
Browse content similar to Underclassman. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
SEA GULLS CRYING | 0:00:12 | 0:00:14 | |
# California | 0:00:14 | 0:00:16 | |
# Knows how to party | 0:00:16 | 0:00:19 | |
# California | 0:00:19 | 0:00:21 | |
# Knows how to party | 0:00:21 | 0:00:24 | |
# In the city of LA | 0:00:24 | 0:00:29 | |
# In the city | 0:00:29 | 0:00:31 | |
# Of good old Watts | 0:00:31 | 0:00:34 | |
# In the city | 0:00:34 | 0:00:36 | |
# City of Compton | 0:00:36 | 0:00:38 | |
# We keep it rockin' | 0:00:38 | 0:00:41 | |
# We keep it rockin' | 0:00:41 | 0:00:44 | |
# Now, let me welcome everybody to the wild, wild west | 0:00:44 | 0:00:47 | |
# A state that's untouchable like Eliot Ness | 0:00:47 | 0:00:49 | |
# The track hits your eardrum like a slug to your chest | 0:00:49 | 0:00:52 | |
# Pack a vest for your Jimmy in the city of sex | 0:00:52 | 0:00:54 | |
# We in that sunshine state with a bomb-ass hemp beat | 0:00:54 | 0:00:57 | |
# The state where you never find a dance floor empty | 0:00:57 | 0:01:00 | |
# It's all good, from Diego to the bay | 0:01:00 | 0:01:02 | |
# Your city is the bomb if your city makin' pay | 0:01:02 | 0:01:04 | |
# Throw up a the finger if you feel the same way | 0:01:04 | 0:01:07 | |
# Come on, shake it, baby | 0:01:07 | 0:01:09 | |
# Just shake it | 0:01:09 | 0:01:11 | |
# Shake it | 0:01:11 | 0:01:12 | |
# Just shake it, baby | 0:01:12 | 0:01:13 | |
# Just shake it, mama | 0:01:13 | 0:01:14 | |
# Just shake it, Cali | 0:01:14 | 0:01:16 | |
# Shake it, Cali... # | 0:01:16 | 0:01:18 | |
What's up? | 0:01:18 | 0:01:20 | |
What's up is you're late. | 0:01:20 | 0:01:22 | |
We gonna dwell on time or we gonna do this deal? | 0:01:22 | 0:01:25 | |
Pascale Bascula. | 0:01:25 | 0:01:26 | |
What? | 0:01:26 | 0:01:27 | |
Pat him down, Baboso. | 0:01:27 | 0:01:29 | |
Oh, right. | 0:01:29 | 0:01:30 | |
You just gonna disrespect me like that? | 0:01:30 | 0:01:32 | |
Hey. It's business. Nothing personal. | 0:01:32 | 0:01:33 | |
Well, personally, | 0:01:33 | 0:01:34 | |
that ain't how I do business. | 0:01:34 | 0:01:36 | |
Creo que es una pinche placa. | 0:01:36 | 0:01:38 | |
A cop? You know, I'm gonna take my hard-earned pesos | 0:01:38 | 0:01:41 | |
elsewhere, because y'all trippin'. | 0:01:41 | 0:01:43 | |
So adios. | 0:01:43 | 0:01:44 | |
Hey, hey, carnal. | 0:01:44 | 0:01:45 | |
I just want to make sure you're cool, man. | 0:01:45 | 0:01:48 | |
Show me the merchandise, then, Tito Puente. | 0:01:48 | 0:01:51 | |
Show me the money there, Tupac. | 0:01:51 | 0:01:53 | |
All right. Yeah. | 0:01:58 | 0:02:00 | |
Check it out. | 0:02:00 | 0:02:01 | |
Tre! Man, is that you? | 0:02:01 | 0:02:03 | |
Nah, man, you don't know me. | 0:02:03 | 0:02:05 | |
Obviously that bum's a little loco in the cabeza. | 0:02:05 | 0:02:08 | |
I ain't gonna be peein' on the street no more. | 0:02:08 | 0:02:10 | |
You don't ever have to give me a citation again. | 0:02:10 | 0:02:12 | |
Citation? | 0:02:12 | 0:02:13 | |
Should've trusted your instincts. I'm LAPD! | 0:02:13 | 0:02:15 | |
Go! Let's go! Vamanos, Vamanos! | 0:02:15 | 0:02:17 | |
Hang on! | 0:02:26 | 0:02:27 | |
Watch out! | 0:02:29 | 0:02:31 | |
Wait! Hold up! | 0:02:36 | 0:02:38 | |
Uhh! | 0:02:38 | 0:02:39 | |
Aah! Quit throwin' stuff! | 0:02:40 | 0:02:42 | |
Ohh! Sorry! Excuse me! | 0:02:42 | 0:02:44 | |
Ohh! | 0:02:44 | 0:02:46 | |
TYRES SQUEALING | 0:02:46 | 0:02:49 | |
Aah! | 0:02:49 | 0:02:51 | |
Oh, that hurts! | 0:02:53 | 0:02:55 | |
Let's move! Go! | 0:02:55 | 0:02:57 | |
LAPD watch out, OK? Police business. | 0:03:00 | 0:03:04 | |
MAN: Yo, hey, man, get off of my ride! | 0:03:04 | 0:03:07 | |
Ohh! | 0:03:07 | 0:03:09 | |
You got the right to remain silent. | 0:03:33 | 0:03:35 | |
MOTOR REVVING | 0:03:40 | 0:03:42 | |
I said silent, not violent! | 0:03:50 | 0:03:52 | |
Get out of the truck! | 0:04:04 | 0:04:06 | |
Abre la puerta! | 0:04:06 | 0:04:07 | |
SPEAKING SPANISH | 0:04:07 | 0:04:09 | |
Step away from the truck! | 0:04:10 | 0:04:12 | |
Come on, walk towards me. | 0:04:12 | 0:04:14 | |
Yeah, throw some toys now. | 0:04:14 | 0:04:17 | |
Get on the ground. | 0:04:17 | 0:04:19 | |
It's OK, people. I got everything under control. | 0:04:22 | 0:04:25 | |
Ooh! | 0:04:25 | 0:04:26 | |
PEOPLE SCREAMING | 0:04:26 | 0:04:28 | |
Aah! | 0:04:28 | 0:04:29 | |
Sorry. | 0:04:33 | 0:04:34 | |
"The truck barrelled through the boardwalk | 0:04:34 | 0:04:36 | |
going 95 miles an hour." | 0:04:36 | 0:04:38 | |
Did I write 95? | 0:04:38 | 0:04:40 | |
That's supposed to be a 4... 45. | 0:04:40 | 0:04:42 | |
"Boo-yah"? | 0:04:42 | 0:04:44 | |
What the hell is that? | 0:04:44 | 0:04:45 | |
That's like, boo-yah! | 0:04:45 | 0:04:47 | |
Break yourself. | 0:04:47 | 0:04:48 | |
This is not a report, Tre. | 0:04:48 | 0:04:49 | |
You can't be writing, "I went Jet Li, Bruce Lee, | 0:04:49 | 0:04:52 | |
"and Tommy Lee all up in their asses." | 0:04:52 | 0:04:54 | |
No, no, not "in they ass," "up on they ass." | 0:04:54 | 0:04:56 | |
I ain't go in nobody's. | 0:04:56 | 0:04:58 | |
I'm telling you, you should've been there, Brooks. It was hot. | 0:04:58 | 0:05:00 | |
Not as hot as the captain's gonna be, huh? | 0:05:00 | 0:05:02 | |
Hey. Baby face. | 0:05:02 | 0:05:03 | |
I got you a little Tre-cycle in honour | 0:05:03 | 0:05:05 | |
of your big bust. | 0:05:05 | 0:05:07 | |
Ha ha ha ha ha! | 0:05:07 | 0:05:09 | |
Oh-ah-ah-oh-ah- | 0:05:09 | 0:05:11 | |
no comeback from the kid. | 0:05:11 | 0:05:13 | |
I'm gonna call Ripley's. | 0:05:13 | 0:05:15 | |
Why don't you call weight watchers | 0:05:15 | 0:05:16 | |
while you at it, Gallecki. | 0:05:16 | 0:05:17 | |
Bite me. | 0:05:17 | 0:05:19 | |
See? It always gotta be about eatin' with you, huh? | 0:05:19 | 0:05:21 | |
Where the hell is Stokes?! | 0:05:21 | 0:05:24 | |
Put that shit down! | 0:05:28 | 0:05:31 | |
Now, you cannot continue to use this police department | 0:05:31 | 0:05:33 | |
as your own personal playground. | 0:05:33 | 0:05:34 | |
You understand? | 0:05:34 | 0:05:36 | |
There's rules. | 0:05:36 | 0:05:37 | |
There's protocol. There's procedure. | 0:05:37 | 0:05:39 | |
All of which you have continued... | 0:05:39 | 0:05:41 | |
BOTH: To blatantly disregard. | 0:05:41 | 0:05:44 | |
Cap, man, I got a tip, so I acted on it. | 0:05:44 | 0:05:45 | |
You are a bike cop. | 0:05:45 | 0:05:49 | |
You hear of anything going down, | 0:05:49 | 0:05:51 | |
you go to detectives Brooks and Gallecki. | 0:05:51 | 0:05:53 | |
They come to me. | 0:05:53 | 0:05:54 | |
Backup exists for your protection. | 0:05:54 | 0:05:56 | |
What, so they can get credit for my bust? | 0:05:56 | 0:05:58 | |
You want to be part of my team, | 0:05:58 | 0:06:00 | |
that's how it's gonna be. | 0:06:00 | 0:06:01 | |
Man... I don't think you understand | 0:06:01 | 0:06:03 | |
how constricting this spandex is. | 0:06:03 | 0:06:05 | |
Shorts so tight, watch, | 0:06:05 | 0:06:07 | |
all my kids gonna be midgets. | 0:06:07 | 0:06:08 | |
And I been pedal-pushin' for, like, four years. | 0:06:08 | 0:06:12 | |
I'm ready to be a detective. | 0:06:12 | 0:06:14 | |
SIGHS: Look, Tre... | 0:06:14 | 0:06:16 | |
I'll admit, you got good instincts. | 0:06:16 | 0:06:19 | |
But you got a long way to go | 0:06:19 | 0:06:20 | |
before you're the detective your father was. | 0:06:20 | 0:06:23 | |
Now, I promised him I'd take you under my wing. | 0:06:23 | 0:06:26 | |
But you make it seem like | 0:06:26 | 0:06:28 | |
it's a really bad idea sometimes. | 0:06:28 | 0:06:30 | |
I want a full report on my desk. | 0:06:32 | 0:06:34 | |
And not you just writing "case closed" on a post-it. | 0:06:34 | 0:06:37 | |
You got it? | 0:06:37 | 0:06:38 | |
Now, largate. | 0:06:40 | 0:06:41 | |
That mean leave, huh? | 0:06:41 | 0:06:43 | |
Get your ass on the other side of that door right now. | 0:06:43 | 0:06:46 | |
ALTERNATIVE ROCK PLAYING | 0:06:47 | 0:06:49 | |
# Hey, do you know the way | 0:06:58 | 0:07:00 | |
# To the avenue? | 0:07:00 | 0:07:02 | |
# The one that they say is where they're goin' to | 0:07:02 | 0:07:04 | |
# If you know the way we'll follow you... # | 0:07:04 | 0:07:07 | |
HONK HONK | 0:07:33 | 0:07:35 | |
# Feel | 0:07:57 | 0:07:58 | |
# Feel like that | 0:07:58 | 0:07:59 | |
# Feel | 0:07:59 | 0:08:01 | |
# Feel like that | 0:08:01 | 0:08:02 | |
# Feel like that... # | 0:08:02 | 0:08:03 | |
BUZZER | 0:08:03 | 0:08:05 | |
Whatever. You charged. Game, baby! | 0:08:05 | 0:08:07 | |
Don't say that. | 0:08:07 | 0:08:08 | |
Hey. Knock it off. You did charge. | 0:08:08 | 0:08:10 | |
Hey, cap, we on the same team. | 0:08:10 | 0:08:11 | |
CHUCKLES: You could've fooled me. | 0:08:11 | 0:08:14 | |
A'ight. | 0:08:14 | 0:08:15 | |
Yeah. | 0:08:15 | 0:08:16 | |
Captain Delgado. | 0:08:19 | 0:08:21 | |
Yeah. | 0:08:21 | 0:08:22 | |
I'm Michael Barry with the commissioner's office. | 0:08:22 | 0:08:23 | |
Could I just have a moment of your time? | 0:08:23 | 0:08:25 | |
Sure. | 0:08:25 | 0:08:26 | |
A student at the Westbury school - | 0:08:26 | 0:08:27 | |
body was found just off-campus two nights ago. | 0:08:27 | 0:08:29 | |
His name was Warren Williams. | 0:08:29 | 0:08:31 | |
Hmm. | 0:08:31 | 0:08:34 | |
What's the reason I'm being briefed | 0:08:34 | 0:08:35 | |
about a case outside my jurisdiction? | 0:08:35 | 0:08:36 | |
Look, Captain Delgado, several influential parents | 0:08:36 | 0:08:38 | |
send their kids to Westbury. Including the mayor. | 0:08:38 | 0:08:40 | |
Yeah, I know. My daughter went there. | 0:08:40 | 0:08:42 | |
Which is why the mayor sent me to you. | 0:08:42 | 0:08:45 | |
Now, the death looks to be accidental. | 0:08:45 | 0:08:46 | |
We just needed to make sure. As discreetly as possible. | 0:08:46 | 0:08:48 | |
Hmm. You talking undercover? | 0:08:48 | 0:08:49 | |
That's right. | 0:08:49 | 0:08:51 | |
No-one else knows except the mayor. | 0:08:51 | 0:08:53 | |
Look no further, sir. Officer Tre Stokes III, | 0:08:53 | 0:08:54 | |
AKA the young gun, AKA LA'S finest - | 0:08:54 | 0:08:57 | |
23-year-old bike cop | 0:08:57 | 0:08:58 | |
with no undercover experience. | 0:08:58 | 0:08:59 | |
You're not qualified. | 0:08:59 | 0:09:01 | |
Not qualified? | 0:09:01 | 0:09:02 | |
I'm a third-generation cop, | 0:09:02 | 0:09:04 | |
I graduated top of my class at the police academy, | 0:09:04 | 0:09:06 | |
not to mention, I shattered | 0:09:06 | 0:09:07 | |
the target-shooting obstacle course record | 0:09:07 | 0:09:08 | |
that was held by... | 0:09:08 | 0:09:10 | |
you. You held that record, didn't you? | 0:09:10 | 0:09:11 | |
No. No! | 0:09:11 | 0:09:12 | |
I mean, yes to...no to being assigned to this case. No. | 0:09:12 | 0:09:16 | |
He does fit the profile. | 0:09:16 | 0:09:18 | |
See? Come on, this could be my shot. | 0:09:18 | 0:09:21 | |
What? | 0:09:21 | 0:09:23 | |
I hope I don't regret this... | 0:09:23 | 0:09:25 | |
Well, I hope your enthusiasm reflects your work. | 0:09:25 | 0:09:28 | |
I'll notify your captain when we enrol you at the Westbury school. | 0:09:28 | 0:09:30 | |
School? | 0:09:30 | 0:09:32 | |
Yeah. School. | 0:09:32 | 0:09:34 | |
Wait, wait... | 0:09:34 | 0:09:36 | |
Forensics didn't find any toxins in the body. | 0:09:36 | 0:09:39 | |
There were no tire marks at the scene. | 0:09:39 | 0:09:41 | |
They determined that the bruise above his left eye | 0:09:41 | 0:09:44 | |
occurred prior to his death. | 0:09:44 | 0:09:46 | |
Suspects? | 0:09:46 | 0:09:47 | |
They found this at the crime scene. | 0:09:47 | 0:09:50 | |
The only name they could make out was Robert Donovan. | 0:09:50 | 0:09:52 | |
Your boy here. | 0:09:52 | 0:09:53 | |
Four-sport Letterman, | 0:09:53 | 0:09:54 | |
class president, | 0:09:54 | 0:09:55 | |
and your new best friend. | 0:09:55 | 0:09:56 | |
Your job is to get in with this kid, | 0:09:56 | 0:09:58 | |
see if there's any connection. | 0:09:58 | 0:10:00 | |
You come up with any leads, ANY leads, | 0:10:00 | 0:10:02 | |
you report them to Brooks and Gallecki. | 0:10:02 | 0:10:05 | |
They're your backup, OK? | 0:10:05 | 0:10:06 | |
Check in with them every day. | 0:10:06 | 0:10:09 | |
Twice a day. | 0:10:09 | 0:10:10 | |
Look, just stay out of trouble on this one. | 0:10:10 | 0:10:14 | |
Better get to bed early. It's a school night. | 0:10:14 | 0:10:16 | |
I can't pass for a student. | 0:10:16 | 0:10:17 | |
Look. I got whiskers. See, if you look, | 0:10:17 | 0:10:19 | |
it's two and then a shadow... | 0:10:19 | 0:10:20 | |
I got more hair on my ass. | 0:10:20 | 0:10:23 | |
So put some of that on your head. | 0:10:23 | 0:10:25 | |
That's your boy. | 0:10:29 | 0:10:30 | |
Look, Tre, I know high school | 0:10:30 | 0:10:32 | |
doesn't bring back good memories for you, | 0:10:32 | 0:10:33 | |
but this is your chance to do things different. | 0:10:33 | 0:10:36 | |
Maybe you can finish your last semester, get your diploma. | 0:10:36 | 0:10:39 | |
I got my GED. | 0:10:39 | 0:10:41 | |
Yeah, you took the easy way out. | 0:10:41 | 0:10:42 | |
Brooks, look, I'm a cop, not a student. | 0:10:42 | 0:10:46 | |
Well, now you're both. | 0:10:46 | 0:10:48 | |
# Ride, ride, ride, ride, ride, ride, ride, ride | 0:10:49 | 0:10:54 | |
# Ride, ride, ride, ride, ride | 0:10:54 | 0:10:56 | |
# Say, word... # | 0:10:56 | 0:10:57 | |
RAP MUSIC PLAYS | 0:10:57 | 0:10:59 | |
BRAKES SQUEAL | 0:11:17 | 0:11:19 | |
HYDRAULICS HISS | 0:11:21 | 0:11:22 | |
I'll handle this. | 0:11:22 | 0:11:24 | |
Hey, man. | 0:11:30 | 0:11:32 | |
You can't park here. That spot's reserved. | 0:11:32 | 0:11:34 | |
Who are you supposed to be, the valet? | 0:11:34 | 0:11:37 | |
Dude, you think I'm kidding? | 0:11:37 | 0:11:40 | |
Look, "dude," | 0:11:40 | 0:11:41 | |
I'm sure you're a really talented parking monitor. | 0:11:41 | 0:11:43 | |
But this is the student parking lot, | 0:11:43 | 0:11:45 | |
I'm a student, so I'm parking here. | 0:11:45 | 0:11:48 | |
If anybody got a problem with it, | 0:11:48 | 0:11:49 | |
you tell 'em to take it up with the new black guy. | 0:11:49 | 0:11:51 | |
Who parked in my spot? | 0:11:58 | 0:12:00 | |
The new black guy. | 0:12:00 | 0:12:02 | |
Nice car. | 0:12:02 | 0:12:05 | |
Mr Stokes. | 0:12:06 | 0:12:08 | |
We've been waiting. | 0:12:08 | 0:12:09 | |
Here are your textbooks, | 0:12:09 | 0:12:10 | |
syllabi, | 0:12:10 | 0:12:12 | |
locker combination, maps, | 0:12:12 | 0:12:14 | |
and Westbury's rules of conduct. | 0:12:14 | 0:12:16 | |
BELL RINGS | 0:12:16 | 0:12:17 | |
That bell means you have six minutes to get to class, | 0:12:17 | 0:12:19 | |
which is located all the way across campus. | 0:12:19 | 0:12:21 | |
Tardiness will not be tolerated. | 0:12:21 | 0:12:23 | |
Oh, and Mr Stokes, | 0:12:23 | 0:12:24 | |
the school uniform is worn at all times. | 0:12:24 | 0:12:26 | |
Welcome to Westbury. | 0:12:26 | 0:12:28 | |
Damn. | 0:12:39 | 0:12:40 | |
Today's lesson is on deciduous bushes and shrubs. | 0:12:40 | 0:12:46 | |
We will begin with the aronia bush. | 0:12:46 | 0:12:49 | |
Has anyone here seen an aronia bush? | 0:12:49 | 0:12:52 | |
Ain't that the president's ugly cousin? | 0:12:54 | 0:12:56 | |
# Can I kick it? | 0:12:56 | 0:12:58 | |
# Yes, you can | 0:12:58 | 0:12:59 | |
# Can I kick it? | 0:12:59 | 0:13:00 | |
# Yes, you can | 0:13:00 | 0:13:01 | |
# Can I kick it? | 0:13:01 | 0:13:02 | |
# Yes, you can | 0:13:02 | 0:13:03 | |
this will be your baby. | 0:13:03 | 0:13:05 | |
You'll name it, take care of it, | 0:13:05 | 0:13:07 | |
and not leave it unattended | 0:13:07 | 0:13:09 | |
for two weeks. | 0:13:09 | 0:13:11 | |
I got a crack baby. | 0:13:12 | 0:13:14 | |
The-the crack indicates that your son's special. | 0:13:14 | 0:13:18 | |
At least can a brother get a brown egg? | 0:13:19 | 0:13:22 | |
Buenas dias, estudiantes. | 0:13:22 | 0:13:24 | |
Hola. | 0:13:24 | 0:13:25 | |
Silencio. | 0:13:25 | 0:13:27 | |
Mira - Robert, silencio, OK? | 0:13:27 | 0:13:29 | |
Callate. BELL RINGS | 0:13:29 | 0:13:31 | |
OK? Quien le gustaria traducirme | 0:13:31 | 0:13:35 | |
lo que esta aqui en la... | 0:13:35 | 0:13:36 | |
en la Pisarra? | 0:13:36 | 0:13:37 | |
Tracy Stokes. | 0:13:43 | 0:13:44 | |
Would you like to translate that for me? | 0:13:44 | 0:13:47 | |
Actually, it's Tre, and, er... | 0:13:49 | 0:13:52 | |
perhaps you ain't noticed, | 0:13:52 | 0:13:53 | |
but I didn't raise my hand. | 0:13:53 | 0:13:55 | |
Sit up, please. | 0:13:55 | 0:13:57 | |
STUDENTS GIGGLE | 0:13:57 | 0:13:59 | |
And I did notice. | 0:13:59 | 0:14:01 | |
And perhaps you're in the wrong class. | 0:14:01 | 0:14:02 | |
Because this is an honours course, | 0:14:02 | 0:14:04 | |
and my students are expected to answer my questions | 0:14:04 | 0:14:06 | |
en espanol. ?Esta bien? | 0:14:06 | 0:14:08 | |
I... | 0:14:10 | 0:14:12 | |
Yo. | 0:14:12 | 0:14:14 | |
Yo...don't know. | 0:14:14 | 0:14:16 | |
?Yo no se? | 0:14:16 | 0:14:17 | |
No say what? | 0:14:17 | 0:14:18 | |
LAUGHTER | 0:14:18 | 0:14:20 | |
OK. It's OK. Settle down. | 0:14:20 | 0:14:22 | |
I'm kickin' yo ass after class. | 0:14:38 | 0:14:40 | |
CELL PHONE RINGS | 0:14:40 | 0:14:42 | |
Hello? | 0:14:43 | 0:14:44 | |
Ashanti? | 0:14:44 | 0:14:45 | |
I gotta go. | 0:14:45 | 0:14:47 | |
Hey. You know the square root of 859? | 0:14:49 | 0:14:53 | |
Mr Stokes, I presume. | 0:14:55 | 0:14:56 | |
Feet. | 0:14:56 | 0:14:57 | |
I'm Headmaster Powers. | 0:14:58 | 0:15:00 | |
Oh. Man, this is the nicest principal's office I've ever... | 0:15:00 | 0:15:03 | |
Yeats wrote, | 0:15:03 | 0:15:04 | |
"Education is not just the filling of a pail, | 0:15:04 | 0:15:06 | |
"it is the lighting of a fire." | 0:15:06 | 0:15:08 | |
Cheating in an exam, Mr Stokes, | 0:15:08 | 0:15:11 | |
quenches that fire in an instant. | 0:15:11 | 0:15:13 | |
An embarrassment for us both. | 0:15:13 | 0:15:15 | |
Yeah, I was a little embarrassed. I can't lie. | 0:15:15 | 0:15:17 | |
But it wasn't cheating per se, | 0:15:17 | 0:15:20 | |
cos Ashanti didn't know the answer. | 0:15:20 | 0:15:22 | |
Do you know why I allowed you | 0:15:22 | 0:15:23 | |
to be admitted mid-semester? | 0:15:23 | 0:15:26 | |
Affirmative action? | 0:15:26 | 0:15:28 | |
SIGHS: Mr Stokes, please. | 0:15:29 | 0:15:31 | |
Thank you. | 0:15:31 | 0:15:33 | |
Well, your references are impeccable. | 0:15:33 | 0:15:35 | |
You come from a respectable and affluent family. | 0:15:35 | 0:15:39 | |
You seem to have support from a lot of important people. | 0:15:39 | 0:15:42 | |
But above all, your transcripts suggest | 0:15:42 | 0:15:43 | |
you have a great deal of promise. | 0:15:43 | 0:15:44 | |
Now, I suggest you take everything | 0:15:44 | 0:15:47 | |
that this fine school has to offer, | 0:15:47 | 0:15:48 | |
because this is your first and only warning. | 0:15:48 | 0:15:51 | |
One more indiscretion and you will be expelled. | 0:15:51 | 0:15:54 | |
Understood? | 0:15:54 | 0:15:56 | |
Understood. Good. | 0:15:56 | 0:15:57 | |
Well, I trust I won't have to see you in my office again. | 0:15:57 | 0:16:00 | |
No doubt, baby. | 0:16:00 | 0:16:02 | |
Holla. | 0:16:02 | 0:16:04 | |
Yo, yo, yo, yo! | 0:16:06 | 0:16:07 | |
Seem like y'all need some colour on the court. | 0:16:07 | 0:16:09 | |
You know, it ain't a basketball team | 0:16:09 | 0:16:10 | |
till you reach the one-brother quota. | 0:16:10 | 0:16:12 | |
You know, I want to go ahead and apologise to you, you know, | 0:16:12 | 0:16:15 | |
about parking in your spot and everything. | 0:16:15 | 0:16:17 | |
It's my spot, actually. | 0:16:17 | 0:16:18 | |
Oh, OK. Well, we haven't met yet. | 0:16:18 | 0:16:19 | |
How you doin'? I'm Tre. | 0:16:19 | 0:16:20 | |
Rob. | 0:16:20 | 0:16:22 | |
Look, er, you're in the way of our practice. | 0:16:22 | 0:16:23 | |
You might want to head over there. | 0:16:23 | 0:16:25 | |
Yeah, it's real, man. You should take off. | 0:16:25 | 0:16:26 | |
Let's play some ball, man. | 0:16:26 | 0:16:27 | |
Man, what is your deal? | 0:16:27 | 0:16:29 | |
Huh? You're parking in our spots, | 0:16:29 | 0:16:31 | |
you walk all over our practice. What do you want? | 0:16:31 | 0:16:33 | |
Come on, easy. | 0:16:33 | 0:16:34 | |
Hey, I like that. | 0:16:34 | 0:16:36 | |
You got control over him, huh? | 0:16:36 | 0:16:37 | |
Hey, you think you can get him to wash my car? | 0:16:37 | 0:16:39 | |
You know what? You're finished right now. | 0:16:39 | 0:16:40 | |
Ha. Wow. | 0:16:40 | 0:16:42 | |
So long, Tracy. | 0:16:43 | 0:16:44 | |
Have a good practice, buddy. | 0:16:44 | 0:16:46 | |
BALL GOES IN BASKET | 0:16:50 | 0:16:51 | |
WHISTLES | 0:16:51 | 0:16:52 | |
Got some angry skills there, dawg. | 0:16:52 | 0:16:55 | |
Ha. | 0:16:55 | 0:16:56 | |
I think you mean mad skills. | 0:16:56 | 0:16:58 | |
Mad skills. | 0:16:58 | 0:17:00 | |
Is that how they say it in the concrete jungle? | 0:17:00 | 0:17:02 | |
You hail from the hood, huh? | 0:17:02 | 0:17:04 | |
Like LBC? | 0:17:04 | 0:17:05 | |
Southern central? | 0:17:05 | 0:17:06 | |
City of Compton? | 0:17:06 | 0:17:08 | |
LAUGHS | 0:17:08 | 0:17:09 | |
Yo, you really wild around here. | 0:17:09 | 0:17:12 | |
Thanks. | 0:17:12 | 0:17:13 | |
I think. | 0:17:13 | 0:17:15 | |
Hey, I'm Alexander, by the way. | 0:17:15 | 0:17:17 | |
You can call me Alex, Al, or... | 0:17:17 | 0:17:19 | |
if you prefer the African-American vernacular, G-funk. | 0:17:19 | 0:17:21 | |
G... Oh! | 0:17:21 | 0:17:23 | |
Hi, man. Tre. What's up, Tre? | 0:17:23 | 0:17:25 | |
Poppin'. | 0:17:25 | 0:17:27 | |
Yo, you know what's going on | 0:17:27 | 0:17:29 | |
with all the intensity over there? | 0:17:29 | 0:17:31 | |
Oh, yeah, well... | 0:17:31 | 0:17:33 | |
you see, Rob captains this school street ball team. | 0:17:33 | 0:17:36 | |
We're planning this tourney right now | 0:17:36 | 0:17:38 | |
called the Blacktop Battle, | 0:17:38 | 0:17:39 | |
and they're just seeking some revenge | 0:17:39 | 0:17:40 | |
on the team that beat us in the championship game. | 0:17:40 | 0:17:42 | |
Well, are you on the squad? | 0:17:42 | 0:17:44 | |
Totally. | 0:17:44 | 0:17:45 | |
You know, I make sure the bench stays warm | 0:17:45 | 0:17:48 | |
and the team stays hydrated with fruit energy drinks. | 0:17:48 | 0:17:50 | |
Chicks totally dig that. They do? | 0:17:50 | 0:17:52 | |
No. Not at all. | 0:17:52 | 0:17:54 | |
But, you know, I get to chill | 0:17:54 | 0:17:55 | |
with Rob and the crew. | 0:17:55 | 0:17:56 | |
During halftime. | 0:17:56 | 0:17:58 | |
Hey, you know, we're playing | 0:17:58 | 0:17:59 | |
our cross-town rivals tomorrow night. | 0:17:59 | 0:18:00 | |
You should come by. | 0:18:00 | 0:18:02 | |
You know what, Alley Al, I just might do that. | 0:18:02 | 0:18:05 | |
SNAPS FINGERS: I'll holla at ya. | 0:18:06 | 0:18:09 | |
Holla. | 0:18:09 | 0:18:11 | |
Dear God, may our shots go swish | 0:18:11 | 0:18:13 | |
and our defence be tight. | 0:18:13 | 0:18:14 | |
And after the game, may the hot young ladies | 0:18:14 | 0:18:16 | |
freak each and every one of us all night. | 0:18:16 | 0:18:18 | |
Except for Alexander, cos we know he doesn't get any. | 0:18:18 | 0:18:20 | |
Saints on 3. | 0:18:20 | 0:18:21 | |
ALL: 1, 2, 3, Saints! | 0:18:21 | 0:18:23 | |
FUNKY MUSIC PLAYS | 0:18:23 | 0:18:24 | |
BOOING | 0:19:00 | 0:19:01 | |
SHOUTING | 0:19:04 | 0:19:05 | |
Stop this! Break it up! | 0:19:05 | 0:19:07 | |
Out of here! | 0:19:07 | 0:19:08 | |
Get out of here! | 0:19:08 | 0:19:10 | |
Chill out, man! | 0:19:10 | 0:19:12 | |
You all right? | 0:19:12 | 0:19:14 | |
Let me go, man. | 0:19:14 | 0:19:16 | |
Come on, let's do it, man. | 0:19:16 | 0:19:17 | |
Yo, nice acting. | 0:19:17 | 0:19:19 | |
INDISTINCT CHATTER | 0:19:19 | 0:19:21 | |
Hey, yo, pretty boy. | 0:19:21 | 0:19:23 | |
Different school, same story, huh? | 0:19:23 | 0:19:24 | |
Can't nobody on your squad handle me, chump. | 0:19:24 | 0:19:27 | |
Back off, Murdock. Hey. | 0:19:27 | 0:19:29 | |
Yo, guys, they're killing us out there. | 0:19:29 | 0:19:31 | |
What's going on? | 0:19:31 | 0:19:32 | |
Hey, yo! | 0:19:32 | 0:19:33 | |
I'll tell you what's goin' on. | 0:19:33 | 0:19:34 | |
They're gettin' in your ass like a colonic. | 0:19:34 | 0:19:36 | |
Man, nobody asked you. | 0:19:36 | 0:19:37 | |
Just sit down. We got this. | 0:19:37 | 0:19:39 | |
You know what? You can continue to get beat, | 0:19:39 | 0:19:41 | |
or you can go out there and beat these bitches down. | 0:19:41 | 0:19:43 | |
Beat these bitches down. Come on, guys. | 0:19:43 | 0:19:45 | |
Sorry. Heat of the moment. | 0:19:45 | 0:19:47 | |
Want a slice? | 0:19:47 | 0:19:49 | |
Well, we gotta sub someone in, | 0:19:49 | 0:19:50 | |
and Alex is the only one left. | 0:19:50 | 0:19:52 | |
Y'all want to win, put me in. | 0:19:52 | 0:19:53 | |
No. No way. | 0:19:53 | 0:19:55 | |
I'm tellin' you, I'm nice. | 0:19:55 | 0:19:56 | |
Alex, give him your Jersey. | 0:19:56 | 0:19:57 | |
You kiddin' me? | 0:19:57 | 0:19:58 | |
Hold this. | 0:19:58 | 0:20:00 | |
Cool. | 0:20:00 | 0:20:01 | |
Yeah, baby. This is what I'm talkin' about. | 0:20:03 | 0:20:05 | |
We're workin' out now. Whoo. | 0:20:05 | 0:20:07 | |
WHISTLE BLOWS | 0:20:07 | 0:20:08 | |
Come on, team. | 0:20:08 | 0:20:09 | |
Team! | 0:20:10 | 0:20:12 | |
HIP HOP MUSIC PLAYS | 0:20:12 | 0:20:14 | |
Come on, man. Pass the ball. | 0:20:37 | 0:20:38 | |
5...4...3... | 0:21:01 | 0:21:02 | |
HORN BLOWS: PA: game over! | 0:21:06 | 0:21:07 | |
CHEERING | 0:21:07 | 0:21:09 | |
Yeah, baby, yeah! | 0:21:09 | 0:21:11 | |
Where was your head, man? | 0:21:11 | 0:21:14 | |
Loosen up. | 0:21:14 | 0:21:16 | |
Good game. Good game. | 0:21:16 | 0:21:17 | |
Come on, Des, | 0:21:19 | 0:21:20 | |
you know you want to get with me. Come on. | 0:21:20 | 0:21:22 | |
I don't think so, Eddie. | 0:21:22 | 0:21:23 | |
Hey, why don't you save yourself some face... | 0:21:23 | 0:21:25 | |
some face and take off before I beat you twice in one night? | 0:21:25 | 0:21:28 | |
All right, let me ask you a question first. | 0:21:28 | 0:21:30 | |
What's it like getting my sloppy seconds? | 0:21:30 | 0:21:32 | |
All right, hey, back it up, back it up. | 0:21:33 | 0:21:35 | |
Get off me, sleepy. | 0:21:35 | 0:21:36 | |
Yeah, sleepy, hold your boy back. | 0:21:36 | 0:21:38 | |
Look like a big-ass Gerber baby. | 0:21:38 | 0:21:39 | |
You got a big ass... | 0:21:39 | 0:21:40 | |
Quit! Let go! | 0:21:42 | 0:21:43 | |
Aah! | 0:21:43 | 0:21:44 | |
Break it up! Break it up! | 0:21:44 | 0:21:46 | |
Go! Go! | 0:21:46 | 0:21:47 | |
This ain't over, Donovan! | 0:21:47 | 0:21:49 | |
Murdock, chill out! | 0:21:49 | 0:21:50 | |
Hey. I can fight my own battles. | 0:21:50 | 0:21:52 | |
Come on, Murdock! | 0:21:52 | 0:21:54 | |
"Saints stand-in Tre Stokes' heavenly performance | 0:21:59 | 0:22:02 | |
"sends Westbury to second round in the Blacktop Battle." | 0:22:02 | 0:22:05 | |
Yep. I'm gonna need two copies of that - | 0:22:05 | 0:22:07 | |
one to take a dump on and one to wipe my ass with. | 0:22:07 | 0:22:10 | |
I don't like him any more than you guys do, | 0:22:10 | 0:22:11 | |
but he did help us get the win. | 0:22:11 | 0:22:13 | |
He had 33 points. | 0:22:13 | 0:22:15 | |
He had 33 points, Rob. He had zero assists, man. | 0:22:15 | 0:22:16 | |
I just don't want him on the team. | 0:22:16 | 0:22:18 | |
Hey, baby. | 0:22:18 | 0:22:20 | |
GIRL: She's not talking to me. | 0:22:20 | 0:22:21 | |
I don't think she would talk to me. | 0:22:21 | 0:22:22 | |
I understand. | 0:22:22 | 0:22:23 | |
I don't think so. | 0:22:23 | 0:22:24 | |
Just take care of it. Take care of it. | 0:22:24 | 0:22:26 | |
Teammates, what's crackin'? Uh-oh. | 0:22:26 | 0:22:28 | |
SUCKS IN BREATH | 0:22:28 | 0:22:29 | |
Sorry, this table's reserved. | 0:22:29 | 0:22:32 | |
I'll tell you what, you're the valet and the maitre d'. | 0:22:32 | 0:22:34 | |
You got a lot of jobs. You Jamaican? | 0:22:34 | 0:22:35 | |
Then scoot over and quit playin'. | 0:22:35 | 0:22:37 | |
No, man, seriously, | 0:22:37 | 0:22:38 | |
just find another place to sit. That's all. | 0:22:38 | 0:22:40 | |
Go on. Go on. | 0:22:40 | 0:22:41 | |
See, now, | 0:22:41 | 0:22:42 | |
is that any way to treat your teammate, huh? | 0:22:42 | 0:22:45 | |
Well, actually, the roster's filled. Sorry. | 0:22:47 | 0:22:49 | |
So long. | 0:22:49 | 0:22:51 | |
Yo, Tre! | 0:22:52 | 0:22:53 | |
Yo! | 0:22:53 | 0:22:56 | |
Iodises your game, but you can't be down, huh, doggie? | 0:22:56 | 0:22:58 | |
Yeah. I've been trying to sit there | 0:22:58 | 0:23:00 | |
for three long, lonely years. | 0:23:00 | 0:23:02 | |
I've resolved that I'll never play a single second in a game, | 0:23:02 | 0:23:05 | |
and I'll never get to chill with that crew | 0:23:05 | 0:23:06 | |
at one of their seaside soirees. | 0:23:06 | 0:23:09 | |
Swore what? | 0:23:09 | 0:23:10 | |
Soirees. | 0:23:10 | 0:23:11 | |
It comes from French. | 0:23:11 | 0:23:12 | |
Soirees. | 0:23:12 | 0:23:13 | |
Well, you see, Rob throws down | 0:23:13 | 0:23:16 | |
at this spot on the marina. | 0:23:16 | 0:23:17 | |
Just your run-of-the-mill high school gathering. | 0:23:17 | 0:23:19 | |
You know, party like rock stars, | 0:23:19 | 0:23:21 | |
slurp body shots off bikini-clad D-cups, | 0:23:21 | 0:23:23 | |
and, er, race souped-up sea-doos for high stakes. | 0:23:23 | 0:23:26 | |
Melvin! What's the business, baby? | 0:23:26 | 0:23:29 | |
What you want, Tre? | 0:23:33 | 0:23:34 | |
Boy, you went and got your cornrows done. | 0:23:34 | 0:23:36 | |
How do you keep the ladies off you? | 0:23:36 | 0:23:38 | |
How you do it? What you want, Tre? | 0:23:38 | 0:23:39 | |
Why every time I come visit you | 0:23:39 | 0:23:41 | |
down here in the evidence lot, I gotta want something? | 0:23:41 | 0:23:43 | |
OK, I'm gonna need one of them sea-doos. | 0:23:46 | 0:23:47 | |
So, anybody else man enough to take a shot at the title? | 0:23:50 | 0:23:53 | |
Gambling is wrong, boys and girls. | 0:23:53 | 0:23:55 | |
Pay up. Come on, pay up. | 0:23:55 | 0:23:57 | |
Thank you. | 0:23:57 | 0:23:58 | |
Thank you. | 0:23:58 | 0:23:59 | |
What's up, dudes? | 0:23:59 | 0:24:01 | |
What are you doing here, man? | 0:24:02 | 0:24:04 | |
I come here all the time... | 0:24:04 | 0:24:06 | |
get my tan on. | 0:24:06 | 0:24:07 | |
Why don't you, er, | 0:24:07 | 0:24:08 | |
get your tan on somewhere else? | 0:24:08 | 0:24:11 | |
Hey, come on. | 0:24:11 | 0:24:12 | |
I just want a little piece of the action, you know? | 0:24:12 | 0:24:13 | |
Sayin' y'all don't want none of the 1986 classic, boy? | 0:24:13 | 0:24:16 | |
I'll take his money. | 0:24:16 | 0:24:18 | |
See? Go ahead, bosky. | 0:24:18 | 0:24:21 | |
Shut up. Tip you later. | 0:24:21 | 0:24:23 | |
Sexy in them shorts. | 0:24:23 | 0:24:25 | |
Let's do this. | 0:24:25 | 0:24:26 | |
OK! First one to the buoy and back | 0:24:26 | 0:24:28 | |
goes home with the green! | 0:24:28 | 0:24:29 | |
Sure you can handle that thing? | 0:24:29 | 0:24:31 | |
Sure you can handle that? | 0:24:34 | 0:24:36 | |
Are you ready, boys? | 0:24:37 | 0:24:39 | |
Go! | 0:24:41 | 0:24:42 | |
Dude, what the hell are you doing?! | 0:24:43 | 0:24:45 | |
Just making it interesting. | 0:24:45 | 0:24:47 | |
Aah! | 0:25:40 | 0:25:42 | |
Hey, you all right? | 0:25:56 | 0:25:58 | |
Man, do I look all right? | 0:25:58 | 0:26:00 | |
I think I just swallowed Nemo. | 0:26:00 | 0:26:02 | |
Hold on. I'll drag you in. | 0:26:02 | 0:26:04 | |
INDISTINCT CHATTER | 0:26:06 | 0:26:08 | |
ROB: Get away from my girl, Murdock. | 0:26:10 | 0:26:12 | |
Why don't you just leave, Eddie? | 0:26:12 | 0:26:14 | |
Hey, you heard her. Why don't you just leave? | 0:26:14 | 0:26:15 | |
Why don't you just make me leave? | 0:26:15 | 0:26:17 | |
You know what I like about you little Westbury trust fund babies? | 0:26:19 | 0:26:22 | |
Nothing! Do something! Come on! | 0:26:22 | 0:26:24 | |
Now, ease up. | 0:26:24 | 0:26:25 | |
There ain't gonna be none of that, | 0:26:25 | 0:26:26 | |
you comin' up in here like you could use | 0:26:26 | 0:26:27 | |
some anger management classes. | 0:26:27 | 0:26:30 | |
I'll do you just like I did warren. | 0:26:34 | 0:26:36 | |
Didn't I say there ain't gonna be nothin'? | 0:26:38 | 0:26:40 | |
Get off me, man. Uhh! | 0:26:41 | 0:26:43 | |
I don't want to fight you, OK? | 0:26:43 | 0:26:45 | |
Calm down! | 0:26:45 | 0:26:46 | |
I done told you... | 0:26:46 | 0:26:48 | |
Ohh! | 0:26:49 | 0:26:50 | |
Are you OK? I'm sorry. | 0:26:50 | 0:26:51 | |
Hold your nose. Hold your nose. | 0:26:51 | 0:26:54 | |
Tip your head back. | 0:26:54 | 0:26:55 | |
Come on! < SIREN BLARES | 0:26:55 | 0:26:57 | |
Go! Go! | 0:26:57 | 0:26:59 | |
Go! | 0:26:59 | 0:27:01 | |
Rob! Let's roll, man! | 0:27:01 | 0:27:02 | |
Yo, man, you all right? | 0:27:05 | 0:27:08 | |
OFFICER: Don't move! | 0:27:08 | 0:27:09 | |
Tre. | 0:27:22 | 0:27:24 | |
Your boy Tattoo's got a hard head | 0:27:31 | 0:27:34 | |
and some serious anger management issues. | 0:27:34 | 0:27:36 | |
Edward Murdock. | 0:27:36 | 0:27:38 | |
You know, he used to go to our school. | 0:27:40 | 0:27:44 | |
He's pissed at me cos I'm dating his ex. | 0:27:44 | 0:27:47 | |
I guess I had the better game, huh? | 0:27:47 | 0:27:49 | |
He used to go to Westbury? | 0:27:49 | 0:27:52 | |
Yeah. | 0:27:52 | 0:27:53 | |
But, er, he got expelled | 0:27:53 | 0:27:55 | |
after this article came out in the gazette. | 0:27:55 | 0:27:57 | |
What did he do? | 0:27:59 | 0:28:01 | |
It's a long story. | 0:28:01 | 0:28:03 | |
Yo, we ain't got nothin' but time in here, dawg. | 0:28:04 | 0:28:07 | |
CHUCKLES | 0:28:07 | 0:28:08 | |
PA: Rob Donovan. | 0:28:08 | 0:28:10 | |
Your father's here. | 0:28:10 | 0:28:12 | |
SIGHS | 0:28:13 | 0:28:15 | |
Now the real interrogation begins. | 0:28:15 | 0:28:19 | |
Here, you can use that for bail. | 0:28:19 | 0:28:20 | |
GRUNTS | 0:28:20 | 0:28:22 | |
I wish I could. | 0:28:22 | 0:28:23 | |
Nothin' but a 20 | 0:28:23 | 0:28:24 | |
wrapped around some monopoly money. | 0:28:24 | 0:28:27 | |
You should've brought the "get out of jail free" card. | 0:28:27 | 0:28:30 | |
You gonna be all right? | 0:28:31 | 0:28:32 | |
Oh, yeah, yeah. | 0:28:32 | 0:28:34 | |
The cell brings me closer to the struggle. | 0:28:34 | 0:28:38 | |
I'll see you tomorrow, Tre. | 0:28:38 | 0:28:40 | |
DOOR CLOSES | 0:28:46 | 0:28:47 | |
I'm telling you, Brooks, this wasn't no accident. | 0:29:01 | 0:29:04 | |
Warren Williams was an investigative reporter | 0:29:04 | 0:29:06 | |
for the school newspaper. | 0:29:06 | 0:29:07 | |
He outed Edward Murdock as a drugstore, | 0:29:07 | 0:29:09 | |
and the day after the article came out, | 0:29:09 | 0:29:10 | |
Murdock got expelled. | 0:29:10 | 0:29:11 | |
I need you to run a sheet on him. | 0:29:11 | 0:29:13 | |
Hey, yo, rob. | 0:29:21 | 0:29:22 | |
What's up, man? | 0:29:22 | 0:29:23 | |
Nothing. | 0:29:23 | 0:29:24 | |
What's that all about? | 0:29:24 | 0:29:25 | |
Oh, you know, been ditching too much class. | 0:29:25 | 0:29:27 | |
Oh, man, I feel ya. I can't miss class no more, either. | 0:29:27 | 0:29:30 | |
So, are you ready to roll out? | 0:29:32 | 0:29:34 | |
Ha-ha. Yeah, man. Where we goin'? | 0:29:34 | 0:29:36 | |
Come on. You play football? | 0:29:36 | 0:29:38 | |
This ain't football. | 0:29:41 | 0:29:43 | |
You're gonna love it. | 0:29:43 | 0:29:44 | |
I'm telling you, man, | 0:29:44 | 0:29:45 | |
hugging a bunch of squares in some short-ass shorts | 0:29:45 | 0:29:47 | |
sounds like fun, but I'll pass. | 0:29:47 | 0:29:50 | |
That'd be a first. | 0:29:50 | 0:29:51 | |
Look, rugby rules, it's easy. | 0:29:51 | 0:29:53 | |
Just touch the ball on your goal line | 0:29:53 | 0:29:55 | |
or kick it through the posts. | 0:29:55 | 0:29:56 | |
I got this. | 0:29:56 | 0:29:59 | |
Shoot. | 0:29:59 | 0:30:00 | |
Where the rest of these shorts at? | 0:30:01 | 0:30:04 | |
What is this? | 0:30:07 | 0:30:08 | |
Bend down. | 0:30:08 | 0:30:09 | |
Hey, hey! Get your hands off of me! | 0:30:09 | 0:30:12 | |
Crouch. | 0:30:12 | 0:30:13 | |
Ain't putting me hands in nobody's shorts. | 0:30:13 | 0:30:14 | |
Hold...game. | 0:30:14 | 0:30:15 | |
It's on! Huhh! | 0:30:15 | 0:30:18 | |
Come on! | 0:30:22 | 0:30:23 | |
Unh! | 0:30:23 | 0:30:24 | |
# We don't like you | 0:30:24 | 0:30:26 | |
# We just want to try you out... # | 0:30:26 | 0:30:29 | |
Score! | 0:30:35 | 0:30:38 | |
Run! | 0:30:43 | 0:30:45 | |
Go! | 0:30:45 | 0:30:48 | |
Next time pass the ball, Tracy. | 0:30:57 | 0:30:58 | |
Ease up, boss. He gets it. | 0:31:00 | 0:31:02 | |
Come on, Tre. | 0:31:02 | 0:31:03 | |
We wanna take the Blacktop championship, but if you don't pass, we don't win. | 0:31:06 | 0:31:10 | |
Man, you coulda just told me that. | 0:31:10 | 0:31:12 | |
Y'all's beatin' me so bad I thought I was gonna have to get | 0:31:12 | 0:31:14 | |
Al Sharpton to come and have a march. | 0:31:14 | 0:31:16 | |
Tre, welcome to the team. | 0:31:16 | 0:31:19 | |
So, man, where you from? | 0:31:23 | 0:31:25 | |
Originally I'm from Philly. | 0:31:25 | 0:31:27 | |
Moved out here with my uncle when my dad passed. | 0:31:29 | 0:31:32 | |
Yeah, sorry, man. | 0:31:33 | 0:31:35 | |
Aw, nah, man, it's cool. | 0:31:35 | 0:31:37 | |
My dad was the man. | 0:31:37 | 0:31:40 | |
Uh, sometimes, it just hurts. | 0:31:40 | 0:31:43 | |
I never got a chance to tell him how much I wanted to be just like him. | 0:31:43 | 0:31:47 | |
Yeah. | 0:31:47 | 0:31:50 | |
Man, I'm tellin' you, this is the life. | 0:31:51 | 0:31:54 | |
In my old neighbourhood, gettin' crabs meant somethin' totally different. | 0:31:54 | 0:31:59 | |
I can't believe my baby girl's a senior in college. | 0:31:59 | 0:32:03 | |
DOOR SLIDES OPEN | 0:32:03 | 0:32:04 | |
Yeah, ha ha ha, OK, honey. | 0:32:04 | 0:32:07 | |
Well, I'll see you soon, all right? | 0:32:07 | 0:32:09 | |
Be sure to call your mom. | 0:32:09 | 0:32:11 | |
Bye-bye. | 0:32:11 | 0:32:13 | |
Don't you ever knock? | 0:32:13 | 0:32:14 | |
Bam, Edward Murdock. | 0:32:14 | 0:32:16 | |
Nobody checked his profile cos he got kicked out of Westbury last year. | 0:32:16 | 0:32:20 | |
I'm tellin' you, look, Murdock has priors, motives, | 0:32:20 | 0:32:22 | |
he one of them suburban gangsters. | 0:32:22 | 0:32:24 | |
He belong behind bars. | 0:32:24 | 0:32:26 | |
Let me put him there. | 0:32:26 | 0:32:28 | |
All right, | 0:32:29 | 0:32:30 | |
I'll put around the clock surveillance on him. | 0:32:30 | 0:32:32 | |
Cool, so go ahead and hook me up with one of them, | 0:32:32 | 0:32:34 | |
you know, sick notes so I can get out of school. | 0:32:34 | 0:32:37 | |
Ha ha ha, nice try, Tre. I want you to stay on Donovan. | 0:32:37 | 0:32:41 | |
Brooks and Gallecki can handle the stakeout. | 0:32:41 | 0:32:44 | |
All right. You might not want to mention steak in front of Gallecki | 0:32:44 | 0:32:47 | |
cos he starts salivatin', stomach... | 0:32:47 | 0:32:49 | |
Thank you, Tre. | 0:32:49 | 0:32:50 | |
Is your daughter still fine? | 0:32:50 | 0:32:52 | |
Goodbye. | 0:32:52 | 0:32:53 | |
CELL PHONE RINGING | 0:32:55 | 0:32:56 | |
Speak on it. | 0:32:56 | 0:32:57 | |
WOMAN: Tracy? | 0:32:57 | 0:32:58 | |
Who this? | 0:32:58 | 0:32:59 | |
It's Miss Lopez. | 0:32:59 | 0:33:00 | |
Is your aunt or uncle home? | 0:33:00 | 0:33:01 | |
Oh, Miss Lopez, this isn't about me failin' my Spanish test, is it? | 0:33:01 | 0:33:06 | |
You failed your Spanish test? | 0:33:06 | 0:33:09 | |
Here's my auntie right now. | 0:33:09 | 0:33:11 | |
Hello, Miss Lopez. | 0:33:12 | 0:33:15 | |
'I just wanted to inform you that Tre has been struggling in class.' | 0:33:15 | 0:33:18 | |
Yeah, the move has been pretty tough on him. | 0:33:18 | 0:33:21 | |
He's having a difficult time making friends. | 0:33:21 | 0:33:23 | |
In fact, he can't even get a date. | 0:33:23 | 0:33:25 | |
What you doin'? | 0:33:25 | 0:33:26 | |
May I suggest some tutoring. | 0:33:26 | 0:33:28 | |
I think the extra attention might be beneficial. | 0:33:28 | 0:33:31 | |
I'm available tomorrow after class. | 0:33:31 | 0:33:33 | |
'Tomorrow would be great. Thank you.' | 0:33:33 | 0:33:35 | |
OK, thank you. | 0:33:35 | 0:33:36 | |
How is it that somebody who speaks Spanish could be failing Spanish class? | 0:33:36 | 0:33:40 | |
I speak spanglish, OK? | 0:33:40 | 0:33:43 | |
You know, her class is about grammar | 0:33:43 | 0:33:45 | |
and all that kinda stuff. | 0:33:45 | 0:33:46 | |
Plus it's hard to focus cos she's hot. | 0:33:46 | 0:33:49 | |
M'kay. | 0:33:52 | 0:33:54 | |
Do you wanna try swimming? | 0:33:54 | 0:33:56 | |
Quiero probar de nadar? | 0:33:56 | 0:33:59 | |
Listen... | 0:33:59 | 0:34:00 | |
Quiero tratar de nadar? | 0:34:00 | 0:34:02 | |
You used the verb 'probar' which is what you use when you wanna | 0:34:02 | 0:34:06 | |
try something like food. OK? Not swimming. | 0:34:06 | 0:34:08 | |
Tratar, Babar, chico de barge! | 0:34:08 | 0:34:11 | |
Man, all these verbs mean the same thing. | 0:34:11 | 0:34:13 | |
This is so confusing. | 0:34:13 | 0:34:15 | |
You have to take the time to learn the basics. | 0:34:15 | 0:34:17 | |
You can do it, I know you have the potential. Come on. OK. | 0:34:17 | 0:34:20 | |
Mira, it's like dating. | 0:34:20 | 0:34:22 | |
You can't expect a girl to fall for you in just one day, right? | 0:34:22 | 0:34:25 | |
Shoot. I thought... Spanish was hard. | 0:34:25 | 0:34:28 | |
Women... | 0:34:28 | 0:34:29 | |
Nothing that's worth it comes easy. It's like school. | 0:34:29 | 0:34:33 | |
You have to put the work and the time in, and you'll succeed. | 0:34:33 | 0:34:35 | |
See, school ain't never really been my thing. | 0:34:35 | 0:34:40 | |
You know, ever since I was a kid, I always wanted to be a man. | 0:34:40 | 0:34:43 | |
School kinda get in the way of that. | 0:34:45 | 0:34:47 | |
I think the point of school is to make you a better man. | 0:34:47 | 0:34:51 | |
So you always wanted to be a teacher? | 0:34:51 | 0:34:52 | |
You ain't never wanted to be, like, a video dancer? | 0:34:52 | 0:34:54 | |
No. | 0:34:54 | 0:34:55 | |
Yeah, well, I'm actually a thesis paper away | 0:34:55 | 0:34:58 | |
from graduating with my master's degree in sociology. | 0:34:58 | 0:35:01 | |
OK. I'm scared of you. | 0:35:01 | 0:35:04 | |
Well, if sociology's your thing, | 0:35:04 | 0:35:06 | |
why you here teaching Spanish to silver spoons? | 0:35:06 | 0:35:08 | |
Because I-I don't know. | 0:35:08 | 0:35:10 | |
I wasn't inspired to write the paper so I took some time off, | 0:35:10 | 0:35:12 | |
and that's when I got my teacher's credential. | 0:35:12 | 0:35:15 | |
Like... wow, it's three years ago. | 0:35:15 | 0:35:18 | |
Hey, well, I'm glad, cos you're the most gangster teacher I ever had. | 0:35:18 | 0:35:22 | |
OK. Well, thank you, I think. | 0:35:22 | 0:35:25 | |
Nah, nah, that's good. Muy ganguera. | 0:35:25 | 0:35:27 | |
You know how to say that in Spanish? | 0:35:28 | 0:35:31 | |
Si, si. | 0:35:31 | 0:35:32 | |
Well, you know, if you want me to reach my fullest potential, | 0:35:32 | 0:35:35 | |
I'll need a little extra incentive. | 0:35:35 | 0:35:37 | |
You're not gonna say a hug...are you? | 0:35:37 | 0:35:39 | |
Look. Now, as huggable as I am, | 0:35:39 | 0:35:43 | |
we must keep this on a friend tip, Miss Lopez. | 0:35:43 | 0:35:45 | |
How about if I pass your next test, | 0:35:47 | 0:35:49 | |
you show some Saints spirit | 0:35:49 | 0:35:51 | |
and show up to the Blacktop Battle? | 0:35:51 | 0:35:53 | |
You got yourself a deal. | 0:35:53 | 0:35:55 | |
All right. | 0:35:55 | 0:35:57 | |
Buckle up. | 0:35:59 | 0:36:00 | |
Yeah. | 0:36:00 | 0:36:03 | |
Bye, Tre. | 0:36:03 | 0:36:05 | |
If I make this, she digs me. | 0:36:08 | 0:36:12 | |
TRE: Headmaster P! | 0:36:13 | 0:36:15 | |
50 bucks I make this. | 0:36:15 | 0:36:17 | |
A hundred says you don't. | 0:36:17 | 0:36:18 | |
Ha ha! Yeah. | 0:36:18 | 0:36:20 | |
CHEERING AND SHOUTING | 0:36:21 | 0:36:23 | |
MAN: Watch the back pick. | 0:36:27 | 0:36:29 | |
MAN: Come on! Cover him, cover him! | 0:36:33 | 0:36:35 | |
MAN: Man, wake up! | 0:36:42 | 0:36:45 | |
HORN BLARES | 0:36:49 | 0:36:51 | |
Yes, baby, Blacktop Battle championship game, here we come. | 0:36:51 | 0:36:55 | |
Good. | 0:36:55 | 0:36:57 | |
You came by here to see me in my shorts, huh? | 0:36:57 | 0:36:59 | |
I came to give you this. Look. | 0:36:59 | 0:37:01 | |
I'm proud of you, Tre. | 0:37:01 | 0:37:04 | |
Yo, I'm gonna have to frame this. | 0:37:04 | 0:37:06 | |
I want you to keep it up, OK? | 0:37:06 | 0:37:08 | |
I'll definitely keep it up if we can keep up our private lessons. | 0:37:08 | 0:37:11 | |
(CHUCKLES) I'll see you Monday. | 0:37:11 | 0:37:14 | |
Finally, a reason to look forward to school. | 0:37:15 | 0:37:18 | |
Pack me a extra lunch. | 0:37:18 | 0:37:20 | |
SPEED DIAL BEEPING | 0:37:20 | 0:37:22 | |
LINE RINGING | 0:37:22 | 0:37:23 | |
TRE: Speak on it. | 0:37:23 | 0:37:24 | |
Baby face. 'Ah, Gallecki.' | 0:37:24 | 0:37:26 | |
You meant to call Domino's, didn't you? What you got? | 0:37:26 | 0:37:29 | |
We're moving on Murdock tonight at a warehouse at Alameda and Sixth. | 0:37:29 | 0:37:32 | |
We should secure the warrant by 10:00. | 0:37:32 | 0:37:35 | |
Do not make a move until we get there. | 0:37:35 | 0:37:37 | |
TRE: 10:00, I'm on it. | 0:37:37 | 0:37:38 | |
HYDRAULICS HISS | 0:37:38 | 0:37:41 | |
TALKING INDISTINCTLY | 0:37:41 | 0:37:44 | |
Damn. | 0:37:53 | 0:37:55 | |
Come on, guys, where are you? | 0:37:55 | 0:37:57 | |
Where you goin', Murdock? | 0:38:01 | 0:38:02 | |
Hey, yo, that punk from Westbury's followin' me. | 0:38:47 | 0:38:50 | |
What's going on? This ain't cool. | 0:38:50 | 0:38:52 | |
Yo, man, what are you doin' here? | 0:38:52 | 0:38:54 | |
Who, me? He's got a gun. | 0:38:55 | 0:38:57 | |
No, no, I ain't got no gun. I... | 0:38:57 | 0:38:59 | |
Aah! Aah! | 0:39:06 | 0:39:08 | |
GROANING | 0:39:14 | 0:39:16 | |
Aah! Uhh! | 0:39:35 | 0:39:37 | |
Something I forgot to tell you the first time we met, playboy. | 0:39:37 | 0:39:40 | |
I'm LAPD. | 0:39:40 | 0:39:42 | |
LAUGHING | 0:39:42 | 0:39:43 | |
There's something I forgot to tell you first time we met, playboy! | 0:39:43 | 0:39:47 | |
I'm DEA. | 0:39:47 | 0:39:49 | |
You know what this is? | 0:39:52 | 0:39:54 | |
No, man, what? | 0:39:54 | 0:39:55 | |
Viagra? | 0:39:55 | 0:39:56 | |
Little soldier won't salute no more? | 0:39:56 | 0:39:58 | |
It's bliss. | 0:39:58 | 0:39:59 | |
Two times the potency of ecstasy. | 0:39:59 | 0:40:01 | |
This is 5,000 worth. | 0:40:02 | 0:40:06 | |
I hate to break it to you, player, | 0:40:06 | 0:40:08 | |
but it look like you got five Gs worth of spring water. | 0:40:08 | 0:40:11 | |
Captain Delgado, please meet Agent Jones, DEA. | 0:40:13 | 0:40:18 | |
Agent. Captain. | 0:40:18 | 0:40:20 | |
Your man here just wrecked four months of deep cover work for me. | 0:40:20 | 0:40:23 | |
I was days away from meeting Murdock's supplier. | 0:40:23 | 0:40:26 | |
Yo, whatever, man. | 0:40:26 | 0:40:27 | |
Your boy's a murder suspect for the October 13 death of Warren Williams. | 0:40:27 | 0:40:31 | |
Oh, yeah? | 0:40:31 | 0:40:32 | |
Here's a little quiz for the student. | 0:40:32 | 0:40:33 | |
How the hell could Murdock have murdered the kid on October 13 | 0:40:33 | 0:40:36 | |
when I was in Vegas with him that day, huh? | 0:40:36 | 0:40:39 | |
This multiple choice? | 0:40:40 | 0:40:42 | |
Thanks for your help. | 0:40:44 | 0:40:47 | |
Look, cap, you can't blame all this on me, man. | 0:40:47 | 0:40:49 | |
Hey... You green-lit the bust. | 0:40:49 | 0:40:52 | |
Yeah, because I thought you did your homework. Huh? | 0:40:52 | 0:40:55 | |
I thought you learned from your mistakes. | 0:40:55 | 0:40:57 | |
And I thought you were supposed to wait for back-up. | 0:40:57 | 0:40:59 | |
Wait for back-up? | 0:40:59 | 0:41:00 | |
The exchange was going down, so I acted on it. | 0:41:00 | 0:41:01 | |
What was I supposed to do? Crime don't wait on warrants. | 0:41:01 | 0:41:04 | |
Just once I'd like to see you accept responsibility for your actions. | 0:41:04 | 0:41:07 | |
When are you gonna start acting like a man? | 0:41:07 | 0:41:10 | |
When you gonna start treating me like one? | 0:41:10 | 0:41:13 | |
Every time I look at that kid I see his father. | 0:41:15 | 0:41:19 | |
All passion, no procedure. | 0:41:19 | 0:41:20 | |
You know, cap, Tre's not the same kid you watched growing up. | 0:41:20 | 0:41:25 | |
He's a cop. | 0:41:25 | 0:41:26 | |
He was onto something. | 0:41:26 | 0:41:27 | |
Yeah, well, the apple doesn't fall far from the tree. | 0:41:27 | 0:41:30 | |
I just wish this apple wasn't so damn ripe. What? | 0:41:30 | 0:41:33 | |
Look, cap, man, I just wanna say I'm sorry. | 0:41:33 | 0:41:36 | |
Yeah, well, don't be sorry, be sure! | 0:41:36 | 0:41:39 | |
All right, you got one more chance, Tre. Don't let me down. | 0:41:42 | 0:41:45 | |
ROCK MUSIC PLAYING | 0:41:48 | 0:41:50 | |
Drinks. Hey. | 0:41:58 | 0:42:00 | |
Drinks, drinks, drinks. | 0:42:00 | 0:42:01 | |
I would like to propose a toast to us. | 0:42:01 | 0:42:05 | |
ALL: Us! Hear, hear. | 0:42:05 | 0:42:06 | |
Blacktop title game, baby. | 0:42:06 | 0:42:08 | |
Drink up, bud. | 0:42:08 | 0:42:09 | |
And, er, to Alexander. | 0:42:09 | 0:42:11 | |
Seriously, seriously, for throwing this party. Thanks. | 0:42:11 | 0:42:13 | |
This is for you, from us, | 0:42:13 | 0:42:15 | |
for all the hard work you do on the sidelines, all right? | 0:42:15 | 0:42:18 | |
Hey... | 0:42:18 | 0:42:19 | |
Drink up, buddy. You earned it. | 0:42:19 | 0:42:21 | |
There it is. There it is, tiger. | 0:42:21 | 0:42:23 | |
GUY: Nice work. | 0:42:23 | 0:42:24 | |
BOY: OK, hurry up. | 0:42:25 | 0:42:27 | |
Come on, let's go. | 0:42:27 | 0:42:28 | |
Safe sex is the best sex. | 0:42:37 | 0:42:39 | |
Hey, Tre, what's up, my dog? | 0:42:39 | 0:42:41 | |
Hey, Tre, you came to my party. | 0:42:41 | 0:42:43 | |
You came to my par-tre. | 0:42:43 | 0:42:45 | |
LAUGHING | 0:42:45 | 0:42:47 | |
Yo, man, how you feeling? | 0:42:47 | 0:42:49 | |
Yo, I am feeling groovy. | 0:42:49 | 0:42:50 | |
Rob Donovan asked me to throw a party in my cradle. | 0:42:50 | 0:42:54 | |
I mean, you probably don't know how big of a deal that is, | 0:42:54 | 0:42:56 | |
but, you know, for a guy like me, | 0:42:56 | 0:42:58 | |
it's big... | 0:42:58 | 0:42:59 | |
very, very big. | 0:42:59 | 0:43:01 | |
Speaking of your boy Rob, you seen him around? | 0:43:01 | 0:43:03 | |
No. | 0:43:03 | 0:43:05 | |
But... | 0:43:05 | 0:43:06 | |
Have you ever realised how weird of a word llama is? | 0:43:06 | 0:43:10 | |
Llama. | 0:43:10 | 0:43:12 | |
You don't plan on operating no heavy machinery anytime soon, do you? | 0:43:12 | 0:43:16 | |
Mm... | 0:43:16 | 0:43:17 | |
LAUGHING | 0:43:17 | 0:43:19 | |
I'm gonna holler at you, Al. | 0:43:19 | 0:43:20 | |
Tre, yo. You know I love you, baby. | 0:43:20 | 0:43:22 | |
I love you, big dog. | 0:43:22 | 0:43:24 | |
Back away from the juice, player. | 0:43:24 | 0:43:25 | |
Don't chide me, like, I wanna have your babies. | 0:43:25 | 0:43:28 | |
Come on, Tre, what'd that basket do to you? | 0:43:35 | 0:43:39 | |
What you doin' out here so early? | 0:43:39 | 0:43:42 | |
I'm here this early every morning. | 0:43:42 | 0:43:44 | |
Damn, Al, you got skills, man. | 0:43:46 | 0:43:48 | |
Oh, well, I'm all day from back here. | 0:43:48 | 0:43:50 | |
Don't tell anybody, though. | 0:43:50 | 0:43:51 | |
I wouldn't wanna tarnish my towel-boy reputation. | 0:43:51 | 0:43:54 | |
Tell you something, though. | 0:43:56 | 0:43:59 | |
It would be pretty nice to play in a game. | 0:43:59 | 0:44:01 | |
Just for a minute. | 0:44:01 | 0:44:03 | |
That's all it would take. | 0:44:03 | 0:44:06 | |
It doesn't matter now. | 0:44:06 | 0:44:08 | |
When my mom finds out her car got stolen at the party, | 0:44:08 | 0:44:10 | |
she's gonna take her Jimmy Choo and shove it into my temple... | 0:44:10 | 0:44:13 | |
till I'm dead. | 0:44:13 | 0:44:14 | |
Your mom's car got jacked at the party? | 0:44:14 | 0:44:17 | |
Yo, Brooks, I need you. | 0:44:17 | 0:44:18 | |
Gonna ask her to prom, babyface? | 0:44:18 | 0:44:21 | |
You know what, heavy G? | 0:44:21 | 0:44:22 | |
If I wasn't on such a top-priority case right now, | 0:44:22 | 0:44:24 | |
I'd come back with "You so fat, you gotta drink diet water. " | 0:44:24 | 0:44:27 | |
Yo, Brooks, I need you to run a search on all the stolen vehicles | 0:44:27 | 0:44:30 | |
in Westbury Heights in the last few months. | 0:44:30 | 0:44:33 | |
"Westbury Heights, yellow H2." | 0:44:33 | 0:44:37 | |
Here it is. | 0:44:39 | 0:44:40 | |
Thanks. | 0:44:40 | 0:44:43 | |
See, a bunch of cars were reported stolen in Westbury since September. | 0:44:44 | 0:44:48 | |
All the cars were registered to parents of Westbury students | 0:44:48 | 0:44:50 | |
and they were all stolen on Friday or Saturday nights. | 0:44:50 | 0:44:52 | |
You know what happens on Friday or Saturday nights? | 0:44:52 | 0:44:54 | |
Bubble bath and a half-pint of Chunky Monkey? | 0:44:54 | 0:44:57 | |
That's really freaky, Brooks, but nah. | 0:44:57 | 0:45:00 | |
Parties. | 0:45:00 | 0:45:02 | |
Well, what does this have to do with the case? | 0:45:02 | 0:45:04 | |
A yellow H2 was heisted the night that Warren Williams was found dead. | 0:45:04 | 0:45:08 | |
This is just a hunch, but I believe whoever jacked that ride | 0:45:08 | 0:45:10 | |
has something to do with Warren's death, | 0:45:10 | 0:45:12 | |
and Saturday night I was at a party at my boy Al's crib, | 0:45:12 | 0:45:15 | |
this morning I found out that the Jag his mom owns | 0:45:15 | 0:45:18 | |
got jacked out the garage. | 0:45:18 | 0:45:19 | |
So you were at a party where a car was stolen? | 0:45:19 | 0:45:22 | |
Yeah, but whoever did it is gonna try to do it again, | 0:45:22 | 0:45:24 | |
and I'm gonna catch 'em in the act. | 0:45:24 | 0:45:26 | |
And how do you plan on doing that? | 0:45:26 | 0:45:27 | |
Throw a Saturday night soiree. | 0:45:27 | 0:45:30 | |
That's Caucasian for party. You know what? | 0:45:30 | 0:45:32 | |
Cap lives in Westbury with his rich, fine wife. | 0:45:32 | 0:45:36 | |
And he's going outta town this weekend to visit his daughter. | 0:45:36 | 0:45:38 | |
All I gotta do is invite some kids over there with their pricey rides. | 0:45:38 | 0:45:41 | |
The perp's bound to make his move. | 0:45:41 | 0:45:42 | |
There is no way the captain's gonna let you do that at his house. | 0:45:42 | 0:45:45 | |
I can't live in a shoebox. It would blow my cover. | 0:45:45 | 0:45:47 | |
TYRE HISSES | 0:45:49 | 0:45:51 | |
Hey, what's up? | 0:45:58 | 0:45:59 | |
Can you believe this? Today is just not my day. | 0:45:59 | 0:46:01 | |
I got a flat tyre, I ain't got no spare, I just wanna get home. | 0:46:01 | 0:46:05 | |
Come on. I'll give you a ride. | 0:46:05 | 0:46:06 | |
ROCK MUSIC ON RADIO | 0:46:08 | 0:46:10 | |
Hmm. Vintage '65 Stingray. | 0:46:24 | 0:46:26 | |
Whose ride is this? | 0:46:26 | 0:46:28 | |
TRE: Hey! 'Sup, Uncle Paco? | 0:46:29 | 0:46:32 | |
The Impala got a flat, so, er, | 0:46:32 | 0:46:35 | |
my man Rob here gave me a ride here. | 0:46:35 | 0:46:38 | |
To my crib, | 0:46:38 | 0:46:41 | |
where I live. | 0:46:41 | 0:46:42 | |
Oh. Heh heh heh. | 0:46:42 | 0:46:44 | |
Uh, yeah, and you have a beautiful home, sir. | 0:46:44 | 0:46:47 | |
Oh, thank you very much. | 0:46:47 | 0:46:48 | |
You should see the inside. | 0:46:48 | 0:46:50 | |
You know what? You will on Saturday at the party. | 0:46:50 | 0:46:53 | |
What party? | 0:46:53 | 0:46:54 | |
Yeah, what party? | 0:46:54 | 0:46:56 | |
Look at you actin' all coy and stuff. Man, you know what party. | 0:46:56 | 0:46:59 | |
See, he's goin' outta town this weekend to visit his daughter - | 0:46:59 | 0:47:02 | |
my cousin - and, er, you know, he said I could | 0:47:02 | 0:47:05 | |
throw a little Saturday night soiree for all of my new friends. | 0:47:05 | 0:47:08 | |
Isn't he the greatest uncle? | 0:47:08 | 0:47:10 | |
All right, I'll see you on Saturday. | 0:47:10 | 0:47:11 | |
Saturday. | 0:47:11 | 0:47:12 | |
See you, man. All right. | 0:47:12 | 0:47:14 | |
Smile and wave. ENGINE STARTS | 0:47:17 | 0:47:20 | |
Bye-bye. | 0:47:20 | 0:47:21 | |
HIP-HOP MUSIC PLAYING | 0:47:23 | 0:47:25 | |
What's up, my home pickle? | 0:47:55 | 0:47:56 | |
Alexander T. Jeffries in the heezy. | 0:47:56 | 0:47:59 | |
I'm trying a little too hard, aren't I? | 0:47:59 | 0:48:01 | |
Just a little bit, player. | 0:48:01 | 0:48:02 | |
Come on into the party, and get your thing right. | 0:48:02 | 0:48:05 | |
OK, how can a homie score a hottie like that? | 0:48:05 | 0:48:08 | |
Oh, that's what you like? | 0:48:08 | 0:48:10 | |
Man, come on. | 0:48:10 | 0:48:12 | |
School's in session. Watch and learn. | 0:48:12 | 0:48:14 | |
Ladies, ladies, how you doin'? | 0:48:14 | 0:48:16 | |
I'm Tre and this is my pimp friend here, Alexander the great. | 0:48:16 | 0:48:19 | |
Oh, my God! | 0:48:19 | 0:48:20 | |
Rob Donovan is here. | 0:48:20 | 0:48:22 | |
They probably had herpes anyways. | 0:48:24 | 0:48:26 | |
GIRL: Hi, Frank. | 0:48:26 | 0:48:28 | |
BELCHES | 0:48:34 | 0:48:35 | |
Ohh... | 0:48:35 | 0:48:36 | |
Ten years on the force and the captain's reduced us to baby-sitters. | 0:48:39 | 0:48:43 | |
Been sittin' here for three hours, | 0:48:43 | 0:48:44 | |
nothing's happened, and nothing is gonna happen. | 0:48:44 | 0:48:47 | |
Oh, someone needs a hug. | 0:48:47 | 0:48:49 | |
No. What I need is a bathroom. | 0:48:49 | 0:48:52 | |
FLATULENCE | 0:48:52 | 0:48:53 | |
Touching cotton over here. | 0:48:53 | 0:48:54 | |
Oh, God. | 0:48:54 | 0:48:55 | |
(SCOFFS) Go use the bushes. | 0:48:58 | 0:49:00 | |
I'm not squatting in the bushes. I gotta drop a deuce. | 0:49:00 | 0:49:03 | |
Look, cap said we have to stay here | 0:49:03 | 0:49:05 | |
until all the kids go home. | 0:49:05 | 0:49:07 | |
# Dance, dance to the groove | 0:49:17 | 0:49:20 | |
# Dance, dance to the groove | 0:49:20 | 0:49:22 | |
# Dance, dance to the groove | 0:49:22 | 0:49:23 | |
# Dance, dance to the groove | 0:49:23 | 0:49:25 | |
# Dance, dance to the groove | 0:49:25 | 0:49:27 | |
# Dance, dance dance, dance. # | 0:49:27 | 0:49:29 | |
Hi. We didn't realise this was your place. | 0:49:30 | 0:49:33 | |
It wouldn't be a house party unless we got our freak on with the host. | 0:49:33 | 0:49:36 | |
Word? | 0:49:36 | 0:49:37 | |
Wait. Y'all are 18 right? | 0:49:37 | 0:49:40 | |
Put us together and we're 34. | 0:49:40 | 0:49:43 | |
(MOUTHS) | 0:49:44 | 0:49:47 | |
Psst. | 0:49:52 | 0:49:53 | |
Psst. | 0:49:53 | 0:49:55 | |
Brooks! | 0:49:55 | 0:49:56 | |
Give me your magazine. | 0:49:56 | 0:49:58 | |
What, are you having trouble? | 0:49:58 | 0:50:00 | |
I need to wipe. | 0:50:00 | 0:50:02 | |
# Dance, dance to the groove... # | 0:50:04 | 0:50:07 | |
We're like a reverse Oreo. | 0:50:07 | 0:50:09 | |
Yeah! | 0:50:09 | 0:50:10 | |
# Dance, dance, dance, dance... # | 0:50:10 | 0:50:12 | |
# Boom! Shakalakalaka | 0:50:20 | 0:50:21 | |
# Boom! Shakalakalaka | 0:50:21 | 0:50:23 | |
# Boom! Shakalakalaka | 0:50:23 | 0:50:25 | |
# Boom! Shakalakalaka! # | 0:50:25 | 0:50:27 | |
Yo. You seen Rob? | 0:50:30 | 0:50:31 | |
He just left, like, two minutes ago. | 0:50:31 | 0:50:34 | |
Ladies, my brother from another mother. | 0:50:34 | 0:50:36 | |
Put it on him. | 0:50:36 | 0:50:39 | |
Yo! Stokes, man, this place is crazy, huh? | 0:50:40 | 0:50:43 | |
Whoa! Man, listen, I know we haven't gotten off on the right... | 0:50:43 | 0:50:45 | |
Listen, I'm trying to say thank you for throwing this party. | 0:50:45 | 0:50:47 | |
Then write me a thank-you note! | 0:50:47 | 0:50:49 | |
Come on, come on, come on, come on, come on, come on. | 0:50:51 | 0:50:53 | |
ENGINE REVS | 0:50:53 | 0:50:55 | |
BRAKES SQUEAL | 0:51:05 | 0:51:06 | |
Oh, crap. | 0:51:08 | 0:51:09 | |
BRAKES SQUEAL | 0:51:21 | 0:51:23 | |
Come on, man. Don't make me do this. | 0:51:33 | 0:51:35 | |
You lost 'em. | 0:51:46 | 0:51:49 | |
And you lost 'em. | 0:51:49 | 0:51:52 | |
All right, who wants to explain first? | 0:51:52 | 0:51:54 | |
Look, my car was blocked in, so I took pursuit on foot. | 0:51:54 | 0:51:57 | |
Have you ever tried to catch a Corvette in Timberlands? I mean... | 0:51:57 | 0:52:00 | |
Maybe they should explain. | 0:52:02 | 0:52:04 | |
Uh, we were conducting surveillance | 0:52:07 | 0:52:09 | |
and at the time the perp made his move, | 0:52:09 | 0:52:12 | |
Gallecki was in the bushes... | 0:52:12 | 0:52:14 | |
temporarily indisposed. | 0:52:14 | 0:52:16 | |
You were taking a dump on my lawn? | 0:52:20 | 0:52:22 | |
No! | 0:52:22 | 0:52:24 | |
It was your neighbour's lawn. | 0:52:24 | 0:52:25 | |
Oh, my neighbour's lawn. | 0:52:25 | 0:52:27 | |
Get outta here. | 0:52:27 | 0:52:28 | |
Gotta talk to Stokes. | 0:52:28 | 0:52:29 | |
Go on, both of you. | 0:52:29 | 0:52:31 | |
Look, cap, I know you're upset about your car, | 0:52:38 | 0:52:41 | |
but I promise I'm gonna get it back. | 0:52:41 | 0:52:43 | |
Did you have him? | 0:52:43 | 0:52:45 | |
Who? | 0:52:45 | 0:52:46 | |
You know damn well who I'm talking about. Did you have him? | 0:52:46 | 0:52:50 | |
I shot, but I missed. | 0:52:50 | 0:52:53 | |
You don't miss. | 0:52:53 | 0:52:56 | |
You're reckless. | 0:52:57 | 0:52:59 | |
You're dangerous. | 0:52:59 | 0:53:01 | |
And I don't trust you any more. | 0:53:01 | 0:53:03 | |
You're off the force. | 0:53:06 | 0:53:07 | |
Pending investigation, but you're off the force. | 0:53:07 | 0:53:10 | |
What's that supposed to mean? | 0:53:10 | 0:53:11 | |
It supposed to mean find a new job. | 0:53:11 | 0:53:13 | |
But, cap, all I was trying to do was make sure that... | 0:53:13 | 0:53:16 | |
Hey, it's over. | 0:53:16 | 0:53:17 | |
You got two days to pack up your stuff. | 0:53:17 | 0:53:19 | |
Let me finish school, then. | 0:53:25 | 0:53:28 | |
I'm close to getting my diploma. Let me finish what I started. | 0:53:28 | 0:53:31 | |
All right. Yeah. | 0:53:35 | 0:53:38 | |
But as a student, not an officer. | 0:53:38 | 0:53:41 | |
# Mr Nothing's got a lot | 0:54:01 | 0:54:04 | |
# He's got a lot to say | 0:54:05 | 0:54:08 | |
# He's good at being what he's not | 0:54:14 | 0:54:17 | |
# He gives nothin' away | 0:54:18 | 0:54:22 | |
# Hmm | 0:54:23 | 0:54:26 | |
# Another day goes on by | 0:54:26 | 0:54:31 | |
# And he never speaks his heart | 0:54:31 | 0:54:35 | |
# Oh, no, no... # | 0:54:35 | 0:54:37 | |
"Add four parts vanilla." | 0:54:37 | 0:54:39 | |
Hey, that's not vanilla. | 0:54:40 | 0:54:42 | |
CHUCKLES | 0:54:42 | 0:54:44 | |
Well, you know, chocolate has more flavour. | 0:54:44 | 0:54:47 | |
What are you doing here so late? | 0:54:47 | 0:54:49 | |
If I don't learn how to bake a cake, my whole GPA'll go down. | 0:54:49 | 0:54:52 | |
Mm. Looks good. | 0:54:52 | 0:54:54 | |
Yeah, it looks a lot better than the first five I made. | 0:54:54 | 0:54:58 | |
Well, I'm impressed, Tracy Stokes. | 0:54:58 | 0:55:01 | |
And I'm not just talking about the...about the cake. | 0:55:03 | 0:55:08 | |
Thanks. | 0:55:08 | 0:55:09 | |
So why don't you stop frontin'? | 0:55:13 | 0:55:15 | |
You know you want it. | 0:55:17 | 0:55:20 | |
Tracy, you can't be saying things like that. | 0:55:20 | 0:55:23 | |
See? There you go. | 0:55:23 | 0:55:26 | |
Get your mind out the gutter. | 0:55:26 | 0:55:29 | |
I'm talkin' about the chocolate. | 0:55:29 | 0:55:31 | |
See, you are freak. Ooh... | 0:55:31 | 0:55:33 | |
Oh, stop. | 0:55:33 | 0:55:34 | |
Me gusta. Mami. | 0:55:37 | 0:55:39 | |
Nah, nah, it's cool. | 0:55:39 | 0:55:41 | |
Take your shoes off. | 0:55:41 | 0:55:42 | |
Mi casa es su casa. | 0:55:42 | 0:55:45 | |
Hey. | 0:55:50 | 0:55:52 | |
Brooks. | 0:55:54 | 0:55:55 | |
What you doin' here so late? | 0:55:55 | 0:55:58 | |
I'm always here this late. | 0:55:58 | 0:56:00 | |
I guess that would explain your wild weekends with Ben & Jerry, huh? | 0:56:00 | 0:56:04 | |
Tell me you're not here working on the Warren Williams case. | 0:56:04 | 0:56:08 | |
Oh, um, nah, nah, nah. | 0:56:08 | 0:56:10 | |
I was just using this file as a pillow. | 0:56:10 | 0:56:12 | |
Tre, I'm trying to get you your old job back. | 0:56:12 | 0:56:15 | |
Just lay low for a while, | 0:56:15 | 0:56:17 | |
and you might be a cop again. | 0:56:17 | 0:56:19 | |
It ain't even about that. | 0:56:19 | 0:56:22 | |
Why do you care about this so much? | 0:56:22 | 0:56:25 | |
I been messin' up all my life. | 0:56:29 | 0:56:31 | |
Dropped out of high school a month before graduation, | 0:56:33 | 0:56:36 | |
broke my dad's heart. | 0:56:36 | 0:56:38 | |
He said I wouldn't amount to anything | 0:56:38 | 0:56:40 | |
if I didn't get an education. | 0:56:40 | 0:56:42 | |
And that man meant the world to me... | 0:56:44 | 0:56:46 | |
I was nothin' but a disappointment to him. | 0:56:48 | 0:56:51 | |
Look, Rob's a good kid, man. He's just mixed up in a bad situation. | 0:56:52 | 0:56:56 | |
It makes no sense that he would boost cars. | 0:56:56 | 0:56:59 | |
There's something else goin' down, and I'm gonna prove it. | 0:57:01 | 0:57:04 | |
The aronia bush, a deciduous shrub | 0:57:05 | 0:57:08 | |
which produces wonderful succulent black chokeberries | 0:57:08 | 0:57:12 | |
that can be harvested at this time of year. | 0:57:12 | 0:57:16 | |
There are some growing on the west side of campus, | 0:57:16 | 0:57:18 | |
down by the old storage facility. | 0:57:18 | 0:57:20 | |
TRUCK APPROACHES | 0:57:20 | 0:57:22 | |
AS AL PACINO: Say hello to my little friend. | 0:58:35 | 0:58:38 | |
CAR STOPS OUTSIDE | 0:58:57 | 0:58:59 | |
BOYS TALKING INDISTINCTLY | 0:58:59 | 0:59:02 | |
CLANG | 0:59:06 | 0:59:08 | |
ROB: You're overreacting. | 0:59:09 | 0:59:11 | |
BOS: Don't you think it's just a little convenient | 0:59:11 | 0:59:12 | |
he shows up in the middle of the semester? | 0:59:12 | 0:59:14 | |
Hmm? Then he chases you down with a gun? | 0:59:14 | 0:59:17 | |
If someone tried to steal my ride, I'd pull a piece, too. | 0:59:17 | 0:59:19 | |
I'm tellin' you, he needs to be dealt with. All right? | 0:59:19 | 0:59:23 | |
I haven't trusted that punk from day one. | 0:59:23 | 0:59:26 | |
That punk was the only one that had my back | 0:59:26 | 0:59:28 | |
on the beach while you two made a jailbreak. | 0:59:28 | 0:59:31 | |
Just relax. | 0:59:31 | 0:59:32 | |
No, no, Rob, I'm not just gonna relax, OK? | 0:59:32 | 0:59:35 | |
You act like nothing happened. | 0:59:35 | 0:59:37 | |
Hey! Not a day has gone by I haven't thought about what went down. | 0:59:37 | 0:59:40 | |
We should just call the police. And say what? | 0:59:40 | 0:59:41 | |
What are we gonna say? That he blackmailed us? | 0:59:41 | 0:59:44 | |
Our part of the deal is done. | 0:59:50 | 0:59:52 | |
From now on, we're clean. | 0:59:52 | 0:59:54 | |
All we have to do is lay low and everything's gonna be all right. | 0:59:56 | 0:59:59 | |
Just lay low. | 0:59:59 | 1:00:01 | |
That's the plan? | 1:00:01 | 1:00:02 | |
Let's go. | 1:00:04 | 1:00:06 | |
KEYS JINGLING | 1:00:07 | 1:00:09 | |
BOS MUTTERING | 1:00:09 | 1:00:11 | |
DOOR SQUEAKS | 1:00:11 | 1:00:13 | |
DOOR CLOSES | 1:00:15 | 1:00:17 | |
What looked like a blood stain on Warren Williams' shirt | 1:00:18 | 1:00:21 | |
was tested by forensics. It turned out that the stain... | 1:00:21 | 1:00:23 | |
Stain was from an aronia bush. | 1:00:23 | 1:00:24 | |
We know this, CSI. Those trees are as common as BMWs in Westbury Heights. | 1:00:24 | 1:00:27 | |
It could have come from anywhere. | 1:00:27 | 1:00:29 | |
Right, including on campus. | 1:00:29 | 1:00:31 | |
I was looking around where those trees are and I found this. | 1:00:31 | 1:00:34 | |
You found a pen on a campus? That's amazing. | 1:00:34 | 1:00:37 | |
Come on, man. Pay attention. | 1:00:37 | 1:00:38 | |
Rob's name was written in red ink | 1:00:38 | 1:00:40 | |
on that notepad found at the scene. | 1:00:40 | 1:00:41 | |
Bet you can get forensics to test this. | 1:00:41 | 1:00:43 | |
You'll find Warren's prints and the ink match. | 1:00:43 | 1:00:45 | |
Kid was there, and he was onto something. | 1:00:45 | 1:00:47 | |
What else you got? | 1:00:49 | 1:00:50 | |
I saw a gang of covered cars being hauled off on a truck. | 1:00:50 | 1:00:53 | |
I followed the tyre tracks, | 1:00:53 | 1:00:54 | |
and they led me to a storage garage housing car racks. | 1:00:54 | 1:00:56 | |
You saw the stolen cars? | 1:00:56 | 1:00:58 | |
Nah. | 1:00:58 | 1:00:59 | |
I saw this. | 1:00:59 | 1:01:02 | |
It's the same customised cap from the Murdock bust. | 1:01:02 | 1:01:04 | |
You think this has something to do with drugs? | 1:01:04 | 1:01:07 | |
I can't prove it, but I got a hunch | 1:01:07 | 1:01:08 | |
that it has something to do with drugs and cars. | 1:01:08 | 1:01:11 | |
And I'm telling you, Rob and his boys are just puppets. | 1:01:11 | 1:01:13 | |
Somebody else is behind the curtains pulling the strings. | 1:01:13 | 1:01:15 | |
All right, let me get this straight, Toto. | 1:01:15 | 1:01:17 | |
You got me up in the middle of the night to come down here for a hunch? | 1:01:17 | 1:01:19 | |
Sometimes hunches are how cases are solved. | 1:01:19 | 1:01:22 | |
Ohh, you're wasting my time, babyface. | 1:01:22 | 1:01:24 | |
Look, G, I get it. | 1:01:24 | 1:01:27 | |
I look young, you look chunky. | 1:01:27 | 1:01:29 | |
It's not about that right now. | 1:01:29 | 1:01:30 | |
I need your help. | 1:01:30 | 1:01:31 | |
Together we can make this happen. | 1:01:33 | 1:01:35 | |
If what you say is true, we'll find out when we question Donovan. | 1:01:37 | 1:01:41 | |
Huh... Wh-what are you talking about? | 1:01:41 | 1:01:44 | |
His prints were found in the captain's garage. | 1:01:44 | 1:01:47 | |
As soon as we get the green light from the commish, we're movin'. | 1:01:47 | 1:01:49 | |
KNOCK ON DOOR | 1:01:50 | 1:01:51 | |
SIGHS | 1:01:52 | 1:01:54 | |
KNOCK ON DOOR | 1:01:54 | 1:01:56 | |
SIGHS | 1:01:56 | 1:01:57 | |
You better have a very good reason for waking me up at 6:00am. | 1:02:00 | 1:02:04 | |
I brought you your paper. | 1:02:04 | 1:02:05 | |
I get it delivered. | 1:02:05 | 1:02:07 | |
I know. I brought it from the driveway to the door. | 1:02:07 | 1:02:09 | |
SPEAKING SPANISH | 1:02:09 | 1:02:10 | |
Hey, I know what you sayin'. No need for name calling. | 1:02:10 | 1:02:14 | |
What are you doing here, Tre? | 1:02:14 | 1:02:16 | |
I just came by to ask you to hold off on bringing Donovan in. | 1:02:16 | 1:02:18 | |
First, let Brooks and Gallecki scope out the school. My report says... | 1:02:18 | 1:02:21 | |
Hey, unless you're talking about your book report, | 1:02:21 | 1:02:23 | |
I don't want to hear about it. | 1:02:23 | 1:02:25 | |
Cap, my dad always used to say, | 1:02:25 | 1:02:26 | |
"If you don't stand for something, you'll fall for anything." | 1:02:26 | 1:02:29 | |
If you arrest Rob, you're gonna ruin this kid's whole future. | 1:02:29 | 1:02:32 | |
You should be thinking about your future. | 1:02:32 | 1:02:34 | |
Go to school. Learn something. | 1:02:34 | 1:02:36 | |
Dad also used to say if I needed someone, | 1:02:37 | 1:02:39 | |
I could turn to you. | 1:02:39 | 1:02:41 | |
Guess he was wrong about that. | 1:02:41 | 1:02:43 | |
If she can't take your needs... | 1:02:46 | 1:02:47 | |
Hey. | 1:02:48 | 1:02:49 | |
What's up? | 1:02:51 | 1:02:52 | |
Let's take a ride. | 1:02:52 | 1:02:54 | |
You know how to use one of these? | 1:02:56 | 1:02:58 | |
Heh. Shoot. | 1:02:59 | 1:03:01 | |
The basketball court ain't the only place I'm a sure shot. | 1:03:01 | 1:03:04 | |
GUNSHOTS | 1:03:04 | 1:03:05 | |
Yo, man, what we doing out here? | 1:03:31 | 1:03:33 | |
You know, I read a really interesting chapter | 1:03:33 | 1:03:35 | |
in my history book the other day about Benedict Arnold. | 1:03:35 | 1:03:37 | |
He made some good eggs. | 1:03:37 | 1:03:39 | |
No, he was a trusted and admired general in the revolutionary war. | 1:03:39 | 1:03:43 | |
But then he turned his back and fought for the enemy. | 1:03:43 | 1:03:46 | |
GUNSHOTS | 1:03:46 | 1:03:47 | |
I'm sure he had his reasons. | 1:03:49 | 1:03:50 | |
No, you never betray your men. | 1:03:50 | 1:03:52 | |
Sometimes it's the right choice. | 1:03:52 | 1:03:54 | |
What do you say we end this now so no-one else gets hurt? | 1:03:55 | 1:03:59 | |
No, I can't just surrender now. | 1:04:03 | 1:04:04 | |
Have it your way. | 1:04:04 | 1:04:06 | |
FORKLIFT BUZZING | 1:04:12 | 1:04:14 | |
How's it goin', boss? | 1:04:21 | 1:04:23 | |
Cars went off right on schedule. | 1:04:23 | 1:04:24 | |
Good. Good. Look, a small problem has arisen I need you to take care of. | 1:04:24 | 1:04:28 | |
David Boscoe has given me some rather unfortunate information | 1:04:28 | 1:04:31 | |
concerning that new student, er, Tracy Stokes. | 1:04:31 | 1:04:34 | |
So... | 1:04:34 | 1:04:35 | |
What? You want us to... | 1:04:40 | 1:04:41 | |
You're kidding, right? | 1:04:43 | 1:04:45 | |
Hey, look, man, we're cool moving product for you, but we're not... | 1:04:50 | 1:04:53 | |
12 months ago, I was given a golden opportunity - | 1:04:53 | 1:04:56 | |
something to make up for the thankless years I've devoted to Westbury, | 1:04:56 | 1:04:59 | |
with its spoiled little darlings and their daddys' millions. | 1:04:59 | 1:05:02 | |
I-I can understand that, but we're not... | 1:05:02 | 1:05:03 | |
Hey, listen. Tomorrow night sees the culmination of all our hard work. | 1:05:03 | 1:05:08 | |
And I will allow no-one to stand in the way of what is coming to me. | 1:05:08 | 1:05:13 | |
So, please, less of the drug dealers with scruples routine | 1:05:14 | 1:05:17 | |
and just do as you're told. | 1:05:17 | 1:05:19 | |
Hmm? | 1:05:20 | 1:05:21 | |
Cheer up. | 1:05:21 | 1:05:24 | |
I'm about to make you the wealthiest grounds staff in history. | 1:05:24 | 1:05:27 | |
MAN: Let's go, now! | 1:05:29 | 1:05:32 | |
Come on, fellas, do it! | 1:05:32 | 1:05:34 | |
BOY: Come on, we got these clowns, man. | 1:05:34 | 1:05:36 | |
Chicken! They're live. | 1:05:36 | 1:05:39 | |
Let's do it! | 1:05:39 | 1:05:40 | |
You wanted to see us, cap? | 1:05:46 | 1:05:48 | |
Yeah. I want you two to go check out the storage facility at Westbury. | 1:05:48 | 1:05:51 | |
Ohh, you gotta be kidding me. | 1:05:51 | 1:05:52 | |
Hey, Gallecki, just do it, OK? | 1:05:52 | 1:05:54 | |
Be sure to hit the shitter before you go this time too. | 1:05:54 | 1:05:57 | |
CELL PHONE RINGS | 1:06:03 | 1:06:04 | |
Yeah? | 1:06:07 | 1:06:08 | |
Everything on schedule? | 1:06:09 | 1:06:11 | |
TRE: Yo, Rob. | 1:06:11 | 1:06:12 | |
Very good. See you shortly. | 1:06:12 | 1:06:15 | |
I know you think you don't have nobody to turn to, | 1:06:17 | 1:06:19 | |
but you can turn to me. | 1:06:19 | 1:06:20 | |
SCOFFS: Be my peer counsellor? | 1:06:20 | 1:06:23 | |
I'm a cop. | 1:06:24 | 1:06:26 | |
I thought you were my friend. | 1:06:29 | 1:06:31 | |
Look, man, I am your friend. | 1:06:31 | 1:06:33 | |
Unless you let me know what's going on, I can't help you. | 1:06:33 | 1:06:35 | |
We pulled a senior prank - | 1:06:38 | 1:06:40 | |
hot-wired Powers' car and we totalled it. | 1:06:40 | 1:06:42 | |
He was gonna expel us unless we boosted... | 1:06:42 | 1:06:43 | |
Boosted the cars for him. | 1:06:43 | 1:06:45 | |
It would have ruined my life. | 1:06:45 | 1:06:46 | |
(SIGHS) What about Warren? | 1:06:46 | 1:06:49 | |
He was investigating the thefts. | 1:06:53 | 1:06:55 | |
He must have been hiding somewhere nearby, and then he followed us. | 1:06:55 | 1:06:58 | |
And he saw us pull the Hummer into the storage facility. | 1:06:58 | 1:07:01 | |
You saying Powers ran him over? | 1:07:01 | 1:07:03 | |
Man, why are you protecting him? | 1:07:05 | 1:07:07 | |
Powers hopped in the Hummer and chased him. That's all we saw. | 1:07:07 | 1:07:09 | |
Look, Tre, this is over. It's done. | 1:07:09 | 1:07:12 | |
Man, this ain't done. | 1:07:12 | 1:07:13 | |
This is gonna be with you for the rest of your life. | 1:07:13 | 1:07:16 | |
Tre! | 1:07:18 | 1:07:19 | |
If you're my friend, man, you'll just let this go. | 1:07:20 | 1:07:23 | |
Can't do it. | 1:07:24 | 1:07:25 | |
AIR HORN BLARES | 1:07:32 | 1:07:34 | |
CROWD CHEERING | 1:07:34 | 1:07:36 | |
Let's go, fellas! | 1:07:43 | 1:07:45 | |
Come on, boys. | 1:07:45 | 1:07:46 | |
CROWD CHATTERING | 1:07:46 | 1:07:48 | |
ROB: Hey, you guys, you guys, bring it in. Bring it in. | 1:07:49 | 1:07:52 | |
Where's Stokes going? | 1:07:52 | 1:07:53 | |
He's out. | 1:07:53 | 1:07:54 | |
Out? What do you mean, he's out? It's the championship game. | 1:07:54 | 1:07:56 | |
I'm out, too. Cos, you're in for Tre. | 1:07:56 | 1:07:59 | |
Rob... You sure about this? | 1:07:59 | 1:08:02 | |
I got business to take care of. | 1:08:02 | 1:08:03 | |
Who's gonna play for you? | 1:08:03 | 1:08:05 | |
You wanna win? Put me in. | 1:08:05 | 1:08:07 | |
AIR HORN BLARES | 1:08:07 | 1:08:09 | |
All right, Saints on 3. | 1:08:09 | 1:08:10 | |
1, 2, 3. | 1:08:10 | 1:08:11 | |
ALL: Saints! | 1:08:11 | 1:08:13 | |
OK, Al, just stand right there. | 1:08:14 | 1:08:17 | |
Stay out of the way. | 1:08:17 | 1:08:18 | |
Hey, man. Can we talk to you for a second? | 1:08:26 | 1:08:28 | |
I don't sign autographs. | 1:08:28 | 1:08:30 | |
Yeah? You might want to rethink that. | 1:08:30 | 1:08:32 | |
Whoo-hoo! Nice, Al. May be a shooter. | 1:08:40 | 1:08:43 | |
Ms Lopez. | 1:08:43 | 1:08:44 | |
What's going on here? | 1:08:44 | 1:08:46 | |
Why don't you head back to the game? I'll catch up with you later. | 1:08:46 | 1:08:47 | |
Are you OK? You know what? | 1:08:47 | 1:08:48 | |
Both of you in the car, right now! Let's go. | 1:08:48 | 1:08:51 | |
Get in. | 1:08:54 | 1:08:55 | |
Get in the car! | 1:08:55 | 1:08:57 | |
CAR DOORS CLOSE | 1:08:57 | 1:08:58 | |
Nobody puts their hands on me. | 1:08:58 | 1:08:59 | |
GRUNTING | 1:08:59 | 1:09:00 | |
Headmaster Powers. Shut up! | 1:09:10 | 1:09:12 | |
What's she doing here? She was with him. | 1:09:12 | 1:09:14 | |
Will somebody tell me what the hell is going on? | 1:09:14 | 1:09:16 | |
I'm sorry, Karen. You were one of my favourite teachers. | 1:09:16 | 1:09:19 | |
Felix, what are you talk... Shut up! | 1:09:19 | 1:09:22 | |
I'm afraid your tenure at Westbury has just come to an end. | 1:09:25 | 1:09:28 | |
Like I said, you only get one warning. | 1:09:28 | 1:09:30 | |
Smith, bring her with us. No, no, no... | 1:09:30 | 1:09:32 | |
Hey, anything happens to her, I'll bust in your British ass. | 1:09:32 | 1:09:35 | |
It's gonna be cool. | 1:09:35 | 1:09:36 | |
SPEAKS SPANISH | 1:09:36 | 1:09:37 | |
Hey, yo, Powers, I'm gonna catch you later. | 1:09:37 | 1:09:40 | |
You're hurting me! | 1:09:40 | 1:09:42 | |
I have cuffs under the seat. | 1:09:42 | 1:09:44 | |
Get in! | 1:09:44 | 1:09:46 | |
SHOUTS | 1:09:48 | 1:09:49 | |
ENGINE STARTS | 1:09:51 | 1:09:53 | |
ENGINE REVS | 1:09:55 | 1:09:56 | |
MAN: Move! | 1:10:00 | 1:10:01 | |
Or what, birdbrain? | 1:10:01 | 1:10:04 | |
You can't shoot me. I'm just a kid. | 1:10:04 | 1:10:05 | |
I hate kids. | 1:10:05 | 1:10:06 | |
Turn around, man! | 1:10:06 | 1:10:08 | |
Ask me nicely. You ever heard the word please? | 1:10:08 | 1:10:10 | |
Freeze! LAPD! | 1:10:10 | 1:10:11 | |
Uhh! | 1:10:11 | 1:10:13 | |
Ow! Aah! | 1:10:17 | 1:10:18 | |
Ohh! | 1:10:18 | 1:10:20 | |
Ohh! | 1:10:20 | 1:10:21 | |
Aah! Bitch! | 1:10:21 | 1:10:23 | |
Good thing you hate kids, cos now you can't have none. | 1:10:23 | 1:10:26 | |
GRUNTING: I'm OK, I'm OK. | 1:10:26 | 1:10:29 | |
Brooks... | 1:10:29 | 1:10:30 | |
I called dispatch. The headmaster's got Karen. | 1:10:30 | 1:10:33 | |
I put my cell phone in her pocket so we can trace it. | 1:10:33 | 1:10:35 | |
We gonna get you to a hospital, Brooks. You'll be fine. | 1:10:35 | 1:10:37 | |
'LAPD dispatch.' This is Detective Gallecki. | 1:10:37 | 1:10:39 | |
Put a trace on Officer Stokes' cell phone. | 1:10:39 | 1:10:42 | |
We have a hostage situation. | 1:10:42 | 1:10:44 | |
A hunch, huh? | 1:10:44 | 1:10:45 | |
We've tracked Officer Stokes' cell phone heading southbound on the 110. | 1:10:46 | 1:10:50 | |
He's exiting at Long Beach Harbour. | 1:10:50 | 1:10:52 | |
Long Beach Harbour, got it. | 1:10:52 | 1:10:53 | |
He's on the 110 south. | 1:10:53 | 1:10:55 | |
Look, G... | 1:10:55 | 1:10:56 | |
Yo, T, go ahead. | 1:10:56 | 1:10:58 | |
Make it happen. | 1:10:58 | 1:11:00 | |
GROANS | 1:11:00 | 1:11:02 | |
CAR APPROACHING | 1:11:02 | 1:11:04 | |
Looks like you need another lift. | 1:11:06 | 1:11:08 | |
Watch out. I'm drivin'. No, I got this. Get in. | 1:11:08 | 1:11:10 | |
Yo, let me see your cell. | 1:11:17 | 1:11:18 | |
TELEPHONE RINGS Captain Delgado. | 1:11:22 | 1:11:24 | |
Hey, yo, cap. | 1:11:24 | 1:11:25 | |
Brooks and Gallecki are hit, a perp is down, | 1:11:25 | 1:11:27 | |
and dispatch just tracked my phone to the Long Beach Harbour. | 1:11:27 | 1:11:29 | |
Whoa, whoa, whoa - Dispatch, Harbour... | 1:11:29 | 1:11:31 | |
Tre, what the hell's going on? | 1:11:31 | 1:11:33 | |
What's going on is I need mad back-up! | 1:11:33 | 1:11:35 | |
Send the damn cavalry, LAPD, SWAT, Hawaii Five-0, whoever you got. | 1:11:35 | 1:11:39 | |
It's goin' down! All right, all right. | 1:11:39 | 1:11:40 | |
I'll send some black and whites. | 1:11:40 | 1:11:42 | |
Hey, you go anywhere near that harbour, | 1:11:42 | 1:11:44 | |
and I'll file obstruction of justice charges against you. You understand? | 1:11:44 | 1:11:47 | |
IMITATES STATIC 'Tre?' | 1:11:47 | 1:11:49 | |
Hey, if we end up having to be cellmates, | 1:11:49 | 1:11:52 | |
I got the top bunk. | 1:11:52 | 1:11:53 | |
I brought some artillery. | 1:12:00 | 1:12:02 | |
Since when are you strapped? | 1:12:02 | 1:12:04 | |
It's a paintball gun. | 1:12:04 | 1:12:05 | |
Come on, man, let's go! | 1:12:10 | 1:12:11 | |
Hey, if I get so much as a scratch on this car, my dad will kill me. | 1:12:11 | 1:12:14 | |
Your dad gonna kill... Man, you ain't gonna get a scratch. Come on! | 1:12:14 | 1:12:18 | |
Go around 'em. | 1:12:26 | 1:12:27 | |
Oh, sh... | 1:12:29 | 1:12:31 | |
TYRES SCREECHING | 1:12:31 | 1:12:32 | |
Oh, lordy! | 1:12:32 | 1:12:34 | |
Oh! | 1:12:34 | 1:12:35 | |
ENGINE ACCELERATING | 1:12:35 | 1:12:37 | |
HORN HONKS | 1:12:37 | 1:12:39 | |
HORN HONKING Oh! | 1:12:40 | 1:12:42 | |
KAREN: Let me go, Felix. | 1:13:06 | 1:13:08 | |
Let me... Hey, let me go! | 1:13:08 | 1:13:11 | |
We'll deal with her later. | 1:13:11 | 1:13:13 | |
Julian. | 1:13:16 | 1:13:17 | |
Felix. You're late. | 1:13:17 | 1:13:20 | |
LA traffic - always unpredictable. | 1:13:20 | 1:13:22 | |
I was wondering why my customers wanted to take those cars overseas. | 1:13:22 | 1:13:26 | |
Speaking of which, can we see some nice, new cars? | 1:13:26 | 1:13:29 | |
Uh-uh-uh... | 1:13:29 | 1:13:31 | |
The product. | 1:13:31 | 1:13:32 | |
Felix... | 1:13:32 | 1:13:34 | |
So, your man's got you dealing, too? | 1:13:37 | 1:13:38 | |
Whoa. What are you talking about? | 1:13:38 | 1:13:40 | |
The storage facility was set up for a big shipment of bliss. | 1:13:40 | 1:13:43 | |
All we did was jack the cars. | 1:13:43 | 1:13:44 | |
I mean, we wanted out. He forced us to keep stealing. | 1:13:44 | 1:13:47 | |
What does Powers want with a whole bunch of stolen cars? | 1:13:47 | 1:13:50 | |
Look, I'm guessing he's selling for a lot of cash. | 1:13:50 | 1:13:53 | |
Or trading it for a lot of bliss. | 1:13:54 | 1:13:56 | |
Your worker bees have been busy. | 1:14:08 | 1:14:10 | |
Westbury students are renowned for their dedication. | 1:14:10 | 1:14:13 | |
TRE: Cut the lights. | 1:14:14 | 1:14:15 | |
There he go. | 1:14:21 | 1:14:22 | |
He got his boys with him like a bunch of English crips. | 1:14:22 | 1:14:25 | |
Punk ass. | 1:14:25 | 1:14:26 | |
So, what's the play? | 1:14:26 | 1:14:29 | |
See that warehouse? | 1:14:29 | 1:14:31 | |
Drive into it. | 1:14:31 | 1:14:32 | |
Like I said, | 1:14:34 | 1:14:35 | |
if I get a scratch on this car, my dad will kill me. | 1:14:35 | 1:14:38 | |
So, professor, how's your chemistry? | 1:14:38 | 1:14:41 | |
Mr Smith? | 1:14:41 | 1:14:42 | |
It's good, boss. | 1:14:52 | 1:14:53 | |
Whose car is this, anyway? | 1:14:53 | 1:14:54 | |
Drive the car into the warehouse. | 1:14:54 | 1:14:56 | |
You ready? Drive the car! | 1:14:56 | 1:14:58 | |
Drive this car into the warehouse. | 1:14:58 | 1:15:00 | |
You happy, Felix? | 1:15:00 | 1:15:02 | |
Blissful. | 1:15:04 | 1:15:05 | |
METAL CLANGS | 1:15:11 | 1:15:13 | |
GUNSHOTS | 1:15:15 | 1:15:16 | |
Get down! | 1:15:16 | 1:15:18 | |
Ohh! | 1:15:24 | 1:15:26 | |
Ohh! | 1:15:33 | 1:15:35 | |
Unh! Uhh! | 1:15:51 | 1:15:53 | |
Move! | 1:16:08 | 1:16:10 | |
GLASS SHATTERS | 1:16:20 | 1:16:22 | |
Your daddy gonna kill you. | 1:16:27 | 1:16:29 | |
Oh! You're on fire! | 1:16:29 | 1:16:31 | |
Oh! Oh! | 1:16:31 | 1:16:32 | |
Unh, unh! | 1:16:32 | 1:16:34 | |
Uhh! | 1:16:42 | 1:16:43 | |
Uhh! Unh! | 1:16:46 | 1:16:49 | |
Man, I need you to cover me. | 1:16:49 | 1:16:50 | |
What? | 1:16:50 | 1:16:51 | |
Unh! | 1:16:53 | 1:16:54 | |
Unh! | 1:17:10 | 1:17:12 | |
SPEAKING SPANISH | 1:17:23 | 1:17:25 | |
TYRES SCREECH | 1:17:26 | 1:17:28 | |
KAREN SHOUTING | 1:17:29 | 1:17:31 | |
CLANGING AND BUZZING | 1:17:39 | 1:17:41 | |
Hey, you're hurting me. SHE PANTS | 1:17:45 | 1:17:49 | |
She ain't got nothing to do with this. Let her go. | 1:17:49 | 1:17:51 | |
You're in no position to make demands. | 1:17:51 | 1:17:53 | |
Well, one more step, and you ain't gonna make it to the prison prom. | 1:17:53 | 1:17:56 | |
You wouldn't want me to hurt your favourite teacher, now, would you? | 1:17:56 | 1:17:59 | |
Karen... | 1:17:59 | 1:18:00 | |
SPEAKING SPANISH | 1:18:00 | 1:18:01 | |
Aah! Aah! | 1:18:04 | 1:18:05 | |
Yo, Karen, you OK? | 1:18:09 | 1:18:10 | |
Stay here. Help's on the way. | 1:18:10 | 1:18:11 | |
OK. OK. | 1:18:11 | 1:18:12 | |
ENGINE ROARS | 1:18:21 | 1:18:22 | |
ENGINE REVVING | 1:18:25 | 1:18:26 | |
SPLASH | 1:18:26 | 1:18:28 | |
GRUNTING AND PANTING | 1:18:31 | 1:18:34 | |
SIRENS WAILING | 1:18:40 | 1:18:42 | |
HELICOPTER WHIRRING | 1:18:44 | 1:18:47 | |
GRUNTING | 1:18:58 | 1:19:01 | |
Told you I was gonna catch your punk ass. | 1:19:01 | 1:19:03 | |
THUD | 1:19:05 | 1:19:06 | |
METALLIC SCRAPING | 1:19:06 | 1:19:08 | |
ENGINE ACCELERATES | 1:19:27 | 1:19:28 | |
CLANG | 1:19:35 | 1:19:37 | |
SHOUTING | 1:19:40 | 1:19:42 | |
SNAP | 1:19:44 | 1:19:45 | |
CLANG | 1:19:52 | 1:19:53 | |
Go over by that barge. | 1:20:05 | 1:20:07 | |
There he is. There he is, right there. | 1:20:38 | 1:20:41 | |
All right, take her down, slowly. | 1:20:41 | 1:20:42 | |
Tre, Tre, grab onto the skid! | 1:20:53 | 1:20:56 | |
Grab on. We'll take you to shore. | 1:20:58 | 1:21:00 | |
TRE: Yo, Sumter, I'll handle this, man. | 1:21:16 | 1:21:18 | |
Thanks a lot. | 1:21:18 | 1:21:19 | |
You don't have nothing to worry about. | 1:21:19 | 1:21:21 | |
You guys are minors under duress. | 1:21:21 | 1:21:23 | |
I'm gonna talk to some people. | 1:21:23 | 1:21:24 | |
You won't see any jail time at all. You'll be fine. | 1:21:24 | 1:21:26 | |
I know. I'm just glad this is over. | 1:21:26 | 1:21:29 | |
Might have to put you on the side of the freeway | 1:21:29 | 1:21:31 | |
in one of them orange jumpsuits, though. | 1:21:31 | 1:21:32 | |
You and Bobby Brown. Heh. | 1:21:32 | 1:21:34 | |
Get in the car, man. | 1:21:34 | 1:21:36 | |
Yo, Tre... | 1:21:37 | 1:21:38 | |
Thanks, man. | 1:21:38 | 1:21:39 | |
No doubt. | 1:21:40 | 1:21:42 | |
Keep your cheeks together. | 1:21:43 | 1:21:45 | |
Did you check on Brooks and Gallecki? | 1:21:46 | 1:21:47 | |
They're on their way to the hospital. They'll be fine. | 1:21:47 | 1:21:49 | |
You knew I wasn't gonna give up on that case, huh? | 1:21:49 | 1:21:52 | |
Yeah, well, it runs in the family. | 1:21:52 | 1:21:54 | |
You really think I got a chance to be as good a detective as my pops? | 1:21:56 | 1:21:59 | |
No. | 1:22:01 | 1:22:02 | |
You got a shot to be better. | 1:22:02 | 1:22:05 | |
Come on. | 1:22:05 | 1:22:06 | |
I'm fine. It doesn't really hurt. | 1:22:15 | 1:22:17 | |
I can take it from here. | 1:22:17 | 1:22:18 | |
Here you go. Thanks a lot. | 1:22:18 | 1:22:20 | |
Tre, I can't believe you. | 1:22:20 | 1:22:22 | |
Oh, I'm sorry, Karen. | 1:22:22 | 1:22:24 | |
I couldn't tell you I was a cop. You know, it was... | 1:22:24 | 1:22:25 | |
No, I can't believe you used perfect grammar. | 1:22:25 | 1:22:28 | |
Oh, see, that's where I gotta give credit to my teacher. | 1:22:28 | 1:22:31 | |
She said if I put the work in, I'd succeed. | 1:22:31 | 1:22:34 | |
And, er, speaking of work, | 1:22:34 | 1:22:36 | |
I have to ask you a couple of questions for my report. | 1:22:36 | 1:22:38 | |
Really? Yeah. | 1:22:38 | 1:22:40 | |
Look who's fronting now. | 1:22:40 | 1:22:41 | |
Ha ha ha! | 1:22:41 | 1:22:43 | |
All right, well, at least can we start with your phone number? | 1:22:43 | 1:22:45 | |
No. | 1:22:45 | 1:22:46 | |
It's not gonna be that easy, Tre. | 1:22:46 | 1:22:48 | |
Anyway, you don't think you're a little too young? | 1:22:48 | 1:22:51 | |
Maybe it's a few years between us, but I'm willing to put the time in, | 1:22:51 | 1:22:55 | |
you know, figure out your likes and your dislikes. | 1:22:55 | 1:22:57 | |
I believe I deserve that chance. | 1:22:59 | 1:23:01 | |
Es verdad. | 1:23:09 | 1:23:11 | |
You do. | 1:23:15 | 1:23:17 | |
DOORBELL RINGS | 1:23:26 | 1:23:28 | |
DELGADO: I got it, honey. | 1:23:29 | 1:23:31 | |
Yo, what's happening, captain? | 1:23:31 | 1:23:32 | |
Hey. Look. | 1:23:32 | 1:23:34 | |
Bam! | 1:23:34 | 1:23:35 | |
Hey, hey, you got your diploma. | 1:23:35 | 1:23:37 | |
Yeah, you know, they gave me a little mid-year graduation. | 1:23:37 | 1:23:40 | |
Oh, yeah? Looks good on me, right? | 1:23:40 | 1:23:42 | |
What? Uh-huh. | 1:23:42 | 1:23:43 | |
As a matter of fact, it does. | 1:23:43 | 1:23:45 | |
I'm proud of you, Tre. | 1:23:45 | 1:23:48 | |
Look, cap, I just wanna say thank you for everything you've done for me. | 1:23:48 | 1:23:51 | |
Yeah, it's all good. | 1:23:51 | 1:23:53 | |
To show my gratitude, | 1:23:53 | 1:23:55 | |
thought I'd hook you up with a little something. | 1:23:55 | 1:23:57 | |
Oh, Juanita, my baby. | 1:23:57 | 1:24:00 | |
Ese. | 1:24:00 | 1:24:02 | |
Ha ha ha! | 1:24:02 | 1:24:03 | |
Oh, so too much, eh? | 1:24:03 | 1:24:06 | |
You did good, Holmes. | 1:24:06 | 1:24:07 | |
Hey, you know, tried to do what I could do. | 1:24:07 | 1:24:10 | |
Heh. | 1:24:10 | 1:24:11 | |
I knew my job wasn't quite done, you know. | 1:24:13 | 1:24:15 | |
ENGINE REVVING | 1:24:15 | 1:24:17 | |
Sounds good. | 1:24:17 | 1:24:19 | |
What's this here? | 1:24:19 | 1:24:20 | |
Heh. Now it is. | 1:24:22 | 1:24:24 | |
HIP-HOP MUSIC PLAYING: | 1:24:29 | 1:24:31 | |
# I called Chad on Wednesday night | 1:24:47 | 1:24:49 | |
# So we could make plans for Thursday night | 1:24:49 | 1:24:51 | |
# He said, "We could go hit the peapods" | 1:24:51 | 1:24:53 | |
# I was like, "Yeah, that's my favourite spot" | 1:24:53 | 1:24:56 | |
# Plus I like it there, cos I got love on the list | 1:24:56 | 1:24:58 | |
# High-powered juice, where I don't even get frisked | 1:24:58 | 1:25:00 | |
# Walk up in the place and get love from the misses | 1:25:00 | 1:25:02 | |
# Pounds from my brothers cos they knowing that this is | 1:25:02 | 1:25:04 | |
# The place to be to let it all out | 1:25:04 | 1:25:06 | |
# But when the weekend come, the weekend come | 1:25:06 | 1:25:09 | |
# Y'all could come | 1:25:09 | 1:25:11 | |
# So, go tell ya mama come and ya papa come | 1:25:11 | 1:25:13 | |
# Go to spin the record so we can get dumb | 1:25:13 | 1:25:15 | |
# Place packed, capacity maximum | 1:25:15 | 1:25:18 | |
# Due to my man polo promotion | 1:25:18 | 1:25:20 | |
# And I can't wait to go out and hear some, hear some | 1:25:20 | 1:25:23 | |
# Jumping music | 1:25:23 | 1:25:24 | |
# Swift DJs | 1:25:24 | 1:25:27 | |
# Smoke machines and laser rays | 1:25:27 | 1:25:31 | |
# Look out, weekend | 1:25:31 | 1:25:33 | |
# Cos here I come... # | 1:25:33 | 1:25:35 |