
Browse content similar to The Boys and Girl from County Clare. Check below for episodes and series from the same categories and more!
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This programme contains strong language | 0:00:02 | 0:00:14 | |
FIDDLE PLAYS | 0:00:22 | 0:00:25 | |
One, two. | 0:00:30 | 0:00:31 | |
FIDDLE PLAYS | 0:00:31 | 0:00:34 | |
Back in a few days, love, all right? | 0:02:11 | 0:02:13 | |
Mind yourself, and don't get carried away in the shops. I'm not made of money. | 0:02:13 | 0:02:18 | |
Course, love. | 0:02:18 | 0:02:19 | |
Jimmy, you bring that trophy back and I'll get a place ready for it on top of the telly. | 0:02:19 | 0:02:25 | |
And take it handy with the car! | 0:02:29 | 0:02:33 | |
It's not paid for yet! | 0:02:35 | 0:02:36 | |
How are you lads? All right? | 0:02:44 | 0:02:45 | |
CEILIDH MUSIC PLAYS | 0:02:51 | 0:02:54 | |
Whoa, whoa. Hold it! | 0:03:06 | 0:03:09 | |
Whoa, whoa. Hold it, hold it! | 0:03:09 | 0:03:11 | |
What the...? | 0:03:11 | 0:03:13 | |
You, Louis fucking Strongarm. | 0:03:13 | 0:03:15 | |
-Who, me? -Yes, you, you pillock. | 0:03:15 | 0:03:17 | |
-What the fucking hell do you think you're doing? -Playing a tune? | 0:03:17 | 0:03:21 | |
You were playing jazz. In case you haven't noticed, this is a ceilidh band. | 0:03:21 | 0:03:26 | |
There's no fucking jazz in ceilidh music. Play the tune. | 0:03:26 | 0:03:30 | |
I was playing the tune. | 0:03:30 | 0:03:32 | |
No, you weren't, you were playing AROUND the tune. | 0:03:32 | 0:03:35 | |
There's a difference. | 0:03:35 | 0:03:36 | |
Stick to the melody. | 0:03:36 | 0:03:38 | |
Just adding a bit of spice. | 0:03:38 | 0:03:40 | |
It doesn't need spice. | 0:03:40 | 0:03:42 | |
You want spice, go down to a curry house. | 0:03:42 | 0:03:45 | |
This is the last practice before we get on the ferry. So I would appreciate a bit of concentration. | 0:03:45 | 0:03:51 | |
It's gonna be rough out there, and I don't just mean the Irish Sea. The competition is gonna be good. | 0:03:51 | 0:03:56 | |
-Sorry, Jim. -You don't understand, son. | 0:03:56 | 0:04:00 | |
We're not playing games here, this is serious stuff. | 0:04:00 | 0:04:03 | |
I just wanna play music, Jimmy. | 0:04:03 | 0:04:05 | |
It's all I've ever wanted to do. | 0:04:05 | 0:04:07 | |
And play music you shall, son. You're a brilliant musician, one of the best I've ever heard. | 0:04:07 | 0:04:12 | |
But we're not playing jazz, leave that to The Beatles. | 0:04:12 | 0:04:17 | |
Right. From the top, maestros. | 0:04:17 | 0:04:19 | |
Clive, are you ready? | 0:04:19 | 0:04:22 | |
Go on, our Jimmy. | 0:04:22 | 0:04:24 | |
I'll be there in a minute. | 0:04:24 | 0:04:26 | |
For fuck's sake. | 0:04:26 | 0:04:28 | |
CEILIDH MUSIC PLAYS | 0:04:29 | 0:04:33 | |
CEILIDH MUSIC PLAYS | 0:05:10 | 0:05:15 | |
That's grand. | 0:06:12 | 0:06:14 | |
Well, it's a start, anyway. | 0:06:14 | 0:06:18 | |
-Pint, Patsy, please. -Right, John Joe. | 0:06:18 | 0:06:20 | |
Beautiful playing, Annie. | 0:06:20 | 0:06:22 | |
John Joe? | 0:06:22 | 0:06:25 | |
-What now, Pat. -What am I doing wrong? | 0:06:25 | 0:06:28 | |
-Apart from playing the accordion? Nothing. -Must be something. | 0:06:28 | 0:06:31 | |
You never remark on my playing like you do Anne's. | 0:06:31 | 0:06:35 | |
Her music comes from the gods. | 0:06:35 | 0:06:37 | |
Yours, however, like mine, is significantly more earthbound. | 0:06:37 | 0:06:41 | |
No remarks necessary. | 0:06:41 | 0:06:43 | |
Why do we only play Clare tunes? Why can't we mix it up a bit? | 0:06:43 | 0:06:46 | |
Because we're musicians from County Clare. | 0:06:46 | 0:06:50 | |
ACCORDION PLAYS | 0:06:51 | 0:06:56 | |
We won't play any polkas? | 0:06:56 | 0:06:58 | |
I'll put your balls in that thing and slap it shut. Let's just stick to the sets we know. | 0:06:58 | 0:07:03 | |
Leave Kerry tunes to the Kerrymen. Our stuff was good enough to win last year. | 0:07:03 | 0:07:07 | |
It'll be good enough to win this year. | 0:07:07 | 0:07:09 | |
I heard maybe there's a band coming from Liverpool to compete this year? | 0:07:09 | 0:07:14 | |
Well, then again, maybe there isn't. | 0:07:14 | 0:07:18 | |
For fuck's sake. You're not driving your old man's zimmer frame. | 0:07:22 | 0:07:26 | |
-Drop the fucking piano. -Can't drop the fucking piano from the van without telling me. | 0:07:26 | 0:07:31 | |
-Piss off, Roger. Step on it. -Be there quicker than you can say gnat's knickers. | 0:07:31 | 0:07:36 | |
Careful, you'll miss the turn for the ferry. There, there! Turn! | 0:07:36 | 0:07:40 | |
TYRES SCREECH | 0:07:41 | 0:07:43 | |
Knickers! | 0:07:44 | 0:07:45 | |
Make sure they don't make it on time. | 0:07:52 | 0:07:54 | |
-There's your money. -Consider it done. | 0:07:56 | 0:07:59 | |
Powers Gold Label, please. | 0:08:02 | 0:08:04 | |
Large. | 0:08:04 | 0:08:06 | |
Lads? Gents? | 0:08:17 | 0:08:19 | |
Lads? A moment? Lads, lads. | 0:08:19 | 0:08:23 | |
Just so you know, we are going to bring back something special from this trip. | 0:08:26 | 0:08:31 | |
Yeah, Terry's virginity, still intact. | 0:08:31 | 0:08:34 | |
The Irish Ceilidh Band trophy. | 0:08:35 | 0:08:38 | |
Eh, Jimmy? Do you really think we're gonna win? | 0:08:38 | 0:08:41 | |
Put it this way, Roger. If we lose, you're all walking home. | 0:08:41 | 0:08:45 | |
Lex? Is he serious? | 0:08:52 | 0:08:55 | |
-About what? -You know, us walking home if we lose? | 0:08:55 | 0:08:59 | |
Didn't you bring your swimming togs? | 0:08:59 | 0:09:01 | |
CAT MEOWS | 0:09:13 | 0:09:17 | |
Here, puss. Puss, puss, puss? | 0:09:19 | 0:09:22 | |
Johnny? Johnny cat, where are you? | 0:09:23 | 0:09:26 | |
Where are you? Puss, puss, puss? | 0:09:27 | 0:09:30 | |
Ah, there you are. | 0:09:30 | 0:09:31 | |
Piss on your own bed, you mouldy whore. | 0:09:43 | 0:09:45 | |
How long's it been? | 0:10:09 | 0:10:11 | |
More than 20 years. | 0:10:13 | 0:10:15 | |
You've done well, Finch. | 0:10:15 | 0:10:16 | |
Aye, that's why I left - to move meself up in the world. | 0:10:16 | 0:10:21 | |
20 years! | 0:10:21 | 0:10:23 | |
It's a long time. | 0:10:23 | 0:10:25 | |
Aye, a long time. | 0:10:26 | 0:10:29 | |
I'll bet nothing's changed. | 0:10:29 | 0:10:32 | |
Well, we'll see, won't we? | 0:10:32 | 0:10:35 | |
-Fancy a drink? -No. | 0:10:35 | 0:10:39 | |
No, I'll just finish this and put me head down. | 0:10:39 | 0:10:42 | |
But you go ahead, enjoy yourself. | 0:10:42 | 0:10:44 | |
Oh, and, er, keep an eye on the lads, make sure they don't drink too much. | 0:10:47 | 0:10:53 | |
-No problem there, Jimmy. They're a good bunch. -Aye, even so. | 0:10:53 | 0:10:56 | |
We need to be at our best. | 0:10:56 | 0:10:59 | |
You set an example. | 0:10:59 | 0:11:01 | |
Know what you mean, Jimmy. | 0:11:01 | 0:11:03 | |
Right you are. | 0:11:03 | 0:11:04 | |
The sink. In the sink. | 0:11:10 | 0:11:12 | |
Oh, fuckin' hell! | 0:11:13 | 0:11:15 | |
-Fuckin' seasick! -Oh, yeah, everyone gets that after 20 pints, George. | 0:11:15 | 0:11:20 | |
-All right? -Yeah. | 0:11:28 | 0:11:29 | |
There's never any bloody soap when you need it. | 0:11:40 | 0:11:43 | |
Oh, Jesus Christ. | 0:11:44 | 0:11:47 | |
Oh... | 0:11:47 | 0:11:50 | |
Rather you than me. | 0:11:50 | 0:11:53 | |
Oh... | 0:11:53 | 0:11:54 | |
HE SNORES | 0:12:08 | 0:12:12 | |
-Morning, lads. Did you sleep well? -Oh, luxurious accommodation, Jimmy. | 0:12:29 | 0:12:33 | |
Here, I'll have that. Get yourself another one. | 0:12:36 | 0:12:39 | |
-Oh! Morning, Rog. -Morning! | 0:12:41 | 0:12:42 | |
-Sleep? -Like a baby. | 0:12:42 | 0:12:45 | |
Mm. | 0:12:45 | 0:12:46 | |
-Rog? -Mm-hm? -I rescued these for you last night, mate. Remember? | 0:12:49 | 0:12:53 | |
They're not mine. | 0:12:53 | 0:12:55 | |
No. I got mine. | 0:12:55 | 0:12:57 | |
-What's the matter with him? -I know... | 0:13:06 | 0:13:10 | |
CAT MEOWS | 0:13:10 | 0:13:11 | |
TANNOY: 'Welcome to the Republic of Ireland. We're now at Dun Laoghaire...' | 0:13:41 | 0:13:45 | |
Customs, sir. Pull over there. | 0:13:45 | 0:13:48 | |
What do you mean, "pull over"? | 0:13:48 | 0:13:50 | |
Morning, sir. Morning. | 0:14:01 | 0:14:02 | |
-Have you anything to declare? -No, nothing. We're just visiting. -Visiting. Aye, I see, sir. | 0:14:02 | 0:14:08 | |
-And, er, what's the purpose of your visit? -The all-Ireland finals. | 0:14:08 | 0:14:13 | |
Football or hurling? | 0:14:13 | 0:14:14 | |
Music! | 0:14:14 | 0:14:17 | |
-Pillock! -You would have musical instruments with you, then, sir? | 0:14:17 | 0:14:20 | |
Well, of course we have instruments! | 0:14:20 | 0:14:22 | |
-How do you think we'll play music without fucking instruments? -I'm only doing my job, sir. | 0:14:22 | 0:14:27 | |
Y'see, we got a report of stolen instruments. | 0:14:27 | 0:14:32 | |
-I'm afraid I'm going to have to ask you to unload everything. -Unload everything?! | 0:14:32 | 0:14:36 | |
That's right, sir, everything. | 0:14:36 | 0:14:38 | |
And if you'd bring it in there. | 0:14:38 | 0:14:40 | |
That's if you don't mind. | 0:14:40 | 0:14:42 | |
We're fucked now. | 0:14:42 | 0:14:44 | |
SHIP HORN BLARES | 0:14:44 | 0:14:47 | |
-Morning, Sean. -John Joe! | 0:14:48 | 0:14:50 | |
VAN HORN BLARES | 0:14:52 | 0:14:54 | |
-Tell me you bring good fortune, Sean. -Would I let you down, John Joe, huh? -The cream of rejection. | 0:15:02 | 0:15:07 | |
-Would have been a long, dry weekend without it. -Who d'you know in Africa? | 0:15:07 | 0:15:12 | |
-Africa? -Aye. | 0:15:12 | 0:15:13 | |
Nobody. | 0:15:13 | 0:15:15 | |
Come on, John Joe. | 0:15:15 | 0:15:17 | |
Time to go! | 0:15:17 | 0:15:19 | |
-Better be off. -Good luck. | 0:15:19 | 0:15:20 | |
Aye, it's in the bag. | 0:15:20 | 0:15:22 | |
I always thought he was good at getting round this official stuff. | 0:15:37 | 0:15:41 | |
You don't become a millionaire building contractor by not knowing how to grease palms. | 0:15:41 | 0:15:45 | |
All right. | 0:15:54 | 0:15:56 | |
Nearly an hour without a word from you. | 0:15:56 | 0:15:58 | |
What's the matter? | 0:16:00 | 0:16:02 | |
The usual. | 0:16:02 | 0:16:04 | |
She treats me like some precious Ming vase. | 0:16:04 | 0:16:07 | |
She only wants the best for you. | 0:16:07 | 0:16:09 | |
I'll never meet anyone! | 0:16:09 | 0:16:12 | |
Of course you will. | 0:16:12 | 0:16:15 | |
That's them. | 0:16:18 | 0:16:19 | |
Do you ever get lonely, John Joe, | 0:16:36 | 0:16:39 | |
-living on your own? -Lonely, me? No. | 0:16:39 | 0:16:43 | |
Far too busy. | 0:16:43 | 0:16:45 | |
Y'know, with the farm and the music. | 0:16:45 | 0:16:47 | |
Yeah, but all the same, did you never think of marrying when you were younger? | 0:16:47 | 0:16:51 | |
When I was younger? | 0:16:51 | 0:16:54 | |
-I can hardly remember what I did last night, never mind when I was younger. -Did you never fancy my mam? | 0:16:54 | 0:16:59 | |
You both seem very close. | 0:17:01 | 0:17:04 | |
Any man would. | 0:17:06 | 0:17:07 | |
She's a beautiful woman. | 0:17:07 | 0:17:09 | |
She passed it on. | 0:17:09 | 0:17:11 | |
You always say nice things to me. | 0:17:13 | 0:17:16 | |
-Hey, Michael! We should break the journey. We've plenty of time. -Right, so. | 0:17:16 | 0:17:22 | |
Nice to be home again, Jimmy? | 0:17:38 | 0:17:40 | |
Well, put it this way, Johnny. I'll be happy when I'm back on the ferry with a trophy in me hand. | 0:17:40 | 0:17:46 | |
Ah, look on the bright side. | 0:17:46 | 0:17:48 | |
It's a sunny day, we're men of the open road with nobody wanting to know what time | 0:17:48 | 0:17:52 | |
we're going to be home, nobody nagging, nobody telling you you've had enough to drink, nobody... | 0:17:52 | 0:17:59 | |
Nobody telling you to shut the fuck up and watch the road. Well, come on, Jimmy Shand. | 0:17:59 | 0:18:04 | |
We have to be there in time for registration. | 0:18:04 | 0:18:07 | |
CLOCK TICKS | 0:18:33 | 0:18:35 | |
We should be going. We haven't much time to spare if we want to make the registration. | 0:18:35 | 0:18:41 | |
Aye, you're probably right there, Michael. Thank you, missus. | 0:18:41 | 0:18:44 | |
Thank you very much. It was a lovely pint. | 0:18:46 | 0:18:49 | |
DUCKS QUACK | 0:18:59 | 0:19:02 | |
-I'm telling you, you need a fucking hammer. -I wouldn't need a fucking hammer if you knew how to drive. | 0:19:05 | 0:19:12 | |
A couple of belts with a hammer would straighten it up. | 0:19:12 | 0:19:15 | |
Whoa, look! | 0:19:22 | 0:19:24 | |
Cows! Great! | 0:19:24 | 0:19:26 | |
Never seen cows before. | 0:19:26 | 0:19:28 | |
This is great! | 0:19:28 | 0:19:30 | |
If you've never seen 'em before, how d'you know they're cows? | 0:19:33 | 0:19:36 | |
I don't understand it. They were on the bus when we parked. | 0:19:36 | 0:19:40 | |
We were only in here two hours. Who'd want four wheels? | 0:19:40 | 0:19:44 | |
What time is it? Oh, God, it's twenty-five to six. | 0:19:44 | 0:19:47 | |
If we don't register for the competition before eight, we're out. | 0:19:47 | 0:19:50 | |
You know how strict they are. You'd have to be a priest to get around the rules. | 0:19:50 | 0:19:55 | |
I do, I do. Hey, missus? | 0:19:55 | 0:19:59 | |
Is there anywhere around here where we can get four wheels? | 0:19:59 | 0:20:03 | |
-No. -Is there a garage handy? -No. | 0:20:03 | 0:20:09 | |
Well, that's it. We're out. | 0:20:11 | 0:20:14 | |
So, what's the story, then? | 0:20:17 | 0:20:21 | |
Oh, Maisie, | 0:20:21 | 0:20:23 | |
we're in deep trouble. | 0:20:23 | 0:20:24 | |
We've about fifty miles to go and we need to register before eight o'clock. | 0:20:24 | 0:20:30 | |
We'll never make it in time. | 0:20:30 | 0:20:32 | |
I think we're, like, lost. | 0:20:38 | 0:20:40 | |
We're musicians. | 0:20:41 | 0:20:44 | |
-Musicians, you say? -Yeah. | 0:20:44 | 0:20:45 | |
Yeah, we all play the bad ron. | 0:20:45 | 0:20:48 | |
-The bodhran. -Yeah, the bad ron. | 0:20:50 | 0:20:53 | |
And I'll bet you know all the tunes. | 0:20:53 | 0:20:56 | |
We need directions for the music festival. | 0:20:57 | 0:21:00 | |
And no better man to give them to you. | 0:21:01 | 0:21:05 | |
I'm a walking map of Ireland. | 0:21:05 | 0:21:07 | |
If they'd had you two map-reading on D-day, they'd have invaded the fucking Orkneys. | 0:21:07 | 0:21:12 | |
How hard can it be to find a big fucking town? | 0:21:12 | 0:21:15 | |
-It's the signposts, Jimmy. -What's wrong with them?! -There aren't any! | 0:21:15 | 0:21:19 | |
Oh, for fuck's sake. Come on, just drive, will you? Go. Go, go! | 0:21:19 | 0:21:22 | |
TANNOY: 'Pat Flynn, please go to the County Hotel, where his mother is waiting for him?' | 0:21:26 | 0:21:30 | |
OK, good luck! Thanks for the lift. | 0:21:36 | 0:21:39 | |
Maybe we can play some tunes together later. | 0:21:39 | 0:21:42 | |
-Good luck, now. -Right. | 0:21:42 | 0:21:44 | |
We've no more rooms available. | 0:21:54 | 0:21:56 | |
Aye. Just here to register. Cutting it fine. | 0:21:56 | 0:22:00 | |
No way through here! No way through here! No, no. Stop the vehicle. | 0:22:04 | 0:22:09 | |
Youse'll be playing tomorrow at two thirty. | 0:22:18 | 0:22:22 | |
Many people entering? | 0:22:22 | 0:22:24 | |
Hundreds, counting all the competitions together. | 0:22:24 | 0:22:27 | |
-How many ceilidh bands are here? -Fifteen so far. | 0:22:27 | 0:22:31 | |
Any from, er, Liverpool? | 0:22:31 | 0:22:33 | |
No. | 0:22:33 | 0:22:35 | |
Good luck, then. | 0:22:35 | 0:22:37 | |
-Well, that about does it. -Where do I register? | 0:22:38 | 0:22:42 | |
-Am I too late? -No, just in time. | 0:22:43 | 0:22:46 | |
What the hell are you doing here? | 0:22:46 | 0:22:49 | |
Sign here, please. | 0:22:50 | 0:22:52 | |
Is there a John Joe McMahon here? | 0:22:52 | 0:22:54 | |
-I'm John Joe McMahon. -There's a call for you. | 0:22:55 | 0:22:59 | |
'John Joe? Hello? Hello?' | 0:23:08 | 0:23:13 | |
-Hello. -'John Joe?' | 0:23:13 | 0:23:16 | |
-Who's this? -'It's Gerry. Your brother is on his way.' | 0:23:16 | 0:23:20 | |
Don't you think I don't know that? | 0:23:20 | 0:23:22 | |
-I thought you were supposed to delay him at the customs. -'Oh, I did, I did, I did!' | 0:23:22 | 0:23:26 | |
But you don't understand. | 0:23:26 | 0:23:29 | |
Believe me, I do. | 0:23:31 | 0:23:33 | |
Delay me at the customs, eh? | 0:23:36 | 0:23:39 | |
-And I suppose you know nothing about missing bus wheels(!) -Bus wheels? | 0:23:39 | 0:23:44 | |
What are you talking about? | 0:23:44 | 0:23:46 | |
What is the matter with you? | 0:23:46 | 0:23:48 | |
-Did you think you could beat me fair and square? -Fair and square? | 0:23:48 | 0:23:53 | |
And what were you afraid of, huh? Competition! | 0:23:53 | 0:23:55 | |
Big brother, still worried that I'm better than you are. | 0:23:55 | 0:24:00 | |
Twenty-four years. | 0:24:00 | 0:24:02 | |
Twenty-four years and not a word from you. | 0:24:02 | 0:24:06 | |
Well, at least I made something of meself. And look at the state of that suit, huh? | 0:24:06 | 0:24:12 | |
I swear it's the same one you went to England in. | 0:24:12 | 0:24:15 | |
No, it's not. | 0:24:15 | 0:24:18 | |
That one wore out eight years ago. | 0:24:18 | 0:24:20 | |
Oh, two suits in twenty years, huh? | 0:24:20 | 0:24:24 | |
I buy twenty suits a year. | 0:24:24 | 0:24:26 | |
Ah, who cares? | 0:24:26 | 0:24:28 | |
That's typical! | 0:24:28 | 0:24:30 | |
Drag everything down the Bog Road. | 0:24:30 | 0:24:32 | |
You were jealous then and you're jealous now. | 0:24:32 | 0:24:36 | |
Well, you're not in the land of twenty suits now. | 0:24:38 | 0:24:42 | |
You're on my turf. | 0:24:42 | 0:24:43 | |
It's mine, too, remember? | 0:24:43 | 0:24:45 | |
Not any more. | 0:24:45 | 0:24:47 | |
You gave it up to better yourself. | 0:24:47 | 0:24:50 | |
Well, we'll see how much better you are. | 0:24:50 | 0:24:52 | |
Because if there's anywhere where twenty suits counts for nothing, it's on the bandstand. | 0:24:52 | 0:24:58 | |
Do you think the judges or the dancers care about your lapels? | 0:24:58 | 0:25:03 | |
No, they don't. | 0:25:03 | 0:25:05 | |
It's about the music. | 0:25:05 | 0:25:08 | |
And you had bad rhythm then, and I'll bet you have bad rhythm yet. | 0:25:08 | 0:25:12 | |
I do not! | 0:25:12 | 0:25:14 | |
If you think you can just turn up after all these years and become | 0:25:14 | 0:25:18 | |
Yehudi Paganini, then you've another thing coming. | 0:25:18 | 0:25:21 | |
Alberto Paganini. And you know full well this isn't just about the music. | 0:25:22 | 0:25:28 | |
Well, we'll see about that. | 0:25:31 | 0:25:33 | |
-How did you give the missus a miss? -I said I was coming... | 0:25:40 | 0:25:43 | |
Here, Jimmy! | 0:25:43 | 0:25:45 | |
Total success, boss. | 0:25:45 | 0:25:47 | |
We robbed the wheels off the minibus. They're stuck miles away! | 0:25:47 | 0:25:51 | |
You fuckin' eejits. | 0:25:52 | 0:25:55 | |
You're fired! | 0:25:55 | 0:25:57 | |
TRADITIONAL MUSIC PLAYS | 0:25:59 | 0:26:02 | |
Hey! Hey! See you in the pub! | 0:26:18 | 0:26:20 | |
TRADITIONAL MUSIC PLAYS | 0:26:29 | 0:26:34 | |
So we were lucky, really. | 0:26:36 | 0:26:38 | |
Got the four wheels for £20. They're as good as my own. | 0:26:38 | 0:26:41 | |
We're very lucky. | 0:26:41 | 0:26:43 | |
They WERE your own wheels, Michael. | 0:26:43 | 0:26:45 | |
My own wheels? I don't understand. | 0:26:47 | 0:26:49 | |
It was Jimmy. He'd organised it. | 0:26:49 | 0:26:52 | |
How d'you know that? | 0:26:52 | 0:26:54 | |
-Because he's my brother. -Jimmy? | 0:26:54 | 0:27:00 | |
Jimmy's here? | 0:27:00 | 0:27:03 | |
-He is. Yes, he is. -Oh. | 0:27:03 | 0:27:07 | |
Ah, Maisie... | 0:27:13 | 0:27:14 | |
Maisie? | 0:27:22 | 0:27:24 | |
Maisie! | 0:27:24 | 0:27:26 | |
Why didn't you tell me Jimmy was here? | 0:27:28 | 0:27:31 | |
I didn't really know myself until yesterday. | 0:27:31 | 0:27:34 | |
I'm going to go home, John Joe. | 0:27:34 | 0:27:36 | |
But you can't! We need you! The band needs you. | 0:27:37 | 0:27:40 | |
I don't want to see him. | 0:27:40 | 0:27:43 | |
Where am I going to get another piano player at this stage? | 0:27:45 | 0:27:48 | |
-Anne can play. She's far better than I am, anyway. -Then we'll be short of fiddles. | 0:27:48 | 0:27:53 | |
Play louder. | 0:27:53 | 0:27:54 | |
Leaving won't change anything. | 0:27:58 | 0:28:00 | |
Well, your sister's got the kit now. | 0:28:07 | 0:28:09 | |
She's always got the kit, though. | 0:28:12 | 0:28:14 | |
-But promise me you won't bring up the old business. -All right. I promise. | 0:28:16 | 0:28:21 | |
Gene Crooper. What a drummer. Oh, the stories I could tell. | 0:28:21 | 0:28:25 | |
Did you know he played Carnegie Hall? | 0:28:25 | 0:28:27 | |
It was back in 1940-something. | 0:28:27 | 0:28:29 | |
What's the matter with you? | 0:28:31 | 0:28:33 | |
Ah! | 0:28:36 | 0:28:38 | |
And there I was, thinking football was your only love. | 0:28:38 | 0:28:41 | |
Come on, Casanova, let's go and show her your flute. Come on. | 0:28:45 | 0:28:49 | |
-Excuse me, do you mind if we sit in? -No. Please. | 0:28:54 | 0:29:00 | |
-So you don't mind us walking you home? -No. -Where are you staying? -My aunt's. Where are you staying? | 0:29:20 | 0:29:25 | |
A tent just by the river, there. I'm Alex, by the way. | 0:29:25 | 0:29:28 | |
So you said earlier. | 0:29:28 | 0:29:29 | |
And the handsome chatterbox there is Terry. | 0:29:29 | 0:29:32 | |
-You told me. -We're from Liverpool. | 0:29:32 | 0:29:35 | |
-And there I was, thinking you were from Bombay(!) -Bombay! | 0:29:35 | 0:29:38 | |
The nearest we've been to Bombay is probably the chicken vindaloo at the El Morocco. | 0:29:39 | 0:29:44 | |
A little Chinese place by the docks. | 0:29:44 | 0:29:47 | |
-Are you competing this weekend? -Yes. | 0:29:48 | 0:29:50 | |
So are we! | 0:29:50 | 0:29:51 | |
-In the ceilidh band competition? -Are you? | 0:29:51 | 0:29:55 | |
Fraternising with the enemy. What will they say? | 0:29:56 | 0:29:59 | |
-This is where I'm staying. -Good night. | 0:29:59 | 0:30:03 | |
Good night, Teddie. | 0:30:03 | 0:30:04 | |
Night. | 0:30:04 | 0:30:07 | |
Come on, Romeo, we've got a tent to put up. | 0:30:07 | 0:30:10 | |
-Is that you? -Yes. | 0:30:15 | 0:30:17 | |
-Aunt Fernie. -Look at you! | 0:30:19 | 0:30:22 | |
-A picture! -There's a cup of tea made. -I think I'll go straight to bed. | 0:30:22 | 0:30:27 | |
-You're in your usual room. -Thank you. See you in the morning. -Good night! | 0:30:27 | 0:30:31 | |
She looks happy. | 0:30:31 | 0:30:33 | |
She is beautiful. | 0:30:33 | 0:30:36 | |
Oh, you've noticed? | 0:30:36 | 0:30:37 | |
A word of advice - forget it, son, because behind every Irish girl is | 0:30:37 | 0:30:41 | |
a disapproving mother, who'll put your balls in a mangle if you try to get too close. | 0:30:41 | 0:30:46 | |
We're only here for a couple of days, so | 0:30:46 | 0:30:48 | |
go for the foreign birds. | 0:30:48 | 0:30:50 | |
One look at the length of your flute and you're in! | 0:30:50 | 0:30:53 | |
Always sex with you, isn't it?! You think of nothing else, don't you? | 0:30:53 | 0:30:57 | |
Depends on whether Liverpool are playing home or away. | 0:30:57 | 0:31:00 | |
TANNOY: 'The under-16 fiddle has been moved from the town hall to the priests' house. | 0:31:11 | 0:31:17 | |
'That's the under 16s, the fiddle, has been moved from the town hall | 0:31:17 | 0:31:24 | |
'to the priests' house.' | 0:31:24 | 0:31:26 | |
Ted, Ted, wake up! | 0:31:48 | 0:31:50 | |
Teddy. Wake up. | 0:31:50 | 0:31:52 | |
There's a bird swimming naked in the sea. She's in the sea naked! | 0:31:54 | 0:31:58 | |
Hi. | 0:32:13 | 0:32:14 | |
Very fucking funny. | 0:32:28 | 0:32:31 | |
Fine birds. I'm telling you, Ted. | 0:32:31 | 0:32:34 | |
Fine birds. | 0:32:34 | 0:32:36 | |
-Morning, Jim. -Oh, all right? | 0:32:45 | 0:32:49 | |
You look a bit delicate. | 0:32:50 | 0:32:52 | |
Bad pint. | 0:32:52 | 0:32:54 | |
I never touch the stuff myself. | 0:32:54 | 0:32:56 | |
Top shelf only. Powell's Gold Label. | 0:32:56 | 0:32:59 | |
The Manchester United of whiskies. Get some breakfast in you, you'll feel better. | 0:32:59 | 0:33:04 | |
Just in time. What can I get you? | 0:33:05 | 0:33:07 | |
Just a pint of Guinness. | 0:33:09 | 0:33:10 | |
It's not good to eat on an empty stomach. | 0:33:13 | 0:33:15 | |
TANNOY: 'A child has been found.' | 0:33:21 | 0:33:24 | |
'A little girl called Eva. Grey skirt and a white blouse...' | 0:33:25 | 0:33:29 | |
Good morning, Teddy. | 0:33:41 | 0:33:42 | |
Whoa. Oh, good... Whoa, whoa! Ahhhh! | 0:33:42 | 0:33:46 | |
BOY PLAYS FIDDLE OUT OF TUNE | 0:33:59 | 0:34:03 | |
Thank you. | 0:34:12 | 0:34:14 | |
-You did your best. Winning isn't everything. -They'll be no fecking ice-cream for you! | 0:34:14 | 0:34:19 | |
TRADITIONAL MUSIC | 0:34:51 | 0:34:53 | |
I enjoyed playing with you. | 0:35:19 | 0:35:21 | |
I mean, you know, last night, the music... | 0:35:21 | 0:35:24 | |
I enjoyed playing with you, too. | 0:35:24 | 0:35:26 | |
I started on the piano accordion. | 0:35:28 | 0:35:30 | |
But then we all make mistakes. | 0:35:30 | 0:35:32 | |
It's what my dad used to play. | 0:35:32 | 0:35:34 | |
Never knew my father. | 0:35:34 | 0:35:37 | |
-Did he walk out? -What makes you say that? | 0:35:37 | 0:35:40 | |
Well, just because my dad walks out so often that the whole carpet needs replacing twice a month! | 0:35:40 | 0:35:46 | |
No, my mother never talks about it. It doesn't really matter to me. He'd be like a complete stranger anyway. | 0:35:46 | 0:35:52 | |
What's it like in Liverpool? | 0:35:54 | 0:35:56 | |
Same as any dump. | 0:35:58 | 0:35:59 | |
We've got all the usual things. | 0:35:59 | 0:36:01 | |
The Beatles, riots... | 0:36:01 | 0:36:04 | |
What's it like where you're from? | 0:36:04 | 0:36:06 | |
-It's nice. It's quiet. -You could never accuse Liverpool of being quiet. | 0:36:06 | 0:36:11 | |
You should visit some day. | 0:36:11 | 0:36:13 | |
-I could show you the sights. -Are there any? | 0:36:13 | 0:36:16 | |
Not that I know of. | 0:36:16 | 0:36:18 | |
-Maybe I will. -It's a date then. | 0:36:18 | 0:36:21 | |
Oh, my God, what time is it?! | 0:36:21 | 0:36:24 | |
-It's nearly two. -We're playing at 2.30pm. | 0:36:24 | 0:36:26 | |
-Can I see you later? -If you like. | 0:36:26 | 0:36:28 | |
Yeah, I do. | 0:36:28 | 0:36:30 | |
Hello, mate. | 0:36:42 | 0:36:43 | |
-Did you score? -It's not like that. | 0:36:43 | 0:36:46 | |
Oh, no, not love. | 0:36:46 | 0:36:47 | |
What about you? Did you score? | 0:36:47 | 0:36:49 | |
-Like Pele, mate. -Kevin Keegan. -That hippy girl thinks that I'm the best thing since Sergeant Pepper. | 0:36:49 | 0:36:55 | |
-Who's Kevin Keegan? -Liverpool signing from Scunthorpe! | 0:36:56 | 0:37:00 | |
Scunthorpe? They must be fucking mad. | 0:37:00 | 0:37:02 | |
-Nothing's come out of their that's any good. What's he like? -Keegan? | 0:37:02 | 0:37:06 | |
-No idea. Probably useless. -What did they give for him? -Deck chairs. | 0:37:06 | 0:37:09 | |
Where the hell is she? | 0:37:22 | 0:37:24 | |
She'll be here. And stop pacing like that, you'll give yourself a heart attack. | 0:37:24 | 0:37:28 | |
CEILIDH MUSIC | 0:37:35 | 0:37:38 | |
-Thank God. Where have you been? -What does it matter? She's here now. I'll talk to you later. | 0:37:57 | 0:38:03 | |
Ready? | 0:38:12 | 0:38:13 | |
One, two... | 0:38:15 | 0:38:16 | |
CEILIDH MUSIC | 0:38:16 | 0:38:19 | |
So? What's the story, Jimmy? | 0:39:52 | 0:39:55 | |
Oh, they're good. But we can beat them. | 0:39:55 | 0:40:00 | |
CHEERING | 0:40:00 | 0:40:02 | |
Good luck, now. | 0:40:07 | 0:40:09 | |
Good luck, now! And, remember, winning isn't everything. | 0:40:09 | 0:40:13 | |
Fuck off! | 0:40:13 | 0:40:15 | |
Cheeky fucker. | 0:40:15 | 0:40:18 | |
Pint of red wine! | 0:40:20 | 0:40:22 | |
-Yeah, that's me. -What are you all having? -I'll have a vodka and lemonade. You? | 0:40:22 | 0:40:26 | |
-Pint, please. -Two. | 0:40:26 | 0:40:28 | |
-What are you doing? -I've taken care of it. | 0:40:42 | 0:40:45 | |
Listen, lads, I want you to keep it tight and steady, right? | 0:40:50 | 0:40:54 | |
And you, none of that fucking jazz, do you hear me? | 0:40:54 | 0:40:57 | |
I'll play it straight, Jimmy, don't worry. | 0:40:57 | 0:41:00 | |
What the... | 0:41:04 | 0:41:06 | |
Where the hell did you get that? | 0:41:07 | 0:41:10 | |
I pinched it back at the Customs. | 0:41:10 | 0:41:12 | |
My contingency plan. | 0:41:12 | 0:41:15 | |
Are you mad? | 0:41:15 | 0:41:18 | |
What were you thinking? Who do you think he's going to blame?! | 0:41:18 | 0:41:23 | |
HE PLUCKS FIDDLE STRING | 0:41:25 | 0:41:27 | |
He'll kill me. | 0:41:27 | 0:41:30 | |
I'm going to fucking kill him. | 0:41:30 | 0:41:31 | |
Right, lads, we're ready for you. | 0:41:33 | 0:41:36 | |
-Come on, OK? -Right then, boys, this is what we've waited for. | 0:41:36 | 0:41:41 | |
Here! Lend me your fiddle, will you?! | 0:41:55 | 0:41:58 | |
Fuck off! | 0:41:58 | 0:41:59 | |
New fiddle, Jim? | 0:42:13 | 0:42:15 | |
It's a spare. | 0:42:15 | 0:42:16 | |
-Clive, are you ready? -Yeah. | 0:42:20 | 0:42:22 | |
One, two... | 0:42:27 | 0:42:28 | |
CEILIDH MUSIC | 0:42:29 | 0:42:32 | |
OUT OF TUNE NOTE PLAYS | 0:42:57 | 0:42:58 | |
What are you doing? | 0:43:13 | 0:43:14 | |
You don't take a man's fiddle from its case like that. What were you thinking? | 0:43:26 | 0:43:31 | |
-I was only trying to help the cause. -I'll tell you what you can do to help the cause. | 0:43:31 | 0:43:35 | |
-You can leave town now, before you do any more damage. -So you feel that way about it? | 0:43:35 | 0:43:40 | |
Sorry. | 0:43:40 | 0:43:41 | |
-I'll say no more about it. -Oh. | 0:43:41 | 0:43:48 | |
I have something to tell you. | 0:43:48 | 0:43:49 | |
I want a word with you. | 0:43:52 | 0:43:53 | |
And before you say anything, it wasn't me, it was him. | 0:43:53 | 0:43:57 | |
-What? -Acting for you?! | 0:43:57 | 0:43:59 | |
Oh, no, I was acting for myself. | 0:43:59 | 0:44:03 | |
I've already had this out with him. | 0:44:03 | 0:44:05 | |
-Apologise. -John Joe, I'm very sorry. | 0:44:05 | 0:44:08 | |
-Not to me, you eejit, him! -All right. | 0:44:08 | 0:44:13 | |
I apologise. | 0:44:13 | 0:44:15 | |
-That's low. Even for you. Taking a man's fiddle. -Look, Junior, I've already told you... | 0:44:20 | 0:44:25 | |
Don't call me that! It's Jimmy. | 0:44:25 | 0:44:28 | |
You're junior to me. | 0:44:28 | 0:44:30 | |
And you always will be. | 0:44:30 | 0:44:32 | |
Besides, it was my fiddle anyway. | 0:44:32 | 0:44:34 | |
You lost it in a bet, remember? | 0:44:34 | 0:44:36 | |
Oh, is it a bet you call it?! | 0:44:36 | 0:44:38 | |
It's not my fault if you're too blind to see the obvious! | 0:44:38 | 0:44:41 | |
The obvious? And what's that? Going behind your own brother's back? | 0:44:41 | 0:44:46 | |
You had your chance. She wasn't interested. | 0:44:46 | 0:44:48 | |
You went behind my back. | 0:44:48 | 0:44:50 | |
She wasn't spoken for! | 0:44:50 | 0:44:52 | |
Stop it! Just stop it! | 0:44:52 | 0:44:54 | |
You promised me, John Joe. | 0:45:01 | 0:45:02 | |
-I'm sorry, Maisie. -You promised! | 0:45:04 | 0:45:06 | |
Hello, Maisie. | 0:45:08 | 0:45:10 | |
-Jimmy. -You're looking well. | 0:45:16 | 0:45:19 | |
-Maisie, I... -I don't want to hear it. | 0:45:27 | 0:45:29 | |
Not a word out of you. | 0:45:29 | 0:45:31 | |
Look at you - | 0:45:32 | 0:45:34 | |
you're children. You've learned nothing, like two little boys. | 0:45:34 | 0:45:38 | |
Junior! | 0:45:49 | 0:45:51 | |
He must be 50 if he's a day. | 0:45:51 | 0:45:53 | |
Mammy! Mam, hold on! Wait, Mammy. | 0:45:54 | 0:45:59 | |
-What was all that about? -Nothing. | 0:45:59 | 0:46:03 | |
It was stupid of me. | 0:46:03 | 0:46:05 | |
It all happened a long time ago. | 0:46:05 | 0:46:07 | |
Is this to do with my father? | 0:46:07 | 0:46:10 | |
What made you say that? | 0:46:10 | 0:46:12 | |
I don't know. You never talk about it, I just thought... | 0:46:12 | 0:46:17 | |
Please, tell me. | 0:46:17 | 0:46:19 | |
-Has John Joe been telling you things? -No! | 0:46:19 | 0:46:22 | |
Mam, tell me, please. | 0:46:22 | 0:46:26 | |
-It was all a long time ago. -Please. | 0:46:26 | 0:46:27 | |
He promised he'd take care of me. | 0:46:27 | 0:46:30 | |
He didn't keep his promise. | 0:46:30 | 0:46:33 | |
-That's all. -Is he my father? | 0:46:33 | 0:46:36 | |
Is he my father? | 0:46:38 | 0:46:40 | |
You played great, Anne! | 0:46:59 | 0:47:00 | |
Pat. Thanks, Pat. You did, too. | 0:47:00 | 0:47:04 | |
Anne, is everything all right? | 0:47:07 | 0:47:11 | |
I'm not sure. | 0:47:11 | 0:47:12 | |
But I think I need a drink. | 0:47:14 | 0:47:16 | |
Will you take me somewhere? | 0:47:16 | 0:47:18 | |
Whatever you want. | 0:47:18 | 0:47:20 | |
I can't believe you're still angry. | 0:47:28 | 0:47:31 | |
What do you expect? | 0:47:31 | 0:47:33 | |
Two brothers who up and leave me to run a farm on my own. | 0:47:33 | 0:47:36 | |
-You could have left as well. -I did, remember? | 0:47:36 | 0:47:38 | |
Two weeks hardly counts. | 0:47:38 | 0:47:40 | |
I would've stayed longer, but for you. | 0:47:40 | 0:47:42 | |
Are you never gonna forget that? | 0:47:42 | 0:47:44 | |
Well, how can I? | 0:47:44 | 0:47:46 | |
I'm reminded of it on a daily basis. | 0:47:46 | 0:47:48 | |
I know. | 0:47:48 | 0:47:50 | |
I'm sorry. | 0:47:52 | 0:47:53 | |
# No nay never, no more Will I play the wild rover | 0:47:55 | 0:48:01 | |
# No never, no more... # | 0:48:01 | 0:48:04 | |
-Do you ever hear from Padraig? -Not a word since he left. | 0:48:04 | 0:48:07 | |
He's a missionary somewhere. That's about all I know. | 0:48:10 | 0:48:15 | |
Will the owner of the white van with Patsy's Porcupines written on the side please move it... | 0:48:15 | 0:48:21 | |
CHATTER AND LAUGHTER | 0:48:34 | 0:48:37 | |
OK. | 0:48:40 | 0:48:42 | |
You've a good band. | 0:48:42 | 0:48:44 | |
Huh! | 0:48:44 | 0:48:46 | |
-That flute player... -Teddy? | 0:48:46 | 0:48:48 | |
Teddy. | 0:48:48 | 0:48:51 | |
Doesn't get any better than that. | 0:48:51 | 0:48:53 | |
He's my best player. | 0:48:53 | 0:48:54 | |
A fucking genius. He'd give the Beatles a run for their money. | 0:48:54 | 0:48:57 | |
The girl? | 0:49:02 | 0:49:03 | |
Her name's Anne. | 0:49:04 | 0:49:06 | |
Anne... Anne. | 0:49:07 | 0:49:11 | |
-She's good. -Best I ever heard. | 0:49:13 | 0:49:15 | |
She's her mother's daughter. | 0:49:18 | 0:49:20 | |
-What about me? -Well what about you? | 0:49:22 | 0:49:25 | |
-Wha... -No matter what nature might say about it, you've still got bad rhythm. | 0:49:26 | 0:49:30 | |
-I do not! -Still speeding up. | 0:49:30 | 0:49:33 | |
-I am not! -Yes, you are. | 0:49:33 | 0:49:35 | |
Jesus! | 0:49:35 | 0:49:36 | |
Still picking on me after all these years. | 0:49:36 | 0:49:39 | |
Just stating a fact. | 0:49:39 | 0:49:41 | |
You may not have noticed, but I'm not wearing short fucking trousers. | 0:49:41 | 0:49:45 | |
No...but I bet you've 20 pairs at home. | 0:49:45 | 0:49:49 | |
Come on. | 0:50:00 | 0:50:01 | |
-Come on. -No, I'm okay, thanks. | 0:50:05 | 0:50:07 | |
-I don't really... -Come on, handsome Teddy. -No. | 0:50:12 | 0:50:15 | |
You're no fun any more. | 0:50:15 | 0:50:17 | |
-Oh! -No! -Oh! | 0:50:17 | 0:50:20 | |
SHE SCREAMS | 0:50:20 | 0:50:21 | |
Anne! Anne! Anne! | 0:50:25 | 0:50:27 | |
Anne! Anne! | 0:50:30 | 0:50:32 | |
Help! Somebody help! Anne! | 0:50:38 | 0:50:41 | |
Are you looking for me? | 0:50:41 | 0:50:43 | |
Teddy? Are you looking for me? | 0:50:43 | 0:50:46 | |
I thought you drowned. | 0:50:50 | 0:50:52 | |
No, but I did drink a lot of water. | 0:50:52 | 0:50:56 | |
My knight in dripping armour. | 0:50:59 | 0:51:01 | |
Oh... Oh my God! | 0:51:06 | 0:51:08 | |
Will I put the kettle on? | 0:51:16 | 0:51:18 | |
-Sorry? -The kettle? | 0:51:18 | 0:51:21 | |
I'm putting the kettle on. | 0:51:21 | 0:51:22 | |
What about food? They'll be hungry. | 0:51:22 | 0:51:25 | |
Eating's the last thing on their minds. | 0:51:25 | 0:51:27 | |
What's the matter? | 0:51:32 | 0:51:34 | |
Nothing. | 0:51:34 | 0:51:35 | |
In the pig's eye... | 0:51:38 | 0:51:40 | |
I met Jimmy. | 0:51:42 | 0:51:43 | |
Ah! | 0:51:43 | 0:51:45 | |
I hit him. | 0:51:46 | 0:51:47 | |
Hard. | 0:51:47 | 0:51:50 | |
I might never play the piano again. | 0:51:50 | 0:51:52 | |
A price worth paying. He deserved it. | 0:51:52 | 0:51:56 | |
Did he? | 0:51:58 | 0:52:00 | |
Maybe I expected too much. | 0:52:00 | 0:52:02 | |
-Expecting honesty? -We were so young. | 0:52:02 | 0:52:05 | |
All the more reason not to have left you in the lurch. | 0:52:05 | 0:52:08 | |
I'll make sandwiches for them. | 0:52:13 | 0:52:15 | |
Here, I'll help. | 0:52:17 | 0:52:19 | |
So...is there Mrs Junior? | 0:52:20 | 0:52:24 | |
Don't call me that. | 0:52:24 | 0:52:26 | |
It makes me feel old. | 0:52:26 | 0:52:28 | |
Well, is there? | 0:52:28 | 0:52:30 | |
There's...four of them. | 0:52:31 | 0:52:34 | |
Four?! | 0:52:34 | 0:52:36 | |
Going on five. | 0:52:40 | 0:52:41 | |
-Five wives? -Yeah. | 0:52:41 | 0:52:44 | |
There's no hairs growing on your knees, that's for sure. | 0:52:44 | 0:52:46 | |
How about you? | 0:52:49 | 0:52:50 | |
No women left. | 0:52:50 | 0:52:52 | |
You cornered the market. | 0:52:52 | 0:52:54 | |
Did you and Maisie never...? | 0:52:57 | 0:52:59 | |
No. | 0:53:00 | 0:53:01 | |
No. | 0:53:01 | 0:53:04 | |
Pat, what now? | 0:53:07 | 0:53:09 | |
You'll never believe that tunes I've just heard, John Joe. Incredible! | 0:53:09 | 0:53:12 | |
Really? Well, that's just fine, Pat. | 0:53:12 | 0:53:14 | |
You can teach them to us back home. | 0:53:14 | 0:53:16 | |
# No nay never, No nay never no more | 0:53:24 | 0:53:30 | |
# I will play... # | 0:53:30 | 0:53:33 | |
What? God, what happened? | 0:53:37 | 0:53:40 | |
-She had a little too much to drink and fell in the river. -She did what? | 0:53:40 | 0:53:43 | |
I'm fine, I just need to change. | 0:53:43 | 0:53:46 | |
-Oh my God, what...? -What were you doing? | 0:53:46 | 0:53:48 | |
Just walking, she tripped and fell. | 0:53:48 | 0:53:51 | |
-Don't make such a fuss. -You, go upstairs, now! | 0:53:51 | 0:53:55 | |
And you, go back to Liverpool with you. You're nothing but trouble. | 0:53:55 | 0:53:58 | |
-I haven't done anything wrong. -It's not Teddy's fault. | 0:53:58 | 0:54:01 | |
If he hasn't done anything wrong, why are you in that state? | 0:54:01 | 0:54:04 | |
NOW! | 0:54:05 | 0:54:07 | |
Stop treating me like I'm a child. | 0:54:15 | 0:54:17 | |
What do you expect when you behave like this? | 0:54:17 | 0:54:20 | |
Behave like what? The minute I meet anyone you step in and stop it. | 0:54:20 | 0:54:23 | |
-I know his type. -What type? What the hell is his type? | 0:54:23 | 0:54:26 | |
-He'll charm you into bed and you'll never hear from him again. -He's not like that. | 0:54:26 | 0:54:30 | |
-They all are! -Is this because it happened to you? | 0:54:30 | 0:54:32 | |
-I beg your pardon? -It is. That's the reason. | 0:54:32 | 0:54:35 | |
What happened to me is of no concern of yours. | 0:54:35 | 0:54:39 | |
Who was it? Was it that man? | 0:54:39 | 0:54:41 | |
Tell me, Mam. Tell me. | 0:54:41 | 0:54:44 | |
Tell her. | 0:54:45 | 0:54:47 | |
She's a right to know why you've been so crabby all these years. | 0:54:49 | 0:54:52 | |
Crabby?! I have not been crabby! | 0:54:52 | 0:54:55 | |
You have. Now tell her. | 0:54:55 | 0:54:57 | |
Tell her or I will. | 0:54:59 | 0:55:01 | |
I was about your age... | 0:55:22 | 0:55:24 | |
..and I thought I was in love. | 0:55:25 | 0:55:27 | |
-I didn't know what love was. -Who is he? | 0:55:29 | 0:55:32 | |
He's John Joe's brother, Jimmy. | 0:55:32 | 0:55:35 | |
And he's my father? | 0:55:38 | 0:55:39 | |
I was just another conquest to him. | 0:55:41 | 0:55:44 | |
Oh, he promised to marry me when I told him I was pregnant. | 0:55:44 | 0:55:49 | |
He was already engaged to somebody else. A nightclub singer. | 0:55:49 | 0:55:53 | |
So I came home after you were born | 0:55:53 | 0:55:56 | |
and people chose to believe I was a widow | 0:55:56 | 0:56:00 | |
and I tried to make the best life I could for you...for us. | 0:56:00 | 0:56:05 | |
But why did you never tell me I still had a father? | 0:56:05 | 0:56:11 | |
Because you didn't. He might as well have been dead for all I knew. | 0:56:12 | 0:56:15 | |
Because of your mistake, you don't want me seeing Teddy? | 0:56:16 | 0:56:21 | |
I just don't want you to ruin your life the way I did. | 0:56:21 | 0:56:24 | |
But it's my life! | 0:56:24 | 0:56:27 | |
-My life! -Anne, please. | 0:56:27 | 0:56:30 | |
I'm so sorry I've ruined yours. | 0:56:30 | 0:56:32 | |
Is that one of your better ideas? | 0:56:42 | 0:56:44 | |
On the contrary. | 0:56:44 | 0:56:47 | |
The last person in the world to hear about your scarlet past | 0:56:47 | 0:56:50 | |
is the one person you should have told from the beginning. | 0:56:50 | 0:56:53 | |
CHATTER AND HAPPY LAUGHTER IN BACKGROUND | 0:56:54 | 0:56:58 | |
Oh! GROANING | 0:57:04 | 0:57:07 | |
-MAN GROANS: -Ah! Oh! | 0:57:08 | 0:57:11 | |
Oh! | 0:57:14 | 0:57:16 | |
Oh, yeah, just there. | 0:57:17 | 0:57:19 | |
Come on, let me dance. Let me dance. | 0:57:22 | 0:57:24 | |
That's it. | 0:57:24 | 0:57:26 | |
WOMAN MOANS: Oh! Oh! | 0:57:26 | 0:57:27 | |
You should tell her you're sorry. | 0:57:30 | 0:57:32 | |
Don't you think I haven't wanted to? | 0:57:32 | 0:57:34 | |
And you should tell her about the five wives here. | 0:57:34 | 0:57:38 | |
I might be stupid but I'm not suicidal. | 0:57:38 | 0:57:41 | |
Make her see how lucky she was. | 0:57:41 | 0:57:44 | |
Having a child out of wedlock's one thing. | 0:57:44 | 0:57:47 | |
But getting divorced, Jesus! | 0:57:47 | 0:57:50 | |
The parish priest would have her excommuniated. | 0:57:50 | 0:57:53 | |
Excommuni-cated! | 0:57:53 | 0:57:55 | |
Well, he'd certainly take a dim view. | 0:57:57 | 0:57:59 | |
Guinness. | 0:58:02 | 0:58:04 | |
-Bring up the cases for me, will you? -> | 0:58:06 | 0:58:09 | |
On second thoughts, maybe you should leave the wives out of it. | 0:58:13 | 0:58:17 | |
Impressed by the suits, were they, the five of them? | 0:58:19 | 0:58:22 | |
Jimmy. | 0:58:25 | 0:58:26 | |
Maisie. | 0:58:29 | 0:58:31 | |
I want to apologise for hitting you. | 0:58:31 | 0:58:33 | |
I-I want to apologise, too... | 0:58:33 | 0:58:35 | |
-Please, let me finish. -Sorry. | 0:58:35 | 0:58:38 | |
What happened is past, but I'm worried about Anne. | 0:58:38 | 0:58:42 | |
I've told her everything. | 0:58:42 | 0:58:43 | |
Maisie, I... | 0:58:43 | 0:58:45 | |
I don't want her having anything to do with that young man. | 0:58:45 | 0:58:48 | |
I don't want her making the same mistakes I did. | 0:58:50 | 0:58:53 | |
Teddy's a good lad. | 0:58:53 | 0:58:55 | |
I've known him for years. | 0:58:55 | 0:58:57 | |
She's a grown girl, Maisie. | 0:58:57 | 0:58:59 | |
-She can make her own decisions. -Keep out of this, John Joe. | 0:58:59 | 0:59:02 | |
You owe me that much. | 0:59:06 | 0:59:08 | |
As her father, you owe me that. If she comes to you, | 0:59:08 | 0:59:11 | |
I want you to put her straight. | 0:59:11 | 0:59:14 | |
She won't listen to me now. | 0:59:15 | 0:59:17 | |
If that's what you want. | 0:59:19 | 0:59:21 | |
It is. That's all I came to say. | 0:59:22 | 0:59:27 | |
Go on. | 0:59:29 | 0:59:30 | |
Maisie... | 0:59:33 | 0:59:34 | |
..I'm sorry. | 0:59:38 | 0:59:41 | |
-Hey, Candy? -Hey. -There you are. | 0:59:55 | 0:59:59 | |
-Where you been? -Hello, ladies. | 1:00:01 | 1:00:04 | |
What the fuck happened to your shirt? | 1:00:04 | 1:00:06 | |
I think someone puked all over it. | 1:00:06 | 1:00:08 | |
Oh, phew... | 1:00:08 | 1:00:09 | |
< Testing, testing, test... | 1:00:18 | 1:00:21 | |
The town of Naas is a terrible place, | 1:00:21 | 1:00:25 | |
Kilcock is just as bad. | 1:00:25 | 1:00:27 | |
But of all the towns I was ever in... | 1:00:27 | 1:00:29 | |
Fuck me, Kinnegad. | 1:00:29 | 1:00:33 | |
Peter Piper... | 1:00:37 | 1:00:39 | |
pecked a pick... | 1:00:39 | 1:00:40 | |
Peter Piper pipped a... No, that's not right, no. | 1:00:40 | 1:00:44 | |
Pickle Peter... | 1:00:44 | 1:00:46 | |
Oh, fuck. How was that? | 1:00:46 | 1:00:48 | |
Never heard better. | 1:00:48 | 1:00:50 | |
Anne...? | 1:01:01 | 1:01:03 | |
Don't forget. | 1:01:05 | 1:01:08 | |
Winner plays at the ceilidh tonight. | 1:01:08 | 1:01:11 | |
What the fuck have you been doing? | 1:01:31 | 1:01:34 | |
You can't go up on stage looking like that. | 1:01:34 | 1:01:36 | |
I don't know what happened, Jim. | 1:01:36 | 1:01:39 | |
Here. I've a spare shirt up in my room, man. | 1:01:39 | 1:01:42 | |
You fucking eejit, you! | 1:01:42 | 1:01:45 | |
Sort yourself out, mate. | 1:01:45 | 1:01:47 | |
-Hello. -Hello. | 1:01:53 | 1:01:55 | |
I put your fiddle away. | 1:01:57 | 1:01:59 | |
I was going to bring it round to the house but I had second thoughts. | 1:01:59 | 1:02:02 | |
I'm too young to die yet. | 1:02:02 | 1:02:04 | |
Thanks. | 1:02:04 | 1:02:07 | |
Your mum's mad at me. | 1:02:07 | 1:02:09 | |
It's not you. She's mad at everyone. | 1:02:09 | 1:02:13 | |
It's nice to know you're not alone in the world. | 1:02:13 | 1:02:16 | |
I'm sorry... | 1:02:17 | 1:02:19 | |
for what happened. | 1:02:19 | 1:02:21 | |
You've got a clean shirt. | 1:02:24 | 1:02:27 | |
Actually, it's Alex's. | 1:02:27 | 1:02:29 | |
They were in the tent but I couldn't get in. I lost the keys. | 1:02:30 | 1:02:34 | |
Are you stuck to those fucking stools or...? | 1:02:34 | 1:02:37 | |
Are you stuck to the stools or what? Time to get to the hall, come on. | 1:02:37 | 1:02:40 | |
Can I come with you? | 1:02:40 | 1:02:42 | |
Yeah. Yeah, course. | 1:02:45 | 1:02:47 | |
PA SYSTEM: 'Extra car-parking space can be found | 1:02:47 | 1:02:51 | |
'at the back of Wheelies Bar on the side street. | 1:02:51 | 1:02:55 | |
'Extra car-parking space can be found | 1:02:55 | 1:02:58 | |
at the back of Wheelies Bar on the side street.' | 1:02:58 | 1:03:03 | |
HUM OF CHATTERING VOICES | 1:03:03 | 1:03:06 | |
All right? | 1:03:16 | 1:03:18 | |
-Nice shirt, mate. -Yeah, Jimmy gave it to me. | 1:03:18 | 1:03:22 | |
-Said I was a disgrace. -No-one gets past Jimmy. | 1:03:22 | 1:03:24 | |
Better tell the others. | 1:03:34 | 1:03:36 | |
So what happens now? | 1:03:41 | 1:03:44 | |
Well, they announce the winner and then we go up on stage and play. | 1:03:44 | 1:03:48 | |
-You do, do you? -Well, that's what happened last year. | 1:03:48 | 1:03:52 | |
Shhh! | 1:03:52 | 1:03:54 | |
And the year before. | 1:03:54 | 1:03:56 | |
Good evening, ladies and gentlemen. | 1:03:56 | 1:03:59 | |
You're all welcome here tonight for the ceilidh | 1:03:59 | 1:04:02 | |
and to dance to the music of this year's winning ceilidh band. | 1:04:02 | 1:04:05 | |
CHEERING AND APPLAUSE | 1:04:05 | 1:04:09 | |
All the prizes for the solo competitions have been awarded | 1:04:11 | 1:04:15 | |
and...what competitions they've been! | 1:04:15 | 1:04:19 | |
The standard has been the highest we've seen here since... | 1:04:19 | 1:04:23 | |
Well, since last year. | 1:04:23 | 1:04:25 | |
LAUGHTER | 1:04:25 | 1:04:27 | |
And the judges found it very hard, | 1:04:29 | 1:04:31 | |
in particular, | 1:04:31 | 1:04:33 | |
to select the winner of the ceilidh band competition. | 1:04:33 | 1:04:37 | |
But in the end...they did. | 1:04:38 | 1:04:41 | |
WHISTLING AND APPLAUSE | 1:04:41 | 1:04:44 | |
Oh, there's a winning ceilidh band | 1:04:44 | 1:04:46 | |
ready and bursting to entertain you all. | 1:04:46 | 1:04:48 | |
And, without further ado, I'd like to call on the chairman of the committee | 1:04:48 | 1:04:53 | |
to announce the winner and to present the trophy. | 1:04:53 | 1:04:59 | |
CHEERING AND APPLAUSE | 1:04:59 | 1:05:03 | |
There's something you should know. | 1:05:03 | 1:05:05 | |
HE WHISPERS | 1:05:05 | 1:05:06 | |
What? I can't hear. | 1:05:06 | 1:05:08 | |
CHEERING AND APPLAUSE CONTINUES | 1:05:08 | 1:05:12 | |
Thank you, ladies and gentlemen. | 1:05:12 | 1:05:14 | |
It's a great pleasure for me to be associated with this event. | 1:05:14 | 1:05:19 | |
And the name McMahon has been... | 1:05:19 | 1:05:21 | |
-You're not serious? -..long associated with it. This year... -Here? | 1:05:21 | 1:05:25 | |
-..it's a McMahon that has triumphed again. -I was trying to tell you. | 1:05:25 | 1:05:29 | |
I'm delighted to announce the winning band. | 1:05:29 | 1:05:32 | |
They were late arrivals, but we're very glad they made it. | 1:05:32 | 1:05:35 | |
So, ladies and gentlemen, would you please put your hands together | 1:05:35 | 1:05:39 | |
and give a very warm welcome to, from across the water, | 1:05:39 | 1:05:43 | |
Father Padjo McMahon and his South African Township | 1:05:43 | 1:05:47 | |
Ceilidh Band! | 1:05:47 | 1:05:50 | |
UPBEAT FOLK MUSIC | 1:05:50 | 1:05:53 | |
-BOTH: -Padjo?! | 1:05:54 | 1:05:55 | |
I thought you said he was some kind of missionary. | 1:05:58 | 1:06:00 | |
I did. | 1:06:00 | 1:06:02 | |
He could have picked another fucking mission! | 1:06:02 | 1:06:06 | |
Not bad, are they, John Joe? | 1:06:07 | 1:06:09 | |
Saw them earlier on. I tried to tell you. | 1:06:09 | 1:06:12 | |
-Dance? -Dance. | 1:06:17 | 1:06:18 | |
-Maybe we should congratulate him. -He'll find us. | 1:06:46 | 1:06:49 | |
You can bet your life on that. | 1:06:49 | 1:06:52 | |
Here. | 1:07:23 | 1:07:26 | |
What's this? | 1:07:26 | 1:07:27 | |
I want you to have it anyway. | 1:07:27 | 1:07:29 | |
Take it. Me da' left it to you. | 1:07:29 | 1:07:33 | |
Betting on who takes the girl home at the end of a night. | 1:07:37 | 1:07:40 | |
It's not something I'm proud of. | 1:07:42 | 1:07:44 | |
-D'you mean it? You really want to give me back my fiddle? -You take it. | 1:07:45 | 1:07:49 | |
I don't know what to say. | 1:07:52 | 1:07:55 | |
"Same again" always works for me. | 1:07:57 | 1:08:00 | |
Ahem. | 1:08:02 | 1:08:04 | |
You've a great band. | 1:08:12 | 1:08:14 | |
And a trophy to prove it. | 1:08:14 | 1:08:16 | |
Padjo! | 1:08:19 | 1:08:21 | |
-It's the ugliest fucking thing I've ever seen! -Padjo! | 1:08:21 | 1:08:26 | |
When are you going? | 1:08:50 | 1:08:52 | |
In the morning. | 1:08:52 | 1:08:54 | |
Wish I was going with you. | 1:08:54 | 1:08:57 | |
You could. | 1:08:57 | 1:09:00 | |
Well, you know, if you wanted to, to come with us. | 1:09:00 | 1:09:05 | |
You could get on the bus, | 1:09:05 | 1:09:08 | |
come to Liverpool. | 1:09:08 | 1:09:09 | |
I'll show you the sights. | 1:09:09 | 1:09:13 | |
What are you saying? | 1:09:13 | 1:09:15 | |
Teddy? What are you saying? | 1:09:15 | 1:09:18 | |
I don't know. | 1:09:20 | 1:09:22 | |
But I've never felt like this before. | 1:09:22 | 1:09:25 | |
-Still speeding up. -I am not. | 1:10:03 | 1:10:06 | |
He's right - you are. | 1:10:06 | 1:10:08 | |
Will the pair of you stop picking on me! | 1:10:08 | 1:10:10 | |
And next year we play straight. | 1:11:03 | 1:11:08 | |
No funny business. No games. | 1:11:08 | 1:11:11 | |
Aye, no funny business. Ha ha! | 1:11:11 | 1:11:13 | |
Band against band. | 1:11:14 | 1:11:17 | |
Will you be back next year, Padjo? | 1:11:18 | 1:11:21 | |
Well, they're posting me to South America. | 1:11:21 | 1:11:23 | |
-Oh, where? -Brazil. -Oh, where the nuts come from, uh?! | 1:11:23 | 1:11:27 | |
Just so long as none of them play the fiddle. | 1:11:29 | 1:11:31 | |
Well, if they do, I'll be bringing them back next year. | 1:11:31 | 1:11:34 | |
Oh! | 1:11:34 | 1:11:35 | |
Anne? | 1:11:44 | 1:11:45 | |
-Where did you stay last night? -I was with Teddy. | 1:11:56 | 1:11:59 | |
-I see. -I'm going with him. | 1:12:00 | 1:12:03 | |
I'm going to Liverpool. | 1:12:03 | 1:12:05 | |
-Anne, don't. -I love him. | 1:12:07 | 1:12:09 | |
-Sure, you hardly know him more than a day. -Long enough to know. | 1:12:09 | 1:12:12 | |
And what has he promised you? The world? | 1:12:15 | 1:12:17 | |
Nothing. He's promised me nothing. | 1:12:17 | 1:12:19 | |
What'll you do you do for money? | 1:12:19 | 1:12:21 | |
-I'll get a job. -And when he leaves you for somebody else? | 1:12:23 | 1:12:27 | |
-He won't. -Let him come to you. | 1:12:27 | 1:12:30 | |
Don't go running after him. | 1:12:30 | 1:12:33 | |
He'll only break your heart, Anne. | 1:12:33 | 1:12:35 | |
If he loves you, | 1:12:35 | 1:12:37 | |
let him come to you. | 1:12:37 | 1:12:38 | |
Just because it happened to you doesn't mean it's going to happen to me. | 1:12:40 | 1:12:44 | |
I'm going to start a life. | 1:12:44 | 1:12:48 | |
I can get to know my father. | 1:12:48 | 1:12:50 | |
Anne, please, listen. | 1:12:52 | 1:12:56 | |
What are you going to do? | 1:12:56 | 1:12:57 | |
Keep me locked up till I become a bitter old maid like you?! | 1:12:59 | 1:13:04 | |
No. | 1:13:04 | 1:13:05 | |
Coming home with the milk. | 1:13:27 | 1:13:29 | |
I haven't done that in a while. | 1:13:29 | 1:13:31 | |
I thought Miko had a bus over at Bernie's. | 1:13:32 | 1:13:36 | |
I'm going to England with Teddy. | 1:13:36 | 1:13:37 | |
Don't do this out of punishment. | 1:13:37 | 1:13:40 | |
I don't care about her. | 1:13:40 | 1:13:42 | |
I don't believe that for a second. | 1:13:42 | 1:13:44 | |
Well, you'll have to find another fiddle player. | 1:13:47 | 1:13:49 | |
-Bye. -Oi. | 1:13:53 | 1:13:55 | |
See if you can do something about Jimmy's...your father's fiddle playing. | 1:13:57 | 1:14:03 | |
He's still inclined to speed up on the changeovers. | 1:14:03 | 1:14:06 | |
Is that all you ever think about? | 1:14:09 | 1:14:11 | |
-Music? -Well, when you've got the music, you've got friends for life. | 1:14:11 | 1:14:18 | |
That's why I'm never lonely. | 1:14:18 | 1:14:19 | |
Remember that. | 1:14:22 | 1:14:24 | |
Nice and tight, now. | 1:14:43 | 1:14:44 | |
Right-on, yeah. | 1:14:44 | 1:14:47 | |
-That's it, Jimmy. -Everyone here? | 1:14:47 | 1:14:49 | |
-Yes, Jimmy. -Got to get a move on. | 1:14:49 | 1:14:52 | |
Tide and ferries wait for no band. | 1:14:52 | 1:14:54 | |
"A concertina has been found in the public toilets at the football pitch." | 1:14:54 | 1:14:59 | |
"I reiterate, a concertina has been found in the public toilets at the football pitch." | 1:14:59 | 1:15:04 | |
I'm coming with you. | 1:15:04 | 1:15:06 | |
-I don't believe it. -All aboard the Liverpool Express. | 1:15:10 | 1:15:14 | |
Welcome aboard, love. | 1:15:14 | 1:15:15 | |
Plenty of room next to me. | 1:15:19 | 1:15:20 | |
Jimmy. | 1:15:27 | 1:15:28 | |
None of this is my idea. | 1:15:38 | 1:15:40 | |
I know. | 1:15:40 | 1:15:42 | |
It's just something I wanted to say. | 1:15:42 | 1:15:45 | |
-What? -If as much as a hair on that child's head is harmed, | 1:15:45 | 1:15:49 | |
I'm coming to Liverpool... | 1:15:49 | 1:15:51 | |
..to cut your balls off. | 1:15:51 | 1:15:55 | |
That's all. | 1:15:57 | 1:15:58 | |
That's fair enough. | 1:16:02 | 1:16:03 | |
In the circumstances. | 1:16:05 | 1:16:07 | |
All the best. | 1:16:28 | 1:16:30 | |
So, she really has gone, then. | 1:16:40 | 1:16:43 | |
We're never going to see her again. | 1:16:46 | 1:16:49 | |
Worse than that... | 1:16:49 | 1:16:51 | |
..Jimmy's poached our best player. | 1:16:51 | 1:16:54 | |
Here, not so fucking fast! | 1:17:01 | 1:17:03 | |
We are catching today's ferry, Einstein, not yesterday's. | 1:17:03 | 1:17:08 | |
Look, sheep. | 1:17:08 | 1:17:10 | |
-Whoa, slow down. -Sheep. -Slow down. | 1:17:10 | 1:17:13 | |
Jimmy... | 1:17:17 | 1:17:18 | |
I'm so sorry. | 1:17:53 | 1:17:55 | |
No, I'm the one who's sorry. | 1:17:55 | 1:17:57 | |
I said terrible things to you. | 1:17:57 | 1:18:00 | |
You'll never forgive me. | 1:18:00 | 1:18:02 | |
There's nothing to forgive. Nothing. | 1:18:02 | 1:18:05 | |
You all right, John Joe? | 1:18:22 | 1:18:24 | |
I am now, Pat. | 1:18:26 | 1:18:28 | |
I am now. | 1:18:29 | 1:18:31 | |
Cheers. | 1:18:39 | 1:18:40 | |
Don't worry, mate. | 1:18:47 | 1:18:50 | |
Put it down to a Roman holiday. | 1:18:50 | 1:18:52 | |
Rome? We weren't anywhere near Italy. | 1:18:52 | 1:18:55 | |
No! Gregory Peck. | 1:18:55 | 1:18:57 | |
The scene in the pictures, he goes to Rome and he falls for... What's her name? | 1:18:57 | 1:19:02 | |
Anyway, turns out that she's a princess so he's fucked! | 1:19:02 | 1:19:05 | |
So, what happens? | 1:19:07 | 1:19:10 | |
He doesn't get his end away, you know, cos she's royalty. | 1:19:10 | 1:19:13 | |
You think of nothing else, do ya? | 1:19:13 | 1:19:14 | |
-What else is there? -I love her, Lex. | 1:19:14 | 1:19:16 | |
Argh! You think you do. | 1:19:16 | 1:19:18 | |
You think you do now but that's just your dick talking, mate. | 1:19:18 | 1:19:22 | |
Trust me, I know. | 1:19:22 | 1:19:23 | |
Any time I fancy a girl, the big fella down below tells me that she's the one. | 1:19:23 | 1:19:29 | |
Just forget about it, Ted. | 1:19:29 | 1:19:31 | |
Besides, we're playing Chelsea at home soon so that means dolly birds up from the smoke and all that. | 1:19:31 | 1:19:38 | |
Yeah. | 1:19:38 | 1:19:41 | |
-Yeah, maybe you're right. -Yes, I am right. | 1:19:41 | 1:19:44 | |
Would I steer me best mate wrong? | 1:19:44 | 1:19:47 | |
Would I? | 1:19:47 | 1:19:49 | |
Right. Everybody here? | 1:20:24 | 1:20:26 | |
I've never heard ya sounded better, d'ya know that? | 1:20:26 | 1:20:29 | |
If only you played like that all the time! | 1:20:29 | 1:20:31 | |
-John Joe. -Hi. Maggie, how you doing? | 1:20:31 | 1:20:34 | |
It beats the box any day. | 1:20:34 | 1:20:35 | |
-Evening, John Joe. -Evening, all. | 1:20:38 | 1:20:40 | |
John Joe. | 1:20:40 | 1:20:41 | |
Ah, very good. | 1:20:43 | 1:20:45 | |
What the hell's Pat up to? | 1:20:48 | 1:20:50 | |
He's getting ready for next year. | 1:20:50 | 1:20:51 | |
He thinks we should surprise the Africans with a taste of their own medicine. | 1:20:51 | 1:20:56 | |
I said it him that needs the medicine. | 1:20:56 | 1:20:58 | |
Mind you, | 1:21:02 | 1:21:03 | |
if we could bottle him, we'd make ourselves a fortune. | 1:21:03 | 1:21:06 | |
Well, surely. | 1:21:06 | 1:21:08 | |
A shame he left the fiddle. | 1:21:10 | 1:21:12 | |
Ready, one, two. | 1:21:22 | 1:21:25 | |
Mind if I sit in? | 1:22:06 | 1:22:07 | |
It's better to gain a musician than to lose a daughter, | 1:22:20 | 1:22:24 | |
I always say. | 1:22:24 | 1:22:25 | |
-And what would Jimmy say? -Feck him. | 1:22:27 | 1:22:30 | |
Ready, one, two. | 1:22:30 | 1:22:32 | |
No funny business, huh? | 1:22:46 | 1:22:48 | |
This means war! | 1:22:52 | 1:22:55 | |
# As I was going over | 1:22:58 | 1:22:59 | |
# The far-famed Kerry mountains | 1:22:59 | 1:23:01 | |
# I met with Captain Farrell | 1:23:01 | 1:23:03 | |
# Ad his money he was counting | 1:23:03 | 1:23:05 | |
# I first produced me pistol | 1:23:05 | 1:23:07 | |
# Then produced me rapier | 1:23:07 | 1:23:09 | |
# Saying "Stand and deliver" | 1:23:09 | 1:23:11 | |
# For you are the bold deceiver | 1:23:11 | 1:23:13 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:23:13 | 1:23:17 | |
# Wack fall the diddle-o | 1:23:17 | 1:23:19 | |
# There's whiskey in the jar | 1:23:19 | 1:23:21 | |
# I counted out me money | 1:23:21 | 1:23:23 | |
# It made a pretty penny | 1:23:23 | 1:23:25 | |
# I put it in my pocket | 1:23:25 | 1:23:27 | |
# And gave it to my Jenny | 1:23:27 | 1:23:30 | |
# She sighed and she swore | 1:23:30 | 1:23:31 | |
# She never wanted to see me | 1:23:31 | 1:23:33 | |
# The devil take the women | 1:23:33 | 1:23:35 | |
# For they never can be easy | 1:23:35 | 1:23:37 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:23:37 | 1:23:41 | |
# Wack fall the diddle-o | 1:23:41 | 1:23:43 | |
# There's whiskey in the jar | 1:23:43 | 1:23:45 | |
# I went to my chamber | 1:23:45 | 1:23:48 | |
# For to take a slumber | 1:23:48 | 1:23:50 | |
I dreamt of gold and jewels | 1:23:50 | 1:23:52 | |
# And for sure it was no wonder | 1:23:52 | 1:23:54 | |
# But Jenny took me charges | 1:23:54 | 1:23:55 | |
# And she filled them up with water | 1:23:55 | 1:23:57 | |
# And sent for captain Farrell | 1:23:57 | 1:23:59 | |
# To be ready for the slaughter | 1:23:59 | 1:24:01 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:24:01 | 1:24:06 | |
# Wack fall the diddle-o | 1:24:06 | 1:24:07 | |
# There's whiskey in the jar | 1:24:07 | 1:24:10 | |
# 'Twas early in the morning | 1:24:11 | 1:24:12 | |
# Before I rose to travel | 1:24:12 | 1:24:14 | |
# The guards were all around me | 1:24:14 | 1:24:16 | |
# And likewise captain Farrell | 1:24:16 | 1:24:18 | |
# I then produced me pistol | 1:24:18 | 1:24:20 | |
# For she stole away me rapier | 1:24:20 | 1:24:22 | |
# I couldn't shoot the water | 1:24:22 | 1:24:24 | |
# So a prisoner I was taken | 1:24:24 | 1:24:25 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:24:25 | 1:24:30 | |
# Wack fall the diddle-o | 1:24:30 | 1:24:32 | |
# There's whiskey in the jar | 1:24:32 | 1:24:34 | |
# If anyone can aid me | 1:24:34 | 1:24:36 | |
# 'Tis my brother in the army | 1:24:36 | 1:24:38 | |
# I think that he is stationed | 1:24:38 | 1:24:40 | |
# In Cork or in Killarney | 1:24:40 | 1:24:42 | |
# And if he'd come and join me | 1:24:42 | 1:24:44 | |
# We'll go rovin' in Kilkenny | 1:24:44 | 1:24:46 | |
# I swear he'd treat me better | 1:24:46 | 1:24:48 | |
# Than me darling sporting Jenny | 1:24:48 | 1:24:50 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:24:50 | 1:24:54 | |
# Wack fall the diddle-o | 1:24:54 | 1:24:56 | |
# There's whiskey in the jar | 1:24:56 | 1:24:58 | |
# Wish a wack fall the diddle-a, wack fall the diddle-o | 1:24:58 | 1:25:01 | |
# Wack fall the diddle-o | 1:25:01 | 1:25:03 | |
# There's whiskey in the jar. # | 1:25:03 | 1:25:05 | |
Subtitles by Red Bee Media Ltd | 1:25:05 | 1:25:06 | |
E-mail [email protected] | 1:25:06 | 1:25:07 |