
Browse content similar to Sliding Doors. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This film contains some strong language. | 0:00:02 | 0:00:12 | |
MUSIC: "Have Fun, Go Mad" by Blair | 0:00:15 | 0:00:18 | |
# Aw, aw | 0:00:18 | 0:00:20 | |
# All aboard that funk boat that I'm about to start sailing now | 0:00:20 | 0:00:25 | |
# All you riggers and all you body shakers | 0:00:25 | 0:00:26 | |
# Everybody's in the funky blow-out | 0:00:26 | 0:00:29 | |
# You know I set sail | 0:00:29 | 0:00:31 | |
# From just around the corner from the Portobello Road | 0:00:31 | 0:00:34 | |
# Downtown, W10 in my place, | 0:00:34 | 0:00:36 | |
# Baby, baby, do what you done | 0:00:36 | 0:00:37 | |
# Till I got bottles of beer and a deck or two | 0:00:37 | 0:00:41 | |
# On the melt till the morning comes and I said | 0:00:41 | 0:00:44 | |
# Have fun, go mad | 0:00:44 | 0:00:49 | |
# Do what I say | 0:00:45 | 0:00:49 | |
# Have fun, go mad | 0:00:46 | 0:00:49 | |
# Have fun, go mad | 0:00:49 | 0:00:53 | |
Come on! | 0:00:50 | 0:00:53 | |
# Have fun, livin' in the city | 0:00:51 | 0:00:53 | |
# Have fun, go mad | 0:00:53 | 0:00:58 | |
# Do what I say | 0:00:54 | 0:00:58 | |
# Have fun, go mad | 0:00:55 | 0:00:58 | |
# Have fun, go mad | 0:00:58 | 0:00:59 | |
# Said come on | 0:00:59 | 0:01:03 | |
# Have fun, livin' in the city | 0:01:00 | 0:01:03 | |
# Ha-ha-ha! | 0:01:11 | 0:01:13 | |
# Have fun, go mad | 0:01:22 | 0:01:26 | |
I like it! | 0:01:23 | 0:01:26 | |
# Have fun, go mad | 0:01:24 | 0:01:26 | |
# Have fun, go mad | 0:01:26 | 0:01:28 | |
# Have fun, livin' in the city | 0:01:28 | 0:01:31 | |
# Have fun, go mad | 0:01:31 | 0:01:36 | |
# Do what I say | 0:01:33 | 0:01:36 | |
# Have fun, go mad | 0:01:34 | 0:01:36 | |
-# Do what I do -# Have fun, go mad | 0:01:36 | 0:01:37 | |
# Have fun... # | 0:01:37 | 0:01:39 | |
Shit, shit, shit, shit, shit. | 0:01:39 | 0:01:41 | |
Shit, shit. Shit, shit. | 0:01:41 | 0:01:43 | |
Oh, shit! | 0:01:43 | 0:01:45 | |
"Hello, Helen, I'd almost forgotten you work here." | 0:01:45 | 0:01:48 | |
Sorry, but I swear I was up all night | 0:01:50 | 0:01:53 | |
toying with ideas for the fashion show | 0:01:53 | 0:01:55 | |
and I've really hit on something. You see... | 0:01:55 | 0:01:58 | |
What? | 0:02:00 | 0:02:02 | |
I took four bottles of vodka on Friday for my birthday. | 0:02:06 | 0:02:10 | |
I was having a party, so I borrowed some. | 0:02:10 | 0:02:12 | |
I bought some more to replace it. | 0:02:12 | 0:02:18 | |
No use to me when I had nothing to offer the executives. | 0:02:14 | 0:02:18 | |
Could have told them you'd run out. It's popular stuff. | 0:02:19 | 0:02:23 | |
Bullshit, bullshit. We're in PR. That's what we do, isn't it? | 0:02:23 | 0:02:27 | |
But you didn't do that, did you, Paul? | 0:02:29 | 0:02:32 | |
No. | 0:02:32 | 0:02:34 | |
So, I'm out, am I? | 0:02:34 | 0:02:37 | |
Well, this is just perfect. | 0:02:41 | 0:02:44 | |
You've wanted me out for ages, now you've done it. Very well done. | 0:02:44 | 0:02:50 | |
For theft. Pretty foolproof. | 0:02:51 | 0:02:55 | |
OK, I'll go. I'll go! | 0:02:55 | 0:02:58 | |
With all this testosterone, best I go before I start growing a penis. | 0:02:58 | 0:03:04 | |
Oh! | 0:03:04 | 0:03:06 | |
Told you - lesbian. | 0:03:06 | 0:03:08 | |
I really didn't think it'd be so easy to crack, did you? | 0:03:22 | 0:03:26 | |
Oops. | 0:03:26 | 0:03:28 | |
Thank you. | 0:03:30 | 0:03:32 | |
MAN HUMS | 0:05:34 | 0:05:36 | |
'District Line information. | 0:05:38 | 0:05:40 | |
'Due to a derailment, trains will be extensively delayed.' | 0:05:40 | 0:05:45 | |
'Please find other means of transport.' | 0:05:45 | 0:05:47 | |
CAR HORN BLARES | 0:05:47 | 0:05:49 | |
Aaaargh! | 0:06:08 | 0:06:10 | |
Are you all right, love? Oh, it's a bit of a nasty cut. | 0:06:17 | 0:06:21 | |
Might need stitches. Come on. | 0:06:21 | 0:06:23 | |
# She's dragged me to her floor | 0:06:23 | 0:06:26 | |
# Just like she had before | 0:06:26 | 0:06:29 | |
# And I can't take it no more... # | 0:06:29 | 0:06:33 | |
Oh-ho. Ah, Beatles' lyrics, eh? | 0:06:33 | 0:06:35 | |
Elastic Thrombosis. They're guilty of lyric poaching. | 0:06:35 | 0:06:39 | |
They're Beatles' lyrics, aren't they? | 0:06:39 | 0:06:43 | |
I don't know. Sorry. | 0:06:41 | 0:06:43 | |
Everyone is born knowing Beatles' lyrics instinctively. | 0:06:43 | 0:06:47 | |
They're passed into the foetus subconsciously. | 0:06:47 | 0:06:50 | |
In fact, they should be called The Foetles. | 0:06:50 | 0:06:53 | |
Not a fan, clearly. | 0:06:55 | 0:06:57 | |
It's funny the way nobody talks on tubes. | 0:07:18 | 0:07:21 | |
I rarely catch the tube myself, or lifts. | 0:07:21 | 0:07:24 | |
Confined spaces, everybody shuts down. Why? | 0:07:24 | 0:07:28 | |
Perhaps we think everyone else on the tube is a psychopath, | 0:07:28 | 0:07:32 | |
so we close down and pretend to read. | 0:07:32 | 0:07:35 | |
You've got a tea stain... | 0:07:35 | 0:07:40 | |
I don't think you're a psychopath, I just want to read. | 0:07:36 | 0:07:40 | |
I understand. I apologise. | 0:07:40 | 0:07:42 | |
I'm in a little bit of a good mood today, so I've just... | 0:07:42 | 0:07:46 | |
Sorry. | 0:07:46 | 0:07:48 | |
Have we met before? No, no, honestly. You...you seem familiar. | 0:07:48 | 0:07:53 | |
I don't think so. | 0:07:53 | 0:07:56 | |
Yes. You were in the lift. You dropped your earring, | 0:07:56 | 0:08:00 | |
I picked it up. | 0:08:00 | 0:08:03 | |
Oh, yes, you did. Thank you. | 0:08:01 | 0:08:03 | |
Pleasure. Do you work there? | 0:08:03 | 0:08:07 | |
I did, but I've just been fired. OK? | 0:08:07 | 0:08:10 | |
Oh, no, that's, that's horrible. I'm sorry. | 0:08:10 | 0:08:14 | |
It's OK. I thank you for your concern, | 0:08:14 | 0:08:17 | |
I'm glad you're in a good mood, I thank you for picking up my earring, | 0:08:17 | 0:08:22 | |
but I just want to read my book. | 0:08:22 | 0:08:24 | |
I get off at this stop. | 0:08:36 | 0:08:38 | |
I'm only telling you in case you get off at this stop, too, | 0:08:38 | 0:08:41 | |
and you think I'm following you. | 0:08:41 | 0:08:44 | |
I mean... You know. | 0:08:44 | 0:08:46 | |
I really didn't mean any offence. Please forgive me. | 0:08:46 | 0:08:51 | |
I'm really not a nutcase. I apologise. | 0:08:51 | 0:08:53 | |
Excuse me. | 0:08:59 | 0:09:01 | |
Um, I'm sorry. I'm sure you're not a psycho or anything, | 0:09:02 | 0:09:06 | |
it's just that I'm not... I'm not that good at, um... | 0:09:06 | 0:09:10 | |
you know, um... | 0:09:10 | 0:09:14 | |
Constructing sentences? | 0:09:12 | 0:09:14 | |
SHE SIGHS Anyway... | 0:09:14 | 0:09:16 | |
I'm James. | 0:09:16 | 0:09:18 | |
Helen. | 0:09:18 | 0:09:19 | |
MUSIC: "Bennie And The Jets" by Elton John | 0:09:19 | 0:09:22 | |
I never figured out why we didn't make it. | 0:09:27 | 0:09:30 | |
You went back to America. I couldn't afford the bus fares. | 0:09:30 | 0:09:34 | |
I came back though. | 0:09:32 | 0:09:34 | |
Turn my back for three lousy years | 0:09:35 | 0:09:38 | |
and you callously ditch me for another woman. | 0:09:38 | 0:09:41 | |
Mm, I know, I suppose I'm just naturally impetuous. | 0:09:41 | 0:09:45 | |
I live with someone. A man. I live with a man. | 0:09:45 | 0:09:48 | |
I have people I consider soul mates who don't confide in me this much. | 0:09:48 | 0:09:53 | |
What would he say if he knew you were with a complete stranger? | 0:09:53 | 0:09:57 | |
Hm, big deal. | 0:09:57 | 0:09:59 | |
It was nice to meet you. Sorry about your job. | 0:10:05 | 0:10:08 | |
Being a Gemini can have its down sides. | 0:10:08 | 0:10:10 | |
Remember what Monty Python say. | 0:10:10 | 0:10:13 | |
What? "Always look on the bright side of life?" | 0:10:13 | 0:10:16 | |
No. "Nobody expects the Spanish Inquisition". | 0:10:16 | 0:10:20 | |
MUSIC: "Bennie And The Jets" by Elton John | 0:10:26 | 0:10:29 | |
GERRY GROANS > | 0:10:52 | 0:10:54 | |
Oh! Oh, yeah! Yes! > | 0:10:54 | 0:10:58 | |
-HE GRUNTS -Yeah! Yeah! | 0:11:01 | 0:11:05 | |
Oh! Oh! Oh! | 0:11:05 | 0:11:07 | |
Oh, fu-u-u-u-u-u-u-uck!! | 0:11:07 | 0:11:10 | |
Yeah! | 0:11:10 | 0:11:12 | |
-SHE PANTS -What? | 0:11:12 | 0:11:14 | |
SHE SIGHS | 0:11:21 | 0:11:23 | |
I didn't think you liked Elton John. | 0:11:25 | 0:11:28 | |
I...I do, I do sometimes. | 0:11:28 | 0:11:31 | |
MUSIC OFF | 0:11:38 | 0:11:40 | |
You really shouldn't stop like that. | 0:11:40 | 0:11:43 | |
Set a woman back three days doing a thing like that. | 0:11:43 | 0:11:47 | |
Who is she? | 0:11:49 | 0:11:51 | |
She's Lydia. | 0:11:52 | 0:11:54 | |
Well, I've had a dreadful day. | 0:12:06 | 0:12:08 | |
I got sacked. And so did you, it would seem. | 0:12:08 | 0:12:12 | |
Cup of tea? | 0:12:14 | 0:12:17 | |
That'd be nice. | 0:12:15 | 0:12:17 | |
You bastard! You bastard! | 0:12:17 | 0:12:21 | |
You useless shagging bastard! | 0:12:21 | 0:12:23 | |
I come home and catch you up to your nuts in Lady Shagging Godiva! | 0:12:31 | 0:12:36 | |
I am working all hours to support you while you are | 0:12:36 | 0:12:40 | |
supposedly writing your first novel. | 0:12:40 | 0:12:43 | |
How long? Huh? | 0:12:44 | 0:12:47 | |
Do you love her? No, don't tell me, I'm not interested. | 0:12:48 | 0:12:52 | |
No, do tell me, I AM interested. | 0:12:52 | 0:12:54 | |
I'm only asking because I need to know exactly how big a mug I am. | 0:12:55 | 0:13:00 | |
Look, er... Look... | 0:13:00 | 0:13:04 | |
DOOR SLAMS | 0:13:10 | 0:13:12 | |
MUSIC: "Honky Cat" by Elton John | 0:14:02 | 0:14:04 | |
Hello?! | 0:14:07 | 0:14:08 | |
Helen?! Is that you?! | 0:14:09 | 0:14:11 | |
No, it's your bit of stuff. | 0:14:11 | 0:14:14 | |
Wednesday, shag day, remember? | 0:14:14 | 0:14:17 | |
Have you just got up, you lazy git? | 0:14:25 | 0:14:29 | |
Er, no. Er, well, I... | 0:14:26 | 0:14:29 | |
I didn't sleep that well last night and er, er... | 0:14:29 | 0:14:32 | |
when you left, I kind of, I went into a really... | 0:14:32 | 0:14:36 | |
a really, really deep, deep, deep, deep sleep and... | 0:14:36 | 0:14:40 | |
I think I might be coming down with... | 0:14:40 | 0:14:42 | |
Anyway, er, what are you doing home at this time of...? | 0:14:42 | 0:14:46 | |
Oh, my God! What happened to you? | 0:14:48 | 0:14:51 | |
It depends. Which story do you want first? | 0:14:53 | 0:14:56 | |
What? | 0:14:56 | 0:15:00 | |
Well, I got mugged and... | 0:14:57 | 0:15:00 | |
What are you doing? | 0:15:03 | 0:15:05 | |
I can't stand Elton John. | 0:15:05 | 0:15:07 | |
You know that. | 0:15:07 | 0:15:09 | |
Well, anyway, listen, tell me what happened? | 0:15:09 | 0:15:13 | |
What happened to your head? | 0:15:13 | 0:15:15 | |
Well, I got mugged and sacked. | 0:15:15 | 0:15:17 | |
It wasn't an actual mugging, only an attempted mugging | 0:15:17 | 0:15:21 | |
according to the police... | 0:15:21 | 0:15:25 | |
-Whoa, whoa! -..because they didn't... | 0:15:23 | 0:15:25 | |
Wait a sec. Come here. Now sit down. | 0:15:25 | 0:15:28 | |
Just sit here, OK? | 0:15:28 | 0:15:30 | |
Now, you're in shock, darling, OK? | 0:15:30 | 0:15:33 | |
You've had a little bit of a shock. OK? | 0:15:33 | 0:15:36 | |
Now just relax. Er, er... | 0:15:36 | 0:15:38 | |
Do you want a brandy? | 0:15:40 | 0:15:42 | |
It's four in the afternoon. | 0:15:42 | 0:15:45 | |
Of course it is. Sorry. | 0:15:45 | 0:15:47 | |
Gerry! | 0:15:47 | 0:15:50 | |
Are you OK? | 0:15:50 | 0:15:53 | |
Me? I'm fine. Um, I'm fine. | 0:15:51 | 0:15:53 | |
Anyway, anyway... | 0:15:53 | 0:15:55 | |
Tell, tell me what happened. | 0:15:55 | 0:15:57 | |
I couldn't help thinking if I had just caught that train, | 0:16:23 | 0:16:27 | |
it would never have happened. I'd have been home ages ago. | 0:16:27 | 0:16:32 | |
You don't want to go wondering | 0:16:30 | 0:16:32 | |
about things like that. "If only this" and "what if that." | 0:16:32 | 0:16:37 | |
I mean... | 0:16:37 | 0:16:38 | |
It's done now. | 0:16:40 | 0:16:43 | |
Come on. | 0:16:43 | 0:16:45 | |
Follow. | 0:16:45 | 0:16:47 | |
Splash. I'm going to take you out | 0:16:48 | 0:16:51 | |
and get you alarmingly out of your head on Grolsch and then... | 0:16:51 | 0:16:55 | |
Dry. Thank you. | 0:16:55 | 0:16:57 | |
And then... follow, follow, follow, follow. | 0:16:57 | 0:17:01 | |
And when you've sung all your favourite Barbara Streisand songs | 0:17:01 | 0:17:05 | |
and got us slung out of the pub... | 0:17:05 | 0:17:07 | |
Yep, put this on. | 0:17:07 | 0:17:09 | |
I'm going to let you have intimate knowledge of a lamb passanda | 0:17:09 | 0:17:13 | |
with a double tarka dahl, | 0:17:13 | 0:17:15 | |
which you can then puke up all over the pristine doorstep | 0:17:15 | 0:17:19 | |
of Herr and Frau Goebbels next door, and I'll help you. | 0:17:19 | 0:17:23 | |
Oh. I love you, Gerry. | 0:17:23 | 0:17:25 | |
She's not here! | 0:17:25 | 0:17:28 | |
Anna, you're Helen's best friend. Where else would she be? | 0:17:28 | 0:17:33 | |
Come in and search the place. | 0:17:30 | 0:17:33 | |
She's not here. What have you done? | 0:17:33 | 0:17:35 | |
It can't be that nice if she's walked out on you. | 0:17:35 | 0:17:40 | |
Look, I'm sorry. If she comes here, | 0:17:38 | 0:17:40 | |
just let me know or get her to ring me | 0:17:40 | 0:17:43 | |
or something. That's all I ask. | 0:17:43 | 0:17:47 | |
Like you say, I'm Helen's best friend. | 0:17:45 | 0:17:47 | |
If she comes here, I'll do what SHE asks. | 0:17:47 | 0:17:50 | |
MUSIC: "Amateur" by Aimee Mann | 0:17:53 | 0:17:56 | |
# I'll have this meagre defence | 0:17:56 | 0:17:59 | |
# I was hoping | 0:17:59 | 0:18:01 | |
# But you're an amateur | 0:18:01 | 0:18:06 | |
# I was hoping | 0:18:06 | 0:18:08 | |
# That you'd know better | 0:18:08 | 0:18:12 | |
# But I've been wrong... # | 0:18:12 | 0:18:15 | |
She's got a point. You can't stand Elton John. | 0:18:15 | 0:18:21 | |
That's not the issue! What do I do?! | 0:18:17 | 0:18:21 | |
You told me you couldn't hack it juggling Helen and Lydia | 0:18:21 | 0:18:25 | |
and you wish you hadn't got involved with her again. | 0:18:25 | 0:18:29 | |
I know. | 0:18:27 | 0:18:29 | |
You weren't cut out for infidelity. | 0:18:29 | 0:18:34 | |
I know. | 0:18:30 | 0:18:34 | |
But you couldn't end it with Lydia. | 0:18:32 | 0:18:34 | |
I know all this. | 0:18:34 | 0:18:37 | |
And I told you something. | 0:18:35 | 0:18:37 | |
Something ungoverned by you would happen | 0:18:37 | 0:18:41 | |
to bring the situation to a head. | 0:18:41 | 0:18:43 | |
I know! | 0:18:43 | 0:18:46 | |
And...something has. | 0:18:44 | 0:18:46 | |
It's not funny, actually. | 0:18:52 | 0:18:56 | |
No, I'm sorry, old man, I beg to differ. | 0:18:53 | 0:18:56 | |
It is funny. It's very, very funny. | 0:18:56 | 0:18:58 | |
You're not rushing about frantically trying to find her. | 0:19:00 | 0:19:04 | |
I went to Anna's. She wasn't there. | 0:19:04 | 0:19:09 | |
You're a one-man SAS crack unit! | 0:19:05 | 0:19:09 | |
You want my opinion? | 0:19:11 | 0:19:15 | |
Will I like it? | 0:19:13 | 0:19:15 | |
Of course not. It'll be based on reality. | 0:19:15 | 0:19:18 | |
# Call me fool | 0:19:18 | 0:19:20 | |
# What's it to you? | 0:19:20 | 0:19:23 | |
# Then we'll go out walking by the moon... # | 0:19:23 | 0:19:25 | |
You don't advertise a new restaurant. It's very uncool. | 0:19:25 | 0:19:29 | |
It's word of mouth. People talk. | 0:19:29 | 0:19:31 | |
How do these people who talk know where you are | 0:19:31 | 0:19:35 | |
so that they can talk about you? I just want it to work. Helen. | 0:19:35 | 0:19:39 | |
Hello! James, rather annoying chatty bloke on the tube? | 0:19:40 | 0:19:45 | |
Oh, yes, hi. | 0:19:45 | 0:19:47 | |
You look all stressed up with nowhere to go. | 0:19:47 | 0:19:50 | |
It's only a job. You'll get another one. | 0:19:50 | 0:19:53 | |
It's something else, isn't it? | 0:19:53 | 0:19:55 | |
Sometimes it helps to just say whatever it is out loud. | 0:19:55 | 0:19:59 | |
It also helps if people mind their own business and leave you alone. | 0:19:59 | 0:20:04 | |
After I left you earlier, | 0:20:02 | 0:20:04 | |
I went home and found my boyfriend... | 0:20:04 | 0:20:09 | |
In bed with another woman. Shit, I'm sorry. | 0:20:06 | 0:20:09 | |
I mean, what an idiot. | 0:20:09 | 0:20:12 | |
It's OK, you weren't to know. | 0:20:12 | 0:20:14 | |
No, not me. Your boyfriend, he's an idiot. | 0:20:14 | 0:20:17 | |
Sorry, it's not my place. | 0:20:18 | 0:20:20 | |
It's OK. | 0:20:20 | 0:20:22 | |
If it makes you feel any better, you see that bloke? | 0:20:22 | 0:20:26 | |
He owns a personalised set of crocodile skin luggage | 0:20:26 | 0:20:30 | |
and his favourite TV programme is Baywatch. | 0:20:30 | 0:20:33 | |
So there's always someone sadder than you. | 0:20:33 | 0:20:36 | |
Do you love him? | 0:20:36 | 0:20:38 | |
No. I could never love a Baywatch fan. | 0:20:38 | 0:20:42 | |
You did a joke in the midst of your emotional state. That's positive. | 0:20:44 | 0:20:49 | |
You decide you want company, we're over here. OK? | 0:20:49 | 0:20:53 | |
I'm really sorry, Helen. | 0:20:54 | 0:20:56 | |
Two of your most disgustingly large Grolsches, please, | 0:21:08 | 0:21:12 | |
and a large Jack Daniels with ice | 0:21:12 | 0:21:14 | |
and I'll have the same. | 0:21:14 | 0:21:16 | |
You're behind. | 0:21:20 | 0:21:21 | |
Fifteen? | 0:21:25 | 0:21:28 | |
# I was lost, I was found | 0:21:46 | 0:21:49 | |
# I'd been tossed to the ground... # | 0:21:49 | 0:21:52 | |
Gerry came looking for you. Is it what I think? | 0:21:53 | 0:21:57 | |
Depends. Is what you think that I walked in on him | 0:21:57 | 0:22:00 | |
shagging Lydia in my bed and I walked out? | 0:22:00 | 0:22:03 | |
Pretty much. | 0:22:03 | 0:22:05 | |
Then, yes. | 0:22:05 | 0:22:07 | |
HELEN CHUCKLES | 0:22:19 | 0:22:21 | |
MOBILE PHONE RINGS | 0:22:21 | 0:22:24 | |
Hold up, hold up. Yeah? | 0:22:22 | 0:22:24 | |
'This morning was sensational.' | 0:22:24 | 0:22:26 | |
I ca... Sorry, I can't hear you. | 0:22:26 | 0:22:29 | |
'Gerry.' | 0:22:29 | 0:22:32 | |
I can't hear you. Didn't know it was on. | 0:22:30 | 0:22:32 | |
Ready, steady, go! | 0:22:32 | 0:22:34 | |
Who's that? | 0:22:42 | 0:22:46 | |
My friend. | 0:22:44 | 0:22:46 | |
Come on, let's get you home, you drunken eejit. | 0:22:49 | 0:22:52 | |
OK, whoa! | 0:22:52 | 0:22:54 | |
-And again. -Whooooooo! | 0:22:55 | 0:22:57 | |
Can I give you a lift anywhere? | 0:22:57 | 0:23:00 | |
Er, yeah, that would be great, thank you. | 0:23:00 | 0:23:03 | |
Hands up if you drank too much, eh? | 0:23:03 | 0:23:05 | |
Hey! I'm not as drunk as thinkle peep I am. | 0:23:05 | 0:23:09 | |
Put a wick in her mouth and she'd burn for a fortnight. | 0:23:09 | 0:23:12 | |
Nine Menlove Avenue. Thanks a lot. | 0:23:17 | 0:23:19 | |
Chicken with some rice, one more little Indian. | 0:23:23 | 0:23:26 | |
No. I'll be sick. | 0:23:26 | 0:23:29 | |
We're on schedule for that, but we've gotta move location first. | 0:23:29 | 0:23:34 | |
He didn't fancy me. He offered us a lift. He was just being concerned. | 0:23:36 | 0:23:42 | |
Mm-hm. If he was being that concerned about me, | 0:23:42 | 0:23:45 | |
I wouldn't be helping YOU into bed right now. | 0:23:45 | 0:23:48 | |
Am I in bed? | 0:23:48 | 0:23:54 | |
Yes, you're staying with me for a while. Don't worry, you'll be fine. | 0:23:49 | 0:23:54 | |
Just fine. | 0:23:54 | 0:23:56 | |
There we go. There we go. | 0:23:57 | 0:24:01 | |
'Are you some peculiar, thus far undefined | 0:24:05 | 0:24:09 | |
'breed of dickhead? | 0:24:09 | 0:24:11 | |
'You have two head problems.' | 0:24:11 | 0:24:14 | |
One, that was close. | 0:24:14 | 0:24:17 | |
Very close. | 0:24:17 | 0:24:19 | |
Put in layman's terms, she nearly caught you. | 0:24:19 | 0:24:23 | |
And two... | 0:24:23 | 0:24:25 | |
and this is far more worrying than the first one. | 0:24:25 | 0:24:28 | |
You're talking to yourself in the mirror again. | 0:24:29 | 0:24:33 | |
Really bad sign. | 0:24:33 | 0:24:35 | |
Bigger sip, bigger sip, bigger sip. | 0:24:50 | 0:24:52 | |
Don't throw up all over me. | 0:24:52 | 0:24:54 | |
There are no PR jobs. | 0:24:58 | 0:25:01 | |
I'm going to need some part-time work, Gerry. | 0:25:02 | 0:25:06 | |
What you need is a change of image. | 0:25:07 | 0:25:09 | |
That goes back and then... | 0:25:09 | 0:25:11 | |
it sort of comes like a slant. | 0:25:11 | 0:25:14 | |
# It's a change in atmosphere | 0:25:17 | 0:25:22 | |
# And I've seen the signs, I know | 0:25:22 | 0:25:26 | |
# That it's right for me to go | 0:25:26 | 0:25:30 | |
# I'm on my way | 0:25:30 | 0:25:32 | |
# So when you think of yesterday | 0:25:32 | 0:25:35 | |
# Remember all | 0:25:35 | 0:25:38 | |
# The things we said | 0:25:38 | 0:25:41 | |
# And through the course of history | 0:25:41 | 0:25:45 | |
# I hope you'll still remember me | 0:25:45 | 0:25:50 | |
# And there can be no other way | 0:25:50 | 0:25:54 | |
# There's nothing left for us to say | 0:25:54 | 0:25:58 | |
# I've got to see it through alone | 0:25:58 | 0:26:03 | |
# I've got to do this on my own... # | 0:26:03 | 0:26:08 | |
For you, sir. | 0:26:19 | 0:26:25 | |
Hey, gorgeous. What do you do when you're not serving mad cow burgers? | 0:26:20 | 0:26:25 | |
I get up at 7.30am, make and deliver sandwiches | 0:26:25 | 0:26:28 | |
before I come here at six and finish at midnight. If I've got energy left, | 0:26:28 | 0:26:33 | |
I give my boyfriend a blow job. | 0:26:33 | 0:26:36 | |
Would you like mayonnaise? | 0:26:36 | 0:26:38 | |
You don't mean that. | 0:26:38 | 0:26:40 | |
I do. Really. | 0:26:40 | 0:26:42 | |
So, you were together two-and-a-half years | 0:26:42 | 0:26:45 | |
and you've been here like suicide on a stick for a week. | 0:26:45 | 0:26:49 | |
Nine days, Anna. | 0:26:49 | 0:26:54 | |
For nine days, but bollocks to him? | 0:26:50 | 0:26:54 | |
Yes! Why hasn't he even called to see if I'm OK, | 0:26:54 | 0:26:57 | |
to admit he's a twat? "Hi, Helen, it's Gerry. I'm a twat. | 0:26:57 | 0:27:02 | |
"Please come home, I love you." | 0:27:02 | 0:27:04 | |
Bollocks to him. I'm over him. | 0:27:04 | 0:27:07 | |
Oh, you're over him. | 0:27:07 | 0:27:09 | |
Yes. Totally and completely over him. | 0:27:09 | 0:27:11 | |
No, you're not. | 0:27:11 | 0:27:13 | |
-I am. -You're not. | 0:27:13 | 0:27:16 | |
Anna, I'm over him! | 0:27:14 | 0:27:16 | |
How do you know I'm not? | 0:27:16 | 0:27:18 | |
Well, two things, really. | 0:27:18 | 0:27:20 | |
You're still counting how long you've been apart in days | 0:27:20 | 0:27:24 | |
and probably hours and minutes. | 0:27:24 | 0:27:27 | |
And you're still reading his horoscope in the hope that | 0:27:27 | 0:27:31 | |
he's going to get wiped out in a napalming incident. | 0:27:31 | 0:27:36 | |
Smart arse. | 0:27:34 | 0:27:36 | |
What is he? | 0:27:36 | 0:27:39 | |
A wanker. | 0:27:37 | 0:27:39 | |
Oh, Aries. | 0:27:39 | 0:27:41 | |
Aries. Aries. | 0:27:41 | 0:27:44 | |
Well, just shows how much I know. | 0:27:45 | 0:27:48 | |
"With Mars in the ascendancy, | 0:27:48 | 0:27:51 | |
"you will get wiped out in a napalming incident." | 0:27:51 | 0:27:54 | |
This guy's very good. | 0:27:54 | 0:27:56 | |
DOORBELL RINGS | 0:27:56 | 0:27:59 | |
You go. No, I will. | 0:28:00 | 0:28:02 | |
No, you. I'm not in. I'm out. | 0:28:02 | 0:28:04 | |
You don't know where or who with, especially who with. | 0:28:04 | 0:28:08 | |
Quickly, go on! | 0:28:09 | 0:28:14 | |
I am not answering the door like this. | 0:28:11 | 0:28:14 | |
Anna, please! It won't be him anyway. | 0:28:14 | 0:28:16 | |
So there's no big deal, is there? | 0:28:16 | 0:28:19 | |
Bollocks to him, bollocks to him, bollocks to him. | 0:28:23 | 0:28:27 | |
Bollocks to him, bollocks to him, bollocks to him, bollocks to him. | 0:28:27 | 0:28:32 | |
Come on, you don't drink your fatty drinks, | 0:28:41 | 0:28:44 | |
you'll never get quality cellulite. | 0:28:44 | 0:28:47 | |
Haircut suits you, by the way. | 0:28:47 | 0:28:49 | |
No, it does. It does, no gag. | 0:28:49 | 0:28:51 | |
Never make a joke about women's hair, clothes or menstrual cycles. | 0:28:51 | 0:28:58 | |
James, maybe I shouldn't be here. | 0:28:55 | 0:28:58 | |
I'm sorry, I'm not being fair. | 0:28:58 | 0:29:00 | |
Under normal circumstances, et cetera, | 0:29:02 | 0:29:05 | |
you're really nice and funny. | 0:29:05 | 0:29:07 | |
My friend Anna thinks you're cute. | 0:29:07 | 0:29:10 | |
Wait. Your friend Anna thinks I'm cute? | 0:29:10 | 0:29:13 | |
Your friend Anna thinks I'm cute?! | 0:29:13 | 0:29:15 | |
-Shit, I just blew... Wait... -HE SIGHS | 0:29:15 | 0:29:19 | |
£2.85. £2.85 on the wrong girl! | 0:29:19 | 0:29:22 | |
Helen, sometimes we are plonked into people's lives | 0:29:23 | 0:29:27 | |
when they need to be cheered up and reassured. For some reason, | 0:29:27 | 0:29:31 | |
it's your job. We don't know why. | 0:29:31 | 0:29:34 | |
In your case, it's MY job. | 0:29:34 | 0:29:36 | |
But I'll be honest, the fact that I find you moderately attractive | 0:29:36 | 0:29:41 | |
makes it easier on my part. I have no desire | 0:29:41 | 0:29:46 | |
to overstep the mark. Seriously. | 0:29:46 | 0:29:49 | |
Do you prefer diamonds or sapphires? Sorry! | 0:29:49 | 0:29:53 | |
Moderately attractive? | 0:29:53 | 0:29:55 | |
Ah-ha! I knew you were listening. | 0:29:55 | 0:29:57 | |
Lose the sad eyes, the droopy mouth, I could get you an upgrade. | 0:29:57 | 0:30:02 | |
So, what are you doing two weeks on Saturday? | 0:30:03 | 0:30:07 | |
Probably killing myself. | 0:30:07 | 0:30:11 | |
Excellent! What time does it finish? Do you like boats? | 0:30:09 | 0:30:11 | |
We haven't done that for two months. | 0:30:14 | 0:30:17 | |
Don't be daft. | 0:30:17 | 0:30:19 | |
Two months, almost to the day. | 0:30:19 | 0:30:22 | |
Almost to the day? Listen to you, what are we, a survey? | 0:30:22 | 0:30:26 | |
How did one of my Waterford crystal brandy glasses | 0:30:26 | 0:30:30 | |
get into the laundry basket? | 0:30:30 | 0:30:33 | |
To the where? | 0:30:33 | 0:30:34 | |
The laundry basket. | 0:30:34 | 0:30:37 | |
I don't know. I answer questions on '70s pop music. | 0:30:37 | 0:30:40 | |
Last week when I got the sack and I came back...am I going mad? | 0:30:40 | 0:30:45 | |
But there was a bottle of brandy and two glasses on the dressing table. | 0:30:45 | 0:30:50 | |
I don't know, I couldn't say. | 0:30:48 | 0:30:50 | |
Well, there were, I'm sure. | 0:30:50 | 0:30:54 | |
Hang on, wait a minute. No, I could say. | 0:30:52 | 0:30:54 | |
There was a bottle and ONE glass because... | 0:30:54 | 0:30:58 | |
No, I'm certain there were two glasses. | 0:30:58 | 0:31:02 | |
Helen, I'm not...sure | 0:31:00 | 0:31:02 | |
I like where this is going. | 0:31:02 | 0:31:04 | |
I couldn't sleep, so I got up to get a drink to knock myself out. | 0:31:04 | 0:31:08 | |
It was still there in the afternoon when you got home. | 0:31:08 | 0:31:12 | |
You had also that day taken a blow to the, the, the head. | 0:31:12 | 0:31:15 | |
We'd just had a party. | 0:31:15 | 0:31:17 | |
Maybe one of your mad friends like Anna threw it there. | 0:31:17 | 0:31:21 | |
Jesus! | 0:31:21 | 0:31:23 | |
Let's spoil the moment properly. | 0:31:24 | 0:31:27 | |
What are you trying to say? Am I shagging a brandy drinker? | 0:31:27 | 0:31:31 | |
Ease up, will you? For Christ's sake, I'm only asking. | 0:31:31 | 0:31:35 | |
Oh, no, women never ask. They don't ask, they insinuate. | 0:31:35 | 0:31:39 | |
And you are insinuating, not very subtly, may I add, | 0:31:39 | 0:31:42 | |
that I am...! | 0:31:42 | 0:31:44 | |
Thanks. | 0:31:47 | 0:31:49 | |
No, no, no, thank you. Thanks. I mean... | 0:31:49 | 0:31:52 | |
HE BABBLES | 0:31:52 | 0:31:54 | |
I mean, thank you, thank you. | 0:31:54 | 0:31:56 | |
I mean, you know, this is... | 0:31:56 | 0:31:58 | |
the right time to address our relationship. | 0:31:58 | 0:32:02 | |
I mean, it's, it's, it's perfect. | 0:32:02 | 0:32:04 | |
Perfect moment. | 0:32:04 | 0:32:08 | |
Gerry, I asked a simple question. | 0:32:06 | 0:32:08 | |
There's no need to become Woody Allen. | 0:32:08 | 0:32:11 | |
Thanks, James, I'm sorry if you had a lousy time. | 0:32:22 | 0:32:25 | |
Drinking two chocolate milkshakes represents social splendour. | 0:32:25 | 0:32:30 | |
It's one of the perks of being shallow. | 0:32:30 | 0:32:32 | |
Take care, Helen. You'll be fine. | 0:32:32 | 0:32:35 | |
Thank you very much. | 0:32:51 | 0:32:53 | |
It's amazing how you can learn to despise | 0:33:01 | 0:33:04 | |
inanimate objects like tin openers that don't open tins, | 0:33:04 | 0:33:08 | |
egg mayonnaise and skipjack tuna. Are you going out? | 0:33:08 | 0:33:12 | |
I'm off to the library. I have some stuff to read up on. | 0:33:12 | 0:33:15 | |
OK. | 0:33:15 | 0:33:17 | |
I won't be more than a couple of hours. | 0:33:17 | 0:33:20 | |
Would you rather I didn't go? | 0:33:20 | 0:33:23 | |
No, no, of course not. Go. | 0:33:23 | 0:33:25 | |
OK, bye. | 0:33:26 | 0:33:28 | |
Lydia, what are you talking about? She followed me. | 0:34:16 | 0:34:19 | |
I said I was going to the library so I've come to the library! | 0:34:19 | 0:34:23 | |
Of course I can't come now. | 0:34:23 | 0:34:25 | |
What if she's still lurking or waiting round the corner? | 0:34:25 | 0:34:29 | |
Lydia, I don't know why she followed me! I'm not a sleuth! | 0:34:29 | 0:34:33 | |
Please don't get hysterical. | 0:34:33 | 0:34:36 | |
Don't get hysterical. Look, I'm sorry. | 0:34:36 | 0:34:39 | |
I've booked our hotel in Dorset. Are we still going? | 0:34:39 | 0:34:42 | |
Is she going to follow us there? Do you want to end this? | 0:34:42 | 0:34:46 | |
Yes. I, I, I mean no. I don't want to... | 0:34:46 | 0:34:49 | |
Of course we're still going. Don't...don't... | 0:34:49 | 0:34:53 | |
Don't, don't, don't, don't what?! | 0:34:53 | 0:34:55 | |
I don't know. Look...we're going to Dorset, OK? | 0:34:55 | 0:34:59 | |
'We're going to have a great time.' | 0:34:59 | 0:35:01 | |
I'll...talk to you tomorrow. | 0:35:01 | 0:35:04 | |
Right. That's the lot. | 0:35:12 | 0:35:15 | |
You don't live there any more. | 0:35:15 | 0:35:17 | |
Thanks for going again, Anna. | 0:35:17 | 0:35:20 | |
Any evidence of HER? | 0:35:20 | 0:35:22 | |
Nothing that stood out. | 0:35:22 | 0:35:24 | |
PHONE RINGS | 0:35:25 | 0:35:28 | |
Hello? | 0:35:28 | 0:35:30 | |
'It's James. Is Helen there?' | 0:35:30 | 0:35:32 | |
Helen. | 0:35:32 | 0:35:34 | |
It's James. | 0:35:34 | 0:35:36 | |
Hello? | 0:35:40 | 0:35:41 | |
Yes, tonight. The tonight that comes after today. | 0:35:43 | 0:35:46 | |
(He wants to go out tonight.) | 0:35:46 | 0:35:49 | |
(Go.) | 0:35:49 | 0:35:51 | |
Please come. It'll be a laugh. | 0:35:51 | 0:35:55 | |
Um... OK. | 0:35:52 | 0:35:55 | |
Great. See ya. | 0:35:55 | 0:35:58 | |
OK? | 0:36:00 | 0:36:02 | |
Yeah. She doesn't want to leave here. | 0:36:02 | 0:36:05 | |
I know. | 0:36:04 | 0:36:05 | |
She's really frail. Want me to postpone my trip? | 0:36:05 | 0:36:09 | |
I can do it later in the year. | 0:36:09 | 0:36:14 | |
It's only a couple of weeks. Go. | 0:36:10 | 0:36:14 | |
It's not that important. | 0:36:12 | 0:36:14 | |
It is important. I want you to go. | 0:36:14 | 0:36:18 | |
OK. | 0:36:16 | 0:36:18 | |
It'll be hard to leave this place. | 0:36:19 | 0:36:24 | |
But you've still got the London flat. | 0:36:21 | 0:36:24 | |
You'll be nearer the hospital and you can get better crack in town. | 0:36:24 | 0:36:28 | |
Hey, you know what the Monty Python boys say. | 0:36:28 | 0:36:31 | |
"Nobody expects the Spanish Inquisition." | 0:36:31 | 0:36:35 | |
Exactly! | 0:36:35 | 0:36:36 | |
Sorry, let me just... | 0:36:36 | 0:36:38 | |
Lydia's becoming more demanding, and you feel bad | 0:36:38 | 0:36:42 | |
cos Helen's working night and day to earn money. | 0:36:42 | 0:36:45 | |
You've asked Helen to come on a trip with you, | 0:36:45 | 0:36:48 | |
knowing she couldn't go | 0:36:48 | 0:36:50 | |
to cover up the fact that you're really taking Lydia. | 0:36:50 | 0:36:54 | |
Despite the fact that Lydia gave you an out | 0:36:54 | 0:36:57 | |
which you didn't take, you're having a moral dilemma. | 0:36:57 | 0:37:00 | |
Gerry, you are a morality-free zone. | 0:37:00 | 0:37:03 | |
If I had no morals, would I discuss it? | 0:37:03 | 0:37:06 | |
Whose idea was this trip? | 0:37:06 | 0:37:08 | |
Yours or Lydia's? | 0:37:08 | 0:37:10 | |
You want to get out of this Lydia thing. I foresee problems. | 0:37:11 | 0:37:16 | |
I bet you're talking to yourself in the mirror again. | 0:37:16 | 0:37:20 | |
Very bad sign. | 0:37:20 | 0:37:23 | |
You've no compassion. None! | 0:37:21 | 0:37:23 | |
Why do I bother confiding in you? | 0:37:23 | 0:37:27 | |
I'm your mate. I'm here to help you. | 0:37:27 | 0:37:29 | |
I'm here to help you. | 0:37:34 | 0:37:36 | |
# Bam-bam-bam! # | 0:37:39 | 0:37:41 | |
Nobody expects the Spanish Inquisition. | 0:37:41 | 0:37:44 | |
Our chief weapon is surprise. Fear and surprise! | 0:37:44 | 0:37:47 | |
Our two chief weapons are surprise and fear! | 0:37:47 | 0:37:50 | |
Our three main weapons are fear, surprise and a ruthless efficiency! | 0:37:50 | 0:37:54 | |
I'll come in again. | 0:37:54 | 0:37:56 | |
Here we go. | 0:37:59 | 0:38:03 | |
Oh, wow! | 0:38:01 | 0:38:03 | |
Pass me your plate. | 0:38:03 | 0:38:05 | |
ALL CHAT HAPPILY | 0:38:05 | 0:38:07 | |
I am deadly serious. | 0:38:15 | 0:38:17 | |
Just set up my own PR company? | 0:38:17 | 0:38:19 | |
Why not? You've got the experience, | 0:38:19 | 0:38:22 | |
the know-how, the contacts. | 0:38:22 | 0:38:24 | |
Want to spend all your life working for other people? | 0:38:24 | 0:38:27 | |
What's the worst that could happen? | 0:38:27 | 0:38:33 | |
I could fail miserably and look like a complete tosser? | 0:38:29 | 0:38:33 | |
Exactly, so what is there to worry about? | 0:38:33 | 0:38:36 | |
THEY CHUCKLE | 0:38:36 | 0:38:38 | |
I had a really nice time, James. | 0:38:42 | 0:38:45 | |
Did you? Shit, sorry, that's against the rules. | 0:38:45 | 0:38:48 | |
Yes, it is. Bear that in mind in future. | 0:38:48 | 0:38:51 | |
I'm getting over a major break-up. | 0:38:51 | 0:38:55 | |
Yeah, sorry. Won't happen again. | 0:38:52 | 0:38:55 | |
Goodnight, Helen. | 0:39:01 | 0:39:03 | |
Hey, everything happens for the best. | 0:39:07 | 0:39:10 | |
You'll never know if you don't try. | 0:39:10 | 0:39:12 | |
Wear something warm on Saturday. It can get cold on the river. | 0:39:12 | 0:39:17 | |
Take care. | 0:39:17 | 0:39:19 | |
# Is that you? | 0:39:27 | 0:39:29 | |
# Looks like you've changed your ways again... # | 0:39:30 | 0:39:33 | |
So, what other ideas has James run by you? | 0:39:33 | 0:39:37 | |
Anna, don't do desperate mother acting with me. He's a friend. | 0:39:37 | 0:39:42 | |
OK? Friend. | 0:39:42 | 0:39:44 | |
I'm not remotely interested in him romantically. | 0:39:44 | 0:39:48 | |
-You're not? -No. | 0:39:46 | 0:39:48 | |
So how come last night was the first night | 0:39:48 | 0:39:51 | |
you didn't ask if anyone had called the second you walked in? | 0:39:51 | 0:39:55 | |
# What I know now | 0:39:55 | 0:40:00 | |
# It's not always a happy ending | 0:40:00 | 0:40:03 | |
# Yeah, but hey! | 0:40:04 | 0:40:07 | |
# Here comes that rainy day again | 0:40:10 | 0:40:13 | |
# Hey, look at me | 0:40:16 | 0:40:19 | |
# I don't feel like cryin' | 0:40:19 | 0:40:22 | |
# No | 0:40:22 | 0:40:24 | |
# I don't feel like cryin' | 0:40:24 | 0:40:27 | |
# No, I don't feel like it | 0:40:27 | 0:40:32 | |
# And hey, look at me... # | 0:40:35 | 0:40:39 | |
'You're sorry?' | 0:40:39 | 0:40:40 | |
You're sorry that four of the staff here | 0:40:40 | 0:40:43 | |
have had food poisoning after eating your sandwiches? | 0:40:43 | 0:40:47 | |
They all had the same sandwiches and the same symptoms at the same time. | 0:40:47 | 0:40:52 | |
Are you trained in the catering trade? | 0:40:52 | 0:40:55 | |
No, actually, I work in PR. | 0:40:55 | 0:40:57 | |
You're not doing a good PR job this morning, are you? | 0:40:57 | 0:41:01 | |
I've convinced my colleagues not to take the matter further THIS time. | 0:41:01 | 0:41:06 | |
Now, I have five people's work to do. | 0:41:07 | 0:41:10 | |
'Sorry?' | 0:41:12 | 0:41:13 | |
Helen delivers sandwiches to your office? | 0:41:13 | 0:41:16 | |
Yes, and today I had reason to summon her. | 0:41:16 | 0:41:19 | |
Well, I made up a reason, to be brutally honest. | 0:41:19 | 0:41:23 | |
She's quite pretty in a British, horsey way. | 0:41:23 | 0:41:26 | |
What are you playing at? Have you gone raving mad? | 0:41:26 | 0:41:29 | |
She's not bloody stupid! | 0:41:29 | 0:41:33 | |
Ooh, I wouldn't say that. | 0:41:31 | 0:41:33 | |
I wanted to see what the woman you ditched me for is like. | 0:41:33 | 0:41:38 | |
Now, now, now, now, wait a sec! | 0:41:36 | 0:41:38 | |
I did not ditch you... You went back to America. | 0:41:38 | 0:41:42 | |
I wanted to see | 0:41:41 | 0:41:42 | |
what this girl you have no intention of leaving, | 0:41:42 | 0:41:45 | |
despite the pre-orgasmic suggestion that you are, | 0:41:45 | 0:41:49 | |
has that is so unleavable. | 0:41:49 | 0:41:51 | |
And I have to say that I ended our brief meeting at a loss. | 0:41:51 | 0:41:55 | |
Don't talk like this. It sounds ugly. I've told you | 0:41:55 | 0:41:59 | |
I cannot leave Helen for...for... | 0:41:59 | 0:42:01 | |
Y-y-y-you know. | 0:42:01 | 0:42:04 | |
For me? | 0:42:04 | 0:42:06 | |
Is that what you're trying to say? | 0:42:07 | 0:42:09 | |
You can't leave her for me? | 0:42:09 | 0:42:13 | |
You haven't said you wanted that. | 0:42:13 | 0:42:18 | |
Gerry, I'm a woman. | 0:42:15 | 0:42:18 | |
We don't say what we want. | 0:42:18 | 0:42:20 | |
But we become pissed off if we don't get it. | 0:42:20 | 0:42:23 | |
That's what makes us so fascinating. | 0:42:23 | 0:42:25 | |
And not a little bit scary. | 0:42:25 | 0:42:27 | |
PHONE RINGS | 0:42:27 | 0:42:29 | |
-Hello? -Ah, Gerald Flannigan, at last. | 0:42:30 | 0:42:32 | |
This is your kindly Uncle Russell here. | 0:42:32 | 0:42:35 | |
DOOR SLAMS > | 0:42:35 | 0:42:39 | |
Wherever you were tonight, | 0:42:36 | 0:42:39 | |
you weren't with me. Helen called, | 0:42:39 | 0:42:41 | |
looking for you. | 0:42:41 | 0:42:45 | |
-OK. -Yeah, all right. | 0:42:43 | 0:42:45 | |
Thanks, mate. Bye. | 0:42:45 | 0:42:46 | |
Oh, thank God! I was so worried. Where have you been? | 0:42:46 | 0:42:50 | |
I went to Anna's. I needed to see a friendly face. | 0:42:50 | 0:42:54 | |
I've had a horrible day. | 0:42:54 | 0:42:57 | |
I met Cruella De Vil's less nice sister this morning. | 0:42:57 | 0:43:01 | |
-She completely deflated me. -I know. | 0:43:01 | 0:43:03 | |
How do you know? | 0:43:03 | 0:43:06 | |
Oh, no, I mean, I can tell. | 0:43:06 | 0:43:08 | |
Jeez, you look terrible. | 0:43:08 | 0:43:10 | |
Where were you earlier? I needed to talk to you. | 0:43:14 | 0:43:17 | |
Well, I had some stuff to read up on, | 0:43:17 | 0:43:21 | |
so I went to the library. | 0:43:21 | 0:43:23 | |
God, you're always at the library. | 0:43:23 | 0:43:25 | |
I'm sick of waiting on tables. I know when you finish the book | 0:43:25 | 0:43:30 | |
we'll be millionaires, but... | 0:43:30 | 0:43:32 | |
when are you going to finish it? | 0:43:32 | 0:43:35 | |
I'm going to finish it very soon. | 0:43:37 | 0:43:39 | |
Very soon. | 0:43:40 | 0:43:42 | |
Helen...there's something I want to tell you. | 0:43:45 | 0:43:48 | |
Er, NEED to tell you. | 0:43:48 | 0:43:51 | |
Um, it's a little bit to do with the... | 0:43:52 | 0:43:55 | |
brandy glass and a little bit to do with that woman | 0:43:55 | 0:43:59 | |
you met today, | 0:43:59 | 0:44:01 | |
only please let me finish before you say anything. | 0:44:01 | 0:44:05 | |
OK? | 0:44:05 | 0:44:08 | |
Helen? | 0:44:11 | 0:44:13 | |
Bollocks. | 0:44:16 | 0:44:18 | |
Come on, James! | 0:44:18 | 0:44:21 | |
Come on! | 0:44:19 | 0:44:21 | |
Pull! Pull! | 0:44:26 | 0:44:29 | |
Come on! Come on! | 0:44:29 | 0:44:31 | |
# I've got an aching in my bones | 0:44:31 | 0:44:33 | |
# I've been exposed | 0:44:33 | 0:44:34 | |
# To what I want to see | 0:44:34 | 0:44:38 | |
# The fuse is burning somewhere | 0:44:38 | 0:44:41 | |
# It's drenched in need | 0:44:41 | 0:44:43 | |
# It's where I've longed to be... # | 0:44:43 | 0:44:47 | |
Weird. I knew there'd be a boat race going by | 0:44:48 | 0:44:51 | |
with purple and white shirts. | 0:44:51 | 0:44:53 | |
Sorry? | 0:44:53 | 0:44:55 | |
Why hasn't he asked you to go with him to Dorset? | 0:44:55 | 0:44:58 | |
He has. I've got to work. | 0:44:57 | 0:44:58 | |
Anyway, it'll be good for him to get away. We need a bit of space. | 0:44:59 | 0:45:04 | |
Anna, can I ask you a daft question? | 0:45:04 | 0:45:07 | |
Did you drop a glass in the laundry basket at our party? | 0:45:07 | 0:45:10 | |
Sounds like a ridiculous thing to do. | 0:45:10 | 0:45:13 | |
It was almost certainly me. You OK? | 0:45:13 | 0:45:16 | |
Just going quietly mad. | 0:45:16 | 0:45:20 | |
Thank God for that. I was worried. | 0:45:18 | 0:45:20 | |
Faster!! | 0:45:20 | 0:45:22 | |
Faster!! | 0:45:23 | 0:45:25 | |
Yay!! | 0:45:28 | 0:45:30 | |
-# And to my left -# And to my left | 0:45:30 | 0:45:32 | |
-# And to my right -# And to my right | 0:45:32 | 0:45:34 | |
-# And with my left -# And with my left | 0:45:34 | 0:45:36 | |
-# And with my right -# And with my right | 0:45:36 | 0:45:39 | |
-# And with the heed -# And with the heed | 0:45:39 | 0:45:42 | |
HE CHUCKLES | 0:45:42 | 0:45:44 | |
# Father Abraham, heed, had seven sons, heed, heed | 0:45:44 | 0:45:49 | |
# Seven sons had Father Abraham, heed... # | 0:45:49 | 0:45:52 | |
Are you sure it's just writer's block? | 0:45:54 | 0:45:56 | |
I mean, you seem so distant. | 0:45:56 | 0:45:58 | |
I'm here, Gerry, if you need to talk to me about anything. | 0:46:00 | 0:46:04 | |
Hey, that's Helen in there. | 0:46:04 | 0:46:09 | |
# Seven sons had Father Abraham, heed! # | 0:46:05 | 0:46:09 | |
And she's got blonde hair. | 0:46:09 | 0:46:12 | |
There's load of them having some sponsored epileptic fit. | 0:46:12 | 0:46:17 | |
Lydia. | 0:46:19 | 0:46:22 | |
Maybe it isn't writer's block at all, Gerry. | 0:46:22 | 0:46:26 | |
Maybe it's Helen block. | 0:46:26 | 0:46:28 | |
I don't want to hear about Helen. | 0:46:28 | 0:46:32 | |
I don't care about Helen. | 0:46:32 | 0:46:35 | |
The trouble is, YOU do. | 0:46:37 | 0:46:40 | |
Quite clearly. | 0:46:40 | 0:46:43 | |
I just thought of a great finish for your book! | 0:46:43 | 0:46:46 | |
The end! | 0:46:48 | 0:46:50 | |
SINGING CONTINUES NOISILY | 0:46:54 | 0:46:56 | |
CHEERING | 0:46:56 | 0:46:58 | |
Yes, you are! He's opening his restaurant in six days | 0:47:04 | 0:47:07 | |
and he's completely disorganised. | 0:47:07 | 0:47:11 | |
My old company had wars getting Pierre Claude's restaurant open. | 0:47:11 | 0:47:16 | |
YOU did Pierre Claude? | 0:47:14 | 0:47:16 | |
Mm-hm. | 0:47:16 | 0:47:18 | |
He's my hero. You did his launch? | 0:47:18 | 0:47:21 | |
I heard that was a really classy do. | 0:47:21 | 0:47:23 | |
People went on about it. | 0:47:23 | 0:47:27 | |
I mean, six days is... | 0:47:25 | 0:47:27 | |
Could I come and take a look? | 0:47:28 | 0:47:30 | |
I can't promise anything stupendous. | 0:47:30 | 0:47:33 | |
Sure, yeah, yeah, no problem. | 0:47:33 | 0:47:36 | |
You're kidding! Come down. | 0:47:36 | 0:47:38 | |
Pierre Claude? Oh, wow! | 0:47:38 | 0:47:41 | |
You're very thoughtful, James. | 0:47:44 | 0:47:46 | |
You give out an incredible amount. | 0:47:46 | 0:47:49 | |
You're the same. You encouraged me today. | 0:47:49 | 0:47:52 | |
I saw you jumping up and down like a mad thing. | 0:47:52 | 0:47:55 | |
Spurred me on. | 0:47:55 | 0:47:57 | |
I love this bridge. | 0:47:59 | 0:48:01 | |
My great grandfather helped build it. | 0:48:01 | 0:48:04 | |
I often come and stand on it when I want to, um... | 0:48:04 | 0:48:09 | |
Build a bridge? | 0:48:09 | 0:48:11 | |
I'm sorry. | 0:48:13 | 0:48:15 | |
Oh, God, James, don't. | 0:48:22 | 0:48:24 | |
Ohhhh, I'm sorry. | 0:48:24 | 0:48:26 | |
-No, I... -I-I-I-I... | 0:48:26 | 0:48:28 | |
I know this is an ideal sort of kissing moment. | 0:48:28 | 0:48:32 | |
You know, night, moon, boat, water lapping. | 0:48:32 | 0:48:35 | |
You know, it's perfect | 0:48:35 | 0:48:37 | |
and I'm not not feeling that it would be nice... | 0:48:37 | 0:48:41 | |
..but I don't really know anything about you | 0:48:43 | 0:48:46 | |
and I'm still on the rebound. Oh, God, I hate that word, but I am. | 0:48:46 | 0:48:50 | |
Ah, who isn't? Everyone is. | 0:48:50 | 0:48:53 | |
I'm on a rebound myself in a way. | 0:48:53 | 0:48:56 | |
So, who are you on the rebound from? | 0:48:58 | 0:49:00 | |
A girl called Pamela. | 0:49:00 | 0:49:02 | |
My whole life pivots around her and I breaking up. | 0:49:02 | 0:49:06 | |
And when was that? | 0:49:06 | 0:49:08 | |
1973. We were eight. | 0:49:08 | 0:49:09 | |
I bloody loved that woman. | 0:49:11 | 0:49:13 | |
No warning, just left me for somebody else. | 0:49:13 | 0:49:16 | |
Who? | 0:49:16 | 0:49:18 | |
Gary Glitter. | 0:49:18 | 0:49:20 | |
The cow. | 0:49:20 | 0:49:24 | |
Gary Glitter! For crying out loud! | 0:49:21 | 0:49:24 | |
All my friends were being left for Donny Osmond or David Cassidy. | 0:49:24 | 0:49:29 | |
I could've come to terms with that, given time. | 0:49:29 | 0:49:32 | |
But Gary, she wanted to touch him there. Yeah! | 0:49:32 | 0:49:35 | |
You know? | 0:49:35 | 0:49:37 | |
I went to pieces, as you can imagine, | 0:49:37 | 0:49:40 | |
and there was no Junior Prozac to see me through so... | 0:49:40 | 0:49:44 | |
So, I...er, I, um... | 0:49:52 | 0:49:55 | |
I kissed you. | 0:49:55 | 0:49:57 | |
Yeah, yeah, I spotted that too. | 0:49:57 | 0:49:59 | |
-You weren't going to do that. -Um... | 0:49:59 | 0:50:02 | |
Would you mind just putting that | 0:50:02 | 0:50:05 | |
down to a momentary lapse of, um, concentration? | 0:50:05 | 0:50:09 | |
Is that what it was? | 0:50:09 | 0:50:14 | |
No. Yes. I don't... | 0:50:10 | 0:50:14 | |
Help. | 0:50:14 | 0:50:16 | |
I don't want to be a confusion in your life. I don't, truly. | 0:50:19 | 0:50:24 | |
But something's happened to me since I've met you | 0:50:24 | 0:50:28 | |
that I wasn't expecting and... | 0:50:28 | 0:50:31 | |
and I don't really... | 0:50:31 | 0:50:33 | |
Well, I wasn't expecting... | 0:50:33 | 0:50:36 | |
Repetition of "expecting," I must buy a thesaurus. Anyway, I... | 0:50:36 | 0:50:41 | |
INAUDIBLE | 0:51:40 | 0:51:44 | |
CAR HORN BLARES | 0:51:44 | 0:51:46 | |
You did remember to take a full page ad in Adulterers Weekly(!) | 0:51:46 | 0:51:50 | |
Lydia, get in the car! | 0:51:54 | 0:51:56 | |
How many years have you been going to paint that stain off? | 0:51:56 | 0:52:00 | |
TYRES SCREECH | 0:52:01 | 0:52:04 | |
MUSIC: "Use The Force" by Jamiroquai | 0:52:14 | 0:52:17 | |
# Ooh, I must believe | 0:52:23 | 0:52:25 | |
# I can do anything | 0:52:28 | 0:52:31 | |
# I can heal everyone | 0:52:31 | 0:52:34 | |
# I must believe | 0:52:35 | 0:52:37 | |
# I am the wind, yeah | 0:52:39 | 0:52:42 | |
# I am the sea, whoa-whoa | 0:52:42 | 0:52:45 | |
# I am the wind, I am the sea, I am the sun | 0:52:46 | 0:52:50 | |
# I can be anyone | 0:52:50 | 0:52:52 | |
# Oh, this world is mine | 0:52:53 | 0:52:56 | |
# This world is mine | 0:52:56 | 0:52:58 | |
# For all of time | 0:52:58 | 0:53:01 | |
# For all of time | 0:52:59 | 0:53:01 | |
# I can turn into stone, call any place my home | 0:53:01 | 0:53:05 | |
# I can do anything | 0:53:05 | 0:53:07 | |
# I know I'm going to get myself together, yeah, get myself | 0:53:12 | 0:53:17 | |
# Yeah | 0:53:17 | 0:53:18 | |
# Use the force... # | 0:53:18 | 0:53:20 | |
INDISTINCT DIALOGUE | 0:53:20 | 0:53:23 | |
What do you mean, you want to see me? Jesus Christ! | 0:53:28 | 0:53:31 | |
Wha...? | 0:53:31 | 0:53:33 | |
How did you get in? | 0:53:33 | 0:53:37 | |
One of the waiters is a friend of Russell's. | 0:53:34 | 0:53:37 | |
He got me a ticket. It's a great do. | 0:53:37 | 0:53:40 | |
Your company's really taken off. | 0:53:40 | 0:53:44 | |
Gerry, you can't just turn up like this. | 0:53:42 | 0:53:44 | |
This is a really important night for me. | 0:53:44 | 0:53:48 | |
Yes, I can, Helen. | 0:53:46 | 0:53:48 | |
It's the most important just-turn-up I've ever done. | 0:53:48 | 0:53:53 | |
Oh, God! We, we can't talk in here. | 0:53:53 | 0:53:55 | |
We've been through too much just to drop this. | 0:54:01 | 0:54:05 | |
Haven't we? Surely? | 0:54:05 | 0:54:07 | |
Helen. Please, look at me. | 0:54:09 | 0:54:13 | |
I'm sorry. | 0:54:15 | 0:54:17 | |
Really sorry. | 0:54:18 | 0:54:20 | |
You're too good not to fight for. | 0:54:21 | 0:54:26 | |
Oh, God, Gerry, don't talk about fights. I... | 0:54:23 | 0:54:26 | |
Good-looking bloke. Are you seeing him? | 0:54:32 | 0:54:36 | |
I'm sorry, | 0:54:36 | 0:54:38 | |
it's not my place to ask. | 0:54:38 | 0:54:40 | |
Is that him? | 0:54:41 | 0:54:43 | |
-Guess so. -Does she know about Claudia? | 0:54:43 | 0:54:48 | |
No. | 0:54:46 | 0:54:48 | |
I really like her, Clive. | 0:54:48 | 0:54:50 | |
I'm confused. I feel a bit lost suddenly. | 0:54:50 | 0:54:53 | |
Gerry, I really have to go back inside. | 0:54:53 | 0:54:57 | |
Will you come and see me? | 0:54:57 | 0:54:59 | |
There's so much more I want to say. | 0:55:00 | 0:55:03 | |
I miss you. | 0:55:03 | 0:55:05 | |
Will you come and see me? | 0:55:05 | 0:55:09 | |
Please, Helen. | 0:55:09 | 0:55:11 | |
I'll go. | 0:55:11 | 0:55:13 | |
Thanks for listening. | 0:55:16 | 0:55:18 | |
I'm really proud of you. | 0:55:18 | 0:55:20 | |
# I am the wind, yeah | 0:55:20 | 0:55:23 | |
# I am the sea, whoa-whoa | 0:55:23 | 0:55:26 | |
# I am the wind, I am the sea | 0:55:26 | 0:55:29 | |
# I am the sun | 0:55:29 | 0:55:31 | |
# I can be anyone... # | 0:55:31 | 0:55:34 | |
MUSIC BECOMES DISTORTED | 0:55:34 | 0:55:36 | |
Are you OK? | 0:55:42 | 0:55:47 | |
You OK? | 0:55:43 | 0:55:47 | |
Yes, just a bit dizzy. | 0:55:44 | 0:55:47 | |
Too much champagne. | 0:55:47 | 0:55:48 | |
MUSIC: "Miracle" by Olive | 0:55:51 | 0:55:53 | |
# That makes it a love thing | 0:55:53 | 0:55:56 | |
# Straight to the face | 0:55:56 | 0:55:59 | |
# One-way love will be a miracle | 0:55:59 | 0:56:02 | |
# Touching the place | 0:56:02 | 0:56:04 | |
# That makes it a love thing | 0:56:04 | 0:56:07 | |
# Straight to the face... # | 0:56:07 | 0:56:09 | |
It's official - I love you. | 0:56:09 | 0:56:13 | |
Thank you. You're a genius. I'm ecstatic. | 0:56:13 | 0:56:16 | |
Have you...have you seen James? | 0:56:16 | 0:56:19 | |
Yeah. Yeah, he had to go. Early start. He apologised. | 0:56:19 | 0:56:23 | |
PHONE RINGS | 0:56:31 | 0:56:33 | |
Business trip. Newcastle or something. I didn't want to pry. | 0:56:41 | 0:56:46 | |
His secretary wasn't very forthcoming. | 0:56:46 | 0:56:50 | |
Do you believe he's away | 0:56:48 | 0:56:50 | |
-or do you think he's avoiding you? -Don't know. | 0:56:50 | 0:56:53 | |
-Did you leave a message? -No. | 0:56:53 | 0:56:56 | |
Maybe you should have. | 0:56:54 | 0:56:56 | |
Did he see Gerry kiss you? | 0:56:56 | 0:57:02 | |
I don't know. | 0:56:58 | 0:57:02 | |
He might be hoping you've called. | 0:56:59 | 0:57:02 | |
Does he have a mobile? | 0:57:02 | 0:57:06 | |
Anna, ease up, will you? Bloody hell! | 0:57:03 | 0:57:06 | |
They have less questions on Jeopardy. | 0:57:06 | 0:57:09 | |
I was nervous. I wanted to get off the phone. | 0:57:09 | 0:57:12 | |
It's such a piddly thing. Hardly worth him getting uptight. | 0:57:12 | 0:57:16 | |
Oh, Gerry called, by the way. | 0:57:16 | 0:57:18 | |
Terrific. That's just gre... | 0:57:18 | 0:57:21 | |
Two months ago, I want Gerry to come round, James comes round. | 0:57:21 | 0:57:25 | |
Now I want James to call, Gerry calls. | 0:57:25 | 0:57:28 | |
'It was the weirdest dream. You were there | 0:57:36 | 0:57:40 | |
'and you had a funny mask | 0:57:40 | 0:57:42 | |
'over your face.' | 0:57:42 | 0:57:45 | |
You had something that you needed to tell me but you couldn't say it. | 0:57:45 | 0:57:50 | |
That does it, I'm taking away | 0:57:48 | 0:57:50 | |
your class one drugs for a week. | 0:57:50 | 0:57:55 | |
Anyway, um... | 0:57:52 | 0:57:55 | |
there's something else | 0:57:55 | 0:57:57 | |
I wanted to tell you. | 0:57:57 | 0:57:59 | |
I fainted at work the other night. | 0:58:00 | 0:58:03 | |
Sweetheart, are you OK? | 0:58:03 | 0:58:05 | |
Yes, but... I don't normally faint, so, I, um... | 0:58:05 | 0:58:10 | |
-Ohh! -GLASS SMASHES | 0:58:10 | 0:58:11 | |
What was that? | 0:58:11 | 0:58:17 | |
The people next door are engaged in some bizarre sexual ritual. | 0:58:13 | 0:58:17 | |
I may pop in later and introduce myself. | 0:58:17 | 0:58:21 | |
What were you saying? | 0:58:21 | 0:58:25 | |
LYDIA GROANS LOUDLY | 0:58:23 | 0:58:25 | |
I don't normally faint, so I was little...curious. | 0:58:25 | 0:58:29 | |
Ow! Oh! Oh! | 0:58:29 | 0:58:32 | |
Oh! | 0:58:32 | 0:58:34 | |
I stubbed my foot on the side of the bath! | 0:58:34 | 0:58:37 | |
Ohh! | 0:58:37 | 0:58:38 | |
God, it sounds horrific. | 0:58:38 | 0:58:40 | |
I know. Sh! | 0:58:40 | 0:58:42 | |
Anyway... | 0:58:42 | 0:58:45 | |
There's the landlady. She keeps coming up with sandwiches. | 0:58:45 | 0:58:50 | |
I'll phone you back when World War XII has stopped for tea. Bye. | 0:58:50 | 0:58:54 | |
So I did a test and it turns out that I'm pregnant. | 0:58:57 | 0:59:00 | |
I just thought you might like to know. | 0:59:02 | 0:59:04 | |
-Ohh! -Have you gone completely insane? | 0:59:06 | 0:59:10 | |
-What are you trying to do?! -What do you mean? | 0:59:10 | 0:59:13 | |
I think I've broke my toe. | 0:59:13 | 0:59:17 | |
Lydia, I'm on the pissing phone to Helen! | 0:59:14 | 0:59:17 | |
For goodness sake! | 0:59:17 | 0:59:19 | |
She doesn't know you're here. She thinks I'm on a research trip. | 0:59:19 | 0:59:24 | |
Alone. Remember? | 0:59:24 | 0:59:26 | |
I remember. Don't worry, I remember. It's pretty hard to forget. | 0:59:26 | 0:59:31 | |
So, what are you trying to do?! Coming in here, | 0:59:31 | 0:59:34 | |
screeching the place down when I'm on the phone! | 0:59:34 | 0:59:38 | |
Don't you know, Gerry? | 0:59:38 | 0:59:40 | |
Don't you know what I am trying to do?! | 0:59:40 | 0:59:44 | |
I am trying | 0:59:44 | 0:59:46 | |
to be your girlfriend, Gerry! | 0:59:46 | 0:59:49 | |
I am trying to win you back! It's fairly simple! | 0:59:49 | 0:59:52 | |
I am standing on the platform | 0:59:52 | 0:59:56 | |
at Limbo Central with my heart and soul | 0:59:56 | 0:59:59 | |
packed in my suitcase, waiting for the Gerry-fucking-Express | 0:59:59 | 1:00:03 | |
to tell me that my ticket is still valid, that I may reboard the train. | 1:00:03 | 1:00:08 | |
Only the station announcer | 1:00:08 | 1:00:10 | |
keeps coming on and telling me that my train is delayed as the driver | 1:00:10 | 1:00:15 | |
has suffered a major panic attack | 1:00:15 | 1:00:17 | |
in Indecision City! "We suggest you take the bus!" | 1:00:17 | 1:00:22 | |
That's what I am trying to do, you cripple! | 1:00:22 | 1:00:25 | |
Except... | 1:00:33 | 1:00:35 | |
it's quite clear | 1:00:37 | 1:00:40 | |
that that is never going to happen... | 1:00:40 | 1:00:43 | |
is it? | 1:00:43 | 1:00:46 | |
No reply. | 1:00:46 | 1:00:48 | |
Perfect. | 1:00:50 | 1:00:51 | |
So, I'm not waiting any more, Gerry. | 1:00:51 | 1:00:56 | |
I am cashing my ticket in. | 1:00:56 | 1:00:59 | |
I am taking that bus. | 1:00:59 | 1:01:01 | |
Oh, God! I'll tell all my friends, | 1:01:02 | 1:01:05 | |
"Never go back." | 1:01:05 | 1:01:08 | |
Look at me. I must be crazy. | 1:01:08 | 1:01:11 | |
Don't phone me for a while. Aw! | 1:01:11 | 1:01:15 | |
Oh! | 1:01:15 | 1:01:17 | |
No! Don't phone me at all! Ever! | 1:01:17 | 1:01:22 | |
It's over!! | 1:01:23 | 1:01:25 | |
Again!! | 1:01:25 | 1:01:28 | |
I've done it, Russell. | 1:01:28 | 1:01:31 | |
I've bloody done it! | 1:01:31 | 1:01:36 | |
Congratulations. Done what? | 1:01:33 | 1:01:36 | |
I've finished it. | 1:01:35 | 1:01:36 | |
Oh, the book! Oh, that's great. | 1:01:36 | 1:01:39 | |
Not the book, not the book. I'm never going to finish that. The affair! | 1:01:39 | 1:01:44 | |
The sordid affair with Lydia. | 1:01:44 | 1:01:47 | |
I've blown her out in Dorset. | 1:01:47 | 1:01:49 | |
I was decisive, but fair. I've just got back. | 1:01:49 | 1:01:52 | |
Oh, God, I feel like I've got out of jail. | 1:01:52 | 1:01:56 | |
No more deceit, no more lying. It was such a mistake. | 1:01:56 | 1:02:00 | |
Never go back. But it's over. | 1:02:00 | 1:02:02 | |
Whoo! | 1:02:02 | 1:02:04 | |
I can't tell you it's such a good feeling. | 1:02:04 | 1:02:07 | |
Well, I'm very pleased. How does Lydia feel about it? | 1:02:07 | 1:02:11 | |
Well, she's not jumping through hoops, | 1:02:11 | 1:02:14 | |
but it's the best thing by far. | 1:02:14 | 1:02:16 | |
By far and away the best thing. | 1:02:16 | 1:02:18 | |
She knows that. She will do when... | 1:02:18 | 1:02:20 | |
Well, she was upset. I mean, a bit fraught, you know. | 1:02:20 | 1:02:25 | |
Obviously. Oh, God, oh, God! | 1:02:25 | 1:02:27 | |
I feel good. Gotta go home. | 1:02:27 | 1:02:29 | |
I want to be home before Helen gets in. | 1:02:29 | 1:02:31 | |
You never buy me flowers when you're meant to. | 1:02:36 | 1:02:39 | |
So, yes, I'm suspicious. | 1:02:39 | 1:02:41 | |
What else have you been doing that you're not meant to? | 1:02:41 | 1:02:46 | |
Let me get this straight | 1:02:44 | 1:02:46 | |
cos this is just brilliant. I buy you flowers on a whim, | 1:02:46 | 1:02:50 | |
in a fit of, | 1:02:50 | 1:02:52 | |
of, of, of, um, of romance, but... | 1:02:52 | 1:02:56 | |
You couldn't even think of the word. | 1:02:56 | 1:03:00 | |
But instead of being grateful, | 1:02:58 | 1:03:00 | |
instead of being romanced, you're convinced that I'm ensconced | 1:03:00 | 1:03:05 | |
in some decrepit, tacky, underhand, clandestine affair. | 1:03:05 | 1:03:09 | |
In a nutshell. | 1:03:09 | 1:03:11 | |
Gerry?! | 1:03:21 | 1:03:24 | |
Are you back? | 1:03:25 | 1:03:27 | |
I missed you, so I came home early. | 1:03:28 | 1:03:31 | |
God! | 1:03:31 | 1:03:33 | |
What are they? | 1:03:34 | 1:03:36 | |
Well, they're flowers. For you. | 1:03:36 | 1:03:41 | |
Do you not like them? | 1:03:41 | 1:03:43 | |
That image of her sitting on top of you. | 1:03:44 | 1:03:47 | |
Oh, God, I really don't know why I agreed to come. | 1:03:47 | 1:03:51 | |
Please stop, I don't want you to touch me. | 1:03:51 | 1:03:54 | |
I'm sorry. Don't go. | 1:03:54 | 1:03:56 | |
Please try and put her out of your mind. | 1:03:56 | 1:03:59 | |
She's out of mine. | 1:03:59 | 1:04:01 | |
It's finished. Over. | 1:04:01 | 1:04:02 | |
I made a mistake. Such a big, big mistake | 1:04:02 | 1:04:06 | |
and I'm sorry. I'm truly, | 1:04:06 | 1:04:09 | |
truly sorry. | 1:04:09 | 1:04:11 | |
This new bloke James that you're seeing, does he not make mistakes? | 1:04:12 | 1:04:17 | |
How do you know his name? | 1:04:17 | 1:04:23 | |
A mate of Russell's works at the restaurant. They're mutual friends. | 1:04:18 | 1:04:23 | |
It's not important. | 1:04:23 | 1:04:25 | |
I don't want to talk about James or anyone else. I have to go. | 1:04:25 | 1:04:30 | |
Oh, bye the way, I've, er... | 1:04:30 | 1:04:32 | |
I've stopped writing the book. | 1:04:32 | 1:04:35 | |
Helen...the truth is... | 1:04:36 | 1:04:40 | |
I can't write without you. | 1:04:40 | 1:04:42 | |
I can't do anything without you. | 1:04:42 | 1:04:45 | |
I want you to come back to me, Helen. | 1:04:46 | 1:04:51 | |
We were so good together. | 1:04:51 | 1:04:53 | |
Remember how good we are together. | 1:04:54 | 1:04:57 | |
PHONE RINGS | 1:04:57 | 1:04:59 | |
Sorry. Just wait. | 1:04:59 | 1:05:02 | |
-Yep? -I'm late. Four days. I'm never late. | 1:05:06 | 1:05:09 | |
Russell, look, hi, mate, can I ring you back in a few minutes? | 1:05:09 | 1:05:14 | |
Yeah. OK, OK. Thanks, mate. Cheers. Bye. | 1:05:14 | 1:05:17 | |
That was Russell. | 1:05:17 | 1:05:19 | |
I'm, I'm dying for the loo. | 1:05:21 | 1:05:24 | |
'Telephone number 0171 4443184. | 1:05:40 | 1:05:44 | |
'To return the call, press three.' | 1:05:44 | 1:05:46 | |
PHONE RINGS | 1:05:49 | 1:05:55 | |
Why are you pretending I'm Russell? What's going on? | 1:05:51 | 1:05:55 | |
Gerry, answer me. Who's there? | 1:05:56 | 1:05:59 | |
It's Helen, actually. We met once. | 1:05:59 | 1:06:01 | |
I interrupted you faking your orgasm. | 1:06:01 | 1:06:04 | |
Sorry I can't be more specific. | 1:06:04 | 1:06:07 | |
You know what I was thinking? | 1:06:09 | 1:06:11 | |
You're not going, are you? | 1:06:12 | 1:06:14 | |
You wanker. | 1:06:14 | 1:06:16 | |
You sad, sad wanker. | 1:06:16 | 1:06:19 | |
I'm such a mug! The useless, no-good, shagging, | 1:06:21 | 1:06:25 | |
horrible, despicable, lying, | 1:06:25 | 1:06:28 | |
two-faced, pissing, shagging... | 1:06:28 | 1:06:31 | |
You said shagging. | 1:06:31 | 1:06:34 | |
..wanker! | 1:06:32 | 1:06:34 | |
You know the worst bit? | 1:06:36 | 1:06:38 | |
All I could think about was James. | 1:06:38 | 1:06:40 | |
I felt like I was being unfaithful to James just by being there. | 1:06:40 | 1:06:45 | |
That sounds like the best bit. And you were. | 1:06:45 | 1:06:48 | |
He didn't call, did he? | 1:06:50 | 1:06:53 | |
That's nearly a week. | 1:06:53 | 1:06:56 | |
I think I've blown it. I've blown it, haven't I? | 1:06:57 | 1:07:00 | |
I blame British Telecom. One number if you want to know who called, | 1:07:02 | 1:07:07 | |
another one if you don't want them to know you called, itemised bills. | 1:07:07 | 1:07:12 | |
They are condemning the average red-blooded man | 1:07:12 | 1:07:16 | |
to a life of terminal monogamy. | 1:07:16 | 1:07:18 | |
What are they after, the Nobel Peace Prize? | 1:07:18 | 1:07:22 | |
Lydia might be pregnant. | 1:07:20 | 1:07:22 | |
Oh, no more, please! I can't take it! | 1:07:28 | 1:07:32 | |
This is terrific stuff. Being with you | 1:07:32 | 1:07:35 | |
makes the wait for the next episode of Seinfeld easier to bear. | 1:07:35 | 1:07:40 | |
I didn't reckon on things turning out this way. | 1:07:40 | 1:07:43 | |
Everything's a cock-up. What's going on? | 1:07:43 | 1:07:47 | |
To use boxing parlance, if I may, it's quite simple. | 1:07:47 | 1:07:51 | |
You've just lost. | 1:07:51 | 1:07:53 | |
Are you sure? You've been a bit... | 1:07:53 | 1:07:55 | |
I don't know, a bit distant since I've got back. | 1:07:55 | 1:07:59 | |
I know. | 1:07:59 | 1:08:01 | |
Well, there are a couple of things. Which one first? | 1:08:01 | 1:08:05 | |
I don't mind. | 1:08:05 | 1:08:08 | |
Well, the small thing | 1:08:06 | 1:08:08 | |
is that I've got an interview for a job. A proper one. | 1:08:08 | 1:08:12 | |
International company opening up in London. | 1:08:13 | 1:08:17 | |
Chairwoman called and said she'd heard a lot about me. | 1:08:17 | 1:08:20 | |
Invited me to her apartment for a serious chat. | 1:08:20 | 1:08:23 | |
Jesus Christ! | 1:08:25 | 1:08:29 | |
What? | 1:08:27 | 1:08:29 | |
Jesus Christ, I mean, that's not a small thing, that's huge. | 1:08:29 | 1:08:34 | |
I mean it's, it's, it's brilliant. | 1:08:34 | 1:08:37 | |
I mean, it's the best. | 1:08:37 | 1:08:40 | |
Is the blind buggered again? | 1:08:38 | 1:08:40 | |
No, er, no... | 1:08:40 | 1:08:42 | |
Well... | 1:08:42 | 1:08:44 | |
Are you all right? | 1:08:50 | 1:08:52 | |
Yeah, I'm fine, darling. My sweetheart, that's tremendous. | 1:08:52 | 1:08:57 | |
-I'm thrilled. -PHONE RINGS | 1:08:57 | 1:08:59 | |
Hello? | 1:08:58 | 1:08:59 | |
I really need to talk to you. | 1:08:59 | 1:09:02 | |
Hi, Russ, how are you? | 1:09:02 | 1:09:03 | |
Come by my apartment tomorrow night at eight. | 1:09:03 | 1:09:07 | |
It's important. | 1:09:07 | 1:09:08 | |
Oh, really, mate? No, what a drag. | 1:09:08 | 1:09:11 | |
Yeah, sure. Sure, sure. Yeah. | 1:09:11 | 1:09:13 | |
Yeah, I'll help ya. Yep, yep. Cheers, mate. Cheers, bye. | 1:09:13 | 1:09:17 | |
Russell's family's descending. | 1:09:17 | 1:09:20 | |
He wants me to go round tomorrow evening | 1:09:20 | 1:09:23 | |
and help him clear out, er, his spare room. | 1:09:23 | 1:09:26 | |
Right, OK, so... | 1:09:26 | 1:09:28 | |
-HE EXHALES -Right. | 1:09:28 | 1:09:30 | |
Sorry, what was the other thing you wanted to tell me? | 1:09:33 | 1:09:37 | |
Doesn't matter. It's not important. | 1:09:37 | 1:09:41 | |
-PHONE RINGS -Hammerton Enterprises. | 1:10:05 | 1:10:08 | |
Rachael, I'm going out to the shops. Can I get you anything? | 1:10:13 | 1:10:18 | |
No, thanks. | 1:10:16 | 1:10:18 | |
You OK? | 1:10:18 | 1:10:22 | |
Yes. Yes! | 1:10:19 | 1:10:22 | |
Yes, I'm fine. | 1:10:22 | 1:10:24 | |
I just...you know, go to the shops. | 1:10:24 | 1:10:27 | |
Just... I'll be...um... | 1:10:27 | 1:10:30 | |
-Sorry. -Sorry. | 1:11:03 | 1:11:04 | |
Hello. | 1:11:06 | 1:11:07 | |
Hi. | 1:11:07 | 1:11:10 | |
-How are you? -How are you? | 1:11:10 | 1:11:12 | |
-I'm fine. -I'm fine. How are you? | 1:11:12 | 1:11:15 | |
Sorry, you're great. | 1:11:15 | 1:11:18 | |
Business lunch? | 1:11:20 | 1:11:23 | |
Just a chat. My office is just round the corner. | 1:11:23 | 1:11:26 | |
I know. Um... | 1:11:26 | 1:11:28 | |
I thought you were away | 1:11:28 | 1:11:30 | |
on business. | 1:11:30 | 1:11:34 | |
Yeah, I was. I got back last night | 1:11:31 | 1:11:34 | |
as a matter of... | 1:11:34 | 1:11:36 | |
Helen, look, please don't think that I... | 1:11:37 | 1:11:40 | |
It's OK, I haven't thought. I mean, I-I-I-I.... | 1:11:40 | 1:11:44 | |
I didn't think that or not. | 1:11:44 | 1:11:46 | |
Don't think that I have not called you. | 1:11:46 | 1:11:49 | |
I haven't not called you. | 1:11:49 | 1:11:51 | |
I mean, I don't mean I haven't... | 1:11:51 | 1:11:53 | |
not called you cos that's a double negative... | 1:11:53 | 1:11:58 | |
When did you call? | 1:11:55 | 1:11:58 | |
Er, well I, didn't, but I, | 1:11:58 | 1:12:01 | |
I didn't not call you | 1:12:01 | 1:12:03 | |
in the way that you might think I didn't call you. | 1:12:03 | 1:12:07 | |
HE SIGHS HEAVILY | 1:12:07 | 1:12:09 | |
I wanted to call you. | 1:12:09 | 1:12:11 | |
I did dial-all- but-the-last-number thing | 1:12:11 | 1:12:14 | |
and then not... Ridiculous behaviour. | 1:12:14 | 1:12:18 | |
Totally. | 1:12:18 | 1:12:20 | |
I thought you still had to deal with your other... | 1:12:21 | 1:12:26 | |
Gerry? | 1:12:24 | 1:12:26 | |
I don't know, is that...? Yeah. | 1:12:26 | 1:12:28 | |
I thought it was best if I allowed you... | 1:12:28 | 1:12:33 | |
Gerry is why you haven't called me. | 1:12:30 | 1:12:33 | |
After Clive's party, I didn't want to presume that we... | 1:12:33 | 1:12:37 | |
You think I just go to bed with all successful oarsmen I come across? | 1:12:37 | 1:12:43 | |
Sorry. Nervous humour. | 1:12:43 | 1:12:47 | |
Well, I hoped not. | 1:12:44 | 1:12:47 | |
MOBILE PHONE RINGS | 1:12:47 | 1:12:49 | |
Sorry, excuse me. | 1:12:49 | 1:12:51 | |
Hello? | 1:12:53 | 1:12:55 | |
Oh, I see. I'll, um... | 1:12:56 | 1:13:00 | |
I'll come straight away. OK, thanks. | 1:13:00 | 1:13:02 | |
My mum had to go into hospital for tests. | 1:13:02 | 1:13:05 | |
The results are through. I should go. | 1:13:05 | 1:13:08 | |
Do you want me to come with you? | 1:13:08 | 1:13:12 | |
Yeah, that's really nice of you. | 1:13:14 | 1:13:17 | |
Er, well, maybe, um... | 1:13:18 | 1:13:21 | |
She's quite frail and I don't know... | 1:13:21 | 1:13:24 | |
It's OK. | 1:13:24 | 1:13:27 | |
But thanks. | 1:13:27 | 1:13:28 | |
We're having dinner at Clive's tonight | 1:13:30 | 1:13:33 | |
if you're not doing anything. | 1:13:33 | 1:13:35 | |
You want to come along? | 1:13:35 | 1:13:37 | |
Well, some other time. | 1:13:39 | 1:13:43 | |
I'd love to, if that's OK. | 1:13:40 | 1:13:43 | |
Yeah, yeah! | 1:13:43 | 1:13:45 | |
Of course. Crikey, it's, it's very OK. Yeah. | 1:13:46 | 1:13:49 | |
At the risk of sounding old fashioned, I'll pick you up at 8. | 1:13:49 | 1:13:53 | |
Is that a WILL pick me up or a haven't, not, didn't, might? | 1:13:53 | 1:13:58 | |
Don't worry about your mum. She'll be OK. | 1:14:00 | 1:14:03 | |
Remember Monty Python. | 1:14:03 | 1:14:05 | |
Well, I'll see you later. | 1:14:06 | 1:14:08 | |
-Bye. -Bye. | 1:14:12 | 1:14:14 | |
-Hiya. -How are you? | 1:14:23 | 1:14:25 | |
Yeah, just...you know... | 1:14:25 | 1:14:27 | |
Is Gerry excited about being a daddy? | 1:14:29 | 1:14:32 | |
I haven't told him yet. | 1:14:32 | 1:14:34 | |
Never seems to be the right moment somehow. | 1:14:34 | 1:14:37 | |
Come on, let's celebrate with a proper drink. | 1:14:38 | 1:14:41 | |
Bloody marvellous idea. | 1:14:41 | 1:14:44 | |
I really shouldn't in my condition, but I'm really going to. | 1:14:44 | 1:14:49 | |
What have you got? | 1:14:47 | 1:14:49 | |
Um...brandy. | 1:14:49 | 1:14:53 | |
Ooh, no. Yuck! Makes me vomit. | 1:14:50 | 1:14:53 | |
# Coming up for air | 1:14:57 | 1:15:00 | |
# Rising to a | 1:15:07 | 1:15:09 | |
# Very new | 1:15:09 | 1:15:12 | |
# Somewhere | 1:15:13 | 1:15:15 | |
# Coming up for air | 1:15:18 | 1:15:21 | |
# I'm the last breath around | 1:15:24 | 1:15:29 | |
# I'm the last breath around... # | 1:15:34 | 1:15:39 | |
Half day? | 1:16:09 | 1:16:11 | |
James? | 1:16:15 | 1:16:17 | |
Since last night? | 1:16:20 | 1:16:21 | |
Sorry. | 1:16:23 | 1:16:26 | |
You can't tell from one. They can be inaccurate. | 1:16:27 | 1:16:31 | |
I bought three packets. Two in a packet, that's six. | 1:16:31 | 1:16:35 | |
You can tell from six. | 1:16:35 | 1:16:37 | |
What are you going to do? | 1:16:38 | 1:16:42 | |
Is James Hammerton in? | 1:16:47 | 1:16:49 | |
I'm afraid not. | 1:16:49 | 1:16:52 | |
Do you know when he's due back? | 1:16:50 | 1:16:52 | |
I'm not sure. He's gone to visit his mother in hospital with his wife. | 1:16:52 | 1:16:59 | |
What? | 1:16:59 | 1:17:01 | |
Can I take a name and number? Get him to call you? | 1:17:01 | 1:17:04 | |
Um...no, thank you. | 1:17:06 | 1:17:09 | |
There's something I want you to know. | 1:17:52 | 1:17:55 | |
Anna doesn't drink brandy. It makes her vomit. | 1:17:57 | 1:18:01 | |
Those glasses were not used at the party. | 1:18:03 | 1:18:06 | |
They only come out for special dinners. | 1:18:06 | 1:18:09 | |
Am I meant to immediately get the reference here? | 1:18:09 | 1:18:13 | |
Are you having an affair? | 1:18:13 | 1:18:16 | |
Just tell me yes or no. | 1:18:16 | 1:18:19 | |
No. I'm not. | 1:18:21 | 1:18:25 | |
Helen...look into my eyes. | 1:18:33 | 1:18:36 | |
I am not having an affair. | 1:18:36 | 1:18:40 | |
I'm not. | 1:18:42 | 1:18:43 | |
I shouldn't have brought this up now. I have to go to my interview. | 1:18:46 | 1:18:51 | |
We'll talk later. | 1:18:52 | 1:18:55 | |
Are you going to be here when I get back? | 1:18:55 | 1:18:58 | |
Yes, of course. | 1:18:58 | 1:19:01 | |
Helen! Listen... | 1:19:03 | 1:19:05 | |
Good luck, OK? | 1:19:06 | 1:19:09 | |
PHONE RINGS | 1:19:16 | 1:19:18 | |
Hello? | 1:19:18 | 1:19:21 | |
Hi, Anna. Is Helen there? | 1:19:19 | 1:19:21 | |
You've got a damn nerve phoning here! | 1:19:21 | 1:19:25 | |
What? | 1:19:23 | 1:19:25 | |
Anna, just open the door! I don't know what's going on! | 1:19:28 | 1:19:33 | |
I'll tell you then. She saw you, James. | 1:19:33 | 1:19:37 | |
At the hospital with your wife. What is it with you bloody men?! | 1:19:37 | 1:19:42 | |
-Let me see her. -She's not here. | 1:19:42 | 1:19:44 | |
Where is she? | 1:19:44 | 1:19:46 | |
I don't know! | 1:19:45 | 1:19:46 | |
Oh, shit, shit, bollocks! | 1:19:46 | 1:19:49 | |
Oh, God! You idiot!! | 1:19:49 | 1:19:52 | |
Clive! You seen Helen? | 1:20:10 | 1:20:12 | |
No. Why? | 1:20:12 | 1:20:15 | |
Helen! | 1:20:44 | 1:20:46 | |
Helen! | 1:20:46 | 1:20:49 | |
Helen! Helen, you've made a mistake! I am such an idiot! | 1:20:52 | 1:20:56 | |
Look at me. Listen to me, please! | 1:20:56 | 1:20:59 | |
No, YOU listen! I never want to see you again! | 1:20:59 | 1:21:04 | |
I have been through enough for one year! | 1:21:04 | 1:21:07 | |
I stupidly believed here was a man who was different | 1:21:07 | 1:21:10 | |
from men, but it is clear I made a mistake! | 1:21:10 | 1:21:13 | |
Now, please, do me a favour and go away! | 1:21:13 | 1:21:17 | |
I am married, but I am separated! | 1:21:18 | 1:21:20 | |
Walk away if you want, but take this with you. | 1:21:20 | 1:21:24 | |
The woman you saw was a woman I married three years ago! | 1:21:24 | 1:21:27 | |
We separated six months ago and soon we'll be divorced! | 1:21:27 | 1:21:31 | |
Nothing aggressive. I didn't tell you before because... | 1:21:31 | 1:21:35 | |
I don't know why, I... | 1:21:35 | 1:21:38 | |
I have wanted to tell you so many times and... | 1:21:38 | 1:21:41 | |
now you've found out another way. I wish I had told you. | 1:21:41 | 1:21:46 | |
My mother is ill in hospital | 1:21:46 | 1:21:48 | |
and Claudia agreed to keep up the pretence that we were OK for my mum. | 1:21:48 | 1:21:53 | |
As a favour. | 1:21:53 | 1:21:55 | |
She's a very decent woman. | 1:21:55 | 1:21:58 | |
Do you have a mum, Helen? | 1:21:59 | 1:22:01 | |
Ten minutes, Lydia. And don't ever turn up at my window again like that. | 1:22:04 | 1:22:10 | |
It's over. You said it yourself. | 1:22:10 | 1:22:15 | |
I know. Sorry, I wasn't thinking. | 1:22:12 | 1:22:15 | |
I just want to show you something. | 1:22:15 | 1:22:17 | |
Oh, Helen... | 1:22:24 | 1:22:27 | |
let's make sure we're together for the right reason. | 1:22:27 | 1:22:30 | |
And right now there is just confusion | 1:22:30 | 1:22:33 | |
and it can be erased in a split second. | 1:22:33 | 1:22:36 | |
-KNOCK ON DOOR -Get that, would you? | 1:22:38 | 1:22:41 | |
Of course, if you don't want to keep it, darling... | 1:22:53 | 1:22:57 | |
Who is it? Oh, hello again. You're right on time. | 1:22:57 | 1:23:01 | |
Is this the truth, James? | 1:23:03 | 1:23:06 | |
Permission to engage the enemy, sir. | 1:23:17 | 1:23:19 | |
I can't take the interview now. | 1:23:25 | 1:23:27 | |
I'm discussing whether or not I'm going to keep your boyfriend's baby. | 1:23:27 | 1:23:32 | |
James...there's something I have to tell you. | 1:23:34 | 1:23:38 | |
I'm so sorry you had to hear it this way. | 1:23:38 | 1:23:42 | |
I should just phone Anna and tell her I'm OK. | 1:23:45 | 1:23:48 | |
Helen... | 1:23:50 | 1:23:51 | |
I love you. | 1:23:53 | 1:23:55 | |
Please wait! | 1:23:55 | 1:23:57 | |
-Let me go! -Helen! | 1:23:57 | 1:24:00 | |
Helen! | 1:23:58 | 1:24:00 | |
TYRES SCREECH | 1:24:00 | 1:24:02 | |
James, are you her husband? | 1:24:54 | 1:24:57 | |
Er, I will be. | 1:24:57 | 1:24:59 | |
We're, we're getting married. | 1:24:59 | 1:25:02 | |
If I could have a quick word. | 1:25:02 | 1:25:04 | |
Helen has suffered major internal injuries, James. | 1:25:06 | 1:25:10 | |
Helen has lost her baby, Gerry. | 1:25:10 | 1:25:12 | |
I'm afraid she's lost her baby. You did know she was pregnant? | 1:25:14 | 1:25:19 | |
Did you know she was pregnant? | 1:25:20 | 1:25:23 | |
She will be OK though, won't she? | 1:25:26 | 1:25:29 | |
She is going to wake up, isn't she? | 1:25:29 | 1:25:32 | |
MONITOR BEEPS | 1:25:45 | 1:25:47 | |
Helen, for some reason, I know you can hear me. | 1:26:21 | 1:26:25 | |
And I'm glad we got things sorted out tonight. | 1:26:28 | 1:26:32 | |
I'm glad you caught the train that day. | 1:26:46 | 1:26:49 | |
I am going to make you so happy. | 1:27:04 | 1:27:06 | |
I promise. | 1:27:10 | 1:27:12 | |
CONTINUOUS BEEP | 1:27:19 | 1:27:21 | |
HE SOBS | 1:27:25 | 1:27:28 | |
MONITOR BEEPS | 1:27:41 | 1:27:43 | |
Helen? | 1:27:56 | 1:27:57 | |
Can you hear me? | 1:28:01 | 1:28:03 | |
Can you hear me, Helen? | 1:28:04 | 1:28:06 | |
I'm sorry I'm late. | 1:28:34 | 1:28:39 | |
No problem. Your mother's showing some signs of improvement. | 1:28:35 | 1:28:39 | |
She's sitting up. | 1:28:39 | 1:28:41 | |
That's great. | 1:28:41 | 1:28:43 | |
Helen, I swear... | 1:29:02 | 1:29:06 | |
I'll do anything you want, darling. | 1:29:10 | 1:29:13 | |
Will you? | 1:29:13 | 1:29:15 | |
In that case, I want you to stand up, | 1:29:17 | 1:29:19 | |
walk over to the door, | 1:29:19 | 1:29:21 | |
open it, walk through it, | 1:29:21 | 1:29:25 | |
then close it behind you. | 1:29:25 | 1:29:28 | |
Ta-ta, Mum. | 1:29:42 | 1:29:44 | |
# Mama, where's your pretty little girl tonight... # | 1:29:46 | 1:29:50 | |
Call us if you have any problems. | 1:29:50 | 1:29:56 | |
Thank you. | 1:29:52 | 1:29:56 | |
You had a lucky escape. | 1:29:53 | 1:29:56 | |
You can say that again. | 1:29:56 | 1:29:59 | |
# She's got a young man waiting | 1:29:59 | 1:30:02 | |
# Yeah, she's grown up | 1:30:05 | 1:30:08 | |
# She's got a young man waiting | 1:30:08 | 1:30:12 | |
# She's wide eyed | 1:30:14 | 1:30:17 | |
# She'll be street wise | 1:30:17 | 1:30:19 | |
# To the lies | 1:30:19 | 1:30:21 | |
# And the jive talk | 1:30:21 | 1:30:24 | |
# But she'll find true love | 1:30:24 | 1:30:26 | |
# And tenderness on the block | 1:30:28 | 1:30:31 | |
# But she'll find true love | 1:30:33 | 1:30:37 | |
# And tenderness on the block | 1:30:37 | 1:30:39 | |
# She was wide eyed | 1:30:43 | 1:30:45 | |
# Now she's street wise... # | 1:30:45 | 1:30:48 | |
Thank you. | 1:30:48 | 1:30:50 | |
Cheer up. You know what the Monty Python boys say. | 1:30:50 | 1:30:53 | |
"Nobody expects the Spanish Inquisition." | 1:30:53 | 1:30:56 | |
# And tenderness on the block | 1:30:56 | 1:30:58 | |
# Hey, she's gonna find true love | 1:31:01 | 1:31:05 | |
# She's gonna find true love | 1:31:06 | 1:31:10 | |
# She's gonna find true love. # | 1:31:10 | 1:31:14 | |
MUSIC: "Thank You" by Dido | 1:31:14 | 1:31:17 | |
# My tea's gone cold, I'm wondering why | 1:31:19 | 1:31:22 | |
# I got out of bed at all | 1:31:22 | 1:31:25 | |
# The morning rain clouds up my window | 1:31:25 | 1:31:28 | |
# And I can't see at all | 1:31:28 | 1:31:31 | |
# And even if I could, it'd all be grey | 1:31:31 | 1:31:34 | |
# Put your picture on my wall | 1:31:34 | 1:31:36 | |
# It reminds me that it's not so bad | 1:31:36 | 1:31:40 | |
# It's not so bad | 1:31:40 | 1:31:43 | |
# I drank too much last night | 1:31:48 | 1:31:49 | |
# Got bills to pay, my head just feels in pain | 1:31:49 | 1:31:54 | |
# I missed the bus and there'll be hell today | 1:31:54 | 1:31:57 | |
# I'm late for work again | 1:31:57 | 1:31:59 | |
# And even if I'm there they'll all imply | 1:31:59 | 1:32:03 | |
# That I might not last the day | 1:32:03 | 1:32:05 | |
# And then you call me and it's not so bad | 1:32:05 | 1:32:08 | |
# It's not so bad | 1:32:08 | 1:32:10 | |
# And I want to thank you | 1:32:10 | 1:32:15 | |
# For giving me the best day | 1:32:15 | 1:32:18 | |
# Of my life | 1:32:18 | 1:32:21 | |
# And oh, | 1:32:22 | 1:32:24 | |
# Just to be with you | 1:32:24 | 1:32:27 | |
# Is having the best day of my life... # | 1:32:27 | 1:32:31 | |
IMS Subtitles by Mali Griffiths | 1:32:31 | 1:32:34 | |
E-mail us at [email protected] | 1:32:34 | 1:32:36 |