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This film contains strong language. | 0:00:42 | 0:00:46 | |
Good morning. Because it's important we all get to know one another, | 0:01:10 | 0:01:14 | |
I would like you to wear these. | 0:01:14 | 0:01:17 | |
I've taken two other courses from you, this year, | 0:01:18 | 0:01:23 | |
-and you still don't know what my name is, do you? -I do. | 0:01:23 | 0:01:26 | |
What is it? | 0:01:26 | 0:01:29 | |
-Miss Chin - -You just looked. | 0:01:30 | 0:01:32 | |
SIGHS | 0:01:32 | 0:01:35 | |
The Price of Postmodernism: Epistemology and the Literary Canon. | 0:01:36 | 0:01:40 | |
I have never had to wait this long for a response from a publisher. | 0:01:40 | 0:01:44 | |
-"He said it's unpublishable." -He said that? -"Yes." | 0:01:44 | 0:01:47 | |
Leave a message... to call me. | 0:01:47 | 0:01:50 | |
We may think him a curmudgeon and see his Key to All Mythologies | 0:01:52 | 0:01:57 | |
as a monument to pedantry but she sees him as the embodiment of virtue. | 0:01:57 | 0:02:01 | |
For next time, read Maud. | 0:02:01 | 0:02:05 | |
All of it. | 0:02:05 | 0:02:06 | |
LAUGHTER | 0:02:14 | 0:02:16 | |
ALL LAUGH | 0:02:23 | 0:02:25 | |
What are you doing? | 0:02:27 | 0:02:30 | |
Um, there was a paper jam in the Xerox machine. | 0:02:33 | 0:02:38 | |
-Aren't you happy to see your brother, Lawrence? -Adopted brother. | 0:02:38 | 0:02:42 | |
How's the, er, kitchen-knife sales? | 0:02:44 | 0:02:46 | |
-Or was it aluminium siding? How's that going? -Calling cards. | 0:02:46 | 0:02:51 | |
It's, er, all kinds of great deals, domestic and foreign. | 0:02:51 | 0:02:55 | |
We just added the tiny island nation of Haiti. It's a gold mine. | 0:02:55 | 0:02:59 | |
I'm glad to see that you're doing meaningful work. | 0:02:59 | 0:03:02 | |
Um, Lawrence, listen, I wanted to ask a favour | 0:03:04 | 0:03:08 | |
-but it's - -Not again, please. | 0:03:08 | 0:03:11 | |
I loaned you 1200 the last time that you showed up, two years ago, | 0:03:11 | 0:03:15 | |
and before that it was another 600. | 0:03:15 | 0:03:17 | |
Whatever it is that you're asking... the answer is no. | 0:03:17 | 0:03:22 | |
I love you. | 0:03:22 | 0:03:25 | |
KNOCK AT DOOR | 0:03:51 | 0:03:54 | |
Hey, I'm sorry to bother you, but do you have a moment | 0:04:01 | 0:04:05 | |
-to discuss Casaubon? Do you - -My office hours are over. | 0:04:05 | 0:04:08 | |
The sign says they're till five. | 0:04:08 | 0:04:11 | |
-OK, but my watch says it's - -That is official university time. | 0:04:11 | 0:04:16 | |
My watch, it gets information by satellite | 0:04:17 | 0:04:20 | |
and it's... accurate to one millionth of a second. | 0:04:20 | 0:04:23 | |
Take it up with maintenance. Their offices are behind the stadium. | 0:04:23 | 0:04:27 | |
Of course, they close at five. Good luck to you. | 0:04:27 | 0:04:31 | |
-Good evening. -Hey, Dad. | 0:04:53 | 0:04:56 | |
We need to discuss something. | 0:05:04 | 0:05:07 | |
What is Gibraltar's? I've underlined over 300 worth of items | 0:05:07 | 0:05:11 | |
-you charged there last month. -It's an art book store. | 0:05:11 | 0:05:14 | |
I'm taking art history and the books are expensive. | 0:05:14 | 0:05:17 | |
-I didn't know you wrote poetry. -Well, there's a lot you don't know. | 0:05:19 | 0:05:23 | |
Shit! | 0:05:31 | 0:05:33 | |
I need my car. | 0:05:52 | 0:05:54 | |
MUSIC BLARES FROM HEADSET I need my car. | 0:05:57 | 0:06:01 | |
I'm gonna need to see your receipt from campus security. | 0:06:01 | 0:06:04 | |
Davidson will take care of it on Monday. | 0:06:04 | 0:06:06 | |
I have an arrangement with him. | 0:06:06 | 0:06:08 | |
I can't give you your car without a receipt. | 0:06:08 | 0:06:11 | |
-I said Davidson will take care of it. -You don't remember me. | 0:06:11 | 0:06:14 | |
-I took your Victorian poetry class last spring. -Yes. | 0:06:14 | 0:06:19 | |
-You gave me a D. -I remember. | 0:06:20 | 0:06:24 | |
-Ben Onufrey. -Ben... Onufrey. -No receipt, no vehicle. | 0:06:25 | 0:06:29 | |
I can see that you take your job very seriously, | 0:06:29 | 0:06:32 | |
so how about that I offer you... 20 for your trouble? | 0:06:32 | 0:06:37 | |
According to rule 17-B in the Carnegie Mellon University | 0:06:38 | 0:06:42 | |
-Traffic Citation Manual - -Listen, you little shit, I need my briefcase. | 0:06:42 | 0:06:46 | |
-Now stop your babbling and let me in. -The only way you'll get in there | 0:06:46 | 0:06:50 | |
is if you pay the fine and bring me the receipt, | 0:06:50 | 0:06:53 | |
at which point, this "little sh"... | 0:06:53 | 0:06:56 | |
ATMOSPHERIC ALTERNATIVE-ROCK MUSIC | 0:07:11 | 0:07:14 | |
Oh! | 0:07:16 | 0:07:18 | |
Hey! | 0:07:40 | 0:07:42 | |
GRUNTS | 0:07:44 | 0:07:46 | |
Spend less time memorising parking manuals | 0:07:48 | 0:07:51 | |
and more time being alert! | 0:07:51 | 0:07:54 | |
SNORES | 0:07:57 | 0:07:59 | |
-Mr Wetherhold, I need you to wake up. -MUTTERS | 0:08:00 | 0:08:04 | |
-Mr Wetherhold, I need you to wake up. -I was just resting my eyes. | 0:08:04 | 0:08:10 | |
-Have you suffered seizures before? -Before what? | 0:08:10 | 0:08:13 | |
Before tonight. You suffered a trauma-induced seizure earlier. | 0:08:13 | 0:08:17 | |
-Do you know what day of the week it is? -Yes. | 0:08:17 | 0:08:21 | |
-Well? -Well, what? | 0:08:21 | 0:08:24 | |
You always this contentious or is it the result of the head trauma? | 0:08:25 | 0:08:28 | |
I prefer language to be precise. | 0:08:28 | 0:08:31 | |
Well, then, you should have said, "I prefer precise language," | 0:08:31 | 0:08:35 | |
not, "I prefer language to be precise." | 0:08:35 | 0:08:38 | |
I'm thirsty. Would you...? | 0:08:39 | 0:08:42 | |
You need to stay overnight for observation. | 0:08:42 | 0:08:45 | |
I need to make a phone call. | 0:08:45 | 0:08:47 | |
-He recognise you? -No. | 0:08:52 | 0:08:55 | |
-Well, you have aged. -Shut up. | 0:08:55 | 0:08:57 | |
He told me my language was imprecise. | 0:08:57 | 0:09:01 | |
Was it? Imprecise? | 0:09:01 | 0:09:03 | |
PHONE RINGS | 0:09:03 | 0:09:06 | |
-Hello? -"Hi, may I please speak with Mrs Wetherhold?" | 0:09:06 | 0:09:11 | |
PHONE RINGS | 0:09:17 | 0:09:20 | |
I'm sorry, I'm not interested. | 0:09:20 | 0:09:23 | |
"May I please speak to Mrs Wetherhold?" | 0:09:23 | 0:09:25 | |
She's been dead for many years. | 0:09:25 | 0:09:28 | |
Whatever it is you're peddling, I'm not interested. | 0:09:28 | 0:09:30 | |
"I'm calling about your father." | 0:09:30 | 0:09:33 | |
"He's not home. Take us off your calling list." | 0:09:33 | 0:09:36 | |
No, he's here in the ER. He's had an accident. | 0:09:36 | 0:09:39 | |
-Is he OK? -"He's fine." | 0:09:40 | 0:09:42 | |
He suffered a concussion and a trauma-induced seizure. | 0:09:42 | 0:09:46 | |
I'm sure your father would love to see you. | 0:09:46 | 0:09:50 | |
You know, I'm taking the SAT tomorrow | 0:09:50 | 0:09:53 | |
and it is ten o'clock right now, | 0:09:53 | 0:09:55 | |
which means I have one more hour to practise before bed. | 0:09:55 | 0:09:58 | |
Head injuries are often more severe than they initially appear. | 0:09:58 | 0:10:02 | |
-And your point? -Well, I would hate for you to regret | 0:10:02 | 0:10:06 | |
not visiting your father in the hospital. | 0:10:06 | 0:10:09 | |
I appreciate the tip, Dr Phil. | 0:10:09 | 0:10:11 | |
-Little bitch. -Bitch. | 0:10:13 | 0:10:15 | |
-Tetanus shot. -SIGHS | 0:10:26 | 0:10:29 | |
What happened to my car? It was... in the impoundment lot. | 0:10:29 | 0:10:34 | |
-I imagine it's still there. -If anyone asks, I was mugged. | 0:10:34 | 0:10:38 | |
-I'm not gonna lie for you. Roll over. -Just be vague. | 0:10:38 | 0:10:42 | |
-WINCES -That's good. | 0:10:42 | 0:10:46 | |
There you go. That was well done. | 0:10:46 | 0:10:49 | |
LIFT BELL PINGS | 0:10:58 | 0:11:01 | |
-How nice of you to come. -So, what happened to your head? | 0:11:04 | 0:11:08 | |
A big guy chased me. I climbed a fence. | 0:11:08 | 0:11:11 | |
-It's all a blur. -Great, so now, if I don't get the perfect score, | 0:11:11 | 0:11:14 | |
at least I have someone to blame. | 0:11:14 | 0:11:16 | |
Your adopted brother, Chuck, called. | 0:11:16 | 0:11:19 | |
He left a bunch of messages but I heard his voice | 0:11:19 | 0:11:22 | |
-and deleted them all. -Yes, he showed up at the office today. | 0:11:22 | 0:11:25 | |
Oh! It was so nice of you to come. I'm Doctor Hartigan. | 0:11:25 | 0:11:30 | |
Call your brother. Tell him to get my car out of the impound lot | 0:11:33 | 0:11:36 | |
-and to have it here at 9am sharp. -Excuse me. No, you do that. | 0:11:36 | 0:11:41 | |
Because of the seizure, you can't legally drive for six months. | 0:11:41 | 0:11:44 | |
-I have to report it to the DMV. -No, just don't report it. | 0:11:44 | 0:11:48 | |
I'm not being your chauffeur for six months! | 0:11:48 | 0:11:51 | |
These times are crucial. Young Republicans. | 0:11:51 | 0:11:54 | |
-Model UN. National Honor Society. -I will hire a driver on Monday. | 0:11:54 | 0:11:58 | |
The insurance company will pay for it. | 0:11:58 | 0:12:01 | |
If you need anything, have one of the nurses page me. OK? | 0:12:01 | 0:12:06 | |
Now go home, get some sleep and you'll get that perfect SAT score. | 0:12:07 | 0:12:11 | |
-That's what I've been trying to do. -Mercurial. | 0:12:11 | 0:12:14 | |
I learned that word in the fifth grade. | 0:12:15 | 0:12:18 | |
-Fecundity. -English is my first language. | 0:12:18 | 0:12:22 | |
-Uxorious. -That's appropriately obscure. | 0:12:22 | 0:12:26 | |
-Mind you, I know it - overly fond of one's wife. -That's my girl. | 0:12:26 | 0:12:31 | |
I have a good one - eft. | 0:12:31 | 0:12:35 | |
Let me ponder. | 0:12:35 | 0:12:38 | |
Short in stature. Diminutive. | 0:12:39 | 0:12:42 | |
No, sorry, eft is a young newt. | 0:12:43 | 0:12:46 | |
They rarely put nouns on the SAT. | 0:12:47 | 0:12:49 | |
-You knew that word, right? -Of course. A young newt. | 0:12:58 | 0:13:03 | |
I don't understand why you had to check out so early. | 0:13:04 | 0:13:08 | |
-I only get one Saturday morning per week, you know. -Cry me a river. | 0:13:08 | 0:13:12 | |
Get off it, James. | 0:13:14 | 0:13:16 | |
Why'd you try to jump the fence, anyway? | 0:13:16 | 0:13:19 | |
-Where did you hear about the fence? -Two people from school told me. | 0:13:19 | 0:13:23 | |
Can you move to the passenger seat? | 0:13:23 | 0:13:25 | |
-I doubt that sitting on the right makes you sick. -If I vomit, | 0:13:25 | 0:13:29 | |
we'll both look stupid. | 0:13:29 | 0:13:31 | |
I remember when Mom used to drop me off at kindergarten. | 0:13:32 | 0:13:35 | |
You sat in the passenger seat then. | 0:13:35 | 0:13:38 | |
TV CHATTER | 0:13:47 | 0:13:49 | |
What the hell are you doing here? | 0:13:54 | 0:13:56 | |
-Watching a documentary on snow apes. -Hey, man. | 0:13:56 | 0:14:00 | |
-Hey, Jim. -Good to see you, Chuck. | 0:14:00 | 0:14:04 | |
-You look like you had another growth spurt. -I don't think so. | 0:14:04 | 0:14:07 | |
Not since I saw you last. | 0:14:07 | 0:14:10 | |
I would like an explanation. Why are you here? | 0:14:10 | 0:14:13 | |
Vanessa said that you couldn't drive for six months, | 0:14:13 | 0:14:16 | |
so I'm here to help. | 0:14:16 | 0:14:18 | |
He's pretty sure he's gonna move in and be your driver. | 0:14:18 | 0:14:21 | |
I think I got the perfect score. There was one tricky math one - | 0:14:21 | 0:14:25 | |
Did it ever occur to you that I might not want you to drive me, | 0:14:25 | 0:14:30 | |
let alone move in? | 0:14:30 | 0:14:32 | |
It did occur to me but... Vanessa spoke to the insurance company | 0:14:32 | 0:14:38 | |
and they're not going to pay for a chauffeur. | 0:14:38 | 0:14:41 | |
I wrote a letter of complaint and I wrote a request for an appeal, | 0:14:41 | 0:14:45 | |
so if I could get your signature, I will fax it. | 0:14:45 | 0:14:48 | |
I'm a little low on cash right now. | 0:14:51 | 0:14:53 | |
I can't really afford to get my own apartment, | 0:14:53 | 0:14:56 | |
so it's kind of a win-win situation. | 0:14:56 | 0:14:59 | |
No, it's not a win-win situation. | 0:14:59 | 0:15:01 | |
It might be if you were even vaguely reliable... but you're not. | 0:15:01 | 0:15:07 | |
-There's a spare room upstairs. There's linens and towels - -Ssh! | 0:15:07 | 0:15:11 | |
Thank you, Jim. | 0:15:13 | 0:15:15 | |
Do you even have a valid driver's licence? | 0:15:16 | 0:15:19 | |
SNIFFS | 0:15:24 | 0:15:26 | |
I need a ride to campus. | 0:15:26 | 0:15:28 | |
-I will see you downstairs in five minutes. -You got it. | 0:15:28 | 0:15:32 | |
GROANS / COUGHS | 0:15:33 | 0:15:36 | |
ENGINE REVS Oh! | 0:15:43 | 0:15:45 | |
Make a left. | 0:16:06 | 0:16:09 | |
We need someone with a national scholarly reputation | 0:16:11 | 0:16:15 | |
-and strong leadership experience. -Well, thank you, Martin. | 0:16:15 | 0:16:18 | |
-I am honoured to serve in the position. -You heard? | 0:16:18 | 0:16:22 | |
-CHUCKLES Word travels fast. -Usually it's a pain in the butt | 0:16:22 | 0:16:27 | |
to find someone to chair the search committee. | 0:16:27 | 0:16:31 | |
I thought we were hiring from within the department. | 0:16:32 | 0:16:36 | |
Well, everyone else is so busy this semester, | 0:16:36 | 0:16:39 | |
delivering papers, publishing. | 0:16:39 | 0:16:41 | |
Have you read what they're publishing? Most of it's garbage. | 0:16:41 | 0:16:45 | |
-That's not very collegial. -Neither is forcing me | 0:16:45 | 0:16:48 | |
to chair this search committee. | 0:16:48 | 0:16:50 | |
-I am busy, too. -When was the last time you attended | 0:16:50 | 0:16:53 | |
-a department meeting? -When was the last time | 0:16:53 | 0:16:56 | |
-there was anything worth discussing? -I need you to do this. | 0:16:56 | 0:16:59 | |
Bon appetit, Martin. | 0:16:59 | 0:17:02 | |
Now that Roth has forced me to chair the committee, I can't very well | 0:17:03 | 0:17:07 | |
-nominate myself. -You should've had that position eight years ago. | 0:17:07 | 0:17:11 | |
-That was a travesty if I ever saw one. -You were nine at the time. | 0:17:11 | 0:17:14 | |
I will tell Roth that this injury is too much | 0:17:14 | 0:17:17 | |
and it precludes me from heading the committee. | 0:17:17 | 0:17:20 | |
Why do you wanna be head of the department? | 0:17:20 | 0:17:22 | |
You don't like the professors or any of your students. | 0:17:22 | 0:17:25 | |
There was a time when students were passionate about literature. | 0:17:25 | 0:17:30 | |
Today's students are only passionate about getting As. | 0:17:30 | 0:17:33 | |
Dick Cheney! | 0:17:34 | 0:17:37 | |
His daughter is a lesbian | 0:17:38 | 0:17:41 | |
and while her partner is considered to be "one of the family", | 0:17:41 | 0:17:45 | |
they never allowed her on stage during the campaign. | 0:17:45 | 0:17:48 | |
OK, well, the point is, in 2000, Cheney was the chair | 0:17:48 | 0:17:51 | |
of Bush's vice-presidential search committee. | 0:17:51 | 0:17:54 | |
You know, he nominated himself. | 0:17:54 | 0:17:56 | |
Nominating myself? It seems rather unethical. | 0:17:56 | 0:18:01 | |
It's the democratic process. | 0:18:01 | 0:18:03 | |
If it can work for the Vice President of America, | 0:18:03 | 0:18:07 | |
it can work for you. | 0:18:07 | 0:18:09 | |
I wanted to call you all together, one last time, | 0:18:12 | 0:18:15 | |
before we were into exams. We've received over 200 applications. | 0:18:15 | 0:18:20 | |
Fewer than ten of the applications merit serious consideration. | 0:18:20 | 0:18:25 | |
-Based on what criteria? -The criteria | 0:18:25 | 0:18:27 | |
listed in the official university bylaws on faculty hires. | 0:18:27 | 0:18:31 | |
When we did this before, we spent a few sessions | 0:18:31 | 0:18:33 | |
devising a rubric for candidate evaluations, | 0:18:33 | 0:18:37 | |
one based on more humanistic ideals. | 0:18:37 | 0:18:39 | |
LOUD TEARING / CRUNCHING OF PAPER | 0:18:39 | 0:18:41 | |
A few applicants forgot to include copies | 0:18:42 | 0:18:45 | |
-of their student evaluations. -I find the evaluations | 0:18:45 | 0:18:48 | |
that students write about me utterly useless. | 0:18:48 | 0:18:51 | |
It's mostly just speculation about my sexuality. | 0:18:51 | 0:18:55 | |
-Try not to blink. -This is, er, rather uncomfortable. | 0:18:58 | 0:19:02 | |
OK. We're set, Mr Wetherhold. | 0:19:02 | 0:19:04 | |
How come my follow-up wasn't with Dr Hartigan? | 0:19:06 | 0:19:10 | |
Because she's the head of the ER, not a neurologist like myself. | 0:19:10 | 0:19:13 | |
You know, she's gonna kill me for saying this | 0:19:13 | 0:19:17 | |
but, um... she used to be a student of yours, years ago. | 0:19:17 | 0:19:20 | |
Oh, I've had lots of students. | 0:19:20 | 0:19:22 | |
I think she had a schoolgirl crush, in effect. | 0:19:22 | 0:19:26 | |
Oh, she did, did she? | 0:19:26 | 0:19:29 | |
-Are we done? -Yeah. | 0:19:29 | 0:19:31 | |
Pleasure(!) | 0:19:32 | 0:19:34 | |
-Yeah, still around. -Here you go, miss. -Hi. | 0:19:36 | 0:19:40 | |
How's your head? Did you see Dr Strouse yet? | 0:19:42 | 0:19:45 | |
Yes, everything is fine. | 0:19:45 | 0:19:47 | |
I, er, figured it out. You were my student. | 0:19:51 | 0:19:55 | |
Um, you must forgive me for not remembering the other night | 0:19:57 | 0:20:01 | |
when they brought me into the ER. | 0:20:01 | 0:20:03 | |
-Did you lose weight? -No, not at all. | 0:20:07 | 0:20:12 | |
Same weight. | 0:20:12 | 0:20:14 | |
Night. | 0:20:15 | 0:20:17 | |
-What are you doing? -Are these your mom's? | 0:20:27 | 0:20:29 | |
Don't get mayonnaise on them! | 0:20:29 | 0:20:32 | |
You should really make your bed. It sets the tone for the day. | 0:20:40 | 0:20:43 | |
How do you know what tone I wanted to set? | 0:20:43 | 0:20:47 | |
Don't you think it's kind of... weird | 0:20:54 | 0:20:56 | |
-to keep dead people's clothes lying around? -Yes. | 0:20:56 | 0:21:00 | |
Dad's been saving them. It's really not a good thing for him. | 0:21:00 | 0:21:05 | |
If we donate them to Goodwill, we get a tax write-off... | 0:21:05 | 0:21:09 | |
..which is great. | 0:21:10 | 0:21:13 | |
You're a monster. | 0:21:15 | 0:21:18 | |
-May I give you a ride home? -Er, no, thank you. | 0:21:29 | 0:21:33 | |
My adopted brother is supposed to... pick me up. | 0:21:33 | 0:21:37 | |
Are you sure? It's pretty cold. | 0:21:37 | 0:21:40 | |
-OK, thank you. -Here... | 0:21:48 | 0:21:52 | |
POIGNANT SONG, FEMALE VOCALIST | 0:21:59 | 0:22:01 | |
-Don't forget the tax receipt. -Right. | 0:22:17 | 0:22:20 | |
You know, you can sit up front if you want. | 0:22:21 | 0:22:24 | |
Oh, that's OK. I'm fine. | 0:22:24 | 0:22:27 | |
I get, er... nauseated | 0:22:27 | 0:22:30 | |
if I ride on the... right-hand side of the car. | 0:22:30 | 0:22:33 | |
Dr Strouse said I was fine | 0:22:37 | 0:22:39 | |
and I was wondering if you could call the DMV | 0:22:39 | 0:22:42 | |
and have them repeal my driving restriction. | 0:22:42 | 0:22:45 | |
That's not how it works. | 0:22:45 | 0:22:47 | |
-SIGHS -So, er, what are you teaching this semester? | 0:22:49 | 0:22:54 | |
I'm teaching two sections on the Victorians. | 0:22:54 | 0:22:58 | |
-Do you like the Victorians? -I used to. | 0:22:58 | 0:23:01 | |
-The Victorian novel, huh? -Hmmm. | 0:23:05 | 0:23:09 | |
Wow, how many times can you read Bleak House? | 0:23:09 | 0:23:12 | |
You never tire of Bleak House. | 0:23:12 | 0:23:14 | |
-I can always find something new to say about it. -Mm. | 0:23:14 | 0:23:18 | |
Don't you have anything better to do? | 0:23:25 | 0:23:28 | |
SIGHS | 0:23:30 | 0:23:33 | |
You need to relax. | 0:23:41 | 0:23:43 | |
No, you need to relax. I need to study. | 0:23:43 | 0:23:46 | |
-SNIFFS -Great, I'm in an after-school special. | 0:23:50 | 0:23:55 | |
-Your dad used to smoke when he was in grad school. -Oh, yeah? | 0:23:55 | 0:23:59 | |
He was too scared to buy it, so I would have to do it for him. | 0:23:59 | 0:24:03 | |
They called him Hookah Larry. | 0:24:03 | 0:24:05 | |
Look, your pathetic attempts to manipulate me, | 0:24:05 | 0:24:09 | |
they're never going to work. | 0:24:09 | 0:24:11 | |
SPEAKS SPANISH, ENTICINGLY, ABOUT MARIJUANA | 0:24:13 | 0:24:17 | |
CONTINUES SPEAKING SPANISH | 0:24:19 | 0:24:21 | |
Oh, Jesus. | 0:24:21 | 0:24:24 | |
CONTINUES SPEAKING SPANISH | 0:24:25 | 0:24:27 | |
LAUGHS OK... shut up and give it to me. | 0:24:30 | 0:24:33 | |
If this gives me brain damage... I will kill you. | 0:24:35 | 0:24:40 | |
Lupita is crying over Pedro, | 0:24:42 | 0:24:45 | |
who is being abused by Manuel. | 0:24:45 | 0:24:48 | |
She's gonna leave Manuel, you know, he's such a machismo, | 0:24:48 | 0:24:52 | |
and, er... she's gonna move in with Diego. | 0:24:52 | 0:24:56 | |
-He's really handsome and built. -CHUCKLES | 0:24:56 | 0:25:00 | |
If your Spanish were better, you would see all of that. | 0:25:00 | 0:25:03 | |
-Thank you for driving me. -Oh, you're welcome. | 0:25:13 | 0:25:17 | |
This is your house, right? | 0:25:21 | 0:25:23 | |
Yes. | 0:25:25 | 0:25:27 | |
Shit. Wait! | 0:25:37 | 0:25:39 | |
Wait! Wait! Er... | 0:25:39 | 0:25:41 | |
CHUCKLES I forgot this. | 0:25:43 | 0:25:47 | |
Er, would you like to have | 0:25:52 | 0:25:55 | |
a face-to-face... conversation sometime? | 0:25:55 | 0:25:59 | |
Er, we could finish our discussion of Victorian literature. | 0:25:59 | 0:26:03 | |
We weren't really having a conversation | 0:26:03 | 0:26:05 | |
about Victorian literature. | 0:26:05 | 0:26:08 | |
I suppose I'd have to drive. | 0:26:09 | 0:26:12 | |
I hadn't thought of that. | 0:26:13 | 0:26:15 | |
How about Friday night at 7:30 for a face-to-face conversation? | 0:26:19 | 0:26:23 | |
That would work. | 0:26:23 | 0:26:25 | |
OK, bye. | 0:26:26 | 0:26:29 | |
FRONT DOOR CLICKS SHUT | 0:26:38 | 0:26:40 | |
SNIFFS | 0:26:40 | 0:26:42 | |
Smell something burning? | 0:26:42 | 0:26:44 | |
Maybe, er... cannabis? | 0:26:46 | 0:26:49 | |
Are you mad? | 0:26:50 | 0:26:52 | |
I waited outside the, er, medical centre for, er, aeons. | 0:26:52 | 0:26:56 | |
Where were you? | 0:26:57 | 0:27:00 | |
Helping Vanessa with her Spanish. | 0:27:00 | 0:27:02 | |
Lost track of time, sorry. | 0:27:03 | 0:27:06 | |
Where'd you get that? | 0:27:17 | 0:27:19 | |
-The closet. -I told him Wellesley was a women's college. | 0:27:21 | 0:27:25 | |
-That's Caroline's sweatshirt. -That, too. I told him that, too. | 0:27:25 | 0:27:29 | |
I told him... it was Mom's sweatshirt. | 0:27:29 | 0:27:32 | |
Take it off, please. Did it ever occur to you | 0:27:33 | 0:27:38 | |
that I might be saving that sweatshirt? Hm? | 0:27:38 | 0:27:42 | |
Please don't rip it. SIGHS | 0:27:42 | 0:27:45 | |
(I think he may have smelled the pot.) | 0:27:53 | 0:27:56 | |
"I told him Wellesley was a women's college"? | 0:27:56 | 0:28:00 | |
God, what a narc! | 0:28:00 | 0:28:03 | |
SIGHS | 0:28:03 | 0:28:05 | |
# "Flow" - Nuno Bettencourt | 0:28:13 | 0:28:15 | |
You know, we didn't just donate her clothes on a whim, | 0:28:27 | 0:28:31 | |
we did it for your psychological wellbeing. | 0:28:31 | 0:28:34 | |
Will you wait in the car? | 0:28:34 | 0:28:37 | |
Let's see, "Professor Wetherhold is a conceited dickhead," | 0:28:44 | 0:28:48 | |
"An asshole," "Unfair..." Oh, here's one! | 0:28:48 | 0:28:51 | |
-What does it say? -"Professor Wetherhold is knowledgeable | 0:28:51 | 0:28:55 | |
but he doesn't impart that knowledge to his students." | 0:28:55 | 0:28:58 | |
"He barked information and then complained | 0:28:58 | 0:29:00 | |
when our papers did not measure up to his bizarre standards." | 0:29:00 | 0:29:03 | |
I'll dig deeper. | 0:29:03 | 0:29:06 | |
Hey, can we go to the mall tonight instead of this afternoon? | 0:29:08 | 0:29:12 | |
-There's, like, three games I wanna watch. -I can't go tonight. | 0:29:12 | 0:29:16 | |
-Why's that? -I'm busy. | 0:29:16 | 0:29:19 | |
Yeah, busy with what? I gotta go to the mall. | 0:29:19 | 0:29:22 | |
-I have an appointment. -Really? -Yes. -With who? | 0:29:22 | 0:29:27 | |
-With none of your business. -An appointment with whom? | 0:29:27 | 0:29:30 | |
-None of your business. -I just want to know! God! | 0:29:30 | 0:29:35 | |
Dr Hartigan. | 0:29:35 | 0:29:37 | |
-I knew it. -Good work. You spend 50 on dinner, | 0:29:39 | 0:29:44 | |
that's grounds for intercourse with "none of your business". | 0:29:44 | 0:29:48 | |
Dad, if there are any romantic inklings, you're simply not ready. | 0:29:48 | 0:29:51 | |
I mean, the sociosexual mores have really shifted. | 0:29:51 | 0:29:55 | |
-And, look, let's not forget the stigma attached to widowers. -SIGHS | 0:29:55 | 0:29:59 | |
Widowers. At some point, the statute of limitations | 0:29:59 | 0:30:02 | |
-has gotta run out on that. -We're not talking about this any more. | 0:30:02 | 0:30:06 | |
Don't freak out and sabotage it | 0:30:08 | 0:30:11 | |
-like you always do. -I don't always freak out and sabotage it. | 0:30:11 | 0:30:15 | |
This hospital is littered with men you've left in your wake. | 0:30:15 | 0:30:18 | |
And with men you've left in your wake. | 0:30:18 | 0:30:21 | |
-What are you doing? -"Nothing." | 0:30:21 | 0:30:23 | |
Nothing. I'm just reading something. I'll call you back, OK? | 0:30:23 | 0:30:27 | |
POIGNANT SONG, FEMALE VOCALIST | 0:30:27 | 0:30:29 | |
-Hi. -Hi, there. -How are you? | 0:30:49 | 0:30:52 | |
-What are you doing here? -Excuse me? | 0:30:54 | 0:30:58 | |
He's kind of a fragile guy. | 0:31:02 | 0:31:05 | |
-You know, he's not ready for this. -He's fragile? | 0:31:05 | 0:31:08 | |
-What do you mean? -You know what? It's quite predatory, actually. | 0:31:08 | 0:31:13 | |
Have you forgotten about the Hippocratic oath you took, | 0:31:14 | 0:31:18 | |
about not fucking your patients? | 0:31:18 | 0:31:21 | |
-Your father's no longer my patient. -Oh. | 0:31:21 | 0:31:24 | |
We respond to literary texts | 0:31:40 | 0:31:42 | |
using precisely the same fundamental interpretive categories | 0:31:42 | 0:31:45 | |
as authors and poets use to create them, | 0:31:45 | 0:31:48 | |
so there's no need to posit any kind of unstable ontology | 0:31:48 | 0:31:52 | |
or ruptured consciousness. Are you following me? | 0:31:52 | 0:31:55 | |
-Yeah, I - -Any coffee? Desserts? | 0:31:55 | 0:31:57 | |
-Yeah... -It's too late for coffee. I'll tell you what. | 0:31:57 | 0:32:01 | |
One piece of chocolate cake and two... forks, two plates. | 0:32:01 | 0:32:05 | |
-So no-one... -Thank you. | 0:32:06 | 0:32:08 | |
..has ever looked at this process of cultural criticism through the - | 0:32:08 | 0:32:12 | |
45 minutes. | 0:32:12 | 0:32:14 | |
Excuse me? | 0:32:14 | 0:32:16 | |
45 minutes. That's how long it's been since I've uttered a word. | 0:32:16 | 0:32:21 | |
I mean, do you even know where I'm from? | 0:32:22 | 0:32:25 | |
Where I live? Anything about my family? What kind of day did I have? | 0:32:25 | 0:32:30 | |
Well, if you actually did wanna know, | 0:32:30 | 0:32:33 | |
um, I was having a great day until about, um, 30 minutes ago | 0:32:33 | 0:32:36 | |
when I realised you weren't gonna shut up. In fact, | 0:32:36 | 0:32:40 | |
you... actually gave me a C in your course. | 0:32:40 | 0:32:44 | |
You said my paper was sophomoric. I was a freshman. | 0:32:44 | 0:32:49 | |
That's not what sophomoric means. | 0:32:49 | 0:32:51 | |
I know. I know that. The other night when I drove you home, | 0:32:51 | 0:32:56 | |
I thought I saw a different side of you | 0:32:56 | 0:33:00 | |
but now I'm back to thinking you're the same pompous windbag | 0:33:00 | 0:33:03 | |
who made me switch my major | 0:33:03 | 0:33:06 | |
-from English to Biology. -Well, certainly an established physician | 0:33:06 | 0:33:09 | |
is not harbouring resentment for a grade she received | 0:33:09 | 0:33:12 | |
-more than ten years ago. -This was a mistake. | 0:33:12 | 0:33:15 | |
Your daughter was right. | 0:33:15 | 0:33:17 | |
Thank you. It's probably better if you get a cab home. | 0:33:19 | 0:33:22 | |
I take it, by your presence here at 8:45, you did not get laid. | 0:33:35 | 0:33:39 | |
-KNOCK AT DOOR -Come in, unless it's Chuck. | 0:33:41 | 0:33:45 | |
-I'm back. -Thank God. | 0:33:46 | 0:33:49 | |
This is a good-sized room. | 0:33:53 | 0:33:56 | |
Yeah, I'm pretty sure you've been in here before. | 0:33:56 | 0:33:59 | |
Do you think I'm self-absorbed? | 0:34:02 | 0:34:05 | |
Well, I think self-absorption's underrated. | 0:34:06 | 0:34:09 | |
I think everyone needs some compassion, | 0:34:10 | 0:34:14 | |
some... capacity for sympathy, empathy. | 0:34:14 | 0:34:18 | |
Right? | 0:34:18 | 0:34:20 | |
Dad, Theresa Sternbridge practically runs a soup kitchen | 0:34:20 | 0:34:24 | |
and she's always seen posing in photos with crack babies | 0:34:24 | 0:34:29 | |
and dying, old, crusty ladies. And do you know why? | 0:34:29 | 0:34:34 | |
She scored in the... 45th percentile on her SAT. | 0:34:35 | 0:34:40 | |
People like you and me don't need to compensate. | 0:34:42 | 0:34:47 | |
I'm glad you're home early. That physician wasn't good for you. | 0:34:47 | 0:34:50 | |
Too young and... kind of uncultured, | 0:34:50 | 0:34:53 | |
like oh so many in the medical profession. | 0:34:53 | 0:34:57 | |
Oh, I thought of the perfect new title for your book! | 0:34:58 | 0:35:01 | |
Right? | 0:35:08 | 0:35:10 | |
-Good night. -Bonsoir. | 0:35:10 | 0:35:13 | |
# "Flow" - Nuno Bettencourt | 0:35:15 | 0:35:18 | |
# Where is the narrator in my life? | 0:35:19 | 0:35:24 | |
# Maybe he doesn't know | 0:35:24 | 0:35:27 | |
# Where I've fled | 0:35:27 | 0:35:30 | |
# Running through the city in my head | 0:35:30 | 0:35:34 | |
# I shed | 0:35:36 | 0:35:38 | |
# regret | 0:35:38 | 0:35:42 | |
# I shed | 0:36:07 | 0:36:10 | |
# regret # | 0:36:10 | 0:36:15 | |
SHRIEKS EXCITEDLY | 0:36:33 | 0:36:36 | |
What are you doing here? | 0:36:48 | 0:36:50 | |
-That gurney was sterile. -I re-read your... essay | 0:36:50 | 0:36:56 | |
and, er... at first I considered giving it a higher grade | 0:36:56 | 0:36:59 | |
but then I decided that the... the C should stick. | 0:36:59 | 0:37:03 | |
Do you honestly think I care about a grade I received in college? | 0:37:05 | 0:37:09 | |
I admit that the paper, as you originally wrote, | 0:37:09 | 0:37:12 | |
"lacks a clear focus and rambles like a bad folk song" | 0:37:12 | 0:37:15 | |
but I read it again the other day and its thesis is quite good. | 0:37:15 | 0:37:19 | |
I should've been more diplomatic and less pompous as your professor | 0:37:22 | 0:37:27 | |
-and as your dinner date. -True. | 0:37:27 | 0:37:31 | |
-I'm out of practice. -What, usually you're better | 0:37:32 | 0:37:35 | |
-at masking your pomposity? -Could... could we give this, | 0:37:35 | 0:37:40 | |
um... face-to-face conversation one more try? | 0:37:40 | 0:37:44 | |
Um... I haven't been on a date in a while. | 0:37:44 | 0:37:50 | |
I'd have to drive again, I suppose. | 0:37:54 | 0:37:57 | |
Merry Christmas! | 0:38:10 | 0:38:12 | |
CRANKS ENGINE | 0:38:31 | 0:38:33 | |
Fuck! | 0:38:41 | 0:38:43 | |
It was clever of you to reserve the same table. | 0:38:43 | 0:38:46 | |
Well, I wanted to, er, make sure that I had an authentic second chance. | 0:38:46 | 0:38:51 | |
Would you like to start with some wine? | 0:38:54 | 0:38:57 | |
Um, well, I'm on call tonight, so I can't drink. | 0:38:57 | 0:39:00 | |
-You're on call? -Yeah. | 0:39:00 | 0:39:03 | |
-So this date may end at any moment? -Well, if I'm paged, yes. | 0:39:03 | 0:39:08 | |
-I can come back. -No, no, it's OK. I will have the lobster, | 0:39:08 | 0:39:13 | |
-the house salad and house dressing on the side, please. -Sir? | 0:39:13 | 0:39:16 | |
Oh, yes, the clock is ticking. I'm going to have the cod | 0:39:16 | 0:39:20 | |
and... house salad, house dressing on the side. | 0:39:20 | 0:39:25 | |
I'm sorry I called you an arrogant windbag the other night. | 0:39:34 | 0:39:38 | |
-You called me a pompous windbag. -LAUGHS | 0:39:38 | 0:39:41 | |
So have you heard from any of the publishers about your book? | 0:39:41 | 0:39:46 | |
Um, did you... ever tell me where you're from? | 0:39:46 | 0:39:50 | |
-Well, how long ago did you send it? -A few weeks ago. -Oh. | 0:39:50 | 0:39:53 | |
What did your parents do? | 0:39:53 | 0:39:56 | |
-What are you doing? -What do you mean? | 0:39:56 | 0:39:58 | |
-I'm asking you about the book. -Yes, and I'm not taking the bait, am I? | 0:39:58 | 0:40:03 | |
Come on, I'm interested in the book. | 0:40:04 | 0:40:06 | |
It's... been rejected by a few publishers. | 0:40:09 | 0:40:14 | |
Actually, it's been rejected by everyone, so... | 0:40:16 | 0:40:19 | |
Rejection is tough. | 0:40:19 | 0:40:22 | |
It can scar you for life. But you can rewrite it. | 0:40:24 | 0:40:27 | |
-You can, you know, send it out again, can't you? -SIGHS | 0:40:27 | 0:40:32 | |
It's about time! | 0:40:40 | 0:40:43 | |
"Stem cell research: the wrong choice." | 0:40:46 | 0:40:49 | |
That's some real riveting shit. You Young Republicans | 0:40:49 | 0:40:52 | |
-really know how to party. Bet you guys are fun(!) -I have fun. | 0:40:52 | 0:40:57 | |
You're at a Hitler Youth Rally the first night of Christmas break. | 0:40:57 | 0:41:00 | |
-My fun is a little more cerebral than yours. -Come on. | 0:41:00 | 0:41:04 | |
When was the last time you did something bad? Or subversive? | 0:41:04 | 0:41:08 | |
Like a normal teenager. | 0:41:08 | 0:41:10 | |
-Do you know what you're doing? -CRACKLING -Jesus! | 0:41:10 | 0:41:13 | |
I bet you never cheated or stole anything. Or jaywalked. | 0:41:13 | 0:41:18 | |
Well, I've smoked pot with my, er, perverted uncle. | 0:41:18 | 0:41:21 | |
OK, that was because I coerced you. | 0:41:21 | 0:41:24 | |
You didn't do that of your own volition. | 0:41:24 | 0:41:26 | |
-You're in jeopardy of becoming a 17-year-old robot. -OK, shut up, | 0:41:26 | 0:41:31 | |
cos you really don't know me. | 0:41:31 | 0:41:33 | |
I actually got accepted to Stanford two weeks ago. | 0:41:33 | 0:41:37 | |
Really? But Carnegie Mellon is free for you | 0:41:39 | 0:41:43 | |
and Stanford's, I don't know, 600, 700 a year. | 0:41:43 | 0:41:46 | |
40 grand, actually. | 0:41:46 | 0:41:49 | |
Well, your father is gonna kill you | 0:41:51 | 0:41:54 | |
but, for the time being, I'm filled with pride. | 0:41:54 | 0:41:59 | |
Come on, little mermaid, let's go celebrate. | 0:42:00 | 0:42:03 | |
ALL CHATTER | 0:42:12 | 0:42:14 | |
Think older, you'll appear older. | 0:42:14 | 0:42:17 | |
I want you to grab that table. I'm gonna get a pitcher of beer. | 0:42:17 | 0:42:21 | |
# "Rush You" - The Baby Animals | 0:42:21 | 0:42:24 | |
Keep your eye out, there's a guy over there | 0:42:34 | 0:42:36 | |
-that used to be a woman. -Out on the town with Grandpa? | 0:42:36 | 0:42:40 | |
-Fuck off. -Those seem like nice girls(!) | 0:42:40 | 0:42:43 | |
That's disgusting. | 0:42:54 | 0:42:56 | |
That is disgusting. | 0:42:57 | 0:42:59 | |
-You must miss your wife. -Mm. | 0:43:02 | 0:43:06 | |
-Sorry, I shouldn't be so direct. -If... my wife, Caroline, | 0:43:07 | 0:43:11 | |
were here right now, she would be telling me to stop pitying myself. | 0:43:11 | 0:43:15 | |
She was, um, a lovely, funny, intelligent woman | 0:43:16 | 0:43:20 | |
and she'd want you to know it, | 0:43:20 | 0:43:22 | |
but she'd also advise me not to talk about my dead wife | 0:43:22 | 0:43:27 | |
on a date with a... beautiful woman. | 0:43:27 | 0:43:31 | |
And she'd be wondering | 0:43:35 | 0:43:38 | |
when I was going to get around to... kissing you. | 0:43:38 | 0:43:42 | |
# "Rush You" - The Baby Animals | 0:43:45 | 0:43:47 | |
What is it like... | 0:44:10 | 0:44:13 | |
-..bein' stupid? -What's it like sitting alone at lunch every day? | 0:44:14 | 0:44:17 | |
It sucks. | 0:44:17 | 0:44:20 | |
-Come with me. -GIGGLES | 0:44:21 | 0:44:24 | |
I'm, er... not used to condoms | 0:44:40 | 0:44:44 | |
-but I thought it... went OK. -CHUCKLES | 0:44:44 | 0:44:48 | |
Very nice. | 0:44:48 | 0:44:51 | |
-Yeah. -Cos... I just don't wanna blow it with you. | 0:44:51 | 0:44:57 | |
Do you have any plans for Christmas? | 0:45:02 | 0:45:05 | |
-Will you excuse me for a minute? -Mm. | 0:45:10 | 0:45:14 | |
Cos my daughter, Vanessa, makes quite a spread. | 0:45:17 | 0:45:21 | |
SIGHS | 0:45:23 | 0:45:25 | |
# "Stitch" - The Baby Animals | 0:45:31 | 0:45:34 | |
I was just paged. | 0:45:46 | 0:45:49 | |
I haven't been up this late in years. | 0:45:53 | 0:45:57 | |
-(SLURS) Linsey hates me, you know? -Mm-hm. | 0:46:45 | 0:46:48 | |
Brooke hates me. Everybody hates me. | 0:46:48 | 0:46:51 | |
Well, if you tell people they're stupid, | 0:46:51 | 0:46:54 | |
they'll usually hate you. | 0:46:54 | 0:46:57 | |
And I wasn't, like, | 0:46:57 | 0:47:00 | |
completely congenial when you first... came. | 0:47:00 | 0:47:05 | |
-Yeah, you're right. -But you like me now. | 0:47:12 | 0:47:17 | |
I like you now. Oh! | 0:47:17 | 0:47:19 | |
Vanessa... | 0:47:20 | 0:47:22 | |
..come on! | 0:47:23 | 0:47:26 | |
You're adopted. | 0:47:26 | 0:47:28 | |
It's not like it's... biblical. | 0:47:28 | 0:47:31 | |
You just wanna fuck that trashy waitress. | 0:47:32 | 0:47:35 | |
That's none of your business. | 0:47:35 | 0:47:37 | |
-You're drunk and you're 17 and you're my niece. -MUMBLES | 0:47:37 | 0:47:42 | |
Great idea, giving you beer. | 0:47:42 | 0:47:46 | |
Come on. | 0:47:53 | 0:47:55 | |
-Hey, you! -Are you drunk? | 0:47:57 | 0:48:01 | |
-Did you get her drunk? -No. -She seems drunk. -She's drunk. | 0:48:04 | 0:48:09 | |
-How was your date? -You're a giant toddler. | 0:48:12 | 0:48:17 | |
Mom and Dad did you absolutely no favours | 0:48:19 | 0:48:22 | |
allowing you to become the immature scam artist that you are. | 0:48:22 | 0:48:26 | |
POIGNANT SONG, FEMALE VOCALIST | 0:48:30 | 0:48:32 | |
Oh, Vanessa, did anyone call me today? | 0:49:08 | 0:49:12 | |
Um... Oh, yeah, yeah! Yeah, a telemarketer. | 0:49:12 | 0:49:17 | |
It was a man. You're acting very desperate. | 0:49:17 | 0:49:21 | |
-I got it. -SIGHS | 0:49:27 | 0:49:31 | |
Will you stop avoiding me? I was drunk. | 0:49:31 | 0:49:35 | |
I'm not avoiding you, | 0:49:36 | 0:49:38 | |
I just... need some time alone, please. | 0:49:38 | 0:49:42 | |
Thank you. | 0:49:51 | 0:49:53 | |
Er, hi, Janet. Sorry to leave you yet another message | 0:50:25 | 0:50:28 | |
but I realised that you may not have my phone number | 0:50:28 | 0:50:31 | |
and that's why you haven't called me back. | 0:50:31 | 0:50:34 | |
"My number is 412-155..." | 0:50:34 | 0:50:38 | |
CONTINUES TALKING | 0:50:38 | 0:50:40 | |
SIGHS | 0:50:43 | 0:50:46 | |
Didn't you prove that you can't hold your alcohol? | 0:50:48 | 0:50:52 | |
I'm having one glass, moron. | 0:50:52 | 0:50:54 | |
And I chose this Beaujolais specifically to go with the ham. | 0:50:55 | 0:50:59 | |
Neither of you is old enough to be drinking. | 0:51:09 | 0:51:15 | |
Dude... | 0:51:16 | 0:51:18 | |
-Let's get drunk. -I need something to wash down this rubber ham. | 0:51:18 | 0:51:23 | |
Actually, I downloaded the recipe from the Internet. | 0:51:23 | 0:51:27 | |
I translated it from Old French. | 0:51:27 | 0:51:29 | |
It dates all the way back to Louis XIV and he was the one | 0:51:29 | 0:51:33 | |
that actually decided dishes should be served in courses | 0:51:33 | 0:51:36 | |
because before that it was served as this big pile of food and - | 0:51:36 | 0:51:40 | |
Maybe you messed up the translation and that's why it tastes burnt. | 0:51:40 | 0:51:44 | |
-If you'd like, I could jam that up your ass for you. -That's enough. | 0:51:44 | 0:51:48 | |
Enough. | 0:51:48 | 0:51:51 | |
-Well, this is... cheerful(!) -Shut up. | 0:51:53 | 0:51:56 | |
-DOORBELL CHIMES -Who... would think | 0:51:56 | 0:51:59 | |
to interrupt this perfect Christmas dinner? | 0:51:59 | 0:52:03 | |
-Hi. -Hi. | 0:52:13 | 0:52:16 | |
-You're the doctor girlfriend, right? -You're the adopted brother, right? | 0:52:16 | 0:52:20 | |
Well, you don't appear to be boring. | 0:52:21 | 0:52:23 | |
Well, you've just met me. For all you know, I'm boring. | 0:52:23 | 0:52:27 | |
You've presented yourself here uninvited and unannounced | 0:52:27 | 0:52:30 | |
for Christmas dinner. That is not boring. | 0:52:30 | 0:52:33 | |
-And the cake? -CHUCKLES | 0:52:33 | 0:52:35 | |
-Lexotonin? That's an antidepressant. -I stole it from the break room. | 0:52:35 | 0:52:40 | |
-Am I interrupting anything? -No, welcome. | 0:52:41 | 0:52:44 | |
We could use a little antivenom in the snake pit. | 0:52:44 | 0:52:47 | |
-Thank you very much. Move along, thank you. -Hi. | 0:52:47 | 0:52:51 | |
-Hi. Merry Christmas. -Merry Christmas. | 0:52:51 | 0:52:54 | |
BOTH CHATTER | 0:53:00 | 0:53:02 | |
The woman brought a cake. | 0:53:06 | 0:53:09 | |
Hello. | 0:53:10 | 0:53:12 | |
-Vanessa! -I'm getting the physician a plate! | 0:53:14 | 0:53:18 | |
Thank you. | 0:53:18 | 0:53:20 | |
My, what a generous portion. | 0:53:41 | 0:53:44 | |
-Enjoy. -Vanessa is the perfect little housewife. I mean, daughter. | 0:53:44 | 0:53:48 | |
If by perfect you mean not retarded/suffering from | 0:53:48 | 0:53:52 | |
insurmountable credit-card debt, then, yes, I am indeed perfect. | 0:53:52 | 0:53:56 | |
Would you two please stop bickering? | 0:53:56 | 0:53:59 | |
These children haven't been properly parented in years, | 0:53:59 | 0:54:02 | |
that's why I was brought in, to ensure they don't kill each other. | 0:54:02 | 0:54:06 | |
-Merry Christmas. -LAUGHS | 0:54:07 | 0:54:10 | |
Please. | 0:54:13 | 0:54:16 | |
"So much depends upon a red wheelbarrow"... | 0:54:18 | 0:54:21 | |
William Carlos Williams. | 0:54:21 | 0:54:24 | |
-He was a physician. -Yes, I know that. | 0:54:24 | 0:54:28 | |
Many considered him to be an imagist but he was more of a modernist, | 0:54:28 | 0:54:32 | |
eschewing the poetic traditions of Europe | 0:54:32 | 0:54:35 | |
in favour of celebrating everyday circumstances. | 0:54:35 | 0:54:38 | |
But I digress and, er... | 0:54:39 | 0:54:42 | |
I like suburban Pittsburgh for Christmas. | 0:54:43 | 0:54:47 | |
Yes, it's really glamorous. | 0:54:47 | 0:54:49 | |
You're in the... Paris of Western Pennsylvania. | 0:54:49 | 0:54:55 | |
I'm really glad that you stopped by. | 0:54:57 | 0:55:00 | |
I just saw Dad and the physician kissing. I am going to puke. | 0:55:10 | 0:55:15 | |
Why does physical affection bother you so much? | 0:55:15 | 0:55:18 | |
It doesn't, actually. | 0:55:18 | 0:55:20 | |
-You're not the only one who deserves to have fun. -What's your point? | 0:55:20 | 0:55:25 | |
-I saw you both at Gibraltar's. Drunk. -I saw you, too. | 0:55:25 | 0:55:28 | |
I saw you, too, man. Bravo! | 0:55:28 | 0:55:31 | |
I am proud that we whittled it down to these three so quickly. | 0:55:40 | 0:55:45 | |
-I have another candidate in mind. -Who? | 0:55:45 | 0:55:49 | |
-Me. -Can you apply? You're... you're the chair of the committee. | 0:55:50 | 0:55:55 | |
Yes, I am permitted to apply. | 0:55:55 | 0:55:58 | |
It's well within Carnegie Mellon's ethical codes of conduct. | 0:55:58 | 0:56:02 | |
It's... part of the democratic process. | 0:56:02 | 0:56:05 | |
Ticktock. | 0:56:07 | 0:56:09 | |
BOTH CHATTER | 0:56:11 | 0:56:14 | |
When I come back, you better have a word on that board. | 0:56:20 | 0:56:24 | |
PHONE RINGS | 0:56:25 | 0:56:27 | |
Vanessa, this phone is for emergencies only. | 0:56:28 | 0:56:32 | |
I didn't want to call you at her apartment, I just... | 0:56:32 | 0:56:35 | |
Are you coming home for dinner? Because Chuck's gone | 0:56:35 | 0:56:38 | |
-and I'm the only one here. -I'm eating here tonight. | 0:56:38 | 0:56:42 | |
Well, that's just... fantastic. | 0:56:42 | 0:56:44 | |
What am I supposed to do with the beef stroganoff I made | 0:56:44 | 0:56:48 | |
and the garlic whipped potatoes? | 0:56:48 | 0:56:50 | |
(I'm going to be home in a few hours. Could you save me a little bit?) | 0:56:51 | 0:56:56 | |
"Just a plate..." | 0:56:56 | 0:56:59 | |
PHONE RINGS | 0:57:01 | 0:57:04 | |
This is Lawrence Wetherhold. | 0:57:05 | 0:57:07 | |
-Um, who is this? -"This is Deb Rosenblatt from the Penguin Group." | 0:57:07 | 0:57:11 | |
"Mr Bloomberg liked your manuscript and would like to meet you." | 0:57:11 | 0:57:15 | |
Well... it is a very interesting concept, isn't it? | 0:57:15 | 0:57:19 | |
STAPLE GUN CLICKS | 0:57:20 | 0:57:23 | |
Yeah, I always wondered who littered the world with those. | 0:57:24 | 0:57:28 | |
-Where have you been? I haven't seen you all week. -I've been busy. | 0:57:28 | 0:57:32 | |
I don't want you to feel uncomfortable around me, OK? | 0:57:32 | 0:57:35 | |
I completely respect your homosexuality | 0:57:35 | 0:57:38 | |
and I will refrain from any further untoward advances. | 0:57:38 | 0:57:42 | |
Truth be told, I've started dating someone. Someone my own age. | 0:57:42 | 0:57:47 | |
What's his name? | 0:57:47 | 0:57:50 | |
-STAPLE GUN CLICKS -Her name... | 0:57:50 | 0:57:53 | |
..is none of your business. | 0:57:54 | 0:57:56 | |
I will be staying at HER apartment a couple of nights a week. | 0:57:56 | 0:58:00 | |
So, does she know you're gay? | 0:58:00 | 0:58:03 | |
I don't think that you and I should be hanging out as much. | 0:58:04 | 0:58:08 | |
Well, that's just... it's idiotic. | 0:58:08 | 0:58:11 | |
I mean, who am I supposed to hang out with? | 0:58:11 | 0:58:14 | |
I just think that we both need to... you know, get a life. | 0:58:14 | 0:58:18 | |
My life begins when I set foot in California next fall. | 0:58:18 | 0:58:23 | |
-The cab was 9. -Well, I'll pay you back. | 0:58:25 | 0:58:29 | |
Well... | 0:58:30 | 0:58:32 | |
-..they're publishing my book. -What?! | 0:58:33 | 0:58:35 | |
-Who the fuck's gonna read that? -Bloomberg. I knew it. | 0:58:35 | 0:58:39 | |
I so knew it! Well, when are we gonna meet with them? | 0:58:39 | 0:58:43 | |
Er, you have school, so I'm... I'm taking Janet | 0:58:43 | 0:58:49 | |
and... flying to New York on... Monday. | 0:58:49 | 0:58:52 | |
You have school. | 0:58:56 | 0:58:58 | |
SIGHS | 0:59:01 | 0:59:04 | |
So, I sort of met somebody. I was kind of hoping | 0:59:06 | 0:59:10 | |
you could float me some greenbacks to get my own apartment. | 0:59:10 | 0:59:13 | |
SIGHS You know, more and more, I'm getting used to you. | 0:59:13 | 0:59:18 | |
I need you here, | 0:59:19 | 0:59:22 | |
so... no. | 0:59:22 | 0:59:24 | |
There was a twinkle of humanity in there. | 0:59:28 | 0:59:32 | |
# Gonna tell you all a story | 0:59:33 | 0:59:37 | |
# About a girl who's just informed me | 0:59:37 | 0:59:39 | |
# That all she needs to love me | 0:59:39 | 0:59:41 | |
# Is a quiet peaceful day | 0:59:41 | 0:59:44 | |
# She don't need no shiny diamonds | 0:59:44 | 0:59:47 | |
# Or a fancy car to drive in | 0:59:47 | 0:59:49 | |
# She just needs me there beside her | 0:59:49 | 0:59:53 | |
# On a quiet peaceful day | 0:59:53 | 0:59:56 | |
# Yeah, yeah, yeah, yeah... # | 0:59:56 | 0:59:59 | |
It's almost ten. I need to leave. | 1:00:01 | 1:00:05 | |
Good luck. Knock 'em dead. | 1:00:07 | 1:00:09 | |
Does this suit make me look too eager? | 1:00:11 | 1:00:14 | |
How can a suit make anyone look too eager? | 1:00:14 | 1:00:18 | |
-Wish me luck. -I just did. Go already. | 1:00:21 | 1:00:25 | |
You're starting to make me nervous. Goodbye. | 1:00:25 | 1:00:29 | |
CHUCKLES | 1:00:29 | 1:00:32 | |
At first, I thought it was the driest piece of shit ever... | 1:00:37 | 1:00:40 | |
-What? -..till I got to the third section, where I noticed | 1:00:40 | 1:00:43 | |
a certain marketable tone - | 1:00:43 | 1:00:45 | |
the surly, smarter-than-thou asshole tone. | 1:00:45 | 1:00:48 | |
People love to hate books like this. NPR will attack the book | 1:00:48 | 1:00:52 | |
-and you'll be defending yourself on Charlie Rose. -That's... | 1:00:52 | 1:00:56 | |
-..not the point of the book. -I understand your hesitancy | 1:00:58 | 1:01:01 | |
but when was the last time a senior editor edited, actually edited? | 1:01:01 | 1:01:05 | |
We spent the entire staff meeting last week talking about it. | 1:01:06 | 1:01:10 | |
The marketing guys and two junior editors loved it. It's like | 1:01:10 | 1:01:13 | |
the book itself is a fucking bully. | 1:01:13 | 1:01:16 | |
You Can't Read. | 1:01:17 | 1:01:19 | |
You Can't Read. | 1:01:21 | 1:01:23 | |
Brilliant! | 1:01:23 | 1:01:25 | |
Shit. | 1:01:57 | 1:01:59 | |
-SWITCHES TV OFF Hey. -Hi. | 1:02:12 | 1:02:15 | |
Well, how'd it go? | 1:02:16 | 1:02:18 | |
Great. They loved me over there. | 1:02:19 | 1:02:22 | |
It's going to be a very important book. | 1:02:22 | 1:02:25 | |
Well, you seem happy. Wait, wait, wait. | 1:02:25 | 1:02:29 | |
-Don't open that yet. What did he say about the book? -Well, | 1:02:29 | 1:02:32 | |
they've edited it, er, significantly but it's much better. | 1:02:32 | 1:02:37 | |
It's intelligent but very contrary, powerful and inflammatory. | 1:02:37 | 1:02:41 | |
It's... | 1:02:41 | 1:02:43 | |
Well, how much did they edit it? | 1:02:43 | 1:02:46 | |
Well, Penguin has, er... they've edited thousands of books | 1:02:46 | 1:02:51 | |
and there comes a time when you have to let the experts be experts. | 1:02:51 | 1:02:55 | |
-And are you honestly OK with the changes? -Well, er, | 1:02:55 | 1:02:59 | |
Bloomberg wants to, er... take us out to dinner. | 1:02:59 | 1:03:03 | |
But I thought you and I were going out for a quiet dinner tonight. | 1:03:03 | 1:03:06 | |
They wanna take us out. It's... You know, he's my editor. | 1:03:06 | 1:03:11 | |
And I'm your, um... | 1:03:12 | 1:03:14 | |
I don't know. What am I to you? | 1:03:15 | 1:03:17 | |
Well, for lack of a better term, you're my girlfriend. | 1:03:19 | 1:03:22 | |
No, what am I to you? Not just a term. | 1:03:22 | 1:03:26 | |
You're, um... everything | 1:03:26 | 1:03:29 | |
that a... girlfriend is. | 1:03:29 | 1:03:33 | |
You can't answer, can you? | 1:03:34 | 1:03:36 | |
-Hmmm. -Er... SPLUTTERS | 1:03:37 | 1:03:41 | |
Please, would you just get ready for dinner? | 1:03:41 | 1:03:44 | |
No, I actually don't feel that well. | 1:03:44 | 1:03:46 | |
I couldn't go out tonight, anyways. You should go. | 1:03:46 | 1:03:51 | |
I'm gonna be fine. | 1:03:51 | 1:03:53 | |
You'd think their parents would control them. | 1:03:58 | 1:04:01 | |
They've probably been on a plane for hours. | 1:04:01 | 1:04:04 | |
They should run around. Your book's not published yet, | 1:04:04 | 1:04:07 | |
you don't have to act like a complete misanthrope. | 1:04:07 | 1:04:10 | |
What is with you? You're like a different person. | 1:04:13 | 1:04:17 | |
No, I'm the same person, I've just noticed a few things. | 1:04:17 | 1:04:20 | |
I can't win. Call me a grouch, I just think that it's wrong | 1:04:20 | 1:04:25 | |
to let kids run around an airport unsupervised. | 1:04:25 | 1:04:28 | |
When you have children, you'll understand. | 1:04:28 | 1:04:31 | |
This isn't about unsupervised kids at an airport and you know it. | 1:04:31 | 1:04:35 | |
Excuse me. Sorry. | 1:04:35 | 1:04:37 | |
You don't seem interested in anything other than your book | 1:04:44 | 1:04:47 | |
or becoming head of the department. Why don't you ask? | 1:04:47 | 1:04:51 | |
OK. | 1:04:52 | 1:04:54 | |
What the hell's your problem? | 1:04:54 | 1:04:56 | |
I don't wanna talk about it right now. | 1:04:56 | 1:04:59 | |
I have it. | 1:05:02 | 1:05:05 | |
You don't seem... very happy. | 1:05:08 | 1:05:12 | |
I'm not happy, not even close. | 1:05:12 | 1:05:15 | |
# "You Still Need Me" - The Baby Animals | 1:05:16 | 1:05:20 | |
So, oh, I put some flowers on Mom's grave. | 1:05:48 | 1:05:50 | |
Like, just a dozen or so pink and white roses. | 1:05:50 | 1:05:54 | |
You kinda owe me 64. | 1:05:55 | 1:05:58 | |
SIGHS The 17th. I'm sorry. | 1:05:58 | 1:06:02 | |
No, it's... You know, it's not like Mom knew you weren't there. | 1:06:02 | 1:06:07 | |
Besides, I'm a big girl. I can... handle it. | 1:06:07 | 1:06:10 | |
How are you? | 1:06:12 | 1:06:14 | |
Maybe this weekend you and I could go ice skating like we used to. | 1:06:16 | 1:06:21 | |
Dad, you just got a huge book deal | 1:06:23 | 1:06:26 | |
and the head of the department is yours for the taking | 1:06:26 | 1:06:29 | |
and everything's kind of perfect for you, | 1:06:29 | 1:06:31 | |
so don't screw everything up, OK? | 1:06:31 | 1:06:34 | |
You know, I read in Cosmopolitan that it takes | 1:06:35 | 1:06:39 | |
about half the time you date someone to get over them. | 1:06:39 | 1:06:42 | |
And, what, you've dated Janet for just a few months? | 1:06:42 | 1:06:46 | |
-You read Cosmopolitan? -I glance at it. | 1:06:46 | 1:06:50 | |
Like, at the supermarket, if the line's particularly long. | 1:06:50 | 1:06:54 | |
You know that physician? | 1:06:56 | 1:06:58 | |
She's just a rebound relationship, that's all. | 1:06:59 | 1:07:03 | |
A rebound from what? | 1:07:03 | 1:07:06 | |
From Mom. | 1:07:06 | 1:07:08 | |
Lawrence, congratulations on your book deal. | 1:07:25 | 1:07:29 | |
-Thank you. -And James' poem being accepted by The New Yorker. | 1:07:29 | 1:07:33 | |
With his book, it may seem like bringing the other candidates | 1:07:33 | 1:07:37 | |
to campus is a waste of time but, um, we have to. | 1:07:37 | 1:07:40 | |
-What about his recommendation letter? -Lawrence, | 1:07:40 | 1:07:44 | |
-tell us about your book. -It's an examination of critical theory | 1:07:44 | 1:07:48 | |
from the standpoint that every school of criticism has failed us. I... | 1:07:48 | 1:07:52 | |
SIGHS | 1:07:52 | 1:07:53 | |
SIGHS It's... | 1:07:53 | 1:07:56 | |
Penguin Group seems to like it. | 1:07:57 | 1:08:00 | |
-MOANS -KNOCK AT DOOR | 1:08:01 | 1:08:04 | |
Shit! | 1:08:04 | 1:08:06 | |
Er... I heard about The New Yorker. | 1:08:13 | 1:08:16 | |
Why didn't you tell me about the poem? I... I need to read it. | 1:08:16 | 1:08:21 | |
You need to read it? Now that I sold a poem to The New Yorker, | 1:08:21 | 1:08:24 | |
-I'm suddenly worthy of your attention? -What's wrong with | 1:08:24 | 1:08:27 | |
a father wanting to hear about his son's success? | 1:08:27 | 1:08:31 | |
What are those doing here? | 1:08:32 | 1:08:35 | |
-He left those here last night. -Are you working for him? -No. | 1:08:36 | 1:08:39 | |
He left it here last night. He left his sweater, too. Hold on. | 1:08:39 | 1:08:43 | |
I thought that Chuck was staying at his girlfriend's. | 1:08:45 | 1:08:48 | |
He doesn't have a girlfriend. | 1:08:48 | 1:08:51 | |
He stays here a few nights every week to get away from you guys. | 1:08:51 | 1:08:54 | |
You have no idea what's going on, do you? | 1:08:58 | 1:09:01 | |
How's your head? Douchebag. | 1:09:07 | 1:09:10 | |
So, dinner will be ready at eight, if you're around. | 1:09:17 | 1:09:21 | |
Those jeans look really great. | 1:09:22 | 1:09:24 | |
And... they're really snug in all the right areas. | 1:09:24 | 1:09:28 | |
Don't say things like that to me. | 1:09:29 | 1:09:32 | |
-Why? I'm just... -Just don't. | 1:09:32 | 1:09:35 | |
'So what is the lotus?' | 1:09:42 | 1:09:45 | |
Homer calls it a "honey-sweet fruit" | 1:09:45 | 1:09:48 | |
but for Tennyson it's not just a drug, is it? | 1:09:48 | 1:09:51 | |
It symbolises a desire for rest and death. | 1:09:51 | 1:09:54 | |
-What does it inspire in them? -They're tired, they can't take it any more. | 1:09:54 | 1:09:58 | |
The lotus is about the possibility of oblivion. | 1:09:58 | 1:10:01 | |
What your CliffsNotes may not have mentioned is that | 1:10:01 | 1:10:04 | |
the eating of the lotus occasions a song. | 1:10:04 | 1:10:07 | |
-I didn't use CliffsNotes. -You used SparkNotes. I read them, too. | 1:10:07 | 1:10:11 | |
-Where did their singing lead them? -Singing lets them | 1:10:11 | 1:10:14 | |
imagine their way out of their misery. | 1:10:14 | 1:10:17 | |
'Since they can't go home, they sing of home | 1:10:19 | 1:10:22 | |
as the place where all the suffering is.' | 1:10:22 | 1:10:26 | |
The song becomes the doleful music of the miserable world | 1:10:28 | 1:10:31 | |
they no longer occupy, then... they just sit around | 1:10:31 | 1:10:36 | |
listening to it, drinking nectar and stuff. | 1:10:36 | 1:10:40 | |
Hey, Lawrence, got a minute? Can I read you something? | 1:10:57 | 1:11:01 | |
"In all my years of schooling, I've never encountered a professor | 1:11:01 | 1:11:05 | |
as deeply passionate about his subject as Professor Wetherhold was | 1:11:05 | 1:11:08 | |
back when I took his Victorian-novel course as a freshman." | 1:11:08 | 1:11:11 | |
"He helped us become strong, close readers and critical writers, | 1:11:11 | 1:11:15 | |
skills I've brought to my study of medicine. Janet Hartigan, MD." | 1:11:15 | 1:11:19 | |
Professor Wetherhold, I have a simple question. | 1:11:26 | 1:11:31 | |
Why do you wanna be head of the English department? | 1:11:31 | 1:11:35 | |
I've been thinking about that quite a bit lately. | 1:11:36 | 1:11:39 | |
How do you plan on rectifying | 1:11:39 | 1:11:41 | |
the systematic subjugation of women in this institution? | 1:11:41 | 1:11:44 | |
Oh, Julia, I haven't even vaguely considered that, nor do I plan to. | 1:11:44 | 1:11:49 | |
SIGHS You know what? None of you like me | 1:11:49 | 1:11:53 | |
and I don't blame you. I would make a lousy head of the department. | 1:11:53 | 1:11:56 | |
What this department needs is someone who likes to manage people, | 1:11:56 | 1:12:00 | |
who can make small talk and that's... I can't do that. | 1:12:00 | 1:12:05 | |
That's not me. I... I can't do it. | 1:12:05 | 1:12:08 | |
Sorry I wasted your time. | 1:12:11 | 1:12:13 | |
I'll just... stick to teaching for now. | 1:12:17 | 1:12:22 | |
-SHOUTING -SIGHS | 1:12:22 | 1:12:25 | |
So, where's your girlfriend? | 1:12:26 | 1:12:29 | |
-Been hiding out here? -Bye! | 1:12:29 | 1:12:32 | |
-See you, Chelsea. -Can we talk? | 1:12:32 | 1:12:34 | |
Everyone in my life is going crazy. | 1:12:37 | 1:12:41 | |
You're the one that's crazy. And socially retarded. | 1:12:41 | 1:12:45 | |
You're the middle-aged man who was just hosting a college beer bash. | 1:12:45 | 1:12:49 | |
You know, Vanessa's becoming an android. | 1:12:52 | 1:12:57 | |
A scary clone, no friends, | 1:12:57 | 1:13:01 | |
too scared to be anything else. Just like you. | 1:13:01 | 1:13:04 | |
And you constantly take her for granted. | 1:13:07 | 1:13:09 | |
I do not take her for granted. I am continually impressed by her. | 1:13:09 | 1:13:13 | |
Did you know she was going to Stanford? | 1:13:13 | 1:13:17 | |
Early acceptance, last November. | 1:13:17 | 1:13:19 | |
-Why didn't she tell me? -Why does she have to? | 1:13:20 | 1:13:24 | |
Why don't you ask? | 1:13:25 | 1:13:28 | |
-You drove the hot doctor out of your life. -She left me. | 1:13:30 | 1:13:35 | |
Er, she can't handle my success. We're just not compatible. | 1:13:35 | 1:13:39 | |
You have the IQ of a dumb-ass ant. | 1:13:39 | 1:13:42 | |
-SIGHS -But you know what? Maybe it's not gonna be so bad. | 1:13:45 | 1:13:49 | |
Vanessa's going away in the fall. | 1:13:49 | 1:13:52 | |
It'll just be the two of us, the Wetherhold bachelors - | 1:13:52 | 1:13:56 | |
middle-aged, can't get along with women, should be gay. | 1:13:56 | 1:14:01 | |
What are you doing here? | 1:14:14 | 1:14:16 | |
If you've come to tell me I can't go to Stanford, forget it. | 1:14:16 | 1:14:19 | |
I don't care if it's free, | 1:14:19 | 1:14:21 | |
I'm not going to the same school as James. | 1:14:21 | 1:14:24 | |
He sold a poem to The New Yorker. | 1:14:24 | 1:14:26 | |
-Even cretins win the lottery sometimes. -SIGHS | 1:14:26 | 1:14:30 | |
I, er... won't be head of the department. | 1:14:35 | 1:14:40 | |
-I pulled myself out of the search. -Insane! | 1:14:40 | 1:14:44 | |
-What are you trying to do to me? -Just relax. | 1:14:44 | 1:14:47 | |
My book, that dumbed-down, gimmicky travesty of scholarship, | 1:14:47 | 1:14:51 | |
will pay for Stanford. | 1:14:51 | 1:14:54 | |
Satisfied? | 1:14:55 | 1:14:57 | |
What's going on between you and Chuck? | 1:15:04 | 1:15:07 | |
Nothing. | 1:15:08 | 1:15:10 | |
It's just... miscommunication. | 1:15:12 | 1:15:16 | |
A simple case of... middle-aged loser | 1:15:16 | 1:15:19 | |
trying to seduce his MUCH younger, bound-for-success niece. | 1:15:19 | 1:15:24 | |
I don't think you're very happy, Vanessa. | 1:15:26 | 1:15:30 | |
Well, you're not happy... | 1:15:30 | 1:15:32 | |
..and you're my role model. | 1:15:35 | 1:15:37 | |
KNOCK AT DOOR | 1:15:48 | 1:15:51 | |
You know what? I've had a monumentally shitty day. | 1:15:52 | 1:15:55 | |
You hate me. I get it. End of discussion. | 1:15:55 | 1:15:58 | |
I don't hate you. | 1:16:04 | 1:16:06 | |
You know what? I don't really get it. I don't get | 1:16:08 | 1:16:12 | |
that you spend the first few months trying to win me over, | 1:16:12 | 1:16:15 | |
which you do, and then make up some fake... girlfriend | 1:16:15 | 1:16:20 | |
and completely ditch me. | 1:16:20 | 1:16:22 | |
Well, that's not entirely | 1:16:22 | 1:16:26 | |
the whole story... is it? | 1:16:26 | 1:16:29 | |
Not really, I guess. | 1:16:33 | 1:16:36 | |
You know, when I moved in, I thought you were smart and funny. | 1:16:41 | 1:16:46 | |
I'm sorry that you misunderstood that. | 1:16:46 | 1:16:49 | |
But I'll... let you get back to that. | 1:16:55 | 1:16:58 | |
What are you gonna do? | 1:16:58 | 1:17:00 | |
Hmmm. Go in my room, do 1,000 push-ups. | 1:17:02 | 1:17:07 | |
Wow. | 1:17:07 | 1:17:09 | |
What are you gonna do with your life? | 1:17:09 | 1:17:12 | |
-Just, you know, sell phonecards or...? -Right. | 1:17:12 | 1:17:16 | |
-Um... it is pretty good money... -Sure. | 1:17:16 | 1:17:19 | |
..but I know what you mean. CHUCKLES Um... | 1:17:19 | 1:17:23 | |
You know, I, er, I like my life. | 1:17:24 | 1:17:27 | |
Yeah... we're, like, friends, I guess, right? | 1:17:31 | 1:17:35 | |
Yeah... we're friends. | 1:17:38 | 1:17:41 | |
Can you make me something to eat, friend? | 1:17:59 | 1:18:02 | |
Order pizza, with the works. | 1:18:02 | 1:18:04 | |
Wake up! I need to run a few errands before school. | 1:18:20 | 1:18:25 | |
-GROANS SLEEPILY -Wake up. | 1:18:25 | 1:18:29 | |
# "If Only" - Nuno Bettencourt | 1:18:30 | 1:18:33 | |
Hello. | 1:18:44 | 1:18:46 | |
Hold on, I want... I want that. | 1:18:56 | 1:18:59 | |
-May I have a tax receipt? -There you go. | 1:19:02 | 1:19:06 | |
Hah! Thanks, bro. It was starting to get a little cold out here. | 1:19:18 | 1:19:22 | |
You sat on the right side and you didn't throw up. Good work. | 1:19:32 | 1:19:37 | |
Pull over, up here. | 1:19:37 | 1:19:39 | |
Now, remember, four words - I'm sorry. I love you. | 1:19:39 | 1:19:44 | |
-That's five words. -This is no time to count words, Professor. | 1:19:44 | 1:19:48 | |
Hey! | 1:19:51 | 1:19:53 | |
Don't forget, "I'm sorry! I love you!" | 1:19:55 | 1:20:00 | |
-What'd he say? -I love you, too, man! | 1:20:03 | 1:20:07 | |
Hey, where you goin'! | 1:20:08 | 1:20:10 | |
-May I sit down? -Sure. | 1:20:18 | 1:20:21 | |
-How are you? -I'm good. | 1:20:21 | 1:20:23 | |
-How are you? -I'm - -How's the book coming? | 1:20:23 | 1:20:26 | |
Thank you for this. | 1:20:26 | 1:20:29 | |
I didn't write it. You should check with Vanessa, | 1:20:33 | 1:20:36 | |
she does good work, though the signature's not even close. | 1:20:36 | 1:20:40 | |
I... | 1:20:41 | 1:20:43 | |
-This is humiliating. I'll see you. -No, wait. Wait, wait. | 1:20:46 | 1:20:50 | |
-Just wait. -SIGHS | 1:20:51 | 1:20:54 | |
Listen, um... | 1:20:54 | 1:20:57 | |
..I haven't had any, um, grand epiphany | 1:20:58 | 1:21:01 | |
or made any sweeping changes in my personality | 1:21:01 | 1:21:05 | |
over the past... few weeks. I know I'm a miserable asshole | 1:21:05 | 1:21:10 | |
but, er... I do have some hope for myself. | 1:21:10 | 1:21:15 | |
Lawrence, I'm pregnant. | 1:21:18 | 1:21:20 | |
And, according to my calculations, | 1:21:22 | 1:21:25 | |
this pregnancy is the result of the first time. | 1:21:25 | 1:21:29 | |
-Well, why didn't you tell me? -Because you were being such an ass. | 1:21:35 | 1:21:40 | |
You were not exactly a wellspring of emotional information. | 1:21:41 | 1:21:45 | |
Why would you have a baby with me? | 1:21:49 | 1:21:52 | |
Because you don't know how to properly use a condom. | 1:21:52 | 1:21:56 | |
Message received. | 1:21:58 | 1:22:01 | |
You're intelligent, right? | 1:22:13 | 1:22:16 | |
And you're not... you're not unattractive. | 1:22:16 | 1:22:21 | |
I mean, it's not like it's a total genetic crap-shoot. | 1:22:24 | 1:22:28 | |
SIGHS Though you do have some deficits. | 1:22:29 | 1:22:33 | |
But you came here today. | 1:22:37 | 1:22:39 | |
We can figure this out. | 1:22:42 | 1:22:45 | |
SIGHS We're smart people. | 1:22:46 | 1:22:48 | |
I'm sorry. I love you. | 1:22:56 | 1:22:58 | |
-It's not up to you. It's not up to me. -SIGHS | 1:23:05 | 1:23:11 | |
-Sorry. -Er, Chuck, you stay, please. | 1:23:15 | 1:23:20 | |
It's just that you have options | 1:23:20 | 1:23:22 | |
and you should be aware of all of them. | 1:23:22 | 1:23:26 | |
Well, you have options, too, Vanessa. | 1:23:26 | 1:23:29 | |
You can either continue to be miserable or you can just stop | 1:23:29 | 1:23:33 | |
being angry at everyone and accept the way things are. | 1:23:33 | 1:23:37 | |
Allow yourself to live. | 1:23:37 | 1:23:40 | |
You sound like a stupid motivational speaker. | 1:23:42 | 1:23:45 | |
You're not listening to me. You're not. | 1:23:49 | 1:23:54 | |
I am not cleaning any dirty diapers. | 1:24:04 | 1:24:06 | |
'Morning.' | 1:24:28 | 1:24:30 | |
Matthew Arnold, one of the writers we'll be studying this semester, | 1:24:30 | 1:24:34 | |
wrote that, "Culture is the pursuit of our total perfection, | 1:24:34 | 1:24:38 | |
the best which has been thought and said in the world." | 1:24:38 | 1:24:43 | |
Now, my name is Lawrence Wetherhold. | 1:24:44 | 1:24:46 | |
You may call me Professor Wetherhold or Dr Wetherhold | 1:24:46 | 1:24:50 | |
but you may not call me, "Hey, you," or, "Yo, Teach," or, "Dude," | 1:24:50 | 1:24:55 | |
because none of these terms of address could possibly be the prelude | 1:24:55 | 1:24:59 | |
to intelligent comment or question. Let's get to know one another. | 1:24:59 | 1:25:03 | |
Um... Joseph Anderson. | 1:25:03 | 1:25:05 | |
Joseph, where you from? | 1:25:05 | 1:25:09 | |
# "Pursuit of Happiness" - Nuno Bettencourt | 1:25:13 | 1:25:17 | |
# So you got to go but you don't know where | 1:25:27 | 1:25:30 | |
# All that you know is you can't stay here | 1:25:30 | 1:25:35 | |
# What's left to do but wish you the best? | 1:25:35 | 1:25:39 | |
# In your pursuit | 1:25:39 | 1:25:41 | |
# of happiness | 1:25:41 | 1:25:43 | |
# You say it's not me, it's just you | 1:25:43 | 1:25:47 | |
# But I'm the only one | 1:25:47 | 1:25:50 | |
# In the room | 1:25:50 | 1:25:52 | |
# Asking myself why you have left | 1:25:52 | 1:25:55 | |
# In your pursuit | 1:25:55 | 1:25:58 | |
# of happiness | 1:25:58 | 1:26:01 | |
# In your pursuit | 1:26:01 | 1:26:02 | |
# of happiness. # | 1:26:02 | 1:26:05 | |
# "Stitch" - The Baby Animals | 1:26:13 | 1:26:16 | |
# Baby, won't you help me | 1:26:22 | 1:26:26 | |
# be my best? | 1:26:26 | 1:26:28 | |
# Help me find a way back | 1:26:32 | 1:26:36 | |
# to our nest | 1:26:36 | 1:26:39 | |
# And dreams... # | 1:26:39 | 1:26:43 | |
Subtitles by IMS | 1:26:57 | 1:26:59 |