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| Line | From | To | |
|---|---|---|---|
'This is us, meaning him and me. | 0:00:28 | 0:00:31 | |
'Right now we are just exhausted. | 0:00:31 | 0:00:33 | |
'We are back from a journey. | 0:00:33 | 0:00:36 | |
'We saw palazzos, l'operettos and espressos.' | 0:00:36 | 0:00:39 | |
We were on a journey to Italy, | 0:00:39 | 0:00:40 | |
like the title of a movie with a happy ending. | 0:00:40 | 0:00:44 | |
Really, we were mostly in Venice | 0:00:44 | 0:00:47 | |
because it is the city where lovers go. | 0:00:47 | 0:00:50 | |
It is also the city over water that will end up under water. | 0:00:50 | 0:00:54 | |
Green, ochras, pinks, blues, even greys that shine. | 0:00:54 | 0:00:57 | |
That's Italy. | 0:00:57 | 0:01:00 | |
And the pasta, of course. | 0:01:00 | 0:01:02 | |
Now we are a true couple, two years that we have been together. | 0:01:04 | 0:01:08 | |
Two years nowadays it's almost a miracle. | 0:01:08 | 0:01:11 | |
Two years of happiness with ups and downs and inbetweens, mostly. | 0:01:11 | 0:01:17 | |
Really we just need to pick Jean-Luc that we dropped off at my parents | 0:01:17 | 0:01:21 | |
between the airport and the train station. | 0:01:21 | 0:01:24 | |
Night train to Venice, that was my idea. | 0:01:24 | 0:01:26 | |
On our way back to New York we have decided to spend two days in Paris. | 0:01:26 | 0:01:30 | |
WHISTLE BLOWS | 0:01:30 | 0:01:33 | |
E mio! | 0:01:46 | 0:01:48 | |
Oh my God! | 0:01:48 | 0:01:50 | |
He is going to kill him, he is going to kill him. | 0:01:50 | 0:01:53 | |
MEN ARGUE | 0:01:53 | 0:01:54 | |
Isn't that the same guy, isn't it the chef who nearly stabbed me | 0:01:54 | 0:01:57 | |
for putting Parmesan cheese on my seafood pasta? Same guy. | 0:01:57 | 0:02:00 | |
It wasn't that bad. | 0:02:00 | 0:02:02 | |
-What are you talking about? I had food poisoning for four days. -Did you enjoy any of it? | 0:02:02 | 0:02:06 | |
I enjoyed the view from the bathroom. Can we call a cab or something? It's pouring. | 0:02:06 | 0:02:10 | |
-There is like one drop. -It is going to pour. Trust me. | 0:02:10 | 0:02:12 | |
I'm going to call a taxi because you're made of sugar. | 0:02:12 | 0:02:15 | |
-You know I can get sick. The second we get back to New York I have to start work. -No signal. | 0:02:15 | 0:02:19 | |
I'm going to get a sinus infection, I can feel it. | 0:02:19 | 0:02:22 | |
The diarrhoea lowers your resistance. | 0:02:22 | 0:02:23 | |
-This is a bus stop over there. It is the direct us -No. | 0:02:23 | 0:02:27 | |
No buses, no subways in Europe. All right? The terrorism and the whole thing. | 0:02:27 | 0:02:31 | |
What do you mean, it is safer in New York? Come on, Paris is fine. There is no terrorism in Paris. | 0:02:31 | 0:02:37 | |
Because France has a secret deal with the terrorists because France is a Muslim country. | 0:02:37 | 0:02:41 | |
You are fucking psycho. I will try to get a connection somewhere. | 0:02:41 | 0:02:45 | |
Excuse me, I heard you talking, you are American, aren't you? | 0:02:45 | 0:02:49 | |
-I am indeed. -Well, we're a group of international code breakers | 0:02:49 | 0:02:54 | |
and we are supposed to meet our French delegation at the Louvre at 10am. | 0:02:54 | 0:02:58 | |
Do you happen to know if it's anywhere near here? | 0:02:58 | 0:03:01 | |
Yeah, actually, you're really close. | 0:03:01 | 0:03:03 | |
You are so close I don't think a cab will take you because they are very picky here. | 0:03:03 | 0:03:08 | |
All you do is you would just go right down there, you make a left, you make a first right | 0:03:08 | 0:03:13 | |
and then just keep going straight for 10 minutes and you'll be fine. | 0:03:13 | 0:03:17 | |
Are you sure? I appreciate it so much. | 0:03:17 | 0:03:20 | |
Americans are so friendly. You know, I hear the French are just so rude. | 0:03:20 | 0:03:24 | |
It is a cliche but it's true. | 0:03:24 | 0:03:25 | |
It's true. We Americans have to stick together. | 0:03:25 | 0:03:28 | |
-Thank you so much. -That's right. Absolutely. My pleasure. Good luck. | 0:03:28 | 0:03:32 | |
Crack that code. | 0:03:32 | 0:03:33 | |
OK. | 0:03:33 | 0:03:36 | |
No taxi in the area. | 0:03:38 | 0:03:39 | |
-We'll be fine. -What's going on? | 0:03:39 | 0:03:44 | |
-What happened? -They wanted to know where the Louvre was so I told them. | 0:03:44 | 0:03:47 | |
-You know where it is? -No. | 0:03:47 | 0:03:49 | |
You told them to go this way? It's miles away. | 0:03:49 | 0:03:51 | |
Well, now we're at the beginning of the taxi line, see, survival of the fittest. | 0:03:51 | 0:03:55 | |
They will go straight to the suburb. | 0:03:55 | 0:03:57 | |
-They're your compatriots. -My compatriots! | 0:03:57 | 0:04:00 | |
They voted for Bush. They are on a Da Vinci tour. | 0:04:00 | 0:04:03 | |
They're the embodiment of everything that is wrong culturally and politically with this world. | 0:04:03 | 0:04:07 | |
Maybe they'll see something other than the Mona Lisa | 0:04:07 | 0:04:10 | |
and get involved in a riot or something and jog their political consciousness. | 0:04:10 | 0:04:14 | |
You are so mean! | 0:04:14 | 0:04:15 | |
But you're so right. | 0:04:15 | 0:04:17 | |
I love you. | 0:04:17 | 0:04:18 | |
You're so smart. | 0:04:20 | 0:04:21 | |
HE SNEEZES | 0:04:21 | 0:04:22 | |
Sinus infection. | 0:04:22 | 0:04:24 | |
Oh, it's automatic. | 0:04:27 | 0:04:29 | |
'Paris, I was born in the 13th, raised in the 14th, lived in the 9th, 10th, 11th, 12th, 19th and 20th | 0:04:59 | 0:05:05 | |
'until I moved to New York.' | 0:05:05 | 0:05:08 | |
'I'm Marion and I'm a photographer. | 0:05:08 | 0:05:11 | |
'It's ironic since I can't see much. | 0:05:11 | 0:05:13 | |
'I have a birth defect on my retina, it is just full of tiny holes. | 0:05:13 | 0:05:17 | |
'How can I describe to you what I see?' | 0:05:17 | 0:05:20 | |
'There it is, my vision of the world. | 0:05:21 | 0:05:23 | |
'Yes, everyone sees the world literally differently.' | 0:05:23 | 0:05:27 | |
'This is Jack. He's an interior designer.' | 0:05:29 | 0:05:33 | |
"Kids are like rats, they carry diseases." | 0:05:33 | 0:05:35 | |
Something he said on our third date I thought it was so sweet. | 0:05:35 | 0:05:40 | |
Look, it's like a postcard of Paris. | 0:05:40 | 0:05:41 | |
I'm the photographer but on this trip he took all the photos. | 0:05:41 | 0:05:45 | |
Every moment was digitised, immortalised from every angle. | 0:05:45 | 0:05:49 | |
-Up here? -All right, here, go straight. | 0:06:11 | 0:06:13 | |
-This way? -One floor up. -All right. | 0:06:13 | 0:06:16 | |
-Elevator? -What? -Elevator? | 0:06:16 | 0:06:19 | |
It's on the second floor, do you think you can make it? | 0:06:19 | 0:06:23 | |
'Yes, my mother is a true pain in the butt. | 0:06:44 | 0:06:46 | |
'But she's also the reason why I became who I am.' | 0:06:46 | 0:06:49 | |
-MOTHER: -Marion? Marion! | 0:07:03 | 0:07:06 | |
'When I was young I was a bit special. | 0:07:09 | 0:07:11 | |
'But not special in a good way. | 0:07:11 | 0:07:13 | |
'I was always late everywhere because I was stuck in my world. | 0:07:13 | 0:07:17 | |
'I would look at things in the courtyard and the streets for hours. | 0:07:17 | 0:07:21 | |
'I even think I could hear voices, | 0:07:21 | 0:07:23 | |
'but not the kind that tells you to save the world, | 0:07:23 | 0:07:25 | |
'other kinds of voices.' | 0:07:25 | 0:07:26 | |
'Some parents would have been seriously worried. | 0:07:32 | 0:07:35 | |
The doctors had prescribed tons of new medication but my mother said no. | 0:07:35 | 0:07:40 | |
She just got me a Polaroid camera | 0:07:40 | 0:07:41 | |
and instead of looking at things for hours I just photographed them. | 0:07:41 | 0:07:45 | |
Oh! Bonjour! | 0:08:09 | 0:08:11 | |
Yes! | 0:08:12 | 0:08:13 | |
Jack, Anna... | 0:08:13 | 0:08:16 | |
-I'm sorry we met so briefly on the way in. -Yes. | 0:08:16 | 0:08:18 | |
Yes, very short presentation, we had to drop off a very important package. | 0:08:18 | 0:08:23 | |
Jean-Luc. | 0:08:23 | 0:08:24 | |
-Do you do a good voyage? -Very nice. Tres bon. | 0:08:28 | 0:08:32 | |
It was good. Beautiful. | 0:08:32 | 0:08:34 | |
Ouais, d'accord. | 0:08:39 | 0:08:41 | |
-Au revoir. She is so sweet, your mother. -I know. | 0:08:42 | 0:08:45 | |
-What happened to you? -I don't know. | 0:08:45 | 0:08:47 | |
Having a little trouble there, honey? | 0:08:47 | 0:08:49 | |
I need your help. I need a strong man to carry my suitcase. | 0:08:49 | 0:08:54 | |
I thought you wanted to be a strong, independent woman and carry your luggage? | 0:08:54 | 0:08:59 | |
-Yes, I am a strong independent women. I am a strong... -I got it, I got it. | 0:08:59 | 0:09:03 | |
So, this is your big investment? | 0:09:03 | 0:09:05 | |
-An apartment one floor up from your parents? -It's convenient. | 0:09:05 | 0:09:09 | |
Especially if you like privacy. | 0:09:09 | 0:09:11 | |
-No sarcasm in Paris. -OK, I will be quiet for two days. -Thank you. | 0:09:11 | 0:09:14 | |
-You like? You don't like? -HE LAUGHS > | 0:09:19 | 0:09:23 | |
-What is it? -Nothing. | 0:09:23 | 0:09:26 | |
-You don't like? -No, it's quaint. | 0:09:26 | 0:09:29 | |
What? | 0:09:29 | 0:09:31 | |
-No, it's cute, it's... -It's not mid-century. | 0:09:31 | 0:09:33 | |
It's mid-century, 15th century. | 0:09:33 | 0:09:36 | |
-No, it's very Parisian, I guess. -Is that a compliment? | 0:09:36 | 0:09:41 | |
Sure. It's kind of swampy in here. | 0:09:41 | 0:09:44 | |
-Swampy? -Yeah, like the water at the lido. -No... | 0:09:44 | 0:09:48 | |
What the hell is that smell? What is that? | 0:09:48 | 0:09:51 | |
-Oh my God! -What!? -Honey, honey... | 0:09:51 | 0:09:54 | |
Honey, what the fuck is that? | 0:09:55 | 0:09:57 | |
It is a leak. It's an old building, there's leaks all the time. The plumber... | 0:09:57 | 0:10:01 | |
There's no plumber in france. | 0:10:01 | 0:10:03 | |
Is that black mould? | 0:10:04 | 0:10:05 | |
-What's black mould? -The deadliest fungus known to man if you inhale it. | 0:10:05 | 0:10:09 | |
-Don't inhale. -That's not funny. Seriously... | 0:10:09 | 0:10:12 | |
It was there when I was here in January. It's fine. | 0:10:12 | 0:10:16 | |
It's not black, it's green, look at it. | 0:10:16 | 0:10:19 | |
It's green, its like blue cheese, it's probably good for you. | 0:10:19 | 0:10:22 | |
Everybody out. Everybody out. I am condemning the bathroom, it's a hot zone. It's a biohazard. | 0:10:22 | 0:10:28 | |
-OK, we'll shit in the corner of the room. -We'll shit outside. -Yes. Perfect. | 0:10:28 | 0:10:31 | |
Honestly, this place is like a petrie dish for allergeons. | 0:10:31 | 0:10:34 | |
Listen, we have allergies because we are too clean, OK? | 0:10:34 | 0:10:37 | |
100 years ago we were covered in parasites and we had no allergies. | 0:10:37 | 0:10:43 | |
-Really? So is that the same theory behind the French not bathing? -Yes. | 0:10:43 | 0:10:46 | |
Are you sure you haven't find my contact lenses? | 0:10:46 | 0:10:49 | |
-No, I have not find it. -In your bag? -No, I don't feel well. | 0:10:49 | 0:10:53 | |
Which one for...my dad? | 0:10:53 | 0:10:55 | |
I don't feel well. I don't know if it's a migraine or if it's the flu. | 0:10:55 | 0:11:01 | |
Can I use this thermometer. | 0:11:01 | 0:11:02 | |
I usually don't use this one in the mouth. | 0:11:04 | 0:11:07 | |
Hm? | 0:11:07 | 0:11:09 | |
I don't use this in the mouth, I mean. | 0:11:09 | 0:11:11 | |
-Come on! What is wrong with you? -What? It's a French thermometer. | 0:11:11 | 0:11:15 | |
Are you five? You still use a thermometer up your ass? | 0:11:15 | 0:11:18 | |
It's the only way to get your temperature properly. | 0:11:18 | 0:11:21 | |
-Why? Why? -I haven't used it in a few months. | 0:11:21 | 0:11:26 | |
OK, I take a shower first. | 0:11:27 | 0:11:28 | |
OK, make sure to take some antibiotics first! | 0:11:28 | 0:11:31 | |
DIAL-UP INTERNET CONNECTION TONES | 0:11:31 | 0:11:36 | |
-I'm trying to send this design and I think it would be faster if I just sent up a regular mail. -OK. | 0:11:36 | 0:11:42 | |
You forget how slow dial-up is. | 0:11:44 | 0:11:46 | |
We will be back in civilisation in two days. | 0:11:46 | 0:11:48 | |
-HE SNIGGERS -What? -> | 0:11:48 | 0:11:51 | |
-That bedspread is fucking ridiculous. -It's beautiful. | 0:11:51 | 0:11:54 | |
When did you get that? Like, 1982 or something? | 0:11:54 | 0:11:56 | |
'86, I don't know. | 0:11:56 | 0:11:58 | |
-Don't move. -What? -Freeze. -There's a bug? | 0:11:58 | 0:12:00 | |
Oh, I know what it is, a Nan Goldin, it looks like a Nan Goldin bug. | 0:12:00 | 0:12:03 | |
-Stay right there. -No pictures, please! No! | 0:12:03 | 0:12:06 | |
Perfect. | 0:12:06 | 0:12:07 | |
Lie down. Work with me. Pretend you're on drugs. | 0:12:07 | 0:12:12 | |
-What drug? -Heroin, of couse. | 0:12:12 | 0:12:14 | |
Perfect. | 0:12:16 | 0:12:17 | |
-Look at that. -Yes, that beautiful, it's a beautiful photo. | 0:12:19 | 0:12:23 | |
-You're such a talented photographer(!) -Fuck you! | 0:12:23 | 0:12:26 | |
Do you know why people are attracted to one another? Really attracted. | 0:12:26 | 0:12:31 | |
I try and kiss you and then I get a lecture. | 0:12:31 | 0:12:33 | |
-I'm not kidding. -OK, no, you tell me why(!) | 0:12:33 | 0:12:35 | |
People with different immune systems and are attracted to one another | 0:12:35 | 0:12:39 | |
so the offspring will have a stronger immune system with a combination. | 0:12:39 | 0:12:43 | |
-Don't snore! It's important. -I was saying the same thing. -It's interesting. | 0:12:43 | 0:12:48 | |
Seriously, it's like dating public television. You realise that? | 0:12:48 | 0:12:51 | |
No! And you don't like that? | 0:12:51 | 0:12:53 | |
No, it's very educational. It's very educational, really sexy. Anyway, it's complete bullshit. | 0:12:53 | 0:12:59 | |
My parents were madly in love when they had me, and look at my immune system. | 0:12:59 | 0:13:02 | |
-It's a fucking wreck. -But probably it was more like an intellectual attraction. | 0:13:02 | 0:13:06 | |
-I see. -You know? And that's why they split up after you were born. | 0:13:06 | 0:13:10 | |
You are so sweet. What you're saying is that because your parents have been together 87 years | 0:13:10 | 0:13:15 | |
or whatever the hell it is, 38 years, that you're genetically superior? | 0:13:15 | 0:13:18 | |
I'm not. Why do you make everything a competition? | 0:13:18 | 0:13:21 | |
-Look at me, I'm barely alive. -How do I make everything a competition? | 0:13:21 | 0:13:24 | |
I'm a photographer, and you're taking pictures of everything. | 0:13:24 | 0:13:28 | |
The other day, in Venice, while I was taking a picture of you under that bridge, | 0:13:28 | 0:13:32 | |
you started taking a picture of me. | 0:13:32 | 0:13:34 | |
What is this, like, Shit All Over Jack Day? | 0:13:34 | 0:13:37 | |
I try to kiss you, and the next thing I know, I'm genetically inferior, | 0:13:37 | 0:13:40 | |
I'm a copycat with no identity of my own... | 0:13:40 | 0:13:42 | |
I never said you were. | 0:13:42 | 0:13:44 | |
I don't understand why you don't take it as flattery that I'm interested in pho... | 0:13:44 | 0:13:48 | |
OK, I love this argument. | 0:13:48 | 0:13:50 | |
Can we go on a little bit? | 0:13:50 | 0:13:52 | |
No, because I'm enjoying this. | 0:13:52 | 0:13:54 | |
Really. It's lovely. | 0:13:54 | 0:13:55 | |
HE SNIFFS | 0:13:57 | 0:14:00 | |
What?! | 0:14:00 | 0:14:01 | |
What is it? What is it? | 0:14:01 | 0:14:04 | |
-You're scaring me. -No, I'm sensing something. | 0:14:04 | 0:14:06 | |
What is it? Like I have cancer or something? | 0:14:06 | 0:14:08 | |
-You smell a tumour, like one of those dogs? -Like a dog?! | 0:14:08 | 0:14:12 | |
Yeah, those dogs that are trained. | 0:14:12 | 0:14:14 | |
No, I'm not a cancer-sniffing dog. I'm sensing that we have very, very, very different immune systems, | 0:14:14 | 0:14:19 | |
and I really think we should do something about it. | 0:14:19 | 0:14:22 | |
Really? My immune system is very different from yours, so our offsprings would be really strong? | 0:14:22 | 0:14:27 | |
-That's nice. -Yeah. | 0:14:27 | 0:14:28 | |
All right, but maybe in the meantime, before we do procreate, do you mind getting a condom? | 0:14:28 | 0:14:34 | |
-Where are they? -Under the sink. | 0:14:34 | 0:14:36 | |
When did you get these, like circa the Nan Goldin bedspread purchase? | 0:14:39 | 0:14:43 | |
No, I got them in January. | 0:14:43 | 0:14:45 | |
-January? -Yeah. -Were you planning on cheating on me in January? | 0:14:45 | 0:14:49 | |
Actually, I was planning on having sex with you in January, | 0:14:49 | 0:14:52 | |
but you cancelled because you had an eye infection. You were supposed to come to Paris. | 0:14:52 | 0:14:57 | |
Oh, yeah, that's right. Chlamydia in the eye. So rare. | 0:14:57 | 0:15:01 | |
Yet so sexy. | 0:15:01 | 0:15:02 | |
-What? -What the hell's going on? | 0:15:04 | 0:15:08 | |
What is it? | 0:15:08 | 0:15:09 | |
Are these things even condoms? | 0:15:09 | 0:15:11 | |
-What else is it? I mean... -I don't know. | 0:15:11 | 0:15:13 | |
You're going to break it. Don't pull it down like this, from the tip. | 0:15:13 | 0:15:17 | |
These are smaller than the ones in Italy, if that's possible. | 0:15:17 | 0:15:20 | |
-No, they're not small. -OK, I give up. -OK, what is it? OK, you just go like this. | 0:15:20 | 0:15:24 | |
-Right, this is pretty simple. -Careful. | 0:15:24 | 0:15:27 | |
Oh, I didn't touch you! Barely. | 0:15:27 | 0:15:30 | |
Is this, like, a kid size condom? Do they make condoms for kids? | 0:15:30 | 0:15:34 | |
-OK, it's on. -It's no wonder the French have to be so romantic. | 0:15:34 | 0:15:36 | |
-That's the dumbest thing I've ever heard. -OK, let's do this. | 0:15:36 | 0:15:39 | |
All right, great. All right, yes. | 0:15:39 | 0:15:42 | |
-Oh, no, that's my leg. Please! -No! | 0:15:42 | 0:15:46 | |
I can't see you! I could be having sex with Gregory Peck or something. | 0:15:46 | 0:15:50 | |
-Well, good for you! -OK, so much for foreplay. | 0:15:50 | 0:15:54 | |
What's that? My mother? | 0:15:56 | 0:15:58 | |
It's my mother! It's OK, it's just my mother. | 0:15:58 | 0:16:00 | |
Your mother has keys? | 0:16:14 | 0:16:16 | |
Of course she has keys. I'm away ten months a year. | 0:16:16 | 0:16:19 | |
All right, do you have anything to wash? She wants to know. | 0:16:19 | 0:16:23 | |
No, I d... I don't have... No! | 0:16:23 | 0:16:25 | |
-Oh, God. -It's her machine. | 0:16:25 | 0:16:26 | |
I've got to take a shower cos the thing is cutting off circulation to my brain. | 0:16:26 | 0:16:30 | |
-Your mom and... -What are you talking about? | 0:16:30 | 0:16:32 | |
-I love you. -All right. Oh, nice(!) OK, bye... | 0:16:32 | 0:16:35 | |
Oui? | 0:16:40 | 0:16:41 | |
Ca va? | 0:16:44 | 0:16:47 | |
Ooh, la, la. | 0:16:47 | 0:16:48 | |
Bon. | 0:16:48 | 0:16:50 | |
'My mother has always been very good at crying, turning any situation to her advantage. | 0:18:07 | 0:18:12 | |
'In a few seconds, my dad will reprimand me, and never again | 0:18:12 | 0:18:15 | |
'will I mention the fact that Jean Luc has gained ten pounds.' | 0:18:15 | 0:18:18 | |
Is, uh, everything OK down there? | 0:18:42 | 0:18:45 | |
Yes. Why? | 0:18:45 | 0:18:47 | |
-No reason. -Are you coming down? | 0:18:47 | 0:18:50 | |
We're having lunch in, like, 30 minutes. | 0:18:50 | 0:18:52 | |
I'm a little terrified, but OK. | 0:18:52 | 0:18:54 | |
All right, let's do this. | 0:18:55 | 0:18:57 | |
-Hello! -Hello! | 0:18:57 | 0:18:59 | |
-How are you? -Jack, Jeannot. | 0:18:59 | 0:19:00 | |
Good to finally meet you. | 0:19:00 | 0:19:02 | |
-Oh, no. Insulted already? -No! | 0:19:07 | 0:19:09 | |
Ah, go. | 0:19:10 | 0:19:11 | |
Ooh, la, la! | 0:19:11 | 0:19:12 | |
-Smells good. -Yes. It's delicious. -What is that? | 0:19:15 | 0:19:19 | |
Lapin. | 0:19:23 | 0:19:25 | |
Bunny. | 0:19:25 | 0:19:26 | |
Oh, no. | 0:19:26 | 0:19:29 | |
-What? -Oliver. -Who's Oliver? -My pet bunny when I was eight years old. | 0:19:29 | 0:19:33 | |
He was ravaged by the a Labrador. Only two ears were left, but I'll eat it. | 0:19:33 | 0:19:36 | |
-Oh, no, you don't have to eat it. -No. Yes, I do. | 0:19:36 | 0:19:38 | |
Lapin no? | 0:19:38 | 0:19:40 | |
-I don't want to upset the natives. -Please. | 0:19:42 | 0:19:45 | |
-You don't have to. -Yes, I do. -I didn't know about Oliver. | 0:19:45 | 0:19:47 | |
Please... | 0:19:47 | 0:19:49 | |
-A little leg. Come on. -Thank you. -Looks like chicken. | 0:19:49 | 0:19:52 | |
It's good, tete! | 0:20:00 | 0:20:01 | |
-Is that the heart? -No, that's the head. | 0:20:06 | 0:20:08 | |
He likes the head. | 0:20:08 | 0:20:10 | |
-Carottes? -Oh, carrot, sure. | 0:20:12 | 0:20:14 | |
-We're going to eat the bunny's food as well, huh? -Yes. | 0:20:14 | 0:20:17 | |
-Are his toys in there? -Sauce? | 0:20:17 | 0:20:20 | |
Wine black... Wine... Wine wine! | 0:20:20 | 0:20:23 | |
Non, wine white! | 0:20:23 | 0:20:26 | |
-White wine? Oh, wine blanc. -Vin blanc. | 0:20:26 | 0:20:29 | |
No, no, I don't want. | 0:20:32 | 0:20:35 | |
-What? I'm eating it! I'm eating it! -It's nothing to do with you. | 0:20:59 | 0:21:03 | |
Allez. | 0:21:10 | 0:21:13 | |
Kerouac. | 0:21:15 | 0:21:17 | |
Yes, I love Kerouac. | 0:21:17 | 0:21:19 | |
-J'aimais Kerouac. -Faulkner. | 0:21:19 | 0:21:22 | |
-Is he quizzing me? -It's a little welcome quiz. -Faulkner. | 0:21:22 | 0:21:25 | |
Faulkner, yes. The Sound and the Fury. | 0:21:25 | 0:21:27 | |
-Quoi? -Euh, Le Bruit et la Fureur. | 0:21:27 | 0:21:29 | |
Ah, yes. Miller, Henry. | 0:21:29 | 0:21:32 | |
-Henry Miller. -Yes, yes. Ex pat. Ahead of his time. | 0:21:32 | 0:21:36 | |
Ah, sex. | 0:21:36 | 0:21:37 | |
-Yeah, sex, yes. -Sex is good! Miller, sex is, sex is...! | 0:21:37 | 0:21:43 | |
Jeannot, Jeannot, Jeannot! | 0:21:43 | 0:21:46 | |
It's silly. It's OK, it's OK. Don't worry. | 0:21:46 | 0:21:48 | |
Euh, French white. | 0:21:48 | 0:21:51 | |
Hm? | 0:21:51 | 0:21:53 | |
Speak French whiter. | 0:21:53 | 0:21:57 | |
-French writers. -Now we're doing French writers? -Yes. | 0:21:57 | 0:21:59 | |
Rimbaud, yes. Yes, tres bon. | 0:22:00 | 0:22:02 | |
-Oh, I mispronounced. -Yeah. -Ah, Rambo. | 0:22:07 | 0:22:10 | |
It's a highbrow humour. Mm. | 0:22:13 | 0:22:15 | |
Baudelaire. | 0:22:18 | 0:22:19 | |
-Oui, good, good, good. -Verlaine. | 0:22:21 | 0:22:24 | |
-Verlaine. -Moliere. | 0:22:24 | 0:22:26 | |
Ooh, bravo! | 0:22:26 | 0:22:28 | |
Et Auguste Renoir. Great writer. | 0:22:30 | 0:22:35 | |
He's a painter! | 0:22:37 | 0:22:39 | |
Ah! Good! | 0:22:39 | 0:22:41 | |
-He tried to trick me! -I know, he did! | 0:22:41 | 0:22:44 | |
You can't fuck with me, man! | 0:22:48 | 0:22:50 | |
-Maman! -What? -Nothing! | 0:22:52 | 0:22:54 | |
Oh, she's got keys too, huh? | 0:22:57 | 0:22:59 | |
-Hello. How are you? -Yes. I'm Rose. | 0:23:08 | 0:23:11 | |
Yes. Jack. Nice to meet you. | 0:23:11 | 0:23:12 | |
Yeah, nice to meet you. | 0:23:12 | 0:23:14 | |
-Vous allez faire une ballade a Paris, tout les deux? -Are we going to go visit Paris? | 0:23:28 | 0:23:32 | |
-A Paris? Oui. -Mm-hm. | 0:23:32 | 0:23:34 | |
Yeah, yeah. Um, I would like to go see the catacombs. | 0:23:34 | 0:23:39 | |
-Les catacombes. -And, Pere... | 0:23:39 | 0:23:41 | |
Pere Lachaise. | 0:23:41 | 0:23:42 | |
Well, to see Jim Morrison's grave. | 0:23:47 | 0:23:49 | |
Did I say something tacky? | 0:23:52 | 0:23:54 | |
-Alors, vous avez pris des photos a Venice? -We took pictures in Venice. | 0:23:56 | 0:24:00 | |
-Oh, yes, yes, many pictures. Would you like to see some pictures? -Yes. | 0:24:00 | 0:24:06 | |
Oh, this is the Plaza San Marco. | 0:24:35 | 0:24:37 | |
Yes, bravo. Lots of nice photo. | 0:24:40 | 0:24:43 | |
Oh, thank you. I just got the camera for work, but I like doing it. | 0:24:43 | 0:24:48 | |
-Yes, but why no balloons in these photos? -I'm sorry? | 0:24:48 | 0:24:51 | |
-Did you show the photos to your sister? -No. | 0:24:57 | 0:24:59 | |
-Quoi? -No, I told her about it. | 0:24:59 | 0:25:03 | |
Oh, yes! Good! | 0:25:03 | 0:25:05 | |
Balloons, photo balloons! | 0:25:05 | 0:25:08 | |
Three balloon! | 0:25:10 | 0:25:11 | |
Joli! | 0:25:14 | 0:25:15 | |
Balloons! | 0:25:18 | 0:25:19 | |
OK, sweetie, you're not... It's funny. Sweetie, it's funny. | 0:25:32 | 0:25:35 | |
So... | 0:25:35 | 0:25:37 | |
-..um, that's a little bird on the terrace of the hotel. -Ah! | 0:25:38 | 0:25:44 | |
Bonsoir. Amusez vous bien. | 0:25:44 | 0:25:46 | |
# Il ya des gens qui sont piques D'aller a l'etranger... # | 0:25:51 | 0:25:55 | |
Nice snorting. | 0:26:02 | 0:26:05 | |
You used to like my snorting when I... After two years, it gets a little tiring? | 0:26:05 | 0:26:10 | |
I said I liked your snorting cos I was trying to get in your pants. | 0:26:10 | 0:26:13 | |
Once I got in your pants, there was no need to compliment you. | 0:26:13 | 0:26:16 | |
-But now it discusses you. -It doesn't "discuss" me. | 0:26:16 | 0:26:18 | |
"Discuss me" would be like if we were to discuss something. | 0:26:18 | 0:26:21 | |
I'm sorry, I speak four languages, OK? | 0:26:21 | 0:26:24 | |
Which one of them do you speak well, again? | 0:26:24 | 0:26:28 | |
Cos I have no proof that you speak French well. | 0:26:28 | 0:26:30 | |
For all I know, you could be stupid in French. It's true! How would I know? | 0:26:30 | 0:26:34 | |
Y'know, I'm not a big death fan, but this place is strangely undepressing. | 0:26:34 | 0:26:38 | |
I know! All the Parisians are dead here. | 0:26:38 | 0:26:41 | |
-That why it's so quiet? -Yeah. It's so nice. | 0:26:41 | 0:26:42 | |
-"Juck" t'aime. -Why do you put a "uck!" | 0:26:42 | 0:26:46 | |
-"Je t'aime." -"Jer" t'aime. | 0:26:46 | 0:26:47 | |
"Je t'aime." It's French. It's easy. You don't put a "uck!" It's not German. | 0:26:47 | 0:26:52 | |
-Ou est le steak crites? -"Frites." | 0:26:52 | 0:26:55 | |
Ou est le steak frites? Hm? | 0:26:55 | 0:26:59 | |
It's so ugly when you speak French. | 0:26:59 | 0:27:02 | |
Why are we even going there? | 0:27:02 | 0:27:03 | |
Jim Morrison. Why? | 0:27:03 | 0:27:05 | |
You don't even like The Doors. | 0:27:05 | 0:27:07 | |
No, it's a famous grave, though. Anyway, I'm a huge Val Kilmer fan. | 0:27:07 | 0:27:11 | |
Yeah, you take your photo and we go, OK? All right? | 0:27:11 | 0:27:14 | |
Pardon. Oh, pardon. | 0:27:14 | 0:27:16 | |
-Oh, non, mais... -We're getting the party started. | 0:27:16 | 0:27:19 | |
Just take the photo. What's wrong with her? | 0:27:19 | 0:27:21 | |
-Come on! -OK, let's go. | 0:27:24 | 0:27:26 | |
-I'm a free spirit! -This is it. | 0:27:26 | 0:27:28 | |
-FRENCH ACCENT: Super cool! -Yeah, super cool... | 0:27:28 | 0:27:30 | |
I'm so sorry. I can't believe that the catacombs were closed. | 0:27:31 | 0:27:34 | |
It's one of my favourite things. | 0:27:34 | 0:27:36 | |
Ah, well. I can't believe we have not run into one single person I know this entire trip. | 0:27:36 | 0:27:41 | |
I mean, what about The Collective Dynamics of the Small World Network? | 0:27:41 | 0:27:44 | |
-I mean... -'Collective Dynamics of the Small World Network, a book Jack read when we were in Venice. | 0:27:44 | 0:27:49 | |
'Everywhere we went, he was looking for proof that this theory works. | 0:27:49 | 0:27:53 | |
'It's very simple. | 0:27:53 | 0:27:54 | |
'Our world is very small, | 0:27:54 | 0:27:55 | |
and if you travel to the other side of the planet, | 0:27:55 | 0:27:58 | |
'there is a very high probability that you will bump into someone | 0:27:58 | 0:28:01 | |
'who lives right down the street from you. | 0:28:01 | 0:28:03 | |
'Scientifically, it is proven that it's not just chance. | 0:28:03 | 0:28:06 | |
'We are a whole, and everything is connected. | 0:28:06 | 0:28:08 | |
'The illusion of chaos in which we live | 0:28:08 | 0:28:10 | |
'is actually quite orderly and definitely linked. | 0:28:10 | 0:28:13 | |
'But it's just a theory, and Jack spent our two weeks in Venice | 0:28:13 | 0:28:16 | |
'looking for a sign of it, and nothing. | 0:28:16 | 0:28:18 | |
Morality? Mortality? | 0:28:18 | 0:28:20 | |
How are you? Nice to meet you, man. | 0:28:37 | 0:28:39 | |
-Nice to meet you, Jack. You speak French? -No, no. -Oh. | 0:28:39 | 0:28:43 | |
-We're going to my friend's party tonight. -Tonight, yeah. | 0:29:01 | 0:29:04 | |
-Nice to meet you, man. -Yeah, that was nice, homey. | 0:29:28 | 0:29:31 | |
-"That was nice, homey"?! -Oh, that's funny. | 0:29:33 | 0:29:36 | |
-Let's get a cab, huh? -You want to get a cab? OK... | 0:29:36 | 0:29:39 | |
-Um, so what's the deal, man? -What? | 0:29:39 | 0:29:41 | |
That guy was looking at you like you were a big leg of lamb. | 0:29:41 | 0:29:44 | |
-Like he had the fork, knife and bib. -I am a big leg of lamb. | 0:29:44 | 0:29:46 | |
I know, but you're my leg of lamb. How do you know him? | 0:29:46 | 0:29:49 | |
Well, we met many years ago, and we had a little thing. | 0:29:49 | 0:29:52 | |
I think I gave him a blow job. No big deal. | 0:29:52 | 0:29:56 | |
-Really? A blow job's no big deal? -Oh, I'm sorry! | 0:29:56 | 0:29:58 | |
No, but I mean it's no big deal in comparison to what's going on in the world. | 0:29:58 | 0:30:02 | |
There's George Bush, there's the war in Iraq, there's avian flu, | 0:30:02 | 0:30:06 | |
and there's a blow job. It's, like, in consideration, it's... | 0:30:06 | 0:30:10 | |
-Nice transition. -It's a pretty minor event, don't you think? | 0:30:11 | 0:30:15 | |
I would say it's not a minor event if you want to start talking in the grander political scheme. | 0:30:15 | 0:30:19 | |
If you think about it, it was a blow job, after all, | 0:30:19 | 0:30:22 | |
-that brought down America's last chance at a healthy democracy, so... -Hm. | 0:30:22 | 0:30:26 | |
Hey, do we have to go to this thing tonight? | 0:30:27 | 0:30:30 | |
-You don't want to go? -No, no... -No, we don't have to go, but I'd love to see my friends. | 0:30:30 | 0:30:34 | |
OK, no, it's fine. Are you friends with all your exes? | 0:30:34 | 0:30:37 | |
I'm friends with some of my exes. | 0:30:37 | 0:30:39 | |
I mean, y'know, most of them. | 0:30:39 | 0:30:41 | |
I mean, this guy is a really wonderful writer/poet. | 0:30:41 | 0:30:45 | |
French poet? | 0:30:45 | 0:30:47 | |
-You're not friends with ANY of your exes? -No. | 0:30:47 | 0:30:51 | |
-Really? -No. | 0:30:51 | 0:30:53 | |
-I didn't know that about you. -When it was over, it was over. | 0:30:53 | 0:30:57 | |
So if we broke up, you would not like to see me ever again? | 0:30:57 | 0:31:00 | |
No, if I ran into you, I wouldn't avoid you. I wouldn't go out of my way to hang out with you. | 0:31:00 | 0:31:04 | |
It means you don't think I'm a likeable person outside of our relationship? | 0:31:04 | 0:31:08 | |
Uh, yeah, basically. | 0:31:08 | 0:31:10 | |
That's interesting. I like you, I would like to be your friend when we break up. | 0:31:10 | 0:31:14 | |
-Oh, "when"? -Whenever we break up. No, IF we break up. -Uh-huh. | 0:31:14 | 0:31:17 | |
I would like you even if we were not together. | 0:31:17 | 0:31:19 | |
That's very evolved of you. I mean, I'm, y'know... | 0:31:19 | 0:31:22 | |
I mean, that's the way we do it in France. | 0:31:22 | 0:31:24 | |
We stay really close to our exes. | 0:31:24 | 0:31:26 | |
France is responsible for so much of your personal behaviour. How does the government feel? | 0:31:26 | 0:31:30 | |
-They make me pay a lot of taxes. -Right. Hey, look, can we stop at a pharmacy? My head is just killing me. | 0:31:30 | 0:31:36 | |
I ran out of migraine medication. | 0:31:36 | 0:31:37 | |
-We can get codeine over the counter here, right? -No! -No? Why no? | 0:31:37 | 0:31:41 | |
Well, because it's France. You can't buy opiates over the counter. It's not Afghanistan. | 0:31:41 | 0:31:46 | |
-Oh... -OK, there's no taxi here. Come on, let's go. | 0:31:48 | 0:31:50 | |
Maybe we can find some heroin over the counter. | 0:31:50 | 0:31:52 | |
-This is the bridge. -I've seen Last Tango more than anybody. Stop there. -Where? | 0:31:54 | 0:31:58 | |
Right there. Hey, you're doing Brando in the opening scene. All right? | 0:31:58 | 0:32:01 | |
I'm not doing Brando. | 0:32:01 | 0:32:03 | |
-Yeah, look... -Why don't you do Brando? | 0:32:03 | 0:32:05 | |
You look more like Brando than I do. I don't look anything like him. C'mon. Fingers in the ear. | 0:32:05 | 0:32:09 | |
Fingers in the ear, and then you're in pain, all right? | 0:32:09 | 0:32:12 | |
You're very upset. Here we go. Ahhh! | 0:32:12 | 0:32:14 | |
Fingers in the ear. Aah! | 0:32:14 | 0:32:16 | |
-AAAHHH! -All right, good. | 0:32:16 | 0:32:18 | |
-You know what? -What? | 0:32:18 | 0:32:20 | |
'Taking pictures all the time turns you into an observer. | 0:32:20 | 0:32:23 | |
'It automatically takes you out of the moment. | 0:32:23 | 0:32:26 | |
'For our trip to Venice, I wanted to be in the moment with Jack, but instead of kissing on the gondola, | 0:32:26 | 0:32:32 | |
'Jack took 48 pictures on the gondola. | 0:32:32 | 0:32:35 | |
'Instead of holding hands walking across Piazza San Marco, | 0:32:35 | 0:32:38 | |
'Jack took 72 pictures, Piazza San Marco. Et cetera, et cetera.' | 0:32:38 | 0:32:42 | |
Which one of these looks more Godard? | 0:32:53 | 0:32:56 | |
-Er... -Godard? | 0:32:56 | 0:32:59 | |
-Or Godard? -Black. | 0:32:59 | 0:33:02 | |
-How do I look? -The question is, | 0:33:02 | 0:33:05 | |
how do I look? | 0:33:05 | 0:33:08 | |
-OK... -Uh, you look great. | 0:33:08 | 0:33:10 | |
You look really good, actually. | 0:33:10 | 0:33:11 | |
Like not to fat or too, like... | 0:33:11 | 0:33:13 | |
No, you look fat, but you look good(!) You look good! | 0:33:13 | 0:33:17 | |
-Really, without your glasses, I kind of forgot how good. -I know. I find my contacts, finally. | 0:33:17 | 0:33:22 | |
-Making quite an effort, huh? -Huh? | 0:33:22 | 0:33:25 | |
Unlike Venice. Is it for Manu? | 0:33:25 | 0:33:28 | |
Manu? | 0:33:28 | 0:33:29 | |
Hey, we're going to pass by my father's... | 0:33:29 | 0:33:32 | |
gallery on the way. Is that OK? | 0:33:32 | 0:33:35 | |
Because I think you might like it. | 0:33:35 | 0:33:38 | |
-Do you read the Bible? -I have a Bible? | 0:33:38 | 0:33:40 | |
I didn't even know I had the Bible. | 0:33:40 | 0:33:42 | |
You have this in the Bible. | 0:33:50 | 0:33:51 | |
Oh, that's, er... Oh, yeah. | 0:33:53 | 0:33:55 | |
No, but... | 0:33:55 | 0:33:58 | |
Oh, that's so funny! You found it! | 0:33:58 | 0:34:01 | |
-Yeah. -No, I was looking for it the other day. It's... | 0:34:01 | 0:34:04 | |
-What's his name? -I don't know. | 0:34:04 | 0:34:06 | |
I mean, there's so many. | 0:34:06 | 0:34:08 | |
He's the boyfriend of one of my best friends when I was a kid. | 0:34:08 | 0:34:11 | |
Jean Philippe. Jean Louis. Jean Louis. | 0:34:11 | 0:34:13 | |
-Jean Francois! -Jean Francois. -It was about ten years ago. | 0:34:13 | 0:34:17 | |
That's not an ex boyfriend, that's just a friend. | 0:34:17 | 0:34:19 | |
It was the 14th of July. He was drunk, I was drunk, we were all drunk. | 0:34:19 | 0:34:23 | |
There was like, 20 people around, wearing balloons. | 0:34:23 | 0:34:27 | |
-You don't think it's a little offensive to have the same picture? -What? | 0:34:27 | 0:34:31 | |
It's the same exact photo! | 0:34:31 | 0:34:32 | |
As what? | 0:34:32 | 0:34:34 | |
-"As what"? -Yeah. Oh! I... | 0:34:34 | 0:34:37 | |
-As me! -No, it's not! It's not at all. | 0:34:37 | 0:34:39 | |
There's a blue, white and red balloon, like 14th of July. | 0:34:39 | 0:34:43 | |
Is this the equivalent of mounting boyfriends' heads on the wall, | 0:34:43 | 0:34:46 | |
but instead you take pictures of helium balloons tied around cocks? | 0:34:46 | 0:34:49 | |
Are there more? If I look through the books, will I find a catalogue of men | 0:34:49 | 0:34:53 | |
with helium balloons tied around their dick? | 0:34:53 | 0:34:55 | |
Will it start raining helium balloons on cocks? | 0:34:55 | 0:34:58 | |
No! It's a coincidence. | 0:34:58 | 0:34:59 | |
Come on. It's no big deal. | 0:34:59 | 0:35:02 | |
No, I just feel really special! | 0:35:02 | 0:35:05 | |
You're special to me. No, that photo we did was special. That was not like this one. | 0:35:05 | 0:35:09 | |
This one was, like, I was drunk, everyone was drunk... | 0:35:09 | 0:35:13 | |
-You're offended. -Yeah. -You're very special. | 0:35:13 | 0:35:16 | |
Like in the retarded way, which is obviously why I'm going out with you. | 0:35:16 | 0:35:19 | |
-Are you OK, booby? -Yeah. | 0:35:20 | 0:35:23 | |
Hey, cool, man! | 0:35:33 | 0:35:34 | |
Ah, super cool. | 0:35:34 | 0:35:35 | |
-He's just saying how beautiful his kids are. -Hm. That's funny. | 0:36:09 | 0:36:13 | |
He's saying I look like Catherine Zeta Jones. | 0:36:21 | 0:36:23 | |
Catherine Zeta Jones, hein? | 0:36:23 | 0:36:26 | |
Wait, we have a blind cab driver. | 0:36:26 | 0:36:28 | |
Jack. Jack. Enchante. | 0:36:56 | 0:36:58 | |
De Gaulle is fucking the ass of middle class French. | 0:37:04 | 0:37:08 | |
That's Anna, because Michel was with Anna. | 0:37:12 | 0:37:16 | |
They shared the same woman for a while, with my mother. They were having sex. | 0:37:16 | 0:37:21 | |
-Of course they did... -Anna. Amant. | 0:37:21 | 0:37:22 | |
-Amant. L'amant. L'amant. -Lover. | 0:37:22 | 0:37:25 | |
-The lover. -The lover, yeah. | 0:37:25 | 0:37:27 | |
Lover. Et girl... | 0:37:27 | 0:37:28 | |
They're all touching each other. | 0:37:28 | 0:37:30 | |
Voila. Et chicken. | 0:37:30 | 0:37:32 | |
-Chicken, chicken, chicken. -You gotta have chicken. Chicken sex? | 0:37:32 | 0:37:36 | |
Jeannot, Jeannot. | 0:37:39 | 0:37:40 | |
No, no, no. | 0:37:40 | 0:37:42 | |
-French! -Yeah, but I get migraines. | 0:37:42 | 0:37:45 | |
He gets headaches from red wine. | 0:37:47 | 0:37:49 | |
-It's a man who's pregnant having a baby. -Oh, like the Arnold Schwarzenegger movie. | 0:38:00 | 0:38:04 | |
-Hermaphrodite. -Hermaphrodite. | 0:38:04 | 0:38:06 | |
-Euh, pigs. -Uh huh. Oh, yeah, pigs with some sort of salami. -Oh, yes. | 0:38:16 | 0:38:21 | |
Marion? Marion? | 0:38:27 | 0:38:30 | |
Yes? What's going on? | 0:38:30 | 0:38:32 | |
-Your father's... -Cunnilingus. | 0:38:32 | 0:38:34 | |
Cunnilingus. French. Cunnilingus! | 0:38:34 | 0:38:37 | |
I'm sorry, honey. Sorry. | 0:38:37 | 0:38:38 | |
Where are you going? | 0:38:41 | 0:38:42 | |
Au revoir, au revoir. | 0:38:58 | 0:38:59 | |
-Oh, hey. -Hey. | 0:39:13 | 0:39:15 | |
-Where are you going? -I'm done here. -Oh. -I'll see you at Vanessa's? -Yeah. | 0:39:15 | 0:39:18 | |
You know, I wanted to tell you, I think it's wrong what Marion did, | 0:39:18 | 0:39:23 | |
showing those pictures of you with the balloons to the family. | 0:39:23 | 0:39:26 | |
Well... It's wrong. You know? | 0:39:26 | 0:39:28 | |
It's not right. It showed... | 0:39:28 | 0:39:30 | |
-It showed no respect for your intimity as a couple. -"Intimity"? | 0:39:30 | 0:39:35 | |
-Your... -Oh, intimacy! No, I know! | 0:39:35 | 0:39:37 | |
-Right? I'm not crazy, right? -No. | 0:39:37 | 0:39:39 | |
-Yeah. -..ce tableau la bas... | 0:39:39 | 0:39:42 | |
-Take care. -OK. | 0:39:47 | 0:39:49 | |
What are you doing? | 0:39:56 | 0:39:57 | |
Oh, I needed some air. It's so stuffy in there. | 0:39:57 | 0:39:59 | |
-I know. It's hot. -Mm. | 0:39:59 | 0:40:01 | |
-You want to go? -Yeah, yeah. You ready? | 0:40:01 | 0:40:03 | |
-You said goodbye to my dad? -Yeah. | 0:40:03 | 0:40:05 | |
-OK. -OK. -You OK? -Yeah. Well, yeah. | 0:40:05 | 0:40:07 | |
I got to tell you, it was wrong you showed that picture to your family. | 0:40:09 | 0:40:12 | |
It just knows a total lack of respect for our intimacy. | 0:40:12 | 0:40:15 | |
Your picture? But it's so funny! | 0:40:17 | 0:40:20 | |
-Come on! -It's totally inappropriate! | 0:40:20 | 0:40:22 | |
My dad loved it! He thought it was hilarious. | 0:40:22 | 0:40:25 | |
Judging by the work in his gallery, that doesn't surprise me. | 0:40:25 | 0:40:27 | |
I don't like being laughed at, that's all. | 0:40:27 | 0:40:30 | |
-Come on. -I never take subways in New York. | 0:40:30 | 0:40:33 | |
There is no chance of a terrorist attack right now. | 0:40:33 | 0:40:38 | |
Everyone's happy. | 0:40:38 | 0:40:40 | |
-They don't look happy. -Hm? | 0:40:40 | 0:40:42 | |
They don't look happy. | 0:40:42 | 0:40:44 | |
It's OK. It's all right. | 0:40:44 | 0:40:46 | |
It's OK. | 0:41:01 | 0:41:03 | |
All right, I got it. | 0:41:23 | 0:41:24 | |
Didn't work. | 0:41:32 | 0:41:33 | |
Everything OK? | 0:41:33 | 0:41:35 | |
Ca va? Hey! | 0:41:52 | 0:41:54 | |
Hello! Jack. Hello. | 0:41:58 | 0:42:00 | |
Mon amie, Vanessa. My friend. | 0:42:00 | 0:42:02 | |
-Nice to meet you. -So, you're the new boyfriend? | 0:42:02 | 0:42:05 | |
-What's your name? -Sandra. -Oh, Sandra. "New" boyfriend? | 0:42:05 | 0:42:08 | |
-Uh, not that new, but, all right... -Nice to meet you. -Somewhat used. Hi. | 0:42:08 | 0:42:15 | |
-Are you OK? -Oh, yeah. No, very good. I'm eating little hot dog balls, I got a beer. Everything's good. | 0:42:15 | 0:42:20 | |
-Oh, good! -You want some more food? I'm OK, honey. I'm 35. | 0:42:20 | 0:42:25 | |
OK, fine. | 0:42:25 | 0:42:27 | |
She still breast feeds me but don't tell anybody. | 0:42:29 | 0:42:32 | |
By the way, did you notice how most women have their pussy formatted | 0:42:40 | 0:42:45 | |
like they have that horrible cut, you know? | 0:42:45 | 0:42:49 | |
The subway ticket? | 0:42:49 | 0:42:52 | |
Subway ticket, huh? | 0:42:52 | 0:42:54 | |
Yeah, "le ticket Metro", we call it here. It's a narrow rectangle. | 0:42:54 | 0:42:58 | |
Oh, landing strip. I hate it. | 0:42:58 | 0:43:00 | |
-You don't like that. -It's horrible. | 0:43:00 | 0:43:02 | |
-Yeah. -Yeah. I actually call it Hitler's moustache. | 0:43:02 | 0:43:05 | |
Wow! You really hate it! | 0:43:05 | 0:43:07 | |
When I look at it like this... | 0:43:07 | 0:43:09 | |
-I go. Yeah, it's horrible. -Yeah. | 0:43:09 | 0:43:12 | |
But it always make my cock back away. | 0:43:12 | 0:43:14 | |
Uh huh, uh huh... | 0:43:14 | 0:43:17 | |
-It's not the right term? -No, I... | 0:43:17 | 0:43:20 | |
You know, when it get scared or cold. | 0:43:23 | 0:43:25 | |
Yeah. Oh, yeah, scared. I guess cold... | 0:43:25 | 0:43:28 | |
Oh, maybe Americans not have that problem. | 0:43:28 | 0:43:31 | |
You never scared of entering hostile territories. | 0:43:31 | 0:43:35 | |
HE LAUGHS | 0:43:35 | 0:43:37 | |
By the way, I'm Mathieu. Nice to meet you. | 0:43:37 | 0:43:39 | |
Jack. Nice to meet you. | 0:43:39 | 0:43:41 | |
Hey, sweetie. | 0:43:42 | 0:43:44 | |
This guy's talking about fascist vaginas. | 0:43:44 | 0:43:47 | |
-Ca va, toi? -Ca va? | 0:43:47 | 0:43:48 | |
No, he's doing an exhibition. | 0:44:02 | 0:44:03 | |
He's a really interesting artist. | 0:44:03 | 0:44:05 | |
-Oh, yeah. Ex boyfriend? -No! | 0:44:05 | 0:44:08 | |
You sure? | 0:44:08 | 0:44:09 | |
-That'd be a record. -No! | 0:44:09 | 0:44:12 | |
-Oh, Manu! -Oh, you don't have to speak to him. Come on. | 0:44:12 | 0:44:15 | |
Oh, no, I want to! I love Manu. | 0:44:15 | 0:44:17 | |
'I always thought that a very small lie, | 0:44:18 | 0:44:20 | |
'if it has no repercussions on anything or anyone, | 0:44:20 | 0:44:24 | |
'is not really a lie. | 0:44:24 | 0:44:25 | |
'You have to make a small diagram in your head | 0:44:25 | 0:44:27 | |
'evaluating the pros and cons of the possible consequences, | 0:44:27 | 0:44:31 | |
'and especially if there a chance that the lie might be uncovered.' | 0:44:31 | 0:44:34 | |
-Hey, it's you, dude! -Hey, man, how are you? | 0:44:34 | 0:44:36 | |
How you doing? Oh, OK. Sure, OK. | 0:44:36 | 0:44:38 | |
-What's up? -Oh, not much, not much. How you doing? -No, I'm OK. | 0:44:38 | 0:44:41 | |
-She told you that we used to be together, right? -Oh, yes. | 0:44:41 | 0:44:44 | |
You know, it was, like, 15 years ago, so it's no big deal at all. | 0:44:44 | 0:44:49 | |
-Really. -No. -Yeah... | 0:44:49 | 0:44:50 | |
-She was 19. -Ah, just a child. | 0:44:50 | 0:44:53 | |
Yeah. I gave her her first orgasm through intercourse. | 0:44:53 | 0:44:55 | |
This is rude. I know when I'm rude. This is rude. | 0:44:57 | 0:45:00 | |
-I'm sorry about that. -Oh, no, no, no, no! | 0:45:00 | 0:45:02 | |
No, hey, look, you paved the way for the rest of us, right? Sure. | 0:45:02 | 0:45:05 | |
-Toast to that. -Let's toast to that! | 0:45:05 | 0:45:08 | |
OK. Anyway, you know, it wasn't even a big love story, more like, you know, brother and sister. | 0:45:08 | 0:45:14 | |
-Oh, a brother and sister that have sex. -Yeah, no big deal, y'know. | 0:45:14 | 0:45:17 | |
Right. Yeah, well, I have to just go get the thing. | 0:45:17 | 0:45:20 | |
I love that guy. Go get it. | 0:45:20 | 0:45:24 | |
-What is it? -A sole blow job, huh? | 0:45:24 | 0:45:26 | |
You had sex with the guy. | 0:45:26 | 0:45:27 | |
-Who? -Manu! | 0:45:27 | 0:45:29 | |
No! Well, yeah... | 0:45:29 | 0:45:32 | |
-Just vaguely. -"Vaguely"? | 0:45:32 | 0:45:33 | |
What is that, just the tip? | 0:45:33 | 0:45:35 | |
-I don't see what the point of lying about it is. -I didn't lie! | 0:45:35 | 0:45:38 | |
You did, and not to mention the fact that he told me that | 0:45:38 | 0:45:41 | |
he was the first person to give you an orgasm through intercourse. | 0:45:41 | 0:45:44 | |
-Sound familiar? -No, listen... | 0:45:44 | 0:45:46 | |
-Rings a bell? -No, I told him that to make him feel better, | 0:45:46 | 0:45:48 | |
-or maybe good. -Right, exactly, which is exactly what you told me. -Did I? | 0:45:48 | 0:45:52 | |
-Oh, my God! -But it's true with you! Is it amnesia? I don't understand. | 0:45:52 | 0:45:56 | |
No, booby, don't be all crappy like this. Please don't be jealous. | 0:45:56 | 0:46:00 | |
You knew I wasn't a virgin when I met you. I was 33! | 0:46:00 | 0:46:03 | |
That's not what I'm saying. I'm talking about the lying. | 0:46:03 | 0:46:05 | |
Of course you're not a virgin. Far from it. | 0:46:05 | 0:46:07 | |
OK, I'm going to get some dip. | 0:46:07 | 0:46:09 | |
I'm a child psychologist. | 0:46:09 | 0:46:11 | |
I work with children with difficulties in the 16th and Neuilly sur Seine. | 0:46:11 | 0:46:16 | |
-Yeah, yeah, yeah. -Rich children. | 0:46:16 | 0:46:18 | |
-With money. -Yeah. That happens, that happens. | 0:46:18 | 0:46:21 | |
Well, that sounds very fascinating. | 0:46:21 | 0:46:23 | |
One time I have to tell you this story I was working with this kid in my office, | 0:46:23 | 0:46:29 | |
and I had to go to the toilets... | 0:46:29 | 0:46:32 | |
-Uh-huh. -And when I came back, my chair was all wet. | 0:46:32 | 0:46:37 | |
-That little rat, he had peed on it. -Oh! | 0:46:37 | 0:46:42 | |
I was so mad. | 0:46:42 | 0:46:44 | |
The only think I could think about after that is that | 0:46:46 | 0:46:50 | |
I just wanted to cut it off, just wanted to cut it off. | 0:46:50 | 0:46:54 | |
-Quit your job, or...? -No! | 0:46:54 | 0:46:56 | |
I wanted to cut off his little penis. | 0:46:56 | 0:46:58 | |
-Oh, his little penis. -Yes. -Oh, boy. | 0:46:58 | 0:47:01 | |
You go to the temple sometimes? | 0:47:26 | 0:47:28 | |
Uh, no. In fact, I'm not really Jewish. | 0:47:28 | 0:47:31 | |
Well, my mother was brought up Catholic, even though it's a Jewish | 0:47:31 | 0:47:34 | |
last name and everything, so technically not Jewish. | 0:47:34 | 0:47:37 | |
-But your father is Jewish. So you're Jewish too, man? -Right. | 0:47:37 | 0:47:40 | |
You a happy, hairy Jewish man! What do you think? | 0:47:40 | 0:47:43 | |
You think Hitler would let you go because your ma is not Jewish? It doesn't change anything. | 0:47:43 | 0:47:47 | |
You'll be in a camp, put in the camp by all these guys, believe me. | 0:47:47 | 0:47:50 | |
Right, right. OK. All right. | 0:47:50 | 0:47:52 | |
Yeah, I never liked camp. | 0:47:52 | 0:47:54 | |
By the way, I'll be in your apartment for a couple of days. | 0:47:54 | 0:47:56 | |
Marion invited me, so... | 0:47:56 | 0:47:58 | |
We've got one bedroom, a small one bedroom. | 0:47:58 | 0:48:00 | |
Yeah, I'll bring fois gras, you know. | 0:48:00 | 0:48:01 | |
I feel that I'm your brother, and what mine is just yours, man. | 0:48:01 | 0:48:07 | |
Does that mean that what's mine is yours? | 0:48:07 | 0:48:09 | |
-Oh, if you want to give, I'll take it. -Oh, really? | 0:48:09 | 0:48:12 | |
So this applies to everything? Let me just explain something to you. | 0:48:12 | 0:48:15 | |
Um, I'm American. Right? | 0:48:15 | 0:48:18 | |
And in America, what's mine is mine. | 0:48:18 | 0:48:21 | |
See, my first religion is private property. Don't trespass. | 0:48:21 | 0:48:25 | |
-Don't touch my shit. -Yeah. | 0:48:25 | 0:48:26 | |
Or I'll kill you. OK? OK! | 0:48:26 | 0:48:30 | |
I like that man. See you in August! I love your home! | 0:48:30 | 0:48:33 | |
You told this paranoid, crazy person he could stay at our place in August? | 0:48:33 | 0:48:37 | |
No, I said he could stay if we were away. | 0:48:37 | 0:48:39 | |
Well, you might want to talk to him, because | 0:48:39 | 0:48:41 | |
he thinks our apartment is the fucking promised land. | 0:48:41 | 0:48:44 | |
I want to remember the least romantic day in Parisian history. | 0:49:23 | 0:49:29 | |
Marion? | 0:50:51 | 0:50:53 | |
Marion! | 0:50:58 | 0:51:00 | |
-Oh, mais ca... -What's going on? Oh. | 0:51:02 | 0:51:05 | |
Oh, sweetie! What's going on? I don't feel good! | 0:51:05 | 0:51:08 | |
-I don't feel good. -What's the matter? What's the matter? | 0:51:08 | 0:51:11 | |
Huh? | 0:51:13 | 0:51:15 | |
No, no, no, we had mussels last month on Long Island. | 0:51:15 | 0:51:19 | |
-Yeah, but it was American mussels. Maybe I'm allergic to French mussels. -Someone call 911! | 0:51:19 | 0:51:24 | |
-Is it 911 here? -No! | 0:51:24 | 0:51:25 | |
-What? Someone call je suis allergique moules! -Wait! | 0:51:26 | 0:51:29 | |
-What's the matter? What's the matter? -I don't have a pulse. | 0:51:29 | 0:51:32 | |
-Yes, you do, honey. -No! -You're alive. | 0:51:32 | 0:51:33 | |
No, no, no. Yes, you do, yes, you do. | 0:51:33 | 0:51:36 | |
I'm dead! | 0:51:36 | 0:51:37 | |
No, you're not, you're talking. | 0:51:37 | 0:51:38 | |
Jack? I'm alive, booby. | 0:52:03 | 0:52:06 | |
Yeah, I know you are. I could tell by all the talking. | 0:52:06 | 0:52:09 | |
-Yes. -Yeah. | 0:52:09 | 0:52:12 | |
-Hey, do you have anything for sinuses? Antihistamine? -Actually, no. | 0:52:12 | 0:52:18 | |
But she'll be fine. She'll be OK. | 0:52:18 | 0:52:19 | |
-Yeah, I know. -OK. | 0:52:19 | 0:52:21 | |
Did you enjoy talking to my sister? | 0:52:36 | 0:52:38 | |
I mean, you barely spoke to anyone else. | 0:52:38 | 0:52:41 | |
That's not true. I talked to Mathieu and Manu and Sandra. | 0:52:41 | 0:52:46 | |
They were charming. | 0:52:46 | 0:52:48 | |
"Charming" as in "charming" or are you sarcastic? | 0:52:48 | 0:52:52 | |
No, no, they were lovely. | 0:52:52 | 0:52:53 | |
I can't tell with you! | 0:52:53 | 0:52:54 | |
-Hey, hey, hey... -Sweetie, it's OK, it's under control. | 0:53:40 | 0:53:43 | |
We're dealing with a fucking psychopath, Nazi, fucking racist asshole. | 0:53:43 | 0:53:48 | |
And that's OK, because you know what? That's France. | 0:53:48 | 0:53:51 | |
We are in France. | 0:53:51 | 0:53:54 | |
Welcome to France, welcome to France, | 0:53:54 | 0:53:56 | |
welcome to France! | 0:53:56 | 0:53:58 | |
-Hey, ca va? -Fasciste. | 0:53:58 | 0:53:59 | |
We can just... This is fine. This is good right here. | 0:54:16 | 0:54:20 | |
Quoi? | 0:54:35 | 0:54:36 | |
Good night. Thanks. | 0:54:44 | 0:54:46 | |
What is wrong with you? | 0:54:48 | 0:54:50 | |
That guy was a racist. | 0:54:50 | 0:54:53 | |
You know, when we get back to the States, we're checking you into an anger management/rehab clinic. | 0:54:53 | 0:55:00 | |
I didn't even get angry. I mean, is it OK to be racist? | 0:55:00 | 0:55:04 | |
At least Rose is alive. | 0:55:04 | 0:55:07 | |
Smells like lamb in here. | 0:55:10 | 0:55:12 | |
This whole city smells like lamb. | 0:55:12 | 0:55:16 | |
-Uh huh. -What is this? | 0:55:16 | 0:55:18 | |
Did your mother do this? | 0:55:18 | 0:55:20 | |
-Uh, laundry. -That's sweet. | 0:55:20 | 0:55:23 | |
Oh, shit. I tell her not to do it, but she can't help it. | 0:55:23 | 0:55:27 | |
She irons jeans? Who irons jeans? | 0:55:27 | 0:55:30 | |
Ironing jeans is her favourite thing in the world. It's nice. | 0:55:30 | 0:55:34 | |
-All right, y'know... -I thought she was a hippy. | 0:55:36 | 0:55:38 | |
Yeah, but eventually the mother habit started creeping in on her. | 0:55:38 | 0:55:42 | |
-OK, y'see? This is what I'm talking about. -What? | 0:55:47 | 0:55:50 | |
-I'm trying to get on top! -Yeah, I know. -You keep fighting it! | 0:55:50 | 0:55:53 | |
Yeah, because you always want to get on top. | 0:55:53 | 0:55:55 | |
What do you mean, I always want to get on top? That's how I like to do it. | 0:55:55 | 0:55:59 | |
Yeah, that's how YOU like to do it, but I'm here too! | 0:55:59 | 0:56:01 | |
I'm not, like, a human dildo! | 0:56:01 | 0:56:03 | |
You're not? | 0:56:03 | 0:56:04 | |
I'm serious. For all this talk about women being objectified and women are oversexualised and women | 0:56:04 | 0:56:09 | |
being pieces of meant and women being baby-making machines, it's men who are pieces of meat. | 0:56:09 | 0:56:14 | |
It's true! Because there's such emphasis placed on the female orgasm. | 0:56:14 | 0:56:17 | |
It's all about the end result, what's the best position for the woman. | 0:56:17 | 0:56:21 | |
It should be a two-way street. It should be about compromise. | 0:56:21 | 0:56:23 | |
I really feel for you. I mean, it must be horrible to be a man and be used and be an object and all that. | 0:56:23 | 0:56:29 | |
I really support your cause. You should call Amnesty. | 0:56:29 | 0:56:31 | |
I'm so sorry. You know what? I'm not in the mood any more. | 0:56:31 | 0:56:34 | |
-No, no, no, no. -No! -No, no. -How do you want me to have sex with you? | 0:56:34 | 0:56:37 | |
-No! -I'm sorry. -I'm not doing this right now. | 0:56:37 | 0:56:39 | |
-Hey, let's go from behind. -NO! -OK. | 0:56:39 | 0:56:42 | |
OK? I want to do it on top, and you keep... | 0:56:42 | 0:56:44 | |
OK, listen, now I'm traumatised, OK? I've been rejected. | 0:56:44 | 0:56:47 | |
You know what it is for a woman to be rejected while she's having sex? | 0:56:47 | 0:56:50 | |
No, no, it's over. You know what? I'll probably never eat again. | 0:56:50 | 0:56:53 | |
-I'm probably bulimic or anorexic. -No, no, no. -Leave me alone. | 0:56:53 | 0:56:57 | |
Honey, come on, we haven't loved the entire trip. | 0:56:57 | 0:56:59 | |
Well, yeah! Who wasn't in the mood? | 0:56:59 | 0:57:02 | |
I was on the bowl the whole time! | 0:57:02 | 0:57:04 | |
Did you want to mount me while I was shitting my guts out? | 0:57:04 | 0:57:07 | |
Don't say it any more. I can't hear you say the word "shitting" | 0:57:07 | 0:57:10 | |
any more. I'm too tired to fight. Can we do it tomorrow? Thank you. | 0:57:10 | 0:57:13 | |
I'm going to sleep with the cat. He's much sexier, anyway. | 0:57:13 | 0:57:17 | |
Danke! | 0:57:22 | 0:57:25 | |
-What? What? What? -Oh my God! | 0:57:51 | 0:57:52 | |
I don't know! They're screaming. | 0:57:52 | 0:57:54 | |
Ow! What are you doing? | 0:57:54 | 0:57:56 | |
There's a water pipe that broke downstairs. | 0:58:18 | 0:58:21 | |
-They're on their way. -Who? | 0:58:21 | 0:58:26 | |
The firemen. | 0:58:26 | 0:58:28 | |
-Oh. -God! -Got a hangover. -I'm going to help, OK? | 0:58:28 | 0:58:31 | |
-Ah, bonjour! -Bonjour. | 0:58:36 | 0:58:38 | |
Oh, hey, guys. How you doing? | 0:59:38 | 0:59:41 | |
Jack. Enchante. | 0:59:41 | 0:59:43 | |
-Salut. -Monsieur. How you doing? | 0:59:43 | 0:59:45 | |
Um, can I touch, too? | 0:59:45 | 0:59:47 | |
-Hm? -Muscles? | 0:59:47 | 0:59:50 | |
-Ca va, ca va... -No, OK, all right. | 0:59:50 | 0:59:56 | |
-Ohhh! -Bonne journee. -Oui. | 0:59:56 | 0:59:58 | |
All right, OK. All right. | 0:59:58 | 1:00:00 | |
Oh! | 1:00:00 | 1:00:02 | |
Finally under control. | 1:00:09 | 1:00:11 | |
-Soaking wet. -I bet you are. | 1:00:11 | 1:00:13 | |
Ho! | 1:00:13 | 1:00:14 | |
Do you want to come? To the market? | 1:00:23 | 1:00:25 | |
I have such a terrible hangover. | 1:00:25 | 1:00:27 | |
Maybe you should spend some time with your dad. | 1:00:27 | 1:00:29 | |
-He asked you to come! -How do I know? You're speaking French. | 1:00:29 | 1:00:31 | |
For all I know, he said I killed Christ. | 1:00:31 | 1:00:33 | |
It's one of my favourite things to do in Paris. | 1:00:33 | 1:00:35 | |
-I want to share this with you. Please. -Yes. Yes, yes, OK. | 1:00:35 | 1:00:38 | |
-Thank you. -All right. | 1:00:38 | 1:00:41 | |
Then we'll go to brunch, OK? | 1:00:41 | 1:00:43 | |
I feel sick, though. | 1:00:43 | 1:00:45 | |
-"Chaute"! -Shout! | 1:00:51 | 1:00:52 | |
-Rarrr! -Shout, chaute! | 1:00:52 | 1:00:54 | |
Il a aime s'amuser a Paris hier? | 1:00:56 | 1:00:58 | |
Did you like visiting Paris? | 1:00:58 | 1:00:59 | |
Oh, yes, very nice, very nice. | 1:00:59 | 1:01:03 | |
-Tres bon. -Il aime Jim Morrison? -Do you like Jim Morrison? | 1:01:03 | 1:01:06 | |
Not really, no. | 1:01:06 | 1:01:07 | |
It's a touristical thing to do, that's all. | 1:01:10 | 1:01:13 | |
What is it? | 1:01:35 | 1:01:37 | |
Well, he's keying the car. It's right on the sidewalk! | 1:01:48 | 1:01:50 | |
What is that, a French ticket? You can just... | 1:01:50 | 1:01:52 | |
-Is it legal here to key the... -No, it's a car parked | 1:01:52 | 1:01:55 | |
on the sidewalk. It's his thing, OK? | 1:01:55 | 1:01:57 | |
-Oh, no, no. -Oh, he's going to key that one, yeah. | 1:01:59 | 1:02:02 | |
Well, hey, stop the man! | 1:02:02 | 1:02:04 | |
What do you mean, "stop the man"? I can't stop him! | 1:02:04 | 1:02:06 | |
Then let's run or something! Come on. | 1:02:06 | 1:02:08 | |
Can we pick up the pace a little bit? | 1:02:12 | 1:02:14 | |
-Car bad. -Car bad, yeah... | 1:02:14 | 1:02:16 | |
-He doesn't like cars. -Apparently, no, he's a... | 1:02:16 | 1:02:19 | |
Pollution. | 1:02:19 | 1:02:21 | |
-Huh? -Pollution. -Pollution, yeah. | 1:02:21 | 1:02:23 | |
Well, you should run for office. | 1:02:23 | 1:02:24 | |
-No sleep, no sleep. -OK. -I went to a party. Soiree. -No slip? | 1:02:40 | 1:02:43 | |
-Soiree. -Slip? -No sleep. | 1:02:43 | 1:02:46 | |
No slip. | 1:02:46 | 1:02:48 | |
-Ooh, la, la! -Oh, Jack! | 1:02:51 | 1:02:54 | |
Oh, God! Oh, my God. | 1:02:54 | 1:02:57 | |
Oh, my God, that's so disturbing. | 1:02:57 | 1:02:59 | |
Look what the French did to Babe! | 1:02:59 | 1:03:01 | |
Oh, it's so sad! | 1:03:01 | 1:03:03 | |
Jack! Look, look, look! | 1:03:03 | 1:03:06 | |
-Tongue of veal. Look at this. -Yeah. No, I see. It's... -Oh, my God. | 1:03:10 | 1:03:14 | |
I can see it, yeah. | 1:03:14 | 1:03:16 | |
-Agneau de lait. -Hm? | 1:03:16 | 1:03:19 | |
Agneau de lait. Baaa! Baaa! | 1:03:19 | 1:03:23 | |
-Oh! -Baby lamb. Baby lamb. | 1:03:23 | 1:03:25 | |
That's sweet, the way he personifies the skinned baby animal... | 1:03:25 | 1:03:29 | |
Uh, I'm not doing so well. | 1:03:32 | 1:03:34 | |
-Really? -Yeah. I feel like I might have to go back to the apartment. -Oh. | 1:03:34 | 1:03:38 | |
OK. You're feeling a little sick. OK. I'm sorry. | 1:03:38 | 1:03:41 | |
I stayed up till four watching M, and I'm starting to get paranoid, all the people and the skinned animals. | 1:03:41 | 1:03:46 | |
I feel like I'm going to get lynched, y'know? | 1:03:46 | 1:03:48 | |
Yeah. I'm sorry. I'm sorry. | 1:03:54 | 1:03:56 | |
But I love this place very much. | 1:03:56 | 1:03:57 | |
-I love it so much. -OK, OK. | 1:03:57 | 1:03:59 | |
-OK, you take care. OK. All right, you feel better. -Yeah. | 1:03:59 | 1:04:03 | |
-You've got the keys, booby, right? -Bye bye. Au revoir. | 1:04:03 | 1:04:06 | |
You don't tell your mother about this, OK? | 1:04:45 | 1:04:47 | |
Oh, they're still at the market. I just came back to take a shower. | 1:05:04 | 1:05:07 | |
That's so nice of you. Very nice. Very nice. | 1:05:11 | 1:05:14 | |
Jeannot very angry with me, mad at me, because | 1:05:14 | 1:05:20 | |
of Jim Morrison. | 1:05:20 | 1:05:22 | |
He doesn't like The Doors? | 1:05:22 | 1:05:24 | |
Because me with Jim, euh... | 1:05:24 | 1:05:27 | |
-Yes. -You... | 1:05:29 | 1:05:31 | |
-Oui. -You and J... Oh! | 1:05:33 | 1:05:36 | |
In '69. | 1:05:39 | 1:05:41 | |
Many people were very happy with their body. | 1:05:41 | 1:05:46 | |
-Sex fun, everyone with everyone. -Oh! | 1:05:47 | 1:05:51 | |
Oh, the mother's a slut, too. | 1:05:51 | 1:05:53 | |
Oh, I see. | 1:05:53 | 1:05:56 | |
No, that's a beautiful story. It's very beautiful. | 1:05:56 | 1:05:59 | |
And do you know... | 1:05:59 | 1:06:00 | |
-For women? -Oh, women's lib, yeah. | 1:06:03 | 1:06:07 | |
I was one. Do you know that? | 1:06:08 | 1:06:10 | |
Oh, you were... | 1:06:10 | 1:06:12 | |
-Oh, I see, I see. -Can you pass me the cat, please? | 1:06:12 | 1:06:16 | |
-Oh, Jean Luc? Oh! -Jean Luc? -I think he's... -Ah, he's here. | 1:06:16 | 1:06:20 | |
-Excuse moi. -Au revoir. -Bye bye! | 1:06:20 | 1:06:22 | |
Au revoir, au revoir. Merci. | 1:06:22 | 1:06:25 | |
You got the door? | 1:06:27 | 1:06:28 | |
Unbelievable. | 1:06:30 | 1:06:32 | |
It's Music Day today. | 1:07:31 | 1:07:32 | |
It's like people play around, they play music everywhere. | 1:07:34 | 1:07:38 | |
-Oh. -It's a special day. | 1:07:38 | 1:07:41 | |
We should walk around, no? | 1:07:41 | 1:07:43 | |
Grizzly? | 1:07:48 | 1:07:49 | |
You brought your camera. | 1:08:00 | 1:08:02 | |
Yeah, I might take a few photos. | 1:08:02 | 1:08:04 | |
What are you going to eat? | 1:08:29 | 1:08:31 | |
-I'm not really hungry. -You don't want to eat anything? | 1:08:31 | 1:08:34 | |
-No. -Are you sure? | 1:08:34 | 1:08:37 | |
Mm hm. | 1:08:37 | 1:08:39 | |
-What? -Nothing. I'm just saying hello. | 1:08:55 | 1:08:57 | |
Do you know these guys? | 1:08:57 | 1:08:59 | |
Just a little bit. | 1:08:59 | 1:09:00 | |
Can I just get a bowl of ground glass? | 1:09:08 | 1:09:11 | |
Pardon? | 1:09:11 | 1:09:12 | |
I'm Jack. Enchante. | 1:09:25 | 1:09:30 | |
See, that's how we do it in America. | 1:09:31 | 1:09:33 | |
-One second. -OK. | 1:09:33 | 1:09:34 | |
-Should I leave? -I'm sorry, sweetie. It's going to be fine. | 1:10:00 | 1:10:03 | |
Why don't you just tell me what's going on, as a courtesy? | 1:10:03 | 1:10:06 | |
No? Nothing. OK. This is fun. | 1:10:06 | 1:10:08 | |
OK... OK. | 1:10:17 | 1:10:19 | |
Non, ca va, tout va bien. | 1:10:19 | 1:10:20 | |
-What's going on? -It's OK. I'm fine. | 1:11:22 | 1:11:25 | |
-What are you doing? -I'm fine. -What are you doing? -I'm fine. | 1:11:25 | 1:11:27 | |
I'm fine. Ca va. C'est bon. | 1:11:27 | 1:11:29 | |
I'm OK, sweetie. I'm OK, I'm totally cool. | 1:11:32 | 1:11:36 | |
Everything's in control. | 1:11:36 | 1:11:37 | |
Thanks. Thank you. | 1:11:44 | 1:11:46 | |
Thanks a lot. | 1:11:46 | 1:11:49 | |
-What? -What the hell is wrong with you? | 1:11:52 | 1:11:54 | |
OK, I'm sorry. I'm really sorry. | 1:11:54 | 1:11:57 | |
Honestly, I mean, you're like a crazy person. | 1:11:57 | 1:11:59 | |
-Don't say that! -You had crazy eyes! | 1:11:59 | 1:12:01 | |
I mean, what are you? Are you Mike Tyson? You're Mike Tyson! | 1:12:01 | 1:12:04 | |
-I'm not Mike Tyson! -I'm dating Mike Tyson! -No, you're not. | 1:12:04 | 1:12:07 | |
I... It was a guy I dated that did something so horrible. | 1:12:07 | 1:12:12 | |
No, no, listen to me. It's so horrible. | 1:12:12 | 1:12:14 | |
-What? -It was not like a regular thing. | 1:12:14 | 1:12:16 | |
When? | 1:12:16 | 1:12:18 | |
Seven years ago. | 1:12:18 | 1:12:20 | |
Seven years ago? | 1:12:20 | 1:12:21 | |
And you're still this pissed? Man! | 1:12:21 | 1:12:24 | |
He did something despicable. He represents everything I hate. | 1:12:24 | 1:12:27 | |
He's part of this little bourgeoisie, and he did something that is so wrong... | 1:12:27 | 1:12:31 | |
Oh, here we go, here we go. Right, OK. | 1:12:31 | 1:12:32 | |
You know, lying and doing terrible things. | 1:12:32 | 1:12:34 | |
I don't care, I don't care, I don't care, I don't care! | 1:12:34 | 1:12:37 | |
-Like, this post colonial bullshit. -I don't care. | 1:12:37 | 1:12:39 | |
I don't care. It doesn't warrant that kind of behaviour. OK? | 1:12:39 | 1:12:41 | |
You have an impulse control disorder, and you need to be medicated. | 1:12:41 | 1:12:45 | |
That's the problem here. | 1:12:45 | 1:12:46 | |
I was in control. | 1:12:46 | 1:12:48 | |
I was just... I was, like... | 1:12:48 | 1:12:51 | |
OK, I was angry. I was angry. But I'll never get angry again. | 1:12:51 | 1:12:55 | |
I lost my temper because he did something so wrong. | 1:12:55 | 1:12:57 | |
He had sex with children. | 1:12:57 | 1:12:59 | |
You know how to pick 'em, honey! | 1:13:00 | 1:13:02 | |
I think it was wrong to throw us out like this. | 1:13:02 | 1:13:05 | |
You think it was wrong to throw us out? | 1:13:05 | 1:13:07 | |
We're lucky we don't get shot, the two of us. I mean, honestly! | 1:13:07 | 1:13:11 | |
Well, they don't shoot people in France. | 1:13:11 | 1:13:13 | |
That's bullshit. That's another fallacy. | 1:13:13 | 1:13:15 | |
But anyway, um, so, | 1:13:15 | 1:13:17 | |
so that was another ex. | 1:13:17 | 1:13:20 | |
-Yeah. -All right. No big deal. | 1:13:20 | 1:13:22 | |
I mean, right, run into a couple of exes. That's not a big deal, right? | 1:13:22 | 1:13:25 | |
-Yeah. Why would it be a big deal? -Is an affair a big deal? | 1:13:25 | 1:13:28 | |
Is that a big deal to you? | 1:13:28 | 1:13:29 | |
-Yes, of course. -OK. | 1:13:29 | 1:13:31 | |
-What? -So is the affair with this guy a big deal? -Who? | 1:13:31 | 1:13:36 | |
With Mathieu? | 1:13:36 | 1:13:37 | |
-What? -Mm hm. | 1:13:40 | 1:13:42 | |
I left my phone in Paris. | 1:13:43 | 1:13:45 | |
You know? That's why I picked it up when we came from New York to drop the cat, right? | 1:13:45 | 1:13:49 | |
-Uh huh. -So... So, I left it... | 1:13:49 | 1:13:51 | |
My mum gave it to my sister, and she had an affair with him. | 1:13:51 | 1:13:54 | |
So he left it for my sister. | 1:13:54 | 1:13:56 | |
-Right. -The messages. -Right, right. OK, not bad, not bad, not bad. | 1:13:56 | 1:13:59 | |
Um, try this one, though, with just slightly more feeling. I'm not quite sure I bought that one. | 1:13:59 | 1:14:03 | |
I mean, honestly, do you think I'm an idi... | 1:14:03 | 1:14:05 | |
You must think I'm the stupidest person on the planet. | 1:14:05 | 1:14:08 | |
You expect me to believe we're a victim of some sort of little French farce here? | 1:14:08 | 1:14:12 | |
And your poor little sister you're going to turn into a scapegoat? | 1:14:12 | 1:14:15 | |
I mean, honey, that girl's got enough problems. | 1:14:15 | 1:14:17 | |
She's busy turning dozens of children into serial killers right now. She's very busy. | 1:14:17 | 1:14:21 | |
OK, you're right. You're right. I did have a thing with Mathieu | 1:14:21 | 1:14:24 | |
two years ago, but it was nothing serious. | 1:14:24 | 1:14:27 | |
It was before I met you, so it doesn't count. | 1:14:27 | 1:14:29 | |
OK? It doesn't mean anything. | 1:14:29 | 1:14:30 | |
You know what? You know what I'm starting to believe? | 1:14:30 | 1:14:33 | |
I'm starting to believe there is a small world theory but it applies to your sex life. | 1:14:33 | 1:14:37 | |
And it wasn't two years ago, honey. | 1:14:37 | 1:14:38 | |
I don't know what the fuck these things say, | 1:14:38 | 1:14:40 | |
but I know that they were in January, OK? And that they're horrible. | 1:14:40 | 1:14:43 | |
Monsieur, monsieur? | 1:14:43 | 1:14:44 | |
See? They were bad. They were bad. | 1:14:48 | 1:14:50 | |
-Why are you doing this? -These are bad! -I didn't lie. | 1:14:50 | 1:14:52 | |
You know, he kept on sending me messages even after... | 1:14:52 | 1:14:56 | |
It was nothing, and he keeps sending messages. | 1:14:56 | 1:14:59 | |
I mean, it's actually funny. Some of them are really funny. | 1:14:59 | 1:15:02 | |
Let me translate the humour to you. | 1:15:02 | 1:15:04 | |
It's funny. It's not like serious sex messages. | 1:15:04 | 1:15:07 | |
-So you lied. -I don't lie! | 1:15:07 | 1:15:09 | |
I was protecting you. I didn't want to hurt your feelings, all right? | 1:15:09 | 1:15:14 | |
I lied. | 1:15:14 | 1:15:15 | |
I lied just on that, but please trust me, I didn't do anything bad. | 1:15:15 | 1:15:20 | |
I didn't do anything bad. I didn't cheat on you! | 1:15:20 | 1:15:23 | |
But how do I know? How can I even believe you any more? | 1:15:23 | 1:15:25 | |
How do I know what's bad, anyway, to you? I mean, honestly. | 1:15:25 | 1:15:28 | |
In France, apparently, maybe having a little anal sex on the side | 1:15:28 | 1:15:31 | |
is like, y'know, going fishing or playing a little Scrabble. | 1:15:31 | 1:15:34 | |
OK, I'm sorry. I'm sorry. Trust me, the messages mean nothing to me. | 1:15:34 | 1:15:37 | |
It's just messages. I didn't do anything bad. | 1:15:37 | 1:15:39 | |
-Please, we're in Paris. -Oh, no, no, no, no. No, we're not. | 1:15:39 | 1:15:41 | |
No, we're not. We're not in Paris. WE'RE IN HELL! | 1:15:41 | 1:15:44 | |
-Say it. -Say what? -Say I'm a whore. | 1:15:46 | 1:15:49 | |
I'm a whore. | 1:15:49 | 1:15:50 | |
-I'm a whore. -I'm a whore! -No, I'm a whore! Just say it! | 1:15:50 | 1:15:53 | |
-No, I'm a whore! -Just say it. What, you don't want to say it? | 1:15:53 | 1:15:56 | |
You want to stay the friendly John Wayne guy, right? | 1:15:56 | 1:15:59 | |
John Wayne! | 1:15:59 | 1:16:00 | |
You want to be the good guy always? | 1:16:00 | 1:16:03 | |
I'm the Indian! | 1:16:03 | 1:16:05 | |
Yes! That's me. Well, let me break the news to you. | 1:16:06 | 1:16:10 | |
It's not your cock that's too big for French condoms. | 1:16:10 | 1:16:13 | |
It's your ego that's too big for French condoms. | 1:16:13 | 1:16:15 | |
And Italian condoms, too. | 1:16:15 | 1:16:18 | |
Not bad. | 1:16:20 | 1:16:22 | |
Why did I say that? That was so stupid. | 1:16:38 | 1:16:41 | |
Bonjour. Bonjour. Okey dokey... | 1:16:51 | 1:16:53 | |
Uh, can I get a double cheeseburger, a large fries and a Pepsi? | 1:16:53 | 1:16:59 | |
-Uh, no English? -Non. | 1:17:01 | 1:17:04 | |
Right. Uh, A, uh, moo, moo! | 1:17:04 | 1:17:07 | |
Right? Double. | 1:17:09 | 1:17:10 | |
Deux, y'know. And then large fries. | 1:17:10 | 1:17:15 | |
And a Pepsi, cos Pepsi's got to be the same in every language. | 1:17:15 | 1:17:18 | |
Oh! This thing. This, this. | 1:17:25 | 1:17:27 | |
-Ca? -I mean, I don't want to eat the paper, but the food on the paper. | 1:17:27 | 1:17:31 | |
-C'est ca? -The food on the paper, yeah. | 1:17:31 | 1:17:33 | |
Merci. | 1:17:35 | 1:17:36 | |
There we go, some European money. Were you pissed about the franc? | 1:17:40 | 1:17:44 | |
That thing must have kind of upset you, huh? | 1:17:44 | 1:17:46 | |
Voila. Perfect. | 1:17:48 | 1:17:49 | |
-Thank you. I hate Paris. -Au revoir. | 1:17:49 | 1:17:51 | |
-Hi. -Hi. | 1:18:06 | 1:18:08 | |
Can I sit with you? | 1:18:08 | 1:18:10 | |
Uh, OK. | 1:18:12 | 1:18:13 | |
This fast food chain has half the animals still alive when they are skinned. | 1:18:22 | 1:18:28 | |
Everything you're eating is genetically modified. | 1:18:28 | 1:18:31 | |
-Your bun has moths in it. -The bun has moths? | 1:18:31 | 1:18:34 | |
-Mm. -I see. | 1:18:34 | 1:18:36 | |
Are you having a hard time here language wise? | 1:18:40 | 1:18:42 | |
The language, the food... | 1:18:42 | 1:18:44 | |
Uh, no, I'm fine. I'm fine. | 1:18:44 | 1:18:47 | |
You seem a bit stressed out. | 1:18:47 | 1:18:49 | |
Uh huh. Yeah, well, I just found out my girlfriend's a slut, so... | 1:18:50 | 1:18:54 | |
-What do you mean? -She has sex with many men. | 1:18:54 | 1:18:57 | |
Over and over. For long periods of time. | 1:18:57 | 1:19:01 | |
For money, probably. | 1:19:01 | 1:19:04 | |
She can't get enough. | 1:19:04 | 1:19:05 | |
Good stuff, huh? | 1:19:07 | 1:19:08 | |
Yeah... | 1:19:08 | 1:19:10 | |
'I don't know, maybe I'm the asshole. Y'know, maybe I drove her to this.' | 1:19:48 | 1:19:51 | |
'Y'know, all these accusations, eventually they lead to something.' | 1:19:51 | 1:19:55 | |
Maybe I don't want to expose myself to her completely, really be honest | 1:19:55 | 1:19:59 | |
with her, because I'm afraid of hearing what she has to say about her own past and that kind | 1:19:59 | 1:20:04 | |
of thing. Either way, there's not a true exchange. | 1:20:04 | 1:20:06 | |
Y'know, it's not real honesty. It sounds stupid, but I've never even admitted to anybody that I've, | 1:20:06 | 1:20:11 | |
y'know, masturbated, know what I mean? | 1:20:11 | 1:20:13 | |
I see what you're saying. | 1:20:13 | 1:20:16 | |
-Mm hm... -But, man, | 1:20:16 | 1:20:18 | |
love is everything we have. | 1:20:18 | 1:20:21 | |
See, the world around us is going to shit, and all we have left is each other. | 1:20:21 | 1:20:25 | |
-Right. -You know I'm a fairy? | 1:20:25 | 1:20:29 | |
Oh. Yeah, well, I... | 1:20:29 | 1:20:32 | |
-No, no, like a real fairy. -Oh, a real... -Yeah. -Uh huh. | 1:20:32 | 1:20:36 | |
You need to go back to her. | 1:20:36 | 1:20:38 | |
She's not a slut. Maybe you need to be more careful with her, meaning "full of care". Care more. | 1:20:38 | 1:20:43 | |
At the very end of your life, you'll look back. What will you think of? | 1:20:43 | 1:20:47 | |
The job you've got or didn't get or the money you made? No. | 1:20:47 | 1:20:50 | |
You will think mostly of the people you loved and especially of the one woman you loved. | 1:20:50 | 1:20:55 | |
And even better, | 1:20:55 | 1:20:57 | |
she'll be right there | 1:20:57 | 1:20:59 | |
-holding your hand. -Mm hm... | 1:21:00 | 1:21:02 | |
-Mm hm. -I'll be right back. -OK. | 1:21:04 | 1:21:06 | |
You're going to have to run. | 1:22:05 | 1:22:07 | |
Run back to her? | 1:22:07 | 1:22:08 | |
No, just run. When the alarm goes off, you run. | 1:22:08 | 1:22:10 | |
-It's a delayed fire. No one ever gets hurt. -Excuse me? | 1:22:10 | 1:22:12 | |
Here's my number if you need any help. I'm Lukas. | 1:22:12 | 1:22:14 | |
Jack. | 1:22:14 | 1:22:16 | |
ALARM GOES OFF | 1:22:19 | 1:22:20 | |
I ran into Iraq. | 1:23:10 | 1:23:12 | |
OK... Pardon. | 1:23:19 | 1:23:21 | |
No, no! Moi Americain. No, I don't. | 1:23:29 | 1:23:31 | |
I speak English. English! | 1:23:31 | 1:23:33 | |
Oh, the guy! | 1:23:33 | 1:23:36 | |
He went over there. | 1:23:36 | 1:23:37 | |
No, no, no, no, no! | 1:23:40 | 1:23:44 | |
No, no, no. No, no, no. No, no, no! | 1:23:44 | 1:23:46 | |
No, no! Comedy of errors. | 1:23:46 | 1:23:47 | |
I'm an interior designer, for fuck's sake! | 1:23:49 | 1:23:52 | |
MARION! | 1:23:52 | 1:23:54 | |
Yeah. Yeah, yeah. You guys have been terrific. | 1:24:18 | 1:24:22 | |
I don't know what you're saying, but you have a wonderful singing voice. | 1:24:25 | 1:24:28 | |
Hi. | 1:25:55 | 1:25:57 | |
Hey. | 1:28:02 | 1:28:04 | |
I don't know you. | 1:28:08 | 1:28:10 | |
What are you talking about? Are you drunk? | 1:28:11 | 1:28:15 | |
I was sitting at this fast food restaurant, | 1:28:15 | 1:28:20 | |
and I'm holding hands with this fairy right before he sets the place on fire, y'know? | 1:28:20 | 1:28:24 | |
A fairy? | 1:28:24 | 1:28:26 | |
I don't mean like a gay person. | 1:28:26 | 1:28:28 | |
Y'know, like, from heaven. Y'know? | 1:28:28 | 1:28:30 | |
-Or a schizophrenic vegan... -Uh huh. | 1:28:30 | 1:28:31 | |
maybe. He hated fast food. I realised something so basic, I mean SO basic. | 1:28:31 | 1:28:36 | |
-I don't know you. -You don't know me? -No! | 1:28:39 | 1:28:42 | |
'To sum up the four hours of discussion that followed, it's not easy being in a relationship, | 1:28:42 | 1:28:47 | |
'much less to truly know the other one and accept them as they are, with all their flaws and baggage.' | 1:28:47 | 1:28:53 | |
-"Marion." -You shaved an M? | 1:28:53 | 1:28:55 | |
'Jack confessed to me his fear of being rejected if I truly knew him, | 1:28:55 | 1:28:59 | |
'if he showed himself totally bare to me. | 1:28:59 | 1:29:01 | |
'Jack realised after two years of being with me that he didn't know me at all, nor did I know him, and | 1:29:02 | 1:29:08 | |
'to truly love each other we needed to know the truth about each other, even if it's not so easy to take. | 1:29:08 | 1:29:14 | |
'So I told him the truth, which was I'd never cheated on him, | 1:29:14 | 1:29:18 | |
'and I also told him that I'd just seen Mathieu that afternoon. | 1:29:18 | 1:29:22 | |
'He did not get mad at me, because nothing had happened, of course. | 1:29:22 | 1:29:25 | |
'I confessed to Jack that the toughest thing for me was to decide to be with someone for good. | 1:29:25 | 1:29:30 | |
I understand that completely. | 1:29:30 | 1:29:31 | |
'The idea that this is it, this is the man I'm going to | 1:29:31 | 1:29:34 | |
'spend the rest of my life with, to decide that I will make the | 1:29:34 | 1:29:36 | |
'effort to stay and work things out and not run off the minute there is a problem is very difficult for me. | 1:29:36 | 1:29:42 | |
'I told him I could not be for just one man for the rest of my life. | 1:29:42 | 1:29:47 | |
'It was a lie, but I said it anyway. | 1:29:47 | 1:29:50 | |
'He asked me if I thought I was a squirrel, collecting men like nuts to put away for cold winters. | 1:29:50 | 1:29:55 | |
'I thought it was quite funny. | 1:29:55 | 1:29:59 | |
'Then he said something that hurt my feelings. | 1:29:59 | 1:30:02 | |
'The tone changed drastically. | 1:30:02 | 1:30:05 | |
'Then I misunderstood what he was saying. | 1:30:05 | 1:30:08 | |
'I thought he meant he didn't love me any more and that he wanted to break up. | 1:30:08 | 1:30:12 | |
'It always fascinates me how people go from loving you madly to nothing at all. Nothing. | 1:30:12 | 1:30:19 | |
'It hurts so much. | 1:30:19 | 1:30:21 | |
'When I feel someone is going to leave me, I have a tendency | 1:30:21 | 1:30:25 | |
'to break up first, before I get to hear the whole thing. | 1:30:25 | 1:30:28 | |
'Here it is. One more, one less. | 1:30:32 | 1:30:36 | |
'Another wasted love story. | 1:30:36 | 1:30:38 | |
'I really loved this one. | 1:30:38 | 1:30:39 | |
'When I think that it's over, that I'll never see him again like this... | 1:30:39 | 1:30:44 | |
'Well, yes, I'll bump into him, we'll meet our new boyfriend and | 1:30:44 | 1:30:48 | |
'girlfriend, act as if we had never been together. | 1:30:48 | 1:30:51 | |
'Then we'll slowly think of each other less and less, until we forget each other completely. | 1:30:51 | 1:30:58 | |
'Almost. | 1:30:58 | 1:31:00 | |
'Always the same for me - break up, break down. Drink up, fool around. | 1:31:00 | 1:31:05 | |
'Meet one guy then another, fuck around to forget the one and only. | 1:31:05 | 1:31:09 | |
'Then, after a few months of total emptiness, | 1:31:09 | 1:31:12 | |
'start again to look for true love, desperately look everywhere, and after two years of loneliness | 1:31:12 | 1:31:19 | |
'meet a new love and swear it is the one, until that one is gone as well. | 1:31:19 | 1:31:24 | |
'There's a moment in life where you can't recover any more from another break up. | 1:31:52 | 1:31:56 | |
'And even if this person bugs you sixty per cent of the time, well, you still can't live without him. | 1:31:59 | 1:32:06 | |
'And even if he wakes you up every day by sneezing right in your face, | 1:32:07 | 1:32:13 | |
'well, you love his sneezes more than anyone else's kisses.' | 1:32:13 | 1:32:18 | |
# I wanna dance like we used to | 1:33:10 | 1:33:12 | |
# When it was pure, when it was new | 1:33:12 | 1:33:15 | |
# Love me whole, like I love you | 1:33:16 | 1:33:19 | |
# I wanna be free, but free with you | 1:33:19 | 1:33:21 | |
# I wanna dance like we used to | 1:33:21 | 1:33:25 | |
# And not worry about you and me | 1:33:25 | 1:33:28 | |
# We're gonna die of global warming | 1:33:28 | 1:33:30 | |
# Or avian flu or quitting smoking | 1:33:30 | 1:33:33 | |
# I want to stay here for a while | 1:33:33 | 1:33:39 | |
# Until it's time to let go | 1:33:40 | 1:33:45 | |
# I'd like to really take my time | 1:33:47 | 1:33:51 | |
# Explore all that comes to mind | 1:33:51 | 1:33:57 | |
# I'd like to dance like we used to | 1:33:59 | 1:34:01 | |
# Before the new world order ruled... # | 1:34:01 | 1:34:04 |