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| Line | From | To | |
|---|---|---|---|
Washington Square. | 0:01:15 | 0:01:17 | |
HE WHISTLES A TUNE | 0:01:17 | 0:01:19 | |
Good luck. | 0:01:45 | 0:01:47 | |
I merely wished you good luck. | 0:01:49 | 0:01:51 | |
Why? | 0:01:51 | 0:01:54 | |
No reason. | 0:01:54 | 0:01:57 | |
Do you think I need it? | 0:01:57 | 0:02:00 | |
Oh, no. Not at all. | 0:02:00 | 0:02:02 | |
You mean... | 0:02:02 | 0:02:04 | |
You just wished me good luck for no reason. | 0:02:04 | 0:02:07 | |
For no reason at all. | 0:02:07 | 0:02:09 | |
I see. | 0:02:09 | 0:02:12 | |
Well, thank you. | 0:02:12 | 0:02:14 | |
HE WHISTLES | 0:02:14 | 0:02:16 | |
< Nicolai! | 0:02:38 | 0:02:41 | |
Hello, Nicolas. | 0:02:41 | 0:02:43 | |
Come here. | 0:02:43 | 0:02:46 | |
Come on! | 0:02:46 | 0:02:49 | |
What are you doing up steps? | 0:02:49 | 0:02:52 | |
The I. The I got loose in your name. I was fixing it. | 0:02:52 | 0:02:55 | |
-Something always happens to my name! -Hello, Nick. | 0:02:55 | 0:02:59 | |
-Ticket? We ain't got many left. -We ain't got many left. | 0:02:59 | 0:03:03 | |
-Ain't that what I said? -Look, I'm off sweepstake tickets. | 0:03:03 | 0:03:07 | |
-I'm from the Book Nook. -Yes, miss. I'll tell Madame. | 0:03:13 | 0:03:17 | |
-I can't... -Sit for a moment, please. | 0:03:17 | 0:03:19 | |
Any man who'd do what he did to a woman is a beast! | 0:03:19 | 0:03:23 | |
But he used to be so nice! | 0:03:23 | 0:03:25 | |
Just sit down now, please! | 0:03:25 | 0:03:27 | |
< I'm going to telephone him! | 0:03:27 | 0:03:29 | |
< You are not! Start packing or you'll miss your train. | 0:03:29 | 0:03:33 | |
< Maybe he didn't mean it. | 0:03:33 | 0:03:35 | |
He meant it. No son-in-law of mine will strike a woman and get away with it. | 0:03:35 | 0:03:40 | |
Mother! Don't pack that dress. | 0:03:40 | 0:03:43 | |
Why not? Because HE picked it out. It reminds me of him. | 0:03:43 | 0:03:46 | |
I beg your pardon, Madame... | 0:03:46 | 0:03:49 | |
We're busy. A lady from the shop is here. | 0:03:49 | 0:03:51 | |
Well, I'll get rid of this. What are you going to do? | 0:03:51 | 0:03:55 | |
Send it back. I don't know what you'd do without your mother. | 0:03:55 | 0:03:59 | |
Take this to Lucille. I'm making her a present of it. | 0:03:59 | 0:04:03 | |
But I'm from the Book Nook. | 0:04:03 | 0:04:06 | |
All right, then. You keep it. I make you a present of it. | 0:04:06 | 0:04:10 | |
I couldn't accept. | 0:04:10 | 0:04:12 | |
Please do. It cost over 300. | 0:04:12 | 0:04:15 | |
It's never been worn. It's so lovely. > | 0:04:15 | 0:04:17 | |
Well... Thanks. | 0:04:17 | 0:04:19 | |
I really didn't expect it. I just came to deliver some books. | 0:04:19 | 0:04:24 | |
I'm sorry your husband hit you. | 0:04:24 | 0:04:26 | |
But he didn't. He hit me. | 0:04:26 | 0:04:28 | |
SHE WHISTLES | 0:04:41 | 0:04:43 | |
Yes. | 0:04:50 | 0:04:52 | |
Good morning. If you find anything interesting, the price is on the front. | 0:05:04 | 0:05:10 | |
Aunt Lucy, people could take your entire stock and you'd never know. | 0:05:21 | 0:05:26 | |
This passion for French novels! Shame on you. | 0:05:26 | 0:05:30 | |
I know they're not entirely moral. | 0:05:30 | 0:05:32 | |
The French always make everything so logical. | 0:05:32 | 0:05:36 | |
Oh, dear. Oh, dear! | 0:05:36 | 0:05:38 | |
Where in heaven's name did you get such a beautiful dress? | 0:05:38 | 0:05:42 | |
-Oh, it's lovely. -Hold it. The funniest thing happened as I walked down the street. | 0:05:42 | 0:05:48 | |
-I passed a man... -Was he good-looking? | 0:05:48 | 0:05:51 | |
-I didn't notice. -Nonsense! | 0:05:51 | 0:05:53 | |
A man gives you a dazzling thing like this and you didn't notice him? | 0:05:53 | 0:05:58 | |
-He didn't give it to me. -Please tell me how... | 0:05:58 | 0:06:01 | |
-I just passed him. -On the street? | 0:06:01 | 0:06:03 | |
Yes! | 0:06:03 | 0:06:05 | |
Uh-huh? | 0:06:05 | 0:06:07 | |
Do you want to know what happened? | 0:06:07 | 0:06:10 | |
-If you'd rather not tell me, it's all right. -You make me furious. | 0:06:10 | 0:06:14 | |
-I was going to deliver some books. -Yes, dear. | 0:06:14 | 0:06:18 | |
-As I was delivering them, a girl walked up. -The man's girl? | 0:06:18 | 0:06:22 | |
No. She had nothing to do with him. | 0:06:22 | 0:06:24 | |
Uh-huh. | 0:06:24 | 0:06:26 | |
Maybe I'd better tell you about this later. | 0:06:26 | 0:06:29 | |
Perhaps later it will all come back to you. | 0:06:29 | 0:06:32 | |
-There he is! -Who? -The man I told you about. -SHE WHISTLES | 0:06:49 | 0:06:53 | |
Is that the man that gave you the dress? | 0:06:56 | 0:06:58 | |
He didn't give it to me. | 0:07:01 | 0:07:03 | |
If he didn't give it to you, what did he do? | 0:07:03 | 0:07:06 | |
He merely wished me good luck. | 0:07:06 | 0:07:08 | |
-Oh, he merely wished you good luck. -Yes, that's all. Good... | 0:07:08 | 0:07:12 | |
Yes! | 0:07:15 | 0:07:18 | |
Yes! | 0:07:19 | 0:07:22 | |
Here, hold this a minute. | 0:07:22 | 0:07:24 | |
SHE WHISTLES | 0:07:27 | 0:07:29 | |
Can I...? | 0:07:31 | 0:07:34 | |
Hello. | 0:07:34 | 0:07:36 | |
Oh, hello. Can I see you for a minute? | 0:07:36 | 0:07:39 | |
-Certainly. -I'd like to make you a proposition. | 0:07:39 | 0:07:43 | |
Good. | 0:07:43 | 0:07:44 | |
A business proposition. | 0:07:44 | 0:07:47 | |
Oh. | 0:07:47 | 0:07:49 | |
Well? Do you want to or don't you? | 0:07:49 | 0:07:51 | |
-I can offer you an open mind. -Good, then I'll meet you down at Nick's bar. | 0:07:51 | 0:07:57 | |
-You! -Me. | 0:08:02 | 0:08:04 | |
I might have known you'd find me. | 0:08:04 | 0:08:07 | |
And it's taken me three years to do it. | 0:08:07 | 0:08:10 | |
-What do you want? -To talk to you. | 0:08:10 | 0:08:13 | |
I've no time and I'm not interested. You want me to come back? | 0:08:13 | 0:08:18 | |
Of course. Everywhere I go, people say, "Where is he? Have you heard anything?" | 0:08:18 | 0:08:24 | |
-That's very kind. -You can step right back into your old position. | 0:08:24 | 0:08:28 | |
-Money and reputation redoubled. -They don't interest me. | 0:08:28 | 0:08:33 | |
-What does? -If I told you, you wouldn't understand. | 0:08:33 | 0:08:36 | |
What is this life you're leading? Caricatures at a dollar a throw. | 0:08:36 | 0:08:41 | |
-It's beachcombing. -I know. I even began it in Tahiti. | 0:08:41 | 0:08:45 | |
I like it better in New York. | 0:08:45 | 0:08:47 | |
You feel bitter. You think of yourself as a jailbird. | 0:08:47 | 0:08:51 | |
No, I don't feel bitter. But I am in a hurry. | 0:08:51 | 0:08:54 | |
I have a date, on business, with a lady. | 0:08:54 | 0:08:57 | |
-A date, on business, with a lady? -Yes, so if you'll forgive me. Or even if you don't... | 0:08:57 | 0:09:03 | |
Nick, I want to buy a sweepstake ticket. | 0:09:05 | 0:09:08 | |
-You said you was off them. -I was. | 0:09:08 | 0:09:10 | |
Now she's on them! We're not to put people off them! | 0:09:10 | 0:09:14 | |
-She ain't off them now. -Ain't that what I said? | 0:09:14 | 0:09:17 | |
-You're lucky. -Why? | 0:09:17 | 0:09:20 | |
-We only got one ticket left. -That proves it. | 0:09:20 | 0:09:23 | |
-What? -A hunch. -It's all you need to win. | 0:09:23 | 0:09:26 | |
Why don't we keep it? | 0:09:26 | 0:09:28 | |
If that ticket draws a horse, I'll carry you round the block. Piggy-back. | 0:09:28 | 0:09:33 | |
It's a bet. | 0:09:33 | 0:09:34 | |
Get training. That ticket's going to win. | 0:09:34 | 0:09:37 | |
What do I lose? He's been riding me for years. | 0:09:37 | 0:09:41 | |
The novelty would be that it's round the block. | 0:09:41 | 0:09:44 | |
-What nom-de-plume? -Two strangers. | 0:09:44 | 0:09:47 | |
Uh-huh. Me and him got that. | 0:09:47 | 0:09:49 | |
-How about "Two Pigeons"? -OK, "Two Pigeons". | 0:09:49 | 0:09:52 | |
-Here we are. -My name is... | 0:09:56 | 0:09:58 | |
-Are you the other pigeon? -I don't know. Who are you? | 0:09:58 | 0:10:02 | |
-I'm a stranger. -Hi, stranger. | 0:10:02 | 0:10:04 | |
-I'm a stranger too. -Salutations. | 0:10:04 | 0:10:07 | |
-My name is Jean Newton. -My name is David. | 0:10:07 | 0:10:10 | |
-I'm sorry to interrupt you but I ought to tell you my name. -Thank you. | 0:10:10 | 0:10:15 | |
Um... Don't you think we ought to sit down? | 0:10:16 | 0:10:21 | |
Yes. | 0:10:21 | 0:10:23 | |
-I hope you don't think this is silly. -Not at all. | 0:10:23 | 0:10:26 | |
I'm...playing a hunch. | 0:10:32 | 0:10:34 | |
Has it anything to do with me? | 0:10:34 | 0:10:36 | |
Oh, yes. It all began with you. | 0:10:36 | 0:10:38 | |
This morning, you wished me good luck and I had some good luck. | 0:10:38 | 0:10:43 | |
So, I began to feel lucky. You know how those things sometimes happen. | 0:10:43 | 0:10:48 | |
-I hope this doesn't sound too complicated. -Oh, no. | 0:10:48 | 0:10:51 | |
I want you to go in with me on a sweepstake ticket. | 0:10:51 | 0:10:55 | |
-On a what? -A...sweepstake ticket. | 0:10:55 | 0:10:59 | |
Oh, I see. A sweepstake ticket. Mm-hm. | 0:10:59 | 0:11:03 | |
Well... | 0:11:03 | 0:11:05 | |
It was just a hunch. | 0:11:05 | 0:11:08 | |
You waved a dress at me. Was that something to do with this? | 0:11:08 | 0:11:12 | |
It was given to me after you wished me good luck! | 0:11:12 | 0:11:15 | |
-Extraordinary. -That's where the hunch came from. | 0:11:15 | 0:11:19 | |
If you took half the ticket, you would bring more luck. | 0:11:19 | 0:11:23 | |
And if we should win... | 0:11:23 | 0:11:25 | |
..that would be... | 0:11:26 | 0:11:29 | |
very nice. | 0:11:29 | 0:11:32 | |
Mm. Quite. | 0:11:32 | 0:11:34 | |
-What do you want money for? -I...plan to get married. | 0:11:37 | 0:11:43 | |
-A-ha! A fortune-hunter! -He's nothing of the kind! | 0:11:43 | 0:11:46 | |
Why can't he take you as you are? As any decent man would. | 0:11:46 | 0:11:51 | |
It has nothing to do with him. He'd marry me today if I wanted him to. | 0:11:51 | 0:11:55 | |
It's private. What business is it of yours anyway? | 0:11:55 | 0:11:59 | |
-You came to me with a proposition. -I just want you to go halves on a steepst... a stoops... | 0:11:59 | 0:12:06 | |
Oh, forget it. I'm sorry I brought it up. | 0:12:06 | 0:12:09 | |
-Just a moment, please. Why do people get emotional... -I'm not! | 0:12:10 | 0:12:15 | |
..when they ought to be objective? | 0:12:15 | 0:12:17 | |
It was just a matter of putting up 1 a piece on a million-to-one shot. | 0:12:17 | 0:12:22 | |
One chance! Aren't you overlooking that? What about your hunch? | 0:12:22 | 0:12:27 | |
-What about it? -Suppose we win. | 0:12:27 | 0:12:29 | |
Then I get married. | 0:12:29 | 0:12:32 | |
-And then what? -We leave for Poughkeepsie. | 0:12:32 | 0:12:35 | |
On your honeymoon?! | 0:12:35 | 0:12:37 | |
No...We just plan to live there. | 0:12:37 | 0:12:40 | |
Well, what about your honeymoon? | 0:12:40 | 0:12:42 | |
That will have to come later. | 0:12:42 | 0:12:44 | |
Oh, don't you believe it. | 0:12:44 | 0:12:46 | |
-And why not? -A honeymoon isn't something you put in storage, like a mink coat. | 0:12:46 | 0:12:52 | |
It just isn't the same moon. And it certainly isn't the same honey. | 0:12:52 | 0:12:56 | |
Here, Nick. Here's your ticket back. Forget about the whole thing. | 0:13:01 | 0:13:06 | |
You want to marry a man who, after a brief ceremony, will take you to Poughkeepsie and keep you there. | 0:13:06 | 0:13:13 | |
Give me a reason to be party to such a discreditable scheme. | 0:13:13 | 0:13:17 | |
-What man would demand a dowry? Is he French? -Certainly not! | 0:13:17 | 0:13:21 | |
-I want the money myself! -What for? | 0:13:21 | 0:13:24 | |
Because I want to be independent! | 0:13:24 | 0:13:27 | |
I make my own living. If I wanted to buy anything, I'd hate to ask someone for the money. | 0:13:27 | 0:13:33 | |
And it would be a help if things didn't go very well. | 0:13:33 | 0:13:37 | |
Yes! | 0:13:39 | 0:13:40 | |
What does your fiance do? Has he a job? | 0:13:40 | 0:13:43 | |
Certainly. He's an engineer. | 0:13:43 | 0:13:45 | |
Civil? Military? Mining? | 0:13:45 | 0:13:47 | |
-Insurance. -This is the age of new professions. | 0:13:47 | 0:13:51 | |
Will my helping you get married bring you good luck? | 0:13:51 | 0:13:55 | |
You don't believe in money or marriage. | 0:13:58 | 0:14:01 | |
That institution, like the Coliseum, is still standing. But it shows the ravages of time. | 0:14:01 | 0:14:08 | |
Look, do you or do you not | 0:14:12 | 0:14:15 | |
care to purchase the other half of my ticket? | 0:14:15 | 0:14:19 | |
Money breeds avarice, cowardice, war. | 0:14:19 | 0:14:21 | |
Everything that spoils the charm of life. | 0:14:21 | 0:14:24 | |
But in this case, I might be persuaded to sacrifice my principles, | 0:14:24 | 0:14:29 | |
if I could do something valuable with my share of the winnings. | 0:14:29 | 0:14:34 | |
But what's to stop you?! | 0:14:34 | 0:14:36 | |
Only you. | 0:14:36 | 0:14:38 | |
-Me? -I'll do it if you let me put my winnings | 0:14:38 | 0:14:41 | |
towards a proper honeymoon before you live in Poughkeepsie. | 0:14:41 | 0:14:45 | |
Oh... Oh, gee. | 0:14:48 | 0:14:50 | |
That's awfully nice. | 0:14:50 | 0:14:52 | |
Oh, but I couldn't let you pay for my honeymoon. | 0:14:52 | 0:14:56 | |
A pleasure. Honeymoons are one of the things I believe in. | 0:14:56 | 0:15:00 | |
Well, if you insist, | 0:15:00 | 0:15:02 | |
I'm sure I can convince Freddie. | 0:15:02 | 0:15:05 | |
Nick! The Roget, 1926. | 0:15:07 | 0:15:10 | |
Come on! Get the glasses! | 0:15:10 | 0:15:13 | |
Miss Newton, let us seal the bargain. | 0:15:13 | 0:15:17 | |
That's how a good business deal should go. | 0:15:17 | 0:15:20 | |
At first, a few little misunderstandings. | 0:15:20 | 0:15:23 | |
Each side trying to drive a hard bargain. | 0:15:23 | 0:15:26 | |
At last, things clear themselves up. | 0:15:26 | 0:15:29 | |
Differences are ironed out. | 0:15:29 | 0:15:31 | |
Frowns turn into smiles. | 0:15:31 | 0:15:33 | |
-And the little cork... -CORK POPS | 0:15:33 | 0:15:35 | |
Exactly right. Let us drink a toast. | 0:15:35 | 0:15:38 | |
To what I confidently expect will be the most wonderful experience of my life. | 0:15:38 | 0:15:44 | |
To our honeymoon! | 0:15:44 | 0:15:46 | |
-What did you say? -When? | 0:15:52 | 0:15:55 | |
Just then. Those last few words. | 0:15:55 | 0:15:57 | |
Did you say... | 0:15:57 | 0:15:59 | |
OUR honeymoon? | 0:15:59 | 0:16:01 | |
That's right. | 0:16:01 | 0:16:04 | |
-Would you mind waiting here for just a few moments? -Of course. | 0:16:07 | 0:16:11 | |
-You'll be back? -You can count on that. | 0:16:11 | 0:16:14 | |
PHONE RINGS | 0:16:42 | 0:16:44 | |
-Get the phone. -Have you a couple of nickels? | 0:16:44 | 0:16:48 | |
Mm-hm. Nick and Nick. | 0:16:48 | 0:16:50 | |
NICK SPEAKS GREEK | 0:16:50 | 0:16:52 | |
..65 cents. | 0:16:54 | 0:16:56 | |
NICK REPLIES IN GREEK | 0:16:58 | 0:17:00 | |
..dinner's Russian. | 0:17:00 | 0:17:02 | |
NICK REPLIES IN GREEK | 0:17:04 | 0:17:06 | |
..lunch Italian. | 0:17:06 | 0:17:08 | |
-Say, where do you live? -Across the street. | 0:17:10 | 0:17:13 | |
-You move in lately? -Yeah. | 0:17:13 | 0:17:15 | |
-Uh-huh. -How much do you weigh? | 0:17:15 | 0:17:17 | |
158. | 0:17:17 | 0:17:19 | |
Mm. | 0:17:19 | 0:17:21 | |
Could be. | 0:17:25 | 0:17:27 | |
Maybe. | 0:17:32 | 0:17:34 | |
Well, well! | 0:17:39 | 0:17:42 | |
Well... | 0:17:45 | 0:17:47 | |
This is Mr Freddie Harper. Meet Mr David... | 0:17:48 | 0:17:51 | |
-Mr David Grant. -How are you? | 0:17:51 | 0:17:53 | |
How do you do? | 0:17:53 | 0:17:55 | |
Would you mind repeating to my... | 0:17:55 | 0:17:58 | |
-Shall we sit down? -Why not? | 0:17:58 | 0:18:00 | |
Hi, Nick! | 0:18:00 | 0:18:02 | |
Have any fights around here? | 0:18:07 | 0:18:09 | |
-Every night. -Like clockwork. | 0:18:09 | 0:18:11 | |
-Make yourself at home. -Yeah, make yourself at home. -Thank you. | 0:18:11 | 0:18:16 | |
Ain't that what I said? | 0:18:16 | 0:18:18 | |
Would you mind repeating to my fiance the proposition you made me? | 0:18:18 | 0:18:22 | |
Yes, what is the proposition? | 0:18:22 | 0:18:25 | |
Um... First, I'd like to point out it's your problem, not mine. | 0:18:25 | 0:18:29 | |
-Tell him what you told me. -What's my problem, chum? | 0:18:29 | 0:18:33 | |
Miss Newton here tells me you plan to marry. | 0:18:33 | 0:18:36 | |
-I have every hope... -Will you tell him? | 0:18:36 | 0:18:39 | |
Or are you afraid he will misunderstand, too? | 0:18:39 | 0:18:42 | |
Unless I'm a poor judge of character and intellect, Freddie will understand. | 0:18:42 | 0:18:48 | |
-Your problem... -Leave his problem alone! -Give the man a chance. | 0:18:48 | 0:18:53 | |
I just wanted him to go in with me on a...sweepstake ticket. | 0:18:53 | 0:18:57 | |
-Sweepstake ticket? -And he insulted me. | 0:18:57 | 0:19:01 | |
-He did? -He said that if we win, | 0:19:01 | 0:19:03 | |
I'd have to go on a...trip around the country. | 0:19:03 | 0:19:06 | |
What's the matter with that? | 0:19:06 | 0:19:08 | |
With him! | 0:19:09 | 0:19:11 | |
Before I marry you! | 0:19:11 | 0:19:13 | |
-He did?! -Yes. -Did you say that? | 0:19:13 | 0:19:17 | |
I did, but I was really thinking of you. | 0:19:17 | 0:19:20 | |
Oh, you were(?) | 0:19:20 | 0:19:23 | |
-Come outside. -What can we do outside that we can't do here? | 0:19:27 | 0:19:31 | |
Plenty. Outside, chum. | 0:19:31 | 0:19:33 | |
Stay here, honey. This is not for your eyes. | 0:19:37 | 0:19:40 | |
This way, chum. In the alley. | 0:19:40 | 0:19:43 | |
You've got to get us some new glasses. | 0:20:43 | 0:20:46 | |
Want to play some chequers? | 0:20:59 | 0:21:01 | |
BOY WHISTLES | 0:21:10 | 0:21:12 | |
DOOR OPENS | 0:21:28 | 0:21:30 | |
-Jean... -Oh, the poor fella... | 0:21:42 | 0:21:44 | |
-Your hunch... -Oh! Didn't you... -No, we didn't have to. | 0:21:44 | 0:21:48 | |
-Your hunch is that if Dave goes in on the ticket, you'll win? -Yes. | 0:21:48 | 0:21:52 | |
Dave will go in on the ticket with you. | 0:21:52 | 0:21:55 | |
On what condition? | 0:21:57 | 0:21:59 | |
That you marry me, win or lose. | 0:21:59 | 0:22:01 | |
You said yourself that nothing can go wrong. It's the strongest hunch you've ever had. | 0:22:03 | 0:22:08 | |
If this hunch goes wrong, when will you ever get another one as good? | 0:22:08 | 0:22:13 | |
-We can't wait forever. -No. | 0:22:13 | 0:22:16 | |
All right. I agree. | 0:22:16 | 0:22:19 | |
-It's a deal. -It's a deal. Miss Newton, we'll make a list | 0:22:19 | 0:22:23 | |
-of the things we want to do on our trip. -There! He said it again! | 0:22:23 | 0:22:27 | |
You misunderstood him. | 0:22:27 | 0:22:29 | |
-Yes... -Let me tell it, pal. -You tell it, pal. | 0:22:29 | 0:22:32 | |
He's an eccentric chap with peculiar principles that you and I don't understand. | 0:22:32 | 0:22:38 | |
He just wants to make people happy. | 0:22:38 | 0:22:41 | |
-He's not going to make me happy. -Why not? | 0:22:41 | 0:22:44 | |
-You dare suggest that I go on a thing with a stranger? -He says you'll travel as brother and sister. | 0:22:44 | 0:22:51 | |
-He just wants to be company for you. -Huh! I'll say! | 0:22:51 | 0:22:55 | |
He's harmless. Look at him! | 0:22:55 | 0:22:58 | |
He was shocked when you jumped at the wrong conclusion. | 0:23:00 | 0:23:04 | |
Oh! | 0:23:04 | 0:23:07 | |
Now I suppose I owe you an apology?! | 0:23:07 | 0:23:09 | |
Oh, that's quite all right. | 0:23:09 | 0:23:11 | |
Honey, he'll show you the sights. The Mississippi, Grand Canyon. | 0:23:11 | 0:23:16 | |
But for my promotion, I'd like to make the trip with him. | 0:23:16 | 0:23:20 | |
All right, mister. | 0:23:28 | 0:23:30 | |
I'll get the ticket. | 0:23:30 | 0:23:32 | |
Hey, chum. What are the chances of winning? | 0:23:39 | 0:23:42 | |
Ten million to one. | 0:23:42 | 0:23:44 | |
-Are you sure? -Suppose it's only a million? | 0:23:44 | 0:23:48 | |
What have I got to be worried about? | 0:23:48 | 0:23:50 | |
Now, non-de-plume, | 0:23:50 | 0:23:52 | |
two pigeons. | 0:23:52 | 0:23:54 | |
No. Just say, "Good Luck". | 0:23:54 | 0:23:56 | |
Wait a minute. | 0:23:56 | 0:23:58 | |
Put down, "You asked for it". | 0:23:58 | 0:24:00 | |
That's cute. | 0:24:00 | 0:24:03 | |
That's not bad. | 0:24:03 | 0:24:05 | |
First prize £30... | 0:24:05 | 0:24:07 | |
First prize £30,000! | 0:24:07 | 0:24:09 | |
Say, that's about 150,000! | 0:24:09 | 0:24:11 | |
It just occurred to me, who's going to hold the ticket? | 0:24:11 | 0:24:15 | |
-Freddie! -With only this name on it, anybody can say "You asked for it" and walk out with the dough. | 0:24:15 | 0:24:22 | |
-Would it be too much bother for you to hold the ticket? -Me? | 0:24:22 | 0:24:26 | |
-I trust him, don't you? -I'd be glad to oblige. -Wait a minute. | 0:24:26 | 0:24:32 | |
You asked for it. | 0:24:32 | 0:24:35 | |
Ah! | 0:24:35 | 0:24:38 | |
Looks as though you scored a touchdown that day. | 0:24:40 | 0:24:44 | |
All America, 1935. You tell him, honey. | 0:24:44 | 0:24:47 | |
Er... We went to school together. | 0:24:47 | 0:24:49 | |
A-ha, how cosy. Well, it's been a great pleasure. | 0:24:49 | 0:24:53 | |
And don't lose the ticket. | 0:24:53 | 0:24:56 | |
Good luck. | 0:24:56 | 0:24:58 | |
Very strange duck. | 0:24:58 | 0:25:01 | |
Just what kind of a duck does that make you? | 0:25:01 | 0:25:06 | |
Those aren't meant for you to look at. You or anyone. | 0:25:19 | 0:25:23 | |
Paul, you're crazy. | 0:25:23 | 0:25:25 | |
Either me or everyone else. | 0:25:25 | 0:25:27 | |
That's what the world and I couldn't agree on. Even jail didn't settle that for me. | 0:25:27 | 0:25:33 | |
-That's blown over. -I know, but I like the way I'm living now. I like the view. | 0:25:33 | 0:25:38 | |
Are you in love with that Greenwich Village maiden? Is that it? | 0:25:38 | 0:25:43 | |
No. Love is something else I've given up. | 0:25:43 | 0:25:46 | |
Then what is keeping you here? | 0:25:46 | 0:25:48 | |
Among other things, the prospect of a journey. | 0:25:48 | 0:25:52 | |
Into the absurd with a delightful companion, no consequences and no regrets. | 0:25:52 | 0:25:57 | |
-A million-to-one chance, but it's worth taking. -I give you up. | 0:25:57 | 0:26:02 | |
I rather hoped you would. | 0:26:02 | 0:26:04 | |
-Oh, Freddie, look! -What's it all about? | 0:26:20 | 0:26:23 | |
-I knew he'd bring me luck! -What did you say? | 0:26:23 | 0:26:26 | |
Hey, Jean. Your ticket drew a horse! | 0:26:26 | 0:26:29 | |
-Isn't that wonderful! -But my horse talks. Talk, dummy! | 0:26:29 | 0:26:33 | |
The race isn't run until next week. | 0:26:33 | 0:26:36 | |
She drew a horse so the ticket is worth 12,000. If you want to sell, get in touch with the man. | 0:26:36 | 0:26:42 | |
12,000! Don't you think you should sell? | 0:26:53 | 0:26:56 | |
-I can't until I talk to him. -Who? | 0:26:56 | 0:26:59 | |
-That fella. -Wait till he hears about the 12,000. | 0:26:59 | 0:27:02 | |
-You'll miss your train. -How can I go with this hanging over me? | 0:27:02 | 0:27:07 | |
Good evening. | 0:27:07 | 0:27:09 | |
He's lucky enough to draw a horse and all he says is good evening. | 0:27:09 | 0:27:14 | |
You heard the news? Good night. | 0:27:14 | 0:27:17 | |
-Wait! What's his name? -David Grant. -Come back, Dave. | 0:27:17 | 0:27:21 | |
-We've got to have a talk. -Really? | 0:27:22 | 0:27:24 | |
That's no way to act, walking out like that. We have a problem. | 0:27:24 | 0:27:29 | |
-Have we? -You're peculiar. | 0:27:29 | 0:27:31 | |
Isn't he, Jean? Popping in and out like that. | 0:27:31 | 0:27:34 | |
-I'm sorry. -We haven't got just a ticket any more. | 0:27:34 | 0:27:38 | |
We've got a negotiable asset worth 12,000. Cash. | 0:27:38 | 0:27:42 | |
-Perhaps Dave... Mr Grant... -I have to catch a train so I'll be brief. | 0:27:42 | 0:27:47 | |
We've got to make up our minds what we want to do. | 0:27:47 | 0:27:51 | |
Take the cash or risk it all to win 150,000. | 0:27:51 | 0:27:54 | |
Taking everything into consideration, we have to sell. | 0:27:54 | 0:27:58 | |
What do you say, Miss Newton? It's fair to warn you, | 0:27:58 | 0:28:02 | |
that selling won't furnish the honeymoon I hoped for. | 0:28:02 | 0:28:06 | |
-What?! -I beg your pardon, what, what? | 0:28:06 | 0:28:09 | |
-You can't go through with a mad scheme like that! -Why not? | 0:28:09 | 0:28:13 | |
It's impossible. | 0:28:13 | 0:28:15 | |
It will be misunderstood. | 0:28:15 | 0:28:17 | |
By whom? | 0:28:17 | 0:28:19 | |
Well... By everybody, that's by whom! | 0:28:19 | 0:28:22 | |
It's your opinion. A deplorable lack of confidence in Miss Newton. | 0:28:22 | 0:28:27 | |
In any event, I leave it to Miss Newton. | 0:28:27 | 0:28:30 | |
Jean, before you commit yourself, | 0:28:30 | 0:28:32 | |
there's more than one side to a question. | 0:28:32 | 0:28:35 | |
There's the short view and the...long one. | 0:28:35 | 0:28:38 | |
Not taking the cash now might be from one angle pleasant enough. | 0:28:38 | 0:28:43 | |
Suppose Patsy Q wins! How will we feel when, instead of a few thousand, | 0:28:43 | 0:28:49 | |
we might have 150,000. | 0:28:49 | 0:28:51 | |
Let's take a chance and play for big stakes! What do you say? | 0:28:51 | 0:28:55 | |
I say nothing. | 0:28:55 | 0:28:58 | |
I leave it entirely up to Mr Grant. | 0:28:58 | 0:29:01 | |
How about it, Dave? | 0:29:01 | 0:29:03 | |
If we sell now, we'll get something out of it. | 0:29:03 | 0:29:06 | |
Perhaps not a glorious safari, but something. | 0:29:06 | 0:29:10 | |
But if we gamble and lose, | 0:29:10 | 0:29:12 | |
which is theoretically not unlikely... | 0:29:12 | 0:29:15 | |
What's the answer? | 0:29:15 | 0:29:17 | |
-Er... Let's gamble. -Great! That's great! | 0:29:18 | 0:29:22 | |
Then it's all settled. | 0:29:22 | 0:29:24 | |
Who... I've got to catch my train and I'm late. | 0:29:24 | 0:29:27 | |
I'll take a taxi to 14th Street. | 0:29:27 | 0:29:30 | |
Will my honey miss her boy alone in Poughkeepsie? | 0:29:34 | 0:29:37 | |
-Goodbye. -Don't miss your train. | 0:29:40 | 0:29:43 | |
Bye, chum. I hope we didn't make a mistake. | 0:29:43 | 0:29:46 | |
-Goodbye, honey. -Bye-bye. | 0:29:46 | 0:29:48 | |
See you at the races. | 0:29:48 | 0:29:50 | |
Miss Newton. | 0:29:50 | 0:29:52 | |
Just a minute. | 0:29:52 | 0:29:54 | |
I'd like to ask you, why didn't you want to sell? | 0:29:54 | 0:29:57 | |
-Would you rather have a smaller excursion? -Don't be silly. | 0:29:57 | 0:30:02 | |
-That's why I didn't sell. To please you. -Me? | 0:30:02 | 0:30:05 | |
To please both of us. The trip will take a lot of money. | 0:30:05 | 0:30:09 | |
JEAN GASPS | 0:30:09 | 0:30:11 | |
Oh... | 0:30:11 | 0:30:13 | |
What kind of a man are you? | 0:30:13 | 0:30:16 | |
-I like to travel. -What makes you think I'd go with you anyway? | 0:30:16 | 0:30:20 | |
It almost escaped me until I looked a little closer. | 0:30:20 | 0:30:24 | |
-What? -An adventurous little twinkle in your right eye. | 0:30:24 | 0:30:29 | |
You're crazy. | 0:30:29 | 0:30:31 | |
You are crazy! | 0:30:31 | 0:30:33 | |
I am a perfectly conventional person. Straight-laced! | 0:30:33 | 0:30:37 | |
-But you're not dull. -I am. | 0:30:37 | 0:30:39 | |
I am! I could be the dullest person you ever met! | 0:30:39 | 0:30:43 | |
My dear Miss Newton, would you allow me to take the risk? | 0:30:43 | 0:30:47 | |
Good night. | 0:30:48 | 0:30:50 | |
CHEERING | 0:31:04 | 0:31:06 | |
RADIO: 'Epsom Downs! England's sporting event of the year! | 0:31:06 | 0:31:10 | |
'Rules prohibit broadcasting the race in this country. | 0:31:10 | 0:31:14 | |
'Before the results, a musical interlude.' | 0:31:14 | 0:31:17 | |
I never heard of such a thing! | 0:31:17 | 0:31:20 | |
-MUSIC ON RADIO -I'll go. | 0:31:21 | 0:31:23 | |
Oh, it's you! It's him! | 0:31:23 | 0:31:25 | |
May a neighbour listen in? | 0:31:25 | 0:31:27 | |
-Certainly. We take you for a very interesting man. -How right you are. | 0:31:27 | 0:31:32 | |
-Don't be frightened. He won't bite. -I don't know. | 0:31:34 | 0:31:37 | |
-We think you have a very fine head. -Lucy! | 0:31:37 | 0:31:40 | |
At my age, one is permitted to say it. | 0:31:40 | 0:31:43 | |
TRUMPET FANFARE ON RADIO | 0:31:43 | 0:31:45 | |
'Now the results of the derby!' | 0:31:48 | 0:31:50 | |
Come on, Patsy Q! 'The winner... | 0:31:50 | 0:31:53 | |
'Swansong. | 0:31:53 | 0:31:55 | |
'Second, Plum Tree. Third, | 0:31:55 | 0:31:58 | |
'Bonnie May. Fourth, | 0:31:58 | 0:32:00 | |
'King Perry.' | 0:32:00 | 0:32:02 | |
I guess I'd better be going. | 0:32:10 | 0:32:12 | |
At least we won't have to pose for the newsreels. | 0:32:16 | 0:32:21 | |
Cheer up, Aunt Lucy. Maybe it's just as well. | 0:32:28 | 0:32:31 | |
Perhaps for you. But you know, I'm sorry she missed that trip with you. | 0:32:31 | 0:32:36 | |
I appreciate the very nice compliment. | 0:32:36 | 0:32:39 | |
Aren't you even sorry? | 0:32:39 | 0:32:41 | |
Of course I'm sorry. I've been stupid. | 0:32:41 | 0:32:44 | |
I am stupid. Very stupid. | 0:32:44 | 0:32:46 | |
PHONE RINGS | 0:32:49 | 0:32:52 | |
Yes? Oh, hello, Freddie. | 0:32:56 | 0:32:59 | |
Honey, I suppose you just heard the news. | 0:32:59 | 0:33:01 | |
-Yes. -Too bad, huh? Well, didn't you get it? | 0:33:01 | 0:33:06 | |
-What? -You mean to tell me... Didn't they deliver an envelope? | 0:33:06 | 0:33:10 | |
Envelope? Who? | 0:33:10 | 0:33:13 | |
Oh, well, here they come now. | 0:33:13 | 0:33:15 | |
Jean, we were supposed to deliver this to you at one o'clock! | 0:33:15 | 0:33:20 | |
-One o'clock on the dot. -What is it? | 0:33:20 | 0:33:22 | |
-Ten hey! -Ten hey! | 0:33:22 | 0:33:24 | |
Well, what is...? | 0:33:27 | 0:33:29 | |
-What is it, dear? -Freddie's on the phone. | 0:33:29 | 0:33:32 | |
Where did it come from? | 0:33:32 | 0:33:34 | |
-Did you count it? -Count it. Whose is it? | 0:33:34 | 0:33:37 | |
It's ours! I sold our...your half of the ticket. | 0:33:37 | 0:33:41 | |
My half! He sold half the ticket. | 0:33:43 | 0:33:45 | |
Sure, six thousand bucks. | 0:33:45 | 0:33:47 | |
Did you think I'd let that guy go off with my girl? | 0:33:47 | 0:33:51 | |
Freddie, | 0:33:51 | 0:33:53 | |
we went 50-50. | 0:33:53 | 0:33:55 | |
'I only sold your half. His half I let ride. | 0:33:55 | 0:33:58 | |
'He stood to win 75,000. It's just tough.' | 0:33:58 | 0:34:01 | |
'Hear that? That's wedding bells for us.' | 0:34:03 | 0:34:06 | |
What are you going to do? | 0:34:07 | 0:34:09 | |
Play. | 0:34:09 | 0:34:11 | |
PHONE RINGS | 0:34:11 | 0:34:13 | |
Mr Grant! | 0:34:18 | 0:34:20 | |
Mr Grant? | 0:34:21 | 0:34:23 | |
-Is something up? -Yes. | 0:34:54 | 0:34:56 | |
-The other 28 horses were disqualified? -No. | 0:34:56 | 0:34:59 | |
It's just that er... I mean, er... | 0:34:59 | 0:35:01 | |
He sold half the ticket and here it is. | 0:35:01 | 0:35:04 | |
Who sold what? | 0:35:04 | 0:35:06 | |
Freddie decided we should gamble only with one half. There's the money. | 0:35:06 | 0:35:11 | |
Six thousand dollars! Good old Freddie. | 0:35:11 | 0:35:15 | |
-Well, that's why I came. -Wait. | 0:35:15 | 0:35:18 | |
Half of this is yours. | 0:35:18 | 0:35:21 | |
Thanks. | 0:35:21 | 0:35:22 | |
I guess my hunch was right. We were lucky together. | 0:35:25 | 0:35:29 | |
Yes. Together, nothing can stop us. | 0:35:29 | 0:35:32 | |
Well, when shall we start? | 0:35:32 | 0:35:34 | |
Oh... | 0:35:34 | 0:35:36 | |
You're not still thinking of going on the trip? | 0:35:36 | 0:35:40 | |
-Why not? It won't be... -I can't go away with you! | 0:35:40 | 0:35:43 | |
Why not? | 0:35:43 | 0:35:45 | |
Because I can't. | 0:35:45 | 0:35:47 | |
Well, what do you think people would say? | 0:35:47 | 0:35:50 | |
Oh, yes. People. I forgot. | 0:35:50 | 0:35:52 | |
-You must see... -You mean that you won't come? | 0:35:52 | 0:35:55 | |
I can't. | 0:35:55 | 0:35:57 | |
Ah. I'm sorry. Very sorry. | 0:35:57 | 0:36:00 | |
You must take this and spend it on something sensible. | 0:36:00 | 0:36:04 | |
Oh, no. This is yours. | 0:36:04 | 0:36:06 | |
I mean... You need it. You know you do. | 0:36:06 | 0:36:09 | |
Oh, no. I only needed it for one thing. | 0:36:09 | 0:36:12 | |
-What? -An experiment. An artistic experiment. | 0:36:12 | 0:36:15 | |
That, as you say, people would confuse with an improper suggestion. | 0:36:15 | 0:36:21 | |
Once before in my life, I did something that I hoped would turn out to be beautiful. | 0:36:24 | 0:36:30 | |
But people came along and thought it was improper. | 0:36:30 | 0:36:34 | |
-You can't beat people. -No. | 0:36:34 | 0:36:37 | |
But I didn't think that you were people. | 0:36:37 | 0:36:39 | |
-Oh, well, I'm not. -You mind what they think. | 0:36:41 | 0:36:45 | |
It's not that, it's... | 0:36:45 | 0:36:47 | |
It's... | 0:36:47 | 0:36:49 | |
Oh... You said experiment. What did you mean? | 0:36:49 | 0:36:52 | |
Of taking someone who is to settle down happily and prosaically in Poughkeepsie | 0:36:52 | 0:36:58 | |
and giving them one shot in the arm of magic, on a quite impersonal plane, beforehand. | 0:36:58 | 0:37:04 | |
And then seeing if it will last them for the rest of their life. | 0:37:04 | 0:37:09 | |
Um... What do you mean, impersonal? | 0:37:09 | 0:37:11 | |
I mean...impersonal. | 0:37:11 | 0:37:13 | |
Purely impersonal. | 0:37:13 | 0:37:16 | |
Like a guide or a scientist making an experiment. | 0:37:16 | 0:37:19 | |
Ah... It's... | 0:37:19 | 0:37:21 | |
-It's crazy. -Experiments are always crazy until they're proved. | 0:37:23 | 0:37:28 | |
But as this one never will be now... | 0:37:28 | 0:37:30 | |
Well, maybe I'm the one who's crazy now, but er... | 0:37:42 | 0:37:45 | |
All right. You can make your experiment. | 0:37:45 | 0:37:48 | |
I'll be the guinea pig. | 0:37:48 | 0:37:50 | |
But...the strictly impersonal guinea pig. | 0:37:50 | 0:37:55 | |
-It's nice being a guinea pig on a day like this. -Glad you like it. Like your car? | 0:38:02 | 0:38:07 | |
-Mine? -I bought it in your name. | 0:38:07 | 0:38:09 | |
Oh... | 0:38:09 | 0:38:11 | |
-Why? -I told you, I don't believe in possessions. | 0:38:11 | 0:38:16 | |
Well, thanks. | 0:38:16 | 0:38:19 | |
I wish I could understand you. | 0:38:19 | 0:38:21 | |
You're crazy or running away from something. | 0:38:21 | 0:38:25 | |
Maybe. | 0:38:25 | 0:38:27 | |
What? | 0:38:27 | 0:38:29 | |
Perhaps the same things you're headed for. | 0:38:29 | 0:38:32 | |
Security and respectability. I had them once. | 0:38:32 | 0:38:35 | |
-What happened? -This is an adventure. | 0:38:35 | 0:38:38 | |
Let's forget my past and your future, | 0:38:38 | 0:38:41 | |
and enjoy the poetic present. | 0:38:41 | 0:38:43 | |
Er... | 0:38:43 | 0:38:45 | |
I don't wish to be too prosaic, but could we stop at a Western Union? | 0:38:45 | 0:38:50 | |
-What for? -I'd like to send a wire to Aunt Lucy. | 0:38:50 | 0:38:53 | |
And I think I ought to wire Freddie. | 0:38:53 | 0:38:56 | |
Freddie. | 0:38:56 | 0:38:58 | |
He'll be worried about you? | 0:38:58 | 0:39:00 | |
Well... Yes, really. | 0:39:00 | 0:39:02 | |
I... I know it's all right and everything is purely impersonal. | 0:39:02 | 0:39:06 | |
-Mm-hm. -But Freddie might not understand. | 0:39:06 | 0:39:09 | |
Uh-huh. | 0:39:09 | 0:39:12 | |
I'll just let him know where we are and that I'm having a good time. | 0:39:12 | 0:39:16 | |
That'll show him that everything is all right. | 0:39:16 | 0:39:20 | |
-Won't it? -Sure. | 0:39:20 | 0:39:22 | |
Sure, we'll wire him. | 0:39:22 | 0:39:24 | |
We'll wire him everywhere we stop. | 0:39:24 | 0:39:26 | |
I don't think we need to go as far as all that. | 0:39:26 | 0:39:29 | |
Panicky? | 0:39:45 | 0:39:48 | |
There aren't many people here, are there? | 0:39:48 | 0:39:51 | |
This is only the lobby. | 0:39:51 | 0:39:53 | |
The eyes of all the sisters in the world are watching you now. | 0:39:53 | 0:39:57 | |
Welcome to Niagara Falls. Welcome. | 0:39:57 | 0:40:00 | |
And welcome to this splendid hotel. Famous for its immaculate service. | 0:40:00 | 0:40:05 | |
Thank you. I hope you have a very happy time here. | 0:40:05 | 0:40:09 | |
We hope that our stay will be a source of great rejoicing | 0:40:09 | 0:40:13 | |
to yourself and excellent staff. | 0:40:13 | 0:40:16 | |
Oh, thank you. | 0:40:16 | 0:40:18 | |
Mr Grant. | 0:40:18 | 0:40:20 | |
Oh, yes. We have your wire right here. | 0:40:20 | 0:40:24 | |
Mm, let me see. | 0:40:24 | 0:40:26 | |
Excuse me. | 0:40:26 | 0:40:28 | |
I'm sorry, but all we have left is a double room on the third floor | 0:40:49 | 0:40:54 | |
and one on the fifth floor. | 0:40:54 | 0:40:56 | |
-That's fine. -That will do very nicely. -Thank you. | 0:40:56 | 0:40:59 | |
For the lady and 526 for the gentleman. | 0:40:59 | 0:41:02 | |
-I hope you find everything satisfactory. -Thank you. | 0:41:02 | 0:41:07 | |
How about a bite of supper? | 0:41:07 | 0:41:10 | |
I'm not hungry. | 0:41:10 | 0:41:12 | |
Just a little champagne? | 0:41:14 | 0:41:16 | |
I'm really not thirsty. I'm sleepy. | 0:41:16 | 0:41:19 | |
Three. | 0:41:28 | 0:41:30 | |
Five. | 0:41:30 | 0:41:32 | |
Mine's 526. What's your room? | 0:41:32 | 0:41:35 | |
-Er... -The lady is in 355. | 0:41:35 | 0:41:37 | |
Thank you. | 0:41:37 | 0:41:39 | |
-Good night. -Good night, sis. | 0:41:44 | 0:41:46 | |
Connect me with Mr David Grant, room 526, please. | 0:42:33 | 0:42:36 | |
PHONE RINGS | 0:42:36 | 0:42:38 | |
Hello? | 0:42:40 | 0:42:41 | |
Hello. I'm sorry if I was abrupt or overly suspicious, but... | 0:42:41 | 0:42:45 | |
He went out?! | 0:42:48 | 0:42:50 | |
Er... No message, thank you. | 0:42:50 | 0:42:52 | |
KNOCK AT DOOR | 0:43:18 | 0:43:20 | |
Come in. | 0:43:20 | 0:43:22 | |
Good evening, miss. I'm the night maid. | 0:43:25 | 0:43:28 | |
Hello. | 0:43:28 | 0:43:30 | |
May I come in? | 0:43:30 | 0:43:32 | |
Er... Help yourself. | 0:43:34 | 0:43:36 | |
-How did you make such a mistake? -I don't know. | 0:43:49 | 0:43:52 | |
I must have lost a day somehow. | 0:43:52 | 0:43:55 | |
Here's your party. You'd better square it. | 0:43:55 | 0:43:59 | |
-Good evening, Mr Grant. -Where is the bar? -To the right. | 0:43:59 | 0:44:02 | |
I made a mistake about those rooms. | 0:44:02 | 0:44:05 | |
The adjoining rooms ARE available if you care to move now. | 0:44:05 | 0:44:09 | |
Thank you, but I think Miss... my sister has already retired for the night. | 0:44:09 | 0:44:15 | |
-Perhaps tomorrow. -Perhaps. Thank you. | 0:44:15 | 0:44:17 | |
Uh-oh. | 0:44:17 | 0:44:20 | |
-Well? -I'm very unhappy. | 0:44:20 | 0:44:22 | |
-Didn't he accept your apology? -Yes and no. | 0:44:22 | 0:44:25 | |
I'd feel better if I could get him to switch. | 0:44:25 | 0:44:28 | |
Miss Grant. | 0:44:59 | 0:45:01 | |
Miss Grant! | 0:45:01 | 0:45:03 | |
Good evening, Miss Grant. | 0:45:03 | 0:45:05 | |
The bar is around the corner. | 0:45:07 | 0:45:09 | |
Way around. | 0:45:12 | 0:45:14 | |
-I think you'll find the toast thin enough. -Very nice. | 0:45:29 | 0:45:33 | |
Well! | 0:45:33 | 0:45:35 | |
Won't you sit down? | 0:45:35 | 0:45:37 | |
-Waiter, another glass. -Yes, sir. | 0:45:37 | 0:45:39 | |
You didn't sleep for very long. | 0:45:39 | 0:45:42 | |
No. | 0:45:42 | 0:45:44 | |
My, what a lovely painting. | 0:45:44 | 0:45:47 | |
Yes, I'll hate to give it up. | 0:45:47 | 0:45:50 | |
Oh, isn't it yours? | 0:45:50 | 0:45:52 | |
No, I've only rented it for a month. | 0:45:52 | 0:45:55 | |
I want to thank you for the flowers. | 0:45:57 | 0:45:59 | |
It was a pleasure. | 0:45:59 | 0:46:02 | |
That's what I came down for. | 0:46:02 | 0:46:05 | |
I mean, to thank you. Thank you. | 0:46:05 | 0:46:08 | |
Thank you. | 0:46:08 | 0:46:10 | |
Thank you. | 0:46:10 | 0:46:12 | |
People just wouldn't believe this. | 0:46:26 | 0:46:28 | |
What? | 0:46:28 | 0:46:30 | |
Our being together like this. | 0:46:30 | 0:46:33 | |
Why not? | 0:46:33 | 0:46:34 | |
They'd think it wasn't like this. | 0:46:34 | 0:46:37 | |
I mean, they'd look wise like my Aunt Lucy and say, a-ha! | 0:46:37 | 0:46:42 | |
Mm-hm. | 0:46:42 | 0:46:44 | |
I didn't visualise it like this. | 0:46:44 | 0:46:47 | |
Did you think we'd never eat or drink? | 0:46:47 | 0:46:50 | |
I mean... | 0:46:50 | 0:46:52 | |
I didn't mean that. | 0:46:52 | 0:46:54 | |
I mean, this is so...pleasant. | 0:46:54 | 0:46:57 | |
Mm-hm. | 0:46:57 | 0:46:59 | |
-Are you thinking about something? -Yes. | 0:47:16 | 0:47:19 | |
-Is it a secret? -No. | 0:47:19 | 0:47:22 | |
-Well, what is it? -Freddie. | 0:47:22 | 0:47:24 | |
-Freddie? -Uh-huh. | 0:47:24 | 0:47:28 | |
Why? | 0:47:28 | 0:47:30 | |
We do owe it all to him, don't we? | 0:47:30 | 0:47:32 | |
I suppose so. | 0:47:32 | 0:47:34 | |
Of course we do. Practical man, Freddie. | 0:47:34 | 0:47:37 | |
Oh, yes. | 0:47:41 | 0:47:43 | |
Tell me, did you ever spend much time in Poughkeepsie? | 0:47:45 | 0:47:49 | |
Oh, no. I've only been there twice. | 0:47:49 | 0:47:53 | |
Oh. I see. | 0:47:53 | 0:47:55 | |
-What happens after? -After what? | 0:47:57 | 0:48:00 | |
-The trip. -Oh, I take you home. | 0:48:00 | 0:48:02 | |
No, what's going to happen to you? | 0:48:02 | 0:48:05 | |
Something will turn up. It always does. | 0:48:05 | 0:48:08 | |
Well... | 0:48:08 | 0:48:10 | |
Mr Grant, I took the liberty of changing you to the adjoining rooms. | 0:48:23 | 0:48:27 | |
-That must have given you a lot of bother. -You've done me...the hotel a great favour. | 0:48:30 | 0:48:36 | |
-So long as it's a favour. -The management will appreciate it. | 0:48:36 | 0:48:40 | |
-The management can call upon us at any time. -By all means. | 0:48:40 | 0:48:44 | |
-Thank you. -Not at all. | 0:48:44 | 0:48:46 | |
Floors, please. Six for us. | 0:48:54 | 0:48:56 | |
Same for us. | 0:48:56 | 0:48:58 | |
-Did you just get here, honey? -Yes. | 0:48:58 | 0:49:01 | |
-We've been here a week. -How are the Falls? | 0:49:01 | 0:49:04 | |
We're seeing them tomorrow. | 0:49:04 | 0:49:06 | |
Sixth floor. | 0:49:06 | 0:49:08 | |
-Pleasant dreams. -Good night. | 0:49:12 | 0:49:14 | |
If you feel lonely, he'll keep you company. | 0:49:17 | 0:49:20 | |
Any questions? No? No? | 0:49:25 | 0:49:27 | |
Thank you very much. | 0:49:27 | 0:49:29 | |
Good night. | 0:49:29 | 0:49:31 | |
Oh! | 0:49:41 | 0:49:43 | |
Oh... | 0:49:43 | 0:49:44 | |
Oh..! | 0:49:46 | 0:49:48 | |
Oh, no. | 0:49:48 | 0:49:51 | |
-Oh, no? -No. | 0:49:53 | 0:49:55 | |
KNOCK AT DOOR | 0:50:19 | 0:50:22 | |
Come in! | 0:50:22 | 0:50:24 | |
MAID SCREAMS | 0:50:24 | 0:50:26 | |
KNOCK AT DOOR | 0:50:27 | 0:50:29 | |
What's the screaming about? | 0:50:31 | 0:50:33 | |
Er... Somebody just scared somebody. | 0:50:33 | 0:50:36 | |
I'm afraid I sort of owe you an apology. | 0:50:36 | 0:50:39 | |
Oh, really? | 0:50:39 | 0:50:41 | |
I don't... | 0:50:41 | 0:50:43 | |
You see... You see... | 0:50:43 | 0:50:46 | |
-Well, here we are again. -What are you doing here? | 0:50:51 | 0:50:55 | |
It's nice. | 0:51:15 | 0:51:17 | |
It's very nice. | 0:51:21 | 0:51:23 | |
One of you had better start lying. | 0:51:23 | 0:51:26 | |
-After you, my dear Freddie. -What are you doing here? | 0:51:26 | 0:51:30 | |
To find out what you mean by coming on a trip with him. | 0:51:30 | 0:51:33 | |
-What do you mean, what do I mean? -Come home and marry me like we agreed! | 0:51:33 | 0:51:38 | |
You agreed about me taking this trip. | 0:51:38 | 0:51:41 | |
-I can testify to that. -Shut up! | 0:51:41 | 0:51:44 | |
-If you think you can take my girl... -And what? | 0:51:44 | 0:51:47 | |
That I don't know. | 0:51:47 | 0:51:50 | |
Perhaps you'd like to talk it over alone. | 0:51:58 | 0:52:01 | |
Let me know if you need me. | 0:52:01 | 0:52:03 | |
Goodbye for now. | 0:52:03 | 0:52:05 | |
I used to think he was just crazy. Now I don't trust him. | 0:52:09 | 0:52:13 | |
That means you don't trust me! | 0:52:13 | 0:52:15 | |
Why should I, now that I know he ain't crazy? | 0:52:15 | 0:52:18 | |
-You'd better go back. -All right. If that's the way you feel. | 0:52:18 | 0:52:22 | |
Don't be surprised if I'm not waiting for you. | 0:52:22 | 0:52:26 | |
-All right. -I'll go but it may be for good. | 0:52:26 | 0:52:29 | |
Maybe. | 0:52:29 | 0:52:31 | |
KNOCK AT DOOR | 0:52:50 | 0:52:52 | |
I feel I ought to apologise for Freddie's behaviour. | 0:52:58 | 0:53:02 | |
Looking at it from his angle, I might have felt the same way. | 0:53:02 | 0:53:06 | |
You wouldn't. Anyway, he's on his way back. | 0:53:06 | 0:53:09 | |
Poor chap. I don't envy him travelling all night. | 0:53:09 | 0:53:13 | |
-It will teach him not to be so suspicious. Good night. -Good night. | 0:53:13 | 0:53:17 | |
-What a lovely fireplace. I love fireplaces in bedrooms. -Haven't you one? | 0:53:17 | 0:53:23 | |
-Change rooms. -No, I didn't mean that. Good night. | 0:53:23 | 0:53:26 | |
SHE TURNS KEY | 0:53:41 | 0:53:43 | |
Anything else? Have me called at two o'clock. | 0:53:43 | 0:53:46 | |
PM? AM. Tonight. | 0:53:46 | 0:53:48 | |
Yes, sir. Don't forget. Turn out those lights. | 0:53:48 | 0:53:52 | |
CLOCK STRIKES TWELVE | 0:53:56 | 0:53:58 | |
Operator, connect me with Mr David Grant in 609, please. | 0:55:29 | 0:55:33 | |
PHONE RINGS | 0:55:33 | 0:55:35 | |
-Hello, Jean. -Oh...hello. | 0:55:43 | 0:55:46 | |
I... | 0:55:46 | 0:55:48 | |
I was just noticing the moonlight was shining on that painting. | 0:55:48 | 0:55:54 | |
And it's really very beautiful. | 0:55:54 | 0:55:57 | |
I'm glad you like it. It's comforting. | 0:55:57 | 0:56:00 | |
Mm. | 0:56:00 | 0:56:02 | |
Well, er... | 0:56:02 | 0:56:04 | |
That's all. | 0:56:04 | 0:56:06 | |
-Good night. -Good night. | 0:56:06 | 0:56:10 | |
-Good night. -Good night, Jean. | 0:56:12 | 0:56:15 | |
-Good night. -Good night. | 0:56:18 | 0:56:20 | |
Operator, will you give me 611? | 0:56:33 | 0:56:35 | |
PHONE RINGS | 0:56:36 | 0:56:39 | |
Hello, David. | 0:56:44 | 0:56:46 | |
-Did I wake you up? -No. | 0:56:46 | 0:56:48 | |
-Can you hear the music? -Yes. | 0:56:48 | 0:56:50 | |
-Lovely, isn't it? -Yes. | 0:56:50 | 0:56:52 | |
-Soft. -And dreamy. | 0:56:52 | 0:56:54 | |
-Like a lullaby. -Yes, it's lovely. | 0:56:54 | 0:56:57 | |
-Is the moon shining in through your window? -Yes. | 0:56:57 | 0:57:00 | |
I can just see you, a shaft of pale blue light falling across your bed. | 0:57:00 | 0:57:05 | |
-And your face like a soft shadow on your pillow. -Can you really see me? | 0:57:05 | 0:57:10 | |
Of course. Let me hear you put on the light. | 0:57:10 | 0:57:13 | |
All right. | 0:57:13 | 0:57:16 | |
Now you're lying in a horrible glare and it hurts your eyes. Quick, put it out. | 0:57:16 | 0:57:21 | |
That's better. That's more restful. | 0:57:21 | 0:57:24 | |
Oh, much. | 0:57:24 | 0:57:26 | |
Well... | 0:57:26 | 0:57:28 | |
Pleasant dreams, Jean. | 0:57:28 | 0:57:31 | |
Pink-eyed rabbits and curly-haired lambs. | 0:57:31 | 0:57:34 | |
In ribbons and bells. | 0:57:34 | 0:57:37 | |
In sunny meadows. | 0:57:37 | 0:57:40 | |
Are you asleep yet? | 0:57:40 | 0:57:43 | |
Oh, no! Not yet. | 0:57:43 | 0:57:45 | |
-Jean... -Yes? | 0:57:45 | 0:57:48 | |
How would you like to put on that dress and have a few dances with me? | 0:57:48 | 0:57:53 | |
-I'd love it! -Put on your light! | 0:57:53 | 0:57:55 | |
-It's on. -I'll meet you in the lobby. | 0:57:55 | 0:57:58 | |
JEAN LAUGHS | 0:58:03 | 0:58:05 | |
-You dazzle me. -I dazzle myself! | 0:58:16 | 0:58:18 | |
I feel like making a grand entrance to a fanfare of trumpets and a wild burst of applause. | 0:58:18 | 0:58:24 | |
Perhaps I can arrange it. | 0:58:24 | 0:58:26 | |
I hope your rooms are satisfactory. | 0:58:26 | 0:58:29 | |
-Perfect. My sister should have the fireplace. Will you switch? -It would make me happy. | 0:58:29 | 0:58:35 | |
-That's a lot of trouble. -Oh, make them happy. | 0:58:35 | 0:58:38 | |
MUSIC PLAYS | 0:58:42 | 0:58:44 | |
-Having a good time? -Mm. | 0:58:56 | 0:58:58 | |
It's nice. Nobody knows who we are or what we're doing here. | 0:58:58 | 0:59:03 | |
Kinda like playing hookey. | 0:59:03 | 0:59:05 | |
That was the whole idea of the experiment. | 0:59:05 | 0:59:08 | |
Well, it was a good idea. | 0:59:08 | 0:59:10 | |
MUSIC ENDS TO APPLAUSE | 0:59:23 | 0:59:25 | |
Very nice, thank you. | 0:59:34 | 0:59:36 | |
I hope we're not intruding. | 0:59:44 | 0:59:46 | |
And I hope we don't sound foolish. | 0:59:46 | 0:59:48 | |
-But there's something we'd like to know. -Just a question. | 0:59:48 | 0:59:53 | |
We'd be very happy to answer it. | 0:59:53 | 0:59:55 | |
-Are you superstitious? -Do you believe in luck? | 0:59:55 | 0:59:59 | |
Oh, yes, we do that, don't we, David? | 0:59:59 | 1:00:03 | |
Yes, yes, we've been very lucky. Up to now. | 1:00:03 | 1:00:06 | |
-Do you think they might be? -They might be just the very two. | 1:00:06 | 1:00:11 | |
-I wonder. -I think so. | 1:00:11 | 1:00:13 | |
Oh. | 1:00:13 | 1:00:15 | |
-Would you come out with us? -Out? Where? | 1:00:15 | 1:00:19 | |
Just out. | 1:00:19 | 1:00:21 | |
-Just to the garden. -It isn't a garden. | 1:00:21 | 1:00:24 | |
There's something we'd like to show you. | 1:00:24 | 1:00:28 | |
-Perhaps share with you. -Perhaps. | 1:00:28 | 1:00:31 | |
All right. | 1:00:32 | 1:00:34 | |
Well, where are we going? | 1:00:40 | 1:00:42 | |
-On a trip. -A long trip? | 1:00:42 | 1:00:45 | |
It took us 50 years to get back to the beginning. | 1:00:45 | 1:00:49 | |
Just a moment, Mr... I didn't quite catch the name. | 1:00:52 | 1:00:55 | |
Albert W Sylvester. | 1:00:55 | 1:00:57 | |
Perhaps he means your other self. | 1:00:57 | 1:01:00 | |
Do you? | 1:01:00 | 1:01:02 | |
Er... Do I? | 1:01:02 | 1:01:04 | |
Why, I think so. | 1:01:04 | 1:01:06 | |
I am... | 1:01:06 | 1:01:08 | |
I am Peter Possum. | 1:01:08 | 1:01:10 | |
Peter Possum?! | 1:01:10 | 1:01:12 | |
Well... If you're Peter Possum, then she must be Jenny Wren. | 1:01:12 | 1:01:17 | |
She's always been Jenny Wren. | 1:01:17 | 1:01:19 | |
Er... Look, are you all right? | 1:01:19 | 1:01:22 | |
Yes, why? | 1:01:22 | 1:01:24 | |
Who is Peter Possum? | 1:01:24 | 1:01:26 | |
They write stories and fairy tales. | 1:01:26 | 1:01:28 | |
I used to read them as a child. | 1:01:28 | 1:01:31 | |
Over this way! | 1:01:31 | 1:01:32 | |
-Let's make a dash for it. -No. | 1:01:32 | 1:01:34 | |
We mustn't hurt their feelings. Come on. | 1:01:34 | 1:01:37 | |
This is the threshold. | 1:01:37 | 1:01:39 | |
-The threshold to what? -To whatever you want. Isn't that right? -Of course, my dear. | 1:01:39 | 1:01:45 | |
But you must pick her up and carry her across. | 1:01:45 | 1:01:49 | |
Well... | 1:01:51 | 1:01:53 | |
-Aren't you coming? -We crossed it a long time ago. | 1:01:58 | 1:02:01 | |
Now the wishing well. | 1:02:58 | 1:03:00 | |
50 years ago tonight, we stood here and wished our marriage might last forever. | 1:03:08 | 1:03:13 | |
We threw in little white pebbles. | 1:03:13 | 1:03:16 | |
Just like these, | 1:03:18 | 1:03:20 | |
to make sure. | 1:03:20 | 1:03:22 | |
You looked so happy and shining when we first saw you. | 1:03:22 | 1:03:26 | |
We had to tell you. | 1:03:26 | 1:03:28 | |
We hope our little fancy will do the same for you. | 1:03:28 | 1:03:32 | |
Come, Alice. | 1:03:39 | 1:03:41 | |
I guess we'd better go back. | 1:04:07 | 1:04:10 | |
Jean... | 1:04:10 | 1:04:12 | |
I'm afraid the experiment's got a little out of hand. | 1:04:12 | 1:04:16 | |
-Yes. -I apologise. | 1:04:16 | 1:04:18 | |
-What for? -For letting it. | 1:04:18 | 1:04:20 | |
I promised it should be... strictly impersonal. | 1:04:20 | 1:04:24 | |
Jean, either we must go back to being as we were and forget this happened, | 1:04:24 | 1:04:29 | |
or else we can't go on with the trip. | 1:04:29 | 1:04:32 | |
Why not, David? | 1:04:34 | 1:04:36 | |
Because...that's how it was going to be, remember? | 1:04:36 | 1:04:40 | |
David, do you want to go on with it? | 1:04:42 | 1:04:44 | |
Very much. | 1:04:44 | 1:04:46 | |
OK, then. | 1:04:48 | 1:04:50 | |
Well... | 1:04:50 | 1:04:52 | |
Shall we go back and dance? | 1:04:52 | 1:04:54 | |
The champagne should be very cold by now. | 1:04:54 | 1:04:57 | |
No. If you don't mind, I'll go to bed and be fresh for the trip. | 1:04:57 | 1:05:01 | |
All right. | 1:05:01 | 1:05:03 | |
-Good night. -'Night. | 1:05:14 | 1:05:16 | |
We can shake hands, can't we? Quite impersonally. | 1:05:16 | 1:05:20 | |
-Good night. -Good night. Oh... This is your room now. | 1:05:20 | 1:05:24 | |
What time do we leave? | 1:05:30 | 1:05:32 | |
Would nine be too early? | 1:05:32 | 1:05:34 | |
Nine would be swell. Good night. | 1:05:34 | 1:05:36 | |
Good night. Sweet dreams. | 1:05:36 | 1:05:38 | |
CLOCK STRIKES TWO | 1:05:49 | 1:05:51 | |
KEY TURNS IN LOCK | 1:06:25 | 1:06:27 | |
Freddie! | 1:06:43 | 1:06:45 | |
What are you doing here? | 1:06:46 | 1:06:48 | |
I dropped in to see what was going on. | 1:06:48 | 1:06:51 | |
I think I picked a pretty good moment. | 1:06:51 | 1:06:54 | |
Let me ask you the same question. | 1:06:54 | 1:06:56 | |
What are YOU doing here? | 1:06:56 | 1:06:58 | |
This is my room now. | 1:06:58 | 1:07:00 | |
Oh. Sure(!) | 1:07:00 | 1:07:02 | |
We changed rooms! | 1:07:02 | 1:07:04 | |
Oh? | 1:07:04 | 1:07:06 | |
Was the other one haunted? | 1:07:06 | 1:07:08 | |
Freddie, I don't like you following me. Spying on me is disgusting! | 1:07:08 | 1:07:13 | |
You can't put me in the wrong. | 1:07:13 | 1:07:16 | |
What are you going to do? | 1:07:16 | 1:07:19 | |
You'll hear it in a minute. Stay here. | 1:07:19 | 1:07:21 | |
David, I... | 1:07:35 | 1:07:37 | |
Skipped, eh? | 1:07:50 | 1:07:52 | |
No, he's... | 1:07:54 | 1:07:56 | |
just gone for a walk, maybe. | 1:07:56 | 1:08:00 | |
Probably took his baggage along for exercise. | 1:08:00 | 1:08:03 | |
Hello, give me the desk. | 1:08:07 | 1:08:09 | |
Wouldn't be surprised if he stuck you with the bill. | 1:08:09 | 1:08:13 | |
What's happened to Mr Grant? | 1:08:13 | 1:08:15 | |
Mr David Grant. | 1:08:15 | 1:08:17 | |
Uh-huh. | 1:08:17 | 1:08:19 | |
He's checked out. Did he pay his bill? | 1:08:19 | 1:08:22 | |
Oh, he did, huh? | 1:08:22 | 1:08:24 | |
Give me that. When did he leave? | 1:08:24 | 1:08:26 | |
Oh, this is Miss Jean Newton... Er... Miss Grant. | 1:08:26 | 1:08:30 | |
Oh, he did? | 1:08:30 | 1:08:32 | |
Will you send it up right away, please? Thank you. | 1:08:32 | 1:08:35 | |
Send up what? | 1:08:35 | 1:08:37 | |
-He left me a note. -That's very nice of him. | 1:08:37 | 1:08:40 | |
Always a gentleman, even when he's ditching you. | 1:08:40 | 1:08:44 | |
I don't ever want to talk to you ever again! | 1:08:44 | 1:08:48 | |
Give me a quarter for the boy. | 1:08:52 | 1:08:55 | |
OK, Grant. Is this your car? | 1:08:59 | 1:09:01 | |
Er... Well, not exactly. | 1:09:01 | 1:09:03 | |
-Well, whose exactly is it? -It belongs to a Miss Newton. | 1:09:03 | 1:09:07 | |
-Does she know you've got it? -In a sense, no... | 1:09:07 | 1:09:10 | |
That's the sense I'm interested in. | 1:09:10 | 1:09:13 | |
-You see... -Sure, you can explain what you meant to the sergeant. | 1:09:13 | 1:09:18 | |
Now drive. | 1:09:18 | 1:09:20 | |
I hope he's well. | 1:09:28 | 1:09:30 | |
-Would you drive me to New York tonight? -Got a date with him there? | 1:09:30 | 1:09:35 | |
-No. -Well, what's he say? | 1:09:35 | 1:09:37 | |
That's my business. | 1:09:37 | 1:09:39 | |
Has he walked out on you or hasn't he? | 1:09:39 | 1:09:42 | |
Since you're so curious, | 1:09:42 | 1:09:44 | |
yes, he has walked out on me. | 1:09:44 | 1:09:46 | |
And he's never going to see me again. | 1:09:46 | 1:09:49 | |
When we get back, I'm never going to see you again. | 1:09:49 | 1:09:52 | |
But it would be a convenience if you would drive me. I'm going to pack. | 1:09:52 | 1:09:58 | |
Where is this Miss Newton you say the car belongs to? | 1:09:58 | 1:10:01 | |
She's at the Aragon Hotel, Niagara Falls. | 1:10:01 | 1:10:04 | |
-Hm. -She must be asleep now. I'd rather you didn't wake her. | 1:10:04 | 1:10:09 | |
I won't wake her. | 1:10:09 | 1:10:11 | |
Oh, I forgot. She isn't registered as Miss Newton. | 1:10:11 | 1:10:14 | |
Oh? What is she registered as? | 1:10:14 | 1:10:17 | |
As a matter of fact, she's registered as Miss Grant, my sister. | 1:10:17 | 1:10:21 | |
-Why? -That's rather a long story. | 1:10:21 | 1:10:24 | |
OK, you can tell it to the judge in the morning. | 1:10:24 | 1:10:27 | |
-Yes, but... -We're booking you, mister. | 1:10:27 | 1:10:30 | |
-What for? -Suspicion of stealing an automobile. And anything else we find out. | 1:10:30 | 1:10:35 | |
-The blue room, Bob. -Oh, dear, dear! Here I go again! | 1:10:35 | 1:10:39 | |
Get me the Niagara Falls station. | 1:10:45 | 1:10:47 | |
This is to go, too. | 1:10:53 | 1:10:55 | |
Good evening. | 1:11:03 | 1:11:05 | |
Leaving? | 1:11:05 | 1:11:07 | |
Who are you? | 1:11:07 | 1:11:10 | |
I had an idea you'd ask me that. | 1:11:10 | 1:11:13 | |
So I brought along the answer. | 1:11:13 | 1:11:16 | |
Who are you? | 1:11:16 | 1:11:19 | |
My name is Harper. I'm engaged | 1:11:19 | 1:11:21 | |
to this lady and we're on our way back to New York. | 1:11:21 | 1:11:25 | |
-Yeah? Why? -She had a misunderstanding with... | 1:11:25 | 1:11:28 | |
With who? | 1:11:28 | 1:11:30 | |
Er... Well... With the man she was travelling with. | 1:11:30 | 1:11:34 | |
Who's that? | 1:11:34 | 1:11:36 | |
That was a Mr Grant. You see... | 1:11:36 | 1:11:39 | |
Wait a minute, pal. Now we're getting somewhere. | 1:11:39 | 1:11:42 | |
Er... Yeah. | 1:11:42 | 1:11:44 | |
-Are you Miss Newton? -Yes. | 1:11:44 | 1:11:46 | |
You wouldn't be Miss Grant? No... That is, I... | 1:11:46 | 1:11:50 | |
On Thursdays, maybe. Miss Newton Grant, do you own an automobile? | 1:11:50 | 1:11:55 | |
No. Er... That is, yes. | 1:11:55 | 1:11:57 | |
I think it is in my name. | 1:11:57 | 1:11:59 | |
He said it was. | 1:11:59 | 1:12:01 | |
The guy you've had a misunderstanding with? | 1:12:01 | 1:12:04 | |
Were you and he working a racket? Now just... | 1:12:04 | 1:12:07 | |
Is this yours? | 1:12:07 | 1:12:09 | |
No, no. That belongs to Mr Grant. | 1:12:09 | 1:12:12 | |
It doesn't exactly belong to him. | 1:12:12 | 1:12:14 | |
Why? | 1:12:14 | 1:12:16 | |
He...sort of rented it. | 1:12:16 | 1:12:18 | |
And now it's part of your baggage, eh? | 1:12:18 | 1:12:21 | |
Well... | 1:12:21 | 1:12:23 | |
Who busted this door? | 1:12:27 | 1:12:29 | |
The door? | 1:12:29 | 1:12:31 | |
I did that. I... | 1:12:34 | 1:12:36 | |
-A gang war, huh? -You're crazy! I just... | 1:12:36 | 1:12:40 | |
OK, pal. Save it for the judge. | 1:12:40 | 1:12:42 | |
-What's this? -Automobile theft. Something to do with a painting and a busted door. | 1:12:44 | 1:12:48 | |
Now, then. How do you plead? | 1:12:48 | 1:12:50 | |
ALL: Not guilty. | 1:12:50 | 1:12:52 | |
Swear them. | 1:12:52 | 1:12:54 | |
Put your hands up. Do you swear to tell the truth, the whole truth and nothing | 1:12:54 | 1:13:00 | |
-but the truth, so help you, God? -Not guilty! | 1:13:00 | 1:13:03 | |
I do. | 1:13:04 | 1:13:05 | |
Well, let's see who you all are. What's your name? | 1:13:05 | 1:13:10 | |
Frederick Victor Harper, Your Honour. I'm in insurance. | 1:13:10 | 1:13:13 | |
All right! You know the other defendant? | 1:13:13 | 1:13:16 | |
-This young lady is my fiancee. -I am not. | 1:13:16 | 1:13:20 | |
There seems to be a little bit of confusion. | 1:13:20 | 1:13:23 | |
One at a time. You say that you're engaged to her? | 1:13:23 | 1:13:28 | |
Yes, Your Honour. | 1:13:28 | 1:13:29 | |
-You say? -No, Your Honour. | 1:13:29 | 1:13:31 | |
Well, now. One of you is committing perjury. | 1:13:31 | 1:13:34 | |
Remember you're under oath. | 1:13:34 | 1:13:37 | |
We'll see. That's what we're here for. What's your name? | 1:13:37 | 1:13:42 | |
-Jean Newton. -Jean Newton, alias Jean Grant. | 1:13:42 | 1:13:46 | |
No, Your Honour. Er... That is... Yes, Your Honour. | 1:13:46 | 1:13:50 | |
The owner of the stolen automobile? Allegedly stolen. | 1:13:50 | 1:13:55 | |
No, Your Honour. Er... Yes, Your Honour. | 1:13:55 | 1:13:58 | |
You'd better make up your mind. | 1:13:58 | 1:14:00 | |
We'll see. That's what we're here for. | 1:14:04 | 1:14:07 | |
You're Mr David Grant. | 1:14:09 | 1:14:11 | |
Well, no, Your Honour. | 1:14:11 | 1:14:13 | |
It says here you are. | 1:14:13 | 1:14:15 | |
-I know, but we're under oath? -Of course! | 1:14:15 | 1:14:18 | |
Then I'm not David Grant, Your Honour. My name is Somerset. | 1:14:18 | 1:14:22 | |
-Paul Knight Somerset. -Paul Knight Somerset... | 1:14:24 | 1:14:27 | |
Paul Knight Somerset! | 1:14:27 | 1:14:30 | |
-What's going on? -Paul Knight Somerset! | 1:14:30 | 1:14:32 | |
THEY ALL SHOUT AT ONCE | 1:14:32 | 1:14:35 | |
As owner of this paper, this could put our town on the map forever! | 1:14:43 | 1:14:48 | |
As mayor of this town, we've got something we can't afford to neglect. | 1:14:48 | 1:14:53 | |
On behalf of the chamber of commerce, you must have a trial for the electors! | 1:14:53 | 1:14:59 | |
As president of the woman's club, these electors include women! | 1:14:59 | 1:15:03 | |
The elections are next month. The taxpayers will be sore if this isn't milked to the full! | 1:15:03 | 1:15:10 | |
The court room was full. The hotels are overflowing. | 1:15:10 | 1:15:14 | |
You can't let this thing peter out overnight! | 1:15:14 | 1:15:17 | |
-Can they make anything of this? -I'll get it dismissed in minutes. | 1:15:17 | 1:15:22 | |
Excuse me. | 1:15:24 | 1:15:26 | |
-Hello, Jean... -How are you, David? I mean Paul. | 1:15:26 | 1:15:30 | |
I tried to give her your messages but she wouldn't listen. | 1:15:30 | 1:15:34 | |
Women, David! I mean Paul. You just can't figure them. | 1:15:34 | 1:15:38 | |
I'd like my attorney to represent her. | 1:15:38 | 1:15:41 | |
She says she hasn't done anything she can't explain herself. She'll be her own counsel. | 1:15:41 | 1:15:47 | |
We must go in now. They can't begin without us! | 1:15:47 | 1:15:50 | |
She's going to be her own counsel. | 1:15:53 | 1:15:55 | |
Wendell, I don't need you. I'll be my own counsel too. | 1:15:55 | 1:15:59 | |
I'll be nervous if you watch me. | 1:15:59 | 1:16:01 | |
MURMURING | 1:16:01 | 1:16:03 | |
Say, he sure is something. Do you recognise all these folks? | 1:16:08 | 1:16:12 | |
Cafe society. I wish I had their insurance policies! | 1:16:12 | 1:16:17 | |
THEY GREET EACH OTHER | 1:16:17 | 1:16:19 | |
I understand him walking out on you now. | 1:16:21 | 1:16:24 | |
A guy like that, a celebrity, you can't expect... | 1:16:24 | 1:16:28 | |
-I wish I could make you understand... -It was fun for you to make an experiment | 1:16:35 | 1:16:41 | |
and then walk out when you got bored. | 1:16:41 | 1:16:43 | |
I congratulate you on its success. | 1:16:43 | 1:16:46 | |
-Well, I... -< Everybody, please stand. | 1:16:46 | 1:16:49 | |
< Hear ye! Hear ye! Hear ye! | 1:16:51 | 1:16:54 | |
The Supreme Court is now in session. | 1:16:54 | 1:16:57 | |
Be seated. | 1:16:58 | 1:17:00 | |
Are the defendants in court? | 1:17:05 | 1:17:07 | |
-Yes, Your Honour. -Yes, Your Honour. | 1:17:07 | 1:17:10 | |
Yes, Your Honour. | 1:17:10 | 1:17:12 | |
You may be seated. | 1:17:12 | 1:17:14 | |
Now, where did we leave off? | 1:17:14 | 1:17:17 | |
I think we'd better start at the formal evidence of the arrest. | 1:17:17 | 1:17:22 | |
Will Officer Clarke please take the stand? | 1:17:22 | 1:17:25 | |
Do you swear to tell the truth, the whole truth and nothing but the truth? > | 1:17:29 | 1:17:34 | |
I do. | 1:17:34 | 1:17:36 | |
Officer Clarke, when you made the arrest... | 1:17:36 | 1:17:39 | |
The picture Mr Somerset rented from you was painted by him? | 1:17:39 | 1:17:44 | |
-Yes, Your Honour. -Why would he rent it? | 1:17:44 | 1:17:47 | |
I imagine he wanted to look at it. | 1:17:47 | 1:17:49 | |
Crazy! Why couldn't he have painted another? | 1:17:49 | 1:17:52 | |
Next witness. | 1:17:54 | 1:17:56 | |
By what name did you know the defendant? | 1:17:56 | 1:17:59 | |
They was different. | 1:17:59 | 1:18:01 | |
First it was Pigeon. | 1:18:01 | 1:18:03 | |
Then it was Good Luck. | 1:18:03 | 1:18:05 | |
Then it was You Asked For It. | 1:18:05 | 1:18:08 | |
It looks to me as if he got it. | 1:18:08 | 1:18:10 | |
When did you first meet Somerset? | 1:18:12 | 1:18:15 | |
That was the day he gave her a 350 gown. | 1:18:15 | 1:18:18 | |
-< It had silver beads... -< All right. | 1:18:18 | 1:18:20 | |
-How did your niece explain such an expensive present? -She denied it. | 1:18:20 | 1:18:26 | |
This trip they went on. | 1:18:28 | 1:18:30 | |
Where would a man living as he did get the money to pay for it? | 1:18:30 | 1:18:35 | |
My niece gave it to him. | 1:18:35 | 1:18:37 | |
"Please reserve two rooms, not necessarily adjoining. David Grant." | 1:18:42 | 1:18:47 | |
In your experience as a hotel clerk, what do you understand those words to mean? | 1:18:49 | 1:18:55 | |
Judge, that they must adjoin! | 1:18:55 | 1:18:57 | |
Ahem. Yeah. | 1:18:57 | 1:18:59 | |
I opened the door and there she was, waiting to pounce on me! | 1:19:01 | 1:19:05 | |
Then I went to 611. There she was again! | 1:19:05 | 1:19:08 | |
Waiting to pounce on me! | 1:19:08 | 1:19:10 | |
It got me so nervous, | 1:19:10 | 1:19:12 | |
I've been scared to open the door ever since for fear I'd find her waiting to pounce on me! | 1:19:12 | 1:19:19 | |
Now that we've heard the witnesses, | 1:19:20 | 1:19:23 | |
we're in even deeper confusion than we were before. | 1:19:23 | 1:19:27 | |
THEY LAUGH | 1:19:27 | 1:19:29 | |
< Order! Order! | 1:19:29 | 1:19:31 | |
Will the defendant Frederick Harper please take the stand? | 1:19:31 | 1:19:35 | |
He says he and the girl were engaged. | 1:19:35 | 1:19:38 | |
Mr Harper, are you or are you not engaged to Miss Newton? | 1:19:43 | 1:19:47 | |
I was engaged to her and I have every confidence I shall be again. | 1:19:47 | 1:19:51 | |
You were engaged to her when she went on that trip with this man? | 1:19:54 | 1:19:58 | |
Yes. Did she go with your approval? | 1:19:58 | 1:20:01 | |
Not then, but I realise now I was unnecessarily suspicious. | 1:20:01 | 1:20:05 | |
What made you realise that? | 1:20:05 | 1:20:07 | |
I found out who Mr Grant really was. A celebrity... | 1:20:07 | 1:20:11 | |
Celebrities are no more to be trusted with women than anyone else. | 1:20:11 | 1:20:16 | |
LAUGHTER | 1:20:16 | 1:20:18 | |
Order! Order! | 1:20:21 | 1:20:23 | |
Miss Jean Newton, please. | 1:20:26 | 1:20:28 | |
Courage, dear. Courage! | 1:20:32 | 1:20:34 | |
Tell everything. Don't be ashamed, whatever it was. | 1:20:34 | 1:20:38 | |
-She's been sworn in, Your Honour. -I know that. Sit down. | 1:20:41 | 1:20:45 | |
Miss Newton, don't be scared. Tell the truth. We are here to protect you. | 1:20:49 | 1:20:55 | |
-Thank you, Your Honour. -Don't mention it. | 1:20:55 | 1:20:58 | |
Miss Newton, would you give us your version | 1:20:58 | 1:21:01 | |
of how you came to go on this somewhat unusual trip? | 1:21:01 | 1:21:05 | |
I was talked into it. First by Mr Harper and then by Mr Somerset. | 1:21:05 | 1:21:10 | |
< I thought Mr Harper was against it? | 1:21:10 | 1:21:13 | |
He was, but Mr Somerset talked him into it too. | 1:21:13 | 1:21:16 | |
< He must have unusual powers of persuasion. | 1:21:16 | 1:21:19 | |
Oh, yes. | 1:21:19 | 1:21:21 | |
-How did he represent the trip? -As an experiment. | 1:21:21 | 1:21:25 | |
Experiment? And you agreed to it? | 1:21:25 | 1:21:27 | |
It wasn't that kind of an experiment. | 1:21:27 | 1:21:30 | |
I was to be a guinea pig. | 1:21:30 | 1:21:32 | |
LAUGHTER | 1:21:32 | 1:21:35 | |
Order! Order in the court! | 1:21:38 | 1:21:40 | |
A what? | 1:21:40 | 1:21:43 | |
Look, Your Honour, do we have to go into all that? | 1:21:43 | 1:21:46 | |
I'm afraid so, Miss Newton. | 1:21:46 | 1:21:48 | |
I know it's going to sound crazy, Your Honour. | 1:21:48 | 1:21:52 | |
It was crazy and I was crazy to fall for it. | 1:21:52 | 1:21:55 | |
Well... | 1:21:55 | 1:21:57 | |
It was to be just a friendly little trip. | 1:21:57 | 1:22:00 | |
As brother and sister. | 1:22:00 | 1:22:02 | |
He was going to show me things. | 1:22:02 | 1:22:04 | |
He wanted to make the experiment of taking someone and... | 1:22:04 | 1:22:08 | |
Oh, I can't make it sound like he did. | 1:22:08 | 1:22:11 | |
It sounds even crazier if I try. | 1:22:11 | 1:22:13 | |
That was the idea. A sort of a... | 1:22:13 | 1:22:16 | |
A... | 1:22:16 | 1:22:18 | |
You know what I mean... | 1:22:18 | 1:22:20 | |
Yes, yes. You trusted him. | 1:22:23 | 1:22:26 | |
Yes, Your Honour. | 1:22:26 | 1:22:29 | |
Yes. Was your trust justified? | 1:22:29 | 1:22:31 | |
I don't know, Your Honour. | 1:22:31 | 1:22:33 | |
You don't know? But you must know. | 1:22:33 | 1:22:36 | |
Did he keep his word about it being brother and sister? | 1:22:36 | 1:22:41 | |
Mm. Er... | 1:22:41 | 1:22:43 | |
Not entirely, Your Honour. | 1:22:43 | 1:22:45 | |
-He overstepped the mark? -In a way, Your Honour. | 1:22:45 | 1:22:49 | |
LAUGHTER | 1:22:49 | 1:22:51 | |
Order! | 1:22:53 | 1:22:55 | |
Did he kiss you? | 1:22:55 | 1:22:58 | |
Do I have to answer that question, Your Honour? | 1:22:58 | 1:23:01 | |
-I'm afraid so. Don't be scared. We're here to protect you. -Thank you. | 1:23:01 | 1:23:06 | |
-Don't mention it. Well, then? -Well, then... | 1:23:06 | 1:23:10 | |
yes. | 1:23:10 | 1:23:12 | |
He kissed you and then he drove off in your automobile without a word? Is that right? | 1:23:12 | 1:23:19 | |
-Oh, well, it wasn't... -Answer yes or no, please. | 1:23:19 | 1:23:22 | |
-Yes, Your Honour. -Thank you, Miss Newton. | 1:23:22 | 1:23:25 | |
-That's all. -Thank you, Your Honour. | 1:23:25 | 1:23:28 | |
-Don't mention it. -Your Honour. -Yes? | 1:23:28 | 1:23:32 | |
As my own counsel, may I cross-examine? | 1:23:32 | 1:23:35 | |
Sit down again, Miss Newton. Proceed. | 1:23:35 | 1:23:38 | |
Thank you, Your Honour. Ahem! | 1:23:43 | 1:23:47 | |
Miss Newton, is it a fact that since he left you, my client has made attempts to see you? | 1:23:48 | 1:23:54 | |
-Who's your client? -That's myself. | 1:23:54 | 1:23:57 | |
And that you refused to let me explain my behaviour? | 1:23:57 | 1:24:00 | |
Your Honour, will you be so kind as to instruct the witness to answer my questions? | 1:24:00 | 1:24:06 | |
What? Oh, yes, you have to do that. | 1:24:06 | 1:24:09 | |
Don't be scared. We're here to protect you. | 1:24:09 | 1:24:12 | |
-Thank you, Your Honour. -Don't mention it. -You've refused to listen to me? | 1:24:12 | 1:24:16 | |
-Yes! -You'd better listen to me now. -Your Honour! | 1:24:16 | 1:24:20 | |
-What's that? -It's nothing! Nothing at all. | 1:24:20 | 1:24:23 | |
Did my client leave you a letter? | 1:24:23 | 1:24:25 | |
Before he left you at Niagara Falls? | 1:24:25 | 1:24:28 | |
You know perfectly well you did. He did. You did! | 1:24:28 | 1:24:32 | |
Have you the letter with you? | 1:24:32 | 1:24:34 | |
-I destroyed it. -Do you remember what was in it? -I object! | 1:24:34 | 1:24:38 | |
-Objection sustained. -Your Honour? | 1:24:38 | 1:24:40 | |
There has been no foundation laid for the introduction of a lost letter. | 1:24:40 | 1:24:45 | |
-Thank you, Your Honour. -Don't mention it. | 1:24:45 | 1:24:49 | |
In that letter, did my client tell you that it was in your own interests | 1:24:49 | 1:24:54 | |
that he was walking out of your life? | 1:24:54 | 1:24:56 | |
I... I don't know. Yes. I object! | 1:24:56 | 1:25:00 | |
Mention that letter and it's contempt of court! | 1:25:00 | 1:25:03 | |
Do you believe that my client was sincere in his feelings for you? | 1:25:05 | 1:25:10 | |
Your Honour! You said you were here to protect me. | 1:25:10 | 1:25:13 | |
He's trying to make me talk now because I wouldn't talk outside. | 1:25:13 | 1:25:18 | |
Mr Somerset, you will confine yourself to the facts of the case | 1:25:18 | 1:25:23 | |
and not discuss your personal feelings. | 1:25:23 | 1:25:26 | |
But I can't explain... | 1:25:26 | 1:25:28 | |
If Miss Newton is interested in your reasons, | 1:25:28 | 1:25:31 | |
she can ask you when you are on the stand. | 1:25:31 | 1:25:34 | |
In that case, I have no further questions. | 1:25:34 | 1:25:37 | |
Thank you, Miss Newton. | 1:25:37 | 1:25:40 | |
-Thank you, Your Honour. -The pleasure's entirely mine! | 1:25:40 | 1:25:44 | |
Mm? | 1:25:56 | 1:25:58 | |
Oh. And now Mr Somerset. | 1:25:58 | 1:26:00 | |
I have a lot of questions to ask this Casanova. | 1:26:00 | 1:26:03 | |
Now, Mr Somerset, you are the painter Paul Knight Somerset? | 1:26:08 | 1:26:13 | |
-I was. -And what are you now? What do you do for a living? | 1:26:13 | 1:26:17 | |
-Not much, Your Honour. -Would a loafer be the right description? | 1:26:17 | 1:26:22 | |
MURMURING | 1:26:22 | 1:26:24 | |
-A little harsh, but depends upon your point of view. -Exactly. | 1:26:24 | 1:26:29 | |
Mr Somerset, did you accept 3,000 from Miss Newton? | 1:26:29 | 1:26:32 | |
-Yes, Your Honour. -You persuaded her to go on a trip with you? | 1:26:32 | 1:26:37 | |
-Yes, Your Honour. -And on that trip, you made love to her? | 1:26:37 | 1:26:41 | |
-Once. -I don't care how often. Answer me. | 1:26:41 | 1:26:44 | |
-Yes, Your Honour. -And then you made off in her automobile? | 1:26:44 | 1:26:48 | |
-Yes, Your Honour. -You admit it was her automobile? | 1:26:48 | 1:26:51 | |
-Yes, Your Honour. -Bought with her money? | 1:26:51 | 1:26:55 | |
It didn't take long to get that cleared up. | 1:26:55 | 1:26:58 | |
Miss Newton, do you wish to ask questions? | 1:26:58 | 1:27:01 | |
It was his money and he bought the car so he did have a right to take it back. | 1:27:01 | 1:27:07 | |
That is for the court to decide. Do you wish to question? | 1:27:07 | 1:27:11 | |
No, Your Honour. | 1:27:11 | 1:27:13 | |
That's all, Mr Somerset. Thank you. | 1:27:13 | 1:27:16 | |
Being my own counsel, am I entitled to ask myself a few questions? | 1:27:16 | 1:27:21 | |
Certainly. Proceed. | 1:27:21 | 1:27:23 | |
When you asked Miss Newton to go on this trip, were you in love with her? | 1:27:23 | 1:27:28 | |
I didn't think so then but now I know that I was. | 1:27:28 | 1:27:31 | |
I object! | 1:27:31 | 1:27:33 | |
-Mr Somerset! -When did you fall in love with her? | 1:27:33 | 1:27:36 | |
-I object! -When she called a sweepstake ticket a stoopsnake swicket. -Mr Somerset! | 1:27:36 | 1:27:42 | |
-I shall commit you for contempt of court! -I've said all I want to say. | 1:27:42 | 1:27:47 | |
Oh, one more. Did you think a man with your record had a right to make love to her? | 1:27:47 | 1:27:53 | |
I do not. That's why I ran off. I'm extremely sorry. | 1:27:53 | 1:27:57 | |
Your Honour, I would like to ask a few questions. | 1:28:02 | 1:28:06 | |
-Very well. Proceed. -Thank you, Your Honour. | 1:28:06 | 1:28:10 | |
Mr Somerset, was it because you served a sentence in prison you walked out on me? | 1:28:13 | 1:28:19 | |
-I mean my client? -It was partly that. | 1:28:19 | 1:28:21 | |
-And what else was it? -It was...my whole mode of life. | 1:28:21 | 1:28:25 | |
-What's the matter with it? -Nothing from my point of view but a great deal from everyone else's. | 1:28:25 | 1:28:32 | |
It has been described as beachcombing. | 1:28:32 | 1:28:35 | |
-You were considered one of the best painters living. -Yes. | 1:28:35 | 1:28:39 | |
-For three years, you haven't painted. Is that right? -I object. | 1:28:39 | 1:28:43 | |
-Objection... -Overruled. -Yes. | 1:28:43 | 1:28:46 | |
As a matter of fact, I have. | 1:28:46 | 1:28:48 | |
-Only no-one has seen them. -Why not? | 1:28:48 | 1:28:50 | |
I didn't wish them to. | 1:28:50 | 1:28:52 | |
-Three years ago, you were sent to prison for illustrations you did for a book of legends. -Your Honour! | 1:28:52 | 1:29:00 | |
Continue. | 1:29:00 | 1:29:01 | |
-These illustrations were considered... -Indecent was the word the judge used. | 1:29:01 | 1:29:07 | |
-You did not consider them... -Indecent? No, young lady. | 1:29:07 | 1:29:11 | |
Since then, this volume has practically become a classic. | 1:29:11 | 1:29:15 | |
-It's even recommended in universities. -So they tell me. | 1:29:15 | 1:29:19 | |
It was bitterness at the injustice that made you stop showing your paintings? | 1:29:19 | 1:29:25 | |
And that keeps you loafing and making caricatures now. | 1:29:25 | 1:29:29 | |
-Yes or no, Mr Somerset? -Yes! | 1:29:29 | 1:29:31 | |
And you are in no way ashamed of yourself and your attitude? | 1:29:31 | 1:29:35 | |
If you're interested, I am thoroughly ashamed of you. | 1:29:35 | 1:29:39 | |
-That's all. Thank you, Your Honour. -Thank you, Miss Newton. | 1:29:39 | 1:29:44 | |
Mr Somerset, you may step down. | 1:29:49 | 1:29:51 | |
LAUGHTER | 1:29:51 | 1:29:54 | |
Now then, we'll sum up the case. | 1:29:58 | 1:30:01 | |
We have three defendants charged with various offences. | 1:30:01 | 1:30:05 | |
I'll take Mr Harper first. | 1:30:05 | 1:30:08 | |
Mr Harper seems to me can best be described as what in modern slang is called a dope. | 1:30:10 | 1:30:17 | |
A man who would make a deal involving his fiance going on a trip with another man, | 1:30:17 | 1:30:22 | |
even at a ten million to one chance, | 1:30:22 | 1:30:25 | |
deserves that that one chance should turn up against him. | 1:30:25 | 1:30:29 | |
If Mr Harper wants to change his plea to guilty, | 1:30:29 | 1:30:33 | |
I impose a fine of 25 for damaging hotel property, plus the cost of repairing the door. | 1:30:33 | 1:30:39 | |
Otherwise, he can stand trial. | 1:30:39 | 1:30:41 | |
You can sit down now and think. | 1:30:41 | 1:30:44 | |
LAUGHTER | 1:30:44 | 1:30:46 | |
Next we come to... | 1:30:51 | 1:30:54 | |
Miss Newton. | 1:30:54 | 1:30:56 | |
Miss Newton seems to me to be a very much wronged young lady. | 1:30:57 | 1:31:02 | |
A little trusting, perhaps, but otherwise in no way to blame. | 1:31:02 | 1:31:06 | |
There is obviously no case against her. | 1:31:06 | 1:31:09 | |
You may sit down, Miss Newton. | 1:31:09 | 1:31:12 | |
-Thank you, Your Honour. -You're welcome. | 1:31:12 | 1:31:15 | |
Last but not least, we have... | 1:31:15 | 1:31:18 | |
Mr Paul Knight Somerset. | 1:31:18 | 1:31:21 | |
Mr Somerset has acted throughout with an entire lack of principle. | 1:31:25 | 1:31:30 | |
His record is a retractive one, | 1:31:30 | 1:31:33 | |
as Miss Newton elicited in her very able questioning. As she pointed out, | 1:31:33 | 1:31:39 | |
his whole behaviour has been sulky, like a spoiled child. | 1:31:39 | 1:31:44 | |
-Your Honour, I protest! -Young lady, I'm talking now. | 1:31:44 | 1:31:48 | |
-You can't say things like that. -It's what you said! -I can but you can't. | 1:31:48 | 1:31:53 | |
-I've granted you a great deal of latitude. -You owe him an apology in the name of the whole bench. | 1:31:53 | 1:32:00 | |
Just because a judge couldn't tell a work of art... | 1:32:00 | 1:32:03 | |
I'll commit you for contempt of court! | 1:32:03 | 1:32:06 | |
Artists aren't ordinary people! They're so sensitive, if you hurt them just a bit, they run off. | 1:32:06 | 1:32:13 | |
They let their feelings run away and they don't know what it means | 1:32:13 | 1:32:18 | |
to a girl they made fall in love with them. | 1:32:18 | 1:32:21 | |
You're to blame! You stand for the law and it was the law that did it. | 1:32:21 | 1:32:26 | |
If art and beauty mean anything, | 1:32:26 | 1:32:28 | |
you apologise to Mr Somerset in the name of the law! | 1:32:28 | 1:32:32 | |
You can commit me, I'm finished. | 1:32:32 | 1:32:34 | |
Bravo! > | 1:32:34 | 1:32:37 | |
APPLAUSE | 1:32:37 | 1:32:40 | |
-You heard the judge. You heard her. Good luck, chum. -No hard feelings. | 1:32:42 | 1:32:47 | |
Order! | 1:32:47 | 1:32:49 | |
< Order! Order! | 1:32:49 | 1:32:51 | |
Order in the court! | 1:32:54 | 1:32:58 | |
Mr Somerset, will you please approach the bench? | 1:32:58 | 1:33:02 | |
Thank you. | 1:33:04 | 1:33:06 | |
Order, please. | 1:33:06 | 1:33:08 | |
Did you say you were in love with Miss Newton? | 1:33:08 | 1:33:11 | |
-You're under oath. -In that case, yes, Your Honour. | 1:33:11 | 1:33:15 | |
Miss Newton, in that somewhat hysterical outburst, | 1:33:15 | 1:33:19 | |
did you say you were in love with Mr Somerset? | 1:33:19 | 1:33:22 | |
-I believe I did let it slip. -Yes, I thought I heard it. | 1:33:25 | 1:33:29 | |
I don't know what else to say. There's no case against you. | 1:33:32 | 1:33:36 | |
Miss Newton thinks I ought to apologise | 1:33:36 | 1:33:39 | |
to Mr Somerset in the name of the bench for the injustice. | 1:33:39 | 1:33:43 | |
She thinks that it would make you feel better. | 1:33:43 | 1:33:46 | |
And that you would start a useful life again with her. | 1:33:46 | 1:33:50 | |
Mr Somerset, it gives me great pleasure to apologise in the name of American justice | 1:33:54 | 1:34:00 | |
for the insult that you have been under for three years. | 1:34:00 | 1:34:04 | |
CHEERING AND APPLAUSE | 1:34:04 | 1:34:07 | |
If you'd send me a copy of that classical book, I'd appreciate it. | 1:34:12 | 1:34:17 | |
Case is dismissed! | 1:34:17 | 1:34:19 |