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This programme contains very strong language. | 0:00:02 | 0:00:10 | |
# ..There's a smile There's a smile | 0:00:10 | 0:00:15 | |
# Behind all of the rain | 0:00:16 | 0:00:21 | |
# There's a sunshine for miles and miles | 0:00:21 | 0:00:26 | |
# Oh, everything, everything | 0:00:26 | 0:00:31 | |
# You mean everything | 0:00:31 | 0:00:34 | |
# You mean everything Everything to me | 0:00:34 | 0:00:39 | |
# Everything to me | 0:00:39 | 0:00:41 | |
# The colours of your garden | 0:00:41 | 0:00:47 | |
# They're yellow, blue and green | 0:00:47 | 0:00:51 | |
# And the sound of your sweet voice | 0:00:52 | 0:00:58 | |
# It's better than all my dreams | 0:00:58 | 0:01:03 | |
# Oh, everything, everything | 0:01:03 | 0:01:07 | |
# You mean everything | 0:01:07 | 0:01:11 | |
# You mean everything | 0:01:11 | 0:01:13 | |
# Everything to me | 0:01:13 | 0:01:16 | |
# Everything to me | 0:01:16 | 0:01:18 | |
# You're my first thought in the morning | 0:01:18 | 0:01:23 | |
# When I rise | 0:01:23 | 0:01:26 | |
# Oh, when I rise | 0:01:26 | 0:01:28 | |
# And you're my last thought in the evening | 0:01:30 | 0:01:34 | |
# When I rest my head at night | 0:01:34 | 0:01:39 | |
# Oh, now, everything, everything | 0:01:39 | 0:01:44 | |
# You mean everything | 0:01:44 | 0:01:46 | |
# You mean everything | 0:01:46 | 0:01:49 | |
# Everything to me. # | 0:01:49 | 0:01:53 | |
-'I need help!' -I'll go. -Daddy, Daddy. -Oh, don't worry, sweetheart. Dad'll be right back. | 0:01:53 | 0:01:59 | |
Daddy's not leaving, honey. He's just helping your brother in the bathroom. | 0:01:59 | 0:02:04 | |
It's OK. Hey, look at that! | 0:02:04 | 0:02:06 | |
What's going on? | 0:02:06 | 0:02:08 | |
I'm trying to poop, but I can't. | 0:02:08 | 0:02:11 | |
Just relax, David. Don't work so hard. | 0:02:11 | 0:02:13 | |
But my stomach hurts. I had to burp, I need to poop. | 0:02:13 | 0:02:17 | |
Well, sometimes if you just sit there, a fart will just work its way out. | 0:02:17 | 0:02:20 | |
-Who said anything about a fart? -'Honey, The Terminix guy is finished.' | 0:02:20 | 0:02:25 | |
A fart's just as good as a burp, David, sometimes even better. | 0:02:25 | 0:02:28 | |
A fart, a burp or a poop... What am I talking about? | 0:02:30 | 0:02:34 | |
Mr Ponson, you have a problem. | 0:02:34 | 0:02:36 | |
Fantastic. | 0:02:36 | 0:02:38 | |
'Here it comes!' | 0:02:38 | 0:02:41 | |
-I gotta bring these galleys I proofed into work today. -Shouldn't your boss be proofin' those? | 0:02:47 | 0:02:53 | |
Yeah, she should, but she's behind for maternity leave so I'm covering for her. | 0:02:53 | 0:02:58 | |
So much for taking the job so you can work on your book. | 0:02:58 | 0:03:02 | |
Anyway, it would be great if you could drive me. | 0:03:02 | 0:03:05 | |
-Oh, sweetie, I can't. Today is Monday. -So? | 0:03:05 | 0:03:09 | |
Well, alternate side is in effect, so I gotta move the car. | 0:03:09 | 0:03:13 | |
Into another parking spot? | 0:03:13 | 0:03:16 | |
Yeah. | 0:03:16 | 0:03:18 | |
You're not going to drive me because you have to park the car on the other side of the street? | 0:03:18 | 0:03:23 | |
Well, you're oversimplifying it now. | 0:03:23 | 0:03:26 | |
-How's that? You only use the car when you need to drive it 10 feet into a legal parking spot. -If I'm lucky. | 0:03:26 | 0:03:31 | |
That doesn't make any sense! | 0:03:31 | 0:03:34 | |
Look, if we're not gonna use it, will you just sell it? | 0:03:34 | 0:03:37 | |
I like knowing it's there. Booyah! Bam! | 0:03:37 | 0:03:41 | |
-Bam! -Right. So if there's an emergency, we always have a way out of Manhattan. | 0:03:41 | 0:03:46 | |
Well, you laugh now, but that thing is fully equipped. | 0:03:46 | 0:03:49 | |
Tobey, you've got two bottles of water in there and four PowerBars. How far is that gonna get us? | 0:03:49 | 0:03:55 | |
The car has special meaning to me. Can you deal with that? | 0:03:55 | 0:03:58 | |
Why? | 0:03:58 | 0:04:00 | |
Look, if you must know, | 0:04:04 | 0:04:08 | |
the first time I saw you, I was in that car. | 0:04:08 | 0:04:12 | |
Fine. | 0:04:15 | 0:04:16 | |
I'll take a cab. | 0:04:19 | 0:04:21 | |
HE BREAKS WIND | 0:04:22 | 0:04:23 | |
-I gotta go. -All right, baby. Later. | 0:04:24 | 0:04:29 | |
'Are you kiddin' me?' | 0:04:29 | 0:04:30 | |
WATER TRICKLING | 0:04:30 | 0:04:34 | |
-OK, so it sounds like everything's goin' good. -Yeah. | 0:04:42 | 0:04:47 | |
Yeah. | 0:04:47 | 0:04:48 | |
-I mean, there's still all the same old issues. -What are those? What are the same old issues? | 0:04:52 | 0:04:58 | |
Well, you know, like no sex. | 0:04:58 | 0:05:01 | |
-Well, that's your issue. -I'd say that's OUR issue. | 0:05:01 | 0:05:04 | |
No. I'm just not a sex maniac like you are. | 0:05:04 | 0:05:06 | |
I'm not a maniac. I just like it. | 0:05:06 | 0:05:08 | |
Twice a day. | 0:05:08 | 0:05:11 | |
What is that look supposed to mean? It's not like I like to kill baby squirrels. I like to have sex. | 0:05:11 | 0:05:17 | |
-Always from behind. -Now, that is a lie. That's a lie. -You know it is not, Tom! | 0:05:17 | 0:05:21 | |
Sometimes, I would just like to look at you. | 0:05:21 | 0:05:24 | |
Maybe you'd have more luck if you did something a little more romantic. | 0:05:24 | 0:05:27 | |
The only way to approach you is from behind because your back's always turned to me. | 0:05:27 | 0:05:31 | |
I'm reading. I just like to have a minute to myself without you pawing at me all day. | 0:05:31 | 0:05:35 | |
Well, forgive me if I want to touch my wife. | 0:05:35 | 0:05:38 | |
Here's what I think. I think, if I may say, | 0:05:42 | 0:05:47 | |
we could get a lot more work done if you'd come in more than once a year. | 0:05:47 | 0:05:52 | |
Would you think about it? | 0:05:54 | 0:05:56 | |
-We'll think about it. -Yeah. | 0:05:56 | 0:05:59 | |
Would you? | 0:05:59 | 0:06:01 | |
And, Tom... | 0:06:01 | 0:06:03 | |
..listen to Rebecca and don't, don't paw at her. | 0:06:04 | 0:06:07 | |
And just give her some space, OK? | 0:06:07 | 0:06:10 | |
And, Rebecca, think about having sex with Tom. | 0:06:10 | 0:06:13 | |
Possibly doggy style. | 0:06:13 | 0:06:15 | |
OK? | 0:06:17 | 0:06:18 | |
And I have your cell numbers, right? | 0:06:21 | 0:06:24 | |
-Yeah. -Yeah. | 0:06:24 | 0:06:25 | |
Therapy always makes me so horny. | 0:06:28 | 0:06:30 | |
Did he actually say... | 0:06:30 | 0:06:32 | |
-"doggy style?" -Yeah. I knew I liked that guy. | 0:06:32 | 0:06:34 | |
-I gotta go. -No. | 0:06:34 | 0:06:36 | |
Tom, I have a rehearsal. Don't suck my face off. | 0:06:39 | 0:06:42 | |
-Did I tell you I had a dream last night that you gave me a blow job? -Yeah. I had a dream | 0:06:42 | 0:06:45 | |
that I gave you a German Shepherd. | 0:06:45 | 0:06:47 | |
Unhand me. And remember, you're picking up David from school and we need milk. | 0:06:47 | 0:06:53 | |
I know. It's my new life - househusband. | 0:06:53 | 0:06:55 | |
Hey, dude. You asked for it. | 0:06:55 | 0:06:58 | |
Yo, Rebecca... | 0:07:01 | 0:07:03 | |
-Yeah, you leavin'? -You wish! | 0:07:47 | 0:07:51 | |
Blow me, dickhead! | 0:07:51 | 0:07:52 | |
Megan Sweetlander's office. Please hold. | 0:08:23 | 0:08:26 | |
Megan Sweetlander's office. Please hold. | 0:08:26 | 0:08:28 | |
Megan Sweetlander's office. May I help you? | 0:08:28 | 0:08:30 | |
-Hey, it's me. -Oh, God. I'm swamped here. | 0:08:30 | 0:08:33 | |
-'Oh, just hang up on them all.' -PHONES CONTINUE TO RING | 0:08:33 | 0:08:37 | |
-RINGING STOPS I did it. -Oh, my God, I was kidding! | 0:08:40 | 0:08:43 | |
Jesus, that felt good. | 0:08:43 | 0:08:46 | |
Hey, do you think I'm crazy? | 0:08:46 | 0:08:47 | |
Not compared to other actresses, no. | 0:08:47 | 0:08:49 | |
How often do you and my brother have sex? | 0:08:49 | 0:08:52 | |
Satisfying sex or just sex? | 0:08:52 | 0:08:55 | |
Oh, say no more. | 0:08:55 | 0:08:57 | |
I try to, but he won't listen. | 0:08:57 | 0:08:59 | |
Ha ha. | 0:08:59 | 0:09:00 | |
You know, we have good... | 0:09:00 | 0:09:03 | |
We have good sex. | 0:09:03 | 0:09:05 | |
-Sometimes. -'Elaine!' -Um, I really gotta go. | 0:09:05 | 0:09:09 | |
Do you ever worry that Tobey'll cheat on you? | 0:09:09 | 0:09:11 | |
Only with his therapist. I'm hanging up... | 0:09:11 | 0:09:14 | |
Er, unfortunately, we do not accept unsolicited manuscripts. Thank you. | 0:09:14 | 0:09:19 | |
-'You never have time for me any...' -Elaine? -Yes. | 0:09:19 | 0:09:23 | |
"A curveball is the speed of the air moving fast..." | 0:09:23 | 0:09:29 | |
-BABY CRIES -Hey... | 0:09:29 | 0:09:31 | |
Hey, I'm just reading your article on wrist injuries in older pitchers. That's fascinating stuff. | 0:09:32 | 0:09:37 | |
Yep. I really blew the lid off carpal tunnel syndrome. | 0:09:37 | 0:09:39 | |
Well, at least you have a job. When Rebecca asked what I was doing this morning, I said, "the usual." | 0:09:39 | 0:09:45 | |
You think she knew that meant - breakfast, jerk off, nap, late lunch? | 0:09:45 | 0:09:48 | |
Yeah, well, maybe I shouldn't have quit advertising. | 0:09:48 | 0:09:51 | |
As I remember, you hated it, felt empty and hollow, worthless, | 0:09:51 | 0:09:55 | |
void of meaning, purposeless, any of this ring a bell? | 0:09:55 | 0:09:57 | |
It might be better than this. I'm beginning to feel like a kept boy. | 0:09:57 | 0:10:01 | |
-Only I don't know what I'm being kept for. -Sex? | 0:10:01 | 0:10:04 | |
Sure, if you're up for it. Rebecca's not. | 0:10:04 | 0:10:06 | |
That's weird. She slept with everyone in high school. | 0:10:06 | 0:10:08 | |
And even when we do have sex, it's like she's not adventurous any more. | 0:10:08 | 0:10:14 | |
Cottage cheese. | 0:10:14 | 0:10:15 | |
It's like she used her sexual adventurousness to lure me in, | 0:10:15 | 0:10:19 | |
and it turns out she's just normal. She's just normal. | 0:10:19 | 0:10:22 | |
Mommy's just normal! | 0:10:22 | 0:10:23 | |
-I guess you hoped it'd be more like marrying a hooker, huh? -Yeah. Except without the payment though. | 0:10:23 | 0:10:29 | |
Speaking of that, do you have another word for fish lover? | 0:10:29 | 0:10:32 | |
Hold on a second. ..Excuse me, sir. | 0:10:32 | 0:10:34 | |
Can we cut in front of you? We gotta get home for our nap. | 0:10:34 | 0:10:36 | |
We gotta rush. We're in a rush. | 0:10:36 | 0:10:39 | |
Erm...aficionado? | 0:10:39 | 0:10:43 | |
-Do you take milk? -Oh. | 0:10:50 | 0:10:53 | |
I do, but I like to pour it myself. | 0:10:53 | 0:10:56 | |
Oh, yeah. | 0:10:56 | 0:10:58 | |
I just wanted to say, I think you're awesome, and I feel... | 0:10:59 | 0:11:04 | |
incredible to be able to, you know... | 0:11:04 | 0:11:08 | |
share the stage with you, Miss Pollack. | 0:11:08 | 0:11:10 | |
-Rebecca. What was your name again? -Jasper. | 0:11:10 | 0:11:14 | |
-I had a puppy named Jasper. -That's funny, because my last name is Bernard! | 0:11:14 | 0:11:19 | |
-Like Saint Bernard. -Right. | 0:11:22 | 0:11:24 | |
-Like the dog. -Right. -Yeah. | 0:11:25 | 0:11:28 | |
OK. Well, I'll see you tomorrow. Oh! | 0:11:28 | 0:11:34 | |
Careful. | 0:11:34 | 0:11:36 | |
My dear. | 0:11:36 | 0:11:38 | |
-Do you have a moment? -Oh, yeah. | 0:11:38 | 0:11:40 | |
I know you turned down a film to do this role, and I do appreciate that. | 0:11:40 | 0:11:44 | |
I do, however, feel the need to remind you that this is a play, | 0:11:44 | 0:11:48 | |
not a film, and it will require some projection. | 0:11:48 | 0:11:53 | |
-It was just a table read. -No defences, OK? | 0:11:53 | 0:11:57 | |
Oh, Jasper! | 0:11:57 | 0:11:59 | |
Dad, I can't reach it. Help me! | 0:12:03 | 0:12:06 | |
Oh, you're close. | 0:12:06 | 0:12:08 | |
Reach. | 0:12:08 | 0:12:10 | |
Hey, Mom, I wanna take home mine too. | 0:12:10 | 0:12:13 | |
OK. Go ahead. | 0:12:13 | 0:12:15 | |
You know you're breaking the rules. | 0:12:18 | 0:12:20 | |
-What do you mean? -That stuff's not supposed to go home till the end of the year. | 0:12:20 | 0:12:25 | |
Well, David told me he needed, he needed it. | 0:12:25 | 0:12:28 | |
Yeah? You also give him chocolate for dinner, right? | 0:12:28 | 0:12:31 | |
What are you, the room monitor or something? | 0:12:33 | 0:12:35 | |
No. It's refreshing to see someone breaking the rules. You're a rebel. | 0:12:35 | 0:12:40 | |
Mom, help me! | 0:12:40 | 0:12:42 | |
OK. Here we go. I'll help you too, David cos your dad | 0:12:42 | 0:12:46 | |
would leave you standing here all day. | 0:12:46 | 0:12:48 | |
-Wow, you're strong! -Thank you. | 0:12:48 | 0:12:50 | |
If you tell, I'll say you did it, and they'll believe me. | 0:12:53 | 0:12:57 | |
Come on. | 0:12:59 | 0:13:01 | |
-Come back soon. -Thank you. | 0:13:05 | 0:13:07 | |
-So how come only once a year? -Well, you don't want to dissect it too much. It's like a tune-up. | 0:13:07 | 0:13:12 | |
If you go regularly, you just become one of those couples that disappears up their own assholes, you know? | 0:13:12 | 0:13:17 | |
As my father used to say. | 0:13:20 | 0:13:22 | |
Thank you for that image while I'm eating a whole fish. | 0:13:22 | 0:13:25 | |
-I don't think fish have assholes. -Boys... No more use of that word while there's food on the table. | 0:13:25 | 0:13:31 | |
-Yeah. They got us. -How's the play going? -It's all right. | 0:13:31 | 0:13:35 | |
The director's sort of a pretentious moron. | 0:13:35 | 0:13:37 | |
-That's a drag. -Hi, Roberto. | 0:13:37 | 0:13:39 | |
-Ciao, Miss Pollack. -Um... | 0:13:39 | 0:13:42 | |
-(Asshole.) -And this has got to be my last carbohydrate-heavy meal for a very long time. | 0:13:42 | 0:13:47 | |
-Are you kidding? You look great. -How's the book? | 0:13:47 | 0:13:52 | |
-I think I'm done. -Wow! -I'm gonna start sending it out to agents. -Yowsa! | 0:13:52 | 0:13:58 | |
-What? -I don't know what makes me think I know anything about kids. | 0:13:58 | 0:14:02 | |
-No, it's a terrific idea... -Oh, my God! | 0:14:02 | 0:14:04 | |
-That's Faith Faison. -That's Faith Faison? | 0:14:04 | 0:14:07 | |
..He already wants to know when they're making it into a movie. | 0:14:07 | 0:14:11 | |
-She sees you. -What are you doing? | 0:14:13 | 0:14:16 | |
-Sometimes, you get... -Tasting the wine. -..something caught in your mouth. | 0:14:16 | 0:14:21 | |
Tobey! | 0:14:21 | 0:14:23 | |
Aah... | 0:14:24 | 0:14:25 | |
Faith, wow! | 0:14:25 | 0:14:27 | |
How are you? | 0:14:27 | 0:14:29 | |
Oh, my God! | 0:14:29 | 0:14:31 | |
I can't believe you're here! Geez! Whoa! | 0:14:31 | 0:14:34 | |
Well, no, I always come here. You're not gonna find better Northern Italian food anywhere in the city. | 0:14:34 | 0:14:40 | |
-That's my husband. -What? | 0:14:40 | 0:14:43 | |
-Oh! Well, that's my girlfriend of seven years, Elaine. -Hi. | 0:14:44 | 0:14:50 | |
-Hi. It's nice to meet you. -Congratulations on getting married. | 0:14:50 | 0:14:53 | |
Oh, thank you. Are you guys gonna? | 0:14:53 | 0:14:54 | |
What? | 0:14:56 | 0:14:58 | |
-We're married. And it's overrated. -What? -Uh oh! | 0:14:58 | 0:15:04 | |
I'd better go. | 0:15:04 | 0:15:07 | |
-So great to see you. -Yeah. Yeah. -Oh, Jesus Christ. | 0:15:07 | 0:15:12 | |
And I hope you don't mind me saying, but I love your work. | 0:15:12 | 0:15:16 | |
Thank you very much. | 0:15:16 | 0:15:18 | |
You hate that, don't you? | 0:15:18 | 0:15:21 | |
Bye. | 0:15:21 | 0:15:23 | |
So, who was that chick? | 0:15:27 | 0:15:30 | |
Who? | 0:15:30 | 0:15:32 | |
Tobey! | 0:15:32 | 0:15:34 | |
-You are the worst. -What, Faith? | 0:15:34 | 0:15:38 | |
I don't know. Knew her in college. | 0:15:38 | 0:15:40 | |
Is she an old girlfriend? | 0:15:40 | 0:15:42 | |
No. | 0:15:42 | 0:15:44 | |
-She's pretty. -Yeah. | 0:15:44 | 0:15:46 | |
You see her boyfriend? | 0:15:46 | 0:15:47 | |
I mean, do you have to work out every day? | 0:15:47 | 0:15:49 | |
Did you know, by the way, that muscle sinks faster in the pool? | 0:15:49 | 0:15:53 | |
He's her husband, actually. | 0:15:53 | 0:15:55 | |
Oh. Seems a little young for that, doesn't she? | 0:15:55 | 0:15:59 | |
You're the only one who thinks you have to be 40 to get married. | 0:15:59 | 0:16:03 | |
She probably wanted to do it before she was completely barren. | 0:16:03 | 0:16:06 | |
Oh! That reminds me. | 0:16:06 | 0:16:08 | |
I taped the, er, documentary for you on the Serengeti. | 0:16:08 | 0:16:13 | |
Tobey! I said Ferlinghetti. | 0:16:13 | 0:16:17 | |
It was for work. | 0:16:17 | 0:16:19 | |
Oh. | 0:16:21 | 0:16:23 | |
-Well, hey, come on. Serengeti's cool. Right? -Yeah. | 0:16:23 | 0:16:27 | |
It's great. | 0:16:27 | 0:16:28 | |
See? I'm fun. | 0:16:37 | 0:16:40 | |
Mmm. Who knew lobster cannelloni was an aphrodisiac? | 0:16:40 | 0:16:45 | |
-Is that what this is? -No. It's lobster Ponson. | 0:16:45 | 0:16:48 | |
You pay Maria when we get home and then meet me in the bedroom. | 0:16:50 | 0:16:54 | |
-Like for sex? -Don't ruin it. | 0:16:54 | 0:16:58 | |
-Thank you so much. -Thank you. | 0:16:59 | 0:17:01 | |
The kids were great. | 0:17:01 | 0:17:03 | |
-The kids love you. -David drew a big picture of baboon, and the little girl... | 0:17:03 | 0:17:07 | |
That's great. You get home safe. | 0:17:07 | 0:17:08 | |
-Thank you very much. -Thank you, thank you, thank you. | 0:17:08 | 0:17:12 | |
I, er, I have to go to the bathroom. | 0:17:24 | 0:17:29 | |
I'm gonna get a drink. | 0:17:29 | 0:17:31 | |
Mmm! | 0:18:08 | 0:18:10 | |
TOILET FLUSHES | 0:18:26 | 0:18:28 | |
SHE CHOKES | 0:18:34 | 0:18:36 | |
MUSIC: "Let's Get It On" by Marvin Gaye | 0:18:36 | 0:18:41 | |
What the hell? Huh? | 0:18:57 | 0:19:01 | |
Oh! | 0:19:01 | 0:19:03 | |
Uh! Uh! | 0:19:04 | 0:19:05 | |
-Uh! Uh! -Agh! | 0:19:05 | 0:19:08 | |
It was my last night of carbs and I wanted to take advantage of it. | 0:19:11 | 0:19:16 | |
You know, sometimes it's those near-death experiences | 0:19:18 | 0:19:22 | |
that make us wanna participate in life that much more. | 0:19:22 | 0:19:26 | |
I can still kinda taste the throw up. | 0:19:28 | 0:19:31 | |
Good. | 0:19:33 | 0:19:34 | |
Whoa, whoa! Oh! | 0:19:39 | 0:19:42 | |
Bouncy, bouncy. | 0:19:42 | 0:19:43 | |
Bouncy, bouncy. Just one more thing, then we're gonna go home, OK? | 0:19:43 | 0:19:48 | |
-Is that it? -Let me get one of those. | 0:19:55 | 0:19:58 | |
-This one? -No, no, no. Three down from Sports World and one to the left. | 0:20:00 | 0:20:04 | |
-Uh...this one? -No, no. Your other left. Diagonal from there. | 0:20:04 | 0:20:10 | |
Shaved? | 0:20:10 | 0:20:12 | |
Ah, good one! | 0:20:13 | 0:20:14 | |
That's 3.15... Here. Candy for the baby. | 0:20:14 | 0:20:20 | |
-Good man. -And the candy, one dollar. | 0:20:20 | 0:20:23 | |
No, I don't wanna be too hard on him. | 0:20:27 | 0:20:30 | |
It's just that I feel like he's not directed, and that makes him unhappy. | 0:20:30 | 0:20:33 | |
And the more unhappy he gets, the more desperate he gets. | 0:20:33 | 0:20:35 | |
-And the more desperate he gets, the less I wanna have sex with him. -Oh. For Tobey, | 0:20:35 | 0:20:40 | |
desperation is foreplay. | 0:20:40 | 0:20:42 | |
You know, I should probably be... | 0:20:42 | 0:20:45 | |
more attentive. | 0:20:45 | 0:20:47 | |
-Or at least permissive. -Do you ever wonder what your life would be like if you'd chosen someone different? | 0:20:47 | 0:20:53 | |
Like, OK, I was on the train the other day. | 0:20:53 | 0:20:56 | |
This guy was sitting across from me. | 0:20:56 | 0:20:58 | |
He was wearing this big, cosy Vermonty sweater. | 0:20:58 | 0:21:03 | |
Just seemed... | 0:21:03 | 0:21:06 | |
old fashioned, like he probably had tons of kids | 0:21:06 | 0:21:11 | |
who climb all over him at bedtime. They go sledding in the winter. | 0:21:11 | 0:21:15 | |
Pick flowers in the spring. | 0:21:15 | 0:21:17 | |
Kill deer in the fall. | 0:21:17 | 0:21:19 | |
No. I just did not expect to want to have a baby this soon. | 0:21:19 | 0:21:24 | |
A baby? | 0:21:25 | 0:21:27 | |
Oh, I don't know. | 0:21:28 | 0:21:30 | |
All of a sudden, it just... | 0:21:30 | 0:21:33 | |
-feels right. -Honey, you're so young, you know? | 0:21:33 | 0:21:37 | |
-And Tobey, he's just like a teenager with a checking account. -Excuse me. | 0:21:37 | 0:21:40 | |
These are from the young man over in the corner. | 0:21:42 | 0:21:45 | |
He wanted you to know that you are, "like, awesome." | 0:21:45 | 0:21:50 | |
Who is that? | 0:21:50 | 0:21:51 | |
See ya at rehearsal. | 0:21:51 | 0:21:54 | |
I'll tell ya later. | 0:21:54 | 0:21:55 | |
-That was kinda fun. -Yeah. | 0:21:59 | 0:22:01 | |
Maybe I should become a first grade teacher. | 0:22:01 | 0:22:04 | |
-Who was that mother you were talking to? -Who? | 0:22:04 | 0:22:09 | |
Oh, that's, uh, that's Shannon's mom, you know? | 0:22:11 | 0:22:15 | |
She's a divorcee, right? | 0:22:15 | 0:22:17 | |
I don't think anybody's used that term since, like 1954. | 0:22:17 | 0:22:23 | |
-She's pretty. -I guess. | 0:22:23 | 0:22:26 | |
You know, uh, you do kinda owe me. | 0:22:29 | 0:22:33 | |
-I owe you? -And I know you're tired. | 0:22:33 | 0:22:35 | |
But I have a way where you don't have to exert any energy at all. | 0:22:35 | 0:22:39 | |
Do you have to wear your retainer? | 0:22:44 | 0:22:46 | |
If that's one of your tapes, you can forget it. | 0:22:46 | 0:22:48 | |
# Da-da-da-da, da-da-da-da-da-da Da-da! Da-da! Da-da... # | 0:22:49 | 0:22:55 | |
OK. Here's how it's gonna go down. | 0:23:03 | 0:23:07 | |
I'm gonna close my eyes and you have to tell me everything that's happening on TV. | 0:23:07 | 0:23:11 | |
No way in hell I'm gonna do that. | 0:23:11 | 0:23:12 | |
It's either that, or actual sex. | 0:23:12 | 0:23:14 | |
You make the call. | 0:23:14 | 0:23:17 | |
This is erotic for you? | 0:23:17 | 0:23:19 | |
-OK. -Oh. No, no, no. | 0:23:22 | 0:23:25 | |
OK. There's some kind of a credit sequence happening. | 0:23:25 | 0:23:28 | |
Just, uh, it's very simple. | 0:23:28 | 0:23:30 | |
-Black on white titles. -OK, Scorsese. | 0:23:30 | 0:23:32 | |
Save your breath for the good stuff. | 0:23:32 | 0:23:34 | |
Now there's some people...in the worst set design I have ever seen. | 0:23:34 | 0:23:39 | |
-Come on. -OK. Um, OK, no, here they go. Here they go. | 0:23:39 | 0:23:43 | |
Wow. Um, yeah, pants are off. | 0:23:43 | 0:23:47 | |
Dress is off. Penis is hard. They're starting. | 0:23:47 | 0:23:49 | |
A little less like a list, please. | 0:23:49 | 0:23:52 | |
Oh, Jesus. | 0:23:52 | 0:23:54 | |
-What? -This guy's dick is green and kind of crooked. | 0:23:54 | 0:23:58 | |
It's like, twice the size of yours! | 0:23:58 | 0:24:00 | |
Another, um, another woman's coming in. | 0:24:00 | 0:24:03 | |
-Yeah? -She is Chinese. | 0:24:03 | 0:24:05 | |
-Nice. -No. No. | 0:24:05 | 0:24:07 | |
-Uh, Filipino. -OK. | 0:24:07 | 0:24:10 | |
She's hiking up her uniform. | 0:24:10 | 0:24:11 | |
And that is a terrible wax that she has. It's all irritated. | 0:24:11 | 0:24:16 | |
And, what would you call that? | 0:24:16 | 0:24:18 | |
Um... I guess it's a piercing. | 0:24:18 | 0:24:22 | |
I really don't know how to describe it accurately, but whatever it is, it's flaring the lens. | 0:24:22 | 0:24:26 | |
# Have a hap, hap, happy Christmas... # | 0:24:32 | 0:24:35 | |
Ho, ho, ho! Cookie, sir? | 0:24:35 | 0:24:38 | |
No, thank you. | 0:24:38 | 0:24:41 | |
# ..Let the music fill the air | 0:24:42 | 0:24:45 | |
# Have a hap, hap, happy Christmas | 0:24:45 | 0:24:47 | |
# You're sweet as sugar to me You're my apple pie... # | 0:24:47 | 0:24:52 | |
SHOUTING | 0:24:52 | 0:24:57 | |
Well, the most important thing is to remain calm. | 0:24:57 | 0:25:01 | |
Honey. Honey. | 0:25:01 | 0:25:03 | |
Calm down. Let's just start again. | 0:25:03 | 0:25:07 | |
Take the cable remote... | 0:25:07 | 0:25:09 | |
The one that says cable. That's right. Hit the power button. | 0:25:09 | 0:25:12 | |
What do you see? | 0:25:12 | 0:25:14 | |
OK. Well, you probably just changed the channel on the TV. | 0:25:14 | 0:25:17 | |
So get the TV remote. | 0:25:17 | 0:25:19 | |
Not cable, but TV... | 0:25:19 | 0:25:22 | |
That's right. Hit three. | 0:25:22 | 0:25:24 | |
..Nope. That's impossible. | 0:25:27 | 0:25:29 | |
Is the TV plugged in? | 0:25:31 | 0:25:34 | |
I would like to have electronic freedom. Um... | 0:25:34 | 0:25:38 | |
You must have a VCR and a cable box. | 0:25:40 | 0:25:44 | |
Does your...wife have this much trouble? | 0:25:44 | 0:25:50 | |
Let's not go there again, shall we, Tobey? | 0:25:50 | 0:25:53 | |
Why is it so important for you to know about my personal life? Hmm? | 0:25:53 | 0:25:57 | |
Let's keep this about you. | 0:25:57 | 0:26:00 | |
Um...you haven't mentioned death today. | 0:26:00 | 0:26:04 | |
There is a phrase that you've uttered in, um, | 0:26:04 | 0:26:10 | |
yes, in every session, so far. | 0:26:10 | 0:26:13 | |
"I mean, we're all going to die. | 0:26:13 | 0:26:16 | |
"Doesn't that freak you out?" | 0:26:16 | 0:26:19 | |
And you never answer me. | 0:26:22 | 0:26:24 | |
Actually, it does seem to me that this whole kind of television... | 0:26:24 | 0:26:30 | |
TiVo tangent thing is really an elaborate avoidance for what's really going on. | 0:26:30 | 0:26:36 | |
Oh. | 0:26:38 | 0:26:40 | |
And what's really going on? | 0:26:41 | 0:26:45 | |
You tell me. | 0:26:45 | 0:26:47 | |
-Oh! -Come on, baby! -Oh! | 0:26:49 | 0:26:53 | |
Oh, my God! | 0:26:53 | 0:26:56 | |
-Wow. -Ah... | 0:26:58 | 0:27:01 | |
Wow. That was...that was good. | 0:27:01 | 0:27:06 | |
Phew! | 0:27:07 | 0:27:10 | |
I mean, the candles and the whole lighting design in general. | 0:27:10 | 0:27:15 | |
-Thank you. -That was some setup. | 0:27:15 | 0:27:19 | |
-Yeah. -You were like, um, | 0:27:19 | 0:27:23 | |
-that guy from the Yankees. -HE CHUCKLES | 0:27:23 | 0:27:28 | |
That one. That... That pitcher that they bring in at the end. | 0:27:28 | 0:27:32 | |
-Mariano Rivera, the closer? -Yeah. | 0:27:32 | 0:27:34 | |
Huh. Huh. Heh! | 0:27:34 | 0:27:37 | |
He always looks so confident, like he's gonna do whatever it takes. | 0:27:37 | 0:27:42 | |
You know, he almost never loses a game. | 0:27:42 | 0:27:44 | |
I bet he's got a really big family. | 0:27:44 | 0:27:47 | |
-No. -Oh, I love those big Spanish families, you know? | 0:27:47 | 0:27:54 | |
You know, they've got lots and lots of kids. | 0:27:54 | 0:27:58 | |
Well, they're Catholic. They're not allowed to use birth control. | 0:27:58 | 0:28:02 | |
That's not what I'm talking about. | 0:28:02 | 0:28:04 | |
I'm talking about... | 0:28:04 | 0:28:07 | |
valuing cultural reproduction. | 0:28:07 | 0:28:11 | |
Well, maybe if they valued cultural reproduction a little less, we wouldn't be in the middle of a... | 0:28:12 | 0:28:18 | |
population explosion that's... | 0:28:18 | 0:28:21 | |
running the risk of using up all our natural resources. | 0:28:21 | 0:28:23 | |
I know you don't think that. | 0:28:23 | 0:28:26 | |
I do? | 0:28:28 | 0:28:30 | |
Do you believe in fate? | 0:28:36 | 0:28:39 | |
I'm not talking about the fact that we're all fated to death, but... | 0:28:39 | 0:28:43 | |
the fact that there are some things that are meant to happen and some things that are not meant to happen. | 0:28:43 | 0:28:50 | |
-I have no idea! -You don't, do you? | 0:28:50 | 0:28:56 | |
DOOR SLAMS | 0:28:58 | 0:28:59 | |
PHONE RINGS | 0:29:00 | 0:29:02 | |
Ponson, Ponson, Ponson, Hirsch, Jacoby & Ponson. | 0:29:06 | 0:29:10 | |
What's another kind of flower you can get a woman, other than a rose? | 0:29:10 | 0:29:13 | |
-What about an orchid? -'You kidding?' | 0:29:13 | 0:29:16 | |
That's even more expensive. | 0:29:16 | 0:29:18 | |
Well, it must be an important occasion. | 0:29:18 | 0:29:20 | |
'Just trying not to get kicked out of my house.' | 0:29:20 | 0:29:23 | |
-You could go down to Central Park and pull up something for free. -'That's not a bad idea.' | 0:29:23 | 0:29:27 | |
But I'd have to wrap it myself. | 0:29:27 | 0:29:30 | |
Elaine is not going to kick you out of the house. | 0:29:30 | 0:29:32 | |
-She mentioned fate. -Uh-oh! I'd spring for the orchid. | 0:29:32 | 0:29:37 | |
What kind of porn you looking at? | 0:29:37 | 0:29:39 | |
Good old-fashioned man-woman, woman-horse stuff. | 0:29:39 | 0:29:42 | |
-'You're such a purist.' -I am. I thought you were supposed to become less horny when you turned 40. | 0:29:42 | 0:29:47 | |
-What? -'You can't give a woman berries, can you?' | 0:29:47 | 0:29:49 | |
-Oh, I've taken a wrong turn somewhere. -Ooh, I've gotta go! I think I found the flowers I want. | 0:29:49 | 0:29:54 | |
Hi, oh! | 0:29:54 | 0:29:56 | |
-Hello? -'What kinda sale we talkin' about?' | 0:29:56 | 0:29:58 | |
HORSE NEIGHS | 0:29:59 | 0:30:02 | |
How did I get in here? | 0:30:02 | 0:30:04 | |
-I'm gonna throw it to you next... Good throw. -Me! Me! -Mr Ponson! | 0:30:04 | 0:30:08 | |
Mr Ponson, throw it to me! | 0:30:08 | 0:30:12 | |
Hold on. I'm gonna throw one to Liam. | 0:30:12 | 0:30:15 | |
-That was like fishing. -Hey. | 0:30:17 | 0:30:20 | |
-It's the rebel without a cause. -Hey. | 0:30:20 | 0:30:23 | |
-Sorry, Mr Ponson. -Nice catch. -Hi. | 0:30:23 | 0:30:28 | |
Uh, listen. The kids and I, we're going up to Serendipity to... | 0:30:28 | 0:30:32 | |
celebrate the anniversary of their father leaving us. | 0:30:32 | 0:30:35 | |
-Hi, Mommy. -Hi, honey. | 0:30:35 | 0:30:38 | |
Do you guys wanna come along? | 0:30:38 | 0:30:40 | |
-Wait. So you wrote that? -Uh huh. | 0:30:43 | 0:30:46 | |
-I love that commercial. -Oh... | 0:30:46 | 0:30:48 | |
"Got milk?" God, it just cuts through all the bullshit. It's... | 0:30:48 | 0:30:53 | |
It's inspired. | 0:30:53 | 0:30:55 | |
Well, I wouldn't say it's inspired. It's just simple. | 0:30:55 | 0:30:58 | |
So what did you do, like take time off to write a book, or something? | 0:30:58 | 0:31:02 | |
Uh, no. Not exactly. I've thought about that, but... | 0:31:02 | 0:31:06 | |
Oh, you should. You'd be great. Really. | 0:31:06 | 0:31:08 | |
I have a sense about these things. Here... | 0:31:08 | 0:31:12 | |
Yep. | 0:31:15 | 0:31:16 | |
Author. | 0:31:16 | 0:31:19 | |
Definitely. | 0:31:19 | 0:31:20 | |
-You see that, there? -Yeah, I do. | 0:31:21 | 0:31:26 | |
"Surrounded by friends, she was happy and snug. | 0:31:26 | 0:31:30 | |
"She smiled to herself and said, 'Maybe life in the big city | 0:31:30 | 0:31:33 | |
"'isn't that bad after all.' The end." | 0:31:33 | 0:31:39 | |
Wow. | 0:31:40 | 0:31:41 | |
It would be crazy not to publish this immediately. | 0:31:43 | 0:31:47 | |
It's very timely. | 0:31:47 | 0:31:49 | |
It's about a little girl battling a dragon. | 0:31:49 | 0:31:53 | |
Right, but with women's lib and all. | 0:31:53 | 0:31:55 | |
You see my point. | 0:31:56 | 0:31:58 | |
Oh, my God! I hope they like it! | 0:32:00 | 0:32:03 | |
They're gonna love it. | 0:32:03 | 0:32:05 | |
There's one thing. | 0:32:07 | 0:32:09 | |
Oh, Tobey, come on. The book is finished. | 0:32:09 | 0:32:12 | |
Please, I can't make any more changes. | 0:32:12 | 0:32:14 | |
Hey, it's not about the content of the book, OK? | 0:32:14 | 0:32:17 | |
It's about the presentation. | 0:32:19 | 0:32:21 | |
-OK. -OK? | 0:32:21 | 0:32:24 | |
This picture? | 0:32:24 | 0:32:26 | |
Just seems so goody good. | 0:32:28 | 0:32:30 | |
Well, it is a children's book. | 0:32:33 | 0:32:36 | |
Right. I know that. But the people who publish it aren't children. | 0:32:36 | 0:32:40 | |
This is, you know, just it's just slightly annoying, you know? | 0:32:40 | 0:32:46 | |
Show some cleavage. | 0:32:46 | 0:32:48 | |
You actually think I should show cleavage? | 0:32:48 | 0:32:52 | |
Mmm. Yes, I... | 0:32:52 | 0:32:54 | |
That's what I'm talkin' about. | 0:32:58 | 0:33:00 | |
-Are you crazy? -What? Kids, they love the beach. | 0:33:00 | 0:33:03 | |
And this shows them that you're fun. | 0:33:03 | 0:33:06 | |
Don't underestimate that. | 0:33:06 | 0:33:08 | |
Wait a second. | 0:33:09 | 0:33:11 | |
You don't think it's a little... | 0:33:16 | 0:33:19 | |
too much? | 0:33:19 | 0:33:21 | |
I wanna pay attention to that girl. | 0:33:21 | 0:33:24 | |
Standing at three foot seven, weighing in at 47 pounds of strapping lefty, digs in. | 0:33:27 | 0:33:32 | |
Got a hold of that! | 0:33:34 | 0:33:35 | |
-That's a home run! -Yep. | 0:33:35 | 0:33:37 | |
Touch 'em all. | 0:33:37 | 0:33:39 | |
Hello! What's goin' on? | 0:33:39 | 0:33:41 | |
Just a little thing that we like to call spoonball. | 0:33:41 | 0:33:44 | |
Oh. OK. Well, Mommy's home. | 0:33:44 | 0:33:47 | |
Spoonball is over before someone gets hurt. | 0:33:47 | 0:33:51 | |
Aw, come on, Mom. | 0:33:51 | 0:33:52 | |
Yeah, come on, Mom. It's the bottom of the ninth! | 0:33:52 | 0:33:56 | |
We should be having boy time because my dad made me have girl time. | 0:33:56 | 0:34:00 | |
What do you mean, honey? | 0:34:00 | 0:34:01 | |
-Dad made me have a play date with Shannon from my class. -Really? | 0:34:01 | 0:34:07 | |
-Nobody made you do anything, David. They invited us to Serendipity. -Oh, really? They? | 0:34:07 | 0:34:13 | |
Come on, Dad. Pitch it! | 0:34:13 | 0:34:15 | |
Yep. OK. | 0:34:15 | 0:34:17 | |
Ow! Oh! | 0:34:20 | 0:34:21 | |
Ahh... | 0:34:21 | 0:34:22 | |
Oh, my... Tom! | 0:34:22 | 0:34:24 | |
-Goddamn it! -Let me see. | 0:34:24 | 0:34:26 | |
Dude, you only get one. | 0:34:30 | 0:34:32 | |
This is a complicated one. I gotta get the wording right. Got it. | 0:34:32 | 0:34:36 | |
THEY CHEER I gotta hit the head. | 0:34:37 | 0:34:40 | |
-So? -Please don't ask her anything inappropriate in front of me. -I can ask her whatever I want. | 0:34:44 | 0:34:49 | |
For such a closed-off person, it's like you have no boundaries. | 0:34:49 | 0:34:52 | |
It's better than living surrounded by the Great Wall of China. | 0:34:52 | 0:34:56 | |
What does that mean? | 0:34:56 | 0:34:58 | |
-You know what that means? -Mm hmm. | 0:34:58 | 0:35:00 | |
It means you're closed off. | 0:35:00 | 0:35:02 | |
Like a Chinese person? | 0:35:02 | 0:35:04 | |
No. It means you like to talk, but about nothing important so whenever your emotion or resentment | 0:35:04 | 0:35:09 | |
or dark stuff builds up, you throw a spoon at me. | 0:35:09 | 0:35:11 | |
-I didn't throw the spoon. David threw the spoon. -Shut up. | 0:35:11 | 0:35:14 | |
We only have a minute before he gets back from the bathroom. | 0:35:14 | 0:35:18 | |
So, um, anything come up? | 0:35:19 | 0:35:22 | |
Did he say anything at all? | 0:35:22 | 0:35:24 | |
-No. He's been really busy. -Busy? Tobey, busy? | 0:35:24 | 0:35:26 | |
-Stay out of it. -It's fine! It's just our lifestyle these days. | 0:35:26 | 0:35:32 | |
I mean, it's not just our lifestyle. | 0:35:32 | 0:35:35 | |
It's our whole society's lifestyle, you know? | 0:35:35 | 0:35:37 | |
I mean, there are a lot of people who are tethered | 0:35:37 | 0:35:41 | |
by an old fashioned sense of love and, er, family... | 0:35:41 | 0:35:46 | |
and sometimes I look at them and I wonder | 0:35:46 | 0:35:50 | |
if living such a simple life can actually be completely gratifying, | 0:35:50 | 0:35:54 | |
and if they understand how rich and fertile | 0:35:54 | 0:36:00 | |
living in the grey area is. | 0:36:00 | 0:36:03 | |
I mean, it's all really about being happy. | 0:36:03 | 0:36:06 | |
-Right? -Honey. -No. | 0:36:06 | 0:36:07 | |
Do I wish that there was a little bit more romance? | 0:36:07 | 0:36:10 | |
Yes. Of course I do. But it's an ebb, a flow. | 0:36:10 | 0:36:14 | |
It's shifting, and I'm on that journey. | 0:36:14 | 0:36:17 | |
-What'd I miss? -That's all there is to it. | 0:36:17 | 0:36:20 | |
Honey. Looks like I finally digested that corn. | 0:36:26 | 0:36:31 | |
TOM SPLUTTERS | 0:36:31 | 0:36:33 | |
What? | 0:36:36 | 0:36:38 | |
-How much further? -Just one more block. | 0:36:43 | 0:36:46 | |
Come on. We're close. | 0:36:50 | 0:36:52 | |
Why'd you park so far away? | 0:36:55 | 0:36:56 | |
This is the only legal spot after 11. | 0:36:56 | 0:37:00 | |
What the fuck? | 0:37:00 | 0:37:02 | |
What? | 0:37:02 | 0:37:04 | |
My car is gone! | 0:37:06 | 0:37:08 | |
It was right here! | 0:37:09 | 0:37:11 | |
Well, they probably towed it. | 0:37:11 | 0:37:15 | |
Can we just get a cab? I'm freezing. | 0:37:17 | 0:37:20 | |
But this is a legal spot! | 0:37:20 | 0:37:23 | |
They didn't tow this guy's car! Oh, I swear to God! | 0:37:23 | 0:37:26 | |
Tobey, would you shut up? Please! | 0:37:26 | 0:37:29 | |
All right. It's...it's OK, Elaine. | 0:37:36 | 0:37:38 | |
They just tow it to the pound. | 0:37:39 | 0:37:42 | |
We can get it out. | 0:37:42 | 0:37:43 | |
SHE SOBS | 0:37:43 | 0:37:45 | |
I want to get married and have a baby! | 0:37:47 | 0:37:52 | |
And you don't. | 0:37:53 | 0:37:56 | |
OK. Let's just get a cab. | 0:37:58 | 0:38:00 | |
Oh, I have wasted seven years of my life with you! | 0:38:00 | 0:38:06 | |
Oh, shit. | 0:38:06 | 0:38:08 | |
I need you to find somewhere else to stay tonight. | 0:38:12 | 0:38:18 | |
Hey! | 0:38:26 | 0:38:28 | |
PHONE RINGS | 0:38:46 | 0:38:48 | |
Hello? | 0:38:50 | 0:38:51 | |
Honey. Honey, what is it? | 0:38:53 | 0:38:55 | |
What happened? | 0:38:55 | 0:38:57 | |
Aw, sweetie. He did? | 0:38:57 | 0:39:00 | |
PHONE RINGS | 0:39:03 | 0:39:05 | |
Hey, what's going on? Rebecca's on the other line with her right now. | 0:39:08 | 0:39:11 | |
-Hi, Tom. -Pamela? | 0:39:11 | 0:39:14 | |
I hope I'm not getting you at a bad time. | 0:39:14 | 0:39:16 | |
Erm, no, no. | 0:39:16 | 0:39:18 | |
I was just, er, relieving myself. | 0:39:18 | 0:39:20 | |
-What? -I mean, er... | 0:39:20 | 0:39:22 | |
-Hello? -I mean I'm just... I'm relieved that it's you. -Good. | 0:39:23 | 0:39:30 | |
MUSIC: "Don't Mean You Lost Your Love" by Libby Johnson | 0:39:30 | 0:39:34 | |
Come in. | 0:40:31 | 0:40:32 | |
-Hey. -Hi. -You all right? -Oh, yeah. | 0:40:32 | 0:40:35 | |
You look a little tense. | 0:40:35 | 0:40:37 | |
Oh. | 0:40:37 | 0:40:39 | |
Oh! | 0:40:50 | 0:40:51 | |
Have you ever had a... | 0:41:28 | 0:41:30 | |
Ever had a problem, you know? | 0:41:32 | 0:41:34 | |
I guess you haven't been listening to me for the last 15 years. | 0:41:36 | 0:41:40 | |
No, like, like... like another woman problem? | 0:41:40 | 0:41:43 | |
Issue. | 0:41:43 | 0:41:45 | |
What, do you have one? | 0:41:45 | 0:41:48 | |
Tom? | 0:41:48 | 0:41:50 | |
Please don't say anything. | 0:41:50 | 0:41:52 | |
-I'm not sure what's going... -Hey! | 0:41:52 | 0:41:54 | |
-Hi! -Hey! | 0:41:55 | 0:41:57 | |
Oh! You're the last person I expect to see. | 0:41:59 | 0:42:01 | |
Yeah, well. Here I am. | 0:42:01 | 0:42:04 | |
Eating soup. | 0:42:04 | 0:42:05 | |
Yeah. | 0:42:05 | 0:42:07 | |
-Yeah. You remember Tom? -Hi. | 0:42:07 | 0:42:10 | |
Are you OK? You look tired. | 0:42:12 | 0:42:14 | |
Uh, well, actually... | 0:42:14 | 0:42:18 | |
Elaine and I split up... | 0:42:18 | 0:42:20 | |
..about, about three weeks ago. | 0:42:20 | 0:42:22 | |
-Oh, God, I'm sorry. -Yeah, well, it was a long relationship. | 0:42:22 | 0:42:25 | |
-You know what? I'm gonna go. -OK... | 0:42:25 | 0:42:27 | |
-Wait. I thought we were gonna go see a movie together. -I gotta check something out. | 0:42:29 | 0:42:33 | |
-Hey, watch where you're going, asshole. -Sorry. | 0:42:33 | 0:42:36 | |
-Shit! -Honey! Honey, look who's here. | 0:42:36 | 0:42:38 | |
See this prick that just knocked me? I shoulda smacked him upside the head. | 0:42:38 | 0:42:42 | |
No. No, don't do that. Honey, remember Tobey? | 0:42:42 | 0:42:45 | |
-Hey. What's up, bro? -Hey. | 0:42:45 | 0:42:47 | |
-All right. -Oh! | 0:42:50 | 0:42:52 | |
Paper covers rock. | 0:42:53 | 0:42:55 | |
Remember that? | 0:42:55 | 0:42:57 | |
Hey, do you like music? | 0:42:57 | 0:42:59 | |
You know, cos Rand is promoting this great new club and it's really, it's really hot. | 0:42:59 | 0:43:03 | |
-Yeah. -Oh! | 0:43:03 | 0:43:05 | |
Oh, well, I'd love to. I mean, if that's an invitation. | 0:43:05 | 0:43:09 | |
Absolutely! | 0:43:09 | 0:43:10 | |
Yes, I just need an email address. | 0:43:10 | 0:43:13 | |
Er...yeah. | 0:43:15 | 0:43:18 | |
It's... | 0:43:18 | 0:43:20 | |
A S... | 0:43:20 | 0:43:23 | |
S M... | 0:43:23 | 0:43:26 | |
A N 2 0 4 at AOL dot com. | 0:43:26 | 0:43:30 | |
SHE LAUGHS | 0:43:32 | 0:43:34 | |
Got it. | 0:43:34 | 0:43:36 | |
-1 through 203 were taken. -OK. | 0:43:36 | 0:43:40 | |
-Well, I will email you the details then. -All right. | 0:43:40 | 0:43:43 | |
-Assman! -My man. | 0:43:43 | 0:43:45 | |
-Hi, are you Norah? -Norah. | 0:43:59 | 0:44:02 | |
Wow! Hi. I'm so sorry I'm late. | 0:44:02 | 0:44:04 | |
I was afraid that they weren't gonna let you sit down. | 0:44:04 | 0:44:07 | |
Oh, it was difficult, but I finally managed to persuade them. | 0:44:07 | 0:44:12 | |
SHE LAUGHS | 0:44:12 | 0:44:14 | |
I never imagined when I submitted my book that it would elicit a response from the head of the company. | 0:44:14 | 0:44:20 | |
I'm grateful you agreed to see me, actually. | 0:44:20 | 0:44:23 | |
Are you kidding? | 0:44:23 | 0:44:25 | |
Do you know who you are? | 0:44:25 | 0:44:27 | |
-I think so. -I'm sorry. | 0:44:27 | 0:44:29 | |
That was crass. | 0:44:29 | 0:44:31 | |
I just got out of a relationship with a crass man, nothing to do with gardening. | 0:44:31 | 0:44:36 | |
Anyway, I don't know. I say these things. | 0:44:38 | 0:44:40 | |
I don't know where they come from. | 0:44:40 | 0:44:42 | |
-Excuse me. I'm so sorry. -Are you OK? | 0:44:45 | 0:44:47 | |
-I'm fine. Are you OK? Jesus! -I'm fine. I'm just wet. You're choking. | 0:44:47 | 0:44:51 | |
No, because I called. Because I left a message for you. | 0:44:55 | 0:44:59 | |
Would you just fuck you for just a... | 0:44:59 | 0:45:01 | |
I'm sorry. Look, I'm really sorry. | 0:45:02 | 0:45:04 | |
Excuse me. | 0:45:04 | 0:45:06 | |
Yeah... No, I'm fine. No, you know, I'm a little tense today. | 0:45:06 | 0:45:10 | |
Susie, you know I | 0:45:10 | 0:45:13 | |
I love talking to you, but I don't think that on my cell phone right now is... | 0:45:13 | 0:45:19 | |
She called me this morning and she's screaming at me. | 0:45:21 | 0:45:24 | |
I'm really in very bad shape. | 0:45:24 | 0:45:26 | |
Basically, I'm exhausted. The bank is calling me all the time and | 0:45:26 | 0:45:29 | |
the contractor called twice. | 0:45:29 | 0:45:31 | |
I don't know what the fuck I'm doing here. | 0:45:31 | 0:45:33 | |
Really, really difficult day. | 0:45:33 | 0:45:35 | |
The lady who lives upstairs from me, that horrible bitch? | 0:45:35 | 0:45:39 | |
CAR HORNS BEEP | 0:45:39 | 0:45:41 | |
HE SHOUTS: Douche bag! | 0:45:47 | 0:45:49 | |
I want to start off this meeting by first thanking Sensei Goldberg for the use of his dojo. | 0:45:52 | 0:45:59 | |
THEY APPLAUD | 0:45:59 | 0:46:01 | |
I would like to also welcome the Sensei as our newest member | 0:46:01 | 0:46:05 | |
of the Broadway division of Sex Addicts R' Us. | 0:46:05 | 0:46:08 | |
So that means if you are here for the previously scheduled seminar | 0:46:08 | 0:46:14 | |
on owning your orgasm, you're in the wrong place. | 0:46:14 | 0:46:17 | |
-Shit... -It's been moved to the basement of Our Lady of Poland on 34th Street. | 0:46:17 | 0:46:23 | |
-34th? -Yeah. | 0:46:23 | 0:46:24 | |
Are you here for the meeting? | 0:46:26 | 0:46:29 | |
-What? The meeting? -Yes. | 0:46:29 | 0:46:32 | |
The meeting? | 0:46:32 | 0:46:34 | |
Yeah. The meeting. Yeah. I thought I'd check it out. | 0:46:34 | 0:46:38 | |
Welcome... | 0:46:38 | 0:46:39 | |
-Your name? -Tobey. | 0:46:40 | 0:46:44 | |
ALL: Hi, Tobey. | 0:46:44 | 0:46:46 | |
Well, my friend Rebecca says... | 0:46:47 | 0:46:49 | |
She thinks that men are never really ready to have a baby and that you have to trap them. | 0:46:49 | 0:46:54 | |
-What do you think? -I don't really think about it. | 0:46:56 | 0:46:59 | |
But I certainly think you shouldn't be spending your energy trying to trap a man. | 0:46:59 | 0:47:03 | |
You're way too talented. | 0:47:03 | 0:47:06 | |
I believe in fate. | 0:47:06 | 0:47:09 | |
I think you're meant to have this time, Elaine. You're meant to... | 0:47:09 | 0:47:13 | |
..to explore. | 0:47:13 | 0:47:15 | |
Sounds like you need it. | 0:47:16 | 0:47:19 | |
I don't know what I need. | 0:47:19 | 0:47:21 | |
Well, I think, you know more than you're willing to admit. | 0:47:21 | 0:47:25 | |
This is me. | 0:47:25 | 0:47:27 | |
Oh. Sweet. | 0:47:27 | 0:47:29 | |
Thank you so much for lunch and for the walk. | 0:47:29 | 0:47:32 | |
It was delicious, don't you think? | 0:47:33 | 0:47:36 | |
Yes. | 0:47:36 | 0:47:37 | |
So do you think there's any chance you're gonna publish my book? | 0:47:39 | 0:47:43 | |
You know, Elaine, you're a very talented young woman | 0:47:45 | 0:47:49 | |
and, quite frankly, | 0:47:49 | 0:47:50 | |
I was very taken with the photo you sent with your submission. | 0:47:50 | 0:47:54 | |
But I want to be honest with you. | 0:47:56 | 0:47:58 | |
I don't like to rush these things. | 0:47:58 | 0:48:01 | |
-I like to go slow. -OK. | 0:48:01 | 0:48:04 | |
So let's meet and see how it goes. | 0:48:04 | 0:48:07 | |
OK. | 0:48:07 | 0:48:10 | |
Hey, get a room! | 0:48:11 | 0:48:13 | |
It was never enough. | 0:48:14 | 0:48:16 | |
No matter how many times, | 0:48:17 | 0:48:19 | |
different positions, | 0:48:19 | 0:48:22 | |
none of it made me feel whole. | 0:48:22 | 0:48:24 | |
In fact, it just made me feel empty. | 0:48:25 | 0:48:28 | |
How's the sandwich? | 0:48:33 | 0:48:36 | |
OK, so...just to recap. | 0:48:36 | 0:48:39 | |
Er, John is not happy unless he can fit his penis | 0:48:39 | 0:48:44 | |
inside a hard, inanimate object. | 0:48:44 | 0:48:46 | |
Preferably coarse. | 0:48:46 | 0:48:48 | |
Right... | 0:48:48 | 0:48:49 | |
Sarah, you had a relapse this week, | 0:48:49 | 0:48:52 | |
again putting yourself in danger with a power tool. | 0:48:52 | 0:48:55 | |
And, er, Gordon. | 0:48:55 | 0:48:58 | |
The sex you are having with your wife's mother and your | 0:48:58 | 0:49:01 | |
wife's mother's sister is putting your home life in major jeopardy. | 0:49:01 | 0:49:06 | |
That leaves...Tobey. | 0:49:06 | 0:49:10 | |
-I'll pass. -Great. | 0:49:12 | 0:49:13 | |
Sandwich guy's gonna pass? | 0:49:13 | 0:49:15 | |
Great. Very trusting. | 0:49:15 | 0:49:18 | |
It's traditional that everyone shares. | 0:49:18 | 0:49:21 | |
Well... | 0:49:32 | 0:49:34 | |
I've been having an affair. | 0:49:34 | 0:49:36 | |
With a woman... | 0:49:41 | 0:49:43 | |
..who is not my wife. | 0:49:46 | 0:49:48 | |
And, erm... | 0:49:54 | 0:49:56 | |
I, er... | 0:49:57 | 0:49:58 | |
I like her to wrap me in deli meats. | 0:50:01 | 0:50:04 | |
I need her | 0:50:07 | 0:50:09 | |
to wrap me in deli meats in order to achieve an orgasm. | 0:50:09 | 0:50:13 | |
Usually ham. | 0:50:16 | 0:50:17 | |
Thinly sliced. | 0:50:19 | 0:50:21 | |
I know it's not normal. | 0:50:24 | 0:50:26 | |
No-one here knows what that word means, Tobey. | 0:50:26 | 0:50:30 | |
You're amongst friends. | 0:50:30 | 0:50:33 | |
Continue. | 0:50:33 | 0:50:35 | |
And hand me the sandwich. | 0:50:35 | 0:50:38 | |
Am I allowed to wear fur? | 0:50:38 | 0:50:40 | |
Do I, like, give off that vibe? | 0:50:40 | 0:50:42 | |
-Is she attractive? -So funny. | 0:50:42 | 0:50:45 | |
Afterwards, all I wanted to do was tell Tobey. | 0:50:45 | 0:50:49 | |
He'd have died of excitement, a possible threesome. | 0:50:49 | 0:50:52 | |
I had a threesome once. It was with two guys who turned out to be gay. | 0:50:52 | 0:50:56 | |
I was just kind of the window dressing. | 0:50:56 | 0:50:58 | |
It all made sense in retrospect, but I can't tell you | 0:50:58 | 0:51:01 | |
what it did for my self esteem. | 0:51:01 | 0:51:04 | |
Yeah, it seems really damaged. | 0:51:04 | 0:51:06 | |
What does that mean? | 0:51:06 | 0:51:08 | |
Nothing. | 0:51:08 | 0:51:10 | |
You know, I don't get what people think of me? That I have no problems or feelings, I'm perfect, | 0:51:10 | 0:51:15 | |
I'm like a robot?! | 0:51:15 | 0:51:17 | |
No, honey. Nobody thinks that. | 0:51:18 | 0:51:20 | |
We all think you're great. | 0:51:20 | 0:51:21 | |
We all have problems. | 0:51:21 | 0:51:23 | |
You know, I always thought of a relationship as two people holding a stick. | 0:51:25 | 0:51:29 | |
Sometimes the stick is short, you're close and can look into each other's eyes and other times | 0:51:29 | 0:51:34 | |
it's long, you can barely see the other but you both hold on to your end of the stick. | 0:51:34 | 0:51:38 | |
You don't let it drop. | 0:51:38 | 0:51:40 | |
I'm OK. I'm just stressed. | 0:51:43 | 0:51:46 | |
We should go out. | 0:51:47 | 0:51:48 | |
Just you and me. | 0:51:48 | 0:51:50 | |
SHE GASPS | 0:51:50 | 0:51:52 | |
-Jesus, what? -I just thought of a great guy for you. | 0:51:52 | 0:51:55 | |
Oh...I don't know. | 0:51:59 | 0:52:01 | |
No weapons in the club. If you've got a weapon, you gotta give 'em up at the door. | 0:52:05 | 0:52:09 | |
-No exceptions. -Would you move? | 0:52:09 | 0:52:13 | |
All right, make room for her. | 0:52:13 | 0:52:14 | |
Hey, Wall Street, make way for the lady. | 0:52:14 | 0:52:17 | |
-Hey. -How are you? | 0:52:17 | 0:52:19 | |
Good to see you. Have a good time. | 0:52:19 | 0:52:21 | |
-Hey, you're here. -I'm glad I didn't bring my piece. | 0:52:21 | 0:52:25 | |
Hi. How are you? | 0:52:25 | 0:52:27 | |
-Where's, where's... -Rand? He couldn't make it. | 0:52:29 | 0:52:32 | |
Oh, I'm sorry he couldn't make it. | 0:52:34 | 0:52:36 | |
-He, er... -I'm not! | 0:52:36 | 0:52:39 | |
Oh, come on. Let's dance. | 0:52:41 | 0:52:43 | |
Oh, no, no... No, no, I don't... | 0:52:43 | 0:52:45 | |
-That's not really my thing. -Come on! | 0:52:45 | 0:52:48 | |
More of a slow dancer. | 0:52:50 | 0:52:52 | |
All right. | 0:52:58 | 0:52:59 | |
APPLAUSE | 0:53:07 | 0:53:10 | |
Thank you. | 0:53:10 | 0:53:12 | |
Hey, baby, will you hold this for me? Thank you. Hold my horn. | 0:53:12 | 0:53:16 | |
That's a little something we call Serenade For A French Horn in F sharp. | 0:53:16 | 0:53:21 | |
This next one... | 0:53:22 | 0:53:25 | |
we call Juniper. | 0:53:25 | 0:53:28 | |
And if any of you out there know what a juniper plant is, | 0:53:28 | 0:53:32 | |
I think you'll understand. | 0:53:33 | 0:53:36 | |
Peace. | 0:53:37 | 0:53:39 | |
My God. He just bowed to you. | 0:53:40 | 0:53:43 | |
-It wasn't to me. -It wasn't to me. He doesn't even know me. | 0:53:43 | 0:53:47 | |
I told him all about you already. | 0:53:47 | 0:53:49 | |
-When? -On the phone. -Oh, my God. | 0:53:49 | 0:53:51 | |
I didn't even bow back. | 0:53:51 | 0:53:54 | |
# I can't wait for you | 0:53:54 | 0:53:57 | |
# Anymore... # | 0:53:58 | 0:53:59 | |
I'll introduce you to him after and you can bow then. | 0:54:01 | 0:54:05 | |
# Closing the front door | 0:54:05 | 0:54:10 | |
# Air travel makes me ill | 0:54:12 | 0:54:16 | |
# Think I'll take another pill | 0:54:18 | 0:54:21 | |
# Cos you're here, Juniper... # | 0:54:21 | 0:54:26 | |
Hey, you guys, that was great. So flowing, man. I could feel it tonight. | 0:54:32 | 0:54:37 | |
Hey! How's the comedienne? | 0:54:37 | 0:54:39 | |
-Oh, my God. Oh! -Ooh! | 0:54:42 | 0:54:45 | |
-Oh, dizzy. -You taste as good as ever. | 0:54:46 | 0:54:49 | |
You were great. You were great tonight. | 0:54:49 | 0:54:52 | |
You were really good. | 0:54:52 | 0:54:54 | |
Well, I was just working off that energy that you were sending up to me. | 0:54:54 | 0:54:58 | |
Phew! You have a really beautiful voice. | 0:54:58 | 0:55:02 | |
Well, I can't take credit for that, you know? | 0:55:02 | 0:55:04 | |
It's all the big man. | 0:55:04 | 0:55:07 | |
# Hey! # | 0:55:07 | 0:55:09 | |
You know, ever since I became a minister, my vocal range has just gotten insane. | 0:55:09 | 0:55:13 | |
You're a minister? | 0:55:14 | 0:55:16 | |
Yes, yes. But don't worry, ministers are free to fornicate. | 0:55:16 | 0:55:20 | |
Should we get a drink? | 0:55:22 | 0:55:24 | |
Lots of 'em. | 0:55:24 | 0:55:26 | |
Go! Go! | 0:55:26 | 0:55:29 | |
THEY CHANT: Tobey! Tobey! Tobey! Tobey! | 0:55:29 | 0:55:32 | |
Tobey! Tobey! Tobey! | 0:55:32 | 0:55:35 | |
Tobey! Tobey! Tobey! | 0:55:35 | 0:55:38 | |
Tobey! Tobey! | 0:55:38 | 0:55:40 | |
GLASS SMASHING Ow! Watch it! | 0:55:44 | 0:55:47 | |
-Dante. -Lewis, buddy. | 0:55:51 | 0:55:53 | |
Good to see you. | 0:55:55 | 0:55:57 | |
What is the deal with you two? | 0:55:58 | 0:56:01 | |
Oh, come on, "you taste as good as ever"? | 0:56:01 | 0:56:05 | |
We had a thing in college. | 0:56:05 | 0:56:08 | |
I didn't tell you because I didn't want to discourage you. | 0:56:08 | 0:56:11 | |
Mmm. | 0:56:11 | 0:56:12 | |
He's sexy! | 0:56:12 | 0:56:14 | |
And very attentive. | 0:56:15 | 0:56:20 | |
Oh. | 0:56:20 | 0:56:21 | |
He really is a freak, isn't he? | 0:56:22 | 0:56:25 | |
You don't have to marry the guy. | 0:56:25 | 0:56:27 | |
So, what are we gonna do about this? | 0:56:31 | 0:56:34 | |
-This? -Mm-hm. | 0:56:34 | 0:56:36 | |
Oh, come on. Don't tell me you haven't thought about it. | 0:56:38 | 0:56:41 | |
Every time we've seen each other since college. | 0:56:42 | 0:56:45 | |
Oh, I've thought about it... | 0:56:51 | 0:56:54 | |
Sure, you're, you're... | 0:56:55 | 0:56:57 | |
I'm what? | 0:56:57 | 0:56:59 | |
Very... | 0:57:01 | 0:57:03 | |
Very what? | 0:57:03 | 0:57:04 | |
Talk dirty to me. | 0:57:08 | 0:57:10 | |
You taste amazing. | 0:57:38 | 0:57:41 | |
Thank you. | 0:57:41 | 0:57:42 | |
Erm, could you, could you stop doing whatever that it is that you were just doing | 0:57:45 | 0:57:52 | |
and... | 0:57:52 | 0:57:53 | |
leave? | 0:57:53 | 0:57:56 | |
Oh... | 0:57:58 | 0:58:00 | |
I would be wearing... | 0:58:00 | 0:58:01 | |
..shorts. | 0:58:05 | 0:58:07 | |
And you would... | 0:58:07 | 0:58:10 | |
..be in a swimsuit? | 0:58:12 | 0:58:14 | |
Oh, God. Just relax. | 0:58:14 | 0:58:16 | |
I'm sorry. | 0:58:16 | 0:58:17 | |
It's just, you know, you have a... | 0:58:17 | 0:58:20 | |
husband. | 0:58:20 | 0:58:21 | |
Rand. | 0:58:21 | 0:58:24 | |
What kind of name is that anyway? | 0:58:24 | 0:58:26 | |
Aah, Mm-mm. | 0:58:26 | 0:58:28 | |
No, doesn't matter. OK? | 0:58:28 | 0:58:31 | |
None of it matters, Tobey. | 0:58:31 | 0:58:33 | |
-Hmm? What? What's that mean? -I mean, in 50 years, we're gonna be dead | 0:58:33 | 0:58:37 | |
and nobody's gonna remember us or even know we existed. So, come on... | 0:58:37 | 0:58:40 | |
In 50 years, I'm only gonna be 86. | 0:58:40 | 0:58:42 | |
Mmm. Whatever! | 0:58:42 | 0:58:44 | |
My point is that this is all so temporary so let's just enjoy it. | 0:58:45 | 0:58:49 | |
Please? | 0:58:50 | 0:58:52 | |
DOOR BUZZER | 0:58:58 | 0:59:00 | |
Elaine! | 0:59:14 | 0:59:16 | |
Elaine! | 0:59:16 | 0:59:17 | |
Elaine... Is asleep. | 0:59:20 | 0:59:23 | |
She's gone to bed. | 0:59:23 | 0:59:25 | |
Er, wait... | 0:59:27 | 0:59:28 | |
HE STAMMERS | 0:59:28 | 0:59:31 | |
You were just up there? | 0:59:31 | 0:59:34 | |
Yes. Yes, I was. | 0:59:35 | 0:59:36 | |
Nothing to write home about. | 0:59:38 | 0:59:39 | |
I think I got a song out of it. | 0:59:42 | 0:59:45 | |
HE HUMS | 0:59:45 | 0:59:47 | |
Why would you do that? You know I invited Elaine and her new boyfriend. | 0:59:57 | 1:00:01 | |
I know, but he just looked so pathetic. And, you know...I forgot. | 1:00:01 | 1:00:04 | |
You did not forget, Tom. | 1:00:04 | 1:00:06 | |
He's just blathering on about how much he misses Elaine. | 1:00:06 | 1:00:09 | |
He can't function without her. He's gotta see her. | 1:00:09 | 1:00:11 | |
-I wanted somebody here who doesn't know anything about the theatre, somebody to talk to. -Fine. | 1:00:11 | 1:00:16 | |
He's sitting far away from Elaine. | 1:00:16 | 1:00:18 | |
Next to Amis. | 1:00:18 | 1:00:20 | |
-The guy in the yellow turtleneck? Rebecca, he's your brother. Don't do that to him. -Hey! -My man. | 1:00:20 | 1:00:26 | |
-I, er...brought a bottle of wine. -Thank you. | 1:00:26 | 1:00:29 | |
-That's what you do at a dinner party, right? -Very grown-up. | 1:00:29 | 1:00:32 | |
-Yep. Hey! -Hi. How are you? | 1:00:32 | 1:00:35 | |
Hello? > | 1:00:35 | 1:00:37 | |
Your door was wide open. | 1:00:37 | 1:00:39 | |
-Hi, my name's Tom. -You look so pretty. -Thank you. | 1:00:41 | 1:00:45 | |
Goren. Nice to meet you. | 1:00:45 | 1:00:48 | |
Hi, Elaine. | 1:00:48 | 1:00:49 | |
Hi, hi. Nice to see you...again! | 1:00:49 | 1:00:51 | |
Oh, wow! Wow, that was a lot of kisses! | 1:00:51 | 1:00:55 | |
Hello! | 1:00:55 | 1:00:58 | |
Hey! Tobey. | 1:00:58 | 1:01:00 | |
To-bey. To-bey. | 1:01:00 | 1:01:02 | |
Let me take your coat. | 1:01:02 | 1:01:04 | |
-Hiya. -Yeah. | 1:01:04 | 1:01:06 | |
-Here you go. Yeah. Take your coat too. Take it off. -All right. | 1:01:06 | 1:01:10 | |
Oh, the theatre. No, no, no... the theatre is completely different. | 1:01:10 | 1:01:14 | |
I mean, it's all star-driven, you know? Stars, stars, stars. | 1:01:14 | 1:01:18 | |
They can't walk. They can't talk. | 1:01:18 | 1:01:20 | |
I mean, it's just like the film industry, where you hail from, my dear. | 1:01:20 | 1:01:24 | |
Actually, Amis, I hail from New Jersey. | 1:01:24 | 1:01:27 | |
No? New Jers... | 1:01:27 | 1:01:28 | |
Charming. Charming as ever. | 1:01:28 | 1:01:32 | |
Tom, you are a lucky man. | 1:01:32 | 1:01:34 | |
Spunk doesn't usually come in such a beautiful package. | 1:01:34 | 1:01:37 | |
TOBEY LAUGHS | 1:01:39 | 1:01:42 | |
You know, I... | 1:01:43 | 1:01:44 | |
I think it's this, uh these departures... | 1:01:45 | 1:01:49 | |
from the literatures which makes it worse in this societies. | 1:01:49 | 1:01:54 | |
It goes, er, the wrongest. | 1:01:54 | 1:01:57 | |
What do you mean, Goren? | 1:02:00 | 1:02:02 | |
No. No, yeah... | 1:02:02 | 1:02:04 | |
It's... Because it is this, uh, connection between | 1:02:04 | 1:02:10 | |
the past and the futures. | 1:02:10 | 1:02:11 | |
Er...well, because it was there before any of the other arts. | 1:02:11 | 1:02:17 | |
-Except painting. -And dance. | 1:02:18 | 1:02:20 | |
-This is great wine. -Isn't it? | 1:02:23 | 1:02:26 | |
So, Goren, are you... | 1:02:37 | 1:02:39 | |
technically a citizen? | 1:02:39 | 1:02:41 | |
There are more than one, erm, places for which, erm, to be citizens with than this one. | 1:02:45 | 1:02:51 | |
So, you're on a limited visa or something? | 1:02:59 | 1:03:02 | |
CLATTERING | 1:03:02 | 1:03:04 | |
ELAINE COUGHS | 1:03:04 | 1:03:05 | |
You all right? | 1:03:05 | 1:03:06 | |
ELAINE COUGHS | 1:03:06 | 1:03:08 | |
-I am. I'm... -You OK? | 1:03:08 | 1:03:09 | |
SHE CONTINUES TO COUGH | 1:03:09 | 1:03:12 | |
TOBEY COUGHS | 1:03:17 | 1:03:19 | |
Wow! This is good soup. | 1:03:20 | 1:03:22 | |
SHE MOUTHS | 1:03:26 | 1:03:27 | |
SHE SIGHS | 1:03:31 | 1:03:33 | |
Tobey! We can't do this. | 1:03:33 | 1:03:35 | |
What do you mean? It's all right. | 1:03:35 | 1:03:36 | |
They're... you know... | 1:03:36 | 1:03:38 | |
We're not together anymore. | 1:03:42 | 1:03:44 | |
Do you get that? | 1:03:44 | 1:03:46 | |
But it's not right for me, Elaine. | 1:03:49 | 1:03:51 | |
I mean, | 1:03:55 | 1:03:57 | |
it's Tobey and Elaine. | 1:03:57 | 1:03:58 | |
That sounds right to me. | 1:03:58 | 1:04:00 | |
Those two names. They...they... they go together. | 1:04:00 | 1:04:05 | |
That's your plea? | 1:04:05 | 1:04:07 | |
That our names go together? | 1:04:07 | 1:04:09 | |
It seems right. | 1:04:10 | 1:04:12 | |
It's not right. | 1:04:13 | 1:04:15 | |
I'm just starting with someone new, and I'm happy. | 1:04:15 | 1:04:19 | |
That... that...that... | 1:04:21 | 1:04:23 | |
sprocket out there? | 1:04:23 | 1:04:25 | |
He's...he's...he's... | 1:04:25 | 1:04:27 | |
-in a unitard, for Christ sakes! -ELAINE LAUGHS | 1:04:27 | 1:04:30 | |
Better. That is the Tobey that I know. | 1:04:30 | 1:04:32 | |
Oh, oh, oh! | 1:04:32 | 1:04:34 | |
"I think The Canterbury Tales really provides a basis for all of ze modern literatures. | 1:04:34 | 1:04:38 | |
-"And watch me dance." -You know, you're right, Tobey. | 1:04:38 | 1:04:42 | |
You hit the nail on the head! He is... | 1:04:42 | 1:04:44 | |
-a pretentious sprocket. -Yes! | 1:04:44 | 1:04:46 | |
He's a pretentious sprocket | 1:04:46 | 1:04:49 | |
with a huge cock! | 1:04:49 | 1:04:52 | |
N... Well, he... he... he... does not look | 1:04:57 | 1:05:00 | |
like he has a huge cock! | 1:05:00 | 1:05:02 | |
Well, he does. | 1:05:05 | 1:05:06 | |
And you... | 1:05:06 | 1:05:09 | |
you don't know what a relationship is. | 1:05:09 | 1:05:11 | |
Boy, that water pressure in there really sucks. | 1:05:36 | 1:05:39 | |
It's been a long time, hasn't it? | 1:05:52 | 1:05:55 | |
-Where'd she find this guy, Zorro, anyway? -It's Goren. | 1:05:55 | 1:06:00 | |
And let's not talk about him. | 1:06:00 | 1:06:01 | |
I gotta be up early for Mommy And Me. | 1:06:05 | 1:06:08 | |
OK. | 1:06:14 | 1:06:15 | |
That's not really fair to say, now, is it? | 1:06:18 | 1:06:21 | |
We've known each other a long time. We deserve each other's honesty. | 1:06:21 | 1:06:25 | |
I have been in love with you since the moment I saw you. | 1:06:25 | 1:06:28 | |
You only think you have. | 1:06:28 | 1:06:30 | |
What's the difference? | 1:06:31 | 1:06:33 | |
That's a cocksucker of a speech. I get it right? | 1:06:33 | 1:06:36 | |
How come I didn't get the cursing gene? | 1:06:36 | 1:06:38 | |
I've never had this much trouble remembering my lines. | 1:06:38 | 1:06:41 | |
It must be menopause. | 1:06:42 | 1:06:44 | |
Becca, you're 38. Would you please not talk about your vagina? You're my sister. | 1:06:44 | 1:06:48 | |
Bad enough my best friend has sex with you. | 1:06:48 | 1:06:50 | |
Walk back to the theatre with me, would you? | 1:06:52 | 1:06:55 | |
HORNS BLARE | 1:06:59 | 1:07:01 | |
HORNS BLARE | 1:07:01 | 1:07:02 | |
Hey! What the fuck? | 1:07:02 | 1:07:04 | |
Hey! | 1:07:09 | 1:07:10 | |
Hey, Evel Knievel, what the fuck? | 1:07:15 | 1:07:19 | |
Since when do you smoke? | 1:07:19 | 1:07:21 | |
I know he's seeing someone. | 1:07:21 | 1:07:24 | |
You know, I wasn't really sure, but that look confirmed it. | 1:07:27 | 1:07:30 | |
That's not fair. You said you already knew he was. | 1:07:30 | 1:07:33 | |
-So he is? -No! I... | 1:07:33 | 1:07:37 | |
I mean, I know nothing. | 1:07:37 | 1:07:39 | |
I'm not the guy who tells someone something like that. I refuse to be forced into being that guy. | 1:07:39 | 1:07:44 | |
This is not about you, | 1:07:44 | 1:07:46 | |
you little fucking twit. | 1:07:46 | 1:07:47 | |
-Well, I... Hey, you hit me! -You know, Tom's right about you. | 1:07:47 | 1:07:50 | |
You're...what'd he call you? | 1:07:50 | 1:07:52 | |
The play-by-play guy. What you call the guy who sits - | 1:07:52 | 1:07:55 | |
talks about everything that's going on without playing? | 1:07:55 | 1:07:58 | |
Never fucking participating. | 1:07:58 | 1:08:00 | |
Just letting life pass you by. | 1:08:00 | 1:08:01 | |
Never participating! | 1:08:01 | 1:08:03 | |
Well, if I'm that guy, then he's the quarterback | 1:08:03 | 1:08:05 | |
who wants to screw everything with two legs! | 1:08:05 | 1:08:08 | |
To...continue the... | 1:08:08 | 1:08:10 | |
the...the metaphor, that is. | 1:08:10 | 1:08:12 | |
Fuck! | 1:08:14 | 1:08:15 | |
Thanks for reading with me, Tobey. | 1:08:21 | 1:08:23 | |
I'm sorry. I'm so... | 1:08:23 | 1:08:25 | |
Oh, hey. | 1:08:45 | 1:08:46 | |
-Aaargh! -Oh! | 1:08:46 | 1:08:48 | |
Aaah! | 1:08:48 | 1:08:50 | |
Cosmos, would you be a sweetheart, and let Mr. Ponson in? | 1:08:50 | 1:08:53 | |
He's already here, Mom. | 1:08:53 | 1:08:56 | |
So they're really that sensitive, huh? | 1:08:58 | 1:09:00 | |
Women don't seem to believe that, but, yes, they are. | 1:09:00 | 1:09:03 | |
Oh, so now I'm being lumped with all women? | 1:09:03 | 1:09:06 | |
Pamela, we need to talk about something. | 1:09:06 | 1:09:09 | |
No. | 1:09:09 | 1:09:11 | |
I know what you're gonna say. And you're right. | 1:09:11 | 1:09:13 | |
But I don't want to. | 1:09:13 | 1:09:16 | |
Look, I can't... I can't do this anymore. | 1:09:16 | 1:09:19 | |
We have to stop this. | 1:09:19 | 1:09:20 | |
SHE SIGHS | 1:09:25 | 1:09:27 | |
THUNDER | 1:09:27 | 1:09:28 | |
HORNS BLARE | 1:09:28 | 1:09:30 | |
Hey, you wanna see what Cosmos taught me? | 1:09:37 | 1:09:40 | |
Sure. Oooh! | 1:09:40 | 1:09:41 | |
'Mommy!' | 1:09:41 | 1:09:43 | |
Hey, is that my big boy? | 1:09:43 | 1:09:45 | |
-Hi, sweetheart. -We didn't expect you to be home. | 1:09:48 | 1:09:51 | |
-Well, I missed my family, so I came home early. -Mmm. | 1:09:51 | 1:09:53 | |
-Are you wearing cologne? -No. | 1:09:56 | 1:09:58 | |
David learned some interesting things on his play date today. | 1:10:00 | 1:10:03 | |
Oh, really, like what? | 1:10:03 | 1:10:05 | |
I learned how to silence someone! | 1:10:05 | 1:10:08 | |
-How do you do that? -You hit them in the balls. | 1:10:08 | 1:10:11 | |
Oh. | 1:10:11 | 1:10:12 | |
Yep. | 1:10:13 | 1:10:14 | |
That sounds like a good idea. | 1:10:14 | 1:10:16 | |
OK, everybody, let's get ready for dinner. Come on. Let's go. | 1:10:20 | 1:10:23 | |
Whoops. OK. | 1:10:23 | 1:10:25 | |
Here you go, buddy. | 1:10:31 | 1:10:34 | |
Table for one. Watch your hand. | 1:10:34 | 1:10:36 | |
-Here you go. Oops, sorry. -Oops. | 1:10:36 | 1:10:39 | |
-There you go. -Thanks. -Enjoy. | 1:10:41 | 1:10:44 | |
-You OK? -Um... | 1:10:49 | 1:10:51 | |
I'm thinking about dropping out of the play. | 1:10:51 | 1:10:54 | |
What? Why? | 1:10:54 | 1:10:55 | |
Things aren't working out the way I want them to. | 1:10:57 | 1:11:00 | |
Aw, you'll do great. Rebecca, you always have these moments of doubts before an opening. | 1:11:00 | 1:11:05 | |
Not about so many things. | 1:11:05 | 1:11:06 | |
What are you doing, Tom? | 1:11:10 | 1:11:12 | |
I look at you, I feel like I don't even know who you are anymore. | 1:11:16 | 1:11:19 | |
And maybe that's my fault. | 1:11:19 | 1:11:21 | |
No. It's not your fault. | 1:11:21 | 1:11:23 | |
I...er... | 1:11:24 | 1:11:25 | |
I just... | 1:11:27 | 1:11:29 | |
I feel lost. | 1:11:29 | 1:11:30 | |
And er... | 1:11:32 | 1:11:33 | |
I don't know who I am right now. | 1:11:33 | 1:11:35 | |
SHE SIGHS | 1:11:43 | 1:11:45 | |
You should leave, Tom. | 1:11:46 | 1:11:48 | |
Till you figure it out. | 1:11:48 | 1:11:49 | |
We can't do it for you. | 1:11:49 | 1:11:52 | |
What a good boy. | 1:11:54 | 1:11:57 | |
Eating all that spaghetti. | 1:11:57 | 1:11:59 | |
Sorry, I'm late. It's all the idiots. | 1:12:02 | 1:12:06 | |
-Tobey. -Could you explain the psychology behind people who wait in line at the store | 1:12:06 | 1:12:10 | |
and don't take their money out until their total is rung up, as if it's a surprise? | 1:12:10 | 1:12:15 | |
"Oh, you want money for this? | 1:12:15 | 1:12:18 | |
"Well, I had no idea. | 1:12:18 | 1:12:20 | |
"Wait, while I unzip my fanny pack, | 1:12:20 | 1:12:22 | |
"and dig through my man-purse for my wallet." | 1:12:22 | 1:12:25 | |
So, do you think you might be avoiding the issue? | 1:12:25 | 1:12:28 | |
What issue is that? | 1:12:30 | 1:12:31 | |
That you've been following me? | 1:12:31 | 1:12:33 | |
TOBEY LAUGHS INCREDULOUSLY | 1:12:33 | 1:12:35 | |
I think not! | 1:12:35 | 1:12:37 | |
Oh! Oh! That was you? I thought it might have been, | 1:12:41 | 1:12:45 | |
but there was just, you know, so much of a coincidence. | 1:12:45 | 1:12:48 | |
What were you hoping to find out, Tobey? | 1:12:48 | 1:12:50 | |
That I'm a Libra? | 1:12:50 | 1:12:52 | |
That I had a heart attack? | 1:12:52 | 1:12:54 | |
Oh, you had a heart attack? | 1:12:54 | 1:12:56 | |
I also had a withholding father, and an inappropriate mother. | 1:12:56 | 1:12:59 | |
And when I was 20, I had a nervous breakdown. | 1:12:59 | 1:13:02 | |
And...I think it's time to terminate your therapy. | 1:13:02 | 1:13:05 | |
I'm sorry? | 1:13:07 | 1:13:09 | |
Well, this is not working out. | 1:13:09 | 1:13:12 | |
Well, Tobey, not for you, and not for me. | 1:13:12 | 1:13:15 | |
OK. | 1:13:20 | 1:13:21 | |
Have a little trust, Tobey. | 1:13:24 | 1:13:26 | |
The world is not against you. | 1:13:26 | 1:13:28 | |
I mean, no wonder his advice was so bad. | 1:13:30 | 1:13:34 | |
He had a nervous breakdown. | 1:13:34 | 1:13:36 | |
A heart attack. Messed-up parents. | 1:13:36 | 1:13:38 | |
I mean, could he be any more unhealthy? | 1:13:38 | 1:13:42 | |
He said something to me, though, when I left, that really bugged me. | 1:13:42 | 1:13:45 | |
He said, "The world is not against you, Tobey. | 1:13:45 | 1:13:47 | |
"Have a little trust." | 1:13:47 | 1:13:50 | |
Well, that kinda goes against my whole philosophy. | 1:13:50 | 1:13:53 | |
The world is not against me - huh? Then how do you explain my life? | 1:13:53 | 1:13:56 | |
Jesus Christ! Can you just shut up? | 1:13:56 | 1:13:59 | |
I mean, I don't have time for this bullshit about your shrink. | 1:14:00 | 1:14:04 | |
Have you noticed that I've been kicked out of my house and my life is falling apart? | 1:14:04 | 1:14:08 | |
Oh, yeah. OK. | 1:14:10 | 1:14:12 | |
I gotta go. | 1:14:15 | 1:14:16 | |
Do you think I should get Botox? | 1:14:24 | 1:14:26 | |
-Definitely. -Really? -Uh-huh. | 1:14:26 | 1:14:30 | |
If you wanna lose me as your friend. | 1:14:30 | 1:14:32 | |
You're so strict. | 1:14:32 | 1:14:34 | |
Saw that bitch at school. She actually said hi to me. | 1:14:37 | 1:14:40 | |
What did you do? | 1:14:40 | 1:14:41 | |
Oh, I showed her. | 1:14:41 | 1:14:43 | |
I said hi back and smiled. And then I just walked away. | 1:14:43 | 1:14:46 | |
She must be reeling. | 1:14:46 | 1:14:48 | |
REBECCA SIGHS | 1:14:49 | 1:14:51 | |
-How are the kids doing? -They're OK. | 1:14:51 | 1:14:54 | |
He comes by to see them every day. | 1:14:54 | 1:14:56 | |
I just can't bear to look at him. | 1:14:56 | 1:14:59 | |
He's in that overly sweet, hangdog stage, | 1:14:59 | 1:15:01 | |
where I could set him on fire, and he'd thank me for it. | 1:15:01 | 1:15:04 | |
It's not a bad idea. | 1:15:04 | 1:15:06 | |
How's Goren The Terrible? | 1:15:06 | 1:15:08 | |
Terribly boring. | 1:15:10 | 1:15:13 | |
He does wanna have a baby, though. | 1:15:13 | 1:15:15 | |
Hey, can I have a blintz? | 1:15:42 | 1:15:44 | |
This early? It's all I've been thinking about since last night. | 1:15:44 | 1:15:48 | |
It's an acceptable crossover food, right? | 1:15:48 | 1:15:52 | |
Why do you think we're such wise-asses? | 1:15:52 | 1:15:54 | |
Probably a good way to avoid thinking that we're all gonna die. | 1:15:55 | 1:15:59 | |
When are you gonna get over that? | 1:16:00 | 1:16:02 | |
Um... | 1:16:02 | 1:16:05 | |
Never. | 1:16:05 | 1:16:07 | |
It's a pretty big deal. | 1:16:07 | 1:16:08 | |
You know what I think? | 1:16:08 | 1:16:10 | |
I think it's a good way to avoid taking responsibility for anything. | 1:16:10 | 1:16:13 | |
It's like, "Hey, we're only joking, right? We're all gonna die, right?" | 1:16:13 | 1:16:17 | |
We miss the biggest moments of our lives - all we talk about is sports, blintzes. | 1:16:17 | 1:16:21 | |
It's just it's, uh... | 1:16:24 | 1:16:26 | |
it's pretty depressing not living with your kids. | 1:16:26 | 1:16:30 | |
Or the woman you love. | 1:16:32 | 1:16:34 | |
Or the woman that you love. | 1:16:36 | 1:16:38 | |
Just because you happen to be an immensely flawed and selfish human being. | 1:16:39 | 1:16:43 | |
Hey... | 1:16:45 | 1:16:46 | |
you're not so great yourself. | 1:16:46 | 1:16:48 | |
TOM LAUGHS | 1:16:50 | 1:16:51 | |
I think the blintz is fully acceptable as a crossover food. | 1:16:53 | 1:16:58 | |
And I would like one myself. | 1:16:58 | 1:17:00 | |
You're the man. | 1:17:01 | 1:17:03 | |
No, you the man. | 1:17:03 | 1:17:04 | |
Up top. | 1:17:04 | 1:17:05 | |
'I guess the first thing I should say is that my name is not Tobey.' | 1:17:11 | 1:17:15 | |
It's Todd. | 1:17:18 | 1:17:19 | |
ALL: Hi, Todd. | 1:17:20 | 1:17:21 | |
No, it's not... It's...er...Tom. | 1:17:24 | 1:17:26 | |
My name is Tom. | 1:17:26 | 1:17:27 | |
It really is, OK? | 1:17:27 | 1:17:29 | |
And...secondly, I have no relation at all to deli meats. | 1:17:29 | 1:17:36 | |
I just made it up to try to fit in. | 1:17:36 | 1:17:39 | |
Um... | 1:17:39 | 1:17:40 | |
I... I don't know what I am, but I'm pretty sure that I have a problem. | 1:17:43 | 1:17:49 | |
Although, not as..as...as big a problem as all of you seem to have. | 1:17:51 | 1:17:55 | |
Erm... Anybody else hot? | 1:17:57 | 1:17:59 | |
TOM CLEARS HIS THROAT | 1:17:59 | 1:18:01 | |
I... | 1:18:01 | 1:18:02 | |
I also use humour, | 1:18:02 | 1:18:04 | |
and complaints about the temperature... | 1:18:04 | 1:18:07 | |
as a way of diverting attention... | 1:18:07 | 1:18:09 | |
..from the...very serious fact... | 1:18:11 | 1:18:15 | |
that I'm ruining my life. | 1:18:15 | 1:18:17 | |
And, uh... | 1:18:18 | 1:18:19 | |
I just...I just thought it would do me some good | 1:18:20 | 1:18:23 | |
to tell my real story here today. | 1:18:23 | 1:18:26 | |
So... | 1:18:26 | 1:18:27 | |
Er... | 1:18:27 | 1:18:28 | |
I...er... | 1:18:29 | 1:18:31 | |
I come from... | 1:18:31 | 1:18:33 | |
a family of poor peasants. | 1:18:33 | 1:18:35 | |
LAUGHTER | 1:18:35 | 1:18:36 | |
Oh, yeah. Oh, yeah. I'm just kiddin'. | 1:18:36 | 1:18:39 | |
# I've come over to the other side | 1:18:39 | 1:18:43 | |
# Now I've stopped looking back | 1:18:43 | 1:18:46 | |
# At myself... # | 1:18:46 | 1:18:48 | |
PHONE RINGS | 1:18:48 | 1:18:50 | |
# And letting go | 1:18:50 | 1:18:52 | |
# Of the way I felt... # | 1:18:52 | 1:18:54 | |
Oh! | 1:18:54 | 1:18:55 | |
It's hims, again. | 1:19:03 | 1:19:05 | |
# And I've been looking for a reason | 1:19:08 | 1:19:11 | |
# To doubt you | 1:19:11 | 1:19:12 | |
# But this faith is all I find | 1:19:12 | 1:19:15 | |
# And I've been thinking 'bout going away | 1:19:15 | 1:19:19 | |
# But you made me change my mind... # | 1:19:19 | 1:19:22 | |
CHEERING | 1:19:22 | 1:19:23 | |
# I move | 1:19:23 | 1:19:25 | |
# A little bit closer to you... # | 1:19:28 | 1:19:32 | |
Oh, Daddy, I'm comin'! | 1:19:32 | 1:19:34 | |
# And I know | 1:19:36 | 1:19:38 | |
# I'll be all right | 1:19:38 | 1:19:43 | |
# Cos I know | 1:19:43 | 1:19:45 | |
# You're by my side | 1:19:45 | 1:19:49 | |
# And I'll be safe | 1:19:51 | 1:19:54 | |
# Tonight... # | 1:19:54 | 1:19:57 | |
HE SIGHS | 1:19:57 | 1:19:58 | |
# Ah, ah, ah, ah | 1:20:01 | 1:20:04 | |
# Ah, ah, ah, ah... # | 1:20:08 | 1:20:10 | |
-Trust us. -Trust us. -We're all about trust. | 1:20:10 | 1:20:12 | |
-Come on. -OK. | 1:20:12 | 1:20:13 | |
Here you go. Here you go. | 1:20:13 | 1:20:15 | |
# Ah, ah, ah, ah | 1:20:15 | 1:20:19 | |
# A little bit closer to you | 1:20:19 | 1:20:22 | |
# Ah, ah... # | 1:20:22 | 1:20:23 | |
CHEERING | 1:20:23 | 1:20:25 | |
LAUGHTER AND CHATTER | 1:20:28 | 1:20:30 | |
KNOCK ON DOOR | 1:20:36 | 1:20:38 | |
Come in. | 1:20:38 | 1:20:39 | |
Popular lady. | 1:20:40 | 1:20:42 | |
I think these are from your husband. | 1:20:44 | 1:20:46 | |
Again. | 1:20:46 | 1:20:48 | |
Break a leg. | 1:20:48 | 1:20:50 | |
Thank you. | 1:20:50 | 1:20:51 | |
SHE SOBS | 1:21:03 | 1:21:06 | |
KNOCK ON DOOR | 1:21:10 | 1:21:12 | |
Sweetheart, I'm sorry to interrupt your pre-show cry. | 1:21:14 | 1:21:18 | |
All the best ones have 'em. | 1:21:18 | 1:21:20 | |
We're all in this together, my dear. | 1:21:26 | 1:21:29 | |
All damned to the theatre. | 1:21:29 | 1:21:32 | |
Condemned to live through our art. | 1:21:32 | 1:21:35 | |
For we do not know how to live through our lives. | 1:21:35 | 1:21:39 | |
We are islands. | 1:21:39 | 1:21:40 | |
Francis, my director. | 1:21:42 | 1:21:45 | |
I am a mother and a wife first and foremost, | 1:21:45 | 1:21:50 | |
and you should go fuck yourself. | 1:21:50 | 1:21:52 | |
'Welcome to tonight's premiere performance | 1:21:57 | 1:22:00 | |
'of Edmund Middleton's Fifty Means.' | 1:22:00 | 1:22:03 | |
Oh, these are good seats. | 1:22:03 | 1:22:06 | |
'Enjoy the show.' | 1:22:06 | 1:22:08 | |
(That should be me.) | 1:22:08 | 1:22:10 | |
What'd you say? | 1:22:10 | 1:22:12 | |
Nothing. | 1:22:12 | 1:22:14 | |
APPLAUSE | 1:22:15 | 1:22:17 | |
You go on back to the house. I'll get the rest. | 1:22:18 | 1:22:20 | |
WOMAN ON STAGE LAUGHS | 1:22:20 | 1:22:22 | |
APPLAUSE | 1:22:23 | 1:22:24 | |
WHISTLING | 1:22:26 | 1:22:27 | |
I never thought I'd say this, but I'm happy to be home. | 1:22:30 | 1:22:33 | |
Nothing much has changed around here, but then again, it never does. | 1:22:33 | 1:22:37 | |
I'm miserable. | 1:22:40 | 1:22:41 | |
And seein' you miserable isn't helping any. | 1:22:45 | 1:22:48 | |
-What are we gonna do? -I don't know. | 1:22:50 | 1:22:53 | |
We gotta do somethin'. | 1:22:57 | 1:22:59 | |
TOILET FLUSHES | 1:23:01 | 1:23:02 | |
There she is. | 1:23:11 | 1:23:12 | |
-You go talk to her. -And you go find a pen and a piece of paper. | 1:23:14 | 1:23:17 | |
Hey. | 1:23:22 | 1:23:24 | |
Thought that was you. | 1:23:24 | 1:23:25 | |
Tobey. | 1:23:25 | 1:23:26 | |
Not now, OK? | 1:23:29 | 1:23:31 | |
You don't return my calls. | 1:23:31 | 1:23:33 | |
I need a...uh, pen and a piece of paper. | 1:23:33 | 1:23:36 | |
It's an emergency. | 1:23:36 | 1:23:37 | |
Tobey, why do you have to make this so hard? | 1:23:37 | 1:23:40 | |
Elaine, it's hard for me too. | 1:23:40 | 1:23:44 | |
Oh, my goodness! | 1:23:44 | 1:23:46 | |
Listen... | 1:23:46 | 1:23:48 | |
I want you to stop calling the houses, and... | 1:23:48 | 1:23:51 | |
I want you to stays away from her, for all the times. | 1:23:51 | 1:23:54 | |
Why is everything plural with this guy? | 1:23:56 | 1:23:59 | |
Oh, insult me to my faces? | 1:23:59 | 1:24:01 | |
-Tobey. -What? | 1:24:01 | 1:24:04 | |
-This is Rebecca's night, OK? -What? What? I know. | 1:24:04 | 1:24:06 | |
Oh, gosh. I'm sorry, I dropped the pen there. | 1:24:06 | 1:24:09 | |
Oh, I'll get it. | 1:24:09 | 1:24:11 | |
Hey. | 1:24:11 | 1:24:13 | |
Those aren't your flowers, sir. | 1:24:13 | 1:24:15 | |
-You don't understand. I need to get these to Rebecca Pollack backstage. -I'm sorry. | 1:24:15 | 1:24:20 | |
She doesn't accept stolen flowers in intermissions. | 1:24:20 | 1:24:24 | |
Oh, no. | 1:24:24 | 1:24:25 | |
Can you at least just... | 1:24:25 | 1:24:27 | |
can you get her this note? | 1:24:27 | 1:24:28 | |
I'm her husband. Please, just give her that. | 1:24:28 | 1:24:31 | |
We're talkin' here, Gorens-s-s-s. | 1:24:31 | 1:24:33 | |
Come. | 1:24:33 | 1:24:34 | |
-I'm talkin' to her, if you don't mind. -I do mind. | 1:24:35 | 1:24:38 | |
It's not gonna happen. | 1:24:38 | 1:24:40 | |
I said I'd like to talk to her! | 1:24:40 | 1:24:41 | |
Release her. | 1:24:41 | 1:24:43 | |
I'm not gonna release her. | 1:24:43 | 1:24:45 | |
You are so... | 1:24:45 | 1:24:47 | |
OK. Wait a minute! Hey! | 1:24:47 | 1:24:48 | |
That's not... No running. No running. | 1:24:48 | 1:24:50 | |
-Stop it! -You "shtop" it! | 1:24:50 | 1:24:51 | |
Sir, there's no running in the theatre. | 1:24:51 | 1:24:54 | |
GASPING AND SHRIEKING | 1:24:54 | 1:24:58 | |
Stay there. No running in the theatre. | 1:24:58 | 1:25:00 | |
There's no running in the theatre. | 1:25:00 | 1:25:02 | |
SHRIEKING | 1:25:02 | 1:25:03 | |
We got a runner. We got a runner. OK! | 1:25:03 | 1:25:05 | |
-Come on! -Sorry. | 1:25:15 | 1:25:16 | |
-Hey! Watch it. Hey, you're a jerk. -OK! | 1:25:16 | 1:25:20 | |
All right, there, sweetheart? | 1:25:20 | 1:25:21 | |
Why are you sweating? | 1:25:23 | 1:25:25 | |
I saw Goren. | 1:25:27 | 1:25:28 | |
I pushed him into a plant. | 1:25:28 | 1:25:30 | |
I stole some flowers. | 1:25:31 | 1:25:33 | |
Oh, that sounds great. Good job. | 1:25:33 | 1:25:35 | |
Yeah, you too. | 1:25:35 | 1:25:37 | |
APPLAUSE | 1:25:42 | 1:25:44 | |
KNOCK AT DOOR | 1:25:47 | 1:25:48 | |
Mrs Pollack, final scene is up. | 1:25:48 | 1:25:51 | |
Thank you. | 1:25:51 | 1:25:52 | |
Who knows if she'll ever come out of that room? | 1:26:01 | 1:26:03 | |
But I wouldn't blame her if she didn't. | 1:26:05 | 1:26:08 | |
Hell, comin' back here after so long, for what? | 1:26:08 | 1:26:13 | |
For us? | 1:26:13 | 1:26:15 | |
For this place? | 1:26:15 | 1:26:17 | |
Somehow, it doesn't make a whole lotta sense to me. | 1:26:17 | 1:26:21 | |
The night air. | 1:26:29 | 1:26:31 | |
It feels good. | 1:26:31 | 1:26:33 | |
This is the last line of the play. | 1:26:33 | 1:26:35 | |
You know it does, Laura. | 1:26:35 | 1:26:36 | |
So what? | 1:26:36 | 1:26:38 | |
I gotta do something. Excuse me. Sorry. | 1:26:38 | 1:26:42 | |
I never thought I'd be able to say that again. | 1:26:42 | 1:26:46 | |
-Stop it! -Let me just get through here. Pardon me. | 1:26:46 | 1:26:50 | |
Oh! Give me back my hair! Give me my hair! | 1:26:52 | 1:26:55 | |
Stop him! | 1:26:58 | 1:26:59 | |
Ushers, full alert! East aisle. Stage approach. | 1:26:59 | 1:27:03 | |
No! | 1:27:05 | 1:27:07 | |
No! | 1:27:07 | 1:27:08 | |
Hey! | 1:27:39 | 1:27:40 | |
-Let go! -Get off! | 1:27:40 | 1:27:44 | |
GRUNTING | 1:27:44 | 1:27:46 | |
It's OK. | 1:27:52 | 1:27:54 | |
This is my husband. | 1:27:55 | 1:27:59 | |
AUDIENCE: Ohhh. | 1:27:59 | 1:28:00 | |
This loser? | 1:28:00 | 1:28:01 | |
This loser. | 1:28:05 | 1:28:07 | |
AUDIENCE: Aww. | 1:28:07 | 1:28:09 | |
APPLAUSE | 1:28:14 | 1:28:16 | |
ELAINE! | 1:28:38 | 1:28:40 | |
STARTLED GASPS | 1:28:40 | 1:28:41 | |
Did you like the play? | 1:28:49 | 1:28:51 | |
AUDIENCE MUTTERS | 1:28:51 | 1:28:53 | |
Come on, let's go. | 1:28:57 | 1:28:59 | |
Wait, wait! | 1:29:00 | 1:29:02 | |
HE SIGHS | 1:29:04 | 1:29:06 | |
You're the one for me! | 1:29:06 | 1:29:08 | |
Is this part of the play? | 1:29:10 | 1:29:12 | |
Yes, yes. Yes. It is part of the play. | 1:29:13 | 1:29:15 | |
Uh, uh... | 1:29:15 | 1:29:17 | |
this is the part... | 1:29:17 | 1:29:18 | |
..of the play where we come together and... | 1:29:21 | 1:29:24 | |
never leave each other. | 1:29:24 | 1:29:25 | |
And somehow, I feel like it... | 1:29:28 | 1:29:30 | |
it was written a long time ago, and I just... | 1:29:30 | 1:29:33 | |
I just didn't trust the script, cos I don't wanna die. | 1:29:35 | 1:29:39 | |
What? | 1:29:39 | 1:29:40 | |
W... | 1:29:40 | 1:29:41 | |
Why do I always have to be equated with death? | 1:29:41 | 1:29:44 | |
-I agree. -AUDIENCE MURMURS, TOBEY STUTTERS | 1:29:44 | 1:29:47 | |
That didn't come out right. I... | 1:29:47 | 1:29:49 | |
I don't want to be a cold, sarcastic, blocked-off man any more. | 1:29:54 | 1:29:58 | |
I'm not gonna be. | 1:29:59 | 1:30:00 | |
And it's not gonna be easy... | 1:30:03 | 1:30:06 | |
but I wanna struggle... | 1:30:06 | 1:30:09 | |
with you. | 1:30:09 | 1:30:10 | |
AUDIENCE: Aww. | 1:30:10 | 1:30:13 | |
I love you. | 1:30:17 | 1:30:18 | |
AUDIENCE: Aww! | 1:30:18 | 1:30:21 | |
And all I can do is say that, and let you do with it what you will. | 1:30:22 | 1:30:27 | |
And if you won't be with me... | 1:30:27 | 1:30:30 | |
I can accept that. | 1:30:30 | 1:30:31 | |
Cos I... | 1:30:32 | 1:30:34 | |
..I want you to be happy. | 1:30:34 | 1:30:36 | |
Tobey. Tobey. | 1:30:41 | 1:30:43 | |
I have tried... | 1:30:45 | 1:30:47 | |
very hard to stop. | 1:30:47 | 1:30:50 | |
But somehow, I still love you. | 1:30:53 | 1:30:55 | |
AUDIENCE: Aw! | 1:30:55 | 1:30:56 | |
-Oh, my God. Thank God! -LAUGHTER | 1:30:56 | 1:30:59 | |
That stuff I said - being able to let you go, that was crap. I'd hunt you down. | 1:30:59 | 1:31:03 | |
Who wants to spend all their life doin' that when there's so many things to do before we... | 1:31:03 | 1:31:08 | |
CHEERING | 1:31:08 | 1:31:10 | |
Oh, God. | 1:31:44 | 1:31:46 | |
Do I look fat here? | 1:31:48 | 1:31:49 | |
Which one are you? | 1:31:50 | 1:31:52 | |
THEY LAUGH | 1:31:52 | 1:31:54 | |
You look great. | 1:31:54 | 1:31:55 | |
Excuse me. I don't mean to bother you, | 1:31:55 | 1:31:59 | |
but I recognized you from your book. | 1:31:59 | 1:32:01 | |
SHE LAUGHS | 1:32:01 | 1:32:02 | |
My son and I have spent so many great days in New York together because of you. | 1:32:02 | 1:32:06 | |
Would you sign it for me, please? | 1:32:06 | 1:32:08 | |
Sure. | 1:32:10 | 1:32:11 | |
You must be a great daddy. | 1:32:15 | 1:32:17 | |
Thank you. We're very proud of him. | 1:32:17 | 1:32:21 | |
Yes, we are. | 1:32:25 | 1:32:27 | |
-Very proud of him. -Mmm. | 1:32:27 | 1:32:29 | |
OK. | 1:32:30 | 1:32:31 | |
Here's how it's gonna go. | 1:32:33 | 1:32:34 | |
-I'm gonna get up, and go into the bathroom on the left. -Mmm. | 1:32:34 | 1:32:39 | |
Wait one minute... | 1:32:39 | 1:32:40 | |
..and then you come in. | 1:32:45 | 1:32:46 | |
One, two, three... | 1:32:56 | 1:33:00 | |
..17... | 1:33:01 | 1:33:03 | |
Daddy'll be right back. | 1:33:07 | 1:33:09 | |
24, 25, | 1:33:10 | 1:33:14 | |
26, 43. | 1:33:14 | 1:33:17 | |
'Elaine has found in Tobey, | 1:33:21 | 1:33:23 | |
'a man she can trust to love her, | 1:33:23 | 1:33:26 | |
'to be her rock-solid baseline. | 1:33:26 | 1:33:29 | |
'In Elaine, Tobey has found his life's melody, his grace note.' | 1:33:29 | 1:33:33 | |
Thank you. | 1:33:33 | 1:33:35 | |
Do you, Tobias, take this woman, | 1:33:35 | 1:33:37 | |
to be your lawfully wedded wife, | 1:33:37 | 1:33:39 | |
to have and to hold, | 1:33:39 | 1:33:41 | |
until death do you part? | 1:33:41 | 1:33:43 | |
Oh, could you not mention death? | 1:33:43 | 1:33:45 | |
Uh... | 1:33:45 | 1:33:47 | |
uh...as long as we both shall live. | 1:33:47 | 1:33:49 | |
I do. | 1:33:54 | 1:33:55 | |
I do. | 1:33:55 | 1:33:56 | |
APPLAUSE AND CHEERING | 1:33:57 | 1:33:59 | |
Put me down! | 1:34:04 | 1:34:05 | |
LAUGHTER AND CHATTER | 1:34:07 | 1:34:09 | |
Hey, hey! | 1:34:22 | 1:34:24 | |
Hey, hey, hey, hey! | 1:34:25 | 1:34:27 | |
Hey, hey! Hey! | 1:34:27 | 1:34:29 | |
Baby, baby, go, go! Get him! | 1:34:29 | 1:34:31 | |
I just got married. Come on, that's legal. | 1:34:31 | 1:34:34 | |
I was behind the... | 1:34:34 | 1:34:35 | |
That's our car! | 1:34:35 | 1:34:37 | |
Every time! | 1:34:39 | 1:34:41 | |
Every time! | 1:34:41 | 1:34:42 | |
All right, all you plant lovers, | 1:34:48 | 1:34:49 | |
you people lovers, you life lovers, | 1:34:49 | 1:34:51 | |
this one's called Juniper. | 1:34:51 | 1:34:54 | |
And it goes like this. | 1:34:54 | 1:34:56 | |
# I can't wait for you | 1:34:56 | 1:34:59 | |
# Anymore | 1:35:00 | 1:35:02 | |
# Pack my bags and closing | 1:35:06 | 1:35:08 | |
# The front door | 1:35:08 | 1:35:11 | |
# And travel makes me ill | 1:35:15 | 1:35:18 | |
# I think I'll take another pill... # | 1:35:19 | 1:35:22 | |
Subtitles by Red Bee Media Ltd | 1:35:22 | 1:35:25 | |
E-mail [email protected] | 1:35:25 | 1:35:28 |