Browse content similar to The Accidental Husband. Check below for episodes and series from the same categories and more!
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'Reesa from Manhattan, you're on the air.' | 0:00:02 | 0:00:04 | |
-'I date a lot of guys.' -'Uh-huh.' -'I mean, a lot. | 0:00:04 | 0:00:07 | |
'I've had more blind dates than a Seeing Eye dog. You know why?' | 0:00:07 | 0:00:10 | |
-'I'm on tenterhooks. Shoot.' -'I'm looking for the real thing, | 0:00:10 | 0:00:14 | |
'but I want to feel love, the kind where you're so delirious | 0:00:14 | 0:00:17 | |
'you can barely breathe or eat.' | 0:00:17 | 0:00:20 | |
'I'm waiting for a Prince Charming who will sweep me off my feet, | 0:00:20 | 0:00:23 | |
'slam me into a wall, and bang my...' | 0:00:23 | 0:00:25 | |
Let me stop you right there, Reesa. | 0:00:25 | 0:00:27 | |
First, I don't think love is supposed to deny you of your food | 0:00:27 | 0:00:30 | |
or oxygen supply. Love is supposed to nourish you. | 0:00:30 | 0:00:34 | |
'I'm just saying I want the fairy tale. I want the excitement, | 0:00:34 | 0:00:38 | |
-'the romance, you know?' -Yeah, I do. This Prince Charming of yours | 0:00:38 | 0:00:42 | |
doesn't exist. He's probably good for a few nights in the sack, | 0:00:42 | 0:00:45 | |
then his charm will run thin, which is what charm does. | 0:00:45 | 0:00:47 | |
'I hear ya, but what I'm saying is that I want to be deeply | 0:00:47 | 0:00:52 | |
-'and passionately in love.' -You want to be passionately in love? | 0:00:52 | 0:00:55 | |
I see. You know who's a bigger flake than your buddy Prince Charming? | 0:00:55 | 0:00:59 | |
His brother, Prince Passion. Reesa, if you are truly serious | 0:00:59 | 0:01:02 | |
about wanting to find real, lasting love in this town, | 0:01:02 | 0:01:05 | |
I'm going to have to dish out tough love to you. | 0:01:05 | 0:01:08 | |
-'Uh-oh.' -This serial dating of yours is a waste of time. | 0:01:08 | 0:01:11 | |
You can't find something when you don't know what you're looking for. | 0:01:11 | 0:01:15 | |
You're playing the field, right? Hoping that somebody will want you, | 0:01:15 | 0:01:19 | |
when it's you who needs to figure out what it is you want. | 0:01:19 | 0:01:23 | |
Anybody can fall in love, but you deserve a man | 0:01:23 | 0:01:26 | |
with the emotional maturity to stay in love. | 0:01:26 | 0:01:28 | |
Don't settle for a boyfriend when you can demand a man friend. | 0:01:28 | 0:01:34 | |
-'I'm not really the demanding type.' -Don't go there, Reesa. | 0:01:34 | 0:01:37 | |
Hear what she's doing, listeners? | 0:01:37 | 0:01:39 | |
'That is the sound of a woman who settles for second best. | 0:01:39 | 0:01:42 | |
'Why do we do that? I mean, deep down we know we deserve better, | 0:01:42 | 0:01:47 | |
'so why do we keep lowering our standards?' | 0:01:47 | 0:01:50 | |
I devote a chapter to this in my new book, Real Love, | 0:01:50 | 0:01:53 | |
which comes to stores on Wednesday. I've finally learned | 0:01:53 | 0:01:56 | |
that unless you demand real love for yourself, | 0:01:56 | 0:01:59 | |
you're going to get seriously hurt. | 0:01:59 | 0:02:01 | |
'How am I supposed to know if love is real?' | 0:02:01 | 0:02:04 | |
Spell it out for yourselves. R, is he responsible? | 0:02:04 | 0:02:08 | |
E, is he your equal? | 0:02:08 | 0:02:11 | |
-A, is he an adult? -Are you blind? | 0:02:11 | 0:02:14 | |
And most of all, L, is he loving? | 0:02:14 | 0:02:19 | |
-That's a ridiculous call! -Know anybody like that? | 0:02:19 | 0:02:21 | |
-'Not really.' -Hold out for it, Reesa. | 0:02:21 | 0:02:25 | |
-You'll be so glad you did. -'Oh, Dr Lloyd, you are such a lifesaver. | 0:02:25 | 0:02:30 | |
-'Thank you so much.' -You're welcome. All right, next caller. | 0:02:30 | 0:02:33 | |
-Patrick! Come on! -Where'd she go? -Hopefully, to buy you a muzzle. | 0:02:34 | 0:02:37 | |
-Keep your mouth quiet next time. -Move it, move it. | 0:02:37 | 0:02:41 | |
-If there is a next time. -Come on. | 0:02:41 | 0:02:44 | |
-SHOW TUNE MUSIC -Show tunes. | 0:02:44 | 0:02:47 | |
-MUSIC CHANGING -Show tunes. | 0:02:47 | 0:02:49 | |
-More show tunes. -I like show tunes! -Obviously. | 0:02:49 | 0:02:52 | |
-It's sad. -Oh, there's the Love Doctor. | 0:02:52 | 0:02:55 | |
-I hate that lady. -My lady loves this. -Mine, too. | 0:02:55 | 0:02:58 | |
-Your... Wh-Who? -I mean my mother. -What is that? | 0:02:58 | 0:03:02 | |
You're a beast. | 0:03:02 | 0:03:04 | |
Next caller. Sofia of Astoria, you're on the air. | 0:03:04 | 0:03:08 | |
-Hi. Hi, am I on? -'Yeah. Yeah, here we are. Let's go.' | 0:03:08 | 0:03:11 | |
Well, I'm supposed to be getting married this weekend | 0:03:11 | 0:03:15 | |
-and I'm having second thoughts. -'Second, third, fourth?' | 0:03:15 | 0:03:20 | |
-What do you mean? -Have you thought about calling this off for a while? | 0:03:20 | 0:03:22 | |
-I took your online compatibility test and he scored a 12. -'OK.' | 0:03:22 | 0:03:27 | |
That test helps predict long-term compatibility. | 0:03:27 | 0:03:30 | |
-'You're right to consider this...' -Is this Sofia? | 0:03:30 | 0:03:35 | |
..very carefully. 43% of marriages end in divorce. | 0:03:35 | 0:03:40 | |
You don't want that. How long have you known this guy? | 0:03:40 | 0:03:43 | |
About five months, but he's a really good guy and all, and... | 0:03:43 | 0:03:45 | |
B-But five months? | 0:03:45 | 0:03:47 | |
Sofia, are you scared of being alone? | 0:03:47 | 0:03:52 | |
-I guess so, maybe, yeah. -'You know what's scarier than being alone? | 0:03:52 | 0:03:57 | |
'You know what's worse? Being alone with the wrong guy | 0:03:57 | 0:04:00 | |
'for the rest of your life. You got it?' | 0:04:00 | 0:04:02 | |
Doesn't sound like an average case of jitters. | 0:04:02 | 0:04:04 | |
Wait, are you saying I should call off the wedding? | 0:04:04 | 0:04:08 | |
I'm running out of time, caller, but you know deep inside | 0:04:08 | 0:04:13 | |
what you need to do. Thank you for calling. Good luck. | 0:04:13 | 0:04:18 | |
Knock-knock. | 0:04:28 | 0:04:30 | |
-Who's there? -This is your publisher speaking. | 0:04:30 | 0:04:33 | |
Mm, we don't want any. | 0:04:33 | 0:04:35 | |
-Hm. -Read 'em and weep. | 0:04:35 | 0:04:39 | |
-Oh, really? -There's only one way to find out. | 0:04:39 | 0:04:42 | |
No, no. I'm too nervous. You read it. | 0:04:42 | 0:04:46 | |
"The Doctor is in. The first book from local talk radio sensation | 0:04:47 | 0:04:51 | |
"Dr Emma Lloyd, Real Love establishes Lloyd | 0:04:51 | 0:04:54 | |
-"as the latest khoja of modern romance." -The latest what? | 0:04:54 | 0:04:57 | |
-What did they call me? -Khoja. -I don't know what that means. | 0:04:57 | 0:05:02 | |
I don't even know how to spell it. K-H... | 0:05:02 | 0:05:04 | |
What kind of word is khoja? ..O... | 0:05:04 | 0:05:06 | |
-They're just showing off, really. -OK. | 0:05:06 | 0:05:09 | |
For this popular magazine to review a self-help book | 0:05:09 | 0:05:12 | |
and pull out a word like...khoja, | 0:05:12 | 0:05:15 | |
from the Turkish "hoca". A, a title of respect for teacher. Hm. | 0:05:15 | 0:05:20 | |
-B, a wise man. -Or woman. | 0:05:20 | 0:05:22 | |
Oh! Or C, a subsect of ancient Ismaili assassins. | 0:05:22 | 0:05:28 | |
-Hm. Lets go with A, for teacher, shall we? -I don't know. | 0:05:28 | 0:05:30 | |
The assassin thing, I wouldn't throw that out. | 0:05:30 | 0:05:33 | |
-Hm. I love those people from New York Magazine. -Geniuses. | 0:05:33 | 0:05:36 | |
-Should I write a thank-you note? -Send a fruit basket. | 0:05:36 | 0:05:40 | |
Mm. I love fruit. | 0:05:40 | 0:05:42 | |
Yeah, well, that's why I'm marrying you, my Khoja. | 0:05:42 | 0:05:46 | |
-Hm. -We're not done. We're not done with comments. | 0:05:46 | 0:05:50 | |
-Ah. -OK. -OK, let's see. | 0:05:50 | 0:05:53 | |
"Dr Lloyd's analysis of love's dos and don'ts is both insightful | 0:05:53 | 0:05:57 | |
-"and trenchant." -Trenchant! What does that mean? | 0:05:57 | 0:06:00 | |
-Direct and incisive. -Gimme a break. | 0:06:00 | 0:06:02 | |
-What? I saw it on Jeopardy. -Why didn't they just say, | 0:06:02 | 0:06:06 | |
-"Read the book, ruin your life?" -Read the sports page to us, huh? | 0:06:06 | 0:06:09 | |
"Physical gifts can offer such insightful observations | 0:06:09 | 0:06:13 | |
-"into the human heart is a thing of wonder." -Whoa! | 0:06:13 | 0:06:16 | |
-Trouble, one o'clock. -"She is chicken soup for the heart." | 0:06:16 | 0:06:20 | |
Hey! Hey, Sofia! | 0:06:20 | 0:06:21 | |
-Uh-oh. -Sof! -Here we go. | 0:06:21 | 0:06:23 | |
I'm reading about the lady that helped you plunge a knife | 0:06:23 | 0:06:27 | |
through my heart. Very trenchant stuff. | 0:06:27 | 0:06:29 | |
I can't talk now because I got to be someplace. | 0:06:29 | 0:06:32 | |
We'll give you a ride. Hey, fellas! Stop the truck! | 0:06:32 | 0:06:35 | |
Sof, come on. You haven't returned any of my calls. | 0:06:37 | 0:06:40 | |
-Well, I've been busy. -Sofia, give the guy a break. | 0:06:40 | 0:06:43 | |
-Talk to him, Sof. -I can't. | 0:06:43 | 0:06:47 | |
Oh, don't do that, Sof! Come out here! Sofia! | 0:06:47 | 0:06:51 | |
Please come out here so that we can talk. | 0:06:52 | 0:06:57 | |
No, no, no, not you, sir. You can put your hands down. | 0:06:57 | 0:07:00 | |
-Firemen. We don't arrest people. -We'll hose you down. | 0:07:00 | 0:07:04 | |
Sof! I'm not going to go anywhere until you come out here. | 0:07:04 | 0:07:09 | |
I don't understand. You know, one minute we're gettin' married, | 0:07:15 | 0:07:20 | |
talkin' about names for our kids, and the next, | 0:07:20 | 0:07:23 | |
-because some fruitcake... -She's a doctor. -Of what, Sof? | 0:07:23 | 0:07:27 | |
Of what? Talk to me, here. | 0:07:27 | 0:07:28 | |
Patrick, it's over. | 0:07:30 | 0:07:33 | |
I'm sorry. OK? It's over. | 0:07:33 | 0:07:37 | |
I got to go. | 0:07:39 | 0:07:40 | |
Show's over, folks! Let's keep it movin'! What are ya lookin' at? | 0:07:46 | 0:07:50 | |
-WOMAN: -'I met someone I like but my friends tell me he's wrong for me.' | 0:07:50 | 0:07:54 | |
-What do your friends say? -'We have nothing in common, it's just sex.' | 0:07:54 | 0:07:58 | |
I'm just running away from many more appropriate men who pursue me | 0:07:58 | 0:08:02 | |
-because I'm... -Afraid of the real thing? -So they say. | 0:08:02 | 0:08:06 | |
-There's Patrick! -Oh, Patrick! | 0:08:26 | 0:08:28 | |
ALL TALK AT ONCE Patrick... | 0:08:28 | 0:08:30 | |
Quiet! Leave the man alone. Can you not see that his heart is broken? | 0:08:30 | 0:08:36 | |
How can he eat when the woman that he loved abandoned him forever, | 0:08:37 | 0:08:42 | |
virtually without explanation and may be, at this very moment, | 0:08:42 | 0:08:46 | |
cuckolding him with some other man? | 0:08:46 | 0:08:48 | |
HE CHUCKLES | 0:08:53 | 0:08:55 | |
-Good night, everybody. -Cuckolding? What does that mean? | 0:08:57 | 0:09:01 | |
ALL CHATTER | 0:09:01 | 0:09:03 | |
-Hey. -I'll be right with you. | 0:09:33 | 0:09:36 | |
I'm giving Ann Coulter's frequent flyer miles to Michael Moore. | 0:09:36 | 0:09:40 | |
This hacking's out of hand. | 0:09:40 | 0:09:41 | |
-You can get in serious trouble. -Too late. Bon voyage, Mr Moore. | 0:09:41 | 0:09:45 | |
You see that clipping on the Love Doctor's wedding plans? | 0:09:45 | 0:09:48 | |
-Who in their right mind is going to marry her? -Whoever we want. | 0:09:48 | 0:09:52 | |
-What do you mean? -Check this out. | 0:09:52 | 0:09:55 | |
-Who's that? -That's her. | 0:09:58 | 0:10:01 | |
-The Love Doctor? -I got it off her birth certificate. | 0:10:01 | 0:10:04 | |
-Oh, I don't know about this, Ajay. -What are you talking about? | 0:10:04 | 0:10:08 | |
All you ever do is walk around muttering about | 0:10:08 | 0:10:11 | |
giving her a piece of your mind or fixing her wagon. | 0:10:11 | 0:10:14 | |
For one, I've never said, "fix her wagon." | 0:10:14 | 0:10:16 | |
If you've moved on, that's different, | 0:10:16 | 0:10:20 | |
-and I'm happy you finally put this behind you. -Wait, whoa. | 0:10:20 | 0:10:23 | |
Sh-Sh... Maybe me telling her how I feel | 0:10:23 | 0:10:28 | |
and holding her accountable would be, | 0:10:28 | 0:10:30 | |
you know, important for my growth or whatever. What do you think? | 0:10:30 | 0:10:34 | |
What am I, your yogi? I thought you just wanted a little payback. | 0:10:34 | 0:10:38 | |
-Let's do it. -Nice. | 0:10:43 | 0:10:46 | |
-COMPUTER BEEPS -Oh, no, now you're married. | 0:10:46 | 0:10:49 | |
-I'm married. -I'm what? | 0:10:49 | 0:10:52 | |
-Already married. -According to who? | 0:10:52 | 0:10:55 | |
"According to whom." The state of New York. | 0:10:55 | 0:10:58 | |
-That's impossible. -I have never been married. | 0:10:58 | 0:11:00 | |
You must have the wrong Emma Lloyd. | 0:11:00 | 0:11:04 | |
-Emmaline Willing Lloyd? -HE LAUGHS | 0:11:04 | 0:11:07 | |
-Your real name is Emmaline? -There's a lot of things | 0:11:07 | 0:11:10 | |
-you don't know about her. -How do we fix this? | 0:11:10 | 0:11:13 | |
Annulment forms. Fill them out, | 0:11:13 | 0:11:15 | |
-have them notarised, bring them back. -I can't believe I didn't know. | 0:11:15 | 0:11:20 | |
-Your husband needs to sign them, too. -Fiance. -Husband. | 0:11:20 | 0:11:25 | |
-I don't have a husband. -Then who is | 0:11:25 | 0:11:26 | |
-Patrick Thomas Sullivan of Astoria, New York? -Who is he? | 0:11:26 | 0:11:30 | |
-(I don't know.) -He's your husband. | 0:11:30 | 0:11:32 | |
-His address is right there. -Astoria? -Queens. | 0:11:32 | 0:11:37 | |
I know a lawyer who can sort this quietly. | 0:11:37 | 0:11:38 | |
-I'm sure that won't be necessary. -It will. I've got a book to launch. | 0:11:38 | 0:11:42 | |
-Yours, I might add. -You don't think I was married? -No, it's not that, | 0:11:42 | 0:11:46 | |
-it's just the timing of this could not be worse. -I know. | 0:11:46 | 0:11:49 | |
I'm in the middle of recalling 70,000 copies of a moving memoir | 0:11:49 | 0:11:53 | |
by a new author we've trumpeted as the next Maya Angelou | 0:11:53 | 0:11:56 | |
who turns out to have plagiarised guess who? Maya Angelou. | 0:11:56 | 0:11:59 | |
-I forgot about that. -I didn't, and the headline | 0:11:59 | 0:12:02 | |
"Love Doctor A Polygamist" just flashed before my eyes. | 0:12:02 | 0:12:05 | |
-Hold these. -And on top of everything is the Bollenbecker takeover. | 0:12:05 | 0:12:09 | |
They haven't announced which publishers they're keeping, | 0:12:09 | 0:12:13 | |
so one author who can't seem to help herself from being married, | 0:12:13 | 0:12:16 | |
-and Abdington Books could be history. -I understand completely. | 0:12:16 | 0:12:19 | |
Trust me, I'll take care of it. Everything will be fine. | 0:12:19 | 0:12:23 | |
Oh, no, darling. Naughty choccy. | 0:12:23 | 0:12:28 | |
-You don't need this. -You're right. Moment of weakness. | 0:12:31 | 0:12:34 | |
-Go get 'em. -Taxi! | 0:12:35 | 0:12:37 | |
Bye, sweetie. | 0:12:37 | 0:12:40 | |
EMMA: Hello? | 0:13:19 | 0:13:20 | |
Hello? | 0:13:22 | 0:13:24 | |
Hello? Excuse me? | 0:13:29 | 0:13:32 | |
You're not Patrick Sullivan, are you? | 0:13:32 | 0:13:34 | |
-You are? No. -May I help you? | 0:13:34 | 0:13:38 | |
-I hope so. Is this 2301, 33rd Street? -Yes, | 0:13:38 | 0:13:41 | |
-it is. -I'm looking for someone who lives here | 0:13:41 | 0:13:44 | |
-by the unlikely name of Patrick Sullivan. -Patrick. | 0:13:44 | 0:13:48 | |
BOTH SPEAK FOREIGN LANGUAGE | 0:13:48 | 0:13:50 | |
Keep going, tall lady! Keep going! | 0:13:53 | 0:13:57 | |
Excuse me? | 0:14:06 | 0:14:08 | |
Excuse me, sir? | 0:14:08 | 0:14:10 | |
Officer? | 0:14:10 | 0:14:12 | |
-Hello! -Hey. | 0:14:13 | 0:14:17 | |
-Hey, I'm sorry, I... -No, no, no! It's fine. | 0:14:17 | 0:14:19 | |
Um, can you tell me how I can find Patrick Sullivan? | 0:14:19 | 0:14:22 | |
-We couldn't get that lady out. -She weighed 500 pounds! | 0:14:31 | 0:14:34 | |
-She knocked you with her skillet. -Frying pan. | 0:14:34 | 0:14:37 | |
-Patrick? -Yeah. Ah! -You won't believe this but that home-wrecking lady | 0:14:38 | 0:14:41 | |
-from the radio just walked in. -I believe you. | 0:14:41 | 0:14:45 | |
-Can I help you? -I'm looking for Patrick Sullivan. | 0:14:45 | 0:14:47 | |
-I was told at the fire station he might be here. -Right over there. | 0:14:47 | 0:14:50 | |
-Just looked over. -What are you havin'? -Um, whatever he's having. | 0:14:50 | 0:14:55 | |
-I'll bring it right over. -It's walkin' right this way. | 0:14:55 | 0:14:59 | |
-It's takin' its coat off. -How do you do? | 0:14:59 | 0:15:02 | |
It just looked at me again. It's comin' over here. | 0:15:02 | 0:15:05 | |
It's comin' right for me. What does it want? | 0:15:05 | 0:15:08 | |
Patrick Sullivan? You're not an easy man to find. | 0:15:11 | 0:15:14 | |
-I'm Emma Lloyd. -It thinks I'm you. Help me out here, huh? | 0:15:14 | 0:15:16 | |
Hey, I, er... I dropped my chalk. I'm Patrick Sullivan. | 0:15:16 | 0:15:20 | |
-This is my opponent, Larry Berlson. -Oh! Mr Sullivan, Mr Berlson. | 0:15:20 | 0:15:24 | |
-How do you do? I'm here for the oddest reason. -We all are. | 0:15:24 | 0:15:27 | |
-Here you are. -Is this mine? -Mind if I interrupt your game? | 0:15:27 | 0:15:30 | |
-Knock yourself out. -I didn't mean... -You don't play? -I can... | 0:15:30 | 0:15:33 | |
Then you're stripes. Down the hatch. | 0:15:33 | 0:15:35 | |
-No, Mr Sullivan. I'm here to... -You don't drink? | 0:15:35 | 0:15:38 | |
You don't play pool? Perhaps I can get you a herbal tea? | 0:15:38 | 0:15:42 | |
LAUGHTER | 0:15:42 | 0:15:43 | |
Nine in the corner. | 0:15:46 | 0:15:47 | |
-We need another round over here. -Mr Sullivan? | 0:15:50 | 0:15:53 | |
Something unfortunate has happened and it could make a mess of my life. | 0:15:53 | 0:15:57 | |
-Sorry to hear that. -It's certainly not your fault. | 0:15:57 | 0:15:59 | |
-It's still your shot. -Um, all right. | 0:15:59 | 0:16:03 | |
Well, how can I explain? You see, um, er, I'm about to be married. | 0:16:03 | 0:16:06 | |
-ALL: Aw! -That's too bad! Congratulations on the other thing. | 0:16:06 | 0:16:12 | |
-Hey, we got a bride in our midst. -ALL CHEER AND APPLAUD | 0:16:12 | 0:16:14 | |
-Another round. -That won't be necessary. -It's necessary. | 0:16:14 | 0:16:18 | |
I feel a toast coming on. Wait a second, | 0:16:18 | 0:16:22 | |
-I know you. -Excuse me? -Yeah, yeah. | 0:16:22 | 0:16:25 | |
Real Love with Dr Emma Lloyd, that lady I hear on the radio. | 0:16:25 | 0:16:28 | |
Yes, of course. You found me out. | 0:16:28 | 0:16:31 | |
-Have you ever been on television? -No, but I have a book coming out. | 0:16:31 | 0:16:34 | |
-I love television. -My girlfriend never misses your show. | 0:16:34 | 0:16:38 | |
-Oh, well, has it been helpful in your relationship? -Oh, you have no idea. | 0:16:38 | 0:16:42 | |
-It's completely changed our lives! -Oh, really? That is so nice to hear. | 0:16:42 | 0:16:47 | |
-Here you go. -To the bride and ever-changing life! -To the bride! | 0:16:47 | 0:16:51 | |
ALL: To the bride! | 0:16:51 | 0:16:54 | |
Hm. Mr Sullivan, as I was saying, you see, I'm about to be married. | 0:16:54 | 0:16:59 | |
Hey, be careful. 43% of marriages end in divorce. | 0:16:59 | 0:17:02 | |
That's right. It's all about picking the right partner. | 0:17:02 | 0:17:05 | |
So true. It's so true. In order to do that, my fiance, Richard, and I | 0:17:05 | 0:17:10 | |
-need a licence from New York... -Richard from Dispatch? | 0:17:10 | 0:17:13 | |
So, on an otherwise lovely morning, we go down to city hall... | 0:17:13 | 0:17:16 | |
-To Emma and Richie! -ALL: Emma and Richie! | 0:17:16 | 0:17:18 | |
-Richard! And I don't want any more. -Hey, you're right. | 0:17:18 | 0:17:22 | |
You don't want Richie to see you hammered before your wedding. | 0:17:22 | 0:17:25 | |
-Tony! Give me that herbal tea over here. -Herbal tea coming up! | 0:17:25 | 0:17:29 | |
One for me, please. ALL EXCLAIM | 0:17:29 | 0:17:32 | |
Very funny, Mr Sullivan. Very funny. | 0:17:32 | 0:17:35 | |
-I'll have you know I don't get drunk. -You don't? | 0:17:35 | 0:17:38 | |
No. My father taught me a good trick to hold one's liquor. | 0:17:38 | 0:17:41 | |
You simply recite the Presidents' names in order. | 0:17:41 | 0:17:44 | |
-Out loud? -Forwards or backwards? -Watch and learn, gentlemen. | 0:17:44 | 0:17:49 | |
To Washington, Adams, Jefferson, Madison and Monroe. | 0:17:49 | 0:17:52 | |
Carter! ALL: Carter! | 0:17:52 | 0:17:55 | |
Reagan! ALL: Reagan! | 0:17:55 | 0:17:57 | |
Bush! ALL: Bush! | 0:17:57 | 0:18:00 | |
Do you think maybe we should pour you into a cab? | 0:18:00 | 0:18:03 | |
-Maybe your fiance's worried. -Oh, that's right! | 0:18:03 | 0:18:05 | |
-That is exactly what I came to talk to you about. -OK. | 0:18:05 | 0:18:08 | |
-Yes, Mr Sullivan, it seems we're married. -Come again? | 0:18:08 | 0:18:12 | |
We...are married! | 0:18:12 | 0:18:16 | |
-I thought you were marrying Richie. -Exactly! -I'm over here. -Right! | 0:18:16 | 0:18:20 | |
Uh, yes, it seems that we... I mean, we are victims of a glitch | 0:18:20 | 0:18:25 | |
in some computer, somewhere, somehow, | 0:18:25 | 0:18:28 | |
-I don't know, has married us. -A glitch? | 0:18:28 | 0:18:32 | |
-Mm-hm. I'll say a big one. -Oh, boy. | 0:18:32 | 0:18:36 | |
So, um, if, um, you'd just be... | 0:18:36 | 0:18:41 | |
so kind as to sign these papers, I'd... Agh! | 0:18:41 | 0:18:45 | |
Agh! Ow! ALL GROAN | 0:18:45 | 0:18:48 | |
LAUGHTER | 0:18:48 | 0:18:51 | |
Washington, Madison, Adamson... | 0:18:51 | 0:18:55 | |
-Are you a fireman? -Indeed, I am. -I always liked you guys. | 0:18:55 | 0:18:59 | |
SHE SIGHS | 0:18:59 | 0:19:02 | |
The lights are out now. | 0:19:02 | 0:19:04 | |
HE GRUNTS | 0:19:11 | 0:19:13 | |
HE PANTS | 0:19:34 | 0:19:35 | |
-BANG -Sorry about that. | 0:19:37 | 0:19:40 | |
HE GRUNTS | 0:19:44 | 0:19:46 | |
HE SIGHS | 0:19:46 | 0:19:47 | |
(Ooh! Ouch!) | 0:20:00 | 0:20:03 | |
MOBILE RINGS | 0:20:10 | 0:20:11 | |
RINGING STOPS | 0:20:23 | 0:20:26 | |
EMMA GROANS | 0:20:44 | 0:20:46 | |
MUSIC: "Yaro Yarodi" by AR Rahman | 0:20:50 | 0:20:52 | |
Oh, no. | 0:20:52 | 0:20:55 | |
SHE GASPS | 0:20:57 | 0:20:59 | |
Oh! | 0:20:59 | 0:21:01 | |
Hello? (Oh, no!) | 0:21:02 | 0:21:06 | |
Oh, no! Oh, no! | 0:21:06 | 0:21:08 | |
SHE GASPS | 0:21:10 | 0:21:12 | |
Oh, my God! Oh, my God! | 0:21:14 | 0:21:18 | |
Oh... Oh! | 0:21:19 | 0:21:21 | |
Oh, my God. | 0:21:24 | 0:21:26 | |
SHE SCREAMS | 0:21:26 | 0:21:29 | |
SHE GASPS | 0:21:33 | 0:21:35 | |
Oh! | 0:21:44 | 0:21:45 | |
Excuse me. | 0:21:51 | 0:21:54 | |
-Good morning, Dr Lloyd. -Oh, good morning. | 0:22:00 | 0:22:03 | |
-Wait! -Someone had a rough night. -Oh, yeah. | 0:22:03 | 0:22:07 | |
Excuse me. | 0:22:10 | 0:22:12 | |
-Oh, my. -I need the emergency outfit. | 0:22:16 | 0:22:19 | |
-What? -The emergency outfit! The outfit I keep for emergencies. | 0:22:19 | 0:22:22 | |
Richard called six and a half times. The last time, he hung up. | 0:22:22 | 0:22:27 | |
-Is he worried about Bollenbecker? -Can you get him? -On the phone? | 0:22:27 | 0:22:31 | |
-Why do you do that? -It's fun. -The outfit? -Not here. | 0:22:31 | 0:22:35 | |
-I had a date. -Oh! -Did you know we're not remotely the same size? | 0:22:35 | 0:22:38 | |
-Richard, aspirin, coffee! -Oh, and your father... -Now! | 0:22:38 | 0:22:42 | |
-Please hold. Richard, line one! -PHONE RINGS | 0:22:42 | 0:22:46 | |
Richard, sweetheart. I am so sorry I didn't call. | 0:22:48 | 0:22:51 | |
-'I've been worried sick.' -I was in Queens | 0:22:51 | 0:22:53 | |
so I thought I'd stay at my father's and go over wedding stuff. | 0:22:53 | 0:22:57 | |
And he brought you in this morning with your mum's dress. | 0:22:57 | 0:23:01 | |
He brought me back in with my mum's wedding dress. | 0:23:01 | 0:23:03 | |
-Your father's here. -She knows that. -'What about Sullivan?' | 0:23:03 | 0:23:07 | |
-(It's beautiful.) -'Emma?' -Yes! I found Sullivan. | 0:23:07 | 0:23:11 | |
-Coffee, Wilder? -I'd love some. -Aspirin. | 0:23:11 | 0:23:13 | |
-I've got the papers. -'You have them?' -No, not on me. | 0:23:13 | 0:23:16 | |
-MOBILE RINGS -Coffee filters? -I don't work here. | 0:23:16 | 0:23:19 | |
-I know they have to be notarised. (Can you get that?) -Sure. | 0:23:19 | 0:23:22 | |
I have everything under control. You have enough on your plate. | 0:23:22 | 0:23:26 | |
-Don't... -Emma, your husband would like a few words with you. | 0:23:26 | 0:23:30 | |
-Who? -Who? -Patrick Sullivan? -'You don't even have them on you?' | 0:23:30 | 0:23:34 | |
-Sweetheart, can you, um, can you hold, please? -'Emma...' | 0:23:34 | 0:23:37 | |
-Not a word. -'Hello? Hey, you there? Hello?' | 0:23:37 | 0:23:41 | |
-Agh! Mr Sullivan? -'Hey.' -Let me get to the point. | 0:23:41 | 0:23:45 | |
-I left some very important documents in your... -Richard! Phone! | 0:23:45 | 0:23:48 | |
Uh, can you just hold on one teeny, tiny second? Don't go away. | 0:23:48 | 0:23:52 | |
Richard, sweetheart, | 0:23:52 | 0:23:54 | |
-I am so sorry to keep you holding. -'What's going on?' -I'll explain | 0:23:54 | 0:24:00 | |
-at the cake tasting. But you promised. -'I'll meet you tonight.' | 0:24:00 | 0:24:03 | |
All right. OK. PHONE RINGS | 0:24:03 | 0:24:07 | |
-Husband! Cell! -Oh! Mr Sullivan? | 0:24:07 | 0:24:09 | |
-Dr Lloyd's office. -Mr Sullivan! -Wilder here. -Mr Sullivan? Hello? | 0:24:09 | 0:24:14 | |
-It's your father on two. -Got to run, darling! | 0:24:14 | 0:24:17 | |
Going to wait for your coffee? | 0:24:17 | 0:24:20 | |
-Nobody's got that kind of time. -What are you smirking about, Wilder? | 0:24:20 | 0:24:23 | |
I'm just glad to see you're having fun. | 0:24:23 | 0:24:25 | |
Does it look like I'm having fun? Wait. | 0:24:25 | 0:24:29 | |
You drove all the way in just to bring mum's dress? | 0:24:29 | 0:24:33 | |
Actually, I was hoping to lure you over to Bemelmans | 0:24:33 | 0:24:36 | |
-for a banana split like the old days. -Bemelmans has been closed | 0:24:36 | 0:24:40 | |
-for ten years. -Ah, well, my timing's always been a little off. | 0:24:40 | 0:24:42 | |
-MOBILE RINGS -Don't keep your husbands waiting. | 0:24:42 | 0:24:46 | |
-It's not what you think. -Yeah, I know. | 0:24:46 | 0:24:48 | |
Mr Sullivan? Thank you so much for calling back. | 0:24:48 | 0:24:52 | |
-Excuse me? -What do you want? -Car's downstairs. You're late. | 0:24:52 | 0:24:55 | |
-Mr Sullivan. -'Yes.' -Yes, about last night. | 0:24:55 | 0:24:59 | |
-What exactly happened? -'Well, you do one hell of a Riverdance.' | 0:24:59 | 0:25:02 | |
-Uh-huh. -'It was quite a night.' -That doesn't sound like me. | 0:25:02 | 0:25:05 | |
-'And that wasn't the good part.' -What do you mean? -'I'm here.' | 0:25:05 | 0:25:10 | |
You're where? Hey, I'm losing you. Hello? | 0:25:10 | 0:25:13 | |
Can you hear me now? Look, forget last night. | 0:25:13 | 0:25:15 | |
What I want is a large stack of papers I need you to sign. | 0:25:15 | 0:25:18 | |
-I got 'em right here. -You do! Thanks. You made my day. | 0:25:18 | 0:25:22 | |
-Coffee? -Thank you. | 0:25:22 | 0:25:24 | |
-I know a notary not far from here. -Right now? | 0:25:24 | 0:25:27 | |
-This appointment took me three months to get. -Sounds important. | 0:25:27 | 0:25:31 | |
-It's a cake tasting. -Like I said, important. | 0:25:31 | 0:25:33 | |
It's the wedding cake and she's Marilyn Hirschfield, | 0:25:33 | 0:25:37 | |
a respected cake maker. These appointments are hard - I love cake! | 0:25:37 | 0:25:39 | |
-Wh-What are you doing? -Scoot over. -Hey! | 0:25:39 | 0:25:42 | |
-This cake is fantastic! -Ssh! Please, please. Be quiet. -Hey, | 0:25:42 | 0:25:47 | |
-can I get another slice, please? -You've tried the butter cream, sir. | 0:25:47 | 0:25:50 | |
-It's my fiancee. She's on the fence about the butter cream. -I am not. | 0:25:50 | 0:25:54 | |
-Do you have any milk? -Sure. -After this, we go to the notary? | 0:25:54 | 0:25:57 | |
-Yeah, absolutely. How much is this? -It's free, sir. | 0:25:57 | 0:26:00 | |
-It's free! -Here you are, sir. -Here's my milk. | 0:26:00 | 0:26:02 | |
-Would you like a sip? -No, thank you. I'm not six. | 0:26:06 | 0:26:10 | |
I need a spoon. Don't worry about it. | 0:26:10 | 0:26:12 | |
-I got this. -Here, we have our dark Belgian chocolate | 0:26:12 | 0:26:15 | |
-with vanilla mousse torte. -Thank you. -It's awesome. | 0:26:15 | 0:26:18 | |
Oh, my God! Do you know if you mix these two together, | 0:26:23 | 0:26:26 | |
it tastes like a Ring Ding! You got to try this. | 0:26:26 | 0:26:29 | |
No, no, no, that's fine. I'm not your baby and... | 0:26:29 | 0:26:32 | |
-No, no, no, no, no! -Ah! -No! -Ah! | 0:26:32 | 0:26:35 | |
-Mmm? -Ah? | 0:26:35 | 0:26:38 | |
-Mm. It's yummy. -It's super-duper. -Mm-hm. | 0:26:38 | 0:26:41 | |
-Um, may I, um...have just one more glass of milk, please? -Attagirl! | 0:26:41 | 0:26:46 | |
-Milk for my bride. In fact, milks all around. -Milks all around. | 0:26:46 | 0:26:50 | |
-Hey, where you ladies from? -Germany. -Wow! | 0:26:50 | 0:26:53 | |
You must like cake. You got to try this and mix these two together. | 0:26:53 | 0:26:58 | |
Can we get some Ring Ding things for the gals over here, please? | 0:26:58 | 0:27:01 | |
Darling, everyone is being attended to. | 0:27:01 | 0:27:04 | |
Baby, I got this covered. Don't you worry about it. | 0:27:04 | 0:27:06 | |
-Quite a handful you got there. -That he is. | 0:27:06 | 0:27:11 | |
Impulsive, unpredictable. You never know what he's going to do next. | 0:27:11 | 0:27:14 | |
-Full of surprises. -But that's the fun of it, isn't it? | 0:27:14 | 0:27:19 | |
-Of course it is. -It is, trust me. | 0:27:19 | 0:27:22 | |
-Here you go, ladies. -He reminds me of my husband when we first met. | 0:27:22 | 0:27:26 | |
Everybody thought we were a total mismatch, but we had so much fun. | 0:27:26 | 0:27:30 | |
-And we still do 25 years later. -Hey! What are you ladies talkin' about | 0:27:30 | 0:27:34 | |
-over here? -Talking about the men in our lives. -Ah, boys. | 0:27:34 | 0:27:38 | |
Oh, stop. Never mind. How did you two meet? | 0:27:38 | 0:27:41 | |
Oh, honey, y-you tell the story. You tell it a lot better than I do. | 0:27:43 | 0:27:47 | |
No, no, no, no, no. No, you tell it. You're the good, er, teller of it. | 0:27:47 | 0:27:51 | |
-Please? -All right, all right, sure. | 0:27:51 | 0:27:54 | |
-You ladies heard of pro wrestling? -Stop! Kidder! | 0:27:54 | 0:27:57 | |
Oh, he's such a kidder. Kidder. It was a, um, er... | 0:27:57 | 0:28:03 | |
-a blind date. -Oh? -Yeah, yeah, we were fixed up. | 0:28:03 | 0:28:06 | |
Yes! Fixed up, but not with each other. | 0:28:06 | 0:28:09 | |
It was two separate blind dates in the same bar. | 0:28:09 | 0:28:11 | |
-Both goin' terribly. -Horribly! Think about those people who set us up. | 0:28:11 | 0:28:16 | |
-Susie and Allen. -Susie and Allen. -What did they know? -I don't know. | 0:28:16 | 0:28:20 | |
-Anyway, I guess he noticed me. -Well, I mean, come on, look at her. | 0:28:20 | 0:28:25 | |
-A guy would have to be blind. -Noticed me suffering on my bad date | 0:28:25 | 0:28:31 | |
and then the band started playing this song and it was my favourite, | 0:28:31 | 0:28:35 | |
and suddenly he was next to me and he asked me to dance, and...I said yes. | 0:28:35 | 0:28:40 | |
-What was the song? -Song? | 0:28:42 | 0:28:44 | |
-Mm-hm? -Oh, yeah, the song. Oh. | 0:28:44 | 0:28:48 | |
# Over night scenes | 0:28:48 | 0:28:50 | |
# Dinner and wine | 0:28:50 | 0:28:52 | |
# Saturday girls | 0:28:52 | 0:28:54 | |
# I was never in love | 0:28:54 | 0:28:56 | |
# Never had the time | 0:28:56 | 0:28:57 | |
-Honey, Every Woman In The World. -Every Woman In The World. | 0:28:57 | 0:29:00 | |
# Laughing myself to sleep | 0:29:00 | 0:29:02 | |
# Waking up lonely | 0:29:02 | 0:29:04 | |
# I needed someone to hold me Oh, oh, oh | 0:29:04 | 0:29:08 | |
ALL: # Girl, you're every woman | 0:29:08 | 0:29:11 | |
# In the world to me | 0:29:11 | 0:29:14 | |
# You're my fantasy | 0:29:14 | 0:29:17 | |
# You're my reality... # | 0:29:17 | 0:29:18 | |
That's it! Uh, that's the song. | 0:29:18 | 0:29:20 | |
That was off the top of my head. We've known each other two hours | 0:29:28 | 0:29:31 | |
-and we already got a song. -We don't have a song. | 0:29:31 | 0:29:35 | |
How long is this going to take? | 0:29:36 | 0:29:39 | |
Emma Lloyd, Deepak Manaam Chaturvedi. | 0:29:47 | 0:29:50 | |
-Mr Manaam Chatur... -Deep. Deep. | 0:29:50 | 0:29:52 | |
-Mr Deep. -I recognise you. | 0:29:52 | 0:29:54 | |
The passed-out lady Patrick carries around. | 0:29:54 | 0:29:56 | |
Yes, that would be me. | 0:29:56 | 0:29:59 | |
-I brought you a little something. -Oh, how very thoughtful. | 0:30:00 | 0:30:04 | |
Do we have to do this right now? | 0:30:04 | 0:30:06 | |
-Delicious. It's not unlike a Ring Ding. -What did I tell you? | 0:30:08 | 0:30:13 | |
I'm sure you'd love a glass of milk with that | 0:30:13 | 0:30:15 | |
but I have to get changed for my book party, so if you don't mind... | 0:30:15 | 0:30:19 | |
-Don't rush me. I'm a notary public. I took a test. -OK, I'm sorry. | 0:30:19 | 0:30:24 | |
-Um, how long do you think this will take? -Let's just review, hm? | 0:30:24 | 0:30:28 | |
Signatures...check. | 0:30:28 | 0:30:32 | |
Dates...check. | 0:30:34 | 0:30:37 | |
-All you need is my seal and you'll be on your way in ten minutes. -Oh! | 0:30:37 | 0:30:41 | |
Uh, an hour. | 0:30:41 | 0:30:43 | |
A year. It'll take as long as it takes. Who can say? | 0:30:43 | 0:30:47 | |
Is there anything you can do to hurry? I can pay extra. | 0:30:47 | 0:30:50 | |
-Trying to bribe a public official? -Oh, this is ridiculous. I'm late! | 0:30:50 | 0:30:54 | |
I'm late and I'll send a messenger in the morning. | 0:30:54 | 0:30:58 | |
-That will be more than enough time. -I could bring it by the office. -No. | 0:30:58 | 0:31:01 | |
I will send a messenger. Thank you, Mr Sullivan, for your cooperation. | 0:31:01 | 0:31:05 | |
Well, thank you for thanking me, Mrs Sullivan. | 0:31:05 | 0:31:09 | |
-A year? -Patrick, I'm out. Out. You had your fun but this is too far. | 0:31:10 | 0:31:14 | |
You should be ashamed. A nice lady like that? | 0:31:14 | 0:31:17 | |
I wanted to give her a taste of her own medicine, | 0:31:17 | 0:31:19 | |
and then I... I don't know, I... | 0:31:19 | 0:31:22 | |
-She's starting to grow on me. -No. Look, no growing, OK? | 0:31:22 | 0:31:25 | |
No growing on anyone by anyone, no knees weakened, no shines taken to, | 0:31:25 | 0:31:31 | |
none of it. Not on my watch. | 0:31:31 | 0:31:35 | |
Now, go. You and Ajay have caused enough trouble. | 0:31:35 | 0:31:39 | |
Out! | 0:31:39 | 0:31:41 | |
-Dr Lloyd! This way, please! -Over here, please! -Dr Lloyd? | 0:31:41 | 0:31:45 | |
-Dr Lloyd? This camera, please. -Smile, please. | 0:31:45 | 0:31:47 | |
Oh, beautiful, thank you. | 0:31:47 | 0:31:50 | |
-Hi. -Eye contact, please? | 0:31:50 | 0:31:54 | |
-Sign this. -This way, please. | 0:31:54 | 0:31:57 | |
-And where's Richard? -Right over there. -Thanks. | 0:31:57 | 0:32:00 | |
-Hi! -Not too shabby, huh? | 0:32:00 | 0:32:04 | |
-No, it's wonderful. I can't believe it. -Sign these. -OK. | 0:32:04 | 0:32:08 | |
-I have so much to tell you. -Did you get the papers? | 0:32:08 | 0:32:12 | |
-Um, they're at the notary. -Excellent. Karl Bollenbecker's here. | 0:32:12 | 0:32:15 | |
-Make that out to him. -Oh? -He wasn't coming, | 0:32:15 | 0:32:17 | |
-then his office said he was. Good or bad? -How could it be bad? | 0:32:17 | 0:32:21 | |
-He hasn't even met you. -You look stunning. -Thanks. | 0:32:21 | 0:32:25 | |
-What happened to your head? -Oh, bird accident. | 0:32:25 | 0:32:26 | |
A pigeon flew into me. I'll go take care of it. | 0:32:26 | 0:32:31 | |
-Emma? You remember Dr Benton? -Yes, hi. Nice to see you. Hi, Judy. | 0:32:32 | 0:32:36 | |
No sooner do we leave you than, bang, I see your picture on a bus. | 0:32:42 | 0:32:46 | |
-Oh! From the cake tasting! -I felt so foolish, | 0:32:46 | 0:32:49 | |
-I went and bought your book immediately. -Oh, that's unnecessary. | 0:32:49 | 0:32:53 | |
Later, I was reading your very sensible observation | 0:32:53 | 0:32:57 | |
-and your clinical judgments... -Are they good things? | 0:32:57 | 0:33:00 | |
I'm sure some people find them useful, but I was surprised | 0:33:00 | 0:33:03 | |
that a helpless romantic can give practical advice. | 0:33:03 | 0:33:07 | |
-Me? Helpless? -Oh, yes, you. Hopelessly helpless. | 0:33:07 | 0:33:10 | |
But let me finish. So my husband, Karl, | 0:33:10 | 0:33:13 | |
returns to the home and on top of his paper | 0:33:13 | 0:33:17 | |
there is an invitation to this very party. Isn't it amazing? | 0:33:17 | 0:33:21 | |
When you say Karl, do you mean Karl... BOTH: Bollenbecker. | 0:33:21 | 0:33:24 | |
-SHE GASPS -It's a small world, isn't it? | 0:33:24 | 0:33:27 | |
Yes! Teeny! Like a marble. | 0:33:28 | 0:33:32 | |
-Or a gumball. -I had to drag Karl by the ear to come here. | 0:33:32 | 0:33:35 | |
-Well, it is a girlie book. -Oh, it's not that. Karl can be very girly. | 0:33:35 | 0:33:39 | |
He doesn't like to socialise with someone | 0:33:39 | 0:33:42 | |
-whose company he intends to liquidate. -Liquidate? | 0:33:42 | 0:33:45 | |
-Who, Richard? -Yes, but we can fix that. | 0:33:47 | 0:33:51 | |
After this party, you and Richard will join us for dinner. | 0:33:51 | 0:33:54 | |
-If Karl sees the man I saw, Abdington Books will be safe. -Oh. | 0:33:54 | 0:34:00 | |
Well, that is unbelievably kind of you, | 0:34:00 | 0:34:04 | |
but you see, Richard and I made plans, so we're supposed to... | 0:34:04 | 0:34:07 | |
The only thing you're supposed to do is to bring your fiance to dinner. | 0:34:07 | 0:34:11 | |
Let's find Richard. Karl is waiting. | 0:34:11 | 0:34:15 | |
Oh! Oh, oh, my husband hates you, but you saved our marriage. | 0:34:19 | 0:34:22 | |
-Do you mind? -Not at all. Um, who shall I make it out to? -To... | 0:34:22 | 0:34:26 | |
Richard! | 0:34:26 | 0:34:28 | |
Um... Thank you. | 0:34:30 | 0:34:34 | |
-Oh, hey, hey. I brought your papers. -Richard! Sweetheart. | 0:34:34 | 0:34:39 | |
Please go with me on this, OK? | 0:34:39 | 0:34:41 | |
-Do you remember Greta Bollenbecker? -It's the cake lady! | 0:34:41 | 0:34:45 | |
-It's a small world. -So small. Constantly shrinking. | 0:34:45 | 0:34:48 | |
-It must be the global warming. -I want to introduce you to my husband. | 0:34:48 | 0:34:52 | |
Her husband, Karl Bollenbecker, has just acquired your publishing house | 0:34:52 | 0:34:57 | |
and he's thinking of dumping you, Richard, and it. | 0:34:57 | 0:35:00 | |
-Wait, I own a publishing house? -Yes, and you're my fiance, | 0:35:00 | 0:35:04 | |
-so please just focus, concentrate. Got it? -This is him. | 0:35:04 | 0:35:08 | |
-You must be the cake dunker. -You got me. -That's my Richard! | 0:35:09 | 0:35:14 | |
-Casual Fridays? -Uh, I actually just came from soccer practice. | 0:35:15 | 0:35:18 | |
-You play football? -Well, I'm no Lucas Podolski. | 0:35:18 | 0:35:21 | |
Podolski! Well, nothing could beat Podolski! I own his team - | 0:35:21 | 0:35:26 | |
-a genius. -You own the Bayern Munchen club? | 0:35:26 | 0:35:29 | |
Why don't you use Klose on defence? He's been underutilised. | 0:35:29 | 0:35:32 | |
-That's what I told that stupid coach. -Klinsmann? | 0:35:32 | 0:35:34 | |
-Got to go. -On this we agree. -Excuse me. | 0:35:34 | 0:35:37 | |
-My name's... Ow! Jesus, Emma! -What? Hand noogies! | 0:35:37 | 0:35:41 | |
We give each other hand noogies. This is my brother, Carl. | 0:35:41 | 0:35:46 | |
-Your name is Carl as well? This is a small world! -Yes, teeny! | 0:35:46 | 0:35:49 | |
Like a gimlet. Yes, my tiny, teeny little brother, but not small. | 0:35:49 | 0:35:53 | |
No. Big. Older, but not by much. | 0:35:53 | 0:35:57 | |
-Carl, who I love so very, very much. -How's it goin', bro? | 0:35:57 | 0:36:00 | |
-Wine? -I'm sorry, I'm suddenly very thirsty. | 0:36:00 | 0:36:04 | |
-Carl? Carl? -(Carl.) -Carl? | 0:36:04 | 0:36:06 | |
This is Karl Bollenbecker and I'm Greta, his wife, | 0:36:06 | 0:36:10 | |
and we're so charmed by your sister. | 0:36:10 | 0:36:13 | |
And her outspoken fiance who seems to find fault | 0:36:13 | 0:36:17 | |
-with every player in the Bundesliga. -But not Podolski. | 0:36:17 | 0:36:20 | |
-But never Podolski! -THEY LAUGH | 0:36:20 | 0:36:24 | |
So, you sound English, but your sister... | 0:36:24 | 0:36:26 | |
-Incredible, isn't it? Can I borrow Emma? -But we both had... I'm sorry. | 0:36:26 | 0:36:31 | |
SHE SCREAMS BOTH: A hand noogie! | 0:36:31 | 0:36:33 | |
-Who is that man pretending to be me? -I can explain. | 0:36:35 | 0:36:38 | |
-He's wearing sweatpants. -It's Sullivan! You're stress-eating. | 0:36:38 | 0:36:41 | |
-I'm not. Go on. -I wasn't at my father's, I was with Sullivan. | 0:36:41 | 0:36:44 | |
Not "with him" with him but in his apartment, drunk. | 0:36:44 | 0:36:48 | |
That sounds worse. I assure you, I was fully clothed. | 0:36:48 | 0:36:50 | |
Beyond that, I'm not certain, except he showed up | 0:36:50 | 0:36:52 | |
with papers when I had to go to the tasting, which you refused to go to | 0:36:52 | 0:36:56 | |
-because you're busy. -Get back to the Bollenbeckers! -Fine. | 0:36:56 | 0:36:59 | |
So, at the cake tasting, there was this sweet lady, | 0:36:59 | 0:37:04 | |
and she thought Sullivan was my fiance and I couldn't disappoint her, | 0:37:04 | 0:37:08 | |
but this lady wasn't sweet at all. She was Mrs Bollenbecker, | 0:37:08 | 0:37:12 | |
-which I didn't know. -You certainly know now! -Yes, I do. | 0:37:12 | 0:37:15 | |
Had I known, I wouldn't have let the whole thing continue, but it did, | 0:37:15 | 0:37:19 | |
and everyone was taken with him, especially Mrs Bollenbecker | 0:37:19 | 0:37:23 | |
-when he sang. -He's a singer? -No, no, no. He's a fireman. | 0:37:23 | 0:37:26 | |
-Darling, are you sure you want that? -Yes. Yes, I am. | 0:37:26 | 0:37:30 | |
-What is he doing here? -He came to bring me the notarised papers | 0:37:30 | 0:37:33 | |
but then there was Mrs Bollenbecker. I'm Emma Lloyd and so he's my fiance. | 0:37:33 | 0:37:38 | |
-And I am tiny brother Carl. -Oh, Richard, I'm terribly sorry, | 0:37:38 | 0:37:43 | |
but, er... Oh, look! Mini cupcakes. | 0:37:43 | 0:37:46 | |
Look, I only got about half of what you're saying | 0:37:46 | 0:37:50 | |
but this can be cleaned up easily, so before you harpoon | 0:37:50 | 0:37:53 | |
what is left of my reputation, I am going to go in there... | 0:37:53 | 0:37:56 | |
-No, no, no, you can't! They're going to exterminate you. -What? | 0:37:56 | 0:38:00 | |
Not you, Abdington Books. No, terminate! No, liquidate! | 0:38:00 | 0:38:03 | |
That's it. Yes, chop it up in little pieces, everything must go! | 0:38:03 | 0:38:07 | |
-That's why Karl wasn't coming. -But he did come! | 0:38:07 | 0:38:10 | |
Because Mrs B made him come. She made him come so he could meet you. Look. | 0:38:10 | 0:38:15 | |
I think he's really starting to like you. | 0:38:15 | 0:38:19 | |
Oh, all right, I... Let me think now. | 0:38:19 | 0:38:21 | |
He owns so many entities, I can buy a year before our paths cross, | 0:38:21 | 0:38:25 | |
so we just have to get through this. A few more minutes? | 0:38:25 | 0:38:27 | |
And a dinner. Tonight. It was Mrs B's idea, so Karl could get to know you. | 0:38:27 | 0:38:33 | |
-He's gone. -Karl? -No, Sullivan. | 0:38:33 | 0:38:35 | |
-He's gone. -But the dinner! -Well, get him there! | 0:38:35 | 0:38:38 | |
Oh, er... | 0:38:39 | 0:38:41 | |
-Is Sullivan even in here? -I don't see how he'd fit. | 0:38:44 | 0:38:47 | |
Not now, Marcy. | 0:38:47 | 0:38:49 | |
-Find the lioness within. -Now, you've read my book? | 0:38:51 | 0:38:54 | |
Mr Sullivan, Emma Lloyd here. Here's the deal. | 0:38:54 | 0:38:59 | |
My entire career and my marriage to Richard, probably, are at stake here. | 0:38:59 | 0:39:04 | |
Frankly, I need you. I really need you...tonight. | 0:39:06 | 0:39:11 | |
ALL LAUGH, SPEAK GERMAN | 0:39:11 | 0:39:15 | |
MOBILE RINGS | 0:39:23 | 0:39:26 | |
-Hello? -'Say "Yes" if he's there, "Oh, my God" if he's not.' | 0:39:28 | 0:39:31 | |
-Oh, my God. Oh, my God! -'Don't overdo it.' | 0:39:31 | 0:39:35 | |
-You got hit by a cab? -'Good, nice touch.' | 0:39:35 | 0:39:38 | |
What hospital are you in? I'll be right there. He was hit by a cab! | 0:39:38 | 0:39:43 | |
-Who was hit by a cab? -'Who's that?' | 0:39:43 | 0:39:47 | |
-'Is that Sullivan?' -Oh! So it was only your foot? | 0:39:47 | 0:39:51 | |
-And you're fine. Promise? -'Is that Sullivan?' -Oh! | 0:39:51 | 0:39:54 | |
Carl, he got... A cab ran over his foot. Heh. | 0:39:54 | 0:39:58 | |
-Yeah. -Carl can't catch a break. -Drink lots of cocoa. Bye-bye, darling! | 0:39:58 | 0:40:02 | |
I was beginning to think a man who would leave his fiancee unattended | 0:40:02 | 0:40:07 | |
for so long might not be as charming as I imagined. | 0:40:07 | 0:40:12 | |
But no matter. Please, join us for dessert. | 0:40:12 | 0:40:17 | |
Karl, I know how important this dinner is to my future | 0:40:17 | 0:40:20 | |
with the Bollenbecker Group, but I've got this family thing | 0:40:20 | 0:40:26 | |
and where I come from, family comes first, | 0:40:26 | 0:40:29 | |
so I'm just here to invite you to a party. | 0:40:29 | 0:40:33 | |
Could be a lot of fun. | 0:40:34 | 0:40:36 | |
-To family! Above all else! -To family! | 0:40:36 | 0:40:40 | |
LAUGHS | 0:40:40 | 0:40:42 | |
PEOPLE CHEERING, UPBEAT INDIAN MUSIC | 0:40:42 | 0:40:45 | |
You look beautiful. | 0:41:06 | 0:41:09 | |
-Nice crowd for your upanayanam, man. -I'm back. | 0:41:13 | 0:41:15 | |
-What's with all the white people? -Party crashers. -Even that one? | 0:41:18 | 0:41:22 | |
-No, that one's with me. -Welcome, Emma. | 0:41:23 | 0:41:26 | |
Get up there. | 0:41:28 | 0:41:31 | |
CHEERING AND SHOUTING | 0:41:31 | 0:41:34 | |
SOFT MUSIC, MAN SINGING IN FOREIGN LANGUAGE | 0:41:38 | 0:41:43 | |
MAN CONTINUES TO SING | 0:41:53 | 0:41:55 | |
APPLAUSE AND CHEERING | 0:42:16 | 0:42:18 | |
Oh, I love my husband but he snores at night, | 0:42:20 | 0:42:24 | |
-and it only gets worse. -My husband | 0:42:24 | 0:42:28 | |
snores all the time. I just tight slap. Tight slap. | 0:42:28 | 0:42:31 | |
-You look really cute. -ALL CHATTER | 0:42:31 | 0:42:35 | |
Check your mehndi for hidden messages, ladies. | 0:42:35 | 0:42:39 | |
It's part of tradition. When marriages were arranged, | 0:42:39 | 0:42:42 | |
the groom would search his bride's body to find his initials. | 0:42:42 | 0:42:45 | |
Ah! That's naughty! | 0:42:45 | 0:42:49 | |
SINGING IN FOREIGN LANGUAGE, LIVELY INDIAN MUSIC | 0:42:49 | 0:42:52 | |
CROWD JOINS IN SINGING | 0:42:58 | 0:43:01 | |
-Deep in the house! -CHEERING | 0:43:13 | 0:43:16 | |
SINGS IN FOREIGN LANGUAGE | 0:43:16 | 0:43:19 | |
BOTH SING IN FOREIGN LANGUAGE | 0:43:37 | 0:43:41 | |
CROWD JOIN IN SINGING | 0:43:44 | 0:43:47 | |
BOLLYWOOD MUSIC | 0:43:53 | 0:43:56 | |
-Did I happen to say "thank you"? -You did, and you're welcome. | 0:44:10 | 0:44:14 | |
You're not the person I thought you were, Patrick. | 0:44:18 | 0:44:21 | |
Likewise, Dr Lloyd. | 0:44:21 | 0:44:23 | |
I can't. I have to go. | 0:44:27 | 0:44:30 | |
Wilder? It's me. Can you come get me? | 0:44:38 | 0:44:42 | |
MUSIC: "The Limit To Your Love" by Feist | 0:44:42 | 0:44:44 | |
-Hey. -Hey. Got any beer? | 0:45:04 | 0:45:09 | |
-You did good tonight. -Thanks. | 0:45:10 | 0:45:13 | |
# ..give us a little sun | 0:45:13 | 0:45:15 | |
# Hm | 0:45:17 | 0:45:19 | |
# There's a limit to your love # | 0:45:22 | 0:45:25 | |
You gotta tell her, man. Girls are way into honesty. | 0:45:25 | 0:45:30 | |
All right. Goodnight, you two. | 0:45:30 | 0:45:32 | |
Oh. Honestly, Wilder, | 0:45:35 | 0:45:38 | |
what am I doing? Running around Queens in the middle of the night, | 0:45:38 | 0:45:41 | |
crashing Indian bar mitzvahs two weeks before my wedding | 0:45:41 | 0:45:44 | |
-with a man who's technically my husband. -Beats me, Em. | 0:45:44 | 0:45:48 | |
-Would you like another one? -Mm, yeah. | 0:45:49 | 0:45:52 | |
-I used extra eggs. -Thank you, Daddy. -Hm-hm. | 0:45:52 | 0:45:56 | |
-I wish Mom were here. -Yeah, me too. | 0:45:56 | 0:45:59 | |
She'd know exactly what to tell you, wouldn't she? | 0:45:59 | 0:46:02 | |
-You're doing all right, actually. -Hm. -You still make a mean breakfast. | 0:46:02 | 0:46:06 | |
I will second that. And amazing smoothies. Is there time for one? | 0:46:06 | 0:46:10 | |
-Um, no. Uh, Lauren, this is Emma. -Emma! | 0:46:10 | 0:46:15 | |
-Oh, my God. -Hi. -My mom loves you. | 0:46:15 | 0:46:18 | |
I'd listen to your show but I don't have a radio. | 0:46:18 | 0:46:21 | |
-Which reminds me, is there a mall here or a Best Buy? -Oh! | 0:46:21 | 0:46:25 | |
There's a Toys "R" Us. Maybe they'll have something for her. | 0:46:25 | 0:46:28 | |
-Nice to meet you. Wilder, it's been real. -Um, excuse us a minute. | 0:46:28 | 0:46:34 | |
-Is there something wrong with you? -No, no, nothing. | 0:46:34 | 0:46:37 | |
I'm just late and I have to go meet Richard, so... | 0:46:37 | 0:46:40 | |
-Don't jump to conclusions, all right? -No. | 0:46:40 | 0:46:44 | |
Thanks for breakfast, Father. Sorry I can't stick around for the smoothie. | 0:46:44 | 0:46:48 | |
-MOBILE BEEPING -You don't know everything there is to know. -No, | 0:46:48 | 0:46:52 | |
like some things never get old, and, um... My car is here. | 0:46:52 | 0:46:56 | |
Look, this time, you're really wrong, Emma. You are. | 0:46:56 | 0:46:59 | |
-Goodbye, Wilder. -Bye, sweetheart. | 0:47:02 | 0:47:06 | |
Daddy loves you nonetheless. | 0:47:07 | 0:47:10 | |
The golf tee white is stylish, but, um, I just... It's been done | 0:47:17 | 0:47:22 | |
and it's not as common as the picket fence white, which is safe, | 0:47:22 | 0:47:25 | |
but I feel it's a bit boring. | 0:47:25 | 0:47:27 | |
The Navajo white is bolder but it's sort of in-your-face white. | 0:47:27 | 0:47:31 | |
-I don't know, um... They all look the same to me. -Hm. | 0:47:31 | 0:47:35 | |
-In what way? -In that they're all white. | 0:47:35 | 0:47:38 | |
Yes, but different. I mean, wildly different. | 0:47:38 | 0:47:41 | |
Are you not going to ask me about last night? | 0:47:42 | 0:47:45 | |
I assumed it went well. Bollenbecker Group just renewed my contract | 0:47:45 | 0:47:49 | |
another five years thanks to you. Now, all we need to do | 0:47:49 | 0:47:52 | |
is file those papers and we'll put this behind us. | 0:47:52 | 0:47:55 | |
Um, well... | 0:47:55 | 0:47:57 | |
..I don't have the papers. | 0:48:01 | 0:48:03 | |
-What's going on, Em? -I don't know. He had them at the book signing | 0:48:04 | 0:48:07 | |
and between the dinner and the upanayanam, | 0:48:07 | 0:48:10 | |
Indian bar mitzvah - don't ask - I misplaced them. | 0:48:10 | 0:48:15 | |
-I had them in my hands! -Don't worry about it. -It's so unlike me. | 0:48:15 | 0:48:18 | |
It's all right. I'm going to take care of everything from now on. | 0:48:18 | 0:48:22 | |
A white lie is still a lie. It may be a subtler shade | 0:48:24 | 0:48:28 | |
of truth, but anyone can see it painted on the wall. | 0:48:28 | 0:48:31 | |
-"So I should tell him the truth?" -A cream-coloured, ivory-hued, | 0:48:31 | 0:48:36 | |
matte-finished half-truth will erode the foundation of your relationship. | 0:48:36 | 0:48:41 | |
-"I-I know you're getting married soon, right?" -Yep, that's right. | 0:48:41 | 0:48:46 | |
"Your fiance must be a lucky man to know he has you to keep him honest." | 0:48:46 | 0:48:50 | |
We're both very lucky. | 0:48:50 | 0:48:52 | |
Brother Carl. Didn't know you played. | 0:48:52 | 0:48:55 | |
It's Richard. Richard Braxton, as you well know. | 0:48:55 | 0:48:59 | |
Patrick Sullivan, as you well know. Hell, we're practically family. | 0:48:59 | 0:49:05 | |
You behaved like a real gentleman over a rather odd period. | 0:49:05 | 0:49:08 | |
-Emma tells me you did me a good turn and I appreciate that. -It was fun. | 0:49:08 | 0:49:12 | |
Now I have to play the spoilsport and ask for those papers | 0:49:12 | 0:49:16 | |
-so we can go our separate ways. -I'll bring them by the office. | 0:49:16 | 0:49:19 | |
-No, that's not going to happen. -Why's that? | 0:49:19 | 0:49:22 | |
We have a life which doesn't include you and I want to keep it that way. | 0:49:22 | 0:49:26 | |
So, I'm asking you, man to man, not to see her, call her, text her. | 0:49:26 | 0:49:31 | |
I'm not much of a texter. | 0:49:31 | 0:49:33 | |
Somebody in your circle seems to have a gift for technology. | 0:49:34 | 0:49:38 | |
-What do you mean? -The more I look into this glitch, as Emma calls it, | 0:49:38 | 0:49:44 | |
the less accidental it seems. You might be technologically challenged, | 0:49:44 | 0:49:47 | |
but can you think of anyone close to you who could have pulled this off? | 0:49:47 | 0:49:52 | |
Not off the top of my head, no. | 0:49:53 | 0:49:56 | |
I intend to find out who did this. | 0:49:58 | 0:50:00 | |
MUSIC: "Ever Fallen in Love" by Nouvelle Vague | 0:50:00 | 0:50:04 | |
# You spurn my natural emotions | 0:50:08 | 0:50:11 | |
# It makes me feel like dirt | 0:50:11 | 0:50:13 | |
# And I'm hurt | 0:50:13 | 0:50:14 | |
# If I start a commotion | 0:50:18 | 0:50:20 | |
# I run the risk of losing you | 0:50:20 | 0:50:23 | |
# And that's worse # | 0:50:23 | 0:50:25 | |
FEMALE CALLER TALKING Something wrong with him. | 0:50:28 | 0:50:31 | |
MANY FEMALE VOICES TALKING AT ONCE | 0:50:31 | 0:50:35 | |
I know you've been there. We've all been there. | 0:50:35 | 0:50:39 | |
MIXED VOICES CONTINUE | 0:50:39 | 0:50:41 | |
Since you're a grown woman, let's call it an infatuation. | 0:50:41 | 0:50:45 | |
You're dreaming! Wake up, girl. Do you share the vision of the future? | 0:50:45 | 0:50:50 | |
Is he dependable? Smart, successful, beautiful women cannot live | 0:50:50 | 0:50:55 | |
on kisses alone. You may think the chemistry has commonality | 0:50:55 | 0:50:58 | |
with friendship. Take a look at the compatibility quizzes in my book, | 0:50:58 | 0:51:04 | |
-chapter seven. You'll find it illuminating. -"Thank you, Doctor." | 0:51:04 | 0:51:08 | |
Thank you, caller. Hi, you're on the air. | 0:51:08 | 0:51:12 | |
-PATRICK: -I'm reading your book, too. You call this a self-help book | 0:51:12 | 0:51:15 | |
-or does that term offend? -Uh, not in the least. | 0:51:15 | 0:51:18 | |
-Who does it help, exactly? -Well, it... | 0:51:18 | 0:51:22 | |
LAUGHS | 0:51:22 | 0:51:24 | |
See, the thing is, I, um... I haven't gotten | 0:51:24 | 0:51:27 | |
-to the helpful part yet. -Perhaps you're a slow reader. | 0:51:27 | 0:51:30 | |
No, it doesn't tell you how to find somebody to love | 0:51:30 | 0:51:33 | |
or how you get somebody to love you back. | 0:51:33 | 0:51:36 | |
All it does is tell you what's wrong with the person you're in love with | 0:51:36 | 0:51:40 | |
and that, to me, well, that's not very helpful. | 0:51:40 | 0:51:42 | |
Perhaps you are wrong for the person you think you are right for, caller! | 0:51:42 | 0:51:46 | |
-What do you know about me that would make you say that? -I don't know you. | 0:51:46 | 0:51:51 | |
-You bet you don't. -I don't but since you called, here's some advice. | 0:51:51 | 0:51:54 | |
Maybe instead of blaming others for your problems, look at yourself. | 0:51:54 | 0:51:58 | |
-I'm looking right at my problem. -Well, stop fogging up the mirror. | 0:51:58 | 0:52:03 | |
-LAUGHS -Nice. | 0:52:03 | 0:52:06 | |
-Did you just hang up on a caller? -No, I did not hang up on a caller. | 0:52:06 | 0:52:10 | |
EMMA ON RADIO: "Hello? Hello? Uh, hello?" | 0:52:10 | 0:52:13 | |
"I think we've been disconnected." | 0:52:13 | 0:52:16 | |
It must be those cell phones, those nasty cell phones. | 0:52:16 | 0:52:19 | |
Well, thanks to my caller for calling and I will be seeing you tomorrow | 0:52:19 | 0:52:23 | |
for the next Real Love with Dr Emma Lloyd. | 0:52:23 | 0:52:27 | |
GROANS | 0:52:27 | 0:52:29 | |
Are you crazy? How dare you come to my place of work | 0:52:31 | 0:52:33 | |
-and make prank calls! -I thought this thing is so full of crap | 0:52:33 | 0:52:37 | |
-that maybe I ought to call in! -I see you actually bought my book. | 0:52:37 | 0:52:41 | |
-No, I stole it from your party. -Stole it. That makes sense. | 0:52:41 | 0:52:44 | |
-And I took your compatibility quiz. -Really? How did you do? | 0:52:44 | 0:52:48 | |
Well, my lifestyle is wholly unsuitable to any freak | 0:52:48 | 0:52:51 | |
-who would buy a book like this. -Surprise. Those tests don't lie. | 0:52:51 | 0:52:54 | |
New York City Fire Department. Official business. | 0:52:57 | 0:52:59 | |
Please exit the elevator. Come on, ladies. Sir, thank you. | 0:52:59 | 0:53:03 | |
-What are you doing? -Unsuitable? | 0:53:03 | 0:53:06 | |
Is that really what you think of me? | 0:53:06 | 0:53:08 | |
I don't think of you. | 0:53:11 | 0:53:13 | |
You want to see unsuitable? | 0:53:14 | 0:53:17 | |
-ALARM BLARING -Security, what's the story with the elevator? | 0:53:33 | 0:53:37 | |
Holy Moly! My wife loves her show. | 0:53:37 | 0:53:40 | |
-Delivery. -I can't even get a guy to hold a door for me. | 0:53:40 | 0:53:44 | |
-Step back, please. -Can you fix the focus on that? | 0:53:44 | 0:53:48 | |
-Zoom in a little bit. -There you go. | 0:53:48 | 0:53:51 | |
I've had enough of this. Excuse me, Sir? Doctor? Doctor? | 0:53:53 | 0:53:58 | |
I'm going to have to ask you to please stop. Stop what you're doing, | 0:53:58 | 0:54:02 | |
come down to the lobby immediately. Stop it. | 0:54:02 | 0:54:06 | |
"Stop it now, please." | 0:54:06 | 0:54:08 | |
BOTH PANT | 0:54:22 | 0:54:24 | |
LAUGHING AND PANTING | 0:54:24 | 0:54:26 | |
Ooh. CHUCKLES | 0:54:31 | 0:54:33 | |
-Sorry about that. -Which part, exactly? | 0:54:34 | 0:54:37 | |
-The kissing you thing. -We just got caught up. -Carried away. | 0:54:37 | 0:54:40 | |
Lost our heads. | 0:54:40 | 0:54:43 | |
I'm getting married. | 0:54:43 | 0:54:45 | |
Yeah. | 0:54:48 | 0:54:50 | |
You love him? I only ask this because... | 0:54:51 | 0:54:55 | |
..being that I'm your husband and you're my wife, I have this... | 0:54:56 | 0:55:00 | |
I have this vested interest in seeing you happy. | 0:55:00 | 0:55:03 | |
I want to be happy. Don't you? | 0:55:03 | 0:55:08 | |
What is happiness, anyway? | 0:55:08 | 0:55:10 | |
I don't know. You tell me. You wrote the book. | 0:55:12 | 0:55:16 | |
I guess I don't know. | 0:55:16 | 0:55:18 | |
-Patrick... -It was nice being married to you. | 0:55:30 | 0:55:34 | |
You, too. | 0:55:34 | 0:55:36 | |
-Thanks. -Goodbye, Emma. | 0:55:39 | 0:55:42 | |
Oh! Oh! | 0:55:49 | 0:55:51 | |
SOFT EASY LISTENING MUSIC | 0:55:51 | 0:55:54 | |
FOOTSTEPS | 0:56:34 | 0:56:36 | |
I'm sorry I'm late. I know, I'm always so prompt. | 0:56:38 | 0:56:41 | |
Relax. When I arrived, I told them to bring the drinks in ten minutes. | 0:56:41 | 0:56:46 | |
-How's that for timing? -Oh, what a day. You have no idea. | 0:56:46 | 0:56:49 | |
Actually, I kind of do. | 0:56:49 | 0:56:52 | |
-I heard your show today. That was Sullivan, I take it? -Yes. | 0:56:52 | 0:56:57 | |
The good news is I got the papers. | 0:56:57 | 0:56:59 | |
Everything but page 127, and I'm sure it's in there somewhere. | 0:56:59 | 0:57:04 | |
-We'll never see him again. -So, why don't you look happy? | 0:57:04 | 0:57:08 | |
I am. CUTLERY CLATTERING | 0:57:08 | 0:57:11 | |
Well, I've got something that might cheer you up. | 0:57:11 | 0:57:14 | |
Harry Winston finished our rings. Want to have a look? | 0:57:14 | 0:57:18 | |
-Wow! -See, the circle of eternity came out great, don't you think? | 0:57:20 | 0:57:24 | |
-No. They did mine wrong. -What are you talking about? It's perfect. | 0:57:26 | 0:57:31 | |
It says "Do I, do I, do I," not "I do, I do, I do." | 0:57:31 | 0:57:35 | |
Em, you're under a tremendous amount of stress at the moment. | 0:57:45 | 0:57:49 | |
It's not stress, Richard. I just don't know. I... | 0:57:49 | 0:57:51 | |
-I'm really confused. -Well, I'm not confused, Em. | 0:57:53 | 0:57:56 | |
I know exactly what I want. I think you and I are the perfect team. | 0:57:56 | 0:58:00 | |
Never doubted it for a moment. | 0:58:00 | 0:58:03 | |
But I am not going to talk you into marrying me, | 0:58:03 | 0:58:06 | |
so take a few days and figure out what it is you want. In fact, | 0:58:06 | 0:58:10 | |
-why don't we begin that right now? -Richard... | 0:58:10 | 0:58:14 | |
-FEMALE CALLER: -"We had a really nice time. Good conversation." | 0:58:16 | 0:58:19 | |
"He was sweet and funny but there was something missing." | 0:58:19 | 0:58:23 | |
-"There was no..." -Spark? -"Exactly!" | 0:58:23 | 0:58:26 | |
Yeah, let me tell you something about sparks. | 0:58:26 | 0:58:28 | |
Sparks cause fires and fires will burn your house down, | 0:58:28 | 0:58:32 | |
so keep searching for good ol' Sparky, you're sure to get burned. | 0:58:32 | 0:58:36 | |
'Trust me on that, OK?' | 0:58:36 | 0:58:38 | |
MAN SHOUTING, WOMAN LAUGHING | 0:58:47 | 0:58:50 | |
Oh, I'm so hungry! | 0:58:50 | 0:58:53 | |
Wilder! Your girlfriend's wearing my robe! | 0:58:53 | 0:58:56 | |
Actually, his girlfriend's daughter is wearing your robe. | 0:58:56 | 0:59:01 | |
-Hello, Emma. -Aren't you my...? | 0:59:01 | 0:59:04 | |
WHISTLING So, um, why the big secret? | 0:59:05 | 0:59:09 | |
I wanted to tell you but your father thought you wouldn't hire me | 0:59:09 | 0:59:12 | |
-as the caterer if you knew we were dating. -Is that what you call it? | 0:59:12 | 0:59:16 | |
That or this is an elaborate ruse of yours to get out of paying my bill. | 0:59:16 | 0:59:20 | |
-You have been worth every penny. -There you go again, | 0:59:20 | 0:59:24 | |
-always saying the perfect thing. -You've been together almost a year. | 0:59:24 | 0:59:29 | |
-Why didn't you tell me? -You've met so many women over the years, | 0:59:29 | 0:59:32 | |
I thought I'd hold off until we were sure of each other. | 0:59:32 | 0:59:36 | |
-And are we? -Well, I am. | 0:59:36 | 0:59:39 | |
-I can't even keep track of all the things I've misunderstood. -Hm. | 0:59:39 | 0:59:44 | |
Sorry. | 0:59:44 | 0:59:46 | |
Dad? I know I never asked you, | 0:59:48 | 0:59:51 | |
but, um, what do you think of Richard? Do you like him? | 0:59:51 | 0:59:56 | |
Well, sure, honey. What's not to like? He's perfect, isn't he? | 0:59:56 | 1:00:01 | |
-Is that a compliment? -You don't need compliments from me. | 1:00:01 | 1:00:05 | |
I've never told you how to live or who to date. | 1:00:05 | 1:00:07 | |
That's always been in your department, right? | 1:00:07 | 1:00:10 | |
So, what if I'm, er, losing my footing in my department | 1:00:10 | 1:00:14 | |
and I'm asking for a second opinion? | 1:00:14 | 1:00:16 | |
Well, I think Richard is a... | 1:00:18 | 1:00:22 | |
..a good, safe bet, you know? He's the kind of guy | 1:00:22 | 1:00:25 | |
that you've always gravitated toward and advised other women to pursue, | 1:00:25 | 1:00:30 | |
isn't he? Probably the type of fellow that my brand of fatherhood | 1:00:30 | 1:00:34 | |
-pushed you into. -LAUGHS | 1:00:34 | 1:00:36 | |
Look, honey, I mean, I've made some big mistakes in my life, | 1:00:36 | 1:00:40 | |
real whoppers, but if I hadn't, I wouldn't have been able to recognise | 1:00:40 | 1:00:44 | |
the real thing when it came along. You don't have to be | 1:00:44 | 1:00:47 | |
so right all the time. It's OK to make a couple of mistakes. | 1:00:47 | 1:00:53 | |
-Hello, tall lady! -Oh, Emma! | 1:01:03 | 1:01:05 | |
Emma, you're drenched. Come, darling. | 1:01:05 | 1:01:08 | |
-Move! she has to eat something. -Quiet! | 1:01:08 | 1:01:11 | |
Can't you see that she's not here to eat or watch telly or chit-chat? | 1:01:11 | 1:01:15 | |
She's come for the man she loves. | 1:01:15 | 1:01:18 | |
Here you are with your "come, come," your "sit, sit" and your "eat, eat". | 1:01:18 | 1:01:21 | |
You're standing in the course of true love! Stand aside, I say! | 1:01:21 | 1:01:25 | |
Through the beads, up the stairs, two flights. | 1:01:25 | 1:01:28 | |
What? | 1:01:32 | 1:01:34 | |
Yeah, it's raining. I figured you'd have a day off. | 1:01:39 | 1:01:43 | |
Come in. | 1:01:45 | 1:01:46 | |
Oh, here. Let me, er... | 1:01:51 | 1:01:54 | |
Let me get you some dry clothes. | 1:01:54 | 1:01:57 | |
-Patrick? -Yeah. | 1:01:58 | 1:02:01 | |
I think I called off my wedding. | 1:02:02 | 1:02:05 | |
Emma, I... I need to tell you something. | 1:02:10 | 1:02:14 | |
-What? -It can wait. | 1:02:20 | 1:02:24 | |
MOANS | 1:02:30 | 1:02:32 | |
FOOD SIZZLING Oh. | 1:02:42 | 1:02:44 | |
-How's it going in there, babe? -Great! | 1:02:46 | 1:02:50 | |
-We're having toast! -I'll be out in a minute. | 1:02:50 | 1:02:53 | |
OK. PATRICK WHISTLING | 1:02:53 | 1:02:56 | |
PATRICK HUMMING | 1:03:05 | 1:03:07 | |
# You're my fantasy | 1:03:19 | 1:03:21 | |
# You're my reality | 1:03:21 | 1:03:23 | |
HUMS | 1:03:23 | 1:03:26 | |
-# Every woman in the world... # -What is this? | 1:03:29 | 1:03:33 | |
And this? And this? Are you some sick stalker?! | 1:03:33 | 1:03:36 | |
No, Emma, it's not what you think. Emma! | 1:03:36 | 1:03:39 | |
-Emma! wait! -I can't believe this. I saw the invitation. | 1:03:39 | 1:03:42 | |
-So, you're married? -No! No, I'm not married! -Liar. | 1:03:42 | 1:03:46 | |
-Stay away from me! -Emma! Emma, I can explain. | 1:03:46 | 1:03:49 | |
Yeah? What, that this was no accident? There was no glitch? | 1:03:49 | 1:03:54 | |
No, you. You are the glitch. You Googled me, invaded my life, | 1:03:54 | 1:03:58 | |
invaded my privacy, ruined my relationship. | 1:03:58 | 1:04:01 | |
I almost called off my wedding for you! | 1:04:01 | 1:04:05 | |
I trusted you! I had sex with you. | 1:04:05 | 1:04:07 | |
You're just some sort of con man, scam artist, deranged fan? | 1:04:07 | 1:04:11 | |
-You know what? Don't flatter yourself. -I... What have I done? | 1:04:11 | 1:04:15 | |
Richard warned me about you. I warn people about men like you every day! | 1:04:15 | 1:04:18 | |
-I'm worse than my own callers. -Stop. Emma! Stop! | 1:04:18 | 1:04:21 | |
Thank you. Can I show you something? Please? | 1:04:21 | 1:04:25 | |
Do you know her? | 1:04:29 | 1:04:33 | |
-No, I don't. -Yeah, you don't. Come here. | 1:04:33 | 1:04:36 | |
That's Sofia, as in "You're cordially invited to the marriage | 1:04:38 | 1:04:41 | |
"of Patrick Thomas Sullivan and Sofia Idelia Maria Chechagua." | 1:04:41 | 1:04:45 | |
She's Dominican. We met on the job. She almost blew up a building | 1:04:45 | 1:04:49 | |
polishing her nails. I carried her down 15 flights of stairs | 1:04:49 | 1:04:52 | |
and sat next to her hospital bed until she woke up. | 1:04:52 | 1:04:55 | |
-What does this have to do with me? -She was a big fan of your show, | 1:04:55 | 1:04:59 | |
listened to it every day. In fact, one day, she called in. | 1:04:59 | 1:05:02 | |
-You probably don't remember. -No, I don't. | 1:05:02 | 1:05:05 | |
-You told her "Call off the wedding." -Patrick... -Someone you don't know | 1:05:05 | 1:05:09 | |
and can't remember, and you changed her life and mine forever. | 1:05:09 | 1:05:13 | |
I guess I wanted to educate you about that. | 1:05:14 | 1:05:17 | |
About what it's like to have your life ripped out from under you. | 1:05:17 | 1:05:20 | |
I wanted to knock you down a peg. | 1:05:20 | 1:05:22 | |
-You did. -Emma, I - | 1:05:25 | 1:05:28 | |
-Goodbye, Patrick. -Emma! | 1:05:28 | 1:05:31 | |
Emma? | 1:05:31 | 1:05:33 | |
SOFT MUSIC | 1:05:33 | 1:05:35 | |
It's beautiful. | 1:05:58 | 1:06:00 | |
I was just thinking how... How it's too big for me without you here. | 1:06:00 | 1:06:04 | |
Are you here? | 1:06:07 | 1:06:10 | |
If you'll have me. | 1:06:12 | 1:06:14 | |
Do you mean you still want to get married? | 1:06:14 | 1:06:17 | |
LAUGHS I do. | 1:06:17 | 1:06:20 | |
I do. I do. | 1:06:20 | 1:06:23 | |
MUSIC: "I Feel It All" by Feist | 1:06:23 | 1:06:26 | |
EMMA: As many of you have heard, I'm getting married. | 1:06:26 | 1:06:28 | |
People keep asking me if I'm nervous. Well, I'm not. | 1:06:28 | 1:06:32 | |
My eyes are open and what I see is not the man of my dreams, | 1:06:32 | 1:06:36 | |
but the man of my reality. | 1:06:36 | 1:06:38 | |
He's who he says he is, there where he's supposed to be. | 1:06:38 | 1:06:41 | |
If you want to close your eyes and jump in, | 1:06:41 | 1:06:44 | |
try the high-diving board at the YMCA. | 1:06:44 | 1:06:46 | |
'There's a generation of men and women roaming New York City | 1:06:48 | 1:06:52 | |
'in search of the holy grail dream partner, | 1:06:52 | 1:06:55 | |
'but until we learn the difference between romantic love and real love, | 1:06:55 | 1:06:59 | |
'we're just searching in vain for something that doesn't even exist.' | 1:06:59 | 1:07:04 | |
Here we are. Till next time. # Oh, I'll be the one | 1:07:05 | 1:07:10 | |
# Who'll break my heart | 1:07:10 | 1:07:12 | |
# I'll be the one | 1:07:12 | 1:07:15 | |
# To hold the gun | 1:07:15 | 1:07:16 | |
# I know more than I knew before | 1:07:16 | 1:07:19 | |
# I know more than I knew before | 1:07:22 | 1:07:25 | |
# I didn't rest, I didn't stop | 1:07:28 | 1:07:30 | |
# Did we fight or did we talk? | 1:07:33 | 1:07:36 | |
# Oh, I'll be the one who'll break... # | 1:07:39 | 1:07:43 | |
Ask yourself serious questions. Couples shouldn't have to hide. | 1:07:43 | 1:07:46 | |
Play with fire, get burned. Is he responsible? Dependable? | 1:07:46 | 1:07:49 | |
Don't trust what you lust. Does he give you a stable universe? | 1:07:49 | 1:07:52 | |
Love has to be earned, not yearned. Stop obsessing about this | 1:07:52 | 1:07:56 | |
old girlfriend of his. Got it? All right. Next caller. | 1:07:56 | 1:08:00 | |
It's a hard decision. Am I right? Well, caller... | 1:08:00 | 1:08:02 | |
Trust me on that. Next caller. Based on what? What? Trust me on that. | 1:08:02 | 1:08:06 | |
OK, well... Um... I don't know. What do you want from me? | 1:08:06 | 1:08:09 | |
-"Real Love is just a theory." -A theory, yes, | 1:08:09 | 1:08:12 | |
but based on ten years of study of sociological, psychosexual, | 1:08:12 | 1:08:16 | |
statistical analysis of men and women and their relationships, OK? | 1:08:16 | 1:08:21 | |
"But what if you're wrong? Hello? You still there?" | 1:08:21 | 1:08:25 | |
# I'll end it though you started it | 1:08:25 | 1:08:31 | |
# The truth lied | 1:08:31 | 1:08:34 | |
# But now I want to know | 1:08:34 | 1:08:36 | |
# And lies divide | 1:08:36 | 1:08:39 | |
# Oh, yeah, it got to me again | 1:08:39 | 1:08:42 | |
# And lies divide # | 1:08:42 | 1:08:44 | |
Take that one. Trust me, she needs to take that one. | 1:08:44 | 1:08:48 | |
"15 minutes after the hour and you're listening to Real Love | 1:08:48 | 1:08:52 | |
"with me, Dr Emma Lloyd." | 1:08:52 | 1:08:54 | |
"Uh... Yeah, we got time for one more caller. We've got - " | 1:08:54 | 1:08:57 | |
Patrick of Astoria. | 1:08:57 | 1:08:59 | |
-Patrick of Astoria. -Oh, really? | 1:09:03 | 1:09:07 | |
I thought for a second you weren't going to put me through. | 1:09:07 | 1:09:10 | |
Thousands are listening. Let's not waste their time. How can I help? | 1:09:10 | 1:09:14 | |
OK, there's... There's this girl that I'm... | 1:09:14 | 1:09:17 | |
That I'm falling for. | 1:09:17 | 1:09:20 | |
That I have fallen for. | 1:09:20 | 1:09:22 | |
"And, er, well, the trick is she's getting married tomorrow, | 1:09:22 | 1:09:26 | |
"and if that's what she really wants, then I'm happy for her." | 1:09:26 | 1:09:29 | |
That's very generous of you, Patrick from Astoria. | 1:09:29 | 1:09:32 | |
There's one other thing that... that she doesn't know. | 1:09:32 | 1:09:35 | |
-We're almost out of time, Patrick. -The thing I didn't tell her is... | 1:09:35 | 1:09:39 | |
-"The thing she doesn't know..." -Come on. | 1:09:41 | 1:09:43 | |
..is that I love her. | 1:09:43 | 1:09:46 | |
You know, I, er... I look at her and I see... I see my whole life, | 1:09:46 | 1:09:50 | |
and I just thought she should know that. | 1:09:50 | 1:09:54 | |
I'm afraid that's all the time we have, caller. | 1:09:54 | 1:09:57 | |
-ALL GROAN: -What the...? | 1:09:57 | 1:09:58 | |
This is Dr Emma Lloyd | 1:09:58 | 1:10:00 | |
-and you're listening to Real Love. -Where's she going? | 1:10:00 | 1:10:04 | |
-(Get in there.) -OK. | 1:10:04 | 1:10:07 | |
Let's see, we got, um... Chuck on line four | 1:10:07 | 1:10:10 | |
is looking for his soul mate and Maria on line two | 1:10:10 | 1:10:14 | |
just got dumped. So, Chuck? | 1:10:14 | 1:10:17 | |
-"Yeah?" -Say what's up to Maria. -"How you doin', Maria?" | 1:10:17 | 1:10:20 | |
Well? Do you really like it? | 1:10:30 | 1:10:34 | |
Perfect. You're perfect. It's an interesting segue. | 1:10:34 | 1:10:38 | |
-Did you listen to the show last night? -Yes. | 1:10:38 | 1:10:42 | |
-He loves me. -I know. -The entire area knows. | 1:10:42 | 1:10:46 | |
-The car's here. -What am I going to do? | 1:10:46 | 1:10:49 | |
-Well, first thing, we should fire her. -I heard that! | 1:10:49 | 1:10:52 | |
Sister at the keyhole, just what you always wanted, huh? | 1:10:52 | 1:10:56 | |
-I did, didn't I? -Instead you got you and me. | 1:10:56 | 1:11:00 | |
-We didn't do too badly, did we? -We were a disaster. | 1:11:00 | 1:11:03 | |
-CHUCKLES -Yeah, we were. Hm. | 1:11:03 | 1:11:07 | |
But I see a comeback in the making. | 1:11:09 | 1:11:12 | |
-Yeah? -GLASSES CLINK | 1:11:13 | 1:11:17 | |
-BELLS TOLL -For a guy who's waited this long to marry my daughter, | 1:11:17 | 1:11:22 | |
he sure is cutting it close, don't you think? | 1:11:22 | 1:11:25 | |
-Do you know how I know I love you? -How? | 1:11:25 | 1:11:27 | |
Because nothing in the world would make me drag you to the altar again. | 1:11:27 | 1:11:31 | |
-We don't want to press our luck! -BOTH LAUGH | 1:11:31 | 1:11:35 | |
I should see how Emma's doing. Let me know if he gets here. | 1:11:35 | 1:11:38 | |
GENTLE CLASSICAL MUSIC | 1:11:38 | 1:11:40 | |
-Just take it off, Marcy. -Oh! -It's crooked. -Let me try. | 1:11:48 | 1:11:51 | |
Oh, so, this goes like this. | 1:11:52 | 1:11:54 | |
And this...goes here. | 1:11:57 | 1:12:00 | |
Here comes the bride. | 1:12:01 | 1:12:04 | |
I can't do this. KNOCKING | 1:12:09 | 1:12:11 | |
DOOR OPENING | 1:12:11 | 1:12:14 | |
Excuse me, ladies, could I have a moment? | 1:12:15 | 1:12:17 | |
-Richard - -Wow. Look at you. | 1:12:33 | 1:12:37 | |
Seems kind of silly, though, huh? Me in this dress, veil, | 1:12:37 | 1:12:43 | |
bridesmaids. It's like some sort of play or something. | 1:12:43 | 1:12:46 | |
No, you don't look silly. | 1:12:47 | 1:12:49 | |
Well, you look extremely not silly and handsome yourself. | 1:12:51 | 1:12:55 | |
I'm sorry I'm late. I had to go back to the city and get something. | 1:12:59 | 1:13:03 | |
You forgot to file them? | 1:13:11 | 1:13:14 | |
You should know by now, I'm not really the forgetful type. | 1:13:15 | 1:13:18 | |
No, no, you're not. | 1:13:18 | 1:13:21 | |
Since you gave me these, I've been putting off filing them | 1:13:22 | 1:13:25 | |
for some reason. | 1:13:25 | 1:13:28 | |
Why do you think that is? | 1:13:28 | 1:13:30 | |
I love you, Em. I'm clever enough to know when I've lost. | 1:13:33 | 1:13:38 | |
I should have asked you to marry me a long time ago. | 1:13:42 | 1:13:44 | |
Well, maybe we just missed our moment. | 1:13:46 | 1:13:48 | |
If you marry me today, you'll always be looking over your shoulder. | 1:13:50 | 1:13:54 | |
You'll never be completely happy. | 1:13:54 | 1:13:57 | |
-You need to be happy, Em. -I can't stand it. | 1:14:00 | 1:14:03 | |
Oh, Richard. SOBS | 1:14:03 | 1:14:06 | |
It'll be all right. | 1:14:06 | 1:14:09 | |
-I'll be all right. -SIGHS | 1:14:10 | 1:14:13 | |
-As soon as we can get past that angry mob out there. -Oh, yeah, them. | 1:14:13 | 1:14:17 | |
I'll handle this. | 1:14:17 | 1:14:20 | |
-Really? -No, not really. | 1:14:20 | 1:14:23 | |
In fact, this time you should worry. I have no plan. | 1:14:23 | 1:14:26 | |
Come on, help me up. Give me that candle. | 1:14:36 | 1:14:40 | |
Would you wait until I've left the room? I might need this suit again. | 1:14:44 | 1:14:48 | |
Richard? | 1:14:49 | 1:14:52 | |
SCREAMING, WATER SPRINKLING | 1:15:02 | 1:15:06 | |
SIREN WAILING | 1:15:06 | 1:15:09 | |
SHOUTING | 1:15:09 | 1:15:12 | |
WATER SPRINKLING | 1:15:13 | 1:15:16 | |
-SIREN BLARES -"This is Great Neck dispatch." | 1:15:16 | 1:15:18 | |
"A fire alarm and sprinkler activation at Saint Paul's church." | 1:15:18 | 1:15:22 | |
Great Neck? It's not even in our district. | 1:15:22 | 1:15:25 | |
Listen, I know it's out of your district, but here's the thing. | 1:15:25 | 1:15:29 | |
You guys have sort of been requested. | 1:15:29 | 1:15:32 | |
SIREN WAILING | 1:15:32 | 1:15:35 | |
-WATER SPRINKLING -Everybody stay calm. | 1:15:41 | 1:15:44 | |
SIREN WAILING | 1:15:49 | 1:15:51 | |
CHATTERING | 1:16:02 | 1:16:04 | |
How you doin'? | 1:16:11 | 1:16:14 | |
I had to talk to you! | 1:16:14 | 1:16:16 | |
You know, you could have just called. | 1:16:21 | 1:16:24 | |
So, what's up? | 1:16:27 | 1:16:30 | |
This. | 1:16:32 | 1:16:35 | |
'When I was a kid, I used to have a hard time believing | 1:16:46 | 1:16:49 | |
'in happy endings. The heroine always seemed to ride off into the sunset | 1:16:49 | 1:16:54 | |
'with what I thought was the wrong guy.' | 1:16:54 | 1:16:56 | |
One day, my dad found me crying. I was watching Lady And The Tramp | 1:16:56 | 1:17:00 | |
and he asked me what was wrong. I said, "Dad, those two dogs | 1:17:00 | 1:17:04 | |
"don't stand a chance. They're wrong for each other. | 1:17:04 | 1:17:07 | |
"They have nothing in common. The movie's going to end, | 1:17:07 | 1:17:10 | |
"they're going to break up and be heartbroken forever." | 1:17:10 | 1:17:13 | |
He pulled me in close and he said to me, "Em, | 1:17:13 | 1:17:16 | |
"sometimes when you're really in love you don't sweat the small stuff." | 1:17:16 | 1:17:21 | |
"So, are you saying we should run away together?" | 1:17:21 | 1:17:24 | |
Are you insane? You're old enough to be his mother. | 1:17:24 | 1:17:26 | |
-Wait till he gets out of school. -"Who is this?" -Good day. -Deep! | 1:17:26 | 1:17:30 | |
-You said you were going to behave. -I don't know how you do this. | 1:17:30 | 1:17:33 | |
-These people drive me crazy. It won't happen again. -Where was I? | 1:17:33 | 1:17:37 | |
-Don't sweat the small stuff. -Right. | 1:17:37 | 1:17:40 | |
I didn't appreciate my father's advice for a long time. | 1:17:40 | 1:17:43 | |
You have to figure out those things for yourself. But enough about me. | 1:17:43 | 1:17:47 | |
It's quarter past and now for a word from our sponsors. | 1:17:47 | 1:17:50 | |
This is Dr Emma Lloyd, you're listening to Real Love. | 1:17:50 | 1:17:53 | |
Please, don't go away. KNOCKING ON GLASS | 1:17:53 | 1:17:57 | |
-Haven't you got any cats to pull out of trees? -Heh, ha, ha. | 1:17:59 | 1:18:02 | |
That only happens in cartoons, Mrs Sullivan, as you well know. | 1:18:02 | 1:18:06 | |
-Indeed I do, Mr Sullivan. What can I do for ya? -I happened to be | 1:18:06 | 1:18:10 | |
in the neighbourhood, thought I'd stop by and say hello. | 1:18:10 | 1:18:13 | |
-Why don't ya come here for a second? -LAUGHS | 1:18:13 | 1:18:16 | |
I can't leave my desk. | 1:18:16 | 1:18:17 | |
-I have to be back on any second. -Oh, come on. They can wait. | 1:18:17 | 1:18:21 | |
-Just stand up and walk towards me. -LAUGHS | 1:18:21 | 1:18:24 | |
-You didn't come to see me at all, did you? -Of course I did. | 1:18:24 | 1:18:28 | |
MUSIC: "Swasamae" by AR Rahman | 1:18:28 | 1:18:30 | |
OK. | 1:18:33 | 1:18:35 | |
And we're back in five, four, | 1:18:56 | 1:18:58 | |
-three, two, one! -This is Dr Emma Lloyd. | 1:18:58 | 1:19:04 | |
We're back with Real Love. Susie from Morningside, you're on the air. | 1:19:04 | 1:19:08 | |
MUSIC: "Swasamae" by AR Rahman | 1:19:08 | 1:19:10 |