Browse content similar to Severance. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:02 | 0:00:06 | |
This programme contains graphic violent scenes. | 0:00:06 | 0:00:10 | |
(SCREAMS) | 0:00:10 | 0:00:11 | |
(HUNGARIAN MUSIC) | 0:00:11 | 0:00:14 | |
(PANTS) | 0:00:14 | 0:00:15 | |
-(CRASH!) -(GROANS) | 0:00:26 | 0:00:29 | |
(SPEAK HUNGARIAN) | 0:00:28 | 0:00:32 | |
(SPEAK HUNGARIAN) | 0:00:35 | 0:00:37 | |
-(PANTS) -Mr George, help us. | 0:00:37 | 0:00:41 | |
(SPEAKS FRANTICALLY IN HUNGARIAN) Help us! | 0:00:41 | 0:00:44 | |
-I'm sorry. -(SCREECHES) You fucking pig! | 0:00:43 | 0:00:47 | |
(THUD) | 0:00:54 | 0:00:56 | |
(COUGHS/SPLUTTERS) | 0:00:58 | 0:01:00 | |
-(SPEAKS FRANTICALLY IN HUNGARIAN) -(SHOUTS IN HUNGARIAN) | 0:01:04 | 0:01:10 | |
(SCREAMS) | 0:01:22 | 0:01:25 | |
(SPEAKS HUNGARIAN) | 0:01:27 | 0:01:32 | |
(SHOUTS IN HUNGARIAN) Fuck! | 0:01:33 | 0:01:36 | |
(GROANS) | 0:01:36 | 0:01:38 | |
(SPEAK HUNGARIAN) | 0:01:53 | 0:01:55 | |
Nadia. (SPEAKS HUNGARIAN) | 0:02:02 | 0:02:06 | |
(SPEAKS HUNGARIAN) | 0:02:07 | 0:02:09 | |
(GROANS) | 0:02:15 | 0:02:17 | |
(SLASH/SQUELCH) | 0:02:22 | 0:02:25 | |
# Over bridge of sighs | 0:02:34 | 0:02:37 | |
# To rest my eyes in shades of green | 0:02:37 | 0:02:41 | |
# Under dreaming spires | 0:02:41 | 0:02:45 | |
# To Itchycoo Park that's where I've been | 0:02:45 | 0:02:48 | |
-# What did you do there? -# I got high | 0:02:48 | 0:02:51 | |
-# What did you feel there? -# Well, I cried | 0:02:51 | 0:02:55 | |
-# But why the tears there? -# Tell you why | 0:02:55 | 0:02:58 | |
# It's all too beautiful | 0:02:58 | 0:03:02 | |
# It's all too beautiful | 0:03:02 | 0:03:06 | |
-# It's all too beautiful... -(BARKS) | 0:03:06 | 0:03:10 | |
# It's all too beautiful # | 0:03:10 | 0:03:13 | |
Hi. My name's George Cinders and I'm the President of Palisade Defence. | 0:03:13 | 0:03:18 | |
"We're hitting a home run for freedom | 0:03:18 | 0:03:20 | |
and a time-out for terror." | 0:03:20 | 0:03:23 | |
"We work hard to bring you up-to-the-minute technology." | 0:03:23 | 0:03:27 | |
Memo. Must congrat George on terrific performance. | 0:03:27 | 0:03:31 | |
Er, no, delete "terrific", make that "fabulous" performance. | 0:03:31 | 0:03:34 | |
"For 75 years we've been supplying the world's greatest nations | 0:03:34 | 0:03:38 | |
with the world's latest weaponry." | 0:03:38 | 0:03:41 | |
"So when you see this symbol, you know you're in safe hands." | 0:03:41 | 0:03:46 | |
"We have offices in New York, London, Tokyo, all over the world." | 0:03:46 | 0:03:52 | |
Oh! | 0:03:52 | 0:03:54 | |
Whoo-hoo! | 0:03:55 | 0:03:58 | |
Jesus! | 0:03:58 | 0:04:01 | |
Go on, girl. Go on. Yep. Yep. | 0:04:01 | 0:04:04 | |
-What are you doing? -Ordering meself a birthday present. | 0:04:04 | 0:04:07 | |
All right, team, can we have a little less talking, please? | 0:04:07 | 0:04:11 | |
-Am I the only one who cares about our marketing strategy? -I care. | 0:04:11 | 0:04:16 | |
"Or what about our CRM-114 landmine, the Platoon Buster?" | 0:04:16 | 0:04:20 | |
"What Ordinance Magazine calls it, | 0:04:20 | 0:04:22 | |
"The most exciting development in concealed termination in years."" | 0:04:22 | 0:04:26 | |
"Weapons you can trust." | 0:04:26 | 0:04:28 | |
"Anti-personnel devices you can rely on. That's trust." | 0:04:28 | 0:04:32 | |
"That's reliability. That's Palisade." | 0:04:32 | 0:04:35 | |
"As I speak, our team of dedicated individuals | 0:04:35 | 0:04:39 | |
are touring Eastern Europe, bringing the Palisade message to you." | 0:04:39 | 0:04:44 | |
-"And they couldn't be more excited." -Richard, | 0:04:44 | 0:04:47 | |
why are all the actors in this video white? | 0:04:47 | 0:04:50 | |
-They are not all white. -Blonde, actually. | 0:04:50 | 0:04:54 | |
It's just a coincidence, that's all. | 0:04:54 | 0:04:56 | |
So if they were all black, that would be a coincidence too? | 0:04:56 | 0:04:59 | |
Look... What is your problem exactly? | 0:04:59 | 0:05:04 | |
You've made a recruitment video for the Hitler Youth. | 0:05:04 | 0:05:07 | |
-Ha! -(Richard, Richard.) -There! | 0:05:07 | 0:05:10 | |
There you go, you see? What's he, an albino? (LAUGHS) | 0:05:10 | 0:05:15 | |
-"Here's the P40 version five." -"(GUNSHOTS)" | 0:05:15 | 0:05:20 | |
Oh, yeah, OK, that's very sensitive. | 0:05:20 | 0:05:23 | |
-(LAUGHS) -It's not funny, Harris. | 0:05:23 | 0:05:25 | |
"..democracy, justice." | 0:05:25 | 0:05:27 | |
"With Palisade Defence we'll win the war on terror." | 0:05:27 | 0:05:32 | |
-I bloody hope not. -Thank you, Harris. | 0:05:32 | 0:05:35 | |
-# What will we do there? -# We'll get high | 0:05:36 | 0:05:40 | |
-# What will we touch there? -# We'll touch the sky | 0:05:40 | 0:05:44 | |
-# But why the tears there? -# I'll tell you why | 0:05:44 | 0:05:48 | |
# It's all too beautiful | 0:05:48 | 0:05:52 | |
-# It's all too beautiful... -(SMOKES ALARM BEEPS) | 0:05:52 | 0:05:55 | |
# It's all too beautiful # | 0:05:55 | 0:06:00 | |
(SHOUTS IN HUNGARIAN) | 0:06:00 | 0:06:01 | |
Something wrong with the electrics. There's a short circuit. | 0:06:01 | 0:06:04 | |
-Fire officer, coming through. -Sit down. -Officer sitting. | 0:06:04 | 0:06:08 | |
-(SHOUTS) No smoking! No smoking! -Yes, I know. | 0:06:08 | 0:06:10 | |
No cigarettes! Bob Marley! Bob Marley! | 0:06:10 | 0:06:15 | |
Hey, Billy, what's the plan? | 0:06:44 | 0:06:46 | |
George should be at the lodge, with the food. | 0:06:46 | 0:06:49 | |
-Good. And the paintball gear? -All in the brown bag. OK, good. | 0:06:49 | 0:06:53 | |
(DRIVER SINGS IN HUNGARIAN) | 0:06:53 | 0:06:56 | |
(CHOMPS) | 0:07:02 | 0:07:05 | |
I'll give you 50 if you stop eating. | 0:07:04 | 0:07:09 | |
I bought some mushrooms off a security guard at the road show. | 0:07:12 | 0:07:17 | |
I gave him 20 euros and look how much he's given me. Look. | 0:07:17 | 0:07:20 | |
-They look horrible. -That's cos they're magic mushrooms. | 0:07:23 | 0:07:27 | |
-How do you know they're not off the side of the road? -They're proper. | 0:07:27 | 0:07:31 | |
You can tell by the stalks. Look. | 0:07:30 | 0:07:33 | |
-Eat those, you're gonna go crazy. -I think I've had these ones before. | 0:07:35 | 0:07:40 | |
-They give you a chilled out one. -And if you're wrong? | 0:07:40 | 0:07:45 | |
I'll be somewhere over the rainbow getting fucked by the Tin Man. | 0:07:45 | 0:07:48 | |
(TYRES SCREECH) | 0:07:48 | 0:07:49 | |
-Hey, what the fuck's going on? -You all right? | 0:07:52 | 0:07:55 | |
-You all right, Jill? -Yeah. | 0:07:55 | 0:07:57 | |
-The road's blocked. -Anybody need first aid? | 0:07:57 | 0:08:00 | |
I might do in 20 minutes. | 0:08:00 | 0:08:02 | |
(BIRDS TITTER) | 0:08:04 | 0:08:07 | |
-We can go this way. -(SPEAKS HUNGARIAN) | 0:08:07 | 0:08:13 | |
I don't understand what you're saying. The road is fine. | 0:08:14 | 0:08:17 | |
(SPEAKS HUNGARIAN) | 0:08:17 | 0:08:21 | |
Yeah, well, the two roads meet up again. Look. | 0:08:21 | 0:08:25 | |
(SHOUTS IN HUNGARIAN) | 0:08:25 | 0:08:28 | |
(CONTINUES TO SHOUT) | 0:08:31 | 0:08:33 | |
It's just a detour! | 0:08:35 | 0:08:38 | |
(SPEAKS HUNGARIAN) | 0:08:38 | 0:08:41 | |
Go on, Richard! | 0:08:47 | 0:08:49 | |
All right, that's quite enough. | 0:08:50 | 0:08:54 | |
I won't stand for unprofessional behaviour. You hear me? | 0:08:54 | 0:08:59 | |
Now, you are hired to drive, and drive you will. Is that clear? | 0:08:59 | 0:09:05 | |
(DOOR HISSES OPEN) | 0:09:11 | 0:09:14 | |
Great management skills, Dick. Really, really world class. | 0:09:14 | 0:09:19 | |
I know it doesn't appear far on the map, | 0:09:20 | 0:09:24 | |
but it all depends on the scale. | 0:09:24 | 0:09:27 | |
-Well, what is the scale? -It's not on here. | 0:09:27 | 0:09:31 | |
-Well, an inch is usually a mile, isn't it? -No. | 0:09:31 | 0:09:36 | |
Well, we'll assume that it is. | 0:09:36 | 0:09:39 | |
Well, we can assume, but it's probably safer not to. | 0:09:39 | 0:09:42 | |
Every map I've seen is. Are you saying I can't read maps? | 0:09:42 | 0:09:46 | |
I'm sure you have an excellent knowledge of maps. | 0:09:46 | 0:09:48 | |
It's just that, well, an inch could be two miles or ten. | 0:09:48 | 0:09:52 | |
Goodbye. I'm going back to the hotel. | 0:09:52 | 0:09:54 | |
-You're doing no such thing. -Then show me the lodge. | 0:09:54 | 0:09:57 | |
The lodge is a mile down that road. | 0:09:57 | 0:10:00 | |
Hang on. You're not listening. I am not walking anywhere. | 0:10:00 | 0:10:04 | |
Don't squabble. It's supposed to be a team-building weekend. | 0:10:04 | 0:10:08 | |
Tell Richard. He thinks we're on a walking holiday. (ENGINE ROARS) | 0:10:07 | 0:10:12 | |
Whoa. Wait a sec. Stop the coach! | 0:10:11 | 0:10:15 | |
Stop! | 0:10:15 | 0:10:17 | |
Hey, come on, let's talk about this. Stop the bus. Fucking hell! | 0:10:17 | 0:10:23 | |
Stop the... | 0:10:23 | 0:10:25 | |
Come on. | 0:10:25 | 0:10:27 | |
Fuck it! | 0:10:31 | 0:10:33 | |
(GROWLING) | 0:10:33 | 0:10:37 | |
What was that? | 0:10:39 | 0:10:41 | |
(BURPS) Sorry. | 0:10:41 | 0:10:44 | |
Probably just a bear. | 0:10:46 | 0:10:49 | |
-Just a bear?! -There are no bears in Hungary. | 0:10:48 | 0:10:51 | |
-Are you sure? -Yes. | 0:10:51 | 0:10:55 | |
Well, that's assuming we're still in Hungary. | 0:10:54 | 0:10:57 | |
If we've crossed the border into Romania, there are bears. | 0:10:57 | 0:11:01 | |
If we're in Serbia, then I'm not sure. | 0:11:01 | 0:11:05 | |
Well, that's really interesting. Are bears required to stop at borders? | 0:11:04 | 0:11:09 | |
Is there some sort of passport control for bears? | 0:11:09 | 0:11:12 | |
-You'd better watch your tone. -Or what? -Oh, please! | 0:11:12 | 0:11:15 | |
No. Or what? (DISTANT GROWLING) | 0:11:15 | 0:11:18 | |
-That sounded further away. -There. | 0:11:20 | 0:11:23 | |
If it was a bear, which it wasn't, it's moved on. Come on. | 0:11:23 | 0:11:28 | |
I really think we should stick to the main road. | 0:11:28 | 0:11:31 | |
-No, this way is much quicker. Come on. -I'm with Richard. | 0:11:31 | 0:11:34 | |
Have I pissed myself? | 0:11:48 | 0:11:51 | |
-What?! -I feel damp. | 0:11:50 | 0:11:56 | |
Well, you look all right. I am not gonna touch you. | 0:11:56 | 0:12:00 | |
-Have I pissed my pants? -I don't think so. What's wrong?! | 0:12:00 | 0:12:03 | |
I feel all damp. | 0:12:03 | 0:12:05 | |
You're fine. You're fine. | 0:12:11 | 0:12:15 | |
OK, so, er, working on the assumption | 0:12:59 | 0:13:02 | |
that an inch is not a mile, | 0:13:02 | 0:13:05 | |
what's the worst-case scenario? | 0:13:05 | 0:13:08 | |
-An inch is a thousand miles? -(SCREAMING) | 0:13:08 | 0:13:12 | |
That's Steve. | 0:13:16 | 0:13:18 | |
If he's messing around, he's in big trouble. | 0:13:18 | 0:13:21 | |
Oh, no. | 0:13:24 | 0:13:26 | |
We should stay with the bags. | 0:13:28 | 0:13:31 | |
Steve, are you all right, mate? | 0:13:32 | 0:13:35 | |
(SIGHS) Jesus. | 0:13:40 | 0:13:43 | |
Steve? | 0:13:46 | 0:13:47 | |
-I saw someone. -Who? | 0:13:47 | 0:13:53 | |
I don't know. | 0:13:53 | 0:13:55 | |
What happened? | 0:13:55 | 0:13:57 | |
The weirdest thing's just happened, yeah. | 0:13:59 | 0:14:02 | |
I needed a slash, so I've pulled me trousers down, | 0:14:02 | 0:14:06 | |
cos I felt a little bit damp and I didn't want to get a rash. | 0:14:06 | 0:14:09 | |
I was about to have a piss and I saw a geezer with a balaclava | 0:14:09 | 0:14:13 | |
and a suitcase. No, more of a travel bag. | 0:14:13 | 0:14:18 | |
-So you've come over... -Steve. | 0:14:18 | 0:14:20 | |
-Yes? -The mushrooms. | 0:14:20 | 0:14:23 | |
-What mushrooms? -You ate them. You're high. | 0:14:23 | 0:14:28 | |
-Look after him. -OK. | 0:14:31 | 0:14:35 | |
Listen. | 0:14:38 | 0:14:40 | |
Now, I know we're mates, but, erm, | 0:14:40 | 0:14:43 | |
if you look at my cock one more time, I'm gonna kick off. | 0:14:43 | 0:14:47 | |
What are you talking about? I have not once looked at your winkie. | 0:14:47 | 0:14:51 | |
You turn around. | 0:14:51 | 0:14:54 | |
(URINATES) | 0:14:58 | 0:15:00 | |
(GROWLS) | 0:15:15 | 0:15:17 | |
OK, everybody, prepare to smile. | 0:15:37 | 0:15:40 | |
-Isn't it wonderful? -It's a dump. | 0:15:48 | 0:15:51 | |
-What do you expect, the Hilton? -The Hilton would be good. | 0:15:51 | 0:15:55 | |
-We're in the country. -You're not gonna stay here, are you? | 0:15:55 | 0:15:59 | |
-Right now I'd sleep in a cave. -That's the spirit. | 0:15:59 | 0:16:04 | |
There's someone in the woods. | 0:16:04 | 0:16:06 | |
Yeah, you already said that. Come on. | 0:16:06 | 0:16:10 | |
Come on. | 0:16:10 | 0:16:12 | |
(GATES CREAK OPEN) | 0:16:12 | 0:16:14 | |
(BIRDS CHIRP) | 0:16:17 | 0:16:20 | |
-This isn't the right place. -This is the right place. | 0:17:04 | 0:17:07 | |
This obviously is not the right place. | 0:17:07 | 0:17:09 | |
It is the right place. Billy? | 0:17:09 | 0:17:12 | |
Well, there's only one lodge on the map, so I suppose - | 0:17:12 | 0:17:16 | |
Thank you. This is... just the lobby. | 0:17:16 | 0:17:21 | |
This place is fantastic! | 0:17:21 | 0:17:25 | |
Steve. Steve. It's just a rope. It's just a rope. | 0:17:25 | 0:17:30 | |
"Dear team, as a big thank you for the last few weeks on the road, | 0:17:32 | 0:17:38 | |
George and I cordially invite you to join us | 0:17:38 | 0:17:41 | |
on a team-building weekend | 0:17:41 | 0:17:43 | |
in Palisade's newly-acquired luxury lodge." | 0:17:43 | 0:17:48 | |
"Luxury lodge." | 0:17:48 | 0:17:51 | |
(CRASH!) | 0:17:53 | 0:17:54 | |
OK, now listen up, everyone. | 0:17:56 | 0:17:59 | |
This is not a holiday. This is a business. | 0:17:59 | 0:18:03 | |
And team-building weekends, like it or not, are part of that business. | 0:18:03 | 0:18:08 | |
Hear! Hear! | 0:18:08 | 0:18:10 | |
This is our chance to find out about ourselves. | 0:18:10 | 0:18:14 | |
I mean, you know, sure, we'll have fun, | 0:18:14 | 0:18:17 | |
doing, er, paintball, orienteering... | 0:18:17 | 0:18:21 | |
-Bridge building. -Bridge building. | 0:18:21 | 0:18:23 | |
We need to take ownership of the weekend. | 0:18:25 | 0:18:29 | |
And that means working together. | 0:18:31 | 0:18:34 | |
-Richard, I have an idea. -Shh, shh, shh. | 0:18:33 | 0:18:37 | |
I can't spell success... without U. | 0:18:36 | 0:18:39 | |
Or U. | 0:18:39 | 0:18:42 | |
U. U. | 0:18:42 | 0:18:47 | |
And... U. | 0:18:47 | 0:18:49 | |
Success has only one U. | 0:18:49 | 0:18:52 | |
Oh, well, Daddy couldn't put us all through Cambridge, could he, Harris? | 0:18:52 | 0:18:58 | |
Now, George wants us to be the best team possible. | 0:19:00 | 0:19:03 | |
And if that means digging in, then I am sorry. | 0:19:03 | 0:19:06 | |
Think this place is a dump? Think about this. | 0:19:06 | 0:19:09 | |
Maybe it's supposed to be. I've had tougher challenges. | 0:19:09 | 0:19:13 | |
Now let's make this our challenge. | 0:19:13 | 0:19:17 | |
Explain to me how staying in this shithole | 0:19:17 | 0:19:20 | |
is gonna help me sell mines. | 0:19:20 | 0:19:23 | |
All right? | 0:19:32 | 0:19:33 | |
-Don't be so happy all the time. -Only trying to be positive. | 0:19:49 | 0:19:53 | |
No, you're not. You're like a dog tied to a radiator wagging its tail. | 0:19:53 | 0:19:57 | |
-(LAUGHS) -That's not a compliment. | 0:19:57 | 0:20:01 | |
Look for the generator in there, will you? | 0:20:04 | 0:20:07 | |
(BIRDSONG) | 0:20:06 | 0:20:09 | |
(DUSTS HIMSELF OFF) | 0:20:32 | 0:20:35 | |
(RATTLES) | 0:21:02 | 0:21:04 | |
(DOOR BURSTS OPEN) | 0:21:34 | 0:21:36 | |
(DOOR CREAKS AND SLAMS SHUT) | 0:21:45 | 0:21:47 | |
(CLANG) | 0:22:26 | 0:22:28 | |
(METALLIC GRINDING) | 0:23:04 | 0:23:06 | |
(SQUELCHING) | 0:23:26 | 0:23:29 | |
Have you got any light bulbs in your bag,... Gordon? | 0:23:31 | 0:23:34 | |
Erm, yeah, give me two secs. | 0:23:34 | 0:23:39 | |
Hello? | 0:23:40 | 0:23:42 | |
Hello? | 0:23:47 | 0:23:49 | |
(FOOTSTEPS) | 0:23:55 | 0:23:57 | |
Oh, no. | 0:24:05 | 0:24:07 | |
-I think you should get some sleep. -I think you're right. | 0:24:07 | 0:24:10 | |
(GROWLING) | 0:24:21 | 0:24:24 | |
(SCUFFLING) | 0:24:27 | 0:24:29 | |
(BANGING) | 0:24:32 | 0:24:35 | |
(GROWLING/LOUD BANG) | 0:24:38 | 0:24:40 | |
(FLOORBOARDS CREAK) | 0:24:54 | 0:24:56 | |
(DRAMATIC BURST OF MUSIC) | 0:25:01 | 0:25:03 | |
Maggie? | 0:25:44 | 0:25:45 | |
I've been waiting for you, Richard. I want you to fuck me. | 0:25:45 | 0:25:50 | |
Really?! I mean, I'd like to. | 0:25:50 | 0:25:54 | |
Fuck me now and fuck me hard. | 0:25:54 | 0:25:58 | |
OK. | 0:26:00 | 0:26:02 | |
But, erm,... what's going on? | 0:26:04 | 0:26:07 | |
Maggie? | 0:26:11 | 0:26:12 | |
Great management skills, Dick. World class. | 0:26:14 | 0:26:18 | |
(STABBING/SCREAMING) | 0:26:18 | 0:26:22 | |
(COUGHS) | 0:26:26 | 0:26:29 | |
(DOOR CREAKS AND SLAMS) | 0:26:43 | 0:26:45 | |
I had no idea Palisade were this involved in Eastern Europe. | 0:26:49 | 0:26:54 | |
You're joking, right? | 0:26:54 | 0:26:56 | |
-Where did you get this stuff? -Found it next to the generator. | 0:26:57 | 0:27:01 | |
There's stacks of it out there. It's all Soviet. | 0:27:01 | 0:27:05 | |
That doesn't mean it's one of the asylums. | 0:27:05 | 0:27:08 | |
-It doesn't rule it out either. -What asylums? | 0:27:07 | 0:27:11 | |
Right, grub's up. Put those cards away, please, Jill. | 0:27:10 | 0:27:14 | |
Feast your eyes... on this. | 0:27:14 | 0:27:19 | |
Mind yourselves, it is hot. | 0:27:19 | 0:27:21 | |
It actually smells quite nice. | 0:27:22 | 0:27:24 | |
-Not eating, Maggie? -No, thanks. Not hungry. | 0:27:24 | 0:27:27 | |
The rest of you, get stuck in. There's plenty. | 0:27:27 | 0:27:30 | |
Do you want to get some spoons out, please, Jill? | 0:27:30 | 0:27:34 | |
-All right? (MOCKINGLY) Feeling OK? -Yeah, all right, piss off. | 0:27:34 | 0:27:38 | |
-Are you still tripping? -No. Why are you naked? | 0:27:38 | 0:27:42 | |
-Harris, what about the asylums? -What asylums? | 0:27:42 | 0:27:46 | |
Harris seems to think we're in an old lunatic asylum. | 0:27:46 | 0:27:49 | |
-Are we? -No. -Tell us about the asylums. | 0:27:49 | 0:27:53 | |
Are you sure you want me to tell you? It's pretty scary. | 0:27:53 | 0:27:56 | |
-I'll take my chances. -OK. OK. | 0:27:56 | 0:28:00 | |
This story happens a long time ago, way back before the First World War. | 0:28:00 | 0:28:05 | |
Oh, please(!) | 0:28:05 | 0:28:07 | |
When movies were silent and women were even quieter. | 0:28:07 | 0:28:10 | |
The government was getting complaints about the asylum, | 0:28:10 | 0:28:14 | |
so they sent an inspector to check it out. | 0:28:14 | 0:28:17 | |
(EERIE MUSIC/CAMERA WHIRRS) | 0:28:17 | 0:28:19 | |
He arrives late one night to see what's going on. | 0:28:22 | 0:28:25 | |
Everything seems fine, and the warders agree to show him around. | 0:28:27 | 0:28:32 | |
But everything isn't fine. Everything's not fine at all. | 0:28:32 | 0:28:36 | |
All the inmates are going crazy, screaming at him to let them out. | 0:28:36 | 0:28:40 | |
Then he realises what's wrong. | 0:28:40 | 0:28:43 | |
The inmates had taken over and locked up all the doctors. | 0:28:43 | 0:28:46 | |
And then they turned on him. He tried to reason with them, | 0:28:46 | 0:28:50 | |
but there's no reasoning with the mentally insane. | 0:28:50 | 0:28:53 | |
Guess who they called to sort out the mess? Us. | 0:28:54 | 0:28:57 | |
Palisade sent the boys in. Sprayed the place with nerve agent. | 0:28:57 | 0:29:01 | |
Killed everyone. It was a massacre. | 0:29:01 | 0:29:03 | |
But rumour has it... that one inmate survived. | 0:29:03 | 0:29:08 | |
Hell-bent on killing any Palisade employee that should cross his path. | 0:29:08 | 0:29:13 | |
-They say he's still on the loose. -Is that supposed to be scary? | 0:29:17 | 0:29:21 | |
-Well, it was at the time. -There is a tiny bit of truth in his story. | 0:29:21 | 0:29:26 | |
-Damn right! -A tiny bit. | 0:29:26 | 0:29:28 | |
It occurred in the early '90s when the Soviet Union broke up. | 0:29:28 | 0:29:32 | |
Places like this were detention centres for war criminals. | 0:29:32 | 0:29:36 | |
Soldiers who liked the killing a little bit too much. | 0:29:36 | 0:29:39 | |
(MACHINE-GUN FIRE) | 0:29:39 | 0:29:41 | |
(GUNSHOTS) | 0:29:47 | 0:29:51 | |
They were lunatics who wiped out whole villages. Burnt people alive. | 0:29:54 | 0:29:59 | |
Put heads on spikes. They were savages. Well-trained savages. | 0:29:59 | 0:30:04 | |
(GUNSHOTS/SCREAMING) | 0:30:04 | 0:30:08 | |
Their government locked them away, tried to cure them, | 0:30:08 | 0:30:11 | |
but it was no good. | 0:30:11 | 0:30:13 | |
Some escaped. Hid in some empty buildings nearby, but not for long. | 0:30:13 | 0:30:20 | |
it wasn't Palisade who killed them, it was their government. | 0:30:20 | 0:30:24 | |
But it was us who supplied the weapons. | 0:30:24 | 0:30:29 | |
Oh, and, Harris, if anyone did survive, | 0:30:28 | 0:30:32 | |
revenge would be the last thing on their minds. | 0:30:31 | 0:30:35 | |
-What would be on their minds? -Survival. Evading capture. | 0:30:34 | 0:30:39 | |
These guys were war criminals, remember. | 0:30:38 | 0:30:42 | |
Excuse me for being the sensible one here, but this place is a lodge. | 0:30:42 | 0:30:46 | |
It's not a mental home, it's not a prison, it's a lodge. | 0:30:46 | 0:30:49 | |
It was a sex lodge. (LAUGHTER) | 0:30:49 | 0:30:53 | |
-Right(!) -It was. I'm telling you. | 0:30:53 | 0:30:56 | |
Back in the '60s, these places were hospitals for rich old men. | 0:30:56 | 0:31:01 | |
All the nurses were these naughty- looking birds with big shooters. | 0:31:01 | 0:31:06 | |
Anyway, being stuck all the way out here, they used to get really lonely, | 0:31:06 | 0:31:10 | |
so they tried it on with the old boys. | 0:31:10 | 0:31:13 | |
These poor old fuckers was on death's door. They couldn't get it up. | 0:31:13 | 0:31:17 | |
So they decided to just get hold of each other. | 0:31:17 | 0:31:21 | |
-One day this fella turns up out of the blue. -(DOORBELL) | 0:31:21 | 0:31:25 | |
Young geezer. Bit of bollocks about him. | 0:31:24 | 0:31:28 | |
They chased him. They caught him and, er, | 0:31:30 | 0:31:35 | |
well, he was fucked. | 0:31:35 | 0:31:38 | |
(LAUGHTER) | 0:31:37 | 0:31:40 | |
Have you ever taken anything seriously in your life? | 0:31:40 | 0:31:44 | |
-Ecstasy and weed, I think. -(RUNNING FOOTSTEPS) | 0:31:43 | 0:31:48 | |
-Hey, gang. How are we doing? -Brilliant. -Sweet dreams? | 0:31:49 | 0:31:53 | |
Er,... yeah. | 0:31:53 | 0:31:57 | |
Harris. | 0:31:57 | 0:31:59 | |
-Hi, Maggie. -Hi. -Not eating? | 0:31:59 | 0:32:03 | |
Why are you all so obsessed with what I eat? I am not too skinny. | 0:32:03 | 0:32:07 | |
No, no, no, no. I don't mean... | 0:32:07 | 0:32:10 | |
Just that you'll need your energy for the team games. | 0:32:10 | 0:32:13 | |
I mean, you're perfect just the way you are. | 0:32:13 | 0:32:16 | |
And when I say perfect, I obviously don't mean that in a sexual way. | 0:32:19 | 0:32:25 | |
I mean perfect in a neutral way. | 0:32:25 | 0:32:28 | |
As if I were another woman saying that you were perfect, you know? | 0:32:28 | 0:32:33 | |
Just one woman to another. | 0:32:33 | 0:32:36 | |
Not that I'm implying anything like that. | 0:32:39 | 0:32:42 | |
Or that there's anything wrong with that... sort of thing. | 0:32:43 | 0:32:49 | |
Or... anything. | 0:32:49 | 0:32:54 | |
Keep digging, we can still see ya. (LAUGHS) | 0:32:53 | 0:32:56 | |
What the...?! | 0:32:59 | 0:33:02 | |
A bit young to be losing your teeth, aren't you? | 0:33:02 | 0:33:05 | |
-It's not mine! It's not my tooth. -Maybe it's just a clove. | 0:33:05 | 0:33:08 | |
Does it look like a fucking clove? I'm gonna puke. | 0:33:08 | 0:33:12 | |
Could it be the cow's tooth? A cow with gold fillings? | 0:33:12 | 0:33:15 | |
Who made the pie? | 0:33:15 | 0:33:17 | |
I didn't make it, I found it. | 0:33:18 | 0:33:21 | |
-You what?! -I found it. -You found a pie? | 0:33:21 | 0:33:25 | |
-It was wrapped in foil. -Oh, well, that's a relief. Jesus! | 0:33:25 | 0:33:30 | |
You dirty bastard! | 0:33:30 | 0:33:31 | |
-(RETCHES) -OK, everyone, calm down. | 0:33:31 | 0:33:34 | |
-(JILL CONTINUES TO RETCH) -Come on, Jill. Jill, come with me. | 0:33:34 | 0:33:37 | |
Ohhh! I'm gonna be sick. (RETCHES) | 0:33:37 | 0:33:41 | |
I'm sorry. I thought it was a welcome gift. | 0:33:41 | 0:33:44 | |
-From who? -I don't know. George. | 0:33:44 | 0:33:49 | |
George wouldn't bring a pie. | 0:33:49 | 0:33:52 | |
It could have been sitting here for months. Look at this place. | 0:33:52 | 0:33:56 | |
I cooked it for the full hour! | 0:33:55 | 0:33:57 | |
-It had instructions on it? -No, but it's a pie. | 0:33:57 | 0:34:01 | |
You don't cook every pie for an hour. | 0:34:01 | 0:34:05 | |
-You don't think I undercooked it, do you? -Fucking hell! | 0:34:05 | 0:34:09 | |
Yeah, OK. Look, it's gone. I'm throwing the pie in the bin. | 0:34:09 | 0:34:12 | |
Oh, right, that makes me feel better. | 0:34:12 | 0:34:16 | |
(CRICKETS CHIRP) | 0:34:16 | 0:34:19 | |
-Good night, sweetie. -Good night. | 0:34:27 | 0:34:30 | |
(THUNDER RUMBLES) | 0:34:49 | 0:34:52 | |
(TAP GURGLES) | 0:35:39 | 0:35:41 | |
-(CRASH) -Shit! | 0:35:54 | 0:35:57 | |
(GASPS) | 0:36:13 | 0:36:15 | |
Hello. | 0:36:19 | 0:36:23 | |
-(TREES RUSTLE) -(SCREAMS) | 0:36:31 | 0:36:36 | |
Hey, hey, hey, hey. What's the matter? What's going on? | 0:36:36 | 0:36:40 | |
There was a man at my window. | 0:36:40 | 0:36:43 | |
-What happened? -I saw someone. Where's my inhaler? | 0:36:43 | 0:36:46 | |
-What's going on? -Jill saw someone. -Who? -What did he look like? | 0:36:46 | 0:36:50 | |
-(WHEEZES) He had a mask. -Have you been at my mushrooms? | 0:36:50 | 0:36:54 | |
-Shut up! Do you have anything to calm her down? -I'll check my bag. | 0:36:54 | 0:36:58 | |
-Have you seen anyone? -No. -What do you think? | 0:36:58 | 0:37:01 | |
You're the boss, you think. | 0:37:01 | 0:37:03 | |
-Perhaps you were dreaming. -I wasn't dreaming. Look at me! | 0:37:03 | 0:37:08 | |
His face was covered in a mask. I was not dreaming. | 0:37:08 | 0:37:12 | |
I found some Kalms. They're herbal. | 0:37:12 | 0:37:16 | |
(THUNDER RUMBLES) | 0:37:16 | 0:37:18 | |
Come on. There's no-one here. | 0:37:56 | 0:37:58 | |
Come on! | 0:37:59 | 0:38:01 | |
It was probably just some locals messing around. | 0:38:05 | 0:38:08 | |
Looking through a window one storey up? We need to get out of here. | 0:38:08 | 0:38:13 | |
-Yeah, I'm leaving. -I'm going with her. | 0:38:13 | 0:38:16 | |
-No-one is going anywhere. -What did you find? | 0:38:16 | 0:38:19 | |
Wooden structures in the trees, but too far from the window. | 0:38:19 | 0:38:22 | |
-There. See? -This is what's gonna happen. | 0:38:22 | 0:38:25 | |
Tomorrow we go to the top of the hill, try and get a signal. | 0:38:25 | 0:38:28 | |
Get somebody to pick us up, take us to the hotel. | 0:38:28 | 0:38:31 | |
-Go on, my son. -Great idea. -That's not a great idea. | 0:38:31 | 0:38:34 | |
Leave, and you won't have a job to come back to. | 0:38:34 | 0:38:37 | |
-I don't care. Count me in. -Yeah, I'm with her. | 0:38:37 | 0:38:41 | |
-I'm sorry, but he's right. -Should I make some tea? | 0:38:41 | 0:38:47 | |
Er, all right, listen. | 0:38:49 | 0:38:52 | |
Jill, I want you to sleep on it. | 0:38:52 | 0:38:54 | |
Then, in the morning, if you still feel the same way, | 0:38:54 | 0:38:57 | |
well, then I'll come up with a plan. | 0:38:57 | 0:39:00 | |
I feel the same way. | 0:38:59 | 0:39:02 | |
OK, er, listen up, everyone. Er, Billy, get over here. Come on. | 0:39:05 | 0:39:10 | |
Er, I've made a decision. We're going to sit tight. | 0:39:14 | 0:39:20 | |
-(SPITS) -We... | 0:39:20 | 0:39:23 | |
We sit tight while, Harris, I want you and Jill | 0:39:22 | 0:39:27 | |
to go up the hill... | 0:39:27 | 0:39:29 | |
..to go up the hill and, erm, see if you can get a phone signal. | 0:39:30 | 0:39:35 | |
Erm, get the coach driver to come and pick us up. | 0:39:35 | 0:39:39 | |
Oh, sweet. | 0:39:39 | 0:39:41 | |
I've made this decision purely because of the, er, food situation. | 0:39:41 | 0:39:45 | |
And-And it is conditional. | 0:39:45 | 0:39:48 | |
-While they're gone, the rest of us will do a little team building. -Yes! | 0:39:48 | 0:39:53 | |
Nice one. | 0:39:57 | 0:39:58 | |
Excuse me. Hiya. I just want to make it really clear | 0:39:58 | 0:40:02 | |
before we begin, that paintballing is about teamwork, all right? | 0:40:02 | 0:40:07 | |
So no Rambos. I repeat, absolutely no Rambos. | 0:40:07 | 0:40:13 | |
(SHOUTS) OK! | 0:40:28 | 0:40:30 | |
(VOICE ECHOES ENDLESSLY) | 0:40:32 | 0:40:35 | |
-Hey, how's your project going? -Pretty good, thanks. | 0:40:44 | 0:40:48 | |
What are these things? Humane landmines, right? | 0:40:48 | 0:40:52 | |
They're not landmines. They're immobilisation units. | 0:40:52 | 0:40:55 | |
Right. And they do what, they sort of grab you, yeah? | 0:40:55 | 0:41:00 | |
They pin you to the floor. They don't blow children's legs off. | 0:41:00 | 0:41:04 | |
-They're humane. -They're a hard sell. | 0:41:04 | 0:41:07 | |
I don't understand why, in the 21st century, | 0:41:07 | 0:41:10 | |
we create such sick weapons. The guillotine seems humane. | 0:41:10 | 0:41:14 | |
-There's nothing humane about it. -At least it's instantaneous. | 0:41:14 | 0:41:18 | |
There's nothing instantaneous about it. | 0:41:18 | 0:41:20 | |
When your head's chopped off, your brain can think for three minutes. | 0:41:20 | 0:41:24 | |
You're saying you're aware that your head's cut off? | 0:41:24 | 0:41:28 | |
When Marie Antoinette had her head chopped off | 0:41:28 | 0:41:31 | |
she felt it hit the basket. She saw blood pumping out of her own stump. | 0:41:31 | 0:41:35 | |
-That's not true. -It is 100% biological fact. | 0:41:35 | 0:41:39 | |
-Think he crashed? -I don't know. | 0:41:47 | 0:41:51 | |
-Oh, my God! -We've got to get the others. | 0:42:18 | 0:42:21 | |
We can't just leave him here! | 0:42:22 | 0:42:24 | |
Can we? | 0:42:24 | 0:42:27 | |
I'm not saying I fancy anyone in particular. | 0:42:33 | 0:42:36 | |
If I did like someone, I wouldn't know the best way to approach them. | 0:42:36 | 0:42:41 | |
-Dating's complicated in England. -English birds ain't complicated. | 0:42:41 | 0:42:45 | |
Buy 'em a Bacardi Breezer and they'll ride you like Sea Biscuit. | 0:42:45 | 0:42:49 | |
Yeah? But what if she's not English? | 0:42:49 | 0:42:52 | |
What if she's, erm,... French or Spanish or, erm,... | 0:42:52 | 0:42:56 | |
..American? | 0:42:57 | 0:42:59 | |
-Maggie. -Yeah. | 0:43:02 | 0:43:06 | |
So what do you think? | 0:43:07 | 0:43:10 | |
I think you've got more chance of getting shit out of a rocking horse. | 0:43:11 | 0:43:16 | |
-Yeah, that's what I thought. -(WHISTLE) | 0:43:18 | 0:43:22 | |
Come on, I got ya! Get up, you cheating bastard. | 0:43:30 | 0:43:34 | |
See, all this Maggie stuff, it's cos your bird left you. | 0:43:35 | 0:43:40 | |
It's cos your plums are backing up. | 0:43:40 | 0:43:43 | |
It's driving you nuts. It's confusing ya. Making you think you love her. | 0:43:43 | 0:43:48 | |
You're right. Anyway, I think she likes you. | 0:43:48 | 0:43:54 | |
-What're you talking about? -(Go! Go! Go!) | 0:43:54 | 0:43:57 | |
Hiya, sexy. | 0:44:08 | 0:44:10 | |
We won. You're dead. | 0:44:13 | 0:44:15 | |
The bullet missed my vital organs. I survived. It's a miracle. | 0:44:15 | 0:44:19 | |
(WHISTLE SHRILLS) | 0:44:19 | 0:44:21 | |
-Here we go. Safeties off. -Here comes the ref. | 0:44:21 | 0:44:25 | |
Right. Oh, you really got into that. It was brilliant. | 0:44:25 | 0:44:29 | |
We bent a few rules here and there. Steve shot Richard, he didn't die. | 0:44:29 | 0:44:33 | |
-No-one shot me. -We shot someone. | 0:44:33 | 0:44:36 | |
Well, I think someone, and I am not pointing any fingers, | 0:44:36 | 0:44:39 | |
has been wiping off paint. And it does clearly state in the rules... | 0:44:39 | 0:44:43 | |
-This is total war. There are no rules. -Ow! | 0:44:43 | 0:44:47 | |
Stop! Stop! Stop it! Stop! | 0:44:48 | 0:44:51 | |
That is really dangerous! | 0:44:51 | 0:44:55 | |
Get one of those in your eye, it could pop like a ping-pong ball. | 0:44:55 | 0:44:58 | |
It's not funny. That hurts. | 0:44:58 | 0:45:01 | |
I expect more from some of you. | 0:45:04 | 0:45:07 | |
-(SNAP!) -(GASPS) | 0:45:09 | 0:45:11 | |
(SCREAMS) | 0:45:12 | 0:45:14 | |
Gordon, you've got to be still. | 0:45:16 | 0:45:18 | |
Steve, get on the other side. Quick. | 0:45:18 | 0:45:21 | |
-Be still. -(SCREAMS) Get it off! | 0:45:21 | 0:45:24 | |
-You have to stop moving. -(SCREAMS) | 0:45:24 | 0:45:27 | |
-(JAWS CREAK OPEN/SNAP SHUT) -(SCREAMS) -Pull your leg out. | 0:45:27 | 0:45:30 | |
Pull your leg out. | 0:45:32 | 0:45:34 | |
-Now! Pull it now! -Pull your leg out now! | 0:45:34 | 0:45:38 | |
-(SNAPS) -(SCREAMS) | 0:45:37 | 0:45:39 | |
-Now! -(SNAPS) | 0:45:43 | 0:45:45 | |
-You fucking idiot! -All right, for fuck's sake! -We'll get you out. | 0:45:45 | 0:45:49 | |
(SCREAMS) | 0:45:49 | 0:45:51 | |
Pull it out! Pull it out now! | 0:45:51 | 0:45:54 | |
-(CREAKS OPEN/SNAPS SHUT) -(SCREAMS) | 0:45:54 | 0:45:57 | |
Pull it! | 0:45:57 | 0:45:59 | |
(SCREAMS) | 0:46:00 | 0:46:02 | |
-(WHIMPERS) -God! | 0:46:04 | 0:46:08 | |
-Gordon. -Shit! | 0:46:08 | 0:46:09 | |
-(SCREAMS HYSTERICALLY) -(WHIMPERS) | 0:46:09 | 0:46:12 | |
We gotta stop the bleeding. Billy, give me your belt. | 0:46:12 | 0:46:15 | |
You're gonna be OK. You have to calm down for me, Gordon! Calm down! | 0:46:15 | 0:46:20 | |
We're gonna stop the bleeding. | 0:46:20 | 0:46:23 | |
(SCREAMS) | 0:46:22 | 0:46:26 | |
-(CRUNCH!) -(WHIMPERS) | 0:46:27 | 0:46:29 | |
They're everywhere. | 0:46:29 | 0:46:32 | |
What the fuck's going on here? | 0:46:33 | 0:46:36 | |
Billy, hold his hand! | 0:46:36 | 0:46:39 | |
-Can you help me...? -(SCREAMS) What are you doing?! | 0:46:40 | 0:46:44 | |
-(SCREAMS) -Richard, help me hold him! | 0:46:44 | 0:46:47 | |
-(GORDON WHIMPERS) -Steve! | 0:46:47 | 0:46:49 | |
We're gonna be OK. | 0:46:54 | 0:46:56 | |
-All right, people, get on the coach. -Stop! Don't move! | 0:46:56 | 0:47:00 | |
-What the fuck happened?! -Bear traps, they're everywhere. | 0:47:00 | 0:47:03 | |
Someone killed the driver. | 0:47:03 | 0:47:05 | |
-The driver's dead? -Just get on the coach. | 0:47:05 | 0:47:08 | |
-Somebody help us, please! -What are we gonna do? | 0:47:08 | 0:47:11 | |
-He could be watching us. -Jill, you're not helping! | 0:47:11 | 0:47:14 | |
-What do we do with his leg? -We need to keep it cold. | 0:47:14 | 0:47:17 | |
-There's a fridge on the coach. -That's great, thank you. | 0:47:17 | 0:47:20 | |
Oh, you're shitting me! | 0:47:20 | 0:47:23 | |
Ugh! | 0:47:34 | 0:47:36 | |
Ohhh! | 0:47:39 | 0:47:41 | |
Ohhh! | 0:47:42 | 0:47:44 | |
Come on! | 0:47:50 | 0:47:52 | |
-Come on! -All right! All right! For fuck's sake! | 0:47:54 | 0:47:58 | |
-Faster! -It's going as fast as it can. | 0:48:05 | 0:48:09 | |
I need something to cover his leg. | 0:48:08 | 0:48:12 | |
Harris, slow down. I think you're going too fast. | 0:48:11 | 0:48:15 | |
Someone give me something to cover his leg, for fuck's sake! | 0:48:15 | 0:48:18 | |
(JINGLES) | 0:48:19 | 0:48:21 | |
(BANG/TYRES SCREECH) | 0:48:26 | 0:48:28 | |
-Shit! -(SCREAM) | 0:48:28 | 0:48:30 | |
(ENGINE CONTINUES TO REV) | 0:48:59 | 0:49:01 | |
(GROANS) | 0:50:21 | 0:50:23 | |
Jill? | 0:50:25 | 0:50:27 | |
(GROANS) | 0:50:29 | 0:50:31 | |
(GLASS CRUNCHES) | 0:50:42 | 0:50:47 | |
Oh, shit! | 0:50:53 | 0:50:54 | |
(SQUELCHES) | 0:50:54 | 0:50:56 | |
(SQUELCHES) | 0:51:57 | 0:52:00 | |
(WHIMPERS) | 0:52:15 | 0:52:17 | |
(SHORT, SHARP BREATHS) | 0:52:19 | 0:52:22 | |
I think I've broken my arm. | 0:52:52 | 0:52:55 | |
(SPITS/COUGHS) | 0:52:55 | 0:53:00 | |
(SIGHS) Billy. | 0:53:01 | 0:53:05 | |
Jill? | 0:53:14 | 0:53:17 | |
We've got to head back to the lodge. | 0:53:21 | 0:53:23 | |
We've got to find Jill. Jill! | 0:53:25 | 0:53:30 | |
(SHOUTS) Jill! | 0:53:30 | 0:53:32 | |
(WHISPERS) Keep your voice down. | 0:53:32 | 0:53:34 | |
Someone's killed Harris. Who's to say he didn't kill Jill as well? | 0:53:34 | 0:53:40 | |
Now, we head back to the lodge | 0:53:40 | 0:53:44 | |
and we lock ourselves in till morning and then we walk. | 0:53:44 | 0:53:46 | |
Where? | 0:53:46 | 0:53:48 | |
I don't know. | 0:53:48 | 0:53:50 | |
-I'm glad we got that sorted(!) -Hey! | 0:53:50 | 0:53:53 | |
Unless you have a better idea, we go back to the lodge. | 0:53:53 | 0:53:55 | |
(HUNGARIAN MUSIC) | 0:53:55 | 0:53:59 | |
(MUFFLED WHIMPERS) | 0:54:03 | 0:54:06 | |
(SPEAKS HUNGARIAN) | 0:54:24 | 0:54:28 | |
Palisade. | 0:54:33 | 0:54:35 | |
(SCREAMS) | 0:54:46 | 0:54:49 | |
(SPLUTTERS) | 0:54:49 | 0:54:51 | |
(LAUGHS MENACINGLY) | 0:55:13 | 0:55:16 | |
(FLAMES ROAR) | 0:55:20 | 0:55:22 | |
Let's put him down. | 0:55:22 | 0:55:25 | |
We need to lock ourselves in. Lock everything. | 0:55:28 | 0:55:31 | |
-This is bollocks. Fucking bollocks. -We're safer in here! | 0:55:31 | 0:55:35 | |
I'm not waiting for him to turn up. It's fucking madness! | 0:55:35 | 0:55:38 | |
What do you suggest we do with him? | 0:55:38 | 0:55:40 | |
-I'll carry him myself if I have to. -Keep your voices down. | 0:55:40 | 0:55:43 | |
-What if the stories were true? -Well, mine wasn't. -What stories? | 0:55:43 | 0:55:47 | |
They were asylums. Someone escaped, someone who knows we're Palisade. | 0:55:47 | 0:55:52 | |
-How would they know that? -The bus, it's not exactly subtle. | 0:55:52 | 0:55:55 | |
Those stories are nonsense. Who told you? Jill? Harris? | 0:55:55 | 0:55:58 | |
Do you know how many conspiracies I hear regarding weapons companies? | 0:55:58 | 0:56:01 | |
-No, how many? -I'll tell you how many I believe. None. | 0:56:01 | 0:56:05 | |
We're a public company. Members of our governments are on the board. | 0:56:05 | 0:56:09 | |
They won't do anything immoral. | 0:56:09 | 0:56:12 | |
Arguing is not gonna help us out. OK? | 0:56:14 | 0:56:17 | |
You said you wanted us to work as a team, now is the time to start. | 0:56:17 | 0:56:22 | |
Just help me get some wood. We need to board ourselves in. All right? | 0:56:22 | 0:56:28 | |
-With what? -I don't know. Check Gordon's bag. | 0:56:28 | 0:56:31 | |
He's not gonna have a hammer and nails in there, is he? | 0:56:31 | 0:56:34 | |
Oh, for fuck's sake! | 0:56:39 | 0:56:42 | |
Good boy. | 0:56:57 | 0:56:59 | |
I've got some pills. | 0:57:06 | 0:57:09 | |
-What kind of pills? -Ecstasy. | 0:57:09 | 0:57:13 | |
-Great. Have a party. -No, not for me, for him. | 0:57:13 | 0:57:18 | |
What do you mean? | 0:57:18 | 0:57:20 | |
They're not gonna get him up tap dancing, but it'll take the edge off. | 0:57:20 | 0:57:25 | |
(SHUDDERS) | 0:57:25 | 0:57:27 | |
OK. | 0:57:30 | 0:57:31 | |
Gordon. | 0:57:31 | 0:57:33 | |
-Take one. It'll sort you out. -I don't do drugs. | 0:57:36 | 0:57:40 | |
It's OK, sweetheart, these are painkillers. | 0:57:40 | 0:57:43 | |
-They're gonna make you feel better. -Just take one. | 0:57:43 | 0:57:46 | |
Here. Here you go. Here you go. | 0:57:46 | 0:57:50 | |
You all right? | 0:58:06 | 0:58:09 | |
I'm sorry about earlier. Flaring up and all that. | 0:58:10 | 0:58:14 | |
You were OK. | 0:58:14 | 0:58:16 | |
Listen, I wanna say something to you. | 0:58:20 | 0:58:23 | |
Sometimes I act like an idiot, you know. | 0:58:23 | 0:58:28 | |
I say things when I shouldn't and, er... | 0:58:28 | 0:58:32 | |
Shit! I've left Gordon's foot on the the coach. | 0:58:32 | 0:58:35 | |
I'm sorry, mate. | 0:58:38 | 0:58:41 | |
I love you, Maggie. | 0:58:46 | 0:58:49 | |
-Of course you do. -No, seriously. I mean it. | 0:58:49 | 0:58:53 | |
I really mean it. | 0:58:53 | 0:58:56 | |
-It's just the drugs, Gordon. -No, it's not the drugs. | 0:58:56 | 0:58:59 | |
I really, really, really love you. | 0:58:59 | 0:59:04 | |
And I loved Jill. | 0:59:04 | 0:59:06 | |
I really, really, really loved Jill. | 0:59:06 | 0:59:09 | |
-Steve, have you got any downers? -Not my thing. | 0:59:09 | 0:59:12 | |
(FADES) Maggie. Maggie, have I told you that I love you? | 0:59:12 | 0:59:16 | |
(THUNDER RUMBLES/RAIN PATTERS) | 0:59:17 | 0:59:19 | |
-Where are you going? -Toilet. | 0:59:20 | 0:59:23 | |
Can't you hold on? | 0:59:23 | 0:59:26 | |
No. | 0:59:27 | 0:59:29 | |
Don't worry, I'll be right back. | 0:59:32 | 0:59:35 | |
(FOOTSTEPS ON STAIRS) | 0:59:38 | 0:59:41 | |
If we don't get him to a hospital, he's gonna die. | 0:59:52 | 0:59:55 | |
(TRICKLE OF WATER) | 0:59:55 | 0:59:58 | |
(TOILET FLUSHES) | 1:00:13 | 1:00:16 | |
I think maybe... we should leave him. | 1:00:25 | 1:00:30 | |
What are you saying? | 1:00:33 | 1:00:36 | |
I think our best chance for survival | 1:00:38 | 1:00:40 | |
is if the four of us get to the main road and get help. | 1:00:40 | 1:00:44 | |
And I think it's Gordon's best shot as well. | 1:00:47 | 1:00:50 | |
-I think you're right. I think we should go. -Go where? | 1:00:50 | 1:00:55 | |
(SCREAMS) | 1:01:06 | 1:01:07 | |
(PIERCING SCREAM) | 1:01:07 | 1:01:09 | |
-What's happened? -This door was locked. | 1:01:12 | 1:01:17 | |
Gordon? | 1:01:19 | 1:01:21 | |
-Gordon? -Billy, be quiet! | 1:01:23 | 1:01:26 | |
(GASPS/KNIFE SCRAPES/KNIFE BANGS) | 1:01:52 | 1:01:56 | |
(FLIES BUZZ) | 1:02:17 | 1:02:20 | |
-(WINGS FLAP/SCREECHES) -(SCREAMS) | 1:02:24 | 1:02:27 | |
(SCREAMS) | 1:02:27 | 1:02:30 | |
-Conspiracies?! -(BANG) | 1:03:11 | 1:03:15 | |
We should go back upstairs. | 1:03:18 | 1:03:21 | |
(GUNSHOT) | 1:03:41 | 1:03:43 | |
-(DOOR SLAMS) -Maggie?! | 1:03:50 | 1:03:52 | |
(GASPS) | 1:04:19 | 1:04:21 | |
(SOBS) | 1:04:42 | 1:04:44 | |
Richard? | 1:04:57 | 1:04:59 | |
'Richard?' | 1:05:03 | 1:05:05 | |
(DOOR BANGS) | 1:05:17 | 1:05:19 | |
(GROANS) | 1:05:27 | 1:05:29 | |
(DOOR RATTLES) | 1:05:30 | 1:05:33 | |
(HEAVY FOOTSTEPS) | 1:06:00 | 1:06:02 | |
(PANTS) | 1:06:27 | 1:06:29 | |
-(CLICK!) -Fuck! | 1:06:38 | 1:06:40 | |
(HEAVY FOOTSTEPS) | 1:06:46 | 1:06:48 | |
(CRASH!) | 1:06:50 | 1:06:52 | |
(CRASH!) | 1:07:45 | 1:07:46 | |
(GUN CLICKS) | 1:07:51 | 1:07:52 | |
(GROANS) | 1:07:53 | 1:07:55 | |
-(GUNSHOT) -Jesus! | 1:08:11 | 1:08:13 | |
Yeah, well,... (PANTS) | 1:08:15 | 1:08:18 | |
I'd hate to be accused of not killing him when I had the chance. | 1:08:18 | 1:08:22 | |
Well,... I think you'll be all right there. | 1:08:23 | 1:08:27 | |
Come, come. | 1:08:36 | 1:08:38 | |
(GUN CLICKS) | 1:08:50 | 1:08:53 | |
-Don't you fucking move! -(SPEAKS HUNGARIAN) | 1:09:04 | 1:09:08 | |
-We got a problem. -Yeah? No shit(!) | 1:09:08 | 1:09:10 | |
We got another problem, that was our last bullet. | 1:09:10 | 1:09:13 | |
Put your fucking guns down! | 1:09:13 | 1:09:16 | |
Put your guns down or I'll blow your motherfucking balls off! | 1:09:16 | 1:09:20 | |
(SHOUTING IN HUNGARIAN) | 1:09:21 | 1:09:24 | |
(WHISPER) | 1:09:46 | 1:09:49 | |
(WHISPERS) Let's go! | 1:09:56 | 1:09:58 | |
Stop. STOP! | 1:10:03 | 1:10:06 | |
-What are you doing? -Don't move. The place is mined. | 1:10:06 | 1:10:10 | |
-How do you know? -I'm standing on one. | 1:10:10 | 1:10:13 | |
CRM Platoon Buster. One of ours. | 1:10:15 | 1:10:18 | |
-Oh, shit. -Yeah. | 1:10:18 | 1:10:20 | |
-(MIMICS EXPLOSION/LAUGHS) -(DISTANT VOICES) | 1:10:20 | 1:10:23 | |
Where's Billy? | 1:10:23 | 1:10:27 | |
(VOICES, CLOSER NOW) Richard, they're coming. | 1:10:27 | 1:10:31 | |
All right, follow my footsteps, then jump to the trees. | 1:10:31 | 1:10:37 | |
Go. | 1:10:41 | 1:10:44 | |
Come on. | 1:10:44 | 1:10:47 | |
Hey, come on! (ROARS) Come on! | 1:10:49 | 1:10:54 | |
Over here! Come on! | 1:11:04 | 1:11:07 | |
(SPEAKS HUNGARIAN) | 1:11:10 | 1:11:13 | |
(SPEAKS HUNGARIAN) | 1:11:16 | 1:11:21 | |
(THEY LAUGH) | 1:11:27 | 1:11:29 | |
(LAUGHS) You're laughing at me? | 1:11:29 | 1:11:31 | |
You won't be fucking laughing when I take my foot off this. | 1:11:31 | 1:11:34 | |
# Yo, pretty ladies, around the world | 1:12:06 | 1:12:10 | |
# Got a weird thing to show you so tell all the boys and girls | 1:12:10 | 1:12:14 | |
# Tell your brother, your sister and your mama too | 1:12:14 | 1:12:18 | |
# Cos they're about to throw down and you'll know just what to do | 1:12:18 | 1:12:22 | |
# Wave your hands in the air like you don't care | 1:12:22 | 1:12:26 | |
# Glide by the people as they stop to look and stare # | 1:12:26 | 1:12:30 | |
Hey! Maggie, Steve. Where the hell've you been? | 1:12:30 | 1:12:33 | |
Are you Mr Steve? We are Nadia and Olga from the escort agency. | 1:12:33 | 1:12:38 | |
(SPEAKS URGENTLY IN HUNGARIAN) | 1:12:43 | 1:12:46 | |
Yeah, come on, everybody. Why not? Be my fucking guest. | 1:13:02 | 1:13:07 | |
(SPITS) | 1:13:07 | 1:13:09 | |
-Is this where we are? -Whoa. What are you doing? | 1:13:11 | 1:13:15 | |
-Have you been to the lake? -Yes. -Are there boats? -Yes. | 1:13:15 | 1:13:18 | |
Leave your shit and follow us. | 1:13:18 | 1:13:22 | |
Ready? | 1:13:29 | 1:13:31 | |
Yeah. | 1:13:39 | 1:13:40 | |
(LOUD EXPLOSION) | 1:13:44 | 1:13:46 | |
Would someone please tell me what the fuck is going on?! | 1:13:49 | 1:13:54 | |
George, | 1:13:57 | 1:13:58 | |
there are about five seriously sick fuckers coming our way to kill us. | 1:13:58 | 1:14:02 | |
So you can either help us or fuck off. | 1:14:02 | 1:14:05 | |
When you say sick fuckers, what do you mean? Terrorists? | 1:14:05 | 1:14:10 | |
-Call 'em what you want. -Come on. Let's go! | 1:14:10 | 1:14:13 | |
Hold it. No-one is going anywhere. | 1:14:13 | 1:14:15 | |
I've been waiting to demonstrate this for a while. | 1:14:15 | 1:14:18 | |
You stamp "terrorist" on it, and I'll kill it. | 1:14:22 | 1:14:26 | |
-Wait till they get a load of this. -Sweet! | 1:14:27 | 1:14:30 | |
# "Stars and Stripes Forever" - John Philip Sousa | 1:14:29 | 1:14:34 | |
Are those the little bastards? | 1:14:33 | 1:14:36 | |
-All right, get back. -(GUN BEEPS) | 1:14:37 | 1:14:40 | |
(THUNDEROUS EXPLOSION) | 1:14:53 | 1:14:55 | |
(SPEAK HUNGARIAN) | 1:15:10 | 1:15:13 | |
(SCREAMS) | 1:15:17 | 1:15:18 | |
Steve? | 1:15:23 | 1:15:24 | |
'Steve!' | 1:15:26 | 1:15:28 | |
-(ROPE WHIPS) -(SCREAMS) | 1:15:29 | 1:15:32 | |
(GASPING CRY) Steve! | 1:15:32 | 1:15:37 | |
-Where are you? -(SCREECHES) Steve! | 1:15:37 | 1:15:41 | |
-Maggie? -I'm in some kind of trap! | 1:15:41 | 1:15:46 | |
(THUD!) | 1:15:49 | 1:15:49 | |
< Steve, he's coming! | 1:16:09 | 1:16:11 | |
Oh, my God! | 1:16:14 | 1:16:17 | |
No! | 1:16:17 | 1:16:19 | |
Ah. Ahh. | 1:16:31 | 1:16:34 | |
(ROARS) | 1:16:35 | 1:16:39 | |
No! | 1:16:55 | 1:16:56 | |
God! (SCREAMS) Steve! | 1:16:58 | 1:17:02 | |
Steve! No! | 1:17:02 | 1:17:07 | |
-(SQUELCH) -(SCREAMS) | 1:17:19 | 1:17:21 | |
Please! | 1:17:29 | 1:17:32 | |
(SOBS) Please! | 1:17:32 | 1:17:35 | |
Hey! | 1:17:42 | 1:17:44 | |
Get off me! | 1:17:51 | 1:17:53 | |
(THUD!) | 1:17:58 | 1:17:59 | |
(SCREAMS) | 1:18:11 | 1:18:14 | |
(GROANS) | 1:18:14 | 1:18:16 | |
(ROARS) | 1:18:49 | 1:18:51 | |
(SQUELCH) | 1:19:08 | 1:19:10 | |
(GROANS/TOOTH CRUNCHES) | 1:19:10 | 1:19:13 | |
(ROARS) | 1:19:15 | 1:19:18 | |
(MUTTERS) | 1:19:27 | 1:19:30 | |
'Steve!' | 1:19:42 | 1:19:45 | |
'Steve!' | 1:19:45 | 1:19:48 | |
-This is gonna hurt. -(GROANS) | 1:19:53 | 1:19:57 | |
(SHRIEKS) Steve! | 1:19:57 | 1:19:59 | |
Steve! | 1:20:01 | 1:20:04 | |
Steve! | 1:20:04 | 1:20:06 | |
(WATER TRICKLES/BIRDS CHIRP) | 1:20:08 | 1:20:12 | |
(PANTS) | 1:20:29 | 1:20:31 | |
(SCREAMS) | 1:20:41 | 1:20:43 | |
(PANTS) | 1:20:51 | 1:20:53 | |
(LAUGHS) | 1:20:56 | 1:20:58 | |
(THUD!) | 1:21:05 | 1:21:07 | |
(THUD!) | 1:21:11 | 1:21:13 | |
"(DIALLING TONE)" | 1:22:50 | 1:22:52 | |
"(SPEAKS HUNGARIAN)" | 1:22:57 | 1:23:00 | |
Hello? Hello? Do you speak English? | 1:23:00 | 1:23:04 | |
-"English?" -Yes. I need you to send help. | 1:23:04 | 1:23:09 | |
-I need help. -"Please hold." | 1:23:09 | 1:23:11 | |
"(MUSIC PLAYS)" | 1:23:11 | 1:23:14 | |
"(MUSIC STOPS)" | 1:23:37 | 1:23:39 | |
-"(MUSIC STARTS AGAIN)! -(GROANS) | 1:23:40 | 1:23:44 | |
(FLAMES ROAR) | 1:24:28 | 1:24:31 | |
(CRUNCH!) | 1:24:39 | 1:24:41 | |
(GROANS) | 1:24:41 | 1:24:43 | |
Come on, then, you fuck! | 1:25:07 | 1:25:11 | |
(GUNSHOTS) | 1:25:11 | 1:25:14 | |
(PANTS) | 1:25:26 | 1:25:30 | |
(SOBS) | 1:25:41 | 1:25:43 | |
(LAUGHS HYSTERICALLY) | 1:26:03 | 1:26:06 | |
Foursome? | 1:26:58 | 1:27:00 | |
# We'll meet again | 1:27:11 | 1:27:15 | |
# Don't know where | 1:27:15 | 1:27:17 | |
# Don't know when | 1:27:17 | 1:27:20 | |
# But I know we'll meet again | 1:27:20 | 1:27:24 | |
# Some sunny day | 1:27:24 | 1:27:28 | |
# Keep smiling through | 1:27:31 | 1:27:34 | |
# Just like you always do | 1:27:34 | 1:27:40 | |
# Till the blue skies light the dark clouds far away | 1:27:40 | 1:27:47 | |
# So will you please say hello | 1:27:49 | 1:27:53 | |
# To the folks that I know? | 1:27:53 | 1:27:56 | |
# Tell them I won't be long | 1:27:56 | 1:28:00 | |
# You'll be happy to know | 1:28:00 | 1:28:03 | |
# That as you saw me go | 1:28:03 | 1:28:06 | |
# I was singing this song | 1:28:06 | 1:28:11 | |
# We'll meet again | 1:28:11 | 1:28:15 | |
# Don't know where | 1:28:15 | 1:28:17 | |
# Don't know when | 1:28:17 | 1:28:20 | |
# But I know we'll meet again | 1:28:20 | 1:28:24 | |
# Some sunny day | 1:28:24 | 1:28:28 | |
(SPEAKS) We'll meet again. | 1:28:32 | 1:28:34 | |
Don't know where, don't know when. | 1:28:35 | 1:28:40 | |
But I know we'll meet again | 1:28:42 | 1:28:44 | |
some sunny day. | 1:28:44 | 1:28:47 | |
# We'll meet again | 1:28:51 | 1:28:55 | |
# Don't know where | 1:28:55 | 1:28:58 | |
# Don't know when | 1:28:58 | 1:29:01 | |
# But I know we'll meet again some sunny day. # | 1:29:01 | 1:29:04 | |
E-mail [email protected] | 1:29:04 | 1:29:07 |