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This film contains some strong language. | 0:00:03 | 0:00:06 | |
# Tweedle Dum and Tweedle Dee | 0:00:13 | 0:00:17 | |
# They're throwing knives into the tree | 0:00:17 | 0:00:21 | |
# Two big bags of dead man's bones | 0:00:21 | 0:00:24 | |
# Got their noses to the grindstone | 0:00:24 | 0:00:27 | |
# Living in the land of nod | 0:00:29 | 0:00:32 | |
# Trusting their fate to the hands of God | 0:00:35 | 0:00:39 | |
# They pass by so silently | 0:00:40 | 0:00:44 | |
# Tweedle Dum and Tweedle Dee... # | 0:00:46 | 0:00:50 | |
Joe Blake and Terry Collins, this is Lieutenant McCormick | 0:00:51 | 0:00:55 | |
of the Los Angeles police department. Put down your weapons | 0:00:55 | 0:00:59 | |
and come out of the bank with your hands in the air. | 0:00:59 | 0:01:04 | |
One last big heist. | 0:01:04 | 0:01:05 | |
What a great idea. | 0:01:05 | 0:01:07 | |
Yeah, Joe knows best. | 0:01:07 | 0:01:08 | |
Yes, sirree, Joe knows exactly what he's doing... | 0:01:08 | 0:01:11 | |
Exactly what he's doing. And what does Joe get me? | 0:01:11 | 0:01:14 | |
Stuck in a bank called the Alamo, surrounded by | 0:01:14 | 0:01:16 | |
the entire Los Angeles police department. Look out there. | 0:01:16 | 0:01:19 | |
Remember now, people, these guys haven't been prone to violence yet in any of these incidents. | 0:01:19 | 0:01:24 | |
So everybody just stay real calm, all right? | 0:01:24 | 0:01:27 | |
Joe Blake and Terry Collins have finally met their match. | 0:01:27 | 0:01:29 | |
They're running out of luck very quickly. | 0:01:29 | 0:01:31 | |
They'll need more tricks up their sleeve | 0:01:31 | 0:01:32 | |
than Siegfried and Roy to get out of this one. | 0:01:32 | 0:01:34 | |
If you're just tuning in, we're at the Alamo Savings and Loan | 0:01:34 | 0:01:37 | |
in Century City. The place looks like a war zone. | 0:01:37 | 0:01:39 | |
The troops are moving in here. The SWAT Team is moving in... | 0:01:39 | 0:01:43 | |
Lao Tzu says that even the softest of things | 0:01:43 | 0:01:46 | |
can pass through a horse like invisible water. | 0:01:46 | 0:01:49 | |
Thank you for that completely useless bit of information, Joe. | 0:01:49 | 0:01:52 | |
-You know what your problem is, huh? -My problem? | 0:01:52 | 0:01:55 | |
Yeah. I'm trapped like a rat! | 0:01:55 | 0:01:56 | |
Destined for an early grave. | 0:01:56 | 0:01:59 | |
Kate Wheeler. | 0:01:59 | 0:02:01 | |
You remember Kate... | 0:02:01 | 0:02:03 | |
Traitor, liar, | 0:02:03 | 0:02:05 | |
Queen of double cross, Empress of deceit, Duchess... | 0:02:05 | 0:02:10 | |
OK, I get your point, all right? | 0:02:10 | 0:02:12 | |
Oh, do you, Joe? | 0:02:12 | 0:02:13 | |
Do you really? | 0:02:13 | 0:02:15 | |
Because as I recall, I remember warning you | 0:02:15 | 0:02:17 | |
in the strongest language possible that taking on a full-time hostage | 0:02:17 | 0:02:21 | |
-was an error of epic proportions. -We had no choice, OK? -Yes, we did. | 0:02:21 | 0:02:24 | |
Shoot her and bury her body in the woods - that was a choice. | 0:02:24 | 0:02:27 | |
Hey, you brought her in, OK? I recall that! | 0:02:27 | 0:02:29 | |
If we'd have let her go, She'd have gone right to the cops, OK? | 0:02:29 | 0:02:32 | |
Joe, look outside. | 0:02:32 | 0:02:33 | |
She did. | 0:02:33 | 0:02:35 | |
That's exactly what she did. | 0:02:36 | 0:02:38 | |
Kate Wheeler's gonna get the thanks of a grateful nation, | 0:02:38 | 0:02:42 | |
not to mention a sizable reward. | 0:02:42 | 0:02:44 | |
GUNSHOT SCREAMING | 0:02:44 | 0:02:46 | |
We've got shots fired in the location. | 0:02:47 | 0:02:49 | |
Good evening, everybody. I'm Darren Head, | 0:02:58 | 0:03:00 | |
and tonight we have an incredible story for you. | 0:03:00 | 0:03:02 | |
It's a story that's part soap opera, part crime drama, | 0:03:02 | 0:03:05 | |
a story of betrayal and greed. | 0:03:05 | 0:03:07 | |
It's part Bonnie & Clyde, it's part Barnum & Bailey. | 0:03:07 | 0:03:10 | |
It's the story of Joe Blake and Terry Collins, | 0:03:10 | 0:03:12 | |
the most successful bank robbers in the history of the United States. | 0:03:12 | 0:03:16 | |
Shortly before the bloody shootout that took their lives, | 0:03:16 | 0:03:19 | |
I had the opportunity for an exclusive interview when they broke into my house | 0:03:19 | 0:03:23 | |
and, by gunpoint, made me tell their story from their point of view. | 0:03:23 | 0:03:26 | |
The reason I bring this up is that the footage you're about to see | 0:03:26 | 0:03:29 | |
was shot on a home video camera by my personal assistant Julio, | 0:03:29 | 0:03:32 | |
so it's a little shaky and wobbly - not exactly professional. | 0:03:32 | 0:03:35 | |
What happened in the exchange is Blake and Collins revealed to me for the first time anywhere | 0:03:35 | 0:03:39 | |
the inside story of the daring robberies that made them so famous. | 0:03:39 | 0:03:43 | |
24 hours later, Blake and Collins were dead, | 0:03:43 | 0:03:46 | |
and we have an exclusive... OK. Again. | 0:03:46 | 0:03:48 | |
24 hours later, Blake and Collins were dead. | 0:03:48 | 0:03:52 | |
So tonight on a very special edition of Criminals At Large, | 0:03:52 | 0:03:55 | |
the inside story, the true story, | 0:03:55 | 0:03:58 | |
of the Sleepover Bandits. | 0:03:58 | 0:04:00 | |
And...fade to black. | 0:04:00 | 0:04:02 | |
That was great, guys. We're gonna keep that one. All right. | 0:04:02 | 0:04:05 | |
Cut it. We'll use that with the B-roll. | 0:04:05 | 0:04:07 | |
BELL RINGS | 0:04:07 | 0:04:08 | |
It's ridiculous. | 0:04:20 | 0:04:23 | |
If it's not one thing, it's another, if it's not downright apathy. | 0:04:23 | 0:04:26 | |
It's just meanness, plain meanness. | 0:04:26 | 0:04:29 | |
I can't get any support from anybody. | 0:04:29 | 0:04:31 | |
Nobody else has to eat this crap like I do. | 0:04:32 | 0:04:35 | |
Hey, Joe. | 0:04:40 | 0:04:42 | |
Joe... | 0:04:42 | 0:04:43 | |
May I have a word with you, please? Hey, Joe. | 0:04:43 | 0:04:45 | |
It's a violation of my civil rights, | 0:04:45 | 0:04:48 | |
that's what it is. | 0:04:48 | 0:04:49 | |
Cruel and unusual punishment, | 0:04:49 | 0:04:51 | |
expressly forbidden by the constitution, you hear? | 0:04:51 | 0:04:53 | |
Prison is supposed to be cruel and unusual, Terry. It's the whole idea. | 0:04:53 | 0:04:57 | |
That's not what I'm talking about. | 0:04:57 | 0:04:59 | |
What are you talking about? | 0:05:00 | 0:05:02 | |
Garlic. | 0:05:02 | 0:05:04 | |
Warden Currier has banned the sale of fresh garlic in the commissary | 0:05:04 | 0:05:08 | |
because he doesn't like the smell. You see, Joe, | 0:05:08 | 0:05:10 | |
It's like a... it's a miracle drug. | 0:05:10 | 0:05:13 | |
High blood pressure and arthritis and cancer. | 0:05:13 | 0:05:17 | |
Emphysema, | 0:05:17 | 0:05:18 | |
allergies, anything. | 0:05:18 | 0:05:20 | |
-Garlic is the first line of defence, always. -Hold on one second, Mario. | 0:05:20 | 0:05:23 | |
You see what I'm saying? | 0:05:23 | 0:05:26 | |
And I've got symptoms. | 0:05:28 | 0:05:30 | |
I don't care what that doctor says. | 0:05:30 | 0:05:32 | |
Maybe now's not a good time to talk about garlic? | 0:05:33 | 0:05:36 | |
Yeah. | 0:05:36 | 0:05:38 | |
Hey, Joe. You...you know, don't worry about it. Once you come down out of the ring, | 0:05:38 | 0:05:42 | |
don't do what I think you're gonna do, please. | 0:05:42 | 0:05:44 | |
You remember what I told you, right, Joe? | 0:05:44 | 0:05:46 | |
Don't...uh, don't do the, uh... | 0:05:46 | 0:05:48 | |
You nearly chipped my tooth, Mario. | 0:05:48 | 0:05:50 | |
Joe, for God's sake. | 0:05:50 | 0:05:52 | |
Joe. | 0:05:52 | 0:05:53 | |
Joe! Joe, wait, wait, wait, wait. Joe, hey, hey, hey, hey! | 0:05:59 | 0:06:02 | |
Hey, hey, hey. Joe. Joe, anger management. | 0:06:02 | 0:06:05 | |
Anger mana...Joe! Joe! Joe! | 0:06:05 | 0:06:07 | |
Anger management! | 0:06:07 | 0:06:08 | |
Joe. | 0:06:08 | 0:06:10 | |
Calm down. | 0:06:10 | 0:06:11 | |
Breathe. | 0:06:11 | 0:06:13 | |
# Keep me from the gallows pole | 0:06:15 | 0:06:17 | |
# I couldn't get no silver | 0:06:22 | 0:06:24 | |
# I couldn't get no gold... # | 0:06:24 | 0:06:27 | |
You ever read the Tao? | 0:06:27 | 0:06:29 | |
I'm sorry? | 0:06:29 | 0:06:30 | |
You know, the guy, uh, Lao... | 0:06:31 | 0:06:34 | |
Lay, uh, Lo-wi...Lu... | 0:06:34 | 0:06:37 | |
-Lao Tzu. -There you go. Lao Tzu. | 0:06:37 | 0:06:40 | |
You know, Joe, I begged you to stay out of the library. | 0:06:40 | 0:06:43 | |
You begged me to work on my anger management. | 0:06:43 | 0:06:45 | |
Yeah, well, medication's quicker. | 0:06:45 | 0:06:48 | |
It's much more effective. | 0:06:49 | 0:06:50 | |
-You know what? -Huh? | 0:06:55 | 0:06:58 | |
I would like to sleep in a comfortable bed tonight. | 0:06:58 | 0:07:02 | |
I'd like to have me a cheeseburger... | 0:07:02 | 0:07:04 | |
French fries... | 0:07:06 | 0:07:07 | |
A big old chocolate milkshake for dinner. | 0:07:07 | 0:07:10 | |
Ancient chinese wisdom? | 0:07:10 | 0:07:13 | |
No. Just hungry. | 0:07:13 | 0:07:14 | |
I definitely chipped my tooth. | 0:07:17 | 0:07:19 | |
Aah! | 0:07:19 | 0:07:20 | |
For the love of God, | 0:07:20 | 0:07:22 | |
Does no one else hear that infernal ringing? | 0:07:22 | 0:07:25 | |
Oh, yeah, sure, go ahead and laugh, | 0:07:26 | 0:07:28 | |
but according to the latest research, | 0:07:28 | 0:07:30 | |
tinnitus, which is what they call it - that's what I've got in my ear, | 0:07:30 | 0:07:34 | |
I don't make this shit up, is an actual disease. | 0:07:34 | 0:07:36 | |
# I couldn't get no silver I couldn't get no gold... # | 0:07:36 | 0:07:41 | |
Go ahead and laugh. | 0:07:41 | 0:07:42 | |
Play basketball, have fun. | 0:07:42 | 0:07:44 | |
In the meantime, I've got Goddamn Quasimodo going off in my head... | 0:07:44 | 0:07:47 | |
Bell tower, you understand me? | 0:07:47 | 0:07:49 | |
I got a bell tower in my head! | 0:07:49 | 0:07:52 | |
# Hangman, hangman | 0:07:52 | 0:07:54 | |
# Hold it a little while... # | 0:07:54 | 0:07:57 | |
-Hey, you the driver of this thing? -Yeah. | 0:07:57 | 0:07:59 | |
Pretty easy to drive, is it? | 0:07:59 | 0:08:02 | |
Pretty easy. Uh-huh. | 0:08:02 | 0:08:03 | |
Aargh! | 0:08:03 | 0:08:05 | |
Joe? | 0:08:06 | 0:08:08 | |
# Did you get some silver? Did you get a little gold? # | 0:08:09 | 0:08:12 | |
Oh, my God, | 0:08:12 | 0:08:14 | |
Joe, what are you doing in the cement truck? Joe? Joe? | 0:08:14 | 0:08:17 | |
CHEERING | 0:08:22 | 0:08:23 | |
Joe, what am I doing? | 0:08:23 | 0:08:26 | |
What am I doing? | 0:08:26 | 0:08:27 | |
HORN HONKS | 0:08:28 | 0:08:32 | |
GUNSHOT | 0:08:32 | 0:08:33 | |
CHEERING | 0:08:35 | 0:08:38 | |
Why are we in the concrete thing, getting shot at? | 0:08:46 | 0:08:49 | |
Just keep your head down! | 0:08:49 | 0:08:51 | |
Joe! | 0:09:00 | 0:09:01 | |
Take it down! | 0:09:04 | 0:09:05 | |
# Save me from the wrath of this man, man | 0:09:05 | 0:09:07 | |
# Man, man, man, man, man | 0:09:07 | 0:09:09 | |
# Hangman... # | 0:09:09 | 0:09:10 | |
Joe. Jesus. There's, like, a truck! Aah! | 0:09:10 | 0:09:14 | |
# You got a fine sister | 0:09:26 | 0:09:27 | |
# She warmed my blood | 0:09:27 | 0:09:28 | |
# To keep me from the gallows pole... # | 0:09:28 | 0:09:31 | |
ALL: Joe, Joe, Joe, Joe! | 0:09:31 | 0:09:33 | |
# Your brother, he brought me silver | 0:09:33 | 0:09:35 | |
# Your sister, she warmed my soul | 0:09:35 | 0:09:37 | |
# But now I laugh and pull so hard... # | 0:09:37 | 0:09:40 | |
-How long you been planning this? -It just sort of came up. | 0:09:40 | 0:09:44 | |
# Cos now I laugh and pull so hard | 0:09:44 | 0:09:46 | |
# And see you swinging on the gallows pole... # | 0:09:46 | 0:09:49 | |
Hang on to something. | 0:09:50 | 0:09:52 | |
# Swinging on the gallows pole | 0:09:52 | 0:09:54 | |
# Swinging on the gallows pole | 0:09:54 | 0:09:55 | |
# Swinging on the gallows pole | 0:09:55 | 0:09:57 | |
# Swinging on the gallows pole Whoo | 0:09:57 | 0:10:00 | |
# I keep swinging | 0:10:00 | 0:10:03 | |
# I keep swinging... # | 0:10:03 | 0:10:05 | |
Deer! | 0:10:05 | 0:10:06 | |
Plastic. | 0:10:07 | 0:10:08 | |
Don't you think we should be looking for a road? | 0:10:13 | 0:10:15 | |
-Joe. -Stop. Stop, please. | 0:10:31 | 0:10:33 | |
-Ma'am. -Uh-huh? -We're gonna need to borrow your car. | 0:10:33 | 0:10:36 | |
-You are? -Yes. | 0:10:36 | 0:10:37 | |
Would you just unhook your seat belt, please? | 0:10:37 | 0:10:39 | |
Come on. Here you go. Very nice. | 0:10:42 | 0:10:44 | |
Thank you. | 0:10:44 | 0:10:45 | |
That's a really lovely dress. | 0:10:47 | 0:10:49 | |
Thank you. | 0:10:49 | 0:10:51 | |
Come on. | 0:10:52 | 0:10:53 | |
-Thank you! -Get in the car! -OK. | 0:10:53 | 0:10:56 | |
Ma'am. | 0:10:56 | 0:10:58 | |
-Yes? -Don't forget your purse. | 0:10:58 | 0:11:00 | |
Thank you. | 0:11:00 | 0:11:02 | |
OK. First things first. We need... What do we need? We need clothes. | 0:11:12 | 0:11:15 | |
We're gonna need money. | 0:11:15 | 0:11:18 | |
A place to hide. We better get a new car pretty quick. | 0:11:18 | 0:11:20 | |
I don't feel good driving down Main Street wearing clothes that say, "inmate," you know what I mean? | 0:11:20 | 0:11:26 | |
-Hey, why are we stopping here? -This is where they keep the cash. | 0:11:26 | 0:11:30 | |
Hey! Stupid! | 0:11:35 | 0:11:36 | |
HORNS HONK | 0:11:36 | 0:11:38 | |
What cash? | 0:11:39 | 0:11:40 | |
-Didn't you say something about needing money? -Well, yeah, but not right now. | 0:11:43 | 0:11:46 | |
Look, Joe, let's just discuss this for a minute, OK? | 0:11:46 | 0:11:49 | |
I mean, I know money's on the list, but it's not at the top of the list. | 0:11:49 | 0:11:52 | |
-Bingo! -Bingo what? | 0:11:52 | 0:11:54 | |
What do you mean, bingo? | 0:11:54 | 0:11:56 | |
Are you gonna knock over a bank with a magic marker? | 0:11:56 | 0:11:59 | |
What are you gonna do, write on them? We don't even have a plan. | 0:11:59 | 0:12:02 | |
You have to have some kind of plan to rob a bank. | 0:12:02 | 0:12:05 | |
We're wearing denim uniforms that say "inmate". | 0:12:05 | 0:12:07 | |
Unless these people are blind, I don't think this is gonna work. | 0:12:07 | 0:12:11 | |
You understand? | 0:12:11 | 0:12:12 | |
Don't move. | 0:12:15 | 0:12:16 | |
Take out your gun, | 0:12:16 | 0:12:17 | |
Thumb and middle finger on the butt. | 0:12:17 | 0:12:19 | |
Hand it to me slowly. | 0:12:19 | 0:12:21 | |
Here we go. Here we go. Here we go. | 0:12:21 | 0:12:23 | |
Ladies and gentlemen, we'll be out of your way in just a second. No phone calls, no alarms, please. | 0:12:23 | 0:12:27 | |
Cash drawers open. Take a bag, fill it with cash. | 0:12:27 | 0:12:29 | |
Take a bag, fill it with cash. Cash, please. | 0:12:29 | 0:12:32 | |
-Ma'am, is there any other cash in the back? -No. | 0:12:32 | 0:12:34 | |
-Don't touch that phone, sir. Are you sure? -I'm positive. -Are you telling me the truth? | 0:12:34 | 0:12:37 | |
-I'm telling you the truth. -You look very honest. | 0:12:37 | 0:12:39 | |
-Quickly, please. Thank you. -He made no plan whatsoever for this. | 0:12:39 | 0:12:44 | |
Put that right in there. We'll take that. Thank you. | 0:12:44 | 0:12:46 | |
Thank you, thank you. I'll take that. Here we go. | 0:12:46 | 0:12:48 | |
OK. Thank you very much. | 0:12:48 | 0:12:50 | |
Oh, there's just never enough time when you're working. | 0:12:52 | 0:12:56 | |
Thank you for your cooperation. No phone calls, no alarms. | 0:12:56 | 0:12:59 | |
Here we go. Come on. Take that. Come on. Take this. | 0:12:59 | 0:13:02 | |
Sir, in case you need to highlight anything. Here we go. Come on. | 0:13:02 | 0:13:06 | |
Hey, hey, hey. Stop, stop. | 0:13:09 | 0:13:11 | |
Hey, whoa, ho, ho, ho! Ho! | 0:13:11 | 0:13:12 | |
-Ho! Ho! -What? | 0:13:12 | 0:13:14 | |
-Sir, we need to borrow your car. -Find a bus, asshole. | 0:13:14 | 0:13:17 | |
Hey, come over here. This car. | 0:13:19 | 0:13:20 | |
# Let's steer it awhile let's steer it about | 0:13:20 | 0:13:23 | |
# Take the long way home | 0:13:23 | 0:13:24 | |
# Long way home | 0:13:24 | 0:13:27 | |
# Take the long way home | 0:13:27 | 0:13:30 | |
# Long way home | 0:13:30 | 0:13:31 | |
# Make this night last | 0:13:31 | 0:13:33 | |
# Well we drove downtown and out in the woods... # | 0:13:36 | 0:13:38 | |
You got the gun? | 0:13:38 | 0:13:39 | |
GUNSHOT | 0:13:39 | 0:13:41 | |
No. | 0:13:41 | 0:13:43 | |
# And all this time I was driving about | 0:13:43 | 0:13:44 | |
# She was fondling my hair and holding my neck | 0:13:44 | 0:13:46 | |
# And all I was thinking was Oh, what the heck? # | 0:13:46 | 0:13:48 | |
-Come back here, Goddamn it. -Hold it! | 0:13:48 | 0:13:49 | |
Come on. Sit up and act regular. | 0:13:49 | 0:13:51 | |
# Take the long way home | 0:13:53 | 0:13:56 | |
# Make this night last. # | 0:13:56 | 0:13:58 | |
Hold it right there. | 0:14:02 | 0:14:04 | |
Chest pain, left arm a little numb, | 0:14:12 | 0:14:14 | |
accelerated heartbeat, spots. | 0:14:14 | 0:14:16 | |
I'm actually seeing spots. | 0:14:16 | 0:14:18 | |
Hang on. Hang on. Hang on. | 0:14:25 | 0:14:26 | |
I'm feeling nauseous. | 0:14:26 | 0:14:28 | |
# Two big red lights shining in my eyes | 0:14:28 | 0:14:30 | |
# I pull over and he drove alongside | 0:14:30 | 0:14:32 | |
# And out of his car and up to my right | 0:14:32 | 0:14:34 | |
# He looked at her, and she looked at him... # | 0:14:34 | 0:14:36 | |
Out! Out! Out! Out! Out! | 0:14:36 | 0:14:38 | |
Terry, come here. | 0:14:40 | 0:14:42 | |
Are you all right? | 0:15:03 | 0:15:04 | |
May I please go back to prison? | 0:15:05 | 0:15:08 | |
Not yet. | 0:15:08 | 0:15:09 | |
DISTANT MUSIC PLAYS | 0:15:13 | 0:15:14 | |
# I can handle this, but I can't handle anything else | 0:15:14 | 0:15:17 | |
# It's my own mistake | 0:15:17 | 0:15:19 | |
# It's based on me and not on my grades | 0:15:19 | 0:15:21 | |
# It's the little things in my pants | 0:15:21 | 0:15:22 | |
# That we're all livin' for | 0:15:22 | 0:15:24 | |
# I never really knew | 0:15:24 | 0:15:25 | |
# What that thing down there was used for | 0:15:25 | 0:15:27 | |
# Yo, yo, yo, yo, yo, yo | 0:15:27 | 0:15:29 | |
# Yo I kill the rock, rock, Rock, rock, rock, yo | 0:15:29 | 0:15:32 | |
# Then she killed my | 0:15:32 | 0:15:33 | |
# Brain, brain, brain, brain | 0:15:33 | 0:15:34 | |
# Brain, brain, brain, brain | 0:15:34 | 0:15:36 | |
# Nothing hurts anymore | 0:15:36 | 0:15:38 | |
# Never mind, then she killed my | 0:15:38 | 0:15:39 | |
# You wicked gay But then today | 0:15:39 | 0:15:41 | |
# I think I'll be hardcore | 0:15:41 | 0:15:43 | |
# If I forget to take my medicine | 0:15:43 | 0:15:45 | |
# Then I'll be sick I'm so hot to trot | 0:15:45 | 0:15:47 | |
# I'm stealing all my beats from the blacks | 0:15:47 | 0:15:49 | |
# And from all the young girls is where I steal my act | 0:15:49 | 0:15:52 | |
# Yo, yo, yo, yo, yo, yo | 0:15:52 | 0:15:54 | |
# I kill the rock, Rock, rock, rock, yo | 0:15:54 | 0:15:57 | |
Oh, shit! | 0:15:57 | 0:15:58 | |
# Brain, brain, brain, brain, brain | 0:15:58 | 0:15:59 | |
# Brain, brain, brain | 0:15:59 | 0:16:02 | |
# Nothing hurts anymore Never mind | 0:16:02 | 0:16:04 | |
# Then she killed my brain | 0:16:04 | 0:16:06 | |
# Oh, ooh | 0:16:06 | 0:16:08 | |
# Oh, ooh | 0:16:08 | 0:16:09 | |
# Whoa, whoa, whoa, whoa, whoa | 0:16:09 | 0:16:12 | |
# Oh, ooh | 0:16:12 | 0:16:13 | |
# Oh, ooh | 0:16:13 | 0:16:15 | |
# Whoa, whoa, whoa, Whoa, whoa | 0:16:15 | 0:16:18 | |
# I can't stand it | 0:16:19 | 0:16:21 | |
# I can't stand it... # | 0:16:22 | 0:16:23 | |
MUSIC STOPS | 0:16:25 | 0:16:27 | |
What's your name? | 0:16:29 | 0:16:30 | |
Cheri. | 0:16:30 | 0:16:32 | |
Zip up your pants, Cheri. | 0:16:32 | 0:16:34 | |
You, too. | 0:16:37 | 0:16:39 | |
I'm Phil. | 0:16:39 | 0:16:41 | |
So where's your mom, Cheri? | 0:16:42 | 0:16:45 | |
-My mom doesn't live here anymore. -And your dad? | 0:16:45 | 0:16:48 | |
Oh, he's fishing for the weekend. | 0:16:48 | 0:16:51 | |
So your dad left you here all alone. | 0:16:51 | 0:16:53 | |
Oh, no. He thinks I'm at a friend's house. | 0:16:53 | 0:16:57 | |
And how about you, Scooter? | 0:16:57 | 0:16:59 | |
Oh, I told my folks I had a soccer trip. | 0:16:59 | 0:17:02 | |
You lied to your parents? | 0:17:02 | 0:17:05 | |
Oh, you're kidding, right? | 0:17:05 | 0:17:07 | |
No, I'm not kidding. | 0:17:07 | 0:17:09 | |
I'm sorry...who are you guys? | 0:17:14 | 0:17:18 | |
Hey, you're inmates. | 0:17:18 | 0:17:20 | |
What did you say your name was? | 0:17:22 | 0:17:24 | |
Uh, Phil. | 0:17:24 | 0:17:26 | |
You think there's something funny about being an inmate, Phil? | 0:17:26 | 0:17:33 | |
We're bank robbers, OK? | 0:17:33 | 0:17:36 | |
So what's on our mind? | 0:17:45 | 0:17:47 | |
Parizo Del Mar. | 0:17:49 | 0:17:51 | |
Parizo? | 0:17:51 | 0:17:52 | |
Paradise. My uncle owns this little hotel on the water, | 0:17:52 | 0:17:57 | |
about 100 miles south of Acapulco. | 0:17:57 | 0:17:59 | |
That's Mexico. | 0:17:59 | 0:18:01 | |
Right. That's where they keep Acapulco, Terry. | 0:18:01 | 0:18:04 | |
But I have sanitation issues, Joe. | 0:18:04 | 0:18:06 | |
We'll buy the hotel, turn it into a nightclub and resort. | 0:18:06 | 0:18:10 | |
I could wear a tuxedo, sell margaritas to the tourists. | 0:18:10 | 0:18:14 | |
We could have some fun. | 0:18:14 | 0:18:16 | |
You'd do that? | 0:18:18 | 0:18:20 | |
I mean, you and me? | 0:18:20 | 0:18:21 | |
Yeah. | 0:18:21 | 0:18:23 | |
Partners? | 0:18:23 | 0:18:24 | |
Partners. | 0:18:24 | 0:18:26 | |
Tuxedos and margaritas? | 0:18:28 | 0:18:31 | |
-Good, right? -Yeah. | 0:18:31 | 0:18:33 | |
I can run the kitchen. | 0:18:33 | 0:18:34 | |
You could work the room. | 0:18:34 | 0:18:36 | |
It's a high-risk business, but, I mean, considering the alternatives, | 0:18:36 | 0:18:39 | |
I got to say I think that sounds really good. | 0:18:39 | 0:18:42 | |
I just have one question. How do we pay for it? | 0:18:44 | 0:18:46 | |
Well... | 0:18:46 | 0:18:48 | |
We ARE bank robbers. | 0:18:50 | 0:18:52 | |
So where is it? | 0:18:55 | 0:18:57 | |
Below my belt and above my knees. | 0:18:57 | 0:18:59 | |
No. You know what I mean. | 0:18:59 | 0:19:01 | |
You are gonna get us killed. | 0:19:01 | 0:19:03 | |
Maybe I'll save the day, and we'll both be rich and famous and on TV. | 0:19:04 | 0:19:08 | |
I think there's a way to do it right. I'm sure of it. | 0:19:08 | 0:19:12 | |
So, where is it? | 0:19:12 | 0:19:14 | |
In Daddy's closet, behind the golf clubs. | 0:19:14 | 0:19:18 | |
All right. I'm going. | 0:19:20 | 0:19:21 | |
What's the biggest problem every time you rob a bank? | 0:19:23 | 0:19:25 | |
-Getting caught? -Exactly. | 0:19:25 | 0:19:28 | |
There's guards to shoot at you. There's tellers to hit alarms. | 0:19:28 | 0:19:31 | |
-There's customers to get in the way, right? -Right. -Huh? | 0:19:31 | 0:19:34 | |
You need to control the environment... | 0:19:34 | 0:19:36 | |
No guards, no tellers, no customers. | 0:19:36 | 0:19:39 | |
Yeah, but if you work at night, you still got to deal with the alarms. | 0:19:39 | 0:19:42 | |
But we don't work at night. | 0:19:42 | 0:19:44 | |
When do you do it? Holidays? | 0:19:45 | 0:19:47 | |
No. | 0:19:47 | 0:19:48 | |
We do it with the bank manager in the morning, | 0:19:51 | 0:19:55 | |
with the bank manager's keys and the bank manager's vault codes | 0:19:55 | 0:19:59 | |
because we kidnap him the night before. | 0:19:59 | 0:20:01 | |
I mean, think about it. | 0:20:03 | 0:20:04 | |
We pick a town. We pick a bank. | 0:20:04 | 0:20:06 | |
We find out who's in charge. We pay him a visit. | 0:20:06 | 0:20:09 | |
We spend the night with him, like we are here. | 0:20:09 | 0:20:11 | |
The next morning, we all go to work together | 0:20:11 | 0:20:13 | |
before anybody else gets there... | 0:20:13 | 0:20:15 | |
..and we take the money and run. | 0:20:17 | 0:20:19 | |
Tuxedos and margaritas, Joe, just like you said. | 0:20:21 | 0:20:24 | |
Life will be like one big sunset. | 0:20:24 | 0:20:27 | |
Want to see something neat? | 0:20:54 | 0:20:56 | |
Aim the shotgun at me. | 0:20:57 | 0:20:59 | |
What? | 0:20:59 | 0:21:01 | |
Aim it at me. | 0:21:01 | 0:21:03 | |
Freeze? | 0:21:09 | 0:21:11 | |
Pretty good. But first you got to pump a shell into the chamber. | 0:21:11 | 0:21:15 | |
Like this. | 0:21:15 | 0:21:16 | |
Neat. | 0:21:22 | 0:21:25 | |
The conversation is over, all right? | 0:21:25 | 0:21:27 | |
I feel good in this collar, I've always liked this kind of collar. | 0:21:27 | 0:21:30 | |
But you boned me on the pants, Joe. | 0:21:30 | 0:21:32 | |
It's really not fair. It's a low blow. | 0:21:32 | 0:21:34 | |
I picked those pants out for me. | 0:21:34 | 0:21:36 | |
I laid them out. I specifically chose those. | 0:21:36 | 0:21:38 | |
Well, well, look at you gentlemen. | 0:21:38 | 0:21:41 | |
Are the clothes all right? | 0:21:41 | 0:21:42 | |
Ooh! Aren't we looking a bit spiffy in plaid? | 0:21:42 | 0:21:45 | |
Oh, he likes plaid. | 0:21:45 | 0:21:47 | |
-Oh, two sugars, right? -Thank you very much. | 0:21:48 | 0:21:50 | |
-Cheri, we're gonna have to borrow Phil's car. -Hey! | 0:21:50 | 0:21:53 | |
-That's OK. He doesn't mind. -The hell I don't. | 0:21:53 | 0:21:55 | |
That's a new transmission. | 0:21:55 | 0:21:57 | |
So where are we headed? | 0:22:00 | 0:22:01 | |
-Rufus. -Where's Rufus? | 0:22:01 | 0:22:03 | |
-It's up the road a little ways. -What's at Rufus? | 0:22:03 | 0:22:07 | |
Pow. | 0:22:07 | 0:22:08 | |
Pollard... | 0:22:08 | 0:22:10 | |
Harvey Pollard. | 0:22:10 | 0:22:12 | |
What? | 0:22:12 | 0:22:13 | |
Oh, you feel the need to shoot? | 0:22:13 | 0:22:15 | |
Well, go ahead and shoot, then. | 0:22:17 | 0:22:19 | |
-CLICK CLICK -Mmm! | 0:22:21 | 0:22:23 | |
What, you feel the need to shoot? | 0:22:27 | 0:22:30 | |
Well, go ahead and shoot, then. | 0:22:30 | 0:22:32 | |
CLICK | 0:22:32 | 0:22:34 | |
Oh, to hell with it. | 0:22:36 | 0:22:38 | |
Feel the need... | 0:22:40 | 0:22:41 | |
Draw! Oh! | 0:22:41 | 0:22:42 | |
IMITATES GUNSHOTS | 0:22:42 | 0:22:45 | |
Aah! | 0:22:46 | 0:22:47 | |
Ooh! Uhh! | 0:22:47 | 0:22:49 | |
Hey! | 0:22:52 | 0:22:53 | |
Yo, dog! | 0:22:55 | 0:22:58 | |
-Joe! -Ha ha ha! | 0:22:58 | 0:23:01 | |
Joe? | 0:23:01 | 0:23:03 | |
HE BARKS | 0:23:03 | 0:23:04 | |
-Heh heh heh. -Joe. | 0:23:04 | 0:23:06 | |
-HE GROWLS -Woof woof! | 0:23:06 | 0:23:09 | |
-What's up? I thought you were still in... -No, no. No. Got out early. | 0:23:09 | 0:23:12 | |
Let out early. Terry... | 0:23:12 | 0:23:14 | |
say hello to my cousin Harvey Pollard. | 0:23:14 | 0:23:17 | |
Glad to know you. Any friend of Joe's, man... | 0:23:17 | 0:23:19 | |
Was it Harry? | 0:23:19 | 0:23:20 | |
Terry. | 0:23:21 | 0:23:23 | |
Those are wicked pants. | 0:23:23 | 0:23:25 | |
So, what are you doing? Working? | 0:23:27 | 0:23:29 | |
Special effects. | 0:23:29 | 0:23:30 | |
Well, stunt work, primarily. | 0:23:30 | 0:23:32 | |
Well, mostly training right now. Damn squibs won't fire. | 0:23:32 | 0:23:36 | |
We're looking for somebody who can handle a car. | 0:23:36 | 0:23:39 | |
Oh, I can do that. Why? | 0:23:39 | 0:23:40 | |
Banks. | 0:23:40 | 0:23:42 | |
You're fooling with me. | 0:23:44 | 0:23:46 | |
Hell, Joe, I'm just the man you're looking for. | 0:23:49 | 0:23:51 | |
You want a beer? | 0:23:51 | 0:23:52 | |
-Yeah, I'll take a beer. -OK. | 0:23:52 | 0:23:54 | |
BANG | 0:23:54 | 0:23:56 | |
BANG BANG | 0:23:57 | 0:23:59 | |
Timer malfunction. | 0:24:01 | 0:24:02 | |
Draw! | 0:24:02 | 0:24:03 | |
Heh heh heh. | 0:24:03 | 0:24:05 | |
I'm gonna get a beer. | 0:24:05 | 0:24:07 | |
He's honest, and he falls real good. | 0:24:10 | 0:24:15 | |
Heh heh heh! | 0:24:15 | 0:24:17 | |
Me, I'm gonna make a name for myself in fire. | 0:24:17 | 0:24:22 | |
I've been practicing with gels, | 0:24:22 | 0:24:24 | |
you know, mostly on my hands, but I need a suit. | 0:24:24 | 0:24:28 | |
Harvey, speaking of the job... | 0:24:28 | 0:24:29 | |
You ever wonder why a man set himself on fire | 0:24:29 | 0:24:32 | |
-and jump off the top of a 12-storey building? -Gosh, no, I didn't, Harv. | 0:24:32 | 0:24:35 | |
Women love a man who loves danger. | 0:24:35 | 0:24:38 | |
HE CHUCKLES | 0:24:38 | 0:24:40 | |
'You guys were talking about the frontman. You kept mentioning this guy. | 0:24:41 | 0:24:45 | |
'Will you explain what exactly the frontman does and who he is?' | 0:24:45 | 0:24:48 | |
Well, Darren, the frontman handles | 0:24:48 | 0:24:52 | |
pretty much everything else except robbing the bank. | 0:24:52 | 0:24:54 | |
He rents the rooms. | 0:24:54 | 0:24:56 | |
He gets the supplies, the food that, you know, we would eat. | 0:24:56 | 0:25:00 | |
He drives the getaway car. | 0:25:00 | 0:25:02 | |
Right. Joe and I maintain what you call a low profile. | 0:25:02 | 0:25:07 | |
-Right. -If the frontman is never seen in a bank, | 0:25:07 | 0:25:10 | |
we're never seen out of one. | 0:25:10 | 0:25:11 | |
And I plotted all the banks that we would rob from Oregon to California. | 0:25:11 | 0:25:15 | |
Our first bank on the list was the Oregon City Bank. | 0:25:15 | 0:25:19 | |
So the schedules and the routines and the bank guards, the tellers, | 0:25:19 | 0:25:23 | |
we got it all down, | 0:25:23 | 0:25:24 | |
but mostly we watched our first hostage. | 0:25:24 | 0:25:26 | |
Darill Miller, the bank president, who didn't know it yet, | 0:25:26 | 0:25:29 | |
-but he was about to spend the night with the sleepover bandits. -Whoa. | 0:25:29 | 0:25:32 | |
-That sounded good, right? -Yeah, it's pretty... | 0:25:32 | 0:25:34 | |
"..didn't know it yet, but he was about to spend the night with the sleepover bandits." | 0:25:34 | 0:25:38 | |
It's very newsworthy. | 0:25:38 | 0:25:39 | |
Look, it's his job, all right? | 0:25:39 | 0:25:41 | |
I asked him to get me a good moustache, | 0:25:41 | 0:25:43 | |
but this looks like it come out of a cracker jack box. | 0:25:43 | 0:25:46 | |
This is not about the moustache. We're going to work. | 0:25:46 | 0:25:48 | |
He got you a nice wig. | 0:25:48 | 0:25:49 | |
Look at you. You look great. | 0:25:49 | 0:25:51 | |
Have you noticed the burns? They're kind of flapping. | 0:25:51 | 0:25:54 | |
DOORBELL RINGS | 0:25:54 | 0:25:55 | |
WOMAN: Hon, can you get the door? | 0:25:56 | 0:25:58 | |
Everybody, dinner in a half-hour! | 0:26:01 | 0:26:04 | |
Howdy. TRIGGER COCKS | 0:26:11 | 0:26:13 | |
We're here to rob your Goddamn bank. Now just get in there. | 0:26:13 | 0:26:16 | |
WOMAN SOBS | 0:26:19 | 0:26:21 | |
It's OK, Mommy. | 0:26:24 | 0:26:26 | |
The important thing here... | 0:26:38 | 0:26:40 | |
The important thing to remember... | 0:26:46 | 0:26:49 | |
The important thing is that we spend a quiet night together, | 0:26:49 | 0:26:52 | |
then tomorrow morning, bright and early, | 0:26:52 | 0:26:54 | |
we all go down to the bank together and... | 0:26:54 | 0:26:56 | |
It's really a reasonable proposition if you think about it. | 0:26:56 | 0:27:00 | |
Sure. | 0:27:00 | 0:27:02 | |
Whatever you say. | 0:27:02 | 0:27:03 | |
That's the spirit. | 0:27:03 | 0:27:05 | |
-Stop playing with your food, Erika. -But it's too long. | 0:27:07 | 0:27:12 | |
Here. Next time, I want you to try to wrap it around your fork... | 0:27:12 | 0:27:15 | |
just like daddy does. | 0:27:15 | 0:27:16 | |
-Cut mine, mom. -Just a second, hon. | 0:27:18 | 0:27:20 | |
-The sauce is too red. -It's not too red. | 0:27:20 | 0:27:23 | |
Yes, it is. The sauce is too red. | 0:27:23 | 0:27:25 | |
You know, actually, Mrs Miller, this sauce is quite terrific. | 0:27:33 | 0:27:36 | |
-It's delicious. -Isn't it? | 0:27:36 | 0:27:38 | |
I hate it. | 0:27:38 | 0:27:40 | |
Thank you. | 0:27:40 | 0:27:41 | |
-What time's the vault set for? -7:30. | 0:27:43 | 0:27:46 | |
-Tomato lemon? -Yes. -Mm-hmm. | 0:27:46 | 0:27:49 | |
Lemon zest, oregano, a little cream... See, I cook a little. | 0:27:49 | 0:27:53 | |
Keys? | 0:27:53 | 0:27:54 | |
Two. | 0:27:54 | 0:27:56 | |
I have one. | 0:27:56 | 0:27:57 | |
The operations officer has the other one. | 0:27:57 | 0:28:00 | |
There's something in here I can't identify, though. Is it basil? | 0:28:00 | 0:28:04 | |
-No. -Hmm? | 0:28:04 | 0:28:06 | |
Rosemary? No, don't tell me. | 0:28:06 | 0:28:08 | |
Don't tell me. | 0:28:08 | 0:28:09 | |
It's not that big of a deal. | 0:28:09 | 0:28:11 | |
It's saffron. | 0:28:11 | 0:28:13 | |
Yes. | 0:28:15 | 0:28:16 | |
Yes, it's saffron. | 0:28:16 | 0:28:18 | |
Bingo. I knew it. | 0:28:18 | 0:28:20 | |
You know, sometimes I put a little sugar in mine. It cuts the acidity. | 0:28:20 | 0:28:24 | |
-Sugar. -Thank you. I'll... | 0:28:24 | 0:28:27 | |
-try to remember that. -Little tricks, you know. | 0:28:27 | 0:28:30 | |
Want to see something cool that I can do? | 0:28:30 | 0:28:32 | |
Sure. | 0:28:32 | 0:28:34 | |
SHE BELCHES LOUDLY | 0:28:35 | 0:28:37 | |
THEY GIGGLE | 0:28:37 | 0:28:40 | |
-Monica! -What? | 0:28:40 | 0:28:41 | |
We've got guests... | 0:28:41 | 0:28:43 | |
Sort of. | 0:28:43 | 0:28:45 | |
# Tweedle Dum and Tweedle Dee | 0:28:45 | 0:28:49 | |
# They're throwing knives into the tree... # | 0:28:49 | 0:28:52 | |
You really think you're gonna fool anybody in that getup? | 0:28:52 | 0:28:55 | |
You look like Neil Young from that... What was that album? | 0:28:55 | 0:28:58 | |
After...The Horses or... | 0:28:58 | 0:29:01 | |
It was After The Gold Rush, and that's not the one. | 0:29:01 | 0:29:04 | |
It's the one where he's leaning against a tree in the snow. | 0:29:04 | 0:29:06 | |
That's what I was actually going for. | 0:29:06 | 0:29:08 | |
'Getting out of the bank is almost as important as getting into it. | 0:29:08 | 0:29:12 | |
'The hostages were kept under the strictest possible guard | 0:29:12 | 0:29:15 | |
'To prevent escape or alarm of any type, you see?' | 0:29:15 | 0:29:19 | |
See, we had to bring their kids along, | 0:29:19 | 0:29:22 | |
uh, the Miller children. | 0:29:22 | 0:29:24 | |
-Butane? -Copy. This is Butane. | 0:29:25 | 0:29:28 | |
You're all clear and ready to rock and roll. | 0:29:28 | 0:29:31 | |
Please turn your music down. I can't hear a word you said. | 0:29:31 | 0:29:34 | |
-You're ready to rock and roll! -Thank you. | 0:29:34 | 0:29:37 | |
OK, girls. You just stay right here. | 0:29:37 | 0:29:40 | |
Everybody should be here in ten minutes. | 0:29:40 | 0:29:43 | |
-What's the all clear? -What's that? | 0:29:43 | 0:29:47 | |
Washington... on the inside. | 0:29:52 | 0:29:54 | |
What? | 0:29:54 | 0:29:56 | |
George Washington. | 0:29:56 | 0:29:57 | |
When it's all clear, he's facing in. | 0:29:57 | 0:30:00 | |
Oh. | 0:30:00 | 0:30:02 | |
Make it all clear, Darill. | 0:30:02 | 0:30:04 | |
# They walk among the stately trees | 0:30:06 | 0:30:10 | |
# They know the secrets of the breeze | 0:30:10 | 0:30:15 | |
# Tweedle Dum said to Tweedle Dee... # | 0:30:15 | 0:30:18 | |
Cool. | 0:30:20 | 0:30:21 | |
# Your presence is obnoxious to me | 0:30:21 | 0:30:24 | |
# Feel like baby sittin' on a woman's knee | 0:30:26 | 0:30:31 | |
# Tweedle Dum and Tweedle Dee | 0:30:32 | 0:30:35 | |
Three more. | 0:30:36 | 0:30:38 | |
-Good morning. -Good morning, Darill. | 0:30:40 | 0:30:42 | |
- Good morning, Darill. | 0:30:42 | 0:30:44 | |
Good morning, ladies. | 0:30:44 | 0:30:45 | |
Is this a joke? | 0:30:46 | 0:30:49 | |
No, ma'am. This is a bank robbery. | 0:30:49 | 0:30:52 | |
Hurry it up. It's not a parade. Come on. | 0:30:52 | 0:30:54 | |
All righty, then. Just have a seat with everybody else. | 0:30:54 | 0:30:57 | |
It's not gonna take long. Monica? | 0:30:57 | 0:30:59 | |
-I have to go to the bathroom. -No more juice boxes, Chloe, OK? | 0:30:59 | 0:31:02 | |
If it weren't for the fact that the kids had bladders | 0:31:02 | 0:31:05 | |
the size of hummingbirds, it would have been done. | 0:31:05 | 0:31:08 | |
Well, they drank a lot of juice. | 0:31:08 | 0:31:10 | |
One of these days, you're gonna get caught. It's a very dangerous job. | 0:31:10 | 0:31:14 | |
Aren't you ever scared and afraid? | 0:31:14 | 0:31:16 | |
Ha! When you know danger the way we do, | 0:31:16 | 0:31:18 | |
I know it like an animal, Like a wild animal. | 0:31:18 | 0:31:21 | |
You know what they call me in jail? | 0:31:21 | 0:31:23 | |
-No, I don't. -The panther. | 0:31:23 | 0:31:25 | |
Thank you very much for your cooperation. | 0:31:25 | 0:31:28 | |
Please make no attempt to escape. We'll monitor the police scanners, and we'll kill you if you do. | 0:31:28 | 0:31:32 | |
When you're a well-oiled machine, | 0:31:32 | 0:31:33 | |
-you exude danger. -Sure. | 0:31:33 | 0:31:36 | |
People fear you. | 0:31:36 | 0:31:38 | |
They fear your presence. | 0:31:39 | 0:31:40 | |
The gun, really, is secondary. | 0:31:40 | 0:31:42 | |
-OK! -Thank you. | 0:31:42 | 0:31:44 | |
# They run a brick and tile company | 0:31:48 | 0:31:52 | |
# Tweedle Dum and Tweedle Dee... # | 0:31:55 | 0:31:58 | |
Now listen. We go our separate ways. | 0:32:16 | 0:32:19 | |
-Two weeks from today, we meet... -Klamath Falls. | 0:32:19 | 0:32:21 | |
Right. You take this map. It's on there. | 0:32:21 | 0:32:23 | |
-I want to go with Joe. -You can't do that. | 0:32:23 | 0:32:25 | |
They're looking for two men, that's why we're splitting up and going solo as planned. | 0:32:25 | 0:32:29 | |
What am I supposed to do for two weeks? | 0:32:29 | 0:32:31 | |
-You stay out of trouble. Try that. -What about the minivan? | 0:32:31 | 0:32:34 | |
-You leave it here. -I like the minivan. It's roomy. | 0:32:34 | 0:32:37 | |
I appreciate that, but as it's a stolen minivan, | 0:32:37 | 0:32:40 | |
It's probably better that you leave it here. | 0:32:40 | 0:32:43 | |
-Let's go. -What about my money? | 0:32:43 | 0:32:44 | |
There's yours right there. We split it three ways, nothing fancy. | 0:32:44 | 0:32:47 | |
I'm gonna buy me a fire suit, first thing. | 0:32:47 | 0:32:49 | |
-I bet I can mail-order one out of LA. -Way to go. -Good job, man. | 0:32:49 | 0:32:53 | |
-You too, buddy. -Did good. -Be careful. | 0:32:53 | 0:32:54 | |
-Be careful. Stay out of trouble. -What are you gonna buy with your shares? -Paradise. | 0:32:54 | 0:32:59 | |
Two weeks. Klamath Falls. Be careful! | 0:32:59 | 0:33:03 | |
MEGAPHONE: Joe Blake and Terry Collins, | 0:33:06 | 0:33:08 | |
This is Lieutenant McCormick of the Los Angeles police department. | 0:33:08 | 0:33:12 | |
Put down your weapons and come out of the bank | 0:33:12 | 0:33:15 | |
with your hands in the air. | 0:33:15 | 0:33:17 | |
This could be a bad time, but I just want to point out | 0:33:22 | 0:33:24 | |
-that I did warn you that that woman would be the ruin of us. -Right. | 0:33:24 | 0:33:28 | |
Understood. | 0:33:28 | 0:33:31 | |
But as our future looks rather bleak and miserable, | 0:33:31 | 0:33:34 | |
I suggest we figure out what got us here in the first place... | 0:33:34 | 0:33:39 | |
Which brings us back to that woman. | 0:33:40 | 0:33:43 | |
TAPE RECORDER: 'The most common symptom of vaginitis | 0:34:10 | 0:34:13 | |
'is an abnormal vaginal discharge, often...' | 0:34:13 | 0:34:16 | |
TAPE FAST FORWARDS | 0:34:16 | 0:34:18 | |
'..probably from an allergic reaction to mites.' | 0:34:18 | 0:34:21 | |
MUSIC: "Holding Out For A Hero" by Bonnie Tyler | 0:34:24 | 0:34:27 | |
# I need a hero | 0:34:35 | 0:34:37 | |
# I'm holding out for a hero till the morning light | 0:34:37 | 0:34:41 | |
# He's got to be sure and it's got to be soon | 0:34:41 | 0:34:44 | |
# And he's got to be larger than life | 0:34:44 | 0:34:47 | |
# Larger than life | 0:34:47 | 0:34:49 | |
# It's gonna take a superman to sweep me off my feet | 0:34:51 | 0:34:58 | |
# I need a hero | 0:34:58 | 0:35:00 | |
# I'm holding out for a hero till the end of the night | 0:35:00 | 0:35:04 | |
# He's got to be strong and he's got to be fast | 0:35:04 | 0:35:07 | |
# And he's got to be fresh from the fight | 0:35:07 | 0:35:10 | |
# I need a hero | 0:35:10 | 0:35:12 | |
# I'm holding out for a hero till the end of the night... # | 0:35:12 | 0:35:16 | |
Out of gas. | 0:35:16 | 0:35:17 | |
Shit. | 0:35:17 | 0:35:18 | |
What is that smell? | 0:35:47 | 0:35:49 | |
It's a gratin of Florence fennel, | 0:35:50 | 0:35:52 | |
new potatoes, | 0:35:52 | 0:35:54 | |
clam and sorrel soup | 0:35:54 | 0:35:56 | |
with cream and mirepoix | 0:35:56 | 0:35:57 | |
and stuffed quail. | 0:35:59 | 0:36:01 | |
Kate, I have a dinner tonight - clients. | 0:36:01 | 0:36:05 | |
Tonight? | 0:36:05 | 0:36:06 | |
Oh, well, it's just for fun. | 0:36:10 | 0:36:12 | |
I'm going to the gym. See you. | 0:36:15 | 0:36:17 | |
-Sweetheart? -Yeah? | 0:36:28 | 0:36:30 | |
Why don't you go see a movie? | 0:36:30 | 0:36:32 | |
TYRES SCREECH | 0:36:43 | 0:36:45 | |
# We'll be holding on forever | 0:36:45 | 0:36:48 | |
# And we'll only be making it right | 0:36:48 | 0:36:52 | |
# Cos we'll never be wrong | 0:36:52 | 0:36:54 | |
# Together we can take it to the end of the line | 0:36:54 | 0:36:57 | |
# Your love is like a shadow on me all of the time | 0:36:57 | 0:37:01 | |
# All of the time All of the time | 0:37:01 | 0:37:05 | |
# I don't know what to do and I'm always in the dark | 0:37:05 | 0:37:08 | |
# We're living in a powder keg and giving off sparks | 0:37:08 | 0:37:11 | |
# I really need you tonight | 0:37:11 | 0:37:14 | |
# Forever's gonna start tonight | 0:37:14 | 0:37:18 | |
# Forever's gonna start tonight | 0:37:18 | 0:37:20 | |
# Once upon a time I was falling in love | 0:37:20 | 0:37:23 | |
# Now I'm only falling apart | 0:37:23 | 0:37:26 | |
# There's nothing I can do | 0:37:29 | 0:37:30 | |
# A total eclipse of the heart... # | 0:37:30 | 0:37:33 | |
Aah! | 0:37:37 | 0:37:38 | |
Stop! | 0:37:41 | 0:37:43 | |
-Oh, my God! -Ow! -Oh, my God! | 0:37:48 | 0:37:50 | |
Are you all right? Are you OK? | 0:37:50 | 0:37:52 | |
HORNS HONK | 0:37:52 | 0:37:56 | |
Come on. I'm so sorry. | 0:37:56 | 0:37:58 | |
Come on. Hospital, hospital. | 0:37:58 | 0:38:00 | |
'Cascade Memorial Hospital is located at...' | 0:38:00 | 0:38:02 | |
Can you wiggle your toes? | 0:38:02 | 0:38:04 | |
Voices... | 0:38:04 | 0:38:06 | |
'22nd Avenue...' | 0:38:06 | 0:38:07 | |
Hearing voices. | 0:38:07 | 0:38:09 | |
Where are the voices? Are they... Are those in my... | 0:38:09 | 0:38:12 | |
Hey, wait. | 0:38:12 | 0:38:14 | |
Uh, hey. You pull... You pull... | 0:38:14 | 0:38:17 | |
You pull over and... You pull over and get out of the car. | 0:38:17 | 0:38:20 | |
You don't have to get all huffy about it. | 0:38:20 | 0:38:22 | |
You need to pull the car over. | 0:38:22 | 0:38:25 | |
-It was an accident. -Listen, I'll shoot you with this thing. | 0:38:25 | 0:38:29 | |
Oh, go ahead. It'll be an improvement, believe me. | 0:38:29 | 0:38:33 | |
-Will you listen to me, miss? -Kate. | 0:38:33 | 0:38:35 | |
Kate. I'm a desperate man. | 0:38:35 | 0:38:37 | |
-Desperate? -Yes. -You don't know the meaning of the word. | 0:38:37 | 0:38:40 | |
Desperate is when you wake up in the morning and wish you hadn't. | 0:38:40 | 0:38:42 | |
It's knowing that every time you get behind the wheel of a car, | 0:38:42 | 0:38:46 | |
you're only a tree away from ending the empty charade | 0:38:46 | 0:38:48 | |
that your life has become. So don't talk to me about desperate. | 0:38:48 | 0:38:52 | |
TYRES SCREECH | 0:38:52 | 0:38:53 | |
On second thought, why don't you just pull over and let me out here? | 0:38:53 | 0:38:57 | |
-Thank you for the lift, but I'll be fine. -No! -I'll walk from here. -Why? | 0:38:57 | 0:38:59 | |
-I'm feeling very fragile at the moment. I don't think I should be alone. -You're insane! | 0:38:59 | 0:39:05 | |
TRUCK HORN HONKS | 0:39:05 | 0:39:06 | |
I'm unhappy. | 0:39:06 | 0:39:08 | |
It's not the same thing. | 0:39:08 | 0:39:10 | |
Hey. I'm a fugitive from justice. | 0:39:10 | 0:39:13 | |
I'm a dangerous criminal. | 0:39:13 | 0:39:14 | |
-Oh, well, that explains the hijacking. -You hit me! | 0:39:14 | 0:39:17 | |
You can't step in front of a moving automobile and expect it to stop. | 0:39:17 | 0:39:20 | |
-Yes, you can. I've seen it done. -Would you not yell at me? | 0:39:20 | 0:39:23 | |
Can you slow down or something? I want to get out of here. | 0:39:23 | 0:39:26 | |
I'll jump. That's what I'm gonna do. | 0:39:26 | 0:39:28 | |
How do you unlock this door? | 0:39:28 | 0:39:30 | |
Push a button. Let...let... Unlock this door. | 0:39:30 | 0:39:33 | |
So, where you headed? I'll drop you. | 0:39:33 | 0:39:35 | |
You're in no shape to drive. | 0:39:35 | 0:39:37 | |
So you're a fugitive, huh? What did you do wrong? | 0:39:37 | 0:39:39 | |
Everything. | 0:39:39 | 0:39:41 | |
'Alert. Your global positioning system is rerouting.' | 0:39:41 | 0:39:45 | |
Where is that coming from? What is that? | 0:39:45 | 0:39:48 | |
Between the second set of trees. | 0:39:52 | 0:39:54 | |
The second set of trees right here. | 0:39:54 | 0:39:56 | |
Look at me! I'm on fire! Ha ha ha ha! | 0:39:56 | 0:40:01 | |
Just don't ask. | 0:40:01 | 0:40:03 | |
Lookee! Yeah! | 0:40:03 | 0:40:05 | |
What the hell is this? | 0:40:12 | 0:40:14 | |
Kate, Paul Bunyan. Paul, Kate. | 0:40:14 | 0:40:16 | |
Kate? | 0:40:16 | 0:40:17 | |
-I ran out of gas. -And? | 0:40:17 | 0:40:19 | |
And she hit me...with her car. | 0:40:19 | 0:40:22 | |
OK. She hit you with her car. | 0:40:22 | 0:40:24 | |
What the hell did you bring her here for? | 0:40:24 | 0:40:26 | |
Well, one...I had no choice. | 0:40:26 | 0:40:28 | |
Two...I may have suffered a slight concussion, | 0:40:28 | 0:40:30 | |
and three...she's mentally unbalanced to a spectacular degree. | 0:40:30 | 0:40:33 | |
I can hear you. | 0:40:33 | 0:40:34 | |
I tried to escape. She wouldn't stop. | 0:40:34 | 0:40:37 | |
I almost jumped from a speeding car, do you hear me? I had double vision. | 0:40:37 | 0:40:42 | |
What was I gonna do? | 0:40:42 | 0:40:43 | |
Your left eye's a fraction darker than your right one. | 0:40:58 | 0:41:01 | |
Nobody ever noticed. | 0:41:02 | 0:41:04 | |
I'm Joe. | 0:41:04 | 0:41:06 | |
I'm Kate. | 0:41:06 | 0:41:07 | |
-Oh, what happened to your tooth? -All right. OK. | 0:41:10 | 0:41:12 | |
Why don't you just go on your way, OK? | 0:41:12 | 0:41:14 | |
Act like you never met us. | 0:41:14 | 0:41:16 | |
-Send us a postcard from crazy town. -Can I stay here? | 0:41:16 | 0:41:18 | |
Just that I don't know where else to go. | 0:41:18 | 0:41:21 | |
It'll only be one night. | 0:41:21 | 0:41:23 | |
-Please? -I'm not sure we can do that. | 0:41:23 | 0:41:25 | |
Absolutely no way. There's... that's not possible. | 0:41:25 | 0:41:28 | |
I can't go home. | 0:41:28 | 0:41:30 | |
I can't. | 0:41:30 | 0:41:32 | |
I could go to the police. | 0:41:32 | 0:41:34 | |
I mean, what's to stop me leading them straight to your hideout? | 0:41:34 | 0:41:38 | |
What are you hiding from, anyway? He wouldn't tell me. | 0:41:38 | 0:41:41 | |
He's very, very discreet. | 0:41:41 | 0:41:43 | |
-Come here, Joe. -What are you... | 0:41:43 | 0:41:45 | |
-What's with the pulling? -I want to talk with you. | 0:41:45 | 0:41:48 | |
Jeez, this is a very, very bad idea. | 0:41:48 | 0:41:51 | |
In the history of bad ideas, this is a humdinger, OK? | 0:41:51 | 0:41:53 | |
-No. She's right about the police. -Shoot her. | 0:41:53 | 0:41:56 | |
-Bury her body in the woods. -What am I, invisible? | 0:41:56 | 0:41:59 | |
-She doesn't have anyplace to stay. -It's none of our business. | 0:41:59 | 0:42:02 | |
-It is now you've brought her here, isn't it? -I needed a ride, OK? | 0:42:02 | 0:42:05 | |
I mean, there I was sprawled out on the asphalt, OK? | 0:42:05 | 0:42:09 | |
You know the hardest thing about being smart? | 0:42:09 | 0:42:12 | |
-No. -I always pretty much know what's gonna happen next. | 0:42:12 | 0:42:15 | |
There's no suspense. | 0:42:15 | 0:42:16 | |
And don't think I didn't see the look in your eye over there | 0:42:16 | 0:42:19 | |
and feeling her little hair and all that kind of stuff. | 0:42:19 | 0:42:21 | |
I'm implementing a 24-hour rule from now on, OK? | 0:42:21 | 0:42:24 | |
It's in effect. | 0:42:24 | 0:42:26 | |
24 hours. | 0:42:26 | 0:42:27 | |
-24 hours and not a minute longer, missy. -Thank you. | 0:42:27 | 0:42:30 | |
"Missy." | 0:42:30 | 0:42:32 | |
Hey. I'll cook dinner. | 0:42:32 | 0:42:33 | |
I cook the dinners around here. | 0:42:33 | 0:42:35 | |
Sorry. Not familiar with the outlaw code. | 0:42:35 | 0:42:38 | |
Does that mean I'm a hostage? | 0:42:39 | 0:42:41 | |
Well, I was in Las Vegas. Don't get excited. | 0:42:42 | 0:42:44 | |
I'm not talking to you. Well, Joe, you know the costs. | 0:42:44 | 0:42:47 | |
Hotel remodelling, real estate. | 0:42:47 | 0:42:50 | |
I've estimated 20,000 for the kitchen alone. | 0:42:50 | 0:42:52 | |
We're talking about restaurant quality here | 0:42:52 | 0:42:55 | |
-and that's not to mention the nightclub. -I got a crippled cousin | 0:42:55 | 0:42:58 | |
in New Hampshire that's going in for her seventh operation on her leg. | 0:42:58 | 0:43:01 | |
I got my mother's people up in Ottawa, the aunts and the uncles. | 0:43:01 | 0:43:04 | |
-These bills add up, Terry, OK? -Listen, I'm duly impressed | 0:43:04 | 0:43:07 | |
by any and all charitable contributions. How crippled? | 0:43:07 | 0:43:10 | |
Did you know you could bet on Irish hurling? | 0:43:10 | 0:43:13 | |
Hey, hey, hey. Excuse me, Harvey. | 0:43:13 | 0:43:14 | |
I'm trying to figure out why my partner here, | 0:43:14 | 0:43:17 | |
when he wasn't helping improve the Blake family standard of living, | 0:43:17 | 0:43:21 | |
managed to spend 200,000. | 0:43:21 | 0:43:23 | |
-I met a very lovely young lady from the Netherlands down in San Diego... -Oh, colour me surprised. | 0:43:23 | 0:43:27 | |
..who took me to this Oktoberfest deal and they had a big parade | 0:43:27 | 0:43:30 | |
and she wanted to ride on one of the floats, OK? | 0:43:30 | 0:43:33 | |
So I bought her one. | 0:43:33 | 0:43:34 | |
Now, we're drinking these big steins of, uh...Holland beer, | 0:43:34 | 0:43:37 | |
and one thing leads to another and I'm throwing 50 bills out to the crowd! | 0:43:37 | 0:43:42 | |
-The thing about Irish hurling is that it's like football with sticks. -Stop it. | 0:43:42 | 0:43:46 | |
Stop it, please. | 0:43:46 | 0:43:48 | |
For God's sake, Pollard, OK? | 0:43:48 | 0:43:51 | |
OK. You meet a girl. You go to a festival. | 0:43:52 | 0:43:55 | |
-October festival. -Oktoberfest. You throw 50 bills to the crowd. | 0:43:55 | 0:43:58 | |
-I notice you got a new gold watch. -An 18 carat gold watch. | 0:43:58 | 0:44:01 | |
-I don't give a shit how many carats it is. -36 grand. It's no big deal. | 0:44:01 | 0:44:03 | |
You could ask somebody for the time, it's a lot cheaper. Anything else? | 0:44:03 | 0:44:08 | |
Well, yeah. We stayed a couple days longer than I thought we were gonna | 0:44:08 | 0:44:11 | |
down in San Diego, and I had to get her back to the Netherlands, | 0:44:11 | 0:44:14 | |
So I chartered a private jet to take her home. | 0:44:14 | 0:44:17 | |
Oh, of course you did. | 0:44:17 | 0:44:18 | |
-The Netherlands. -Yeah. | 0:44:18 | 0:44:20 | |
Joe. | 0:44:20 | 0:44:22 | |
What? | 0:44:22 | 0:44:24 | |
Listen. | 0:44:24 | 0:44:25 | |
Let me try to explain something to you. Paradise doesn't come cheaply. | 0:44:27 | 0:44:32 | |
Now, I've figured this down to the last nickel. | 0:44:32 | 0:44:34 | |
Now, and here's the important part... | 0:44:34 | 0:44:36 | |
Every nickel that we spend is a nickel that we have to steal. | 0:44:36 | 0:44:40 | |
Now, that's a lot of nickels, Joe. | 0:44:40 | 0:44:42 | |
I don't want to rob banks for the rest of my life. | 0:44:42 | 0:44:44 | |
The stress level is just too damned high. | 0:44:44 | 0:44:47 | |
Harvey? Joe? | 0:44:48 | 0:44:50 | |
Dinner's almost ready. | 0:44:50 | 0:44:52 | |
Now, this is not bad. | 0:44:53 | 0:44:56 | |
It's a little... | 0:44:56 | 0:44:58 | |
It's a little chewy, but... | 0:44:58 | 0:45:00 | |
You boys ever eat and talk at the same time? | 0:45:09 | 0:45:13 | |
We used to. | 0:45:15 | 0:45:16 | |
So, what sort of work do you do, crimewise? | 0:45:21 | 0:45:24 | |
Bank robbery. | 0:45:24 | 0:45:26 | |
Well, they rob banks. I drive the getaway car. | 0:45:26 | 0:45:28 | |
Harvey. | 0:45:28 | 0:45:30 | |
That's enough, Harvey. | 0:45:30 | 0:45:32 | |
Wait a minute. You're not the... | 0:45:34 | 0:45:36 | |
The guys who go to the bank manager's house | 0:45:36 | 0:45:38 | |
-the night before, and you... -They do. I drive the getaway car. | 0:45:38 | 0:45:41 | |
Harvey! | 0:45:41 | 0:45:42 | |
For the love of God. | 0:45:43 | 0:45:46 | |
You're the Sleepover Bandits. | 0:45:49 | 0:45:51 | |
Oh, my God, you're practically famous. | 0:45:53 | 0:45:55 | |
The Sleepover Bandits? | 0:45:55 | 0:45:58 | |
-That's us? -Don't you watch Criminals At Large? | 0:45:58 | 0:46:02 | |
You should. They're watching you. | 0:46:02 | 0:46:05 | |
You're astounding, Harvey. | 0:46:05 | 0:46:07 | |
So... | 0:46:07 | 0:46:09 | |
You rob banks. Well, that's impressive. | 0:46:09 | 0:46:11 | |
What, some little old lady's savings account and cub scout dues | 0:46:11 | 0:46:15 | |
and homeless orphan Christmas funds? Is that what... | 0:46:15 | 0:46:20 | |
We never stole a penny from anybody who earned it, lady. | 0:46:20 | 0:46:24 | |
That money's federally insured by the government. | 0:46:24 | 0:46:27 | |
The government steals money from people and we just take it back from them. | 0:46:28 | 0:46:33 | |
Any more questions, Kate? | 0:46:39 | 0:46:42 | |
Got a spare toothbrush? | 0:46:50 | 0:46:52 | |
Didn't have time to pack. | 0:46:52 | 0:46:54 | |
God, nobody could be that sick. | 0:46:55 | 0:46:57 | |
Put that down. | 0:46:57 | 0:46:59 | |
May I? | 0:47:01 | 0:47:04 | |
What are you doing here? | 0:47:04 | 0:47:05 | |
Cleaning my teeth. | 0:47:05 | 0:47:06 | |
I mean, manic depression, delusion, | 0:47:06 | 0:47:10 | |
I understand all of that. It's very impressive, but... | 0:47:10 | 0:47:12 | |
Do you know how many germs are on your finger? That kind of defeats the purpose. | 0:47:12 | 0:47:17 | |
Well, if you don't give me a toothbrush, I don't have much option, do I? | 0:47:17 | 0:47:23 | |
I don't think you're crazy at all, You know that? | 0:47:23 | 0:47:25 | |
I think you're bored. | 0:47:25 | 0:47:27 | |
I think you're bored with your life | 0:47:27 | 0:47:29 | |
and you're expecting that some miracle's gonna drop out of the sky | 0:47:29 | 0:47:32 | |
and suddenly make everything better or at least hopeful, | 0:47:32 | 0:47:36 | |
because you lost hope a long time ago | 0:47:36 | 0:47:38 | |
and your marriage sucks. | 0:47:38 | 0:47:40 | |
But I'm sorry, Kate. We can't help you. | 0:47:43 | 0:47:45 | |
You don't know me. You only think you do. | 0:47:49 | 0:47:51 | |
You're joking. | 0:47:53 | 0:47:55 | |
Saw it in a movie. | 0:47:55 | 0:47:57 | |
How does it end? | 0:47:57 | 0:47:59 | |
With a wedding. | 0:48:00 | 0:48:02 | |
Beavers and ducks! | 0:48:11 | 0:48:13 | |
Suckers. | 0:48:14 | 0:48:16 | |
I'm not waiting for anything to fall out of the sky. | 0:48:16 | 0:48:19 | |
I'm not bored. I'm angry. | 0:48:19 | 0:48:21 | |
Maybe he's right about running out of hope. | 0:48:26 | 0:48:28 | |
It's not entirely my fault. | 0:48:28 | 0:48:31 | |
It's just that I picked the wrong life. | 0:48:31 | 0:48:33 | |
SHE SOBS | 0:48:41 | 0:48:44 | |
The Valley Spirit is a woman. | 0:48:45 | 0:48:48 | |
Use her root at the gateway of heaven | 0:48:48 | 0:48:50 | |
and it will never fail. | 0:48:50 | 0:48:53 | |
What the hell is that supposed to mean? | 0:48:53 | 0:48:56 | |
Not a clue. | 0:48:57 | 0:48:58 | |
I'm hoping it means, "Figure out what you want and just take it." | 0:49:00 | 0:49:03 | |
Oh, please. | 0:49:03 | 0:49:06 | |
What, like robbing a bank? | 0:49:06 | 0:49:09 | |
Like that, yeah. | 0:49:09 | 0:49:10 | |
If only life were that simple. | 0:49:12 | 0:49:14 | |
# Like a shadow on me all of the time... # | 0:49:18 | 0:49:21 | |
I don't know what to do... | 0:49:23 | 0:49:26 | |
I'm always in the dark... | 0:49:26 | 0:49:28 | |
We're living in a powder keg giving off sparks... | 0:49:28 | 0:49:31 | |
Once upon a time I was falling in love... | 0:49:39 | 0:49:42 | |
Now I'm only falling apart... | 0:49:42 | 0:49:45 | |
Nothing I can do... | 0:49:45 | 0:49:48 | |
Total eclipse of the heart. | 0:49:48 | 0:49:50 | |
# Once upon a time there was light in my life | 0:49:56 | 0:49:59 | |
# Now there's only love in the dark | 0:49:59 | 0:50:02 | |
Nothing I can do... | 0:50:02 | 0:50:04 | |
Total eclipse of the heart. | 0:50:04 | 0:50:06 | |
Oh, my God. | 0:50:07 | 0:50:09 | |
Give me a break. | 0:50:09 | 0:50:11 | |
Turn around, bright eyes. | 0:50:11 | 0:50:15 | |
I can't believe you know that song. | 0:50:15 | 0:50:18 | |
Yeah. Bonnie Tyler. | 0:50:18 | 0:50:20 | |
Total Eclipse Of The Heart. It's the ultimate sappy chick song. | 0:50:20 | 0:50:23 | |
-It's not a sappy chick song. -It's very sappy. | 0:50:23 | 0:50:25 | |
No, it's not. Please don't argue. I'm having a really hard day. | 0:50:25 | 0:50:28 | |
This is the song that all girls... | 0:50:28 | 0:50:30 | |
-It is an epic haiku to the complex... -A what? | 0:50:30 | 0:50:32 | |
It's a haiku to the complexity of love. | 0:50:32 | 0:50:34 | |
It's also pretty embarrassing for guys. | 0:50:34 | 0:50:37 | |
When that song was out, I used to listen to it on the radio. | 0:50:37 | 0:50:41 | |
I have to admit, | 0:50:41 | 0:50:43 | |
I would get a little misty. | 0:50:43 | 0:50:45 | |
Really? | 0:50:45 | 0:50:46 | |
Yeah, a little. | 0:50:46 | 0:50:48 | |
And...I would appreciate it if you didn't mention that to anyone. | 0:50:48 | 0:50:53 | |
I won't...I won't tell a soul. | 0:50:53 | 0:50:57 | |
Thanks. | 0:50:58 | 0:51:01 | |
-Oops. -HE LAUGHS | 0:51:08 | 0:51:10 | |
THEY BOTH LAUGH | 0:51:10 | 0:51:12 | |
-That's all right. I'll get it. -Oh, I'll get it. | 0:51:12 | 0:51:15 | |
No, no. Why don't you just stay under the covers there? | 0:51:15 | 0:51:18 | |
You know what other song jacked me up when I was a kid? | 0:51:18 | 0:51:21 | |
That song about the pony - Wildfire. You know that song? | 0:51:21 | 0:51:23 | |
Oh, I love that pony song. I love all pony songs. | 0:51:23 | 0:51:27 | |
-Really? You know... -Yeah. | 0:51:27 | 0:51:29 | |
It's the one that goes # Ride, pony, ride... # | 0:51:29 | 0:51:32 | |
That's Mustang Sally. Close. It's a horse. | 0:51:32 | 0:51:34 | |
-Wasn't the pony called Sally? -Not this pony. He was called Wildfire. He busted down the stall. | 0:51:34 | 0:51:39 | |
# Busted down his stall... # You don't remember that? | 0:51:39 | 0:51:42 | |
And they called him Wildfire. | 0:51:42 | 0:51:44 | |
Joe? | 0:51:50 | 0:51:51 | |
Yeah. | 0:51:51 | 0:51:53 | |
I think I know what I want. | 0:51:55 | 0:51:57 | |
Amazing. | 0:52:07 | 0:52:09 | |
Joe, the 24-hour rule is all that stands between us and chaos. | 0:52:28 | 0:52:31 | |
Are you listening to me? | 0:52:33 | 0:52:34 | |
We're at kind of a crossroads here and I want you to be very clear about my meaning. | 0:52:34 | 0:52:39 | |
I'm changing the 24-hour rule, OK? | 0:52:39 | 0:52:41 | |
No, you don't understand. She's a missing person. | 0:52:41 | 0:52:43 | |
Missing...meaning that someone's looking for her. You get it? | 0:52:43 | 0:52:47 | |
I'm changing the 24-hour rule. | 0:52:47 | 0:52:49 | |
May I help you? | 0:52:49 | 0:52:51 | |
Oh, I'm sorry. We're here to rob your bank. | 0:52:51 | 0:52:54 | |
What the hell's that? | 0:52:58 | 0:52:59 | |
It's a disorder that affects your ability to regulate sleep and wakefulness. | 0:52:59 | 0:53:03 | |
I thought he was dead. | 0:53:03 | 0:53:05 | |
No. That's cataplexy, a secondary symptom. | 0:53:05 | 0:53:09 | |
Sudden loss of voluntary muscle control. | 0:53:09 | 0:53:12 | |
I just have one question. Why now? | 0:53:12 | 0:53:15 | |
Well, in Lare's case | 0:53:15 | 0:53:16 | |
emotional stress is the primary ignitor. | 0:53:16 | 0:53:19 | |
Do you have a guest bedroom here, ma'am? | 0:53:19 | 0:53:23 | |
-Now we're just gonna ask you to step right over here in the manager's office. -Go ahead. | 0:53:26 | 0:53:31 | |
'You never know what's gonna happen during a robbery. | 0:53:31 | 0:53:33 | |
-That's the thing. -Sure. -There's always a surprise of some kind... | 0:53:33 | 0:53:37 | |
I mean, beyond your control... But, I mean, the thing is | 0:53:37 | 0:53:40 | |
that you have to remain calm under pressure and think on your feet. | 0:53:40 | 0:53:43 | |
All I'm saying is it just seems a little silly falling asleep during a bank robbery. | 0:53:43 | 0:53:47 | |
Well, it may appear silly to you | 0:53:47 | 0:53:49 | |
but there's a perfectly reasonable explanation. | 0:53:49 | 0:53:51 | |
Uh... | 0:53:54 | 0:53:56 | |
I'm sorry. I'm a little nervous. | 0:53:56 | 0:53:58 | |
It's OK, Larry. There's nothing to be nervous about. | 0:53:58 | 0:54:02 | |
You see, my body chemistry | 0:54:02 | 0:54:04 | |
is extraordinarily sensitive to suggestion. | 0:54:04 | 0:54:07 | |
Any symptom can be manufactured, given the right circumstances, | 0:54:07 | 0:54:10 | |
and that, by the way, doesn't mean it isn't real. | 0:54:10 | 0:54:12 | |
Aah! Jesus, this stuff is hot. | 0:54:12 | 0:54:15 | |
THUMP | 0:54:15 | 0:54:18 | |
Go get Mrs Fife. | 0:54:18 | 0:54:20 | |
So I met this girl, and, you know, I wanted to impress her, so I said, | 0:54:20 | 0:54:24 | |
"You want to see me light my hands on fire?" | 0:54:24 | 0:54:26 | |
You know, because I bet she'd never seen anything like that before, | 0:54:26 | 0:54:29 | |
and she said, "What about your head?" | 0:54:29 | 0:54:31 | |
-Your head? -Yeah, my head. Like, I don't have the proper gear | 0:54:31 | 0:54:34 | |
for that kind of stunt, at least not yet. I said, "No way," | 0:54:34 | 0:54:38 | |
but she wouldn't listen, you know? | 0:54:38 | 0:54:40 | |
Flaming hands wasn't enough. | 0:54:40 | 0:54:42 | |
She wanted to see me set my head on fire. | 0:54:42 | 0:54:44 | |
So what did you do? | 0:54:44 | 0:54:46 | |
Singed off half my hair. | 0:54:46 | 0:54:48 | |
A little bit more, sweetheart. Here you go. | 0:54:49 | 0:54:51 | |
-Is he coming around? -Yeah. | 0:54:51 | 0:54:52 | |
-Because we really need him to come around. -He's coming around. | 0:54:52 | 0:54:56 | |
We don't have much time. This is ridiculous. | 0:54:56 | 0:54:59 | |
-It's the emotion thing. -Nervous breakdown here. | 0:54:59 | 0:55:02 | |
Guys, we have a problem. | 0:55:02 | 0:55:04 | |
We got multiple bogies at 9 o'clock. | 0:55:04 | 0:55:07 | |
-BELL RINGS -What the hell is that? | 0:55:08 | 0:55:10 | |
It's the drive-up window. Someone's at the drive-up. | 0:55:10 | 0:55:13 | |
At 8:00 in the morning? | 0:55:13 | 0:55:14 | |
HORN HONKS | 0:55:14 | 0:55:16 | |
-What do we do? -Nothing. | 0:55:16 | 0:55:17 | |
-Hello? -HORN HONKS | 0:55:17 | 0:55:20 | |
I'm telling you, you act too eager, | 0:55:20 | 0:55:22 | |
Dottie's never gonna give you a second look. | 0:55:22 | 0:55:24 | |
Women do not respond to need. | 0:55:24 | 0:55:27 | |
HORN HONKS | 0:55:27 | 0:55:29 | |
It's the police. | 0:55:29 | 0:55:31 | |
Good morning. | 0:55:34 | 0:55:37 | |
Where's Dottie? | 0:55:39 | 0:55:40 | |
Who? | 0:55:40 | 0:55:41 | |
The drive-up girl. | 0:55:41 | 0:55:44 | |
Oh, I'm sorry. Dottie. Of course. Uh, she's sick. | 0:55:44 | 0:55:48 | |
Sick with what? | 0:55:48 | 0:55:50 | |
Vaginitis. She's been suffering from an abnormal vaginal discharge. | 0:55:50 | 0:55:55 | |
It's a common symptom - a viscous fluid usually associated with, uh... | 0:55:55 | 0:55:59 | |
Well, vaginitis. | 0:55:59 | 0:56:01 | |
It's usually is associated with... | 0:56:01 | 0:56:03 | |
All clear, bubba. | 0:56:13 | 0:56:14 | |
-You all right? -That was great. | 0:56:14 | 0:56:16 | |
-It's exciting, right? -Yeah. | 0:56:16 | 0:56:19 | |
Why a college parking lot? | 0:56:23 | 0:56:25 | |
Always lots of cars around, even in the morning. | 0:56:25 | 0:56:28 | |
Leave the Jaguar here. | 0:56:28 | 0:56:30 | |
No gambling. | 0:56:30 | 0:56:31 | |
I'll see you in Tonopah in two weeks, you understand? | 0:56:33 | 0:56:36 | |
-Yeah. All right. -You hear me? | 0:56:36 | 0:56:38 | |
Eh, he'll get tired of her. It just takes time. You'll see. | 0:56:47 | 0:56:51 | |
I don't know. Kate's a special lady. | 0:56:51 | 0:56:54 | |
Kate is an iceberg waiting for the Titanic. | 0:56:54 | 0:56:57 | |
Has anybody seen Kate Wheeler? Local authorities are investigating the possible connection | 0:56:59 | 0:57:03 | |
between the missing woman and the latest in a series of bank robberies | 0:57:03 | 0:57:07 | |
committed by the Sleepover Bandits. Wheeler vanished just 24 hours | 0:57:07 | 0:57:10 | |
before the robbery of the San Andreas Bank. | 0:57:10 | 0:57:12 | |
Her abandoned automobile was discovered a short distance | 0:57:12 | 0:57:15 | |
from the automobile belonging to bank manager Lawrence Fife. | 0:57:15 | 0:57:18 | |
But a much bigger question remains unanswered, people. | 0:57:18 | 0:57:21 | |
Who exactly are these mystery men? | 0:57:21 | 0:57:22 | |
In a related development, a federal task force has been assembled | 0:57:22 | 0:57:26 | |
to try to piece together this mystery. | 0:57:26 | 0:57:27 | |
Is there a connection between her and the Sleepover Bandits? | 0:57:27 | 0:57:30 | |
Is Kate Wheeler associated with the Sleepover Bandits or part of the gang? | 0:57:30 | 0:57:34 | |
We'll keep you updated right here | 0:57:34 | 0:57:35 | |
as this whole story unfolds on Criminals At Large. | 0:57:35 | 0:57:39 | |
# All God's children need travelling shoes | 0:57:51 | 0:57:55 | |
# Drive your problems from here | 0:57:55 | 0:57:58 | |
# All good people read good books | 0:57:59 | 0:58:03 | |
# Now your conscience is clear | 0:58:03 | 0:58:05 | |
# I hear you talk, girl | 0:58:05 | 0:58:07 | |
# Now your conscience is clear | 0:58:07 | 0:58:10 | |
# In the morning when I wipe my brow | 0:58:11 | 0:58:15 | |
# Wipe the miles away... # | 0:58:15 | 0:58:18 | |
-Harvey? -Yeah? | 0:58:20 | 0:58:22 | |
-Do you remember what I said about conspicuous behaviour? -Keeping a low profile. | 0:58:22 | 0:58:27 | |
-Are you achieving it, do you think? -You bet. | 0:58:27 | 0:58:29 | |
Good boy. | 0:58:29 | 0:58:31 | |
What do you think of my boots? | 0:58:31 | 0:58:33 | |
Very lifelike. | 0:58:33 | 0:58:35 | |
# Look, your love has drawn red from my hands | 0:58:36 | 0:58:40 | |
# From my hands you know you'll never be | 0:58:40 | 0:58:44 | |
# More than twist in my sobriety... # | 0:58:44 | 0:58:48 | |
Hey! 19. | 0:58:48 | 0:58:53 | |
We'll be right there, and just so you know, | 0:58:53 | 0:58:55 | |
I got a bee up my ass about you two. | 0:58:55 | 0:58:58 | |
Congratulations, Kate, you're a famous missing person, | 0:59:00 | 0:59:03 | |
practically a TV star. | 0:59:03 | 0:59:05 | |
Different for you, bad for us. We pretty much try to keep ourselves | 0:59:05 | 0:59:08 | |
-out of the spotlight whenever possible. -Nobody saw me. We barely left the room. | 0:59:08 | 0:59:12 | |
-Go home! -No. -Yes! | 0:59:12 | 0:59:15 | |
Joe. | 0:59:15 | 0:59:16 | |
It's up to Kate. | 0:59:16 | 0:59:18 | |
What do you mean, it's up to Kate? | 0:59:18 | 0:59:19 | |
Relax, Terry Lee. We went shopping. | 0:59:19 | 0:59:23 | |
Bought me my first disguise. | 0:59:23 | 0:59:24 | |
You went shopping? | 0:59:24 | 0:59:26 | |
Yeah, we went shopping. What's the big deal? Man! | 0:59:26 | 0:59:29 | |
We have a wig. | 0:59:29 | 0:59:31 | |
We have a hat for those long sunny days on the lam. | 0:59:31 | 0:59:34 | |
-What do you think? -I don't care about it. I've told you. | 0:59:34 | 0:59:37 | |
Hey. What happened to Kate? | 0:59:37 | 0:59:40 | |
You made a joke. | 0:59:40 | 0:59:41 | |
Oh, that's cute. They made a little love joke. | 0:59:41 | 0:59:44 | |
So, Joe, is she worth it? | 0:59:49 | 0:59:51 | |
I mean, in theory, isn't one woman just like the next? | 0:59:51 | 0:59:54 | |
So I was just wondering, you know? I mean, is she worth it? | 0:59:54 | 0:59:57 | |
-She's got saliva in her mouth. -Well, of course she's got saliva in her mouth. | 0:59:57 | 1:00:01 | |
-Everybody does. It's glandular. -She's got more. | 1:00:01 | 1:00:04 | |
-Really? How much? -A lot. | 1:00:04 | 1:00:05 | |
A lot? Well, that sounds like some sort of tumour in the parotid gland. | 1:00:05 | 1:00:09 | |
-You know, rabies is transferred that way...by saliva. -Terry... | 1:00:09 | 1:00:13 | |
No one has ever kissed me like that before... | 1:00:13 | 1:00:16 | |
..ever. | 1:00:17 | 1:00:18 | |
Law enforcement officials have finally discovered | 1:00:22 | 1:00:24 | |
the identities of the Sleepover Bandits. | 1:00:24 | 1:00:26 | |
Joe Blake and Terry Collins escaped from an Oregon state penitentiary just three months ago. | 1:00:26 | 1:00:31 | |
Today, for the first time ever, Blake and Collins were added to both | 1:00:31 | 1:00:34 | |
the FBI and the Federal Marshal's top ten most wanted list. | 1:00:34 | 1:00:38 | |
Not only that, but a 500,000 reward was offered for their capture. | 1:00:38 | 1:00:41 | |
The identities of these modern-day Robin Hoods were first confirmed by two teenage hostages | 1:00:41 | 1:00:46 | |
who were taken after the amazing prison break. | 1:00:46 | 1:00:49 | |
MAN: Darren, here they are. | 1:00:49 | 1:00:50 | |
Cheri Woods, wait. Cheri Woods? | 1:00:50 | 1:00:53 | |
-Please get back. -WOMAN: Are you hurt? | 1:00:53 | 1:00:54 | |
What was it like? Did they tie you up? | 1:00:54 | 1:00:57 | |
No, they were really nice. We had pizza and played video games. | 1:00:57 | 1:01:01 | |
-MAN: Please back up. -WOMAN: Did they take anything? | 1:01:01 | 1:01:04 | |
PHIL: Yeah, they took my car. CHERI: They didn't do anything. They were very nice. | 1:01:04 | 1:01:09 | |
Ladies and gentlemen, thank you for your cooperation. | 1:01:09 | 1:01:12 | |
Please make no attempt to escape as we will monitor police scanners and kill you if you do. | 1:01:12 | 1:01:16 | |
-Thanks again for your cooperation. -Bye, Joe. Bye, Terry. | 1:01:16 | 1:01:19 | |
That's great. "Bye, Joe. Bye, Terry." Did you hear that? | 1:01:19 | 1:01:22 | |
Harvey? Harvey? | 1:01:34 | 1:01:37 | |
Harvey, aren't we supposed to be following the guys to the rendezvous? | 1:01:37 | 1:01:41 | |
-Pink. -The girl? | 1:01:41 | 1:01:43 | |
-Pink boots. -Number one lesson on how to get a girl, play hard to get. | 1:01:43 | 1:01:47 | |
-Let's go, sweetheart. -You think she needs a ride? -No. | 1:01:47 | 1:01:50 | |
-I think she needs a ride. -I think I need a ride. Let's go. | 1:01:50 | 1:01:53 | |
Accelerate and go. Go. | 1:01:55 | 1:01:59 | |
# Do you ever feel the same? | 1:02:02 | 1:02:05 | |
# You wear it so well | 1:02:07 | 1:02:10 | |
# Wear it so well | 1:02:10 | 1:02:13 | |
# Suits you just fine... # | 1:02:13 | 1:02:16 | |
-Is this the only road? -Don't worry. We'll find them. | 1:02:21 | 1:02:24 | |
You just rest your little head, young lady. | 1:02:24 | 1:02:26 | |
There they are. | 1:02:28 | 1:02:30 | |
It's OK. | 1:02:30 | 1:02:31 | |
We got them. Whoo! | 1:02:31 | 1:02:35 | |
HONKS HORN | 1:02:35 | 1:02:36 | |
All righty! | 1:02:39 | 1:02:40 | |
HONKING | 1:02:46 | 1:02:49 | |
-We thought we'd lost you. -Go! | 1:02:50 | 1:02:53 | |
You are so cute. | 1:02:53 | 1:02:54 | |
You are really cute. | 1:02:54 | 1:02:56 | |
Harvey. The truck! | 1:03:02 | 1:03:03 | |
Harvey! No! | 1:03:03 | 1:03:05 | |
Aah! | 1:03:09 | 1:03:11 | |
Aah! | 1:03:11 | 1:03:13 | |
Dispatch, you better call 911. We've got a major accident here. | 1:03:27 | 1:03:30 | |
We're probably gonna need an ambulance. | 1:03:30 | 1:03:32 | |
Oh, God. | 1:03:34 | 1:03:36 | |
I think the condition of things is just... | 1:03:36 | 1:03:39 | |
I don't think they should probably even move us. | 1:03:39 | 1:03:41 | |
I'm not sure we should even be moving at all. | 1:03:41 | 1:03:43 | |
I mean, we should be, like, restrained. | 1:03:43 | 1:03:46 | |
We're in Scotland with a bunch of sheep. | 1:03:54 | 1:03:58 | |
-I don't know what this is all about. -Hey. | 1:03:58 | 1:04:00 | |
-Our hoses should be like... -You all right? Are you all right? | 1:04:00 | 1:04:03 | |
I need a stabilizing collar. You probably do, too. You can't just... | 1:04:03 | 1:04:06 | |
We shouldn't even be moving around, and now there's sirens in my head. | 1:04:06 | 1:04:09 | |
-I probably have a concussion. -Wait. Shh. -Do you understand? | 1:04:09 | 1:04:12 | |
That's not your head. SIRENS | 1:04:12 | 1:04:14 | |
-Listen. Those are... -You hear them, too? | 1:04:14 | 1:04:16 | |
-It's the police. We should go. Come on. Let's go right now. -Oh, sirens! | 1:04:16 | 1:04:20 | |
Come on down here. Hey! | 1:04:20 | 1:04:21 | |
Listen. Yeah. Like, real sirens. | 1:04:21 | 1:04:22 | |
Listen to me. Pay attention to me. | 1:04:22 | 1:04:24 | |
Listen to me. Listen to me. You got to get Kate and get out of here now. | 1:04:24 | 1:04:28 | |
-I'll get the money, all right? -I'm going with you. | 1:04:28 | 1:04:30 | |
-No. No. Go now. Go. Go. -You OK? | 1:04:30 | 1:04:33 | |
Go with Terry and get out of here now! Get going. | 1:04:33 | 1:04:36 | |
You all right? | 1:04:36 | 1:04:38 | |
-Kate, go with Terry now! -The police! | 1:04:38 | 1:04:40 | |
-I know. -The police! -Just go with Terry now! Go! Just go on! | 1:04:40 | 1:04:43 | |
I'm just gonna put her in Pollard's car. | 1:04:43 | 1:04:46 | |
Terry, that's Kate right there. Take her. | 1:04:46 | 1:04:49 | |
The police! The police! | 1:04:49 | 1:04:50 | |
No. We can't go. We can't leave them. | 1:04:55 | 1:04:58 | |
Stop flailing your arms! | 1:04:59 | 1:05:01 | |
Go! | 1:05:08 | 1:05:09 | |
SIRENS | 1:05:15 | 1:05:19 | |
-Do you hear sirens? Because I still hear sirens. Are they real or not? -Calm down. | 1:05:19 | 1:05:23 | |
-Joe will know what to do. -Joe and Pollard are long gone by now. | 1:05:23 | 1:05:26 | |
-His car's still here. -Well, he can get another car. | 1:05:26 | 1:05:30 | |
As a matter of fact, he can get another girl. | 1:05:30 | 1:05:32 | |
He wouldn't leave without me. | 1:05:32 | 1:05:34 | |
Kate, memo to yourself... | 1:05:36 | 1:05:37 | |
Joe is not exactly the flowers and hearts kind of guy, | 1:05:37 | 1:05:40 | |
if you haven't noticed. And when it comes to running from the police, | 1:05:40 | 1:05:44 | |
you don't figure into his thinking or mine, either, OK? | 1:05:44 | 1:05:47 | |
Well, I'm not leaving without him. | 1:05:47 | 1:05:49 | |
Suit yourself. | 1:05:49 | 1:05:51 | |
Well, what are you gonna do? | 1:05:51 | 1:05:54 | |
What am I gonna do? I'll tell you exactly what I'm gonna do. | 1:05:54 | 1:05:57 | |
I'm gonna flee from the scene of the crime in the nick of time. | 1:05:57 | 1:06:00 | |
I'm gonna give myself a couple of weeks to get my heart rate back to normal, | 1:06:00 | 1:06:04 | |
and then join Joe at the other bank, OK? | 1:06:04 | 1:06:06 | |
That's what I'm gonna do. | 1:06:06 | 1:06:08 | |
Well, I'm going with you. | 1:06:14 | 1:06:17 | |
You stay away from me forever. | 1:06:17 | 1:06:18 | |
Please don't make me beg. | 1:06:18 | 1:06:20 | |
# Rudiger stands in the rain and the snow | 1:06:21 | 1:06:26 | |
# Briefcase and spectacles | 1:06:29 | 1:06:33 | |
# Strange and respectable | 1:06:33 | 1:06:36 | |
# He knows the meaning of being alone | 1:06:36 | 1:06:40 | |
# Oh, Rudiger | 1:06:42 | 1:06:47 | |
# Rudiger | 1:06:47 | 1:06:51 | |
# Rudiger | 1:06:51 | 1:06:54 | |
# Oh, Rudiger... # | 1:06:54 | 1:06:57 | |
-MAN: you are one lucky fella. -I am? | 1:07:15 | 1:07:19 | |
I got the last room in town. | 1:07:19 | 1:07:21 | |
Oh, but that won't do. I need two rooms. | 1:07:21 | 1:07:23 | |
No. No such thing. You see all those cars out there? | 1:07:23 | 1:07:26 | |
It's a Debbie Day Cosmetic Convention. | 1:07:26 | 1:07:28 | |
I've never seen so much pink in my Goddamn life. | 1:07:28 | 1:07:31 | |
-It's a hell of a thing to do to an automobile. -Right. I don't care what it is. | 1:07:31 | 1:07:35 | |
-I have to have two rooms. -Do you want the room or not? | 1:07:35 | 1:07:37 | |
DISTANT SINGING | 1:07:49 | 1:07:53 | |
You asleep? | 1:07:54 | 1:07:55 | |
Uh, no, this weeble-wobble song or whatever it is, | 1:07:55 | 1:07:59 | |
it scared me half to death. | 1:07:59 | 1:08:00 | |
You? | 1:08:00 | 1:08:03 | |
I was just wondering where Joe was...is. | 1:08:03 | 1:08:06 | |
Joe pretty much just likes to have a good time and a... | 1:08:10 | 1:08:13 | |
A good time, basically. | 1:08:13 | 1:08:15 | |
Alone? | 1:08:15 | 1:08:16 | |
You know Joe - cultural events, museums, that kind of thing. | 1:08:16 | 1:08:20 | |
-He's a very dedicated traveller. -He's not alone. | 1:08:20 | 1:08:23 | |
My husband is a terrible kisser. | 1:08:26 | 1:08:29 | |
That's random. Like...like how? What do you mean? | 1:08:29 | 1:08:33 | |
Oh, the first time, you know, | 1:08:33 | 1:08:35 | |
he took me to a movie. | 1:08:35 | 1:08:37 | |
He brought me home and I'm standing at the front door, you know, | 1:08:37 | 1:08:41 | |
waiting for the inevitable, and... | 1:08:41 | 1:08:44 | |
he looms, and I'm thinking, | 1:08:44 | 1:08:45 | |
"OK, it's about time," and then he... | 1:08:45 | 1:08:49 | |
He just comes at me with his mouth. | 1:08:49 | 1:08:51 | |
It's just open so... | 1:08:51 | 1:08:53 | |
Oh, God, it was really wide. | 1:08:53 | 1:08:56 | |
That's not funny. No, I actually... | 1:08:57 | 1:08:59 | |
I tried to adjust to the kiss size. | 1:08:59 | 1:09:01 | |
It was huge - | 1:09:01 | 1:09:03 | |
and I dislocated my jaw. | 1:09:03 | 1:09:06 | |
It still clicks. | 1:09:07 | 1:09:09 | |
You can't hear that? | 1:09:12 | 1:09:14 | |
Kind of. | 1:09:14 | 1:09:15 | |
Can I hear it once? | 1:09:15 | 1:09:17 | |
It's really loud. | 1:09:17 | 1:09:18 | |
Oh, yeah, baby. | 1:09:21 | 1:09:23 | |
That's, uh, I mean, you know, that's loud. | 1:09:23 | 1:09:25 | |
He dislocated my jaw, and I still married him. | 1:09:25 | 1:09:28 | |
Hmm. | 1:09:28 | 1:09:30 | |
Oh, I don't know the first thing about love. | 1:09:30 | 1:09:32 | |
Oh, I know I look like I do, but I... | 1:09:32 | 1:09:36 | |
I don't. | 1:09:36 | 1:09:37 | |
Not really. | 1:09:37 | 1:09:39 | |
Love is a wish that hides in your heart | 1:09:44 | 1:09:46 | |
and nobody knows about it but you. | 1:09:46 | 1:09:49 | |
Love is blinding. | 1:09:55 | 1:09:57 | |
An eternity in a single moment. | 1:09:58 | 1:10:01 | |
A religion worth dying for. | 1:10:01 | 1:10:03 | |
-But it's also time-consuming. -Yeah. | 1:10:07 | 1:10:12 | |
And, uh, you know, a pain in the ass | 1:10:12 | 1:10:13 | |
and a hole in the heart and that sort of thing, | 1:10:13 | 1:10:16 | |
not necessarily in that order, | 1:10:16 | 1:10:18 | |
but I'd like to think it is that order, really. | 1:10:18 | 1:10:21 | |
HE SNEEZES | 1:10:24 | 1:10:25 | |
Oh! Bless you. | 1:10:25 | 1:10:27 | |
HE SNEEZES | 1:10:27 | 1:10:28 | |
Gesundheit. | 1:10:28 | 1:10:30 | |
HE SNEEZES | 1:10:31 | 1:10:32 | |
Many happy returns... oh, gosh. | 1:10:32 | 1:10:34 | |
-Oh, this is gonna be one of those. -Really? | 1:10:34 | 1:10:37 | |
HE SNEEZES | 1:10:37 | 1:10:38 | |
Do you... | 1:10:38 | 1:10:39 | |
Hey, do you want me... | 1:10:39 | 1:10:40 | |
You want me to scare you? | 1:10:40 | 1:10:42 | |
No. That's for, uh... This is... | 1:10:42 | 1:10:44 | |
Oh, no, it works. Aah! | 1:10:44 | 1:10:45 | |
No! Don't! That's not... | 1:10:45 | 1:10:47 | |
HE SNEEZES | 1:10:47 | 1:10:48 | |
Um... | 1:10:48 | 1:10:49 | |
-HE SNEEZES -Now, don't be frightened. | 1:10:49 | 1:10:51 | |
-What are you doing to me? -I'm just trying to block the flow. | 1:10:51 | 1:10:54 | |
You're not helping! | 1:10:54 | 1:10:55 | |
Good...ow! Jeez! | 1:10:55 | 1:10:57 | |
I'm sorry. | 1:10:57 | 1:10:59 | |
Did I scare you? | 1:11:03 | 1:11:05 | |
Oh. | 1:11:05 | 1:11:06 | |
I'm sorry. | 1:11:06 | 1:11:07 | |
It was a bit hard there. | 1:11:07 | 1:11:09 | |
You're dribbling a bit, but you're not sneezing. | 1:11:09 | 1:11:12 | |
I have food allergies. | 1:11:17 | 1:11:20 | |
Tell me about it. | 1:11:20 | 1:11:21 | |
And other phobias. | 1:11:21 | 1:11:23 | |
Like what? | 1:11:23 | 1:11:24 | |
Like, uh, descrophobia which, is, uh... | 1:11:24 | 1:11:28 | |
-What's that? -Well, I was in high school. | 1:11:28 | 1:11:30 | |
It's a fear of getting smaller. | 1:11:30 | 1:11:32 | |
I lost two inches in six months. I mean that's quite significant. | 1:11:32 | 1:11:35 | |
-Terry, you're still here. -Antique furniture scares me half to death. | 1:11:35 | 1:11:39 | |
What's that called? | 1:11:39 | 1:11:40 | |
I don't think there's a name for it. I believe I'm the only one. | 1:11:40 | 1:11:43 | |
Oh, no. Anything before 1950 just gives me the heebie-jeebies. | 1:11:43 | 1:11:46 | |
Uh, Benjamin Disraeli's hair. There's a problem there. | 1:11:46 | 1:11:49 | |
I'm afraid of Charles Laughton, actually. | 1:11:49 | 1:11:51 | |
-BOTH: Black and white movies. -Black-and-white movies? | 1:11:51 | 1:11:53 | |
-I just can't eat in front of them. -Oh, my God, I can't either. | 1:11:53 | 1:11:57 | |
You know what? I think it's better to feel too much | 1:11:57 | 1:12:00 | |
than feel too little. | 1:12:00 | 1:12:02 | |
I, uh... | 1:12:02 | 1:12:04 | |
I never thought of it that way, but, uh... | 1:12:04 | 1:12:07 | |
Oh, no. You're blinking again. | 1:12:08 | 1:12:11 | |
Well, that...that's just a ventromedial anomaly. | 1:12:11 | 1:12:13 | |
Well, maybe if I, um...is that OK? | 1:12:13 | 1:12:16 | |
You see, there's this neural factory between the eyes. | 1:12:16 | 1:12:19 | |
-Between the eyes? -It's sort of right in... -There? | 1:12:19 | 1:12:21 | |
-Exactly. -Oh, OK. | 1:12:21 | 1:12:23 | |
Oh. | 1:12:23 | 1:12:24 | |
Oh, yes, uh... | 1:12:24 | 1:12:26 | |
Yeah. I can... | 1:12:26 | 1:12:27 | |
That kind of thing. It's a...oh, yeah. | 1:12:27 | 1:12:29 | |
Outgoing messages to the nervous system, that kind of thing. It's a... | 1:12:29 | 1:12:33 | |
Embarrassment, fear... | 1:12:35 | 1:12:37 | |
Oh, it's...big. | 1:12:37 | 1:12:41 | |
Love and hate. | 1:12:41 | 1:12:43 | |
That's a biggie. | 1:12:43 | 1:12:44 | |
# The heart is a bloom | 1:12:44 | 1:12:47 | |
# Shoots up through the stony ground | 1:12:48 | 1:12:51 | |
# There's no room... | 1:12:51 | 1:12:53 | |
Oh, my God. | 1:12:53 | 1:12:55 | |
# No space to rent in this town | 1:12:55 | 1:12:58 | |
# You're out of luck | 1:12:58 | 1:13:00 | |
# And the reason that you had to care | 1:13:02 | 1:13:04 | |
# The traffic is stuck | 1:13:04 | 1:13:07 | |
# And you're not moving anywhere | 1:13:08 | 1:13:11 | |
# You thought you'd found a friend | 1:13:11 | 1:13:14 | |
ENGINE SPUTTERS | 1:13:14 | 1:13:15 | |
# To take you out of this place... # | 1:13:15 | 1:13:17 | |
There's a scientist in London | 1:13:17 | 1:13:19 | |
who used electric shock to prove that cockroaches have feelings. | 1:13:19 | 1:13:24 | |
Terry, you're not a cockroach. | 1:13:24 | 1:13:27 | |
You're more like a... | 1:13:27 | 1:13:28 | |
You're more like a beaver. | 1:13:28 | 1:13:30 | |
A beaver? | 1:13:30 | 1:13:31 | |
In a good way. | 1:13:31 | 1:13:33 | |
In a cute way. | 1:13:34 | 1:13:36 | |
# Don't let it get away | 1:13:36 | 1:13:38 | |
# You're on the road... # | 1:13:38 | 1:13:40 | |
I feel like a cockroach. | 1:13:40 | 1:13:42 | |
I mean, that's assuming that cockroaches are capable of making | 1:13:42 | 1:13:45 | |
mistakes that blow apart the world they live in. | 1:13:45 | 1:13:48 | |
Well, if you're a cockroach, | 1:13:48 | 1:13:51 | |
what does that make me? | 1:13:51 | 1:13:53 | |
Dangerous. | 1:13:55 | 1:13:56 | |
YELLING | 1:13:56 | 1:13:58 | |
# ..doesn't ring true | 1:13:58 | 1:14:00 | |
# You've been all over | 1:14:00 | 1:14:03 | |
# And it's been all over you | 1:14:03 | 1:14:05 | |
# It's a beautiful day | 1:14:05 | 1:14:07 | |
# Don't let it get away | 1:14:10 | 1:14:12 | |
# It's a beautiful day | 1:14:12 | 1:14:14 | |
# Whoo-hoo | 1:14:16 | 1:14:19 | |
# Touch me | 1:14:20 | 1:14:22 | |
# Take me to that other place | 1:14:23 | 1:14:27 | |
# Teach me... # | 1:14:27 | 1:14:28 | |
They're here. | 1:14:30 | 1:14:32 | |
Well, were we ever wondering about you two guys. | 1:14:37 | 1:14:40 | |
We were wondering and wondering and wondering. | 1:14:40 | 1:14:44 | |
Hey, Joe. | 1:14:44 | 1:14:46 | |
Hi. | 1:15:01 | 1:15:02 | |
Welcome back. | 1:15:09 | 1:15:10 | |
Missed you. | 1:15:15 | 1:15:16 | |
-Yeah. -We missed you, too. | 1:15:16 | 1:15:20 | |
Joe, can I talk to you for a minute in private? | 1:15:24 | 1:15:27 | |
Be right back. | 1:15:29 | 1:15:30 | |
..because God knows, it was a shock to me. | 1:15:35 | 1:15:38 | |
It was more like a revelation of some kind... | 1:15:38 | 1:15:41 | |
and yet shocking... Like a shocking revelation. | 1:15:41 | 1:15:44 | |
I was right about Kate's kisses, wasn't I? | 1:15:44 | 1:15:47 | |
Hmm? | 1:15:47 | 1:15:48 | |
Let me keep her, OK? | 1:15:48 | 1:15:51 | |
I mean, even if you kill me, | 1:15:51 | 1:15:52 | |
I don't give a shit. I just... | 1:15:52 | 1:15:54 | |
I just want to know what it feels like to have her to myself before I die, OK? | 1:15:54 | 1:15:58 | |
-I'm not gonna do that. I can't do that. -Why, Joe? | 1:15:58 | 1:16:00 | |
I mean, remember, this is like a hobby to you. | 1:16:00 | 1:16:03 | |
It happens to you all the time. It sort of makes you, | 1:16:03 | 1:16:06 | |
-makes you feel like a million bucks... -No way. | 1:16:06 | 1:16:08 | |
But it never happens for me. Not once, Joe. | 1:16:08 | 1:16:11 | |
Not once has this ever happened for me. | 1:16:11 | 1:16:13 | |
Do you understand the significance of that? | 1:16:13 | 1:16:15 | |
Yeah. | 1:16:18 | 1:16:19 | |
You do? | 1:16:20 | 1:16:22 | |
-So we agree? -We let Kate choose, right? | 1:16:22 | 1:16:24 | |
No, no, no. Of course not. | 1:16:24 | 1:16:25 | |
-That's a terrible idea. -What's wrong with it? Because she'll choose you. | 1:16:25 | 1:16:28 | |
Are you sure you don't want to kick my tyres first? You could arm-wrestle. | 1:16:28 | 1:16:35 | |
Oh, that's...yeah. | 1:16:35 | 1:16:36 | |
Or, I don't know, flip a coin. | 1:16:36 | 1:16:39 | |
-You know, if it was best four out of seven... -Unless... | 1:16:39 | 1:16:42 | |
Unless you think these are incredibly shallow solutions | 1:16:42 | 1:16:45 | |
to a complicated problem that may require a little delicacy and understanding. | 1:16:45 | 1:16:50 | |
Yeah, that... | 1:16:50 | 1:16:52 | |
The last part. | 1:16:52 | 1:16:55 | |
Maybe you're right, Kate. You should choose. | 1:16:58 | 1:17:00 | |
So choose. | 1:17:00 | 1:17:02 | |
What's it gonna be? Gonna be, uh... | 1:17:02 | 1:17:04 | |
Mr Action Figure Hero Guy here | 1:17:04 | 1:17:06 | |
or brains and sensitivity | 1:17:06 | 1:17:09 | |
and a lot of other things I can name? | 1:17:09 | 1:17:11 | |
In other words, me or that guy? | 1:17:11 | 1:17:14 | |
Yeah. | 1:17:14 | 1:17:15 | |
Good-looking or itchy? | 1:17:15 | 1:17:17 | |
What if I don't want to? | 1:17:17 | 1:17:20 | |
Don't want to what? | 1:17:20 | 1:17:21 | |
Choose. | 1:17:21 | 1:17:23 | |
You have to choose. | 1:17:23 | 1:17:24 | |
What are you talking about? That's the point, right? | 1:17:24 | 1:17:28 | |
I know this is confusing. | 1:17:28 | 1:17:29 | |
I mean, believe me, | 1:17:29 | 1:17:30 | |
I'm a little...confused myself. | 1:17:30 | 1:17:34 | |
You stole my girl? You take her away for two weeks and you brainwashed her. | 1:17:34 | 1:17:38 | |
Brainwashed. You brainwashed her? | 1:17:38 | 1:17:40 | |
I was not stolen. | 1:17:40 | 1:17:41 | |
Hey! Hey! Hey! | 1:17:41 | 1:17:43 | |
Would you stop it! | 1:17:43 | 1:17:44 | |
Stop it! Excuse me. | 1:17:44 | 1:17:46 | |
Would you stop this! | 1:17:46 | 1:17:48 | |
-You're getting his coat dirty! -Coat? | 1:17:48 | 1:17:51 | |
I mean, look at me. Hello! | 1:17:51 | 1:17:53 | |
Would you look at me just for a second? | 1:17:53 | 1:17:55 | |
I ran away with bank robbers. | 1:17:55 | 1:17:57 | |
Now, that's a... that's a strange choice, | 1:17:57 | 1:17:59 | |
but it's understandable given my state of mind, then what do I do? | 1:17:59 | 1:18:03 | |
I sleep with bank robber number one because he's strong and he... | 1:18:03 | 1:18:08 | |
-Handsome. -Handsome, and he... He knows what he wants. | 1:18:08 | 1:18:11 | |
-There you go. Makes sense to me. -But I don't stop there. | 1:18:11 | 1:18:14 | |
Oh, no. Not this little red hen. | 1:18:14 | 1:18:16 | |
Due to circumstances beyond the boundaries of any life I've ever known, | 1:18:16 | 1:18:19 | |
I sleep with bank robber number two. | 1:18:19 | 1:18:23 | |
And he is sweet | 1:18:23 | 1:18:25 | |
and smart and... | 1:18:25 | 1:18:27 | |
Cute as a beaver. | 1:18:27 | 1:18:28 | |
-Yeah, and he deserves more than he thinks he does. -Exactly. | 1:18:28 | 1:18:31 | |
Now, the heart's a mysterious organ, | 1:18:31 | 1:18:35 | |
and it, you know, plays by its own rules. | 1:18:35 | 1:18:38 | |
I don't want to choose. | 1:18:38 | 1:18:40 | |
You know, I don't think I can, | 1:18:40 | 1:18:42 | |
and, you know, if that's scary | 1:18:42 | 1:18:44 | |
or against the laws of, you know, man or whatever, then... | 1:18:44 | 1:18:49 | |
I mean, you're outlaws, right? | 1:18:49 | 1:18:52 | |
So... | 1:18:53 | 1:18:55 | |
I guess I'm an outlaw, too. | 1:18:56 | 1:18:58 | |
OK. So, Harvey, you should park in this alley toward this end. | 1:19:02 | 1:19:05 | |
See? By the corner of this building. There's a door here. | 1:19:05 | 1:19:09 | |
-'..and I look up, and I see these two cars headed, you know, right by each other...' -Oh, guys. | 1:19:09 | 1:19:14 | |
'..They collide, right? There's this red-headed woman, | 1:19:14 | 1:19:18 | |
'She's getting hauled off into the other car.' | 1:19:18 | 1:19:21 | |
'The teenager had no way of knowing he was about to capture | 1:19:21 | 1:19:24 | |
'this stunning footage of the Sleepover Bandits and the missing woman Kate Wheeler. | 1:19:24 | 1:19:28 | |
'In this exclusive, the missing woman's husband | 1:19:28 | 1:19:31 | |
'taped a plea to the men who hold his wife hostage.' | 1:19:31 | 1:19:34 | |
'Please, wherever you are, | 1:19:34 | 1:19:36 | |
'return my wife to me. | 1:19:36 | 1:19:40 | |
'Kate, if you're listening, I want you to know that, uh... | 1:19:40 | 1:19:45 | |
'I'm OK. I hope you're holding up well. | 1:19:45 | 1:19:47 | |
'I hope these gentlemen are treating you correctly, in the way you should be treated, | 1:19:47 | 1:19:52 | |
'and speaking of which, I'm going to Spain next week, | 1:19:52 | 1:19:55 | |
'so, um, if your kidnappers would like to contact me, | 1:19:55 | 1:20:00 | |
'they can get in touch with my people and you know who they are. | 1:20:00 | 1:20:03 | |
'And, uh, the house is waiting for you right here, | 1:20:03 | 1:20:07 | |
'where...where you belong. | 1:20:07 | 1:20:09 | |
'And, uh... and the house misses you. | 1:20:09 | 1:20:12 | |
'I miss you. | 1:20:12 | 1:20:13 | |
'I miss...' | 1:20:13 | 1:20:15 | |
TURNS TV OFF | 1:20:15 | 1:20:16 | |
He has no idea where I belong. | 1:20:16 | 1:20:18 | |
You belong here. | 1:20:21 | 1:20:22 | |
Yeah, with us. | 1:20:24 | 1:20:26 | |
# You said that I should get away from it all | 1:20:29 | 1:20:33 | |
# And bury my head in the sand if I want to | 1:20:33 | 1:20:36 | |
# I think you | 1:20:36 | 1:20:40 | |
# Should thank me now | 1:20:40 | 1:20:44 | |
# You will lie wide awake in the garden | 1:20:44 | 1:20:49 | |
# Trying to get over your stardom | 1:20:49 | 1:20:53 | |
# And I could never see you depart us | 1:20:53 | 1:20:56 | |
# And you're my baby | 1:20:56 | 1:21:00 | |
# You're just another girl... # | 1:21:00 | 1:21:04 | |
-What are we gonna do if the sun sets? -Paradise. -Yeah. | 1:21:04 | 1:21:06 | |
We buy the restaurant and turn it into a nightclub and a resort. | 1:21:06 | 1:21:10 | |
-A nightclub? -Yep. | 1:21:10 | 1:21:12 | |
And Joe will work the room and I'll run the kitchen, naturally. | 1:21:12 | 1:21:15 | |
Have a spa or something. | 1:21:15 | 1:21:17 | |
What does a lady like me do in paradise? | 1:21:17 | 1:21:19 | |
JOE LAUGHS | 1:21:19 | 1:21:20 | |
-Don't be rude. -You can do whatever you want. | 1:21:20 | 1:21:23 | |
-Do whatever you want. -Whatever I want? | 1:21:23 | 1:21:25 | |
Drink margaritas, get your toes painted. | 1:21:25 | 1:21:27 | |
You pick it, if you could do anything, what would it be? | 1:21:27 | 1:21:29 | |
-Whatever I want? -Whatever you want. | 1:21:29 | 1:21:32 | |
All right. | 1:21:32 | 1:21:34 | |
I want to sing. | 1:21:35 | 1:21:36 | |
-Sing? -Well, we need a singer. | 1:21:36 | 1:21:39 | |
-We need a singer for a nightclub. We talked about that. -Yeah. | 1:21:39 | 1:21:42 | |
Do you want to... | 1:21:42 | 1:21:43 | |
-You're gonna sing right now? -Do you want me to sing for you? -Come on. -OK. -There it is. | 1:21:43 | 1:21:47 | |
All right, come on. | 1:21:47 | 1:21:49 | |
OK, oldie but a goodie. | 1:21:50 | 1:21:52 | |
# If you see me walking down the street | 1:21:55 | 1:21:58 | |
# And I start to cry | 1:21:58 | 1:22:00 | |
# Each time we meet | 1:22:00 | 1:22:02 | |
# Walk on by | 1:22:02 | 1:22:07 | |
# Just walk on by | 1:22:07 | 1:22:10 | |
# Make believe | 1:22:10 | 1:22:12 | |
# That you don't see my tears | 1:22:12 | 1:22:13 | |
# Just let me grieve in private | 1:22:13 | 1:22:17 | |
# Cos each time I see you | 1:22:17 | 1:22:19 | |
# I break down and cry | 1:22:19 | 1:22:23 | |
# So walk on by | 1:22:23 | 1:22:25 | |
# Don't stop | 1:22:25 | 1:22:27 | |
# Walk on by | 1:22:27 | 1:22:28 | |
# I remember walking by... # | 1:22:28 | 1:22:31 | |
Hi. | 1:22:40 | 1:22:41 | |
How are you feeling? | 1:22:41 | 1:22:43 | |
Well, my system's been a flurry of activity tonight. | 1:22:43 | 1:22:46 | |
First I had a rapid heartbeat, seeing spots, | 1:22:46 | 1:22:48 | |
had a prickly sensation on my feet. | 1:22:48 | 1:22:49 | |
-Then there's this sudden hearing loss in one ear. -That's not what I mean. | 1:22:49 | 1:22:53 | |
Kate, there are guys who leave and there are guys who get left. | 1:22:56 | 1:23:01 | |
I don't think it's any mystery as to which category I fall into. | 1:23:01 | 1:23:04 | |
Terry Lee, I'm not leaving you. | 1:23:04 | 1:23:07 | |
-You're staying? -Yeah. | 1:23:09 | 1:23:11 | |
Good night. | 1:23:14 | 1:23:16 | |
Good night? That's not staying, it's going. Where are you going? | 1:23:16 | 1:23:19 | |
# You're my baby | 1:23:19 | 1:23:22 | |
# You were lying wide awake in the garden | 1:23:22 | 1:23:27 | |
# Trying to get over your stardom | 1:23:27 | 1:23:31 | |
# And I could never see you depart us... # | 1:23:31 | 1:23:33 | |
Did I get the secret knock right? | 1:23:33 | 1:23:35 | |
Yeah. Yeah, it was perfect. | 1:23:35 | 1:23:38 | |
I really missed you when we were away. | 1:23:38 | 1:23:42 | |
Good night. | 1:23:51 | 1:23:52 | |
# Ooh ooh ooh | 1:23:57 | 1:24:03 | |
# You're just another girl | 1:24:03 | 1:24:07 | |
# You're just another girl | 1:24:07 | 1:24:14 | |
# Ooh | 1:24:14 | 1:24:18 | |
# Ooh ooh ooh... # | 1:24:18 | 1:24:23 | |
If you want to talk about headaches, | 1:24:23 | 1:24:25 | |
my brother Albert had horrible headaches. | 1:24:25 | 1:24:27 | |
-Migraines? -No. Brain tumour. | 1:24:27 | 1:24:30 | |
-He smelled burning feathers for a whole year. -You're joking. | 1:24:30 | 1:24:33 | |
No. His...the tumour was pressing on some gland or something. | 1:24:33 | 1:24:37 | |
Olfactory gland. | 1:24:37 | 1:24:38 | |
Olfactory gland. Yeah, that's it and apparently it affects your sense of smell. | 1:24:38 | 1:24:42 | |
Burning feathers? | 1:24:42 | 1:24:43 | |
Yeah. Weird, isn't it? | 1:24:43 | 1:24:45 | |
-Did he smell them all the time? -All the time. 24 hours a day. | 1:24:45 | 1:24:47 | |
Burning feathers. Great. | 1:24:47 | 1:24:49 | |
Were there any other symptoms? | 1:24:49 | 1:24:51 | |
Oh! Hot damn, I knew it. You're the boys from TV, | 1:24:52 | 1:24:56 | |
the Sleepover Bandits. | 1:24:56 | 1:24:58 | |
I guess that means I'm a hostage. Oh, you better come on in. | 1:24:58 | 1:25:01 | |
We got to get started. Come on. Come on. | 1:25:01 | 1:25:05 | |
Jeez. | 1:25:05 | 1:25:06 | |
Could you do me a favour? | 1:25:06 | 1:25:08 | |
Could you look at my pupils and tell me if they're the same? | 1:25:08 | 1:25:11 | |
Are they different sizes? Are they the same? | 1:25:11 | 1:25:14 | |
I'm not a doctor. | 1:25:14 | 1:25:15 | |
-Please, humour me. -Well, the right one looks smaller. | 1:25:15 | 1:25:20 | |
-Jesus Christ, don't tell me that. -You asked. | 1:25:20 | 1:25:23 | |
-Do you smell burning feathers? -No. | 1:25:23 | 1:25:26 | |
-Brain tumour... I know I do. -What? | 1:25:26 | 1:25:28 | |
-Yeah, that guy told me my pupils are different sizes. -You're kidding. | 1:25:28 | 1:25:32 | |
-Uh-huh. -Jesus. First my brother, now you? | 1:25:32 | 1:25:36 | |
God. | 1:25:36 | 1:25:37 | |
Pink. | 1:25:46 | 1:25:47 | |
Harvey. Harvey. | 1:25:49 | 1:25:51 | |
Hey. | 1:25:53 | 1:25:54 | |
What do you mean, no? | 1:25:58 | 1:26:00 | |
That's what I said. No. | 1:26:00 | 1:26:02 | |
Good manners are no excuse for criminal behaviour. | 1:26:02 | 1:26:04 | |
I am not opening the safe. | 1:26:04 | 1:26:06 | |
-I am not giving you the money. -You know we're armed, right? | 1:26:06 | 1:26:10 | |
Oh, you wouldn't hurt a flea, Joe. Everybody knows that. | 1:26:10 | 1:26:14 | |
I'm stumped. How about you? | 1:26:14 | 1:26:17 | |
Shit. | 1:26:22 | 1:26:23 | |
Just give us a bit of the money. Be reasonable. 100 grand of it is insured by the government. | 1:26:31 | 1:26:36 | |
Joe? | 1:26:36 | 1:26:38 | |
Hey, just get back there. Go on. Just get back there. | 1:26:44 | 1:26:46 | |
-What the hell is wrong with you? -It's my bank. | 1:26:46 | 1:26:48 | |
I'm guessing there's a good reason for this. | 1:26:48 | 1:26:50 | |
Oh, it's the missing woman. I'd almost forgot. | 1:26:50 | 1:26:53 | |
-There's police outside. -Where's Harvey? -I don't know. | 1:26:53 | 1:26:56 | |
-Get back there, please, ma'am? -Look, look. There's the policeman right there. | 1:26:56 | 1:26:59 | |
-Do you know where the bathroom is? -It's in the back. | 1:26:59 | 1:27:02 | |
-There are home display towels in there. -I can't believe this. | 1:27:02 | 1:27:05 | |
Hi. I'm sorry to bother you, Mrs Carver, but it's after 8:00, | 1:27:10 | 1:27:13 | |
and you haven't turned the sign on yet. | 1:27:13 | 1:27:15 | |
-and I figured maybe you'd forgotten the all clear again. -Aww, Edgar, aren't you sweet? | 1:27:15 | 1:27:19 | |
-Well, I'll get right on it. -Um, say, you know, I was wondering. | 1:27:19 | 1:27:24 | |
I sure could use some cash and, uh, since I'm here... | 1:27:24 | 1:27:28 | |
Oh, sure. Since you're here. | 1:27:28 | 1:27:31 | |
Come in, Officer. | 1:27:31 | 1:27:32 | |
-Right this way. -Thanks. | 1:27:32 | 1:27:35 | |
Hello. | 1:27:45 | 1:27:47 | |
Uh, 50 bucks OK? | 1:27:47 | 1:27:49 | |
You've been very successful. What do you attribute that to? | 1:27:49 | 1:27:52 | |
Courage - it takes a lot of that. | 1:27:52 | 1:27:54 | |
This is 500. | 1:27:54 | 1:27:55 | |
These are hundreds. | 1:27:55 | 1:27:57 | |
Oh, bank error in your favour. | 1:27:57 | 1:28:00 | |
Game board kind of joke thing. | 1:28:00 | 1:28:02 | |
Surprise. | 1:28:02 | 1:28:03 | |
You know, it's funny. | 1:28:03 | 1:28:05 | |
I think I've seen you someplace before. | 1:28:05 | 1:28:07 | |
It's my face. I have, you know, an average face. | 1:28:07 | 1:28:10 | |
You know how people think you look like everyman. | 1:28:10 | 1:28:12 | |
I don't know. Thanks, Mrs Carver. | 1:28:13 | 1:28:16 | |
Have a good day. | 1:28:16 | 1:28:17 | |
All right. Let's go. | 1:28:22 | 1:28:23 | |
Wait. I forgot my glasses. | 1:28:23 | 1:28:25 | |
-Come on. -Coming. -Oh, shit! | 1:28:25 | 1:28:26 | |
ALARM SOUNDS | 1:28:26 | 1:28:28 | |
Come on. What? | 1:28:30 | 1:28:32 | |
Terry has the keys. | 1:28:32 | 1:28:33 | |
Terry! | 1:28:33 | 1:28:35 | |
Come on. Get in the cop car. | 1:28:35 | 1:28:37 | |
-Where are they? Where are they? -Uh, that way. | 1:28:40 | 1:28:43 | |
It might have been that way. They're outside. Yes. | 1:28:43 | 1:28:45 | |
Stop. Stop. Stop. | 1:28:48 | 1:28:49 | |
Stop the car. Police emergency. | 1:28:49 | 1:28:51 | |
There's the car... a police car. Look! Just go. Follow that car! | 1:28:51 | 1:28:54 | |
Go! Go! Go! | 1:28:54 | 1:28:55 | |
We can't just leave him there. | 1:28:55 | 1:28:57 | |
There's nothing we can do for him now. | 1:28:57 | 1:28:58 | |
He'd go back for you if he had to. | 1:28:58 | 1:29:00 | |
Don't be so sure about that. | 1:29:00 | 1:29:01 | |
Joe, this is Terry we're talking about. | 1:29:01 | 1:29:04 | |
Remember your friend Terry? | 1:29:04 | 1:29:05 | |
That's it. That's them. | 1:29:15 | 1:29:16 | |
Found Pollard. | 1:29:16 | 1:29:18 | |
You know, Darren, I mean, I got to be honest with you. | 1:29:18 | 1:29:20 | |
It's not that difficult. | 1:29:20 | 1:29:21 | |
You walk in, you ask for the money, you walk out. | 1:29:21 | 1:29:24 | |
Listen, I don't want to rush you but this would probably be | 1:29:24 | 1:29:27 | |
a good time to make your getaway. | 1:29:27 | 1:29:29 | |
Let's go. Come on. | 1:29:29 | 1:29:30 | |
Get away from him. Get away. Put that down. | 1:29:31 | 1:29:34 | |
Come on, let's go. Get up. Come on. | 1:29:34 | 1:29:36 | |
It's only money. | 1:29:36 | 1:29:37 | |
Thank you. | 1:29:37 | 1:29:39 | |
Drive carefully! | 1:29:39 | 1:29:41 | |
Now, let's go. | 1:29:44 | 1:29:45 | |
Dispatch, this is Lincoln 6. We have an armed robbery... | 1:29:58 | 1:30:01 | |
Is it not enough that every cop in the Western States, | 1:30:18 | 1:30:21 | |
along with every mouth-breathing reporter is on our ass? | 1:30:21 | 1:30:24 | |
Do you have to sabotage us from within? | 1:30:24 | 1:30:25 | |
-I didn't do it on purpose. -That's not the point. | 1:30:25 | 1:30:28 | |
The point is you're dangerous, and you're dense and you're stupid. | 1:30:28 | 1:30:32 | |
-You're fired. -No way. I quit. | 1:30:32 | 1:30:34 | |
-Harvey... -Call it what you want. | 1:30:34 | 1:30:36 | |
He's right, you know? | 1:30:36 | 1:30:37 | |
I'm not a bank robber. I'm a stunt man. | 1:30:37 | 1:30:41 | |
Besides, you don't need me. You got Kate. | 1:30:41 | 1:30:43 | |
Are you sure? | 1:30:43 | 1:30:45 | |
Yeah. | 1:30:45 | 1:30:48 | |
I quit. | 1:30:48 | 1:30:49 | |
You could have put us back in jail, Harvey. | 1:30:51 | 1:30:53 | |
I'm sorry, Joe. | 1:30:54 | 1:30:56 | |
Maybe I'll see you guys in Mexico. | 1:31:02 | 1:31:04 | |
# I can't stand to fly | 1:31:04 | 1:31:08 | |
# I'm not that naive | 1:31:08 | 1:31:12 | |
OK. | 1:31:12 | 1:31:13 | |
# I'm just out to find | 1:31:13 | 1:31:17 | |
# The better part of me | 1:31:17 | 1:31:20 | |
# I'm more than a bird | 1:31:20 | 1:31:22 | |
# I'm more than a plane | 1:31:22 | 1:31:25 | |
# I'm more than some pretty face beside a train | 1:31:25 | 1:31:29 | |
# And it's not easy | 1:31:29 | 1:31:32 | |
# To be me | 1:31:32 | 1:31:35 | |
# I wish that I could cry | 1:31:38 | 1:31:41 | |
# Fall upon my knees | 1:31:42 | 1:31:46 | |
# Find a way to lie... # | 1:31:47 | 1:31:50 | |
Nice car. | 1:31:50 | 1:31:52 | |
It's not mine. I stole it. | 1:31:52 | 1:31:56 | |
What are you gonna do now? | 1:31:56 | 1:31:58 | |
Drive it to Hollywood. | 1:31:58 | 1:32:00 | |
Yeah, why? | 1:32:00 | 1:32:01 | |
I'm a stunt man. | 1:32:01 | 1:32:04 | |
Oh. | 1:32:05 | 1:32:06 | |
Do you want to come with me? | 1:32:09 | 1:32:11 | |
No. | 1:32:13 | 1:32:14 | |
Aw. | 1:32:14 | 1:32:16 | |
# Up, up, and away | 1:32:20 | 1:32:22 | |
# Away from me | 1:32:22 | 1:32:25 | |
# Well, it's all right | 1:32:25 | 1:32:28 | |
# You can all sleep sound tonight | 1:32:28 | 1:32:31 | |
# I'm not crazy | 1:32:31 | 1:32:34 | |
# Or anything... # | 1:32:36 | 1:32:38 | |
-Hey, Terry? -Yeah? | 1:32:41 | 1:32:43 | |
Remember what I told you about my brother? | 1:32:43 | 1:32:44 | |
The one with the brain tumour who was always smelling burning feathers? | 1:32:44 | 1:32:48 | |
It's emblazoned on my brain forever. | 1:32:48 | 1:32:51 | |
You know, he never quit. | 1:32:51 | 1:32:52 | |
Never gave up trying, right to the very end. | 1:32:54 | 1:32:57 | |
Hey, Joe... | 1:32:57 | 1:32:59 | |
I know just how he feels. | 1:32:59 | 1:33:01 | |
Good night, Joe. | 1:33:04 | 1:33:05 | |
DARREN: You guys... | 1:33:05 | 1:33:07 | |
You've been together for quite a while. | 1:33:07 | 1:33:10 | |
-Do you consider yourselves good friends still? -Oh, sure. | 1:33:10 | 1:33:12 | |
Absolutely. People say there's no honour among thieves. | 1:33:12 | 1:33:15 | |
-Totally wrong. Right, Joe? -Totally wrong. | 1:33:15 | 1:33:17 | |
Darren, it's like, uh... uh, Lewis and Clark. | 1:33:17 | 1:33:20 | |
You got Lewis, | 1:33:20 | 1:33:22 | |
He's stuck somewhere out there in Africa, lost in the African wilderness. | 1:33:22 | 1:33:27 | |
And, uh...Clark... | 1:33:27 | 1:33:31 | |
Al Clark, I think his name was... | 1:33:31 | 1:33:33 | |
He drops what he's doing and he goes to find him. | 1:33:33 | 1:33:35 | |
He goes to find Lewis, and you know why? | 1:33:35 | 1:33:38 | |
Because of friendship, that's why. | 1:33:38 | 1:33:39 | |
For God's sake, Joe, | 1:33:41 | 1:33:42 | |
It was Stanley and Livingstone, not Lewis and Clark. | 1:33:42 | 1:33:45 | |
Lewis and Clark tried to find the Northwest Passage | 1:33:45 | 1:33:47 | |
with the help of this statuesque Indian lady. but you probably... | 1:33:47 | 1:33:50 | |
-But they were friends, OK? -Of course they were. | 1:33:50 | 1:33:52 | |
He was asking us about friendship. You always got to correct me. | 1:33:52 | 1:33:55 | |
I'm sorry. You're right. | 1:33:55 | 1:33:57 | |
-You're up. -I couldn't sleep. | 1:33:57 | 1:33:59 | |
I was thinking maybe that you and I could go to this place. | 1:33:59 | 1:34:01 | |
-Where is Joe? -He's asleep, sound asleep. | 1:34:01 | 1:34:04 | |
Terry? | 1:34:04 | 1:34:05 | |
He is. He's sound asleep. If we could maybe come down to | 1:34:05 | 1:34:07 | |
this bar down here at the thing and maybe just sit there | 1:34:07 | 1:34:10 | |
and have a nightcap or something like that. | 1:34:10 | 1:34:13 | |
-It's a little late, don't you think? -Oh, no. Gosh, not at all. | 1:34:13 | 1:34:16 | |
It's the... You know, live. | 1:34:16 | 1:34:18 | |
You know, act like it's the last... | 1:34:18 | 1:34:20 | |
most important thing you'll ever do in your life. Please? | 1:34:20 | 1:34:23 | |
All right. I'll just get a coat. | 1:34:23 | 1:34:25 | |
OK. | 1:34:25 | 1:34:26 | |
# I see the crystal raindrops fall | 1:34:36 | 1:34:38 | |
# And the beauty of it all | 1:34:38 | 1:34:41 | |
# Is when the sun comes shining through | 1:34:41 | 1:34:45 | |
# To make... # | 1:34:45 | 1:34:46 | |
I love this song. | 1:34:46 | 1:34:48 | |
Actually, I never heard it before. | 1:34:48 | 1:34:52 | |
I have to press A1 on these things. | 1:34:52 | 1:34:53 | |
It's an obsessive-compulsive thing. | 1:34:53 | 1:34:55 | |
It's a pretty song, though. I played it six times. | 1:34:55 | 1:34:58 | |
# ..if we try | 1:34:58 | 1:34:59 | |
# Just the two of us | 1:34:59 | 1:35:01 | |
# Just the two of us... # | 1:35:01 | 1:35:04 | |
Just run away with me, Kate, please. | 1:35:04 | 1:35:06 | |
# Building castles in the sky... # | 1:35:06 | 1:35:08 | |
Let's get in the car | 1:35:08 | 1:35:09 | |
and we'll just drive and drive | 1:35:09 | 1:35:11 | |
and drive and drive and then we'll stop at the perfect place | 1:35:11 | 1:35:14 | |
and we'll stay there for as long as we want to | 1:35:14 | 1:35:16 | |
and then we'll get back in the car and drive and drive and drive | 1:35:16 | 1:35:19 | |
and we'll find another perfect place. | 1:35:19 | 1:35:21 | |
I'm just... | 1:35:22 | 1:35:24 | |
This is kind of sudden, isn't it? | 1:35:24 | 1:35:26 | |
This is crazy. | 1:35:26 | 1:35:28 | |
Well, not to me, it isn't. | 1:35:28 | 1:35:30 | |
# Just the two of us | 1:35:32 | 1:35:35 | |
# We can make it if we try... # | 1:35:35 | 1:35:36 | |
I need a whisky. | 1:35:36 | 1:35:38 | |
Can I have a whisky, please? | 1:35:38 | 1:35:42 | |
# Just the two of us... # | 1:35:42 | 1:35:43 | |
I'd like a vodka, please | 1:35:43 | 1:35:45 | |
and a glass of milk. | 1:35:45 | 1:35:47 | |
Could you warm the milk? | 1:35:47 | 1:35:49 | |
# You and I... # | 1:35:49 | 1:35:51 | |
Got a right-side problem of some sort. | 1:35:51 | 1:35:56 | |
God, I hope I'm not having a brain tumour. | 1:35:56 | 1:35:58 | |
-Hi, Terry. -Oh! | 1:35:58 | 1:36:00 | |
How's it going? | 1:36:02 | 1:36:05 | |
Hi, Joe. | 1:36:05 | 1:36:06 | |
What's going on? | 1:36:06 | 1:36:07 | |
Not much. Just... | 1:36:09 | 1:36:11 | |
You're here by yourself? | 1:36:11 | 1:36:12 | |
You OK? | 1:36:17 | 1:36:19 | |
I'm having trouble feeling my lips a little. | 1:36:19 | 1:36:21 | |
-They're not numb, are they? -A bit numb. -Oh, boy. | 1:36:21 | 1:36:23 | |
Joe. | 1:36:23 | 1:36:25 | |
Hi. | 1:36:25 | 1:36:26 | |
I thought you were asleep. | 1:36:26 | 1:36:28 | |
Yeah. I WAS asleep. | 1:36:28 | 1:36:30 | |
He woke up. | 1:36:30 | 1:36:32 | |
Anybody want to dance? | 1:36:34 | 1:36:35 | |
No, I don't think so. Why don't you dance with Kate? | 1:36:35 | 1:36:38 | |
-Not me. -Go ahead. Go ahead. | 1:36:38 | 1:36:40 | |
I'm not really a dancer. | 1:36:40 | 1:36:41 | |
Come on...Terry? Dance with her. | 1:36:41 | 1:36:44 | |
I can't feel my arm. I'd rather not, Kate. | 1:36:44 | 1:36:46 | |
Kate's got her dancing clothes on. | 1:36:46 | 1:36:48 | |
I actually want to sit. | 1:36:48 | 1:36:49 | |
Go on over there and dance. | 1:36:49 | 1:36:52 | |
# Building big castles way up high... # | 1:36:52 | 1:36:55 | |
-You all right? -You kids have fun. | 1:36:55 | 1:36:57 | |
-You all right? -Oh, yeah. I'm just fine. | 1:36:57 | 1:36:59 | |
You're kind of tilting. | 1:36:59 | 1:37:01 | |
Well, it's just a momentary thing. | 1:37:01 | 1:37:03 | |
Actually, I'm very, very light on my feet. | 1:37:07 | 1:37:09 | |
Yeah. Oh, yeah. | 1:37:09 | 1:37:10 | |
I'm a pretty good dancer. | 1:37:10 | 1:37:12 | |
-Maybe, you know, an all-right dancer. -Looking good, Terry. | 1:37:12 | 1:37:15 | |
Such a pretty song. | 1:37:15 | 1:37:17 | |
Dance with me, Kate. | 1:37:17 | 1:37:19 | |
Oh, maybe you should do most of the dancing. | 1:37:19 | 1:37:22 | |
-Happy? -What, honey? | 1:37:22 | 1:37:23 | |
THUD | 1:37:23 | 1:37:26 | |
-Mind if I cut in? -Yeah, sure. | 1:37:29 | 1:37:31 | |
I've lost the beat. | 1:37:31 | 1:37:33 | |
-Don't you think we should... -No, he'll be fine. Just take a little rest. | 1:37:33 | 1:37:37 | |
You guys sure, um... | 1:37:41 | 1:37:44 | |
Come here. Dance with me. | 1:37:44 | 1:37:46 | |
Run away with me, Kate. | 1:37:47 | 1:37:49 | |
We can get in the car and just drive and drive and drive. | 1:37:49 | 1:37:52 | |
You know what? That is a great idea. | 1:37:52 | 1:37:54 | |
What about Mexico? | 1:37:56 | 1:37:59 | |
Mexico will wait. | 1:37:59 | 1:38:00 | |
Well, what about Terry? | 1:38:02 | 1:38:03 | |
Terry will just have to wait, too. Come on. | 1:38:08 | 1:38:12 | |
I am so confused. | 1:38:12 | 1:38:14 | |
In what way? | 1:38:14 | 1:38:16 | |
In every possible way. | 1:38:16 | 1:38:19 | |
Just come on outside with me for a minute... | 1:38:19 | 1:38:21 | |
-I've got a hot milk. -What? | 1:38:21 | 1:38:23 | |
I got Terry some hot milk. | 1:38:23 | 1:38:25 | |
I'll just get him the hot milk. I'll check on Terry. | 1:38:25 | 1:38:29 | |
You all right? | 1:38:33 | 1:38:34 | |
Here, I got you some milk. Help you sleep. | 1:38:35 | 1:38:38 | |
I'm lactose intolerant. | 1:38:38 | 1:38:39 | |
You're what? | 1:38:39 | 1:38:40 | |
-Lactose intolerant. -You're lactose intolerant? | 1:38:40 | 1:38:44 | |
Gives me severe diarrhoea. | 1:38:44 | 1:38:45 | |
Severe diar... Right. | 1:38:45 | 1:38:48 | |
I'll just be outside here on the porch. | 1:38:48 | 1:38:50 | |
-Kate, can you smell burning feathers? -Burning feathers? | 1:38:54 | 1:38:57 | |
Joe's older brother - Albert - | 1:38:57 | 1:38:59 | |
he smelled burning feathers. | 1:38:59 | 1:39:01 | |
He had a brain tumour. | 1:39:01 | 1:39:03 | |
Joe doesn't have an older brother. | 1:39:03 | 1:39:06 | |
-I have no right side. -No right side? Is that what Joe told you? | 1:39:06 | 1:39:10 | |
-Can you feel this? -Ohh! Ohh! | 1:39:10 | 1:39:12 | |
Yes, I feel that. It hurt. | 1:39:12 | 1:39:14 | |
Joe doesn't have a brother? | 1:39:17 | 1:39:19 | |
-No brother. -Albert? | 1:39:19 | 1:39:21 | |
No Albert. | 1:39:21 | 1:39:23 | |
So the burning feathers was a lie. | 1:39:23 | 1:39:24 | |
Yup. | 1:39:26 | 1:39:28 | |
-You're sure? -Positive. | 1:39:28 | 1:39:30 | |
Where is Joe? | 1:39:34 | 1:39:36 | |
Outside. | 1:39:36 | 1:39:37 | |
-Joe, I've been thinking. -Yeah, me, too. | 1:39:37 | 1:39:40 | |
I've been thinking that I don't have a brain tumour because you never had a brother. | 1:39:40 | 1:39:44 | |
I can walk, too. Did you notice that, Joe? | 1:39:44 | 1:39:46 | |
Look at me. I'm walking. I'm walking around you. See? | 1:39:46 | 1:39:48 | |
Never cheat a pal. Isn't that what you always say? | 1:39:48 | 1:39:51 | |
-You cheated me first. -I did not. | 1:39:51 | 1:39:52 | |
-You cheated me first! -No! Bullshit! | 1:39:52 | 1:39:55 | |
-What about Paradise? -I don't give a damn about Paradise. | 1:39:55 | 1:39:59 | |
-I'm out of here. -Well, guess what. | 1:39:59 | 1:40:01 | |
Me, too, OK? Happy? | 1:40:01 | 1:40:02 | |
You won't make it a week without me and you know it. | 1:40:02 | 1:40:04 | |
I will with Kate. | 1:40:04 | 1:40:06 | |
Over my dead body! | 1:40:06 | 1:40:08 | |
That hurt! You little shithead! | 1:40:15 | 1:40:17 | |
You bit me! | 1:40:17 | 1:40:18 | |
-Stop it! -You hit me! | 1:40:18 | 1:40:20 | |
Would you stop it! | 1:40:20 | 1:40:22 | |
Oh, God. This is over. | 1:40:22 | 1:40:24 | |
Not until somebody is either dead or in a coma. | 1:40:24 | 1:40:27 | |
And I hope it's him. | 1:40:27 | 1:40:29 | |
No, I'm talking about us. | 1:40:29 | 1:40:30 | |
I won't watch you do this to each other. | 1:40:32 | 1:40:34 | |
I just...I can't. | 1:40:34 | 1:40:37 | |
I'd rather see you in prison. | 1:40:37 | 1:40:38 | |
At least there you'd be safe from each other. | 1:40:38 | 1:40:40 | |
And yes, I'm aware that this is entirely my own fault. | 1:40:40 | 1:40:43 | |
It's just that I... | 1:40:43 | 1:40:44 | |
I bit off a little bit more than I could chew, but I... | 1:40:44 | 1:40:48 | |
I've just never felt this way before, and... | 1:40:48 | 1:40:51 | |
I... | 1:40:51 | 1:40:53 | |
I can't choose between you. | 1:40:53 | 1:40:55 | |
What if everyone only has one big love? | 1:40:57 | 1:40:59 | |
I mean, I know this one's a little bit bigger than usual, but... | 1:40:59 | 1:41:05 | |
What if we only have one? | 1:41:05 | 1:41:07 | |
And you know why I can't choose between you? | 1:41:10 | 1:41:13 | |
Because together, you're... you're the perfect man. | 1:41:15 | 1:41:19 | |
Kate... | 1:41:19 | 1:41:21 | |
Kate, we weren't really gonna even...right? | 1:41:21 | 1:41:24 | |
Yeah. | 1:41:24 | 1:41:26 | |
I'm sorry, boys. | 1:41:28 | 1:41:30 | |
This is over. | 1:41:35 | 1:41:36 | |
Kate! | 1:41:42 | 1:41:45 | |
Kate! | 1:41:45 | 1:41:46 | |
Big, isn't it? | 1:42:27 | 1:42:29 | |
It's just a bank. | 1:42:29 | 1:42:32 | |
Big though. | 1:42:32 | 1:42:34 | |
Yeah. Big. | 1:42:34 | 1:42:36 | |
PHONE BEEPS | 1:42:41 | 1:42:43 | |
Oh, my God. It's them. They're here. | 1:42:48 | 1:42:51 | |
Oh, mama. | 1:42:51 | 1:42:53 | |
'Kate Wheeler may have started out as a hostage, | 1:42:53 | 1:42:56 | |
-'But she's looking like a bank robber to me.' -'That's ridiculous.' | 1:42:56 | 1:42:58 | |
'There's no way you can calculate the impact of her captivity. | 1:42:58 | 1:43:01 | |
'This is Patty Hearst all over again.' | 1:43:01 | 1:43:03 | |
-'Patty Hearst went to prison.' -'Which was a mistake!' | 1:43:03 | 1:43:05 | |
Excuse me. It's long distance. | 1:43:05 | 1:43:09 | |
Hold on a minute. Don't tell her you love her right now. | 1:43:09 | 1:43:12 | |
-Both of us. -Yeah, she knows it. | 1:43:12 | 1:43:14 | |
Listen. Listen. | 1:43:14 | 1:43:16 | |
I miss you. | 1:43:16 | 1:43:18 | |
And Joe misses you. | 1:43:18 | 1:43:20 | |
-What I'm trying to say is we both miss you. -Equally. | 1:43:20 | 1:43:23 | |
-Equally. We both miss you equally. -Hi. Hi. How you doing? | 1:43:23 | 1:43:27 | |
Mm-hmm. Well, we've been... | 1:43:27 | 1:43:29 | |
We've been, um, thinking. | 1:43:29 | 1:43:31 | |
I've been doing some thinking, too. | 1:43:31 | 1:43:34 | |
Uh-huh. What were you thinking? | 1:43:34 | 1:43:36 | |
I can't live like this. I mean, that's the first thing. | 1:43:36 | 1:43:39 | |
Well...take it. | 1:43:39 | 1:43:40 | |
Which is entirely our fault and we take full responsibility. | 1:43:40 | 1:43:43 | |
Full. | 1:43:43 | 1:43:44 | |
-Really. -Absolutely. | 1:43:44 | 1:43:47 | |
No, it doesn't matter whose fault it is. | 1:43:47 | 1:43:49 | |
Not anymore. | 1:43:49 | 1:43:51 | |
Let me talk to her. | 1:43:51 | 1:43:52 | |
Listen to me. | 1:43:52 | 1:43:54 | |
What if I told you there was a way out of this? | 1:43:54 | 1:43:57 | |
One more big score, OK? | 1:43:57 | 1:43:59 | |
Just one, nice and safe. | 1:43:59 | 1:44:01 | |
Oh, I don't like the sound of this. | 1:44:01 | 1:44:05 | |
Well, no, no. No more tricks. | 1:44:05 | 1:44:08 | |
No more tricks. No more sleepovers. | 1:44:08 | 1:44:10 | |
We just walk in, we show them our guns, we take the money. | 1:44:10 | 1:44:13 | |
You show them your guns? | 1:44:13 | 1:44:14 | |
But we got it all figured out. | 1:44:14 | 1:44:16 | |
No, I can't let you do this. | 1:44:16 | 1:44:19 | |
Oh, no, please don't do this. | 1:44:19 | 1:44:21 | |
It's a really bad idea. | 1:44:21 | 1:44:23 | |
Kate, Kate, listen to me. Listen to me. | 1:44:23 | 1:44:26 | |
This will work. OK? | 1:44:26 | 1:44:29 | |
'The reward for the capture of Joe Blake and Terry Collins | 1:44:29 | 1:44:32 | |
'has been doubled to a million dollars. | 1:44:32 | 1:44:34 | |
'The question now is how much longer the two can continue their crime spree. | 1:44:34 | 1:44:38 | |
'Their faces are known to just about everyone...' | 1:44:38 | 1:44:41 | |
-Good morning. -How you doing? Let's go. | 1:44:44 | 1:44:47 | |
Outside. Come on. Go on. | 1:44:47 | 1:44:50 | |
Keep moving, Shorty. | 1:44:50 | 1:44:51 | |
DARREN: Oh, my God. What are you guys doing here? | 1:44:51 | 1:44:53 | |
-Shut up. Let's go. -All right. All right. | 1:44:53 | 1:44:56 | |
Come on. You, too. | 1:44:56 | 1:44:57 | |
In front of us. Here we go. | 1:44:57 | 1:44:59 | |
Good evening, I'm Darren Head, and welcome to Criminals at Large. | 1:44:59 | 1:45:02 | |
We have a very interesting and unusual show for you this evening. | 1:45:02 | 1:45:05 | |
If you can look behind me, you see that we're not here on the set. | 1:45:05 | 1:45:08 | |
We're broadcasting out of my home, my living room. | 1:45:08 | 1:45:10 | |
The Sleepover Bandits, Joe Blake and Terry Collins, are sitting with me. | 1:45:10 | 1:45:14 | |
They want to set the record straight about Kate Wheeler. | 1:45:14 | 1:45:17 | |
I want to say to you, to the American public, | 1:45:17 | 1:45:20 | |
to all of the law enforcement agencies | 1:45:20 | 1:45:22 | |
out there across America, Kate Wheeler was never involved | 1:45:22 | 1:45:26 | |
in the bank robberies with us. | 1:45:26 | 1:45:28 | |
She was our hostage. | 1:45:28 | 1:45:30 | |
She was an unwilling hostage. | 1:45:30 | 1:45:32 | |
She was never, ever involved. | 1:45:32 | 1:45:35 | |
Ladies and gentlemen, good morning. You are about to be robbed. | 1:46:07 | 1:46:09 | |
I'm Kate Wheeler. | 1:46:14 | 1:46:15 | |
Keep your hands where I can see them. Where's the bank manager? | 1:46:17 | 1:46:20 | |
Very good, sir. Come with me. | 1:46:30 | 1:46:32 | |
OK, nobody move. | 1:46:33 | 1:46:35 | |
-...gentleman right there on the corner. -Lay down. | 1:46:35 | 1:46:39 | |
I'd never heard them talk like that before, | 1:46:39 | 1:46:41 | |
they're armed, and dangerous and I think they're serious. | 1:46:41 | 1:46:46 | |
GUNSHOT | 1:46:46 | 1:46:47 | |
SCREAMING | 1:46:47 | 1:46:48 | |
All right. Let's make contact with them. | 1:46:52 | 1:46:54 | |
The SWAT Team is standing around, helicopters are overhead. | 1:46:54 | 1:46:57 | |
It's an incredible scene here at the Alamo Savings & Loan. | 1:46:57 | 1:46:59 | |
It's ringing. | 1:46:59 | 1:47:01 | |
Let me tell you something. This is Joe Blake, OK? | 1:47:06 | 1:47:09 | |
You will never take us alive. | 1:47:09 | 1:47:11 | |
Do you understand me? | 1:47:11 | 1:47:12 | |
Now, we want safe passage to Burbank Airport | 1:47:12 | 1:47:14 | |
and we want a plane to fly us out of there. | 1:47:14 | 1:47:17 | |
No, no more phone calls, OK? | 1:47:17 | 1:47:20 | |
You just do what I ask you. | 1:47:20 | 1:47:22 | |
Hey, you are not gonna take us alive! | 1:47:22 | 1:47:25 | |
GASPING AND SCREAMING | 1:47:25 | 1:47:26 | |
"You're not gonna take us alive"? | 1:47:28 | 1:47:30 | |
That's right. | 1:47:30 | 1:47:32 | |
Great thinking, Joe. | 1:47:32 | 1:47:33 | |
How about they will not take YOU alive? | 1:47:33 | 1:47:35 | |
I'm flattered that you included me in your little | 1:47:35 | 1:47:38 | |
"going out in a hail of gunfire" kind of concept and everything, | 1:47:38 | 1:47:42 | |
but I think you've gone nuts, frankly. | 1:47:42 | 1:47:43 | |
The troops are moving in here. The SWAT Team is moving in. | 1:47:43 | 1:47:46 | |
The helicopters are overhead. | 1:47:46 | 1:47:47 | |
If you look in the background, you can see Joe Blake and Terry Collins. | 1:47:47 | 1:47:50 | |
They're in the bank with the hostages. | 1:47:50 | 1:47:51 | |
Everybody hold your positions. | 1:47:51 | 1:47:53 | |
I'm all through running, Terry. | 1:47:53 | 1:47:55 | |
Well, guess what? I am, too, but I got a better idea. | 1:47:55 | 1:47:58 | |
I'm gonna throw down my weapon and put my hands in the air | 1:47:58 | 1:48:02 | |
and go back to the Federal Penitentiary where Kate Wheeler wants us. | 1:48:02 | 1:48:05 | |
-Can't let you do that. -Really? What if I don't give you that option? | 1:48:05 | 1:48:08 | |
Everybody hold your position. | 1:48:08 | 1:48:10 | |
Guys, just hold on one second. | 1:48:10 | 1:48:12 | |
-Put that gun down. -Make me. | 1:48:12 | 1:48:14 | |
-Make me? -Yes, make me! -What is this, the third grade? | 1:48:14 | 1:48:16 | |
-You can't do any better than that? -I'm all out of well-turned phrases at this point. | 1:48:16 | 1:48:19 | |
The suspects are in a standoff with themselves. | 1:48:19 | 1:48:21 | |
-Put your gun down! -Don't even think about it! | 1:48:21 | 1:48:24 | |
Don't point that gun at him! | 1:48:24 | 1:48:25 | |
Now, get out of here, mister! The rest of you, too! | 1:48:25 | 1:48:27 | |
Don't move! Shut up! | 1:48:27 | 1:48:29 | |
Hey! Hey! Hey! | 1:48:29 | 1:48:30 | |
That's a hostage coming out. That's a hostage. | 1:48:30 | 1:48:33 | |
It looks like somebody's coming out of the bank. | 1:48:33 | 1:48:35 | |
Joe Blake and Terry Collins are in there. | 1:48:35 | 1:48:37 | |
Hold it down. Shut them...shut up! | 1:48:37 | 1:48:39 | |
GUNSHOT | 1:48:39 | 1:48:41 | |
SCREAMING | 1:48:41 | 1:48:42 | |
We got shots fired inside. | 1:48:43 | 1:48:44 | |
You shot me! | 1:48:47 | 1:48:48 | |
Aah! | 1:48:51 | 1:48:53 | |
Stinking bastard! | 1:48:53 | 1:48:55 | |
Oh, God! | 1:48:55 | 1:48:57 | |
Be advised. The suspects are shooting at each other. | 1:48:57 | 1:48:59 | |
GROANING | 1:49:02 | 1:49:04 | |
MOANING | 1:49:07 | 1:49:09 | |
You son of a bitch! | 1:49:11 | 1:49:14 | |
GIRL: All right. On Terry. Stand by. | 1:49:20 | 1:49:24 | |
Hold your position. | 1:49:24 | 1:49:25 | |
On red team. Everybody just hold. | 1:49:25 | 1:49:27 | |
GRUNTING | 1:49:27 | 1:49:29 | |
All right. This'll be the shotgun on Terry. | 1:49:32 | 1:49:34 | |
Now. | 1:49:37 | 1:49:38 | |
Wonderful. | 1:49:41 | 1:49:43 | |
The suspects appear to be down inside. | 1:49:43 | 1:49:45 | |
MAN: Get out. | 1:49:45 | 1:49:47 | |
Applause. | 1:49:49 | 1:49:52 | |
Red team, go. Red team, go. | 1:49:52 | 1:49:54 | |
Secure them. | 1:49:54 | 1:49:56 | |
What is she doing? | 1:49:57 | 1:49:59 | |
Come on. Let's go. | 1:49:59 | 1:50:00 | |
This is unbelievable. Joe Blake and Terry Collins are down. | 1:50:08 | 1:50:10 | |
We can't tell if the police shot them or they shot themselves, | 1:50:16 | 1:50:19 | |
and it looks like Kate Wheeler's fainted. | 1:50:19 | 1:50:22 | |
If you followed this story, you know that Kate Wheeler is the woman | 1:50:22 | 1:50:24 | |
that turned in the Sleepover Bandits. | 1:50:24 | 1:50:27 | |
I need some help up here for Ms Wheeler. Let's move. Now. | 1:50:32 | 1:50:35 | |
Pick her up. Come on. Get a shot! Get a shot of her, right there. | 1:50:40 | 1:50:43 | |
You fainted on the steps there. Was that... were you in shock? | 1:50:50 | 1:50:53 | |
-What happened there? -Yes. I was in complete shock. | 1:50:53 | 1:50:56 | |
Ms Wheeler, is it true that you tipped off the police to today's bank robbery? | 1:51:09 | 1:51:13 | |
Yes, uh, I did. | 1:51:13 | 1:51:16 | |
But none of this was, um... was supposed to happen. | 1:51:16 | 1:51:19 | |
I just wanted them to, um, to stop. | 1:51:19 | 1:51:21 | |
-I'm stuck. -Hey! | 1:51:22 | 1:51:24 | |
Good morning, sunshine. | 1:51:28 | 1:51:30 | |
Open the bag! | 1:51:31 | 1:51:34 | |
Come on. Let's go. | 1:51:34 | 1:51:35 | |
Great job, you guys. Great job. We're getting out of here. | 1:51:35 | 1:51:39 | |
OK. Let's go. | 1:51:39 | 1:51:40 | |
Grab the money. Come on. Come on. | 1:51:40 | 1:51:43 | |
THEY LAUGH | 1:51:43 | 1:51:46 | |
Let's go. Let's get out of here. | 1:51:46 | 1:51:47 | |
SIREN | 1:51:50 | 1:51:52 | |
SCREAMING | 1:52:14 | 1:52:16 | |
Go! It's gonna blow! You got to run. It's gonna blow! | 1:52:16 | 1:52:19 | |
TV: '..downtown area with another stunning turn in today's big story. | 1:52:23 | 1:52:26 | |
'The vehicle transporting the bodies of the Sleepover Bandits has exploded. | 1:52:26 | 1:52:29 | |
'Apparently, the bodies were wired with explosives. | 1:52:29 | 1:52:31 | |
'The bodies were totally incinerated | 1:52:31 | 1:52:33 | |
'with no trace of Joe Blake and Terry Collins.' | 1:52:33 | 1:52:35 | |
Here's to Paradise. | 1:52:35 | 1:52:36 | |
To us. | 1:52:36 | 1:52:38 | |
You better wait for me cos I'm bringing the sunscreen | 1:52:38 | 1:52:41 | |
and the million-dollar reward. | 1:52:41 | 1:52:43 | |
And so ends the tragic tale of the Sleepover Bandits. | 1:52:43 | 1:52:46 | |
Or does it? | 1:52:46 | 1:52:48 | |
Joe Blake and Terry Collins captured the imagination of a nation. | 1:52:48 | 1:52:51 | |
In death, their lives are quickly becoming the stuff of legend. | 1:52:51 | 1:52:54 | |
Blake and Collins weren't heroes. They never claimed to be. | 1:52:54 | 1:52:57 | |
After the interview, people said, "What were they really like?" | 1:52:57 | 1:53:00 | |
I know as much as anybody else. | 1:53:00 | 1:53:01 | |
They robbed banks, they kidnapped the wrong woman, | 1:53:01 | 1:53:04 | |
and they shot each other to death in cold blood. | 1:53:04 | 1:53:06 | |
The rest is rumour and speculation, the stuff of folk tales. | 1:53:06 | 1:53:10 | |
And in the end, | 1:53:10 | 1:53:11 | |
maybe that's the way we really want it to be. | 1:53:11 | 1:53:13 | |
I'm Darren Head. | 1:53:13 | 1:53:15 | |
We'll see you next week on another edition of Criminals At Large. | 1:53:15 | 1:53:19 | |
Fade to black. | 1:53:19 | 1:53:21 | |
That should do it. | 1:53:21 | 1:53:22 | |
..have consented together in holy matrimony. | 1:53:31 | 1:53:34 | |
Y han testificado lo mismo, | 1:53:34 | 1:53:35 | |
ante dios y todos los presentes. | 1:53:35 | 1:53:38 | |
And have witnessed the same before God and this company. | 1:53:38 | 1:53:42 | |
And have pledged their love to each other... | 1:53:42 | 1:53:44 | |
And have declared the same by the joining and the giving of the rings. | 1:53:44 | 1:53:49 | |
Y por lo tanto, con la autoridad del estado | 1:53:49 | 1:53:51 | |
los pronuncio esposo y esposa. | 1:53:51 | 1:53:54 | |
The groom may now kiss the bride. | 1:53:54 | 1:53:57 | |
# It's a beautiful day | 1:53:57 | 1:53:59 | |
# Sky falls, you feel like | 1:54:02 | 1:54:04 | |
# It's a beautiful day | 1:54:04 | 1:54:06 | |
# Don't let it get away | 1:54:08 | 1:54:11 | |
# You're on the road | 1:54:11 | 1:54:13 | |
# But you've got no destination | 1:54:14 | 1:54:18 | |
# You're in the mud | 1:54:18 | 1:54:20 | |
# In the maze of her imagination | 1:54:21 | 1:54:24 | |
# You love this town | 1:54:24 | 1:54:27 | |
# Even if that doesn't ring true | 1:54:29 | 1:54:32 | |
# You've been all over... # | 1:54:32 | 1:54:34 | |
Hi, gentlemen. Why don't we start from the beginning, all right? | 1:54:34 | 1:54:37 | |
How'd you guys meet? | 1:54:37 | 1:54:39 | |
Well, uh, lifting weights, pumping the iron, you know, | 1:54:39 | 1:54:43 | |
in the usual way, trading cigarettes. | 1:54:43 | 1:54:45 | |
Terry had imaginary appendicitis, and then he had, uh... | 1:54:45 | 1:54:49 | |
..imaginary blood poisoning. | 1:54:51 | 1:54:52 | |
I was working in the infirmary. | 1:54:52 | 1:54:54 | |
The medical term is septicaemia, and it wasn't... | 1:54:54 | 1:54:56 | |
Anyway, one night in the infirmary, I'm hearing this howling sound... | 1:54:56 | 1:55:00 | |
Uh, Darren. | 1:55:00 | 1:55:01 | |
You know, like a... like a... | 1:55:01 | 1:55:03 | |
Like the noise a cat makes when a cat's in heat...that rrrr! | 1:55:03 | 1:55:08 | |
That little sound, you know? | 1:55:08 | 1:55:10 | |
One of the things we always like to remind ourselves | 1:55:10 | 1:55:12 | |
before we'd run into any job was expect the unexpected, right? | 1:55:12 | 1:55:16 | |
Right? | 1:55:16 | 1:55:17 | |
Always sounds like good advice. | 1:55:17 | 1:55:19 | |
Except, of course, if you are expecting the unexpected, | 1:55:19 | 1:55:23 | |
then...well, then, it really isn't unexpected anymore, is it? | 1:55:23 | 1:55:26 | |
And that leaves you vulnerable to the truly unexpected | 1:55:26 | 1:55:31 | |
because you're not expecting it. | 1:55:31 | 1:55:34 | |
Everybody saw the videotape, | 1:55:34 | 1:55:35 | |
it's kind of famous by now of Kate Wheeler, the bank robbery. | 1:55:35 | 1:55:38 | |
Why don't you, right here on this show, | 1:55:38 | 1:55:41 | |
set the record straight about Kate Wheeler and your operation? | 1:55:41 | 1:55:45 | |
I mean, the girl was terrified, you know, with us, I think. | 1:55:45 | 1:55:50 | |
Both as men and as bank robbers. | 1:55:50 | 1:55:54 | |
And didn't like us. | 1:55:54 | 1:55:55 | |
Never liked us. | 1:55:55 | 1:55:56 | |
-We never got along... -No. -From the very first moment we met. | 1:55:56 | 1:56:00 | |
Don't you guys ever get really scared? I mean, this job is so dangerous. | 1:56:00 | 1:56:04 | |
I'm immune to danger. I dance with danger. | 1:56:04 | 1:56:08 | |
I walk up to danger and tug it on the ears | 1:56:08 | 1:56:10 | |
and sneer at it and make funny faces at it. | 1:56:10 | 1:56:12 | |
I just, you know... "You know what? Come on," is what I'm saying. | 1:56:12 | 1:56:14 | |
You know what you have to be like? | 1:56:14 | 1:56:16 | |
You have to have nerves of steel, | 1:56:16 | 1:56:18 | |
and I have a nervous system which, I mean, as a child, God knows, | 1:56:18 | 1:56:21 | |
I was a nervous kid. I was a nervous kid. | 1:56:21 | 1:56:23 | |
But, you know, you get in there, | 1:56:23 | 1:56:24 | |
there's something about the adrenaline... | 1:56:24 | 1:56:26 | |
What are you laughing at? | 1:56:26 | 1:56:27 | |
You're immune. | 1:56:27 | 1:56:29 | |
I'm immune. I'm immune to danger. | 1:56:29 | 1:56:31 | |
You're totally immune. | 1:56:31 | 1:56:32 |