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This programme contains strong language | 0:00:02 | 0:00:10 | |
My films... | 0:00:38 | 0:00:40 | |
My films are about love. | 0:00:40 | 0:00:44 | |
Its beginnings. Its endings. | 0:00:44 | 0:00:46 | |
Its contracts. Its tricks. | 0:00:46 | 0:00:49 | |
The scene from my film La Fin Du Commencement, | 0:00:49 | 0:00:53 | |
or The End Of The Beginning. | 0:00:53 | 0:00:56 | |
The film portrays a difficult opening. | 0:00:56 | 0:00:59 | |
No? | 0:02:51 | 0:02:53 | |
No. | 0:02:55 | 0:02:56 | |
How can one take this relationship forward? | 0:03:30 | 0:03:33 | |
Well, they do. And in doing so, I show how the most unlikely | 0:03:35 | 0:03:40 | |
of beginnings can become the very glue that holds the relationship together. | 0:03:40 | 0:03:47 | |
Le commencement c'est tout. | 0:03:47 | 0:03:49 | |
The start is everything. | 0:03:49 | 0:03:52 | |
Life is determined by the way it began. | 0:03:52 | 0:03:55 | |
Even its end can be foreseen by the way it began. | 0:03:55 | 0:03:58 | |
The world was created by an explosion, and it will end by an explosion. | 0:03:58 | 0:04:05 | |
Love is the same. | 0:04:05 | 0:04:07 | |
Love is everything. The only reason my films are the same as love. | 0:04:07 | 0:04:13 | |
Prat. | 0:04:14 | 0:04:16 | |
The ending is in the beginning. | 0:04:16 | 0:04:18 | |
To understand that is to understand the films of Thierry Grimandi. | 0:04:18 | 0:04:22 | |
And to understand life. | 0:04:23 | 0:04:25 | |
I like that, it's romantic. | 0:04:32 | 0:04:34 | |
You are joking? | 0:04:34 | 0:04:36 | |
We have to go. | 0:04:36 | 0:04:40 | |
-HE MIMICS: -The ending is in the beginning. To understand this is to understand life. | 0:04:40 | 0:04:43 | |
The man's a dickhead. And what are all those close-ups? | 0:04:43 | 0:04:47 | |
What is it about Gallic men that makes them think they're so profound, | 0:04:47 | 0:04:50 | |
so knowledgeable about la vie, about l'amour? | 0:04:50 | 0:04:52 | |
We have to go. | 0:04:52 | 0:04:55 | |
I don't know why we're doing this. | 0:04:55 | 0:04:57 | |
We're fine. | 0:04:57 | 0:04:59 | |
# I want you to die with my hands round your throat | 0:05:11 | 0:05:15 | |
# Or with me in the castle, you in the moat | 0:05:15 | 0:05:20 | |
# And everyone you know stood around laughing | 0:05:20 | 0:05:26 | |
# I want to watch you swing from a tree | 0:05:29 | 0:05:33 | |
# Or fry in a chair while you're looking at me | 0:05:33 | 0:05:38 | |
# And everyone in the world will be glad when you're gone | 0:05:38 | 0:05:44 | |
# Oh, it's silly | 0:05:46 | 0:05:48 | |
# To say we were never happy | 0:05:49 | 0:05:52 | |
# All those nights we spent kissing under the moon | 0:05:54 | 0:06:01 | |
# But I died inside When you ran out with my pride | 0:06:04 | 0:06:13 | |
# Why did you leave me alone in the make-out room? | 0:06:14 | 0:06:19 | |
# I wanna watch you drown in a lake | 0:06:22 | 0:06:26 | |
# Or get stamped by a bull or bit by a snake | 0:06:26 | 0:06:31 | |
# And there is not a single doctor who will come and help you... # | 0:06:31 | 0:06:36 | |
My father will be spinning in his grave. | 0:06:55 | 0:06:58 | |
That'll be the booze. | 0:06:59 | 0:07:02 | |
Oh, this is ridiculous. | 0:07:02 | 0:07:05 | |
-I've been thinking... -Me too. Let's go home. -About your racism. | 0:07:05 | 0:07:08 | |
Do you think it might be a symptom of your British repression? | 0:07:08 | 0:07:11 | |
It's not racism. It's xenophobia. It's a completely different thing. | 0:07:11 | 0:07:14 | |
-Oh! -Yeah, racism is born out of ignorance, xenophobia out of knowledge. | 0:07:14 | 0:07:18 | |
And what knowledge do you have? | 0:07:18 | 0:07:21 | |
If they'd spent more time grafting and less time obsessing about relationships, | 0:07:21 | 0:07:24 | |
we wouldn't have had to subsidise their economy for the past 50 years. Fucking frogs. | 0:07:24 | 0:07:28 | |
So what part of France do you come from? | 0:07:28 | 0:07:31 | |
I spent some time in Paris. | 0:07:39 | 0:07:42 | |
Do you know it? | 0:07:42 | 0:07:45 | |
I do know Paris, yes. | 0:07:45 | 0:07:47 | |
-Of course you do. -Course he does. | 0:07:47 | 0:07:49 | |
It's the capital. Everyone knows Paris. Even my father knew Paris, and he never left St Albans. | 0:07:49 | 0:07:53 | |
-I went there. -Jed. | 0:07:58 | 0:08:00 | |
I was writing an article about a Czech novelist who had moved there during the communist regime. | 0:08:00 | 0:08:05 | |
-That's what I do. I write features and profiles about artists. -Why? | 0:08:05 | 0:08:11 | |
I suppose I find it relatively interesting. | 0:08:11 | 0:08:13 | |
-I'd prefer if someone was doing a piece about me, but until I write that novel... -Why here? | 0:08:13 | 0:08:18 | |
Why couple counselling? | 0:08:18 | 0:08:20 | |
Right. Well... Darling? | 0:08:23 | 0:08:28 | |
We're not sure. | 0:08:30 | 0:08:32 | |
Sorry, I'm not sure I understand how this is going to work. | 0:08:59 | 0:09:02 | |
It seems we're just looking at each other. | 0:09:02 | 0:09:04 | |
Some people come to me to save their relationship. | 0:09:04 | 0:09:07 | |
Others to end it. | 0:09:07 | 0:09:09 | |
Most to end it. | 0:09:09 | 0:09:13 | |
I proposed to her. We're here because I proposed to her, isn't that right? | 0:09:13 | 0:09:17 | |
Two weeks ago, yeah. After ten years of going out, | 0:09:17 | 0:09:20 | |
I took her to our favourite place, our favourite view... | 0:09:20 | 0:09:22 | |
-Your favourite view. -Waterloo Bridge facing east, you know. | 0:09:22 | 0:09:26 | |
St Paul's, the Gherkin, the view people write about. Waterloo Sunset by the Kinks. | 0:09:26 | 0:09:31 | |
Waterloo by Abba. The most thought provoking skyline in London. It's our favourite...sorry, my favourite. | 0:09:31 | 0:09:37 | |
-And I went down on one knee and I popped the question. -And I said no. | 0:09:37 | 0:09:43 | |
Mm-hm. | 0:09:43 | 0:09:44 | |
Tell me about the beginning. How you met, how you fell in love. | 0:09:46 | 0:09:50 | |
Oh, Christ, not you as well. Is this a French thing? | 0:09:50 | 0:09:53 | |
-Oh, God. -OK, the beginning. Well, I didn't mistake her for a hooker. | 0:09:53 | 0:09:59 | |
So that's something(!) | 0:09:59 | 0:10:01 | |
Thierry Grimandi. I'm doing a piece about him. You probably know his... | 0:10:01 | 0:10:04 | |
Is there something you want to say, Cheryl? | 0:10:04 | 0:10:07 | |
He's a fucking coward. | 0:10:07 | 0:10:09 | |
Would you like to address directly to Jed? | 0:10:09 | 0:10:13 | |
Yes, would you like to do that? | 0:10:13 | 0:10:15 | |
You're a fucking coward! | 0:10:15 | 0:10:17 | |
What's so cowardly about asking your girlfriend to marry you? | 0:10:25 | 0:10:28 | |
It takes a lot of guts, as it happens. | 0:10:28 | 0:10:30 | |
I spent months trying to pluck up the courage, trying to forget about my parents. | 0:10:30 | 0:10:33 | |
Guts? Proposing to me takes guts? | 0:10:33 | 0:10:36 | |
I'm not coming back here. | 0:10:36 | 0:10:38 | |
You bloody are. | 0:10:38 | 0:10:40 | |
I asked you to marry me. Who gives a toss how we met? | 0:10:40 | 0:10:44 | |
There is nothing wrong that can't be resolved by you just working out why you said no. | 0:10:44 | 0:10:49 | |
He's a miracle worker. | 0:10:57 | 0:10:59 | |
A film is like life, is like love, like marriage. | 0:11:03 | 0:11:08 | |
You should always see the ending | 0:11:08 | 0:11:13 | |
within the first 15 minutes of the beginning. | 0:11:13 | 0:11:18 | |
Relax. You just had another row. | 0:11:20 | 0:11:22 | |
You want me to be short? | 0:11:22 | 0:11:24 | |
-Look who it is. -Hey, Jed. -How are you? | 0:11:24 | 0:11:28 | |
-I'm well, thanks. -Good. God, it's been ages. | 0:11:28 | 0:11:32 | |
Ooh! | 0:11:32 | 0:11:34 | |
Oh, I'm so sorry. | 0:11:34 | 0:11:37 | |
-Oh, it smells great. -Thanks, Chanel number 41. -Actually, I meant the... -It's Nigel Slater. | 0:11:37 | 0:11:42 | |
-For a chef, he makes pretty good perfume. -Doesn't he just? | 0:11:42 | 0:11:45 | |
Completely wasted on Marcus, of course. Bloody Luddite. | 0:11:45 | 0:11:48 | |
-Food or perfume? -Both. -I'm not a Luddite. I'm a man. | 0:11:48 | 0:11:51 | |
-I'm a man who likes his food simple and substantial. -How ironic. | 0:11:51 | 0:11:55 | |
The same way I feel about my men. | 0:11:55 | 0:11:57 | |
You can't have thrown this together. | 0:12:02 | 0:12:05 | |
Don't be ridiculous. | 0:12:06 | 0:12:09 | |
This food is amazing, Sophie. You really put me to shame. | 0:12:09 | 0:12:12 | |
-Yeah, doesn't she? -Oh, come on, it's only food. It all ends up in the same place. | 0:12:12 | 0:12:16 | |
You are so annoying. | 0:12:16 | 0:12:18 | |
Well, honestly. I mean, no, you're a great cook, but food has gotten out of hand. | 0:12:19 | 0:12:24 | |
Do you know that kids can now name more celebrity chefs than they can members of the Cabinet? | 0:12:24 | 0:12:29 | |
-Yeah, so can I. -Don't be a twat. | 0:12:29 | 0:12:32 | |
-I'm serious. -He is. | 0:12:32 | 0:12:34 | |
I'm glad chefs are more influential than politicians. They're higher up the evolutionary scale. | 0:12:34 | 0:12:38 | |
Oh, I agree. Cheers. | 0:12:38 | 0:12:40 | |
-Cheers. -I'll go along with that. | 0:12:40 | 0:12:42 | |
-Ah, great. So where are feature writers in this evolutionary scale? -Above advertising executives. | 0:12:42 | 0:12:47 | |
Oh, mate. Compared to you, we're exploring space. | 0:12:47 | 0:12:51 | |
I think you'll find you're somewhere between lawyers and molluscs. | 0:12:51 | 0:12:54 | |
Mind you, buddy, it's worth the wait. These thumbs are amazing. | 0:12:54 | 0:12:57 | |
You see, you can all laugh, but we have more influence than any of you. | 0:12:57 | 0:13:01 | |
What about magazine editors? | 0:13:01 | 0:13:03 | |
Come on, you're worse than all of us. | 0:13:03 | 0:13:05 | |
Look, we explore the human condition. | 0:13:06 | 0:13:08 | |
Through the magic of fashion(!) | 0:13:08 | 0:13:11 | |
And agony aunts. | 0:13:11 | 0:13:13 | |
Besides, we give you work. | 0:13:13 | 0:13:15 | |
If it wasn't for us, you'd just be failed novelists. | 0:13:15 | 0:13:18 | |
Ooh. | 0:13:18 | 0:13:19 | |
Marcus, how did you two meet? | 0:13:22 | 0:13:24 | |
Is this another feature you're doing? | 0:13:24 | 0:13:26 | |
-Yeah, kind of. -Jed. | 0:13:26 | 0:13:28 | |
No, it's interesting, the how-we-met story. You were interested in it earlier, weren't you? | 0:13:28 | 0:13:33 | |
-Soph? -You go ahead. | 0:13:33 | 0:13:35 | |
-Sophie saved my life. -What? | 0:13:37 | 0:13:40 | |
I don't want to get into too many details, but a number of things had... | 0:13:40 | 0:13:47 | |
Things had got quite dark. | 0:13:47 | 0:13:48 | |
A sudden something of an existential crisis, I guess, | 0:13:48 | 0:13:53 | |
because it made sense to kill myself. | 0:13:53 | 0:13:57 | |
It just seemed so simple. | 0:13:57 | 0:14:00 | |
It was a kind... | 0:14:00 | 0:14:02 | |
of elation. | 0:14:02 | 0:14:05 | |
'I was a mess. | 0:14:05 | 0:14:06 | |
'I was about to jump off a bridge | 0:14:11 | 0:14:12 | |
'when I heard this voice, shouting and screaming.' | 0:14:12 | 0:14:20 | |
Hey, you! Stop! | 0:14:20 | 0:14:22 | |
Please, please, don't jump. Please. Stay there, please! | 0:14:22 | 0:14:27 | |
Go away and leave me alone. | 0:14:27 | 0:14:30 | |
-Stay where you are. -I'm not gonna move, I'm just... -Stay where you are. | 0:14:35 | 0:14:38 | |
Why can't you just...just walk away? | 0:14:38 | 0:14:41 | |
-Go on. -I'm Sophie. | 0:14:41 | 0:14:43 | |
-What's your name? -My name's Marcus. | 0:14:43 | 0:14:47 | |
All right. Please, Marcus. | 0:14:47 | 0:14:51 | |
What? | 0:14:51 | 0:14:53 | |
Don't jump. | 0:14:53 | 0:14:54 | |
Why not? What's it matter? | 0:14:55 | 0:14:57 | |
It matters to me. | 0:14:57 | 0:15:00 | |
'And there she was. This girl. | 0:15:01 | 0:15:05 | |
'This woman. | 0:15:05 | 0:15:07 | |
'And she talked, and talked, and talked. | 0:15:07 | 0:15:12 | |
'And... | 0:15:12 | 0:15:13 | |
'And I couldn't do it. Not with her there. | 0:15:15 | 0:15:19 | |
'She stopped...saved me.' | 0:15:19 | 0:15:22 | |
I got down eventually and we talked. | 0:15:26 | 0:15:30 | |
All night. | 0:15:30 | 0:15:32 | |
And we took it from there. | 0:15:42 | 0:15:45 | |
Christ. | 0:15:45 | 0:15:47 | |
That's...incredible. | 0:15:48 | 0:15:51 | |
Isn't it? Maybe I'd have just walked on if he haven't been so... | 0:15:51 | 0:15:54 | |
Desperate. | 0:15:54 | 0:15:56 | |
-Cute. -Yeah. -THEY LAUGH | 0:15:56 | 0:15:58 | |
And that's propelled us two years so far. | 0:16:02 | 0:16:05 | |
-Propelled? -He believes in beginnings. | 0:16:05 | 0:16:09 | |
-What? -What? | 0:16:09 | 0:16:11 | |
You sound like Thierry Grimandi. I may have to rethink our friendship. | 0:16:11 | 0:16:15 | |
-Grimandi? Do you know his work? -I wouldn't call it work. The man's a lunatic. | 0:16:15 | 0:16:18 | |
Cracking on about how beginnings determine everything. Especially in love. | 0:16:18 | 0:16:23 | |
-I know. -You know? -Yeah. | 0:16:23 | 0:16:24 | |
The man's a genius. You know, I used to watch his films in the '80s. | 0:16:24 | 0:16:28 | |
There's nobody writes about love the way he does. | 0:16:28 | 0:16:31 | |
-Nobody writes about love the way he does. You think that? -Yeah. | 0:16:31 | 0:16:34 | |
You think that? The man who can drink two pints in under a minute, vomit and do it again? | 0:16:34 | 0:16:38 | |
Are the two mutually exclusive? | 0:16:38 | 0:16:41 | |
-I've never heard you mention him. -Well, I mean, it's a long time ago now. | 0:16:41 | 0:16:44 | |
-I've never even heard of this bloke. -You're not missing anything. | 0:16:44 | 0:16:47 | |
-He's romantic. -He's a prick. | 0:16:47 | 0:16:50 | |
-He's sexy. -He's got a beard. | 0:16:50 | 0:16:53 | |
-He's got balls. -What's that supposed to mean? | 0:16:53 | 0:16:55 | |
-Have you seen his films? -I'm watching his master class. | 0:16:56 | 0:16:59 | |
-Retrospective coming up. They want me to interview him. -Really? | 0:16:59 | 0:17:03 | |
Oh, we should go, if he's a genius. | 0:17:03 | 0:17:05 | |
Yeah, you should. Especially if you like meaningless close-ups, cock about falling in love with hookers | 0:17:05 | 0:17:11 | |
who specialise in root canals and happy endings, and any amount of self-righteous horseshit. Thank you. | 0:17:11 | 0:17:17 | |
I don't think he's really your kind of thing, Soph. | 0:17:17 | 0:17:20 | |
I won't worry my pretty little head about it, then. | 0:17:20 | 0:17:23 | |
-No, honey, I just mean he's bit dated. -He's romantic. | 0:17:23 | 0:17:26 | |
What's wrong with romantic? He might be a bit earnest. | 0:17:26 | 0:17:29 | |
-Earnest? The man makes Camus look like Benny Hill. -Well, I like him. | 0:17:29 | 0:17:32 | |
He believes in something. | 0:17:32 | 0:17:34 | |
I'm going to go and make some coffee. | 0:17:34 | 0:17:36 | |
Love is the only significant event in a life of a human being. | 0:17:38 | 0:17:44 | |
He must achieve it at all costs. | 0:17:44 | 0:17:47 | |
'The ones who do not cannot say that they have lived.' | 0:17:47 | 0:17:50 | |
HE FARTS | 0:17:50 | 0:17:52 | |
'We must do anything to find it. That is my obsession. | 0:17:52 | 0:17:58 | |
'It should be yours. | 0:17:58 | 0:17:59 | |
'We must find love... | 0:18:03 | 0:18:04 | |
'But if it is not there in the beginning, it is not there. | 0:18:08 | 0:18:13 | |
'It must have a beginning. | 0:18:15 | 0:18:17 | |
'It is a beginning that is played out again and again and again, | 0:18:20 | 0:18:24 | |
'so make it good.' | 0:18:24 | 0:18:25 | |
For God's sake, Cheryl, all I did was propose. | 0:18:39 | 0:18:41 | |
She's not a hooker. | 0:19:32 | 0:19:34 | |
Aw. | 0:20:04 | 0:20:06 | |
Six months later, | 0:20:08 | 0:20:10 | |
they were married. | 0:20:10 | 0:20:12 | |
I must say that came as a bit of a shock, you liking someone French. | 0:20:15 | 0:20:18 | |
Well, as I said, I was young. | 0:20:18 | 0:20:20 | |
I mean, if I saw one of his films now, I'd probably think he was a fool. | 0:20:20 | 0:20:24 | |
You said he was a genius. | 0:20:24 | 0:20:25 | |
Yeah, I thought he was...then. You have to watch all his films? | 0:20:25 | 0:20:29 | |
Well, I guess if I'm going to interview him I ought to, but I'm not sure I can be arsed. | 0:20:29 | 0:20:33 | |
I don't blame you. I wouldn't bother. | 0:20:33 | 0:20:35 | |
It's kids' stuff. | 0:20:35 | 0:20:37 | |
I don't think Cheryl and I really had our big opening. | 0:20:37 | 0:20:41 | |
-Sorry? -Not like you and Sophie. -Oh, that was just one of those things. | 0:20:41 | 0:20:45 | |
But, you do love Sophie? | 0:20:45 | 0:20:48 | |
-Jed, are you all right? -Do you? | 0:20:48 | 0:20:50 | |
-Yeah, of course. -In the way Grimandi talks about it. | 0:20:50 | 0:20:53 | |
Do you feel sick if you can't be with her? | 0:20:53 | 0:20:55 | |
Do you hate any other man she takes a second look at? | 0:20:55 | 0:20:58 | |
Do you see her in extreme close-up? | 0:20:58 | 0:20:59 | |
As I said, I really wouldn't bother that much about what Grimandi thinks. | 0:20:59 | 0:21:04 | |
No. I know, I know. He gets inside your head. He's like Europop. | 0:21:04 | 0:21:06 | |
-But, do you? -Jesus, man! Who knows? | 0:21:06 | 0:21:10 | |
Do you think you've ever been in love? | 0:21:10 | 0:21:12 | |
Once. Definitely once. | 0:21:14 | 0:21:16 | |
When I was a kid. | 0:21:16 | 0:21:19 | |
About the same time that I wanted to be in a band. | 0:21:20 | 0:21:24 | |
-What about you? -Of course. | 0:21:24 | 0:21:26 | |
-I proposed to Cheryl. -Jesus Christ. That's fantastic. | 0:21:30 | 0:21:33 | |
-Mmh. She said no. -That's even better. | 0:21:33 | 0:21:36 | |
-What? -I'm sorry. That's... | 0:21:36 | 0:21:40 | |
That's awful. Why? | 0:21:40 | 0:21:42 | |
Well, to be frank, mate, I think that... | 0:21:42 | 0:21:47 | |
I think maybe... | 0:21:49 | 0:21:52 | |
I mean, if I'm honest... | 0:21:52 | 0:21:53 | |
-Shall we just drink beer? -Yeah. | 0:21:53 | 0:21:57 | |
So, you proposed? | 0:21:57 | 0:21:58 | |
Yes. | 0:21:58 | 0:22:00 | |
Why? | 0:22:00 | 0:22:02 | |
Because I want to marry her. | 0:22:02 | 0:22:04 | |
-Who? -Oh, for God's sake. | 0:22:06 | 0:22:08 | |
-I want to marry you. -Why? | 0:22:08 | 0:22:10 | |
Look, I think the question is, why did she say no? | 0:22:10 | 0:22:12 | |
-Who? -Oh, for fuck's sake. You. Why did you say no? | 0:22:12 | 0:22:16 | |
Because that's what you wanted me to say. | 0:22:16 | 0:22:18 | |
Is it true, Jed? | 0:22:20 | 0:22:22 | |
-Is what true? -The reason she said no. | 0:22:24 | 0:22:27 | |
Who said no? Gotcha. | 0:22:27 | 0:22:29 | |
Oh, for God's sake. Did you want me to say no? | 0:22:29 | 0:22:31 | |
-That would be absurd. -It'd be you. | 0:22:31 | 0:22:33 | |
Have you ever considered children? | 0:22:35 | 0:22:38 | |
-No. -Mm. | 0:22:38 | 0:22:41 | |
Interesting. And this next question is a very difficult one. | 0:22:41 | 0:22:45 | |
-If it's algebra, forget it. -Very good(!) | 0:22:45 | 0:22:49 | |
Have you ever been in love? | 0:22:49 | 0:22:53 | |
-Of course. -Of course. | 0:22:53 | 0:22:55 | |
-How does it feel? -Wonderful. -Yeah. | 0:22:55 | 0:22:57 | |
Now, I'll ask you another question. Have you ever been in love with each other? | 0:22:57 | 0:23:03 | |
-I don't know. -Of course. | 0:23:03 | 0:23:05 | |
That is very good. | 0:23:05 | 0:23:10 | |
Now, why don't you tell me how you met? | 0:23:10 | 0:23:11 | |
There is nothing wrong with our "how we met" story. | 0:23:14 | 0:23:18 | |
Brighton Beach, me pissed on cider. | 0:23:18 | 0:23:21 | |
-Diamond White. -Yeah. You tripping your tits off on acid. | 0:23:21 | 0:23:24 | |
-Wouldn't have had it any other way. -Wouldn't have got it any other way. | 0:23:24 | 0:23:28 | |
It's just... Do you think we ever truly fell in love? | 0:23:28 | 0:23:31 | |
I mean, did either of us have that feeling in the stomach? That indecipherable ache? | 0:23:31 | 0:23:36 | |
-Ooh. -I'm serious, Jed. | 0:23:36 | 0:23:38 | |
We work, Cheryl. | 0:23:39 | 0:23:41 | |
-We what? -Work. | 0:23:41 | 0:23:44 | |
10 years we've had this. | 0:23:44 | 0:23:47 | |
I think we got together because we're a bit alike. | 0:23:47 | 0:23:50 | |
What? Is that so bad? | 0:23:50 | 0:23:52 | |
I don't know. | 0:23:52 | 0:23:53 | |
Oh, can we just maybe not think about this any more? | 0:23:53 | 0:23:56 | |
Didn't we have a car? | 0:23:58 | 0:24:01 | |
Oh, Christ! | 0:24:01 | 0:24:03 | |
Science created us, and science will kill us. | 0:24:05 | 0:24:10 | |
Christ was created without explanation, and taken the same way. | 0:24:12 | 0:24:19 | |
Love is the same. | 0:24:19 | 0:24:21 | |
Love is everything. | 0:24:21 | 0:24:23 | |
I guess so. | 0:24:23 | 0:24:24 | |
-Thank you. -Send my love to Prague. -Oh, I will. Thank you. | 0:24:26 | 0:24:30 | |
Have a nice day. | 0:24:30 | 0:24:32 | |
Marcus? | 0:24:35 | 0:24:36 | |
-Hi. -What are you doing here? | 0:24:38 | 0:24:40 | |
I just met someone. | 0:24:40 | 0:24:42 | |
Oh, the girl at the counter? | 0:24:42 | 0:24:44 | |
-What? -She's young. That's all it is. | 0:24:44 | 0:24:46 | |
Get over it. | 0:24:46 | 0:24:47 | |
-That's how they communicate. Hardly know they're doing it. -What? | 0:24:47 | 0:24:51 | |
Doesn't fancy you. Beautiful, young East European girls are sent here to remind us of our mortality. | 0:24:51 | 0:24:56 | |
-Remember what you look like in your underpants. -Jed, stop talking. It was her. -Who? | 0:24:56 | 0:25:00 | |
Kate. The one I mentioned the other day. I was in love once when I was a kid. | 0:25:00 | 0:25:04 | |
-It's her. -The kid? -Yeah. | 0:25:04 | 0:25:07 | |
She's not a kid now, obviously. | 0:25:07 | 0:25:09 | |
No, but you just met the girl you were in love with in here? The kid? | 0:25:09 | 0:25:13 | |
-After 20 years. -How old were you? | 0:25:14 | 0:25:16 | |
-17. -That wasn't love. That was erectile tissue. | 0:25:16 | 0:25:20 | |
-Let's get a coffee. -She left me. Her folks moved to the States. | 0:25:20 | 0:25:23 | |
She had to go with them, I never saw her again. | 0:25:23 | 0:25:26 | |
-I was two years in love, and then gone. -Now she's here? | 0:25:26 | 0:25:29 | |
She moved back to London. Divorced. | 0:25:29 | 0:25:31 | |
Came here today for the same reason as me. | 0:25:31 | 0:25:33 | |
-What reason? -We used to watch Grimandi films together. | 0:25:33 | 0:25:36 | |
I came here to check out the film listings. | 0:25:36 | 0:25:38 | |
All that talk got me nostalgic. | 0:25:38 | 0:25:40 | |
-I'm sorry, have we met? -I know it's weird, | 0:25:40 | 0:25:43 | |
but it must be fate. | 0:25:43 | 0:25:45 | |
Jesus Christ, man. | 0:25:45 | 0:25:48 | |
But it's fine now, right? | 0:25:48 | 0:25:50 | |
Yeah, of course. Is what fine? | 0:25:50 | 0:25:53 | |
-You're not going to see her again, are you? -Again. | 0:25:53 | 0:25:55 | |
No. God. | 0:25:55 | 0:25:58 | |
No, I have Sophie now. | 0:25:58 | 0:26:00 | |
-That would be... -No. Good, because Sophie's wonderful. | 0:26:00 | 0:26:03 | |
-Thank you. -I was actually complementing her, but... | 0:26:03 | 0:26:05 | |
I have to go. | 0:26:05 | 0:26:07 | |
I feel odd. | 0:26:07 | 0:26:09 | |
MUSIC: "Au Cafe De La Paix" by Thomas Fersen | 0:26:12 | 0:26:16 | |
Loser! | 0:27:56 | 0:27:58 | |
I don't believe it. Lunch at Harringtons. How did you manage this? | 0:28:24 | 0:28:28 | |
I did a piece on the chef and he offered me a table. It's meant to be amazing. | 0:28:28 | 0:28:32 | |
Thank you so much. | 0:28:32 | 0:28:35 | |
Oh, well, it's from both of us so... | 0:28:35 | 0:28:36 | |
-Of course. Thank you, Cheryl. -You're welcome. | 0:28:36 | 0:28:40 | |
Happy birthday, Sophie. | 0:28:40 | 0:28:42 | |
I thought maybe you could educate Marcus. | 0:28:42 | 0:28:44 | |
To be more like you? | 0:28:44 | 0:28:47 | |
Where is he, anyway? | 0:28:47 | 0:28:49 | |
Actually, I have no idea. | 0:28:49 | 0:28:51 | |
Did Marcus happen to tell you that Jed and I are in couple counselling? | 0:28:55 | 0:29:00 | |
I'm so sorry I'm late. | 0:29:00 | 0:29:03 | |
-Hi. -Hello. | 0:29:03 | 0:29:06 | |
-Hiya. -Hey, mate. | 0:29:06 | 0:29:07 | |
-What happened? -I got caught up at work. | 0:29:07 | 0:29:10 | |
And then I had to go and get your present. | 0:29:10 | 0:29:13 | |
Ah. | 0:29:22 | 0:29:24 | |
SOPHIE GIGGLES | 0:29:24 | 0:29:26 | |
Well, open it. | 0:29:26 | 0:29:27 | |
Ah... | 0:29:34 | 0:29:36 | |
-Well, what do you think? -Oh. | 0:29:37 | 0:29:41 | |
What? | 0:29:49 | 0:29:51 | |
Oh, God. | 0:29:53 | 0:29:55 | |
No. Oh, God. | 0:29:55 | 0:29:57 | |
You thought... No. | 0:30:00 | 0:30:03 | |
No, erm... | 0:30:03 | 0:30:04 | |
It's just a present. | 0:30:05 | 0:30:07 | |
Well, it's beautiful. | 0:30:09 | 0:30:11 | |
It's really... It's lovely. | 0:30:16 | 0:30:18 | |
HE MOUTHS | 0:30:24 | 0:30:26 | |
I think you were relieved when I said no. | 0:30:34 | 0:30:40 | |
I think you thought it meant you could leave me and no-one would question why. | 0:30:40 | 0:30:45 | |
"After all, she said no." Your conscience could be clear. I think that was your thought process. | 0:30:45 | 0:30:51 | |
We've been together for ten years. It was a natural progression. | 0:30:51 | 0:30:54 | |
Like I said to you, we work. | 0:30:54 | 0:30:56 | |
Yeah, like the vacuum cleaner you bought me for my birthday. | 0:30:56 | 0:30:59 | |
You said we needed one. | 0:30:59 | 0:31:01 | |
What I needed was... lunch at Harringtons. | 0:31:01 | 0:31:04 | |
You don't like posh food. | 0:31:06 | 0:31:09 | |
You have no idea what I like. | 0:31:09 | 0:31:12 | |
Jed, could you tell Cheryl how do you feel now? | 0:31:13 | 0:31:19 | |
Frustrated! | 0:31:19 | 0:31:20 | |
Yes. But do you love her? | 0:31:20 | 0:31:24 | |
-Yeah, I love her to pieces. -Who? -Cheryl. -So tell her. | 0:31:24 | 0:31:29 | |
Cheryl, I love you to bits. | 0:31:30 | 0:31:33 | |
-To bits? -Yes, to bits. | 0:31:33 | 0:31:36 | |
What is "to bits"? To pieces? | 0:31:36 | 0:31:37 | |
-It's an expression. -An expression of truth? -No, it's an expression. | 0:31:37 | 0:31:42 | |
-For goodness' sake, you have them in French. -We have them in French? | 0:31:42 | 0:31:46 | |
Yeah, an expression! | 0:31:46 | 0:31:47 | |
I had to learn them at school. | 0:31:47 | 0:31:49 | |
Fait du picnic. Comme ci, comme ca. Ou est le parking? En face de la banque. Evidement. | 0:31:49 | 0:31:55 | |
Jed, could you tell her you love her without your qualification? | 0:31:55 | 0:31:58 | |
Of course, don't be ridiculous. | 0:31:58 | 0:32:00 | |
-So go on, then. -What? | 0:32:00 | 0:32:03 | |
Go on. | 0:32:03 | 0:32:05 | |
Je t'aime. | 0:32:07 | 0:32:09 | |
I love you. | 0:32:12 | 0:32:14 | |
Cheryl, do you love Jed? | 0:32:16 | 0:32:19 | |
Well? | 0:32:22 | 0:32:23 | |
Cheryl? | 0:32:23 | 0:32:26 | |
Are you telling me you don't love me? | 0:32:36 | 0:32:38 | |
I'm telling you I don't think I ever did. | 0:32:38 | 0:32:44 | |
This is very good progress. | 0:32:47 | 0:32:50 | |
Well done. Both of you. | 0:32:51 | 0:32:54 | |
Getting in? | 0:33:19 | 0:33:21 | |
I think I'll walk. | 0:33:21 | 0:33:22 | |
Jed? Jed, I'm sorry. | 0:33:53 | 0:33:55 | |
Me too. | 0:33:55 | 0:33:59 | |
-I feel terrible about saying what I said. -You shouldn't. It's true. | 0:33:59 | 0:34:03 | |
Why don't we have a chat? | 0:34:05 | 0:34:07 | |
-I mean, about all of it? -Yeah, we should probably do that. | 0:34:07 | 0:34:11 | |
Well, do you want to get in? | 0:34:11 | 0:34:13 | |
I don't think so. | 0:34:15 | 0:34:16 | |
-So how do you want to do this? -I don't know. We could wait for a red light. | 0:34:16 | 0:34:22 | |
-Will you come to my launch party tonight? -Would you like me to? | 0:34:23 | 0:34:28 | |
-Yes, I would. -Then I will. | 0:34:28 | 0:34:29 | |
-Thank you. -You're welcome. | 0:34:29 | 0:34:34 | |
I'll see you later, then. | 0:34:36 | 0:34:38 | |
# Chanson d'amour...# | 0:34:43 | 0:34:51 | |
We must do anything to find it. | 0:34:51 | 0:34:54 | |
That is my obsession. | 0:34:54 | 0:34:55 | |
It should be yours. We must find love. | 0:34:55 | 0:34:59 | |
# Here in my heart | 0:35:01 | 0:35:09 | |
# Ra-da-da-da-da... # | 0:35:09 | 0:35:11 | |
-Jed. -What? You scared the hell out of me. What are you doing here? | 0:35:11 | 0:35:14 | |
I need to talk to you. | 0:35:14 | 0:35:16 | |
-What? -Love. | 0:35:16 | 0:35:19 | |
-I heard you. -I understand it. | 0:35:19 | 0:35:21 | |
I need to tell somebody, I need to tell you. | 0:35:21 | 0:35:24 | |
In case you've forgotten, we're men. | 0:35:24 | 0:35:26 | |
No, I saw Kate. | 0:35:26 | 0:35:27 | |
-You'd better tell someone else. -There's nobody else to tell. You're my best mate. | 0:35:27 | 0:35:32 | |
Proper mates don't talk about love. | 0:35:32 | 0:35:34 | |
Proper mates can go for years without talking or even thinking in each other's company. | 0:35:34 | 0:35:38 | |
This isn't mateship, this is... | 0:35:38 | 0:35:40 | |
That's why I was late for Sophie's birthday last night. We'd been for a coffee. | 0:35:40 | 0:35:44 | |
-How could you do that? -Because her number was burning | 0:35:45 | 0:35:48 | |
a hole in my pocket, and her smile was burning a hole in my heart. | 0:35:48 | 0:35:52 | |
Tell me that's not Spandau Ballet. | 0:35:52 | 0:35:55 | |
Well, I know... I mean... | 0:35:55 | 0:35:56 | |
You're not going to think much of me for this, Jed, but... | 0:35:56 | 0:35:59 | |
..this is it. | 0:36:00 | 0:36:03 | |
How do you know this thing is love? | 0:36:03 | 0:36:06 | |
The coffee. | 0:36:06 | 0:36:07 | |
The coffee? | 0:36:07 | 0:36:09 | |
It tasted different. When I was with Kate, the coffee tasted like it's never tasted before. | 0:36:09 | 0:36:14 | |
-Maybe it was decaf. -You see, you don't get it, do you? | 0:36:14 | 0:36:17 | |
-Apparently not. -Everything was different, Jed. | 0:36:17 | 0:36:21 | |
Like the sky, the air, the pavement and the river's colours, Jed. | 0:36:21 | 0:36:27 | |
It's got hundreds of colours. I could feel and hear and smell. | 0:36:27 | 0:36:35 | |
It's like all my senses were buzzing, you know? | 0:36:35 | 0:36:37 | |
I mean, London was alive. | 0:36:37 | 0:36:39 | |
I was alive. | 0:36:39 | 0:36:41 | |
And...and... | 0:36:41 | 0:36:43 | |
and then we kissed. | 0:36:43 | 0:36:45 | |
I mean, Jesus Christ, I didn't know what I was doing, but she felt the same. | 0:36:47 | 0:36:51 | |
I mean, I could feel that she felt the same. | 0:36:51 | 0:36:53 | |
I'm not exaggerating, Jed. | 0:36:53 | 0:36:55 | |
Everything went sepia. | 0:36:55 | 0:36:59 | |
The whole world. People. | 0:36:59 | 0:37:02 | |
Sepia. My stomach was turning over and over and over. I mean, it was incredible. | 0:37:02 | 0:37:07 | |
It's that thing, and I know what it is. | 0:37:07 | 0:37:13 | |
Weird-tasting coffee? | 0:37:13 | 0:37:15 | |
It's Kate. It always was. | 0:37:15 | 0:37:19 | |
Well, what about Sophie? | 0:37:19 | 0:37:21 | |
-If Kate is love, what is Sophie? -Um... | 0:37:24 | 0:37:27 | |
How's the coffee when you're with Cheryl? | 0:37:29 | 0:37:32 | |
I don't drink coffee. | 0:37:32 | 0:37:35 | |
See? | 0:37:35 | 0:37:36 | |
It's possible, Jed. | 0:37:36 | 0:37:38 | |
It's possible to feel like this. | 0:37:41 | 0:37:44 | |
And you have to find it, man. | 0:37:45 | 0:37:48 | |
So, what are we going to do? | 0:37:50 | 0:37:54 | |
MARCUS BELCHES I still find that so impressive. | 0:38:00 | 0:38:02 | |
This was a really good idea. | 0:38:02 | 0:38:04 | |
I feel more relaxed already. | 0:38:04 | 0:38:06 | |
-Thank God for pubs, eh? -Yeah. | 0:38:06 | 0:38:08 | |
I can't believe you can do this to Sophie. | 0:38:15 | 0:38:18 | |
I haven't done anything to her yet. | 0:38:21 | 0:38:22 | |
MARCUS BELCHES | 0:38:22 | 0:38:25 | |
You kissed Kate. | 0:38:25 | 0:38:27 | |
It doesn't count. | 0:38:27 | 0:38:29 | |
Oh, right. So, if I kissed Sophie, it wouldn't count? | 0:38:29 | 0:38:33 | |
No. | 0:38:33 | 0:38:34 | |
MARCUS BELCHES | 0:38:37 | 0:38:39 | |
MARCUS BELCHES | 0:38:45 | 0:38:47 | |
-Another one? -Why not? | 0:38:48 | 0:38:51 | |
-BOTH: -Tom? | 0:38:51 | 0:38:52 | |
How exciting. | 0:38:52 | 0:38:54 | |
-Hey. -Hey. Thank you so much. | 0:38:54 | 0:38:57 | |
-You're welcome. You're welcome. Great party. -Thank you. Thank you. | 0:38:57 | 0:39:01 | |
Excuse me, sorry. | 0:39:01 | 0:39:03 | |
Cheryl, you have done us proud. | 0:39:03 | 0:39:06 | |
And may I say, you're looking absolutely marvellous too. | 0:39:06 | 0:39:11 | |
-Well, thank you. -Don't tell me you're here alone? -No, no. | 0:39:11 | 0:39:17 | |
Jed should be here somewhere. | 0:39:17 | 0:39:19 | |
I'm sorry about tonight. | 0:40:33 | 0:40:37 | |
It's fine. | 0:40:37 | 0:40:39 | |
-It was Marcus. -Stop it. | 0:40:41 | 0:40:43 | |
No, seriously. He was in a state, and I had to have a drink with him. | 0:40:43 | 0:40:47 | |
He's in love with a girl from school. | 0:40:51 | 0:40:54 | |
-Poor Sophie. -Mmm. | 0:40:56 | 0:40:59 | |
So, what was your advice? | 0:40:59 | 0:41:02 | |
Well, I told him he wasn't in love with Kate. | 0:41:05 | 0:41:08 | |
I told him he had a virus or something. | 0:41:08 | 0:41:12 | |
-A virus? -Hm. | 0:41:15 | 0:41:18 | |
You really... You think he has a virus? | 0:41:18 | 0:41:23 | |
-Don't you believe that ANYONE can truly be in love? -Do you? | 0:41:23 | 0:41:28 | |
I thought you'd be angry about tonight. | 0:41:32 | 0:41:34 | |
Me too. | 0:41:34 | 0:41:36 | |
I'm not angry. | 0:41:36 | 0:41:38 | |
Not any more. | 0:41:38 | 0:41:40 | |
You not turning up tonight doesn't make me angry. | 0:41:40 | 0:41:43 | |
You not being able to tell me you love me | 0:41:44 | 0:41:48 | |
without saying "to bits" | 0:41:48 | 0:41:51 | |
doesn't make me angry. | 0:41:51 | 0:41:53 | |
That you put more thought into a present for Sophie | 0:41:53 | 0:41:55 | |
than you ever have for me, it doesn't make me angry, Jed. | 0:41:55 | 0:42:00 | |
The anger, the frustration, at least they felt like something. | 0:42:00 | 0:42:04 | |
I thought that was love. | 0:42:04 | 0:42:06 | |
Maybe it was. I don't know, but... | 0:42:06 | 0:42:09 | |
But liking you, | 0:42:12 | 0:42:14 | |
understanding you, | 0:42:14 | 0:42:17 | |
feeling for you... | 0:42:17 | 0:42:20 | |
feels like something else now. | 0:42:20 | 0:42:23 | |
It feels like pity. | 0:42:23 | 0:42:27 | |
You will know love | 0:43:05 | 0:43:07 | |
when you feel it. | 0:43:07 | 0:43:09 | |
And when you do, I beg you, if my films teach you anything, | 0:43:09 | 0:43:14 | |
it is that the beginning is everything. | 0:43:14 | 0:43:18 | |
Recognise it...and take it. | 0:43:18 | 0:43:22 | |
PHONE RINGS | 0:43:30 | 0:43:32 | |
-Jed Winter. -'Hey, you. It's Sophie.' | 0:43:35 | 0:43:39 | |
Sophie? | 0:43:39 | 0:43:41 | |
Oh, I'm sorry, is this a bad time? | 0:43:41 | 0:43:43 | |
No, no, no. I was just... Sorry, no, no. | 0:43:43 | 0:43:45 | |
It's today. The lunch you gave me. | 0:43:45 | 0:43:48 | |
-Oh! -'Marcus was supposed to come,' | 0:43:48 | 0:43:51 | |
but something's come up at work. | 0:43:51 | 0:43:53 | |
A new account or something. | 0:43:53 | 0:43:55 | |
-Oh. -'Sorry?' -Oh, a new account? | 0:43:55 | 0:43:58 | |
Well, I suppose that happens a lot. | 0:43:58 | 0:44:02 | |
Well, not a lot, but... Oh, that's a shame. | 0:44:02 | 0:44:05 | |
Jed, I was wondering, I wasn't sure about asking you this, but... | 0:44:05 | 0:44:10 | |
Ask away. | 0:44:10 | 0:44:12 | |
OK. | 0:44:13 | 0:44:15 | |
Well... | 0:44:15 | 0:44:16 | |
Do you? You and me. Do you fancy...? | 0:44:16 | 0:44:20 | |
Fancy? I thought you'd never ask. | 0:44:20 | 0:44:22 | |
I try not to, with you being Marcus's girlfriend, | 0:44:22 | 0:44:25 | |
but you shouldn't feel weird about asking, because the answer's, "Yes, I do." | 0:44:25 | 0:44:29 | |
Sophie? | 0:44:33 | 0:44:35 | |
I was wondering if you fancied joining me for lunch. | 0:44:35 | 0:44:38 | |
No, I know. I know that. | 0:44:38 | 0:44:40 | |
-I was joking. -Oh, God. Oh. | 0:44:40 | 0:44:44 | |
'Oh, God, I'm sorry.' | 0:44:44 | 0:44:47 | |
-How ridiculous of me. -No, it's not ridiculous. | 0:44:47 | 0:44:50 | |
It's just me. I was just... I was being an arse. | 0:44:50 | 0:44:53 | |
-I would love to have lunch with you. -Great. | 0:44:53 | 0:44:56 | |
And you weren't being an arse. I was being an arse. | 0:44:56 | 0:45:00 | |
Well, my arse is bigger. | 0:45:00 | 0:45:03 | |
Look, I'll see you in a bit. | 0:45:03 | 0:45:05 | |
OK, OK. Bye. | 0:45:05 | 0:45:07 | |
Dick! | 0:45:09 | 0:45:10 | |
Dick. | 0:45:12 | 0:45:13 | |
-Hey, you. -Hi. -Hi. | 0:45:20 | 0:45:23 | |
-You look smart. Here in your suit. -This old thing... | 0:45:25 | 0:45:29 | |
Here we go. | 0:45:29 | 0:45:32 | |
Thank you. Oh, stop it. | 0:45:32 | 0:45:34 | |
You think so? But I'm just fed up with it. | 0:45:36 | 0:45:39 | |
It's meant to make your life so easy. "Broadband makes your life so easy." I mean, that's the campaign. | 0:45:39 | 0:45:44 | |
But I got on the phone to Bangalore, | 0:45:44 | 0:45:46 | |
talking to a man who clearly thought I had a degree in computer science, | 0:45:46 | 0:45:50 | |
and who, frankly, I couldn't really understand. | 0:45:50 | 0:45:53 | |
I know, I felt bad pointing out that I was struggling with his accent, | 0:45:53 | 0:45:56 | |
but after a couple of hours, I sort of got the hang of it, and we had a lovely chat about his family. | 0:45:56 | 0:46:01 | |
You got your broadband sorted out, right? | 0:46:01 | 0:46:04 | |
No. | 0:46:04 | 0:46:05 | |
-But I've adopted an elephant called Maude. -That's hilarious. | 0:46:05 | 0:46:09 | |
-That's what you should be writing about in your novel. -You think? -Yes! | 0:46:09 | 0:46:14 | |
You're far more interesting than those wankers you have to write about. | 0:46:14 | 0:46:17 | |
According to Cheryl, I'm a failed novelist. | 0:46:17 | 0:46:20 | |
You're not a failed novelist. | 0:46:20 | 0:46:22 | |
You're a scared one. | 0:46:22 | 0:46:24 | |
Smoked fish and chips ice cream. | 0:46:27 | 0:46:29 | |
Hold it in your mouth for ten seconds, and enjoy the memories. | 0:46:29 | 0:46:34 | |
Oh, by the way, about earlier. | 0:46:39 | 0:46:41 | |
When I said that I... About the fancying thing... | 0:46:41 | 0:46:45 | |
Oh, don't. I clearly have no sense of humour. | 0:46:45 | 0:46:47 | |
-Oh, well, I clearly am not funny. -We should do a double act. | 0:46:47 | 0:46:51 | |
Yeah. No jokes, no laughs, just awkward misunderstandings. | 0:46:51 | 0:46:53 | |
-We'd be a sellout. -It makes ME laugh. | 0:46:53 | 0:46:56 | |
It's this Grimandi guy. His relentless stream of shit just permeates my mind. | 0:46:56 | 0:47:01 | |
Nice imagery. | 0:47:01 | 0:47:03 | |
Mmm. | 0:47:15 | 0:47:16 | |
I feel 16 again. | 0:47:21 | 0:47:23 | |
Really? | 0:47:23 | 0:47:25 | |
Freshly cut grass. | 0:47:25 | 0:47:27 | |
Long summers. | 0:47:28 | 0:47:30 | |
-It really takes me back. -Well, that's apparently what he does here. | 0:47:30 | 0:47:35 | |
Taste is meant to... make you feel again. | 0:47:35 | 0:47:40 | |
It does. He's a genius! | 0:47:40 | 0:47:43 | |
Mmm. | 0:47:50 | 0:47:52 | |
It tastes like magic. | 0:47:52 | 0:47:55 | |
It's incredible. | 0:47:55 | 0:47:57 | |
Oh, Jed. | 0:48:01 | 0:48:03 | |
I feel like I'm at the seaside. | 0:48:11 | 0:48:13 | |
Just been for a swim in the sea. Mmm. | 0:48:18 | 0:48:22 | |
Standing on the pier. | 0:48:22 | 0:48:25 | |
The sun shining on my face. | 0:48:25 | 0:48:28 | |
It's exactly how fish and chips used to taste when you were a kid. | 0:48:28 | 0:48:33 | |
They just don't taste like this any more. | 0:48:33 | 0:48:35 | |
Mmm. No-one would believe us if we told them. | 0:48:39 | 0:48:42 | |
You're right. He's a genius. | 0:48:42 | 0:48:47 | |
So. | 0:48:49 | 0:48:51 | |
Tell me about this Grimandi's philosophy of love. | 0:48:51 | 0:48:54 | |
Well, he thinks that the greater the meeting, the falling, | 0:48:55 | 0:49:02 | |
the better chance a relationship has. | 0:49:02 | 0:49:04 | |
He believes in...sparks. | 0:49:04 | 0:49:08 | |
-Do you believe that? -I don't know what I believe. | 0:49:10 | 0:49:14 | |
Thank you. | 0:49:17 | 0:49:18 | |
Sweet beef with roast potato and leek custard, | 0:49:23 | 0:49:28 | |
served on a bed of chocolate jelly and bacon. Enjoy. | 0:49:28 | 0:49:33 | |
OK, this is officially the best present anyone has ever given me. | 0:49:36 | 0:49:41 | |
You're a very special man, Jed. | 0:49:45 | 0:49:47 | |
-Cheers. -Cheers. | 0:49:51 | 0:49:54 | |
A whole baby pigeon wrapped in marzipan really should be disgusting. | 0:49:57 | 0:50:01 | |
It reminded me of my first boyfriend. | 0:50:01 | 0:50:03 | |
Isn't taste incredible? | 0:50:03 | 0:50:06 | |
Actually, it was the little turned up nose and the bony feet! | 0:50:06 | 0:50:09 | |
THEY LAUGH | 0:50:09 | 0:50:11 | |
-It's funny. -What is? | 0:50:12 | 0:50:14 | |
-Nothing. -Nothing's funny. | 0:50:14 | 0:50:17 | |
# Give me a kiss to build a dream on | 0:50:17 | 0:50:20 | |
# In my imagination | 0:50:20 | 0:50:23 | |
# We'll thrive upon that kiss | 0:50:23 | 0:50:26 | |
# Sweetheart I ask no more than this | 0:50:27 | 0:50:31 | |
# A kiss to build a dream on... # | 0:50:31 | 0:50:34 | |
You don't smoke. | 0:50:37 | 0:50:40 | |
I know. | 0:50:40 | 0:50:42 | |
It's love. I mean, it's really love. | 0:50:43 | 0:50:47 | |
-I think it is. -Do you? -It's interesting, it's such a fine line | 0:50:47 | 0:50:50 | |
-between being in love and being Care in the Community. -So you think it is love? | 0:50:50 | 0:50:55 | |
I mean, I'm really in love. | 0:50:55 | 0:50:57 | |
-Oh, for God's sake. -I need to know, mate. | 0:50:57 | 0:50:59 | |
-I mean, it feels like it is but how do I know? -PHONE BEEPS | 0:50:59 | 0:51:03 | |
Does she make you feel like you could give up everything else in your life for her? | 0:51:11 | 0:51:16 | |
I think she does. | 0:51:17 | 0:51:18 | |
Would your life be intolerable without her? | 0:51:18 | 0:51:21 | |
Yes. | 0:51:21 | 0:51:23 | |
Does she make you feel like you felt when you were happy? | 0:51:23 | 0:51:28 | |
-Even if happiness is a myth. -Yes. Yeah, she does. | 0:51:28 | 0:51:32 | |
Could you leave your partner for her, regardless of the consequences? | 0:51:32 | 0:51:36 | |
I think I could. | 0:51:39 | 0:51:41 | |
Then, my friend, | 0:51:42 | 0:51:45 | |
you're in love. | 0:51:45 | 0:51:48 | |
Cheers. | 0:51:48 | 0:51:49 | |
-I keep hitting the shift key, and I just get this error thing. Listen. -BEEPING | 0:51:54 | 0:51:59 | |
What? | 0:51:59 | 0:52:01 | |
Do I? Yes, of course I know what a shift key is. | 0:52:01 | 0:52:05 | |
OK, I'll try the other one. | 0:52:05 | 0:52:08 | |
Same thing, same thing. | 0:52:08 | 0:52:11 | |
Do I? I'm sorry, I don't... | 0:52:11 | 0:52:14 | |
Look, is Ranjit Vinsaka there? | 0:52:14 | 0:52:17 | |
He understands me. | 0:52:17 | 0:52:19 | |
Oh, is he? Oh, dear. | 0:52:19 | 0:52:22 | |
No... Why do you need my postal code now? | 0:52:22 | 0:52:25 | |
We're past that, you've been helping me. You don't need my post... | 0:52:25 | 0:52:28 | |
N5 4PF. | 0:52:28 | 0:52:31 | |
N. | 0:52:31 | 0:52:33 | |
No, N for Norwich. Norman. | 0:52:33 | 0:52:37 | |
For naan. Naan. | 0:52:39 | 0:52:42 | |
Five. Yeah. | 0:52:42 | 0:52:44 | |
Four. | 0:52:44 | 0:52:46 | |
Four. Four! No, just one four. | 0:52:46 | 0:52:49 | |
Forget it. | 0:52:49 | 0:52:52 | |
There's coffee in the pot. | 0:52:58 | 0:53:00 | |
You don't drink coffee. | 0:53:02 | 0:53:05 | |
Thought I'd give it a whirl. | 0:53:06 | 0:53:08 | |
No luck with the broadband? | 0:53:15 | 0:53:17 | |
No, it's not for me. | 0:53:18 | 0:53:21 | |
Good night? | 0:53:26 | 0:53:28 | |
Good. | 0:53:28 | 0:53:30 | |
Yours? | 0:53:30 | 0:53:32 | |
Good. Thanks. | 0:53:34 | 0:53:36 | |
Good. | 0:53:36 | 0:53:38 | |
Are you all right? | 0:53:43 | 0:53:45 | |
I'm fine. | 0:53:45 | 0:53:47 | |
PHONE BEEPS | 0:53:49 | 0:53:50 | |
-I'll take a shower, then. -Yeah, I better get back to work. | 0:53:53 | 0:53:56 | |
He's having an affair. | 0:54:13 | 0:54:15 | |
Are you sure? | 0:54:18 | 0:54:20 | |
A woman knows. | 0:54:20 | 0:54:22 | |
Yeah, I suppose they do. | 0:54:22 | 0:54:24 | |
Has he said anything? | 0:54:27 | 0:54:29 | |
Of course not. Fucking coward. | 0:54:29 | 0:54:31 | |
Has he said anything to you? | 0:54:33 | 0:54:35 | |
No. | 0:54:35 | 0:54:37 | |
Oh, Jed. | 0:54:37 | 0:54:40 | |
I saved that bastard's sorry little life. | 0:54:40 | 0:54:43 | |
Yeah, you did. | 0:54:43 | 0:54:45 | |
Mind you, is that a reason to be with someone? | 0:54:45 | 0:54:48 | |
I don't know why I called you. | 0:54:51 | 0:54:54 | |
Don't know what I wanted you to say. This is pointless. | 0:54:54 | 0:54:57 | |
No. | 0:54:57 | 0:55:00 | |
Wait, I... | 0:55:00 | 0:55:02 | |
I need to find Marcus. | 0:55:04 | 0:55:07 | |
-She knows you're having an affair. -I know. | 0:55:14 | 0:55:16 | |
She wanted to know if I knew anything. | 0:55:16 | 0:55:18 | |
-Did you tell her? -Of course not! | 0:55:18 | 0:55:20 | |
I'm not going to do your dirty work for you. | 0:55:20 | 0:55:22 | |
-I'm going to tell her tonight. -Tell her what? -I'm leaving her. | 0:55:22 | 0:55:25 | |
-What? -I'm leaving. I just quit this nonsense too. -What? | 0:55:25 | 0:55:29 | |
Yeah, Kate and I are going to go and live in Paris. | 0:55:29 | 0:55:31 | |
We're in love, Jed. | 0:55:31 | 0:55:33 | |
-Do you understand? Kate and I are in love. -Paris? | 0:55:33 | 0:55:36 | |
-Didn't I mention Kate's French? -French? -Shh. | 0:55:36 | 0:55:39 | |
Are you just going to repeat everything that I say? | 0:55:39 | 0:55:41 | |
Look, this is madness. | 0:55:41 | 0:55:44 | |
I'm glad you're pleased for me. | 0:55:44 | 0:55:45 | |
This is real this time. No tricks. | 0:55:45 | 0:55:48 | |
-Tricks? -See, you're doing it again. I gotta go. | 0:55:48 | 0:55:52 | |
How can you leave someone who loves you? | 0:55:52 | 0:55:55 | |
Oh, it's easy. | 0:55:55 | 0:55:56 | |
She doesn't love me, and I don't love her. | 0:55:56 | 0:55:59 | |
But she saved your life. | 0:55:59 | 0:56:02 | |
No, she didn't. Sorry. | 0:56:03 | 0:56:07 | |
But love is never what it seems. | 0:56:23 | 0:56:27 | |
Maybe love is nothing more than a confidence trick. | 0:56:27 | 0:56:30 | |
If we can deceive others, | 0:56:30 | 0:56:33 | |
'we can deceive ourselves. | 0:56:33 | 0:56:36 | |
'We can make ourselves believe anything we want to believe. | 0:56:36 | 0:56:40 | |
'We only know our own truth, | 0:56:40 | 0:56:44 | |
'nobody else's, but we must know our own. | 0:56:44 | 0:56:49 | |
'We must know it.' | 0:56:49 | 0:56:51 | |
You were right. | 0:57:06 | 0:57:08 | |
I proposed hoping you'd say no. | 0:57:08 | 0:57:10 | |
I'm not in love with you... | 0:57:13 | 0:57:15 | |
..but I couldn't admit that to you, to myself. | 0:57:17 | 0:57:20 | |
I needed you to leave me. | 0:57:21 | 0:57:24 | |
I'm a coward. | 0:57:24 | 0:57:26 | |
MAN CLEARS HIS THROAT | 0:57:26 | 0:57:28 | |
Sorry. | 0:57:32 | 0:57:34 | |
I think we met at a time | 0:57:39 | 0:57:42 | |
when we both needed something in our lives. | 0:57:42 | 0:57:47 | |
I think that's what it was and I think that has nothing to do with love. | 0:57:47 | 0:57:52 | |
We were just kids. | 0:57:56 | 0:57:59 | |
Pissed, lonely kids. | 0:57:59 | 0:58:01 | |
So the proposal was an endgame. | 0:58:06 | 0:58:08 | |
Yeah. | 0:58:08 | 0:58:10 | |
Fascinating. | 0:58:10 | 0:58:12 | |
-I was right. -Yeah. | 0:58:16 | 0:58:20 | |
And what made you realise this? | 0:58:22 | 0:58:25 | |
You said it yourself. | 0:58:29 | 0:58:31 | |
Working isn't enough. | 0:58:31 | 0:58:34 | |
Wonderful. This is wonderful. | 0:58:34 | 0:58:36 | |
Why don't you just shut up? | 0:58:36 | 0:58:39 | |
I'm sorry. | 0:58:47 | 0:58:49 | |
It may not feel like it now, but this is a success story, Cheryl. | 0:59:17 | 0:59:22 | |
Success? | 0:59:24 | 0:59:26 | |
You came here to separate and now you achieve it. | 0:59:26 | 0:59:30 | |
Do you really believe that he...? | 0:59:33 | 0:59:35 | |
Do you think that...? | 0:59:35 | 0:59:37 | |
Because I...I want... | 0:59:39 | 0:59:42 | |
I want to feel something. | 0:59:42 | 0:59:45 | |
I haven't felt anything for... | 0:59:45 | 0:59:48 | |
Even when we met, we were numb on drink and drugs and...life, | 0:59:49 | 0:59:54 | |
and I thought being together was enough. | 0:59:54 | 0:59:57 | |
You know, other people fall in love. | 0:59:59 | 1:00:01 | |
They talk about it all the time. | 1:00:01 | 1:00:04 | |
They write songs about it, for Christ's sake. I just... I never... | 1:00:04 | 1:00:08 | |
really believed them. | 1:00:08 | 1:00:11 | |
It's all my bloody magazine talks about. | 1:00:13 | 1:00:16 | |
I think I might want to fall in love. | 1:00:32 | 1:00:37 | |
I'm nearly 40 | 1:00:41 | 1:00:43 | |
and I've never done it. | 1:00:43 | 1:00:45 | |
I want something to feel. | 1:00:49 | 1:00:52 | |
I want a story to tell. | 1:00:52 | 1:00:55 | |
I want my beginning. | 1:00:55 | 1:00:57 | |
No, she went fucking mental. | 1:01:23 | 1:01:25 | |
She kept telling me what a twat I am. | 1:01:25 | 1:01:28 | |
-You are. -She knows it's not true. | 1:01:28 | 1:01:30 | |
She's just upset, which is fine. | 1:01:30 | 1:01:33 | |
Whatever's best for her. | 1:01:33 | 1:01:35 | |
Less grieving, I suppose. | 1:01:35 | 1:01:37 | |
Grieving. God, I hadn't thought about the grieving. | 1:01:37 | 1:01:39 | |
-I hope you can help Sophie through this. -Me? Why? | 1:01:39 | 1:01:43 | |
Well, because you get each other. | 1:01:43 | 1:01:46 | |
You know, she's always going on about you. | 1:01:46 | 1:01:48 | |
If I cared, I'd think she had a thing about you. | 1:01:48 | 1:01:51 | |
-Don't be ridiculous. -Look, me and Kate are leaving for Paris on Friday. | 1:01:51 | 1:01:54 | |
We're on the first train out of here. And just so's you know, | 1:01:54 | 1:01:57 | |
I'm not proud of myself. | 1:01:57 | 1:02:00 | |
Sorry about you and Cheryl. | 1:02:02 | 1:02:04 | |
It's a fucking minefield. | 1:02:06 | 1:02:07 | |
See you, man. | 1:02:13 | 1:02:14 | |
LAUGHTER | 1:03:02 | 1:03:05 | |
I tell you, | 1:03:05 | 1:03:07 | |
love is, of course, a prominent subject in my life. | 1:03:07 | 1:03:10 | |
-As well as sex. -Love you, Thierry. | 1:03:10 | 1:03:13 | |
Get the number of this woman. | 1:03:13 | 1:03:15 | |
And if it was a man, get him a good surgeon. | 1:03:15 | 1:03:18 | |
So, Thierry, you've said before that love can sometimes be a confidence trick. | 1:03:22 | 1:03:27 | |
Now, do you truly believe that, or is it simply a motif in your films? | 1:03:27 | 1:03:31 | |
There is no such a thing as a motif in a film. | 1:03:31 | 1:03:33 | |
Film is my life. My life is film. | 1:03:33 | 1:03:37 | |
Evidement. | 1:03:37 | 1:03:41 | |
And in La Fin Du Commencement, was she really a prostitute? | 1:03:41 | 1:03:46 | |
Monsieur Jed... | 1:03:47 | 1:03:49 | |
..she was no more a prostitute than he thought she was. | 1:03:50 | 1:03:54 | |
He made it up. | 1:03:54 | 1:03:56 | |
He knew if he could pull off a beginning like that, they'd have a real chance at love. | 1:03:56 | 1:04:01 | |
So he never thought she was. | 1:04:01 | 1:04:03 | |
Of course not. | 1:04:03 | 1:04:05 | |
He wanted a beginning. | 1:04:05 | 1:04:07 | |
-That's not love, that's deception. -I like that. | 1:04:07 | 1:04:11 | |
How should it feel? | 1:04:24 | 1:04:26 | |
I mean, when you... | 1:04:28 | 1:04:30 | |
feel it, when you know, when you think, | 1:04:30 | 1:04:34 | |
when you find it, | 1:04:34 | 1:04:37 | |
how should it...? For you, what are the signs? | 1:04:37 | 1:04:40 | |
The coffee. | 1:04:44 | 1:04:46 | |
The coffee? | 1:04:46 | 1:04:49 | |
The taste is different. | 1:04:49 | 1:04:52 | |
Love is tasting different. | 1:04:52 | 1:04:54 | |
Love is sepia. Seeing a woman's lips, | 1:04:54 | 1:04:58 | |
her eyelashes, her fingernails, her soul. | 1:04:58 | 1:05:03 | |
Love is sickness. | 1:05:03 | 1:05:06 | |
Longing. Illness. | 1:05:06 | 1:05:08 | |
Love is... | 1:05:08 | 1:05:11 | |
Love is close-ups. | 1:05:11 | 1:05:14 | |
Now, let me show the scene from Le Suicide Amour. | 1:05:14 | 1:05:18 | |
-You know it? -I'm ashamed to say I haven't seen it yet. | 1:05:18 | 1:05:23 | |
It is a film about romantic deception, where love and mendacity collide in beauty. | 1:05:23 | 1:05:30 | |
In beauty. | 1:05:31 | 1:05:34 | |
RAPTUROUS APPLAUSE AND CHEERING | 1:07:44 | 1:07:46 | |
Thank you. | 1:07:53 | 1:07:56 | |
I'm so sorry. | 1:08:18 | 1:08:20 | |
I can't believe it. | 1:08:20 | 1:08:22 | |
I can't believe it. | 1:08:22 | 1:08:24 | |
Not only does he run off with someone from his maths class, | 1:08:24 | 1:08:27 | |
but he pretended to fucking kill himself so that he... | 1:08:27 | 1:08:30 | |
-Jesus. -We don't actually know that's what he did. | 1:08:30 | 1:08:34 | |
-That's exactly what he did. -Well, Soph, I mean... | 1:08:34 | 1:08:36 | |
Don't try and defend him, Jed. | 1:08:36 | 1:08:38 | |
What made you come today? | 1:08:41 | 1:08:43 | |
I wanted to make some sense of what he and this Kate shared. | 1:08:46 | 1:08:51 | |
And you thought Grimandi would have those answers? | 1:08:51 | 1:08:54 | |
Well, as it turns out, he did. | 1:08:54 | 1:08:57 | |
Evil little prick. | 1:08:57 | 1:09:00 | |
-Did you love him? -What? | 1:09:00 | 1:09:03 | |
Marcus. | 1:09:03 | 1:09:06 | |
-Did you love him? -Of course, I bloody love him to bits. What kind of question is that? | 1:09:06 | 1:09:10 | |
-What are you smiling at? -Nothing. | 1:09:13 | 1:09:15 | |
It's just someone asked me if I love Cheryl, and I said, "Of course, to bits." | 1:09:15 | 1:09:18 | |
-So? -But I didn't. | 1:09:18 | 1:09:22 | |
Nor she me. | 1:09:22 | 1:09:24 | |
He's left me. | 1:09:24 | 1:09:27 | |
You must have known. | 1:09:38 | 1:09:40 | |
-What? -He must have told you. | 1:09:40 | 1:09:42 | |
-In the pub, over a pint... -No, no. | 1:09:42 | 1:09:45 | |
Men like him don't keep secrets from other men. | 1:09:45 | 1:09:46 | |
Sophie, if I'd known that he'd done something like that... | 1:09:46 | 1:09:48 | |
What? If you'd known, what? | 1:09:48 | 1:09:51 | |
-You'd have told me? -Well, yeah. | 1:09:51 | 1:09:53 | |
Don't lie to me, Jed. Do not lie to me. | 1:09:53 | 1:09:55 | |
Of course I'd have had told you. | 1:09:55 | 1:09:56 | |
You were laughing at me. You and him, and all his mates at work. | 1:09:56 | 1:10:00 | |
You were all having a good old laugh. | 1:10:00 | 1:10:02 | |
And what about this, this Kate? | 1:10:02 | 1:10:05 | |
Did you know about that? | 1:10:05 | 1:10:07 | |
-Yes. | 1:10:10 | 1:10:12 | |
-You did? You knew? -I was going to tell you. | 1:10:13 | 1:10:18 | |
I wanted to. | 1:10:18 | 1:10:19 | |
Jesus Christ, you as well. | 1:10:19 | 1:10:22 | |
Soph, I didn't know what to do. | 1:10:22 | 1:10:25 | |
You really were both having a good laugh. | 1:10:25 | 1:10:29 | |
-How fucking stupid am I? -That's not how it happened. | 1:10:29 | 1:10:30 | |
-That's not what happened. -Why don't you have a laugh now? | 1:10:30 | 1:10:32 | |
Go on. We could have a good old chat about who else Marcus is shagging. | 1:10:32 | 1:10:36 | |
-Will you stop this? -Yeah, we can have a good cackle at good old Sophie. | 1:10:36 | 1:10:41 | |
Would you like that? Would you all bloody like that? | 1:10:41 | 1:10:44 | |
-I love you. -What? | 1:10:44 | 1:10:46 | |
I... I... | 1:10:46 | 1:10:49 | |
I... Christ, I'm sorry. | 1:10:49 | 1:10:52 | |
I think... | 1:10:54 | 1:10:57 | |
You lied to me, | 1:10:57 | 1:10:59 | |
and I think you should leave now. | 1:10:59 | 1:11:03 | |
Please, just leave me alone. | 1:11:03 | 1:11:06 | |
I need to talk to a woman. | 1:11:12 | 1:11:15 | |
You stupid, | 1:11:27 | 1:11:29 | |
stupid, stupid, | 1:11:29 | 1:11:31 | |
stupid, | 1:11:31 | 1:11:34 | |
stupid, fucking stupid, fucking stupid, fucking fuck! | 1:11:34 | 1:11:39 | |
Fuck. "I love you" You twat! | 1:11:39 | 1:11:41 | |
Hairy-arsed fucking twat! | 1:11:43 | 1:11:45 | |
Ow! Fucking hell. Ow. | 1:11:46 | 1:11:48 | |
Love is everything. | 1:11:53 | 1:11:55 | |
The only reason... I say to you once. | 1:11:57 | 1:12:00 | |
Look, love is the only significant event in | 1:12:00 | 1:12:04 | |
the life of a human being. | 1:12:04 | 1:12:06 | |
We must do anything. | 1:12:06 | 1:12:08 | |
That is my obsession. | 1:12:08 | 1:12:11 | |
Monsieur Jed, have you found love? | 1:12:11 | 1:12:13 | |
Hey! | 1:13:03 | 1:13:05 | |
That's my fucking bike! Hey, come back! | 1:13:05 | 1:13:07 | |
TYRES SCREECH | 1:13:31 | 1:13:33 | |
-Marcus! | 1:13:43 | 1:13:44 | |
What are you doing here? | 1:13:52 | 1:13:53 | |
-Jesus! -How could you do that? -You just fucking hit me! | 1:13:56 | 1:13:59 | |
-You fucked her up, and now you've fucked me up, too. -What the fuck are you talking about? | 1:13:59 | 1:14:01 | |
No wonder you were so weird about Grimandi. | 1:14:01 | 1:14:04 | |
They were his lines, weren't they? The coffee, the sepia. | 1:14:04 | 1:14:05 | |
-What? -We saw the film, Marcus! | 1:14:05 | 1:14:07 | |
Soph and I, we saw Grimandi's film. | 1:14:07 | 1:14:09 | |
OK. | 1:14:09 | 1:14:11 | |
I admit I got the idea | 1:14:13 | 1:14:16 | |
from Grimandi, but that was just how we met. I loved Sophie. | 1:14:16 | 1:14:21 | |
At least... At least, I thought I did, until Kate. | 1:14:21 | 1:14:26 | |
I lied to Sophie about the suicide. | 1:14:26 | 1:14:29 | |
I lied to you about not liking Grimandi, but this is true, me and Kate. We're true. | 1:14:29 | 1:14:33 | |
True, like a French film true? | 1:14:33 | 1:14:35 | |
No. Like the man says, true. | 1:14:35 | 1:14:38 | |
If you haven't experienced love, then you haven't lived. | 1:14:38 | 1:14:41 | |
Whatever it takes, Jed. | 1:14:41 | 1:14:44 | |
Whatever it takes. | 1:14:44 | 1:14:46 | |
I should've come clean, though. | 1:14:47 | 1:14:50 | |
-I wanted to. -I should've done my research. | 1:14:50 | 1:14:53 | |
Well, you've always been lazy. | 1:14:55 | 1:14:57 | |
-I've always been honest. -No, you haven't. -Well, I am now. | 1:14:57 | 1:15:02 | |
I'll see you. | 1:15:04 | 1:15:06 | |
Christ. | 1:15:55 | 1:15:56 | |
Soph, what...? Why are you here? | 1:16:03 | 1:16:06 | |
I needed to see Kate. | 1:16:06 | 1:16:07 | |
Why? | 1:16:07 | 1:16:09 | |
I'm a woman. | 1:16:09 | 1:16:11 | |
-She's pretty. -You think? | 1:16:13 | 1:16:15 | |
-I saw what you did. -Oh, God, did you? | 1:16:19 | 1:16:21 | |
-I'm not much of a fighter, I'm afraid. -Did you hit him for me? | 1:16:21 | 1:16:25 | |
I'm so sorry about last night. | 1:16:29 | 1:16:30 | |
-Me too. -Really? | 1:16:30 | 1:16:33 | |
You were just trying to be kind. | 1:16:33 | 1:16:35 | |
No, I wasn't. | 1:16:37 | 1:16:39 | |
I meant it, Soph. | 1:16:39 | 1:16:41 | |
I... | 1:16:41 | 1:16:43 | |
Something happened for me. Something started. | 1:16:43 | 1:16:46 | |
At that lunch, or at your birthday, or... God, when we first met, I don't know when, but, erm... | 1:16:46 | 1:16:52 | |
..it happened. | 1:16:54 | 1:16:55 | |
I'm sorry, Soph. | 1:16:58 | 1:17:00 | |
Look, Jed, I... | 1:17:00 | 1:17:02 | |
I'm gonna shut up. | 1:17:05 | 1:17:07 | |
In fact, I'm gonna leave. | 1:17:08 | 1:17:10 | |
-Are you expecting a guest? -No. Thank you. | 1:17:30 | 1:17:33 | |
KNOCK ON DOOR | 1:17:42 | 1:17:45 | |
-Sophie. -I'm glad. | 1:17:54 | 1:17:56 | |
For what? | 1:17:56 | 1:17:57 | |
That you don't know when it started. | 1:17:57 | 1:18:00 | |
-When what started? -This. | 1:18:02 | 1:18:05 | |
When this started. | 1:18:05 | 1:18:08 | |
So you think it has? | 1:18:08 | 1:18:10 | |
I think | 1:18:10 | 1:18:13 | |
there are other meetings, other than suicides and prostitutes. | 1:18:13 | 1:18:18 | |
Less dramatic. | 1:18:18 | 1:18:20 | |
Like what? | 1:18:21 | 1:18:22 | |
Like this. | 1:18:25 | 1:18:26 | |
How about this? | 1:18:28 | 1:18:31 | |
My doorstep? | 1:18:33 | 1:18:35 | |
It might have to be dramatic enough. | 1:18:37 | 1:18:39 | |
-You know what I like best about France? -Surprise me. -Leaving it. | 1:19:26 | 1:19:30 | |
SHE LAUGHS | 1:19:30 | 1:19:31 | |
SIREN WAILS | 1:19:31 | 1:19:34 | |
MUSIC: "Non, Je Ne Regrette Rien" | 1:19:40 | 1:19:43 | |
# Dirty old river | 1:20:29 | 1:20:32 | |
# Must you keep rolling | 1:20:32 | 1:20:34 | |
# Flowing into the night | 1:20:34 | 1:20:36 | |
# People so busy | 1:20:38 | 1:20:41 | |
# Makes me feel dizzy | 1:20:41 | 1:20:43 | |
# Taxi light shines so bright | 1:20:43 | 1:20:46 | |
# But I don't need no friends | 1:20:48 | 1:20:56 | |
# As long as I gaze on Waterloo sunset | 1:20:56 | 1:21:02 | |
# I am in paradise | 1:21:02 | 1:21:04 | |
# Every day I look at the world from my window | 1:21:08 | 1:21:13 | |
# But chilly, chilly is evening time | 1:21:17 | 1:21:21 | |
# Waterloo sunset's fine | 1:21:21 | 1:21:24 | |
# Waterloo sunset's fine | 1:21:24 | 1:21:26 | |
# Terry meets Julie, Waterloo Station | 1:21:29 | 1:21:35 | |
# Every Friday night | 1:21:35 | 1:21:36 | |
# But I am so lazy | 1:21:38 | 1:21:41 | |
# Don't want to wander | 1:21:41 | 1:21:43 | |
# I stay at home at night | 1:21:43 | 1:21:46 | |
# And I don't feel afraid | 1:21:48 | 1:21:54 | |
# As long as I gaze on Waterloo sunset | 1:21:56 | 1:22:02 | |
# I am in paradise | 1:22:02 | 1:22:03 | |
# Sha, la, la | 1:22:06 | 1:22:08 | |
# Every day I look at | 1:22:08 | 1:22:10 | |
# The world from my window | 1:22:10 | 1:22:13 | |
# Sha, la, la | 1:22:15 | 1:22:17 | |
# But chilly, chilly is evening time | 1:22:17 | 1:22:21 | |
# Waterloo sunset's fine | 1:22:21 | 1:22:24 | |
# Waterloo sunset's fine | 1:22:24 | 1:22:26 | |
# Millions of people | 1:22:29 | 1:22:31 | |
# Swarming like flies round | 1:22:31 | 1:22:34 | |
# Waterloo underground | 1:22:34 | 1:22:35 | |
# But Terry and Julie | 1:22:38 | 1:22:41 | |
# Cross over the river | 1:22:41 | 1:22:43 | |
# Where they feel safe and sound | 1:22:43 | 1:22:46 | |
# And they don't | 1:22:48 | 1:22:49 | |
# Need no friends | 1:22:51 | 1:22:55 | |
# As long as they gaze on | 1:22:57 | 1:22:59 | |
# Waterloo sunset | 1:22:59 | 1:23:01 | |
# They are in paradise | 1:23:01 | 1:23:03 | |
# As long as they gaze on | 1:23:15 | 1:23:18 | |
# Waterloo sunset | 1:23:18 | 1:23:21 | |
# They are in paradise | 1:23:21 | 1:23:22 | |
# As long as they gaze on | 1:23:24 | 1:23:27 | |
# Waterloo sunset | 1:23:27 | 1:23:30 | |
# They are in paradise | 1:23:30 | 1:23:31 | |
# As long as they gaze on | 1:23:33 | 1:23:36 | |
# Waterloo sunset | 1:23:36 | 1:23:38 | |
# They are in paradise. # | 1:23:38 | 1:23:41 | |
Subtitles by Red Bee Media Ltd | 1:23:41 | 1:23:44 | |
E-mail [email protected] | 1:23:44 | 1:23:47 |