The Boys and Girl from County Clare


The Boys and Girl from County Clare

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This programme contains strong language

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FIDDLE PLAYS

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One, two.

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FIDDLE PLAYS

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Back in a few days, love, all right?

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Mind yourself, and don't get carried away in the shops. I'm not made of money.

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Course, love.

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Jimmy, you bring that trophy back and I'll get a place ready for it on top of the telly.

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And take it handy with the car!

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It's not paid for yet!

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How are you lads? All right?

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CEILIDH MUSIC PLAYS

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Whoa, whoa. Hold it!

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Whoa, whoa. Hold it, hold it!

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What the...?

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You, Louis fucking Strongarm.

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-Who, me?

-Yes, you, you pillock.

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-What the fucking hell do you think you're doing?

-Playing a tune?

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You were playing jazz. In case you haven't noticed, this is a ceilidh band.

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There's no fucking jazz in ceilidh music. Play the tune.

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I was playing the tune.

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No, you weren't, you were playing AROUND the tune.

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There's a difference.

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Stick to the melody.

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Just adding a bit of spice.

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It doesn't need spice.

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You want spice, go down to a curry house.

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This is the last practice before we get on the ferry. So I would appreciate a bit of concentration.

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It's gonna be rough out there, and I don't just mean the Irish Sea. The competition is gonna be good.

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-Sorry, Jim.

-You don't understand, son.

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We're not playing games here, this is serious stuff.

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I just wanna play music, Jimmy.

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It's all I've ever wanted to do.

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And play music you shall, son. You're a brilliant musician, one of the best I've ever heard.

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But we're not playing jazz, leave that to The Beatles.

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Right. From the top, maestros.

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Clive, are you ready?

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Go on, our Jimmy.

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I'll be there in a minute.

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For fuck's sake.

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CEILIDH MUSIC PLAYS

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CEILIDH MUSIC PLAYS

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That's grand.

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Well, it's a start, anyway.

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-Pint, Patsy, please.

-Right, John Joe.

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Beautiful playing, Annie.

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John Joe?

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-What now, Pat.

-What am I doing wrong?

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-Apart from playing the accordion? Nothing.

-Must be something.

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You never remark on my playing like you do Anne's.

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Her music comes from the gods.

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Yours, however, like mine, is significantly more earthbound.

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No remarks necessary.

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Why do we only play Clare tunes? Why can't we mix it up a bit?

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Because we're musicians from County Clare.

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ACCORDION PLAYS

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We won't play any polkas?

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I'll put your balls in that thing and slap it shut. Let's just stick to the sets we know.

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Leave Kerry tunes to the Kerrymen. Our stuff was good enough to win last year.

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It'll be good enough to win this year.

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I heard maybe there's a band coming from Liverpool to compete this year?

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Well, then again, maybe there isn't.

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For fuck's sake. You're not driving your old man's zimmer frame.

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-Drop the fucking piano.

-Can't drop the fucking piano from the van without telling me.

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-Piss off, Roger. Step on it.

-Be there quicker than you can say gnat's knickers.

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Careful, you'll miss the turn for the ferry. There, there! Turn!

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TYRES SCREECH

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Knickers!

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Make sure they don't make it on time.

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-There's your money.

-Consider it done.

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Powers Gold Label, please.

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Large.

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Lads? Gents?

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Lads? A moment? Lads, lads.

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Just so you know, we are going to bring back something special from this trip.

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Yeah, Terry's virginity, still intact.

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The Irish Ceilidh Band trophy.

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Eh, Jimmy? Do you really think we're gonna win?

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Put it this way, Roger. If we lose, you're all walking home.

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Lex? Is he serious?

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-About what?

-You know, us walking home if we lose?

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Didn't you bring your swimming togs?

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CAT MEOWS

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Here, puss. Puss, puss, puss?

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Johnny? Johnny cat, where are you?

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Where are you? Puss, puss, puss?

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Ah, there you are.

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Piss on your own bed, you mouldy whore.

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How long's it been?

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More than 20 years.

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You've done well, Finch.

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Aye, that's why I left - to move meself up in the world.

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20 years!

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It's a long time.

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Aye, a long time.

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I'll bet nothing's changed.

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Well, we'll see, won't we?

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-Fancy a drink?

-No.

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No, I'll just finish this and put me head down.

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But you go ahead, enjoy yourself.

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Oh, and, er, keep an eye on the lads, make sure they don't drink too much.

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-No problem there, Jimmy. They're a good bunch.

-Aye, even so.

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We need to be at our best.

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You set an example.

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Know what you mean, Jimmy.

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Right you are.

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The sink. In the sink.

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Oh, fuckin' hell!

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-Fuckin' seasick!

-Oh, yeah, everyone gets that after 20 pints, George.

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-All right?

-Yeah.

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There's never any bloody soap when you need it.

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Oh, Jesus Christ.

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Oh...

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Rather you than me.

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Oh...

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HE SNORES

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-Morning, lads. Did you sleep well?

-Oh, luxurious accommodation, Jimmy.

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Here, I'll have that. Get yourself another one.

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-Oh! Morning, Rog.

-Morning!

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-Sleep?

-Like a baby.

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Mm.

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-Rog?

-Mm-hm?

-I rescued these for you last night, mate. Remember?

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They're not mine.

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No. I got mine.

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-What's the matter with him?

-I know...

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CAT MEOWS

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TANNOY: 'Welcome to the Republic of Ireland. We're now at Dun Laoghaire...'

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Customs, sir. Pull over there.

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What do you mean, "pull over"?

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Morning, sir. Morning.

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-Have you anything to declare?

-No, nothing. We're just visiting.

-Visiting. Aye, I see, sir.

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-And, er, what's the purpose of your visit?

-The all-Ireland finals.

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Football or hurling?

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Music!

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-Pillock!

-You would have musical instruments with you, then, sir?

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Well, of course we have instruments!

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-How do you think we'll play music without fucking instruments?

-I'm only doing my job, sir.

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Y'see, we got a report of stolen instruments.

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-I'm afraid I'm going to have to ask you to unload everything.

-Unload everything?!

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That's right, sir, everything.

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And if you'd bring it in there.

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That's if you don't mind.

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We're fucked now.

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SHIP HORN BLARES

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-Morning, Sean.

-John Joe!

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VAN HORN BLARES

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-Tell me you bring good fortune, Sean.

-Would I let you down, John Joe, huh?

-The cream of rejection.

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-Would have been a long, dry weekend without it.

-Who d'you know in Africa?

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-Africa?

-Aye.

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Nobody.

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Come on, John Joe.

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Time to go!

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-Better be off.

-Good luck.

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Aye, it's in the bag.

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I always thought he was good at getting round this official stuff.

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You don't become a millionaire building contractor by not knowing how to grease palms.

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All right.

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Nearly an hour without a word from you.

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What's the matter?

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The usual.

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She treats me like some precious Ming vase.

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She only wants the best for you.

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I'll never meet anyone!

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Of course you will.

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That's them.

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Do you ever get lonely, John Joe,

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-living on your own?

-Lonely, me? No.

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Far too busy.

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Y'know, with the farm and the music.

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Yeah, but all the same, did you never think of marrying when you were younger?

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When I was younger?

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-I can hardly remember what I did last night, never mind when I was younger.

-Did you never fancy my mam?

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You both seem very close.

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Any man would.

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She's a beautiful woman.

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She passed it on.

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You always say nice things to me.

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-Hey, Michael! We should break the journey. We've plenty of time.

-Right, so.

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Nice to be home again, Jimmy?

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Well, put it this way, Johnny. I'll be happy when I'm back on the ferry with a trophy in me hand.

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Ah, look on the bright side.

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It's a sunny day, we're men of the open road with nobody wanting to know what time

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we're going to be home, nobody nagging, nobody telling you you've had enough to drink, nobody...

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Nobody telling you to shut the fuck up and watch the road. Well, come on, Jimmy Shand.

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We have to be there in time for registration.

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CLOCK TICKS

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We should be going. We haven't much time to spare if we want to make the registration.

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Aye, you're probably right there, Michael. Thank you, missus.

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Thank you very much. It was a lovely pint.

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DUCKS QUACK

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-I'm telling you, you need a fucking hammer.

-I wouldn't need a fucking hammer if you knew how to drive.

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A couple of belts with a hammer would straighten it up.

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Whoa, look!

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Cows! Great!

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Never seen cows before.

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This is great!

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If you've never seen 'em before, how d'you know they're cows?

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I don't understand it. They were on the bus when we parked.

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We were only in here two hours. Who'd want four wheels?

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What time is it? Oh, God, it's twenty-five to six.

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If we don't register for the competition before eight, we're out.

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You know how strict they are. You'd have to be a priest to get around the rules.

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I do, I do. Hey, missus?

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Is there anywhere around here where we can get four wheels?

0:19:590:20:03

-No.

-Is there a garage handy?

-No.

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Well, that's it. We're out.

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So, what's the story, then?

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Oh, Maisie,

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we're in deep trouble.

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We've about fifty miles to go and we need to register before eight o'clock.

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We'll never make it in time.

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I think we're, like, lost.

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We're musicians.

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-Musicians, you say?

-Yeah.

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Yeah, we all play the bad ron.

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-The bodhran.

-Yeah, the bad ron.

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And I'll bet you know all the tunes.

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We need directions for the music festival.

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And no better man to give them to you.

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I'm a walking map of Ireland.

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If they'd had you two map-reading on D-day, they'd have invaded the fucking Orkneys.

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How hard can it be to find a big fucking town?

0:21:120:21:15

-It's the signposts, Jimmy.

-What's wrong with them?!

-There aren't any!

0:21:150:21:19

Oh, for fuck's sake. Come on, just drive, will you? Go. Go, go!

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TANNOY: 'Pat Flynn, please go to the County Hotel, where his mother is waiting for him?'

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OK, good luck! Thanks for the lift.

0:21:360:21:39

Maybe we can play some tunes together later.

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-Good luck, now.

-Right.

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We've no more rooms available.

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Aye. Just here to register. Cutting it fine.

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No way through here! No way through here! No, no. Stop the vehicle.

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Youse'll be playing tomorrow at two thirty.

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Many people entering?

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Hundreds, counting all the competitions together.

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-How many ceilidh bands are here?

-Fifteen so far.

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Any from, er, Liverpool?

0:22:310:22:33

No.

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Good luck, then.

0:22:350:22:37

-Well, that about does it.

-Where do I register?

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-Am I too late?

-No, just in time.

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What the hell are you doing here?

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Sign here, please.

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Is there a John Joe McMahon here?

0:22:520:22:54

-I'm John Joe McMahon.

-There's a call for you.

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'John Joe? Hello? Hello?'

0:23:080:23:13

-Hello.

-'John Joe?'

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-Who's this?

-'It's Gerry. Your brother is on his way.'

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Don't you think I don't know that?

0:23:200:23:22

-I thought you were supposed to delay him at the customs.

-'Oh, I did, I did, I did!'

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But you don't understand.

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Believe me, I do.

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Delay me at the customs, eh?

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-And I suppose you know nothing about missing bus wheels(!)

-Bus wheels?

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What are you talking about?

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What is the matter with you?

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-Did you think you could beat me fair and square?

-Fair and square?

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And what were you afraid of, huh? Competition!

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Big brother, still worried that I'm better than you are.

0:23:550:24:00

Twenty-four years.

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Twenty-four years and not a word from you.

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Well, at least I made something of meself. And look at the state of that suit, huh?

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I swear it's the same one you went to England in.

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No, it's not.

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That one wore out eight years ago.

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Oh, two suits in twenty years, huh?

0:24:200:24:24

I buy twenty suits a year.

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Ah, who cares?

0:24:260:24:28

That's typical!

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Drag everything down the Bog Road.

0:24:300:24:32

You were jealous then and you're jealous now.

0:24:320:24:36

Well, you're not in the land of twenty suits now.

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You're on my turf.

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It's mine, too, remember?

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Not any more.

0:24:450:24:47

You gave it up to better yourself.

0:24:470:24:50

Well, we'll see how much better you are.

0:24:500:24:52

Because if there's anywhere where twenty suits counts for nothing, it's on the bandstand.

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Do you think the judges or the dancers care about your lapels?

0:24:580:25:03

No, they don't.

0:25:030:25:05

It's about the music.

0:25:050:25:08

And you had bad rhythm then, and I'll bet you have bad rhythm yet.

0:25:080:25:12

I do not!

0:25:120:25:14

If you think you can just turn up after all these years and become

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Yehudi Paganini, then you've another thing coming.

0:25:180:25:21

Alberto Paganini. And you know full well this isn't just about the music.

0:25:220:25:28

Well, we'll see about that.

0:25:310:25:33

-How did you give the missus a miss?

-I said I was coming...

0:25:400:25:43

Here, Jimmy!

0:25:430:25:45

Total success, boss.

0:25:450:25:47

We robbed the wheels off the minibus. They're stuck miles away!

0:25:470:25:51

You fuckin' eejits.

0:25:520:25:55

You're fired!

0:25:550:25:57

TRADITIONAL MUSIC PLAYS

0:25:590:26:02

Hey! Hey! See you in the pub!

0:26:180:26:20

TRADITIONAL MUSIC PLAYS

0:26:290:26:34

So we were lucky, really.

0:26:360:26:38

Got the four wheels for £20. They're as good as my own.

0:26:380:26:41

We're very lucky.

0:26:410:26:43

They WERE your own wheels, Michael.

0:26:430:26:45

My own wheels? I don't understand.

0:26:470:26:49

It was Jimmy. He'd organised it.

0:26:490:26:52

How d'you know that?

0:26:520:26:54

-Because he's my brother.

-Jimmy?

0:26:540:27:00

Jimmy's here?

0:27:000:27:03

-He is. Yes, he is.

-Oh.

0:27:030:27:07

Ah, Maisie...

0:27:130:27:14

Maisie?

0:27:220:27:24

Maisie!

0:27:240:27:26

Why didn't you tell me Jimmy was here?

0:27:280:27:31

I didn't really know myself until yesterday.

0:27:310:27:34

I'm going to go home, John Joe.

0:27:340:27:36

But you can't! We need you! The band needs you.

0:27:370:27:40

I don't want to see him.

0:27:400:27:43

Where am I going to get another piano player at this stage?

0:27:450:27:48

-Anne can play. She's far better than I am, anyway.

-Then we'll be short of fiddles.

0:27:480:27:53

Play louder.

0:27:530:27:54

Leaving won't change anything.

0:27:580:28:00

Well, your sister's got the kit now.

0:28:070:28:09

She's always got the kit, though.

0:28:120:28:14

-But promise me you won't bring up the old business.

-All right. I promise.

0:28:160:28:21

Gene Crooper. What a drummer. Oh, the stories I could tell.

0:28:210:28:25

Did you know he played Carnegie Hall?

0:28:250:28:27

It was back in 1940-something.

0:28:270:28:29

What's the matter with you?

0:28:310:28:33

Ah!

0:28:360:28:38

And there I was, thinking football was your only love.

0:28:380:28:41

Come on, Casanova, let's go and show her your flute. Come on.

0:28:450:28:49

-Excuse me, do you mind if we sit in?

-No. Please.

0:28:540:29:00

-So you don't mind us walking you home?

-No.

-Where are you staying?

-My aunt's. Where are you staying?

0:29:200:29:25

A tent just by the river, there. I'm Alex, by the way.

0:29:250:29:28

So you said earlier.

0:29:280:29:29

And the handsome chatterbox there is Terry.

0:29:290:29:32

-You told me.

-We're from Liverpool.

0:29:320:29:35

-And there I was, thinking you were from Bombay(!)

-Bombay!

0:29:350:29:38

The nearest we've been to Bombay is probably the chicken vindaloo at the El Morocco.

0:29:390:29:44

A little Chinese place by the docks.

0:29:440:29:47

-Are you competing this weekend?

-Yes.

0:29:480:29:50

So are we!

0:29:500:29:51

-In the ceilidh band competition?

-Are you?

0:29:510:29:55

Fraternising with the enemy. What will they say?

0:29:560:29:59

-This is where I'm staying.

-Good night.

0:29:590:30:03

Good night, Teddie.

0:30:030:30:04

Night.

0:30:040:30:07

Come on, Romeo, we've got a tent to put up.

0:30:070:30:10

-Is that you?

-Yes.

0:30:150:30:17

-Aunt Fernie.

-Look at you!

0:30:190:30:22

-A picture!

-There's a cup of tea made.

-I think I'll go straight to bed.

0:30:220:30:27

-You're in your usual room.

-Thank you. See you in the morning.

-Good night!

0:30:270:30:31

She looks happy.

0:30:310:30:33

She is beautiful.

0:30:330:30:36

Oh, you've noticed?

0:30:360:30:37

A word of advice - forget it, son, because behind every Irish girl is

0:30:370:30:41

a disapproving mother, who'll put your balls in a mangle if you try to get too close.

0:30:410:30:46

We're only here for a couple of days, so

0:30:460:30:48

go for the foreign birds.

0:30:480:30:50

One look at the length of your flute and you're in!

0:30:500:30:53

Always sex with you, isn't it?! You think of nothing else, don't you?

0:30:530:30:57

Depends on whether Liverpool are playing home or away.

0:30:570:31:00

TANNOY: 'The under-16 fiddle has been moved from the town hall to the priests' house.

0:31:110:31:17

'That's the under 16s, the fiddle, has been moved from the town hall

0:31:170:31:24

'to the priests' house.'

0:31:240:31:26

Ted, Ted, wake up!

0:31:480:31:50

Teddy. Wake up.

0:31:500:31:52

There's a bird swimming naked in the sea. She's in the sea naked!

0:31:540:31:58

Hi.

0:32:130:32:14

Very fucking funny.

0:32:280:32:31

Fine birds. I'm telling you, Ted.

0:32:310:32:34

Fine birds.

0:32:340:32:36

-Morning, Jim.

-Oh, all right?

0:32:450:32:49

You look a bit delicate.

0:32:500:32:52

Bad pint.

0:32:520:32:54

I never touch the stuff myself.

0:32:540:32:56

Top shelf only. Powell's Gold Label.

0:32:560:32:59

The Manchester United of whiskies. Get some breakfast in you, you'll feel better.

0:32:590:33:04

Just in time. What can I get you?

0:33:050:33:07

Just a pint of Guinness.

0:33:090:33:10

It's not good to eat on an empty stomach.

0:33:130:33:15

TANNOY: 'A child has been found.'

0:33:210:33:24

'A little girl called Eva. Grey skirt and a white blouse...'

0:33:250:33:29

Good morning, Teddy.

0:33:410:33:42

Whoa. Oh, good... Whoa, whoa! Ahhhh!

0:33:420:33:46

BOY PLAYS FIDDLE OUT OF TUNE

0:33:590:34:03

Thank you.

0:34:120:34:14

-You did your best. Winning isn't everything.

-They'll be no fecking ice-cream for you!

0:34:140:34:19

TRADITIONAL MUSIC

0:34:510:34:53

I enjoyed playing with you.

0:35:190:35:21

I mean, you know, last night, the music...

0:35:210:35:24

I enjoyed playing with you, too.

0:35:240:35:26

I started on the piano accordion.

0:35:280:35:30

But then we all make mistakes.

0:35:300:35:32

It's what my dad used to play.

0:35:320:35:34

Never knew my father.

0:35:340:35:37

-Did he walk out?

-What makes you say that?

0:35:370:35:40

Well, just because my dad walks out so often that the whole carpet needs replacing twice a month!

0:35:400:35:46

No, my mother never talks about it. It doesn't really matter to me. He'd be like a complete stranger anyway.

0:35:460:35:52

What's it like in Liverpool?

0:35:540:35:56

Same as any dump.

0:35:580:35:59

We've got all the usual things.

0:35:590:36:01

The Beatles, riots...

0:36:010:36:04

What's it like where you're from?

0:36:040:36:06

-It's nice. It's quiet.

-You could never accuse Liverpool of being quiet.

0:36:060:36:11

You should visit some day.

0:36:110:36:13

-I could show you the sights.

-Are there any?

0:36:130:36:16

Not that I know of.

0:36:160:36:18

-Maybe I will.

-It's a date then.

0:36:180:36:21

Oh, my God, what time is it?!

0:36:210:36:24

-It's nearly two.

-We're playing at 2.30pm.

0:36:240:36:26

-Can I see you later?

-If you like.

0:36:260:36:28

Yeah, I do.

0:36:280:36:30

Hello, mate.

0:36:420:36:43

-Did you score?

-It's not like that.

0:36:430:36:46

Oh, no, not love.

0:36:460:36:47

What about you? Did you score?

0:36:470:36:49

-Like Pele, mate.

-Kevin Keegan.

-That hippy girl thinks that I'm the best thing since Sergeant Pepper.

0:36:490:36:55

-Who's Kevin Keegan?

-Liverpool signing from Scunthorpe!

0:36:560:37:00

Scunthorpe? They must be fucking mad.

0:37:000:37:02

-Nothing's come out of their that's any good. What's he like?

-Keegan?

0:37:020:37:06

-No idea. Probably useless.

-What did they give for him?

-Deck chairs.

0:37:060:37:09

Where the hell is she?

0:37:220:37:24

She'll be here. And stop pacing like that, you'll give yourself a heart attack.

0:37:240:37:28

CEILIDH MUSIC

0:37:350:37:38

-Thank God. Where have you been?

-What does it matter? She's here now. I'll talk to you later.

0:37:570:38:03

Ready?

0:38:120:38:13

One, two...

0:38:150:38:16

CEILIDH MUSIC

0:38:160:38:19

So? What's the story, Jimmy?

0:39:520:39:55

Oh, they're good. But we can beat them.

0:39:550:40:00

CHEERING

0:40:000:40:02

Good luck, now.

0:40:070:40:09

Good luck, now! And, remember, winning isn't everything.

0:40:090:40:13

Fuck off!

0:40:130:40:15

Cheeky fucker.

0:40:150:40:18

Pint of red wine!

0:40:200:40:22

-Yeah, that's me.

-What are you all having?

-I'll have a vodka and lemonade. You?

0:40:220:40:26

-Pint, please.

-Two.

0:40:260:40:28

-What are you doing?

-I've taken care of it.

0:40:420:40:45

Listen, lads, I want you to keep it tight and steady, right?

0:40:500:40:54

And you, none of that fucking jazz, do you hear me?

0:40:540:40:57

I'll play it straight, Jimmy, don't worry.

0:40:570:41:00

What the...

0:41:040:41:06

Where the hell did you get that?

0:41:070:41:10

I pinched it back at the Customs.

0:41:100:41:12

My contingency plan.

0:41:120:41:15

Are you mad?

0:41:150:41:18

What were you thinking? Who do you think he's going to blame?!

0:41:180:41:23

HE PLUCKS FIDDLE STRING

0:41:250:41:27

He'll kill me.

0:41:270:41:30

I'm going to fucking kill him.

0:41:300:41:31

Right, lads, we're ready for you.

0:41:330:41:36

-Come on, OK?

-Right then, boys, this is what we've waited for.

0:41:360:41:41

Here! Lend me your fiddle, will you?!

0:41:550:41:58

Fuck off!

0:41:580:41:59

New fiddle, Jim?

0:42:130:42:15

It's a spare.

0:42:150:42:16

-Clive, are you ready?

-Yeah.

0:42:200:42:22

One, two...

0:42:270:42:28

CEILIDH MUSIC

0:42:290:42:32

OUT OF TUNE NOTE PLAYS

0:42:570:42:58

What are you doing?

0:43:130:43:14

You don't take a man's fiddle from its case like that. What were you thinking?

0:43:260:43:31

-I was only trying to help the cause.

-I'll tell you what you can do to help the cause.

0:43:310:43:35

-You can leave town now, before you do any more damage.

-So you feel that way about it?

0:43:350:43:40

Sorry.

0:43:400:43:41

-I'll say no more about it.

-Oh.

0:43:410:43:48

I have something to tell you.

0:43:480:43:49

I want a word with you.

0:43:520:43:53

And before you say anything, it wasn't me, it was him.

0:43:530:43:57

-What?

-Acting for you?!

0:43:570:43:59

Oh, no, I was acting for myself.

0:43:590:44:03

I've already had this out with him.

0:44:030:44:05

-Apologise.

-John Joe, I'm very sorry.

0:44:050:44:08

-Not to me, you eejit, him!

-All right.

0:44:080:44:13

I apologise.

0:44:130:44:15

-That's low. Even for you. Taking a man's fiddle.

-Look, Junior, I've already told you...

0:44:200:44:25

Don't call me that! It's Jimmy.

0:44:250:44:28

You're junior to me.

0:44:280:44:30

And you always will be.

0:44:300:44:32

Besides, it was my fiddle anyway.

0:44:320:44:34

You lost it in a bet, remember?

0:44:340:44:36

Oh, is it a bet you call it?!

0:44:360:44:38

It's not my fault if you're too blind to see the obvious!

0:44:380:44:41

The obvious? And what's that? Going behind your own brother's back?

0:44:410:44:46

You had your chance. She wasn't interested.

0:44:460:44:48

You went behind my back.

0:44:480:44:50

She wasn't spoken for!

0:44:500:44:52

Stop it! Just stop it!

0:44:520:44:54

You promised me, John Joe.

0:45:010:45:02

-I'm sorry, Maisie.

-You promised!

0:45:040:45:06

Hello, Maisie.

0:45:080:45:10

-Jimmy.

-You're looking well.

0:45:160:45:19

-Maisie, I...

-I don't want to hear it.

0:45:270:45:29

Not a word out of you.

0:45:290:45:31

Look at you -

0:45:320:45:34

you're children. You've learned nothing, like two little boys.

0:45:340:45:38

Junior!

0:45:490:45:51

He must be 50 if he's a day.

0:45:510:45:53

Mammy! Mam, hold on! Wait, Mammy.

0:45:540:45:59

-What was all that about?

-Nothing.

0:45:590:46:03

It was stupid of me.

0:46:030:46:05

It all happened a long time ago.

0:46:050:46:07

Is this to do with my father?

0:46:070:46:10

What made you say that?

0:46:100:46:12

I don't know. You never talk about it, I just thought...

0:46:120:46:17

Please, tell me.

0:46:170:46:19

-Has John Joe been telling you things?

-No!

0:46:190:46:22

Mam, tell me, please.

0:46:220:46:26

-It was all a long time ago.

-Please.

0:46:260:46:27

He promised he'd take care of me.

0:46:270:46:30

He didn't keep his promise.

0:46:300:46:33

-That's all.

-Is he my father?

0:46:330:46:36

Is he my father?

0:46:380:46:40

You played great, Anne!

0:46:590:47:00

Pat. Thanks, Pat. You did, too.

0:47:000:47:04

Anne, is everything all right?

0:47:070:47:11

I'm not sure.

0:47:110:47:12

But I think I need a drink.

0:47:140:47:16

Will you take me somewhere?

0:47:160:47:18

Whatever you want.

0:47:180:47:20

I can't believe you're still angry.

0:47:280:47:31

What do you expect?

0:47:310:47:33

Two brothers who up and leave me to run a farm on my own.

0:47:330:47:36

-You could have left as well.

-I did, remember?

0:47:360:47:38

Two weeks hardly counts.

0:47:380:47:40

I would've stayed longer, but for you.

0:47:400:47:42

Are you never gonna forget that?

0:47:420:47:44

Well, how can I?

0:47:440:47:46

I'm reminded of it on a daily basis.

0:47:460:47:48

I know.

0:47:480:47:50

I'm sorry.

0:47:520:47:53

# No nay never, no more Will I play the wild rover

0:47:550:48:01

# No never, no more... #

0:48:010:48:04

-Do you ever hear from Padraig?

-Not a word since he left.

0:48:040:48:07

He's a missionary somewhere. That's about all I know.

0:48:100:48:15

Will the owner of the white van with Patsy's Porcupines written on the side please move it...

0:48:150:48:21

CHATTER AND LAUGHTER

0:48:340:48:37

OK.

0:48:400:48:42

You've a good band.

0:48:420:48:44

Huh!

0:48:440:48:46

-That flute player...

-Teddy?

0:48:460:48:48

Teddy.

0:48:480:48:51

Doesn't get any better than that.

0:48:510:48:53

He's my best player.

0:48:530:48:54

A fucking genius. He'd give the Beatles a run for their money.

0:48:540:48:57

The girl?

0:49:020:49:03

Her name's Anne.

0:49:040:49:06

Anne... Anne.

0:49:070:49:11

-She's good.

-Best I ever heard.

0:49:130:49:15

She's her mother's daughter.

0:49:180:49:20

-What about me?

-Well what about you?

0:49:220:49:25

-Wha...

-No matter what nature might say about it, you've still got bad rhythm.

0:49:260:49:30

-I do not!

-Still speeding up.

0:49:300:49:33

-I am not!

-Yes, you are.

0:49:330:49:35

Jesus!

0:49:350:49:36

Still picking on me after all these years.

0:49:360:49:39

Just stating a fact.

0:49:390:49:41

You may not have noticed, but I'm not wearing short fucking trousers.

0:49:410:49:45

No...but I bet you've 20 pairs at home.

0:49:450:49:49

Come on.

0:50:000:50:01

-Come on.

-No, I'm okay, thanks.

0:50:050:50:07

-I don't really...

-Come on, handsome Teddy.

-No.

0:50:120:50:15

You're no fun any more.

0:50:150:50:17

-Oh!

-No!

-Oh!

0:50:170:50:20

SHE SCREAMS

0:50:200:50:21

Anne! Anne! Anne!

0:50:250:50:27

Anne! Anne!

0:50:300:50:32

Help! Somebody help! Anne!

0:50:380:50:41

Are you looking for me?

0:50:410:50:43

Teddy? Are you looking for me?

0:50:430:50:46

I thought you drowned.

0:50:500:50:52

No, but I did drink a lot of water.

0:50:520:50:56

My knight in dripping armour.

0:50:590:51:01

Oh... Oh my God!

0:51:060:51:08

Will I put the kettle on?

0:51:160:51:18

-Sorry?

-The kettle?

0:51:180:51:21

I'm putting the kettle on.

0:51:210:51:22

What about food? They'll be hungry.

0:51:220:51:25

Eating's the last thing on their minds.

0:51:250:51:27

What's the matter?

0:51:320:51:34

Nothing.

0:51:340:51:35

In the pig's eye...

0:51:380:51:40

I met Jimmy.

0:51:420:51:43

Ah!

0:51:430:51:45

I hit him.

0:51:460:51:47

Hard.

0:51:470:51:50

I might never play the piano again.

0:51:500:51:52

A price worth paying. He deserved it.

0:51:520:51:56

Did he?

0:51:580:52:00

Maybe I expected too much.

0:52:000:52:02

-Expecting honesty?

-We were so young.

0:52:020:52:05

All the more reason not to have left you in the lurch.

0:52:050:52:08

I'll make sandwiches for them.

0:52:130:52:15

Here, I'll help.

0:52:170:52:19

So...is there Mrs Junior?

0:52:200:52:24

Don't call me that.

0:52:240:52:26

It makes me feel old.

0:52:260:52:28

Well, is there?

0:52:280:52:30

There's...four of them.

0:52:310:52:34

Four?!

0:52:340:52:36

Going on five.

0:52:400:52:41

-Five wives?

-Yeah.

0:52:410:52:44

There's no hairs growing on your knees, that's for sure.

0:52:440:52:46

How about you?

0:52:490:52:50

No women left.

0:52:500:52:52

You cornered the market.

0:52:520:52:54

Did you and Maisie never...?

0:52:570:52:59

No.

0:53:000:53:01

No.

0:53:010:53:04

Pat, what now?

0:53:070:53:09

You'll never believe that tunes I've just heard, John Joe. Incredible!

0:53:090:53:12

Really? Well, that's just fine, Pat.

0:53:120:53:14

You can teach them to us back home.

0:53:140:53:16

# No nay never, No nay never no more

0:53:240:53:30

# I will play... #

0:53:300:53:33

What? God, what happened?

0:53:370:53:40

-She had a little too much to drink and fell in the river.

-She did what?

0:53:400:53:43

I'm fine, I just need to change.

0:53:430:53:46

-Oh my God, what...?

-What were you doing?

0:53:460:53:48

Just walking, she tripped and fell.

0:53:480:53:51

-Don't make such a fuss.

-You, go upstairs, now!

0:53:510:53:55

And you, go back to Liverpool with you. You're nothing but trouble.

0:53:550:53:58

-I haven't done anything wrong.

-It's not Teddy's fault.

0:53:580:54:01

If he hasn't done anything wrong, why are you in that state?

0:54:010:54:04

NOW!

0:54:050:54:07

Stop treating me like I'm a child.

0:54:150:54:17

What do you expect when you behave like this?

0:54:170:54:20

Behave like what? The minute I meet anyone you step in and stop it.

0:54:200:54:23

-I know his type.

-What type? What the hell is his type?

0:54:230:54:26

-He'll charm you into bed and you'll never hear from him again.

-He's not like that.

0:54:260:54:30

-They all are!

-Is this because it happened to you?

0:54:300:54:32

-I beg your pardon?

-It is. That's the reason.

0:54:320:54:35

What happened to me is of no concern of yours.

0:54:350:54:39

Who was it? Was it that man?

0:54:390:54:41

Tell me, Mam. Tell me.

0:54:410:54:44

Tell her.

0:54:450:54:47

She's a right to know why you've been so crabby all these years.

0:54:490:54:52

Crabby?! I have not been crabby!

0:54:520:54:55

You have. Now tell her.

0:54:550:54:57

Tell her or I will.

0:54:590:55:01

I was about your age...

0:55:220:55:24

..and I thought I was in love.

0:55:250:55:27

-I didn't know what love was.

-Who is he?

0:55:290:55:32

He's John Joe's brother, Jimmy.

0:55:320:55:35

And he's my father?

0:55:380:55:39

I was just another conquest to him.

0:55:410:55:44

Oh, he promised to marry me when I told him I was pregnant.

0:55:440:55:49

He was already engaged to somebody else. A nightclub singer.

0:55:490:55:53

So I came home after you were born

0:55:530:55:56

and people chose to believe I was a widow

0:55:560:56:00

and I tried to make the best life I could for you...for us.

0:56:000:56:05

But why did you never tell me I still had a father?

0:56:050:56:11

Because you didn't. He might as well have been dead for all I knew.

0:56:120:56:15

Because of your mistake, you don't want me seeing Teddy?

0:56:160:56:21

I just don't want you to ruin your life the way I did.

0:56:210:56:24

But it's my life!

0:56:240:56:27

-My life!

-Anne, please.

0:56:270:56:30

I'm so sorry I've ruined yours.

0:56:300:56:32

Is that one of your better ideas?

0:56:420:56:44

On the contrary.

0:56:440:56:47

The last person in the world to hear about your scarlet past

0:56:470:56:50

is the one person you should have told from the beginning.

0:56:500:56:53

CHATTER AND HAPPY LAUGHTER IN BACKGROUND

0:56:540:56:58

Oh! GROANING

0:57:040:57:07

-MAN GROANS:

-Ah! Oh!

0:57:080:57:11

Oh!

0:57:140:57:16

Oh, yeah, just there.

0:57:170:57:19

Come on, let me dance. Let me dance.

0:57:220:57:24

That's it.

0:57:240:57:26

WOMAN MOANS: Oh! Oh!

0:57:260:57:27

You should tell her you're sorry.

0:57:300:57:32

Don't you think I haven't wanted to?

0:57:320:57:34

And you should tell her about the five wives here.

0:57:340:57:38

I might be stupid but I'm not suicidal.

0:57:380:57:41

Make her see how lucky she was.

0:57:410:57:44

Having a child out of wedlock's one thing.

0:57:440:57:47

But getting divorced, Jesus!

0:57:470:57:50

The parish priest would have her excommuniated.

0:57:500:57:53

Excommuni-cated!

0:57:530:57:55

Well, he'd certainly take a dim view.

0:57:570:57:59

Guinness.

0:58:020:58:04

-Bring up the cases for me, will you?

->

0:58:060:58:09

On second thoughts, maybe you should leave the wives out of it.

0:58:130:58:17

Impressed by the suits, were they, the five of them?

0:58:190:58:22

Jimmy.

0:58:250:58:26

Maisie.

0:58:290:58:31

I want to apologise for hitting you.

0:58:310:58:33

I-I want to apologise, too...

0:58:330:58:35

-Please, let me finish.

-Sorry.

0:58:350:58:38

What happened is past, but I'm worried about Anne.

0:58:380:58:42

I've told her everything.

0:58:420:58:43

Maisie, I...

0:58:430:58:45

I don't want her having anything to do with that young man.

0:58:450:58:48

I don't want her making the same mistakes I did.

0:58:500:58:53

Teddy's a good lad.

0:58:530:58:55

I've known him for years.

0:58:550:58:57

She's a grown girl, Maisie.

0:58:570:58:59

-She can make her own decisions.

-Keep out of this, John Joe.

0:58:590:59:02

You owe me that much.

0:59:060:59:08

As her father, you owe me that. If she comes to you,

0:59:080:59:11

I want you to put her straight.

0:59:110:59:14

She won't listen to me now.

0:59:150:59:17

If that's what you want.

0:59:190:59:21

It is. That's all I came to say.

0:59:220:59:27

Go on.

0:59:290:59:30

Maisie...

0:59:330:59:34

..I'm sorry.

0:59:380:59:41

-Hey, Candy?

-Hey.

-There you are.

0:59:550:59:59

-Where you been?

-Hello, ladies.

1:00:011:00:04

What the fuck happened to your shirt?

1:00:041:00:06

I think someone puked all over it.

1:00:061:00:08

Oh, phew...

1:00:081:00:09

< Testing, testing, test...

1:00:181:00:21

The town of Naas is a terrible place,

1:00:211:00:25

Kilcock is just as bad.

1:00:251:00:27

But of all the towns I was ever in...

1:00:271:00:29

Fuck me, Kinnegad.

1:00:291:00:33

Peter Piper...

1:00:371:00:39

pecked a pick...

1:00:391:00:40

Peter Piper pipped a... No, that's not right, no.

1:00:401:00:44

Pickle Peter...

1:00:441:00:46

Oh, fuck. How was that?

1:00:461:00:48

Never heard better.

1:00:481:00:50

Anne...?

1:01:011:01:03

Don't forget.

1:01:051:01:08

Winner plays at the ceilidh tonight.

1:01:081:01:11

What the fuck have you been doing?

1:01:311:01:34

You can't go up on stage looking like that.

1:01:341:01:36

I don't know what happened, Jim.

1:01:361:01:39

Here. I've a spare shirt up in my room, man.

1:01:391:01:42

You fucking eejit, you!

1:01:421:01:45

Sort yourself out, mate.

1:01:451:01:47

-Hello.

-Hello.

1:01:531:01:55

I put your fiddle away.

1:01:571:01:59

I was going to bring it round to the house but I had second thoughts.

1:01:591:02:02

I'm too young to die yet.

1:02:021:02:04

Thanks.

1:02:041:02:07

Your mum's mad at me.

1:02:071:02:09

It's not you. She's mad at everyone.

1:02:091:02:13

It's nice to know you're not alone in the world.

1:02:131:02:16

I'm sorry...

1:02:171:02:19

for what happened.

1:02:191:02:21

You've got a clean shirt.

1:02:241:02:27

Actually, it's Alex's.

1:02:271:02:29

They were in the tent but I couldn't get in. I lost the keys.

1:02:301:02:34

Are you stuck to those fucking stools or...?

1:02:341:02:37

Are you stuck to the stools or what? Time to get to the hall, come on.

1:02:371:02:40

Can I come with you?

1:02:401:02:42

Yeah. Yeah, course.

1:02:451:02:47

PA SYSTEM: 'Extra car-parking space can be found

1:02:471:02:51

'at the back of Wheelies Bar on the side street.

1:02:511:02:55

'Extra car-parking space can be found

1:02:551:02:58

at the back of Wheelies Bar on the side street.'

1:02:581:03:03

HUM OF CHATTERING VOICES

1:03:031:03:06

All right?

1:03:161:03:18

-Nice shirt, mate.

-Yeah, Jimmy gave it to me.

1:03:181:03:22

-Said I was a disgrace.

-No-one gets past Jimmy.

1:03:221:03:24

Better tell the others.

1:03:341:03:36

So what happens now?

1:03:411:03:44

Well, they announce the winner and then we go up on stage and play.

1:03:441:03:48

-You do, do you?

-Well, that's what happened last year.

1:03:481:03:52

Shhh!

1:03:521:03:54

And the year before.

1:03:541:03:56

Good evening, ladies and gentlemen.

1:03:561:03:59

You're all welcome here tonight for the ceilidh

1:03:591:04:02

and to dance to the music of this year's winning ceilidh band.

1:04:021:04:05

CHEERING AND APPLAUSE

1:04:051:04:09

All the prizes for the solo competitions have been awarded

1:04:111:04:15

and...what competitions they've been!

1:04:151:04:19

The standard has been the highest we've seen here since...

1:04:191:04:23

Well, since last year.

1:04:231:04:25

LAUGHTER

1:04:251:04:27

And the judges found it very hard,

1:04:291:04:31

in particular,

1:04:311:04:33

to select the winner of the ceilidh band competition.

1:04:331:04:37

But in the end...they did.

1:04:381:04:41

WHISTLING AND APPLAUSE

1:04:411:04:44

Oh, there's a winning ceilidh band

1:04:441:04:46

ready and bursting to entertain you all.

1:04:461:04:48

And, without further ado, I'd like to call on the chairman of the committee

1:04:481:04:53

to announce the winner and to present the trophy.

1:04:531:04:59

CHEERING AND APPLAUSE

1:04:591:05:03

There's something you should know.

1:05:031:05:05

HE WHISPERS

1:05:051:05:06

What? I can't hear.

1:05:061:05:08

CHEERING AND APPLAUSE CONTINUES

1:05:081:05:12

Thank you, ladies and gentlemen.

1:05:121:05:14

It's a great pleasure for me to be associated with this event.

1:05:141:05:19

And the name McMahon has been...

1:05:191:05:21

-You're not serious?

-..long associated with it. This year...

-Here?

1:05:211:05:25

-..it's a McMahon that has triumphed again.

-I was trying to tell you.

1:05:251:05:29

I'm delighted to announce the winning band.

1:05:291:05:32

They were late arrivals, but we're very glad they made it.

1:05:321:05:35

So, ladies and gentlemen, would you please put your hands together

1:05:351:05:39

and give a very warm welcome to, from across the water,

1:05:391:05:43

Father Padjo McMahon and his South African Township

1:05:431:05:47

Ceilidh Band!

1:05:471:05:50

UPBEAT FOLK MUSIC

1:05:501:05:53

-BOTH:

-Padjo?!

1:05:541:05:55

I thought you said he was some kind of missionary.

1:05:581:06:00

I did.

1:06:001:06:02

He could have picked another fucking mission!

1:06:021:06:06

Not bad, are they, John Joe?

1:06:071:06:09

Saw them earlier on. I tried to tell you.

1:06:091:06:12

-Dance?

-Dance.

1:06:171:06:18

-Maybe we should congratulate him.

-He'll find us.

1:06:461:06:49

You can bet your life on that.

1:06:491:06:52

Here.

1:07:231:07:26

What's this?

1:07:261:07:27

I want you to have it anyway.

1:07:271:07:29

Take it. Me da' left it to you.

1:07:291:07:33

Betting on who takes the girl home at the end of a night.

1:07:371:07:40

It's not something I'm proud of.

1:07:421:07:44

-D'you mean it? You really want to give me back my fiddle?

-You take it.

1:07:451:07:49

I don't know what to say.

1:07:521:07:55

"Same again" always works for me.

1:07:571:08:00

Ahem.

1:08:021:08:04

You've a great band.

1:08:121:08:14

And a trophy to prove it.

1:08:141:08:16

Padjo!

1:08:191:08:21

-It's the ugliest fucking thing I've ever seen!

-Padjo!

1:08:211:08:26

When are you going?

1:08:501:08:52

In the morning.

1:08:521:08:54

Wish I was going with you.

1:08:541:08:57

You could.

1:08:571:09:00

Well, you know, if you wanted to, to come with us.

1:09:001:09:05

You could get on the bus,

1:09:051:09:08

come to Liverpool.

1:09:081:09:09

I'll show you the sights.

1:09:091:09:13

What are you saying?

1:09:131:09:15

Teddy? What are you saying?

1:09:151:09:18

I don't know.

1:09:201:09:22

But I've never felt like this before.

1:09:221:09:25

-Still speeding up.

-I am not.

1:10:031:10:06

He's right - you are.

1:10:061:10:08

Will the pair of you stop picking on me!

1:10:081:10:10

And next year we play straight.

1:11:031:11:08

No funny business. No games.

1:11:081:11:11

Aye, no funny business. Ha ha!

1:11:111:11:13

Band against band.

1:11:141:11:17

Will you be back next year, Padjo?

1:11:181:11:21

Well, they're posting me to South America.

1:11:211:11:23

-Oh, where?

-Brazil.

-Oh, where the nuts come from, uh?!

1:11:231:11:27

Just so long as none of them play the fiddle.

1:11:291:11:31

Well, if they do, I'll be bringing them back next year.

1:11:311:11:34

Oh!

1:11:341:11:35

Anne?

1:11:441:11:45

-Where did you stay last night?

-I was with Teddy.

1:11:561:11:59

-I see.

-I'm going with him.

1:12:001:12:03

I'm going to Liverpool.

1:12:031:12:05

-Anne, don't.

-I love him.

1:12:071:12:09

-Sure, you hardly know him more than a day.

-Long enough to know.

1:12:091:12:12

And what has he promised you? The world?

1:12:151:12:17

Nothing. He's promised me nothing.

1:12:171:12:19

What'll you do you do for money?

1:12:191:12:21

-I'll get a job.

-And when he leaves you for somebody else?

1:12:231:12:27

-He won't.

-Let him come to you.

1:12:271:12:30

Don't go running after him.

1:12:301:12:33

He'll only break your heart, Anne.

1:12:331:12:35

If he loves you,

1:12:351:12:37

let him come to you.

1:12:371:12:38

Just because it happened to you doesn't mean it's going to happen to me.

1:12:401:12:44

I'm going to start a life.

1:12:441:12:48

I can get to know my father.

1:12:481:12:50

Anne, please, listen.

1:12:521:12:56

What are you going to do?

1:12:561:12:57

Keep me locked up till I become a bitter old maid like you?!

1:12:591:13:04

No.

1:13:041:13:05

Coming home with the milk.

1:13:271:13:29

I haven't done that in a while.

1:13:291:13:31

I thought Miko had a bus over at Bernie's.

1:13:321:13:36

I'm going to England with Teddy.

1:13:361:13:37

Don't do this out of punishment.

1:13:371:13:40

I don't care about her.

1:13:401:13:42

I don't believe that for a second.

1:13:421:13:44

Well, you'll have to find another fiddle player.

1:13:471:13:49

-Bye.

-Oi.

1:13:531:13:55

See if you can do something about Jimmy's...your father's fiddle playing.

1:13:571:14:03

He's still inclined to speed up on the changeovers.

1:14:031:14:06

Is that all you ever think about?

1:14:091:14:11

-Music?

-Well, when you've got the music, you've got friends for life.

1:14:111:14:18

That's why I'm never lonely.

1:14:181:14:19

Remember that.

1:14:221:14:24

Nice and tight, now.

1:14:431:14:44

Right-on, yeah.

1:14:441:14:47

-That's it, Jimmy.

-Everyone here?

1:14:471:14:49

-Yes, Jimmy.

-Got to get a move on.

1:14:491:14:52

Tide and ferries wait for no band.

1:14:521:14:54

"A concertina has been found in the public toilets at the football pitch."

1:14:541:14:59

"I reiterate, a concertina has been found in the public toilets at the football pitch."

1:14:591:15:04

I'm coming with you.

1:15:041:15:06

-I don't believe it.

-All aboard the Liverpool Express.

1:15:101:15:14

Welcome aboard, love.

1:15:141:15:15

Plenty of room next to me.

1:15:191:15:20

Jimmy.

1:15:271:15:28

None of this is my idea.

1:15:381:15:40

I know.

1:15:401:15:42

It's just something I wanted to say.

1:15:421:15:45

-What?

-If as much as a hair on that child's head is harmed,

1:15:451:15:49

I'm coming to Liverpool...

1:15:491:15:51

..to cut your balls off.

1:15:511:15:55

That's all.

1:15:571:15:58

That's fair enough.

1:16:021:16:03

In the circumstances.

1:16:051:16:07

All the best.

1:16:281:16:30

So, she really has gone, then.

1:16:401:16:43

We're never going to see her again.

1:16:461:16:49

Worse than that...

1:16:491:16:51

..Jimmy's poached our best player.

1:16:511:16:54

Here, not so fucking fast!

1:17:011:17:03

We are catching today's ferry, Einstein, not yesterday's.

1:17:031:17:08

Look, sheep.

1:17:081:17:10

-Whoa, slow down.

-Sheep.

-Slow down.

1:17:101:17:13

Jimmy...

1:17:171:17:18

I'm so sorry.

1:17:531:17:55

No, I'm the one who's sorry.

1:17:551:17:57

I said terrible things to you.

1:17:571:18:00

You'll never forgive me.

1:18:001:18:02

There's nothing to forgive. Nothing.

1:18:021:18:05

You all right, John Joe?

1:18:221:18:24

I am now, Pat.

1:18:261:18:28

I am now.

1:18:291:18:31

Cheers.

1:18:391:18:40

Don't worry, mate.

1:18:471:18:50

Put it down to a Roman holiday.

1:18:501:18:52

Rome? We weren't anywhere near Italy.

1:18:521:18:55

No! Gregory Peck.

1:18:551:18:57

The scene in the pictures, he goes to Rome and he falls for... What's her name?

1:18:571:19:02

Anyway, turns out that she's a princess so he's fucked!

1:19:021:19:05

So, what happens?

1:19:071:19:10

He doesn't get his end away, you know, cos she's royalty.

1:19:101:19:13

You think of nothing else, do ya?

1:19:131:19:14

-What else is there?

-I love her, Lex.

1:19:141:19:16

Argh! You think you do.

1:19:161:19:18

You think you do now but that's just your dick talking, mate.

1:19:181:19:22

Trust me, I know.

1:19:221:19:23

Any time I fancy a girl, the big fella down below tells me that she's the one.

1:19:231:19:29

Just forget about it, Ted.

1:19:291:19:31

Besides, we're playing Chelsea at home soon so that means dolly birds up from the smoke and all that.

1:19:311:19:38

Yeah.

1:19:381:19:41

-Yeah, maybe you're right.

-Yes, I am right.

1:19:411:19:44

Would I steer me best mate wrong?

1:19:441:19:47

Would I?

1:19:471:19:49

Right. Everybody here?

1:20:241:20:26

I've never heard ya sounded better, d'ya know that?

1:20:261:20:29

If only you played like that all the time!

1:20:291:20:31

-John Joe.

-Hi. Maggie, how you doing?

1:20:311:20:34

It beats the box any day.

1:20:341:20:35

-Evening, John Joe.

-Evening, all.

1:20:381:20:40

John Joe.

1:20:401:20:41

Ah, very good.

1:20:431:20:45

What the hell's Pat up to?

1:20:481:20:50

He's getting ready for next year.

1:20:501:20:51

He thinks we should surprise the Africans with a taste of their own medicine.

1:20:511:20:56

I said it him that needs the medicine.

1:20:561:20:58

Mind you,

1:21:021:21:03

if we could bottle him, we'd make ourselves a fortune.

1:21:031:21:06

Well, surely.

1:21:061:21:08

A shame he left the fiddle.

1:21:101:21:12

Ready, one, two.

1:21:221:21:25

Mind if I sit in?

1:22:061:22:07

It's better to gain a musician than to lose a daughter,

1:22:201:22:24

I always say.

1:22:241:22:25

-And what would Jimmy say?

-Feck him.

1:22:271:22:30

Ready, one, two.

1:22:301:22:32

No funny business, huh?

1:22:461:22:48

This means war!

1:22:521:22:55

# As I was going over

1:22:581:22:59

# The far-famed Kerry mountains

1:22:591:23:01

# I met with Captain Farrell

1:23:011:23:03

# Ad his money he was counting

1:23:031:23:05

# I first produced me pistol

1:23:051:23:07

# Then produced me rapier

1:23:071:23:09

# Saying "Stand and deliver"

1:23:091:23:11

# For you are the bold deceiver

1:23:111:23:13

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:23:131:23:17

# Wack fall the diddle-o

1:23:171:23:19

# There's whiskey in the jar

1:23:191:23:21

# I counted out me money

1:23:211:23:23

# It made a pretty penny

1:23:231:23:25

# I put it in my pocket

1:23:251:23:27

# And gave it to my Jenny

1:23:271:23:30

# She sighed and she swore

1:23:301:23:31

# She never wanted to see me

1:23:311:23:33

# The devil take the women

1:23:331:23:35

# For they never can be easy

1:23:351:23:37

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:23:371:23:41

# Wack fall the diddle-o

1:23:411:23:43

# There's whiskey in the jar

1:23:431:23:45

# I went to my chamber

1:23:451:23:48

# For to take a slumber

1:23:481:23:50

I dreamt of gold and jewels

1:23:501:23:52

# And for sure it was no wonder

1:23:521:23:54

# But Jenny took me charges

1:23:541:23:55

# And she filled them up with water

1:23:551:23:57

# And sent for captain Farrell

1:23:571:23:59

# To be ready for the slaughter

1:23:591:24:01

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:24:011:24:06

# Wack fall the diddle-o

1:24:061:24:07

# There's whiskey in the jar

1:24:071:24:10

# 'Twas early in the morning

1:24:111:24:12

# Before I rose to travel

1:24:121:24:14

# The guards were all around me

1:24:141:24:16

# And likewise captain Farrell

1:24:161:24:18

# I then produced me pistol

1:24:181:24:20

# For she stole away me rapier

1:24:201:24:22

# I couldn't shoot the water

1:24:221:24:24

# So a prisoner I was taken

1:24:241:24:25

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:24:251:24:30

# Wack fall the diddle-o

1:24:301:24:32

# There's whiskey in the jar

1:24:321:24:34

# If anyone can aid me

1:24:341:24:36

# 'Tis my brother in the army

1:24:361:24:38

# I think that he is stationed

1:24:381:24:40

# In Cork or in Killarney

1:24:401:24:42

# And if he'd come and join me

1:24:421:24:44

# We'll go rovin' in Kilkenny

1:24:441:24:46

# I swear he'd treat me better

1:24:461:24:48

# Than me darling sporting Jenny

1:24:481:24:50

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:24:501:24:54

# Wack fall the diddle-o

1:24:541:24:56

# There's whiskey in the jar

1:24:561:24:58

# Wish a wack fall the diddle-a, wack fall the diddle-o

1:24:581:25:01

# Wack fall the diddle-o

1:25:011:25:03

# There's whiskey in the jar. #

1:25:031:25:05

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1:25:051:25:06

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1:25:061:25:07

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