Browse content similar to My Favourite Wife. Check below for episodes and series from the same categories and more!
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You've had one postponement already. | 0:01:21 | 0:01:22 | |
All right. All right! | 0:01:22 | 0:01:24 | |
The case is postponed till next Thursday. | 0:01:24 | 0:01:27 | |
Now, that'll be the 26th. | 0:01:27 | 0:01:29 | |
Thank you, Your Honour. | 0:01:29 | 0:01:31 | |
Be here. | 0:01:31 | 0:01:33 | |
Are the parties ready in the matter | 0:01:33 | 0:01:35 | |
of Ellen Wagstaff Arden? | 0:01:35 | 0:01:37 | |
Here. | 0:01:37 | 0:01:39 | |
Good morning, Your Honour. | 0:01:43 | 0:01:45 | |
Good morning. Just a moment. | 0:01:45 | 0:01:47 | |
Wasn't I supposed to marry somebody? | 0:01:47 | 0:01:50 | |
Yes, Your Honour. | 0:01:50 | 0:01:52 | |
Let's get it over with. | 0:01:52 | 0:01:53 | |
This can wait. | 0:01:53 | 0:01:54 | |
This is a very complicated case. | 0:01:54 | 0:01:57 | |
But, Your Honour- | 0:01:57 | 0:01:58 | |
yes, this is very complicated. | 0:01:58 | 0:02:00 | |
Your honour, please... | 0:02:00 | 0:02:02 | |
Your Honour. | 0:02:02 | 0:02:03 | |
What? | 0:02:03 | 0:02:04 | |
Says what? | 0:02:05 | 0:02:07 | |
(She's dead.) | 0:02:06 | 0:02:08 | |
What's that? | 0:02:08 | 0:02:09 | |
Who's dead?! | 0:02:09 | 0:02:11 | |
HE WHISPERS | 0:02:11 | 0:02:14 | |
Oh. Oh, that's sad. | 0:02:14 | 0:02:16 | |
That's very sad. | 0:02:16 | 0:02:17 | |
If Your Honour please... | 0:02:17 | 0:02:19 | |
You're Arden? | 0:02:19 | 0:02:20 | |
< Yes. | 0:02:20 | 0:02:21 | |
That's what I thought. | 0:02:21 | 0:02:23 | |
Well, Mr Arden, | 0:02:23 | 0:02:25 | |
I understand your wife, Ellen Wagstaff Arden, | 0:02:25 | 0:02:28 | |
was a member of an anthropological expedition | 0:02:28 | 0:02:31 | |
shipwrecked off the coast of Indochina. | 0:02:30 | 0:02:33 | |
What was she doing on an expedition? | 0:02:33 | 0:02:36 | |
Mother of two infant children. | 0:02:36 | 0:02:39 | |
Well, you'll find the circumstances in my brief. | 0:02:39 | 0:02:42 | |
"Ellen Wagstaff Arden was engaged as photographer | 0:02:42 | 0:02:45 | |
"for three months." | 0:02:45 | 0:02:46 | |
We were going to take the trip together, | 0:02:46 | 0:02:49 | |
but, well, I became involved in a case and couldn't leave. | 0:02:49 | 0:02:54 | |
She decided she'd like to take the trip herself. | 0:02:53 | 0:02:57 | |
She needed a change. Tough time with the children, teething... | 0:02:57 | 0:03:00 | |
Just the facts. Never mind teething. | 0:03:00 | 0:03:02 | |
You're a lawyer. Stick to the facts. | 0:03:02 | 0:03:04 | |
Yes, Your Honour. They're in my brief, sir. | 0:03:04 | 0:03:07 | |
Let me read it. Stop interrupting. | 0:03:07 | 0:03:09 | |
Yes, Your Honour. | 0:03:09 | 0:03:11 | |
When did you say the ship went down? | 0:03:11 | 0:03:14 | |
Er, page seven. September 3, 1932. | 0:03:14 | 0:03:17 | |
It's page seven. | 0:03:16 | 0:03:18 | |
Never mind. I'll find it. | 0:03:18 | 0:03:20 | |
No, sir. Page seven. This is page four. | 0:03:23 | 0:03:26 | |
I know it's four. I know that. | 0:03:26 | 0:03:29 | |
Oh, here it is. It's page seven. | 0:03:31 | 0:03:33 | |
Oh, that... | 0:03:35 | 0:03:37 | |
"Last seen entering one of the lifeboats when..." | 0:03:37 | 0:03:40 | |
I can't see. | 0:03:40 | 0:03:42 | |
"..When a wave..." | 0:03:42 | 0:03:43 | |
Oh, that's very sad. | 0:03:43 | 0:03:45 | |
Very sad. | 0:03:45 | 0:03:47 | |
What the...? | 0:03:47 | 0:03:48 | |
Hey! | 0:03:48 | 0:03:49 | |
Young woman, | 0:03:49 | 0:03:51 | |
what do you think you're doing? | 0:03:51 | 0:03:53 | |
Put that confounded mirror away. | 0:03:53 | 0:03:55 | |
Do you want to blind me? | 0:03:55 | 0:03:57 | |
Sorry. | 0:03:57 | 0:03:58 | |
Huh! Ought to wash her face instead of paint it. | 0:03:58 | 0:04:02 | |
There's such a thing as contempt of court. | 0:04:02 | 0:04:05 | |
Don't let me get after you. Huh! | 0:04:05 | 0:04:08 | |
Where was I? | 0:04:08 | 0:04:10 | |
The shipwreck, sir. | 0:04:09 | 0:04:11 | |
What efforts did you make to trace your wife? | 0:04:11 | 0:04:14 | |
Page eight. | 0:04:14 | 0:04:16 | |
I went to Bangkok and interviewed all available survivors, | 0:04:16 | 0:04:19 | |
who agreed Ellen Wagstaff Arden... | 0:04:19 | 0:04:21 | |
"..had been swept overboard before aid could reach her. | 0:04:21 | 0:04:23 | |
Deposition... | 0:04:23 | 0:04:24 | |
Quiet! | 0:04:24 | 0:04:25 | |
But I'd like to explain... | 0:04:25 | 0:04:28 | |
There's nothing to explain at all. | 0:04:28 | 0:04:30 | |
The testimony's here. Sworn affidavits. | 0:04:31 | 0:04:34 | |
No evidence to the contrary. The law is clear. | 0:04:34 | 0:04:38 | |
I hereby pronounce Ellen Wagstaff Arden | 0:04:38 | 0:04:41 | |
legally dead. | 0:04:41 | 0:04:42 | |
Wasn't I supposed to marry somebody? | 0:04:42 | 0:04:44 | |
Er, yes, sir. Us. | 0:04:44 | 0:04:46 | |
What? What? | 0:04:46 | 0:04:48 | |
Are you going to get married again? | 0:04:48 | 0:04:51 | |
Yes, Your Honour. | 0:04:51 | 0:04:52 | |
Have you thought it over? | 0:04:52 | 0:04:54 | |
Mr Arden is over 21. | 0:04:54 | 0:04:56 | |
Not now, Bianca. | 0:04:56 | 0:04:57 | |
All right. Ahem. Hold hands. | 0:04:59 | 0:05:01 | |
Er... "We are gathered here | 0:05:03 | 0:05:05 | |
"in the presence of these witnesses | 0:05:05 | 0:05:07 | |
"to join in matrimony this man and this woman | 0:05:07 | 0:05:11 | |
"according to the powers vested in me by the state..." | 0:05:11 | 0:05:14 | |
Is this it? Yeah. | 0:05:25 | 0:05:26 | |
Thanks for the lift. SHE SNIFFS | 0:05:36 | 0:05:38 | |
Are you crying? | 0:05:38 | 0:05:40 | |
This is my house. I live here. | 0:05:40 | 0:05:42 | |
So what? Is that bad? | 0:05:42 | 0:05:45 | |
No. | 0:05:45 | 0:05:46 | |
Bye. | 0:05:46 | 0:05:47 | |
GIRL: Watch me do a swan dive! | 0:05:49 | 0:05:52 | |
BOY: I can do it better! | 0:05:51 | 0:05:54 | |
Watch me this time! | 0:05:54 | 0:05:56 | |
You're not supposed to run. | 0:05:56 | 0:05:58 | |
BOY: Last one in is a sissy! | 0:05:58 | 0:05:59 | |
I don't want to go in. | 0:05:59 | 0:06:02 | |
< Boy, it's like an iceberg in here. | 0:06:03 | 0:06:06 | |
< Woo! | 0:06:06 | 0:06:08 | |
Hello. | 0:06:15 | 0:06:16 | |
Hello. | 0:06:16 | 0:06:17 | |
Hello there. | 0:06:17 | 0:06:18 | |
Hello. | 0:06:18 | 0:06:19 | |
Are you a lady or a man? | 0:06:19 | 0:06:22 | |
Well, I used to be a lady. | 0:06:22 | 0:06:25 | |
Are you a sailor? A lady sailor? | 0:06:25 | 0:06:28 | |
Well... | 0:06:28 | 0:06:29 | |
My mother went down in a shipwreck. | 0:06:29 | 0:06:32 | |
Oh, he's always boasting. | 0:06:32 | 0:06:34 | |
I'm not boasting. My mother drowned. | 0:06:34 | 0:06:36 | |
We're not supposed to know. | 0:06:36 | 0:06:38 | |
Do you miss her very much? | 0:06:38 | 0:06:41 | |
Oh, sure. | 0:06:41 | 0:06:43 | |
Would you like to have her back? | 0:06:43 | 0:06:46 | |
We can't. She's drowned. | 0:06:46 | 0:06:48 | |
I'm a human fly. | 0:06:49 | 0:06:51 | |
We put flowers on her grave every Easter. | 0:06:51 | 0:06:54 | |
You do? | 0:06:54 | 0:06:55 | |
Then daddy buys us hamburgers and root beer. | 0:06:55 | 0:06:58 | |
Do you mind those braces very much? | 0:07:00 | 0:07:03 | |
Yes. | 0:07:03 | 0:07:04 | |
Daddy doesn't want her to look like a moose. | 0:07:04 | 0:07:07 | |
What a thing to say. | 0:07:07 | 0:07:11 | |
DOG BARKS | 0:07:11 | 0:07:12 | |
Well, hello! | 0:07:12 | 0:07:15 | |
WOOF! | 0:07:15 | 0:07:16 | |
Oh! Oh, how are you? | 0:07:16 | 0:07:18 | |
BOY: Corky, get away from there! | 0:07:18 | 0:07:20 | |
He never acts that way with strangers. | 0:07:20 | 0:07:23 | |
My, you've gotten fat! | 0:07:23 | 0:07:26 | |
Sure, he's fat. He's as old as me. | 0:07:26 | 0:07:29 | |
Corky, you listen! | 0:07:29 | 0:07:30 | |
Is your grandmother in? | 0:07:31 | 0:07:33 | |
I forgot. We're not allowed to talk to strangers. | 0:07:33 | 0:07:36 | |
Is your grandmother in? | 0:07:38 | 0:07:40 | |
We're not allowed to talk to strangers. | 0:07:40 | 0:07:42 | |
Come here, Corky! | 0:07:42 | 0:07:44 | |
Come on! Come on, Corky! Come on! | 0:07:44 | 0:07:47 | |
Come on! Atta-boy! | 0:07:47 | 0:07:49 | |
WOOF! | 0:07:49 | 0:07:50 | |
WOMAN: ...To the exchange department. | 0:07:53 | 0:07:54 | |
I've already phoned them. | 0:07:54 | 0:07:56 | |
They know all about it. | 0:07:56 | 0:07:58 | |
The package is in my room. | 0:07:58 | 0:08:00 | |
Get some flowers. | 0:08:00 | 0:08:02 | |
MAN: Any particular kind? | 0:08:02 | 0:08:03 | |
She likes tea roses. | 0:08:03 | 0:08:05 | |
Yes, ma'am. | 0:08:05 | 0:08:06 | |
That's all. | 0:08:06 | 0:08:08 | |
Yes? What is it? | 0:08:19 | 0:08:20 | |
Hello, darling. | 0:08:20 | 0:08:22 | |
Ellen. | 0:08:24 | 0:08:25 | |
Good heavens! | 0:08:28 | 0:08:29 | |
Ellen! | 0:08:29 | 0:08:31 | |
Now, now. Take it easy. | 0:08:31 | 0:08:33 | |
Here. Take some of this. | 0:08:33 | 0:08:35 | |
It'll do you good. | 0:08:35 | 0:08:37 | |
There. | 0:08:38 | 0:08:40 | |
You all right? | 0:08:39 | 0:08:41 | |
I just can't believe it. | 0:08:41 | 0:08:43 | |
Bless your heart. | 0:08:43 | 0:08:44 | |
After all these years, it just isn't possible. | 0:08:44 | 0:08:47 | |
Oh, is it really you, Ellen? | 0:08:47 | 0:08:50 | |
Of course it is. | 0:08:50 | 0:08:52 | |
Oh. | 0:08:52 | 0:08:53 | |
How's Nicky? | 0:08:54 | 0:08:56 | |
Nicky? | 0:08:56 | 0:08:57 | |
Your son, my husband. He's all right, isn't he? | 0:08:57 | 0:09:00 | |
Oh, yes, Nicky's fine. Fine. | 0:09:00 | 0:09:02 | |
Oh, good. | 0:09:02 | 0:09:04 | |
Ellen, where have you been? | 0:09:08 | 0:09:10 | |
Latitude 12, longitude 128. | 0:09:11 | 0:09:14 | |
I'd still be there if a Portuguese freighter | 0:09:14 | 0:09:17 | |
hadn't wandered off its course. | 0:09:17 | 0:09:19 | |
What? | 0:09:19 | 0:09:20 | |
It was a very small freighter. | 0:09:20 | 0:09:22 | |
Very dirty. | 0:09:22 | 0:09:24 | |
Mother. | 0:09:26 | 0:09:27 | |
Yes? | 0:09:27 | 0:09:28 | |
May I have a bath? | 0:09:28 | 0:09:30 | |
Of course, dear. | 0:09:30 | 0:09:31 | |
Right now. | 0:09:31 | 0:09:33 | |
I'm sorry I frightened you. | 0:09:33 | 0:09:34 | |
It was nothing. | 0:09:34 | 0:09:36 | |
Oh, that's new. | 0:09:36 | 0:09:37 | |
Mm-hmm. | 0:09:37 | 0:09:38 | |
I like that. | 0:09:38 | 0:09:40 | |
I'm so confused. | 0:09:40 | 0:09:41 | |
By the way, how was my funeral? | 0:09:41 | 0:09:44 | |
Lovely. | 0:09:44 | 0:09:45 | |
Dr Blake preached a wonderful sermon. | 0:09:45 | 0:09:47 | |
Oh, I wish I'd been there. | 0:09:47 | 0:09:50 | |
Oh. | 0:09:50 | 0:09:52 | |
# La la-la la-la | 0:09:54 | 0:09:55 | |
# La-la-la la la la | 0:09:55 | 0:09:57 | |
# La la la la la-la la-la | 0:09:57 | 0:10:00 | |
# La la la la... # | 0:10:00 | 0:10:02 | |
Oh, this was wonderful! | 0:10:02 | 0:10:04 | |
First hot bath in years! | 0:10:04 | 0:10:06 | |
# La-la-la-la la la | 0:10:07 | 0:10:10 | |
# Hmm hmm... # | 0:10:10 | 0:10:12 | |
Tell me about Nicky. | 0:10:12 | 0:10:14 | |
Handsome as ever? | 0:10:14 | 0:10:15 | |
I think so. | 0:10:15 | 0:10:16 | |
Prosperous? | 0:10:16 | 0:10:17 | |
Yes. | 0:10:17 | 0:10:18 | |
Where is he? | 0:10:18 | 0:10:20 | |
# Hmm hmm hmm... # | 0:10:20 | 0:10:22 | |
Ellen, there's something I've got to tell you. | 0:10:22 | 0:10:26 | |
Nick's married again. | 0:10:26 | 0:10:27 | |
# La... # | 0:10:27 | 0:10:28 | |
He is? | 0:10:28 | 0:10:31 | |
Is she nice? | 0:10:39 | 0:10:41 | |
No. | 0:10:41 | 0:10:43 | |
Do I know her? Nancy Beal, I'll bet. | 0:10:45 | 0:10:48 | |
She always had her eye... | 0:10:48 | 0:10:50 | |
No. He met this one on the boat, | 0:10:50 | 0:10:52 | |
when he went to look for you. | 0:10:52 | 0:10:55 | |
That's one thing I never thought of, | 0:11:00 | 0:11:02 | |
Nick's marrying again. | 0:11:02 | 0:11:04 | |
Just how long did he wait? | 0:11:06 | 0:11:08 | |
Well, he got married this morning. | 0:11:08 | 0:11:11 | |
Went off to Yosemite for the honeymoon. | 0:11:11 | 0:11:14 | |
The same hotel we... | 0:11:14 | 0:11:15 | |
Nick had business in San Francisco. | 0:11:15 | 0:11:18 | |
Ellen, what are you doing? | 0:11:18 | 0:11:20 | |
Oh! Have you got anything I can wear? | 0:11:23 | 0:11:26 | |
I saved a few of your old things. | 0:11:26 | 0:11:28 | |
Good. Something nice? | 0:11:28 | 0:11:30 | |
I think so. Maybe a little long. | 0:11:30 | 0:11:33 | |
Oh, do planes fly to Yosemite? | 0:11:33 | 0:11:35 | |
Yes. What are you going to do? | 0:11:35 | 0:11:38 | |
I hope I'm not too late! | 0:11:38 | 0:11:40 | |
Is Mr Arden here? Mr Nicholas Arden? | 0:11:58 | 0:12:00 | |
Mr Arden hasn't arrived yet. | 0:12:00 | 0:12:02 | |
Whoo! | 0:12:02 | 0:12:03 | |
Are you the bride, by any chance? | 0:12:03 | 0:12:06 | |
No. No, not exactly. | 0:12:05 | 0:12:07 | |
I'll just wait. | 0:12:09 | 0:12:11 | |
My name is Arden. | 0:13:19 | 0:13:21 | |
Oh, yes. Sorry. | 0:13:21 | 0:13:23 | |
I believe that, er... | 0:13:23 | 0:13:24 | |
Huh? | 0:13:28 | 0:13:29 | |
Oh, nothing. | 0:13:28 | 0:13:30 | |
Suite "A." | 0:13:30 | 0:13:31 | |
Suite "A"? | 0:13:31 | 0:13:33 | |
It's our best. | 0:13:33 | 0:13:34 | |
I'd rather not. | 0:13:34 | 0:13:35 | |
Pardon? | 0:13:35 | 0:13:36 | |
Have you anything else? | 0:13:36 | 0:13:38 | |
Suite "C." | 0:13:38 | 0:13:40 | |
I, er... | 0:13:42 | 0:13:44 | |
I couldn't take that suite "A" | 0:13:44 | 0:13:46 | |
because, er... | 0:13:46 | 0:13:48 | |
..because I've been here before. | 0:13:49 | 0:13:51 | |
Sorry to keep you waiting, dear. | 0:13:59 | 0:14:02 | |
Nick! | 0:14:09 | 0:14:11 | |
Funny. I thought I, er... | 0:14:15 | 0:14:17 | |
Oh! Silly. Silly. | 0:14:17 | 0:14:18 | |
Exciting, isn't it? | 0:14:18 | 0:14:20 | |
Hmm. | 0:14:20 | 0:14:21 | |
I'll take this, please. | 0:14:29 | 0:14:30 | |
Yes, ma'am. | 0:14:30 | 0:14:31 | |
Anything else, sir? | 0:14:43 | 0:14:45 | |
Hmm? Oh! | 0:14:45 | 0:14:46 | |
No. | 0:14:46 | 0:14:47 | |
Thank you, sir. | 0:14:47 | 0:14:49 | |
Oh, darling. | 0:14:50 | 0:14:51 | |
Oh. | 0:14:51 | 0:14:52 | |
KNOCK ON DOOR | 0:14:52 | 0:14:54 | |
Yes? | 0:14:54 | 0:14:56 | |
Waiter. | 0:14:56 | 0:14:57 | |
Why, Nicky, how nice. | 0:15:01 | 0:15:03 | |
Shall I open it, sir? | 0:15:03 | 0:15:05 | |
Certainly. | 0:15:05 | 0:15:06 | |
There must be a mistake. | 0:15:06 | 0:15:08 | |
No mistake, sir. With the compliments of an old friend. | 0:15:08 | 0:15:12 | |
POP! | 0:15:12 | 0:15:13 | |
It's Mumm, 1921. | 0:15:13 | 0:15:14 | |
I've got to go down! | 0:15:16 | 0:15:18 | |
What on earth for? | 0:15:18 | 0:15:20 | |
I've got to get change. | 0:15:20 | 0:15:22 | |
I have loads of change. | 0:15:22 | 0:15:24 | |
Thank you, madam. | 0:15:24 | 0:15:25 | |
I'll be right back. | 0:15:27 | 0:15:28 | |
No matches. See? No matches. | 0:15:28 | 0:15:30 | |
Be careful, Nicky! | 0:15:30 | 0:15:32 | |
Plenty of matches. | 0:15:32 | 0:15:33 | |
Plenty of matches. | 0:15:33 | 0:15:35 | |
RING! RING! RING! | 0:15:43 | 0:15:45 | |
I was expecting a call... | 0:15:45 | 0:15:47 | |
Hello? Did you ring here? | 0:15:47 | 0:15:49 | |
Thank you. | 0:15:49 | 0:15:50 | |
I was expecting a call. | 0:15:50 | 0:15:52 | |
Is something the matter? | 0:15:52 | 0:15:54 | |
No. | 0:15:54 | 0:15:55 | |
I have a surprise for you. | 0:15:55 | 0:15:58 | |
Like? | 0:15:59 | 0:16:00 | |
Fine. | 0:16:00 | 0:16:01 | |
Try it on. I have one, too. | 0:16:01 | 0:16:04 | |
Quite an idea. | 0:16:04 | 0:16:05 | |
You know what I need? | 0:16:05 | 0:16:07 | |
A shave. I'll go to the barber shop. | 0:16:07 | 0:16:10 | |
Your skin's like a baby's. | 0:16:10 | 0:16:12 | |
I feel like an ape. | 0:16:12 | 0:16:14 | |
I don't mind. | 0:16:14 | 0:16:15 | |
Well, I don't feel right. | 0:16:15 | 0:16:17 | |
Why don't you shave yourself? I'll watch. | 0:16:17 | 0:16:20 | |
Remember Victoria always watched Albert. | 0:16:20 | 0:16:22 | |
Who? | 0:16:22 | 0:16:23 | |
Prince Albert and Queen Victoria. | 0:16:23 | 0:16:25 | |
He didn't hack himself to pieces. | 0:16:25 | 0:16:27 | |
I'll be back. | 0:16:27 | 0:16:29 | |
Hurry. | 0:16:29 | 0:16:30 | |
Right back. | 0:16:30 | 0:16:31 | |
Ellen. | 0:16:58 | 0:17:01 | |
Hello. | 0:17:01 | 0:17:02 | |
That's all I wanted to know. | 0:17:12 | 0:17:14 | |
MAN: There's an ordinance in this state | 0:17:14 | 0:17:17 | |
that don't allow necking in bar rooms. | 0:17:17 | 0:17:19 | |
Oh, yes. Er... | 0:17:19 | 0:17:22 | |
Look-look, let's go somewhere | 0:17:22 | 0:17:24 | |
where we can talk, huh? | 0:17:24 | 0:17:26 | |
Where? | 0:17:26 | 0:17:27 | |
To your room. | 0:17:27 | 0:17:29 | |
Haven't got a room. | 0:17:28 | 0:17:30 | |
Oh. | 0:17:30 | 0:17:31 | |
Oh, well, I'll get you one, huh? | 0:17:31 | 0:17:34 | |
Yes? | 0:17:38 | 0:17:39 | |
I'd like another room. | 0:17:39 | 0:17:40 | |
Hmm? | 0:17:40 | 0:17:41 | |
Why, certainly, sir. | 0:17:45 | 0:17:47 | |
Yeah. Thank you very much. | 0:17:47 | 0:17:49 | |
Er, is, er, is suite "A" available? | 0:17:49 | 0:17:52 | |
Suite "A"? | 0:17:52 | 0:17:54 | |
Yes, suite "A." | 0:17:54 | 0:17:55 | |
Front. Suite "A." | 0:17:55 | 0:17:57 | |
Er, have you any luggage, miss? | 0:17:59 | 0:18:01 | |
Oh, yes, I have. If you will send for it. | 0:18:01 | 0:18:05 | |
It's at the airport. | 0:18:05 | 0:18:07 | |
Airport. | 0:18:07 | 0:18:08 | |
Thank you. | 0:18:08 | 0:18:09 | |
Very much. | 0:18:09 | 0:18:10 | |
What a man. | 0:18:17 | 0:18:18 | |
Hello, Operator, | 0:18:30 | 0:18:32 | |
will you please page Mr Arden? | 0:18:32 | 0:18:34 | |
Calling Mr Arden! | 0:18:34 | 0:18:36 | |
Calling Mr Arden! | 0:18:36 | 0:18:38 | |
Calling Mr Arden! | 0:18:38 | 0:18:40 | |
Calling Mr Arden! | 0:18:40 | 0:18:41 | |
TELEPHONE RINGS | 0:18:41 | 0:18:43 | |
Yes? | 0:18:43 | 0:18:45 | |
Yes. | 0:18:45 | 0:18:46 | |
Mr Arden? | 0:18:46 | 0:18:48 | |
Oh. | 0:18:48 | 0:18:49 | |
Yes, he's here. | 0:18:49 | 0:18:51 | |
It's for you. | 0:18:50 | 0:18:52 | |
Guess who. | 0:18:53 | 0:18:55 | |
Hello? | 0:18:56 | 0:18:57 | |
Mr Arden, if you're free, | 0:18:57 | 0:18:59 | |
Mrs Arden would like to see you. | 0:18:59 | 0:19:01 | |
Now, look here, my good... | 0:19:01 | 0:19:03 | |
Well, all right. | 0:19:03 | 0:19:05 | |
What's the matter, Nick? | 0:19:08 | 0:19:10 | |
Bride wondering where you are? | 0:19:10 | 0:19:12 | |
You'll have to face it, you know. | 0:19:12 | 0:19:15 | |
Yes, I know. What will I say? | 0:19:14 | 0:19:17 | |
That depends on what you feel. | 0:19:17 | 0:19:19 | |
I want to do the right thing by everybody. | 0:19:19 | 0:19:22 | |
Go ahead. | 0:19:22 | 0:19:23 | |
It's not as easy as that. | 0:19:23 | 0:19:26 | |
You see, Bianca's very sensitive. | 0:19:26 | 0:19:28 | |
She's high-strung. | 0:19:28 | 0:19:29 | |
Oh, one of those. | 0:19:29 | 0:19:31 | |
This will be a horrible shock. | 0:19:31 | 0:19:33 | |
How will she face her family, her friends? | 0:19:33 | 0:19:36 | |
Are you in love with her? | 0:19:36 | 0:19:38 | |
You must have told her you were, didn't you? | 0:19:41 | 0:19:44 | |
Well... | 0:19:44 | 0:19:45 | |
Sure, you did. | 0:19:45 | 0:19:46 | |
All right. Sure, I did. | 0:19:46 | 0:19:48 | |
How could you? | 0:19:48 | 0:19:50 | |
Well, I thought you... | 0:19:50 | 0:19:52 | |
I didn't know. | 0:19:51 | 0:19:53 | |
The minute my back was turned! | 0:19:53 | 0:19:55 | |
Minute? | 0:19:55 | 0:19:56 | |
Oh, Nick. Look at you. | 0:19:56 | 0:19:59 | |
No, don't kid, honey. It's too serious. | 0:19:59 | 0:20:02 | |
TELEPHONE RINGS | 0:20:02 | 0:20:04 | |
I'll get it. | 0:20:03 | 0:20:05 | |
It's for me. It's for me. | 0:20:05 | 0:20:07 | |
RING! | 0:20:07 | 0:20:09 | |
Hello? | 0:20:09 | 0:20:11 | |
Mr Arden, we don't like to interfere | 0:20:11 | 0:20:13 | |
with the privacy of our guests. | 0:20:13 | 0:20:16 | |
We mind our own business. | 0:20:16 | 0:20:18 | |
But your wife, Mr Arden, | 0:20:18 | 0:20:20 | |
is calling for you again! | 0:20:20 | 0:20:22 | |
Tell my wife I'll be right up. | 0:20:22 | 0:20:25 | |
I'm still being shaved. | 0:20:25 | 0:20:27 | |
< Ha ha ha! | 0:20:27 | 0:20:29 | |
You know, I've got a feeling you're enjoying my misery. | 0:20:29 | 0:20:33 | |
Would she make a good mother? | 0:20:33 | 0:20:36 | |
Was that the attraction? | 0:20:36 | 0:20:37 | |
That's it! | 0:20:37 | 0:20:39 | |
You thought she'd be good for the children? | 0:20:39 | 0:20:41 | |
Of course. | 0:20:41 | 0:20:43 | |
I understand that. | 0:20:43 | 0:20:44 | |
Don't believe me? | 0:20:44 | 0:20:46 | |
I'm just facing facts. | 0:20:46 | 0:20:48 | |
You ask this woman to be your wife | 0:20:48 | 0:20:51 | |
and mother of MY children. | 0:20:50 | 0:20:52 | |
That takes a lot of love. | 0:20:52 | 0:20:54 | |
Sure you don't love her? | 0:20:54 | 0:20:56 | |
After seeing you downstairs, I knew... | 0:20:56 | 0:20:58 | |
Bet you say that to all your wives. | 0:20:58 | 0:21:01 | |
I could strangle you. | 0:21:01 | 0:21:03 | |
Hey, that's a way out. | 0:21:03 | 0:21:05 | |
I can't say, "my mistake. Marriage is off," | 0:21:05 | 0:21:08 | |
can I? | 0:21:08 | 0:21:09 | |
Mm-mmm. | 0:21:09 | 0:21:10 | |
What am I, a dope? | 0:21:10 | 0:21:11 | |
Look. | 0:21:11 | 0:21:13 | |
What? | 0:21:13 | 0:21:14 | |
Let's try something like this. | 0:21:14 | 0:21:17 | |
Um, I'll be, um... what was that name? | 0:21:16 | 0:21:20 | |
Bianca. | 0:21:20 | 0:21:21 | |
Bianca. Ha ha! | 0:21:21 | 0:21:24 | |
All right, I'm Bianca. | 0:21:23 | 0:21:25 | |
Now, you come in. | 0:21:25 | 0:21:27 | |
Come on, come in. | 0:21:27 | 0:21:29 | |
You...come in. | 0:21:29 | 0:21:30 | |
All right, I'm in. | 0:21:30 | 0:21:32 | |
Yeah. Now, er, say something. | 0:21:32 | 0:21:35 | |
Hello, Bianca. | 0:21:37 | 0:21:39 | |
Oh, that's good! | 0:21:39 | 0:21:40 | |
Now, she'll say, um, | 0:21:40 | 0:21:42 | |
"Hello, darling. | 0:21:42 | 0:21:45 | |
"Really, you've been a terribly long time." | 0:21:44 | 0:21:48 | |
She doesn't talk like that. | 0:21:48 | 0:21:50 | |
Then she'll say, | 0:21:50 | 0:21:51 | |
"Darling, aren't you going to kiss me?" | 0:21:51 | 0:21:55 | |
Well, come on. | 0:21:56 | 0:21:59 | |
This is silly. | 0:21:58 | 0:22:00 | |
Do it. Do it anyway. | 0:22:00 | 0:22:02 | |
Oh. | 0:22:02 | 0:22:03 | |
Come on. | 0:22:03 | 0:22:05 | |
All right. | 0:22:05 | 0:22:06 | |
I mean do it from the beginning. | 0:22:06 | 0:22:09 | |
Go out and come in again. | 0:22:09 | 0:22:11 | |
I'll play if it'll make you happy. | 0:22:11 | 0:22:14 | |
You say, "Hello, Bianca." | 0:22:14 | 0:22:16 | |
I say, "Aren't you going to kiss me?" | 0:22:16 | 0:22:18 | |
Kiss you. | 0:22:18 | 0:22:20 | |
Was that for Bianca? | 0:22:27 | 0:22:29 | |
KNOCK ON DOOR | 0:22:29 | 0:22:30 | |
DOOR OPENS | 0:22:30 | 0:22:32 | |
Madam's luggage. | 0:22:33 | 0:22:34 | |
Could I see you a moment? | 0:22:40 | 0:22:42 | |
Sure. | 0:22:42 | 0:22:43 | |
Excuse me, dear. | 0:22:43 | 0:22:45 | |
We run a first-class hotel, Mr Arden, | 0:22:56 | 0:22:59 | |
and we don't like involvement in an intrigue. | 0:22:59 | 0:23:02 | |
We've maintained a reputation for respectability | 0:23:02 | 0:23:05 | |
for 33 years, | 0:23:05 | 0:23:06 | |
and we don't intend to lose it in one night! | 0:23:06 | 0:23:10 | |
My reputation for respectability | 0:23:10 | 0:23:12 | |
is as high as your hotel's! | 0:23:12 | 0:23:14 | |
And don't forget mine! | 0:23:14 | 0:23:16 | |
It's a very simple situation, mister. | 0:23:16 | 0:23:19 | |
Explain it to him, Nick. | 0:23:19 | 0:23:21 | |
All right, I will. | 0:23:21 | 0:23:23 | |
I came up here with my wife... my bride, really. | 0:23:23 | 0:23:26 | |
Now, my wife - not my bride, my wife... | 0:23:26 | 0:23:30 | |
Well, why should I bore you with the details? | 0:23:30 | 0:23:33 | |
I won't be bored. | 0:23:33 | 0:23:35 | |
Listen. | 0:23:35 | 0:23:36 | |
Now, it's as simple as A, B, C. | 0:23:36 | 0:23:39 | |
Don't tell me you've got somebody in "B." | 0:23:39 | 0:23:42 | |
B... | 0:23:42 | 0:23:43 | |
You better go. | 0:23:43 | 0:23:45 | |
If you please. | 0:23:45 | 0:23:46 | |
I'll be back. | 0:23:48 | 0:23:49 | |
I'm afraid not. | 0:23:49 | 0:23:51 | |
Now... | 0:23:51 | 0:23:52 | |
Goodbye, Nick. | 0:23:52 | 0:23:53 | |
Locked. | 0:23:59 | 0:24:01 | |
I have a pass key. | 0:24:01 | 0:24:03 | |
Oh, a pass key. | 0:24:03 | 0:24:04 | |
You people think of everything, don't you? | 0:24:04 | 0:24:07 | |
Pass key. | 0:24:07 | 0:24:08 | |
No hard feelings? | 0:24:08 | 0:24:10 | |
No, no, no. | 0:24:10 | 0:24:12 | |
Relax, will you? | 0:24:11 | 0:24:13 | |
< Nick, is that you? | 0:24:16 | 0:24:18 | |
I'll be right out, darling. | 0:24:18 | 0:24:20 | |
Nick? | 0:24:27 | 0:24:28 | |
(Remember when we got in the elevator,) | 0:24:32 | 0:24:34 | |
(and the door was closing?) | 0:24:34 | 0:24:36 | |
(Well, that's when...) | 0:24:36 | 0:24:37 | |
(When I first noticed it, Bianca) | 0:24:40 | 0:24:43 | |
(Er, now, Bianca, this is the situation.) | 0:24:43 | 0:24:46 | |
(This hurts me more than it hurts you.) | 0:24:46 | 0:24:48 | |
(No, that's no good.) | 0:24:48 | 0:24:50 | |
(I'll start all over again.) | 0:24:50 | 0:24:52 | |
(Now, Bianca...) | 0:24:54 | 0:24:55 | |
(Bianca, this is the situation.) | 0:24:55 | 0:24:57 | |
(Something's come up - my wife.) | 0:24:57 | 0:24:59 | |
(Truth is stranger than fiction.) | 0:24:59 | 0:25:01 | |
(This is the situation...) | 0:25:08 | 0:25:10 | |
(My wife...) | 0:25:09 | 0:25:11 | |
There are children to be considered. | 0:25:11 | 0:25:14 | |
Even a tiger fights for its young. That's good. | 0:25:13 | 0:25:17 | |
There's something between two people who have been married | 0:25:17 | 0:25:20 | |
that you don't get between two people | 0:25:20 | 0:25:23 | |
who haven't been married, Bianca. | 0:25:23 | 0:25:25 | |
Now be big. Be brave. | 0:25:25 | 0:25:27 | |
You will, Bianca? Fine! | 0:25:27 | 0:25:29 | |
Can I use your phone? | 0:25:33 | 0:25:35 | |
Oh! | 0:25:46 | 0:25:47 | |
Hello? Give me Mrs Arden in suite "C," please. | 0:25:48 | 0:25:53 | |
(Bianca, something's come up - my wife.) | 0:25:53 | 0:25:55 | |
(Truth is stranger than fiction.) | 0:25:55 | 0:25:57 | |
Mrs Arden, there's a call for you. | 0:25:57 | 0:26:00 | |
This way, please. | 0:26:00 | 0:26:01 | |
(Something's come up - my wife.) | 0:26:03 | 0:26:04 | |
(Truth is stranger than fiction.) | 0:26:04 | 0:26:06 | |
(Truth is stranger than fiction.) | 0:26:06 | 0:26:08 | |
(Truth is stranger than fiction.) | 0:26:08 | 0:26:10 | |
(This is the situation.) | 0:26:11 | 0:26:13 | |
Hello? | 0:26:13 | 0:26:15 | |
Oh, hello? | 0:26:15 | 0:26:16 | |
This hurts me more than it hurts you. | 0:26:16 | 0:26:19 | |
Something's come up. | 0:26:19 | 0:26:20 | |
Why don't you come up? | 0:26:20 | 0:26:22 | |
No! I mean, I can't. | 0:26:22 | 0:26:24 | |
< Why not? | 0:26:24 | 0:26:25 | |
I'm in Carmel. | 0:26:25 | 0:26:27 | |
Carmel? | 0:26:27 | 0:26:28 | |
Yes, I'm flying. | 0:26:28 | 0:26:30 | |
That client of mine in San Francisco | 0:26:30 | 0:26:32 | |
told me to come up immediately. | 0:26:32 | 0:26:35 | |
You might have told me! | 0:26:35 | 0:26:37 | |
I can't hear you. | 0:26:37 | 0:26:39 | |
< I'm not staying here alone! | 0:26:39 | 0:26:41 | |
Propellers! | 0:26:41 | 0:26:42 | |
Come back here! | 0:26:42 | 0:26:44 | |
< Tell your client to wait! | 0:26:44 | 0:26:46 | |
CLANK! | 0:26:46 | 0:26:47 | |
Propellers, see? | 0:26:47 | 0:26:49 | |
You come back! | 0:26:49 | 0:26:51 | |
What? No. Got to run! | 0:26:51 | 0:26:53 | |
We're taking off. I've got to run! | 0:26:53 | 0:26:56 | |
Goodbye! | 0:26:56 | 0:26:58 | |
Oh! | 0:26:58 | 0:26:59 | |
Oh! | 0:27:08 | 0:27:09 | |
We went to the Planetarium. | 0:27:09 | 0:27:11 | |
Look what I got. | 0:27:11 | 0:27:12 | |
That's wonderful. Run along upstairs. | 0:27:12 | 0:27:14 | |
Tell me about it later. | 0:27:14 | 0:27:16 | |
We went to the zoo, too. | 0:27:16 | 0:27:19 | |
Oh, I'm exhausted. | 0:27:19 | 0:27:20 | |
Did you tell them who you are? | 0:27:20 | 0:27:23 | |
No. I came pretty close to it once or twice. | 0:27:23 | 0:27:27 | |
Oh, Ellen. | 0:27:27 | 0:27:28 | |
You can't expect me to play a tender scene | 0:27:28 | 0:27:32 | |
in front of the elephants. | 0:27:32 | 0:27:34 | |
Did you hear from Nick? | 0:27:34 | 0:27:35 | |
No, not a word. It's funny. | 0:27:35 | 0:27:38 | |
Not to me. Think he's having trouble telling her? | 0:27:38 | 0:27:41 | |
He's had a night and a day. | 0:27:41 | 0:27:44 | |
That ought to be long enough. | 0:27:44 | 0:27:46 | |
It's too long. | 0:27:46 | 0:27:48 | |
You owe me an explanation. | 0:27:49 | 0:27:51 | |
Yes, I do. | 0:27:51 | 0:27:53 | |
Well? | 0:27:53 | 0:27:55 | |
When we get home. | 0:27:55 | 0:27:58 | |
..Father's cherry tree. | 0:28:02 | 0:28:03 | |
When his father came to see, he stood tall like me. | 0:28:03 | 0:28:06 | |
He told the truth about that tree. | 0:28:06 | 0:28:09 | |
He was no coward. Not he. | 0:28:09 | 0:28:11 | |
Great. Where did you learn that one? | 0:28:11 | 0:28:14 | |
Oh, around. | 0:28:14 | 0:28:15 | |
Did you know any pieces when you were little? | 0:28:15 | 0:28:19 | |
Yes. Let's see... Oh, here's one. | 0:28:19 | 0:28:22 | |
SOUTHERN ACCENT: In old Kentuck, where I was born, | 0:28:22 | 0:28:25 | |
there ain't no yanks | 0:28:25 | 0:28:26 | |
and there ain't no corn, | 0:28:26 | 0:28:29 | |
but the gals and the horses can't be beat. | 0:28:29 | 0:28:32 | |
To live down south is sure a treat. | 0:28:32 | 0:28:35 | |
How come you talk like that? | 0:28:35 | 0:28:37 | |
Didn't y'all hear anybody talk like that before? | 0:28:37 | 0:28:40 | |
No. Did it take long to learn it? | 0:28:40 | 0:28:43 | |
No. Everybody talks like that where I'm from... | 0:28:43 | 0:28:45 | |
even your mother. | 0:28:45 | 0:28:47 | |
She did? | 0:28:47 | 0:28:49 | |
Uh-huh. | 0:28:49 | 0:28:50 | |
Before she drowned? | 0:28:50 | 0:28:52 | |
Nobody talks after they're drowned. | 0:28:52 | 0:28:54 | |
Sometimes they do. | 0:28:54 | 0:28:55 | |
Eh! | 0:28:55 | 0:28:57 | |
I mean, they're not really drowned. | 0:28:57 | 0:28:59 | |
People just think they are, | 0:28:59 | 0:29:02 | |
but they're not, see? | 0:29:02 | 0:29:04 | |
My mother wouldn't do anything silly like that - | 0:29:04 | 0:29:07 | |
talk after she was drowned. | 0:29:07 | 0:29:09 | |
Why, that's ridiculous. | 0:29:09 | 0:29:10 | |
Yes, isn't it? | 0:29:13 | 0:29:14 | |
Any more pieces? | 0:29:14 | 0:29:16 | |
It's getting late. Get ready for dinner. | 0:29:16 | 0:29:19 | |
Not yet. | 0:29:19 | 0:29:20 | |
Go on, Timmy. | 0:29:20 | 0:29:22 | |
See you later. | 0:29:21 | 0:29:23 | |
OK. Go on, darling. | 0:29:23 | 0:29:25 | |
HONK HONK | 0:29:26 | 0:29:28 | |
Well. | 0:29:28 | 0:29:30 | |
Hello, Chinch, dear. How are you? | 0:29:31 | 0:29:34 | |
You're getting heavy. | 0:29:33 | 0:29:35 | |
Hello, Dad. | 0:29:35 | 0:29:36 | |
Tim, what did I tell you? Keep them high. | 0:29:36 | 0:29:40 | |
Hello. | 0:29:40 | 0:29:41 | |
Hello, Miss Bates. | 0:29:41 | 0:29:43 | |
Oh! | 0:29:43 | 0:29:44 | |
He's brought her home. | 0:29:44 | 0:29:46 | |
Don't you suppose he's told her? | 0:29:46 | 0:29:49 | |
I guess not. | 0:29:49 | 0:29:51 | |
It would be better if you weren't here. | 0:29:51 | 0:29:54 | |
Why should I leave? | 0:29:54 | 0:29:56 | |
It'll be a little awkward. | 0:29:55 | 0:29:57 | |
I know. I know. | 0:29:57 | 0:30:00 | |
Tell her I'm an old friend | 0:30:00 | 0:30:02 | |
from the south. | 0:30:02 | 0:30:04 | |
Go in and wash up. It's time for dinner. | 0:30:04 | 0:30:08 | |
It's not 6.00. | 0:30:08 | 0:30:09 | |
Don't argue! In you go! | 0:30:09 | 0:30:11 | |
Yes, sir. | 0:30:11 | 0:30:13 | |
Why don't you tell them I'm their new mother? | 0:30:18 | 0:30:21 | |
Didn't I do that? | 0:30:21 | 0:30:23 | |
I didn't want to confuse them. | 0:30:23 | 0:30:25 | |
Confuse them? | 0:30:25 | 0:30:27 | |
I mean, I'm confused. Driving and all that. | 0:30:27 | 0:30:29 | |
Aren't you going to carry me across the threshold? | 0:30:32 | 0:30:35 | |
It's good luck. | 0:30:37 | 0:30:39 | |
Oh, sure. | 0:30:39 | 0:30:41 | |
Ooh. | 0:30:42 | 0:30:43 | |
SOUTHERN ACCENT: Hiya, Nicholas, honey! | 0:30:49 | 0:30:51 | |
Surprised? | 0:30:51 | 0:30:53 | |
Oh! | 0:30:53 | 0:30:54 | |
Y'all mind if I kiss the bridegroom? | 0:30:54 | 0:30:57 | |
Not at all. | 0:30:56 | 0:30:58 | |
Just one big, sisterly kiss. | 0:30:58 | 0:31:01 | |
Ha ha! There! | 0:31:04 | 0:31:05 | |
Ah, ha! | 0:31:05 | 0:31:07 | |
She's visiting with us. | 0:31:07 | 0:31:09 | |
Her mother and I went to school together | 0:31:09 | 0:31:12 | |
in Virginia. | 0:31:12 | 0:31:14 | |
She's like my own daughter. | 0:31:13 | 0:31:15 | |
How nice. | 0:31:15 | 0:31:17 | |
Isn't he the sweetest thing? | 0:31:17 | 0:31:19 | |
I used to just adore him. | 0:31:18 | 0:31:21 | |
He was the darlingest boy you ever did see, | 0:31:21 | 0:31:24 | |
but faithless! Mmm. | 0:31:24 | 0:31:26 | |
Just like a bumblebee going from flower to flower. | 0:31:26 | 0:31:29 | |
Ha ha! | 0:31:29 | 0:31:31 | |
Oh, I was only fooling, honey. | 0:31:31 | 0:31:34 | |
I come from a fooling family. | 0:31:34 | 0:31:36 | |
My great-grandfather Lucius | 0:31:36 | 0:31:39 | |
was the first man to give the Governor of North Carolina | 0:31:39 | 0:31:43 | |
the hotfoot. | 0:31:42 | 0:31:44 | |
You've been married before, haven't you, honey? | 0:31:44 | 0:31:47 | |
No. | 0:31:47 | 0:31:48 | |
Where did I get the idea you was a widow? | 0:31:48 | 0:31:51 | |
Not yet. | 0:31:51 | 0:31:53 | |
Well, I'll make a drink, shall I? | 0:31:53 | 0:31:56 | |
You must be tired. You both look tired. | 0:31:56 | 0:31:59 | |
That's what I've been thinking, | 0:31:59 | 0:32:01 | |
but not daring to say! Ha ha! | 0:32:01 | 0:32:04 | |
Oh, I'm just terrible, saying things like that. | 0:32:04 | 0:32:08 | |
Oh, isn't that lovely? | 0:32:08 | 0:32:12 | |
Isn't that a lovely thing? | 0:32:15 | 0:32:17 | |
Engagement present? | 0:32:17 | 0:32:19 | |
Yes. | 0:32:19 | 0:32:20 | |
Mm-hmm. | 0:32:20 | 0:32:21 | |
I used to have one exactly like it. | 0:32:21 | 0:32:25 | |
Exactly. | 0:32:25 | 0:32:27 | |
Did y'all drive all night? | 0:32:32 | 0:32:34 | |
No. We stopped at a charming | 0:32:34 | 0:32:36 | |
rose-covered cottage. | 0:32:36 | 0:32:38 | |
Ahem! Ahem. Ahem. | 0:32:38 | 0:32:40 | |
He said he wanted just the right place. | 0:32:40 | 0:32:43 | |
So peaceful, so serene, | 0:32:43 | 0:32:45 | |
so romantic. | 0:32:45 | 0:32:47 | |
Nick's so thoughtful. | 0:32:47 | 0:32:48 | |
Isn't he, though? | 0:32:48 | 0:32:50 | |
Dinner's served. | 0:32:50 | 0:32:51 | |
How's school, Tim? Fine. | 0:32:51 | 0:32:54 | |
Tim's an orator. | 0:32:54 | 0:32:55 | |
Will you recite? | 0:32:55 | 0:32:57 | |
I don't want to recite. | 0:32:57 | 0:32:59 | |
Chinch got two gold stars | 0:32:59 | 0:33:01 | |
from her music teacher. | 0:33:01 | 0:33:05 | |
Uh-huh. | 0:33:05 | 0:33:07 | |
Chinch got two gold stars from her music teacher. | 0:33:06 | 0:33:09 | |
I heard the news. | 0:33:09 | 0:33:11 | |
I know! Let's have Chinch play for us after dinner. | 0:33:11 | 0:33:15 | |
I can play by heart without the paper. | 0:33:15 | 0:33:18 | |
I had a good ear when I was a kid. | 0:33:18 | 0:33:22 | |
You couldn't carry a tune! | 0:33:22 | 0:33:24 | |
I like my husband's voice. | 0:33:24 | 0:33:26 | |
Don't care about music, huh? | 0:33:26 | 0:33:28 | |
SHE PLAYS PIANO | 0:33:30 | 0:33:32 | |
Oops, I made a mistake. | 0:33:41 | 0:33:44 | |
Pick up where you left off, if you don't mind. | 0:33:45 | 0:33:49 | |
My teacher said I shouldn't do that. | 0:33:49 | 0:33:52 | |
SHE HITS WRONG NOTE | 0:33:56 | 0:33:59 | |
Go right back, darling. | 0:33:58 | 0:34:01 | |
"Under a spreading chestnut tree, | 0:34:14 | 0:34:16 | |
"the village smithy stands..." | 0:34:16 | 0:34:18 | |
Good boy! | 0:34:18 | 0:34:19 | |
"..with large and sinewy hands. | 0:34:19 | 0:34:22 | |
"The muscles of his brawny arms | 0:34:21 | 0:34:23 | |
"are strong as iron bands..." | 0:34:23 | 0:34:25 | |
"I don't want to recite." | 0:34:25 | 0:34:28 | |
"His face is like the tan. | 0:34:28 | 0:34:30 | |
"His brow is wet..." | 0:34:30 | 0:34:32 | |
My head's splitting. I'm going to bed. | 0:34:32 | 0:34:34 | |
Oh, all right. | 0:34:34 | 0:34:35 | |
TIM: "..week in..." | 0:34:35 | 0:34:36 | |
If you'll excuse me. Good night. | 0:34:36 | 0:34:39 | |
"..hear him swing..." | 0:34:39 | 0:34:40 | |
Coming, Nick? | 0:34:40 | 0:34:42 | |
In just a little while. | 0:34:41 | 0:34:44 | |
"..the evening sun is low. | 0:34:44 | 0:34:45 | |
"The children come..." | 0:34:45 | 0:34:47 | |
Good night. | 0:34:47 | 0:34:48 | |
"They love to see the flaming forge..." | 0:34:48 | 0:34:51 | |
VOICES | 0:35:00 | 0:35:02 | |
I practised over an hour yesterday. | 0:35:02 | 0:35:05 | |
I didn't do the Gettysburg Address. | 0:35:05 | 0:35:07 | |
Let's do it. | 0:35:07 | 0:35:09 | |
Not a chance. | 0:35:08 | 0:35:10 | |
Night, Daddy. | 0:35:10 | 0:35:11 | |
Just when the party's getting good. | 0:35:11 | 0:35:14 | |
I cut that stuff out a year ago. | 0:35:14 | 0:35:17 | |
Sorry. Good night. | 0:35:17 | 0:35:18 | |
Night, fella. | 0:35:18 | 0:35:20 | |
I-all thought your-all performance | 0:35:22 | 0:35:24 | |
was mighty good this evening, sister Ellen. | 0:35:24 | 0:35:27 | |
I thought you'd like that. | 0:35:27 | 0:35:29 | |
CHILDREN: Good night! | 0:35:29 | 0:35:30 | |
Good night. | 0:35:30 | 0:35:32 | |
You've done a good job, Nick. | 0:35:32 | 0:35:34 | |
They're nice kids. | 0:35:34 | 0:35:35 | |
They're really wonderful. | 0:35:35 | 0:35:37 | |
Oh, I'm glad you think so. | 0:35:37 | 0:35:39 | |
Timmy's just like you. | 0:35:39 | 0:35:41 | |
Sure. He's bright. | 0:35:41 | 0:35:43 | |
Obstinate, jealous... | 0:35:43 | 0:35:44 | |
Nick, I'm waiting. | 0:35:44 | 0:35:46 | |
In a minute. | 0:35:48 | 0:35:49 | |
What were you saying? | 0:35:52 | 0:35:54 | |
I was saying, Timmy's just like you - | 0:35:54 | 0:35:57 | |
obstinate, jealous, but adorable. | 0:35:57 | 0:36:01 | |
Mm-hmm. | 0:36:01 | 0:36:03 | |
I feel sorry for the woman who marries him. | 0:36:03 | 0:36:06 | |
Why? | 0:36:06 | 0:36:07 | |
He's a heartbreaker, like you. | 0:36:06 | 0:36:09 | |
I'm a faithful husband. | 0:36:09 | 0:36:11 | |
With a wife in every room. | 0:36:11 | 0:36:14 | |
Nick, I'm waiting. | 0:36:16 | 0:36:18 | |
DOOR SLAMS | 0:36:18 | 0:36:20 | |
Are you going to tell her? | 0:36:21 | 0:36:24 | |
Sure. | 0:36:24 | 0:36:25 | |
When? | 0:36:25 | 0:36:26 | |
Right now. It's going to take tact and delicacy. | 0:36:26 | 0:36:30 | |
Mmm. | 0:36:30 | 0:36:32 | |
She's waiting. | 0:36:35 | 0:36:37 | |
Oh, yeah. Here we go. | 0:36:37 | 0:36:41 | |
Oh, you Casanova, you. | 0:36:49 | 0:36:52 | |
Oh! | 0:36:52 | 0:36:53 | |
And then we drove all night. | 0:36:54 | 0:36:56 | |
All night! | 0:36:56 | 0:36:58 | |
When we got home, he didn't even tell the children. | 0:36:58 | 0:37:02 | |
Oh, mother, he just ignores me! | 0:37:02 | 0:37:05 | |
What? | 0:37:04 | 0:37:06 | |
I don't care what father did! | 0:37:06 | 0:37:10 | |
I've never been so humiliated. | 0:37:09 | 0:37:12 | |
I'm not going to stand it another minute. | 0:37:11 | 0:37:14 | |
I'm going to leave him. | 0:37:14 | 0:37:16 | |
I don't care what you say! | 0:37:17 | 0:37:19 | |
I'm leaving him! | 0:37:19 | 0:37:21 | |
Mother, I'll call you back. | 0:37:21 | 0:37:23 | |
How is your mother? | 0:37:25 | 0:37:27 | |
Your mother's quite nice once you get to know her. | 0:37:27 | 0:37:31 | |
Do you love me? | 0:37:32 | 0:37:34 | |
Why, Bianca, | 0:37:34 | 0:37:36 | |
you're one of the most attractive girls I know. | 0:37:36 | 0:37:39 | |
I'm your wife! | 0:37:39 | 0:37:41 | |
SHE CRIES | 0:37:41 | 0:37:42 | |
When I think how I shopped all afternoon until I was exhausted | 0:37:46 | 0:37:50 | |
hunting a surprise for you, | 0:37:50 | 0:37:53 | |
and you won't even put it on! | 0:37:53 | 0:37:56 | |
Oh, no, Bianca, please. | 0:37:56 | 0:37:58 | |
I'll put it on. | 0:37:58 | 0:38:00 | |
Stop. Bianca, I'll put it on right now. | 0:38:00 | 0:38:03 | |
I'll put it on, Bianca. | 0:38:03 | 0:38:05 | |
No, please, stop crying. | 0:38:05 | 0:38:07 | |
Look, Bianca. | 0:38:07 | 0:38:08 | |
Look, Bianca, I'm putting it on. | 0:38:08 | 0:38:11 | |
Please stop crying, Bianca. | 0:38:11 | 0:38:13 | |
Look. There. | 0:38:13 | 0:38:14 | |
I've put it on. | 0:38:14 | 0:38:16 | |
See? | 0:38:16 | 0:38:17 | |
Playing up to that Southern snip | 0:38:19 | 0:38:22 | |
just as if I weren't there. | 0:38:21 | 0:38:24 | |
In the name of heaven, tell me, | 0:38:24 | 0:38:27 | |
what's wrong with me? | 0:38:27 | 0:38:29 | |
Oh, Bianca, there's nothing wrong with you. | 0:38:28 | 0:38:32 | |
Believe me, under other circumstances, | 0:38:32 | 0:38:34 | |
well, who knows? | 0:38:34 | 0:38:36 | |
Oh, no. No, Bianca, please stop crying. | 0:38:36 | 0:38:39 | |
Now, please, let me explain. | 0:38:39 | 0:38:41 | |
Let me start from the beginning. | 0:38:41 | 0:38:43 | |
Shh. | 0:38:43 | 0:38:45 | |
Now, once... | 0:38:44 | 0:38:46 | |
Once there was a man who met a girl. | 0:38:46 | 0:38:49 | |
He'd been living alone for quite some time. | 0:38:49 | 0:38:52 | |
Well, he told the girl he loved her, | 0:38:52 | 0:38:55 | |
and he married said girl. | 0:38:55 | 0:38:57 | |
What are you trying to say? | 0:38:57 | 0:39:00 | |
Just this - | 0:39:00 | 0:39:01 | |
Bianca... | 0:39:01 | 0:39:03 | |
DOORBELL RINGS | 0:39:03 | 0:39:04 | |
That's for me. I'll be right back. | 0:39:04 | 0:39:07 | |
Be right back. | 0:39:07 | 0:39:08 | |
SHE CRIES | 0:39:08 | 0:39:10 | |
Mr Arden? | 0:39:17 | 0:39:19 | |
Yes. | 0:39:19 | 0:39:20 | |
I'm Johnson of American Life and Accident Assurance. | 0:39:20 | 0:39:23 | |
Come right in, Mr Johnson. | 0:39:23 | 0:39:25 | |
Oh, thank you. | 0:39:25 | 0:39:26 | |
I'm sorry to be intruding at this hour. | 0:39:26 | 0:39:29 | |
Not at all. Not at all. | 0:39:29 | 0:39:31 | |
I met you at the Kiwanis get together. | 0:39:31 | 0:39:34 | |
Oh, really? | 0:39:34 | 0:39:36 | |
The big one - fourth of July, last. | 0:39:36 | 0:39:39 | |
I'm sorry to have dragged you from bed. | 0:39:39 | 0:39:41 | |
Not at all. Glad you came. | 0:39:41 | 0:39:44 | |
Oh, delightful. | 0:39:47 | 0:39:48 | |
This will only take a minute. | 0:39:48 | 0:39:51 | |
Sit down. Stay a while. | 0:39:51 | 0:39:53 | |
Well, thank you. | 0:39:53 | 0:39:55 | |
What can I do for you? | 0:40:02 | 0:40:04 | |
Hmm? Oh, Mr Arden, | 0:40:04 | 0:40:07 | |
have you received any communication | 0:40:07 | 0:40:09 | |
from your first wife, Ellen Wagstaff Arden? | 0:40:09 | 0:40:13 | |
No. Ha ha ha! Just as I expected. | 0:40:13 | 0:40:16 | |
Our district manager, Mr Pusey, | 0:40:16 | 0:40:18 | |
is a fuss-budgety type who likes to check everything. | 0:40:18 | 0:40:22 | |
It's customary to check | 0:40:22 | 0:40:24 | |
when the company's paid out a large sum of money. | 0:40:24 | 0:40:27 | |
What are you driving at? | 0:40:27 | 0:40:29 | |
He claims to have a report - a rumour, really - | 0:40:29 | 0:40:32 | |
that a woman answering your wife's description | 0:40:32 | 0:40:35 | |
was rescued by a Portuguese freighter, | 0:40:35 | 0:40:37 | |
as was also a man named Stephen Burkett, | 0:40:37 | 0:40:40 | |
who was reported drowned at the same time. | 0:40:40 | 0:40:43 | |
Would you mind saying that again? | 0:40:45 | 0:40:48 | |
Don't be angry with me. | 0:40:48 | 0:40:50 | |
This Stephen Burkett - | 0:40:50 | 0:40:51 | |
he was rescued at the same time as my wife? | 0:40:51 | 0:40:55 | |
Well, according to this unverified rumour. | 0:40:55 | 0:40:57 | |
Then they were on that island | 0:40:57 | 0:41:00 | |
for seven years together. | 0:41:00 | 0:41:02 | |
Seven years. Ridiculous, isn't it? | 0:41:02 | 0:41:04 | |
What else did your Mr Pusey hear? | 0:41:08 | 0:41:11 | |
Well, not very much, really. | 0:41:11 | 0:41:13 | |
It seems he talked to somebody | 0:41:13 | 0:41:16 | |
who had talked to a Portuguese captain. | 0:41:16 | 0:41:18 | |
Listen to this - | 0:41:18 | 0:41:20 | |
he says the woman called the man Adam. | 0:41:20 | 0:41:25 | |
Adam? | 0:41:26 | 0:41:27 | |
Adam. | 0:41:27 | 0:41:28 | |
Ha ha ha! A far cry from Stephen. | 0:41:28 | 0:41:31 | |
Oh, it's all absurd. | 0:41:31 | 0:41:32 | |
What did he call HER? | 0:41:35 | 0:41:37 | |
Eve. | 0:41:43 | 0:41:44 | |
Adam and eve. | 0:41:45 | 0:41:47 | |
Oh, Adam and eve. A delightful fancy. | 0:41:47 | 0:41:50 | |
Yeah. Delightful. | 0:41:50 | 0:41:52 | |
You ought to be grateful it is only a fancy. | 0:41:52 | 0:41:56 | |
Aside from the money involved, | 0:41:56 | 0:41:58 | |
can you imagine the pickle you'd be in if it weren't? | 0:41:58 | 0:42:01 | |
Well, then, that does it. | 0:42:01 | 0:42:03 | |
KNOCK AT DOOR | 0:42:05 | 0:42:06 | |
Come in. | 0:42:07 | 0:42:09 | |
Oh, Nick. | 0:42:10 | 0:42:12 | |
How can you sleep at a time like this? | 0:42:13 | 0:42:17 | |
Dreaming about Adam, I suppose. | 0:42:17 | 0:42:19 | |
Adam? | 0:42:18 | 0:42:20 | |
Adam and Eve! | 0:42:20 | 0:42:21 | |
Why didn't you tell me | 0:42:21 | 0:42:23 | |
this man Burkett was with you? | 0:42:23 | 0:42:25 | |
Why do you dissemble and deceive? | 0:42:25 | 0:42:28 | |
What are you laughing at? | 0:42:28 | 0:42:30 | |
You, darling. That robe. | 0:42:30 | 0:42:32 | |
How will I look when this story comes out? | 0:42:32 | 0:42:35 | |
You two alone on an island for seven years. | 0:42:35 | 0:42:38 | |
We didn't arrange it. It just happened. | 0:42:38 | 0:42:41 | |
Yeah. I'll bet it did. | 0:42:41 | 0:42:43 | |
Please get that look out of your eye. | 0:42:43 | 0:42:46 | |
Why didn't you tell me? | 0:42:46 | 0:42:48 | |
I knew you'd carry on like you are now. | 0:42:48 | 0:42:51 | |
I wanted the right time. | 0:42:51 | 0:42:53 | |
There never will be a right time. | 0:42:53 | 0:42:56 | |
Seven years on an island. | 0:42:56 | 0:42:58 | |
He didn't molest you? | 0:42:58 | 0:43:01 | |
How could he? | 0:43:00 | 0:43:02 | |
The poor fellow broke his leg. | 0:43:02 | 0:43:04 | |
He was laid up for six months. | 0:43:04 | 0:43:07 | |
Oh. That still leaves six and a half years. | 0:43:07 | 0:43:10 | |
It occurs to me I ought to feel insulted. | 0:43:15 | 0:43:18 | |
I go through seven years of agony. | 0:43:18 | 0:43:21 | |
I come home to find | 0:43:21 | 0:43:23 | |
my husband in the arms of another woman, married. | 0:43:22 | 0:43:25 | |
My children don't know me. | 0:43:25 | 0:43:27 | |
All my husband can think of | 0:43:27 | 0:43:30 | |
is did I carry on with some poor man? | 0:43:30 | 0:43:33 | |
Just a moment. YOU just a moment! | 0:43:33 | 0:43:36 | |
Did you tell her? Did you? No! You got into costume. | 0:43:36 | 0:43:39 | |
How long does it take to tell a woman | 0:43:39 | 0:43:43 | |
"my wife's come back"? | 0:43:42 | 0:43:44 | |
I can say it in two seconds. | 0:43:44 | 0:43:47 | |
You've had two days. | 0:43:47 | 0:43:48 | |
Oh, Nick, you don't want to tell her. | 0:43:48 | 0:43:52 | |
That's why you're picking on poor Adam. | 0:43:52 | 0:43:55 | |
Any excuse will do. | 0:43:54 | 0:43:56 | |
You can't blame me after hearing about Burkett. | 0:43:56 | 0:44:00 | |
You'd always think the worst of me. | 0:44:00 | 0:44:03 | |
Well, where is he now? | 0:44:03 | 0:44:05 | |
Who? | 0:44:05 | 0:44:06 | |
You know who! | 0:44:06 | 0:44:08 | |
Oh, Adam. | 0:44:08 | 0:44:10 | |
Jealous of poor Adam. | 0:44:10 | 0:44:13 | |
Gentle, harmless Adam. | 0:44:13 | 0:44:16 | |
He lives at the YMCA. | 0:44:16 | 0:44:18 | |
The YMCA? | 0:44:18 | 0:44:20 | |
He always lives at the YMCA. | 0:44:20 | 0:44:22 | |
He's a clean-living, upright, 100% American | 0:44:22 | 0:44:25 | |
and a gentleman. | 0:44:25 | 0:44:26 | |
Is there anything more? | 0:44:26 | 0:44:29 | |
When do I meet him? | 0:44:29 | 0:44:30 | |
When do you tell her? | 0:44:30 | 0:44:31 | |
Good night. | 0:44:37 | 0:44:39 | |
Good night. | 0:44:39 | 0:44:40 | |
Adam. | 0:44:51 | 0:44:53 | |
Nick! | 0:45:00 | 0:45:01 | |
Where are you going now? | 0:45:01 | 0:45:03 | |
To the YMCA! | 0:45:03 | 0:45:05 | |
Good morning. | 0:45:15 | 0:45:17 | |
Good morning. | 0:45:16 | 0:45:17 | |
NICK: Not Durkett, Burkett! | 0:45:20 | 0:45:22 | |
"B", like... | 0:45:22 | 0:45:23 | |
All right, I'll hold on. | 0:45:24 | 0:45:27 | |
Huh? | 0:45:30 | 0:45:31 | |
Oh, he's not there? | 0:45:31 | 0:45:33 | |
Thanks. | 0:45:33 | 0:45:35 | |
Good morning, Miss Rosenthal. | 0:45:35 | 0:45:37 | |
Look, I want you to find a Stephen Burkett. | 0:45:37 | 0:45:40 | |
Drop everything else. It's very important. | 0:45:40 | 0:45:43 | |
I've called all the hotels. | 0:45:43 | 0:45:45 | |
Call the country clubs, men's clubs... | 0:45:45 | 0:45:47 | |
YMCA? | 0:45:47 | 0:45:48 | |
No! I tried that. They've never heard of him. | 0:45:48 | 0:45:52 | |
Yes, sir. | 0:45:52 | 0:45:53 | |
Mr Burkett's room, please. | 0:46:00 | 0:46:03 | |
Oh, he's not? | 0:46:04 | 0:46:05 | |
Hmm. | 0:46:05 | 0:46:07 | |
Well, will you try pageing him, please? | 0:46:06 | 0:46:09 | |
Pageing Mr Burkett! | 0:46:14 | 0:46:16 | |
Pageing Mr Burkett! | 0:46:18 | 0:46:21 | |
Pageing Mr Burkett! | 0:46:24 | 0:46:26 | |
Pageing Mr Burkett! | 0:46:27 | 0:46:31 | |
Pageing Mr Burkett! | 0:46:33 | 0:46:36 | |
Mr Burkett! | 0:46:37 | 0:46:39 | |
Right here, Son. | 0:46:39 | 0:46:40 | |
Mr Burkett? Call for you, sir. | 0:46:42 | 0:46:45 | |
All right. | 0:46:45 | 0:46:47 | |
Hello? | 0:46:47 | 0:46:49 | |
Hello? | 0:46:49 | 0:46:50 | |
Nobody on this line, Son. | 0:46:50 | 0:46:52 | |
I'm sorry, sir. | 0:46:52 | 0:46:54 | |
Thanks. They'll probably call again. | 0:46:54 | 0:46:56 | |
I feel it's about time for a dip. | 0:46:56 | 0:46:59 | |
Yes, it is. | 0:47:07 | 0:47:09 | |
No, it isn't. | 0:47:09 | 0:47:10 | |
Ask that young man. | 0:47:10 | 0:47:12 | |
Young man, is that Johnny Weissmuller? | 0:47:14 | 0:47:16 | |
No. I wish it were. | 0:47:16 | 0:47:18 | |
Are you sure that isn't a left shoe? | 0:47:54 | 0:47:57 | |
Well, if you... | 0:47:57 | 0:47:59 | |
Are you sure you wear 4S? | 0:48:00 | 0:48:03 | |
Well, maybe I don't anymore. | 0:48:03 | 0:48:05 | |
I've been running around with my shoes off | 0:48:05 | 0:48:08 | |
for quite some time. | 0:48:08 | 0:48:10 | |
Sort of running wild. Ha ha ha! | 0:48:10 | 0:48:12 | |
There you are. | 0:48:23 | 0:48:25 | |
What do you do at lunchtime? | 0:48:25 | 0:48:28 | |
Have lunch. | 0:48:28 | 0:48:30 | |
Well, do you think you could skip it today | 0:48:30 | 0:48:33 | |
if I made it worth your while? | 0:48:33 | 0:48:36 | |
Yes. | 0:48:39 | 0:48:40 | |
Well, er, meet me out in front in 15 minutes. | 0:48:42 | 0:48:47 | |
Oh, no, no. | 0:48:50 | 0:48:52 | |
You don't understand. | 0:48:52 | 0:48:53 | |
It's, er...er... | 0:48:53 | 0:48:55 | |
well, I'll explain the whole thing later. | 0:48:55 | 0:48:58 | |
Yes, Joe? | 0:49:00 | 0:49:01 | |
Yes, I know. I covered every... | 0:49:01 | 0:49:03 | |
Yeah. I'm sorry, Joe. | 0:49:17 | 0:49:19 | |
Yes, that's... | 0:49:19 | 0:49:21 | |
Well, no, no. | 0:49:21 | 0:49:23 | |
Here's how I interpret the clause... | 0:49:23 | 0:49:25 | |
Joe, I'll have to call you back. | 0:49:29 | 0:49:32 | |
A Miss Wagstaff to see you, sir. | 0:49:32 | 0:49:35 | |
Oh, send her in. | 0:49:35 | 0:49:37 | |
Yes, sir. | 0:49:37 | 0:49:39 | |
Hmm. | 0:49:39 | 0:49:40 | |
Hello. | 0:49:42 | 0:49:44 | |
I hope I'm not interrupting anything important. | 0:49:44 | 0:49:47 | |
No, no, no. | 0:49:47 | 0:49:48 | |
Oh, Nick, I'm sorry about last night. | 0:49:48 | 0:49:51 | |
Really, I am. | 0:49:51 | 0:49:52 | |
You had a right to be suspicious. | 0:49:52 | 0:49:56 | |
Do you have a little time to spare now? | 0:49:56 | 0:49:59 | |
Why? | 0:49:59 | 0:50:00 | |
If you have time, | 0:50:00 | 0:50:02 | |
I'd like you to meet Mr Burkett. | 0:50:02 | 0:50:05 | |
He's right outside. | 0:50:05 | 0:50:06 | |
Have him come in. | 0:50:07 | 0:50:09 | |
I thought we'd better get this thing settled | 0:50:09 | 0:50:12 | |
once and for all. | 0:50:12 | 0:50:14 | |
Stephen. | 0:50:14 | 0:50:15 | |
Stephen, this is Nick. | 0:50:20 | 0:50:23 | |
So, er, this is Mr Burkett. | 0:50:26 | 0:50:29 | |
Uh-huh. | 0:50:29 | 0:50:31 | |
This is a pleasure, Mr Arden. | 0:50:31 | 0:50:33 | |
I've heard so much about you. | 0:50:33 | 0:50:35 | |
Oh, that's good. Now, sit down,Adam. | 0:50:35 | 0:50:38 | |
Thank you. | 0:50:38 | 0:50:40 | |
I haven't very much time. | 0:50:40 | 0:50:42 | |
Oh. | 0:50:42 | 0:50:43 | |
Ahh. | 0:50:48 | 0:50:49 | |
Heh heh. | 0:50:53 | 0:50:54 | |
Heh heh. | 0:50:54 | 0:50:55 | |
Heh heh. | 0:50:55 | 0:50:56 | |
You were about to say something? | 0:50:56 | 0:50:59 | |
Oh. Oh, yes. | 0:50:58 | 0:51:00 | |
I'm on my way to the geographic society | 0:51:00 | 0:51:03 | |
for a very important meeting. | 0:51:03 | 0:51:05 | |
Oh. | 0:51:05 | 0:51:06 | |
I'm making a report of the flora and fauna | 0:51:06 | 0:51:09 | |
we found on the island. | 0:51:09 | 0:51:11 | |
I was fascinated by the vegetation on the island. | 0:51:11 | 0:51:14 | |
I spent so much time on research | 0:51:14 | 0:51:17 | |
that I wasn't very good company for your wife. | 0:51:17 | 0:51:20 | |
Eve said that you had some questions to ask me. | 0:51:24 | 0:51:28 | |
Yes, he has. | 0:51:28 | 0:51:30 | |
Ask him. | 0:51:30 | 0:51:31 | |
Ask him anything. | 0:51:31 | 0:51:33 | |
Well, er...ahem. | 0:51:34 | 0:51:36 | |
While you were on the island... | 0:51:36 | 0:51:38 | |
I'm awfully bad at names, Mr Er... | 0:51:38 | 0:51:40 | |
Burkett. Stephen J Burkett. | 0:51:40 | 0:51:43 | |
Oh, yeah. | 0:51:43 | 0:51:44 | |
Incidentally, | 0:51:44 | 0:51:45 | |
I was awfully sorry to hear about your accident. | 0:51:45 | 0:51:49 | |
Pardon? | 0:51:50 | 0:51:51 | |
I was asking Mr Burkett | 0:51:51 | 0:51:53 | |
about his accident. | 0:51:53 | 0:51:55 | |
Oh, my leg is fine now. | 0:51:58 | 0:52:01 | |
Oh. | 0:52:01 | 0:52:03 | |
I'd better run along, Eve. | 0:52:02 | 0:52:04 | |
Oh, must you? | 0:52:04 | 0:52:06 | |
The geographic society insists on punctuality. | 0:52:06 | 0:52:08 | |
Goodbye, Mr Arden. | 0:52:08 | 0:52:10 | |
I'm glad you came up. It was very enlightening. | 0:52:10 | 0:52:13 | |
Goodbye, Eve. | 0:52:13 | 0:52:14 | |
Goodbye, Adam. | 0:52:14 | 0:52:16 | |
Satisfied? | 0:52:28 | 0:52:30 | |
Yes. | 0:52:30 | 0:52:32 | |
Don't. | 0:52:33 | 0:52:34 | |
I told you there was nothing to it. | 0:52:34 | 0:52:36 | |
Oh, well, yeah. | 0:52:36 | 0:52:38 | |
Feel better now, huh? | 0:52:38 | 0:52:40 | |
How about some lunch? | 0:52:42 | 0:52:44 | |
Love it. | 0:52:44 | 0:52:46 | |
You would? | 0:52:46 | 0:52:47 | |
Pacific club? | 0:52:50 | 0:52:51 | |
Good! | 0:52:51 | 0:52:52 | |
Sherry? | 0:53:00 | 0:53:01 | |
Yes, please. | 0:53:01 | 0:53:02 | |
Martini? | 0:53:02 | 0:53:03 | |
Yes. Thank you. | 0:53:03 | 0:53:05 | |
I tell you, | 0:53:05 | 0:53:07 | |
let's drink to, er... | 0:53:07 | 0:53:09 | |
no more suspicions. | 0:53:09 | 0:53:11 | |
No more suspicions. | 0:53:11 | 0:53:14 | |
DRUM ROLL | 0:53:16 | 0:53:18 | |
If married people can't be honest with each other, | 0:53:21 | 0:53:24 | |
who can? | 0:53:24 | 0:53:25 | |
Exactly. | 0:53:25 | 0:53:27 | |
What are you staring at? | 0:53:27 | 0:53:29 | |
What's the matter? | 0:53:38 | 0:53:40 | |
I dropped my gloves. | 0:53:40 | 0:53:42 | |
They're on the table. | 0:53:42 | 0:53:43 | |
I don't think so. | 0:53:43 | 0:53:45 | |
Hello, Eve. I thought I saw you. | 0:53:45 | 0:53:48 | |
Oh, Page, bring my robe, will you, please? | 0:53:48 | 0:53:51 | |
Yes, sir. | 0:53:51 | 0:53:52 | |
I'm delighted to see you. | 0:53:52 | 0:53:54 | |
Won't you present me? | 0:53:54 | 0:53:56 | |
Oh, well, er... | 0:53:56 | 0:53:58 | |
Er... | 0:53:58 | 0:53:59 | |
Oh... | 0:53:59 | 0:54:01 | |
Um... | 0:54:01 | 0:54:02 | |
My name's Arden. I didn't catch yours. | 0:54:02 | 0:54:05 | |
Burkett. Hasn't Eve told you... | 0:54:05 | 0:54:07 | |
Did you say Burkett? | 0:54:07 | 0:54:09 | |
Yes. | 0:54:09 | 0:54:10 | |
How odd. | 0:54:10 | 0:54:11 | |
Thank you. | 0:54:11 | 0:54:13 | |
Well, er, Mr Burkett, | 0:54:13 | 0:54:15 | |
why don't you have lunch with us? | 0:54:15 | 0:54:18 | |
Oh, delighted. | 0:54:18 | 0:54:19 | |
Waiter, the inner man | 0:54:19 | 0:54:21 | |
is crying for nourishment. | 0:54:21 | 0:54:23 | |
We'll order now, waiter. | 0:54:25 | 0:54:27 | |
I recommend turkey a la king. | 0:54:26 | 0:54:29 | |
It's very delicious. | 0:54:29 | 0:54:31 | |
Ellen? | 0:54:31 | 0:54:32 | |
Ha ha ha! | 0:54:32 | 0:54:33 | |
Something funny? | 0:54:33 | 0:54:35 | |
I was just thinking of the little man | 0:54:35 | 0:54:38 | |
I dragged up to your office. | 0:54:38 | 0:54:40 | |
Turkey? | 0:54:47 | 0:54:48 | |
Turkey. | 0:54:50 | 0:54:51 | |
Does turkey appeal to you, | 0:54:51 | 0:54:53 | |
or do you confine yourself to raw meat? | 0:54:52 | 0:54:55 | |
Never touch it. I'm a vegetarian. | 0:54:55 | 0:54:58 | |
Bring me a glass of carrot juice, | 0:54:58 | 0:55:01 | |
a milk shake, | 0:55:01 | 0:55:02 | |
and some raw carrots. | 0:55:02 | 0:55:04 | |
I'll have a steak sandwich. | 0:55:04 | 0:55:05 | |
We'll order the dessert later. | 0:55:05 | 0:55:07 | |
Ahem. My husband hasn't slept | 0:55:07 | 0:55:09 | |
since he heard you were on the island with me. | 0:55:09 | 0:55:13 | |
He's arranged this meeting | 0:55:13 | 0:55:15 | |
to trap us into a confession. | 0:55:15 | 0:55:17 | |
He's a very clever lawyer, so beware. | 0:55:17 | 0:55:20 | |
I'm going to be very foxy myself. | 0:55:20 | 0:55:23 | |
I've got nothing to hide. | 0:55:23 | 0:55:25 | |
But HE has. You see, Nick's married again. | 0:55:25 | 0:55:28 | |
No! | 0:55:28 | 0:55:29 | |
Yes! | 0:55:29 | 0:55:30 | |
Why, that's the best news I've had. | 0:55:30 | 0:55:33 | |
What is it to you? | 0:55:33 | 0:55:35 | |
It simplifies everything. | 0:55:35 | 0:55:37 | |
I don't have to hedge around. I can tell you. | 0:55:36 | 0:55:40 | |
Tell me what? | 0:55:40 | 0:55:41 | |
Well, I... I'd like to marry Eve. | 0:55:41 | 0:55:45 | |
Oh, you would? | 0:55:45 | 0:55:46 | |
I've known your wife for seven years. | 0:55:46 | 0:55:49 | |
No man could ask for a better companion, | 0:55:49 | 0:55:52 | |
a truer friend, | 0:55:52 | 0:55:53 | |
or a more charming playmate. | 0:55:53 | 0:55:55 | |
Thank you. Isn't he impulsive? | 0:55:55 | 0:55:58 | |
Impulsive? He's full of carrots. | 0:55:58 | 0:56:01 | |
I must, in fairness to your wife, | 0:56:01 | 0:56:04 | |
add that we have nothing to reproach ourselves for | 0:56:04 | 0:56:07 | |
during those seven years. | 0:56:07 | 0:56:08 | |
No regrets, huh? | 0:56:08 | 0:56:10 | |
So just make up your mind. | 0:56:10 | 0:56:13 | |
You're not allowed to have two wives. | 0:56:13 | 0:56:15 | |
I know. Don't rush me. | 0:56:15 | 0:56:17 | |
What's your hurry? | 0:56:17 | 0:56:19 | |
Your carrots aren't here yet. | 0:56:19 | 0:56:21 | |
How long were you married to Ellen before the island? | 0:56:21 | 0:56:24 | |
Four years. Why? | 0:56:24 | 0:56:26 | |
I was with her for seven. | 0:56:26 | 0:56:28 | |
I claim her on the basis of seniority. Ha ha! | 0:56:28 | 0:56:31 | |
You've got nothing... | 0:56:31 | 0:56:33 | |
If you gentlemen will excuse me, | 0:56:33 | 0:56:35 | |
maybe you could thrash this out better without me. | 0:56:35 | 0:56:38 | |
Oh, don't get up. | 0:56:38 | 0:56:40 | |
I can get along without either of you. | 0:56:40 | 0:56:43 | |
I'm perfectly able to take care of myself. | 0:56:43 | 0:56:47 | |
Ooh! | 0:56:47 | 0:56:48 | |
Hold your breath, Ellen! | 0:56:50 | 0:56:51 | |
Are you all right, Ellen? | 0:56:53 | 0:56:55 | |
Can I help you? No! | 0:56:55 | 0:56:56 | |
How long will it take | 0:56:58 | 0:57:00 | |
to get those things dried and pressed? | 0:57:00 | 0:57:01 | |
Three or four hours at least, ma'am. | 0:57:01 | 0:57:05 | |
All right. | 0:57:05 | 0:57:06 | |
Three or four hours. | 0:57:08 | 0:57:11 | |
I wish there was some way | 0:57:11 | 0:57:12 | |
I could get some things from home. | 0:57:12 | 0:57:16 | |
Well, I'm hungry. | 0:57:25 | 0:57:26 | |
I think I'll order something. | 0:57:26 | 0:57:28 | |
What do you need, a hat and a dress? | 0:57:31 | 0:57:35 | |
Room service, please. | 0:57:35 | 0:57:36 | |
Some shoes and stockings. | 0:57:36 | 0:57:38 | |
Bring a couple of things. | 0:57:38 | 0:57:40 | |
I'll pick one out. | 0:57:40 | 0:57:42 | |
This is Mr Burkett. | 0:57:42 | 0:57:44 | |
I'd like to order a lunch for two in my room. | 0:57:44 | 0:57:47 | |
I'll be right back. | 0:57:48 | 0:57:50 | |
And a plate of raw carrots. That's all. | 0:58:08 | 0:58:11 | |
Back so soon? | 0:58:11 | 0:58:12 | |
Forget something, old man? | 0:58:12 | 0:58:14 | |
How would you like to come along with me | 0:58:14 | 0:58:18 | |
just for the ride, huh? | 0:58:18 | 0:58:20 | |
What are you laughing at? | 0:58:20 | 0:58:22 | |
After seven years, what's another half-hour? | 0:58:22 | 0:58:25 | |
Go on, Stephen. | 0:58:28 | 0:58:30 | |
All right. | 0:58:30 | 0:58:31 | |
Have you your own car, or shall I call a cab? | 0:58:31 | 0:58:35 | |
Do you ride in cabs, or do you just trot alongside? | 0:58:35 | 0:58:39 | |
Goodbye, Eve. | 0:58:40 | 0:58:42 | |
I'll see you later. | 0:58:42 | 0:58:44 | |
Doctor, what do you think it could be? | 0:58:48 | 0:58:50 | |
It's not at all unusual. | 0:58:50 | 0:58:51 | |
There are hundreds of such cases. | 0:58:51 | 0:58:53 | |
Last week, I heard of a case... | 0:58:53 | 0:58:55 | |
DOOR CLOSES | 0:58:55 | 0:58:57 | |
Nick, where have you been? | 0:59:03 | 0:59:05 | |
I have to get some clothes for a friend of mine. He's in the car. | 0:59:05 | 0:59:09 | |
This is Dr Kohlmar. He's going to help us. | 0:59:09 | 0:59:13 | |
He knows. | 0:59:13 | 0:59:14 | |
He knows what? | 0:59:14 | 0:59:16 | |
There are hundreds of such cases. | 0:59:15 | 0:59:18 | |
It's been a pleasure, doctor. | 0:59:19 | 0:59:21 | |
I'll just go on with my packing. | 0:59:21 | 0:59:24 | |
You see, doctor? He just doesn't make sense. | 0:59:24 | 0:59:28 | |
Hmm. | 0:59:28 | 0:59:29 | |
Sometimes I think I'm going mad - stark staring mad. | 0:59:29 | 0:59:32 | |
Not at all unusual. | 0:59:32 | 0:59:34 | |
The mood and pose is characteristic | 0:59:34 | 0:59:37 | |
of the frustrated individual. | 0:59:37 | 0:59:39 | |
If I may make a suggestion... | 0:59:39 | 0:59:41 | |
Yes, doctor? | 0:59:41 | 0:59:42 | |
You just rest. | 0:59:42 | 0:59:44 | |
I'll wander in on your husband casually | 0:59:44 | 0:59:47 | |
and talk things over. | 0:59:47 | 0:59:49 | |
I don't care what you do, | 0:59:49 | 0:59:51 | |
but please do something. | 0:59:51 | 0:59:53 | |
There, there. | 0:59:53 | 0:59:54 | |
You think it matches? | 1:00:31 | 1:00:34 | |
Oh, yes. | 1:00:33 | 1:00:35 | |
Blue ought to go with blue. | 1:00:35 | 1:00:37 | |
It's for a friend. He's waiting downstairs. | 1:00:37 | 1:00:40 | |
Oh, I see. | 1:00:40 | 1:00:42 | |
What's the matter with you? | 1:00:42 | 1:00:44 | |
CLOSES SUITCASE | 1:00:47 | 1:00:48 | |
Nick! | 1:00:54 | 1:00:56 | |
Nick! | 1:00:56 | 1:00:58 | |
Nick! | 1:00:58 | 1:00:59 | |
Got to go. Supreme court. | 1:00:59 | 1:01:01 | |
A most important case. | 1:01:01 | 1:01:04 | |
Nick, stay. | 1:01:04 | 1:01:05 | |
Can't let the client down. Extortion. | 1:01:05 | 1:01:07 | |
I have to talk to you. | 1:01:07 | 1:01:10 | |
I'll defend myself. | 1:01:10 | 1:01:12 | |
You want me to lose my practice, ruin my career? | 1:01:12 | 1:01:16 | |
Give me the law books. | 1:01:16 | 1:01:17 | |
Talk to Dr Kohlmar just for a minute. | 1:01:17 | 1:01:20 | |
Wait a minute! | 1:01:20 | 1:01:22 | |
Goodbye, old man! | 1:01:22 | 1:01:24 | |
Now, what do you both want? | 1:01:28 | 1:01:30 | |
Can't a man come into his own home without being spied on? | 1:01:30 | 1:01:34 | |
Don't you want to lie down? | 1:01:34 | 1:01:37 | |
I don't need a doctor! | 1:01:37 | 1:01:38 | |
I've been trying to tell you. | 1:01:38 | 1:01:41 | |
What? | 1:01:41 | 1:01:42 | |
I'm married! | 1:01:42 | 1:01:43 | |
Of course you are, dear. | 1:01:43 | 1:01:46 | |
Look, my wife's not dead. She didn't drown. | 1:01:49 | 1:01:52 | |
She fell in the pool. I was getting her clothes. | 1:01:52 | 1:01:56 | |
That's when he thought that... | 1:01:56 | 1:01:57 | |
That fellow that was just here, | 1:01:57 | 1:02:00 | |
he was on the island with her. | 1:02:00 | 1:02:03 | |
They're over at the Pacific club. | 1:02:03 | 1:02:05 | |
I understand, dear. | 1:02:05 | 1:02:07 | |
You don't understand! Now listen carefully. | 1:02:06 | 1:02:09 | |
She came to the hotel - remember the honeymoon? | 1:02:09 | 1:02:12 | |
Well, that's why... isn't it clear to you? | 1:02:12 | 1:02:15 | |
Do I have to draw you a diagram? | 1:02:15 | 1:02:18 | |
You need a long rest. | 1:02:18 | 1:02:19 | |
Doesn't he, doctor? | 1:02:19 | 1:02:21 | |
Mr Arden? | 1:02:21 | 1:02:22 | |
Not now. | 1:02:22 | 1:02:23 | |
My wife, the mother of my children...- | 1:02:23 | 1:02:26 | |
Mr Arden, I've got a warrant for your arrest. | 1:02:26 | 1:02:29 | |
Arrest? You can't arrest me. What's the charge? | 1:02:29 | 1:02:32 | |
Bigamy. | 1:02:32 | 1:02:33 | |
Bigamy? | 1:02:33 | 1:02:35 | |
Do you mind coming with us? | 1:02:35 | 1:02:37 | |
But... | 1:02:37 | 1:02:38 | |
Now do you believe me? | 1:02:39 | 1:02:41 | |
NICK: Your honour... | 1:02:43 | 1:02:44 | |
Quiet! What are you doing here? | 1:02:44 | 1:02:45 | |
Bigamy is a criminal offence. | 1:02:45 | 1:02:47 | |
I'm out on bail... | 1:02:47 | 1:02:49 | |
I don't care about the bail. | 1:02:49 | 1:02:51 | |
This is a civil court. | 1:02:51 | 1:02:53 | |
What kind of a lawyer are you? | 1:02:53 | 1:02:55 | |
Where did you go to school? | 1:02:55 | 1:02:57 | |
Harvard. | 1:02:57 | 1:02:58 | |
I'm a Yale man myself. | 1:02:58 | 1:03:00 | |
Are you the bride? | 1:03:00 | 1:03:02 | |
Yes, Your Honour. | 1:03:02 | 1:03:04 | |
Kissless? | 1:03:04 | 1:03:05 | |
Yes. | 1:03:05 | 1:03:06 | |
Harvard man. Ahem. | 1:03:07 | 1:03:10 | |
I see nothing wrong with my decision. | 1:03:10 | 1:03:13 | |
You presented your brief. | 1:03:13 | 1:03:15 | |
The evidence is all here - teething... | 1:03:15 | 1:03:17 | |
What do you want me to do, reverse myself? | 1:03:17 | 1:03:20 | |
Go to the court of appeals. | 1:03:20 | 1:03:23 | |
They're always reversing me anyway. | 1:03:23 | 1:03:25 | |
I have a precedent for this case. | 1:03:25 | 1:03:27 | |
I cite Mulligan Vs Mulligan-Benson | 1:03:27 | 1:03:30 | |
in Fresno, 1879. | 1:03:30 | 1:03:31 | |
How long do I have to listen to this? | 1:03:31 | 1:03:34 | |
Go on, Nick. | 1:03:34 | 1:03:36 | |
Tell us what happened in Mulligan Vs Mulligan-Benson. | 1:03:36 | 1:03:39 | |
Mrs Mulligan returned after an absence of considerable length | 1:03:39 | 1:03:42 | |
to find that Mr Mulligan, the husband, | 1:03:42 | 1:03:45 | |
had remarried. | 1:03:45 | 1:03:47 | |
Mrs Benson-Mulligan, the second wife... | 1:03:47 | 1:03:49 | |
It was a sort of a Mulligan stew. | 1:03:49 | 1:03:51 | |
LAUGHTER | 1:03:51 | 1:03:53 | |
I'll have no laughter in the courtroom. | 1:03:53 | 1:03:56 | |
When the first wife returned, | 1:03:56 | 1:03:58 | |
the second wife immediately sued for annulment. | 1:03:58 | 1:04:01 | |
That left Mr Mulligan, the husband, | 1:04:01 | 1:04:03 | |
free to either remarry the first wife, Mrs Mulligan, | 1:04:03 | 1:04:06 | |
or the second wife, Mrs Benson-Mulligan, | 1:04:06 | 1:04:09 | |
or rather Mulligan-Benson. | 1:04:09 | 1:04:11 | |
Well, what did he do? | 1:04:11 | 1:04:14 | |
He died suddenly of cirrhosis of the liver. | 1:04:14 | 1:04:17 | |
LAUGHTER | 1:04:17 | 1:04:18 | |
They never did find out whether he slept | 1:04:18 | 1:04:21 | |
with his beard under or over the covers. | 1:04:21 | 1:04:24 | |
That'll cost you 25. | 1:04:24 | 1:04:25 | |
For a joke? | 1:04:25 | 1:04:27 | |
You heard me. 25. | 1:04:27 | 1:04:29 | |
You can't do that, Your Honour. I'm legally dead. | 1:04:28 | 1:04:33 | |
You think it's nice to take money from a corpse? | 1:04:33 | 1:04:36 | |
That'll cost you 25 more. | 1:04:36 | 1:04:38 | |
That's 50 you owe me. | 1:04:38 | 1:04:40 | |
You keeping track of this? | 1:04:40 | 1:04:42 | |
Yes. | 1:04:42 | 1:04:43 | |
But, Your Honour, you declared her legally dead yourself. | 1:04:43 | 1:04:47 | |
Your decision is on file. | 1:04:47 | 1:04:49 | |
Did I do that? | 1:04:49 | 1:04:50 | |
Yes. | 1:04:50 | 1:04:51 | |
I will declare her legally alive. | 1:04:51 | 1:04:53 | |
Then she can pay me that 50. | 1:04:53 | 1:04:56 | |
Will someone swear she's a live woman? | 1:04:56 | 1:04:59 | |
I'll say she is. | 1:04:59 | 1:05:00 | |
But if she's legally alive, I'm guilty of bigamy. | 1:05:00 | 1:05:04 | |
Can you make anything out of this case? | 1:05:04 | 1:05:07 | |
It's all here... | 1:05:07 | 1:05:08 | |
Oh, I know it's there. | 1:05:08 | 1:05:10 | |
I know the brief. | 1:05:10 | 1:05:12 | |
STEPHEN: Ha ha! | 1:05:12 | 1:05:13 | |
Ha ha ha! | 1:05:13 | 1:05:14 | |
Mulligan stew. Boy, that was a good one. | 1:05:14 | 1:05:18 | |
Who are you? | 1:05:18 | 1:05:20 | |
He was on the island with her. He's not important. | 1:05:20 | 1:05:24 | |
I'll decide what's important. What island? | 1:05:23 | 1:05:26 | |
The island where my wife stayed for seven years, Your Honour. | 1:05:26 | 1:05:30 | |
They were on an island together for seven years? Yes. | 1:05:30 | 1:05:34 | |
Not alone? | 1:05:34 | 1:05:36 | |
Yes. | 1:05:36 | 1:05:37 | |
Hmm. | 1:05:37 | 1:05:39 | |
Same island? | 1:05:41 | 1:05:42 | |
Yes. | 1:05:42 | 1:05:44 | |
Is that in the brief? | 1:05:44 | 1:05:46 | |
No, Your Honour. | 1:05:46 | 1:05:47 | |
Oh, that should be in the brief. | 1:05:47 | 1:05:50 | |
That's the most interesting part of the case. Yep. | 1:05:50 | 1:05:53 | |
I want to get out of here before I explode. | 1:05:53 | 1:05:57 | |
I want to go home myself | 1:05:57 | 1:05:59 | |
to tell my wife about this. | 1:05:59 | 1:06:02 | |
She thinks all my cases are dull. | 1:06:02 | 1:06:04 | |
It seems to me the only thing I can do | 1:06:04 | 1:06:08 | |
is annul the second marriage | 1:06:08 | 1:06:10 | |
so you can marry this woman. | 1:06:10 | 1:06:12 | |
I don't know what you'll do about him. | 1:06:12 | 1:06:16 | |
I haven't thought that out. | 1:06:15 | 1:06:18 | |
BIANCA: I want to tell you what this man's done to me... | 1:06:18 | 1:06:22 | |
If he'd only told me... | 1:06:22 | 1:06:24 | |
Bianca, I did... | 1:06:24 | 1:06:25 | |
JUDGE: Where are you two going? | 1:06:25 | 1:06:27 | |
NICK: If you please, Your Honour... | 1:06:27 | 1:06:30 | |
Quiet! | 1:06:29 | 1:06:31 | |
GAVEL BANGING | 1:06:31 | 1:06:32 | |
BIANCA: ..Driving all night! | 1:06:32 | 1:06:34 | |
So he hasn't had time to think it over. | 1:06:37 | 1:06:40 | |
Poor Nick. | 1:06:40 | 1:06:42 | |
Sit down, Ellen. | 1:06:42 | 1:06:43 | |
I'm the kind of a man who finishes what he starts. | 1:06:43 | 1:06:48 | |
I'm going back to the island. | 1:06:48 | 1:06:50 | |
Come with me. | 1:06:50 | 1:06:52 | |
What do you say? | 1:06:52 | 1:06:54 | |
Thanks, Steve, but I haven't waited seven years | 1:06:54 | 1:06:57 | |
just to give up in three days. | 1:06:56 | 1:07:00 | |
I think you're just being loyal, | 1:07:00 | 1:07:02 | |
but I respect you for it. | 1:07:02 | 1:07:05 | |
Steve, would you do something for me? | 1:07:05 | 1:07:08 | |
Anything. | 1:07:08 | 1:07:09 | |
I shouldn't ask, | 1:07:09 | 1:07:11 | |
but I want him back. Will you help me? | 1:07:11 | 1:07:14 | |
How? | 1:07:14 | 1:07:15 | |
Just repeat that invitation | 1:07:15 | 1:07:17 | |
in front of Nick. | 1:07:17 | 1:07:19 | |
Oh, I see. | 1:07:19 | 1:07:20 | |
LAUGHTER | 1:07:20 | 1:07:21 | |
GAVEL BANGING | 1:07:21 | 1:07:22 | |
What's that? | 1:07:22 | 1:07:24 | |
GAVEL BANGING | 1:07:24 | 1:07:25 | |
I'll have no violence in my courtroom. | 1:07:25 | 1:07:28 | |
25, and it was worth it. | 1:07:28 | 1:07:30 | |
All I have to say to you is, | 1:07:32 | 1:07:35 | |
as far as I'm concerned, YOU'RE legally dead. | 1:07:35 | 1:07:39 | |
If Your Honour please... | 1:07:39 | 1:07:41 | |
Well, Ellen, see you at the boat, 9:00. | 1:07:41 | 1:07:44 | |
JUDGE: What boat? | 1:07:44 | 1:07:46 | |
We're not interested in man-made laws. | 1:07:46 | 1:07:49 | |
There's a law of the jungle. | 1:07:49 | 1:07:51 | |
When a man finds his mate, | 1:07:51 | 1:07:53 | |
he doesn't have to think it out. | 1:07:53 | 1:07:56 | |
Goodbye, Eve. Until tomorrow. | 1:07:56 | 1:07:58 | |
Goodbye, Adam. | 1:07:58 | 1:08:00 | |
And it's all right with me if you bring the kiddies. | 1:08:00 | 1:08:04 | |
JUDGE: In all my experience on the bench, I have... | 1:08:04 | 1:08:07 | |
I must study the brief. Then I'll render my decision. | 1:08:07 | 1:08:10 | |
Whatever his decision is, | 1:08:10 | 1:08:12 | |
I'm getting a divorce. | 1:08:12 | 1:08:14 | |
Quiet! | 1:08:14 | 1:08:15 | |
If you think you're going to take the kids... | 1:08:15 | 1:08:18 | |
Hold your head back. | 1:08:18 | 1:08:19 | |
You had it coming. You know that. | 1:08:19 | 1:08:22 | |
Oh, that's terrible. | 1:08:22 | 1:08:24 | |
If you think you can take those kids | 1:08:24 | 1:08:27 | |
to a fever-ridden pest hole with that idiot... | 1:08:26 | 1:08:29 | |
What's YOUR offer? | 1:08:29 | 1:08:31 | |
You could go up to the mountain house | 1:08:31 | 1:08:34 | |
with the kids | 1:08:34 | 1:08:35 | |
until the gossip dies down. | 1:08:35 | 1:08:37 | |
And what are you going to do? | 1:08:37 | 1:08:41 | |
I might go off on one of those 60-day cruises | 1:08:41 | 1:08:45 | |
to think this thing out calmly, rationally. | 1:08:45 | 1:08:48 | |
When you get back, you might forgive me for not drowning. | 1:08:48 | 1:08:52 | |
Is that it? | 1:08:52 | 1:08:53 | |
I'll think about it, too, calmly and rationally. | 1:08:53 | 1:08:56 | |
I can do it in 60 minutes. | 1:08:56 | 1:08:59 | |
Hold your head back. Way back. | 1:08:59 | 1:09:01 | |
Oh! | 1:09:01 | 1:09:02 | |
Now, there's a mess! | 1:09:02 | 1:09:04 | |
Oh, never mind that! | 1:09:04 | 1:09:06 | |
I can't read a wet brief. | 1:09:06 | 1:09:09 | |
You know what? | 1:09:09 | 1:09:10 | |
Where's that thing? | 1:09:10 | 1:09:12 | |
Your honour... | 1:09:12 | 1:09:13 | |
Court's adjourned! | 1:09:13 | 1:09:15 | |
Harvard man. | 1:09:15 | 1:09:17 | |
..60 days to think anything over. | 1:09:17 | 1:09:20 | |
Goodbye, Phillip. | 1:09:20 | 1:09:22 | |
Goodbye, ma'am. | 1:09:21 | 1:09:23 | |
All aboard? | 1:09:23 | 1:09:24 | |
Don't forget the blankets if it gets cold. | 1:09:24 | 1:09:27 | |
Goodbye! | 1:09:27 | 1:09:29 | |
Bye! | 1:09:29 | 1:09:30 | |
Hey, hey, hey! | 1:09:31 | 1:09:32 | |
Whoa! Whoa! | 1:09:32 | 1:09:34 | |
What's the matter? | 1:09:34 | 1:09:35 | |
Wait a minute. | 1:09:35 | 1:09:37 | |
You can't drive that car. | 1:09:37 | 1:09:39 | |
You haven't got a license. | 1:09:39 | 1:09:41 | |
You'll get arrested. My kids will get picked up. | 1:09:41 | 1:09:44 | |
I'll get Phillip to take us. | 1:09:44 | 1:09:46 | |
That won't be necessary. | 1:09:46 | 1:09:48 | |
Tim, get in the back. I'll drive you. | 1:09:48 | 1:09:51 | |
Where to? | 1:09:56 | 1:09:57 | |
To the mountains. | 1:09:59 | 1:10:01 | |
The mountains? | 1:10:01 | 1:10:03 | |
Mountains. | 1:10:03 | 1:10:05 | |
Oh, of course. | 1:10:05 | 1:10:06 | |
Hi, Mr Arden. Good evening, ma'am. | 1:10:18 | 1:10:20 | |
Good evening. | 1:10:20 | 1:10:22 | |
You'll find everything all right. | 1:10:22 | 1:10:24 | |
CHINCH: I'm hungry. | 1:10:24 | 1:10:26 | |
We'll have dinner in just a few minutes. | 1:10:26 | 1:10:29 | |
Will you be staying long? | 1:10:29 | 1:10:31 | |
Mr Arden is going right back. | 1:10:31 | 1:10:33 | |
Another vacation, dad? | 1:10:33 | 1:10:35 | |
That's right. | 1:10:35 | 1:10:36 | |
Yosemite Falls again? | 1:10:36 | 1:10:37 | |
No! | 1:10:37 | 1:10:38 | |
You don't have to get sore. | 1:10:38 | 1:10:41 | |
I just asked you a question. | 1:10:41 | 1:10:44 | |
Thanks very much, Nick. | 1:10:44 | 1:10:46 | |
That's all right. | 1:10:45 | 1:10:47 | |
Bye. | 1:10:47 | 1:10:48 | |
Goodbye. | 1:10:48 | 1:10:50 | |
It's going to be pretty dark going down the mountain. | 1:10:58 | 1:11:01 | |
Oh, but you're such a good driver. | 1:11:01 | 1:11:04 | |
Oh, I'm not worried about it. | 1:11:04 | 1:11:07 | |
I don't think there's much fog. | 1:11:07 | 1:11:09 | |
There isn't any. | 1:11:09 | 1:11:11 | |
Bye. | 1:11:12 | 1:11:14 | |
Bye. | 1:11:14 | 1:11:15 | |
Oh, Ellen, I forgot... | 1:11:15 | 1:11:17 | |
Look, when are you going to tell the children | 1:11:22 | 1:11:25 | |
that you're their mother? | 1:11:25 | 1:11:27 | |
I don't know. It may be a little difficult. | 1:11:27 | 1:11:30 | |
After all, they've gotten along pretty well without me. | 1:11:30 | 1:11:34 | |
You could have broken the ice. | 1:11:34 | 1:11:36 | |
I don't know how they'll take it from me. | 1:11:36 | 1:11:39 | |
I'll tell them right now. | 1:11:39 | 1:11:41 | |
You can't do it like that. | 1:11:41 | 1:11:43 | |
Would it help if I wrote them a letter? | 1:11:45 | 1:11:48 | |
Oh, that would be nice, yes. | 1:11:48 | 1:11:51 | |
"Enclosed, please find your mother." | 1:11:51 | 1:11:53 | |
No. This is my problem. I'll see how I get along with them. | 1:11:55 | 1:12:00 | |
If the right time comes, I'll know it. | 1:12:00 | 1:12:02 | |
If it doesn't, I'll know that, too. | 1:12:02 | 1:12:04 | |
Don't shock them. | 1:12:04 | 1:12:06 | |
The mind is a sensitive instrument. | 1:12:06 | 1:12:09 | |
We don't know what it's all about | 1:12:09 | 1:12:12 | |
when we're that young. | 1:12:12 | 1:12:13 | |
We do when we grow up. | 1:12:13 | 1:12:16 | |
Sure. With maturity, | 1:12:16 | 1:12:17 | |
the mind can stand practically anything. | 1:12:17 | 1:12:20 | |
Bye. | 1:12:19 | 1:12:20 | |
STARTS ENGINE | 1:12:23 | 1:12:25 | |
CAR LEAVING | 1:12:29 | 1:12:31 | |
If she's our mother, what's daddy? | 1:12:32 | 1:12:35 | |
Our father. | 1:12:35 | 1:12:37 | |
Are you sure? | 1:12:37 | 1:12:38 | |
What else could he be? | 1:12:38 | 1:12:40 | |
I don't know. | 1:12:40 | 1:12:42 | |
Nobody ever tells me anything. | 1:12:42 | 1:12:44 | |
What are you two little monkeys talking about? | 1:12:46 | 1:12:49 | |
Nothing. | 1:12:49 | 1:12:50 | |
Nothing at all. | 1:12:50 | 1:12:52 | |
Oh, I love this place. | 1:12:58 | 1:13:00 | |
I used to come up here all the time. | 1:13:00 | 1:13:03 | |
With our mother? | 1:13:03 | 1:13:05 | |
Mm-hmm. And your daddy. | 1:13:07 | 1:13:10 | |
We had fun. | 1:13:09 | 1:13:11 | |
The three of you? | 1:13:11 | 1:13:13 | |
Well... | 1:13:13 | 1:13:15 | |
Mm-hmm. | 1:13:16 | 1:13:17 | |
What do you want for your dinner? | 1:13:19 | 1:13:22 | |
By the way, | 1:13:22 | 1:13:23 | |
was our mother good-looking? | 1:13:23 | 1:13:26 | |
Well, um... | 1:13:27 | 1:13:29 | |
most people thought... | 1:13:29 | 1:13:33 | |
That is, some people... | 1:13:32 | 1:13:34 | |
Well, I don't know. | 1:13:34 | 1:13:37 | |
We don't know very much about her. | 1:13:37 | 1:13:41 | |
Listen... | 1:13:44 | 1:13:45 | |
..suppose your mother didn't drown. | 1:13:47 | 1:13:50 | |
Suppose she came back... | 1:13:49 | 1:13:52 | |
You mean, like a miracle? | 1:13:52 | 1:13:54 | |
Yes. | 1:13:54 | 1:13:55 | |
Suppose she were right here in this... | 1:13:55 | 1:13:58 | |
SHE GIGGLES | 1:13:58 | 1:13:59 | |
What would you...do? | 1:14:01 | 1:14:03 | |
Look here. | 1:14:07 | 1:14:10 | |
You know, don't you? | 1:14:09 | 1:14:12 | |
Sure. | 1:14:12 | 1:14:13 | |
Oh! | 1:14:13 | 1:14:15 | |
Well... | 1:14:18 | 1:14:20 | |
How do you do, mother? | 1:14:23 | 1:14:25 | |
How do you do? | 1:14:25 | 1:14:27 | |
How do you do? | 1:14:28 | 1:14:30 | |
Well, er... | 1:14:31 | 1:14:33 | |
Don't you think... | 1:14:36 | 1:14:38 | |
it's about time somebody... | 1:14:38 | 1:14:41 | |
started kissing somebody? | 1:14:40 | 1:14:43 | |
Oh, darling. | 1:14:47 | 1:14:50 | |
How did you find out? Come on, tell me. | 1:14:50 | 1:14:53 | |
Come on. | 1:14:53 | 1:14:54 | |
DOOR OPENS | 1:14:56 | 1:14:57 | |
I had a flat. | 1:14:58 | 1:15:00 | |
Daddy. | 1:15:00 | 1:15:02 | |
I was going along, and ssssss... | 1:15:02 | 1:15:05 | |
Come on, upstairs. | 1:15:05 | 1:15:07 | |
Why? | 1:15:07 | 1:15:08 | |
You've got to mind me now. | 1:15:08 | 1:15:10 | |
Ha! I forgot. | 1:15:10 | 1:15:11 | |
I'll call you when dinner's ready. | 1:15:11 | 1:15:14 | |
Stay for dinner, dad. | 1:15:14 | 1:15:15 | |
Then we can try out mother's cooking. | 1:15:15 | 1:15:18 | |
Uh, you told them, huh? | 1:15:20 | 1:15:22 | |
Mm-hmm. | 1:15:22 | 1:15:23 | |
Oh, that's great! | 1:15:23 | 1:15:24 | |
I was wondering- | 1:15:24 | 1:15:26 | |
what about the spare tires? | 1:15:26 | 1:15:28 | |
Uh, no air in them. | 1:15:28 | 1:15:30 | |
Do you want to phone the garage? | 1:15:30 | 1:15:32 | |
Can't. The wires are down. | 1:15:32 | 1:15:34 | |
There's been a landslide. The road's blocked. | 1:15:34 | 1:15:37 | |
Probably won't be able to use the phone until morning. | 1:15:37 | 1:15:40 | |
TELEPHONE RINGS | 1:15:40 | 1:15:43 | |
It's fixed. | 1:15:43 | 1:15:45 | |
RING | 1:15:45 | 1:15:48 | |
Hello? | 1:15:50 | 1:15:51 | |
Hello, Ellen. I have some good news for you. | 1:15:51 | 1:15:54 | |
There was a call from Judge Bryson's office. | 1:15:54 | 1:15:57 | |
They said that Nicky's annulment has been filed | 1:15:57 | 1:16:00 | |
and that you've been declared legally alive, | 1:16:00 | 1:16:03 | |
and you owe him 50. | 1:16:03 | 1:16:06 | |
So, you and Nicky are husband and wife again. | 1:16:06 | 1:16:09 | |
You can pick up where you left off. | 1:16:09 | 1:16:12 | |
Goodbye. | 1:16:11 | 1:16:13 | |
Who was that? | 1:16:16 | 1:16:17 | |
They just phoned to say, er, | 1:16:18 | 1:16:21 | |
the road is open. | 1:16:21 | 1:16:23 | |
Oh. Well, it's no use. I'm out of gas. | 1:16:26 | 1:16:30 | |
You seem to be out of everything but ideas. | 1:16:32 | 1:16:37 | |
May I stay? | 1:16:36 | 1:16:40 | |
Yes, you can stay for dinner. | 1:16:40 | 1:16:43 | |
Thanks. | 1:16:43 | 1:16:45 | |
I always sleep well up here. | 1:16:45 | 1:16:47 | |
Let's see. I wonder where. | 1:16:49 | 1:16:51 | |
The children have their room, | 1:16:51 | 1:16:53 | |
and our room becomes my room. | 1:16:53 | 1:16:55 | |
Looks like you draw the attic. | 1:16:55 | 1:16:58 | |
Attic? | 1:16:58 | 1:16:59 | |
It's perfect for thinking things out. | 1:16:59 | 1:17:02 | |
BEDSPRINGS SQUEAK | 1:17:09 | 1:17:11 | |
CREAKING LOUDLY | 1:17:16 | 1:17:19 | |
CRASH | 1:17:26 | 1:17:28 | |
Oh. | 1:17:29 | 1:17:30 | |
That's great. | 1:17:44 | 1:17:46 | |
POP POP POP POP | 1:17:50 | 1:17:53 | |
POP POP POP POP POP | 1:17:53 | 1:17:55 | |
POP POP | 1:17:55 | 1:17:56 | |
DOLL: Mama. | 1:18:05 | 1:18:08 | |
Yes? | 1:18:41 | 1:18:42 | |
Oh. | 1:18:43 | 1:18:45 | |
What's the matter? | 1:18:45 | 1:18:46 | |
You were right. | 1:18:46 | 1:18:48 | |
It's perfect for thinking. | 1:18:48 | 1:18:50 | |
No good for sleeping, though. | 1:18:50 | 1:18:52 | |
Well, I'm sorry. | 1:18:52 | 1:18:54 | |
You hungry? | 1:18:59 | 1:19:01 | |
No. Why? Are you? | 1:19:01 | 1:19:03 | |
No. I just thought maybe you were hungry. | 1:19:03 | 1:19:06 | |
No. | 1:19:06 | 1:19:07 | |
Nice mattress, eh? | 1:19:14 | 1:19:15 | |
Yes. | 1:19:15 | 1:19:16 | |
The one upstairs is nothing like that. | 1:19:16 | 1:19:19 | |
All right. | 1:19:21 | 1:19:23 | |
Take it up with you. | 1:19:24 | 1:19:26 | |
Oh, yeah. | 1:19:28 | 1:19:29 | |
Thanks. That's very nice of you. Sorry I disturbed you. | 1:19:31 | 1:19:37 | |
Wasn't very comfortable up there. | 1:19:37 | 1:19:39 | |
Thank you. | 1:19:44 | 1:19:46 | |
Good night. | 1:19:48 | 1:19:49 | |
Good night. | 1:19:49 | 1:19:51 | |
Oh, Nick. | 1:19:51 | 1:19:52 | |
Hmm? | 1:19:52 | 1:19:53 | |
Put out the light, will you, please? | 1:19:53 | 1:19:56 | |
Oh, sure. | 1:19:56 | 1:19:57 | |
DOOR CLOSES | 1:20:01 | 1:20:02 | |
What on earth... | 1:20:38 | 1:20:40 | |
Doesn't fit. | 1:20:40 | 1:20:42 | |
Oh, is that all? | 1:20:42 | 1:20:44 | |
I hope I didn't frighten you. | 1:20:45 | 1:20:47 | |
I didn't mean to bust in like that. | 1:20:47 | 1:20:49 | |
You didn't frighten me. | 1:20:49 | 1:20:51 | |
Are you comfortable? | 1:20:56 | 1:20:57 | |
Mmm...very. | 1:20:57 | 1:20:59 | |
You look beautiful. | 1:21:02 | 1:21:04 | |
Thank you. | 1:21:05 | 1:21:07 | |
Oh, what's the use? You know how I feel. | 1:21:07 | 1:21:10 | |
I could think about it till doomsday. | 1:21:10 | 1:21:13 | |
I'm stuck. I don't care what happened. | 1:21:13 | 1:21:16 | |
I don't care what people say. | 1:21:16 | 1:21:18 | |
I was always mad about you. I always will be. | 1:21:18 | 1:21:22 | |
Does that help any? | 1:21:22 | 1:21:24 | |
Yes. | 1:21:24 | 1:21:26 | |
Well... | 1:21:26 | 1:21:27 | |
No. No, you'd better go on your cruise. | 1:21:27 | 1:21:32 | |
I won't stay away from you for 60 days. | 1:21:32 | 1:21:35 | |
Oh, that's not so long. | 1:21:35 | 1:21:37 | |
Let's see... | 1:21:37 | 1:21:39 | |
November, December, 23, 24... | 1:21:39 | 1:21:42 | |
Could be just about Christmastime. | 1:21:42 | 1:21:44 | |
You come back and talk to me about it then. | 1:21:44 | 1:21:48 | |
We'll have a lovely Christmas. | 1:21:48 | 1:21:51 | |
After all, what's 59 days more? | 1:21:51 | 1:21:54 | |
Oh... | 1:21:55 | 1:21:56 | |
I think you're being very unreasonable. | 1:21:56 | 1:21:59 | |
SLAM | 1:22:01 | 1:22:02 | |
DOOR OPENS | 1:22:03 | 1:22:04 | |
And furthermore, | 1:22:04 | 1:22:06 | |
I won't trouble you any more tonight. | 1:22:06 | 1:22:09 | |
Good night. | 1:22:09 | 1:22:10 | |
Uh... | 1:22:11 | 1:22:12 | |
DOOR CLOSES | 1:22:12 | 1:22:14 | |
ATTIC DOOR CREAKS | 1:22:22 | 1:22:25 | |
DOOR SLAMS | 1:22:25 | 1:22:26 | |
SQUEAK | 1:22:34 | 1:22:35 | |
CRASH | 1:22:41 | 1:22:43 | |
NICK: OOH! | 1:22:43 | 1:22:44 | |
SQUEAK | 1:22:46 | 1:22:48 | |
NICK MUMBLES | 1:22:48 | 1:22:49 | |
CRASH | 1:22:55 | 1:22:56 | |
Ooh! Oh! Oh... | 1:22:56 | 1:22:59 | |
HEAVY FOOTSTEPS | 1:23:00 | 1:23:03 | |
DOOR CREAKS | 1:23:07 | 1:23:11 | |
FOOTSTEPS APPROACHING | 1:23:10 | 1:23:12 | |
KNOCK ON DOOR | 1:23:24 | 1:23:25 | |
Oh, Nick. | 1:23:30 | 1:23:33 | |
Merry Christmas. | 1:23:39 | 1:23:41 | |
Merry Christmas. | 1:23:41 | 1:23:43 | |
SHE LAUGHS | 1:23:43 | 1:23:45 | |
Subtitles by The National Captioning Institute | 1:23:52 | 1:23:54 | |
E-mail us at [email protected] | 1:23:54 | 1:23:58 |