0:31:59 | |
Do you hear me, damn it? Do you?! No, I don't! | 0:31:59 | 0:32:01 | |
I told you how to play it! Bloody hell. Listen here, mate... | 0:32:01 | 0:32:04 | |
May I interrupt for a moment? | 0:32:04 | 0:32:06 | |
Who the blazes is that? | 0:32:06 | 0:32:09 | |
It's me - Ned. | 0:32:09 | 0:32:11 | |
Maybe this is nothing, maybe it's something. | 0:32:11 | 0:32:13 | |
I don't know your problems. I don't know... | 0:32:13 | 0:32:17 | |
but I just inherited 275,000. | 0:32:17 | 0:32:20 | |
Would that amount make any difference? | 0:32:20 | 0:32:24 | |
What sort of expression is the lad wearing on his face? | 0:32:24 | 0:32:27 | |
Can you fly a chopper? | 0:32:27 | 0:32:30 | |
I have, but I'm certainly not licensed in any way, shape or form. | 0:32:30 | 0:32:34 | |
Great. Let's go. | 0:32:34 | 0:32:36 | |
METAL CLANKS | 0:32:42 | 0:32:44 | |
When was this whirlybird last serviced? | 0:32:44 | 0:32:46 | |
I don't know. | 0:32:46 | 0:32:47 | |
Klaus is supposed to check it every six months. | 0:32:47 | 0:32:49 | |
You're back on the water, boys. | 0:32:57 | 0:32:58 | |
The wire transfer came straight through from Kentucky, | 0:32:58 | 0:33:01 | |
and Jackman and Worsley | 0:33:01 | 0:33:02 | |
are going to gap-finance the rest. | 0:33:02 | 0:33:04 | |
But we have a few hooks on it, so take a pew for a spell. | 0:33:04 | 0:33:08 | |
Number one, the bank want a drug screen for everyone on the crew | 0:33:08 | 0:33:12 | |
before they'll forward the money. | 0:33:12 | 0:33:13 | |
A piss test? Yes, a piss test. | 0:33:13 | 0:33:16 | |
Two, a stooge from the bond company | 0:33:16 | 0:33:18 | |
will be riding everywhere during the whole shoot | 0:33:18 | 0:33:20 | |
to keep you on budget. Who's the stooge? | 0:33:20 | 0:33:22 | |
A chap by the name of Bill Ubell, | 0:33:22 | 0:33:24 | |
and there's not a damn thing you can do about that, Steve. | 0:33:24 | 0:33:26 | |
Three, you must swear, legally swear, | 0:33:26 | 0:33:29 | |
that you'll not kill that shark, or whatever it is, | 0:33:29 | 0:33:32 | |
if it actually exists. | 0:33:32 | 0:33:34 | |
I'm going to fight it, but I'll let it live. | 0:33:35 | 0:33:39 | |
What about my dynamite? | 0:33:39 | 0:33:40 | |
Phillip, dynamite. | 0:33:40 | 0:33:41 | |
I'm off to Zurich. Follow me, chaps. | 0:33:41 | 0:33:44 | |
Mr Ubell, I'd like for you to know Steve Zissou | 0:33:44 | 0:33:47 | |
and our equity partner, Ned. | 0:33:47 | 0:33:49 | |
I hope you're not gonna bust our chops, Bill. | 0:33:56 | 0:34:00 | |
Why would I do that? | 0:34:00 | 0:34:02 | |
Because you're a bond company stooge. | 0:34:02 | 0:34:06 | |
Well, I'm also a human being. | 0:34:06 | 0:34:08 | |
All right, I take that back. | 0:34:10 | 0:34:12 | |
Yeah. | 0:34:12 | 0:34:14 | |
Let's have some teamsmanship. | 0:34:14 | 0:34:16 | |
Ho! | 0:34:20 | 0:34:21 | |
1, 2, 3. | 0:35:51 | 0:35:52 | |
Come on. | 0:35:52 | 0:35:53 | |
1, 2, 3. | 0:35:59 | 0:36:01 | |
Attaboy. Attaboy. | 0:36:01 | 0:36:03 | |
Here he is. Here he is. | 0:36:03 | 0:36:04 | |
Come on. You OK, Ned? You OK? | 0:36:04 | 0:36:07 | |
All right, all right. Give him some room. He's OK. | 0:36:07 | 0:36:10 | |
He just drank a little too much water. | 0:36:10 | 0:36:12 | |
How are you shooting this, Vikram? Wide open? | 0:36:16 | 0:36:18 | |
Light, 5/6. | 0:36:18 | 0:36:20 | |
As always, even in the most challenging circumstances, | 0:36:31 | 0:36:35 | |
the members of Team Zissou find ways to keep morale high. | 0:36:35 | 0:36:39 | |
CHEERING | 0:36:39 | 0:36:41 | |
Wait. Hold it. | 0:36:44 | 0:36:45 | |
Is that a distress bark? | 0:36:45 | 0:36:47 | |
Is something wounded out there? | 0:36:51 | 0:36:53 | |
NARRATING: We quickly locate the source of the mysterious cry. | 0:36:53 | 0:36:56 | |
What is she, Steve? | 0:36:59 | 0:37:00 | |
A wild snow mongoose. | 0:37:00 | 0:37:03 | |
We thought they were extinct. | 0:37:03 | 0:37:04 | |
Her ankle's broken. Ogata? Yeah. | 0:37:04 | 0:37:07 | |
Run and get some hot milk | 0:37:07 | 0:37:09 | |
and put these guys in the incubator. | 0:37:09 | 0:37:10 | |
We radio for the emergency transport | 0:37:10 | 0:37:12 | |
of our rare, beautiful new friends. | 0:37:12 | 0:37:15 | |
That's what it used to be like. | 0:37:16 | 0:37:20 | |
SQUEAKING | 0:37:20 | 0:37:21 | |
STRUMMING GUITAR | 0:37:21 | 0:37:23 | |
BIRDS CHIRPING | 0:37:26 | 0:37:29 | |
ELEANOR: Had Ned's heart stopped beating | 0:37:31 | 0:37:33 | |
before you pulled him out of the water? | 0:37:33 | 0:37:36 | |
Had Ned's heart stopped beating | 0:37:36 | 0:37:38 | |
before we pulled him out of the water? | 0:37:38 | 0:37:41 | |
Yes, but we got him started again pretty quickly. | 0:37:41 | 0:37:45 | |
Don't go on this voyage right now, Steve. | 0:37:45 | 0:37:47 | |
One of you is already dead, after all. | 0:37:47 | 0:37:50 | |
Who? | 0:37:50 | 0:37:52 | |
Oh, you mean Esteban? Thanks for bringing that up. | 0:37:54 | 0:37:58 | |
Who's gonna tell us the Latin names | 0:38:01 | 0:38:03 | |
of all the fishes and everything? | 0:38:03 | 0:38:04 | |
You know I can't remember all that shit. | 0:38:04 | 0:38:06 | |
Please stop, Eleanor. Eleanor, stop. | 0:38:06 | 0:38:09 | |
Why are you leaving? I'm leaving because I don't want to be a part | 0:38:09 | 0:38:11 | |
of whatever's gonna happen out there. | 0:38:11 | 0:38:13 | |
Nobody knows what's going to happen, and then we film it. | 0:38:13 | 0:38:15 | |
That's the whole concept. | 0:38:15 | 0:38:17 | |
That's how we've always done it. | 0:38:17 | 0:38:18 | |
I can't believe you took that boy's money. | 0:38:18 | 0:38:21 | |
He's an investor. | 0:38:21 | 0:38:24 | |
He's my sidekick. | 0:38:24 | 0:38:27 | |
The sugar crabs are back. | 0:38:27 | 0:38:29 | |
They're early this year. | 0:38:31 | 0:38:32 | |
I've never seen them mating before the solstice. | 0:38:32 | 0:38:36 | |
Is that mating? | 0:38:36 | 0:38:37 | |
Goodbye, Steve. | 0:38:45 | 0:38:46 | |
Don't say that. | 0:38:48 | 0:38:49 | |
Even if it's true... don't say that. | 0:38:49 | 0:38:52 | |
It's too painful. | 0:38:52 | 0:38:53 | |
What do you want me to say? | 0:38:53 | 0:38:55 | |
Say, "Bon voyage." | 0:38:57 | 0:38:59 | |
Bon voyage. | 0:39:04 | 0:39:05 | |
PELE SINGS IN PORTUGUESE | 0:39:05 | 0:39:08 | |
STEVE: Kingsley Ned Zissou, 29, | 0:39:43 | 0:39:45 | |
junior-grade diving tech, executive producer. | 0:39:45 | 0:39:47 | |
Energetic, spirited, youthful. | 0:39:47 | 0:39:49 | |
Normally we would track the jaguar shark | 0:39:52 | 0:39:54 | |
with the scanning monitor we keep on board The Belafonte, | 0:39:54 | 0:39:56 | |
but its power tubes have seized up and blown a gasket. | 0:39:56 | 0:39:59 | |
We now proceed to the more advanced system | 0:40:01 | 0:40:03 | |
located on a colleague's offshore facility. | 0:40:03 | 0:40:07 | |
This will be Team Zissou's next stop. | 0:40:09 | 0:40:12 | |
See, Renzo, this is what I'm talking about - | 0:40:16 | 0:40:18 | |
a relationship subplot. | 0:40:18 | 0:40:20 | |
There's chemistry between us, you know? | 0:40:20 | 0:40:23 | |
Huh? | 0:40:23 | 0:40:25 | |
Here's a quote. Wait up. Who from? | 0:40:25 | 0:40:28 | |
"Zissou has an almost magical connection | 0:40:28 | 0:40:30 | |
"to the life of the sea. | 0:40:30 | 0:40:31 | |
"He speaks its language fluently. | 0:40:31 | 0:40:33 | |
"I've never met a boy like that in all my life. | 0:40:33 | 0:40:37 | |
"Lord Mandrake." | 0:40:37 | 0:40:38 | |
You should have opened with that one. | 0:40:38 | 0:40:40 | |
He was your mentor. | 0:40:40 | 0:40:41 | |
Hey, intern, get me a campari, will ya? | 0:40:41 | 0:40:44 | |
On the rocks? | 0:40:44 | 0:40:46 | |
You wanna go up in my balloon? | 0:40:47 | 0:40:50 | |
I like her hairdo. | 0:40:53 | 0:40:55 | |
Me, too, but Steve called her first. | 0:40:55 | 0:40:57 | |
I'm sorry I made you cry the other day. | 0:41:00 | 0:41:04 | |
Oh. That's OK. | 0:41:04 | 0:41:06 | |
It's not completely your fault, anyway. | 0:41:06 | 0:41:08 | |
I'm going through some personal problems. | 0:41:08 | 0:41:10 | |
Really? What do you got? | 0:41:10 | 0:41:13 | |
Well, I'm... five months pregnant. | 0:41:13 | 0:41:15 | |
My editor's the father. | 0:41:15 | 0:41:16 | |
He's married, but...not to me. | 0:41:16 | 0:41:20 | |
Wow. That's a rough ticket. | 0:41:20 | 0:41:22 | |
You know, my first wife left me when I was your age. | 0:41:22 | 0:41:27 | |
What's Deep Search? | 0:41:29 | 0:41:31 | |
My submarine. | 0:41:31 | 0:41:32 | |
I had this exact image of you tacked up on the wall | 0:41:34 | 0:41:37 | |
above my aquarium all through primary school. | 0:41:37 | 0:41:39 | |
Oh, yeah? You mean, the official photograph, where I'm doing this? | 0:41:39 | 0:41:43 | |
That's the one. | 0:41:43 | 0:41:45 | |
Mm-hmm. | 0:41:45 | 0:41:46 | |
Well, maybe it's just me, | 0:41:46 | 0:41:48 | |
but I don't feel like that person. | 0:41:48 | 0:41:50 | |
I never did. | 0:41:50 | 0:41:52 | |
MUSIC ON RADIO: "Here's To You" by Joan Baez | 0:41:52 | 0:41:57 | |
Why did you abandon Ned? | 0:42:05 | 0:42:09 | |
I didn't. I never even met him. | 0:42:09 | 0:42:12 | |
What kind of piece are you writing, cubby? | 0:42:15 | 0:42:18 | |
Are you gonna screw us on this deal? | 0:42:18 | 0:42:20 | |
I hope not. | 0:42:22 | 0:42:23 | |
SHE SPITS | 0:42:23 | 0:42:25 | |
You really think it's cool to hit the sauce | 0:42:30 | 0:42:32 | |
when you got a bun in the oven? | 0:42:32 | 0:42:34 | |
Pele, bring us back down, please. | 0:42:36 | 0:42:38 | |
GAS BLOWS | 0:42:38 | 0:42:39 | |
I don't have a problem with objective reporting. | 0:42:43 | 0:42:45 | |
What I have a problem with | 0:42:45 | 0:42:47 | |
is some wombat coming on my boat, | 0:42:47 | 0:42:49 | |
trying to railroad me, you know? | 0:42:49 | 0:42:51 | |
Why don't you see if you can get one of these dolphins | 0:42:53 | 0:42:55 | |
to swim under the hull and give us a look. | 0:42:55 | 0:42:57 | |
BEEPING | 0:43:00 | 0:43:03 | |
No. Either they can't hear us, or they don't understand. | 0:43:06 | 0:43:10 | |
Son of a bitch. I'm sick of these dolphins. | 0:43:11 | 0:43:15 | |
Quiet out there tonight. | 0:43:16 | 0:43:18 | |
Can you hear the Jack whales singing? | 0:43:18 | 0:43:21 | |
FOGHORN SOUNDS | 0:43:21 | 0:43:23 | |
Beautiful. I wonder what they're saying. | 0:43:23 | 0:43:25 | |
Well, that was the sludge tanker over there, but... | 0:43:25 | 0:43:27 | |
STRANGE ECHO | 0:43:27 | 0:43:29 | |
There you go. That's them. | 0:43:29 | 0:43:31 | |
By the way, would you mind if I made a few modifications | 0:43:34 | 0:43:37 | |
to the Team Zissou insignia? | 0:43:37 | 0:43:39 | |
I have some ideas. You mean the patch? | 0:43:39 | 0:43:41 | |
Yes. The insignia. | 0:43:41 | 0:43:43 | |
Yeah. It's probably kind of dated, isn't it? | 0:43:43 | 0:43:46 | |
Sure. Take a crack at it. Make it a little trendier. | 0:43:46 | 0:43:49 | |
All right. | 0:43:51 | 0:43:54 | |
Are you finding what you were looking for | 0:43:55 | 0:43:59 | |
out here with me? | 0:43:59 | 0:44:01 | |
I hope so. | 0:44:01 | 0:44:03 | |
I wrote you a letter about 17 years ago. | 0:44:04 | 0:44:08 | |
You mean like a fan letter? | 0:44:08 | 0:44:12 | |
Did I write you back? | 0:44:12 | 0:44:14 | |
I try to answer as many personally as I can. | 0:44:14 | 0:44:18 | |
"Dear Ned Plimpton, | 0:44:18 | 0:44:19 | |
"first, in answer to your question, always. | 0:44:19 | 0:44:22 | |
"Second, thank you very much for naming your bug after me. | 0:44:22 | 0:44:25 | |
"My wife tells me it is actually a type of gnat. | 0:44:25 | 0:44:28 | |
"You strike me as a very special boy | 0:44:28 | 0:44:30 | |
"and a key member of the Zissou Society. | 0:44:30 | 0:44:32 | |
"I wish I could come visit you in Kentucky | 0:44:32 | 0:44:34 | |
"and assist you with your work. | 0:44:34 | 0:44:36 | |
"I remember your mother. | 0:44:36 | 0:44:38 | |
"Take care of yourself, Ned Plimpton. | 0:44:38 | 0:44:40 | |
"You've served well. | 0:44:40 | 0:44:41 | |
"Your friend, Captain Steve Zissou. | 0:44:41 | 0:44:43 | |
"Dictated, but not read." | 0:44:43 | 0:44:45 | |
Yeah, more or less standard boilerplate, I guess. | 0:44:49 | 0:44:52 | |
There's some real high-tech gear inside this deal, believe me. | 0:44:54 | 0:44:58 | |
First we go downstairs and turn on that tracking system, | 0:44:58 | 0:45:00 | |
then, as long as the batteries on that homing dart haven't gone dead... | 0:45:00 | 0:45:02 | |
Who locked us out? ANNE-MARIE: No-one. We're trespassing. | 0:45:02 | 0:45:06 | |
Steve, are we allowed in here? | 0:45:06 | 0:45:08 | |
It's a scientific community, man. | 0:45:08 | 0:45:10 | |
Captain, I am required by law | 0:45:10 | 0:45:12 | |
to notify the bank of any illegal activities. | 0:45:12 | 0:45:14 | |
Just do what you gotta do to cover your ass, Bill. | 0:45:14 | 0:45:17 | |
Got it. | 0:45:17 | 0:45:18 | |
ALARM WAILS Fuck! They wired it. | 0:45:24 | 0:45:27 | |
Klaus, go down and get me some cable snippers. | 0:45:27 | 0:45:29 | |
OVER PA: This is Captain Hennessey. | 0:45:29 | 0:45:31 | |
You have trespassed on a private facility. | 0:45:31 | 0:45:33 | |
The coast guard is being alerted via satellite. | 0:45:33 | 0:45:35 | |
Again, this is Captain Hennessey. | 0:45:35 | 0:45:37 | |
Immediately leave the prem... | 0:45:37 | 0:45:39 | |
BEEPING | 0:45:39 | 0:45:41 | |
OK, action. | 0:45:42 | 0:45:43 | |
Well, look who's back in town. | 0:45:43 | 0:45:45 | |
You travelled over 150 miles since we last heard from you. | 0:45:45 | 0:45:48 | |
This son of a bitch is heading for the South Pacific. | 0:45:48 | 0:45:51 | |
DOOR OPENS | 0:45:51 | 0:45:52 | |
Turn on your tape recorder, Cubby. | 0:45:52 | 0:45:54 | |
Is it the jaguar shark? On the record, yes. | 0:45:54 | 0:45:57 | |
Cut. | 0:45:57 | 0:45:58 | |
Print both takes, Vikram. | 0:45:58 | 0:45:59 | |
Was I just in the film? Yeah. | 0:45:59 | 0:46:02 | |
You're gonna have to sign a release. | 0:46:02 | 0:46:04 | |
But you've actually located the shark. | 0:46:04 | 0:46:06 | |
You better bet your fucking ass we did. | 0:46:06 | 0:46:08 | |
All right, everybody, we got about 25 to 30 minutes | 0:46:08 | 0:46:10 | |
before the coast guard gets here to arrest us. | 0:46:10 | 0:46:12 | |
I want you all to get Hennessey's best gear | 0:46:12 | 0:46:14 | |
onto The Belafonte in 15. | 0:46:14 | 0:46:16 | |
You're gonna steal his stuff? | 0:46:16 | 0:46:18 | |
No, we'll get it back to him. | 0:46:18 | 0:46:19 | |
Interns, let's see some hustle. | 0:46:19 | 0:46:21 | |
Uh, what is this, Pele? | 0:46:21 | 0:46:25 | |
I don't know. Uh, it's a map. | 0:46:25 | 0:46:27 | |
Steve?! Uh-huh? | 0:46:27 | 0:46:29 | |
Do you know that you just charted us | 0:46:29 | 0:46:31 | |
on a course through unprotected waters? | 0:46:31 | 0:46:33 | |
Yeah, we're taking the shortcut. | 0:46:33 | 0:46:35 | |
But it's outside IMU jurisdiction. | 0:46:35 | 0:46:37 | |
There isn't any protection... I know, honey. Look at the map. | 0:46:37 | 0:46:39 | |
We go your way, that's about...four inches. | 0:46:39 | 0:46:42 | |
We go my way, it's an inch and a half. | 0:46:42 | 0:46:44 | |
You wanna pay for the extra gas? | 0:46:44 | 0:46:46 | |
What kind of system is this? | 0:46:46 | 0:46:48 | |
You have the Bernstein 9. Just upgraded last summer. | 0:46:48 | 0:46:51 | |
The 9s are out already? | 0:46:51 | 0:46:53 | |
-Does this do cappuccino? -Ja. | 0:46:53 | 0:46:55 | |
Wait a second. Steve, this isn't the procedure. | 0:46:55 | 0:46:57 | |
CLANGING | 0:46:57 | 0:46:59 | |
Steve, one of the interns just fell down the stairs | 0:46:59 | 0:47:01 | |
with the main tracking processor. | 0:47:01 | 0:47:03 | |
All right, just make sure we steal the backup. | 0:47:03 | 0:47:05 | |
Are you listening to me? Eleanor told me that under no circumstances... | 0:47:05 | 0:47:07 | |
Shut up before you jinx us, Anne-Marie. | 0:47:07 | 0:47:11 | |
You catching anything? | 0:47:24 | 0:47:25 | |
Mnh-mnh. | 0:47:25 | 0:47:26 | |
Hook this up and make me a latte. | 0:47:29 | 0:47:32 | |
You know, Cubby's kind of a sucker-maker, | 0:47:37 | 0:47:40 | |
but she's got some moves. | 0:47:40 | 0:47:43 | |
I agree. | 0:47:43 | 0:47:45 | |
If she wasn't a bull dyke, | 0:47:45 | 0:47:47 | |
I think I might have a bit of a thing for her. | 0:47:47 | 0:47:50 | |
As you can see, | 0:48:01 | 0:48:03 | |
if the creature continues its current migratory route, | 0:48:03 | 0:48:06 | |
our paths should converge in less than four days. | 0:48:06 | 0:48:09 | |
I wanna get there in three. Ogata... | 0:48:09 | 0:48:11 | |
Vladimir, what's this blip right over here? | 0:48:11 | 0:48:13 | |
I don't know. I've been trying to figure that out. | 0:48:13 | 0:48:16 | |
We might have them both mixed up, or it could be the other way around. | 0:48:16 | 0:48:18 | |
But anyway, we're gonna be right on top of it | 0:48:18 | 0:48:20 | |
first thing in the morning. Hmm. | 0:48:20 | 0:48:22 | |
Good eye, Ned. | 0:48:24 | 0:48:25 | |
Thank you. Should we investigate it? | 0:48:25 | 0:48:29 | |
Yeah. Let's make a quick dive at 6am, | 0:48:29 | 0:48:31 | |
and we'll scope out the phantom signal. | 0:48:31 | 0:48:33 | |
It's probably just one of Hennessey's research turtles. | 0:48:33 | 0:48:35 | |
I wanna be back on the road by lunch. | 0:48:35 | 0:48:38 | |
Do me a favour. | 0:48:41 | 0:48:42 | |
Next time you get a hot idea in front of the reporter, | 0:48:42 | 0:48:45 | |
whisper it in my ear first. | 0:48:45 | 0:48:47 | |
Otherwise, I look like kind of a daydream Johnny, you know? | 0:48:47 | 0:48:50 | |
Daydream Johnny, yes. | 0:48:50 | 0:48:52 | |
JANE: You let him change your name? | 0:48:52 | 0:48:54 | |
Well, we changed it together. What was it before? | 0:48:54 | 0:48:58 | |
Edward Plimpton. That's a million times better. | 0:48:58 | 0:49:01 | |
Change it back, Ned. I really don't see you as a Kingsley Zissou. | 0:49:01 | 0:49:04 | |
Do you think Steve and I have a family resemblance? | 0:49:04 | 0:49:08 | |
No. | 0:49:08 | 0:49:10 | |
I guess it doesn't really matter, anyway. | 0:49:11 | 0:49:14 | |
Here. | 0:49:20 | 0:49:21 | |
I stole it back... | 0:49:21 | 0:49:25 | |
and strung it on some peppermint dental floss | 0:49:25 | 0:49:27 | |
in case you want to wear it like a necklace. | 0:49:27 | 0:49:30 | |
SHE GASPS | 0:49:48 | 0:49:50 | |
Happy with the piece, Jane? | 0:49:50 | 0:49:51 | |
What are you doing in here? Am I? No. | 0:49:51 | 0:49:55 | |
Put that down. | 0:49:55 | 0:49:56 | |
I assume I'm Mr Z. | 0:49:56 | 0:49:58 | |
I'm sorry that you think my red hat is, er... | 0:49:58 | 0:50:01 | |
what's the word you use? "..contrived." | 0:50:01 | 0:50:04 | |
And that... | 0:50:04 | 0:50:06 | |
"the Zissou of my childhood | 0:50:06 | 0:50:08 | |
"represents all the dreams I've come to regret." | 0:50:08 | 0:50:12 | |
What? Why? | 0:50:12 | 0:50:14 | |
I'm going to have to start locking my effing door. | 0:50:14 | 0:50:16 | |
It was locked. I kicked it in. | 0:50:16 | 0:50:19 | |
Why don't you just curse, like other people? | 0:50:19 | 0:50:21 | |
Because I'm trying to get out of the habit before I have my fucking baby. | 0:50:21 | 0:50:24 | |
OK. That makes sense. | 0:50:24 | 0:50:27 | |
Well, please clean up your room, anyway. | 0:50:27 | 0:50:29 | |
It looks like a goddamn typhoon hit it. Oh, get out. | 0:50:29 | 0:50:32 | |
Please don't make fun of me. I just wanted to flirt with you. | 0:50:38 | 0:50:43 | |
I'll have an intern come and fix the door. | 0:50:43 | 0:50:45 | |
This is a message from the IMU coast guard. | 0:50:57 | 0:51:00 | |
Apparently some crooked fuckers broke into my sea-lab yesterday. | 0:51:00 | 0:51:04 | |
How awful. Did they nick anything? | 0:51:04 | 0:51:06 | |
Uh, it doesn't say. They probably just trashed the place. | 0:51:06 | 0:51:08 | |
I'm so...pissed, I wanna spit. | 0:51:08 | 0:51:11 | |
Hugo... HE SPITS | 0:51:11 | 0:51:12 | |
..tell Carl to load my elephant gun | 0:51:12 | 0:51:14 | |
with buckshot. | 0:51:14 | 0:51:16 | |
We're gonna hunt down these sickos. | 0:51:17 | 0:51:20 | |
Supposedly, Cousteau and his cronies | 0:51:22 | 0:51:24 | |
invented the idea of putting walkie-talkies into the helmet, | 0:51:24 | 0:51:27 | |
but we made ours with a special rabbit ear on the top | 0:51:27 | 0:51:30 | |
so we could pipe in some music. | 0:51:30 | 0:51:32 | |
SYNTH MUSIC PLAYS | 0:51:32 | 0:51:35 | |
Let's start with the reverse. | 0:52:16 | 0:52:18 | |
OK, roll it, Vikram. | 0:52:28 | 0:52:32 | |
Would it be possible for me to address you as "Dad" in this scene? | 0:52:32 | 0:52:36 | |
No. Why? | 0:52:36 | 0:52:37 | |
Oh, excuse me. I'm sorry. I forgot. I'm sorry. | 0:52:40 | 0:52:43 | |
Where you coming from, jack-off? Shit. | 0:52:43 | 0:52:46 | |
It's not a bad impulse, though, | 0:52:46 | 0:52:48 | |
some kind of nickname. | 0:52:48 | 0:52:50 | |
Not that one. It's too specific. | 0:52:50 | 0:52:53 | |
But try to think of something else. | 0:52:53 | 0:52:56 | |
Another name? | 0:52:56 | 0:52:58 | |
How about "Stevesie"? | 0:52:58 | 0:53:02 | |
That's good. Try it. | 0:53:02 | 0:53:03 | |
What were you gonna say before? | 0:53:03 | 0:53:05 | |
Good luck, Stevesie. | 0:53:08 | 0:53:10 | |
Fantastic. Let's go. | 0:53:10 | 0:53:12 | |
OK, action. | 0:53:20 | 0:53:21 | |
Look, Ned, | 0:53:28 | 0:53:29 | |
there's a sunken airplane down there. | 0:53:29 | 0:53:31 | |
Let's check it out. | 0:53:31 | 0:53:32 | |
We examine the crash site, | 0:53:41 | 0:53:43 | |
but are careful not to disturb the forensic evidence. | 0:53:43 | 0:53:47 | |
How was that? Not bad. | 0:53:47 | 0:53:49 | |
The first take was a little faster. | 0:53:49 | 0:53:50 | |
KLAUS: Is it loose? | 0:53:50 | 0:53:53 | |
MUTTERS: Klaus. | 0:53:53 | 0:53:54 | |
Klaus? Ja. | 0:53:54 | 0:53:56 | |
May I have a word with you, please? | 0:53:56 | 0:53:58 | |
What? | 0:54:01 | 0:54:02 | |
Why'd you do that? Because I owed you one. | 0:54:03 | 0:54:06 | |
But you gave me a warning already. | 0:54:06 | 0:54:08 | |
You stood up for yourself. | 0:54:08 | 0:54:10 | |
I still owed you one. | 0:54:10 | 0:54:12 | |
Now I owe you one. No. Now we're even. | 0:54:12 | 0:54:15 | |
Why are you doing this? He's not my father, you know. | 0:54:15 | 0:54:17 | |
I don't have that. | 0:54:17 | 0:54:20 | |
What are you talking about? | 0:54:20 | 0:54:22 | |
We're even, damn it. That's it! | 0:54:22 | 0:54:25 | |
No, it was like a beat-up little jalopy. | 0:54:43 | 0:54:47 | |
I don't know what you'd call it. You didn't see it? | 0:54:47 | 0:54:50 | |
I didn't see it, boss. | 0:54:50 | 0:54:52 | |
Well, keep your eyes peeled. | 0:54:52 | 0:54:55 | |
Klaus, check who's on watch. I'll be in the sauna. | 0:54:55 | 0:54:58 | |
Pele and... | 0:54:58 | 0:55:02 | |
Who the shit is Kingsley Zissou? | 0:55:02 | 0:55:04 | |
Is that him? | 0:55:06 | 0:55:07 | |
Mm-hmm. That's him. | 0:55:07 | 0:55:10 | |
I've never felt a baby in someone's stomach before. | 0:55:10 | 0:55:13 | |
I think you'll make a very good single mother. | 0:55:17 | 0:55:20 | |
Thanks. | 0:55:23 | 0:55:24 | |
Although it does put you both at a tremendous disadvantage. | 0:55:24 | 0:55:28 | |
You know... | 0:55:43 | 0:55:46 | |
Steve's got a little bit of a thing for you. | 0:55:46 | 0:55:48 | |
Why do you say that? | 0:55:50 | 0:55:52 | |
Because he told me. | 0:55:52 | 0:55:54 | |
Really? I thought he hated my guts. | 0:55:54 | 0:55:58 | |
Well, I think you hurt his feelings, but that doesn't mean... | 0:55:58 | 0:56:01 | |
He says I hurt his feelings? | 0:56:01 | 0:56:03 | |
So...effed up. | 0:56:05 | 0:56:10 | |
HE SINGS "SPACE ODDITY" IN PORTUGUESE | 0:56:31 | 0:56:34 | |
Five... | 0:56:40 | 0:56:42 | |
four... | 0:56:42 | 0:56:44 | |
three... | 0:56:44 | 0:56:45 | |
two... | 0:56:45 | 0:56:47 | |
THUD | 0:57:01 | 0:57:04 | |
HEAVY FOOTSTEPS | 0:57:04 | 0:57:06 | |
SHOUTING | 0:57:06 | 0:57:07 | |
GLASS SHATTERS | 0:57:07 | 0:57:09 | |
THUD | 0:57:09 | 0:57:11 | |
SHOUTING IN FILIPINO | 0:57:11 | 0:57:14 | |
KNOCK ON DOOR | 0:57:14 | 0:57:16 | |
WARILY: Yeah? | 0:57:16 | 0:57:18 | |
KLAUS: Steve, would you please open the door? | 0:57:18 | 0:57:20 | |
KNOCK ON DOOR | 0:57:30 | 0:57:31 | |
Mm-hmm? | 0:57:31 | 0:57:33 | |
STEVE: Jane, is, er, Ned in there? | 0:57:33 | 0:57:37 | |
SHOUTING IN FILIPINO | 0:57:37 | 0:57:40 | |
Stevesie? | 0:57:40 | 0:57:41 | |
Stevesie, what's happening? | 0:57:41 | 0:57:43 | |
Are those hijackers?! | 0:57:43 | 0:57:45 | |
Well, we call them "pirates" out here, Ned. | 0:57:45 | 0:57:48 | |
You were supposed to be on watch, by the way. | 0:57:48 | 0:57:50 | |
Oh, my God, you're right. | 0:57:50 | 0:57:52 | |
Stevesie, look... | 0:57:52 | 0:57:54 | |
SHOUTING | 0:57:54 | 0:57:56 | |
Whoa! No! | 0:57:56 | 0:57:58 | |
So, tell me, you were reading to each other in French? | 0:57:59 | 0:58:02 | |
No, it's in English. It was translated. | 0:58:02 | 0:58:04 | |
Well, you're not supposed to go into each other's cabins on a boat. | 0:58:04 | 0:58:07 | |
Why not? | 0:58:07 | 0:58:09 | |
It's just kind of an unwritten maritime rule when you're at sea. | 0:58:09 | 0:58:13 | |
Especially the goddamn lookout. | 0:58:13 | 0:58:16 | |
I'm so sorry. | 0:58:16 | 0:58:17 | |
So am I. | 0:58:17 | 0:58:18 | |
You hung us out to dry. | 0:58:18 | 0:58:20 | |
We don't handle this right, we're gonna all get murdered, | 0:58:22 | 0:58:27 | |
including her unborn British child. | 0:58:27 | 0:58:30 | |
Aah! Aah! | 0:58:33 | 0:58:35 | |
I'm gonna kill you for that, asshole! | 0:58:37 | 0:58:39 | |
I'm gonna hit you so fucking hard, you'll be blind! | 0:58:39 | 0:58:43 | |
Please don't hurt him! | 0:58:45 | 0:58:47 | |
Watch me. I'll let you know when I'm gonna make a move. | 0:58:50 | 0:58:52 | |
Steve, it's way safer for us to do what they say. | 0:58:52 | 0:58:56 | |
They probably just want our money and jewels and shit. | 0:58:56 | 0:58:57 | |
Yeah, then how I'm gonna finish my movie, then? | 0:58:57 | 0:58:59 | |
Jesus. Holy fuck. | 0:58:59 | 0:59:02 | |
They're gonna kill us, Steve. | 0:59:02 | 0:59:04 | |
I'm patting you on the back right now, Klausy. | 0:59:04 | 0:59:07 | |
Don't be scared. I'm gonna get us through this, everybody. | 0:59:07 | 0:59:10 | |
SPEAKS IN SPANISH | 0:59:10 | 0:59:11 | |
Wake up, Ned-o! I'm sorry I yelled at you. | 0:59:15 | 0:59:18 | |
I need to speak with the man in charge, fellas. | 0:59:18 | 0:59:21 | |
SPEAKS IN FILIPINO | 0:59:21 | 0:59:23 | |
Don't point that gun at him. He's an unpaid intern. | 0:59:23 | 0:59:27 | |
Vikram, what kind of coverage you get? | 0:59:27 | 0:59:29 | |
I just kept it rolling till they put this hood over my head. | 0:59:29 | 0:59:32 | |
SPEAKS IN FILIPINO | 0:59:32 | 0:59:34 | |
Bill speaks their language. What are they saying, Billy? | 0:59:34 | 0:59:37 | |
Hold on. | 0:59:37 | 0:59:38 | |
THEY SPEAK IN FILIPINO | 0:59:38 | 0:59:40 | |
OK. Apparently, they're taking a hostage. Obviously they've chosen Ned. | 0:59:43 | 0:59:48 | |
THEY SPEAK IN FILIPINO | 0:59:48 | 0:59:50 | |
Now they've found out I speak Filipino, | 0:59:51 | 0:59:54 | |
they seem to be changing their minds. | 0:59:54 | 0:59:56 | |
THEY SPEAK IN FILIPINO | 0:59:56 | 0:59:59 | |
Do you have a vault? They wanna know if there's a vault. There's no vault. | 1:00:01 | 1:00:04 | |
Our vault contains at least ten different currencies | 1:00:04 | 1:00:06 | |
from all over the world at any given moment, | 1:00:06 | 1:00:08 | |
and we are prepared for every kind of financial necessity. | 1:00:08 | 1:00:11 | |
There goes Ned's inheritance. | 1:00:13 | 1:00:15 | |
Tell them if they don't get off my boat right now, | 1:00:15 | 1:00:19 | |
there's gonna be a major shit storm. | 1:00:19 | 1:00:21 | |
SPEAKS IN FILIPINO | 1:00:21 | 1:00:24 | |
Ohh. | 1:00:29 | 1:00:31 | |
Ned-o, can you hear me?! We'll get you back, Billy. | 1:00:33 | 1:00:37 | |
Is everybody else safe? Anne-Marie, are you OK, honey? | 1:00:37 | 1:00:40 | |
No, I'm not. I told you these were unprotected waters. | 1:00:40 | 1:00:43 | |
What a fucking nightmare. | 1:00:43 | 1:00:45 | |
Be cool on this shit, OK, Cubby? | 1:00:48 | 1:00:51 | |
I mean, at least try to show both sides. | 1:00:51 | 1:00:54 | |
I need to find a baby for this father. | 1:00:54 | 1:00:56 | |
Yeah, I think I know what you mean. | 1:00:56 | 1:00:59 | |
MURMURING | 1:01:01 | 1:01:03 | |
WHISPERING | 1:01:03 | 1:01:06 | |
ROPES SNAP LOOSE Here we go. | 1:01:14 | 1:01:16 | |
Steve, what are you...? | 1:01:16 | 1:01:18 | |
I said get your ass the hell off my boat! | 1:01:18 | 1:01:22 | |
MUSIC: "Search And Destroy" by Iggy Pop And The Stooges | 1:01:22 | 1:01:25 | |
Agh! | 1:01:46 | 1:01:48 | |
I've never seen a bond company stooge stick his neck out like that. | 1:02:24 | 1:02:28 | |
STRANGE ECHOING | 1:02:33 | 1:02:35 | |
What's that sound? Is that...? | 1:02:37 | 1:02:39 | |
The Arctic night lights, yeah. | 1:02:39 | 1:02:42 | |
"As if the natural world's been turned upside down." | 1:02:42 | 1:02:46 | |
Lord Mandrake. | 1:02:46 | 1:02:48 | |
CHUCKLING | 1:02:48 | 1:02:50 | |
Vikram, get some cutaways of this miracle. | 1:02:51 | 1:02:54 | |
Klaus, Ogata, put out the deck fires before we sink. | 1:02:54 | 1:02:58 | |
WHIMPERING | 1:02:58 | 1:03:00 | |
Those fucking amateurs. | 1:03:00 | 1:03:02 | |
You left your dog, you idiots. | 1:03:02 | 1:03:05 | |
BARKING | 1:03:05 | 1:03:06 | |
Wrap this stiff in a tablecloth. | 1:03:08 | 1:03:10 | |
We're gonna bury him at sea. | 1:03:10 | 1:03:13 | |
Shouldn't we give him to the authorities or something? | 1:03:13 | 1:03:15 | |
No. | 1:03:17 | 1:03:19 | |
I'll write up a few words to read over him. | 1:03:19 | 1:03:22 | |
How you holding up there, intern? Doing OK? | 1:03:22 | 1:03:25 | |
Ned, how many fingers am I holding up? | 1:03:28 | 1:03:32 | |
I don't know. That's not my job. | 1:03:32 | 1:03:35 | |
Too many to tell. How many...? | 1:03:35 | 1:03:38 | |
He's gonna be just fine. | 1:03:38 | 1:03:40 | |
I believe it's criminal that Steve allowed this to happen to us, | 1:03:47 | 1:03:50 | |
by which I mean illegal. | 1:03:50 | 1:03:52 | |
We're being led on an illegal suicide mission by a selfish maniac. | 1:03:52 | 1:03:58 | |
I hear what you're saying, but I think you misjudge the guy. | 1:03:58 | 1:04:02 | |
Saint Paul said to the Corinthians, | 1:04:06 | 1:04:09 | |
"Without kin, no man may regard himself kindly. | 1:04:09 | 1:04:14 | |
"Without s..." | 1:04:14 | 1:04:15 | |
Holy shit! Son of a bitch. Cut. | 1:04:15 | 1:04:17 | |
HORN BLOWS | 1:04:17 | 1:04:20 | |
This is Captain Hennessey. | 1:04:20 | 1:04:21 | |
We've come in response to your distress signal. | 1:04:21 | 1:04:23 | |
Remain calm... | 1:04:23 | 1:04:25 | |
Good God, is that you, Steven? | 1:04:27 | 1:04:31 | |
Ogata, run downstairs, put a tarp over anything | 1:04:31 | 1:04:33 | |
that says "Operation Hennessey" on it. | 1:04:33 | 1:04:34 | |
What about this guy? | 1:04:34 | 1:04:36 | |
Just throw him over the other side. | 1:04:36 | 1:04:38 | |
Your engine blew up and all your fuel's been stolen, is that correct? | 1:04:43 | 1:04:47 | |
Uh-huh. I certainly know how you feel. | 1:04:47 | 1:04:49 | |
Some crooked fuckers just stripped my sea-lab. | 1:04:49 | 1:04:51 | |
Probably the same dudes. | 1:04:51 | 1:04:54 | |
I can tow you as far as Port-au-Patois. | 1:04:55 | 1:04:59 | |
I'll need your signature on that invoice first. | 1:04:59 | 1:05:01 | |
It accounts for the expenses of the rescue operation, | 1:05:01 | 1:05:04 | |
as well as my time and that of my crew. | 1:05:04 | 1:05:06 | |
This is more than the budget of my whole project. | 1:05:06 | 1:05:08 | |
It's an estimate. What's your dog's name? | 1:05:08 | 1:05:10 | |
Cody. | 1:05:14 | 1:05:15 | |
DOG WHIMPERS | 1:05:15 | 1:05:17 | |
Be still, Cody. | 1:05:20 | 1:05:22 | |
I have to run this by my bond company stooge. | 1:05:27 | 1:05:29 | |
He's been kidnapped. It's true. | 1:05:29 | 1:05:32 | |
I have to rescue him first. | 1:05:32 | 1:05:33 | |
Sign it now, or I'm leaving you out here. | 1:05:33 | 1:05:36 | |
Oh, I dined with Eleanor last weekend. | 1:05:41 | 1:05:44 | |
By the way, she's summering at my villa in west Port-au-Patois. | 1:05:44 | 1:05:48 | |
Say, how's Team Zissou holding up without her? | 1:05:48 | 1:05:52 | |
The first thing that goes through a captain's head | 1:06:01 | 1:06:02 | |
when he hears there's low morale going around | 1:06:02 | 1:06:05 | |
is, "What'd I do? Is it all my fault?" | 1:06:05 | 1:06:08 | |
Well, he's probably right. | 1:06:08 | 1:06:10 | |
Most of us have been together a long time. | 1:06:10 | 1:06:13 | |
There are others that were here before that. | 1:06:13 | 1:06:15 | |
Do you all... not like me anymore? | 1:06:15 | 1:06:19 | |
I mean, what am I supposed to do? I don't know. | 1:06:19 | 1:06:23 | |
Look, if you're not against me, don't cross this line. | 1:06:23 | 1:06:29 | |
If yes, do. | 1:06:29 | 1:06:32 | |
I love you all. | 1:06:32 | 1:06:34 | |
Are you sure? | 1:06:38 | 1:06:40 | |
Yes, I am. | 1:06:40 | 1:06:41 | |
I don't understand. Why? What do you mean? | 1:06:41 | 1:06:45 | |
Wait a second. What are we doing? | 1:06:45 | 1:06:47 | |
You said cross the line if... | 1:06:47 | 1:06:49 | |
Cross the line if you're going to quit. | 1:06:49 | 1:06:51 | |
Oh. Do it again. I misunderstood. | 1:06:51 | 1:06:54 | |
Hi, Ross. I got your corrections on the proofs. | 1:07:01 | 1:07:05 | |
They're fine, but... | 1:07:05 | 1:07:07 | |
I'm not coming back. | 1:07:07 | 1:07:09 | |
It's over. Please don't try to contact me, OK? | 1:07:09 | 1:07:11 | |
You'll hear from us, sometime. | 1:07:11 | 1:07:14 | |
We got attacked by pirates. | 1:07:18 | 1:07:20 | |
I feel as if life has... | 1:07:20 | 1:07:23 | |
Well, you get the idea. Anyway, take care of yourself. | 1:07:26 | 1:07:30 | |
Will you write to me? | 1:07:30 | 1:07:33 | |
Of course. Give me the address. | 1:07:33 | 1:07:36 | |
Actually, I went ahead and stamped and self-addressed 50 or so envelopes | 1:07:36 | 1:07:41 | |
just to make it easier for you. | 1:07:41 | 1:07:45 | |
Thanks. I'll use them. | 1:07:45 | 1:07:47 | |
Each one has three blank pages in it, and... | 1:07:47 | 1:07:52 | |
there's a pen. | 1:07:52 | 1:07:54 | |
Maybe I'm going to write you a letter right now. | 1:07:54 | 1:07:57 | |
OK. | 1:08:00 | 1:08:02 | |
I'm gonna really miss you, Ned. | 1:08:10 | 1:08:13 | |
I'm gonna miss you, too. | 1:08:15 | 1:08:18 | |
In fact, I feel I... I don't know, | 1:08:18 | 1:08:21 | |
I feel like my heart's almost getting broken. | 1:08:21 | 1:08:24 | |
I guess I'm overreacting. | 1:08:24 | 1:08:27 | |
Is that really true? | 1:08:30 | 1:08:32 | |
Yes, it is. | 1:08:34 | 1:08:37 | |
That was all off the record, Cubby, that whole deal. | 1:08:37 | 1:08:41 | |
Actually, I'm surprised you didn't cross the line yourself. | 1:08:41 | 1:08:44 | |
What line? | 1:08:44 | 1:08:46 | |
The line I drew on the deck just now. You weren't up there? | 1:08:46 | 1:08:49 | |
No. | 1:08:49 | 1:08:50 | |
You're kidding. | 1:08:50 | 1:08:52 | |
That was one of the most dramatic things that's ever happened on this boat. | 1:08:52 | 1:08:56 | |
I just lost all my best interns. | 1:08:56 | 1:08:58 | |
I thought you were supposed to be covering this story. | 1:08:58 | 1:09:01 | |
You just said it was all off the record. | 1:09:01 | 1:09:02 | |
Yeah, but you didn't know that. I was down here packing. | 1:09:02 | 1:09:05 | |
I'm at the wrong breaker. | 1:09:05 | 1:09:07 | |
So you are leaving. | 1:09:08 | 1:09:11 | |
You're jumping ship on me. | 1:09:11 | 1:09:14 | |
I'm going to scrap the article. | 1:09:14 | 1:09:16 | |
You mean you're not even gonna write the cover story on me? | 1:09:16 | 1:09:20 | |
Man, I just don't have any stature anymore. | 1:09:20 | 1:09:23 | |
Sorry, Steve. Everything just got too weird, that's all. | 1:09:23 | 1:09:26 | |
But I gave you a goddamn show-stopper up there. | 1:09:26 | 1:09:30 | |
Are you sleeping with Ned? | 1:09:32 | 1:09:34 | |
That's none of your business. | 1:09:34 | 1:09:36 | |
OK. Are you? | 1:09:36 | 1:09:39 | |
No, I'm not. | 1:09:39 | 1:09:41 | |
You're gonna miss the jaguar shark, | 1:09:43 | 1:09:46 | |
or whatever it is, if it actually exists. | 1:09:46 | 1:09:48 | |
SOBBING Are you crying? | 1:09:48 | 1:09:50 | |
You cry easily, don't you? | 1:09:52 | 1:09:55 | |
OSEARY: Bloody hell, God save that poor little stooge. | 1:09:55 | 1:09:59 | |
This never would've happened if Eleanor was with us. | 1:09:59 | 1:10:02 | |
Thanks, man. | 1:10:02 | 1:10:03 | |
Your luck had better damn well change soon, mate. | 1:10:03 | 1:10:05 | |
Now, I must away. I'll send you a postcard from my travels. | 1:10:05 | 1:10:08 | |
What? Where are you going? | 1:10:08 | 1:10:10 | |
Abroad for a spell, my darling. | 1:10:10 | 1:10:12 | |
It's my passport status, you see. | 1:10:12 | 1:10:14 | |
I'm X9 at the moment. Legally, I'm a fugitive. | 1:10:14 | 1:10:16 | |
Wait a second. They stole my budget, my boat's broken, | 1:10:16 | 1:10:21 | |
you're ditching me up the creek. | 1:10:21 | 1:10:23 | |
What am I supposed to do here? | 1:10:23 | 1:10:25 | |
Well, I must say, nothing's jumping to mind. | 1:10:25 | 1:10:27 | |
Phillip, any suggestions? | 1:10:27 | 1:10:29 | |
No, he's shaking his head. | 1:10:29 | 1:10:30 | |
Land ho! | 1:10:32 | 1:10:33 | |
Port-au-Patois, dead ahead. | 1:10:33 | 1:10:36 | |
Port-au-Patois. Port-au-Patois ho! | 1:10:36 | 1:10:40 | |
Ho! | 1:10:40 | 1:10:43 | |
Ho! | 1:10:43 | 1:10:44 | |
Land ho! | 1:10:44 | 1:10:47 | |
Ho! | 1:10:47 | 1:10:49 | |
No, I can't give you full credit, | 1:10:51 | 1:10:53 | |
but I'm not gonna flunk you, either. | 1:10:53 | 1:10:55 | |
You're all getting "incompletes". | 1:10:55 | 1:10:58 | |
This is bullshit. | 1:11:00 | 1:11:01 | |
FLAMENCO MUSIC PLAYS | 1:11:01 | 1:11:04 | |
Oh, shit. What do you want? | 1:11:34 | 1:11:38 | |
Do you mind if I butter you up a little bit before I answer that question? | 1:11:38 | 1:11:40 | |
Yes, I do. Tell me now. | 1:11:40 | 1:11:42 | |
I need some money to get the boat out of hock | 1:11:44 | 1:11:46 | |
and rescue my bond company stooge who got kidnapped. | 1:11:46 | 1:11:49 | |
Could we ask your parents to loan it to me? | 1:11:49 | 1:11:51 | |
No. | 1:11:51 | 1:11:53 | |
OK. | 1:11:55 | 1:11:58 | |
Could I go ahead and butter you up, anyway? | 1:11:58 | 1:12:00 | |
It took me two and a half hours to get out here. | 1:12:00 | 1:12:02 | |
Who's that dude? | 1:12:05 | 1:12:06 | |
It's my research assistant Javier. | 1:12:06 | 1:12:09 | |
Javier, presento Steve. | 1:12:09 | 1:12:11 | |
Hi, Steve. | 1:12:11 | 1:12:14 | |
RECORD STOPS PLAYING | 1:12:17 | 1:12:19 | |
Necesito cinco minutos, por favour. | 1:12:19 | 1:12:23 | |
You know, I'd be jealous about you staying at Ali's place, | 1:12:23 | 1:12:25 | |
except I always thought he was kind of a closet queer. | 1:12:25 | 1:12:28 | |
So how's your father-son relationship coming along? | 1:12:28 | 1:12:33 | |
Well, nobody has a real lock on any of this, | 1:12:33 | 1:12:35 | |
so I don't know how it all times out. | 1:12:35 | 1:12:37 | |
I know I want him to think of me like a father. | 1:12:37 | 1:12:41 | |
But the fact that there's an outside chance | 1:12:41 | 1:12:43 | |
that he could really be my actual...biological son... | 1:12:43 | 1:12:47 | |
..is very difficult for me. | 1:12:50 | 1:12:52 | |
You know I'm not big on apologizing, | 1:12:58 | 1:13:01 | |
so I'll just skip it, if it's all the same to you. | 1:13:01 | 1:13:03 | |
OK. | 1:13:03 | 1:13:05 | |
Anyway, I'm sorry. | 1:13:05 | 1:13:06 | |
I know I haven't been at my best this past decade. | 1:13:08 | 1:13:11 | |
That's true. | 1:13:11 | 1:13:14 | |
What happened to me? | 1:13:14 | 1:13:17 | |
Did I lose my talent? | 1:13:18 | 1:13:21 | |
Am I ever gonna be good again? | 1:13:21 | 1:13:23 | |
I don't know. | 1:13:24 | 1:13:27 | |
Doesn't matter, anyway. | 1:13:29 | 1:13:30 | |
It's probably the last adventure I've got in me. | 1:13:30 | 1:13:33 | |
I was hoping to go out in a flash of blazes, | 1:13:33 | 1:13:35 | |
but I'll probably just end up going home. | 1:13:35 | 1:13:39 | |
Unless you're planning to sell the island. | 1:13:39 | 1:13:42 | |
I wonder how much I could get for it. | 1:13:42 | 1:13:45 | |
In this market? | 1:13:45 | 1:13:47 | |
You were probably right all along. We should've had a kid together. | 1:13:49 | 1:13:53 | |
Of course, you were kinda already... | 1:13:53 | 1:13:58 | |
on the edge of being too old. | 1:13:58 | 1:14:01 | |
Unless maybe that's a copout. | 1:14:01 | 1:14:03 | |
It's worse than a copout. I was 34. | 1:14:07 | 1:14:10 | |
It's good to see you, Eleanor. | 1:14:15 | 1:14:17 | |
I'm about to blow my stack. | 1:14:21 | 1:14:23 | |
I turn my back, and the bullshit begins. | 1:14:23 | 1:14:26 | |
Ned, you're a scumbag. | 1:14:26 | 1:14:28 | |
And, Jane, you're a goddamn liar. | 1:14:28 | 1:14:31 | |
What the fuck are you doing in here? | 1:14:31 | 1:14:33 | |
What the eff are YOU doing in here? | 1:14:33 | 1:14:36 | |
I warned you about being in other people's cabins. | 1:14:36 | 1:14:38 | |
You were supposed to go home. | 1:14:38 | 1:14:40 | |
Well, you convinced me to stay and finish the story. | 1:14:40 | 1:14:42 | |
Is it still the cover? | 1:14:42 | 1:14:45 | |
I don't fucking know. | 1:14:45 | 1:14:48 | |
Don't you dare put on that uniform. | 1:14:49 | 1:14:53 | |
It's all I have with me. | 1:14:53 | 1:14:55 | |
I told you I have a bit of a thing for her. | 1:14:55 | 1:14:57 | |
"Not this one," I said. | 1:14:57 | 1:14:59 | |
You said, "Not this one, Klaus." | 1:14:59 | 1:15:01 | |
So you heard me? | 1:15:01 | 1:15:03 | |
You're too old for me, Steve. | 1:15:03 | 1:15:05 | |
Well, you're pregnant. | 1:15:05 | 1:15:08 | |
Can I have a word with you privately? | 1:15:08 | 1:15:10 | |
Yes. | 1:15:10 | 1:15:12 | |
Follow me. | 1:15:16 | 1:15:18 | |
Are you two fighting? | 1:15:21 | 1:15:23 | |
I'll deal with you later. | 1:15:23 | 1:15:26 | |
Look, Steve, I know we both like her | 1:15:26 | 1:15:28 | |
and you're angry and embarrassed, but leave her out of it. | 1:15:28 | 1:15:32 | |
You think that's what this is about? | 1:15:32 | 1:15:34 | |
Shit, Ned, what has that bull dyke been telling you? | 1:15:34 | 1:15:37 | |
All right, I'm gonna warn you now, be a gentleman. | 1:15:37 | 1:15:41 | |
What are you doing here? I thought all you interns ran out on me. | 1:15:41 | 1:15:44 | |
I wanna help you find that shark. | 1:15:44 | 1:15:45 | |
Goddamn it. Thank you, intern. You're gettin' an "A". | 1:15:45 | 1:15:48 | |
His name's Niko. Who? | 1:15:48 | 1:15:50 | |
Hello, Vikram. | 1:15:50 | 1:15:52 | |
Gimme that camera. Gonna smash it over your head. | 1:15:52 | 1:15:56 | |
Cut! | 1:15:56 | 1:15:59 | |
I misread you, man. | 1:15:59 | 1:16:01 | |
I'm gonna have to rethink some shit. | 1:16:01 | 1:16:03 | |
You don't know me. You never wanted to know me. | 1:16:03 | 1:16:06 | |
I'm just a character in your film. | 1:16:06 | 1:16:09 | |
It's a documentary. It's all really happening. | 1:16:09 | 1:16:12 | |
Well, damn you for that. | 1:16:12 | 1:16:14 | |
Go to bed, you sons of bitches. | 1:16:16 | 1:16:19 | |
That pregnant slut's been playing us like a cheap fiddle. | 1:16:23 | 1:16:25 | |
That's it. I'm gonna fight you, Steve. | 1:16:25 | 1:16:28 | |
You never say, "I'm gonna fight you, Steve." | 1:16:30 | 1:16:32 | |
You just smile and act natural, and then you sucker-punch him. | 1:16:32 | 1:16:36 | |
You fight your way, and I'll fight mine. | 1:16:36 | 1:16:38 | |
Oh, listen, Ned, don't you try... | 1:16:38 | 1:16:40 | |
I think your Team Zissou ring might've caught me on the lip. | 1:16:45 | 1:16:48 | |
You call yourself my son, but... | 1:16:52 | 1:16:56 | |
I just don't see it. | 1:16:56 | 1:16:58 | |
It's nothing personal. | 1:16:58 | 1:17:00 | |
What do you want? | 1:17:00 | 1:17:02 | |
Nothing. | 1:17:04 | 1:17:06 | |
That's so arrogant. That's... Screw off. | 1:17:06 | 1:17:12 | |
I can't believe I asked if I could call you "Dad". | 1:17:12 | 1:17:15 | |
Of course you said no. | 1:17:15 | 1:17:16 | |
I let you call me Stevesie. It sounds better. | 1:17:16 | 1:17:19 | |
It doesn't mean the same thing. | 1:17:22 | 1:17:24 | |
A week before she killed herself, | 1:17:28 | 1:17:30 | |
my mother told me that you'd known about me since the day I was born. | 1:17:30 | 1:17:34 | |
Is that a fact? | 1:17:34 | 1:17:37 | |
That's a fact. | 1:17:37 | 1:17:39 | |
I ought to have stayed in Kentucky where I belong. | 1:17:39 | 1:17:44 | |
BARKING | 1:17:45 | 1:17:47 | |
Quiet. | 1:17:50 | 1:17:53 | |
Somebody pay for this water taxi. | 1:17:53 | 1:17:56 | |
You got any petty cash on you? | 1:17:59 | 1:18:01 | |
Remind me to send Eleanor's parents a thank you note | 1:18:03 | 1:18:06 | |
on the good correspondence stock. OK. | 1:18:06 | 1:18:08 | |
This is the message we received earlier tonight | 1:18:10 | 1:18:13 | |
on our answering machine at Pescespada Island. | 1:18:13 | 1:18:17 | |
ANSWER MACHINE: Bill Ubell here. | 1:18:17 | 1:18:19 | |
I'm on a pay phone. I am still blindfolded and my arms are bound, | 1:18:19 | 1:18:22 | |
but a young boy has been kind enough to assist me, | 1:18:22 | 1:18:25 | |
and there's not much chance I'll get another opportunity to call, | 1:18:25 | 1:18:28 | |
so I thought I would ask if... What? No. | 1:18:28 | 1:18:31 | |
HANGS UP PHONE | 1:18:31 | 1:18:33 | |
Well, thanks for checking in, Bill. | 1:18:35 | 1:18:37 | |
Next time, maybe you could let us know where you're at. | 1:18:37 | 1:18:40 | |
Based on the quality of the connection, | 1:18:40 | 1:18:43 | |
the variety of wildlife in the background, | 1:18:43 | 1:18:45 | |
and the elapsed time between Mr Ubell's capture and this message, | 1:18:45 | 1:18:50 | |
there's a good chance he's on one of the Ping Islands. | 1:18:50 | 1:18:54 | |
There used to be a four-star hotel on Little Ping. | 1:18:54 | 1:18:58 | |
But the entire island was destroyed by a monsoon five years ago. | 1:18:58 | 1:19:01 | |
It's been uninhabited ever since. | 1:19:01 | 1:19:03 | |
I know the place - Hotel Citroen. | 1:19:03 | 1:19:07 | |
Cubby, I'd like to speak on the record for a moment. | 1:19:07 | 1:19:11 | |
Eleanor has always been the brains behind Team Zissou. | 1:19:11 | 1:19:14 | |
By the way, are you gonna put in a good description | 1:19:14 | 1:19:17 | |
of the command centre I've set up down here? | 1:19:17 | 1:19:19 | |
OK, gang, that's the plan. | 1:19:21 | 1:19:24 | |
Set a course for Ping Island, full speed ahead. | 1:19:24 | 1:19:26 | |
You'll need to hire a team of mechanics to rebuild the engine first, of course. | 1:19:26 | 1:19:31 | |
I know. I'm saying after that. | 1:19:31 | 1:19:33 | |
Just because I've decided | 1:19:33 | 1:19:35 | |
to save your neck again and help you do this rescue | 1:19:35 | 1:19:37 | |
doesn't mean you've won me back. | 1:19:37 | 1:19:39 | |
Yes, ma'am. | 1:19:39 | 1:19:41 | |
BEEPING | 1:19:41 | 1:19:43 | |
Thanks. | 1:19:50 | 1:19:53 | |
Is the father out of the picture? | 1:19:53 | 1:19:55 | |
Mm-hmm. Actually, I was sort of terrified about having this baby. | 1:19:55 | 1:20:00 | |
Right now, I'm not really scared of anything. | 1:20:00 | 1:20:04 | |
Maybe it's my hormones. | 1:20:04 | 1:20:06 | |
That makes sense. | 1:20:06 | 1:20:09 | |
I'm gonna tell you something confidentially | 1:20:09 | 1:20:12 | |
which won't be mentioned again. | 1:20:12 | 1:20:14 | |
I'm pretty sure I'm the only person who can say this, including Steve... | 1:20:14 | 1:20:18 | |
Never mind how I found out - I'm a scientist. | 1:20:18 | 1:20:21 | |
It's the thing that puzzles me about Ned's situation. | 1:20:21 | 1:20:24 | |
What is it? Zissou shoots blanks. | 1:20:24 | 1:20:27 | |
Huh. | 1:20:28 | 1:20:29 | |
I think maybe it's because he spent half his life underwater. | 1:20:29 | 1:20:34 | |
PELE SINGS "LIFE ON MARS" IN PORTUGUESE | 1:20:37 | 1:20:39 | |
Let's try track three against picture. | 1:21:06 | 1:21:09 | |
A treacherous reef surrounds the Ping Islands, | 1:21:14 | 1:21:17 | |
warning intruders to keep their distance. | 1:21:17 | 1:21:19 | |
Today, we discover one of its victims off the coast of Ping 3. | 1:21:21 | 1:21:24 | |
Our colleague, Alistair Hennessey, and his crew | 1:21:27 | 1:21:30 | |
are nowhere to be found. | 1:21:30 | 1:21:32 | |
We will land at dawn. | 1:21:32 | 1:21:34 | |
Not bad. | 1:21:35 | 1:21:37 | |
We'll tamper with that, anyway. | 1:21:37 | 1:21:39 | |
All right, let's go. | 1:22:13 | 1:22:14 | |
Oh, shit. Swamp leeches. | 1:22:36 | 1:22:38 | |
Everybody check for swamp leeches and pull 'em off. | 1:22:38 | 1:22:41 | |
Nobody else got hit? I'm the only one? What's the deal? | 1:22:45 | 1:22:48 | |
What a shame. They had a bartender here, Keno, | 1:22:51 | 1:22:53 | |
made the best rum cannonball I've ever tasted. | 1:22:53 | 1:22:56 | |
You ready, Vikram? | 1:22:57 | 1:23:01 | |
We're at six and a half. | 1:23:01 | 1:23:02 | |
All right, shall we do this? | 1:23:02 | 1:23:04 | |
The barometer's falling. It's gonna rain in five minutes. | 1:23:27 | 1:23:29 | |
We gotta be quick. Where are they? | 1:23:29 | 1:23:31 | |
Unknown. Split into two groups. | 1:23:31 | 1:23:32 | |
I'll take Ned, Ogata and Wolodarsky. | 1:23:32 | 1:23:35 | |
Thanks. Thanks a lot for not picking me. | 1:23:35 | 1:23:38 | |
What? We're smack in the middle | 1:23:38 | 1:23:41 | |
of a lightning-strike rescue op, Klaus. What's the deal? | 1:23:41 | 1:23:43 | |
I'm sick of being on B squad. | 1:23:43 | 1:23:45 | |
Listen, you may be on B squad, | 1:23:45 | 1:23:46 | |
but you're the B squad leader. | 1:23:46 | 1:23:48 | |
Don't you know me and Esteban always thought of you as our baby brother? | 1:23:50 | 1:23:54 | |
I've always thought of you two as my dads. | 1:23:54 | 1:23:58 | |
Please don't let anyone make fun of me for saying so. | 1:23:58 | 1:24:02 | |
I can't guarantee that, Klausy, but I'll try. | 1:24:02 | 1:24:04 | |
Can we get on with the manoeuvres now? | 1:24:04 | 1:24:06 | |
Wolodarsky, you got something? | 1:24:06 | 1:24:09 | |
Not yet. | 1:24:09 | 1:24:11 | |
Anybody see anybody? | 1:24:16 | 1:24:18 | |
Empty. | 1:24:18 | 1:24:20 | |
Klaus, pirates? | 1:24:23 | 1:24:26 | |
No. I think this whole place is deserted. | 1:24:26 | 1:24:28 | |
Shit. We played a bum hunch. | 1:24:28 | 1:24:31 | |
Fuck. OK, let's not get down on ourselves. | 1:24:31 | 1:24:34 | |
We still got two more Ping Islands to check out, | 1:24:34 | 1:24:36 | |
except I don't know if we have enough gas to do it. Damn it, Steve! | 1:24:36 | 1:24:40 | |
THUNDER | 1:24:40 | 1:24:42 | |
This sucks. | 1:24:42 | 1:24:45 | |
I'm disappointed in myself. | 1:24:45 | 1:24:48 | |
My first wife, Jacqueline, and I spent our honeymoon here. | 1:24:52 | 1:24:56 | |
Things are pretty different now. | 1:24:58 | 1:25:01 | |
All right, let's check out. | 1:25:04 | 1:25:07 | |
Did you get that, Vikram? | 1:25:11 | 1:25:14 | |
Uh, yeah. | 1:25:14 | 1:25:15 | |
Good. We'll give them the reality this time. | 1:25:15 | 1:25:18 | |
A washed-up old man with no friends, no distribution deal, | 1:25:18 | 1:25:23 | |
wife on the rocks, people laughing at him, | 1:25:23 | 1:25:25 | |
feelin' sorry for himself. | 1:25:25 | 1:25:28 | |
Can I have a word alone with my son, please? | 1:25:28 | 1:25:31 | |
Are you all right? | 1:25:33 | 1:25:35 | |
Not really. | 1:25:35 | 1:25:37 | |
By the way, I've been trying to think of a nickname | 1:25:38 | 1:25:41 | |
that might mean the right thing. | 1:25:41 | 1:25:45 | |
I came up with "papa Steve". | 1:25:45 | 1:25:46 | |
I'm sorry I never acknowledged your existence all those years. | 1:25:56 | 1:26:01 | |
It won't happen again. I mean it. | 1:26:01 | 1:26:04 | |
You are my son to me. | 1:26:06 | 1:26:09 | |
Almost more so. | 1:26:09 | 1:26:12 | |
See, for me to meet a guy like you at this time in my life... | 1:26:12 | 1:26:15 | |
..I don't know... Uh... It's just... | 1:26:17 | 1:26:21 | |
I wanna communicate my feelings to you, | 1:26:21 | 1:26:24 | |
but I think I might start to cry. | 1:26:24 | 1:26:28 | |
That's OK. | 1:26:30 | 1:26:32 | |
KLAUS: Psst. | 1:26:32 | 1:26:33 | |
There's something in the coat check. | 1:26:35 | 1:26:37 | |
Hey, Billy. You OK? | 1:26:44 | 1:26:46 | |
Did you get my message? | 1:26:46 | 1:26:48 | |
Yeah. It was kinda garbled. | 1:26:48 | 1:26:50 | |
Jesus, these pirates are monsters. | 1:26:57 | 1:27:01 | |
Well, yeah, but remember, I shot one of their guys | 1:27:01 | 1:27:03 | |
in the neck last week and killed him, so... | 1:27:03 | 1:27:06 | |
I think we're OK, too. | 1:27:06 | 1:27:09 | |
Where's Cody? | 1:27:09 | 1:27:10 | |
BARKING | 1:27:13 | 1:27:15 | |
Cody? | 1:27:15 | 1:27:18 | |
WHIMPERING | 1:27:18 | 1:27:19 | |
Steven. | 1:27:30 | 1:27:32 | |
Steven, are you rescuing me? | 1:27:33 | 1:27:37 | |
Fold. | 1:27:41 | 1:27:43 | |
Klaus, bring the dynamite. | 1:27:58 | 1:28:01 | |
They're in there after all! Run! Go! Move now! | 1:28:15 | 1:28:19 | |
Vikram got some great footage of your boat out there. | 1:28:29 | 1:28:31 | |
I guess it's totalled, huh? | 1:28:31 | 1:28:33 | |
Perhaps. We were extremely well insured. | 1:28:33 | 1:28:35 | |
I'll probably come out ahead in the end. | 1:28:35 | 1:28:37 | |
Although we'll obviously have to crew up from scratch next time. | 1:28:37 | 1:28:41 | |
They made soup out of my research turtles. | 1:28:41 | 1:28:43 | |
YELLING | 1:28:43 | 1:28:44 | |
Ogata, give some first aid to Pele. | 1:28:53 | 1:28:56 | |
Klausy, Ned-o, dig in here and hold these rustlers off | 1:28:56 | 1:29:00 | |
while I call in to rendezvous. | 1:29:00 | 1:29:02 | |
We'll meet on the beach. | 1:29:02 | 1:29:03 | |
You're a squad. | 1:29:03 | 1:29:06 | |
Renzo, Renzo, Renzo. Anybody, hello? Hello? | 1:29:08 | 1:29:11 | |
This gizmo's out of juice. | 1:29:11 | 1:29:13 | |
Thanks. | 1:29:16 | 1:29:17 | |
No, Captain. That's Cedric. He's a friend. | 1:29:21 | 1:29:26 | |
Merci, Cedric. | 1:29:26 | 1:29:28 | |
Remind me, we'll send him a red cap and a Speedo. | 1:29:28 | 1:29:32 | |
Wolodarsky, | 1:29:34 | 1:29:36 | |
go get the keys to that fishing boat and throw them in the water. | 1:29:36 | 1:29:38 | |
No, wait. They might have another set. Just blow it up. | 1:29:38 | 1:29:41 | |
GUNFIRE CONTINUES | 1:29:41 | 1:29:43 | |
Hey, Ned, | 1:29:43 | 1:29:45 | |
it looks like we recovered your inheritance. | 1:29:45 | 1:29:48 | |
Klausy... | 1:29:49 | 1:29:51 | |
That's it, I'm retired. | 1:30:01 | 1:30:04 | |
Oh, no, we forgot Cody. We gotta go back. | 1:30:17 | 1:30:20 | |
Goodbye, Cody. | 1:30:26 | 1:30:28 | |
See, this represents The Belafonte, | 1:30:46 | 1:30:49 | |
and here's Pescespada Island, | 1:30:49 | 1:30:51 | |
and that circle represents friendship, | 1:30:51 | 1:30:53 | |
and the "K" here stands for Klaus. | 1:30:53 | 1:30:56 | |
Where's your symbol, Ned? | 1:30:56 | 1:30:58 | |
I didn't wanna impose myself. | 1:30:58 | 1:31:00 | |
Klaus is right. The flag needs a Ned symbol. | 1:31:00 | 1:31:03 | |
I suppose we could put an "N" on the side of that octopus. | 1:31:03 | 1:31:08 | |
What's that stand for over there? | 1:31:08 | 1:31:11 | |
That's Esteban. | 1:31:11 | 1:31:12 | |
It was working OK until late last night, | 1:31:12 | 1:31:15 | |
but now the whole tracking system's gone completely on the fritz. | 1:31:15 | 1:31:18 | |
Screw it. We'll sell it for scrap | 1:31:18 | 1:31:21 | |
along with the boat and the submarines. I'm going home. | 1:31:21 | 1:31:24 | |
Let's take up the whirlybird and see what we find out there, anyway. | 1:31:24 | 1:31:28 | |
I got a feeling we can spot this fish from 111 feet up. | 1:31:28 | 1:31:31 | |
Ned, I don't know if I ever even saw the bastard. | 1:31:31 | 1:31:35 | |
I have 275,000 invested in this damn production. | 1:31:35 | 1:31:40 | |
Something ate Esteban, didn't it? | 1:31:40 | 1:31:42 | |
Now lead! | 1:31:42 | 1:31:44 | |
Right? | 1:31:44 | 1:31:46 | |
Right? Ho! | 1:31:46 | 1:31:49 | |
MUSIC: "30 Century Man" by Scott Walker | 1:31:49 | 1:31:52 | |
Ho. | 1:31:52 | 1:31:53 | |
What's that? | 1:32:11 | 1:32:13 | |
A letter from Jane. | 1:32:13 | 1:32:15 | |
What's she say? | 1:32:15 | 1:32:18 | |
Nothing to speak of. | 1:32:18 | 1:32:20 | |
Thank you for putting me on the flag, Ned. | 1:32:28 | 1:32:31 | |
Of course, Klaus. It was my pleasure. | 1:32:31 | 1:32:34 | |
Yeah, but you stitched me onto the dolphin, | 1:32:34 | 1:32:36 | |
and I wanted you to know how much that means to me. | 1:32:36 | 1:32:38 | |
Well, I'm very pleased you liked it. | 1:32:38 | 1:32:40 | |
You're not listening! I didn't just like it... | 1:32:40 | 1:32:43 | |
You understand? | 1:32:49 | 1:32:51 | |
Yes, I do. Thank you, Klaus. | 1:32:51 | 1:32:54 | |
I've still got yours, of course. | 1:33:05 | 1:33:07 | |
My what? | 1:33:07 | 1:33:09 | |
"Dear Captain Zissou, | 1:33:14 | 1:33:15 | |
"I am 12 years old and live in Jawbone, Kentucky. | 1:33:15 | 1:33:18 | |
"A creek runs behind our house where I live with my mother. | 1:33:18 | 1:33:21 | |
"She met you once some years ago, | 1:33:21 | 1:33:23 | |
"and I collect and catalogue amphibians, reptiles and insects. | 1:33:23 | 1:33:27 | |
"I don't know what this one's called, so I named it myself. | 1:33:27 | 1:33:30 | |
"You are probably my one of, if not the favourite, person I've ever studied. | 1:33:30 | 1:33:34 | |
"I plan to be either a) an oceanographer, | 1:33:34 | 1:33:36 | |
"b) an architect, c) a pilot. | 1:33:36 | 1:33:39 | |
"Thank you very much for your good work. | 1:33:39 | 1:33:40 | |
"Sincerely, Ned Plimpton, Blue Star Cadet, | 1:33:40 | 1:33:43 | |
"Zissou Society. | 1:33:43 | 1:33:45 | |
"PS Do you ever wish you could breathe underwater?" | 1:33:45 | 1:33:47 | |
I still wish I could breathe underwater. | 1:33:50 | 1:33:53 | |
Me, too, Ned. | 1:33:53 | 1:33:56 | |
Fluorescent snapper. | 1:34:02 | 1:34:04 | |
What? Really? What's that? | 1:34:04 | 1:34:05 | |
A good sign. The last time we saw that big shitkicker... | 1:34:05 | 1:34:09 | |
THUD | 1:34:09 | 1:34:10 | |
CLANK | 1:34:12 | 1:34:14 | |
Something popped up there, didn't it? | 1:34:14 | 1:34:16 | |
I heard a pin snap loose at the rotator mechanism. | 1:34:16 | 1:34:19 | |
ALARM RINGS | 1:34:19 | 1:34:21 | |
This is gonna hurt. | 1:34:24 | 1:34:26 | |
Ned! | 1:34:43 | 1:34:46 | |
Ned! | 1:34:46 | 1:34:47 | |
Ned. Hey, Stevesie. | 1:34:51 | 1:34:54 | |
Are you OK? | 1:35:02 | 1:35:04 | |
I think I'm OK. | 1:35:05 | 1:35:07 | |
What happened? Did we hit something? | 1:35:10 | 1:35:11 | |
Most likely not. | 1:35:13 | 1:35:16 | |
I think maybe the pushrod failed. | 1:35:16 | 1:35:21 | |
I'm sorry, Ned. I should've scrapped this chopper ten years ago. | 1:35:21 | 1:35:24 | |
You know, maybe I should've auto-rotated and performed a high-bank draw descent. | 1:35:24 | 1:35:29 | |
We might've crashed a little softer. | 1:35:29 | 1:35:34 | |
Probably wouldn't have made any difference, though. | 1:35:34 | 1:35:37 | |
# Should I try to hide | 1:36:03 | 1:36:08 | |
# The way I feel inside | 1:36:08 | 1:36:11 | |
# My heart for you? | 1:36:11 | 1:36:14 | |
# Would you say that you | 1:36:14 | 1:36:19 | |
# Would try to love me, too? | 1:36:19 | 1:36:22 | |
# In your mind, could you ever be really close to me? | 1:36:22 | 1:36:27 | |
# I can tell the way you smile | 1:36:27 | 1:36:31 | |
# If I feel that I could be certain then | 1:36:31 | 1:36:34 | |
# I would say the things I want to say tonight | 1:36:34 | 1:36:40 | |
# But till I can see... # | 1:36:40 | 1:36:43 | |
All hands, bury the dead. | 1:36:43 | 1:36:45 | |
# ..That you'd really care for me | 1:36:45 | 1:36:48 | |
# I will dream that someday you'll be | 1:36:48 | 1:36:51 | |
# Really close to me | 1:36:51 | 1:36:54 | |
# I can tell the way you smile | 1:36:54 | 1:36:57 | |
# If I feel that I could be certain then | 1:36:57 | 1:37:01 | |
# I would say the things I want to say tonight | 1:37:01 | 1:37:06 | |
# But till I can see | 1:37:06 | 1:37:10 | |
# That you'd really care for me | 1:37:10 | 1:37:14 | |
# I'll keep trying to hide the way I feel inside. # | 1:37:14 | 1:37:20 | |
PELE SINGS IN PORTUGUESE | 1:37:25 | 1:37:30 | |
This is the first time Eleanor's ever cried in front of me | 1:37:48 | 1:37:50 | |
as long as I've known her. | 1:37:50 | 1:37:52 | |
Except for once when she got her arm caught in the deck winch. | 1:37:52 | 1:37:55 | |
Is this my espresso machine? | 1:37:57 | 1:38:00 | |
How did you get my espresso machine? | 1:38:00 | 1:38:03 | |
Well, er, we fuckin' stole it, man. | 1:38:03 | 1:38:08 | |
Ali, why don't you go powder your nose? | 1:38:11 | 1:38:13 | |
I need to talk to your ex-wife. | 1:38:13 | 1:38:16 | |
We've never made great husbands, have we? | 1:38:21 | 1:38:25 | |
Of course, I have a good excuse - I'm part gay. | 1:38:25 | 1:38:29 | |
Supposedly, everyone is. | 1:38:29 | 1:38:32 | |
I never told you this, but I was hoping... | 1:38:43 | 1:38:46 | |
we might get the chance to adopt Ned. | 1:38:46 | 1:38:48 | |
I think he would've wanted it that way. | 1:38:48 | 1:38:51 | |
Would you have gone along with me on that? | 1:38:51 | 1:38:52 | |
He was 30, Steve, but I'd have considered it. | 1:38:52 | 1:38:56 | |
Thanks, Eleanor. | 1:38:56 | 1:38:58 | |
We're a dying breed. | 1:38:58 | 1:39:00 | |
Yeah. I guess we were all right | 1:39:00 | 1:39:04 | |
while we lasted, though, weren't we? | 1:39:04 | 1:39:06 | |
Oh, we were like Glory's Gate, my darling. | 1:39:06 | 1:39:08 | |
We were like that bloody shark of yours. | 1:39:08 | 1:39:10 | |
We swam with the, um, er... | 1:39:10 | 1:39:12 | |
Oh, damn it. I had it on the plane. | 1:39:12 | 1:39:15 | |
What was I gonna say? Ah, well, it's good to see you. | 1:39:15 | 1:39:19 | |
How's your passport status? | 1:39:19 | 1:39:20 | |
Much better, thank you. I'm back down to X4. | 1:39:20 | 1:39:23 | |
Tell me, who knocked up the reporter? | 1:39:23 | 1:39:28 | |
I don't know. | 1:39:28 | 1:39:29 | |
By the way, thanks for showing me the first draft. | 1:39:36 | 1:39:39 | |
You read it. What did you think? | 1:39:39 | 1:39:41 | |
Well, I was a little embarrassed at first. | 1:39:41 | 1:39:44 | |
Obviously people are gonna think I'm a showboat and a little bit of a prick, | 1:39:44 | 1:39:49 | |
but then I realised... | 1:39:49 | 1:39:51 | |
that's me. | 1:39:51 | 1:39:53 | |
I said those things, I did those things. | 1:39:53 | 1:39:57 | |
I can live with that. | 1:39:57 | 1:40:00 | |
You're a good writer, Jane. | 1:40:01 | 1:40:03 | |
It's the effing cover. | 1:40:03 | 1:40:06 | |
That a girl. | 1:40:06 | 1:40:09 | |
Excuse me. | 1:40:09 | 1:40:12 | |
Excuse me. I'm sorry to interrupt, | 1:40:12 | 1:40:13 | |
but we just got the scanning monitor back up, | 1:40:13 | 1:40:15 | |
and it looks like the jaguar shark, or whatever it is we're tracking, | 1:40:15 | 1:40:18 | |
is in a trench on the far side of the reef. | 1:40:18 | 1:40:21 | |
Aw. | 1:40:24 | 1:40:26 | |
What the hell is going on in here with the wiring? | 1:40:26 | 1:40:29 | |
Anybody feel like going for a ride? | 1:40:32 | 1:40:35 | |
SONAR PINGING | 1:40:36 | 1:40:39 | |
WOLODARSKY: Ned's Theme. Take one. | 1:40:44 | 1:40:46 | |
SYNTH MUSIC PLAYS | 1:40:46 | 1:40:49 | |
I hooked a rhinestone bluefin on a rope | 1:40:51 | 1:40:54 | |
to give him something to eat. | 1:40:54 | 1:40:56 | |
Is that one of mine? | 1:41:39 | 1:41:41 | |
I think one of my research turtles survived. | 1:41:41 | 1:41:45 | |
HE TURNS OFF MUSIC | 1:42:14 | 1:42:16 | |
Yeah, looks good. | 1:42:23 | 1:42:25 | |
Is that him? | 1:43:31 | 1:43:33 | |
That's him, Klaus. | 1:43:33 | 1:43:35 | |
Are we...are we safe in here? | 1:43:55 | 1:43:58 | |
I doubt it. | 1:43:58 | 1:44:01 | |
You still want to blow him up? | 1:44:01 | 1:44:04 | |
No. We're out of dynamite, anyway. | 1:44:04 | 1:44:07 | |
It is beautiful, Steve. | 1:44:11 | 1:44:13 | |
Yeah, it's pretty good, isn't it? | 1:44:15 | 1:44:17 | |
I wonder if it remembers me. | 1:44:20 | 1:44:23 | |
In 12 years, he'll be 11½. | 1:44:47 | 1:44:51 | |
That was my favourite age. | 1:44:53 | 1:44:56 | |
Like this? | 1:45:09 | 1:45:11 | |
Just like that. | 1:45:11 | 1:45:13 | |
You do it, too. | 1:45:13 | 1:45:16 | |
STEVE: We complete the adventure, | 1:45:16 | 1:45:18 | |
but another member of our crew has been lost. | 1:45:18 | 1:45:21 | |
This one was my son. | 1:45:21 | 1:45:24 | |
Also our equity partner. | 1:45:24 | 1:45:27 | |
We start the voyage home in our wounded vessel. | 1:45:27 | 1:45:30 | |
DISTANT APPLAUSE | 1:46:23 | 1:46:26 | |
Ho. | 1:46:32 | 1:46:33 | |
Ho. | 1:46:33 | 1:46:35 | |
This is an adventure. | 1:46:47 | 1:46:49 | |
DOORS OPEN | 1:46:49 | 1:46:52 | |
MUSIC: "Queen Bitch" by David Bowie | 1:47:05 | 1:47:08 | |
# Aw, yeah | 1:47:14 | 1:47:16 | |
# Oh, yeah | 1:47:18 | 1:47:19 | |
# I'm up on the 11th floor | 1:47:21 | 1:47:23 | |
# And I'm watchin' the cruisers below | 1:47:23 | 1:47:26 | |
# He's down on the street | 1:47:28 | 1:47:30 | |
# And he's trying hard to pull sister Flo | 1:47:30 | 1:47:33 | |
# Oh, my heart's in the basement | 1:47:35 | 1:47:37 | |
# My weekend's at an all-time low | 1:47:37 | 1:47:40 | |
# Cos she's hopin' to score | 1:47:42 | 1:47:43 | |
# So I can't see her letting him go | 1:47:43 | 1:47:46 | |
# Walk out of her heart walk out of her mind | 1:47:46 | 1:47:50 | |
# Oh, not her | 1:47:50 | 1:47:52 | |
# She's so swishy in her satin and tat | 1:47:52 | 1:47:55 | |
# In her frock coat and bippity-boppity hat | 1:47:55 | 1:47:58 | |
# Oh, God, I could do better than that | 1:47:58 | 1:48:02 | |
# Oh, yeah | 1:48:03 | 1:48:04 | |
# She's an old-time ambassador | 1:48:07 | 1:48:09 | |
# Of sweet-talking night-walking games | 1:48:09 | 1:48:11 | |
# Oh, and she's known in the darkest clubs | 1:48:13 | 1:48:15 | |
# For pushing ahead of the dames | 1:48:15 | 1:48:18 | |
# If she says she can do it then she can do it | 1:48:20 | 1:48:23 | |
# She don't make false claims | 1:48:23 | 1:48:25 | |
# But she's a queen and such are queens | 1:48:26 | 1:48:28 | |
# That your laughter is sucked in their brains | 1:48:28 | 1:48:31 | |
# Now she's leading him on | 1:48:31 | 1:48:33 | |
# And she'll lay him right down | 1:48:33 | 1:48:35 | |
# Now she's leading him on and she'll lay him right down | 1:48:35 | 1:48:37 | |
# But it could've been me yes, it could've been me | 1:48:37 | 1:48:41 | |
# Why didn't I say? | 1:48:41 | 1:48:43 | |
# Why didn't I say? No, no, no | 1:48:43 | 1:48:46 | |
# She's so swishy in her satin and tat | 1:48:46 | 1:48:50 | |
# In her frock coat and bippity-boppity hat | 1:48:50 | 1:48:53 | |
# Oh, God, I could do better than that, yeah | 1:48:53 | 1:48:57 | |
# So I lay down a while and I gaze at my hotel wall | 1:49:02 | 1:49:06 | |
# Oh, the cot is so cold | 1:49:08 | 1:49:10 | |
# It don't feel like no bed at all | 1:49:10 | 1:49:13 | |
# Yeah, I lay down a while and look at my hotel wall | 1:49:15 | 1:49:20 | |
# And she's down on the street | 1:49:21 | 1:49:23 | |
# So I throw both his bags down the hall | 1:49:23 | 1:49:26 | |
# And I'm phoning a cab cos my stomach feels small | 1:49:26 | 1:49:30 | |
# There's a taste in my mouth and it's no taste at all | 1:49:30 | 1:49:33 | |
# It could've been me oh, yeah, it could've been me | 1:49:33 | 1:49:36 | |
# Why didn't I say? | 1:49:36 | 1:49:38 | |
# Why didn't I say? No, no, no | 1:49:38 | 1:49:42 | |
# She's so swishy in her satin and tat | 1:49:42 | 1:49:45 | |
# In her frock coat and bippity-boppity hat | 1:49:45 | 1:49:49 | |
# Oh, God, I could do better than that | 1:49:49 | 1:49:53 | |
# Ooh, you betcha | 1:49:55 | 1:49:58 | |
# Oh, yeah | 1:49:58 | 1:50:00 | |
# Uh-huh! | 1:50:00 | 1:50:01 | |
# Mmm. # | 1:50:04 | 1:50:06 | |
HE SINGS "QUEEN BITCH" IN PORTUGUESE | 1:50:06 | 1:50:10 |