
Browse content similar to The Haunted Mansion. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
HINGES CREAK | 0:00:38 | 0:00:41 | |
CLOCK CHIMES | 0:02:09 | 0:02:10 | |
CHIMING STOPS | 0:02:24 | 0:02:25 | |
THUNDER CRASHES | 0:02:43 | 0:02:45 | |
WOMAN SCREAMS | 0:02:45 | 0:02:46 | |
FROGS CROAK | 0:02:55 | 0:02:57 | |
CREAKING IN DISTANCE | 0:03:17 | 0:03:20 | |
AH! AHH! UH! | 0:03:25 | 0:03:29 | |
It's love, isn't it? | 0:03:44 | 0:03:46 | |
Sometimes you walk into a house and you take one look around, | 0:03:46 | 0:03:48 | |
And you know. And you say, "This is for me." | 0:03:48 | 0:03:51 | |
Oh. I think it's perfect. It's just what we've been looking for. | 0:03:51 | 0:03:55 | |
There aren't enough plugs. | 0:03:55 | 0:03:58 | |
Hey, wait, Mr Coleman, now. | 0:03:58 | 0:04:00 | |
That place on Sycamore Street - | 0:04:00 | 0:04:01 | |
that place was absolutely, positively loaded with plugs. | 0:04:01 | 0:04:04 | |
That's right. There were plenty. | 0:04:04 | 0:04:06 | |
Yeah, but the steps were too high. | 0:04:06 | 0:04:08 | |
When we get older, we could trip. | 0:04:08 | 0:04:09 | |
Every house we look at you find something to pick at. | 0:04:09 | 0:04:12 | |
I just know what I like. | 0:04:12 | 0:04:14 | |
Mmm. Would you like a divorce? | 0:04:14 | 0:04:15 | |
Hey, hey, hey! No need for that. | 0:04:15 | 0:04:18 | |
Let me explain something to you. I'm gonna find this house for you. | 0:04:18 | 0:04:21 | |
I am totally committed to finding the perfect house for you. | 0:04:21 | 0:04:23 | |
And I don't care how long it takes because at Evers & Evers, | 0:04:23 | 0:04:26 | |
we want you to be happy forevers and evers! | 0:04:26 | 0:04:30 | |
PHONE RINGS Oh, excuse me. Let me take this call. | 0:04:30 | 0:04:33 | |
Sorry. I'm so sorry. ..Hello, Evers & Evers Real Estate. Jim Evers. | 0:04:33 | 0:04:37 | |
Hey, honey. How's it going? Do they like the house? | 0:04:37 | 0:04:39 | |
Uh, yes, this house is still available. | 0:04:39 | 0:04:42 | |
Oh, I knew it. I told you they were lookie-lou's. | 0:04:42 | 0:04:44 | |
It's another interested party. Excuse me. | 0:04:44 | 0:04:46 | |
Listen, I'm on my way home. | 0:04:46 | 0:04:48 | |
What? | 0:04:48 | 0:04:49 | |
I'm really looking forward to tonight. | 0:04:49 | 0:04:50 | |
Well, are you pre-approved? | 0:04:50 | 0:04:52 | |
Yeah, the reservation's at seven, so don't be late. | 0:04:52 | 0:04:55 | |
OK, well, seven's perfect. | 0:04:55 | 0:04:57 | |
Let's get together at seven and we'll go over your offer. | 0:04:57 | 0:05:00 | |
'OK, honey. I'll see you later.' | 0:05:00 | 0:05:01 | |
See what you did? We love the house. | 0:05:01 | 0:05:03 | |
We do. We love it. Well, then, Mrs Coleman. > | 0:05:05 | 0:05:08 | |
Taking that into consideration, there's only one thing left to do. | 0:05:08 | 0:05:12 | |
Let's sign some papers. | 0:05:12 | 0:05:13 | |
UP-TEMPO MUSIC PLAYS | 0:05:14 | 0:05:17 | |
Hey. Hey. | 0:05:17 | 0:05:18 | |
Lorraine and Gary, just like I promised, | 0:05:18 | 0:05:21 | |
here's the offer - signed, sealed, and delivered. | 0:05:21 | 0:05:23 | |
Thank you. Thank you so much. | 0:05:23 | 0:05:25 | |
We are so grateful. | 0:05:25 | 0:05:26 | |
This is a cause for celebration. Let us buy you a drink. | 0:05:26 | 0:05:29 | |
Oh, no, really, I can't. My wife's waiting for me. | 0:05:29 | 0:05:31 | |
Oh, no, but this is such a big deal for us. | 0:05:31 | 0:05:33 | |
Oh, I really can't. I'm late. We insist. Please. | 0:05:33 | 0:05:37 | |
OK, one quick drink. OK, one quick one. | 0:05:37 | 0:05:40 | |
Uh, sir, uh, can I have a ginger ale over here, please? | 0:05:40 | 0:05:42 | |
Oh, no. That's not a drink. Sammy, three volcanoes. | 0:05:42 | 0:05:45 | |
Oh, no, no, no, no volcanoes. | 0:05:45 | 0:05:46 | |
They're incredibly smooth. | 0:05:46 | 0:05:48 | |
Oh, we love it here. We've been coming here for years. | 0:05:48 | 0:05:50 | |
It's like Hawaii. Yes. | 0:05:50 | 0:05:52 | |
We spent our honeymoon there. | 0:05:52 | 0:05:53 | |
It was fantastic. Have you been? | 0:05:53 | 0:05:54 | |
No, never been there. | 0:05:54 | 0:05:55 | |
Promise me you'll go. You promise. | 0:05:55 | 0:05:57 | |
I'll go if you sign. I will go to Hawaii if you sign, | 0:05:57 | 0:06:00 | |
but I gotta get going because it's my anniversary tonight. | 0:06:00 | 0:06:03 | |
Your anniversary?! Happy anniversary! | 0:06:03 | 0:06:05 | |
Thank you. Sign that thing here. | 0:06:05 | 0:06:07 | |
# Happy anniversary Happy anniversary | 0:06:08 | 0:06:10 | |
# Happy anniversary | 0:06:10 | 0:06:12 | |
# Happy anniversary | 0:06:12 | 0:06:13 | |
# Happy, happy, happy, happy... # Hey, sign this! | 0:06:13 | 0:06:15 | |
OK, Jim. | 0:06:15 | 0:06:18 | |
Sorry about that. No. | 0:06:18 | 0:06:19 | |
It's been a pleasure doing business with you. | 0:06:19 | 0:06:23 | |
Aloha. OK. Bye-bye. | 0:06:23 | 0:06:25 | |
Oh, excuse me, did I hear you correctly? | 0:06:26 | 0:06:29 | |
Did you just sell their house? I sure did. | 0:06:29 | 0:06:31 | |
We're looking to buy. | 0:06:31 | 0:06:33 | |
Honey, forgive me. | 0:06:38 | 0:06:39 | |
Well, I'm Jim Evers of Evers & Evers Real Estate. | 0:06:39 | 0:06:42 | |
Tell me about your dream house. | 0:06:42 | 0:06:45 | |
DOORBELL RINGS | 0:06:45 | 0:06:46 | |
Hi, Sara. My name's Teddy. Your husband told me to tell you that he loves you very much | 0:06:46 | 0:06:50 | |
but sometimes he loses track of the time. I'm sorry I'm late. | 0:06:50 | 0:06:54 | |
Happy anniversary. | 0:06:54 | 0:06:56 | |
Happy anniversary. | 0:06:56 | 0:06:58 | |
Yes. Oh! | 0:06:58 | 0:06:59 | |
Look at what he brought you! | 0:07:00 | 0:07:03 | |
Look at that. Isn't that pretty? | 0:07:03 | 0:07:05 | |
Oh, you know, you have a wonderful husband | 0:07:05 | 0:07:07 | |
that thinks about you on your anniversaries. You're so fortunate! | 0:07:07 | 0:07:10 | |
It's beautiful. | 0:07:10 | 0:07:11 | |
You know, it's Teddy's fault that I'm late. | 0:07:13 | 0:07:15 | |
He had a little accident in the backseat, | 0:07:15 | 0:07:17 | |
cotton all over the place, but I cleaned it up. | 0:07:17 | 0:07:19 | |
It's OK. I forgive Teddy. | 0:07:19 | 0:07:23 | |
Hey, come on, Sara, don't be like that. | 0:07:23 | 0:07:25 | |
I'm on a roll here. Hey, we sold seven houses this month. | 0:07:25 | 0:07:27 | |
Yeah, well, what about the three soccer games, | 0:07:27 | 0:07:29 | |
two birthday parties, and barbecue you missed? | 0:07:29 | 0:07:31 | |
Did I miss that much stuff this month? | 0:07:31 | 0:07:34 | |
OK, well, tell you what we'll do. We'll take off this weekend. | 0:07:34 | 0:07:37 | |
What?! We'll take off for the weekend. | 0:07:37 | 0:07:40 | |
We'll go down to the lake, like we did last year with the kids. | 0:07:40 | 0:07:42 | |
Us and the kids the whole weekend. | 0:07:42 | 0:07:43 | |
How's that sound? Can we close on this? | 0:07:43 | 0:07:45 | |
Yes, how about this? We can close on this. How about this? | 0:07:45 | 0:07:48 | |
Close on that. I'm gonna go tell the kids. | 0:07:49 | 0:07:51 | |
All right? OK. All right. | 0:07:51 | 0:07:53 | |
Megan and Michael, big family adventure! | 0:07:53 | 0:07:55 | |
Hey! Michael Jordan Evers! | 0:07:55 | 0:07:57 | |
Ahh! Ahhh! | 0:07:57 | 0:07:59 | |
Hey, whoa, whoa, whoa, whoa! | 0:07:59 | 0:08:01 | |
Dad! There's a...there's a... What is it? | 0:08:01 | 0:08:03 | |
There's a spider in my room! There's a what? | 0:08:03 | 0:08:05 | |
There's a spider in my room. He's on the window. | 0:08:05 | 0:08:07 | |
Why don't you kill it, man? | 0:08:07 | 0:08:08 | |
That's a big spider! | 0:08:08 | 0:08:10 | |
Come on, now. It's just a spider, Michael. | 0:08:10 | 0:08:12 | |
How big could it be? Come on, what is this? | 0:08:12 | 0:08:14 | |
Where's the spider at? | 0:08:14 | 0:08:15 | |
What? Man, you're acting like it's Mothra. It's just a spider. | 0:08:15 | 0:08:18 | |
You're making a big deal out of nothing, Michael. | 0:08:18 | 0:08:20 | |
Come on, look. Come here. You're ten years old. | 0:08:20 | 0:08:22 | |
And it's time I teach you how to kill a spider. | 0:08:22 | 0:08:24 | |
The most efficient way to crush a spider. | 0:08:24 | 0:08:27 | |
All right. You got to get a good magazine. | 0:08:27 | 0:08:29 | |
Some people like to use "Life" or "Time" or "News". | 0:08:29 | 0:08:32 | |
This is my "Sports Illustrated swimsuit edition." What are you doing with it? | 0:08:32 | 0:08:37 | |
I don't know. | 0:08:37 | 0:08:39 | |
No, ah, yah, yeah, right, | 0:08:39 | 0:08:41 | |
Well, if you can look at this, you should have enough courage to kill a spider the right way. | 0:08:41 | 0:08:45 | |
So I'll roll this up good and tight, so you get a good grip on it. You get a side swing. | 0:08:45 | 0:08:49 | |
That's where you can really get good action going. | 0:08:49 | 0:08:51 | |
You want to come across like that, so you really crush it. | 0:08:51 | 0:08:54 | |
You know, you come across this way, | 0:08:54 | 0:08:56 | |
so you get his whole escape route, in case he try to go... | 0:08:56 | 0:08:58 | |
You take it, and you whack it. Go on. Whack the spider. | 0:08:58 | 0:09:01 | |
I don't want to whack it. | 0:09:01 | 0:09:02 | |
Come on, you gotta whack the spider, Mike. Whack it. | 0:09:02 | 0:09:05 | |
Dad, I'm afraid of spiders. I can't whack it. | 0:09:05 | 0:09:07 | |
Let me explain something to you. | 0:09:08 | 0:09:11 | |
All your life you're gonna be facing spiders, OK? | 0:09:11 | 0:09:13 | |
I am? | 0:09:14 | 0:09:15 | |
What I'm trying to say is you should never be afraid. | 0:09:15 | 0:09:17 | |
Don't be afraid of anything. | 0:09:17 | 0:09:19 | |
People know you're scared, they use that against you. | 0:09:19 | 0:09:20 | |
I'm not scared of anything. I'm your dad, right? | 0:09:20 | 0:09:22 | |
You're my son. You whack that spider. | 0:09:22 | 0:09:24 | |
- Come on. Whack it. - I can't whack the spider, dad. | 0:09:24 | 0:09:26 | |
Yes, you can. Come on, whack it. You can do it. | 0:09:26 | 0:09:27 | |
Whack the spider, son. I don't want to whack it. | 0:09:27 | 0:09:29 | |
Yes, you can. Come on. I don't want to whack it. | 0:09:29 | 0:09:31 | |
Well, kill the spider. Kill the spider. | 0:09:31 | 0:09:32 | |
Dad, I can't crush it. I can't whack it! | 0:09:32 | 0:09:35 | |
Hey. | 0:09:35 | 0:09:37 | |
There. Happy? | 0:09:37 | 0:09:39 | |
No, I'm not happy, Megan. | 0:09:39 | 0:09:40 | |
I was trying to make a point about how you gotta whack your own spiders! | 0:09:40 | 0:09:43 | |
Whatever. | 0:09:43 | 0:09:45 | |
- Mm-hmm. - 'Past Old Miller road.' | 0:09:45 | 0:09:48 | |
OK, great. | 0:09:48 | 0:09:50 | |
'It is an old home, Ms Evers, | 0:09:50 | 0:09:52 | |
'and my employer is anxious to move on. | 0:09:52 | 0:09:56 | |
'Would it be possible for you to come alone to discuss the situation?' | 0:09:56 | 0:10:01 | |
But my husband and I work as a team. | 0:10:01 | 0:10:03 | |
'The master usually does not take visitors. | 0:10:03 | 0:10:06 | |
'However, from your photograph, | 0:10:06 | 0:10:08 | |
'he thought you to have a trustworthy face. | 0:10:08 | 0:10:11 | |
'About your husband, he felt differently.' | 0:10:11 | 0:10:15 | |
Oh. You got our flyer. | 0:10:15 | 0:10:17 | |
'The master had wished to meet you tomorrow evening.' | 0:10:17 | 0:10:20 | |
Oh, I'm so sorry, but tomorrow I've got plans that can't be broken. | 0:10:20 | 0:10:24 | |
(Who is that?) | 0:10:24 | 0:10:25 | |
- Excuse me a second. - (Who is that?) | 0:10:25 | 0:10:26 | |
Just someone calling about repping a house. | 0:10:26 | 0:10:28 | |
What's the address? Where is it? | 0:10:28 | 0:10:31 | |
Sara, do you know where this place is?! | 0:10:31 | 0:10:34 | |
All the places up here are, like, big multi-million-dollar mansions. | 0:10:34 | 0:10:36 | |
This could be big! | 0:10:36 | 0:10:38 | |
And what about our big family adventure? | 0:10:38 | 0:10:40 | |
It's just a little detour. | 0:10:40 | 0:10:43 | |
MEGAN: How long is it gonna take? | 0:10:43 | 0:10:45 | |
No more than 20 minutes. 20 minutes tops. | 0:10:45 | 0:10:47 | |
You kids should be excited. | 0:10:47 | 0:10:49 | |
You're gonna finally get to see us in real-estate action. | 0:10:49 | 0:10:51 | |
CELLPHONE RINGS | 0:10:51 | 0:10:52 | |
Somebody's calling me. Who's calling me? | 0:10:52 | 0:10:54 | |
Hello, Jim Evers, Evers & Evers Real Estate. | 0:10:54 | 0:10:57 | |
Stan, how you doing? | 0:10:57 | 0:10:58 | |
What's the latest? | 0:10:58 | 0:10:59 | |
MAN TALKS INDISTINCTLY | 0:10:59 | 0:11:01 | |
Really? The Selmer property? | 0:11:01 | 0:11:03 | |
Tomorrow? | 0:11:03 | 0:11:05 | |
Wow, I'm kinda out of town right now. | 0:11:05 | 0:11:07 | |
Hey, but, hey, listen, maybe I could come back early. | 0:11:07 | 0:11:10 | |
Oh, no, I can't come back early. | 0:11:11 | 0:11:14 | |
No, I can't come back early. | 0:11:14 | 0:11:15 | |
Um, maybe we should just take care of this on Monday. | 0:11:15 | 0:11:17 | |
All right? | 0:11:17 | 0:11:18 | |
Monday? | 0:11:18 | 0:11:19 | |
Monday sounds fantastic. | 0:11:19 | 0:11:21 | |
I'll talk to you on Monday. | 0:11:21 | 0:11:23 | |
We're gonna talk on Monday. | 0:11:23 | 0:11:25 | |
Michael: Are we still in America? | 0:11:27 | 0:11:29 | |
Here it is, right here. OK? | 0:11:31 | 0:11:33 | |
All right? | 0:11:33 | 0:11:35 | |
Yeah, that's a whole lot of gate. | 0:11:46 | 0:11:47 | |
They must have a big possum problem down here. | 0:11:48 | 0:11:51 | |
That's some big possum. | 0:11:51 | 0:11:53 | |
HORN HONKS | 0:11:53 | 0:11:55 | |
HORN HONKS | 0:11:58 | 0:12:00 | |
- Didn't they know we were coming? - Of course they knew. | 0:12:00 | 0:12:02 | |
Maybe there's a call box or something. | 0:12:02 | 0:12:04 | |
Hello?! | 0:12:05 | 0:12:07 | |
HORN HONKS | 0:12:08 | 0:12:09 | |
Hello?! The Evers are here! | 0:12:09 | 0:12:11 | |
HORN HONKS | 0:12:13 | 0:12:15 | |
Yes, we're here now! | 0:12:15 | 0:12:18 | |
Nobody's answering. | 0:12:18 | 0:12:20 | |
Now I gotta get out in the dirt with my brand-new shoes on. | 0:12:20 | 0:12:22 | |
Wow. | 0:12:37 | 0:12:39 | |
How are we gonna get in? | 0:12:40 | 0:12:42 | |
Why don't you give me a boost, | 0:12:43 | 0:12:45 | |
And I'll climb over and go around the back? | 0:12:45 | 0:12:46 | |
They're probably old. We'll surprise them. | 0:12:46 | 0:12:48 | |
You'll probably kill them. | 0:12:48 | 0:12:49 | |
Let's just go. It's getting late. | 0:12:49 | 0:12:51 | |
You know, Sara, you give up too easy. | 0:12:52 | 0:12:54 | |
You gotta be more patient. | 0:12:54 | 0:12:55 | |
The Evers' way is to be patient - | 0:12:55 | 0:12:57 | |
HINGES CREAKING | 0:12:57 | 0:12:58 | |
All right, we're in business. | 0:13:05 | 0:13:07 | |
Let's go, let's go. > | 0:13:07 | 0:13:08 | |
Let's do this. | 0:13:08 | 0:13:10 | |
ENGINE STARTS | 0:13:12 | 0:13:13 | |
THUNDER RUMBLES | 0:13:17 | 0:13:20 | |
CAWING | 0:13:35 | 0:13:37 | |
Wow. | 0:13:47 | 0:13:49 | |
Bob Vila would have a field day with this place. | 0:13:49 | 0:13:51 | |
DOOR SLAMS Hey, Megan, don't slam the door like that. | 0:13:51 | 0:13:54 | |
It's very sensitive. | 0:13:54 | 0:13:56 | |
It's a car, dad. | 0:13:56 | 0:13:58 | |
Ahh! It's not just a car. | 0:13:58 | 0:14:00 | |
It's a very delicate piece of machinery. | 0:14:00 | 0:14:02 | |
Shh! She didn't mean what she just said. | 0:14:02 | 0:14:04 | |
Come on, let's see what's around back. | 0:14:04 | 0:14:06 | |
I'm getting hungry. | 0:14:06 | 0:14:08 | |
Me too! | 0:14:08 | 0:14:09 | |
Don't worry. We'll be 20 minutes tops. | 0:14:09 | 0:14:11 | |
Michael: Hey, Dad, when we get to the lake, | 0:14:11 | 0:14:12 | |
Can I go to that pizza shop where I ate that whole pizza pie, | 0:14:12 | 0:14:15 | |
And then when we got to the cabin, I threw up, and you still saw the pepperoni chunks in it? | 0:14:15 | 0:14:19 | |
- Can we go there? - Yeah, we can go there if we can avoid a repeat performance. | 0:14:19 | 0:14:23 | |
BIRDS CRYING | 0:14:25 | 0:14:27 | |
Wow. Now, that's something you don't see every day. | 0:14:27 | 0:14:30 | |
Oh, my God. | 0:14:30 | 0:14:34 | |
Dead people? | 0:14:34 | 0:14:35 | |
Hey, hey, honey, | 0:14:35 | 0:14:36 | |
You know they have, uh... dead people in the backyard? | 0:14:36 | 0:14:40 | |
Well, some people have pools. | 0:14:40 | 0:14:42 | |
Some people have private cemeteries. It happens. | 0:14:42 | 0:14:45 | |
You're gonna sell a house with this? | 0:14:45 | 0:14:48 | |
This historical sprawling manor with spacious grounds? Yes. | 0:14:48 | 0:14:51 | |
Hey, that's good. We'll put that on the listing. | 0:14:51 | 0:14:53 | |
And leave out all the dead people?! | 0:14:53 | 0:14:54 | |
Well, we'll just stick to the bright side. | 0:14:54 | 0:14:56 | |
THUNDER CRASHES | 0:14:56 | 0:14:57 | |
Oh, no, I got my good suit on. | 0:14:57 | 0:15:00 | |
Oh. | 0:15:04 | 0:15:05 | |
You think it's gonna stop? | 0:15:05 | 0:15:07 | |
Oh, I hope it's not raining at the lake. | 0:15:07 | 0:15:10 | |
All right, you kids know when you're at work with mommy and daddy, | 0:15:10 | 0:15:12 | |
you're always on your best behaviour, right? | 0:15:12 | 0:15:14 | |
OK. Whoo! | 0:15:14 | 0:15:16 | |
Look at the size of these knockers. | 0:15:16 | 0:15:18 | |
Ever see anything like that before? | 0:15:18 | 0:15:20 | |
Hello?! Evers Real Estate! | 0:15:20 | 0:15:23 | |
E-evers Real Estate! | 0:15:25 | 0:15:27 | |
HINGES CREAKING | 0:15:30 | 0:15:32 | |
Hello? | 0:15:39 | 0:15:41 | |
Is anybody home? | 0:15:41 | 0:15:44 | |
Hello?! | 0:15:48 | 0:15:49 | |
We're the Evers from Evers & Evers Real Estate. | 0:15:49 | 0:15:54 | |
Hi! | 0:15:54 | 0:15:56 | |
HINGES CREAKING | 0:15:56 | 0:15:58 | |
Have you ever seen anything like this? | 0:16:01 | 0:16:04 | |
Never. | 0:16:04 | 0:16:05 | |
Sara, this puts us in a whole new league. | 0:16:05 | 0:16:09 | |
Smells like grandma's house. | 0:16:09 | 0:16:11 | |
Worse - smells like grandma. | 0:16:11 | 0:16:13 | |
This place is just a little dusty. | 0:16:13 | 0:16:15 | |
We'll get a cleaning crew to come out here and shine it up - | 0:16:15 | 0:16:17 | |
this place would be sparkling from top to bottom. | 0:16:17 | 0:16:19 | |
Mom... | 0:16:19 | 0:16:20 | |
This place has spiders. | 0:16:20 | 0:16:22 | |
DOOR HINGES CREAKING | 0:16:22 | 0:16:24 | |
THUNDER CRASHES | 0:16:26 | 0:16:28 | |
Sara Evers? | 0:16:41 | 0:16:44 | |
Yes, I'm Sara. | 0:16:44 | 0:16:46 | |
My name is Ramsley. | 0:16:46 | 0:16:50 | |
Hello, Ramsley. I'm Jim Evers of Evers & Evers Real Estate | 0:16:54 | 0:16:57 | |
at your service. | 0:16:57 | 0:17:00 | |
We were not expecting... | 0:17:00 | 0:17:03 | |
others. | 0:17:03 | 0:17:04 | |
Yes, we were on our way out of town. | 0:17:04 | 0:17:08 | |
Yeah, then when we realized the enormity | 0:17:08 | 0:17:10 | |
and complexity of your unique estate, | 0:17:10 | 0:17:12 | |
we wanted to commit the full resources of Evers & Evers Real Estate, | 0:17:12 | 0:17:15 | |
because at Evers & Evers, we want you to be happy forevers and evers. | 0:17:15 | 0:17:18 | |
And please accept this waterproof calendar | 0:17:18 | 0:17:20 | |
as a token of our appreciation. | 0:17:20 | 0:17:23 | |
Very well. | 0:17:25 | 0:17:27 | |
We shall have to place other settings. | 0:17:27 | 0:17:29 | |
Who do you have the settings for? | 0:17:29 | 0:17:31 | |
Master Gracey wishes to discuss his affairs over dinner. | 0:17:31 | 0:17:36 | |
Oh, I'm afraid we have plans. | 0:17:36 | 0:17:38 | |
Honey, we can't stay for dinner. | 0:17:38 | 0:17:40 | |
Oh, yes, but we mustn't be rude, darling. | 0:17:40 | 0:17:42 | |
- What about our family adventure? - Yeah, dad. | 0:17:42 | 0:17:45 | |
We'll just have some soup, and then we'll get going, OK? | 0:17:45 | 0:17:47 | |
All right? | 0:17:47 | 0:17:49 | |
Wow. | 0:17:56 | 0:17:58 | |
HINGES CREAKING | 0:18:01 | 0:18:03 | |
Wow. | 0:18:08 | 0:18:10 | |
Nice. Very nice. | 0:18:12 | 0:18:14 | |
Good job. Good job. | 0:18:14 | 0:18:17 | |
Hey, Megan, how'd you like to eat like this every day at home, huh? | 0:18:17 | 0:18:18 | |
The master will be with you shortly. | 0:18:21 | 0:18:24 | |
Carry on. | 0:18:27 | 0:18:28 | |
I said, "carry on." | 0:18:33 | 0:18:35 | |
He walks off! | 0:18:35 | 0:18:37 | |
Have you ever seen a fireplace this amazing? | 0:18:40 | 0:18:42 | |
Incredible. | 0:18:42 | 0:18:44 | |
Ah, we could have one heck of a wienie roast in that thing, huh? | 0:18:44 | 0:18:47 | |
Seriously. Look at this detail. | 0:18:47 | 0:18:50 | |
I've never seen anything like this. | 0:18:50 | 0:18:51 | |
THUNDER CRASHES Haven't you? | 0:18:51 | 0:18:55 | |
My grandfather spared no expense when he built this mansion. | 0:18:55 | 0:18:59 | |
Well - well, your grandfather | 0:18:59 | 0:19:01 | |
Had really good taste in tchotchkes. | 0:19:01 | 0:19:03 | |
I'm Jim Evers of Evers & Evers Real Estate. | 0:19:03 | 0:19:04 | |
Charmed to make your acquaintance, sir. | 0:19:04 | 0:19:06 | |
Edward. Edward Gracey. | 0:19:06 | 0:19:09 | |
Uh... this is my wife, Sara. | 0:19:15 | 0:19:18 | |
Come meet Mr Gracey? | 0:19:18 | 0:19:19 | |
Very nice to meet you, Mr Gracey. | 0:19:19 | 0:19:21 | |
And, uh, this is our daughter, Megan, and our son, Michael. | 0:19:21 | 0:19:24 | |
You have very beautiful children, Ms Evers. | 0:19:28 | 0:19:31 | |
I kicked in some chromosomes, too. | 0:19:32 | 0:19:34 | |
HE LAUGHS | 0:19:34 | 0:19:36 | |
Children... | 0:19:36 | 0:19:38 | |
Madame... | 0:19:38 | 0:19:40 | |
Oh! Nice. Boy. OK. | 0:19:40 | 0:19:42 | |
Thank you. | 0:19:45 | 0:19:47 | |
The master was very pleased | 0:19:48 | 0:19:49 | |
when he heard you could come on such short notice. | 0:19:49 | 0:19:52 | |
Normally, we would not have called you here so abruptly, | 0:19:52 | 0:19:57 | |
but we had no other choice. | 0:19:57 | 0:19:58 | |
Well, what do you got - termites or something? | 0:19:58 | 0:20:00 | |
- Big house like this must have a lot of termites. - No. | 0:20:00 | 0:20:02 | |
But lately there have been more... disturbances. | 0:20:02 | 0:20:07 | |
What do you think of the house, Ms Evers? | 0:20:08 | 0:20:10 | |
Oh. | 0:20:10 | 0:20:12 | |
I think it's absolutely incredible. | 0:20:12 | 0:20:15 | |
The Italian influence, | 0:20:15 | 0:20:17 | |
the renaissance style of the moulding - | 0:20:17 | 0:20:19 | |
the attention to detail is stunning. | 0:20:19 | 0:20:21 | |
You never see houses like this, or at least, I don't. | 0:20:21 | 0:20:24 | |
Great care and love went into the building of this mansion. | 0:20:24 | 0:20:28 | |
THUNDER CRASHES | 0:20:37 | 0:20:39 | |
This house is my inheritance... | 0:20:40 | 0:20:43 | |
My birthright. | 0:20:43 | 0:20:46 | |
But lately it's become too much to bear. | 0:20:46 | 0:20:48 | |
Tell me, Mr Evers... | 0:20:49 | 0:20:51 | |
Do you believe in ghosts? | 0:20:51 | 0:20:54 | |
Ghosts? | 0:20:55 | 0:20:56 | |
Yeah, sure, I believe in ghosts. | 0:20:56 | 0:20:58 | |
Yeah. I don't think it's a good idea to put that information on the listing, though. | 0:20:58 | 0:21:02 | |
You should talk about how many bathrooms are in the house. | 0:21:02 | 0:21:04 | |
People love bathrooms. | 0:21:04 | 0:21:05 | |
We should play up the whole toilet angle | 0:21:05 | 0:21:06 | |
And leave out ghosts for now. | 0:21:06 | 0:21:08 | |
I think that'd be best. | 0:21:08 | 0:21:09 | |
The storm has swollen the river. | 0:21:10 | 0:21:13 | |
How's that? | 0:21:13 | 0:21:14 | |
The storm has flooded the road. | 0:21:14 | 0:21:18 | |
I'm afraid there will be no leaving the mansion tonight. | 0:21:18 | 0:21:22 | |
What?! | 0:21:22 | 0:21:24 | |
Of course you are all more than welcome to spend the night here. | 0:21:24 | 0:21:30 | |
Oh, no, I really don't think we should. | 0:21:30 | 0:21:32 | |
We've got plans. | 0:21:32 | 0:21:34 | |
I'm afraid there's no other way. | 0:21:34 | 0:21:38 | |
Ramsley will show you to your rooms. | 0:21:38 | 0:21:41 | |
HINGES CREAKING | 0:21:51 | 0:21:53 | |
I believe the children will be comfortable in this room. | 0:21:53 | 0:21:57 | |
Yeah. Real homey. | 0:21:59 | 0:22:01 | |
You'll be fine. | 0:22:01 | 0:22:04 | |
Wow. Hey, listen - when you flush the toilet, | 0:22:04 | 0:22:06 | |
check and see how quickly it refills. | 0:22:06 | 0:22:08 | |
Good night, dad. | 0:22:08 | 0:22:10 | |
Good night. | 0:22:10 | 0:22:12 | |
I hope you and the madam will find this room to your liking. | 0:22:16 | 0:22:21 | |
Yeah, it's great. | 0:22:21 | 0:22:22 | |
It'll be like spending the night in a fine hotel. | 0:22:22 | 0:22:24 | |
Will there be anything else that you require, sir? | 0:22:24 | 0:22:27 | |
- What, are you gonna get us some chocolates? - Pardon? | 0:22:27 | 0:22:30 | |
You know, the little chocolates they put on the hotel pillows. | 0:22:30 | 0:22:32 | |
Sometimes they have chocolates on the pillow. | 0:22:32 | 0:22:34 | |
They have little chocolates on the pillows... | 0:22:34 | 0:22:36 | |
They have... | 0:22:36 | 0:22:39 | |
What's the problem? | 0:22:39 | 0:22:41 | |
SARA: In the first place, | 0:22:44 | 0:22:46 | |
we weren't even supposed to be here. | 0:22:46 | 0:22:48 | |
We were supposed to be at the lake. | 0:22:48 | 0:22:49 | |
Hey, what am I supposed to do - control the weather now, Sara? | 0:22:49 | 0:22:51 | |
That's not the point. | 0:22:51 | 0:22:53 | |
You couldn't resist. You just had to come. | 0:22:53 | 0:22:54 | |
Excuse me, this is a big opportunity for all of us. | 0:22:54 | 0:22:57 | |
Not for us, for you. | 0:22:57 | 0:22:59 | |
The only thing you seem to care about any more is work. | 0:22:59 | 0:23:01 | |
Oh, but when I'm working hard like this, it doesn't matter | 0:23:01 | 0:23:03 | |
As long as I'm bringing you home expensive gifts, right? | 0:23:03 | 0:23:05 | |
SCOFFS | 0:23:05 | 0:23:07 | |
CLINKING | 0:23:07 | 0:23:08 | |
Hey, what are you... Hey, Sara. | 0:23:08 | 0:23:10 | |
Hey, Sara, I didn't mean to say that, OK? | 0:23:10 | 0:23:13 | |
Sara. | 0:23:13 | 0:23:14 | |
Come on, stop it. | 0:23:14 | 0:23:15 | |
Sara! Sara. | 0:23:15 | 0:23:17 | |
I'm sorry about that, honey. Can you open up, please? | 0:23:17 | 0:23:20 | |
Uh! Ooh. | 0:23:25 | 0:23:27 | |
You scared me. | 0:23:27 | 0:23:29 | |
- Pardon the intrusion, sir. - Yes. | 0:23:29 | 0:23:31 | |
The master was wondering | 0:23:31 | 0:23:32 | |
if he might have a word with you in the library. | 0:23:32 | 0:23:34 | |
A word? OK, yeah, I'd love to have a word with him. | 0:23:34 | 0:23:36 | |
Sure. Let's go talk some turkey. | 0:23:36 | 0:23:38 | |
Yes. Turkey. | 0:23:38 | 0:23:40 | |
- Very good, sir. - Yeah. | 0:23:40 | 0:23:42 | |
If you will kindly follow me... | 0:23:42 | 0:23:44 | |
Of course, of course. | 0:23:44 | 0:23:45 | |
Hey, hey, Sara! I'm gonna have a word with Mr Gracey! | 0:23:45 | 0:23:48 | |
I'll be back in a minute. | 0:23:48 | 0:23:50 | |
You know, Ramsley, I was just wondering. | 0:23:51 | 0:23:53 | |
Have you ever been to a tanning salon? | 0:23:53 | 0:23:54 | |
I've got a friend in the city who's got a really great place. | 0:23:54 | 0:23:56 | |
You can get a really smooth tan, you know? | 0:23:56 | 0:23:58 | |
Do something about that ashy white look. | 0:23:58 | 0:24:00 | |
Get a little bronze thing happening. | 0:24:00 | 0:24:01 | |
I'm sure the ladies would love it. | 0:24:01 | 0:24:03 | |
Yes. Sounds wonderful. | 0:24:03 | 0:24:06 | |
Would you care for a drink, sir, while you're waiting? | 0:24:08 | 0:24:12 | |
Yeah. Don't mind if I do. Thank you, Ramsley. | 0:24:12 | 0:24:14 | |
Oh, wow! Now, that's class. | 0:24:14 | 0:24:18 | |
That's what I need to do over at my place - | 0:24:18 | 0:24:19 | |
get a big picture of myself to put on the living room wall. | 0:24:19 | 0:24:21 | |
Adds a touch of elegance to the room. | 0:24:21 | 0:24:24 | |
Yes, sir. Very elegant. | 0:24:24 | 0:24:27 | |
Thank you. Thank you so much, Ramsley. | 0:24:27 | 0:24:30 | |
Mmm. | 0:24:31 | 0:24:33 | |
So, Ramsley, how long you been a butler? | 0:24:33 | 0:24:35 | |
A long time. | 0:24:35 | 0:24:36 | |
What are the most important qualifications | 0:24:36 | 0:24:38 | |
in case I might be doing some interviewing? | 0:24:38 | 0:24:39 | |
Attending to every detail, | 0:24:41 | 0:24:44 | |
understanding priorities, | 0:24:44 | 0:24:46 | |
and above all, knowing one's place. | 0:24:46 | 0:24:50 | |
And what does your boss like to do? What's he into? | 0:24:51 | 0:24:53 | |
You know, what floats his boat? | 0:24:53 | 0:24:55 | |
The master likes a great many things - | 0:24:56 | 0:25:00 | |
art, literature, beauty. | 0:25:00 | 0:25:05 | |
And all that stuff about, uh, ghosts - | 0:25:05 | 0:25:07 | |
what, did he get, like, a bad clam in his jambalaya one night? | 0:25:07 | 0:25:10 | |
You don't believe in ghosts, sir? | 0:25:10 | 0:25:12 | |
Absolutely not. Let me tell you something, Ramsley. | 0:25:12 | 0:25:15 | |
The way I see it, you only go around the track once, | 0:25:15 | 0:25:18 | |
so you do it full-out all the way around. | 0:25:18 | 0:25:19 | |
Mr Evers, may I confide in you? | 0:25:19 | 0:25:23 | |
Please do. | 0:25:25 | 0:25:26 | |
The master is not well. | 0:25:26 | 0:25:28 | |
He must leave this house, Mr Evers. | 0:25:28 | 0:25:30 | |
He must move on. | 0:25:30 | 0:25:31 | |
It is of the gravest importance, I assure you, | 0:25:31 | 0:25:36 | |
or I fear the very worst. | 0:25:36 | 0:25:40 | |
MEGAN: I can't believe this. | 0:25:42 | 0:25:44 | |
Still no reception. | 0:25:44 | 0:25:46 | |
We had to take that little detour. | 0:25:46 | 0:25:48 | |
"20 minutes tops." Yeah, right. | 0:25:48 | 0:25:50 | |
Do you think it's gonna stop raining soon? | 0:25:50 | 0:25:52 | |
How should I know? I'm not the weatherman. | 0:25:52 | 0:25:55 | |
Hmm. | 0:25:56 | 0:25:58 | |
Stogies. | 0:25:59 | 0:26:02 | |
Not bad. | 0:26:02 | 0:26:04 | |
Not at all. Hold onto that. | 0:26:04 | 0:26:07 | |
Hmm. | 0:26:08 | 0:26:09 | |
Hmm. Wonderful. | 0:26:09 | 0:26:12 | |
Must be nice. Must be really nice. | 0:26:12 | 0:26:15 | |
I tell ya. | 0:26:15 | 0:26:17 | |
Ah. | 0:26:17 | 0:26:18 | |
Hmm. | 0:26:18 | 0:26:20 | |
ENGLISH ACCENT: Hello there, good man. | 0:26:23 | 0:26:25 | |
Uh, Ramsley, fix the gentleman a drink. | 0:26:25 | 0:26:26 | |
Nigel, I just recently returned from the continent | 0:26:26 | 0:26:29 | |
where I found the most interesting book. | 0:26:29 | 0:26:31 | |
Yes, it was called "raising the dead." | 0:26:31 | 0:26:33 | |
NORMAL VOICE: Oh, cripes! | 0:26:33 | 0:26:35 | |
Ohh. I hope that doesn't stain. | 0:26:35 | 0:26:37 | |
Oh. | 0:26:39 | 0:26:40 | |
Wow. | 0:26:50 | 0:26:51 | |
Interesting. | 0:27:06 | 0:27:08 | |
Wow. | 0:27:14 | 0:27:16 | |
Wow. I wonder where this leads to. | 0:27:23 | 0:27:26 | |
Hey! | 0:27:26 | 0:27:27 | |
Hey! | 0:27:27 | 0:27:29 | |
Hey, open this back up! | 0:27:29 | 0:27:31 | |
Hey, open up! | 0:27:31 | 0:27:33 | |
Ramsley! | 0:27:33 | 0:27:34 | |
POUNDING Ramsley! | 0:27:34 | 0:27:37 | |
Push back the head! | 0:27:37 | 0:27:39 | |
Hey, would somebody push the head back? | 0:27:40 | 0:27:42 | |
MUSIC PLAYS | 0:28:01 | 0:28:02 | |
Megan! | 0:28:13 | 0:28:14 | |
What do you think it is? | 0:28:21 | 0:28:23 | |
It's a ghost ball. | 0:28:27 | 0:28:29 | |
I think it wants us to follow it. | 0:28:44 | 0:28:46 | |
I think you're crazy. | 0:28:48 | 0:28:50 | |
It does. It wants us to follow it. | 0:28:56 | 0:28:59 | |
Hey, Megan, wait up! | 0:29:14 | 0:29:16 | |
Where's that scary albino when you need him? | 0:29:22 | 0:29:25 | |
Oh, hello. | 0:29:31 | 0:29:33 | |
Have you seen my husband? | 0:29:35 | 0:29:36 | |
Excuse me. | 0:29:40 | 0:29:42 | |
Wait! | 0:29:43 | 0:29:44 | |
Wait! | 0:29:45 | 0:29:47 | |
Oh, Ramsley, it's you. | 0:30:05 | 0:30:07 | |
May I help you? | 0:30:07 | 0:30:09 | |
Yes. I was just looking for my husband. | 0:30:09 | 0:30:12 | |
Ah, indeed. | 0:30:12 | 0:30:14 | |
I left him in the library... | 0:30:14 | 0:30:17 | |
Right through there. | 0:30:17 | 0:30:19 | |
Honey, it's late. Let's not fight any more. | 0:30:21 | 0:30:24 | |
Come to bed? | 0:30:24 | 0:30:26 | |
Oh! I'm... sorry. | 0:30:26 | 0:30:28 | |
I thought you were my husband. | 0:30:28 | 0:30:30 | |
Can I help you with that? | 0:30:30 | 0:30:31 | |
Ramsley hates it when I leave things lying about. | 0:30:31 | 0:30:33 | |
Yes, he seems a bit proper. | 0:30:33 | 0:30:35 | |
He strikes most people that way. | 0:30:35 | 0:30:37 | |
Once you get to know him, you'll find that's not the case. | 0:30:37 | 0:30:40 | |
But he's really... | 0:30:40 | 0:30:42 | |
He's...he's really very sweet. | 0:30:44 | 0:30:46 | |
Thank you. | 0:30:46 | 0:30:48 | |
H-he's been like a father to me. | 0:30:48 | 0:30:50 | |
Mr Gracey... | 0:30:50 | 0:30:52 | |
May I ask you something? | 0:30:52 | 0:30:53 | |
Yes, of course. Anything. | 0:30:53 | 0:30:56 | |
This house - it's been in your family for generations. | 0:30:56 | 0:31:00 | |
It's your home. Why do you want to sell it? | 0:31:00 | 0:31:03 | |
These walls are filled with so many memories - | 0:31:03 | 0:31:08 | |
some of them... painful. | 0:31:08 | 0:31:13 | |
I-I think for you to understand, I really must show you. | 0:31:15 | 0:31:19 | |
It's all right. | 0:31:19 | 0:31:21 | |
There's nothing to be afraid of. | 0:31:21 | 0:31:23 | |
Although it might be a bit worn and faded | 0:31:28 | 0:31:31 | |
from its original grandeur, | 0:31:31 | 0:31:32 | |
this house was once filled with so many things, | 0:31:32 | 0:31:36 | |
so much life - | 0:31:36 | 0:31:37 | |
with grand parties, dancing, laughter, | 0:31:37 | 0:31:40 | |
and, above all, hope. | 0:31:40 | 0:31:43 | |
Being a Gracey meant that you were denied nothing. | 0:31:43 | 0:31:46 | |
The world was yours. | 0:31:46 | 0:31:47 | |
What happened here, Mr Gracey? | 0:31:47 | 0:31:50 | |
She did. | 0:31:50 | 0:31:51 | |
Who? | 0:31:51 | 0:31:52 | |
Elizabeth. | 0:31:52 | 0:31:54 | |
Hers is the story that haunts these walls. | 0:31:54 | 0:31:58 | |
CLANGING AND SQUEAKING | 0:32:14 | 0:32:17 | |
Come on. | 0:32:21 | 0:32:23 | |
Megan, wait. | 0:32:23 | 0:32:24 | |
You don't know the last time that thing's been inspected. | 0:32:26 | 0:32:28 | |
Would you just relax? Where's your sense of adventure? | 0:32:28 | 0:32:31 | |
CLANGING AND SQUEAKING | 0:32:39 | 0:32:41 | |
This is against all my better judgment. | 0:32:43 | 0:32:45 | |
HINGES SQUEAKING | 0:32:46 | 0:32:48 | |
THUNDER CRASHING | 0:32:57 | 0:32:58 | |
Hi! | 0:33:17 | 0:33:18 | |
Is anyone home? | 0:33:23 | 0:33:25 | |
CREAKING | 0:33:36 | 0:33:39 | |
Those must be termites. | 0:33:45 | 0:33:47 | |
Big-ass termites, that's all. | 0:33:49 | 0:33:51 | |
CLEARS THROAT | 0:33:51 | 0:33:52 | |
TELEPHONE RINGS | 0:34:18 | 0:34:20 | |
RINGING CONTINUES | 0:34:28 | 0:34:31 | |
Hello? | 0:34:47 | 0:34:49 | |
SQUAWKING Oh! | 0:35:03 | 0:35:05 | |
HE LAUGHS | 0:35:05 | 0:35:07 | |
Aah! | 0:35:08 | 0:35:09 | |
Aaah! | 0:35:09 | 0:35:11 | |
Aah! Aah! Aah! Aah! Aah! | 0:35:11 | 0:35:14 | |
Megan! | 0:35:41 | 0:35:42 | |
Mom. | 0:35:49 | 0:35:52 | |
What are you doing here? You're not supposed to be up here! | 0:35:52 | 0:35:54 | |
This is unspeakable! Unspeakable! You have to leave! | 0:35:54 | 0:35:56 | |
Who is that? | 0:35:56 | 0:35:57 | |
That's none of your business, that's who. | 0:35:57 | 0:35:59 | |
Now, come on, get out of here. It's way past your bedtime. | 0:35:59 | 0:36:01 | |
Her name was Elizabeth. | 0:36:01 | 0:36:02 | |
Are you kids hungry? Does anybody want a cookie? | 0:36:02 | 0:36:04 | |
Cookies?! | 0:36:04 | 0:36:05 | |
Don't offer them cookies! They're trespassers! | 0:36:05 | 0:36:08 | |
Trespassers don't get cookies! | 0:36:08 | 0:36:10 | |
This is none of their concern. | 0:36:10 | 0:36:12 | |
It is their concern! They're involved! | 0:36:12 | 0:36:13 | |
CREAK | 0:36:13 | 0:36:14 | |
Hide! Hide! | 0:36:16 | 0:36:17 | |
The children are not in their room. | 0:36:28 | 0:36:32 | |
Have you seen them? | 0:36:32 | 0:36:33 | |
Children? What children? | 0:36:33 | 0:36:35 | |
What children? | 0:36:35 | 0:36:37 | |
Her children. | 0:36:43 | 0:36:45 | |
The children she wasn't supposed to bring, | 0:36:45 | 0:36:48 | |
along with that brainless husband of hers. | 0:36:48 | 0:36:51 | |
Thank you. | 0:36:53 | 0:36:55 | |
If I had to listen to another word | 0:37:01 | 0:37:03 | |
from that insufferable fool, | 0:37:03 | 0:37:05 | |
I think I would have burst. | 0:37:05 | 0:37:06 | |
Of course, sir. What a fool! | 0:37:06 | 0:37:09 | |
Did I not tell her to come alone? | 0:37:09 | 0:37:12 | |
Is it really too much to ask for a little cooperation? | 0:37:12 | 0:37:15 | |
A little order? | 0:37:15 | 0:37:16 | |
Of course not, sir. | 0:37:16 | 0:37:18 | |
If you find the children, bring them to me. | 0:37:18 | 0:37:22 | |
Certainly, sir. | 0:37:22 | 0:37:24 | |
The final arrangements have been made. | 0:37:24 | 0:37:26 | |
Nothing further will interfere with the master's plan. | 0:37:26 | 0:37:30 | |
THUNDER CRASHES | 0:37:30 | 0:37:32 | |
WOMAN TALKING INDISTINCTLY | 0:37:37 | 0:37:38 | |
Thank God I heard your voice. | 0:37:38 | 0:37:40 | |
Hey, listen, I need some help getting - I lost my way. | 0:37:40 | 0:37:41 | |
I don't know how to get out of here. | 0:37:41 | 0:37:43 | |
I'm sorry if I sound a little frazzled, | 0:37:43 | 0:37:45 | |
But I just had myself a little freak show back there. | 0:37:45 | 0:37:47 | |
WOMAN: ...it's time to respond. | 0:37:47 | 0:37:49 | |
I was supposed to meet with Mr Gracey, | 0:37:49 | 0:37:51 | |
but I got stuck in the wall. | 0:37:51 | 0:37:54 | |
Goblins and ghoulies from last Halloween, | 0:37:54 | 0:37:57 | |
awaken the spirits with your tambourine. | 0:37:57 | 0:38:00 | |
OK, I hear you, but I don't see you. Where are you? | 0:38:00 | 0:38:03 | |
I am Madame Leota, seer of all, | 0:38:03 | 0:38:07 | |
voice to the spirits. | 0:38:07 | 0:38:09 | |
Whom do you seek? | 0:38:09 | 0:38:11 | |
Hey! Hey! | 0:38:14 | 0:38:16 | |
- Hey, what are you doing?! Let me out of here. - Silence! | 0:38:16 | 0:38:17 | |
Whom do you seek? | 0:38:17 | 0:38:19 | |
I am seeking a way out of here! | 0:38:19 | 0:38:21 | |
Then you must look within. | 0:38:21 | 0:38:23 | |
I don't want to look within. I want to look without. Are you deaf? | 0:38:23 | 0:38:24 | |
There is great evil in this house - | 0:38:24 | 0:38:26 | |
a devil's curse. | 0:38:26 | 0:38:28 | |
it seeks to destroy you. | 0:38:28 | 0:38:29 | |
Why would something seek to destroy me? | 0:38:29 | 0:38:31 | |
Look, I'm just here to sell the house, OK? | 0:38:31 | 0:38:32 | |
Dark spirits from the grave, come forth. | 0:38:32 | 0:38:36 | |
Lift us from the black, | 0:38:36 | 0:38:37 | |
And show us - show us the way back. | 0:38:37 | 0:38:41 | |
Dark spirits? Hey, no dark spirits. | 0:38:41 | 0:38:43 | |
Don't you make no dark spirits come out! | 0:38:43 | 0:38:44 | |
Lift us - lift us up to the light. | 0:38:44 | 0:38:47 | |
And lead us through this stormy night. | 0:38:47 | 0:38:50 | |
Hey, hey, hey. Hey! | 0:38:50 | 0:38:52 | |
Hey, hey, I'd really like to stay on the ground. | 0:38:52 | 0:38:55 | |
I'd rather stay on the ground. Can I stay on the ground, please? | 0:38:55 | 0:38:57 | |
Evil and darkness have called in this night. | 0:38:57 | 0:39:00 | |
But now to survive, you must gain new sight. | 0:39:00 | 0:39:02 | |
I must first gain new underwear. | 0:39:02 | 0:39:03 | |
Only the light will lead the way. | 0:39:03 | 0:39:06 | |
Follow it and find your way home. | 0:39:06 | 0:39:08 | |
There's no place like home. There's no place like home. | 0:39:08 | 0:39:10 | |
There's no place like home. There's no place like home. | 0:39:10 | 0:39:12 | |
Go, Mr Evers. Your family is at stake. | 0:39:12 | 0:39:14 | |
Your very life is at stake. Break the curse. | 0:39:14 | 0:39:18 | |
There is no escape for you unless you lift this spell. | 0:39:18 | 0:39:21 | |
Go. Save yourself. Save your family. | 0:39:21 | 0:39:24 | |
Release her. Release us all! | 0:39:24 | 0:39:27 | |
I'm getting so queasy. I'm getting very queasy. | 0:39:27 | 0:39:29 | |
LAUGHTER | 0:39:29 | 0:39:31 | |
Ohhhh! | 0:39:37 | 0:39:38 | |
Aah! | 0:39:39 | 0:39:40 | |
Aah! | 0:39:40 | 0:39:42 | |
Aaaah! | 0:39:43 | 0:39:44 | |
Aaaah! | 0:39:44 | 0:39:46 | |
INSTRUMENTS PLAYING | 0:39:46 | 0:39:49 | |
Oh... | 0:39:51 | 0:39:52 | |
Aah! Aah! | 0:40:03 | 0:40:04 | |
Aaaah! | 0:40:06 | 0:40:08 | |
Ohh! | 0:40:14 | 0:40:16 | |
CRASH | 0:40:18 | 0:40:20 | |
TAMBOURINE RATTLING | 0:40:20 | 0:40:22 | |
Dad! | 0:40:22 | 0:40:23 | |
Hey! Michael and Megan, you OK? | 0:40:23 | 0:40:24 | |
We're fine, thanks. All right. | 0:40:24 | 0:40:26 | |
Get your things. Let's get out of here. Let's go. | 0:40:26 | 0:40:27 | |
But, Dad, we have a problem. | 0:40:27 | 0:40:28 | |
What, because of the rain? We're just gonna get a little wet. | 0:40:28 | 0:40:30 | |
Let's just find your mom, and let's get out of here. Let's go! | 0:40:30 | 0:40:32 | |
I'm afraid that's not possible. She can't leave. | 0:40:32 | 0:40:35 | |
And why not? Because she can't! | 0:40:35 | 0:40:37 | |
If I could tell you, I would. But I can't, so I won't, OK? | 0:40:37 | 0:40:41 | |
Hey, how'd you... | 0:40:41 | 0:40:42 | |
Hey, hey, look. | 0:40:42 | 0:40:44 | |
Daddy's having more hallucinations. Let's go. | 0:40:44 | 0:40:46 | |
They're ghosts, Dad. They're not ghosts. | 0:40:46 | 0:40:47 | |
We're just having hallucinations from that dinner that we ate. | 0:40:47 | 0:40:49 | |
It was that chicken. It didn't taste right. | 0:40:49 | 0:40:51 | |
Hey! Oh! | 0:40:51 | 0:40:52 | |
- It's not the chicken! - All right, it's not the chicken. | 0:40:52 | 0:40:54 | |
But we're still getting out of here. | 0:40:54 | 0:40:55 | |
But, Dad, we have to help them. | 0:40:55 | 0:40:57 | |
You can't help the dead, honey. They're beyond help. | 0:40:57 | 0:40:58 | |
That's the nature of being dead. | 0:40:58 | 0:41:00 | |
The man's talking sense. | 0:41:00 | 0:41:01 | |
Everyone should just keep their noses in their own business. | 0:41:01 | 0:41:04 | |
But, dad, we have to help them break the curse. | 0:41:04 | 0:41:05 | |
Why is everybody talking about a curse? | 0:41:05 | 0:41:07 | |
Hey, wait a minute - have you been talking | 0:41:07 | 0:41:08 | |
to that crazy green gypsy in the giant paperweight? | 0:41:08 | 0:41:10 | |
Gypsy? He found the gypsy! We've got to go back to see her. | 0:41:10 | 0:41:12 | |
Hey, ho, ho! No back! I'm not going back. | 0:41:12 | 0:41:13 | |
- But, Dad! - Hey, they had me floating all around the room. | 0:41:13 | 0:41:16 | |
- Dad! - Hey, I was strapped to a chair floating around the room | 0:41:16 | 0:41:18 | |
with a marching band chasing me. | 0:41:18 | 0:41:20 | |
I'm not going back anywhere! Forget it, Casper! | 0:41:20 | 0:41:21 | |
But mom's in trouble. | 0:41:21 | 0:41:23 | |
What kind of trouble? | 0:41:23 | 0:41:25 | |
Gracey: She died here in this house. | 0:41:38 | 0:41:42 | |
She was so very young, | 0:41:42 | 0:41:45 | |
So very beautiful. | 0:41:45 | 0:41:48 | |
She was in love with the heir to this mansion. | 0:41:48 | 0:41:52 | |
Your grandfather. | 0:41:52 | 0:41:54 | |
And he loved her more than life itself. | 0:41:54 | 0:41:56 | |
But they were from different worlds | 0:41:58 | 0:42:02 | |
and couldn't be together. | 0:42:02 | 0:42:04 | |
THUNDER CRASHES | 0:42:04 | 0:42:06 | |
How did she die, Mr Gracey? | 0:42:06 | 0:42:08 | |
She took her own life. | 0:42:08 | 0:42:11 | |
Poison. | 0:42:11 | 0:42:12 | |
But after that, his life became unbearable. | 0:42:12 | 0:42:17 | |
And so, without hope, without love, | 0:42:17 | 0:42:21 | |
without Elizabeth, he hung himself. | 0:42:21 | 0:42:26 | |
His soul wanders these halls | 0:42:28 | 0:42:32 | |
waiting for her to return. | 0:42:32 | 0:42:34 | |
If you listen carefully... | 0:42:37 | 0:42:40 | |
You can still hear the beating of his broken heart. | 0:42:40 | 0:42:46 | |
HEART BEATS | 0:42:46 | 0:42:49 | |
All right, wait a minute. Hold it a second. | 0:42:53 | 0:42:56 | |
Now, you're telling me this guy is dead | 0:42:56 | 0:42:57 | |
and the only reason we were brought here | 0:42:57 | 0:42:59 | |
is cos he wants to try to get jiggy with my wife? | 0:42:59 | 0:43:01 | |
Pretty much. Are you upset? | 0:43:01 | 0:43:03 | |
The guy is dead, and he's trying to get with my wife! | 0:43:03 | 0:43:06 | |
And the house isn't really for sale! | 0:43:06 | 0:43:07 | |
Yes, I'm upset! | 0:43:07 | 0:43:09 | |
Oh, Madame Leota, is it her? | 0:43:09 | 0:43:12 | |
Is she truly our dear, departed Elizabeth come back to us? | 0:43:12 | 0:43:16 | |
'It is true. She walks these halls.' | 0:43:16 | 0:43:19 | |
You see? I told you it is her! | 0:43:19 | 0:43:21 | |
'But do not be deceived. | 0:43:21 | 0:43:23 | |
'All things are not as they appear. | 0:43:23 | 0:43:26 | |
'For the curse to be lifted, the truth must be known. | 0:43:26 | 0:43:29 | |
'And for the truth to be known, | 0:43:29 | 0:43:31 | |
'you must find the key.' | 0:43:31 | 0:43:32 | |
Hey, what are you talking about, ball lady? What key? | 0:43:32 | 0:43:34 | |
'Enter the tomb under the great dead oak | 0:43:34 | 0:43:37 | |
'and travel down deep under the ground, | 0:43:37 | 0:43:39 | |
'and there you will find the key that must be found. | 0:43:39 | 0:43:43 | |
'Find the black crypt that bears no name, | 0:43:43 | 0:43:45 | |
'or soon your fate will be the same.' | 0:43:45 | 0:43:48 | |
You're telling me all I have to do is find this key, | 0:43:48 | 0:43:50 | |
then I'm gonna walk out of here with my wife and kids like nothing ever happened? | 0:43:50 | 0:43:52 | |
'The key is the answer to all.' | 0:43:52 | 0:43:55 | |
Oh, great. I'm in. Let's get this key. | 0:43:55 | 0:43:57 | |
There's only one problem. | 0:43:57 | 0:43:59 | |
How do we get out of here? | 0:43:59 | 0:44:00 | |
Yeah, how do we get out of here? | 0:44:00 | 0:44:02 | |
Well, there's always, uh... | 0:44:02 | 0:44:06 | |
My way. | 0:44:06 | 0:44:08 | |
WHINNYING | 0:44:09 | 0:44:11 | |
JIM: Hey! | 0:44:14 | 0:44:15 | |
I thought you said you could drive this thing! | 0:44:15 | 0:44:16 | |
Don't you worry. I know exactly what I'm doing. | 0:44:16 | 0:44:18 | |
Aaah! Aaah! | 0:44:20 | 0:44:21 | |
You better just keep your eyes on the road! | 0:44:25 | 0:44:26 | |
Move over! What are you doing? | 0:44:26 | 0:44:28 | |
If you keep driving, you'll kill us all! | 0:44:28 | 0:44:29 | |
Well - well, that's where you're wrong, | 0:44:29 | 0:44:31 | |
because some of us are already dead! | 0:44:31 | 0:44:33 | |
Ha ha ha! | 0:44:33 | 0:44:34 | |
NEIGHING | 0:44:34 | 0:44:36 | |
Dad, look. | 0:44:38 | 0:44:40 | |
Ready? Fire! | 0:44:56 | 0:44:58 | |
GUNSHOTS | 0:44:58 | 0:45:00 | |
INDISTINCT CHATTER | 0:45:00 | 0:45:03 | |
LAUGHTER | 0:45:03 | 0:45:06 | |
Ohh! | 0:45:13 | 0:45:14 | |
Dad? | 0:45:14 | 0:45:15 | |
Yes, son? | 0:45:15 | 0:45:16 | |
I see dead people. | 0:45:16 | 0:45:19 | |
DOG WHINING, LAUGHTER | 0:45:19 | 0:45:21 | |
HORSE WHINNIES | 0:45:22 | 0:45:25 | |
Excuse me. | 0:45:25 | 0:45:26 | |
Why are all these ghosts still hanging around here? | 0:45:26 | 0:45:28 | |
When they died, they couldn't find the light. | 0:45:28 | 0:45:31 | |
And now - now they're trapped. | 0:45:31 | 0:45:34 | |
Doomed to wander the earth for all eternity. | 0:45:34 | 0:45:38 | |
Nice. Nice job. | 0:45:41 | 0:45:44 | |
Whoa! | 0:45:56 | 0:45:58 | |
HORSE WHINNIES | 0:45:58 | 0:45:59 | |
OK. | 0:45:59 | 0:46:01 | |
Hey! | 0:46:01 | 0:46:02 | |
Hey, what are you doing here? | 0:46:02 | 0:46:03 | |
Can they see us? | 0:46:03 | 0:46:05 | |
No. Of course not. | 0:46:05 | 0:46:07 | |
Yes, I can see. I'm looking at you right now in your stupid hat. | 0:46:07 | 0:46:10 | |
Don't listen to him. He's lying. | 0:46:10 | 0:46:12 | |
Whatever. Come on, kids, let's go. Come on. | 0:46:13 | 0:46:16 | |
I could swear he was looking right at me. | 0:46:18 | 0:46:21 | |
He's psychic. | 0:46:21 | 0:46:23 | |
GRACEY: This was to have been her wedding dress. | 0:46:26 | 0:46:30 | |
Oh, it's lovely. | 0:46:30 | 0:46:32 | |
It would have been lovelier still if she'd ever had a chance to wear it. | 0:46:32 | 0:46:35 | |
Now it serves only as a dark reminder | 0:46:35 | 0:46:39 | |
of what could have been. | 0:46:39 | 0:46:41 | |
To love someone so much and then lose them so suddenly - | 0:46:41 | 0:46:44 | |
I can't imagine how awful that must be. | 0:46:44 | 0:46:47 | |
If you truly love someone, they never leave you. | 0:46:47 | 0:46:50 | |
They remain in your heart forever. | 0:46:50 | 0:46:53 | |
MEGAN: 'Isn't that romantic?' | 0:46:56 | 0:46:58 | |
He was willing to throw everything away for love. | 0:46:58 | 0:47:00 | |
Well, now he's broke, dead, and cursed. Nice move. | 0:47:00 | 0:47:03 | |
SQUISHING Oh, crap! These are my new shoes. | 0:47:03 | 0:47:07 | |
Hey, kids, watch your step. | 0:47:07 | 0:47:08 | |
SQUISHING Oh, crap! | 0:47:08 | 0:47:10 | |
Hey, Michael, don't say "crap". | 0:47:10 | 0:47:11 | |
All right, where is this place? OK, where are we? | 0:47:11 | 0:47:13 | |
I think the gypsy lady said something | 0:47:13 | 0:47:15 | |
about making a left at an oak. | 0:47:15 | 0:47:17 | |
OK, well, uh, glad she was so specific. | 0:47:17 | 0:47:20 | |
ANIMAL SCREECHES | 0:47:20 | 0:47:22 | |
INDISTINCT SINGING | 0:47:22 | 0:47:25 | |
What is that? Do you hear that? | 0:47:25 | 0:47:27 | |
BOTH: Yeah. | 0:47:27 | 0:47:28 | |
# ...and harmonize | 0:47:28 | 0:47:31 | |
# When we ghosts come out to socialize | 0:47:31 | 0:47:35 | |
# Doom, doom, doom, doom | 0:47:35 | 0:47:37 | |
# When the cryptos creak and the tombstones quake | 0:47:37 | 0:47:39 | |
# Spooks come out for a swinging wake... # | 0:47:39 | 0:47:41 | |
Guys. Excuse me. Sorry to bother you. | 0:47:41 | 0:47:42 | |
Uh, but, uh, uh, we were wondering | 0:47:42 | 0:47:43 | |
if you happen to know where the mausoleum was. | 0:47:43 | 0:47:45 | |
# Down by the | 0:47:45 | 0:47:47 | |
# Old mill stream | 0:47:47 | 0:47:49 | |
# Old mill stream | 0:47:49 | 0:47:50 | |
# Where I first met you... # | 0:47:50 | 0:47:53 | |
No, no. I think they - they said it was an old oak. | 0:47:53 | 0:47:56 | |
That's what they said. It's by the, um - | 0:47:56 | 0:47:57 | |
# By the light | 0:47:57 | 0:47:58 | |
# By the light, by the light | 0:47:58 | 0:48:00 | |
# Of the silvery moon | 0:48:00 | 0:48:01 | |
# Of the silvery moon... # | 0:48:01 | 0:48:02 | |
Yeah, look, you sound really good. | 0:48:02 | 0:48:04 | |
Your harmony's tight, but we're trying to find my wife. | 0:48:04 | 0:48:06 | |
I gotta help my wife. She'll be - | 0:48:06 | 0:48:07 | |
# Comin' 'round the mountain when she comes | 0:48:07 | 0:48:09 | |
# She'll be comin' 'round the mountain... # | 0:48:09 | 0:48:10 | |
Aah! Listen, listen, guys. I'm trying to find a key. | 0:48:10 | 0:48:13 | |
I'm trying to find a key - | 0:48:13 | 0:48:14 | |
# Where's the key? Where's the key? | 0:48:14 | 0:48:17 | |
# Where's the beautiful key? | 0:48:17 | 0:48:18 | |
# Find the key, find the key | 0:48:18 | 0:48:19 | |
# Oh, how happy you'll be... # | 0:48:19 | 0:48:20 | |
The key that I'm trying to find | 0:48:20 | 0:48:22 | |
is - is in the mausoleum. | 0:48:22 | 0:48:23 | |
The key is in the mausoleum. | 0:48:23 | 0:48:25 | |
# You left your ke-e-e-y | 0:48:25 | 0:48:28 | |
# In a mausoleum | 0:48:28 | 0:48:30 | |
# Down in Dixie... # | 0:48:30 | 0:48:32 | |
Dad, there it is! | 0:48:32 | 0:48:34 | |
# Dad, there it is... # Thanks. | 0:48:34 | 0:48:36 | |
# Dad, there it is... # Thanks for nothing. | 0:48:36 | 0:48:40 | |
THUNDER RUMBLES | 0:48:40 | 0:48:41 | |
OK. We made it. | 0:48:44 | 0:48:46 | |
All right, kids, stay close. | 0:48:49 | 0:48:52 | |
BIRD SQUAWKS | 0:48:52 | 0:48:53 | |
Hey! | 0:48:58 | 0:48:59 | |
Look. | 0:49:05 | 0:49:07 | |
It's a warning. | 0:49:07 | 0:49:09 | |
Now, how do you know that? | 0:49:09 | 0:49:11 | |
I studied Latin for three years, Dad. | 0:49:11 | 0:49:13 | |
You thought it was dumb, remember? | 0:49:13 | 0:49:15 | |
You said it was a dead language. | 0:49:15 | 0:49:17 | |
Oh, uh, we see how wrong I was about that. | 0:49:17 | 0:49:20 | |
"Beware all who enter. | 0:49:20 | 0:49:23 | |
"Here lies the passage to the dead." | 0:49:23 | 0:49:27 | |
Hey! Hey, hey, hey! | 0:49:28 | 0:49:29 | |
Where you going? I don't like Latin. | 0:49:29 | 0:49:31 | |
Hey, wait, Michael. Listen, we've been through this before. | 0:49:31 | 0:49:33 | |
You're ten years old now. You got to start being a man. | 0:49:33 | 0:49:34 | |
I just turned ten. I'm still getting used to it. | 0:49:34 | 0:49:37 | |
OK. Here's what we do. | 0:49:41 | 0:49:42 | |
Megan, you stay out here with your brother. What?! | 0:49:42 | 0:49:44 | |
I'm not gonna leave him out here by himself, all right? | 0:49:44 | 0:49:47 | |
You stay out here. You guys stay together. | 0:49:47 | 0:49:48 | |
And I'll go in here, and I'll take care of this. | 0:49:48 | 0:49:50 | |
OK... | 0:49:50 | 0:49:52 | |
All right. | 0:49:52 | 0:49:54 | |
SQUEAKING | 0:49:54 | 0:49:56 | |
OK. | 0:49:57 | 0:49:59 | |
JIM GRUNTS | 0:50:02 | 0:50:03 | |
Oh. | 0:50:06 | 0:50:07 | |
Wow. | 0:50:09 | 0:50:10 | |
OK. | 0:50:14 | 0:50:15 | |
All right. | 0:50:15 | 0:50:17 | |
OK. | 0:50:21 | 0:50:22 | |
I'll be right back. | 0:50:22 | 0:50:23 | |
20 minutes tops, right? | 0:50:23 | 0:50:25 | |
20 minutes tops. | 0:50:25 | 0:50:28 | |
MUTTERING | 0:50:39 | 0:50:41 | |
SQUAWKING | 0:50:41 | 0:50:44 | |
What was it that gypsy told me to look for? | 0:51:08 | 0:51:11 | |
Look for a crypt with... | 0:51:11 | 0:51:14 | |
Look for a crypt... | 0:51:14 | 0:51:16 | |
A crypt without a name! Aah! | 0:51:16 | 0:51:18 | |
Ohh! What's the matter with you? | 0:51:18 | 0:51:20 | |
You can't just be popping out like that. | 0:51:20 | 0:51:21 | |
You're gonna give me a heart attack. | 0:51:21 | 0:51:23 | |
I thought I told you to wait with Michael. | 0:51:23 | 0:51:24 | |
I was worried you wouldn't find it. | 0:51:24 | 0:51:27 | |
Besides, Michael's fine. | 0:51:27 | 0:51:29 | |
She said, "Find the black crypt with no name, | 0:51:29 | 0:51:32 | |
"or soon your fate will be the same." | 0:51:32 | 0:51:34 | |
That must be it. | 0:51:41 | 0:51:42 | |
Good hunch, Dad. | 0:51:42 | 0:51:44 | |
I'm officially starting to get sick of this place. | 0:51:47 | 0:51:50 | |
And we're here cos of who? | 0:51:50 | 0:51:52 | |
We're here because I take seriously my responsibility as breadwinner of this family. | 0:51:52 | 0:51:55 | |
I want you guys to have everything that I never had before. | 0:51:55 | 0:51:57 | |
I didn't know you had a bad childhood. | 0:51:57 | 0:51:59 | |
I didn't have a bad childhood. | 0:51:59 | 0:52:00 | |
Then why do we have to have what you didn't have? | 0:52:00 | 0:52:02 | |
Because if - | 0:52:02 | 0:52:04 | |
Hey, look, don't be tricking me, all right, | 0:52:04 | 0:52:06 | |
You little Latin-speaking 13-year-old. | 0:52:06 | 0:52:08 | |
Let's just get this over with. Hold this. | 0:52:08 | 0:52:10 | |
Hold it with two hands, now. | 0:52:10 | 0:52:12 | |
Mmph! | 0:52:14 | 0:52:15 | |
GRUNTING | 0:52:15 | 0:52:17 | |
Aah! | 0:52:26 | 0:52:27 | |
Phew! | 0:52:27 | 0:52:29 | |
Pbht! Pbht! | 0:52:29 | 0:52:31 | |
Oh, man! | 0:52:31 | 0:52:32 | |
Excuse me one second. | 0:52:35 | 0:52:37 | |
I'm sorry to bother you. | 0:52:37 | 0:52:39 | |
Ohh, ohh, ohh! | 0:52:40 | 0:52:42 | |
Aah. Ugh. | 0:52:42 | 0:52:45 | |
Oh, no. Ew. | 0:52:45 | 0:52:47 | |
Ah. Aah. | 0:52:47 | 0:52:50 | |
CRACKING | 0:52:50 | 0:52:51 | |
OK. All right. | 0:52:54 | 0:52:55 | |
Now, that wasn't hard, was it? | 0:52:55 | 0:52:58 | |
Let's get out of here. | 0:52:58 | 0:52:59 | |
OK, that gypsy had me thinking it was gonna be hard. | 0:53:02 | 0:53:04 | |
That was easy. RUMBLING | 0:53:04 | 0:53:05 | |
ROARING | 0:53:08 | 0:53:09 | |
Oh! Oh! | 0:53:09 | 0:53:11 | |
Oh, no. | 0:53:11 | 0:53:12 | |
Ooh! Oh, no! | 0:53:13 | 0:53:15 | |
Go get the key! I'll take care of him! | 0:53:17 | 0:53:19 | |
Hey, man, go on back to bed. Get back in your bed. | 0:53:22 | 0:53:24 | |
Go back - back to bed. | 0:53:24 | 0:53:25 | |
I'm Jim Evers of Evers And Evers Real Estate. What's your name? | 0:53:25 | 0:53:27 | |
Hey, look, I don't want no trouble, man. I just came down here to get the key. | 0:53:27 | 0:53:29 | |
The gypsy told me it was all right to get the key, so I'm - hey! | 0:53:29 | 0:53:31 | |
Oh! | 0:53:31 | 0:53:33 | |
Just lighten up. Now, let me tell you something. | 0:53:33 | 0:53:35 | |
I'm trying to get the key cos I got things to do. | 0:53:35 | 0:53:36 | |
I got to get my wife. I don't want no trouble. | 0:53:36 | 0:53:39 | |
Seriously, back up! | 0:53:39 | 0:53:40 | |
You asked for it. | 0:53:44 | 0:53:46 | |
Next time you're gonna think twice | 0:53:50 | 0:53:51 | |
before coming back from the dead, ain't you? | 0:53:51 | 0:53:53 | |
Did you get the key? | 0:53:53 | 0:53:55 | |
I'm looking! I'm looking! | 0:53:55 | 0:53:56 | |
Well, take your time. Relax. | 0:53:56 | 0:53:58 | |
I have everything under control up here. | 0:53:58 | 0:53:59 | |
I have everything completely under control. | 0:53:59 | 0:54:01 | |
RUMBLING | 0:54:01 | 0:54:03 | |
Megan, you better look faster! | 0:54:06 | 0:54:08 | |
Oh, I don't want to do this. | 0:54:08 | 0:54:10 | |
Jeez. | 0:54:19 | 0:54:20 | |
SCREECHING | 0:54:35 | 0:54:37 | |
Aah! | 0:54:47 | 0:54:48 | |
Aaah! | 0:54:48 | 0:54:50 | |
Aah! ROARING | 0:54:50 | 0:54:51 | |
Give me your hand. | 0:55:03 | 0:55:05 | |
OK, come on, come on, come on! | 0:55:09 | 0:55:12 | |
Come on, guys! Hurry up! | 0:55:13 | 0:55:15 | |
Hold on! | 0:55:15 | 0:55:16 | |
Come on, guys! Hurry up! | 0:55:16 | 0:55:18 | |
Michael! Michael, open the door! | 0:55:20 | 0:55:21 | |
'Michael, it's locked from the outside! | 0:55:21 | 0:55:23 | |
'Michael, open the door. Open the door!' | 0:55:23 | 0:55:26 | |
Dad, there are spiders everywhere and I don't have a magazine. | 0:55:26 | 0:55:29 | |
'Hey, Michael, are you scared?' Uh-huh. | 0:55:29 | 0:55:31 | |
'Michael, look, it's OK to be scared, all right? | 0:55:31 | 0:55:32 | |
'Everybody gets scared sometimes. | 0:55:32 | 0:55:34 | |
'Daddy's scared right now.' | 0:55:34 | 0:55:35 | |
You are? Yes, I'm very scared. Now, please open the door, son! | 0:55:35 | 0:55:38 | |
Michael, open the door, or I'll kill you! | 0:55:38 | 0:55:40 | |
Oh, that's great. Keep him calm. | 0:55:40 | 0:55:42 | |
Hey, Michael, listen, it's OK to get scared. | 0:55:42 | 0:55:44 | |
Everybody gets scared every now and then, son. | 0:55:44 | 0:55:45 | |
But you just can't let it stop you. | 0:55:45 | 0:55:46 | |
Michael, if you think you're scared now, | 0:55:46 | 0:55:48 | |
wait till the zombies come out! | 0:55:48 | 0:55:50 | |
'What zombies?' | 0:55:50 | 0:55:51 | |
Michael! Hey, Michael, look. | 0:55:51 | 0:55:52 | |
Just open the door, please, man. | 0:55:52 | 0:55:53 | |
We're running out of time. Open the door right now. | 0:55:53 | 0:55:55 | |
Dad, they're coming! | 0:55:55 | 0:55:56 | |
SCREAMING | 0:55:56 | 0:55:58 | |
Michael, open the door right now! | 0:55:58 | 0:55:59 | |
'Open the door! Open the door! | 0:55:59 | 0:56:01 | |
'Open the door right now! Open the door!' | 0:56:01 | 0:56:05 | |
Oh! | 0:56:06 | 0:56:08 | |
GRUNTING | 0:56:08 | 0:56:10 | |
Aah! | 0:56:11 | 0:56:13 | |
Aah! Aah! Lock it! Lock it! | 0:56:14 | 0:56:15 | |
OK, come on! | 0:56:16 | 0:56:17 | |
All right. | 0:56:18 | 0:56:20 | |
OK. All right. Get 'em off! | 0:56:20 | 0:56:22 | |
OK, come on. Get 'em off. OK. | 0:56:22 | 0:56:24 | |
All right. We got it. All right. You OK? | 0:56:24 | 0:56:26 | |
All right. OK. | 0:56:26 | 0:56:27 | |
My brave little man, all right. | 0:56:27 | 0:56:29 | |
All right. You OK? | 0:56:29 | 0:56:30 | |
Yeah. You got the key? | 0:56:30 | 0:56:31 | |
PATTING | 0:56:32 | 0:56:34 | |
Oh, no. | 0:56:34 | 0:56:35 | |
Wait. Whoa. Yeah, I got it. I got it. | 0:56:36 | 0:56:37 | |
There it is. OK. | 0:56:37 | 0:56:39 | |
All right, now, we went to hell and back to get this thing. | 0:56:39 | 0:56:42 | |
All I want to know now is where's the door out of here? | 0:56:42 | 0:56:45 | |
'First, you must find the trunk.' | 0:56:45 | 0:56:47 | |
Trunk? | 0:56:47 | 0:56:48 | |
'Yes, trunk.' | 0:56:48 | 0:56:49 | |
Not door? | 0:56:49 | 0:56:50 | |
'No. Not door. Trunk.' | 0:56:50 | 0:56:54 | |
All you said I had to do was find this key! I got the key. | 0:56:54 | 0:56:56 | |
Now - now you're telling me this story about a trunk! | 0:56:56 | 0:56:58 | |
The key is the answer to all, remember? | 0:56:58 | 0:57:00 | |
'Look, I don't make the rules, OK? | 0:57:00 | 0:57:02 | |
'I just work here.' | 0:57:02 | 0:57:03 | |
OK, that's it. That's the last straw. | 0:57:03 | 0:57:05 | |
I've had enough of this nonsense. | 0:57:05 | 0:57:06 | |
'Hey, what are you doing?! | 0:57:06 | 0:57:07 | |
'Put me down! | 0:57:07 | 0:57:09 | |
'This is bad luck! This is very bad luck!' | 0:57:09 | 0:57:11 | |
I'll show you bad luck. | 0:57:11 | 0:57:12 | |
I'm tired of playing around with you. | 0:57:12 | 0:57:13 | |
'I'm getting nauseous!' | 0:57:13 | 0:57:14 | |
You'll get over it. | 0:57:14 | 0:57:15 | |
'Please don't drop me. | 0:57:17 | 0:57:19 | |
'I'm fragile. I'm very fragile.' | 0:57:19 | 0:57:22 | |
Don't talk to me about being fragile. | 0:57:22 | 0:57:23 | |
I'm the one that's feeling fragile right now. | 0:57:23 | 0:57:25 | |
Is that it? | 0:57:28 | 0:57:29 | |
'That's it.' Hmm. All right. | 0:57:29 | 0:57:31 | |
Now we're in business. | 0:57:31 | 0:57:32 | |
Hey, hold her for a second. | 0:57:34 | 0:57:36 | |
All right. | 0:57:39 | 0:57:40 | |
OK. | 0:57:40 | 0:57:41 | |
OK. | 0:57:41 | 0:57:42 | |
CLICK | 0:57:49 | 0:57:50 | |
HINGES CREAK | 0:57:50 | 0:57:52 | |
Hey, how do I know what to look for? This thing is full of junk. | 0:57:57 | 0:57:59 | |
'Find the thing that must be read | 0:57:59 | 0:58:01 | |
'lest your heart be filled with dread.' | 0:58:01 | 0:58:05 | |
There's nothing in here red. | 0:58:05 | 0:58:07 | |
Hey, wait a minute. There's a letter here. | 0:58:10 | 0:58:12 | |
It's a letter. | 0:58:12 | 0:58:13 | |
"Yes, my dear heart, I will marry you. | 0:58:16 | 0:58:19 | |
"I will love you for all eternity, | 0:58:19 | 0:58:21 | |
"and tonight at last, we will be together. | 0:58:21 | 0:58:23 | |
"I do. | 0:58:23 | 0:58:24 | |
"Forever yours, Elizabeth." | 0:58:24 | 0:58:27 | |
She didn't kill herself. | 0:58:27 | 0:58:29 | |
She wanted to be with him. | 0:58:29 | 0:58:31 | |
Yeah, and somebody gave him the wrong letter. | 0:58:31 | 0:58:33 | |
RAMSLEY: Yes. Well done, Mr Evers. | 0:58:33 | 0:58:36 | |
I must say I'm impressed. | 0:58:36 | 0:58:38 | |
You are more persistent than I would have ever imagined. | 0:58:38 | 0:58:41 | |
The butler did it?! You gotta be kidding me. | 0:58:41 | 0:58:45 | |
I will deal with you two later. | 0:58:45 | 0:58:48 | |
Why'd you kill her? | 0:58:51 | 0:58:52 | |
Because the master would not listen to reason. | 0:58:52 | 0:58:55 | |
He had everything in the world, | 0:58:55 | 0:58:57 | |
and yet he was willing to throw it all away for love. | 0:58:57 | 0:59:00 | |
I did tell him it would end badly. | 0:59:00 | 0:59:04 | |
You're a real cold dude. | 0:59:04 | 0:59:06 | |
No, Mr Evers, I am a rational man. | 0:59:06 | 0:59:09 | |
It was my responsibility to the house, | 0:59:09 | 0:59:12 | |
My duty, sir, to see to it | 0:59:12 | 0:59:14 | |
that the boy did not make a foolish error in judgment. | 0:59:14 | 0:59:18 | |
Running away with that girl | 0:59:18 | 0:59:20 | |
would have destroyed this house. | 0:59:20 | 0:59:22 | |
It would have destroyed everything. | 0:59:22 | 0:59:24 | |
And I could not stand by and watch it all fall to ruin. | 0:59:24 | 0:59:28 | |
Punch his face in, Dad! | 0:59:28 | 0:59:29 | |
Yeah, but first I'm gonna tell his master what really happened. | 0:59:29 | 0:59:32 | |
The master must never know. | 0:59:32 | 0:59:33 | |
Edward and his love will be reunited, | 0:59:33 | 0:59:36 | |
and this curse will be broken. | 0:59:36 | 0:59:38 | |
But that's not her. That's my wife. | 0:59:38 | 0:59:39 | |
And what she sees in you I'll never know. | 0:59:39 | 0:59:42 | |
But that is of little importance now. | 0:59:42 | 0:59:44 | |
The only thing that matters | 0:59:44 | 0:59:46 | |
is that the master's pain must end. | 0:59:46 | 0:59:49 | |
And it will end tonight. | 0:59:49 | 0:59:51 | |
The curse will be broken, and we can all finally move on. | 0:59:51 | 0:59:55 | |
All right, that's it, man. Where's my wife? | 0:59:55 | 0:59:58 | |
Getting ready for her wedding, of course. | 0:59:58 | 1:00:00 | |
What wedding? He can't marry her. | 1:00:00 | 1:00:01 | |
He's dead, and she's not. | 1:00:01 | 1:00:02 | |
True. | 1:00:02 | 1:00:04 | |
But that can be easily corrected. | 1:00:04 | 1:00:06 | |
Life, I'm afraid, is such a delicate state. | 1:00:06 | 1:00:11 | |
Hey, man, if you put one finger on my wife, I swear I'll kill you. | 1:00:11 | 1:00:14 | |
How wonderful. You're going to kill a ghost. | 1:00:17 | 1:00:20 | |
Leave him alone! Stop it! | 1:00:20 | 1:00:22 | |
Aah! | 1:00:24 | 1:00:26 | |
MUFFLED SCREAMING Let them go! | 1:00:26 | 1:00:27 | |
You're gonna let my kids out of here, | 1:00:30 | 1:00:32 | |
you're gonna take me to my wife, | 1:00:32 | 1:00:34 | |
and you're gonna let us out of here right now! | 1:00:34 | 1:00:35 | |
You want out... | 1:00:35 | 1:00:37 | |
Fine. | 1:00:37 | 1:00:39 | |
Let me show you out. | 1:00:39 | 1:00:41 | |
Now, for the last time, | 1:00:45 | 1:00:47 | |
Good night, Mr Evers. | 1:00:47 | 1:00:49 | |
Aaaahhh! | 1:00:51 | 1:00:53 | |
Ugh! | 1:00:53 | 1:00:54 | |
GRUNTS, GLASS SQUEAKS | 1:00:54 | 1:00:56 | |
CAR ALARM SOUNDS, HONKING | 1:00:58 | 1:01:00 | |
Ugh! Ugh! | 1:01:00 | 1:01:01 | |
Oh! Mm! | 1:01:01 | 1:01:04 | |
DOORS SLAM | 1:01:07 | 1:01:10 | |
This house has waited so long | 1:01:24 | 1:01:26 | |
to have its shroud of darkness lifted. | 1:01:26 | 1:01:30 | |
And tonight, for the first time in... | 1:01:30 | 1:01:35 | |
oh, so many years... | 1:01:35 | 1:01:37 | |
I believe it may be possible | 1:01:37 | 1:01:39 | |
that the story will finally end differently. | 1:01:39 | 1:01:43 | |
INHALES SHARPLY Sara? | 1:01:43 | 1:01:45 | |
Do you believe that love is about second chances? | 1:01:45 | 1:01:48 | |
About forgiveness? | 1:01:48 | 1:01:50 | |
Yes, I do. | 1:01:50 | 1:01:53 | |
Don't you remember? | 1:01:54 | 1:01:56 | |
Remember? | 1:01:56 | 1:01:57 | |
Mr Gracey, are you all right? | 1:01:57 | 1:01:59 | |
Don't you recognize me at all? | 1:01:59 | 1:02:01 | |
Mr Gracey. | 1:02:01 | 1:02:02 | |
I thought certainly... | 1:02:02 | 1:02:03 | |
bringing you back to Gracey Manor would help you remember. | 1:02:03 | 1:02:06 | |
Remember what? Mr Gracey, you're scaring me. | 1:02:06 | 1:02:09 | |
Where it happened. | 1:02:09 | 1:02:10 | |
Where we spent our last moments together. | 1:02:10 | 1:02:12 | |
Where we danced together for the last time before you - | 1:02:12 | 1:02:16 | |
Before you killed yourself! | 1:02:16 | 1:02:18 | |
But now you've returned to me, | 1:02:18 | 1:02:20 | |
and at long last, we can be together. | 1:02:20 | 1:02:22 | |
Why do you not remember?! | 1:02:22 | 1:02:24 | |
You were my world, my life! | 1:02:24 | 1:02:26 | |
And I have loved you in death as I did in life! | 1:02:26 | 1:02:28 | |
Let me go! | 1:02:28 | 1:02:30 | |
Why do you not remember?! | 1:02:30 | 1:02:31 | |
SHE PANTS | 1:02:31 | 1:02:34 | |
You are her. You are Elizabeth. | 1:02:34 | 1:02:36 | |
You must be! | 1:02:36 | 1:02:37 | |
Can you not sense it? Search your heart. | 1:02:37 | 1:02:39 | |
I am your one true love. | 1:02:39 | 1:02:41 | |
And now we can finally be together. Don't you understand? | 1:02:41 | 1:02:43 | |
Elizabeth, you must listen to me. RATTLING | 1:02:43 | 1:02:45 | |
I'm not Elizabeth! | 1:02:45 | 1:02:47 | |
Please, I implore you. | 1:02:47 | 1:02:49 | |
Leave me alone! Get away from me! | 1:02:49 | 1:02:51 | |
BREATHING HEAVILY | 1:02:53 | 1:02:56 | |
She doesn't remember. | 1:02:57 | 1:03:00 | |
It can't be her. | 1:03:00 | 1:03:01 | |
It is her, sir. | 1:03:01 | 1:03:04 | |
The gypsy woman prophesied her return. | 1:03:04 | 1:03:07 | |
And now the time has come. | 1:03:07 | 1:03:11 | |
You had best get ready. | 1:03:11 | 1:03:12 | |
But she doesn't remember. | 1:03:12 | 1:03:14 | |
In time, she will, sir. | 1:03:14 | 1:03:16 | |
I assure you she will. | 1:03:16 | 1:03:20 | |
CAR ALARM SOUNDS, POUNDING ON DOOR JIM: Open up! | 1:03:23 | 1:03:25 | |
Hey! | 1:03:25 | 1:03:27 | |
Let me in! | 1:03:27 | 1:03:29 | |
Gee! | 1:03:29 | 1:03:30 | |
HE GRUNTS | 1:03:33 | 1:03:35 | |
Aaahh! | 1:03:42 | 1:03:44 | |
Aaahh! Aaahh! | 1:03:44 | 1:03:46 | |
Aaahh! Aaahh! | 1:03:46 | 1:03:48 | |
HE PANTS | 1:03:51 | 1:03:53 | |
RATTLING | 1:03:57 | 1:04:00 | |
Oh, Ramsley, you have to help me. | 1:04:00 | 1:04:03 | |
There's something horribly wrong. Mr Gracey - | 1:04:03 | 1:04:06 | |
Yes, I know, my dear. I know. | 1:04:06 | 1:04:08 | |
He's expecting you. | 1:04:08 | 1:04:10 | |
He's always been expecting you. | 1:04:10 | 1:04:13 | |
And you haven't put on your dress yet. | 1:04:13 | 1:04:16 | |
We can't keep the master waiting. | 1:04:16 | 1:04:19 | |
Waiting? For what? | 1:04:19 | 1:04:21 | |
Why, your wedding, of course. | 1:04:21 | 1:04:24 | |
My - | 1:04:24 | 1:04:26 | |
I'm NOT Elizabeth! | 1:04:26 | 1:04:28 | |
Of course you are, my dear. | 1:04:28 | 1:04:30 | |
You may not see it yet, but in time, you will. | 1:04:30 | 1:04:33 | |
You don't actually think I'm going through with this madness, do you? | 1:04:33 | 1:04:36 | |
Oh, yes, I very much do. | 1:04:36 | 1:04:39 | |
You see... we wouldn't want anything | 1:04:39 | 1:04:43 | |
to happen to the children, now, would we? | 1:04:43 | 1:04:46 | |
Michael! Megan! | 1:04:46 | 1:04:49 | |
You wouldn't. | 1:04:49 | 1:04:50 | |
Of course not, my dear. | 1:04:50 | 1:04:52 | |
But that is entirely up to you. | 1:04:52 | 1:04:54 | |
If not... | 1:04:54 | 1:04:56 | |
I really do fear for the children. | 1:04:56 | 1:05:00 | |
Have her ready. | 1:05:03 | 1:05:05 | |
And this time, any further acts of insubordination | 1:05:05 | 1:05:08 | |
will be dealt with in the harshest possible manner. | 1:05:08 | 1:05:11 | |
But, sir? | 1:05:11 | 1:05:13 | |
There are worse things than purgatory, madam. | 1:05:13 | 1:05:16 | |
I can assure you. | 1:05:16 | 1:05:18 | |
SHUDDERING | 1:05:18 | 1:05:20 | |
Have her ready. | 1:05:21 | 1:05:23 | |
WAGNER'S "BRIDAL CHORUS" PLAYS OFF-KEY | 1:05:27 | 1:05:29 | |
Tears of joy. | 1:06:03 | 1:06:07 | |
HE BREATHES HEAVILY | 1:06:11 | 1:06:12 | |
'What are you doing?' | 1:06:29 | 1:06:31 | |
Hey, you leave me alone. | 1:06:31 | 1:06:34 | |
Just get out of here and leave me alone. | 1:06:34 | 1:06:36 | |
'Oh, I see. You're just gonna sit there | 1:06:36 | 1:06:38 | |
'feeling sorry for yourself.' | 1:06:38 | 1:06:39 | |
You tell me why not. This whole thing was my fault. | 1:06:39 | 1:06:43 | |
We should've never been here in the first place. | 1:06:43 | 1:06:45 | |
Should - supposed to be at the lake. | 1:06:45 | 1:06:48 | |
We'd be sitting by a warm fire right now. | 1:06:48 | 1:06:51 | |
I made us come here. | 1:06:51 | 1:06:54 | |
And now - now it's too late. | 1:06:54 | 1:06:57 | |
'No, it's never too late.' | 1:06:57 | 1:07:00 | |
Hey, look, I tried to get in there, and I can't, all right? | 1:07:00 | 1:07:03 | |
I tried! I failed! | 1:07:03 | 1:07:04 | |
'You try. You fail. | 1:07:04 | 1:07:06 | |
'You try. You fail. | 1:07:06 | 1:07:08 | |
'But the only true failure is when you stop trying.' | 1:07:08 | 1:07:12 | |
What do you want me to do? | 1:07:12 | 1:07:13 | |
Huh? | 1:07:13 | 1:07:14 | |
'Try again.' | 1:07:16 | 1:07:18 | |
Hold on! | 1:07:25 | 1:07:26 | |
'With what?' | 1:07:26 | 1:07:27 | |
Aaaahhh! Aaaahhh! | 1:07:33 | 1:07:36 | |
Elizabeth? | 1:07:39 | 1:07:40 | |
Yes, my love. | 1:07:44 | 1:07:46 | |
I'll be right back! | 1:07:53 | 1:07:54 | |
OK. I'll - I'll wait here. | 1:07:54 | 1:07:57 | |
Dearly beloved, | 1:07:59 | 1:08:01 | |
We are gathered together here in the sight of God | 1:08:01 | 1:08:03 | |
to join this man and this woman in the bonds of holy matrimony. | 1:08:03 | 1:08:07 | |
MICHAEL AND MEGAN SCREAM | 1:08:07 | 1:08:10 | |
Michael! Megan! | 1:08:12 | 1:08:14 | |
Wilt thou, Edward Gracey, | 1:08:17 | 1:08:20 | |
have this woman to be thy wedded wife, | 1:08:20 | 1:08:22 | |
to live together after God's ordinance | 1:08:22 | 1:08:25 | |
in the holiest state of matrimony? | 1:08:25 | 1:08:27 | |
I will. | 1:08:27 | 1:08:28 | |
And do you, Elizabeth Henshaw, | 1:08:32 | 1:08:35 | |
take this man to be your lawful husband? | 1:08:35 | 1:08:38 | |
To love and cherish in death as you did in life? | 1:08:38 | 1:08:42 | |
I do. | 1:08:42 | 1:08:44 | |
Whoa! | 1:08:44 | 1:08:46 | |
Aaahh! | 1:08:53 | 1:08:55 | |
From this day forward, you shall be joined together as one, | 1:08:55 | 1:08:59 | |
for all eternity until the very end of time. | 1:08:59 | 1:09:03 | |
HE SPEAKS LATIN | 1:09:07 | 1:09:10 | |
What God has joined together let no man cast asunder. | 1:09:10 | 1:09:15 | |
Dad! | 1:09:19 | 1:09:20 | |
If anyone has any objections... | 1:09:22 | 1:09:26 | |
Yeah, I got a few objections! | 1:09:27 | 1:09:29 | |
The next time I say we're going to the lake, | 1:09:36 | 1:09:38 | |
we're going to the lake. Let's go. | 1:09:38 | 1:09:39 | |
Get away from her. | 1:09:41 | 1:09:43 | |
I lost her once. | 1:09:43 | 1:09:44 | |
I don't intend to let it happen again. | 1:09:44 | 1:09:47 | |
This is not Elizabeth. Ramsley, you tell him the truth. | 1:09:47 | 1:09:49 | |
I don't know what you're talking about. | 1:09:49 | 1:09:52 | |
Well, now you got amnesia, huh? | 1:09:52 | 1:09:53 | |
Elizabeth didn't kill herself. He did it. | 1:09:53 | 1:09:55 | |
He's been lying to you all along. | 1:09:55 | 1:09:57 | |
I'm warning you, sir. | 1:09:57 | 1:09:59 | |
Step away. | 1:09:59 | 1:10:01 | |
Man, don't think just cos you pull out your sword I'm gonna let you marry my wife. | 1:10:01 | 1:10:03 | |
My patience is wearing thin. Elizabeth, please, come along. | 1:10:03 | 1:10:07 | |
I'm not Elizabeth. | 1:10:07 | 1:10:09 | |
You must be. | 1:10:10 | 1:10:12 | |
Her name is Sara. She's from New Jersey. | 1:10:12 | 1:10:13 | |
Ramsley wants you to think she's Elizabeth | 1:10:13 | 1:10:15 | |
so this curse would be lifted. | 1:10:15 | 1:10:16 | |
That is absurd. | 1:10:16 | 1:10:19 | |
Forgive me. | 1:10:19 | 1:10:20 | |
If you want to kill me, kill me. But if I come to the other side, I'll be whipping your ass for all eternity. | 1:10:20 | 1:10:25 | |
So you should read this before you stab somebody. Read it! | 1:10:25 | 1:10:28 | |
What is it? It's Elizabeth's letter. | 1:10:28 | 1:10:30 | |
Her real letter, the one she wrote. | 1:10:30 | 1:10:31 | |
The one he stole - you never saw it. | 1:10:31 | 1:10:33 | |
What's the meaning of this? | 1:10:41 | 1:10:43 | |
Must we continue to listen to the ramblings of a lunatic? | 1:10:43 | 1:10:48 | |
But it is written in her hand. | 1:10:48 | 1:10:49 | |
Yeah, it's written in her hand. Explain that, Ramsley. | 1:10:49 | 1:10:52 | |
Well? | 1:10:52 | 1:10:53 | |
Your union was unacceptable. | 1:10:58 | 1:11:01 | |
I tried to warn you, but you wouldn't listen. | 1:11:01 | 1:11:05 | |
So you killed her. | 1:11:05 | 1:11:06 | |
I told you it would be a mistake | 1:11:06 | 1:11:08 | |
to run away with that girl. | 1:11:08 | 1:11:10 | |
But I loved her! Was love my mistake?! | 1:11:10 | 1:11:13 | |
Yes! | 1:11:13 | 1:11:15 | |
I tried to protect you. | 1:11:15 | 1:11:17 | |
All these years I've sacrificed for you. | 1:11:17 | 1:11:21 | |
But what would you understand of sacrifice, duty, or honour? | 1:11:21 | 1:11:26 | |
You loved her. | 1:11:26 | 1:11:28 | |
Well, damn you. Damn you all to hell! | 1:11:28 | 1:11:32 | |
SCREAMS | 1:11:33 | 1:11:35 | |
Aah! Jim! | 1:12:15 | 1:12:17 | |
Aah! | 1:12:17 | 1:12:18 | |
Aah! | 1:12:18 | 1:12:19 | |
BOTH GRUNT | 1:12:19 | 1:12:21 | |
Aaaahhh! | 1:12:21 | 1:12:23 | |
Aah! | 1:12:26 | 1:12:28 | |
Aaaaaahhhh! | 1:12:28 | 1:12:35 | |
THEY GRUNT | 1:12:41 | 1:12:43 | |
MEGAN AND MICHAEL: Mom! | 1:12:49 | 1:12:51 | |
Mom, what's wrong? | 1:12:51 | 1:12:53 | |
Are you all right? | 1:12:53 | 1:12:54 | |
Mom. Hey! | 1:12:54 | 1:12:55 | |
Hey, Sara. Sara, what's the matter? | 1:12:55 | 1:12:58 | |
Sara, what's wrong? | 1:12:58 | 1:13:00 | |
Hey, what's the matter? What's wrong? | 1:13:00 | 1:13:01 | |
It's the poison! | 1:13:01 | 1:13:03 | |
Oh, no! | 1:13:03 | 1:13:04 | |
No. Hey, Sara. | 1:13:04 | 1:13:06 | |
Come on, please, don't do this. | 1:13:06 | 1:13:08 | |
Sara, don't do this, please. | 1:13:08 | 1:13:09 | |
Jim... | 1:13:09 | 1:13:11 | |
Sara! Hey! | 1:13:12 | 1:13:14 | |
Sara. Sara, come on, please. | 1:13:14 | 1:13:17 | |
Sara. Sara, I love you. | 1:13:17 | 1:13:20 | |
Sara, please, I love you so much. | 1:13:20 | 1:13:22 | |
Hey, get away from us! Leave us alone! | 1:13:30 | 1:13:31 | |
No, Dad. | 1:13:31 | 1:13:32 | |
It won't hurt us. | 1:13:32 | 1:13:34 | |
Elizabeth, is that you? | 1:14:40 | 1:14:42 | |
Yes, my love. | 1:14:42 | 1:14:45 | |
The ghost ball was Elizabeth. | 1:14:45 | 1:14:48 | |
The truth had to be known for me to be released. | 1:14:48 | 1:14:51 | |
He saved me. | 1:14:51 | 1:14:53 | |
It was nothing. | 1:14:55 | 1:14:58 | |
Oh, Elizabeth. | 1:14:58 | 1:15:00 | |
Yes, my darling? | 1:15:00 | 1:15:03 | |
I've waited so long for this moment. | 1:15:03 | 1:15:07 | |
And now only heaven awaits. | 1:15:07 | 1:15:10 | |
CHUCKLES He's not really kissing your mom. | 1:15:21 | 1:15:23 | |
Hey. | 1:15:28 | 1:15:29 | |
That's my wife. | 1:15:31 | 1:15:34 | |
Sara? | 1:15:41 | 1:15:42 | |
Jim? | 1:15:48 | 1:15:50 | |
I thought I lost you. | 1:15:50 | 1:15:52 | |
Oh. | 1:15:52 | 1:15:54 | |
I thought I lost you, too. | 1:15:55 | 1:15:57 | |
I'm back, Sara. | 1:15:57 | 1:15:59 | |
I'm back. | 1:15:59 | 1:16:01 | |
Can you ever forgive me? | 1:16:03 | 1:16:05 | |
Oh, what's to forgive? You loved her. | 1:16:05 | 1:16:08 | |
Here. Take this. | 1:16:08 | 1:16:11 | |
What is it? | 1:16:11 | 1:16:13 | |
The deed to the house. | 1:16:13 | 1:16:15 | |
It's yours. | 1:16:15 | 1:16:16 | |
Do with it what you will. | 1:16:16 | 1:16:17 | |
Sell it, keep it. | 1:16:17 | 1:16:20 | |
Do whatever makes you and your family happy. | 1:16:20 | 1:16:22 | |
And thank you. | 1:16:28 | 1:16:29 | |
Thank you all so much. | 1:16:31 | 1:16:33 | |
EMMA: Wait! Wait for us! | 1:16:43 | 1:16:46 | |
Hold on! | 1:16:46 | 1:16:48 | |
Wh-what's all this? | 1:16:48 | 1:16:49 | |
Well, I don't know what we'll need. | 1:16:49 | 1:16:51 | |
What are you talking about? We're going to heaven. | 1:16:51 | 1:16:53 | |
You can't take it with you. | 1:16:53 | 1:16:54 | |
The hell I can't! | 1:16:54 | 1:16:56 | |
Oh. Goodbye. | 1:16:57 | 1:16:58 | |
Bye-bye. Thank you all so much. | 1:16:58 | 1:16:59 | |
You're welcome. Goodbye. | 1:16:59 | 1:17:01 | |
Thank you. So long now. | 1:17:01 | 1:17:02 | |
OK, little man. All right, hurry! | 1:17:02 | 1:17:04 | |
Let's go! | 1:17:04 | 1:17:06 | |
Bye! | 1:17:06 | 1:17:07 | |
OK, here we go. | 1:17:07 | 1:17:09 | |
Whoo! | 1:17:11 | 1:17:12 | |
Bye-bye. | 1:17:15 | 1:17:16 | |
LEOTA: Angels in heaven together at last. | 1:17:36 | 1:17:39 | |
The tale is well ended for those who have passed. | 1:17:39 | 1:17:42 | |
Love endures all, no reason, no rhyme. | 1:17:42 | 1:17:46 | |
It lasts forever and forever all time. | 1:17:46 | 1:17:49 | |
Mom, Leota won't shut up. | 1:17:49 | 1:17:51 | |
Are we there yet? | 1:17:51 | 1:17:52 | |
I'm getting pretty hungry. | 1:17:52 | 1:17:53 | |
Can we get some pizza? | 1:17:53 | 1:17:54 | |
How long before we get there, Sara? | 1:17:54 | 1:17:55 | |
20 minutes tops. | 1:17:55 | 1:17:56 | |
Nothing takes 20 minutes. | 1:17:56 | 1:17:58 | |
MEN SCAT TO THE TUNE OF "WHEN THE SAINTS GO MARCHING IN" | 1:17:58 | 1:18:02 | |
JIM: Hey, guys, keep it down. | 1:18:02 | 1:18:04 | |
# We'll keep it down We'll keep it down | 1:18:04 | 1:18:06 | |
# We'll keep it down We'll keep it down | 1:18:06 | 1:18:08 | |
# Oh, yes, we will, we'll keep it down | 1:18:08 | 1:18:11 | |
# Oh, we're drivin' down the highway | 1:18:11 | 1:18:14 | |
# Yeah! | 1:18:14 | 1:18:16 | |
# And we're tryin' to keep it down... # | 1:18:16 | 1:18:23 | |
# Hurry back. | 1:19:28 | 1:19:31 | |
# Hurry back. # | 1:19:31 | 1:19:34 | |
Be sure to bring your death certificate. | 1:19:34 | 1:19:38 | |
If you decide to join us, make your final arrangements now. | 1:19:38 | 1:19:44 | |
We've been dying to have you. SHE LAUGHS | 1:19:44 | 1:19:49 | |
Email [email protected] | 1:19:49 | 1:19:53 |