
Browse content similar to That Darn Cat!. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
CAT MIAOWS | 0:00:48 | 0:00:51 | |
BARKING | 0:00:53 | 0:00:55 | |
# While the city sleeps | 0:01:43 | 0:01:45 | |
# Every night he creeps | 0:01:45 | 0:01:47 | |
# Just surveying his domain | 0:01:47 | 0:01:50 | |
# He roams around | 0:01:52 | 0:01:54 | |
# Like he owns the town | 0:01:54 | 0:01:56 | |
# He's the king who makes that plain | 0:01:56 | 0:01:58 | |
# He knows every trick | 0:02:00 | 0:02:02 | |
# Doesn't miss a lick | 0:02:02 | 0:02:04 | |
# When it comes to keeping fat | 0:02:05 | 0:02:07 | |
# Some city slicker | 0:02:10 | 0:02:12 | |
# No-one is quicker | 0:02:12 | 0:02:14 | |
# Than that darn cat! | 0:02:14 | 0:02:16 | |
# Every nook and cranny | 0:02:26 | 0:02:28 | |
# And garbage canny | 0:02:28 | 0:02:30 | |
# He inspects so thoroughly | 0:02:31 | 0:02:33 | |
# When he's on his rounds | 0:02:35 | 0:02:37 | |
# Nothing's out of bounds | 0:02:37 | 0:02:39 | |
# To his curiosity | 0:02:39 | 0:02:41 | |
# He can smile and purr | 0:02:43 | 0:02:45 | |
# At a pretty girl | 0:02:45 | 0:02:47 | |
# Till she don't know | 0:02:47 | 0:02:49 | |
# Where's she at | 0:02:49 | 0:02:51 | |
# Nose like a Geiger, | 0:02:53 | 0:02:55 | |
# Oh, what a tiger | 0:02:55 | 0:02:57 | |
# He's that darn cat! | 0:02:57 | 0:02:59 | |
# He's a sly old codger | 0:03:01 | 0:03:03 | |
# An artful dodger | 0:03:03 | 0:03:05 | |
# A scrounger unsurpassed | 0:03:05 | 0:03:07 | |
# A ball of fire | 0:03:09 | 0:03:11 | |
# A nine-livewire | 0:03:11 | 0:03:13 | |
# Who just can't be outclassed | 0:03:15 | 0:03:17 | |
# Yeah, this midnight rover | 0:03:18 | 0:03:20 | |
# He lives in clover | 0:03:20 | 0:03:22 | |
# It's an art he's got down pat | 0:03:22 | 0:03:24 | |
# There never was a greater | 0:03:27 | 0:03:29 | |
# Smooth operator | 0:03:29 | 0:03:31 | |
# Than that... | 0:03:31 | 0:03:33 | |
# Oh...darn... | 0:03:35 | 0:03:37 | |
# That darn cat | 0:03:41 | 0:03:43 | |
# That darn cat | 0:03:45 | 0:03:47 | |
# That darn cat | 0:03:49 | 0:03:51 | |
# That darn cat | 0:03:54 | 0:03:56 | |
# That darn cat # | 0:03:58 | 0:04:00 | |
MIAOWS | 0:04:31 | 0:04:32 | |
Hey, what do you say, fella? | 0:04:35 | 0:04:37 | |
Hey. You're taking my food. | 0:04:37 | 0:04:39 | |
CAT MIAOWS | 0:04:45 | 0:04:47 | |
Iggy! | 0:05:14 | 0:05:16 | |
-What kept you? -The lousy bus. | 0:05:20 | 0:05:22 | |
-Where did you leave the car? -Outside Fresno, Route 99. | 0:05:22 | 0:05:25 | |
OK, OK! They found it. The scam just came in on the radio. | 0:05:25 | 0:05:29 | |
What did I say? They'll fall for the whole deal. It's the way it is. | 0:05:29 | 0:05:33 | |
-Maybe they'll buy it. We've the federal fuzz on us this time. -So? | 0:05:33 | 0:05:36 | |
Who cares? When they start picking up all those hot twenties | 0:05:36 | 0:05:40 | |
I've been dropping off, they'll lose their minds. They're going to flip. | 0:05:40 | 0:05:45 | |
Look at us living in this pad, | 0:05:45 | 0:05:46 | |
a block and a half away from where we pulled a job. Class. | 0:05:46 | 0:05:50 | |
What about them headlines? We're big news. Front page every one - | 0:05:50 | 0:05:53 | |
Shut up. Shut up, will you? | 0:05:53 | 0:05:55 | |
-Shut up? Sure, sure. -"Two bank robbers stage | 0:05:55 | 0:05:58 | |
-"daring daylight hold-up." -How about that? | 0:05:58 | 0:06:00 | |
Huh? Daring. Daring. | 0:06:00 | 0:06:03 | |
"Two armed men wearing masks robbed the North Valley bank early today." | 0:06:03 | 0:06:07 | |
I gotta look. | 0:06:07 | 0:06:09 | |
"They seized the teller, Miss Miller, to shield their getaway." | 0:06:09 | 0:06:12 | |
Wow! Does this turn you on, huh? | 0:06:14 | 0:06:16 | |
250,000! | 0:06:17 | 0:06:20 | |
Iggy. | 0:06:20 | 0:06:22 | |
Wow! | 0:06:22 | 0:06:24 | |
Iggy, we DON'T get 250,000, | 0:06:24 | 0:06:27 | |
like the papers say. | 0:06:27 | 0:06:29 | |
We get 160 grand. | 0:06:29 | 0:06:31 | |
16... | 0:06:33 | 0:06:35 | |
Are you trying to snow me? | 0:06:35 | 0:06:37 | |
Get your hands off me, meatball. | 0:06:37 | 0:06:40 | |
Get them off! | 0:06:40 | 0:06:42 | |
Don't you do that again. | 0:06:44 | 0:06:46 | |
160! | 0:06:47 | 0:06:49 | |
How come the papers don't say that? | 0:06:49 | 0:06:52 | |
Do you believe the papers or me? | 0:06:52 | 0:06:54 | |
What do I know? I've been outside, risking my neck, laying phony leads. | 0:06:54 | 0:06:58 | |
You've been in here, sitting on the glue. | 0:06:58 | 0:07:01 | |
Why don't you ask Miss America? She's the money lady. | 0:07:01 | 0:07:04 | |
Hey, it was a quarter of a million, wasn't it? | 0:07:06 | 0:07:09 | |
200 grand. | 0:07:10 | 0:07:12 | |
One lousy hundred and sixty - | 0:07:14 | 0:07:16 | |
Don't do it, Iggy. | 0:07:17 | 0:07:19 | |
Well, it don't bother you, huh? | 0:07:19 | 0:07:21 | |
The two of you dear hearts wouldn't have cooked this whole thing up - | 0:07:21 | 0:07:25 | |
Oh, come on, Iggy. You're more of a drag then she is. | 0:07:25 | 0:07:28 | |
What are we going to do about her? | 0:07:28 | 0:07:30 | |
Well, to tell you the truth, she's been a pretty good girl. | 0:07:30 | 0:07:34 | |
No hysteria, no gas, | 0:07:34 | 0:07:36 | |
no struggling. | 0:07:36 | 0:07:38 | |
She has consideration for other people's problems. | 0:07:38 | 0:07:41 | |
I say we ought to turn her off, now. | 0:07:41 | 0:07:42 | |
Is that another one of your big ideas? | 0:07:42 | 0:07:45 | |
You see this? | 0:07:45 | 0:07:47 | |
Everyone in town is gonna be looking at our girl's picture tonight. | 0:07:47 | 0:07:51 | |
They dig her now, all those helpful, little citizens. | 0:07:51 | 0:07:55 | |
That one little old man, eyewitness Charlie, with 20:20 vision, | 0:07:55 | 0:07:59 | |
who always happens to be looking out a window when you drag a body. | 0:07:59 | 0:08:03 | |
What's the action, then? | 0:08:04 | 0:08:06 | |
We cool it, all of us. | 0:08:06 | 0:08:08 | |
Cool it. | 0:08:08 | 0:08:09 | |
I'm going to take this gag off. | 0:08:09 | 0:08:11 | |
You got any ideas about noise? | 0:08:12 | 0:08:14 | |
All right. That's good, | 0:08:16 | 0:08:18 | |
because I've got sensitive ears. | 0:08:19 | 0:08:21 | |
When someone yells, I do things. | 0:08:21 | 0:08:24 | |
Things that make me hate myself in the morning. | 0:08:24 | 0:08:27 | |
Now, Mother, | 0:08:27 | 0:08:29 | |
here's the picture. We hole up for a few days. We're stuck with you. | 0:08:29 | 0:08:33 | |
We don't want you getting sick or scared or flaking out. | 0:08:33 | 0:08:37 | |
That's no good. | 0:08:37 | 0:08:39 | |
Not for us, not for you. | 0:08:39 | 0:08:40 | |
What...? | 0:08:40 | 0:08:42 | |
What are you going to do with me? | 0:08:42 | 0:08:44 | |
Well, first, you've got to believe one thing. | 0:08:44 | 0:08:47 | |
One killing more or less won't make a difference. We've nothing to lose. | 0:08:47 | 0:08:52 | |
Anybody we knock off from here on in is just a little more gravy. | 0:08:52 | 0:08:55 | |
I understand. | 0:08:55 | 0:08:58 | |
That's solid, Mom. | 0:08:58 | 0:09:00 | |
Now, let's make with the cooking. Iggy bought groceries. Come on. | 0:09:00 | 0:09:04 | |
We got steaks, salmon. What's it going to be? | 0:09:08 | 0:09:11 | |
Steak. I'll have mine rare. | 0:09:11 | 0:09:13 | |
Make mine well. I can't stand the sight of blood. | 0:09:13 | 0:09:16 | |
Some desperate character I got for a partner(!) | 0:09:16 | 0:09:18 | |
DOOR RATTLES | 0:09:18 | 0:09:20 | |
CAT MIAOWS | 0:09:33 | 0:09:35 | |
All right, fleabag, let's get out of here. | 0:09:36 | 0:09:39 | |
Let him stay a little while, Dan. | 0:09:39 | 0:09:41 | |
-What for? -I like cats. | 0:09:41 | 0:09:43 | |
You like cats? | 0:09:43 | 0:09:45 | |
Yeah. Did I ever tell you about my old cat? | 0:09:45 | 0:09:47 | |
No, and you ain't going to. | 0:09:47 | 0:09:49 | |
As long as he was alive, I was always lucky. He was a real friend. | 0:09:49 | 0:09:53 | |
You're breaking my heart. Come on, I want to talk to you. | 0:09:53 | 0:09:57 | |
Well, don't stand there, flapping your ears. Make with the cooking. | 0:09:59 | 0:10:03 | |
I like the cat. | 0:10:03 | 0:10:05 | |
Don't forget, I'm watching you. | 0:10:06 | 0:10:08 | |
Hey, I don't trust that dame. I don't... trust her. | 0:10:08 | 0:10:11 | |
I don't want you to trust her. | 0:10:11 | 0:10:14 | |
The thing is, | 0:10:14 | 0:10:16 | |
she might play along, | 0:10:16 | 0:10:18 | |
if we con her into thinking | 0:10:18 | 0:10:20 | |
we might turn her loose. | 0:10:20 | 0:10:22 | |
You wouldn't, would you? | 0:10:22 | 0:10:25 | |
Are you out of your mind? | 0:10:25 | 0:10:27 | |
BACKGROUND TALKING | 0:10:27 | 0:10:29 | |
Hey, what's holding you up? | 0:10:55 | 0:10:57 | |
Come on, move it, move it, will you? | 0:10:57 | 0:10:59 | |
I...think my watch stopped. | 0:10:59 | 0:11:01 | |
What do I care? What's with the watch? | 0:11:01 | 0:11:03 | |
I wanted to time the steaks. | 0:11:03 | 0:11:04 | |
What's that over there? It's a clock, ain't it? Move it! | 0:11:04 | 0:11:08 | |
CAT MIAOWS | 0:11:22 | 0:11:24 | |
What do you think you're doing? | 0:11:24 | 0:11:27 | |
No, wait, Dan. | 0:11:27 | 0:11:29 | |
Someone will hear us. | 0:11:29 | 0:11:31 | |
He wanted to go out. | 0:11:31 | 0:11:33 | |
I didn't make a break. | 0:11:33 | 0:11:35 | |
I wouldn't do it. | 0:11:35 | 0:11:37 | |
I wouldn't. | 0:11:37 | 0:11:39 | |
OK. | 0:11:41 | 0:11:43 | |
OK. | 0:11:45 | 0:11:47 | |
Cos I've got friends, | 0:11:48 | 0:11:50 | |
ten little lead-nosed friends in here. | 0:11:50 | 0:11:54 | |
They all run faster than you do, Moms. | 0:11:54 | 0:11:57 | |
I... I know. | 0:11:58 | 0:12:01 | |
Let's get one thing straight. | 0:12:01 | 0:12:03 | |
Don't touch that door again. | 0:12:03 | 0:12:05 | |
Not that door or any window in here. | 0:12:05 | 0:12:08 | |
-You got that straight? -Got it? | 0:12:08 | 0:12:10 | |
Y-y-yes. | 0:12:11 | 0:12:14 | |
You've just used up all your luck, lady. | 0:12:14 | 0:12:16 | |
Now, don't try me again. | 0:12:16 | 0:12:18 | |
How about Thursday night at the drive-in? | 0:12:45 | 0:12:48 | |
-What's playing? -Night Of The Surfer. | 0:12:48 | 0:12:51 | |
-What was that we saw tonight? -Surfer Beach Party. | 0:12:51 | 0:12:54 | |
And the night before last? | 0:12:54 | 0:12:55 | |
Summer Surf and Sinbad The Surfer, a double feature. | 0:12:55 | 0:12:58 | |
Canoe, | 0:12:58 | 0:13:00 | |
do you ever get a spooky feeling | 0:13:00 | 0:13:02 | |
we keep seeing the same movie over and over, | 0:13:02 | 0:13:04 | |
and all they do is change the titles? | 0:13:04 | 0:13:06 | |
Yeah. It's terrific stuff, isn't it? | 0:13:06 | 0:13:09 | |
Couldn't we just once see a movie, | 0:13:11 | 0:13:13 | |
where boy meets girl, they have problems which aren't too weird, | 0:13:13 | 0:13:17 | |
they fall in love and live happily ever after? | 0:13:17 | 0:13:19 | |
Why would you want to see unhealthy stuff like that? | 0:13:19 | 0:13:22 | |
I don't know. Maybe I'd like to see a movie where I don't get seasick. | 0:13:22 | 0:13:26 | |
I'll make you a deal. You go with me to the drive-in Thursday, | 0:13:26 | 0:13:30 | |
next time we'll go to one of those happily-ever-after clam-digs. Deal? | 0:13:30 | 0:13:33 | |
I guess. | 0:13:33 | 0:13:35 | |
Where is The Thing playing? | 0:13:35 | 0:13:36 | |
Who knows? Maybe they don't even make movies like that any more. | 0:13:36 | 0:13:40 | |
Well, sure. | 0:13:40 | 0:13:41 | |
You want to know why? People don't want to be depressed by that slop. | 0:13:41 | 0:13:45 | |
Ha! | 0:13:47 | 0:13:48 | |
That Henderson boy went right into the house with her. | 0:13:48 | 0:13:52 | |
Right into the house! | 0:13:55 | 0:13:57 | |
She and the Henderson boy, the two of them. | 0:13:57 | 0:13:59 | |
Why shouldn't he go in? He's been hanging around there | 0:13:59 | 0:14:02 | |
since he was old enough to wave bye-bye. | 0:14:02 | 0:14:05 | |
Nevertheless, they happen to represent two separate | 0:14:05 | 0:14:08 | |
and distinct members of the opposite sex, alone in that house! | 0:14:08 | 0:14:11 | |
You tell' em, kid. | 0:14:11 | 0:14:13 | |
With their parents in Europe, someone's got to keep an eye | 0:14:13 | 0:14:16 | |
on those Randall girls. | 0:14:16 | 0:14:18 | |
Meantime, by authority of the Federal Communications Commission, | 0:14:18 | 0:14:22 | |
and the grace of a kindly providence which gave me the power | 0:14:22 | 0:14:26 | |
of not having to listen to people, | 0:14:26 | 0:14:28 | |
I am now going off the air. | 0:14:28 | 0:14:30 | |
Don't you dare | 0:14:30 | 0:14:31 | |
take it off! I haven't finished talking to you! | 0:14:31 | 0:14:34 | |
Good night, old woman. I can't hear what you're saying, | 0:14:34 | 0:14:37 | |
but whatever it is, | 0:14:37 | 0:14:38 | |
I disagree with you 100%. | 0:14:38 | 0:14:41 | |
You're running out of peanut butter! There aren't any of those olives. | 0:14:47 | 0:14:51 | |
-Put them on the shopping list! -OK. | 0:14:51 | 0:14:54 | |
-Oh, hi, DC. -DC MIAOWS | 0:14:54 | 0:14:57 | |
You know, Patti, sometimes you worry me. | 0:14:59 | 0:15:02 | |
You don't eat enough to keep a bird alive. | 0:15:02 | 0:15:04 | |
This is a wild idea, but has it occurred to you | 0:15:04 | 0:15:07 | |
there's more to life than surfing and eating? | 0:15:07 | 0:15:09 | |
Like what? | 0:15:09 | 0:15:11 | |
Forget it. | 0:15:11 | 0:15:13 | |
I just realised I was talking to myself. | 0:15:13 | 0:15:15 | |
Hey, your folks are in Venice. | 0:15:15 | 0:15:17 | |
I know. | 0:15:17 | 0:15:18 | |
Your father got indigestion from a white clam sauce, | 0:15:18 | 0:15:21 | |
but feels better now. Ha. | 0:15:21 | 0:15:23 | |
Bills, bills, bills. | 0:15:23 | 0:15:26 | |
There's nothing but bills! | 0:15:26 | 0:15:28 | |
Surf news should be coming up about now. | 0:15:29 | 0:15:32 | |
You listen. I'm going to straighten things up and go to bed. | 0:15:32 | 0:15:35 | |
Hi, DC. | 0:15:35 | 0:15:37 | |
Watch the crumbs, will you, fellas? | 0:15:43 | 0:15:45 | |
Pass the word. Watch the crumbs. | 0:15:45 | 0:15:48 | |
'According to the authorities, the desperadoes and their victim | 0:15:48 | 0:15:51 | |
'may have travelled north | 0:15:51 | 0:15:53 | |
'in an effort to escape. Their getaway car was discovered on - ' | 0:15:53 | 0:15:57 | |
That's Miss Miller! | 0:15:57 | 0:15:58 | |
Who? | 0:15:58 | 0:16:00 | |
Miss Miller, the Christmas Club winner with the bank. | 0:16:00 | 0:16:03 | |
I've known her for years. | 0:16:03 | 0:16:05 | |
Oh, yeah. So have I. | 0:16:05 | 0:16:07 | |
She goes to our laundromat. | 0:16:07 | 0:16:10 | |
It's kind of creepy, isn't it, | 0:16:10 | 0:16:12 | |
this happening in our neighbourhood, and to people we know? | 0:16:12 | 0:16:16 | |
Shall I wait around till your sister comes home, the protecting bit? | 0:16:16 | 0:16:20 | |
No, thanks. | 0:16:20 | 0:16:22 | |
All right. | 0:16:22 | 0:16:24 | |
'And now, surfers, here's the word for tomorrow.' | 0:16:24 | 0:16:26 | |
'This is your weather girl with the beach news for the am. | 0:16:26 | 0:16:30 | |
'Goleta to Zuma, | 0:16:30 | 0:16:32 | |
'sea conditions light to moderate. | 0:16:32 | 0:16:34 | |
'Malibu, moderate in the early morning, with heavies expected.' | 0:16:34 | 0:16:38 | |
Hey, Pat! | 0:16:38 | 0:16:40 | |
Surf's up tomorrow. Wanna go? | 0:16:40 | 0:16:42 | |
Yeah, sure. 'Night. | 0:16:42 | 0:16:44 | |
'Night! | 0:16:44 | 0:16:46 | |
'That's all for tonight, surfers, The word is go! | 0:16:46 | 0:16:49 | |
'See you at the beach.' | 0:16:49 | 0:16:51 | |
Here. Come on. | 0:16:52 | 0:16:54 | |
There, there. | 0:16:56 | 0:16:58 | |
Wow! 11:15! | 0:17:01 | 0:17:03 | |
I gotta get some sleep. | 0:17:03 | 0:17:05 | |
ENGINE STARTS | 0:17:31 | 0:17:32 | |
SCREECHING | 0:17:32 | 0:17:34 | |
SCREECHING TYRES | 0:17:36 | 0:17:39 | |
I thought we'd almost had it there, for a moment. | 0:17:39 | 0:17:42 | |
Sorry. One of Patti's friends. | 0:17:42 | 0:17:44 | |
Oh. Ha! | 0:17:44 | 0:17:47 | |
-Is it a date, then? -Mm-hm. | 0:17:47 | 0:17:49 | |
You won't regret it. Mother's an extremely fine cook. | 0:17:49 | 0:17:52 | |
I'm sure she is, Gregory. | 0:17:52 | 0:17:53 | |
Mother cooks the world's best duck. | 0:17:53 | 0:17:55 | |
As for the duck! Did I tell you it was a gadwall? | 0:17:55 | 0:17:58 | |
No, I don't believe you did. | 0:17:59 | 0:18:01 | |
I stood all day in a duck blind to get it. | 0:18:01 | 0:18:03 | |
It was pouring rain. I almost got pneumonia. | 0:18:03 | 0:18:07 | |
Oh, I'm so sorry. | 0:18:07 | 0:18:09 | |
It's all right, it was worth it. Well worth it. | 0:18:09 | 0:18:12 | |
Oh, it's a beautiful creature. | 0:18:12 | 0:18:14 | |
Perfectly beautiful. Superb, even. | 0:18:14 | 0:18:17 | |
If Mother... | 0:18:18 | 0:18:19 | |
Mother prepares duck in the classic old-fashioned way. | 0:18:19 | 0:18:24 | |
She hangs it out on the screen porch | 0:18:24 | 0:18:27 | |
for 48 hours before cooking. | 0:18:27 | 0:18:29 | |
It makes all the difference in the world. | 0:18:29 | 0:18:31 | |
-All the difference in the world. -I... | 0:18:31 | 0:18:33 | |
I'm looking forward to meeting your mother. I've heard a lot about her. | 0:18:35 | 0:18:39 | |
I know that you two are going to be the very best of friends. | 0:18:39 | 0:18:42 | |
And now, er... | 0:18:42 | 0:18:44 | |
Good night. | 0:18:45 | 0:18:46 | |
Good night. | 0:18:46 | 0:18:48 | |
I'll see you in the morning. | 0:18:48 | 0:18:50 | |
Same time as usual. | 0:18:50 | 0:18:52 | |
Mm-hm. | 0:18:52 | 0:18:54 | |
BARKING | 0:19:05 | 0:19:07 | |
FRANTIC BARKING | 0:19:24 | 0:19:26 | |
BARKING | 0:19:40 | 0:19:42 | |
Quiet, Bitzy! | 0:19:42 | 0:19:44 | |
Good night, my little beauties. | 0:19:44 | 0:19:47 | |
BIRD IMPRESSION | 0:19:47 | 0:19:49 | |
GROWLING | 0:19:52 | 0:19:54 | |
CAT MIAOWS | 0:20:08 | 0:20:09 | |
KNOCKING AT DOOR | 0:20:34 | 0:20:36 | |
OK. | 0:20:38 | 0:20:40 | |
Where's the duck? | 0:20:40 | 0:20:42 | |
I beg your pardon? | 0:20:42 | 0:20:43 | |
I want my duck! | 0:20:43 | 0:20:46 | |
Your duck? | 0:20:46 | 0:20:48 | |
If you please. | 0:20:48 | 0:20:50 | |
I'm sorry, I really don't know - | 0:20:50 | 0:20:51 | |
Where is that sneaky, miserable guttersnipe? | 0:20:51 | 0:20:55 | |
He's got my duck. | 0:20:55 | 0:20:57 | |
What duck? | 0:20:57 | 0:20:58 | |
Don't you dare pretend with me! I saw him come in here with it. | 0:20:58 | 0:21:01 | |
Saw WHO come in? | 0:21:01 | 0:21:03 | |
Patricia Randall, I have had all I can take of your rotten cat! | 0:21:03 | 0:21:07 | |
He molests my prize fantails, crawls over my car with his muddy paws. | 0:21:07 | 0:21:12 | |
He digs up my mother's tulip bulbs | 0:21:12 | 0:21:13 | |
and has driven my dog to the brink of a nervous breakdown! | 0:21:13 | 0:21:16 | |
You mean DC? Well, I'm sorry, | 0:21:16 | 0:21:18 | |
but actually he isn't my cat. He isn't anybody's cat. | 0:21:18 | 0:21:22 | |
What are you talking about? He lives here, doesn't here? | 0:21:22 | 0:21:25 | |
Well, of course, | 0:21:25 | 0:21:26 | |
but don't you see? You don't own | 0:21:26 | 0:21:28 | |
someone like DC. He's family. | 0:21:28 | 0:21:31 | |
Oh... | 0:21:31 | 0:21:33 | |
What am I going to do? | 0:21:33 | 0:21:35 | |
Shoot! I spend all day in a duck blind. | 0:21:35 | 0:21:37 | |
Pouring rain, | 0:21:37 | 0:21:39 | |
and I get one duck. | 0:21:39 | 0:21:41 | |
One single gadwall. | 0:21:41 | 0:21:44 | |
That flea-raddled fiend had to go and steal it. | 0:21:45 | 0:21:48 | |
Gregory, I know you're upset, but be honest. It was dark, wasn't it? | 0:21:48 | 0:21:52 | |
It could easily have been that nasty cat across the street, | 0:21:52 | 0:21:55 | |
who does everything that DC gets blamed for - | 0:21:55 | 0:21:58 | |
CAT MIAOWS | 0:21:58 | 0:22:00 | |
Oh, DC! | 0:22:00 | 0:22:02 | |
How could you? | 0:22:02 | 0:22:04 | |
Hold this. | 0:22:05 | 0:22:07 | |
DC, give that to me this instant! | 0:22:07 | 0:22:09 | |
DC, I want you to know | 0:22:09 | 0:22:11 | |
I'm very, very disappointed in you. | 0:22:11 | 0:22:14 | |
GROWLS | 0:22:14 | 0:22:15 | |
Oh. | 0:22:19 | 0:22:21 | |
Oh, Greg, I am sorry. | 0:22:28 | 0:22:31 | |
I can't think what could have come over him. | 0:22:31 | 0:22:33 | |
Bad, bad cat! Bad! | 0:22:33 | 0:22:36 | |
"Bad, bad cat!" | 0:22:36 | 0:22:38 | |
You're a menace to the whole neighbourhood. | 0:22:39 | 0:22:42 | |
If I had my way, the authorities | 0:22:42 | 0:22:45 | |
would do away with you! | 0:22:45 | 0:22:46 | |
Wait a minute, Gregory. DC's a cat. | 0:22:46 | 0:22:49 | |
He can't help his instincts. | 0:22:49 | 0:22:51 | |
He's a hunter, just like you are, | 0:22:51 | 0:22:52 | |
only he's not stupid enough | 0:22:52 | 0:22:54 | |
to sit in the pouring rain all day. | 0:22:54 | 0:22:56 | |
Well! Let me make myself quite clear. | 0:22:56 | 0:22:59 | |
You keep him locked up, cos the next time time I see him, | 0:22:59 | 0:23:02 | |
I'll give him a pants-full of buckshot! | 0:23:02 | 0:23:04 | |
Nine times if necessary. | 0:23:06 | 0:23:08 | |
CAT HISSES | 0:23:09 | 0:23:12 | |
I know. | 0:23:12 | 0:23:13 | |
I don't care for him much, either. | 0:23:13 | 0:23:15 | |
But he does have a point, don't you think? | 0:23:15 | 0:23:18 | |
Was that Gregory | 0:23:19 | 0:23:21 | |
-I heard down there? -Correct. | 0:23:21 | 0:23:23 | |
He sounded angry. | 0:23:23 | 0:23:24 | |
Yeah. I believe he was. | 0:23:24 | 0:23:27 | |
What goes on here, anyway? | 0:23:27 | 0:23:28 | |
Nothing. Nothing at all. DC just happened | 0:23:28 | 0:23:31 | |
to take a duck off Gregory's back porch. | 0:23:31 | 0:23:33 | |
Happened to take a duck? | 0:23:34 | 0:23:36 | |
Yes. Gregory came stamping and banging over to find it, furious. | 0:23:36 | 0:23:41 | |
He made a perfect fool of himself. I don't think he's a stable person. | 0:23:41 | 0:23:45 | |
-There goes my duck dinner. -Your what? | 0:23:45 | 0:23:47 | |
He invited me for dinner. His mother was going to fix the duck. | 0:23:47 | 0:23:51 | |
Fix the...? | 0:23:52 | 0:23:53 | |
Ingrid, don't you see, | 0:23:53 | 0:23:55 | |
you're walking into a trap? | 0:23:55 | 0:23:57 | |
Patti, for goodness sake. Gregory drives me to work in the morning. | 0:23:57 | 0:24:01 | |
At night, he picks me up and he takes me home. | 0:24:01 | 0:24:04 | |
If he goes to all that trouble, | 0:24:04 | 0:24:05 | |
the least I can do is be courteous if he asks me to dinner. | 0:24:05 | 0:24:08 | |
Ingrid, how can you be so blind? | 0:24:08 | 0:24:10 | |
The guy with the old car pool routine, right? | 0:24:10 | 0:24:13 | |
Why not? His law office happens to be right next door to where I work. | 0:24:13 | 0:24:17 | |
The point is, there used to be five people in that car, | 0:24:17 | 0:24:20 | |
then Gregory traded in his sedan for a two-seater sports car. | 0:24:20 | 0:24:24 | |
Mr Burke, Miss Batters, Miss Mosely | 0:24:24 | 0:24:26 | |
were ruthlessly squeezed out | 0:24:26 | 0:24:29 | |
to find other transportation. Right? | 0:24:29 | 0:24:31 | |
Now, Patti, listen - | 0:24:31 | 0:24:32 | |
Creeping matrimony is what it is. | 0:24:32 | 0:24:35 | |
The car pool, the duck dinner, | 0:24:35 | 0:24:37 | |
a movie here and there. | 0:24:37 | 0:24:39 | |
Ingy, you're taking the gas, and you don't even know it. | 0:24:39 | 0:24:43 | |
Thank you. I'm sure you mean well, | 0:24:43 | 0:24:45 | |
but I think I can handle the Gregory situation in my own bumbling way. | 0:24:45 | 0:24:49 | |
I'm sorry, but I suppose at your age, | 0:24:51 | 0:24:53 | |
when that important person hasn't come into your life, well... | 0:24:53 | 0:24:57 | |
Well what? | 0:24:57 | 0:24:59 | |
Well, I suppose a tinge - | 0:24:59 | 0:25:02 | |
just the faintest tinge - | 0:25:02 | 0:25:04 | |
of desperation begins to blow your judgement. | 0:25:04 | 0:25:06 | |
Good night. | 0:25:06 | 0:25:09 | |
There is no tinge of desperation, however faint, in my outlook, | 0:25:09 | 0:25:13 | |
and my vision is exceptionally clear. | 0:25:13 | 0:25:15 | |
Good. | 0:25:15 | 0:25:16 | |
Which brings us to some of your friends. | 0:25:16 | 0:25:19 | |
-My friends? -Yes, dear. | 0:25:19 | 0:25:20 | |
The one we've tripped over for years. | 0:25:20 | 0:25:22 | |
Canoe? Oh, that's very unfair. | 0:25:22 | 0:25:25 | |
Canoe is... | 0:25:25 | 0:25:27 | |
Well, he's just defenceless. | 0:25:27 | 0:25:29 | |
He's very sweet and young, and needs help. | 0:25:29 | 0:25:33 | |
Well, I agree he needs something. | 0:25:33 | 0:25:35 | |
He mopes around in raggedy shorts and eats us out of house and home. | 0:25:35 | 0:25:38 | |
It just shows how little you know him. | 0:25:38 | 0:25:40 | |
Canoe has... He has plenty of ambition. | 0:25:40 | 0:25:43 | |
What? To be the first 50-year-old surfer at Santa Monica? | 0:25:43 | 0:25:46 | |
If you ask me, he's... | 0:25:46 | 0:25:48 | |
What's the matter? | 0:25:48 | 0:25:49 | |
DC's wearing a wristwatch. | 0:25:49 | 0:25:52 | |
Well, what will that dear sweet innocent cat | 0:25:52 | 0:25:54 | |
be bringing home next? The Hope Diamond, I imagine. | 0:25:54 | 0:25:57 | |
Where do you suppose he got it? | 0:25:57 | 0:26:00 | |
I don't know. Probably some child slipped it on, | 0:26:00 | 0:26:03 | |
or some teenager put it on for a joke. | 0:26:03 | 0:26:05 | |
Check with Lost & Found in the morning. | 0:26:05 | 0:26:07 | |
Ingrid! | 0:26:17 | 0:26:19 | |
Look. Someone started to scratch something on the casing. See? | 0:26:20 | 0:26:25 | |
H, E and that looks like | 0:26:25 | 0:26:27 | |
part of an L. | 0:26:27 | 0:26:28 | |
H-E-L... | 0:26:28 | 0:26:30 | |
I'll bet somebody was trying to write "HELP" and they were interrupted. | 0:26:30 | 0:26:35 | |
Somebody's in trouble. | 0:26:35 | 0:26:37 | |
What cooks in that wild little head of yours now? | 0:26:37 | 0:26:39 | |
Somebody's in trouble. I feel it in my bones. | 0:26:39 | 0:26:42 | |
You bet. Now let me go to sleep. | 0:26:42 | 0:26:44 | |
I'm a working girl, you know. | 0:26:44 | 0:26:46 | |
Don't you think we ought to do something? | 0:26:46 | 0:26:48 | |
Good night. | 0:26:48 | 0:26:50 | |
Come on, DC. Give. | 0:27:02 | 0:27:04 | |
Someone does need help, don't they? | 0:27:04 | 0:27:07 | |
I know you could find a way | 0:27:09 | 0:27:11 | |
to tell me if you really wanted to. | 0:27:11 | 0:27:13 | |
A smart cat like you. | 0:27:13 | 0:27:15 | |
You can be such a rat, sometimes. | 0:27:20 | 0:27:22 | |
Don't say anything. Point me towards the coffee. | 0:27:32 | 0:27:35 | |
What's wrong with you? | 0:27:35 | 0:27:37 | |
Oh, I didn't close my eyes once last night. | 0:27:37 | 0:27:40 | |
Oh, I've got huge dark circles | 0:27:40 | 0:27:42 | |
under my eyes. | 0:27:42 | 0:27:44 | |
And me so young! | 0:27:44 | 0:27:45 | |
What's bothering you? | 0:27:45 | 0:27:47 | |
I just couldn't stop thinking about this watch. | 0:27:47 | 0:27:50 | |
Especially that pitiful cry for help on the back. | 0:27:50 | 0:27:53 | |
You're not going to start that all over again, are you? So help me - | 0:27:53 | 0:27:56 | |
You know, I've thought and thought and thought, | 0:27:56 | 0:27:59 | |
and I finally know the answer. | 0:27:59 | 0:28:01 | |
The watch belongs to her. | 0:28:01 | 0:28:03 | |
-The kidnapped woman? -Yeah. | 0:28:03 | 0:28:05 | |
Oh, come off it, Patti. | 0:28:05 | 0:28:07 | |
Does it have a name on it? | 0:28:07 | 0:28:09 | |
CAR HORN | 0:28:09 | 0:28:10 | |
No, but it's the sort of watch | 0:28:10 | 0:28:11 | |
a woman like that would wear. | 0:28:11 | 0:28:13 | |
Feminine, yet bank-tellerish, | 0:28:13 | 0:28:16 | |
if you see what I mean. | 0:28:16 | 0:28:18 | |
Patti, you are absolutely impossible. | 0:28:18 | 0:28:20 | |
Have a nice day at the office, Ingy. | 0:28:20 | 0:28:23 | |
Patti, you've got that terrible | 0:28:25 | 0:28:27 | |
butter-won't-melt-in-your-mouth expression. | 0:28:27 | 0:28:29 | |
I know exactly what's going on in your tiny mind, and I forbid it. | 0:28:29 | 0:28:33 | |
What do you mean? | 0:28:33 | 0:28:34 | |
You can't over-dramatise this, like everything else. | 0:28:34 | 0:28:38 | |
I forbid you to get the police stirred up | 0:28:38 | 0:28:40 | |
with a hallucination about people in trouble. | 0:28:40 | 0:28:42 | |
Check. | 0:28:42 | 0:28:44 | |
You're not to go to the police with that watch, OK? | 0:28:44 | 0:28:46 | |
-Certainly. -Bye. | 0:28:46 | 0:28:48 | |
-GREGORY: -Good morning, Ingrid. -Good morning. | 0:28:48 | 0:28:51 | |
Naturally I wouldn't go to the police. | 0:28:57 | 0:28:59 | |
This is a job for the FBI. | 0:29:02 | 0:29:04 | |
May I help you? | 0:29:16 | 0:29:18 | |
Yes, I'd like to see a... | 0:29:18 | 0:29:20 | |
We call them agents, here. | 0:29:20 | 0:29:23 | |
-I'd like to see an agent. -May I ask what about? | 0:29:23 | 0:29:25 | |
I have information about a crime. | 0:29:25 | 0:29:27 | |
Thanks. Would you wait over there? | 0:29:27 | 0:29:29 | |
Yes. | 0:29:29 | 0:29:31 | |
These are for you, Mr Hart. | 0:29:35 | 0:29:37 | |
Thank you. I'm back at 11 o'clock. | 0:29:37 | 0:29:39 | |
Morning, Hart. | 0:29:39 | 0:29:41 | |
-Good morning, Mr Kelso. -Anything for me? | 0:29:41 | 0:29:43 | |
No, sir. | 0:29:43 | 0:29:44 | |
Well, if a Mr Paul calls about the bank records, put him through. | 0:29:44 | 0:29:48 | |
See you around. | 0:29:48 | 0:29:50 | |
Is he an agent? | 0:29:52 | 0:29:54 | |
Yes, he is. | 0:29:54 | 0:29:56 | |
Nice face, hasn't he? | 0:29:56 | 0:29:57 | |
-Why, yes. -TELEPHONE RINGS | 0:29:57 | 0:30:00 | |
Yes, Mr Ellenden. | 0:30:02 | 0:30:04 | |
The messenger hasn't arrived yet. | 0:30:04 | 0:30:06 | |
I can put a tracer on it. | 0:30:08 | 0:30:10 | |
No, sir. We haven't heard from Denver all morning. | 0:30:11 | 0:30:14 | |
I'll connect you to Morrow. | 0:30:14 | 0:30:15 | |
He's got the reports on that case. | 0:30:15 | 0:30:17 | |
CLEARS THROAT | 0:30:46 | 0:30:48 | |
We've got 22 Howards in Los Angeles. We'd better start at the top. | 0:30:51 | 0:30:55 | |
Mr Kelso, I have something to report | 0:30:59 | 0:31:01 | |
on one of your cases. It's the family cat. He's called DC. | 0:31:01 | 0:31:04 | |
That means Darn Cat. Daddy named him, and called him something much worse. | 0:31:04 | 0:31:08 | |
Mother won't let us use that name. | 0:31:08 | 0:31:10 | |
Excuse me. First, what is your name? | 0:31:10 | 0:31:13 | |
Patricia Randall. 808 Pendleton Avenue. | 0:31:13 | 0:31:16 | |
Uh-huh. What is this information you have, Miss Randall? | 0:31:17 | 0:31:20 | |
Well, it's DC, our cat. | 0:31:20 | 0:31:23 | |
He likes to prowl around at night, as cats do, nothing wrong with that. | 0:31:23 | 0:31:27 | |
He likes people as a rule. | 0:31:27 | 0:31:28 | |
If they're nice to him, and give him food, he goes back. | 0:31:28 | 0:31:32 | |
He has a regular route to pick out food, like a milkman in reverse. | 0:31:32 | 0:31:35 | |
You say that this relates to one of our cases? | 0:31:35 | 0:31:38 | |
Yes! Yes, it does. | 0:31:38 | 0:31:39 | |
Last night, DC was out, roaming around and stole a duck | 0:31:39 | 0:31:43 | |
from Mr Benson down the street. | 0:31:43 | 0:31:45 | |
Ah, Miss er...Randall. | 0:31:45 | 0:31:47 | |
I'm afraid that that's a police matter. | 0:31:47 | 0:31:49 | |
You see, our jurisdiction is limited to certain fields of investigation. | 0:31:49 | 0:31:53 | |
At present, duck stealing is not one of them. | 0:31:53 | 0:31:56 | |
How about bank robbery and kidnapping? | 0:31:56 | 0:31:58 | |
I'll hear the rest of your story, Miss Randall. | 0:32:04 | 0:32:06 | |
Thank you. | 0:32:06 | 0:32:08 | |
Well, last night, | 0:32:09 | 0:32:11 | |
DC came home wearing a wristwatch. | 0:32:11 | 0:32:13 | |
Wearing a wristwatch? | 0:32:13 | 0:32:16 | |
Yes. Instead of his collar. | 0:32:16 | 0:32:19 | |
Oh. | 0:32:19 | 0:32:21 | |
I couldn't help thinking what I would do | 0:32:21 | 0:32:23 | |
if I were this poor woman, Miss Miller, | 0:32:23 | 0:32:26 | |
held prisoner by two hoodlums, | 0:32:26 | 0:32:28 | |
and a stray cat | 0:32:28 | 0:32:29 | |
-came wandering in. -Mm-hm. | 0:32:29 | 0:32:31 | |
Don't you see? I'd put something of mine on the cat as a clue, | 0:32:32 | 0:32:36 | |
like a wristwatch, maybe try to scratch something on it. | 0:32:36 | 0:32:39 | |
Do you have this wristwatch? | 0:32:39 | 0:32:40 | |
Mr Kelso, I knew you'd understand. | 0:32:40 | 0:32:42 | |
That's why I selected you personally. | 0:32:42 | 0:32:45 | |
Here. | 0:32:45 | 0:32:47 | |
You see, of course, on the back, | 0:32:50 | 0:32:52 | |
where she started to scratch "HELP." She was interrupted. | 0:32:52 | 0:32:55 | |
H-E- | 0:32:55 | 0:32:57 | |
and that squiggle could be an L. | 0:32:57 | 0:33:00 | |
Well, it doesn't quite spell "HELP", does it? | 0:33:00 | 0:33:03 | |
But she was wearing a wristwatch at the time of her abduction. | 0:33:03 | 0:33:06 | |
We have only a superficial description. | 0:33:06 | 0:33:08 | |
-But - -This may or may not be the watch. | 0:33:08 | 0:33:10 | |
But wouldn't it be enough to start on? | 0:33:10 | 0:33:13 | |
Miss Randall, I wonder if you could wait here for just a few moments? | 0:33:13 | 0:33:16 | |
Of course not, Mr Kelso. My entire day is at your disposal. | 0:33:16 | 0:33:20 | |
Thank you, Miss Randall. | 0:33:21 | 0:33:23 | |
Well, it's a goofy idea. | 0:33:24 | 0:33:26 | |
-That's what I thought, sir. -The only thing is, I like it. | 0:33:26 | 0:33:29 | |
You do, sir? | 0:33:29 | 0:33:30 | |
I don't like this paper chase someone has lead us on. | 0:33:30 | 0:33:33 | |
Those twenty dollar bills from the bank job | 0:33:33 | 0:33:36 | |
we've picked up along the valley. | 0:33:36 | 0:33:37 | |
Oh, you mean they went in another direction? | 0:33:37 | 0:33:40 | |
Stayed right here in the city. | 0:33:40 | 0:33:42 | |
This watch lead ties in with that. How's your workload, Kelso? | 0:33:42 | 0:33:45 | |
Me, sir? Well, I'm going over those old bank records on Johnny Lacouts. | 0:33:45 | 0:33:50 | |
I'm ready to trip him up. | 0:33:50 | 0:33:51 | |
Lacouts can wait. Kidnapping takes priority. | 0:33:51 | 0:33:54 | |
I want you to set up a surveillance and tail this cat. | 0:33:54 | 0:33:57 | |
Tail the cat? | 0:33:57 | 0:33:58 | |
He may take us to the robbers. | 0:33:58 | 0:33:59 | |
That's all. | 0:33:59 | 0:34:02 | |
Actually, sir, I don't have any experience in tailing cats. | 0:34:02 | 0:34:05 | |
For that matter, who does? | 0:34:05 | 0:34:07 | |
Sorry, sir. You want me to set up a surveillance on this... informant, | 0:34:07 | 0:34:12 | |
exactly as if we thought of him as a person? | 0:34:12 | 0:34:15 | |
Unless, of course, it works out better to think of him as a cat. | 0:34:15 | 0:34:19 | |
Sir, I think it's only fair to tell you, I don't get on well with cats. | 0:34:21 | 0:34:25 | |
There's a kind of an antagonism between us. | 0:34:25 | 0:34:27 | |
Is that so? | 0:34:27 | 0:34:29 | |
Yes. Also, I have this allergy. | 0:34:29 | 0:34:30 | |
Allergy? I make it my business | 0:34:30 | 0:34:32 | |
to know the medical records of every man here. | 0:34:32 | 0:34:34 | |
Have you been keeping it from me? | 0:34:34 | 0:34:36 | |
A very small allergy, sir, hardly worth mentioning. | 0:34:36 | 0:34:39 | |
Good. Then don't. Stay in touch. | 0:34:39 | 0:34:41 | |
I'm available on this case 24 hours a day. | 0:34:41 | 0:34:44 | |
Yes, sir. | 0:34:44 | 0:34:45 | |
Sir, it's just that every time I'm around c-c-c... | 0:34:49 | 0:34:52 | |
Atchoo! | 0:34:52 | 0:34:54 | |
Gesundheit, and good luck. | 0:34:54 | 0:34:56 | |
Thank you, sir. | 0:34:56 | 0:34:59 | |
HE SNEEZES VIOLENTLY | 0:35:02 | 0:35:04 | |
Yes, a lot of people are going to be sorry | 0:35:05 | 0:35:08 | |
for the things they said about DC. | 0:35:08 | 0:35:10 | |
Wait till they find out he's working with the FBI. | 0:35:12 | 0:35:15 | |
I don't think we should expose your cat's relationship with us yet. | 0:35:15 | 0:35:19 | |
I'd like to remain as inconspicuous as possible. | 0:35:19 | 0:35:22 | |
You don't want people knowing who you are and what you're doing? | 0:35:22 | 0:35:25 | |
Exactly. They become over-stimulated when they discover an FBI man. | 0:35:25 | 0:35:30 | |
It tends to interfere with the quiet, | 0:35:30 | 0:35:32 | |
orderly process of investigation, especially in kidnap cases. | 0:35:32 | 0:35:36 | |
This places the life of the kidnap victim into additional jeopardy. | 0:35:36 | 0:35:40 | |
You mean we have to be careful not to generate too much heat? | 0:35:40 | 0:35:43 | |
The kidnappers are liable to kill Miss Miller, | 0:35:43 | 0:35:45 | |
dispose of the remains and take off? | 0:35:45 | 0:35:47 | |
Er, that's one way to put it, yes. | 0:35:47 | 0:35:50 | |
Right. Now, you go first. | 0:35:57 | 0:35:59 | |
Remember, everything quiet, calm and inconspicuous. | 0:35:59 | 0:36:02 | |
Quiet, calm, inconspicuous. | 0:36:02 | 0:36:04 | |
WHISTLES INNOCENTLY | 0:36:12 | 0:36:14 | |
The brazen creature! Right in broad daylight! | 0:36:38 | 0:36:41 | |
What are you cackling about now? | 0:36:41 | 0:36:43 | |
A strange young man just went into the house with Patti. | 0:36:44 | 0:36:48 | |
So what? | 0:36:48 | 0:36:49 | |
He was carrying a bag. | 0:36:49 | 0:36:51 | |
Don't get yourself up in a sweat, old woman. | 0:36:51 | 0:36:54 | |
It's probably the plumber. | 0:36:54 | 0:36:56 | |
It was not the plumber! This man was nicely dressed! | 0:36:56 | 0:36:58 | |
That's the way plumbers dress, now. | 0:36:58 | 0:37:01 | |
The prices they charge these days, | 0:37:01 | 0:37:03 | |
I'm surprised he wasn't wearing a tuxedo. | 0:37:03 | 0:37:06 | |
Do you have any friends? I mean, | 0:37:09 | 0:37:10 | |
people in and out of the house? | 0:37:10 | 0:37:12 | |
Yes, I'm afraid so. | 0:37:12 | 0:37:13 | |
Father says we run a rehabilitation centre | 0:37:13 | 0:37:16 | |
-for punch-drunk juveniles. -Uh-huh. | 0:37:16 | 0:37:18 | |
I'd prefer a room on the second floor, actually. | 0:37:19 | 0:37:22 | |
It'll reduce the chance of someone coming in and finding me at work. | 0:37:22 | 0:37:26 | |
-Is this your room? -Ingrid's, my sister. | 0:37:26 | 0:37:28 | |
-Would she mind? -No, she'd be only too happy to help. | 0:37:28 | 0:37:32 | |
That's the side door to the kitchen you were telling me about? | 0:37:32 | 0:37:35 | |
Yes. That's the exit DC uses | 0:37:35 | 0:37:37 | |
when he goes out for a night on the town. | 0:37:37 | 0:37:39 | |
Well, tonight, we'll set up our communications unit in here. | 0:37:39 | 0:37:43 | |
Whatever you like. | 0:37:43 | 0:37:44 | |
Now, I suppose I'd better meet the c-c-c... | 0:37:44 | 0:37:47 | |
Bless you. What did you say? | 0:37:50 | 0:37:53 | |
I said I'd... | 0:37:55 | 0:37:57 | |
I'd suppose I'd... | 0:37:57 | 0:37:59 | |
better...meet...the... | 0:37:59 | 0:38:01 | |
Oh. DC. | 0:38:01 | 0:38:04 | |
He's probably goofing around under the bed. | 0:38:04 | 0:38:07 | |
It's his favourite spot. | 0:38:07 | 0:38:08 | |
Your sins have caught up with you. | 0:38:08 | 0:38:11 | |
This is your FBI. | 0:38:12 | 0:38:14 | |
Well... | 0:38:14 | 0:38:16 | |
So, this is the... | 0:38:16 | 0:38:17 | |
Informant, as we say at the office. | 0:38:18 | 0:38:20 | |
You hear that, DC? | 0:38:20 | 0:38:22 | |
You're the informant, now. | 0:38:22 | 0:38:24 | |
CAT GROWLS | 0:38:24 | 0:38:26 | |
Nice little kitty-cat. Good, good kitty-cat. | 0:38:26 | 0:38:29 | |
-Is he friendly? -Mm. | 0:38:29 | 0:38:30 | |
HISSES | 0:38:30 | 0:38:32 | |
He almost got me that time, didn't he? | 0:38:32 | 0:38:34 | |
He's all right, really. Don't make any sudden moves | 0:38:34 | 0:38:37 | |
as it sets off his reflexes or something. | 0:38:37 | 0:38:39 | |
Oh... He doesn't seem to like me, does he? | 0:38:39 | 0:38:42 | |
I guess that's a bad sign, the kind of people that animals don't like. | 0:38:42 | 0:38:47 | |
Oh, it doesn't mean a thing. DC and Daddy loathe one another, | 0:38:47 | 0:38:50 | |
and Daddy's the lamb of the year. | 0:38:50 | 0:38:52 | |
Say... I w-w-w... | 0:38:52 | 0:38:54 | |
I wonder if you would excuse me | 0:38:54 | 0:38:55 | |
for one minute. We better get this show on the road. | 0:38:55 | 0:38:58 | |
What are you going to do? | 0:38:58 | 0:38:59 | |
I have some preliminary work to do with DC | 0:38:59 | 0:39:02 | |
before we start our surveillance. Photo's and so on. | 0:39:02 | 0:39:05 | |
-For the papers, you mean? -Oh no, for our own people to study. | 0:39:05 | 0:39:09 | |
There's pawprints and plaster impressions, samples of his fur to - | 0:39:09 | 0:39:13 | |
CAT MIAOWS | 0:39:13 | 0:39:15 | |
Oh, bless you. You're catching a terrible cold. | 0:39:15 | 0:39:18 | |
DC, pull yourself together. | 0:39:18 | 0:39:20 | |
Do you want me to get you something? | 0:39:20 | 0:39:21 | |
No, I'm fine. It's just a slight allergy that I have around c-c... | 0:39:21 | 0:39:25 | |
Around er... | 0:39:25 | 0:39:27 | |
I wonder if you'd put him on the bed. Let me get a picture of him. | 0:39:27 | 0:39:30 | |
There you go. | 0:39:32 | 0:39:34 | |
Could you get him to stand? | 0:39:34 | 0:39:36 | |
I'll get a full figure shot. | 0:39:36 | 0:39:37 | |
Oh, yes. | 0:39:37 | 0:39:39 | |
There you go. | 0:39:41 | 0:39:43 | |
Oh, come on, DC. Co-operate. | 0:39:43 | 0:39:45 | |
Come on, DC. You're working with the FBI. There. | 0:39:49 | 0:39:52 | |
There. | 0:39:53 | 0:39:55 | |
That's not going to be any good. | 0:39:55 | 0:39:58 | |
I can't see him properly. | 0:39:58 | 0:39:59 | |
Wait a minute. Here's what he likes. | 0:39:59 | 0:40:02 | |
Here! | 0:40:02 | 0:40:04 | |
-MIAOWS -Where did he go? | 0:40:07 | 0:40:10 | |
Back under the bed. | 0:40:11 | 0:40:13 | |
I should have taken the pawprints first. | 0:40:15 | 0:40:17 | |
You're right. He's not about to come out. | 0:40:17 | 0:40:20 | |
Well, can't we just get hold of him and drag him out? | 0:40:20 | 0:40:23 | |
Sure - if you want to lose a hand. | 0:40:23 | 0:40:26 | |
The Bureau has spent 19,800 of the taxpayer's money | 0:40:27 | 0:40:31 | |
training me for emergencies. | 0:40:31 | 0:40:32 | |
They expect something for their cash. | 0:40:32 | 0:40:35 | |
I have no intention of being intimidated by this c-c-c... animal. | 0:40:35 | 0:40:39 | |
GROWLS | 0:40:39 | 0:40:41 | |
-You are a very brave man. -Thank you. | 0:40:41 | 0:40:43 | |
All right, when I count three, we'll both grab him at the same time, | 0:40:43 | 0:40:46 | |
-but move fast. -All right. Let's go. | 0:40:46 | 0:40:48 | |
-Are you ready? -Let's go. | 0:40:48 | 0:40:50 | |
One, two, three! | 0:40:50 | 0:40:54 | |
MIAOWS | 0:40:54 | 0:40:56 | |
Argh! | 0:40:57 | 0:40:58 | |
Oh, DC! | 0:41:01 | 0:41:02 | |
Gadzooks, you're bleeding. | 0:41:02 | 0:41:04 | |
Oh, it's nothing, probably just an artery. | 0:41:04 | 0:41:07 | |
Would you get him down for me? | 0:41:07 | 0:41:09 | |
You're not going ahead with this! | 0:41:09 | 0:41:11 | |
Miss Randall, you underestimate me. | 0:41:11 | 0:41:13 | |
We shall proceed with the pawprinting. | 0:41:13 | 0:41:15 | |
All right. | 0:41:15 | 0:41:17 | |
Come on, now, DC. | 0:41:18 | 0:41:20 | |
Don't be difficult. | 0:41:20 | 0:41:22 | |
What's that? | 0:41:22 | 0:41:23 | |
It's ink. | 0:41:23 | 0:41:25 | |
Ink! Can't we do that in the bathroom? | 0:41:25 | 0:41:27 | |
Ingrid will murder me if we get ink on the rug. | 0:41:27 | 0:41:30 | |
Sure. Let's go. | 0:41:30 | 0:41:32 | |
MIAOWS Don't make such a fuss, DC. | 0:41:33 | 0:41:35 | |
You should be ashamed of yourself. | 0:41:35 | 0:41:38 | |
Sorry about the washing. A girl's bathroom, you know? | 0:41:39 | 0:41:42 | |
It's OK. | 0:41:42 | 0:41:44 | |
Come on, now! | 0:41:44 | 0:41:46 | |
Good old kitty-cat. Nice, nice kitty-cat. | 0:41:46 | 0:41:50 | |
DC GROWLS | 0:41:50 | 0:41:51 | |
I'll just rub this on here. | 0:41:55 | 0:41:57 | |
Let's see. I guess I'll put the pawprint in the space for the thumb. | 0:41:58 | 0:42:02 | |
Oh, hurry! I can't hold him any longer. | 0:42:02 | 0:42:05 | |
Oh. All right. Here we go, now. | 0:42:05 | 0:42:07 | |
Right, now just relax. | 0:42:07 | 0:42:09 | |
Take it easy there, now. It won't hurt a bit. | 0:42:11 | 0:42:14 | |
KNOCKING AT DOOR Oh, Canoe! | 0:42:14 | 0:42:16 | |
Can I what? | 0:42:16 | 0:42:18 | |
No, Canoe is a friend. | 0:42:18 | 0:42:19 | |
I promised to go to the beach. | 0:42:19 | 0:42:21 | |
That's not good. Does he hang around? | 0:42:21 | 0:42:23 | |
Yes. He has kitchen privileges. | 0:42:23 | 0:42:25 | |
He's not easy to - | 0:42:25 | 0:42:27 | |
Try to get rid of him, will you? It's important. | 0:42:27 | 0:42:29 | |
What will I say? | 0:42:29 | 0:42:31 | |
Anything! Just keep him away from here. | 0:42:31 | 0:42:33 | |
< INSISTENT KNOCKING All right. | 0:42:33 | 0:42:35 | |
Hurry back, for the love of heaven. | 0:42:35 | 0:42:37 | |
OK, Tiger. | 0:42:40 | 0:42:42 | |
-It's either you or me. -CAT YOWLS | 0:42:42 | 0:42:44 | |
Patti? | 0:42:55 | 0:42:56 | |
Yes? | 0:42:56 | 0:42:58 | |
What kind of a get-up is that? | 0:42:58 | 0:43:00 | |
Do you want the crowd to think you're an eccentric? | 0:43:00 | 0:43:03 | |
Oh, please go on without me. | 0:43:03 | 0:43:05 | |
I don't think I can make it today. | 0:43:05 | 0:43:07 | |
Well, Patti, Patti, are you all right? | 0:43:07 | 0:43:09 | |
I've never seen you like this before. | 0:43:09 | 0:43:11 | |
Can I help? | 0:43:11 | 0:43:13 | |
No, it's all right. | 0:43:13 | 0:43:15 | |
I just feel terribly, terribly weak. | 0:43:15 | 0:43:18 | |
If you're so weak, how come | 0:43:18 | 0:43:19 | |
I can't get through the door? | 0:43:19 | 0:43:21 | |
Please go, Canoe. | 0:43:21 | 0:43:23 | |
I can't bear you to see me looking like this. | 0:43:23 | 0:43:26 | |
-KELSO SCREAMS -What was that? | 0:43:27 | 0:43:29 | |
What was what? | 0:43:29 | 0:43:31 | |
That bloodcurdling scream! | 0:43:31 | 0:43:33 | |
Canoe, please go. | 0:43:33 | 0:43:35 | |
Oh, I'm very sorry. | 0:43:35 | 0:43:36 | |
I didn't know I was butting in on murder(!) | 0:43:36 | 0:43:38 | |
Oh, don't be silly. | 0:43:38 | 0:43:41 | |
GLASS SMASHES | 0:43:41 | 0:43:43 | |
You know how DC hates water. He's having a bath. | 0:43:43 | 0:43:45 | |
By himself? | 0:43:45 | 0:43:47 | |
OK. If you won't go to the beach with me, | 0:43:47 | 0:43:49 | |
then I'll make myself a sandwich. | 0:43:49 | 0:43:52 | |
Kitchen privileges are temporarily withdrawn. | 0:43:52 | 0:43:55 | |
Oh, he's gone! | 0:44:06 | 0:44:09 | |
Pawprints everywhere! | 0:44:10 | 0:44:12 | |
Yeah. Except on the card. | 0:44:12 | 0:44:14 | |
Oh, I'm sorry. | 0:44:14 | 0:44:16 | |
Aha! The best pawprint I ever made. | 0:44:24 | 0:44:26 | |
The first point I wish to make is that time is not on our side. | 0:44:28 | 0:44:31 | |
The word is move, and move swiftly. | 0:44:31 | 0:44:33 | |
We'll be following an informant | 0:44:33 | 0:44:35 | |
whose information may or may not be reliable. | 0:44:35 | 0:44:37 | |
However, he could lead us to the Miller kidnappers. | 0:44:37 | 0:44:40 | |
OK, here's the physical. Name of the informant, DC Randall. | 0:44:40 | 0:44:44 | |
Nationality: Siamese. Sex: Male. | 0:44:44 | 0:44:46 | |
Eyes: Blue. Weight: 17 pounds. | 0:44:46 | 0:44:48 | |
17 pounds? | 0:44:48 | 0:44:51 | |
Exactly. | 0:44:51 | 0:44:52 | |
Hair - in this case fur - black, | 0:44:54 | 0:44:56 | |
-streaked with tan and white. -You did say fur? | 0:44:56 | 0:44:59 | |
Correct. | 0:44:59 | 0:45:01 | |
You want us to follow a cat? | 0:45:03 | 0:45:04 | |
That's the assignment. | 0:45:04 | 0:45:06 | |
How do you follow a cat? They go through fences. | 0:45:06 | 0:45:09 | |
They climb trees and phone poles. | 0:45:09 | 0:45:12 | |
Whither he goest, you will go. | 0:45:12 | 0:45:14 | |
Do you have a question, Graham? | 0:45:18 | 0:45:20 | |
No, I was just thinking I've got an old dog | 0:45:20 | 0:45:22 | |
who's a lot better at tracking cats than I am. | 0:45:22 | 0:45:25 | |
We don't have time for comments. | 0:45:25 | 0:45:27 | |
I'd like to remind you a woman's life is involved. | 0:45:27 | 0:45:30 | |
Sorry. | 0:45:30 | 0:45:31 | |
OK. | 0:45:31 | 0:45:33 | |
Now, tonight you'll take up your initial positions | 0:45:33 | 0:45:35 | |
in the area surrounding | 0:45:35 | 0:45:37 | |
the Randall house, here. | 0:45:37 | 0:45:39 | |
When the informant leaves, | 0:45:39 | 0:45:41 | |
we'll contain him loosely within a moving, fluid perimeter. | 0:45:41 | 0:45:45 | |
It's important he doesn't become aware of us. | 0:45:45 | 0:45:47 | |
This may alter his normal pattern of behaviour. | 0:45:47 | 0:45:50 | |
Hold it! Who do you think you are kidding? | 0:46:00 | 0:46:02 | |
What do you mean? | 0:46:02 | 0:46:04 | |
You think I don't know what's going on? | 0:46:04 | 0:46:06 | |
You do? | 0:46:06 | 0:46:08 | |
I didn't come in from Stupidsville | 0:46:08 | 0:46:09 | |
on last night's bus. You've a woman | 0:46:09 | 0:46:11 | |
-in that apartment. -Hold it. What does that mean? | 0:46:11 | 0:46:15 | |
Don't double-talk me. I've got ears. | 0:46:15 | 0:46:17 | |
It's Dan's mother. | 0:46:17 | 0:46:19 | |
She...came unexpected, sudden, like. We didn't know, that's all. | 0:46:19 | 0:46:23 | |
I don't care if it's Pocahontas! | 0:46:23 | 0:46:25 | |
You've three people in there. | 0:46:25 | 0:46:27 | |
It will cost you an extra 20. | 0:46:27 | 0:46:28 | |
I'll bring it right down. | 0:46:28 | 0:46:30 | |
Don't bother! I'll come up and get it. I like to know my tenants. | 0:46:30 | 0:46:34 | |
You can't do it. She's sick, you see. | 0:46:34 | 0:46:36 | |
What's wrong? Nothing catching, is it? | 0:46:36 | 0:46:38 | |
It's her nervous system. It's all boiled up. She can't stand visitors. | 0:46:38 | 0:46:42 | |
Iggy. | 0:46:46 | 0:46:48 | |
We have to leave, Dan. We've got to get out of here. | 0:46:49 | 0:46:52 | |
-What for? -The battle-axe downstairs | 0:46:52 | 0:46:54 | |
knows we've got a dame. She heard her talking. | 0:46:54 | 0:46:57 | |
We have to go. I said it was your mother. | 0:46:57 | 0:46:59 | |
Why didn't you tell her it was the TV? | 0:46:59 | 0:47:01 | |
I told you a million times, the TV! | 0:47:01 | 0:47:03 | |
All right. I've got to talk to you, Dan, in private. | 0:47:03 | 0:47:06 | |
Why private? We've got no secrets from Moms. | 0:47:06 | 0:47:09 | |
Come on, will you? Please, Dan. | 0:47:09 | 0:47:11 | |
All right, all right. | 0:47:11 | 0:47:14 | |
Go in the kitchen and get a glass of water. | 0:47:14 | 0:47:16 | |
Stand by the sink, where I can see you. | 0:47:16 | 0:47:19 | |
OK. Fill me in. | 0:47:19 | 0:47:20 | |
Yeah. I found a place. | 0:47:20 | 0:47:22 | |
Where? | 0:47:22 | 0:47:24 | |
I got a big bin. I spotted it in an alley two blocks away, | 0:47:24 | 0:47:28 | |
at the back of a store where they dump trash. | 0:47:28 | 0:47:30 | |
Not so good. It's too close. | 0:47:30 | 0:47:32 | |
Anyway, I don't like bodies. | 0:47:32 | 0:47:34 | |
They always turn up at the wrong times. | 0:47:34 | 0:47:37 | |
We've gotta unload her. | 0:47:37 | 0:47:38 | |
The lady downstairs is going to start nosing around. | 0:47:38 | 0:47:41 | |
We're OK, as long as we sit tight. | 0:47:41 | 0:47:43 | |
I say we gotta make a move. | 0:47:43 | 0:47:45 | |
-We sweat it out right here. -Listen, Dan. | 0:47:45 | 0:47:48 | |
Anything else, I'd play it your way, right? | 0:47:48 | 0:47:52 | |
Just one condition. | 0:47:52 | 0:47:53 | |
Who says you make conditions? | 0:47:53 | 0:47:55 | |
-Just one! -Such as? | 0:47:55 | 0:47:56 | |
She goes. | 0:47:56 | 0:47:58 | |
All right. | 0:48:01 | 0:48:03 | |
But not until later, | 0:48:03 | 0:48:04 | |
and not in the trash bin. | 0:48:04 | 0:48:06 | |
See if you can boost a car somewhere. | 0:48:06 | 0:48:08 | |
Get her out of the city. | 0:48:08 | 0:48:10 | |
Are you sure your sister | 0:48:10 | 0:48:13 | |
won't mind us using her room? | 0:48:13 | 0:48:14 | |
No, not a bit. She'll be happy to help. | 0:48:14 | 0:48:16 | |
Good, good. | 0:48:16 | 0:48:18 | |
Spires, this is control. Do you read me? | 0:48:26 | 0:48:28 | |
Sweet and clear. You reading me? | 0:48:28 | 0:48:30 | |
Affirmative. What's your exact position? | 0:48:30 | 0:48:33 | |
In the alley, about 30 feet from the Randall back gate. | 0:48:33 | 0:48:37 | |
You are in the forward spot. You'll see DC when he hits the alley. | 0:48:37 | 0:48:40 | |
Let me know which way he turns. | 0:48:40 | 0:48:42 | |
Cahill, what's your field of vision? | 0:48:42 | 0:48:44 | |
West to Whittier, east to the bend of Wetherby Drive. | 0:48:44 | 0:48:47 | |
Stand by. About three minutes to go. | 0:48:47 | 0:48:49 | |
You're young to be doing this work, | 0:48:49 | 0:48:51 | |
aren't you? It's terribly responsible. | 0:48:51 | 0:48:53 | |
I'm really not that young. | 0:48:53 | 0:48:55 | |
Kelly, are you settled in? | 0:48:55 | 0:48:57 | |
South side of Maple, about 50 feet from the junction with Wetherby. | 0:48:57 | 0:49:01 | |
Got it. | 0:49:01 | 0:49:03 | |
You're very athletic-looking. Do you surf? | 0:49:04 | 0:49:07 | |
No, no. Not any more. | 0:49:07 | 0:49:09 | |
My legs always looked ridiculous in those shorts. | 0:49:09 | 0:49:12 | |
Besides, I was scared to death, half the time. | 0:49:12 | 0:49:15 | |
I don't believe that. Look at all the brave things you do in your job. | 0:49:15 | 0:49:19 | |
Miss Randall, maybe we could chat some other time. | 0:49:19 | 0:49:22 | |
As you pointed out today, | 0:49:22 | 0:49:24 | |
a woman's life may depend on what we're doing. | 0:49:24 | 0:49:27 | |
I'm sorry. Do you want me to leave? | 0:49:27 | 0:49:29 | |
Maybe that would be best, yes. | 0:49:29 | 0:49:30 | |
Oh, all right. | 0:49:30 | 0:49:32 | |
I only thought if DC | 0:49:35 | 0:49:37 | |
happened to wake up and find a strange man in the bedroom, | 0:49:37 | 0:49:40 | |
I just don't know how he's going to take it. | 0:49:40 | 0:49:43 | |
Er, you've got a point, there. | 0:49:44 | 0:49:46 | |
Graham, are you settled in? | 0:49:46 | 0:49:48 | |
Opposite the west end of the alley. | 0:49:48 | 0:49:51 | |
'If the informant goes west, you've got him.' | 0:49:51 | 0:49:53 | |
If he goes the other way, stand by. I'll give you a new position. | 0:49:53 | 0:49:56 | |
-Who's the square eight one? -That's the informant. | 0:49:56 | 0:50:00 | |
-Informant? -Yeah. | 0:50:00 | 0:50:02 | |
Oh, DC! Ah. | 0:50:02 | 0:50:04 | |
Say... are you sure he always goes out at 9:00? | 0:50:04 | 0:50:07 | |
Oh, yes. | 0:50:07 | 0:50:09 | |
Unless, of course, it's one of his contrary nights. | 0:50:09 | 0:50:12 | |
HE SNORES | 0:50:27 | 0:50:29 | |
CLOCK CHIMES | 0:50:37 | 0:50:39 | |
All agents now stand by. | 0:50:44 | 0:50:46 | |
-For goodness' sake - act casual. -What? | 0:50:49 | 0:50:52 | |
Don't let him suspect anything's going on. | 0:50:52 | 0:50:55 | |
Oh. | 0:50:55 | 0:50:57 | |
Oh. Ha. | 0:50:57 | 0:50:59 | |
Nice kitty-cat. | 0:50:59 | 0:51:01 | |
-CLEARS THROAT -Good old kitty-cat. | 0:51:01 | 0:51:04 | |
Mm-hm. You can save the hypocrisy. He knows you don't like him. | 0:51:04 | 0:51:09 | |
Oh. | 0:51:09 | 0:51:11 | |
CHIRPING | 0:51:34 | 0:51:36 | |
You're all tensed up. He's getting the idea something's wrong. | 0:51:47 | 0:51:51 | |
(Can't you act casual?) | 0:51:51 | 0:51:53 | |
Well. Nice weather we're having, isn't it? | 0:51:56 | 0:51:58 | |
And there's a bit of wind from the east. | 0:51:58 | 0:52:00 | |
(That's terrible. Can't you do any better than that?) | 0:52:00 | 0:52:04 | |
-Well... -And be careful what you say. | 0:52:04 | 0:52:09 | |
MIAOWS | 0:52:09 | 0:52:11 | |
Well, now, he... certainly can't understand what I'm saying, can he? | 0:52:11 | 0:52:15 | |
Not everything, of course. He's just a cat. | 0:52:15 | 0:52:18 | |
But mostly everything. | 0:52:18 | 0:52:20 | |
I told you before! Let my stuff alone! | 0:52:26 | 0:52:28 | |
Ow... | 0:52:29 | 0:52:30 | |
And come on in the house. Come on. | 0:52:30 | 0:52:32 | |
-(I thought he went out at nine.) -Shh. | 0:52:34 | 0:52:37 | |
Spires, he's on his way. | 0:53:02 | 0:53:04 | |
I have the informant in sight. | 0:53:11 | 0:53:13 | |
He's turning west on the alley toward Whittier Drive. | 0:53:13 | 0:53:17 | |
Graham, he's coming to you. Pick him up. | 0:53:17 | 0:53:19 | |
I've got him. | 0:53:22 | 0:53:24 | |
He's in the yard of the second last house on Maple St. I'll investigate. | 0:53:28 | 0:53:32 | |
Spires and Kelly, | 0:53:34 | 0:53:36 | |
informant is moving north. Stand by for positions. | 0:53:36 | 0:53:40 | |
He's looking up at the side windows. | 0:53:44 | 0:53:47 | |
-Who lives here? -The Hendersons. They came last year. | 0:53:47 | 0:53:50 | |
'He's moving on to the street.' | 0:53:50 | 0:53:52 | |
Kelly, next to last house on Maple. He's coming through. | 0:53:52 | 0:53:55 | |
I make him, Control. He's bearing toward the business area. | 0:53:55 | 0:53:59 | |
All right, Kelly. Follow the informant on foot. | 0:54:01 | 0:54:04 | |
Spires, go to Whittier and College. | 0:54:04 | 0:54:07 | |
'Informant approaching Whittier and State.' | 0:54:07 | 0:54:10 | |
OK. Graham, | 0:54:12 | 0:54:14 | |
move to 7th and State. Junction 7th and State. | 0:54:14 | 0:54:18 | |
'Informant has now turned west onto State St.' | 0:54:18 | 0:54:21 | |
Cahill, | 0:54:21 | 0:54:22 | |
move to 8th Street, half a block south of Main. | 0:54:22 | 0:54:26 | |
Informant is moving down the alley from State to Main. | 0:54:26 | 0:54:29 | |
Informant has stopped on Main St at a delicatessen. | 0:54:49 | 0:54:53 | |
That's Mr Bartle's. DC's always hanging round. | 0:54:53 | 0:54:56 | |
It drives Mr Bart out of his mind. | 0:54:56 | 0:54:58 | |
MIAOWS | 0:55:01 | 0:55:03 | |
Get outta here! | 0:55:03 | 0:55:05 | |
Informant's crossing to the south side of the street. | 0:55:07 | 0:55:10 | |
Stay put, Kelly. | 0:55:10 | 0:55:11 | |
Graham, move to 7th and Main. | 0:55:11 | 0:55:14 | |
-Cahill, have you got a visual? -Have him, Control - approaching me. | 0:55:14 | 0:55:18 | |
Informant is past my position, heading for the middle of the block. | 0:55:35 | 0:55:39 | |
Informant is in the yard of an apartment building. | 0:55:46 | 0:55:49 | |
Stick with him. | 0:55:49 | 0:55:51 | |
-Does DC know anybody on 8th St? -Who knows? | 0:55:54 | 0:55:57 | |
MIAOWS | 0:56:03 | 0:56:06 | |
He's still in the yard. | 0:56:08 | 0:56:10 | |
'He seems interested in something on the second floor.' | 0:56:10 | 0:56:13 | |
-HE WHISTLES -Pull in our perimeter. | 0:56:13 | 0:56:15 | |
Kelly, move down 8th to the building. | 0:56:15 | 0:56:18 | |
Cahill, stay with the informant. | 0:56:18 | 0:56:20 | |
Graham, cut through the back yards behind the apartment. | 0:56:20 | 0:56:23 | |
-DC won't be hurt? -I must ask you to be quiet. | 0:56:23 | 0:56:26 | |
Spires, drive toward the location slowly with your lights on. | 0:56:26 | 0:56:29 | |
CAT MIAOWS | 0:56:29 | 0:56:32 | |
THE CAT MIAOWS | 0:56:32 | 0:56:34 | |
Back away from that window! | 0:56:38 | 0:56:40 | |
Why not just let her stick her head out and yell, meathead? | 0:56:40 | 0:56:44 | |
What'd I do? | 0:56:44 | 0:56:45 | |
CAT MIAOWS | 0:56:46 | 0:56:49 | |
Hold it. Informant's on the move again. | 0:56:51 | 0:56:54 | |
'Proceeding north on 8th St, the way he came in.' | 0:56:54 | 0:56:57 | |
Oh, no! All right, Cahill, stay with him. | 0:56:57 | 0:57:01 | |
Other agents return to positions. | 0:57:01 | 0:57:03 | |
I thought we had something for a minute. | 0:57:03 | 0:57:05 | |
Oh, I love DC, but he can drive you up the wall sometimes. | 0:57:05 | 0:57:09 | |
-We didn't expect to find what we wanted at first. -Good. | 0:57:09 | 0:57:12 | |
DC makes the scene all over. | 0:57:12 | 0:57:14 | |
-He must have dozens of stops. -Dozens? | 0:57:14 | 0:57:16 | |
-'Informant crossing Main St.' -Stay with him. | 0:57:16 | 0:57:19 | |
Maybe I shouldn't have said that. | 0:57:19 | 0:57:22 | |
I don't want to see you tensed up. It can't be healthy. | 0:57:22 | 0:57:25 | |
Miss Randall, I do not get tensed up. | 0:57:25 | 0:57:27 | |
We are trained not to be emotional. Alert, yes. Tense, no. | 0:57:27 | 0:57:31 | |
Oh, I am relieved. | 0:57:31 | 0:57:33 | |
HE EXHALES | 0:57:33 | 0:57:35 | |
Ingrid, when you come to dinner at the house, | 0:57:39 | 0:57:42 | |
would you wear something yellow? | 0:57:42 | 0:57:44 | |
Oh, Gregory, I look yuck in yellow. | 0:57:44 | 0:57:47 | |
Well, do make an effort, dear. It's Mother's favourite colour. | 0:57:47 | 0:57:52 | |
Control, I'm getting hot. | 0:58:17 | 0:58:20 | |
The informant is suspicious. | 0:58:20 | 0:58:22 | |
Try and stay with him to the end of the alley. Graham's coming in. | 0:58:22 | 0:58:26 | |
OK. | 0:58:26 | 0:58:27 | |
CLATTER | 0:58:33 | 0:58:34 | |
Control? The... the informant has broken off contact. | 0:59:00 | 0:59:04 | |
I've lost him. | 0:59:04 | 0:59:06 | |
All agents abandon present position. | 0:59:06 | 0:59:09 | |
Converge on the alley from Wetherby to Maple. | 0:59:09 | 0:59:12 | |
-Say! -Shh! | 0:59:12 | 0:59:14 | |
Shh? What's going on here? | 0:59:14 | 0:59:16 | |
Quiet, please. Report to me. | 0:59:16 | 0:59:18 | |
How dare you? Why is this man in my room? | 0:59:18 | 0:59:21 | |
Ingrid, I want you to meet Mr Kelso, | 0:59:21 | 0:59:23 | |
from the Federal Bureau of Investigation. | 0:59:23 | 0:59:25 | |
Please stop chattering, or leave. Report that again? | 0:59:25 | 0:59:29 | |
Mr Whoever-you-are, where do you get off? It's my room! | 0:59:29 | 0:59:32 | |
Patti, you MUST be quiet, and that goes for - | 0:59:32 | 0:59:35 | |
Oh, hi. Cahill, what happened? | 0:59:35 | 0:59:37 | |
-What's going on? -Ingrid, be still! | 0:59:37 | 0:59:40 | |
It's a matter of life and death. I'll explain later. | 0:59:40 | 0:59:43 | |
No. Get Tom Swift and his electric scoreboard out of here, | 0:59:43 | 0:59:47 | |
or I'll call the police. | 0:59:47 | 0:59:49 | |
You don't call the police to the FBI. They won't come. | 0:59:49 | 0:59:52 | |
Spires, approach from the east and meet Cahill and Kelly. | 0:59:52 | 0:59:55 | |
That just makes it absolutely official. | 0:59:55 | 0:59:58 | |
Control, we're at the rendezvous. Negative. | 0:59:58 | 1:00:01 | |
OK. | 1:00:04 | 1:00:06 | |
-BRAKES SQUEAL -There he is! | 1:00:06 | 1:00:09 | |
'I've got him.' | 1:00:09 | 1:00:10 | |
Graham, Kelly, stay. Cahill, Spires, circle ahead. Don't lose him. | 1:00:10 | 1:00:15 | |
There he goes! | 1:00:17 | 1:00:19 | |
I'm not going to have hysterics. | 1:00:21 | 1:00:23 | |
I am going to ask everyone, as nicely as possible, | 1:00:23 | 1:00:26 | |
-please leave my room! -Just come into the hall. | 1:00:26 | 1:00:28 | |
-I'll explain it all. -I'm NOT going in the hall. | 1:00:28 | 1:00:31 | |
-Graham, where are you? -'I'm not sure. I doubled back.' | 1:00:31 | 1:00:34 | |
Keep the informant in sight. | 1:00:34 | 1:00:36 | |
Bingo. There he is. | 1:00:36 | 1:00:38 | |
Walking along a branch toward a light frame house. | 1:00:38 | 1:00:41 | |
'Control, I see him too, at a French door on a balcony, | 1:00:41 | 1:00:45 | |
'trying to get it open. There are people in the room.' | 1:00:45 | 1:00:48 | |
-How many? -'I just see shadows.' | 1:00:48 | 1:00:50 | |
'Take care. They may be armed. Wait for the others.' | 1:00:50 | 1:00:53 | |
I'm moving to the front. Kelly's behind me. | 1:00:53 | 1:00:56 | |
-They're closing in! -CLOSING IN WHAT? | 1:00:57 | 1:01:00 | |
Spires and I will go in the balcony. | 1:01:00 | 1:01:02 | |
There won't be shooting, will there? DC's in the middle! | 1:01:02 | 1:01:06 | |
-We'll try to surprise them. -Oh, man! | 1:01:06 | 1:01:09 | |
-The front door is unlocked. -Good. Use the stairs. | 1:01:13 | 1:01:16 | |
Cahill, Spires, are you in position? | 1:01:18 | 1:01:20 | |
Ready. | 1:01:20 | 1:01:22 | |
Go on in. | 1:01:22 | 1:01:23 | |
THEY ALL SCREAM | 1:01:24 | 1:01:26 | |
-What's the idea? -The cat came in here. | 1:01:26 | 1:01:29 | |
Are you guys out of your mind? There's no c... | 1:01:29 | 1:01:32 | |
HE GASPS, THEN SNEEZES | 1:01:32 | 1:01:35 | |
What's the ma... | 1:01:35 | 1:01:37 | |
CAT MIAOWS Oh, you poor darling. | 1:01:38 | 1:01:40 | |
Frightened to death. | 1:01:40 | 1:01:42 | |
-That... -HE SNEEZES | 1:01:43 | 1:01:45 | |
..cat! | 1:01:45 | 1:01:46 | |
HORN BLARES | 1:01:48 | 1:01:50 | |
-Oh, good morning, Mr Benson. -Good morning, Mrs MacDougall. | 1:01:52 | 1:01:56 | |
I hope Ingrid is feeling better. | 1:01:56 | 1:01:58 | |
Better? Is something wrong? | 1:01:58 | 1:02:00 | |
Well, I figured she was sick. | 1:02:00 | 1:02:04 | |
She had the doctor over last night. | 1:02:04 | 1:02:06 | |
Er... leastwise, I ASSUME he was the doctor. | 1:02:06 | 1:02:10 | |
Er, who else | 1:02:10 | 1:02:12 | |
would be up there, in her room? | 1:02:12 | 1:02:15 | |
Exactly. | 1:02:16 | 1:02:18 | |
Mrs MacDougall, just exactly what time was this? | 1:02:18 | 1:02:22 | |
Look at the old buzzard. I can imagine what she's saying. | 1:02:22 | 1:02:26 | |
"It's not my business, but there was a man in Ingrid's room." | 1:02:26 | 1:02:29 | |
Hm. You won't tell him they're FBI men, will you? No-one must know. | 1:02:29 | 1:02:33 | |
So I say the Iguanas Club is having fall manoeuvres here? | 1:02:33 | 1:02:36 | |
You're a love, Inky. I know you won't give everything away. | 1:02:36 | 1:02:40 | |
Miss Miller's life is in the balance. | 1:02:40 | 1:02:42 | |
So does my car pool. | 1:02:42 | 1:02:44 | |
My reputation won't be worth a nickel unless you get them out. | 1:02:44 | 1:02:48 | |
-But think of Miss Miller. We have to co-operate. -Of course. | 1:02:48 | 1:02:51 | |
However, the FBI has got along beautifully without using my room. | 1:02:51 | 1:02:55 | |
I want Mr Whoever he is and his ham radio or whatever it is | 1:02:55 | 1:02:59 | |
out by the time I get home, or I'll become very difficult. | 1:02:59 | 1:03:02 | |
-Is that clear? -Yes. Quite clear. | 1:03:02 | 1:03:05 | |
Have a nice day, Inky. | 1:03:05 | 1:03:07 | |
Good morning, Ingrid. How do you feel this morning? | 1:03:07 | 1:03:11 | |
Be careful, Gregory. Be extremely careful what you say. | 1:03:11 | 1:03:14 | |
I've had no coffee, and I'm in no mood for irresponsible remarks. | 1:03:14 | 1:03:18 | |
Oh. | 1:03:18 | 1:03:20 | |
-KNOCK AT DOOR -Come in. | 1:03:27 | 1:03:29 | |
Kelso. I was just looking at your report. | 1:03:30 | 1:03:33 | |
Yes, sir. It may look a little peculiar on paper. If I amplify... | 1:03:33 | 1:03:37 | |
All it needs is Chester Conklin and the Mack Sennett Bathing Girls. | 1:03:37 | 1:03:41 | |
Ah, ha... that's very good, sir. But we did learn something. | 1:03:41 | 1:03:45 | |
Yes, sir. Too many men on the detail. The informant, ie. the cat, | 1:03:45 | 1:03:49 | |
became suspicious and disturbed. I felt we crowded him. | 1:03:49 | 1:03:52 | |
That's the conclusion I reached. I've assigned the men to other work. | 1:03:52 | 1:03:57 | |
Fine, sir. I won't need them. | 1:03:57 | 1:03:59 | |
In fact, I've decided to wrap up this whole cat angle. | 1:03:59 | 1:04:02 | |
You can go back to work on Johnny the Cooch. | 1:04:02 | 1:04:04 | |
Mr Newton, | 1:04:04 | 1:04:06 | |
I never wanted to be involved in this cat thing. | 1:04:06 | 1:04:09 | |
However, I would like to try once more myself. | 1:04:09 | 1:04:11 | |
Just how, alone, at night, can you follow this animal? | 1:04:12 | 1:04:16 | |
With a transmitter, sir. | 1:04:16 | 1:04:17 | |
-A transm... You want to bug the cat? -That's right. | 1:04:17 | 1:04:22 | |
OK, Kelso. One more night. | 1:04:23 | 1:04:25 | |
-One. No more. -Thank you, sir. | 1:04:25 | 1:04:27 | |
And don't try to be a hero. | 1:04:27 | 1:04:29 | |
-If you get anything, bring us in. -Absolutely, sir. | 1:04:29 | 1:04:32 | |
I appreciate your help, Miss Randall. | 1:04:34 | 1:04:36 | |
It's all right. Our parents are away. | 1:04:36 | 1:04:38 | |
Don't worry about your reputation, Inky. | 1:04:38 | 1:04:41 | |
Later we can explain why all these men were in your room. | 1:04:41 | 1:04:45 | |
-Thanks. -We'll restore your image as a quiet, respectable girl, | 1:04:45 | 1:04:48 | |
who wouldn't dream of getting involved with men. | 1:04:48 | 1:04:51 | |
Oh, please. I don't mind being respectable, | 1:04:51 | 1:04:54 | |
but I don't want to be known as a cold potato. | 1:04:54 | 1:04:56 | |
I don't think there's any danger of that. Do you? | 1:04:56 | 1:04:59 | |
No, I... hardly think so. | 1:04:59 | 1:05:01 | |
-Thanks. -The collar's ready. | 1:05:01 | 1:05:04 | |
OK. Shall I slip it on the informant? | 1:05:04 | 1:05:07 | |
Oh, yes. Please. | 1:05:07 | 1:05:10 | |
You'd never guess. | 1:05:10 | 1:05:11 | |
-That's the bug. -Bug? | 1:05:11 | 1:05:13 | |
Microphone. And here's a miniature transmitter. Sweet, isn't it? | 1:05:13 | 1:05:18 | |
Wherever DC goes, Mr Kelso can hear everything. | 1:05:21 | 1:05:23 | |
Conversation, music, footsteps - anything. | 1:05:23 | 1:05:27 | |
But suppose DC simply shakes him off his trail? | 1:05:27 | 1:05:30 | |
He did last night, didn't he? | 1:05:30 | 1:05:32 | |
Impossible. Then the direction-finder goes to work. | 1:05:32 | 1:05:35 | |
-Ah... Be careful with that, Patti. -Absolutely. | 1:05:35 | 1:05:38 | |
You see, DC has a built-in beeper in his collar, which sends out signals, | 1:05:38 | 1:05:43 | |
and they're picked up on this. | 1:05:43 | 1:05:45 | |
Just by turning it, Mr Kelso can tell by that needle exactly where DC is. | 1:05:45 | 1:05:50 | |
-Oh, come on, Patti. -I'll prove it. | 1:05:50 | 1:05:52 | |
Look. | 1:05:52 | 1:05:54 | |
I'll borrow the spare collar, hide you in the house... | 1:05:54 | 1:05:57 | |
..and we'll get Mr Kelso to find you! | 1:05:59 | 1:06:02 | |
Patti, don't be ridiculous. I've got things to do. | 1:06:02 | 1:06:04 | |
You don't want to see how the government spends your taxes? | 1:06:04 | 1:06:07 | |
You don't want him to think you're stuffy. | 1:06:07 | 1:06:10 | |
Patti, I couldn't care less if the gentleman thinks I'm stuffy. | 1:06:10 | 1:06:14 | |
Oh, it'll be fun! Here's the collar. | 1:06:14 | 1:06:16 | |
-Hey, hey! -No, it works like a charm. | 1:06:16 | 1:06:19 | |
-OK. Ingrid's all ready. -Good. Good. | 1:06:24 | 1:06:28 | |
Ready for what? | 1:06:28 | 1:06:29 | |
KNOCK AT DOOR Oh! Canoe! | 1:06:29 | 1:06:32 | |
I promised I'd go to the drive-in. | 1:06:32 | 1:06:34 | |
It's almost nine. Can you get rid of him? | 1:06:34 | 1:06:36 | |
Yes. I'll do the Camille thing again. | 1:06:36 | 1:06:39 | |
Hey, wait a minute! Is he liable to hang around? | 1:06:39 | 1:06:42 | |
-Possibly. He's sweet, but fly-paper. -No, Patti, keep your date. | 1:06:42 | 1:06:46 | |
Get him out of the area. | 1:06:46 | 1:06:47 | |
This is my last surveillance. I can't risk gumming it up. | 1:06:47 | 1:06:51 | |
Oh, but I wanted to help. | 1:06:51 | 1:06:52 | |
Well, this will help, Patti. Now, please, hm? And hurry. | 1:06:53 | 1:06:57 | |
All right. KNOCK AT DOOR | 1:06:57 | 1:07:01 | |
Ergh! | 1:07:05 | 1:07:06 | |
HE KNOCKS HARD I'm ready. Let's go. | 1:07:06 | 1:07:09 | |
-I was going to make a sandwich. -Are you out of your mind? | 1:07:09 | 1:07:13 | |
You'll miss the opening of Night Of The Surfer, | 1:07:13 | 1:07:16 | |
with Kit Gladsby, King of the Roaring Surf? | 1:07:16 | 1:07:18 | |
I thought these pictures made you seasick. | 1:07:18 | 1:07:21 | |
Of course! Don't they everybody? | 1:07:21 | 1:07:23 | |
'Mr Kelso, if you don't mind... | 1:07:26 | 1:07:28 | |
-'let's get going.' -Be patient. It's not nine o'clock. | 1:07:28 | 1:07:31 | |
Say that again. | 1:07:35 | 1:07:37 | |
-HE SNEEZES -'Let's get going!' | 1:07:38 | 1:07:41 | |
Now, wait a minute. | 1:07:44 | 1:07:46 | |
Let's just... try and pull ourselves together here. | 1:07:46 | 1:07:49 | |
'Patti, you little wretch, let me out of here! I'm suffocating!' | 1:07:49 | 1:07:53 | |
Oh... | 1:07:53 | 1:07:56 | |
Hey! | 1:07:56 | 1:07:58 | |
-Patti! Let me out of here! -Patti's gone to the movies. | 1:08:04 | 1:08:08 | |
Gone to the movies? | 1:08:08 | 1:08:10 | |
Something seems to be stuck here. | 1:08:10 | 1:08:12 | |
Open it! There's no air! | 1:08:12 | 1:08:14 | |
Let me out! I'm suffocating! | 1:08:14 | 1:08:16 | |
You'll be all right. I'll get a screwdriver. | 1:08:16 | 1:08:19 | |
I'm suffocating! Let me out of here! | 1:08:19 | 1:08:21 | |
I'm sorry, but the cat's going out now. | 1:08:23 | 1:08:26 | |
-I've got to follow him. -Open the door! | 1:08:26 | 1:08:29 | |
Let me out of here! | 1:08:29 | 1:08:32 | |
-Help! -I'll be back as soon as I can. | 1:08:32 | 1:08:35 | |
Probably just an hour or two. Lie on the floor. There'll be more air. | 1:08:35 | 1:08:40 | |
I'm going to scream! | 1:08:40 | 1:08:42 | |
Worst thing you can do. | 1:08:42 | 1:08:44 | |
-Uses up all the air. -PIERCING SHRIEK | 1:08:44 | 1:08:47 | |
I distinctly heard a woman scream. | 1:08:47 | 1:08:49 | |
Right. And if you don't keep away from that door, you'll hear another. | 1:08:49 | 1:08:53 | |
OK. Push. | 1:09:05 | 1:09:07 | |
I'd have that latch fixed, | 1:09:11 | 1:09:14 | |
if you go in there a lot. | 1:09:14 | 1:09:16 | |
Excuse me, but I've got to run. I just hope I haven't lost him. | 1:09:16 | 1:09:20 | |
Go ahead and follow that cat! | 1:09:20 | 1:09:22 | |
And when you find him, do me a favour! | 1:09:22 | 1:09:24 | |
The both of you just please stay there! | 1:09:24 | 1:09:27 | |
BEEPING | 1:09:32 | 1:09:34 | |
MOTORBIKE REVS | 1:09:42 | 1:09:43 | |
Aahhh? | 1:09:44 | 1:09:46 | |
DOG PANTS | 1:10:03 | 1:10:04 | |
DOG SNARLS | 1:10:08 | 1:10:10 | |
DOG BARKS | 1:10:12 | 1:10:13 | |
Thank you, sir. Turn off your lights, please. | 1:10:25 | 1:10:28 | |
Good evening, sir. Enjoy the show. | 1:10:28 | 1:10:30 | |
Hey! | 1:10:30 | 1:10:32 | |
You can't drive in without a car! Come on. | 1:10:32 | 1:10:35 | |
CAT MIAOWS | 1:10:42 | 1:10:44 | |
Lost something, mister? Your car, perhaps? | 1:10:49 | 1:10:52 | |
-What's that thing? -Er, a litter meter. | 1:10:52 | 1:10:54 | |
-For public places. -What business is that of yours? | 1:10:54 | 1:10:58 | |
Health inspector. Boy, this place is a mess. | 1:10:58 | 1:11:01 | |
It pushes the needle right off the scale. I bet you get mice. | 1:11:01 | 1:11:04 | |
Sir, a mouse is no more permitted here | 1:11:04 | 1:11:07 | |
-than a man without a car. -Why are there all these cats? | 1:11:07 | 1:11:10 | |
There goes another one. Excuse me. | 1:11:10 | 1:11:12 | |
Health inspector? Where's your badge? | 1:11:12 | 1:11:14 | |
HORN BLARES | 1:11:14 | 1:11:16 | |
There's sure something weird going on at your house. | 1:11:17 | 1:11:21 | |
-What do you mean, weird? -Well, like, | 1:11:21 | 1:11:24 | |
whose car is that parked outside all the time? | 1:11:25 | 1:11:28 | |
Canoe, will you stop grilling me and watch? | 1:11:28 | 1:11:31 | |
Wow! Isn't he something? | 1:11:31 | 1:11:32 | |
And that's another thing. | 1:11:32 | 1:11:35 | |
How come you like surf movies? You said they made you seasick. | 1:11:35 | 1:11:39 | |
If you ask me, you're the one who's coming on weird lately. | 1:11:39 | 1:11:43 | |
You used to be so sweet. | 1:11:43 | 1:11:45 | |
Aw, I don't know what's happening. I'm all churned up inside. | 1:11:45 | 1:11:49 | |
Tell you what. Go and get a nice pizza to settle your stomach. | 1:11:49 | 1:11:54 | |
I don't feel like a pizza. | 1:11:54 | 1:11:56 | |
Well, for Pete's sake stop grumbling and watch the movie! | 1:11:56 | 1:11:59 | |
Oh, all these surf pictures look alike. | 1:11:59 | 1:12:04 | |
DC! | 1:12:31 | 1:12:34 | |
Oh, DC, what are you doing? You should be prowling. | 1:12:34 | 1:12:39 | |
What are you getting so hysterical for? If he wants to stay, let him. | 1:12:39 | 1:12:42 | |
I certainly will not. You know what you're supposed to do. | 1:12:42 | 1:12:45 | |
Now get with it! Make the scene. | 1:12:45 | 1:12:49 | |
Take off. | 1:12:49 | 1:12:51 | |
SHE COUGHS | 1:12:52 | 1:12:54 | |
My smoking bother you? | 1:12:55 | 1:12:57 | |
I like the smell. It's the fumes from all those matches. | 1:12:57 | 1:13:02 | |
-Can't you keep it lit? -All right. All right. Forget it. | 1:13:02 | 1:13:06 | |
Forget it. | 1:13:06 | 1:13:08 | |
I'm sorry, Canoe. | 1:13:09 | 1:13:11 | |
I guess neither of us is in a very good mood. | 1:13:11 | 1:13:14 | |
You can say that again. | 1:13:14 | 1:13:16 | |
Why don't we just settle down and watch this fascinating movie? | 1:13:19 | 1:13:23 | |
Oof... | 1:13:29 | 1:13:31 | |
HORNS BLARE | 1:13:45 | 1:13:48 | |
It's DC! What on earth's he doing there? | 1:13:53 | 1:13:57 | |
HORNS CONTINUE | 1:13:57 | 1:14:00 | |
Hey, what... don't do that! You'll disturb him! | 1:14:02 | 1:14:05 | |
-What's he doing to my customers? -I insist. Don't disturb that cat. | 1:14:05 | 1:14:09 | |
-Burton, get that cat down! -Whatever you say! | 1:14:09 | 1:14:12 | |
Burton, keep your paws off that cat! | 1:14:12 | 1:14:14 | |
HORNS BLARE | 1:14:14 | 1:14:16 | |
Excuse me! | 1:14:50 | 1:14:52 | |
Well, that was a fine picture. | 1:15:07 | 1:15:09 | |
-Take me home now, Canoe. -Home? | 1:15:09 | 1:15:11 | |
Yeah, haven't you seen enough of this thing? | 1:15:11 | 1:15:14 | |
I thought you liked it. It isn't halfway through. | 1:15:14 | 1:15:17 | |
Oh, please, Canoe. | 1:15:17 | 1:15:19 | |
Patti, sometimes you're not the easiest person to get along with. | 1:15:19 | 1:15:23 | |
PIGEONS COO | 1:15:45 | 1:15:47 | |
That, ah...car's still here, I see. | 1:15:54 | 1:15:57 | |
Don't start again. Good night, Canoe. Thank you for the movie. | 1:15:57 | 1:16:00 | |
I'm not coming in for a sandwich? | 1:16:00 | 1:16:03 | |
Correct. And good night. | 1:16:03 | 1:16:04 | |
Patti, I warn you, you're going to push me too far. I demand to know | 1:16:04 | 1:16:08 | |
-what's going on around here! -Oh, don't be such a drag. Go home. | 1:16:08 | 1:16:12 | |
-Well, you don't have to go away mad. -DOOR SLAMS | 1:16:12 | 1:16:16 | |
GUNSHOT | 1:16:27 | 1:16:28 | |
CLATTER | 1:16:44 | 1:16:47 | |
All right. Let's go back to beddy-byes. | 1:16:47 | 1:16:49 | |
And who, may I ask, put that table there? | 1:16:49 | 1:16:53 | |
I haven't the faintest idea. | 1:16:53 | 1:16:55 | |
Which way did he go? | 1:17:03 | 1:17:04 | |
-WHEEZES: -There. | 1:17:04 | 1:17:06 | |
Don't answer! They're shooting outside! | 1:17:09 | 1:17:11 | |
DC! I know it's DC! They're bringing back his poor lifeless body! | 1:17:11 | 1:17:16 | |
DC! No, they missed him by a mile. | 1:17:16 | 1:17:18 | |
-You're lying! Where is he? -Hold it. I've got to call in. | 1:17:19 | 1:17:22 | |
-That cat can blow this case open. -You mean bank robbers? | 1:17:22 | 1:17:26 | |
I don't want to jump to conclusions, but we stirred up a hornets' nest. | 1:17:26 | 1:17:30 | |
Agent Kelso requesting Main Control. Emergency. | 1:17:30 | 1:17:35 | |
HE SNEEZES KNOCK AT DOOR | 1:17:36 | 1:17:37 | |
Oh, DC! There you are! Did they hurt you? | 1:17:37 | 1:17:41 | |
However did you find them? | 1:17:41 | 1:17:43 | |
Well, I was trailing DC through a yard down the street, | 1:17:43 | 1:17:46 | |
And he roused some pigeons, and person or persons unknown | 1:17:46 | 1:17:50 | |
-let off a shotgun. -KNOCKING | 1:17:50 | 1:17:52 | |
-'Main Control.' -Kelso. I have something worth looking into. | 1:17:52 | 1:17:55 | |
That wasn't bank robbers. That was your nasty Gregory, | 1:17:55 | 1:17:59 | |
KNOCK AT DOOR shooting at DC! | 1:17:59 | 1:18:03 | |
Who's Gregory? | 1:18:03 | 1:18:04 | |
He lives down the street. He keeps pigeons. | 1:18:04 | 1:18:07 | |
-'Go ahead, Kelso.' -KNOCKING | 1:18:07 | 1:18:09 | |
-Oh boy. -'Kelso!' | 1:18:11 | 1:18:13 | |
-KNOCKING -Uh... | 1:18:13 | 1:18:16 | |
the situation I was talking about, sir, just checked out... negative. | 1:18:16 | 1:18:21 | |
-KNOCK AT DOOR -Step aside, please! Where is he? | 1:18:21 | 1:18:24 | |
Where do you think you're going? To kill DC? | 1:18:24 | 1:18:27 | |
I didn't shoot the rotten beast. Though I should have. | 1:18:27 | 1:18:30 | |
-Anything wrong? -Yes, there certainly is. | 1:18:30 | 1:18:32 | |
-You're not going to murder DC! -I am not after your moronic cat! | 1:18:32 | 1:18:36 | |
-I'm after the man following him! -MAN? | 1:18:36 | 1:18:39 | |
A prowler, acting in a very peculiar manner. | 1:18:39 | 1:18:41 | |
-Let's we go into the living room and talk about it. -INGRID! | 1:18:41 | 1:18:45 | |
I am going through this house, to make sure | 1:18:45 | 1:18:48 | |
that prowler did not sneak in here! | 1:18:48 | 1:18:50 | |
I've got an emergency, sir. I've got to break. | 1:18:50 | 1:18:53 | |
-I...I hardly think that's necessary! -Nevertheless! | 1:18:53 | 1:18:56 | |
I am going up! | 1:18:56 | 1:18:59 | |
After all, there's just you girls in the house. | 1:18:59 | 1:19:02 | |
I would never forgive myself | 1:19:02 | 1:19:04 | |
if I woke up tomorrow and found you'd been murdered. | 1:19:04 | 1:19:07 | |
You've got a nerve, bursting into my room. | 1:19:07 | 1:19:10 | |
Now, Ingrid. I want you to believe my paramount thought is your safety. | 1:19:10 | 1:19:15 | |
We're perfectly safe, Gregory. There's no prowler. | 1:19:15 | 1:19:18 | |
I am no man for half measures. | 1:19:18 | 1:19:20 | |
I shall not rest till I have searched every inch of this house. | 1:19:20 | 1:19:24 | |
Gregory Benson, you will not tramp around my room. | 1:19:24 | 1:19:27 | |
And put down that ridiculous gun before you shoot somebody. | 1:19:27 | 1:19:31 | |
Let me assure you, Ingrid, | 1:19:31 | 1:19:32 | |
I am extremely familiar with this firearm. | 1:19:32 | 1:19:35 | |
-HE GASPS -Gregory, if you don't get out, | 1:19:35 | 1:19:38 | |
this very instant, I shall scream. | 1:19:38 | 1:19:41 | |
I have no intention of leaving... | 1:19:41 | 1:19:42 | |
CAT SCREECHES | 1:19:42 | 1:19:44 | |
Excuse me. The wiring seems OK, Miss Randall. | 1:19:46 | 1:19:49 | |
-Wiring? -Yes. But don't hesitate to call. | 1:19:49 | 1:19:51 | |
-Just a minute. -No, no thank you. | 1:19:51 | 1:19:54 | |
You just WAIT! | 1:19:54 | 1:19:56 | |
I certainly hope you don't think I am goof enough | 1:19:57 | 1:20:00 | |
to believe you were in a closet to fix the wiring. | 1:20:00 | 1:20:03 | |
-Gregory, if I may say... -Because, | 1:20:03 | 1:20:06 | |
IF you think I think that, | 1:20:06 | 1:20:09 | |
you have another think coming. | 1:20:09 | 1:20:11 | |
Er, I'm afraid we'll have to take this gentleman into our confidence. | 1:20:11 | 1:20:15 | |
YOU will take ME into NOTHING. I want nothing to do with you! | 1:20:15 | 1:20:19 | |
When you hear the circumstances... | 1:20:19 | 1:20:20 | |
I have borne witness to all the circumstances I care for, | 1:20:20 | 1:20:24 | |
thank you very much. How come he knows your name? | 1:20:24 | 1:20:27 | |
Is HE one of the men Mrs MacDougall was talking about? | 1:20:28 | 1:20:31 | |
I couldn't say. Who do YOU think he is? | 1:20:31 | 1:20:34 | |
I shudder to think. | 1:20:34 | 1:20:37 | |
I really do. | 1:20:37 | 1:20:39 | |
All I can say is that it opens up a fascinating area for conjecture. | 1:20:39 | 1:20:43 | |
Don't be such a complete floop, Gregory. | 1:20:43 | 1:20:46 | |
-It's perfectly easy to explain. -Patricia, don't say a word, | 1:20:46 | 1:20:49 | |
or I'll slap your face. | 1:20:49 | 1:20:51 | |
-We explain NOTHING to Mr Benson. -Well! | 1:20:51 | 1:20:54 | |
I hope you realise, Ingrid, Mother will take this very badly. | 1:20:54 | 1:20:58 | |
-Doesn't she always? -Ingrid! | 1:20:58 | 1:21:01 | |
There's no reason for you to cast a slur upon my mother! | 1:21:01 | 1:21:04 | |
She, after all, is an innocent party. | 1:21:04 | 1:21:07 | |
Yes. Good night. | 1:21:07 | 1:21:10 | |
Oh. And just one more thing... | 1:21:10 | 1:21:12 | |
..I suggest you find yourself another car pool. | 1:21:13 | 1:21:17 | |
Well, goodbye, Gregory. | 1:21:37 | 1:21:39 | |
Oh, Inky, I'm sorry. It was all my fault. | 1:21:39 | 1:21:43 | |
Oh, it's all for the best, I suppose. | 1:21:43 | 1:21:45 | |
Um, well, goodbye, and thanks for your co-operation. | 1:21:47 | 1:21:50 | |
-Goodbye? -I've been assigned to a new lead. | 1:21:50 | 1:21:53 | |
-I've got orders to wrap up the operation. -Why? | 1:21:53 | 1:21:57 | |
Well, my boss thinks we're getting nowhere with cat surveillance. | 1:21:57 | 1:22:01 | |
I haven't one shred of evidence to connect the cat with the criminals. | 1:22:01 | 1:22:06 | |
But Miss Miller's watch is evidence. | 1:22:06 | 1:22:09 | |
Patti, the office reported on all local jewellers and watchmakers. | 1:22:09 | 1:22:13 | |
Nothing indicates the watch was Margaret Miller's. | 1:22:13 | 1:22:16 | |
-But it does! You know it does! -No, I don't know it does, Patti. | 1:22:16 | 1:22:20 | |
It's a theory, and we can't waste time on it. | 1:22:20 | 1:22:23 | |
Oh, I think that's horrible. And what about Miss Miller? | 1:22:23 | 1:22:27 | |
You're just abandoning her to those criminals? | 1:22:27 | 1:22:30 | |
That's enough of that, Patti. | 1:22:30 | 1:22:33 | |
Patti tends to over dramatise things. | 1:22:33 | 1:22:35 | |
And she has this diabolical knack of getting everybody involved. | 1:22:35 | 1:22:39 | |
No, no, it... was a good idea, in a way. | 1:22:39 | 1:22:42 | |
We had to be sure. | 1:22:42 | 1:22:44 | |
So long, Patti. | 1:22:44 | 1:22:47 | |
-Goodbye. Oh, I'm sorry. -Oh. | 1:22:47 | 1:22:49 | |
Yes, sorry. Goodbye now. | 1:22:49 | 1:22:51 | |
I don't know what you must think of me. | 1:22:51 | 1:22:53 | |
Whenever we've met, I've lost my temper. | 1:22:53 | 1:22:56 | |
That's all right. We meet all kinds. | 1:22:56 | 1:22:58 | |
Er, that wasn't, er... what I meant to say. I, um... | 1:22:58 | 1:23:02 | |
That's OK. | 1:23:02 | 1:23:04 | |
So long now. | 1:23:04 | 1:23:06 | |
Bye. | 1:23:06 | 1:23:08 | |
You know, he has an attractive way of putting his foot in his mouth. | 1:23:15 | 1:23:20 | |
What did you say his name was? | 1:23:20 | 1:23:21 | |
Zeke Kelso. | 1:23:21 | 1:23:23 | |
Hm. Well, no matter. Let's go to bed. | 1:23:23 | 1:23:25 | |
Tomorrow, if you don't mind, let's get the house back to normal. | 1:23:25 | 1:23:30 | |
Whatever you say. | 1:23:30 | 1:23:32 | |
More evidence. | 1:23:34 | 1:23:36 | |
That's what they want, is it? | 1:23:36 | 1:23:38 | |
Hey! Get out of it. CAT MIAOWS | 1:23:42 | 1:23:44 | |
-NO! NO, NO, NO, NO! -Why? | 1:24:36 | 1:24:37 | |
I wouldn't hear of it! Absolutely not! | 1:24:37 | 1:24:40 | |
Besides, it's definitely none of my business. | 1:24:40 | 1:24:43 | |
Of course it's your business! That's ridiculous! | 1:24:43 | 1:24:47 | |
We can, and we've got to! We must save Miss Miller! | 1:24:47 | 1:24:50 | |
No! No! I'm no hero! | 1:24:50 | 1:24:52 | |
-Look at me! Do I look like Eliot Ness? -No! | 1:24:52 | 1:24:55 | |
That's the thing! I'm not a hero! | 1:24:55 | 1:24:57 | |
Not only will I not get mixed up in it, | 1:24:57 | 1:24:59 | |
I'm extremely disinterested in the whole thing! | 1:24:59 | 1:25:02 | |
-Do me, don't get excited, just do me a favour.... -Please? | 1:25:02 | 1:25:06 | |
Please leave me alone. I'm very busy. | 1:25:06 | 1:25:08 | |
Please, Mr Hofstedder, just listen to me. | 1:25:08 | 1:25:11 | |
I know you well. You're a sweet man. | 1:25:11 | 1:25:13 | |
You'd never forgive yourself if something terrible | 1:25:13 | 1:25:17 | |
happened to Miss Miller. I can just see the headlines. | 1:25:17 | 1:25:20 | |
"Mr Hofstedder, he could have saved her." | 1:25:20 | 1:25:23 | |
Would it...would it say that? | 1:25:25 | 1:25:27 | |
-OF COURSE it would! -Wait a minute! Don't get excited! | 1:25:27 | 1:25:30 | |
You don't do a thing. Just back me up if I get in trouble. | 1:25:30 | 1:25:34 | |
-Yeah, but...who are you calling? -It's all right. Just the FBI. | 1:25:34 | 1:25:37 | |
Oh, the FB... THE FBI? | 1:25:37 | 1:25:39 | |
Well, ah...sir, I just hated to give up on this cat angle. | 1:25:42 | 1:25:46 | |
Zeke, you know we haven't an iota of evidence | 1:25:46 | 1:25:49 | |
to connect Margaret Miller and the watch. | 1:25:49 | 1:25:51 | |
BUZZER Yes? | 1:25:51 | 1:25:53 | |
-'Emergency call for Agent Kelso.' -Put it through. | 1:25:53 | 1:25:56 | |
Agent Kelso. | 1:25:56 | 1:25:58 | |
HEAVY ACCENT: This is Dorothy Hofstedder, | 1:25:58 | 1:26:02 | |
Hofstedder's Jewellery Store, 1833 West Mapleton Avenue. | 1:26:02 | 1:26:06 | |
Yes, Miss Hofstedder? May I help you? | 1:26:06 | 1:26:08 | |
I heard you were looking for information concerning a watch. | 1:26:08 | 1:26:13 | |
Yes, we are. | 1:26:13 | 1:26:16 | |
Well, a couple of weeks ago, | 1:26:16 | 1:26:18 | |
a woman came into the shop to buy a band for her watch, | 1:26:18 | 1:26:23 | |
ah, with the name... | 1:26:24 | 1:26:26 | |
Miss Margaret Miller. | 1:26:26 | 1:26:29 | |
Margaret Miller. Would you describe this band you sold to Miss Miller? | 1:26:29 | 1:26:33 | |
Ah, expandable, | 1:26:33 | 1:26:37 | |
it was...gold-plated, | 1:26:37 | 1:26:40 | |
rather inferior. Not expensive. | 1:26:40 | 1:26:42 | |
And the watch? | 1:26:42 | 1:26:44 | |
17 jewels, rather rectangular shaped, | 1:26:44 | 1:26:49 | |
with, er... with raised filigree... things on the face. | 1:26:49 | 1:26:54 | |
Rectangular, with raised filigree. | 1:26:54 | 1:26:56 | |
Miss Hofstedder, why didn't you come forward before? | 1:26:56 | 1:26:59 | |
Well, I was away, | 1:26:59 | 1:27:02 | |
on my holiday. | 1:27:02 | 1:27:05 | |
To Mexico. On a bus. | 1:27:05 | 1:27:07 | |
Will you be in town? | 1:27:07 | 1:27:09 | |
Oh, yes. I will be here | 1:27:09 | 1:27:11 | |
any time you want to talk to me on the phone. | 1:27:11 | 1:27:14 | |
Thank you very much for your co-operation. Goodbye. | 1:27:14 | 1:27:17 | |
That's it! The tie-up. Can I move? | 1:27:17 | 1:27:20 | |
-Just a moment. Miss Hargreave? -'Yes, sir?' | 1:27:20 | 1:27:23 | |
Will you get me Mr Hofstedder at 1833 West Mapleton, please? | 1:27:23 | 1:27:27 | |
-He's a jeweller. -'Yes, sir.' | 1:27:27 | 1:27:29 | |
I don't, ah... I don't buy that just yet. | 1:27:29 | 1:27:33 | |
-I want a cross-check. -Of course, sir. | 1:27:33 | 1:27:35 | |
Let me see that watch again. | 1:27:35 | 1:27:37 | |
BUZZER | 1:27:37 | 1:27:39 | |
-Yes? -'Mr Hofstedder on the line, sir.' | 1:27:39 | 1:27:42 | |
Thank you. | 1:27:42 | 1:27:44 | |
How do you do, Mr Hofstedder. | 1:27:44 | 1:27:46 | |
I'm speaking for Mr Kelso 626 0025, | 1:27:46 | 1:27:50 | |
Did you place a call here a few moments ago? | 1:27:50 | 1:27:53 | |
(It's the FBI!) | 1:27:53 | 1:27:57 | |
Mr Hofstedder? | 1:28:00 | 1:28:02 | |
Yes! | 1:28:06 | 1:28:08 | |
Yes. That was us. | 1:28:08 | 1:28:10 | |
My niece. From Mexico, you know? | 1:28:13 | 1:28:15 | |
Yes. Oh, the wristband? She... | 1:28:15 | 1:28:20 | |
..she sold it. | 1:28:22 | 1:28:24 | |
She's from Mexico. | 1:28:24 | 1:28:25 | |
No, I'm Mr Hofstedder. | 1:28:25 | 1:28:28 | |
My niece sold it. | 1:28:28 | 1:28:30 | |
Thank you very much, Mr Hofstedder. Appreciate the co-operation. | 1:28:30 | 1:28:34 | |
We won't forget you. Goodbye. | 1:28:34 | 1:28:36 | |
OK. That's it. Let's go. | 1:28:37 | 1:28:39 | |
Oh, thank you, thank you! You are a darling! Thank you! | 1:28:39 | 1:28:42 | |
I wonder what they meant when they said they wouldn't forget. | 1:28:46 | 1:28:50 | |
KNOCK AT DOOR | 1:28:52 | 1:28:54 | |
Found a spot? Found a spot? | 1:28:59 | 1:29:01 | |
Cool it! Go into the kitchen, ma'am. | 1:29:01 | 1:29:03 | |
-We got business. -Don't kill me, please. | 1:29:03 | 1:29:06 | |
-I won't give you away. -Now, take it easy, sweetheart. | 1:29:06 | 1:29:09 | |
It's nothing to do with you. In the kitchen, OK? | 1:29:09 | 1:29:12 | |
Don't let him do it, Dan. You're not a murderer. | 1:29:12 | 1:29:15 | |
You're not like he is. | 1:29:15 | 1:29:17 | |
Hey, wow! Listen to the con woman! | 1:29:17 | 1:29:19 | |
I...I don't want to...die. | 1:29:19 | 1:29:23 | |
Now who said anything about killing? Come on. Into the kitchen. Come on. | 1:29:23 | 1:29:28 | |
How do I know you won't botch it? | 1:29:48 | 1:29:50 | |
I ain't an amateur. You're talking to an old pro. | 1:29:50 | 1:29:54 | |
Nice try. Another minute, you'd have had the Fire Department here. | 1:30:14 | 1:30:18 | |
You can't trust anybody, right? | 1:30:18 | 1:30:19 | |
Sorry... | 1:30:19 | 1:30:21 | |
we can't afford to have you around no longer. | 1:30:21 | 1:30:23 | |
Come on! | 1:30:24 | 1:30:26 | |
What goes on in that pea brain of yours? | 1:30:45 | 1:30:47 | |
Oh, no... | 1:30:49 | 1:30:50 | |
I forgot about the loot. Forgot! | 1:30:50 | 1:30:52 | |
KNOCK AT DOOR | 1:30:56 | 1:30:59 | |
-Who is it? -It's the landlady, Mrs Taven. | 1:30:59 | 1:31:01 | |
Go away. We're busy. | 1:31:01 | 1:31:02 | |
SHE SNIFFS | 1:31:02 | 1:31:04 | |
-Is that smoke coming out of there? -No. Now beat it! | 1:31:04 | 1:31:08 | |
You open that door! | 1:31:08 | 1:31:10 | |
All right, I've got my pass key. | 1:31:10 | 1:31:12 | |
I'm coming in. | 1:31:12 | 1:31:14 | |
What's the idea? | 1:31:16 | 1:31:18 | |
You can't keep me out of here. City Ordonnance IV... | 1:31:18 | 1:31:21 | |
We weren't trying to, ma'am. Just straightening up the place a bit. | 1:31:21 | 1:31:25 | |
Don't like you to see it all crumbed up. | 1:31:25 | 1:31:27 | |
That smoke smell IS in here. | 1:31:27 | 1:31:29 | |
Those rotten cigars Iggy smokes. Kinda turn your stomach. | 1:31:29 | 1:31:33 | |
-OK. Where's the woman? -Who? | 1:31:33 | 1:31:35 | |
Your old lady. I brought her some soup. | 1:31:35 | 1:31:37 | |
Aww, now. That's very kind of you. | 1:31:37 | 1:31:40 | |
Mmm! Smells good. | 1:31:41 | 1:31:43 | |
Vegetable. | 1:31:43 | 1:31:44 | |
In the bedroom. Too sick to see anyone. | 1:31:44 | 1:31:47 | |
-She's in rough shape. Really bad... -(Shut up.) | 1:31:47 | 1:31:49 | |
I can't say how much we appreciate you coming in. | 1:31:49 | 1:31:52 | |
Never mind the snow job. | 1:31:52 | 1:31:54 | |
There are three people living in this apartment | 1:31:54 | 1:31:57 | |
and that'll cost you... | 1:31:57 | 1:31:59 | |
20 bucks! | 1:31:59 | 1:32:02 | |
That makes us even. | 1:32:02 | 1:32:04 | |
Goodbye. And don't worry about Mother, | 1:32:04 | 1:32:06 | |
she ain't gonna be with us long. | 1:32:06 | 1:32:09 | |
That don't mean you get the 20 bucks back. | 1:32:09 | 1:32:11 | |
Of course not. Good night, and sleep well. | 1:32:11 | 1:32:14 | |
You're going to bed after the news as usual, I suppose? | 1:32:14 | 1:32:17 | |
Just hold the noise down. | 1:32:17 | 1:32:19 | |
My sister's visiting and she don't sleep good. | 1:32:19 | 1:32:21 | |
-Your sister's staying here with you? -From Corona. She's a prison matron. | 1:32:21 | 1:32:26 | |
Lucky I got that 20 back, right? | 1:32:30 | 1:32:32 | |
What if that hot serial number turned up in a drugstore... | 1:32:32 | 1:32:36 | |
40,000 pads in this city. | 1:32:37 | 1:32:40 | |
And you pick one sat on top of a human radar station! | 1:32:40 | 1:32:44 | |
With a sister that can't sleep nights, | 1:32:44 | 1:32:46 | |
because she's a head roach at the state birdhouse! | 1:32:46 | 1:32:49 | |
So we've got two of them down there | 1:32:49 | 1:32:51 | |
flapping their ears waiting for us to do something stupid! | 1:32:51 | 1:32:54 | |
Control. Agent Graham in. Our unit in position. | 1:33:03 | 1:33:07 | |
You will monitor Agent Kelso's movements. | 1:33:07 | 1:33:10 | |
But initiate no action till you get the word from me. | 1:33:10 | 1:33:14 | |
'Affirmative.' | 1:33:14 | 1:33:15 | |
Be prepared for the possibility of strong-armed resistance. | 1:33:15 | 1:33:19 | |
All units stand by. | 1:33:19 | 1:33:20 | |
I've got a funny feeling about DC, going out tonight. | 1:33:20 | 1:33:23 | |
Poor thing, alone and helpless in the middle of all this. | 1:33:24 | 1:33:28 | |
Pull yourself together. | 1:33:28 | 1:33:29 | |
That cat's as helpless as the US Marine Corps. | 1:33:29 | 1:33:32 | |
PHONE RINGS | 1:33:32 | 1:33:34 | |
Hello? | 1:33:38 | 1:33:39 | |
Hi, Patti. | 1:33:39 | 1:33:40 | |
Hi, Canoe. | 1:33:40 | 1:33:42 | |
You feel all right? | 1:33:42 | 1:33:44 | |
Fine. | 1:33:44 | 1:33:45 | |
What you been doing today? | 1:33:45 | 1:33:47 | |
Oh er...nothing much. | 1:33:47 | 1:33:50 | |
Er... Funny thing. | 1:33:52 | 1:33:53 | |
I just happened to be driving by the house a little while ago. | 1:33:53 | 1:33:57 | |
You know, that same blue car is still parked out front. | 1:33:57 | 1:34:00 | |
Really? | 1:34:00 | 1:34:02 | |
Well, um... | 1:34:04 | 1:34:05 | |
is it all right if I come over for a while? | 1:34:05 | 1:34:07 | |
No. Not tonight, Canoe, I, er... | 1:34:07 | 1:34:09 | |
..oh, I've got this ghastly headache. | 1:34:10 | 1:34:13 | |
You just said you felt fine a minute ago. | 1:34:14 | 1:34:17 | |
Well... CLOCK CHIMES | 1:34:17 | 1:34:19 | |
..fine considering the condition I'm in. | 1:34:19 | 1:34:22 | |
Can't you ever understand? | 1:34:22 | 1:34:25 | |
Miss Randall, would you cut the call? | 1:34:25 | 1:34:27 | |
Who... Who was that talking? | 1:34:28 | 1:34:30 | |
Ingrid. | 1:34:32 | 1:34:34 | |
Yes, it was Ingrid. She always has this deep, deep voice | 1:34:34 | 1:34:37 | |
when she comes out of the shower. | 1:34:37 | 1:34:39 | |
Thanks a lot, dear. | 1:34:39 | 1:34:41 | |
OK. Well, you just get yourself a good night's sleep | 1:34:41 | 1:34:45 | |
and I'll see you tomorrow. | 1:34:45 | 1:34:47 | |
Good night, Canoe. | 1:34:47 | 1:34:50 | |
OK, dream girl, if that's the way you want to play it... | 1:34:52 | 1:34:55 | |
How about a little push to get him started? | 1:35:02 | 1:35:05 | |
I'm afraid not, Mr Newton. | 1:35:05 | 1:35:07 | |
None of you really understand cats. | 1:35:07 | 1:35:11 | |
If someone was to go along tonight, someone whom he trusts... | 1:35:11 | 1:35:15 | |
No, Miss Randall. | 1:35:15 | 1:35:17 | |
But supposing DC loses you again? | 1:35:17 | 1:35:19 | |
-He's really diabolically clever. KELSO: -Look... | 1:35:19 | 1:35:22 | |
Mr Newton, don't you think... | 1:35:35 | 1:35:37 | |
No! | 1:35:37 | 1:35:40 | |
CAT MIAOWS | 1:35:49 | 1:35:50 | |
He's on the back porch listening to a bird. | 1:35:54 | 1:35:56 | |
BIRDSONG | 1:35:56 | 1:35:58 | |
How I let myself be talked into this... | 1:36:00 | 1:36:03 | |
I thought Mr Kelso said you were going to give up the cat theory. | 1:36:03 | 1:36:07 | |
A new lead came up today | 1:36:07 | 1:36:08 | |
to support it. | 1:36:08 | 1:36:10 | |
Mr Hofstedder rang Mr Kelso about the watch - or his niece did. She... | 1:36:10 | 1:36:14 | |
How did you know about Hofstedder? | 1:36:16 | 1:36:18 | |
Well, his store is only a few blocks away from here, | 1:36:20 | 1:36:23 | |
and we're very good friends. I mean, his niece and I. | 1:36:23 | 1:36:27 | |
Did Agent Kelso mention it to you? | 1:36:27 | 1:36:29 | |
Mmm... | 1:36:30 | 1:36:32 | |
-'He's starting to move.' -Easy, Zeke. Easy does it. | 1:36:32 | 1:36:35 | |
Well, as long as you won't be needing me... | 1:36:35 | 1:36:38 | |
-Just where are you going? -None of your business. | 1:37:28 | 1:37:31 | |
Not that I wouldn't like you out of the way... | 1:37:31 | 1:37:34 | |
Wilbur, there's something fishy going on, | 1:37:34 | 1:37:36 | |
and I won't close my eyes to it like you do. | 1:37:36 | 1:37:39 | |
I won't be an ostrich and bury MY head in the sand. | 1:37:39 | 1:37:42 | |
Why don't you try it? It might improve your appearance. | 1:37:42 | 1:37:45 | |
I know my duty! | 1:37:45 | 1:37:47 | |
Good luck, old woman. | 1:37:47 | 1:37:49 | |
I always say, if you got a duty, | 1:37:49 | 1:37:52 | |
you ought to do it. | 1:37:52 | 1:37:55 | |
Get me the police. | 1:37:57 | 1:38:00 | |
Police? I want to report a prowler. | 1:38:00 | 1:38:03 | |
He's dressed like an old woman. | 1:38:03 | 1:38:06 | |
Running around looking in windows. No telling what he's up to. | 1:38:06 | 1:38:10 | |
Yeah. | 1:38:10 | 1:38:11 | |
And tell your men to be careful. He's dangerous! | 1:38:11 | 1:38:15 | |
That's the 402 all right. | 1:38:42 | 1:38:44 | |
All right, all right! Relax, buddy. Take it nice and easy. | 1:38:51 | 1:38:54 | |
SHE CRIES OUT | 1:38:54 | 1:38:56 | |
Drop the hookey scream, mister, we know who you are. | 1:38:56 | 1:38:59 | |
-Careful, the guy might be dangerous. -Guy?! What are you talking about? | 1:38:59 | 1:39:03 | |
SHE GIGGLES | 1:39:03 | 1:39:05 | |
Fella, if I was going out to pull a job I wouldn't wear women's clothes. | 1:39:05 | 1:39:10 | |
You don't have the face for it. Now come on. | 1:39:10 | 1:39:13 | |
Aaagh! | 1:39:32 | 1:39:34 | |
SQUELCHY FOOTSTEPS | 1:40:05 | 1:40:07 | |
SQUELCHY FOOTSTEPS | 1:40:08 | 1:40:10 | |
SQUELCHY FOOTSTEPS | 1:40:14 | 1:40:16 | |
SQUELCHING | 1:40:38 | 1:40:40 | |
CAR IGNITION STARTS | 1:41:21 | 1:41:23 | |
I've lost visual contact with the informant. | 1:41:43 | 1:41:45 | |
Do you make him on the scope? | 1:41:45 | 1:41:47 | |
Only faintly. He may be headed back for the pike. | 1:41:47 | 1:41:50 | |
'About 100 feet north of this position.' | 1:41:50 | 1:41:52 | |
OK, get after him. Report when you get a visual. | 1:41:52 | 1:41:55 | |
Yes, sir. | 1:41:55 | 1:41:56 | |
# Oh, it's unloading time | 1:42:03 | 1:42:06 | |
# Oh, it's unloading time | 1:42:06 | 1:42:08 | |
# It's unloading time | 1:42:08 | 1:42:09 | |
# Oh, it's a unloading time... # | 1:42:09 | 1:42:12 | |
-KNOCKING -Iggy? | 1:42:15 | 1:42:17 | |
Hey. Know what I got... | 1:42:20 | 1:42:21 | |
ready for this? | 1:42:21 | 1:42:22 | |
A laundry truck filled with bags of laundry (!) | 1:42:22 | 1:42:25 | |
In the bedroom. Make it quick. | 1:42:25 | 1:42:27 | |
-CAT MIAOWS -Why did you bring that in? | 1:42:27 | 1:42:29 | |
Hey, fella. | 1:42:29 | 1:42:31 | |
Where did you come from, huh? | 1:42:31 | 1:42:34 | |
You wait here. I've a little business to do, then you can have some milk. | 1:42:34 | 1:42:38 | |
CAT MIAOWS | 1:42:38 | 1:42:41 | |
'Will you get rid of the cat and finish her off? | 1:42:41 | 1:42:43 | |
'Think it's best done here or in the truck? | 1:42:43 | 1:42:45 | |
'Here. Never get the blighter down the stairs.' | 1:42:45 | 1:42:48 | |
This is it, Control. 132 8th Street. | 1:42:54 | 1:42:57 | |
OK, we've got it. All units move in. Kelso, hold off till we get there. | 1:42:57 | 1:43:01 | |
CAT MIAOWS | 1:43:01 | 1:43:02 | |
I can't wait. I've got a situation here, it's breaking wide open. | 1:43:02 | 1:43:06 | |
Iggy! Get this thing off of me, will you? Come on, get him off. | 1:43:18 | 1:43:22 | |
This is my old buddy! | 1:43:22 | 1:43:23 | |
Your old buddy (!) Get him out of here. | 1:43:23 | 1:43:25 | |
-What's the matter? -I don't know. | 1:43:27 | 1:43:29 | |
Hey, look. It's some sort of... | 1:43:29 | 1:43:31 | |
Ssh, ssh. | 1:43:31 | 1:43:33 | |
-The cat's bugged! -KNOCK AT DOOR | 1:43:36 | 1:43:39 | |
Hello there. | 1:43:47 | 1:43:48 | |
I wonder if you can help me? I seem to have lost a cat. | 1:43:48 | 1:43:51 | |
Oh, yes. I was wondering who that cat belonged to. | 1:43:52 | 1:43:55 | |
-Come right in. -Thank you. | 1:43:55 | 1:43:57 | |
You know, till you have a cat of your own, you really... | 1:43:57 | 1:44:01 | |
Ah. Well, there he is. I hope he hasn't been bothering you. | 1:44:01 | 1:44:04 | |
Not at all. | 1:44:04 | 1:44:05 | |
Well, I er...guess you've really been missing your old daddy. | 1:44:05 | 1:44:10 | |
He likes to play games. | 1:44:11 | 1:44:13 | |
Doesn't seem to like you very much. | 1:44:13 | 1:44:15 | |
Actually, it's my wife's cat. | 1:44:15 | 1:44:17 | |
To be very honest with you, | 1:44:17 | 1:44:18 | |
we barely tolerate each other. | 1:44:18 | 1:44:21 | |
-You live in this building? -Upstairs, near the front. | 1:44:21 | 1:44:24 | |
-Funny. I haven't seen you before. -It's funny. | 1:44:24 | 1:44:27 | |
-I work nights at the aircraft plant. -Interesting thing about that cat. | 1:44:27 | 1:44:31 | |
Had a thing on its collar. | 1:44:31 | 1:44:33 | |
I could be wrong, but...it looked like a miniature radio transmitter. | 1:44:33 | 1:44:37 | |
He is a character. | 1:44:37 | 1:44:39 | |
I always say to my wife, what will he drag home next? | 1:44:39 | 1:44:43 | |
-You know something, mister? -What? | 1:44:43 | 1:44:45 | |
I don't think that's your cat. | 1:44:45 | 1:44:47 | |
Or that you work | 1:44:47 | 1:44:48 | |
over at the aircraft plant. | 1:44:48 | 1:44:51 | |
Or that you have a little wife who lives upstairs | 1:44:51 | 1:44:54 | |
near the front. | 1:44:54 | 1:44:56 | |
-KNOCK AT DOOR -Take it. | 1:44:56 | 1:44:58 | |
CAT MIAOWS | 1:44:58 | 1:45:00 | |
There you are, lambie pie. And you've found him! | 1:45:03 | 1:45:07 | |
Oh, my sweet, sweet darling. We've been so worried about you. | 1:45:07 | 1:45:10 | |
-Haven't we, dearest? -Er, yes, we certainly have. | 1:45:10 | 1:45:14 | |
I'll handle it from now on. You run on back upstairs. | 1:45:14 | 1:45:17 | |
Not at all. I want to help. | 1:45:17 | 1:45:19 | |
-Aren't you very young to be married? -Why not? We were in love. | 1:45:19 | 1:45:22 | |
"L'amour toujours." You know? | 1:45:22 | 1:45:24 | |
Too bad he didn't buy you a wedding ring. | 1:45:26 | 1:45:28 | |
She's always losing things. I've found your cat, dear. Run along. | 1:45:28 | 1:45:33 | |
Why don't we all go? | 1:45:33 | 1:45:34 | |
No need to impose on these nice gentlemen any more. Come on. | 1:45:34 | 1:45:38 | |
One minute. | 1:45:38 | 1:45:39 | |
Now who's kidding who? Huh? | 1:45:39 | 1:45:41 | |
Dear... Would you let go of my arm? Please? | 1:45:41 | 1:45:45 | |
Iggy, get the money. We're cutting out. | 1:45:46 | 1:45:48 | |
What about the old broad? | 1:45:48 | 1:45:50 | |
Change of plans. Forget Old Broad. | 1:45:50 | 1:45:52 | |
We'll take Little Miss Nosy instead. | 1:45:52 | 1:45:54 | |
-And I'll take care of you, copper. -You ought to leave her out of this. | 1:45:55 | 1:45:59 | |
You're telling me what to do? | 1:45:59 | 1:46:00 | |
-Right. -Please be careful. | 1:46:00 | 1:46:02 | |
Oh, sweetness. I wouldn't hurt you. | 1:46:02 | 1:46:05 | |
I don't care about you. But DC's getting frightened, | 1:46:05 | 1:46:08 | |
and he always behaves so badly when... | 1:46:08 | 1:46:10 | |
DC SNARLS ANGRILY | 1:46:10 | 1:46:12 | |
Hold it. | 1:46:16 | 1:46:18 | |
HE SNEEZES | 1:46:19 | 1:46:21 | |
Hey! | 1:46:34 | 1:46:36 | |
What are you doing, what are you doing...? | 1:46:37 | 1:46:39 | |
Let go! | 1:46:51 | 1:46:52 | |
Agh! Agh! Agh! | 1:46:54 | 1:46:56 | |
Aaagh! | 1:47:01 | 1:47:03 | |
My money... My money! | 1:47:09 | 1:47:11 | |
-Aww... -CAT MIAOWS | 1:47:12 | 1:47:15 | |
That darn cat! | 1:47:16 | 1:47:18 | |
Is that too much? | 1:47:21 | 1:47:23 | |
If DC wasn't bad enough before... There'll be no living with him now. | 1:47:23 | 1:47:27 | |
He's not a bit afraid. | 1:47:27 | 1:47:29 | |
He has a really nice jaw line | 1:47:29 | 1:47:31 | |
and this picture gives him a double chin. | 1:47:31 | 1:47:34 | |
-Who? -Zeke. | 1:47:34 | 1:47:35 | |
The girl that marries him... "Mrs Zeke Kelso." | 1:47:35 | 1:47:39 | |
It sounds like something that got caught in the clothes dryer. | 1:47:39 | 1:47:43 | |
Wow... Look at how your gentleman friend spends his nights. | 1:47:43 | 1:47:47 | |
Canoe! | 1:47:48 | 1:47:50 | |
Look, the poor darling. | 1:47:50 | 1:47:52 | |
How do you suppose he did that? | 1:47:52 | 1:47:54 | |
CAR HORN BEEPS | 1:47:54 | 1:47:55 | |
What was he doing caught up in a garage door? | 1:47:57 | 1:47:59 | |
I haven't the faintest idea. | 1:47:59 | 1:48:01 | |
Good morning, good morning! | 1:48:01 | 1:48:03 | |
Well, Gregory. I'm surprised to see you. | 1:48:03 | 1:48:06 | |
Good morning, Patricia. | 1:48:06 | 1:48:09 | |
And how is our little celebrity? | 1:48:09 | 1:48:11 | |
Ow! | 1:48:12 | 1:48:13 | |
You bad cat. | 1:48:13 | 1:48:14 | |
Quick little rascal, isn't he? | 1:48:14 | 1:48:16 | |
I may not be home for dinner, dear. I'll phone you later. | 1:48:17 | 1:48:21 | |
Have a nice time. | 1:48:21 | 1:48:22 | |
I knew instinctively all the time that nothing was wrong. | 1:48:22 | 1:48:26 | |
I was so happy to see in the papers that my faith in you was justified. | 1:48:26 | 1:48:30 | |
Mother said I should hurry over here right away. | 1:48:30 | 1:48:33 | |
She forgives you for all the anxiety you've caused her. | 1:48:33 | 1:48:37 | |
Thank you, Gregory. | 1:48:37 | 1:48:38 | |
Yes, thanks, old man. | 1:48:38 | 1:48:40 | |
Oh, I believe you two have met. | 1:48:40 | 1:48:42 | |
Mr Kelso, Mr Benson. | 1:48:42 | 1:48:44 | |
Mr Kelso is in law enforcement. Mr Benson is a duck hunter. | 1:48:44 | 1:48:47 | |
Really? | 1:48:47 | 1:48:48 | |
I hope you have a licence for it. | 1:48:48 | 1:48:50 | |
So long, now. | 1:48:50 | 1:48:51 | |
Goodbye. Regards to your mother! | 1:48:51 | 1:48:53 | |
Well...! | 1:48:56 | 1:48:57 | |
CLUNK! | 1:49:00 | 1:49:02 | |
Sorry, Mr Benson. | 1:49:07 | 1:49:09 | |
Hi, Canoe. | 1:49:09 | 1:49:10 | |
I er...wondered who that car belonged to. | 1:49:10 | 1:49:13 | |
Mm-hm. | 1:49:13 | 1:49:14 | |
Ingrid's new car pool. Great, isn't he? | 1:49:14 | 1:49:17 | |
Yeah. | 1:49:17 | 1:49:19 | |
Patti, I... I don't know how to say this, I'm... | 1:49:19 | 1:49:23 | |
-kind of ashamed. -Canoe! | 1:49:23 | 1:49:25 | |
Whatever happens, never be afraid to look me straight in the eye. | 1:49:25 | 1:49:28 | |
Oh, no, that's not it. | 1:49:28 | 1:49:31 | |
-I got a stiff neck last night. -Oh, Canoe... | 1:49:31 | 1:49:33 | |
How did you get stuck in that door? | 1:49:33 | 1:49:36 | |
Well, that's just it. It happened when... | 1:49:36 | 1:49:39 | |
well, that guy there and... | 1:49:39 | 1:49:41 | |
well, I was following you. | 1:49:41 | 1:49:43 | |
Following me? | 1:49:43 | 1:49:45 | |
Why? | 1:49:45 | 1:49:46 | |
Well... | 1:49:46 | 1:49:48 | |
You, and that guy, and... You wouldn't let me in the house. | 1:49:48 | 1:49:51 | |
What was I supposed to think? | 1:49:51 | 1:49:53 | |
Canoe, don't tell me you were jealous. | 1:49:53 | 1:49:56 | |
And you didn't think of your stomach? | 1:49:56 | 1:49:58 | |
How do you feel now? | 1:50:00 | 1:50:01 | |
Like, miserable. | 1:50:02 | 1:50:04 | |
You do? But that's marvellous! | 1:50:04 | 1:50:06 | |
You're maturing. | 1:50:07 | 1:50:09 | |
Tell you what, | 1:50:09 | 1:50:10 | |
let's go into the kitchen | 1:50:10 | 1:50:12 | |
and make you a big weird sandwich | 1:50:12 | 1:50:14 | |
and you can tell me all about it. | 1:50:14 | 1:50:16 | |
OK. | 1:50:18 | 1:50:19 | |
OK? | 1:50:19 | 1:50:21 | |
You might as well wait for me. It'll save time. | 1:50:29 | 1:50:33 | |
I'm going into the house, to MURDER someone! | 1:50:33 | 1:50:37 | |
Wilbur... | 1:50:41 | 1:50:43 | |
Don't try to hide! | 1:50:43 | 1:50:45 | |
Come out and take your medicine like a man. | 1:50:45 | 1:50:49 | |
WILBUR! | 1:50:49 | 1:50:52 | |
# Now, our cat's been paid every accolade | 1:50:52 | 1:50:55 | |
# And he's earned all his acclaim | 1:50:55 | 1:50:58 | |
# In a blaze of glory | 1:50:59 | 1:51:02 | |
# He ends our story | 1:51:02 | 1:51:04 | |
# In the feline hall of fame | 1:51:04 | 1:51:07 | |
# But the way life goes, in a year, who knows | 1:51:07 | 1:51:11 | |
# From the family he begat | 1:51:11 | 1:51:14 | |
# You may wind up with one of maybe the son of... | 1:51:15 | 1:51:19 | |
# That | 1:51:19 | 1:51:20 | |
# Darn cat! # | 1:51:20 | 1:51:22 |