
Browse content similar to In the Loop. Check below for episodes and series from the same categories and more!
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This film contains very strong language. | 0:00:19 | 0:00:25 | |
Good morning, my little chicks and cocks. | 0:00:31 | 0:00:33 | |
Malcolm, monitoring... | 0:00:33 | 0:00:35 | |
-All the usual. -How did your team do at the weekend? | 0:00:35 | 0:00:38 | |
All right, yeah, we won. | 0:00:38 | 0:00:40 | |
(Wanker.) | 0:00:40 | 0:00:41 | |
Sam, morning. How are you? | 0:00:41 | 0:00:43 | |
Well, pop pickers, what disc shall we start with today? | 0:00:43 | 0:00:47 | |
Wonky Ron or how about Simon Foster? | 0:00:47 | 0:00:50 | |
On the Eddie Mair PM programme on the BBC. | 0:00:50 | 0:00:53 | |
'Well, I'm joined by Simon Foster, the Minister for International Development...' | 0:00:53 | 0:00:58 | |
-Coffee? -Yes, very, very black please. | 0:00:58 | 0:01:01 | |
-'..Do you think you're making headway? -Yes, I do. | 0:01:01 | 0:01:04 | |
'You'd expect me to say that, I suppose.' | 0:01:04 | 0:01:07 | |
Mark? | 0:01:08 | 0:01:09 | |
You're co-ordinating the Millennium Goals press release? | 0:01:09 | 0:01:12 | |
Co-ordinate it better, please. | 0:01:12 | 0:01:14 | |
Is that the minister? OK. | 0:01:14 | 0:01:17 | |
Have we heard anything from Malcolm about last night's interview? | 0:01:18 | 0:01:21 | |
No, not yet. | 0:01:21 | 0:01:23 | |
Perhaps he didn't hear it. | 0:01:23 | 0:01:25 | |
Or maybe he's dead. | 0:01:25 | 0:01:26 | |
He might be dead! | 0:01:26 | 0:01:28 | |
He might have finally had that massive stroke he's been heading for. | 0:01:28 | 0:01:31 | |
It's been in the fucking post. | 0:01:31 | 0:01:33 | |
'Preventable sickness in many of the poorest countries around the world. | 0:01:33 | 0:01:37 | |
-'And of course, the big one is diarrhoea...' -Ah, diarrhoea. | 0:01:37 | 0:01:41 | |
This is the Minister for International Development! | 0:01:41 | 0:01:44 | |
He should be talking about food parcels, not fucking arse-spraying mayhem. | 0:01:44 | 0:01:48 | |
'..So if we can tackle the easy things like diarrhoea, then...' | 0:01:48 | 0:01:51 | |
Oh, say it again. Yes, very good. | 0:01:51 | 0:01:54 | |
What is this, the shitting forecast? | 0:01:54 | 0:01:56 | |
'..Hopefully that will strike another blow in the war against preventable diseases. | 0:01:56 | 0:02:00 | |
-'You mentioned the word "war"...' -Steady, Eddie. | 0:02:00 | 0:02:03 | |
-'..against preventable diseases. -All the evidence now points to a US military intervention | 0:02:03 | 0:02:08 | |
'in the Middle East. Is that your view? | 0:02:08 | 0:02:11 | |
'Well, personally, I think that war is unforeseeable.' | 0:02:11 | 0:02:15 | |
-Sam. Sam! -'Unforeseeable? | 0:02:15 | 0:02:17 | |
-'Yes.' -No, you do not think that! | 0:02:17 | 0:02:21 | |
Sam, | 0:02:21 | 0:02:22 | |
I'm going to have to go to International Development to pull Simon Foster's fucking hair. | 0:02:22 | 0:02:26 | |
He did not say "unforeseeable". | 0:02:26 | 0:02:29 | |
You may have heard him say that, | 0:02:29 | 0:02:30 | |
but he did not say that. And that is a fact. | 0:02:30 | 0:02:33 | |
Now, he'll want you to row back on that "unforeseeable" thing on Question Time tonight. | 0:02:33 | 0:02:38 | |
On Question Time, you know the funny question | 0:02:38 | 0:02:41 | |
-they always have at the end? -Yes. | 0:02:41 | 0:02:43 | |
I think we should prep that now. | 0:02:43 | 0:02:45 | |
Cos I'd like to shine on the funny question. | 0:02:45 | 0:02:47 | |
I'm a funny guy, with a light touch. | 0:02:47 | 0:02:49 | |
This guy, he's a property tycoon. | 0:02:49 | 0:02:51 | |
He bought a South Sea island. It might be something like that, if you had to spend the rest | 0:02:51 | 0:02:55 | |
of your life on a desert island with someone, who would it be? | 0:02:55 | 0:02:58 | |
Well... I can't say my wife, cos I haven't got one. | 0:02:58 | 0:03:01 | |
I can't say my girlfriend, because I haven't got one of those either. | 0:03:01 | 0:03:04 | |
-And don't say Mandela. That's... -No, no, boring. And a bloke. | 0:03:04 | 0:03:08 | |
Or Keira Knightley. | 0:03:08 | 0:03:11 | |
-That's a good idea. -Pervert. Sex. Minister. People don't want to know. | 0:03:11 | 0:03:15 | |
I don't think so. | 0:03:15 | 0:03:16 | |
Did you take the washing out of the machine? | 0:03:16 | 0:03:19 | |
-No. -What do you mean, no? | 0:03:19 | 0:03:20 | |
I didn't take the washing out the machine. | 0:03:20 | 0:03:22 | |
-It's going to go really stale... -It'll be fine. -It's not fine. | 0:03:22 | 0:03:25 | |
-I'll wear stale pants. -I don't want to go out with someone wearing stale pants. | 0:03:25 | 0:03:29 | |
Well, there we go. I could go commando, | 0:03:29 | 0:03:31 | |
but I don't think that's accepted in Government. | 0:03:31 | 0:03:34 | |
Please! Have you got everything you need for your first day? | 0:03:34 | 0:03:37 | |
Oh, yes, all in here. My massive intellect | 0:03:37 | 0:03:39 | |
and an apple for Simon Foster. | 0:03:39 | 0:03:41 | |
Simon "Fluster", don't you mean? | 0:03:41 | 0:03:43 | |
Don't call him that, I'm re-branding him. | 0:03:43 | 0:03:45 | |
He was crap on the radio last night. | 0:03:45 | 0:03:47 | |
He sounded like a chicken with a wasp up its arse. | 0:03:47 | 0:03:49 | |
Give me a week, I'll have him sounding like a chicken without a wasp up its arse. | 0:03:49 | 0:03:53 | |
Good luck at the Foreign Office. Try not to annoy Russia. | 0:03:53 | 0:03:56 | |
-See you later. -See you later. -I'll give you a call later. | 0:03:56 | 0:03:59 | |
-Keep your phone on. -All right. -Be careful. | 0:03:59 | 0:04:01 | |
-Cars. -Oh, really? Thanks for that. | 0:04:01 | 0:04:03 | |
Helpful. | 0:04:03 | 0:04:04 | |
OK, OK, go ahead and print "unforeseeable". | 0:04:06 | 0:04:09 | |
Assume I tell your wife about you and Angela Heaney at the Blackpool conference, | 0:04:09 | 0:04:13 | |
what would be best, an e-mail, a phone call or what? | 0:04:13 | 0:04:16 | |
I could write it on a cake! With those little silver balls. | 0:04:16 | 0:04:19 | |
"Your hack husband betrayed you on October the 4th, and congratulations on the new baby." | 0:04:19 | 0:04:23 | |
Yeah, maybe it's better to spike it, yeah. OK, fuckity bye. | 0:04:23 | 0:04:26 | |
-'Just a quick thing - did you put away the lasagne?' -Yes, of course, it's in the fridge. | 0:04:26 | 0:04:31 | |
It's got Clingfilm on it and everything. | 0:04:31 | 0:04:33 | |
Thank you, sir. | 0:04:33 | 0:04:35 | |
Why did you put Clingfilm on it? | 0:04:35 | 0:04:36 | |
Because that keeps it fresh. That's the point of Clingfilm. | 0:04:36 | 0:04:39 | |
I don't want to hold. | 0:04:39 | 0:04:41 | |
It might dry out - that's an amateur mistake. | 0:04:41 | 0:04:43 | |
-I'm not holding any longer. What's he waiting for, a fucking sex change? | 0:04:43 | 0:04:47 | |
-It doesn't give you cancer. -What, Simon Foster? | 0:04:47 | 0:04:50 | |
Clingfilm doesn't give you cancer any more than... | 0:04:50 | 0:04:53 | |
-Diarrhoea Of A Nobody. I like that. -..aluminium foil | 0:04:53 | 0:04:55 | |
gives you AIDS, or, you know, lasagne gives you syphilis. It's not a thing. | 0:04:55 | 0:05:00 | |
No, you relax! | 0:05:00 | 0:05:02 | |
'God, who's that?' | 0:05:02 | 0:05:03 | |
Get me fucking Brian! | 0:05:03 | 0:05:05 | |
If you don't get me fucking Brian, I'll come over there, | 0:05:05 | 0:05:08 | |
lock you in a fucking flotation tank and pump it full of sewage until you fucking drown! | 0:05:08 | 0:05:12 | |
-Paris Hilton. -Are you serious? | 0:05:12 | 0:05:15 | |
-Lily Allen. -No, no women. | 0:05:15 | 0:05:17 | |
-Yeah? -The Olsen twins. | 0:05:19 | 0:05:20 | |
-Thank you. -Who was that? | 0:05:20 | 0:05:23 | |
-Malcolm. He's coming to see you. -Oh, shit, he's still alive. | 0:05:23 | 0:05:27 | |
-When's he due? -Now! | 0:05:27 | 0:05:29 | |
And don't say you weren't prepared, because I rang ahead. | 0:05:29 | 0:05:32 | |
Give us a minute, please, love. | 0:05:32 | 0:05:34 | |
In the words of the late, great Nat King fucking Cole, | 0:05:34 | 0:05:38 | |
unforeseeable, that's what you are. | 0:05:38 | 0:05:40 | |
Who's that geezer? | 0:05:40 | 0:05:44 | |
Oh, I know who he is. | 0:05:44 | 0:05:46 | |
You're Dan, right? | 0:05:46 | 0:05:48 | |
-Daniel? The new adviser? -Toby. | 0:05:48 | 0:05:50 | |
Toby. Oh. Sorry about the Dan thing. | 0:05:50 | 0:05:52 | |
You guys are often called Dan so it's worth a punt. | 0:05:52 | 0:05:55 | |
I'm Judy, Judy Molloy. Director of Communications for International Development. | 0:05:55 | 0:06:00 | |
Is this a normal morning? | 0:06:00 | 0:06:01 | |
-The minister was rubbish on last night's interview... -He was rubbish? -Yes. Rubbish. | 0:06:01 | 0:06:05 | |
Come on, Malcolm, he asked me for... for a personal opinion. | 0:06:05 | 0:06:09 | |
Why didn't you say? He asked you. Fuck, of course, that explains it. | 0:06:09 | 0:06:12 | |
If he'd asked you to fucking black up, or to give him your PIN number | 0:06:12 | 0:06:16 | |
or shit yourself, would you have done that? | 0:06:16 | 0:06:18 | |
I would've blacked up, yes. It was radio, nobody would've known. | 0:06:18 | 0:06:20 | |
-Very good. -War is basically unforeseeable, isn't it? | 0:06:20 | 0:06:24 | |
That is not our line. Walk the fucking line. | 0:06:24 | 0:06:27 | |
We've got Karen Clark over from Washington today. | 0:06:27 | 0:06:30 | |
-We've got enough fucking Pentagon goons here to stage a fucking coup d'etat. -Minister. | 0:06:30 | 0:06:35 | |
Not the time, love. I'm busy. Fuck off. | 0:06:35 | 0:06:38 | |
-This is Toby. -Toby, hi. I'm glad you could make it. | 0:06:38 | 0:06:40 | |
It's a bit of an odd morning here. | 0:06:40 | 0:06:42 | |
Welcome to the madhouse. I apologise for Malcolm. | 0:06:42 | 0:06:44 | |
Don't apologise for me. Apologise for yourself. | 0:06:44 | 0:06:47 | |
Did I not just tell you to fuck off and yet you're still here? | 0:06:47 | 0:06:50 | |
It's true, I am, yes, still here. | 0:06:50 | 0:06:52 | |
Hey, foetus boy, lesson one, I tell you to fuck off, what do you do? | 0:06:52 | 0:06:58 | |
F off? | 0:06:58 | 0:06:59 | |
-You'll go far. Now fuck off. -Right. | 0:06:59 | 0:07:02 | |
Judy and I were thinking that I could row back | 0:07:02 | 0:07:06 | |
on Question Time tonight. | 0:07:06 | 0:07:07 | |
You're not going on Question Time. | 0:07:07 | 0:07:10 | |
-We've been prepping Question Time. -Why wasn't I told about this? | 0:07:10 | 0:07:13 | |
Why would I tell you about it? | 0:07:13 | 0:07:14 | |
I've told you to fuck off twice. | 0:07:14 | 0:07:16 | |
You should tell me about it cos it's a scheduled media appearance | 0:07:16 | 0:07:20 | |
by this department's Secretary of State, so it falls well within my purview. | 0:07:20 | 0:07:23 | |
-Your purview? -Yes. | 0:07:23 | 0:07:25 | |
Where do you think you are, a Regency costume drama? | 0:07:25 | 0:07:27 | |
-This is a Government department, not a fucking Jane fucking Austen novel. -Malcolm... | 0:07:27 | 0:07:32 | |
Allow me to pop a jaunty bonnet on your purview | 0:07:32 | 0:07:34 | |
and ram it up the shitter with a lubricated horse cock. | 0:07:34 | 0:07:37 | |
Your swearing does not impress me. | 0:07:37 | 0:07:39 | |
My husband works for Tower Hamlets | 0:07:39 | 0:07:41 | |
and believe me, those kids make you sound like... | 0:07:41 | 0:07:43 | |
Angela Lansbury. | 0:07:43 | 0:07:45 | |
-She's married? Poor bastard. -Malcolm, | 0:07:45 | 0:07:47 | |
Judy's lubricated horse cock aside for a second, | 0:07:47 | 0:07:51 | |
are you saying I'm now no longer allowed to make media appearances? | 0:07:51 | 0:07:55 | |
-Correct. Not until we can trust you to keep the line. -I was going to keep to the line. | 0:07:55 | 0:07:59 | |
I was going to say, I don't think war is unforeseeable... | 0:07:59 | 0:08:02 | |
-What is it, then? -I don't know. Foreseeable? No. | 0:08:02 | 0:08:05 | |
No! Not foreseeable. | 0:08:05 | 0:08:07 | |
That's fucking declaring war. Do you want to fucking declare war? | 0:08:07 | 0:08:10 | |
I'm a Cabinet Minister. | 0:08:10 | 0:08:12 | |
I didn't get here by screwing up every media appearance I ever had. | 0:08:12 | 0:08:15 | |
Write this down. It's neither foreseeable nor unforeseeable. | 0:08:15 | 0:08:19 | |
Right, so not inevitable, but not... | 0:08:19 | 0:08:21 | |
-You'd better walk on this fucking line. -...Evitable. | 0:08:21 | 0:08:25 | |
You, hey, put the snifter out there that if the BBC ambushes a minister | 0:08:25 | 0:08:28 | |
with another surprise question about the war, I'll drop a bomb on them. | 0:08:28 | 0:08:32 | |
I can't do that, can I? That's political. | 0:08:32 | 0:08:34 | |
Does that not fit within your purview, Marie Antoinette? | 0:08:34 | 0:08:37 | |
Why don't you just scuttle off back to fucking Cranford | 0:08:37 | 0:08:40 | |
and play around with your tea and your cakes | 0:08:40 | 0:08:42 | |
and your fucking horse cocks? | 0:08:42 | 0:08:44 | |
Let them eat cock! Hey, you! | 0:08:44 | 0:08:45 | |
Ron Weasley, you do it. | 0:08:45 | 0:08:48 | |
No, no, you needn't worry about the Canadians, | 0:08:48 | 0:08:51 | |
they're just happy to be there. | 0:08:51 | 0:08:53 | |
Yes, well, they always look surprised when they're invited. | 0:08:53 | 0:08:56 | |
Shall I give Toby a call about this Simon Foster thing? | 0:08:56 | 0:08:59 | |
Yes, good idea. | 0:08:59 | 0:09:00 | |
No, I'm not talking to you. Get me the Angolan charge d'affaires. | 0:09:00 | 0:09:04 | |
Yes, well stop him playing football. | 0:09:04 | 0:09:06 | |
PHONE RINGS Hello? | 0:09:06 | 0:09:08 | |
So, how's it going? Found the bogs? | 0:09:08 | 0:09:11 | |
It's a bit... Manic. Never like this at Agriculture. | 0:09:11 | 0:09:14 | |
People tend not to get so sweary about wheat. | 0:09:14 | 0:09:17 | |
Sorry, Michael, do you mind just turning it down a bit? | 0:09:17 | 0:09:19 | |
Just a little bit... | 0:09:19 | 0:09:21 | |
Grating. Bloody music. | 0:09:21 | 0:09:23 | |
-Listen, I've got a bit of leg-up for you, actually. -Yeah? | 0:09:23 | 0:09:27 | |
I think we can get Simon Foster into the three o'clock with Karen Clark. | 0:09:27 | 0:09:31 | |
Karen Clark? Was she the woman who went round Britain in a coracle for leukaemia? | 0:09:31 | 0:09:35 | |
No, Toby. Karen Clark, US Assistant Secretary of State. | 0:09:35 | 0:09:39 | |
Oh, right, Karen Clark. Wow, great. | 0:09:39 | 0:09:41 | |
-Hang on, Michael wants to say something. -Meat. -Meat? | 0:09:41 | 0:09:44 | |
Meat? | 0:09:44 | 0:09:46 | |
His man is only going to be meat in the room. | 0:09:46 | 0:09:48 | |
No talking. He's just padding. | 0:09:48 | 0:09:50 | |
The Americans don't feel like they're getting a proper meeting | 0:09:50 | 0:09:53 | |
unless there's 30 people on each side, so he's basically going to be bulk in the room. | 0:09:53 | 0:09:58 | |
He's not going to be relevant, but he'll be present. | 0:09:58 | 0:10:00 | |
I won't tell him that, to be honest. | 0:10:00 | 0:10:02 | |
OK, I've got to go, darling. I love you. | 0:10:02 | 0:10:04 | |
OK, yes, likewise. Affirmative on that one. | 0:10:04 | 0:10:07 | |
All right, darling, take care, bye. | 0:10:07 | 0:10:09 | |
Can I turn it back up now? | 0:10:09 | 0:10:12 | |
You're on sexual health, aren't you? | 0:10:12 | 0:10:14 | |
That's ironic. Right, Toby, quick tour. | 0:10:14 | 0:10:17 | |
I should probably just go and... | 0:10:17 | 0:10:19 | |
This is Mike. Just leave it to Mike, cos he knows what he's doing. | 0:10:19 | 0:10:22 | |
-Don't you, Mike? -What? | 0:10:22 | 0:10:24 | |
-MOBILE BEEPS -Exactly. He's an idiot. | 0:10:24 | 0:10:26 | |
Listen, I understand your hostility at new wood being brought in... | 0:10:26 | 0:10:30 | |
Sorry, that's the end of the tour, I'm afraid. | 0:10:30 | 0:10:32 | |
There is really a lot of very important people | 0:10:32 | 0:10:35 | |
that you ought to know about, but I have to... | 0:10:35 | 0:10:38 | |
-Toby, hi. -All right, boss. | 0:10:43 | 0:10:45 | |
I'm sorry about earlier - Malcolm. | 0:10:45 | 0:10:48 | |
He's a bit of an alpha male, isn't he? | 0:10:48 | 0:10:50 | |
Yes. Listen, I was just, um... | 0:10:50 | 0:10:54 | |
-Don't sit on Anna's desk. -Sorry. | 0:10:54 | 0:10:57 | |
I have managed to get you into the big Foreign Office meeting this afternoon. | 0:10:57 | 0:11:01 | |
The Karen Clark meeting? | 0:11:01 | 0:11:03 | |
Really? Shit. How did you do that? | 0:11:03 | 0:11:05 | |
I did it through sheer bloody hard work. | 0:11:05 | 0:11:08 | |
-Judy? -Yeah? | 0:11:08 | 0:11:10 | |
Tobes here has got me into the big Karen Clark meeting this afternoon. | 0:11:10 | 0:11:14 | |
Oh! The big "meat". | 0:11:14 | 0:11:18 | |
Impressive, eh? How are you spelling that, by the way? | 0:11:18 | 0:11:21 | |
-Two Es. -Oh, right. | 0:11:21 | 0:11:24 | |
Just one thing. | 0:11:25 | 0:11:26 | |
Talking wise, you might find once we get in there, that the bulk of it... | 0:11:26 | 0:11:30 | |
Can we just wait for Judy? | 0:11:30 | 0:11:32 | |
Of course. | 0:11:32 | 0:11:33 | |
-Simon. -Michael, hi. -Hello. Welcome. | 0:11:33 | 0:11:37 | |
-Michael? -Yes. -Hi, I'm Chad. | 0:11:37 | 0:11:40 | |
We'd like a dual horseshoe formation for the meeting set-up. | 0:11:40 | 0:11:43 | |
An enclave for Ms Clark. An enclave for the Pentagon delegation. | 0:11:43 | 0:11:46 | |
And, politely, we requested the presence of both carbonated and non-carbonated waters. | 0:11:46 | 0:11:51 | |
-Right. -Is that all? -Yeah, that's it. Thank you so much. | 0:11:51 | 0:11:55 | |
Not at all. Wow, who was that? Young Lankenstein? | 0:11:55 | 0:11:59 | |
He's probably running something relatively major. | 0:11:59 | 0:12:02 | |
They're all kids in Washington. | 0:12:02 | 0:12:04 | |
It's like Bugsy Malone, but with real guns. | 0:12:04 | 0:12:06 | |
Thank you all for coming today to the Interim Anglo-American Resources Forum. I'd particularly like | 0:12:11 | 0:12:17 | |
-to welcome... -What's your view like? | 0:12:17 | 0:12:19 | |
Well, it's pretty basic. | 0:12:19 | 0:12:20 | |
-OK, can we swap? -I don't want a consensus forming around the premise | 0:12:20 | 0:12:25 | |
that military action is necessarily the primary option at this point. | 0:12:25 | 0:12:30 | |
This paper which was authored by one of my aides, Liza Weld... | 0:12:30 | 0:12:33 | |
Liza, I hope you don't mind if I foreground this paper. | 0:12:33 | 0:12:36 | |
It's not strictly my paper. | 0:12:36 | 0:12:39 | |
In the sense that you were the one who put in the requests... | 0:12:39 | 0:12:42 | |
Miss Weld is very, very modest, but this is her paper. | 0:12:42 | 0:12:46 | |
And she's highlighted several reasons why | 0:12:46 | 0:12:48 | |
we cannot envision a theatre deployment for at least 12 months. | 0:12:48 | 0:12:53 | |
Should I say something? She invited me. I should say something. | 0:12:53 | 0:12:56 | |
If you don't say something in the first ten minutes, you might as well not say anything. | 0:12:56 | 0:13:01 | |
-I really think you shouldn't say anything. -No, I should say something. | 0:13:01 | 0:13:04 | |
-No, Simon, don't, just don't... -Don't pull my hand down. | 0:13:04 | 0:13:08 | |
The committee feels a quicker deployment is possible. | 0:13:08 | 0:13:11 | |
Ah, which committee? | 0:13:11 | 0:13:12 | |
It was discussed in a number of committees. If I mentioned one committee... | 0:13:12 | 0:13:16 | |
-You did. -..then it was a slip of the tongue. | 0:13:16 | 0:13:19 | |
What, because you've accidentally alluded to a secret committee, a war committee? | 0:13:19 | 0:13:25 | |
If I may intercept. I understand we are pressed for time. | 0:13:25 | 0:13:27 | |
Liza, do you know if Linton has set up a secret war committee? | 0:13:27 | 0:13:31 | |
-No. I have no idea. -Get me on it. | 0:13:31 | 0:13:33 | |
I think it's worth noting that ministers in the UK Government, | 0:13:33 | 0:13:36 | |
such as our colleague here, Simon Foster, | 0:13:36 | 0:13:39 | |
have made it very clear that they feel currently war is unforeseeable. | 0:13:39 | 0:13:44 | |
Isn't that right, Simon? | 0:13:44 | 0:13:48 | |
Er...well, yes. | 0:13:48 | 0:13:51 | |
That's what I said. And I stick to what I said. | 0:13:51 | 0:13:55 | |
That doesn't mean that what I said won't change | 0:13:57 | 0:14:01 | |
in the future. | 0:14:01 | 0:14:03 | |
Um...it's not immutable or mutable. | 0:14:03 | 0:14:06 | |
It's... It's... It's... It's a developing... Obviously it's... | 0:14:06 | 0:14:10 | |
I think there are areas of mutual discussion that we | 0:14:10 | 0:14:13 | |
could come onto now, and then if there's time left at the end... | 0:14:13 | 0:14:16 | |
Judy, can you just pass that on? Is that fine? | 0:14:16 | 0:14:19 | |
Yes, that's all fine, thank you. | 0:14:19 | 0:14:23 | |
Right, come here. | 0:14:23 | 0:14:25 | |
We need to talk. | 0:14:25 | 0:14:27 | |
What do you mean, stop being a tit? In what way was I being a tit? | 0:14:27 | 0:14:30 | |
Why am I even over here? | 0:14:30 | 0:14:32 | |
You were just meat in the room, Simon. | 0:14:32 | 0:14:35 | |
-Yeah. -Meat in the room? -Yeah. | 0:14:35 | 0:14:38 | |
For fuck's sake, Judy, I've taken an hour out to come over here | 0:14:39 | 0:14:43 | |
-and be room meat. -Yes, but... | 0:14:43 | 0:14:45 | |
but a prime cut, you know, not offal. | 0:14:45 | 0:14:47 | |
Oh, great. I'm not liver. | 0:14:47 | 0:14:49 | |
-What was I, tit meat? -Well, no, I... | 0:14:49 | 0:14:52 | |
Just... | 0:14:52 | 0:14:53 | |
Come on. Let's get back. | 0:14:53 | 0:14:57 | |
-Hey, Liza. -Yeah. Hey. | 0:14:57 | 0:14:59 | |
I just want to say congratulations. | 0:14:59 | 0:15:01 | |
Your paper got a major citation. | 0:15:01 | 0:15:02 | |
You must be psyched that Karen brought it up. | 0:15:02 | 0:15:04 | |
Yeah, well, that was, you know, her call. Not mine. | 0:15:04 | 0:15:07 | |
You couldn't write a paper that clashes more violently with the current climate if you were trying. | 0:15:07 | 0:15:13 | |
-It seems like you were trying. -I wasn't trying! | 0:15:13 | 0:15:15 | |
You're like the woman in The Omen - you gave birth to a demon and it's going to kill you. | 0:15:15 | 0:15:19 | |
-You probably identify with the kid from The Omen, right? -Ooh! | 0:15:19 | 0:15:23 | |
You're an only child, aren't you? | 0:15:23 | 0:15:25 | |
I don't understand how my parents' limited reproductive ability reflects badly on me. | 0:15:25 | 0:15:29 | |
I'm the sperm that made it, so... | 0:15:29 | 0:15:32 | |
-Liza. -I'm being called by our boss. | 0:15:32 | 0:15:34 | |
-OK, retreat. See you later. -Yeah, have fun with yourself. | 0:15:34 | 0:15:37 | |
Have fun with your career kryptonite. | 0:15:37 | 0:15:40 | |
What's going on? That looks important. | 0:15:40 | 0:15:42 | |
My teeth are killing me. I want to know if they're chipped. | 0:15:42 | 0:15:45 | |
I think that one has always been there, right? | 0:15:45 | 0:15:47 | |
It was a chip on the veneer. | 0:15:47 | 0:15:50 | |
-Don't look at my teeth for a long time. -I'm sorry. I'm sorry. | 0:15:50 | 0:15:53 | |
-It just surprised me. -Liza! | 0:15:53 | 0:15:55 | |
-Toby. -Toby! Hi. -Hi. | 0:15:55 | 0:15:58 | |
-Give me a call! -Yeah. | 0:15:58 | 0:16:01 | |
-OK. -Liza? | 0:16:01 | 0:16:03 | |
Liza Wells. She did the Kennedy Scholarship at my college. | 0:16:03 | 0:16:07 | |
I had a thing for her at the time. | 0:16:07 | 0:16:08 | |
-I can imagine, yeah. -Don't think she remembered me, to be honest. | 0:16:08 | 0:16:12 | |
That is one of the side effects of Rohypnol. | 0:16:12 | 0:16:15 | |
Linton has set up a secret war committee. I just know it. | 0:16:15 | 0:16:18 | |
I mean, Linton is an absolute lunatic, Liza. He is dangerous. | 0:16:18 | 0:16:22 | |
-It's not good. -The voices in his head now sing barbershop together. | 0:16:22 | 0:16:26 | |
I really, really hope there isn't a war, it's going to be a nightmare. | 0:16:26 | 0:16:30 | |
It's bad enough having to cope with the fucking Olympics. | 0:16:30 | 0:16:33 | |
ALL: Minister? Just a quick word, sir? | 0:16:33 | 0:16:35 | |
This is your chance to nail the line. Do you want to nail the line? | 0:16:35 | 0:16:38 | |
No, I'll freestyle it. Hello, there. Hi. | 0:16:38 | 0:16:41 | |
So is war unforeseeable, Minister? | 0:16:41 | 0:16:42 | |
Look, all sorts of things, | 0:16:42 | 0:16:45 | |
that are actually very likely are also unforeseeable. | 0:16:45 | 0:16:49 | |
For the plane in the fog, | 0:16:49 | 0:16:51 | |
the mountain is un... | 0:16:51 | 0:16:54 | |
unforeseeable, but then it is suddenly very real and inevitable. | 0:16:54 | 0:17:00 | |
Is this your opinion or is this the Government position? | 0:17:00 | 0:17:03 | |
The mountain is a hypothetical mountain that could represent anything. | 0:17:03 | 0:17:07 | |
So, who is the plane and who is the mountain? | 0:17:07 | 0:17:09 | |
-Is the Government lost in the fog? -I'm saying... | 0:17:09 | 0:17:12 | |
that to walk the road of peace... | 0:17:12 | 0:17:14 | |
sometimes we need to be ready to climb...the mountain of conflict. | 0:17:14 | 0:17:19 | |
-Thank you so much. -We be climbing the mountain alone, minister? | 0:17:19 | 0:17:23 | |
That's it, thank you. | 0:17:23 | 0:17:25 | |
Fuck, fuck, fuck, fuck, fuck, fuck, why didn't we nail the line? | 0:17:25 | 0:17:29 | |
Simon, I did try to warn you. | 0:17:29 | 0:17:30 | |
Yes, you tried to warn me, but you didn't actually stop me, did you? | 0:17:30 | 0:17:34 | |
-I can't tackle you to the ground. -That's like shouting "Train!" | 0:17:34 | 0:17:37 | |
at somebody as they get hit by a train. You should go "Train! | 0:17:37 | 0:17:40 | |
-"There's a fucking train!" -Bollocks! | 0:17:40 | 0:17:42 | |
-Fuck, it's Malcolm. -It's Malcolm for me, too. | 0:17:42 | 0:17:46 | |
How does he do that? | 0:17:46 | 0:17:47 | |
Simon, I don't like finding out about people | 0:17:47 | 0:17:50 | |
employed by this Government via the news, unless they've just died. | 0:17:50 | 0:17:54 | |
Be here now. | 0:17:54 | 0:17:55 | |
'..The Government must be prepared to climb the mountain of conflict. | 0:17:55 | 0:17:59 | |
'It's unclear if his view is shared...' | 0:17:59 | 0:18:01 | |
Maybe we should get it out there. | 0:18:01 | 0:18:03 | |
Float the idea that the war is a resigning issue for you. | 0:18:03 | 0:18:06 | |
You can't say it's a resigning issue, cos then you have to resign. | 0:18:06 | 0:18:09 | |
You're having a really great first day, you know that? | 0:18:09 | 0:18:12 | |
You are supposed to be a Cabinet Minister! | 0:18:12 | 0:18:15 | |
You are supposed to be Officer Class! | 0:18:15 | 0:18:18 | |
Don't do this, don't make fucking waves. | 0:18:18 | 0:18:21 | |
We can do without the ritual humiliation. | 0:18:21 | 0:18:23 | |
You know I'm against talking up the war. | 0:18:23 | 0:18:25 | |
Against talking up the war? Is that why you said, | 0:18:25 | 0:18:28 | |
"Climb the mountain of conflict"? | 0:18:28 | 0:18:29 | |
Do you know what you sounded like? A fucking Nazi Julie Andrews. | 0:18:29 | 0:18:33 | |
I'm just saying I might be forced to the verge of making a stand. | 0:18:33 | 0:18:38 | |
A stand? | 0:18:38 | 0:18:40 | |
Right, The White Stripes, outside. | 0:18:42 | 0:18:45 | |
Eh-eh... | 0:18:45 | 0:18:47 | |
There's only two people in The White Stripes. | 0:18:47 | 0:18:49 | |
I, um... | 0:18:56 | 0:18:57 | |
I admire you. | 0:18:59 | 0:19:01 | |
I really do, I admire you. | 0:19:02 | 0:19:05 | |
Making a stand. So, I take it, I can tell the PM that you... | 0:19:05 | 0:19:09 | |
You don't want to go to Washington? | 0:19:09 | 0:19:11 | |
-To where? -To Washington. See, the PM, he wants you... | 0:19:11 | 0:19:14 | |
Well, he wanted you to go on a fact-finder, you know? | 0:19:14 | 0:19:17 | |
Problems we might have to face if it all goes boombastic | 0:19:17 | 0:19:20 | |
in the Middle East. | 0:19:20 | 0:19:21 | |
Oh, right. | 0:19:21 | 0:19:22 | |
But, you know, that's you, you're on the verge, aren't you? | 0:19:22 | 0:19:26 | |
You're on the verge of your stand, so... | 0:19:26 | 0:19:28 | |
Well, Malcolm, come on, I don't know what words I used | 0:19:28 | 0:19:31 | |
in the heat of the moment. | 0:19:31 | 0:19:33 | |
Maybe in a sense, yeah, I am on the verge, but that's the important thing. I'm on the verge. | 0:19:33 | 0:19:38 | |
I'm not in any way decided. | 0:19:38 | 0:19:40 | |
Christ on a bendy bus. Don't be such a fucking faff-arse. | 0:19:40 | 0:19:44 | |
-No, I'm standing my ground, on the verge. -Right, OK, | 0:19:44 | 0:19:47 | |
when you go to America, | 0:19:47 | 0:19:48 | |
talk to Karen Clark at the State Department, yeah? | 0:19:48 | 0:19:50 | |
-Right, OK. I'll give it a whirl. -Keep away from Linton Barwick. | 0:19:50 | 0:19:54 | |
He's pushing the war for Caulderwood's lot. I'll deal with him. | 0:19:54 | 0:19:57 | |
He uses a live hand grenade as a fucking paperweight - true story. | 0:19:57 | 0:20:01 | |
Wow, I won't talk to him. | 0:20:01 | 0:20:03 | |
Talk to as few people as possible, that would be best for you. | 0:20:03 | 0:20:07 | |
OK, Liza, the priorities are shower, get me on Linton's war committee | 0:20:07 | 0:20:12 | |
and get me to a dentist, not necessarily in that order. | 0:20:12 | 0:20:15 | |
Shower later. What has Linton been up to while we've been gone? | 0:20:15 | 0:20:19 | |
Have we declared war on California yet? | 0:20:19 | 0:20:21 | |
-Ah, Karen. -Linton! | 0:20:21 | 0:20:23 | |
-How was London? Good meetings? -Very good meetings. | 0:20:23 | 0:20:26 | |
You know we had some great discussions there, I think our... | 0:20:26 | 0:20:29 | |
Thank you very much, I will read your words | 0:20:29 | 0:20:31 | |
when they come through. Thank you, Karen. | 0:20:31 | 0:20:33 | |
You won't read the words, Linton. | 0:20:35 | 0:20:37 | |
Is Chad coming? Chad? | 0:20:37 | 0:20:40 | |
No, he's probably doing his desperate chorus girl thing, | 0:20:40 | 0:20:43 | |
hanging around Linton's office, trying to catch an eye, you know? | 0:20:43 | 0:20:46 | |
That's why he's wearing his push-up bra today. Have you noticed? | 0:20:46 | 0:20:50 | |
Assistant Secretary of State, hi. | 0:20:50 | 0:20:52 | |
-Brad, how are you? -Chad. | 0:20:52 | 0:20:54 | |
-Yep, yep, yep, exactly. -Can I...? -Yep, yep, you betcha, OK. | 0:20:54 | 0:20:58 | |
Hey, listen, the war committee. | 0:20:58 | 0:21:00 | |
What you have to do is you've got to look for the ten dullest named committees | 0:21:00 | 0:21:04 | |
happening out of the executive branch. | 0:21:04 | 0:21:06 | |
Because Linton is not going to call it the Big Horrible War Committee. | 0:21:06 | 0:21:10 | |
He'll hide it behind Diverse Strategy, or something so dull you're going to want to self-harm. | 0:21:10 | 0:21:15 | |
Get me General Miller at the Pentagon, please. | 0:21:15 | 0:21:19 | |
(My teeth hurt. My teeth hurt like hell.) | 0:21:19 | 0:21:23 | |
I'm sick of hearing about the teeth, frankly. | 0:21:23 | 0:21:27 | |
Hi, yeah. I'm checking the status on a paper that was circulated by a staffer here. | 0:21:27 | 0:21:31 | |
It's called "Post War Planning - Parameters, Implications and Possibilities". | 0:21:31 | 0:21:38 | |
This is the one by... this is the one by Liza Weld, right? | 0:21:38 | 0:21:42 | |
PWIP PIP? | 0:21:42 | 0:21:44 | |
Oh, God, it already has an acronym. | 0:21:44 | 0:21:46 | |
You know another acronym? DOA... | 0:21:46 | 0:21:49 | |
Your career. | 0:21:49 | 0:21:51 | |
My golly, I can't see why anyone | 0:21:51 | 0:21:54 | |
would choose to work in a glass office, huh? | 0:21:54 | 0:21:57 | |
Glass offices, in my opinion, are for perverts. | 0:21:57 | 0:22:01 | |
-I could request the glass be frosted. -Frosting is on cakes, huh? | 0:22:01 | 0:22:04 | |
Now, | 0:22:04 | 0:22:06 | |
what else happened in London? | 0:22:06 | 0:22:08 | |
-Ah, generally positive, two glitches... -Really, what? | 0:22:08 | 0:22:11 | |
-Karen flagged a report by one of her staffers. -Really? | 0:22:11 | 0:22:14 | |
She's obviously trying to use it as some kind of roadblock. | 0:22:14 | 0:22:17 | |
-It's called PWIP PIP. -PWIP what? -PWIP PIP. | 0:22:17 | 0:22:21 | |
What is it, a report on bird calls? What does it even stand for? | 0:22:21 | 0:22:24 | |
I can't recall. It's factish. Intel for and against intervention. | 0:22:24 | 0:22:28 | |
We have all the facts on this we need. | 0:22:28 | 0:22:30 | |
We don't need any more facts. | 0:22:30 | 0:22:32 | |
In the land of truth, my friend... | 0:22:32 | 0:22:34 | |
the man with one fact is the king. | 0:22:34 | 0:22:37 | |
You said there was something else. What is that? | 0:22:37 | 0:22:40 | |
In the meeting with the Foreign Office, | 0:22:40 | 0:22:42 | |
the committee was accidentally and briefly alluded to. | 0:22:42 | 0:22:45 | |
Which committee? | 0:22:45 | 0:22:47 | |
The...the war committee, sir. | 0:22:47 | 0:22:49 | |
All right, Karen is not to know about this, huh? | 0:22:49 | 0:22:52 | |
She is an excitable, yapping she-dog. | 0:22:52 | 0:22:56 | |
Get the minutes - I have to correct the record. | 0:22:56 | 0:22:58 | |
-We can do that? -Yes, we can. Those minutes are an aide memoire for us. | 0:22:58 | 0:23:03 | |
They should not be a reductive record of what happened | 0:23:03 | 0:23:06 | |
to have been said, but they should be more a full record of what was intended to have been said. | 0:23:06 | 0:23:12 | |
-I think that's the more accurate version, don't you? -Sir. -Right. | 0:23:12 | 0:23:16 | |
-I don't like this section, let's cut that. -Aye aye, sir. | 0:23:16 | 0:23:20 | |
-Let's reverse this. -That was something Karen said, sir. | 0:23:20 | 0:23:24 | |
It's not right, so let's change it. | 0:23:24 | 0:23:26 | |
Aye, aye, sir. | 0:23:26 | 0:23:27 | |
-And... I like this. -Ah, thank you, sir. | 0:23:27 | 0:23:30 | |
-Yeah, let's say everyone agreed with that, huh? -Excellent. | 0:23:30 | 0:23:33 | |
So... So the car will pick you up from the airport. It's supposed to be | 0:23:33 | 0:23:37 | |
quite a good one, I believe. The Americans are doing that. | 0:23:37 | 0:23:41 | |
I've just got the contact numbers. | 0:23:41 | 0:23:43 | |
What's she so fucking happy about? | 0:23:43 | 0:23:44 | |
She's probably on a personal call. | 0:23:44 | 0:23:46 | |
SHE LAUGHS HYSTERICALLY | 0:23:46 | 0:23:49 | |
Why has she got control of the blinds? | 0:23:49 | 0:23:51 | |
I think it's... | 0:23:51 | 0:23:52 | |
I'm a Government Minister and I don't have control of my own blinds. | 0:23:52 | 0:23:56 | |
I could order you some blinds. | 0:23:56 | 0:23:59 | |
I could order you some nice, heavy curtains, | 0:23:59 | 0:24:01 | |
with swags and a pelmet maybe? | 0:24:01 | 0:24:03 | |
Yes, do that. | 0:24:03 | 0:24:05 | |
OK. | 0:24:05 | 0:24:08 | |
Will you come with me? | 0:24:08 | 0:24:10 | |
HE BANGS THE SCULPTURE | 0:24:10 | 0:24:12 | |
So, listen... | 0:24:18 | 0:24:19 | |
my team for the US, Team Simon, | 0:24:19 | 0:24:22 | |
I'm thinking of taking you and leaving Judy. | 0:24:22 | 0:24:26 | |
I could work with that, definitely. Plus, she can be a bit, you know... | 0:24:26 | 0:24:29 | |
SILLY VOICE: "Everything's a bit shit, isn't it?" | 0:24:29 | 0:24:32 | |
Yeah, it's true. No, she can be, | 0:24:32 | 0:24:34 | |
"Oh, so you're the President | 0:24:34 | 0:24:35 | |
-"and I'm supposed to be impressed by that?" -Yeah! | 0:24:35 | 0:24:38 | |
"My husband works in Tower Hamlets." | 0:24:38 | 0:24:41 | |
"Which is much harder than being President." | 0:24:41 | 0:24:43 | |
Yeah, OK. Well, that's settled. Fuck it, she's staying here. | 0:24:43 | 0:24:46 | |
-Go and tell her. -What? | 0:24:46 | 0:24:48 | |
Well, that moves us on to any other business. | 0:24:48 | 0:24:52 | |
I think I've flagged everything | 0:24:52 | 0:24:53 | |
I need to discuss, as I usually do. | 0:24:53 | 0:24:55 | |
-Everything you're prepared to discuss. -What is that? | 0:24:55 | 0:24:58 | |
-What are you doing? -I understand you started a new committee. | 0:24:58 | 0:25:01 | |
-What is that called? -What makes you think that? | 0:25:01 | 0:25:04 | |
It was mentioned at our meeting in London. | 0:25:04 | 0:25:06 | |
-Well, you must have misheard me. -No. I misheard the word "committee"? | 0:25:06 | 0:25:10 | |
Maybe it was another word. | 0:25:10 | 0:25:12 | |
Like, say, Khomeini. | 0:25:12 | 0:25:14 | |
You're sitting on a new Khomeini? | 0:25:14 | 0:25:16 | |
-Possibly. There are a lot of words. Kansas City. Kitty. -Itty. | 0:25:16 | 0:25:20 | |
Itty? Itty is not a word, Bob. | 0:25:20 | 0:25:22 | |
-Commissary. -Thank you, James. -Chad. -Chad. | 0:25:22 | 0:25:25 | |
Why don't you just recap for me, at the moment, all the committees that you're currently sitting on? | 0:25:25 | 0:25:30 | |
I'm sorry, Karen, but you...you appear to be bleeding from the teeth. | 0:25:30 | 0:25:34 | |
Let me see that. Holy Mother of... | 0:25:34 | 0:25:36 | |
Well, don't try to change the subject. | 0:25:36 | 0:25:39 | |
I'm sorry, everyone. Just ignore the blood. We haven't finished the meeting. | 0:25:39 | 0:25:43 | |
I can't ignore... I'm sorry. | 0:25:43 | 0:25:45 | |
I don't mean to be rude, but this is a tad repulsive. | 0:25:45 | 0:25:47 | |
I'm sorry. Excuse me. | 0:25:47 | 0:25:48 | |
Liza, come with me, I need you. Chad, stay here. | 0:25:48 | 0:25:52 | |
Go, Buffy, you belong to the vampire queen now. | 0:25:52 | 0:25:55 | |
-Liza. -I'm coming. | 0:25:55 | 0:25:57 | |
Oh, my God. Shit! He's in there alone. | 0:25:57 | 0:25:59 | |
I cannot stand to see a woman bleed from the mouth. | 0:25:59 | 0:26:02 | |
It reminds me of country and western music, which I cannot abide. Huh? | 0:26:02 | 0:26:06 | |
That stuff is just choking the airwaves. | 0:26:06 | 0:26:09 | |
-Look, sorry, we just need... -Oh, my God! | 0:26:09 | 0:26:11 | |
-It's really bad. It's really bad. -I can't touch anything. | 0:26:11 | 0:26:14 | |
Nobody was joking. | 0:26:14 | 0:26:15 | |
I need to catch it. | 0:26:15 | 0:26:17 | |
How far are you with the committees? | 0:26:17 | 0:26:19 | |
I've got it down to two, actually. One is the Aims And Policy | 0:26:19 | 0:26:22 | |
Alignment Committee. The other is the Future Planning Committee. | 0:26:22 | 0:26:26 | |
It's not the first one, because I set that up. | 0:26:26 | 0:26:29 | |
Does it really sound dull to you? I thought it was a good name. | 0:26:29 | 0:26:32 | |
Right, no...it is a good name. | 0:26:32 | 0:26:35 | |
Well, find out if it really is, whatever, the Future... | 0:26:35 | 0:26:38 | |
-Planning Committee. -Find out if it really is that. | 0:26:38 | 0:26:40 | |
Um... OK, well, I might go and do that. | 0:26:40 | 0:26:44 | |
You're not going to shout at me if I do that, are you? | 0:26:44 | 0:26:47 | |
I'm not a monster, Liza. OK? | 0:26:47 | 0:26:49 | |
Will you stop implying that I'm some kind of monster? | 0:26:49 | 0:26:53 | |
Bob! | 0:26:55 | 0:26:56 | |
-Oh, hey. -Hey. I wanted to tell you | 0:26:56 | 0:26:59 | |
we're having this stupid "hunk of the month of the office" | 0:26:59 | 0:27:04 | |
-kind of contest. -Sure. | 0:27:04 | 0:27:05 | |
And I just didn't want, you know, you to feel objectified in any way, | 0:27:05 | 0:27:09 | |
-or anything like that. -No, not at all. | 0:27:09 | 0:27:11 | |
And Karen knows about the Future Planning Committee. | 0:27:11 | 0:27:14 | |
-I have no idea what you're talking about. -No? | 0:27:16 | 0:27:19 | |
No. Excuse me. | 0:27:19 | 0:27:22 | |
Future Planning Committee, that's what it is. | 0:27:25 | 0:27:28 | |
Wow! | 0:27:34 | 0:27:36 | |
This is fucking cool. | 0:27:36 | 0:27:38 | |
Don't be callow, Toby, we're on official business. | 0:27:38 | 0:27:41 | |
-This way, gentlemen. -Oh, thanks. | 0:27:41 | 0:27:43 | |
-That was a little bit fucking cool. -Yep. | 0:27:45 | 0:27:49 | |
-Did you book a car? -Me? No. | 0:27:49 | 0:27:52 | |
Well, Judy will have booked a car. | 0:27:52 | 0:27:55 | |
Judy? | 0:27:55 | 0:27:56 | |
-Hi. -For fuck's sake! | 0:27:56 | 0:27:58 | |
I was wondering about the car situation? | 0:27:58 | 0:28:00 | |
It's Robbie's job to book it and your job to check it. | 0:28:00 | 0:28:03 | |
There's obviously... | 0:28:03 | 0:28:05 | |
some snarl up at her end, I think. | 0:28:05 | 0:28:07 | |
-"Simon Forester." -Oh. | 0:28:07 | 0:28:10 | |
Thank you very much. | 0:28:10 | 0:28:12 | |
"England Government, Simon Forester." | 0:28:12 | 0:28:15 | |
My name's Simon Foster, it's British Government. | 0:28:15 | 0:28:17 | |
POLICE SIREN | 0:28:17 | 0:28:19 | |
Hey, Gav, I'm in a fucking motorcade. Yeah. | 0:28:21 | 0:28:26 | |
I feel like we should have hookers, do you know what I mean? | 0:28:26 | 0:28:29 | |
-Yeah! -I mean in here...now. | 0:28:29 | 0:28:31 | |
-DRIVER: Do you want girls? -No, no, no, no, no, no. | 0:28:39 | 0:28:41 | |
Absolutely not. | 0:28:41 | 0:28:43 | |
No, sorry. No hookers, it was just a joke. | 0:28:43 | 0:28:46 | |
I hate hookers. Not in an aggressive way, but, no, thank you. | 0:28:46 | 0:28:51 | |
Strange hotel. | 0:28:52 | 0:28:54 | |
It's like a hangar for businessmen, isn't it? | 0:28:54 | 0:28:57 | |
-That's better, isn't it? -It's big, yeah. | 0:28:58 | 0:29:00 | |
Just bring them here, that's fine. | 0:29:00 | 0:29:02 | |
Tobes, have you got any m... | 0:29:04 | 0:29:08 | |
Well, I haven't been to an ATM, so I've not... I've only got English. | 0:29:08 | 0:29:11 | |
I mean, I don't suppose English money is... | 0:29:11 | 0:29:14 | |
This and this, sorry that's... | 0:29:14 | 0:29:15 | |
It's usually a dollar a bag. | 0:29:15 | 0:29:18 | |
Ooh, well, there's the Capitol, | 0:29:21 | 0:29:23 | |
you can see there through that window and that tree. | 0:29:23 | 0:29:27 | |
Technically, you've got a Capitol Hill view. | 0:29:27 | 0:29:29 | |
Hi. | 0:29:38 | 0:29:39 | |
-Ooh. -Excuse me. | 0:29:39 | 0:29:41 | |
Hello. How are you doing? Was it something I said? | 0:29:41 | 0:29:44 | |
I haven't seen you in a month. | 0:29:44 | 0:29:45 | |
I haven't felt that in years. Thank you. | 0:29:45 | 0:29:48 | |
-You're beautiful. -Oh, thank you. I'm sure you say that to all the girls. | 0:29:48 | 0:29:52 | |
Yes, I do... | 0:29:52 | 0:29:53 | |
and some of the soldiers, too. | 0:29:53 | 0:29:54 | |
That's why you shouldn't run for office, bimbo eruptions. | 0:29:54 | 0:29:57 | |
Don't believe that shit. I'm not running for office - I'm trying something different. | 0:29:57 | 0:30:02 | |
I know. It's one of the reasons I like you. | 0:30:02 | 0:30:04 | |
I know your passion about education and housing and... | 0:30:04 | 0:30:07 | |
-Lingerie. -There you go. -Bestiality. | 0:30:07 | 0:30:09 | |
I'd forgotten about that. | 0:30:09 | 0:30:12 | |
-Are you still allergic to the dog? -Yes, yes, I wake up and my eyes are closed | 0:30:12 | 0:30:16 | |
and my head is swollen and I look like a giant ball sac. | 0:30:16 | 0:30:19 | |
Oh, my God. You know, they do have modern medication for that sort of thing. | 0:30:19 | 0:30:24 | |
-Beautiful ball sac, though. -Thank you very much. | 0:30:24 | 0:30:27 | |
-How's the Pentagon? -It's kicked up. They're talking invasion reasonably seriously. | 0:30:27 | 0:30:31 | |
-Is there somewhere we can talk about this? -I don't know. | 0:30:31 | 0:30:35 | |
-There must be. -I don't live here. | 0:30:35 | 0:30:37 | |
-Follow me. -Go that way. -Don't let people know we're leaving. | 0:30:37 | 0:30:40 | |
This is good. Her daughter's not home, I talked to her. | 0:30:40 | 0:30:44 | |
-In here? -Yeah. Although, I don't know what we'll say if somebody comes in right now. | 0:30:44 | 0:30:49 | |
No, I can't think of a good possible excuse, no. | 0:30:49 | 0:30:52 | |
-No, me neither, me neither. What? -Come here. | 0:30:52 | 0:30:55 | |
Just be careful, don't mess stuff up. | 0:30:55 | 0:30:58 | |
-Oh, come on, it's toys. -Let's sit down. | 0:30:58 | 0:31:02 | |
-So... -Yeah. | 0:31:02 | 0:31:04 | |
Not enough troops. Total minimum European requirement. | 0:31:04 | 0:31:08 | |
The Far East, Asia. | 0:31:08 | 0:31:09 | |
OK. That's how many we have. | 0:31:09 | 0:31:11 | |
Total there, yes. And then we have the contingency already deployed. | 0:31:11 | 0:31:15 | |
OK, I don't... You've lost me. | 0:31:15 | 0:31:17 | |
Hold on a minute... | 0:31:17 | 0:31:18 | |
-Oh, fuck this. -What? | 0:31:20 | 0:31:21 | |
-CALCULATOR: -# La-la-la, la-la-la-la, la-la-la. -# Good. | 0:31:29 | 0:31:32 | |
Your military hardware is impressive, General. | 0:31:32 | 0:31:35 | |
Well, not any more, it isn't. | 0:31:35 | 0:31:36 | |
TOY CALCULATOR BLEEPS | 0:31:36 | 0:31:38 | |
So, you add these together. | 0:31:38 | 0:31:39 | |
CALCULATOR BOINGS | 0:31:39 | 0:31:42 | |
So this is the number of combat troops available | 0:31:42 | 0:31:45 | |
for an invasion, according to these figures. | 0:31:45 | 0:31:48 | |
-CALCULATOR: -12! | 0:31:48 | 0:31:50 | |
Thousand? | 0:31:50 | 0:31:52 | |
-No, 12. 12 troops. -Oh, come on, you're shitting me? | 0:31:52 | 0:31:55 | |
I am shitting you. | 0:31:55 | 0:31:56 | |
12,000 troops, 12,000 troops, but that's not enough... | 0:31:56 | 0:32:00 | |
that's the amount that are going to die. | 0:32:00 | 0:32:02 | |
And at the end of a war you need some soldiers left, really, | 0:32:02 | 0:32:05 | |
or else it looks like you've lost. | 0:32:05 | 0:32:07 | |
-CALCULATOR: -Bye for now! | 0:32:08 | 0:32:10 | |
You know what? I've got some Brits I have to meet tomorrow. A guy named Simon Foster. | 0:32:10 | 0:32:15 | |
-Who's Simon Foster? -He's this guy that said publicly | 0:32:15 | 0:32:18 | |
that war was unforeseeable. | 0:32:18 | 0:32:20 | |
And I think he could be very useful on the war committee. | 0:32:20 | 0:32:23 | |
He can internationalise the dissent - start to. | 0:32:23 | 0:32:26 | |
You're going to use him as a little meat puppet? | 0:32:26 | 0:32:28 | |
Tobes? | 0:32:42 | 0:32:43 | |
-Hi. -Hi. | 0:32:43 | 0:32:46 | |
What are we going to...do tonight? | 0:32:46 | 0:32:50 | |
-Tonight? -Yes, what are we up to, my... | 0:32:50 | 0:32:54 | |
-my chief aide? -Well... yeah, I mean, | 0:32:54 | 0:32:57 | |
I sort of thought tonight we'd probably be just a bit tired, really. | 0:32:57 | 0:33:01 | |
No, I am tired. But, | 0:33:01 | 0:33:03 | |
I'm also a career politician, Toby, | 0:33:03 | 0:33:05 | |
in the political powerhouse of the world for 48 hours and I thought | 0:33:05 | 0:33:09 | |
it might be nice to go out rather than just sitting in my room | 0:33:09 | 0:33:13 | |
trying to spank one out over a shark documentary, | 0:33:13 | 0:33:16 | |
because I'm scared if I watch a porno it'll end up in the Register of Members' Interests. | 0:33:16 | 0:33:20 | |
So... | 0:33:20 | 0:33:22 | |
-What have you got for us to do? -Right, what have I got? | 0:33:22 | 0:33:25 | |
Well, so far we've got... | 0:33:25 | 0:33:28 | |
Well, there's a leaflet through the door for happy hour at the bar, which might be interesting. | 0:33:28 | 0:33:34 | |
Also, I do have the number of a guy I was at uni with | 0:33:34 | 0:33:38 | |
-who works for CNN out here. -No. | 0:33:38 | 0:33:41 | |
-No? -No. | 0:33:41 | 0:33:44 | |
-Where are you? -I'm waving at you. -I don't see you, be more visible. | 0:33:44 | 0:33:49 | |
-I'm, like, practically on top of you, I'm coming to you. -Ah! | 0:33:49 | 0:33:52 | |
You can stop talking on your cell phone now. | 0:33:52 | 0:33:55 | |
Of course I can. | 0:33:55 | 0:33:56 | |
Look, I have to leave. Phone Simon Foster's guy, | 0:33:56 | 0:33:59 | |
tell them, come to the war committee. | 0:33:59 | 0:34:01 | |
I'll give them some face time tomorrow around ten o'clock. | 0:34:01 | 0:34:04 | |
It'll be coffee and Danish. Tea. They'll want tea. | 0:34:04 | 0:34:07 | |
-Tea and sympathy, tea and a hand job, whatever. -OK. | 0:34:07 | 0:34:11 | |
'There's still much that's unknown about hammerhead sharks, such as their mating habits.' | 0:34:11 | 0:34:15 | |
-MOBILE RINGS -You can definitely spot the female ones, can't you? | 0:34:15 | 0:34:19 | |
-Hello. -Hi, Toby, what are you doing tonight? | 0:34:19 | 0:34:23 | |
Well, it's unbelievably hectic. Actually we're... | 0:34:23 | 0:34:26 | |
'Their courtship is a violent affair. | 0:34:26 | 0:34:28 | |
'The male will bite the female until she acquiesces' | 0:34:28 | 0:34:31 | |
The war committee, that's a big thing, Liza. | 0:34:31 | 0:34:35 | |
Yeah, well, I have been on committees before, | 0:34:35 | 0:34:37 | |
the Challenges For The Cheese Market, that was one of the big ones. | 0:34:37 | 0:34:41 | |
Yeah, God, yeah. Love a drink. | 0:34:41 | 0:34:44 | |
40 minutes is perfect, yeah, yeah. | 0:34:44 | 0:34:46 | |
Bye-bye. Bye. | 0:34:46 | 0:34:47 | |
Bye. Bye, bye. | 0:34:47 | 0:34:48 | |
MOBILE RINGS | 0:34:48 | 0:34:50 | |
-Matty, how's CNN? -'Great.' | 0:34:50 | 0:34:53 | |
I can't, mate, no. | 0:34:53 | 0:34:54 | |
Liza Wells got us onto the Future Planning Committee in the morning. | 0:34:54 | 0:34:58 | |
-The war committee to the likes of you and me. -'What are you talking about?' | 0:34:58 | 0:35:02 | |
The Future Planning Committee is Linton's war committee. | 0:35:02 | 0:35:06 | |
Do you not work for CNN or is it the Cartoon News Network? | 0:35:06 | 0:35:09 | |
KNOCK AT THE DOOR | 0:35:09 | 0:35:11 | |
Come in. I just wasn't expecting to see you here. Physically here. | 0:35:15 | 0:35:18 | |
you're always in my heart. | 0:35:18 | 0:35:20 | |
I'm here, I'm there, I'm fucking everywhere, I'm the egg man. | 0:35:20 | 0:35:23 | |
Have you come to insult me in a different time zone? | 0:35:23 | 0:35:25 | |
Yeah. No, sorry, I'm just off out for a drink with her just now. | 0:35:25 | 0:35:29 | |
No. You're barking up the wrong cock there. | 0:35:29 | 0:35:31 | |
Little Toby is staying very much in his hammock this evening. | 0:35:31 | 0:35:35 | |
-Simon, I've got us on the... -Hiya. | 0:35:35 | 0:35:37 | |
Jesus, fucking hell, Malcolm. | 0:35:37 | 0:35:39 | |
You're supposed to shit yourself in there, not out here. | 0:35:39 | 0:35:41 | |
I've got us on Linton's Future Planning Committee for tomorrow morning. | 0:35:41 | 0:35:46 | |
Brilliant. What is that? | 0:35:46 | 0:35:48 | |
-It's the war committee. -What? | 0:35:48 | 0:35:50 | |
The actual war...the actual war committee? Who's going to be there? | 0:35:50 | 0:35:54 | |
Karen Clark, Liza Weld, me and Simon...Simon and me. | 0:35:54 | 0:36:00 | |
How about the rest of the committee, who are they? | 0:36:00 | 0:36:03 | |
Jimmy Osmond, Gwyneth Paltrow? It's a diversion. | 0:36:03 | 0:36:05 | |
The real committee, that's at the White House. | 0:36:05 | 0:36:08 | |
I'll text you the details - I'm going to go out for a drink with some State Department bods now. | 0:36:08 | 0:36:13 | |
Don't mention this to the press, OK? | 0:36:13 | 0:36:15 | |
Don't mention it to anyone. If the press get a whiff that there's | 0:36:15 | 0:36:18 | |
a war committee, even a cardboard one, every fucker in this town will turn up and try and get on it. | 0:36:18 | 0:36:23 | |
So no matter what gay bar you end up in, keep it shtoom. | 0:36:23 | 0:36:26 | |
I was watching that. | 0:36:28 | 0:36:30 | |
Yeah, well, I have to have a word with you. | 0:36:30 | 0:36:32 | |
You might want to slip into your negligee. | 0:36:32 | 0:36:35 | |
LOUD ROCK MUSIC | 0:36:35 | 0:36:37 | |
-You see this mosh pit? -Yeah. | 0:36:40 | 0:36:42 | |
-Well, they're mostly house staffers, senators' interns. -Oh, yeah? | 0:36:42 | 0:36:47 | |
Tonight they rage hard, but tomorrow they go back to the Hill and argue noise reduction legislation. | 0:36:47 | 0:36:52 | |
Is this yours or mine? | 0:36:54 | 0:36:56 | |
I don't know, I've got three. | 0:36:56 | 0:36:57 | |
So one of these has got to be yours. | 0:36:57 | 0:36:59 | |
Those are like fluids that I've never... | 0:36:59 | 0:37:01 | |
Would you call wax a fluid? | 0:37:01 | 0:37:03 | |
-No, it's not a fluid, it's a... -That's very intimate. | 0:37:03 | 0:37:05 | |
It's an ooze...it's an ooze. | 0:37:05 | 0:37:07 | |
Ooooh...eurgh! | 0:37:07 | 0:37:10 | |
Karen will want you to say, "War is unforeseeable." | 0:37:15 | 0:37:18 | |
And Linton will want you to talk up the "climbing the mountain of conflict" line. | 0:37:18 | 0:37:22 | |
You say nothing, OK? | 0:37:22 | 0:37:24 | |
You stay detached, otherwise that's what I will do to your retinas. | 0:37:24 | 0:37:27 | |
-Right. -Can I go to bed now, please? No, no, no, no. | 0:37:27 | 0:37:31 | |
We're going to stay here and you are going to rehearse saying nothing. | 0:37:31 | 0:37:35 | |
Am I being tortured? | 0:37:35 | 0:37:37 | |
-You look worried. -It's the paper that I wrote for Karen. | 0:37:38 | 0:37:43 | |
It's called PWIP PIP, it's about war. | 0:37:43 | 0:37:46 | |
The pros and cons, and I came up with too many cons. | 0:37:46 | 0:37:49 | |
I'm, like, fucking worried because... | 0:37:49 | 0:37:52 | |
This is, like, my career on the line. | 0:37:52 | 0:37:56 | |
I thought you were worried, because you were looking worried. | 0:37:56 | 0:37:59 | |
But you know, don't... | 0:37:59 | 0:38:01 | |
I mean, don't...don't worry. | 0:38:01 | 0:38:04 | |
-Thank you. -OK. | 0:38:04 | 0:38:07 | |
-Sure. -Thank you. | 0:38:07 | 0:38:10 | |
God damn it! | 0:38:10 | 0:38:12 | |
Are you OK? | 0:38:14 | 0:38:15 | |
Yeah, I'm just taking off my shoes. | 0:38:15 | 0:38:17 | |
-Why is that? Is it a mosque? -It's just, like... | 0:38:17 | 0:38:19 | |
THE GIGGLE | 0:38:19 | 0:38:21 | |
Is it... Is it a bouncy castle? | 0:38:21 | 0:38:23 | |
HE BURPS | 0:38:23 | 0:38:27 | |
-THEY GIGGLE -OK... | 0:38:27 | 0:38:28 | |
THEY KISS Mmm... | 0:38:28 | 0:38:31 | |
Can I just say, what happens in Washington, | 0:38:31 | 0:38:34 | |
stays in Washington, yeah? | 0:38:34 | 0:38:36 | |
Well, I live in Washington, so that doesn't, like, really work for me. | 0:38:36 | 0:38:41 | |
Yeah? | 0:38:41 | 0:38:43 | |
A number for a cab company in Washington DC, please. | 0:38:58 | 0:39:01 | |
Just straight through, straight through. | 0:39:01 | 0:39:03 | |
Hi, I need a cab. | 0:39:04 | 0:39:06 | |
Well, I don't know. | 0:39:06 | 0:39:07 | |
I'm outside number 1427 moving on... | 0:39:07 | 0:39:11 | |
I don't know, it's a nice street, it's quite leafy, federal houses. | 0:39:11 | 0:39:16 | |
Marcel's is nice. I like their wraps. | 0:39:22 | 0:39:25 | |
And you should go to La Taverna, the Greek place, it's fantastic. | 0:39:25 | 0:39:29 | |
They do that thing - set fire to the cheese. | 0:39:29 | 0:39:31 | |
What's that called? It's fun. | 0:39:31 | 0:39:33 | |
Yeah, that sounds fun. | 0:39:33 | 0:39:35 | |
And, well, there's the Aerospace Museum and the National Gallery. | 0:39:38 | 0:39:43 | |
Do they set fire to the pictures? | 0:39:43 | 0:39:46 | |
-THEY LAUGH -Yeah. | 0:39:46 | 0:39:48 | |
Hi, sorry I'm so late for the meeting. One or two issues getting here, but... | 0:39:50 | 0:39:56 | |
-I'm Karen. -Hi. Toby. | 0:39:56 | 0:39:58 | |
Pull an all-nighter? | 0:39:58 | 0:39:59 | |
Well, I... | 0:39:59 | 0:40:01 | |
-I was led astray. -Oh. By who? | 0:40:01 | 0:40:05 | |
-I... I just ran into some people from the MOD and... -Not Penny Grayling? | 0:40:05 | 0:40:12 | |
No. Another...gang. | 0:40:12 | 0:40:17 | |
-Wow, I didn't realise we had so many delegations in town. -No, well... | 0:40:17 | 0:40:21 | |
"The British are coming!" | 0:40:21 | 0:40:24 | |
So, um... | 0:40:29 | 0:40:30 | |
Yeah, you know what? I have a lot of things to check on just now. | 0:40:30 | 0:40:33 | |
So this would probably be a good place to break things up. | 0:40:33 | 0:40:37 | |
No problem. | 0:40:37 | 0:40:39 | |
Brilliant. Bye. | 0:40:39 | 0:40:42 | |
I've brought your bag for you. | 0:40:45 | 0:40:47 | |
-Cheers, man. -Tobes, I don't want to have to read you the riot act here, | 0:40:47 | 0:40:51 | |
but I am going to have to read you some extracts from the riot act. | 0:40:51 | 0:40:55 | |
Like section one, paragraph one - | 0:40:55 | 0:40:57 | |
don't leave your boss twisting in the wind, | 0:40:57 | 0:41:00 | |
and then burst in late smelling like a pissed seaside donkey. | 0:41:00 | 0:41:05 | |
"The British are coming." | 0:41:05 | 0:41:08 | |
All right, I was late for the meeting. I am sorry, but it's not like I threw up in there, is it? | 0:41:08 | 0:41:13 | |
No, you're right, I'm being unfair. | 0:41:13 | 0:41:15 | |
I should be thanking you for not throwing up. | 0:41:15 | 0:41:19 | |
Well done, you're a star. | 0:41:19 | 0:41:21 | |
You didn't wet yourself, did you? You're in the right city. | 0:41:21 | 0:41:24 | |
You didn't say anything overtly racist. | 0:41:24 | 0:41:26 | |
You didn't pull your dick out | 0:41:26 | 0:41:28 | |
and start plucking it and shouting, "Willy banjo." | 0:41:28 | 0:41:31 | |
No, I'm being really unfair. | 0:41:31 | 0:41:33 | |
You'd got so much right without actually being there | 0:41:33 | 0:41:38 | |
for the beginning of one of the most important moments of my career. | 0:41:38 | 0:41:42 | |
Thanks, you're a legend. | 0:41:42 | 0:41:45 | |
That was just the beginning, do you think? Are we going back in there? | 0:41:51 | 0:41:54 | |
I don't know, we barely said hello. | 0:41:54 | 0:41:56 | |
I've had muggings that lasted longer. We talked about flammable cheese. | 0:41:56 | 0:42:00 | |
What if our meeting has finished? | 0:42:00 | 0:42:02 | |
What if Karen comes back, and then we're still sitting here? | 0:42:02 | 0:42:06 | |
It's going to be embarrassing, isn't it? We're going to look like groupies. | 0:42:06 | 0:42:10 | |
What if it hasn't finished and she comes back and we've disappeared? | 0:42:10 | 0:42:14 | |
Maybe I could call Judy? She could... | 0:42:14 | 0:42:17 | |
Please can we try and just do one thing without Judy? | 0:42:17 | 0:42:20 | |
Fine. | 0:42:20 | 0:42:22 | |
I think we've drawn | 0:42:22 | 0:42:23 | |
long enough from that... | 0:42:23 | 0:42:26 | |
teat. | 0:42:26 | 0:42:28 | |
Surprisingly enough, | 0:42:30 | 0:42:31 | |
-a lot of the marble in the building is not imported. -Really? | 0:42:31 | 0:42:34 | |
-It's interesting... -Very interesting. | 0:42:34 | 0:42:36 | |
-If you study the stonework. -Not at the moment. | 0:42:36 | 0:42:38 | |
So, you made it in OK, right? | 0:42:38 | 0:42:40 | |
Yeah, hunky-dory, thanks. | 0:42:40 | 0:42:42 | |
-Can I get a coffee? -Sure, sure. | 0:42:42 | 0:42:44 | |
If we just get started, my assistant should be bringing in coffee shortly. | 0:42:44 | 0:42:48 | |
-Your assistant? -Yeah. | 0:42:50 | 0:42:52 | |
So, item... | 0:42:52 | 0:42:54 | |
We need to have a conversation about the mood of the British Parliament, | 0:42:54 | 0:42:58 | |
-the bumps in the road ahead and what not. -I'm sorry, I don't... | 0:42:58 | 0:43:01 | |
This situation here is... Is this it? | 0:43:01 | 0:43:04 | |
No offence, son, but you look like you should be at school | 0:43:04 | 0:43:07 | |
with your head down a fucking toilet. | 0:43:07 | 0:43:09 | |
Your first point there, the offence? | 0:43:09 | 0:43:11 | |
I'm going to have to take it. | 0:43:11 | 0:43:12 | |
Your second point, I'm 22, but item, it's my birthday in nine days, so... | 0:43:12 | 0:43:16 | |
If it'll make you feel more comfortable, we could wait. | 0:43:16 | 0:43:19 | |
Don't get sarcastic with me, son. | 0:43:19 | 0:43:21 | |
We burned this tight-arsed city to the ground in 1814. | 0:43:21 | 0:43:24 | |
And I'm all for doing it again, starting with you, you frat fuck. | 0:43:24 | 0:43:28 | |
You get sarcastic with me again and I will stuff so much cotton wool | 0:43:28 | 0:43:31 | |
down your fucking throat it'll come out your arse like the wee tail on a Playboy bunny. | 0:43:31 | 0:43:36 | |
I was led to believe I was attending the war committee. | 0:43:36 | 0:43:39 | |
Yes, Assistant Secretary of State, Linton Barwick | 0:43:39 | 0:43:42 | |
asked me to brief you on the Future Planning Committee. | 0:43:42 | 0:43:45 | |
I'm away. | 0:43:45 | 0:43:47 | |
And here we are. The fucking Vice President | 0:43:47 | 0:43:49 | |
has also graced us with his presence. | 0:43:49 | 0:43:51 | |
Give him a bottle of milk. | 0:43:51 | 0:43:53 | |
You didn't wake me up. | 0:43:53 | 0:43:55 | |
The thought crossed my mind, but you just looked so sweet there. | 0:43:55 | 0:43:58 | |
You know, with the jet-lag and all. | 0:43:58 | 0:44:00 | |
I don't know, I thought you knew what you were doing. | 0:44:00 | 0:44:03 | |
I didn't know what I was doing, I was asleep. | 0:44:03 | 0:44:05 | |
That's how people walk through windows, that's how that happens. | 0:44:05 | 0:44:09 | |
-Hey, Liza? -Yeah. | 0:44:09 | 0:44:10 | |
I've got another call for you about the committee from Senator Crudden's office. | 0:44:10 | 0:44:14 | |
Crudden? What is going on? | 0:44:14 | 0:44:16 | |
How did CNN know about the committee? | 0:44:16 | 0:44:18 | |
-Did Linton post, like, an invite on Facebook or something? -Liza? | 0:44:18 | 0:44:22 | |
Everyone is so hot for this paper, I just wanted to let you know. | 0:44:22 | 0:44:26 | |
I'm about to run off another ten copies. | 0:44:26 | 0:44:28 | |
-Just stop. -It's like a Harry Potter book, | 0:44:28 | 0:44:30 | |
if Harry Potter made people really, really angry. | 0:44:30 | 0:44:33 | |
You're in hot water, you're lobsterising. Do you smell lobster? | 0:44:33 | 0:44:37 | |
Because I smell lobster. Strong... | 0:44:37 | 0:44:40 | |
bisque wafting this way. | 0:44:40 | 0:44:42 | |
How far would you go with Linton? | 0:44:42 | 0:44:44 | |
You freaky little stalker. | 0:44:44 | 0:44:46 | |
Downtown? Or all the way up Brokeback Mountain? | 0:44:46 | 0:44:49 | |
-Smells like bisque. -Smells like bisque? -Smells like bisque. | 0:44:49 | 0:44:53 | |
Where's the war committee? I thought I was going there. | 0:44:59 | 0:45:02 | |
Simon's going. I thought you were doing your one-to-one? | 0:45:02 | 0:45:05 | |
-Just tell me where the fuck it's happening! -The State Department on the seventh floor. | 0:45:05 | 0:45:09 | |
-Malcolm? -What? -Do you like how I'm telling you what's going on where you are? | 0:45:09 | 0:45:15 | |
Let me tell you what's going on where you are. A certain vinegar-faced, manipulative cow-bag | 0:45:15 | 0:45:19 | |
is about to discover that she's out of a fu... | 0:45:19 | 0:45:22 | |
job... Fucking hung up! You fucking hoity-toity fucking... | 0:45:22 | 0:45:26 | |
Hey, buddy? Enough with the curse words, all right? | 0:45:26 | 0:45:29 | |
Kiss my sweaty balls, you fat fuck. | 0:45:29 | 0:45:31 | |
There's the grenade. | 0:45:33 | 0:45:35 | |
I know, I'm looking at it. | 0:45:35 | 0:45:37 | |
He's got "climb the mountain of conflict" on his picture. | 0:45:37 | 0:45:41 | |
He's picked up on that? | 0:45:41 | 0:45:42 | |
On the bumper sticker. | 0:45:42 | 0:45:45 | |
(Shit, there's Karen Clark.) | 0:45:45 | 0:45:47 | |
Have a meeting, have a meeting. | 0:45:47 | 0:45:48 | |
What about the dialectic, as it spreads across the territories? | 0:45:52 | 0:45:56 | |
-Interesting dialectic... -Oh, hi. -Hi. I'll see you at the committee. | 0:45:56 | 0:46:00 | |
-We're just sorting out a bit of prep, finishing stuff. -Very good, that's great. | 0:46:00 | 0:46:05 | |
-Liza, they're still here. -I know. I told them where it was. | 0:46:05 | 0:46:08 | |
-OK, let's go, let's go. Come on. Quick! We've got to keep up with them. -Let's roll. | 0:46:08 | 0:46:13 | |
No, you can't say "let's roll". They don't like it here. | 0:46:13 | 0:46:17 | |
-That's just who asked to be in on the committee, it's crazy. -Yeah. -Hello. -Hello. | 0:46:17 | 0:46:22 | |
Are you joining us, or shall we see you there? | 0:46:22 | 0:46:25 | |
Oh, I'm so sorry. No, see you there. | 0:46:25 | 0:46:27 | |
I don't need to do any of the things that you need to go in there to do, | 0:46:27 | 0:46:31 | |
so I'll just see you there. | 0:46:31 | 0:46:33 | |
-Toby, do you need to use the...? -No, no, no. | 0:46:33 | 0:46:35 | |
I don't need the restroom. | 0:46:35 | 0:46:36 | |
All right, OK. | 0:46:36 | 0:46:37 | |
(Yeah, they're insane.) | 0:46:39 | 0:46:40 | |
-Where is it? -(I don't know.) | 0:46:42 | 0:46:44 | |
-We can wait here. -Wait round here. | 0:46:44 | 0:46:46 | |
When they come out, we'll follow them again. | 0:46:46 | 0:46:48 | |
Plenty of room down the back. | 0:46:55 | 0:46:58 | |
We seem to be overrun with insurgents, Bob, huh? | 0:46:58 | 0:47:02 | |
There must have been a leak. | 0:47:02 | 0:47:03 | |
Really, no kidding(?) Unbelievable! | 0:47:03 | 0:47:06 | |
Is this the wrestling? Is that the ring? | 0:47:06 | 0:47:08 | |
There's General Miller. | 0:47:08 | 0:47:10 | |
-I think it's best that we move... -Reconvene. -..reconvene to a larger venue. | 0:47:10 | 0:47:14 | |
If you follow my lead. Take an agenda. | 0:47:14 | 0:47:17 | |
-Please take an agenda, we want to stick to that. -This is a cluster fuck. | 0:47:17 | 0:47:22 | |
-How did CNN know about this? -< Hold onto that one! | 0:47:22 | 0:47:24 | |
I'm thinking we could you Miller to sign it? | 0:47:24 | 0:47:26 | |
If we could do this with a certain amount of energy. | 0:47:26 | 0:47:29 | |
Just this way, folks. | 0:47:29 | 0:47:31 | |
Moo! | 0:47:31 | 0:47:33 | |
Moo... | 0:47:33 | 0:47:35 | |
HE PANTS | 0:47:36 | 0:47:39 | |
-Find a chair, wherever you're comfortable. -More this way. | 0:47:39 | 0:47:43 | |
Excellent(!) I'm room meat again. | 0:47:43 | 0:47:46 | |
This is a massive abattoir of room meat. | 0:47:46 | 0:47:49 | |
Just so you know, Karen and I did not appreciate having to skulk around like Mulder and Scully | 0:47:50 | 0:47:56 | |
to find out about the committee. | 0:47:56 | 0:47:57 | |
Well, you're both here now, huh, John and Yoko? | 0:47:57 | 0:48:00 | |
We need to talk. | 0:48:00 | 0:48:02 | |
How about my office, 12.30 tomorrow, huh? | 0:48:02 | 0:48:05 | |
-OK, off you go. -What do you mean? -I've got this covered. | 0:48:05 | 0:48:08 | |
Go and find the next thing. | 0:48:08 | 0:48:10 | |
Talk to that Chad boy, the boy from The Shining. He knows things. | 0:48:10 | 0:48:14 | |
-Don't make me pump Chad. -No, I'm making you pump Chad. | 0:48:14 | 0:48:17 | |
-Go on, it'll be easy peasy lemon squeezy. -No, it won't. | 0:48:17 | 0:48:20 | |
It'll be difficult, difficult, lemon difficult. That is what it'll be. | 0:48:20 | 0:48:24 | |
Have a lovely afternoon. | 0:48:24 | 0:48:26 | |
Stop a war for me. | 0:48:26 | 0:48:28 | |
So, welcome to the somewhat engorged session of the Future Planning Committee. | 0:48:28 | 0:48:33 | |
Yes, Assistant Secretary, on point six, it feels like there's already been an assumption | 0:48:33 | 0:48:40 | |
that we're invading, and don't you think that we should discuss the practical implications? | 0:48:40 | 0:48:45 | |
I mean, this is, after all, the war committee. | 0:48:45 | 0:48:47 | |
This is the Future Planning Committee. | 0:48:47 | 0:48:50 | |
Well, unofficially, it is called the war committee. | 0:48:50 | 0:48:53 | |
Well, Karen, unofficially, we can call anything whatever we want. | 0:48:53 | 0:48:57 | |
Unofficially, this is a shoe, but it's not, Karen. It is a glass of water. | 0:48:57 | 0:49:02 | |
And this is the Future Planning Committee. | 0:49:02 | 0:49:05 | |
Unofficially, this appears to be bullshit. | 0:49:05 | 0:49:08 | |
Hey. What's all this? | 0:49:09 | 0:49:11 | |
"Climb the mountain of conflict". | 0:49:11 | 0:49:13 | |
We're just choosing a font that... looks appropriate. | 0:49:13 | 0:49:16 | |
What about that font the SS used? Have you thought about using that one? | 0:49:16 | 0:49:20 | |
-Er...well, that obviously has bad connotations. -Heavy metal? | 0:49:20 | 0:49:24 | |
-No, the SS. -Oh, right. | 0:49:24 | 0:49:26 | |
Has a decision already been made, in principle, to advocate invasion? | 0:49:30 | 0:49:36 | |
I would refer you to the recent comments | 0:49:36 | 0:49:39 | |
of our colleague from the UK, Mr Simon Foster, in that regard. | 0:49:39 | 0:49:43 | |
Yes, I think that Mr Foster would have something to say to that. | 0:49:43 | 0:49:48 | |
I'm... I'm certainly hearing both sides. | 0:49:48 | 0:49:52 | |
In England, we have a saying for the very situation such as this, | 0:49:52 | 0:49:57 | |
which is that it's difficult, difficult... | 0:49:57 | 0:50:02 | |
lemon difficult... | 0:50:02 | 0:50:04 | |
You betcha. Huh? | 0:50:07 | 0:50:09 | |
I do think a consensus is forming. | 0:50:09 | 0:50:11 | |
-No, no, it's not, and you have no basis for saying that. -Karen...Karen, calm down. | 0:50:11 | 0:50:16 | |
Because we don't want you to have another haemorrhage. | 0:50:16 | 0:50:19 | |
-Linton! Linton! -Hmm? | 0:50:23 | 0:50:25 | |
Mr Tucker, isn't it? Nice to see you again. | 0:50:25 | 0:50:30 | |
Are you fucking me about? | 0:50:30 | 0:50:31 | |
Is there a problem, Mr Tucker? | 0:50:33 | 0:50:35 | |
-I've just come from a briefing with a nine-year-old child. -You're talking about AJ. | 0:50:35 | 0:50:39 | |
AJ is one of our top guys. | 0:50:39 | 0:50:41 | |
He's a Stanton College Prep, Harvard. | 0:50:41 | 0:50:44 | |
One of the brightest and best. | 0:50:44 | 0:50:45 | |
Well, his briefing notes were written in alphabetti spaghetti. | 0:50:45 | 0:50:49 | |
I nearly tripped up over his fucking umbilical cord. | 0:50:49 | 0:50:51 | |
I'm sorry it troubles you that our people achieve excellence at such an early age. | 0:50:51 | 0:50:56 | |
But could we just move on to what's important here? | 0:50:56 | 0:50:59 | |
Now, I understand that your Prime Minister has asked you | 0:50:59 | 0:51:02 | |
to supply us with some, let's say, fresh British intelligence, | 0:51:02 | 0:51:07 | |
-is that true? -Yeah. | 0:51:07 | 0:51:09 | |
Apparently, your fucking master race of highly gifted toddlers can't quite get the job done... | 0:51:09 | 0:51:14 | |
-OK. -..between breast feeds and playing with their Power Rangers, | 0:51:14 | 0:51:17 | |
-so a grown-up has been asked to fucking bail you out. -Ah, Minister! | 0:51:17 | 0:51:21 | |
Thank you so much for your support. We appreciate it. | 0:51:21 | 0:51:24 | |
And what did you say, "climb the mountain of conflict"? | 0:51:24 | 0:51:27 | |
-That's terrific. -It's quite complicated in terms of my... | 0:51:27 | 0:51:30 | |
It's early days, my friend. All roads lead to Munich. | 0:51:30 | 0:51:33 | |
All roads lead to Munich?! What the fuck does that mean? | 0:51:33 | 0:51:36 | |
I think it just means... Actually, I don't know what it means. | 0:51:36 | 0:51:39 | |
You see that? Pull that out, America deflates. | 0:51:41 | 0:51:44 | |
Very easy to mock. The closest you'll come to getting one of those is buying a fucking Toblerone. | 0:51:44 | 0:51:49 | |
I'll meet you in the car. Come on, back to London. | 0:51:49 | 0:51:52 | |
So, what are we going back to, apart from a nice cup of tea and some knife crime? | 0:51:52 | 0:51:57 | |
Constituency surgery in Northampton. | 0:51:57 | 0:52:00 | |
Oh, great(!) | 0:52:00 | 0:52:02 | |
Meeting my constituents. | 0:52:02 | 0:52:04 | |
It's like being Simon Cowell but without the ability to say, "Fuck off, you're mental." | 0:52:04 | 0:52:10 | |
It's stuck. | 0:52:19 | 0:52:20 | |
Simon, do you mind? | 0:52:20 | 0:52:22 | |
If you just kick it at the bottom really hard, that should do it. | 0:52:22 | 0:52:26 | |
I'm just going to go and deal with that guttering. | 0:52:28 | 0:52:31 | |
-We've just come back from America, Roz. -Right. | 0:52:31 | 0:52:35 | |
-How was the President? -Good, actually. Yeah. -Good! | 0:52:35 | 0:52:39 | |
Oh, dear, how the mighty have fallen. From White House to shite house. | 0:52:42 | 0:52:47 | |
Actually, mate, sorry, fuck this, could you get under there? | 0:52:47 | 0:52:50 | |
-Is that any better? -No. | 0:52:52 | 0:52:55 | |
This septic tank, if we didn't even know it was there, how come we're responsible for it now? | 0:52:55 | 0:53:01 | |
-I think what's causing the problem is that it's not actually a COUNCIL septic tank. -Uh-huh. | 0:53:01 | 0:53:06 | |
-You should leave this to us now. -Really? | 0:53:06 | 0:53:09 | |
Certainly. I'm completely on board. | 0:53:09 | 0:53:12 | |
-Is he? -Thanks for coming in. -Yeah. | 0:53:12 | 0:53:14 | |
-Right. -All right? -Yes, thank you. | 0:53:14 | 0:53:16 | |
-Thank you. -Thanks very much. -Thanks. -Thanks. | 0:53:16 | 0:53:19 | |
-Hello. -Hello. -Mr Foster. -Call me Simon. | 0:53:19 | 0:53:22 | |
-Right, OK. -You've met Roz. -I know I have. -Lovely. -I'll keep it brief, I know you're a busy man. | 0:53:22 | 0:53:28 | |
-There's a fellow over there who wants to stop people talking in foreign languages in shops. -Yeah. | 0:53:28 | 0:53:34 | |
Well, this sometimes can be a magnet for people who are slightly mentally dispossessed. | 0:53:34 | 0:53:38 | |
And also very sensible people, like yourself, Paul. | 0:53:41 | 0:53:44 | |
-Paul, why don't you... -Don't you fucking patronise me, mate. | 0:53:44 | 0:53:47 | |
Paul, why don't you just outline the whole issue? | 0:53:47 | 0:53:53 | |
Right, OK, I'll tell you again. Your constituency side wall... | 0:53:53 | 0:53:58 | |
-Uh-huh. -..is falling down. | 0:53:58 | 0:54:00 | |
Your wall... | 0:54:00 | 0:54:03 | |
is falling into my mother's garden. | 0:54:03 | 0:54:05 | |
She tried to call the office, but she was fobbed off. | 0:54:05 | 0:54:08 | |
Fobbed off by your people, because she's not Lord Snooty in a posh car, or Madonna on a horse. | 0:54:08 | 0:54:13 | |
-I find that sort of thing incredibly irritating myself. -PHONE RINGS | 0:54:13 | 0:54:16 | |
-It's a patch from London, it's Karen Clark. -Right. -Urgent. | 0:54:16 | 0:54:20 | |
-Hello? Sorry, am I not here? -Sorry, Paul. I have to take this. | 0:54:20 | 0:54:25 | |
-Am I being fobbed off? -Absolutely not. | 0:54:25 | 0:54:27 | |
What's the difference between being fobbed off and what happened? You won't be able to forget me! | 0:54:27 | 0:54:32 | |
What's going on there, Simon? | 0:54:32 | 0:54:33 | |
It's...it's departmental business. | 0:54:33 | 0:54:35 | |
It's about a wall. | 0:54:35 | 0:54:37 | |
-Oh, Gaza? -Uh-huh. | 0:54:37 | 0:54:39 | |
I'm wondering where you were in committee, Simon. | 0:54:39 | 0:54:42 | |
I called for back-up and you sat there like a dumb sack of shit. | 0:54:42 | 0:54:45 | |
Only maybe worse, because, on a molecular level, shit is probably fizzling with energy. | 0:54:45 | 0:54:50 | |
I have to say, Karen, I do have a clear strategy on this, which is, I'm playing...playing the long game. | 0:54:50 | 0:54:55 | |
-< -Still here, Simon. | 0:54:55 | 0:54:57 | |
They've bounced us into a short game, and you just sat there like a... | 0:54:57 | 0:55:00 | |
What do you call it in England? A wanker. | 0:55:00 | 0:55:03 | |
-No, we don't call it that. -< -Paul. Paul. | 0:55:03 | 0:55:06 | |
Perhaps if I had a bomb strapped to my chest, I'd get more attention. | 0:55:06 | 0:55:09 | |
-He's mentioned the matter of a bomb. -I'm not going to let a bomb off! | 0:55:09 | 0:55:14 | |
-I work for the National Trust. -How do I know you're not going to let a bomb off? -It's fine. | 0:55:14 | 0:55:18 | |
Paul, why don't I give you the details of my cell so that you... | 0:55:18 | 0:55:22 | |
-Mobile phone details. -Mobile phone details. | 0:55:22 | 0:55:26 | |
-Have you got a mobile, Paul? -Of course I've got a fucking mobile! -Roz, what is wrong with you? | 0:55:26 | 0:55:31 | |
-Five megapixels. -Can we look at the wall? Would that satisfy you? -Well, it's a start. | 0:55:31 | 0:55:36 | |
Friends again? Let's go and do it. | 0:55:36 | 0:55:38 | |
I'm not NOT your friend, and I'm not your friend. I'm just... | 0:55:38 | 0:55:42 | |
-Thank you. -That's a pleasure. | 0:55:42 | 0:55:44 | |
-Thank you. -Just... -Done. I'm done, I'm done. | 0:55:44 | 0:55:49 | |
-I'm done. -Let's go have a good look at that wall. | 0:55:49 | 0:55:52 | |
Four more constituents. How many are going to be like that? | 0:55:52 | 0:55:55 | |
-MOBILE RINGS -OK, hang on. | 0:55:55 | 0:55:57 | |
Also, the committee got leaked and that leak came from your department. | 0:55:57 | 0:56:01 | |
'I want a head on a plate, to go.' | 0:56:01 | 0:56:05 | |
You're not my boss. Er...fuck off! | 0:56:06 | 0:56:10 | |
You can't make me sack people. | 0:56:10 | 0:56:12 | |
Why does she want someone sacked? | 0:56:12 | 0:56:15 | |
Ah, she said there's a leak. | 0:56:15 | 0:56:17 | |
The detail of the committee meeting in America was made public. | 0:56:17 | 0:56:21 | |
There shouldn't have been as many people there. | 0:56:21 | 0:56:23 | |
Right, and who does she want sacked? | 0:56:23 | 0:56:26 | |
Somebody from our office. | 0:56:26 | 0:56:28 | |
-Right. -Let's forget about it. | 0:56:28 | 0:56:30 | |
Come on, next person. | 0:56:30 | 0:56:33 | |
-Could it have been Judy? -Probably. | 0:56:33 | 0:56:35 | |
-PHONE RINGS -Judy? -Yes. -Can you come into my office? I need a word. | 0:56:36 | 0:56:40 | |
One second. Tobes, that's for you. | 0:56:40 | 0:56:42 | |
-What is it? -It's that madman about the wall. -The wall? | 0:56:42 | 0:56:46 | |
Wall! Ooh. | 0:56:46 | 0:56:48 | |
Will you please come into my office so I can give you a bollocking? | 0:56:48 | 0:56:51 | |
-Yeah, OK, OK. What?! -Hello. Argh! | 0:56:51 | 0:56:54 | |
-Fucker! -I want a word with you. And you, Charlotte fucking Bronte. -Eh? | 0:56:54 | 0:56:57 | |
What can I do for you, Paul? | 0:56:57 | 0:56:59 | |
-You know those buttresses that you had put up for the wall? -'Yeah?' | 0:56:59 | 0:57:05 | |
-They are utterly insubstantial to even the untrained eye, and I'm looking at them. -'OK.' | 0:57:05 | 0:57:09 | |
And my eye's trained. | 0:57:09 | 0:57:11 | |
No, I get that, I do. I understand that. | 0:57:11 | 0:57:14 | |
If that wall collapsed and my mother was in the greenhouse, that could crush her to death. | 0:57:14 | 0:57:18 | |
Do you know how old she is? Tell the reporter how old you are. | 0:57:18 | 0:57:21 | |
-I'm 60. -She's... You're not fucking 60! | 0:57:21 | 0:57:24 | |
If it's going in the newspaper, I'm 60. | 0:57:24 | 0:57:28 | |
Olivia Newton-John's 60, and she's not on the fucking statins! | 0:57:28 | 0:57:31 | |
-I didn't leak anything. -Don't you fucking walk out on me. | 0:57:31 | 0:57:34 | |
-I'm just getting my tea. -Let her get a cup of tea. | 0:57:34 | 0:57:37 | |
Could you just get your mum to stay away from the wall for the time being? | 0:57:37 | 0:57:40 | |
She can't. She's got to water her plants. | 0:57:40 | 0:57:43 | |
Could she maybe do it with a hose, from a distance? | 0:57:43 | 0:57:47 | |
She's got a WATERING CAN! | 0:57:47 | 0:57:49 | |
Calm down, Paul, calm down. | 0:57:49 | 0:57:50 | |
I'm not... I'm fucking Zen. | 0:57:50 | 0:57:53 | |
-I've brought my nunchucks if you need 'em, sir. -See how the meeting goes. | 0:57:55 | 0:57:59 | |
12.30. | 0:58:01 | 0:58:03 | |
Hold on. General? | 0:58:03 | 0:58:05 | |
Yeah... | 0:58:06 | 0:58:08 | |
Secretary Linton Barwick asked me to let you know that his last meeting | 0:58:08 | 0:58:12 | |
-looks like it's overrunning. He sends his apologies. -When will he be here? | 0:58:12 | 0:58:17 | |
I don't have that information at this moment. | 0:58:17 | 0:58:20 | |
What the fuck? | 0:58:20 | 0:58:22 | |
-Huh? Did he stand me up? -No! No, sir. You're more than welcome to wait. -Do you know what I'm going to do? | 0:58:22 | 0:58:29 | |
I'm going to take a nice big shit on his desk, just to let him know that I was here. Is that OK with you? | 0:58:29 | 0:58:34 | |
I don't think he'd like that too much, sir. | 0:58:34 | 0:58:37 | |
You can wait. We have some very interesting periodicals. | 0:58:39 | 0:58:43 | |
-There's, um... -Oh, yeah!(!) | 0:58:43 | 0:58:45 | |
You want me to read a periodical at this time of national crisis? Huh? | 0:58:54 | 0:58:58 | |
Sit here with my thumb up my ass reading a paper? | 0:58:58 | 0:59:00 | |
Finding out what? Which little starlet fucked some guy this week? | 0:59:00 | 0:59:04 | |
No, I wasn't suggesting that, sir. | 0:59:05 | 0:59:07 | |
Give this to your boss. | 0:59:10 | 0:59:13 | |
Yeah... | 0:59:13 | 0:59:14 | |
(Get out of my way.) | 0:59:17 | 0:59:19 | |
Oh, my God. | 0:59:36 | 0:59:38 | |
-What's up? -Fucking Linton stood me up. He's playing me, | 0:59:38 | 0:59:42 | |
-like a turkey stick on a bass drum. -Do you know where he is? He's playing squash. | 0:59:42 | 0:59:46 | |
With this little fucking twit? | 0:59:46 | 0:59:49 | |
No, not with... No, that's Chad. | 0:59:49 | 0:59:52 | |
He just carries that every day, because he's hoping to play squash. | 0:59:52 | 0:59:56 | |
I was going to eat lunch in here. | 0:59:56 | 0:59:58 | |
-Can you digest? Do you want some food? -Oh, yes, I can digest, yes. | 0:59:58 | 1:00:01 | |
Chinese OK? | 1:00:01 | 1:00:03 | |
Why don't you order me some little mammals? | 1:00:03 | 1:00:05 | |
A little bunny and a little puppy and a little cat, | 1:00:05 | 1:00:09 | |
-so I can twist their fucking neck off and drink their blood. -My, my. All right. | 1:00:09 | 1:00:13 | |
"While Foster jets around at the taxpayers' expense, his constituency wall is collapsing | 1:00:13 | 1:00:19 | |
-"and he doesn't give a shit." -It doesn't say that? | 1:00:19 | 1:00:22 | |
-No. But it does say "Wall-ace and Gromit". -Wall-ACE, though. | 1:00:22 | 1:00:26 | |
You're portrayed as the biggest twat in Northamptonshire and that's going some. | 1:00:26 | 1:00:30 | |
I've got bigger fish to fry, believe me. I'm giving this to somebody else. Jamie! | 1:00:30 | 1:00:34 | |
Ah, the crossest man in Scotland. | 1:00:34 | 1:00:37 | |
Well, if it isn't Humpty Numpty. | 1:00:38 | 1:00:40 | |
What is this? Surround bollocking? | 1:00:40 | 1:00:42 | |
Hey, with due respect, | 1:00:42 | 1:00:43 | |
I hadn't finished. If it isn't Humpty Numpty | 1:00:43 | 1:00:46 | |
sitting on top of a collapsing wall like some clueless egg cunt. | 1:00:46 | 1:00:50 | |
-Now I'm finished. -Hi, Jamie, this is Toby. -Oh, um... | 1:00:50 | 1:00:55 | |
Toby Rice, I'm Simon's aide. | 1:00:55 | 1:00:57 | |
Hi. Toby? Toby, I'm very pleased to meet you. Please sit down. | 1:00:57 | 1:01:00 | |
-That's enough of all the fucking Oxbridge pleasantries. -What's Oxbridge about saying hello? | 1:01:00 | 1:01:05 | |
Shut it, Love Actually! Do you want me to hole-punch your face? | 1:01:05 | 1:01:09 | |
Right, I'm off to deal with the fate of the planet. Be gentle with them. | 1:01:09 | 1:01:14 | |
-Oh, you know me, Malc. Kid gloves... but made from real kids. -Ha-ha. | 1:01:14 | 1:01:18 | |
-Butch and Gaydance, this wall story is playing badly. There's a cartoon of you as a walrus. -A walrus? | 1:01:18 | 1:01:26 | |
I'm not fat, I don't even have a moustache. Fuck, they've given me tusks. | 1:01:26 | 1:01:31 | |
-Walrus. -Yes, I know. -You get it? Walrus, walrus. -I can see. | 1:01:31 | 1:01:34 | |
-We called some builders. They didn't turn up when they said they would. -What did you expect?! | 1:01:34 | 1:01:40 | |
They're builders! Have you ever seen a film where the hero is a builder? | 1:01:40 | 1:01:46 | |
No! No, because they never fucking turn up in the nick of time. Bat-builder? Spider-builder? Huh? | 1:01:46 | 1:01:51 | |
That's why you never see a superhero with a hod! | 1:01:51 | 1:01:54 | |
You know, my theory is Malcolm built him in a lab out of bits of old psychopath. | 1:01:54 | 1:01:58 | |
-Hello, ladies. -Hello. -OK, well, I'm just going to go to the bar. | 1:01:58 | 1:02:02 | |
-Good idea, we're on the Sancerre. -If you can afford that. I'll be fine. | 1:02:02 | 1:02:06 | |
-IF you can get served at the bar. -Thank you, Oscar Wilde. -He might not get served, bless him. | 1:02:06 | 1:02:11 | |
-PHONE BEEPS -Toby's got a message. | 1:02:11 | 1:02:14 | |
What's that? | 1:02:15 | 1:02:17 | |
-Oh, fucking wow, I don't believe it. -What? | 1:02:17 | 1:02:21 | |
-I don't fucking... I don't believe it, he's done it again. Little shit! He's such a shit. -Aw. | 1:02:21 | 1:02:29 | |
-What? -Here he is. | 1:02:29 | 1:02:31 | |
There you are. The finest Sancerre in the Westminster reach. | 1:02:31 | 1:02:35 | |
So, this Liza, you shagged her, yeah? | 1:02:35 | 1:02:38 | |
-What? No. -Were you aware he was ball-deep in some Washington wonk? | 1:02:38 | 1:02:43 | |
-Suzy! -I didn't know anything about his balls. | 1:02:43 | 1:02:45 | |
Can we not discuss my balls and accusations in... | 1:02:45 | 1:02:49 | |
Just tell me why. | 1:02:49 | 1:02:51 | |
Huh? | 1:02:51 | 1:02:52 | |
I don't know, Suzy. | 1:02:55 | 1:02:56 | |
-It was very weird over there, very intense. -Right. | 1:02:56 | 1:03:00 | |
Maybe, I don't know, on some level, subconsciously, | 1:03:00 | 1:03:05 | |
it was like a... it was just... | 1:03:05 | 1:03:07 | |
it was a last-ditch attempt to... | 1:03:07 | 1:03:10 | |
stop this... | 1:03:10 | 1:03:12 | |
awful war, you know? SNORTING | 1:03:12 | 1:03:17 | |
-Just on a... I mean, you know, I don't mean, obviously, to try... -Wow. | 1:03:17 | 1:03:20 | |
-That's classic! -..to try and actually stop it. | 1:03:20 | 1:03:23 | |
Toby, did you just say that you had sex to stop the war? | 1:03:23 | 1:03:26 | |
-No, no, no. -An anti-war shag? Is that what you thought, Toby? | 1:03:26 | 1:03:29 | |
Because, that's... Wow. | 1:03:29 | 1:03:31 | |
Can we go and discuss this somewhere where there aren't enormous children eating snacks? | 1:03:31 | 1:03:35 | |
He's got his little cannons and he's got his little guns and... | 1:03:35 | 1:03:40 | |
this is the problem with civilians wanting to go to war. | 1:03:40 | 1:03:43 | |
Once you've been there, once you've seen it, | 1:03:43 | 1:03:46 | |
you never want to go again, unless you absolutely fucking have to. | 1:03:46 | 1:03:50 | |
It's like France. | 1:03:50 | 1:03:52 | |
-Is there anything besides this to eat? -Have something else. This has got a little protein, have that. | 1:03:53 | 1:03:58 | |
What's this, fish ass? | 1:03:58 | 1:04:00 | |
-So, you read Liza's paper, I guess? -Yeah, I'm a voracious reader. | 1:04:00 | 1:04:05 | |
I am the Gore Vidal of the Pentagon. | 1:04:05 | 1:04:08 | |
-Gore's gay. -No, he's not. | 1:04:08 | 1:04:10 | |
I beg to differ, but... | 1:04:10 | 1:04:12 | |
He's gay? Because I've been saying that Gore Vidal line. | 1:04:12 | 1:04:15 | |
He is gay. | 1:04:15 | 1:04:17 | |
Guess I'd better stop saying that, then. | 1:04:17 | 1:04:19 | |
It's ridiculous. | 1:04:19 | 1:04:21 | |
The case against war is far stronger than the case for war, and the case for war is caveated all to hell. | 1:04:21 | 1:04:26 | |
"Most analysts believe the state is looking to expand aggressively beyond its borders." | 1:04:26 | 1:04:31 | |
-Then you look down the caveats. The only source is "Ice Man", a possible alcoholic. -Exactly. | 1:04:31 | 1:04:36 | |
-He probably does ten bags of methamphetamine a day. The Ice Man. -If he even exists. | 1:04:36 | 1:04:41 | |
-"The INR says we can't trust him." We're disputing our intelligence. -I know. -We should leak this. | 1:04:41 | 1:04:46 | |
When do you want to leak it? | 1:04:46 | 1:04:48 | |
-Me? -Isn't that what you were suggesting? -No. | 1:04:48 | 1:04:52 | |
-You don't have to say that it came from you. -No, I'm not leaking it. | 1:04:52 | 1:04:56 | |
Liza looks good today. | 1:04:59 | 1:05:00 | |
-I mean, has Linton read this thing? -I don't think Linton reads. | 1:05:05 | 1:05:08 | |
Why don't you give it a couple of weeks to settle down? | 1:05:12 | 1:05:15 | |
Oh, great, just what we need. Old Anti-war Fuck is back. | 1:05:15 | 1:05:18 | |
-What the fuck's Cocoon doing here? -What are you doing here? -I live here. -You don't, actually. | 1:05:18 | 1:05:23 | |
-Want another cup of tea, Michael? -Yes, please. I'd love one. | 1:05:23 | 1:05:27 | |
I'm taking MY stuff from the kitchen. | 1:05:27 | 1:05:29 | |
-Do you want me to go? -No, you stay there. | 1:05:29 | 1:05:30 | |
He's just getting his brie and his peri-peri. | 1:05:30 | 1:05:33 | |
-Do you want me to help him pack? -And my quince paste. | 1:05:33 | 1:05:36 | |
Quince paste, he's such a prick. | 1:05:36 | 1:05:38 | |
-Just going to gather up his shit clothes. -Shut up. | 1:05:38 | 1:05:41 | |
That's not how you fold them. | 1:05:43 | 1:05:46 | |
I'm not going to fucking Fiji, I'm getting chucked out of my house. | 1:05:46 | 1:05:50 | |
-They're going in bin liners. -It makes all the difference at the other end. -There is no other end! | 1:05:50 | 1:05:55 | |
-Has she got big tits? -Oh, Christ alive. Yes, actually, she has. | 1:05:55 | 1:05:59 | |
She's got massive tits. Yes. | 1:05:59 | 1:06:01 | |
Look them up on Google Earth. They've got their own postcode. | 1:06:01 | 1:06:04 | |
-Have they? -They're so enormous that they actually suck in other tits from the surrounding area. -Like you? | 1:06:04 | 1:06:10 | |
See you, then. | 1:06:13 | 1:06:15 | |
OK. | 1:06:15 | 1:06:16 | |
Um... | 1:06:16 | 1:06:19 | |
-Suzy, this is probably going to sound a bit odd under the circumstances, but... -A quickie? | 1:06:19 | 1:06:24 | |
No. Thank you, but no. | 1:06:24 | 1:06:28 | |
-It's about Liza. Liza wrote a paper, it's called PWIP PIP. -PWIP what? | 1:06:28 | 1:06:33 | |
-PWIP PIP. -Who wrote that? Charles Dickens? | 1:06:33 | 1:06:36 | |
-Post War Planning Implications... -Yeah, all right. | 1:06:36 | 1:06:40 | |
Right. I think, it could, if it was leaked, stop this kind of rush towards a war, | 1:06:40 | 1:06:45 | |
you know, too quickly, that sort of thing. | 1:06:45 | 1:06:47 | |
-Just if it was leaked. -You are such a coward. | 1:06:47 | 1:06:50 | |
Take your backlog of Mojo and your shit clothes | 1:06:50 | 1:06:53 | |
and your eighth of dope and your flute, and piss off. | 1:06:53 | 1:06:58 | |
OK, I'll just leave it there. | 1:06:58 | 1:07:02 | |
I need advice myself. Let's take care of the car. | 1:07:07 | 1:07:11 | |
This should not be here. This should not be here. | 1:07:11 | 1:07:14 | |
-Sir. Everyone? -The car is ready? -All taken care of, sir. | 1:07:14 | 1:07:17 | |
-I'm handling travel. -Why are people running around? This had better be a fucking fire drill. | 1:07:17 | 1:07:23 | |
The President just announced he's vetoing tariffs on Chinese auto imports. | 1:07:23 | 1:07:27 | |
That means... he's buttering the Chinese up? | 1:07:27 | 1:07:29 | |
He needs the Chinese to at least abstain on the Security Council. | 1:07:29 | 1:07:33 | |
-OK, so we're going to the UN. -Yes, we're going to the UN. -Shit. | 1:07:33 | 1:07:38 | |
Why didn't you tell me, LIZA?! | 1:07:38 | 1:07:41 | |
Since I created the budget deficit, the President doesn't tend to run things by me any more. | 1:07:41 | 1:07:46 | |
-Don't get funny with me. I am not in the mood to joke. -I'm...I'm getting that. | 1:07:46 | 1:07:51 | |
If you say we're leaving in ten minutes, that means we're leaving right now. | 1:07:51 | 1:07:55 | |
Not that I don't trust you, but I don't trust you! | 1:07:55 | 1:07:58 | |
I am going go into Linton's office and pull the little pin on that fucking grenade. | 1:07:58 | 1:08:02 | |
-Don't do that. -I'm fucking joking. I'm not going to do that. | 1:08:02 | 1:08:05 | |
We have an elevator waiting for us. | 1:08:05 | 1:08:07 | |
Good. Step in, thank you very much. Just... | 1:08:07 | 1:08:09 | |
I just... | 1:08:09 | 1:08:12 | |
This job is incredibly stressful, you know that? | 1:08:12 | 1:08:15 | |
Simon, you're not a lion-tamer, you're not a snooker player. | 1:08:15 | 1:08:21 | |
I don't want to back a war, Judy. | 1:08:21 | 1:08:24 | |
Look, put some hints out there, put some nods and some winks out that I'm toying with resignation, OK? | 1:08:25 | 1:08:31 | |
See if the PM reacts. | 1:08:31 | 1:08:33 | |
You want me to put out some winks? | 1:08:33 | 1:08:35 | |
-And nods, yeah. -What? Big nods? | 1:08:35 | 1:08:38 | |
No, no, just sort of... that sort of size nod. | 1:08:38 | 1:08:41 | |
-OK. -No, no, that's much too big. | 1:08:41 | 1:08:43 | |
-I'm just nodding normally to say I understand the need for a small nod. -Oh, yeah. No, no, sorry, yeah. | 1:08:43 | 1:08:49 | |
All right now, my lovely friends, the bottom line is... | 1:08:49 | 1:08:53 | |
Oh, God, I hate that phrase - bottom line. | 1:08:53 | 1:08:55 | |
-We're not in retailing. -Sorry. Michael's right. I apologise. I won't use that again. | 1:08:55 | 1:09:00 | |
The bottom line is, the President is going to the UN. This'll be the vote to commence military intervention. | 1:09:00 | 1:09:06 | |
The PM has decided that we should join him. Rob, Innis, Little Bo Cock Jockey and Leaky Fucking Mingebox, | 1:09:06 | 1:09:13 | |
go back to your desks and prepare to start briefing now. | 1:09:13 | 1:09:18 | |
-Do you mind if we use your office? -What? -For a couple of minutes? | 1:09:18 | 1:09:21 | |
-Yeah. Michael, sorry. Bottom line is, can you come out again? -Might need to turn the music off. -Yes. | 1:09:21 | 1:09:27 | |
Right. OK. So, this is all going to spin along from here? We're going to have a vote and go to war. | 1:09:29 | 1:09:34 | |
We'll kill people. Our children will get killed. | 1:09:34 | 1:09:37 | |
This is exactly the sort of thing that I didn't want to do when I went into politics. | 1:09:37 | 1:09:41 | |
-It's the opposite of what I wanted to be doing. -That's why you have to stay in Government, to influence. | 1:09:41 | 1:09:46 | |
You can influence things, you can delay things. | 1:09:46 | 1:09:49 | |
Out there, you're just another shouty mad fucker who people don't want to make eye contact with. | 1:09:49 | 1:09:54 | |
Remember Mary? She took a stand on health. Everybody decided that she was mental. | 1:09:54 | 1:09:58 | |
Because the Sun showed a picture of her with wide eyes and her head on a cow. | 1:09:58 | 1:10:02 | |
I found that a particularly powerful image. | 1:10:02 | 1:10:05 | |
Look...the Prime Minister of this country, he's not a fucking Viking, is he? | 1:10:05 | 1:10:09 | |
He doesn't drink blood. He doesn't go around biting tramps. | 1:10:09 | 1:10:13 | |
I know the Prime Minister isn't a Viking, Malcolm. | 1:10:13 | 1:10:16 | |
Unlike me, he abhors physical violence. | 1:10:16 | 1:10:18 | |
Where is the intelligence? | 1:10:18 | 1:10:20 | |
We have got the fucking intelligence! | 1:10:20 | 1:10:23 | |
-I haven't seen it. -The intelligence we've got is so deep, | 1:10:23 | 1:10:26 | |
so fucking hard, it'll fucking puncture your kidneys. | 1:10:26 | 1:10:29 | |
Where's it coming from? | 1:10:29 | 1:10:31 | |
There is an informant. Ice Man. | 1:10:31 | 1:10:34 | |
Ice Man? | 1:10:34 | 1:10:36 | |
I don't name them. Ice Man. Yeah. | 1:10:36 | 1:10:40 | |
And the fact is, the stuff that he's given us is... I've seen it. | 1:10:40 | 1:10:43 | |
It would make your blood run cold | 1:10:43 | 1:10:47 | |
and clot and turn your insides into fucking black puddings, but certain box-lickers are sitting on it, | 1:10:47 | 1:10:53 | |
but you're going to see it, because the PM regards you as a key player in this now. | 1:10:53 | 1:10:59 | |
-Simon, the Prime Minister wants to speak to you in ten minutes. He wants you to go to the UN. -OK. | 1:10:59 | 1:11:05 | |
See? You're on the A-list now. | 1:11:05 | 1:11:07 | |
-You're there in the VIP lounge. You're a fucking Kennedy. -Yeah, Malcolm... | 1:11:07 | 1:11:11 | |
You've got the gold card, the complimentary drinks, the fucking hard-on. | 1:11:11 | 1:11:14 | |
-Show me the evidence - my bottom fucking line. -Don't you start, as well. | 1:11:14 | 1:11:19 | |
Should I resign? | 1:11:22 | 1:11:24 | |
I floated that I might, then I thought I wouldn't, so it'll look convincing if I did. | 1:11:24 | 1:11:29 | |
I mean, do you think, is it braver to just resign and say, "No. No war"? | 1:11:29 | 1:11:35 | |
-Yes. -Or... | 1:11:35 | 1:11:38 | |
is it braver... | 1:11:38 | 1:11:40 | |
to say, "I don't agree," | 1:11:40 | 1:11:43 | |
-and just grit my teeth and get on with it? -No. | 1:11:43 | 1:11:45 | |
Is the really brave thing actually doing what you don't believe? | 1:11:45 | 1:11:49 | |
-No. -Maybe. | 1:11:49 | 1:11:52 | |
Because... | 1:11:52 | 1:11:53 | |
What's actually brave about doing the right thing? Nothing. | 1:11:53 | 1:11:57 | |
You know, doing the wrong thing is... | 1:11:57 | 1:11:59 | |
is...is braver, in a way, isn't it? | 1:11:59 | 1:12:02 | |
And wars do sometimes work. | 1:12:02 | 1:12:07 | |
That, um... | 1:12:07 | 1:12:09 | |
the war for independence. | 1:12:09 | 1:12:11 | |
You know, that worked for the Americans, didn't it? | 1:12:11 | 1:12:14 | |
And, um... | 1:12:14 | 1:12:16 | |
The Second World War. | 1:12:16 | 1:12:18 | |
-I know, it's not... It wasn't a good idea, millions died. -No, no, I know what you mean. | 1:12:18 | 1:12:23 | |
The Crimean War. We got nurses out of that. | 1:12:23 | 1:12:25 | |
-Nurses are good. -Yes. Exactly. So, right...well...no...exactly. | 1:12:25 | 1:12:29 | |
-So... -SHE CLEARS HE THROAT | 1:12:32 | 1:12:35 | |
..you're not resigning? | 1:12:35 | 1:12:36 | |
In the motorcade, can we get a car without Judy, please? | 1:12:41 | 1:12:44 | |
You want hookers? | 1:12:44 | 1:12:45 | |
You like hooky fucky, sir? | 1:12:45 | 1:12:47 | |
-No, I don't want... I want to talk about resigning. -What again? | 1:12:47 | 1:12:51 | |
Yes, but with you and not her. | 1:12:51 | 1:12:53 | |
-So, the wires are all currently reporting that you're going to resign over the war. -What? | 1:12:57 | 1:13:02 | |
-That's not supposed to get out. -Well, it is. It's lurking, like a hairy rapist at a coach station. | 1:13:02 | 1:13:07 | |
Do you know, if I could, I'd fucking punch you into paralysis. | 1:13:07 | 1:13:11 | |
So, you must be Simon. I'm the British Ambassador to the UN, | 1:13:14 | 1:13:17 | |
Sir Jonathon Tutt. Well, this is it, ladies and gentlemen. | 1:13:17 | 1:13:21 | |
This is the United Nations. We, sir, are in here. | 1:13:21 | 1:13:25 | |
So, if there's anything you need, just give me a whistle. | 1:13:25 | 1:13:28 | |
You know how to do that, don't you? What do you do? Hm? That's right. | 1:13:28 | 1:13:31 | |
You put your lips together and you blow. | 1:13:31 | 1:13:34 | |
I'm going to head up to this informal delegates' reception. I hope there's some nibbles, | 1:13:34 | 1:13:39 | |
-because I'm ravenous. -Nibbles. Who still says "nibbles"? | 1:13:39 | 1:13:43 | |
Fuck the nibbles. What was with the homoerotic tension? | 1:13:43 | 1:13:46 | |
OK. Your phone's off, but there's been a catastro-fuck here. | 1:13:46 | 1:13:50 | |
Someone's leaked Liza Weld's PWIP PIP paper to the BBC. | 1:13:50 | 1:13:53 | |
Jesus Christ! | 1:13:53 | 1:13:55 | |
Ah, here we go. | 1:13:56 | 1:13:58 | |
I reckon it's going to be on the six o'clock news, one o'clock your time. | 1:13:58 | 1:14:02 | |
That is going to fucking fist your UN vote to death. | 1:14:02 | 1:14:05 | |
Hey, you! Freeze! Right. Missing you loads. | 1:14:05 | 1:14:08 | |
PWIP PIP, toodle-oo. ..I want a fucking word with you. | 1:14:08 | 1:14:11 | |
OK, Jamie, two jobs. Job one. | 1:14:11 | 1:14:13 | |
Find the PWIP PIP leaker and kill them. Job one has two parts. | 1:14:13 | 1:14:17 | |
Job two. Go to the BBC and find out who's got it there. | 1:14:17 | 1:14:20 | |
We need them to delay till after the vote. Yeah? I love you. | 1:14:20 | 1:14:24 | |
HE WHISTLES | 1:14:26 | 1:14:27 | |
Excuse me, I need a word with you. | 1:14:27 | 1:14:30 | |
-Do not move from here or I'll fucking stab you. -OK. | 1:14:30 | 1:14:33 | |
-Right. Was it you? -No, it was... No. What? | 1:14:33 | 1:14:35 | |
-You know what I'm talking about? -No. And...and...whatever it was, I almost certainly didn't do it. | 1:14:35 | 1:14:41 | |
-Was it you, the baby from Eraserhead? -No, no. | 1:14:41 | 1:14:44 | |
-Then it must be you, the woman from The Crying Game. -It wasn't me. | 1:14:44 | 1:14:47 | |
You've really got it in for me. | 1:14:47 | 1:14:49 | |
Somebody has dropped a bollock in the noodles, and I reckon it was you. | 1:14:49 | 1:14:53 | |
-Oh. Nice logic. -Yeah. No. That sounds possible. -Will you just keep your neb out? | 1:14:53 | 1:14:58 | |
-Psychologically speaking. -Springer spaniel head. | 1:14:58 | 1:15:00 | |
It's plausible. You might have built up a resentment. | 1:15:00 | 1:15:04 | |
-That's a thing I've observed people do. -Observe that. | 1:15:04 | 1:15:07 | |
-Right, Baldermort. -Bloody hell, Malcolm. ..Excuse us. | 1:15:07 | 1:15:11 | |
-We are in a new reality here. OK? -Right. | 1:15:11 | 1:15:14 | |
And I need you to speed things up. | 1:15:14 | 1:15:17 | |
OK. Speed what up, Malcolm? | 1:15:17 | 1:15:19 | |
-The debate. -Right. | 1:15:19 | 1:15:21 | |
-I need you to bring it from 1.30pm to 11am. -Right. | 1:15:21 | 1:15:25 | |
Let me tell you how the process works and why that's not possible. | 1:15:25 | 1:15:28 | |
Just fucking do it, or you'll find yourself in the Caucasus, in a medieval war zone, | 1:15:28 | 1:15:33 | |
arse in the air, trying to persuade men in balaclavas | 1:15:33 | 1:15:35 | |
that sustained sexual violence is not the fucking way forward, OK? | 1:15:35 | 1:15:39 | |
It cannot be done and it will not be done. | 1:15:39 | 1:15:42 | |
-There's an end to it. -OK, I'll do it. Through here? -No, that is a breach of protocol. | 1:15:42 | 1:15:47 | |
-You do it. -No, I will not do it. -Go in and do it. -I'm not dancing with you on this. | 1:15:47 | 1:15:51 | |
-Get through there and do it. Now! -I'm not doing it. | 1:15:51 | 1:15:54 | |
Right...well...um... everyone, if I could just... | 1:15:54 | 1:15:57 | |
Is this... Can you...can you hear me? | 1:15:57 | 1:16:01 | |
I just wondered if we might, um... | 1:16:01 | 1:16:03 | |
ask for a...a cheeky early vote, | 1:16:03 | 1:16:06 | |
a sort of a little bit of an adventure. | 1:16:06 | 1:16:08 | |
We've got to plug that leak. I don't know what else they've got. Where's this intel? | 1:16:08 | 1:16:13 | |
Are you sure you're working as hard as me? Cos I'm sweating spinal fluid. I'm a fucking husk. | 1:16:13 | 1:16:18 | |
Jesus. | 1:16:18 | 1:16:20 | |
-Got everything you need? -Yeah. Yeah, thanks. Whoa, whoa, whoa. General Flintstone. | 1:16:20 | 1:16:26 | |
Was it you? Did you leak PWIP PIP? | 1:16:28 | 1:16:30 | |
-I mean, I know you can't fire a gun, but can you use a fax? -No, I didn't leak PWIP PIP. | 1:16:30 | 1:16:36 | |
I do everything up front. OK? | 1:16:36 | 1:16:38 | |
Not like some creepy gay mercenary that sneaks around doing other people's dirty work. | 1:16:38 | 1:16:42 | |
Hey, I am doing my own work. | 1:16:42 | 1:16:44 | |
-I'm doing my job. -No, you're doing Linton's dirty work. | 1:16:44 | 1:16:47 | |
You're his English bitch and you don't even know it. | 1:16:47 | 1:16:49 | |
I bet if I went into your hotel room, I'd see you on all fours, fishnets on, him hanging onto the back of you. | 1:16:49 | 1:16:54 | |
Oh, that's nice(!) That's tough talk coming from a fucking armchair general. | 1:16:54 | 1:16:59 | |
Why don't you put your feet up on a pouf and go back to sleep? | 1:16:59 | 1:17:02 | |
You might be a scary poodle-fucker back in London, but here you're nothing. | 1:17:02 | 1:17:06 | |
You know what you look like? | 1:17:06 | 1:17:09 | |
A squeezed dick. | 1:17:09 | 1:17:11 | |
You've got a little blue vein running up the side of your head. | 1:17:11 | 1:17:14 | |
See, that's where I'd put the bullet. | 1:17:14 | 1:17:16 | |
But I'd have to stand back, cos you look like you'd be a squirter. | 1:17:16 | 1:17:20 | |
Have you ever even actually... killed anybody? I mean, really? | 1:17:20 | 1:17:24 | |
-Yeah. -Falling asleep on someone, that doesn't count. | 1:17:24 | 1:17:29 | |
That's good. How about you, pussy drip, ever kill anybody? | 1:17:29 | 1:17:32 | |
Maiming is what I prefer, psychologically. | 1:17:32 | 1:17:35 | |
Why don't you try to maim me? I'll hit you so hard in the face, you'll be shitting teeth. | 1:17:35 | 1:17:40 | |
Go right ahead. I can see the headlines right now. | 1:17:40 | 1:17:43 | |
"Peace-loving general starts fight at the UN. Swiss intervene." | 1:17:43 | 1:17:47 | |
-I don't know, I'm not an expert on spin, but that could hurt your career. -Yeah? -Yeah? -Yeah. | 1:17:47 | 1:17:53 | |
Now do excuse me. | 1:17:56 | 1:17:58 | |
I've got work to do. Don't ever call me fucking ENGLISH again. | 1:17:58 | 1:18:03 | |
CLASSICAL MUSIC PLAYING Suzy, well done. This is superb. | 1:18:07 | 1:18:11 | |
Hey, horse of the year, was it you? | 1:18:11 | 1:18:13 | |
-Was what me? -Answer the fucking question! Was it you? | 1:18:13 | 1:18:17 | |
Was what me, Jamie? I have no idea what you're talking about. | 1:18:17 | 1:18:20 | |
She can't answer the question, can she? Unless she knows what it is. | 1:18:20 | 1:18:23 | |
You...leaked Liza Weld's paper to the BBC, right? | 1:18:23 | 1:18:28 | |
Now, tell ME you leaked it. | 1:18:28 | 1:18:31 | |
No, I didn't. I didn't leak it. | 1:18:31 | 1:18:34 | |
I know the leak came from in here. | 1:18:34 | 1:18:38 | |
From this fucking fax machine right here. | 1:18:40 | 1:18:44 | |
No. There's no... There's no way. | 1:18:44 | 1:18:47 | |
Do you see... what I'm doing to this machine? | 1:18:47 | 1:18:50 | |
-Jamie, don't. -See? | 1:18:50 | 1:18:52 | |
-Jesus Christ! Fuck, Jamie. -You see how angry I am | 1:18:52 | 1:18:58 | |
with the piece of office equipment that leaked this document? | 1:18:58 | 1:19:02 | |
-Huh? -Michael! | 1:19:02 | 1:19:05 | |
Can you even imagine how angry I am with the person who leaked it? Can you? | 1:19:05 | 1:19:10 | |
-That's really expensive, Jamie. -Can you, Suzy? -Jamie, it was me. | 1:19:10 | 1:19:16 | |
-Oh, don't come over all fucking Spartacus on us now. -I leaked it. -What are you doing? -No, hang on. | 1:19:16 | 1:19:21 | |
For a start, turn that fucking racket off! | 1:19:21 | 1:19:24 | |
-Turn it off. -It's just vowels. Subsidised foreign fucking vowels. | 1:19:24 | 1:19:30 | |
The only reason you listen to this shit is because it's bad form | 1:19:30 | 1:19:35 | |
to actually wear a hat that says, "I went to private school." | 1:19:35 | 1:19:39 | |
So, tell me now, right, who did you leak it to? | 1:19:39 | 1:19:42 | |
-I just sent it. I read it, I thought it was important, so I sent it. -Good. Good. Fine. | 1:19:42 | 1:19:47 | |
-See that fax? Yeah? -Yes. -That is your career. | 1:19:47 | 1:19:51 | |
And I think it might be fucked, but let's just check. | 1:19:51 | 1:19:55 | |
Yeah, yeah, it's pretty fucked. Now, I hope you can play the spoons | 1:19:55 | 1:19:58 | |
cos you're too old to go back to being a gentleman's fluffer. | 1:19:58 | 1:20:02 | |
Simon? Simon. Congratulations. I didn't think you had it in you. | 1:20:03 | 1:20:09 | |
-Hi. -This is great, Simon. -He's resigning. -Have you seen it? | 1:20:09 | 1:20:12 | |
-It's a good picture. -Oh. They're running with that? | 1:20:12 | 1:20:14 | |
-In a very big way. -I didn't say that. -What? -What? | 1:20:14 | 1:20:18 | |
You're not resigning? | 1:20:18 | 1:20:21 | |
Are you still playing the hawk? | 1:20:21 | 1:20:22 | |
In a way, it's... I'm playing a much cleverer game than that. | 1:20:22 | 1:20:26 | |
(I'm a...I'm a fake hawk.) | 1:20:26 | 1:20:29 | |
A what? | 1:20:30 | 1:20:32 | |
(A fake hawk.) | 1:20:32 | 1:20:34 | |
You're an idiot. | 1:20:36 | 1:20:37 | |
Or are you being a fake idiot? | 1:20:37 | 1:20:40 | |
So, we float it, anyway. Tell the press that he confirmed to us that he's resigning. | 1:20:40 | 1:20:45 | |
-That's what we'll do. -What? -It's decided. -No, sorry. | 1:20:45 | 1:20:48 | |
No, it bloody isn't. I'm me. OK? | 1:20:48 | 1:20:51 | |
You're not me. | 1:20:51 | 1:20:53 | |
I decide about all the main things about me. | 1:20:53 | 1:20:56 | |
-Not any more. -Not you, me. | 1:20:56 | 1:20:58 | |
Simon, the only thing that we can do to influence events now is to resign. | 1:20:58 | 1:21:04 | |
That's it, OK? Sacrifice ourselves. | 1:21:04 | 1:21:06 | |
Like a suicide bomber? | 1:21:06 | 1:21:08 | |
No, not like suicide bomber. A suicide bomber makes a decision. | 1:21:08 | 1:21:11 | |
Are you OK? | 1:21:20 | 1:21:21 | |
I'm thinking of becoming a suicide bomber. | 1:21:21 | 1:21:24 | |
-Right. -Would you like a mint? | 1:21:26 | 1:21:28 | |
No. | 1:21:28 | 1:21:30 | |
They're really not that good for the teeth, you know, rots them slowly. | 1:21:30 | 1:21:35 | |
-Do you like me, Judy? -Well... | 1:21:35 | 1:21:38 | |
you're my boss, you know. | 1:21:38 | 1:21:40 | |
But do you really like me? | 1:21:40 | 1:21:42 | |
Yeah. | 1:21:43 | 1:21:45 | |
I'll... I'll just leave you to your thoughts. OK? | 1:21:45 | 1:21:50 | |
I haven't got any thoughts. | 1:21:50 | 1:21:53 | |
I'm just staring vacantly into space... | 1:21:53 | 1:21:56 | |
while a distant voice in the back of my head goes, "Oh, shit," | 1:21:56 | 1:22:00 | |
like a car alarm, in the middle of the night. | 1:22:00 | 1:22:03 | |
Why? Has Jamie been round? Because he's... | 1:22:05 | 1:22:08 | |
-This is you, isn't it? -Suzy, can I phone you back in a couple of minutes for a further bollocking? | 1:22:08 | 1:22:13 | |
-I'll just deal with this one here. -I have got something really, really big in my career lined up for me | 1:22:13 | 1:22:18 | |
-and you're going to fuck it up because of this leak. -What would be fucked up? | 1:22:18 | 1:22:23 | |
-I don't need to tell you anything. -I want to tell you a story. | 1:22:23 | 1:22:26 | |
When the Titanic went down, there were lifeboats. | 1:22:26 | 1:22:28 | |
They had extra room on them and there were people in the water, | 1:22:28 | 1:22:32 | |
and some people on the lifeboats wanted more room to stretch their legs, | 1:22:32 | 1:22:35 | |
but people in the water froze and that... | 1:22:35 | 1:22:38 | |
You talk in parables. You're like a crap Jesus. | 1:22:38 | 1:22:40 | |
Tread lightly. OK? You are fucking with the wrong person. | 1:22:40 | 1:22:43 | |
-Really? -Yes. I've got this town on lockdown. | 1:22:43 | 1:22:46 | |
-We're both... -Fuck you all. -..a common enemy. -Hello. | 1:22:46 | 1:22:50 | |
-Hello! -Hello, Paul. -Guess what's happened to my wall? | 1:22:50 | 1:22:54 | |
Could you hold on just a second? The Vice President's... | 1:22:54 | 1:22:57 | |
It doesn't matter. Yeah. | 1:22:57 | 1:22:59 | |
Of America. Yes. That one. | 1:22:59 | 1:23:01 | |
So, we're getting a little close to the wire, Mr Tucker. | 1:23:03 | 1:23:06 | |
Where is that intel, huh? | 1:23:06 | 1:23:08 | |
What sort of intel have you rustled up? | 1:23:08 | 1:23:10 | |
-Ah, the smoking intel? -Yeah. | 1:23:10 | 1:23:13 | |
Well, honestly, I haven't got it. | 1:23:13 | 1:23:15 | |
You haven't got it? | 1:23:15 | 1:23:17 | |
All right. OK. Well, then, can you delay the vote? | 1:23:17 | 1:23:20 | |
-It'd give you the time to get it. -I've just had the vote brought forward. | 1:23:20 | 1:23:24 | |
Sorry, I'm just, um... getting my mints. | 1:23:24 | 1:23:28 | |
I am telling you, | 1:23:28 | 1:23:30 | |
delay the vote and make yourself some time to get the intel, | 1:23:30 | 1:23:34 | |
because I need it, my friend. | 1:23:34 | 1:23:37 | |
OK. Just a quick reality check here, J Edgar fucking Hoover, I don't work for you. | 1:23:37 | 1:23:41 | |
You don't fucking tell ME what to do. | 1:23:41 | 1:23:43 | |
OK. Firstly, don't raise your voice. This is a sacred place. | 1:23:43 | 1:23:48 | |
Now, you may not believe that and I may not believe that but, by God, it's a useful hypocrisy. | 1:23:48 | 1:23:53 | |
And, secondarily, I believe your Prime Minister has instructed YOU to work for ME. | 1:23:53 | 1:24:00 | |
Take your sweeties and fuck off. | 1:24:00 | 1:24:03 | |
Oh, the great Malcolm Tucker. | 1:24:03 | 1:24:05 | |
One of your guys leaks a paper. | 1:24:05 | 1:24:08 | |
You can't do anything. Huh? We tell you to get some intel. | 1:24:08 | 1:24:10 | |
You can't do anything. I need you to move the vote back. | 1:24:10 | 1:24:13 | |
You can't do anything. | 1:24:13 | 1:24:14 | |
I am afraid you are nothing but a useless piece of S-star-star-T. | 1:24:14 | 1:24:19 | |
What the fuck do you want? | 1:24:21 | 1:24:23 | |
Um, sorry, I... I've just heard that the constituency wall has started to collapse. | 1:24:23 | 1:24:28 | |
A brick's fallen out. Well, that's the news I'm getting at the moment. | 1:24:28 | 1:24:31 | |
There'll be more to follow. News and bricks. | 1:24:31 | 1:24:34 | |
My God, that sounds important. Take care of that, Mr Tucker. Yes? I think that's more your speed. | 1:24:34 | 1:24:40 | |
I can see you, with your shirt off and a wheelbarrow, whistling a happy tune. | 1:24:40 | 1:24:44 | |
Get on that. | 1:24:44 | 1:24:45 | |
You work for him? | 1:24:49 | 1:24:51 | |
This is very fucking complicated stuff. | 1:24:51 | 1:24:55 | |
After the vote... | 1:24:55 | 1:24:58 | |
-I resign. -Oh, fuck off! | 1:24:58 | 1:25:00 | |
Resigning? How fucking impressive! | 1:25:00 | 1:25:03 | |
Resign. The horse has bolted. | 1:25:03 | 1:25:05 | |
It's out there now. It's getting fucking shot! | 1:25:05 | 1:25:07 | |
I'll see you later, Malcolm. | 1:25:07 | 1:25:10 | |
You... You repeat one word of what you have heard here... | 1:25:10 | 1:25:15 | |
and I'm going to fucking take your leg off. | 1:25:15 | 1:25:19 | |
I'll fucking... | 1:25:19 | 1:25:21 | |
The shin bone. I'm going to take the shin bone, | 1:25:21 | 1:25:24 | |
I'm going to break it in two | 1:25:24 | 1:25:26 | |
and I'm going to fucking stab you to fucking death with it, right? So, just... | 1:25:26 | 1:25:31 | |
just...go away. Go away. | 1:25:31 | 1:25:34 | |
Hi. BBC news desk, please. | 1:25:47 | 1:25:49 | |
Malcolm Tucker. | 1:25:49 | 1:25:52 | |
Hi, Ben. | 1:25:52 | 1:25:53 | |
Listen, I hear that you might be preparing a story that we might not like. | 1:25:53 | 1:25:57 | |
-Yeah, please. -Ow! -I just wanted to say, please, this garden wall story, don't run with that. | 1:25:57 | 1:26:02 | |
-Ow! -Simon Foster's constituency office wall. | 1:26:02 | 1:26:06 | |
That's what you've got, haven't you? Oh, shit. I haven't let the cat out of the bag, have I? | 1:26:06 | 1:26:11 | |
Please, don't run with that. My reputation will be in tatters. | 1:26:11 | 1:26:14 | |
-Ow! -And he is gone! | 1:26:14 | 1:26:16 | |
My hand is really quite badly scalded now. | 1:26:16 | 1:26:19 | |
-I know it was you who leaked Linton's war committee. -Oh. Right. Um... | 1:26:19 | 1:26:23 | |
-It wasn't. -It wasn't? | 1:26:25 | 1:26:27 | |
That's what you'll say when they slip a hood over your head | 1:26:27 | 1:26:30 | |
and fly you to Diego Garcia and carry out a cavity search? | 1:26:30 | 1:26:34 | |
I don't actually recall. | 1:26:34 | 1:26:36 | |
It was a very busy time. | 1:26:36 | 1:26:38 | |
That's better. OK. I am putting you on a probationary period from today | 1:26:38 | 1:26:42 | |
until the end of recorded time. | 1:26:42 | 1:26:45 | |
-All right. Do you understand? -Yes. | 1:26:45 | 1:26:47 | |
You're my guy now. Right? I own you. You are my Kunta Kinte. | 1:26:47 | 1:26:50 | |
-Go and get your fucking laptop. -Right. | 1:26:50 | 1:26:53 | |
Mr Ambassador, with your big, baldy head, you are spoiling us! Can I have a word? | 1:26:53 | 1:26:58 | |
Excuse us, just for a second. I'm pleased to be able to tell you that, by some huge effort on my behalf, | 1:26:58 | 1:27:04 | |
I've brought your vote forward by an hour-and-a-half. Can we say thank you? | 1:27:04 | 1:27:08 | |
-Great. Well, I need it delayed now. -Very funny. | 1:27:08 | 1:27:11 | |
By an hour, at least. Well, actually, two-and-a-half hours, now that you've brought it forward. | 1:27:11 | 1:27:17 | |
No. I will not put myself through that humiliation again. I'm not doing it. | 1:27:17 | 1:27:20 | |
Right. What can I say? Um... | 1:27:22 | 1:27:25 | |
Ah, right, Frank and Nancy Sinatra. I've got good news for you. | 1:27:25 | 1:27:29 | |
You're NOT fired. | 1:27:29 | 1:27:30 | |
-That's great news, isn't it? -It sounds ominous. -We want to get Liza Weld's PWIP PIP out there properly, | 1:27:30 | 1:27:37 | |
in the public domain. | 1:27:37 | 1:27:39 | |
We just need to refine it a bit. | 1:27:39 | 1:27:41 | |
What do you want to refine? | 1:27:41 | 1:27:42 | |
Just mess it up. Move the paragraphs. Change the name of the main informant. | 1:27:42 | 1:27:46 | |
-That's a complete fabrication. -Changing his name doesn't matter. | 1:27:46 | 1:27:50 | |
Do you think he's really called Ice Man? Huh? | 1:27:50 | 1:27:53 | |
"To Mr and Mrs Man, a son, Ice"? | 1:27:53 | 1:27:55 | |
So, we just change it to another name. What's the name of the fuck with the fiddle? | 1:27:55 | 1:28:00 | |
-This happens to be Debussy. -Debussy. -We'll change it to Debussy, then. -No, we will NOT! | 1:28:00 | 1:28:05 | |
Now, your prints are going to be all over this, Michael, | 1:28:05 | 1:28:08 | |
-but that's the only way you can save your job, you leaky fuck. -Don't make me do this. -It wasn't him. | 1:28:08 | 1:28:13 | |
Somebody must have come in there and used the fax machine. | 1:28:13 | 1:28:16 | |
-It could have been anyone. -Fax machine? Ah, no! | 1:28:16 | 1:28:20 | |
Don't worry about that. No, I made that up. | 1:28:20 | 1:28:23 | |
No, the document was leaked by e-mail. | 1:28:23 | 1:28:26 | |
It's just, the fax machine was there, and it's easier to kick. Come on, Thick White Duke! | 1:28:26 | 1:28:31 | |
-Don't shout at... -Come with me. | 1:28:31 | 1:28:34 | |
Right, OK. Is it up? Have you got it up? | 1:28:34 | 1:28:36 | |
-Yeah, it's all fine. -OK. | 1:28:36 | 1:28:38 | |
-Cut the top paragraph, paste it into page 5. -Right, yeah, we've done it. | 1:28:38 | 1:28:42 | |
Page 6 - get rid of the footnotes. | 1:28:42 | 1:28:44 | |
-Done. -Go to page 9. -Go to page 9. | 1:28:44 | 1:28:48 | |
Highlight from that page to the end of the document. | 1:28:48 | 1:28:51 | |
-Go on, do it. -The caveats? | 1:28:51 | 1:28:53 | |
Right, OK. Delete. | 1:28:53 | 1:28:55 | |
-OK, we're doing it. Delete it. -You can't delete the arguments against the war. | 1:28:55 | 1:29:00 | |
Oh. There's a shake of the head here, Malc. I think he's crashed. | 1:29:00 | 1:29:03 | |
-Give him a thump, that usually works. -Let me try a wee bit of manual override. | 1:29:03 | 1:29:08 | |
Let's see if it is possible to delete the arguments against the war. | 1:29:08 | 1:29:12 | |
-Hey! You could delete it after all. It's done. -Great. Attach that to an e-mail. | 1:29:12 | 1:29:16 | |
-Yes, done it. Done it. -Let's find a printer. | 1:29:16 | 1:29:19 | |
The Japanese. They'll have a printer. | 1:29:19 | 1:29:22 | |
-Well, we can't just present it like this. -No, we can't. | 1:29:22 | 1:29:26 | |
Go and get me a blue folder. | 1:29:26 | 1:29:27 | |
-OK. Where from? -I don't know. Do I look like I've ever set foot in a fucking stationery cupboard? | 1:29:27 | 1:29:32 | |
-I do my shagging in five-star hotels. -Just take out all the conditionals, | 1:29:32 | 1:29:36 | |
like "might" becomes... Instead of "might have found", "HAVE found". | 1:29:36 | 1:29:40 | |
Be audacious. Just rewrite the whole damn thing. | 1:29:43 | 1:29:46 | |
Declarative sentences, that's what I want. Take 'em all out. | 1:29:46 | 1:29:51 | |
-Linton, come here. -What is it? -The intel your guys couldn't find. | 1:29:51 | 1:29:57 | |
I think that I am owed a massive grovelling apology. | 1:30:01 | 1:30:06 | |
Congratulations, huh? | 1:30:06 | 1:30:09 | |
Maybe they'll give you a knighthood. | 1:30:09 | 1:30:12 | |
A pleasure doing business with you. You know, | 1:30:12 | 1:30:15 | |
I've come across a lot of psychos, | 1:30:15 | 1:30:16 | |
but none as fucking boring as you. | 1:30:18 | 1:30:20 | |
I mean, you are a real boring fuck. | 1:30:20 | 1:30:23 | |
-Sorry. I know that you disapprove of swearing. -That's all right. | 1:30:23 | 1:30:26 | |
So, I'll sort that out. | 1:30:26 | 1:30:28 | |
You are a boring F-star-star-cunt. | 1:30:28 | 1:30:32 | |
-Are we pretty much... -Everything as you requested, sir. -Fine. Good. Welcome aboard, Liza. | 1:30:35 | 1:30:40 | |
I will make this brief and to the point. | 1:30:40 | 1:30:44 | |
We're going to go in, | 1:30:44 | 1:30:46 | |
we're going to state our case, with new British intelligence from source Debussy, | 1:30:46 | 1:30:50 | |
we win the argument, we get the hell out. All right? | 1:30:50 | 1:30:53 | |
'Resolution 2238 is passed.' | 1:30:53 | 1:30:57 | |
-Yeah. That's that, then. -MOBILE RINGS | 1:30:57 | 1:31:01 | |
-Yeah? -Jolly good. "That's that, then," is your line for the ages, is it? | 1:31:01 | 1:31:06 | |
What? | 1:31:06 | 1:31:07 | |
Well, I remember the day that war was declared. | 1:31:07 | 1:31:11 | |
I turned to the Minister, and he said... | 1:31:11 | 1:31:14 | |
"That's that, then. | 1:31:14 | 1:31:15 | |
"Anyone want a mint?" | 1:31:15 | 1:31:17 | |
Piss off, Toby. | 1:31:17 | 1:31:19 | |
Well done, Michael. You did a really, really, really good job. | 1:31:20 | 1:31:27 | |
Oh, for fuck's sake, don't cry. | 1:31:27 | 1:31:30 | |
I e-mailed my resignation five minutes ago. | 1:31:32 | 1:31:35 | |
And yours should come pretty soon, for the biggest media impact. | 1:31:35 | 1:31:39 | |
-I've been thinking. -Yeah? | 1:31:39 | 1:31:41 | |
This has been the hardest political decision of my career. | 1:31:41 | 1:31:45 | |
I'm not going to resign. | 1:31:45 | 1:31:48 | |
What the fuck, George? | 1:31:49 | 1:31:51 | |
Before the war, I was going to resign, but now that there's a war on, I can't resign. | 1:31:51 | 1:31:57 | |
You said that this was intolerable. | 1:31:57 | 1:32:00 | |
-You said we would go together. -It is intolerable, but I'm going to have to tolerate it. | 1:32:00 | 1:32:05 | |
I still agree with myself on that. | 1:32:05 | 1:32:07 | |
But my loyalty is to the kids. I am a soldier. | 1:32:07 | 1:32:09 | |
You're not a soldier. | 1:32:09 | 1:32:11 | |
I've been a soldier my whole life. | 1:32:11 | 1:32:14 | |
-Yeah? -What do you mean, I'm not a soldier? I'm a soldier. | 1:32:14 | 1:32:17 | |
-Look at the uniform! You think I'm one of the fucking Village People? -When did you shoot a guy last? | 1:32:17 | 1:32:23 | |
Just cos I haven't shot someone in 15 years, I'm not a soldier? | 1:32:23 | 1:32:26 | |
The Army doesn't make you drag some bullet-ridden bloody corpse into the Pentagon every five years | 1:32:26 | 1:32:32 | |
-to renew your soldier's licence. -It's unnecessary! -So what? | 1:32:32 | 1:32:35 | |
-If you were a good general, you'd have some balls! -Shut up about my balls. | 1:32:35 | 1:32:39 | |
You've got no idea where my balls have been! | 1:32:39 | 1:32:41 | |
I can talk about your balls all you want, cos I remember... | 1:32:41 | 1:32:44 | |
I fucked you once 20 years ago, and I never hear the end of it! | 1:32:44 | 1:32:47 | |
Every time we're together, I've got to listen to this shit! I don't even remember it! | 1:32:47 | 1:32:51 | |
Come on, Chad. We have to draft resignation announcements. | 1:32:51 | 1:32:54 | |
Actually, I think I might stay with the general, if that's OK. | 1:32:54 | 1:32:57 | |
-If he's staying, I might stay with him, see what assistance I can furnish. -OK. | 1:32:57 | 1:33:02 | |
-General Shrek and his faithful talking donkey. -That was nice. -OK. | 1:33:02 | 1:33:07 | |
-What do you need to stick around for? -I just wanted to let you know, sir, that I think you've got... | 1:33:07 | 1:33:12 | |
big balls. | 1:33:12 | 1:33:15 | |
-It's like two-thirds of a snowman. -Dear God. | 1:33:15 | 1:33:19 | |
-We did it, Bob, huh? -Yes, we did, sir. | 1:33:20 | 1:33:22 | |
-There were a few moments where it got a little hairy. -No, there weren't. | 1:33:22 | 1:33:26 | |
No, no, no, Simon. No, no, listen. | 1:33:29 | 1:33:31 | |
Hey, hey, hey. Look, look. No, no. | 1:33:31 | 1:33:33 | |
-You still don't need to resign. -I do. | 1:33:36 | 1:33:39 | |
I'm resigning in an hour, and there's nothing you can do about it now. | 1:33:39 | 1:33:44 | |
-Nothing. -Boss. BOTH: Yes? | 1:33:44 | 1:33:46 | |
It's all over the BBC news websites. | 1:33:46 | 1:33:49 | |
Partial collapse of the wall. Mrs Michaelson's greenhouse. | 1:33:49 | 1:33:52 | |
Obviously, there's been a pane smashed. | 1:33:52 | 1:33:55 | |
-The BBC must have had a crew down there. -God, how ridiculous! | 1:33:55 | 1:33:59 | |
-And that's NEWS?! -HE CHUCKLES | 1:33:59 | 1:34:02 | |
It's not ridiculous. | 1:34:02 | 1:34:03 | |
It's not ridiculous at all. | 1:34:03 | 1:34:05 | |
You're fired. | 1:34:05 | 1:34:07 | |
What? | 1:34:07 | 1:34:09 | |
Over the wall. I mean, that's just not tolerable. | 1:34:10 | 1:34:13 | |
It's a fucking wall, Malcolm. | 1:34:13 | 1:34:17 | |
Give me the paper. The Telegraph has a cartoon of you teetering on the Great Wall of China, | 1:34:17 | 1:34:22 | |
suggesting you are the only political fuck-up visible from space. | 1:34:22 | 1:34:26 | |
Look at this. Look at it! | 1:34:26 | 1:34:28 | |
No-one could survive this. | 1:34:28 | 1:34:31 | |
The PM's very clear about this. You're sacked over the wall. | 1:34:31 | 1:34:34 | |
No. | 1:34:34 | 1:34:36 | |
-Yes! -No. You haven't even spoken to the Prime Minister. | 1:34:36 | 1:34:41 | |
-I-I-I have. -You fucking haven't! I've been here in front of you. | 1:34:41 | 1:34:45 | |
I have spoken to the PM. Whether it happened or not is irrelevant. It is true. | 1:34:45 | 1:34:49 | |
And he was very clear - you've got to go. | 1:34:49 | 1:34:53 | |
Ha! | 1:34:54 | 1:34:56 | |
If you think I'm going quietly, Malcolm... | 1:34:58 | 1:35:00 | |
..you've...you've made a mistake. | 1:35:02 | 1:35:04 | |
Well, if you want to turn this into some anti-war protest, | 1:35:04 | 1:35:07 | |
expect to hear your "mountain of conflict" sound bite everywhere. | 1:35:07 | 1:35:11 | |
From ringtones to fucking... a dance mix on YouTube. | 1:35:11 | 1:35:15 | |
And I will marshal all the media forces of darkness | 1:35:15 | 1:35:20 | |
to hound you to an assisted suicide. | 1:35:20 | 1:35:23 | |
Rightho. Let's just go and draft your "Dear Prime Minster, | 1:35:23 | 1:35:28 | |
"Just a quick note to say thanks for giving me the sack" letter. | 1:35:28 | 1:35:31 | |
Off we trot. | 1:35:33 | 1:35:35 | |
Come on, young Simon. | 1:35:35 | 1:35:37 | |
General Miller, sorry. I know this is an awkward time to be... | 1:35:47 | 1:35:51 | |
Go fuck yourself, Frodo. | 1:35:51 | 1:35:54 | |
OK. | 1:35:54 | 1:35:55 | |
MUTTERS: You can fuck off yourself, then. | 1:35:55 | 1:35:57 | |
Are you hanging, Chad? | 1:36:03 | 1:36:05 | |
Just hanging. | 1:36:05 | 1:36:07 | |
Want to play some Facebook chess? | 1:36:07 | 1:36:08 | |
Yes, ma'am! | 1:36:08 | 1:36:10 | |
Just get away from the wall! What are you doing? | 1:36:10 | 1:36:12 | |
I just want a photo near the wall. | 1:36:12 | 1:36:14 | |
Yeah, you can go back another 12 inches. No, further. | 1:36:14 | 1:36:18 | |
-There? -Stop there! | 1:36:18 | 1:36:20 | |
Check. | 1:36:20 | 1:36:22 | |
I haven't touched it. | 1:36:22 | 1:36:24 | |
I made a move for you, which is the best move possible... | 1:36:24 | 1:36:27 | |
You might be Secretary of State someday, young man. | 1:36:27 | 1:36:32 | |
Don't say that if you don't mean that. | 1:36:32 | 1:36:34 | |
When, you know, all of this...this shit is over, maybe, you know... | 1:36:34 | 1:36:39 | |
You're a woman. | 1:36:39 | 1:36:41 | |
I'm not a woman. | 1:36:41 | 1:36:44 | |
You want to have sex again? | 1:36:44 | 1:36:47 | |
Well, would it be such a terrible idea? | 1:36:47 | 1:36:50 | |
You know, one more. | 1:36:50 | 1:36:52 | |
"One more for the Gipper". | 1:36:52 | 1:36:55 | |
Well, I don't want to be accused of micromanaging, | 1:36:55 | 1:36:58 | |
but I cannot understand why "I heart Huckabees" | 1:36:58 | 1:37:02 | |
is on a list of DVDs | 1:37:02 | 1:37:03 | |
considered suitable for armed forces entertainment. | 1:37:03 | 1:37:06 | |
That self-indulgent crap is not suitable for combat troops. | 1:37:06 | 1:37:12 | |
I've got a selection of the quotations here for you. | 1:37:12 | 1:37:15 | |
I mean, they're all local building firms. Much of a muchness. | 1:37:15 | 1:37:18 | |
You know, to sort out the boundary wall. But the... | 1:37:18 | 1:37:22 | |
-this septic tank. That is rearing its pooey head again. -Yes. | 1:37:22 | 1:37:27 | |
I just got off the phone with Linton, | 1:37:27 | 1:37:30 | |
who proceeded to bitch me out, for allowing "I heart Huckabees" | 1:37:30 | 1:37:33 | |
on the troops' DVD roster. Yeah. | 1:37:33 | 1:37:35 | |
You know that phrase, "I'm too old for this shit"? | 1:37:35 | 1:37:38 | |
Well, I'm too young for this shit. You know? | 1:37:38 | 1:37:41 | |
Oh! Here's the new Minister. | 1:37:41 | 1:37:43 | |
-Malcolm! -There she is. | 1:37:43 | 1:37:45 | |
Ladies and gentlemen. | 1:37:45 | 1:37:47 | |
-APPLAUSE Nice to be here. How touching. -How are you doing? | 1:37:47 | 1:37:52 | |
-Judy Molloy. -Nice to meet you. And this...? | 1:37:52 | 1:37:55 | |
-Danny. Dan. -Will you come in...? -Special Advisor. -Danny Dan?! | 1:37:55 | 1:37:59 | |
-War seems to be going great guns. -Oh, very cheeky! | 1:37:59 | 1:38:02 | |
Judy, have I got a desk out here? | 1:38:02 | 1:38:04 | |
-Mind your step. There's still blood on the deck. -Er...yeah, sure. | 1:38:04 | 1:38:07 | |
-You can use that one. -How about this? | 1:38:07 | 1:38:09 | |
You can't get better than this. Very glamorous. | 1:38:09 | 1:38:12 | |
-That's fine. -I think there's a wee bit of brains there. | 1:38:12 | 1:38:16 | |
It's the only brains that he had, actually. Nice to meet you, Dan. | 1:38:16 | 1:38:20 | |
-Where did you go to school? -A school in Jersey. | 1:38:20 | 1:38:23 | |
-In Jersey? Is that actually Britain? -Yeah. | 1:38:23 | 1:38:26 | |
CHATTER FADES OUT | 1:38:26 | 1:38:29 | |
Look at the hair on this! | 1:41:07 | 1:41:08 | |
Who let this woman out with fucking hair like this? | 1:41:08 | 1:41:11 | |
On national television! | 1:41:11 | 1:41:13 | |
Think she's got her finger stuck in a fucking electric socket! | 1:41:13 | 1:41:17 | |
Unbelievable. | 1:41:17 | 1:41:19 |