Browse content similar to On the Beat. Check below for episodes and series from the same categories and more!
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OLD-FASHIONED SIREN RINGS OUT | 0:01:58 | 0:02:02 | |
DRAMATIC MUSIC PLAYS | 0:02:02 | 0:02:05 | |
GUNFIRE | 0:02:16 | 0:02:17 | |
FIRING CONTINUES | 0:02:20 | 0:02:23 | |
How many of them, Inspector? | 0:02:39 | 0:02:42 | |
-Four at least, Superintendent, including Trigger O'Flynn. -Right. Give me the loud-hailer. | 0:02:42 | 0:02:49 | |
All right, O'Flynn, I'll give you 15 seconds to come out. | 0:02:53 | 0:02:57 | |
Now...you know me. | 0:02:59 | 0:03:02 | |
One... | 0:03:03 | 0:03:04 | |
two... | 0:03:04 | 0:03:06 | |
-It's Pitkin. -..three... -What'll we do, Trigger? | 0:03:06 | 0:03:10 | |
..four... | 0:03:10 | 0:03:12 | |
-I'll handle this one personally. -..five... | 0:03:12 | 0:03:15 | |
six... | 0:03:15 | 0:03:17 | |
seven... | 0:03:17 | 0:03:18 | |
eight... | 0:03:19 | 0:03:21 | |
nine... | 0:03:21 | 0:03:22 | |
..eleven... | 0:03:25 | 0:03:27 | |
twelve... | 0:03:27 | 0:03:29 | |
..thirteen... | 0:03:30 | 0:03:32 | |
fourteen... | 0:03:32 | 0:03:34 | |
You're being silly, O'Flynn. | 0:03:35 | 0:03:37 | |
This is it. | 0:03:37 | 0:03:40 | |
..fifteen. | 0:03:41 | 0:03:43 | |
-All right, O'Flynn, I'm coming to get you. -Take a gun, sir. | 0:03:43 | 0:03:48 | |
O'FLYNN RESUMES FIRING | 0:03:48 | 0:03:50 | |
TRIGGER O'FLYNN! | 0:03:59 | 0:04:02 | |
TRIGGER O'FLYNN! COME OUT wherever you ARE! | 0:04:06 | 0:04:11 | |
I'm coming up for you. | 0:04:11 | 0:04:13 | |
TRY this side, Inspector! | 0:04:15 | 0:04:18 | |
Over HERE, Commissioner! | 0:04:34 | 0:04:36 | |
All right, O'Flynn, the game's up. | 0:04:36 | 0:04:39 | |
-Drop that. -Come any nearer, I'll kill you. | 0:04:40 | 0:04:44 | |
Kill me? Ha-ha-ha-ha! I am Pitkin of the Yard! | 0:04:44 | 0:04:49 | |
Not for long you're not. Start saying your prayers. | 0:04:49 | 0:04:53 | |
Mr Pitkin! Wake up, Mr Pitkin! | 0:05:06 | 0:05:09 | |
Wake up! What is it? Mr Pitkin, wake up! Do take care! | 0:05:09 | 0:05:14 | |
BONG! | 0:05:14 | 0:05:15 | |
Your morning tea, Mr Pitkin. | 0:05:17 | 0:05:20 | |
Oh, thank you, Mrs Timms. | 0:05:23 | 0:05:25 | |
Nasty dream you had. I used to have them once. | 0:05:25 | 0:05:29 | |
I suppose Pitkin will be off early to Scotland Yard to solve all this. | 0:05:29 | 0:05:34 | |
No need to be sarcastic, Mr Bassett. You just sit about all day. | 0:05:34 | 0:05:39 | |
-Do you know who done this Soho job? -I am not at liberty to disclose police business to strangers. | 0:05:39 | 0:05:47 | |
Don't let your tea get cold, dear. | 0:05:47 | 0:05:50 | |
Don't worry, Dad. You'll be proud of me. I shall be head of Scotland Yard yet. | 0:05:51 | 0:05:58 | |
Got the cigarettes, darling? | 0:07:52 | 0:07:55 | |
In my handbag. | 0:07:55 | 0:07:57 | |
-I shall have to ask you to come along with me. -What's the idea? | 0:08:21 | 0:08:27 | |
Anything you say will be taken down and used in evidence against you. | 0:08:27 | 0:08:32 | |
-What are you talking about? -I saw you put your hand in the lady's bag. | 0:08:32 | 0:08:37 | |
-It happens to be my wife's handbag. -Pardon? -This lady is my wife. | 0:08:37 | 0:08:42 | |
I'm sorry. I mean, of course, I didn't know. | 0:08:42 | 0:08:46 | |
-Unlock it. Get it off. -I can't. | 0:08:46 | 0:08:49 | |
-Why not? -I haven't got the key. | 0:08:49 | 0:08:51 | |
-You haven't got...! -I've got to get off here. -I'm not getting off here. -You'll have to. I mustn't be late. | 0:08:51 | 0:08:59 | |
Come on. | 0:08:59 | 0:09:01 | |
Mind the doors. | 0:09:01 | 0:09:04 | |
Look at him! | 0:09:09 | 0:09:12 | |
The train's going now. The train's...going! | 0:09:12 | 0:09:16 | |
It's moving! Let me in! | 0:09:16 | 0:09:19 | |
Look out! The wall! The wall! | 0:09:26 | 0:09:28 | |
Well, Elsie, do something! | 0:09:31 | 0:09:34 | |
I... | 0:09:34 | 0:09:36 | |
Come on! | 0:09:37 | 0:09:39 | |
Go on, Else, harder! | 0:09:43 | 0:09:46 | |
Oh, hurry up, Elsie! | 0:09:49 | 0:09:51 | |
-They never have! No! -Quicker! -Don't do that! That's all that's holding me! | 0:09:51 | 0:09:58 | |
A file's no good. | 0:10:02 | 0:10:04 | |
You want 'acksaw for that - 'acksaw. | 0:10:04 | 0:10:08 | |
Come on! | 0:10:21 | 0:10:23 | |
A station! | 0:10:28 | 0:10:31 | |
Oh! | 0:10:43 | 0:10:44 | |
Oh-oh... I mustn't be late at the Yard. Oh! | 0:10:45 | 0:10:49 | |
-Good morning, Sergeant. -Morning. | 0:10:58 | 0:11:00 | |
-Good morning, Mr Bollington. -Good morning. | 0:11:06 | 0:11:10 | |
-Pitkin... -Mmm? -I'd like you to take over the Flying Squad today. | 0:11:10 | 0:11:14 | |
Very well, sir. | 0:11:14 | 0:11:17 | |
-Pitkin! -Yes, Mr Bollington? | 0:11:31 | 0:11:34 | |
-The Flying Squad like their cars spotless. -Yes, Mr Bollington. | 0:11:34 | 0:11:40 | |
-And, Pitkin... -Yes, Mr Bollington? | 0:11:40 | 0:11:44 | |
The aerials must be thoroughly clean. | 0:11:44 | 0:11:47 | |
Yes, Mr Bollington. ..Mr Bollington! I've got one 'ere. | 0:11:47 | 0:11:52 | |
They've got to have clean aerials so they don't get any dirty messages, ain't they?! | 0:11:52 | 0:11:58 | |
What about that? | 0:11:58 | 0:12:01 | |
Pitkin! | 0:12:01 | 0:12:03 | |
Yes, Mr Bollington? | 0:12:03 | 0:12:05 | |
-We don't want any humorous quips either. -Yes, Mr Bollington. | 0:12:05 | 0:12:10 | |
Well, get on with it, then. | 0:12:10 | 0:12:12 | |
Oh, Boll...ington! | 0:12:12 | 0:12:15 | |
Do you seriously mean that you can take no action about this appalling list of crimes? | 0:12:23 | 0:12:30 | |
We can't actually pin anything on our suspect. | 0:12:30 | 0:12:34 | |
The jigsaw is not yet complete, sir. | 0:12:34 | 0:12:37 | |
PHONE RINGS Yes? | 0:12:37 | 0:12:40 | |
Yes, of course. It's for you, sir. | 0:12:40 | 0:12:42 | |
Not now. I'm in conference. It's the Home Secretary, sir. | 0:12:42 | 0:12:47 | |
Commissioner speaking. CALLER SPEAKS ANGRILY | 0:12:47 | 0:12:51 | |
Yes, sir. ..Yes, sir. | 0:12:51 | 0:12:54 | |
Quite, sir. | 0:12:54 | 0:12:56 | |
There are still pieces missing from the jigsaw. | 0:12:56 | 0:13:01 | |
We'll do everything we can. | 0:13:01 | 0:13:03 | |
The Home Secretary is getting impatient. | 0:13:04 | 0:13:08 | |
We can't make an arrest until we have sufficient evidence. | 0:13:08 | 0:13:12 | |
- Who is your suspect? - He's a ladies' hairdresser, sir. | 0:13:12 | 0:13:17 | |
-Giulio Napolitani. We think he's using his salon as a cover. -Sounds Italian. | 0:13:17 | 0:13:23 | |
Yes, sir. | 0:13:25 | 0:13:26 | |
-You've got somebody watching his establishment? -Sgt Wilkins should be there now. | 0:13:26 | 0:13:33 | |
Yes, madam? | 0:13:46 | 0:13:48 | |
My name is Wilkins. I have an appointment. | 0:13:48 | 0:13:51 | |
- Lucinda Wilkins? - Yes. | 0:13:51 | 0:13:53 | |
Come this way, madam. | 0:13:53 | 0:13:55 | |
Would you mind waiting here a moment, madam? No, not at all. | 0:13:59 | 0:14:05 | |
CAMERA WHIRRS | 0:14:24 | 0:14:27 | |
Will you come this way, please? | 0:15:50 | 0:15:53 | |
You seem busy. I do hope I shall get Signor Giulio's personal attention. | 0:15:53 | 0:15:58 | |
- Don't worry, madam, Signor Giulio can deal with six heads at a time. - So I see. | 0:15:58 | 0:16:05 | |
Lisa! | 0:16:10 | 0:16:12 | |
What is this sort of person doing in MY salon? | 0:16:12 | 0:16:17 | |
I cannot-a make HER beautiful. | 0:16:17 | 0:16:19 | |
Madonna, ma cosa posso fare io? | 0:16:19 | 0:16:25 | |
Ah, Lady Hitchin-Forde! | 0:16:25 | 0:16:29 | |
Giulio, darling, could I have a teeny-weeny little fringe? | 0:16:32 | 0:16:38 | |
Oh, what do you want a fringe for? You have-a the lovely face! | 0:16:38 | 0:16:43 | |
Fringes are for the ladies with the long-a face. | 0:16:43 | 0:16:47 | |
Some-a faces like this one should have-a the fringe down here. | 0:16:47 | 0:16:53 | |
Don't-a worry. Oberon prepare... | 0:16:53 | 0:16:56 | |
Giulio, he create. | 0:16:56 | 0:16:59 | |
Oh-h-h... | 0:17:16 | 0:17:18 | |
What I do with this?! | 0:17:18 | 0:17:21 | |
You may proceed as you think fit, Giulio. | 0:17:22 | 0:17:26 | |
I create a sweep here, a sweep there - bellissimo. | 0:17:26 | 0:17:30 | |
-Siete la piu brutta donna che ho mai visto! -Naughty, naughty. Translation, please. | 0:17:30 | 0:17:36 | |
Sorry. It mean you are beautiful. | 0:17:36 | 0:17:39 | |
Flatterer. | 0:17:39 | 0:17:41 | |
Oh, you don't believe me? | 0:17:43 | 0:17:45 | |
Look for yourself! | 0:17:45 | 0:17:48 | |
-Well, I do see what you mean. Perhaps "beautiful" isn't quite the right word. -Perhaps not. | 0:17:48 | 0:17:56 | |
But Giulio, he is a genius. | 0:17:56 | 0:17:58 | |
-Oberon prepare, Giulio, he CREATE. -I have only one pair of hands, Giulio. -Shudda your mouth. | 0:17:58 | 0:18:06 | |
Let's get-a down to business. | 0:18:37 | 0:18:39 | |
Well, George, what do we find? | 0:18:47 | 0:18:49 | |
-Well, number five sounds the best bet. -The Countess of Dewsbury? -Yeah. | 0:18:49 | 0:18:56 | |
'What are you wearing to Rigoletto tonight? | 0:18:56 | 0:18:59 | |
'Everything, my dear - tiara, pendant, diamonds, the lot. | 0:18:59 | 0:19:04 | |
'Charles is taking them out of the safe deposit this afternoon.' | 0:19:04 | 0:19:09 | |
This could be what we've been waiting for. | 0:19:09 | 0:19:13 | |
Tell the boys - this afternoon. | 0:19:13 | 0:19:15 | |
-Where is the girl? -In the office. | 0:19:17 | 0:19:19 | |
Hmm. OK. | 0:19:19 | 0:19:22 | |
Not bad, not bad. | 0:19:42 | 0:19:44 | |
-Is pretty good, huh? -Her father sent this with her. | 0:19:44 | 0:19:49 | |
You read it. | 0:19:49 | 0:19:51 | |
Vattene! | 0:19:54 | 0:19:56 | |
"Carissimo Giulio, this is my daughter, Rosanna. | 0:19:56 | 0:20:00 | |
"The union of our two families will end much unnecessary bloodshed. | 0:20:00 | 0:20:05 | |
"You will operate unmolested in London, leaving Sicily to my organisation." | 0:20:05 | 0:20:11 | |
-It's signed "Enrico Guardia". -She's a good bargain. Better than I think. I'm very happy. | 0:20:11 | 0:20:19 | |
Vattene, vi dico! | 0:20:21 | 0:20:24 | |
You don't like-a me? But your father, he say you must marry me. | 0:20:24 | 0:20:29 | |
Marry YOU? Piuttosto mi ammazzarei! Siete un porco, un cane, una bestia feroce che certo finira in galera! | 0:20:29 | 0:20:37 | |
I'd rather die! | 0:20:37 | 0:20:40 | |
That can be arranged, if you want. | 0:20:40 | 0:20:43 | |
No, no, no. Sono un'uomo d'onore. Giulio stick-a this bargain. It's good for business. | 0:20:43 | 0:20:51 | |
Take her upstairs. Mamma, she tell her what a nice boy her Giulio is. | 0:20:51 | 0:20:56 | |
Piccolo verme! | 0:20:57 | 0:21:00 | |
Don't worry, Giulio. She really loves you. | 0:21:02 | 0:21:06 | |
Oh, that's right. She really loves me. | 0:21:06 | 0:21:10 | |
Oy! | 0:21:25 | 0:21:27 | |
Sorry. | 0:21:27 | 0:21:28 | |
Ah-ah-ah. | 0:21:55 | 0:21:57 | |
Isn't my car ready, Pitkin? | 0:22:32 | 0:22:35 | |
-Won't be long, sir. -I want it for lunch. | 0:22:35 | 0:22:39 | |
Wouldn't half give you indigestion, sir! | 0:22:39 | 0:22:43 | |
-Try turning on the water. -Oh, of course. | 0:22:48 | 0:22:53 | |
No, no, no! Come back. | 0:22:54 | 0:22:56 | |
Turn it on at the nozzle. | 0:22:56 | 0:22:59 | |
Now, don't start larking about! | 0:23:07 | 0:23:10 | |
You're asking for it, ain't you? | 0:23:28 | 0:23:31 | |
-You little... -No, I'll never get your car done, Mr Ackroyd! | 0:23:39 | 0:23:44 | |
-Where are you? -Here! | 0:23:49 | 0:23:52 | |
Ha-ha-ha! | 0:23:54 | 0:23:56 | |
Turn that thing off! | 0:23:58 | 0:24:00 | |
Oh! > | 0:24:37 | 0:24:38 | |
Are you gonna give in? | 0:24:41 | 0:24:44 | |
You'll get yourself soaked. You'll get soaking wet. | 0:24:44 | 0:24:49 | |
Good heavens, sir! What happened? | 0:25:09 | 0:25:11 | |
That lunatic! | 0:25:11 | 0:25:12 | |
Get out. | 0:25:26 | 0:25:28 | |
Get out of here! | 0:25:28 | 0:25:30 | |
GET OUT! | 0:25:30 | 0:25:31 | |
You've got my leather. | 0:25:36 | 0:25:38 | |
CRASH! | 0:25:40 | 0:25:42 | |
You're FIRED! | 0:25:56 | 0:25:58 | |
And now what have I done? | 0:26:00 | 0:26:02 | |
One...two chamois leathers. | 0:26:03 | 0:26:06 | |
One pail. One spoke brush. | 0:26:06 | 0:26:09 | |
One cap, peaked, car park attendant for the use of. | 0:26:09 | 0:26:14 | |
All correct. | 0:26:14 | 0:26:16 | |
And now, Pitkin, get out. | 0:26:16 | 0:26:18 | |
Pitkin! | 0:26:20 | 0:26:22 | |
Mr Bollington, I'd like to ask your permission | 0:26:37 | 0:26:40 | |
to have another shot at joining the police force. | 0:26:40 | 0:26:43 | |
Not here you won't. | 0:26:43 | 0:26:44 | |
If you'll put in a good word for me... | 0:26:44 | 0:26:47 | |
Pitkin, if you were six feet tall, weighed 20 stone | 0:26:47 | 0:26:49 | |
and were weightlifting champion of the world, | 0:26:49 | 0:26:51 | |
I still wouldn't put in a good word for you. | 0:26:51 | 0:26:53 | |
You're just not cut out to be a policeman. | 0:26:53 | 0:26:55 | |
You haven't got it here and you haven't got it here. | 0:26:55 | 0:26:58 | |
I'm letting my dad down. D'you see? | 0:26:59 | 0:27:01 | |
Get out. | 0:27:01 | 0:27:03 | |
Yeah. | 0:27:05 | 0:27:07 | |
You know, Mr Bollington, you haven't got it here either. | 0:27:10 | 0:27:14 | |
You can rest assured, Mr Bollington, | 0:27:16 | 0:27:18 | |
one of these days, I shall be a policeman. | 0:27:18 | 0:27:21 | |
Just like my dad was. | 0:27:21 | 0:27:23 | |
I'd...like to join the police, please, sir. | 0:27:56 | 0:28:00 | |
Name? | 0:28:05 | 0:28:06 | |
Pitkin. | 0:28:06 | 0:28:08 | |
Haven't I seen your face somewhere before? | 0:28:11 | 0:28:15 | |
Oh...sorry. | 0:28:17 | 0:28:19 | |
Well, you're a fine tall specimen. | 0:28:19 | 0:28:22 | |
-Just wait here. I'll see if I can get you a medical check. -All right. | 0:28:22 | 0:28:26 | |
You're lucky. Doctor was just going. | 0:28:34 | 0:28:36 | |
This way. | 0:28:36 | 0:28:39 | |
Well, close the door. | 0:28:56 | 0:28:58 | |
Good gracious! | 0:29:03 | 0:29:05 | |
Well, come on over here. | 0:29:05 | 0:29:08 | |
Oh, lord! | 0:29:12 | 0:29:14 | |
It's been a shocking old day again, hasn't it? | 0:29:14 | 0:29:18 | |
Oh, yeah. | 0:29:18 | 0:29:21 | |
Now, then... | 0:29:21 | 0:29:23 | |
Seven foot one! | 0:29:23 | 0:29:26 | |
-Hey, wait a minute, you've still got your hat on. -Oh, yeah. | 0:29:27 | 0:29:32 | |
Oh, dammit. Any damage? | 0:29:35 | 0:29:37 | |
No. It's all right. | 0:29:37 | 0:29:40 | |
Oh... | 0:29:41 | 0:29:43 | |
-Six foot eleven. -Yeah. | 0:29:43 | 0:29:46 | |
Come on. Over here. | 0:29:46 | 0:29:49 | |
Now, read that chart. | 0:29:56 | 0:29:59 | |
-Z. -Yeah. | 0:29:59 | 0:30:01 | |
-B. -Clearly. | 0:30:01 | 0:30:04 | |
Yeah. R. | 0:30:04 | 0:30:06 | |
-Say that again. -R...argh-gh! | 0:30:06 | 0:30:10 | |
That saves time later. Go on, next line. | 0:30:10 | 0:30:13 | |
D, O, H... | 0:30:13 | 0:30:15 | |
Um...P, J, W...E... | 0:30:17 | 0:30:19 | |
W...H... | 0:30:19 | 0:30:22 | |
-DING! -N... -Hello! -Hello. | 0:30:22 | 0:30:25 | |
D...W... | 0:30:25 | 0:30:27 | |
-Z...T... -Never mind that for a minute. -What? | 0:30:27 | 0:30:31 | |
-You've got a very good ear. -Oh. | 0:30:31 | 0:30:34 | |
-Have I? -Are you fond of music? | 0:30:34 | 0:30:36 | |
Course, I like music. | 0:30:36 | 0:30:38 | |
Then I might be able to put you into the police choir. | 0:30:38 | 0:30:41 | |
What in...? Oh-h-h! | 0:30:41 | 0:30:44 | |
I'm the choirmaster. | 0:30:44 | 0:30:47 | |
-You're not! -Now, don't go away. -No. | 0:30:47 | 0:30:50 | |
Now then, wait a minute. There we are. | 0:30:50 | 0:30:53 | |
Now see if you can read that. Go on! | 0:30:53 | 0:30:55 | |
I think I can, sir. | 0:30:55 | 0:30:57 | |
Q...R...Z. | 0:30:57 | 0:30:59 | |
B...flat? A natural? | 0:30:59 | 0:31:02 | |
L...B. | 0:31:02 | 0:31:05 | |
-# -C sharp... -G | 0:31:05 | 0:31:08 | |
-# -G... -B... -B... -C sharp... | 0:31:08 | 0:31:10 | |
-# -C sharp... -And a D... -D... | 0:31:10 | 0:31:14 | |
-# -Da-dee-da-da-di-dee-la-la... | 0:31:14 | 0:31:18 | |
THEY SING "The Ash Grove" to "La" | 0:31:18 | 0:31:22 | |
THEY SING LAST LINE IN HARMONY | 0:31:33 | 0:31:36 | |
How do you like that tune? | 0:31:41 | 0:31:43 | |
Oh, pretty, pretty, pretty! | 0:31:43 | 0:31:45 | |
Yeah? Well, it's a little thing I knocked off myself. | 0:31:45 | 0:31:49 | |
I thought I'd heard it somewhere before. | 0:31:49 | 0:31:53 | |
Come over 'ere. | 0:31:53 | 0:31:56 | |
Weight. | 0:31:56 | 0:31:57 | |
Well, come on then! | 0:31:59 | 0:32:02 | |
Weight? | 0:32:03 | 0:32:05 | |
What is your...WEIGHT? | 0:32:05 | 0:32:08 | |
Oh! | 0:32:08 | 0:32:10 | |
Oh-ho-ho-ho! | 0:32:10 | 0:32:12 | |
Nine stone twelve pounds dead. | 0:32:12 | 0:32:15 | |
How about alive? | 0:32:15 | 0:32:18 | |
-Oh, yes. -How's that? | 0:32:18 | 0:32:20 | |
Come over here. | 0:32:20 | 0:32:23 | |
Now, take your jacket off, roll your sleeve up and sit down there. | 0:32:26 | 0:32:31 | |
Nine stone twelve...dead. | 0:32:32 | 0:32:35 | |
DOCTOR LAUGHS | 0:32:35 | 0:32:37 | |
Hold that under there, will you? | 0:32:39 | 0:32:42 | |
There we are. We'll soon get you fixed up. | 0:32:42 | 0:32:46 | |
I don't like the look of that. It'll have to come off. | 0:32:53 | 0:32:57 | |
What, the arm?! | 0:32:57 | 0:32:58 | |
No, no, no, this. AIR HISSES OUT | 0:32:58 | 0:33:02 | |
Next thing is to test your reflexes. | 0:33:05 | 0:33:07 | |
That's the next item on the agenda. | 0:33:07 | 0:33:10 | |
Now, then, hold that up there like that. | 0:33:10 | 0:33:14 | |
You feel that? | 0:33:15 | 0:33:18 | |
-Your elbow! -Oh! | 0:33:19 | 0:33:22 | |
Take it away. | 0:33:22 | 0:33:25 | |
-Ow! -Gotcha. Cross your legs. | 0:33:26 | 0:33:29 | |
Oh! | 0:33:31 | 0:33:32 | |
-Gotcha! -Relax. | 0:33:32 | 0:33:35 | |
Come here. | 0:33:53 | 0:33:56 | |
Me? | 0:33:57 | 0:33:58 | |
Come on. | 0:33:58 | 0:33:59 | |
Got a bit of a limp, haven't you? | 0:34:10 | 0:34:13 | |
I'm sorry, son, I shall have to turn down your application. | 0:34:13 | 0:34:18 | |
I shall fight it! | 0:34:18 | 0:34:20 | |
I didn't get away with it, Dad. | 0:34:46 | 0:34:49 | |
Why couldn't I have been as big as you? | 0:34:53 | 0:34:57 | |
Officer? Officer! | 0:35:37 | 0:35:40 | |
Excuse me, officer. | 0:35:40 | 0:35:43 | |
I'm an American tourist, but I'm lost. | 0:35:43 | 0:35:46 | |
-Could you direct me to Grosvenor Square? -Um... | 0:35:46 | 0:35:51 | |
Grosvenor Square? You'll have to get to the High Street. | 0:35:51 | 0:35:56 | |
I'll... | 0:35:56 | 0:35:58 | |
I'll take you up there meself. | 0:35:58 | 0:36:00 | |
Oh, that's very kind of you, officer. | 0:36:00 | 0:36:04 | |
-Have you been to many interesting places? -Oh, indeed, I have. | 0:36:15 | 0:36:20 | |
There was...Westminster Abbey and Buckingham Palace. | 0:36:20 | 0:36:25 | |
But, oh, that Bloody Tower! | 0:36:25 | 0:36:28 | |
Oh, yeah, very annoying. | 0:36:29 | 0:36:32 | |
-There you are, madam. Any bus will do you. -Could you call me a cab? | 0:36:40 | 0:36:45 | |
Or perhaps you're not allowed to. | 0:36:45 | 0:36:48 | |
HE WHISTLES | 0:36:54 | 0:36:55 | |
I wasn't speeding, guv. | 0:36:59 | 0:37:02 | |
Now, watch it, that's all. Just watch it. | 0:37:02 | 0:37:07 | |
Grosvenor Square, please. ..Thank you, officer. | 0:37:10 | 0:37:15 | |
You London policemen are just wonderful! | 0:37:15 | 0:37:19 | |
Evening News and Standard, all the winners! | 0:37:41 | 0:37:46 | |
Get your evening paper over 'ere! Runners and riders for tomorrow! | 0:37:46 | 0:37:51 | |
Evening News and Standard, get your evening paper over 'ere! Evening... | 0:37:51 | 0:37:56 | |
QUIETLY: Evening News and Standard. | 0:38:00 | 0:38:03 | |
Evening News and Standard... | 0:38:06 | 0:38:08 | |
JUKEBOX PLAYS | 0:38:09 | 0:38:11 | |
-Yes? -Tea, please. | 0:38:18 | 0:38:20 | |
Sugar, Chick. | 0:38:38 | 0:38:40 | |
Hey, copper, that's my tea you got. | 0:38:59 | 0:39:02 | |
YOUTHS LAUGH | 0:39:56 | 0:39:59 | |
Oy! | 0:40:25 | 0:40:27 | |
Come 'ere! | 0:40:31 | 0:40:33 | |
You're not allowed to play football in the streets. You know that, don't you? | 0:40:35 | 0:40:42 | |
But there's nowhere else to play. | 0:40:43 | 0:40:44 | |
I can't help that. You're not allowed to play 'ere. | 0:40:46 | 0:40:51 | |
Can't we just have one game of football, please, sir? | 0:40:52 | 0:40:56 | |
Not 'ere you can't. | 0:40:56 | 0:40:58 | |
But we haven't got anywhere else to play, sir. | 0:41:01 | 0:41:04 | |
-Well, you'll have to find somewhere. -But there isn't nowhere, sir. | 0:41:07 | 0:41:12 | |
-Isn't there? -No, sir. | 0:41:13 | 0:41:16 | |
Just a couple of kicks, then. | 0:41:20 | 0:41:23 | |
HURRAY-AY! | 0:41:23 | 0:41:25 | |
-BOYS SHOUT -Oy, oy! Quiet! | 0:41:26 | 0:41:30 | |
Break it up, boys! Break it up! You're making a noise already. | 0:41:30 | 0:41:34 | |
He kicked off before we was ready. | 0:41:34 | 0:41:37 | |
Sir, will you be our referee? You've got the whistle and everything. | 0:41:39 | 0:41:45 | |
OTHER BOYS AGREE | 0:41:45 | 0:41:48 | |
All right, but just five minutes each way. | 0:41:48 | 0:41:51 | |
THEY CHEER | 0:41:51 | 0:41:53 | |
-Get in your places. -BLOWS WHISTLE | 0:41:53 | 0:41:57 | |
Hey! | 0:42:28 | 0:42:30 | |
I repeat, this information is to all cars. | 0:43:04 | 0:43:07 | |
Not too high...argh! | 0:43:37 | 0:43:40 | |
Twenty-five... | 0:44:04 | 0:44:07 | |
Oh, it's hundreds. | 0:44:07 | 0:44:10 | |
Aren't you going to play any more? | 0:44:12 | 0:44:14 | |
Ain't you got me into enough trouble already! | 0:44:14 | 0:44:17 | |
Stop! | 0:45:00 | 0:45:01 | |
BLOWS HIS WHISTLE Oy! | 0:45:11 | 0:45:14 | |
Where did he go, sir? | 0:46:10 | 0:46:11 | |
I don't know. | 0:46:11 | 0:46:13 | |
-What does he look like? -Don't know. -I don't know, sir. | 0:46:13 | 0:46:16 | |
What do you mean? You've seen him. | 0:46:16 | 0:46:19 | |
< No, sir. | 0:46:19 | 0:46:22 | |
Somebody must know what he looks like. Who gave the alarm? | 0:46:22 | 0:46:25 | |
Who blew the whistle? | 0:46:25 | 0:46:28 | |
-I thought you blew the whistle. -Not me. | 0:46:28 | 0:46:30 | |
Well, who did? ..Was it you? | 0:46:30 | 0:46:33 | |
No, sir. We were playing cards. Er...standing by in S-Division. | 0:46:33 | 0:46:38 | |
-Who did? -I was on duty at Tottenham, sir. | 0:46:38 | 0:46:41 | |
Oh, you mustn't pass on the stairs! It's unlucky! | 0:48:55 | 0:48:58 | |
Come on! | 0:49:04 | 0:49:06 | |
Spread out! | 0:49:17 | 0:49:19 | |
-Are you going to be our referee again? -No, I'm NOT! | 0:49:22 | 0:49:27 | |
-Don't worry, officer. We've got our own whistle. -Have you? | 0:49:27 | 0:49:32 | |
No, don't blow it. Don't! Argh! | 0:49:32 | 0:49:35 | |
That's my dad's. | 0:50:36 | 0:50:39 | |
HE SINGS A NEAPOLITAN SONG | 0:51:39 | 0:51:43 | |
Hey, boss, you want your holster? | 0:51:58 | 0:52:01 | |
-No, tonight is-a for the lovings. -You like this Rosanna, huh? | 0:52:01 | 0:52:06 | |
Oh, ho-ho, sure thing. She have-a the curves in the right-a places. | 0:52:06 | 0:52:11 | |
-I don't think she's too sold on you. -Oh, she play hard to get. | 0:52:11 | 0:52:16 | |
She change her mind when I take her in my arms, give her the big-a kiss | 0:52:16 | 0:52:21 | |
and whisper in her ear, "Darling, you look SO pretty... | 0:52:21 | 0:52:26 | |
"so very, very pretty." | 0:52:26 | 0:52:28 | |
-Is-a the job fixed? -The old girl's jewels will be in your safe by 9am. | 0:52:31 | 0:52:36 | |
Ah, Giulio, mio bambino! | 0:52:37 | 0:52:40 | |
Oh-h, you are handsome tonight! | 0:52:40 | 0:52:43 | |
-HIS BONES CRACK -Oh, mamma mia. | 0:52:44 | 0:52:48 | |
-I smell pretty good too, huh? -Mm-hm. Like a scent factory. | 0:52:48 | 0:52:54 | |
Shudda your mouth. You better spoke when you're speaken to. Get out. | 0:52:54 | 0:52:59 | |
-You too, mamma mia. Here are the tickets for the Albert Hall. -For the opera? -No, for the wrestling. | 0:52:59 | 0:53:06 | |
It's good fun. You like. | 0:53:06 | 0:53:09 | |
Ah-h-h...! | 0:53:09 | 0:53:11 | |
Mamma! | 0:53:11 | 0:53:13 | |
Ciao! | 0:53:13 | 0:53:14 | |
It's-a good. At last we are together. | 0:53:21 | 0:53:25 | |
Mia carissima Rosanna. Quanto sei bella! | 0:53:28 | 0:53:32 | |
Your eyes are as blue as the Bay of Naples. | 0:53:33 | 0:53:37 | |
Lasciatemi stare! | 0:53:37 | 0:53:40 | |
Your lips sono magnifiche! | 0:53:42 | 0:53:45 | |
Vieni! Vieni! | 0:53:45 | 0:53:47 | |
Vorrei tornare in Italia! | 0:53:48 | 0:53:51 | |
HE LAUGHS | 0:53:53 | 0:53:55 | |
Oh, you want play? | 0:53:59 | 0:54:01 | |
Rosanna, put your arms around me and enjoy yourself. | 0:54:04 | 0:54:08 | |
-HE LAUGHS -It don't hurt... | 0:54:08 | 0:54:12 | |
Let that be the last time you impersonate a police officer. | 0:54:32 | 0:54:37 | |
Just a minute. We take that uniform. | 0:54:37 | 0:54:40 | |
No. | 0:54:40 | 0:54:42 | |
That's Metropolitan Police property. | 0:54:42 | 0:54:45 | |
That's my dad's. | 0:54:45 | 0:54:47 | |
Go on, 'op it. | 0:54:53 | 0:54:55 | |
Hey! | 0:55:53 | 0:55:54 | |
No, wait! Don't do it! | 0:55:54 | 0:55:57 | |
Don't do it! | 0:55:57 | 0:56:00 | |
Oh, help! Anybody that can swim? | 0:56:02 | 0:56:05 | |
Anyone can swim?! There's a girl... | 0:56:05 | 0:56:07 | |
SHE SCREAMS | 0:57:17 | 0:57:20 | |
Vi odio! Perche non mi lasciate tornare in Italia?! | 0:57:21 | 0:57:25 | |
-You'll have the police here. I've only just got out. -I will never marry you. Never! | 0:57:25 | 0:57:32 | |
-I haven't asked you to, have I? -Oh. | 0:57:32 | 0:57:35 | |
I am sorry. I think you are somebody else. | 0:57:37 | 0:57:42 | |
'Ere, you're foreign, ain't you? | 0:57:42 | 0:57:45 | |
-But you're not Giulio? -Oh, no, no, I'm Norman. | 0:57:45 | 0:57:49 | |
Norman Pitkin. | 0:57:49 | 0:57:52 | |
I'm, um... | 0:57:52 | 0:57:54 | |
-I'm a policeman. -A policeman? -Mmm. -Your uniform, where is she? | 0:57:54 | 0:57:59 | |
Oh... | 0:57:59 | 0:58:02 | |
You know...I haven't been, what you might say, not properly accepted. | 0:58:02 | 0:58:07 | |
It's just a question of time. They don't understand. What is your name? | 0:58:07 | 0:58:14 | |
Rosanna. | 0:58:14 | 0:58:16 | |
Yeah. And where do you live? | 0:58:16 | 0:58:19 | |
I have nowhere to live now. | 0:58:19 | 0:58:22 | |
-How would you like to come round to my place for the night, then? -Eh? | 0:58:22 | 0:58:27 | |
-Oh, no. I just want to get your clothes off. -Hey... | 0:58:27 | 0:58:31 | |
-I mean, to get dry ones. -Oh. -Are you coming, then? | 0:58:31 | 0:58:36 | |
Grazie. | 0:58:36 | 0:58:39 | |
That's "thank you" in foreign, innit? That's nice. | 0:58:39 | 0:58:43 | |
Morning, Mr Pitkin! I've brought you a nice cup of... | 0:58:59 | 0:59:04 | |
Mr Pitkin! | 0:59:06 | 0:59:08 | |
Mr Pitkin? | 0:59:11 | 0:59:13 | |
You're not Mr Pitkin! No. No, I am Rosanna. | 0:59:16 | 0:59:20 | |
What are you doing here? Mr Pitkin, he brought me home with him last night. | 0:59:20 | 0:59:26 | |
Oh, did he?! You don't understand. Mr Pitkin saved my life. | 0:59:26 | 0:59:32 | |
Did he REALLY? | 0:59:33 | 0:59:35 | |
Oh, yes, he was so brave. | 0:59:35 | 0:59:38 | |
He dived into the river. I was drown...drowning. | 0:59:38 | 0:59:42 | |
He rescued me from drown. Just like Mr Pitkin. Where is he? | 0:59:42 | 0:59:47 | |
- Sergeant Wilkins to see you, sir. - Tell her to come in. | 1:00:00 | 1:00:05 | |
Well, Sergeant Wilkins? | 1:00:15 | 1:00:18 | |
I proceeded to Maison Giulio where, after a preliminary examination, he styled my hair... | 1:00:18 | 1:00:25 | |
Yes, yes. Go on. | 1:00:25 | 1:00:27 | |
I observed there were microphones hidden under all the washbasins. I exposed a movie film of the suspect. | 1:00:27 | 1:00:35 | |
I have here some still photographs enlarged from the film. Thank you. | 1:00:35 | 1:00:41 | |
So this is Giulio Napolitani. | 1:00:43 | 1:00:46 | |
Well, I'm damned! | 1:01:01 | 1:01:03 | |
Hobson, Belcher, come in here quickly. | 1:01:04 | 1:01:08 | |
Hobson, Belcher, who's that? | 1:01:16 | 1:01:18 | |
-Giulio Napolitano, sir. -No, who does it remind you of? | 1:01:18 | 1:01:23 | |
Who's the little fool who washes the cars? | 1:01:23 | 1:01:27 | |
-Pitkin, sir. -We have to plant someone in Napolitano's place to get evidence. | 1:01:27 | 1:01:33 | |
Yes, sir. Well, there's your man! | 1:01:33 | 1:01:36 | |
Take away the moustache, cover the hair and who have you got? Pitkin. | 1:01:36 | 1:01:42 | |
Pitkin?! Oh, but, sir, that'd be madness. | 1:01:44 | 1:01:47 | |
Forgive me, gentlemen. I was carried away. | 1:01:52 | 1:01:56 | |
Just for a moment, I thought... | 1:02:02 | 1:02:05 | |
Sergeant, glass of water, please. Yes, sir. | 1:02:08 | 1:02:12 | |
-PHONE RINGS -Yes? | 1:02:12 | 1:02:16 | |
Home Secretary, sir. | 1:02:16 | 1:02:18 | |
Yes, sir? | 1:02:23 | 1:02:25 | |
IRATE CALLER | 1:02:25 | 1:02:28 | |
Yes, sir. TIRADE CONTINUES | 1:02:28 | 1:02:32 | |
We think we have a plan, sir. | 1:02:32 | 1:02:35 | |
There's no other way. Get Pitkin. | 1:02:38 | 1:02:40 | |
Hello, Inspector. I hear you're not going to the Yard. Got the sack? Important people get days off. | 1:02:51 | 1:02:59 | |
Good afternoon. | 1:03:00 | 1:03:02 | |
-I would like to talk to Mr Pitkin. -Who shall I say is enquiring? -Supt Hobson, Scotland Yard. | 1:03:02 | 1:03:09 | |
Oh, yes. He's right here. | 1:03:09 | 1:03:11 | |
Hello, Pitkin. | 1:03:13 | 1:03:15 | |
-Hello, Super. -Ah... I should like a few words with you. | 1:03:15 | 1:03:20 | |
-Do you mind? This is a private police matter. -Course not. Allow me. | 1:03:20 | 1:03:26 | |
-Norman. -Thank you. | 1:03:26 | 1:03:28 | |
So although, technically, you will still be a car park attendant, | 1:03:35 | 1:03:40 | |
in actual fact, YOU will be doing a job of national importance. | 1:03:40 | 1:03:45 | |
Yes, but I got the sack. | 1:03:45 | 1:03:48 | |
That's another job! Now, what's your answer? | 1:03:48 | 1:03:52 | |
-Mr Hobson, if I'm going to do a police job, I want to be in the police. -It's out of the question! | 1:03:52 | 1:03:59 | |
Now, Pitkin, Sir Ronald Ackroyd has personally authorised me to offer you a raise of half-a-crown a week. | 1:04:01 | 1:04:09 | |
Half-a-crown? | 1:04:11 | 1:04:14 | |
Money isn't everything. | 1:04:15 | 1:04:18 | |
It's either the police or nothing. | 1:04:18 | 1:04:21 | |
So there it is! Hobson's choice, innit? | 1:04:24 | 1:04:28 | |
Or rather, Mr Hobson's choice. Ha-ha-ha-ha! | 1:04:28 | 1:04:32 | |
-You're too small! -No, I'm not. -Yes, you are. -Oh. Then I see no point in discussing the matter any further. | 1:04:34 | 1:04:41 | |
Good afternoon, Superintendent. | 1:04:41 | 1:04:44 | |
-Now, wait a minute, Pitkin... -Good afternoon, Superintendent. | 1:04:45 | 1:04:50 | |
Madam, may I phone Scotland Yard? | 1:04:53 | 1:04:56 | |
Oh, but of course. | 1:04:56 | 1:04:58 | |
-The number is Whitehall 1212. -I'm aware of that, madam. | 1:04:58 | 1:05:03 | |
CONVERSATION IS INAUDIBLE | 1:05:31 | 1:05:34 | |
May I use your phone? | 1:05:54 | 1:05:56 | |
Do come in. | 1:06:26 | 1:06:28 | |
Thank you. | 1:06:28 | 1:06:31 | |
Sir Ronald Ackroyd, Commissioner of the Metropolitan Police for Mr Pitkin. ..Oh-h! | 1:06:36 | 1:06:43 | |
-What's all this, Pitkin? -He insists on being a member of the force, sir. | 1:06:45 | 1:06:49 | |
We've explained that it's impossible. They're right, Pitkin. I'm sorry. | 1:06:49 | 1:06:54 | |
In that case, I am not interested in returning to Scotland Yard, | 1:06:54 | 1:06:59 | |
-not unless I'm a proper policeman like my dad was. -Yes. Splendid-looking fellow. | 1:06:59 | 1:07:06 | |
-Of course. -Taller than you. -He was older than me. | 1:07:06 | 1:07:11 | |
Now, I hope you're not annoyed because I sacked you yesterday. | 1:07:11 | 1:07:16 | |
I was a bit because you was messing about just as much as I was, wasn't you? Truth? Truth! | 1:07:16 | 1:07:24 | |
All right, Pitkin. Perhaps I was. | 1:07:24 | 1:07:26 | |
Now, let's discuss this matter as friends. | 1:07:26 | 1:07:31 | |
-Cup of tea? -No, thank you. | 1:07:31 | 1:07:34 | |
What's your first name, old chap? | 1:07:35 | 1:07:38 | |
Um... | 1:07:38 | 1:07:39 | |
-Norman. -Norman, isn't it reward enough to bring a desperate criminal to justice? | 1:07:41 | 1:07:48 | |
Wait a minute, Ron! Let's be fair. | 1:07:48 | 1:07:51 | |
I am not going to do it, not unless I am in the police, actually...in. | 1:07:51 | 1:07:58 | |
-All right, Pitkin, if you insist. -But the regulations, sir. | 1:08:01 | 1:08:06 | |
We'll change them. He's the key to this operation. ..Satisfied, Norman? | 1:08:06 | 1:08:11 | |
Being the key? Ron, does that satisfy me! | 1:08:11 | 1:08:15 | |
Ron, Ron, Ron, Ron, Ron, Ron! | 1:08:15 | 1:08:18 | |
Oh, Mr Hobson, now we're all as one. | 1:08:18 | 1:08:20 | |
-Hey, what's your first name? -Cecil. | 1:08:20 | 1:08:23 | |
Bert. | 1:08:24 | 1:08:26 | |
Oh, Cec, this is it! | 1:08:26 | 1:08:29 | |
Won't be a minute. I'm just going to pop upstairs. | 1:08:29 | 1:08:33 | |
Belcher, you could have had me over then. | 1:08:36 | 1:08:40 | |
You...! | 1:08:40 | 1:08:42 | |
Thank heavens we haven't split up. Oh, what a team, eh? Ron, Cec, Bert and now Norm. | 1:08:42 | 1:08:49 | |
The Four Just Men. | 1:08:50 | 1:08:52 | |
Ah-ha-ha! | 1:08:52 | 1:08:54 | |
In case you think I've taken leave of my senses, Pitkin remains in the force only until the job is done. | 1:08:56 | 1:09:04 | |
Meantime, we must accept him and train him for special duties. | 1:09:04 | 1:09:09 | |
When you say "we", sir, you actually mean..."we"? | 1:09:09 | 1:09:13 | |
Yes. | 1:09:13 | 1:09:15 | |
We. | 1:09:16 | 1:09:17 | |
Rosanna! | 1:09:19 | 1:09:20 | |
Come in. | 1:09:20 | 1:09:23 | |
-Rosanna, it's happened! They've taken me. I'm just going to get sworn in. -You have to swear? | 1:09:23 | 1:09:30 | |
Oh, no. | 1:09:30 | 1:09:33 | |
You don't understand. | 1:09:33 | 1:09:35 | |
I am going to be a policeman. | 1:09:37 | 1:09:40 | |
Aren't you pleased? | 1:09:42 | 1:09:45 | |
Si, si, Norman. Complimenti. | 1:09:46 | 1:09:49 | |
-You going out, Rosanna? -Si. | 1:09:49 | 1:09:52 | |
-And I not come back. -Did I do something wrong? | 1:09:52 | 1:09:57 | |
No. No, no. You never do anybody wrong. Only right you do. | 1:09:58 | 1:10:03 | |
But you're too good to me and I must go. | 1:10:03 | 1:10:07 | |
Wait. | 1:10:07 | 1:10:09 | |
There must be a reason. | 1:10:09 | 1:10:11 | |
-Do you want to go? -Oh, no. | 1:10:11 | 1:10:14 | |
You have to pay for me here. | 1:10:14 | 1:10:17 | |
-Oh, I don't mind. -But I am not your - How you say? - responsibility. | 1:10:17 | 1:10:23 | |
-It's not fair I should stay longer. -This is the first time that I've ever... | 1:10:23 | 1:10:29 | |
I like being responsible for you. | 1:10:29 | 1:10:32 | |
-You're so sweet. You make I should want to cry. -Then you will stay? | 1:10:32 | 1:10:39 | |
Si. I stay. | 1:10:45 | 1:10:47 | |
That's settled, then. You wait till you see me in my uniform! | 1:10:52 | 1:10:57 | |
I just go out now. | 1:11:04 | 1:11:07 | |
We go. | 1:11:18 | 1:11:21 | |
Let's pick her up presto. | 1:11:21 | 1:11:23 | |
D'you want me? 'Ere, I have found a SMASHING uniform! It's got... | 1:11:30 | 1:11:34 | |
So kind of you to grace us with your presence, Pitkin. There's a film we want you to see. Sit down. | 1:11:34 | 1:11:42 | |
Pictures! We're not going to see a picture, are we? | 1:11:44 | 1:11:48 | |
This is the life! And you waited for me before you started the show! Now I know I'm one of you. | 1:11:48 | 1:11:56 | |
I won't forget this. I won't forget it. | 1:11:56 | 1:12:00 | |
All right, here we go, then. | 1:12:00 | 1:12:03 | |
'Ello, spring's gone on this one. | 1:12:04 | 1:12:07 | |
Pitkin, you're on my hand. | 1:12:07 | 1:12:10 | |
Hobson, we are getting a little pressed for time. | 1:12:31 | 1:12:36 | |
-Yes, I think we should start. -Lights! | 1:12:36 | 1:12:39 | |
-'Ello! Busted already? -No, Pitkin, not busted. | 1:13:00 | 1:13:05 | |
-That's not it, is it? -That is it. -Wh... -And that's what you'll have to copy. -What? | 1:13:05 | 1:13:11 | |
-You saw the way that man walked. Now, let's see you do that. -Me? | 1:13:11 | 1:13:17 | |
You want me to...? | 1:13:18 | 1:13:21 | |
-Does he mean it? -Of course. | 1:13:27 | 1:13:29 | |
-That is if you really want to stay in the police. -Oh, yeah, well, I... | 1:13:29 | 1:13:34 | |
I want to stay. | 1:13:34 | 1:13:37 | |
-I can't stand much more of this, Hobson. -We've no alternative, sir. | 1:13:53 | 1:13:58 | |
Pitkin... | 1:14:00 | 1:14:02 | |
Can I see a bit more of the picture, Mr Hobson? I'm sure I can master it. | 1:14:02 | 1:14:07 | |
-Eh? -Roll 'em. -Lights. | 1:14:07 | 1:14:10 | |
LIGHTS! | 1:14:11 | 1:14:13 | |
Lights. | 1:14:14 | 1:14:15 | |
Pitkin... | 1:14:24 | 1:14:26 | |
Lights. | 1:14:26 | 1:14:27 | |
KNOCK AT DOOR | 1:14:27 | 1:14:29 | |
You put the lights out before I was ready and I finished up...out there. | 1:14:36 | 1:14:42 | |
To avoid confusion, perhaps it would be better for all concerned if only one of us gave the orders! | 1:14:43 | 1:14:51 | |
Roll. | 1:14:57 | 1:14:59 | |
LIGHTS! | 1:15:08 | 1:15:10 | |
Lights. | 1:15:25 | 1:15:27 | |
Sorry, I... AGONISED CRY | 1:15:28 | 1:15:31 | |
I've had enough. | 1:15:31 | 1:15:34 | |
Forget the film. Forget the lights. | 1:15:34 | 1:15:37 | |
-I will. -Pitkin, try... -I'll try. -..and get this one little thing right. -You'll get all I've got. | 1:15:37 | 1:15:44 | |
Watch me carefully. I'll show you. As you put your foot forward, you let your weight rest on to it | 1:15:44 | 1:15:51 | |
and hip swings out. Then change feet - tread on the other one - | 1:15:51 | 1:15:57 | |
transferring the weight in exactly the same manner. | 1:15:57 | 1:16:00 | |
Now, this you continue to do alternately. | 1:16:00 | 1:16:04 | |
Now, having mastered the movement of our hips and our feet, | 1:16:04 | 1:16:08 | |
we bring our artistic hands into play. And there we are. | 1:16:08 | 1:16:12 | |
Now you do it. | 1:16:18 | 1:16:20 | |
One moment. ..Constable, fetch a couple of books, please. | 1:16:20 | 1:16:25 | |
Very good idea, sir. | 1:16:27 | 1:16:29 | |
No, hand shoulder-high. | 1:16:57 | 1:16:59 | |
Watch your feet. | 1:17:09 | 1:17:12 | |
-Whey-ey! Lady Chatterley's...! -On your head. | 1:17:13 | 1:17:17 | |
-No. Imagine it, Pitkin. -I will. | 1:17:38 | 1:17:41 | |
-Yes. -Gotta grip meself. -Imagine. | 1:17:41 | 1:17:44 | |
-On me head. -On your head. -They're there. That's it. | 1:17:44 | 1:17:48 | |
That's better. Splendid. Now your hands. | 1:17:48 | 1:17:52 | |
Keep them moving. Not static. | 1:17:52 | 1:17:55 | |
And don't forget your hips. Lovely. Your head. ..Oh, sir, he's got it! | 1:17:55 | 1:18:01 | |
Any progress? | 1:18:01 | 1:18:03 | |
Oh, sir! | 1:18:03 | 1:18:05 | |
He's fabulous! | 1:18:05 | 1:18:08 | |
-Can I get my uniform now, sir? -By all means. -Thank you, sir. | 1:18:09 | 1:18:15 | |
Congratulations, gentlemen. | 1:18:16 | 1:18:19 | |
Rosanna! | 1:18:38 | 1:18:40 | |
Rosanna! | 1:18:41 | 1:18:42 | |
She's gone, Mr Pitkin. She went out this morning and hasn't come back. | 1:18:44 | 1:18:49 | |
-Didn't she leave any message? -No. | 1:18:49 | 1:18:52 | |
-You liked her, didn't you, Mr Pitkin? -Yes. | 1:18:52 | 1:18:57 | |
Because she was... She was too pretty for me. | 1:18:57 | 1:19:01 | |
Never mind, Mr Pitkin. With all your police work, you'll have plenty to occupy your mind. | 1:19:01 | 1:19:08 | |
Two more robberies last night, sir, by the same gang. The Napolitani mob? | 1:19:19 | 1:19:24 | |
Yes, sir. How's Pitkin's training going? Slowly, sir, very slowly. | 1:19:24 | 1:19:31 | |
It can't be helped. We can't delay any longer. Bring Napolitani in for questioning. | 1:19:31 | 1:19:37 | |
Oh, Miss Wilkins! Hello... | 1:19:38 | 1:19:41 | |
Ooh! I am so sorry. | 1:19:41 | 1:19:42 | |
You're welcome. Please sit down. | 1:19:42 | 1:19:45 | |
-Two gentlemen from the police to see you, signor. -La polizia. | 1:19:50 | 1:19:55 | |
Grazie. | 1:19:55 | 1:19:57 | |
Are you Giulio Napolitani? | 1:19:57 | 1:20:00 | |
Sure thing. Everyone knows Giulio Napolitani. | 1:20:00 | 1:20:04 | |
-Would you mind coming with us to Scotland Yard? -What for you want me? | 1:20:04 | 1:20:10 | |
-Nothing to worry about, sir. Just a routine matter. -OK. | 1:20:10 | 1:20:15 | |
Vince, send for my lawyer. | 1:20:16 | 1:20:19 | |
'Oberon prepare, Giulio, he create.' | 1:20:23 | 1:20:27 | |
They've brought Napolitani in. | 1:20:27 | 1:20:29 | |
-Going nicely, Hobson? -It's in the bag, Ron. | 1:20:29 | 1:20:33 | |
-You know what to do, Pitkin? -Having gained entry to the premises of Giulio Matolopani, | 1:20:33 | 1:20:40 | |
-I must ascertain what use he makes of the microphones and if he's got any stolen property. -Quite right. | 1:20:40 | 1:20:48 | |
-We can't hold Napolitani for long. -Of course not. | 1:20:48 | 1:20:52 | |
-You've got exactly 40 minutes. -Oh-h-h-h! | 1:20:52 | 1:20:56 | |
Well, here we go, then. | 1:20:58 | 1:21:00 | |
So...all right, Ron, | 1:21:02 | 1:21:05 | |
don't let me down. | 1:21:05 | 1:21:08 | |
Come on, Cec. | 1:21:08 | 1:21:10 | |
I think it's going to work. Yes, sir. | 1:21:11 | 1:21:15 | |
Oberon, do you realise...? I'm sorry, Mrs Ashley. | 1:21:18 | 1:21:22 | |
Where's Giulio? I don't know, madam. | 1:21:22 | 1:21:25 | |
THEY SHOUT | 1:21:25 | 1:21:28 | |
Oh, Giulio, where ARE you? | 1:21:29 | 1:21:32 | |
You're on your own now, Pitkin. Remember, you've exactly 30 minutes. | 1:21:34 | 1:21:39 | |
All right, then. | 1:21:39 | 1:21:42 | |
BABBLE OF WOMEN'S VOICES | 1:21:54 | 1:21:57 | |
Giulio! | 1:22:06 | 1:22:08 | |
Just a minute! Wait a minute! Uno momento! Uno momento! | 1:22:19 | 1:22:23 | |
What for you make-a all this-a noise? | 1:22:23 | 1:22:27 | |
-ALL TALK AT ONCE -Shut-a up! Silence-ee! | 1:22:27 | 1:22:31 | |
Oh, you are so masterful! | 1:22:32 | 1:22:35 | |
Well, you've all gotta take-a your-a turn. Comprenez? I've only got-a the one pair of hands. | 1:22:37 | 1:22:44 | |
Who's first? | 1:22:44 | 1:22:46 | |
ALL SHOUT AT ONCE | 1:22:46 | 1:22:49 | |
I've been in such a tizz. Where HAVE you been? | 1:22:52 | 1:22:56 | |
OBERON GASPS | 1:22:56 | 1:22:59 | |
What's happened to sir's style? | 1:23:02 | 1:23:05 | |
Oh, that's more like sir! | 1:23:18 | 1:23:21 | |
Signor... | 1:23:21 | 1:23:23 | |
Mrs Ashby - Signor Giulio, madam. | 1:23:24 | 1:23:27 | |
About time, too. | 1:23:27 | 1:23:29 | |
First, we wash. | 1:23:30 | 1:23:33 | |
I've had it washed once. | 1:23:33 | 1:23:35 | |
Your hair-a is no good. | 1:23:35 | 1:23:38 | |
It's gone grey. | 1:23:38 | 1:23:41 | |
So would yours have if you'd waited as long as I have. | 1:23:41 | 1:23:45 | |
Oberon, give it a bit of a wash. Giulio, he create. | 1:23:45 | 1:23:50 | |
Signor Giulio! | 1:24:24 | 1:24:27 | |
(Pitkin!) | 1:24:36 | 1:24:38 | |
-(How did you know? -It's me!) | 1:24:38 | 1:24:40 | |
(Pitkin, look.) | 1:24:41 | 1:24:44 | |
Sergeant Wilkins! | 1:24:47 | 1:24:49 | |
-(There's a microphone under the table.) -Whaddya say? -THERE'S A... | 1:24:49 | 1:24:54 | |
-(Switch on the dryer so they can't hear us.) -The what? -(The dryer!) | 1:24:54 | 1:24:59 | |
-I found something! -What? | 1:25:10 | 1:25:13 | |
I FOUND SOMETHING! | 1:25:15 | 1:25:18 | |
There's a microphone under there. | 1:25:18 | 1:25:20 | |
-(I know.) -D'you think anyone heard us talking? -Ssssh... | 1:25:20 | 1:25:25 | |
# La, la, la, la-la-la... # | 1:25:25 | 1:25:28 | |
Sing. # La, la, la, la-la-la # | 1:25:28 | 1:25:30 | |
# Home sweet home Coming through the rye... # | 1:25:30 | 1:25:34 | |
The maestro's in great form today! | 1:25:34 | 1:25:36 | |
-We're being watched. -Are we? | 1:25:36 | 1:25:39 | |
Do something to my hair. | 1:25:40 | 1:25:42 | |
-What shall I do? -Anything. | 1:25:42 | 1:25:45 | |
Pitkin! | 1:25:58 | 1:26:00 | |
For heaven's sake, go away. | 1:26:00 | 1:26:03 | |
My new hat! You've ruined it! | 1:26:26 | 1:26:29 | |
How dare you?! | 1:26:29 | 1:26:31 | |
Oh-h... | 1:26:32 | 1:26:34 | |
SOBBING | 1:26:34 | 1:26:36 | |
What's the matter, lady-a? | 1:26:43 | 1:26:46 | |
They've made me look SO lovely. | 1:26:46 | 1:26:48 | |
-But you are lovely. -Yes, I know. | 1:26:50 | 1:26:53 | |
I like all my ladies to look lovely. | 1:26:53 | 1:26:56 | |
But I'm rather special, aren't I? You've made me feel...so HAPPY! | 1:26:56 | 1:27:02 | |
I'm happy, too. | 1:27:04 | 1:27:06 | |
Oberon! | 1:27:10 | 1:27:12 | |
Isn't she lovely? | 1:27:17 | 1:27:19 | |
Have a closer look. | 1:27:21 | 1:27:23 | |
Oberon... | 1:27:26 | 1:27:28 | |
Oh, Giulio! | 1:27:28 | 1:27:31 | |
Excuse me. I can't bear it. | 1:27:33 | 1:27:36 | |
-Pitkin, have you discovered anything? -(Not yet.) | 1:27:37 | 1:27:42 | |
HE HOWLS | 1:27:42 | 1:27:44 | |
Pitkin, pull yourself together. Stay with me. I've got to talk to you. | 1:27:44 | 1:27:50 | |
-All right. -No! -I've got to be doing something. -Don't cut any more hair. -Well, come over here. | 1:27:50 | 1:27:57 | |
-You have to do something. -I'll give you a shampoo. -I've had... | 1:27:57 | 1:28:01 | |
I didn't mean that! | 1:28:02 | 1:28:05 | |
Have a shave. | 1:28:05 | 1:28:07 | |
Pitkin... | 1:28:14 | 1:28:16 | |
you've got to find out where those microphones lead to. | 1:28:16 | 1:28:21 | |
How do I do that? | 1:28:21 | 1:28:24 | |
Trace the wires. Follow them through to the end. | 1:28:24 | 1:28:28 | |
Sergeant Wilkins, I shall trace those wires if it's the last thing I do. | 1:28:28 | 1:28:34 | |
Giulio, put me down! Put me down! | 1:28:46 | 1:28:49 | |
(Pitkin... | 1:29:30 | 1:29:32 | |
(try not to create suspicion.) | 1:29:32 | 1:29:34 | |
-It's an outrage! I demand-a you release-a my client. I have here the Habeas Corpus. -Keep calm. | 1:29:37 | 1:29:44 | |
-Let's sit down and talk this over. -No sit down. -No sit down. -No talk. -No talk. -No stay here. -No stay here. | 1:29:44 | 1:29:51 | |
-Release us. -Release us. -We will sue. -We will sue. -Shudda your mouth. -Shudda your mouth. | 1:29:51 | 1:29:57 | |
-Shudda YOUR mouth! -THEY ARGUE IN ITALIAN | 1:29:57 | 1:30:03 | |
-Is there anything wrong, Giulio? -Someone's standing on the wire. | 1:30:13 | 1:30:18 | |
-We're having trouble with the girl. -The girl? | 1:30:23 | 1:30:28 | |
-She's breaking the place up. -Oh. | 1:30:28 | 1:30:30 | |
-You'd better come. -You lead-a the way-a. | 1:30:30 | 1:30:34 | |
What's the matter? Aren't you coming? | 1:30:47 | 1:30:51 | |
Sergeant Wilkins, it's... | 1:31:05 | 1:31:07 | |
Stop! | 1:31:25 | 1:31:27 | |
All'inferno! | 1:31:27 | 1:31:29 | |
Rosanna! | 1:31:33 | 1:31:35 | |
Believe me, I loathe! Odio! Odio! Odio! | 1:31:35 | 1:31:40 | |
Get out. | 1:31:41 | 1:31:43 | |
Leave her to Giulio. | 1:31:43 | 1:31:45 | |
No! | 1:31:49 | 1:31:50 | |
Don't! | 1:31:50 | 1:31:52 | |
-It's all right, Rosanna. Look, it's me - Norman. -Norman! | 1:31:52 | 1:31:57 | |
-What are you do here? -I'm looking for evidence against Giulio. | 1:31:57 | 1:32:02 | |
-Where's the safe? -No, we are not safe. | 1:32:02 | 1:32:06 | |
Oh-h-h, you don't understand, do you? | 1:32:06 | 1:32:10 | |
The safe. | 1:32:10 | 1:32:12 | |
-I've had to let Napolitani go, sir. -It's not giving Pitkin time enough. We'll have to raid the premises. | 1:32:15 | 1:32:22 | |
Here you are, sir. | 1:32:24 | 1:32:27 | |
Thank-a you for no-othing. | 1:32:29 | 1:32:32 | |
-Norman! -Not now. I'm looking for something. -Is this it? | 1:32:35 | 1:32:40 | |
I want the safe! | 1:32:40 | 1:32:42 | |
Oh! | 1:32:42 | 1:32:44 | |
Giulio, I... | 1:32:45 | 1:32:47 | |
Giulio? You're upstairs! | 1:32:47 | 1:32:50 | |
No, no. I'm-a down-a-stairs. | 1:32:50 | 1:32:53 | |
Upstairs is... All right. | 1:32:53 | 1:32:56 | |
-Presto, presto! Dobbiamo partire! -With this job, you have to hurry and keep calm at the same time. | 1:33:05 | 1:33:12 | |
I thought it would be easy. | 1:33:12 | 1:33:15 | |
I thought it would just be click, click, click and then clack, clack and all of a sudden...open sesame. | 1:33:15 | 1:33:23 | |
-You have to know the combination. -I know that! How to get the combination is the thing. | 1:33:23 | 1:33:30 | |
Oh, what you gonna have? | 1:33:33 | 1:33:36 | |
You look like me, but not so handsome. Who are you? | 1:33:36 | 1:33:41 | |
I am PC Pitkin of Scotland Yard. | 1:33:41 | 1:33:44 | |
-Anything you say will be taken down and used in... -Shudda your mouth. | 1:33:44 | 1:33:50 | |
I kill you. I smash-a you. I slit-a your throat from ear to ear. | 1:33:51 | 1:33:57 | |
I feel it's only fair to warn you that to slit a policeman's throat is definitely illegal. | 1:33:57 | 1:34:04 | |
Shall I kill him now, boss? | 1:34:04 | 1:34:07 | |
Not-a yet. | 1:34:08 | 1:34:11 | |
OK, the police want-a Giulio and they get Giulio. But not-a this one. | 1:34:11 | 1:34:17 | |
-All right, kill him, but not here. -What about the girl? -No, leave her alone. | 1:34:17 | 1:34:23 | |
I'll go. | 1:34:23 | 1:34:25 | |
No, Norman. | 1:34:25 | 1:34:28 | |
Giulio, you can't do this. He only do his job. Please don't kill him. | 1:34:28 | 1:34:33 | |
All right, all right. ..Vince, Mancini, take him for a nice ride | 1:34:33 | 1:34:37 | |
in the country in my car. | 1:34:37 | 1:34:41 | |
No monkey business, otherwise Mr Pitkin, bang-bang. | 1:34:41 | 1:34:46 | |
Bang. | 1:34:46 | 1:34:47 | |
Giulio Napolitani, you're under arrest. | 1:35:08 | 1:35:12 | |
No, Ron, you're making a mistake. I'm Norman. | 1:35:12 | 1:35:16 | |
You fool! | 1:35:16 | 1:35:18 | |
Napolitani must still be in the salon. Come on! | 1:35:18 | 1:35:22 | |
Ron! No, Ron, please, no! | 1:35:22 | 1:35:25 | |
- Cover the door. Don't let him in. - Yes, sir. | 1:35:25 | 1:35:30 | |
-Nobody leave the premises. -What do you want? | 1:35:38 | 1:35:42 | |
-You're under arrest. -Oh-h-h! Superintendent... -Not now, madam. | 1:35:42 | 1:35:47 | |
Hobson! | 1:35:53 | 1:35:55 | |
Giulio Napolitani, you're under arrest. | 1:35:55 | 1:35:58 | |
Oh, Ron, how many more times? Look, it's me - Norman. | 1:35:58 | 1:36:03 | |
I told you to keep out of here. | 1:36:03 | 1:36:06 | |
HOBSON! | 1:36:06 | 1:36:08 | |
-Get this man out... -Giulio Napolitani, you're under arrest. | 1:36:08 | 1:36:13 | |
Hobson, this is Pitkin! | 1:36:13 | 1:36:16 | |
Siete pazzi, voi inglesi! Non vedete che questo e Giulio?! | 1:36:16 | 1:36:20 | |
Constable, look after the young lady. Questo e Giulio! Non e Norman. | 1:36:20 | 1:36:25 | |
Napolitani! | 1:36:27 | 1:36:29 | |
Giulio Napoli... | 1:36:33 | 1:36:35 | |
Pitkin? | 1:36:39 | 1:36:41 | |
Giulio Napolitani, you're under arrest. | 1:36:44 | 1:36:48 | |
Pack it up, Cecil! | 1:36:48 | 1:36:51 | |
Ron, you're wrong. | 1:36:51 | 1:36:53 | |
Wrong again, Ron. Wrong, wrong, Ron. | 1:36:53 | 1:36:56 | |
There. | 1:36:56 | 1:36:58 | |
Giulio Napol... | 1:36:58 | 1:37:01 | |
Ah-h... | 1:37:54 | 1:37:56 | |
Just as I thought. | 1:38:00 | 1:38:03 | |
Giulio, on behalf of Ron Ackroyd, Cecil Hobson, | 1:38:03 | 1:38:07 | |
um... | 1:38:07 | 1:38:09 | |
Bert Belcher and all the lot of us, I hereby place you under arrest. | 1:38:09 | 1:38:14 | |
Now, you ARE in trouble! Damaging one of Her Majesty's police constable's hats, and it's not mine. | 1:38:55 | 1:39:03 | |
Oh, Ron WILL be pleased! | 1:39:07 | 1:39:10 | |
We've got the place surrounded, sir. Napolitani must be in the building. | 1:39:10 | 1:39:15 | |
Where? | 1:39:15 | 1:39:17 | |
Hobson, that man again! | 1:39:19 | 1:39:22 | |
Pitkin, what have you got in there? | 1:39:23 | 1:39:25 | |
-Washing! Eh, Ron? -Put him under arrest. | 1:39:25 | 1:39:29 | |
Pitkin! | 1:39:33 | 1:39:35 | |
-No, Ron, that is Giulio. I am Pitkin. -I know. | 1:39:35 | 1:39:39 | |
Have him taken away. | 1:39:39 | 1:39:42 | |
No, no, no, the prisoner. | 1:39:42 | 1:39:45 | |
Well done, Constable Pitkin. | 1:39:48 | 1:39:50 | |
-You mean I'm still in the force? -You're a credit to the force. -Oh, Ron! | 1:39:50 | 1:39:56 | |
-Now you've got everything you ever wanted. -There's one little thing. -What's that? | 1:39:56 | 1:40:03 | |
Um...er...some leave! | 1:40:03 | 1:40:05 | |
-Leave? What for? -Er...well... | 1:40:05 | 1:40:08 | |
I want to get married! | 1:40:08 | 1:40:11 | |
MUSIC: Wedding March by Mendelssohn | 1:40:13 | 1:40:17 | |
Hold it. | 1:40:30 | 1:40:32 | |
POLICE WHISTLES SOUND | 1:40:34 | 1:40:38 | |
Wait for me! | 1:41:01 | 1:41:03 | |
Subtitles by BBC | 1:41:03 | 1:41:06 | |
E-mail subtitling@bbc.co.uk | 1:41:06 | 1:41:09 |