Browse content similar to Confetti. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains strong language. | 0:00:30 | 0:00:35 | |
MUSIC: "The Wedding March" by Felix Mendelssohn | 0:00:35 | 0:00:39 | |
CHURCH BELLS CHIME | 0:00:51 | 0:00:53 | |
My name is Antoni Clarke and I am a bride's best friend. | 0:00:58 | 0:01:02 | |
I'm not gay. | 0:01:03 | 0:01:04 | |
I own "Confetti" magazine, | 0:01:10 | 0:01:13 | |
but Vivien is the editor, and she's the backbone of the publication. | 0:01:13 | 0:01:17 | |
She does all the day-to-day WORK, if you like. | 0:01:17 | 0:01:20 | |
This will be the event of the year. | 0:01:20 | 0:01:23 | |
We have to go for it as the event of the year. It's immense. | 0:01:23 | 0:01:27 | |
Our reputation is hanging on a thread if we fail in this. | 0:01:27 | 0:01:31 | |
It's half an hour on a Saturday afternoon, three weddings. | 0:01:31 | 0:01:35 | |
It's easy. All you have to do is hold up a card and say 10 or nil point. | 0:01:35 | 0:01:41 | |
We're very excited. We were going to do another Bride of the Year | 0:01:41 | 0:01:44 | |
but that'd just end up being given to a woman in a white dress again. | 0:01:44 | 0:01:48 | |
So we thought we'd do the most original wedding as an idea. | 0:01:48 | 0:01:52 | |
We're giving away a house | 0:01:52 | 0:01:55 | |
to the couple with the most original wedding. | 0:01:55 | 0:01:58 | |
Not everyone wants to get married in a crazy way. | 0:01:58 | 0:02:01 | |
Not everyone wants their special day, erm... ruined by a gimmick. | 0:02:01 | 0:02:05 | |
But some people do. | 0:02:05 | 0:02:07 | |
THROATY RASPING | 0:02:07 | 0:02:10 | |
Pitch us your vision of the most original wedding. | 0:02:13 | 0:02:17 | |
We're really into dinosaurs. We're raptors, actually. | 0:02:17 | 0:02:21 | |
-It's a dinosaur-themed wedding? -Absolutely. | 0:02:21 | 0:02:23 | |
-We want it in a cave. -Thanks so much for coming in. | 0:02:23 | 0:02:26 | |
-So soon? -I don't want to waste your time. Next. | 0:02:26 | 0:02:30 | |
Hi, hello. Thank you so much for coming. | 0:02:30 | 0:02:33 | |
All the guys are gonna be dressed as Elvis Presley. | 0:02:35 | 0:02:39 | |
And the girls will be dressed as, you know, teddy girls. | 0:02:39 | 0:02:42 | |
-Do you think it's been done before? -No. -Right, next. | 0:02:42 | 0:02:46 | |
Vivien, am I gonna be meeting more mental people today? | 0:02:46 | 0:02:50 | |
We're going to get married following the Daffodil Route around Wales. | 0:02:50 | 0:02:55 | |
It's a train route. It starts in Cardiff. | 0:02:55 | 0:02:58 | |
You wanted to come and win a house. It's not gonna happen. Goodbye. | 0:02:58 | 0:03:02 | |
There are three changes on the way. | 0:03:02 | 0:03:04 | |
I'm sure you loved it. You love a train. | 0:03:04 | 0:03:06 | |
She was pretty. We could actually partner her up with somebody else. | 0:03:06 | 0:03:11 | |
What we had in mind was a kind of ancient Roman wedding. | 0:03:11 | 0:03:16 | |
Great! | 0:03:16 | 0:03:18 | |
It starts with the sacrifice of a pig at the bride's house. | 0:03:18 | 0:03:21 | |
Fuck me! | 0:03:21 | 0:03:23 | |
But maybe with some hairstyle around it and a prescription lens. | 0:03:23 | 0:03:27 | |
ANTONI SIGHS Next! | 0:03:27 | 0:03:29 | |
HORN HONKS Get out. | 0:03:29 | 0:03:31 | |
If we were producing an updated version of "The Joy of Sex", | 0:03:31 | 0:03:35 | |
you two would be perfect. | 0:03:35 | 0:03:38 | |
Naturists or "Joy of Sex"? | 0:03:39 | 0:03:41 | |
"The Joy of Sex" are better looking, | 0:03:41 | 0:03:44 | |
but the naturists, well, it's more...it's more "Confetti". | 0:03:44 | 0:03:48 | |
I don't want them at all, I'd rather have the Romans. | 0:03:48 | 0:03:51 | |
That's as may be. Naturists, tennis, musicals. | 0:03:51 | 0:03:55 | |
'Our submission was accepted.' | 0:04:02 | 0:04:06 | |
-And our submission is the musicals. -A musical wedding. | 0:04:06 | 0:04:10 | |
Hollywood musicals, that's what we're going for. | 0:04:10 | 0:04:13 | |
The idea that we pitched is it's in the style of Busby Berkeley, | 0:04:14 | 0:04:18 | |
so it's a big production number. | 0:04:18 | 0:04:22 | |
We're having the bridesmaids as the chorus girls. | 0:04:22 | 0:04:26 | |
You know, they have the sweeping kind of staircase of bridesmaids | 0:04:26 | 0:04:30 | |
and Jen, my sister, obviously, she'll be bridesmaid-of-honour. | 0:04:30 | 0:04:35 | |
-Won't she? -Absolutely. | 0:04:35 | 0:04:37 | |
She's a dancer. She's in Bahrain with a cruise. | 0:04:37 | 0:04:40 | |
She travels a lot. We don't always know where she is. | 0:04:40 | 0:04:43 | |
'I work in a care home for the elderly.' | 0:04:45 | 0:04:48 | |
Sam comes along sometimes. | 0:04:48 | 0:04:50 | |
She helps out, she helps me. She sings for them. Lovely. | 0:04:50 | 0:04:54 | |
I'm slightly tone deaf, but Matt's always said | 0:04:54 | 0:04:57 | |
if I wasn't tone deaf I'd have a very good voice. | 0:04:57 | 0:04:59 | |
-Yeah, that's true. -Erm...er...so I enjoy it. | 0:04:59 | 0:05:04 | |
-Self-confidence, that's all it is. -Yeah. -A lot of it is confidence. | 0:05:04 | 0:05:08 | |
-The vision for our wedding is quite simple. Tennis. -Tennis. | 0:05:12 | 0:05:16 | |
Yeah! Whoo! Come on, Josef! | 0:05:18 | 0:05:21 | |
I mean, we are gonna win. If you're listening, losers, | 0:05:21 | 0:05:24 | |
-the other people, give it up. -Stop! -Stop now cos we're gonna win. | 0:05:24 | 0:05:29 | |
It's not about how good our wedding is, | 0:05:29 | 0:05:33 | |
it's about can we do anything to make theirs... | 0:05:33 | 0:05:36 | |
That's what you do in tennis, look at someone's game and destroy it. | 0:05:36 | 0:05:40 | |
Yeah, we have a coach. Well, I say "coach"... | 0:05:43 | 0:05:46 | |
-We have a coach. -It's, er... | 0:05:46 | 0:05:48 | |
Jesus. He's amazing. He's so supportive. | 0:05:48 | 0:05:51 | |
My inner game's gone at the moment. He's working on that with me. | 0:05:51 | 0:05:56 | |
That's what we're working on. | 0:05:56 | 0:05:58 | |
-He's interested in getting inside you. -He's fantastic at it. | 0:05:58 | 0:06:02 | |
# I like to ride my bicycle with you # | 0:06:06 | 0:06:12 | |
-'I'm Michael. This is Joanna.' -'Joanna.' | 0:06:12 | 0:06:15 | |
And, yeah, I've been a naturist all my life. | 0:06:15 | 0:06:18 | |
-LOUD SPLASH -Er... Joanna's... Oh! | 0:06:18 | 0:06:20 | |
-Joanna's quite new to it, really. -A beginner. | 0:06:20 | 0:06:24 | |
Summerland is the oldest naturist camp in the country. | 0:06:28 | 0:06:32 | |
Mum and Dad lived here and they were naturists. | 0:06:32 | 0:06:35 | |
Well, my dad was a policeman, my mum worked as a legal secretary. | 0:06:35 | 0:06:40 | |
And they do worry a bit that I'm in a cult. | 0:06:40 | 0:06:44 | |
It's not a cult. It's not a cult. | 0:06:47 | 0:06:51 | |
-'We are all naked, apart from clothes.' -All the time. | 0:06:53 | 0:06:56 | |
When you take the clothes off, it's more obvious. | 0:06:56 | 0:06:59 | |
I know for this film I'm supposed to sit so you can't see my penis, | 0:06:59 | 0:07:04 | |
-but I'm looking at my penis now... -It's lovely. | 0:07:04 | 0:07:07 | |
..and it seems absolutely fine to me. | 0:07:07 | 0:07:10 | |
The auditions we had, I was very excited about it, but I'm not now. | 0:07:12 | 0:07:16 | |
'One is a potential idea, perhaps, the musical couple.' | 0:07:16 | 0:07:20 | |
No, no, no. You're going back to singing out of tune again, dear. | 0:07:20 | 0:07:24 | |
The tennis couple maybe could work. | 0:07:24 | 0:07:27 | |
'But the girl has the most extraordinary nostrils.' | 0:07:27 | 0:07:30 | |
I can't take my eyes off them. So if you put that on a front cover | 0:07:30 | 0:07:34 | |
the nation won't be able to take their eyes off them. | 0:07:34 | 0:07:38 | |
The third choice? | 0:07:38 | 0:07:41 | |
Oh, I mean, where do you want me to start? | 0:07:41 | 0:07:44 | |
'They want to be on the front cover naked!' | 0:07:44 | 0:07:47 | |
But I'm optimistic. | 0:07:47 | 0:07:49 | |
I have my wedding planners coming in soon, | 0:07:49 | 0:07:53 | |
Heron and Hough, and they seem absolutely dynamic. | 0:07:53 | 0:07:56 | |
DOOR SQUEAKS | 0:07:56 | 0:07:59 | |
Push a bit from the other side. That's it. There. All right. | 0:07:59 | 0:08:04 | |
Come in. | 0:08:04 | 0:08:06 | |
-Hi. Hello. -This is my partner. | 0:08:06 | 0:08:10 | |
-Heron and Hough. -Your dreams are enough. | 0:08:10 | 0:08:13 | |
I think this is going to be the most extraordinary, | 0:08:13 | 0:08:16 | |
-theatrical wedding love celebration. -A three-ring circus. | 0:08:16 | 0:08:21 | |
A three-ring circus of love. We'll be right at its centre. | 0:08:21 | 0:08:25 | |
Don't show them that! Come away! Don't show them that! | 0:08:25 | 0:08:28 | |
-This... -No! Stop it! -This is our award wall. -No! | 0:08:28 | 0:08:33 | |
-Erm... -You shouldn't show them that. | 0:08:33 | 0:08:36 | |
-I know, but... -Don't show them that one or that one. | 0:08:36 | 0:08:39 | |
-'We're not clear on budget. -No. | 0:08:41 | 0:08:45 | |
'But it's a very big magazine.' | 0:08:45 | 0:08:47 | |
So we're safely assuming there will be some money to spend. | 0:08:47 | 0:08:51 | |
-Just a little bit. -'We've already started. | 0:08:51 | 0:08:53 | |
'We haven't met the couples yet, but we have a load of ideas | 0:08:53 | 0:08:57 | |
'that we want to spring on them.' | 0:08:57 | 0:08:59 | |
'One's first instinct is often the best.' | 0:08:59 | 0:09:02 | |
-Black and silver sparkle. -Lovely. Good choice. | 0:09:02 | 0:09:04 | |
'Cos also we're up against time. | 0:09:04 | 0:09:07 | |
'We will often plan a wedding over 9, 12, 18 months, | 0:09:07 | 0:09:10 | |
'and we have three months to plan three weddings.' | 0:09:10 | 0:09:13 | |
-'Which we're up for. -Mad as cheese, the pair of us.' | 0:09:13 | 0:09:18 | |
What we give people is a huge part of ourselves. | 0:09:18 | 0:09:22 | |
-It's our wedding on the day. -We have not lost one yet. -No. | 0:09:22 | 0:09:26 | |
Nobody who has been married at one of ours who is not still together. | 0:09:26 | 0:09:31 | |
-Don't serve so hard to her. -What? | 0:09:34 | 0:09:37 | |
-She won't get any better. -You are a man! | 0:09:37 | 0:09:39 | |
-Are you in the room?! -Do it again. -What, serve so you can miss it? | 0:09:39 | 0:09:44 | |
Jesus is, er...exceptionally... | 0:09:44 | 0:09:49 | |
an exceptionally mediocre coach. | 0:09:49 | 0:09:52 | |
My name is Jesus and I'm from Spain. | 0:09:52 | 0:09:56 | |
Erm... yep. That's the difficulties of my name is | 0:09:56 | 0:09:59 | |
because I'm called Jesus. | 0:09:59 | 0:10:01 | |
I mean if anyone goes around calling themselves Jesus, frankly, | 0:10:04 | 0:10:08 | |
it's a bit sad. There must be a deep well of insecurity in there. | 0:10:08 | 0:10:12 | |
I will hurt if they're getting married, | 0:10:15 | 0:10:18 | |
because I think he is not the appropriate man for her. | 0:10:18 | 0:10:23 | |
'I mean, she needs more love, she needs more smiling.' | 0:10:23 | 0:10:28 | |
And she needs a little bit more of sweetness. | 0:10:28 | 0:10:31 | |
Back. | 0:10:32 | 0:10:34 | |
-And front. -No, don't stop. I think this is good. | 0:10:36 | 0:10:40 | |
-What's good? -I... just wait. | 0:10:40 | 0:10:42 | |
-Are you ti-red? -No, I'm not ti-red. | 0:10:42 | 0:10:46 | |
-Just for the... -I'm tired. -Positive. -Sorry. | 0:10:46 | 0:10:49 | |
Just for the opening, I was feeling something. | 0:10:49 | 0:10:52 | |
-Take my hands. -What were you feeling? | 0:10:52 | 0:10:55 | |
-That this could be used. -BOTH: For the wedding? | 0:10:55 | 0:10:58 | |
-Yeah. -Excellent. -Who's getting married? | 0:10:58 | 0:11:00 | |
'He goes on about how warm they are in the Mediterranean, | 0:11:02 | 0:11:06 | |
'that they're very tactile people, | 0:11:06 | 0:11:08 | |
'but he doesn't touch anyone as much as he touches my fiancee.' | 0:11:08 | 0:11:11 | |
I don't think... | 0:11:11 | 0:11:14 | |
Oi! I'm watching. | 0:11:16 | 0:11:19 | |
' "Rules of entry. Number one. | 0:11:19 | 0:11:21 | |
' "You hereby confirm that you're not already married." ' | 0:11:21 | 0:11:24 | |
"Two. You agree to participate in pre-marriage counselling." | 0:11:24 | 0:11:29 | |
Counselling. | 0:11:30 | 0:11:32 | |
-Counselling? -Yes. | 0:11:34 | 0:11:36 | |
-I'm not doing counselling. -Josef... | 0:11:39 | 0:11:41 | |
I'm not doing counselling. I've done counselling. I'm not doing it! | 0:11:41 | 0:11:45 | |
I'm not doing it! | 0:11:45 | 0:11:47 | |
Let's just concentrate on how we want these people to look. | 0:11:47 | 0:11:52 | |
The tennis players, we want them to look SO glamorous. | 0:11:52 | 0:11:57 | |
-We want them to win, don't we? -I quite like the musical couple. | 0:11:57 | 0:12:02 | |
-They're sweet. -They'll look wonderful. | 0:12:02 | 0:12:04 | |
She's a little dowdy. | 0:12:04 | 0:12:06 | |
She'll be fine if we dress her in a beautiful dress. | 0:12:06 | 0:12:09 | |
You never know, the naturist couple on the day might be fantastic. | 0:12:09 | 0:12:14 | |
No-one wants to see her muff. | 0:12:14 | 0:12:16 | |
You chose them. | 0:12:16 | 0:12:18 | |
# Summer breeze and blue, blue sky | 0:12:27 | 0:12:31 | |
# Memories of that beautiful July... # | 0:12:31 | 0:12:34 | |
'I was quite excited by the people we met.' | 0:12:34 | 0:12:37 | |
Of the three couples, I wouldn't want to favour any of them. | 0:12:37 | 0:12:41 | |
I think they're all exciting, very much in love, I think. | 0:12:41 | 0:12:45 | |
'I'm having slight problems with the tennis, Isabelle and Josef.' | 0:12:45 | 0:12:50 | |
'And a woman that only wears things that she's knitted herself | 0:12:51 | 0:12:54 | |
-'is just gonna be difficult.' -Yes, and...they did smell. | 0:12:54 | 0:12:59 | |
# Take me back to the time when we were so carefree and easy | 0:12:59 | 0:13:06 | |
# Building castles in the sand | 0:13:06 | 0:13:08 | |
# While our dreams were strolling hand in hand | 0:13:08 | 0:13:10 | |
# And like the love you bring | 0:13:10 | 0:13:12 | |
# You're the song I sing and everything is you # | 0:13:12 | 0:13:17 | |
-Well, it was... -It was a really good day. | 0:13:17 | 0:13:19 | |
-It was an amazing day. -There were so many things to see. | 0:13:19 | 0:13:23 | |
And also from the time that Sam had her makeover... | 0:13:23 | 0:13:28 | |
The fact that she was chosen to have a makeover anyway was,... | 0:13:28 | 0:13:32 | |
"Oh, my God!" | 0:13:32 | 0:13:33 | |
# I see tomorrow in her eyes | 0:13:33 | 0:13:39 | |
# And where my future lies | 0:13:42 | 0:13:48 | |
# So I don't need a crystal ball at all | 0:13:49 | 0:13:55 | |
# Because I've seen tomorrow in her eyes | 0:13:55 | 0:14:02 | |
# And time shall hold no sad surprise | 0:14:03 | 0:14:08 | |
# Nor helloes and goodbyes | 0:14:11 | 0:14:17 | |
# No, I don't need a crystal ball at all | 0:14:18 | 0:14:25 | |
# Because I've seen tomorrow in her eyes | 0:14:25 | 0:14:31 | |
# I've seen tomorrow | 0:14:31 | 0:14:33 | |
# In her eyes. # | 0:14:33 | 0:14:37 | |
'They just happened to pick her | 0:14:39 | 0:14:41 | |
to have a makeover out of all those people?' | 0:14:41 | 0:14:44 | |
So we had to have a word. A civil word. | 0:14:44 | 0:14:47 | |
'And they kindly agreed to, er... to go again.' | 0:14:47 | 0:14:53 | |
-WOMAN: -Oh! Doesn't she look gorgeous? | 0:14:53 | 0:14:57 | |
Big round of applause for the lovely Isabelle! | 0:14:57 | 0:15:03 | |
She's got herself in a picture. | 0:15:08 | 0:15:10 | |
She's got herself in... Can you see her at the back? | 0:15:10 | 0:15:14 | |
-Hi. -Oh, hi. -Come on in. | 0:15:14 | 0:15:18 | |
-Lovely to see you. -You, too. Perch yourself on the couch. | 0:15:20 | 0:15:24 | |
-Hi. Lovely to see you. In you come. -Thanks. | 0:15:24 | 0:15:27 | |
OK. Well, first and foremost, | 0:15:27 | 0:15:30 | |
thank you so much for coming and doing this job. | 0:15:30 | 0:15:34 | |
-We are so excited. -Good. I'm thrilled. | 0:15:34 | 0:15:37 | |
Now to cut to the chase, several things on my mind need to be sorted. | 0:15:37 | 0:15:42 | |
Firstly, I need, and this has also come from the powers above, | 0:15:42 | 0:15:46 | |
I need one venue for all three weddings. For the competition. | 0:15:46 | 0:15:51 | |
-For all the weddings? -Yes. | 0:15:51 | 0:15:54 | |
Because we'd thought about Queen's Club and Roland Garros. | 0:15:54 | 0:15:57 | |
I love your ideas but they're not within the budget. | 0:15:57 | 0:16:00 | |
So, one venue. Now a second point, and one that does concern me, | 0:16:00 | 0:16:06 | |
are the naturists. I need the naked girl dressed. | 0:16:06 | 0:16:11 | |
-I need her in a dress. -In a dress? | 0:16:11 | 0:16:14 | |
-In a dress, yes. -But they're nudists. | 0:16:14 | 0:16:16 | |
-No, they're naturists. -All right, but they take their clothes off. | 0:16:16 | 0:16:20 | |
-Well, I need them in a dress. -Does she know that? | 0:16:20 | 0:16:23 | |
-No. That's your job to tell her. -Right. | 0:16:23 | 0:16:27 | |
BIRDSONG | 0:16:27 | 0:16:29 | |
-Do they actually play volleyball? -We're going to find out. | 0:16:29 | 0:16:33 | |
-I feel a bit sick actually, Archie. -Oh, my God! | 0:16:33 | 0:16:37 | |
Oh, my! It's a naked man on a bike! | 0:16:37 | 0:16:40 | |
-It's a naked... -Yeah, all right. | 0:16:40 | 0:16:42 | |
-Keep your eye on the road. -Did you see that? | 0:16:42 | 0:16:44 | |
-Yeah, I'm choosing to ignore it. -No clothes on, just riding around. | 0:16:44 | 0:16:48 | |
Just pull up here. Pull up here. | 0:16:48 | 0:16:51 | |
Then it will be obvious, won't it, when we meet them? | 0:16:51 | 0:16:56 | |
-How you doing? -Hi! -Hey. -Nice to see you again. | 0:17:01 | 0:17:04 | |
-Hi. -Hi. Joanna. Remember? -Hi. Archie. -Hi. | 0:17:04 | 0:17:09 | |
-Hiya. Glad you could make it. -Sorry, I stood on your toe. -I'm OK. | 0:17:09 | 0:17:13 | |
-Thanks for coming. -Yeah. Let's... -..show you round. -Yes. | 0:17:13 | 0:17:17 | |
-Hi, guys. -Hi there. Hello. | 0:17:20 | 0:17:24 | |
You have a game of badminton and no need to wash your kit. | 0:17:24 | 0:17:28 | |
So that's a bonus. | 0:17:28 | 0:17:31 | |
-Do you play badminton? -No. -Right. | 0:17:32 | 0:17:34 | |
You are aware that these weddings will take place in the same venue, | 0:17:34 | 0:17:40 | |
on the same day, one after another, concurrently? | 0:17:40 | 0:17:44 | |
-In a venue? -No, I didn't know that. | 0:17:44 | 0:17:47 | |
No, it isn't... Well, it is clear, | 0:17:47 | 0:17:50 | |
but it isn't underlined, I don't think. | 0:17:50 | 0:17:53 | |
It just says you have to approve where we do it. | 0:17:53 | 0:17:56 | |
The magazine has decided that to make it easier for the judges | 0:17:56 | 0:18:00 | |
it all has to be inside and on one occasion. | 0:18:00 | 0:18:03 | |
-What's that? -This is "Primavera" by... | 0:18:05 | 0:18:08 | |
-Who's he? -No, it's a painting by Botticelli. | 0:18:08 | 0:18:11 | |
It explores some of nature's themes. | 0:18:11 | 0:18:15 | |
You've got apples, pears and things, and the elements blowing on her. | 0:18:15 | 0:18:21 | |
And there's flowers and so on. And the strength of the sword. | 0:18:21 | 0:18:25 | |
She's just slightly veiled and you can see the nakedness underneath. | 0:18:25 | 0:18:29 | |
But that's just wacky costumes. It's just costumes. | 0:18:29 | 0:18:32 | |
It's kind of theatre. It's not real. We're about nature and real. | 0:18:32 | 0:18:37 | |
-Oh, hi. Thanks so much. -Quite all right. Where do you want it? | 0:18:37 | 0:18:41 | |
-I'll move those. Thanks. -That's quite all right. | 0:18:41 | 0:18:46 | |
What are we going to do? | 0:18:46 | 0:18:49 | |
-They're going to want to walk in and take their clothes off, right? -Yes. | 0:18:49 | 0:18:53 | |
-Do you think we should allow them to? -Yes, if that's what they want. | 0:18:53 | 0:18:57 | |
-I think that too. -Absolutely. -They should be allowed to. | 0:18:57 | 0:19:01 | |
To ask them to get married clothed | 0:19:01 | 0:19:03 | |
is contrary to everything we believe in. | 0:19:03 | 0:19:06 | |
They must be naked people as they get married cos that's who they are. | 0:19:06 | 0:19:10 | |
-Lovely. So...musical? -Musical? "The King and I". | 0:19:10 | 0:19:14 | |
It's not "The King and I"! | 0:19:14 | 0:19:17 | |
Why does it have to be? "The King and I" this, "The King and I" that! | 0:19:17 | 0:19:21 | |
It offers so much design-wise. | 0:19:21 | 0:19:23 | |
It's East meets West, fantastic opportunity for food. | 0:19:23 | 0:19:26 | |
-I can get hold of elephants. -I'm thinking "Singing in the Rain"! | 0:19:26 | 0:19:31 | |
I can see it. We can have the rain from Wimbledon falling over MGM. | 0:19:31 | 0:19:36 | |
I can just see. "On The Town". Please, "On The Town"! | 0:19:36 | 0:19:40 | |
-I hate "On The Town"! -How can you hate "On The Town"?! | 0:19:40 | 0:19:43 | |
-That woman in the cab drives me mad. -Oh, she's wonderful. | 0:19:43 | 0:19:47 | |
So, folks. El maestro. | 0:19:48 | 0:19:52 | |
-Sorry we're late. -This is Paul. Sam. | 0:19:52 | 0:19:54 | |
Nice to meet you. Hello. | 0:19:54 | 0:19:56 | |
-Hi, again. -Hello! How are you? | 0:19:56 | 0:20:00 | |
Paul has been working with us on some ideas for your wedding. | 0:20:00 | 0:20:05 | |
-Oh, lovely. -Which we'd like to show you. | 0:20:05 | 0:20:08 | |
-This is nice. -So we've put some stools out. | 0:20:08 | 0:20:11 | |
It's kind of like a little show. If you could take the stools. | 0:20:11 | 0:20:15 | |
-We're gonna show you... -Now? | 0:20:15 | 0:20:18 | |
And we want to show you what we've come up with | 0:20:18 | 0:20:20 | |
as potential vows for your wedding. | 0:20:20 | 0:20:23 | |
-Shall I take my coat off? -PIANO PLAYS | 0:20:23 | 0:20:26 | |
# I give you my love, always | 0:20:27 | 0:20:34 | |
# To have and to hold, always | 0:20:34 | 0:20:39 | |
# Our life to unfold | 0:20:39 | 0:20:42 | |
# As man and wife | 0:20:42 | 0:20:47 | |
# Always | 0:20:47 | 0:20:50 | |
# Always | 0:20:50 | 0:20:53 | |
BOTH: # I give my life to you | 0:20:53 | 0:20:59 | |
# Ever more shall my heart be true | 0:20:59 | 0:21:04 | |
# For the rest of our lives | 0:21:04 | 0:21:08 | |
# We'll live as one | 0:21:08 | 0:21:15 | |
# Always | 0:21:15 | 0:21:19 | |
# Always. # | 0:21:19 | 0:21:26 | |
-That is really amazing. -Exciting, isn't it? | 0:21:29 | 0:21:32 | |
-That's amazing. -Do you like that? | 0:21:32 | 0:21:34 | |
Yep, I love it. And it's a bit like ours. | 0:21:34 | 0:21:38 | |
-Off your bottom and show us. -Ours isn't as good. | 0:21:38 | 0:21:42 | |
We've just cobbled that together. We'll find some middle ground. | 0:21:42 | 0:21:46 | |
BOTH TUNELESSLY: # I promise to love you | 0:21:46 | 0:21:52 | |
# I promise to care for you | 0:21:52 | 0:21:57 | |
# I promise to always make you laugh. # | 0:21:57 | 0:22:02 | |
You're both singing in different keys. | 0:22:02 | 0:22:05 | |
-Yep. -Yeah, that's... harmony. | 0:22:05 | 0:22:08 | |
Oh. | 0:22:08 | 0:22:10 | |
We know we can't be here, but if it's there, it has to be clothed. | 0:22:10 | 0:22:15 | |
-I didn't hear them say that. -For me it has to be clothed. | 0:22:15 | 0:22:19 | |
-You want it to be? -I'm happy as a naturist with you, | 0:22:19 | 0:22:23 | |
but I'm not happy being undressed in front of lots of clothed people. | 0:22:23 | 0:22:27 | |
It's been your life forever and I'm new to it still. | 0:22:27 | 0:22:30 | |
You won't give them nightmares. You look beautiful. | 0:22:30 | 0:22:33 | |
-They'll laugh. Some will laugh. -They won't laugh. | 0:22:33 | 0:22:36 | |
I'm not prepared to feel humiliation on our wedding day. | 0:22:36 | 0:22:40 | |
It's completely their problem. I think it's your mum that does this. | 0:22:40 | 0:22:44 | |
Think about your mum, picture your mum. Do you wanna get dressed? | 0:22:44 | 0:22:48 | |
Yes. See, there we go. It's her. | 0:22:48 | 0:22:52 | |
She's so...clothed! | 0:22:52 | 0:22:56 | |
# When we were young | 0:22:56 | 0:23:00 | |
# You used to laugh so much | 0:23:00 | 0:23:04 | |
# But now you're always buying wine | 0:23:04 | 0:23:07 | |
# And wanking on about your sofa. # | 0:23:07 | 0:23:11 | |
I'm like Eno on speed. | 0:23:11 | 0:23:13 | |
-I just kinda take the whole thing... -Speedo. | 0:23:13 | 0:23:17 | |
Speedo. This is what we're like. This is what we used to be like. | 0:23:17 | 0:23:23 | |
-We still are, sort of. -Yeah. | 0:23:23 | 0:23:25 | |
# You've made your bed | 0:23:25 | 0:23:30 | |
# I hope you lie in it | 0:23:30 | 0:23:33 | |
# With the girl who stole our dreams away | 0:23:33 | 0:23:37 | |
# She's just like Yoko Ono Dead man walking | 0:23:37 | 0:23:42 | |
# Can't you hear... | 0:23:42 | 0:23:44 | |
# Can't you hear your old friend talking? # | 0:23:44 | 0:23:47 | |
We can do "Wizard of Oz". "Wizard of Oz" is a musical, right? | 0:23:47 | 0:23:51 | |
-Yeah. You mean at the wedding? -Yes. | 0:23:51 | 0:23:54 | |
You've got the bass, the Cowardly Lion. | 0:23:54 | 0:23:58 | |
The Tin Man on drums. Dorothy on guitar. | 0:23:58 | 0:24:02 | |
-The second guitar can be the, er... -BOTH: Toto. | 0:24:02 | 0:24:06 | |
-The little dog. -Not a bad idea. | 0:24:06 | 0:24:08 | |
-Little monkey with the wings. -You're taking the mickey out of me. | 0:24:08 | 0:24:12 | |
-No, the Flaming Lips do it. -It's not a joke, it's our wedding. | 0:24:12 | 0:24:17 | |
The Flaming Lips do it. Matt, I can speak to her. | 0:24:17 | 0:24:20 | |
You don't need to speak to her. I'm gonna have to calm this one down | 0:24:20 | 0:24:24 | |
-because she thinks you're taking the piss. -I'm not. | 0:24:24 | 0:24:27 | |
She liked it until the monkey with the wings. | 0:24:27 | 0:24:30 | |
-Was it the monkey? -It was the monkey. I saw her face and it dropped. | 0:24:30 | 0:24:34 | |
We don't have to do the monkey. I could be the Wicked Witch. | 0:24:34 | 0:24:39 | |
-'I'm a bit anxious.' -'We're both anxious.' | 0:24:41 | 0:24:44 | |
'Today is a big day. We've got the wedding planners coming in, | 0:24:44 | 0:24:49 | |
'and hopefully they have come up with something exciting for our wedding, | 0:24:49 | 0:24:53 | |
-'because we've not heard much. -We gave them a lot of information. | 0:24:53 | 0:24:58 | |
-'We hope they'll come back today... -With something concrete.' | 0:24:58 | 0:25:01 | |
-Sorry, we're late. -OK. Let's not waste any more time. | 0:25:01 | 0:25:05 | |
-Shall we just show you? It's in our heads, we'll do it. -Go for it. | 0:25:05 | 0:25:09 | |
-Opening of your ceremony. -Brilliant. | 0:25:09 | 0:25:11 | |
-Where do you want us? -If you just go over there. | 0:25:11 | 0:25:15 | |
-You're the congregation. -Brilliant. -We're looking that way. | 0:25:15 | 0:25:19 | |
-Come on. -Let's just give them a chance. You never know. | 0:25:19 | 0:25:24 | |
The parade of the ball boys. | 0:25:24 | 0:25:27 | |
On they come. | 0:25:27 | 0:25:29 | |
Go! | 0:25:36 | 0:25:37 | |
Go! | 0:25:41 | 0:25:43 | |
Ooh! | 0:25:47 | 0:25:50 | |
And then from the back come... you're gigantic balls! | 0:25:50 | 0:25:55 | |
-All the way down on the tramlines. -Right. | 0:25:57 | 0:26:02 | |
Then you perform your vows and you're married. | 0:26:02 | 0:26:05 | |
-That's the start. What do you think? -HE LAUGHS NERVOUSLY | 0:26:05 | 0:26:10 | |
That's not... We need to speak to someone professional. | 0:26:10 | 0:26:14 | |
You move beautifully both of you, | 0:26:14 | 0:26:17 | |
but we need someone who knows what they're doing properly | 0:26:17 | 0:26:20 | |
-with ball boys and ball girls. Don't we? -Yeah. | 0:26:20 | 0:26:25 | |
-So a choreographer. -We think the choreographer, really, | 0:26:25 | 0:26:29 | |
should be the remit of the MGM wedding couple. | 0:26:29 | 0:26:35 | |
We can't have a choreographer because they've got one? | 0:26:35 | 0:26:38 | |
Well, because their dance is key, central... | 0:26:38 | 0:26:42 | |
-It's central to ours. -I've worked a lot on it. | 0:26:42 | 0:26:45 | |
Right before you came, I was working on the moves. | 0:26:45 | 0:26:48 | |
-She does dancing. -I thought you'd injured yourself. | 0:26:48 | 0:26:52 | |
Yeah, whatever. We need a... We asked for a... | 0:26:52 | 0:26:57 | |
-The problem... -Oh, for God's sake! It's Jesus! | 0:26:57 | 0:27:02 | |
Can you get rid of him? I have to explain something to you. | 0:27:02 | 0:27:07 | |
We have to win this competition. No, if, but or maybe, we have to win. | 0:27:07 | 0:27:11 | |
-We are in severe financial... What are you doing? -I invited him along. | 0:27:11 | 0:27:16 | |
-Can you go away! -No. I invited him here. -I want him to go! | 0:27:16 | 0:27:19 | |
-I want him to stay! -I want him to go! | 0:27:19 | 0:27:22 | |
-Hey, listen, speak nice to her. -No, can you go? | 0:27:22 | 0:27:27 | |
-What's it like being short? -Josef, stop! You're rude all the time! | 0:27:27 | 0:27:31 | |
What's the weather like down there? | 0:27:31 | 0:27:33 | |
What's Spanish for "Go away, you fairy"? | 0:27:33 | 0:27:36 | |
-Josef, stop it! -Say "I love you". Not this bad word. -I'm sorry?! | 0:27:36 | 0:27:40 | |
-What do you have to say to her? -# Love is in the air... | 0:27:40 | 0:27:44 | |
-Stop it! -# Everywhere I look around... | 0:27:44 | 0:27:48 | |
Josef! No! No! | 0:27:48 | 0:27:50 | |
-# Love is in the air... -No! No! No! | 0:27:50 | 0:27:53 | |
# Every sight and every sound... | 0:27:53 | 0:27:55 | |
-Now, listen. Listen, please! -Stop it! Stop it! | 0:27:55 | 0:27:59 | |
Please, listen. Please, now listen to me. You do not have an education | 0:27:59 | 0:28:03 | |
from a boarding school in the north of England | 0:28:03 | 0:28:06 | |
and be the only gay boy there and not know how to handle yourself. | 0:28:06 | 0:28:10 | |
If you move again, I'm going to break your arm, understand? | 0:28:10 | 0:28:14 | |
-He doesn't deserve you. -He'll be fine. | 0:28:14 | 0:28:18 | |
-He just needs to run it off. -Sorry. -It's fine. It's fine. | 0:28:18 | 0:28:22 | |
-So from the top. -No, I think... Oh, God! -No! | 0:28:22 | 0:28:27 | |
# Love is in the air... | 0:28:27 | 0:28:30 | |
-Oh, my God! -# Love is in the air | 0:28:30 | 0:28:33 | |
You stop it! And you stop it! Just stop it! This is ridiculous! | 0:28:33 | 0:28:39 | |
It's just stupid! I come here for this?! | 0:28:39 | 0:28:42 | |
I was appalled by that and shocked. | 0:28:42 | 0:28:46 | |
It was terrifying. It was a terrifying experience. | 0:28:46 | 0:28:50 | |
It's in my top ten terrifying experiences. | 0:28:50 | 0:28:53 | |
It's not what we're used to, it's not the world we work in. | 0:28:53 | 0:28:57 | |
But we showed them a few things and we'll come back and show them more. | 0:28:57 | 0:29:03 | |
You showed them some things, you stood up for me and yourself. | 0:29:03 | 0:29:09 | |
It was amazing. It was wonderful, Archie. | 0:29:09 | 0:29:13 | |
It was really wonderful. You do know that. I'm so proud of you. | 0:29:13 | 0:29:17 | |
-Come on, let's go. We'll see you later. Bye. -Bye. | 0:29:17 | 0:29:22 | |
People don't like me, do they? | 0:29:22 | 0:29:24 | |
-Josef, people like you. -Who? | 0:29:24 | 0:29:27 | |
-I like you. -You don't count. | 0:29:27 | 0:29:29 | |
-Why not? -You do, but not in people who like me. | 0:29:29 | 0:29:33 | |
-Why not? -Because you obviously like me. | 0:29:33 | 0:29:35 | |
-Do you like me? -Josef, I... -I don't like me. | 0:29:35 | 0:29:39 | |
-Maybe that's the real problem. -Thank you, Dr Freud. | 0:29:39 | 0:29:43 | |
Well, I'm just saying. I have more experience, I went to counselling. | 0:29:43 | 0:29:47 | |
-I'm not going to counselling. -I'm saying if you had stayed longer, | 0:29:47 | 0:29:51 | |
maybe we could have answered these questions. | 0:29:51 | 0:29:54 | |
We're gonna get you in a positive space right now. | 0:29:56 | 0:29:59 | |
I don't feel that you are. Know what we've got? | 0:29:59 | 0:30:02 | |
You wanna hold that for a while? Hold it. Huh? That's what we've got. | 0:30:05 | 0:30:10 | |
-And we've got... -I won this ten years ago. | 0:30:10 | 0:30:13 | |
Hold this. Come on, hold it. | 0:30:13 | 0:30:17 | |
Look at me. Ugh! Come on, Josef, give me the... | 0:30:17 | 0:30:21 | |
-That's it! -HE SIGHS | 0:30:21 | 0:30:24 | |
-Hello. -Nice to see you. You all right? | 0:30:27 | 0:30:30 | |
-Hello, Sam. -Hi. This is Jen, my sister. | 0:30:30 | 0:30:34 | |
-Oh, hello. Nice to meet you. -Hi. | 0:30:34 | 0:30:37 | |
If you two lovebirds would like to flutter down with me. | 0:30:37 | 0:30:40 | |
-Do you want to come as well? -Yeah, Jen's coming as well. | 0:30:40 | 0:30:44 | |
Jen's really interested. Jen's a professional choreographer. | 0:30:44 | 0:30:49 | |
And she'd like... She's gonna be choreographing the show. | 0:30:49 | 0:30:53 | |
-Oh. -I've got loads of ideas. | 0:30:53 | 0:30:56 | |
I've done loads. I've been a dancer for 12 years, I've loads of ideas. | 0:30:56 | 0:31:00 | |
We're sorry about the other lady, but Jen really wants to do it. | 0:31:00 | 0:31:04 | |
We have the best dance choreographer in the country, you do realise that? | 0:31:04 | 0:31:09 | |
We were just explaining that I'm actually a professional dancer. | 0:31:09 | 0:31:13 | |
-Oh, really? -And we've come up with some ideas. | 0:31:13 | 0:31:19 | |
What we're thinking is we've kind of got it wrapped up, really. | 0:31:19 | 0:31:25 | |
I can show you what we've got. | 0:31:25 | 0:31:28 | |
I'm not quite sure what the ideas are. I'm a bit new to this. | 0:31:28 | 0:31:31 | |
-Well, shall I...? -Can you explain what it is? | 0:31:31 | 0:31:34 | |
I don't know that it is all wrapped up. The theme that we've gone after | 0:31:34 | 0:31:40 | |
-is '30s and '40s musicals, right? -Right. Fred Astaire. | 0:31:40 | 0:31:44 | |
Exactly. Yeah. | 0:31:44 | 0:31:46 | |
-Who's the water woman? -Sort of like Esther Williams. | 0:31:46 | 0:31:50 | |
-Yes. With hundreds of girls... -Exactly. | 0:31:50 | 0:31:53 | |
A smaller version of that. | 0:31:53 | 0:31:55 | |
-It's like... -Jen?! | 0:31:55 | 0:31:59 | |
-I might as well hop up. -Jen's worked some moves out. | 0:31:59 | 0:32:02 | |
You've got two rows of girls. In Busby Berkeley they're in tinfoil. | 0:32:02 | 0:32:07 | |
And then, out! And the next girl, out! | 0:32:07 | 0:32:09 | |
And on the other side, all at the same time, out! Next girl, out! | 0:32:09 | 0:32:14 | |
-Next girl, out. -Jen? -And then Matt and Sam can sink down. | 0:32:14 | 0:32:19 | |
And you know the dream ballet in "Oklahoma"? | 0:32:19 | 0:32:21 | |
Dream Laurey comes out, me, same costume, wig, so I'm Sam. | 0:32:21 | 0:32:25 | |
-Jen? -It just gives you an idea. | 0:32:25 | 0:32:29 | |
We do stuff like it on the ships all the time, you know. | 0:32:29 | 0:32:32 | |
-What do you think? -If you'd like to do it, that's fine. | 0:32:32 | 0:32:36 | |
You don't need me. | 0:32:36 | 0:32:38 | |
What did you think about the dream ballet? | 0:32:38 | 0:32:40 | |
Cos Sam, with her physical dyslexia, she's gonna be all nervous. | 0:32:40 | 0:32:45 | |
-What? -Sorry? | 0:32:45 | 0:32:47 | |
-Sam's got physical dyslexia. -What's that? | 0:32:47 | 0:32:50 | |
Well, she's like...clumsy. | 0:32:50 | 0:32:53 | |
-Clumsy? You mean she can't dance? -No, she can dance. | 0:32:53 | 0:32:58 | |
We danced as kids. | 0:32:58 | 0:33:00 | |
-We did competitions. -I think it's great we've got Jen. | 0:33:00 | 0:33:03 | |
I'm sure she can play a strong role in this, but we're got Jenny here, | 0:33:03 | 0:33:09 | |
who is an expert in choreography as opposed to a dancer, | 0:33:09 | 0:33:13 | |
and we should be using her like we said. | 0:33:13 | 0:33:16 | |
-You weren't there, Chris. -She's done the cruises for years. | 0:33:16 | 0:33:20 | |
-Exactly, cruise ships. -She works out all the dances. | 0:33:20 | 0:33:23 | |
-Right. -Who's a professional dancer? She is. | 0:33:23 | 0:33:25 | |
And this choreographer's not a professional? | 0:33:25 | 0:33:28 | |
All she wants to do is help her sister. | 0:33:28 | 0:33:31 | |
-Nothing wrong with that. -No, but this isn't an ordinary wedding. | 0:33:31 | 0:33:35 | |
This is a competition. We've got to abide by the rules. | 0:33:35 | 0:33:37 | |
-It's still her wedding day. -It's mine as well. | 0:33:37 | 0:33:41 | |
-Most important day of her life. -Mine as well. | 0:33:41 | 0:33:44 | |
-I'll be your sister-in-law. Have you thought about that? -Every night. | 0:33:44 | 0:33:47 | |
I know you're stressed and I know you're getting up really... | 0:33:47 | 0:33:51 | |
I know you're working hard and I'm totally...amazed... | 0:33:51 | 0:33:56 | |
-I'm getting married in a competition. -But you're being so lovely. | 0:33:56 | 0:34:00 | |
You're being so lovely and you're putting your heart and soul into it. | 0:34:00 | 0:34:04 | |
-Yeah, for you. -And I know that, but they don't. | 0:34:04 | 0:34:08 | |
They should know it. Why don't they know it? | 0:34:08 | 0:34:11 | |
-Cos they've not met... -Not met me? I've lived here for nine months! | 0:34:11 | 0:34:16 | |
-They will see it. -Christ! | 0:34:16 | 0:34:18 | |
All I'm saying is that you need to go and just do a bit of diplomacy. | 0:34:18 | 0:34:23 | |
-I will. -I love you and I'm completely with you. | 0:34:23 | 0:34:27 | |
And I'm totally day by day | 0:34:27 | 0:34:32 | |
just amazed at how wonderful you are. | 0:34:32 | 0:34:36 | |
And I'm so pleased to be marrying you. | 0:34:36 | 0:34:41 | |
HE SIGHS | 0:34:41 | 0:34:44 | |
I come down the aisle, you're waiting at the altar for me | 0:34:52 | 0:34:56 | |
with Snoopy doing the sway, whatever. | 0:34:56 | 0:35:00 | |
I come shuffling down the aisle or whatever, in time, hopefully, | 0:35:00 | 0:35:05 | |
and then meet you at the altar. | 0:35:05 | 0:35:08 | |
The other question that I am worried about is who's gonna take me down? | 0:35:08 | 0:35:12 | |
What about your dad? | 0:35:12 | 0:35:15 | |
I don't... I'm not sure if he's gonna be there to be honest. | 0:35:15 | 0:35:21 | |
-At the moment it doesn't look like it. -Why? | 0:35:21 | 0:35:24 | |
Because I haven't invited him, Mum hasn't, you haven't invited him. | 0:35:24 | 0:35:28 | |
I'd like him to be there, but I'm not in a position to... | 0:35:28 | 0:35:35 | |
-To invite your dad to your wedding? -I... | 0:35:35 | 0:35:37 | |
I'm not in a position to... | 0:35:37 | 0:35:44 | |
I'm not in a position to... to do that. | 0:35:44 | 0:35:49 | |
You do want him there, don't you? | 0:35:51 | 0:35:54 | |
Him being there's more important than anything else we're talking about. | 0:35:56 | 0:36:00 | |
Or your family being there is more important than getting a song right. | 0:36:00 | 0:36:05 | |
I think your mum's gonna have to lump it for four hours of her life. | 0:36:05 | 0:36:11 | |
PIANO PLAYS | 0:36:11 | 0:36:13 | |
Feel this bit. That's it. Out. | 0:36:19 | 0:36:22 | |
And run to each other and round. | 0:36:27 | 0:36:30 | |
And turn out. | 0:36:30 | 0:36:32 | |
And back. Hold his face. | 0:36:32 | 0:36:34 | |
-LAUGHTER -Should I hold him like that. | 0:36:34 | 0:36:38 | |
Where's Snoopy's bit? | 0:36:38 | 0:36:40 | |
You haven't done any of the music. It can't be this surely, you know. | 0:36:41 | 0:36:46 | |
Cos we've got a thing. La, la. Not that, it's bigger. | 0:36:46 | 0:36:50 | |
# Nomothetic relationship | 0:36:50 | 0:36:54 | |
# It makes me sick So very sick | 0:36:54 | 0:36:57 | |
# Your shining eyes like twisted wire | 0:36:57 | 0:37:01 | |
# On the cover of a dirty magazine | 0:37:01 | 0:37:06 | |
# Mouth full of razor blades | 0:37:06 | 0:37:09 | |
# Tongue just like shining steel | 0:37:09 | 0:37:12 | |
# You're making me ill | 0:37:12 | 0:37:15 | |
# On the cover of a dirty magazine... # | 0:37:16 | 0:37:20 | |
-Can you believe this?! -I can do the twiddly bit. | 0:37:26 | 0:37:29 | |
-That's not good, but... -I thought that could be the big... | 0:37:31 | 0:37:37 | |
-It's just not... -It's called "Steel Ill" | 0:37:37 | 0:37:41 | |
Still ill, steel ill. | 0:37:41 | 0:37:43 | |
But what's it gotta do with the wedding? | 0:37:43 | 0:37:46 | |
-It's shiny. -Is that what you think I am, | 0:37:46 | 0:37:49 | |
a girl on the cover of a porno magazine with a steel tongue? | 0:37:49 | 0:37:53 | |
-No, I'm not saying that. -That it's nomothetic. | 0:37:53 | 0:37:57 | |
Nomothetic relationship, it makes me sick. | 0:37:57 | 0:38:01 | |
-So, our relationship makes you sick? -No! | 0:38:01 | 0:38:03 | |
If you wanna sing that at our wedding, that's what it sounds like. | 0:38:03 | 0:38:07 | |
I'm saying everyone else's relationship is nomothetic. | 0:38:07 | 0:38:11 | |
-This is... -There is no nomothetic. | 0:38:11 | 0:38:14 | |
What does pedantic mean? | 0:38:14 | 0:38:16 | |
-That's the whole... -That's an interesting question, | 0:38:16 | 0:38:19 | |
-but now isn't the time to work it out. -Listen to this. | 0:38:19 | 0:38:22 | |
# You're dragging me down | 0:38:22 | 0:38:24 | |
# You're making me frown | 0:38:24 | 0:38:26 | |
# Saw you crying in your sleep | 0:38:26 | 0:38:30 | |
# Please don't cry | 0:38:30 | 0:38:34 | |
# What does pedantic mean? # | 0:38:34 | 0:38:38 | |
-We're gonna have... -You can do the lyrics. | 0:38:38 | 0:38:40 | |
Snoopy has a vital part to play in this wedding, no doubt. | 0:38:40 | 0:38:45 | |
He is Matt's best friend and he's talented and he will be there, | 0:38:45 | 0:38:49 | |
but this is their dream wedding and I'm prepared to kill or maim | 0:38:49 | 0:38:54 | |
for them to have that wedding, understand? | 0:38:54 | 0:38:56 | |
-Out you come, my honey. -Here it goes. Bless. | 0:39:00 | 0:39:04 | |
She's looking a bit ragged. | 0:39:04 | 0:39:06 | |
-The squirrels have fallen. -There. Which way around? | 0:39:06 | 0:39:10 | |
We're all moving around. It's like Dunsinane, isn't it? | 0:39:10 | 0:39:12 | |
-Right. -That's "Midsummer Night's Dream"? | 0:39:12 | 0:39:17 | |
Yes, fairies, "Midsummer Night's Dream". | 0:39:17 | 0:39:20 | |
-They would arrive... -Where's the couple? | 0:39:20 | 0:39:22 | |
-There we are. -They're hiding. | 0:39:22 | 0:39:24 | |
-They're not going to be naked. -This is our problem. | 0:39:24 | 0:39:28 | |
-It's tricky convincing them... -We need this for the front cover. | 0:39:28 | 0:39:33 | |
-We can't have nude people. -They're fine nude. | 0:39:33 | 0:39:37 | |
They won't be on the cover cos they won't win. I think we all know that. | 0:39:37 | 0:39:40 | |
-They may do. -They may not. -Don't write them off just cos they've got no clothes on. | 0:39:40 | 0:39:46 | |
What about having a little bush, if you'll pardon the language, | 0:39:46 | 0:39:50 | |
a bush area that covers the... | 0:39:50 | 0:39:53 | |
A bush area?! How elegant is that going to be on the cover? | 0:39:53 | 0:39:57 | |
If the topiary is done properly, I think it could be rather lovely. | 0:39:57 | 0:40:01 | |
-BOTH: -Well... -I gave you an agenda. | 0:40:01 | 0:40:04 | |
The agenda is no nudes. | 0:40:04 | 0:40:06 | |
To begin with, the dance is very formal. | 0:40:12 | 0:40:17 | |
Then...more country. | 0:40:20 | 0:40:24 | |
Oh! Suddenly, bright lights! | 0:40:24 | 0:40:27 | |
Oh! It's a rumble of something. What's this? | 0:40:27 | 0:40:30 | |
What it is is the arrival of your camper van. And inside, you... | 0:40:30 | 0:40:35 | |
..are the Queen of the Fairies. | 0:40:38 | 0:40:41 | |
And me, Oberon-like, King of the Fairies emerges from the camper van. | 0:40:41 | 0:40:46 | |
The Green Man guides them and comforts them. | 0:40:46 | 0:40:49 | |
And he is of course our Green Man/Registrar. | 0:40:49 | 0:40:54 | |
And you're married. | 0:40:54 | 0:40:56 | |
Well, I just think that completely sucks. | 0:40:57 | 0:41:01 | |
That whole thing is rubbish. This is our wedding. | 0:41:01 | 0:41:05 | |
We can't be prancing around like berks. | 0:41:05 | 0:41:07 | |
We have a little problem here that I think we ought to share with you. | 0:41:07 | 0:41:12 | |
That is that our brief, if you like, | 0:41:12 | 0:41:16 | |
is that your naturist wedding must not be naked. | 0:41:16 | 0:41:20 | |
That's come right from the top. | 0:41:20 | 0:41:23 | |
I really have to apologise. I mean, I chose these people. | 0:41:23 | 0:41:28 | |
And it was after lunch, they were the best of a bad lot, | 0:41:28 | 0:41:32 | |
I'd had a few glasses of wine, and I think... | 0:41:32 | 0:41:35 | |
-I made an error of judgement. -We just need to deal with it now. | 0:41:35 | 0:41:39 | |
-We need to get them dressed. -Yes, we do. We absolutely do. | 0:41:39 | 0:41:43 | |
-Michael, Joanna, lovely to see you. -Come on in. | 0:41:43 | 0:41:46 | |
This gentleman is James Thursk. He's our lawyer. | 0:41:46 | 0:41:49 | |
And he sorts things out. We've got some sorting-out to do today. | 0:41:49 | 0:41:53 | |
Yeah. Erm... Well... We've been talking, and the problem is | 0:41:53 | 0:41:57 | |
that we were asked for an idea for an original wedding | 0:41:57 | 0:42:00 | |
and our idea was a naturist wedding and we've found out | 0:42:00 | 0:42:04 | |
that this is going to be a naturist wedding featuring no nudity. | 0:42:04 | 0:42:08 | |
Mr Thursk. | 0:42:08 | 0:42:11 | |
You can't expect anyone to put naked people on the cover of a magazine. | 0:42:11 | 0:42:16 | |
I'm talking about our wedding and us getting married. | 0:42:16 | 0:42:20 | |
As naturists, we know that you can't be a bit naked. | 0:42:20 | 0:42:23 | |
-You're naked or you're not. -You're not naked now, you seem comfortable. | 0:42:23 | 0:42:27 | |
Is that some kind of challenge? OK. | 0:42:27 | 0:42:31 | |
-I don't think... -Michael! This isn't good! | 0:42:31 | 0:42:33 | |
People don't appreciate that you're either naked or you're not. | 0:42:33 | 0:42:37 | |
Stop it there. Please! We're trying to have a civilised discussion. | 0:42:37 | 0:42:42 | |
I'm having a civilised discussion. | 0:42:42 | 0:42:45 | |
I can have a civilised discussion whether I'm dressed or not. | 0:42:45 | 0:42:49 | |
-He's becoming impossible! -I'm staying here | 0:42:49 | 0:42:53 | |
until you write a new contract saying we can have the wedding | 0:42:53 | 0:42:56 | |
you said we could have. | 0:42:56 | 0:42:59 | |
That's just not going to happen. That simply isn't going to happen. | 0:42:59 | 0:43:02 | |
We cannot put out a magazine with people in it naked. | 0:43:02 | 0:43:05 | |
-Sorry about that, but we cannot do it. -OK. -That is the end of it. | 0:43:05 | 0:43:09 | |
Yeah, I guess it is. I guess that's the end. | 0:43:09 | 0:43:13 | |
Joanna, maybe if you just wore a wedding dress. | 0:43:19 | 0:43:23 | |
I'm not even sure I want to get married. | 0:43:23 | 0:43:26 | |
This is not what I dreamt of. | 0:43:26 | 0:43:28 | |
It's not becoming what I wanted for a wedding. | 0:43:28 | 0:43:32 | |
He's sleeping in the kitchen at the moment. | 0:43:32 | 0:43:34 | |
What if you dressed yourself up to allure him? You're always naked. | 0:43:34 | 0:43:39 | |
Maybe you become immune to each other cos being naked all the time, | 0:43:39 | 0:43:43 | |
you've got used to your bodies. There's no magic. James? | 0:43:43 | 0:43:47 | |
There's something very romantic about a wedding dress. | 0:43:47 | 0:43:51 | |
If I can just start by explaining why we're here, what it's all about. | 0:43:51 | 0:43:57 | |
We're here today to talk about what it means to be getting married. | 0:43:57 | 0:44:02 | |
There's not much to talk about. I felt that what we were going to do | 0:44:02 | 0:44:07 | |
was have a naturist wedding | 0:44:07 | 0:44:10 | |
and that'd involve people acting like naturists, AKA being naked. | 0:44:10 | 0:44:14 | |
It's A-K-A not AKA. | 0:44:14 | 0:44:17 | |
And, apparently, not everybody feels the same way, | 0:44:17 | 0:44:21 | |
including the person I hoped to marry. | 0:44:21 | 0:44:24 | |
I've expressed not a made-up problem but a real issue with me | 0:44:24 | 0:44:28 | |
that being naked in front of non-naturists is not that easy. | 0:44:28 | 0:44:32 | |
Nobody's going to laugh. | 0:44:32 | 0:44:34 | |
Your body is the most eloquent expression of how beautiful you are. | 0:44:34 | 0:44:38 | |
Get it into your thick head how much I respect you. | 0:44:38 | 0:44:41 | |
If we can just take "thick" out, there were nice words there. | 0:44:41 | 0:44:46 | |
You can always replace one. | 0:44:46 | 0:44:49 | |
-Let's take "thick" out then. -Let's take "thick" out. Good. Good. | 0:44:49 | 0:44:54 | |
Could you...? Are you ready to shuffle up a bit yet on the... | 0:44:54 | 0:44:58 | |
settee? Well done. | 0:44:58 | 0:45:01 | |
Lovely. OK. | 0:45:01 | 0:45:04 | |
# I was walking along, minding my business | 0:45:12 | 0:45:15 | |
# When out of an orange-coloured sky | 0:45:15 | 0:45:19 | |
# Flash! Bam! Alakazam! | 0:45:19 | 0:45:22 | |
# Wonderful you came by | 0:45:22 | 0:45:26 | |
# I was humming a tune, drinking in sunshine | 0:45:26 | 0:45:30 | |
# When out of an orange-coloured view | 0:45:30 | 0:45:34 | |
# Flash! Bam! Alakazam! | 0:45:34 | 0:45:37 | |
# I got a look at you | 0:45:37 | 0:45:41 | |
# One look and I yelled, "Timber" | 0:45:41 | 0:45:45 | |
# "Watch out for flying glass" | 0:45:45 | 0:45:48 | |
# The ceiling fell in and the bottom fell out | 0:45:48 | 0:45:50 | |
# I went into a spin and I started to shout | 0:45:50 | 0:45:52 | |
-# "I've been hit" -This is it! This is it! | 0:45:52 | 0:45:56 | |
# I was walking along, minding my business | 0:45:56 | 0:45:59 | |
# And love came and hit me in the eye | 0:45:59 | 0:46:02 | |
# Flash! Bam! Alakazam! | 0:46:02 | 0:46:07 | |
# Out of an orange-coloured sky. # | 0:46:07 | 0:46:10 | |
The wedding planners are not giving us the same service. | 0:46:10 | 0:46:14 | |
They are getting a choreographer. We're not allowed a choreographer. | 0:46:14 | 0:46:17 | |
-Next? -She had a makeover at the fair | 0:46:17 | 0:46:20 | |
before we made a fuss and I got Isabelle to have one. | 0:46:20 | 0:46:23 | |
-Yes, you did. -They're getting resources we are not. | 0:46:23 | 0:46:27 | |
-Is it rigged? Is that what it's about? -Please! | 0:46:27 | 0:46:30 | |
-Is it rigged? I mean... -Just tell us. -Absolutely not! | 0:46:30 | 0:46:33 | |
Well, it doesn't seem like that from where we're sitting. | 0:46:33 | 0:46:38 | |
I chair the panel, I've got the casting vote, it will not be fixed. | 0:46:38 | 0:46:42 | |
You have the casting vote? | 0:46:42 | 0:46:44 | |
Yes. | 0:46:44 | 0:46:46 | |
So what do you... What are you looking for? | 0:46:49 | 0:46:54 | |
Isabelle, let's have a look at your nose. | 0:46:54 | 0:46:58 | |
-OK, Shall I...? -Yes, please. Can you look in the mirror? | 0:46:58 | 0:47:01 | |
-I love that nose. -What I see in your nose is that the dorsum here, | 0:47:01 | 0:47:06 | |
the bridge, is a little too wide and too flat. OK? | 0:47:06 | 0:47:10 | |
The nose is a little bit too short and is pointing up too much. | 0:47:10 | 0:47:14 | |
And when I look at you, I see inside your nostrils. | 0:47:14 | 0:47:19 | |
-And I personally don't like that. -OK. | 0:47:19 | 0:47:24 | |
# I've played tennis all over | 0:47:27 | 0:47:30 | |
# From Florida to Bosnia-Herzegovina... | 0:47:32 | 0:47:36 | |
I'll have to check if that country's called that. | 0:47:37 | 0:47:41 | |
# ..But I've never met a girl as beautiful as Isabelle | 0:47:41 | 0:47:45 | |
# More beautiful than Maria Sharapova | 0:47:46 | 0:47:50 | |
# Felt like I was being torn apart by the hounds of hell | 0:47:51 | 0:47:56 | |
# Day I fell in love with my Isabelle | 0:47:58 | 0:48:02 | |
# Oh... | 0:48:04 | 0:48:08 | |
# Isabelle. # | 0:48:15 | 0:48:18 | |
-That's all I've got at the moment. -That's beautiful. | 0:48:20 | 0:48:24 | |
Here we go. So...voila! | 0:48:32 | 0:48:36 | |
That's your basic set, as it were. | 0:48:38 | 0:48:41 | |
-Your wedding area. -Dark, innit? -It'll be lit. It's not this dark. | 0:48:41 | 0:48:46 | |
And it's peopled with, as you described to us before, | 0:48:46 | 0:48:51 | |
maybe a little panoply of people. | 0:48:51 | 0:48:54 | |
-I don't know what you think. -It just looks so dark to me. | 0:48:54 | 0:48:57 | |
-Will the floor be black? -I'm saying it'll be lit. | 0:48:57 | 0:49:01 | |
For a wedding, you don't want black walls and a black floor. | 0:49:01 | 0:49:05 | |
-No, these are star lights. -Do you? -No. | 0:49:05 | 0:49:08 | |
-These are like little stars. -I don't care, that's a black floor | 0:49:08 | 0:49:11 | |
and it's not right for a wedding. | 0:49:11 | 0:49:14 | |
It makes it easier for you to stand out in your white or in a colour. | 0:49:14 | 0:49:20 | |
-I don't like the sound of it. Carry on, but I don't like it. -Carry on. | 0:49:20 | 0:49:24 | |
-I don't like the sound of it. -Matt? | 0:49:24 | 0:49:26 | |
A few flowers to cheer it up. It looks like a morgue. | 0:49:26 | 0:49:30 | |
Flowers don't exist in this concept. In this theme. | 0:49:30 | 0:49:33 | |
Busby Berkeley was not full of flowers. | 0:49:33 | 0:49:36 | |
-What are you doing? -It was about angles, geometrics, | 0:49:36 | 0:49:39 | |
art deco, shapes, bodies... She's nodding, she knows. | 0:49:39 | 0:49:43 | |
What are the lights for? | 0:49:43 | 0:49:45 | |
With spotlights in black, we'll just see you, | 0:49:45 | 0:49:49 | |
-not the people hanging around. -What's the point in having people? | 0:49:49 | 0:49:52 | |
Shut the fuck up! Seriously, shut the fuck up! | 0:49:52 | 0:49:56 | |
Excuse me, this is my house. | 0:49:56 | 0:49:59 | |
Excuse nothing. We had this out yesterday. | 0:49:59 | 0:50:02 | |
-Shut up! -I beg your pardon! Goodness me! | 0:50:02 | 0:50:05 | |
-Who the hell do you think you are? -We're losing the wedding planners. | 0:50:05 | 0:50:08 | |
Blimey! It's all gone pear-shaped. | 0:50:08 | 0:50:10 | |
-No, you put it pear-shaped. -Your fault! | 0:50:10 | 0:50:14 | |
Not mine, not Sam's, not Jen's, | 0:50:14 | 0:50:17 | |
you shouted like you were on a market. | 0:50:17 | 0:50:20 | |
If you want to come and see us, | 0:50:20 | 0:50:23 | |
you two do, but we don't need to deal with your sister and mother, | 0:50:23 | 0:50:26 | |
because it is not their wedding and we won't do it. | 0:50:26 | 0:50:29 | |
Don't be so rude! Can you leave my house, please? | 0:50:29 | 0:50:33 | |
It will be an absolute joy. | 0:50:33 | 0:50:35 | |
This green is giving me a headache. Speaking of headaches... | 0:50:35 | 0:50:39 | |
Can you stop commenting on my house? Oh, my godfathers! I've had it! | 0:50:39 | 0:50:43 | |
-I've had enough. -All right. OK. Take care. | 0:50:43 | 0:50:47 | |
-Thank you very much. -You need that house. | 0:50:47 | 0:50:51 | |
-I don't want to talk to her again. -That makes two us. | 0:50:51 | 0:50:55 | |
Thanks for coming. Have a safe journey. | 0:50:56 | 0:50:59 | |
That was a complete waste of time. That's all we need. | 0:50:59 | 0:51:03 | |
I was only trying to help. You might as well pack your bags now and go! | 0:51:03 | 0:51:08 | |
You've really upset me this time. | 0:51:08 | 0:51:10 | |
You won't apologise and repair it this time. Bugger off. | 0:51:10 | 0:51:15 | |
Matt's gone! He's gone out! I don't know where. | 0:51:17 | 0:51:21 | |
Could be lying on a bench somewhere. | 0:51:21 | 0:51:24 | |
He's gone cos of you, cos of the way you behaved. | 0:51:24 | 0:51:27 | |
Don't say you're worried about him, not after the way he behaved, | 0:51:27 | 0:51:30 | |
shouting at your sister and me, shouting in front of you. | 0:51:30 | 0:51:34 | |
Language like that? No! | 0:51:34 | 0:51:37 | |
He's shouting because he can't stand it. And I can't stand it any more. | 0:51:37 | 0:51:41 | |
Stand what any more? | 0:51:41 | 0:51:43 | |
Stand me and mum trying to help? Me wanting to do the choreography? | 0:51:43 | 0:51:47 | |
"I'll help out. I'll be in a dream ballet sequence." | 0:51:47 | 0:51:50 | |
I was so pleased when I heard you were coming back from the cruise. | 0:51:50 | 0:51:53 | |
I was so excited to see you. Then you come back and try and take over. | 0:51:53 | 0:51:58 | |
It's like you don't trust that I can do it on my own. | 0:51:58 | 0:52:01 | |
I've had to sit there and watch you and clap you | 0:52:01 | 0:52:04 | |
with half a flamingo coming out of your head. | 0:52:04 | 0:52:07 | |
"Look at Jen!" And it's my turn now! | 0:52:07 | 0:52:10 | |
I want to have a chance. I want it to be me and Matt. | 0:52:10 | 0:52:14 | |
Me and Matt getting married, loving each other. | 0:52:14 | 0:52:17 | |
Getting married in that spotlight. Give me one day, just one chance, | 0:52:17 | 0:52:22 | |
to have my day, my wedding day. | 0:52:22 | 0:52:24 | |
And I want you to be there loving me and supporting me, | 0:52:24 | 0:52:28 | |
not making me feel like some idiot! | 0:52:28 | 0:52:31 | |
BIRDSONG | 0:52:34 | 0:52:36 | |
HE SIGHS | 0:52:41 | 0:52:44 | |
Hello. | 0:52:44 | 0:52:47 | |
-HE WHISTLES -Morning. Are you well? | 0:52:47 | 0:52:49 | |
Yeah. Cheers. Thanks a lot. | 0:52:51 | 0:52:55 | |
# Marriage is for old folks | 0:52:55 | 0:52:57 | |
# Old folks, not for me | 0:52:57 | 0:53:01 | |
# One husband, one wife, what've you got? | 0:53:03 | 0:53:06 | |
# Two people sentenced for life. # | 0:53:06 | 0:53:09 | |
You're not the first person to turn up here freaking out. | 0:53:12 | 0:53:16 | |
-Really? -No. You've just got to accept | 0:53:16 | 0:53:19 | |
it's a stressful time. Take some time out and look after yourself | 0:53:19 | 0:53:22 | |
and look after her and don't get so wound up with it all. | 0:53:22 | 0:53:26 | |
You need a bit of "me" time. It's very difficult. | 0:53:26 | 0:53:29 | |
There's so much pressure. Particularly with this. | 0:53:29 | 0:53:32 | |
TUNELESS DISTANT SINGING | 0:53:32 | 0:53:35 | |
What's that? | 0:53:37 | 0:53:40 | |
Jesus Christ! What are you doing?! HE LAUGHS | 0:53:42 | 0:53:47 | |
Stop it! I better go and... HE LAUGHS | 0:53:47 | 0:53:51 | |
-# While I give to you... -HE LAUGHS | 0:53:51 | 0:53:55 | |
# And you give to me... | 0:53:55 | 0:53:59 | |
-Fly, my Romeo. Fly! -# True love... | 0:53:59 | 0:54:04 | |
-Aw! He's coming down! -# True love | 0:54:04 | 0:54:08 | |
-# So on and on... -Oh! Archie, look! | 0:54:08 | 0:54:12 | |
-Ooh! -Lovebirds! | 0:54:12 | 0:54:16 | |
-# True love... -That's beautiful! | 0:54:16 | 0:54:21 | |
# True love # | 0:54:21 | 0:54:24 | |
Oh, Archie! | 0:54:24 | 0:54:28 | |
# Summer breeze and blue, blue sky | 0:54:38 | 0:54:43 | |
# Memories of that beautiful July arriving early in the sun | 0:54:43 | 0:54:48 | |
# Playing games and having fun together # | 0:54:48 | 0:54:51 | |
Just put something on! Please! | 0:54:51 | 0:54:54 | |
I'm not going to get dressed just because your mother's coming. | 0:54:54 | 0:54:57 | |
-I'll have to go somewhere else. -It's our room. | 0:54:57 | 0:55:00 | |
When I go to her house, I'll put some clothes on. | 0:55:00 | 0:55:03 | |
-Tubsy, darling! -Mummy. Hello. | 0:55:03 | 0:55:05 | |
-How are you, sweetheart? -Good, thank you. | 0:55:05 | 0:55:08 | |
-How are you? -Fine. Where have they put you here? | 0:55:08 | 0:55:12 | |
-Oh, it's quite nice. -It is nice. | 0:55:12 | 0:55:15 | |
Sweetheart, you're looking thinner. Well done. That's excellent. | 0:55:15 | 0:55:19 | |
Right. Well, I've had a long day, so it's lovely to be here. | 0:55:19 | 0:55:23 | |
There you are, sweetie. | 0:55:23 | 0:55:26 | |
-Hello, Mrs Roberts. -Oh, hello. | 0:55:26 | 0:55:28 | |
Well, I suppose now I should call you Mum. | 0:55:28 | 0:55:32 | |
-Erm... -Pleasant trip? | 0:55:32 | 0:55:36 | |
-'Down. And up.' -Oh, my God! | 0:55:36 | 0:55:39 | |
Look at them! | 0:55:39 | 0:55:41 | |
That's ridiculous. That is absolutely ridiculous. | 0:55:43 | 0:55:48 | |
ORCHESTRAL MUSIC PLAYS | 0:55:48 | 0:55:51 | |
-Move over. I'm almost in these chairs here. -Are you ready, Mum? | 0:55:54 | 0:55:59 | |
I don't know where Matt's coming from. | 0:56:07 | 0:56:10 | |
-Is that him? Is that us? Jenny, is this us?! -Six. Seven. Eight. | 0:56:10 | 0:56:14 | |
-Go! -Go! | 0:56:14 | 0:56:17 | |
Lower the arm. | 0:56:24 | 0:56:26 | |
-Oh, my God! -What's he doing here? -Oh, No! I don't believe it! | 0:56:31 | 0:56:35 | |
How did he know about it? Who talked to him? That's what I wanna know. | 0:56:35 | 0:56:39 | |
-Matt obviously knew about it. -I could have been warned. | 0:56:39 | 0:56:43 | |
You all right? Don't get upset cos then it's like he's winning. | 0:56:43 | 0:56:49 | |
All right, Dave? You never said. | 0:56:49 | 0:56:53 | |
I wasn't sure he was coming but I'm glad he's here. Shall we get on? | 0:56:53 | 0:56:58 | |
It would've been nice if you'd told me that your dad was gonna be here. | 0:56:58 | 0:57:02 | |
-Sorry. -Is he gonna be dancing? -Yeah. -No. | 0:57:02 | 0:57:06 | |
-Five. Six. Seven. Eight. Up. Down. Up. Down. Up. Two. Three. -Go! | 0:57:06 | 0:57:12 | |
One. Two. Three. Four. | 0:57:12 | 0:57:16 | |
And run. Good. Very good. Perfect. | 0:57:16 | 0:57:19 | |
Five. Six. Seven. Eight. One, two, three, four, five, six, seven, eight. | 0:57:19 | 0:57:24 | |
-I'm sorry, but... -Keep going! Keep going! | 0:57:24 | 0:57:28 | |
He's too close to me. | 0:57:28 | 0:57:30 | |
-Two, three, four. And up. -For God's sake, Dave! | 0:57:30 | 0:57:34 | |
Do me a favour! | 0:57:34 | 0:57:36 | |
-I'm trying my best. -How can anyone be so insensitive? | 0:57:36 | 0:57:40 | |
-Punch me in the back of the head. -I'm not Fred Astaire. | 0:57:40 | 0:57:43 | |
-Pushing me like that. -I'm not Ginger Rogers. | 0:57:43 | 0:57:46 | |
You're making me lose me balance. | 0:57:46 | 0:57:49 | |
There's only a little bit of room. We all have to try... | 0:57:49 | 0:57:53 | |
What I'm saying is, he's standing right next to me... Bish-bash-bosh! | 0:57:53 | 0:57:58 | |
-Making me wobble over. -I'm doing me best. -We've all gotta try... | 0:57:58 | 0:58:02 | |
If you were a bit more sensitive to what was happening... | 0:58:02 | 0:58:06 | |
And... | 0:58:09 | 0:58:10 | |
-Hi, guys. -Hi. | 0:58:14 | 0:58:16 | |
-What's happened?! -What do you mean? -What's happened to your face?! | 0:58:16 | 0:58:19 | |
A nose job. A nose job. This is just protecting it. | 0:58:19 | 0:58:23 | |
-It's next week! -How long's it on for? | 0:58:23 | 0:58:25 | |
-It's gonna be fine. -Don't worry. -We're not worried about this. | 0:58:25 | 0:58:29 | |
I'm only worried because I had to pay for it myself. | 0:58:29 | 0:58:33 | |
Right, Cliff Richard? | 0:58:33 | 0:58:35 | |
-Very possibly, yeah. -What do you mean possibly? | 0:58:35 | 0:58:38 | |
He's out of the country, but if he can get back, he will. | 0:58:38 | 0:58:41 | |
If not, he'll send someone else who is more like him than he is. | 0:58:41 | 0:58:45 | |
-The big ball? -We've got you a big ball. | 0:58:45 | 0:58:48 | |
-Where? -It's arriving on the day. -On the day?! -It's £1,000 a day! | 0:58:48 | 0:58:52 | |
-How many ball boys? -Six. | 0:58:52 | 0:58:55 | |
Or possibly even eight. | 0:58:55 | 0:58:57 | |
Choreographer? | 0:58:57 | 0:58:59 | |
We're still talking to her. We're still talking to her. | 0:58:59 | 0:59:03 | |
But we've got so many things to do. | 0:59:03 | 0:59:05 | |
If we can get a shape, right? We haven't got the budget | 0:59:05 | 0:59:09 | |
to get a choreographer in to do the whole thing. Listen. | 0:59:09 | 0:59:12 | |
If we can get a shape to it, on the day we can get her in. | 0:59:12 | 0:59:16 | |
We can get her in and she can tidy it up at the end. | 0:59:16 | 0:59:19 | |
But she's very busy with the other wedding. | 0:59:19 | 0:59:22 | |
She is a choreographer A choreographer is used to... | 0:59:22 | 0:59:26 | |
-Choreograph. -Dance pieces! -And provide ideas! Provide ideas. | 0:59:26 | 0:59:30 | |
No! That's what couples do who want to get married. | 0:59:30 | 0:59:33 | |
-We have given our ideas! -Where have your ideas been? | 0:59:33 | 0:59:37 | |
We wanted dancer ball boys. We wanted you to arrive at a net. | 0:59:37 | 0:59:42 | |
-And everything was thrown out! -No, you didn't. You never said... | 0:59:42 | 0:59:46 | |
We came to you at your club and said entrance of ball boys. | 0:59:46 | 0:59:51 | |
It's not our fault that you don't have enough friends to bring along | 0:59:51 | 0:59:55 | |
-who can do these things for you. -Fuck you! | 0:59:55 | 0:59:58 | |
-No, please, Isabelle. -We have friends! -Where are they? | 0:59:58 | 1:00:01 | |
-Fuck off about the friends! It's not about friends! -Of course it is! | 1:00:01 | 1:00:05 | |
-On the day, we need people... -They can't make it! | 1:00:05 | 1:00:09 | |
-Her family are from Canada. -We can't afford to fly them. | 1:00:09 | 1:00:12 | |
We can't afford it because we've had to spend all our money on her nose! | 1:00:12 | 1:00:16 | |
Thanks very much. | 1:00:20 | 1:00:23 | |
Oh, Arch, come on. Don't be silly. Come on, don't be silly. | 1:00:25 | 1:00:30 | |
Oh, come on. It's not your fault. | 1:00:30 | 1:00:33 | |
I just... | 1:00:33 | 1:00:36 | |
Oh. Come here. Come here. | 1:00:36 | 1:00:39 | |
Silly sausage. | 1:00:39 | 1:00:42 | |
Silly sausage. It's not your fault. They'll come back. | 1:00:42 | 1:00:45 | |
Don't be silly. | 1:00:45 | 1:00:47 | |
Come on, my big bear. Don't be silly. Come on. | 1:00:49 | 1:00:53 | |
Don't be silly. | 1:00:53 | 1:00:56 | |
I think they're coming back. | 1:00:59 | 1:01:02 | |
Don't let them see you like this. Don't let them see you. | 1:01:02 | 1:01:05 | |
Why not? They think I'm a stupid poof anyway. | 1:01:05 | 1:01:08 | |
Don't be stupid. I'm the poof, you're the straight man, silly. | 1:01:08 | 1:01:12 | |
-I'm sorry. -It's OK. | 1:01:19 | 1:01:21 | |
I just wonder how long before she gets sick of me. | 1:01:25 | 1:01:29 | |
And before she, erm... | 1:01:31 | 1:01:34 | |
If we don't win the competition, I've got nothing to offer her. | 1:01:36 | 1:01:40 | |
I'm at the end of my tennis career and... | 1:01:40 | 1:01:42 | |
-OK. -I've got no money and... | 1:01:42 | 1:01:46 | |
But I don't know whether in a year's time | 1:01:46 | 1:01:50 | |
she'll still wanna be married. | 1:01:50 | 1:01:52 | |
You know, if I haven't provided anything good for her or... | 1:01:52 | 1:01:58 | |
You know, if I'm not winning any tennis matches. | 1:01:58 | 1:02:02 | |
They're under huge pressure, these people, to... | 1:02:02 | 1:02:07 | |
to sort of have the perfect wedding. | 1:02:07 | 1:02:10 | |
So it's natural that they should take that out on us, I suppose. | 1:02:10 | 1:02:15 | |
If we didn't like it, we wouldn't be doing it, would we? | 1:02:15 | 1:02:19 | |
-You're tired, aren't you? -Sorry? | 1:02:22 | 1:02:25 | |
-You're just tired. Just tired. -No, I'm not tired. I'm fine. | 1:02:25 | 1:02:29 | |
Tell Mr Rusedski to ring me. I won't ring again. | 1:02:31 | 1:02:35 | |
The wedding's really soon and he wanted to come. OK? | 1:02:35 | 1:02:39 | |
Josef Worrell. You have my number. Thank you. | 1:02:39 | 1:02:43 | |
Do you like it? | 1:02:55 | 1:02:58 | |
HE LAUGHS | 1:02:58 | 1:03:00 | |
-Yeah. -You don't. | 1:03:00 | 1:03:02 | |
I do. Why are you crying? | 1:03:02 | 1:03:06 | |
-Don't cry. Don't cry. -It's good? -I like it. Don't cry. | 1:03:06 | 1:03:10 | |
-It's OK, I like it. -You do? -Yeah. It's just a bit of a shock. | 1:03:10 | 1:03:15 | |
-Do you wanna see it from the side? -OK. -OK. | 1:03:15 | 1:03:18 | |
-You look gorgeous. -Thanks. | 1:03:30 | 1:03:32 | |
-You all right? -We're tremendous. -Terribly exciting, isn't it? | 1:03:34 | 1:03:37 | |
-How can that nose go on the cover? -Well, I didn't say it, | 1:03:40 | 1:03:44 | |
but I implied change it for the better. | 1:03:44 | 1:03:46 | |
-It wasn't for better, was it? -It's ever so subtle. | 1:03:46 | 1:03:50 | |
-It's fucking out here! -It looks like it's been broke and they reset it. | 1:03:50 | 1:03:55 | |
Is that the mother over there? | 1:03:55 | 1:03:57 | |
-She's not gonna be naked, is she? -No. -No-one wants to see that. | 1:04:00 | 1:04:04 | |
-Who's that? -That's her sister. -Sister of who? | 1:04:04 | 1:04:09 | |
Are you insisting that they wear clothes? | 1:04:11 | 1:04:14 | |
-I think it'd be better. -I couldn't agree more. Stop this silly stuff. | 1:04:14 | 1:04:19 | |
-"Looking at the view." I've heard that one. -Mum! | 1:04:23 | 1:04:27 | |
You think Jen would be that cheap to go with a stranger and have sex? | 1:04:27 | 1:04:32 | |
-We were going up there talking. -This is my little girl here. | 1:04:32 | 1:04:35 | |
I can assure you, sir, that nothing... Vivien? Vivien? | 1:04:36 | 1:04:41 | |
So, here's to a wonderful day. | 1:04:41 | 1:04:44 | |
Here's to "Confetti". ALL: Cheers! | 1:04:44 | 1:04:48 | |
Oh, look, look. Somebody's set this right-handed. | 1:05:11 | 1:05:15 | |
OK, but it's good. It's good. | 1:05:17 | 1:05:20 | |
It's lovely. It's lovely. It's just detail. It's just detail. | 1:05:20 | 1:05:24 | |
-Start getting ready now. -I'm getting ready, love. | 1:05:24 | 1:05:28 | |
-What's this? -They need to come out. Go and see Marella now. | 1:05:28 | 1:05:33 | |
CHATTER | 1:05:33 | 1:05:37 | |
-Is everybody all right? -All right? | 1:05:37 | 1:05:39 | |
You're short of numbers. A few people have disappeared. | 1:05:39 | 1:05:43 | |
-They've just gone to the loo. -Please just make it a loo run. | 1:05:43 | 1:05:47 | |
-You look absolutely fabulous. All of you. -So do you. | 1:05:47 | 1:05:51 | |
Thank you very much. | 1:05:51 | 1:05:53 | |
I can't say I hope you win, cos I don't, but good luck with it. | 1:05:53 | 1:05:57 | |
-Hope it goes well. -I hope yours goes well. -Thanks. | 1:05:57 | 1:06:00 | |
-No panic in the camp? -No, it's lovely. -Is it? | 1:06:00 | 1:06:05 | |
-I'm really worried. -What are you talking about? | 1:06:05 | 1:06:08 | |
-I don't know if I can do it. -Hey, hey. No, no, no. | 1:06:08 | 1:06:11 | |
-Just cos of the singing and stuff. -Sam, it'll be fine. | 1:06:11 | 1:06:14 | |
Sam, listen to me. Breathe. | 1:06:14 | 1:06:17 | |
-You're singing... -I'm gonna be sick. | 1:06:17 | 1:06:20 | |
-Sam, do you want me to come? -I'm gonna be sick. | 1:06:20 | 1:06:23 | |
Keep her hair away from her face, if she's sick, | 1:06:23 | 1:06:26 | |
otherwise you get sick on the hair. | 1:06:26 | 1:06:28 | |
If it's something different that you'd like and you think | 1:06:28 | 1:06:31 | |
this is something new, regardless of whether you like it or not... | 1:06:31 | 1:06:37 | |
If you hate it, say, "That was original but I didn't like it." | 1:06:37 | 1:06:40 | |
Just popped by to say on behalf of "Confetti" magazine, | 1:06:40 | 1:06:46 | |
-the best of British. All right? -Thanks. | 1:06:46 | 1:06:49 | |
And I think you've got a very, very strong chance. All right? | 1:06:49 | 1:06:53 | |
-Thank you. That's very nice. -Smashing. | 1:06:53 | 1:06:56 | |
Yes, if you keep your clothes on. See you later. | 1:06:56 | 1:07:00 | |
What I'm about to say now is not meant as a criticism, | 1:07:02 | 1:07:06 | |
but you know you're sort of painted brown, | 1:07:06 | 1:07:09 | |
it's like there's a line. | 1:07:09 | 1:07:12 | |
I don't know if you'd noticed it and wanted to change it. | 1:07:12 | 1:07:15 | |
I know you're a perfectionist and I thought you might wanna change it. | 1:07:15 | 1:07:19 | |
Because you're a perfectionist and you wanna look as good as you can. | 1:07:19 | 1:07:23 | |
-I've fake-tanned it and done it... -But that looks a bit like... | 1:07:23 | 1:07:27 | |
You don't get brown palms when you sunbathe. | 1:07:27 | 1:07:29 | |
-You don't sunbathe like that. -No, but you look like Biffo the Bear. | 1:07:29 | 1:07:34 | |
There's a brown and a white... Huh? | 1:07:34 | 1:07:37 | |
We have to win. We have to win, so we will win. | 1:07:37 | 1:07:40 | |
We will win. Come on, Josef. | 1:07:40 | 1:07:43 | |
Come on. Do you wanna go through it? | 1:07:43 | 1:07:46 | |
-What if we lose?! -We're not gonna lose. | 1:07:49 | 1:07:51 | |
-Why? How do we know? -Because we're winners! | 1:07:51 | 1:07:54 | |
-We're going to win this! -They'll kill us out there! | 1:07:54 | 1:07:57 | |
I'm sure you'll agree with me when I say marriage is about commitment. | 1:07:57 | 1:08:02 | |
We at "Confetti" are committed to pushing the envelope in weddings. | 1:08:02 | 1:08:08 | |
Today is about doing new and exciting weddings, | 1:08:08 | 1:08:10 | |
things that maybe you haven't seen before. | 1:08:10 | 1:08:13 | |
The couples are backstage now. Do remember the work is over now, | 1:08:13 | 1:08:19 | |
everything is prepared, so just relax, take a breath, | 1:08:19 | 1:08:23 | |
and get ready to enjoy yourselves. | 1:08:23 | 1:08:26 | |
Let's move on to our first wedding. It's taking place over here. | 1:08:26 | 1:08:29 | |
You can guess what the theme is. | 1:08:29 | 1:08:31 | |
Ladies and gentlemen, "Confetti" gives you Josef and Isabelle. | 1:08:31 | 1:08:36 | |
WIMBLEDON THEME TUNE PLAYS | 1:08:36 | 1:08:39 | |
MC: Welcome to Wimbledon on this absolutely glorious summer's day. | 1:08:50 | 1:08:56 | |
There's a palpable sense of excitement here | 1:08:56 | 1:08:59 | |
amongst this full house. A real buzz around Centre Court. | 1:08:59 | 1:09:03 | |
This really does promise to be the most wonderful occasion. | 1:09:07 | 1:09:12 | |
AUDIENCE APPLAUDS | 1:09:15 | 1:09:18 | |
Oh, and here they are! Here they come! | 1:09:24 | 1:09:28 | |
I say! | 1:09:28 | 1:09:30 | |
# What a day this has been | 1:09:30 | 1:09:33 | |
# What a rare mood I'm in | 1:09:33 | 1:09:35 | |
# Why, it's almost like being in love | 1:09:35 | 1:09:40 | |
-# And there's this smile on my face for the whole human race... -BANG! | 1:09:40 | 1:09:45 | |
# Why, it's almost like being in love | 1:09:45 | 1:09:50 | |
# And all the music of life seems to be | 1:09:50 | 1:09:55 | |
# Like a bell that is ringing... | 1:09:55 | 1:09:58 | |
-Who'll call? -I will. | 1:09:58 | 1:10:00 | |
Heads. | 1:10:01 | 1:10:02 | |
-Sorry, it's tails. -I'll serve. | 1:10:02 | 1:10:06 | |
Josef Cecil Worrell has won the toss and elected to serve. | 1:10:06 | 1:10:11 | |
APPLAUSE | 1:10:11 | 1:10:12 | |
Quiet, please. And play. | 1:10:16 | 1:10:20 | |
-I, Josef Cecil Worrell,... -# Love is in the air... | 1:10:20 | 1:10:23 | |
..know of no legal reason | 1:10:23 | 1:10:25 | |
-why I may not be married to Isabelle Frances Fontaine. -15-love. | 1:10:25 | 1:10:29 | |
I, Isabelle Frances Fontaine, know of no legal reason | 1:10:29 | 1:10:32 | |
-why I cannot be married to Josef Cecil Worrell. -15-15. | 1:10:32 | 1:10:36 | |
I, Josef Cecil Worrell, take you, Isabelle Frances Fontaine, | 1:10:36 | 1:10:41 | |
-to be my lawfully wedded wife. -30-15. | 1:10:41 | 1:10:44 | |
I, Isabelle Frances Fontaine, take you, Josef Cecil Worrell, | 1:10:44 | 1:10:48 | |
-to be my lawful, legal husband. -30-30. New balls, please. | 1:10:48 | 1:10:52 | |
Isabelle... | 1:10:56 | 1:10:58 | |
..I've never won a tournament, | 1:10:59 | 1:11:02 | |
but I don't care, because I've won you. | 1:11:02 | 1:11:06 | |
40-30. | 1:11:06 | 1:11:09 | |
I know it's not been possible to have friends or family here today, | 1:11:09 | 1:11:15 | |
but that doesn't matter | 1:11:15 | 1:11:17 | |
cos you're here and that's all I'll need now and forever. | 1:11:17 | 1:11:20 | |
Deuce. | 1:11:20 | 1:11:22 | |
Isabelle, I can't promise I'll never be jealous again, | 1:11:22 | 1:11:26 | |
but I can promise that I'll look after you and love you | 1:11:26 | 1:11:30 | |
till the day I die. | 1:11:30 | 1:11:33 | |
MUSIC: "Love Is In The Air" by John Paul Young | 1:11:33 | 1:11:36 | |
# Love is in the air... # CHEERING | 1:11:36 | 1:11:40 | |
Josef Cecil Worrell, Isabelle Frances Fontaine, | 1:11:40 | 1:11:43 | |
it gives me great pleasure to pronounce you... | 1:11:43 | 1:11:46 | |
THUNDER | 1:11:46 | 1:11:48 | |
MC: Well, what a shame. Covers are going on. | 1:11:50 | 1:11:53 | |
Looks like a passing shower, so hopefully it'll not... | 1:11:53 | 1:11:58 | |
What's this? THUNDER | 1:11:58 | 1:12:00 | |
Someone's standing up! It's Cliff Richard! | 1:12:00 | 1:12:03 | |
Oh, my goodness! He's going to sing! | 1:12:03 | 1:12:07 | |
What a privilege to be here! | 1:12:07 | 1:12:10 | |
# I've got myself a crying, talking, sleeping, walking, living doll | 1:12:10 | 1:12:17 | |
# I've got to do my best to please her just cos she's my living doll | 1:12:17 | 1:12:23 | |
# I've got a roving eye and that is why she satisfies my soul | 1:12:23 | 1:12:29 | |
# I've got my one and only walking, talking, living doll! # | 1:12:31 | 1:12:36 | |
CHEERING | 1:12:36 | 1:12:38 | |
# Love is in the air | 1:12:44 | 1:12:46 | |
CHEERING | 1:12:46 | 1:12:48 | |
# ..Love is in the air... # | 1:12:48 | 1:12:51 | |
MC: Game, set and match. | 1:12:53 | 1:12:55 | |
# ..Love is in the air. # | 1:13:03 | 1:13:05 | |
-You could try a bit harder. -I am trying! | 1:13:05 | 1:13:08 | |
But this isn't what we wanted to do. | 1:13:08 | 1:13:10 | |
I've had everybody telling us what to do, sticking stuff on us. | 1:13:10 | 1:13:14 | |
I've got leaves in places I didn't know existed! | 1:13:14 | 1:13:17 | |
How do you think I feel? They've done it to me! | 1:13:17 | 1:13:19 | |
Right. Well, as if that wasn't a treat enough, | 1:13:19 | 1:13:22 | |
and I think it was, we've got three weddings to get through | 1:13:22 | 1:13:26 | |
and we're on to our second. | 1:13:26 | 1:13:28 | |
This one's very interesting. I love it, I love the concept. | 1:13:28 | 1:13:31 | |
I've not seen anything yet but I love the idea. | 1:13:31 | 1:13:34 | |
Ladies and gentlemen, I give you Michael and Joanna. | 1:13:34 | 1:13:37 | |
CHEERING | 1:13:37 | 1:13:39 | |
# I lay before you all I have to offer | 1:13:54 | 1:14:02 | |
# King of my heart | 1:14:03 | 1:14:07 | |
# I need to know you | 1:14:09 | 1:14:12 | |
# And I need to love you more | 1:14:12 | 1:14:18 | |
# King of my heart | 1:14:18 | 1:14:23 | |
# And you're king, and you're king | 1:14:23 | 1:14:26 | |
# And you're king, and you're king | 1:14:26 | 1:14:31 | |
# So I'm queen | 1:14:31 | 1:14:33 | |
# And you're king in my heart | 1:14:33 | 1:14:36 | |
# And it's love, and it's love | 1:14:38 | 1:14:41 | |
# That I lay at your feet, at your feet | 1:14:41 | 1:14:48 | |
# King of my heart | 1:14:48 | 1:14:53 | |
# I love you, king of my heart | 1:14:54 | 1:14:59 | |
# How I love you, king of my heart. # | 1:15:00 | 1:15:07 | |
Oh, Tubsy! | 1:15:20 | 1:15:22 | |
I vow to never make you cover up for shame or fear or duty. | 1:15:22 | 1:15:27 | |
You'll never need to shed your clothes for me to see your beauty. | 1:15:27 | 1:15:30 | |
I won't ignore our differences, but let them just connect. | 1:15:30 | 1:15:34 | |
One word for that is compromise, a better one's respect. | 1:15:34 | 1:15:37 | |
They drove you mad, but do not fear, for now you have a wife. | 1:15:37 | 1:15:42 | |
Your husband's here, screw them, my dear, | 1:15:42 | 1:15:44 | |
their wedding but our life. | 1:15:44 | 1:15:47 | |
For you join the dots between the stars like a pen of heaven's manna. | 1:15:47 | 1:15:51 | |
You make two houses into one, you join me up, Joanna. | 1:15:51 | 1:15:55 | |
You're like an angel overhead, but with me on a cycle. | 1:15:55 | 1:16:00 | |
Come live with me and be my love, my Gabriel, my Michael. | 1:16:00 | 1:16:05 | |
Ladies and gentlemen, now that Michael and Joanna | 1:16:11 | 1:16:15 | |
have exchanged head rings and promised themselves to each other, | 1:16:15 | 1:16:21 | |
a solemn moment has come for the couple to make their marriage contract. | 1:16:21 | 1:16:26 | |
Would you please all stand? | 1:16:26 | 1:16:28 | |
I call upon these persons here present to witness that I, | 1:16:34 | 1:16:37 | |
Michael Gabriel Collier,... | 1:16:37 | 1:16:39 | |
I call upon these persons here present to witness that I, | 1:16:39 | 1:16:43 | |
Michael Gabriel Collier, | 1:16:43 | 1:16:45 | |
do take thee, Joanna Martha Roberts, to be my lawful wedded wife. | 1:16:45 | 1:16:49 | |
I call upon these persons here present | 1:16:49 | 1:16:51 | |
to witness that I, Joanna Martha Roberts, | 1:16:51 | 1:16:54 | |
do take thee, Michael Gabriel Collier, | 1:16:54 | 1:16:57 | |
to be my lawful wedded husband. | 1:16:57 | 1:16:59 | |
It gives me great pleasure to pronounce you man and wife. | 1:16:59 | 1:17:02 | |
You may kiss the bride. | 1:17:02 | 1:17:04 | |
APPLAUSE | 1:17:08 | 1:17:10 | |
BELL RINGS | 1:17:11 | 1:17:13 | |
Whoo-hoo! | 1:17:25 | 1:17:28 | |
Well, ladies and gentlemen, that was Michael and Joanna. | 1:17:33 | 1:17:38 | |
And I think we can all... Let's all raise our glasses to them. | 1:17:38 | 1:17:43 | |
The happy couple, Michael and Joanna. What a wonderful, wonderful thing. | 1:17:43 | 1:17:47 | |
Listen, everyone, we're not going to worry about the steps, the tune, | 1:17:47 | 1:17:52 | |
we're just gonna have fun, OK? None of us are singers or dancers. | 1:17:52 | 1:17:56 | |
-I am. -Well, sorry, yeah. -I'm nervous about forgetting that bit. | 1:17:56 | 1:18:00 | |
-Do you know what? It doesn't matter. -I got it all wrong before. | 1:18:00 | 1:18:04 | |
-I thought, "I'm letting you down." -Girls, this is stage fright. | 1:18:04 | 1:18:08 | |
-I've seen it a thousand times. -I don't want to let you down. | 1:18:08 | 1:18:11 | |
Calm. Deep breaths. This is gonna be fabulous. | 1:18:11 | 1:18:14 | |
-We're gonna do a wonderful show. -For once, Jen, I think you're right. | 1:18:14 | 1:18:18 | |
Ladies and gentlemen, I want you to give the same warm reception | 1:18:18 | 1:18:22 | |
to our final couple. It is Matt and Sam. | 1:18:22 | 1:18:26 | |
-CHEERING -All right! Yeah! | 1:18:26 | 1:18:28 | |
-I love you. -Love you, too. All right. | 1:18:29 | 1:18:32 | |
CHEERING | 1:18:32 | 1:18:34 | |
DRUM ROLL | 1:18:36 | 1:18:38 | |
FANFARE | 1:18:38 | 1:18:40 | |
FEMALE CHORUS: # A beautiful girl makes the world a beautiful place | 1:18:59 | 1:19:05 | |
# Nothing compares to her effortless style and grace | 1:19:07 | 1:19:14 | |
# Her smile lights up a room | 1:19:14 | 1:19:19 | |
# Her voice is a lovely tune | 1:19:19 | 1:19:24 | |
-MALE CHORUS: -# The way she walks Her hair, her eyes | 1:19:24 | 1:19:28 | |
# And her fabulous face | 1:19:28 | 1:19:32 | |
ALL: # Yes, a beautiful girl makes the world a beautiful place! # | 1:19:32 | 1:19:38 | |
Hi, you two. | 1:20:17 | 1:20:19 | |
Matthew Norris, Samantha Whiston, marriage according to | 1:20:19 | 1:20:24 | |
the law of this country is the union of one man and one woman, | 1:20:24 | 1:20:29 | |
voluntarily entered into, for life, to the exclusion of all others. | 1:20:29 | 1:20:33 | |
Now, ladies and gentlemen, Matthew and Samantha | 1:20:35 | 1:20:39 | |
are going to make their marriage vows through the medium of song. | 1:20:39 | 1:20:43 | |
BOTH: # I promise to love you | 1:20:47 | 1:20:55 | |
# I promise to care for you | 1:20:55 | 1:21:03 | |
# I promise | 1:21:03 | 1:21:06 | |
# To always make you laugh... # | 1:21:06 | 1:21:13 | |
# ..I give you my love, always | 1:21:18 | 1:21:24 | |
# To have and to hold | 1:21:24 | 1:21:29 | |
# Always | 1:21:29 | 1:21:33 | |
# Our life to unfold | 1:21:33 | 1:21:36 | |
BOTH: # As man and wife | 1:21:36 | 1:21:43 | |
# Always | 1:21:43 | 1:21:46 | |
# Always... # | 1:21:46 | 1:21:50 | |
-# ..I give you my love, always -I promise to love you | 1:21:53 | 1:22:02 | |
-# To have and to hold, always -I promise to care for you | 1:22:02 | 1:22:10 | |
-# Our life to unfold as man and wife -I promise to make you laugh | 1:22:11 | 1:22:19 | |
IN UNISON: # Always | 1:22:21 | 1:22:26 | |
# Always... # | 1:22:26 | 1:22:31 | |
# ..I do | 1:22:35 | 1:22:37 | |
# Me, too. # | 1:22:40 | 1:22:43 | |
CHEERING AND APPLAUSE | 1:22:48 | 1:22:50 | |
ORCHESTRA PLAYS: "Cheek To Cheek" by Irving Berlin | 1:22:54 | 1:22:58 | |
FANFARE PLAYS | 1:23:58 | 1:24:00 | |
CHURCH BELLS CHIME | 1:24:05 | 1:24:08 | |
CHEERING | 1:24:15 | 1:24:18 | |
CHEERING AND APPLAUSE | 1:24:21 | 1:24:23 | |
Couples, thank you for sharing this day with us. | 1:24:26 | 1:24:29 | |
It's been so wonderful for us. | 1:24:29 | 1:24:31 | |
It's been good of you to open up your most precious day to our magazine. | 1:24:31 | 1:24:36 | |
Thank you so much. | 1:24:36 | 1:24:38 | |
Smile. Look like winners. They won't give us it if we look like losers. | 1:24:40 | 1:24:44 | |
Right. First off, let's go through couple by couple. Couple by couple. | 1:24:44 | 1:24:48 | |
The judge in the green suit seems to be a fan. | 1:24:48 | 1:24:51 | |
-He was lovely, wasn't he? -He keeps saying, "Well done." | 1:24:51 | 1:24:55 | |
-We want to say congratulations. -Thanks. -Good luck. -Thank you. | 1:24:55 | 1:24:59 | |
-Congratulations. -Yeah. | 1:24:59 | 1:25:02 | |
-Have a drink later. -Yeah. | 1:25:02 | 1:25:04 | |
They are so two-faced. | 1:25:05 | 1:25:07 | |
-It was innovative, wasn't it? -Well, let's all put down a score. | 1:25:07 | 1:25:11 | |
-It was original enough. -Yeah. -In that you wouldn't do it again. | 1:25:11 | 1:25:15 | |
-You look so beautiful -So do you. | 1:25:15 | 1:25:17 | |
-Congratulations. -Great body. -Thanks so much. | 1:25:17 | 1:25:21 | |
I had to tell him to stop looking at your bum. | 1:25:21 | 1:25:24 | |
They know they've won. | 1:25:24 | 1:25:26 | |
No, they don't. They have not necessarily won. | 1:25:26 | 1:25:29 | |
We could still win. Goodness sake! | 1:25:29 | 1:25:32 | |
Ladies and gentlemen, if I could have your attention, please. | 1:25:32 | 1:25:36 | |
The judging panel have reached a verdict. | 1:25:36 | 1:25:39 | |
Vivien, the editor of the magazine, has the golden envelope. | 1:25:39 | 1:25:43 | |
And I think it would be churlish not to let her do the honours. | 1:25:43 | 1:25:46 | |
She's done so much of the work for this. So, Vivien, over to you. | 1:25:46 | 1:25:51 | |
OK. And the winner is... | 1:25:51 | 1:25:54 | |
DRUM ROLL | 1:25:54 | 1:25:57 | |
Yes! | 1:26:00 | 1:26:02 | |
Matt and Sam! | 1:26:03 | 1:26:04 | |
CHEERING Matt and Sam! Come on! | 1:26:04 | 1:26:07 | |
CHEERING | 1:26:07 | 1:26:10 | |
-Oh, God! -> | 1:26:10 | 1:26:12 | |
Wonderful! Matt and Sam! | 1:26:12 | 1:26:15 | |
Fix! It's a fix! | 1:26:44 | 1:26:47 | |
-No. Well, not really the time. -It's a fix! | 1:26:47 | 1:26:50 | |
Josef, it is not the time. Don't be a bad loser. | 1:26:50 | 1:26:53 | |
-It's a fix! -It's not a tennis match. | 1:26:53 | 1:26:55 | |
-Donkey! -It's a fair-and-square competition | 1:26:55 | 1:26:58 | |
run by "Confetti" magazine. I object to that strongly. | 1:26:58 | 1:27:01 | |
Let Matt and Sam have their moment. Round of applause for Matt and Sam. | 1:27:01 | 1:27:05 | |
CHEERING AND APPLAUSE Matt and Sam. | 1:27:05 | 1:27:08 | |
Now I've got the key to a half-a-million-pound house | 1:27:09 | 1:27:14 | |
for Matt and Sam, our winners. Winning fair and square. | 1:27:14 | 1:27:18 | |
CHEERING | 1:27:18 | 1:27:20 | |
# Heaven | 1:27:26 | 1:27:29 | |
# I'm in heaven | 1:27:29 | 1:27:32 | |
# And my heart beats so that I can hardly speak | 1:27:33 | 1:27:38 | |
# And I seem to find the happiness I seek | 1:27:39 | 1:27:44 | |
# When we're out together dancing cheek to cheek | 1:27:46 | 1:27:52 | |
# Heaven | 1:27:54 | 1:27:57 | |
# I'm in heaven | 1:27:57 | 1:27:59 | |
# And the cares that hung around me through the week | 1:28:00 | 1:28:05 | |
# Seem to vanish like a gambler's lucky streak | 1:28:07 | 1:28:12 | |
# When we're out together dancing cheek to cheek... # | 1:28:13 | 1:28:19 | |
GUITAR SCREECHES | 1:28:20 | 1:28:22 | |
# ..Oh, I love to climb a mountain | 1:28:27 | 1:28:31 | |
# And to reach the highest peak | 1:28:31 | 1:28:34 | |
# But it doesn't thrill me half as much as dancing cheek to cheek. # | 1:28:34 | 1:28:39 | |
CHURCH BELLS CHIME | 1:28:39 | 1:28:42 | |
Since that competition, I've trusted my intuition, | 1:28:43 | 1:28:46 | |
I've trusted in my dreams. | 1:28:46 | 1:28:48 | |
You have an idea like that and it's that big a success | 1:28:48 | 1:28:51 | |
and you think, "Just trust in yourself and go for it." | 1:28:51 | 1:28:56 | |
So what I've done is taken some of the profit from that competition | 1:28:56 | 1:29:00 | |
and I've invested it in music. | 1:29:00 | 1:29:02 | |
Not just a couple of CDs. I've bought a record label. | 1:29:02 | 1:29:06 | |
And, you know, doing some A&R. | 1:29:06 | 1:29:08 | |
TRUMPET PLAYS | 1:29:08 | 1:29:10 | |
BOTH: # One looks for happiness | 1:29:10 | 1:29:12 | |
# One longs to find a partner | 1:29:12 | 1:29:14 | |
# One knows that nowadays | 1:29:14 | 1:29:16 | |
# One love will be the answer. # | 1:29:16 | 1:29:18 | |
Well, please God, you know, the deeds are gonna come through soon. | 1:29:18 | 1:29:23 | |
They've told us not to worry, that it's all all right, it's all OK. | 1:29:23 | 1:29:27 | |
But, of course, you never believe it till you're there in your new home. | 1:29:27 | 1:29:32 | |
-So we're keeping our fingers crossed. -Yeah. | 1:29:32 | 1:29:35 | |
-BOTH: -# One love -CHORUS: One love | 1:29:35 | 1:29:37 | |
-# And only one -And only one | 1:29:37 | 1:29:39 | |
-# One love -One love... # | 1:29:39 | 1:29:41 | |
I would say to anyone thinking of getting married, do it | 1:29:41 | 1:29:44 | |
if you are doing it for the reason that you just love the other person. | 1:29:44 | 1:29:48 | |
BOTH: # ..One love | 1:29:48 | 1:29:50 | |
# While we're still living... # | 1:29:50 | 1:29:52 | |
I went into a bit of a decline after the weddings. | 1:29:52 | 1:29:55 | |
-Post-nuptial depression. -In bed for four weeks. | 1:29:55 | 1:29:58 | |
-Hit him pretty hard. -Very hard. | 1:29:58 | 1:30:00 | |
But we're over that. I'm coaching now. | 1:30:00 | 1:30:02 | |
He's fantastic. Watching him with children. | 1:30:02 | 1:30:05 | |
The forehand is there, there, there! Got it? Right. Go away. | 1:30:05 | 1:30:08 | |
-Now we're thinking of having one. -Yeah. | 1:30:08 | 1:30:11 | |
Who knows what, er... | 1:30:11 | 1:30:13 | |
..nose they'll get. | 1:30:14 | 1:30:18 | |
-# ..One nose -One love | 1:30:18 | 1:30:20 | |
-# And only one -Only one | 1:30:20 | 1:30:22 | |
-# One nose and no misgivings -One love | 1:30:22 | 1:30:26 | |
-# One love -One love | 1:30:26 | 1:30:28 | |
# Only one love | 1:30:28 | 1:30:30 | |
-# One love -One love | 1:30:30 | 1:30:33 | |
# While we're still living... # | 1:30:33 | 1:30:35 | |
Mainly, we've just found out | 1:30:35 | 1:30:37 | |
that the only people we need to be naked in front of is each other. | 1:30:37 | 1:30:41 | |
We don't call ourselves naturists any more, we call ourselves... | 1:30:41 | 1:30:45 | |
-Well, I call myself Michael. -And I'm Joanna. | 1:30:45 | 1:30:47 | |
-And, yeah, that seems to work better. -Better, I think. | 1:30:47 | 1:30:51 | |
-BOTH: # ...One love -One love | 1:30:51 | 1:30:54 | |
-# Only one love -One love | 1:30:54 | 1:30:56 | |
# One love | 1:30:56 | 1:30:57 | |
# While we're still living... # | 1:30:57 | 1:30:59 | |
-Erm... -Don't. You can't do this. Are you? | 1:30:59 | 1:31:03 | |
-Are you really doing this? -Shh! Be quiet! This is my bit. | 1:31:03 | 1:31:08 | |
Gregory Hough, erm... will you marry me? | 1:31:08 | 1:31:12 | |
HE GASPS | 1:31:12 | 1:31:14 | |
Is that the right hand? | 1:31:15 | 1:31:17 | |
It's actually... | 1:31:17 | 1:31:20 | |
-BOTH: # ..One love -One love | 1:31:20 | 1:31:22 | |
-# Only one love -One love | 1:31:22 | 1:31:23 | |
# One love while we're still living | 1:31:23 | 1:31:27 | |
-One love. -# One love | 1:31:27 | 1:31:29 | |
-Peace. -# And only one... # | 1:31:29 | 1:31:30 | |
Don't stand around at other people's weddings | 1:31:30 | 1:31:33 | |
crying at pretty brides and thinking, "Wouldn't it be nice if..." | 1:31:33 | 1:31:37 | |
You see what you want, go and get it. So...that's what we're doing. | 1:31:37 | 1:31:42 | |
-And that's what you should do. -Heron and Hough... | 1:31:42 | 1:31:45 | |
BOTH: Your dreams are enough. | 1:31:45 | 1:31:47 | |
-# ..And only one -Only one | 1:31:47 | 1:31:50 | |
-# One love with no misgivings -One love | 1:31:50 | 1:31:54 | |
-# One love -One love | 1:31:54 | 1:31:56 | |
-# Only one love -One love | 1:31:56 | 1:31:59 | |
# One love | 1:31:59 | 1:32:00 | |
# While we're still living. # | 1:32:00 | 1:32:02 | |
-You were great. -I'd say you were. | 1:32:02 | 1:32:05 | |
MUSIC: "One Love" by Ian Dury And The Blockheads | 1:32:05 | 1:32:10 | |
# One looks for happiness | 1:32:28 | 1:32:30 | |
# One longs to find a partner | 1:32:30 | 1:32:32 | |
# One knows that nowadays | 1:32:32 | 1:32:34 | |
# One love will be the answer | 1:32:34 | 1:32:37 | |
# One sees a crazy world | 1:32:37 | 1:32:39 | |
# One needs a fresh perspective | 1:32:39 | 1:32:41 | |
# One comes to realise | 1:32:41 | 1:32:43 | |
# One love's a true objective | 1:32:43 | 1:32:45 | |
# One seeks a perfect verb | 1:32:45 | 1:32:47 | |
# One learns to tell the difference | 1:32:47 | 1:32:49 | |
# One finds in consequence | 1:32:49 | 1:32:51 | |
# One love is all that makes sense | 1:32:51 | 1:32:53 | |
# One hopes there'll be a way | 1:32:53 | 1:32:55 | |
# One peers into the distance | 1:32:55 | 1:32:57 | |
# One thinks that come what may | 1:32:57 | 1:33:00 | |
# One love will be the best chance | 1:33:00 | 1:33:02 | |
-# One love -One love | 1:33:02 | 1:33:04 | |
-# And only one -Only one | 1:33:04 | 1:33:06 | |
-# One love -One love | 1:33:06 | 1:33:08 | |
# To last forever | 1:33:08 | 1:33:10 | |
-# One love -One love | 1:33:10 | 1:33:12 | |
-# Only one love -One love | 1:33:12 | 1:33:15 | |
# One love | 1:33:15 | 1:33:17 | |
# It's now or never. # | 1:33:17 | 1:33:19 | |
Subtitles by Red Bee Media Ltd | 1:33:19 | 1:33:22 | |
E-mail [email protected] | 1:33:22 | 1:33:24 |