Browse content similar to Frequently Asked Questions About Time Travel. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains very strong language. | 0:00:17 | 0:00:26 | |
Time travel. | 0:01:30 | 0:01:32 | |
It'll turn your brain into spaghetti if you let it. | 0:01:34 | 0:01:37 | |
Best not to think about it. Best just to get on | 0:01:37 | 0:01:39 | |
with the job in hand, which is destroying the enemy | 0:01:39 | 0:01:42 | |
before they're even born and have a chance to threaten us. | 0:01:42 | 0:01:46 | |
We're expecting any resistance to be light, | 0:01:46 | 0:01:49 | |
as the ancestors of our enemies have yet to evolve any thumbs, | 0:01:49 | 0:01:53 | |
or indeed spines. | 0:01:53 | 0:01:55 | |
But that does not change the fact that they may one day evolve | 0:01:55 | 0:01:59 | |
into a species that may pose a threat to us. | 0:01:59 | 0:02:02 | |
And for that reason, we are going to rain down a fiery death upon them | 0:02:02 | 0:02:05 | |
that will turn the surface of their planet into a radioactive desert | 0:02:05 | 0:02:08 | |
because we are the Planetary Peace Corps and that is what we do! | 0:02:08 | 0:02:12 | |
Now, are you nappy-wearing motherfuckers ready to lock and load and get it on?! | 0:02:14 | 0:02:20 | |
THEY START CRYING | 0:02:23 | 0:02:25 | |
What?! No, no, no, no! Shh! | 0:02:27 | 0:02:30 | |
Look, it's not even a real gun! Ooh! | 0:02:30 | 0:02:33 | |
Ooh! Look at all the lights! | 0:02:33 | 0:02:37 | |
SIRENS BLARE | 0:02:37 | 0:02:39 | |
TANNOY: 'Due to technical difficulties, | 0:04:01 | 0:04:04 | |
'the Star Ride is closed until further notice. | 0:04:04 | 0:04:08 | |
'Due to technical difficulties, | 0:04:10 | 0:04:12 | |
'the Star Ride is closed until further notice.' | 0:04:12 | 0:04:16 | |
Two for one at Dinoburger. | 0:04:17 | 0:04:20 | |
Two for one at Dinoburger. | 0:04:20 | 0:04:23 | |
It doesn't even make any sense. Why would we do this? | 0:04:23 | 0:04:26 | |
Toby, don't start. | 0:04:26 | 0:04:28 | |
All right, love? All right, love? Two for one at Dinoburger. | 0:04:28 | 0:04:31 | |
We're encouraging people to eat dinosaurs, to eat us, you know? | 0:04:31 | 0:04:34 | |
-Why would we do that? -We're not real dinosaurs. | 0:04:34 | 0:04:37 | |
-We should be dressed as cavemen. -Tobe, why do you always do this? | 0:04:37 | 0:04:40 | |
-You were the same on the Ghost Train. -That wasn't logical, either. | 0:04:40 | 0:04:43 | |
Everyone knows werewolves and vampires are natural enemies. | 0:04:43 | 0:04:47 | |
There is no way they would team up to attack a train. | 0:04:47 | 0:04:50 | |
Toby, stop thinking! And talking! | 0:04:50 | 0:04:53 | |
Yeah, you're right. | 0:04:54 | 0:04:56 | |
We can't think much cos a dinosaur's brain is only the size of a walnut. | 0:04:56 | 0:05:00 | |
As far as talking goes, it's just like... | 0:05:00 | 0:05:02 | |
Roahhhwwww. | 0:05:02 | 0:05:05 | |
Roahwwww. | 0:05:05 | 0:05:07 | |
Tobe, Tobe, Toby! | 0:05:09 | 0:05:11 | |
Tobe, stop it! Be careful you don't get lost in the role. | 0:05:11 | 0:05:15 | |
I heard of this one guy over on the Star Ride. | 0:05:15 | 0:05:17 | |
Thought he was a Space Ranger. Traumatised a load of kids, they sacked him. | 0:05:17 | 0:05:22 | |
Oh, hello, Ray. Didn't see you there. | 0:05:22 | 0:05:25 | |
Pete. Tobe. | 0:05:25 | 0:05:28 | |
It was a crappy job, anyway. | 0:05:28 | 0:05:29 | |
Yeah. Says the man dressed as a dinosaur. | 0:05:29 | 0:05:32 | |
-So...what are you going to do? -I don't know. | 0:05:37 | 0:05:41 | |
I was thinking about maybe moving back home, taking that job at my uncle's place. | 0:05:41 | 0:05:45 | |
-Why do you want to do that? We can get you another job. Here. -Where? | 0:05:45 | 0:05:49 | |
Barry Burp's Bubble Ride? | 0:05:49 | 0:05:51 | |
Get you a job there easy. | 0:05:51 | 0:05:52 | |
-High turnover cos of the chlorine in the eyes. -Hmm, it is tempting(!) | 0:05:52 | 0:05:56 | |
But there should be more to life than dressing up as a bubble. | 0:05:56 | 0:05:58 | |
Maybe it's time to get real. | 0:06:01 | 0:06:04 | |
So? | 0:06:04 | 0:06:06 | |
In an ideal world, what would be your perfect job? | 0:06:06 | 0:06:10 | |
-I don't know. Comic shop? -Oh, come on. Think bigger. | 0:06:10 | 0:06:13 | |
Astronaut? | 0:06:13 | 0:06:16 | |
Yeah, cool! | 0:06:16 | 0:06:18 | |
But your absolute dream job? | 0:06:18 | 0:06:20 | |
-I mean, if there was...no limits. -No limits? | 0:06:20 | 0:06:24 | |
Well, it's obvious. | 0:06:24 | 0:06:26 | |
-It's got to be Time Lord. -Oh, come to daddy! Ooh. What's that? | 0:06:26 | 0:06:32 | |
-4 minutes 32. -That's bollocks! You led him on. -What's this? | 0:06:32 | 0:06:35 | |
It's a bet. He reckons you'll mention time travel in under five minutes. | 0:06:35 | 0:06:40 | |
You're making bets on me?! | 0:06:40 | 0:06:42 | |
On the day I get fired, you're making bets on me?! | 0:06:42 | 0:06:44 | |
He did. I didn't want to. | 0:06:44 | 0:06:47 | |
-I do talk about other things. -What? Like sky-fi? | 0:06:47 | 0:06:51 | |
How many times? It's not sci-fi, Pete, it's science fiction, | 0:06:51 | 0:06:57 | |
or SF, which can also stand for speculative fiction. | 0:06:57 | 0:06:59 | |
Jesus! And you wonder why you can't get laid. | 0:06:59 | 0:07:02 | |
I can. | 0:07:02 | 0:07:04 | |
I do. | 0:07:04 | 0:07:07 | |
Some girls are into science fiction. | 0:07:07 | 0:07:09 | |
You see, that's your problem, Ray. | 0:07:09 | 0:07:11 | |
Your ideal girl is you. With tits. | 0:07:11 | 0:07:15 | |
THEY LAUGH | 0:07:15 | 0:07:17 | |
In fact, your ideal girl is him. | 0:07:18 | 0:07:21 | |
I object to that! | 0:07:21 | 0:07:23 | |
Now, that was a shit film. | 0:07:24 | 0:07:27 | |
Yeah. Someone should write and complain, you know. | 0:07:27 | 0:07:30 | |
"Dear Hollywood, you're shit." | 0:07:30 | 0:07:32 | |
How hard can it be to make a film that doesn't suck? | 0:07:32 | 0:07:34 | |
I've got millions of great ideas. | 0:07:34 | 0:07:36 | |
-Like what? -What? | 0:07:36 | 0:07:38 | |
-Come on. I want to hear one of your great ideas. -OK. | 0:07:38 | 0:07:41 | |
Right. | 0:07:44 | 0:07:45 | |
Prepare to be amazed. | 0:07:47 | 0:07:50 | |
Ninja Yodeller. | 0:07:50 | 0:07:52 | |
Are you just, like, saying random words, Tobe? | 0:07:53 | 0:07:56 | |
No. Yodeller by day, ninja by night, you see? | 0:07:56 | 0:07:59 | |
-Oh, yeah, because the other way around would be really stupid(!) -Stupid. | 0:07:59 | 0:08:03 | |
No, you've got, like, ninjas who are really quiet, yeah? | 0:08:03 | 0:08:06 | |
Yodellers, really loud. There's a conflict for the character. | 0:08:06 | 0:08:10 | |
-Torn between two worlds. -He's really thought about this. | 0:08:10 | 0:08:14 | |
OK. All right. | 0:08:14 | 0:08:15 | |
You know the way sometimes you come up with a really shit idea, | 0:08:15 | 0:08:19 | |
-like, on purpose to try and test us out? -Yeah? | 0:08:19 | 0:08:22 | |
Is this one? | 0:08:22 | 0:08:24 | |
Yeah, you got me. | 0:08:24 | 0:08:27 | |
-Nearly had you, though. -And him. | 0:08:29 | 0:08:30 | |
-Yeah. -Ninja Yodeller! | 0:08:30 | 0:08:33 | |
Ninja Yodeller. | 0:08:33 | 0:08:34 | |
-How's your REAL script going? -I'm doing most of the work up here, really. | 0:08:34 | 0:08:38 | |
Besides, every writer needs to get out in the real world. | 0:08:38 | 0:08:42 | |
Have some experiences, fresh ones, to enrich his work. | 0:08:42 | 0:08:45 | |
Really? I thought a writer needed to stay in and write. | 0:08:45 | 0:08:50 | |
Yeah. That's the eternal enigma of creativity. We should discuss it... | 0:08:50 | 0:08:55 | |
-in the pub. -Give me that. -Oi! | 0:08:55 | 0:08:57 | |
Oh, you thieving git! | 0:08:57 | 0:08:59 | |
-I said that! -Come on, all great writers steal. | 0:08:59 | 0:09:02 | |
-Oh! Ray said that? -What? | 0:09:02 | 0:09:04 | |
Give it to me. Give me my book. Come on. | 0:09:04 | 0:09:07 | |
You'll see. One day I'll be famous and then you'll be sorry. | 0:09:10 | 0:09:14 | |
"Dear Hollywood, please stop making so many crappy movies. | 0:09:18 | 0:09:23 | |
"Here are a few tips to help you out. | 0:09:23 | 0:09:26 | |
"One - story is king. Always has been, always will be." | 0:09:26 | 0:09:30 | |
This is eating into our drinking time. | 0:09:30 | 0:09:33 | |
OK. Er, remakes, Jude Law... | 0:09:33 | 0:09:36 | |
hand-shot first. | 0:09:36 | 0:09:39 | |
More Firefly and/or Serenity. | 0:09:39 | 0:09:42 | |
The end. | 0:09:42 | 0:09:44 | |
Well, that's Hollywood sorted. | 0:09:44 | 0:09:46 | |
-Shall we move on to the Middle East(?) -Pen's running out. | 0:09:46 | 0:09:49 | |
-Oh, always the way. -COUGHS: -Nerds! | 0:09:49 | 0:09:52 | |
Hey! Didn't we all agree to stop using the N word? Didn't we? | 0:09:52 | 0:09:55 | |
-I didn't agree to anything. -Nerd is the word they use to keep us down... | 0:09:55 | 0:09:59 | |
-You should use the term imagineer. -Yeah. | 0:09:59 | 0:10:04 | |
That's the nerdiest thing I've ever heard! | 0:10:06 | 0:10:10 | |
You are just threatened. | 0:10:10 | 0:10:11 | |
You are threatened because you don't understand our world. | 0:10:11 | 0:10:14 | |
What's to understand? I saw one Star Trek film, | 0:10:14 | 0:10:17 | |
-I hated it and never looked back. -Really? Which one? | 0:10:17 | 0:10:19 | |
The first one with the big gold robot and the little fat mate. | 0:10:19 | 0:10:23 | |
-You mean Star WARS, don't you? -Do I? Aren't they the same thing? | 0:10:24 | 0:10:29 | |
No. No, they're not. | 0:10:29 | 0:10:32 | |
He knows. | 0:10:32 | 0:10:34 | |
-How would I know? I'm not a nerd. Or even an imagineer. -Better. | 0:10:34 | 0:10:38 | |
I'm glad you're happy. | 0:10:38 | 0:10:41 | |
Whose round is it? | 0:10:41 | 0:10:43 | |
-I got the last round. -I got the biscuits from the garage. | 0:10:43 | 0:10:47 | |
-I paid for you to get into Scandals that time. -I paid for the cloakroom. | 0:10:47 | 0:10:50 | |
-I brought teabags round when you ran out! -I lent you my coat. | 0:10:50 | 0:10:52 | |
The snug's less busy. | 0:10:52 | 0:10:55 | |
Can you get me some crisps? | 0:10:55 | 0:10:58 | |
Thanks. | 0:10:58 | 0:11:00 | |
THUD! | 0:11:02 | 0:11:04 | |
-He could be wearing stealth lederhosen. -Jesus, you took your time. | 0:11:06 | 0:11:10 | |
-Yes, I did. -I'll get the next round. -Well done. I was impressed. | 0:11:10 | 0:11:14 | |
-What? -It's a lot of effort to go to. | 0:11:16 | 0:11:18 | |
I mean, I'm, er... | 0:11:18 | 0:11:20 | |
-I'm rather touched. -What are you talking about? | 0:11:20 | 0:11:22 | |
Cassie. Next door. | 0:11:22 | 0:11:25 | |
-She fed me her little story. -Cassie? -The girl in the snug. | 0:11:25 | 0:11:29 | |
Come on, guys. Fit, funny, dodgy American accent. | 0:11:29 | 0:11:34 | |
-You set it up. -Just now? | 0:11:34 | 0:11:35 | |
Yeah. Look, whatever. I just want to say thank you | 0:11:35 | 0:11:39 | |
cos I think I might actually be in with a chance there. | 0:11:39 | 0:11:42 | |
I can see why you think it'd be a wind-up. | 0:11:42 | 0:11:44 | |
-You want to hear what happened or not? -Absolutely! Go on. | 0:11:44 | 0:11:47 | |
-Make her double-jointed. -Ignore him. | 0:11:47 | 0:11:50 | |
-Come on. I want to hear it. -OK. | 0:11:50 | 0:11:52 | |
Hello, Ray. | 0:11:59 | 0:12:00 | |
Hi. | 0:12:00 | 0:12:01 | |
Erm... I'm sorry. Do I know you? | 0:12:03 | 0:12:05 | |
I'm Cassie. | 0:12:05 | 0:12:07 | |
You don't know me, but I know you very well. | 0:12:07 | 0:12:11 | |
At least, I feel like I do. | 0:12:11 | 0:12:14 | |
I've read all about you. | 0:12:14 | 0:12:17 | |
-All about me? -Yeah. I guess from your perspective, | 0:12:17 | 0:12:19 | |
those books haven't been written yet, but, er... | 0:12:19 | 0:12:23 | |
-Haven't been written yet, like from the future? -Exactly. | 0:12:23 | 0:12:28 | |
Ah. | 0:12:29 | 0:12:30 | |
Ah, I see. You're a time traveller. | 0:12:32 | 0:12:35 | |
Bingo! Yes. | 0:12:35 | 0:12:37 | |
-I didn't say I believed her. -You've invented a girlfriend! -I have not. | 0:12:37 | 0:12:42 | |
Time-travelling hottie visits time-travel fan. It's not a bad idea. | 0:12:42 | 0:12:45 | |
-How far back in time have you come? -150 years. | 0:12:45 | 0:12:48 | |
And where's your time machine? | 0:12:48 | 0:12:51 | |
-Inside me. -Oh! That's handy, isn't it? | 0:12:51 | 0:12:55 | |
Is it like a little pill? | 0:12:55 | 0:12:57 | |
Uh, no, it's hard-wired into my bones | 0:12:57 | 0:13:00 | |
which have been replaced with a polymer composite. | 0:13:00 | 0:13:03 | |
-So it's flexible, but very standard issue. -Are you a space lady? | 0:13:03 | 0:13:08 | |
-IN HIGH VOICE: -"Hello! | 0:13:08 | 0:13:09 | |
"Nanu. | 0:13:09 | 0:13:11 | |
-"Phone home." -No! | 0:13:11 | 0:13:13 | |
No, I repair time leaks. | 0:13:13 | 0:13:15 | |
Sounds exciting. | 0:13:15 | 0:13:18 | |
No. No, it's not. | 0:13:18 | 0:13:20 | |
Really. It's quite dull. | 0:13:20 | 0:13:22 | |
This is the only perk of the job. | 0:13:22 | 0:13:23 | |
-What is? -Meeting famous people from history. | 0:13:23 | 0:13:27 | |
Me?! | 0:13:27 | 0:13:29 | |
I read that you would be in here on this day, you know. | 0:13:29 | 0:13:32 | |
I just couldn't pass up a chance of meeting Ray the Great. | 0:13:34 | 0:13:36 | |
-It's what she said. -Ray the Great. -Shut up. | 0:13:36 | 0:13:42 | |
So, what other famous people, like me, have you met? | 0:13:42 | 0:13:48 | |
Have you met Einstein or Elvis? | 0:13:48 | 0:13:50 | |
You know what you should do? You should go back and kill Hitler... | 0:13:50 | 0:13:53 | |
-That's a classic. -That's also a time crime. | 0:13:53 | 0:13:55 | |
-You're no fun. -Yeah. | 0:13:55 | 0:13:57 | |
We call it editing. It's trying to erase people from history. | 0:13:57 | 0:14:01 | |
-Like Hitler. -Yeah, like Hitler. | 0:14:01 | 0:14:04 | |
But, a lot of the time, it's more of a personal taste thing. | 0:14:04 | 0:14:07 | |
Like, Paris Hilton? | 0:14:07 | 0:14:09 | |
-Who? -Brilliant. | 0:14:09 | 0:14:12 | |
Well, um, yeah, they try to erase them from history | 0:14:12 | 0:14:15 | |
just because they don't like them, | 0:14:15 | 0:14:17 | |
or don't like their songs or their films or whatever. | 0:14:17 | 0:14:21 | |
They are totally psychotic, Ray. | 0:14:21 | 0:14:23 | |
There's even one bunch of Editors who try to kill artists immediately after their greatest works. | 0:14:23 | 0:14:28 | |
-I don't get it. -Well, it's to avoid a decline in quality. | 0:14:28 | 0:14:31 | |
It would be like killing, say... | 0:14:31 | 0:14:34 | |
Kevin Costner right after Dances With Wolves. | 0:14:34 | 0:14:37 | |
You could do Morrissey. | 0:14:37 | 0:14:39 | |
-After The Smiths? -No. Just generally. | 0:14:39 | 0:14:42 | |
-George Lucas after Jedi? -Ooh! Empire, surely? | 0:14:42 | 0:14:45 | |
Hmm. You'd miss the Ewok battle. | 0:14:45 | 0:14:47 | |
-Who cares? -I care. | 0:14:47 | 0:14:50 | |
Let's see how good your research really is. What is... | 0:14:50 | 0:14:55 | |
the grandfather paradox? | 0:14:55 | 0:14:57 | |
I... | 0:14:57 | 0:15:00 | |
I've got to be honest with you, Ray, I didn't exactly finish the manual. | 0:15:00 | 0:15:03 | |
It was like a brick. I'm more of a quick-start pamphlet kind of girl. | 0:15:03 | 0:15:07 | |
Yes. Sure. I mean hey, who's got the time, you know? | 0:15:07 | 0:15:11 | |
-It's only history we're messing with. -Look, I'm not totally stupid. | 0:15:11 | 0:15:15 | |
I mean, I can safely talk to you | 0:15:15 | 0:15:16 | |
because everyone knows you're obsessed with time travel. | 0:15:16 | 0:15:19 | |
-So? -So, no-one will believe you when you tell them about this. | 0:15:19 | 0:15:24 | |
Very clever, Ray. Double bluff. | 0:15:24 | 0:15:27 | |
Still don't believe you. | 0:15:27 | 0:15:29 | |
What about Chaos Theory? | 0:15:29 | 0:15:30 | |
-You do know about Chaos Theory, right? -Oh! | 0:15:30 | 0:15:33 | |
Yes, of course. Chaos Theory is the idea | 0:15:33 | 0:15:36 | |
that all actions have consequences... | 0:15:36 | 0:15:40 | |
..when you take that... quantum leap... | 0:15:42 | 0:15:45 | |
OK, erm, bit of advice. When you are talking about this stuff, | 0:15:45 | 0:15:48 | |
might be a good idea to speak with a bit more confidence about it. | 0:15:48 | 0:15:51 | |
OK. Well, I will. I'll bear that in mind. Thank you. | 0:15:51 | 0:15:55 | |
Chaos Theory is the idea that tiny things can have huge consequences. | 0:15:55 | 0:15:58 | |
So because you delayed me going through there, | 0:15:58 | 0:16:00 | |
all the things I was going to do have been delayed subsequently | 0:16:00 | 0:16:04 | |
and that has a knock-on effect, which can totally change the future. | 0:16:04 | 0:16:07 | |
So, so wait, that means you're going to drink your pint a bit later, | 0:16:07 | 0:16:10 | |
which means you're going to go to the bathroom a little bit later. | 0:16:10 | 0:16:14 | |
My God, Ray, you're right. That's terrible. We're all doomed! | 0:16:14 | 0:16:18 | |
Do you have any idea how rare it is to find a girl | 0:16:23 | 0:16:25 | |
who's into science fiction who doesn't have everything pierced? | 0:16:25 | 0:16:28 | |
How do you know I haven't? | 0:16:28 | 0:16:30 | |
Um, listen, you should come through. | 0:16:32 | 0:16:35 | |
Join us. I'll tell the guys what a good job you did. | 0:16:35 | 0:16:38 | |
Have they paid you yet? I could get you a tip. | 0:16:38 | 0:16:40 | |
Not in a stripper kind of way because you're not | 0:16:40 | 0:16:42 | |
a stripper, obviously. But you'd make a good one. | 0:16:42 | 0:16:45 | |
You'd make a fine one. I'm sure you'd look great naked. | 0:16:45 | 0:16:48 | |
Well put. | 0:16:48 | 0:16:50 | |
No. Thank you. I have to go, actually. | 0:16:50 | 0:16:54 | |
Oh, no. What's the rush? | 0:16:54 | 0:16:57 | |
I've got a time leak to find, remember? | 0:16:57 | 0:16:59 | |
Of course. | 0:16:59 | 0:17:00 | |
OK. Er, well... I'll see you later, then. | 0:17:03 | 0:17:07 | |
Hey, in the future, maybe. | 0:17:07 | 0:17:10 | |
Yeah, maybe. | 0:17:10 | 0:17:11 | |
-Could you...? -Oh, yeah. | 0:17:11 | 0:17:14 | |
I'm sorry. Thanks. | 0:17:14 | 0:17:17 | |
-Bye, Ray. -Bye. | 0:17:19 | 0:17:23 | |
Not bad. Not bad at all. | 0:17:23 | 0:17:26 | |
Can't really say I'm buying the time-travelling skeleton thing. | 0:17:26 | 0:17:31 | |
-A bit too Terminator. -No, but I like the sexy time-traveller. | 0:17:31 | 0:17:34 | |
-How does it end? -I don't know because I'm not making it up. | 0:17:34 | 0:17:37 | |
-She was real. -I know what it is. | 0:17:37 | 0:17:40 | |
You know how you can pay a prostitute | 0:17:40 | 0:17:43 | |
-to act things out for you? -No, I don't. | 0:17:43 | 0:17:45 | |
Someone who knows Ray well treated him to a time-travelling hooker! | 0:17:45 | 0:17:48 | |
-She was nice! -And you didn't even sleep with her. | 0:17:48 | 0:17:52 | |
That was probably in with the price. | 0:17:52 | 0:17:54 | |
She wasn't a prostitute. | 0:17:54 | 0:17:55 | |
You should have slept with her. You know why? | 0:17:55 | 0:17:57 | |
-Why? -Cos she'd have shagged you into the middle of next week. | 0:17:57 | 0:18:01 | |
Eh? Eh? Come on. Come on. | 0:18:05 | 0:18:08 | |
Thank you. Thank you. My name's Pete and I'll be here all week. | 0:18:08 | 0:18:12 | |
Down those and we'll catch last orders at The King's Head. I'm going to take a leak. | 0:18:12 | 0:18:15 | |
-Oh, because of the future thing! -Hm. -Ah! | 0:18:17 | 0:18:20 | |
# Every now and then I fall apart | 0:18:20 | 0:18:23 | |
# And I need you now, tonight | 0:18:23 | 0:18:26 | |
# And I need you more than ever | 0:18:26 | 0:18:30 | |
# And if you'll only hold me tight | 0:18:30 | 0:18:33 | |
# We'll be holding on for ever | 0:18:33 | 0:18:36 | |
# And we'll only be making it right | 0:18:36 | 0:18:39 | |
# Cos we'll never be wrong | 0:18:39 | 0:18:42 | |
# Together we can take it to the end of the line | 0:18:42 | 0:18:45 | |
# Your love is like a shadow on me all of the time | 0:18:45 | 0:18:49 | |
# I don't know what to do I'm always in the dark | 0:18:50 | 0:18:54 | |
# We're living in a powder keg and giving off sparks | 0:18:54 | 0:18:58 | |
# I really need you tonight | 0:18:58 | 0:19:01 | |
# For ever's gonna start tonight | 0:19:01 | 0:19:05 | |
# For ever's gonna start tonight | 0:19:05 | 0:19:07 | |
# Once upon a time I was falling in love | 0:19:07 | 0:19:11 | |
# Now I'm only falling apart | 0:19:11 | 0:19:13 | |
# There's nothing I can say | 0:19:15 | 0:19:18 | |
# A total eclipse of the heart | 0:19:18 | 0:19:20 | |
# Now I'm only falling apart | 0:19:26 | 0:19:28 | |
# Nothing I can say | 0:19:28 | 0:19:32 | |
# Total eclipse of the heart. # | 0:19:32 | 0:19:34 | |
MUSIC: "The Land Of Make Believe" by Bucks Fizz | 0:19:34 | 0:19:38 | |
Oh, my God! | 0:20:07 | 0:20:10 | |
It's me! | 0:20:12 | 0:20:15 | |
GLASS BREAKS | 0:20:15 | 0:20:17 | |
HUBBUB | 0:20:53 | 0:20:55 | |
MUSIC: "Total Eclipse Of The Heart" by Bonnie Tyler | 0:21:11 | 0:21:14 | |
# Nothing I can say Total eclipse of the heart | 0:21:22 | 0:21:26 | |
# Total eclipse of the heart... # | 0:21:30 | 0:21:34 | |
Are we off, then? | 0:21:37 | 0:21:39 | |
Oh, shit! I will see your time-travelling hottie | 0:21:39 | 0:21:42 | |
and raise you a pub full of dead bodies! | 0:21:42 | 0:21:44 | |
Is that piss on your jeans? | 0:21:44 | 0:21:46 | |
No. | 0:21:48 | 0:21:49 | |
-Not all of it. -Bollocks! | 0:21:50 | 0:21:54 | |
Couldn't this be that leak your woman was looking for? | 0:21:54 | 0:21:56 | |
-So you believe me now, do you? -I still don't, for the record. | 0:21:56 | 0:21:59 | |
After what I've just seen, I'll believe anything. | 0:21:59 | 0:22:02 | |
-Guys, I just saw my own dead face. -Whoo, ooh, ooh! | 0:22:02 | 0:22:06 | |
Go in yourself. You'll see. | 0:22:06 | 0:22:08 | |
I don't know. I mean, first a future woman and now this. | 0:22:08 | 0:22:12 | |
It's...it's like a time-travel murder mystery. You guys... | 0:22:12 | 0:22:16 | |
It's not me! | 0:22:16 | 0:22:18 | |
-Are you winding us up? -No. | 0:22:18 | 0:22:21 | |
Look, something very bad is going to happen. | 0:22:21 | 0:22:24 | |
I've just had a premonition of my own death. | 0:22:24 | 0:22:26 | |
Then, why don't you just leave? | 0:22:26 | 0:22:28 | |
If you're so spooked, why don't you just run away? Go home? | 0:22:28 | 0:22:31 | |
-Right. -Because it's not tonight. | 0:22:31 | 0:22:33 | |
The other me, the dead me, he had a beard. | 0:22:33 | 0:22:36 | |
Oh, I see. Little beard. | 0:22:36 | 0:22:39 | |
A tenner says something happens when you go in. | 0:22:39 | 0:22:42 | |
Another bet? What trick have you got up your sleeve, Petey? | 0:22:42 | 0:22:45 | |
This is great. | 0:22:45 | 0:22:47 | |
Come on. Let's all go. | 0:22:47 | 0:22:48 | |
No chance. I'm staying right here. | 0:22:48 | 0:22:50 | |
Well, get my money ready. | 0:22:50 | 0:22:53 | |
-Come on. -Are we going to go in? Ah, brilliant. | 0:22:53 | 0:22:55 | |
Are those two dead? | 0:23:06 | 0:23:08 | |
What? What do you mean? | 0:23:08 | 0:23:10 | |
Are those two dead? | 0:23:10 | 0:23:14 | |
Oh. No, not yet. | 0:23:15 | 0:23:18 | |
-Whaa! -Pack it in! | 0:23:20 | 0:23:24 | |
Hello, Petey. | 0:23:24 | 0:23:26 | |
-Change your mind? -No. Just going to watch from here. | 0:23:26 | 0:23:29 | |
Eurgh! It certainly smells like someone died. | 0:23:29 | 0:23:32 | |
Shit, shit, shit! What the fuck are you doing? | 0:23:32 | 0:23:35 | |
If you've got anything planned, you're going to get it, too. | 0:23:35 | 0:23:38 | |
-I haven't got anything planned. Will you let me out? -Nope. | 0:23:38 | 0:23:40 | |
Oh, shit. I'm in again. Oh, shit! | 0:23:40 | 0:23:43 | |
Ray, check the loos. | 0:23:43 | 0:23:45 | |
-What? -He's probably got some bloke in a Scream mask. | 0:23:45 | 0:23:49 | |
Or something even more brilliant. | 0:23:49 | 0:23:51 | |
Ooh! It really does stink in here. | 0:23:54 | 0:23:57 | |
-You might as well just pay me now. -Oh, it's like a dung-y, zoo-y kind of... | 0:23:57 | 0:24:00 | |
It's Pete's bullshit you can smell. | 0:24:00 | 0:24:02 | |
Listen! | 0:24:02 | 0:24:04 | |
This isn't a wind-up. | 0:24:04 | 0:24:06 | |
Do you really want to see the future? | 0:24:08 | 0:24:10 | |
-I'd love to. -OK. | 0:24:10 | 0:24:14 | |
You've got to do exactly what I did. | 0:24:14 | 0:24:16 | |
What do you mean? | 0:24:16 | 0:24:18 | |
# If you'll only hold me tight | 0:24:18 | 0:24:21 | |
-# We'll be holding on for ever... # -I can't believe I'm doing this. | 0:24:21 | 0:24:24 | |
I feel like I'm doing the conga at a really shit party. | 0:24:24 | 0:24:27 | |
# Cos we'll never be wrong... # | 0:24:27 | 0:24:28 | |
-Is this really necessary? -I don't know, it might be... | 0:24:28 | 0:24:31 | |
-Don't look! I can't do it if you're looking. -I wasn't looking. | 0:24:31 | 0:24:34 | |
# Together we can make it to the end of the line | 0:24:34 | 0:24:38 | |
# Your love is like a shadow on me all of the time. # | 0:24:38 | 0:24:41 | |
Right, hold on. | 0:24:41 | 0:24:42 | |
-For what? -There must be easier ways of making money. | 0:24:42 | 0:24:45 | |
It's a science experiment. | 0:24:48 | 0:24:50 | |
Mm-hm. | 0:24:50 | 0:24:53 | |
Now, hold on tight for this bit. | 0:24:53 | 0:24:55 | |
# I don't know what to do I'm always in the dark | 0:24:55 | 0:24:59 | |
# We're living in a powder keg and giving off sparks. # | 0:24:59 | 0:25:02 | |
Here's an idea. Instead of a time machine that runs on karaoke | 0:25:02 | 0:25:05 | |
and urine, maybe they could have one with a dial on, you know? | 0:25:05 | 0:25:08 | |
With dates on it? | 0:25:08 | 0:25:10 | |
-Something crazy like that. -# I really need you tonight... # | 0:25:10 | 0:25:13 | |
-Oh, God! -# For ever's going to start tonight | 0:25:13 | 0:25:16 | |
# For ever's going to start tonight | 0:25:16 | 0:25:19 | |
# Once upon a time I was falling in love | 0:25:19 | 0:25:21 | |
# Now I'm only falling apart. # | 0:25:21 | 0:25:23 | |
Pete, do you really do this every time you take a piss? | 0:25:23 | 0:25:27 | |
Tenner says something happens. | 0:25:27 | 0:25:29 | |
Yeah, but it's got to be something definite, | 0:25:29 | 0:25:32 | |
like, say, a pub full of dead people. | 0:25:32 | 0:25:34 | |
-Not just some bollocks weirdy feeling. -OK. | 0:25:34 | 0:25:38 | |
# Nothing I can say | 0:25:39 | 0:25:42 | |
# A total eclipse... | 0:25:42 | 0:25:44 | |
# Of the heart. # | 0:25:44 | 0:25:46 | |
-What's that I can hear? -Wait. | 0:25:53 | 0:25:55 | |
Oh, come on. What are they, the talking dead? | 0:25:55 | 0:25:57 | |
Oh, my God! Everyone's still alive! | 0:26:11 | 0:26:14 | |
I don't know what happened out there, but I feel dirty. | 0:26:17 | 0:26:21 | |
-I'm going to get some peanuts now. -Pay up. -Didn't shake hands. | 0:26:21 | 0:26:25 | |
What?! What are you, 12? | 0:26:25 | 0:26:26 | |
I swear to you, I saw myself right here. | 0:26:26 | 0:26:29 | |
< Story is king. | 0:26:29 | 0:26:31 | |
< Always has been, always will be. | 0:26:31 | 0:26:33 | |
< This is eating into our drinking time. | 0:26:33 | 0:26:35 | |
Oh! Hi. | 0:26:39 | 0:26:41 | |
-Someone's got our seats, Ray. -Have they? Our stuff's over there. | 0:26:41 | 0:26:44 | |
-Yeah. They looked familiar, didn't they, Pete? -Just a bit. | 0:26:44 | 0:26:47 | |
There's spare seats in the snug. | 0:26:47 | 0:26:48 | |
That's not really the problem, Ray. | 0:26:48 | 0:26:50 | |
-What is the problem? -I think you'd better go and have a look. | 0:26:50 | 0:26:54 | |
< Shall we move on to the Middle East? | 0:26:57 | 0:26:59 | |
-Pen's running out. -Always the way. | 0:26:59 | 0:27:02 | |
-COUGHS: -Nerds! -Hey! | 0:27:02 | 0:27:03 | |
Didn't we all agree to stop using the N word? Didn't we? | 0:27:03 | 0:27:08 | |
Nerd is the word they use to keep us down. | 0:27:10 | 0:27:13 | |
You should use the term imagineer. | 0:27:13 | 0:27:15 | |
Shall we get the fuck out of here? | 0:27:19 | 0:27:22 | |
So, what do we do now? | 0:27:22 | 0:27:24 | |
-What? -This is your thing. -This is not my thing. | 0:27:24 | 0:27:27 | |
My thing is reading books about this shit, not actually being in it. | 0:27:27 | 0:27:31 | |
What about the rules? There's always rules, isn't there? | 0:27:31 | 0:27:34 | |
-Yeah, but it depends who you read. -Well, even I know some rules. | 0:27:34 | 0:27:37 | |
-Like what? -Like you can't tread on any butterflies. -What?! | 0:27:37 | 0:27:41 | |
Not just butterflies, anything. | 0:27:41 | 0:27:43 | |
You can't kill anything in the past because it wipes out all its descendants in the future | 0:27:43 | 0:27:47 | |
and you could end up wiping out the whole human race. | 0:27:47 | 0:27:49 | |
Don't sleep with anyone. It always ends up being your mum or gran. | 0:27:49 | 0:27:53 | |
-That's just sick! -Ray, it's still tonight - we haven't gone back to the Blitz. | 0:27:53 | 0:27:56 | |
-You asked for rules, I'm giving you rules. -OK. Don't kill anything, don't fuck anything. | 0:27:56 | 0:28:00 | |
-What else? -Don't touch yourself. -To be honest with you, Ray, my mind's on other things right now. | 0:28:00 | 0:28:05 | |
No. I mean, don't touch the other us. | 0:28:05 | 0:28:08 | |
We can't bump into or speak to the earlier us. | 0:28:08 | 0:28:10 | |
Why? Couldn't we just warn them not to go into the bog? | 0:28:10 | 0:28:13 | |
-No, we can't do that because that would cause a paradox. -A what?! | 0:28:13 | 0:28:16 | |
If they don't go into the bogs, then they don't go back in time, | 0:28:16 | 0:28:19 | |
and if that doesn't happen then we cease to exist. | 0:28:19 | 0:28:22 | |
-It's a variant on the grandfather paradox. -Fucking hate sci-fi. | 0:28:22 | 0:28:26 | |
-Science fiction. -So, do we go back in the toilets? | 0:28:26 | 0:28:30 | |
No! That could take us anywhere. | 0:28:30 | 0:28:33 | |
But last time it took him back to where we started, didn't it? | 0:28:33 | 0:28:35 | |
Yeah, but it also took me to a room full of dead bodies. | 0:28:35 | 0:28:39 | |
-He's right, it's not predictable. -So where does that leave us, Ray? | 0:28:39 | 0:28:42 | |
I think I've got an idea. | 0:28:42 | 0:28:44 | |
Hiding in a cupboard? | 0:28:46 | 0:28:48 | |
-Yeah. -And that's going to stop me being dead? | 0:28:48 | 0:28:50 | |
Look, it's simple. We wait for the earlier us to go into the loos | 0:28:50 | 0:28:54 | |
and disappear into the past. | 0:28:54 | 0:28:55 | |
How long do you think that's going to be? | 0:28:55 | 0:28:58 | |
-About another half an hour. -Oh, you're joking. | 0:28:58 | 0:29:00 | |
My neck's killing me already. | 0:29:00 | 0:29:02 | |
Ow, ow. | 0:29:02 | 0:29:04 | |
Hot! | 0:29:04 | 0:29:05 | |
-Bugger. Ow! -Can I sit down? | 0:29:05 | 0:29:08 | |
I don't know. Can you? | 0:29:08 | 0:29:11 | |
Oh! | 0:29:11 | 0:29:13 | |
No pulling! | 0:29:13 | 0:29:14 | |
Ooh, I think I found a light. | 0:29:21 | 0:29:23 | |
-Maybe leave the light off. -Yeah. | 0:29:32 | 0:29:34 | |
Yeah. | 0:29:34 | 0:29:35 | |
Anyone want a peanut? | 0:29:40 | 0:29:42 | |
No. | 0:29:42 | 0:29:44 | |
I really thought time travel would be a bit more thrilling than this. | 0:29:44 | 0:29:49 | |
Mm. I know what you mean. | 0:29:49 | 0:29:52 | |
Oh. Oh, no, wait a minute. | 0:29:52 | 0:29:55 | |
-Oh, my God! -What? | 0:29:55 | 0:29:58 | |
-We're half an hour in the past. She's still here. -Oh! | 0:29:58 | 0:30:03 | |
Have they paid you yet? I could get you a tip. | 0:30:05 | 0:30:07 | |
Not in a stripper kind of way, because obviously you're not a stripper. | 0:30:07 | 0:30:11 | |
But you'd make a good one. You'd make a fine one. | 0:30:11 | 0:30:14 | |
I'm sure you'd look great naked. | 0:30:14 | 0:30:16 | |
Wait a minute. What's this? | 0:30:16 | 0:30:20 | |
I can feel a fir tree through here. | 0:30:22 | 0:30:24 | |
There's... There's a whole other world back here | 0:30:24 | 0:30:28 | |
with snow and thorns and talking lions! | 0:30:28 | 0:30:31 | |
Is there? | 0:30:31 | 0:30:33 | |
No. | 0:30:33 | 0:30:34 | |
Dick. | 0:30:34 | 0:30:35 | |
I love Narnia. | 0:30:37 | 0:30:39 | |
Bye, Ray. | 0:30:41 | 0:30:43 | |
Cassie! Cassie! | 0:30:49 | 0:30:50 | |
Ray, I really have to go. | 0:30:50 | 0:30:53 | |
Oh, no, no, no! You think I'm him? I'm not him. | 0:30:53 | 0:30:57 | |
I mean, obviously, I am. | 0:30:57 | 0:30:59 | |
Cassie, we really need your help. | 0:30:59 | 0:31:01 | |
First of all, I now believe you are a time traveller. | 0:31:01 | 0:31:03 | |
Sorry about doubting you there, | 0:31:03 | 0:31:05 | |
-and sorry about the whole stripper, space woman thing. -OK. | 0:31:05 | 0:31:09 | |
And second of all, I think we found your time leak. It's in the gents. | 0:31:09 | 0:31:13 | |
Oh, oh, very good. Very good. | 0:31:16 | 0:31:19 | |
So the leak is, er...? | 0:31:19 | 0:31:21 | |
In a toilet. Yes, yes! It seems the universe has a sense of humour. | 0:31:21 | 0:31:25 | |
And it's very funny, and quick, too. | 0:31:25 | 0:31:28 | |
You don't believe me. | 0:31:28 | 0:31:29 | |
-Touche. -Oh, no. No, no! | 0:31:29 | 0:31:31 | |
This is for real, OK? Pete saw dead bodies in the pub. | 0:31:31 | 0:31:35 | |
OK, well, I've got to go climb back into my spaceship and disappear. | 0:31:35 | 0:31:40 | |
Look, why else would I have two men in this cupboard? | 0:31:40 | 0:31:44 | |
I'll see you around, future boy. | 0:31:44 | 0:31:46 | |
Wait, Cassie! Cassie! | 0:31:46 | 0:31:50 | |
I think it's time we had another little chat. | 0:31:52 | 0:31:54 | |
So you're sure we're OK out here? | 0:31:58 | 0:32:00 | |
Yes, we're fine. No-one's due out in the garden for another 23 minutes. | 0:32:00 | 0:32:04 | |
OK. Good. | 0:32:04 | 0:32:06 | |
Um... | 0:32:06 | 0:32:07 | |
So this is a bit of a new look for you. | 0:32:10 | 0:32:12 | |
-Do you like it? -Yes. | 0:32:12 | 0:32:14 | |
I mean, you know, it's very nice. | 0:32:14 | 0:32:17 | |
-Very quick, too. -Well, not from my point of view. | 0:32:17 | 0:32:20 | |
It actually took quite a bit of time to sort all this out. | 0:32:20 | 0:32:23 | |
-Oh, yeah? How long? -Six months. | 0:32:23 | 0:32:26 | |
So you just went through the door, | 0:32:26 | 0:32:28 | |
went into the future for six months and then came back out... | 0:32:28 | 0:32:32 | |
One second after I left you. | 0:32:32 | 0:32:34 | |
Wow! | 0:32:34 | 0:32:36 | |
Oh, thank you. | 0:32:36 | 0:32:38 | |
So, it's, erm... | 0:32:40 | 0:32:41 | |
It's all sorted, then, with the time leak and dead bodies? | 0:32:41 | 0:32:46 | |
-Yep. All sorted. -Are you sure? | 0:32:46 | 0:32:50 | |
Ray, I didn't spend the last six months just dyeing my hair. | 0:32:50 | 0:32:54 | |
I'm a professional. | 0:32:54 | 0:32:56 | |
So what was all this about, then? | 0:32:58 | 0:33:00 | |
-I'm sorry, I can't tell you. -What? Why not? | 0:33:00 | 0:33:04 | |
Because that knowledge is anachronous to your time period. | 0:33:04 | 0:33:07 | |
That sounded like you really knew what you were talking about. | 0:33:07 | 0:33:11 | |
I know, I know! It's great, isn't it? | 0:33:11 | 0:33:13 | |
I did what you told me and started saying everything with confidence, | 0:33:13 | 0:33:17 | |
even if I don't have a clue. | 0:33:17 | 0:33:18 | |
It's just had an amazing effect. I even got a promotion. | 0:33:18 | 0:33:24 | |
Really? You got a promotion? | 0:33:24 | 0:33:27 | |
Well, I got off probation. | 0:33:27 | 0:33:31 | |
Mmm. That's pretty much the same. | 0:33:31 | 0:33:35 | |
Yeah. | 0:33:35 | 0:33:37 | |
And what did you reckon to me avoiding that paradox in there? | 0:33:38 | 0:33:43 | |
Ray, you hid in a cupboard. | 0:33:44 | 0:33:46 | |
I thought I did well under the circumstances. | 0:33:46 | 0:33:48 | |
I mean, sure, I don't have a manual to ignore. | 0:33:48 | 0:33:51 | |
Will you stop it with the manual? | 0:33:51 | 0:33:53 | |
So, how do we get back to the right time? | 0:33:56 | 0:33:59 | |
Well, er... we're nearly there, anyway. | 0:33:59 | 0:34:03 | |
-So we just wait? -Yeah. | 0:34:04 | 0:34:07 | |
In the cupboard? | 0:34:07 | 0:34:08 | |
I'm afraid so. | 0:34:08 | 0:34:10 | |
No glowing portal? | 0:34:10 | 0:34:14 | |
No vortex? No big starship? | 0:34:14 | 0:34:16 | |
-Just sit and wait in the cupboard? -Yeah. | 0:34:18 | 0:34:21 | |
Not exactly the glamour that I had expected from time travel. | 0:34:21 | 0:34:25 | |
I did warn you. | 0:34:26 | 0:34:28 | |
Any chance I could wait out here with you? | 0:34:28 | 0:34:33 | |
-Why? -Just, erm, because... | 0:34:33 | 0:34:36 | |
It's better than wedging myself in a cupboard with two very sweaty men. | 0:34:36 | 0:34:41 | |
Not a good thing. | 0:34:41 | 0:34:44 | |
No. No, I imagine not. | 0:34:44 | 0:34:46 | |
So, we'll just hang out here for a while. | 0:34:46 | 0:34:48 | |
Yeah. That'd be nice. | 0:34:48 | 0:34:51 | |
DOOR OPENS | 0:34:51 | 0:34:53 | |
I thought you said we had 20 minutes. | 0:34:55 | 0:34:57 | |
Yeah. Oh, it's... | 0:34:57 | 0:35:00 | |
..not a problem. | 0:35:01 | 0:35:04 | |
Uh, I'm just going to go check that out | 0:35:04 | 0:35:07 | |
and maybe you should get back in that cupboard. | 0:35:07 | 0:35:10 | |
But everything's going to be OK? | 0:35:10 | 0:35:12 | |
Ray, relax. I told you, I'm a professional. | 0:35:12 | 0:35:16 | |
Well, they do say that things taste better outside. | 0:35:21 | 0:35:26 | |
Thank God. | 0:35:27 | 0:35:30 | |
Things taste better outside... | 0:35:30 | 0:35:33 | |
Twat! | 0:35:33 | 0:35:35 | |
-THEY YELL IN THE MEN'S TOILET -Hang on. | 0:35:36 | 0:35:39 | |
Pack it in. > | 0:35:39 | 0:35:40 | |
This is it. | 0:35:40 | 0:35:42 | |
Hello, Petey. Change your mind? | 0:35:42 | 0:35:44 | |
No. Just going to watch from here. | 0:35:44 | 0:35:46 | |
Shit, shit, shit! What the fuck are you doing? | 0:35:46 | 0:35:49 | |
-Where are you going? -I need a piss. -You can't go in there! -You said your woman fixed it. | 0:35:56 | 0:36:00 | |
I'm sure she has, but the other us might still be in there. | 0:36:00 | 0:36:04 | |
Oh, my...! Just go to the ladies'. | 0:36:07 | 0:36:09 | |
Ladies'? | 0:36:11 | 0:36:13 | |
-I'm confused. -You're pissing in the ladies', of course you're confused. | 0:36:19 | 0:36:23 | |
So, the other versions of us... | 0:36:23 | 0:36:25 | |
-Have gone back in time and become us. -Oh, you see? | 0:36:25 | 0:36:28 | |
You say that like it makes sense. | 0:36:28 | 0:36:30 | |
To me it's just crazy talk. | 0:36:30 | 0:36:32 | |
I quite like it in the ladies'. | 0:36:32 | 0:36:34 | |
I'm so confused. | 0:36:34 | 0:36:36 | |
Look, Pete, don't worry about it. | 0:36:36 | 0:36:38 | |
All you need to know is that we're back in the right time | 0:36:38 | 0:36:41 | |
and everything is going to be OK. | 0:36:41 | 0:36:43 | |
Did you get that girl's number, Ray? | 0:36:50 | 0:36:52 | |
-Oh, shit. -You said she'd fixed it. | 0:36:52 | 0:36:55 | |
She said she had. | 0:36:55 | 0:36:57 | |
Maybe she didn't expect us to go into the ladies'. | 0:36:57 | 0:37:00 | |
And we didn't do that conga thing. | 0:37:00 | 0:37:02 | |
Yeah, maybe that wasn't vital. | 0:37:02 | 0:37:04 | |
-Oh, fuck this, lads. -No, Pete, wait! | 0:37:06 | 0:37:08 | |
-Oh! -Maybe he's got the right idea. -Yeah, maybe. | 0:37:08 | 0:37:12 | |
Don't go in! | 0:37:12 | 0:37:14 | |
Oh! Oh, thank God! | 0:37:15 | 0:37:18 | |
It's so good to see you again. | 0:37:18 | 0:37:19 | |
At last! | 0:37:19 | 0:37:21 | |
-What the hell happened to you? -I don't want to talk about it. | 0:37:21 | 0:37:25 | |
Let's never speak of this again. | 0:37:25 | 0:37:27 | |
Er, Pete, have you got shit on you? | 0:37:27 | 0:37:31 | |
Yeah! | 0:37:31 | 0:37:32 | |
-They won't attack you if you wear their scent. -Who won't? | 0:37:32 | 0:37:34 | |
I don't want to talk about it. | 0:37:34 | 0:37:37 | |
-Ray? -Yeah? -What shall we do now? | 0:37:37 | 0:37:40 | |
-Don't know. -Shall we go back into the toilets? | 0:37:40 | 0:37:43 | |
-Yeah. -No! | 0:37:43 | 0:37:45 | |
It's not safe. We need weapons and food. | 0:37:45 | 0:37:49 | |
What the hell did happen to you? | 0:37:49 | 0:37:52 | |
I really don't want to talk about it. | 0:37:52 | 0:37:54 | |
All I will say is that weapons and food | 0:37:54 | 0:37:57 | |
would be a really good idea. | 0:37:57 | 0:37:59 | |
Eugh! | 0:38:01 | 0:38:02 | |
Maybe we'll have a look around for weapons and food first. | 0:38:02 | 0:38:05 | |
Yeah. Sounds like a plan. | 0:38:05 | 0:38:07 | |
What do you think happened? | 0:38:27 | 0:38:29 | |
-You're a little bit excited, aren't you? -A little bit! | 0:38:36 | 0:38:40 | |
Come on, it's the future! | 0:38:40 | 0:38:43 | |
I've always wanted to go there. | 0:38:43 | 0:38:45 | |
Not alone any more. No more running. No more hiding. No more bad dreams. | 0:38:45 | 0:38:49 | |
You know, for someone who really doesn't want to talk about it, | 0:38:49 | 0:38:52 | |
he can be quite chatty, can't he? | 0:38:52 | 0:38:54 | |
Weapons and food. That's what we need. | 0:38:54 | 0:38:57 | |
Crisp, anyone? | 0:39:31 | 0:39:33 | |
Have you checked the sell-by date on those? | 0:39:42 | 0:39:44 | |
May... | 0:39:46 | 0:39:48 | |
2094. | 0:39:50 | 0:39:52 | |
How do they taste? | 0:39:53 | 0:39:54 | |
Off. | 0:39:56 | 0:39:57 | |
So, whose round is it? | 0:40:00 | 0:40:03 | |
-Ah. -Er. | 0:40:03 | 0:40:05 | |
Guys... | 0:40:05 | 0:40:07 | |
I think I've seen us. | 0:40:07 | 0:40:08 | |
-What? -One time I bumped into three guys who were dressed like this. | 0:40:08 | 0:40:13 | |
Like we are now. | 0:40:13 | 0:40:16 | |
Only I didn't recognise us. | 0:40:16 | 0:40:19 | |
-Us? In the future? -Must have been. | 0:40:19 | 0:40:22 | |
But we've only just put these on. | 0:40:22 | 0:40:24 | |
It's time travel. Shit like that happens. | 0:40:24 | 0:40:27 | |
Did we look well? | 0:40:27 | 0:40:29 | |
Yeah, I suppose so. | 0:40:29 | 0:40:31 | |
Too busy running in the other direction to notice. | 0:40:31 | 0:40:34 | |
Come on. Let's get back to the toilets. | 0:40:37 | 0:40:39 | |
Whoa, whoa! What? | 0:40:39 | 0:40:41 | |
But we've only just got here. | 0:40:41 | 0:40:43 | |
I think we've all got the idea, haven't we? The future's broken. | 0:40:44 | 0:40:48 | |
We have to have a little look around. I mean, how can we not? | 0:40:48 | 0:40:51 | |
-Are you serious? -Have you actually looked out there? | 0:40:51 | 0:40:54 | |
This might just be a bad area. | 0:40:54 | 0:40:57 | |
In a bad area, all right, windows get put through, kids drink on corners. That is the end of the fucking world! | 0:40:57 | 0:41:01 | |
Ray, don't you want to go home? | 0:41:01 | 0:41:05 | |
Of course I do. | 0:41:05 | 0:41:07 | |
Just, you know, in a little while. | 0:41:07 | 0:41:10 | |
The way home isn't out there, it's in there, | 0:41:10 | 0:41:13 | |
and I want to go home. I really do, and every time I go in and come out, | 0:41:13 | 0:41:17 | |
I pray I'll be in the right time. | 0:41:17 | 0:41:19 | |
One day I will be. | 0:41:19 | 0:41:22 | |
Pete, exactly how long have you been doing this? | 0:41:22 | 0:41:24 | |
Long enough to know it's better to hunt in packs... | 0:41:24 | 0:41:28 | |
-That doesn't sound good. -So they can't attack from behind. -Or that. | 0:41:28 | 0:41:32 | |
Let's just sit down, all right, | 0:41:32 | 0:41:35 | |
in the warm and wait...for rescue, OK? | 0:41:35 | 0:41:40 | |
Rescue? No-one knows we're here. At least out there, | 0:41:40 | 0:41:43 | |
there might be someone who can help us. | 0:41:43 | 0:41:46 | |
-Like who? -I don't know. Like... | 0:41:46 | 0:41:48 | |
Oh, like friendly future people with huge heads. | 0:41:48 | 0:41:50 | |
You're living in a dream world, both of you! | 0:41:50 | 0:41:55 | |
I'm going to go and get a bit of wood. | 0:41:55 | 0:41:57 | |
Thanks, Pete. | 0:41:57 | 0:41:58 | |
Not for the fire. I'm going to turn this into a spear. | 0:41:58 | 0:42:01 | |
And when I get back, you two, | 0:42:01 | 0:42:02 | |
you'd better be ready to go cos I'm not going alone again. | 0:42:02 | 0:42:07 | |
-What's up with you? -What? | 0:42:10 | 0:42:13 | |
How many times have we talked about seeing the future, Tobe? | 0:42:13 | 0:42:16 | |
I'm not going out there. Those look like the sort of streets | 0:42:16 | 0:42:19 | |
monsters run down. | 0:42:19 | 0:42:21 | |
Besides, I haven't really got the right shoes on for the rubble. | 0:42:21 | 0:42:24 | |
There's always something, with you, Tobe, isn't there? | 0:42:25 | 0:42:27 | |
"Oh, I couldn't send my script out, the margins were too wide. | 0:42:27 | 0:42:31 | |
"I couldn't go to that job interview, there was a spot on my elbow. | 0:42:31 | 0:42:34 | |
"I can't go exploring, it's the end of the world!" | 0:42:34 | 0:42:37 | |
That last one's actually quite a good one. | 0:42:37 | 0:42:40 | |
No, it's fine. You just... | 0:42:40 | 0:42:42 | |
You just wait there. | 0:42:42 | 0:42:44 | |
For rescue. | 0:42:44 | 0:42:46 | |
And you call yourself an imagineer? | 0:42:47 | 0:42:51 | |
Ray? Ray? | 0:43:40 | 0:43:43 | |
Toby! | 0:43:43 | 0:43:45 | |
-Pete! -What's going on? Are you OK? | 0:43:45 | 0:43:49 | |
Is everything all right out here? | 0:43:54 | 0:43:56 | |
Oh, my God. | 0:43:57 | 0:43:59 | |
What does it mean, Ray? What does it mean? | 0:44:13 | 0:44:16 | |
-It's us. -Do you think? | 0:44:16 | 0:44:18 | |
Your woman said you'd get famous, right? | 0:44:23 | 0:44:27 | |
-Well, maybe we ALL do. -What for? | 0:44:27 | 0:44:30 | |
I don't know. Maybe we form a band. | 0:44:30 | 0:44:34 | |
Can anybody play anything? | 0:44:36 | 0:44:38 | |
Maybe we learn. | 0:44:40 | 0:44:41 | |
And maybe it's not a band. | 0:44:41 | 0:44:44 | |
Do you think they did it from photos, or do you think we posed? | 0:44:45 | 0:44:49 | |
We're dressed as we are now. | 0:44:49 | 0:44:51 | |
Yeah, that's a head-fuck. | 0:44:51 | 0:44:53 | |
-Whoa! What was that? -What was what? | 0:44:55 | 0:45:00 | |
-A noise. -There is no noise. | 0:45:00 | 0:45:03 | |
Pete? | 0:45:03 | 0:45:04 | |
-CREAKING -Shit. What the fuck was that? | 0:45:04 | 0:45:08 | |
Sounded like mandibles. | 0:45:08 | 0:45:11 | |
-What? -It's what insects eat with. -I know what mandibles are. | 0:45:11 | 0:45:14 | |
-Big insects. -There was another sound, like a moaning sound. | 0:45:14 | 0:45:17 | |
Big, moaning insects. | 0:45:17 | 0:45:20 | |
-Back to the toilets. -No, wait. | 0:45:20 | 0:45:22 | |
-We don't know that for sure. -It needn't be insects. It could be, um, anything. | 0:45:22 | 0:45:25 | |
Right. It could be my big friendly future people. | 0:45:25 | 0:45:28 | |
You know, with their spindly bodies and their huge hands. | 0:45:28 | 0:45:31 | |
I think we got a little bit spooked over nothing. | 0:45:56 | 0:45:58 | |
Shh! Things can come in here as well you know. | 0:45:58 | 0:46:01 | |
-Things? What kind of things? -Sshh. | 0:46:01 | 0:46:03 | |
-No, I will not sshhh! You are freaking me out! -Toby, leave him alone. | 0:46:03 | 0:46:07 | |
No, no, Ray. Look at him. He's covered in shit and scared shitless. | 0:46:07 | 0:46:11 | |
Don't you think it'd be handy to know what did that? | 0:46:11 | 0:46:13 | |
Aren't you just a little curious about how come he's... | 0:46:13 | 0:46:16 | |
Sshh! | 0:46:16 | 0:46:19 | |
One time I came in here | 0:46:19 | 0:46:22 | |
and went out through that door | 0:46:22 | 0:46:24 | |
and I fell. It must have been when the ground level was different. | 0:46:24 | 0:46:28 | |
40 feet different. | 0:46:28 | 0:46:30 | |
I landed in a wood. | 0:46:30 | 0:46:32 | |
I couldn't tell you what time I was in. | 0:46:32 | 0:46:35 | |
If it was the past, our fossil records are far from complete. | 0:46:35 | 0:46:38 | |
-But I wasn't the first to fall. -You met other people? | 0:46:38 | 0:46:42 | |
I didn't say they were alive. | 0:46:42 | 0:46:44 | |
There was things in that wood | 0:46:46 | 0:46:48 | |
that only came out at night. | 0:46:48 | 0:46:50 | |
The breathing. | 0:46:50 | 0:46:53 | |
The noises. | 0:46:53 | 0:46:55 | |
The screams. | 0:46:55 | 0:46:58 | |
SCREAMING | 0:46:58 | 0:47:00 | |
-Pack it in! -Change your mind? | 0:47:00 | 0:47:03 | |
Shit, shit, shit! What the fuck are you doing? | 0:47:03 | 0:47:06 | |
If you've anything planned, you're going to get it, too. It's us! | 0:47:06 | 0:47:10 | |
I haven't got anything planned. | 0:47:10 | 0:47:14 | |
-We can warn ourselves. -If we do, then we cease to exist. | 0:47:14 | 0:47:17 | |
Exactly. | 0:47:17 | 0:47:18 | |
Ray, check the loos. | 0:47:25 | 0:47:27 | |
He's probably got some bloke in a Scream mask. | 0:47:27 | 0:47:30 | |
Not a fucking sound. | 0:47:30 | 0:47:33 | |
-Oh. Really does stink in here. -You might as well just pay me now. | 0:47:34 | 0:47:38 | |
It's like a dung-y, zoo-y... | 0:47:39 | 0:47:42 | |
It's Pete's bullshit you can smell. | 0:47:42 | 0:47:43 | |
Listen! This isn't a wind-up. | 0:47:43 | 0:47:46 | |
Do you really want to see the future? | 0:47:47 | 0:47:51 | |
-I'd love to. -You've got to do exactly what I did. | 0:47:51 | 0:47:54 | |
What do you mean? | 0:47:54 | 0:47:57 | |
# A total eclipse... | 0:47:57 | 0:48:01 | |
# Of the heart. # | 0:48:01 | 0:48:03 | |
They've gone. | 0:48:14 | 0:48:16 | |
Oh, that's just great! | 0:48:16 | 0:48:18 | |
That's just fucking great! | 0:48:18 | 0:48:19 | |
I could have saved myself. Saved us! | 0:48:19 | 0:48:22 | |
Pete, we'll cease to exist! | 0:48:22 | 0:48:24 | |
Yeah, well, I don't care! If I get the chance to warn myself again, | 0:48:24 | 0:48:27 | |
I'm going to do it and to hell with anyone who tries to stop me. | 0:48:27 | 0:48:32 | |
Oh, shit! | 0:48:32 | 0:48:34 | |
-I was wondering when that would happen. -Wait! | 0:48:34 | 0:48:37 | |
Pete, no! | 0:48:37 | 0:48:38 | |
-What is this? -OK, Ray. Keep it together. | 0:48:46 | 0:48:48 | |
What would Miss Marple do? What would Miss Marple do? | 0:48:48 | 0:48:51 | |
There's hundreds of us. | 0:48:51 | 0:48:53 | |
How can there be hundreds of us? | 0:48:53 | 0:48:54 | |
Did Pete touch himself? Is this what happens when you do a big paradox? | 0:48:54 | 0:48:57 | |
They aren't us, Tobe. | 0:48:57 | 0:48:59 | |
-They're only dressed like us. -Ah, well, that's all right, then. | 0:48:59 | 0:49:02 | |
Now it makes complete sense(!) | 0:49:02 | 0:49:04 | |
OK, what we need to do now is find Pete and get the hell out of here. | 0:49:04 | 0:49:08 | |
MUSIC: "The Land Of Make Believe" by Bucks Fizz | 0:49:08 | 0:49:11 | |
Tobe? I think I know why everyone is dressed like us. | 0:49:45 | 0:49:48 | |
-Why? -It's a theme night. | 0:49:48 | 0:49:50 | |
A fan theme night, based around us. | 0:49:50 | 0:49:53 | |
Come on! That's a bit of a stretch, isn't it? What makes you think that? | 0:49:53 | 0:49:57 | |
Big sign just over there. | 0:49:57 | 0:49:59 | |
Fans...of us. | 0:50:02 | 0:50:05 | |
-Do you think we're here? -What? -The famous future us. -Oh, my God. | 0:50:05 | 0:50:10 | |
I hope not. | 0:50:10 | 0:50:12 | |
Yes, it is me! Hello! | 0:50:16 | 0:50:19 | |
-What the hell are you doing? -Chill out, Ray. These are my people! | 0:50:19 | 0:50:23 | |
No, they're not, and this isn't even our time! | 0:50:23 | 0:50:25 | |
Can't we just soak up a bit of a laugh? | 0:50:25 | 0:50:28 | |
No, we can't. | 0:50:28 | 0:50:30 | |
Now, this is what I call a future. | 0:50:30 | 0:50:32 | |
Well, tough, | 0:50:32 | 0:50:33 | |
because we are just here to find Pete and get the hell out of here. | 0:50:33 | 0:50:37 | |
So you just stay where I can see you. | 0:50:37 | 0:50:39 | |
Guys? Is it the real you? | 0:50:45 | 0:50:47 | |
-It's the real us. -Oh! | 0:50:47 | 0:50:50 | |
Did you touch yourself? | 0:50:50 | 0:50:51 | |
No, but I think I've broken time. | 0:50:51 | 0:50:55 | |
-The whole world is full of us! -You haven't broken time... -Yes, Pete. | 0:50:55 | 0:50:58 | |
What you did was very, very dangerous. | 0:50:58 | 0:51:01 | |
I want you to promise me that you will never do it again. | 0:51:01 | 0:51:04 | |
-No. -What's that? | 0:51:04 | 0:51:06 | |
Someone slapped it on me. | 0:51:06 | 0:51:09 | |
He's won the Pete look-alike competition. | 0:51:09 | 0:51:11 | |
Well, he does look a lot like him. | 0:51:11 | 0:51:13 | |
You do. I wonder if they did one for me? | 0:51:13 | 0:51:15 | |
-OK, let's go. -Oh, guys. | 0:51:22 | 0:51:26 | |
What? | 0:51:26 | 0:51:28 | |
Look. | 0:51:28 | 0:51:29 | |
Oh! | 0:51:29 | 0:51:31 | |
Look at the table. | 0:51:31 | 0:51:33 | |
I'm writing. | 0:51:33 | 0:51:35 | |
I'm Jesus and I'm writing. | 0:51:35 | 0:51:38 | |
It's that letter thing to Hollywood. | 0:51:41 | 0:51:43 | |
This isn't my fault as well, is it? | 0:51:43 | 0:51:44 | |
When I broke time. | 0:51:44 | 0:51:46 | |
This is probably something else, Pete. | 0:51:46 | 0:51:49 | |
Are you sure it's that letter? | 0:51:49 | 0:51:50 | |
It's blank in the painting, but I left it on that table. | 0:51:50 | 0:51:54 | |
It has to be that. | 0:51:54 | 0:51:56 | |
Someone does a painting of us because we slag off some films? | 0:51:56 | 0:51:59 | |
Of course it sounds stupid if you put it like that. | 0:51:59 | 0:52:02 | |
-You ripped that page out of your little book, right? -Yeah. | 0:52:02 | 0:52:05 | |
-And? -Was there anything on the back? | 0:52:05 | 0:52:08 | |
-Might've been. -Might have been? | 0:52:09 | 0:52:12 | |
Shut up. I'm just trying to think. | 0:52:12 | 0:52:15 | |
You know, every time I come up with a genius idea, | 0:52:15 | 0:52:18 | |
or one of you says something stupid, I put it in there. | 0:52:18 | 0:52:22 | |
God, it could be anything. | 0:52:22 | 0:52:24 | |
-It doesn't matter what it is, does it? -What do you mean? | 0:52:24 | 0:52:27 | |
Well, you don't do paintings of nobodies. | 0:52:27 | 0:52:31 | |
Whatever I wrote, it turned us into somebodies. | 0:52:31 | 0:52:33 | |
I think it is safe to say, we are rich and we are famous! | 0:52:33 | 0:52:36 | |
Then, why aren't we smiling? | 0:52:36 | 0:52:38 | |
I don't know. Maybe the artist wasn't very good at teeth. | 0:52:38 | 0:52:41 | |
-Maybe it's a memorial? -Oh! | 0:52:41 | 0:52:43 | |
Drop it with the bodies. | 0:52:43 | 0:52:45 | |
His woman said she'd fixed it. | 0:52:45 | 0:52:47 | |
Oh, yeah. She said she'd fixed the time leak and I end up getting chased about by monsters. | 0:52:47 | 0:52:50 | |
If Cassie said that we are safe, then we are safe. I trust her. | 0:52:50 | 0:52:55 | |
-Are you sure? -Yes. | 0:52:55 | 0:52:57 | |
Sure. | 0:52:57 | 0:52:58 | |
-Let's go. -Whoa! Slow down! | 0:52:58 | 0:53:02 | |
Got to finish this drink. | 0:53:02 | 0:53:04 | |
Where did you get that? | 0:53:04 | 0:53:05 | |
Some waiter guy. It's a free bar. | 0:53:05 | 0:53:08 | |
-Would you like to stock up on the buffet while we're here(?) -There's a buffet?! | 0:53:08 | 0:53:11 | |
Hey, guys. The cavalry's here. | 0:53:11 | 0:53:15 | |
-Cassie says hello. -You know Cassie? | 0:53:15 | 0:53:17 | |
I trained her. Sergeant Porter, Causal Adjust. | 0:53:17 | 0:53:20 | |
But you can call me Millie. Hi! | 0:53:20 | 0:53:23 | |
-I'm here to get you home. -Oh, hello, Millie! -Hi! | 0:53:23 | 0:53:25 | |
-We have been looking for you guys everywhere! -Oh, so are we safe? | 0:53:25 | 0:53:29 | |
We don't get killed? | 0:53:29 | 0:53:31 | |
Oh, well, officially I can't comment, but unofficially everything's sorted. | 0:53:31 | 0:53:36 | |
But I still get rich and famous, right? | 0:53:38 | 0:53:41 | |
Officially I cannot comment but, unofficially, you get your own island. | 0:53:41 | 0:53:44 | |
Yes! | 0:53:44 | 0:53:47 | |
-So how the hell do we get out of here? -Leave that to me. -OK. | 0:53:47 | 0:53:49 | |
OK. Come on. | 0:53:49 | 0:53:52 | |
OK, a little bit weird but, erm, it turns out everybody in the future is American. | 0:53:52 | 0:53:57 | |
Come on. | 0:53:57 | 0:54:00 | |
-I thought she'd do something more than tell us to get back in the bogs. -Yeah. | 0:54:07 | 0:54:11 | |
-Me, too. -So, are we back? | 0:54:11 | 0:54:14 | |
We're back! | 0:54:20 | 0:54:22 | |
Yeah, but at what time of night exactly? | 0:54:22 | 0:54:26 | |
-We can't slag off sequels. There have been some really good sequels. -Like? | 0:54:31 | 0:54:37 | |
Like, er... | 0:54:37 | 0:54:39 | |
Mad Max II, Godfather II. | 0:54:39 | 0:54:42 | |
Yeah, well, for every good one there are... | 0:54:42 | 0:54:44 | |
I wish they'd hurry up and bugger off. | 0:54:44 | 0:54:46 | |
-It's going to be a little while. -Look at us. Not a care in the world. | 0:54:46 | 0:54:51 | |
They have no idea what's in store. | 0:54:51 | 0:54:53 | |
Yeah. We look so happy. | 0:54:53 | 0:54:57 | |
OK, ladies. Um, we know they stay there for a while. | 0:55:00 | 0:55:04 | |
I think it's worth the risk. | 0:55:04 | 0:55:06 | |
-Going to get some peanuts. -Didn't shake hands. | 0:55:09 | 0:55:11 | |
What? What are you, 12? | 0:55:11 | 0:55:15 | |
I swear to you, I saw myself right here. | 0:55:15 | 0:55:17 | |
Where are my crisps? I'm starving. | 0:55:20 | 0:55:23 | |
The bar was a little busy. | 0:55:23 | 0:55:25 | |
Maybe later. | 0:55:25 | 0:55:27 | |
Well, get my money ready. | 0:55:27 | 0:55:30 | |
Are we going to go in? Brilliant! | 0:55:30 | 0:55:33 | |
-Am I really that fat? -Well, they say that time travel adds 20lb. | 0:55:34 | 0:55:39 | |
And you've travelled a lot. | 0:55:39 | 0:55:40 | |
-Are those two dead? -What? | 0:55:43 | 0:55:45 | |
What do you mean? | 0:55:45 | 0:55:47 | |
-Are those two dead? -Oh, no, not yet. | 0:55:47 | 0:55:50 | |
Finally. | 0:55:52 | 0:55:55 | |
-Are we ready, children? -Come on. | 0:56:05 | 0:56:07 | |
Get on with it! | 0:56:07 | 0:56:09 | |
ALL: Ah! | 0:56:11 | 0:56:14 | |
-Well, I never! -It's nuts. | 0:56:14 | 0:56:17 | |
I never would've thought it was that. | 0:56:17 | 0:56:19 | |
So, do we just leave it here? | 0:56:22 | 0:56:25 | |
Yeah. Yeah, I assume someone just finds it and it all goes from there. | 0:56:25 | 0:56:30 | |
I think, er... I think I feel good about it. | 0:56:32 | 0:56:35 | |
You feel good about it, Tobe? | 0:56:35 | 0:56:39 | |
It was my idea. | 0:56:39 | 0:56:41 | |
-My idea. -Our idea. | 0:56:41 | 0:56:43 | |
You might have come up with the seed, but I watered it. | 0:56:43 | 0:56:46 | |
Yes, but without our seed you have nothing. | 0:56:46 | 0:56:49 | |
Yeah, you got mud. | 0:56:49 | 0:56:52 | |
-All right. You can have a little bit of my island. -Screw that! | 0:56:52 | 0:56:55 | |
I don't want to live on your island. | 0:56:55 | 0:56:57 | |
Fine by me. | 0:56:57 | 0:56:59 | |
I need a piss. | 0:56:59 | 0:57:01 | |
Yes, I'll go outside. | 0:57:01 | 0:57:03 | |
And don't touch yourself. | 0:57:03 | 0:57:05 | |
Oh-ho. | 0:57:05 | 0:57:06 | |
Yeah. Good times. | 0:57:06 | 0:57:09 | |
I want my own island. | 0:57:10 | 0:57:11 | |
-Hi! -Hi! | 0:57:24 | 0:57:27 | |
I was, er, hoping you'd come back. | 0:57:29 | 0:57:32 | |
Obviously not at that precise moment, but, erm, hey. | 0:57:32 | 0:57:35 | |
So, how long has it been for you since we were last...? | 0:57:40 | 0:57:43 | |
Oh, another six months. | 0:57:43 | 0:57:46 | |
I got a promotion. | 0:57:46 | 0:57:48 | |
-Oh. -This time it's for real. | 0:57:48 | 0:57:51 | |
Yeah, it was for sorting all this out, so... | 0:57:51 | 0:57:55 | |
-You want to ask me if I read the whole manual. -Thought never even crossed my mind. | 0:57:55 | 0:58:00 | |
Well, Ray, I am rewriting the manual. | 0:58:00 | 0:58:03 | |
Good for you. | 0:58:03 | 0:58:05 | |
So, erm, you have a nice night tonight? | 0:58:05 | 0:58:09 | |
Oh, you know, just a quiet drink with the boys in the pub. Very dull. | 0:58:09 | 0:58:15 | |
-I did meet this one girl, though. -Really? -She said she was from the future. | 0:58:15 | 0:58:20 | |
-What was she like? -She was just... | 0:58:20 | 0:58:24 | |
-..awful. -Oh! -Oh, no, she was great. | 0:58:26 | 0:58:29 | |
She was great. | 0:58:29 | 0:58:31 | |
You know, I'd never thought I'd say it but... | 0:58:33 | 0:58:35 | |
it's good to be back in the present. | 0:58:35 | 0:58:37 | |
I don't know. All this fuss over half an hour. | 0:58:38 | 0:58:41 | |
What?! What are you talking about? | 0:58:41 | 0:58:43 | |
We went years in the future. | 0:58:43 | 0:58:45 | |
-Decades. -Oh? That's very funny. | 0:58:45 | 0:58:47 | |
Cassie, I'm deadly serious. | 0:58:47 | 0:58:50 | |
We went into the ladies' through another time leak. | 0:58:50 | 0:58:54 | |
It brought us to this pub, but in the future, way into the future. | 0:58:54 | 0:58:57 | |
You were searching for us. Millie and you. Causal Adjust. | 0:58:57 | 0:59:00 | |
-Ray, Causal Adjust is another name for the Editors. -The who? | 0:59:00 | 0:59:03 | |
I told you about them. They kill people at their finest hour. | 0:59:03 | 0:59:06 | |
-Millie's an Editor, Ray. -Oh, shit! | 0:59:06 | 0:59:10 | |
But she brought us back here. Why would she do that? | 0:59:10 | 0:59:12 | |
Why do you think? To kill you! | 0:59:12 | 0:59:15 | |
Oh, no! | 0:59:15 | 0:59:17 | |
-What do we do? -OK, well, I'm going to go get help and you just stay put. | 0:59:17 | 0:59:21 | |
I've got to warn the boys! | 0:59:21 | 0:59:23 | |
-Ray, it's not safe in there! -I can't just leave them, Cassie! | 0:59:23 | 0:59:25 | |
Look, you bring help and I'll, er, | 0:59:25 | 0:59:29 | |
-do what I can. -Ray! | 0:59:29 | 0:59:31 | |
Please be careful. | 0:59:31 | 0:59:35 | |
-Guys, we're screwed. -What? | 0:59:44 | 0:59:46 | |
-Millie is an Editor. -A what? | 0:59:46 | 0:59:48 | |
An Editor. Remember, they kill people in their finest hour? | 0:59:48 | 0:59:52 | |
Like Kevin Costner? And I think that this...this was ours. | 0:59:52 | 0:59:55 | |
Come on. Let's get out of here. | 0:59:55 | 0:59:57 | |
No, no, no. Wait. There's no point. | 0:59:59 | 1:00:02 | |
There's no point, they'll only find us. Some other time, some other place. | 1:00:02 | 1:00:05 | |
-What do we do, Ray? -That's odd. | 1:00:05 | 1:00:07 | |
I can't get a signal. | 1:00:07 | 1:00:10 | |
-We burn this. -What? -We burn this, we change history. | 1:00:10 | 1:00:12 | |
Without this they have no reason to kill us. | 1:00:12 | 1:00:15 | |
-You don't know for sure if we're in danger. -Cassie said... | 1:00:15 | 1:00:18 | |
-I don't care what she said! -Tobe, I saw this place full of bodies. | 1:00:18 | 1:00:20 | |
Ray, just think about what you're throwing away, all right? | 1:00:20 | 1:00:24 | |
-If you burn that, we don't get rich, we don't get famous. -We don't get dead! | 1:00:24 | 1:00:27 | |
Look, I've come up with a lot of ideas, a lot of shit ideas. | 1:00:27 | 1:00:30 | |
-Tobe! -I know you laugh at them but... | 1:00:30 | 1:00:33 | |
I don't mind, because I thought, you know, if I keep going then... | 1:00:33 | 1:00:36 | |
one day I'd come up with something good. | 1:00:36 | 1:00:38 | |
But what if this is it? The one idea that makes it for me? | 1:00:38 | 1:00:41 | |
My one chance... | 1:00:41 | 1:00:42 | |
Don't burn it, Ray. | 1:00:44 | 1:00:45 | |
It's not even your idea. I say we burn it. | 1:00:45 | 1:00:47 | |
Well, you fucking would! You've always hated my ideas! | 1:00:47 | 1:00:50 | |
-It's not even your idea! -Guys, guys! OK, guys. | 1:00:50 | 1:00:52 | |
We don't have time for this! | 1:00:52 | 1:00:54 | |
Just, Pete, give me the lighter. | 1:00:54 | 1:00:57 | |
-Pete, what's up with this? -Two months in a wood trying | 1:01:05 | 1:01:08 | |
to stay alive, that's what's up with the lighter. | 1:01:08 | 1:01:10 | |
OK. You keep trying. | 1:01:10 | 1:01:12 | |
I'm going to get some matches. | 1:01:12 | 1:01:13 | |
-Give me a go. -No. -Give me a go. I'll be fine, just give me a go. | 1:01:16 | 1:01:18 | |
Excuse me... | 1:01:18 | 1:01:20 | |
-Hi. -Hey! What's happening? | 1:01:22 | 1:01:24 | |
-We're on our own. I'm offline. -What do you mean? | 1:01:24 | 1:01:27 | |
-My time machine inside me, it's blocked. -Give me the letter. | 1:01:27 | 1:01:30 | |
-Just give it me. -No way. | 1:01:30 | 1:01:32 | |
Give me the fucking letter, Pete! | 1:01:32 | 1:01:34 | |
Not a chance! | 1:01:34 | 1:01:36 | |
And so you deny me three times. That's why you were in the painting! | 1:01:36 | 1:01:39 | |
-You're Judas! -Excuse me! | 1:01:39 | 1:01:40 | |
All I want is a box of matches. | 1:01:40 | 1:01:42 | |
What's your point? | 1:01:42 | 1:01:44 | |
In the Bible, it's Peter who denies Jesus three times. | 1:01:44 | 1:01:49 | |
You fat twat! | 1:01:49 | 1:01:51 | |
Hey! That's enough, lads! Time in the bar! | 1:01:51 | 1:01:55 | |
Get off me, you bell-end! | 1:01:55 | 1:01:57 | |
This is it. | 1:02:04 | 1:02:07 | |
Hi! | 1:02:11 | 1:02:12 | |
I have seen the original before, of course, | 1:02:14 | 1:02:17 | |
but in a museum, so to be here tonight with the creators on the night it all began... | 1:02:17 | 1:02:22 | |
is just such a rush. | 1:02:23 | 1:02:25 | |
But I am sorry to say, tonight is as good as it gets. | 1:02:25 | 1:02:29 | |
You don't change or add to culture in any meaningful way. | 1:02:29 | 1:02:32 | |
This is what you're always going to be remembered for, | 1:02:32 | 1:02:35 | |
so why not go out with a bang rather than fade away? | 1:02:35 | 1:02:39 | |
Get away from him, you bitch! | 1:02:39 | 1:02:41 | |
Hello! I'm sorry. | 1:02:41 | 1:02:44 | |
I'm pointing a rather large gun at you! | 1:02:44 | 1:02:47 | |
Er, yeah, which you got from when, exactly? | 1:02:47 | 1:02:50 | |
Centuries beyond your time. | 1:02:50 | 1:02:52 | |
So, what is it? | 1:02:52 | 1:02:54 | |
What is it? | 1:02:56 | 1:02:58 | |
I'll tell you... I'll tell you what it is. | 1:03:00 | 1:03:02 | |
It's a Mark IV Corbomite Assault Staff. | 1:03:03 | 1:03:06 | |
The Planetary Peace Corp's best friend. | 1:03:06 | 1:03:08 | |
It'll work in an absolute vacuum and in absolute zero. Cold fusion battery, good for 50 years. | 1:03:08 | 1:03:13 | |
It fires homing plasma orbs that will cut through titanium plate four inches thick. | 1:03:13 | 1:03:18 | |
Really? | 1:03:18 | 1:03:19 | |
Well... | 1:03:19 | 1:03:21 | |
You didn't, like, | 1:03:21 | 1:03:23 | |
-mention its range. -I'd hit you from here. | 1:03:23 | 1:03:26 | |
Now get off the big guy. | 1:03:30 | 1:03:32 | |
Millie, I know what you're trying to do. | 1:03:36 | 1:03:40 | |
The future generations leading from this room that wouldn't be born. | 1:03:40 | 1:03:43 | |
Chaos Theory on a massive scale... Oh! Oh! | 1:03:43 | 1:03:48 | |
Cassie? | 1:03:49 | 1:03:50 | |
-Cassie? -Right, that's it! | 1:03:50 | 1:03:52 | |
I'm calling the police. | 1:03:52 | 1:03:54 | |
SCREAMING | 1:03:54 | 1:03:56 | |
Oh, stop it. Fucking stop it! | 1:03:57 | 1:03:59 | |
-Everybody freeze! Ain't nobody going nowhere! -Hey! Drop your weapons! | 1:03:59 | 1:04:04 | |
You see any weapons, Ray? | 1:04:04 | 1:04:07 | |
See, my time machine has a built-in armament system. | 1:04:07 | 1:04:11 | |
So, to drop my weapons would require about... | 1:04:11 | 1:04:13 | |
yeah, 12 hours of surgery. | 1:04:13 | 1:04:16 | |
You know what? I think we're going to have a little stand-off here today. | 1:04:16 | 1:04:21 | |
Oh...unless, of course, you're bluffing. | 1:04:21 | 1:04:25 | |
Unless, of course, that is a plastic toy gun you made for work, Ray. | 1:04:25 | 1:04:31 | |
Oh, poo! | 1:04:32 | 1:04:35 | |
That's a nice try. | 1:04:39 | 1:04:41 | |
I messed up, Ray. | 1:04:41 | 1:04:43 | |
-I'm sorry. -Don't worry about it. | 1:04:43 | 1:04:45 | |
All in all, it's been a pretty good day. | 1:04:45 | 1:04:48 | |
I travelled through time. I met you. | 1:04:48 | 1:04:50 | |
You know what? | 1:04:50 | 1:04:53 | |
I am sensing a little bit of resistance to this whole immortality deal I am offering here. | 1:04:53 | 1:04:59 | |
Toby, all you have to do is destroy that little piece of paper | 1:05:01 | 1:05:05 | |
and you get to live to write another day in your book of bad ideas and your dead-end job. | 1:05:05 | 1:05:11 | |
Wow! Or you could give it to me | 1:05:11 | 1:05:15 | |
and I'll turn you all into legends. | 1:05:15 | 1:05:18 | |
What do you say? | 1:05:18 | 1:05:20 | |
Come on, Tobe. | 1:05:22 | 1:05:24 | |
I just need a little time to think. | 1:05:25 | 1:05:28 | |
-What is there to think about? She's going to fucking kill us! -It's not that simple. | 1:05:28 | 1:05:32 | |
Now, this is his choice and his alone. | 1:05:40 | 1:05:43 | |
MUSIC: "The Land Of Make Believe" by Bucks Fizz | 1:05:43 | 1:05:46 | |
Oh, no! The song! | 1:05:46 | 1:05:49 | |
-This fucking song! -If there was one thing I could change about this | 1:05:49 | 1:05:53 | |
situation, it would not be the song on the fucking jukebox! | 1:05:53 | 1:05:56 | |
Time's up. | 1:05:56 | 1:05:59 | |
Now, what's it going to be? | 1:06:00 | 1:06:03 | |
Toby... | 1:06:20 | 1:06:22 | |
(Fuck you!) CHUCK IT! | 1:06:30 | 1:06:32 | |
No-o-o-o-o-o-o! | 1:06:39 | 1:06:42 | |
Wow! | 1:09:38 | 1:09:40 | |
-Did you do that? -Yep. | 1:09:51 | 1:09:54 | |
With my pint? | 1:09:54 | 1:09:56 | |
Were we just dead? | 1:09:56 | 1:09:58 | |
Yeah. | 1:09:58 | 1:10:00 | |
But now we're not. | 1:10:00 | 1:10:01 | |
-No. -So, what happened exactly? -I knocked a pint onto this... | 1:10:01 | 1:10:06 | |
MY pint, MY pint. | 1:10:06 | 1:10:08 | |
I knocked Pete's pint onto this, so no-one could read it. | 1:10:09 | 1:10:13 | |
So the future then changed because we didn't become famous, | 1:10:13 | 1:10:17 | |
so the Editors didn't send anybody to kill us. | 1:10:17 | 1:10:19 | |
Wow. | 1:10:19 | 1:10:21 | |
-I think you got that wrong. -Why? | 1:10:21 | 1:10:26 | |
Pete downed his pint, didn't he? | 1:10:26 | 1:10:28 | |
So, that was probably MY pint. | 1:10:28 | 1:10:31 | |
Jesus! Could we focus on the "us being alive again" thing? | 1:10:31 | 1:10:36 | |
-Well, yeah, obviously. Well done, Ray. -Is that it? | 1:10:36 | 1:10:39 | |
Is it all over? | 1:10:39 | 1:10:42 | |
-We're all OK? -Yeah, I think so. | 1:10:42 | 1:10:45 | |
Wow. | 1:10:45 | 1:10:48 | |
I've gone off this pub a little bit. | 1:10:48 | 1:10:51 | |
-Shall we go down The King's Head? -Why not? | 1:10:51 | 1:10:53 | |
So, everything that happened... | 1:10:53 | 1:10:54 | |
Couldn't happen. Didn't happen. | 1:10:54 | 1:10:57 | |
Including me meeting Cassie. | 1:10:58 | 1:11:01 | |
Yeah. | 1:11:04 | 1:11:06 | |
Come on, let's go. | 1:11:06 | 1:11:08 | |
I swear I will never use a pub toilet again. It's too dangerous. | 1:11:12 | 1:11:16 | |
-And that's all you're taking away from this evening? -No! | 1:11:16 | 1:11:19 | |
So, we're definitely safe now, yeah? | 1:11:19 | 1:11:21 | |
-I suppose. -Suppose?! You're the nerds. | 1:11:21 | 1:11:24 | |
-Can't you work it out? -Well, yeah. | 1:11:24 | 1:11:26 | |
Time resets, so the pub was never full of dead people. | 1:11:26 | 1:11:30 | |
So, you owe me a tenner. Come on. | 1:11:30 | 1:11:31 | |
OK, then, if time reset, the bet never happened. | 1:11:31 | 1:11:35 | |
Well, I did only say suppose. | 1:11:46 | 1:11:49 | |
-It's Cassie! -Ray! Oh, thank God you're alive! | 1:11:54 | 1:11:58 | |
Oh! | 1:11:58 | 1:11:59 | |
So, you remember me, then? | 1:12:06 | 1:12:09 | |
Of course I remember you. | 1:12:09 | 1:12:11 | |
-We've been going out for two years. -We've what?! Really? Two years? | 1:12:11 | 1:12:16 | |
-Yeah. -That's, er, wow! Oh, er... | 1:12:16 | 1:12:19 | |
Right, this is Pete and Tobe. | 1:12:20 | 1:12:22 | |
-Hiya. -Hello. | 1:12:22 | 1:12:24 | |
This is Cassie. | 1:12:24 | 1:12:26 | |
She's my girlfriend. | 1:12:26 | 1:12:28 | |
Ray, listen, when you knocked that pint over, | 1:12:28 | 1:12:32 | |
you created a feedback loop through the fabric of space-time. | 1:12:32 | 1:12:34 | |
-The repercussions have been enormous. Leaks everywhere. -Whoa! | 1:12:34 | 1:12:38 | |
Two years, huh? Wow! | 1:12:38 | 1:12:41 | |
So, we must have... Have we had any of the, er...? | 1:12:41 | 1:12:45 | |
Hm? | 1:12:45 | 1:12:46 | |
I don't know what you're talking about. | 1:12:46 | 1:12:50 | |
Unless, of course, you mean sex, which yeah, we've done that lots. | 1:12:50 | 1:12:53 | |
Lots! | 1:12:53 | 1:12:55 | |
Was I any good? | 1:12:58 | 1:13:00 | |
Ray, I love you, but we only have 14 hours to save the Earth! | 1:13:00 | 1:13:03 | |
-You have to come with me now! -Oh, OK. | 1:13:03 | 1:13:05 | |
Yeah. Good luck with that, guys. | 1:13:05 | 1:13:07 | |
Yeah. We'll be in The King's Head. | 1:13:07 | 1:13:10 | |
What? You guys have to come, too. | 1:13:10 | 1:13:11 | |
I think I've done enough time travel for one night, thanks. | 1:13:11 | 1:13:14 | |
It's not time travel. It's a parallel universe. | 1:13:14 | 1:13:16 | |
-Parallel universe?! -Let's go. The portal's closing! | 1:13:16 | 1:13:19 | |
What the fuck's a portal? | 1:13:19 | 1:13:22 | |
-Come on! -Look, why don't you two go? | 1:13:22 | 1:13:25 | |
Someone should stay and look after the coats and the bags. | 1:13:25 | 1:13:28 | |
-Besides, I thought I might go for your job on the Star Ride. -I was going to apply for that! | 1:13:28 | 1:13:32 | |
-I said it first! -Guys, guys! Listen to yourselves! Look! | 1:13:32 | 1:13:34 | |
This is our one chance to do something important. | 1:13:34 | 1:13:37 | |
Yeah, we might fuck it up. To be honest, we probably will. | 1:13:37 | 1:13:43 | |
OK, we definitely will, but... | 1:13:43 | 1:13:46 | |
Who's with me? | 1:13:46 | 1:13:48 | |
Please? | 1:13:48 | 1:13:51 | |
As long as we're back for last orders. | 1:13:55 | 1:13:58 | |
There's my imagineers. | 1:13:58 | 1:14:01 | |
OK. Let's do this. | 1:14:04 | 1:14:07 | |
One...two... | 1:14:09 | 1:14:12 | |
I fucking hate sci-fi! | 1:14:12 | 1:14:13 | |
Science fiction. Three! | 1:14:13 | 1:14:15 | |
# It's the final countdown | 1:14:21 | 1:14:23 | |
# The final countdown | 1:14:28 | 1:14:31 | |
# We're leaving together | 1:14:37 | 1:14:40 | |
# But still it's farewell | 1:14:41 | 1:14:43 | |
# And maybe we'll come back | 1:14:45 | 1:14:47 | |
# To earth, who can tell? # | 1:14:48 | 1:14:50 | |
-Have we gone? -I suppose. | 1:14:52 | 1:14:55 | |
All right. Come on, Tobe. It's over. | 1:14:55 | 1:15:00 | |
Bollocks! | 1:15:04 | 1:15:06 | |
# It's the final countdown | 1:15:07 | 1:15:09 | |
# The final countdown | 1:15:15 | 1:15:17 | |
# We're heading for Venus | 1:15:32 | 1:15:36 | |
# And still we stand tall | 1:15:36 | 1:15:38 | |
# Cos maybe they've seen us | 1:15:39 | 1:15:43 | |
# And welcome us all, yeah | 1:15:43 | 1:15:47 | |
# With so many light years to go | 1:15:47 | 1:15:51 | |
# And things to be found | 1:15:51 | 1:15:53 | |
# And things to be found | 1:15:53 | 1:15:56 | |
# I'm sure that we'll all miss her so... # | 1:15:56 | 1:16:00 | |
You freak! | 1:16:00 | 1:16:02 | |
Help me! | 1:16:03 | 1:16:05 | |
HE PANTS | 1:16:07 | 1:16:09 | |
Toby! Wait! | 1:16:09 | 1:16:11 | |
This is all getting a little bit too complicated. | 1:16:15 | 1:16:17 | |
Get back, freak! | 1:16:51 | 1:16:52 | |
Help me! | 1:16:54 | 1:16:56 | |
Toby! | 1:17:00 | 1:17:02 | |
Wait! | 1:17:02 | 1:17:04 | |
Don't be frightened! It's me! Toby! | 1:17:04 | 1:17:06 | |
This is all getting a little bit too complicated. | 1:17:06 | 1:17:08 | |
Subtitles by Red Bee Media Ltd | 1:17:08 | 1:17:10 |