Browse content similar to The Importance of Being Earnest. Check below for episodes and series from the same categories and more!
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ORCHESTRA TUNES UP | 0:00:18 | 0:00:20 | |
MAN SINGS: "La Donna E Mobile" | 0:01:19 | 0:01:22 | |
# La la-la la la la | 0:01:24 | 0:01:27 | |
# La la la la-la | 0:01:27 | 0:01:30 | |
# La la-la la laaaaaaaaaa... | 0:01:30 | 0:01:36 | |
# La la-la-la pom pom! # | 0:01:36 | 0:01:41 | |
Brrr! | 0:01:41 | 0:01:43 | |
Eating as usual, I see, Algy. | 0:01:46 | 0:01:48 | |
I believe it is usual in good society | 0:01:48 | 0:01:51 | |
to take some slight refreshment after morning exercise. | 0:01:51 | 0:01:53 | |
And what brings you to London, my dear Ernest? | 0:01:54 | 0:01:57 | |
Oh, pleasure. Pleasure. What else should bring one anywhere? | 0:01:57 | 0:02:00 | |
Where have you been since last Thursday? | 0:02:00 | 0:02:02 | |
In the country. | 0:02:02 | 0:02:04 | |
What on earth do YOU do there? | 0:02:04 | 0:02:06 | |
When one is in town, one amuses oneself. | 0:02:06 | 0:02:08 | |
When one is in the country, one amuses other people. | 0:02:08 | 0:02:11 | |
-Who are the people you amuse? -Oh, neighbours. Neighbours. | 0:02:11 | 0:02:14 | |
Got nice neighbours in your part of Shropshire? | 0:02:14 | 0:02:17 | |
Perfectly horrid. Never speak to them. | 0:02:17 | 0:02:20 | |
How immensely you must amuse them. | 0:02:20 | 0:02:22 | |
Shropshire IS your county, is it not? | 0:02:22 | 0:02:25 | |
Shropshire? Yes, of course. | 0:02:25 | 0:02:27 | |
By the way... Gwendolen is in town, isn't she? | 0:02:27 | 0:02:30 | |
She is. In fact, she's having tea with me this afternoon. | 0:02:30 | 0:02:34 | |
How perfectly delightful. | 0:02:34 | 0:02:36 | |
And so is Aunt Augusta. | 0:02:36 | 0:02:39 | |
Oh. | 0:02:39 | 0:02:42 | |
You know, the way you flirt with Gwendolen | 0:02:42 | 0:02:44 | |
is almost as bad as the way Gwendolen flirts with you. | 0:02:44 | 0:02:47 | |
I am in love with Gwendolen. | 0:02:47 | 0:02:49 | |
I have come up to town expressly to propose to her. | 0:02:49 | 0:02:52 | |
I thought you'd come up on pleasure. I call that business. | 0:02:52 | 0:02:56 | |
How utterly unromantic you are. | 0:02:56 | 0:02:57 | |
I really don't see anything romantic in proposing. | 0:02:57 | 0:03:00 | |
Very romantic to be in love | 0:03:00 | 0:03:01 | |
but there's nothing romantic about a definite proposal. | 0:03:01 | 0:03:04 | |
One may be accepted! | 0:03:04 | 0:03:06 | |
One usually is, I believe. | 0:03:06 | 0:03:07 | |
Then the whole excitement is over. | 0:03:07 | 0:03:09 | |
The very essence of romance is uncertainty. | 0:03:09 | 0:03:11 | |
If ever I get married, I shall certainly try and forget the fact. | 0:03:11 | 0:03:15 | |
I've no doubt about that, my dear Algy. | 0:03:15 | 0:03:18 | |
The divorce court was invented for people like you. | 0:03:18 | 0:03:20 | |
Divorces are made in heaven. Marriages are... | 0:03:21 | 0:03:25 | |
Yes, Algy? | 0:03:25 | 0:03:27 | |
Oh, well, there's no use my speculating on that subject... | 0:03:27 | 0:03:31 | |
or indeed your speculating on marrying Gwendolen. | 0:03:31 | 0:03:34 | |
Why on earth do you say that? | 0:03:34 | 0:03:36 | |
Well, firstly, girls never marry the men they flirt with. | 0:03:36 | 0:03:39 | |
-That is nonsense. -It isn't. It's a great truth. | 0:03:39 | 0:03:42 | |
Accounts for the extraordinary number of bachelors one sees all over the place. | 0:03:42 | 0:03:46 | |
Secondly, I don't give my consent. | 0:03:46 | 0:03:48 | |
YOUR consent? | 0:03:48 | 0:03:50 | |
My dear fellow, Gwendolen is my first cousin. | 0:03:51 | 0:03:53 | |
And before I allow you to marry her, | 0:03:53 | 0:03:55 | |
you will have to clear up the whole question of Cecily. | 0:03:55 | 0:03:58 | |
Cecily? | 0:03:58 | 0:04:00 | |
What on earth do you mean? | 0:04:00 | 0:04:02 | |
What do you mean, Algy, by Cecily? I...I don't know anyone named Cecily. | 0:04:02 | 0:04:06 | |
You mean you've had my cigarette case all this time? | 0:04:07 | 0:04:10 | |
I wish you'd let me know. | 0:04:10 | 0:04:11 | |
I've been writing frantic letters to Scotland Yard. | 0:04:11 | 0:04:14 | |
-I nearly offered a large reward. -I wish you would. | 0:04:14 | 0:04:17 | |
I'm more than usually hard-up. | 0:04:17 | 0:04:19 | |
It's no good offering a large reward now it's found. | 0:04:19 | 0:04:22 | |
I think that's rather mean, Ernest. | 0:04:22 | 0:04:24 | |
Ah, well, it makes no matter. | 0:04:24 | 0:04:26 | |
For now that I look at the inscription, | 0:04:26 | 0:04:29 | |
I find the thing isn't yours after all. | 0:04:29 | 0:04:31 | |
Well, of course it's mine! You've seen me with it many times! | 0:04:31 | 0:04:34 | |
You have no right to read what is inside. | 0:04:34 | 0:04:36 | |
It is very ungentlemanly to read a private cigarette case. | 0:04:36 | 0:04:39 | |
It's absurd to have a rule about what one should and shouldn't read. | 0:04:39 | 0:04:43 | |
Half of modern culture depends on what one shouldn't read. | 0:04:43 | 0:04:46 | |
I don't propose to discuss modern culture with you. | 0:04:46 | 0:04:49 | |
One shouldn't talk of it in private. | 0:04:49 | 0:04:51 | |
-I simply want my cigarette case... -Yes! | 0:04:51 | 0:04:53 | |
But this ISN'T your cigarette case. | 0:04:53 | 0:04:55 | |
This cigarette case is a present from someone of the name of Cecily. | 0:04:55 | 0:04:59 | |
You said you knew no-one of that name. | 0:04:59 | 0:05:02 | |
-Well, if you want to know... -Mmm? | 0:05:02 | 0:05:05 | |
..Cecily happens to be my aunt. | 0:05:05 | 0:05:07 | |
-Your aunt? -Yes. | 0:05:10 | 0:05:12 | |
Charming old lady she is too. Lives at Tunbridge Wells. | 0:05:12 | 0:05:16 | |
But why does she call herself Cecily | 0:05:16 | 0:05:19 | |
if she is your aunt and lives in Tunbridge Wells? | 0:05:19 | 0:05:22 | |
"From LITTLE Cecily with her fondest love." | 0:05:22 | 0:05:26 | |
My dear fellow, what on earth is there in that? | 0:05:26 | 0:05:29 | |
Some aunts are tall, some aunts are not tall. | 0:05:29 | 0:05:31 | |
That is surely a matter an aunt may decide for herself. | 0:05:31 | 0:05:34 | |
For heaven's sake, give me my cigarette case! | 0:05:34 | 0:05:36 | |
Yes, but why does your aunt call you her uncle? | 0:05:36 | 0:05:39 | |
"From little Cecily with her fondest love, | 0:05:39 | 0:05:42 | |
"to her dear Uncle Jack." | 0:05:42 | 0:05:43 | |
There is no objection, I admit, to an aunt being a small aunt, | 0:05:43 | 0:05:47 | |
but why an aunt, whatever her size, should call her nephew her uncle I can't make out. | 0:05:47 | 0:05:53 | |
Besides, your name isn't Jack at all. It is Ernest. | 0:05:53 | 0:05:55 | |
It isn't Ernest. It's Jack. | 0:05:55 | 0:05:57 | |
You have always told me it was Ernest. | 0:05:57 | 0:06:00 | |
You're the most earnest-looking person I ever saw in my life. | 0:06:00 | 0:06:03 | |
It's absurd you saying your name isn't Ernest. | 0:06:03 | 0:06:06 | |
It's on your cards - here is one. | 0:06:06 | 0:06:08 | |
"Mr Ernest Worthing, B4, The Albany." | 0:06:08 | 0:06:10 | |
I shall keep this as proof that your name is Ernest | 0:06:10 | 0:06:12 | |
if ever you attempt to deny the fact to me, Gwendolen or anyone. | 0:06:12 | 0:06:16 | |
My name is Ernest in town and Jack in the country. | 0:06:16 | 0:06:19 | |
The case was given me in the country. | 0:06:19 | 0:06:22 | |
That doesn't explain why your small Aunt Cecily from Tunbridge Wells | 0:06:22 | 0:06:25 | |
calls you her dear uncle. | 0:06:25 | 0:06:27 | |
Come on - much better have the thing out. | 0:06:27 | 0:06:29 | |
My dear Algy, you talk exactly like a dentist. | 0:06:29 | 0:06:31 | |
I may mention that I have always suspected... | 0:06:31 | 0:06:35 | |
..and now I am quite sure, | 0:06:36 | 0:06:38 | |
that you are a confirmed and secret Bunburyist. | 0:06:38 | 0:06:41 | |
Bun...buryist? | 0:06:41 | 0:06:43 | |
What on earth do you mean by "Bunburyist"? | 0:06:43 | 0:06:47 | |
I will reveal to you the meaning of that incomparable expression | 0:06:47 | 0:06:50 | |
when you are kind enough to tell me | 0:06:50 | 0:06:52 | |
why you are Ernest in town and Jack in the country. | 0:06:52 | 0:06:55 | |
Well, produce my cigarette case first. | 0:06:56 | 0:06:58 | |
Here it is. | 0:06:58 | 0:07:00 | |
Now produce your explanation. | 0:07:00 | 0:07:02 | |
And pray make it improbable. | 0:07:02 | 0:07:05 | |
There's nothing improbable about my explanation at all. | 0:07:05 | 0:07:08 | |
Old Mr Thomas Cardew, who adopted me when I was a little boy, | 0:07:08 | 0:07:12 | |
made me in his will guardian to his granddaughter, Miss...Cecily Cardew. | 0:07:12 | 0:07:16 | |
Cecily - who addresses me as Uncle out of motives of respect | 0:07:16 | 0:07:20 | |
which you could not possibly appreciate - | 0:07:20 | 0:07:22 | |
lives at my place in the country | 0:07:22 | 0:07:24 | |
under the charge of her admirable governess, Miss Prism. | 0:07:24 | 0:07:26 | |
Where is that place in the country, by the way? | 0:07:26 | 0:07:29 | |
That is nothing to you, dear boy. You are not going to be invited. | 0:07:29 | 0:07:34 | |
I may tell you candidly that it is NOT in Shropshire. | 0:07:34 | 0:07:37 | |
I suspected that. | 0:07:37 | 0:07:39 | |
I have Bunburyed all over Shropshire on two separate occasions. | 0:07:39 | 0:07:42 | |
Well, go on. | 0:07:42 | 0:07:43 | |
When one is placed in the position of guardian, | 0:07:43 | 0:07:46 | |
one has to adopt a very high moral tone on all subjects. | 0:07:46 | 0:07:49 | |
It is one's duty to do so. | 0:07:49 | 0:07:51 | |
And as a high moral tone can hardly be said to conduce very much | 0:07:51 | 0:07:55 | |
to either one's health or one's happiness, | 0:07:55 | 0:07:57 | |
in order to get up to town, I have pretended to have a younger brother named Ernest | 0:07:57 | 0:08:02 | |
who lives here in The Albany and gets into the most dreadful scrapes. | 0:08:02 | 0:08:06 | |
THAT, my dear Algy, is the whole truth. | 0:08:06 | 0:08:09 | |
Oh, no. What you really are is a Bunburyist. | 0:08:09 | 0:08:11 | |
I was perfectly right in saying you are a Bunburyist. | 0:08:11 | 0:08:14 | |
You are one of the most advanced Bunburyists I know. | 0:08:14 | 0:08:17 | |
What on earth do you mean? | 0:08:17 | 0:08:18 | |
You have invented a very useful younger brother called Ernest | 0:08:18 | 0:08:21 | |
so you may come to London whenever you like. | 0:08:21 | 0:08:24 | |
I have invented an invaluable permanent invalid called Bunbury | 0:08:24 | 0:08:28 | |
so I may go down to the country whenever I choose. | 0:08:28 | 0:08:31 | |
Bunbury really is invaluable. | 0:08:31 | 0:08:33 | |
If it wasn't for Bunbury's extraordinary bad health, for instance, | 0:08:33 | 0:08:37 | |
I couldn't dine with you at Willis's tonight, | 0:08:37 | 0:08:39 | |
for I have really been engaged to dine at Aunt Augusta's for more than a week. | 0:08:39 | 0:08:43 | |
I haven't asked you to dine with me. | 0:08:43 | 0:08:45 | |
I know. You are absurdly careless about sending out invitations. | 0:08:45 | 0:08:49 | |
It's very foolish of you. | 0:08:49 | 0:08:50 | |
Nothing annoys people more than NOT receiving invitations. | 0:08:50 | 0:08:53 | |
Algy... DOOR CLOSES | 0:08:54 | 0:08:55 | |
SINGS "LA DONNA E MOBILE" | 0:09:01 | 0:09:04 | |
Seton! | 0:09:04 | 0:09:05 | |
Sir? | 0:09:08 | 0:09:10 | |
Seton, I shall require a fresh gardenia this afternoon at... | 0:09:10 | 0:09:13 | |
four o'clock precisely. | 0:09:13 | 0:09:14 | |
Very good, sir. | 0:09:14 | 0:09:17 | |
CONTINUES SINGING TO HIMSELF | 0:09:17 | 0:09:20 | |
Ethel! Come here! | 0:09:32 | 0:09:33 | |
SINGING FROM BUILDING | 0:09:33 | 0:09:36 | |
-COACHMAN: -Thank you, guv'nor. | 0:09:40 | 0:09:42 | |
Giddy-up, now. | 0:09:42 | 0:09:44 | |
MAN SINGS "LA DONNA E MOBILE" | 0:09:44 | 0:09:48 | |
FINISHES SONG DRAMATICALLY | 0:09:49 | 0:09:53 | |
Did you hear what I was singing, Lane? | 0:09:57 | 0:09:59 | |
I didn't think it polite to listen, sir. | 0:09:59 | 0:10:01 | |
Sorry about that, for your sake. | 0:10:01 | 0:10:03 | |
I don't sing in tune. Anybody can sing in tune. | 0:10:03 | 0:10:06 | |
-But I sing with wonderful feeling. -Yes, sir. | 0:10:06 | 0:10:08 | |
You HAVE got the cucumber sandwiches for Lady Bracknell? | 0:10:08 | 0:10:11 | |
-Yes, sir. -Ah. | 0:10:11 | 0:10:13 | |
-DOORBELL JANGLES -Excuse me, sir. | 0:10:16 | 0:10:18 | |
ERNEST: Have Lady Bracknell and Miss Fairfax arrived yet? | 0:10:22 | 0:10:25 | |
No, sir. | 0:10:25 | 0:10:26 | |
Mr Ernest Worthing. | 0:10:26 | 0:10:28 | |
Jack! Don't seem to remember inviting you. | 0:10:28 | 0:10:31 | |
No. You're absurdly careless about sending out invitations. | 0:10:31 | 0:10:33 | |
Cucumber sandwiches? | 0:10:33 | 0:10:35 | |
Why such reckless extravagance in one so young? | 0:10:35 | 0:10:37 | |
Don't you touch them. They're ordered specially for Aunt Augusta. | 0:10:37 | 0:10:40 | |
-You're eating them. -That's quite different. | 0:10:40 | 0:10:43 | |
She is my aunt. | 0:10:43 | 0:10:44 | |
Have some bread and butter. | 0:10:44 | 0:10:45 | |
-SIGHS -Bread and butter is for Gwendolen. | 0:10:45 | 0:10:48 | |
Gwendolen is devoted to bread and butter. | 0:10:49 | 0:10:52 | |
And very good bread and butter it is too. | 0:10:52 | 0:10:54 | |
You needn't eat as if you'd eat it all. | 0:10:54 | 0:10:57 | |
You behave as if you were married to her already. | 0:10:57 | 0:11:00 | |
You are not, and I don't think you ever will be. | 0:11:00 | 0:11:03 | |
Algy... DOORBELL JANGLES | 0:11:03 | 0:11:05 | |
That must be Aunt Augusta. | 0:11:05 | 0:11:06 | |
Only relatives or creditors ever ring in that Wagnerian manner. | 0:11:06 | 0:11:10 | |
Now, if I remove her for ten minutes in order that you may propose to Gwendolen, | 0:11:10 | 0:11:15 | |
may I dine with you at Willis's tonight? | 0:11:15 | 0:11:17 | |
I suppose so. If you want to. | 0:11:17 | 0:11:19 | |
You must be serious about it. People must be serious about meals. | 0:11:19 | 0:11:23 | |
Lady Bracknell and Miss Fairfax. | 0:11:27 | 0:11:30 | |
Good afternoon, dear Algernon. I hope you are behaving very well. | 0:11:30 | 0:11:35 | |
I'm feeling very well, Aunt Augusta. | 0:11:35 | 0:11:37 | |
Yes, that's not quite the same thing. | 0:11:37 | 0:11:39 | |
In fact, the two things rarely go together. | 0:11:39 | 0:11:42 | |
Oh. How do you do, Mr Worthing? | 0:11:43 | 0:11:47 | |
Dear me, Gwendolen, you are smart. | 0:11:47 | 0:11:49 | |
I am always smart. | 0:11:49 | 0:11:51 | |
Aren't I, Mr Worthing? | 0:11:51 | 0:11:53 | |
You are quite perfect, Miss Fairfax. | 0:11:53 | 0:11:55 | |
Oh, I hope I am not that. | 0:11:55 | 0:11:58 | |
It would leave no room for development. | 0:11:58 | 0:12:00 | |
And I intend to develop in many directions. | 0:12:00 | 0:12:04 | |
Gwendolen! Won't you come and sit here, Gwendolen? | 0:12:04 | 0:12:08 | |
Thank you, Mama. I am quite comfortable where I am. | 0:12:08 | 0:12:12 | |
I'm sorry if we are a little late, Algernon. | 0:12:12 | 0:12:15 | |
I was obliged to call on dear Lady Harbury. | 0:12:15 | 0:12:19 | |
I hadn't been there since her poor husband's death. | 0:12:19 | 0:12:22 | |
I never saw a woman so altered. | 0:12:22 | 0:12:24 | |
She looks quite 20 years younger. | 0:12:24 | 0:12:27 | |
And now I'll have a cup of tea | 0:12:27 | 0:12:29 | |
and one of those nice cucumber sandwiches you promised me. | 0:12:29 | 0:12:33 | |
Certainly, Aunt Augusta. | 0:12:33 | 0:12:35 | |
Good heavens, Lane! Why are there no cucumber sandwiches? | 0:12:38 | 0:12:41 | |
I ordered them specially. | 0:12:41 | 0:12:43 | |
There were no cucumbers in the market this morning, sir. | 0:12:43 | 0:12:46 | |
I went down twice. | 0:12:46 | 0:12:47 | |
-No cucumbers? -No, sir. Not even for ready money. | 0:12:47 | 0:12:51 | |
Thank you, Lane. That will do. | 0:12:51 | 0:12:53 | |
I am greatly distressed, Aunt Augusta, | 0:12:53 | 0:12:55 | |
about there being no cucumbers, not even for ready money. | 0:12:55 | 0:12:58 | |
Well, it really makes no matter, Algernon. | 0:12:58 | 0:13:00 | |
I had some crumpets with Lady Harbury, | 0:13:00 | 0:13:03 | |
who seems to me to be living entirely for pleasure now. | 0:13:03 | 0:13:06 | |
I hear her hair has turned quite gold from grief. | 0:13:06 | 0:13:09 | |
Well, it certainly has changed its colour. | 0:13:09 | 0:13:12 | |
From what cause, I, of course, cannot say. | 0:13:12 | 0:13:15 | |
Forgive me, Aunt Augusta, I'm afraid I shall have to | 0:13:15 | 0:13:18 | |
give up the pleasure of dining with you tonight. | 0:13:18 | 0:13:21 | |
Oh, I hope not, Algernon. T'would put my table completely out. | 0:13:21 | 0:13:25 | |
Well, the fact is, I have just had a telegram to say | 0:13:25 | 0:13:28 | |
my poor friend...Bunbury is very ill again. | 0:13:28 | 0:13:31 | |
They seem to think I should be there. | 0:13:31 | 0:13:33 | |
I must say, I should be much obliged if you would ask Mr Bunbury from me | 0:13:33 | 0:13:38 | |
not to have a relapse on Saturday | 0:13:38 | 0:13:41 | |
for I rely on you to arrange my music for me. | 0:13:41 | 0:13:45 | |
It is my last reception | 0:13:45 | 0:13:47 | |
and one wants something that will encourage conversation, | 0:13:47 | 0:13:50 | |
particularly at the end of the season | 0:13:50 | 0:13:52 | |
when everybody has practically said whatever they had to say. | 0:13:52 | 0:13:56 | |
Which, in most cases, was probably not much. | 0:13:56 | 0:13:59 | |
I will speak to Bunbury, Aunt Augusta, if he is still conscious. | 0:13:59 | 0:14:03 | |
I think I can promise you he will be all right by Saturday. | 0:14:03 | 0:14:06 | |
Of course, the music is a great difficulty | 0:14:06 | 0:14:09 | |
but I will run over the programme I've worked out | 0:14:09 | 0:14:12 | |
if you'll come into the other room. | 0:14:12 | 0:14:14 | |
Thank you, Algernon. That's very thoughtful of you. | 0:14:14 | 0:14:17 | |
I'm sure the programme will be delightful... | 0:14:17 | 0:14:19 | |
after a few expurgations. | 0:14:19 | 0:14:22 | |
French songs I cannot possibly allow. | 0:14:22 | 0:14:25 | |
People always seem to think they are improper, | 0:14:25 | 0:14:27 | |
and either look shocked, which is vulgar, | 0:14:27 | 0:14:30 | |
or laugh, which is worse. | 0:14:30 | 0:14:32 | |
Now, German sounds a thoroughly respectable language. | 0:14:32 | 0:14:37 | |
And indeed I believe is so. | 0:14:37 | 0:14:39 | |
Gwendolen, you will accompany me. | 0:14:39 | 0:14:43 | |
Certainly, Mama. | 0:14:43 | 0:14:45 | |
< Well, here is the programme, Aunt Augusta... | 0:14:47 | 0:14:51 | |
Charming day it has been, Miss Fairfax. | 0:14:51 | 0:14:53 | |
Pray don't talk to me about the weather, Mr Worthing. | 0:14:53 | 0:14:57 | |
Whenever people talk to me about the weather, | 0:14:57 | 0:14:59 | |
I always feel quite certain they mean...something else. | 0:14:59 | 0:15:02 | |
And it makes me so nervous. | 0:15:02 | 0:15:04 | |
-I do mean...something else. -I thought so. | 0:15:04 | 0:15:07 | |
In fact, I'm never wrong. | 0:15:07 | 0:15:09 | |
I would like to be allowed to take advantage of Lady Bracknell's temporary absence. | 0:15:09 | 0:15:13 | |
I would advise you to do so. | 0:15:13 | 0:15:15 | |
Mama has a way of returning suddenly to a room | 0:15:15 | 0:15:18 | |
that I have often had to speak to her about. | 0:15:18 | 0:15:21 | |
Miss Fairfax. | 0:15:21 | 0:15:23 | |
Ever since I met you, I have admired you more than any girl I have ever met... | 0:15:23 | 0:15:28 | |
since I met you. | 0:15:28 | 0:15:30 | |
Yes. I am quite aware of the fact. | 0:15:30 | 0:15:33 | |
And I often wish that, in public at any rate, you would be more demonstrative. | 0:15:33 | 0:15:38 | |
For me, you have always had an irresistible fascination. | 0:15:38 | 0:15:42 | |
Even before I met you, I was far from indifferent to you. | 0:15:42 | 0:15:45 | |
We live - as I hope you know, Mr Worthing - in an age of ideals. | 0:15:45 | 0:15:51 | |
And my ideal has always been to love someone of the name of Ernest. | 0:15:51 | 0:15:55 | |
There is something in that name which inspires absolute confidence. | 0:15:55 | 0:15:59 | |
The moment Algernon first mentioned to me he had a friend called Ernest... | 0:15:59 | 0:16:03 | |
..I knew I was destined to love you. | 0:16:04 | 0:16:06 | |
CUP RATTLES | 0:16:07 | 0:16:09 | |
You really...love me, Gwendolen? | 0:16:09 | 0:16:12 | |
Passionately! | 0:16:12 | 0:16:14 | |
Darling... | 0:16:15 | 0:16:17 | |
You don't know how happy you've made me. | 0:16:18 | 0:16:20 | |
My own Ernest! | 0:16:20 | 0:16:22 | |
You don't mean to say you couldn't love me if my name wasn't Ernest? | 0:16:22 | 0:16:26 | |
-But your name IS Ernest. -Yes, I know it is, but... | 0:16:26 | 0:16:29 | |
supposing it wasn't. | 0:16:29 | 0:16:31 | |
Supposing it was...something else. | 0:16:31 | 0:16:33 | |
Do you mean to say you couldn't love me then? | 0:16:33 | 0:16:36 | |
Ah! This is clearly a metaphysical speculation. | 0:16:36 | 0:16:39 | |
And like most metaphysical speculations, | 0:16:39 | 0:16:41 | |
has very little reference to the actual facts of real life as we know them. | 0:16:41 | 0:16:45 | |
Well, personally, darling, to speak candidly, | 0:16:45 | 0:16:48 | |
I don't much care for the name of Ernest. | 0:16:48 | 0:16:50 | |
I don't think it suits me at all. | 0:16:50 | 0:16:53 | |
It suits you perfectly. It's a divine name. | 0:16:53 | 0:16:56 | |
It has music of its own. | 0:16:56 | 0:16:58 | |
It...it produces vibrations. | 0:16:58 | 0:17:01 | |
Well, I must say, Gwendolen, I think there are lots of other much nicer names. | 0:17:01 | 0:17:07 | |
I think, um... | 0:17:07 | 0:17:08 | |
Jack, for instance, is a charming name. | 0:17:08 | 0:17:11 | |
-Jack? -Mmm. | 0:17:11 | 0:17:12 | |
Oh, no. There's very little music in the name of Jack. | 0:17:12 | 0:17:17 | |
If any at all, indeed. | 0:17:17 | 0:17:18 | |
I have known several Jacks, and they all, without exception, | 0:17:18 | 0:17:22 | |
were more than usually plain. | 0:17:22 | 0:17:23 | |
Besides, Jack is a notorious domesticity for John | 0:17:23 | 0:17:27 | |
and I pity any woman who's married to a man called John. | 0:17:27 | 0:17:31 | |
No. | 0:17:31 | 0:17:32 | |
The only really safe name... is Ernest. | 0:17:32 | 0:17:36 | |
Gwendolen, I...I must get christened at once. | 0:17:36 | 0:17:39 | |
I mean, we must get married at once. | 0:17:39 | 0:17:42 | |
Married, Mr Worthing? | 0:17:42 | 0:17:45 | |
Well, surely... you know that I love you | 0:17:45 | 0:17:49 | |
and you have led me to believe, Miss Fairfax, | 0:17:49 | 0:17:51 | |
that you are not entirely indifferent to me. | 0:17:51 | 0:17:53 | |
I adore you. But you haven't proposed to me yet. | 0:17:53 | 0:17:57 | |
Well, er...ahem... may I propose to you now? | 0:17:57 | 0:18:01 | |
I think it would be an admirable opportunity. | 0:18:01 | 0:18:04 | |
And to spare you any possible disappointment, Mr Worthing, | 0:18:05 | 0:18:09 | |
I think it only fair to tell you quite frankly beforehand | 0:18:09 | 0:18:12 | |
that I am fully determined to accept you. | 0:18:12 | 0:18:15 | |
Gwendolen! | 0:18:16 | 0:18:17 | |
Yes, Mr Worthing? | 0:18:19 | 0:18:20 | |
What have you got to say to me? | 0:18:20 | 0:18:23 | |
Well, you know what I've got to say to you. | 0:18:23 | 0:18:25 | |
Yes, but you don't say it. | 0:18:25 | 0:18:27 | |
Gwendolen... | 0:18:40 | 0:18:41 | |
Will you marry me? | 0:18:42 | 0:18:43 | |
Of course I will, darling! | 0:18:43 | 0:18:45 | |
How long you've been about it. | 0:18:45 | 0:18:47 | |
I'm afraid you've had very little practice in how to propose. | 0:18:47 | 0:18:51 | |
My own one, I've never loved anyone but you. | 0:18:51 | 0:18:54 | |
Yes, but men often propose for practice. | 0:18:54 | 0:18:57 | |
I know my brother does. All my girlfriends tell me so. | 0:18:57 | 0:19:01 | |
What wonderfully blue eyes you have, Ernest! | 0:19:01 | 0:19:04 | |
They're quite, quite blue. | 0:19:04 | 0:19:08 | |
I hope you will always look at me just like that, | 0:19:08 | 0:19:12 | |
especially when there are other people present. | 0:19:12 | 0:19:14 | |
DOOR OPENS | 0:19:15 | 0:19:18 | |
Mr Worthing! Rise, sir, from this semi-recumbent posture! | 0:19:18 | 0:19:24 | |
It is most indecorous. | 0:19:24 | 0:19:27 | |
Mama, I must beg you to retire. This is no place for you. | 0:19:27 | 0:19:31 | |
Besides, Mr Worthing is not quite finished yet. | 0:19:31 | 0:19:36 | |
Finished what...may I ask? | 0:19:36 | 0:19:40 | |
I am engaged to Mr Worthing, Mama. | 0:19:42 | 0:19:44 | |
Pardon me. You are not engaged to anyone. | 0:19:44 | 0:19:47 | |
When you DO become engaged to someone, | 0:19:47 | 0:19:49 | |
I or your father - should his health permit him - | 0:19:49 | 0:19:52 | |
will inform you of the fact. | 0:19:52 | 0:19:54 | |
An engagement should come upon a young girl as a surprise. | 0:19:54 | 0:19:58 | |
Pleasant or unpleasant as the case may be. | 0:19:58 | 0:20:01 | |
It is hardly a matter that she could be allowed to arrange for herself. | 0:20:01 | 0:20:05 | |
And now I have a few questions to put to you, Mr Worthing. | 0:20:05 | 0:20:08 | |
While I am making these inquiries, | 0:20:08 | 0:20:11 | |
you, Gwendolen, will wait for me below in the carriage. | 0:20:11 | 0:20:16 | |
-Mama... -In the carriage, Gwendolen! | 0:20:16 | 0:20:21 | |
Gwendolen! The carriage. | 0:20:39 | 0:20:41 | |
Yes, Mama. | 0:20:42 | 0:20:43 | |
You can take a seat, Mr Worthing. | 0:20:46 | 0:20:48 | |
Thank you, Lady Bracknell, I prefer standing. | 0:20:48 | 0:20:51 | |
I feel bound to tell you that you are not down on my list of eligible young men, | 0:20:51 | 0:20:56 | |
though I have the same list as the dear Duchess of Bolton. | 0:20:56 | 0:21:00 | |
We worked together, in fact. | 0:21:00 | 0:21:02 | |
But I am quite ready to enter your name | 0:21:02 | 0:21:04 | |
should your answers be what a really affectionate mother requires. | 0:21:04 | 0:21:09 | |
Do you smoke? | 0:21:09 | 0:21:10 | |
Well...yes, I must admit I smoke. | 0:21:12 | 0:21:13 | |
I am glad to hear it. A man should have an occupation of some kind. | 0:21:13 | 0:21:18 | |
I have always been of opinion that a man who desires to get married | 0:21:18 | 0:21:23 | |
should either know everything or nothing. | 0:21:23 | 0:21:27 | |
Which do you know? | 0:21:27 | 0:21:29 | |
-I know nothing, Lady Bracknell. -I am pleased to hear it. | 0:21:31 | 0:21:35 | |
I do not approve of anything that tampers with natural ignorance. | 0:21:35 | 0:21:39 | |
Ignorance is like a delicate exotic fruit - | 0:21:39 | 0:21:43 | |
touch it and the bloom is gone. | 0:21:43 | 0:21:45 | |
The whole theory of modern education is radically unsound. | 0:21:45 | 0:21:50 | |
Fortunately, in England at any rate, education produces no effect whatsoever. | 0:21:50 | 0:21:55 | |
What is your income? | 0:21:55 | 0:21:58 | |
Between seven and eight thousand a year. | 0:21:58 | 0:22:00 | |
-In land or in investments? -In investments, chiefly. | 0:22:00 | 0:22:04 | |
That is satisfactory. | 0:22:04 | 0:22:06 | |
Between the duties expected of one during one's lifetime | 0:22:06 | 0:22:09 | |
and the duties exacted from one after one's death, | 0:22:09 | 0:22:13 | |
land has ceased to be either a profit or a pleasure. | 0:22:13 | 0:22:16 | |
It gives one position but prevents one from keeping it up. | 0:22:16 | 0:22:20 | |
That's all that can be said about land. | 0:22:20 | 0:22:22 | |
I have a country house with some land, of course, attached to it - about 1,500 acres, I believe - | 0:22:22 | 0:22:28 | |
but I don't depend on that for my real income. | 0:22:28 | 0:22:31 | |
As far as I can make out, | 0:22:31 | 0:22:33 | |
the poachers are the only people who make anything from it! | 0:22:33 | 0:22:36 | |
Hm-mmm. | 0:22:36 | 0:22:38 | |
You have a town house, I hope? | 0:22:39 | 0:22:41 | |
A girl with a simple, unspoiled nature like Gwendolen | 0:22:41 | 0:22:44 | |
can hardly be expected to reside in the country. | 0:22:44 | 0:22:47 | |
Well, I own a house in Belgrave Square | 0:22:47 | 0:22:50 | |
but it is let by the year to Lady Bloxham. | 0:22:50 | 0:22:52 | |
Lady Bloxham? No, I don't know her. | 0:22:52 | 0:22:56 | |
Oh, she goes about very little. | 0:22:56 | 0:22:58 | |
She's a lady considerably advanced in years. | 0:22:58 | 0:23:01 | |
Ah! Nowadays that is no guarantee of respectability of character. | 0:23:01 | 0:23:07 | |
What are your politics? | 0:23:07 | 0:23:09 | |
Well, I...I'm afraid I really have none. | 0:23:09 | 0:23:12 | |
I...I am a Liberal. | 0:23:12 | 0:23:15 | |
They count as Tories. They dine with us. | 0:23:15 | 0:23:18 | |
Or come in the evening at any rate. | 0:23:18 | 0:23:21 | |
Now to minor matters. | 0:23:21 | 0:23:24 | |
Are your parents living? | 0:23:25 | 0:23:28 | |
I have lost both my parents. | 0:23:30 | 0:23:33 | |
To lose one parent, Mr Worthing, may be regarded as a misfortune. | 0:23:33 | 0:23:38 | |
To lose both looks like carelessness. | 0:23:38 | 0:23:41 | |
Who was your father? | 0:23:41 | 0:23:43 | |
Well, I'm afraid I really don't know. | 0:23:44 | 0:23:46 | |
The fact is, Lady Bracknell, I said I had lost both my parents... | 0:23:46 | 0:23:51 | |
It would be nearer the truth to say my parents seem to have lost me. | 0:23:51 | 0:23:55 | |
I don't actually know who I am by birth. | 0:23:55 | 0:23:58 | |
I was... | 0:23:58 | 0:23:59 | |
Well...I was found. | 0:24:00 | 0:24:03 | |
Found? | 0:24:03 | 0:24:05 | |
The late Mr Thomas Cardew - an old gentleman of most charitable and kindly disposition - found me | 0:24:06 | 0:24:11 | |
and named me Worthing | 0:24:11 | 0:24:13 | |
because he had a first-class ticket for Worthing in his pocket at the time. | 0:24:13 | 0:24:17 | |
Worthing is a place in Sussex. | 0:24:18 | 0:24:20 | |
It is a seaside resort. | 0:24:20 | 0:24:23 | |
And where did the charitable gentleman | 0:24:23 | 0:24:25 | |
who had a first-class ticket for this seaside resort find you? | 0:24:25 | 0:24:31 | |
In a handbag. | 0:24:32 | 0:24:34 | |
A HANDBAG?! | 0:24:34 | 0:24:38 | |
Yes, Lady Bracknell, I was in a handbag. | 0:24:39 | 0:24:41 | |
A somewhat large, black... leather handbag...with handles to it. | 0:24:41 | 0:24:48 | |
An ordinary handbag, in fact. | 0:24:48 | 0:24:50 | |
In what locality did this Mr James or Thomas Cardew | 0:24:50 | 0:24:56 | |
come across this ordinary handbag? | 0:24:56 | 0:25:01 | |
In the cloakroom at Victoria Station. | 0:25:01 | 0:25:03 | |
It was given him in mistake for his own. | 0:25:03 | 0:25:05 | |
The cloakroom at Victoria Station?! | 0:25:05 | 0:25:08 | |
Yes. The Brighton line. | 0:25:08 | 0:25:11 | |
The line is immaterial! | 0:25:11 | 0:25:14 | |
Mr Worthing... | 0:25:17 | 0:25:19 | |
..I confess I feel somewhat bewildered by what you have just told me. | 0:25:20 | 0:25:25 | |
To be born, or at any rate, bred in a handbag - | 0:25:25 | 0:25:29 | |
whether it had handles or not - | 0:25:29 | 0:25:31 | |
seems to me to display a contempt | 0:25:31 | 0:25:34 | |
for the ordinary decencies of family life | 0:25:34 | 0:25:36 | |
that reminds one of the worst excesses of the French Revolution. | 0:25:36 | 0:25:41 | |
And I presume you know what that unfortunate movement led to. | 0:25:41 | 0:25:45 | |
May I ask what you advise me to do? | 0:25:45 | 0:25:48 | |
I would do anything in the world to ensure Gwendolen's happiness. | 0:25:48 | 0:25:52 | |
I would strongly advise you, Mr Worthing, | 0:25:52 | 0:25:54 | |
to try and acquire some relations as soon as possible. | 0:25:54 | 0:25:58 | |
And to make a definite effort to produce, at any rate, | 0:25:58 | 0:26:02 | |
one parent of either sex before the season is quite over! | 0:26:02 | 0:26:08 | |
I don't see how I can possibly do that. | 0:26:08 | 0:26:11 | |
I can produce the handbag at any moment. | 0:26:11 | 0:26:13 | |
That ought to satisfy you, Lady Bracknell. | 0:26:13 | 0:26:16 | |
Me, sir? What has it to do with me? | 0:26:16 | 0:26:19 | |
You can hardly imagine that I and Lord Bracknell | 0:26:19 | 0:26:22 | |
would dream of allowing our only daughter - | 0:26:22 | 0:26:24 | |
a girl brought up with the utmost care - | 0:26:24 | 0:26:27 | |
to marry into a CLOAKROOM | 0:26:27 | 0:26:30 | |
and form an alliance with a PARCEL! | 0:26:30 | 0:26:34 | |
Good morning, Mr Worthing. | 0:26:34 | 0:26:37 | |
Good morning, Lady Bracknell. | 0:26:38 | 0:26:40 | |
HE GROANS | 0:26:41 | 0:26:43 | |
"THE WEDDING MARCH" PLAYS ON PIANO | 0:26:48 | 0:26:51 | |
Algy, for heaven's sake, stop playing that ghastly tune! | 0:26:54 | 0:26:57 | |
-Didn't it go off all right? -Oh! | 0:26:59 | 0:27:01 | |
You mean Gwendolen refused you? | 0:27:01 | 0:27:03 | |
Gwendolen is as right as a trivet! She thinks we're engaged. | 0:27:03 | 0:27:06 | |
Her mother is an absolute gorgon! | 0:27:06 | 0:27:09 | |
I am unsure what a gorgon is, but Lady Bracknell is one. | 0:27:09 | 0:27:13 | |
Anyway, she's a monster without being a myth, which is rather unfair. | 0:27:13 | 0:27:17 | |
Algy...you don't suppose that Gwendolen will become like her mother | 0:27:18 | 0:27:22 | |
in about 150 years, do you? | 0:27:22 | 0:27:25 | |
All women become like their mothers. That is their tragedy. | 0:27:25 | 0:27:28 | |
No man does. That's his. | 0:27:28 | 0:27:31 | |
-Is that clever? -It is perfectly phrased. | 0:27:31 | 0:27:34 | |
And quite as true as any observation in civilised life should be. | 0:27:34 | 0:27:38 | |
Did you tell Gwendolen the truth | 0:27:38 | 0:27:40 | |
about being Ernest in town and Jack in the country? | 0:27:40 | 0:27:42 | |
My dear fellow, the truth is not the sort of thing | 0:27:42 | 0:27:46 | |
one tells to a nice, sweet, refined girl. | 0:27:46 | 0:27:48 | |
Besides, before the week's end I shall have got rid of Ernest. | 0:27:48 | 0:27:52 | |
My poor brother Ernest is to be carried off quite suddenly in Paris | 0:27:52 | 0:27:57 | |
by a severe chill. | 0:27:57 | 0:27:58 | |
I thought you said that your ward | 0:27:58 | 0:28:00 | |
was a little too interested in your poor brother Ernest. | 0:28:00 | 0:28:04 | |
Won't she feel his loss? | 0:28:04 | 0:28:05 | |
Oh, Cecily isn't a silly, romantic girl. | 0:28:05 | 0:28:07 | |
She's got a capital appetite, she goes for long walks | 0:28:07 | 0:28:11 | |
and pays no attention to her lessons. | 0:28:11 | 0:28:13 | |
I'd like to see Cecily. | 0:28:13 | 0:28:15 | |
I shall take care that you never do. | 0:28:15 | 0:28:17 | |
She is excessively pretty and only just 18. | 0:28:17 | 0:28:19 | |
Have you told Gwendolen you have an excessively pretty ward? | 0:28:19 | 0:28:23 | |
One doesn't blurt these things out to people. | 0:28:23 | 0:28:25 | |
Cecily and Gwendolen are certain to be good friends. | 0:28:25 | 0:28:28 | |
I bet that soon after meeting they'll call each other sister. | 0:28:28 | 0:28:32 | |
Mmm. Women only do that when they've called each other a lot of other things first. | 0:28:32 | 0:28:36 | |
DOOR OPENS | 0:28:36 | 0:28:38 | |
Miss Fairfax. | 0:28:38 | 0:28:40 | |
Algy, kindly turn your back. | 0:28:40 | 0:28:42 | |
I have something very particular to tell Mr Worthing. | 0:28:42 | 0:28:45 | |
Really, I can't allow this at all. | 0:28:45 | 0:28:47 | |
Ernest, we may never be married. | 0:28:47 | 0:28:49 | |
From Mama's expression, I fear we never shall. | 0:28:49 | 0:28:52 | |
But although she may prevent us from being married, | 0:28:52 | 0:28:55 | |
nothing she can possibly do can alter my eternal devotion to you. | 0:28:55 | 0:28:59 | |
Your...your Christian name has an irresistible fascination. | 0:28:59 | 0:29:03 | |
The simplicity of your character | 0:29:03 | 0:29:05 | |
makes you exquisitely incomprehensible to me. | 0:29:05 | 0:29:07 | |
Your town address I have. What is your address in the country? | 0:29:07 | 0:29:11 | |
The Manor House, Woolton, Hertfordshire. | 0:29:11 | 0:29:14 | |
There is a good postal service? | 0:29:14 | 0:29:16 | |
It may be necessary to do something desperate. | 0:29:16 | 0:29:19 | |
-The Manor House. -Mmm. | 0:29:19 | 0:29:22 | |
-Woolton. -Mm-hm. | 0:29:22 | 0:29:23 | |
Hertfordshire. | 0:29:23 | 0:29:26 | |
My own one! | 0:29:26 | 0:29:28 | |
-Cecily! -Yes, Miss Prism? | 0:29:32 | 0:29:35 | |
Cecily! | 0:29:43 | 0:29:45 | |
Come here at once, child! | 0:29:46 | 0:29:47 | |
We should have been at our labours quite 20 minutes ago. | 0:29:53 | 0:29:56 | |
Unfortunately, I was detained by a slight mishap | 0:29:56 | 0:29:59 | |
to my, er, my... | 0:29:59 | 0:30:00 | |
Oh, well, never mind about that. | 0:30:00 | 0:30:02 | |
Your German grammar is on the table. | 0:30:02 | 0:30:05 | |
-Oh! -But I don't like German. | 0:30:06 | 0:30:08 | |
It isn't at all a becoming language. | 0:30:08 | 0:30:12 | |
I know perfectly well that I look quite plain after my German lesson. | 0:30:12 | 0:30:16 | |
You know your guardian is anxious | 0:30:16 | 0:30:18 | |
you should improve yourself in every way. | 0:30:18 | 0:30:20 | |
He laid particular stress on your German | 0:30:20 | 0:30:22 | |
as he left for town yesterday. | 0:30:22 | 0:30:24 | |
He always lays stress on your German when he's leaving for town. | 0:30:24 | 0:30:28 | |
We will repeat yesterday's lesson. Genders. | 0:30:28 | 0:30:32 | |
Dear Uncle Jack is so very serious. | 0:30:32 | 0:30:35 | |
Sometimes he is so serious that I think he cannot be well. | 0:30:35 | 0:30:39 | |
Your guardian enjoys the best of health. | 0:30:39 | 0:30:41 | |
And his gravity of demeanour... | 0:30:41 | 0:30:43 | |
his gravity of demeanour is especially to be commended | 0:30:43 | 0:30:46 | |
in one so comparatively young as he is. | 0:30:46 | 0:30:49 | |
I know no-one who has a higher sense of duty and responsibility. | 0:30:49 | 0:30:53 | |
That is why he often looks bored when we three are together. | 0:30:53 | 0:30:56 | |
Cecily, I'm surprised at you! | 0:30:56 | 0:30:58 | |
Mr Worthing has many troubles in his life. | 0:30:58 | 0:31:00 | |
Idle merriment and triviality would be out of place in his conversation. | 0:31:00 | 0:31:05 | |
You must remember his constant anxiety | 0:31:05 | 0:31:07 | |
about that unfortunate young man, his brother Ernest. | 0:31:07 | 0:31:11 | |
Why, I wish Uncle Jack would allow | 0:31:11 | 0:31:14 | |
that unfortunate young man, his brother Ernest, | 0:31:14 | 0:31:18 | |
to come down here sometimes. | 0:31:18 | 0:31:20 | |
TRAIN WHISTLE BLOWS | 0:31:20 | 0:31:22 | |
Diminutives are always neuter. | 0:31:25 | 0:31:28 | |
That is, they belong to neither sex, | 0:31:28 | 0:31:30 | |
even when appearances are to the contrary. | 0:31:30 | 0:31:33 | |
As for example, das Fraulein - the young lady - | 0:31:33 | 0:31:36 | |
das Madchen - the young girl. | 0:31:36 | 0:31:40 | |
Put away your diary, Cecily! | 0:31:40 | 0:31:42 | |
I don't see why you should keep a diary at all. | 0:31:42 | 0:31:46 | |
I keep a diary in order to enter the wonderful secrets of my life! | 0:31:46 | 0:31:52 | |
If I didn't write them down, I should probably forget them. | 0:31:52 | 0:31:56 | |
Memory, dear Cecily, is the diary that we all carry with us. | 0:31:56 | 0:32:00 | |
Yes, but it chronicles the things that have never happened | 0:32:00 | 0:32:03 | |
and couldn't possibly have happened. I believe that memory's responsible | 0:32:03 | 0:32:06 | |
for nearly all the three-volume novels that the library sends us. | 0:32:06 | 0:32:10 | |
Do not speak slightingly of the three-volume novelists. | 0:32:10 | 0:32:13 | |
I wrote one myself in earlier days. | 0:32:13 | 0:32:17 | |
Did you really, Miss Prism? | 0:32:17 | 0:32:19 | |
Oh, how wonderfully clever you are! | 0:32:19 | 0:32:23 | |
I hope it did not end happily. | 0:32:23 | 0:32:25 | |
I don't like novels that end happily. | 0:32:25 | 0:32:28 | |
The good ended happily and the bad unhappily. | 0:32:28 | 0:32:31 | |
-That is what fiction means. -I suppose so. | 0:32:31 | 0:32:35 | |
-And was it ever published? -Alas, no! | 0:32:35 | 0:32:38 | |
The manuscript, unfortunately, was abandoned. | 0:32:38 | 0:32:41 | |
Oh, I use the word in the sense of "lost" or "mislaid". | 0:32:41 | 0:32:45 | |
Now, to your work, child. | 0:32:45 | 0:32:47 | |
These speculations are profitless. | 0:32:47 | 0:32:50 | |
But I see dear Dr Chasuble coming up through the garden. | 0:32:50 | 0:32:54 | |
Oh! | 0:32:54 | 0:32:56 | |
Ah! | 0:32:56 | 0:32:58 | |
And how are we this morning? | 0:32:58 | 0:33:00 | |
Miss Prism, you are, I trust, well? | 0:33:00 | 0:33:02 | |
Dr Chasuble, this is indeed a pleasure! | 0:33:02 | 0:33:05 | |
Miss Prism has just been complaining of a slight headache. | 0:33:05 | 0:33:08 | |
It would do her so much good | 0:33:08 | 0:33:10 | |
to go for a stroll with you in the park. | 0:33:10 | 0:33:13 | |
Cecily, I have not mentioned anything about a headache. | 0:33:13 | 0:33:16 | |
I know that, Miss Prism. | 0:33:16 | 0:33:18 | |
I felt instinctively that you had a headache. | 0:33:18 | 0:33:20 | |
I was thinking about that, not about my German lesson, | 0:33:20 | 0:33:24 | |
when the rector arrived. | 0:33:24 | 0:33:25 | |
I hope, Cecily, you are not inattentive? | 0:33:25 | 0:33:27 | |
-Oh, I'm afraid I am. -That is strange. | 0:33:27 | 0:33:31 | |
Were I fortunate enough to be Miss Prism's pupil, | 0:33:31 | 0:33:34 | |
I would hang upon her lips. | 0:33:34 | 0:33:36 | |
-Oh! -I spoke metaphorically. | 0:33:36 | 0:33:38 | |
My metaphor was drawn from bees. | 0:33:38 | 0:33:41 | |
Mr Worthing, I suppose, has not returned from town yet. | 0:33:41 | 0:33:44 | |
We do not expect him till Monday afternoon. | 0:33:44 | 0:33:47 | |
He usually likes to spend Sunday in London. | 0:33:47 | 0:33:49 | |
He's not one of those whose sole aim is enjoyment. | 0:33:49 | 0:33:53 | |
As by all accounts that unfortunate young man, his brother, seems to be. | 0:33:53 | 0:33:57 | |
Yes. I must not disturb Egeria and her pupil any longer. | 0:33:57 | 0:34:01 | |
Egeria? My name is Laetitia, Doctor. | 0:34:01 | 0:34:05 | |
Laetitia! The Latin for "joy"! | 0:34:05 | 0:34:08 | |
Oh! Ahem... | 0:34:09 | 0:34:11 | |
I shall see you both, no doubt, at evensong? | 0:34:11 | 0:34:15 | |
I think, dear Doctor, I will stroll with you. | 0:34:15 | 0:34:17 | |
I find I have a headache after all. | 0:34:17 | 0:34:20 | |
A stroll might do it good. | 0:34:20 | 0:34:22 | |
Cecily, you will read your political economy in my absence. | 0:34:22 | 0:34:25 | |
The chapter on the fall of the rupee you may omit. It is too sensational. | 0:34:25 | 0:34:30 | |
Even these metallic problems have their melodramatic side. | 0:34:30 | 0:34:34 | |
Horrid political economy! | 0:34:38 | 0:34:40 | |
Horrid geology! Horrid, horrid German! | 0:34:40 | 0:34:43 | |
SHE SIGHS | 0:34:45 | 0:34:46 | |
You are too much alone, dear Dr Chasuble. | 0:34:47 | 0:34:51 | |
-You should get married. -Oh! | 0:34:52 | 0:34:54 | |
HE SIGHS | 0:34:54 | 0:34:55 | |
You do not seem to realise, dear Doctor, | 0:34:55 | 0:34:58 | |
that by persistently remaining single | 0:34:58 | 0:35:00 | |
a man converts himself into a permanent public temptation. | 0:35:00 | 0:35:03 | |
A man should be more careful. | 0:35:03 | 0:35:06 | |
Or he may lead weaker vessels astray. | 0:35:06 | 0:35:10 | |
But is a man not equally attractive when married? | 0:35:10 | 0:35:13 | |
No married man is ever attractive, except to his wife. | 0:35:13 | 0:35:16 | |
Often, I've been told, not even to her. | 0:35:16 | 0:35:19 | |
Doesn't that depend | 0:35:19 | 0:35:20 | |
upon the intellectual sympathies of the woman? | 0:35:20 | 0:35:23 | |
Maturity can always be depended on. | 0:35:23 | 0:35:26 | |
Ripeness can be trusted. | 0:35:26 | 0:35:28 | |
Young women are green. | 0:35:28 | 0:35:30 | |
I spoke horticulturally. My metaphor was drawn from fruits. | 0:35:30 | 0:35:35 | |
Fruits, yes. | 0:35:35 | 0:35:37 | |
A-hem. | 0:35:37 | 0:35:38 | |
Mr Ernest Worthing has just driven over from the station, miss. | 0:35:38 | 0:35:44 | |
He's brought his luggage with him. | 0:35:44 | 0:35:46 | |
"Mr Ernest Worthing, B4, The Albany." | 0:35:47 | 0:35:51 | |
Uncle Jack's brother? | 0:35:52 | 0:35:54 | |
Did you tell him Mr Worthing was in London? | 0:35:56 | 0:35:59 | |
Yes, miss. He seemed very much disappointed. | 0:35:59 | 0:36:02 | |
He said he would like to speak to you privately for a moment. | 0:36:02 | 0:36:06 | |
I've left him in the morning room. | 0:36:06 | 0:36:08 | |
Thank you, Merriman. | 0:36:09 | 0:36:11 | |
I've never met a really wicked person before. | 0:36:17 | 0:36:20 | |
I feel rather frightened. | 0:36:20 | 0:36:22 | |
I'm so afraid he'll look just like everyone else. | 0:36:22 | 0:36:25 | |
HE HUMS: "La Donna E Mobile" | 0:36:31 | 0:36:33 | |
He does! | 0:36:38 | 0:36:40 | |
You are my little cousin Cecily, aren't you? | 0:36:40 | 0:36:43 | |
You are under some strange misapprehension. | 0:36:44 | 0:36:47 | |
I am not little. | 0:36:47 | 0:36:49 | |
I believe that I am more than usually tall for my age. | 0:36:49 | 0:36:53 | |
But I am your cousin Cecily. | 0:36:53 | 0:36:56 | |
You, I see from your card, are Uncle Jack's brother... | 0:36:56 | 0:36:59 | |
my cousin Ernest. | 0:36:59 | 0:37:01 | |
My wicked cousin Ernest. | 0:37:01 | 0:37:05 | |
Oh, I'm not really wicked at all, Cousin Cecily. | 0:37:05 | 0:37:07 | |
You mustn't think I'm wicked. | 0:37:07 | 0:37:09 | |
If you are not, | 0:37:09 | 0:37:11 | |
then you have certainly been deceiving us all | 0:37:11 | 0:37:14 | |
in a very inexcusable manner! | 0:37:14 | 0:37:16 | |
I hope you have not been leading a double life - | 0:37:16 | 0:37:21 | |
pretending to be wicked and being really good all the time! | 0:37:21 | 0:37:25 | |
That would be hypocrisy! | 0:37:25 | 0:37:27 | |
Of course, I... I have been rather reckless. | 0:37:29 | 0:37:33 | |
I'm glad to hear it! | 0:37:33 | 0:37:34 | |
In fact, now you mention the subject, | 0:37:34 | 0:37:36 | |
I have been very bad in my own small way. | 0:37:36 | 0:37:40 | |
I don't think you should be so proud of that. | 0:37:40 | 0:37:43 | |
Though I'm sure it was very pleasant. | 0:37:43 | 0:37:45 | |
It's much pleasanter being here with you. | 0:37:45 | 0:37:47 | |
I can't understand how you're here at all. | 0:37:47 | 0:37:50 | |
Uncle Jack won't be back till Monday afternoon. | 0:37:50 | 0:37:53 | |
That is a great disappointment. | 0:37:53 | 0:37:54 | |
I must go up by the first train on Monday morning. | 0:37:54 | 0:37:57 | |
I have a business appointment that I'm anxious... | 0:37:57 | 0:38:00 | |
to miss. | 0:38:00 | 0:38:02 | |
Couldn't you miss it anywhere but in London? | 0:38:02 | 0:38:05 | |
No. The appointment is in London. | 0:38:05 | 0:38:07 | |
Well, I...know, of course, | 0:38:09 | 0:38:12 | |
how important it is not to keep a business engagement. | 0:38:12 | 0:38:15 | |
Still, I think you had better wait until Uncle Jack arrives. | 0:38:16 | 0:38:20 | |
He wants to speak to you about your emigrating. | 0:38:20 | 0:38:23 | |
My what?! | 0:38:23 | 0:38:24 | |
About your emigrating. He has gone up to buy your outfit. | 0:38:24 | 0:38:27 | |
I certainly wouldn't allow Jack to buy my outfit. | 0:38:27 | 0:38:30 | |
He's got absolutely no taste in neckties. | 0:38:30 | 0:38:32 | |
I don't think that you will require neckties. | 0:38:32 | 0:38:35 | |
Uncle Jack is sending you to Australia. | 0:38:35 | 0:38:37 | |
Australia? | 0:38:37 | 0:38:39 | |
I'd sooner die. | 0:38:40 | 0:38:41 | |
He said at dinner on Wednesday you would have to choose - | 0:38:41 | 0:38:44 | |
between this world, the next world and Australia. | 0:38:44 | 0:38:49 | |
Oh! Well, the reports I have of Australia and the next world are not particularly encouraging. | 0:38:49 | 0:38:54 | |
This world is good enough for me, Cousin Cecily. | 0:38:54 | 0:38:57 | |
Yes. But are you good enough for it? | 0:38:57 | 0:39:01 | |
Well, no, I am not that. | 0:39:02 | 0:39:03 | |
That is why I would like you to reform me. | 0:39:03 | 0:39:06 | |
You might make that your mission, if you don't mind. | 0:39:06 | 0:39:09 | |
I am afraid I have no time this afternoon. | 0:39:09 | 0:39:12 | |
Would you mind if I reform myself this afternoon? | 0:39:12 | 0:39:15 | |
It is rather romantic of you. But I think you should try. | 0:39:15 | 0:39:18 | |
I will. | 0:39:18 | 0:39:20 | |
I feel better already. | 0:39:22 | 0:39:24 | |
You are looking a little worse. | 0:39:24 | 0:39:26 | |
That's because I'm hungry. | 0:39:26 | 0:39:28 | |
Oh, how thoughtless of me! | 0:39:28 | 0:39:30 | |
I should have remembered that when one is leading an entirely new life | 0:39:30 | 0:39:33 | |
one requires regular and wholesome meals. | 0:39:33 | 0:39:36 | |
Might I have a buttonhole first? | 0:39:36 | 0:39:38 | |
I...I never have any appetite unless I have a buttonhole. | 0:39:38 | 0:39:42 | |
A Marechal Niel? | 0:39:42 | 0:39:43 | |
-No. I would sooner have a pink rose. -Why? | 0:39:45 | 0:39:49 | |
Because you are like a pink rose, Cousin Cecily. | 0:39:49 | 0:39:52 | |
I don't think it can be right for you to say such things to me. | 0:39:53 | 0:39:58 | |
Miss Prism never talks like that. | 0:39:58 | 0:40:01 | |
Then Miss Prism is a short-sighted old lady. | 0:40:01 | 0:40:04 | |
You are the prettiest girl I ever saw. | 0:40:07 | 0:40:10 | |
Miss Prism says that all good looks are a snare. | 0:40:10 | 0:40:13 | |
They are a snare that any sensible man would like to be caught in. | 0:40:13 | 0:40:18 | |
I don't think I should care to catch a sensible man. | 0:40:18 | 0:40:22 | |
I wouldn't know what to talk to him about. | 0:40:22 | 0:40:26 | |
DING! | 0:40:26 | 0:40:27 | |
Mr Worthing! | 0:40:42 | 0:40:44 | |
Mr Worthing. | 0:40:45 | 0:40:46 | |
Dear Mr Worthing, I trust this garb of woe | 0:40:46 | 0:40:49 | |
does not betoken some terrible calamity. | 0:40:49 | 0:40:52 | |
My brother... | 0:40:54 | 0:40:56 | |
More shameful debts and extravagance? | 0:40:56 | 0:41:00 | |
Dead. | 0:41:00 | 0:41:02 | |
Your brother Ernest dead? | 0:41:02 | 0:41:05 | |
Quite...dead. | 0:41:07 | 0:41:08 | |
What a lesson. I trust he will profit by it. | 0:41:10 | 0:41:13 | |
Oh, Mr Worthing, I...I offer my sincere condolences. | 0:41:13 | 0:41:18 | |
Poor Ernest. He had many faults. | 0:41:18 | 0:41:20 | |
-But it is a sad, sad blow. -Oh, very sad indeed. | 0:41:20 | 0:41:24 | |
Were you with him at the end? | 0:41:24 | 0:41:26 | |
No. He died abroad, in Paris. | 0:41:26 | 0:41:28 | |
I had a telegram last night from the Grand Hotel's manager. | 0:41:28 | 0:41:32 | |
Was the cause of death mentioned? | 0:41:32 | 0:41:34 | |
A severe chill, it seems. | 0:41:34 | 0:41:35 | |
As a man sows, so let him reap. | 0:41:35 | 0:41:38 | |
Charity, dear Miss Prism, charity. None of us are perfect. | 0:41:38 | 0:41:42 | |
I myself am peculiarly susceptible to draughts. | 0:41:42 | 0:41:45 | |
Er, will the interment take place here? | 0:41:45 | 0:41:47 | |
No. He expressed a desire to be buried in Paris. | 0:41:47 | 0:41:51 | |
Paris! | 0:41:51 | 0:41:52 | |
I fear that hardly points | 0:41:52 | 0:41:54 | |
to any very serious state of mind at the last. | 0:41:54 | 0:41:58 | |
Oh, Uncle Jack! | 0:41:58 | 0:42:00 | |
I'm so glad to see you back. | 0:42:00 | 0:42:02 | |
But what horrid clothes you have got on. | 0:42:02 | 0:42:04 | |
-Cecily! -Oh, child! My child! | 0:42:04 | 0:42:07 | |
Do look happy! I have got such a surprise for you. | 0:42:07 | 0:42:11 | |
Who do you think is in the dining room? | 0:42:11 | 0:42:14 | |
-Your brother! -Who? | 0:42:14 | 0:42:15 | |
Your brother Ernest. | 0:42:15 | 0:42:17 | |
He arrived half an hour ago. | 0:42:17 | 0:42:18 | |
-Nonsense. I haven't got a brother. -Oh, don't say that. | 0:42:18 | 0:42:22 | |
However badly he behaved to you in the past | 0:42:22 | 0:42:25 | |
he is still your brother. | 0:42:25 | 0:42:27 | |
You couldn't be so heartless as to disown him. | 0:42:27 | 0:42:30 | |
-But... -And... | 0:42:30 | 0:42:31 | |
you will shake hands with him, won't you, Uncle Jack? | 0:42:31 | 0:42:35 | |
These are very joyful tidings! Hmm? | 0:42:37 | 0:42:40 | |
After we had all been resigned to his loss, | 0:42:40 | 0:42:43 | |
his sudden return seems to me peculiarly distressing. | 0:42:43 | 0:42:46 | |
Good...good heavens! | 0:42:50 | 0:42:52 | |
Brother John, I have come all the way from London | 0:42:52 | 0:42:55 | |
to tell you how sorry I am for the trouble I have caused you | 0:42:55 | 0:42:59 | |
and that I intend to lead a better life in future. | 0:42:59 | 0:43:03 | |
Uncle Jack, you are not going to refuse your own brother's hand? | 0:43:03 | 0:43:06 | |
Nothing would induce me to take it. | 0:43:06 | 0:43:08 | |
His coming here is disgraceful! He knows perfectly well why. | 0:43:08 | 0:43:12 | |
Uncle Jack, do be nice. | 0:43:12 | 0:43:13 | |
There is some good in everyone. | 0:43:13 | 0:43:15 | |
Ernest has been telling me about his poor invalid friend, Mr Bunbury. | 0:43:15 | 0:43:20 | |
He's told you about Bunbury? | 0:43:20 | 0:43:22 | |
I won't have him telling you about Bunbury or anything else! | 0:43:22 | 0:43:25 | |
I admit the faults are on my side. | 0:43:25 | 0:43:28 | |
But I must say, I think | 0:43:28 | 0:43:30 | |
brother John's coldness to me on my first visit here peculiarly painful. | 0:43:30 | 0:43:35 | |
Uncle Jack, if you won't shake hands with Ernest | 0:43:35 | 0:43:38 | |
I will never forgive you! | 0:43:38 | 0:43:40 | |
-Never forgive me? -Never! | 0:43:40 | 0:43:42 | |
Never, never! | 0:43:42 | 0:43:44 | |
It is the last time I shall do it. | 0:43:44 | 0:43:46 | |
I think we might leave the brothers together. | 0:43:46 | 0:43:49 | |
-Cecily, you will come with us! -Certainly, Miss Prism. | 0:43:49 | 0:43:53 | |
My little task of reconciliation is over. | 0:43:53 | 0:43:56 | |
Algy, you young scoundrel, you must leave this place at once. | 0:43:58 | 0:44:01 | |
I won't have any Bunburying here! Merriman, order the dogcart at once. | 0:44:01 | 0:44:06 | |
Mr Ernest has been called back suddenly to town! | 0:44:06 | 0:44:09 | |
Yes, sir. | 0:44:11 | 0:44:12 | |
You're a fearful liar. I haven't been called back to town. | 0:44:13 | 0:44:16 | |
-You have! -I haven't heard anyone call me. | 0:44:16 | 0:44:19 | |
Your duty as a gentleman calls you back! | 0:44:19 | 0:44:22 | |
I have never allowed my duty as a gentleman | 0:44:22 | 0:44:24 | |
to interfere with my pleasures. | 0:44:24 | 0:44:26 | |
I can quite understand that. | 0:44:26 | 0:44:29 | |
Well, Cecily is a darling! | 0:44:29 | 0:44:31 | |
I don't like you speaking of Miss Cardew that way. | 0:44:31 | 0:44:34 | |
I don't like your clothes. You look perfectly grotesque! | 0:44:34 | 0:44:37 | |
Why don't you change? | 0:44:37 | 0:44:39 | |
Childish to be in deep mourning | 0:44:39 | 0:44:41 | |
for a man who is staying a week with you as a guest. | 0:44:41 | 0:44:44 | |
You are not staying for a week as guest or anything else! | 0:44:44 | 0:44:48 | |
You are leaving this afternoon by the 4.05 train. | 0:44:48 | 0:44:50 | |
I shall not leave as long as you are in mourning. | 0:44:50 | 0:44:53 | |
It would be most unfriendly. | 0:44:53 | 0:44:55 | |
Were I in mourning you'd stay with me. | 0:44:55 | 0:44:57 | |
I should think it unkind if you did not. | 0:44:57 | 0:45:00 | |
Will you go if I change my clothes? | 0:45:00 | 0:45:02 | |
Yes, if you don't take too long. | 0:45:02 | 0:45:04 | |
I never saw a man take so long to dress with such little result. | 0:45:04 | 0:45:08 | |
At any rate, that is better than being always overdressed, as you are. | 0:45:08 | 0:45:13 | |
This Bunburying, as you call it, has not been a great success for you. | 0:45:14 | 0:45:18 | |
I think it's been a great success. | 0:45:24 | 0:45:27 | |
You rang, sir. | 0:45:31 | 0:45:33 | |
Merriman, am I correctly garbed for a christening? | 0:45:33 | 0:45:37 | |
No, sir. | 0:45:37 | 0:45:39 | |
Black is for funerals and weddings, sir. | 0:45:39 | 0:45:41 | |
White is for christenings. | 0:45:41 | 0:45:43 | |
I'll lay out your tennis clothes, sir. | 0:45:43 | 0:45:45 | |
Thank you, Merriman. | 0:45:45 | 0:45:47 | |
DOOR OPENS > | 0:46:02 | 0:46:04 | |
Oh! I thought you were with Uncle Jack. | 0:46:13 | 0:46:16 | |
He is ordering the dogcart for me. | 0:46:16 | 0:46:19 | |
He's taking you for a drive? | 0:46:19 | 0:46:21 | |
He's sending me away. | 0:46:21 | 0:46:22 | |
-Then have we got to part? -I'm afraid so. | 0:46:24 | 0:46:27 | |
It is very painful, parting. | 0:46:27 | 0:46:29 | |
It is always painful to part from people | 0:46:29 | 0:46:31 | |
whom one has known a brief space of time. | 0:46:31 | 0:46:35 | |
The absence of old friends one can endure with equanimity. | 0:46:35 | 0:46:39 | |
But even a momentary separation | 0:46:39 | 0:46:41 | |
from anyone to whom one has just been introduced is almost...unbearable. | 0:46:41 | 0:46:47 | |
Thank you. | 0:46:47 | 0:46:48 | |
The dogcart is at the door, sir. | 0:46:49 | 0:46:51 | |
It can wait, Merriman, for five minutes. | 0:46:54 | 0:46:58 | |
Yes, miss. | 0:46:59 | 0:47:00 | |
I hope I shall not offend you | 0:47:03 | 0:47:05 | |
if I state quite openly and frankly that you seem to me | 0:47:05 | 0:47:08 | |
the visible personification of absolute perfection. | 0:47:08 | 0:47:11 | |
I think your frankness does you great credit, Ernest. | 0:47:11 | 0:47:14 | |
If you will allow me, I will copy your remarks into my diary. | 0:47:14 | 0:47:18 | |
Do you really keep a diary? | 0:47:21 | 0:47:23 | |
-I'd give anything to see it. May I? -Oh, no! | 0:47:23 | 0:47:26 | |
It is simply a very young girl's record | 0:47:26 | 0:47:29 | |
of her own thoughts and impressions | 0:47:29 | 0:47:31 | |
and consequently meant for publication. | 0:47:31 | 0:47:33 | |
When it appears in volume form, I hope you will order a copy. | 0:47:33 | 0:47:37 | |
But pray, Ernest, don't stop. | 0:47:37 | 0:47:38 | |
I delight in taking down from dictation. | 0:47:38 | 0:47:40 | |
I have reached "absolute perfection". | 0:47:40 | 0:47:44 | |
You may go on. I'm quite ready for more. | 0:47:44 | 0:47:47 | |
HE CLEARS HIS THROAT Oh, don't cough, Ernest. | 0:47:47 | 0:47:49 | |
I don't know how to spell a cough. | 0:47:49 | 0:47:52 | |
Cecily... | 0:47:52 | 0:47:53 | |
ever since I first saw your wonderful and incomparable perfection, | 0:47:53 | 0:47:58 | |
I have dared to love you wildly, passionately, devotedly... | 0:47:58 | 0:48:03 | |
hopelessly. | 0:48:03 | 0:48:04 | |
You shouldn't tell me that you love me | 0:48:04 | 0:48:07 | |
"wildly, passionately, devotedly, hopelessly". | 0:48:07 | 0:48:11 | |
"Hopelessly" doesn't seem to make much sense, does it? | 0:48:11 | 0:48:15 | |
Cecily! | 0:48:15 | 0:48:16 | |
< DOOR OPENS | 0:48:16 | 0:48:18 | |
The dogcart is waiting, sir. | 0:48:19 | 0:48:22 | |
Tell it to come round next week. | 0:48:22 | 0:48:24 | |
Very good, sir. | 0:48:30 | 0:48:32 | |
I think Uncle Jack would be very annoyed | 0:48:35 | 0:48:37 | |
if he knew you were staying until next week. | 0:48:37 | 0:48:40 | |
I don't care about Jack. | 0:48:40 | 0:48:41 | |
I don't care for anybody in the world but you. | 0:48:41 | 0:48:45 | |
I love you, Cecily. Will you marry me? | 0:48:45 | 0:48:47 | |
Of course. Why, we've been engaged for the last three months. | 0:48:47 | 0:48:51 | |
The last three months?! | 0:48:51 | 0:48:53 | |
It will be exactly three months on Thursday. | 0:48:53 | 0:48:55 | |
But how did we become engaged? | 0:48:55 | 0:48:57 | |
Well, ever since dear Uncle Jack first confessed | 0:48:57 | 0:48:59 | |
that he had a younger brother who was very wicked and bad, | 0:48:59 | 0:49:02 | |
you have formed the chief topic of conversation | 0:49:02 | 0:49:05 | |
between myself and Miss Prism. | 0:49:05 | 0:49:07 | |
And of course, | 0:49:07 | 0:49:08 | |
a man who is much talked about is always very attractive. | 0:49:08 | 0:49:11 | |
One always feels there must be something in him. | 0:49:11 | 0:49:14 | |
I daresay it was...foolish of me... | 0:49:14 | 0:49:18 | |
..but I fell in love with you, Ernest. | 0:49:19 | 0:49:21 | |
Darling! When was our engagement actually settled? | 0:49:21 | 0:49:25 | |
On the 22nd of February last. | 0:49:25 | 0:49:27 | |
Worn out by your entire ignorance of my existence, | 0:49:29 | 0:49:32 | |
I determined to end the matter, one way or the other. | 0:49:32 | 0:49:36 | |
And after a long struggle with myself, I accepted you - | 0:49:36 | 0:49:42 | |
under that dear old chandelier there. | 0:49:42 | 0:49:45 | |
And then, next day, I bought this ring in your name. | 0:49:45 | 0:49:49 | |
And this is the bangle with the true lovers' knot | 0:49:49 | 0:49:53 | |
that I promised you always to wear. | 0:49:53 | 0:49:55 | |
Did I give you this? It's very pretty, isn't it? | 0:49:55 | 0:49:58 | |
Yes. Yes, you've wonderfully good taste, Ernest. | 0:49:58 | 0:50:01 | |
It's always been my excuse for your leading such a bad life. | 0:50:01 | 0:50:04 | |
And then... | 0:50:04 | 0:50:07 | |
..this is the box in which I keep all your dear letters. | 0:50:08 | 0:50:13 | |
My letters? But, my own sweet Cecily, I never wrote you any letters. | 0:50:13 | 0:50:17 | |
You need hardly remind me of that. | 0:50:17 | 0:50:19 | |
I remember I was forced to write all your letters for you. | 0:50:19 | 0:50:23 | |
I wrote three times a week - sometimes oftener. | 0:50:23 | 0:50:26 | |
Do let me read them! | 0:50:26 | 0:50:27 | |
You couldn't possibly. They would make you far too conceited. | 0:50:27 | 0:50:30 | |
The three you wrote to me after our engagement had been broken off | 0:50:30 | 0:50:36 | |
are so beautiful. | 0:50:36 | 0:50:38 | |
And so badly spelled. | 0:50:38 | 0:50:40 | |
Even now, I can hardly read them without crying a little. | 0:50:41 | 0:50:45 | |
-But was our engagement broken off? -Of course it was. | 0:50:45 | 0:50:48 | |
On the 22nd of last March. You can see the entry. | 0:50:48 | 0:50:53 | |
"Today I broke off my engagement with Ernest. | 0:50:53 | 0:50:55 | |
"I feel it is better to do so. The weather still continues charming." | 0:50:55 | 0:50:59 | |
But why did you break it off? What had I done? | 0:51:00 | 0:51:03 | |
I had done nothing at all. | 0:51:03 | 0:51:05 | |
I am very much hurt indeed that you broke it off. | 0:51:05 | 0:51:08 | |
Particularly when the weather was so charming. | 0:51:08 | 0:51:10 | |
But it would hardly have been a really serious engagement | 0:51:10 | 0:51:13 | |
if it hadn't been broken off at least once. | 0:51:13 | 0:51:16 | |
But I forgave you before the week was out. | 0:51:16 | 0:51:19 | |
What a perfect angel you are! | 0:51:19 | 0:51:22 | |
You won't ever break off our engagement again, will you? | 0:51:23 | 0:51:27 | |
I don't think I could, now that I've actually met you. | 0:51:27 | 0:51:30 | |
Besides, of course, there is the question of your name. | 0:51:30 | 0:51:33 | |
Oh. | 0:51:35 | 0:51:36 | |
You mustn't laugh at me, darling, | 0:51:36 | 0:51:38 | |
but it had always been a girlish dream of mine | 0:51:38 | 0:51:41 | |
to love someone by the name of Ernest. | 0:51:41 | 0:51:44 | |
There is something in that name that seems to inspire absolute confidence. | 0:51:44 | 0:51:50 | |
Indeed, I pity any poor married woman whose husband is not called Ernest. | 0:51:50 | 0:51:54 | |
My dear child, you mean you couldn't love me if I had some other name? | 0:51:54 | 0:51:58 | |
-But what name? -Any name you like. | 0:51:58 | 0:52:00 | |
Algernon, for instance. | 0:52:01 | 0:52:04 | |
But I don't like the name of Algernon. | 0:52:04 | 0:52:06 | |
I don't see why you should object to the name of Algernon. | 0:52:06 | 0:52:09 | |
It's not a bad name at all. In fact it's rather aristocratic. | 0:52:09 | 0:52:13 | |
Half the chaps in the bankruptcy court are called Algernon. | 0:52:13 | 0:52:16 | |
But seriously, Cecily, if my name was Algy, couldn't you love me? | 0:52:16 | 0:52:21 | |
I might respect you, Ernest. I might admire your character. | 0:52:21 | 0:52:25 | |
But I fear that I should not be able to give you my undivided attention. | 0:52:25 | 0:52:29 | |
Cecily, your vicar here is, I suppose, | 0:52:29 | 0:52:33 | |
experienced in all the rites and ceremonials of the Church? | 0:52:33 | 0:52:36 | |
Yes, Dr Chasuble is a most learned man. | 0:52:36 | 0:52:39 | |
I must see him on a most important christening - I mean, business. | 0:52:39 | 0:52:42 | |
-I won't be half an hour. -Ernest! | 0:52:42 | 0:52:44 | |
Considering that we have been engaged since February the 22nd | 0:52:46 | 0:52:50 | |
and that I only met you today for the first time, | 0:52:50 | 0:52:53 | |
I think it is rather hard | 0:52:53 | 0:52:56 | |
that you should leave me for so long a period as half an hour. | 0:52:56 | 0:53:00 | |
Couldn't you make it 20 minutes? | 0:53:00 | 0:53:03 | |
I'll be back in no time. | 0:53:03 | 0:53:05 | |
SNORING | 0:53:13 | 0:53:16 | |
KNOCK AT DOOR | 0:53:16 | 0:53:18 | |
HE CLEARS HIS THROAT | 0:53:24 | 0:53:26 | |
CLANG! | 0:53:28 | 0:53:30 | |
Mr Worthing! | 0:53:30 | 0:53:32 | |
Good afternoon, Dr Chasuble. | 0:53:32 | 0:53:34 | |
You will, I trust, excuse a postprandial relapse into the arms of Morpheus. | 0:53:34 | 0:53:40 | |
In other words, forty winks. | 0:53:40 | 0:53:42 | |
Dr Chasuble, I suppose you know how to christen all right. | 0:53:42 | 0:53:45 | |
I mean, of course, you ARE continually christening, aren't you? | 0:53:45 | 0:53:48 | |
I regret to say, one of my most constant duties in this parish. | 0:53:48 | 0:53:52 | |
I've often spoken to the poorer classes on this subject | 0:53:52 | 0:53:55 | |
but they don't seem to know what thrift is. | 0:53:55 | 0:53:57 | |
Is there any particular infant in whom you're interested, Mr Worthing? | 0:53:57 | 0:54:01 | |
Of course! Your brother. | 0:54:01 | 0:54:03 | |
I beg your pardon? | 0:54:03 | 0:54:05 | |
Your brother, I know, is unmarried, but... | 0:54:05 | 0:54:07 | |
Dr Chasuble, it is not for any child. | 0:54:07 | 0:54:10 | |
The fact is, I was thinking of getting christened myself. | 0:54:10 | 0:54:13 | |
This afternoon, if you've nothing better to do. | 0:54:13 | 0:54:16 | |
But surely, Mr Worthing, you've been christened already? | 0:54:16 | 0:54:19 | |
I don't remember it. | 0:54:19 | 0:54:20 | |
Have you any grave doubts? | 0:54:20 | 0:54:22 | |
Well, I certainly intend to have... | 0:54:22 | 0:54:23 | |
Unless, of course, you think I'm a little too...old now. | 0:54:23 | 0:54:27 | |
Oh, not at all. | 0:54:27 | 0:54:28 | |
The sprinkling and indeed the immersion of adults | 0:54:28 | 0:54:32 | |
is a perfectly canonical practice. | 0:54:32 | 0:54:35 | |
-Immersion? -You need have no apprehension. | 0:54:35 | 0:54:37 | |
Sprinkling is all that is necessary. Or indeed, I think, advisable. | 0:54:37 | 0:54:41 | |
Our weather - so changeable. | 0:54:41 | 0:54:44 | |
What hour would you like the ceremony performed? | 0:54:44 | 0:54:47 | |
I thought I would trot around about five, if that suits you. | 0:54:47 | 0:54:50 | |
Oh, perfectly, perfectly. | 0:54:50 | 0:54:52 | |
I have two similar ceremonies to perform at that time. | 0:54:52 | 0:54:55 | |
A case of twins that occurred recently | 0:54:55 | 0:54:58 | |
in one of the outlying cottages of your own estate. | 0:54:58 | 0:55:01 | |
-Oh? -Poor Jenkins, the carter. | 0:55:01 | 0:55:03 | |
Most hard-working man. | 0:55:03 | 0:55:06 | |
Well, I don't see much fun | 0:55:06 | 0:55:08 | |
in being christened with a lot of other babies. | 0:55:08 | 0:55:10 | |
It would be childish. Would half past five do? | 0:55:10 | 0:55:13 | |
Oh, admirably, admirably. | 0:55:13 | 0:55:15 | |
-Till half past five, then. -Half past five at the font. | 0:55:15 | 0:55:18 | |
KNOCK AT DOOR | 0:55:22 | 0:55:24 | |
Come in. | 0:55:24 | 0:55:25 | |
Dr Chasuble? | 0:55:27 | 0:55:28 | |
"What a perfect angel you are, Cecily." | 0:55:32 | 0:55:36 | |
But that is where he knelt. | 0:55:40 | 0:55:42 | |
Yes, I am SURE that is where he knelt. | 0:55:44 | 0:55:48 | |
A Miss Fairfax has called to see Mr Worthing, miss. | 0:55:48 | 0:55:51 | |
On very important business, Miss Fairfax states. | 0:55:51 | 0:55:55 | |
Isn't Mr Worthing in the library? | 0:55:55 | 0:55:57 | |
Mr Worthing went over in the direction of the rectory | 0:55:57 | 0:56:00 | |
some time ago, miss. | 0:56:00 | 0:56:01 | |
Pray, ask the lady to come out. Mr Worthing will be back soon. | 0:56:01 | 0:56:05 | |
-And, Merriman, you may bring tea. -Yes, miss. | 0:56:05 | 0:56:08 | |
Oh, dear. | 0:56:09 | 0:56:11 | |
One of the many good elderly women | 0:56:11 | 0:56:14 | |
associated with Uncle Jack in some of his philanthropic work in London, | 0:56:14 | 0:56:17 | |
I suppose. | 0:56:17 | 0:56:19 | |
Miss Fairfax. | 0:56:19 | 0:56:20 | |
Oh! | 0:56:29 | 0:56:30 | |
Miss Fairfax. | 0:56:32 | 0:56:34 | |
Pray, let me introduce myself to you. | 0:56:35 | 0:56:38 | |
My name is Cecily Cardew. | 0:56:38 | 0:56:39 | |
What a very sweet name. | 0:56:39 | 0:56:41 | |
Something tells me we're going to be great friends. | 0:56:41 | 0:56:44 | |
I like you already more than I can say. | 0:56:44 | 0:56:47 | |
My first impressions of people are never wrong. | 0:56:47 | 0:56:50 | |
How nice of you to like me so much, | 0:56:50 | 0:56:53 | |
after we have known one another for such a comparatively short time. | 0:56:53 | 0:56:57 | |
Shall we sit over there? | 0:56:57 | 0:56:58 | |
-I may call you Cecily, may I not? -With pleasure. | 0:56:58 | 0:57:01 | |
And you will always call me Gwendolen, won't you? | 0:57:01 | 0:57:04 | |
If you wish. | 0:57:04 | 0:57:05 | |
Then that's all quite settled, is it not? | 0:57:05 | 0:57:08 | |
I hope so. | 0:57:08 | 0:57:10 | |
Cecily, Mama, whose views on education are remarkably strict, | 0:57:14 | 0:57:19 | |
has brought me up to be extremely short-sighted. | 0:57:19 | 0:57:22 | |
It's part of her system. | 0:57:22 | 0:57:24 | |
So...do you mind my looking at you through my glasses? | 0:57:24 | 0:57:29 | |
Oh, not at all, Gwendolen. I'm very fond of being looked at. | 0:57:29 | 0:57:34 | |
You are here on a short visit, I suppose? | 0:57:47 | 0:57:51 | |
-Oh, no. I live here. -Really? | 0:57:51 | 0:57:53 | |
Your mother, no doubt, | 0:57:53 | 0:57:55 | |
or some female relative of advanced years resides here also? | 0:57:55 | 0:57:59 | |
Oh, no. I have no mother. Nor, in fact, any relations. | 0:57:59 | 0:58:03 | |
I am Mr Worthing's ward. | 0:58:03 | 0:58:06 | |
Oh. | 0:58:07 | 0:58:08 | |
It is strange he never mentioned that he had a ward. | 0:58:08 | 0:58:12 | |
How secretive of him. He grows more interesting hourly. | 0:58:12 | 0:58:17 | |
I am not sure, however, | 0:58:17 | 0:58:19 | |
that the news inspires me with feelings of unmixed delight. | 0:58:19 | 0:58:23 | |
In fact, if I may speak quite candidly... | 0:58:23 | 0:58:26 | |
Pray, do. | 0:58:26 | 0:58:28 | |
I think that whenever one has anything unpleasant to say, | 0:58:28 | 0:58:31 | |
one should always be quite candid. | 0:58:31 | 0:58:34 | |
Well, to speak with perfect candour, Cecily, | 0:58:34 | 0:58:38 | |
I wish that you were fully 42 | 0:58:38 | 0:58:41 | |
and more than usually plain for your age. | 0:58:41 | 0:58:44 | |
Ernest has a strong, upright nature. | 0:58:44 | 0:58:48 | |
I beg your pardon, Gwendolen. Did you say Ernest? | 0:58:48 | 0:58:52 | |
Yes. | 0:58:52 | 0:58:53 | |
Oh, but it is not Mr Ernest Worthing who is my guardian. | 0:58:53 | 0:58:56 | |
It is his brother - his elder brother. | 0:58:56 | 0:58:59 | |
Ernest never mentioned to me that he had a brother. | 0:58:59 | 0:59:03 | |
I'm sorry to say they have not been on good terms for a long time. | 0:59:03 | 0:59:07 | |
Ah. That accounts for it. | 0:59:07 | 0:59:09 | |
Of course, you are quite...quite sure | 0:59:09 | 0:59:12 | |
that it is not Mr ERNEST Worthing who is your guardian? | 0:59:12 | 0:59:16 | |
Quite sure. | 0:59:16 | 0:59:18 | |
In fact...I am going to be his... | 0:59:18 | 0:59:23 | |
I beg your pardon? | 0:59:23 | 0:59:26 | |
Dearest Gwendolen, | 0:59:26 | 0:59:28 | |
there is no reason why I should make a secret of it to you. | 0:59:28 | 0:59:31 | |
Our little county newspaper is sure to chronicle the fact next week. | 0:59:31 | 0:59:34 | |
Mr Ernest Worthing and I... are engaged to be married. | 0:59:34 | 0:59:40 | |
My darling Cecily, I think there must be some slight error. | 0:59:40 | 0:59:44 | |
Mr Ernest Worthing is engaged to me. | 0:59:44 | 0:59:49 | |
The announcement will appear in the Morning Post | 0:59:49 | 0:59:51 | |
on Saturday at the latest. | 0:59:51 | 0:59:53 | |
I am afraid you must be under some misconception. | 0:59:53 | 0:59:57 | |
Ernest proposed to me exactly ten minutes ago. | 0:59:57 | 1:00:02 | |
It is certainly VERY curious. | 1:00:02 | 1:00:05 | |
For he asked me to be his wife yesterday afternoon at 5.30. | 1:00:05 | 1:00:09 | |
If you would care to verify the incident, pray, do so. | 1:00:09 | 1:00:12 | |
I NEVER travel without my diary. | 1:00:12 | 1:00:15 | |
One should always have something sensational to read in the train. | 1:00:15 | 1:00:19 | |
I am so sorry, dearest Cecily, if it is any disappointment to you, | 1:00:19 | 1:00:25 | |
but I'm afraid I have the prior claim. | 1:00:25 | 1:00:28 | |
It would distress me more than I can say, dearest Gwendolen, | 1:00:28 | 1:00:32 | |
if it caused you any mental or physical anguish, | 1:00:32 | 1:00:36 | |
but I feel bound to point out that since Ernest proposed to you, | 1:00:36 | 1:00:40 | |
he has clearly changed his mind. | 1:00:40 | 1:00:42 | |
If the poor fellow had been entrapped into any foolish promise, | 1:00:42 | 1:00:46 | |
I shall consider it my duty to rescue him at once. | 1:00:46 | 1:00:50 | |
And with a firm hand. | 1:00:50 | 1:00:52 | |
Whatever unfortunate entanglement my dear boy may have got himself into, | 1:00:52 | 1:00:58 | |
I will never reproach him with it - AFTER we are married. | 1:00:58 | 1:01:02 | |
Do you allude to me, Miss Cardew, as an "entanglement"? | 1:01:02 | 1:01:06 | |
You are presumptuous. | 1:01:06 | 1:01:08 | |
On an occasion of this kind, | 1:01:08 | 1:01:10 | |
it becomes more than a moral duty to speak one's mind, | 1:01:10 | 1:01:13 | |
it becomes a PLEASURE. | 1:01:13 | 1:01:15 | |
Do you suggest, Miss Fairfax, that I entrapped Ernest into an engagement? | 1:01:15 | 1:01:19 | |
How DARE you! | 1:01:19 | 1:01:21 | |
This is no time for wearing the shallow mask of manners. | 1:01:21 | 1:01:24 | |
When I see a spade, I call it a spade. | 1:01:24 | 1:01:27 | |
I am glad to say I have never seen a spade. | 1:01:27 | 1:01:31 | |
It is obvious that our social spheres have been widely different. | 1:01:31 | 1:01:37 | |
Shall I lay tea here as usual, miss? | 1:01:37 | 1:01:40 | |
Yes. As usual. | 1:01:40 | 1:01:43 | |
Are there many interesting walks in the vicinity, Miss Cardew? | 1:01:56 | 1:02:01 | |
Oh, yes, a great many. | 1:02:01 | 1:02:02 | |
From the top of one hill, one can see five counties. | 1:02:02 | 1:02:05 | |
Five counties? | 1:02:05 | 1:02:08 | |
Oh, I don't think I should like that. | 1:02:08 | 1:02:10 | |
I hate crowds. | 1:02:10 | 1:02:12 | |
I suppose that is why you live in a town. | 1:02:13 | 1:02:16 | |
I had no idea there were any flowers in the country. | 1:02:19 | 1:02:22 | |
Oh, flowers are as common here, Miss Fairfax, as people are in London. | 1:02:22 | 1:02:28 | |
May I offer you some tea? | 1:02:28 | 1:02:31 | |
Thank you. | 1:02:31 | 1:02:33 | |
Sugar? | 1:02:33 | 1:02:35 | |
No, thank you. Sugar...is not fashionable any more. | 1:02:35 | 1:02:41 | |
Cake? Or bread and butter? | 1:02:48 | 1:02:50 | |
Bread and butter, please. Thank you. | 1:02:50 | 1:02:52 | |
Cake is rarely seen in the best houses nowadays. | 1:02:52 | 1:02:56 | |
Hand that...to Miss Fairfax. | 1:02:56 | 1:02:59 | |
You have filled my tea with lumps of sugar. | 1:03:10 | 1:03:13 | |
And though I most distinctly asked for bread and butter, | 1:03:13 | 1:03:16 | |
you have given me CAKE. | 1:03:16 | 1:03:18 | |
I am known for the gentleness of my disposition | 1:03:18 | 1:03:22 | |
and the EXTRAORDINARY sweetness of my nature | 1:03:22 | 1:03:25 | |
but I warn you, Miss Cardew, you may go too far. | 1:03:25 | 1:03:29 | |
To save my poor, innocent, trusting boy | 1:03:29 | 1:03:33 | |
from the machinations of any other girl, | 1:03:33 | 1:03:35 | |
there are no lengths to which I would not go. | 1:03:35 | 1:03:38 | |
From the moment I saw you, I distrusted you. | 1:03:38 | 1:03:41 | |
I felt that you were false and deceitful. | 1:03:41 | 1:03:43 | |
I'm never deceived in such matters. | 1:03:43 | 1:03:45 | |
My first impressions of people are invariably right. | 1:03:45 | 1:03:48 | |
It seems, Miss Fairfax, that I am trespassing on your valuable time. | 1:03:48 | 1:03:52 | |
No doubt you have many other calls of a similar character | 1:03:52 | 1:03:56 | |
to make in the neighbourhood. | 1:03:56 | 1:03:57 | |
Gwendolen! > | 1:04:00 | 1:04:02 | |
My own Ernest! | 1:04:06 | 1:04:08 | |
-Gwendolen, darling! -A moment. | 1:04:08 | 1:04:11 | |
May I ask if you are engaged to be married to this young lady? | 1:04:11 | 1:04:15 | |
What, to dear little Cecily? Good heavens, no. | 1:04:15 | 1:04:17 | |
What put that idea into your pretty head? | 1:04:17 | 1:04:20 | |
Thank you. You may. | 1:04:20 | 1:04:21 | |
I knew there must be some misunderstanding, Miss Fairfax. | 1:04:21 | 1:04:24 | |
The gentleman whose arm is at present round your waist | 1:04:24 | 1:04:27 | |
is my dear guardian, Mr John Worthing. | 1:04:27 | 1:04:30 | |
I beg your pardon? | 1:04:30 | 1:04:32 | |
This is Uncle Jack. | 1:04:32 | 1:04:34 | |
Jack?! Ohhhh! | 1:04:34 | 1:04:36 | |
Cecily! | 1:04:36 | 1:04:38 | |
HERE is Ernest. | 1:04:38 | 1:04:39 | |
My own love! | 1:04:39 | 1:04:42 | |
A moment. | 1:04:42 | 1:04:43 | |
Are you by any chance engaged to be married to this young lady? | 1:04:43 | 1:04:47 | |
To what young lady? | 1:04:47 | 1:04:49 | |
Good heavens! Gwendolen! | 1:04:49 | 1:04:50 | |
Yes, to Good heavens, Gwendolen - I mean, Gwendolen. | 1:04:50 | 1:04:53 | |
Of course not. | 1:04:53 | 1:04:54 | |
What could have put that idea into your pretty little head? | 1:04:54 | 1:04:57 | |
Thank you. | 1:04:57 | 1:04:59 | |
You may. | 1:04:59 | 1:05:00 | |
I felt there must be some slight error, Miss Cardew. | 1:05:00 | 1:05:03 | |
The gentleman who is now embracing you | 1:05:03 | 1:05:05 | |
is my cousin, Mr Algernon Moncrieff. | 1:05:05 | 1:05:09 | |
Algernon Moncrieff? | 1:05:10 | 1:05:12 | |
Are you called Algernon? | 1:05:13 | 1:05:16 | |
I cannot deny it. | 1:05:16 | 1:05:18 | |
Oh! | 1:05:19 | 1:05:20 | |
Is your name really John? | 1:05:21 | 1:05:24 | |
I could deny it - I could deny anything if I liked - | 1:05:24 | 1:05:27 | |
but my name certainly is John. | 1:05:27 | 1:05:29 | |
A gross deception has been practised on both of us. | 1:05:29 | 1:05:32 | |
My poor, wounded Cecily. | 1:05:32 | 1:05:35 | |
My sweet, wronged Gwendolen. | 1:05:35 | 1:05:38 | |
You WILL call me "sister", will you not? | 1:05:38 | 1:05:41 | |
There is just one question I would like to ask my guardian. | 1:05:44 | 1:05:47 | |
An admirable idea. | 1:05:47 | 1:05:49 | |
Mr Worthing, there is just one question I would like to put to you. | 1:05:49 | 1:05:53 | |
Where is your brother Ernest? | 1:05:53 | 1:05:54 | |
We are both engaged to be married to your brother Ernest | 1:05:54 | 1:05:58 | |
so it is a matter of some importance | 1:05:58 | 1:06:00 | |
to know where your brother Ernest is at present. | 1:06:00 | 1:06:04 | |
Gwendolen. And Cecily. | 1:06:04 | 1:06:06 | |
I will tell you quite frankly... that I have no brother Ernest. | 1:06:06 | 1:06:10 | |
I've no brother at all. | 1:06:10 | 1:06:12 | |
No brother at all?! | 1:06:12 | 1:06:14 | |
None. | 1:06:14 | 1:06:16 | |
Have you never had a brother of any kind? | 1:06:16 | 1:06:18 | |
Never. Not even of any kind. | 1:06:18 | 1:06:20 | |
I am afraid it is quite clear, Cecily, | 1:06:20 | 1:06:23 | |
that neither of us is engaged to be married to anyone. | 1:06:23 | 1:06:27 | |
It is not a very pleasant position | 1:06:27 | 1:06:30 | |
for a young girl suddenly to find herself in, is it? | 1:06:30 | 1:06:34 | |
Let us go into the house. | 1:06:34 | 1:06:36 | |
They will hardly venture to come after us there. | 1:06:36 | 1:06:39 | |
No. Men are such cowards, aren't they? | 1:06:39 | 1:06:43 | |
This ghastly state of affairs | 1:06:51 | 1:06:53 | |
is what you would call Bunburying, I suppose? | 1:06:53 | 1:06:55 | |
Yes. The most wonderful Bunbury I ever had in my life. | 1:06:55 | 1:06:58 | |
The only small satisfaction I get from this whole wretched business | 1:06:58 | 1:07:02 | |
is that your friend Bunbury, Algy, is quite exploded. | 1:07:02 | 1:07:05 | |
And a very good thing too. | 1:07:05 | 1:07:07 | |
Your brother is a little off-colour, isn't he, Jack? | 1:07:07 | 1:07:10 | |
And not a bad thing either. | 1:07:10 | 1:07:11 | |
As for you deceiving a sweet, innocent girl like Miss Cardew, | 1:07:11 | 1:07:15 | |
I can only say that... it's inexcusable. | 1:07:15 | 1:07:17 | |
Saying nothing of her being my ward. | 1:07:17 | 1:07:19 | |
I can see no defence for your deceiving | 1:07:19 | 1:07:21 | |
a clever, experienced young lady like Miss Fairfax, | 1:07:21 | 1:07:24 | |
to say nothing of her being my cousin. | 1:07:24 | 1:07:26 | |
I simply wanted to be engaged to Gwendolen. | 1:07:26 | 1:07:28 | |
I love her. | 1:07:28 | 1:07:29 | |
I simply wanted to be engaged to Cecily. I adore her. | 1:07:29 | 1:07:33 | |
You will never marry Miss Cardew. | 1:07:33 | 1:07:35 | |
There is no likelihood of you and Miss Fairfax being united. | 1:07:35 | 1:07:38 | |
TRAIN WHISTLE BLOWS | 1:07:38 | 1:07:40 | |
Guard! | 1:07:40 | 1:07:42 | |
Will you be good enough to inform me | 1:07:42 | 1:07:45 | |
how soon this... railway train arrives at Woolton? | 1:07:45 | 1:07:49 | |
Now, let me see. | 1:07:49 | 1:07:52 | |
There's Garthrington - no, we passed there. | 1:07:52 | 1:07:56 | |
Then there's Gooseley Halt... Sopley...Cobblers Corner... | 1:07:56 | 1:08:02 | |
Combe Brisset...High Totham... Low Totham... | 1:08:02 | 1:08:07 | |
How you can sit there, | 1:08:07 | 1:08:09 | |
calmly eating muffins when we're in this terrible trouble, | 1:08:09 | 1:08:12 | |
I can't imagine. You seem perfectly heartless. | 1:08:12 | 1:08:15 | |
I can't eat muffins in an agitated manner - | 1:08:15 | 1:08:17 | |
butter would get on my cuffs. | 1:08:17 | 1:08:19 | |
One should always eat muffins quite calmly - it's the only way. | 1:08:19 | 1:08:22 | |
It's perfectly heartless to eat them at all! | 1:08:22 | 1:08:25 | |
When I'm in trouble, eating is the only thing that consoles me. | 1:08:25 | 1:08:29 | |
They are eating muffins! | 1:08:35 | 1:08:37 | |
I wish to goodness you would go. | 1:08:37 | 1:08:39 | |
But I've just made arrangements with Dr Chasuble | 1:08:39 | 1:08:41 | |
to be christened at six o'clock as Ernest. | 1:08:41 | 1:08:43 | |
I've made arrangements with Dr Chasuble myself | 1:08:43 | 1:08:45 | |
to be christened at 5.30. | 1:08:45 | 1:08:47 | |
I naturally will take the name Ernest. | 1:08:47 | 1:08:49 | |
I have a perfect right to be christened. | 1:08:49 | 1:08:51 | |
There's no evidence I was ever christened by anyone. | 1:08:51 | 1:08:54 | |
-You've been christened already. -But not for years. | 1:08:54 | 1:08:56 | |
But you HAVE been christened. That is the important thing. | 1:08:56 | 1:08:59 | |
Quite so. So I know my constitution can stand it. | 1:08:59 | 1:09:02 | |
It might make you very unwell. | 1:09:02 | 1:09:04 | |
You can't have forgotten that someone closely connected with you | 1:09:04 | 1:09:07 | |
was nearly carried off by a severe chill. | 1:09:07 | 1:09:09 | |
You talk as if a severe chill were hereditary. | 1:09:09 | 1:09:12 | |
It usen't to be but it may be now. | 1:09:12 | 1:09:14 | |
Science is always making wonderful improvements in things. | 1:09:14 | 1:09:17 | |
They are looking this way. | 1:09:22 | 1:09:23 | |
What effrontery. | 1:09:23 | 1:09:25 | |
They are approaching! | 1:09:25 | 1:09:27 | |
That is very forward of them. | 1:09:27 | 1:09:29 | |
Let us preserve... a dignified silence. | 1:09:29 | 1:09:33 | |
Certainly. It is the only thing to do now. | 1:09:33 | 1:09:36 | |
MEN SING > | 1:09:38 | 1:09:41 | |
THEY SING: "La Donna E Mobile" | 1:09:41 | 1:09:43 | |
Mr Worthing, I have something very particular to ask you. | 1:09:58 | 1:10:02 | |
MUCH depends on your reply. | 1:10:02 | 1:10:04 | |
Your common sense is invaluable, Gwendolen. | 1:10:04 | 1:10:07 | |
Mr Moncrieff, kindly answer me the following question. | 1:10:07 | 1:10:10 | |
Why did you pretend to be my guardian's brother? | 1:10:10 | 1:10:13 | |
In order that I might have an opportunity of meeting you. | 1:10:13 | 1:10:16 | |
That certainly seems a satisfactory explanation, does it not? | 1:10:17 | 1:10:21 | |
Yes, dear, if you believe it. | 1:10:21 | 1:10:23 | |
Mr Worthing, what explanation can you offer me | 1:10:23 | 1:10:26 | |
for pretending to have a brother? | 1:10:26 | 1:10:28 | |
Was it to have an opportunity | 1:10:28 | 1:10:30 | |
of coming up to town to see me as often as possible? | 1:10:30 | 1:10:33 | |
Can you doubt it, Miss Fairfax? | 1:10:33 | 1:10:36 | |
I have the gravest doubts on the subject | 1:10:36 | 1:10:40 | |
but I intend to crush them. | 1:10:40 | 1:10:43 | |
Their explanations appear to have the stamp of truth. | 1:10:43 | 1:10:47 | |
Especially Mr Worthing's. | 1:10:47 | 1:10:49 | |
I am more than content with what Mr Moncrieff has said. | 1:10:49 | 1:10:52 | |
His voice alone inspires one with absolute credulity. | 1:10:52 | 1:10:57 | |
Then you think we should forgive them? | 1:10:57 | 1:11:00 | |
Yes. | 1:11:00 | 1:11:02 | |
I mean no! | 1:11:02 | 1:11:03 | |
True. I had forgotten. | 1:11:03 | 1:11:06 | |
There are principles at stake that one cannot surrender. | 1:11:06 | 1:11:09 | |
Which of us should tell them? The task is not pleasant. | 1:11:09 | 1:11:13 | |
-Could we not both speak together? -An excellent idea! | 1:11:13 | 1:11:16 | |
I nearly always speak when other people are speaking. | 1:11:16 | 1:11:19 | |
Will you take the time from me? | 1:11:19 | 1:11:21 | |
BOTH: Your Christian names are still an insuperable barrier. | 1:11:21 | 1:11:25 | |
That is all. | 1:11:25 | 1:11:26 | |
BOTH: Our Christian names? Is that all? | 1:11:27 | 1:11:29 | |
But we're going to be christened this afternoon! | 1:11:29 | 1:11:32 | |
For my sake you are prepared to do this terrible thing? | 1:11:32 | 1:11:35 | |
I am. | 1:11:35 | 1:11:37 | |
To please me, you are ready to face this fearful ordeal? | 1:11:37 | 1:11:42 | |
I am. | 1:11:42 | 1:11:43 | |
How absurd to talk of the equality of the sexes! | 1:11:43 | 1:11:47 | |
Where questions of self-sacrifice are concerned, | 1:11:47 | 1:11:50 | |
men are infinitely beyond us. | 1:11:50 | 1:11:53 | |
BOTH: We are. | 1:11:54 | 1:11:55 | |
-Darling! -(Darling!) | 1:11:57 | 1:12:00 | |
Gwendolen! | 1:12:03 | 1:12:04 | |
What does this mean? | 1:12:06 | 1:12:07 | |
Merely that I am engaged to Mr Worthing, Mama. | 1:12:07 | 1:12:11 | |
Come here. | 1:12:12 | 1:12:14 | |
Sit down. > | 1:12:14 | 1:12:16 | |
Sit down immediately! > | 1:12:16 | 1:12:18 | |
Mr Worthing, you will clearly understand | 1:12:21 | 1:12:24 | |
that all communication between yourself and my daughter | 1:12:24 | 1:12:28 | |
must cease immediately from this moment. | 1:12:28 | 1:12:31 | |
On this, as indeed on all points, I am firm. | 1:12:31 | 1:12:35 | |
I am engaged to be married to Gwendolen, Lady Bracknell. | 1:12:35 | 1:12:38 | |
You are nothing of the kind, sir. | 1:12:38 | 1:12:42 | |
And now, as regards Algernon. | 1:12:43 | 1:12:45 | |
-< Algernon? -Yes, Aunt Augusta. | 1:12:47 | 1:12:48 | |
May I ask if it is in this house | 1:12:48 | 1:12:51 | |
that your invalid friend Mr Bunbury resides? | 1:12:51 | 1:12:55 | |
Oh, no, Bunbury doesn't live here. | 1:12:55 | 1:12:57 | |
Bunbury is somewhere else at present. | 1:12:57 | 1:13:00 | |
In fact, Bunbury is dead. | 1:13:00 | 1:13:01 | |
Dead? When did Mr Bunbury die? | 1:13:02 | 1:13:05 | |
Oh, I killed Bunbury this afternoon. | 1:13:05 | 1:13:08 | |
I mean, Bunbury died this afternoon. | 1:13:08 | 1:13:10 | |
What did he die of? | 1:13:10 | 1:13:12 | |
Bunbury? Oh, he was quite exploded. | 1:13:12 | 1:13:15 | |
Exploded?! | 1:13:15 | 1:13:17 | |
Was he a victim of a revolutionary outrage? | 1:13:17 | 1:13:21 | |
My dear Aunt Augusta, I mean he was found out. | 1:13:21 | 1:13:24 | |
The doctors found out that Bunbury could not live. | 1:13:24 | 1:13:27 | |
-So Bunbury died. -< Hmm. | 1:13:27 | 1:13:30 | |
And now that we have finally got rid of this Mr Bunbury... | 1:13:30 | 1:13:34 | |
may I ask Mr Worthing, who is that young person | 1:13:34 | 1:13:38 | |
whose hand my nephew Algernon is holding | 1:13:38 | 1:13:41 | |
in what appears to me to be a peculiarly unnecessary manner? | 1:13:41 | 1:13:44 | |
That lady is Miss Cecily Cardew, my ward. | 1:13:44 | 1:13:48 | |
I am engaged to be married to Cecily, Aunt Augusta. | 1:13:48 | 1:13:51 | |
I beg your pardon? | 1:13:51 | 1:13:53 | |
Mr Moncrieff and I are engaged to be married, Lady Bracknell. | 1:13:53 | 1:13:58 | |
Indeed? | 1:13:58 | 1:14:00 | |
I think some preliminary inquiry on my part would not be out of place. | 1:14:00 | 1:14:05 | |
Mr Worthing, is Miss Cardew at all connected | 1:14:05 | 1:14:09 | |
with any of the larger railway stations in London? | 1:14:09 | 1:14:13 | |
I merely require information. | 1:14:13 | 1:14:16 | |
Until yesterday, I had no idea there were any families or persons | 1:14:16 | 1:14:21 | |
whose origin was a terminus. | 1:14:21 | 1:14:23 | |
Miss Cardew is the granddaughter of the late Mr Thomas Cardew | 1:14:23 | 1:14:27 | |
of 149 Belgrave Square, South-West, | 1:14:27 | 1:14:31 | |
Gervase Park, Dorking, Surrey, | 1:14:31 | 1:14:33 | |
and the Sporran, Fifeshire. | 1:14:33 | 1:14:35 | |
That sounds not unsatisfactory. | 1:14:35 | 1:14:38 | |
Three addresses always inspire confidence, even in tradesmen. | 1:14:38 | 1:14:43 | |
But what proof have I of their authenticity? | 1:14:43 | 1:14:46 | |
I have carefully preserved the Court Guides of the period. | 1:14:46 | 1:14:49 | |
They are open for your inspection. | 1:14:49 | 1:14:51 | |
I have known strange errors in that publication. | 1:14:51 | 1:14:55 | |
Miss Cardew's family solicitors are Messrs Markby, Markby and Markby. | 1:14:55 | 1:15:00 | |
Oh, Markby, Markby and Markby? | 1:15:00 | 1:15:03 | |
A firm of the very highest position in their profession. | 1:15:03 | 1:15:06 | |
I have also in my possession | 1:15:06 | 1:15:08 | |
certificates of Miss Cardew's birth, baptism, whooping cough, | 1:15:08 | 1:15:11 | |
registration, vaccination, confirmation and the measles - | 1:15:11 | 1:15:16 | |
the German and the English variety. | 1:15:16 | 1:15:18 | |
A life crowded with incident, I see, | 1:15:18 | 1:15:21 | |
but somewhat too exciting for a young girl. | 1:15:21 | 1:15:23 | |
Gwendolen, the time approaches for our departure. | 1:15:23 | 1:15:27 | |
We have not a moment to lose. | 1:15:27 | 1:15:30 | |
As a matter of form, Mr Worthing, | 1:15:31 | 1:15:34 | |
I had better ask if Miss Cardew has any little fortune. | 1:15:34 | 1:15:38 | |
Oh...only about... | 1:15:38 | 1:15:40 | |
£130,000 in the Funds, that is all. | 1:15:40 | 1:15:45 | |
Goodbye, Lady Bracknell. So pleased to have seen you. | 1:15:45 | 1:15:48 | |
One moment, Mr Worthing. | 1:15:48 | 1:15:51 | |
£130,000 and in the Funds. | 1:15:51 | 1:15:55 | |
Miss Cardew seems a most attractive young lady now that I look at her. | 1:15:55 | 1:15:59 | |
Few girls of the present day have any really solid qualities, | 1:15:59 | 1:16:04 | |
qualities that last and improve with time. | 1:16:04 | 1:16:07 | |
We live, I regret to say, in an age of surfaces. | 1:16:07 | 1:16:12 | |
Come over here, dear. | 1:16:12 | 1:16:14 | |
Pretty child, your dress is sadly simple | 1:16:17 | 1:16:20 | |
and your hair seems almost as nature might have left it | 1:16:20 | 1:16:24 | |
but we can soon alter that. | 1:16:24 | 1:16:26 | |
A thoroughly experienced French maid | 1:16:26 | 1:16:28 | |
produces a really remarkable result in a very brief space of time. | 1:16:28 | 1:16:32 | |
There are distinct social possibilities in your profile. | 1:16:32 | 1:16:36 | |
Cecily is the dearest, sweetest, prettiest girl in the world | 1:16:36 | 1:16:39 | |
and I don't care two pins for social possibilities. | 1:16:39 | 1:16:42 | |
Never speak disrespectfully of society, Algernon. | 1:16:42 | 1:16:45 | |
Only people who can't get into it do that. | 1:16:45 | 1:16:48 | |
I suppose you know that Algernon has nothing but his debts to depend upon. | 1:16:48 | 1:16:53 | |
But I do not approve of mercenary marriages. | 1:16:53 | 1:16:56 | |
When I married Lord Bracknell I had no fortune of any kind | 1:16:56 | 1:17:00 | |
but I never dreamed of allowing that to stand in my way. | 1:17:00 | 1:17:03 | |
Well...I suppose I must give my consent. | 1:17:03 | 1:17:07 | |
Thank you, Aunt Augusta. | 1:17:08 | 1:17:09 | |
Cecily, you may kiss me. | 1:17:09 | 1:17:11 | |
Thank you, Lady Bracknell. | 1:17:11 | 1:17:13 | |
And you may address me as Aunt Augusta for the future. | 1:17:13 | 1:17:17 | |
Thank you, Aunt Augusta. | 1:17:17 | 1:17:19 | |
The marriage, I think, had better take place quite soon. | 1:17:19 | 1:17:22 | |
BOTH: Thank you, Aunt Augusta! | 1:17:22 | 1:17:24 | |
To speak frankly, | 1:17:24 | 1:17:26 | |
I am not in favour of long engagements. | 1:17:26 | 1:17:29 | |
They give people an opportunity | 1:17:29 | 1:17:30 | |
of finding out each other's characters before marriage, | 1:17:30 | 1:17:33 | |
which I think is never advisable. | 1:17:33 | 1:17:35 | |
I beg your pardon for interrupting, Lady Bracknell, | 1:17:35 | 1:17:38 | |
but this engagement is quite out of the question. | 1:17:38 | 1:17:41 | |
I am Miss Cardew's guardian and she cannot marry without my consent. | 1:17:41 | 1:17:45 | |
That consent I absolutely decline to give. | 1:17:45 | 1:17:48 | |
Upon what grounds, may I ask? | 1:17:48 | 1:17:50 | |
Algernon is an extremely... | 1:17:50 | 1:17:52 | |
one might almost say ostentatiously eligible young man. | 1:17:52 | 1:17:56 | |
He has nothing and looks everything. | 1:17:56 | 1:17:58 | |
What more could one desire? | 1:17:58 | 1:18:00 | |
It pains me very much to speak frankly about your nephew | 1:18:00 | 1:18:03 | |
but I do not approve at all of his moral character. | 1:18:03 | 1:18:07 | |
-I suspect him of being untruthful. -Untruthful?! | 1:18:07 | 1:18:10 | |
My nephew Algernon untruthful? | 1:18:10 | 1:18:13 | |
Impossible! He was at Oxford. | 1:18:13 | 1:18:16 | |
I fear there can no possible doubt about the matter. | 1:18:16 | 1:18:19 | |
This afternoon during my temporary absence in London, | 1:18:19 | 1:18:22 | |
on an important question of...romance, | 1:18:22 | 1:18:26 | |
he obtained admission to my house | 1:18:26 | 1:18:28 | |
by means of the false pretence of being my brother. | 1:18:28 | 1:18:31 | |
Under an assumed name, he drank, my butler just informed me, | 1:18:31 | 1:18:34 | |
an entire pint bottle of Perrier-Jouet Brut '89 - | 1:18:34 | 1:18:38 | |
a wine I was especially reserving for myself. | 1:18:38 | 1:18:40 | |
Continuing his disgraceful deception, | 1:18:40 | 1:18:42 | |
he succeeded during the course of the afternoon | 1:18:42 | 1:18:45 | |
in alienating the affections of my only ward. | 1:18:45 | 1:18:47 | |
He subsequently stayed to tea and devoured every single muffin | 1:18:47 | 1:18:51 | |
and what makes his conduct heartless is he was aware I have no brother, | 1:18:51 | 1:18:55 | |
that I never had a brother and don't intend to...not of any kind. | 1:18:55 | 1:19:00 | |
Mm-hm! | 1:19:00 | 1:19:02 | |
Mr Worthing, | 1:19:04 | 1:19:06 | |
after careful consideration, | 1:19:06 | 1:19:09 | |
I have decided entirely to overlook my nephew's conduct toward you. | 1:19:09 | 1:19:13 | |
That is very generous of you, Lady Bracknell. | 1:19:13 | 1:19:16 | |
My own decision, however, is unalterable. | 1:19:16 | 1:19:18 | |
I decline to give my consent. | 1:19:18 | 1:19:20 | |
Come here, sweet child. | 1:19:22 | 1:19:23 | |
How old are you? | 1:19:26 | 1:19:28 | |
Well, I'm really only 18, | 1:19:28 | 1:19:30 | |
but I always admit to 20 at evening parties. | 1:19:30 | 1:19:33 | |
You are perfectly right to make some slight alteration. | 1:19:33 | 1:19:36 | |
A woman should never be really accurate about her age. | 1:19:36 | 1:19:39 | |
It looks so calculating. | 1:19:39 | 1:19:42 | |
18, admitting to 20 at evening parties. | 1:19:42 | 1:19:45 | |
Well, you will soon be of age and free from the restraints of tutelage | 1:19:45 | 1:19:50 | |
so I do not think your guardian's consent is a matter of importance. | 1:19:50 | 1:19:54 | |
Pray excuse me for interrupting again, Lady Bracknell, | 1:19:54 | 1:19:57 | |
but it is only fair to note that according to her grandfather's will, | 1:19:57 | 1:20:01 | |
Miss Cardew does not legally come of age until she is 35. | 1:20:01 | 1:20:05 | |
That does not seem to be a very grave objection. | 1:20:05 | 1:20:09 | |
35 is a very attractive age. | 1:20:09 | 1:20:12 | |
London society is full of women of the highest birth | 1:20:12 | 1:20:15 | |
who of their own free choice have remained 35 for years. | 1:20:15 | 1:20:19 | |
Lady Dumbleton is an instance in point. | 1:20:19 | 1:20:21 | |
To my own knowledge, she's been 35 since she arrived at the age of 40, | 1:20:21 | 1:20:26 | |
which is many years ago now. | 1:20:26 | 1:20:28 | |
I see no reason why our dear Cecily | 1:20:28 | 1:20:31 | |
should not be even more attractive then than the age she is at present. | 1:20:31 | 1:20:36 | |
There will be a large accumulation of property. | 1:20:36 | 1:20:40 | |
Algy... | 1:20:40 | 1:20:42 | |
could you wait for me till I was 35? | 1:20:42 | 1:20:45 | |
Of course I could, Cecily. You know I could. | 1:20:45 | 1:20:48 | |
Yes, I felt that...instinctively. | 1:20:48 | 1:20:51 | |
-But I couldn't wait all that time! -But, Cecily... | 1:20:52 | 1:20:55 | |
My dear Mr Worthing, | 1:20:55 | 1:20:57 | |
as Miss Cardew states positively that she cannot wait until she is 35 - | 1:20:57 | 1:21:01 | |
a remark which I am bound to say seems to show a somewhat impatient nature - | 1:21:01 | 1:21:06 | |
I would beg of you to reconsider your decision. | 1:21:06 | 1:21:09 | |
But, my dear Lady Bracknell, the matter is entirely in your hands. | 1:21:09 | 1:21:13 | |
The moment you consent to my marrying Gwendolen, | 1:21:13 | 1:21:16 | |
I will gladly allow your nephew to form an alliance with my ward. | 1:21:16 | 1:21:19 | |
That is not the destiny I propose for Gwendolen. | 1:21:19 | 1:21:23 | |
Algernon, of course, can choose for himself. | 1:21:23 | 1:21:25 | |
Come, dear. We've already missed five, if not six, trains. | 1:21:25 | 1:21:30 | |
To miss any more might expose us to comment on the platform. | 1:21:30 | 1:21:33 | |
Everything is quite ready for the christenings. | 1:21:33 | 1:21:37 | |
The christenings, sir? | 1:21:38 | 1:21:41 | |
Is not this somewhat premature? | 1:21:41 | 1:21:43 | |
Er...both these gentlemen | 1:21:43 | 1:21:45 | |
have expressed their desire for immediate baptism. | 1:21:45 | 1:21:47 | |
At THEIR age?! | 1:21:47 | 1:21:49 | |
The idea is grotesque and irreligious. | 1:21:49 | 1:21:52 | |
Algernon, I forbid you to be baptised. | 1:21:52 | 1:21:55 | |
I will not hear of such excesses. | 1:21:55 | 1:21:57 | |
Am I to understand | 1:21:58 | 1:21:59 | |
there are to be no christenings at all this afternoon? | 1:21:59 | 1:22:03 | |
I don't think that with things as they are, Dr Chasuble, | 1:22:03 | 1:22:06 | |
they will be much practical value to either of us. | 1:22:06 | 1:22:10 | |
As your present mood seems to be one peculiarly secular, | 1:22:10 | 1:22:13 | |
I will return to the church at once. | 1:22:13 | 1:22:15 | |
I've just been informed Miss Prism has been waiting for me. | 1:22:15 | 1:22:19 | |
Miss Prism? | 1:22:19 | 1:22:20 | |
Did I hear you mention a Miss Prism? | 1:22:21 | 1:22:25 | |
Yes, indeed. I am on my way to join her. | 1:22:25 | 1:22:28 | |
Kindly allow me to detain you for one moment. | 1:22:28 | 1:22:30 | |
Is this Miss Prism a female of repellent aspect | 1:22:30 | 1:22:35 | |
remotely connected with education? | 1:22:35 | 1:22:38 | |
She is the most cultivated of ladies | 1:22:38 | 1:22:41 | |
and the very picture of respectability. | 1:22:41 | 1:22:43 | |
It is obviously the same person. | 1:22:43 | 1:22:46 | |
May I ask what is her position in your household? | 1:22:46 | 1:22:50 | |
Miss Prism, Lady Bracknell, has for three years | 1:22:51 | 1:22:54 | |
been Miss Cardew's esteemed governess and valued companion. | 1:22:54 | 1:22:57 | |
In spite of what I hear of her, I must see her at once. | 1:22:57 | 1:23:00 | |
Let her be sent for. < MUMBLING | 1:23:00 | 1:23:03 | |
She approaches. She is nigh! | 1:23:03 | 1:23:05 | |
I was told you expected me in the vestry, dear Canon. | 1:23:05 | 1:23:09 | |
I have been waiting for you there for an hour and three quarters! | 1:23:09 | 1:23:12 | |
Prism! | 1:23:12 | 1:23:14 | |
Come here, Prism. | 1:23:17 | 1:23:19 | |
Prism, where is that baby? | 1:23:24 | 1:23:27 | |
28 years ago, Prism, you left Lord Bracknell's house | 1:23:30 | 1:23:34 | |
in charge of a perambulator containing an infant of the male sex. | 1:23:34 | 1:23:39 | |
You never returned. | 1:23:39 | 1:23:41 | |
Some few weeks later, | 1:23:41 | 1:23:43 | |
the perambulator was discovered at midnight | 1:23:43 | 1:23:46 | |
standing by itself in a remote corner of Bayswater. | 1:23:46 | 1:23:51 | |
It contained the manuscript of a three-volume novel | 1:23:51 | 1:23:55 | |
of a more than usually revolting sentimentality. | 1:23:55 | 1:23:58 | |
-Oh! -But the baby was not there. | 1:23:58 | 1:24:02 | |
Prism, where is that baby? | 1:24:02 | 1:24:06 | |
WHERE is that baby, Prism? | 1:24:07 | 1:24:10 | |
Lady Bracknell... | 1:24:13 | 1:24:15 | |
I admit, with shame, that I do not know. | 1:24:15 | 1:24:18 | |
I only wish I did. | 1:24:18 | 1:24:20 | |
The plain facts of the case are these. | 1:24:21 | 1:24:25 | |
On the morning of the day you mention, | 1:24:25 | 1:24:27 | |
a day that is for ever branded on my memory, | 1:24:27 | 1:24:30 | |
I prepared as usual to take the baby out in its perambulator. | 1:24:30 | 1:24:34 | |
I had also with me a somewhat old but capacious handbag | 1:24:34 | 1:24:39 | |
in which I had intended to place the manuscript of a work of fiction | 1:24:39 | 1:24:43 | |
that I had written during my few unoccupied hours. | 1:24:43 | 1:24:46 | |
In a moment of mental abstraction, | 1:24:46 | 1:24:48 | |
for which I never can forgive myself, | 1:24:48 | 1:24:50 | |
I deposited the manuscript in the bassinet... | 1:24:50 | 1:24:54 | |
and placed the baby in the handbag! | 1:24:54 | 1:24:57 | |
-WHERE did you deposit the handbag? -Do not ask me. | 1:24:57 | 1:25:00 | |
This is a matter of no small importance! | 1:25:00 | 1:25:02 | |
I insist on knowing where you deposited it! | 1:25:02 | 1:25:04 | |
I left it in the cloakroom of one of London's larger railway stations. | 1:25:04 | 1:25:08 | |
What...railway...station? | 1:25:08 | 1:25:11 | |
Victoria. | 1:25:11 | 1:25:13 | |
The...Brighton line? | 1:25:16 | 1:25:18 | |
The Brighton line. | 1:25:18 | 1:25:21 | |
Gwendolen, wait for me. | 1:25:24 | 1:25:26 | |
If you are not too long, I will wait here for you all my life. | 1:25:26 | 1:25:29 | |
HEAVY THUDDING ABOVE | 1:25:38 | 1:25:41 | |
This suspense is terrible! | 1:25:51 | 1:25:53 | |
-Miss Prism, is this the handbag? -Let me look. | 1:25:56 | 1:25:59 | |
Examine it carefully before you speak. | 1:26:00 | 1:26:02 | |
The happiness of more than one life depends on it. | 1:26:02 | 1:26:05 | |
Thank you. | 1:26:05 | 1:26:07 | |
It seems to be mine. | 1:26:07 | 1:26:09 | |
Oh, yes - here is the injury it received | 1:26:09 | 1:26:11 | |
through the upsetting of a Gower Street omnibus | 1:26:11 | 1:26:14 | |
in younger and happier days. | 1:26:14 | 1:26:16 | |
Here is the stain on the lining | 1:26:17 | 1:26:19 | |
caused by the explosion of a temperance beverage, | 1:26:19 | 1:26:22 | |
an incident that occurred at Leamington. | 1:26:22 | 1:26:24 | |
And here on the lock are my initials! | 1:26:24 | 1:26:26 | |
I had forgotten that in an extravagant mood I had had them done. | 1:26:26 | 1:26:30 | |
The bag is undoubtedly mine. | 1:26:30 | 1:26:31 | |
I'm delighted to have it so unexpectedly restored. | 1:26:31 | 1:26:34 | |
It has been a great inconvenience being without it. | 1:26:34 | 1:26:37 | |
Miss Prism... | 1:26:37 | 1:26:39 | |
..more is restored to you than the handbag. | 1:26:40 | 1:26:43 | |
I am the baby that was placed in it. | 1:26:43 | 1:26:46 | |
-You?! -Yes. | 1:26:46 | 1:26:50 | |
-Mother! -Mr Worthing, I am unmarried! | 1:26:50 | 1:26:53 | |
Unmarried? | 1:26:55 | 1:26:57 | |
I do not deny that is a serious blow, but... | 1:26:57 | 1:27:00 | |
who should cast a stone against one who has suffered? | 1:27:00 | 1:27:03 | |
May not repentance white out an act of folly? | 1:27:03 | 1:27:05 | |
The law should be the same for men and women! | 1:27:05 | 1:27:08 | |
Mother, I...I forgive you! | 1:27:08 | 1:27:10 | |
Mr Worthing, there is some error! | 1:27:10 | 1:27:13 | |
There is the lady who can tell you who you really are. | 1:27:13 | 1:27:17 | |
Lady Bracknell, I...hate to seem inquisitive, | 1:27:18 | 1:27:22 | |
but could you kindly inform me who I really am? | 1:27:22 | 1:27:26 | |
You are the son of my poor sister, Mrs Moncrieff, | 1:27:26 | 1:27:30 | |
and consequently Algernon's elder brother. | 1:27:30 | 1:27:34 | |
Algy's elder brother? | 1:27:35 | 1:27:37 | |
Then I have a brother after all. | 1:27:37 | 1:27:39 | |
I knew I did! I always said so. | 1:27:39 | 1:27:42 | |
Cecily, how could you have doubted it? | 1:27:42 | 1:27:44 | |
Dr Chasuble - my unfortunate brother. | 1:27:44 | 1:27:46 | |
Miss Prism - my unfortunate brother. | 1:27:46 | 1:27:48 | |
Gwendolen - my unfortunate brother. | 1:27:48 | 1:27:50 | |
Algy, you scoundrel, you'll have to be more respectful now. | 1:27:50 | 1:27:53 | |
You've never behaved to me like a brother! | 1:27:53 | 1:27:55 | |
Not till today, old boy, I admit. I tried my best. | 1:27:55 | 1:27:58 | |
My own! But... but what own are you? | 1:27:58 | 1:28:02 | |
What is your Christian name now you have become someone else? | 1:28:02 | 1:28:06 | |
Your decision regarding my Christian name is irrevocable, I suppose? | 1:28:06 | 1:28:09 | |
I never change, except in my affections. | 1:28:09 | 1:28:11 | |
What a noble nature you have, Gwendolen. | 1:28:11 | 1:28:14 | |
Then the question must be cleared up finally. | 1:28:14 | 1:28:17 | |
Aunt Augusta, at the time when Miss Prism left me in the handbag... | 1:28:17 | 1:28:21 | |
had I been christened already? | 1:28:21 | 1:28:23 | |
Every luxury that money could buy, including christening, | 1:28:23 | 1:28:27 | |
had been lavished on you by your fond and doting parents. | 1:28:27 | 1:28:31 | |
Then I was christened. That is settled. | 1:28:31 | 1:28:33 | |
Now...what was my Christian name? Let me know the worst. | 1:28:33 | 1:28:37 | |
Being the eldest son, you were naturally called after your father. | 1:28:37 | 1:28:41 | |
Yes, but what was my father's Christian name? | 1:28:41 | 1:28:44 | |
I cannot for the moment recall what the General's Christian name was. | 1:28:44 | 1:28:48 | |
I've no doubt he had one. | 1:28:48 | 1:28:50 | |
He was eccentric, I admit, but only in later years. | 1:28:50 | 1:28:52 | |
Algy, can't you recollect our father's Christian name? | 1:28:52 | 1:28:55 | |
We were never on speaking terms. He died before I was a year old. | 1:28:55 | 1:29:00 | |
Wouldn't his name be on army lists of the period? | 1:29:00 | 1:29:04 | |
The General was essentially a man of peace, except in his domestic life. | 1:29:04 | 1:29:08 | |
But I've no doubt his name would appear in any military directory. | 1:29:08 | 1:29:12 | |
The army lists of the last 40 years are here. | 1:29:17 | 1:29:21 | |
These delightful records should have been my constant study. | 1:29:21 | 1:29:24 | |
"M" - Generals. | 1:29:24 | 1:29:27 | |
"Magley...Maxby...Maxbohm..." | 1:29:29 | 1:29:33 | |
What ghastly names they have! | 1:29:33 | 1:29:35 | |
"Markby...Migsby...Mobbs... | 1:29:35 | 1:29:38 | |
"Moncrieff! | 1:29:39 | 1:29:41 | |
"Lieutenant - 1840, Captain, Lieutenant Colonel, Colonel... | 1:29:41 | 1:29:44 | |
"General - 1869... | 1:29:44 | 1:29:45 | |
"..Christian names... | 1:29:45 | 1:29:47 | |
"Ernest John." | 1:29:49 | 1:29:52 | |
Gwendolen, I always told you that my name was Ernest, didn't I? | 1:29:54 | 1:29:58 | |
Ernest! My own Ernest! | 1:29:58 | 1:30:01 | |
Cecily! At last! | 1:30:01 | 1:30:05 | |
-Laetitia, at last! -Oh! | 1:30:05 | 1:30:07 | |
Gwendolen, at last! | 1:30:07 | 1:30:09 | |
My nephew, you seem to be displaying signs of triviality. | 1:30:09 | 1:30:15 | |
On the contrary, Aunt Augusta, | 1:30:15 | 1:30:16 | |
I have realised for the first time in my life | 1:30:16 | 1:30:19 | |
the vital importance of being earnest! | 1:30:19 | 1:30:22 |