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# You took the part that once was my heart | 0:00:04 | 0:00:08 | |
# So why not take all of me? # | 0:00:08 | 0:00:14 | |
-Roger Cobb... -GREEN | 0:00:15 | 0:00:19 | |
-Edwina Cutwater... -YELLOW | 0:00:19 | 0:00:22 | |
-Terry Hoskins... -BLUE | 0:01:02 | 0:01:05 | |
Take it, Roger! | 0:01:18 | 0:01:21 | |
PLAYS GUITAR SOLO - "All of Me" | 0:01:21 | 0:01:26 | |
SOLO ENDS...APPLAUSE | 0:01:37 | 0:01:41 | |
TEMPO SLOWS | 0:01:46 | 0:01:50 | |
-ALARM RINGS -I'm getting too old for this. | 0:02:17 | 0:02:23 | |
ALARM STILL RINGING... SILENCE ! | 0:02:23 | 0:02:28 | |
DOORBELL RINGS | 0:02:31 | 0:02:34 | |
RINGS AGAIN | 0:02:36 | 0:02:39 | |
IMPATIENT RINGING | 0:02:42 | 0:02:45 | |
-(Oh, God...) -Happy birthday, my darling! | 0:02:45 | 0:02:50 | |
So, how does it feel to be 38? | 0:02:50 | 0:02:55 | |
Aw, great (!) | 0:02:55 | 0:02:57 | |
In two years I'll be 40. In twelve, I'll be 50. I'm really excited (!) | 0:02:57 | 0:03:02 | |
-It's... It's fun (!) -Oh, sweetie! | 0:03:02 | 0:03:05 | |
What am I doing with my life? | 0:03:05 | 0:03:08 | |
What am I doing with my career? | 0:03:08 | 0:03:11 | |
-What am I doing with us? -You're boring us. -Yeah. | 0:03:11 | 0:03:16 | |
Do you love it?! | 0:03:16 | 0:03:19 | |
It's an African grave post. | 0:03:19 | 0:03:22 | |
IS that gorgeous?! | 0:03:22 | 0:03:25 | |
A grave post for my 38th birthday? | 0:03:25 | 0:03:27 | |
..Look, I'm sorry. I like it. I really do. It's really nice! | 0:03:29 | 0:03:34 | |
I've been thinking... Remember that thing you used to wanna talk about and I didn't? | 0:03:34 | 0:03:41 | |
You know, the 'M' word? Maybe it's time we DID the 'M' word. | 0:03:41 | 0:03:46 | |
-Roger, I don't think you're ready to do the 'M' word. -I am, honest. | 0:03:46 | 0:03:51 | |
Peggy...I wanna get...'M'd'. | 0:03:51 | 0:03:54 | |
Roger, if you can't SAY the 'M' word, you're not ready to do it. | 0:03:54 | 0:04:00 | |
'Course I can say the 'M' word. Geez! | 0:04:00 | 0:04:04 | |
-CHOKING -Marriage. There. What d'you think? | 0:04:05 | 0:04:09 | |
We'll not get into this now. You'll be late for work. Daddy hates that! | 0:04:09 | 0:04:15 | |
I just came by to wish you a happy, happy 38th! | 0:04:15 | 0:04:19 | |
That's a contradiction in terms. | 0:04:19 | 0:04:22 | |
"BLUESY" SAX MUSIC | 0:04:22 | 0:04:26 | |
FINISHES NUMBER | 0:04:36 | 0:04:40 | |
-That was very bodacious. -He-ey! Roger Dodger, what it is! Hey, Bix! | 0:04:40 | 0:04:46 | |
Making any money today? | 0:04:46 | 0:04:49 | |
-Almost as much as I made last night. -That bad, huh? -Yeah. | 0:04:49 | 0:04:54 | |
I'm joining Jimmy Barr's Big Band. Come. | 0:04:54 | 0:04:58 | |
-I appreciate it, Ty, but... -Don't gimme that "but, but" jive. | 0:04:58 | 0:05:04 | |
-Look at this face! -I'm quitting the group. -What?! | 0:05:04 | 0:05:08 | |
I've got to give up something. | 0:05:08 | 0:05:10 | |
-I can still make my name in law. I'm going nowhere as a musician. -Aw-w-w, this is an unhappy face! | 0:05:10 | 0:05:19 | |
-It's not. -Hey, this is the face of a man who is giving up the wrong thing. -Don't pick my nose! | 0:05:19 | 0:05:26 | |
Correct your thinking or I'll tell the world you are a honky mook. | 0:05:26 | 0:05:32 | |
-You REALLY should not call another person a honky mook! -And why not? | 0:05:32 | 0:05:37 | |
-For one reason, you're white. -I AM? | 0:05:37 | 0:05:40 | |
-Yeah. -MUSIC : "Auld Lang Syne" | 0:05:40 | 0:05:45 | |
Oh, my God, I am. | 0:05:47 | 0:05:51 | |
-I gotta go. I'm doing the right thing. -Good jammin' with you, Bix. | 0:05:51 | 0:05:57 | |
Well? | 0:06:11 | 0:06:13 | |
Well, you're dying, all right. | 0:06:15 | 0:06:17 | |
-Since I was a child, doctors have been telling me I'm dying. -You're really doing it now. | 0:06:17 | 0:06:24 | |
-How much time? -A week, a day. | 0:06:26 | 0:06:29 | |
-A month? -Uh-uh. | 0:06:29 | 0:06:31 | |
Good. The phone. | 0:06:31 | 0:06:36 | |
-Got a cigarette? -You don't smoke. -Can't hurt now. | 0:06:40 | 0:06:44 | |
Thank you. | 0:06:49 | 0:06:52 | |
After 32 years of marriage you're still a naughty little devil. | 0:06:53 | 0:06:58 | |
INTERCOM BUZZES Answer that. Maybe it's your wife. | 0:06:58 | 0:07:03 | |
Ever since she filed for divorce she hardly ever calls. Oh! | 0:07:03 | 0:07:09 | |
Edwina Cutwater's on 1. Oh, God! ..All right. | 0:07:09 | 0:07:13 | |
It's okay. I just wanted to tell you your wife subpoenaed me. | 0:07:13 | 0:07:19 | |
Gretch, I am so sorry about that! | 0:07:19 | 0:07:22 | |
I DO have to take this call. | 0:07:22 | 0:07:25 | |
-'Morning, Margo. -Good morning, Roger. Good morning, Bix. | 0:07:30 | 0:07:35 | |
-Any good ones? Unfairly-evicted tenants, Indians...? -Mr Van Rensley called. Wants to fire his chauffeur. | 0:07:35 | 0:07:44 | |
Mr Spencer Sen wants a premarital agreement made up for Mr Spencer Jr. | 0:07:44 | 0:07:49 | |
And Mr Spencer Jr called. He wants you to tell Mr Spencer Sen to mind his own friggin' business. | 0:07:49 | 0:07:56 | |
May justice prevail. | 0:07:56 | 0:07:59 | |
-Why do I do it? -It's called paying dues. -I've been paying dues for 11 years. I should own the club now! | 0:07:59 | 0:08:07 | |
Right on, Roger! | 0:08:07 | 0:08:09 | |
No more! I want worthwhile cases! I want a partnership. | 0:08:09 | 0:08:15 | |
-You're telling the wrong folk. -I was practising. Wadding the messages is good. I'll do it for Schuyler. | 0:08:15 | 0:08:23 | |
She was the fourth woman today to tell me she'd been subpoenaed. | 0:08:23 | 0:08:28 | |
Mr Schuyler, I must talk to you. | 0:08:28 | 0:08:30 | |
I DON'T want her on the stand! | 0:08:30 | 0:08:33 | |
If you can't handle this the right way, I'll find someone who can! | 0:08:33 | 0:08:39 | |
-Mr Schuyler. -I was gonna call you. | 0:08:39 | 0:08:42 | |
-Get Miss Cutwater's files. Go to the house. She's finally dying and her affairs are to be in order. -No. | 0:08:42 | 0:08:50 | |
-I have to discuss my future here. -We are. You're going to Edwina's. | 0:08:50 | 0:08:55 | |
I want a partnership. | 0:08:55 | 0:08:58 | |
-The day you give up bebop and concentrate on the law, we'll talk. -Start talking. | 0:08:58 | 0:09:05 | |
I quit the band. I'm dedicating myself to my legal career. | 0:09:05 | 0:09:10 | |
-Later today, I'm going to buy a vest. -My God! You're serious! | 0:09:10 | 0:09:16 | |
I am serious. I want to handle the big cases. No more "trick or treat" stuff. | 0:09:16 | 0:09:22 | |
-I've waited so long to hear you say that. -But Edwina Cut... -No, listen. | 0:09:22 | 0:09:29 | |
Long after Edwina is gone from this earth, her estate is going to generate more income for this office | 0:09:29 | 0:09:36 | |
than most small countries see in a year. | 0:09:36 | 0:09:41 | |
It'll take lots of sophisticated legal expertise to structure and administer those affairs. | 0:09:41 | 0:09:50 | |
Do this for me and I'll put you in charge of it all. If that's not big law, I don't know what the hell is. | 0:09:50 | 0:09:58 | |
The more I think about this thing, the better it sounds. | 0:09:58 | 0:10:02 | |
Don't look at me like that. I'm going as a legal adviser. | 0:10:02 | 0:10:07 | |
No more being looked down upon by people who think they're better than I am because they're rich. | 0:10:07 | 0:10:16 | |
From now on, I'll be respected... by people who think they're better than I am because they're rich. | 0:10:16 | 0:10:24 | |
-I'm Roger Cobb from Schuyler and Mifflin. -You're expected. I'll show him up. | 0:10:24 | 0:10:32 | |
-Betty Ahrens. -I'm Roger Cobb. | 0:10:33 | 0:10:36 | |
-Try not to excite her. -Grayson! Oh, Grayson! -Yes, madam? | 0:10:36 | 0:10:42 | |
Don't forget the invitations. Hand-delivered the moment I die. | 0:10:42 | 0:10:47 | |
The moment you die. Yes, madam. | 0:10:47 | 0:10:49 | |
-Ah, Mister...? -Cobb. -Cobb. | 0:10:50 | 0:10:53 | |
Ah, yes, you're the tedious one. | 0:10:53 | 0:10:56 | |
Would you accompany me to my desk? | 0:10:56 | 0:10:59 | |
Here's the name of my caterer and the evening's menu. | 0:10:59 | 0:11:04 | |
-Make sure they include plenty of goose pate. -For the funeral? -Goose pate is not for funerals! | 0:11:04 | 0:11:12 | |
-Engage the Fulton Norris Orchestra for the weekend. -For a wake? | 0:11:12 | 0:11:17 | |
It's for a party. A corker. Guess what I'll do. | 0:11:17 | 0:11:21 | |
-What? -I'll come back from the dead. | 0:11:21 | 0:11:24 | |
Oh...! And...what makes you think you can do that? | 0:11:24 | 0:11:29 | |
Because I am rich. | 0:11:29 | 0:11:32 | |
Grayson, come here, please. Over. | 0:11:35 | 0:11:38 | |
Miss Cutwater, um, this is not a parking-ticket we're talking about. | 0:11:38 | 0:11:43 | |
This is the, em, Grim Reaper. | 0:11:43 | 0:11:46 | |
-You cannot bribe Him. -I spent a lifetime, shackled by frailty and poor health, | 0:11:46 | 0:11:53 | |
wheelchairs, sick-beds. | 0:11:53 | 0:11:55 | |
It's my heart, you see. | 0:11:55 | 0:11:58 | |
It means well, but it's always been something of a lemon. | 0:11:58 | 0:12:04 | |
I've got money and can't enjoy it. | 0:12:04 | 0:12:08 | |
I have never been to Europe. | 0:12:08 | 0:12:10 | |
I've never been anywhere, really. | 0:12:10 | 0:12:13 | |
Oh... Sure, I've ordered from Nieman's and Gucci's | 0:12:13 | 0:12:19 | |
but I've never actually been there. | 0:12:19 | 0:12:22 | |
I've never ridden my horses, | 0:12:22 | 0:12:25 | |
never been to the ballet, never danced. | 0:12:25 | 0:12:28 | |
But Cutwaters aren't quitters. | 0:12:28 | 0:12:31 | |
So, I've decided that if my wealth cannot help me in this life, | 0:12:31 | 0:12:36 | |
-then, by God, it'll buy me another one. -You walkie-talkied, madam? | 0:12:36 | 0:12:42 | |
Yes, please send in Mr Prahka Lasa | 0:12:42 | 0:12:44 | |
-and what's-her-name Fred's daughter. -Miss Terry. -Gas me! | 0:12:44 | 0:12:50 | |
-Am I just getting your goose pate, or do you have any legal work? -I need you to amend my will | 0:12:50 | 0:12:57 | |
so that what's-her-name, um... Fred's daughter will become inheritor for my entire estate. | 0:12:57 | 0:13:06 | |
-Ah, Your Grace! -OH !! | 0:13:06 | 0:13:09 | |
-It's all right. -All right. -Come in. | 0:13:09 | 0:13:11 | |
-Come in! Come in! Come. Come. -Come. Come. | 0:13:11 | 0:13:15 | |
(What's going on here? Who's Fred's daughter?) | 0:13:19 | 0:13:24 | |
Hello. | 0:13:28 | 0:13:31 | |
-Hello, I'm Terry Hoskins. -Roger Cobb. So, YOU'RE Fred's daughter! | 0:13:31 | 0:13:36 | |
Who the heck is Fred? | 0:13:36 | 0:13:39 | |
-Daddy, come in please! -Oh-h... | 0:13:39 | 0:13:42 | |
I'm against the 'ole thing, I am. | 0:13:42 | 0:13:45 | |
-Father is the stableman. -It's unnatural ! | 0:13:45 | 0:13:49 | |
-You're going to will all your money to the stableman's daughter and he is against it? -No. -He just said. | 0:13:49 | 0:13:57 | |
-I shall inherit nothing. -You said she was to be sole beneficiary. -Yes. -So you'll inherit the estate. | 0:13:57 | 0:14:05 | |
No, she won't. | 0:14:05 | 0:14:08 | |
-What am I missing here? -You see, thanks to His Holiness, Prahka Lasa I'm going to be transmigrated. | 0:14:08 | 0:14:17 | |
My soul will leave my body forever and become one with the universe. | 0:14:19 | 0:14:24 | |
-At which time, MY soul will enter HER body. -..Ah! Good plan (!) | 0:14:24 | 0:14:30 | |
I'm sorry, but I don't think it's a good plan at all ! | 0:14:30 | 0:14:35 | |
-Her soul going off who knows where?! -Let's not go through it again. | 0:14:35 | 0:14:40 | |
-I know I wasn't much of a father to her, but I won't lose her again! -Zip it. | 0:14:40 | 0:14:47 | |
Miss Cutwater, as your attorney, it is my duty to inform you that... | 0:14:47 | 0:14:52 | |
the will may be contested if you're deemed not of perfectly sound mind. | 0:14:52 | 0:14:58 | |
Why, you presumptuous ambulance chaser! | 0:14:58 | 0:15:03 | |
Are you insinuating that I am not of perfectly sound mind? | 0:15:03 | 0:15:08 | |
No, I wouldn't do that, but almost everyone in the solar system would. | 0:15:08 | 0:15:13 | |
Mr Cobb, the last thing I need here is your ill-informed negativity. Get out! | 0:15:13 | 0:15:20 | |
Thanks for not exciting her (!) PRAHKA LASA CHANTS | 0:15:25 | 0:15:30 | |
FRED: It's unnatural ! Terry! | 0:15:30 | 0:15:36 | |
No, Prahka! Not yet! | 0:15:36 | 0:15:39 | |
Prahka, not yet! I'm all right. I'm not ready. | 0:15:39 | 0:15:45 | |
-Is everybody here bananas? -Mr Cobb. | 0:15:46 | 0:15:50 | |
Let me explain something to you. | 0:15:50 | 0:15:53 | |
You see... | 0:15:53 | 0:15:55 | |
-Closer, please. -WEAK COUGHING | 0:15:55 | 0:16:00 | |
-THAT'S for bananas! Now, get out ! -Keep your estates! | 0:16:00 | 0:16:06 | |
Now you've hurt my hand. I'll tell Mr Schuyler you're an insolent toad | 0:16:06 | 0:16:13 | |
and demand that he fire you. | 0:16:13 | 0:16:15 | |
-Why don't you just enter his body and do it yourself?! -And don't you come back, you peasant! | 0:16:15 | 0:16:23 | |
Because my grandfather didn't rape the environment and exploit the workers doesn't make me a peasant! | 0:16:24 | 0:16:32 | |
It's not that he didn't want to. But, as a barber, he didn't have much opportunity! | 0:16:32 | 0:16:40 | |
Grayson, bring the car... and my hairdresser and the gold and diamond jewellery. Over. | 0:16:42 | 0:16:49 | |
Got to hand it to you, it's clever! | 0:16:53 | 0:16:57 | |
-What is? -Your scam. | 0:16:57 | 0:16:59 | |
It's legal, it's logical, but the bit with the bowl is overdoing it a little bit. | 0:16:59 | 0:17:07 | |
The bowl's attuned to the harmonics of Miss Cutwater's life force. | 0:17:07 | 0:17:12 | |
When her body dies it becomes the repository of her life force. It's the conduit from her body to mine. | 0:17:12 | 0:17:21 | |
-Of course, if you're wrong you inherit 20 million bucks. -I don't want her money. | 0:17:21 | 0:17:28 | |
At 15, I left home thinking I could find myself in the material world. I found only pain. | 0:17:31 | 0:17:38 | |
His Holiness, Prahka Lasa teaches that possessions transmit pain. | 0:17:38 | 0:17:43 | |
I want something more valuable than money. For it I give up my physical being and am one with the universe. | 0:17:43 | 0:17:51 | |
And...don't you think that's just a little bit whacko? | 0:17:51 | 0:17:57 | |
Feel my heart. | 0:17:57 | 0:18:00 | |
You are unhappy. | 0:18:01 | 0:18:04 | |
You are anxious and unfulfilled because you are not doing with your life as you wish. | 0:18:04 | 0:18:11 | |
I am at peace. Which one of us is crazy? | 0:18:11 | 0:18:15 | |
You are. | 0:18:15 | 0:18:18 | |
Well...thank you. | 0:18:18 | 0:18:22 | |
'Morning, Margo. | 0:18:36 | 0:18:38 | |
-Mr Durant needs you to set up a Bermuda Corporation so he can write off his honeymoon. And... -Forget it. | 0:18:38 | 0:18:47 | |
-I'm telling Schuyler he's to play me or trade me. -He's in the conference room with Miss Cutwater. | 0:18:47 | 0:18:54 | |
She's here?! | 0:18:54 | 0:18:56 | |
Also with her doctor, with her nurse, Mr Mifflin, some English girl with no bra | 0:18:56 | 0:19:04 | |
and a Hindu, holding a bedpan on a stick. I don't think you should... | 0:19:04 | 0:19:10 | |
Just a little bit to go over now. Are you strong enough to continue? | 0:19:10 | 0:19:15 | |
What? ..Oh, I'm fine! | 0:19:15 | 0:19:18 | |
-Really. -COUGHS AFFECTEDLY -Tell them. | 0:19:18 | 0:19:23 | |
-She may die any minute. -Ignore her. She's trying to make me feel good! | 0:19:23 | 0:19:29 | |
Very sorry to interrupt. | 0:19:30 | 0:19:33 | |
Madam, I wish to apologise for upsetting you before. | 0:19:33 | 0:19:37 | |
Mr Cobb, please. Don't grovel. | 0:19:37 | 0:19:41 | |
I'm not grovelling. | 0:19:41 | 0:19:43 | |
I'm apologising. | 0:19:43 | 0:19:46 | |
-Can I see you...? -If you're here to save your job, it's too late. -What? | 0:19:46 | 0:19:52 | |
It's quite lost by now. | 0:19:52 | 0:19:55 | |
Let me tell you something. | 0:19:57 | 0:20:00 | |
My father worked himself into an early grave, defending the rights of needy people. | 0:20:00 | 0:20:07 | |
Mother became a plumber's assistant to let me study law and continue his work. | 0:20:07 | 0:20:14 | |
-So if the only job I can get is in some skid row legal aid office, I'd take it... -Enough!! | 0:20:14 | 0:20:21 | |
-You're an energy vampire. -Stop! -You suck the fun out of being a lawyer! -Stop!! | 0:20:21 | 0:20:28 | |
-I have never heard such a moronic load of crap in my life! -I don't have to take that. -Not you, HER ! | 0:20:28 | 0:20:36 | |
-You hear what she wants to do with her soul? -Yeah! -Jesus Christ! -Nuts! | 0:20:36 | 0:20:41 | |
But you. Roger, you've got guts! | 0:20:41 | 0:20:44 | |
I never saw you stand up to anyone like that. You've a fire inside you. | 0:20:44 | 0:20:51 | |
To defend those who really need you. | 0:20:51 | 0:20:53 | |
-I never knew that about your father or mother. -I made that up. | 0:20:53 | 0:20:59 | |
-You didn't?! -Yeah. -You son of a gun! -Was pretty good, huh? | 0:20:59 | 0:21:04 | |
Roger, I have a case that needs a lawyer just like you. | 0:21:04 | 0:21:09 | |
You win it and I'll put you up for a partnership. | 0:21:09 | 0:21:13 | |
-This is not for one of these rich goofballs? -No. For a nice man who's getting divorced. | 0:21:13 | 0:21:21 | |
-I think I'm gonna be a partner! -Mazeltov! | 0:21:21 | 0:21:25 | |
O-oh, Bix, you're gonna be a partner's best friend! | 0:21:25 | 0:21:31 | |
Call the Fulton Norris Orchestra. | 0:21:31 | 0:21:34 | |
Tell them Miss Cutwater requests her favourite saxophone player, Tyrone Wattell, for a party. | 0:21:34 | 0:21:42 | |
-She'd like him to receive 1,000 for the night. -What a guy! | 0:21:42 | 0:21:48 | |
Now, then... | 0:21:48 | 0:21:51 | |
Mr Mifflin can get Mr Cutassel. I'll sign as executor of the estate, | 0:21:51 | 0:21:56 | |
and then we will be all signed, > sealed and... | 0:21:56 | 0:22:00 | |
A tunnel! | 0:22:03 | 0:22:05 | |
-Edwina? -With a very bright light. -I was afraid of this. | 0:22:05 | 0:22:10 | |
-What the hell's she talking about? -Terry... Oh, Prahka. -Oh-h-h-h-h... | 0:22:10 | 0:22:15 | |
PRAHKA CHANTS AMIDST CONFUSION | 0:22:15 | 0:22:20 | |
Did she sign everything?! | 0:22:25 | 0:22:28 | |
< Get me 10 IV. Hurry! | 0:22:28 | 0:22:31 | |
SCHUYLER: Kim! Call the insurance company! | 0:22:31 | 0:22:35 | |
CHANTING | 0:22:35 | 0:22:39 | |
Doctor? I'm losing her. I'm losing her. | 0:22:42 | 0:22:46 | |
Get out my way, you...! | 0:22:50 | 0:22:53 | |
I lost her! | 0:22:55 | 0:22:58 | |
BOWL CLATTERS TO GROUND | 0:23:00 | 0:23:03 | |
-Where am I? -What? | 0:23:08 | 0:23:10 | |
-GASPS -I'm breathing! I must be alive! -Who said that? -No, I just died. | 0:23:10 | 0:23:18 | |
I'm picking up General Hospital in my fillings. | 0:23:18 | 0:23:22 | |
Then, it worked! Oh, my Lord!! | 0:23:22 | 0:23:26 | |
What the hell's happening to me?! | 0:23:29 | 0:23:32 | |
-EFFEMINATELY: -'I feel like...the healthiest woman alive! Oh-h-h!' | 0:23:32 | 0:23:39 | |
Who said that?! I did. | 0:23:39 | 0:23:42 | |
-I'm going crazy. -Uh-oh! | 0:23:42 | 0:23:45 | |
-That does not sound like Fred's daughter. -No... | 0:23:45 | 0:23:49 | |
I'm not going crazy. Something hit me on the head. I'm hallucinating. | 0:23:49 | 0:23:55 | |
-GOD !! -Oh, shit! | 0:23:55 | 0:23:59 | |
-What the hell are you doing there?! -I can't even die right! | 0:23:59 | 0:24:04 | |
Why are you doing this to me? | 0:24:04 | 0:24:06 | |
-Dear God, don't you get enough laughs? What did -I -do to you?! | 0:24:06 | 0:24:12 | |
-Somebody tell me this is not happening. -I'm afraid it is. | 0:24:12 | 0:24:17 | |
Let's just go have Prahka Lasa straighten out this mess. | 0:24:17 | 0:24:22 | |
My right leg! I'm paralysed! | 0:24:22 | 0:24:24 | |
-Here, let ME try. -Ah-h-h-h!! | 0:24:24 | 0:24:27 | |
-We obviously have mutual control over our body. -"OUR" body?! | 0:24:29 | 0:24:34 | |
-I'LL not share my body with anyone! -Everyone'll be real disappointed (!) | 0:24:34 | 0:24:40 | |
Where are we going? 'We've got to find Prahka Lasa.' I can't go in. | 0:24:40 | 0:24:45 | |
Schuyler'll think I'm... Excuse me, this is a private conversation. NO! | 0:24:45 | 0:24:50 | |
PLEASE, just do as I say. | 0:24:50 | 0:24:53 | |
Oh-h-h-h-h!! | 0:24:53 | 0:24:56 | |
BOTH STRAINING | 0:24:56 | 0:24:59 | |
Ah, you seem to have control over the left side of your body, | 0:25:03 | 0:25:08 | |
while I feel dominant on the right. Oh, let GO of that! | 0:25:08 | 0:25:14 | |
Oh, you bitch! | 0:25:14 | 0:25:17 | |
'How about a little respect for the deceased? | 0:25:17 | 0:25:22 | |
'Let go of my hand, you brute!' ..I will not! | 0:25:22 | 0:25:27 | |
If you want me out of you then you must stop this ridiculous behaviour! | 0:25:30 | 0:25:37 | |
Lady, I don't know how you got in there, but I'm gonna get you out of me right now. Let's go! | 0:25:37 | 0:25:45 | |
Just wait. I'LL go first. Calm down and try to concentrate. | 0:25:45 | 0:25:50 | |
I'm the right side, and you're the left. First me, then you. | 0:25:50 | 0:25:56 | |
Me, you. | 0:25:56 | 0:25:59 | |
See? If we just co-operate. | 0:25:59 | 0:26:01 | |
We have to find Prahka Lasa. | 0:26:01 | 0:26:04 | |
-There's something we have to do first. -What? -Take a leak. | 0:26:04 | 0:26:11 | |
Bix, go see Margo! | 0:26:15 | 0:26:17 | |
Your foot, my foot, your foot, my foot. Very good! Your foot... | 0:26:17 | 0:26:23 | |
You're doing wonderfully well ! | 0:26:23 | 0:26:25 | |
-Isn't it awful ? -You've no idea. | 0:26:25 | 0:26:28 | |
'I can't go in the men's room!' Shut up and do as I say! | 0:26:28 | 0:26:33 | |
WHISTLING | 0:26:33 | 0:26:36 | |
Don't you ever yell at me again! | 0:26:40 | 0:26:43 | |
-I'm sorry, but this is NOT my idea of a good time! -It's not my best day. I just died. | 0:26:43 | 0:26:50 | |
Oh...God! YOU'LL have to do it. | 0:26:50 | 0:26:55 | |
-I'll have to do what? -You know. Take it out. | 0:26:55 | 0:26:59 | |
-Take what out? -The little fireman. | 0:26:59 | 0:27:03 | |
-Little fireman? -My PENIS !! -How dare you say "penis" to a dead person! | 0:27:03 | 0:27:10 | |
Listen, lady, if you don't give "Big Ed" some air he's gonna piss all over your half of MY body! | 0:27:10 | 0:27:18 | |
Mr Cobb, if you are trying to scare me, it won't work. | 0:27:18 | 0:27:23 | |
Stop it! Stop it!! | 0:27:32 | 0:27:35 | |
..All right, first, let go of your gr-r-rip. | 0:27:35 | 0:27:39 | |
Now, slowly take your hand... Now, slowly!! All right. | 0:27:41 | 0:27:46 | |
We're going to try it again. | 0:27:46 | 0:27:48 | |
Carefully. Very carefully. | 0:27:49 | 0:27:52 | |
SIMULTANEOUS CLEARING OF THROATS | 0:27:54 | 0:27:57 | |
-What the hell are you DOING in there?! -Trying to release your "Mr Ed". | 0:27:57 | 0:28:03 | |
-Don't play with it! -You needn't talk. I can hear your thoughts. | 0:28:03 | 0:28:09 | |
Oh, great! Just what I always wanted (!) | 0:28:09 | 0:28:14 | |
URINATES | 0:28:14 | 0:28:18 | |
-Shall I tap? -Yes. | 0:28:27 | 0:28:30 | |
-Tap, tap. -Thank you. | 0:28:30 | 0:28:33 | |
I meant what I said about yelling. | 0:28:33 | 0:28:38 | |
I was, uh... just talking to myself in there. | 0:28:41 | 0:28:46 | |
-Was nothing much. -There's Fred's daughter! -'Yoo-hoo, Terry!' | 0:28:46 | 0:28:52 | |
-From now on, don't use my mouth. Try to walk more like a man! -All right. | 0:28:52 | 0:28:59 | |
-I feel so terrible. -I know. It's not your fault it didn't work. | 0:29:00 | 0:29:06 | |
-How do you know it didn't work? -You'll not believe... | 0:29:06 | 0:29:11 | |
-Where's the swami? -He left. He's shy. -Left?! Where did he go?! | 0:29:11 | 0:29:16 | |
-'Don't worry. I know where he'll be.' You'd better! -Mr Cobb? | 0:29:16 | 0:29:21 | |
-D'you still want to go through the transmigration thing? -Yes. -Mr Cobb? | 0:29:21 | 0:29:26 | |
Excuse me. Mr Schuyler wants you. | 0:29:26 | 0:29:29 | |
Thanks. Where can we reach you? | 0:29:29 | 0:29:32 | |
-I'm staying at Miss Cutwater's. Who's "we"? -Roger, he said NOW. | 0:29:32 | 0:29:37 | |
I'll explain later. Trust me. | 0:29:37 | 0:29:40 | |
Don't swing your arm so much! | 0:29:42 | 0:29:45 | |
There's something odd about Cobb. You've just noticed he's odd?! He's speaking with a funny voice. | 0:29:45 | 0:29:53 | |
Have you heard his secretary? He's... | 0:29:53 | 0:29:57 | |
We'll discuss this later. | 0:29:57 | 0:30:00 | |
'Tattle-tale!' | 0:30:02 | 0:30:05 | |
-YOU feeling okay? -Yeah. Just this Cutwater thing got under my skin. I need leave... -No. Court tomorrow. | 0:30:05 | 0:30:13 | |
-Tomorrow. I... -Clear the decks. | 0:30:13 | 0:30:17 | |
Sit down. | 0:30:17 | 0:30:20 | |
It's MY divorce. | 0:30:20 | 0:30:22 | |
Nobody knew. | 0:30:22 | 0:30:25 | |
It's embarrassing. Seymour was representing me. Wanted me to settle. | 0:30:25 | 0:30:31 | |
-If you want a partnership, you do for me what you did in... -Oh, God, not now! -Explain what happened. | 0:30:31 | 0:30:40 | |
If I tell him, he'll put me away. | 0:30:40 | 0:30:43 | |
-First, there's something very personal I have to clear up. -Sit down. I'll tell everything. | 0:30:43 | 0:30:50 | |
-No... -Don't be embarrassed. | 0:30:50 | 0:30:54 | |
-I started cheating on my wife three years ago. -Oh, goody, man-talk! -I never intended to. | 0:30:54 | 0:31:02 | |
-Women started throwing themselves at me. -'You must be joking!' -What? -I must be choking. | 0:31:02 | 0:31:09 | |
-I know it's not because I'm Paul Newman. -'You can say that again!' -What?! -Could you say that again? | 0:31:09 | 0:31:16 | |
-I'm not Paul Newman? -NOT Paul Newman. | 0:31:18 | 0:31:23 | |
Anyway, | 0:31:25 | 0:31:27 | |
it seems that one of my wife's best friends suddenly lost her husband. | 0:31:27 | 0:31:32 | |
Women usually do outlive their men. | 0:31:32 | 0:31:35 | |
Naturally, she found herself cut off from her normal sexual relations | 0:31:35 | 0:31:40 | |
-and... -And you comforted her. You did nothing wrong. -Yeah, I was incredible! | 0:31:40 | 0:31:47 | |
I think I can figure out the rest. | 0:31:47 | 0:31:50 | |
-Then another was widowed... -Two indiscretions. No big deal. | 0:31:50 | 0:31:55 | |
And another one, and, em, another. | 0:31:55 | 0:31:58 | |
Soon, just going to a funeral would give me a hard-on. | 0:31:58 | 0:32:03 | |
-Speaking on behalf of the dead, I find this disgusting! -I got the picture. -It's not just sex. | 0:32:03 | 0:32:10 | |
Let me tell you. | 0:32:10 | 0:32:14 | |
These sweet, darling ladies have given new purpose to my life... | 0:32:14 | 0:32:19 | |
Are you all right? | 0:32:19 | 0:32:22 | |
-Fine. Fine. -Oops, sorry! | 0:32:22 | 0:32:25 | |
Do you understand what I'm saying? | 0:32:25 | 0:32:27 | |
I get to give love and happiness to people who really need it. | 0:32:27 | 0:32:32 | |
Hell, I'm the West Coast distributor of love and happiness. | 0:32:32 | 0:32:38 | |
-I should get a dinner, not court. -HE should get a social disease! -I won't let you down. -I hope not. | 0:32:38 | 0:32:45 | |
Shake hands with him, like a man. | 0:32:45 | 0:32:48 | |
Crazy musicians! | 0:32:48 | 0:32:51 | |
-You won't regret this. -I know. | 0:32:51 | 0:32:54 | |
If I do, you'll never practise in the Free World again. | 0:32:54 | 0:33:00 | |
-I certainly hope you plan on losing that case! -How'd it go? | 0:33:04 | 0:33:10 | |
-I plan to lose YOU! -Thanks a lot! | 0:33:10 | 0:33:13 | |
You've a lot to learn about making someone feel welcome. | 0:33:13 | 0:33:19 | |
I never liked you when you were in your body. I hate you in mine!! | 0:33:19 | 0:33:24 | |
Why are YOU getting so upset? | 0:33:24 | 0:33:28 | |
'Cause I want my body back! I want my freedom and my privacy! | 0:33:28 | 0:33:33 | |
-To take a leak and not be fondled. -It may be hard to believe, | 0:33:33 | 0:33:38 | |
but fondling you as you make pee-pee is not my idea of fun. | 0:33:38 | 0:33:44 | |
Fine... Fine! | 0:33:44 | 0:33:47 | |
It's two o'clock. I have a lot of work to do. | 0:33:47 | 0:33:51 | |
-I want you out of me by 3.15. Now, where's the swami? -Well... | 0:33:51 | 0:33:57 | |
He's never been away from Tibet, | 0:33:57 | 0:33:59 | |
so I've put him up at the Ambassador. What IS the number? | 0:33:59 | 0:34:05 | |
Hotels. H... H... H... | 0:34:05 | 0:34:08 | |
HUMMING | 0:34:08 | 0:34:10 | |
-# -Let your fingers do... -# -Here it is! The Ambassador. | 0:34:10 | 0:34:15 | |
And look over here! Arlington! | 0:34:15 | 0:34:18 | |
Where Mummy, in spring '62, had her amethyst stolen. Distressing! | 0:34:18 | 0:34:23 | |
GIVE me that!! | 0:34:23 | 0:34:26 | |
SINGS QUIETLY | 0:34:27 | 0:34:31 | |
FLUSHES, PHONE RINGS | 0:34:35 | 0:34:38 | |
SWAMI MIMICS "RINGING" FROM BIDET | 0:34:38 | 0:34:41 | |
FLUSHES, RINGING CONTINUES Ring! | 0:34:41 | 0:34:46 | |
FLUSH, RING Ring! | 0:34:46 | 0:34:50 | |
FLUSHES, PHONE STOPS RINGING | 0:34:50 | 0:34:54 | |
No. He hasn't checked out. | 0:34:58 | 0:35:01 | |
-Oh, dear. -Yeah. Oh, dear (!) | 0:35:09 | 0:35:12 | |
-"I know where to find him". Good going, Edwina (!) -Miss Cutwater. | 0:35:12 | 0:35:18 | |
Hi, Margo. Oh, hi, Peg. | 0:35:18 | 0:35:21 | |
Anyone fondling me in a men's room, I can be on first name terms with! | 0:35:21 | 0:35:27 | |
-'You told me to pull out your penis.' -Coffee? | 0:35:27 | 0:35:31 | |
Where is she?! | 0:35:34 | 0:35:37 | |
Oh, boy... | 0:35:37 | 0:35:40 | |
-WHERE is she?! -There's nobody here. -Liar!! I heard her. | 0:35:40 | 0:35:44 | |
-So you wanna get married? -There's nobody else here. -You little slut! | 0:35:44 | 0:35:51 | |
'Who is she calling a slut?!' SHH! | 0:35:51 | 0:35:53 | |
I heard that! | 0:35:55 | 0:35:58 | |
-Where is she? -It was me. Bix, stop! | 0:35:58 | 0:36:03 | |
-It was you? -I was talking to myself. | 0:36:03 | 0:36:06 | |
-Listen. 'Your perfume suits you. It's cheap and common.' -Your side! | 0:36:06 | 0:36:13 | |
-Who fondled you in the men's room? -Me. -Liar! -How DARE she! -Edwina! | 0:36:13 | 0:36:18 | |
Edwina?! My name is Peggy, you pig! | 0:36:18 | 0:36:22 | |
No, let me explain. It's Edwina Cutwater, she died today. | 0:36:22 | 0:36:27 | |
..You did it with a DEAD woman?! | 0:36:27 | 0:36:30 | |
-No... -Roger, you are sick! | 0:36:30 | 0:36:33 | |
-To think I came up here to discuss marrying you, even though I heard what you're doing to Mother. -What? | 0:36:33 | 0:36:41 | |
-You're going to court to represent "the other side" against my mother. -I'm representing your father! | 0:36:41 | 0:36:48 | |
-To beat my mother! -Oh, God...! | 0:36:48 | 0:36:51 | |
-If you do this, we're through. -If I don't your father'll have my balls. | 0:36:51 | 0:36:56 | |
Then it's either me or your balls. | 0:36:56 | 0:36:59 | |
But you can't have both! | 0:36:59 | 0:37:01 | |
Mmm... | 0:37:03 | 0:37:05 | |
I'm not sure what purpose balls serve, but they've got to make a better pair than the two of you. | 0:37:05 | 0:37:13 | |
Well? | 0:37:14 | 0:37:16 | |
-I'm very attached to them, Peg. -Goodbye, Roger. | 0:37:16 | 0:37:21 | |
By the way, I never liked your dog! | 0:37:23 | 0:37:27 | |
And I think jazz is stupid! | 0:37:27 | 0:37:29 | |
..And I faked all those orgasms. | 0:37:35 | 0:37:37 | |
Sound familiar (?) | 0:37:45 | 0:37:48 | |
Yeah, well I faked mine...too... | 0:37:48 | 0:37:51 | |
Aw, we're better off without HER. She just isn't right for us. | 0:37:54 | 0:38:00 | |
-Ever since our "accident", I have sensed a lot of hostility coming from you. -Well, excuse me (!) | 0:38:04 | 0:38:12 | |
But I'm watching my entire career go down the sewer 'cause I've got a dead woman living inside me. | 0:38:12 | 0:38:20 | |
-The only one who can get you out is a cosmic weirdo you can't find! -I can... Wait! D'you have a car? | 0:38:20 | 0:38:29 | |
-Oo-h, this is fun! -Dammit! | 0:38:30 | 0:38:33 | |
-Whee-ee! -What are you doing? -I'm gonna learn how to drive. | 0:38:33 | 0:38:38 | |
-What are all these pedal things? -Get your foot off the gas! | 0:38:38 | 0:38:44 | |
-Ow! I could strangle this mangey mongrel ! -All right. That's it. | 0:38:44 | 0:38:50 | |
-This isn't the way! Where are we going? -I'll not submit my dog to this, one minute more. Tyrone! | 0:38:50 | 0:38:57 | |
Oh, great! I gotta talk to you. | 0:38:57 | 0:39:00 | |
Roger Dodger! Got a call from the union about some gig. Wouldn't say who recommended me. Had to be you. | 0:39:00 | 0:39:09 | |
-Thanks. -Hey. 'Can we get on?' | 0:39:09 | 0:39:12 | |
-Someone with you? -Sort of, yeah. | 0:39:12 | 0:39:16 | |
Well, introduce me to the lady. | 0:39:16 | 0:39:19 | |
Edwina Cutwater, Tyrone Wattell. | 0:39:19 | 0:39:22 | |
'Pleased to meet you.' | 0:39:22 | 0:39:25 | |
Pleased to meet you. Hairy knuckles for a chick. | 0:39:25 | 0:39:29 | |
-I need your help. Can you take care of Bix for a few days? -Sure, I'd... | 0:39:29 | 0:39:35 | |
-Wait a minute. What's wrong? -I don't think I can explain. -WHAT'S wrong? | 0:39:35 | 0:39:41 | |
Well... Edwina died today. | 0:39:41 | 0:39:43 | |
-Her soul entered me and took over half of my body. -Why didn't you say so? -I knew you'd understand. | 0:39:43 | 0:39:52 | |
-I got friends crazier than you, but I ain't got many better. -Thanks. Go, Bix. | 0:39:52 | 0:39:59 | |
Come, Bix. Nice meeting you, Edwina. | 0:39:59 | 0:40:02 | |
-'Bye!' -SCREECH OF TYRES | 0:40:02 | 0:40:06 | |
A woman who would rather buy a candle than curse the darkness. | 0:40:08 | 0:40:14 | |
-CHOIR SINGS SOFTLY IN BACKGROUND -Boy, you pack 'em in, don't you (!) | 0:40:14 | 0:40:20 | |
-(Come in.) I'll start over, if you like. -Uh, no, thank you. | 0:40:20 | 0:40:25 | |
And we wonder, oh, Lord, what it means when a person passes away | 0:40:28 | 0:40:33 | |
-and so few take the time to pay final respects. -Oh, big deal (!) | 0:40:33 | 0:40:39 | |
He's not here. Let's go find him. | 0:40:39 | 0:40:41 | |
-We HAVE received a number of mailgrams from bereaved loved ones. -Wait! I must hear this. | 0:40:41 | 0:40:49 | |
-I have to prepare for the most important case of my life. Come on. -No! I want to hear this! | 0:40:49 | 0:40:56 | |
-Really... -I mean it. SIT !! | 0:40:56 | 0:40:59 | |
-Very touching. "We will miss her. Bellaire Oxygen Supply Co." -Sweet. | 0:40:59 | 0:41:05 | |
"She was truly a great customer. J & J Wheelchairs." | 0:41:05 | 0:41:10 | |
They remembered! | 0:41:10 | 0:41:12 | |
-From Browning Orthopaedic Mattresses "May she continue to rest in peace". -How deeply touching! | 0:41:12 | 0:41:21 | |
-Mr Cobb. -Huh...? -Mr Cobb. | 0:41:33 | 0:41:36 | |
Oh, hi. | 0:41:36 | 0:41:39 | |
What...? | 0:41:39 | 0:41:41 | |
-What time is it? -Almost midnight. This morning you were going to tell me how you knew it didn't work. | 0:41:41 | 0:41:49 | |
Oh, God... | 0:41:49 | 0:41:51 | |
Edwina? | 0:41:51 | 0:41:54 | |
She's asleep. | 0:41:54 | 0:41:56 | |
-Who's asleep? -Sh-h. Edwina. Don't wake her. Wow...! | 0:41:56 | 0:42:01 | |
-This is great when she's asleep! -She's dead. | 0:42:01 | 0:42:05 | |
No, she's not. She entered me instead of you. | 0:42:05 | 0:42:10 | |
-What? -Where's the swami? | 0:42:10 | 0:42:13 | |
-I haven't seen him. -Maybe he's back at the hotel. -I called. He's not. | 0:42:13 | 0:42:18 | |
We should go there and wait for him. I can't take much mo... | 0:42:18 | 0:42:23 | |
Oh, dear! Relax. Stop worrying. | 0:42:23 | 0:42:26 | |
-I really think we ought to go find him. -I'm sure he'll help you more tomorrow morning. | 0:42:26 | 0:42:34 | |
If Miss Cutwater really is inside you, he will help her leave your body and enter mine... | 0:42:34 | 0:42:42 | |
Okay. | 0:42:42 | 0:42:44 | |
Mr Cobb. | 0:42:47 | 0:42:50 | |
This morning, | 0:42:50 | 0:42:52 | |
-when I placed your hand on my heart, did you feel anything special? -Yes. | 0:42:52 | 0:42:59 | |
-I felt your left... -Yes. | 0:42:59 | 0:43:02 | |
I felt something very special pass between us. | 0:43:02 | 0:43:07 | |
Oh, Mr Cobb, by this time tomorrow, my soul will be gone. I want to know love, one last time. | 0:43:07 | 0:43:14 | |
-If you think we really ought to... -Please, Mr Cobb... | 0:43:14 | 0:43:19 | |
Let me take the memory of passion to sustain me in the next world. | 0:43:19 | 0:43:24 | |
So this would be, like, | 0:43:24 | 0:43:27 | |
-for a good cause? -Oh, yes... | 0:43:28 | 0:43:33 | |
(God... We have to be VERY quiet!) | 0:43:34 | 0:43:37 | |
Sure! Sure! | 0:43:37 | 0:43:40 | |
Good cause. It's for a good cause. | 0:43:47 | 0:43:50 | |
I'm ready, Mr Cobb. Take me! | 0:43:56 | 0:43:59 | |
Keep sleeping, Edwina. | 0:43:59 | 0:44:02 | |
-SHE MOANS -Now! | 0:44:02 | 0:44:06 | |
-SLEEPY SIGHING -What...? What IS all this? | 0:44:20 | 0:44:24 | |
-What's going on here? -Oh, no! | 0:44:24 | 0:44:27 | |
-Oh, yes... -What ARE you doing to her? -I'm not doing anything. | 0:44:27 | 0:44:32 | |
Go back to sleep. You're dreaming. 'Why, Miss Hoskins! You whore!' | 0:44:32 | 0:44:37 | |
'You lascivious whore!' Oh, no! | 0:44:37 | 0:44:40 | |
-Oh, YES ! -'You're a shameless little slut!' | 0:44:40 | 0:44:44 | |
-Yes! -Shut up! -Talk dirty. | 0:44:44 | 0:44:47 | |
-'You're nothing but a cheap sex tramp!' -Good! Good! | 0:44:47 | 0:44:52 | |
Now, call me a poodle. Call me a cheap, slut, sex poodle. | 0:44:52 | 0:44:56 | |
-'You deserve a good spanking!' -Oo-oh, Mr Cobb! | 0:44:56 | 0:45:01 | |
-'Oh, you... You little bad bunny!' Edwina! No! -Mr Cobb, YES ! You love rocket! | 0:45:01 | 0:45:08 | |
-'Stop talking like that!' -Spank me again, you bad boy! -Edwina, stop it! | 0:45:08 | 0:45:14 | |
'She should be ashamed of herself! And you should, too!' HEY !! | 0:45:14 | 0:45:19 | |
Mr Cobb...! | 0:45:19 | 0:45:22 | |
Edwina, go away! 'I own that body. What if you got her pregnant?' | 0:45:23 | 0:45:28 | |
-No, YOU have no right! 'And you have no class. You're crude and unattractive.' -God, it IS her! | 0:45:28 | 0:45:36 | |
I'm sorry you had such a lousy life, I really am. | 0:45:38 | 0:45:43 | |
Just 'cos nobody did this to you... | 0:45:43 | 0:45:46 | |
I am quite proud of my virginity! It's a thing I always treasured. | 0:45:46 | 0:45:52 | |
-Nobody else ever wanted it!! -DOOR SLAMS | 0:45:52 | 0:45:56 | |
Terry, wait! | 0:45:56 | 0:45:58 | |
SIGHING | 0:46:03 | 0:46:06 | |
Lady, | 0:46:08 | 0:46:10 | |
if Prahka-CACA doesn't show up by tomorrow, I'm gonna get a lobotomy, | 0:46:10 | 0:46:15 | |
or something. But you're getting the keys to the street! | 0:46:15 | 0:46:20 | |
Oh, stop being such a martyr. | 0:46:20 | 0:46:23 | |
-As soon as I'm not dead any more, I'll pay you for your troubles. -It's why no-one was at the service. | 0:46:23 | 0:46:30 | |
You forgot to hire mourners. | 0:46:30 | 0:46:33 | |
-You're an insensitive horse's ass. D'you know that? -Drop dead! | 0:46:33 | 0:46:39 | |
Look, Cobb, I am talking to you! | 0:46:39 | 0:46:42 | |
There's a good reason why nobody showed up at my memorial service. | 0:46:42 | 0:46:48 | |
-Yeah? What? -I have no friends. | 0:46:48 | 0:46:52 | |
I'm looking back at an entire lifetime, and I don't have one friend. | 0:46:54 | 0:47:01 | |
I've never had any friends. | 0:47:01 | 0:47:04 | |
I've had only nannies and tutors and servants and nurses... | 0:47:04 | 0:47:09 | |
Once my parents hired a clown to entertain me. But he didn't like me. | 0:47:09 | 0:47:16 | |
And when my parents weren't in the room, he'd just sit there without even trying to amuse me. | 0:47:16 | 0:47:24 | |
That's a terrible clown! | 0:47:29 | 0:47:32 | |
Yes. Well, that's not all. | 0:47:32 | 0:47:35 | |
When Fred's daughter was a little girl, she'd come to my house to visit her father. | 0:47:35 | 0:47:42 | |
The nurses would push my oxygen tent over to the window to let me watch her and all her friends | 0:47:42 | 0:47:49 | |
ride my horses and swim in my pool and run and play and laugh. | 0:47:49 | 0:47:54 | |
And dance... Oh... | 0:47:54 | 0:47:57 | |
And I swore | 0:47:57 | 0:48:00 | |
I'd give every cent I had to be able to do all that. To be free. To be like HER. | 0:48:00 | 0:48:07 | |
Well... Well, I've humiliated myself. | 0:48:07 | 0:48:13 | |
Anyway, what I really wanted to say was I'm sorry I spoiled your birthday. | 0:48:14 | 0:48:21 | |
-I'm sorry if I made your being dead an unpleasant experience. -I AM dead, aren't I? Make me not dead. | 0:48:21 | 0:48:30 | |
I can't, Edwina. | 0:48:30 | 0:48:33 | |
No sense wishing. | 0:48:33 | 0:48:36 | |
I feel MUCH better. | 0:48:39 | 0:48:42 | |
-It's late. Go back to sleep. -Well, aren't YOU coming to bed? | 0:48:42 | 0:48:48 | |
-YAWNING -I can't. | 0:48:48 | 0:48:51 | |
I gotta prepare for this case tomorrow. YOU go to sleep. | 0:48:51 | 0:48:57 | |
-SHE YAWNS -Okay. Goodnight, Roger. | 0:48:57 | 0:49:01 | |
Goodnight, Edwina. | 0:49:01 | 0:49:04 | |
Roger! Roger! | 0:49:05 | 0:49:09 | |
Roger, wake up. Funeral time. | 0:49:09 | 0:49:13 | |
Let's go! We've got to get up, Roger. Come on! Up, up! Let's go! | 0:49:13 | 0:49:18 | |
Did you have a good night's sleep last night? | 0:49:18 | 0:49:23 | |
Oh, yeah. Got the full seven, seven and a half minutes. | 0:49:23 | 0:49:28 | |
Oh, God... | 0:49:28 | 0:49:31 | |
CHANTING | 0:49:34 | 0:49:37 | |
PHONE RINGS | 0:49:37 | 0:49:40 | |
HE SINGS: # Ring! # | 0:49:40 | 0:49:43 | |
FLUSHING AND "RINGING" | 0:49:43 | 0:49:47 | |
# Ring! | 0:49:47 | 0:49:50 | |
# Ring! # | 0:49:50 | 0:49:53 | |
PHONE RINGS OUT | 0:49:53 | 0:49:56 | |
Roger! | 0:49:56 | 0:49:59 | |
-All right, I'm awake! -You've no idea what it's like to be in a healthier body than ever before! | 0:50:05 | 0:50:13 | |
I tried to find out last night. | 0:50:13 | 0:50:16 | |
I cannot believe you are still upset about that. Careful. | 0:50:16 | 0:50:21 | |
Of course you can't! Hurry this up. | 0:50:21 | 0:50:23 | |
Your problem is, you don't understand how life is to be lived. To be experienced and savoured. | 0:50:23 | 0:50:31 | |
I know. Why d'you think I've gone to so much trouble and expense to buy another chance? | 0:50:31 | 0:50:39 | |
-Because you mistakenly assume it'll make a difference. -It will, too! -You'll still be the same sourpuss. | 0:50:39 | 0:50:47 | |
-As bitter and alone as ever. -No. | 0:50:47 | 0:50:50 | |
I'm gonna dance, I'm gonna twirl and spin. | 0:50:50 | 0:50:55 | |
I'm going to cha-cha-cha and dip deeply. | 0:50:55 | 0:50:59 | |
-Go like this... -Too unattractive. | 0:50:59 | 0:51:02 | |
So is a deep scar. Just do as I say, we don't have time to argue. | 0:51:02 | 0:51:07 | |
-My funeral's not until 10.30. -I've to be in court at 8.30! | 0:51:07 | 0:51:12 | |
-How are we gonna make the 10.30 funeral if you've to be in court? -I'll figure it out at 10.29. | 0:51:12 | 0:51:20 | |
You're cranky when you're tired. | 0:51:20 | 0:51:23 | |
Do you recognise your signature on this cheque? Yes. | 0:51:23 | 0:51:29 | |
On this? Yes. | 0:51:29 | 0:51:31 | |
And this? | 0:51:31 | 0:51:34 | |
Yes. No further questions. | 0:51:34 | 0:51:38 | |
-Counsellor? -Roger? | 0:51:38 | 0:51:41 | |
Roger! | 0:51:41 | 0:51:44 | |
Roger! Oh, my God! | 0:51:44 | 0:51:46 | |
You can't fall asleep on me now! | 0:51:46 | 0:51:49 | |
-< Counsellor? -'Just a second!' | 0:51:49 | 0:51:52 | |
Roger, please, wake up! | 0:51:52 | 0:51:55 | |
Counsellor, the court is waiting. | 0:51:55 | 0:51:58 | |
'Uh... Your honour, I...' | 0:52:04 | 0:52:07 | |
Edwina, a man! Act like a man! | 0:52:07 | 0:52:10 | |
-'Your honour, I...' -DEEPLY -'Your Honour. | 0:52:10 | 0:52:14 | |
-'Aw-w, gosh...' -CLEARING THROAT | 0:52:14 | 0:52:18 | |
'Uh...' | 0:52:20 | 0:52:22 | |
Proceed. | 0:52:27 | 0:52:29 | |
-What the hell's the matter with you? -'I'm just a little nervous.' -Don't be. It's just your career at stake. | 0:52:29 | 0:52:38 | |
-EFFEMINATELY -'Mr Schuyler... | 0:52:38 | 0:52:41 | |
-DEEP "MAE WEST" VOICE -'You didn't really give those women a half a million dollars in gifts?' | 0:52:41 | 0:52:49 | |
Yes, I did. | 0:52:49 | 0:52:51 | |
-VERY DEEPLY -'OH-H-H-H-H... I bet you had a darn good reason.' | 0:52:51 | 0:52:59 | |
-(Why are you acting like this?) -'Say yes.' -Yes. | 0:52:59 | 0:53:04 | |
'He had a darn good reason!' | 0:53:04 | 0:53:08 | |
-Proceed. -'Proceed.' | 0:53:09 | 0:53:12 | |
Proceed, Edwina. Like a man. Proceed like a man. | 0:53:12 | 0:53:17 | |
-'Wait a second! Every Christmas, you gave me... You gave, uh, Miss Cutwater darling little gifts. -Yes. | 0:53:22 | 0:53:30 | |
'So it is your practice. Indeed, ladies and gentlemen of the...world | 0:53:30 | 0:53:35 | |
'it is standard practice among many business professionals | 0:53:35 | 0:53:40 | |
-'to reward valued clients with gifts, is it not?' -Yeah. | 0:53:40 | 0:53:45 | |
Yes, it is! Objection. | 0:53:45 | 0:53:49 | |
The money came from the Schuylers' account and cannot be construed as business gifts. | 0:53:49 | 0:53:57 | |
'GOOD point, toots! | 0:53:57 | 0:54:00 | |
'Women! Can't live with them, can't live without 'em!' | 0:54:00 | 0:54:05 | |
Oh, Roger, please wake up! | 0:54:05 | 0:54:08 | |
Mr Cobb. | 0:54:08 | 0:54:11 | |
I'm sorry, Roger. | 0:54:13 | 0:54:15 | |
ROGER !! WA-A-A-A-AKE U-U-U-U-UP! | 0:54:15 | 0:54:21 | |
-Mr Cobb, are you all right? -Yeah... | 0:54:26 | 0:54:29 | |
-(No problem.) -How do you respond to the objection? -Objection? | 0:54:29 | 0:54:34 | |
Uh... Could you read that back? | 0:54:34 | 0:54:38 | |
"The money came from the Schuylers' account and cannot be construed as business gifts." | 0:54:38 | 0:54:45 | |
-Business gifts? -Sorry, couldn't think of... -You're brilliant! | 0:54:45 | 0:54:52 | |
Your Honour, Mrs Schuyler's sole source of support was Mr Schuyler. | 0:54:52 | 0:54:57 | |
His source of income was his law firm, so the better his business was, the more he could take home. | 0:54:57 | 0:55:04 | |
Therefore, since business gifts are intended to increase business, | 0:55:04 | 0:55:10 | |
the more generous Mr Schuyler was with his gift-giving, the more able he was to support Mrs Schuyler. | 0:55:10 | 0:55:18 | |
Give me a minute. | 0:55:20 | 0:55:23 | |
Oh, Edwina, I could kiss you! We're gonna win it, I'm gonna get my partnership and make that funeral. | 0:55:26 | 0:55:34 | |
-None of those women were clients, but I won't tell if you... -What? -Objection overruled. -Thank you. | 0:55:34 | 0:55:43 | |
-Just a second. This isn't fair! -I move... 'Those women were not...' Shut up! | 0:55:43 | 0:55:50 | |
-What did you just say? -Nothing. | 0:55:50 | 0:55:52 | |
-Just tell me. -I said nothing. -Not his what? -N... 'Not his clie...' | 0:55:52 | 0:55:59 | |
-Are you all right? -Bit my tongue. | 0:55:59 | 0:56:02 | |
-Mr Schuyler, were any of those women clients of yours? -'Here we go!' | 0:56:02 | 0:56:08 | |
No. | 0:56:09 | 0:56:11 | |
-You're dead-meat. -Edwina soul's inside me. | 0:56:11 | 0:56:15 | |
'Blame it on me!' I had it won. 'I did, but it was wrong.' | 0:56:15 | 0:56:20 | |
'I'll not be party to unfairness.' Fairness?! In a court of law (?) | 0:56:20 | 0:56:26 | |
That'll be 500, contempt of court. | 0:56:26 | 0:56:29 | |
-'Good for you, Judge!' -1,000. -You shut up! -YOU shut up! 1,500! | 0:56:29 | 0:56:35 | |
-Not you, her! -Shut up! -'Huh! -I -contributed to your campaign!' | 0:56:35 | 0:56:41 | |
2,000! Better throw this jackass out of my court! | 0:56:41 | 0:56:46 | |
I'm going to the State Bar. You're a lunatic! | 0:56:46 | 0:56:50 | |
He's a pervert! Plays with himself! | 0:56:50 | 0:56:53 | |
He had sex with a dead body. You're fired, Cobb! | 0:56:53 | 0:56:58 | |
Oh, Roger, I see what you mean about "life is to be savoured"! | 0:57:00 | 0:57:05 | |
It's SO... It's SO dramatic! | 0:57:05 | 0:57:08 | |
I am going to KILL you! | 0:57:08 | 0:57:10 | |
I was just trying to help. | 0:57:10 | 0:57:13 | |
You failed! | 0:57:13 | 0:57:15 | |
D'you know what's happened to me since you've been helping me?! I've lost my girl, my job... | 0:57:15 | 0:57:23 | |
Broke my sunglasses. Stop helping! | 0:57:23 | 0:57:26 | |
You know, you are SO ungrateful ! | 0:57:26 | 0:57:29 | |
If it weren't for me, you would get that partnership and you'd HAVE to take cases like that. | 0:57:29 | 0:57:37 | |
-You'd be married to Peggy. Is THAT savouring life? -YOU can talk! | 0:57:37 | 0:57:43 | |
I spent my life in a sickbed. What's YOUR excuse? | 0:57:43 | 0:57:48 | |
It's just like a dead person to say that. | 0:57:48 | 0:57:53 | |
-How much to the airport? -Thirty bucks. | 0:57:57 | 0:58:00 | |
-Here's 100. Pan-Am Airlines. -This flight's not till midnight. -Make it 200. | 0:58:00 | 0:58:07 | |
-No problem! > No problem. -Bon voyage! -Voyage. | 0:58:07 | 0:58:13 | |
-We're wasting time. Let's get to the cemetery. -He'd better be there. -Maybe... -He'd better!! | 0:58:14 | 0:58:21 | |
There's the elevator. Hurry! Oh, I LOVE running! | 0:58:21 | 0:58:27 | |
-You seen Prahka? -Hoped you had. | 0:58:36 | 0:58:39 | |
-I stopped by the hotel this morning. He wasn't there. -Oh, God! | 0:58:39 | 0:58:44 | |
What is THAT? | 0:58:44 | 0:58:46 | |
Who are all those people behind my hearse? | 0:58:46 | 0:58:51 | |
-I invited them. -What d'you mean?! | 0:58:51 | 0:58:55 | |
Last night while you were asleep, I...wanted to surprise you. | 0:58:55 | 0:59:00 | |
I thought it might make your funeral a little more...fun. | 0:59:00 | 0:59:05 | |
Edwina? | 0:59:06 | 0:59:09 | |
Ed... Edwina? | 0:59:09 | 0:59:11 | |
Have you got a mirror? A compact? | 0:59:13 | 0:59:17 | |
Thank you. | 0:59:18 | 0:59:21 | |
Ooh! Oh, Roger! Thank you! | 0:59:24 | 0:59:27 | |
Okay, okay! Don't make a big deal out of it. I just... | 0:59:27 | 0:59:32 | |
I just did it 'cause I thought I liked you. I got over it. Come on. | 0:59:32 | 0:59:38 | |
It's all right. I'm okay, now. | 0:59:38 | 0:59:40 | |
-I'm fine. -You're okay? -Yes. | 0:59:40 | 0:59:44 | |
It's the... It's the nicest thing anybody's ever done for me! | 0:59:44 | 0:59:49 | |
-Don't say that. -But it IS ! | 0:59:49 | 0:59:53 | |
LOUD SOBBING | 0:59:53 | 0:59:55 | |
You're the best friend I've ever had. | 0:59:55 | 1:00:00 | |
-Thanks. -Are you all right? | 1:00:04 | 1:00:07 | |
Oh, yeah. The music got to me. | 1:00:07 | 1:00:10 | |
And I will dwell in the House of the Lord forever. Amen. | 1:00:13 | 1:00:18 | |
BAND PLAYS LIVELY JAZZ TUNE | 1:00:18 | 1:00:23 | |
Terry! | 1:00:32 | 1:00:34 | |
I have this terrible feeling we'll never see Prahka Lasa again. | 1:00:34 | 1:00:39 | |
-We've gotta find that guy. Maybe he's back at the hotel. -He's not. | 1:00:39 | 1:00:44 | |
..Hey, maybe he's trying to get home. Let's check the airport. | 1:00:44 | 1:00:49 | |
-You may be right about the hotel. We should try there first. -Okay. | 1:00:49 | 1:00:56 | |
-What are you doing? -You may not have another chance. | 1:01:02 | 1:01:07 | |
-But I don't... -Please, Roger. | 1:01:07 | 1:01:11 | |
-I want to feel your naked skin next to mine. I want to feel our bodies merge. -I guess a quick merge is OK. | 1:01:11 | 1:01:18 | |
Oh, no you don't! Do we have to go through this again? | 1:01:18 | 1:01:23 | |
Relax. You may learn something. | 1:01:23 | 1:01:26 | |
-We have to find Prahka Lasa. -I'm just taking a little breather. | 1:01:26 | 1:01:31 | |
-Put your little breather back in your trousers and... -Don't I excite you? -Edwina! What're you...? | 1:01:31 | 1:01:41 | |
-I am thinking of very old nuns. -Please don't do this to me! | 1:01:41 | 1:01:46 | |
-Roger, don't you want me? -Oh, God! | 1:01:46 | 1:01:49 | |
Now she's thinking of dead kittens! Would you excuse us?! | 1:01:49 | 1:01:55 | |
All right! What happened to "Oh, Roger, you're my best friend"? | 1:01:55 | 1:02:01 | |
I just don't feel like performing a sexual act on Fred's daughter. | 1:02:01 | 1:02:06 | |
-She could perform one on us? -No! -PLEASE ! -What is so important about sex? -What is so important? | 1:02:06 | 1:02:13 | |
That's like saying, "What's so important about laughing?", or Duke Ellington or the World Series. | 1:02:13 | 1:02:21 | |
It makes you feel you're living. | 1:02:21 | 1:02:24 | |
I am already glad to be alive. | 1:02:24 | 1:02:27 | |
I don't need to play tonsil hockey with some English tart to feel good. I already feel good. | 1:02:27 | 1:02:35 | |
-I feel quite tingly. -Those are MY tingles you're feeling. -What? -It's called sexual excitement. | 1:02:35 | 1:02:43 | |
-It is? -Yes, and if you think THIS feels good, | 1:02:43 | 1:02:48 | |
wait till you feel what a hot, passionate boffing feels like. | 1:02:48 | 1:02:53 | |
-What happens? Better tingles? -O-o-o-oh, MAJOR tingles! | 1:02:53 | 1:02:58 | |
-But will she still respect us in the morning? -She doesn't now. -Let's boff. | 1:02:58 | 1:03:05 | |
-Oh, dear! This could be sort of embarrassing. -For who? | 1:03:05 | 1:03:11 | |
-For me! As soon as I get Terry's body you'll know what I look like naked. -I won't tell. -Thanks. | 1:03:11 | 1:03:18 | |
You're welcome. Now, shut up! | 1:03:18 | 1:03:21 | |
What should I do? How can I help? | 1:03:21 | 1:03:24 | |
-Fantasize. -I'm good at that. -Oh, Terry...! | 1:03:24 | 1:03:28 | |
-Oh, Roger! -'Oh, Clark!' | 1:03:28 | 1:03:31 | |
Wait a second. Right! | 1:03:31 | 1:03:34 | |
-What are you doing?! -Fantasizing. | 1:03:36 | 1:03:39 | |
-My head is filled with pictures of Clark Gable taking his shirt off. -It's hot! -It's cooling me off. | 1:03:39 | 1:03:47 | |
It's making me tingle like crazy! | 1:03:47 | 1:03:50 | |
-Just throw in a couple of women on top of him and we're in business! Okay? -Okay. | 1:03:50 | 1:03:57 | |
-Is it all right now? -Sort of. | 1:03:58 | 1:04:01 | |
She's got the whole cast of "Gone With the Wind" humping in my head. | 1:04:01 | 1:04:08 | |
-Oh, Roger... -Oh, Terry... -Oh, Clark, Vivien and Olivia! Oh, Ashley...! Butterfly! | 1:04:08 | 1:04:16 | |
CLANGING | 1:04:16 | 1:04:19 | |
-Oh, no! Son of a bitch! -Of a bitch? | 1:04:19 | 1:04:23 | |
I don't believe... Where have you been? | 1:04:23 | 1:04:27 | |
Been. | 1:04:27 | 1:04:29 | |
Airport...? Why were you at the airport?! | 1:04:29 | 1:04:33 | |
It is now time for Miss Cutwater's soul to enter Miss Hoskins. | 1:04:33 | 1:04:39 | |
-Miss Hoskins. -'It's me, Prahka. | 1:04:39 | 1:04:41 | |
'I'm inside Roger.' | 1:04:41 | 1:04:44 | |
-HU-U-U-UM ! -Go get the bowl ! YEAH !! | 1:04:44 | 1:04:48 | |
CHANTING | 1:04:48 | 1:04:51 | |
Terry. | 1:04:55 | 1:04:57 | |
I guess it wasn't meant to be between us. | 1:04:57 | 1:05:01 | |
But I want you to know that wherever it is you're going | 1:05:01 | 1:05:06 | |
-I hope you'll be happy. -I will. | 1:05:06 | 1:05:09 | |
I've got a wonderful house and beautiful horses and all the money in the world. I'll be happy. | 1:05:09 | 1:05:17 | |
-If you think I'm going through with this... -'What...?' I'll handle this. | 1:05:17 | 1:05:24 | |
When I heard about this, I thought, "If the mad woman wants to give her money away she can give it to me." | 1:05:24 | 1:05:32 | |
You just can't leave her in me! | 1:05:32 | 1:05:35 | |
I'd love to stay, but you've served your purpose. | 1:05:35 | 1:05:39 | |
I've got to get back for my party. | 1:05:39 | 1:05:43 | |
Ciao. | 1:05:43 | 1:05:45 | |
By the way, don't bother coming. | 1:05:45 | 1:05:48 | |
The guards know to keep you out. | 1:05:48 | 1:05:52 | |
Bye, Roger. Goodbye, Miss Cutwater. So long, Prahka (!) | 1:05:52 | 1:05:57 | |
PRAHKA'S HUMMING STOPS | 1:05:57 | 1:06:00 | |
Please, don't say it. | 1:06:03 | 1:06:06 | |
Oh, dear God! All I wanted was a second chance. | 1:06:06 | 1:06:10 | |
A fair shake. | 1:06:10 | 1:06:13 | |
Instead, I've made a mess of your life. | 1:06:13 | 1:06:17 | |
And I've... I've left all my money to a lying, cheap, slut sex poodle! Oh...! | 1:06:17 | 1:06:25 | |
'Prahka. | 1:06:29 | 1:06:32 | |
'I want you to release my soul. Give Roger his freedom.' NO ! | 1:06:32 | 1:06:37 | |
-She cheated us. We'll fight. -No. | 1:06:37 | 1:06:41 | |
Perhaps Prahka can put my soul into an eagle. | 1:06:41 | 1:06:45 | |
Or some wonderful bird, Roger. | 1:06:45 | 1:06:48 | |
So that I can fly free with the wind, hover over my house and SHIT on HER head! | 1:06:48 | 1:06:56 | |
-Stop that. -I can't help it. I'm pissed. | 1:06:56 | 1:07:00 | |
I became a lawyer 'cos I wanted to fight injustice. | 1:07:00 | 1:07:05 | |
-To help the little guy against the big guy. -Big guy. | 1:07:05 | 1:07:09 | |
Instead, I wound up representing powerful, rich people, like you. | 1:07:09 | 1:07:14 | |
But now, don't you see? | 1:07:14 | 1:07:17 | |
You're a pauper, bilked out of what is yours by Terry, now one of the wealthiest women in California! | 1:07:17 | 1:07:25 | |
You wanna be a bird? Forget it!! | 1:07:25 | 1:07:28 | |
-Oh-h-h-h... -Don't go soft on me. | 1:07:28 | 1:07:31 | |
Offering you your freedom is the first unselfish thing I've done. | 1:07:31 | 1:07:37 | |
-How does it feel? -Wonderful ! | 1:07:37 | 1:07:40 | |
You're OK. Give me the Fulton Norris Orchestra's number. | 1:07:40 | 1:07:44 | |
-Dad, you don't have to do that. You're not an employee any more. -Someone's got to! -I'll hire someone. | 1:08:11 | 1:08:19 | |
-Pack. You're moving to the house. -No. -I won't have people saying my father lives in a stable. | 1:08:19 | 1:08:27 | |
-You're coming to the party. For God's sake take a bath! -You're nicer to that horse than to people. | 1:08:27 | 1:08:35 | |
-You should take 'IM to your party. -I would if I thought it appropriate. | 1:08:35 | 1:08:40 | |
Oh, you're lucky you're a gelding! | 1:08:42 | 1:08:45 | |
Step it up, guys. Thank you. | 1:08:45 | 1:08:47 | |
Smile. Gentlemen, if you have to winkie, let's do it now. Full rehearsal in five minutes. | 1:08:47 | 1:08:54 | |
(C'mon! C'mon!) | 1:08:58 | 1:09:01 | |
How d'you plan to pull this off? | 1:09:04 | 1:09:07 | |
-Beats the heck out of me! -If I can be of any help. You're in worse trouble than I thought. | 1:09:07 | 1:09:15 | |
-Strum! Strum! -This is SO much more fun than being a lawyer! | 1:09:16 | 1:09:21 | |
-I know. -I think you should forget the law and become a musician full-time. -I can't. | 1:09:21 | 1:09:29 | |
There's nothing sadder than looking back and saying "I didn't do it right." Believe me, I know. | 1:09:29 | 1:09:36 | |
-My solo's coming up. I need control of my hand! Can you give it to me? -Sure. | 1:09:36 | 1:09:44 | |
PLAYS ROCK RIFFS HAM-FISTEDLY | 1:09:44 | 1:09:49 | |
Sorry, again. | 1:09:49 | 1:09:53 | |
Is THIS some sort of a joke?! You didn't LIKE that? | 1:09:53 | 1:09:57 | |
-Listen, I'll be okay. I just...need a minute. -Okay, let's take a break. | 1:10:00 | 1:10:07 | |
-Bring bowl. -Bowl. -C'mon. | 1:10:08 | 1:10:10 | |
Your friend's a real freak. Thank you! | 1:10:13 | 1:10:18 | |
See you in the morning. | 1:10:20 | 1:10:23 | |
I've got to put on a bloody tuxedo! | 1:10:23 | 1:10:27 | |
(Okay, Prahka.) | 1:10:32 | 1:10:35 | |
CHANTING | 1:10:43 | 1:10:47 | |
Edwina? | 1:10:50 | 1:10:52 | |
-(Okay. Miss Hoskins.) -Hoskins. | 1:10:57 | 1:11:00 | |
-Grab the bowl ! -Stop it!! -CHANTING | 1:11:06 | 1:11:10 | |
Edwina in bowl? | 1:11:26 | 1:11:28 | |
Where's Edwina? | 1:11:28 | 1:11:32 | |
Edwina. | 1:11:32 | 1:11:34 | |
-Edwina in water?! -Edwina. | 1:11:34 | 1:11:37 | |
You made a big mistake! Guards! | 1:11:37 | 1:11:41 | |
-Can you put her back in the bowl? -Back in bowl? | 1:11:41 | 1:11:46 | |
-Back in bowl ! -Back in bowl ! Neem. | 1:11:46 | 1:11:49 | |
Neem? | 1:11:49 | 1:11:51 | |
-Oh, you have to FIX the bowl? -Bowl. | 1:11:51 | 1:11:56 | |
-Fix bowl. -Fix bowl. -Fix bowl. | 1:11:56 | 1:11:59 | |
-You put Edwina back in bowl. Edwina... -Back in bowl ! -Go! -Go! | 1:11:59 | 1:12:04 | |
Edwina, if you can hear me, blow some bubbles, or something. ..I'm talking to a bucket. | 1:12:07 | 1:12:14 | |
Get that bucket! Get the bucket!! | 1:12:14 | 1:12:18 | |
Don't let him get away!! Hurry! | 1:12:18 | 1:12:21 | |
Ty. Feel this? Take care of it. | 1:12:44 | 1:12:48 | |
-What is it? -It's very, very special. -No problems. | 1:12:48 | 1:12:52 | |
What are you doing with the bucket? | 1:13:06 | 1:13:10 | |
Get out of my way! | 1:13:15 | 1:13:17 | |
That way! | 1:13:20 | 1:13:23 | |
Aw-w-w-w! Damn! | 1:13:33 | 1:13:36 | |
It's all right. | 1:13:36 | 1:13:39 | |
No! | 1:13:40 | 1:13:43 | |
Want us to throw him out, ma'am? | 1:13:43 | 1:13:46 | |
No, he's harmless now. | 1:13:46 | 1:13:48 | |
Goodbye, Edwina. | 1:14:07 | 1:14:10 | |
Good evening. | 1:14:10 | 1:14:12 | |
Ah, Mr Mifflin, good evening. Mr Schuyler. We have rather a pleasant orchestra. Come and dance. | 1:14:12 | 1:14:20 | |
Daddy, how debonair! | 1:14:20 | 1:14:23 | |
I'm Terry Hoskins. Welcome to Hoskins' Manor. | 1:14:23 | 1:14:27 | |
-# -All of me | 1:14:27 | 1:14:30 | |
-# -Why not take all of me? | 1:14:30 | 1:14:33 | |
-# -Can't you see | 1:14:35 | 1:14:38 | |
-# -I'm no good without...? -# | 1:14:39 | 1:14:43 | |
ORCHESTRA PLAY "ALL OF ME" | 1:14:43 | 1:14:46 | |
God rest her wonderful soul. | 1:14:59 | 1:15:02 | |
Just remember how comforting it'll be to look around this magnificent home and see Edwina in everything. | 1:15:02 | 1:15:10 | |
Yes. Especially the flower-bed. | 1:15:10 | 1:15:13 | |
Yes. | 1:15:13 | 1:15:15 | |
Ty, I thought I had everything under control. | 1:15:21 | 1:15:26 | |
Sorry, ma man, I didn't see her grab the pitcher. | 1:15:26 | 1:15:31 | |
It's not your fault, Ty. | 1:15:31 | 1:15:33 | |
Oh, man, I feel empty. | 1:15:33 | 1:15:36 | |
You know, I know this sounds crazy, but I actually miss the old girl. | 1:15:36 | 1:15:41 | |
EFFEMINATELY: 'Old girl?!' | 1:15:41 | 1:15:44 | |
It's not funny, Ty. | 1:15:44 | 1:15:47 | |
-'I'm not trying to be funny, you peasant!' -Edwina! | 1:15:47 | 1:15:52 | |
-'No, it's Pearl Bailey (!) Who the hell d'you think it is?!' -Oh, Edwina! -That's MY side, stupid! | 1:15:52 | 1:16:00 | |
-'I'M over here.' -Why are you in Ty? -'How should I know?! Can't see!' | 1:16:00 | 1:16:05 | |
When you brought the pitcher, I thought it was gin and drank some. | 1:16:05 | 1:16:10 | |
Why didn't you say something?! | 1:16:10 | 1:16:13 | |
-'I wanted to see if you missed me.' -Cute! Come on, Ty. Come on! | 1:16:13 | 1:16:19 | |
(Come on!) | 1:16:19 | 1:16:22 | |
Hey, Bix! | 1:16:22 | 1:16:25 | |
Prahka! | 1:16:27 | 1:16:30 | |
-Fix bowl. -Fix bowl ! Great! -Edwina in water? | 1:16:30 | 1:16:34 | |
No, Edwina not in water. Speak. | 1:16:34 | 1:16:37 | |
'Your Holiness, it is I, Edwina Cutwater.' | 1:16:37 | 1:16:41 | |
Edwina! 'I fail to see humour in this situation.' | 1:16:41 | 1:16:46 | |
-He drank her. -Drank her? -Drank her. -He drank her?! -He drank her! | 1:16:46 | 1:16:51 | |
LAUGHTER 'Had it not been for Mr Wattell, I'd be Edwina, the flower-bed! Dope!' | 1:16:51 | 1:16:58 | |
-Dope. -Look, take Edwina out. Put back in me. | 1:16:58 | 1:17:05 | |
-In me? -Okay? -Okay! | 1:17:05 | 1:17:08 | |
-It's the only safe place. -'Oh, you really ARE my friend!' | 1:17:09 | 1:17:15 | |
I hope nobody else can see this. | 1:17:15 | 1:17:18 | |
Okay. | 1:17:19 | 1:17:22 | |
PRAHKA CHANTS | 1:17:22 | 1:17:26 | |
Goodnight. If you need anything, call Grace. | 1:17:27 | 1:17:31 | |
-Goodnight. -Goodnight. -Goodnight! | 1:17:31 | 1:17:35 | |
-Ty, you gotta get back on the bus! -No way, Jose. I gotta find out how this ends. -Ty! | 1:17:35 | 1:17:42 | |
-Besides, I can be a help. Walking around in the dark's my territory. -Okay. | 1:17:42 | 1:17:49 | |
Oh, God!! This way. | 1:17:49 | 1:17:51 | |
What kinda seein' eye dog is he?! | 1:17:51 | 1:17:54 | |
(You hang back here.) | 1:17:55 | 1:17:57 | |
PRAHKA: Hang back here. | 1:17:57 | 1:18:01 | |
Hi, sailor. | 1:18:12 | 1:18:16 | |
-Are you having a good time? -Yeah, I am! | 1:18:16 | 1:18:20 | |
-I hope I have as much fun in my new body as I've had in yours. -Thanks. | 1:18:20 | 1:18:27 | |
-There she is! -Roger. | 1:18:29 | 1:18:32 | |
Now that you know what a horrible person she is, aren't you glad you weren't intimate with her? | 1:18:32 | 1:18:40 | |
I thank my lucky stars. | 1:18:44 | 1:18:46 | |
I'm glad you said that. | 1:18:46 | 1:18:49 | |
I've been thinking. | 1:18:49 | 1:18:52 | |
-If things work out, you might get another chance. -Edwina Cutwater! | 1:18:52 | 1:18:57 | |
That's our cue. | 1:19:01 | 1:19:04 | |
-Let's go! -Let's go. | 1:19:08 | 1:19:10 | |
-(Ty. -Watch. -Sh-h-h! | 1:19:22 | 1:19:26 | |
(Come on, Prahka. Come on, Prahka!) | 1:19:26 | 1:19:29 | |
Bix, go outside. Go on! Go on! | 1:19:29 | 1:19:32 | |
-Prahka, take care of Ty. -Ty. -Good. | 1:19:32 | 1:19:36 | |
OWW! | 1:19:42 | 1:19:45 | |
-CLANG ! -Shhh! -Shhh! -Shh! | 1:19:51 | 1:19:55 | |
Neem! | 1:20:07 | 1:20:09 | |
-Hello, darling (!) -Grab her! COCKS GUN | 1:20:09 | 1:20:13 | |
-Roger, man, I think she has a gun. -Let's all take a nice little walk. | 1:20:13 | 1:20:19 | |
-Where? -Shhh, you'll wake my guests. | 1:20:19 | 1:20:22 | |
-What're you going to do? -I shall say you sneaked back to rob me. | 1:20:22 | 1:20:28 | |
-That you took this gun... -We're in trouble... | 1:20:28 | 1:20:33 | |
You led me at gunpoint to a quiet room. This is IT. In! | 1:20:33 | 1:20:37 | |
-It won't work. -I'll tell the truth. | 1:20:37 | 1:20:42 | |
-You took me here, we struggled... -What's going on?! That sounded like a gunshot! | 1:20:42 | 1:20:49 | |
They're fighting now. | 1:20:49 | 1:20:52 | |
CLATTERING Sounds like a table with china on. | 1:20:52 | 1:20:56 | |
It's okay. It's all over. Who won? | 1:20:59 | 1:21:02 | |
-We did, Ty. -I'M calling the police! -No, don't! | 1:21:02 | 1:21:07 | |
-I'll go back to jail! -Back to jail? | 1:21:07 | 1:21:10 | |
What? Where did all the people come from? | 1:21:10 | 1:21:14 | |
Get me the police. Police?! | 1:21:14 | 1:21:17 | |
Attempted homicide. Two counts. That'll be your third conviction. | 1:21:17 | 1:21:23 | |
You're going into the slammer and they'll throw away the key. | 1:21:23 | 1:21:28 | |
-I won't go. I'll kill myself first! -She would. | 1:21:28 | 1:21:32 | |
-Police? Burton Schuyler. I want to report an attempted homi... -Stop. | 1:21:32 | 1:21:39 | |
-Miss Cutwater. -'Yes?' | 1:21:39 | 1:21:42 | |
If I go to jail, I take my body with me. | 1:21:42 | 1:21:46 | |
Hang up, Schuyler. | 1:21:50 | 1:21:52 | |
I'll make a deal with you. | 1:21:52 | 1:21:56 | |
PRAHKA CHANTING | 1:21:56 | 1:22:00 | |
Terry! | 1:22:13 | 1:22:15 | |
'Oh, my Lord, that was powerful !' | 1:22:15 | 1:22:19 | |
-Edwina? -'Roger! | 1:22:19 | 1:22:22 | |
'It worked! It REALLY worked!' | 1:22:22 | 1:22:26 | |
Is Terry in there too? | 1:22:26 | 1:22:29 | |
'She's gone.' | 1:22:29 | 1:22:32 | |
-Terry? -SNORTING | 1:22:40 | 1:22:44 | |
Are you sure this is what you want, honeybun? | 1:22:44 | 1:22:50 | |
-Thank you, ma'am. I don't know how to explain it to her parole officer but thank you. -That's all right. | 1:22:50 | 1:22:58 | |
Come on, baby. | 1:22:58 | 1:23:00 | |
No more thieving, swindling, just running, prancing and jumping the rest of your life. | 1:23:07 | 1:23:14 | |
SLOWLY PLAYS: "All of Me" | 1:23:14 | 1:23:19 | |
PRAHKA PLAYS FIRST NOTE OF EACH LINE | 1:23:19 | 1:23:23 | |
BURSTS INTO LIVELY ACCOMPANIMENT | 1:23:43 | 1:23:47 | |
Well, how do you feel? | 1:23:54 | 1:23:57 | |
Alive and healthy and... | 1:23:57 | 1:24:00 | |
And scared. | 1:24:00 | 1:24:03 | |
Why? | 1:24:03 | 1:24:05 | |
Because I've finally got what I always wanted. No excuses any more. | 1:24:05 | 1:24:11 | |
Welcome to the REAL world. | 1:24:11 | 1:24:15 | |
What? | 1:24:17 | 1:24:19 | |
-It tingles. -It's supposed to. | 1:24:19 | 1:24:23 | |
-You ought to try it more often. -Is that advice from my lawyer? -I'm no lawyer. I'm a musician. -You are? | 1:24:23 | 1:24:30 | |
I've had more real feeling in the last two days than in the last ten years in that office! | 1:24:30 | 1:24:37 | |
Papers stacked up to here... | 1:24:37 | 1:24:40 | |
Most of us have one shot at life. I'll not spend mine behind a desk. | 1:24:40 | 1:24:46 | |
-I love it when you talk like a beer commercial. -Hey, let's dance. | 1:24:46 | 1:24:52 | |
-I don't know how. -Oh, it's easy! | 1:24:52 | 1:24:56 | |
Now, put your feet on top of mine. | 1:24:56 | 1:24:59 | |
-SHE GIGGLES -That's how kids learn how to dance. | 1:24:59 | 1:25:04 | |
Now, try with your own feet. | 1:25:04 | 1:25:06 | |
MUSIC : "All of Me" | 1:25:06 | 1:25:10 | |
# All of me | 1:25:26 | 1:25:28 | |
# Why not take all of me? | 1:25:28 | 1:25:31 | |
# Can't you see | 1:25:32 | 1:25:35 | |
# I'm no good without you? | 1:25:35 | 1:25:38 | |
# Take my lips | 1:25:39 | 1:25:41 | |
# I wanna lo-ose them | 1:25:41 | 1:25:44 | |
# Take my arms | 1:25:45 | 1:25:47 | |
# I'll never use them | 1:25:47 | 1:25:51 | |
# Your goodbye Left me with eyes that cried | 1:25:51 | 1:25:57 | |
# How can I Go on, dear, without you? | 1:25:58 | 1:26:03 | |
# You took the part | 1:26:04 | 1:26:07 | |
# That once was my heart | 1:26:07 | 1:26:10 | |
# So why not take all of me? | 1:26:10 | 1:26:14 | |
# Why not take a-all | 1:26:14 | 1:26:19 | |
# of me? | 1:26:19 | 1:26:22 | |
# Take all of me | 1:26:22 | 1:26:24 | |
# Can't you see | 1:26:24 | 1:26:27 | |
# I'm no good without you? | 1:26:27 | 1:26:30 | |
# Take my lips | 1:26:30 | 1:26:32 | |
# I wanna lo-ose them | 1:26:32 | 1:26:35 | |
# And take my arms | 1:26:35 | 1:26:38 | |
# I'll never u-use them | 1:26:39 | 1:26:42 | |
# Your goodbye | 1:26:43 | 1:26:45 | |
# Left me with eyes that cried | 1:26:45 | 1:26:48 | |
# How can I Go on, dear, without yo-ou? | 1:26:49 | 1:26:55 | |
# You took the part | 1:26:55 | 1:26:58 | |
# That once was my heart | 1:26:58 | 1:27:01 | |
# So why not, why not, why not | 1:27:01 | 1:27:04 | |
# Why not, why not, why not | 1:27:04 | 1:27:07 | |
# Why not, why not, why not | 1:27:07 | 1:27:09 | |
# Why not take all of me-e? | 1:27:09 | 1:27:14 | |
# Why not take all of me, baby? | 1:27:14 | 1:27:18 | |
# Why not take all of me? # | 1:27:18 | 1:27:21 | |
Subtitles by Valerie Maguire BBC Scotland, 1990 | 1:27:21 | 1:27:25 |