
Browse content similar to Management. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:10 | |
MUSIC: "Hangover Days" by Jason Collett | 0:00:16 | 0:00:19 | |
# It was in your basement apartment | 0:00:31 | 0:00:35 | |
# With all of its earth and sea | 0:00:35 | 0:00:40 | |
# Making love on the carpet | 0:00:40 | 0:00:44 | |
# Under the light of the TV | 0:00:45 | 0:00:49 | |
# Outside the sour moon minstrels | 0:00:49 | 0:00:53 | |
# Shook their dark tambourines | 0:00:53 | 0:00:57 | |
# The morning came in sinister | 0:00:57 | 0:01:02 | |
# Well window light menacing | 0:01:02 | 0:01:06 | |
# With clouds up above | 0:01:06 | 0:01:11 | |
# And clouds down below | 0:01:11 | 0:01:14 | |
# Killing time but it won't stand still | 0:01:14 | 0:01:19 | |
# It won't stand still | 0:01:20 | 0:01:24 | |
# I told you I'll never make a promise | 0:01:26 | 0:01:30 | |
-# A promise I can keep... # -Mike! Mike! | 0:01:30 | 0:01:34 | |
-# I thanked you for being honest... # -I want you to sweep the pool. | 0:01:34 | 0:01:38 | |
-Why? -Because people want to swim. | 0:01:39 | 0:01:42 | |
# We try so hard | 0:01:45 | 0:01:50 | |
# We try so hard | 0:01:50 | 0:01:54 | |
# We try so hard to love... # | 0:01:54 | 0:01:59 | |
-How are you feeling today, Ma? -Feeling great, Mike. -Good. | 0:02:00 | 0:02:04 | |
-Where's Dad? -Crossword. | 0:02:06 | 0:02:08 | |
-Checking out of 202. -How was your stay, Mr Edmunds? | 0:02:11 | 0:02:16 | |
-Fine, thanks. -Thank you so much. | 0:02:16 | 0:02:18 | |
# I threw my heart into the streets | 0:02:18 | 0:02:23 | |
# With stars up above | 0:02:23 | 0:02:26 | |
# And stars down below | 0:02:26 | 0:02:31 | |
# Killing time but it won't stand still | 0:02:31 | 0:02:35 | |
# It won't stand still | 0:02:36 | 0:02:39 | |
# We try so hard | 0:02:39 | 0:02:44 | |
# We try so hard | 0:02:44 | 0:02:48 | |
# We try so hard to love. # | 0:02:48 | 0:02:52 | |
-So two nights, preferably upstairs. -Oh, sure. | 0:02:59 | 0:03:03 | |
-Let's see, smoking or non-smoking? -Non-smoking. | 0:03:05 | 0:03:09 | |
-Think I'll put you into 203. -OK. | 0:03:09 | 0:03:12 | |
Nice room. This is our snack-bar, the prices are on the wall. | 0:03:12 | 0:03:17 | |
Sorry. | 0:03:22 | 0:03:24 | |
There you go. Thank you. | 0:03:24 | 0:03:27 | |
Uh-huh. Thank you. Anything else you need, just give me a call. | 0:03:28 | 0:03:33 | |
-Thank you very much. -Do you need help with your bags? -No, I'm fine. | 0:03:33 | 0:03:38 | |
110's called twice to complain that 111's making too much noise. | 0:03:43 | 0:03:47 | |
What kind of noise? | 0:03:47 | 0:03:49 | |
Not that kind of noise, Mike, now get your mind out of the gutter. | 0:03:49 | 0:03:53 | |
Apparently 111's got some sort of grinder in there. | 0:03:53 | 0:03:55 | |
-(LAUGHS) You said to get my mind out of the gutter. -Don't be gross, Mike. | 0:03:55 | 0:03:59 | |
-Get some sleep, you look tired. -I'm not tired. | 0:04:01 | 0:04:03 | |
-You look tired. -You're the one who's sick, Ma. | 0:04:03 | 0:04:07 | |
Oh, that's a nice thing to say. | 0:04:07 | 0:04:09 | |
-Sorry. Love you. -Love you, too. | 0:04:09 | 0:04:12 | |
-Good night, Dad. -All right. | 0:04:12 | 0:04:15 | |
KNOCK AT DOOR | 0:05:12 | 0:05:14 | |
-Who is it? -Management. | 0:05:14 | 0:05:17 | |
-What? -Management. Welcome gift. | 0:05:18 | 0:05:22 | |
-Hi. -Hi. -I have your complimentary bottle... welcome gift. | 0:05:31 | 0:05:36 | |
Wine. It's on the house. | 0:05:37 | 0:05:40 | |
I'm uh, oh, Mike. And I am with management. | 0:05:41 | 0:05:45 | |
-Nice to meet you, Mike. -Oh, it's my pleasure. | 0:05:45 | 0:05:48 | |
-So, where would you like it? -You know what? I can just take it. | 0:05:49 | 0:05:54 | |
Oh. OK. | 0:05:54 | 0:05:56 | |
Do you... Er, I'm sorry. Would you like me to open it for you? | 0:05:56 | 0:06:01 | |
Yeah, cos sometimes guests don't have screws. Corkscrews. | 0:06:01 | 0:06:05 | |
Erm... | 0:06:06 | 0:06:08 | |
-Yeah, OK, sure. Sure. -OK. | 0:06:09 | 0:06:13 | |
Just put this here. | 0:06:13 | 0:06:15 | |
Right. Thanks. | 0:06:16 | 0:06:18 | |
Anything interesting tonight? | 0:06:25 | 0:06:28 | |
I haven't really been paying attention. | 0:06:28 | 0:06:31 | |
Yeah, I know the feeling. | 0:06:31 | 0:06:33 | |
You know, there should be cups in the bathroom. | 0:06:35 | 0:06:38 | |
Completely sanitary. | 0:06:54 | 0:06:57 | |
That's good. | 0:06:57 | 0:06:59 | |
Wine is delicious. | 0:07:08 | 0:07:10 | |
Oh, man. | 0:07:10 | 0:07:13 | |
Shall I? | 0:07:19 | 0:07:22 | |
OK, sure. | 0:07:22 | 0:07:24 | |
It was a good year. Sometimes guests invite me to join them in a taste. | 0:07:37 | 0:07:43 | |
-Is that right? -Not always but... often. | 0:07:43 | 0:07:47 | |
Should be another cup in the bathroom. | 0:07:47 | 0:07:49 | |
-I actually have to get to work, Mike, so... -What do you do? | 0:07:49 | 0:07:53 | |
-I sell paintings. -Really? I love paintings. What kind? | 0:07:53 | 0:07:58 | |
That kind. | 0:07:58 | 0:08:00 | |
Ohhh. Nice. So that's what you're doing in town. | 0:08:02 | 0:08:05 | |
Presentations tomorrow and I fly out the next morning. | 0:08:05 | 0:08:09 | |
-What's the company that you work for? -It's called Corporate Bliss. | 0:08:09 | 0:08:13 | |
-And where are you guys HQ'd? -Maryland. -Nice. | 0:08:13 | 0:08:18 | |
Wait. Maryland is for lovers. Bumper sticker. | 0:08:18 | 0:08:22 | |
It's Virginia, actually. Virginia is for lovers. | 0:08:22 | 0:08:25 | |
-Maryland is for crabs. -Yeah, you're right. | 0:08:25 | 0:08:27 | |
-OK, Mike... -OK, I gotta get back to work. | 0:08:27 | 0:08:30 | |
Oh, solitary, great game. | 0:08:30 | 0:08:32 | |
OK, I'll be down in the lobby till 11, | 0:08:32 | 0:08:34 | |
then in my apartment, er, after that. | 0:08:34 | 0:08:38 | |
-But reachable by front door buzzer from then on. -Thank you. | 0:08:38 | 0:08:41 | |
-Just in case you need a solitary partner. -OK. -Have a great night. | 0:08:41 | 0:08:45 | |
..laundry room, then I came down into the lobby, | 0:09:07 | 0:09:10 | |
and that's when I realised that your establishment | 0:09:10 | 0:09:13 | |
doesn't have any options for recycling. | 0:09:13 | 0:09:15 | |
You're absolutely right, we don't. Which I apologise for. | 0:09:15 | 0:09:19 | |
It's something we're working on. But, as you may know, | 0:09:19 | 0:09:22 | |
Kingman has been a little slow to fully embrace the recycling issue. | 0:09:22 | 0:09:26 | |
-It's been voted on to... -What should I do with this bottle? | 0:09:26 | 0:09:29 | |
-Well, er... -I'm sorry, I don't mean to be rude, | 0:09:29 | 0:09:33 | |
but this is something that I'm very passionate about. | 0:09:33 | 0:09:36 | |
-Recycling? -Yes, recycling. | 0:09:36 | 0:09:39 | |
Let me take it. I'll do it. | 0:09:39 | 0:09:41 | |
I just... I was going to make a recycling round, anyway, so... | 0:09:41 | 0:09:45 | |
Well, that's nice of you. This is my son, Michael. | 0:09:46 | 0:09:51 | |
He's the official night manager. | 0:09:51 | 0:09:54 | |
Thank you. It's very nice of you. | 0:09:55 | 0:09:59 | |
You bet. I'll just put it back here with all my other ones. | 0:09:59 | 0:10:04 | |
I got a pretty good, big pile... | 0:10:04 | 0:10:06 | |
KNOCK ON DOOR Who is it? | 0:10:29 | 0:10:31 | |
-Mike. -Oh, God. | 0:10:31 | 0:10:34 | |
-Champagne. -Why? | 0:10:38 | 0:10:41 | |
We give it to all our guests who stay for two nights. | 0:10:41 | 0:10:44 | |
Wow, that's a pretty good deal. | 0:10:44 | 0:10:47 | |
Did you and your mom come up with that on your own? | 0:10:47 | 0:10:50 | |
So shall I? | 0:10:50 | 0:10:52 | |
Why not? | 0:10:53 | 0:10:56 | |
Reserve one... | 0:11:00 | 0:11:03 | |
You know the drill. The same place. The cups. | 0:11:03 | 0:11:07 | |
-CORK POPS Ooh! -Jeez! | 0:11:30 | 0:11:33 | |
Thank you. | 0:11:54 | 0:11:57 | |
-Do you make a toast, Mike? -Erm, yeah, sure. | 0:11:57 | 0:12:02 | |
-You're Sue, right? -Yeah. | 0:12:02 | 0:12:04 | |
Here's to... | 0:12:04 | 0:12:07 | |
people being happy! | 0:12:07 | 0:12:09 | |
Mm. | 0:12:15 | 0:12:16 | |
Ooh. | 0:12:18 | 0:12:19 | |
How were your presentations today? | 0:12:20 | 0:12:22 | |
Average. | 0:12:25 | 0:12:26 | |
You have a great butt. | 0:12:32 | 0:12:35 | |
I noticed the moment you checked in and... | 0:12:37 | 0:12:40 | |
-Thank you. -Hope that isn't too, you know... | 0:12:42 | 0:12:45 | |
No. I mean, yeah, but... | 0:12:45 | 0:12:49 | |
Thank you. | 0:12:49 | 0:12:51 | |
-Do you do this a lot, Mike? -No. | 0:12:51 | 0:12:54 | |
-Sometimes? -Very rarely. | 0:12:54 | 0:12:57 | |
-Does it ever work? -Never. | 0:12:57 | 0:12:59 | |
What... What would constitute having it work? | 0:12:59 | 0:13:03 | |
-Er... -Us having sex? | 0:13:05 | 0:13:07 | |
-No, I don't... -You getting to touch my butt? | 0:13:07 | 0:13:11 | |
That would... | 0:13:13 | 0:13:15 | |
Yeah, I'd consider that... | 0:13:15 | 0:13:19 | |
..for the... constitution... | 0:13:20 | 0:13:24 | |
Hm. | 0:13:24 | 0:13:26 | |
OK. | 0:13:28 | 0:13:30 | |
You can touch my butt | 0:13:32 | 0:13:34 | |
but then you gotta go. | 0:13:34 | 0:13:36 | |
-OK. -Are you serious? | 0:13:51 | 0:13:54 | |
Yeah! Touch it and go, Mike! Just touch and go. | 0:13:54 | 0:13:58 | |
-You're from Maryland? -Yeah. | 0:14:21 | 0:14:24 | |
-Where about? -Columbia. What about you? | 0:14:24 | 0:14:27 | |
-Here. Kingman. -Mm. | 0:14:27 | 0:14:29 | |
It's very warm. | 0:14:31 | 0:14:33 | |
-OK, Mike. I got an early plane to catch tomorrow. -Yeah, me too. | 0:14:36 | 0:14:40 | |
-OK. -Bye-bye now. -Yep. Bye. | 0:14:40 | 0:14:43 | |
Mom? Hi, it's me. | 0:15:13 | 0:15:15 | |
I'm just checking in. I am in Kingman, Arizona. | 0:15:15 | 0:15:19 | |
OK, well, that's it. I love you and, erm...and I miss you. OK. | 0:15:22 | 0:15:26 | |
-Hi, Sue. -Hi. | 0:15:54 | 0:15:57 | |
I was wondering if... | 0:16:00 | 0:16:03 | |
..I could snag your cellphone number or your email before you left? | 0:16:03 | 0:16:07 | |
-I don't think so, Mike. -Why not? | 0:16:07 | 0:16:11 | |
Er... Not my style. | 0:16:11 | 0:16:14 | |
But... We... | 0:16:14 | 0:16:16 | |
Y'know, I touched your butt. | 0:16:16 | 0:16:20 | |
I know. And it was nice. | 0:16:20 | 0:16:23 | |
I just think that's all she wrote. | 0:16:24 | 0:16:27 | |
-Mike, are those high tops? -Yeah. -You're not gonna get those off. | 0:18:06 | 0:18:10 | |
-No! -What? -Not underneath. | 0:18:17 | 0:18:19 | |
-Hi. -Hi. | 0:18:44 | 0:18:47 | |
-You all checked out? -Yeah, I did it with your wife...earlier. | 0:18:48 | 0:18:54 | |
Shoot. | 0:18:57 | 0:18:59 | |
Hey, Dad. Oh! Come back and see us some time. | 0:19:03 | 0:19:06 | |
Mm-hm, yeah. Well, you know, it all depends on work. | 0:19:06 | 0:19:09 | |
ENGINE STARTS | 0:19:12 | 0:19:14 | |
TYRES SCREECH | 0:19:21 | 0:19:25 | |
What was that all about? | 0:19:30 | 0:19:33 | |
She sells motel paintings. | 0:19:33 | 0:19:35 | |
Mike! The heat's out in 118! | 0:19:45 | 0:19:48 | |
# Well, I never been to Spain | 0:19:50 | 0:19:53 | |
# But I kinda like the music | 0:19:56 | 0:19:59 | |
# See, the ladies are insane there | 0:20:01 | 0:20:04 | |
# And they sure know how to use it | 0:20:06 | 0:20:09 | |
# They don't abuse it | 0:20:12 | 0:20:15 | |
# Never gonna lose it... # | 0:20:15 | 0:20:17 | |
-"Thank you for calling Last Minute Flights." -I'd like to book... | 0:20:17 | 0:20:20 | |
-"Your call is important..." -Fuck! | 0:20:20 | 0:20:22 | |
# Well, I never been to England | 0:20:22 | 0:20:26 | |
# But I kinda like the Beatles... | 0:20:27 | 0:20:29 | |
'Please continue to hold...' | 0:20:29 | 0:20:31 | |
Come on, Mike, now or never. | 0:20:31 | 0:20:33 | |
# I headed for Las Vegas... | 0:20:33 | 0:20:35 | |
I'm gonna do it! | 0:20:35 | 0:20:36 | |
'Hello, Last Minute Flights. How may I assist you?' | 0:20:36 | 0:20:40 | |
Hi! Yeah! I'd like to book a one-way cash ticket for as fast as possible | 0:20:40 | 0:20:45 | |
from Phoenix to Baltimore! Got it? | 0:20:45 | 0:20:47 | |
# Well, I never been to heaven | 0:20:53 | 0:20:57 | |
# But I've been to Oklahoma | 0:20:59 | 0:21:02 | |
# Oh, they tell me I was born there | 0:21:03 | 0:21:06 | |
# But I really don't remember | 0:21:09 | 0:21:12 | |
# In Oklahoma or Arizona | 0:21:15 | 0:21:20 | |
# What does it matter? | 0:21:20 | 0:21:22 | |
# What does it matter? # | 0:21:22 | 0:21:25 | |
-Hi. I'm here to see Sue Claussen. -Mm-hm. Is she expecting you? | 0:21:34 | 0:21:38 | |
-Erm, yeah, I left a couple of messages. -Messages regarding...? | 0:21:38 | 0:21:42 | |
Regarding Sue. Telling her I was in town. I'm an old friend. | 0:21:42 | 0:21:46 | |
I see. OK. | 0:21:46 | 0:21:50 | |
(SIGHS) | 0:21:50 | 0:21:52 | |
Sue! Hi! | 0:21:56 | 0:21:59 | |
-What are you doing here? -I was wondering if we could talk. | 0:22:01 | 0:22:05 | |
-Why are you here? -I called twice. Did you get the messages? | 0:22:05 | 0:22:11 | |
You know what, guys, I'm sorry, why don't you go on ahead? | 0:22:11 | 0:22:14 | |
-Are you sure, Sue? -Yeah, no, I'm good, go. Good. | 0:22:14 | 0:22:17 | |
-Can I talk to you for a second? -Yeah. | 0:22:23 | 0:22:26 | |
-This is completely inappropriate. -Erm... | 0:22:27 | 0:22:30 | |
-This is like a violation. -I wasn't trying to violate... -Well, you did. | 0:22:30 | 0:22:35 | |
You are. You are violating my personal space, you are violating my personal life. I can't do this. | 0:22:35 | 0:22:40 | |
-I have to be somewhere. I'm late. -It's five. What are you late for? | 0:22:40 | 0:22:44 | |
-I have an event. -You have an event? What kind of an event? | 0:22:44 | 0:22:48 | |
-I'm not gonna tell you. -Can I come? | 0:22:48 | 0:22:53 | |
Here. Pass it. Pass it! | 0:22:58 | 0:23:00 | |
Whoo! | 0:23:02 | 0:23:03 | |
Hey, Sue! | 0:23:03 | 0:23:06 | |
Oh! | 0:23:10 | 0:23:12 | |
-LAUGHTER -That's good. | 0:23:16 | 0:23:18 | |
-Here. Come on, you need it. -SIGHS | 0:23:29 | 0:23:32 | |
-You do this every week? -Yeah. | 0:23:33 | 0:23:37 | |
You're really good. | 0:23:37 | 0:23:39 | |
-You can't stay, Mike. -Why not? | 0:23:43 | 0:23:46 | |
Cos it's insane. | 0:23:46 | 0:23:48 | |
I let you touch my butt and then you fly all the way across the country. | 0:23:48 | 0:23:52 | |
Well, it was much more than a butt touch. | 0:23:52 | 0:23:55 | |
Still, you can't stay. I've got a lot I gotta do. | 0:23:59 | 0:24:03 | |
-Well, how much stuff can you do in one night? -A lot. | 0:24:03 | 0:24:06 | |
Like what? You go out with friends or...? | 0:24:06 | 0:24:10 | |
You see that girl over there? She works for Burger King. | 0:24:12 | 0:24:17 | |
She gives me vouchers every week and I pass them out. That's what I do. | 0:24:17 | 0:24:22 | |
Hey, I just wanna let you know, | 0:24:28 | 0:24:33 | |
if you want me to leave tomorrow, I will, I promise. | 0:24:33 | 0:24:38 | |
-Hey, guys! -Sue's here. | 0:24:40 | 0:24:43 | |
OK. Whopper. | 0:24:43 | 0:24:47 | |
Whopper. Whopper. | 0:24:48 | 0:24:51 | |
Whopper. Whopper. | 0:24:51 | 0:24:53 | |
OK, Chicken Tenders. | 0:24:53 | 0:24:56 | |
Chicken Tender. Careful. | 0:24:56 | 0:24:59 | |
Easy, easy, easy. Easy. Here you go, Chicken Tender. | 0:24:59 | 0:25:02 | |
OK, er, BK veggie burger. | 0:25:02 | 0:25:06 | |
-(SIGHS) -Fuck that, Sue. | 0:25:06 | 0:25:09 | |
Come on, it's supposed to be delicious. | 0:25:10 | 0:25:12 | |
Come on guys, it's got soy in it, it's really good. | 0:25:12 | 0:25:17 | |
-Fine. I'll take one. -Good. | 0:25:17 | 0:25:19 | |
All right, hey, who wants a Powerade? All right. | 0:25:19 | 0:25:23 | |
You got one there, buddy? | 0:25:23 | 0:25:25 | |
-This is nice. -Thanks. I've been here two years. | 0:25:28 | 0:25:31 | |
-Compact fluorescents. -Oh. Bummer. | 0:25:37 | 0:25:41 | |
So I think I'm gonna go to sleep. | 0:25:45 | 0:25:47 | |
Do you want me to touch your butt first? | 0:25:47 | 0:25:50 | |
No. I only do that when I'm travelling. | 0:25:52 | 0:25:56 | |
Right. | 0:25:57 | 0:25:58 | |
So do you... Are you alone here in Maryland | 0:26:00 | 0:26:04 | |
or do you have relatives around or...? | 0:26:04 | 0:26:06 | |
My mom, she's over in Laurel. That... Her name is Mary. | 0:26:06 | 0:26:11 | |
-What does she do? -She sells insurance to deaf people. | 0:26:11 | 0:26:16 | |
Oh. Nice sweatsuit. | 0:26:16 | 0:26:19 | |
Hm. | 0:26:19 | 0:26:20 | |
Y'know, I don't want you to take this the wrong way | 0:26:22 | 0:26:26 | |
but I think we probably shouldn't sleep in the same bed. | 0:26:26 | 0:26:29 | |
It's a good call. | 0:26:29 | 0:26:31 | |
So is your return ticket all set? | 0:27:42 | 0:27:45 | |
-I actually don't have one. -You don't have a return ticket? | 0:27:48 | 0:27:52 | |
-No, I bought a one-way. -Why? | 0:27:52 | 0:27:54 | |
-Erm... -That's completely unacceptable, Mike. | 0:27:54 | 0:27:57 | |
-I know. -You need to buy one. | 0:27:57 | 0:27:59 | |
I know, I'm sorry. I didn't have enough money. | 0:27:59 | 0:28:02 | |
-What? -I only had enough for a one-way. | 0:28:02 | 0:28:06 | |
And I thought... I thought, "I'm just gonna go for it." | 0:28:06 | 0:28:10 | |
-With me? -Yes. It was a far-flung notion. | 0:28:10 | 0:28:14 | |
-It was a fucking stupid notion. -I guess. | 0:28:14 | 0:28:17 | |
-I'll lend you the money. -You don't have to do that! | 0:28:17 | 0:28:20 | |
-Well, I'm going to. -OK, hey, would you first consider | 0:28:20 | 0:28:23 | |
taking the morning off from work? | 0:28:23 | 0:28:26 | |
-No. -We can hang out and then I'll leave. | 0:28:26 | 0:28:29 | |
If I don't, you can mace me. | 0:28:29 | 0:28:31 | |
-You're insane. -We could go to the zoo, that'd be fun. | 0:28:31 | 0:28:35 | |
-Mike, zoos suck. -OK, then we'll do something else. | 0:28:35 | 0:28:39 | |
Come on, take a day off from work. You look like you could use it. | 0:28:39 | 0:28:42 | |
I do? | 0:28:45 | 0:28:47 | |
-Hey! -All right. | 0:28:48 | 0:28:50 | |
-Agh! -Hey, hey! | 0:28:53 | 0:28:55 | |
Bump something! Over there. Fucking bump those people! | 0:28:56 | 0:29:01 | |
-Come on! -Not too hard, OK? | 0:29:01 | 0:29:05 | |
Oh, man! | 0:29:06 | 0:29:08 | |
-You shouldn't smoke. -I'm done. Forever. I'm serious. | 0:29:12 | 0:29:16 | |
No, you don't... Hey! You don't have to do that. | 0:29:16 | 0:29:20 | |
I know, but I am, I'm done. It's time. | 0:29:20 | 0:29:24 | |
Let me see if I understand something. Do you think that you like me, Mike? | 0:29:25 | 0:29:30 | |
-Yes. -Why? | 0:29:30 | 0:29:32 | |
Cos you have style. | 0:29:33 | 0:29:35 | |
-No, I don't. -Yeah, you do. -No, no. I don't. | 0:29:35 | 0:29:38 | |
Yeah. You give away 30% of your income. | 0:29:38 | 0:29:43 | |
-You would too if you made...more. -No, I wouldn't. | 0:29:44 | 0:29:48 | |
You're also incredibly sweet. | 0:29:49 | 0:29:51 | |
Well, beneath... | 0:29:54 | 0:29:57 | |
Beneath what? | 0:29:59 | 0:30:01 | |
Beneath the part of you that's not. | 0:30:02 | 0:30:05 | |
You better get your bus. | 0:30:09 | 0:30:11 | |
-I'll pay you back for the ticket. -Don't worry about it. | 0:30:18 | 0:30:22 | |
So, will I ever see you again? | 0:30:24 | 0:30:27 | |
That wouldn't be good for you, Mike. I'm not good with people. | 0:30:27 | 0:30:31 | |
-No, that's not true. -Yeah, y'know, it is. -No, it's not. | 0:30:31 | 0:30:34 | |
What about those homeless guys? They love you. | 0:30:34 | 0:30:37 | |
What about the soccer gals? | 0:30:38 | 0:30:40 | |
What about me? | 0:30:44 | 0:30:45 | |
OK, buddy, all aboard. | 0:31:02 | 0:31:04 | |
I think, Mike, you'd better go on the bus. | 0:31:07 | 0:31:10 | |
Hey Sue, it's Mike. Calling, again, I'm trying not to call too much | 0:31:56 | 0:31:59 | |
but I just wanted to make sure that you got the poem I sent last week. | 0:31:59 | 0:32:03 | |
You know, the sort of elongated haiku thing. | 0:32:03 | 0:32:06 | |
Erm, anyway, you know my home number and, of course, the front desk. | 0:32:06 | 0:32:10 | |
But seriously, you should call cos I'm definitely around. | 0:32:10 | 0:32:13 | |
Anyway, talk to you later, I hope. Bye. | 0:32:13 | 0:32:16 | |
# More than begin but less than forget | 0:32:23 | 0:32:27 | |
# But spirits born from the not happened yet | 0:32:27 | 0:32:31 | |
# Gathering there to pay off a debt | 0:32:31 | 0:32:35 | |
# Brought back from the wars | 0:32:35 | 0:32:37 | |
# We thought we lost you | 0:32:39 | 0:32:42 | |
# We thought we lost you | 0:32:43 | 0:32:45 | |
# We thought we lost you | 0:32:47 | 0:32:49 | |
# Welcome back. # | 0:32:51 | 0:32:53 | |
I thought you were gonna quit smoking? | 0:33:03 | 0:33:05 | |
I just did. | 0:33:11 | 0:33:12 | |
What are you doing here? | 0:33:17 | 0:33:18 | |
Work. | 0:33:18 | 0:33:20 | |
Hey, did you get my haiku? | 0:33:23 | 0:33:25 | |
The elongated one? | 0:33:25 | 0:33:27 | |
Yeah. | 0:33:27 | 0:33:29 | |
Yeah. It was nice. | 0:33:30 | 0:33:34 | |
So you're just, er, passing through? | 0:33:36 | 0:33:39 | |
Yeah, I fly out from Phoenix tomorrow. | 0:33:39 | 0:33:42 | |
-Oh. Here, I'll take that. -Oh, thank you. | 0:33:42 | 0:33:46 | |
So, this must be a really good region for corporate art sales? | 0:33:46 | 0:33:51 | |
-Yes, it is. -Good. | 0:33:51 | 0:33:55 | |
Hey, I'm supposed to go to this yoga class thing later. | 0:33:57 | 0:34:01 | |
Would you like to come with me? | 0:34:03 | 0:34:06 | |
# It will all come back... # | 0:34:07 | 0:34:10 | |
-Do you have a boyfriend, Sue? -No. | 0:34:26 | 0:34:30 | |
-Did you, recently? -Yes. | 0:34:30 | 0:34:34 | |
-What was his name? -Jango. | 0:34:34 | 0:34:38 | |
-He was an ex-punk. -Ex... Like an ex-punk? | 0:34:40 | 0:34:43 | |
Ex-rock-punk. | 0:34:43 | 0:34:45 | |
We broke up when he moved away. | 0:34:45 | 0:34:48 | |
-Why did he leave? -To open the Pacific northwest branch | 0:34:48 | 0:34:52 | |
of his organic yoghurt company. | 0:34:52 | 0:34:55 | |
-He's the president. -Here you go. -Thank you. | 0:34:55 | 0:34:58 | |
Thanks. | 0:34:58 | 0:35:00 | |
-So how is your job these days? -It's OK. | 0:35:01 | 0:35:05 | |
-But it's not your fantasy job. -I don't really do fantasy, Mike. | 0:35:05 | 0:35:09 | |
-If you could close your eyes and pick anything, what'd it be? -Er... | 0:35:09 | 0:35:14 | |
-But you gotta close your eyes otherwise it's not gonna work. -OK. | 0:35:14 | 0:35:18 | |
To run a full service state-of-the-art soup kitchen. | 0:35:21 | 0:35:25 | |
-Wow. -Multiple housing units upstairs, | 0:35:25 | 0:35:28 | |
recreational facilities in the basement, | 0:35:28 | 0:35:32 | |
job outreach. Midnight basketball. | 0:35:32 | 0:35:34 | |
-Really good soup? -Always. Excellent soup, first and foremost. | 0:35:34 | 0:35:39 | |
What about kids? Do you wanna have kids? | 0:35:40 | 0:35:42 | |
You know what was really great about that yoga class? | 0:35:44 | 0:35:47 | |
It was the breathing stuff. | 0:35:47 | 0:35:50 | |
-I don't do that. -Breathe? | 0:35:52 | 0:35:54 | |
There are days where I have to instruct my heart | 0:35:54 | 0:35:58 | |
to request additional air. | 0:35:58 | 0:36:02 | |
And I have to tell myself, | 0:36:04 | 0:36:07 | |
"Breathe, Sue." | 0:36:07 | 0:36:10 | |
"Just keep breathing." | 0:36:10 | 0:36:12 | |
Yes, I want kids. | 0:36:14 | 0:36:16 | |
Were you not sure when I asked? | 0:36:16 | 0:36:18 | |
I just don't think that I've ever been asked...that way...before. | 0:36:20 | 0:36:26 | |
Can I ask one more question? Then I'm done, I swear. | 0:36:30 | 0:36:35 | |
Will you come visit my mom with me on the way home? | 0:36:37 | 0:36:39 | |
She's sick and I promised I'd stop by. | 0:36:39 | 0:36:44 | |
Here, these are for you. There was a flower show downtown. | 0:36:45 | 0:36:49 | |
That's nice of you. | 0:36:49 | 0:36:51 | |
Hey Ma, Sue flew in from Baltimore just this morning. | 0:36:54 | 0:36:58 | |
-What do you do, Sue? -I sell corporate decorative art. | 0:36:58 | 0:37:02 | |
-I've met you before. -Yeah, you know, she stayed at the motel, Ma. | 0:37:03 | 0:37:07 | |
-That's how we met. -And where are you from originally? | 0:37:07 | 0:37:10 | |
Er, I'm from Columbia. Maryland. | 0:37:10 | 0:37:13 | |
-Do you come from a good family? -Er, no, not really. | 0:37:13 | 0:37:19 | |
Is there something specifically wrong with your family? | 0:37:19 | 0:37:23 | |
Er, well, my father lives on an ashram in northern California. | 0:37:23 | 0:37:28 | |
Pretty much sums up everything... about him. | 0:37:28 | 0:37:32 | |
He once forgot to pick me up from gymnastics. | 0:37:32 | 0:37:35 | |
-For an entire night. -That's quite a lot of somersaults. | 0:37:35 | 0:37:38 | |
I didn't care. I didn't. It really just explains more about him | 0:37:41 | 0:37:45 | |
than, erm, it does me. | 0:37:45 | 0:37:48 | |
-Could you hand me those pills, Mike? -Which ones? | 0:37:50 | 0:37:54 | |
The ones on the left there. | 0:37:54 | 0:37:56 | |
Can I talk to my son in private for a moment? | 0:38:04 | 0:38:06 | |
Yeah. Did I say something wrong? | 0:38:06 | 0:38:09 | |
Not at all. I'll just be a moment. | 0:38:09 | 0:38:14 | |
OK. | 0:38:15 | 0:38:17 | |
-I like her. -Really? | 0:38:24 | 0:38:26 | |
She's a bit of a long shot. | 0:38:26 | 0:38:29 | |
But she's logical, | 0:38:29 | 0:38:32 | |
in an emotionally annihilated kind of way. | 0:38:32 | 0:38:36 | |
But that's OK. Underneath there is a heart of... | 0:38:36 | 0:38:41 | |
-Gold? -No, I wouldn't say gold. | 0:38:41 | 0:38:43 | |
Maybe made of...leather. | 0:38:43 | 0:38:47 | |
But, if it works out, | 0:38:49 | 0:38:51 | |
she'll be good for you when I'm gone. | 0:38:51 | 0:38:53 | |
Needless to say, what would make me happy | 0:38:53 | 0:38:56 | |
is for you to find something for yourself before my check-out time. | 0:38:56 | 0:39:00 | |
Just so I know it's not you and your father alone here, | 0:39:00 | 0:39:05 | |
walking around like robots. | 0:39:05 | 0:39:07 | |
-Ma, dad's not a robot. -He is. | 0:39:07 | 0:39:10 | |
But I was mostly talking about you. | 0:39:10 | 0:39:13 | |
Unless you find a way out. | 0:39:15 | 0:39:18 | |
-Of what? -Of whatever it is you're stuck in. | 0:39:18 | 0:39:22 | |
You get it from your father. | 0:39:25 | 0:39:27 | |
He came back from the war stuck. | 0:39:28 | 0:39:30 | |
Been talking about joining the gym ever since. | 0:39:31 | 0:39:34 | |
(LAUGHS) Never has. | 0:39:36 | 0:39:38 | |
But that doesn't have to be you. | 0:39:38 | 0:39:41 | |
-Are you OK? -Yeah. Are you? | 0:39:53 | 0:39:56 | |
Yeah. | 0:39:56 | 0:39:58 | |
-She liked you. -No, she didn't. | 0:39:59 | 0:40:02 | |
Yeah, she did. She told me. | 0:40:02 | 0:40:05 | |
What took you so long? | 0:40:19 | 0:40:20 | |
Dad, do you remember Sue? | 0:40:24 | 0:40:27 | |
There's a toilet overflow in 110. | 0:40:30 | 0:40:32 | |
-OK. -Gotta get home to your mom. | 0:40:32 | 0:40:36 | |
-Are you really leaving? -I have to. -You can't do one more night? Just... | 0:41:12 | 0:41:18 | |
-I have meetings this afternoon in Seattle. -Call them off | 0:41:18 | 0:41:21 | |
-and just stay for a while. -It's my job. -I know. | 0:41:21 | 0:41:25 | |
-But you could get a job around here. -Where, Szechuan House? | 0:41:25 | 0:41:29 | |
No. | 0:41:29 | 0:41:31 | |
-I'm just saying that... -No, Mike... | 0:41:31 | 0:41:35 | |
I don't know how to say this. | 0:41:36 | 0:41:38 | |
This isn't gonna work. | 0:41:41 | 0:41:44 | |
-I mean, I'll stop by when I pass through. -Come on, what do you mean? | 0:41:44 | 0:41:49 | |
I can't move from Baltimore | 0:41:51 | 0:41:54 | |
to live in a corner double room of your parents' motel. | 0:41:54 | 0:41:57 | |
I mean... | 0:41:59 | 0:42:02 | |
Be serious. | 0:42:04 | 0:42:06 | |
I'm sorry. | 0:42:10 | 0:42:11 | |
-I'll stay in better touch this time. -Yeah, whatever you say. | 0:42:13 | 0:42:17 | |
So this is where she wanted? | 0:42:51 | 0:42:55 | |
This used to be all scrub. | 0:42:55 | 0:42:57 | |
She'd be cringing right now if she knew they'd be building here. | 0:42:58 | 0:43:02 | |
But... | 0:43:02 | 0:43:04 | |
..I promised her I'd do it. | 0:43:06 | 0:43:08 | |
Yeah, it's still nice. | 0:43:12 | 0:43:14 | |
I meant to give this to you earlier. | 0:43:17 | 0:43:20 | |
It's your mom's favourite piece of jewellery. | 0:43:20 | 0:43:23 | |
As you know, she was a necklace woman. | 0:43:23 | 0:43:25 | |
She thought you should have it. | 0:43:25 | 0:43:28 | |
Don't know why. Wouldn't want you to start wearing it, | 0:43:28 | 0:43:31 | |
-but maybe you can find some use for it. Something. -Thanks, Dad. | 0:43:31 | 0:43:37 | |
Also I had some guy call me. | 0:43:37 | 0:43:40 | |
Wanted to buy the motel. | 0:43:40 | 0:43:42 | |
-Are you gonna do it? -I doubt it. May as well keep running it. | 0:43:43 | 0:43:47 | |
But you can do what you want, Mike. You know, if you wanna leave... | 0:43:49 | 0:43:53 | |
-This ain't a half bad hunk of junk. -Yeah, it was my mother's. | 0:45:17 | 0:45:21 | |
Oh, God, let's not go down the sentimental road. | 0:45:21 | 0:45:24 | |
-I'm just saying... -I know. And I know you're gonna start crying. | 0:45:24 | 0:45:28 | |
-What? No, I'm not. -How long have you been in the pawn business? | 0:45:28 | 0:45:32 | |
-The porn business? -No, pawn business, goddammit. | 0:45:32 | 0:45:35 | |
-How long you been in the pawn business? -Oh. No, I've never... | 0:45:35 | 0:45:39 | |
No, exactly. So when someone says he ain't gonna start crying | 0:45:39 | 0:45:43 | |
that's a sure as shit sign they gonna start blubbering like a calf. | 0:45:43 | 0:45:48 | |
-Oh. See what I mean? -Just how much...for the necklace? | 0:45:53 | 0:45:59 | |
-I'll give you 300. -OK! | 0:46:03 | 0:46:07 | |
-Oh. -Hi. -Hi. | 0:46:13 | 0:46:16 | |
-I'm here to see Sue, please. -Sue no longer works here. | 0:46:16 | 0:46:20 | |
-I'm sorry? -She moved to Washington. | 0:46:20 | 0:46:24 | |
-DC? -State. | 0:46:24 | 0:46:27 | |
Her old boyfriend convinced her to move to Aberdeen. | 0:46:27 | 0:46:30 | |
Came with flowers, first-class flights. | 0:46:30 | 0:46:32 | |
Very Officer and a Gentleman. | 0:46:32 | 0:46:35 | |
# We hit the numbers we broke | 0:46:35 | 0:46:39 | |
# Broken and changed them Changed as we spoke | 0:46:39 | 0:46:43 | |
# We knew that we would always be down | 0:46:44 | 0:46:47 | |
-(SCREAMS) -# Hitting the numbers | 0:46:47 | 0:46:50 | |
# Spun way round | 0:46:50 | 0:46:53 | |
# And somebody beside you | 0:46:55 | 0:46:58 | |
# Slipped your head inside the crown | 0:46:58 | 0:47:00 | |
# The princes of the paupers | 0:47:02 | 0:47:05 | |
# And all the old showstoppers | 0:47:05 | 0:47:07 | |
# Till this moment's still unknown # | 0:47:07 | 0:47:10 | |
SPEAKS OWN LANGUAGE | 0:47:28 | 0:47:31 | |
Er... number eight. | 0:47:31 | 0:47:36 | |
-SPEAKS OWN LANGUAGE -Eight? | 0:47:36 | 0:47:38 | |
SPEAKS OWN LANGUAGE | 0:47:38 | 0:47:40 | |
Dude, I'm just messing with you! | 0:47:42 | 0:47:45 | |
-You're new in town, right? -Oh. Yeah. | 0:47:45 | 0:47:49 | |
You looking for a job? | 0:47:50 | 0:47:52 | |
-Yeah. -You, er... | 0:47:54 | 0:47:57 | |
You want to work here? | 0:47:59 | 0:48:02 | |
-Seriously? -Why the fuck wouldn't I be serious? | 0:48:03 | 0:48:06 | |
-Al. -Mike. -Mike, it is nice to meet you. -Yeah, you too. | 0:48:07 | 0:48:11 | |
-Dude, you stink. -I do? -Big time. | 0:48:11 | 0:48:15 | |
You can't work here if you stink. It's my parents' place. | 0:48:15 | 0:48:18 | |
-They're old school. They really hate stinky people. -OK. -So go home, | 0:48:18 | 0:48:22 | |
take a shower, please, come back and I will get you the job. | 0:48:22 | 0:48:26 | |
-I don't really have a home. -Really? | 0:48:27 | 0:48:32 | |
All right, he also needs a place to live | 0:48:32 | 0:48:34 | |
so I was thinking that maybe we could let him stay in the basement | 0:48:34 | 0:48:38 | |
and deduct some rent from his pay? | 0:48:38 | 0:48:40 | |
SPEAKS OWN LANGUAGE | 0:48:41 | 0:48:45 | |
Great. | 0:48:47 | 0:48:48 | |
Hey, thanks a lot for helping me out, it really means a lot. | 0:48:52 | 0:48:55 | |
Dude, no problem, man. | 0:48:55 | 0:48:58 | |
I've been trying to get my folks to hire someone American | 0:48:58 | 0:49:01 | |
cos we catch less bigot bullshit. And I hate working the mornings. | 0:49:01 | 0:49:04 | |
-Why? -Because I smoke a lot of pot and I like sleeping in. | 0:49:04 | 0:49:08 | |
-Oh, that's cool. -So why did you come to Aberdeen, Mike? | 0:49:08 | 0:49:12 | |
This girl that I'm in love with, | 0:49:12 | 0:49:15 | |
she moved here to be with her ex-boyfriend. | 0:49:15 | 0:49:17 | |
-Oh, that sucks, man. -Yeah. | 0:49:19 | 0:49:22 | |
Yeah, especially considering the guy is a punk. | 0:49:22 | 0:49:25 | |
-Like a punk-punk? -Ex-punk, I think he's older now. | 0:49:25 | 0:49:30 | |
-Does he train dogs? -I dunno. | 0:49:33 | 0:49:35 | |
Is his name, like, Jango? | 0:49:35 | 0:49:37 | |
-Yeah, I think it is! -I have totally heard of this dude, Mike. | 0:49:39 | 0:49:42 | |
-Is he a punk? -No, he's an ex-punk! | 0:49:42 | 0:49:45 | |
So, the thing with this guy is, he's also, like, a yoghurt magnate. | 0:49:45 | 0:49:50 | |
Totally huge in the yoghurt business, | 0:49:50 | 0:49:52 | |
like a yoghurt fucking mogul. | 0:49:52 | 0:49:54 | |
You see those kennels over there? That's where he keeps the dogs. | 0:49:54 | 0:49:57 | |
-DOGS BARK -Dammit! -What? | 0:49:57 | 0:50:00 | |
-This guy... This guy is like a total stud. -What do you mean? | 0:50:00 | 0:50:04 | |
I'm not a sexual superman. This guy... | 0:50:04 | 0:50:08 | |
-I mean... -No dude, you're probably fine. | 0:50:08 | 0:50:12 | |
-You're just saying that. -True, but do you want me to say you're right? | 0:50:12 | 0:50:15 | |
-No, but... -OK, look. Chicks these days don't want sexual supermen, OK? | 0:50:15 | 0:50:20 | |
They want hard workers. Guys who hustle. | 0:50:20 | 0:50:23 | |
And you look like a hustler, Mike. | 0:50:23 | 0:50:25 | |
I mean, you came all the way out to Aberdeen, dude. | 0:50:25 | 0:50:28 | |
That's got to count for something, right? Yeah. | 0:50:28 | 0:50:31 | |
This guy's got shrubbery shaped like pit bulls. | 0:50:31 | 0:50:34 | |
CAR APPROACHES | 0:50:34 | 0:50:36 | |
DOGS BARK | 0:50:40 | 0:50:43 | |
Dude, I think I got an idea for how you can get your girl back. | 0:51:13 | 0:51:16 | |
-Really? -See that dude sitting over there? | 0:51:16 | 0:51:19 | |
He runs a flight school in Olympia. You should talk to him, Mike. | 0:51:19 | 0:51:23 | |
OK, Mike, what I need now is for you to free your mind! | 0:51:30 | 0:51:34 | |
So let us have a spiritually fulfilling religious fucking moment! | 0:51:34 | 0:51:39 | |
I'm pretty sure I can do it, Stan! | 0:51:39 | 0:51:42 | |
That's the Michael I've come to know in the last eight hours! | 0:51:42 | 0:51:45 | |
-That's the Mike! -Uh! | 0:51:45 | 0:51:47 | |
Come on now! | 0:51:49 | 0:51:51 | |
-Three, two, one! -Wait! Wait, Stan! | 0:52:00 | 0:52:03 | |
# I feel like making love | 0:52:03 | 0:52:09 | |
# I feel like making love | 0:52:09 | 0:52:12 | |
-# I feel making love -You're on your ooooooown! | 0:52:14 | 0:52:19 | |
# I feel like making love | 0:52:20 | 0:52:22 | |
# I feel like making love to you | 0:52:25 | 0:52:29 | |
Yeahhhhhh! Hoooo! | 0:52:29 | 0:52:34 | |
Yeahhhhh! | 0:52:34 | 0:52:36 | |
Suuuuue! | 0:52:44 | 0:52:46 | |
(SCREAMS) Jesus! Oh, my God! | 0:52:46 | 0:52:50 | |
Jango! Jango! | 0:52:50 | 0:52:52 | |
Jango! Oh, my God! Who is that? | 0:52:52 | 0:52:57 | |
-It's me, Mike! -Mike? -(COUGHS) | 0:52:57 | 0:53:00 | |
-Sue! -What are you doing? Mike, come here. | 0:53:00 | 0:53:05 | |
GUNSHOTS POP Agh! Jango, enough with the shooting! | 0:53:05 | 0:53:08 | |
-What the fuck's going on! -Come here. Mike, come here. | 0:53:08 | 0:53:11 | |
Jango, stop shooting people! Stop it! Come here to me. | 0:53:11 | 0:53:16 | |
Follow the noise. Right here. Ow! Stop it! | 0:53:16 | 0:53:19 | |
Come on. There you go. Here, I got you, I got you, I got you. | 0:53:19 | 0:53:23 | |
-Why? Oh, my God, are you OK? -Step away. Sue. | 0:53:23 | 0:53:28 | |
-Jango, give me the gun, give me the damn gun. -I think I'm dying. | 0:53:28 | 0:53:32 | |
-It's just BBs. -No, I really think I'm dying. | 0:53:32 | 0:53:34 | |
-Oh, my God! -Move back, Sue. Clear. | 0:53:34 | 0:53:36 | |
-(SCREAMS) -Jango, what are you doing? -CPR! | 0:53:36 | 0:53:39 | |
Oh, my God, I'm calling an ambulance! | 0:53:39 | 0:53:42 | |
OK. Well, that just looks like you're kissing him, Jango! | 0:53:42 | 0:53:46 | |
Hi. | 0:54:00 | 0:54:02 | |
Hi. | 0:54:02 | 0:54:04 | |
-Where am I? -The Aberdeen Medical Center. | 0:54:06 | 0:54:10 | |
-Did, er... Did... -Yeah, Jango shot you. | 0:54:13 | 0:54:17 | |
Which caused you to go into shock. | 0:54:17 | 0:54:19 | |
Mike, why? | 0:54:22 | 0:54:23 | |
Why did you come out here? | 0:54:25 | 0:54:27 | |
Because I love you. | 0:54:29 | 0:54:31 | |
Do I have BB holes in my neck? | 0:54:35 | 0:54:38 | |
-Yeah. -They hurt. -I can imagine. | 0:54:38 | 0:54:41 | |
I thought it was over with that guy. | 0:54:43 | 0:54:45 | |
He's good to me, Mike. | 0:54:47 | 0:54:48 | |
He put me in charge of his company's non-profit yoghurt fund | 0:54:48 | 0:54:51 | |
which allows me to do a lot of good things for a lot of people. | 0:54:51 | 0:54:55 | |
He also feels horrible for shooting you | 0:54:55 | 0:54:57 | |
and he'd like to have you over for dinner. | 0:54:57 | 0:55:00 | |
Ohh, that's nice. | 0:55:00 | 0:55:03 | |
Hey, so who's this guy? | 0:55:05 | 0:55:07 | |
That is me and Joe Strummer | 0:55:09 | 0:55:13 | |
in the summer of '79 at the 100 Club in London. | 0:55:13 | 0:55:17 | |
-Who's Joe Strummer? -Joe Strummer most likely made love to your mother | 0:55:17 | 0:55:22 | |
and then wrote a song about it. | 0:55:22 | 0:55:23 | |
Here's the two of us throwing up together CBGB's. | 0:55:23 | 0:55:26 | |
Hey, who is that? | 0:55:26 | 0:55:29 | |
Ah, that's me and Ed McMahon. | 0:55:29 | 0:55:32 | |
Ed Mc-Wild-Mahon. | 0:55:32 | 0:55:34 | |
Now he's a true punk. | 0:55:34 | 0:55:37 | |
Basically, for me, dog work is a thrill, | 0:55:37 | 0:55:42 | |
an adrenaline rush, if you will, | 0:55:42 | 0:55:44 | |
that's otherwise hard for me to replicate in the world of yoghurt. | 0:55:44 | 0:55:47 | |
-Especially now you're not a punk. -I'll always be a punk in here, Al. | 0:55:47 | 0:55:52 | |
Make no mistake. But there's less need for me to call myself a punk | 0:55:52 | 0:55:57 | |
in a world where very notion of punkdom has been commodified | 0:55:57 | 0:56:01 | |
-for the mass market. -OK. | 0:56:01 | 0:56:04 | |
-How do you like your marsala? -It's really good. -Yeah? | 0:56:04 | 0:56:08 | |
-Oh, you're not gonna eat any? -Oh, I liquefied it. | 0:56:08 | 0:56:12 | |
Listen, I would just like to formally and quite sincerely | 0:56:12 | 0:56:16 | |
apologise to you for the BB gun incident. I lost my cool. | 0:56:16 | 0:56:21 | |
I was scared, for Sue. Scared for the dogs. | 0:56:21 | 0:56:24 | |
Scared for the general wellbeing of the pool. | 0:56:24 | 0:56:27 | |
So I just wanna say that I'm sorry, m... m... | 0:56:27 | 0:56:31 | |
-Mike. -..my friend. I blundered. | 0:56:31 | 0:56:36 | |
-Yeah, it's all right. -Yeah, so that's... behind us! | 0:56:36 | 0:56:40 | |
And Sue tells me that you're a painter? | 0:56:40 | 0:56:44 | |
CLEARS THROAT Yeah, very, very talented painter. | 0:56:44 | 0:56:49 | |
When did you have the opportunity to become acquainted with his work? | 0:56:49 | 0:56:53 | |
That was... It was my last business trip for, er, Corporate Bliss. | 0:56:53 | 0:56:58 | |
Mm-hm. And you saw her and thought, | 0:56:58 | 0:57:03 | |
"Great opportunity to promote my art," | 0:57:03 | 0:57:07 | |
or you thought, "beautiful woman"? | 0:57:07 | 0:57:10 | |
The first part. Erm, the art one. | 0:57:11 | 0:57:14 | |
So you're the guy who paints foxes and hounds for corporate art? | 0:57:14 | 0:57:20 | |
-Yeah. -OK, cos I got something to say about that. | 0:57:20 | 0:57:23 | |
You take a Rottweiler, no, let's say a Malinois | 0:57:23 | 0:57:28 | |
chasing a fox, you got a seriously new dynamic on your hands, | 0:57:28 | 0:57:32 | |
because a Malinois on a fox's ass, that would be a trip. | 0:57:32 | 0:57:37 | |
Because a Malinois is gonna turn that little fox into fox meat | 0:57:37 | 0:57:42 | |
inside of 23 seconds, you know what I'm saying? | 0:57:42 | 0:57:45 | |
-So I'd just like to lobby for that a little bit. -OK. | 0:57:45 | 0:57:49 | |
-That was really great chicken, Jango. -I love that fucking chicken. | 0:57:49 | 0:57:52 | |
You had a better chicken than that, you'd have to be a rooster. | 0:57:52 | 0:57:56 | |
BOTH LAUGH | 0:57:56 | 0:57:59 | |
Speaking of, who's up for some dessert? | 0:58:00 | 0:58:03 | |
-Oh! -I got a new flavour I wanna try out on you guys. | 0:58:03 | 0:58:07 | |
Henry Rollins' chicken-wing crunch. | 0:58:07 | 0:58:09 | |
Hey, Sue, Mike and I are gonna go to the Cowboy Club after this | 0:58:12 | 0:58:16 | |
and if you want to join us, y'know, they got great dancing. | 0:58:16 | 0:58:20 | |
I'll think about it. | 0:58:20 | 0:58:21 | |
What I'm trying to say is that China | 0:58:29 | 0:58:31 | |
is not only gonna kick America's economic butt, | 0:58:31 | 0:58:34 | |
but it's gonna invade your whole country. I'm talking about you guys getting a whole new flag. | 0:58:34 | 0:58:39 | |
You need to reorient the way you think about Asians, | 0:58:39 | 0:58:43 | |
because we will blow your mind with our uniqueness and inner beauty. | 0:58:43 | 0:58:46 | |
-You think she's hot? -Yeah, sorta. | 0:58:46 | 0:58:49 | |
-Hi, guys. -Yes! | 0:58:49 | 0:58:52 | |
-Sue. Hi. -Hi, Mike. | 0:58:52 | 0:58:55 | |
-You didn't bring Jango, did you? -No, no, he got kind of drunk | 0:58:58 | 0:59:03 | |
so I just told him that I had an errand. | 0:59:03 | 0:59:06 | |
-Hey, you wanna dance with us, Sue? -No. | 0:59:08 | 0:59:11 | |
-Come on, I know you got a move. -I don't have a move. | 0:59:11 | 0:59:14 | |
-Everybody's got a move. Show her your move. -I don't have a move. | 0:59:14 | 0:59:18 | |
-Don't you think Mike's got moves? -I bet you have a move. | 0:59:18 | 0:59:21 | |
-Come on, let's bust a move! -Come on. -Go on. | 0:59:21 | 0:59:25 | |
# I put on lipstick, paint and powder | 0:59:26 | 0:59:30 | |
# When I do, it's all you see | 0:59:32 | 0:59:35 | |
# Giving someone what they wanted | 0:59:37 | 0:59:41 | |
# Wasn't all I thought it'd be | 0:59:43 | 0:59:46 | |
# Don't make it better, make it over | 0:59:48 | 0:59:52 | |
# Make it new or make it done | 0:59:53 | 0:59:56 | |
# I guess I'll be all right without you | 0:59:58 | 1:00:02 | |
# The world looks better when you're gone | 1:00:04 | 1:00:07 | |
# Here's me walking out the back door... # | 1:00:07 | 1:00:10 | |
Hey, did you hear? Aberdeen is building | 1:00:12 | 1:00:16 | |
the biggest bio-diesel fuel plant in the country. | 1:00:16 | 1:00:19 | |
-Whatever you say, Mike. -No, we should find a way to get in on that. | 1:00:19 | 1:00:22 | |
Yeah. | 1:00:22 | 1:00:24 | |
Hey, Jango. | 1:00:29 | 1:00:31 | |
-You know why I'll always be a punk, Matt? -Mike. | 1:00:31 | 1:00:34 | |
Mike. Cos I take very little shit. | 1:00:34 | 1:00:39 | |
-Hey! -DOG BARKS | 1:00:40 | 1:00:43 | |
I'm watching you, Matt. | 1:00:43 | 1:00:47 | |
-DOG BARKS -You stay away from her. | 1:00:47 | 1:00:49 | |
Christ, Mike. Mike, you all right, dude? | 1:00:53 | 1:00:56 | |
I'll get him back. | 1:00:56 | 1:00:58 | |
Yeah, man. He's a scumbag. | 1:00:58 | 1:01:02 | |
-You sure you wanna do this? -Look, don't come if you don't want. | 1:01:10 | 1:01:13 | |
Dude, I'm with you. | 1:01:13 | 1:01:15 | |
OK. Let's do it. | 1:01:15 | 1:01:17 | |
Let's go. | 1:01:18 | 1:01:20 | |
PLAYS KEYBOARD | 1:01:40 | 1:01:42 | |
# Baby, when I think about you | 1:01:44 | 1:01:49 | |
# I think about love | 1:01:49 | 1:01:53 | |
# Darlin', don't live without you | 1:01:55 | 1:01:58 | |
# And your love | 1:01:59 | 1:02:04 | |
# If I had | 1:02:05 | 1:02:07 | |
# Those golden dreams | 1:02:07 | 1:02:09 | |
# Of my yesterday | 1:02:09 | 1:02:14 | |
# I would wrap you | 1:02:14 | 1:02:17 | |
# In the heavens | 1:02:17 | 1:02:20 | |
# Till I'm dyin' all the way | 1:02:20 | 1:02:24 | |
-# I feel like making -# Na-na-nah, na-na-nah, na-na-nah | 1:02:24 | 1:02:30 | |
-# I feel like making love -# Na-na-nah, na-na-nah, na-na-nah | 1:02:30 | 1:02:34 | |
# I feel like making love | 1:02:34 | 1:02:38 | |
-# I feel like making love -# Ahhhhhh | 1:02:39 | 1:02:44 | |
# I feel like making love to you | 1:02:44 | 1:02:50 | |
RATTLES PLASTIC | 1:02:50 | 1:02:53 | |
# Ooooh. # | 1:02:53 | 1:02:56 | |
Dude, that was awesome! | 1:02:56 | 1:02:58 | |
Just... | 1:02:58 | 1:03:00 | |
Just go. | 1:03:02 | 1:03:03 | |
-Wait, wait. -Go, go, go, go! | 1:03:03 | 1:03:07 | |
-Hold on. -Shit! -I love you, Sue! | 1:03:07 | 1:03:10 | |
Eat that, dog man! You suck! | 1:03:10 | 1:03:14 | |
-Mike! You have visitor! -OK. | 1:03:28 | 1:03:32 | |
-We need to talk, Mike. -I know. | 1:03:51 | 1:03:55 | |
I've been leaving you messages. | 1:03:55 | 1:03:57 | |
I mean, did... Did you tell him about us? | 1:03:57 | 1:04:03 | |
-That we... -Yes. | 1:04:03 | 1:04:04 | |
Why? | 1:04:06 | 1:04:08 | |
-Because I'm marrying him. -What? | 1:04:10 | 1:04:14 | |
-Which I need you to accept. -Why? | 1:04:14 | 1:04:18 | |
Because I'm at a point in my life | 1:04:18 | 1:04:20 | |
where there are certain things that I need. | 1:04:20 | 1:04:22 | |
-Like what? -Like a certain kind of love. | 1:04:22 | 1:04:25 | |
-What kind? -The kind that is not like an unguided missile. | 1:04:25 | 1:04:31 | |
You can't just stalk people around the country. | 1:04:31 | 1:04:35 | |
You can't parachute into people's pools. | 1:04:35 | 1:04:39 | |
Knock on people's motel rooms just because you're feeling lonely. | 1:04:39 | 1:04:43 | |
Life isn't like that. | 1:04:43 | 1:04:47 | |
For you to be with someone, | 1:04:47 | 1:04:50 | |
it's... it's not all about what you need. | 1:04:50 | 1:04:53 | |
It's gotta be more selfless than that, Mike, it's got to be. | 1:04:53 | 1:04:58 | |
Oh, like, like, save everyone else in the world except yourself? | 1:04:58 | 1:05:03 | |
-I don't... That's not what I do. -Yes, it is. -No, it's not. | 1:05:03 | 1:05:06 | |
Yes, it is! You're so busy being selfless | 1:05:06 | 1:05:10 | |
that you end up treating yourself like shit! | 1:05:10 | 1:05:13 | |
That really what you think of me? | 1:05:13 | 1:05:16 | |
I'm just... I'm just saying, I know what you need. | 1:05:16 | 1:05:20 | |
-Which is what? -To take care of yourself a little. | 1:05:20 | 1:05:24 | |
So that people who love you don't feel like they're annoying you. | 1:05:24 | 1:05:29 | |
Sue, Sue, just... marry me. OK? | 1:05:31 | 1:05:36 | |
Just let the world go screw itself for a half second | 1:05:36 | 1:05:40 | |
and just see what happens, and maybe it'll be OK. | 1:05:40 | 1:05:44 | |
-I'm getting married on Saturday. -Why? | 1:05:47 | 1:05:52 | |
Because I'm pregnant. | 1:05:53 | 1:05:56 | |
And I'm gonna have it. | 1:06:00 | 1:06:02 | |
It's what I want. | 1:06:04 | 1:06:06 | |
You're having a child? | 1:06:10 | 1:06:12 | |
Could... Could it be mine? | 1:06:16 | 1:06:19 | |
No. | 1:06:19 | 1:06:22 | |
Which is why I'm getting married. | 1:06:27 | 1:06:29 | |
Mike, I can't afford to be selfish on this one. | 1:06:33 | 1:06:36 | |
I just have to be with somebody | 1:06:38 | 1:06:40 | |
who knows what they're doing with their life. | 1:06:40 | 1:06:43 | |
I'm sorry. | 1:06:45 | 1:06:47 | |
Sweet just doesn't cut it. | 1:06:49 | 1:06:52 | |
Can you leave now, please? | 1:07:02 | 1:07:05 | |
Just leave, OK? | 1:07:07 | 1:07:10 | |
Get out of my basement, Sue. | 1:07:11 | 1:07:14 | |
Susan! Get... I'm serious! | 1:07:16 | 1:07:18 | |
Get the fuck out of my basement right now! | 1:07:18 | 1:07:21 | |
I wish I had that dickwad's BB gun right now. | 1:08:21 | 1:08:25 | |
-They going on a honeymoon? -I don't know. | 1:08:25 | 1:08:29 | |
Yeah, they'll probably wait until yoghurt season's over. | 1:08:30 | 1:08:33 | |
-You're gonna be all right. -Yeah. Yeah. | 1:08:42 | 1:08:45 | |
I just wanna say, Al... | 1:08:48 | 1:08:51 | |
..you're the best friend I ever had. | 1:08:55 | 1:08:57 | |
Ditto. | 1:08:57 | 1:08:59 | |
What a douchebag, huh? | 1:09:07 | 1:09:10 | |
DISTANT APPLAUSE | 1:09:10 | 1:09:13 | |
You know, it's enough to make you want to be a Buddhist monk. | 1:09:13 | 1:09:18 | |
-My people are really good at that stuff. -Yeah? | 1:09:18 | 1:09:21 | |
Oh, dude, don't get carried away. | 1:09:28 | 1:09:32 | |
# Well, I don't know what I'm looking for | 1:09:32 | 1:09:34 | |
# But I know that I just wanna look some more | 1:09:34 | 1:09:39 | |
# And I won't be satisfied | 1:09:39 | 1:09:42 | |
# Till there's nothing left that I haven't tried | 1:09:42 | 1:09:45 | |
# For some people, it's an easy choice | 1:09:45 | 1:09:48 | |
# But for me, there's a devil and an angel's voice | 1:09:48 | 1:09:53 | |
# Well, I don't know what I am looking for | 1:09:53 | 1:09:55 | |
# But I know that I just wanna look some more | 1:09:55 | 1:10:01 | |
# Well, I don't know what I'm looking for | 1:10:04 | 1:10:08 | |
# But I know that I just wanna look some more | 1:10:08 | 1:10:11 | |
# And you hear it from the strangers in your head | 1:10:11 | 1:10:15 | |
# From friends, that love never dies and love never ends | 1:10:15 | 1:10:19 | |
# And I don't wanna argue, no, I don't wanna fight | 1:10:19 | 1:10:22 | |
-Come on! -# Cos you're always wrong and I'm always right | 1:10:22 | 1:10:26 | |
# Well, I don't know what I am living for | 1:10:26 | 1:10:28 | |
# But I know that I just wanna live some more. # | 1:10:28 | 1:10:33 | |
Michael, the progress you've made in your four months here | 1:10:40 | 1:10:44 | |
-has been remarkable. -Thank you, father. | 1:10:44 | 1:10:47 | |
Needless to say, your immersion in the duty of carrot chopper | 1:10:47 | 1:10:51 | |
-and broom chief has been full and complete. -Thank you. | 1:10:51 | 1:10:55 | |
-But some worries have arisen. -Such as what, father? | 1:10:55 | 1:10:59 | |
First of all, you're not supposed to call me father. | 1:10:59 | 1:11:03 | |
-Oh. -But I must say, I admit I've grown fond of it. | 1:11:04 | 1:11:07 | |
Michael, | 1:11:07 | 1:11:10 | |
an aspiring Bodhisattva such as yourself | 1:11:10 | 1:11:14 | |
should seek to produce a heart that does not dwell. | 1:11:14 | 1:11:18 | |
Of course, father. | 1:11:18 | 1:11:20 | |
And your heart, Michael, may I say, it does dwell. | 1:11:20 | 1:11:25 | |
-No, it doesn't. -It does, Michael. | 1:11:25 | 1:11:27 | |
You have not transcended your earthly passions. | 1:11:27 | 1:11:31 | |
To put it bluntly, you are stuck! | 1:11:32 | 1:11:35 | |
You also play too much volleyball. | 1:11:36 | 1:11:39 | |
-But I thought that was permitted, father. -Not for seven hours a day. | 1:11:39 | 1:11:43 | |
Also, you encouraged it for stress release. | 1:11:43 | 1:11:47 | |
Yes, I did, yes. | 1:11:47 | 1:11:49 | |
But, Michael, Buddhist monks aren't supposed to have | 1:11:49 | 1:11:53 | |
seven hours a day worth of stress. | 1:11:53 | 1:11:56 | |
We are Buddhist monks. Buddhist monks. | 1:11:56 | 1:12:00 | |
So what should I do? | 1:12:04 | 1:12:05 | |
My parents died when I was ten. | 1:12:07 | 1:12:11 | |
Two months later, my uncle and I moved to America. | 1:12:11 | 1:12:14 | |
I was forced to let go of everything I knew in order to move on. | 1:12:14 | 1:12:18 | |
Sometimes in life, you must do that. | 1:12:19 | 1:12:23 | |
Where are you from, father? | 1:12:25 | 1:12:27 | |
Vietnam. Hau Giang province? | 1:12:27 | 1:12:31 | |
My parents were killed in the war. | 1:12:33 | 1:12:35 | |
-By the Americans? -Yes. | 1:12:37 | 1:12:40 | |
And yet I moved here. | 1:12:40 | 1:12:42 | |
Life is odd. | 1:12:42 | 1:12:44 | |
-I'm sorry. -No, no, no. | 1:12:49 | 1:12:52 | |
It is not your fault. | 1:12:52 | 1:12:54 | |
Let go. | 1:12:56 | 1:12:58 | |
Let go and move on. | 1:12:59 | 1:13:01 | |
I recognizzle you. | 1:14:16 | 1:14:17 | |
-Yeah, I'm the guy who sold you my mom's necklace. -Oh, yeah, right. | 1:14:17 | 1:14:22 | |
-What can I do you for? -I want it back. | 1:14:22 | 1:14:25 | |
Dad, do you want me to make you some dinner? | 1:14:40 | 1:14:44 | |
No, I'm all right. | 1:14:44 | 1:14:46 | |
OK. | 1:14:47 | 1:14:49 | |
Dad, when you were over in Vietnam, | 1:14:57 | 1:15:01 | |
did you ever do any fighting in the Hau Giang province? | 1:15:01 | 1:15:06 | |
Yeah. | 1:15:11 | 1:15:14 | |
Why? | 1:15:14 | 1:15:16 | |
I just met this guy at the monastery who was from the area. | 1:15:19 | 1:15:23 | |
Seemed to really have his shit together. | 1:15:25 | 1:15:27 | |
Good to hear. | 1:15:30 | 1:15:32 | |
Dad, I been thinking, maybe you should sell this place. | 1:15:46 | 1:15:49 | |
You don't even like it here. This was mom's thing. | 1:15:50 | 1:15:54 | |
-Why do you say that? -Cos it's true. | 1:15:55 | 1:15:58 | |
Come on, Mom loved people, loved running things. It's not like you. | 1:16:00 | 1:16:03 | |
You're not like a people person, Dad. | 1:16:03 | 1:16:08 | |
You should let it go. Move on. | 1:16:08 | 1:16:11 | |
-Otherwise you're just gonna rot. -Sell it and do what? | 1:16:12 | 1:16:15 | |
Anything. You still have time. You have money. | 1:16:15 | 1:16:19 | |
-What do you need, Mike? A loan. -No. | 1:16:21 | 1:16:26 | |
I just wanted to say... that this doesn't have to be it. | 1:16:26 | 1:16:31 | |
And that I love you. | 1:16:34 | 1:16:36 | |
'Dear Mike, I know you probably don't wanna hear from me | 1:16:58 | 1:17:02 | |
'and I can't say I blame you. | 1:17:02 | 1:17:04 | |
'But I wanted to write anyway to let you know what I think, | 1:17:04 | 1:17:07 | |
which is that I think you had a point that day | 1:17:07 | 1:17:10 | |
'about people who hide behind their causes | 1:17:10 | 1:17:13 | |
'in order to avoid their lives.' | 1:17:13 | 1:17:16 | |
'You had a point down there in that basement | 1:17:18 | 1:17:22 | |
with the soy sauce and the mice. | 1:17:22 | 1:17:24 | |
'And so I wanted to say thanks. | 1:17:26 | 1:17:28 | |
'Because of you, Mike, I'm not the same person I was. | 1:17:30 | 1:17:34 | |
'Goodbye, Mike. Love, Sue.' | 1:17:36 | 1:17:40 | |
I thought about what you said the other day. | 1:17:45 | 1:17:48 | |
I think you had a point. | 1:17:48 | 1:17:51 | |
That being said, this is yours. | 1:17:53 | 1:17:58 | |
-What is it? -Deed to the motel. Signed over to you. | 1:18:00 | 1:18:03 | |
-Dad, that's not why.... -It's fine. | 1:18:06 | 1:18:10 | |
I don't need it. Your mom was good about that. | 1:18:10 | 1:18:15 | |
-You can't just give me the motel. -It's your birth right. | 1:18:17 | 1:18:20 | |
-What would you do? -I wanna get in shape. | 1:18:22 | 1:18:26 | |
Maybe join one of those basketball leagues. | 1:18:26 | 1:18:30 | |
How about you? | 1:18:30 | 1:18:32 | |
I don't know. I'll think of something. | 1:18:33 | 1:18:36 | |
-You done with the monk stuff? -Yeah. I'll still occasionally do it. | 1:18:38 | 1:18:43 | |
I mean, not professionally but... | 1:18:43 | 1:18:47 | |
What about that girl? | 1:18:49 | 1:18:51 | |
Oh, that didn't work out. | 1:18:54 | 1:18:56 | |
Yeah, we weren't, you know, like,... meant for each other. | 1:18:56 | 1:19:01 | |
I dunno, Mike. Things change in life. | 1:19:03 | 1:19:08 | |
What do you mean? | 1:19:09 | 1:19:12 | |
You're not the same guy you were. | 1:19:12 | 1:19:14 | |
Good soup. | 1:19:22 | 1:19:24 | |
Good soup. | 1:19:27 | 1:19:29 | |
You can do this, Mike. | 1:19:42 | 1:19:45 | |
# Balancing on wounded wing... | 1:19:48 | 1:19:51 | |
-I'm gonna hit the gym. -Oh, yeah? | 1:19:51 | 1:19:54 | |
Yeah, they have a senior citizens' hoop run from three to five. | 1:19:54 | 1:19:58 | |
-I got a new ball. -Yeah, I see. | 1:19:58 | 1:20:02 | |
-All right, Mike. -See ya. | 1:20:04 | 1:20:06 | |
# But less than forget | 1:20:06 | 1:20:08 | |
# But spirits born from the not happened yet | 1:20:08 | 1:20:12 | |
# Gathering there to pay off a debt | 1:20:12 | 1:20:15 | |
# Brought back from the wars... # | 1:20:15 | 1:20:18 | |
-'Hello?' -Hi, Jango. It's Mike, Sue's friend. | 1:20:18 | 1:20:21 | |
-Hi, Mike. -Hi. Look, I know that I'm probably not the guy | 1:20:21 | 1:20:25 | |
you wanna hear from right now, but I need to tell Sue what I'm doing. | 1:20:25 | 1:20:28 | |
And I think that when she hears what I'm up to she will understand... | 1:20:28 | 1:20:32 | |
-Mike? -Yeah? | 1:20:32 | 1:20:34 | |
We split up. Sue and I split up. | 1:20:34 | 1:20:39 | |
She...left me. | 1:20:39 | 1:20:41 | |
Went back to Maryland to be with her mom. | 1:20:41 | 1:20:44 | |
# ..Deep as a secret nobody knows | 1:20:46 | 1:20:49 | |
# I know you want to run far away for one more | 1:20:52 | 1:20:56 | |
# And that it's coming at a bad time | 1:20:56 | 1:20:59 | |
# Some cold place | 1:20:59 | 1:21:01 | |
# Heartless ways | 1:21:01 | 1:21:04 | |
# For all we know... # | 1:21:04 | 1:21:06 | |
DOORBELL RINGS | 1:21:17 | 1:21:20 | |
-Hi. -Hi. Are you Mary Claussen? | 1:21:20 | 1:21:23 | |
Yes? | 1:21:23 | 1:21:24 | |
-Hi. -Hi. | 1:21:24 | 1:21:27 | |
I'm a friend of Sue's. Is she home? | 1:21:27 | 1:21:29 | |
-Who are you? -Er, Mike. From management. | 1:21:29 | 1:21:34 | |
Oh. Erm... | 1:21:34 | 1:21:36 | |
Sue! Mike is here! | 1:21:37 | 1:21:40 | |
# We thought we lost you | 1:21:55 | 1:21:57 | |
# We thought we lost you... # | 1:21:59 | 1:22:01 | |
Hi. | 1:22:03 | 1:22:06 | |
Hi. | 1:22:06 | 1:22:07 | |
How's the baby? | 1:22:12 | 1:22:13 | |
So far, so good. | 1:22:16 | 1:22:18 | |
Are you OK? | 1:22:19 | 1:22:21 | |
Yeah. | 1:22:23 | 1:22:25 | |
-I'm really sorry, Mike. -Why? | 1:22:33 | 1:22:37 | |
Cos I really messed up with you. | 1:22:37 | 1:22:40 | |
But you were right. I was like a kid. | 1:22:40 | 1:22:45 | |
This is the deed to the motel. | 1:22:50 | 1:22:53 | |
I wanna turn it into a homeless shelter. | 1:22:55 | 1:22:58 | |
With midnight basketball. | 1:23:00 | 1:23:01 | |
I already bought the soup noodles. | 1:23:04 | 1:23:06 | |
I was actually hoping... that you might wanna help. | 1:23:10 | 1:23:15 | |
I really love you, Sue, and I wanna take care of you | 1:23:20 | 1:23:25 | |
and whoever it is that's inside of you. | 1:23:25 | 1:23:28 | |
All I want...is to be with you. | 1:23:33 | 1:23:37 | |
That's it. | 1:23:37 | 1:23:39 | |
-Breathe, Sue. -OK. | 1:23:47 | 1:23:50 | |
Just keep breathing. | 1:23:52 | 1:23:54 | |
I wrote you a haiku. | 1:24:06 | 1:24:08 | |
You wanna hear it? | 1:24:08 | 1:24:10 | |
Sure. | 1:24:12 | 1:24:14 | |
Mike, oh, Mike, my man. | 1:24:16 | 1:24:20 | |
Keeps showing up like UPS. | 1:24:21 | 1:24:23 | |
Sue, you're such a bitch. | 1:24:24 | 1:24:27 | |
-I like it. -You do? -Yeah. | 1:24:30 | 1:24:33 | |
# What am I gonna do? | 1:25:10 | 1:25:13 | |
# Isn't that just jelly? | 1:25:13 | 1:25:15 | |
# All the things I've heard | 1:25:15 | 1:25:18 | |
# Of all the things you find | 1:25:18 | 1:25:20 | |
# I wonder if you know | 1:25:20 | 1:25:22 | |
# I wonder if you're bitter | 1:25:22 | 1:25:25 | |
# And all that you've considered | 1:25:25 | 1:25:27 | |
# Like marmalade your mind | 1:25:27 | 1:25:30 | |
# And the toll will bring you down real hard | 1:25:31 | 1:25:35 | |
# Cos your house is only made of cards | 1:25:36 | 1:25:40 | |
# So sweetly is the dream | 1:25:40 | 1:25:42 | |
# In the cookie jar | 1:25:42 | 1:25:45 | |
# Well, everybody is everywhere you are | 1:25:45 | 1:25:50 | |
# Remember what you did | 1:25:50 | 1:25:52 | |
# Remember what you said | 1:25:52 | 1:25:55 | |
# Alone and macarooned | 1:25:55 | 1:25:57 | |
# Inside your biscuit head | 1:25:57 | 1:25:59 | |
# And the toll will bring you down real hard | 1:26:01 | 1:26:05 | |
# Cos your house is only made of cards. # | 1:26:06 | 1:26:10 | |
E-mail [email protected] | 1:26:17 | 1:26:20 |