
Browse content similar to The Cat and the Canary. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
CANARY TWEETS | 0:00:03 | 0:00:06 | |
CAT MIAOWS | 0:00:11 | 0:00:13 | |
WOMAN: Here, puss-puss. | 0:00:23 | 0:00:25 | |
Here, puss-puss. Come here. | 0:00:27 | 0:00:29 | |
CAT SCREECHES | 0:00:31 | 0:00:33 | |
MAN: Come along! Come along! | 0:00:48 | 0:00:50 | |
That's right. Don't fall. Don't fall. | 0:00:50 | 0:00:53 | |
Now, then, come here. | 0:00:53 | 0:00:56 | |
Take him in. | 0:00:58 | 0:01:00 | |
Mew-Mew! Mew-Mew! | 0:01:02 | 0:01:04 | |
Come along! Come along! Mew-Mew! | 0:01:04 | 0:01:06 | |
Come along! | 0:01:06 | 0:01:08 | |
Where are you? | 0:01:13 | 0:01:15 | |
Mew-Mew! Come along! | 0:01:15 | 0:01:18 | |
Mew-Mew! | 0:01:18 | 0:01:19 | |
Mew-Mew! Come along! | 0:01:19 | 0:01:22 | |
THUNDER RUMBLES | 0:02:39 | 0:02:42 | |
KNOCK ON DOOR | 0:02:42 | 0:02:45 | |
KNOCKING PERSISTS | 0:02:45 | 0:02:47 | |
-Good evening, Mrs Crosby. You're the first to arrive. -Well! | 0:03:07 | 0:03:12 | |
Everything has been done according to your instructions. | 0:03:12 | 0:03:17 | |
THUNDER CONTINUES TO RUMBLE | 0:03:17 | 0:03:19 | |
You have kept the place immaculate, Mrs Pleasant. | 0:03:29 | 0:03:33 | |
Well! | 0:03:38 | 0:03:39 | |
Mrs Pleasant, I can't say you've missed much. | 0:03:40 | 0:03:44 | |
Between the Bolsheviks on one side and the democrats on the other, | 0:03:46 | 0:03:51 | |
the world has become unrecognisable. | 0:03:51 | 0:03:53 | |
Mr West is safe? | 0:03:53 | 0:03:56 | |
Just as you left him. | 0:03:56 | 0:03:58 | |
Hah! | 0:03:58 | 0:04:00 | |
The disintegration should be minimal. | 0:04:00 | 0:04:02 | |
Well, it'll be strange to... | 0:04:02 | 0:04:05 | |
see him again... | 0:04:05 | 0:04:07 | |
listen to him again. | 0:04:07 | 0:04:10 | |
Shall we go? | 0:04:10 | 0:04:12 | |
MACHINE RATTLES AND DRONES | 0:04:13 | 0:04:15 | |
-Has the temperature been maintained? -Well, yes. | 0:04:21 | 0:04:24 | |
-Are you sure? -Yes. | 0:04:31 | 0:04:34 | |
And the locks haven't been opened since you closed them. | 0:04:34 | 0:04:38 | |
That was a long time ago. | 0:04:38 | 0:04:40 | |
Yet, in a way, not so long. | 0:04:40 | 0:04:42 | |
20 years. | 0:04:42 | 0:04:44 | |
Tonight. | 0:04:44 | 0:04:47 | |
It's a strange feeling, Mrs Pleasant, | 0:05:16 | 0:05:19 | |
to find one opening something one closed 20 years ago. | 0:05:19 | 0:05:23 | |
Almost to the hour. | 0:05:24 | 0:05:26 | |
Happy anniversary, Mr West. | 0:05:29 | 0:05:32 | |
Welcome to 1934. | 0:05:32 | 0:05:35 | |
LID CREAKS | 0:05:35 | 0:05:36 | |
Mrs Pleasant, I don't seem to recall being informed about a moth. | 0:05:47 | 0:05:53 | |
It has reached its majority. | 0:05:54 | 0:05:56 | |
But I can't think how it happened! I haven't got a key. | 0:05:56 | 0:05:59 | |
Quite. | 0:05:59 | 0:06:01 | |
Quite, Mrs Pleasant, but I will investigate the local moth colony | 0:06:01 | 0:06:06 | |
and find out who they sent over. | 0:06:06 | 0:06:09 | |
THUNDER CRASHES | 0:06:09 | 0:06:11 | |
It's the spirit! | 0:06:12 | 0:06:14 | |
Open the door, will you? I've been pounding on it for ten minutes! | 0:06:16 | 0:06:20 | |
Just a moment. | 0:06:20 | 0:06:22 | |
Just another small moment, please. | 0:06:22 | 0:06:26 | |
I think your guests are beginning to arrive... | 0:06:27 | 0:06:32 | |
most anxiously. | 0:06:32 | 0:06:34 | |
HE CHORTLES | 0:06:35 | 0:06:37 | |
Good evening, Mrs Crosby. Good evening, Harry. | 0:06:37 | 0:06:41 | |
Sorry about the broken glass but... Oh, thanks, I will. | 0:06:41 | 0:06:45 | |
I seem to recall, breaking things is something you know a lot about. | 0:06:45 | 0:06:49 | |
We're flashing the sabres early tonight, aren't we? | 0:06:49 | 0:06:52 | |
Flashing sabres? That's a subject you also know a lot about. | 0:06:52 | 0:06:56 | |
< You're full of charm this evening. | 0:06:56 | 0:06:59 | |
Did you come down by train? | 0:06:59 | 0:07:00 | |
No, I drove. | 0:07:00 | 0:07:02 | |
But the train is in. I just managed to beat it to the crossroads. | 0:07:02 | 0:07:07 | |
A perfect night for the reading of the will. Am I the first? | 0:07:07 | 0:07:10 | |
Uh-huh. How many besides myself? I don't know. | 0:07:10 | 0:07:14 | |
Five were notified. Five definitely alive. | 0:07:14 | 0:07:17 | |
I know two and that's one too many. | 0:07:17 | 0:07:20 | |
Tell me, Mrs Crosby, why do relatives have to be...? | 0:07:20 | 0:07:22 | |
Aimed at Charlie Wilder. | 0:07:22 | 0:07:25 | |
Cheers. | 0:07:26 | 0:07:28 | |
Evening. | 0:07:33 | 0:07:35 | |
It's exactly as I thought it would be. | 0:07:37 | 0:07:40 | |
May I take your coats? | 0:07:40 | 0:07:42 | |
Why do you dislike Charlie so very much? | 0:07:43 | 0:07:46 | |
Well, second place, because he's my cousin and I don't like war heroes. | 0:07:46 | 0:07:50 | |
In the third, I think he's a queer. | 0:07:50 | 0:07:52 | |
And the fourth place, I know he's a gigolo. | 0:07:52 | 0:07:55 | |
In first place... | 0:07:55 | 0:07:56 | |
Because SHE is very fond of him. | 0:07:56 | 0:07:58 | |
Score two for the will reader. | 0:07:58 | 0:08:00 | |
I'm not going to read the will. | 0:08:00 | 0:08:02 | |
No? Who is? | 0:08:02 | 0:08:04 | |
Cyrus West. | 0:08:06 | 0:08:08 | |
THUNDER RUMBLES | 0:08:08 | 0:08:10 | |
I knew an auctioneer in Swiss Cottage once. | 0:08:10 | 0:08:12 | |
I bet if I called him, he could turn the place over for at least 4 million cash. | 0:08:12 | 0:08:17 | |
Cicily, darling, let's not get mawkishly sentimental(!) | 0:08:17 | 0:08:20 | |
If it's me, I'll just die. Wouldn't you just die if it was me? | 0:08:20 | 0:08:23 | |
Not if I'm the next in line. | 0:08:23 | 0:08:26 | |
I suppose you can make do with anything, if you have to. | 0:08:35 | 0:08:39 | |
-Good evening, Miss Crosby. -Good evening. | 0:08:39 | 0:08:42 | |
CAT MIAOWS | 0:08:43 | 0:08:45 | |
Susan Sillsby, the noted sportswoman, and Cicily Young. | 0:08:49 | 0:08:53 | |
Who is noted. | 0:08:53 | 0:08:54 | |
I'll have a drink. | 0:08:54 | 0:08:56 | |
It's too early for you. ..She never drinks before sun-up. | 0:08:56 | 0:08:59 | |
-Did you come up from London? -We came up together, we're roommates. -You're cousins? | 0:08:59 | 0:09:04 | |
Yes, cousins AND roommates. Oh, but it won't be a problem. | 0:09:04 | 0:09:08 | |
We're not planning to have children. | 0:09:08 | 0:09:11 | |
Where do you practise, Doctor? | 0:09:11 | 0:09:13 | |
I used to practise in London, Beverly Hills and Geneva. | 0:09:13 | 0:09:17 | |
Oh, change-of-life circuit. | 0:09:17 | 0:09:20 | |
I know who you are. | 0:09:20 | 0:09:21 | |
You're the one who opens the will beforehand | 0:09:21 | 0:09:23 | |
and changes the heirs' names so that you get everything. | 0:09:23 | 0:09:27 | |
Miss Young... | 0:09:27 | 0:09:29 | |
I am so happy that you are free... | 0:09:29 | 0:09:32 | |
..to join us this evening. | 0:09:34 | 0:09:36 | |
Hi, clan. | 0:09:45 | 0:09:47 | |
Charles Howard Wilder. | 0:09:47 | 0:09:51 | |
-Good evening. -Hello. Drinks for my family, for tonight we ride. | 0:09:51 | 0:09:55 | |
Charlie Wilder! We're cousins. | 0:09:55 | 0:09:57 | |
I got this coat from an out-of-work magician in exchange for flying lessons. | 0:09:57 | 0:10:02 | |
-Would you do me a favour? -Anything. | 0:10:02 | 0:10:04 | |
-Would you take me for a ride? If I rode in a plane with Charlie Wilder, I'd just die. -My pretty, any time. | 0:10:04 | 0:10:10 | |
Anything for a relative, particularly one who may be rich in a few hours. | 0:10:10 | 0:10:14 | |
-Maybe it'll be you, Charlie. -I hope so. It would be funny, though. | 0:10:14 | 0:10:18 | |
I don't remember the old man. | 0:10:18 | 0:10:20 | |
Here, Harry. | 0:10:20 | 0:10:21 | |
Sorry you could make it. But even you can have one glass. | 0:10:21 | 0:10:24 | |
Everybody should have at least one glass no matter what they may have done. | 0:10:24 | 0:10:28 | |
-Careful! You just might get this in your face. -Wouldn't be the first time, Harry old boy. | 0:10:28 | 0:10:34 | |
Even one for you, Gertrude Stein. | 0:10:34 | 0:10:36 | |
A glass is a glass is a glass. | 0:10:36 | 0:10:38 | |
Why don't you two make up? | 0:10:38 | 0:10:42 | |
Shake hands. | 0:10:42 | 0:10:44 | |
-I never thought I'd do that without gloves. -Aren't you wearing gloves? | 0:10:51 | 0:10:55 | |
-Is it true that in the movies you doubled for Buddy Rogers? -No, it was Ben Lyon. | 0:11:01 | 0:11:06 | |
-Haven't you always been a double? -No, during the war I played one of the leads. -Really, General(?) | 0:11:06 | 0:11:11 | |
Didn't I see your face on something to do with clean teeth? | 0:11:11 | 0:11:15 | |
Careful, Wilder! | 0:11:15 | 0:11:17 | |
In the process of keeping track of the family over the years, | 0:11:17 | 0:11:21 | |
I've managed to...acquire some interesting souvenirs. | 0:11:21 | 0:11:25 | |
HARRY LAUGHS | 0:11:27 | 0:11:29 | |
Well... | 0:11:29 | 0:11:30 | |
1932 wasn't a very good year for dogfights. I only died 17 times. | 0:11:30 | 0:11:35 | |
HARRY: Really? | 0:11:35 | 0:11:37 | |
Sure picked a perfect night for the reading of the will. | 0:11:37 | 0:11:41 | |
Who are you? It must be Mr Paul Jones. | 0:11:41 | 0:11:43 | |
Nice to see you, relative. | 0:11:43 | 0:11:46 | |
-Thank you. You're Charlie Wilder the flyer. -That's true. | 0:11:46 | 0:11:50 | |
I knew a guy who wrote a song about you. | 0:11:50 | 0:11:52 | |
# Charlie Wilder The highest flyer of them all. # | 0:11:52 | 0:11:55 | |
-I'm a song-writer too. -Well, you must tell me about your exploits. | 0:11:55 | 0:12:00 | |
-CICILY: You're the American, aren't you? -Yes. | 0:12:00 | 0:12:04 | |
-You've come a long way for nothing if you're not the heir. -Or a short way if he is. Hello, Paul Jones. | 0:12:04 | 0:12:09 | |
I'm strange Cousin Susan. | 0:12:09 | 0:12:11 | |
CICILY: Are we all here? MISS CROSBY: One still expected. | 0:12:11 | 0:12:14 | |
Annabelle. | 0:12:14 | 0:12:16 | |
Present! | 0:12:16 | 0:12:18 | |
Hello, everybody. Sorry I'm late. | 0:12:18 | 0:12:20 | |
Hello, darling. | 0:12:20 | 0:12:21 | |
Nice to see you. | 0:12:21 | 0:12:23 | |
Hello, Harry. It's nice to see you. | 0:12:23 | 0:12:25 | |
Hello, Charlie. | 0:12:25 | 0:12:27 | |
Oh, excuse me. | 0:12:27 | 0:12:29 | |
We've all been getting reacquainted. | 0:12:29 | 0:12:31 | |
This is Miss Sillsby, Miss Young, Miss Annabelle West. | 0:12:31 | 0:12:35 | |
-The others...I think you know. -Yes. | 0:12:35 | 0:12:38 | |
Excuse me. | 0:12:38 | 0:12:40 | |
-Annabelle West, I'm Cicily. -Hello. -Hello, Cousin. Welcome to Elsinore. | 0:12:40 | 0:12:44 | |
Oh! | 0:12:46 | 0:12:48 | |
Hello! | 0:12:48 | 0:12:50 | |
You're Paul. | 0:12:50 | 0:12:51 | |
It's really nice to see you again. Long time no see, as they say. | 0:12:51 | 0:12:55 | |
-Hello. -You're Aunt Emma's boy, right? | 0:12:55 | 0:12:58 | |
As we are all assembled, I should like to begin. | 0:12:58 | 0:13:02 | |
Will you please sit down? | 0:13:02 | 0:13:04 | |
THUNDER CRASHES | 0:13:04 | 0:13:06 | |
CLOCK STRIKES LOUDLY | 0:13:15 | 0:13:17 | |
Oh! | 0:13:18 | 0:13:20 | |
There's... | 0:13:30 | 0:13:31 | |
something wrong. | 0:13:31 | 0:13:34 | |
What? | 0:13:34 | 0:13:36 | |
-That clock. -What about it? | 0:13:36 | 0:13:38 | |
It hasn't struck...for 20 years. | 0:13:38 | 0:13:42 | |
Maybe it's not in the union. | 0:13:42 | 0:13:44 | |
It struck... | 0:13:44 | 0:13:47 | |
seven times. | 0:13:47 | 0:13:49 | |
And there are eight people in the house. | 0:13:51 | 0:13:55 | |
THUNDER CRACKS | 0:13:55 | 0:13:57 | |
Some of you... | 0:13:57 | 0:13:59 | |
may not live. | 0:13:59 | 0:14:01 | |
< Are you quite sure, Mrs Pleasant? | 0:14:03 | 0:14:05 | |
The spirit... | 0:14:08 | 0:14:10 | |
is never wrong. | 0:14:10 | 0:14:13 | |
No, I mean, are you quite sure | 0:14:13 | 0:14:15 | |
that there are only eight people in this house? | 0:14:15 | 0:14:19 | |
On the 27th September 1914, Cyrus Camby West died in this house. | 0:14:29 | 0:14:35 | |
< 20 years ago tonight. | 0:14:35 | 0:14:37 | |
< I was instructed to assemble all his surviving relatives | 0:14:37 | 0:14:41 | |
< here in this room at midnight on September 27th 1934. | 0:14:41 | 0:14:47 | |
When do we find out who the lucky one is? | 0:14:47 | 0:14:50 | |
< Very soon now. | 0:14:50 | 0:14:52 | |
However, don't you think that all of you in this room have been... very lucky over the years? | 0:14:52 | 0:14:57 | |
Let's hear it for the West family. | 0:14:57 | 0:14:59 | |
-At least we have a celebrity in the family. -An almost celebrity. | 0:14:59 | 0:15:03 | |
Well, aren't you, Miss Sillsby, well-known | 0:15:03 | 0:15:06 | |
for the many hunting trophies you've won as well as sharing the record for the Bengal tiger? | 0:15:06 | 0:15:11 | |
She certainly is! | 0:15:11 | 0:15:13 | |
< And you, Miss Young... | 0:15:13 | 0:15:15 | |
Yes, Miss Young... | 0:15:15 | 0:15:18 | |
are famous for shooting another kind of game. | 0:15:18 | 0:15:21 | |
Pity it wasn't Charlie. | 0:15:22 | 0:15:25 | |
< Harry, you were well-known AND successful. | 0:15:25 | 0:15:29 | |
Very successful with juries(!) An hour and a half to acquit you. | 0:15:29 | 0:15:33 | |
Now, listen, stuntman, this isn't Hollywood. I'll... < Please! | 0:15:33 | 0:15:37 | |
Please! | 0:15:37 | 0:15:38 | |
Harry! | 0:15:38 | 0:15:40 | |
In spite of that...unfortunate incident, your career will have been... | 0:15:40 | 0:15:45 | |
Peddling fifth-rate pharmaceuticals. | 0:15:45 | 0:15:48 | |
-Oh! -Stop it! | 0:15:48 | 0:15:50 | |
I think I'm next. | 0:15:50 | 0:15:52 | |
Miss West. Miss West... Ah, I see... | 0:15:52 | 0:15:55 | |
from this newspaper article that you... | 0:15:55 | 0:15:58 | |
are rapidly becoming one of the most popular fashion designers in London. | 0:15:58 | 0:16:03 | |
An accomplishment that would be envied by someone twice your age. | 0:16:03 | 0:16:08 | |
Now, Cyrus West was no ordinary man. | 0:16:08 | 0:16:10 | |
In his lifetime, he amassed a vast fortune. | 0:16:10 | 0:16:14 | |
And in his retirement, he... | 0:16:14 | 0:16:17 | |
used his energies to... | 0:16:17 | 0:16:19 | |
protect that fortune from what he thought were... | 0:16:19 | 0:16:23 | |
..avaricious and dangerous relatives. | 0:16:24 | 0:16:27 | |
-HARRY: He did a good job with the necklace. -Necklace? | 0:16:27 | 0:16:30 | |
The famous West necklace. It's worth over half a million pounds. | 0:16:30 | 0:16:33 | |
-IF you could get the diamonds today. -Where is it? -HARRY: That's just it, nobody knows. | 0:16:33 | 0:16:38 | |
It was during what was unfortunately the last year of his life | 0:16:38 | 0:16:43 | |
that Mr West had himself... | 0:16:43 | 0:16:46 | |
secretly photographed on moving picture film. | 0:16:46 | 0:16:51 | |
< At the same time, making synchronised sound recording. | 0:16:51 | 0:16:56 | |
Oh! Is this some kind of joke? | 0:16:56 | 0:16:59 | |
Hardly. | 0:16:59 | 0:17:00 | |
-CICILY: Did they have sound then? -(Didn't you double for Buddy Rogers? | 0:17:00 | 0:17:04 | |
(It was Ben Lyon.) | 0:17:04 | 0:17:06 | |
Sound recording had, happily, been developed at that time. | 0:17:06 | 0:17:11 | |
We certainly come from forward-thinking stock. | 0:17:11 | 0:17:14 | |
He was putting on airs. | 0:17:14 | 0:17:16 | |
The difficulty, of course, was... | 0:17:21 | 0:17:23 | |
to preserve that film from disintegration during the 20 years. | 0:17:23 | 0:17:27 | |
That task I allotted to Mr West's... | 0:17:27 | 0:17:30 | |
devoted and faithful housekeeper, Mrs Pleasant. | 0:17:30 | 0:17:34 | |
How do we know that she didn't peek? | 0:17:34 | 0:17:36 | |
The integrity of Mrs Pleasant is beyond question | 0:17:36 | 0:17:41 | |
and, anyway, it would have been impossible. | 0:17:41 | 0:17:43 | |
- Would you bet your fortune on it? - My fortune is not at issue tonight. | 0:17:43 | 0:17:47 | |
Now, there were two films made. | 0:17:47 | 0:17:50 | |
The first contains Mr West reading his will, identifying his beneficiary. | 0:17:50 | 0:17:56 | |
The second film is not to be run tonight | 0:17:56 | 0:17:59 | |
and must be destroyed exactly 12 hours from now... | 0:17:59 | 0:18:04 | |
unless... | 0:18:04 | 0:18:05 | |
Unless what? | 0:18:05 | 0:18:07 | |
Unless the designated heir dies or... | 0:18:07 | 0:18:11 | |
is judged... | 0:18:11 | 0:18:13 | |
What? | 0:18:14 | 0:18:15 | |
..judged to be insane. | 0:18:15 | 0:18:18 | |
GASPS | 0:18:18 | 0:18:20 | |
Good...God! | 0:18:22 | 0:18:24 | |
What is that supposed to mean? | 0:18:24 | 0:18:26 | |
The second film contains the identity... | 0:18:26 | 0:18:30 | |
of the heir who is next in line. | 0:18:30 | 0:18:33 | |
HARRY: This is a licence for someone to kill! | 0:18:33 | 0:18:37 | |
The second heir would want to kill the first. | 0:18:37 | 0:18:39 | |
But no-one knows the identity of the second heir. | 0:18:39 | 0:18:44 | |
Except... | 0:18:46 | 0:18:47 | |
..the moth. | 0:18:48 | 0:18:50 | |
I would like to invite you all to a little supper on behalf of our host, | 0:18:51 | 0:18:57 | |
Cyrus West. | 0:18:57 | 0:18:59 | |
THUNDER CONTINUES TO RUMBLE AND CRACK | 0:19:00 | 0:19:03 | |
Do you suppose we're going to see one of Charlie's films? | 0:19:04 | 0:19:08 | |
Oh, I hope not, for your sakes. | 0:19:08 | 0:19:10 | |
Miss West, I think we shall all find | 0:19:10 | 0:19:12 | |
this film is more in the private collectors' category. | 0:19:12 | 0:19:17 | |
I hope it's as good as the one we saw on Friday night. | 0:19:17 | 0:19:19 | |
A film that has been made by such a man as Cyrus West. | 0:19:19 | 0:19:24 | |
How do we know there are no other copies? | 0:19:24 | 0:19:26 | |
I supervised the destruction of the negative myself. | 0:19:26 | 0:19:30 | |
CICILY: Tell us, who is the heir? | 0:19:30 | 0:19:32 | |
I can't, | 0:19:32 | 0:19:33 | |
because Mr West never told me and I've never seen the film. Nobody has. | 0:19:33 | 0:19:38 | |
Mrs Pleasant and myself are the only two people left alive who were involved with the film. | 0:19:38 | 0:19:43 | |
Cyrus West was the one who was insane. | 0:19:43 | 0:19:45 | |
He was peculiar. He was a lunatic. | 0:19:45 | 0:19:48 | |
Eccentric. | 0:19:48 | 0:19:49 | |
You must admit, this scheme makes him a little crazy. | 0:19:49 | 0:19:52 | |
-Ahead of his time. -Well, you will say he was strange. -He was unique. | 0:19:52 | 0:19:56 | |
He was mad. An independent thinker. | 0:19:56 | 0:19:59 | |
-A rich thinker. -That's what made him independent. | 0:19:59 | 0:20:01 | |
Good evening, leeches. Take your places. | 0:20:08 | 0:20:12 | |
As you know, I am Cyrus West. | 0:20:12 | 0:20:15 | |
First of all, let me tell you that you're all a bunch of bastards. | 0:20:15 | 0:20:20 | |
Oh, I know. I know the people you came from. | 0:20:20 | 0:20:23 | |
They're all a bunch of bastards. Your fathers, your mothers, your uncles, your aunts, | 0:20:23 | 0:20:28 | |
your nephews, your nieces, your sons, your daughters, not to mention the cartload of cousins! | 0:20:28 | 0:20:34 | |
All a bunch of bastards, except, of course, Mew-Mew and... | 0:20:34 | 0:20:38 | |
perhaps one or two others. | 0:20:38 | 0:20:40 | |
Perhaps I'm the biggest bastard of you all | 0:20:43 | 0:20:46 | |
to bring you here this night so distant in the future | 0:20:46 | 0:20:49 | |
and to sit here contemplating the interaction of you parasites. | 0:20:49 | 0:20:54 | |
Now, I've asked Mrs...Pleasant... | 0:20:58 | 0:21:01 | |
..who promised me she wouldn't die as I've been foolish enough to do, | 0:21:04 | 0:21:08 | |
to prepare for you the same supper she's preparing for me this evening. | 0:21:08 | 0:21:13 | |
CYRUS: Ah, the wine! | 0:21:17 | 0:21:19 | |
Thank you! | 0:21:21 | 0:21:23 | |
A trifle fresh, perhaps, | 0:21:29 | 0:21:31 | |
but YOU should have it at more or less the perfect moment. | 0:21:31 | 0:21:35 | |
Mm! Cheers. | 0:21:37 | 0:21:40 | |
I have it fresh, you have it mature. > | 0:21:40 | 0:21:43 | |
It's my guess that I'm mature and it's you who are fresh. | 0:21:43 | 0:21:47 | |
Fresh bastards. | 0:21:47 | 0:21:49 | |
Oh, begin, please, begin. | 0:21:49 | 0:21:51 | |
The foie gras, if you can still get it, comes from Perigord near Lot. | 0:21:51 | 0:21:56 | |
CYRUS: Some men seek immortality. That's a mistake. | 0:22:21 | 0:22:26 | |
A terrible mistake. | 0:22:26 | 0:22:28 | |
How many of the great pharaohs do we really know? None. | 0:22:28 | 0:22:32 | |
These people were too greedy. They asked for too much. | 0:22:32 | 0:22:36 | |
To be remembered for ever - really, what conceit! | 0:22:36 | 0:22:40 | |
I don't want to be remembered for ever | 0:22:40 | 0:22:43 | |
My great pleasure at the moment is to sit here | 0:22:43 | 0:22:46 | |
and know that I'll be spending an evening with you | 0:22:46 | 0:22:50 | |
20 years from the night that I pass on to where I am now. | 0:22:50 | 0:22:55 | |
Except that I AM with you at this moment physically and emotionally... | 0:22:55 | 0:22:59 | |
in a sense. | 0:22:59 | 0:23:01 | |
For instance... | 0:23:01 | 0:23:04 | |
RESOUNDING BANG | 0:23:04 | 0:23:05 | |
Didn't that hurt your ears? | 0:23:08 | 0:23:10 | |
Of course I'm with you. | 0:23:10 | 0:23:13 | |
I'm spending an evening with all my living relatives. | 0:23:13 | 0:23:17 | |
Thank you. I... | 0:23:17 | 0:23:19 | |
made the guest list. I lead the conversation. | 0:23:19 | 0:23:22 | |
I tell the amusing stories. | 0:23:22 | 0:23:24 | |
I set the menu. I still command my family. | 0:23:24 | 0:23:29 | |
It's a comfort to know we all have the same blood flowing in our veins. | 0:23:29 | 0:23:33 | |
Now, this is Bombay chicken. | 0:23:35 | 0:23:38 | |
By the way, I've asked for some extra curry to be placed on the table. | 0:23:38 | 0:23:42 | |
She never puts enough in. Take a moment to do it. | 0:23:42 | 0:23:45 | |
Go ahead. Go ahead. | 0:23:45 | 0:23:47 | |
I think this chicken died in 1914. | 0:23:52 | 0:23:54 | |
Maybe they kept it with the film. | 0:23:54 | 0:23:56 | |
Harry, let's make a pact. If it's either of us, we'll split it. | 0:23:56 | 0:24:00 | |
-Right! -That's not a bad idea, Cicily. ..What about it? 50-50. | 0:24:00 | 0:24:05 | |
No good. I'd lose out anyway. | 0:24:05 | 0:24:07 | |
-Why? -Nobody would declare me sane. I'd bet on it. | 0:24:07 | 0:24:11 | |
I had to be mad to be born into this family. | 0:24:11 | 0:24:14 | |
I wasn't mad when I came here, but I will be soon. | 0:24:14 | 0:24:16 | |
Tell some war stories, General, that'll calm your nerves. | 0:24:16 | 0:24:20 | |
Now, the science of the transmission | 0:24:24 | 0:24:27 | |
of hereditary physical and mental characteristics is called... | 0:24:27 | 0:24:33 | |
genetics. | 0:24:33 | 0:24:35 | |
Genetically speaking, | 0:24:35 | 0:24:37 | |
I feel as if I was looking straight into the eyes of each and every one of you | 0:24:37 | 0:24:42 | |
as, indeed, you are looking into my eyes. | 0:24:42 | 0:24:45 | |
I might say, dear relatives... | 0:24:45 | 0:24:47 | |
dear survivors, that's a good name for you, | 0:24:47 | 0:24:51 | |
that I am as I was before 20 years ago tonight, | 0:24:51 | 0:24:55 | |
on the very tips of my relatives' tongues. | 0:24:55 | 0:24:58 | |
Isn't he going to run out of film? | 0:24:58 | 0:25:00 | |
Before you get too impatient - and I know my family well - | 0:25:00 | 0:25:04 | |
let me complete my introductory remarks | 0:25:04 | 0:25:08 | |
by assuring you that I'll be in your hearts for the entire evening | 0:25:08 | 0:25:13 | |
because I know something you don't. | 0:25:13 | 0:25:16 | |
Returning to genetics for a moment. | 0:25:17 | 0:25:21 | |
If there are more than three of you present, and I don't envisage fewer, | 0:25:21 | 0:25:25 | |
then the mathematical probability | 0:25:25 | 0:25:28 | |
of one or more of you being mentally unbalanced | 0:25:28 | 0:25:32 | |
is, I must tell you, not in your favour. | 0:25:32 | 0:25:35 | |
Coffee! | 0:25:35 | 0:25:37 | |
Thank you. | 0:25:41 | 0:25:42 | |
On the table is cream and sugar. Help yourselves. | 0:25:42 | 0:25:46 | |
Try and keep away from the sugar. It'll kill you. | 0:25:46 | 0:25:49 | |
Remember - cream first... | 0:25:49 | 0:25:52 | |
coffee after. | 0:25:52 | 0:25:54 | |
Thank you. | 0:25:58 | 0:25:59 | |
Now, if Alison Crosby is still alive and hasn't yet dropped dead from overwork, | 0:25:59 | 0:26:04 | |
she probably told you that she's had my money invested for 20 years. | 0:26:04 | 0:26:10 | |
If she hasn't told you, | 0:26:10 | 0:26:12 | |
then her representative, who's probably another bastard... | 0:26:12 | 0:26:16 | |
..possibly has told you that if my heir is not judged sane... | 0:26:17 | 0:26:22 | |
then the next in line will be named in another film. | 0:26:22 | 0:26:27 | |
THUNDER CRACKS | 0:26:37 | 0:26:39 | |
I, Cyrus Camby West, being of sound mind and body, | 0:27:00 | 0:27:03 | |
do hereby declare | 0:27:03 | 0:27:05 | |
as the sole heir to all my money, bonds, securities, | 0:27:05 | 0:27:10 | |
estates, real and otherwise, | 0:27:10 | 0:27:13 | |
my descendant, man or woman, who bears the surname of West. | 0:27:13 | 0:27:17 | |
Congratulations. | 0:27:23 | 0:27:26 | |
Oh, you lucky devil! | 0:27:28 | 0:27:31 | |
Congratulations. | 0:27:33 | 0:27:35 | |
Congratulations, my dear. | 0:27:35 | 0:27:37 | |
That's great. | 0:27:40 | 0:27:41 | |
-Congratulations, Annabelle. -Thank you, Cicily. | 0:27:41 | 0:27:44 | |
My astrologer guaranteed that I'd get it. I'll kill the bitch. | 0:27:44 | 0:27:48 | |
Quiet, please. Quiet. | 0:27:52 | 0:27:55 | |
Thank you. | 0:28:00 | 0:28:01 | |
There's an excellent cognac, which, by now, should be even more excellent | 0:28:01 | 0:28:06 | |
having waited for you. | 0:28:06 | 0:28:09 | |
Well, no necklace. | 0:28:09 | 0:28:11 | |
There's one more thing. Just one. | 0:28:12 | 0:28:15 | |
The West necklace. | 0:28:15 | 0:28:17 | |
You didn't think I'd forgotten, did you? | 0:28:19 | 0:28:21 | |
But that's not for all of you to hear. | 0:28:21 | 0:28:24 | |
I'm sorry, dear family, it's not for all of you. | 0:28:24 | 0:28:27 | |
I would like to have a word with my heir or heirs alone. | 0:28:27 | 0:28:32 | |
Will the others please excuse us? | 0:28:33 | 0:28:36 | |
All of you. | 0:28:36 | 0:28:38 | |
You have 20 seconds. | 0:28:38 | 0:28:39 | |
No, everyone, please, except Miss West. | 0:28:39 | 0:28:42 | |
I'll be seeing you. | 0:28:49 | 0:28:52 | |
DOOR CLOSES | 0:28:56 | 0:28:59 | |
As for the necklace, you've heard of it, I'm sure. | 0:28:59 | 0:29:03 | |
Well, it's here for you. | 0:29:03 | 0:29:05 | |
Where? | 0:29:05 | 0:29:06 | |
Ho-ho. I wrote the answer to that question | 0:29:06 | 0:29:10 | |
on something which has been waiting to take a breath for 20 years. | 0:29:10 | 0:29:14 | |
HE CHUCKLES | 0:29:14 | 0:29:16 | |
At last! | 0:29:16 | 0:29:17 | |
THUNDER CRACKS | 0:29:17 | 0:29:19 | |
Thank you, Cyrus. | 0:29:34 | 0:29:36 | |
APPLAUSE | 0:29:40 | 0:29:42 | |
CHARLIE: Well done! What a girl! | 0:29:42 | 0:29:46 | |
HARRY: Congratulations, Annabelle, my dear. | 0:29:46 | 0:29:49 | |
CICILY: Congratulations. Do you need a companion? | 0:29:49 | 0:29:52 | |
Cicily, darling, we don't say things like that, even in jest. | 0:29:52 | 0:29:56 | |
I think it's wonderful. I know you'll use the money really well. | 0:29:56 | 0:30:00 | |
-Thank you, Susan. You are kind. -Remember I was a good loser. | 0:30:00 | 0:30:04 | |
LAUGHTER | 0:30:04 | 0:30:06 | |
MISS CROSBY: Choose well in life. I had to choose between my marriage and my career and I chose my career. | 0:30:06 | 0:30:12 | |
-And did you regret it? -Never. | 0:30:12 | 0:30:14 | |
Well, I think it's great. I'd have lost it all in a month, anyway. | 0:30:14 | 0:30:17 | |
LAUGHTER | 0:30:17 | 0:30:20 | |
Hi! Why so glum? | 0:30:23 | 0:30:25 | |
Me? Glum? I don't know why I should be glum. I've just had dinner with a man who's been dead 20 years. | 0:30:25 | 0:30:31 | |
I'm in the middle of nowhere without a telephone in a hurricane | 0:30:31 | 0:30:34 | |
and Mrs Pleasant thinks there are ghosts in the house and we're in danger. | 0:30:34 | 0:30:38 | |
What's more, there's insanity in the family | 0:30:38 | 0:30:41 | |
and there could be a paid-up lunatic sleeping in the next bed. | 0:30:41 | 0:30:44 | |
Why should I be glum? | 0:30:44 | 0:30:46 | |
-Don't worry, it'll all work out. -Yeah? -Sure - where there's a will, there's a way. | 0:30:46 | 0:30:51 | |
I wish I could get the hell out of here. | 0:30:51 | 0:30:53 | |
You must all stay the night, Harry. | 0:30:53 | 0:30:55 | |
In case we have occasion to hear the second part of the will. | 0:30:55 | 0:30:59 | |
THUNDER RUMBLES | 0:30:59 | 0:31:01 | |
GONG SOUNDS | 0:31:01 | 0:31:02 | |
Seems quite friendly compared to swinging from the chandeliers. | 0:31:24 | 0:31:28 | |
You're lucky I used to do this for a living. | 0:31:30 | 0:31:32 | |
Thank you very much. | 0:31:44 | 0:31:45 | |
And would you take those two? | 0:31:45 | 0:31:48 | |
Hmm - my favourite period - | 0:31:48 | 0:31:51 | |
early Devil's Island. | 0:31:51 | 0:31:52 | |
He really was a bastard. They should give the losers something. | 0:31:52 | 0:31:56 | |
Maybe we're not losers... | 0:31:56 | 0:31:57 | |
quite yet. | 0:31:57 | 0:31:59 | |
THUNDER RUMBLES | 0:31:59 | 0:32:01 | |
Ho! Temper, temper - that's no way to fly a plane, Colonel. | 0:32:14 | 0:32:19 | |
Listen... | 0:32:19 | 0:32:21 | |
..lay off that gigolo routine. | 0:32:23 | 0:32:25 | |
-What, am I getting too close to the bone? -You always do, you damned killer. | 0:32:25 | 0:32:29 | |
Mrs Crosby was right - you should be inside. | 0:32:29 | 0:32:31 | |
I did not kill anybody. It was an accident. | 0:32:31 | 0:32:34 | |
Of course it was(!) The alcohol is for the patients, not the doctor. | 0:32:34 | 0:32:38 | |
Modest little dwelling. | 0:32:49 | 0:32:51 | |
-What's the commotion? -It sounds like Tom Sawyer and Huckleberry Finn are at it again. | 0:32:51 | 0:32:56 | |
I'll go down, you change. | 0:32:56 | 0:32:58 | |
-Thanks, Susan, you are kind. -Not at all. What's a poor relation for? | 0:32:58 | 0:33:01 | |
What the hell? | 0:33:25 | 0:33:27 | |
Oh. Forgive me. | 0:33:31 | 0:33:33 | |
Please. Had I shot you, I would have felt terrible. | 0:33:33 | 0:33:37 | |
My name is Hendricks, | 0:33:37 | 0:33:39 | |
I am the chief psychologist at the Fairview sanatorium. | 0:33:39 | 0:33:43 | |
-What's that? -An asylum for the criminally insane just up the road. | 0:33:43 | 0:33:46 | |
Well, that's convenient. | 0:33:46 | 0:33:48 | |
Mr Hendricks? | 0:33:48 | 0:33:50 | |
Mr Hendricks, please come in and take off your wet things. | 0:33:50 | 0:33:55 | |
Yes, thank you, I'd like to. I'd like a word with everybody, please. | 0:33:55 | 0:33:58 | |
I hope you will forgive my unconventional use of your window. | 0:33:58 | 0:34:02 | |
You saved his life. | 0:34:02 | 0:34:04 | |
He saved your neck, you mean. | 0:34:04 | 0:34:06 | |
Time, fellas, time. | 0:34:06 | 0:34:08 | |
Actually, I was afraid for the safety of all of you. | 0:34:08 | 0:34:11 | |
What do you mean by that, Mr Hendricks? | 0:34:11 | 0:34:14 | |
I'm sorry to report that one of our patients has escaped. | 0:34:14 | 0:34:17 | |
-I knew - I felt something. -Is he dangerous? | 0:34:17 | 0:34:20 | |
Extremely, a complete maniac. | 0:34:20 | 0:34:23 | |
-Well, he'll feel right at home here. -And homicidal. He's a real killer. | 0:34:23 | 0:34:28 | |
Have you seen anyone around since seven o'clock? | 0:34:28 | 0:34:31 | |
That's about the time we arrived. | 0:34:31 | 0:34:34 | |
That explains what I felt. | 0:34:34 | 0:34:36 | |
-What do you mean? -Actually, we've all been a bit tensed up tonight. | 0:34:36 | 0:34:41 | |
-Do you really think he's here? -I didn't say so. | 0:34:41 | 0:34:43 | |
I'm looking at all the houses in the area. | 0:34:43 | 0:34:46 | |
Have you some reason to imagine that he's... close to here? | 0:34:46 | 0:34:52 | |
Or in this house? | 0:34:52 | 0:34:53 | |
He always tries to get into a house whenever he escapes. | 0:34:53 | 0:34:57 | |
He's escaped before? | 0:34:57 | 0:34:58 | |
-Yes, I'm afraid so. -What do you use, the honour system? | 0:34:58 | 0:35:02 | |
His method is to get into a house and hide until everyone's gone to bed. | 0:35:02 | 0:35:08 | |
What does he look like? | 0:35:08 | 0:35:10 | |
When he got out, he was wearing a long coat and a black slouch hat. | 0:35:10 | 0:35:15 | |
He's not a young man, very little hair, | 0:35:15 | 0:35:19 | |
sharp teeth and fingernails like... | 0:35:19 | 0:35:22 | |
..claws. | 0:35:24 | 0:35:25 | |
I think I took his daughter out once! | 0:35:25 | 0:35:28 | |
He believes that he's a cat. | 0:35:28 | 0:35:30 | |
-A cat?! -Nobody believes he's a cat. | 0:35:30 | 0:35:33 | |
-Nobody in his right mind. -Last name West, by any chance? | 0:35:33 | 0:35:36 | |
I do assure you all that he is not in his right mind | 0:35:36 | 0:35:39 | |
-and he indeed believes himself a cat. -Is this some sort of joke? | 0:35:39 | 0:35:44 | |
Not at all - in fact he kills his victims by slowly ripping them apart. | 0:35:44 | 0:35:48 | |
-Good night, I'm leaving. It's been a stimulating evening. -That would be most unwise. | 0:35:48 | 0:35:53 | |
I'm asking everyone in the area to lock themselves in until morning. | 0:35:53 | 0:35:57 | |
-What?! -I don't think you've much choice | 0:35:57 | 0:36:01 | |
-How do you propose to apprehend this homicidal animal? Do you have an extra weapon. -No. | 0:36:01 | 0:36:06 | |
Weapons can be as dangerous as maniacs. | 0:36:06 | 0:36:09 | |
-Anyway, I hope to get him alive. -Why, as long as you get him? | 0:36:09 | 0:36:12 | |
Well, I've been studying him. | 0:36:12 | 0:36:15 | |
There's a seminar this spring and I was hoping to give a paper on his behaviour. | 0:36:15 | 0:36:19 | |
FOOTSTEPS APPROACH | 0:36:19 | 0:36:21 | |
Everybody lie down. | 0:36:22 | 0:36:23 | |
Don't anybody move! | 0:36:25 | 0:36:26 | |
Cicily, for God's sake! | 0:36:29 | 0:36:30 | |
-Thank God it's you. -You nearly got shot. -Some cat. | 0:36:30 | 0:36:33 | |
This is Mr Hendricks who is bringing some important news to everyone living in the area. | 0:36:33 | 0:36:39 | |
-What is it? -I'm not here to alarm you. | 0:36:39 | 0:36:41 | |
Certainly not! There's absolutely no cause for alarm. | 0:36:41 | 0:36:46 | |
It's just a homicidal maniac who thinks he's a cat got loose. | 0:36:46 | 0:36:49 | |
He's not dangerous, he just tears this friends apart, slowly. | 0:36:49 | 0:36:53 | |
But don't get upset. Ha! They strap him down in a rubber room | 0:36:53 | 0:36:57 | |
and a few times a year, he gets out. Nothing serious. | 0:36:57 | 0:37:00 | |
It's a collection of incompetents and this is the chief incompetent | 0:37:00 | 0:37:05 | |
who should be investigated by the State Board of Medical Inquiry | 0:37:05 | 0:37:07 | |
allowing a homicidal maniac to escape is criminal negligence. | 0:37:07 | 0:37:10 | |
A killer is on the loose and you're responsible. | 0:37:10 | 0:37:13 | |
There are many killers loose - | 0:37:13 | 0:37:16 | |
very often it is not clear precisely who is responsible. | 0:37:16 | 0:37:21 | |
Mr Hendricks, I'm sure you'd like to know who you are speaking to - | 0:37:21 | 0:37:25 | |
I am Allison Crosby, the West family lawyer. This is... | 0:37:25 | 0:37:28 | |
Harry Blythe. | 0:37:28 | 0:37:30 | |
How do you do? | 0:37:30 | 0:37:31 | |
How do you know so much about the State Board of Medical Inquiry? | 0:37:31 | 0:37:35 | |
I used to practise medicine. | 0:37:35 | 0:37:37 | |
Ah. In which branch of medicine? | 0:37:37 | 0:37:40 | |
Surgery. | 0:37:40 | 0:37:41 | |
Surgery? That's interesting. | 0:37:41 | 0:37:44 | |
Surgery. | 0:37:44 | 0:37:46 | |
Hmm. Very interesting. | 0:37:46 | 0:37:49 | |
My patient cuts with his hands, | 0:37:50 | 0:37:53 | |
or whatever he can find, | 0:37:53 | 0:37:55 | |
you cut with a scalpel. | 0:37:55 | 0:37:57 | |
The results are very different, to be sure, | 0:37:57 | 0:38:01 | |
but who is to say that the urge is not the same? | 0:38:01 | 0:38:05 | |
Your man has an uncontrollable aggressivity. | 0:38:05 | 0:38:07 | |
Unlike you when we met in the hall? | 0:38:07 | 0:38:10 | |
Why did you stop operating? | 0:38:11 | 0:38:13 | |
He went into somebody's brain and ripped them apart. Like your cat, only on the operating table. | 0:38:13 | 0:38:18 | |
-Shut up! -This is Charlie Wilder, | 0:38:18 | 0:38:20 | |
of whom I'm sure you've heard. | 0:38:20 | 0:38:22 | |
-Ah, the famous hero. -Glad to know you. | 0:38:22 | 0:38:25 | |
All right, Lily-white, tell him how many brains you got into with your bomb. | 0:38:25 | 0:38:29 | |
I lost an older brother in the War. | 0:38:29 | 0:38:31 | |
I believe we all owe Mr Wilder some measure of gratitude | 0:38:31 | 0:38:36 | |
-for what he accomplished on behalf of us all. -Ha! | 0:38:36 | 0:38:40 | |
But wasn't it Bertrand Russell who asked, "What is a killer | 0:38:40 | 0:38:45 | |
"but a hero out of uniform?" | 0:38:45 | 0:38:48 | |
Do you want any help? | 0:38:48 | 0:38:50 | |
He thinks there's a reward. | 0:38:50 | 0:38:52 | |
Thank you, no. | 0:38:52 | 0:38:54 | |
There are several of us out and the weather's on our side. | 0:38:54 | 0:38:57 | |
What's on our side, Mr Hendricks? | 0:38:57 | 0:39:00 | |
My entire staff, | 0:39:00 | 0:39:02 | |
to whom I've issued orders to shoot on sight | 0:39:02 | 0:39:04 | |
Oh. | 0:39:04 | 0:39:06 | |
Although I hope it's not necessary. | 0:39:06 | 0:39:08 | |
-What else can you do with a wounded animal? -You're Susan Sillsby, aren't you? | 0:39:08 | 0:39:12 | |
A classmate of mine almost broke your record in Kenya last summer. | 0:39:12 | 0:39:17 | |
He always admired your courage. | 0:39:17 | 0:39:20 | |
He wouldn't be very pleased with me tonight. | 0:39:20 | 0:39:23 | |
Anyway, I'm not a killer, | 0:39:23 | 0:39:25 | |
I'm a sportswoman. | 0:39:25 | 0:39:26 | |
That's not what the tigers say. | 0:39:26 | 0:39:28 | |
Oh, but my dear sir, | 0:39:28 | 0:39:30 | |
I must tell you I've never agreed with those who couldn't see the difference. | 0:39:30 | 0:39:34 | |
-This is Miss Cicily Young. -How do you do? | 0:39:34 | 0:39:36 | |
Are you going to stay with us all night? | 0:39:36 | 0:39:39 | |
I wish I could. | 0:39:39 | 0:39:41 | |
But there's a lot of ground to cover, so to speak. | 0:39:41 | 0:39:44 | |
Er...Miss Young, | 0:39:44 | 0:39:46 | |
do forgive me, but a colleague of mine testified in a fascinating case | 0:39:46 | 0:39:52 | |
-in London involving... -It was kill or be killed | 0:39:52 | 0:39:56 | |
What are you talking about? > | 0:39:56 | 0:39:59 | |
I don't mind, Susan. | 0:39:59 | 0:40:00 | |
I was the girl dancing at the Cosy Club in London | 0:40:02 | 0:40:05 | |
whom the manager doped and tried to attack in his office. | 0:40:05 | 0:40:08 | |
Having no course of action open to me to prevent him accomplishing his unspeakable intentions | 0:40:08 | 0:40:14 | |
and seeing his gun on the desk, I gave it to him, | 0:40:14 | 0:40:17 | |
right in the face. | 0:40:17 | 0:40:18 | |
Self preservation's the first rule, certainly. | 0:40:18 | 0:40:23 | |
Er...how many times? | 0:40:23 | 0:40:26 | |
Six. | 0:40:28 | 0:40:29 | |
Hmm. | 0:40:29 | 0:40:31 | |
As I recall, the condition of the body was...somewhat mutilated when they found it. | 0:40:31 | 0:40:36 | |
After the shots, I fainted. I never remembered anything after that. | 0:40:36 | 0:40:40 | |
Oh, understandable, certainly. | 0:40:40 | 0:40:42 | |
Yes, well now... | 0:40:44 | 0:40:45 | |
And what about Mr Paul Jones? | 0:40:45 | 0:40:49 | |
He's a songwriter from the United States. | 0:40:49 | 0:40:53 | |
How do you do? | 0:40:56 | 0:40:57 | |
Fine, thank you. | 0:40:57 | 0:40:58 | |
Well, very often we know a man by his creative efforts. | 0:40:58 | 0:41:04 | |
What's your latest work? | 0:41:05 | 0:41:07 | |
A love song. | 0:41:07 | 0:41:08 | |
It's called You Scratch My Back And I'll Scratch... Yours. | 0:41:08 | 0:41:13 | |
-Mm-hm. -Look, before you start, let me tell you, | 0:41:13 | 0:41:15 | |
I er, I used to put red ants in with black ants and er... | 0:41:16 | 0:41:20 | |
Oh, yes - once I killed a skunk on the State Parkway, | 0:41:20 | 0:41:25 | |
but if your cat decides to show up, don't count on me, because it was all a long time ago | 0:41:25 | 0:41:31 | |
and I've hung my guns up for good. | 0:41:31 | 0:41:33 | |
Oh, but I can count on you, Mr Jones. | 0:41:33 | 0:41:36 | |
From what I hear on the radio, songwriters are the worst killers in society. | 0:41:36 | 0:41:42 | |
What about Mrs Allison Crosby? | 0:41:42 | 0:41:46 | |
THUNDER ROLLS | 0:41:46 | 0:41:47 | |
Mrs Crosby, you're a lawyer | 0:41:47 | 0:41:50 | |
and all lawyers are sharks. | 0:41:52 | 0:41:54 | |
And sharks are the worst killers | 0:41:55 | 0:41:58 | |
and the most bloodthirsty creatures in nature. | 0:41:58 | 0:42:02 | |
THUNDER ROLLS | 0:42:02 | 0:42:05 | |
I really shouldn't stay any longer. | 0:42:07 | 0:42:10 | |
Would you mind getting my coat for me, please? | 0:42:10 | 0:42:13 | |
< What do we do if the cat gets in? | 0:42:13 | 0:42:15 | |
He can have our room. | 0:42:15 | 0:42:16 | |
We'll hang onto him, don't worry. > | 0:42:16 | 0:42:19 | |
Just pray he doesn't hang on to you. | 0:42:19 | 0:42:21 | |
-Twice this year I've had to shoot him. -What? | 0:42:21 | 0:42:24 | |
Once here, | 0:42:25 | 0:42:28 | |
and once here. | 0:42:28 | 0:42:30 | |
That seems a little excessive. | 0:42:31 | 0:42:33 | |
Regardless, the last time he was captured, | 0:42:33 | 0:42:36 | |
he succeeded in getting his hands on... | 0:42:36 | 0:42:40 | |
me. | 0:42:41 | 0:42:42 | |
It took three good men to get him off. | 0:42:46 | 0:42:48 | |
You will take my advice and avoid socialising with him at all costs. | 0:42:52 | 0:42:56 | |
Whatever you say. | 0:42:58 | 0:42:59 | |
There's a good chance that he's looking to get in out of the weather. If he hasn't already. | 0:42:59 | 0:43:04 | |
So I must ask each of you again not to go out before morning. | 0:43:04 | 0:43:08 | |
And be sure to lock all outside windows and doors. | 0:43:08 | 0:43:12 | |
If we get him, I'll let you know. Thank you. | 0:43:12 | 0:43:16 | |
So we're prisoners? | 0:43:16 | 0:43:18 | |
Well, I prefer to think that he is the prisoner, out there. | 0:43:18 | 0:43:23 | |
Would you please tell anyone else in the house about the situation. | 0:43:23 | 0:43:27 | |
Ladies and gentlemen, whatever the purpose of your gathering, | 0:43:27 | 0:43:32 | |
I hope this won't prove too much of a disturbing element. | 0:43:32 | 0:43:36 | |
I wish you all a good night. | 0:43:36 | 0:43:39 | |
Remember, | 0:43:41 | 0:43:42 | |
as Bismarck said, "A little caution outflanks a large cavalry." | 0:43:42 | 0:43:48 | |
Good night. | 0:43:51 | 0:43:53 | |
THUNDER CRASHES | 0:43:53 | 0:43:56 | |
Now, check all the doors and windows. | 0:44:09 | 0:44:12 | |
-Let's begin with the basement. -You mean the basement with no lights on because of the storm? -Right. | 0:44:13 | 0:44:19 | |
Please, | 0:44:19 | 0:44:21 | |
I think it would be wise | 0:44:21 | 0:44:24 | |
if nothing of this was mentioned to Miss West. | 0:44:24 | 0:44:27 | |
If she asks, just say we're looking round her beautiful house. | 0:44:27 | 0:44:32 | |
Do you agree? | 0:44:32 | 0:44:34 | |
-Mm. -Of course. | 0:44:34 | 0:44:36 | |
KNOCK AT DOOR | 0:44:52 | 0:44:53 | |
Come in. | 0:44:53 | 0:44:55 | |
Just wanted to see if you're OK. | 0:44:56 | 0:44:59 | |
Sure, I'm fine. | 0:44:59 | 0:45:00 | |
-Everyone's looking round your beautiful house, I think I will too. I want to talk you you later. -OK. | 0:45:00 | 0:45:06 | |
I just wanted to see if everything was all right. | 0:45:11 | 0:45:14 | |
Everything is fine. | 0:45:14 | 0:45:16 | |
Not nervous, are you? | 0:45:16 | 0:45:18 | |
-No! -Good. | 0:45:18 | 0:45:19 | |
I think I'll look around your beautiful house. | 0:45:19 | 0:45:23 | |
I'll see you later. | 0:45:23 | 0:45:24 | |
Er, I wanna talk to you. | 0:45:24 | 0:45:27 | |
OK. | 0:45:27 | 0:45:29 | |
KNOCK AT DOOR | 0:45:35 | 0:45:36 | |
Just wanted to see if you're all right. | 0:45:36 | 0:45:39 | |
Thanks, Susan. What's happening? | 0:45:39 | 0:45:42 | |
Nothing, nothing. | 0:45:42 | 0:45:44 | |
You look a little upset. | 0:45:44 | 0:45:46 | |
I'm fine. | 0:45:46 | 0:45:48 | |
Well, there's so much to admire in your beautiful house, I'm going to have a look around. | 0:45:48 | 0:45:53 | |
Oh, just one thing,... | 0:45:53 | 0:45:55 | |
..we just heard there's a maniac loose in the area. | 0:45:56 | 0:45:59 | |
He thinks he's a cat. He may even be inside the house. | 0:45:59 | 0:46:03 | |
A cat! | 0:46:03 | 0:46:05 | |
Yes, a cat. K-A-T. | 0:46:05 | 0:46:08 | |
See you later. | 0:46:08 | 0:46:10 | |
KNOCK AT DOOR | 0:46:13 | 0:46:14 | |
-Hi. -Oh! | 0:46:15 | 0:46:17 | |
Chilly here. | 0:46:18 | 0:46:20 | |
You know it's bad luck for an heiress to catch cold on her first night? Like brides. | 0:46:20 | 0:46:26 | |
I never heard of that. | 0:46:26 | 0:46:27 | |
Oh, sure - they take half your money away. It's a local law. | 0:46:27 | 0:46:32 | |
You're very sweet to be so concerned. | 0:46:32 | 0:46:35 | |
What kind of fortune hunter would I be if I didn't look into these things? | 0:46:35 | 0:46:39 | |
Paul, I don't catch colds easily | 0:46:39 | 0:46:43 | |
and I am not allergic to cats. | 0:46:43 | 0:46:46 | |
Susan... | 0:46:46 | 0:46:48 | |
I'll never tell. | 0:46:48 | 0:46:49 | |
It's nice to know who your relatives are. I'm sure she exaggerated. | 0:46:49 | 0:46:54 | |
-Actually, I wouldn't worry about one cat outside. -No? | 0:47:16 | 0:47:19 | |
It's the wolves inside I'd be scared of. | 0:47:19 | 0:47:21 | |
Oh, Harry and Charlie? | 0:47:21 | 0:47:23 | |
They're harmless and I do think they're sincere. | 0:47:23 | 0:47:26 | |
No-one is more sincere than a greedy cousin - | 0:47:26 | 0:47:30 | |
that's Paul Jones's theory of relativity. | 0:47:30 | 0:47:33 | |
-Hm. -Anyway, you don't wanna get involved with people like... -Like you? | 0:47:33 | 0:47:39 | |
You don't have to worry about me - I admit I'm after your money. | 0:47:39 | 0:47:43 | |
Paul, please, be careful. | 0:47:43 | 0:47:47 | |
Do not fear - tonight, the mouse will outfox the cat. | 0:47:47 | 0:47:51 | |
KNOCK AT DOOR | 0:47:51 | 0:47:52 | |
Oh, Charlie. | 0:47:53 | 0:47:55 | |
Well, d'you find anything? | 0:47:55 | 0:47:57 | |
-What? -She knows - Susan spilled it. | 0:47:57 | 0:48:00 | |
-The idiot. there's nothing to worry about. -I know. Where have you been? | 0:48:00 | 0:48:03 | |
-Checking windows. Have you finished? -No, I have to get started. | 0:48:03 | 0:48:07 | |
I'll see you all. If this is a play, I hope I don't have the role of first body discovered. | 0:48:07 | 0:48:12 | |
-I've just had an altercation. Have you got something for a cut lip? -Yes. | 0:48:15 | 0:48:19 | |
Did I hear you once doubled for Buddy Rogers? | 0:48:33 | 0:48:35 | |
No, it was Ben Lion. | 0:48:35 | 0:48:37 | |
I bet everybody tells you that. | 0:48:37 | 0:48:39 | |
No - hardly ever. | 0:48:39 | 0:48:40 | |
I bet you didn't get this kind of service in France. | 0:48:40 | 0:48:43 | |
-I had better. -Thanks a lot! | 0:48:43 | 0:48:46 | |
But you smell nicer than any medic. | 0:48:46 | 0:48:48 | |
You seem to know a lot about people who smell nicer than medics. | 0:48:48 | 0:48:51 | |
Annabelle, what happened? | 0:48:51 | 0:48:53 | |
I mean, what happened? | 0:48:53 | 0:48:55 | |
-Everyone keeps asking for you, I don't know what to say. -Stop that. | 0:48:55 | 0:48:58 | |
I can't help it. | 0:48:58 | 0:49:00 | |
Yoy! | 0:49:00 | 0:49:01 | |
Be brave, my sentry. | 0:49:01 | 0:49:03 | |
Where would I hide if I were an escaped homicidal maniac | 0:49:09 | 0:49:12 | |
who thinks he's a cat? | 0:49:12 | 0:49:14 | |
Good fit. | 0:49:18 | 0:49:20 | |
I told you I loved you before you were rich. | 0:49:22 | 0:49:25 | |
I don't care about money in spite of what they say. Tell me. | 0:49:25 | 0:49:28 | |
-Why was I grounded? -Charlie, be original. | 0:49:28 | 0:49:32 | |
You're right - I've said that too many times. | 0:49:32 | 0:49:35 | |
That's my trouble - I'm the world's original carbon copy. | 0:49:35 | 0:49:39 | |
Except nothing is original. | 0:49:39 | 0:49:41 | |
-Really? -Except when I was with you. | 0:49:41 | 0:49:44 | |
-I... -You're the one I was truly original with. | 0:49:44 | 0:49:46 | |
I really liked you, you know. | 0:49:48 | 0:49:50 | |
But I have to tell you, Charlie, you are moody sometimes | 0:49:50 | 0:49:54 | |
and I don't like sharing things with the girls I know. | 0:49:54 | 0:49:58 | |
You haven't heard my side of that. | 0:49:58 | 0:49:59 | |
Thank God. The one I heard was bad enough. | 0:49:59 | 0:50:02 | |
But that's over, Charlie. | 0:50:02 | 0:50:05 | |
Look, Charlie, this has been a wonderful night for me | 0:50:05 | 0:50:08 | |
in spite of strange people wandering about, | 0:50:08 | 0:50:11 | |
so please, please, try to get on with Harry. | 0:50:11 | 0:50:15 | |
Does he mean that much to you? | 0:50:15 | 0:50:16 | |
Everybody means something to me. Even you. | 0:50:16 | 0:50:20 | |
Don't joke with me, I'm serious. | 0:50:20 | 0:50:22 | |
Like it or not, Charlie Wilder doesn't give up. | 0:50:22 | 0:50:25 | |
You'll come back to me, I know it. | 0:50:25 | 0:50:27 | |
And if I don't? | 0:50:27 | 0:50:29 | |
And if you don't, well, | 0:50:29 | 0:50:31 | |
I can always say I once held a real, live heiress in the palm of my hand. | 0:50:31 | 0:50:38 | |
You are sweet. | 0:50:40 | 0:50:42 | |
Not even that's original. I saw it in The Scarlet Pimpernel. | 0:50:42 | 0:50:45 | |
Annabelle, I'm hopeless. | 0:50:45 | 0:50:46 | |
Save me, please. | 0:50:46 | 0:50:48 | |
KNOCK AT DOOR | 0:50:48 | 0:50:49 | |
Who is it? | 0:50:49 | 0:50:51 | |
Miss Annabelle, Mrs Crosby would like to see you in the library. | 0:50:55 | 0:50:59 | |
I've got to go. | 0:50:59 | 0:51:01 | |
THUNDER ROLLS | 0:51:01 | 0:51:03 | |
Well... | 0:51:06 | 0:51:08 | |
looks like it's gonna be you and me. | 0:51:08 | 0:51:10 | |
Stay out. | 0:51:15 | 0:51:17 | |
Oh, thank you for coming. | 0:51:21 | 0:51:24 | |
What are you looking for? | 0:51:24 | 0:51:26 | |
I was looking for an old family photograph album. | 0:51:26 | 0:51:30 | |
Oh? | 0:51:30 | 0:51:31 | |
Yes. Miss West, I take it you are aware | 0:51:31 | 0:51:35 | |
-that what passed between McCloud and his lawyer is privileged information? -Of course! | 0:51:35 | 0:51:42 | |
Good. Well, I was close to Mr West | 0:51:42 | 0:51:44 | |
so naturally I gained facts about his fortune and his family. | 0:51:44 | 0:51:51 | |
But now I feel it my duty, in the light of recent events, | 0:51:52 | 0:51:57 | |
and particularly in view of the fact that, well, a life may possibly be in danger,... | 0:51:57 | 0:52:05 | |
-CAT MEOWS -..I feel it my duty to suspend normal tact... | 0:52:05 | 0:52:09 | |
CLOCK STRIKES THE HOUR | 0:52:09 | 0:52:10 | |
Five, six,... | 0:52:14 | 0:52:16 | |
Six. | 0:52:17 | 0:52:19 | |
It only chimed six times, Mrs Crosby. | 0:52:19 | 0:52:23 | |
Does it mean that... | 0:52:23 | 0:52:24 | |
Mrs Crosby! | 0:52:26 | 0:52:28 | |
Mrs Crosby? | 0:52:31 | 0:52:32 | |
Um... | 0:52:32 | 0:52:35 | |
Mrs Crosby! | 0:52:35 | 0:52:36 | |
THUNDER CLAPS | 0:52:36 | 0:52:38 | |
WOMAN SCREAMS | 0:52:38 | 0:52:40 | |
Mrs Crosby! Mrs... | 0:52:43 | 0:52:45 | |
Mrs Pleasant, did you see Mrs Crosby leave? | 0:52:45 | 0:52:49 | |
-No, I didn't. -What happened? | 0:52:49 | 0:52:51 | |
-Mrs Crosby's disappeared. -Can you blame her? | 0:52:51 | 0:52:53 | |
-Are you sure you didn't pass her in the hall? -Annabelle, was that you screaming? -Yeah, you all right? | 0:52:53 | 0:52:58 | |
-What happened? -Yeah, when did you miss her? | 0:52:58 | 0:53:01 | |
Just a minute ago. She was in the middle of a sentence. | 0:53:01 | 0:53:03 | |
-Where were you? -Here. | 0:53:03 | 0:53:05 | |
She was standing right over there saying she had something important to tell me for my own safety. | 0:53:06 | 0:53:11 | |
-Did she say there was danger all around you? -Yes. Yes, something like that. | 0:53:11 | 0:53:16 | |
-There were unknown people out to harm you? -Yes. -Sure? | 0:53:16 | 0:53:19 | |
Charlie, you remember, she said she wanted to see me. | 0:53:19 | 0:53:22 | |
Did you find her? | 0:53:22 | 0:53:23 | |
Well, of course! She was right over there. | 0:53:23 | 0:53:25 | |
And I was here and I saw a cat. | 0:53:25 | 0:53:28 | |
-A cat? -Yes, I was holding the cat when the clock started to chime. | 0:53:28 | 0:53:33 | |
-Which clock? -Well, I don't know. | 0:53:33 | 0:53:36 | |
The clock started chiming. | 0:53:36 | 0:53:39 | |
-I turned to talk to... -To who? -To Mrs Crosby, who do you think I was talking to? | 0:53:39 | 0:53:44 | |
You heard me, Mrs Pleasant, didn't you? | 0:53:44 | 0:53:47 | |
I only heard your voice, Miss Annabelle. | 0:53:47 | 0:53:51 | |
-And you didn't see her leave? -She didn't leave. | 0:53:51 | 0:53:54 | |
Then where is she? | 0:53:54 | 0:53:56 | |
You won't find Allison Crosby. | 0:53:56 | 0:53:59 | |
I don't see any cat. | 0:54:01 | 0:54:03 | |
What are you all looking at? | 0:54:16 | 0:54:18 | |
Are you trying to tell me I've been hearing things? | 0:54:19 | 0:54:22 | |
Of course not. | 0:54:22 | 0:54:23 | |
I told you, I was holding the cat. | 0:54:23 | 0:54:27 | |
A clock started to chime, it only chimed six chimes. | 0:54:27 | 0:54:31 | |
-Which Mrs Pleasant said that somebody... -It's been a very exciting evening, | 0:54:31 | 0:54:35 | |
perhaps you're a little over stimulated. | 0:54:35 | 0:54:38 | |
I'd hate to tell you some of the things I've thought I've seen. | 0:54:38 | 0:54:41 | |
Are you trying to tell me I've been seeing things? | 0:54:41 | 0:54:44 | |
No! Are you crazy? I'm sorry. | 0:54:44 | 0:54:47 | |
Annabelle, nobody's said anything of the sort. | 0:54:47 | 0:54:50 | |
Yes, they did. | 0:54:50 | 0:54:51 | |
Who said that Annabelle could be crazy? | 0:54:51 | 0:54:54 | |
Cyrus West. | 0:54:55 | 0:54:56 | |
Well, if it was my imagination, | 0:54:56 | 0:55:01 | |
where is Mrs Crosby? | 0:55:01 | 0:55:03 | |
I expect she's somewhere checking with Harry. | 0:55:07 | 0:55:11 | |
Where HAS Harry been? | 0:55:11 | 0:55:12 | |
I'm going to take Cicily and lock us in our room. | 0:55:13 | 0:55:17 | |
Good idea. I'll go and find Harry. | 0:55:17 | 0:55:20 | |
I'll look in on you later. | 0:55:20 | 0:55:21 | |
SHE SIGHS | 0:55:23 | 0:55:25 | |
Do you think I'm crazy? | 0:55:25 | 0:55:27 | |
-No. Do you? -No. | 0:55:31 | 0:55:33 | |
If I were crazy, I'd be a much better designer. | 0:55:33 | 0:55:37 | |
THUNDER CRASHES | 0:55:47 | 0:55:48 | |
We'll find Mrs Crosby. | 0:56:08 | 0:56:10 | |
Just between us, I think she and Mrs Pleasant have something going on down in the basement. | 0:56:10 | 0:56:15 | |
You'll see, I'm right. | 0:56:15 | 0:56:17 | |
Hmm. | 0:56:19 | 0:56:21 | |
Hmm. | 0:56:27 | 0:56:28 | |
'As for the necklace, you've heard of it I'm sure. | 0:56:33 | 0:56:37 | |
'Well, it's here, it's here for you. | 0:56:37 | 0:56:39 | |
'Where? Oh-ho, I wrote the answer to that question | 0:56:39 | 0:56:44 | |
'on something that's been waiting to take a breath for 20 years.' | 0:56:44 | 0:56:48 | |
Waiting to breathe. | 0:56:48 | 0:56:51 | |
Oh! | 0:56:57 | 0:56:58 | |
Ice. | 0:57:27 | 0:57:29 | |
Ice. | 0:57:43 | 0:57:44 | |
THUNDER RUMBLES | 0:57:52 | 0:57:54 | |
Who is it? | 0:58:12 | 0:58:14 | |
It's me. Harry. | 0:58:14 | 0:58:16 | |
Oh. Come in! | 0:58:16 | 0:58:18 | |
Just wanted to see if you were OK. | 0:58:21 | 0:58:24 | |
Oh, I'm fine, thanks, Harry. | 0:58:24 | 0:58:26 | |
Well, I'm still in one piece anyway. | 0:58:26 | 0:58:28 | |
Where have you been? | 0:58:28 | 0:58:30 | |
Around. Checking out the house. | 0:58:30 | 0:58:32 | |
Have you seen Mrs Crosby? | 0:58:32 | 0:58:34 | |
No, but Charlie told me she was missing, | 0:58:34 | 0:58:37 | |
-that she disappeared right in front of your eyes. -Nothing that spectacular. | 0:58:37 | 0:58:41 | |
But she did disappear, she did do that. | 0:58:41 | 0:58:43 | |
Annabelle, you've been through a lot tonight. | 0:58:43 | 0:58:47 | |
First the money and now I hear Susan told you everything. | 0:58:47 | 0:58:50 | |
Not everything, just enough for a small breakdown. | 0:58:50 | 0:58:53 | |
Please believe me, you have nothing to fear while Harry is here. | 0:58:53 | 0:58:57 | |
I know that everyone will think it's because you're the first heir, | 0:58:57 | 0:59:01 | |
but we meant a lot to each other. | 0:59:01 | 0:59:03 | |
At least, you meant a lot to me. | 0:59:03 | 0:59:07 | |
I'd like to make us more permanent. | 0:59:07 | 0:59:10 | |
Harry, I do feel something for you. | 0:59:10 | 0:59:14 | |
Only something? | 0:59:14 | 0:59:15 | |
Well, you know how much I like you. | 0:59:15 | 0:59:20 | |
You know how much I like you. | 0:59:20 | 0:59:22 | |
Please, let me protect you. | 0:59:22 | 0:59:25 | |
I'd kill for you, you know that. | 0:59:25 | 0:59:27 | |
That temper of yours is one of the reasons I stopped seeing you. | 0:59:27 | 0:59:31 | |
Oh, Annabelle. | 0:59:31 | 0:59:33 | |
Well, perhaps it'll come in handy tonight. | 0:59:33 | 0:59:36 | |
Do you know where Mrs Crosby is? | 0:59:36 | 0:59:39 | |
Stop talking about Mrs Crosby for a minute - I'm being serious. | 0:59:39 | 0:59:43 | |
It's not the moment, Harry. | 0:59:43 | 0:59:45 | |
I do appreciate what you're saying, | 0:59:45 | 0:59:49 | |
but let's talk about it later. | 0:59:49 | 0:59:52 | |
I need to relax for a while. | 0:59:52 | 0:59:55 | |
All right. But you haven't heard the last of me. | 0:59:55 | 0:59:59 | |
Oh, Annabelle, you're driving me crazy. | 1:00:00 | 1:00:04 | |
Oh, Harry... It runs in the family. | 1:00:04 | 1:00:08 | |
KNOCK AT DOOR | 1:00:08 | 1:00:10 | |
Oh, am I interrupting something? | 1:00:10 | 1:00:13 | |
Oh! No, no, um... | 1:00:13 | 1:00:15 | |
Harry was, er... | 1:00:15 | 1:00:18 | |
just leaving. | 1:00:18 | 1:00:19 | |
I didn't know you made house calls, Doctor. | 1:00:19 | 1:00:22 | |
I'll see you later. | 1:00:25 | 1:00:26 | |
Yes. | 1:00:26 | 1:00:28 | |
DOOR CLOSES | 1:00:29 | 1:00:31 | |
I just met Paul. He said I shouldn't have told you about Hendricks. | 1:00:31 | 1:00:34 | |
I'm sorry if I upset you earlier. | 1:00:34 | 1:00:36 | |
Oh, that's all right, Susan. | 1:00:36 | 1:00:37 | |
In these circumstances, everyone in the camp | 1:00:37 | 1:00:40 | |
should know what's waiting in the darkness for them, however gruesome it is. | 1:00:40 | 1:00:44 | |
Susan, this is Glencliff Manor, not Tanganyika. | 1:00:44 | 1:00:48 | |
You're wrong. It's a jungle. | 1:00:48 | 1:00:50 | |
And there's a wild animal around who kills for the pleasure of it. | 1:00:50 | 1:00:54 | |
He's got sharp teeth and long nails. | 1:00:54 | 1:00:56 | |
And he hides in houses and waits till everyone's asleep and then he takes his victim | 1:00:56 | 1:01:01 | |
and very, very slowly tears the flesh off them. | 1:01:01 | 1:01:05 | |
Susan, please! | 1:01:05 | 1:01:08 | |
In case he gets in... | 1:01:08 | 1:01:10 | |
and in case he gets you... | 1:01:10 | 1:01:12 | |
take this. | 1:01:12 | 1:01:14 | |
And if a bullet won't stop him, | 1:01:14 | 1:01:17 | |
shoot yourself. | 1:01:17 | 1:01:20 | |
-KNOCK AT DOOR -Come in. | 1:01:40 | 1:01:41 | |
Mrs Pleasant. | 1:01:47 | 1:01:49 | |
I'm afraid. | 1:01:49 | 1:01:51 | |
I think that I'm in some sort of danger. | 1:01:51 | 1:01:53 | |
If you're afraid, you ARE in danger. | 1:01:53 | 1:01:56 | |
Mr West always said fear is what you have to be afraid of. | 1:01:59 | 1:02:04 | |
He told me that he'd seen fear make people lose their minds. | 1:02:04 | 1:02:08 | |
Ha! | 1:02:08 | 1:02:10 | |
Permanently, in just a few hours. | 1:02:10 | 1:02:14 | |
Mr West said a canary in a cage almost dies of fright | 1:02:14 | 1:02:21 | |
when the cat walks round the cage. | 1:02:21 | 1:02:24 | |
It dies a thousand deaths - | 1:02:24 | 1:02:28 | |
although it's quite safe. Hm! | 1:02:28 | 1:02:31 | |
That's a comfort. | 1:02:31 | 1:02:34 | |
Unfortunately...this is a house... | 1:02:34 | 1:02:39 | |
not a cage. | 1:02:39 | 1:02:41 | |
SHE CHUCKLES | 1:02:41 | 1:02:42 | |
Oh! | 1:02:55 | 1:02:57 | |
Well, no Allison Crosby. I think she got disbarred and left. | 1:02:57 | 1:03:01 | |
What have you been doing? | 1:03:01 | 1:03:03 | |
Getting a lot of advice. And trying to figure out what "ice" means. | 1:03:03 | 1:03:06 | |
-Ice? -Mm. Ice. | 1:03:06 | 1:03:09 | |
Here. Look. | 1:03:09 | 1:03:10 | |
Ice. | 1:03:12 | 1:03:13 | |
Ice. | 1:03:14 | 1:03:16 | |
Didn't Crosby say something about the fact that the biggest problem | 1:03:17 | 1:03:21 | |
-was preserving the film? -Mm-hm. | 1:03:21 | 1:03:24 | |
How do you go about preserving something? | 1:03:24 | 1:03:27 | |
BOTH: Ice! | 1:03:31 | 1:03:32 | |
THUNDERCLAP | 1:03:32 | 1:03:34 | |
Oh, my God, what's that? | 1:03:36 | 1:03:39 | |
I don't know, but... | 1:03:39 | 1:03:40 | |
You look there and I'll try here. | 1:03:40 | 1:03:42 | |
Oh! | 1:03:42 | 1:03:44 | |
-Have you found anything? -No, not yet. | 1:03:47 | 1:03:49 | |
I think I've found something. | 1:03:51 | 1:03:52 | |
Look down there. | 1:03:52 | 1:03:54 | |
Can you see anything? | 1:03:58 | 1:03:59 | |
There's something. | 1:04:00 | 1:04:02 | |
Oh! | 1:04:05 | 1:04:07 | |
Wow. | 1:04:19 | 1:04:20 | |
I'll be around, so if anything happens, you just scream. | 1:05:09 | 1:05:13 | |
And I'll run and get Cicily. | 1:05:13 | 1:05:15 | |
Better than nothing. | 1:05:32 | 1:05:34 | |
Ha-ha! | 1:05:42 | 1:05:44 | |
Ha! Ha! Ha! | 1:05:44 | 1:05:46 | |
Attack! Attack! | 1:05:46 | 1:05:47 | |
Lift! | 1:05:47 | 1:05:49 | |
Ha! | 1:05:49 | 1:05:50 | |
Attack! Attack! | 1:05:57 | 1:05:59 | |
It's a fine weapon. Fine weapon, Mrs Pleasant. | 1:06:04 | 1:06:07 | |
DOOR CREAKS | 1:06:43 | 1:06:44 | |
CREAKING CONTINUES | 1:07:10 | 1:07:11 | |
THUNDERCLAP | 1:07:32 | 1:07:34 | |
THUNDER CONTINUES | 1:07:40 | 1:07:42 | |
SHE SCREAMS | 1:07:52 | 1:07:53 | |
SHE SCREAMS AGAIN | 1:07:54 | 1:07:56 | |
Help! Someone help! | 1:07:56 | 1:07:59 | |
Please, help! | 1:07:59 | 1:08:01 | |
Help! | 1:08:01 | 1:08:03 | |
Please, help! | 1:08:03 | 1:08:05 | |
COMMOTION | 1:08:10 | 1:08:11 | |
A creature in my room stole my necklace! I thought he was trying to kill me! | 1:08:11 | 1:08:15 | |
-What does he look like? -Where did he go? | 1:08:15 | 1:08:16 | |
Calm down, everyone! | 1:08:16 | 1:08:18 | |
Annabelle and I found the West necklace. | 1:08:18 | 1:08:21 | |
-How do we know you didn't take it? -It didn't fit. > | 1:08:21 | 1:08:24 | |
-How do we know YOU didn't take it? -I put it on in bed. | 1:08:24 | 1:08:27 | |
Where did he come from? | 1:08:27 | 1:08:29 | |
Well...Right here, I think. | 1:08:29 | 1:08:31 | |
Oh, really, Annabelle, you can't be serious! | 1:08:31 | 1:08:33 | |
Anything could happen in a house like this. | 1:08:33 | 1:08:36 | |
-He came out of the wall? -Yes! -But you said you were sleeping? -I was! | 1:08:36 | 1:08:40 | |
-He must have been here! I bolted the door! -Maybe he was in already. | 1:08:40 | 1:08:44 | |
Or wasn't in at all. | 1:08:44 | 1:08:46 | |
What's that supposed to mean? | 1:08:46 | 1:08:48 | |
Well, really! Annabelle's been strange the whole night. | 1:08:48 | 1:08:52 | |
Why don't you just say that I've got the running West insanity? | 1:08:52 | 1:08:55 | |
Relax, Susan. | 1:08:55 | 1:08:57 | |
Anybody can get a little hysterical. | 1:08:57 | 1:09:00 | |
I am not hysterical! | 1:09:00 | 1:09:01 | |
The creature was here! | 1:09:01 | 1:09:03 | |
How did he get in? | 1:09:03 | 1:09:04 | |
That's not hard to figure out. | 1:09:04 | 1:09:06 | |
I thought they invented secret passages in this country. | 1:09:06 | 1:09:09 | |
What's so strange about the cat sneaking in and accidentally finding one? | 1:09:09 | 1:09:13 | |
One that led to this room. | 1:09:13 | 1:09:15 | |
Is there a passage that leads here? | 1:09:15 | 1:09:17 | |
Er, er, er, I don't...know. | 1:09:17 | 1:09:21 | |
There's gotta be some explanation for all this. | 1:09:21 | 1:09:25 | |
MECHANISM WHIRS AND GRATES | 1:09:26 | 1:09:28 | |
Do you suppose it's really Mrs Crosby? | 1:09:51 | 1:09:54 | |
Jesus! | 1:10:31 | 1:10:33 | |
It could have been you! | 1:10:38 | 1:10:40 | |
Now do you think she was seeing things? | 1:10:42 | 1:10:44 | |
Where does that lead to? | 1:10:46 | 1:10:48 | |
I don't know. | 1:10:49 | 1:10:51 | |
That maniac may still be in the house. | 1:10:51 | 1:10:53 | |
My God! Suppose he's still here! | 1:10:53 | 1:10:55 | |
I hope our friend Hendricks comes back soon. | 1:10:55 | 1:10:58 | |
Nobody is to go down there. > | 1:11:00 | 1:11:01 | |
Why don't you two charmers lock this room up and put Annabelle someplace safe? | 1:11:01 | 1:11:07 | |
I'm going to look around again. | 1:11:07 | 1:11:10 | |
I didn't think it would turn into this kind of evening. | 1:11:15 | 1:11:19 | |
Let's get the body downstairs. | 1:11:19 | 1:11:21 | |
I told you what that maniac does. | 1:11:21 | 1:11:22 | |
Yes, Cousin Susan. | 1:11:22 | 1:11:24 | |
You described it most perfectly. | 1:11:24 | 1:11:26 | |
Almost too perfectly. | 1:11:26 | 1:11:28 | |
THUNDERCLAP | 1:11:33 | 1:11:35 | |
FOOTSTEPS APPROACHING | 1:13:27 | 1:13:28 | |
Oh! | 1:13:31 | 1:13:32 | |
I must be hurt worse than I thought. | 1:13:35 | 1:13:37 | |
Oh! | 1:13:40 | 1:13:41 | |
Where have you been? | 1:13:51 | 1:13:53 | |
Not very far. | 1:13:53 | 1:13:55 | |
What have you been doing? | 1:13:55 | 1:13:56 | |
Thinking. | 1:13:56 | 1:13:58 | |
Being alone in this place gives me the double creeps. | 1:13:58 | 1:14:01 | |
Stretch out. I'll relax you. | 1:14:01 | 1:14:04 | |
Mm. | 1:14:11 | 1:14:13 | |
Hi. | 1:14:18 | 1:14:20 | |
-Victim number two. -Oh, you're hurt! | 1:14:20 | 1:14:22 | |
-I'm all right. I think the left side of my head's missing. -Who did it? | 1:14:22 | 1:14:25 | |
I found him in the basement. | 1:14:25 | 1:14:27 | |
-You'd have been proud. I didn't bounce. -What happened? | 1:14:27 | 1:14:30 | |
DOOR OPENS | 1:14:52 | 1:14:53 | |
DOOR CLOSES | 1:14:56 | 1:14:57 | |
THUNDER AND LIGHTNING | 1:15:00 | 1:15:01 | |
Then I saw Mrs Pleasant looking down at me. | 1:15:13 | 1:15:15 | |
This story makes a lot of sense, doesn't it? | 1:15:15 | 1:15:17 | |
It does to me. But try telling it to the others. They'll think you're insane too. | 1:15:17 | 1:15:22 | |
They may have a point. | 1:15:22 | 1:15:23 | |
Some maniac is trying to kill us. | 1:15:23 | 1:15:25 | |
Look what just happened to you. | 1:15:25 | 1:15:27 | |
Maybe he's not trying to kill us. Maybe he's a little overstimulated, as Susan would say. | 1:15:27 | 1:15:31 | |
Very funny, Paul. | 1:15:31 | 1:15:33 | |
I am scared. Really scared. | 1:15:33 | 1:15:35 | |
Old Cyrus's game was to give everyone here a licence to kill. | 1:15:35 | 1:15:39 | |
What better way than to let everyone think he has a chance of the jackpot? | 1:15:39 | 1:15:43 | |
He mentioned everybody - Mrs Crosby, Mrs Pleasant... | 1:15:43 | 1:15:46 | |
And Mew-mew. | 1:15:46 | 1:15:47 | |
Yeah. | 1:15:47 | 1:15:48 | |
Who the hell was Mew-mew? | 1:15:48 | 1:15:50 | |
THUNDERCLAP | 1:15:50 | 1:15:55 | |
SHE SCREAMS | 1:17:09 | 1:17:11 | |
SHE SCREAMS | 1:17:16 | 1:17:18 | |
SHE SCREAMS AGAIN | 1:17:20 | 1:17:21 | |
Want to hear my new song? I wrote it while I was unconscious. | 1:17:21 | 1:17:24 | |
It's called Kiss My Heiress. | 1:17:24 | 1:17:26 | |
Want to hear my first hit? | 1:17:26 | 1:17:28 | |
Want to hear my last hit? | 1:17:28 | 1:17:30 | |
It's the same hit. | 1:17:30 | 1:17:31 | |
Come on. | 1:17:34 | 1:17:35 | |
I want you to lock me out. | 1:17:41 | 1:17:43 | |
I'll get the second film from Mrs Crosby's body and find out the name of the second heir. | 1:17:43 | 1:17:48 | |
-I've got an idea. -What? -I want to have a talk with whoever it is. | 1:17:48 | 1:17:51 | |
Don't let anyone in. Not even old Cyrus West himself. | 1:17:51 | 1:17:54 | |
Paul. | 1:17:56 | 1:17:58 | |
What kind of cousins are we? | 1:17:58 | 1:17:59 | |
Kissing cousins. | 1:17:59 | 1:18:01 | |
Isn't that illegal? | 1:18:01 | 1:18:03 | |
Only if it feels good. | 1:18:03 | 1:18:04 | |
BOTH: It's illegal. | 1:18:04 | 1:18:06 | |
I could do this for the rest of our lives. | 1:18:06 | 1:18:08 | |
Which may not be very long. | 1:18:08 | 1:18:10 | |
-No. Fifty years. I'm personally going to photograph your will. -Please be careful. | 1:18:10 | 1:18:14 | |
-Remember what happened last time. -I was younger then, without responsibilities. | 1:18:14 | 1:18:18 | |
It's different now. | 1:18:18 | 1:18:20 | |
THUNDERCLAP | 1:18:40 | 1:18:41 | |
DOOR CREAKS | 1:18:57 | 1:18:59 | |
(The passage.) | 1:19:29 | 1:19:31 | |
(Paul! Paul!) | 1:19:42 | 1:19:44 | |
THUNDERCLAP | 1:19:44 | 1:19:47 | |
(I've found it!) | 1:19:48 | 1:19:49 | |
(I've found the secret passage.) | 1:19:50 | 1:19:52 | |
(Paul!) | 1:19:54 | 1:19:56 | |
(Paul!) | 1:20:12 | 1:20:14 | |
Paul! | 1:20:22 | 1:20:24 | |
THUNDERCLAP | 1:20:36 | 1:20:38 | |
SHE SCREAMS | 1:20:38 | 1:20:40 | |
SHE PANTS AND WHIMPERS | 1:20:52 | 1:20:54 | |
Please! | 1:20:54 | 1:20:55 | |
SHE TRIES TO SCREAM | 1:21:01 | 1:21:04 | |
SHE SCREAMS | 1:21:33 | 1:21:35 | |
SHE SCREAMS | 1:21:39 | 1:21:40 | |
Help! | 1:21:40 | 1:21:42 | |
Charlie! | 1:21:55 | 1:21:56 | |
Yes, of course. | 1:21:56 | 1:21:58 | |
You see, | 1:21:58 | 1:22:00 | |
it turns out I'm quite original after all. | 1:22:00 | 1:22:03 | |
I'm quite original, | 1:22:03 | 1:22:05 | |
especially with people who cheat me. | 1:22:05 | 1:22:08 | |
How? | 1:22:08 | 1:22:09 | |
How did I cheat you? | 1:22:09 | 1:22:11 | |
You got my inheritance. | 1:22:11 | 1:22:13 | |
-Yours? -Of course. | 1:22:13 | 1:22:15 | |
You cheated me. The money was mine. | 1:22:15 | 1:22:18 | |
I was the old man's favourite. | 1:22:20 | 1:22:23 | |
First it was his damned cat that was the favourite. | 1:22:23 | 1:22:26 | |
But I took care of the cat. | 1:22:26 | 1:22:29 | |
Then I was the favourite. | 1:22:29 | 1:22:31 | |
You didn't know I used to play around this house when I was a kid, did you? | 1:22:32 | 1:22:36 | |
The old man showed me the secret passages. | 1:22:36 | 1:22:39 | |
He showed ME because I was the favourite. | 1:22:39 | 1:22:43 | |
That's why I phonied up my war record - to keep him proud of me. | 1:22:43 | 1:22:47 | |
This was Cyrus's private entertaining room. | 1:22:47 | 1:22:51 | |
No-one knows about it except me... | 1:22:51 | 1:22:54 | |
Cyrus... | 1:22:54 | 1:22:56 | |
and Mrs Pleasant. | 1:22:56 | 1:22:58 | |
Please... | 1:22:58 | 1:22:59 | |
That money is mine. | 1:22:59 | 1:23:00 | |
I should have been the heir and I would have been if it hadn't been for your damned name. | 1:23:00 | 1:23:05 | |
You're next in line! | 1:23:05 | 1:23:07 | |
That's right. It says so in this. | 1:23:07 | 1:23:10 | |
Mrs Crosby figured it out. | 1:23:10 | 1:23:11 | |
Susan tried to figure it out. | 1:23:11 | 1:23:14 | |
Susan...! | 1:23:14 | 1:23:15 | |
What have you done with her? | 1:23:15 | 1:23:17 | |
Exactly what I'm going to do to you. | 1:23:17 | 1:23:20 | |
Oh, thank God you've come! | 1:23:22 | 1:23:24 | |
He's a maniac! He's trying to kill... Oh! | 1:23:24 | 1:23:26 | |
Well done. | 1:23:26 | 1:23:28 | |
Thank you. | 1:23:28 | 1:23:30 | |
But everything was well done. | 1:23:30 | 1:23:32 | |
The clock chimed on cue. | 1:23:37 | 1:23:39 | |
I saved you from Cousin Harry in the nick of time. | 1:23:41 | 1:23:43 | |
I thought you'd never arrive. | 1:23:43 | 1:23:45 | |
Now let's take a little time with her. | 1:23:51 | 1:23:54 | |
No need to rush it as you did with the others. | 1:23:54 | 1:23:57 | |
Hey. | 1:24:28 | 1:24:29 | |
Where's your lucky medal? | 1:24:29 | 1:24:32 | |
Must have dropped it upstairs. I'll go and get it. | 1:24:34 | 1:24:37 | |
Don't start without me. | 1:24:40 | 1:24:42 | |
KNOCK AT DOOR | 1:24:43 | 1:24:46 | |
Hi, Charlie. | 1:25:18 | 1:25:19 | |
I figured it out. | 1:25:20 | 1:25:22 | |
I wanted to be here. | 1:25:37 | 1:25:39 | |
The star of the evening. | 1:25:39 | 1:25:42 | |
Scream, please. Do scream. | 1:25:50 | 1:25:54 | |
If you feel like it. You can't be heard now. | 1:25:54 | 1:25:57 | |
Please. I'll give you the money. | 1:25:57 | 1:26:00 | |
I'll have the money anyway. | 1:26:00 | 1:26:02 | |
In a little while... | 1:26:02 | 1:26:03 | |
Charlie will have everything. | 1:26:03 | 1:26:05 | |
Why are you doing this? | 1:26:05 | 1:26:07 | |
Charlie's insane! | 1:26:07 | 1:26:09 | |
Charlie and I were in the Army together. | 1:26:09 | 1:26:11 | |
He asked me to help him inherit some money. | 1:26:11 | 1:26:15 | |
In return for which, I would have certain rewards. | 1:26:15 | 1:26:19 | |
Some material... | 1:26:19 | 1:26:22 | |
and some... | 1:26:22 | 1:26:25 | |
non-material. | 1:26:25 | 1:26:28 | |
FURNITURE BANGS AND CRASHES | 1:26:31 | 1:26:32 | |
Hope you're not busy for the next few hours. | 1:26:32 | 1:26:35 | |
There's a clock on the table over there. | 1:26:37 | 1:26:39 | |
Soon you'll be able to see how slowly time passes... | 1:26:43 | 1:26:47 | |
when you're having fun. | 1:26:48 | 1:26:50 | |
Mrs Pleasant! | 1:27:19 | 1:27:21 | |
Annabelle is in danger. | 1:27:27 | 1:27:29 | |
Please don't. | 1:28:01 | 1:28:03 | |
Please don't. | 1:28:14 | 1:28:15 | |
Please. | 1:28:20 | 1:28:21 | |
Are you all right? | 1:28:33 | 1:28:35 | |
Just barely. | 1:28:35 | 1:28:37 | |
Is the...is the cat out for the night? | 1:28:37 | 1:28:40 | |
I think the cat's out for good. | 1:28:40 | 1:28:42 | |
You know, if this were a song, I'd say something about it's gonna be a real nice day. | 1:29:12 | 1:29:17 | |
And I'd definitely agree. | 1:29:17 | 1:29:18 | |
-Annabelle. -Oh, Cicily. Are you leaving so soon? | 1:29:18 | 1:29:21 | |
Yes, Harry's giving me a lift. | 1:29:21 | 1:29:23 | |
Cicily, I'm terribly sorry about Susan. | 1:29:23 | 1:29:26 | |
Me too. | 1:29:26 | 1:29:27 | |
What are you going to do? | 1:29:27 | 1:29:29 | |
Well, I'm going to go to Kenya for the winter and then we'll see. | 1:29:29 | 1:29:33 | |
Just let me know as soon as you get back. OK? | 1:29:33 | 1:29:35 | |
Thank you. | 1:29:42 | 1:29:44 | |
Ah! Good morning, leeches. | 1:29:50 | 1:29:53 | |
BOTH: Good morning. | 1:29:53 | 1:29:55 | |
And now you know what leeches you really are. | 1:29:55 | 1:29:59 | |
So the heir named West cracked up. | 1:30:00 | 1:30:04 | |
Turned out to be the one to whom I bequeathed our strain of insanity. | 1:30:04 | 1:30:09 | |
Bad luck. | 1:30:09 | 1:30:10 | |
Or perhaps they didn't make it through the night. | 1:30:10 | 1:30:13 | |
Even worse luck. | 1:30:13 | 1:30:16 | |
Well, you remaining bunch of bastards, I'll tell you which of you is next in line. | 1:30:20 | 1:30:26 | |
The suspense must be killing you. | 1:30:28 | 1:30:30 | |
It's that curly-haired little rascal | 1:30:30 | 1:30:33 | |
Charlie Wilder. | 1:30:33 | 1:30:35 | |
He was so nice when the cat died. | 1:30:35 | 1:30:38 | |
So you, Charlie Wilder, | 1:30:38 | 1:30:41 | |
or, if you're dead by now, | 1:30:41 | 1:30:43 | |
the institution that will get the money, | 1:30:43 | 1:30:46 | |
you're going to learn what life is all about, what it's really all about. | 1:30:46 | 1:30:52 | |
It took me a lifetime to learn it. | 1:30:52 | 1:30:56 | |
Greed. | 1:30:56 | 1:30:57 | |
Greed and power. | 1:30:57 | 1:31:00 | |
That's what it's all about. | 1:31:03 | 1:31:06 | |
Forget everything else. Forget what they try to talk you into. | 1:31:06 | 1:31:10 | |
Money. | 1:31:10 | 1:31:12 | |
Learn to get it. | 1:31:12 | 1:31:14 | |
And now that you've got it, | 1:31:14 | 1:31:16 | |
learn to hang onto it. | 1:31:16 | 1:31:18 | |
That's all. | 1:31:20 | 1:31:21 | |
Our visit is concluded. | 1:31:21 | 1:31:23 | |
For the time being. | 1:31:23 | 1:31:25 | |
As I said last night, | 1:31:25 | 1:31:27 | |
I'll look for you all later. | 1:31:27 | 1:31:30 | |
Subtitles by Red Bee Media Ltd, 2007 | 1:33:27 | 1:33:29 | |
E-mail [email protected] | 1:33:29 | 1:33:30 |