
Browse content similar to Win a Date with Tad Hamilton!. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
# Flashbulbs go off in my face | 0:00:37 | 0:00:41 | |
# Think a small town with disgrace | 0:00:41 | 0:00:44 | |
# Just how did it come to this? | 0:00:44 | 0:00:47 | |
# All they see is a vacant face | 0:00:47 | 0:00:50 | |
# Yeah, come on, come on, come on | 0:00:50 | 0:00:53 | |
# We can turn it on | 0:00:53 | 0:00:56 | |
# Yeah, come on | 0:00:56 | 0:00:59 | |
# Cos you never really die, die, die | 0:00:59 | 0:01:03 | |
# It goes over and over and over and over, but yet | 0:01:03 | 0:01:08 | |
# There's something beautiful, mystical | 0:01:08 | 0:01:11 | |
# Over and over, goes over and over, but yet | 0:01:11 | 0:01:15 | |
# Still something beautiful, mystical | 0:01:15 | 0:01:18 | |
# Over and over, goes over and over, but yet | 0:01:18 | 0:01:22 | |
# There's something beautiful, yeah, come on | 0:01:22 | 0:01:25 | |
# Over and over, goes over and over, but yet | 0:01:25 | 0:01:29 | |
# Still something beautiful, mystical, come on | 0:01:29 | 0:01:32 | |
# Won't you wake me up from this | 0:01:32 | 0:01:34 | |
# All I need is a prince to kiss | 0:01:34 | 0:01:38 | |
# Then my beauty will be back mine | 0:01:38 | 0:01:41 | |
# It's my soul, my soul I'll find | 0:01:41 | 0:01:44 | |
# I'm calling Nike, Nike, Italy, France | 0:01:44 | 0:01:48 | |
# Romance | 0:01:48 | 0:01:50 | |
# The situation, the situation is | 0:01:52 | 0:01:55 | |
# Beethoven, roll over... # | 0:01:55 | 0:01:58 | |
RADIO: And now, for all you romantics out there, this one is for you. | 0:02:16 | 0:02:21 | |
JAZZ PLAYS ON RADIO | 0:02:21 | 0:02:24 | |
Hello, Betty. | 0:02:25 | 0:02:26 | |
Shouldn't you be at the hospital looking after a certain other soldier? | 0:02:28 | 0:02:34 | |
Is there any way you can find it in your heart to forgive me? | 0:02:34 | 0:02:37 | |
I wonder if these two get together. | 0:02:39 | 0:02:41 | |
Shh! | 0:02:41 | 0:02:43 | |
SLURPS | 0:02:43 | 0:02:45 | |
I'll forgive you on one condition. | 0:02:45 | 0:02:48 | |
What's that? | 0:02:48 | 0:02:50 | |
Dance with me. | 0:02:50 | 0:02:52 | |
# A morning sky, an afternoon... # | 0:02:52 | 0:02:57 | |
BOTH SIGH | 0:02:57 | 0:02:58 | |
# As long I'm here with you | 0:02:58 | 0:03:01 | |
# Oh, you make me happy | 0:03:01 | 0:03:05 | |
# Very happy once again. # | 0:03:05 | 0:03:11 | |
APPLAUSE | 0:03:11 | 0:03:14 | |
Explain one thing to me. | 0:03:18 | 0:03:20 | |
What kind of desperate | 0:03:20 | 0:03:23 | |
and pathetic emotional cripple | 0:03:23 | 0:03:26 | |
would actually buy that as an ending? | 0:03:26 | 0:03:30 | |
-Rosie? -Hmm? | 0:03:35 | 0:03:37 | |
Do you think that in real life | 0:03:37 | 0:03:39 | |
Tad Hamilton is the man he seems to be on the screen? | 0:03:39 | 0:03:42 | |
-Absolutely. -Yeah? | 0:03:42 | 0:03:44 | |
I mean, you just can't fake that kind of thing. | 0:03:44 | 0:03:48 | |
What do you think Tad Hamilton is doing right now? | 0:03:48 | 0:03:53 | |
I'll bet he's in church. | 0:03:53 | 0:03:56 | |
ROCK MUSIC PLAYS | 0:03:57 | 0:03:59 | |
Watch this. | 0:04:01 | 0:04:02 | |
TYRES SCREECHING | 0:04:02 | 0:04:04 | |
HORN BLOWS | 0:04:05 | 0:04:06 | |
Whoo! | 0:04:06 | 0:04:07 | |
Whoa! | 0:04:09 | 0:04:12 | |
Told you that was him, right? | 0:04:13 | 0:04:15 | |
Ooh, Tad Hamilton. | 0:04:15 | 0:04:16 | |
-You don't make it easy on us, Tad. -What do you mean? | 0:04:16 | 0:04:20 | |
This is the shot the paparazzi got. | 0:04:20 | 0:04:24 | |
Congratulations. | 0:04:24 | 0:04:25 | |
You're actually drinking, driving, smoking, leering | 0:04:25 | 0:04:28 | |
and groping at the same time. | 0:04:28 | 0:04:30 | |
Which, on the one hand, | 0:04:30 | 0:04:32 | |
is just about the coolest thing I've ever seen. | 0:04:32 | 0:04:35 | |
-Richard. -But, on the other hand, it can be argued | 0:04:35 | 0:04:38 | |
that this might be a little bad for the image. | 0:04:38 | 0:04:41 | |
You play characters who have heart. This person will have a heart attack. | 0:04:41 | 0:04:45 | |
I can't believe you guys are blaming my unemployment | 0:04:45 | 0:04:48 | |
on this photograph. | 0:04:48 | 0:04:49 | |
OK, first of all, you are not unemployed. | 0:04:49 | 0:04:52 | |
Dock workers are unemployed. | 0:04:52 | 0:04:54 | |
You are simply between million-dollar pay days. | 0:04:54 | 0:04:58 | |
As are we... | 0:04:58 | 0:04:59 | |
since we both get a percentage of your payday. | 0:04:59 | 0:05:03 | |
But this isn't about us. | 0:05:03 | 0:05:06 | |
Whatever happened to that part in the Jimmy Ing movie? I'm perfect for that. | 0:05:06 | 0:05:11 | |
Well, he's taking a breath. | 0:05:11 | 0:05:13 | |
He's what? | 0:05:13 | 0:05:15 | |
He's taking a breath. | 0:05:15 | 0:05:17 | |
He's pausing before deciding. | 0:05:17 | 0:05:20 | |
He's pausing and taking a breath. | 0:05:20 | 0:05:22 | |
And this is only gonna make him breathe more. | 0:05:22 | 0:05:24 | |
Well, what do we do? | 0:05:24 | 0:05:26 | |
We figure out how to asphyxiate the son of a bitch. | 0:05:26 | 0:05:28 | |
-We generate a little positive PR. -Are you an interpreter now? | 0:05:28 | 0:05:32 | |
I'm saying we just need to do something, Tad, | 0:05:32 | 0:05:36 | |
to remind Jimmy Ing and America | 0:05:36 | 0:05:38 | |
that you are the boy next door. | 0:05:38 | 0:05:40 | |
Hey, I am the boy next door... | 0:05:40 | 0:05:42 | |
if you happen to live in a very dysfunctional neighbourhood. | 0:05:42 | 0:05:47 | |
# I ride in on the train | 0:05:55 | 0:05:59 | |
# Every day it's the same old thing | 0:05:59 | 0:06:03 | |
# It's nine to five | 0:06:03 | 0:06:06 | |
# Don't know if I'm dead or alive | 0:06:06 | 0:06:09 | |
# I'm looking for a hallelujah | 0:06:09 | 0:06:16 | |
# I need a little something special... # | 0:06:16 | 0:06:22 | |
CRUNCHING | 0:06:22 | 0:06:24 | |
Congratulations. | 0:06:24 | 0:06:27 | |
You've eaten your body weight in Pringles. | 0:06:27 | 0:06:30 | |
What's your favourite Pringle? | 0:06:30 | 0:06:32 | |
Sour cream and onion or original? | 0:06:32 | 0:06:35 | |
Well, the sour cream and onion has a very strong taste. | 0:06:35 | 0:06:39 | |
If you're eating a small amount, say, half a can, you want that strength. | 0:06:39 | 0:06:42 | |
But if you're eating more than that, | 0:06:42 | 0:06:44 | |
you want the original. It's a cleaner flavour. | 0:06:44 | 0:06:46 | |
Wait until you discover barbecue flavour. | 0:06:46 | 0:06:48 | |
You'll finally become a woman. | 0:06:48 | 0:06:51 | |
How's "Modern Grocer" treating you over there? | 0:06:51 | 0:06:54 | |
Hey, this is the swimsuit issue. | 0:06:54 | 0:06:56 | |
COMPUTER BLIPS | 0:07:00 | 0:07:02 | |
Oh, my God! | 0:07:02 | 0:07:04 | |
What is it? | 0:07:04 | 0:07:05 | |
-Win a date with Tad Hamilton! -What?! | 0:07:05 | 0:07:08 | |
It's to benefit Save The Children. | 0:07:08 | 0:07:11 | |
God, that is so like him. | 0:07:11 | 0:07:13 | |
Saving children, I know. | 0:07:13 | 0:07:15 | |
Should I enter? | 0:07:17 | 0:07:18 | |
Why not? | 0:07:18 | 0:07:20 | |
Sure, heaven is just a mouse click away. | 0:07:20 | 0:07:23 | |
A mouse click and a hundred buck donation. | 0:07:24 | 0:07:26 | |
Oh, we can raise a hundred bucks. | 0:07:26 | 0:07:28 | |
With your permission, Petey. | 0:07:32 | 0:07:35 | |
I'm sorry? | 0:07:35 | 0:07:36 | |
-Paper or plastic? -Paper, please. | 0:07:39 | 0:07:41 | |
Would you like to help Rosalee win a date with Tad Hamilton | 0:07:41 | 0:07:44 | |
and help Save The Children? | 0:07:44 | 0:07:46 | |
I certainly would. | 0:07:46 | 0:07:47 | |
-Aren't these great? -The best. | 0:07:54 | 0:07:56 | |
Along with a 125 cheque | 0:07:56 | 0:07:59 | |
in recognition of yet another | 0:07:59 | 0:08:01 | |
Piggly Wiggly store Manager Of The Month award. Congratulations. | 0:08:01 | 0:08:04 | |
Thank you, Mr Ruddy. | 0:08:04 | 0:08:07 | |
So, Pete, when do we lose you to Richmond? | 0:08:07 | 0:08:09 | |
Cos you're running out of wall space here. | 0:08:09 | 0:08:12 | |
Well, I got my acceptance letter to Virginia State. | 0:08:12 | 0:08:17 | |
And I got my student loan. | 0:08:17 | 0:08:19 | |
So, er, it's just one more thing. | 0:08:19 | 0:08:22 | |
What? | 0:08:22 | 0:08:24 | |
There's someone here that I-I-I... | 0:08:24 | 0:08:28 | |
that I need to have a discussion with | 0:08:28 | 0:08:31 | |
about the going-to- Richmond-with-me issue. | 0:08:31 | 0:08:34 | |
DOOR OPENS | 0:08:34 | 0:08:36 | |
Jars are full. | 0:08:36 | 0:08:38 | |
I love everybody in the store so much. | 0:08:40 | 0:08:42 | |
Sorry for interrupting. | 0:08:42 | 0:08:45 | |
Sorry. | 0:08:45 | 0:08:47 | |
It was nice to meet you. | 0:09:02 | 0:09:04 | |
It was nice to meet you, too. | 0:09:04 | 0:09:07 | |
Goodnight. Goodnight. | 0:09:07 | 0:09:09 | |
-You taking off? -Yes, sir. | 0:09:14 | 0:09:16 | |
Muchas gracias. | 0:09:16 | 0:09:17 | |
Hasta el proximo miercoles. | 0:09:17 | 0:09:21 | |
I am the Albanian one, Mr Hamilton. | 0:09:21 | 0:09:24 | |
I'm sorry. | 0:09:24 | 0:09:26 | |
Uh, could you tell the other one | 0:09:26 | 0:09:28 | |
-muchas gracias and hasta el proximo miercoles? -Will do. | 0:09:28 | 0:09:32 | |
BARRY WHITE: # I've heard people say that | 0:09:35 | 0:09:37 | |
# Too much of anything is not good for you, baby | 0:09:39 | 0:09:42 | |
# But I don't know about that | 0:09:42 | 0:09:47 | |
# As many times as we've loved | 0:09:48 | 0:09:51 | |
# And we've shared love and made love | 0:09:51 | 0:09:54 | |
# It doesn't seem to me like it's enough | 0:09:56 | 0:09:59 | |
# It's just not enough, baby | 0:10:01 | 0:10:03 | |
# It's just not enough | 0:10:03 | 0:10:05 | |
# Oh, oh, baby | 0:10:05 | 0:10:08 | |
# Oh, baby | 0:10:09 | 0:10:11 | |
# My darling, I | 0:10:11 | 0:10:13 | |
# Can't get enough of your love, babe | 0:10:14 | 0:10:17 | |
# Girl, I don't know, I don't know why | 0:10:20 | 0:10:22 | |
# Can't get enough of your love, babe | 0:10:22 | 0:10:26 | |
# Lord, some things I can't get used to | 0:10:27 | 0:10:31 | |
# No matter how I try | 0:10:31 | 0:10:34 | |
# It's like the more you give, the more I want | 0:10:36 | 0:10:39 | |
# And, baby, that's no lie... # | 0:10:39 | 0:10:42 | |
OK, what do I need to beat you? | 0:10:45 | 0:10:47 | |
Double 14 | 0:10:47 | 0:10:50 | |
or it's all over. | 0:10:50 | 0:10:51 | |
That's not gonna be a problem. | 0:10:51 | 0:10:53 | |
Don't miss. Don't miss. | 0:10:56 | 0:10:57 | |
Don't miss, don't miss, don't miss, don't miss. Don't miss, don't miss. | 0:10:57 | 0:11:00 | |
-Um, are you actually doing that? -Yeah. | 0:11:00 | 0:11:03 | |
SQUEALS | 0:11:06 | 0:11:07 | |
GROANS | 0:11:11 | 0:11:12 | |
And now Pete will get the bartendress' attention. | 0:11:14 | 0:11:18 | |
She's waiting for you. | 0:11:18 | 0:11:20 | |
We're waiting for our round, Pete. | 0:11:20 | 0:11:22 | |
Fine. | 0:11:22 | 0:11:25 | |
Angelica. | 0:11:26 | 0:11:28 | |
GLASS BREAKS | 0:11:28 | 0:11:29 | |
Yes, Pete? | 0:11:34 | 0:11:36 | |
What is the object of your desire? | 0:11:36 | 0:11:39 | |
Um...we need another round. | 0:11:41 | 0:11:43 | |
One day, Pete, one day... | 0:11:44 | 0:11:47 | |
I know that the answer to that question will be, | 0:11:47 | 0:11:50 | |
"You, Angelica. You are the object of my desire." | 0:11:50 | 0:11:55 | |
OK. | 0:11:56 | 0:11:58 | |
But, er, for now, we'll just go with the beers. | 0:11:58 | 0:12:02 | |
Oh, Pete. | 0:12:08 | 0:12:11 | |
Enough. Thank you, ladies. | 0:12:12 | 0:12:14 | |
You don't like her the teeniest, littlest, tiniest bit? | 0:12:14 | 0:12:17 | |
-What? No, she's not my type! -You are so particular. | 0:12:17 | 0:12:23 | |
Who the heck are they? | 0:12:23 | 0:12:26 | |
If that fire alarm went off again... | 0:12:26 | 0:12:29 | |
Why would they send a news crew for that? | 0:12:29 | 0:12:31 | |
Wait a second. | 0:12:31 | 0:12:33 | |
# Everybody, get up | 0:12:33 | 0:12:36 | |
# Let me do, let me see, yeah | 0:12:36 | 0:12:37 | |
# Shake it through till you're dead... | 0:12:37 | 0:12:40 | |
# You know you got to get it up | 0:12:40 | 0:12:44 | |
-# What you want, what I need, yeah... -# | 0:12:44 | 0:12:47 | |
They said in first-class, you get a personal DVD player and may view the film of your choice. | 0:12:47 | 0:12:52 | |
OK. I would like to touch intimately the person who thought of that. | 0:12:52 | 0:12:55 | |
-TANNOY: -We would like to begin boarding first-class passengers. | 0:12:55 | 0:12:58 | |
That's you! | 0:12:58 | 0:12:59 | |
I know! | 0:12:59 | 0:13:00 | |
Guys, guys, guys, guys, guys. | 0:13:00 | 0:13:02 | |
-Just take it easy, OK? -Oh, Pete, | 0:13:02 | 0:13:04 | |
just give me a hug and tell me to have a good time! | 0:13:04 | 0:13:06 | |
OK. | 0:13:06 | 0:13:08 | |
Just...you know, just be careful, OK? | 0:13:11 | 0:13:15 | |
What do you mean? | 0:13:15 | 0:13:16 | |
I mean, that this guy is Tad Hamilton, OK? | 0:13:16 | 0:13:19 | |
In his life, he's probably slept with, | 0:13:19 | 0:13:21 | |
like, 15, 20 women. | 0:13:21 | 0:13:24 | |
No way. That's not even physically possible. | 0:13:24 | 0:13:27 | |
Besides, like he's going to be interested in me. | 0:13:27 | 0:13:29 | |
OK. You know what? | 0:13:29 | 0:13:30 | |
If at any point on your date | 0:13:30 | 0:13:31 | |
he claims that he doesn't really like watching sports, | 0:13:31 | 0:13:34 | |
-he's just trying to sleep with you. -Got it. -Oh, and if he claims | 0:13:34 | 0:13:38 | |
to love animals, then he's really just trying to sleep with you. | 0:13:38 | 0:13:40 | |
-OK. -Guys are guys, Rosie, | 0:13:40 | 0:13:42 | |
rich or poor, famous or... | 0:13:42 | 0:13:45 | |
grocers. | 0:13:45 | 0:13:46 | |
Just do me one favour, OK? | 0:13:46 | 0:13:49 | |
-Guard your carnal treasure. -OK. | 0:13:50 | 0:13:52 | |
No, just guard your carnal treasure. | 0:13:52 | 0:13:54 | |
-Thanks, Pete. -Remember everything. | 0:13:54 | 0:13:57 | |
-I will. -Remember how he smells. | 0:13:57 | 0:14:00 | |
-I will. -But not just vaguely. | 0:14:00 | 0:14:02 | |
I want good, solid similes. | 0:14:02 | 0:14:04 | |
For example... | 0:14:04 | 0:14:05 | |
He smells like a forest on the first day of spring... | 0:14:05 | 0:14:10 | |
OK, Cathy, let's... You're gonna miss your flight. | 0:14:10 | 0:14:13 | |
-I will bring you similes. -Thank you. | 0:14:13 | 0:14:15 | |
Ladies and gentlemen... | 0:14:15 | 0:14:17 | |
Oh, I almost forgot. | 0:14:17 | 0:14:18 | |
I got you something. | 0:14:18 | 0:14:20 | |
It's regular flavour. | 0:14:20 | 0:14:23 | |
In case you don't like the prime rib in first class. | 0:14:23 | 0:14:27 | |
Thank you, Pete. | 0:14:27 | 0:14:29 | |
MAN: Right this way. | 0:14:31 | 0:14:34 | |
Just guard your carnal treasure! | 0:14:37 | 0:14:39 | |
I heard you. | 0:14:39 | 0:14:42 | |
# We got more bounce in California | 0:14:46 | 0:14:49 | |
# Than all y'all combined | 0:14:49 | 0:14:51 | |
# We got more bounce in California | 0:14:51 | 0:14:53 | |
# We like to party all the time | 0:14:53 | 0:14:55 | |
# We got more bounce in California... # | 0:14:55 | 0:14:57 | |
MOBILE PHONES RING | 0:14:57 | 0:15:00 | |
# Well, excuse me for a while | 0:15:04 | 0:15:06 | |
# But there's something I should say | 0:15:06 | 0:15:08 | |
# I'm comin' from the land | 0:15:08 | 0:15:09 | |
# Where the seasons never change | 0:15:09 | 0:15:11 | |
# Where all around the world | 0:15:11 | 0:15:13 | |
-# They're all lookin' to LA... # -That's me. | 0:15:13 | 0:15:15 | |
-Welcome to Los Angeles. -Thank you. | 0:15:15 | 0:15:18 | |
Thanks. | 0:16:12 | 0:16:14 | |
Hey, can I have these? | 0:16:23 | 0:16:24 | |
No. | 0:16:24 | 0:16:26 | |
Do you want to think about it? | 0:16:26 | 0:16:28 | |
Gee, you know, what... | 0:16:28 | 0:16:30 | |
Tell me again why you're making me have dinner with and Okie. | 0:16:30 | 0:16:32 | |
Because she's wholesome. | 0:16:32 | 0:16:34 | |
Wholesome as the amber waves of grain. | 0:16:34 | 0:16:36 | |
And she's not an Okie, she's from West Virginia. | 0:16:36 | 0:16:39 | |
So sorry. | 0:16:39 | 0:16:41 | |
I mean...you never, you never wear them. | 0:16:41 | 0:16:44 | |
Can I just have them? | 0:16:44 | 0:16:45 | |
So what's her name anyway? | 0:16:45 | 0:16:48 | |
Rosalee Futch. | 0:16:48 | 0:16:49 | |
Wow, sounds insanely hot. | 0:16:49 | 0:16:51 | |
It's very nice to meet you, Tad. | 0:16:51 | 0:16:55 | |
So nice to meet you, Tad. | 0:16:55 | 0:16:58 | |
It's great to meet you. | 0:16:58 | 0:17:02 | |
Please, just follow the rules. | 0:17:02 | 0:17:03 | |
BOTH: Keep smiling for the cameras, and no brown liquor or cigarettes. | 0:17:03 | 0:17:07 | |
-Fine. -Very good. | 0:17:07 | 0:17:09 | |
What about Jimmy Ing? Have we heard anything about that yet? | 0:17:09 | 0:17:11 | |
No. Still breathing. | 0:17:11 | 0:17:12 | |
I passed Ashton Kutcher in my car | 0:17:12 | 0:17:14 | |
and he seemed pretty happy about something. | 0:17:14 | 0:17:16 | |
He's happy for other reasons. | 0:17:16 | 0:17:18 | |
I'm sorry, we have not heard from Jimmy Ing. | 0:17:18 | 0:17:20 | |
Hey, guys, how's this in the shoulders? | 0:17:20 | 0:17:23 | |
Seriously. | 0:17:23 | 0:17:25 | |
Cos I got, I got some yoga stuff. | 0:17:25 | 0:17:29 | |
Your films will stand the test of time. | 0:17:29 | 0:17:33 | |
Y-your films will stand the test of time. | 0:17:36 | 0:17:40 | |
KNOCKING | 0:17:40 | 0:17:42 | |
Hi. I'm Tad. | 0:17:48 | 0:17:52 | |
SHALLOW GASP | 0:17:52 | 0:17:54 | |
Your standing films will time and test themselves. | 0:17:54 | 0:17:58 | |
Thank you. Uh, you're...pretty. | 0:17:59 | 0:18:04 | |
It's Roseanne, right? | 0:18:05 | 0:18:06 | |
I'm sorry. What is it? | 0:18:06 | 0:18:10 | |
Uh, Ricki? R-rah... | 0:18:10 | 0:18:12 | |
-It's Rosalee. -Rosalee. Rosalee. Nice to meet you. | 0:18:12 | 0:18:17 | |
So, you ready? | 0:18:19 | 0:18:20 | |
OK. | 0:18:20 | 0:18:21 | |
Let's... | 0:18:21 | 0:18:24 | |
Yikes-a-bee. | 0:18:27 | 0:18:29 | |
So, how was your flight? | 0:18:32 | 0:18:34 | |
Your films will stand the test of time. | 0:18:34 | 0:18:37 | |
Ah...thank you. | 0:18:37 | 0:18:40 | |
So, you ready? | 0:18:41 | 0:18:42 | |
For what? | 0:18:42 | 0:18:44 | |
Right this way. | 0:18:44 | 0:18:45 | |
PHOTOGRAPHERS SHOUTING | 0:18:50 | 0:18:54 | |
CAMERAS SHUTTERS CLICKING | 0:18:57 | 0:19:02 | |
Rosalee. Futch. | 0:19:02 | 0:19:05 | |
It'll take a few minutes for those spots in your eyes to go away, but they will. | 0:19:14 | 0:19:18 | |
OK. | 0:19:18 | 0:19:19 | |
Now, we're right here. | 0:19:19 | 0:19:22 | |
Is it always like that? | 0:19:22 | 0:19:25 | |
Well... | 0:19:27 | 0:19:28 | |
pretty much. | 0:19:28 | 0:19:30 | |
CHUCKLES | 0:19:30 | 0:19:31 | |
-Shake-a-doo. -Shake a what? | 0:19:31 | 0:19:34 | |
Oh, it just means, "wow". | 0:19:34 | 0:19:37 | |
Ah. | 0:19:37 | 0:19:38 | |
Shake-a-doo. | 0:19:38 | 0:19:40 | |
So... | 0:19:42 | 0:19:45 | |
you excited? | 0:19:45 | 0:19:47 | |
Are you kidding? | 0:19:47 | 0:19:49 | |
This is like a fairy tale. | 0:19:49 | 0:19:51 | |
Yeah, I figured. | 0:19:51 | 0:19:52 | |
You OK? | 0:19:57 | 0:19:58 | |
Oh, yeah. | 0:19:58 | 0:20:00 | |
I'm just not used to sitting sideways like this. | 0:20:00 | 0:20:03 | |
Mm. | 0:20:03 | 0:20:05 | |
We don't have sideways seating in West Virginia. | 0:20:05 | 0:20:08 | |
And I think the cigarette smoke is kind of... | 0:20:08 | 0:20:11 | |
Well, you can come sit back here if you like. | 0:20:11 | 0:20:13 | |
Uh... | 0:20:13 | 0:20:14 | |
I can't really move right now. | 0:20:14 | 0:20:17 | |
Ooh, I don't feel well. | 0:20:17 | 0:20:19 | |
I've always been kind of motion sicknessy. | 0:20:19 | 0:20:22 | |
Once this carnival came to Fraziers Bottom, | 0:20:22 | 0:20:24 | |
and they had that ride where it spins around | 0:20:24 | 0:20:28 | |
and you have to stand against the side | 0:20:28 | 0:20:31 | |
and the centre falls out. | 0:20:31 | 0:20:33 | |
-And I, um... -Damn it. | 0:20:33 | 0:20:36 | |
Um... Pardon me. | 0:20:36 | 0:20:38 | |
VOMITING | 0:20:38 | 0:20:40 | |
This is so far from the way I imagined the evening going. | 0:20:43 | 0:20:46 | |
Hey, hey, it's, er... | 0:20:46 | 0:20:48 | |
it's perfectly all right. | 0:20:48 | 0:20:51 | |
Right, Mickey? | 0:20:51 | 0:20:52 | |
Perfectly all right. | 0:20:52 | 0:20:54 | |
Shall we? | 0:20:54 | 0:20:56 | |
MICKEY: Have a nice dinner. I'll just be...out here scrubbing. | 0:20:56 | 0:20:59 | |
-Hey, Steve. -Thank you. This way. | 0:20:59 | 0:21:00 | |
Good to see you. Good to see you, Larry. | 0:21:00 | 0:21:02 | |
Hey, Tad. | 0:21:02 | 0:21:03 | |
Hey, man, how are you? | 0:21:03 | 0:21:05 | |
-Hi, Tad. -Hey, man. | 0:21:05 | 0:21:07 | |
This way. | 0:21:20 | 0:21:22 | |
Doesn't it hurt, smiling like that all the time? | 0:21:26 | 0:21:29 | |
You get used to it, yeah. | 0:21:31 | 0:21:34 | |
Should I do it? | 0:21:34 | 0:21:35 | |
Yeah, you might not be able to hold it | 0:21:35 | 0:21:37 | |
for very long, but go for it. | 0:21:37 | 0:21:39 | |
Sure I will. | 0:21:39 | 0:21:40 | |
See that? | 0:21:46 | 0:21:47 | |
It sort of gets you right there. | 0:21:47 | 0:21:50 | |
That's horrible. | 0:21:50 | 0:21:51 | |
I told you. | 0:21:51 | 0:21:52 | |
You sure do have a lot of stuff. | 0:21:53 | 0:21:56 | |
Oh, yeah, sorry. | 0:21:56 | 0:21:57 | |
I got to make sure I'm never out of touch | 0:21:57 | 0:21:59 | |
with the people who torture and torment me. | 0:21:59 | 0:22:01 | |
Who are they? | 0:22:01 | 0:22:03 | |
Agents, managers, people like that. | 0:22:03 | 0:22:05 | |
This man, Jimmy Ing, who's, er, making this movie | 0:22:05 | 0:22:08 | |
which I'm exactly right for, but for whatever reasons, he's taking a breath. | 0:22:08 | 0:22:11 | |
-A what? -He's thinking it over. | 0:22:11 | 0:22:14 | |
Oh. | 0:22:14 | 0:22:15 | |
It's just all very competitive, | 0:22:15 | 0:22:17 | |
this business, that's all. | 0:22:17 | 0:22:19 | |
Everybody seems to be chasing the same thing. | 0:22:19 | 0:22:21 | |
The same parts in the same movies, | 0:22:21 | 0:22:24 | |
the same awards, the same big money. | 0:22:24 | 0:22:27 | |
Well, I'm sure you have much too much common sense | 0:22:27 | 0:22:30 | |
to get caught up in all that. | 0:22:30 | 0:22:32 | |
I mean, it's just a recipe for an unsatisfying life. | 0:22:32 | 0:22:37 | |
Mm... | 0:22:37 | 0:22:40 | |
Obviously you have your priorities straight, so... | 0:22:40 | 0:22:43 | |
So... | 0:22:43 | 0:22:45 | |
Rosalee, what do you do? | 0:22:45 | 0:22:47 | |
I work in a Piggly Wiggly. | 0:22:47 | 0:22:49 | |
-I'm sorry. A supermarket. -Ah. | 0:22:49 | 0:22:52 | |
I bag and check. | 0:22:52 | 0:22:53 | |
-Cool. -Yeah, it's a real dream come true. | 0:22:53 | 0:22:56 | |
CHUCKLING | 0:22:56 | 0:22:57 | |
But it's fun. My two best friends work there. | 0:22:57 | 0:23:00 | |
So, um... | 0:23:04 | 0:23:06 | |
what do you do, Tad? | 0:23:06 | 0:23:08 | |
Oops. | 0:23:09 | 0:23:12 | |
What I mean is, what do you do when you're not doing...what you do? | 0:23:12 | 0:23:17 | |
Uh, not a lot, you know? | 0:23:17 | 0:23:19 | |
I, er... There's not a lot of time left for hobbies, really. | 0:23:19 | 0:23:23 | |
And I don't really like watching sports, so I, er, I read. | 0:23:23 | 0:23:29 | |
Play with my dog, my cat, my bird. | 0:23:29 | 0:23:32 | |
You know? | 0:23:32 | 0:23:34 | |
I-I-I... I love animals. | 0:23:34 | 0:23:38 | |
You know? | 0:23:38 | 0:23:40 | |
What do you think they're doing right now? | 0:23:42 | 0:23:44 | |
Mm, I bet they're in her hotel room. | 0:23:44 | 0:23:47 | |
Straining for breath. | 0:23:47 | 0:23:50 | |
His manhood yearning to be free. | 0:23:50 | 0:23:53 | |
Her hands running over the ripples in his abdomen. | 0:23:53 | 0:23:57 | |
Her perfect bosom crying out in ecstasy. | 0:23:57 | 0:24:01 | |
QUIVERING BREATHS | 0:24:01 | 0:24:04 | |
Oh, great. | 0:24:04 | 0:24:06 | |
All righty. | 0:24:06 | 0:24:08 | |
I had one of those. | 0:24:22 | 0:24:24 | |
A retainer? | 0:24:24 | 0:24:26 | |
Yeah, yeah, on the lowers. | 0:24:26 | 0:24:27 | |
And a night brace for the uppers. | 0:24:27 | 0:24:30 | |
I had really bad teeth as a kid. | 0:24:30 | 0:24:32 | |
Yeah, I'm sure you were a real ugly duckling. | 0:24:32 | 0:24:34 | |
I was like anybody else. | 0:24:34 | 0:24:36 | |
A little gawky, unsure who I was, combination skin. | 0:24:36 | 0:24:40 | |
-Well, you came together nicely. -Thank you. | 0:24:42 | 0:24:44 | |
So did you. | 0:24:46 | 0:24:47 | |
-Bon -appetit. Mm-hmm. | 0:24:52 | 0:24:55 | |
Thanks, Mickey. | 0:25:13 | 0:25:15 | |
Oh, wow. | 0:25:20 | 0:25:21 | |
This is beautiful. | 0:25:21 | 0:25:23 | |
These people sure leave a lot of lights on. | 0:25:23 | 0:25:26 | |
It's beautiful. | 0:25:26 | 0:25:29 | |
It is. | 0:25:29 | 0:25:31 | |
And you, if I may say so, are also very beautiful. | 0:25:34 | 0:25:38 | |
How would you like to come back to my house for a little bit? | 0:25:41 | 0:25:45 | |
Um... | 0:25:46 | 0:25:48 | |
Sure. For a little bit. | 0:25:55 | 0:25:58 | |
Shake-a-doo? | 0:26:22 | 0:26:24 | |
No. Shake...a-doo. | 0:26:24 | 0:26:27 | |
Good. | 0:26:27 | 0:26:28 | |
Miss Ramirez! | 0:26:34 | 0:26:37 | |
Sonja? | 0:26:37 | 0:26:39 | |
Anybody in the casa? | 0:26:39 | 0:26:41 | |
I think we're all alone. | 0:26:47 | 0:26:49 | |
Oh... | 0:26:49 | 0:26:50 | |
Do you want to come in a little further? | 0:26:54 | 0:26:57 | |
Um... | 0:26:57 | 0:26:59 | |
You know what, Tad? | 0:26:59 | 0:27:01 | |
Thank you, but I think I should be getting back to the hotel. | 0:27:01 | 0:27:03 | |
Wow. | 0:27:03 | 0:27:05 | |
OK, er... | 0:27:06 | 0:27:09 | |
-I don't want the concierge to worry, you know? -Good for you. | 0:27:09 | 0:27:14 | |
Good for you. Uh... | 0:27:14 | 0:27:17 | |
-I'll take you home. -Oh, no, no. | 0:27:17 | 0:27:19 | |
You don't have to do that. I mean, you're already here. | 0:27:19 | 0:27:21 | |
No, no, no. No, no, no. Be my pleasure. | 0:27:21 | 0:27:23 | |
OK. Thanks. | 0:27:23 | 0:27:25 | |
That's really nice. | 0:27:25 | 0:27:26 | |
Rosalee, it's been wonderful to meet you, | 0:27:29 | 0:27:32 | |
and I wish you only good things in life. | 0:27:32 | 0:27:35 | |
And to me, wonderfulness, too. | 0:27:35 | 0:27:39 | |
And to you, only those selfsame good wishes. | 0:27:39 | 0:27:42 | |
You know what I'm saying? | 0:27:42 | 0:27:45 | |
-Yeah, of course. -Thank you for the best night of my life. | 0:27:45 | 0:27:48 | |
No, thank you. | 0:27:48 | 0:27:51 | |
May I give you a kiss goodbye? | 0:27:54 | 0:27:58 | |
Oh, I think you might maybe may. | 0:27:58 | 0:28:02 | |
Good evening. | 0:28:16 | 0:28:17 | |
Thank you. | 0:28:17 | 0:28:19 | |
Good night, Rosalee. | 0:28:21 | 0:28:23 | |
Sweet dreams. | 0:28:27 | 0:28:29 | |
SHE WHOOPS | 0:28:47 | 0:28:51 | |
AIRLINER PASSING | 0:28:56 | 0:29:00 | |
The limo door swung open... | 0:29:02 | 0:29:05 | |
my foot hit the ground | 0:29:05 | 0:29:09 | |
and I turned to take one last look at Tad... | 0:29:09 | 0:29:12 | |
at those eyes, at that smile. | 0:29:12 | 0:29:16 | |
And then, regretfully, | 0:29:16 | 0:29:17 | |
I headed back for the hotel. | 0:29:17 | 0:29:20 | |
Please tell me we're done now. | 0:29:20 | 0:29:22 | |
-We're done. -Wow. | 0:29:22 | 0:29:24 | |
I cannot remember a time... | 0:29:24 | 0:29:26 | |
before you started telling that story. | 0:29:26 | 0:29:30 | |
Peter, I was asked to provide | 0:29:30 | 0:29:31 | |
a detailed description of the evening. | 0:29:31 | 0:29:33 | |
Yeah, and you did. Actually, Rosie, you did a great job. | 0:29:33 | 0:29:36 | |
I felt like I was there. | 0:29:36 | 0:29:37 | |
Sort of against my will, but, I did. | 0:29:38 | 0:29:40 | |
OK, guys, er, with your permission, | 0:29:40 | 0:29:42 | |
I think we should all now return to our normal lives. | 0:29:42 | 0:29:47 | |
Mm... OK. | 0:29:48 | 0:29:50 | |
Actually, er... | 0:29:50 | 0:29:52 | |
Rosie, I kind of had something that... | 0:29:54 | 0:29:57 | |
that I wanted to ask you. | 0:29:57 | 0:29:59 | |
Rosie. | 0:30:04 | 0:30:05 | |
Whatever. | 0:30:09 | 0:30:10 | |
Um, it's something that... | 0:30:12 | 0:30:14 | |
I think you're going to like. | 0:30:14 | 0:30:16 | |
I hope you're going to like. | 0:30:16 | 0:30:17 | |
Something I really hope you're going to like. | 0:30:19 | 0:30:21 | |
Um...it's kind of been a long time coming, | 0:30:21 | 0:30:24 | |
so it might be kind of a surprise. | 0:30:24 | 0:30:27 | |
Or not, or maybe not. I don't know. | 0:30:27 | 0:30:30 | |
I'm like...wah! | 0:30:30 | 0:30:32 | |
Look, OK, look. | 0:30:32 | 0:30:34 | |
What I'm trying to say | 0:30:34 | 0:30:36 | |
is that... | 0:30:36 | 0:30:39 | |
I've... | 0:30:39 | 0:30:40 | |
-WHISPERS: -Hey. | 0:30:42 | 0:30:44 | |
Let me ask you, what would be the absolute worst thing | 0:30:50 | 0:30:54 | |
that could happen to me... right now? | 0:30:54 | 0:30:57 | |
SCREAMS | 0:30:57 | 0:30:58 | |
Hi. | 0:31:08 | 0:31:09 | |
Hi. | 0:31:09 | 0:31:11 | |
I'm Tad. | 0:31:12 | 0:31:14 | |
Oh, er, this is my Cathy friend. | 0:31:15 | 0:31:18 | |
WHIMPERS | 0:31:19 | 0:31:20 | |
Hey. | 0:31:20 | 0:31:21 | |
And my Pete friend. | 0:31:21 | 0:31:22 | |
Hey, I'm Tad. | 0:31:22 | 0:31:24 | |
It's quite pleased and pleasant to me... | 0:31:24 | 0:31:27 | |
Uh, I've heard a lot about you both. | 0:31:27 | 0:31:30 | |
-Have you? -Yeah. Yeah. | 0:31:30 | 0:31:33 | |
Um...so what are you doing here? | 0:31:33 | 0:31:35 | |
-I came to see you. -No way. | 0:31:35 | 0:31:38 | |
-You're just... -No. | 0:31:38 | 0:31:40 | |
-That's just... -Yeah. | 0:31:40 | 0:31:41 | |
-You can't... Here? -It's true. | 0:31:41 | 0:31:44 | |
You mean to say your normal business itinerary does not include Fraziers Bottom, West Virginia? | 0:31:44 | 0:31:48 | |
No. | 0:31:48 | 0:31:50 | |
OK, Cathy. | 0:31:50 | 0:31:52 | |
-So, am I too late to take you to lunch? -No. | 0:31:53 | 0:31:56 | |
Great. Shall we? | 0:31:56 | 0:31:58 | |
Yeah. | 0:31:58 | 0:32:00 | |
Um, if that's OK, Pete. | 0:32:00 | 0:32:01 | |
Well, actually... | 0:32:01 | 0:32:03 | |
-If that's OK, Pete? -No, it's OK. | 0:32:03 | 0:32:05 | |
At which point, Tad, | 0:32:05 | 0:32:06 | |
if you're going back to the airport, I'll ride with you, | 0:32:06 | 0:32:08 | |
and by the Route 73 cloverleaf, | 0:32:08 | 0:32:10 | |
I will have given myself to you | 0:32:10 | 0:32:11 | |
in ways you've only read about in the drugstore. | 0:32:11 | 0:32:13 | |
-It was great to meet you. -You, too. | 0:32:16 | 0:32:18 | |
Oh, was there something that you wanted to tell me? | 0:32:18 | 0:32:23 | |
-You know, it was nothing. -OK. | 0:32:25 | 0:32:29 | |
Wow, nice car. | 0:32:43 | 0:32:45 | |
Thanks. I asked the manager at the rental place for a convertible, | 0:32:45 | 0:32:49 | |
and he gave me his wife's car. | 0:32:49 | 0:32:50 | |
Really? | 0:32:50 | 0:32:51 | |
And that was the last time we ever saw her. | 0:32:51 | 0:32:55 | |
CHUCKLES SOFTLY | 0:32:55 | 0:32:56 | |
Cathy... | 0:32:56 | 0:32:58 | |
he's not her type. | 0:32:58 | 0:33:00 | |
No. Rich, famous, handsome, | 0:33:00 | 0:33:03 | |
ass like cement. | 0:33:03 | 0:33:06 | |
You are absolutely right. | 0:33:06 | 0:33:08 | |
Move these cheeseburgers. | 0:33:12 | 0:33:14 | |
All right, here you go, sweet pea. | 0:33:14 | 0:33:17 | |
Oh, my God. | 0:33:17 | 0:33:19 | |
-Here you go, Rosie. -Thanks. | 0:33:19 | 0:33:22 | |
-Thank you. -Mm-hmm. | 0:33:22 | 0:33:24 | |
I... I still can't believe you're here. | 0:33:33 | 0:33:36 | |
It was something I had to do. | 0:33:36 | 0:33:38 | |
Sure. Fly clear across the country | 0:33:38 | 0:33:40 | |
to have lunch at the Fraziers Bottom diner. | 0:33:40 | 0:33:43 | |
I couldn't let the other night be the last time I ever saw you. | 0:33:43 | 0:33:46 | |
Can I just stop you right there and remind you of one thing? | 0:33:46 | 0:33:48 | |
-What's that? -I'm nobody. | 0:33:48 | 0:33:51 | |
Rosalee, nobody is nobody. | 0:33:51 | 0:33:54 | |
Fine. | 0:33:54 | 0:33:56 | |
I'm following my gut. Sometimes you have to do that, | 0:33:56 | 0:34:01 | |
even if what you're doing seems crazy. | 0:34:01 | 0:34:03 | |
Because...in the gap between what prudence says we should do | 0:34:03 | 0:34:09 | |
and what our heart tells us we must do, well, Rosie... | 0:34:09 | 0:34:14 | |
therein lies our humanity. | 0:34:14 | 0:34:16 | |
That's from The Road To El Dorado. | 0:34:18 | 0:34:22 | |
You really are a big fan, aren't you? | 0:34:22 | 0:34:25 | |
Is that how you get women? | 0:34:26 | 0:34:28 | |
-You steal lines from your own movies? -Not any more. | 0:34:28 | 0:34:32 | |
I hope not, cos that would seriously shoot a hole in your credibility. | 0:34:32 | 0:34:35 | |
OK, Rosie, the truth...is... that when we went on our date, | 0:34:35 | 0:34:39 | |
you said something that really resonated with me. | 0:34:39 | 0:34:43 | |
You said...you were sure I had my priorities straight, | 0:34:43 | 0:34:47 | |
but...here's the thing. | 0:34:47 | 0:34:49 | |
I don't. I really don't. | 0:34:49 | 0:34:51 | |
My entire life since I was a teenager has been | 0:34:51 | 0:34:54 | |
about becoming successful, becoming famous, | 0:34:54 | 0:34:57 | |
becoming this... this thing that I am, | 0:34:57 | 0:34:59 | |
and you're right, it really is unsatisfying. | 0:34:59 | 0:35:01 | |
I need a positive influence. | 0:35:01 | 0:35:03 | |
I need somebody with solid and substantial qualities, | 0:35:03 | 0:35:06 | |
somebody who seems to understand life | 0:35:06 | 0:35:08 | |
and how to live it in a good and happy way, like you. | 0:35:08 | 0:35:11 | |
I just want to be around you. | 0:35:11 | 0:35:14 | |
I want some of that goodness to rub off on me. | 0:35:14 | 0:35:17 | |
Do you mean goodness in a romantic way? | 0:35:17 | 0:35:20 | |
No, no, I mean a platonic goodness. | 0:35:20 | 0:35:23 | |
And I mean that very seriously. No funny business here. | 0:35:23 | 0:35:27 | |
Did I say something wrong? | 0:35:27 | 0:35:29 | |
No. No, no, no. | 0:35:29 | 0:35:32 | |
No. | 0:35:32 | 0:35:34 | |
So, are you going to be in Fraziers Bottom for a while, then? | 0:35:34 | 0:35:38 | |
I think I have to. If I'm going to reset my priorities, I got to get out of LA. I gotta... | 0:35:38 | 0:35:42 | |
I got to get out that fish bowl. | 0:35:42 | 0:35:45 | |
So, what do you say? | 0:35:52 | 0:35:54 | |
I say, yikes-a-bee! | 0:35:57 | 0:36:00 | |
-What does that mean? -Oh, it's just something my dad and I say sometimes | 0:36:00 | 0:36:05 | |
when life surprises you in the way that it does and there's nowhere to go but forward. | 0:36:05 | 0:36:09 | |
Is that like "yes"? | 0:36:09 | 0:36:11 | |
-Yes. -Yes. | 0:36:11 | 0:36:14 | |
Thanks for lunch. | 0:36:19 | 0:36:22 | |
See you at 7:00, then. | 0:36:23 | 0:36:25 | |
-See you at 7:00. -OK. | 0:36:25 | 0:36:28 | |
You go, girl! You get your man! | 0:36:52 | 0:36:54 | |
It's room eight. | 0:37:20 | 0:37:22 | |
You just go down to the door marked eight. | 0:37:22 | 0:37:25 | |
Right. | 0:37:25 | 0:37:26 | |
It's just past seven, and if you hit nine, you've gone too far. | 0:37:26 | 0:37:30 | |
Gotcha. Uh, no phone calls, please. | 0:37:30 | 0:37:32 | |
Thank you. | 0:37:32 | 0:37:33 | |
-Have a great night. -You, too. | 0:37:33 | 0:37:36 | |
-Uh, I'll see you tomorrow. -Very good. | 0:37:36 | 0:37:39 | |
-I'm on at -11:00. OK. | 0:37:39 | 0:37:43 | |
FLY BUZZES | 0:37:54 | 0:37:56 | |
CART SQUEAKS | 0:37:56 | 0:37:58 | |
He wants your goodness | 0:38:27 | 0:38:29 | |
to rub off on him. | 0:38:29 | 0:38:31 | |
I know, right? | 0:38:31 | 0:38:33 | |
I see. | 0:38:33 | 0:38:35 | |
And you...actually believe this? | 0:38:35 | 0:38:39 | |
-Why wouldn't I? -Wow, Rosie. | 0:38:39 | 0:38:41 | |
Wow. There's innocent, there's childlike, | 0:38:41 | 0:38:43 | |
-and then there's just asking for it. -OK, Pete... | 0:38:43 | 0:38:46 | |
Look, he wants your goodness to rub off on him? | 0:38:46 | 0:38:48 | |
He wants your ass to rub off on him, is more like it. | 0:38:48 | 0:38:51 | |
-Oh, my God. -Yeah. Whatever. You can't go out with him tonight anyway. | 0:38:51 | 0:38:54 | |
Wait, what do you mean, I can't go out with him tonight? | 0:38:54 | 0:38:57 | |
I mean that...I need you to stay for the late shift. | 0:38:57 | 0:39:01 | |
Uh, Janine's sick. Yeah, she's got a cough. | 0:39:01 | 0:39:04 | |
-She does not. -Yeah, no, not... | 0:39:04 | 0:39:07 | |
yet, but she will. She's definitely coming down with something. | 0:39:07 | 0:39:11 | |
No, she's not. | 0:39:11 | 0:39:12 | |
-Janine, cough for me. -Huh? | 0:39:12 | 0:39:15 | |
Cough for me, Janine. | 0:39:15 | 0:39:16 | |
See? God, it's all in your lungs. | 0:39:18 | 0:39:19 | |
-What is? -Nothing, Janine. | 0:39:19 | 0:39:21 | |
-You're fine. -You're not. Do not tell my employees | 0:39:21 | 0:39:23 | |
-when they are and when they are not fine. -She's fine! | 0:39:23 | 0:39:27 | |
And even if she weren't, you'd have to find | 0:39:27 | 0:39:29 | |
somebody else to take the late shift, Petey, | 0:39:29 | 0:39:31 | |
because I am going out with Tad Hamilton. | 0:39:31 | 0:39:33 | |
-Stop that. -You know, I did feel something in my lungs. | 0:39:36 | 0:39:39 | |
You're not getting off tonight, Janine. | 0:39:39 | 0:39:41 | |
Bob, not now! | 0:39:41 | 0:39:44 | |
PHONE LINE RINGING | 0:39:44 | 0:39:46 | |
'Everywhere Inn.' | 0:39:46 | 0:39:47 | |
Yeah, er...do you guys have any other rooms? | 0:39:47 | 0:39:51 | |
-Or how about suites? -Oh, well, yeah, we've got sweets. | 0:39:51 | 0:39:54 | |
We've got some lollies down here by the register, | 0:39:54 | 0:39:56 | |
if you want to come on by and get yourself a lolly. | 0:39:56 | 0:39:59 | |
No, I mean, maybe something a little bigger? Or newer? | 0:39:59 | 0:40:03 | |
-Bigger and newer? -Yeah, I understand what you mean, and no. | 0:40:03 | 0:40:08 | |
No, we don't have suites like that. | 0:40:08 | 0:40:10 | |
OK, I guess, that's cool. | 0:40:10 | 0:40:12 | |
-PHONE RINGING -That's cool, I guess. | 0:40:12 | 0:40:14 | |
-Can you hold on a second? -Yeah, yeah, sure. | 0:40:14 | 0:40:17 | |
Hello? | 0:40:17 | 0:40:19 | |
'Hi, big guy!' | 0:40:19 | 0:40:20 | |
-Hey! -'Where are you?' | 0:40:20 | 0:40:22 | |
I'm at a motel in Fraziers Bottom, West Virginia. | 0:40:22 | 0:40:25 | |
OK. Words I never heard anyone utter. | 0:40:25 | 0:40:28 | |
-Oh, she's special, Richard. -Who? | 0:40:28 | 0:40:31 | |
The girl from the charity thing. | 0:40:31 | 0:40:32 | |
-The win-a-date girl? -Yeah. | 0:40:32 | 0:40:34 | |
You flew to a place actually called Fraziers Bottom, West Virginia, | 0:40:34 | 0:40:38 | |
and are staying in a motel in order to nail the win-a-date girl? | 0:40:38 | 0:40:41 | |
Whoa, whoa, whoa, whoa. | 0:40:41 | 0:40:42 | |
I don't want to nail her. Please don't put it in those terms. | 0:40:42 | 0:40:46 | |
Oh. Forgive me, Lord Byron. | 0:40:46 | 0:40:48 | |
I want to be around her, you know? | 0:40:48 | 0:40:50 | |
-Mm-hmm. -She has a goodness. -Right. | 0:40:50 | 0:40:52 | |
There's a lot that I can learn from her. | 0:40:52 | 0:40:54 | |
I'm trying to feed my soul, OK? | 0:40:54 | 0:40:56 | |
I'm trying to find a way to actually be happy. | 0:40:56 | 0:40:59 | |
You want to be happy now?! | 0:40:59 | 0:41:00 | |
This is big for me, Richard. | 0:41:00 | 0:41:01 | |
This is a turning point for me. | 0:41:01 | 0:41:04 | |
That's what you think today, | 0:41:04 | 0:41:06 | |
but by the end of the week, when you've nailed her... | 0:41:06 | 0:41:08 | |
you're going to feel differently, and... | 0:41:08 | 0:41:13 | |
and what do you suppose happens then? | 0:41:13 | 0:41:15 | |
I will tell you what happens then. | 0:41:15 | 0:41:19 | |
You pulverise her heart, | 0:41:19 | 0:41:22 | |
and then the press finds out, | 0:41:22 | 0:41:23 | |
and all the good that was done | 0:41:23 | 0:41:25 | |
by the Win-a-date promotion gets washed away, | 0:41:25 | 0:41:27 | |
and Jimmy Ing continues breathing. | 0:41:27 | 0:41:30 | |
A person like you cannot have a relationship with a girl from Montana. | 0:41:30 | 0:41:33 | |
-West Virginia. -Whatever it is! -Why not? -You're too different. | 0:41:33 | 0:41:36 | |
Your values are different. For example...she has them! | 0:41:36 | 0:41:40 | |
No, no, this can work. | 0:41:40 | 0:41:41 | |
It can't, and when it ends, very bad for business. | 0:41:41 | 0:41:44 | |
There are more important things than business, for God's sakes. | 0:41:44 | 0:41:48 | |
I don't even know who I'm talking to now. | 0:41:48 | 0:41:50 | |
Hello? Hello? Is this Tad? | 0:41:50 | 0:41:51 | |
What have you done with Tad? | 0:41:51 | 0:41:53 | |
I gotta go, OK? | 0:41:53 | 0:41:54 | |
No, you don't. You do not gotta go. | 0:41:54 | 0:41:56 | |
What you gotta do is understand | 0:41:56 | 0:41:57 | |
that you're going through some kind of a phase right now, | 0:41:57 | 0:42:00 | |
some kind of an extreme version | 0:42:00 | 0:42:02 | |
of your normal, in-between-jobs insanity, | 0:42:02 | 0:42:04 | |
and it has a hold of you. | 0:42:04 | 0:42:05 | |
You need to come back to LA, have a Bushmills and a Percocet, | 0:42:05 | 0:42:09 | |
go out on a date with an actress looking to advance her career, | 0:42:09 | 0:42:11 | |
and put an end to all this self-destructive behaviour. | 0:42:11 | 0:42:14 | |
-I'll talk to you soon. -No! No, Tad! Bad Tad! | 0:42:14 | 0:42:16 | |
-Bye, Richard. -Don't hang up on me! | 0:42:16 | 0:42:19 | |
Ow...! | 0:42:23 | 0:42:25 | |
Hello? | 0:42:26 | 0:42:28 | |
Yes, Mr Hamilton, I am here, sir. | 0:42:28 | 0:42:30 | |
You guys wouldn't happen to have a masseuse on staff, would you? | 0:42:30 | 0:42:33 | |
Uh, no, but I am a very fast learner, | 0:42:33 | 0:42:36 | |
and I could, um... | 0:42:36 | 0:42:39 | |
Hello? | 0:42:39 | 0:42:40 | |
# Back to you | 0:42:51 | 0:42:53 | |
# It always comes around | 0:42:53 | 0:42:56 | |
# Back to you | 0:42:56 | 0:42:58 | |
# I walk with your shadow | 0:42:58 | 0:43:01 | |
# I'm sleeping in my bed | 0:43:01 | 0:43:03 | |
# With your silhouette | 0:43:03 | 0:43:07 | |
# Yeah, should have smiled in that picture | 0:43:08 | 0:43:13 | |
# If it's the last that I'll see of you | 0:43:14 | 0:43:18 | |
# It's the least that you could not do... # | 0:43:18 | 0:43:25 | |
DOORBELL RINGS Coming. | 0:43:39 | 0:43:42 | |
You must be Tad. | 0:43:45 | 0:43:47 | |
Must be. You are Tad. I know what you look like. | 0:43:47 | 0:43:50 | |
-Nice to meet you, Mr Futch. -Henry, for God's sake. Please come in. | 0:43:50 | 0:43:54 | |
Thank you. | 0:43:54 | 0:43:55 | |
Rosie'll be down in a minute. | 0:43:55 | 0:43:57 | |
OK, great. | 0:43:57 | 0:43:59 | |
May I, er, offer you a chocolate martini? | 0:43:59 | 0:44:03 | |
-Oh, wow, look at that. -I hear they're very big out your way. | 0:44:05 | 0:44:09 | |
Yeah, yeah, I guess they are. | 0:44:09 | 0:44:11 | |
But I'm driving, so... | 0:44:11 | 0:44:14 | |
That-a-boy. | 0:44:14 | 0:44:16 | |
Have a seat. | 0:44:17 | 0:44:19 | |
So... | 0:44:27 | 0:44:29 | |
it looks like, Emperor's New Clothes | 0:44:29 | 0:44:31 | |
will top 100 mil in domestic BO, huh? | 0:44:31 | 0:44:34 | |
Mm-hmm. Yeah. | 0:44:34 | 0:44:36 | |
And that Quantum Studios, I-I... | 0:44:36 | 0:44:38 | |
I think they're looking to vertically integrate, | 0:44:38 | 0:44:40 | |
either by buying a Web or a Weblet. | 0:44:40 | 0:44:43 | |
-Could be. -I... | 0:44:43 | 0:44:45 | |
Oh-ho, yes. Yeah. | 0:44:45 | 0:44:49 | |
Hey. | 0:44:54 | 0:44:56 | |
-Hi. -I see you've met Dad. | 0:44:56 | 0:44:58 | |
Yeah. We've been talking shop. | 0:44:58 | 0:45:01 | |
So, what do you want to do tonight? | 0:45:01 | 0:45:03 | |
Well, er...do you guys have a movie theatre? | 0:45:03 | 0:45:05 | |
The Warner. | 0:45:05 | 0:45:07 | |
It's part of the Loews family of theatres. | 0:45:07 | 0:45:09 | |
Have you seen King Arthur of Britain yet? | 0:45:09 | 0:45:12 | |
I've been wanting to. | 0:45:12 | 0:45:13 | |
Well, you two enjoy yourselves. | 0:45:13 | 0:45:15 | |
Have her back by dawn and no cocaine, huh? | 0:45:15 | 0:45:17 | |
No, sir. | 0:45:18 | 0:45:20 | |
How was I? | 0:45:25 | 0:45:26 | |
-You were great, Daddy. -OK. | 0:45:26 | 0:45:28 | |
Goodnight. Bye-bye. | 0:45:30 | 0:45:34 | |
I'm telling you, that's him. | 0:45:34 | 0:45:36 | |
Oh, yeah. | 0:45:36 | 0:45:37 | |
Mom, I swear it's him. | 0:45:37 | 0:45:39 | |
You think so? | 0:45:39 | 0:45:41 | |
You look so sad there. | 0:45:41 | 0:45:43 | |
Give me a break - I'd just lost my wife and my goat. | 0:45:45 | 0:45:49 | |
TV: 'Next week, on a very special Paramedic Rescue...' | 0:45:49 | 0:45:54 | |
'And what were your respective ages? | 0:46:02 | 0:46:05 | |
'I was 12, and she was, er...30. | 0:46:05 | 0:46:09 | |
'Did your mother...' | 0:46:09 | 0:46:11 | |
'Hasta el proximo miercoles.' | 0:46:12 | 0:46:15 | |
ANNOUNCER: 'Ahora disponsible en viernes...' | 0:46:15 | 0:46:18 | |
TURNS TV OFF | 0:46:19 | 0:46:21 | |
So, what do people do at this point in the evening | 0:46:21 | 0:46:24 | |
in Fraziers Bottom, West Virginia? | 0:46:24 | 0:46:27 | |
Well, they go to the diner. | 0:46:27 | 0:46:29 | |
We could do that. We haven't eaten anything in almost 15 minutes. | 0:46:29 | 0:46:32 | |
Or they go home. | 0:46:32 | 0:46:34 | |
Well, it is a school night, so... | 0:46:34 | 0:46:36 | |
Of course, if it were a date, we might go to the Watergap... Overlook. | 0:46:36 | 0:46:42 | |
And...what do people do there? | 0:46:42 | 0:46:45 | |
They park. | 0:46:45 | 0:46:48 | |
And then? | 0:46:48 | 0:46:50 | |
And then they marvel at what a feat of engineering the gap is. | 0:46:51 | 0:46:55 | |
But, you know, this isn't a date - we can't do that. | 0:46:55 | 0:46:57 | |
-No. -Rosalee, I don't want to do anything | 0:46:57 | 0:47:00 | |
that might harm the friendship. | 0:47:00 | 0:47:02 | |
Me, neither. | 0:47:02 | 0:47:04 | |
Over two trillion tons of water... | 0:47:06 | 0:47:09 | |
pass through the gap every hour. | 0:47:09 | 0:47:12 | |
That's enough water to float a battleship. | 0:47:15 | 0:47:17 | |
Or put out every fire in West Virginia. | 0:47:19 | 0:47:21 | |
-PHONE RINGING -No kidding. | 0:47:21 | 0:47:23 | |
Excuse me. | 0:47:23 | 0:47:26 | |
RINGING CONTINUES | 0:47:26 | 0:47:29 | |
RINGING FADES | 0:47:29 | 0:47:30 | |
RINGING IN DISTANCE | 0:47:30 | 0:47:32 | |
SPLASHING | 0:47:32 | 0:47:33 | |
CHUCKLES | 0:47:35 | 0:47:37 | |
PHONE RINGING | 0:47:38 | 0:47:39 | |
-Hello? -Hi, Mr Futch. Uh, it's Pete. | 0:47:46 | 0:47:49 | |
Hiya, Pete. Uh, Rosie's not here. | 0:47:49 | 0:47:52 | |
She's out with Tad Hamilton. | 0:47:52 | 0:47:54 | |
Really? I hadn't... OK, cool. | 0:47:54 | 0:47:56 | |
Well, good for her, then. | 0:47:56 | 0:47:58 | |
He seems like a very nice guy. | 0:47:58 | 0:48:00 | |
He does. Lovely... | 0:48:00 | 0:48:02 | |
lovely guy. | 0:48:02 | 0:48:04 | |
So, like, er, where'd they go? | 0:48:04 | 0:48:07 | |
-The movies. -Oh, the movies. | 0:48:07 | 0:48:10 | |
OK, well, it looks like the... | 0:48:10 | 0:48:12 | |
7:00 would get out 8:45, 8:50... | 0:48:12 | 0:48:15 | |
Or...so someone happened to... | 0:48:15 | 0:48:19 | |
just mention to me in passing. | 0:48:19 | 0:48:22 | |
So, I guess that would put them... | 0:48:22 | 0:48:24 | |
out and about and on to their... | 0:48:24 | 0:48:26 | |
next activity. | 0:48:26 | 0:48:29 | |
Yeah, I guess it would, Pete. | 0:48:29 | 0:48:30 | |
I'll leave Rosie a note that you called. | 0:48:30 | 0:48:33 | |
Oh, yeah. I had a little, er, inventory question, | 0:48:33 | 0:48:36 | |
a little...dairy case...query, | 0:48:36 | 0:48:40 | |
but, you know, we-we can, er, clear that up tomorrow. | 0:48:40 | 0:48:42 | |
OK, Pete. Goodbye. | 0:48:42 | 0:48:44 | |
All right. | 0:48:44 | 0:48:47 | |
-Rosie? -Huh? | 0:48:49 | 0:48:52 | |
SIREN BLARES | 0:48:54 | 0:48:57 | |
Hi. Could I see your driver's licence and regis... | 0:48:59 | 0:49:02 | |
Yikes-a-bee. | 0:49:02 | 0:49:04 | |
Hello, officer. | 0:49:04 | 0:49:06 | |
Rosalee? | 0:49:06 | 0:49:08 | |
-Hi, Tom. -Hi. | 0:49:08 | 0:49:10 | |
Wow. Oh, boy. | 0:49:10 | 0:49:13 | |
OK. OK, then. | 0:49:13 | 0:49:16 | |
-We, er, we heard you were in town there, Mr Hamilton. -Did you? | 0:49:16 | 0:49:20 | |
Pretty fond of our Rosalee there, huh? | 0:49:20 | 0:49:22 | |
Uh-huh, yes... yes, I am, Officer. | 0:49:22 | 0:49:24 | |
Oh, er, right, right. | 0:49:24 | 0:49:27 | |
Uh, listen, we got a call saying | 0:49:27 | 0:49:29 | |
that there was someone parked here, | 0:49:29 | 0:49:31 | |
and well, you know it's illegal after sunset, so... | 0:49:31 | 0:49:33 | |
You got a call this hour? | 0:49:33 | 0:49:35 | |
Yeah, yeah, we got a call. | 0:49:35 | 0:49:36 | |
From who, a raccoon? | 0:49:36 | 0:49:37 | |
ENGINE STARTS | 0:49:37 | 0:49:40 | |
Never mind. | 0:49:44 | 0:49:46 | |
I am gonna kill that Pete, | 0:49:46 | 0:49:47 | |
bring him back to life and then kill him again. | 0:49:47 | 0:49:50 | |
OK, calm down, calm down. | 0:49:50 | 0:49:52 | |
Well, why aren't you upset? | 0:49:52 | 0:49:54 | |
Because it doesn't matter. OK? | 0:49:54 | 0:49:59 | |
What happened here tonight... | 0:50:00 | 0:50:04 | |
was a force of nature. | 0:50:04 | 0:50:06 | |
Yeah. | 0:50:06 | 0:50:08 | |
Two people set out to be friends, but... | 0:50:08 | 0:50:12 | |
nature would have none of it. | 0:50:12 | 0:50:14 | |
Nature wanted them to be more... | 0:50:14 | 0:50:18 | |
and nature is gonna want that tomorrow. | 0:50:18 | 0:50:22 | |
What did I tell you? | 0:50:41 | 0:50:43 | |
What did I tell you about your... | 0:50:43 | 0:50:47 | |
carnal treasure? | 0:50:47 | 0:50:48 | |
You said to guard it. | 0:50:48 | 0:50:50 | |
I said, "Guard it," and what did you do? | 0:50:50 | 0:50:52 | |
You-you...practically chucked it at him. | 0:50:52 | 0:50:55 | |
You're acting like it was some sleazy night. | 0:50:55 | 0:50:57 | |
-It wasn't. It was classy. -Oh, that's right. | 0:50:57 | 0:50:59 | |
I mean, it's not like he took you to the movies | 0:50:59 | 0:51:01 | |
-and then felt you up in his car. -The evening evolved, Pete. | 0:51:01 | 0:51:04 | |
Oh, my God. Did he actually say that? | 0:51:04 | 0:51:07 | |
It started out as two friends going to the movies... | 0:51:07 | 0:51:09 | |
And it evolved into dry humping. | 0:51:09 | 0:51:12 | |
He fought it. He didn't want to do anything | 0:51:12 | 0:51:14 | |
-that might wreck the friendship. -Wow. I... Um... | 0:51:14 | 0:51:18 | |
Wow, did he actually...um... | 0:51:18 | 0:51:19 | |
I can't believe he used that line. | 0:51:19 | 0:51:22 | |
-And I can't believe that you bought it. -It's not a line. | 0:51:22 | 0:51:25 | |
OK, fellas, a show of hands. | 0:51:25 | 0:51:28 | |
Who here has used some form of the | 0:51:28 | 0:51:30 | |
"don't want to harm the friendship" line? | 0:51:30 | 0:51:33 | |
-Oh. -Father Newell? | 0:51:36 | 0:51:38 | |
Well, prior to my enfrockment. | 0:51:38 | 0:51:39 | |
Rosie, what are Tad's pectorals like to the touch? | 0:51:42 | 0:51:45 | |
Are they warm yet firm, like...? | 0:51:45 | 0:51:47 | |
Cath, it's really not helping right now. | 0:51:47 | 0:51:49 | |
Sorry, Pete, got caught up. | 0:51:49 | 0:51:51 | |
Thanks. Listen, Rosie, just... | 0:51:51 | 0:51:55 | |
Listen to me. Bottom line... | 0:51:57 | 0:51:59 | |
Tad Hamilton is an actor. | 0:51:59 | 0:52:01 | |
OK? How do you know that he's not acting with you? | 0:52:01 | 0:52:06 | |
He's not acting. | 0:52:06 | 0:52:09 | |
No. He is. | 0:52:09 | 0:52:11 | |
He's playing a role. | 0:52:11 | 0:52:13 | |
The role of Hollywood bad boy trying to find virtue. | 0:52:13 | 0:52:17 | |
OK, after you guys... | 0:52:19 | 0:52:20 | |
..after you guys have, like, | 0:52:22 | 0:52:24 | |
been together a couple times, | 0:52:24 | 0:52:28 | |
he is out of here, OK? | 0:52:28 | 0:52:30 | |
You will never see him again. | 0:52:32 | 0:52:34 | |
Hey, Rosie, guess what? | 0:52:36 | 0:52:38 | |
I bought a house. I bought a house! | 0:52:38 | 0:52:41 | |
Can you believe it? | 0:52:41 | 0:52:43 | |
It's actually a farm with a house and a silo for my wheat. | 0:52:43 | 0:52:47 | |
-Really? -Yeah. -You bought a house?! -I bought a house. | 0:52:47 | 0:52:50 | |
Now we're putting down roots, baby. | 0:52:50 | 0:52:53 | |
What do you think of that? | 0:52:53 | 0:52:56 | |
-I think that's good. -So, come see it. Maybe after work? | 0:52:56 | 0:52:58 | |
-I'd love to. -Yeah, I'd love to. | 0:52:58 | 0:53:01 | |
Great. | 0:53:04 | 0:53:06 | |
So, he's going to stay in the motel while he fixes up the farm. | 0:53:28 | 0:53:31 | |
What, like he's a farmer all of a sudden? | 0:53:31 | 0:53:33 | |
I think he'll be a good farmer. | 0:53:33 | 0:53:35 | |
Rosie, he's from Malibu, California, OK? | 0:53:35 | 0:53:38 | |
-The only thing they grow there are breasts. -Could you smile a little bit? | 0:53:38 | 0:53:41 | |
-This means nothing. -You are unbelievable. | 0:53:41 | 0:53:44 | |
What? Rosie, people like this buy houses all the time. | 0:53:44 | 0:53:47 | |
It's called a tax shelter. | 0:53:47 | 0:53:49 | |
Oh, Peter! | 0:53:49 | 0:53:50 | |
I can guarantee you that by the end of today, | 0:53:50 | 0:53:53 | |
Tad's farm and his house... | 0:53:53 | 0:53:56 | |
his fricking wheat... | 0:53:56 | 0:53:58 | |
right back on the market. | 0:53:58 | 0:54:00 | |
Why? What are you gonna do? | 0:54:00 | 0:54:03 | |
Nothing. Just, you know... just be a good neighbour. | 0:54:03 | 0:54:06 | |
Howdy! | 0:54:13 | 0:54:14 | |
Tad, this place is unbelievable. | 0:54:14 | 0:54:16 | |
Thanks, little lady. | 0:54:16 | 0:54:18 | |
Well, this barn sits on what they call the "south 40". | 0:54:20 | 0:54:24 | |
Yep. I'm not sure exactly how many acres that is, but, er... | 0:54:24 | 0:54:28 | |
I'm gonna guess that's a lot. | 0:54:28 | 0:54:30 | |
I'm gonna guess 40. | 0:54:31 | 0:54:34 | |
Oh, yeah. | 0:54:34 | 0:54:36 | |
Could be. | 0:54:36 | 0:54:38 | |
Being a new farm owner and all, I know you'll probably get some people | 0:54:38 | 0:54:43 | |
to run this place for you, | 0:54:43 | 0:54:44 | |
but, hell, I'd be happy to show you a couple of everyday farm chores. | 0:54:44 | 0:54:48 | |
Really? Wow, that'd be great. Thank you. | 0:54:48 | 0:54:51 | |
Oh, Tad... that's not a problem. | 0:54:51 | 0:54:54 | |
Tad, what you're gonna do here | 0:54:54 | 0:54:57 | |
is grab on to one of the-the... | 0:54:57 | 0:54:59 | |
COW MOOING | 0:54:59 | 0:55:01 | |
Essentially, one of the nipples. | 0:55:01 | 0:55:03 | |
And, er, you know, just pull it firmly but gently towards the pail. | 0:55:03 | 0:55:06 | |
Now, you're gonna freak out... | 0:55:06 | 0:55:08 | |
MILK SPLASHING | 0:55:08 | 0:55:09 | |
Mmm, look at all that creamy milk. | 0:55:09 | 0:55:11 | |
That-a-girl, Arleen! | 0:55:11 | 0:55:13 | |
That-a-girl. | 0:55:13 | 0:55:15 | |
Boy, you are making old Tad thirsty. Mmm! | 0:55:15 | 0:55:17 | |
Where'd you learn to do that? | 0:55:17 | 0:55:19 | |
Remember my remake of The Grapes Of Wrath? | 0:55:19 | 0:55:21 | |
OK, so, trick is to take a full swing, | 0:55:26 | 0:55:31 | |
so as to split the log in one swift... | 0:55:31 | 0:55:35 | |
..stroke. | 0:55:37 | 0:55:39 | |
OK... | 0:55:39 | 0:55:41 | |
Yeah. | 0:55:41 | 0:55:44 | |
Let's do this. | 0:55:44 | 0:55:46 | |
Hey, so, er...you work out? | 0:55:46 | 0:55:49 | |
Nah. | 0:55:49 | 0:55:51 | |
Yeah, me, neither. | 0:55:51 | 0:55:52 | |
I know, it's like... me, neither. | 0:55:52 | 0:55:54 | |
OK, er...just basically one... swift...stroke. | 0:55:54 | 0:55:59 | |
And sometimes, you know, basically, | 0:56:01 | 0:56:04 | |
you get a bad piece of wood... basically. | 0:56:04 | 0:56:06 | |
And you know, sometimes you don't. | 0:56:06 | 0:56:08 | |
-That's good. -Beginner's luck, you know? | 0:56:08 | 0:56:11 | |
First time's the charm. | 0:56:11 | 0:56:12 | |
And the luck continues. | 0:56:14 | 0:56:15 | |
That's great. Good for you, man. | 0:56:15 | 0:56:17 | |
Pete, you ever see a movie I did called "A Man Named Jackson"? | 0:56:17 | 0:56:21 | |
If it came out, Tad... | 0:56:21 | 0:56:24 | |
then I saw it. | 0:56:24 | 0:56:26 | |
No, I think the axe is actually broken, yeah. | 0:56:28 | 0:56:32 | |
You got it? Good. Yeah. | 0:56:32 | 0:56:33 | |
Which is why I try to stay away from melodramas. | 0:56:53 | 0:56:56 | |
Oh, my God. I finally did it. | 0:56:56 | 0:56:58 | |
People...are you watching this? | 0:56:58 | 0:57:01 | |
Rosie? | 0:57:01 | 0:57:03 | |
Whoa! Pete! | 0:57:44 | 0:57:46 | |
-Hey, Tad. -Um...hey! | 0:57:46 | 0:57:48 | |
Can I talk to you for a sec? | 0:57:48 | 0:57:50 | |
Yeah. Sure. | 0:57:50 | 0:57:53 | |
-Forgive the intrusion, but, er... -No, no, no, no. | 0:57:53 | 0:57:56 | |
Please, er, er, fire away. | 0:57:56 | 0:57:58 | |
OK. Here it is. | 0:57:58 | 0:58:02 | |
You win. | 0:58:06 | 0:58:08 | |
OK? Fair and square. | 0:58:08 | 0:58:11 | |
You win. | 0:58:11 | 0:58:13 | |
Thank you. | 0:58:13 | 0:58:14 | |
I mean, you did have an advantage or two going in. | 0:58:14 | 0:58:18 | |
Excuse me! We're...in the middle of something here. | 0:58:18 | 0:58:22 | |
Yeah. No problem. | 0:58:22 | 0:58:24 | |
I want Rosie to be happy, | 0:58:28 | 0:58:31 | |
so, er, I gotta ask you, like, a couple questions. Uh... | 0:58:31 | 0:58:35 | |
Do you know how long she keeps her hair in straight mode | 0:58:35 | 0:58:38 | |
-and how long in curly? -Uh, wh-what? | 0:58:38 | 0:58:42 | |
-Or why her favourite necklace is a starfish clasp? -No. | 0:58:42 | 0:58:46 | |
-Do you even know that she has six different smiles? -Six smiles? | 0:58:46 | 0:58:50 | |
Yeah. One when something just flat-out makes her laugh, | 0:58:50 | 0:58:53 | |
and one when she's laughing out of politeness. | 0:58:53 | 0:58:55 | |
But there's one when she makes plans, | 0:58:55 | 0:58:57 | |
one when she makes fun of herself, | 0:58:57 | 0:58:59 | |
one when she's uncomfortable... | 0:58:59 | 0:59:02 | |
and one... | 0:59:02 | 0:59:04 | |
one when she's talking about her friends. | 0:59:04 | 0:59:07 | |
Uh... I don't know those things yet, Pete. | 0:59:09 | 0:59:12 | |
No, you don't, Tad. | 0:59:12 | 0:59:14 | |
I'm telling you, she is more of a-a... | 0:59:14 | 0:59:18 | |
a treasure than you can possibly know. | 0:59:18 | 0:59:21 | |
She is not just some wholesome, small-town girl, | 0:59:21 | 0:59:25 | |
some, like, good-for-you breath of fresh air. | 0:59:25 | 0:59:27 | |
Tad, she is a wonderful person with a huge heart. | 0:59:27 | 0:59:31 | |
And the kind of beauty that a guy only sees once, you know, once. | 0:59:31 | 0:59:35 | |
Listen, Tad, if there's even a chance | 0:59:37 | 0:59:41 | |
that you could break her heart, please, just, | 0:59:41 | 0:59:45 | |
for her sake... | 0:59:45 | 0:59:47 | |
walk away, man. | 0:59:47 | 0:59:50 | |
I could never break Rosalee's heart, OK? | 0:59:52 | 0:59:55 | |
Good. | 0:59:55 | 0:59:56 | |
Cos if you do, I swear to God, | 0:59:56 | 0:59:58 | |
I will tear you to pieces with my bare hands. | 0:59:58 | 1:00:00 | |
Or...vicious rhetoric. | 1:00:00 | 1:00:03 | |
You're a good guy, Pete. | 1:00:08 | 1:00:10 | |
But you know, it's... | 1:00:10 | 1:00:13 | |
apparently, not good enough. | 1:00:13 | 1:00:16 | |
Do you mind if I, er...? | 1:00:27 | 1:00:29 | |
Oh, yeah, no. My bad. | 1:00:29 | 1:00:31 | |
-Finish up in here. Sorry. -Thanks. | 1:00:31 | 1:00:34 | |
MUSIC PLAYING | 1:00:36 | 1:00:38 | |
You're a good kisser. | 1:00:42 | 1:00:44 | |
-But I guess it doesn't come as a shock to you to hear that. -No. | 1:00:44 | 1:00:49 | |
You're a really good kisser. | 1:00:49 | 1:00:51 | |
Even compared to Hollywood girls? | 1:00:51 | 1:00:55 | |
-Mm-hmm. -Well, that's just ridiculous. | 1:00:55 | 1:00:59 | |
-KNOCK ON DOOR -< Oh, Tad Hamilton! | 1:01:05 | 1:01:08 | |
-Your favourite two people are here. -You gotta be kidding me. | 1:01:08 | 1:01:11 | |
-Who is it? -Guess who? | 1:01:11 | 1:01:13 | |
It's my agent and my manager. | 1:01:13 | 1:01:15 | |
Taddy? | 1:01:15 | 1:01:18 | |
Oh, this is a nightmare. | 1:01:18 | 1:01:19 | |
< Housekeeping! | 1:01:19 | 1:01:21 | |
< Let us in! | 1:01:21 | 1:01:23 | |
< Hey, Tad... | 1:01:23 | 1:01:25 | |
I'd like to apologise for... | 1:01:25 | 1:01:27 | |
< Open zee zleibenshlocken! | 1:01:27 | 1:01:30 | |
Come on! You're not gonna be punk'd. | 1:01:30 | 1:01:33 | |
-Fellas. -Tad! | 1:01:33 | 1:01:35 | |
Tad Edward Hamilton. | 1:01:35 | 1:01:37 | |
Oh, howdy, little lady. | 1:01:40 | 1:01:42 | |
Hi. | 1:01:42 | 1:01:43 | |
Uh... my manager, Richard Levy | 1:01:45 | 1:01:48 | |
and my agent, Richard Levy. | 1:01:48 | 1:01:50 | |
-Uh...you're both named Richard Levy? -Who isn't? | 1:01:50 | 1:01:54 | |
-You... you must be Rosalee. -Yes. | 1:01:57 | 1:02:02 | |
-Uh, did we come at a bad time? -I hope so. | 1:02:02 | 1:02:05 | |
-Actually, yes. -Well, Tad... | 1:02:05 | 1:02:08 | |
Jimmy Ing stopped breathing. | 1:02:08 | 1:02:11 | |
-What? -You got the part, pal. | 1:02:12 | 1:02:14 | |
Seems he saw something that reminded him that he had to have you. | 1:02:14 | 1:02:18 | |
It was... It was the body of your work. | 1:02:18 | 1:02:21 | |
-I knew it! -Your credits. The reality of you and who you are. | 1:02:21 | 1:02:25 | |
That's right. He called me up, and he said, "Who am I kidding? | 1:02:25 | 1:02:28 | |
"Tad Hamilton has to play this part. There's nobody else!" | 1:02:28 | 1:02:30 | |
Oh, oh, fellas, I gotta tell you. | 1:02:33 | 1:02:34 | |
I have never felt better than I do at this moment. | 1:02:34 | 1:02:37 | |
Yeah, except for that weekend in Cabo. | 1:02:37 | 1:02:40 | |
That is exactly what... | 1:02:40 | 1:02:41 | |
Yes! That's what I'm talking about! | 1:02:41 | 1:02:44 | |
Oh, easy! I got a bad back. Oh! | 1:02:44 | 1:02:47 | |
That's exactly what I'm talking about! | 1:02:47 | 1:02:49 | |
Ah! I told you all you needed was a little good career news | 1:02:49 | 1:02:53 | |
to put your head back on straight. | 1:02:53 | 1:02:54 | |
Oh! Yes! | 1:02:54 | 1:02:57 | |
-So then, you're leaving? -Yes. | 1:02:57 | 1:03:00 | |
You've got fittings all day Monday and rehearsals start Tuesday. | 1:03:00 | 1:03:03 | |
You're back on the beam, Pally. | 1:03:03 | 1:03:05 | |
Boy, things happen fast, huh? | 1:03:06 | 1:03:09 | |
Oh, my God. You're right. | 1:03:17 | 1:03:20 | |
No, no, no. It's fine. | 1:03:20 | 1:03:22 | |
-I'm going to turn it down. -What? -What? -Wha...? | 1:03:22 | 1:03:25 | |
I came here vowing to change my priorities, | 1:03:25 | 1:03:27 | |
and at the first opportunity, I'm... | 1:03:27 | 1:03:29 | |
I'm abandoning that. | 1:03:29 | 1:03:31 | |
Tad, come on. You're not going to turn down the part. | 1:03:31 | 1:03:33 | |
-We both know that. -Yeah. | 1:03:33 | 1:03:36 | |
Give us a minute, will you, fellas? | 1:03:36 | 1:03:39 | |
We will be in the lobby. | 1:03:39 | 1:03:41 | |
I wonder if they have a masseuse on staff. | 1:03:44 | 1:03:47 | |
-I want you to go with me. -What? | 1:03:57 | 1:04:00 | |
-What?! -Shh! | 1:04:00 | 1:04:02 | |
She absolutely cannot go with him. | 1:04:02 | 1:04:05 | |
I'm not taking the part unless you go with me. | 1:04:05 | 1:04:08 | |
Although I'm sure we could work something out. | 1:04:08 | 1:04:10 | |
-Really? -Yes. Really. | 1:04:10 | 1:04:12 | |
Rosie, have you been listening to anything I've been telling you? | 1:04:12 | 1:04:16 | |
I love you. | 1:04:16 | 1:04:19 | |
How many times in your life have you said that? | 1:04:21 | 1:04:25 | |
Ay, yi, yi. | 1:04:25 | 1:04:27 | |
Uh...not counting the movies? | 1:04:27 | 1:04:30 | |
Not counting. | 1:04:30 | 1:04:32 | |
I've said it a few times. | 1:04:35 | 1:04:37 | |
But... | 1:04:37 | 1:04:39 | |
But I-I never knew what it meant. | 1:04:41 | 1:04:45 | |
I can't go with you, Tad. | 1:04:49 | 1:04:51 | |
Because you don't love me. | 1:04:53 | 1:04:54 | |
Oh... | 1:04:54 | 1:04:56 | |
You maybe want to love me, | 1:04:56 | 1:04:57 | |
but I think what you love right now is the idea of me. | 1:04:57 | 1:05:02 | |
You can't love someone for what they stand for, or what they seem to be. | 1:05:02 | 1:05:06 | |
You have to love them for their details, | 1:05:06 | 1:05:08 | |
for the little things that are true of them and only them. | 1:05:08 | 1:05:11 | |
-But I do love you for your details, Rosie. -You don't. -Yes, I do. | 1:05:11 | 1:05:14 | |
You couldn't possibly. You don't even know what they are. | 1:05:14 | 1:05:17 | |
You have six smiles. | 1:05:26 | 1:05:28 | |
What? | 1:05:28 | 1:05:31 | |
You have six smiles. Did you know that? | 1:05:31 | 1:05:35 | |
One when something really makes you laugh, | 1:05:36 | 1:05:40 | |
and one when you're just... | 1:05:40 | 1:05:43 | |
laughing out of politeness. | 1:05:43 | 1:05:45 | |
One when you're making plans, | 1:05:45 | 1:05:48 | |
and one when you're making fun of yourself. | 1:05:48 | 1:05:51 | |
And one when you're uncomfortable, | 1:05:51 | 1:05:53 | |
and one when... | 1:05:53 | 1:05:56 | |
one when you're talking about your friends. | 1:05:56 | 1:05:59 | |
-How many is that? -Like 50. | 1:05:59 | 1:06:02 | |
I told you. I told you. | 1:06:03 | 1:06:06 | |
That is so much better than any speech from any of your movies. | 1:06:08 | 1:06:12 | |
I had a better writer. | 1:06:12 | 1:06:14 | |
LAUGHS | 1:06:14 | 1:06:17 | |
So... | 1:06:17 | 1:06:19 | |
..will you go? | 1:06:20 | 1:06:22 | |
Yes. | 1:06:31 | 1:06:33 | |
# I'm goin' back to Cali, to Cali, to Cali... # | 1:06:35 | 1:06:39 | |
-What are you thinking? -Nothing. | 1:06:41 | 1:06:44 | |
I'm done thinking. | 1:06:44 | 1:06:45 | |
If I'm making some huge mistake, I don't even want to know. | 1:06:45 | 1:06:49 | |
You're not making a mistake. | 1:06:49 | 1:06:51 | |
You know, as a bartender, | 1:07:01 | 1:07:03 | |
you do learn to kind of recognise | 1:07:03 | 1:07:06 | |
those customers who...need to talk. | 1:07:06 | 1:07:09 | |
Angelica, I'm fine. But could I have, like, six more of these? | 1:07:09 | 1:07:15 | |
No, Pete, you really need to talk. | 1:07:15 | 1:07:19 | |
OK. | 1:07:22 | 1:07:24 | |
Um... I think that, er, our friend, Rosie, | 1:07:24 | 1:07:29 | |
-might be falling in love with Tad Hamilton. -Yeah. | 1:07:29 | 1:07:34 | |
Didn't have to be a bartender to see that one coming. | 1:07:34 | 1:07:37 | |
But the problem with that is... | 1:07:37 | 1:07:40 | |
..that I'm in love with Rosie. | 1:07:42 | 1:07:44 | |
You know...I always thought that maybe you were. | 1:07:47 | 1:07:52 | |
So, how much do you love her? | 1:07:59 | 1:08:01 | |
Is it love? Is it big love? | 1:08:03 | 1:08:06 | |
Or is it great love? | 1:08:06 | 1:08:08 | |
Wh...like, how... what do you mean? | 1:08:08 | 1:08:10 | |
Well, love you get over in two months, big love, two years, | 1:08:10 | 1:08:15 | |
and great love... | 1:08:15 | 1:08:17 | |
Yeah...? | 1:08:19 | 1:08:20 | |
Great love changes your life. | 1:08:20 | 1:08:23 | |
Oh, my God. | 1:08:31 | 1:08:33 | |
It's great love. | 1:08:33 | 1:08:35 | |
Isn't that great? | 1:08:40 | 1:08:42 | |
Well, you've got to win her back. | 1:08:42 | 1:08:45 | |
Angelica... | 1:08:45 | 1:08:47 | |
trust me. | 1:08:47 | 1:08:49 | |
I have tried... | 1:08:49 | 1:08:51 | |
everything. | 1:08:51 | 1:08:53 | |
Well, what did she say when you told her that you love her? | 1:08:53 | 1:08:56 | |
Well...er... | 1:08:59 | 1:09:00 | |
actually, maybe not everything, but, er... | 1:09:00 | 1:09:04 | |
What did she say when you kissed her? | 1:09:04 | 1:09:07 | |
OK, maybe it's more like, er... two things I haven't tried. | 1:09:07 | 1:09:10 | |
Well...what have you tried? | 1:09:10 | 1:09:13 | |
I have very unsubtly implied how I feel about her. | 1:09:13 | 1:09:20 | |
OK. Get up. | 1:09:20 | 1:09:21 | |
-What? -Get your ass off the barstool. | 1:09:21 | 1:09:23 | |
Angelica... | 1:09:23 | 1:09:24 | |
Hey, if you feel it | 1:09:24 | 1:09:26 | |
and you don't do everything in your power to reach for it, | 1:09:26 | 1:09:30 | |
you are basically slapping life in the face. | 1:09:30 | 1:09:32 | |
Hey, I hate to break it to you, | 1:09:32 | 1:09:35 | |
but I don't stand a chance here, OK? | 1:09:35 | 1:09:37 | |
As my father told me when I said | 1:09:37 | 1:09:40 | |
I'd never get that job in a bar, | 1:09:40 | 1:09:42 | |
"Honey, your odds go up when you file an application." | 1:09:42 | 1:09:47 | |
Sure, but, um... I'm up against... | 1:09:47 | 1:09:51 | |
Tad Hamilton. | 1:09:51 | 1:09:54 | |
You are Tad Hamilton. | 1:09:57 | 1:09:59 | |
-What? -Don't you see? | 1:10:00 | 1:10:02 | |
Everybody's Tad Hamilton to somebody, Pete. | 1:10:02 | 1:10:06 | |
Rosalee's Tad Hamilton to you, and you're Tad Hamilton to me. | 1:10:06 | 1:10:12 | |
Angelica, thank you. | 1:10:14 | 1:10:18 | |
So start acting like it. | 1:10:18 | 1:10:20 | |
OK. | 1:10:20 | 1:10:22 | |
Yeah. OK. | 1:10:22 | 1:10:25 | |
You are a really good bartender. | 1:10:26 | 1:10:29 | |
-Hi. -Hey. -Come in, come in. | 1:10:41 | 1:10:45 | |
-I have something I want to talk to you about. -Me, too. | 1:10:50 | 1:10:53 | |
-Really? You go first. -No, you go first. | 1:10:53 | 1:10:55 | |
-No, seriously, you go first. -OK. | 1:10:55 | 1:10:58 | |
Tad got a part in this huge movie, | 1:10:58 | 1:11:01 | |
and he asked me to go with him to California for the shoot. | 1:11:01 | 1:11:05 | |
We leave tomorrow afternoon. Isn't that great? | 1:11:05 | 1:11:07 | |
I probably should have gone first. | 1:11:07 | 1:11:11 | |
Why? what were you going to say? | 1:11:11 | 1:11:13 | |
It's nothing. | 1:11:16 | 1:11:18 | |
It was nothing. | 1:11:18 | 1:11:20 | |
Just, you know... | 1:11:20 | 1:11:21 | |
Travel safely, OK? | 1:11:21 | 1:11:23 | |
And just really enjoy the shoot. | 1:11:23 | 1:11:25 | |
Actually, no. I remember what I was going to say. | 1:11:30 | 1:11:32 | |
I love you, Rosie. | 1:11:44 | 1:11:46 | |
I always have. | 1:11:46 | 1:11:48 | |
If I've been a jerk this last week, | 1:11:48 | 1:11:51 | |
it's because I have been fighting. | 1:11:51 | 1:11:53 | |
I have been fighting for you. | 1:11:53 | 1:11:56 | |
I don't want to lose you to Tad Hamilton or anyone else. | 1:11:56 | 1:12:02 | |
You're the one. | 1:12:06 | 1:12:07 | |
So, er...any reaction to any of this? | 1:12:13 | 1:12:18 | |
Because now would be an excellent time. | 1:12:18 | 1:12:21 | |
Now? You kiss me now? | 1:12:24 | 1:12:28 | |
You say this to me now after 22 years of being my friend? | 1:12:30 | 1:12:34 | |
Yes, um... to all questions. | 1:12:36 | 1:12:40 | |
I'm... | 1:12:43 | 1:12:45 | |
I have to pack. | 1:12:48 | 1:12:50 | |
You, um... | 1:12:51 | 1:12:53 | |
You're telling me that you can't answer | 1:12:53 | 1:12:56 | |
the most important question that I'll ever ask in my entire life, | 1:12:56 | 1:13:00 | |
because you have to pack? | 1:13:00 | 1:13:01 | |
Well, not only do I have to pack, | 1:13:01 | 1:13:03 | |
but I have, like, a load of whites in the dryer, and, um, | 1:13:03 | 1:13:06 | |
my dad called my relatives from San Clemente | 1:13:06 | 1:13:08 | |
and they're expecting me, so, you know, it's all in the works. | 1:13:08 | 1:13:12 | |
But this is... | 1:13:12 | 1:13:13 | |
Rosie... | 1:13:15 | 1:13:16 | |
what's in your heart? | 1:13:16 | 1:13:19 | |
I'm sorry. | 1:13:28 | 1:13:31 | |
I'm sorry, too. | 1:13:38 | 1:13:40 | |
You OK, Pete? | 1:13:55 | 1:13:57 | |
Yes, sir. | 1:13:57 | 1:13:59 | |
Listen, Pete, obviously we've all been a little seduced | 1:13:59 | 1:14:03 | |
by Tad Hamilton's presence. | 1:14:03 | 1:14:05 | |
No-one more so than me. | 1:14:07 | 1:14:09 | |
But that doesn't mean I don't know, at the end of the day, | 1:14:10 | 1:14:13 | |
who cares about my daughter the most | 1:14:13 | 1:14:15 | |
and who she would be with if the world were fair. | 1:14:15 | 1:14:19 | |
Well, it's not. | 1:14:22 | 1:14:24 | |
No. No, it's not. | 1:14:24 | 1:14:27 | |
You know, when I was your age, | 1:14:27 | 1:14:29 | |
I was completely in love with Eleanor Hershey. | 1:14:29 | 1:14:33 | |
Of the chocolate Hersheys. | 1:14:35 | 1:14:38 | |
The Hershey chocolates. | 1:14:38 | 1:14:41 | |
She was a great girl. | 1:14:43 | 1:14:44 | |
Completely unpretentious. | 1:14:44 | 1:14:46 | |
I actually met her filling her Cadillac up with gas. | 1:14:46 | 1:14:49 | |
Anyway, there was this French guy. | 1:14:49 | 1:14:51 | |
He was really rich. | 1:14:51 | 1:14:54 | |
He owned, like...France. | 1:14:54 | 1:14:57 | |
And I didn't stand a chance. | 1:14:57 | 1:15:00 | |
It happens that way sometimes, Pete. | 1:15:00 | 1:15:02 | |
It shouldn't, but it does. Sometimes Goliath kicks the shit out of David. | 1:15:02 | 1:15:07 | |
It's just nobody bothers to tell that story. | 1:15:07 | 1:15:10 | |
Well, thanks, Mr Futch. | 1:15:12 | 1:15:14 | |
That's... I feel much better now. | 1:15:14 | 1:15:18 | |
Goodnight, Mr Futch. | 1:15:21 | 1:15:24 | |
Take it easy, Pete. | 1:15:24 | 1:15:26 | |
-Are you sure you know what you're doing? -No. | 1:15:41 | 1:15:44 | |
-Ever feel more confused or alone? -No. | 1:15:44 | 1:15:49 | |
Have a nice flight. | 1:15:49 | 1:15:52 | |
-So, see you after principal photography. -Yes, Daddy. | 1:16:01 | 1:16:06 | |
Hey, you guys don't mind not flying with us, right? | 1:16:06 | 1:16:09 | |
-We kind of need our privacy. -It's fine. | 1:16:09 | 1:16:12 | |
Yeah, we're looking forward to our shit-ass commercial flight. | 1:16:12 | 1:16:15 | |
-We'll be fine. -I always wanted to have a layover in Cincinnati. | 1:16:15 | 1:16:18 | |
-We will be absolutely fine. -And another one in Chicago. | 1:16:18 | 1:16:21 | |
So we'll be in LA by...April. | 1:16:21 | 1:16:23 | |
We'll be fine. | 1:16:25 | 1:16:26 | |
-It's, um...it's time. -OK. | 1:16:29 | 1:16:31 | |
Have a safe trip, Tad. | 1:16:31 | 1:16:33 | |
Bye, honey. | 1:16:33 | 1:16:35 | |
-Welcome aboard, Mr Hamilton. -Bye. | 1:16:37 | 1:16:40 | |
-Miss. -Thank you. | 1:16:40 | 1:16:42 | |
Stop it. Stop it. What's the matter with you? Oh, come on. | 1:16:47 | 1:16:51 | |
Commercial isn't so bad. | 1:16:51 | 1:16:53 | |
Please! there's got to be room for one more! | 1:16:53 | 1:16:56 | |
Will you pull yourself together? Thank you. | 1:16:56 | 1:17:00 | |
Would you like a Vicodin? | 1:17:00 | 1:17:03 | |
JET ENGINES ROAR | 1:17:05 | 1:17:08 | |
# I sit alone | 1:17:08 | 1:17:11 | |
# In a dark theatre, watching the people go by | 1:17:11 | 1:17:15 | |
# Hand in hand, everybody but me | 1:17:15 | 1:17:19 | |
# Oh... | 1:17:19 | 1:17:21 | |
# I stay behind | 1:17:21 | 1:17:25 | |
# Watching the credits roll by | 1:17:25 | 1:17:28 | |
# Roll, roll, roll right by me | 1:17:28 | 1:17:32 | |
# But I know I won't cry | 1:17:32 | 1:17:37 | |
# I won't cry | 1:17:38 | 1:17:40 | |
# Not tonight... # | 1:17:40 | 1:17:42 | |
Jimmy, being in your movie is a privilege. | 1:17:42 | 1:17:45 | |
In fact, it's more than a privilege, it's a, er, a real privilege. | 1:17:45 | 1:17:51 | |
Do you mind if I call you back in a few minutes? | 1:17:51 | 1:17:54 | |
OK. Thank you, sir. | 1:17:54 | 1:17:57 | |
You OK? | 1:18:09 | 1:18:11 | |
Mm-hmm. I'm just a little nervous for some reason. | 1:18:11 | 1:18:16 | |
I have a little nervous feeling in my self. | 1:18:16 | 1:18:21 | |
-But that's only natural, right? -Yeah. | 1:18:21 | 1:18:24 | |
I mean, this is a pretty huge thing I'm doing. | 1:18:24 | 1:18:27 | |
Kind of a great leap of faith. | 1:18:27 | 1:18:29 | |
But I have that faith...in you. | 1:18:29 | 1:18:34 | |
-So I'm fine. It's going to be great. -Good. | 1:18:34 | 1:18:37 | |
Can't you tell by my smile? | 1:18:37 | 1:18:38 | |
Which one is it? | 1:18:43 | 1:18:45 | |
-What? -What number smile is it? | 1:18:47 | 1:18:50 | |
It's, er... | 1:18:50 | 1:18:51 | |
It was, er...one. | 1:18:52 | 1:18:55 | |
No, one was when something really made me laugh. | 1:18:58 | 1:19:02 | |
Right? | 1:19:02 | 1:19:05 | |
One and a half. | 1:19:05 | 1:19:07 | |
Rosie... | 1:19:22 | 1:19:25 | |
..I didn't know about your six smiles. Pete told me about them. | 1:19:26 | 1:19:30 | |
He made me swear that I wasn't going to break your heart, | 1:19:30 | 1:19:33 | |
or he would tear me to pieces, | 1:19:33 | 1:19:35 | |
either with his bare hands or his...rhetoric. | 1:19:35 | 1:19:39 | |
I stole the speech from Pete to get you to come here with me. I lied. | 1:19:39 | 1:19:44 | |
And I'm sorry. | 1:19:44 | 1:19:46 | |
And I know you're going to be very upset, I-I just... | 1:19:46 | 1:19:50 | |
-So Pete told you about the six smiles? -Yeah. | 1:19:53 | 1:19:56 | |
-And made you swear that you wouldn't break my heart? -Mm-hmm. | 1:19:56 | 1:20:00 | |
Or he'd tear you to pieces with either his bare hands or his rhetoric? | 1:20:00 | 1:20:05 | |
Yeah. | 1:20:05 | 1:20:07 | |
That is just so... | 1:20:09 | 1:20:12 | |
..adorable. | 1:20:16 | 1:20:17 | |
What? | 1:20:20 | 1:20:21 | |
Do you think it's possible to love someone your whole life | 1:20:23 | 1:20:27 | |
and never really realise it | 1:20:27 | 1:20:30 | |
until something happens that makes you see? | 1:20:30 | 1:20:35 | |
What's that from? | 1:20:35 | 1:20:37 | |
No, it's not from anything. | 1:20:37 | 1:20:40 | |
I'm just saying it to you. | 1:20:40 | 1:20:42 | |
Oh... | 1:20:42 | 1:20:43 | |
Wow. | 1:20:46 | 1:20:47 | |
Man, what a week. | 1:20:58 | 1:21:00 | |
Fell in love for the first time, | 1:21:00 | 1:21:03 | |
got my heart broken for the first time, | 1:21:03 | 1:21:06 | |
was honourable for the first time. | 1:21:06 | 1:21:08 | |
Got bit in the ass for being honourable for the first time. | 1:21:08 | 1:21:12 | |
Bought a farm. | 1:21:12 | 1:21:15 | |
I'm sorry about the broken heart part. | 1:21:15 | 1:21:18 | |
Do you think you could take me home now? | 1:21:27 | 1:21:30 | |
Yeah. | 1:21:32 | 1:21:33 | |
THUNDER RUMBLING | 1:21:39 | 1:21:42 | |
Thank you. | 1:21:45 | 1:21:46 | |
Cathy! | 1:21:49 | 1:21:51 | |
-Rosie?! -Where's Pete? | 1:21:51 | 1:21:53 | |
He's not here. Honey, what are you doing here? | 1:21:53 | 1:21:56 | |
-He's always here. He's Pete. -No, he didn't come in today. | 1:21:56 | 1:22:00 | |
Can I borrow your car? | 1:22:01 | 1:22:03 | |
Well, yes. | 1:22:04 | 1:22:06 | |
Thank you. | 1:22:08 | 1:22:09 | |
Pete! Pete! | 1:22:22 | 1:22:25 | |
Not Pete. | 1:22:32 | 1:22:34 | |
THUNDER RUMBLES | 1:22:34 | 1:22:37 | |
Wow. | 1:22:37 | 1:22:39 | |
I'm just here cos Pete asked me to box up some stuff. | 1:22:52 | 1:22:56 | |
Oh. Why? Where's he going? | 1:22:56 | 1:22:59 | |
Richmond. | 1:22:59 | 1:23:00 | |
And he isn't going. | 1:23:00 | 1:23:03 | |
He's gone. | 1:23:03 | 1:23:04 | |
He's gone to Richmond? | 1:23:07 | 1:23:09 | |
Why? | 1:23:09 | 1:23:11 | |
I cannot believe I'm taking my work home with me. | 1:23:12 | 1:23:16 | |
When great love is rejected, Rosalee, something inside a man dies. | 1:23:19 | 1:23:25 | |
So all he can do is run away, | 1:23:25 | 1:23:27 | |
where he can meet the girl he'll love second most. | 1:23:27 | 1:23:30 | |
-Unless, um... -Unless what? | 1:23:34 | 1:23:37 | |
Unless you can get to him before he closes the book on you. | 1:23:37 | 1:23:41 | |
But once it's closed, it's closed. | 1:23:43 | 1:23:46 | |
It's finished, it's gone, dead. | 1:23:46 | 1:23:49 | |
It's crushed, it's beaten, it's buried. It is lost for all of time in a sea... | 1:23:49 | 1:23:54 | |
-Uh, Angelica. -OK. Yeah. | 1:23:54 | 1:23:57 | |
I owe you. | 1:23:57 | 1:24:00 | |
Go. | 1:24:03 | 1:24:04 | |
# I will not be beaten | 1:24:07 | 1:24:12 | |
# You have yet to see me shinin' | 1:24:12 | 1:24:18 | |
# Shinin' | 1:24:18 | 1:24:20 | |
# I won't take this | 1:24:20 | 1:24:22 | |
# Lyin' down... # | 1:24:22 | 1:24:25 | |
COUNTRY WESTERN PLAYING | 1:24:25 | 1:24:27 | |
# You're gonna lose her | 1:24:27 | 1:24:30 | |
# To another guy... # | 1:24:30 | 1:24:33 | |
BUTTON CLICKS | 1:24:33 | 1:24:34 | |
'If you've been dumped recently, give us a call at Late Night Talk. | 1:24:34 | 1:24:37 | |
'Let's go to line one.' | 1:24:37 | 1:24:39 | |
EASY ROCK INTRO PLAYS | 1:24:39 | 1:24:42 | |
# There's a million little things I'm gonna miss... # | 1:24:42 | 1:24:46 | |
HORN HONKING | 1:24:46 | 1:24:49 | |
What? Pass me. | 1:24:49 | 1:24:51 | |
HONKING | 1:24:51 | 1:24:54 | |
Pete! Pete! | 1:24:54 | 1:24:56 | |
TYRES SQUEALING | 1:24:56 | 1:24:58 | |
-Are -you OK? Yeah. | 1:25:09 | 1:25:11 | |
No...oh, no. I meant to do that. | 1:25:11 | 1:25:14 | |
The... | 1:25:32 | 1:25:34 | |
He... | 1:25:36 | 1:25:37 | |
You have five smiles, Pete. | 1:25:46 | 1:25:48 | |
One when you think someone's an idiot. | 1:25:50 | 1:25:53 | |
One when you think someone's really an idiot. | 1:25:53 | 1:25:57 | |
One when you're getting all dressed up. | 1:26:00 | 1:26:04 | |
One when you're singing Barry White. | 1:26:04 | 1:26:08 | |
And one... | 1:26:08 | 1:26:10 | |
when you're looking at me. | 1:26:10 | 1:26:13 | |
DJ: For all you lovers out there, this one's for you. | 1:26:32 | 1:26:35 | |
# I welcome you | 1:26:35 | 1:26:39 | |
# Inside my life | 1:26:39 | 1:26:42 | |
# Do what you do... # | 1:26:42 | 1:26:45 | |
I can't believe I'm going to say this, but... | 1:26:45 | 1:26:49 | |
..would you like to dance? | 1:26:51 | 1:26:53 | |
Yeah. | 1:26:55 | 1:26:57 | |
# I never thought I would love again | 1:26:57 | 1:27:02 | |
# I never thought I'd let somebody else in | 1:27:02 | 1:27:06 | |
# I never believed it | 1:27:06 | 1:27:09 | |
# I never thought I could love again | 1:27:09 | 1:27:13 | |
# No... | 1:27:13 | 1:27:14 | |
# Never thought I'd let somebody else in | 1:27:14 | 1:27:18 | |
# Never thought, I never thought, no | 1:27:18 | 1:27:20 | |
# I never thought I could trust in me, yeah | 1:27:20 | 1:27:27 | |
# But here I am in love once again | 1:27:27 | 1:27:30 | |
# Once again | 1:27:30 | 1:27:33 | |
# Oh, you make me happy | 1:27:33 | 1:27:37 | |
# So very happy, once again... # | 1:27:37 | 1:27:43 | |
Subtitles by Red Bee Media Ltd | 1:28:34 | 1:28:38 |