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# Oh baby, what I couldn't do | 0:01:30 | 0:01:35 | |
# With plenty of money and you | 0:01:35 | 0:01:39 | |
# In spite of the worry That money brings | 0:01:40 | 0:01:45 | |
# Just a little filthy lucre | 0:01:45 | 0:01:48 | |
# Buys a lot of things | 0:01:48 | 0:01:50 | |
# And I could take you to places | 0:01:50 | 0:01:53 | |
# You'd like to go | 0:01:53 | 0:01:55 | |
# But outside of that | 0:01:55 | 0:01:57 | |
# I've no use for dough It's the root of all evil | 0:01:57 | 0:02:02 | |
# Of strife and upheaval But I'm certain, honey | 0:02:02 | 0:02:08 | |
# That life could be sunny With plenty of... # | 0:02:08 | 0:02:11 | |
May I help you? | 0:02:11 | 0:02:13 | |
I'm looking for a box of chocolates. | 0:02:13 | 0:02:15 | |
You know, something fancy if you have it. | 0:02:15 | 0:02:18 | |
Is it for a gift? | 0:02:18 | 0:02:23 | |
Yeah, yeah. I want something fancy, but not too rich, | 0:02:19 | 0:02:23 | |
because she tends to put on a little blubber, the wife, | 0:02:23 | 0:02:26 | |
around the thighs. | 0:02:26 | 0:02:27 | |
What about this one? It's really nice. It's kind of rich. | 0:02:27 | 0:02:30 | |
It's from Belgium. | 0:02:30 | 0:02:32 | |
From Belgium? | 0:02:32 | 0:02:33 | |
Very pretty, don't you think? | 0:02:33 | 0:02:36 | |
Yeah. | 0:02:34 | 0:02:36 | |
Frenchy, I'm home. | 0:02:37 | 0:02:39 | |
Who's that? | 0:02:39 | 0:02:42 | |
"Who's that?"? It's the Pope! | 0:02:40 | 0:02:42 | |
I always wanted to see your apartment. | 0:02:42 | 0:02:44 | |
For God's sakes, who comes home every night? Me! | 0:02:44 | 0:02:46 | |
I'm watching Princess Diana. | 0:02:46 | 0:02:47 | |
Not again. How many times are you gonna do that? | 0:02:47 | 0:02:51 | |
Look at those clothes. | 0:02:51 | 0:02:53 | |
I told you time and again, she got all that stuff discount. | 0:02:53 | 0:02:57 | |
You don't think those kings and queens buy retail? Here. | 0:02:57 | 0:03:02 | |
I got you some chocolates. | 0:03:02 | 0:03:04 | |
Chocolates? | 0:03:04 | 0:03:06 | |
You heard of chocolates? I got you chocolates. | 0:03:06 | 0:03:08 | |
How come? | 0:03:08 | 0:03:09 | |
What do you mean, "How come?" | 0:03:09 | 0:03:11 | |
These are from Belgium. They're hand-made by Belgiumites. | 0:03:11 | 0:03:15 | |
Tell it to the Marines. You're up to something. | 0:03:15 | 0:03:17 | |
You get caught hitting on a waitress? | 0:03:17 | 0:03:19 | |
In 25 years of marriage, have I ever hit on anybody but you? | 0:03:19 | 0:03:23 | |
I don't buy it, Ray. You got a scheme. You got a scheme. | 0:03:23 | 0:03:27 | |
Come on. Forget it. Get me dinner, they're not for you. | 0:03:27 | 0:03:29 | |
I got you nothing. | 0:03:29 | 0:03:31 | |
Just get me dinner. I want my dinner. I want it right now. | 0:03:31 | 0:03:34 | |
And hurry up. | 0:03:34 | 0:03:36 | |
Before you make dinner, I've got to talk to you about something. | 0:03:36 | 0:03:42 | |
What did I tell you? Here comes the commercial. > | 0:03:38 | 0:03:42 | |
Frenchy, I need our 6,000 bucks. | 0:03:42 | 0:03:44 | |
What? > | 0:03:44 | 0:03:46 | |
-I've gotta have our six Gs. -That's our whole savings. | 0:03:46 | 0:03:49 | |
I know. Don't get dramatic about it. | 0:03:49 | 0:03:51 | |
Come on, six Gs - that's all we got. | 0:03:51 | 0:03:53 | |
I've got a brilliant idea. I'm gonna make us rich. | 0:03:53 | 0:03:56 | |
How are you gonna make us rich? Rob a bank? | 0:03:56 | 0:03:58 | |
How'd you know that? That's fantastic. How'd you guess? | 0:03:58 | 0:04:01 | |
What? | 0:04:01 | 0:04:03 | |
First shot out of the box, you got it. | 0:04:01 | 0:04:03 | |
Is that why Tommy Beale's coming over, and Denny? | 0:04:03 | 0:04:07 | |
What would you say if I told you | 0:04:07 | 0:04:10 | |
you were married to a very brilliant man? | 0:04:10 | 0:04:12 | |
I'd say I'd have to be a bigamist. | 0:04:12 | 0:04:15 | |
This is fool proof. Fool proof. | 0:04:15 | 0:04:17 | |
You told me you were finished with that life. | 0:04:17 | 0:04:22 | |
I've been finished with it, but look at me. I kick around | 0:04:18 | 0:04:22 | |
from stupid little job to job. Do you like the way we're living? | 0:04:22 | 0:04:26 | |
It beats your former residence. | 0:04:24 | 0:04:26 | |
You think I like spending our anniversary | 0:04:26 | 0:04:28 | |
staring at you through glass, talking over a phone? | 0:04:28 | 0:04:32 | |
Frenchy, you stood by me. | 0:04:30 | 0:04:32 | |
Granted, you stood by me. | 0:04:32 | 0:04:34 | |
Two years in the joint, I waited for you, and what did I get for it? | 0:04:34 | 0:04:38 | |
You know what you got, you got Belgian chocolates. | 0:04:38 | 0:04:40 | |
What's wrong with that? | 0:04:40 | 0:04:42 | |
I've got an idea. This is so incredible, but I need money. | 0:04:42 | 0:04:46 | |
We need seed money for this plan. | 0:04:46 | 0:04:48 | |
We need 18,000 bucks, so Denny's kicking in six | 0:04:48 | 0:04:51 | |
and Tommy's kicking in six and I gotta put in my six. | 0:04:51 | 0:04:54 | |
Where are those bums gonna get that kind of stake? | 0:04:54 | 0:04:56 | |
They're not bums. Maybe they didn't go to Harvard... | 0:04:56 | 0:04:58 | |
Harvard? They never completed kindergarten because they were drafted. | 0:04:58 | 0:05:01 | |
You're such a snob, Frenchy. | 0:05:01 | 0:05:04 | |
Denny's not stupid just because he drives a truck. | 0:05:04 | 0:05:06 | |
No, he's stupid because he has a low IQ. Come on, outta the way. | 0:05:06 | 0:05:09 | |
I'd like to just flatten you once. | 0:05:09 | 0:05:12 | |
Tommy's got street smarts. | 0:05:12 | 0:05:14 | |
He is street-smart. His brain's got pot holes. | 0:05:14 | 0:05:17 | |
You with the wisecracks. She's got the wisecracks. | 0:05:17 | 0:05:19 | |
She's got an answer for everything. | 0:05:19 | 0:05:21 | |
Forget it, I'm not spending our last few bucks. | 0:05:21 | 0:05:23 | |
I got my end. I told you I could match you. | 0:05:23 | 0:05:26 | |
< You've over-matched him. He can't get his end. | 0:05:26 | 0:05:28 | |
Frenchy, I've gotta have that money. | 0:05:28 | 0:05:31 | |
Yeah, for a heist, pass. Maybe if you needed a quadruple bypass. | 0:05:31 | 0:05:33 | |
-This is a brilliant thing. Tell her. -Ray really is a genius. | 0:05:33 | 0:05:37 | |
Compared to you, this chair is a genius. | 0:05:37 | 0:05:39 | |
Seriously, this is a plan of a great mind. | 0:05:39 | 0:05:40 | |
This is precise, mathematical, advanced. | 0:05:40 | 0:05:42 | |
It's hard to believe that you're just a dishwasher. | 0:05:42 | 0:05:45 | |
Thank you. Frenchy, I don't get your agreeance | 0:05:45 | 0:05:47 | |
on this, when I count to three, there's gonna be trouble. | 0:05:47 | 0:05:50 | |
You can count to 53 and you won't get it. | 0:05:50 | 0:05:52 | |
I did a lot of nails for that money and it's all we've got. | 0:05:52 | 0:05:54 | |
That's what you wanna do your whole life, nails? | 0:05:54 | 0:05:56 | |
Take a hike, OK. | 0:05:56 | 0:05:58 | |
Frenchy, I'm counting... If I lose it, you're gone. | 0:05:58 | 0:06:02 | |
I'm quaking in my pantyhose! | 0:06:02 | 0:06:03 | |
DOOR BUZZER | 0:06:03 | 0:06:05 | |
You're embarrassing me in front of my friends. | 0:06:05 | 0:06:07 | |
Who said you could have one of my cookies? | 0:06:07 | 0:06:11 | |
I can't have a cookie? Did you get your share? | 0:06:08 | 0:06:11 | |
My share of what? Oh, yeah, I got it. I sold some stuff. | 0:06:11 | 0:06:14 | |
< What did you sell? | 0:06:14 | 0:06:16 | |
A rented car. | 0:06:14 | 0:06:16 | |
< He can't get his end. | 0:06:15 | 0:06:16 | |
I can get my end, what are you telling him? | 0:06:16 | 0:06:19 | |
She won't give it to him. | 0:06:18 | 0:06:19 | |
I guess the candy didn't work. | 0:06:19 | 0:06:20 | |
You said you'd have her eating out of your hand. | 0:06:20 | 0:06:22 | |
Will you shut up! For crying out loud! | 0:06:22 | 0:06:24 | |
All that's missing from this guy is a piece of velvet and a pet mouse. | 0:06:24 | 0:06:27 | |
Frenchy, give me the money. | 0:06:27 | 0:06:29 | |
I wouldn't invest our last six thou if you had a legit idea, | 0:06:29 | 0:06:32 | |
much less something that's gonna land the three of you jerks back in stir. | 0:06:32 | 0:06:35 | |
You said you call the shots around here. | 0:06:35 | 0:06:37 | |
Would you knock it off? Jesus...! | 0:06:37 | 0:06:40 | |
Frenchy, that money is mine. | 0:06:40 | 0:06:43 | |
It's mine, I earned it, and I'm saving it for an emergency. | 0:06:43 | 0:06:45 | |
-But I'm your husband, it's half... -Take a hike. | 0:06:45 | 0:06:48 | |
Frenchy, I'm gonna get violent. I'm gonna get violent. | 0:06:48 | 0:06:51 | |
Please, with your hernia? | 0:06:51 | 0:06:53 | |
Fellas, I can't do it. It's over. Forget it. It's out. | 0:06:53 | 0:06:56 | |
You said you're the boss. | 0:06:56 | 0:06:57 | |
Would you stop telling me what I said? | 0:06:57 | 0:07:01 | |
Frenchy, it's over. Let the bank lay there. Let someone else do it. | 0:07:01 | 0:07:05 | |
I got to get some air. I'm going up on the roof. | 0:07:05 | 0:07:07 | |
Don't jump, you're too valuable as a dishwasher. | 0:07:07 | 0:07:09 | |
Knock it off. | 0:07:09 | 0:07:12 | |
Frenchy, can I have another cookie? | 0:07:12 | 0:07:14 | |
< No! | 0:07:14 | 0:07:16 | |
I want one. | 0:07:14 | 0:07:16 | |
All right. | 0:07:23 | 0:07:25 | |
Tell me your idea. | 0:07:25 | 0:07:27 | |
I told you my idea. You shot it down. | 0:07:27 | 0:07:29 | |
Are you gonna tell me or are you gonna have a tantrum? | 0:07:29 | 0:07:31 | |
For God's sakes, for some reason, | 0:07:31 | 0:07:34 | |
you're always shooting down my dreams. | 0:07:34 | 0:07:36 | |
Because you get the kind of dreams that people get after putting opium in their brownies. | 0:07:36 | 0:07:41 | |
Can I for one minute tell you about this bank? | 0:07:41 | 0:07:43 | |
You're not a bank robber, Ray. | 0:07:43 | 0:07:44 | |
You got a two-year mandatory vacation that proved that. | 0:07:44 | 0:07:47 | |
What I'm not is a stick-up man. That's all we proved. | 0:07:47 | 0:07:50 | |
When I hit that bank, we were inexperienced. | 0:07:50 | 0:07:54 | |
The whole group of us put on rubber masks. | 0:07:54 | 0:07:57 | |
There were all Ronald Reagan masks, | 0:07:57 | 0:07:58 | |
so it was confusing. I didn't know who was who. | 0:07:58 | 0:08:01 | |
You're lucky your lawyer knew the judge. > | 0:08:01 | 0:08:03 | |
Can I please tell you my idea? | 0:08:03 | 0:08:05 | |
I noticed a few weeks ago, a couple of doors down from | 0:08:05 | 0:08:09 | |
the bank, there's a pizza joint that folded, a little hole in the wall. | 0:08:09 | 0:08:13 | |
It's for rent, Frenchy. | 0:08:13 | 0:08:16 | |
Then it hits me. I'm no genius, believe me. | 0:08:16 | 0:08:20 | |
You don't have to sell me. | 0:08:20 | 0:08:22 | |
I figure we tunnel under. | 0:08:22 | 0:08:25 | |
We take the pizza joint, we tunnel under, | 0:08:25 | 0:08:27 | |
we come up under the vault of the bank. | 0:08:27 | 0:08:29 | |
I know the layout, cos I used to know a guard. I got diagrams. | 0:08:29 | 0:08:32 | |
We clean out the vault, we go to Florida. | 0:08:32 | 0:08:35 | |
Ray, we're poor, but we're happy. | 0:08:35 | 0:08:37 | |
We're not happy, no. You're always complaining. | 0:08:37 | 0:08:40 | |
Are you happy doing other people's cuticles? | 0:08:40 | 0:08:42 | |
Is that the way you want to spend your life? | 0:08:42 | 0:08:44 | |
My mother told me. She said, "Don't get involved | 0:08:44 | 0:08:46 | |
"with a guy from the rackets." | 0:08:46 | 0:08:48 | |
What's wrong with you? We had dreams. | 0:08:48 | 0:08:51 | |
I don't know what's gotten into you. Did we not have dreams? | 0:08:51 | 0:08:54 | |
When I first met you, yes, granted, I was in the rackets. | 0:08:54 | 0:08:57 | |
I was running numbers. You were an exotic dancer. | 0:08:57 | 0:09:00 | |
We fell in love. Your parents didn't approve. | 0:09:00 | 0:09:02 | |
I tried to go legit. I couldn't make a go of the pet cemetery. | 0:09:02 | 0:09:05 | |
What you want me to do? This pizza place is just waiting for us. | 0:09:05 | 0:09:11 | |
It's gonna look suspicious, a group of guys drilling in an empty store. | 0:09:11 | 0:09:17 | |
That's where you come in. You front the place. | 0:09:17 | 0:09:19 | |
What? | 0:09:19 | 0:09:22 | |
You front it. You make pizzas. | 0:09:20 | 0:09:22 | |
With what? I can't cook pizzas. | 0:09:22 | 0:09:24 | |
So you cook cookies. What's the difference? | 0:09:24 | 0:09:26 | |
Or you tell fortunes. You look like a gypsy. | 0:09:26 | 0:09:29 | |
Or make it a travel agency. | 0:09:29 | 0:09:31 | |
You work there and we'll tunnel under into the bank. | 0:09:31 | 0:09:34 | |
Oh, God. | 0:09:34 | 0:09:37 | |
Frenchy, come here. You see this? | 0:09:35 | 0:09:37 | |
See how beautiful this is? | 0:09:37 | 0:09:40 | |
It's not just New Jersey. When we first met, | 0:09:40 | 0:09:43 | |
there was a sunset just like this. Remember that? | 0:09:43 | 0:09:46 | |
Yeah. In New Jersey. But in Colombia, there was an earthquake. | 0:09:46 | 0:09:50 | |
Sorry, but the location was taken by someone else. | 0:09:50 | 0:09:54 | |
What? | 0:09:54 | 0:09:56 | |
They made a deal yesterday. | 0:09:54 | 0:09:56 | |
Told you, if you waited too long... | 0:09:56 | 0:09:59 | |
Who took the place? | 0:09:59 | 0:10:01 | |
You got the name? | 0:10:02 | 0:10:04 | |
Mrs Nettie Goldberg. | 0:10:04 | 0:10:07 | |
Oh, Jesus. For what? | 0:10:07 | 0:10:09 | |
I believe a flower shop. | 0:10:09 | 0:10:12 | |
A flower shop! | 0:10:12 | 0:10:13 | |
It's a little old lady. | 0:10:15 | 0:10:17 | |
Her husband died recently. | 0:10:17 | 0:10:19 | |
She wants to make the joint into a flower shop. | 0:10:19 | 0:10:21 | |
That don't make no difference. Somebody's still got to get to her. | 0:10:21 | 0:10:24 | |
Get to her and what? | 0:10:23 | 0:10:24 | |
Beg her, con her, trick her. | 0:10:24 | 0:10:26 | |
I know - I'm gonna go to her shop and threaten her. | 0:10:26 | 0:10:29 | |
No, you can't threaten her. | 0:10:29 | 0:10:30 | |
< Yeah, then we're dead. Don't do that. | 0:10:30 | 0:10:32 | |
I've got to figure a way to talk to her. | 0:10:32 | 0:10:35 | |
What are you gonna say if her husband just died? You need a plan. | 0:10:35 | 0:10:39 | |
I've gotta figure something. I'll charm her. | 0:10:39 | 0:10:41 | |
What are you gonna use for charm? | 0:10:41 | 0:10:43 | |
Will you knock it off? We're trying to be serious. | 0:10:43 | 0:10:46 | |
Some master plan. You don't even have the lease. | 0:10:46 | 0:10:48 | |
I'm gonna get the lease. That's what this is about. | 0:10:48 | 0:10:50 | |
You guys are gonna rob a bank and some little old lady has the joint first. What a hoot. | 0:10:50 | 0:10:55 | |
Very funny. | 0:10:55 | 0:10:57 | |
I'm gonna slam your head off. | 0:10:58 | 0:11:00 | |
Hey! | 0:11:00 | 0:11:04 | |
Jesus. | 0:11:01 | 0:11:04 | |
The bank isn't even next to the pizza joint. | 0:11:01 | 0:11:04 | |
I told you that before. | 0:11:04 | 0:11:05 | |
That's what's great about it. | 0:11:05 | 0:11:08 | |
Why? | 0:11:08 | 0:11:11 | |
Because there's nothing suspicious. | 0:11:08 | 0:11:11 | |
The only thing suspicious is your sanity. | 0:11:11 | 0:11:13 | |
And when did any of you guys dig a tunnel? | 0:11:13 | 0:11:16 | |
It's no big deal. | 0:11:16 | 0:11:17 | |
You really underestimate Ray's personality. | 0:11:17 | 0:11:20 | |
He's one of the most likeable dishwashers I've ever met. | 0:11:20 | 0:11:23 | |
Don't pay any attention to her. | 0:11:23 | 0:11:25 | |
We're gonna proceed. | 0:11:25 | 0:11:27 | |
Yeah? | 0:12:04 | 0:12:05 | |
I'm looking for Nettie Goldberg. | 0:12:05 | 0:12:09 | |
Who wants her? | 0:12:09 | 0:12:11 | |
I've got something for her. I want to make her | 0:12:11 | 0:12:13 | |
a big offer, big dough, big dough. | 0:12:13 | 0:12:16 | |
Come here. | 0:12:19 | 0:12:20 | |
I'm Nettie Goldberg. | 0:12:26 | 0:12:28 | |
I know you. | 0:12:28 | 0:12:29 | |
You're Benny from Cell Block 8. | 0:12:29 | 0:12:34 | |
Oh, God, Ray. Ray. | 0:12:34 | 0:12:36 | |
Ray, how are you? | 0:12:36 | 0:12:37 | |
You were looking at me like I'm a stranger. | 0:12:37 | 0:12:39 | |
I'm sorry, come on in. | 0:12:39 | 0:12:41 | |
This is a small world. You took the lease on an empty store? Yeah. | 0:12:41 | 0:12:45 | |
I'm gonna open up a flower shop. | 0:12:45 | 0:12:46 | |
What the hell are you gonna do with a flower shop? | 0:12:46 | 0:12:51 | |
Burn it down. | 0:12:48 | 0:12:51 | |
What do you mean, "burn it down"? | 0:12:49 | 0:12:51 | |
< Are you still burning stuff down for insurance? | 0:12:51 | 0:12:53 | |
I burn everything. That's how I sent two kids through college. | 0:12:53 | 0:12:59 | |
That's crazy. There's no money in that. | 0:12:56 | 0:12:59 | |
Benny, you've got to come in with us. > | 0:12:59 | 0:13:02 | |
Who's us? | 0:13:02 | 0:13:03 | |
What do you mean, "Who's us?" Why are you so suspicious? | 0:13:03 | 0:13:06 | |
You don't trust me? | 0:13:06 | 0:13:07 | |
Remember my nickname in the joint? | 0:13:07 | 0:13:09 | |
The Brain? | 0:13:09 | 0:13:13 | |
The Brain. That's what the guys used to call me. | 0:13:10 | 0:13:13 | |
Ray, that was sarcastic. | 0:13:13 | 0:13:15 | |
It wasn't sarcastic, that was real. | 0:13:15 | 0:13:17 | |
No, it was sarcastic. | 0:13:17 | 0:13:18 | |
There was nothing sarcastic about it. | 0:13:18 | 0:13:20 | |
Really, it was. | 0:13:20 | 0:13:21 | |
It was real. I was The Brain. | 0:13:21 | 0:13:23 | |
It was sarcastic. | 0:13:23 | 0:13:25 | |
It wasn't sarcastic. | 0:13:25 | 0:13:27 | |
Oh my God, oh my God. | 0:13:27 | 0:13:29 | |
It was sarcastic! | 0:13:29 | 0:13:31 | |
Fellas, this is Benny. He's in. | 0:13:32 | 0:13:34 | |
Benny. Looks like a cop to me. | 0:13:34 | 0:13:36 | |
How are you doing? | 0:13:36 | 0:13:37 | |
Good, nice to meet you. | 0:13:37 | 0:13:39 | |
You know you're working with a genius? | 0:13:39 | 0:13:41 | |
I told him that. | 0:13:40 | 0:13:41 | |
We're all smart, but he wears glasses. | 0:13:41 | 0:13:45 | |
What's good? Pine, right? | 0:13:46 | 0:13:48 | |
Oak. | 0:13:48 | 0:13:53 | |
Redwood is what the woodpeckers peck on. It's meant to be the strongest. | 0:13:49 | 0:13:53 | |
That makes good trees. | 0:13:53 | 0:13:55 | |
This looks good. This is good stuff. | 0:13:55 | 0:13:58 | |
Look how long it is. We could build a house with this. | 0:13:58 | 0:14:00 | |
Yeah, we're just building a tunnel. | 0:14:00 | 0:14:02 | |
Whoa, whoa. | 0:14:02 | 0:14:03 | |
Or like a house. | 0:14:03 | 0:14:05 | |
A house, yeah. | 0:14:04 | 0:14:05 | |
This is good stuff. | 0:14:04 | 0:14:05 | |
How much is that? | 0:14:05 | 0:14:07 | |
1,000 bucks. | 0:14:07 | 0:14:09 | |
1,000 bucks a box, Jesus. How many sticks in a box? | 0:14:09 | 0:14:12 | |
50. > | 0:14:12 | 0:14:13 | |
My God, this is robbery. | 0:14:13 | 0:14:16 | |
This is unbelievable. | 0:14:16 | 0:14:18 | |
What do we need all this dynamite for anyway? | 0:14:18 | 0:14:20 | |
What you mean, "What do we need the dynamite for?" Just keep care of it. | 0:14:20 | 0:14:23 | |
Could I have one of these and one of these? | 0:14:42 | 0:14:44 | |
OK. | 0:14:44 | 0:14:46 | |
One of these? One of these, OK. Do you want a bag? | 0:14:46 | 0:14:49 | |
No, that's OK. | 0:14:49 | 0:14:51 | |
I haven't got a bag. I could find... | 0:14:50 | 0:14:51 | |
I can't find a bag. You'll take them like this? OK. | 0:14:51 | 0:14:54 | |
It's gonna be a lot of work, but when it's over, we're gonna be all very well compensated. | 0:14:54 | 0:14:59 | |
Who's gonna work the drill? | 0:14:59 | 0:15:01 | |
What do you mean? | 0:15:01 | 0:15:02 | |
I don't know how to work a drill like that. | 0:15:02 | 0:15:05 | |
There's nothing to that. | 0:15:05 | 0:15:07 | |
Whoever is gonna work the drill, it's gonna make a lot of noise. | 0:15:07 | 0:15:12 | |
What do you think this is? This is why I get the big dough. | 0:15:12 | 0:15:15 | |
We wrap this blanket around it, it's fine. | 0:15:15 | 0:15:17 | |
You've got to know how to work a drill like that. | 0:15:17 | 0:15:19 | |
DRILL STARTS | 0:15:19 | 0:15:23 | |
Whoa, take it easy. Turn it off! | 0:15:20 | 0:15:23 | |
I can't hear you! | 0:15:23 | 0:15:24 | |
Would you guys shut up? What did you do, tear a wall down? | 0:15:27 | 0:15:31 | |
We ain't started yet. | 0:15:31 | 0:15:32 | |
What do you mean you, ain't started yet? What are you waiting for, the drilling season? | 0:15:32 | 0:15:36 | |
Do me a favour, go upstairs and bake, will ya? | 0:15:36 | 0:15:39 | |
I don't need any help. | 0:15:40 | 0:15:42 | |
< Have you got it? | 0:15:42 | 0:15:43 | |
< You'd better brace me. | 0:15:43 | 0:15:45 | |
OK, OK. | 0:15:45 | 0:15:46 | |
What are you doing?! | 0:15:50 | 0:15:52 | |
Get that thing. Get that thing! | 0:15:55 | 0:15:57 | |
What are you doing?! I'm getting outta here. | 0:16:08 | 0:16:11 | |
SHOUTING | 0:16:11 | 0:16:15 | |
Could we have half a dozen of the chocolate cinnamon? | 0:16:15 | 0:16:18 | |
We're closed. For Easter. | 0:16:18 | 0:16:20 | |
That was three months ago. | 0:16:20 | 0:16:22 | |
Greek Easter. | 0:16:22 | 0:16:23 | |
That was two months ago. | 0:16:23 | 0:16:24 | |
Chinese Easter. We're closed, OK. | 0:16:24 | 0:16:25 | |
I'd like a cookie for my daughter, please. | 0:16:25 | 0:16:27 | |
Honey, what kind do you want? | 0:16:27 | 0:16:29 | |
All right, all right. | 0:16:29 | 0:16:30 | |
Have a cookie, take a cookie. | 0:16:30 | 0:16:33 | |
Here you go. | 0:16:33 | 0:16:34 | |
How are you doing? | 0:16:34 | 0:16:36 | |
Oh, hi. | 0:16:34 | 0:16:36 | |
Are you still open? | 0:16:35 | 0:16:36 | |
Yeah, sure. Sure. | 0:16:36 | 0:16:39 | |
BANGING AND CRASHING | 0:16:37 | 0:16:39 | |
Give me two cherry cinnamon. | 0:16:39 | 0:16:40 | |
Cherry cinnamon, right. | 0:16:40 | 0:16:42 | |
New here, huh? | 0:16:42 | 0:16:43 | |
Just opened today, yeah. | 0:16:43 | 0:16:45 | |
What's all that noise in the back? | 0:16:45 | 0:16:47 | |
That's the cookie press. | 0:16:47 | 0:16:49 | |
It needs oil. | 0:16:49 | 0:16:51 | |
There's a slight leak. | 0:16:51 | 0:16:53 | |
This is the plumber. | 0:16:53 | 0:16:54 | |
I'm the plumber. There's a tiny leak. Excuse me. | 0:16:54 | 0:16:57 | |
What do I owe you? | 0:16:57 | 0:16:59 | |
No charge, no charge. | 0:16:58 | 0:16:59 | |
Thanks a lot. Take it easy. | 0:16:59 | 0:17:00 | |
I've got to get some sandbags. | 0:17:00 | 0:17:03 | |
The cookies are 85 cents. | 0:17:03 | 0:17:05 | |
Somebody get the sandbags. | 0:17:05 | 0:17:08 | |
Just relax, you're a perfect fit. | 0:17:08 | 0:17:09 | |
Where the hell are the sand bags? | 0:17:09 | 0:17:10 | |
Just relax. | 0:17:10 | 0:17:12 | |
OK, so we got off to a shaky start. | 0:17:13 | 0:17:17 | |
I'd say it was shaky. | 0:17:17 | 0:17:18 | |
There's gonna be glitches, no question. So what? | 0:17:18 | 0:17:22 | |
Tomorrow, bring a bathing suit. | 0:17:22 | 0:17:24 | |
I'm not discouraged, cos I don't get discouraged. > | 0:17:24 | 0:17:28 | |
There was a woman on before, she's got over 200 pairs of shoes. | 0:17:28 | 0:17:32 | |
You're gonna get yours, I promise you. You're gonna be fine. | 0:17:32 | 0:17:36 | |
This time in a month or two, we'll be in Miami. It'll be great. | 0:17:36 | 0:17:39 | |
A patron of the arts. | 0:17:39 | 0:17:42 | |
Don't that sound great? | 0:17:42 | 0:17:43 | |
Opening night at the opera. | 0:17:43 | 0:17:45 | |
I love you, Frenchy. I love you. | 0:17:45 | 0:17:48 | |
You know why? Cos you back me all the time. | 0:17:48 | 0:17:50 | |
Because you stand by me. You know when I first knew I loved you? | 0:17:50 | 0:17:53 | |
This was a long time ago. | 0:17:53 | 0:17:55 | |
I taught you how to open a safe by moving the tumblers and listening | 0:17:55 | 0:17:59 | |
to the tumblers. And you got it. | 0:17:59 | 0:18:02 | |
You're a very romantic man. | 0:18:02 | 0:18:04 | |
And I'm a very lucky woman, because not many wives get to see | 0:18:04 | 0:18:07 | |
their husbands battling a ruptured water main. | 0:18:07 | 0:18:10 | |
Crazy about you. | 0:18:10 | 0:18:13 | |
Crazy about you, darling. | 0:18:11 | 0:18:13 | |
Here, Benny. | 0:18:16 | 0:18:18 | |
Put it in the bag. | 0:18:17 | 0:18:18 | |
I'll give it to you. | 0:18:17 | 0:18:18 | |
He puts it in the bag. | 0:18:18 | 0:18:20 | |
Right, so it don't make no noise. | 0:18:20 | 0:18:21 | |
This is efficiency. | 0:18:21 | 0:18:25 | |
Hurry up. | 0:18:22 | 0:18:25 | |
What the hell are you guys... Why are you putting it in his shovel? | 0:18:23 | 0:18:25 | |
He puts it in the bag. | 0:18:25 | 0:18:28 | |
It's called efficiency. | 0:18:26 | 0:18:28 | |
Teamwork. | 0:18:27 | 0:18:28 | |
What are you doing? | 0:18:28 | 0:18:31 | |
Saves energy. | 0:18:29 | 0:18:31 | |
I'll take a chocolate chip. > | 0:18:33 | 0:18:34 | |
Yeah. Little girl, you were first. What do you want? | 0:18:34 | 0:18:37 | |
Chocolate fudge. | 0:18:37 | 0:18:39 | |
OK. You can only have two. | 0:18:39 | 0:18:40 | |
What are you stopping for? | 0:18:40 | 0:18:43 | |
I'm trying to figure this out. | 0:18:43 | 0:18:45 | |
I think, according to this, we're supposed to take a left turn. | 0:18:45 | 0:18:49 | |
That doesn't mean stop. Let's go. | 0:18:49 | 0:18:51 | |
What the hell are you doing? | 0:18:51 | 0:18:54 | |
What do you mean, "What am I doing?" | 0:18:54 | 0:18:55 | |
You got your hat on backwards. | 0:18:55 | 0:18:57 | |
Yeah, so? | 0:18:57 | 0:18:59 | |
What do you mean, "So?" | 0:18:57 | 0:18:59 | |
The flashlight goes in the front. | 0:18:59 | 0:19:01 | |
Yeah, but it looks cooler like this. | 0:19:01 | 0:19:03 | |
What are you, a jerk? What do you mean, "It looks cooler"? | 0:19:03 | 0:19:08 | |
It's a lot more stylish. Look at that. | 0:19:05 | 0:19:08 | |
You think so? | 0:19:08 | 0:19:10 | |
Yeah, turn it around. It's chic like this. Look at that. | 0:19:10 | 0:19:13 | |
That's cool. | 0:19:13 | 0:19:15 | |
You got a mirror? | 0:19:15 | 0:19:16 | |
I don't got a mirror. That looks good. | 0:19:16 | 0:19:18 | |
Look at yourself, that looks good. I'll show you when we get out. | 0:19:18 | 0:19:21 | |
Can you keep going, please? | 0:19:21 | 0:19:23 | |
All right, I'm trying to figure the map out. | 0:19:23 | 0:19:25 | |
One, two. OK, everybody, hold on. | 0:19:25 | 0:19:29 | |
That's 1.70. Thank you very much, thank you, thank you. | 0:19:29 | 0:19:32 | |
OK, yeah. | 0:19:32 | 0:19:35 | |
< What are you guys gonna do with your share? | 0:19:35 | 0:19:38 | |
How much is my share? | 0:19:38 | 0:19:40 | |
I figure it's got to be 2 million. | 0:19:40 | 0:19:43 | |
I'm counting the jewellery in there too. | 0:19:43 | 0:19:45 | |
Divided four ways, that's half a million bucks apiece. | 0:19:45 | 0:19:50 | |
What about Frenchy? | 0:19:50 | 0:19:51 | |
What about Frenchy, she's just a front. | 0:19:51 | 0:19:53 | |
But without Frenchy, we're dead. | 0:19:53 | 0:19:55 | |
We could get any broad to sell cookies. | 0:19:55 | 0:19:58 | |
I say she gets a share, but not a full share. | 0:19:58 | 0:20:00 | |
I'd go for that. | 0:20:00 | 0:20:02 | |
What if we each get a fourth and she gets a third? | 0:20:02 | 0:20:06 | |
Are you nuts? Then she'd be getting more than us. | 0:20:06 | 0:20:08 | |
How do you figure? | 0:20:08 | 0:20:09 | |
Where are you gonna get four fourths and a third? Can't you add? | 0:20:09 | 0:20:13 | |
I don't do fractions. | 0:20:13 | 0:20:14 | |
Let's not get greedy over here. | 0:20:14 | 0:20:16 | |
Remember that movie with Humphrey Bogart where they're digging | 0:20:16 | 0:20:19 | |
for gold in the mountains and they find the gold and all get rich? | 0:20:19 | 0:20:22 | |
Then this guy goes nuts and turns on his friends. Let's not let that happen here. | 0:20:22 | 0:20:25 | |
He's right. Then he gets killed by these Hispanics. | 0:20:25 | 0:20:28 | |
What is it? The Treasure Of... | 0:20:28 | 0:20:30 | |
Treasure Island. | 0:20:30 | 0:20:33 | |
Treasure Island, that's right! That was a good movie. | 0:20:31 | 0:20:33 | |
The best. | 0:20:33 | 0:20:34 | |
OK, folks, here's the deal. | 0:20:34 | 0:20:36 | |
I'm out of cookies, OK? | 0:20:36 | 0:20:38 | |
The next batch is gonna be another two minutes, | 0:20:40 | 0:20:42 | |
so that's the way the cookie crumbles. OK? | 0:20:42 | 0:20:44 | |
I've got one cookie left. | 0:20:44 | 0:20:46 | |
You know who's gonna eat this? You know who's gonna eat this? Me. | 0:20:46 | 0:20:49 | |
I've gotta put on help. > | 0:20:49 | 0:20:51 | |
Help? | 0:20:51 | 0:20:53 | |
I can't handle the volume. > | 0:20:53 | 0:20:55 | |
A second person, you want to put on? | 0:20:55 | 0:20:58 | |
I can't help it. The cookies are selling. | 0:20:58 | 0:21:01 | |
Gee, I never counted on that. | 0:21:01 | 0:21:03 | |
You've got to manage it somehow. | 0:21:03 | 0:21:06 | |
What about my cousin May. We can trust her. | 0:21:06 | 0:21:09 | |
May's a dodo. I'm gonna bring a dodo into a master plan? > | 0:21:09 | 0:21:13 | |
She's not a squealer. | 0:21:13 | 0:21:15 | |
She's not a squealer, but then we'll have to cut her in. > | 0:21:15 | 0:21:18 | |
The pot's getting smaller and smaller. | 0:21:18 | 0:21:21 | |
I can't cook and sell at the same time. It's a madhouse. | 0:21:21 | 0:21:24 | |
We'll get caught. | 0:21:24 | 0:21:26 | |
Wait a minute. You know what we could do. | 0:21:26 | 0:21:29 | |
We could hire May and not tell her what we're doing. | 0:21:29 | 0:21:34 | |
She'll never catch on. | 0:21:34 | 0:21:36 | |
We're making enough dough from the cookies to pay her. | 0:21:36 | 0:21:40 | |
Absolutely. We give her a small salary, | 0:21:40 | 0:21:42 | |
she'll never catch wise to anything. | 0:21:42 | 0:21:45 | |
If you think Denny and Tommy are slow, your cousin May is dumb | 0:21:45 | 0:21:50 | |
like a horse or a dog. | 0:21:50 | 0:21:52 | |
Maybe it's not such a great idea. | 0:21:53 | 0:21:55 | |
No, I think we could do it. | 0:21:55 | 0:21:58 | |
Where are we? | 0:21:58 | 0:21:59 | |
We're supposed to be here. | 0:21:59 | 0:22:00 | |
Excuse me. Where's the sugar? > | 0:22:00 | 0:22:03 | |
Frenchy wants more sugar. | 0:22:03 | 0:22:05 | |
May, stop bothering us. We're busy here. | 0:22:05 | 0:22:09 | |
I just don't understand about the drilling. | 0:22:09 | 0:22:12 | |
I told you. | 0:22:12 | 0:22:13 | |
Business is good. We're expanding. | 0:22:13 | 0:22:16 | |
We're expanding a little restaurant and a teashop, | 0:22:16 | 0:22:18 | |
so people could eat the cookies and drink a little tea. | 0:22:18 | 0:22:22 | |
Where are they gonna drink the tea, in the tunnel? | 0:22:22 | 0:22:25 | |
I'd explain it, but you've got to understand engineering. | 0:22:25 | 0:22:28 | |
What's engineering? | 0:22:28 | 0:22:29 | |
May, do me a favour. Business is good. We're expanding. | 0:22:29 | 0:22:32 | |
That's all you've gotta know. | 0:22:32 | 0:22:34 | |
How can you expand? There's a nail shop next door? | 0:22:34 | 0:22:36 | |
-We made a deal. We offered them big money. | 0:22:36 | 0:22:38 | |
So you're expanding into the nail shop? | 0:22:38 | 0:22:40 | |
May, get your stuff. You want the sugar? | 0:22:40 | 0:22:43 | |
Take a hike. Get the sugar and go. | 0:22:43 | 0:22:46 | |
We'll call you. | 0:22:46 | 0:22:48 | |
This broad's big trouble. | 0:22:48 | 0:22:50 | |
You think it's safe having that strange broad around here? | 0:22:50 | 0:22:52 | |
Don't worry, she's harmless. | 0:22:52 | 0:22:53 | |
We made a wrong turn. I don't think we're still headed to the bank. | 0:22:53 | 0:22:57 | |
Please! Give me the map. | 0:22:57 | 0:22:59 | |
What are you talking about? | 0:22:59 | 0:23:01 | |
For God's sakes. | 0:23:01 | 0:23:03 | |
This is fine. I don't know what you're all in a dither about. | 0:23:03 | 0:23:06 | |
You're holding it upside down. | 0:23:06 | 0:23:09 | |
I am? | 0:23:09 | 0:23:11 | |
You were reading this map upside down all along? | 0:23:11 | 0:23:13 | |
Get off my back. Can I help it if they print these things like this? | 0:23:13 | 0:23:17 | |
OK, thank you very much. | 0:23:17 | 0:23:20 | |
I've got to get another plate of the cherry. | 0:23:20 | 0:23:23 | |
Can I help you? Who's next? | 0:23:23 | 0:23:25 | |
I'm coming right back. | 0:23:25 | 0:23:26 | |
Can I get two cherry cinnamon? How are you doing? | 0:23:26 | 0:23:30 | |
We're doing something right. | 0:23:30 | 0:23:32 | |
Sure, two cherry cinnamons. | 0:23:32 | 0:23:33 | |
You're new here? | 0:23:33 | 0:23:37 | |
Not really. This is my first day. | 0:23:34 | 0:23:37 | |
These are the greatest cookies I ever tasted. | 0:23:37 | 0:23:40 | |
Really? We're expanding. | 0:23:40 | 0:23:42 | |
No kidding. | 0:23:42 | 0:23:43 | |
There are some guys in the back | 0:23:43 | 0:23:45 | |
working right now. We've got to tunnel under the nail shop. | 0:23:45 | 0:23:48 | |
Really? | 0:23:48 | 0:23:49 | |
Did you try the pecan fudge? | 0:23:49 | 0:23:51 | |
We were just talking about what an instant success this place is. | 0:23:51 | 0:23:55 | |
I was telling him about the restaurant. | 0:23:55 | 0:23:56 | |
What restaurant? | 0:23:56 | 0:23:57 | |
The tea room. The guys in the back tunnelling | 0:23:57 | 0:24:00 | |
for the tea room under the nail shop. | 0:24:00 | 0:24:02 | |
What tea room? What are you talking about? | 0:24:02 | 0:24:03 | |
The tea room in the back. | 0:24:03 | 0:24:05 | |
May, come, come. | 0:24:05 | 0:24:07 | |
Coming through, coming through. | 0:24:05 | 0:24:07 | |
We're at the Sunset Bake Shop, where the lines wait patiently for what | 0:24:07 | 0:24:10 | |
some people are calling the most fabulous cookie treat in New York. | 0:24:10 | 0:24:14 | |
What the hell is going on here? | 0:24:14 | 0:24:15 | |
And you are the heart and soul of Sunset Cookies, Miss... | 0:24:15 | 0:24:18 | |
Frenchy Winkler. | 0:24:18 | 0:24:20 | |
My real name's Frances, but everybody calls me Frenchy. | 0:24:20 | 0:24:23 | |
As one stands here, one can inhale the aroma of hot chocolate, | 0:24:23 | 0:24:28 | |
cinnamon, fresh cherries and a dozen other mouth-watering taste treats. | 0:24:28 | 0:24:32 | |
Is it true customers wait on line for half-an-hour for a single cookie? | 0:24:32 | 0:24:36 | |
That you had to ration sales? | 0:24:36 | 0:24:38 | |
It happened once. | 0:24:38 | 0:24:40 | |
What are you making all the fuss about? | 0:24:40 | 0:24:42 | |
Where did you learn the rare secret of your baking? | 0:24:42 | 0:24:45 | |
I don't know. It's the only thing I can cook. | 0:24:45 | 0:24:47 | |
That and linguini with turkey meat balls. | 0:24:47 | 0:24:50 | |
Sir, how would you describe your cookie? | 0:24:50 | 0:24:53 | |
I don't know. It's baked with nutmeg or something. | 0:24:53 | 0:24:56 | |
I just know it's great. | 0:24:56 | 0:24:58 | |
I just wanna say that we're expanding and there are men in the back right now tunnelling... | 0:24:58 | 0:25:02 | |
May, May, get back! | 0:25:02 | 0:25:05 | |
I can't take this. We don't want this kind of attention. | 0:25:05 | 0:25:09 | |
Don't look at me, I didn't hire a publicity agent. They just showed up. | 0:25:09 | 0:25:12 | |
I know, but it's putting us in the toilet. I can't concentrate. | 0:25:12 | 0:25:16 | |
There's people up there demanding cookies every day. | 0:25:16 | 0:25:18 | |
Today, Denny got bit by a rat. | 0:25:18 | 0:25:20 | |
We had to give him rabies shots. | 0:25:20 | 0:25:22 | |
Who, the rat? | 0:25:22 | 0:25:25 | |
Very funny, you should be on TV. | 0:25:23 | 0:25:25 | |
I am! Open your eyes! | 0:25:25 | 0:25:28 | |
I don't like this. | 0:25:28 | 0:25:29 | |
Come on, you've been digging for weeks. | 0:25:29 | 0:25:31 | |
When are you gonna get somewhere? How much longer? | 0:25:31 | 0:25:34 | |
It's complicated. We keep getting lost. | 0:25:34 | 0:25:37 | |
The other day, I was deep in the tunnel, my hat went out. | 0:25:37 | 0:25:39 | |
That stupid coalminer's hat? | 0:25:39 | 0:25:41 | |
That's right. It's a life-saver, that hat, that bulb. | 0:25:41 | 0:25:44 | |
We'd have done better just with a cookie store. | 0:25:44 | 0:25:46 | |
We're making good dough. | 0:25:46 | 0:25:48 | |
Hey. Making good dough. | 0:25:48 | 0:25:50 | |
It's a cookie store, but we're making dough. | 0:25:50 | 0:25:52 | |
That's very... It's a cookie store and we're making dough. | 0:25:52 | 0:25:55 | |
I get it, I get it. | 0:25:55 | 0:25:56 | |
I knew we were going the wrong way. I knew it. | 0:26:25 | 0:26:29 | |
What the hell are we doing in a dress shop? | 0:26:29 | 0:26:30 | |
It's your fault, you got the map. | 0:26:30 | 0:26:32 | |
All right. At least it's a Sunday. | 0:26:32 | 0:26:33 | |
We can patch this up and get outta here. | 0:26:33 | 0:26:35 | |
How are we gonna patch it up? | 0:26:35 | 0:26:37 | |
We tile it and we get out. | 0:26:36 | 0:26:37 | |
Hello! I'm not a tiler. | 0:26:37 | 0:26:39 | |
We don't have any tiles. | 0:26:39 | 0:26:42 | |
Where do you get cement from in the middle of a dress shop? | 0:26:40 | 0:26:42 | |
Besides, Brain, | 0:26:42 | 0:26:44 | |
how are we gonna close the hole and tile it? We're inside the store. | 0:26:44 | 0:26:48 | |
How do we get out? | 0:26:48 | 0:26:50 | |
You tile it from... He's got a point. | 0:26:50 | 0:26:52 | |
You can't tile this from the other side. | 0:26:52 | 0:26:54 | |
No, you can't. | 0:26:54 | 0:26:55 | |
This is very discouraging, guys. I'm ready to pack this in. | 0:26:55 | 0:27:00 | |
Everybody freeze. | 0:27:00 | 0:27:01 | |
Hey, Ray, your wife's cousin talks too much. | 0:27:03 | 0:27:06 | |
Sorry to spoil your expansion plans, fellas. | 0:27:08 | 0:27:10 | |
Officer, listen to me. | 0:27:10 | 0:27:12 | |
We didn't do anything yet. | 0:27:12 | 0:27:13 | |
It's true, we were gonna rob the bank, but we screwed up everything. | 0:27:13 | 0:27:18 | |
Except for the cookie shop. | 0:27:18 | 0:27:20 | |
The cookie shop's doing great. | 0:27:20 | 0:27:22 | |
You like the cookies. Let us forget everything we were gonna do | 0:27:22 | 0:27:26 | |
and just concentrate on the cookie store. | 0:27:26 | 0:27:29 | |
Look, I'm not here trying to ruin anybody's life. | 0:27:29 | 0:27:32 | |
Then give us a break. | 0:27:32 | 0:27:34 | |
Think I could get a piece of the action. | 0:27:34 | 0:27:37 | |
Yeah, I'm not opposed to paying off the cops. | 0:27:37 | 0:27:39 | |
It's a standard business expense. | 0:27:39 | 0:27:42 | |
I don't want you to think of it as a pay-off. | 0:27:42 | 0:27:44 | |
I'm qualified to make what I believe is a major contribution to this whole enterprise. | 0:27:44 | 0:27:49 | |
My brother-in-law majored in business. | 0:27:49 | 0:27:52 | |
Let us hear this contribution. | 0:27:52 | 0:27:54 | |
One word. | 0:27:54 | 0:27:56 | |
Yeah, and that word is? | 0:27:56 | 0:27:59 | |
Franchise. | 0:27:59 | 0:28:01 | |
We got about 600 trucks and we're all over the country and Canada. | 0:28:08 | 0:28:14 | |
We make a lot of different cookies now. Whatever you want. | 0:28:14 | 0:28:17 | |
We got pistachio, pretzels. | 0:28:17 | 0:28:20 | |
We make chicken chip cookies, tuna mint. | 0:28:20 | 0:28:23 | |
Virtually overnight, the Winklers | 0:28:23 | 0:28:25 | |
and their associates have gone from a small, modest mom-and-pop cookie shop | 0:28:25 | 0:28:30 | |
to something approaching a baking empire. | 0:28:30 | 0:28:33 | |
This is where we package everything. | 0:28:33 | 0:28:35 | |
The cookies have a wonderful smell, a fresh smell. | 0:28:38 | 0:28:42 | |
That's all put on with a chemical spray. | 0:28:42 | 0:28:44 | |
We do that over here. | 0:28:44 | 0:28:45 | |
There's certainly no denying | 0:28:45 | 0:28:47 | |
that he's refreshingly down to earth for a corporate executive, | 0:28:47 | 0:28:50 | |
so offbeat that Sunset Farms has captured the imagination | 0:28:50 | 0:28:54 | |
of the public and the industry. | 0:28:54 | 0:28:56 | |
We wanted to find out what the competition thinks, so we went to | 0:28:56 | 0:28:59 | |
Paul Milton of American Cookies. | 0:28:59 | 0:29:02 | |
The bottom line is they make a great product. | 0:29:02 | 0:29:04 | |
You have what the public wants | 0:29:04 | 0:29:06 | |
and everything else takes care of itself. | 0:29:06 | 0:29:09 | |
This is your office? | 0:29:09 | 0:29:10 | |
This is where I operate. | 0:29:10 | 0:29:12 | |
Frenchy decorated this place. | 0:29:12 | 0:29:14 | |
You can tell. | 0:29:14 | 0:29:16 | |
She's got all her stuff here. | 0:29:16 | 0:29:19 | |
This is an antique. | 0:29:19 | 0:29:20 | |
It's Louis the... I dunno. | 0:29:20 | 0:29:23 | |
Louis XIV or Luis XV, you know. | 0:29:23 | 0:29:26 | |
I dunno how high the Louis go but it's a top Louis. | 0:29:26 | 0:29:31 | |
Frenchy stuck a TV in it, because she's got a creative... | 0:29:31 | 0:29:35 | |
She's a creative decorator. | 0:29:35 | 0:29:37 | |
Very original. How much are you worth? | 0:29:37 | 0:29:40 | |
Plenty, plenty. | 0:29:40 | 0:29:42 | |
How much? Just between you and me. | 0:29:42 | 0:29:44 | |
A lot, a lot. | 0:29:44 | 0:29:46 | |
We're worth a lot of dough. Whatever you see is antiques. | 0:29:46 | 0:29:48 | |
This thing here, this is from... | 0:29:48 | 0:29:51 | |
I don't remember exactly. I think it's the renaissance | 0:29:51 | 0:29:53 | |
or Magna Carta or something. That's where it's from. | 0:29:53 | 0:29:56 | |
Why did you decide to go into baking so late in life? | 0:29:56 | 0:29:59 | |
Frenchy, we found out, can make cookies. | 0:29:59 | 0:30:02 | |
The Frenchy they're talking about, reigning culinary genius of Sunset, | 0:30:02 | 0:30:07 | |
is Frances Fox, who happens to be the wife of the CEO. | 0:30:07 | 0:30:10 | |
< You made cookies your whole life | 0:30:10 | 0:30:13 | |
< and everybody told you how delicious they were? | 0:30:13 | 0:30:15 | |
I thought they were BSing me. | 0:30:15 | 0:30:17 | |
Really? | 0:30:17 | 0:30:18 | |
Somebody gives you something they cooked, | 0:30:18 | 0:30:20 | |
you always say you enjoyed it even if it makes you throw up afterwards. | 0:30:20 | 0:30:24 | |
So, you know. | 0:30:24 | 0:30:25 | |
In a day and age where everyone seems to have public relations handlers, | 0:30:25 | 0:30:28 | |
it's hard to imagine a corporate brain trust that is more | 0:30:28 | 0:30:31 | |
direct and less image-conscious than the group at Sunset Farms. | 0:30:31 | 0:30:35 | |
Each person we met seemed more | 0:30:35 | 0:30:37 | |
eccentric than the last, like Tommy Walker, the chairman of the board. | 0:30:37 | 0:30:41 | |
Frenchy makes the best cookies in the world. | 0:30:41 | 0:30:43 | |
We're very proud of her cookies. | 0:30:43 | 0:30:45 | |
< What are your duties as chairman of the board? | 0:30:45 | 0:30:47 | |
The board meets once or twice a week and we think up important issues like that. | 0:30:47 | 0:30:52 | |
< Issues? | 0:30:52 | 0:30:56 | |
Facts, problems, things like that. Normal stuff. | 0:30:52 | 0:30:56 | |
What kind of problems does an overnight success like Sunset Farms face? | 0:30:56 | 0:30:59 | |
What kind of problems? Last week, the toilet | 0:30:59 | 0:31:01 | |
on the fourth floor wouldn't flush. | 0:31:01 | 0:31:03 | |
It flushed, but the water kept coming to the top. | 0:31:03 | 0:31:06 | |
So the board voted on getting a plumber. | 0:31:06 | 0:31:09 | |
One of the architects of Sunset Farms' unorthodox marketing strategy | 0:31:09 | 0:31:13 | |
is the head of advertising, Denny Doyle. | 0:31:13 | 0:31:16 | |
He's a former truck driver. | 0:31:16 | 0:31:17 | |
Was it you who came up with the idea to advertise | 0:31:17 | 0:31:19 | |
the baked goods in Playboy, Penthouse and Hustler magazine. | 0:31:19 | 0:31:23 | |
If a guy is staring at a naked piece of tail, and he sees the breasts | 0:31:23 | 0:31:27 | |
and legs, he's gonna start to salivate. | 0:31:27 | 0:31:29 | |
It's human nature. If he's salivating, he turns | 0:31:29 | 0:31:32 | |
the page and comes across a picture of our pistachio cream cookies, | 0:31:32 | 0:31:36 | |
he thinks maybe that's why he's drooling. Understand? | 0:31:36 | 0:31:39 | |
It's psychology. It's science. | 0:31:39 | 0:31:41 | |
It's like Pablo's Theory. | 0:31:41 | 0:31:43 | |
With the dog, when he feeds him. | 0:31:43 | 0:31:44 | |
Pablo? | 0:31:44 | 0:31:47 | |
Pablo, with the dogs. | 0:31:45 | 0:31:47 | |
Then there's ex-police officer Ken de Loach, vice-president in charge | 0:31:47 | 0:31:51 | |
of distribution. And Benjamin Borkowski, | 0:31:51 | 0:31:54 | |
vice-president in charge of plant safety. | 0:31:54 | 0:31:56 | |
The first thing I did was make sure the building was fireproof. | 0:31:56 | 0:32:00 | |
Lest they be accused of being a mostly male club, May Sloane is in | 0:32:00 | 0:32:04 | |
charge of public relations and physical therapy. | 0:32:04 | 0:32:07 | |
< I understand public relations, but physical therapy? | 0:32:07 | 0:32:11 | |
All the chocolate chips are put in the cookies by hand | 0:32:11 | 0:32:15 | |
and that's really hard on the back and leg muscles. | 0:32:15 | 0:32:18 | |
I do deep massage. | 0:32:18 | 0:32:20 | |
She's also a vice-president. | 0:32:20 | 0:32:23 | |
There you have it, a brief glimpse | 0:32:23 | 0:32:24 | |
into a corporate culture that has industry leaders | 0:32:24 | 0:32:27 | |
and management analysts all over the country scratching their heads, | 0:32:27 | 0:32:31 | |
trying to figure out what Sunset Farms might try next. | 0:32:31 | 0:32:34 | |
But it may be as simple as what Paul Milton, | 0:32:34 | 0:32:36 | |
the Winklers' chief competitor, said. | 0:32:36 | 0:32:38 | |
You've got something the American public wants, | 0:32:38 | 0:32:41 | |
everything else falls into place. | 0:32:41 | 0:32:43 | |
Or as we in television might say, there's no accounting for the public's taste. | 0:32:43 | 0:32:48 | |
OK, keep coming through with the stuff. | 0:32:54 | 0:32:58 | |
It's better the way I had it. | 0:32:58 | 0:32:59 | |
Darling, could you put the doll there by the ceramic zebra. | 0:32:59 | 0:33:02 | |
< Mrs Winkler? You wanted to check the menu. | 0:33:02 | 0:33:05 | |
Right. Stevens, could you bring that piece downstairs | 0:33:05 | 0:33:07 | |
that Mr Winkler hates and try to get it next to the fireplace. | 0:33:07 | 0:33:11 | |
I want a lot of nuts and crudites. | 0:33:11 | 0:33:13 | |
What did we say for openers? Oh, yes, snails. | 0:33:13 | 0:33:16 | |
Escargots, yes. Then the potato and truffle salad? | 0:33:16 | 0:33:19 | |
Yes, truffles by all means, but I hate those thin pieces. | 0:33:19 | 0:33:22 | |
When you shave it, go, go, lay it on big time. | 0:33:22 | 0:33:25 | |
Truffles are always shaved really finely. | 0:33:25 | 0:33:28 | |
Naturally, I didn't mean to suggest anything over done. | 0:33:28 | 0:33:30 | |
Then we have the poached sea bass in filo. | 0:33:30 | 0:33:33 | |
And spinach souffle and salad and dessert. | 0:33:33 | 0:33:37 | |
And finger bowls. | 0:33:37 | 0:33:38 | |
There's nothing being served that requires finger bowls. | 0:33:38 | 0:33:41 | |
But have them - you can never predict whose fingers will need a washing. | 0:33:41 | 0:33:46 | |
Did you rearrange this place again? | 0:33:43 | 0:33:46 | |
All right, hold your water. > | 0:33:46 | 0:33:48 | |
Don't tell me to hold my water. Every night it's like I'm walking into a strange house. | 0:33:48 | 0:33:52 | |
What is this thing? Did I tell you to get rid of this? | 0:33:52 | 0:33:55 | |
It's a harp. You've got no flair. | 0:33:55 | 0:33:57 | |
Don't tell me I've got no flair. Nobody plays the harp. | 0:33:57 | 0:34:00 | |
Who plays it? What's it doing in the middle of the living room? | 0:34:00 | 0:34:02 | |
I like the visual sweep. | 0:34:02 | 0:34:04 | |
I don't know what's gotten into your head. | 0:34:04 | 0:34:07 | |
You're so hoity-toity. | 0:34:07 | 0:34:10 | |
They're my cookies pays for this, so turn it off. | 0:34:10 | 0:34:13 | |
What's for dinner? Don't tell me it's gonna be little sparrows | 0:34:13 | 0:34:17 | |
on a bed of lettuce again, | 0:34:17 | 0:34:18 | |
because I don't care if I never had anything on a bed of lettuce again. | 0:34:18 | 0:34:22 | |
They're pheasants and you ate them last week. | 0:34:22 | 0:34:25 | |
And I got BBs in my mouth. | 0:34:23 | 0:34:25 | |
I almost choked on a BB. | 0:34:25 | 0:34:27 | |
Can I get a cheeseburger? Is that possible? | 0:34:27 | 0:34:29 | |
Are you forgetting? It's the dinner party tonight. | 0:34:29 | 0:34:32 | |
Great. Just when I got a lot on my mind. | 0:34:33 | 0:34:36 | |
Your mind don't hold a lot. Get dressed | 0:34:36 | 0:34:38 | |
and don't forget it's tuxedos. | 0:34:38 | 0:34:40 | |
I'm hungry. I don't want to get dressed now. | 0:34:40 | 0:34:42 | |
You want a snail? | 0:34:42 | 0:34:44 | |
Are you nuts? I'm gonna have a snail? | 0:34:44 | 0:34:46 | |
Come on, you eat steamers. | 0:34:46 | 0:34:48 | |
A snail leaves a little trail of scum in the yard when it walks. | 0:34:48 | 0:34:52 | |
Not in France they don't. | 0:34:52 | 0:34:54 | |
What happened to turkey meatballs and spaghetti? That's what I like. | 0:34:54 | 0:34:59 | |
Have a potato and truffle thing, that'll hold you till the company comes. | 0:34:59 | 0:35:02 | |
I don't want truffles. Truffles got no flavour. | 0:35:02 | 0:35:05 | |
They're subtle. Only pigs can find them. | 0:35:05 | 0:35:08 | |
You're thinking of pearls. They come in oysters, that's what that is. | 0:35:08 | 0:35:13 | |
Take a hike. | 0:35:13 | 0:35:16 | |
You're such an ignoramus. It's what I love about you. | 0:35:14 | 0:35:16 | |
Pearls come in oysters. | 0:35:16 | 0:35:18 | |
Ray, Ray, Ray! Please, don't spoil my big night. | 0:35:18 | 0:35:23 | |
What's so big about tonight? | 0:35:23 | 0:35:24 | |
There's a lot of important people coming from the arts | 0:35:24 | 0:35:27 | |
and I wanna get on some of those boards. | 0:35:27 | 0:35:29 | |
-We donate. You'll be on the boards. -But I wanna be a patron. | 0:35:29 | 0:35:32 | |
You wanna be a socialite. | 0:35:32 | 0:35:34 | |
Is that so terrible? > | 0:35:34 | 0:35:37 | |
When we talked about making it, we were gonna hit it big, | 0:35:37 | 0:35:40 | |
move to Florida, swim, eat stone crabs. | 0:35:40 | 0:35:44 | |
We can get a place in Palm Beach. | 0:35:44 | 0:35:46 | |
Palm Beach is ritzy. | 0:35:46 | 0:35:48 | |
I want to go to Miami and be at the dog track every day. | 0:35:48 | 0:35:52 | |
I just know I wanna be as far away | 0:35:52 | 0:35:54 | |
from Frenchy Fox the topless wonder as I can be. | 0:35:54 | 0:35:58 | |
You were beautiful as Frenchy Fox. | 0:35:58 | 0:36:01 | |
Remember, Night Train, you'd give it a little of this, a little of that. | 0:36:01 | 0:36:05 | |
Those days are over. | 0:36:05 | 0:36:06 | |
Our accountants want us to expand. | 0:36:06 | 0:36:08 | |
We're gonna be twice as big next year. | 0:36:08 | 0:36:10 | |
What good is being twice as big if I can't get a cheeseburger? | 0:36:10 | 0:36:14 | |
Ray, please, be charming tonight. | 0:36:14 | 0:36:17 | |
I've seen you when you wanna turn on the charm. You sparkle. | 0:36:17 | 0:36:21 | |
All right. | 0:36:21 | 0:36:22 | |
I gotta go. | 0:36:22 | 0:36:24 | |
MUSIC: "VOICES OF SPRING" by Johann Strauss II | 0:36:26 | 0:36:30 | |
Good evening. Good evening, welcome to our humble little abode.4 | 0:36:37 | 0:36:41 | |
I'm Charles Bailey. This is my wife, Emily. | 0:36:41 | 0:36:44 | |
How are you doing? | 0:36:44 | 0:36:45 | |
David Burnett. | 0:36:45 | 0:36:47 | |
Hello. How are you doing? | 0:36:47 | 0:36:48 | |
Can I get you drinks? | 0:36:48 | 0:36:50 | |
Just some Evian. Unless you have Perrier. | 0:36:50 | 0:36:52 | |
We've got anything you want. Whatever you want, you can have. | 0:36:52 | 0:36:55 | |
I usually take just tap water, cos the fluoride | 0:36:55 | 0:36:57 | |
keeps your teeth from rotting. Otherwise they'll drop right out. | 0:36:57 | 0:37:00 | |
Hey, look at this. | 0:37:00 | 0:37:02 | |
Hello. So glad you could attend our humble abode. | 0:37:02 | 0:37:07 | |
We just got back, didn't want to miss the new Traviata. | 0:37:07 | 0:37:10 | |
Have you seen it? | 0:37:10 | 0:37:12 | |
No, not yet. | 0:37:12 | 0:37:13 | |
Nor have I. Exactly what is it? | 0:37:13 | 0:37:15 | |
Why are we standing around in the hall? | 0:37:15 | 0:37:18 | |
Please let's retire to the living room. | 0:37:18 | 0:37:22 | |
I gather you're a big fan of the ballet. | 0:37:22 | 0:37:25 | |
Her, are you kidding? | 0:37:25 | 0:37:27 | |
I used to be a dancer, but please call me French...uh, Frances. Frances Fox-Winkler. | 0:37:27 | 0:37:32 | |
The Foxes from Saratoga? | 0:37:32 | 0:37:33 | |
I don't know, I never checked my pedigree. | 0:37:33 | 0:37:36 | |
Can we change the music please? | 0:37:38 | 0:37:40 | |
Why? | 0:37:40 | 0:37:42 | |
I feel like I should be wearing a wig. | 0:37:40 | 0:37:42 | |
You will be in a couple of years. | 0:37:42 | 0:37:43 | |
Did you do the place yourself? | 0:37:43 | 0:37:45 | |
Yes. They say I have a flair for decorating. This rug lights up. | 0:37:45 | 0:37:50 | |
It lights? | 0:37:50 | 0:37:53 | |
It's made of fibre optics. | 0:37:51 | 0:37:53 | |
I'll turn it on later. | 0:37:53 | 0:37:55 | |
Stevens, what's with the snails? | 0:37:55 | 0:37:57 | |
DOORBELL RINGS | 0:37:57 | 0:37:59 | |
Why don't I get the door and you show them | 0:37:59 | 0:38:02 | |
your collection of leather pigs. | 0:38:02 | 0:38:04 | |
Right, go. | 0:38:04 | 0:38:05 | |
Do you play the harp, Frances? | 0:38:05 | 0:38:07 | |
No, it's a visual, honey. | 0:38:07 | 0:38:10 | |
The sweep kills me. | 0:38:10 | 0:38:11 | |
Finally. Girls, come on. | 0:38:11 | 0:38:14 | |
Hey, how're you doing? Come on in. | 0:38:15 | 0:38:17 | |
Right there. | 0:38:17 | 0:38:19 | |
Honey, toots, in there. | 0:38:19 | 0:38:21 | |
Shake it, they're in the other room. | 0:38:21 | 0:38:23 | |
Scott Steinway. | 0:38:23 | 0:38:25 | |
What? | 0:38:25 | 0:38:27 | |
Scott Steinway. | 0:38:25 | 0:38:27 | |
I'm Anthony Gwynn. | 0:38:27 | 0:38:29 | |
No kidding? Tony Gwynn? | 0:38:29 | 0:38:31 | |
You're the outfielder with the Padres. | 0:38:31 | 0:38:33 | |
Our goal is to raise 2 million by April, then the company can tour | 0:38:33 | 0:38:37 | |
the West Coast and include the new opera, | 0:38:37 | 0:38:39 | |
which has gotten such good notices. | 0:38:39 | 0:38:41 | |
Count me in. I love serious music. | 0:38:41 | 0:38:44 | |
Ray, on the other hand, opera freaks him. | 0:38:44 | 0:38:48 | |
Have you tried your finger bowl? | 0:38:48 | 0:38:50 | |
A guy says to him, "What do you do for a living?" | 0:38:50 | 0:38:53 | |
He says, "I'm a mumbak." | 0:38:53 | 0:38:56 | |
"What's a mumbak?" | 0:38:56 | 0:38:58 | |
He says, "I stand behind a truck and say mumbak, mumbak." | 0:38:58 | 0:39:02 | |
He stands behind the truck and goes, "Mumbak, mumbak." | 0:39:03 | 0:39:07 | |
I think it's too fast for her. | 0:39:10 | 0:39:12 | |
Mumbak. He says, "Mumbak". | 0:39:12 | 0:39:15 | |
I do think they overpaid for the Picasso. | 0:39:15 | 0:39:19 | |
For me, it was unusually mediocre. | 0:39:19 | 0:39:22 | |
I agree. | 0:39:22 | 0:39:24 | |
Excuse me, I have to go find my wife. | 0:39:24 | 0:39:27 | |
I saw a beautiful painting of fruit at the Met or the Whitney. | 0:39:27 | 0:39:32 | |
It might have been the Holocaust. | 0:39:32 | 0:39:35 | |
Are you affiliated with any... | 0:39:35 | 0:39:36 | |
I'm a private dealer. | 0:39:36 | 0:39:38 | |
Oh. We have one or two paintings, but I haven't really gotten around | 0:39:38 | 0:39:43 | |
to building a collection yet. | 0:39:43 | 0:39:45 | |
What are you interested in? | 0:39:45 | 0:39:49 | |
Rembrandt, Picasso, Michelangelo. | 0:39:49 | 0:39:52 | |
You know, the boys. | 0:39:52 | 0:39:54 | |
I think I might be out of Michelangelos at the moment, | 0:39:54 | 0:39:58 | |
but I did recently come into possession | 0:39:58 | 0:40:01 | |
of an incredible Damon Dexter that someone's trying to sell. Is he... | 0:40:01 | 0:40:05 | |
I don't think I'm aware of him. | 0:40:05 | 0:40:07 | |
No, well, he's new. | 0:40:07 | 0:40:10 | |
I have to say, your wine is absolutely delicious. Really. | 0:40:10 | 0:40:15 | |
It was chosen by the same chef who did the finger bowls. | 0:40:15 | 0:40:18 | |
Have you rinsed? | 0:40:18 | 0:40:19 | |
David used to be part owner of a vineyard, so he's a tough audience. | 0:40:19 | 0:40:23 | |
Did you study art at school? | 0:40:25 | 0:40:27 | |
No, I didn't. I often think I should have done. | 0:40:27 | 0:40:30 | |
I studied literature. | 0:40:30 | 0:40:32 | |
Then, inevitably, wound up as a stockbroker. | 0:40:32 | 0:40:35 | |
Then I dropped out, went to Japan, became a Buddhist, blah, blah, blah. | 0:40:35 | 0:40:40 | |
Then I did teach art at Amherst for a bit. Then the vineyard. | 0:40:40 | 0:40:45 | |
What a life, and you're still so young. | 0:40:45 | 0:40:49 | |
Don't let the face fool you, somewhere in a closet, | 0:40:49 | 0:40:51 | |
there's a portrait of me ageing. | 0:40:51 | 0:40:53 | |
In the closet? | 0:40:53 | 0:40:55 | |
Why would it be in the... | 0:40:55 | 0:40:58 | |
Oh, how droll. | 0:40:58 | 0:41:01 | |
Did you hear about the Polish car pool? | 0:41:01 | 0:41:04 | |
Every day, they'd meet at work. | 0:41:04 | 0:41:06 | |
I can't believe this room. | 0:41:08 | 0:41:10 | |
It takes bad taste to new heights. | 0:41:10 | 0:41:12 | |
This is excruciating. > | 0:41:12 | 0:41:14 | |
Can you believe the two of them? I can't keep a straight face. > | 0:41:16 | 0:41:19 | |
And what she's done with this apartment, > | 0:41:19 | 0:41:21 | |
the sheer flawless vulgarity. > | 0:41:21 | 0:41:23 | |
She must have been frightened by a leopard. > | 0:41:23 | 0:41:25 | |
Don't knock it. I think they plan on being very generous, > | 0:41:25 | 0:41:27 | |
and for that, we must be thankful. > | 0:41:27 | 0:41:28 | |
Really? And what about the harp? > | 0:41:28 | 0:41:30 | |
Not to mention the way she wears her clothes. > | 0:41:30 | 0:41:33 | |
The definition of bad taste. > | 0:41:33 | 0:41:35 | |
I never saw so much jewellery. | 0:41:38 | 0:41:40 | |
It makes me sad that I don't have to steal any more. Really. | 0:41:40 | 0:41:45 | |
What's the matter, honey, you've been quiet all night? | 0:41:45 | 0:41:48 | |
What's bothering you? | 0:41:48 | 0:41:49 | |
What's bothering me is that we've got no class. | 0:41:49 | 0:41:52 | |
Speak for yourself, I was very charming tonight. | 0:41:52 | 0:41:55 | |
I was killing them with the jokes. | 0:41:55 | 0:41:57 | |
I got a little drunk from the wine, so I went to sit down in the bar. | 0:41:57 | 0:42:01 | |
Some of them were in there talking about us. | 0:42:01 | 0:42:03 | |
You should have heard 'em. And they were right. | 0:42:03 | 0:42:05 | |
Stop it. We got more dough than all of them put together. | 0:42:05 | 0:42:09 | |
It ain't dough. It's knowing the finer things. | 0:42:09 | 0:42:12 | |
Like what? Like opera? | 0:42:12 | 0:42:14 | |
Like food, wine, painting and books. | 0:42:14 | 0:42:17 | |
Stop! I'm unimpressed. | 0:42:17 | 0:42:19 | |
All my life I've been ignorant. I could never afford to learn anything. | 0:42:19 | 0:42:23 | |
There was always some emergency. | 0:42:23 | 0:42:24 | |
And I was a good student before I had a... | 0:42:24 | 0:42:26 | |
I was a lousy student and I always hated school. I don't care about it. | 0:42:26 | 0:42:29 | |
If I could find my school principal today, now that I've got some dough, | 0:42:29 | 0:42:32 | |
I'd put a contract out on her. | 0:42:32 | 0:42:34 | |
Class is something you can't fake and you can't buy. | 0:42:34 | 0:42:38 | |
I got more class in my little finger than they all got combined. | 0:42:38 | 0:42:41 | |
No, we came into a couple of bucks, but we're phoneys. | 0:42:41 | 0:42:46 | |
We're trying to act like big shots. | 0:42:46 | 0:42:47 | |
Not me. | 0:42:47 | 0:42:50 | |
Well, me. But it's over. | 0:42:48 | 0:42:50 | |
The time has come to use our dough to amount to something. | 0:42:50 | 0:42:53 | |
Like what? | 0:42:53 | 0:42:54 | |
To change our lives. | 0:42:54 | 0:42:57 | |
I'm too busy to change my life. | 0:42:57 | 0:42:59 | |
Doing what? Playing pinball? | 0:42:59 | 0:43:01 | |
I don't wanna wear a tux any more. | 0:43:01 | 0:43:03 | |
I don't like it. I wanna go to Florida and swim. | 0:43:03 | 0:43:06 | |
I wanna be the real thing and you'd better wise up, because if I grow | 0:43:06 | 0:43:09 | |
and you stay as stupid as you are, we're gonna have big problems, Ray. | 0:43:09 | 0:43:13 | |
So, smarten you up. Is that what you said? | 0:43:21 | 0:43:25 | |
Yeah. You said you were a teacher. | 0:43:25 | 0:43:28 | |
You know art, opera, books, wine. | 0:43:28 | 0:43:31 | |
We wanna learn it all, don't we? | 0:43:31 | 0:43:33 | |
I'm incredibly flattered that you'd think I was capable of... | 0:43:33 | 0:43:37 | |
Turning two slugs like us into classy items? | 0:43:37 | 0:43:40 | |
No homework. I never did homework when I was young, I'm not doing | 0:43:40 | 0:43:45 | |
anything that's got homework to it. | 0:43:45 | 0:43:47 | |
Naturally, we would make it very worth your while, David. | 0:43:47 | 0:43:50 | |
No, it's absolutely not about money. It's just that | 0:43:50 | 0:43:54 | |
I've never been asked to do anything quite like this. | 0:43:54 | 0:43:57 | |
I'm not sure I'd know where to start. | 0:43:57 | 0:44:00 | |
I know I got to get a better vocabulary. | 0:44:00 | 0:44:03 | |
Have you ever thought about enrolling in college? | 0:44:03 | 0:44:07 | |
College? I didn't to go to high school. | 0:44:07 | 0:44:08 | |
What the hell am I gonna go to college for? | 0:44:08 | 0:44:10 | |
That takes four years. We want a private crash course. | 0:44:10 | 0:44:13 | |
Lessons in life. | 0:44:13 | 0:44:15 | |
Am I crazy? She's nuts. She's nuts. | 0:44:15 | 0:44:18 | |
Tell her she's nuts. | 0:44:18 | 0:44:19 | |
I'm gonna learn about life suddenly? | 0:44:19 | 0:44:22 | |
I must say, I think Ray has a point. | 0:44:22 | 0:44:25 | |
He could probably teach me a lot more about life | 0:44:25 | 0:44:27 | |
than I could ever teach you. | 0:44:27 | 0:44:30 | |
What the hell's he gonna teach? | 0:44:30 | 0:44:32 | |
I can figure the point spread. | 0:44:32 | 0:44:34 | |
I know how to count cards at a blackjack table. | 0:44:34 | 0:44:36 | |
-Would you close your bazoo? -I can count four jacks. -Would you close your bazoo?! | 0:44:36 | 0:44:40 | |
< I don't want to be discouraging, | 0:44:40 | 0:44:42 | |
< because what you're proposing is pretty admirable. | 0:44:42 | 0:44:44 | |
Yes. | 0:44:44 | 0:44:50 | |
I would like to learn how to spell Connecticut. Don't ask me why. | 0:44:45 | 0:44:50 | |
I never knew how to spell Connecticut. | 0:44:50 | 0:44:52 | |
Fair enough, great. You could teach him that, right? | 0:44:52 | 0:44:54 | |
< Yeah. | 0:44:54 | 0:44:55 | |
I heard you telling somebody this is a very slow period in the art market | 0:44:55 | 0:44:59 | |
and we would take very good care of you. | 0:44:59 | 0:45:02 | |
Like I say, I absolutely don't want to discourage you. | 0:45:02 | 0:45:07 | |
I suppose I just have to think about it a bit. | 0:45:07 | 0:45:09 | |
If I could envisage a plan, some kind of starting point. | 0:45:09 | 0:45:13 | |
We could start by building our art collection. | 0:45:13 | 0:45:16 | |
That way, you'd make a few bucks and we can learn something. | 0:45:16 | 0:45:20 | |
But no museums. I'm not going to museums. | 0:45:20 | 0:45:23 | |
The pictures spook me out. | 0:45:23 | 0:45:26 | |
Those virgins. | 0:45:26 | 0:45:27 | |
(LAUGHS) | 0:45:27 | 0:45:29 | |
What are you laughing at? | 0:45:29 | 0:45:31 | |
I'm sorry. | 0:45:33 | 0:45:36 | |
Work on the laugh, Frenchy. | 0:45:34 | 0:45:36 | |
You can see the difference between this Tintoretto and the earlier | 0:45:36 | 0:45:42 | |
Byzantine painting we looked at. | 0:45:42 | 0:45:45 | |
What would you say is the most significant difference? | 0:45:45 | 0:45:49 | |
I would say the frame's bigger here. | 0:45:49 | 0:45:52 | |
Yeah, it is bigger, but there's also a difference | 0:45:54 | 0:45:58 | |
in the paintings themselves. | 0:45:58 | 0:46:00 | |
It's a really important difference, cos it characterises | 0:46:00 | 0:46:03 | |
the great technical leap | 0:46:03 | 0:46:05 | |
from the ancient into the modern world. | 0:46:05 | 0:46:08 | |
You remember how all those saints had very flat faces | 0:46:08 | 0:46:12 | |
and the background was on the same plane as the foreground? | 0:46:12 | 0:46:14 | |
Perspective. | 0:46:14 | 0:46:18 | |
Right, perspective. | 0:46:15 | 0:46:18 | |
Let me show you another very good example of that. | 0:46:18 | 0:46:21 | |
"The frame on this one is bigger"? | 0:46:24 | 0:46:27 | |
Boy, you are a dummy. | 0:46:27 | 0:46:28 | |
Don't give me "perspective". | 0:46:28 | 0:46:30 | |
Take a hike, will you? Take a hike. | 0:46:30 | 0:46:33 | |
28. | 0:46:33 | 0:46:35 | |
-Four. -Levoxyl. -51. | 0:46:35 | 0:46:38 | |
U-ni-ty. | 0:46:39 | 0:46:42 | |
87. 19. | 0:46:42 | 0:46:46 | |
MOANING | 0:46:46 | 0:46:47 | |
-Four. -Red-du-tem-puh. | 0:46:47 | 0:46:53 | |
SCREECHING | 0:46:53 | 0:46:58 | |
I'm hungry. Can we get outta here? | 0:47:01 | 0:47:02 | |
You're always hungry. Why don't you try and learn something? | 0:47:02 | 0:47:05 | |
There's nothing to learn. | 0:47:05 | 0:47:06 | |
Listen, interesting fact. This is where Henry James lived. | 0:47:06 | 0:47:09 | |
Who? | 0:47:09 | 0:47:12 | |
The band leader, stupid. | 0:47:09 | 0:47:12 | |
The man who married Betty Grable. | 0:47:12 | 0:47:13 | |
Yes, yes. | 0:47:13 | 0:47:17 | |
No, no, you're thinking of Harry James, the trumpeter. | 0:47:14 | 0:47:17 | |
I'm talking about Henry James, the author. | 0:47:17 | 0:47:20 | |
-This is where he lived and worked. -Where'd he eat? I'm hungry. | 0:47:22 | 0:47:27 | |
I don't care where he lived. I wanna know where he ate. | 0:47:27 | 0:47:29 | |
The H-eiress, right? | 0:47:29 | 0:47:31 | |
The H is silent. | 0:47:31 | 0:47:32 | |
Oh, did he write that too? | 0:47:32 | 0:47:35 | |
Frenchy, I'm still sick. | 0:47:38 | 0:47:41 | |
I'm weak, I'm weak, I can't go. | 0:47:41 | 0:47:45 | |
You're gonna miss a very interesting great books discussion. | 0:47:45 | 0:47:48 | |
I know, it kills me. | 0:47:48 | 0:47:50 | |
It just kills me, but I can't. | 0:47:50 | 0:47:52 | |
I'll see you when you come back. | 0:47:52 | 0:47:54 | |
-Hello. -Hello. -Nice to see you. | 0:48:10 | 0:48:13 | |
Ray's got a cold. | 0:48:13 | 0:48:15 | |
I bet 500. | 0:48:16 | 0:48:18 | |
500? | 0:48:18 | 0:48:19 | |
I see your five and raise you 500. | 0:48:19 | 0:48:21 | |
I'm outta here. | 0:48:21 | 0:48:22 | |
I see your five and a thou. | 0:48:22 | 0:48:25 | |
What do you think of the book? | 0:48:25 | 0:48:29 | |
I thought it was very romantic. | 0:48:29 | 0:48:31 | |
He loved her, but their backgrounds were so different. | 0:48:31 | 0:48:35 | |
Right. | 0:48:35 | 0:48:37 | |
So you thought it was doomed from the start? | 0:48:37 | 0:48:39 | |
I guess, cos he wound up dead, but I think that | 0:48:39 | 0:48:45 | |
two people from different backgrounds can make it | 0:48:45 | 0:48:49 | |
if the juice is there. | 0:48:49 | 0:48:51 | |
Right. Sorry, juice is...? | 0:48:51 | 0:48:54 | |
You know, hots. | 0:48:54 | 0:48:56 | |
Right. | 0:48:56 | 0:48:59 | |
Wine, would you like some wine? | 0:48:59 | 0:49:01 | |
I brought over a bottle of Chateau Margaux. | 0:49:01 | 0:49:04 | |
That's brilliant, because we can compare that to my Clos de la Roche, | 0:49:04 | 0:49:07 | |
and you can see the difference between a Bordeaux and a Burgundy. | 0:49:07 | 0:49:10 | |
I've got two other Burgundies of the same vintage | 0:49:10 | 0:49:13 | |
that I thought it might be fun for us to try. | 0:49:13 | 0:49:15 | |
I see your five and raise a thou. | 0:49:15 | 0:49:18 | |
I'll see it and raise you 1, 000 more. | 0:49:20 | 0:49:22 | |
And 1,000. | 0:49:24 | 0:49:26 | |
And 1,000. | 0:49:26 | 0:49:28 | |
OK, call. | 0:49:28 | 0:49:29 | |
Read them and weep, a pair of threes. | 0:49:29 | 0:49:32 | |
Oh. I thought you were bluffing. | 0:49:32 | 0:49:35 | |
What do you wanna play now? | 0:49:35 | 0:49:37 | |
What about Indian poker? | 0:49:37 | 0:49:40 | |
Seven cards, you hold your cards over your head, | 0:49:40 | 0:49:43 | |
nobody sees their hand. We bet on each other's hands. | 0:49:43 | 0:49:45 | |
High, low, maybe some wild cards. All the reds. | 0:49:45 | 0:49:49 | |
Sit down, May. | 0:49:49 | 0:49:50 | |
How about Old Maid? | 0:49:50 | 0:49:51 | |
What the hell does that mean? | 0:49:51 | 0:49:53 | |
Shall we play Old Maid? | 0:49:52 | 0:49:53 | |
Try this one. | 0:49:56 | 0:49:58 | |
OK. | 0:49:57 | 0:49:58 | |
Nice nose. | 0:50:02 | 0:50:04 | |
The bouquet is very special. | 0:50:04 | 0:50:06 | |
No, I mean you've got a nice nose. | 0:50:06 | 0:50:09 | |
Me? | 0:50:09 | 0:50:10 | |
Yeah. | 0:50:10 | 0:50:12 | |
I don't know how to describe it. It's like a... | 0:50:12 | 0:50:15 | |
It's just any old nose. | 0:50:15 | 0:50:17 | |
Aquiline. | 0:50:17 | 0:50:19 | |
Talking of which, how is your vocabulary coming on? | 0:50:19 | 0:50:23 | |
Very good. I'm almost through all the A words in the dictionary. | 0:50:23 | 0:50:27 | |
Right. | 0:50:27 | 0:50:30 | |
I'm not 100% convinced that memorising the dictionary | 0:50:30 | 0:50:33 | |
is the best way to improve your vocabulary. | 0:50:33 | 0:50:35 | |
I can't believe you found a buyer for the Damon Dexter so fast, | 0:50:40 | 0:50:43 | |
and such a good price. It'll really take a bite out of our debts. | 0:50:43 | 0:50:46 | |
Oliver, it's dawning on me | 0:50:47 | 0:50:49 | |
that the opportunity has arisen for me to become quite obscenely rich. | 0:50:49 | 0:50:55 | |
How serious are they about building an art collection? | 0:50:55 | 0:50:57 | |
It's not that. That would be peanuts. | 0:50:57 | 0:50:59 | |
What, then? | 0:50:59 | 0:51:01 | |
I think that she might be falling for me. | 0:51:01 | 0:51:04 | |
Frenchy Winkler? | 0:51:04 | 0:51:06 | |
How much do you think she's worth? | 0:51:06 | 0:51:08 | |
Her husband, you mean? | 0:51:08 | 0:51:10 | |
No, it's all in her name. | 0:51:10 | 0:51:12 | |
She's the cookie mogul. | 0:51:12 | 0:51:14 | |
What are you saying? | 0:51:14 | 0:51:16 | |
I suppose I'm saying that | 0:51:16 | 0:51:18 | |
people grow and marriages sadly break up and women remarry. | 0:51:18 | 0:51:24 | |
Fortunes, they change hands. | 0:51:24 | 0:51:27 | |
What is this? | 0:51:29 | 0:51:30 | |
It's a Damon Dexter. | 0:51:30 | 0:51:32 | |
A discovery of David's. | 0:51:32 | 0:51:34 | |
I say it's depressing. | 0:51:34 | 0:51:35 | |
Knock it off. You wouldn't know a masterpiece if it bit you in the ass. | 0:51:35 | 0:51:39 | |
I refuse to look at this. | 0:51:39 | 0:51:41 | |
What is that supposed to mean? | 0:51:41 | 0:51:42 | |
It means as long as this is on our wall, I don't look at that wall. | 0:51:42 | 0:51:45 | |
You're a headcase. | 0:51:45 | 0:51:47 | |
-I'll bet David made a big profit on this. -Hey, Whose cookies pay the rent? | 0:51:47 | 0:51:51 | |
I think he's making a fool out of you. | 0:51:51 | 0:51:53 | |
Stevens, tell me what time it is, cos I no longer look at this wall. | 0:51:53 | 0:51:57 | |
11am, sir. | 0:51:57 | 0:51:58 | |
Thank you very much. | 0:51:58 | 0:52:00 | |
David, what's this? | 0:52:12 | 0:52:14 | |
That's a citrine necklace. | 0:52:14 | 0:52:17 | |
-Do you know about citrines? -No. | 0:52:17 | 0:52:19 | |
They're not one of the precious stones, but the lustre's always | 0:52:19 | 0:52:22 | |
been considered very special and unique. | 0:52:22 | 0:52:24 | |
And that? Look! | 0:52:24 | 0:52:26 | |
Ah. Well, if we're talking about lustre, this is something very special, | 0:52:26 | 0:52:30 | |
and I would imagine very expensive. | 0:52:30 | 0:52:33 | |
It's a cigarette case encrusted with diamonds that belonged to the Duke of Windsor. | 0:52:33 | 0:52:38 | |
I know the Duke of Windsor. | 0:52:38 | 0:52:40 | |
He also married beneath his station, right? | 0:52:40 | 0:52:44 | |
He did. Like our friend Henry Higgins. | 0:52:44 | 0:52:46 | |
The Duke and Duchess. Such a romantic story. | 0:52:46 | 0:52:49 | |
I saw it on television. | 0:52:49 | 0:52:51 | |
-Uh-huh? -Uh-huh. | 0:52:51 | 0:52:52 | |
Ray. Ray! | 0:53:04 | 0:53:06 | |
What are you doing here? | 0:53:07 | 0:53:09 | |
I'm having Chinese food. | 0:53:09 | 0:53:12 | |
That's what they serve in a Chinese restaurant. | 0:53:12 | 0:53:14 | |
Do you want some company? | 0:53:14 | 0:53:16 | |
Who? | 0:53:16 | 0:53:17 | |
What do you mean, "Who?" Who's talking to you? Me. | 0:53:17 | 0:53:20 | |
But where's Frenchy? | 0:53:20 | 0:53:22 | |
Frenchy's at a concert - some piano concert with a guy. | 0:53:22 | 0:53:25 | |
Oh. | 0:53:25 | 0:53:26 | |
Well, they have take-out here, but I don't think they'll deliver to a concert. | 0:53:26 | 0:53:30 | |
Don't worry about it, May, Frenchy'll eat. | 0:53:30 | 0:53:33 | |
MUSIC: "Prelude in B minor opus 32, No.10" by Rachmaninov | 0:53:33 | 0:53:38 | |
Dinner was so great, May. | 0:53:47 | 0:53:50 | |
All the MSG and the grease, what a treat. | 0:53:50 | 0:53:54 | |
I'm so sick of Continental food every night. | 0:53:54 | 0:53:58 | |
Frenchy eats frogs' legs! | 0:53:58 | 0:54:00 | |
They're supposed to taste like chicken. | 0:54:00 | 0:54:02 | |
Rabbit. | 0:54:02 | 0:54:03 | |
Rabbit tastes like frogs' legs? | 0:54:03 | 0:54:06 | |
No...Forget it, forget it. | 0:54:06 | 0:54:08 | |
Are you happy being rich? | 0:54:08 | 0:54:10 | |
It's OK. I got a lot of charge accounts | 0:54:10 | 0:54:13 | |
and I got a really, really nice apartment and a maid. | 0:54:13 | 0:54:16 | |
I'm still a little lonely though. | 0:54:16 | 0:54:18 | |
Yeah? How come? | 0:54:18 | 0:54:20 | |
That guy I was seeing left me because he was | 0:54:20 | 0:54:23 | |
so embarrassed about being poor and he hated that I paid for everything. | 0:54:23 | 0:54:27 | |
Then I stopped paying. | 0:54:27 | 0:54:29 | |
Actually, that's when he left me. | 0:54:29 | 0:54:31 | |
I can understand you. | 0:54:31 | 0:54:33 | |
Do you enjoy being rich? | 0:54:33 | 0:54:35 | |
I hate it. | 0:54:35 | 0:54:36 | |
You're kidding?! | 0:54:36 | 0:54:37 | |
No, I hate it. I hate the life. | 0:54:37 | 0:54:39 | |
It's causing me to lose Frenchy. | 0:54:39 | 0:54:41 | |
What do you mean? | 0:54:41 | 0:54:43 | |
I mean she's outgrowing me. | 0:54:43 | 0:54:45 | |
She's like a different person now. | 0:54:45 | 0:54:48 | |
I think she's developing a crush on that teacher, David. | 0:54:48 | 0:54:52 | |
Yeah, well, he's very good-looking | 0:54:52 | 0:54:54 | |
and really bright and charming and very elegant. | 0:54:54 | 0:54:58 | |
OK, May, I got the picture. | 0:54:58 | 0:55:00 | |
You really know how to make a guy feel good. | 0:55:00 | 0:55:03 | |
When you're right, you're right. | 0:55:03 | 0:55:04 | |
Thank you. | 0:55:04 | 0:55:06 | |
What did you think of her playing? | 0:55:06 | 0:55:09 | |
I thought the whole evening was apocalyptic. | 0:55:09 | 0:55:12 | |
Apocalyptic, really? | 0:55:12 | 0:55:13 | |
Totally. I really was agog. | 0:55:13 | 0:55:16 | |
Me, too. She's fabulous. | 0:55:16 | 0:55:18 | |
She's fabulous. I have to asseverate she deserves accolades. | 0:55:18 | 0:55:23 | |
Frances, you've been memorising the dictionary, haven't you? | 0:55:23 | 0:55:28 | |
Yeah, I got the As. Next week, the Bs. | 0:55:25 | 0:55:28 | |
How do I look? | 0:55:28 | 0:55:30 | |
I have to say that that dress is just gorgeous on you. | 0:55:30 | 0:55:34 | |
See, your influence. Low-key, right? | 0:55:34 | 0:55:38 | |
That's a very flattering thing to say. | 0:55:38 | 0:55:40 | |
Ray thinks it's Dullsville. | 0:55:40 | 0:55:42 | |
David? | 0:55:42 | 0:55:44 | |
Wasn't the choice of the Rachmaninov inspired? | 0:55:44 | 0:55:47 | |
Yeah, we loved it. | 0:55:47 | 0:55:48 | |
At first, I thought it might incur my animadversion, but | 0:55:48 | 0:55:51 | |
soon I realised it was apposite. | 0:55:51 | 0:55:53 | |
I think I see drinks at last. | 0:55:53 | 0:55:55 | |
Good to see you, David. | 0:55:55 | 0:55:57 | |
Nice meeting you. | 0:55:57 | 0:55:58 | |
Thank you. Thank you very much. | 0:55:58 | 0:55:59 | |
I love your friends. | 0:55:59 | 0:56:01 | |
They're so bright and cultured and refined. It's another world. | 0:56:01 | 0:56:06 | |
It's a world I know you'd love to belong to. | 0:56:06 | 0:56:09 | |
This looks a lot more civilised. | 0:56:09 | 0:56:11 | |
Beautiful. | 0:56:11 | 0:56:13 | |
Let's take a seat. | 0:56:12 | 0:56:13 | |
Anything we get, Cody's in for his full share. | 0:56:13 | 0:56:18 | |
That's how it is. | 0:56:18 | 0:56:19 | |
You know why I respect Cody Jarrett? | 0:56:19 | 0:56:22 | |
Why? | 0:56:22 | 0:56:25 | |
Because he loves his mother. | 0:56:23 | 0:56:25 | |
I understand that, May. | 0:56:25 | 0:56:27 | |
Even though he's a vicious, cold-blooded psychopathic killer | 0:56:27 | 0:56:30 | |
and she encourages him, it's sweet. | 0:56:30 | 0:56:33 | |
It has a sweetness, because I wish I had a mother like that. | 0:56:33 | 0:56:35 | |
Yeah. More Pepsi? | 0:56:35 | 0:56:37 | |
Yeah, please. | 0:56:36 | 0:56:37 | |
This is the best part. | 0:56:37 | 0:56:39 | |
I love this part. | 0:56:39 | 0:56:41 | |
Yeah. | 0:56:41 | 0:56:42 | |
Will you pass me the Cracker Jack? | 0:56:42 | 0:56:44 | |
What are you looking at? | 0:56:48 | 0:56:50 | |
I happened to be noticing you. | 0:56:50 | 0:56:52 | |
I was looking at you a couple of times tonight. | 0:56:52 | 0:56:54 | |
For the first time, I had the thought that, | 0:56:54 | 0:56:56 | |
in a very, very strange way, | 0:56:56 | 0:56:59 | |
you've got a sweet face. | 0:56:59 | 0:57:01 | |
It's offbeat, in a kind of bizarre... | 0:57:01 | 0:57:04 | |
I don't know how to explain it exactly, but it's right up there. | 0:57:04 | 0:57:09 | |
What do you mean? | 0:57:09 | 0:57:10 | |
I mean it as a compliment. | 0:57:10 | 0:57:12 | |
I'm trying to say a nice thing. | 0:57:12 | 0:57:15 | |
You being a relative of Frenchy, I never before classified you | 0:57:15 | 0:57:19 | |
as a human-type female. So... | 0:57:19 | 0:57:22 | |
I was married. | 0:57:22 | 0:57:23 | |
I know. It was a long time ago, right? | 0:57:23 | 0:57:25 | |
It was a really tragic story, cos my husband, Otto, | 0:57:25 | 0:57:29 | |
was dyslexic and the only thing he could spell correctly was his name. | 0:57:29 | 0:57:33 | |
Oh. That's a... | 0:57:33 | 0:57:34 | |
There's no doubt about it, the Burgundy really goes to my head. | 0:57:37 | 0:57:41 | |
What do you want to talk to me about? | 0:57:41 | 0:57:43 | |
I've, um... | 0:57:45 | 0:57:48 | |
I've got a little present for you. | 0:57:48 | 0:57:50 | |
For me? | 0:57:50 | 0:57:51 | |
Here. | 0:57:51 | 0:57:53 | |
Oh, pretty! | 0:57:53 | 0:57:54 | |
I love leather books. | 0:57:54 | 0:57:57 | |
Oh, Pygmalion. I love that story. | 0:57:57 | 0:58:00 | |
There's a little inscription there. | 0:58:00 | 0:58:03 | |
To my favourite Eliza, from your Professor Higgins, love David. | 0:58:03 | 0:58:07 | |
Gee, I got a confession to make. | 0:58:07 | 0:58:09 | |
What? | 0:58:09 | 0:58:11 | |
I got you a present too. | 0:58:09 | 0:58:11 | |
Oh, no, you didn't have to do that. | 0:58:11 | 0:58:14 | |
It's in appreciation of all the stuff you've been doing for me, | 0:58:14 | 0:58:17 | |
cos I know it's a hard job. | 0:58:17 | 0:58:18 | |
Oh, my God. Oh, my God! | 0:58:18 | 0:58:21 | |
Frenchy... | 0:58:21 | 0:58:23 | |
Frances! | 0:58:23 | 0:58:24 | |
Frances, this is... It must have cost you a fortune! | 0:58:24 | 0:58:29 | |
What good's having dough unless you spend it? | 0:58:29 | 0:58:33 | |
But this is so extravagant. | 0:58:33 | 0:58:36 | |
I'm embarrassed. | 0:58:36 | 0:58:37 | |
I'm not suggesting you take up smoking, but I figured, | 0:58:37 | 0:58:40 | |
if it's good enough for the Duke of Windsor, right? | 0:58:40 | 0:58:44 | |
I'm really overwhelmed. | 0:58:44 | 0:58:46 | |
My little pathetic Bernard Shaw | 0:58:46 | 0:58:48 | |
is so insignificant in comparison to this. | 0:58:48 | 0:58:51 | |
But I just... | 0:58:51 | 0:58:53 | |
I just wanted you to know how unbelievably proud I am of you. | 0:58:53 | 0:58:56 | |
David, this is not insignificant. | 0:58:56 | 0:58:59 | |
Maybe I'm talking out of turn here, but... | 0:58:59 | 0:59:02 | |
you've developed so much. | 0:59:02 | 0:59:06 | |
I feel that you belong in a world of society and high culture now. | 0:59:06 | 0:59:11 | |
It's frustrating, because you should continue growing. | 0:59:11 | 0:59:14 | |
You should be branching out, travelling. | 0:59:14 | 0:59:17 | |
Paris and Rome and the great opera houses and museums. | 0:59:17 | 0:59:21 | |
You should be in a position to cultivate the right kind of friends. | 0:59:21 | 0:59:25 | |
Anyway, I... | 0:59:25 | 0:59:27 | |
It's hard, because Ray's not like that. | 0:59:28 | 0:59:30 | |
He likes to watch TV in his underwear, sucking a Bud. | 0:59:30 | 0:59:35 | |
Yeah. I don't know what to say. | 0:59:35 | 0:59:38 | |
I can't comment on that. | 0:59:38 | 0:59:40 | |
Can I be frank, David? | 0:59:41 | 0:59:43 | |
M-hm. | 0:59:43 | 0:59:45 | |
Sometimes, I think I've outgrown him. | 0:59:45 | 0:59:47 | |
Pretty late. | 1:00:02 | 1:00:04 | |
Yeah, you too, what did you do? | 1:00:04 | 1:00:06 | |
You know, I worked late, and then | 1:00:06 | 1:00:10 | |
May and me had some Chinese food. | 1:00:10 | 1:00:13 | |
What did you talk about over dinner, cartoons? | 1:00:13 | 1:00:15 | |
What are you, kidding? | 1:00:15 | 1:00:16 | |
We went up to her apartment. We watched White Heat on television. | 1:00:16 | 1:00:19 | |
Until 3am? | 1:00:19 | 1:00:21 | |
Then we went out and got a pizza. | 1:00:21 | 1:00:23 | |
-Chinese food -and -a pizza? | 1:00:23 | 1:00:25 | |
With your stomach, I'm surprised you weren't shot breaking into the Pepto-Bismol factory. | 1:00:25 | 1:00:29 | |
I had fun. For the first time in a long time, I had a good time. | 1:00:29 | 1:00:33 | |
I want to talk to you, Ray. | 1:00:34 | 1:00:36 | |
Now? | 1:00:36 | 1:00:37 | |
David's going over to Europe for a month, I thought we might go along, | 1:00:37 | 1:00:41 | |
see some sights. | 1:00:41 | 1:00:42 | |
What kind of sights? | 1:00:42 | 1:00:44 | |
You know, churches, opera houses, ruins. | 1:00:44 | 1:00:47 | |
What are you, a stroke victim? | 1:00:47 | 1:00:49 | |
I'm gonna to fly 3,000 miles to see opera houses and ruins? | 1:00:49 | 1:00:53 | |
Well, I wanna go. | 1:00:53 | 1:00:55 | |
What do you mean, you wanna go? | 1:00:54 | 1:00:55 | |
It's part of my cultural development. | 1:00:55 | 1:00:57 | |
Will you knock it off? You're Frenchy Fox from New Jersey. | 1:00:57 | 1:01:00 | |
Stop putting on airs. | 1:01:00 | 1:01:02 | |
David thinks it would be good for me to travel through Europe. | 1:01:02 | 1:01:06 | |
I get a bad vibe about this guy. | 1:01:04 | 1:01:06 | |
Because you're a crook, so you think everybody is. | 1:01:06 | 1:01:08 | |
I wish I still was a crook, then I'd feel like an actual person again. | 1:01:08 | 1:01:11 | |
I warned you that this would happen if you didn't grow along with me. | 1:01:11 | 1:01:18 | |
It's only your rear end that's grown, from too much French food. | 1:01:14 | 1:01:18 | |
I'm sorry, Ray, but I wanna go to Europe. | 1:01:18 | 1:01:20 | |
What do you mean, you wanna go to Europe? | 1:01:20 | 1:01:22 | |
We're married. You can't just go to Europe with David. | 1:01:22 | 1:01:25 | |
I asked you to come. | 1:01:25 | 1:01:30 | |
Because you knew I'd say no. That's why you asked me. My idea of fun | 1:01:26 | 1:01:30 | |
is not going to operas and ruins. I get enough sleep at home. | 1:01:30 | 1:01:33 | |
I never thought I'd be saying this to you, but maybe the time has come to re-evaluate our marriage. | 1:01:33 | 1:01:39 | |
If you go to Europe with David, | 1:01:39 | 1:01:40 | |
you're gonna have to re-evaluate it big time. | 1:01:40 | 1:01:42 | |
I'm going, Ray. I won't be held back mentally | 1:01:42 | 1:01:45 | |
by some over-age juvenile delinquent. | 1:01:45 | 1:01:47 | |
Then you'd better go get yourself a lawyer. | 1:01:47 | 1:01:49 | |
We don't need lawyers. | 1:01:49 | 1:01:51 | |
I'll go 50-50 with you, even though it's all in my name. | 1:01:51 | 1:01:54 | |
You're right. We don't need lawyers. Because you don't have to go 50-50. | 1:01:54 | 1:01:57 | |
I don't want anything, you can have the house, | 1:01:57 | 1:02:00 | |
the business, you can have custody of all the chocolate chips. | 1:02:00 | 1:02:02 | |
I just want out. | 1:02:02 | 1:02:05 | |
You know, May, it was on a boat that I first proposed to Frenchy. | 1:02:38 | 1:02:42 | |
Yeah, I know. | 1:02:42 | 1:02:44 | |
All of a sudden I'm not her type after all these years. | 1:02:44 | 1:02:48 | |
May I tell you something, Ray? | 1:02:48 | 1:02:50 | |
What? | 1:02:50 | 1:02:52 | |
You're not my type either. | 1:02:52 | 1:02:55 | |
What does that mean? What the hell does that mean? | 1:02:55 | 1:02:58 | |
It means that maybe Frenchy wasn't so wrong to try | 1:02:58 | 1:03:01 | |
and make something out of herself. | 1:03:01 | 1:03:02 | |
She was nuts. Frenchy overdid everything. | 1:03:02 | 1:03:06 | |
Well, you underdo everything. | 1:03:04 | 1:03:06 | |
There's more to life than turkey meatballs. | 1:03:06 | 1:03:10 | |
I don't know. I don't know what to say. I get a bad vibe about | 1:03:10 | 1:03:13 | |
this guy David. It's my street instinct. I just don't trust him. | 1:03:13 | 1:03:17 | |
I know why! Because he's younger than you are, | 1:03:17 | 1:03:20 | |
he's handsomer than you are, he's much taller than you are, | 1:03:20 | 1:03:24 | |
he's smarter than you are, he's much more exciting than you are. | 1:03:24 | 1:03:27 | |
Don't feel obligated to pull any punches with me. I can take it. | 1:03:27 | 1:03:31 | |
Women like a little elegance. | 1:03:32 | 1:03:35 | |
So if I had it to do over again, I would do some things differently. | 1:03:35 | 1:03:40 | |
Maybe I'd sit through a couple more operas with Frenchy. | 1:03:40 | 1:03:43 | |
Especially now since they've got the new Sony Walkmans. | 1:03:43 | 1:03:47 | |
Now that you've split up with Frenchy you don't even work. | 1:03:47 | 1:03:50 | |
I don't work, May, but I got an idea for something. | 1:03:50 | 1:03:54 | |
I want to talk to you about it. | 1:03:54 | 1:03:57 | |
Really? | 1:03:57 | 1:03:58 | |
Wow. What a place. | 1:04:09 | 1:04:11 | |
That's the home of Chi Chi Potter, the socialite. | 1:04:11 | 1:04:14 | |
Chi Chi Velazquez Potter. | 1:04:14 | 1:04:16 | |
Now, Chi Chi's got a necklace. | 1:04:16 | 1:04:18 | |
It's all emeralds, with diamonds around it. | 1:04:18 | 1:04:20 | |
It's a very famous necklace. Maybe you saw it in a magazine, | 1:04:20 | 1:04:23 | |
cos they photographed it all the time. | 1:04:23 | 1:04:25 | |
Would it have been on television? | 1:04:25 | 1:04:26 | |
I don't know if it was on television, | 1:04:26 | 1:04:28 | |
but it's been in magazines. It's a famous necklace. | 1:04:28 | 1:04:31 | |
I want to go in there. I could live off that necklace, | 1:04:31 | 1:04:33 | |
if I fence it, for the rest of my life. | 1:04:33 | 1:04:35 | |
You've gotta remember what happened when you tunnelled into the bank. | 1:04:35 | 1:04:38 | |
Yeah, but that's the beauty part, we don't have to tunnel any more. | 1:04:38 | 1:04:41 | |
Now, Frenchy and I, we're patrons of the arts. | 1:04:41 | 1:04:44 | |
Chi Chi invited us to a big party there in a couple of weeks. | 1:04:44 | 1:04:47 | |
Frenchy's out of town, you come with me, we get the necklace. | 1:04:47 | 1:04:51 | |
Oh, I see. I never heisted anything before. | 1:04:51 | 1:04:54 | |
There's nothing to it. I know where the safe is. | 1:04:54 | 1:04:56 | |
'This has been on my mind for a while. | 1:04:56 | 1:04:58 | |
'I had dinner over there one night, and I excused myself. | 1:04:58 | 1:05:01 | |
'I was very crafty, I went upstairs, and I checked out the place. | 1:05:01 | 1:05:05 | |
'I scoped it all out and I found the safe. | 1:05:05 | 1:05:07 | |
'I got the whole layout in my mind up there. | 1:05:07 | 1:05:09 | |
'So I know we can do this.' | 1:05:09 | 1:05:11 | |
I don't want to wind up in jail. If this is such a big item, | 1:05:34 | 1:05:37 | |
they're going to be turning the town upside-down | 1:05:37 | 1:05:40 | |
looking for it, aren't they? | 1:05:40 | 1:05:41 | |
No, that's where you're dealing with a particularly shrewd mentality. | 1:05:41 | 1:05:44 | |
I got a connection in Chinatown. | 1:05:44 | 1:05:46 | |
I bring in a picture that I got from a magazine of the necklace. | 1:05:46 | 1:05:49 | |
He makes me an exact duplicate. | 1:05:49 | 1:05:51 | |
I switch. She never knows what happened. | 1:05:51 | 1:05:54 | |
Chi Chi's a dumb, flighty society dame. She's crazy. | 1:05:54 | 1:05:59 | |
By the time she figures out there's a switch, two years from now, | 1:05:59 | 1:06:02 | |
I'll be in Florida or the Cayman Islands. | 1:06:02 | 1:06:05 | |
MUSIC: "Sarabande from Suite No.2 in D Minor" by JS Bach | 1:06:11 | 1:06:14 | |
CELL PHONE RINGS | 1:06:18 | 1:06:22 | |
Hello. What? | 1:06:24 | 1:06:27 | |
I can't hear you, what? | 1:06:27 | 1:06:29 | |
Shh! | 1:06:29 | 1:06:33 | |
I'm in a crypt. I can't... What do you mean? | 1:06:30 | 1:06:33 | |
What are you talking about? How? | 1:06:34 | 1:06:37 | |
Would you give me a break, sister, OK? | 1:06:37 | 1:06:39 | |
-Today? -SHHH! | 1:06:39 | 1:06:41 | |
What do you mean, it's an emergency? | 1:06:41 | 1:06:44 | |
Oh, hi. | 1:06:52 | 1:06:54 | |
Mrs Winkler? We're so sorry to bring you back from your vacation. | 1:06:54 | 1:06:58 | |
Well, what the hell's going on? | 1:06:58 | 1:06:59 | |
Frances, I have terrible news. | 1:06:59 | 1:07:01 | |
Something happen to Ray? | 1:07:01 | 1:07:02 | |
Sunset Enterprises is bankrupt. | 1:07:02 | 1:07:05 | |
How? | 1:07:05 | 1:07:07 | |
Fraud. | 1:07:06 | 1:07:07 | |
Fraud, who? | 1:07:07 | 1:07:09 | |
Your accountants. | 1:07:09 | 1:07:11 | |
My accountants? I don't even know who they are. | 1:07:11 | 1:07:14 | |
You should have looked. | 1:07:14 | 1:07:16 | |
We let them handle everything. | 1:07:16 | 1:07:18 | |
I mean, what the hell do I know about running a corporation? | 1:07:18 | 1:07:21 | |
< Did you ever read anything you signed? | 1:07:21 | 1:07:24 | |
No, but they assured us everything was OK. | 1:07:24 | 1:07:26 | |
Mrs Winkler, may I get you a drink? | 1:07:26 | 1:07:29 | |
I'd like a 1961 Romanee St Vivant, if we have it. | 1:07:29 | 1:07:33 | |
I'd have a whisky if I were you. | 1:07:33 | 1:07:36 | |
I don't understand, I mean, Sunset's gone? Can't we do anything? | 1:07:36 | 1:07:41 | |
We might be able to put a few people in jail - if we could find them. | 1:07:41 | 1:07:45 | |
This is the worst news. | 1:07:47 | 1:07:48 | |
Oh, no, Mrs Winkler, it's not. | 1:07:48 | 1:07:51 | |
No, well it is to me! | 1:07:51 | 1:07:53 | |
No, no, the worst news is coming up. | 1:07:53 | 1:07:55 | |
Oh, all right. All right. | 1:07:57 | 1:08:00 | |
You better tell me. | 1:08:00 | 1:08:03 | |
< They spoke to you about expanding Sunset. | 1:08:03 | 1:08:05 | |
That's right, we've been planning it for months. | 1:08:05 | 1:08:08 | |
In order to do that, you needed a bank loan. You're aware of that? | 1:08:08 | 1:08:11 | |
Quite a substantial loan. | 1:08:11 | 1:08:13 | |
Get to the point. | 1:08:13 | 1:08:14 | |
They asked you to sign a promissory note to the bank. | 1:08:14 | 1:08:18 | |
Darling, you're speaking to the wrong person. | 1:08:18 | 1:08:20 | |
This is what I've got accountants for. | 1:08:20 | 1:08:22 | |
Yes, but unfortunately, your accountants are in Venezuela. | 1:08:22 | 1:08:25 | |
This is all so confusing. | 1:08:27 | 1:08:28 | |
Frances, you put up your home and savings as a note for a monster loan. | 1:08:28 | 1:08:32 | |
Could you put a touch of cyanide in here? | 1:08:34 | 1:08:37 | |
It needs to be a little stronger. | 1:08:37 | 1:08:39 | |
You've lost it all, Frenchy, or should I say, | 1:08:39 | 1:08:41 | |
you've been swindled out of it all. | 1:08:41 | 1:08:43 | |
You mean I got... | 1:08:44 | 1:08:46 | |
Nothing, Mrs Winkler, you have nothing, no house, no bank account, | 1:08:46 | 1:08:50 | |
just a couple of large outstanding loans | 1:08:50 | 1:08:53 | |
which we feel you can best deal with by filing for bankruptcy. | 1:08:53 | 1:08:57 | |
Bankruptcy? > | 1:08:57 | 1:08:59 | |
I'm not up to the B words yet. | 1:08:59 | 1:09:01 | |
Sorry. | 1:09:01 | 1:09:02 | |
Does Ray know about this? | 1:09:02 | 1:09:04 | |
What difference does it make to Ray? He's gone! > | 1:09:04 | 1:09:06 | |
What did you say? | 1:09:25 | 1:09:27 | |
I'm bankrupt. > | 1:09:29 | 1:09:30 | |
Sunset's gone. > | 1:09:30 | 1:09:32 | |
Worse, all my personal dough is gone. > | 1:09:32 | 1:09:35 | |
The whole ride's over. > | 1:09:35 | 1:09:37 | |
Well... | 1:09:37 | 1:09:40 | |
How could that possibly happen? | 1:09:40 | 1:09:42 | |
Fraud. My accountants. | 1:09:42 | 1:09:45 | |
Ray said not to trust them because the whole firm had moustaches. | 1:09:45 | 1:09:49 | |
I'm going to get myself a little Valium. | 1:09:50 | 1:09:54 | |
David, I'm not going to be able to give you that loan I promised you. | 1:09:54 | 1:09:58 | |
What? What did you say? | 1:09:58 | 1:10:00 | |
Suddenly it turns out I've got people I owe. | 1:10:00 | 1:10:02 | |
Yeah, but you did say I could borrow | 1:10:02 | 1:10:04 | |
400,000. You know I was using it to cement a deal! | 1:10:04 | 1:10:07 | |
I know, it kills me to cop out on you like this, but I'm busted, I'm flat. | 1:10:07 | 1:10:12 | |
What an idiot. | 1:10:12 | 1:10:13 | |
I guess I am, yeah. | 1:10:13 | 1:10:15 | |
How could you be so stupid and irresponsible as to allow some | 1:10:15 | 1:10:20 | |
patently cheap thieving accountants to defraud you out of a future? | 1:10:20 | 1:10:24 | |
I just don't understand how anyone could be that stupid! | 1:10:24 | 1:10:27 | |
Hey, aren't you a little out of line? | 1:10:27 | 1:10:29 | |
Yeah, you know I'd made plans. I'd made commitments to people. | 1:10:29 | 1:10:33 | |
You got a strange look in your eye, like the guy from the book. | 1:10:35 | 1:10:39 | |
Dr Jekyll or Mr Hyde, or Ted Bundy, I can never remember. | 1:10:39 | 1:10:43 | |
To think of the time I've put in nurturing an idea that's not going to happen. | 1:10:43 | 1:10:47 | |
Is that what it was? The money? | 1:10:47 | 1:10:49 | |
I need my prescription. I need my little blue pill. | 1:10:49 | 1:10:54 | |
I'm gonna go and get them, and I would very much appreciate it | 1:10:54 | 1:10:57 | |
if when I came back you were gone. | 1:10:57 | 1:10:59 | |
< Thank you. | 1:10:59 | 1:11:01 | |
David, if you wouldn't mind, | 1:11:02 | 1:11:04 | |
I'd like the cigarette case back that I gave you. | 1:11:04 | 1:11:07 | |
I don't think so, my love. | 1:11:07 | 1:11:09 | |
Wow. | 1:11:09 | 1:11:12 | |
I asked you for lessons in life. | 1:11:12 | 1:11:15 | |
I guess I really got one, right? | 1:11:15 | 1:11:17 | |
Oh, we are so are glad you could come. How are you? | 1:11:35 | 1:11:38 | |
Good. | 1:11:38 | 1:11:44 | |
Laxton wants to talk to you about a theatre project in Aspen. | 1:11:39 | 1:11:44 | |
Do you ski? | 1:11:44 | 1:11:46 | |
Me, no, never. | 1:11:46 | 1:11:48 | |
Do either of you play miniature golf? | 1:11:48 | 1:11:51 | |
Oh, there's Minky! | 1:11:51 | 1:11:52 | |
Hello. | 1:11:52 | 1:11:53 | |
Oh, for heaven's sake! | 1:11:53 | 1:11:55 | |
Mingle. | 1:11:56 | 1:11:59 | |
I don't think you should speak. I don't think you should say anything. | 1:11:59 | 1:12:02 | |
You said make conversation. | 1:12:02 | 1:12:03 | |
I know, make conversation, but don't talk, don't speak. | 1:12:03 | 1:12:07 | |
Don't bring up anything. | 1:12:07 | 1:12:08 | |
Maybe about the weather or something, but don't... | 1:12:08 | 1:12:12 | |
Now, I'm going to get in the flow of things, and then I'm going to glide upstairs. | 1:12:12 | 1:12:16 | |
Shall I glide with you? | 1:12:16 | 1:12:17 | |
No, I'll contact you. | 1:12:17 | 1:12:19 | |
Can I get you some champagne? | 1:12:19 | 1:12:21 | |
Sure. | 1:12:21 | 1:12:23 | |
Ray! > | 1:12:38 | 1:12:39 | |
I was going to make a phone call. | 1:12:42 | 1:12:44 | |
Have you seen Edgar? | 1:12:44 | 1:12:46 | |
I don't know where that man gets off to. | 1:12:46 | 1:12:49 | |
I was going to make a phone call. | 1:12:49 | 1:12:52 | |
I've looked downstairs... | 1:12:52 | 1:12:53 | |
Try back there. | 1:12:53 | 1:12:54 | |
I'll try that, thank you. | 1:12:54 | 1:12:56 | |
Winkler. | 1:13:11 | 1:13:13 | |
You play golf? | 1:13:13 | 1:13:14 | |
Golf, no, I was just going to make a phone call upstairs. | 1:13:14 | 1:13:17 | |
I guess I was misdirected. | 1:13:17 | 1:13:20 | |
I was going to use the phone. | 1:13:20 | 1:13:23 | |
Well, I wanted a match on Sunday, but I'll have to get somebody else. | 1:13:23 | 1:13:27 | |
I would've looked forward to it. | 1:13:27 | 1:13:29 | |
There'll be rain over the tri-state area and increasing fog. | 1:14:52 | 1:14:55 | |
Temperatures will hover in the low 60s until Tuesday. | 1:14:55 | 1:14:59 | |
I must say, you are most amusing. | 1:15:00 | 1:15:03 | |
Would you like a canape? Those are shrimp and these are quail eggs. | 1:15:03 | 1:15:09 | |
I don't have any idea what they are. | 1:15:09 | 1:15:11 | |
Thank you, I hate anything with a toothpick. | 1:15:11 | 1:15:13 | |
They lodge in your throat. | 1:15:13 | 1:15:16 | |
I'm George Blint, mutual funds. And you? | 1:15:16 | 1:15:20 | |
May Sloan. I'm a lookout. | 1:15:20 | 1:15:23 | |
I noticed the way you walked | 1:15:23 | 1:15:25 | |
and carried yourself from across the room. | 1:15:25 | 1:15:27 | |
You remind me of my wonderful departed wife. | 1:15:27 | 1:15:31 | |
You can't carry yourself across the room. | 1:15:31 | 1:15:34 | |
That's physically impossible. | 1:15:34 | 1:15:36 | |
(LAUGHS) | 1:15:36 | 1:15:38 | |
You're charming. You know, you're the first woman I've met since Helen died that I can say that about. | 1:15:38 | 1:15:43 | |
Was Helen your wife or just a woman who died? | 1:15:43 | 1:15:47 | |
Hi, where's Mr Winkler? I wanted to talk to him. | 1:15:52 | 1:15:56 | |
He's around, mingling. | 1:15:56 | 1:15:59 | |
Cloudy today, wasn't it? | 1:15:59 | 1:16:00 | |
With a chance of light sprinkles followed by sunshine. | 1:16:00 | 1:16:03 | |
Chi Chi, would you get those photographs from the bedroom? | 1:16:03 | 1:16:06 | |
I wanted to show Mr Winkler the property we have in Aspen for the theatre. | 1:16:06 | 1:16:09 | |
Yes, I just want to talk to Dr Henske. | 1:16:09 | 1:16:12 | |
I think he would be perfect to do Beth Kramer's face work, | 1:16:12 | 1:16:16 | |
after the unbelievable job he did on Mrs Morton's buttocks. | 1:16:16 | 1:16:20 | |
I'm going to be right back. | 1:16:20 | 1:16:21 | |
Will you just... | 1:16:21 | 1:16:24 | |
DOOR OPENS | 1:16:29 | 1:16:32 | |
Ray. | 1:16:37 | 1:16:38 | |
Jesus, you scared me! | 1:16:38 | 1:16:40 | |
For God's sakes. | 1:16:40 | 1:16:42 | |
I came to warn you. | 1:16:42 | 1:16:44 | |
Mrs Potter is going to come up here to get some pictures that Mr Potter | 1:16:44 | 1:16:47 | |
wants you to see. She's looking for you. | 1:16:47 | 1:16:50 | |
Now, I've closed the safe! This is a tough safe. | 1:16:50 | 1:16:52 | |
I'm out of practice, I can't... | 1:16:52 | 1:16:55 | |
Did they see you come up here? | 1:16:55 | 1:16:57 | |
I don't think so. | 1:16:57 | 1:16:59 | |
Get out there and stand watch. | 1:16:59 | 1:17:01 | |
I'm going to do this again. | 1:17:01 | 1:17:03 | |
Are you OK? | 1:17:03 | 1:17:05 | |
I'm fine, I'm fine, get out, get out! | 1:17:05 | 1:17:08 | |
If you could fit it into your schedule | 1:17:08 | 1:17:11 | |
it would mean so much to Beth. | 1:17:11 | 1:17:13 | |
She has been so down since the divorce, | 1:17:13 | 1:17:16 | |
and don't you think he got custody of the polo ponies! | 1:17:16 | 1:17:20 | |
Chi Chi, don't forget those photographs for Mr Winkler. | 1:17:20 | 1:17:22 | |
-Where'd he go? -I'll get them. | 1:17:22 | 1:17:24 | |
So you will try? | 1:17:24 | 1:17:26 | |
I'll do my best. | 1:17:26 | 1:17:27 | |
Kiss kiss. | 1:17:27 | 1:17:29 | |
Mrs Potter is coming! | 1:17:42 | 1:17:44 | |
FOOTSTEPS | 1:17:55 | 1:17:58 | |
She's gone. | 1:18:03 | 1:18:04 | |
Shh, not so loud! | 1:18:04 | 1:18:07 | |
She's gone. | 1:18:07 | 1:18:08 | |
Thank you, dear, I wanna show those to Mr Winkler. | 1:18:08 | 1:18:11 | |
He wouldn't leave without saying goodbye, would he? | 1:18:11 | 1:18:15 | |
I don't know, he's not upstairs. | 1:18:13 | 1:18:15 | |
Jesus. | 1:18:15 | 1:18:16 | |
I met a wonderful man downstairs. | 1:18:16 | 1:18:19 | |
He seemed to like me. | 1:18:19 | 1:18:20 | |
He said I reminded him of his wife, who's dead, but I presume | 1:18:20 | 1:18:24 | |
he meant when she was alive. | 1:18:24 | 1:18:26 | |
May, can you stop talking to me while I'm doing this? | 1:18:26 | 1:18:30 | |
Little short fellow, bright yellow shirt, unbelievable tie. | 1:18:30 | 1:18:34 | |
Ah yes, I think I know the gentleman. | 1:18:34 | 1:18:37 | |
He was going up the stairs before. | 1:18:37 | 1:18:40 | |
Are you sure? | 1:18:40 | 1:18:41 | |
Yes, Mr Winkler. | 1:18:41 | 1:18:43 | |
Ray, I hear something. | 1:18:52 | 1:18:54 | |
She's not feeling well, I took her up here. | 1:18:58 | 1:19:01 | |
She's having one of her spells. | 1:19:01 | 1:19:03 | |
Spells? | 1:19:03 | 1:19:04 | |
Yes, she gets spells. | 1:19:04 | 1:19:06 | |
How extraordinary! We have a doctor. | 1:19:04 | 1:19:06 | |
No, not necessary. She gets these spells... | 1:19:06 | 1:19:08 | |
I'm a haemophiliac. | 1:19:08 | 1:19:10 | |
Oh, dear God, are you bleeding? | 1:19:10 | 1:19:12 | |
Why would I be bleeding? | 1:19:12 | 1:19:13 | |
Her neck... | 1:19:13 | 1:19:14 | |
But my nasal passages are clearing up now. | 1:19:14 | 1:19:18 | |
I handle all this, on the weekends. I do this for a little hobby. | 1:19:18 | 1:19:21 | |
She had champagne. | 1:19:21 | 1:19:25 | |
Oh, you poor darling. I'll go and get Dr Henske. | 1:19:22 | 1:19:25 | |
Ray, you have my cortisone pills? | 1:19:25 | 1:19:28 | |
My medication? | 1:19:28 | 1:19:30 | |
I would feel a whole lot better if I let Dr Henske take a look at her. | 1:19:30 | 1:19:33 | |
No, you just relax. Put your feet up. I'll go and get Dr Henske. | 1:19:33 | 1:19:37 | |
A haemophiliac? Cortisone? Where did you come up with these things? | 1:19:38 | 1:19:42 | |
It's been on TV. | 1:19:42 | 1:19:43 | |
The weather's on TV. I said stay with the weather! | 1:19:43 | 1:19:46 | |
I thought I did some really quick thinking. | 1:19:46 | 1:19:50 | |
Yes! Very quick! Meanwhile you're going to be examined now! | 1:19:47 | 1:19:50 | |
Why? I just had a check-up. | 1:19:50 | 1:19:55 | |
Jesus, I got no time to work here. | 1:19:52 | 1:19:55 | |
They'll be back in seconds. | 1:19:55 | 1:19:57 | |
I can't tell the difference between these. | 1:20:03 | 1:20:08 | |
Then you'd better take them both. | 1:20:06 | 1:20:08 | |
I can't take them both. If they come back and don't find any necklace, | 1:20:08 | 1:20:11 | |
and we've been suspiciously seen in the bedroom, I'll go right to jail. | 1:20:11 | 1:20:15 | |
Especially with your DNA. | 1:20:15 | 1:20:20 | |
What has my DNA got to do with it? | 1:20:17 | 1:20:20 | |
You'd better make a choice, cos they're gonna be back any minute. | 1:20:20 | 1:20:23 | |
Ray, let's go! | 1:20:37 | 1:20:38 | |
All I know is what I've told you, Doctor. | 1:20:44 | 1:20:48 | |
She's right in here. Come along. | 1:20:48 | 1:20:50 | |
Here's Dr Henske. | 1:20:50 | 1:20:53 | |
What seems to be the trouble? | 1:20:53 | 1:20:57 | |
False alarm, it was a hot flash. | 1:20:55 | 1:20:57 | |
I think it was the menopausal thing. I've seen it before. | 1:20:57 | 1:21:01 | |
I'm given to occasional spells. | 1:21:01 | 1:21:04 | |
Spells? | 1:21:03 | 1:21:04 | |
You know, she... Booze. | 1:21:04 | 1:21:06 | |
No, no, sometimes for no good reason, I get hot and cold flashes, | 1:21:06 | 1:21:11 | |
then the room begins to spin, | 1:21:11 | 1:21:12 | |
then spots flash before my eyes, and I'll hear ringing in my ears. | 1:21:12 | 1:21:16 | |
OK, you're making too much of it. We should go. | 1:21:16 | 1:21:19 | |
Then little pinpoints of light, | 1:21:19 | 1:21:21 | |
and my tongue turns black and I can't swallow. | 1:21:21 | 1:21:23 | |
Really? | 1:21:23 | 1:21:26 | |
They diagnosed it as Parkinson's, | 1:21:24 | 1:21:26 | |
but they think it could be the Ebola virus or mad-cow disease. | 1:21:26 | 1:21:29 | |
We've gotta get out of here, because it was a false positive, I think. | 1:21:29 | 1:21:33 | |
Come on, sweetheart, we're due. | 1:21:33 | 1:21:35 | |
I do hope you feel better. | 1:21:35 | 1:21:36 | |
Not to worry, Mr Winkler, the theatre in Aspen | 1:21:36 | 1:21:39 | |
will just have to wait. | 1:21:39 | 1:21:40 | |
The Ebola virus or mad cow...! | 1:21:40 | 1:21:46 | |
I said the first thing that came into my mouth. | 1:21:43 | 1:21:46 | |
Great. | 1:21:46 | 1:21:48 | |
I tried to do my best for... | 1:21:47 | 1:21:48 | |
Hello again. | 1:21:48 | 1:21:50 | |
George. | 1:21:49 | 1:21:50 | |
Do I still remind you of your wife? | 1:21:50 | 1:21:53 | |
You kill me. You're great. | 1:21:53 | 1:21:55 | |
You're not feeling well, remember. I'm taking her home. | 1:21:55 | 1:21:58 | |
She's not feeling so well. | 1:21:58 | 1:22:01 | |
I'm in the book, May Sloane. | 1:21:59 | 1:22:01 | |
I'll be better. | 1:22:01 | 1:22:04 | |
I'll call you. | 1:22:02 | 1:22:04 | |
Ray! I just got the news about Frenchy. | 1:22:11 | 1:22:15 | |
Frenchy? | 1:22:15 | 1:22:18 | |
Didn't you hear? Sunset's gone under. | 1:22:15 | 1:22:18 | |
She was defrauded out of every penny and then some. | 1:22:18 | 1:22:21 | |
I know you're out of there, but I figured you'd know. | 1:22:21 | 1:22:23 | |
Yeah, sure, I do know. I-I... | 1:22:23 | 1:22:26 | |
< I came as soon as I heard. | 1:22:38 | 1:22:41 | |
I got exactly what I deserved. | 1:22:43 | 1:22:46 | |
I really missed you, Frenchy. | 1:22:46 | 1:22:48 | |
I'm sorry I blew our cookie company, | 1:22:50 | 1:22:53 | |
but I'm even more sorry I blew our marriage. | 1:22:53 | 1:22:55 | |
What are you gonna do? Everybody makes mistakes. | 1:22:55 | 1:22:58 | |
The important thing is, I still love you. | 1:22:58 | 1:23:01 | |
I don't deserve it. I behaved badly. | 1:23:01 | 1:23:04 | |
You behaved like an ass. That's one of those A words | 1:23:04 | 1:23:08 | |
you used to practise. Ass. | 1:23:08 | 1:23:10 | |
But I'm not the easiest guy to get along with. I'm not Mr Sensitive. | 1:23:10 | 1:23:14 | |
There's a lot of things I could have done differently. | 1:23:14 | 1:23:17 | |
We stayed in separate rooms the whole trip, that's the truth. | 1:23:17 | 1:23:25 | |
Where's David now? | 1:23:22 | 1:23:25 | |
He split the second I went bust. | 1:23:25 | 1:23:29 | |
No, I don't believe it! | 1:23:27 | 1:23:29 | |
He was hustling me for the dough. | 1:23:29 | 1:23:32 | |
So now we've gotta begin again. | 1:23:32 | 1:23:34 | |
In more ways than one. | 1:23:34 | 1:23:37 | |
You still want me? | 1:23:37 | 1:23:39 | |
Still want you? Frenchy, you've gotta ask a question like that? | 1:23:39 | 1:23:42 | |
I'm crazy about you. You're a goddess to me. | 1:23:42 | 1:23:46 | |
I'm nuts for you. Of course I want you. | 1:23:46 | 1:23:49 | |
We're broke. We haven't got a dime. | 1:23:49 | 1:23:52 | |
We don't even own a stick of this furniture we're sitting on. | 1:23:52 | 1:23:56 | |
Can I show you something? | 1:23:55 | 1:23:56 | |
Will you sit here? May I show you one thing? | 1:23:56 | 1:24:01 | |
OK. | 1:23:58 | 1:24:01 | |
Let me just show you something. | 1:23:59 | 1:24:01 | |
I think you're gonna be very, very proud of me. | 1:24:02 | 1:24:07 | |
< What? | 1:24:06 | 1:24:07 | |
That's Chi Chi Potter's! | 1:24:07 | 1:24:12 | |
-Was! -Was Chi Chi's... Was. | 1:24:09 | 1:24:12 | |
-One word - -was. | 1:24:12 | 1:24:13 | |
Ray, you didn't! | 1:24:13 | 1:24:19 | |
I've never felt so great. I was back in action. I felt alive. | 1:24:14 | 1:24:19 | |
I always felt that you were keeping me with this cookie thing. | 1:24:19 | 1:24:22 | |
This is glass. | 1:24:21 | 1:24:22 | |
What are you talking about, glass? How's it glass? | 1:24:22 | 1:24:26 | |
It's fake. | 1:24:25 | 1:24:26 | |
What do you mean, fake? How would you know? | 1:24:26 | 1:24:28 | |
I can tell fake from real. This ain't even good fake. | 1:24:28 | 1:24:31 | |
What are you talking about? What do you mean it's fake? | 1:24:31 | 1:24:37 | |
It might fool some idiot with no eye and no brains, | 1:24:34 | 1:24:37 | |
but it'd never pass with a normal person. | 1:24:37 | 1:24:40 | |
Are you telling me I got the phoney one? | 1:24:40 | 1:24:43 | |
I came away with the wrong thing? | 1:24:43 | 1:24:47 | |
That sounds like your MO. | 1:24:45 | 1:24:47 | |
You're nuts! I was in the room, | 1:24:47 | 1:24:50 | |
I was gonna substitute the glass one for the real one, | 1:24:50 | 1:24:53 | |
then everything got confused. | 1:24:53 | 1:24:58 | |
It's good to see that you've got the same great instincts! | 1:24:55 | 1:24:58 | |
You're so wrong! Can I tell you that... | 1:24:58 | 1:25:02 | |
You take all those lessons. You think you've got taste. | 1:25:02 | 1:25:06 | |
I'm gonna show you something. Stay right there. | 1:25:04 | 1:25:06 | |
You think you learn class and taste, | 1:25:06 | 1:25:08 | |
but you know nothing about jewellery. | 1:25:08 | 1:25:10 | |
This is real. We take this, fence it, go to Florida. | 1:25:10 | 1:25:13 | |
It's the goods. | 1:25:13 | 1:25:14 | |
That ain't gonna get us on the subway, much less to Florida. | 1:25:14 | 1:25:18 | |
You're such a know-everything. | 1:25:18 | 1:25:20 | |
You don't have to be a rocket scientist | 1:25:20 | 1:25:22 | |
to spot a clinker like this. | 1:25:22 | 1:25:24 | |
Whoever made it for you, you overpaid. | 1:25:24 | 1:25:28 | |
What can I do if you're wrong? | 1:25:27 | 1:25:28 | |
What can I do? Can I take your nose and twist it till you turn blue? | 1:25:28 | 1:25:33 | |
Sure. | 1:25:33 | 1:25:34 | |
HAMMERING | 1:25:34 | 1:25:35 | |
Gee! > | 1:25:44 | 1:25:46 | |
You broke it. > | 1:25:46 | 1:25:48 | |
It's glass, Ray. | 1:25:48 | 1:25:53 | |
I know, but it's... | 1:25:50 | 1:25:53 | |
Frenchy, I'm not cleaning it up. | 1:25:55 | 1:25:56 | |
You broke it, you got glass over everything. | 1:25:56 | 1:26:00 | |
It's dangerous. | 1:26:00 | 1:26:02 | |
Jesus, I don't know what you see in me. I'm such a screw-up. | 1:26:02 | 1:26:06 | |
It's glass. Don't you understand? I got the glass one. | 1:26:06 | 1:26:11 | |
All that matters is that we have each other. | 1:26:09 | 1:26:11 | |
We didn't have for a while | 1:26:11 | 1:26:13 | |
and the whole thing made me realise how much I need you. | 1:26:13 | 1:26:18 | |
But you're married to such a loser. | 1:26:16 | 1:26:18 | |
No, I'm the luckiest woman in the world. | 1:26:18 | 1:26:24 | |
And the brokest. On top of that, we've got nothing. | 1:26:21 | 1:26:24 | |
As usual, I come up empty. | 1:26:24 | 1:26:29 | |
We could pawn this. | 1:26:27 | 1:26:29 | |
What is this? | 1:26:29 | 1:26:31 | |
What is this thing? | 1:26:31 | 1:26:32 | |
Who? I don't understand, who's the Duke Of Windsor? | 1:26:32 | 1:26:37 | |
Actually, we could probably auction it. | 1:26:37 | 1:26:40 | |
Where did you get this thing? | 1:26:39 | 1:26:40 | |
From David. | 1:26:40 | 1:26:43 | |
David gave you this? | 1:26:41 | 1:26:43 | |
He doesn't know it yet. | 1:26:43 | 1:26:48 | |
I don't get it. What do you mean? | 1:26:45 | 1:26:48 | |
Hey, it was you who taught me how to open a safe. | 1:26:48 | 1:26:52 | |
That was one of my fondest memories of our time together. | 1:26:52 | 1:26:56 | |
What are you saying? | 1:26:56 | 1:26:58 | |
You boosted this from David's safe? | 1:26:58 | 1:27:00 | |
That's stealing. | 1:27:00 | 1:27:03 | |
Not exactly. | 1:27:02 | 1:27:03 | |
It's a long story, Ray. | 1:27:03 | 1:27:05 | |
Let's sell it and I'll fill you in on the flight to Miami. | 1:27:05 | 1:27:09 | |
Sweetheart, you are the greatest. | 1:27:15 | 1:27:20 | |
# Oh baby what I Couldn't do-o-o | 1:27:22 | 1:27:27 | |
# With plenty of money And yo-o-ou | 1:27:27 | 1:27:32 | |
# In spite of the worry | 1:27:32 | 1:27:35 | |
# That money brings | 1:27:35 | 1:27:37 | |
# Just a little filthy lucre Buys a lot of things | 1:27:37 | 1:27:42 | |
# And I could take you to places You'd like to go | 1:27:42 | 1:27:47 | |
# But outside of that I've no use for dough | 1:27:47 | 1:27:52 | |
# It's the root of all evil | 1:27:52 | 1:27:55 | |
# Of strife and upheaval | 1:27:55 | 1:27:57 | |
# But I'm certain, honey | 1:27:57 | 1:28:00 | |
# That life could be sunny | 1:28:00 | 1:28:02 | |
# With plenty of money | 1:28:02 | 1:28:04 | |
# And you. # | 1:28:04 | 1:28:06 | |
Subtitles by Red Bee Media Ltd | 1:29:14 | 1:29:18 |