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| Line | From | To | |
|---|---|---|---|
This programme contains strong language and scenes of a sexual nature | 0:00:02 | 0:00:04 | |
"It's 73 degrees on this beautiful morning." | 0:00:04 | 0:00:07 | |
"It's 6:59 in the am. Enjoy Mr Sunshine while you can." | 0:00:07 | 0:00:11 | |
"Accuweather is predicting thunderstorms tomorrow." | 0:00:11 | 0:00:14 | |
"So it's time to wake up and enjoy the day. Wake up." | 0:00:14 | 0:00:18 | |
"Wake up, Julian. Julian." | 0:00:18 | 0:00:21 | |
"Julian... (YELLS) Julian!" | 0:00:22 | 0:00:25 | |
(GASPS) | 0:00:25 | 0:00:26 | |
(RADIO) "The Sixth Avenue Freeway is tied up around Lincoln | 0:00:26 | 0:00:30 | |
"but 685 is looking just dandy in both directions." | 0:00:30 | 0:00:33 | |
(RADIO FADES) | 0:00:33 | 0:00:36 | |
(GROANS) | 0:00:43 | 0:00:45 | |
(EXHALES) | 0:00:54 | 0:00:56 | |
(CHUCKLES) | 0:01:36 | 0:01:37 | |
# "A Town Called Malice" - The Jam | 0:01:42 | 0:01:44 | |
-Hey, mister, is that your car? -What? | 0:03:29 | 0:03:33 | |
The cool Porsche. You keep staring at it. | 0:03:33 | 0:03:37 | |
-Why don't you shoo? -I don't want to shoo. | 0:03:37 | 0:03:39 | |
Didn't your mother tell you never to talk to strangers? | 0:03:39 | 0:03:42 | |
She's over there and says that I should talk to you. | 0:03:42 | 0:03:45 | |
-She did? -Yeah. | 0:03:45 | 0:03:47 | |
She wants to know what you're doing here. She thinks you're cute. | 0:03:47 | 0:03:51 | |
I don't know anything about that car. | 0:03:53 | 0:03:56 | |
I'm only interested in your mother if she lost 20 pounds and 30 years. | 0:03:56 | 0:03:59 | |
So I'd like it if you got the fuck away. | 0:03:59 | 0:04:02 | |
-Whatever. -Yeah, whatever. Goodbye. Scadoodle. | 0:04:02 | 0:04:04 | |
-See ya. Wouldn't wanna be ya. -Smell ya. Shouldn't have to tell ya. | 0:04:04 | 0:04:08 | |
(EXPLOSION) | 0:04:36 | 0:04:38 | |
(CAR ALARMS WAIL) | 0:04:39 | 0:04:42 | |
(THUNDER) | 0:04:49 | 0:04:51 | |
(RADIO ON / RADIO OFF) | 0:05:04 | 0:05:07 | |
(THUNDER) | 0:05:20 | 0:05:22 | |
-Hi. -Bean. | 0:05:25 | 0:05:28 | |
-You're up early. -The thunder woke me up. | 0:05:29 | 0:05:31 | |
And I wanted to see you before you left. | 0:05:32 | 0:05:35 | |
-I'm gonna miss that. -Me, too. I'm gonna miss everything. | 0:05:36 | 0:05:40 | |
It's only two nights. | 0:05:40 | 0:05:43 | |
With this weather and our luck, it scares me. | 0:05:43 | 0:05:46 | |
Honey, you know I've got to go | 0:05:46 | 0:05:49 | |
but I'm coming home to you in two days | 0:05:49 | 0:05:52 | |
with really good news, I promise. | 0:05:52 | 0:05:54 | |
-Hmm! -Oh! -Oh! | 0:06:00 | 0:06:02 | |
-Danny! -Bean. -Are you sure you have time? | 0:06:03 | 0:06:06 | |
Maybe not for dinner and a movie. | 0:06:06 | 0:06:08 | |
Oh! Danny. | 0:06:08 | 0:06:11 | |
(CRASH OF THUNDER) | 0:06:14 | 0:06:16 | |
-(CREAKING) -Tree! | 0:06:16 | 0:06:19 | |
(THUNDER) | 0:06:25 | 0:06:27 | |
Still horny? | 0:06:43 | 0:06:45 | |
(LAUGHS) | 0:06:46 | 0:06:48 | |
(TANNOY) "Flight 421 to Salt Lake City has been delayed." | 0:07:01 | 0:07:04 | |
Danny. Danny! | 0:07:04 | 0:07:06 | |
-Oh. -"Flight 072 has been cancelled." | 0:07:06 | 0:07:09 | |
-I'm so sorry, Phil. -It's fine. Is Bean alright? | 0:07:09 | 0:07:12 | |
-Yeah. -The fire department's over there. | 0:07:12 | 0:07:15 | |
Our crazy neighbours, the tyrannists... | 0:07:15 | 0:07:18 | |
She's fine. She practically forced me to get over here. | 0:07:18 | 0:07:21 | |
She knows what this job means. | 0:07:21 | 0:07:23 | |
Somebody has to pay for a new kitchen. | 0:07:23 | 0:07:26 | |
-Now, we better make this flight. -Yeah. Yeah, we will. | 0:07:26 | 0:07:29 | |
-We have to. -Hope the weather's better in Mexico. | 0:07:29 | 0:07:33 | |
-Mr Noble, how are you today? -Couldn't be better. | 0:07:55 | 0:07:59 | |
But more importantly, how are you,... | 0:07:59 | 0:08:02 | |
..Genevive? | 0:08:03 | 0:08:06 | |
# Uno, dos, tres, cuatro | 0:08:19 | 0:08:21 | |
Gracias. | 0:08:38 | 0:08:40 | |
(SINGING IN SPANISH) | 0:09:01 | 0:09:04 | |
Buenas tardes. | 0:09:04 | 0:09:06 | |
Una margarita, por favor, con mucha sal. | 0:09:07 | 0:09:11 | |
(RATTLING) | 0:09:23 | 0:09:25 | |
(RATTLING BECOMES MORE DISTINCT) | 0:09:29 | 0:09:31 | |
Cerveza, por favor. | 0:09:48 | 0:09:50 | |
(SPEAKS SPANISH) | 0:09:54 | 0:09:56 | |
-(BOTH CONTINUE TO SPEAK SPANISH) -Gracias. | 0:10:13 | 0:10:16 | |
My business is my pleasure. | 0:10:22 | 0:10:24 | |
-How are you doing? -I'm... I'm a nervous wreck. | 0:10:50 | 0:10:53 | |
-Yeah, well, think positive. -I'm sweating through my suit. | 0:10:53 | 0:10:58 | |
(GIRLS GIGGLE) | 0:11:30 | 0:11:33 | |
Hello, Julian. | 0:11:43 | 0:11:45 | |
-Getting some culture? -Indeed. | 0:11:46 | 0:11:48 | |
Isn't she a tad pubescent, even for you? | 0:11:48 | 0:11:52 | |
-I'd make an exception for her. -Did you study the assignment? | 0:11:52 | 0:11:56 | |
No, I shredded it. Then I humped the bellboy on the room-service cart. | 0:11:56 | 0:12:01 | |
Am I supposed to be shocked? | 0:12:01 | 0:12:04 | |
Adios. | 0:12:04 | 0:12:05 | |
(SPEAKS SPANISH) | 0:12:05 | 0:12:08 | |
I hate these Catholic countries. | 0:12:08 | 0:12:10 | |
All blushy-blushy. No sucky-fucky. | 0:12:10 | 0:12:14 | |
(CHUCKLES) Well, somehow, I think you'll find your way. | 0:12:14 | 0:12:18 | |
There's been a change of plans. | 0:12:19 | 0:12:22 | |
The portfolio has to be delivered sooner than we discussed. | 0:12:22 | 0:12:25 | |
-What are you saying? -She's leaving for Europe tomorrow. | 0:12:25 | 0:12:28 | |
-I'm not a fucking magician. -Get it done today. | 0:12:28 | 0:12:31 | |
-I almost forgot. -Yeah? | 0:12:40 | 0:12:42 | |
Happy birthday. | 0:12:42 | 0:12:44 | |
Happy birthday? | 0:12:53 | 0:12:55 | |
Fuck! | 0:12:56 | 0:12:58 | |
(GUNSHOT) | 0:13:17 | 0:13:18 | |
-Incredible! -What did they say? | 0:13:18 | 0:13:21 | |
(BOTH) "We shouldn't even need to think about it." | 0:13:21 | 0:13:25 | |
-That's good! Right? -Yes, I think so. | 0:13:25 | 0:13:28 | |
Dos margaritas, por favor. | 0:13:28 | 0:13:31 | |
Phil, I think we did it. | 0:13:31 | 0:13:33 | |
I don't know why you were freaking out. You were remarkable. | 0:13:33 | 0:13:37 | |
-No, you were. -No, you. It was you. (LAUGHS) | 0:13:37 | 0:13:39 | |
-No way they can't give us this job. -You think that? -I know. | 0:13:39 | 0:13:43 | |
-(YELLS) -Yeah! | 0:13:45 | 0:13:47 | |
Shh. Give me two more. | 0:13:47 | 0:13:49 | |
(MUSIC PLAYS) "# Once a boy I know went to Mexico" | 0:13:53 | 0:13:58 | |
"# He knew just four words to tell his love" | 0:13:58 | 0:14:01 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:01 | 0:14:03 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:03 | 0:14:05 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:05 | 0:14:06 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:06 | 0:14:08 | |
"# Though his words were few" | 0:14:08 | 0:14:10 | |
"# Still the lady knew" | 0:14:10 | 0:14:12 | |
"# What this Brooklyn boy was dreaming of" | 0:14:12 | 0:14:15 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:15 | 0:14:17 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:17 | 0:14:19 | |
-"# Yo te amo mucho" -"# And that's that" | 0:14:19 | 0:14:20 | |
-"# Yo te amo mucho" -"# And that's that..." | 0:14:20 | 0:14:22 | |
(MUSIC FADES) | 0:14:23 | 0:14:26 | |
(LOUD THUD) | 0:14:26 | 0:14:28 | |
-"Hello." -Eddie? -"Yeah?" -(CHUCKLES) | 0:14:38 | 0:14:41 | |
Hi, Eddie, you crazy limey bastard, it's me. | 0:14:41 | 0:14:44 | |
-"Who?" -(CHUCKLES) Julian. -"Who?" | 0:14:44 | 0:14:47 | |
Julian Noble from Portugal. Remember? | 0:14:47 | 0:14:49 | |
-"Who?" -Julian Noble. | 0:14:49 | 0:14:52 | |
Yeah. I just thought I'd see how you're doing. It's my birthday. | 0:14:52 | 0:14:57 | |
(LINE GOES DEAD) | 0:14:57 | 0:14:59 | |
Eddie? Hello? (LINE CLICKS / DIAL TONE) | 0:14:59 | 0:15:02 | |
Hello. Is Cindy there? | 0:15:11 | 0:15:13 | |
Fuck it. | 0:15:22 | 0:15:23 | |
Now this smells like a party! | 0:15:39 | 0:15:41 | |
(APPLAUSE) | 0:15:42 | 0:15:44 | |
-Margarita, por favor. -Si, senor. | 0:15:56 | 0:15:59 | |
You look like you could use one. | 0:16:02 | 0:16:04 | |
Hmm. Who couldn't? | 0:16:09 | 0:16:11 | |
I've had... (EXHALES) | 0:16:11 | 0:16:14 | |
..four, five maybe. I dunno. They're darn tasty. | 0:16:14 | 0:16:18 | |
Margaritas always taste better in Mexico. | 0:16:18 | 0:16:22 | |
-They certainly do. -Margaritas and cock. | 0:16:22 | 0:16:26 | |
Gracias. And one for my friend over there. | 0:16:28 | 0:16:32 | |
-Er, no, no, no. That's... -I'm not making a pass at you. | 0:16:32 | 0:16:36 | |
-I'm not worried. Thank you. -If you're that type of guy... | 0:16:36 | 0:16:39 | |
-I don't mean to be rude but... -I'm just messing with you. | 0:16:39 | 0:16:42 | |
I'm sorry about the cock comment. Kinda conversation stopper. | 0:16:53 | 0:16:57 | |
Kinda? | 0:16:57 | 0:16:59 | |
So, what are you doing in Mexico? | 0:17:03 | 0:17:06 | |
-Tell me something, erm...? -Dan, Danny, Danny Wright. | 0:17:12 | 0:17:16 | |
Garrison & Wright. | 0:17:16 | 0:17:19 | |
-Tell me something, Danny Wright. -Yes, sir. | 0:17:20 | 0:17:25 | |
Why the hell do you care why I'm in Mexico, huh? | 0:17:27 | 0:17:30 | |
-Why so interested? -No reason, just... | 0:17:30 | 0:17:33 | |
-Hotel bar conversation, I guess. -Are you with The Farm? | 0:17:34 | 0:17:38 | |
-(CHUCKLES) What's that? -The Agency. | 0:17:38 | 0:17:40 | |
-What? -Are you following me? | 0:17:40 | 0:17:42 | |
-No, no. -I make you? | 0:17:42 | 0:17:44 | |
-I have no idea what you're talking- -I fucking make you. Hmm? | 0:17:44 | 0:17:48 | |
OK, I'm gonna excuse myself. | 0:17:48 | 0:17:51 | |
-I have to go. Thank you. -No, no, please... | 0:17:51 | 0:17:54 | |
No, I'm extremely tired. | 0:17:54 | 0:17:57 | |
-No, no, no, please. -Thank you. It's OK. | 0:17:57 | 0:17:59 | |
I just get paranoid sometimes. I was wrong. Please. (SIGHS) | 0:17:59 | 0:18:04 | |
I'm drunk. I'm tired and I've been fornicating for the last two hours | 0:18:04 | 0:18:09 | |
and before that, I was doing shit, horrible business shit. | 0:18:09 | 0:18:13 | |
Please, come on. I was out of order. | 0:18:13 | 0:18:16 | |
Let's finish our drink. Come on. Here you go. | 0:18:16 | 0:18:18 | |
Here's your drink. Danny, here you go. | 0:18:19 | 0:18:22 | |
I mean, you seem like a nice guy. You know, a normal guy. | 0:18:23 | 0:18:28 | |
I'm sorry. | 0:18:28 | 0:18:30 | |
Really, it's alright. | 0:18:31 | 0:18:33 | |
So, are you in town on business? | 0:18:34 | 0:18:39 | |
Hmm? You have that way about you, Danny. | 0:18:39 | 0:18:42 | |
(IMITATES JULIAN) Why so interested? | 0:18:48 | 0:18:50 | |
(LAUGHS) | 0:18:51 | 0:18:54 | |
That was... (CHUCKLES) | 0:18:54 | 0:18:56 | |
-Very good. -Yeah? | 0:18:56 | 0:18:58 | |
-Oh, I'm here on business. -Is it going well? | 0:18:59 | 0:19:02 | |
Very well, I hope. My partner and I... He's upstairs. | 0:19:02 | 0:19:07 | |
We just had a very good pitch session. | 0:19:07 | 0:19:10 | |
-No shit. -Very good. | 0:19:10 | 0:19:13 | |
-Oh, that's fantastic. That's great, Danny. -I needed a day like this. | 0:19:13 | 0:19:17 | |
-I hear you. -I've had a tough couple of years. | 0:19:17 | 0:19:21 | |
I was with this business out of Denver for nine years | 0:19:21 | 0:19:26 | |
and, out of the blue, they just... | 0:19:26 | 0:19:28 | |
-They laid me off. -Oh. -Yeah, just like that. | 0:19:29 | 0:19:33 | |
That was two and a half years ago. I've been struggling back since. | 0:19:33 | 0:19:38 | |
-And today you got back? -Well, I hope. | 0:19:38 | 0:19:42 | |
Today, you're a man again. | 0:19:42 | 0:19:45 | |
Yeah. | 0:19:46 | 0:19:48 | |
And to be a man after they fuck you | 0:19:48 | 0:19:51 | |
and destroy your self-respect,... | 0:19:51 | 0:19:54 | |
..well, that is a great thing. | 0:19:56 | 0:19:58 | |
Thank you. | 0:19:59 | 0:20:01 | |
Dos margaritas, por favor. | 0:20:01 | 0:20:03 | |
-Are you married, Danny? -Oh, yeah! | 0:20:07 | 0:20:10 | |
14 years. | 0:20:10 | 0:20:12 | |
-Let me guess, high-school sweetheart. -It's true. | 0:20:12 | 0:20:16 | |
(BOTH CHUCKLE) Unbelievable! The fucking American dream, huh? | 0:20:16 | 0:20:20 | |
Well... What about you? What do you do for a living? | 0:20:20 | 0:20:24 | |
Any kids? You got kids, Danny? | 0:20:26 | 0:20:30 | |
-Oh, no, I crossed the line. -No, no, you did not. | 0:20:31 | 0:20:35 | |
-No, I did. -You did not cross the line. No. | 0:20:35 | 0:20:37 | |
-I'm sorry. -It's fine. It's fine. | 0:20:37 | 0:20:39 | |
We lost our son three years ago. | 0:20:46 | 0:20:49 | |
It was a school bus accident. | 0:20:53 | 0:20:55 | |
14 children lived that day and one died. | 0:20:57 | 0:21:01 | |
That was Henry. | 0:21:05 | 0:21:07 | |
We had a bad run there for a while. | 0:21:10 | 0:21:14 | |
Two Mexicans walk into a cantina. | 0:21:14 | 0:21:17 | |
What? | 0:21:17 | 0:21:19 | |
Two Mexicans walk into a cantina. One is a midget. | 0:21:19 | 0:21:22 | |
-The other's dick is 15 inches long. -W-W-What are you saying? | 0:21:22 | 0:21:26 | |
Changing the subject. The midget says to the bartender, | 0:21:26 | 0:21:30 | |
"They call my amigo the human swizzle stick. Know what they call me?" | 0:21:30 | 0:21:34 | |
-(SNIGGERS) -This is incredible. -What? | 0:21:34 | 0:21:38 | |
You're very rude. | 0:21:39 | 0:21:41 | |
-I'm trying to change the subject. -Thank you for the drink. | 0:21:41 | 0:21:45 | |
Goodbye. Good night. Thank you. | 0:21:45 | 0:21:48 | |
Don't you want to hear the punch line? | 0:21:49 | 0:21:52 | |
It's a fucking good one. (LAUGHS) | 0:21:56 | 0:21:58 | |
Gracias. | 0:22:03 | 0:22:05 | |
# "Garbageman" - The Cramps | 0:22:11 | 0:22:13 | |
# You ain't no punk, you punk | 0:22:17 | 0:22:19 | |
# You wanna talk about the real junk? | 0:22:19 | 0:22:23 | |
# If I ever slip, I'll be banned | 0:22:23 | 0:22:26 | |
# Cos I'm your garbageman | 0:22:26 | 0:22:29 | |
# Well, if you can't dig me, you can't dig nothing | 0:22:30 | 0:22:34 | |
# Do you want the real thing or are you just talking? | 0:22:34 | 0:22:37 | |
# Do you understand? | 0:22:37 | 0:22:39 | |
# I'm your garbageman | 0:22:40 | 0:22:42 | |
# Yeah, something... | 0:22:43 | 0:22:45 | |
-Sure you don't wanna switch? -No, get out of here. | 0:23:01 | 0:23:04 | |
-You have kids. -You have a tree in your kitchen. | 0:23:04 | 0:23:07 | |
Want to flip another coin? Somebody's got to stay. | 0:23:07 | 0:23:10 | |
-I'll call the minute I hear. -Call me sooner. -Yeah. -Oh, God! | 0:23:10 | 0:23:14 | |
-What? -Cellphone. I left it at the desk. | 0:23:14 | 0:23:17 | |
-Watch my stuff. -Yeah. | 0:23:17 | 0:23:20 | |
-So, you're staying an extra few days? -What? | 0:23:20 | 0:23:23 | |
I couldn't help but overhear. | 0:23:23 | 0:23:25 | |
So, you're spying on my personal conversations now? Great(!) | 0:23:25 | 0:23:29 | |
Something about the asshole buyers not being completely convinced, | 0:23:29 | 0:23:33 | |
wanting to hear other pitches. | 0:23:33 | 0:23:35 | |
Sorry about that. | 0:23:36 | 0:23:38 | |
I knew things were too good to be true, anyway. | 0:23:38 | 0:23:42 | |
I'm sorry about the circumstances but I'm glad you're still in town. | 0:23:42 | 0:23:45 | |
It gives me an opportunity to say how embarrassed I am about last night. | 0:23:45 | 0:23:50 | |
You see... You see, the thing is... | 0:23:50 | 0:23:52 | |
..I liked you. | 0:23:54 | 0:23:56 | |
I kinda enjoyed talking to someone, you know. Just talking. | 0:23:56 | 0:24:00 | |
-Really? -Yeah. | 0:24:00 | 0:24:03 | |
And yet... | 0:24:03 | 0:24:06 | |
..I tell you about my dead son and you mock it. | 0:24:07 | 0:24:10 | |
I lost my wife. | 0:24:14 | 0:24:17 | |
I was 24 years old. I was drunk. | 0:24:18 | 0:24:21 | |
-I ploughed our car into an oak tree. -Jesus! | 0:24:21 | 0:24:24 | |
Since then, I've soiled my way through life. | 0:24:26 | 0:24:30 | |
I've been a magnificently cold moron. | 0:24:30 | 0:24:33 | |
I run away from anything that remotely resembles an emotion. | 0:24:33 | 0:24:37 | |
Thus, you tell me about your son, | 0:24:37 | 0:24:39 | |
I tell you a joke about a 15-inch schlong. | 0:24:39 | 0:24:42 | |
-So, you can forgive me, right? -Got it! | 0:24:44 | 0:24:47 | |
-Better I remember it now than somewhere over Amarillo. -Right. | 0:24:47 | 0:24:51 | |
-Alright, speak to you manana. -Yeah. Yeah. Yeah. | 0:24:51 | 0:24:55 | |
-It's gonna be alright. -I know. -OK. | 0:24:55 | 0:24:57 | |
Danny! Hey, hey, Danny, wait. | 0:25:04 | 0:25:07 | |
Hey, I've got an extra ticket to the bullfights this afternoon. | 0:25:07 | 0:25:10 | |
It would mean a great deal to me if you would join me. | 0:25:10 | 0:25:14 | |
Oh. | 0:25:14 | 0:25:16 | |
Thank you. Thank you very much. That's very nice of you. | 0:25:16 | 0:25:20 | |
And I... I can't. I can't. I have work. | 0:25:20 | 0:25:23 | |
On a Sunday afternoon? Never seen a bullfight? | 0:25:23 | 0:25:27 | |
No. | 0:25:27 | 0:25:29 | |
You haven't seen the real Mexico City until you've seen a bullfight. | 0:25:29 | 0:25:33 | |
(BOTH CHUCKLE) | 0:25:33 | 0:25:36 | |
Come on. | 0:25:36 | 0:25:38 | |
(DISTANT YELLING) | 0:25:46 | 0:25:48 | |
(ALL YELL) Ole! | 0:25:48 | 0:25:50 | |
Ole! | 0:25:52 | 0:25:53 | |
Ole! | 0:25:53 | 0:25:55 | |
Ole! | 0:25:55 | 0:25:57 | |
Ole! | 0:25:57 | 0:25:59 | |
Ole! | 0:25:59 | 0:26:00 | |
(CHEERING) | 0:26:14 | 0:26:16 | |
Ole! | 0:26:16 | 0:26:18 | |
Ole! | 0:26:18 | 0:26:20 | |
Bean is not gonna believe this. I can't wait to tell her. | 0:26:22 | 0:26:25 | |
(CHUCKLES) Where did you ever find a woman like that? | 0:26:25 | 0:26:29 | |
-A woman you can share everything with. -She's pretty special. | 0:26:29 | 0:26:32 | |
You must be, too. I could learn from you. | 0:26:32 | 0:26:35 | |
Learn what? Do you want my mortgage, my blood pressure? | 0:26:35 | 0:26:39 | |
I've never had my blood pressure taken and I couldn't get a mortgage | 0:26:39 | 0:26:43 | |
for all the teenage twat in Thailand. | 0:26:43 | 0:26:46 | |
-You don't own a house? -No house. | 0:26:46 | 0:26:49 | |
No apartment. No address. | 0:26:49 | 0:26:51 | |
-Are you bullshitting me? -I shit you not. -Monte Cristo? | 0:26:52 | 0:26:56 | |
Er, yeah. Thanks. | 0:26:56 | 0:26:59 | |
You don't have a permanent address? Where do you live? | 0:26:59 | 0:27:02 | |
-I live wherever I'm working. -So, what do you do, Julian? | 0:27:02 | 0:27:05 | |
What do you possibly do? You don't have a permanent home or address. | 0:27:05 | 0:27:10 | |
I'd rather not say. | 0:27:12 | 0:27:15 | |
-Oh, my God, did you see that? -Jeez, that's so bloody! | 0:27:16 | 0:27:21 | |
You're lucky. That matador was good. | 0:27:21 | 0:27:23 | |
-It's worse when they're mediocre. -Why? | 0:27:23 | 0:27:26 | |
A great matador can kill the bull with one plunge of the blade. | 0:27:26 | 0:27:30 | |
A lesser one has to plunge that blade more than once. | 0:27:30 | 0:27:33 | |
That makes the crowd unhappy. | 0:27:33 | 0:27:36 | |
-They don't like to see the bull suffer. -No. | 0:27:36 | 0:27:39 | |
No, no, they clearly care so very much about these animals. | 0:27:39 | 0:27:44 | |
They respect these beasts. They want them to die with honour. | 0:27:44 | 0:27:48 | |
Ridiculous. There's no honour in being killed by a man with a sword, | 0:27:48 | 0:27:51 | |
-whether it's one plunge or 20. -You're wrong. | 0:27:51 | 0:27:54 | |
-You're very wrong. There is honour. -How would you know? | 0:27:54 | 0:27:58 | |
I do. | 0:28:00 | 0:28:02 | |
-You're a mysterious man, Julian. -Uh-huh. | 0:28:05 | 0:28:09 | |
-Yet you won't tell me what you do. -It's confidential. | 0:28:13 | 0:28:17 | |
Confidential? Do you work for the government? | 0:28:18 | 0:28:21 | |
For the government? Please! | 0:28:21 | 0:28:24 | |
Do you know what they pay? Forget it. Watch the picadors. | 0:28:24 | 0:28:28 | |
-Are you a spy or something? -You read too many novels, Danny. | 0:28:28 | 0:28:32 | |
Huh? You a spy? | 0:28:32 | 0:28:34 | |
Huh? | 0:28:34 | 0:28:36 | |
-(SIGHS) -You're not gonna tell me. It's OK. | 0:28:38 | 0:28:41 | |
It's OK. | 0:28:41 | 0:28:44 | |
Alright. | 0:28:44 | 0:28:45 | |
-It's alright. -If I tell you, will you keep your cool? | 0:28:47 | 0:28:51 | |
-What do you mean? -I don't want you to lose your shit. | 0:28:51 | 0:28:55 | |
Lose my shit? | 0:28:55 | 0:28:58 | |
-My God, what are you gonna tell me? -Sometimes... | 0:28:59 | 0:29:02 | |
-Sometimes, what? -Sometimes... | 0:29:09 | 0:29:11 | |
..people need to be eliminated. | 0:29:12 | 0:29:15 | |
Oh, come on! (LAUGHS) | 0:29:18 | 0:29:20 | |
-What, you're a hit man? -Oh, please. Please! | 0:29:22 | 0:29:27 | |
My handler calls me a facilitator. | 0:29:27 | 0:29:31 | |
-A facilitator of fatalities. -That's insane! -Think what you like. | 0:29:32 | 0:29:36 | |
You're one of the best bullshit artists I've met and I've met some. | 0:29:36 | 0:29:41 | |
You're absolutely right, Danny. My name's Earl Johnson. | 0:29:41 | 0:29:45 | |
I sell aluminum siding in Minneapolis. | 0:29:45 | 0:29:48 | |
You kill people for a living? | 0:29:50 | 0:29:52 | |
-I do what I'm asked to do, what makes sense to me. -For, like, the mob? | 0:29:52 | 0:29:57 | |
I tend to be hired on the more, kind of, anonymous high-paying jobs. | 0:29:57 | 0:30:02 | |
Corporate gigs. | 0:30:02 | 0:30:04 | |
Corporate gigs? | 0:30:04 | 0:30:07 | |
I'm a great helper in getting deals closed. | 0:30:08 | 0:30:11 | |
-(LAUGHS) I don't believe you. -I don't believe in the Easter Bunny. | 0:30:14 | 0:30:19 | |
I don't believe you for a second. | 0:30:19 | 0:30:21 | |
-Corporate gigs. -Think what you will. -That's ridiculous! -Yes. | 0:30:21 | 0:30:25 | |
-Corporate gigs! -Yes! My God. | 0:30:25 | 0:30:28 | |
I knew there was a reason I never told anyone what I did. | 0:30:28 | 0:30:31 | |
Uh-huh. | 0:30:31 | 0:30:33 | |
-See that guy over there? -The fat man and little girl? -Yeah. | 0:30:33 | 0:30:37 | |
Say I want him dead. I want him dead, his family dead. Right now. | 0:30:37 | 0:30:42 | |
-Right here. -Now? Couldn't happen. -I know but say that it could. | 0:30:42 | 0:30:45 | |
-Money's no object. -OK. | 0:30:45 | 0:30:48 | |
-Are you sure you want to know? -Yeah. -You're sure? | 0:30:48 | 0:30:51 | |
Yeah, I want you to facilitate it. | 0:30:51 | 0:30:54 | |
-OK, Danny. Alright, come with me. -Where? -Let's go. | 0:30:55 | 0:30:59 | |
(ALL) Ole! | 0:31:02 | 0:31:04 | |
Ole! | 0:31:04 | 0:31:06 | |
Ole! | 0:31:06 | 0:31:09 | |
Ole! | 0:31:10 | 0:31:11 | |
I'm a big fan of the got-to-pee theory of assassinations. | 0:31:12 | 0:31:16 | |
-Got to pee? -Everyone's got to pee. | 0:31:16 | 0:31:19 | |
-Ah. -Now, ask me for a cigarette. | 0:31:19 | 0:31:24 | |
-What? -Do it. | 0:31:24 | 0:31:26 | |
-Can I have a cigarette, please? -Sure. | 0:31:27 | 0:31:30 | |
These things will kill you, you know. (CHUCKLES) | 0:31:30 | 0:31:32 | |
Now, look around. | 0:31:33 | 0:31:36 | |
(COUGHS) They're scary. | 0:31:38 | 0:31:40 | |
-Yes and no. -Why? | 0:31:40 | 0:31:43 | |
They seem more interested in the women coming from the ladies' room. | 0:31:43 | 0:31:47 | |
That's good for us. Just like those men at the concession stand. | 0:31:47 | 0:31:51 | |
They're only interested in us if they see our wallets open. | 0:31:51 | 0:31:55 | |
No-one is watching the men's room. | 0:31:55 | 0:31:58 | |
-The got-to-pee theory. -You're catching on. | 0:31:58 | 0:32:01 | |
-Now, escape routes. -Escape routes? | 0:32:01 | 0:32:04 | |
-Don't get caught. It sucks. -Right. | 0:32:04 | 0:32:07 | |
See the main exit? That's a traffic jam. | 0:32:07 | 0:32:09 | |
-Where else? -You tell me. | 0:32:09 | 0:32:12 | |
OK, OK, that door over there if it weren't locked. | 0:32:12 | 0:32:16 | |
A Vietnamese girl I knew had her legs so locked together, | 0:32:16 | 0:32:20 | |
I couldn't get a whiff of her spring roll. | 0:32:20 | 0:32:22 | |
Two drinks, half a Quaalude later, I was at an all-you-can eat buffet. | 0:32:22 | 0:32:26 | |
Every lock can be broken. | 0:32:26 | 0:32:28 | |
It's just a matter of will. Whether it's worth it. | 0:32:28 | 0:32:31 | |
This looks like it's worth it. | 0:32:32 | 0:32:34 | |
-Cigarrillos, por favor. -Why are we buying the cigarettes? | 0:32:36 | 0:32:40 | |
-Cos I want to smoke. -Gracias. -Come over here. | 0:32:40 | 0:32:44 | |
Now, do your shoe laces up. | 0:32:47 | 0:32:49 | |
What time's our flight to Florida, Seymour? | 0:32:54 | 0:32:57 | |
I think two o'clock, Derek. | 0:32:58 | 0:33:00 | |
Let's go, Seymour. | 0:33:04 | 0:33:06 | |
(BAND PLAYS) | 0:33:06 | 0:33:09 | |
(CROWD ROARS) | 0:33:16 | 0:33:18 | |
-Holy shit! -(LAUGHS) | 0:33:30 | 0:33:33 | |
-Are you ready? -Ready for what? | 0:34:14 | 0:34:16 | |
-You wanted to see what I do. -Yes. | 0:34:16 | 0:34:19 | |
Yes, I've been watching but, you know... | 0:34:19 | 0:34:22 | |
Show-and-tell is over. The real deal's about to start. | 0:34:22 | 0:34:26 | |
-The real deal? -Hmm. | 0:34:27 | 0:34:29 | |
-Show-and-tell is for sissies. -Right. -But a sissy I'm not. | 0:34:31 | 0:34:34 | |
-Oh, my God! -Come on. -My God! Fire! | 0:34:36 | 0:34:38 | |
-Are you crazy? -It's a distraction. Fire or tits. | 0:34:38 | 0:34:41 | |
Either one will distract most cops. | 0:34:41 | 0:34:44 | |
-Ready to finish what we started? -That was extremely dangerous. | 0:34:44 | 0:34:47 | |
-I think you proved your point. -Baloney! | 0:34:47 | 0:34:50 | |
The cops may have gone to the fire. His bodyguard probably stood firm. | 0:34:50 | 0:34:54 | |
-Bodyguard? -If I'm asked to kill a person, they always have a bodyguard. | 0:34:54 | 0:34:58 | |
-I slit the guard's throat. -Christ! | 0:34:58 | 0:35:01 | |
Push him into the bathroom. | 0:35:01 | 0:35:03 | |
Now we set out for the kill. | 0:35:04 | 0:35:06 | |
-Where did you get the knife? -He's not peeing. | 0:35:11 | 0:35:13 | |
-It must be number dos. -Joke's over. Point made, Julian. Let's go. | 0:35:13 | 0:35:17 | |
-Not yet. It's not made. -No, no, the point's made. | 0:35:17 | 0:35:21 | |
-Let's get out of here. -Don't fucking ruin things! Don't. | 0:35:21 | 0:35:25 | |
OK. Julian... | 0:35:31 | 0:35:33 | |
-I'm asking you to stop this! -No way. Job's not done. | 0:35:33 | 0:35:37 | |
-It's not a job! -You said money was no object. | 0:35:37 | 0:35:41 | |
# Bingo was his name-o # This is what you wanted. | 0:35:42 | 0:35:45 | |
-No. -You helped me. -I didn't help you. -Yes, you did! | 0:35:45 | 0:35:48 | |
-Yes, you did. -No. | 0:35:48 | 0:35:50 | |
Oh, God, no! | 0:35:52 | 0:35:55 | |
Oh! Disculpa, por favor. Lo siento. | 0:35:57 | 0:36:00 | |
Fun, eh? (LAUGHS) | 0:36:04 | 0:36:07 | |
Come on. (CHUCKLES) | 0:36:08 | 0:36:11 | |
-Whoo-hoo! That was incredible. -(LAUGHS) | 0:36:11 | 0:36:13 | |
-You scared the hell out of me! -Like that? -Oh! | 0:36:13 | 0:36:16 | |
-I really thought it. -What, that I'd stab a stranger? | 0:36:16 | 0:36:19 | |
-I don't know. -Just like that? | 0:36:19 | 0:36:21 | |
-(LAUGHS) A complete stranger? -Yes! Yes, I did. | 0:36:21 | 0:36:25 | |
-I'm not psychotic, Danny. -I know. | 0:36:25 | 0:36:27 | |
-Psychopathic but not psychotic. -I don't think you're psychopathic. | 0:36:27 | 0:36:30 | |
I kill people. Doesn't that seem a wee bit psychopathic? | 0:36:30 | 0:36:34 | |
-Yeah, but you know... -Don't get the wrong impression. | 0:36:34 | 0:36:37 | |
Just because we shared a laugh doesn't mean I'm not unsavoury. | 0:36:37 | 0:36:40 | |
No, no, what you do is unsavoury. | 0:36:40 | 0:36:42 | |
You know what they say. You are what you do. | 0:36:42 | 0:36:45 | |
-Gracias. -Gracias. | 0:37:01 | 0:37:04 | |
Tell me,... | 0:37:05 | 0:37:08 | |
..will Bean stay with you if this job doesn't come through? | 0:37:08 | 0:37:12 | |
What? | 0:37:12 | 0:37:14 | |
Will Bean stay with you if you continue this losing streak? | 0:37:14 | 0:37:18 | |
-If she ever left me, I'd fall apart. -You're not answering my question. | 0:37:18 | 0:37:22 | |
To be quite honest,... | 0:37:25 | 0:37:27 | |
..I don't know how much faith the woman has left in her. | 0:37:28 | 0:37:32 | |
(EXHALES) Hey. | 0:37:33 | 0:37:35 | |
Hey. | 0:37:35 | 0:37:37 | |
-Comforting me? -(CHUCKLES) | 0:37:38 | 0:37:41 | |
-Let's change the subject, please. -I agree. | 0:37:42 | 0:37:45 | |
-Something sunnier. -Sunnier! | 0:37:45 | 0:37:48 | |
Absolutely! There was something I wanted to talk to you about. | 0:37:49 | 0:37:53 | |
-It's a favour. -Sure. -It's a pretty big favour. -It's OK. | 0:37:53 | 0:37:57 | |
See,... the thing is, I could use your help. | 0:37:57 | 0:38:01 | |
-Help in, what? -I'm down here. | 0:38:02 | 0:38:05 | |
-I finished my other job early so I let it be known. -Let it be known? | 0:38:05 | 0:38:09 | |
Yeah, to the powers that be, that I was available. | 0:38:09 | 0:38:13 | |
-The powers that be? -Yeah. They called me up. | 0:38:13 | 0:38:16 | |
-An urgent thing. Has to happen today. -Another job? | 0:38:16 | 0:38:21 | |
-Uh-huh. -Jesus Christ! | 0:38:21 | 0:38:23 | |
The things is, I could really use your help. | 0:38:23 | 0:38:27 | |
Oh! | 0:38:30 | 0:38:31 | |
-You're kidding right now. -I'm as serious as an erection problem. | 0:38:32 | 0:38:37 | |
-I mean, I... -Gracias. | 0:38:37 | 0:38:39 | |
-I can't help you, Julian. -You could. | 0:38:39 | 0:38:43 | |
I could but I can't. I'm not gonna help you kill an innocent man. | 0:38:43 | 0:38:47 | |
-Who says he's innocent? -Ridiculous. -Just assist. | 0:38:47 | 0:38:50 | |
-No! -You just have to - -I'm not listening. | 0:38:50 | 0:38:52 | |
-I can't hear you. I can't hear you. (CHATTERS) -You're being childish. | 0:38:52 | 0:38:57 | |
-Ooga-shacka. -You're being childish. -Not listening. | 0:38:57 | 0:39:00 | |
-You're being childish. All I'm asking... -Da, da-da, da, da. | 0:39:00 | 0:39:04 | |
Alright, alright. I won't tell you. | 0:39:04 | 0:39:06 | |
-Good. -I won't mention it. | 0:39:06 | 0:39:09 | |
-Great. -Just trip on the street next to him. | 0:39:09 | 0:39:12 | |
-I can't believe you. -Trip so his bodyguards look away. | 0:39:12 | 0:39:17 | |
No way. | 0:39:17 | 0:39:19 | |
-50,000. That's what I've got. -No! -That's a lot of money. Cash. | 0:39:20 | 0:39:24 | |
-It could be real interesting. -No. I said no. -He's a real prick. | 0:39:24 | 0:39:29 | |
I don't give a darn who he is or what he did or anything. | 0:39:29 | 0:39:32 | |
I'm not gonna help you, Julian. I'm not gonna do that. | 0:39:32 | 0:39:36 | |
If you bring it up again, I'll leave. | 0:39:36 | 0:39:39 | |
-Fine. -Fine. -Change the subject. -You. | 0:39:45 | 0:39:48 | |
-Change it. -You. -Fine. -OK. | 0:39:51 | 0:39:54 | |
When I was a kid, I wanted to be a cheerleader. | 0:39:56 | 0:40:00 | |
-Really, a cheerleader? -Yeah. | 0:40:02 | 0:40:05 | |
I wanted to be thrown in the air and march in the band. | 0:40:05 | 0:40:08 | |
-Seriously? -Uh-huh. | 0:40:10 | 0:40:13 | |
That's so funny. My brother-in-law is a male cheerleader - | 0:40:15 | 0:40:19 | |
Jesus Christ, I'm fucking kidding! I didn't want to be a cheerleader. | 0:40:19 | 0:40:23 | |
All I want to do with cheerleaders is shower with them. | 0:40:23 | 0:40:26 | |
I want to talk about what I wanted to talk about. | 0:40:26 | 0:40:29 | |
There's nothing to talk about. | 0:40:29 | 0:40:31 | |
Well, then, it was nice knowing you. | 0:40:34 | 0:40:37 | |
Oh, Julian! Come on! What, are you just leaving? | 0:40:37 | 0:40:41 | |
I've got business to attend to. | 0:40:41 | 0:40:43 | |
-I really thought... -Nothing. Think nothing. | 0:40:43 | 0:40:46 | |
Just consider me the best cocktail-party story you ever met. | 0:40:46 | 0:40:50 | |
Bye, Danny. | 0:40:50 | 0:40:53 | |
Julian! | 0:40:55 | 0:40:57 | |
(PHIL) "Unfortunately, I was right." | 0:41:05 | 0:41:07 | |
"I got in touch with Alejandra. She said her bosses are leaning | 0:41:07 | 0:41:11 | |
towards Cardenas and his group and not us." | 0:41:11 | 0:41:14 | |
"Things might break in our favour. Their instinct was to go with us | 0:41:15 | 0:41:20 | |
but they're getting intense pressure to sign with a Mexican company." | 0:41:20 | 0:41:24 | |
"I'm trying to get Antonia so I can set up one more meeting tomorrow." | 0:41:24 | 0:41:28 | |
"I'll call when I hear something. Hang in there. It's not over yet." | 0:41:28 | 0:41:32 | |
-(ANSWER PHONE BEEPS) -"Es el fin de sus mensajes." | 0:41:32 | 0:41:36 | |
(KNOCK AT DOOR) 'Danny.' | 0:41:57 | 0:41:59 | |
'Danny, it's Julian.' | 0:42:00 | 0:42:03 | |
'Danny, I just want to say I'm sorry.' | 0:42:04 | 0:42:06 | |
'I know it's late and I'm a little fucked up but I'm sorry.' | 0:42:06 | 0:42:10 | |
I'm a mess. I'm a fucker! (CHUCKLES) | 0:42:12 | 0:42:15 | |
Look, I shouldn't have asked you to help me. | 0:42:20 | 0:42:23 | |
I infringed... I infringed on your kindness. | 0:42:23 | 0:42:27 | |
But please, let me tell you I'm sorry. | 0:42:27 | 0:42:30 | |
'Let me apologise.' | 0:42:30 | 0:42:32 | |
'Can't you see how guilty I feel?' | 0:42:32 | 0:42:35 | |
'Danny! Danny!' | 0:42:37 | 0:42:40 | |
(GLASS SHATTERS) | 0:42:40 | 0:42:42 | |
# "It's Not Unusual" - Tom Jones | 0:42:48 | 0:42:50 | |
Oh, yeah, yeah! Oh, yes. | 0:42:50 | 0:42:53 | |
# It's not unusual to be loved by anyone | 0:42:58 | 0:43:02 | |
(DOG GROWLS) | 0:43:02 | 0:43:04 | |
# It's not unusual to have fun with anyone | 0:43:04 | 0:43:07 | |
# But when I see you hanging about with anyone | 0:43:08 | 0:43:12 | |
# It's not unusual to see me cry | 0:43:13 | 0:43:17 | |
# I wanna die | 0:43:17 | 0:43:20 | |
# It's not unusual to go out at any time | 0:43:21 | 0:43:25 | |
# But when I see you out and about | 0:43:26 | 0:43:28 | |
# It's such a crime | 0:43:28 | 0:43:31 | |
# If you should ever wanna be loved by anyone | 0:43:31 | 0:43:35 | |
# It's not unusual, it happens every day | 0:43:35 | 0:43:39 | |
# No matter what you say | 0:43:40 | 0:43:43 | |
(BELL CHIMES) | 0:43:43 | 0:43:45 | |
(GENTLE CLASSICAL MUSIC) | 0:43:50 | 0:43:52 | |
Hello, Julian. | 0:44:17 | 0:44:19 | |
Getting some culture? | 0:44:19 | 0:44:21 | |
-Any time I can. -You look tired. | 0:44:23 | 0:44:26 | |
-I am. I need a break. -What are you saying, Julian? | 0:44:27 | 0:44:32 | |
Moscow, Las Vegas, Vienna, the Philippines. | 0:44:32 | 0:44:35 | |
-Now Budapest. I'm exhausted. -You know what it's like. | 0:44:35 | 0:44:39 | |
You take a break, we go with a younger, cheaper kid. | 0:44:39 | 0:44:42 | |
He does alright and then maybe we don't want you back. | 0:44:42 | 0:44:46 | |
-You'll always want me. -No, no, not always. | 0:44:46 | 0:44:50 | |
Not if we can save a few dollars. | 0:44:50 | 0:44:52 | |
Not if it gets sloppy again, like in Manila. | 0:44:53 | 0:44:56 | |
-That was one time. -It made some people nervous. | 0:44:56 | 0:44:59 | |
-It made me nervous. -That's why I need a break. | 0:44:59 | 0:45:02 | |
I don't want that to happen again. | 0:45:02 | 0:45:04 | |
-It can't. -I know, that's what I'm saying. I'm feeling burnt out. | 0:45:04 | 0:45:08 | |
I'm feeling... shaky. | 0:45:08 | 0:45:11 | |
Can you believe this shit, the words coming out of my mouth? | 0:45:12 | 0:45:16 | |
-Did you ever think you'd live to see the day? -I never thought you would. | 0:45:18 | 0:45:22 | |
There's not a retirement home for assassins, is there? | 0:45:22 | 0:45:25 | |
Archery at 4:00. Riflery at 5:00. Early-bird dinner at 6:00. | 0:45:25 | 0:45:29 | |
Goddamn it, you leave the game, even for a while, | 0:45:29 | 0:45:32 | |
I don't know if they'll let you back in. Then what are you gonna do? | 0:45:32 | 0:45:35 | |
Waste your days picking up illiterate teenagers | 0:45:35 | 0:45:38 | |
for suck-and-fuck sessions? | 0:45:38 | 0:45:41 | |
-Sounds delightful to me. -Julian, do this job. | 0:45:41 | 0:45:44 | |
-If you don't, you'll regret it. I promise you that. -How do you know? | 0:45:44 | 0:45:48 | |
Just do it, Julian. Please do it. OK? | 0:45:53 | 0:45:56 | |
(GASPS) | 0:47:28 | 0:47:30 | |
(PANTS) | 0:47:44 | 0:47:46 | |
(GUNSHOT) | 0:47:59 | 0:48:01 | |
(BELLS CHIME) | 0:48:03 | 0:48:05 | |
We have a problem, Mr Randy. | 0:48:17 | 0:48:19 | |
The problem is Julian Noble. | 0:48:19 | 0:48:22 | |
It seems he didn't deliver the portfolio. | 0:48:22 | 0:48:25 | |
You know, it says it took 53 years to paint this ceiling. | 0:48:26 | 0:48:32 | |
People are upset, Mr Randy. | 0:48:34 | 0:48:37 | |
Mr Stick is upset. | 0:48:37 | 0:48:39 | |
-Mr Stick knows? -Mr Stick knows. | 0:48:41 | 0:48:44 | |
Well, he knows we can fix it. | 0:48:46 | 0:48:49 | |
-I'm just the messenger. -But he knows we can fix it. | 0:48:52 | 0:48:56 | |
-We always fix any problems. -You can't fix it with Noble. | 0:48:56 | 0:48:59 | |
Ladies. | 0:49:00 | 0:49:02 | |
Alright, I'll replace him. | 0:49:03 | 0:49:05 | |
No. Yes. | 0:49:05 | 0:49:08 | |
You'll replace him but, no. | 0:49:08 | 0:49:11 | |
Mr Stick has asked for other things. | 0:49:11 | 0:49:15 | |
No, it's ridiculous. Julian's been with us for 22 years. | 0:49:15 | 0:49:19 | |
-Two little mistakes... -Julian Noble is a dead man. | 0:49:19 | 0:49:24 | |
-(GRUNTING) Oh, yeah! -(DRYER RUMBLES) | 0:49:33 | 0:49:35 | |
-That's it, Danny. -Oh, yeah! | 0:49:35 | 0:49:38 | |
-That's my Danny boy. -Oh, yeah! | 0:49:38 | 0:49:40 | |
(MOANS) | 0:49:40 | 0:49:42 | |
Oh, Danny boy. Oh! | 0:49:43 | 0:49:46 | |
-(GRUNTS) -(MOANS) | 0:49:46 | 0:49:48 | |
(SIGHS) Excellent. | 0:49:55 | 0:49:57 | |
-(LOUD BUZZING / DRYER STOPS) -Laundry's done. | 0:49:58 | 0:50:02 | |
Tomorrow's four years. | 0:50:16 | 0:50:18 | |
I know. | 0:50:19 | 0:50:21 | |
It's such a long time when you think about it. | 0:50:23 | 0:50:26 | |
It seems like yesterday, right? | 0:50:29 | 0:50:32 | |
Henry was alive. | 0:50:33 | 0:50:36 | |
Here. | 0:50:36 | 0:50:38 | |
When I was in high school, I told you they made fun of me. | 0:50:43 | 0:50:47 | |
They called me Hippo Hips and Plate Of Beans, the works. | 0:50:47 | 0:50:53 | |
Even though I did basketball and chorus | 0:50:55 | 0:50:59 | |
and I had a few friends, and I acted strong,... I never was. | 0:50:59 | 0:51:05 | |
Because I believed them, always, every last cruel word. | 0:51:08 | 0:51:11 | |
And I... I always thought I would believe them. | 0:51:13 | 0:51:16 | |
Until I met you. | 0:51:18 | 0:51:20 | |
You arrived in 12th grade. | 0:51:23 | 0:51:26 | |
And you told me that I was pretty. | 0:51:28 | 0:51:32 | |
For the first time, I believed that. | 0:51:32 | 0:51:34 | |
You told me that I was sexy. | 0:51:34 | 0:51:37 | |
You were sexy back there on the dryer. | 0:51:38 | 0:51:41 | |
And when Henry died, | 0:51:41 | 0:51:44 | |
you told me to stay strong... | 0:51:44 | 0:51:47 | |
..and that we would get through it. | 0:51:48 | 0:51:51 | |
And we did. | 0:51:52 | 0:51:55 | |
We did. | 0:51:56 | 0:51:58 | |
-Because you never gave up on me. -I never could. | 0:52:06 | 0:52:09 | |
I never will. | 0:52:10 | 0:52:13 | |
(DOORBELL CHIMES) | 0:52:21 | 0:52:24 | |
Who could that be at 11:30 at night? | 0:52:25 | 0:52:27 | |
(DOORBELL CHIMES) | 0:52:29 | 0:52:31 | |
(KNOCK AT DOOR) | 0:52:31 | 0:52:34 | |
-(THUDDING AT DOOR) -Yeah? | 0:52:34 | 0:52:36 | |
-'Danny Wright?' -Yes. Who's there? | 0:52:36 | 0:52:40 | |
'Danny, Danny!' | 0:52:40 | 0:52:43 | |
Danny with the large white fanny! | 0:52:43 | 0:52:46 | |
-Julian! -'Would you mind opening up, Danny?' | 0:52:47 | 0:52:50 | |
'It's freezing out here. My balls are like bonbons.' | 0:52:50 | 0:52:53 | |
(LAUGHS) | 0:52:54 | 0:52:57 | |
I was praying you'd remember me. It's been a spell. | 0:52:58 | 0:53:02 | |
-(CHUCKLES) -Please, come on in. -Thank you. Thank you. | 0:53:02 | 0:53:06 | |
(CHUCKLES) | 0:53:08 | 0:53:10 | |
-Hey! -I decided to... | 0:53:13 | 0:53:16 | |
-How did you find me? -I found a whore with a heart of gold once. | 0:53:16 | 0:53:20 | |
I can certainly find Danny's card in my address book. (CHUCKLES) | 0:53:20 | 0:53:25 | |
-Oh, excuse me. I didn't realise. -It's OK. | 0:53:25 | 0:53:29 | |
You must be Bean. | 0:53:30 | 0:53:33 | |
My wife. | 0:53:33 | 0:53:35 | |
Oh, this... | 0:53:35 | 0:53:37 | |
My boots... | 0:53:39 | 0:53:41 | |
-I've heard so much about you. -And me you. | 0:53:42 | 0:53:46 | |
There's no doubt you're every bit as lovely as Danny said. (CHUCKLES) | 0:53:50 | 0:53:55 | |
Danny! I always said you were the luckiest man I ever met. | 0:53:55 | 0:53:59 | |
Well... | 0:54:02 | 0:54:04 | |
What are you doing here, Julian? | 0:54:07 | 0:54:10 | |
I really don't know. I don't know. | 0:54:20 | 0:54:24 | |
I hope it's alright my being here. I guess it's the middle of the night. | 0:54:26 | 0:54:31 | |
-Yes. -Well... | 0:54:31 | 0:54:33 | |
I could sure use some coffee. Just a cup. | 0:54:33 | 0:54:37 | |
Yes, alright. | 0:54:38 | 0:54:40 | |
-I can get some coffee. -That'd be great. | 0:54:40 | 0:54:43 | |
-Or maybe some whiskey. -That's even better. | 0:54:43 | 0:54:45 | |
-Mmm! -Tonight's a night for whiskey. -And song and dance. | 0:54:45 | 0:54:50 | |
Well, whiskey at least. | 0:54:51 | 0:54:54 | |
This is really odd. Really, really odd. | 0:54:56 | 0:55:00 | |
-I could ask him to leave. -We just asked him to stay. | 0:55:01 | 0:55:04 | |
-We could change our minds. -Why? Do you think he's dangerous? | 0:55:05 | 0:55:10 | |
He's an assassin, Bean. Of course he's dangerous. | 0:55:11 | 0:55:14 | |
But I mean dangerous dangerous. You said he was a nice guy. | 0:55:14 | 0:55:17 | |
He is. For an assassin, he's very nice. | 0:55:17 | 0:55:21 | |
Fuck! | 0:55:22 | 0:55:24 | |
Fuckity fuck! | 0:55:24 | 0:55:26 | |
What? I'm allowed to curse. Especially now. If not now, when? | 0:55:26 | 0:55:31 | |
True. | 0:55:31 | 0:55:32 | |
This is the fucking perfect time to be fucking cursing. | 0:55:32 | 0:55:36 | |
There's a fucking killer standing in our fucking living room. | 0:55:36 | 0:55:40 | |
Do you think he would show me his gun? | 0:55:43 | 0:55:46 | |
A toast, maybe? | 0:55:52 | 0:55:54 | |
To a stranger arriving in the middle of the night. | 0:55:55 | 0:55:59 | |
-Well, you're not a stranger. -No, I'm pretty strange. | 0:55:59 | 0:56:02 | |
Be that as it may, you're not a stranger, Julian. Far from it. | 0:56:02 | 0:56:06 | |
The toast really should be to you, Danny. | 0:56:06 | 0:56:09 | |
And to you, Bean. | 0:56:09 | 0:56:11 | |
For your hospitality and your warmth. | 0:56:11 | 0:56:14 | |
-(COUGHS) -(CLEARS THROAT / CHUCKLES) -I never thought I'd see you again. | 0:56:21 | 0:56:26 | |
I never thought I'd see you again, Danny. | 0:56:26 | 0:56:28 | |
Well, things... | 0:56:28 | 0:56:31 | |
Things change. | 0:56:31 | 0:56:33 | |
They just change. | 0:56:33 | 0:56:36 | |
Is that...? | 0:56:36 | 0:56:38 | |
-You saved it. -I did. | 0:56:39 | 0:56:42 | |
-You saved it. I can't believe it. -He still talks about that all time. | 0:56:42 | 0:56:46 | |
-No. It's... -It touches me that you kept it. | 0:56:46 | 0:56:50 | |
-How could I not? -That was a special day. | 0:56:50 | 0:56:53 | |
-Yes. -So, Danny told you what I did? | 0:56:53 | 0:56:56 | |
Professionally? | 0:56:56 | 0:56:58 | |
Did you bring your gun? | 0:57:00 | 0:57:02 | |
Yes, as a matter of fact. | 0:57:03 | 0:57:06 | |
-May I see it? -Really? | 0:57:06 | 0:57:09 | |
-Yes, please. -He's not just gonna... -Here you go. -OK. | 0:57:09 | 0:57:13 | |
-That a .38? -Yes, it is. | 0:57:21 | 0:57:24 | |
-You know your guns, Bean. -Yes, well... | 0:57:25 | 0:57:29 | |
-My God! You are a magnificent woman. -(CHUCKLES) | 0:57:29 | 0:57:33 | |
Bean knows a lot of things about a lot of things. | 0:57:35 | 0:57:38 | |
Bean, tell me, | 0:57:38 | 0:57:40 | |
did Danny tell you everything about our time in Mexico together? | 0:57:40 | 0:57:44 | |
Yes, I'm sure. Why? | 0:57:44 | 0:57:46 | |
Oh. | 0:57:47 | 0:57:49 | |
My God, you look great, Danny. (CHUCKLES) Really great. | 0:57:51 | 0:57:55 | |
-You do, too, Julian. -No, no. | 0:57:55 | 0:57:58 | |
I look like a Bangkok hooker the morning after the Navy left town. | 0:57:58 | 0:58:02 | |
But you, life's been good to you, am I right? | 0:58:02 | 0:58:06 | |
-Pretty good, yeah. -Your work? | 0:58:06 | 0:58:08 | |
-You have that respect you wanted back again? -I do. -Yeah? | 0:58:08 | 0:58:13 | |
-So, you got that job in Mexico? -We did. | 0:58:13 | 0:58:16 | |
And your luck? It's better, right? No more trees in the kitchen? | 0:58:16 | 0:58:20 | |
-(ALL LAUGH) -You told him about that? | 0:58:20 | 0:58:23 | |
And you love Bean more than ever. | 0:58:23 | 0:58:26 | |
-That I do. -Then, what more could you want? | 0:58:26 | 0:58:30 | |
Here's a toast. To a man with respect again. | 0:58:31 | 0:58:35 | |
To a woman who's more lovely than any man deserves. | 0:58:36 | 0:58:39 | |
And to me. (GLASSES CHINK) | 0:58:40 | 0:58:42 | |
-What is the toast to you for? -Toast to a dead man, Bean. | 0:58:42 | 0:58:46 | |
Toast to a dead man. | 0:58:47 | 0:58:49 | |
About three months ago, I had this job in Manila. | 0:58:52 | 0:58:55 | |
Normally, this would make me happy. I like the hot climate. | 0:58:56 | 0:58:59 | |
Guys look like chicks. It's fucking fantastic. | 0:58:59 | 0:59:02 | |
The thing was, I was burnt out. I didn't know it. | 0:59:02 | 0:59:06 | |
I didn't know what burnt out meant at the time. But I was. | 0:59:06 | 0:59:10 | |
I was a classic textbook case. | 0:59:10 | 0:59:13 | |
'I was having panic attacks, completely losing control of myself.' | 0:59:19 | 0:59:23 | |
'I tried to counter this with booze, of course, but nothing was working.' | 0:59:23 | 0:59:27 | |
'I drank and drank and...' | 0:59:27 | 0:59:29 | |
'Nothing! I was still feeling edgy.' | 0:59:31 | 0:59:33 | |
'Still feeling like my head was going to explode.' | 0:59:33 | 0:59:36 | |
'So I moved on to my other usual diversions, | 0:59:36 | 0:59:41 | |
a wonderful little whorehouse I knew right off of Robini Street.' | 0:59:41 | 0:59:45 | |
'That wasn't working either. And a good fuck usually does.' | 0:59:46 | 0:59:51 | |
-Excuse my French. -Go on. | 0:59:51 | 0:59:54 | |
So I had this assignment. Nothing special. | 0:59:54 | 0:59:56 | |
Some copper-wire executive someone doesn't want around. My usual gig. | 0:59:56 | 1:00:01 | |
Well, I knew that this copper-wire guy | 1:00:01 | 1:00:04 | |
always came to a little outdoor market every Thursday to buy fruit. | 1:00:04 | 1:00:08 | |
'The guy liked his fruit.' | 1:00:10 | 1:00:12 | |
'It was a simple plan.' | 1:00:18 | 1:00:20 | |
'As he walks through the crowds, I bump into him and stab him.' | 1:00:20 | 1:00:25 | |
'The thing was, I was still a mess.' | 1:00:34 | 1:00:38 | |
'Every time I looked at the guy, I didn't see him, | 1:00:40 | 1:00:43 | |
but I saw a little boy instead.' | 1:00:43 | 1:00:46 | |
'And it wasn't just any boy.' | 1:00:53 | 1:00:57 | |
'It was me.' | 1:00:57 | 1:00:59 | |
Me as a child. | 1:00:59 | 1:01:01 | |
Freaky shit, right? | 1:01:04 | 1:01:06 | |
'Real nervous-breakdown sort of stuff.' | 1:01:08 | 1:01:11 | |
'I still readied the knife, I still prepared for the job but...' | 1:01:17 | 1:01:22 | |
'I couldn't do it. I just couldn't do it.' | 1:01:25 | 1:01:29 | |
-Then what happened? -I woke up in a pile of donkey shit. | 1:01:40 | 1:01:44 | |
'I fainted.' | 1:01:44 | 1:01:46 | |
I guess I landed in a pile of donkey shit. | 1:01:46 | 1:01:50 | |
(BRAYING) | 1:01:50 | 1:01:52 | |
And since then, it's been extremely hot and cold. | 1:01:54 | 1:01:58 | |
Some jobs go OK, others not so OK. | 1:01:58 | 1:02:02 | |
A few weeks ago, I fucked up again in Budapest. | 1:02:04 | 1:02:08 | |
Froze right at the moment I should've been firing. | 1:02:08 | 1:02:11 | |
I didn't finish the job. And that was that. | 1:02:12 | 1:02:16 | |
Now it's just a matter of time. | 1:02:17 | 1:02:19 | |
Well, isn't there somebody that you can talk to? | 1:02:20 | 1:02:23 | |
Like Mary Beth in Human Resources? | 1:02:23 | 1:02:26 | |
Come on, this is insane. They're gonna kill you for botching a job? | 1:02:26 | 1:02:30 | |
-Uh-huh. -Well, can't you just say to them, | 1:02:30 | 1:02:34 | |
"You know what? I'm sorry. I was a little burnt out | 1:02:34 | 1:02:39 | |
and I'm a little messed up." Can't you do that? | 1:02:39 | 1:02:42 | |
But you were seeing images of yourself as a small boy. | 1:02:43 | 1:02:47 | |
If that's not a Freudian meltdown, I don't know what is. | 1:02:47 | 1:02:50 | |
-Certainly they have to see that. -No, they don't. They don't. | 1:02:50 | 1:02:54 | |
I mean, I'd be dead today | 1:02:54 | 1:02:57 | |
if my handler hadn't tipped me off on the company plans. | 1:02:57 | 1:03:00 | |
I barely got out of Budapest alive. | 1:03:00 | 1:03:03 | |
And how did you end up here, in Denver? | 1:03:03 | 1:03:07 | |
It's funny. | 1:03:10 | 1:03:12 | |
Some people run home in a time of crisis. | 1:03:13 | 1:03:16 | |
My problem, the problem I shared with Danny in Mexico, | 1:03:17 | 1:03:21 | |
is that I don't have a home. | 1:03:21 | 1:03:23 | |
I mean,... that's why I'm here. | 1:03:24 | 1:03:28 | |
-You're the only friend I have. -Oh! | 1:03:30 | 1:03:34 | |
But that's ridiculous. You have... You have friends. | 1:03:34 | 1:03:38 | |
I don't. I really don't. | 1:03:41 | 1:03:44 | |
You're it. (LAUGHS) | 1:03:45 | 1:03:48 | |
It's fucking crazy, right? | 1:03:48 | 1:03:50 | |
You're my only friend and I barely know you. (LAUGHS) | 1:03:50 | 1:03:54 | |
This home... | 1:03:54 | 1:03:57 | |
Your home... | 1:03:59 | 1:04:01 | |
It's the only home I know. | 1:04:02 | 1:04:05 | |
'God, she's really fantastic, Danny.' | 1:04:07 | 1:04:11 | |
She's lovely. | 1:04:11 | 1:04:13 | |
-She's everything to me. -Yeah, you said that in Mexico. | 1:04:13 | 1:04:17 | |
I nodded and listened. | 1:04:18 | 1:04:20 | |
But now I see. | 1:04:20 | 1:04:23 | |
I see. | 1:04:24 | 1:04:26 | |
You were right. | 1:04:27 | 1:04:29 | |
You told her everything that happened in Mexico? | 1:04:33 | 1:04:36 | |
I told her about our time together, yes. | 1:04:38 | 1:04:41 | |
And where does that story end? | 1:04:43 | 1:04:46 | |
She knows the last I heard of you you were knocking on my hotel room | 1:04:49 | 1:04:53 | |
asking forgiveness for trying to involve me in a job. | 1:04:53 | 1:04:56 | |
That's what you said, | 1:04:59 | 1:05:01 | |
that I knocked and knocked and you never answered? | 1:05:01 | 1:05:06 | |
Yes. | 1:05:07 | 1:05:09 | |
Gentlemen. | 1:05:11 | 1:05:13 | |
-I'm a bit drunk. -(CHUCKLES) | 1:05:14 | 1:05:16 | |
That's a nice place to be. | 1:05:16 | 1:05:19 | |
Julian, you will stay the night of course. | 1:05:19 | 1:05:22 | |
Thank you, Bean. I promise I'll be out of here tomorrow. | 1:05:22 | 1:05:26 | |
Let's not talk about that now. You know, I don't think | 1:05:26 | 1:05:30 | |
I've been up with a guest until 2:30 in the morning in a long time. | 1:05:30 | 1:05:33 | |
-It's good, right? -Oh, it's very good. | 1:05:33 | 1:05:36 | |
-Hey, can I turn on your stereo? -Sure. Now? | 1:05:36 | 1:05:40 | |
I saw a record I wanted to hear, In The Wee Small Hours Of The Morning, | 1:05:40 | 1:05:44 | |
since we're in the wee small hours of the morning. | 1:05:44 | 1:05:48 | |
-Is that OK? -Certainly, I guess. | 1:05:48 | 1:05:51 | |
# "In The Wee Small Hours Of The Morning" - Dave Van Norden | 1:05:54 | 1:05:58 | |
-Danny -Hmm? | 1:06:06 | 1:06:08 | |
I hope you approve, but I'd really like to ask your wife to dance. | 1:06:08 | 1:06:13 | |
Julian, you have had too much to drink. | 1:06:16 | 1:06:19 | |
Bean, please, may I have this dance? | 1:06:21 | 1:06:25 | |
# In the wee small hours of the morning | 1:06:25 | 1:06:31 | |
# While the whole wide world is fast asleep | 1:06:32 | 1:06:38 | |
# You lie awake | 1:06:41 | 1:06:44 | |
# And think about the girl | 1:06:44 | 1:06:48 | |
# And never ever think of counting sheep | 1:06:49 | 1:06:56 | |
# When your lonely heart has learned its lesson | 1:06:57 | 1:07:04 | |
# You'd be hers if only she would call | 1:07:06 | 1:07:13 | |
# In the wee small hours of the morning | 1:07:13 | 1:07:20 | |
-# That's the time... -Bravo! | 1:07:22 | 1:07:24 | |
-(CHUCKLES) -Bravo! | 1:07:24 | 1:07:27 | |
I learned to dance in a South American jail by a man named Morales. | 1:07:29 | 1:07:32 | |
Anyway, that's another story. Another time. | 1:07:32 | 1:07:35 | |
A final nightcap. | 1:07:35 | 1:07:36 | |
I can't think of the headache I'm gonna have. Then don't. | 1:07:36 | 1:07:39 | |
Or do. Take three aspirins and a raw egg before you go to bed. | 1:07:39 | 1:07:43 | |
Where did you hear that one, The Assassin's Book Of Home Remedies? | 1:07:43 | 1:07:47 | |
(ALL LAUGH) | 1:07:47 | 1:07:49 | |
The only woman I ever loved, my mother. | 1:07:51 | 1:07:55 | |
-What about your wife? -Hmm? | 1:07:56 | 1:07:58 | |
My wife? | 1:07:58 | 1:08:00 | |
Danny told me that she died in a car accident. You loved her. | 1:08:00 | 1:08:05 | |
Oh, my God! I can't believe this! | 1:08:17 | 1:08:20 | |
(SIGHS) I was never married. | 1:08:20 | 1:08:22 | |
-I can't believe this. -There wasn't a car accident? -No. | 1:08:22 | 1:08:26 | |
I'd been insensitive about your son. I was trying to win Danny over. | 1:08:26 | 1:08:29 | |
-It was juvenile, stupid. -I'm the one that was stupid. | 1:08:29 | 1:08:33 | |
No. You're not stupid. I'm a prick. | 1:08:33 | 1:08:35 | |
It's me, not you. | 1:08:35 | 1:08:37 | |
I could've kept lying to you but I chose not to as a sign of respect | 1:08:37 | 1:08:42 | |
-because, well, now we're friends. -Oh! | 1:08:42 | 1:08:46 | |
We are friends, aren't we? | 1:08:46 | 1:08:48 | |
So, what other bullshit did you pour over me? | 1:08:48 | 1:08:51 | |
Are you even a hit man, Julian? | 1:08:51 | 1:08:53 | |
A facility fatalitator, whatever the fuck you call yourself. | 1:08:53 | 1:08:57 | |
Yes, I am. To answer you question, Danny. | 1:08:57 | 1:09:00 | |
I lie when I need to, tell the truth when I can. | 1:09:00 | 1:09:03 | |
With you,... it's mostly been the truth. | 1:09:03 | 1:09:08 | |
Shall I go? | 1:09:17 | 1:09:19 | |
-No. -No. | 1:09:23 | 1:09:26 | |
(LAUGHS) Aren't we fucking cosmopolitan? | 1:09:31 | 1:09:35 | |
Having a trained assassin stay over the night. | 1:09:35 | 1:09:39 | |
Letting heartbreaking lies | 1:09:39 | 1:09:41 | |
just roll over us like the summer breeze. | 1:09:41 | 1:09:45 | |
Next, we shall be wife swapping. | 1:09:45 | 1:09:47 | |
You don't have a wife, remember? | 1:09:49 | 1:09:52 | |
(BOTH LAUGH) | 1:09:54 | 1:09:56 | |
(LAUGHS) | 1:09:56 | 1:09:59 | |
That's a good point. | 1:09:59 | 1:10:01 | |
(WHISPERS) Danny. | 1:10:16 | 1:10:18 | |
Danny. | 1:10:19 | 1:10:20 | |
-(LOUDER) Danny. -Oh! I want chicken. | 1:10:26 | 1:10:29 | |
Come on. I've got to talk to you. | 1:10:29 | 1:10:31 | |
-What is it? What do you want? -I can't talk about it here. | 1:10:35 | 1:10:39 | |
-What? -Come on. | 1:10:40 | 1:10:42 | |
OK, Julian. We're in your rent-a-car. What is it? | 1:10:44 | 1:10:48 | |
The thing is, Danny, the thing I didn't tell you,... | 1:10:48 | 1:10:52 | |
..the thing that I omitted because Bean was present, | 1:10:53 | 1:10:56 | |
was that I've been offered a way out of my fatal predicament. | 1:10:56 | 1:11:00 | |
-Well, that's good. -I know. I know. -No, that's really good. What is it? | 1:11:01 | 1:11:06 | |
My handler, Mr Randy, contacted me like he always does | 1:11:06 | 1:11:09 | |
with an ad in the International Tribune for cat-sitters in Bali. | 1:11:09 | 1:11:13 | |
Is that how you stay in contact, cat-sitter ads? | 1:11:13 | 1:11:16 | |
-Yeah. -OK, you know, this is ridiculous. | 1:11:16 | 1:11:20 | |
-I'm so tired, Julian. -He contacted me four days ago. | 1:11:20 | 1:11:23 | |
Basically, he said he'd been to the higher-ups and got me a reprieve. | 1:11:23 | 1:11:28 | |
Well, like I said, that's great news. | 1:11:28 | 1:11:31 | |
The thing is,... he's asked me to do one more job. | 1:11:31 | 1:11:36 | |
-I have no choice. It's do the job or else. -Alright. | 1:11:36 | 1:11:39 | |
That brings us to the dirty little problem. | 1:11:39 | 1:11:42 | |
Alright. | 1:11:44 | 1:11:46 | |
What's the problem? | 1:11:46 | 1:11:48 | |
It's a pretty big problem. and you're not going to like it. | 1:11:48 | 1:11:51 | |
-I'm not going to like it? -Not at all. | 1:11:51 | 1:11:54 | |
Because the job involves you. | 1:11:55 | 1:11:59 | |
You're not saying what I think you're saying. | 1:12:03 | 1:12:05 | |
What do you think I'm saying? | 1:12:05 | 1:12:07 | |
You know what I think you're saying. | 1:12:07 | 1:12:10 | |
No. I don't think I know what you think I'm saying. | 1:12:10 | 1:12:14 | |
Does somebody want me dead? | 1:12:16 | 1:12:19 | |
-No. -What's that? -No-one wants you dead, Danny. | 1:12:28 | 1:12:31 | |
-Jesus! -(WHIMPERS) You got your gun cocked. | 1:12:31 | 1:12:35 | |
No, no. | 1:12:35 | 1:12:38 | |
You were doing that. | 1:12:38 | 1:12:40 | |
-I need your help in facilitating a fatality. -What? | 1:12:40 | 1:12:43 | |
-I need your help. -No, my help is exactly what you don't need. | 1:12:43 | 1:12:47 | |
I'm a mess, Danny. I'm a complete mess. | 1:12:47 | 1:12:50 | |
I don't know if I can this job by myself. | 1:12:50 | 1:12:52 | |
Talk to somebody else, a colleague. | 1:12:52 | 1:12:55 | |
-I don't know any colleagues. -You must. -I don't. | 1:12:55 | 1:12:57 | |
Well, I can't help you. | 1:12:57 | 1:12:59 | |
-I know you're not the ideal candidate. -Ideal? | 1:12:59 | 1:13:02 | |
I'm far, far from ideal, Julian. | 1:13:02 | 1:13:05 | |
Remember my reaction last time you proposed something this asinine? | 1:13:05 | 1:13:08 | |
I was trying to show you a good time. | 1:13:08 | 1:13:11 | |
-Killing somebody is a good time? -Can be. | 1:13:11 | 1:13:15 | |
-I'm going to sleep. -Danny, come on. -You don't need a second person. | 1:13:15 | 1:13:19 | |
-You've done these things yourself. -Some jobs are better with two men. | 1:13:19 | 1:13:23 | |
I think it's better if the second man isn't scared shitless | 1:13:23 | 1:13:27 | |
and unprepared and unqualified and uninterested. | 1:13:27 | 1:13:30 | |
-I'm going to go to bed, Julian. -I'm in a very dangerous position. | 1:13:30 | 1:13:34 | |
I'm in no shape to try this myself. | 1:13:34 | 1:13:36 | |
An assassin without confidence is a horrible thing. | 1:13:36 | 1:13:39 | |
It's like a relief pitcher who fumbles the ball. | 1:13:39 | 1:13:43 | |
Please tell me you know you mixed two sports in your metaphor. | 1:13:43 | 1:13:46 | |
I can't do that. | 1:13:46 | 1:13:48 | |
Danny, please! I need your help. Someone's going to die. | 1:13:51 | 1:13:55 | |
A stranger or me, which would you rather? | 1:13:55 | 1:13:58 | |
Look, if I can do the job successfully, I'm free and clear. | 1:13:59 | 1:14:03 | |
Free and clear. | 1:14:03 | 1:14:05 | |
I can retire to a beautiful Greek island with beautiful Greeks. | 1:14:05 | 1:14:09 | |
-Heaven awaits me if you and I do this job. -I can't | 1:14:09 | 1:14:13 | |
-Damn it, Danny! You're my only friend. -Oh, Julian! -It's true. | 1:14:13 | 1:14:18 | |
And... Oh! | 1:14:18 | 1:14:20 | |
-And, what? -And... | 1:14:20 | 1:14:23 | |
(SIGHS) | 1:14:23 | 1:14:25 | |
You owe me. | 1:14:25 | 1:14:27 | |
If this were to happen, when would it take place? | 1:14:31 | 1:14:34 | |
Today, at the horse races. | 1:14:34 | 1:14:36 | |
-Today? -Yeah, Arizona. | 1:14:37 | 1:14:39 | |
-No, that couldn't happen. -Sorry, no choice. | 1:14:39 | 1:14:42 | |
No, today is the four-year anniversary of my son Henry's death. | 1:14:42 | 1:14:47 | |
-We go to the cemetery. -What time does the cemetery close? | 1:14:47 | 1:14:50 | |
I don't know. | 1:14:50 | 1:14:53 | |
We'll have you back here 4:30, flowers in hand, I promise. | 1:14:53 | 1:14:57 | |
Oh, you will? How will you do that, Julian? | 1:14:57 | 1:15:00 | |
We have a 7:40 plane reservation to Tucson this morning. | 1:15:00 | 1:15:04 | |
-Plenty of time to catch the 2:30 back. -We do? -I made it yesterday. | 1:15:04 | 1:15:08 | |
First class. Real fancy. | 1:15:08 | 1:15:10 | |
Chop-chop. Upstairs. Get dressed. Make a story up to Bean. | 1:15:10 | 1:15:14 | |
We've got to get this road on the show, eh? Danny. | 1:15:14 | 1:15:19 | |
# "Heat Of The Moment" - Asia | 1:15:22 | 1:15:25 | |
# I never meant to be so bad to you | 1:15:31 | 1:15:35 | |
# One thing I said that I would never do | 1:15:36 | 1:15:40 | |
# A look from you and I would fall from grace | 1:15:41 | 1:15:44 | |
# And that would wipe the smile right from my face | 1:15:45 | 1:15:51 | |
# Do you remember when we used to dance? | 1:15:52 | 1:15:55 | |
# And incidents arose from circumstance | 1:15:56 | 1:16:00 | |
# One thing led to another, we were young | 1:16:01 | 1:16:04 | |
# And we would scream together songs unsung | 1:16:05 | 1:16:10 | |
# It was the heat of the moment | 1:16:11 | 1:16:14 | |
# Telling you what your heart meant | 1:16:15 | 1:16:18 | |
# The heat of the moment | 1:16:18 | 1:16:20 | |
# Shone in your eyes | 1:16:20 | 1:16:25 | |
(YAWNS) | 1:16:42 | 1:16:44 | |
# Heat of the moment (ALARM) | 1:16:44 | 1:16:46 | |
# Telling you what your heart meant | 1:16:48 | 1:16:50 | |
-# Heat of the moment... -I'm sorry. I'm sorry. I-I... | 1:16:50 | 1:16:54 | |
I did it. I did it. | 1:16:54 | 1:16:56 | |
I leaned against that. I was yawning and I apologise. | 1:16:56 | 1:17:00 | |
Agh! Turn it off. I'm sorry. | 1:17:00 | 1:17:04 | |
Bingo. | 1:17:19 | 1:17:21 | |
(TRUMPET PLAYS FANFARE) | 1:18:14 | 1:18:16 | |
(CROWD CHEERS) | 1:18:56 | 1:18:58 | |
Oh, I'm sorry. I'm sorry. | 1:19:26 | 1:19:29 | |
(WHISPERS) Julian? | 1:19:50 | 1:19:53 | |
Hey, Julian. | 1:19:53 | 1:19:55 | |
Julian? | 1:20:04 | 1:20:06 | |
Julian! | 1:20:08 | 1:20:11 | |
Julian? | 1:20:17 | 1:20:19 | |
Hey. | 1:20:21 | 1:20:22 | |
What the hell is going on? | 1:20:23 | 1:20:25 | |
Julian. | 1:20:25 | 1:20:27 | |
You dragged me out to Arizona, to the goddamn horse races, | 1:20:31 | 1:20:37 | |
to do this job, right? | 1:20:37 | 1:20:39 | |
To do this job, this one last job. | 1:20:39 | 1:20:41 | |
To kill somebody that I don't even know | 1:20:41 | 1:20:44 | |
so you can live your life with Greeks. | 1:20:44 | 1:20:47 | |
(MIMICS JULIAN) "Beautiful Greeks, Danny." | 1:20:47 | 1:20:49 | |
I do everything perfectly. Not you. Me. Did you see me? | 1:20:49 | 1:20:53 | |
I was brilliant! You had a clean shot and you don't take it? | 1:20:53 | 1:20:57 | |
-What's going on? -I've lost it, Danny. | 1:20:57 | 1:21:00 | |
They're gonna kill you, Julian. | 1:21:00 | 1:21:02 | |
-But I've lost it. -That's an unacceptable answer. | 1:21:02 | 1:21:07 | |
-But it's the truth. -Oh, jeez! | 1:21:07 | 1:21:09 | |
Hey, concentrate here, OK? I need you to concentrate. | 1:21:09 | 1:21:14 | |
Look at me, Danny, look at me. I'm a wreck. I'm a parody. | 1:21:15 | 1:21:19 | |
You've got to go up there and finish this job. | 1:21:19 | 1:21:22 | |
No, no, no, just leave me alone. Please just forget everything. | 1:21:22 | 1:21:26 | |
I can't believe I'm in a stairwell | 1:21:26 | 1:21:29 | |
trying to convince you to assassinate somebody! | 1:21:29 | 1:21:31 | |
Just go. Just go, Danny. Just go. Go. | 1:21:31 | 1:21:35 | |
No. | 1:21:46 | 1:21:48 | |
-No, we're gonna do this. -I can't. | 1:21:49 | 1:21:53 | |
-Julian, you have to. -You have to, OK? | 1:21:53 | 1:21:56 | |
-If you don't, they're gonna kill you, understand? -Yeah. Understand? | 1:21:56 | 1:22:00 | |
And I won't let that happen. | 1:22:00 | 1:22:03 | |
Huh? I refuse to let that happen. How about that? | 1:22:03 | 1:22:06 | |
We're gonna go up there together. I'm gonna talk you through it. | 1:22:06 | 1:22:10 | |
I'll talk you through it. You are gonna do the job you came to do. | 1:22:10 | 1:22:14 | |
OK? | 1:22:14 | 1:22:15 | |
OK? Alright? | 1:22:16 | 1:22:18 | |
-Huh? -Yeah. -Huh? -Yeah, OK. | 1:22:18 | 1:22:21 | |
-OK. -OK. -Alright, up, up, up, up, up. | 1:22:21 | 1:22:24 | |
There you go. OK? | 1:22:25 | 1:22:27 | |
-You're gonna stay up there with me? -Oh, yes. | 1:22:27 | 1:22:30 | |
-You're gonna talk me through it? -That's right. | 1:22:30 | 1:22:33 | |
-Thank you. -Alright, then. | 1:22:33 | 1:22:36 | |
-Let's go kill this motherfucker and get the hell out of here. -OK. | 1:22:36 | 1:22:40 | |
(CHEERLEADERS) Go, Julian! (CHEERING) | 1:22:40 | 1:22:43 | |
Thank you. | 1:23:00 | 1:23:02 | |
No, really, I mean it. | 1:23:03 | 1:23:06 | |
I was a mess back there. You helped me. | 1:23:06 | 1:23:09 | |
You helped me a lot. | 1:23:10 | 1:23:12 | |
You know, I think can handle the deviant Julian. | 1:23:16 | 1:23:19 | |
I can handle the lying Julian. I can even handle the killing Julian. | 1:23:19 | 1:23:23 | |
I just don't know if I can handle the humble-pie Julian. | 1:23:24 | 1:23:27 | |
(CHUCKLES) | 1:23:27 | 1:23:29 | |
Well, enjoy it. It won't last. | 1:23:29 | 1:23:32 | |
That's a given. | 1:23:32 | 1:23:34 | |
Really, it's no problem. | 1:23:38 | 1:23:40 | |
You said it yourself. I owed you. | 1:23:43 | 1:23:46 | |
Do you think if you hadn't opened the door in Mexico City | 1:23:48 | 1:23:52 | |
we'd be sitting on this plane? | 1:23:52 | 1:23:54 | |
Probably not. | 1:23:57 | 1:23:59 | |
'(KNOCK AT DOOR)' 'I just want to say I'm sorry.' | 1:24:03 | 1:24:06 | |
I know it's late and I'm a little fucked up but I'm sorry. | 1:24:06 | 1:24:11 | |
'Can't you see how guilty I feel?' | 1:24:11 | 1:24:13 | |
'Danny! Danny!' | 1:24:14 | 1:24:17 | |
-Hold on, Julian. I'm coming. -(GLASS SMASHES) | 1:24:17 | 1:24:22 | |
I don't know what I'll do if I don't get this job. | 1:24:24 | 1:24:27 | |
You're sure if I kill this Cardenas guy, you'll get the contract? | 1:24:29 | 1:24:33 | |
-He's our only competition. -And you can live with that? | 1:24:33 | 1:24:38 | |
Yeah. | 1:24:38 | 1:24:40 | |
You can live with blood on your hands? | 1:24:40 | 1:24:43 | |
Isn't that what people do? | 1:24:43 | 1:24:45 | |
Don't people,... successful people, | 1:24:46 | 1:24:50 | |
always live with blood on their hands? | 1:24:50 | 1:24:54 | |
'You became my friend that night, Julian.' | 1:24:57 | 1:25:00 | |
You became my lifelong friend. | 1:25:00 | 1:25:02 | |
I'm not gonna do it for you. | 1:25:21 | 1:25:24 | |
You're making a late-night, exhausted, desperate decision. | 1:25:25 | 1:25:29 | |
If I did it, you would regret it instantly | 1:25:29 | 1:25:33 | |
and feel nothing but guilt and shame for the rest of your life. | 1:25:33 | 1:25:36 | |
I'm so scared, Julian. | 1:25:38 | 1:25:40 | |
Guys like you, you think you have no luck,... | 1:25:41 | 1:25:45 | |
..but you have all the luck in the world. | 1:25:46 | 1:25:49 | |
You just need to see it. She's at home waiting for you. | 1:25:49 | 1:25:54 | |
If I did that job for you, | 1:25:57 | 1:25:59 | |
your luck would run bad for the rest of your days. | 1:25:59 | 1:26:02 | |
You don't want me to do it. You're not that type of person. | 1:26:04 | 1:26:09 | |
That's why I like you. (LAUGHS) You're the exact opposite of me. | 1:26:15 | 1:26:20 | |
'You surprised me that night.' | 1:26:24 | 1:26:27 | |
I surprised myself. | 1:26:27 | 1:26:29 | |
Well, I guess your boss must be satisfied, right? | 1:26:32 | 1:26:36 | |
You completed the assignment. No longer on the hit list. | 1:26:37 | 1:26:41 | |
I'm no longer on the hit list but I didn't do any assignment. | 1:26:42 | 1:26:47 | |
I don't understand. | 1:26:48 | 1:26:50 | |
I thought your boss wanted you to do this job. | 1:26:50 | 1:26:53 | |
My boss, Mr Stick,... | 1:26:57 | 1:26:59 | |
..he was the job. | 1:27:00 | 1:27:03 | |
You mean, we just killed... | 1:27:04 | 1:27:06 | |
We killed the man who wanted to kill me. Problem solved. | 1:27:06 | 1:27:11 | |
You... | 1:27:16 | 1:27:18 | |
(CHUCKLES) | 1:27:18 | 1:27:20 | |
-You sonofabitch! -Among many other things. | 1:27:20 | 1:27:24 | |
-Don't ever hit me again. -Sorry. -(CHUCKLES) | 1:27:25 | 1:27:28 | |
# When there's nowhere else to run | 1:27:29 | 1:27:34 | |
# Is there room for one more son | 1:27:34 | 1:27:39 | |
# One more son | 1:27:41 | 1:27:44 | |
# If you can hold on | 1:27:46 | 1:27:49 | |
# If you can hold on | 1:27:50 | 1:27:54 | |
# Hold on | 1:27:54 | 1:27:56 | |
# I wanna stand up | 1:28:19 | 1:28:21 | |
# I wanna let go | 1:28:21 | 1:28:23 | |
# You know, you know, no, you don't, you don't | 1:28:23 | 1:28:27 | |
# I wanna shine on in the hearts of men | 1:28:27 | 1:28:31 | |
# I want a meaning from the back of my broken hand | 1:28:31 | 1:28:35 | |
# Another head aches | 1:28:35 | 1:28:37 | |
# Another heart breaks | 1:28:37 | 1:28:39 | |
# I am so much older than I can take | 1:28:39 | 1:28:43 | |
# And my affection | 1:28:43 | 1:28:45 | |
# Well, it comes and goes | 1:28:45 | 1:28:47 | |
# I need direction to perfection, no, no, no, no | 1:28:47 | 1:28:49 | |
# Help me out, yeah | 1:28:49 | 1:28:52 | |
# You know, you got to help me out | 1:28:52 | 1:28:55 | |
# Yeah | 1:28:55 | 1:28:56 | |
# Oh, don't you put me on the backburner | 1:28:56 | 1:29:00 | |
# You know, you got to help me out | 1:29:00 | 1:29:03 | |
# Yeah # | 1:29:03 | 1:29:05 | |
# "El Matador" - Los Fabuloso Cadillacs | 1:29:19 | 1:29:21 | |
(SINGING IN SPANISH) | 1:29:33 | 1:29:36 |