Trust the Man


Trust the Man

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Transcript


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This programme contains very strong language.

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# ..There's a smile There's a smile

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# Behind all of the rain

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# There's a sunshine for miles and miles

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# Oh, everything, everything

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# You mean everything

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# You mean everything Everything to me

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# Everything to me

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# The colours of your garden

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# They're yellow, blue and green

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# And the sound of your sweet voice

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# It's better than all my dreams

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# Oh, everything, everything

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# You mean everything

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# You mean everything

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# Everything to me

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# Everything to me

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# You're my first thought in the morning

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# When I rise

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# Oh, when I rise

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# And you're my last thought in the evening

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# When I rest my head at night

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# Oh, now, everything, everything

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# You mean everything

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# You mean everything

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# Everything to me. #

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-'I need help!'

-I'll go.

-Daddy, Daddy.

-Oh, don't worry, sweetheart. Dad'll be right back.

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Daddy's not leaving, honey. He's just helping your brother in the bathroom.

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It's OK. Hey, look at that!

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What's going on?

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I'm trying to poop, but I can't.

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Just relax, David. Don't work so hard.

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But my stomach hurts. I had to burp, I need to poop.

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Well, sometimes if you just sit there, a fart will just work its way out.

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-Who said anything about a fart?

-'Honey, The Terminix guy is finished.'

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A fart's just as good as a burp, David, sometimes even better.

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A fart, a burp or a poop... What am I talking about?

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Mr Ponson, you have a problem.

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Fantastic.

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'Here it comes!'

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-I gotta bring these galleys I proofed into work today.

-Shouldn't your boss be proofin' those?

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Yeah, she should, but she's behind for maternity leave so I'm covering for her.

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So much for taking the job so you can work on your book.

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Anyway, it would be great if you could drive me.

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-Oh, sweetie, I can't. Today is Monday.

-So?

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Well, alternate side is in effect, so I gotta move the car.

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Into another parking spot?

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Yeah.

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You're not going to drive me because you have to park the car on the other side of the street?

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Well, you're oversimplifying it now.

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-How's that? You only use the car when you need to drive it 10 feet into a legal parking spot.

-If I'm lucky.

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That doesn't make any sense!

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Look, if we're not gonna use it, will you just sell it?

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I like knowing it's there. Booyah! Bam!

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-Bam!

-Right. So if there's an emergency, we always have a way out of Manhattan.

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Well, you laugh now, but that thing is fully equipped.

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Tobey, you've got two bottles of water in there and four PowerBars. How far is that gonna get us?

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The car has special meaning to me. Can you deal with that?

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Why?

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Look, if you must know,

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the first time I saw you, I was in that car.

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Fine.

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I'll take a cab.

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HE BREAKS WIND

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-I gotta go.

-All right, baby. Later.

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'Are you kiddin' me?'

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WATER TRICKLING

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-OK, so it sounds like everything's goin' good.

-Yeah.

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Yeah.

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-I mean, there's still all the same old issues.

-What are those? What are the same old issues?

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Well, you know, like no sex.

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-Well, that's your issue.

-I'd say that's OUR issue.

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No. I'm just not a sex maniac like you are.

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I'm not a maniac. I just like it.

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Twice a day.

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What is that look supposed to mean? It's not like I like to kill baby squirrels. I like to have sex.

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-Always from behind.

-Now, that is a lie. That's a lie.

-You know it is not, Tom!

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Sometimes, I would just like to look at you.

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Maybe you'd have more luck if you did something a little more romantic.

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The only way to approach you is from behind because your back's always turned to me.

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I'm reading. I just like to have a minute to myself without you pawing at me all day.

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Well, forgive me if I want to touch my wife.

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Here's what I think. I think, if I may say,

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we could get a lot more work done if you'd come in more than once a year.

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Would you think about it?

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-We'll think about it.

-Yeah.

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Would you?

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And, Tom...

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..listen to Rebecca and don't, don't paw at her.

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And just give her some space, OK?

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And, Rebecca, think about having sex with Tom.

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Possibly doggy style.

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OK?

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And I have your cell numbers, right?

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-Yeah.

-Yeah.

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Therapy always makes me so horny.

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Did he actually say...

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-"doggy style?"

-Yeah. I knew I liked that guy.

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-I gotta go.

-No.

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Tom, I have a rehearsal. Don't suck my face off.

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-Did I tell you I had a dream last night that you gave me a blow job?

-Yeah. I had a dream

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that I gave you a German Shepherd.

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Unhand me. And remember, you're picking up David from school and we need milk.

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I know. It's my new life - househusband.

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Hey, dude. You asked for it.

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Yo, Rebecca...

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-Yeah, you leavin'?

-You wish!

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Blow me, dickhead!

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Megan Sweetlander's office. Please hold.

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Megan Sweetlander's office. Please hold.

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Megan Sweetlander's office. May I help you?

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-Hey, it's me.

-Oh, God. I'm swamped here.

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-'Oh, just hang up on them all.'

-PHONES CONTINUE TO RING

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-RINGING STOPS I did it.

-Oh, my God, I was kidding!

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Jesus, that felt good.

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Hey, do you think I'm crazy?

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Not compared to other actresses, no.

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How often do you and my brother have sex?

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Satisfying sex or just sex?

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Oh, say no more.

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I try to, but he won't listen.

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Ha ha.

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You know, we have good...

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We have good sex.

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-Sometimes.

-'Elaine!'

-Um, I really gotta go.

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Do you ever worry that Tobey'll cheat on you?

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Only with his therapist. I'm hanging up...

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Er, unfortunately, we do not accept unsolicited manuscripts. Thank you.

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-'You never have time for me any...'

-Elaine?

-Yes.

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"A curveball is the speed of the air moving fast..."

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-BABY CRIES

-Hey...

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Hey, I'm just reading your article on wrist injuries in older pitchers. That's fascinating stuff.

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Yep. I really blew the lid off carpal tunnel syndrome.

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Well, at least you have a job. When Rebecca asked what I was doing this morning, I said, "the usual."

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You think she knew that meant - breakfast, jerk off, nap, late lunch?

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Yeah, well, maybe I shouldn't have quit advertising.

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As I remember, you hated it, felt empty and hollow, worthless,

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void of meaning, purposeless, any of this ring a bell?

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It might be better than this. I'm beginning to feel like a kept boy.

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-Only I don't know what I'm being kept for.

-Sex?

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Sure, if you're up for it. Rebecca's not.

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That's weird. She slept with everyone in high school.

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And even when we do have sex, it's like she's not adventurous any more.

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Cottage cheese.

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It's like she used her sexual adventurousness to lure me in,

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and it turns out she's just normal. She's just normal.

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Mommy's just normal!

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-I guess you hoped it'd be more like marrying a hooker, huh?

-Yeah. Except without the payment though.

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Speaking of that, do you have another word for fish lover?

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Hold on a second. ..Excuse me, sir.

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Can we cut in front of you? We gotta get home for our nap.

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We gotta rush. We're in a rush.

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Erm...aficionado?

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-Do you take milk?

-Oh.

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I do, but I like to pour it myself.

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Oh, yeah.

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I just wanted to say, I think you're awesome, and I feel...

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incredible to be able to, you know...

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share the stage with you, Miss Pollack.

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-Rebecca. What was your name again?

-Jasper.

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-I had a puppy named Jasper.

-That's funny, because my last name is Bernard!

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-Like Saint Bernard.

-Right.

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-Like the dog.

-Right.

-Yeah.

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OK. Well, I'll see you tomorrow. Oh!

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Careful.

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My dear.

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-Do you have a moment?

-Oh, yeah.

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I know you turned down a film to do this role, and I do appreciate that.

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I do, however, feel the need to remind you that this is a play,

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not a film, and it will require some projection.

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-It was just a table read.

-No defences, OK?

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Oh, Jasper!

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Dad, I can't reach it. Help me!

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Oh, you're close.

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Reach.

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Hey, Mom, I wanna take home mine too.

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OK. Go ahead.

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You know you're breaking the rules.

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-What do you mean?

-That stuff's not supposed to go home till the end of the year.

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Well, David told me he needed, he needed it.

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Yeah? You also give him chocolate for dinner, right?

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What are you, the room monitor or something?

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No. It's refreshing to see someone breaking the rules. You're a rebel.

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Mom, help me!

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OK. Here we go. I'll help you too, David cos your dad

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would leave you standing here all day.

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-Wow, you're strong!

-Thank you.

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If you tell, I'll say you did it, and they'll believe me.

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Come on.

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-Come back soon.

-Thank you.

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-So how come only once a year?

-Well, you don't want to dissect it too much. It's like a tune-up.

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If you go regularly, you just become one of those couples that disappears up their own assholes, you know?

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As my father used to say.

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Thank you for that image while I'm eating a whole fish.

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-I don't think fish have assholes.

-Boys... No more use of that word while there's food on the table.

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-Yeah. They got us.

-How's the play going?

-It's all right.

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The director's sort of a pretentious moron.

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-That's a drag.

-Hi, Roberto.

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-Ciao, Miss Pollack.

-Um...

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-(Asshole.)

-And this has got to be my last carbohydrate-heavy meal for a very long time.

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-Are you kidding? You look great.

-How's the book?

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-I think I'm done.

-Wow!

-I'm gonna start sending it out to agents.

-Yowsa!

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-What?

-I don't know what makes me think I know anything about kids.

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-No, it's a terrific idea...

-Oh, my God!

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-That's Faith Faison.

-That's Faith Faison?

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..He already wants to know when they're making it into a movie.

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-She sees you.

-What are you doing?

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-Sometimes, you get...

-Tasting the wine.

-..something caught in your mouth.

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Tobey!

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Aah...

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Faith, wow!

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How are you?

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Oh, my God!

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I can't believe you're here! Geez! Whoa!

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Well, no, I always come here. You're not gonna find better Northern Italian food anywhere in the city.

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-That's my husband.

-What?

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-Oh! Well, that's my girlfriend of seven years, Elaine.

-Hi.

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-Hi. It's nice to meet you.

-Congratulations on getting married.

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Oh, thank you. Are you guys gonna?

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What?

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-We're married. And it's overrated.

-What?

-Uh oh!

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I'd better go.

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-So great to see you.

-Yeah. Yeah.

-Oh, Jesus Christ.

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And I hope you don't mind me saying, but I love your work.

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Thank you very much.

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You hate that, don't you?

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Bye.

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So, who was that chick?

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Who?

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Tobey!

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-You are the worst.

-What, Faith?

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I don't know. Knew her in college.

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Is she an old girlfriend?

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No.

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-She's pretty.

-Yeah.

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You see her boyfriend?

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I mean, do you have to work out every day?

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Did you know, by the way, that muscle sinks faster in the pool?

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He's her husband, actually.

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Oh. Seems a little young for that, doesn't she?

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You're the only one who thinks you have to be 40 to get married.

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She probably wanted to do it before she was completely barren.

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Oh! That reminds me.

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I taped the, er, documentary for you on the Serengeti.

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Tobey! I said Ferlinghetti.

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It was for work.

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Oh.

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-Well, hey, come on. Serengeti's cool. Right?

-Yeah.

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It's great.

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See? I'm fun.

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Mmm. Who knew lobster cannelloni was an aphrodisiac?

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-Is that what this is?

-No. It's lobster Ponson.

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You pay Maria when we get home and then meet me in the bedroom.

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-Like for sex?

-Don't ruin it.

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-Thank you so much.

-Thank you.

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The kids were great.

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-The kids love you.

-David drew a big picture of baboon, and the little girl...

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That's great. You get home safe.

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-Thank you very much.

-Thank you, thank you, thank you.

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I, er, I have to go to the bathroom.

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I'm gonna get a drink.

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Mmm!

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TOILET FLUSHES

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SHE CHOKES

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MUSIC: "Let's Get It On" by Marvin Gaye

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What the hell? Huh?

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Oh!

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Uh! Uh!

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-Uh! Uh!

-Agh!

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It was my last night of carbs and I wanted to take advantage of it.

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You know, sometimes it's those near-death experiences

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that make us wanna participate in life that much more.

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I can still kinda taste the throw up.

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Good.

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Whoa, whoa! Oh!

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Bouncy, bouncy.

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Bouncy, bouncy. Just one more thing, then we're gonna go home, OK?

0:19:430:19:48

-Is that it?

-Let me get one of those.

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-This one?

-No, no, no. Three down from Sports World and one to the left.

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-Uh...this one?

-No, no. Your other left. Diagonal from there.

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Shaved?

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Ah, good one!

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That's 3.15... Here. Candy for the baby.

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-Good man.

-And the candy, one dollar.

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No, I don't wanna be too hard on him.

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It's just that I feel like he's not directed, and that makes him unhappy.

0:20:300:20:33

And the more unhappy he gets, the more desperate he gets.

0:20:330:20:35

-And the more desperate he gets, the less I wanna have sex with him.

-Oh. For Tobey,

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desperation is foreplay.

0:20:400:20:42

You know, I should probably be...

0:20:420:20:45

more attentive.

0:20:450:20:47

-Or at least permissive.

-Do you ever wonder what your life would be like if you'd chosen someone different?

0:20:470:20:53

Like, OK, I was on the train the other day.

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This guy was sitting across from me.

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He was wearing this big, cosy Vermonty sweater.

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Just seemed...

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old fashioned, like he probably had tons of kids

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who climb all over him at bedtime. They go sledding in the winter.

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Pick flowers in the spring.

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Kill deer in the fall.

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No. I just did not expect to want to have a baby this soon.

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A baby?

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Oh, I don't know.

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All of a sudden, it just...

0:21:300:21:33

-feels right.

-Honey, you're so young, you know?

0:21:330:21:37

-And Tobey, he's just like a teenager with a checking account.

-Excuse me.

0:21:370:21:40

These are from the young man over in the corner.

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He wanted you to know that you are, "like, awesome."

0:21:450:21:50

Who is that?

0:21:500:21:51

See ya at rehearsal.

0:21:510:21:54

I'll tell ya later.

0:21:540:21:55

-That was kinda fun.

-Yeah.

0:21:590:22:01

Maybe I should become a first grade teacher.

0:22:010:22:04

-Who was that mother you were talking to?

-Who?

0:22:040:22:09

Oh, that's, uh, that's Shannon's mom, you know?

0:22:110:22:15

She's a divorcee, right?

0:22:150:22:17

I don't think anybody's used that term since, like 1954.

0:22:170:22:23

-She's pretty.

-I guess.

0:22:230:22:26

You know, uh, you do kinda owe me.

0:22:290:22:33

-I owe you?

-And I know you're tired.

0:22:330:22:35

But I have a way where you don't have to exert any energy at all.

0:22:350:22:39

Do you have to wear your retainer?

0:22:440:22:46

If that's one of your tapes, you can forget it.

0:22:460:22:48

# Da-da-da-da, da-da-da-da-da-da Da-da! Da-da! Da-da... #

0:22:490:22:55

OK. Here's how it's gonna go down.

0:23:030:23:07

I'm gonna close my eyes and you have to tell me everything that's happening on TV.

0:23:070:23:11

No way in hell I'm gonna do that.

0:23:110:23:12

It's either that, or actual sex.

0:23:120:23:14

You make the call.

0:23:140:23:17

This is erotic for you?

0:23:170:23:19

-OK.

-Oh. No, no, no.

0:23:220:23:25

OK. There's some kind of a credit sequence happening.

0:23:250:23:28

Just, uh, it's very simple.

0:23:280:23:30

-Black on white titles.

-OK, Scorsese.

0:23:300:23:32

Save your breath for the good stuff.

0:23:320:23:34

Now there's some people...in the worst set design I have ever seen.

0:23:340:23:39

-Come on.

-OK. Um, OK, no, here they go. Here they go.

0:23:390:23:43

Wow. Um, yeah, pants are off.

0:23:430:23:47

Dress is off. Penis is hard. They're starting.

0:23:470:23:49

A little less like a list, please.

0:23:490:23:52

Oh, Jesus.

0:23:520:23:54

-What?

-This guy's dick is green and kind of crooked.

0:23:540:23:58

It's like, twice the size of yours!

0:23:580:24:00

Another, um, another woman's coming in.

0:24:000:24:03

-Yeah?

-She is Chinese.

0:24:030:24:05

-Nice.

-No. No.

0:24:050:24:07

-Uh, Filipino.

-OK.

0:24:070:24:10

She's hiking up her uniform.

0:24:100:24:11

And that is a terrible wax that she has. It's all irritated.

0:24:110:24:16

And, what would you call that?

0:24:160:24:18

Um... I guess it's a piercing.

0:24:180:24:22

I really don't know how to describe it accurately, but whatever it is, it's flaring the lens.

0:24:220:24:26

# Have a hap, hap, happy Christmas... #

0:24:320:24:35

Ho, ho, ho! Cookie, sir?

0:24:350:24:38

No, thank you.

0:24:380:24:41

# ..Let the music fill the air

0:24:420:24:45

# Have a hap, hap, happy Christmas

0:24:450:24:47

# You're sweet as sugar to me You're my apple pie... #

0:24:470:24:52

SHOUTING

0:24:520:24:57

Well, the most important thing is to remain calm.

0:24:570:25:01

Honey. Honey.

0:25:010:25:03

Calm down. Let's just start again.

0:25:030:25:07

Take the cable remote...

0:25:070:25:09

The one that says cable. That's right. Hit the power button.

0:25:090:25:12

What do you see?

0:25:120:25:14

OK. Well, you probably just changed the channel on the TV.

0:25:140:25:17

So get the TV remote.

0:25:170:25:19

Not cable, but TV...

0:25:190:25:22

That's right. Hit three.

0:25:220:25:24

..Nope. That's impossible.

0:25:270:25:29

Is the TV plugged in?

0:25:310:25:34

I would like to have electronic freedom. Um...

0:25:340:25:38

You must have a VCR and a cable box.

0:25:400:25:44

Does your...wife have this much trouble?

0:25:440:25:50

Let's not go there again, shall we, Tobey?

0:25:500:25:53

Why is it so important for you to know about my personal life? Hmm?

0:25:530:25:57

Let's keep this about you.

0:25:570:26:00

Um...you haven't mentioned death today.

0:26:000:26:04

There is a phrase that you've uttered in, um,

0:26:040:26:10

yes, in every session, so far.

0:26:100:26:13

"I mean, we're all going to die.

0:26:130:26:16

"Doesn't that freak you out?"

0:26:160:26:19

And you never answer me.

0:26:220:26:24

Actually, it does seem to me that this whole kind of television...

0:26:240:26:30

TiVo tangent thing is really an elaborate avoidance for what's really going on.

0:26:300:26:36

Oh.

0:26:380:26:40

And what's really going on?

0:26:410:26:45

You tell me.

0:26:450:26:47

-Oh!

-Come on, baby!

-Oh!

0:26:490:26:53

Oh, my God!

0:26:530:26:56

-Wow.

-Ah...

0:26:580:27:01

Wow. That was...that was good.

0:27:010:27:06

Phew!

0:27:070:27:10

I mean, the candles and the whole lighting design in general.

0:27:100:27:15

-Thank you.

-That was some setup.

0:27:150:27:19

-Yeah.

-You were like, um,

0:27:190:27:23

-that guy from the Yankees.

-HE CHUCKLES

0:27:230:27:28

That one. That... That pitcher that they bring in at the end.

0:27:280:27:32

-Mariano Rivera, the closer?

-Yeah.

0:27:320:27:34

Huh. Huh. Heh!

0:27:340:27:37

He always looks so confident, like he's gonna do whatever it takes.

0:27:370:27:42

You know, he almost never loses a game.

0:27:420:27:44

I bet he's got a really big family.

0:27:440:27:47

-No.

-Oh, I love those big Spanish families, you know?

0:27:470:27:54

You know, they've got lots and lots of kids.

0:27:540:27:58

Well, they're Catholic. They're not allowed to use birth control.

0:27:580:28:02

That's not what I'm talking about.

0:28:020:28:04

I'm talking about...

0:28:040:28:07

valuing cultural reproduction.

0:28:070:28:11

Well, maybe if they valued cultural reproduction a little less, we wouldn't be in the middle of a...

0:28:120:28:18

population explosion that's...

0:28:180:28:21

running the risk of using up all our natural resources.

0:28:210:28:23

I know you don't think that.

0:28:230:28:26

I do?

0:28:280:28:30

Do you believe in fate?

0:28:360:28:39

I'm not talking about the fact that we're all fated to death, but...

0:28:390:28:43

the fact that there are some things that are meant to happen and some things that are not meant to happen.

0:28:430:28:50

-I have no idea!

-You don't, do you?

0:28:500:28:56

DOOR SLAMS

0:28:580:28:59

PHONE RINGS

0:29:000:29:02

Ponson, Ponson, Ponson, Hirsch, Jacoby & Ponson.

0:29:060:29:10

What's another kind of flower you can get a woman, other than a rose?

0:29:100:29:13

-What about an orchid?

-'You kidding?'

0:29:130:29:16

That's even more expensive.

0:29:160:29:18

Well, it must be an important occasion.

0:29:180:29:20

'Just trying not to get kicked out of my house.'

0:29:200:29:23

-You could go down to Central Park and pull up something for free.

-'That's not a bad idea.'

0:29:230:29:27

But I'd have to wrap it myself.

0:29:270:29:30

Elaine is not going to kick you out of the house.

0:29:300:29:32

-She mentioned fate.

-Uh-oh! I'd spring for the orchid.

0:29:320:29:37

What kind of porn you looking at?

0:29:370:29:39

Good old-fashioned man-woman, woman-horse stuff.

0:29:390:29:42

-'You're such a purist.'

-I am. I thought you were supposed to become less horny when you turned 40.

0:29:420:29:47

-What?

-'You can't give a woman berries, can you?'

0:29:470:29:49

-Oh, I've taken a wrong turn somewhere.

-Ooh, I've gotta go! I think I found the flowers I want.

0:29:490:29:54

Hi, oh!

0:29:540:29:56

-Hello?

-'What kinda sale we talkin' about?'

0:29:560:29:58

HORSE NEIGHS

0:29:590:30:02

How did I get in here?

0:30:020:30:04

-I'm gonna throw it to you next... Good throw.

-Me! Me!

-Mr Ponson!

0:30:040:30:08

Mr Ponson, throw it to me!

0:30:080:30:12

Hold on. I'm gonna throw one to Liam.

0:30:120:30:15

-That was like fishing.

-Hey.

0:30:170:30:20

-It's the rebel without a cause.

-Hey.

0:30:200:30:23

-Sorry, Mr Ponson.

-Nice catch.

-Hi.

0:30:230:30:28

Uh, listen. The kids and I, we're going up to Serendipity to...

0:30:280:30:32

celebrate the anniversary of their father leaving us.

0:30:320:30:35

-Hi, Mommy.

-Hi, honey.

0:30:350:30:38

Do you guys wanna come along?

0:30:380:30:40

-Wait. So you wrote that?

-Uh huh.

0:30:430:30:46

-I love that commercial.

-Oh...

0:30:460:30:48

"Got milk?" God, it just cuts through all the bullshit. It's...

0:30:480:30:53

It's inspired.

0:30:530:30:55

Well, I wouldn't say it's inspired. It's just simple.

0:30:550:30:58

So what did you do, like take time off to write a book, or something?

0:30:580:31:02

Uh, no. Not exactly. I've thought about that, but...

0:31:020:31:06

Oh, you should. You'd be great. Really.

0:31:060:31:08

I have a sense about these things. Here...

0:31:080:31:12

Yep.

0:31:150:31:16

Author.

0:31:160:31:19

Definitely.

0:31:190:31:20

-You see that, there?

-Yeah, I do.

0:31:210:31:26

"Surrounded by friends, she was happy and snug.

0:31:260:31:30

"She smiled to herself and said, 'Maybe life in the big city

0:31:300:31:33

"'isn't that bad after all.' The end."

0:31:330:31:39

Wow.

0:31:400:31:41

It would be crazy not to publish this immediately.

0:31:430:31:47

It's very timely.

0:31:470:31:49

It's about a little girl battling a dragon.

0:31:490:31:53

Right, but with women's lib and all.

0:31:530:31:55

You see my point.

0:31:560:31:58

Oh, my God! I hope they like it!

0:32:000:32:03

They're gonna love it.

0:32:030:32:05

There's one thing.

0:32:070:32:09

Oh, Tobey, come on. The book is finished.

0:32:090:32:12

Please, I can't make any more changes.

0:32:120:32:14

Hey, it's not about the content of the book, OK?

0:32:140:32:17

It's about the presentation.

0:32:190:32:21

-OK.

-OK?

0:32:210:32:24

This picture?

0:32:240:32:26

Just seems so goody good.

0:32:280:32:30

Well, it is a children's book.

0:32:330:32:36

Right. I know that. But the people who publish it aren't children.

0:32:360:32:40

This is, you know, just it's just slightly annoying, you know?

0:32:400:32:46

Show some cleavage.

0:32:460:32:48

You actually think I should show cleavage?

0:32:480:32:52

Mmm. Yes, I...

0:32:520:32:54

That's what I'm talkin' about.

0:32:580:33:00

-Are you crazy?

-What? Kids, they love the beach.

0:33:000:33:03

And this shows them that you're fun.

0:33:030:33:06

Don't underestimate that.

0:33:060:33:08

Wait a second.

0:33:090:33:11

You don't think it's a little...

0:33:160:33:19

too much?

0:33:190:33:21

I wanna pay attention to that girl.

0:33:210:33:24

Standing at three foot seven, weighing in at 47 pounds of strapping lefty, digs in.

0:33:270:33:32

Got a hold of that!

0:33:340:33:35

-That's a home run!

-Yep.

0:33:350:33:37

Touch 'em all.

0:33:370:33:39

Hello! What's goin' on?

0:33:390:33:41

Just a little thing that we like to call spoonball.

0:33:410:33:44

Oh. OK. Well, Mommy's home.

0:33:440:33:47

Spoonball is over before someone gets hurt.

0:33:470:33:51

Aw, come on, Mom.

0:33:510:33:52

Yeah, come on, Mom. It's the bottom of the ninth!

0:33:520:33:56

We should be having boy time because my dad made me have girl time.

0:33:560:34:00

What do you mean, honey?

0:34:000:34:01

-Dad made me have a play date with Shannon from my class.

-Really?

0:34:010:34:07

-Nobody made you do anything, David. They invited us to Serendipity.

-Oh, really? They?

0:34:070:34:13

Come on, Dad. Pitch it!

0:34:130:34:15

Yep. OK.

0:34:150:34:17

Ow! Oh!

0:34:200:34:21

Ahh...

0:34:210:34:22

Oh, my... Tom!

0:34:220:34:24

-Goddamn it!

-Let me see.

0:34:240:34:26

Dude, you only get one.

0:34:300:34:32

This is a complicated one. I gotta get the wording right. Got it.

0:34:320:34:36

THEY CHEER I gotta hit the head.

0:34:370:34:40

-So?

-Please don't ask her anything inappropriate in front of me.

-I can ask her whatever I want.

0:34:440:34:49

For such a closed-off person, it's like you have no boundaries.

0:34:490:34:52

It's better than living surrounded by the Great Wall of China.

0:34:520:34:56

What does that mean?

0:34:560:34:58

-You know what that means?

-Mm hmm.

0:34:580:35:00

It means you're closed off.

0:35:000:35:02

Like a Chinese person?

0:35:020:35:04

No. It means you like to talk, but about nothing important so whenever your emotion or resentment

0:35:040:35:09

or dark stuff builds up, you throw a spoon at me.

0:35:090:35:11

-I didn't throw the spoon. David threw the spoon.

-Shut up.

0:35:110:35:14

We only have a minute before he gets back from the bathroom.

0:35:140:35:18

So, um, anything come up?

0:35:190:35:22

Did he say anything at all?

0:35:220:35:24

-No. He's been really busy.

-Busy? Tobey, busy?

0:35:240:35:26

-Stay out of it.

-It's fine! It's just our lifestyle these days.

0:35:260:35:32

I mean, it's not just our lifestyle.

0:35:320:35:35

It's our whole society's lifestyle, you know?

0:35:350:35:37

I mean, there are a lot of people who are tethered

0:35:370:35:41

by an old fashioned sense of love and, er, family...

0:35:410:35:46

and sometimes I look at them and I wonder

0:35:460:35:50

if living such a simple life can actually be completely gratifying,

0:35:500:35:54

and if they understand how rich and fertile

0:35:540:36:00

living in the grey area is.

0:36:000:36:03

I mean, it's all really about being happy.

0:36:030:36:06

-Right?

-Honey.

-No.

0:36:060:36:07

Do I wish that there was a little bit more romance?

0:36:070:36:10

Yes. Of course I do. But it's an ebb, a flow.

0:36:100:36:14

It's shifting, and I'm on that journey.

0:36:140:36:17

-What'd I miss?

-That's all there is to it.

0:36:170:36:20

Honey. Looks like I finally digested that corn.

0:36:260:36:31

TOM SPLUTTERS

0:36:310:36:33

What?

0:36:360:36:38

-How much further?

-Just one more block.

0:36:430:36:46

Come on. We're close.

0:36:500:36:52

Why'd you park so far away?

0:36:550:36:56

This is the only legal spot after 11.

0:36:560:37:00

What the fuck?

0:37:000:37:02

What?

0:37:020:37:04

My car is gone!

0:37:060:37:08

It was right here!

0:37:090:37:11

Well, they probably towed it.

0:37:110:37:15

Can we just get a cab? I'm freezing.

0:37:170:37:20

But this is a legal spot!

0:37:200:37:23

They didn't tow this guy's car! Oh, I swear to God!

0:37:230:37:26

Tobey, would you shut up? Please!

0:37:260:37:29

All right. It's...it's OK, Elaine.

0:37:360:37:38

They just tow it to the pound.

0:37:390:37:42

We can get it out.

0:37:420:37:43

SHE SOBS

0:37:430:37:45

I want to get married and have a baby!

0:37:470:37:52

And you don't.

0:37:530:37:56

OK. Let's just get a cab.

0:37:580:38:00

Oh, I have wasted seven years of my life with you!

0:38:000:38:06

Oh, shit.

0:38:060:38:08

I need you to find somewhere else to stay tonight.

0:38:120:38:18

Hey!

0:38:260:38:28

PHONE RINGS

0:38:460:38:48

Hello?

0:38:500:38:51

Honey. Honey, what is it?

0:38:530:38:55

What happened?

0:38:550:38:57

Aw, sweetie. He did?

0:38:570:39:00

PHONE RINGS

0:39:030:39:05

Hey, what's going on? Rebecca's on the other line with her right now.

0:39:080:39:11

-Hi, Tom.

-Pamela?

0:39:110:39:14

I hope I'm not getting you at a bad time.

0:39:140:39:16

Erm, no, no.

0:39:160:39:18

I was just, er, relieving myself.

0:39:180:39:20

-What?

-I mean, er...

0:39:200:39:22

-Hello?

-I mean I'm just... I'm relieved that it's you.

-Good.

0:39:230:39:30

MUSIC: "Don't Mean You Lost Your Love" by Libby Johnson

0:39:300:39:34

Come in.

0:40:310:40:32

-Hey.

-Hi.

-You all right?

-Oh, yeah.

0:40:320:40:35

You look a little tense.

0:40:350:40:37

Oh.

0:40:370:40:39

Oh!

0:40:500:40:51

Have you ever had a...

0:41:280:41:30

Ever had a problem, you know?

0:41:320:41:34

I guess you haven't been listening to me for the last 15 years.

0:41:360:41:40

No, like, like... like another woman problem?

0:41:400:41:43

Issue.

0:41:430:41:45

What, do you have one?

0:41:450:41:48

Tom?

0:41:480:41:50

Please don't say anything.

0:41:500:41:52

-I'm not sure what's going...

-Hey!

0:41:520:41:54

-Hi!

-Hey!

0:41:550:41:57

Oh! You're the last person I expect to see.

0:41:590:42:01

Yeah, well. Here I am.

0:42:010:42:04

Eating soup.

0:42:040:42:05

Yeah.

0:42:050:42:07

-Yeah. You remember Tom?

-Hi.

0:42:070:42:10

Are you OK? You look tired.

0:42:120:42:14

Uh, well, actually...

0:42:140:42:18

Elaine and I split up...

0:42:180:42:20

..about, about three weeks ago.

0:42:200:42:22

-Oh, God, I'm sorry.

-Yeah, well, it was a long relationship.

0:42:220:42:25

-You know what? I'm gonna go.

-OK...

0:42:250:42:27

-Wait. I thought we were gonna go see a movie together.

-I gotta check something out.

0:42:290:42:33

-Hey, watch where you're going, asshole.

-Sorry.

0:42:330:42:36

-Shit!

-Honey! Honey, look who's here.

0:42:360:42:38

See this prick that just knocked me? I shoulda smacked him upside the head.

0:42:380:42:42

No. No, don't do that. Honey, remember Tobey?

0:42:420:42:45

-Hey. What's up, bro?

-Hey.

0:42:450:42:47

-All right.

-Oh!

0:42:500:42:52

Paper covers rock.

0:42:530:42:55

Remember that?

0:42:550:42:57

Hey, do you like music?

0:42:570:42:59

You know, cos Rand is promoting this great new club and it's really, it's really hot.

0:42:590:43:03

-Yeah.

-Oh!

0:43:030:43:05

Oh, well, I'd love to. I mean, if that's an invitation.

0:43:050:43:09

Absolutely!

0:43:090:43:10

Yes, I just need an email address.

0:43:100:43:13

Er...yeah.

0:43:150:43:18

It's...

0:43:180:43:20

A S...

0:43:200:43:23

S M...

0:43:230:43:26

A N 2 0 4 at AOL dot com.

0:43:260:43:30

SHE LAUGHS

0:43:320:43:34

Got it.

0:43:340:43:36

-1 through 203 were taken.

-OK.

0:43:360:43:40

-Well, I will email you the details then.

-All right.

0:43:400:43:43

-Assman!

-My man.

0:43:430:43:45

-Hi, are you Norah?

-Norah.

0:43:590:44:02

Wow! Hi. I'm so sorry I'm late.

0:44:020:44:04

I was afraid that they weren't gonna let you sit down.

0:44:040:44:07

Oh, it was difficult, but I finally managed to persuade them.

0:44:070:44:12

SHE LAUGHS

0:44:120:44:14

I never imagined when I submitted my book that it would elicit a response from the head of the company.

0:44:140:44:20

I'm grateful you agreed to see me, actually.

0:44:200:44:23

Are you kidding?

0:44:230:44:25

Do you know who you are?

0:44:250:44:27

-I think so.

-I'm sorry.

0:44:270:44:29

That was crass.

0:44:290:44:31

I just got out of a relationship with a crass man, nothing to do with gardening.

0:44:310:44:36

Anyway, I don't know. I say these things.

0:44:380:44:40

I don't know where they come from.

0:44:400:44:42

-Excuse me. I'm so sorry.

-Are you OK?

0:44:450:44:47

-I'm fine. Are you OK? Jesus!

-I'm fine. I'm just wet. You're choking.

0:44:470:44:51

No, because I called. Because I left a message for you.

0:44:550:44:59

Would you just fuck you for just a...

0:44:590:45:01

I'm sorry. Look, I'm really sorry.

0:45:020:45:04

Excuse me.

0:45:040:45:06

Yeah... No, I'm fine. No, you know, I'm a little tense today.

0:45:060:45:10

Susie, you know I

0:45:100:45:13

I love talking to you, but I don't think that on my cell phone right now is...

0:45:130:45:19

She called me this morning and she's screaming at me.

0:45:210:45:24

I'm really in very bad shape.

0:45:240:45:26

Basically, I'm exhausted. The bank is calling me all the time and

0:45:260:45:29

the contractor called twice.

0:45:290:45:31

I don't know what the fuck I'm doing here.

0:45:310:45:33

Really, really difficult day.

0:45:330:45:35

The lady who lives upstairs from me, that horrible bitch?

0:45:350:45:39

CAR HORNS BEEP

0:45:390:45:41

HE SHOUTS: Douche bag!

0:45:470:45:49

I want to start off this meeting by first thanking Sensei Goldberg for the use of his dojo.

0:45:520:45:59

THEY APPLAUD

0:45:590:46:01

I would like to also welcome the Sensei as our newest member

0:46:010:46:05

of the Broadway division of Sex Addicts R' Us.

0:46:050:46:08

So that means if you are here for the previously scheduled seminar

0:46:080:46:14

on owning your orgasm, you're in the wrong place.

0:46:140:46:17

-Shit...

-It's been moved to the basement of Our Lady of Poland on 34th Street.

0:46:170:46:23

-34th?

-Yeah.

0:46:230:46:24

Are you here for the meeting?

0:46:260:46:29

-What? The meeting?

-Yes.

0:46:290:46:32

The meeting?

0:46:320:46:34

Yeah. The meeting. Yeah. I thought I'd check it out.

0:46:340:46:38

Welcome...

0:46:380:46:39

-Your name?

-Tobey.

0:46:400:46:44

ALL: Hi, Tobey.

0:46:440:46:46

Well, my friend Rebecca says...

0:46:470:46:49

She thinks that men are never really ready to have a baby and that you have to trap them.

0:46:490:46:54

-What do you think?

-I don't really think about it.

0:46:560:46:59

But I certainly think you shouldn't be spending your energy trying to trap a man.

0:46:590:47:03

You're way too talented.

0:47:030:47:06

I believe in fate.

0:47:060:47:09

I think you're meant to have this time, Elaine. You're meant to...

0:47:090:47:13

..to explore.

0:47:130:47:15

Sounds like you need it.

0:47:160:47:19

I don't know what I need.

0:47:190:47:21

Well, I think, you know more than you're willing to admit.

0:47:210:47:25

This is me.

0:47:250:47:27

Oh. Sweet.

0:47:270:47:29

Thank you so much for lunch and for the walk.

0:47:290:47:32

It was delicious, don't you think?

0:47:330:47:36

Yes.

0:47:360:47:37

So do you think there's any chance you're gonna publish my book?

0:47:390:47:43

You know, Elaine, you're a very talented young woman

0:47:450:47:49

and, quite frankly,

0:47:490:47:50

I was very taken with the photo you sent with your submission.

0:47:500:47:54

But I want to be honest with you.

0:47:560:47:58

I don't like to rush these things.

0:47:580:48:01

-I like to go slow.

-OK.

0:48:010:48:04

So let's meet and see how it goes.

0:48:040:48:07

OK.

0:48:070:48:10

Hey, get a room!

0:48:110:48:13

It was never enough.

0:48:140:48:16

No matter how many times,

0:48:170:48:19

different positions,

0:48:190:48:22

none of it made me feel whole.

0:48:220:48:24

In fact, it just made me feel empty.

0:48:250:48:28

How's the sandwich?

0:48:330:48:36

OK, so...just to recap.

0:48:360:48:39

Er, John is not happy unless he can fit his penis

0:48:390:48:44

inside a hard, inanimate object.

0:48:440:48:46

Preferably coarse.

0:48:460:48:48

Right...

0:48:480:48:49

Sarah, you had a relapse this week,

0:48:490:48:52

again putting yourself in danger with a power tool.

0:48:520:48:55

And, er, Gordon.

0:48:550:48:58

The sex you are having with your wife's mother and your

0:48:580:49:01

wife's mother's sister is putting your home life in major jeopardy.

0:49:010:49:06

That leaves...Tobey.

0:49:060:49:10

-I'll pass.

-Great.

0:49:120:49:13

Sandwich guy's gonna pass?

0:49:130:49:15

Great. Very trusting.

0:49:150:49:18

It's traditional that everyone shares.

0:49:180:49:21

Well...

0:49:320:49:34

I've been having an affair.

0:49:340:49:36

With a woman...

0:49:410:49:43

..who is not my wife.

0:49:460:49:48

And, erm...

0:49:540:49:56

I, er...

0:49:570:49:58

I like her to wrap me in deli meats.

0:50:010:50:04

I need her

0:50:070:50:09

to wrap me in deli meats in order to achieve an orgasm.

0:50:090:50:13

Usually ham.

0:50:160:50:17

Thinly sliced.

0:50:190:50:21

I know it's not normal.

0:50:240:50:26

No-one here knows what that word means, Tobey.

0:50:260:50:30

You're amongst friends.

0:50:300:50:33

Continue.

0:50:330:50:35

And hand me the sandwich.

0:50:350:50:38

Am I allowed to wear fur?

0:50:380:50:40

Do I, like, give off that vibe?

0:50:400:50:42

-Is she attractive?

-So funny.

0:50:420:50:45

Afterwards, all I wanted to do was tell Tobey.

0:50:450:50:49

He'd have died of excitement, a possible threesome.

0:50:490:50:52

I had a threesome once. It was with two guys who turned out to be gay.

0:50:520:50:56

I was just kind of the window dressing.

0:50:560:50:58

It all made sense in retrospect, but I can't tell you

0:50:580:51:01

what it did for my self esteem.

0:51:010:51:04

Yeah, it seems really damaged.

0:51:040:51:06

What does that mean?

0:51:060:51:08

Nothing.

0:51:080:51:10

You know, I don't get what people think of me? That I have no problems or feelings, I'm perfect,

0:51:100:51:15

I'm like a robot?!

0:51:150:51:17

No, honey. Nobody thinks that.

0:51:180:51:20

We all think you're great.

0:51:200:51:21

We all have problems.

0:51:210:51:23

You know, I always thought of a relationship as two people holding a stick.

0:51:250:51:29

Sometimes the stick is short, you're close and can look into each other's eyes and other times

0:51:290:51:34

it's long, you can barely see the other but you both hold on to your end of the stick.

0:51:340:51:38

You don't let it drop.

0:51:380:51:40

I'm OK. I'm just stressed.

0:51:430:51:46

We should go out.

0:51:470:51:48

Just you and me.

0:51:480:51:50

SHE GASPS

0:51:500:51:52

-Jesus, what?

-I just thought of a great guy for you.

0:51:520:51:55

Oh...I don't know.

0:51:590:52:01

No weapons in the club. If you've got a weapon, you gotta give 'em up at the door.

0:52:050:52:09

-No exceptions.

-Would you move?

0:52:090:52:13

All right, make room for her.

0:52:130:52:14

Hey, Wall Street, make way for the lady.

0:52:140:52:17

-Hey.

-How are you?

0:52:170:52:19

Good to see you. Have a good time.

0:52:190:52:21

-Hey, you're here.

-I'm glad I didn't bring my piece.

0:52:210:52:25

Hi. How are you?

0:52:250:52:27

-Where's, where's...

-Rand? He couldn't make it.

0:52:290:52:32

Oh, I'm sorry he couldn't make it.

0:52:340:52:36

-He, er...

-I'm not!

0:52:360:52:39

Oh, come on. Let's dance.

0:52:410:52:43

Oh, no, no... No, no, I don't...

0:52:430:52:45

-That's not really my thing.

-Come on!

0:52:450:52:48

More of a slow dancer.

0:52:500:52:52

All right.

0:52:580:52:59

APPLAUSE

0:53:070:53:10

Thank you.

0:53:100:53:12

Hey, baby, will you hold this for me? Thank you. Hold my horn.

0:53:120:53:16

That's a little something we call Serenade For A French Horn in F sharp.

0:53:160:53:21

This next one...

0:53:220:53:25

we call Juniper.

0:53:250:53:28

And if any of you out there know what a juniper plant is,

0:53:280:53:32

I think you'll understand.

0:53:330:53:36

Peace.

0:53:370:53:39

My God. He just bowed to you.

0:53:400:53:43

-It wasn't to me.

-It wasn't to me. He doesn't even know me.

0:53:430:53:47

I told him all about you already.

0:53:470:53:49

-When?

-On the phone.

-Oh, my God.

0:53:490:53:51

I didn't even bow back.

0:53:510:53:54

# I can't wait for you

0:53:540:53:57

# Anymore... #

0:53:580:53:59

I'll introduce you to him after and you can bow then.

0:54:010:54:05

# Closing the front door

0:54:050:54:10

# Air travel makes me ill

0:54:120:54:16

# Think I'll take another pill

0:54:180:54:21

# Cos you're here, Juniper... #

0:54:210:54:26

Hey, you guys, that was great. So flowing, man. I could feel it tonight.

0:54:320:54:37

Hey! How's the comedienne?

0:54:370:54:39

-Oh, my God. Oh!

-Ooh!

0:54:420:54:45

-Oh, dizzy.

-You taste as good as ever.

0:54:460:54:49

You were great. You were great tonight.

0:54:490:54:52

You were really good.

0:54:520:54:54

Well, I was just working off that energy that you were sending up to me.

0:54:540:54:58

Phew! You have a really beautiful voice.

0:54:580:55:02

Well, I can't take credit for that, you know?

0:55:020:55:04

It's all the big man.

0:55:040:55:07

# Hey! #

0:55:070:55:09

You know, ever since I became a minister, my vocal range has just gotten insane.

0:55:090:55:13

You're a minister?

0:55:140:55:16

Yes, yes. But don't worry, ministers are free to fornicate.

0:55:160:55:20

Should we get a drink?

0:55:220:55:24

Lots of 'em.

0:55:240:55:26

Go! Go!

0:55:260:55:29

THEY CHANT: Tobey! Tobey! Tobey! Tobey!

0:55:290:55:32

Tobey! Tobey! Tobey!

0:55:320:55:35

Tobey! Tobey! Tobey!

0:55:350:55:38

Tobey! Tobey!

0:55:380:55:40

GLASS SMASHING Ow! Watch it!

0:55:440:55:47

-Dante.

-Lewis, buddy.

0:55:510:55:53

Good to see you.

0:55:550:55:57

What is the deal with you two?

0:55:580:56:01

Oh, come on, "you taste as good as ever"?

0:56:010:56:05

We had a thing in college.

0:56:050:56:08

I didn't tell you because I didn't want to discourage you.

0:56:080:56:11

Mmm.

0:56:110:56:12

He's sexy!

0:56:120:56:14

And very attentive.

0:56:150:56:20

Oh.

0:56:200:56:21

He really is a freak, isn't he?

0:56:220:56:25

You don't have to marry the guy.

0:56:250:56:27

So, what are we gonna do about this?

0:56:310:56:34

-This?

-Mm-hm.

0:56:340:56:36

Oh, come on. Don't tell me you haven't thought about it.

0:56:380:56:41

Every time we've seen each other since college.

0:56:420:56:45

Oh, I've thought about it...

0:56:510:56:54

Sure, you're, you're...

0:56:550:56:57

I'm what?

0:56:570:56:59

Very...

0:57:010:57:03

Very what?

0:57:030:57:04

Talk dirty to me.

0:57:080:57:10

You taste amazing.

0:57:380:57:41

Thank you.

0:57:410:57:42

Erm, could you, could you stop doing whatever that it is that you were just doing

0:57:450:57:52

and...

0:57:520:57:53

leave?

0:57:530:57:56

Oh...

0:57:580:58:00

I would be wearing...

0:58:000:58:01

..shorts.

0:58:050:58:07

And you would...

0:58:070:58:10

..be in a swimsuit?

0:58:120:58:14

Oh, God. Just relax.

0:58:140:58:16

I'm sorry.

0:58:160:58:17

It's just, you know, you have a...

0:58:170:58:20

husband.

0:58:200:58:21

Rand.

0:58:210:58:24

What kind of name is that anyway?

0:58:240:58:26

Aah, Mm-mm.

0:58:260:58:28

No, doesn't matter. OK?

0:58:280:58:31

None of it matters, Tobey.

0:58:310:58:33

-Hmm? What? What's that mean?

-I mean, in 50 years, we're gonna be dead

0:58:330:58:37

and nobody's gonna remember us or even know we existed. So, come on...

0:58:370:58:40

In 50 years, I'm only gonna be 86.

0:58:400:58:42

Mmm. Whatever!

0:58:420:58:44

My point is that this is all so temporary so let's just enjoy it.

0:58:450:58:49

Please?

0:58:500:58:52

DOOR BUZZER

0:58:580:59:00

Elaine!

0:59:140:59:16

Elaine!

0:59:160:59:17

Elaine... Is asleep.

0:59:200:59:23

She's gone to bed.

0:59:230:59:25

Er, wait...

0:59:270:59:28

HE STAMMERS

0:59:280:59:31

You were just up there?

0:59:310:59:34

Yes. Yes, I was.

0:59:350:59:36

Nothing to write home about.

0:59:380:59:39

I think I got a song out of it.

0:59:420:59:45

HE HUMS

0:59:450:59:47

Why would you do that? You know I invited Elaine and her new boyfriend.

0:59:571:00:01

I know, but he just looked so pathetic. And, you know...I forgot.

1:00:011:00:04

You did not forget, Tom.

1:00:041:00:06

He's just blathering on about how much he misses Elaine.

1:00:061:00:09

He can't function without her. He's gotta see her.

1:00:091:00:11

-I wanted somebody here who doesn't know anything about the theatre, somebody to talk to.

-Fine.

1:00:111:00:16

He's sitting far away from Elaine.

1:00:161:00:18

Next to Amis.

1:00:181:00:20

-The guy in the yellow turtleneck? Rebecca, he's your brother. Don't do that to him.

-Hey!

-My man.

1:00:201:00:26

-I, er...brought a bottle of wine.

-Thank you.

1:00:261:00:29

-That's what you do at a dinner party, right?

-Very grown-up.

1:00:291:00:32

-Yep. Hey!

-Hi. How are you?

1:00:321:00:35

Hello? >

1:00:351:00:37

Your door was wide open.

1:00:371:00:39

-Hi, my name's Tom.

-You look so pretty.

-Thank you.

1:00:411:00:45

Goren. Nice to meet you.

1:00:451:00:48

Hi, Elaine.

1:00:481:00:49

Hi, hi. Nice to see you...again!

1:00:491:00:51

Oh, wow! Wow, that was a lot of kisses!

1:00:511:00:55

Hello!

1:00:551:00:58

Hey! Tobey.

1:00:581:01:00

To-bey. To-bey.

1:01:001:01:02

Let me take your coat.

1:01:021:01:04

-Hiya.

-Yeah.

1:01:041:01:06

-Here you go. Yeah. Take your coat too. Take it off.

-All right.

1:01:061:01:10

Oh, the theatre. No, no, no... the theatre is completely different.

1:01:101:01:14

I mean, it's all star-driven, you know? Stars, stars, stars.

1:01:141:01:18

They can't walk. They can't talk.

1:01:181:01:20

I mean, it's just like the film industry, where you hail from, my dear.

1:01:201:01:24

Actually, Amis, I hail from New Jersey.

1:01:241:01:27

No? New Jers...

1:01:271:01:28

Charming. Charming as ever.

1:01:281:01:32

Tom, you are a lucky man.

1:01:321:01:34

Spunk doesn't usually come in such a beautiful package.

1:01:341:01:37

TOBEY LAUGHS

1:01:391:01:42

You know, I...

1:01:431:01:44

I think it's this, uh these departures...

1:01:451:01:49

from the literatures which makes it worse in this societies.

1:01:491:01:54

It goes, er, the wrongest.

1:01:541:01:57

What do you mean, Goren?

1:02:001:02:02

No. No, yeah...

1:02:021:02:04

It's... Because it is this, uh, connection between

1:02:041:02:10

the past and the futures.

1:02:101:02:11

Er...well, because it was there before any of the other arts.

1:02:111:02:17

-Except painting.

-And dance.

1:02:181:02:20

-This is great wine.

-Isn't it?

1:02:231:02:26

So, Goren, are you...

1:02:371:02:39

technically a citizen?

1:02:391:02:41

There are more than one, erm, places for which, erm, to be citizens with than this one.

1:02:451:02:51

So, you're on a limited visa or something?

1:02:591:03:02

CLATTERING

1:03:021:03:04

ELAINE COUGHS

1:03:041:03:05

You all right?

1:03:051:03:06

ELAINE COUGHS

1:03:061:03:08

-I am. I'm...

-You OK?

1:03:081:03:09

SHE CONTINUES TO COUGH

1:03:091:03:12

TOBEY COUGHS

1:03:171:03:19

Wow! This is good soup.

1:03:201:03:22

SHE MOUTHS

1:03:261:03:27

SHE SIGHS

1:03:311:03:33

Tobey! We can't do this.

1:03:331:03:35

What do you mean? It's all right.

1:03:351:03:36

They're... you know...

1:03:361:03:38

We're not together anymore.

1:03:421:03:44

Do you get that?

1:03:441:03:46

But it's not right for me, Elaine.

1:03:491:03:51

I mean,

1:03:551:03:57

it's Tobey and Elaine.

1:03:571:03:58

That sounds right to me.

1:03:581:04:00

Those two names. They...they... they go together.

1:04:001:04:05

That's your plea?

1:04:051:04:07

That our names go together?

1:04:071:04:09

It seems right.

1:04:101:04:12

It's not right.

1:04:131:04:15

I'm just starting with someone new, and I'm happy.

1:04:151:04:19

That... that...that...

1:04:211:04:23

sprocket out there?

1:04:231:04:25

He's...he's...he's...

1:04:251:04:27

-in a unitard, for Christ sakes!

-ELAINE LAUGHS

1:04:271:04:30

Better. That is the Tobey that I know.

1:04:301:04:32

Oh, oh, oh!

1:04:321:04:34

"I think The Canterbury Tales really provides a basis for all of ze modern literatures.

1:04:341:04:38

-"And watch me dance."

-You know, you're right, Tobey.

1:04:381:04:42

You hit the nail on the head! He is...

1:04:421:04:44

-a pretentious sprocket.

-Yes!

1:04:441:04:46

He's a pretentious sprocket

1:04:461:04:49

with a huge cock!

1:04:491:04:52

N... Well, he... he... he... does not look

1:04:571:05:00

like he has a huge cock!

1:05:001:05:02

Well, he does.

1:05:051:05:06

And you...

1:05:061:05:09

you don't know what a relationship is.

1:05:091:05:11

Boy, that water pressure in there really sucks.

1:05:361:05:39

It's been a long time, hasn't it?

1:05:521:05:55

-Where'd she find this guy, Zorro, anyway?

-It's Goren.

1:05:551:06:00

And let's not talk about him.

1:06:001:06:01

I gotta be up early for Mommy And Me.

1:06:051:06:08

OK.

1:06:141:06:15

That's not really fair to say, now, is it?

1:06:181:06:21

We've known each other a long time. We deserve each other's honesty.

1:06:211:06:25

I have been in love with you since the moment I saw you.

1:06:251:06:28

You only think you have.

1:06:281:06:30

What's the difference?

1:06:311:06:33

That's a cocksucker of a speech. I get it right?

1:06:331:06:36

How come I didn't get the cursing gene?

1:06:361:06:38

I've never had this much trouble remembering my lines.

1:06:381:06:41

It must be menopause.

1:06:421:06:44

Becca, you're 38. Would you please not talk about your vagina? You're my sister.

1:06:441:06:48

Bad enough my best friend has sex with you.

1:06:481:06:50

Walk back to the theatre with me, would you?

1:06:521:06:55

HORNS BLARE

1:06:591:07:01

HORNS BLARE

1:07:011:07:02

Hey! What the fuck?

1:07:021:07:04

Hey!

1:07:091:07:10

Hey, Evel Knievel, what the fuck?

1:07:151:07:19

Since when do you smoke?

1:07:191:07:21

I know he's seeing someone.

1:07:211:07:24

You know, I wasn't really sure, but that look confirmed it.

1:07:271:07:30

That's not fair. You said you already knew he was.

1:07:301:07:33

-So he is?

-No! I...

1:07:331:07:37

I mean, I know nothing.

1:07:371:07:39

I'm not the guy who tells someone something like that. I refuse to be forced into being that guy.

1:07:391:07:44

This is not about you,

1:07:441:07:46

you little fucking twit.

1:07:461:07:47

-Well, I... Hey, you hit me!

-You know, Tom's right about you.

1:07:471:07:50

You're...what'd he call you?

1:07:501:07:52

The play-by-play guy. What you call the guy who sits -

1:07:521:07:55

talks about everything that's going on without playing?

1:07:551:07:58

Never fucking participating.

1:07:581:08:00

Just letting life pass you by.

1:08:001:08:01

Never participating!

1:08:011:08:03

Well, if I'm that guy, then he's the quarterback

1:08:031:08:05

who wants to screw everything with two legs!

1:08:051:08:08

To...continue the...

1:08:081:08:10

the...the metaphor, that is.

1:08:101:08:12

Fuck!

1:08:141:08:15

Thanks for reading with me, Tobey.

1:08:211:08:23

I'm sorry. I'm so...

1:08:231:08:25

Oh, hey.

1:08:451:08:46

-Aaargh!

-Oh!

1:08:461:08:48

Aaah!

1:08:481:08:50

Cosmos, would you be a sweetheart, and let Mr. Ponson in?

1:08:501:08:53

He's already here, Mom.

1:08:531:08:56

So they're really that sensitive, huh?

1:08:581:09:00

Women don't seem to believe that, but, yes, they are.

1:09:001:09:03

Oh, so now I'm being lumped with all women?

1:09:031:09:06

Pamela, we need to talk about something.

1:09:061:09:09

No.

1:09:091:09:11

I know what you're gonna say. And you're right.

1:09:111:09:13

But I don't want to.

1:09:131:09:16

Look, I can't... I can't do this anymore.

1:09:161:09:19

We have to stop this.

1:09:191:09:20

SHE SIGHS

1:09:251:09:27

THUNDER

1:09:271:09:28

HORNS BLARE

1:09:281:09:30

Hey, you wanna see what Cosmos taught me?

1:09:371:09:40

Sure. Oooh!

1:09:401:09:41

'Mommy!'

1:09:411:09:43

Hey, is that my big boy?

1:09:431:09:45

-Hi, sweetheart.

-We didn't expect you to be home.

1:09:481:09:51

-Well, I missed my family, so I came home early.

-Mmm.

1:09:511:09:53

-Are you wearing cologne?

-No.

1:09:561:09:58

David learned some interesting things on his play date today.

1:10:001:10:03

Oh, really, like what?

1:10:031:10:05

I learned how to silence someone!

1:10:051:10:08

-How do you do that?

-You hit them in the balls.

1:10:081:10:11

Oh.

1:10:111:10:12

Yep.

1:10:131:10:14

That sounds like a good idea.

1:10:141:10:16

OK, everybody, let's get ready for dinner. Come on. Let's go.

1:10:201:10:23

Whoops. OK.

1:10:231:10:25

Here you go, buddy.

1:10:311:10:34

Table for one. Watch your hand.

1:10:341:10:36

-Here you go. Oops, sorry.

-Oops.

1:10:361:10:39

-There you go.

-Thanks.

-Enjoy.

1:10:411:10:44

-You OK?

-Um...

1:10:491:10:51

I'm thinking about dropping out of the play.

1:10:511:10:54

What? Why?

1:10:541:10:55

Things aren't working out the way I want them to.

1:10:571:11:00

Aw, you'll do great. Rebecca, you always have these moments of doubts before an opening.

1:11:001:11:05

Not about so many things.

1:11:051:11:06

What are you doing, Tom?

1:11:101:11:12

I look at you, I feel like I don't even know who you are anymore.

1:11:161:11:19

And maybe that's my fault.

1:11:191:11:21

No. It's not your fault.

1:11:211:11:23

I...er...

1:11:241:11:25

I just...

1:11:271:11:29

I feel lost.

1:11:291:11:30

And er...

1:11:321:11:33

I don't know who I am right now.

1:11:331:11:35

SHE SIGHS

1:11:431:11:45

You should leave, Tom.

1:11:461:11:48

Till you figure it out.

1:11:481:11:49

We can't do it for you.

1:11:491:11:52

What a good boy.

1:11:541:11:57

Eating all that spaghetti.

1:11:571:11:59

Sorry, I'm late. It's all the idiots.

1:12:021:12:06

-Tobey.

-Could you explain the psychology behind people who wait in line at the store

1:12:061:12:10

and don't take their money out until their total is rung up, as if it's a surprise?

1:12:101:12:15

"Oh, you want money for this?

1:12:151:12:18

"Well, I had no idea.

1:12:181:12:20

"Wait, while I unzip my fanny pack,

1:12:201:12:22

"and dig through my man-purse for my wallet."

1:12:221:12:25

So, do you think you might be avoiding the issue?

1:12:251:12:28

What issue is that?

1:12:301:12:31

That you've been following me?

1:12:311:12:33

TOBEY LAUGHS INCREDULOUSLY

1:12:331:12:35

I think not!

1:12:351:12:37

Oh! Oh! That was you? I thought it might have been,

1:12:411:12:45

but there was just, you know, so much of a coincidence.

1:12:451:12:48

What were you hoping to find out, Tobey?

1:12:481:12:50

That I'm a Libra?

1:12:501:12:52

That I had a heart attack?

1:12:521:12:54

Oh, you had a heart attack?

1:12:541:12:56

I also had a withholding father, and an inappropriate mother.

1:12:561:12:59

And when I was 20, I had a nervous breakdown.

1:12:591:13:02

And...I think it's time to terminate your therapy.

1:13:021:13:05

I'm sorry?

1:13:071:13:09

Well, this is not working out.

1:13:091:13:12

Well, Tobey, not for you, and not for me.

1:13:121:13:15

OK.

1:13:201:13:21

Have a little trust, Tobey.

1:13:241:13:26

The world is not against you.

1:13:261:13:28

I mean, no wonder his advice was so bad.

1:13:301:13:34

He had a nervous breakdown.

1:13:341:13:36

A heart attack. Messed-up parents.

1:13:361:13:38

I mean, could he be any more unhealthy?

1:13:381:13:42

He said something to me, though, when I left, that really bugged me.

1:13:421:13:45

He said, "The world is not against you, Tobey.

1:13:451:13:47

"Have a little trust."

1:13:471:13:50

Well, that kinda goes against my whole philosophy.

1:13:501:13:53

The world is not against me - huh? Then how do you explain my life?

1:13:531:13:56

Jesus Christ! Can you just shut up?

1:13:561:13:59

I mean, I don't have time for this bullshit about your shrink.

1:14:001:14:04

Have you noticed that I've been kicked out of my house and my life is falling apart?

1:14:041:14:08

Oh, yeah. OK.

1:14:101:14:12

I gotta go.

1:14:151:14:16

Do you think I should get Botox?

1:14:241:14:26

-Definitely.

-Really?

-Uh-huh.

1:14:261:14:30

If you wanna lose me as your friend.

1:14:301:14:32

You're so strict.

1:14:321:14:34

Saw that bitch at school. She actually said hi to me.

1:14:371:14:40

What did you do?

1:14:401:14:41

Oh, I showed her.

1:14:411:14:43

I said hi back and smiled. And then I just walked away.

1:14:431:14:46

She must be reeling.

1:14:461:14:48

REBECCA SIGHS

1:14:491:14:51

-How are the kids doing?

-They're OK.

1:14:511:14:54

He comes by to see them every day.

1:14:541:14:56

I just can't bear to look at him.

1:14:561:14:59

He's in that overly sweet, hangdog stage,

1:14:591:15:01

where I could set him on fire, and he'd thank me for it.

1:15:011:15:04

It's not a bad idea.

1:15:041:15:06

How's Goren The Terrible?

1:15:061:15:08

Terribly boring.

1:15:101:15:13

He does wanna have a baby, though.

1:15:131:15:15

Hey, can I have a blintz?

1:15:421:15:44

This early? It's all I've been thinking about since last night.

1:15:441:15:48

It's an acceptable crossover food, right?

1:15:481:15:52

Why do you think we're such wise-asses?

1:15:521:15:54

Probably a good way to avoid thinking that we're all gonna die.

1:15:551:15:59

When are you gonna get over that?

1:16:001:16:02

Um...

1:16:021:16:05

Never.

1:16:051:16:07

It's a pretty big deal.

1:16:071:16:08

You know what I think?

1:16:081:16:10

I think it's a good way to avoid taking responsibility for anything.

1:16:101:16:13

It's like, "Hey, we're only joking, right? We're all gonna die, right?"

1:16:131:16:17

We miss the biggest moments of our lives - all we talk about is sports, blintzes.

1:16:171:16:21

It's just it's, uh...

1:16:241:16:26

it's pretty depressing not living with your kids.

1:16:261:16:30

Or the woman you love.

1:16:321:16:34

Or the woman that you love.

1:16:361:16:38

Just because you happen to be an immensely flawed and selfish human being.

1:16:391:16:43

Hey...

1:16:451:16:46

you're not so great yourself.

1:16:461:16:48

TOM LAUGHS

1:16:501:16:51

I think the blintz is fully acceptable as a crossover food.

1:16:531:16:58

And I would like one myself.

1:16:581:17:00

You're the man.

1:17:011:17:03

No, you the man.

1:17:031:17:04

Up top.

1:17:041:17:05

'I guess the first thing I should say is that my name is not Tobey.'

1:17:111:17:15

It's Todd.

1:17:181:17:19

ALL: Hi, Todd.

1:17:201:17:21

No, it's not... It's...er...Tom.

1:17:241:17:26

My name is Tom.

1:17:261:17:27

It really is, OK?

1:17:271:17:29

And...secondly, I have no relation at all to deli meats.

1:17:291:17:36

I just made it up to try to fit in.

1:17:361:17:39

Um...

1:17:391:17:40

I... I don't know what I am, but I'm pretty sure that I have a problem.

1:17:431:17:49

Although, not as..as...as big a problem as all of you seem to have.

1:17:511:17:55

Erm... Anybody else hot?

1:17:571:17:59

TOM CLEARS HIS THROAT

1:17:591:18:01

I...

1:18:011:18:02

I also use humour,

1:18:021:18:04

and complaints about the temperature...

1:18:041:18:07

as a way of diverting attention...

1:18:071:18:09

..from the...very serious fact...

1:18:111:18:15

that I'm ruining my life.

1:18:151:18:17

And, uh...

1:18:181:18:19

I just...I just thought it would do me some good

1:18:201:18:23

to tell my real story here today.

1:18:231:18:26

So...

1:18:261:18:27

Er...

1:18:271:18:28

I...er...

1:18:291:18:31

I come from...

1:18:311:18:33

a family of poor peasants.

1:18:331:18:35

LAUGHTER

1:18:351:18:36

Oh, yeah. Oh, yeah. I'm just kiddin'.

1:18:361:18:39

# I've come over to the other side

1:18:391:18:43

# Now I've stopped looking back

1:18:431:18:46

# At myself... #

1:18:461:18:48

PHONE RINGS

1:18:481:18:50

# And letting go

1:18:501:18:52

# Of the way I felt... #

1:18:521:18:54

Oh!

1:18:541:18:55

It's hims, again.

1:19:031:19:05

# And I've been looking for a reason

1:19:081:19:11

# To doubt you

1:19:111:19:12

# But this faith is all I find

1:19:121:19:15

# And I've been thinking 'bout going away

1:19:151:19:19

# But you made me change my mind... #

1:19:191:19:22

CHEERING

1:19:221:19:23

# I move

1:19:231:19:25

# A little bit closer to you... #

1:19:281:19:32

Oh, Daddy, I'm comin'!

1:19:321:19:34

# And I know

1:19:361:19:38

# I'll be all right

1:19:381:19:43

# Cos I know

1:19:431:19:45

# You're by my side

1:19:451:19:49

# And I'll be safe

1:19:511:19:54

# Tonight... #

1:19:541:19:57

HE SIGHS

1:19:571:19:58

# Ah, ah, ah, ah

1:20:011:20:04

# Ah, ah, ah, ah... #

1:20:081:20:10

-Trust us.

-Trust us.

-We're all about trust.

1:20:101:20:12

-Come on.

-OK.

1:20:121:20:13

Here you go. Here you go.

1:20:131:20:15

# Ah, ah, ah, ah

1:20:151:20:19

# A little bit closer to you

1:20:191:20:22

# Ah, ah... #

1:20:221:20:23

CHEERING

1:20:231:20:25

LAUGHTER AND CHATTER

1:20:281:20:30

KNOCK ON DOOR

1:20:361:20:38

Come in.

1:20:381:20:39

Popular lady.

1:20:401:20:42

I think these are from your husband.

1:20:441:20:46

Again.

1:20:461:20:48

Break a leg.

1:20:481:20:50

Thank you.

1:20:501:20:51

SHE SOBS

1:21:031:21:06

KNOCK ON DOOR

1:21:101:21:12

Sweetheart, I'm sorry to interrupt your pre-show cry.

1:21:141:21:18

All the best ones have 'em.

1:21:181:21:20

We're all in this together, my dear.

1:21:261:21:29

All damned to the theatre.

1:21:291:21:32

Condemned to live through our art.

1:21:321:21:35

For we do not know how to live through our lives.

1:21:351:21:39

We are islands.

1:21:391:21:40

Francis, my director.

1:21:421:21:45

I am a mother and a wife first and foremost,

1:21:451:21:50

and you should go fuck yourself.

1:21:501:21:52

'Welcome to tonight's premiere performance

1:21:571:22:00

'of Edmund Middleton's Fifty Means.'

1:22:001:22:03

Oh, these are good seats.

1:22:031:22:06

'Enjoy the show.'

1:22:061:22:08

(That should be me.)

1:22:081:22:10

What'd you say?

1:22:101:22:12

Nothing.

1:22:121:22:14

APPLAUSE

1:22:151:22:17

You go on back to the house. I'll get the rest.

1:22:181:22:20

WOMAN ON STAGE LAUGHS

1:22:201:22:22

APPLAUSE

1:22:231:22:24

WHISTLING

1:22:261:22:27

I never thought I'd say this, but I'm happy to be home.

1:22:301:22:33

Nothing much has changed around here, but then again, it never does.

1:22:331:22:37

I'm miserable.

1:22:401:22:41

And seein' you miserable isn't helping any.

1:22:451:22:48

-What are we gonna do?

-I don't know.

1:22:501:22:53

We gotta do somethin'.

1:22:571:22:59

TOILET FLUSHES

1:23:011:23:02

There she is.

1:23:111:23:12

-You go talk to her.

-And you go find a pen and a piece of paper.

1:23:141:23:17

Hey.

1:23:221:23:24

Thought that was you.

1:23:241:23:25

Tobey.

1:23:251:23:26

Not now, OK?

1:23:291:23:31

You don't return my calls.

1:23:311:23:33

I need a...uh, pen and a piece of paper.

1:23:331:23:36

It's an emergency.

1:23:361:23:37

Tobey, why do you have to make this so hard?

1:23:371:23:40

Elaine, it's hard for me too.

1:23:401:23:44

Oh, my goodness!

1:23:441:23:46

Listen...

1:23:461:23:48

I want you to stop calling the houses, and...

1:23:481:23:51

I want you to stays away from her, for all the times.

1:23:511:23:54

Why is everything plural with this guy?

1:23:561:23:59

Oh, insult me to my faces?

1:23:591:24:01

-Tobey.

-What?

1:24:011:24:04

-This is Rebecca's night, OK?

-What? What? I know.

1:24:041:24:06

Oh, gosh. I'm sorry, I dropped the pen there.

1:24:061:24:09

Oh, I'll get it.

1:24:091:24:11

Hey.

1:24:111:24:13

Those aren't your flowers, sir.

1:24:131:24:15

-You don't understand. I need to get these to Rebecca Pollack backstage.

-I'm sorry.

1:24:151:24:20

She doesn't accept stolen flowers in intermissions.

1:24:201:24:24

Oh, no.

1:24:241:24:25

Can you at least just...

1:24:251:24:27

can you get her this note?

1:24:271:24:28

I'm her husband. Please, just give her that.

1:24:281:24:31

We're talkin' here, Gorens-s-s-s.

1:24:311:24:33

Come.

1:24:331:24:34

-I'm talkin' to her, if you don't mind.

-I do mind.

1:24:351:24:38

It's not gonna happen.

1:24:381:24:40

I said I'd like to talk to her!

1:24:401:24:41

Release her.

1:24:411:24:43

I'm not gonna release her.

1:24:431:24:45

You are so...

1:24:451:24:47

OK. Wait a minute! Hey!

1:24:471:24:48

That's not... No running. No running.

1:24:481:24:50

-Stop it!

-You "shtop" it!

1:24:501:24:51

Sir, there's no running in the theatre.

1:24:511:24:54

GASPING AND SHRIEKING

1:24:541:24:58

Stay there. No running in the theatre.

1:24:581:25:00

There's no running in the theatre.

1:25:001:25:02

SHRIEKING

1:25:021:25:03

We got a runner. We got a runner. OK!

1:25:031:25:05

-Come on!

-Sorry.

1:25:151:25:16

-Hey! Watch it. Hey, you're a jerk.

-OK!

1:25:161:25:20

All right, there, sweetheart?

1:25:201:25:21

Why are you sweating?

1:25:231:25:25

I saw Goren.

1:25:271:25:28

I pushed him into a plant.

1:25:281:25:30

I stole some flowers.

1:25:311:25:33

Oh, that sounds great. Good job.

1:25:331:25:35

Yeah, you too.

1:25:351:25:37

APPLAUSE

1:25:421:25:44

KNOCK AT DOOR

1:25:471:25:48

Mrs Pollack, final scene is up.

1:25:481:25:51

Thank you.

1:25:511:25:52

Who knows if she'll ever come out of that room?

1:26:011:26:03

But I wouldn't blame her if she didn't.

1:26:051:26:08

Hell, comin' back here after so long, for what?

1:26:081:26:13

For us?

1:26:131:26:15

For this place?

1:26:151:26:17

Somehow, it doesn't make a whole lotta sense to me.

1:26:171:26:21

The night air.

1:26:291:26:31

It feels good.

1:26:311:26:33

This is the last line of the play.

1:26:331:26:35

You know it does, Laura.

1:26:351:26:36

So what?

1:26:361:26:38

I gotta do something. Excuse me. Sorry.

1:26:381:26:42

I never thought I'd be able to say that again.

1:26:421:26:46

-Stop it!

-Let me just get through here. Pardon me.

1:26:461:26:50

Oh! Give me back my hair! Give me my hair!

1:26:521:26:55

Stop him!

1:26:581:26:59

Ushers, full alert! East aisle. Stage approach.

1:26:591:27:03

No!

1:27:051:27:07

No!

1:27:071:27:08

Hey!

1:27:391:27:40

-Let go!

-Get off!

1:27:401:27:44

GRUNTING

1:27:441:27:46

It's OK.

1:27:521:27:54

This is my husband.

1:27:551:27:59

AUDIENCE: Ohhh.

1:27:591:28:00

This loser?

1:28:001:28:01

This loser.

1:28:051:28:07

AUDIENCE: Aww.

1:28:071:28:09

APPLAUSE

1:28:141:28:16

ELAINE!

1:28:381:28:40

STARTLED GASPS

1:28:401:28:41

Did you like the play?

1:28:491:28:51

AUDIENCE MUTTERS

1:28:511:28:53

Come on, let's go.

1:28:571:28:59

Wait, wait!

1:29:001:29:02

HE SIGHS

1:29:041:29:06

You're the one for me!

1:29:061:29:08

Is this part of the play?

1:29:101:29:12

Yes, yes. Yes. It is part of the play.

1:29:131:29:15

Uh, uh...

1:29:151:29:17

this is the part...

1:29:171:29:18

..of the play where we come together and...

1:29:211:29:24

never leave each other.

1:29:241:29:25

And somehow, I feel like it...

1:29:281:29:30

it was written a long time ago, and I just...

1:29:301:29:33

I just didn't trust the script, cos I don't wanna die.

1:29:351:29:39

What?

1:29:391:29:40

W...

1:29:401:29:41

Why do I always have to be equated with death?

1:29:411:29:44

-I agree.

-AUDIENCE MURMURS, TOBEY STUTTERS

1:29:441:29:47

That didn't come out right. I...

1:29:471:29:49

I don't want to be a cold, sarcastic, blocked-off man any more.

1:29:541:29:58

I'm not gonna be.

1:29:591:30:00

And it's not gonna be easy...

1:30:031:30:06

but I wanna struggle...

1:30:061:30:09

with you.

1:30:091:30:10

AUDIENCE: Aww.

1:30:101:30:13

I love you.

1:30:171:30:18

AUDIENCE: Aww!

1:30:181:30:21

And all I can do is say that, and let you do with it what you will.

1:30:221:30:27

And if you won't be with me...

1:30:271:30:30

I can accept that.

1:30:301:30:31

Cos I...

1:30:321:30:34

..I want you to be happy.

1:30:341:30:36

Tobey. Tobey.

1:30:411:30:43

I have tried...

1:30:451:30:47

very hard to stop.

1:30:471:30:50

But somehow, I still love you.

1:30:531:30:55

AUDIENCE: Aw!

1:30:551:30:56

-Oh, my God. Thank God!

-LAUGHTER

1:30:561:30:59

That stuff I said - being able to let you go, that was crap. I'd hunt you down.

1:30:591:31:03

Who wants to spend all their life doin' that when there's so many things to do before we...

1:31:031:31:08

CHEERING

1:31:081:31:10

Oh, God.

1:31:441:31:46

Do I look fat here?

1:31:481:31:49

Which one are you?

1:31:501:31:52

THEY LAUGH

1:31:521:31:54

You look great.

1:31:541:31:55

Excuse me. I don't mean to bother you,

1:31:551:31:59

but I recognized you from your book.

1:31:591:32:01

SHE LAUGHS

1:32:011:32:02

My son and I have spent so many great days in New York together because of you.

1:32:021:32:06

Would you sign it for me, please?

1:32:061:32:08

Sure.

1:32:101:32:11

You must be a great daddy.

1:32:151:32:17

Thank you. We're very proud of him.

1:32:171:32:21

Yes, we are.

1:32:251:32:27

-Very proud of him.

-Mmm.

1:32:271:32:29

OK.

1:32:301:32:31

Here's how it's gonna go.

1:32:331:32:34

-I'm gonna get up, and go into the bathroom on the left.

-Mmm.

1:32:341:32:39

Wait one minute...

1:32:391:32:40

..and then you come in.

1:32:451:32:46

One, two, three...

1:32:561:33:00

..17...

1:33:011:33:03

Daddy'll be right back.

1:33:071:33:09

24, 25,

1:33:101:33:14

26, 43.

1:33:141:33:17

'Elaine has found in Tobey,

1:33:211:33:23

'a man she can trust to love her,

1:33:231:33:26

'to be her rock-solid baseline.

1:33:261:33:29

'In Elaine, Tobey has found his life's melody, his grace note.'

1:33:291:33:33

Thank you.

1:33:331:33:35

Do you, Tobias, take this woman,

1:33:351:33:37

to be your lawfully wedded wife,

1:33:371:33:39

to have and to hold,

1:33:391:33:41

until death do you part?

1:33:411:33:43

Oh, could you not mention death?

1:33:431:33:45

Uh...

1:33:451:33:47

uh...as long as we both shall live.

1:33:471:33:49

I do.

1:33:541:33:55

I do.

1:33:551:33:56

APPLAUSE AND CHEERING

1:33:571:33:59

Put me down!

1:34:041:34:05

LAUGHTER AND CHATTER

1:34:071:34:09

Hey, hey!

1:34:221:34:24

Hey, hey, hey, hey!

1:34:251:34:27

Hey, hey! Hey!

1:34:271:34:29

Baby, baby, go, go! Get him!

1:34:291:34:31

I just got married. Come on, that's legal.

1:34:311:34:34

I was behind the...

1:34:341:34:35

That's our car!

1:34:351:34:37

Every time!

1:34:391:34:41

Every time!

1:34:411:34:42

All right, all you plant lovers,

1:34:481:34:49

you people lovers, you life lovers,

1:34:491:34:51

this one's called Juniper.

1:34:511:34:54

And it goes like this.

1:34:541:34:56

# I can't wait for you

1:34:561:34:59

# Anymore

1:35:001:35:02

# Pack my bags and closing

1:35:061:35:08

# The front door

1:35:081:35:11

# And travel makes me ill

1:35:151:35:18

# I think I'll take another pill... #

1:35:191:35:22

Subtitles by Red Bee Media Ltd

1:35:221:35:25

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1:35:251:35:28

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