Browse content similar to The Gigolos. Check below for episodes and series from the same categories and more!
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THIS FILM CONTAINS SOME STRONG LANGUAGE. | 0:00:10 | 0:00:15 | |
MUSIC: "The Pearl Fishers" by Bizet | 0:00:27 | 0:00:30 | |
PLUGHOLE GURGLES | 0:00:50 | 0:00:53 | |
You all right? Got everything? | 0:04:03 | 0:04:05 | |
-NORTHERN ACCENT: I've got a scholarship. -Wow. | 0:04:11 | 0:04:13 | |
I went to Girton in Cambridge, university, and um... | 0:04:13 | 0:04:19 | |
I did the classics, that's how I ended up where I am. | 0:04:19 | 0:04:23 | |
I found it very difficult, they used to call me Joyless. | 0:04:26 | 0:04:30 | |
-No. -It was me accent, they were all very posh. | 0:04:30 | 0:04:34 | |
It was very difficult. | 0:04:34 | 0:04:37 | |
I think it's very pretty, your accent. | 0:04:37 | 0:04:39 | |
Thank you. | 0:04:39 | 0:04:42 | |
-That would suit you. -Oh. | 0:04:42 | 0:04:45 | |
I don't know about that. | 0:04:45 | 0:04:47 | |
-I think the colours would suit you. -Ooh. | 0:04:48 | 0:04:52 | |
-It's a bit daring. -Let's go and try it on. | 0:04:52 | 0:04:54 | |
Oh. | 0:04:54 | 0:04:56 | |
-D'you think so? -Definitely. | 0:04:56 | 0:05:00 | |
-I think a halter-neck top would really suit you. -Oh. | 0:05:00 | 0:05:04 | |
Yeah, it would suit you. It would look good. | 0:05:04 | 0:05:07 | |
It's my favourite colour. | 0:05:08 | 0:05:10 | |
Try it on. I'll take you down. | 0:05:10 | 0:05:12 | |
Wow! | 0:05:15 | 0:05:17 | |
Wow! You look great. | 0:05:17 | 0:05:20 | |
Yeah, we're gonna get that one. | 0:05:20 | 0:05:22 | |
-Really? -Yes, pack it up, we're gonna get that one. | 0:05:22 | 0:05:26 | |
The halter-neck there, but in the square, how much is it? | 0:05:26 | 0:05:29 | |
Yeah, it's fine. | 0:05:37 | 0:05:39 | |
Here, I want to show you something. | 0:05:39 | 0:05:42 | |
Come with me. | 0:05:42 | 0:05:44 | |
I come here every day in me lunch hour. | 0:05:47 | 0:05:50 | |
Look, can you smell them? | 0:05:55 | 0:05:58 | |
Old. | 0:05:58 | 0:05:59 | |
Lives, histories. | 0:05:59 | 0:06:02 | |
Look, Mansfield Park. | 0:06:02 | 0:06:04 | |
I think it's recently bound in full-calf. | 0:06:04 | 0:06:08 | |
Red, my favourite colour. | 0:06:08 | 0:06:10 | |
Oh, look, lovely. | 0:06:12 | 0:06:13 | |
"An affection so amiable was advancing, each in the opinion of all who had hearts." | 0:06:18 | 0:06:24 | |
Enid Blyton, my favourite. | 0:06:30 | 0:06:32 | |
Not now, when I was a child. | 0:06:32 | 0:06:35 | |
Have you read Shadow The Sheepdog? It's not there. | 0:06:35 | 0:06:38 | |
No, Just all Five, mystery, Famous Five, Shadow The Sheepdog. | 0:06:38 | 0:06:44 | |
I always wanted a dog. I've got a cat. | 0:06:44 | 0:06:47 | |
I call her Shadow The Sheepdog, because I'm not allowed a dog in the flat. | 0:06:47 | 0:06:53 | |
So I've got my cat. | 0:06:53 | 0:06:54 | |
MOBILE RINGS | 0:08:18 | 0:08:21 | |
-All right. -'Hey, Trev.' | 0:08:24 | 0:08:27 | |
'Five minutes.' | 0:08:27 | 0:08:30 | |
OK. | 0:08:30 | 0:08:31 | |
Is there mustard in the sauce with the pork? | 0:09:38 | 0:09:43 | |
No. | 0:09:43 | 0:09:44 | |
-Can I use this cloth? -Yeah. | 0:09:46 | 0:09:49 | |
Got it in Morleys. | 0:09:49 | 0:09:51 | |
-Morleys? -Yeah. Use the other one. | 0:09:51 | 0:09:53 | |
-That one? -Yeah. | 0:09:53 | 0:09:55 | |
They've got some marvellous napkins in there. | 0:09:55 | 0:09:58 | |
When were you in Morleys? You don't shop in Morleys. | 0:09:58 | 0:10:00 | |
-I popped in the other day. -What for? | 0:10:00 | 0:10:03 | |
I just was having a look at, er... for a, erm... | 0:10:03 | 0:10:07 | |
Uh,...Alicia had mentioned... that she had seen some cotton... | 0:10:07 | 0:10:12 | |
some very fine cotton bedspreads in there. | 0:10:12 | 0:10:16 | |
You told me that I should always... | 0:10:16 | 0:10:18 | |
That he was the place... the word is it is the place to get cotton, that's very true. | 0:10:18 | 0:10:23 | |
-I'll get that in future. -Yeah, yeah, I was just following your instructions about being aware. | 0:10:23 | 0:10:28 | |
-Absolutely. But if you want something, let me know and I'll get it for you. -Yeah. | 0:10:28 | 0:10:32 | |
SWITCHES RADIO ON | 0:10:42 | 0:10:43 | |
Oh, hello, Meridien? | 0:11:03 | 0:11:05 | |
Yeah, is that Sue? | 0:11:05 | 0:11:07 | |
Sue, hi, it's Trevor here in Sasha's office, how are you doing? | 0:11:07 | 0:11:10 | |
-'Fine, hello.' -Great. | 0:11:10 | 0:11:12 | |
-I'm gonna need a room next week, next Friday, if you have one. -'Sure.' | 0:11:12 | 0:11:17 | |
-And how about 103? -'103's fine.' | 0:11:17 | 0:11:21 | |
Or 123, yeah, that's it, over the park. | 0:11:21 | 0:11:25 | |
OK. That would be lovely. | 0:11:26 | 0:11:29 | |
-If you can put some juice and fruit in there as normal... -'No problem.' | 0:11:29 | 0:11:32 | |
Thanks, and some extra towels. | 0:11:32 | 0:11:34 | |
# Just cos I ain't never 'ad, no, nothing worth having, never ever, never | 0:11:44 | 0:11:51 | |
# Ever | 0:11:51 | 0:11:52 | |
# You ain't got no call, no, to think I wouldn't fall into thinking that I ain't too clever | 0:11:56 | 0:12:02 | |
# And it ain't not having one thing nor not another either | 0:12:06 | 0:12:09 | |
# Neither is it anything, whatever | 0:12:09 | 0:12:11 | |
# And it's not not knowing that there ain't nothing showing and I answer to the name of Trevor | 0:12:17 | 0:12:21 | |
# However | 0:12:23 | 0:12:25 | |
# Knock me down with a feather, Clever Trevor | 0:12:29 | 0:12:36 | |
# Wide brows wonder whether Clever Trevor's clever... # | 0:12:40 | 0:12:45 | |
Lovely. Thanks very much for that. | 0:12:45 | 0:12:47 | |
See you next week. | 0:12:47 | 0:12:50 | |
# Either have they got, nor neither haven't not | 0:12:50 | 0:12:54 | |
# Got no right to make a clot out of Trevor... # | 0:12:54 | 0:12:58 | |
-There you go. -Thank you. -OK. -Take care. -See you later. | 0:13:45 | 0:13:48 | |
Bye. | 0:13:48 | 0:13:50 | |
SNIFFS DEEPLY | 0:14:09 | 0:14:11 | |
Have you tried lonely hearts, Trevor? | 0:14:14 | 0:14:17 | |
What, placing an ad? | 0:14:18 | 0:14:20 | |
Yeah, I've covered you for... | 0:14:20 | 0:14:24 | |
Time Out, City Limits and the Standard. | 0:14:24 | 0:14:27 | |
-I meant for you, Trev. -Oh. | 0:14:29 | 0:14:31 | |
Right, now, do we need to walk through tonight? | 0:14:36 | 0:14:40 | |
Lady James, now might be a good time to discuss Lord Mackie's proposal. | 0:14:40 | 0:14:44 | |
Run through my appointments to Monday, would you? | 0:14:44 | 0:14:46 | |
-They have a new wine, which I've asked to be set aside for you, the Montrachet. -The Montrachet. | 0:14:46 | 0:14:50 | |
OK, we know she likes it, she had it a couple of weeks ago at a business dinner. | 0:14:50 | 0:14:56 | |
OK. | 0:14:56 | 0:14:58 | |
Good. | 0:14:58 | 0:15:00 | |
-An excellent performance in the House today, Lady James. -Too kind. | 0:15:01 | 0:15:06 | |
'Did you get my cigarettes, Trev?' | 0:15:10 | 0:15:13 | |
-Oh, did I get them? -Yeah. | 0:15:13 | 0:15:14 | |
No, no, no, no. | 0:15:14 | 0:15:17 | |
-You, you... -You worried about going down there, down to the shop? -What shop? | 0:15:17 | 0:15:22 | |
The Budgens, you worried about going down there? | 0:15:22 | 0:15:26 | |
No. | 0:15:26 | 0:15:27 | |
I've just been shopping or around Mayfair, I could have bought you cigarettes at any time. | 0:15:27 | 0:15:33 | |
-She's a very pretty girl on the... -HE SNIFFS | 0:15:34 | 0:15:36 | |
Er, we've got to do another print run, | 0:15:39 | 0:15:42 | |
because I need new letterheads, you need new cards. | 0:15:42 | 0:15:45 | |
What do you want on them? Same again? | 0:15:45 | 0:15:47 | |
-Erm... -You said you might have some new ideas. | 0:15:47 | 0:15:49 | |
Did you say, "Mmm" when I said she was a very pretty girl? | 0:15:49 | 0:15:52 | |
-I didn't say anything. -Oh, OK. | 0:15:52 | 0:15:53 | |
Oh! I thought I was going to be late. Good evening. | 0:16:12 | 0:16:15 | |
Good evening to you. | 0:16:15 | 0:16:17 | |
Reservation's for Mr Butler and Miss O'Hara. | 0:16:17 | 0:16:20 | |
Fine. Your usual table, please. | 0:16:20 | 0:16:22 | |
-Thank you. -Thank you. | 0:16:22 | 0:16:25 | |
Well, of course, they wouldn't know. | 0:16:34 | 0:16:36 | |
They're not a bit interested, of course, they couldn't care less. | 0:16:36 | 0:16:39 | |
-Men of small intellect. -And they're totally self-obsessed, of course. | 0:16:39 | 0:16:42 | |
They don't really think about the job, not at all, or what we are actually doing. | 0:16:42 | 0:16:49 | |
They've got their own careers in mind. | 0:16:49 | 0:16:52 | |
But, as I say, it's the way of the world, so... | 0:16:52 | 0:16:55 | |
But they're blessed to be working with you. | 0:16:55 | 0:16:58 | |
Lucky. | 0:16:58 | 0:16:59 | |
I'm not gonna think about them. | 0:16:59 | 0:17:02 | |
You don't think about them. They're nothing, they're schoolboys. | 0:17:02 | 0:17:05 | |
-They're less than dust tonight. -Exactly, exactly. | 0:17:05 | 0:17:08 | |
Would you like to come and work for me? | 0:17:08 | 0:17:10 | |
I'd love to, I'd love to. | 0:17:10 | 0:17:13 | |
I'd be very good as a diplomat. | 0:17:13 | 0:17:15 | |
Um... the sommelier's got a bottle of Montrachet for us. Thank you. | 0:17:27 | 0:17:31 | |
Oh, what a good idea. | 0:17:31 | 0:17:33 | |
I would never have thought of wearing the skirt | 0:17:38 | 0:17:41 | |
as short as the skirt you suggested, but it was perfectly proper and looked rather nice, I thought. | 0:17:41 | 0:17:45 | |
I wouldn't dare turn up on Thursday | 0:17:45 | 0:17:48 | |
unless I'd done what I was told during the week. | 0:17:48 | 0:17:51 | |
And you always look your best. | 0:17:51 | 0:17:53 | |
-I always try. -And I appreciate it. | 0:17:53 | 0:17:54 | |
MUSIC: "Don Giovanni" by Mozart | 0:17:59 | 0:18:02 | |
We're quite... We're quite in synch. | 0:18:36 | 0:18:39 | |
-I wouldn't go that far. -We are. | 0:18:39 | 0:18:41 | |
-I mean... -I'm sorry, | 0:18:41 | 0:18:43 | |
-Lady James, we dance well. -No... | 0:18:43 | 0:18:46 | |
-Well, I think we should have a cognac tonight. -Oh, I don't think so. | 0:18:51 | 0:18:54 | |
I'll never get up in the morning. | 0:18:54 | 0:18:57 | |
-Hello, Russ. -The usual? -Yeah, the usual. | 0:19:24 | 0:19:27 | |
Thank you. | 0:19:37 | 0:19:38 | |
Yeah, um... I owe you a cheque, don't I? | 0:19:42 | 0:19:46 | |
Er... I'll bring it in the beginning of next week, if that's all right. | 0:19:46 | 0:19:50 | |
-All right, Trevor. -Thank you. | 0:19:50 | 0:19:53 | |
It's all right, I've got this. | 0:19:57 | 0:19:59 | |
-One for me, as well. -Sure. Thank you. | 0:20:01 | 0:20:04 | |
Seen you around, you must be Trevor. | 0:20:06 | 0:20:09 | |
I'm Ben. How you doing? | 0:20:09 | 0:20:11 | |
-Thanks, Russ. Keep the change. -Mmm-hmm. | 0:20:11 | 0:20:13 | |
Cheers. | 0:20:15 | 0:20:18 | |
Very kind of you, Ben. | 0:20:18 | 0:20:19 | |
It's a pleasure. | 0:20:19 | 0:20:21 | |
So, I hear you work with Sacha? | 0:20:23 | 0:20:25 | |
You do work with Sacha, don't you? | 0:20:26 | 0:20:29 | |
Yeah, that's right. | 0:20:29 | 0:20:31 | |
A new player, are you? | 0:20:31 | 0:20:34 | |
That's right, I'm a new player. | 0:20:34 | 0:20:36 | |
-Not working tonight? -No, not tonight. | 0:20:36 | 0:20:40 | |
-It's a good wine. -Yes, delicious. | 0:20:40 | 0:20:42 | |
Absolutely wonderful. | 0:20:42 | 0:20:43 | |
Well, we need a bit of lubrication before we dance. | 0:20:43 | 0:20:46 | |
We certainly do. | 0:20:46 | 0:20:48 | |
I'll just go and powder my nose. | 0:20:48 | 0:20:51 | |
How long have you been in the game? Quite a while? | 0:20:51 | 0:20:54 | |
Yeah. I did something similar in Dubai for a while, actually. | 0:20:54 | 0:20:58 | |
-Really? -I've been here for five or six years. | 0:20:58 | 0:21:01 | |
Whereabouts do you live? | 0:21:01 | 0:21:03 | |
-Just over the river. -Mmm. | 0:21:05 | 0:21:07 | |
Am I keeping you? | 0:21:20 | 0:21:22 | |
Not at all. | 0:21:22 | 0:21:23 | |
Probably have a word with Basil if you're looking to meet people. | 0:21:25 | 0:21:28 | |
-Is he around tonight? -No, he's usually in a bit later. | 0:21:28 | 0:21:33 | |
-He will be. -Good, good. | 0:21:33 | 0:21:36 | |
So how long has Basil run this place? | 0:21:36 | 0:21:38 | |
-40 years. -Really?! -Yeah. | 0:21:38 | 0:21:40 | |
Wow! | 0:21:40 | 0:21:42 | |
Quite impressive. | 0:21:42 | 0:21:44 | |
Yeah. He... | 0:21:44 | 0:21:46 | |
He started the whole thing, really. | 0:21:47 | 0:21:50 | |
He stole all his business from a player called Maurice. | 0:21:50 | 0:21:53 | |
Maurice had seven of the... | 0:21:54 | 0:21:57 | |
seven of the main women eating out of his hand. | 0:21:57 | 0:21:59 | |
You know, the Duchess of Cirencester and a few of her friends. | 0:21:59 | 0:22:02 | |
So Bas thinks, "Well, how can I get in on this?" | 0:22:02 | 0:22:05 | |
And one by one, he went and met each of the women | 0:22:05 | 0:22:10 | |
and seduced them. | 0:22:10 | 0:22:13 | |
So three months later, he's seeing each of these seven women exclusively. | 0:22:19 | 0:22:26 | |
Seeing one of them for breakfast, one of them mid-morning, | 0:22:26 | 0:22:30 | |
one of them lunchtime, one of them... You get the picture. | 0:22:30 | 0:22:34 | |
And each of them thinks that he is only going out with her, | 0:22:34 | 0:22:39 | |
-that he's there all the time for her, you know? -That's incredible. | 0:22:39 | 0:22:42 | |
The stamina of the man was absolute... it's the stuff of... | 0:22:42 | 0:22:45 | |
It's in a book upstairs, actually. | 0:22:45 | 0:22:48 | |
-Really? -Playing For Money, yeah. You can read all about it. | 0:22:48 | 0:22:51 | |
# From a pebble someone tosses in a stream | 0:22:51 | 0:22:54 | |
# Like a clock whose hands are sweeping past the minutes of its face... # | 0:22:57 | 0:23:03 | |
Well, you can imagine what happens after a while. | 0:23:03 | 0:23:05 | |
He starts to make little errors here and there, you know? | 0:23:05 | 0:23:08 | |
He forgets the name of one of them, he forgets the birthday of another one, | 0:23:08 | 0:23:13 | |
and the whole operation's in danger. | 0:23:13 | 0:23:16 | |
But Basil was a clever guy. | 0:23:16 | 0:23:19 | |
-First up, he got some help. -Right. | 0:23:19 | 0:23:21 | |
He got a guy called Audley. | 0:23:21 | 0:23:23 | |
Audley was, I dunno what he was, a sort of Town Hall solicitor or something, out of a job at the time. | 0:23:23 | 0:23:28 | |
But he had a lot of good admin skills. | 0:23:28 | 0:23:31 | |
He comes in and helps Bas and he starts to run that entire... | 0:23:31 | 0:23:34 | |
He was the first gent. | 0:23:34 | 0:23:36 | |
Close your eyes. | 0:23:38 | 0:23:39 | |
# Lovers walk along the shore and leave their footprints in the sand... | 0:23:41 | 0:23:47 | |
And Audley died a couple of years later. | 0:23:50 | 0:23:52 | |
So he named it after him, Audley's. | 0:23:52 | 0:23:56 | |
So this... | 0:23:58 | 0:24:00 | |
elderly client of yours, cos I... | 0:24:02 | 0:24:04 | |
I sort of tend to focus a bit more on the younger... | 0:24:04 | 0:24:08 | |
girls, but I just... | 0:24:08 | 0:24:10 | |
What is her name? Lady... | 0:24:10 | 0:24:12 | |
I can't... They were talking about it round here, but I can't remember. | 0:24:12 | 0:24:15 | |
What was it? Lady... | 0:24:15 | 0:24:17 | |
Lady Whatsit? Lady... | 0:24:17 | 0:24:19 | |
-We don't... -What's her name? | 0:24:19 | 0:24:21 | |
We don't usually ask questions like that here, Ben. | 0:24:23 | 0:24:26 | |
-It's just that, you know, I'm sort of working... -Excuse me just a second. | 0:25:02 | 0:25:04 | |
Hello? | 0:25:10 | 0:25:12 | |
Yeah, I'm in the club. | 0:25:12 | 0:25:15 | |
You all right? | 0:25:15 | 0:25:17 | |
What's wrong? | 0:25:17 | 0:25:19 | |
OK. Look, I'll come to you. | 0:25:21 | 0:25:23 | |
'Stay where you are. Where are you?' | 0:25:23 | 0:25:26 | |
Just outside Ralph Lauren, actually. | 0:25:26 | 0:25:28 | |
'OK, I'm leaving now.' | 0:25:28 | 0:25:30 | |
OK, great. All right, great. Great. | 0:25:30 | 0:25:32 | |
Thank you for the drink. It was a pleasure. | 0:25:38 | 0:25:41 | |
-Nice talking to you, Trev. -You should... have a word with Basil when you see him. | 0:25:41 | 0:25:45 | |
-Yeah, I will do. -And don't tip the barman here, OK? | 0:25:45 | 0:25:47 | |
It's quiet down the club anyway, tonight. | 0:26:33 | 0:26:35 | |
-Is it? -Nobody there. | 0:26:35 | 0:26:37 | |
Well, a couple. The usual. | 0:26:37 | 0:26:39 | |
Nothing going on. | 0:26:39 | 0:26:42 | |
-So... -Basil there? | 0:26:42 | 0:26:44 | |
Well, I think he was upstairs or... | 0:26:44 | 0:26:47 | |
flitting around or something. | 0:26:47 | 0:26:49 | |
It's quite nice to come down here. | 0:26:52 | 0:26:54 | |
What? To Bond Street? | 0:26:56 | 0:26:57 | |
Yeah, well, you know, watch people go by and... | 0:26:57 | 0:27:01 | |
Maybe catch a movie or something. | 0:27:05 | 0:27:07 | |
How'd it go? | 0:27:11 | 0:27:13 | |
Everything was peachy, and conversation and... the Montrachet? | 0:27:13 | 0:27:17 | |
Just after 9:45, the Montrachet, second bottle. | 0:27:17 | 0:27:21 | |
Just after 9:45? | 0:27:23 | 0:27:25 | |
Yeah. | 0:27:25 | 0:27:26 | |
Oh! I... | 0:27:28 | 0:27:30 | |
Well... | 0:27:33 | 0:27:35 | |
I looked at my watch, | 0:27:38 | 0:27:40 | |
but I don't think she saw. | 0:27:40 | 0:27:42 | |
-You looked at your watch? -Mmm. | 0:27:44 | 0:27:47 | |
She was in the toilet. | 0:27:50 | 0:27:52 | |
She was in the toilet and I glanced at it. Just a glance. | 0:27:52 | 0:27:57 | |
Did she see you? | 0:27:57 | 0:27:59 | |
-I don't think she saw me, but she might have. -Was she at the table? | 0:28:00 | 0:28:05 | |
No, she'd gone to the toilet and she was coming back. | 0:28:05 | 0:28:08 | |
From her angle of looking, | 0:28:10 | 0:28:13 | |
she might, might... But anyway, it was all very friendly, it was all very funny, | 0:28:13 | 0:28:18 | |
I think she made some joke about, | 0:28:18 | 0:28:20 | |
"I'm not keeping you, am I?" And I laughed and she laughed and it was all... It was all fine. | 0:28:20 | 0:28:25 | |
She has a tough week at work, and all she wants to do on a Thursday night | 0:28:29 | 0:28:32 | |
is to let down her hair, be made to feel like she's got all the time in the world to enjoy | 0:28:32 | 0:28:37 | |
your company and that you're, most importantly, enjoying hers. | 0:28:37 | 0:28:40 | |
-Come on, Sacha, we live in her flat. -We were joking about it afterwards. | 0:28:40 | 0:28:43 | |
Do not make a lady feel like you're in a rush to leave. | 0:28:43 | 0:28:47 | |
It went very well, Trev. It went very well. | 0:28:49 | 0:28:51 | |
That's exactly what she would say if it had gone really badly. | 0:28:51 | 0:28:55 | |
She's that kind of woman, you know? | 0:28:59 | 0:29:01 | |
You haven't even met her, Trevor. | 0:29:03 | 0:29:05 | |
Hey! | 0:29:39 | 0:29:41 | |
Thank you! What are you doing?! | 0:29:41 | 0:29:43 | |
There a couple of girls up there, I think they want us to come up and party. | 0:29:47 | 0:29:51 | |
Hey! | 0:29:53 | 0:29:55 | |
We'll come and join you! | 0:29:55 | 0:29:57 | |
Yeah? We'll come up. I'm here with someone very special. | 0:29:57 | 0:30:00 | |
I'll bring him up, too. | 0:30:00 | 0:30:02 | |
Who'd go to the Gigolos club if... | 0:30:06 | 0:30:08 | |
LOUD DANCE MUSIC PLAYS | 0:30:16 | 0:30:20 | |
Come in, come in, come in. | 0:30:23 | 0:30:24 | |
This is Trevor. | 0:30:24 | 0:30:27 | |
You have to believe me... | 0:30:44 | 0:30:46 | |
Look at him, look at those teeth! | 0:30:49 | 0:30:53 | |
# I'd be safe and warm | 0:30:57 | 0:31:01 | |
# If I was in LA | 0:31:02 | 0:31:04 | |
# California dreaming | 0:31:06 | 0:31:09 | |
# On such a winter's da-a-y | 0:31:10 | 0:31:14 | |
# Somebody help me now | 0:31:20 | 0:31:23 | |
# I wanna go so bad, yeah | 0:31:25 | 0:31:28 | |
# Cos all the leaves are brown | 0:31:33 | 0:31:37 | |
# And the sky's grey, yeah | 0:31:37 | 0:31:40 | |
# I went for a walk | 0:31:42 | 0:31:43 | |
# On a winter's day, oh-h-h | 0:31:47 | 0:31:51 | |
# I'd be safe and warm | 0:31:51 | 0:31:53 | |
# If I was in LA | 0:31:54 | 0:31:56 | |
# California dreaming... # | 0:31:59 | 0:32:01 | |
Hello, Sian. Delivery for Baroness James. | 0:32:01 | 0:32:04 | |
# ..Such a winter's da-a-y | 0:32:04 | 0:32:08 | |
# Such a winter's day | 0:32:08 | 0:32:10 | |
# On such a winter's day | 0:32:11 | 0:32:14 | |
# Yeah, yeah | 0:32:14 | 0:32:15 | |
# California dreaming | 0:32:17 | 0:32:19 | |
# California dreaming | 0:32:20 | 0:32:23 | |
# Gotta, gotta, gotta get some sunshine | 0:32:24 | 0:32:28 | |
# Before I blow my mind | 0:32:29 | 0:32:31 | |
# Gotta get some sunshine | 0:32:32 | 0:32:35 | |
# California dreaming | 0:32:37 | 0:32:39 | |
# California dreaming, oh-h-h | 0:32:41 | 0:32:45 | |
# California dreaming... # | 0:32:45 | 0:32:47 | |
FOOTSTEPS APPROACH | 0:33:06 | 0:33:09 | |
-Evening, Sacha. -Thanks, Russ. | 0:33:09 | 0:33:11 | |
-Hey, erm...you must be Sacha. -Yeah. | 0:33:11 | 0:33:14 | |
-I'm Ben. -Hi. -Hi, how are you? -Yeah, very well, thanks. -Good, good. | 0:33:14 | 0:33:18 | |
I'm... I'm new round here. I just... | 0:33:18 | 0:33:21 | |
wanted to meet you, I've heard a lot about you. | 0:33:21 | 0:33:24 | |
Wow. | 0:33:24 | 0:33:25 | |
So there's this one girl, she's about 26, 27. She's in marketing. | 0:33:45 | 0:33:50 | |
And, erm... | 0:33:50 | 0:33:52 | |
You know, she gets lonely and... | 0:33:52 | 0:33:54 | |
I take her out, it's fine, but it gets to this point where I don't know | 0:33:54 | 0:33:59 | |
whether she wants to go physical or not, you know? She's sort of... | 0:33:59 | 0:34:02 | |
insisting, she's kind of touching her glass, | 0:34:02 | 0:34:06 | |
she's touching her hair, but I dunno. I dunno. | 0:34:06 | 0:34:09 | |
I mean, do I make the move? I don't even know if she wants to get physical, you know? | 0:34:09 | 0:34:14 | |
It takes time, and you're young. I mean... | 0:34:14 | 0:34:17 | |
-you don't have to... -PHONE RINGS | 0:34:17 | 0:34:20 | |
step it up straight away. I mean, take it slow. | 0:34:20 | 0:34:22 | |
-You know, I mean, any dates are good to start off with, as long as they're paying. -Sure. | 0:34:22 | 0:34:29 | |
RINGING CONTINUES | 0:34:29 | 0:34:31 | |
Hang on a sec. | 0:34:31 | 0:34:34 | |
-How you doing? -'Yeah, fine. | 0:34:34 | 0:34:36 | |
'I think I might go straight from here down to Edwina's.' | 0:34:36 | 0:34:39 | |
Oh, are you? OK. | 0:34:39 | 0:34:41 | |
'What are you up to?' | 0:34:41 | 0:34:42 | |
Yeah, no. That works great, actually, cos I'm just gonna | 0:34:42 | 0:34:46 | |
have a quiet night in and catch up with the invoices or something. | 0:34:46 | 0:34:49 | |
'OK. Well, I suppose I'll just see you back at the flat later.' | 0:34:49 | 0:34:53 | |
Yeah. Yeah, yeah, yeah. That'd be perfect, yeah. Have a great night. | 0:34:53 | 0:34:56 | |
'Thanks, Trev. See you later, then.' | 0:34:56 | 0:34:59 | |
Finding it quite... | 0:35:04 | 0:35:05 | |
I'm finding it quite tiring, to be honest. | 0:35:07 | 0:35:10 | |
It's not about the energetic, though. | 0:35:14 | 0:35:16 | |
What do you mean? Cos I'm... I'm... I'm working away, I'm... | 0:35:18 | 0:35:21 | |
working away, you know what I mean? | 0:35:21 | 0:35:24 | |
-Good for you, good for you. -Yeah, yeah, yeah, yeah. -It's about what... | 0:35:24 | 0:35:29 | |
she needs... | 0:35:29 | 0:35:31 | |
and it could be... | 0:35:31 | 0:35:33 | |
having to remember something, it could be having to forget something. | 0:35:33 | 0:35:37 | |
It could be... | 0:35:37 | 0:35:39 | |
needing to feel something, it could be... | 0:35:39 | 0:35:42 | |
wanting to be someone. | 0:35:42 | 0:35:44 | |
And if you can work that one out... | 0:35:44 | 0:35:47 | |
I guess I'm just not reading it properly, that's all. | 0:35:49 | 0:35:52 | |
It's not really to do with downstairs. | 0:35:52 | 0:35:55 | |
Hiya. Sit down, would you? | 0:37:37 | 0:37:40 | |
What are you drinking? | 0:37:42 | 0:37:44 | |
It's disgusting. | 0:37:44 | 0:37:46 | |
I mean, look at this lot. | 0:37:48 | 0:37:50 | |
They're just beginners, Sach. They're beginners. | 0:37:51 | 0:37:55 | |
You know, when I was... When I was their age, | 0:37:55 | 0:37:58 | |
it was a different matter. | 0:37:58 | 0:38:00 | |
You know, Sach... | 0:38:00 | 0:38:02 | |
sometimes when I'm on the... well, I'm working... | 0:38:02 | 0:38:07 | |
..I feel as if maybe I'm... | 0:38:08 | 0:38:10 | |
I'm giving a lieder recital, maybe at the Wigmore Hall. | 0:38:10 | 0:38:14 | |
Schubert or Brahms, or... | 0:38:14 | 0:38:16 | |
just coming to the end of... Wotan's Farewell at Covent Garden. | 0:38:16 | 0:38:21 | |
You know, Sach... Do you know something? The great... | 0:38:25 | 0:38:29 | |
the great singers, they give... They give masterclasses. | 0:38:29 | 0:38:33 | |
They pass on their art, Sacha, their experience, their technique. | 0:38:33 | 0:38:38 | |
Sorry, Sacha. | 0:38:43 | 0:38:44 | |
-Hello, Basil, how are you? -Fine, thank you, Trev. You OK? | 0:38:44 | 0:38:47 | |
Good, thank you. | 0:38:47 | 0:38:49 | |
Where have you been? | 0:38:50 | 0:38:53 | |
Sorry, Bas. | 0:38:57 | 0:39:00 | |
She's a pioneer in the '80s, she discovered the African look, whatever that is. Well, I mean... | 0:39:00 | 0:39:05 | |
-What is the African look? -Probably guess what it is. -What? | 0:39:05 | 0:39:08 | |
She picked girls up from Africa, brought them to London, Italy, New York, whatever. | 0:39:08 | 0:39:13 | |
First time they sort of got real, you know... The skin. | 0:39:13 | 0:39:16 | |
She did well, you know? Waris Dirie and Iman, or whatever, everybody worked with her | 0:39:16 | 0:39:20 | |
and now she's got, you know, top two or three... | 0:39:20 | 0:39:23 | |
-top two or three names. -How old is she? -She's about 59. | 0:39:23 | 0:39:27 | |
Maybe... Maybe 58. | 0:39:29 | 0:39:31 | |
-About 59? -Yeah, or maybe 58. | 0:39:31 | 0:39:33 | |
OK. | 0:39:33 | 0:39:35 | |
And... | 0:39:35 | 0:39:37 | |
that's work. Beautiful apartment. | 0:39:37 | 0:39:40 | |
How tall? | 0:39:40 | 0:39:42 | |
She's, erm... | 0:39:42 | 0:39:44 | |
..sort of... She's very thin. | 0:39:45 | 0:39:47 | |
-Right. -Yeah. I don't know if it's an industry thing. | 0:39:47 | 0:39:50 | |
But I need to know which one she is one when I go in. | 0:39:50 | 0:39:52 | |
-Well, look for a very thin one. -A thin one? -Yeah. | 0:39:52 | 0:39:55 | |
-Short hair? Long hair? -Yeah, she does. Definitely. | 0:39:55 | 0:39:59 | |
Tanya's going to be worth 500k. | 0:40:29 | 0:40:31 | |
She was on the cover of Vogue, Tatler, Harpers, the last two months. | 0:40:31 | 0:40:37 | |
-Yes? -Sacha. | 0:40:38 | 0:40:40 | |
Oh, hello. Hello, Sacha. Hello. | 0:40:40 | 0:40:42 | |
Will you call them? | 0:40:42 | 0:40:45 | |
SHE SIGHS No, you call them. | 0:40:45 | 0:40:47 | |
OK, there. You're off? | 0:40:47 | 0:40:49 | |
Fine, yeah, OK. | 0:40:49 | 0:40:51 | |
-And get...Stephen to call me, will you? -Yeah, sure. | 0:40:51 | 0:40:54 | |
-You look fierce. Ciao. -Ciao. Good night. -Ciao. | 0:40:54 | 0:40:58 | |
-Sorry about that. -No problem. You're Tessa? | 0:41:01 | 0:41:04 | |
-I am Tessa. -I'm Sacha. | 0:41:04 | 0:41:07 | |
-How do you do, Sacha? -Very well. Would you like a drink? | 0:41:07 | 0:41:12 | |
Yes, I'll have a Chablis. | 0:41:13 | 0:41:15 | |
Excuse me? | 0:41:15 | 0:41:17 | |
Could we get the Chablis and a Scotch, please? Thanks. | 0:41:17 | 0:41:21 | |
-Thanks. -Thank you. | 0:41:24 | 0:41:26 | |
-Cheers. -Cheers. | 0:41:29 | 0:41:31 | |
Where did your necklace come from? | 0:41:36 | 0:41:38 | |
Why don't you guess? | 0:41:38 | 0:41:41 | |
-Versace? -Guess again. | 0:41:45 | 0:41:47 | |
Dolce and Gabbana? | 0:41:47 | 0:41:49 | |
You know them all, don't you? This came from the sub-Sahara. | 0:41:49 | 0:41:53 | |
Wow. | 0:41:53 | 0:41:55 | |
You've seen so much of the world. | 0:41:55 | 0:41:58 | |
Yeah, I've seen a certain amount. | 0:41:58 | 0:42:01 | |
Well, I have a flat in New York, a flat in Paris, a flat in Milan, | 0:42:01 | 0:42:05 | |
and I come to London, at the moment, on sufferance. | 0:42:05 | 0:42:09 | |
Mmm-hmm. Quite boring, you know? | 0:42:12 | 0:42:16 | |
The London men... | 0:42:16 | 0:42:18 | |
you know? | 0:42:18 | 0:42:20 | |
So... | 0:42:21 | 0:42:23 | |
..I think I'm going to get back to my cat. | 0:42:25 | 0:42:28 | |
Tess? | 0:42:44 | 0:42:45 | |
-Forgot your phone. -Oh. | 0:42:49 | 0:42:52 | |
Thank you. | 0:42:54 | 0:42:56 | |
Let's go and do something fun, something crazy. | 0:42:56 | 0:43:00 | |
Go on, then. | 0:43:00 | 0:43:01 | |
OK. I'm gonna make you eat your words. | 0:43:01 | 0:43:04 | |
MOBILE RINGS | 0:43:09 | 0:43:12 | |
-Hello? -Trevor, Sacha. | 0:43:17 | 0:43:20 | |
-'What time is it?' -I'm with Tessa and I'm gonna need a snorkel. | 0:43:20 | 0:43:24 | |
-HE WHISPERS -Your shoes! | 0:44:02 | 0:44:04 | |
And I'll find you a beach towel if you just wait there. | 0:44:08 | 0:44:11 | |
Thank you. | 0:44:11 | 0:44:13 | |
MUSIC DROWNS CONVERSATION | 0:44:16 | 0:44:20 | |
One, two, three, go! | 0:45:46 | 0:45:48 | |
We're gonna have to get someone in on a temp contract, | 0:46:16 | 0:46:20 | |
find someone to cover for you. | 0:46:20 | 0:46:23 | |
I blame the chlorine in the pool. | 0:46:23 | 0:46:26 | |
It smelt funny. I think there was some... | 0:46:26 | 0:46:29 | |
It had just been chemicalised. | 0:46:29 | 0:46:31 | |
The surface around the pool was slippery. | 0:46:31 | 0:46:33 | |
I mean, you can't account for something like that when you're... | 0:46:33 | 0:46:38 | |
at work, can you? | 0:46:38 | 0:46:39 | |
I can't dance. | 0:46:50 | 0:46:52 | |
I do not want to annoy this woman. | 0:46:58 | 0:47:01 | |
What about Strange D? | 0:47:04 | 0:47:06 | |
No, no. I've...never liked him. | 0:47:08 | 0:47:12 | |
Er... What about Rico? | 0:47:12 | 0:47:14 | |
I don't think that's what the Baroness is after. | 0:47:14 | 0:47:18 | |
What about The Finger? | 0:47:19 | 0:47:21 | |
No, he's broken his finger. | 0:47:23 | 0:47:26 | |
OK, I've got it. | 0:47:26 | 0:47:28 | |
Who really knows Lady James? | 0:47:30 | 0:47:33 | |
Open the box, produce me a cigarette. | 0:47:57 | 0:48:00 | |
-The hand! -That's good, that one. | 0:48:17 | 0:48:20 | |
Guy walks into a doctor and he says, "Doctor, I'm depressed, I'm lonely. | 0:48:31 | 0:48:37 | |
"Life ahead is so vague and uncertain." | 0:48:37 | 0:48:40 | |
The doctor says to him, "I've got the answer for you. | 0:48:40 | 0:48:42 | |
"The treatment is, you go and see Pagliacci, the great clown." OK? | 0:48:42 | 0:48:46 | |
Yeah? | 0:48:46 | 0:48:48 | |
And the man, he starts crying and he says, "But, doctor... | 0:48:48 | 0:48:53 | |
"I am Pagliacci." | 0:48:53 | 0:48:54 | |
-Is that the punchline? -Yeah, cos the guy's sad... | 0:49:02 | 0:49:06 | |
-he's depressed. -Yeah, so why's that funny? | 0:49:06 | 0:49:09 | |
It's quirky funny. It's the sort of thing the lady likes. | 0:49:09 | 0:49:13 | |
I want you to have fun. | 0:49:13 | 0:49:15 | |
OK... | 0:49:15 | 0:49:17 | |
-OK? -I'm having fun. | 0:49:17 | 0:49:20 | |
-You don't look like you're having fun. -I am. | 0:49:20 | 0:49:23 | |
This is having fun. That's it! | 0:49:23 | 0:49:26 | |
This is having fun! OK, look at me. | 0:49:26 | 0:49:29 | |
Look at me. Look at me. | 0:49:29 | 0:49:31 | |
-Slightly annoying. -OK, but you're smiling, you're beginning to smile. | 0:49:31 | 0:49:34 | |
Slightly annoying is cool, cos you needed slightly annoying. | 0:49:34 | 0:49:38 | |
-Yeah? -I spotted what you needed and we're having fun. | 0:49:38 | 0:49:40 | |
So should I do this to the Baroness? | 0:49:40 | 0:49:42 | |
No. Your natural instincts mean having fun... | 0:49:42 | 0:49:46 | |
but you're also outside yourself, | 0:49:46 | 0:49:49 | |
monitoring the date. And remember, it's not a date. | 0:49:49 | 0:49:54 | |
Hang on... | 0:49:54 | 0:49:57 | |
Monitoring...not date... outside self. | 0:49:58 | 0:50:02 | |
OK. | 0:50:02 | 0:50:03 | |
Give the notebook a rest for the minute. | 0:50:03 | 0:50:06 | |
Hang on. Let me just make sure... I've just got one more... | 0:50:06 | 0:50:10 | |
Stop worrying so much. | 0:50:10 | 0:50:12 | |
OK. | 0:50:13 | 0:50:14 | |
Don't write, "Stop worrying so much." | 0:50:15 | 0:50:17 | |
I just, you know, I forget things if I don't write them down. | 0:50:17 | 0:50:21 | |
Sash, I need that! | 0:50:21 | 0:50:23 | |
"Stop worrying so much"...is an absurd thing to write down. OK? | 0:50:23 | 0:50:29 | |
Right, Sash. | 0:50:31 | 0:50:33 | |
Sasha really is very sorry he couldn't be here tonight, but it's just a temporary injury. | 0:50:33 | 0:50:39 | |
But I'm delighted you could stay and have a drink with me. | 0:50:39 | 0:50:42 | |
You're not concentrating. | 0:50:44 | 0:50:46 | |
-I am concentrating. -Stop talking. | 0:50:46 | 0:50:49 | |
-You keep asking me a deliberate line. -OK? | 0:50:49 | 0:50:52 | |
Start feeling, Trevor. | 0:50:52 | 0:50:54 | |
I am feeling, Sash. I'm feeling a lot of things at the moment. | 0:50:54 | 0:50:57 | |
OK. Fix my eyes. Now give me the line in French. | 0:50:57 | 0:51:01 | |
-French? -French. | 0:51:03 | 0:51:04 | |
Salut. Je m'appelle Trevor. | 0:51:08 | 0:51:11 | |
OK, give me the same line, Trevor, | 0:51:14 | 0:51:17 | |
with just your eyes. Just do it visually. | 0:51:17 | 0:51:20 | |
No? What was wrong with that? | 0:51:37 | 0:51:40 | |
You're gonna lead, Trevor. | 0:51:49 | 0:51:52 | |
Oh. Show me what you do. | 0:51:52 | 0:51:54 | |
You should lead. | 0:51:54 | 0:51:56 | |
-You're the Baroness? -Yes. | 0:52:07 | 0:52:09 | |
Keep them closed. | 0:52:32 | 0:52:33 | |
This is absolutely ridiculous. | 0:52:38 | 0:52:40 | |
Good evening. | 0:53:23 | 0:53:25 | |
DISTANT FOOTSTEPS | 0:53:25 | 0:53:27 | |
Trevor? | 0:53:27 | 0:53:29 | |
-MAN: You look lovely tonight. -Thank you. | 0:53:34 | 0:53:37 | |
INDISTINCT CONVERSATION | 0:53:37 | 0:53:41 | |
-WOMAN: -You have a very exotic background. | 0:53:41 | 0:53:44 | |
-How's the wine? -Oh, it's excellent, thank you. | 0:53:44 | 0:53:49 | |
-Is he all right? -Yes, he's fine. | 0:53:50 | 0:53:52 | |
He's just flat on his back on the sofa at the moment. WOMAN LAUGHS | 0:53:52 | 0:53:56 | |
Watching Parliament, of course. | 0:53:56 | 0:53:58 | |
You're not serious! | 0:53:58 | 0:54:00 | |
I wasn't even sure that he had subscribed to the Parliamentary Channel. | 0:54:02 | 0:54:06 | |
-He did? -Monthly. | 0:54:06 | 0:54:08 | |
-I suppose that sounds rather sad, doesn't it? -No, no, no, not at all. | 0:54:08 | 0:54:13 | |
A little worrying... | 0:54:13 | 0:54:14 | |
-A little worrying! -Not worrying. | 0:54:14 | 0:54:17 | |
No, you're right, you're absolutely right. | 0:54:17 | 0:54:20 | |
-How wonderful! -SHE LAUGHS | 0:54:20 | 0:54:22 | |
Thank you. | 0:54:25 | 0:54:26 | |
-DOOR OPENS AND CLOSES -Trevor? | 0:54:45 | 0:54:47 | |
Hello. | 0:54:51 | 0:54:52 | |
Your collars are outside. | 0:54:54 | 0:54:56 | |
Are they? Oh. | 0:54:58 | 0:54:59 | |
-Probably tuck them in. -Well, I'll take this off in the sec, I'd have thought, then it won't be an issue. | 0:55:01 | 0:55:07 | |
You've had a nice evening. | 0:55:10 | 0:55:12 | |
What was the sneer? Did it go badly? | 0:55:34 | 0:55:37 | |
-What was the what? -What was the sneer? Is she upset? | 0:55:37 | 0:55:41 | |
-What sneer? -The sneer you just gave me on your way out. | 0:55:41 | 0:55:44 | |
No, I was just... | 0:55:44 | 0:55:46 | |
I thought maybe you could have tidied up your own cartons, that's all. But, I mean... | 0:55:46 | 0:55:51 | |
Just me being silly. Don't worry about it. No, it didn't go badly at all. It went great. | 0:55:51 | 0:55:56 | |
It didn't start as well as it might have. | 0:55:58 | 0:56:02 | |
I think I just needed to relax or whatever. | 0:56:02 | 0:56:05 | |
But after the first drink, we got talking about just silly things like | 0:56:05 | 0:56:08 | |
the conference she'd just been on, stuff like that, and just took off. | 0:56:08 | 0:56:13 | |
We stayed at the bar all evening, just drinking and chatting. | 0:56:13 | 0:56:16 | |
Sorry... | 0:56:16 | 0:56:19 | |
did you say you talked about the conference? | 0:56:19 | 0:56:22 | |
Yeah, I'd read a little bit about it, actually, | 0:56:22 | 0:56:25 | |
so I just had a couple of suggestions to make about some of the papers. | 0:56:25 | 0:56:30 | |
You...talked about the conference? | 0:56:30 | 0:56:33 | |
We didn't have dinner. We stayed at the bar and talked for a long time about all sorts of different things. | 0:56:33 | 0:56:38 | |
-It's not on next week, is it? -It is on next week. | 0:56:38 | 0:56:41 | |
Why wouldn't it be on next week? I did a great job, Sash. | 0:56:41 | 0:56:44 | |
Did I do something wrong here? | 0:56:46 | 0:56:48 | |
Sorry, can I have an answer, please? Did I do something wrong? | 0:56:52 | 0:56:56 | |
£100. | 0:57:02 | 0:57:05 | |
Tip. | 0:57:12 | 0:57:15 | |
Give me the money, Trev. | 0:57:15 | 0:57:17 | |
-Give me the money. -What, you're taking over accounts now, are you? | 0:57:17 | 0:57:21 | |
Are we a partnership or a couple of fucking idiots? | 0:57:21 | 0:57:23 | |
-Are you taking over accounts now? -Give me the fucking money! | 0:57:23 | 0:57:26 | |
I'm not giving you the money! I will give you your cut when I sort all the accounts for the week out. | 0:57:26 | 0:57:31 | |
-I'll give you a quarter. -No, Trev, you'll give me what you always give me. | 0:57:33 | 0:57:38 | |
I covered for you tonight. | 0:57:55 | 0:57:56 | |
# I know it's getting late | 0:58:35 | 0:58:38 | |
# But if you'd like to talk a little more | 0:58:42 | 0:58:46 | |
# Well, that's all right with me | 0:58:49 | 0:58:51 | |
# I'm feeling kind of tired | 0:58:55 | 0:58:58 | |
# But it ain't exactly beating down my door | 0:59:01 | 0:59:06 | |
# Now just why could this be? | 0:59:08 | 0:59:10 | |
# And I know I shouldn't say | 0:59:14 | 0:59:17 | |
# But you've been acting strange the last few days | 0:59:21 | 0:59:25 | |
# And this has made me think | 0:59:28 | 0:59:30 | |
# Your pills have cost too much | 0:59:34 | 0:59:37 | |
# And you can't feel them working any more | 0:59:41 | 0:59:45 | |
# So pour them down the sink | 0:59:47 | 0:59:50 | |
# And listen to me | 0:59:54 | 0:59:58 | |
# All you've gotta do is, baby | 0:59:59 | 1:00:02 | |
# Kick off your shoes and lay down | 1:00:02 | 1:00:07 | |
# Climb up here with me and let's forget about sleep and lay down | 1:00:11 | 1:00:19 | |
# I know I shouldn't say | 1:00:25 | 1:00:28 | |
# But you've been acting strange the last few days | 1:00:32 | 1:00:36 | |
# And this has made me think, | 1:00:39 | 1:00:42 | |
# You know it got me thinking | 1:00:42 | 1:00:45 | |
# Your pills have cost too much | 1:00:46 | 1:00:48 | |
# And you can't feel them working any more | 1:00:52 | 1:00:57 | |
# So pour them all right down the sink. # | 1:00:59 | 1:01:05 | |
ALARM RINGS IN DISTANCE | 1:01:09 | 1:01:12 | |
Trev! | 1:01:19 | 1:01:21 | |
RINGING CONTINUES | 1:01:21 | 1:01:24 | |
Trevor! | 1:01:24 | 1:01:25 | |
Trevor! | 1:01:29 | 1:01:31 | |
You know I need my sleep. | 1:01:40 | 1:01:42 | |
Trev? | 1:01:46 | 1:01:48 | |
RINGING STOPS | 1:02:14 | 1:02:15 | |
Yes. Do you deliver breakfast? | 1:02:49 | 1:02:52 | |
You look marvellous. | 1:03:17 | 1:03:20 | |
-Thank you, Sacha. Do you like my outfit? -I think it sparkles. | 1:03:20 | 1:03:26 | |
Will I be warm enough? | 1:03:26 | 1:03:27 | |
Who's going to be there tonight? | 1:03:31 | 1:03:32 | |
Davide and Laurent will be there. You remember them from, erm...Fabrice's? | 1:03:32 | 1:03:38 | |
Oh, yes. Describe them to me. | 1:03:38 | 1:03:41 | |
The guy with the sort of spiky, dark hair... | 1:03:41 | 1:03:44 | |
-Is he French? -French, French. | 1:03:44 | 1:03:46 | |
Oh, yes, I remember them. Yes, they're charming. | 1:03:46 | 1:03:49 | |
-Will they be there? -They're gonna be there. -Nice. | 1:03:49 | 1:03:51 | |
We'll have to give them your autograph this time. | 1:03:51 | 1:03:54 | |
-They didn't know who I was. -Well, I think they did. | 1:03:54 | 1:03:58 | |
-Schiaparelli. -Schiaparelli? -Yes, but I had it turned up. It was very long. | 1:03:58 | 1:04:03 | |
I find it difficult to walk in a very long dress nowadays. | 1:04:03 | 1:04:06 | |
Oh, dear. Old age, Sacha - don't have anything to do with it. | 1:04:07 | 1:04:11 | |
How near are we to the Funky...? | 1:04:26 | 1:04:29 | |
-What is it? -The Funky Buddha. | 1:04:29 | 1:04:31 | |
I keep on forgetting that word, Buddha. How far? | 1:04:31 | 1:04:34 | |
About three or four minutes. | 1:04:34 | 1:04:36 | |
Three or four minutes?! I've still got my face! | 1:04:36 | 1:04:40 | |
Did you sleep well last night? | 1:04:40 | 1:04:43 | |
I never sleep. Two hours maximum. | 1:04:43 | 1:04:46 | |
-Will I be safe there? -Yes. We've got a private room. | 1:05:02 | 1:05:07 | |
The men at the door are gonna take us straight through. | 1:05:07 | 1:05:09 | |
I'm hungry, I'm thirsty and excited. | 1:05:09 | 1:05:12 | |
Oh, fantastic. Me too. | 1:05:12 | 1:05:14 | |
Oh. | 1:05:14 | 1:05:16 | |
We're turning off now, into...where? | 1:05:16 | 1:05:19 | |
We are now, I think, Conduit Street. | 1:05:19 | 1:05:22 | |
We've just left the Ritz. | 1:05:22 | 1:05:25 | |
# There were angels dining at the Ritz | 1:05:25 | 1:05:27 | |
# I may be right | 1:05:34 | 1:05:37 | |
# I may be wrong | 1:05:37 | 1:05:39 | |
# But I'm perfectly willing to swear | 1:05:40 | 1:05:42 | |
# That when you turned and smiled at me | 1:05:44 | 1:05:46 | |
# A nightingale sang in Berkeley Square. # | 1:05:48 | 1:05:54 | |
Roberto never liked me singing. He said it was depressing. | 1:05:56 | 1:06:01 | |
It relaxes me. | 1:06:01 | 1:06:02 | |
Roberto and I used to walk around Berkeley Square. Very romantic. | 1:06:04 | 1:06:11 | |
They never found his body, you know. | 1:06:20 | 1:06:22 | |
-Can you see all the people? And the photographers? -Yes. | 1:06:33 | 1:06:37 | |
I did see them. | 1:06:37 | 1:06:39 | |
I'd say we all put a wedge behind the bar. | 1:07:47 | 1:07:51 | |
If it runs out, I'm very happy to dig a little bit deeper, but that's a nice starting point. | 1:07:51 | 1:07:56 | |
-40th anniversary? -Yeah, that's true. | 1:08:04 | 1:08:07 | |
Where's your cocktails? That's what I say. | 1:08:07 | 1:08:10 | |
In you come. | 1:08:16 | 1:08:18 | |
-Where are we? -John, just a question. | 1:08:21 | 1:08:23 | |
Who's coming to this? How many? | 1:08:23 | 1:08:25 | |
That's a point. I mean, Basil's lot, they've all gone now, haven't they? | 1:08:27 | 1:08:31 | |
-It's only Basil left. -That's true. | 1:08:31 | 1:08:33 | |
Yeah. | 1:08:33 | 1:08:34 | |
So let's do it properly. | 1:08:36 | 1:08:38 | |
Let's have a proper band, | 1:08:38 | 1:08:40 | |
and speeches. All of us collectively do a little speech about what he's meant to us. | 1:08:40 | 1:08:45 | |
Good food, no pay bar, proper bar... | 1:08:45 | 1:08:48 | |
..couple of things on sticks. | 1:08:50 | 1:08:52 | |
Seems good for me. | 1:08:52 | 1:08:54 | |
Right. | 1:08:58 | 1:09:00 | |
Meeting closed. | 1:09:00 | 1:09:02 | |
This is the fat bloke singing. | 1:09:02 | 1:09:04 | |
-You all right? -Yeah, I'm good. | 1:09:27 | 1:09:29 | |
Is Ben helping you now? | 1:09:31 | 1:09:33 | |
Sort of. | 1:09:36 | 1:09:37 | |
Well, good luck. | 1:09:42 | 1:09:44 | |
Yeah, you too. | 1:09:44 | 1:09:45 | |
It's Beryl's birthday, Friday. | 1:09:49 | 1:09:53 | |
Don't forget. | 1:09:53 | 1:09:54 | |
Thanks. | 1:09:56 | 1:09:58 | |
-'Hello?' -Oh, hello. Could I speak with Lady James, please? | 1:10:11 | 1:10:14 | |
-'Can I say who's calling, please?' -It's Sacha. | 1:10:14 | 1:10:17 | |
One moment, please. | 1:10:17 | 1:10:18 | |
Hi, it's Trevor. | 1:10:18 | 1:10:20 | |
Yeah, yeah, yeah. In Sacha's office. | 1:10:20 | 1:10:24 | |
Yes, yes. I'm just touching base, really. | 1:10:24 | 1:10:27 | |
Erm, I'm working with someone else now actually, yep. | 1:10:28 | 1:10:33 | |
So I just wondered if Mrs T was kind of still looking for... | 1:10:33 | 1:10:37 | |
'Possibly.' | 1:10:37 | 1:10:39 | |
Maybe? Good, good, excellent. | 1:10:39 | 1:10:41 | |
'Let me talk to her.' | 1:10:41 | 1:10:42 | |
About six foot two, brown hair, about 30. | 1:10:42 | 1:10:47 | |
'Great, lovely.' | 1:10:47 | 1:10:49 | |
'I'm afraid she's unavailable, caller.' | 1:10:49 | 1:10:51 | |
OK. If you could just say Sacha called, that'd be great. Thanks. | 1:10:51 | 1:10:54 | |
-'OK, will do.' -OK, bye. | 1:10:54 | 1:10:56 | |
There we go, Sach. | 1:11:22 | 1:11:23 | |
Thanks for that. | 1:11:26 | 1:11:28 | |
Er... | 1:11:31 | 1:11:34 | |
I need a cake. | 1:11:34 | 1:11:36 | |
I've got a delivery to make, I just need a small cake. | 1:11:37 | 1:11:40 | |
Here, take that. A smart but not ostentatious birthday cake. | 1:11:44 | 1:11:50 | |
Er, keep the rest. | 1:11:50 | 1:11:52 | |
Thanks. | 1:11:54 | 1:11:56 | |
DISTANT SINGING | 1:12:30 | 1:12:32 | |
LOUDER SINGING | 1:12:45 | 1:12:47 | |
Basil? | 1:12:52 | 1:12:53 | |
Trevor! What the hell are you doing here? | 1:12:58 | 1:13:02 | |
# Happy birthday to you | 1:13:16 | 1:13:20 | |
# Happy birthday to you | 1:13:20 | 1:13:24 | |
# Happy birthday, wonderful Beryl! # | 1:13:24 | 1:13:30 | |
It's a year since Beryl's husband died. | 1:13:33 | 1:13:35 | |
Come on. | 1:15:33 | 1:15:34 | |
(Sacha!) | 1:16:02 | 1:16:03 | |
(Come here!) | 1:16:05 | 1:16:06 | |
(Sacha! Come here!) | 1:16:07 | 1:16:09 | |
HE WHISTLES | 1:17:26 | 1:17:27 | |
Thank you. | 1:17:49 | 1:17:50 | |
Well? | 1:17:57 | 1:17:59 | |
-Did you find her? -Russell Square, her old college. | 1:17:59 | 1:18:02 | |
Fucking fake tan, stained my shirt. | 1:18:08 | 1:18:11 | |
Are you going to the club later? | 1:18:13 | 1:18:15 | |
Yeah. | 1:18:15 | 1:18:17 | |
Sach, erm... | 1:18:17 | 1:18:18 | |
What sort of time will you be at the club? | 1:18:18 | 1:18:21 | |
I don't know, about ten? | 1:18:21 | 1:18:24 | |
OK, see you later. | 1:18:24 | 1:18:26 | |
I love the place. | 1:19:08 | 1:19:10 | |
-It is nice, isn't it? -A man I knew in Dubai had a place just like this. -I do want to know about it... | 1:19:10 | 1:19:17 | |
Hello. | 1:21:24 | 1:21:25 | |
-See you at Del Monaco's. -But of course. | 1:21:36 | 1:21:38 | |
-Goodnight, dear. -Goodnight. | 1:21:39 | 1:21:41 | |
My little Belgian chocolate! | 1:22:16 | 1:22:18 | |
My little Belgian chocolate! | 1:22:18 | 1:22:19 | |
KNOCK ON THE DOOR | 1:22:52 | 1:22:53 | |
-Who is that? -It's me, Sacha. | 1:22:53 | 1:22:57 | |
Hi, Edwina. | 1:23:09 | 1:23:10 | |
-What day is it? -It's, er...Thursday. | 1:23:11 | 1:23:15 | |
We have no date. | 1:23:15 | 1:23:17 | |
No. | 1:23:17 | 1:23:18 | |
I've got some sherry. | 1:23:19 | 1:23:21 | |
I just thought, erm, we could, er, have a nightcap. | 1:23:21 | 1:23:26 | |
No, I've taken a sleeping pill. | 1:23:26 | 1:23:28 | |
Er... Well, I'll have a nightcap and we can just chat and... | 1:23:29 | 1:23:34 | |
What's wrong with you? | 1:23:36 | 1:23:38 | |
-I've, er... Yeah. -Hmm? | 1:23:38 | 1:23:43 | |
Er... We'll see each other on our next date. | 1:23:43 | 1:23:47 | |
I thought we were... | 1:25:31 | 1:25:33 | |
I've got to go. | 1:25:33 | 1:25:35 | |
Why don't we go for a drink now, or...? | 1:25:37 | 1:25:39 | |
MOBILE RINGS | 1:26:00 | 1:26:02 | |
You all right? | 1:29:09 | 1:29:11 | |
Yeah. | 1:29:15 | 1:29:16 | |
You looked good in there. | 1:29:20 | 1:29:22 | |
Bit gay. | 1:29:27 | 1:29:28 | |
I'd love some cigarettes. | 1:29:29 | 1:29:31 | |
You should cut down. | 1:30:18 | 1:30:20 | |
You should go back in. | 1:30:20 | 1:30:22 | |
Subtitles by Red Bee Media Ltd | 1:31:17 | 1:31:19 | |
E-mail [email protected] | 1:31:19 | 1:31:21 |