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MUSIC: "Emotion In Motion" by Rick Ocasek | 0:00:02 | 0:00:05 | |
'When I was a little girl, | 0:00:26 | 0:00:28 | |
'there were real prices and Mom prices. | 0:00:28 | 0:00:32 | |
'Real prices got you shiny, sparkly things that lasted three weeks, | 0:00:32 | 0:00:36 | |
'and Mom prices got you brown things... | 0:00:36 | 0:00:39 | |
'that lasted forever.' | 0:00:39 | 0:00:40 | |
-Did you notice they were 50% off? -Oh, yes, well... | 0:00:40 | 0:00:44 | |
GIRLS GIGGLE MOCKINGLY | 0:00:44 | 0:00:48 | |
'But when I looked into shop windows, I saw another world. | 0:00:50 | 0:00:54 | |
'A dreamy world full of perfect things. | 0:00:54 | 0:00:58 | |
'A world where grown-up girls got what they wanted. | 0:00:58 | 0:01:02 | |
'They were beautiful. | 0:01:03 | 0:01:06 | |
'Like fairies or princesses. | 0:01:06 | 0:01:09 | |
'They didn't even need any money. | 0:01:09 | 0:01:12 | |
'They had magic cards. | 0:01:12 | 0:01:14 | |
'I wanted one.' | 0:01:17 | 0:01:20 | |
'Little did I know... | 0:01:20 | 0:01:23 | |
'I would end up with 12.' | 0:01:23 | 0:01:24 | |
MUSIC: "Uncontrollable" by Adrienne Bailon | 0:01:24 | 0:01:26 | |
'Rebecca Bloomwood. Occupation - journalist. | 0:01:26 | 0:01:30 | |
'Jacket - Visa. Dress - AMEX. Belt - MasterCard. | 0:01:30 | 0:01:36 | |
'It's vintage. And I got 1% cashback. | 0:01:36 | 0:01:39 | |
'Bag - Gucci! | 0:01:39 | 0:01:42 | |
'And worth every penny. | 0:01:42 | 0:01:44 | |
'Moving to New York, I met guys, | 0:01:45 | 0:01:48 | |
'and that kind of put things in perspective. | 0:01:48 | 0:01:51 | |
'You know when you see someone cute and he smiles, | 0:01:51 | 0:01:54 | |
'and your heart kind of goes like warm butter sliding down hot toast? | 0:01:54 | 0:01:59 | |
'Well, that's what it's like when I see a store. | 0:02:00 | 0:02:04 | |
'Only it's better. | 0:02:04 | 0:02:07 | |
'You see, a man will never love you or treat you as well as a store. | 0:02:11 | 0:02:16 | |
'If a man doesn't fit, you can't exchange him seven days later | 0:02:16 | 0:02:19 | |
'for a gorgeous cashmere sweater. | 0:02:19 | 0:02:22 | |
'And a store always smells good. | 0:02:22 | 0:02:26 | |
'A store can awaken a lust for things you never even knew you needed! | 0:02:26 | 0:02:31 | |
'And when your fingers grasp those shiny, new bags... | 0:02:32 | 0:02:37 | |
'Oh, yes! Oh, yes! | 0:02:37 | 0:02:41 | |
'Oh, no. I spent 900. | 0:02:41 | 0:02:44 | |
So, you are covering the yard and tool expo, right? | 0:02:44 | 0:02:48 | |
I'm on it! | 0:02:48 | 0:02:52 | |
'OK, don't panic! Calm! Calm. | 0:02:53 | 0:02:56 | |
'Bloomingdale's. That would be the pants. | 0:02:56 | 0:02:59 | |
'I had to get the pants to match...' Oh, the shoes! | 0:02:59 | 0:03:02 | |
I... | 0:03:02 | 0:03:04 | |
'Hold on... | 0:03:05 | 0:03:06 | |
'Somebody's stolen my credit card! | 0:03:06 | 0:03:09 | |
-Oh, my God! -Somebody has stolen my credit card | 0:03:09 | 0:03:11 | |
-and gone on an insane spending spree around New York! -No! -Yeah! | 0:03:11 | 0:03:14 | |
Outdoor World? I've never been to Outdoor World. | 0:03:14 | 0:03:17 | |
-Please! -Yes, you have. | 0:03:17 | 0:03:19 | |
-You bought that tent, remember? -N-No, I didn't! | 0:03:19 | 0:03:22 | |
-For Kristen's going-away present. -I've never seen a tent. | 0:03:22 | 0:03:25 | |
I organized the collection and then we gave you the money. | 0:03:25 | 0:03:29 | |
Oh... | 0:03:31 | 0:03:33 | |
"Special skills - fencing"? | 0:03:35 | 0:03:37 | |
Fluent in Finnish? | 0:03:37 | 0:03:39 | |
What? Who doesn't pad their resume? Shoe! Thanks! | 0:03:39 | 0:03:42 | |
Why can't you get changed in your own office? | 0:03:42 | 0:03:45 | |
And let everyone at Gardening Today | 0:03:45 | 0:03:47 | |
know I've secretly arranged an interview at Alette magazine? | 0:03:47 | 0:03:50 | |
-Did I mention I have an interview at Alette? -Only about a billion times. | 0:03:50 | 0:03:55 | |
It's kind of a leap, isn't it? Gardening to fashion? | 0:03:55 | 0:03:59 | |
I mean, not that I meant you couldn't do it! | 0:03:59 | 0:04:02 | |
Suze, since I was 14, I wanted to work at Alette magazine. | 0:04:02 | 0:04:05 | |
-If I can just get this job, I will be happy forever. -Wow! | 0:04:05 | 0:04:09 | |
MUSIC: "Calling You" by Kat DeLuna | 0:04:09 | 0:04:12 | |
'Rebecca, you just got a credit card bill of 900. | 0:04:42 | 0:04:48 | |
'You do not need a scarf. | 0:04:48 | 0:04:51 | |
Then again... | 0:04:53 | 0:04:55 | |
who NEEDS a scarf? | 0:04:55 | 0:04:58 | |
Wrap some old jeans around your neck, that'll keep you warm. | 0:04:58 | 0:05:02 | |
-(That's what your mother would do.) -You're right, she would! | 0:05:02 | 0:05:06 | |
The point about this scarf | 0:05:06 | 0:05:09 | |
is that it would become part of a definition of your... | 0:05:09 | 0:05:13 | |
of your psyche. | 0:05:13 | 0:05:16 | |
-Do you see what I mean? -No, no, no, I do. Keep talking. | 0:05:16 | 0:05:21 | |
It would make your eyes look bigger. | 0:05:21 | 0:05:24 | |
Hm! Mmm... | 0:05:24 | 0:05:26 | |
It would make my haircut look more expensive. | 0:05:26 | 0:05:29 | |
-You'd wear it with everything. -It would be an investment. | 0:05:29 | 0:05:33 | |
-You would walk into that Alette interview confident. -Confident! | 0:05:33 | 0:05:36 | |
-And poised. -Poised. | 0:05:36 | 0:05:38 | |
The Girl in the Green Scarf. | 0:05:38 | 0:05:43 | |
The green scarf, please. | 0:05:44 | 0:05:45 | |
Good choice. It's the last one. | 0:05:45 | 0:05:48 | |
-That'll be 120. How would you like to pay? -Here's 50 in cash. | 0:05:48 | 0:05:51 | |
Can you put 30 on this card? | 0:05:51 | 0:05:55 | |
REGISTER BEEPS | 0:05:57 | 0:05:59 | |
10 on that. | 0:05:59 | 0:06:01 | |
20 on that. | 0:06:03 | 0:06:05 | |
-It's so cute. -Declined. | 0:06:06 | 0:06:09 | |
Really? Could you just... Could you try it again? | 0:06:09 | 0:06:13 | |
Really declined. | 0:06:14 | 0:06:17 | |
-Could you put this to one side? -I can't hold sale items. | 0:06:17 | 0:06:20 | |
-Excuse me. It's an emergency! -Back of the line! | 0:06:25 | 0:06:27 | |
-Excuse me, this is an emergency. -Excuse you, lady! | 0:06:27 | 0:06:30 | |
Excuse you, excuse me! Do you do cashback? | 0:06:30 | 0:06:33 | |
-What? -If I give you a cheque for 23, | 0:06:33 | 0:06:36 | |
will you give me one of your hot dogs and 20 cashback, please? | 0:06:36 | 0:06:38 | |
Do I look like a bank? | 0:06:38 | 0:06:40 | |
They don't hold sale items. It's a desperately important scarf. | 0:06:40 | 0:06:43 | |
Desperately important scarf! | 0:06:43 | 0:06:45 | |
It's for my great-aunt. She's in the hospital. | 0:06:45 | 0:06:48 | |
-Ask them to turn the heating up! -You want mustard? | 0:06:48 | 0:06:51 | |
Please. I will buy all of your hot dogs! | 0:06:51 | 0:06:54 | |
-You'll take 97 hot dogs? -Done. | 0:06:54 | 0:06:57 | |
Who do I make it... | 0:06:57 | 0:06:59 | |
That means you just paid 23 for a hot dog! | 0:07:02 | 0:07:06 | |
You want your scarf, I want my hot dog. | 0:07:07 | 0:07:10 | |
Cost and worth are very different things. | 0:07:10 | 0:07:12 | |
Thank you! My aunt will really appreciate it! | 0:07:12 | 0:07:15 | |
# Do what you want, what you want Like nobody's watching you | 0:07:15 | 0:07:20 | |
# You know the rhythm's calling you... # | 0:07:20 | 0:07:23 | |
-Hi. -Hi! | 0:07:25 | 0:07:27 | |
-I'm here for the interview at Alette magazine. -Alette... | 0:07:27 | 0:07:30 | |
Oh. Filled. Internally. Yesterday. | 0:07:30 | 0:07:33 | |
They did post it on the web. Let's see, who got the job...? | 0:07:33 | 0:07:38 | |
Speak of the devil. | 0:07:38 | 0:07:41 | |
MUSIC: "Bad Girl" by The Pussycat Dolls | 0:07:41 | 0:07:43 | |
Alicia... | 0:07:43 | 0:07:45 | |
Billington. | 0:07:45 | 0:07:47 | |
# Bad, bad, bad, bad | 0:07:48 | 0:07:50 | |
# Bad, bad # | 0:07:50 | 0:07:51 | |
She has the longest legs in the world. | 0:07:58 | 0:08:01 | |
She notes resentfully. | 0:08:01 | 0:08:04 | |
Great. Faulty! | 0:08:05 | 0:08:08 | |
-Nice scarf. -Thanks. | 0:08:08 | 0:08:10 | |
I bought it for the interview. | 0:08:10 | 0:08:13 | |
Scusi... | 0:08:13 | 0:08:15 | |
Come on! | 0:08:15 | 0:08:16 | |
As we speak, interviews are being held | 0:08:18 | 0:08:22 | |
at Successful Saving. | 0:08:22 | 0:08:24 | |
The money magazine? | 0:08:24 | 0:08:26 | |
Snort not, sweet child. | 0:08:26 | 0:08:28 | |
Alette may be your Emerald City, | 0:08:28 | 0:08:30 | |
but Successful Saving could be your Yellow Brick Road. | 0:08:30 | 0:08:34 | |
Dantay-West is a family of magazines that acts like a family. | 0:08:34 | 0:08:37 | |
Deeply nepotistic. Bleugh. | 0:08:37 | 0:08:40 | |
So my advice to you, dear Dorothy, is thus... | 0:08:40 | 0:08:44 | |
Once you're in, | 0:08:44 | 0:08:46 | |
you're in. | 0:08:46 | 0:08:48 | |
I'm in. | 0:08:48 | 0:08:50 | |
-PHONES RING -Hello, Successful Saving. | 0:08:50 | 0:08:53 | |
Miss Bloomwood? | 0:09:02 | 0:09:04 | |
What form does this interview take? Is it just a general chat? | 0:09:04 | 0:09:07 | |
Oh, no, no, no. It's very specific on finance. | 0:09:07 | 0:09:11 | |
Butterfly investments, futures. That sort of thing. | 0:09:11 | 0:09:14 | |
He's worth 1.2 billion. Who's gonna tell him to diet? | 0:09:14 | 0:09:17 | |
-Good luck. -Thanks. | 0:09:17 | 0:09:18 | |
We talked and talked and said nothing. | 0:09:18 | 0:09:21 | |
Of course I did. He understands the rules. He's spoken to all of them. | 0:09:22 | 0:09:27 | |
That's always the way. Of course we got the bill. | 0:09:28 | 0:09:31 | |
Listen, Johnny, I've got to go because I'm interviewing. | 0:09:32 | 0:09:36 | |
Yeah. No, not me. All right. Bye, then. | 0:09:36 | 0:09:39 | |
Sorry about that. Right, erm, Rebecca... | 0:09:39 | 0:09:43 | |
-Ah! -Hi! -We met! | 0:09:43 | 0:09:46 | |
We did. Thank you. | 0:09:46 | 0:09:47 | |
-Sick aunt, scarf. -Yes. So much. -Did you get it to her? | 0:09:47 | 0:09:51 | |
I did. And when a stranger is kind like that, it's just...wow. | 0:09:51 | 0:09:55 | |
That's lovely. Erm, do you have a resume for me? | 0:09:55 | 0:09:59 | |
I do. Yes, I do! | 0:09:59 | 0:10:02 | |
SHE GRUNTS AND GROANS | 0:10:06 | 0:10:09 | |
I...could pretty much just tell you. | 0:10:09 | 0:10:12 | |
My name is Rebecca Bloomwood. | 0:10:12 | 0:10:14 | |
I've been a journalist for five years. | 0:10:14 | 0:10:16 | |
I'm very comfortable juggling numbers. | 0:10:16 | 0:10:19 | |
-I speak fluent Finnish. I know... -Finnish? | 0:10:19 | 0:10:22 | |
-Yes. Finnish. I'm also... -That's interesting. Why Finnish? | 0:10:22 | 0:10:26 | |
-What's behind you? -Erm... | 0:10:26 | 0:10:28 | |
Oh, my God. It's a naked man. | 0:10:28 | 0:10:31 | |
I'm sorry. That gave me such a fright. I, er... | 0:10:31 | 0:10:35 | |
I didn't know what it was. It's... Clearly he's beheaded. | 0:10:35 | 0:10:38 | |
Who would do that to him? | 0:10:38 | 0:10:39 | |
Ahem. A few questions. | 0:10:39 | 0:10:41 | |
-How would you calculate... -Look! | 0:10:41 | 0:10:43 | |
Makes you wonder what they're seeing on the fifth floor, right? | 0:10:43 | 0:10:46 | |
You could turn your desk around and just stare at it all day. I would! | 0:10:46 | 0:10:50 | |
SHE LAUGHS | 0:10:50 | 0:10:52 | |
-Not. -Miss Bloomwood... | 0:10:52 | 0:10:55 | |
-I'm not a pervert. -Sit down. | 0:10:55 | 0:10:58 | |
I'm sorry. I'm terrible at interviews! | 0:10:58 | 0:11:01 | |
Any financial stories that have caught your eye recently? | 0:11:01 | 0:11:04 | |
Yes. And I am glad that you brought that up. Because I am furious. | 0:11:04 | 0:11:10 | |
No, I really am. What is the story with the recent fish crisis? | 0:11:10 | 0:11:15 | |
-Fish crisis? -Fiscal crisis. | 0:11:15 | 0:11:18 | |
-Fiscal crisis. -Terrifying. Fiscally, I mean. | 0:11:18 | 0:11:21 | |
-How so? -Erm... | 0:11:21 | 0:11:22 | |
-For the fiscal family. -Yes? | 0:11:22 | 0:11:24 | |
-I'm sorry. -Not a moment too soon. | 0:11:24 | 0:11:26 | |
I believe, Miss Bloomwood, you dropped your scarf. | 0:11:26 | 0:11:30 | |
SHE COUGHS | 0:11:37 | 0:11:40 | |
She died? | 0:11:41 | 0:11:43 | |
Miss Bloomwood, you have had a very, very tough 25 minutes. | 0:11:43 | 0:11:48 | |
I'm so glad you understand! So many people just... | 0:11:48 | 0:11:51 | |
Right. OK, so, I would propose we curtail... | 0:11:51 | 0:11:55 | |
-Did you just scrub my name off? -No. Routine. -That seems premature. | 0:11:55 | 0:11:59 | |
OK. I would propose that we curtail this interview forthwith. | 0:11:59 | 0:12:03 | |
So I'll leave you, and your numbers, | 0:12:03 | 0:12:05 | |
but thank you very much for seeing me, | 0:12:05 | 0:12:08 | |
and I appreciate... Oh! | 0:12:08 | 0:12:11 | |
I appreciate everything. Good day. | 0:12:11 | 0:12:15 | |
Good day. | 0:12:15 | 0:12:17 | |
Come on. Let's go give Mrs Great Outdoors her tent. | 0:12:24 | 0:12:27 | |
S-She's not retiring. | 0:12:27 | 0:12:30 | |
-What? -She's abandoning a sinking ship. | 0:12:30 | 0:12:34 | |
That little rat! The magazine's folding and she knew! | 0:12:34 | 0:12:38 | |
She knew and she didn't tell anybody. | 0:12:38 | 0:12:40 | |
On the bright side, you always hated working for that magazine. | 0:12:42 | 0:12:46 | |
It was my income, Suze. I need my income. | 0:12:46 | 0:12:49 | |
The most important thing is not to panic. | 0:12:49 | 0:12:51 | |
PHONE RINGS | 0:12:51 | 0:12:53 | |
-Don't answer the phone! -BOTH: No! | 0:12:53 | 0:12:56 | |
-It might be a debt collector! -Hello? It's Derek Smeath. | 0:12:56 | 0:12:59 | |
-The list! Get the list! -Where is it? -I saw it. -Take the lamp! | 0:12:59 | 0:13:03 | |
It's here! OK! Bloomingdale's. Hospital with depression. | 0:13:04 | 0:13:07 | |
-MasterCard. In Finland. -Visa. Dead dog. | 0:13:07 | 0:13:10 | |
"Derek Smeath! All City Debt Collection." You do it! | 0:13:10 | 0:13:12 | |
-(GROANS) Hello? -'Miss Bloomwood?' | 0:13:12 | 0:13:14 | |
-Hi. -'Hello.' | 0:13:14 | 0:13:16 | |
-I'm sorry. It's not. -'Not Miss Bloomwood.' | 0:13:16 | 0:13:18 | |
She's still recovering from, you know... | 0:13:18 | 0:13:22 | |
I'll have her call you as soon as... | 0:13:22 | 0:13:24 | |
-'Yes?' -Finland! -As soon as she's back from... -Finland. | 0:13:24 | 0:13:27 | |
-From... -Finland! -Finland! | 0:13:27 | 0:13:29 | |
-'Clearly she's not too incapacitated...' -Bye. Urgh! | 0:13:29 | 0:13:32 | |
Why do so many of your excuses involve Finland? | 0:13:36 | 0:13:40 | |
Cos no-one checks up on Finland, Tarkie. | 0:13:40 | 0:13:43 | |
SHE SIGHS | 0:13:43 | 0:13:45 | |
-How am I going to pay the rent now? -I'm ripping up your rent cheque. | 0:13:45 | 0:13:49 | |
No, Suze. You can't do it again. | 0:13:49 | 0:13:52 | |
It's my apartment. Well, my parents' apartment, but it's my rules. | 0:13:52 | 0:13:55 | |
I'm going to buy you the biggest present. I am. | 0:13:55 | 0:13:58 | |
I know where I'm going to go. There's a sale on at Macy's! | 0:13:58 | 0:14:01 | |
Tarkie? | 0:14:01 | 0:14:03 | |
-I'll be at my place. -Thanks, baby. | 0:14:03 | 0:14:06 | |
Bex, I'll get the tequila. You get the bills. | 0:14:06 | 0:14:10 | |
SALSA MUSIC | 0:14:10 | 0:14:12 | |
It can't be that bad. | 0:14:13 | 0:14:15 | |
It's like a Band-Aid. It's going to be fine. | 0:14:15 | 0:14:19 | |
THEY BOTH GASP | 0:14:19 | 0:14:21 | |
Bex! 200 on Marc Jacobs underwear. | 0:14:21 | 0:14:25 | |
Oh. Underwear is a basic human right. | 0:14:25 | 0:14:28 | |
78 on lavender honey. | 0:14:28 | 0:14:30 | |
I felt sorry for the shop assistant. She had a lazy eye. | 0:14:30 | 0:14:33 | |
I didn't know which way she was looking. It was so sad! | 0:14:33 | 0:14:38 | |
I can't even talk about this one. | 0:14:38 | 0:14:40 | |
-Foot spa? What were you doing there? -Let's take a break. | 0:14:41 | 0:14:44 | |
They said I was a valued customer. Now they send me hate mail. | 0:14:44 | 0:14:50 | |
MACHINE WHIRS | 0:14:50 | 0:14:52 | |
Bex. | 0:14:52 | 0:14:53 | |
Oh, God. | 0:14:53 | 0:14:55 | |
How are you going to pay off 16,262 and 70 cents | 0:14:56 | 0:15:02 | |
with no job? | 0:15:02 | 0:15:03 | |
I could win the lottery. | 0:15:06 | 0:15:09 | |
Maybe you should have a back-up plan. | 0:15:09 | 0:15:11 | |
Oh! Back-up plan! I got it, I got it. Back-up plan. OK. | 0:15:13 | 0:15:18 | |
When Tarkie thought of his dream job, | 0:15:18 | 0:15:20 | |
he, erm, wrote this proposal just about him | 0:15:20 | 0:15:24 | |
and what he's made of, and that's what you can do. | 0:15:24 | 0:15:27 | |
You can write a fashion piece, like, "Hey, Alette, look what I can do!" | 0:15:27 | 0:15:32 | |
You just got to figure out what to write about. | 0:15:32 | 0:15:34 | |
"Consider your shoe an investment. Everything is resting upon it. | 0:15:34 | 0:15:39 | |
"The most important point is that every shoe should earn its place..." | 0:15:39 | 0:15:43 | |
Bex, this is so funny. You're so smart. You're the best writer ever. | 0:15:43 | 0:15:47 | |
-Do you like it? -You're fabulous. | 0:15:47 | 0:15:49 | |
Wait. Another one! To that guy at the savings magazine who didn't hire me. | 0:15:49 | 0:15:55 | |
Ha-ha! "Dear Uptight Editor... | 0:15:55 | 0:15:59 | |
"You can stick your job up your ass." | 0:15:59 | 0:16:02 | |
There's a man on a bike! Hello! | 0:16:02 | 0:16:04 | |
"Here's 20. Buy yourself some decent clothes." | 0:16:04 | 0:16:09 | |
THEY BOTH LAUGH | 0:16:09 | 0:16:12 | |
I'm back! | 0:16:12 | 0:16:14 | |
Here we go. | 0:16:14 | 0:16:16 | |
This is for Alette magazine. Please, please. | 0:16:16 | 0:16:21 | |
-Kiss it for good luck. -Mwah! | 0:16:21 | 0:16:23 | |
And this one is for Mr Successful Saving. | 0:16:23 | 0:16:28 | |
Bleurgh! Money, money, money! | 0:16:28 | 0:16:31 | |
THEY BOTH GIGGLE | 0:16:31 | 0:16:33 | |
Oh, my God! I better get the job. | 0:16:33 | 0:16:35 | |
I've got no money! I've got no money! | 0:16:35 | 0:16:39 | |
I'll race you! | 0:16:41 | 0:16:43 | |
Sweetie, now, doesn't this just cheer you up? | 0:16:43 | 0:16:46 | |
-It's not working, Mom. -You'll get another job, Becky. | 0:16:46 | 0:16:50 | |
Because life is like a swap meet. | 0:16:50 | 0:16:52 | |
You never know when great riches... | 0:16:52 | 0:16:56 | |
-Oh! -..are going to turn up unexpectedly. | 0:16:56 | 0:17:01 | |
-What can I get for a quarter? -This. | 0:17:01 | 0:17:04 | |
-Comme ca. -It's fantastic. | 0:17:04 | 0:17:06 | |
PHONE RINGS | 0:17:06 | 0:17:07 | |
-What are they getting for that? -It's growing on me. | 0:17:07 | 0:17:11 | |
-Don't. -How much for this? -20. | 0:17:11 | 0:17:13 | |
BOTH GASP DRAMATICALLY | 0:17:13 | 0:17:15 | |
Hola? | 0:17:15 | 0:17:17 | |
Oh, erm, Rebecca? Luke Brandon, Successful Saving. | 0:17:17 | 0:17:21 | |
-Yes? -Yeah, sorry to call so early, | 0:17:21 | 0:17:23 | |
but I got your, erm, your letter. | 0:17:23 | 0:17:26 | |
And I have to say, it was a bit of a surprise. | 0:17:26 | 0:17:29 | |
Well, I-I hope I made my point. | 0:17:29 | 0:17:33 | |
Oh. You did! You did! Very well! The whole metaphor. Very clever. | 0:17:33 | 0:17:37 | |
Yes, wasn't it? The whole metaphor was... | 0:17:37 | 0:17:41 | |
Wait. What? I'm sorry. | 0:17:41 | 0:17:43 | |
Describing the principles of security investment | 0:17:43 | 0:17:46 | |
in terms of the way different women purchase different shoes was... | 0:17:46 | 0:17:50 | |
That was different. Hello? Hello? | 0:17:50 | 0:17:53 | |
Rebecca? Sounds like you might be in the middle of something. | 0:17:53 | 0:17:57 | |
But I was trying to say that it gave me an idea. | 0:17:57 | 0:18:00 | |
Would you like to come in? | 0:18:00 | 0:18:02 | |
-Can I help you, dear? -I think I sent the editor of Alette magazine 20 | 0:18:02 | 0:18:06 | |
to buy herself some decent clothes and stick her job up her ass! | 0:18:06 | 0:18:11 | |
-Hey, clothes for Alette. -I'll call her assistant. | 0:18:46 | 0:18:49 | |
The clothes are here for Alette's approval. She'll be right out. | 0:18:49 | 0:18:53 | |
So, what do you think about you and me going out on Friday night? | 0:18:53 | 0:18:57 | |
I mean, if you want to. Would you like to go out Friday night? | 0:18:57 | 0:19:01 | |
-I don't know. I might have plans. -Oh, you might... | 0:19:01 | 0:19:04 | |
-Do you ever wear any of this stuff? -Er, some of it is a little far out. | 0:19:04 | 0:19:08 | |
Totally far out. | 0:19:08 | 0:19:10 | |
Crazy, but I guess that's the world of, what is it, high fashions? | 0:19:10 | 0:19:14 | |
-Yes! -Yeah, I know about that. I am one of the best. | 0:19:14 | 0:19:17 | |
I don't let this out of my sight. I guard it with my life. | 0:19:17 | 0:19:22 | |
A lot of pressure. I got to make sure everyone gets these letters. | 0:19:22 | 0:19:26 | |
-Get them there on time. -I get my job done. | 0:19:26 | 0:19:28 | |
See, I take my job very seriously. | 0:19:28 | 0:19:31 | |
-Yes. -Oh, really? -And to deliver...the mail, but, | 0:19:31 | 0:19:35 | |
you know, as the mail carrier, | 0:19:35 | 0:19:37 | |
it's a lot of pressure to get people their letters. | 0:19:37 | 0:19:40 | |
I've never lost one yet. | 0:19:40 | 0:19:41 | |
No vertical buttonholes. I'm bored with them. | 0:19:41 | 0:19:45 | |
Is this for the Kaleidoscope shoot with Paolo? | 0:19:45 | 0:19:48 | |
Oh, degage, degage, degage, degage, degage, degage. | 0:19:48 | 0:19:53 | |
Oh, but this! (GASPS) | 0:19:53 | 0:19:55 | |
Cavalli. He has read my mind. | 0:19:55 | 0:19:59 | |
-It's marvellous. We can use it all. -Take it in! | 0:19:59 | 0:20:03 | |
Oh, God. What are you doing? | 0:20:07 | 0:20:10 | |
This is Alette. Is this where you should be? | 0:20:10 | 0:20:15 | |
DREAMY MUSIC | 0:20:17 | 0:20:19 | |
Oh, yes. Oh, yes. | 0:20:21 | 0:20:24 | |
Dantay West didn't hire me to be an editor of this magazine. | 0:20:24 | 0:20:29 | |
They hired me to throw it a rope and pull it out of the swamp. | 0:20:29 | 0:20:33 | |
KNOCK ON DOOR | 0:20:33 | 0:20:35 | |
-Hi, everyone. I'm Rebecca Bloomwood. -Sit down, Rebecca. | 0:20:35 | 0:20:40 | |
What makes a magazine move from the news stands? | 0:20:43 | 0:20:47 | |
HER CHAIR SQUEAKS | 0:20:47 | 0:20:50 | |
Real, unvarnished stories, | 0:20:50 | 0:20:52 | |
whether the people that we are writing about like them or not. | 0:20:52 | 0:20:56 | |
Successful Saving is the People magazine of financial journalism | 0:20:56 | 0:21:00 | |
and this is where that ends. | 0:21:00 | 0:21:04 | |
From now... | 0:21:04 | 0:21:05 | |
WHIRRING | 0:21:05 | 0:21:07 | |
Sorry. | 0:21:12 | 0:21:15 | |
From now on, we don't copy. We examine. | 0:21:15 | 0:21:19 | |
We probe. | 0:21:19 | 0:21:21 | |
Ooh! | 0:21:21 | 0:21:24 | |
I liked your piece. I said that on the phone. | 0:21:24 | 0:21:27 | |
-Good, good. -Hayley? | 0:21:27 | 0:21:30 | |
Shall we say a three-week trial? Give her this cubicle. | 0:21:30 | 0:21:33 | |
This one's lovely. They're all three by six. | 0:21:33 | 0:21:35 | |
1,000 words on the effect of changing interest rates | 0:21:35 | 0:21:38 | |
-on store-card APRs. -Good. | 0:21:38 | 0:21:41 | |
You still have the label on your new glasses. | 0:21:50 | 0:21:54 | |
What? Oh. | 0:21:54 | 0:21:56 | |
You took a job at a savings magazine? You? | 0:21:56 | 0:21:59 | |
I know it sounds bad, but it is in fact part of a very structured plan. | 0:21:59 | 0:22:03 | |
That's great, but in a lot of ways it's not great. | 0:22:03 | 0:22:06 | |
What is it called when an animal rights person is trampled by a cow? | 0:22:06 | 0:22:10 | |
-I don't think there's a word for that. -Ironic. | 0:22:10 | 0:22:13 | |
Ironic that Rebecca Bloomwood is advising people on handling money. | 0:22:13 | 0:22:18 | |
But I guess it would be nice | 0:22:18 | 0:22:19 | |
if my maid of honour could afford her own dress. | 0:22:19 | 0:22:23 | |
-He asked? -Yes! | 0:22:23 | 0:22:25 | |
-How did he say it? -You should've been there. -Hey! | 0:22:25 | 0:22:29 | |
The, er, credit limit on your card was reached. | 0:22:29 | 0:22:33 | |
I think I want my husband-to-be to propose to me in Barneys. | 0:22:34 | 0:22:39 | |
What are you doing? | 0:22:39 | 0:22:41 | |
-Nothing. -Yes, you are! | 0:22:41 | 0:22:44 | |
Bex, I just found the perfect book for you. | 0:22:44 | 0:22:46 | |
'Control Your Urge To Shop, with Garrett E Barton. | 0:22:46 | 0:22:50 | |
'That's me. | 0:22:50 | 0:22:52 | |
'Do you find yourself constantly drawn toward stores?' | 0:22:52 | 0:22:56 | |
-Yes. -No. | 0:22:56 | 0:22:58 | |
'Does your heart quicken when you see new merchandise in neat piles?' | 0:22:58 | 0:23:02 | |
-Yes! -No. -This guy's good. | 0:23:02 | 0:23:05 | |
'Did you answer no and are consequently in denial?' | 0:23:05 | 0:23:08 | |
-Yes. -No! | 0:23:08 | 0:23:10 | |
'Did you just say no again?' | 0:23:10 | 0:23:14 | |
No. BOTH: Yes. | 0:23:14 | 0:23:15 | |
'Step one. De-clutter your life. Throw it all out. | 0:23:15 | 0:23:20 | |
'Just box it up and toss it! | 0:23:20 | 0:23:23 | |
'Simplicity and order are your new watchwords.' | 0:23:23 | 0:23:27 | |
PHONE RINGS | 0:23:27 | 0:23:29 | |
'Excuse me. | 0:23:29 | 0:23:31 | |
'Hello? | 0:23:31 | 0:23:33 | |
'It's a fresh start calling. | 0:23:33 | 0:23:36 | |
'And it's for you.' | 0:23:37 | 0:23:40 | |
CUPBOARD GROANS AND CREAKS | 0:23:40 | 0:23:43 | |
'On your way to work, ignore the siren call of the store window. | 0:23:45 | 0:23:50 | |
'Your new mantra is, | 0:23:51 | 0:23:53 | |
-'"Do I need this?"' -No. | 0:23:53 | 0:23:57 | |
What's this? | 0:23:57 | 0:24:00 | |
1,000 words on store-card APRs? | 0:24:00 | 0:24:02 | |
Which looks as if it's been copied out of Money For Dummies. | 0:24:02 | 0:24:06 | |
SHE LAUGHS | 0:24:06 | 0:24:08 | |
I wanted 1,000 words on APRs from an angle. | 0:24:08 | 0:24:11 | |
-Is that not an angle? -Not unless you call "head on" an angle. | 0:24:11 | 0:24:14 | |
-No, I don't. -Try it again. Remind me why I hired you. -OK. | 0:24:14 | 0:24:18 | |
-Rebecca. -Argh! | 0:24:30 | 0:24:33 | |
Did you just type | 0:24:33 | 0:24:35 | |
"Good angles on APRs" into Google? | 0:24:35 | 0:24:40 | |
Yes. I Googled. | 0:24:40 | 0:24:43 | |
Am I fired? | 0:24:46 | 0:24:48 | |
Get your coat. | 0:24:48 | 0:24:51 | |
You know these guys, right? Comintex? | 0:24:51 | 0:24:53 | |
-Communications company? -Yes. Absolutely. | 0:24:53 | 0:24:56 | |
This year's seen unparalleled growth in the communications industry. | 0:24:56 | 0:25:00 | |
Overall, pal. Not in your company. | 0:25:00 | 0:25:02 | |
Comintex profits reflect that this has been a year of acquisitions, | 0:25:02 | 0:25:07 | |
both of APL and of the Dutch fibre-optic company, Zandak. | 0:25:07 | 0:25:11 | |
Neatly masking the 24 million in bonuses these guys paid themselves. | 0:25:11 | 0:25:15 | |
Hmm! I know. | 0:25:15 | 0:25:17 | |
What we have here is a situation | 0:25:18 | 0:25:21 | |
in which someone needs to be asking some very hard questions. | 0:25:21 | 0:25:24 | |
-Absolutely. -Put your hand up. | 0:25:24 | 0:25:27 | |
-What? No! -Put your hand up. | 0:25:27 | 0:25:30 | |
-I have no hard questions. -I'll give you them. | 0:25:30 | 0:25:33 | |
-I'm going to just take notes. -Put your hand up. | 0:25:33 | 0:25:36 | |
-I don't think so. -You'll be fine. Put your hand up. | 0:25:36 | 0:25:39 | |
WHISPERS: Hello. | 0:25:39 | 0:25:40 | |
-He's not listening. -Louder, louder. And stand up. | 0:25:40 | 0:25:43 | |
Rebecca Bloomwood! | 0:25:43 | 0:25:45 | |
SPEAKER FALLS SILENT | 0:25:45 | 0:25:48 | |
Hello. | 0:25:48 | 0:25:50 | |
From. From. | 0:25:50 | 0:25:52 | |
-Hi. -From... -From Successful Saving. It's a magazine. | 0:25:52 | 0:25:57 | |
-We'll take questions after the report. -Good. | 0:25:57 | 0:26:00 | |
Performance in... | 0:26:00 | 0:26:02 | |
-Ask how much he earns. -How much do you burn? | 0:26:02 | 0:26:04 | |
-Earn. -Earn. | 0:26:04 | 0:26:05 | |
-Excuse me? -Louder. | 0:26:05 | 0:26:07 | |
What do you earn? | 0:26:07 | 0:26:09 | |
-We will be taking questions... -Why award themselves bonuses? | 0:26:09 | 0:26:12 | |
-Why did you award yourself bonuses? -24 million. | 0:26:12 | 0:26:15 | |
-Of 23... -24. | 0:26:15 | 0:26:17 | |
-Billion. -Million. -Million. -Dollars. -Million dollars. | 0:26:17 | 0:26:19 | |
-Investors lost eight percent. -While investors lost eight percent? | 0:26:19 | 0:26:25 | |
MURMURING | 0:26:25 | 0:26:28 | |
As I said, I'll be happy to answer... | 0:26:28 | 0:26:31 | |
Is that true? | 0:26:31 | 0:26:33 | |
And now a long pause and no answer. | 0:26:36 | 0:26:40 | |
Long pause, no answer. | 0:26:40 | 0:26:44 | |
-OK, do you know why we did that? -Some kind of cruel initiation rite? | 0:26:45 | 0:26:50 | |
Listen to this. | 0:26:50 | 0:26:51 | |
"Security can mean different things to different people. | 0:26:51 | 0:26:55 | |
"For some, it's going to a party in the right shoes. | 0:26:55 | 0:26:57 | |
"This might leave you feeling secure for an evening | 0:26:57 | 0:27:00 | |
"but have a crippling effect on you in later life." | 0:27:00 | 0:27:03 | |
-I wrote that. -You wrote that. | 0:27:03 | 0:27:06 | |
What firms like Comintex thrive on | 0:27:06 | 0:27:08 | |
is an endemic lack of public understanding. | 0:27:08 | 0:27:10 | |
They get away with murder | 0:27:10 | 0:27:12 | |
because Maisie with a root beer and a 200 investment portfolio, | 0:27:12 | 0:27:16 | |
what does she actually know about what those guys are doing? | 0:27:16 | 0:27:21 | |
What she's told. | 0:27:21 | 0:27:22 | |
If the magazines she looks to aren't asking the right questions, | 0:27:22 | 0:27:25 | |
it isn't good for Maisie. | 0:27:25 | 0:27:28 | |
I want you to tell the truth in a way that Maisie can understand. | 0:27:29 | 0:27:35 | |
Go home, write me an initial outline | 0:27:35 | 0:27:38 | |
and email it to me by three o'clock. OK? | 0:27:38 | 0:27:41 | |
Oh, no. | 0:28:01 | 0:28:02 | |
Oh, yeah. Nice! | 0:28:02 | 0:28:06 | |
I just got a call from Jeff at Comintex. | 0:28:06 | 0:28:08 | |
-They're having a stockholders' meeting. -Yes, I sent someone. | 0:28:08 | 0:28:11 | |
Yeah, you did. | 0:28:11 | 0:28:12 | |
Real find, actually, the girl I sent. She's sparky, honest. | 0:28:12 | 0:28:17 | |
Exactly the type that I was hoping to find. | 0:28:17 | 0:28:19 | |
I assume that's why Edgar West got you to recruit me. | 0:28:19 | 0:28:23 | |
-Damn it! -Slice. | 0:28:23 | 0:28:25 | |
I hired you to fix the bottom line of this magazine, | 0:28:25 | 0:28:29 | |
and we know the key to that is advertising revenue. | 0:28:29 | 0:28:32 | |
You hired me to create a product that sells, not to sell a product. | 0:28:32 | 0:28:37 | |
What if I'm with Edgar West? | 0:28:37 | 0:28:39 | |
We're playing golf, and he turns to me nonchalantly and says, | 0:28:39 | 0:28:43 | |
"I'd like to know why Luke Brandon decided to hire a journalist | 0:28:43 | 0:28:46 | |
"who could damage the interests of Dantay West." | 0:28:46 | 0:28:49 | |
I haven't, because she won't. | 0:28:49 | 0:28:52 | |
It's like a rush of adrenaline. I feel like I've run a marathon. | 0:28:55 | 0:28:59 | |
-Galliano! -They have Gucci half off! | 0:29:00 | 0:29:04 | |
-Calvin Klein half off. -Nicole Miller! | 0:29:04 | 0:29:06 | |
Ladies, everyone just be patient. | 0:29:06 | 0:29:09 | |
'At every point I will ask, "Do I need this?"' | 0:29:09 | 0:29:13 | |
There's another entrance this way! | 0:29:15 | 0:29:17 | |
ALL SHRIEK | 0:29:17 | 0:29:19 | |
'These cashmere gloves I need, as it is winter and I have... | 0:29:28 | 0:29:31 | |
'hands! So, that's all.' | 0:29:31 | 0:29:33 | |
-I'll buy these and these alone. -Missoni! | 0:29:33 | 0:29:36 | |
'Now walk away, strong and frugal.' | 0:29:36 | 0:29:40 | |
Oh, my God! Pucci boots. | 0:29:40 | 0:29:43 | |
'50% off? | 0:29:45 | 0:29:47 | |
'Do I need these? | 0:29:47 | 0:29:50 | |
'Do I need these? Do I need these?' | 0:29:50 | 0:29:53 | |
No. | 0:29:53 | 0:29:54 | |
-Jeannie, Pucci boots! -I'm so sorry. I had them first. | 0:29:56 | 0:30:00 | |
-But you put them down. -I saw 'em first so I'm taking 'em. | 0:30:00 | 0:30:04 | |
-But you took your hands off. -Give me the boots and no-one gets hurt! | 0:30:04 | 0:30:08 | |
Give me the boots. Give me the boots! | 0:30:08 | 0:30:10 | |
-I want them! -Look! There's a sale on Burberry! | 0:30:10 | 0:30:13 | |
SHE SHRIEKS | 0:30:13 | 0:30:14 | |
Oldest trick in the book! | 0:30:14 | 0:30:15 | |
-Give them! -No! | 0:30:15 | 0:30:17 | |
-Give me the boots! -I waited in line all morning! | 0:30:17 | 0:30:21 | |
SHE YELLS TRIUMPHANTLY | 0:30:21 | 0:30:23 | |
Agh! | 0:30:23 | 0:30:25 | |
# Hands over my head | 0:30:30 | 0:30:33 | |
# Thinking what else could go wrong | 0:30:33 | 0:30:37 | |
# Would have stayed in bed | 0:30:40 | 0:30:42 | |
# How can the day be so long? | 0:30:42 | 0:30:48 | |
# Never believed | 0:30:50 | 0:30:52 | |
# That things happen for | 0:30:52 | 0:30:54 | |
# A reason | 0:30:54 | 0:30:59 | |
# But how this turned out removed all my doubts | 0:30:59 | 0:31:04 | |
# So believe | 0:31:04 | 0:31:07 | |
# Before you undo it all over... # | 0:31:07 | 0:31:12 | |
'Your store card is like a 50% off cashmere coat. | 0:31:12 | 0:31:15 | |
'The first time you meet, it promises to be your best friend.' | 0:31:15 | 0:31:19 | |
Until you look closely and realise it's not real cashmere. | 0:31:19 | 0:31:24 | |
-You've been ripped off. -Right. You get it? | 0:31:24 | 0:31:27 | |
-You get it? -We get it. Now go away. | 0:31:27 | 0:31:31 | |
"As winter comes, | 0:31:31 | 0:31:32 | |
"you discover that your coat isn't actually a friend at all. | 0:31:32 | 0:31:36 | |
"You should've read the fine print. | 0:31:36 | 0:31:38 | |
"You should look more closely at what you're getting into." | 0:31:38 | 0:31:42 | |
You should put a picture in that. | 0:31:46 | 0:31:48 | |
It's a present. Haven't got around to filling it yet. | 0:31:48 | 0:31:52 | |
My mom bought me this exact one from a thrift store. | 0:31:52 | 0:31:56 | |
Probably paid half. | 0:31:56 | 0:31:58 | |
Not that they often shop at thrift stores! | 0:31:58 | 0:32:01 | |
What? | 0:32:02 | 0:32:04 | |
-This is good. -Really? -Hm. | 0:32:04 | 0:32:07 | |
Is it by Rebecca Bloomwood? | 0:32:07 | 0:32:09 | |
Yes! My friend Suze saw me writing it. | 0:32:10 | 0:32:14 | |
Is that how you want your name to appear? "By Rebecca Bloomwood"? | 0:32:14 | 0:32:18 | |
-Oh, right. No, I don't want to be too associated with this magazine. -Sorry? | 0:32:18 | 0:32:23 | |
Because I think it would be better to be slightly more of an Everyman. | 0:32:23 | 0:32:27 | |
Erm, a little more | 0:32:27 | 0:32:29 | |
whoooo... mysterious. | 0:32:29 | 0:32:32 | |
Rather than just... | 0:32:32 | 0:32:34 | |
Becky. | 0:32:34 | 0:32:36 | |
-Hm. -Hm. | 0:32:36 | 0:32:39 | |
"The Girl in the Green Scarf. Thank you. | 0:32:40 | 0:32:43 | |
"I bought your magazine this morning | 0:32:43 | 0:32:45 | |
"and have already told three stores where to stick their credit cards." | 0:32:45 | 0:32:50 | |
THEY ALL LAUGH | 0:32:50 | 0:32:53 | |
Check it out! Jay Brogan, Queens, via email. | 0:32:53 | 0:32:55 | |
-I'm sorry. -"It's easy to feel those guys do it for your benefit. | 0:32:55 | 0:32:58 | |
-"You never check the APR." -You can call him from my desk. -No! | 0:32:58 | 0:33:02 | |
"Tell you what, I have now. Thanks, Mrs Green Scarf." | 0:33:02 | 0:33:05 | |
We never get this kind of response! | 0:33:05 | 0:33:08 | |
KNOCK ON DOOR | 0:33:08 | 0:33:09 | |
Excuse me, sir. Edgar West. | 0:33:09 | 0:33:11 | |
That's not good. He hates us. | 0:33:11 | 0:33:15 | |
Luke Brandon. | 0:33:16 | 0:33:17 | |
I've just spent a few minutes rather wrapped up in your Green Scarf. | 0:33:17 | 0:33:22 | |
I like it. | 0:33:22 | 0:33:24 | |
She obviously has a passion for personal finance. | 0:33:24 | 0:33:27 | |
Excuse me, I'm sorry, but he is really being persistent. | 0:33:27 | 0:33:30 | |
-He needs to talk to you. -Just tell him I'm busy, please. | 0:33:30 | 0:33:34 | |
You're a lucky man, Mr Brandon. | 0:33:34 | 0:33:36 | |
-It's this charity that I'm the chairperson of. -Thank you, sir. | 0:33:36 | 0:33:40 | |
It seems that he liked the column so much | 0:33:40 | 0:33:43 | |
that he's sending extra copies of the magazine to his children. | 0:33:43 | 0:33:47 | |
Oh, my God. I can't believe it! | 0:33:47 | 0:33:50 | |
APPLAUSE | 0:33:50 | 0:33:51 | |
KNOCK AT DOOR | 0:33:51 | 0:33:52 | |
I'm sorry, sir! | 0:33:52 | 0:33:53 | |
There's a man on line two and he says it's a matter of life or death. | 0:33:53 | 0:33:58 | |
What's his name? | 0:33:58 | 0:34:00 | |
Derek Smeath. | 0:34:01 | 0:34:03 | |
Oh! No! | 0:34:03 | 0:34:07 | |
Exactly how long has this ex-boyfriend been stalking you? | 0:34:18 | 0:34:22 | |
Ever since the relationship ended. | 0:34:25 | 0:34:27 | |
He's been following me around pretending to be a debt collector. | 0:34:27 | 0:34:31 | |
I was once stalked. | 0:34:31 | 0:34:34 | |
By a dog. | 0:34:35 | 0:34:37 | |
OK. | 0:34:39 | 0:34:41 | |
Look, take the rest of the day, | 0:34:41 | 0:34:43 | |
and block all future calls from Derek Smeath. | 0:34:43 | 0:34:47 | |
Yes, sir. | 0:34:47 | 0:34:49 | |
Spend it wisely. | 0:35:04 | 0:35:07 | |
Oh, God. | 0:35:08 | 0:35:10 | |
Dad? | 0:35:10 | 0:35:12 | |
Money... is what I came to talk to you about. | 0:35:12 | 0:35:16 | |
Yeah? Hey, honey? | 0:35:16 | 0:35:17 | |
-Yeah. -You got them wings? -Coming. | 0:35:17 | 0:35:20 | |
It's funny because your mom and I were going to call you over | 0:35:20 | 0:35:24 | |
to talk about pretty much the exact same thing. Money. | 0:35:24 | 0:35:29 | |
-Savings. -Our money. Our life savings. | 0:35:29 | 0:35:31 | |
-Really? -All our married life, we've been the kind of people | 0:35:31 | 0:35:35 | |
that we just don't spend, we save. | 0:35:35 | 0:35:37 | |
-We've built up a little nest egg. -Of money. | 0:35:37 | 0:35:40 | |
A big nest egg of money. | 0:35:40 | 0:35:42 | |
-Of dough. -Yeah, we do! | 0:35:42 | 0:35:44 | |
-And so, we decided... -That we wanted to call you here, | 0:35:44 | 0:35:48 | |
our only, beautiful, lovely daughter, | 0:35:48 | 0:35:50 | |
to tell you that, well... | 0:35:50 | 0:35:54 | |
BOTH: We spent it! | 0:35:54 | 0:35:57 | |
Every last cent! | 0:35:57 | 0:35:59 | |
HORN TOOTS | 0:36:00 | 0:36:03 | |
IT CRASHES OVER THE KERB | 0:36:03 | 0:36:05 | |
He's still just getting the hang of it. | 0:36:05 | 0:36:09 | |
Isn't she a babe? | 0:36:09 | 0:36:11 | |
He's wanted one of these since the day I met him. | 0:36:11 | 0:36:15 | |
It's got a built-in blender, electric fans and a sewage disposal. | 0:36:15 | 0:36:19 | |
Kathy and Gordon in England, | 0:36:19 | 0:36:21 | |
the ones whose pool collapsed because of the mould? | 0:36:21 | 0:36:24 | |
-Kathy with the beard? -Yep. -She had electrolysis. | 0:36:24 | 0:36:27 | |
They sent us this off the web. It's an article... | 0:36:27 | 0:36:30 | |
-It makes you think about money. -About what it's really worth. | 0:36:30 | 0:36:34 | |
-Security in your old age? -Or is it investing in what you love? | 0:36:34 | 0:36:38 | |
You have got to read it. | 0:36:38 | 0:36:40 | |
It's by someone called the Girl in the Green Scarf. | 0:36:40 | 0:36:44 | |
She's a genius. | 0:36:45 | 0:36:47 | |
Oh, my God. | 0:36:47 | 0:36:50 | |
Guys! We're international! Yes! | 0:36:50 | 0:36:54 | |
-We've taken Asia! -Russell, how's that article on mortgage brokers? | 0:36:54 | 0:36:59 | |
-It's going to be huge. -Pay cheque. -I need it by the morning. | 0:36:59 | 0:37:02 | |
-Rebecca? -Yes? -Come with me to the APA conference next week. | 0:37:02 | 0:37:06 | |
Absolutely. | 0:37:06 | 0:37:08 | |
-What's the APA conference? -Biggest magazine event of the year. | 0:37:08 | 0:37:12 | |
In Miami. | 0:37:12 | 0:37:14 | |
Oh, Luke, I think I should definitely be there! | 0:37:14 | 0:37:16 | |
Early, I mean, and make sure that the hotel's OK | 0:37:16 | 0:37:19 | |
and find restaurants if anyone wants to relax. | 0:37:19 | 0:37:22 | |
Not that I intend to, but you never know, some people might. | 0:37:22 | 0:37:26 | |
I'm glad you're so enthusiastic. I'm excited myself. | 0:37:26 | 0:37:30 | |
Oh. You are? | 0:37:30 | 0:37:31 | |
Yeah. I mean, because a lot of people are very excited to meet you. | 0:37:35 | 0:37:39 | |
You've opened up a whole new demographic. | 0:37:39 | 0:37:43 | |
-You're opening up his what? -Demographic! -Mm-hm! | 0:37:43 | 0:37:48 | |
Which is why he wants to take me to the beach. I mean, the conference. | 0:37:48 | 0:37:51 | |
-Shouldn't you be getting to Alette? -I'm on my way. | 0:37:51 | 0:37:55 | |
You're in as a finance guru! | 0:37:55 | 0:37:58 | |
I give great financial advice. | 0:37:58 | 0:38:01 | |
-Ever considered taking your own advice? -Ohh! -Mom, calm. | 0:38:01 | 0:38:04 | |
What would The Girl in the Green Scarf say about hiding Visa bills under your bed? | 0:38:04 | 0:38:08 | |
-That is not relevant! -That is so relevant. | 0:38:08 | 0:38:11 | |
It's the most relevant thing in the world! | 0:38:11 | 0:38:13 | |
There isn't another reason you want to go to Miami? | 0:38:13 | 0:38:16 | |
-No. -Maybe it rhymes with Fluke? | 0:38:16 | 0:38:18 | |
-Luke. -A-ha! | 0:38:18 | 0:38:20 | |
That's it. You're making that face. | 0:38:20 | 0:38:23 | |
-What face? -Bex, you like him. | 0:38:23 | 0:38:25 | |
-This is terrible! -No. No. No. No. | 0:38:25 | 0:38:28 | |
-Hypothetically... -Hypothetically, you're a big, fat liar! | 0:38:28 | 0:38:31 | |
You're advising people about debt and you're up to your eyes in it! | 0:38:31 | 0:38:36 | |
-Argh! -Yeah, hide under there. | 0:38:37 | 0:38:41 | |
SHE GIGGLES | 0:38:41 | 0:38:44 | |
HE YAWNS | 0:38:44 | 0:38:48 | |
Oh, Monsieur Sherman. | 0:38:48 | 0:38:51 | |
My name is Brandon. My mother's name is Sherman. | 0:38:51 | 0:38:56 | |
Yes. Monsieur Discret! | 0:38:56 | 0:38:59 | |
Oh! | 0:39:00 | 0:39:03 | |
-You saved me. -Not at all. -Oh, gosh! | 0:39:03 | 0:39:07 | |
-You work at Successful Saving. -Yes. -We should have dinner. | 0:39:07 | 0:39:11 | |
# Do what you want, what you want Keep your body rocking | 0:39:11 | 0:39:15 | |
# Do what you want, what you want Keep the party rocking... # | 0:39:15 | 0:39:18 | |
-OK, what am I supposed to do? -Just be yourself. | 0:39:18 | 0:39:22 | |
Luke, how are you? | 0:39:22 | 0:39:24 | |
Hey! They let you out of prison. That's fantastic! | 0:39:24 | 0:39:27 | |
-Alicia. -Luke. | 0:39:27 | 0:39:28 | |
This is Rebecca Bloomwood. Have you read The Girl in the Green Scarf? | 0:39:28 | 0:39:32 | |
Let's see, "Risky investment is like a pair of platform boots." | 0:39:32 | 0:39:35 | |
Wait, nobody has ever quoted me back to me before. | 0:39:35 | 0:39:38 | |
-Luke. Got a second? -Sure. | 0:39:38 | 0:39:41 | |
-What were in prison for? -It was trumped up! | 0:39:41 | 0:39:44 | |
People out there trust you. | 0:39:44 | 0:39:46 | |
Butterfly investments. The handbag clasp! | 0:39:46 | 0:39:49 | |
Thanks. | 0:39:54 | 0:39:55 | |
Champagne, please. | 0:39:55 | 0:39:57 | |
-You're from the United North Bank? -I run it. | 0:39:58 | 0:40:01 | |
I was walking past your bank the other day. | 0:40:01 | 0:40:03 | |
-You have the most boring window displays in the world! -Boring? | 0:40:03 | 0:40:07 | |
I'm serious. It's as if somebody hit the snooze button | 0:40:07 | 0:40:09 | |
and told me it was OK to sleep another for 10 minutes. | 0:40:09 | 0:40:13 | |
-Really? -Not at all! | 0:40:13 | 0:40:14 | |
You need to put some pink umbrellas, or something, to get people in! | 0:40:14 | 0:40:17 | |
-Mr Lewis, look over here. -You know what else you could do? | 0:40:17 | 0:40:20 | |
-You could have a sale. -A sale? -Yes! | 0:40:20 | 0:40:23 | |
Fee reductions. And free doughnuts. | 0:40:23 | 0:40:25 | |
She writes a humorous column. | 0:40:25 | 0:40:28 | |
-I'll get another. -Unusual ideas. | 0:40:28 | 0:40:30 | |
Your writer is out of control. Keep her on a leash. | 0:40:30 | 0:40:34 | |
She doesn't need a leash, and I would say quite the contrary. | 0:40:34 | 0:40:37 | |
What was that tabloid sensationalism you sent me? | 0:40:37 | 0:40:40 | |
The Jon Goldman expose? It's a well-researched article. | 0:40:40 | 0:40:43 | |
His organisation is corrupt, full of financial holes. | 0:40:43 | 0:40:46 | |
His company is worth 2 million a year to Dantay West. | 0:40:46 | 0:40:49 | |
-Ryan. -Mr Lewis! | 0:40:49 | 0:40:51 | |
Luke, that columnist of yours said the most outrageous things. | 0:40:51 | 0:40:55 | |
-I'd like to apologise for... -Outrageous, yet brilliant. | 0:40:55 | 0:40:59 | |
-She's a breath of fresh air. -I couldn't agree more. | 0:40:59 | 0:41:02 | |
-I agree, too. -He couldn't agree more. | 0:41:02 | 0:41:04 | |
-Our window displays ARE boring. -Aren't they boring? | 0:41:04 | 0:41:07 | |
She's honest. The doughnut idea I loved. | 0:41:07 | 0:41:09 | |
-I'll talk to you about advertising. -Great. -Great. Great. | 0:41:09 | 0:41:13 | |
-OK. -OK. | 0:41:13 | 0:41:15 | |
You're doing great. There's one more person here that you ought to meet. | 0:41:15 | 0:41:19 | |
This one's pretty crucial, but having the language in common helps. | 0:41:19 | 0:41:23 | |
-Language? -Janne Virtanen from Nokia. | 0:41:23 | 0:41:26 | |
I've told him you're part Finnish, and he's very excited to meet you. | 0:41:26 | 0:41:30 | |
Janne! | 0:41:30 | 0:41:32 | |
Rebecca. | 0:41:32 | 0:41:34 | |
Ah. Hei, hei! | 0:41:34 | 0:41:35 | |
Hey, hey, hey. | 0:41:35 | 0:41:38 | |
That's how you do it in Finland! | 0:41:38 | 0:41:41 | |
HE SPEAKS FINNISH | 0:41:41 | 0:41:45 | |
SHE LAUGHS | 0:41:45 | 0:41:48 | |
Yine, yine. | 0:41:48 | 0:41:51 | |
He's funny. I can't even translate that. | 0:41:51 | 0:41:53 | |
-Long time no see, buddy. -Janne. | 0:41:53 | 0:41:56 | |
HE SPEAKS FINNISH | 0:41:57 | 0:42:01 | |
Men like you are the reason I left Finland. | 0:42:10 | 0:42:13 | |
HER PHONE RINGS | 0:42:13 | 0:42:17 | |
-Hola? -'Miss Bloomwood? | 0:42:17 | 0:42:19 | |
'It's Derek Smeath from All City Debt Collection. At last we meet.' | 0:42:19 | 0:42:24 | |
Er... | 0:42:24 | 0:42:26 | |
'How's your leg? Still broken?' | 0:42:26 | 0:42:28 | |
Er, it's, erm... It's much better. | 0:42:28 | 0:42:31 | |
-Mr Brandon. -Yes. | 0:42:31 | 0:42:35 | |
We Scandinavians... | 0:42:35 | 0:42:38 | |
like her. | 0:42:38 | 0:42:41 | |
A lot. | 0:42:42 | 0:42:44 | |
Then kindly limp, stagger or crawl to my office | 0:42:44 | 0:42:47 | |
-this afternoon. -Absolutely. I would love to. -Good. | 0:42:47 | 0:42:50 | |
-Except... Oh, my God. -'What?' | 0:42:50 | 0:42:52 | |
Aunt Ermintrude has fallen from the sky in a freak skydiving accident. | 0:42:52 | 0:42:56 | |
Enough! Unless the outstanding balance is transferred | 0:42:56 | 0:43:00 | |
first thing, nine o'clock, Monday morning, | 0:43:00 | 0:43:03 | |
the next step will be... | 0:43:03 | 0:43:06 | |
personal contact. | 0:43:06 | 0:43:08 | |
Absolutely. Nine o'clock, Monday morning. I have to go. I'm so sorry! | 0:43:08 | 0:43:12 | |
You are getting your own ringtone. | 0:43:16 | 0:43:19 | |
Do not answer this call. It's Derek Smeath. | 0:43:22 | 0:43:25 | |
-Do not... -Rebecca! -Argh! | 0:43:25 | 0:43:27 | |
-Thanks. -I have something to tell you. | 0:43:30 | 0:43:32 | |
I have something to tell you, too. | 0:43:32 | 0:43:35 | |
OK. | 0:43:35 | 0:43:37 | |
-You first. -Well... | 0:43:39 | 0:43:41 | |
Edgar West has taken a table at the Print Association charity ball, | 0:43:41 | 0:43:45 | |
and guess which two people from Successful Saving have been invited? | 0:43:45 | 0:43:50 | |
It's a huge mark of respect. | 0:43:50 | 0:43:52 | |
SHE LAUGHS NERVOUSLY | 0:43:52 | 0:43:54 | |
This puts us in the major league, | 0:43:54 | 0:43:56 | |
and that is mainly down to you. | 0:43:56 | 0:43:58 | |
Er... | 0:43:58 | 0:44:00 | |
Are you OK? | 0:44:00 | 0:44:03 | |
This... This isn't easy. | 0:44:03 | 0:44:06 | |
OK. | 0:44:06 | 0:44:08 | |
Your tie does not go with your shirt. | 0:44:12 | 0:44:16 | |
Try to enjoy yourself. No, no! You have to savour shopping. | 0:44:16 | 0:44:21 | |
No, you don't. You have to strike with precision and get out. | 0:44:21 | 0:44:25 | |
-We're looking for clothes for my boss. -Were you thinking maybe a suit? | 0:44:25 | 0:44:29 | |
I'm thinking about everything. | 0:44:29 | 0:44:31 | |
-This is gorgeous. -We do everything. | 0:44:31 | 0:44:33 | |
-I love pink on a guy. Is that bad? -That pink is great. -It's gorgeous. | 0:44:33 | 0:44:37 | |
-Will he do pink? -I think so. | 0:44:37 | 0:44:39 | |
-Would he do it with a white pant? -He would do that. | 0:44:39 | 0:44:42 | |
Actually, what I really need is a tuxedo, | 0:44:42 | 0:44:46 | |
say three buttons, size 48 regular, | 0:44:46 | 0:44:48 | |
a white dress shirt, I'll try the blue, as well, | 0:44:48 | 0:44:51 | |
And a black vernice shoe in a size ten. And two Advil. | 0:44:51 | 0:44:56 | |
You...speak...Prada? | 0:44:57 | 0:45:00 | |
Occasionally. | 0:45:00 | 0:45:03 | |
If you know how to dress, why come to the office looking like... | 0:45:03 | 0:45:07 | |
I don't want to be defined by clothes or labels or family or... | 0:45:11 | 0:45:15 | |
Why would you be defined by family? | 0:45:15 | 0:45:18 | |
My mother is Elinor Sherman, New York socialite. | 0:45:20 | 0:45:24 | |
Excuse me. Did you say your mother is Elinor Sherman? | 0:45:24 | 0:45:28 | |
Did she tell you that we dressed her for the Met gala? | 0:45:28 | 0:45:31 | |
She just looked stunning. | 0:45:31 | 0:45:33 | |
Congratulations on having such a fabulous mother! | 0:45:33 | 0:45:37 | |
My parents are divorced. I grew up in England with my dad. | 0:45:37 | 0:45:42 | |
He's great. Very down-to-earth, totally different from my mother. | 0:45:42 | 0:45:47 | |
Anyway, she wasn't interested until I was an adult. | 0:45:47 | 0:45:52 | |
At which point it was assumed that I would just fall into line. | 0:45:52 | 0:45:55 | |
-For the throne? -Ha! | 0:45:55 | 0:46:00 | |
No, for the, erm, | 0:46:00 | 0:46:03 | |
the family business. | 0:46:03 | 0:46:05 | |
-What's the business? -Owning stuff. | 0:46:06 | 0:46:10 | |
Real estate, erm, internet businesses... | 0:46:10 | 0:46:13 | |
Er... | 0:46:13 | 0:46:15 | |
-Cable companies. Oh, don't... -Oh, sorry! | 0:46:16 | 0:46:19 | |
I'm sorry! | 0:46:19 | 0:46:20 | |
I chose to succeed on my own terms, | 0:46:24 | 0:46:27 | |
not kowtow to some controlling family. | 0:46:27 | 0:46:30 | |
What's Dantay West? | 0:46:30 | 0:46:33 | |
HE LAUGHS | 0:46:33 | 0:46:36 | |
Do you have a take on everything in life? | 0:46:36 | 0:46:40 | |
BOTH: Yes! | 0:46:40 | 0:46:41 | |
What would your take be on... | 0:46:41 | 0:46:44 | |
me? | 0:46:44 | 0:46:46 | |
Go on. | 0:46:46 | 0:46:49 | |
What would the Girl in the Green Scarf's take be on Luke Brandon? | 0:46:49 | 0:46:54 | |
As an investment, you pretty much suck. | 0:46:56 | 0:46:59 | |
-What? -You're a workaholic. | 0:46:59 | 0:47:03 | |
You put in all these hours, but you don't reap the rewards. | 0:47:03 | 0:47:07 | |
It goes into someone else's pocket. | 0:47:07 | 0:47:10 | |
But you're a great editor. | 0:47:13 | 0:47:15 | |
And now... | 0:47:18 | 0:47:20 | |
..you look like one. | 0:47:21 | 0:47:23 | |
Drank a lot of mojitos. Drank too many mojitos! | 0:47:23 | 0:47:28 | |
It wasn't always work and no play. | 0:47:28 | 0:47:31 | |
-Gracias. -Gracias. | 0:47:31 | 0:47:34 | |
-Cheers! -Mm! | 0:47:34 | 0:47:36 | |
Oh, por favor. | 0:47:37 | 0:47:39 | |
Pick one. | 0:47:39 | 0:47:40 | |
-Hm? Are you serious? -Hm-hm. | 0:47:40 | 0:47:42 | |
I love this one! | 0:47:42 | 0:47:44 | |
But look at the red one. The red one's really cute. | 0:47:44 | 0:47:46 | |
Pick one. | 0:47:46 | 0:47:48 | |
No, this is gorgeous. Simple. | 0:47:48 | 0:47:51 | |
Perfect. | 0:47:51 | 0:47:52 | |
But why did you buy me a fan? | 0:47:52 | 0:47:55 | |
We're going to dance. | 0:47:55 | 0:47:56 | |
-I don't know how to do this kind of dancing! -I do. | 0:47:56 | 0:47:59 | |
SULTRY LATIN MUSIC | 0:47:59 | 0:48:02 | |
OK. | 0:48:04 | 0:48:06 | |
Just follow me. | 0:48:06 | 0:48:09 | |
-No... -Oh. | 0:48:10 | 0:48:12 | |
Oh! | 0:48:32 | 0:48:33 | |
You know, my instinct is that you should have your own business. | 0:49:26 | 0:49:30 | |
THEY BOTH LAUGH | 0:49:30 | 0:49:32 | |
-That's your instinct? -Yes. | 0:49:32 | 0:49:35 | |
Your delivery has arrived, sir. Shall I send it up? | 0:49:35 | 0:49:37 | |
-No. I'll take that. -OK. -Thank you. | 0:49:37 | 0:49:40 | |
And my other instinct is that I should take this to the ball. | 0:49:40 | 0:49:43 | |
-No? What do you think? -You know, Rebecca, about the ball, | 0:49:43 | 0:49:47 | |
there's, erm... | 0:49:47 | 0:49:49 | |
There's something I need... | 0:49:49 | 0:49:51 | |
Well, finally! | 0:49:51 | 0:49:53 | |
Luke, where have you been? | 0:49:55 | 0:49:59 | |
I've been looking for you. We have a dinner reservation. | 0:49:59 | 0:50:02 | |
Ah, did you go shopping? | 0:50:04 | 0:50:06 | |
Yes. Rebecca's been helping me pick something out for the ball. | 0:50:06 | 0:50:11 | |
That's perfect. I went shopping, too. | 0:50:11 | 0:50:14 | |
We're going to look so major together! | 0:50:14 | 0:50:17 | |
Aren't you glad I convinced you to go with me? | 0:50:17 | 0:50:19 | |
That's what I was trying to... | 0:50:19 | 0:50:22 | |
Oh. Oh, great. It'll be so much fun. | 0:50:22 | 0:50:25 | |
I'm going to... I'm going to go. Great! | 0:50:25 | 0:50:28 | |
W-Wait, Rebecca! Don't go! Just... | 0:50:28 | 0:50:30 | |
come out for a drink. You know Alicia and... | 0:50:30 | 0:50:33 | |
Yes, come out for a drink. | 0:50:33 | 0:50:35 | |
I would. I'd love to. I just... I have to make some calls. | 0:50:35 | 0:50:39 | |
-I'll see you in New York. -Too bad. See ya. Good night. | 0:50:39 | 0:50:43 | |
# Takes time | 0:50:43 | 0:50:45 | |
# Living in a world when you don't know who to trust | 0:50:45 | 0:50:48 | |
# Next time | 0:50:48 | 0:50:50 | |
# Slow it down and don't feel you have to rush | 0:50:50 | 0:50:52 | |
# You'll be fine | 0:50:52 | 0:50:57 | |
# Takes time... # | 0:50:57 | 0:50:59 | |
HER MOBILE RINGS | 0:50:59 | 0:51:01 | |
# Takes time... # | 0:51:01 | 0:51:02 | |
-Hey, Suze. -'Don't come home!' -I am home. | 0:51:04 | 0:51:07 | |
Well, don't come to the front door! | 0:51:07 | 0:51:09 | |
DOOR BUZZER | 0:51:09 | 0:51:10 | |
'It's Derek Smeath.' | 0:51:10 | 0:51:12 | |
-Keep driving! -Rebecca Bloomwood? | 0:51:12 | 0:51:16 | |
Oh, God, oh, God! | 0:51:16 | 0:51:17 | |
-Don't panic. -OK! -What did you tell him? | 0:51:17 | 0:51:20 | |
I told him that your Aunt Ermintrude died of malaria. | 0:51:20 | 0:51:23 | |
She died in a skydiving accident! Her parachute didn't open! | 0:51:23 | 0:51:27 | |
How am I supposed to know? She doesn't exist! | 0:51:27 | 0:51:30 | |
I've made mistakes but I'm turning my life around. | 0:51:30 | 0:51:33 | |
I'm going to go to the ball, impress Alette Naylor. | 0:51:33 | 0:51:36 | |
-Here! All I have to do first is buy a new dress. -Bex, no! | 0:51:36 | 0:51:39 | |
-Absolutely not. You have 10,000 dresses already. -You exaggerate! | 0:51:39 | 0:51:43 | |
I know the dress. It's perfect. You got it at the thing. | 0:51:43 | 0:51:46 | |
I hope we didn't throw it away at the de-cluttering. | 0:51:46 | 0:51:50 | |
Oh, Bex! Imagine you wearing this dress, | 0:51:50 | 0:51:54 | |
walk past the mirror, would you be jealous? | 0:51:54 | 0:51:56 | |
Yes! Oh, my gosh. I forgot I even had this dress! | 0:51:56 | 0:52:00 | |
Fluke would love you in that dress! | 0:52:00 | 0:52:02 | |
SHE SIGHS | 0:52:02 | 0:52:04 | |
Don't talk about Fluke. | 0:52:04 | 0:52:06 | |
Why? What happened? | 0:52:06 | 0:52:08 | |
Alicia Bitch Longlegs is what happened. | 0:52:08 | 0:52:11 | |
I hate her. Who is she? | 0:52:11 | 0:52:13 | |
She's the girl with the perfect everything. | 0:52:13 | 0:52:16 | |
Well, Luke is a raging moron! | 0:52:16 | 0:52:18 | |
He's going to be so bummed when you show up looking like a knockout! | 0:52:18 | 0:52:22 | |
You're going to be a total hottie! | 0:52:22 | 0:52:26 | |
SHE SIGHS HAPPILY | 0:52:26 | 0:52:27 | |
It's perfect. | 0:52:27 | 0:52:29 | |
All I have to do now is buy a new bag. | 0:52:29 | 0:52:32 | |
Oh, my God. There has to a bag somewhere in this room. | 0:52:32 | 0:52:34 | |
Do not open that closet! | 0:52:34 | 0:52:37 | |
Suze! Suze! Suze! Suze, are you there? | 0:52:41 | 0:52:44 | |
Oh... Oh, my God! | 0:52:44 | 0:52:47 | |
-You didn't throw anything away, did you? -I'm sorry. | 0:52:47 | 0:52:52 | |
OK. I know what you need. | 0:52:54 | 0:52:58 | |
My name is Joyce and I'm a shopaholic. | 0:52:58 | 0:53:02 | |
-ALL: Welcome, Joyce. -Thank you. | 0:53:02 | 0:53:04 | |
I'm the wife of a textile importer. | 0:53:04 | 0:53:06 | |
My husband found my secret stash in the linen closet. | 0:53:06 | 0:53:09 | |
He found my cruisewear and now he says that there won't be a cruise! | 0:53:09 | 0:53:14 | |
-ALL: Ohh! -OK, hang in there, Joyce. | 0:53:14 | 0:53:16 | |
What about you, Ryuichi? How was your week? | 0:53:16 | 0:53:18 | |
My name is Ryuichi... and I'm a shopaholic. | 0:53:18 | 0:53:22 | |
ALL: Hi, Ryuichi. | 0:53:22 | 0:53:24 | |
It is six months, three weeks and four days | 0:53:24 | 0:53:28 | |
since I last used my credit card. | 0:53:28 | 0:53:29 | |
THEY GASP IN ADMIRATION | 0:53:29 | 0:53:31 | |
That's just wonderful! | 0:53:31 | 0:53:32 | |
You're an inspiration to all of us. Did you hear that, Joyce? | 0:53:32 | 0:53:36 | |
What about you, Mr Freak? | 0:53:36 | 0:53:38 | |
My name is D Freak. I'm a shopaholic. | 0:53:38 | 0:53:42 | |
ALL: Welcome. | 0:53:42 | 0:53:43 | |
I'm also a former NBA player. | 0:53:43 | 0:53:46 | |
We'll get back to that. | 0:53:46 | 0:53:49 | |
Erm, I cracked at Cartier today. | 0:53:49 | 0:53:52 | |
How many did you buy this time? | 0:53:52 | 0:53:54 | |
Er, I got seven. One for every different day of the week. | 0:53:54 | 0:53:57 | |
-See, I got the Santos and... -Keep coming back, OK? | 0:53:57 | 0:54:00 | |
Give him some support. Keep coming back. | 0:54:00 | 0:54:03 | |
-Which store? -Rebecca! | 0:54:03 | 0:54:05 | |
Why don't you share your story? | 0:54:05 | 0:54:08 | |
Erm, hello, everybody. Er, I'm Rebecca Bloomwood. | 0:54:09 | 0:54:13 | |
ALL: Hi, Rebecca. | 0:54:13 | 0:54:14 | |
I just actually came here as a favour to a friend. | 0:54:14 | 0:54:18 | |
Erm, I mean, I like shopping. Is there anything so wrong with that? | 0:54:18 | 0:54:22 | |
I mean, stores are put there to enjoy. | 0:54:22 | 0:54:26 | |
The experience is enjoyable! | 0:54:26 | 0:54:29 | |
Well, more than enjoyable. It's... | 0:54:29 | 0:54:33 | |
It's beautiful. | 0:54:33 | 0:54:35 | |
The sheen of silk draped across a mannequin! | 0:54:35 | 0:54:40 | |
Oh, the smell of new Italian leather shoes. | 0:54:40 | 0:54:45 | |
Italian leather shoes, that's the best. | 0:54:45 | 0:54:48 | |
Oh, the rush you feel when you swipe your card, and it's approved, | 0:54:48 | 0:54:53 | |
and it all belongs to you! | 0:54:53 | 0:54:56 | |
-OK, Rebecca. Thank you for sharing! -The joy when you've bought something | 0:54:56 | 0:54:59 | |
-and it's just you and the shopping. -You and shopping. -Ryuichi! | 0:54:59 | 0:55:03 | |
All you have to do is hand over a little card. | 0:55:03 | 0:55:05 | |
-Pull it together! -It's the best feeling in the world. | 0:55:05 | 0:55:08 | |
You want to shout from the mountaintops! | 0:55:08 | 0:55:11 | |
-That's real talk. -You feel so... confident and alive! | 0:55:11 | 0:55:16 | |
-And happy? -And happy! | 0:55:16 | 0:55:17 | |
-And warm. -What's going on here? | 0:55:17 | 0:55:19 | |
I need to buy a new bag. I have to impress Alette Naylor. | 0:55:19 | 0:55:22 | |
-You should get a watch. -Catherine Malandrino has a sale. | 0:55:22 | 0:55:26 | |
You're like my soul sister. I have to go. Good luck, everybody. | 0:55:26 | 0:55:30 | |
-Do they have shoes there? -You sit down! | 0:55:30 | 0:55:33 | |
ALL: My will is strong! My wallet is closed! | 0:55:33 | 0:55:36 | |
ALL: I do not want to shop! | 0:55:36 | 0:55:38 | |
# They tried to make me go to rehab I said no, no, no | 0:55:40 | 0:55:46 | |
# Yes, I've been black but when I come back you'll know, know, know | 0:55:46 | 0:55:52 | |
# I ain't got the time and if my daddy thinks I'm fine | 0:55:52 | 0:55:58 | |
# They tried to make me go to rehab I won't go, go, go | 0:55:58 | 0:56:04 | |
# There's nothing, there's nothing you can teach me... # | 0:56:04 | 0:56:10 | |
..oh, and the green, too! | 0:56:10 | 0:56:11 | |
Is there anything else I haven't seen? | 0:56:11 | 0:56:14 | |
What's in this box? Have I seen absolutely everything? | 0:56:14 | 0:56:17 | |
Sparkles. Oh, I love sparkles! | 0:56:17 | 0:56:20 | |
Do you have any more in the back? | 0:56:20 | 0:56:22 | |
You. | 0:56:22 | 0:56:23 | |
SHE INHALES DEEPLY | 0:56:23 | 0:56:24 | |
You! Oh! | 0:56:24 | 0:56:27 | |
-I'm sorry. -Get it away all from me! Not those! | 0:56:27 | 0:56:32 | |
MUZAK VERSION OF "REHAB" PLAYS | 0:56:36 | 0:56:39 | |
ELEVATOR BELL PINGS | 0:56:41 | 0:56:42 | |
ELEGANT MUSIC | 0:56:42 | 0:56:44 | |
Alicia! | 0:56:46 | 0:56:48 | |
-You look stunning. -Hey. I want you to meet Luke Brandon. | 0:56:48 | 0:56:52 | |
-From Successful Saving. -The magazine looks great. | 0:56:52 | 0:56:54 | |
'There she is. OK, do not panic. | 0:56:54 | 0:56:59 | |
'"Hello, Alette. Since I was 14, I wanted to work at your magazine."' | 0:56:59 | 0:57:02 | |
Rebecca, you look so cute. | 0:57:02 | 0:57:06 | |
-You're unravelling. -What? | 0:57:06 | 0:57:08 | |
FABRIC RIPS | 0:57:11 | 0:57:13 | |
SHE GASPS | 0:57:13 | 0:57:14 | |
What? | 0:57:14 | 0:57:15 | |
Shame. | 0:57:15 | 0:57:16 | |
Hi! | 0:57:19 | 0:57:21 | |
SHE SHRIEKS | 0:57:35 | 0:57:38 | |
BOTH SHRIEK | 0:57:38 | 0:57:41 | |
Oh, dear! | 0:57:42 | 0:57:44 | |
-Oh, my God! -Sorry. Argh! | 0:57:44 | 0:57:47 | |
Oh, please. Oh, no. Oh, no. | 0:57:47 | 0:57:51 | |
-Isn't she adorable? -Yes, adorable. | 0:57:51 | 0:57:54 | |
Oh, oh, oh! | 0:57:54 | 0:57:57 | |
Oh! Now, dear, I need a glass of champagne right now. | 0:57:57 | 0:58:01 | |
-Coming right up. -And I'll have a gin and tonic. -Absolutely! | 0:58:01 | 0:58:06 | |
I'm intrigued to meet this Girl in the Green Scarf. | 0:58:06 | 0:58:09 | |
-Potential TV star, I hear. -They want her on the Morning Coffee show. | 0:58:09 | 0:58:13 | |
I think Rebecca would be great on television. She's hard to ignore. | 0:58:13 | 0:58:18 | |
-Excuse me! -Are they presentable? -They're beautiful. -Do not talk back! | 0:58:18 | 0:58:23 | |
Bus your tables. Let's move it! | 0:58:23 | 0:58:25 | |
I should read this Green Scarf girl. | 0:58:25 | 0:58:28 | |
-It seems she's very a la mode. -Real poise. | 0:58:28 | 0:58:31 | |
-Hey! -Argh! -What are you doing? | 0:58:31 | 0:58:34 | |
I need a gin and tonic and some champagne, please. | 0:58:34 | 0:58:36 | |
What are you, a drunk? Put that back! | 0:58:36 | 0:58:39 | |
On your feet, Goldilocks. We're short-staffed! | 0:58:39 | 0:58:41 | |
-I need food on tables now. Go! -No, I need to get... | 0:58:41 | 0:58:44 | |
Six more, please! | 0:58:44 | 0:58:46 | |
Oh! I'm not a waitress. | 0:58:46 | 0:58:48 | |
I know you're not, honey. You're an actress. I get it. I do. | 0:58:48 | 0:58:52 | |
Now go, go, go! Go! | 0:58:52 | 0:58:54 | |
SALSA MUSIC | 0:58:54 | 0:58:57 | |
What are you doing? Go out there and serve the fish! | 0:59:00 | 0:59:03 | |
-Argh! -Serve this table now. Do it. | 0:59:03 | 0:59:07 | |
SHE GASPS | 0:59:08 | 0:59:10 | |
-Miss Bloomwood. -Yes. | 0:59:10 | 0:59:13 | |
-I'll have the trout. -I'll have the salmon. | 0:59:13 | 0:59:15 | |
-Do you have low-fat dressing? -I'm not a waitress. | 0:59:15 | 0:59:17 | |
-Miss Bloomwood! -OK. Salmon here. | 0:59:17 | 0:59:19 | |
-The famous Miss Bloomwood? -The waitress? | 0:59:19 | 0:59:21 | |
-Miss Bloomwood! Put it down and sit! -Sit, yes. | 0:59:21 | 0:59:26 | |
DINERS GASP AND SHRIEK | 0:59:27 | 0:59:28 | |
I'm sorry! I'm so sorry! Sorry! | 0:59:28 | 0:59:31 | |
Here we are. Sit down, Rebecca. | 0:59:31 | 0:59:34 | |
Right, ladies and gentlemen, tonight we will be serving | 0:59:34 | 0:59:38 | |
the brook trout and wild smoked salmon. | 0:59:38 | 0:59:42 | |
Mrs West, the fish from this region is a powerful aphrodisiac. | 0:59:42 | 0:59:47 | |
Give her two. | 0:59:47 | 0:59:48 | |
You serve as if you've served all your life. | 0:59:48 | 0:59:51 | |
Paid my way through college waiting tables. | 0:59:51 | 0:59:54 | |
And that fish weighs the same as the girl on your last cover. | 0:59:54 | 0:59:57 | |
Oooh! | 0:59:57 | 0:59:59 | |
Alicia, were you a salmon or a trout? | 0:59:59 | 1:00:01 | |
You were a trout. | 1:00:01 | 1:00:04 | |
Oh. Thanks for saving me in there. | 1:00:14 | 1:00:18 | |
So, have you filled your photo frames yet? | 1:00:22 | 1:00:25 | |
No. Not yet. | 1:00:25 | 1:00:28 | |
You could put a picture of Alicia in one. | 1:00:28 | 1:00:32 | |
HE LAUGHS WRYLY | 1:00:32 | 1:00:34 | |
Except there probably wouldn't be room for her spidery, long legs. | 1:00:34 | 1:00:39 | |
You know, I've always felt that spidery, long legs | 1:00:39 | 1:00:42 | |
were vastly overrated. | 1:00:42 | 1:00:45 | |
I thought she was your girlfriend. | 1:00:47 | 1:00:49 | |
No. She's not my girlfriend. | 1:00:52 | 1:00:54 | |
She's not you. | 1:00:58 | 1:01:00 | |
Erica, get her on the phone. Pretend she's your best friend in the world. | 1:01:16 | 1:01:21 | |
Find out how she got in this terrible situation. | 1:01:21 | 1:01:23 | |
How did she get so far behind? | 1:01:23 | 1:01:25 | |
And you take that information and you use it against her. | 1:01:25 | 1:01:29 | |
What are her motivators? Pride? Integrity? Honour? Fear? | 1:01:29 | 1:01:32 | |
Tell her she'll lose everything, you'll slap a lien on her house | 1:01:32 | 1:01:35 | |
and print it in the papers. | 1:01:35 | 1:01:37 | |
Take her to the edge of the cliff. Let her think you'll push her over. | 1:01:37 | 1:01:41 | |
At the last minute, pull her back and get what you want out of her. | 1:01:41 | 1:01:44 | |
That, Erica, is how you earn a commission. | 1:01:44 | 1:01:48 | |
Excuse me. | 1:01:57 | 1:01:59 | |
ELEVATOR BELL PINGS | 1:02:05 | 1:02:08 | |
ELEVATOR BELL PINGS | 1:02:29 | 1:02:32 | |
"BATMAN" MOBILE RINGTONE | 1:02:42 | 1:02:46 | |
Derek Smeath. Hello? | 1:02:46 | 1:02:49 | |
Hello? | 1:02:49 | 1:02:50 | |
Elevators. Thank goodness for redial. | 1:02:51 | 1:02:55 | |
ELEVATOR BELL PINGS | 1:03:03 | 1:03:05 | |
"Do not answer this call. It's Derek Smeath." | 1:03:06 | 1:03:09 | |
'Do not answer this call. It's Derek Smeath.' | 1:03:09 | 1:03:12 | |
'Do not answer this call. It's Derek Smeath.' | 1:03:12 | 1:03:14 | |
'Do not answer this call. It's Derek Smeath. Do not answer this call.' | 1:03:14 | 1:03:18 | |
ELEVATOR BELL PINGS | 1:03:23 | 1:03:25 | |
No, he doesn't know it yet, but he will. All right. Speak to you then. | 1:03:31 | 1:03:35 | |
Luke! | 1:03:35 | 1:03:37 | |
Good morning. | 1:03:37 | 1:03:39 | |
-Hi. -Hi. | 1:03:39 | 1:03:41 | |
-Excusez-moi. -Argh! -Am I interrupting something? | 1:03:41 | 1:03:45 | |
-No. -No, no. | 1:03:45 | 1:03:46 | |
-I've come for the Green Scarf girl. -Me? | 1:03:46 | 1:03:49 | |
Our esteemed Monsieur West has asked me to dress you for your TV debut. | 1:03:49 | 1:03:54 | |
I have one hour to shop. | 1:03:54 | 1:03:56 | |
I'm sorry, excuse me, but Rebecca, Derek Smeath is here. | 1:03:56 | 1:04:02 | |
Erm... I... | 1:04:05 | 1:04:07 | |
-Rebecca is being stalked. -Oh! | 1:04:07 | 1:04:09 | |
So exciting at Successful Saving! | 1:04:09 | 1:04:11 | |
I've had enough of this. I'll see him. | 1:04:11 | 1:04:14 | |
Luke! I never want you to meet him! | 1:04:14 | 1:04:16 | |
-Don't worry. I've called security. -See? She called security. | 1:04:16 | 1:04:21 | |
Voila. Shall we go? | 1:04:21 | 1:04:23 | |
-No, no. -This is outrageous! I have every right! | 1:04:23 | 1:04:26 | |
After the ball, I read Successful Saving and your piece was very good. | 1:04:26 | 1:04:30 | |
I've been observing you and you have natural street fashion, but... | 1:04:30 | 1:04:34 | |
-do you have genuine style? -This is an outrage! | 1:04:34 | 1:04:39 | |
Dressing is like any worthwhile endeavour. | 1:04:42 | 1:04:45 | |
It is an art but also a challenge. | 1:04:45 | 1:04:49 | |
Bonjour. | 1:04:49 | 1:04:50 | |
This dress is good for you, huh? | 1:04:50 | 1:04:53 | |
With maybe... | 1:04:53 | 1:04:56 | |
..this jacket over. | 1:04:57 | 1:04:58 | |
That's genius, Alette. Parfait. | 1:04:58 | 1:05:01 | |
Ha-ha... I think that is a great dress. | 1:05:01 | 1:05:05 | |
But I was thinking a little more... of something like this? | 1:05:05 | 1:05:11 | |
I mean, I'd pair it with a new Yves Saint Laurent coat. | 1:05:15 | 1:05:19 | |
Show me. | 1:05:19 | 1:05:21 | |
-So, Rebecca... -Mm? | 1:05:21 | 1:05:23 | |
Take her bag. | 1:05:25 | 1:05:27 | |
You are sure of your choice? | 1:05:28 | 1:05:31 | |
-Yeah. -Hm. | 1:05:31 | 1:05:34 | |
We'll see. | 1:05:34 | 1:05:36 | |
'Do not answer this call. It's Derek Smeath. | 1:05:43 | 1:05:46 | |
'Do not answer this call. It's Derek Smeath. | 1:05:46 | 1:05:48 | |
'Do not answer this call. It's Derek Smeath. | 1:05:48 | 1:05:53 | |
'Do not answer this call. It's Derek Smeath. | 1:05:53 | 1:05:56 | |
'Do not answer this call. It's...' | 1:05:56 | 1:05:59 | |
Hello. | 1:05:59 | 1:06:01 | |
Ah, yes. | 1:06:05 | 1:06:08 | |
Is perfect. | 1:06:08 | 1:06:10 | |
So, unfortunately, I cannot stay, | 1:06:10 | 1:06:12 | |
but I am looking forward to seeing how you accessorise for your debut. | 1:06:12 | 1:06:16 | |
-Thank you! -Goodbye. | 1:06:16 | 1:06:19 | |
-Oh, God. -Is there a problem? | 1:06:25 | 1:06:29 | |
Pretty much my entire first month's salary. | 1:06:30 | 1:06:33 | |
Hm. But isn't it worth it? | 1:06:33 | 1:06:35 | |
No peeking. Don't peek. Can you see? Get up here. Now turn this way. | 1:06:37 | 1:06:44 | |
Don't peek. Don't peek. | 1:06:44 | 1:06:45 | |
-OK. Open! -Argh! | 1:06:45 | 1:06:49 | |
And look, look, look! The best part! | 1:06:49 | 1:06:51 | |
ALL SHRIEK | 1:06:51 | 1:06:53 | |
-Do you love it? -It's so her! | 1:06:55 | 1:06:57 | |
Bex, this is so exciting! I'm getting married | 1:06:57 | 1:07:00 | |
and you love your dress, you're getting to Alette... | 1:07:00 | 1:07:03 | |
What's in that bag? | 1:07:03 | 1:07:05 | |
Oh. That's just a dress that Alette chose for me for the TV show. | 1:07:05 | 1:07:10 | |
Mom, can you go get a cupcake? | 1:07:10 | 1:07:13 | |
How much did it cost? | 1:07:14 | 1:07:16 | |
Alette gets an incredible discount. | 1:07:17 | 1:07:19 | |
-You still go to Shopaholics Anonymous? -Yes! | 1:07:19 | 1:07:22 | |
-Because you promised. -I know! | 1:07:22 | 1:07:25 | |
Oh, excuse me. Are you going to the shopaholics meeting? | 1:07:33 | 1:07:37 | |
-Yes. -Could you do me a favour and stow these in your trunk? | 1:07:37 | 1:07:41 | |
Looks bad entering a self-help shopping group with a Barneys bag. | 1:07:41 | 1:07:44 | |
Ha! I know exactly what you mean! | 1:07:44 | 1:07:47 | |
-Leave it to me. -OK. | 1:07:47 | 1:07:49 | |
-OK. Save me a seat, huh? -OK. | 1:07:49 | 1:07:52 | |
CHURCH BELL TOLLS | 1:07:52 | 1:07:54 | |
Thank you! | 1:07:54 | 1:07:56 | |
My name is Miss Korch. I am your new group leader. | 1:07:59 | 1:08:02 | |
I do things differently. | 1:08:02 | 1:08:04 | |
Miss Bloomwood? | 1:08:07 | 1:08:09 | |
You're willing to give away money for things you don't need, | 1:08:09 | 1:08:12 | |
so why not give away things you don't need for no money? | 1:08:12 | 1:08:16 | |
-But I really need those things! -I'll show you who really needs them! | 1:08:16 | 1:08:20 | |
Steady! Steady. Courage, woman. | 1:08:20 | 1:08:22 | |
Oh, my. Colourful. | 1:08:22 | 1:08:24 | |
-This is my bridesmaid's dress. -Please! | 1:08:24 | 1:08:26 | |
How many of us have used that one before? | 1:08:26 | 1:08:29 | |
ALL TITTER | 1:08:29 | 1:08:32 | |
OK. I just want you to take these clothes and do good. | 1:08:32 | 1:08:36 | |
Miss Bloomwood, wasn't that liberating? | 1:08:36 | 1:08:40 | |
Bravo! | 1:08:40 | 1:08:42 | |
ALL CHEER | 1:08:42 | 1:08:44 | |
ALL CHANT GROUP MANTRA | 1:08:46 | 1:08:47 | |
Back to the basement. | 1:08:47 | 1:08:49 | |
I couldn't be prouder. | 1:08:49 | 1:08:52 | |
-There's been a mistake. The dresses I gave in, I need them back. -Christy! | 1:08:52 | 1:08:56 | |
-Yes? -Can't sell those dresses. There's been a mistake. -No returns. | 1:08:56 | 1:09:02 | |
I really need these dresses! I could bring back something else. | 1:09:02 | 1:09:05 | |
-Something better. -No exchanges. | 1:09:05 | 1:09:08 | |
-OK, so, erm, I'll buy 'em. -You will? That's great. We need every cent. | 1:09:08 | 1:09:14 | |
-OK. How much? -110. | 1:09:14 | 1:09:17 | |
A hun... What? How is this a charity store? | 1:09:17 | 1:09:19 | |
-This is from Barneys. -I know. | 1:09:19 | 1:09:22 | |
OK. I don't have enough for both. | 1:09:22 | 1:09:25 | |
-This one's 20. -Maybe come back for this one? | 1:09:25 | 1:09:28 | |
Which is more important? | 1:09:28 | 1:09:31 | |
'Got money issues? Who hasn't?' | 1:09:31 | 1:09:34 | |
Tarkie, Tarkie, she's on! | 1:09:34 | 1:09:37 | |
-'..we have the gurus of Successful Saving...' -This is her? | 1:09:37 | 1:09:39 | |
'..the Girl in the Green Scarf, Rebecca Bloomwood...' | 1:09:39 | 1:09:43 | |
She looks like an expert. How are her accessories? | 1:09:43 | 1:09:45 | |
Hey, Janice. She's in the... | 1:09:45 | 1:09:48 | |
Whoa. What channel? | 1:09:48 | 1:09:51 | |
'Finance. Not my thing.' | 1:09:51 | 1:09:53 | |
ALL LAUGH | 1:09:53 | 1:09:54 | |
-Jane. -Yeah? | 1:09:54 | 1:09:56 | |
Janey. Janey! | 1:09:56 | 1:09:58 | |
-What? -'Then I read your columns and I'm like, | 1:09:58 | 1:10:02 | |
-wow, I get it!' -Right. Which is exactly the point. | 1:10:02 | 1:10:05 | |
-So much financial journalism is really... -It's really boring. | 1:10:05 | 1:10:08 | |
I'm with you on that! | 1:10:08 | 1:10:10 | |
ALL LAUGH | 1:10:10 | 1:10:11 | |
Yes! Go, Bex! | 1:10:11 | 1:10:13 | |
It's not accessible. But ordinary people have the most in savings. | 1:10:13 | 1:10:17 | |
It is. It's people like my mom and dad. | 1:10:17 | 1:10:20 | |
Ow! | 1:10:20 | 1:10:22 | |
'Tell us about the coat.' | 1:10:22 | 1:10:24 | |
Tell the audience what you wrote about the cashmere coat and worth. | 1:10:24 | 1:10:28 | |
-Well, that's you. -No, no. | 1:10:28 | 1:10:30 | |
-He inspired me. -Awww! | 1:10:30 | 1:10:34 | |
'It's the difference between cost and worth.' | 1:10:34 | 1:10:36 | |
Essentially something you can't see and touch, | 1:10:36 | 1:10:38 | |
but it's actually the most valuable commodity in America, and that's... | 1:10:38 | 1:10:44 | |
Trust. | 1:10:44 | 1:10:46 | |
Trust. | 1:10:46 | 1:10:48 | |
I'm loving you guys. Who knew that debt could be so much fun? | 1:10:49 | 1:10:53 | |
We have a bit more time to get questions from the audience. | 1:10:53 | 1:10:56 | |
Is there anybody with any financial issues that would... Yes, you, sir. | 1:10:56 | 1:11:02 | |
Well, I'm having trouble with debt. | 1:11:02 | 1:11:06 | |
OK. Mortgage debt, car debt? | 1:11:06 | 1:11:09 | |
Miss Bloomwood's debt. | 1:11:10 | 1:11:13 | |
SHE LAUGHS | 1:11:13 | 1:11:14 | |
-Miss Bloomwood's debt? -That's right. | 1:11:14 | 1:11:17 | |
SHE LAUGHS NERVOUSLY | 1:11:17 | 1:11:19 | |
Pff! | 1:11:19 | 1:11:20 | |
I'm from All City Debt Collection Agency. My name is Derek Smeath. | 1:11:20 | 1:11:24 | |
-Oh! -'All-righty.' | 1:11:24 | 1:11:26 | |
For God's sake, can I just say | 1:11:26 | 1:11:28 | |
that this man has been stalking Rebecca for the past year? | 1:11:28 | 1:11:31 | |
Yes, I have. | 1:11:31 | 1:11:33 | |
To recover unrepaid credit | 1:11:33 | 1:11:35 | |
on a store card totalling 9,412 and a quarter. | 1:11:35 | 1:11:40 | |
Is this for real? | 1:11:40 | 1:11:42 | |
No, I'm sorry, because he is her ex-boyfriend. | 1:11:42 | 1:11:46 | |
Really? | 1:11:47 | 1:11:50 | |
No wonder she didn't bring him home. | 1:11:50 | 1:11:52 | |
That's good! | 1:11:54 | 1:11:55 | |
AUDIENCE LAUGHS | 1:11:55 | 1:11:56 | |
I tell you, the more you look at me, the funnier that gets. | 1:11:56 | 1:12:00 | |
ALL LAUGH | 1:12:00 | 1:12:01 | |
OK. Well, er, my ex-girlfriend told me she couldn't meet me today | 1:12:02 | 1:12:08 | |
because I might risk contamination | 1:12:08 | 1:12:10 | |
with an infection she picked up in Finland. | 1:12:10 | 1:12:12 | |
-Did you know she was part Finnish? -OK! | 1:12:14 | 1:12:17 | |
We're on limited time. Is there anybody else that would... | 1:12:17 | 1:12:20 | |
No, no, no! The best is yet to come. | 1:12:20 | 1:12:22 | |
-Oh, God! -Did you realise our Miss Bloomwood | 1:12:22 | 1:12:26 | |
is currently in hospital with depression? With gallstones? | 1:12:26 | 1:12:30 | |
"Cheque is in the mail" 14 times. | 1:12:30 | 1:12:32 | |
-"Cheque is lost in the mail" 14 times. -Who else has a question? | 1:12:32 | 1:12:36 | |
Recovering from a chemical fruit-acid peel. | 1:12:36 | 1:12:38 | |
Called back for a second tour of duty in Basra. | 1:12:38 | 1:12:42 | |
ALL LAUGH | 1:12:42 | 1:12:44 | |
Which of these excuses is true? Are any of them? | 1:12:47 | 1:12:51 | |
Will the real Rebecca Bloomwood please stand up? | 1:12:51 | 1:12:54 | |
At least I don't have to worry about you being stalked! | 1:13:00 | 1:13:03 | |
-Luke, you don't understand! -No, you're right, I don't! | 1:13:03 | 1:13:06 | |
So do what I hired you to do, | 1:13:06 | 1:13:08 | |
and make the truth clear to somebody who absolutely doesn't understand! | 1:13:08 | 1:13:12 | |
-I shop. -You lie because you shop? | 1:13:12 | 1:13:15 | |
-I... -OK, OK. Why do you shop? | 1:13:15 | 1:13:19 | |
-Well... -Come on, come on! -You're not giving me time. | 1:13:19 | 1:13:22 | |
Time for what? To make something up? For once, tell me the truth. | 1:13:22 | 1:13:26 | |
Because when... | 1:13:29 | 1:13:31 | |
When I shop, the world gets better. The world is better. | 1:13:31 | 1:13:36 | |
And then it's not any more and I need to do it again. | 1:13:36 | 1:13:41 | |
What about honesty? | 1:13:47 | 1:13:48 | |
What about credibility? | 1:13:50 | 1:13:53 | |
I wanted to tell you, but I-I... | 1:13:53 | 1:13:56 | |
I only took the job to get to Alette. | 1:13:56 | 1:13:59 | |
I wish you all the best with that. | 1:14:10 | 1:14:12 | |
-Luke, I'm so sorry. -No, no. | 1:14:12 | 1:14:14 | |
I understand. The whole thing was a lie. | 1:14:14 | 1:14:18 | |
That absolutely makes sense. | 1:14:21 | 1:14:23 | |
# You're breaking my heart | 1:14:38 | 1:14:40 | |
# You're tearing it apart Boo-hoo | 1:14:40 | 1:14:45 | |
# Now I've gone insane | 1:14:46 | 1:14:50 | |
# And you're breaking my glasses, too, OK? # | 1:14:50 | 1:14:53 | |
Is she wearing my bridesmaid's dress? | 1:14:53 | 1:14:56 | |
Suze! That, I can absolutely explain! | 1:14:56 | 1:15:01 | |
OK! | 1:15:01 | 1:15:04 | |
Explain. | 1:15:04 | 1:15:05 | |
Oh... | 1:15:05 | 1:15:08 | |
EXPLAIN! | 1:15:09 | 1:15:12 | |
SHE SOBS | 1:15:14 | 1:15:17 | |
-Oh, God... -Suze! | 1:15:20 | 1:15:22 | |
Mr West, I like Luke Brandon. | 1:15:24 | 1:15:27 | |
But it would seem on recent evidence, | 1:15:27 | 1:15:30 | |
Mr Brandon allowed his objectivity to lapse. | 1:15:30 | 1:15:35 | |
Mr Brandon? | 1:15:36 | 1:15:38 | |
HE SIGHS | 1:15:40 | 1:15:42 | |
Rebecca Bloomwood... | 1:15:42 | 1:15:45 | |
Rebecca Bloomwood was... the most vivacious, | 1:15:50 | 1:15:55 | |
funny, | 1:15:55 | 1:15:57 | |
inspiring woman I have ever met. | 1:15:57 | 1:16:01 | |
And she lived a lie. | 1:16:01 | 1:16:03 | |
We know that now. | 1:16:04 | 1:16:07 | |
But what she wrote in her columns was the truth. | 1:16:08 | 1:16:12 | |
She had a voice. | 1:16:12 | 1:16:15 | |
She spoke to people who never believed that they could understand, | 1:16:15 | 1:16:18 | |
and who loved it when they found that they could. And I loved it. | 1:16:18 | 1:16:23 | |
Rebecca Bloomwood let me down. | 1:16:29 | 1:16:33 | |
But the Girl in the Green Scarf never did. | 1:16:34 | 1:16:38 | |
HORN TOOTS | 1:16:43 | 1:16:46 | |
As for you... | 1:16:47 | 1:16:50 | |
if Luke Brandon and his attitude aren't fitting in at Dantay West, | 1:16:50 | 1:16:54 | |
there's really only ever one solution. | 1:16:54 | 1:16:58 | |
Maybe we should start a new magazine. | 1:17:01 | 1:17:05 | |
A magazine driven purely by the voices of its writers. | 1:17:05 | 1:17:10 | |
A part of the company, but outside the gates, you know? | 1:17:10 | 1:17:15 | |
Yeah, sounds...sounds great. | 1:17:15 | 1:17:18 | |
Yeah. It's unexpected, but, you know... | 1:17:18 | 1:17:20 | |
You have drive, Mr Brandon. | 1:17:20 | 1:17:23 | |
And vision. I've been impressed. | 1:17:23 | 1:17:26 | |
Oh, it will be tough-going to start, but... | 1:17:26 | 1:17:29 | |
that's the way Cy and I built this company. | 1:17:29 | 1:17:32 | |
On the day that we put that sign up over the door, "Dantay West", | 1:17:32 | 1:17:38 | |
that was when we knew that we'd made the right decision. | 1:17:38 | 1:17:42 | |
So here's to our new venture. | 1:17:42 | 1:17:45 | |
Well, I, erm... | 1:17:47 | 1:17:50 | |
I...I can't believe it. | 1:17:50 | 1:17:53 | |
I'm going to kill her. (SIGHS) | 1:17:53 | 1:17:56 | |
Mr West, when you put that sign above the door, | 1:17:56 | 1:18:01 | |
-you wanted to make your name in the world? -More than anything else. | 1:18:01 | 1:18:06 | |
So do I. | 1:18:06 | 1:18:08 | |
..talk to her. | 1:18:14 | 1:18:16 | |
Sweetie, honestly, do you think it's too... | 1:18:17 | 1:18:20 | |
-"Raising Financially Fit Kids." -Do you think it's too late for this? | 1:18:20 | 1:18:23 | |
It's never too late. Glad we went to that book fair? | 1:18:23 | 1:18:26 | |
Pretty amazing, ain't it? That's why your mother and I love coming here. | 1:18:31 | 1:18:35 | |
Reminds us of our childhood in Finland. | 1:18:36 | 1:18:40 | |
Your mom and I think | 1:18:41 | 1:18:43 | |
if the American economy... | 1:18:43 | 1:18:46 | |
can be billions in debt and still survive, so can you. | 1:18:46 | 1:18:49 | |
The RV is worth about 13... | 1:18:52 | 1:18:55 | |
-No. Dad! -We want to. | 1:18:55 | 1:18:56 | |
I will kill you if you sell it. | 1:18:56 | 1:18:59 | |
It completely defines you. Completely. | 1:18:59 | 1:19:04 | |
Nothing defines me... | 1:19:05 | 1:19:08 | |
except you and your mother. | 1:19:08 | 1:19:11 | |
MUSIC: "Girls Just Wanna Have Fun" by Greg Laswell | 1:19:13 | 1:19:17 | |
# The phone rings | 1:19:29 | 1:19:31 | |
# In the middle of the night | 1:19:31 | 1:19:35 | |
# My mother says, "When you gonna live your life right?" | 1:19:36 | 1:19:40 | |
# Well, Mother, dear | 1:19:42 | 1:19:45 | |
# We're not the fortunate ones | 1:19:45 | 1:19:49 | |
# Oh, girls, they | 1:19:49 | 1:19:52 | |
# Wanna have fun | 1:19:52 | 1:19:55 | |
# Oh, girls, they | 1:19:56 | 1:20:00 | |
# It's all they really want | 1:20:00 | 1:20:07 | |
-# Those girls, they wanna have fun. # -So she really did it? | 1:20:08 | 1:20:15 | |
And it all worked. | 1:20:15 | 1:20:18 | |
-What do you mean? -You mean you don't know? | 1:20:18 | 1:20:22 | |
Oh, this is good. | 1:20:22 | 1:20:24 | |
Alette Naylor is going to see the little Green Scarf girl | 1:20:24 | 1:20:28 | |
to give her the one thing that she wants most in all the world. | 1:20:28 | 1:20:33 | |
And now I'm stuck with her. | 1:20:33 | 1:20:37 | |
I'm happy to have found you, Rebecca. | 1:20:37 | 1:20:40 | |
I went to Mr West to... | 1:20:40 | 1:20:42 | |
Ah. Thank you. | 1:20:42 | 1:20:44 | |
-Oh! Ha-ha! Charles et Diana. -No, no. | 1:20:44 | 1:20:46 | |
Not from Indiana! They're from England. | 1:20:46 | 1:20:48 | |
-No, she said Charles and Diana. -Yes, well... | 1:20:48 | 1:20:51 | |
I went to see Mr West to petition for clemency, which he gave. | 1:20:51 | 1:20:56 | |
And is Luke Brandon OK? | 1:20:56 | 1:20:58 | |
Unfortunately, Monsieur Brandon is no longer with Dantay West. | 1:20:58 | 1:21:02 | |
But he'll land on his feet. | 1:21:02 | 1:21:05 | |
He's a Sherman, after all. | 1:21:05 | 1:21:09 | |
Rebecca, you may not know this, | 1:21:09 | 1:21:12 | |
but your appearance on that TV show | 1:21:12 | 1:21:14 | |
has struck a nerve with many, many girls. | 1:21:14 | 1:21:18 | |
They identify with you. | 1:21:18 | 1:21:20 | |
Your column will be... | 1:21:20 | 1:21:23 | |
"Affordable Fashion". | 1:21:23 | 1:21:26 | |
500 words, once a month. | 1:21:26 | 1:21:29 | |
-Welcome to Alette. -Oh! -I can do affordable fashion. | 1:21:29 | 1:21:32 | |
I know where all the sales are! | 1:21:32 | 1:21:34 | |
Yes, she does! In fact, she got that from me. | 1:21:34 | 1:21:38 | |
No, I didn't. I didn't. I didn't, I didn't, I didn't. | 1:21:38 | 1:21:42 | |
Cake? | 1:21:42 | 1:21:44 | |
Yes. | 1:21:44 | 1:21:46 | |
Oh, no, no, no! Vraiment. Tiny, tiny, tiny, tiny. | 1:21:47 | 1:21:50 | |
-Oh. -No, tiny. Tiny! Tiny! | 1:21:50 | 1:21:54 | |
Mm. | 1:21:54 | 1:21:56 | |
-Thank you. -Ohh! | 1:22:05 | 1:22:08 | |
You will make your column personal. | 1:22:08 | 1:22:11 | |
You'll take pieces from your own wardrobe. Like this, for example. | 1:22:11 | 1:22:14 | |
-This is very pretty. -They're swell. -This season. | 1:22:14 | 1:22:18 | |
Well, they're Louboutins, so, I mean, they're not affordable fashion. | 1:22:18 | 1:22:23 | |
Fear not. | 1:22:23 | 1:22:25 | |
Chez Alette, we print the prices very small! | 1:22:25 | 1:22:29 | |
SHE LAUGHS | 1:22:29 | 1:22:31 | |
After all, what are credit cards for, uh? | 1:22:31 | 1:22:34 | |
You must know that. | 1:22:34 | 1:22:36 | |
Yeah. Wow. | 1:22:38 | 1:22:39 | |
SHE LAUGHS NERVOUSLY | 1:22:39 | 1:22:42 | |
Yeah, no, I, er... I know all about credit cards. | 1:22:42 | 1:22:46 | |
And final notices and debt collectors. | 1:22:46 | 1:22:49 | |
-Erm, they should print that in the fashion magazines, right? -Hm-hm. | 1:22:49 | 1:22:54 | |
Rebecca, you have a moral conscience. | 1:22:54 | 1:22:58 | |
-But if you want to work for my magazine... -No, I really... | 1:22:58 | 1:23:01 | |
I want to work at Alette. | 1:23:01 | 1:23:03 | |
What's the matter, baby? | 1:23:03 | 1:23:05 | |
I just have that really annoying feeling in the pit of my stomach. | 1:23:05 | 1:23:09 | |
-You know that feeling? -Yes! | 1:23:09 | 1:23:12 | |
-I get it in the back of my head. -Yeah, you know what I mean? | 1:23:12 | 1:23:15 | |
You want to do something, but you feel like you shouldn't? | 1:23:15 | 1:23:18 | |
-That's it! -I get heartburn. | 1:23:18 | 1:23:20 | |
SHE SIGHS | 1:23:20 | 1:23:23 | |
I just... I have made so many mistakes, | 1:23:25 | 1:23:30 | |
and I feel like taking this job would be another one. | 1:23:30 | 1:23:35 | |
Before you make your decision, know this. | 1:23:35 | 1:23:38 | |
-When I leave zis 'ouse, the -hopportunity -leave with me. | 1:23:38 | 1:23:42 | |
Well, then, you should both go. | 1:23:44 | 1:23:47 | |
C'est la vie. | 1:23:50 | 1:23:53 | |
You're a Sherman. | 1:23:53 | 1:23:57 | |
Can't you finance this yourself? | 1:23:57 | 1:24:00 | |
I'm asking if you will back me. | 1:24:00 | 1:24:04 | |
I'm asking... if I am a good investment. | 1:24:04 | 1:24:09 | |
All right, people! This is it! | 1:24:12 | 1:24:14 | |
I want you to think of it as a toxic little monkey on your back! | 1:24:14 | 1:24:18 | |
Do it, Freak! BUT anybody who cries will have to cut two cards. | 1:24:18 | 1:24:24 | |
ALL GASP | 1:24:24 | 1:24:26 | |
I'm Rebecca Bloomwood and I'm a shopaholic! ALL: Hi, Rebecca. | 1:24:26 | 1:24:30 | |
I destroyed my career on national television. | 1:24:30 | 1:24:33 | |
I lied to the man I love. I hurt my best friend. | 1:24:33 | 1:24:38 | |
I invented a stalker. And I don't even speak Finnish. | 1:24:38 | 1:24:41 | |
But I have a plan, and I need your help. | 1:24:41 | 1:24:44 | |
Who's with me? | 1:24:44 | 1:24:47 | |
# Hey, hey | 1:24:51 | 1:24:52 | |
# Don't matter what you're wearing | 1:24:52 | 1:24:54 | |
-# Hey, hey -It's about the way you wear it... # | 1:24:54 | 1:24:57 | |
Shut up. Sale of the century. | 1:24:57 | 1:25:00 | |
Forward to all employees. | 1:25:01 | 1:25:03 | |
Send. | 1:25:03 | 1:25:05 | |
COMPUTER BEEPS | 1:25:17 | 1:25:18 | |
Luke, sorry. May I take a long lunch? | 1:25:18 | 1:25:22 | |
-Sure. What are you doing? -Oh, I have an appointment. | 1:25:22 | 1:25:27 | |
With whom? | 1:25:27 | 1:25:28 | |
A...person. | 1:25:28 | 1:25:30 | |
Well, I suppose she has to, er, clear the decks. | 1:25:41 | 1:25:45 | |
Make room for all those free clothes from Alette! | 1:25:45 | 1:25:49 | |
Go, Hayley. | 1:25:51 | 1:25:54 | |
-Bags! -Ready! | 1:26:02 | 1:26:03 | |
-Accessories! -Ready! | 1:26:03 | 1:26:05 | |
-Shoes! -Ready. | 1:26:05 | 1:26:07 | |
-Millinery. -What you call me? | 1:26:07 | 1:26:09 | |
-Hats. -Oh. | 1:26:09 | 1:26:11 | |
They're getting antsy out there! | 1:26:18 | 1:26:21 | |
-Ready when you are, Miss Bloomwood. -Open the doors, Dad! | 1:26:21 | 1:26:26 | |
There's plenty for everyone! | 1:26:32 | 1:26:34 | |
SHE SQUEALS | 1:26:34 | 1:26:36 | |
You'll note the delicious colour, the smart collar | 1:26:36 | 1:26:39 | |
and these classic buttons. | 1:26:39 | 1:26:41 | |
-30 is my final offer. -I'll give you 30 to leave my table. | 1:26:41 | 1:26:44 | |
-What would your mother like? -Sobriety. | 1:26:44 | 1:26:47 | |
It's a good... It's a lucky top. | 1:26:47 | 1:26:50 | |
These are real Prada shoes, ladies. | 1:26:50 | 1:26:52 | |
They go with the same pink as this scarf. | 1:26:52 | 1:26:55 | |
And the handbag. Oh, and the gloves. | 1:26:55 | 1:26:58 | |
OK, you know what? Not for sale. Not for sale. | 1:26:58 | 1:27:00 | |
-Miss Ptaszinski! -I'm OK. | 1:27:00 | 1:27:03 | |
And now... | 1:27:03 | 1:27:06 | |
-It's the green scarf. -An icon... | 1:27:10 | 1:27:13 | |
Supple, sensual, the colour of money. | 1:27:13 | 1:27:17 | |
Rebecca always had such fabulous taste. No wonder she's at Alette. | 1:27:17 | 1:27:21 | |
Becky didn't end up at Alette. She turned that "hoppertunity" down. | 1:27:21 | 1:27:26 | |
-What? Why? -Yes, Jane Bloomwood, hi. -Hi! | 1:27:26 | 1:27:29 | |
Now who will be the next Girl in the Green Scarf? | 1:27:29 | 1:27:34 | |
-50! -Anyone else? | 1:27:34 | 1:27:37 | |
-70! -90! | 1:27:37 | 1:27:39 | |
ALL GASP | 1:27:39 | 1:27:40 | |
90 right here! | 1:27:40 | 1:27:42 | |
-Excuse me. -Who's going to be the It Girl? | 1:27:42 | 1:27:44 | |
I have a bidder on the phone. 120. | 1:27:44 | 1:27:46 | |
-120 for the beautiful, famous, elegant... -150! | 1:27:46 | 1:27:49 | |
Don't sell it. You've sold so much already. | 1:27:49 | 1:27:52 | |
-200! -250. | 1:27:52 | 1:27:56 | |
ALL GASP | 1:27:56 | 1:27:57 | |
250! | 1:27:57 | 1:27:58 | |
I have 250. The bid is against you at 250. | 1:27:58 | 1:28:02 | |
Well? | 1:28:02 | 1:28:04 | |
-300! -(GASPS) | 1:28:04 | 1:28:07 | |
And you can tell your friend on the phone I'll match anything they bid. | 1:28:07 | 1:28:11 | |
-She's like an assassin. -300. | 1:28:11 | 1:28:15 | |
Going once... | 1:28:15 | 1:28:17 | |
Going twice... | 1:28:18 | 1:28:21 | |
My bidder withdraws. | 1:28:21 | 1:28:23 | |
Sold! For 300 to the lady in pink. | 1:28:23 | 1:28:26 | |
CHEERING | 1:28:26 | 1:28:28 | |
Wait! | 1:28:30 | 1:28:32 | |
Er... | 1:28:34 | 1:28:37 | |
-Don't wear it with yellow. -Never. | 1:28:48 | 1:28:51 | |
It could bring you love. | 1:28:51 | 1:28:53 | |
Thank you. | 1:28:53 | 1:28:56 | |
SHE SIGHS | 1:28:56 | 1:28:58 | |
APPLAUSE | 1:29:00 | 1:29:02 | |
One, two, three, four. That's another 1,000. | 1:29:11 | 1:29:15 | |
Wow. | 1:29:15 | 1:29:17 | |
16,586, 72 cents. | 1:29:17 | 1:29:21 | |
You are a winner, babe! | 1:29:21 | 1:29:22 | |
ALL SHRIEK | 1:29:22 | 1:29:24 | |
Oh, my God! | 1:29:24 | 1:29:26 | |
-Agh! -Mr Smeath. | 1:29:49 | 1:29:52 | |
What the hell is this? What are you doing? | 1:29:52 | 1:29:56 | |
I'm doing what you did to me on that television show, Derek. | 1:29:56 | 1:29:59 | |
I'm just giving you what you deserve. | 1:29:59 | 1:30:01 | |
But in the most inconvenient way possible. | 1:30:01 | 1:30:04 | |
And that, I think, makes 9,412. | 1:30:04 | 1:30:10 | |
Oh. And a quarter. | 1:30:10 | 1:30:13 | |
WOMEN FUSS AND COO | 1:30:19 | 1:30:22 | |
I've got it. I've got it. | 1:30:31 | 1:30:32 | |
OK. Ladies, it's time! | 1:30:37 | 1:30:39 | |
How did you get it back? | 1:30:42 | 1:30:45 | |
I did a deal. | 1:30:45 | 1:30:47 | |
Get her some flowers! | 1:30:59 | 1:31:02 | |
-Ready, sweetie? -Bex! Come here. | 1:31:12 | 1:31:16 | |
SHE LAUGHS | 1:31:26 | 1:31:28 | |
# In the wintertime | 1:31:38 | 1:31:41 | |
# Keep your feet warm | 1:31:41 | 1:31:44 | |
# But keep your clothes on | 1:31:44 | 1:31:46 | |
# And don't forget me | 1:31:46 | 1:31:51 | |
# Keep the memories | 1:31:51 | 1:31:55 | |
# But keep your powder dry, too | 1:31:55 | 1:32:00 | |
# Now don't forget me | 1:32:05 | 1:32:08 | |
# Please don't forget me | 1:32:08 | 1:32:12 | |
# Make it easy on me just for a little while | 1:32:12 | 1:32:19 | |
# You know I think about you | 1:32:19 | 1:32:22 | |
# I hope you think about me, too | 1:32:22 | 1:32:27 | |
# When we're older | 1:32:33 | 1:32:36 | |
# A little slower | 1:32:36 | 1:32:39 | |
# It doesn't matter now | 1:32:39 | 1:32:42 | |
# Come on, get happy | 1:32:42 | 1:32:46 | |
# Cos nothing lasts forever | 1:32:46 | 1:32:50 | |
# But I will always love you... # | 1:32:50 | 1:32:54 | |
UPLIFTING MUSIC AND APPLAUSE | 1:33:16 | 1:33:18 | |
MUSIC STOPS | 1:33:32 | 1:33:35 | |
You sold all your clothes and kept that? | 1:33:35 | 1:33:38 | |
-It's Suze's... -Wedding. | 1:33:48 | 1:33:50 | |
I know. | 1:33:50 | 1:33:52 | |
I'm an investigative journalist, Rebecca. Give me some credit. | 1:33:52 | 1:33:56 | |
You really sold it all? | 1:34:07 | 1:34:10 | |
-You have nothing left? -I mean... I wouldn't put it like that. | 1:34:11 | 1:34:17 | |
SHE GASPS | 1:34:21 | 1:34:24 | |
Neither would I. | 1:34:24 | 1:34:27 | |
The bidder on the phone was you. | 1:34:27 | 1:34:30 | |
But you lost! | 1:34:30 | 1:34:33 | |
Both bidders were me. | 1:34:35 | 1:34:37 | |
It's a desperately important scarf. | 1:34:40 | 1:34:44 | |
UPLIFTING MUSIC | 1:34:48 | 1:34:51 | |
'Name - Rebecca Bloomwood. | 1:35:15 | 1:35:18 | |
'Occupation - I am a columnist for Luke's new magazine. | 1:35:18 | 1:35:22 | |
'Dress - borrowed from Suze | 1:35:23 | 1:35:26 | |
-'as I am a reformed shopaholic.' Hey, Ryuichi! -Wow! | 1:35:26 | 1:35:29 | |
'It is amazing what you have time to do when you're not shopping. | 1:35:29 | 1:35:33 | |
'I actually learned Finnish.' | 1:35:33 | 1:35:35 | |
SHE SPEAKS FINNISH | 1:35:35 | 1:35:38 | |
Ahh... | 1:35:38 | 1:35:41 | |
'And instead of a relationship with my credit card, | 1:35:41 | 1:35:45 | |
'I have a relationship with someone who loves me back. | 1:35:45 | 1:35:48 | |
'And never declines me.' | 1:35:49 | 1:35:51 | |
-Where do you get your moves? -Who knows? It just comes naturally. | 1:35:51 | 1:35:57 | |
You're right. It's a mystery. | 1:35:59 | 1:36:03 | |
MUSIC: "Stuck With Each Other" by Shontelle feat. Akon | 1:36:06 | 1:36:10 | |
Subtitles by Red Bee Media Ltd | 1:36:12 | 1:36:15 | |
E-mail [email protected] | 1:36:15 | 1:36:19 |