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This programme contains very strong language | 0:00:02 | 0:00:09 | |
Boone. | 0:00:59 | 0:01:00 | |
< Yes, General? | 0:01:00 | 0:01:03 | |
I'm going into the next office. | 0:01:03 | 0:01:05 | |
< Yes, sir. | 0:01:05 | 0:01:07 | |
Damn it. | 0:01:27 | 0:01:28 | |
'My name is Bob Wilton. I'm a journalist.' | 0:01:37 | 0:01:40 | |
'Part of my job is finding where a story begins.' | 0:01:40 | 0:01:43 | |
'If you were looking at my story might think it began | 0:01:43 | 0:01:45 | |
'when I got a job at the Ann Arbor Daily Telegram.' | 0:01:45 | 0:01:48 | |
'Or you might think it began | 0:01:48 | 0:01:49 | |
'when I married my college sweetheart, Debora.' | 0:01:49 | 0:01:51 | |
'But you'd be wrong.' | 0:01:51 | 0:01:53 | |
'Because the real story of my life began a few years back | 0:01:53 | 0:01:56 | |
'when my editor sent me to interview a local guide he'd heard on | 0:01:56 | 0:01:59 | |
'a talk radio show.' | 0:01:59 | 0:02:00 | |
'The guy claimed to have some kind of psychic powers, | 0:02:00 | 0:02:03 | |
'that he could travel with just his mind anywhere he wanted.' | 0:02:03 | 0:02:06 | |
'He called it remote viewing.' | 0:02:06 | 0:02:07 | |
'The man's name was Gus Lacey.' | 0:02:07 | 0:02:10 | |
What have you seen lately? | 0:02:10 | 0:02:11 | |
Lately I've been watching the Loch Ness monster in Scotland. | 0:02:11 | 0:02:16 | |
Thanks, Mom. | 0:02:16 | 0:02:18 | |
Er, and it turns... I've got it. | 0:02:18 | 0:02:20 | |
Mom, I've got it. Thank you. | 0:02:20 | 0:02:23 | |
It turns out it's the ghost of a dinosaur. | 0:02:23 | 0:02:27 | |
OK, wow. | 0:02:28 | 0:02:31 | |
So when did this all start for you, Gus? | 0:02:31 | 0:02:34 | |
It started when I was a kid. | 0:02:34 | 0:02:36 | |
'Gus told me that back in the '80s he was part of a top-secret unit | 0:02:36 | 0:02:39 | |
that got their training in the Army | 0:02:39 | 0:02:41 | |
in a programme sanctioned by the highest levels of government.' | 0:02:41 | 0:02:44 | |
'When I asked him what the purpose of this unit was, he said...' | 0:02:44 | 0:02:47 | |
We were psychic spies, mainly. That was our initial tasking. | 0:02:47 | 0:02:51 | |
Once they realised what they were sitting on, | 0:02:52 | 0:02:55 | |
we were trained to kill animals. | 0:02:55 | 0:02:57 | |
-What, with your... -With our minds, that is correct. | 0:02:58 | 0:03:01 | |
Just by staring at them. | 0:03:01 | 0:03:03 | |
What kind of animals? | 0:03:04 | 0:03:06 | |
One of our unit stopped the heart of a goat. | 0:03:06 | 0:03:09 | |
Wow. | 0:03:09 | 0:03:11 | |
The power they unleashed in us. | 0:03:11 | 0:03:14 | |
Last week I killed my hamster. | 0:03:16 | 0:03:18 | |
Want to see? | 0:03:20 | 0:03:22 | |
There. Look. | 0:03:24 | 0:03:26 | |
You ever see a hamster do that before? | 0:03:26 | 0:03:28 | |
I never owned a hamster, Gus, before. | 0:03:28 | 0:03:30 | |
Just look. Look. See the way it's glaring at its wheel. | 0:03:30 | 0:03:33 | |
Yeah, I guess our hamster-owning leaders would know | 0:03:33 | 0:03:36 | |
it's abhorrent behaviour and what... | 0:03:36 | 0:03:38 | |
What's... | 0:03:38 | 0:03:40 | |
-Oh, shit. Shit. He's down. -Yeah, he's down. | 0:03:40 | 0:03:43 | |
At this pointed I'd been staring at him for about three hours. | 0:03:43 | 0:03:47 | |
Bizarre, right? | 0:03:47 | 0:03:49 | |
What is that? He didn't die. You said you killed it. | 0:03:50 | 0:03:53 | |
Yeah, well, Mom said no. | 0:03:53 | 0:03:56 | |
She said don't show the hamster dying, show the tape where | 0:03:56 | 0:03:59 | |
the hamster acts bizarre instead. | 0:03:59 | 0:04:01 | |
You should have seen the skipper at work. | 0:04:01 | 0:04:03 | |
-Who's the skipper? -Lyn Cassady. | 0:04:03 | 0:04:05 | |
I mean, after Bill he was the most gifted psych I ever met. | 0:04:05 | 0:04:08 | |
He was like an occult force. | 0:04:09 | 0:04:12 | |
Think he runs a dance studio now. | 0:04:13 | 0:04:16 | |
'The little man inside me dismissed Lacey as a nut.' | 0:04:18 | 0:04:22 | |
'You know the little man.' | 0:04:22 | 0:04:23 | |
'He's the one who says keep your head down, stay in your little town.' | 0:04:23 | 0:04:28 | |
'Your little job.' | 0:04:28 | 0:04:29 | |
'You're a lucky guy, your wife loves you.' | 0:04:29 | 0:04:31 | |
'You have everything you want.' | 0:04:31 | 0:04:34 | |
'You're not looking for some great adventure.' | 0:04:34 | 0:04:37 | |
'But then, one day when you least expect it... | 0:04:37 | 0:04:41 | |
'..the great adventure finds you.' | 0:04:43 | 0:04:45 | |
'Ron's sudden death was the catalyst for everything.' | 0:04:46 | 0:04:49 | |
'Debora told me later that it had been like a wake-up call for her.' | 0:04:49 | 0:04:52 | |
'What people used to call a memento mori.' | 0:04:52 | 0:04:55 | |
'Ron's massive coronary had reminded her that life was just too short | 0:04:55 | 0:04:59 | |
to waste any chance of true happiness.' | 0:04:59 | 0:05:01 | |
'And that his death had helped to put everything in perspective.' | 0:05:01 | 0:05:05 | |
DEBORA GIGGLES > | 0:05:10 | 0:05:11 | |
'A week after the funeral, she left me for my editor.' | 0:05:15 | 0:05:19 | |
'It seemed like such a tragedy at the time.' | 0:05:19 | 0:05:22 | |
'We couldn't see beyond our little lives to the great events of history | 0:05:22 | 0:05:25 | |
'unfolding out there in the world.' | 0:05:25 | 0:05:28 | |
'I was like a child or a Hobbit safe in the Shire.' | 0:05:28 | 0:05:32 | |
'Or a blond farm boy on a distant desert planet, | 0:05:32 | 0:05:35 | |
'unaware that he was already taking the first steps on a path | 0:05:35 | 0:05:38 | |
'that would lead him relentlessly towards the heart of a conflict | 0:05:38 | 0:05:41 | |
'between the forces of good and evil.' | 0:05:41 | 0:05:44 | |
"Americans are a resolute people | 0:05:44 | 0:05:46 | |
"who've risen to every test of our time." | 0:05:46 | 0:05:49 | |
"Adversity has revealed the character of our country | 0:05:49 | 0:05:52 | |
"to the world." | 0:05:52 | 0:05:53 | |
'Had I known where that path would lead, | 0:05:53 | 0:05:56 | |
'had a soft wind from my future brought me the name of Bill Django, | 0:05:56 | 0:06:00 | |
I might never have gone.' | 0:06:00 | 0:06:01 | |
'But as it was, I did what so many men have done throughout history | 0:06:01 | 0:06:05 | |
'when a woman has broken their heart.' | 0:06:05 | 0:06:08 | |
'I went to war.' | 0:06:08 | 0:06:10 | |
# "Alright" - Supergrass | 0:06:10 | 0:06:13 | |
# We are young, we run green | 0:06:13 | 0:06:16 | |
# Keep our teeth nice and clean | 0:06:16 | 0:06:19 | |
# See our friends, see the sights | 0:06:19 | 0:06:22 | |
# Feel alright | 0:06:22 | 0:06:25 | |
# We wake up, we go out | 0:06:25 | 0:06:28 | |
# Smoke a fag, put it out | 0:06:28 | 0:06:32 | |
# See our friends, see the sights | 0:06:32 | 0:06:34 | |
# Feel alright | 0:06:34 | 0:06:37 | |
# Are we like you? | 0:06:39 | 0:06:41 | |
# I can't be sure | 0:06:41 | 0:06:44 | |
# Of the scene as she turns | 0:06:44 | 0:06:47 | |
# We are strange in our worlds | 0:06:47 | 0:06:50 | |
# But we are young | 0:06:50 | 0:06:52 | |
# We get by | 0:06:52 | 0:06:54 | |
# Can't go mad, ain't got time | 0:06:54 | 0:06:57 | |
# Sleep around, if we like | 0:06:57 | 0:07:00 | |
# But we're alright | 0:07:00 | 0:07:03 | |
# Got some cash, bought some wheels | 0:07:03 | 0:07:06 | |
# Took it out, 'cross the fields | 0:07:06 | 0:07:09 | |
# Lost control, hit a wall | 0:07:09 | 0:07:12 | |
# But we're alright | 0:07:12 | 0:07:15 | |
# Are we like you? | 0:07:17 | 0:07:19 | |
# I can't be sure | 0:07:19 | 0:07:22 | |
# Of the scene as she turns | 0:07:22 | 0:07:25 | |
# We are strange in our worlds | 0:07:25 | 0:07:28 | |
# But we are young, we run green | 0:07:28 | 0:07:32 | |
# Keep our teeth nice and clean | 0:07:32 | 0:07:35 | |
# See our friends, see the sights | 0:07:35 | 0:07:38 | |
# Feel alright. # | 0:07:38 | 0:07:41 | |
-DEBORA: -'So have you seen any combat?' | 0:07:44 | 0:07:46 | |
Yeah, no, it's, erm... | 0:07:46 | 0:07:48 | |
I won't lie to you, Debora, it's been pretty damn hairy. | 0:07:48 | 0:07:51 | |
'Yeah. We've been watching it on Fox.' | 0:07:51 | 0:07:53 | |
Yeah, but it's not... | 0:07:53 | 0:07:55 | |
I've seen things that you shouldn't... You know? | 0:07:56 | 0:08:01 | |
'I don't even know why you're there.' | 0:08:01 | 0:08:03 | |
I think it's important people get an accurate picture of what's... | 0:08:03 | 0:08:07 | |
-'MALE VOICE' -"What?" | 0:08:07 | 0:08:08 | |
-'Are you ready to go?' -..what's happening. | 0:08:08 | 0:08:10 | |
'Yeah.' | 0:08:10 | 0:08:12 | |
So, what? Is that Dave? | 0:08:12 | 0:08:14 | |
'Yeah. He says hi.' | 0:08:14 | 0:08:17 | |
Well, that's... | 0:08:19 | 0:08:20 | |
'Is he gonna get his stuff outta here?' | 0:08:20 | 0:08:23 | |
That's... | 0:08:23 | 0:08:24 | |
I gotta go. | 0:08:27 | 0:08:29 | |
We're moving out, riding up north to cover the fighting there. | 0:08:29 | 0:08:32 | |
'Wait, Bob...' | 0:08:32 | 0:08:33 | |
So what's a useful phrase? | 0:08:37 | 0:08:38 | |
MAN SPEAKS ARABIC | 0:08:39 | 0:08:41 | |
HE REPEATS SLOWLY | 0:08:42 | 0:08:45 | |
What does that mean? | 0:08:45 | 0:08:46 | |
"Don't shoot. I'm a reporter." | 0:08:46 | 0:08:49 | |
I'll keep that in mind. | 0:08:50 | 0:08:52 | |
HE REPEATS ARABIC PHRASE | 0:08:54 | 0:08:56 | |
'I'd been waiting for a month for permission to cross | 0:08:58 | 0:09:00 | |
'the border into Iraq.' | 0:09:00 | 0:09:02 | |
'All that time I'd seen the embedded war correspondents coming back, | 0:09:02 | 0:09:05 | |
'swapping stories. They all ignored me.' | 0:09:05 | 0:09:08 | |
'I had to get into Iraq somehow | 0:09:08 | 0:09:10 | |
'or I would never again be able to face myself, my wife, | 0:09:10 | 0:09:13 | |
'or that one-armed fuckhead, Dave.' | 0:09:13 | 0:09:16 | |
DeWitt Resources. Out of Arkansas. | 0:09:17 | 0:09:20 | |
That's right. We make trash cans. | 0:09:20 | 0:09:23 | |
You're here for the conference, right? | 0:09:23 | 0:09:25 | |
-Looking for a contract. -I guess. | 0:09:25 | 0:09:27 | |
What's your pitch? | 0:09:27 | 0:09:28 | |
Well, we're real cheap. | 0:09:30 | 0:09:31 | |
-Bob Wilton. -Skip. | 0:09:34 | 0:09:37 | |
-Do you mind if I... -No. | 0:09:37 | 0:09:40 | |
-So, you're from Arkansas. -No. | 0:09:41 | 0:09:44 | |
-Been here long? -No. | 0:09:45 | 0:09:47 | |
CHATTER AND LAUGHTER > | 0:09:50 | 0:09:51 | |
'Be careful what you wish for.' | 0:09:52 | 0:09:53 | |
'I wanted to prove myself.' | 0:09:53 | 0:09:55 | |
'And for my sins fate taught me a lesson.' | 0:09:56 | 0:10:00 | |
Lyn Cassady. | 0:10:04 | 0:10:06 | |
Lyn Cassady. | 0:10:06 | 0:10:08 | |
After Bill he was the most gifted psych I ever met. | 0:10:08 | 0:10:11 | |
Do you know Gus Lacey? | 0:10:16 | 0:10:18 | |
Skip? | 0:10:22 | 0:10:23 | |
Hello? | 0:10:31 | 0:10:32 | |
Lyn. | 0:10:33 | 0:10:35 | |
I have your hat. | 0:10:35 | 0:10:36 | |
Skip? | 0:10:44 | 0:10:45 | |
LYN SHOUTS | 0:10:48 | 0:10:49 | |
You working for Hooper? | 0:10:49 | 0:10:50 | |
No, I work for the Ann Arbor Daily Telegram. | 0:10:50 | 0:10:52 | |
How do you about Lacey? | 0:10:52 | 0:10:54 | |
I interviewed him a few months ago for my paper. | 0:10:54 | 0:10:57 | |
Little prick. | 0:11:01 | 0:11:02 | |
Follow me. | 0:11:03 | 0:11:05 | |
Let me ask you something. | 0:11:06 | 0:11:08 | |
What colour were the chairs in the hotel bar? | 0:11:08 | 0:11:11 | |
Erm... | 0:11:11 | 0:11:13 | |
You were there for hours. What colour were the chairs? | 0:11:15 | 0:11:19 | |
-Green. -Beige. | 0:11:19 | 0:11:20 | |
How many lights are in this room? | 0:11:20 | 0:11:22 | |
A super soldier wouldn't have to look. He would just know. | 0:11:22 | 0:11:25 | |
-Super solider? -A Jedi warrior. | 0:11:25 | 0:11:28 | |
He'd know where all the lights were, how many power outlets there were. | 0:11:28 | 0:11:32 | |
People are walking around with their eyes closed. | 0:11:32 | 0:11:35 | |
At Level One we were trained to instantly absorb all details. | 0:11:35 | 0:11:39 | |
What's that, what's a Jedi warrior? | 0:11:40 | 0:11:42 | |
You're looking at one. | 0:11:42 | 0:11:44 | |
You're a Jedi warrior? | 0:11:44 | 0:11:46 | |
That's correct. | 0:11:46 | 0:11:47 | |
I don't... I don't know what that means. | 0:11:47 | 0:11:51 | |
I'm sergeant first class Lyn Cassady, special forces. Retired. | 0:11:51 | 0:11:54 | |
In the '80s I was trained at Fort Bragg under a secret initiative | 0:11:54 | 0:11:57 | |
codenamed Project Jedi. | 0:11:57 | 0:12:00 | |
The objective of the project was to create super soldiers. | 0:12:00 | 0:12:04 | |
Soldiers with superpowers. | 0:12:04 | 0:12:05 | |
We were the first generation of the New Earth Army. | 0:12:05 | 0:12:09 | |
-You've got superpowers? -That's correct. | 0:12:09 | 0:12:11 | |
Wait a minute. | 0:12:11 | 0:12:13 | |
What you're saying is that you were a psychic spy like Lacey. | 0:12:15 | 0:12:19 | |
We prefer the term remote viewer. | 0:12:19 | 0:12:21 | |
How does that work? | 0:12:23 | 0:12:24 | |
Well, different Jedi had different techniques. | 0:12:24 | 0:12:26 | |
Mel Landow used to visualise packing all his troubles | 0:12:26 | 0:12:29 | |
into a little suitcase to clear his mind. | 0:12:29 | 0:12:31 | |
Steve Tuttle would recite Bible verse which was... | 0:12:31 | 0:12:35 | |
What about you? | 0:12:35 | 0:12:37 | |
I find drinking helps. | 0:12:37 | 0:12:40 | |
And if I'm listening to Classic Rock. | 0:12:40 | 0:12:42 | |
Oh, yeah? Like who? | 0:12:42 | 0:12:43 | |
I like Boston. Boston usually works. | 0:12:43 | 0:12:46 | |
What other, erm, powers would you practice? | 0:12:46 | 0:12:48 | |
Invisibility. | 0:12:50 | 0:12:51 | |
-Invisibility. -Yeah. I was Level Three. | 0:12:52 | 0:12:54 | |
Like actual invisibility. | 0:12:54 | 0:12:57 | |
Yeah, that was the goal. | 0:12:57 | 0:12:59 | |
Eventually we adapted it to just finding a way of not being seen. | 0:12:59 | 0:13:02 | |
But once you understand the linkage between observation and reality, | 0:13:02 | 0:13:09 | |
then you begin to dance with invisibility. | 0:13:09 | 0:13:12 | |
Like camouflage. | 0:13:12 | 0:13:14 | |
No. It's not like camouflage. | 0:13:14 | 0:13:16 | |
We also practise phasing. | 0:13:17 | 0:13:19 | |
Crossing from particle to wave. From physical to energy. | 0:13:19 | 0:13:22 | |
Solid objects seem to pass right through you. | 0:13:22 | 0:13:25 | |
That starts with a breathing exercise. | 0:13:25 | 0:13:27 | |
HE EXHALES | 0:13:27 | 0:13:29 | |
And then you think black. That's a nothingness. Got it? | 0:13:29 | 0:13:32 | |
-It's... -HE EXHALES | 0:13:32 | 0:13:33 | |
This is... I don't know what... | 0:13:36 | 0:13:38 | |
Can I be honest with you, Lyn? I don't know what to make of this. | 0:13:39 | 0:13:43 | |
I don't know what to say. This is amazing stuff. | 0:13:43 | 0:13:46 | |
I want to... Erm... | 0:13:46 | 0:13:48 | |
-Could I write a story about this? -Not gonna happen. | 0:13:49 | 0:13:52 | |
I've been looking for a story and I was gonna write about | 0:13:52 | 0:13:54 | |
the rebuild contracts, but this is much better. | 0:13:54 | 0:13:57 | |
-Not gonna happen. -We could meet tomorrow. | 0:13:57 | 0:13:59 | |
I'm shipping out tomorrow. | 0:13:59 | 0:14:00 | |
-You're going home? -I'm going to Iraq. | 0:14:00 | 0:14:02 | |
-I've been thinking about partnering on a factory in al-Qaim. -Oh... | 0:14:02 | 0:14:06 | |
I could come. | 0:14:07 | 0:14:09 | |
-What? -I could come maybe. | 0:14:09 | 0:14:11 | |
I don't wanna be a story. I don't need the attention. | 0:14:11 | 0:14:14 | |
-We could change names. -There's a war over there, Bob. | 0:14:14 | 0:14:16 | |
You understand that? War. | 0:14:16 | 0:14:17 | |
I don't wanna have to be looking out for you. | 0:14:17 | 0:14:19 | |
You wouldn't ha-... I look after myself. | 0:14:19 | 0:14:22 | |
I've been in some pretty hairy situations. | 0:14:22 | 0:14:25 | |
I'm a journalist, Lyn, you understand? | 0:14:25 | 0:14:27 | |
I'm a journalist. I go where the story is. | 0:14:27 | 0:14:29 | |
What is this? | 0:14:39 | 0:14:41 | |
I don't know. It's just a doodle. | 0:14:41 | 0:14:44 | |
What's the matter? | 0:14:46 | 0:14:48 | |
Nothing. | 0:14:48 | 0:14:49 | |
"The US Army doesn't really have any serious alternative | 0:15:06 | 0:15:09 | |
"but to be wonderful." | 0:15:09 | 0:15:11 | |
"This does not represent the official position of the United States Army | 0:15:11 | 0:15:15 | |
"at this time." | 0:15:15 | 0:15:16 | |
Bill Django. | 0:15:17 | 0:15:19 | |
Who's Bill Django? | 0:15:20 | 0:15:21 | |
The man who wrote that book. | 0:15:22 | 0:15:24 | |
'He said it all started when he fell out of a helicopter in Vietnam.' | 0:15:24 | 0:15:28 | |
SHOUTING | 0:15:28 | 0:15:29 | |
SILENCE | 0:15:52 | 0:15:54 | |
-GUNFIRE -Fuck you, motherfucker! | 0:15:57 | 0:16:00 | |
Hey! Knock it off. | 0:16:00 | 0:16:01 | |
Knock it off. | 0:16:01 | 0:16:03 | |
Knock it off. | 0:16:04 | 0:16:06 | |
Jesus. | 0:16:06 | 0:16:08 | |
GUNSHOT | 0:16:10 | 0:16:11 | |
< Medic! | 0:16:11 | 0:16:13 | |
VC! One o'clock! | 0:16:13 | 0:16:15 | |
Hurry! | 0:16:15 | 0:16:17 | |
What are you waiting for? What the fuck? | 0:16:18 | 0:16:20 | |
Why isn't anyone firing? | 0:16:20 | 0:16:22 | |
Fire! | 0:16:22 | 0:16:24 | |
'Every single one of Bill's men fired high.' | 0:16:27 | 0:16:30 | |
'They instinctively hadn't wanted to shoot another person.' | 0:16:30 | 0:16:33 | |
'Later, Bill would come across a study which revealed only 15 to 20% | 0:16:33 | 0:16:37 | |
'of fresh soldiers shot to kill.' | 0:16:37 | 0:16:39 | |
'The rest aimed high, didn't fire at all | 0:16:39 | 0:16:42 | |
or pretended to be busy doing something else.' | 0:16:42 | 0:16:45 | |
I've got you, sir. Stay with me, all right? | 0:16:51 | 0:16:54 | |
Their gentleness is their strength. | 0:17:10 | 0:17:14 | |
'While recovering in the hospital, | 0:17:19 | 0:17:21 | |
'Bill wrote to the Vice Chief of Staff for the Army | 0:17:21 | 0:17:24 | |
'explaining that he wanted to go on a fact-finding mission to explore | 0:17:24 | 0:17:27 | |
'alternative combat tactics.' | 0:17:27 | 0:17:29 | |
'The Pentagon agreed to pay his salary and expenses.' | 0:17:29 | 0:17:32 | |
'What Bill hadn't told the Pentagon | 0:17:32 | 0:17:34 | |
'was that he was really looking for the answer to his vision.' | 0:17:34 | 0:17:37 | |
'How could his men's gentleness, | 0:17:37 | 0:17:38 | |
'their general lack of interest in killing people, | 0:17:38 | 0:17:41 | |
'be turned into a strength?' | 0:17:41 | 0:17:43 | |
'How could love and peace help win wars?' | 0:17:43 | 0:17:46 | |
'Bill knew where to go to find out.' | 0:17:46 | 0:17:47 | |
# "Itchycoo Park" - The Small Faces | 0:17:47 | 0:17:50 | |
'Bill disappeared into the New Age Movement for six years.' | 0:18:26 | 0:18:30 | |
'Like all shaman before him, he had traversed the wilderness.' | 0:18:30 | 0:18:33 | |
'Now he was returning to his people a changed man.' | 0:18:33 | 0:18:37 | |
'He brought with him his confidential report | 0:18:37 | 0:18:39 | |
'which he called the New Earth Army manual.' | 0:18:39 | 0:18:42 | |
"The New Earth Army is a banner under which the forces of good can gather." | 0:18:46 | 0:18:49 | |
"The courage and nobility of the warrior | 0:18:49 | 0:18:51 | |
"blended with the spirituality of the monk." | 0:18:51 | 0:18:54 | |
"The Jedi warrior will follow in | 0:18:54 | 0:18:56 | |
"the footsteps of the great imaginineers of the past." | 0:18:56 | 0:18:58 | |
"Jesus Christ, Lao Tse Tung, W-Walt Disney." | 0:18:58 | 0:19:01 | |
"The role of the New Earth Army is to resolve conflict worldwide." | 0:19:04 | 0:19:08 | |
"Jedis will parachute into war zones utilising sparkly eyes technique, | 0:19:08 | 0:19:12 | |
"carrying symbolic flowers and animals, | 0:19:12 | 0:19:14 | |
"playing indigenous music and words of peace." | 0:19:14 | 0:19:16 | |
What's sparkly eyes technique? | 0:19:16 | 0:19:18 | |
Are you ready? | 0:19:20 | 0:19:21 | |
-You got it? -OK. | 0:19:30 | 0:19:32 | |
-You see it? You got it? -I think I got it. | 0:19:32 | 0:19:34 | |
Yeah. I got it. | 0:19:34 | 0:19:35 | |
'As Lyn drove on, I wondered what the hell I was doing.' | 0:19:37 | 0:19:40 | |
'I wanted to go back. This wasn't me.' | 0:19:40 | 0:19:42 | |
'This was crazy and so was Lyn.' | 0:19:42 | 0:19:45 | |
'But by then it was too late.' | 0:19:45 | 0:19:47 | |
'We had already crossed the border.' | 0:19:47 | 0:19:49 | |
What, does that direct you powers? | 0:19:54 | 0:19:57 | |
-What? -The cone. Does it direct your psychic powers or something? | 0:19:57 | 0:20:00 | |
No. | 0:20:00 | 0:20:02 | |
It cooks supper. That's solar. | 0:20:04 | 0:20:07 | |
Utilising the power of the universe. | 0:20:08 | 0:20:11 | |
No pollution, totally renewable. | 0:20:11 | 0:20:13 | |
That's New Earth Army technology. | 0:20:13 | 0:20:15 | |
Pretty mind-blowing, isn't it? | 0:20:21 | 0:20:23 | |
First time I saw that, I was like, "What the fuck?" | 0:20:24 | 0:20:28 | |
Yeah. But... But it... | 0:20:28 | 0:20:30 | |
But what? | 0:20:30 | 0:20:32 | |
It's just hard to believe the Pentagon paid for this. | 0:20:32 | 0:20:36 | |
There's nothing in here actually about fighting. | 0:20:36 | 0:20:39 | |
New Earth Army was tasked with preventing conflict. | 0:20:39 | 0:20:42 | |
We were a force of peace, not war. | 0:20:42 | 0:20:44 | |
Bill understood if you want to change the world | 0:20:44 | 0:20:46 | |
you've got to start by changing the armies. | 0:20:46 | 0:20:49 | |
He was the guy that started the research into non-lethals. | 0:20:49 | 0:20:52 | |
-Non-lethals? -Check this out. | 0:20:52 | 0:20:55 | |
-The predator. -The predator? | 0:20:58 | 0:21:00 | |
Lyn, that's just a plastic - (YELLS) | 0:21:00 | 0:21:02 | |
You're mine now. | 0:21:02 | 0:21:04 | |
The predator is 100% biodegradable. | 0:21:04 | 0:21:06 | |
It's friendly to the Earth and it can hurt you in a hundred ways. | 0:21:06 | 0:21:09 | |
Fuck! | 0:21:07 | 0:21:09 | |
It has warrior capacities and it looks a little bit funny. | 0:21:09 | 0:21:13 | |
Jesus! Stop it. | 0:21:13 | 0:21:15 | |
I bought it online. | 0:21:15 | 0:21:16 | |
Funny thing is you could see this laying around on the ground | 0:21:16 | 0:21:19 | |
and you would never know it has such lethality. | 0:21:19 | 0:21:22 | |
Eyeballs. | 0:21:22 | 0:21:24 | |
HE YELLS | 0:21:24 | 0:21:28 | |
God damn it! | 0:21:28 | 0:21:29 | |
LYN LAUGHS | 0:21:29 | 0:21:31 | |
I guess it's officially night now. | 0:21:33 | 0:21:36 | |
Piece of shit. | 0:21:38 | 0:21:40 | |
I've got Crohns, the steroids help. | 0:21:59 | 0:22:03 | |
Sometimes there's a need, Bob. | 0:22:06 | 0:22:08 | |
Sometimes people are calling out for something | 0:22:10 | 0:22:12 | |
they don't even know it themselves. | 0:22:12 | 0:22:14 | |
Then a man like Bill appears out of nowhere. | 0:22:16 | 0:22:20 | |
Because he heard the call. | 0:22:21 | 0:22:23 | |
We are a hollow army, gentlemen. | 0:22:28 | 0:22:31 | |
Vietnam has crushed our soul. | 0:22:32 | 0:22:34 | |
We have to dream a new America. | 0:22:34 | 0:22:37 | |
An America that no longer has an exploitative view | 0:22:37 | 0:22:40 | |
of natural resources, no longer promotes consumption at all cost. | 0:22:40 | 0:22:44 | |
But to achieve this dream | 0:22:47 | 0:22:50 | |
we must become the first superpower to develop superpowers. | 0:22:50 | 0:22:54 | |
We must create warrior monks. | 0:22:54 | 0:22:56 | |
Men and women who can fall in love with everyone, | 0:22:57 | 0:23:01 | |
sense plant auras, pass through walls, | 0:23:01 | 0:23:04 | |
stop saying mindless cliches and see into the future. | 0:23:04 | 0:23:08 | |
I want you to join me in this vision. | 0:23:09 | 0:23:13 | |
Be all you can be. | 0:23:14 | 0:23:17 | |
'Among Bill's audience that day was a brigadier general | 0:23:17 | 0:23:20 | |
'from the Defence Intelligence Agency, Dean Hopgood.' | 0:23:20 | 0:23:23 | |
'For some time the general had been | 0:23:23 | 0:23:25 | |
'concerned with Soviet research into psychic powers.' | 0:23:25 | 0:23:28 | |
'According to some stories, | 0:23:28 | 0:23:30 | |
'the Soviets had designed psychotronic generators.' | 0:23:30 | 0:23:32 | |
'Machines capable of bombarding the President with negative energy.' | 0:23:32 | 0:23:36 | |
'They were also conducting sadistic experiments | 0:23:36 | 0:23:39 | |
'to see whether animals had psychic powers.' | 0:23:39 | 0:23:41 | |
'Could they, for instance, | 0:23:41 | 0:23:43 | |
'telepathically detect that their babies were distressed?' | 0:23:43 | 0:23:46 | |
Sick bastards. | 0:23:46 | 0:23:48 | |
When did the Soviets begin this type of research? | 0:23:48 | 0:23:50 | |
Well, sir, it looks like they found out about our attempt | 0:23:50 | 0:23:54 | |
to telepathically communicate with one of our nuclear subs, | 0:23:54 | 0:23:57 | |
the Nautilus, while it was under the polar cap. | 0:23:57 | 0:23:59 | |
-What attempt? -There was no attempt. | 0:23:59 | 0:24:01 | |
Seems the story was a French hoax. | 0:24:01 | 0:24:04 | |
But the Russians think the story about the story being a French hoax is just a story, sir. | 0:24:04 | 0:24:09 | |
They started doing psy research | 0:24:09 | 0:24:10 | |
because they thought we were doing research when we weren't. | 0:24:10 | 0:24:14 | |
Yes, sir. But now that they are doing psy research | 0:24:14 | 0:24:16 | |
we're gonna have to do psy research, sir. | 0:24:16 | 0:24:19 | |
We can't afford to have the Russians leading the field in the paranormal. | 0:24:19 | 0:24:24 | |
'Two weeks later the Army adopted the slogan "be all you can be".' | 0:24:24 | 0:24:27 | |
'They appointed Bill commander of the first New Earth Army battalion.' | 0:24:27 | 0:24:31 | |
Lyn? | 0:24:46 | 0:24:47 | |
Lyn? | 0:24:50 | 0:24:52 | |
Lyn! Lyn! | 0:24:57 | 0:25:00 | |
What? | 0:25:01 | 0:25:02 | |
Nothing. I... | 0:25:08 | 0:25:10 | |
What are you doing? | 0:25:10 | 0:25:11 | |
Salute to the sun. | 0:25:12 | 0:25:13 | |
Alright, we're Oscar Mike. | 0:25:15 | 0:25:17 | |
That's on the move, soldier. | 0:25:18 | 0:25:20 | |
Right. | 0:25:20 | 0:25:21 | |
What are you doing? | 0:25:39 | 0:25:41 | |
Cloud bursting. Keeps me in shape. | 0:25:41 | 0:25:43 | |
Really? Which one? | 0:25:43 | 0:25:45 | |
That one. | 0:25:45 | 0:25:47 | |
-This one? -No, that one. The big one. | 0:25:47 | 0:25:49 | |
-Isn't that too far away? -They're all far away. | 0:25:52 | 0:25:54 | |
And it's gone. | 0:26:03 | 0:26:04 | |
Jesus, you had the whole desert to drive in, Lyn. | 0:26:17 | 0:26:20 | |
I'm sorry about that, Bob. | 0:26:20 | 0:26:22 | |
Must have gotten a little bilocational there. | 0:26:22 | 0:26:24 | |
I wouldn't worry about it, though. Somebody will come along soon. | 0:26:24 | 0:26:28 | |
-Heads. -Right. | 0:26:33 | 0:26:35 | |
-Heads. -Right. | 0:26:38 | 0:26:40 | |
-What's your record of this? -264. Tails. | 0:26:41 | 0:26:46 | |
Right. Well, that's pr-... | 0:26:47 | 0:26:51 | |
Thank you, Jesus. Sweet Jesus. | 0:26:53 | 0:26:55 | |
Please, please. Please. | 0:26:55 | 0:26:58 | |
Can you help us? Can you help? | 0:26:58 | 0:27:00 | |
Can you help? We drove into a rock. | 0:27:00 | 0:27:02 | |
I wondered if you could take us to a town or some place. | 0:27:02 | 0:27:06 | |
HE SPEAKS ARABIC | 0:27:06 | 0:27:08 | |
Can we get in? | 0:27:08 | 0:27:10 | |
Thank you. He says, "futter". We can get in. | 0:27:10 | 0:27:13 | |
Thank you. Thank you for... for picking us up. | 0:27:18 | 0:27:22 | |
No cars came by. | 0:27:22 | 0:27:25 | |
How far is... | 0:27:25 | 0:27:26 | |
Lyn? | 0:27:32 | 0:27:33 | |
Is this... | 0:27:34 | 0:27:35 | |
Yeah. | 0:27:35 | 0:27:37 | |
We're gonna die. | 0:27:41 | 0:27:43 | |
I'm gonna be killed by Al-Qaeda. | 0:27:44 | 0:27:47 | |
I don't think they're Al-Qaeda. | 0:27:50 | 0:27:51 | |
What the hell do you know? | 0:27:51 | 0:27:54 | |
You don't know. | 0:27:54 | 0:27:55 | |
You don't know, you don't know anything. | 0:27:55 | 0:27:58 | |
This is all your fault. | 0:27:58 | 0:28:00 | |
Bob, there's something I have to tell you. | 0:28:04 | 0:28:06 | |
When I said that I was retired from the unit, that was a lie. | 0:28:06 | 0:28:09 | |
I'm on a mission. DeWitt is just my cover. | 0:28:09 | 0:28:12 | |
I've been reactivated. | 0:28:12 | 0:28:14 | |
I couldn't tell you because it's a black op. | 0:28:14 | 0:28:17 | |
But I think that you have a role to play. | 0:28:17 | 0:28:19 | |
I think that's why you're here. | 0:28:19 | 0:28:21 | |
You're an idiot. | 0:28:21 | 0:28:23 | |
You know why I'm here? | 0:28:23 | 0:28:25 | |
I just wanted to get into Iraq | 0:28:25 | 0:28:27 | |
so I could prove to my wife that I wasn't a... | 0:28:27 | 0:28:31 | |
And now I'm gonna die. | 0:28:33 | 0:28:34 | |
Gonna die and she's right. I'm such a... | 0:28:35 | 0:28:37 | |
Fuck. | 0:28:38 | 0:28:40 | |
Bob, have you ever heard of optimum trajectory? | 0:28:40 | 0:28:43 | |
What? | 0:28:43 | 0:28:45 | |
Optimum trajectory. | 0:28:46 | 0:28:48 | |
Your life is like a river. | 0:28:50 | 0:28:53 | |
If you're aiming for a goal that isn't your destiny | 0:28:53 | 0:28:55 | |
you're gonna be swimming against the current. | 0:28:55 | 0:28:57 | |
Young Ghandi wants to be a stock car driver. It's not gonna happen. | 0:28:57 | 0:29:01 | |
Anne Frank wants to be a high-school teacher. Tough titty, Anne, It's not your destiny. | 0:29:01 | 0:29:05 | |
But you will go on to move the hearts and minds of millions. | 0:29:05 | 0:29:08 | |
Find out what your destiny is and the river will carry you. | 0:29:08 | 0:29:13 | |
Now, sometimes events in life give an individual clue | 0:29:13 | 0:29:19 | |
as to where their destiny lies. | 0:29:19 | 0:29:21 | |
Like those little doodles you just happened to draw. | 0:29:21 | 0:29:24 | |
It's the Ajna chakra, the third eye. | 0:29:29 | 0:29:32 | |
The symbol of the Jedi. | 0:29:32 | 0:29:35 | |
When I saw that you were drawing it, well... | 0:29:35 | 0:29:38 | |
The universe gives you clues like that, you don't even ignore it. | 0:29:38 | 0:29:41 | |
You were meant to be here with me, Bob. | 0:29:43 | 0:29:46 | |
It's the Jedi in you that senses it. | 0:29:46 | 0:29:49 | |
I don't think that these guys are FRLs or Mahdi Army. | 0:29:50 | 0:29:52 | |
I think we're talking standard criminals here. | 0:29:52 | 0:29:55 | |
Which means they're gonna try and sell us to another group. | 0:29:55 | 0:29:58 | |
-We can't let that happen. -How are we gonna stop them? | 0:29:58 | 0:30:00 | |
-There's three of them with guns. -We're Jedi, Bob. | 0:30:00 | 0:30:03 | |
We don't fight with guns, we fight with our mind. | 0:30:03 | 0:30:05 | |
What do you mean? | 0:30:05 | 0:30:07 | |
Let's say that we have no choice but to fight these guys. | 0:30:07 | 0:30:11 | |
We're gonna use visual aesthetics to instil psychically | 0:30:11 | 0:30:15 | |
in the enemy the disincentive to attack. | 0:30:15 | 0:30:17 | |
What do you mean? | 0:30:20 | 0:30:21 | |
OK, you pick one of them out, you lock eyes with him | 0:30:21 | 0:30:24 | |
and you go into this monotone. | 0:30:24 | 0:30:26 | |
You go (HUMS). | 0:30:26 | 0:30:28 | |
No, I'm not going to attack you. | 0:30:28 | 0:30:32 | |
Relax your body and your voice. | 0:30:32 | 0:30:34 | |
Then you just rip out one of his eyes | 0:30:37 | 0:30:39 | |
or you get a pen and stab him in the neck. | 0:30:39 | 0:30:41 | |
You create this fountain of blood. | 0:30:41 | 0:30:43 | |
I mean a real fountain. Get it squirting all over his buddies. | 0:30:43 | 0:30:46 | |
That is a psychic disincentive right there. | 0:30:46 | 0:30:48 | |
We haven't got a pen. | 0:30:50 | 0:30:51 | |
You're missing the point. | 0:30:53 | 0:30:55 | |
Come on. | 0:30:55 | 0:30:56 | |
Let me show you something. | 0:30:58 | 0:30:59 | |
-Choke me. -I don't wanna, Lyn. | 0:31:00 | 0:31:02 | |
-Choke me, what am I gonna do? -I don't know. | 0:31:02 | 0:31:04 | |
-There's too many sharp edges. -It's OK. You can attack me. | 0:31:04 | 0:31:07 | |
What's with the quotation fingers? | 0:31:07 | 0:31:09 | |
It's like saying I'm only capable of ironic attacking. | 0:31:09 | 0:31:12 | |
Choke me. | 0:31:12 | 0:31:13 | |
Well, if I choose to choke you, what are you gonna do? | 0:31:15 | 0:31:18 | |
I'm gonna interrupt your thought pattern. | 0:31:18 | 0:31:20 | |
See, I barely moved. | 0:31:34 | 0:31:35 | |
Physics wise, not much going on here. | 0:31:36 | 0:31:38 | |
It's the psychic energy that's important. You OK? | 0:31:38 | 0:31:41 | |
-Sharp edges. -Yeah. | 0:31:41 | 0:31:42 | |
-You felt fear, though, in the beginning. -Yes. | 0:31:43 | 0:31:46 | |
Would you say that the level of fear was abnormal? | 0:31:46 | 0:31:49 | |
I don't know. I was pretty terrified anyway. | 0:31:49 | 0:31:51 | |
But the fear that I felt on the run up to the choking was unusual. | 0:31:51 | 0:31:55 | |
You know why? | 0:31:55 | 0:31:56 | |
It wasn't you, it was me. | 0:31:56 | 0:31:58 | |
I was inside your head fighting with the mind. | 0:31:58 | 0:32:02 | |
Now, what you must always... | 0:32:02 | 0:32:04 | |
OK, yalla. We'll go. Yalla! | 0:32:04 | 0:32:06 | |
I'm sorry I freaked out back there, Lyn. | 0:32:16 | 0:32:19 | |
You learned a lesson. | 0:32:19 | 0:32:21 | |
Whatever you fear most has no power over you. | 0:32:21 | 0:32:24 | |
It's the fear that has the power. | 0:32:24 | 0:32:27 | |
Bill? | 0:32:27 | 0:32:28 | |
Oprah. | 0:32:28 | 0:32:29 | |
You really don't work for DeWitts. | 0:32:31 | 0:32:34 | |
Just my cover. | 0:32:34 | 0:32:36 | |
Gus Lacey said you ran a dance studio. | 0:32:36 | 0:32:38 | |
-That was just a cover, too, right? -No. | 0:32:38 | 0:32:40 | |
I do run a dance studio. I love dance. | 0:32:40 | 0:32:43 | |
And you're out here on a mission, right? | 0:32:45 | 0:32:47 | |
In time, Bob. | 0:32:48 | 0:32:51 | |
Did you mean what you said back there when you said I had some Jedi in me? | 0:32:51 | 0:32:55 | |
We learn to recognise our own kind. | 0:32:56 | 0:32:59 | |
Haven't you always felt like you were different? | 0:32:59 | 0:33:01 | |
-Yes. Yes, I have. -That's the way it is for us. | 0:33:01 | 0:33:03 | |
We were the ones that didn't fit in when we were kids. | 0:33:03 | 0:33:06 | |
-Have you always had powers? -Kind of. | 0:33:06 | 0:33:10 | |
Foxtrot 117 has launched. Tracking now. | 0:33:10 | 0:33:12 | |
ALARM WAILS | 0:33:13 | 0:33:15 | |
Did you crash those computers? | 0:33:19 | 0:33:21 | |
Yes, sir. | 0:33:24 | 0:33:25 | |
Far-fucking-out. | 0:33:28 | 0:33:29 | |
How'd you feel about a transfer, son? | 0:33:31 | 0:33:34 | |
I am Lieutenant Colonel Bill Django! | 0:33:34 | 0:33:37 | |
IF you pass this course, you will be a psychic weapon. | 0:33:37 | 0:33:43 | |
An angel of death. | 0:33:43 | 0:33:45 | |
Our enemy's worst nightmare. | 0:33:45 | 0:33:47 | |
Until that time, you are nothing. | 0:33:47 | 0:33:51 | |
Less than nothing. | 0:33:52 | 0:33:54 | |
Do you understand?! | 0:33:54 | 0:33:56 | |
ALL: Sir, yes, sir! | 0:33:56 | 0:33:58 | |
I'm just kidding about this shit. | 0:34:03 | 0:34:06 | |
OK, what shall we do now, huh? | 0:34:07 | 0:34:11 | |
Let's dance. | 0:34:13 | 0:34:15 | |
# MUSIC: "Dancing With Myself" by Gen X | 0:34:15 | 0:34:17 | |
Give it everything you've got. | 0:34:17 | 0:34:19 | |
That's it. | 0:34:19 | 0:34:21 | |
What's your first name, Cassady? | 0:34:23 | 0:34:25 | |
Lyn, sir. | 0:34:25 | 0:34:27 | |
You've got to free your feet before you can free your mind, Lyn. | 0:34:27 | 0:34:31 | |
Not really much of a dancer, sir. | 0:34:31 | 0:34:34 | |
That's not true, is it? | 0:34:34 | 0:34:37 | |
You can dance. | 0:34:37 | 0:34:38 | |
It's just someone told you not to. | 0:34:38 | 0:34:41 | |
# MUSIC: "Hippy Hippy Shake" by Chan Romero | 0:34:41 | 0:34:43 | |
Stop acting so fucking queer! | 0:34:47 | 0:34:49 | |
Well, I'm your Commanding Officer | 0:34:53 | 0:34:55 | |
and I'm ordering you to let the dance out. | 0:34:55 | 0:34:58 | |
Come on, dance God damn it. | 0:34:59 | 0:35:02 | |
Let it go. | 0:35:03 | 0:35:05 | |
Let it go. | 0:35:06 | 0:35:08 | |
That's it. | 0:35:09 | 0:35:10 | |
Welcome to the Heroes Journey, Lyn. | 0:35:10 | 0:35:13 | |
OK, everyone. Remember, we officially do not exist as a unit. | 0:35:13 | 0:35:18 | |
Remember, no solid food this first week. | 0:35:19 | 0:35:22 | |
Primal scream, Belgian waffle, ginseng and amphetamines. | 0:35:28 | 0:35:33 | |
Not to be abused but very fucking handy. | 0:35:33 | 0:35:37 | |
Sense the opening. Feel these bends now. | 0:35:37 | 0:35:40 | |
Feel it. Feel it, yeah. | 0:35:40 | 0:35:42 | |
Think cold. Real cold. | 0:35:47 | 0:35:50 | |
Bravo Zulu, Tim! | 0:35:50 | 0:35:51 | |
Mother Earth, my life support system as a soldier, | 0:35:51 | 0:35:55 | |
I must drink your blue water, | 0:35:55 | 0:35:57 | |
live inside your red clay and eat your green skin. | 0:35:57 | 0:36:01 | |
ALL: Carry my body through space and time. | 0:36:01 | 0:36:05 | |
You are my connection to the universe and all the that comes after. | 0:36:05 | 0:36:09 | |
I am yours and you are mine. | 0:36:09 | 0:36:12 | |
I salute you. | 0:36:12 | 0:36:15 | |
CHANTS | 0:36:15 | 0:36:17 | |
'After years of feeling like an oddball, | 0:36:22 | 0:36:24 | |
'Lyn had finally found a home.' | 0:36:24 | 0:36:27 | |
'At last he was with men who prided themselves on being different.' | 0:36:27 | 0:36:32 | |
Left shoulder, that's it. | 0:36:32 | 0:36:34 | |
'These were the golden days for Lyn.' | 0:36:34 | 0:36:36 | |
'There was something so noble and pure in Bill's vision | 0:36:36 | 0:36:39 | |
'that the Jedis felt inspired to be more than soldiers.' | 0:36:39 | 0:36:43 | |
'Is a world torn apart by greed and hate, | 0:36:43 | 0:36:46 | |
'they would be a force for good, for peace.' | 0:36:46 | 0:36:49 | |
'For the first time in his life, Lyn felt truly happy.' | 0:36:49 | 0:36:53 | |
'Then into the garden a serpent did come.' | 0:36:53 | 0:36:56 | |
'Larry Hooper was a failed sci-fi writer from Colorado, | 0:36:59 | 0:37:02 | |
'recruited to the Jedis after General Hopgood met him | 0:37:02 | 0:37:05 | |
'at a spoon-bending party.' | 0:37:05 | 0:37:07 | |
Jesus. | 0:37:10 | 0:37:11 | |
Jesus. | 0:37:12 | 0:37:14 | |
You did this? | 0:37:14 | 0:37:15 | |
You son of a... | 0:37:16 | 0:37:17 | |
'Right from the start he made himself unpopular with the rest of the unit.' | 0:37:19 | 0:37:23 | |
Congratulations, Scotty. Sorry it doesn't work out between you two. | 0:37:24 | 0:37:28 | |
'Larry made it quite clear that he despised most of the other Jedis.' | 0:37:29 | 0:37:33 | |
Hey, man. How would you like it if someone did that to you? | 0:37:33 | 0:37:36 | |
'But Lyn? Lyn was different.' | 0:37:36 | 0:37:38 | |
Fuck off. | 0:37:38 | 0:37:40 | |
'He really hated him.' | 0:37:40 | 0:37:42 | |
K9, Scotty. | 0:37:43 | 0:37:46 | |
It's... | 0:37:48 | 0:37:49 | |
It's something cylindrical. It's a pencil. | 0:37:52 | 0:37:54 | |
OK. Larry. | 0:37:54 | 0:37:56 | |
This is Larry's spirit guide, Maud. | 0:38:02 | 0:38:05 | |
I'm looking into the cupboard now | 0:38:05 | 0:38:09 | |
and I see... | 0:38:09 | 0:38:11 | |
I see... | 0:38:12 | 0:38:14 | |
A tin mug. | 0:38:14 | 0:38:16 | |
Lyn? | 0:38:17 | 0:38:18 | |
It's a man sitting in a chair. | 0:38:28 | 0:38:29 | |
No, wait a minute. You said A, not K. | 0:38:49 | 0:38:52 | |
-He said A. -Bravo Zulu, Lyn. | 0:38:52 | 0:38:54 | |
Outstanding. | 0:38:54 | 0:38:55 | |
'After a year's training, Lyn was given his first tasking.' | 0:38:59 | 0:39:03 | |
'A senior NATO general had been kidnapped by Red Brigade members | 0:39:03 | 0:39:06 | |
'in Italy.' | 0:39:06 | 0:39:07 | |
'Bill was unofficially asked if his unit would be able to help find him | 0:39:07 | 0:39:10 | |
'before it was too late.' | 0:39:10 | 0:39:12 | |
North of Verona. | 0:39:14 | 0:39:16 | |
A small town near a lake. | 0:39:16 | 0:39:20 | |
I can see a cinema. | 0:39:20 | 0:39:23 | |
Across the street from the cinema there's a shop. | 0:39:23 | 0:39:26 | |
No, it's a... it's a cafe. | 0:39:26 | 0:39:30 | |
He's in the apartment above the cafe. | 0:39:30 | 0:39:32 | |
The name of the town is something sweet. | 0:39:34 | 0:39:37 | |
Dolce. | 0:39:39 | 0:39:40 | |
The name of the town is Dolce. | 0:39:42 | 0:39:45 | |
'Bill had never encountered anyone with such psychic capabilities.' | 0:39:45 | 0:39:48 | |
'From that moment on, Lyn's reputation soared.' | 0:39:48 | 0:39:51 | |
Rank, medals. | 0:39:51 | 0:39:53 | |
These things mean little to the Jedi. | 0:39:53 | 0:39:55 | |
But growth in spirit, in wisdom, in psychic power, | 0:39:55 | 0:40:00 | |
these are things that earn our respect. | 0:40:00 | 0:40:03 | |
Native Americans believe that when one received the eagle feather | 0:40:03 | 0:40:07 | |
it was a mark of love, of gratitude and ultimate respect. | 0:40:07 | 0:40:13 | |
Only true human beings may carry the eagle feather. | 0:40:13 | 0:40:16 | |
APPLAUSE | 0:40:18 | 0:40:19 | |
'The word soon got out in the intelligence community | 0:40:26 | 0:40:28 | |
'that there was a sergeant at Fort Bragg | 0:40:28 | 0:40:30 | |
'who could find whatever you needed found. | 0:40:30 | 0:40:32 | |
'It was as if Lyn could fly anywhere in the world | 0:40:32 | 0:40:35 | |
'without leaving his room. | 0:40:35 | 0:40:36 | |
'As Bill said, the Force truly was strong with this one.' | 0:40:36 | 0:40:40 | |
# MUSIC: "More Than A Feeling" by Boston | 0:40:40 | 0:40:42 | |
Lyn. | 0:41:16 | 0:41:17 | |
Don't worry, Bob. We're not gonna get in that truck. | 0:41:17 | 0:41:20 | |
MEN SPEAK ARABIC | 0:41:20 | 0:41:22 | |
You don't want us. | 0:41:23 | 0:41:24 | |
You don't want us. | 0:41:26 | 0:41:27 | |
HE SPEAKS ARABIC | 0:41:27 | 0:41:29 | |
Put your weapon away. | 0:41:33 | 0:41:35 | |
Put your weapon away. | 0:41:37 | 0:41:39 | |
-Bob, don't move. -SHOUTING | 0:41:39 | 0:41:41 | |
Put your weapon away. Bob, don't move. | 0:41:41 | 0:41:43 | |
Bob, stay put. Bob, stop! | 0:41:43 | 0:41:46 | |
HE YELLS | 0:42:09 | 0:42:11 | |
'Now, at the time I though Lyn was having some kind of fit here. | 0:42:11 | 0:42:14 | |
'Later I discovered what he was actually doing was performing | 0:42:14 | 0:42:17 | |
'the Echmeyer technique.' | 0:42:17 | 0:42:18 | |
'Ben Echmeyer was a Vietnam vet with 63 confirmed kills.' | 0:42:18 | 0:42:22 | |
'He remains the only non-Korean to achieve the rank of master | 0:42:22 | 0:42:25 | |
'in Kwa Ra Do.' | 0:42:25 | 0:42:27 | |
'It's been said he could have a tug-of-war with a dozen men | 0:42:27 | 0:42:30 | |
'and not move a inch. | 0:42:30 | 0:42:32 | |
'He was also able to lift bags of sand on hooks | 0:42:32 | 0:42:35 | |
'hung through his scrotum.' | 0:42:35 | 0:42:37 | |
'He was one of the Jedi teachers at Fort Bragg.' | 0:42:39 | 0:42:41 | |
Sir, what is the practical application of this? | 0:42:41 | 0:42:45 | |
'Ben caused quite a stir by advocating his controversial | 0:42:45 | 0:42:48 | |
'shock-and-awe knife attack method. | 0:42:48 | 0:42:50 | |
'The approach was held by some knife aficionados as revolutionary. | 0:42:50 | 0:42:54 | |
'But criticised by others who believed that the leaping | 0:42:54 | 0:42:56 | |
'and spinning might lead you to accidentally stab yourself.' | 0:42:56 | 0:43:00 | |
'Lyn Cassady, however, became a firm convert to the style.' | 0:43:02 | 0:43:05 | |
'Of course, Lyn didn't actually have a knife with him | 0:43:05 | 0:43:08 | |
'at this particular time. | 0:43:08 | 0:43:10 | |
'So I still think that what he did was kind of reckless.' | 0:43:10 | 0:43:13 | |
GUNFIRE | 0:43:13 | 0:43:15 | |
HE SPEAKS ARABIC | 0:43:20 | 0:43:21 | |
You idiot. | 0:43:21 | 0:43:24 | |
We're OK. They're not coming. We're gonna be all right. | 0:43:27 | 0:43:30 | |
There he is. | 0:43:39 | 0:43:41 | |
Sir! It's OK. We're Americans. | 0:43:41 | 0:43:44 | |
We're here to help you. | 0:43:44 | 0:43:46 | |
Sir. | 0:43:47 | 0:43:48 | |
Sir, we... | 0:43:49 | 0:43:50 | |
-Crap. -What happened? What happened? | 0:43:51 | 0:43:53 | |
I think I just ran him over. | 0:43:53 | 0:43:55 | |
-Sir! Sir? -HE GROANS | 0:43:55 | 0:43:58 | |
Are you all right, sir? Bob, give me a hand. | 0:43:58 | 0:44:00 | |
Oh, shit. Who is that? | 0:44:04 | 0:44:07 | |
(MAN) Don't move. | 0:44:15 | 0:44:17 | |
Let's see your hands. now. | 0:44:19 | 0:44:21 | |
Todd Nixon, Army small business office. | 0:44:31 | 0:44:33 | |
Mahmud Daash. | 0:44:35 | 0:44:36 | |
Ask me what business I'm in, Mohammed. | 0:44:37 | 0:44:39 | |
Mahmud. What business are you in, sir? | 0:44:39 | 0:44:42 | |
Right now I'm in the quality of life business. | 0:44:42 | 0:44:46 | |
We got over 25 million Iraqis out here that want to be independent, | 0:44:46 | 0:44:49 | |
want to make something of themselves. | 0:44:49 | 0:44:51 | |
But more than anything else, they want to buy stuff. | 0:44:51 | 0:44:54 | |
Cellphones, digital cameras, leisure suits, you name it. | 0:44:54 | 0:44:56 | |
If it sells and Boston, we can damn well sell it in Baghdad. | 0:44:56 | 0:44:59 | |
Am I right, Mohammed? He knows what I'm talking about. | 0:44:59 | 0:45:02 | |
Halliburton, Parsons. | 0:45:02 | 0:45:03 | |
We're gonna have McDonalds. We're gonna have Starbucks. | 0:45:03 | 0:45:06 | |
No corporate tax. It's gonna be a gold rush. | 0:45:06 | 0:45:09 | |
By the way, fuck the French. | 0:45:09 | 0:45:11 | |
Did you hear Chirac wants to bring French contractors in? | 0:45:11 | 0:45:15 | |
Hey, Phil, what's the most common French expression? | 0:45:15 | 0:45:18 | |
-I give up. -TODD LAUGHS | 0:45:18 | 0:45:20 | |
That's fucking funny. | 0:45:20 | 0:45:22 | |
Year Zero, boys. Year zero. | 0:45:22 | 0:45:24 | |
OK. We are in Indian country now. | 0:45:25 | 0:45:27 | |
Check your six. | 0:45:27 | 0:45:29 | |
RADIO: 'We've got a line of cars at the gas station here.' | 0:45:32 | 0:45:35 | |
-'You guys want to wait?' -Negative. We're too exposed. | 0:45:35 | 0:45:38 | |
We're taking the station. Go in fangs out. | 0:45:38 | 0:45:40 | |
CAR HORNS BLARE | 0:45:40 | 0:45:42 | |
SHOUTING IN ARABIC | 0:45:51 | 0:45:52 | |
Secure the perimeter. | 0:46:00 | 0:46:02 | |
-Give her the go juice. -I filled her up last time. | 0:46:12 | 0:46:15 | |
That's bullshit. | 0:46:15 | 0:46:16 | |
He did fill her up last time, Gary. | 0:46:16 | 0:46:18 | |
With all due respect, sir, bull-fucking-shit. | 0:46:19 | 0:46:22 | |
-Bull shit. -Every time! | 0:46:22 | 0:46:23 | |
Can we figure out some kind of fucking system? | 0:46:23 | 0:46:25 | |
Contact, contact. | 0:46:26 | 0:46:28 | |
GUNFIRE | 0:46:32 | 0:46:33 | |
'In what became known as the Battle of Ramadi, | 0:46:33 | 0:46:35 | |
12 people were injured, mostly locals.' | 0:46:35 | 0:46:38 | |
'Both security companies claimed | 0:46:38 | 0:46:40 | |
'that they had been fired upon first by Iraqis.' | 0:46:40 | 0:46:43 | |
'Of course, it was later revealed | 0:46:43 | 0:46:45 | |
'that they had actually fired upon each other.' | 0:46:45 | 0:46:48 | |
My house is not far. W-We could walk from here. | 0:46:50 | 0:46:53 | |
-Sounds good, Muhammad. -Mahmud! | 0:46:53 | 0:46:55 | |
'As we ran for cover, I thought this is what I had wanted.' | 0:46:57 | 0:47:00 | |
'I was on a mission, even if I didn't know what kind of mission it was.' | 0:47:00 | 0:47:03 | |
'But I could hear the little man inside me again.' | 0:47:03 | 0:47:06 | |
'He was screaming like a little girl.' | 0:47:06 | 0:47:08 | |
GUNFIRE | 0:47:08 | 0:47:09 | |
Krom One! Krom One! This is Freedom Frontier. | 0:47:11 | 0:47:14 | |
We are under attack. This is fucking FUBAR! | 0:47:14 | 0:47:16 | |
'Muhammad led us to his home, | 0:47:52 | 0:47:54 | |
'which as it turned out had been robbed in his absence. | 0:47:54 | 0:47:57 | |
'And also accidentally shot up in a firefight.' | 0:47:57 | 0:48:00 | |
'Neighbours told him that his wife had left.' | 0:48:01 | 0:48:04 | |
'They weren't sure where she had gone.' | 0:48:04 | 0:48:06 | |
I'm very sorry for running you over, sir. | 0:48:17 | 0:48:20 | |
It was an accident. | 0:48:22 | 0:48:23 | |
And I apologise for the security detachment. | 0:48:24 | 0:48:28 | |
I don't want you to think that all Americans are like that. | 0:48:29 | 0:48:32 | |
I apologise for the kidnappers. | 0:48:33 | 0:48:36 | |
Not your fault, sir. | 0:48:38 | 0:48:40 | |
I mean, we have kidnappers in America. | 0:48:40 | 0:48:44 | |
There's always bad apples. | 0:48:44 | 0:48:47 | |
Lyn? | 0:49:18 | 0:49:19 | |
Are you awake? | 0:49:19 | 0:49:21 | |
Just thinking about Mahmud. | 0:49:24 | 0:49:27 | |
People just trying to do something with their lives. | 0:49:29 | 0:49:32 | |
Something lasting and good. | 0:49:32 | 0:49:35 | |
There's always somebody that wants to smash it up. | 0:49:36 | 0:49:39 | |
'What Lyn was really thinking about was Larry Hooper | 0:49:39 | 0:49:42 | |
'and the part he had played in the destruction of the New Earth Army. | 0:49:42 | 0:49:46 | |
'But in fairness, | 0:49:46 | 0:49:47 | |
'the Jedi's own eccentricities hadn't won them many allies.' | 0:49:47 | 0:49:50 | |
'For example, there was Tim Kootz, | 0:49:51 | 0:49:53 | |
'who on being asked to ascertain the whereabouts | 0:49:53 | 0:49:55 | |
'of General Manuel Noriega had replied...' | 0:49:55 | 0:49:58 | |
Ask Angela Lansbury. | 0:50:01 | 0:50:02 | |
Say again, Tim? | 0:50:02 | 0:50:04 | |
Ask Angela Lansbury. | 0:50:04 | 0:50:06 | |
Excellent, Tim. Excellent. | 0:50:10 | 0:50:12 | |
HE CLEARS HIS THROAT | 0:50:20 | 0:50:22 | |
We asked Angela Lansbury. | 0:50:23 | 0:50:25 | |
And? | 0:50:25 | 0:50:26 | |
She said she didn't know where General Noriega was. | 0:50:26 | 0:50:30 | |
'Or there was the time Major General Gilling was visiting the base | 0:50:37 | 0:50:41 | |
'and saw Jedi trainee Clifford Hickox | 0:50:41 | 0:50:43 | |
'practising the ancient sun dance of the Sioux nation. | 0:50:43 | 0:50:47 | |
'The Jedi survived such minor scandals, | 0:50:47 | 0:50:49 | |
'protected, it was rumoured, by President Regan. | 0:50:49 | 0:50:52 | |
'He was a fan of both the Star Wars films and the paranormal himself. | 0:50:52 | 0:50:56 | |
'But then one summer a young, likeable lieutenant | 0:50:56 | 0:50:59 | |
'named Norman Pendleton was recruited to the New Earth Army.' | 0:50:59 | 0:51:03 | |
'Desperate to compete with Lyn, | 0:51:04 | 0:51:06 | |
'Larry had been doing research into the infamous CIA MK-ULTRA experiments | 0:51:06 | 0:51:11 | |
'which he believed could enhance his own psychic powers. | 0:51:11 | 0:51:15 | |
'All he needed was a lab rat to try them out on, | 0:51:15 | 0:51:17 | |
'check if they were safe.' | 0:51:17 | 0:51:19 | |
'It turned out they weren't.' | 0:51:21 | 0:51:23 | |
# MUSIC: "I Had Too Much To Dream" by Electric Prunes | 0:51:24 | 0:51:27 | |
NORMAN YELLS | 0:51:38 | 0:51:40 | |
GUNSHOT | 0:51:51 | 0:51:52 | |
MAN: Oh, shit. | 0:51:56 | 0:51:57 | |
Norm. | 0:52:07 | 0:52:08 | |
Norm, give me the gun. | 0:52:13 | 0:52:16 | |
GUNSHOT | 0:52:18 | 0:52:19 | |
'Norm's father - who it turned out was pretty high up in the Pentagon - | 0:52:23 | 0:52:26 | |
'wanted blood. | 0:52:26 | 0:52:28 | |
'Although the Jedis were pretty sure Larry was responsible, | 0:52:28 | 0:52:31 | |
'nothing could be proved. | 0:52:31 | 0:52:32 | |
'When he was called to testify at the disciplinary hearing, | 0:52:32 | 0:52:35 | |
'Larry made sure to smear Bill with everything he could.' | 0:52:35 | 0:52:38 | |
Lieutenant Colonel Django used funds from the project's black budget | 0:52:38 | 0:52:41 | |
-to procure prostitutes. -That's a lie. | 0:52:41 | 0:52:43 | |
And to get drugs for himself and his men. | 0:52:43 | 0:52:45 | |
That... Well, the hooker thing is definitely a lie. | 0:52:45 | 0:52:50 | |
'Brigadier-General Hopgood resigned and died some years later. | 0:52:53 | 0:52:56 | |
'Bill received a dishonourable discharge.' | 0:52:56 | 0:52:59 | |
Continue the work, Lyn. | 0:53:07 | 0:53:09 | |
The world needs the Jedi now more than ever. | 0:53:11 | 0:53:14 | |
'After Bill left, | 0:53:20 | 0:53:21 | |
'Major Holtz of special forces took command of the Jedis.' | 0:53:21 | 0:53:24 | |
'He didn't think much of Bill's unconventional training techniques | 0:53:26 | 0:53:29 | |
'and he vowed to make some changes.' | 0:53:29 | 0:53:31 | |
'Nothing was ever the same again.' | 0:53:33 | 0:53:35 | |
HE BREATHES HEAVILY | 0:54:00 | 0:54:02 | |
I really appreciate this, sir. | 0:54:30 | 0:54:32 | |
CAR STARTS | 0:54:39 | 0:54:41 | |
Jesus, we could have bought a map. | 0:55:18 | 0:55:20 | |
Bedouins have been navigating this desert for centuries without a nap. | 0:55:20 | 0:55:25 | |
You could even use a wristwatch in conjunction with the sun. | 0:55:25 | 0:55:28 | |
-Well? -Well what? | 0:55:28 | 0:55:29 | |
-Well, use a wrist watch. -I haven't got a wristwatch. | 0:55:29 | 0:55:32 | |
Oh, for the love of... | 0:55:32 | 0:55:34 | |
Here. | 0:55:34 | 0:55:35 | |
What? | 0:55:37 | 0:55:38 | |
-It's digital. -So? | 0:55:38 | 0:55:40 | |
You need a watch with hands. | 0:55:40 | 0:55:42 | |
How am I supposed to know? You're the navigation expert. | 0:55:42 | 0:55:45 | |
You're the one that said you could find the way. | 0:55:45 | 0:55:47 | |
-I will if you just be quiet. -You don't even have a watch. | 0:55:47 | 0:55:50 | |
I don't need a watch. I'm using Level Two. | 0:55:50 | 0:55:52 | |
-What is that? -Level Two. Intuition. | 0:55:52 | 0:55:54 | |
We were trained to make correct decisions. | 0:55:54 | 0:55:56 | |
Somebody runs up to you and say there's a fork in the road. | 0:55:56 | 0:55:59 | |
Do you go left or right? You go... we go right. | 0:55:59 | 0:56:01 | |
-Just instant? -Instant, just like that. | 0:56:01 | 0:56:04 | |
We've been sitting here for half-an-hour. How is that instant? | 0:56:05 | 0:56:09 | |
CAR STARTS | 0:56:09 | 0:56:10 | |
-Oh, it's this way? -Yeah. | 0:56:11 | 0:56:13 | |
Oh, now you know. | 0:56:13 | 0:56:14 | |
-HE GRUNTS: -Hang on. | 0:56:45 | 0:56:47 | |
What happened? | 0:56:50 | 0:56:52 | |
-IED. -What? | 0:56:52 | 0:56:54 | |
-Improvised explosive device. -Oh, Jesus. | 0:56:54 | 0:56:57 | |
-Jesus. -You're OK. | 0:56:57 | 0:56:59 | |
-You're gonna be OK. -I can't believe it. | 0:56:59 | 0:57:01 | |
Great fucking intuition, Lyn. | 0:57:01 | 0:57:03 | |
Put me down. I can walk. | 0:57:03 | 0:57:05 | |
Jesus. | 0:57:06 | 0:57:08 | |
I think I may be bleeding to death. | 0:57:08 | 0:57:10 | |
You're not bleeding to death, you're in shock. | 0:57:10 | 0:57:13 | |
It's the shock. | 0:57:13 | 0:57:14 | |
It's so hot. So hot. | 0:57:14 | 0:57:17 | |
Aren't you hot? | 0:57:17 | 0:57:18 | |
Bob, it's pretty important you keep your mouth closed. | 0:57:18 | 0:57:22 | |
You lose a lot of water through an open mouth. | 0:57:22 | 0:57:24 | |
If we'd only stayed with the car then we'd be alright now. | 0:57:24 | 0:57:28 | |
-Now we have no water. -You're gonna be OK. | 0:57:28 | 0:57:30 | |
Will you stop saying that? | 0:57:30 | 0:57:32 | |
I've been blown up, I'm in the middle of the desert. | 0:57:32 | 0:57:34 | |
-I'm not gonna be OK. -Bob, you're in shock. | 0:57:34 | 0:57:37 | |
If you panic, your heart's gonna stop. | 0:57:37 | 0:57:40 | |
Is that supposed to calm me down? | 0:57:40 | 0:57:41 | |
Wait a minute. | 0:57:43 | 0:57:44 | |
This is west. al-Qaim is the other way. | 0:57:45 | 0:57:49 | |
-We're going the wrong way. -Al-Qaim isn't the mission. | 0:57:49 | 0:57:52 | |
-We're going near al-Qaim. -Where? | 0:57:52 | 0:57:54 | |
I don't know. | 0:57:56 | 0:57:57 | |
What? Is that a joke? | 0:57:57 | 0:57:59 | |
It's a joke, right? | 0:57:59 | 0:58:00 | |
We've come 600 miles and you don't know where we're going. | 0:58:00 | 0:58:03 | |
If the exact whereabouts of the target was known, | 0:58:05 | 0:58:08 | |
it wouldn't take a Jedi to find it, would it? | 0:58:08 | 0:58:11 | |
Who gave you the mission, Lyn? | 0:58:12 | 0:58:14 | |
-Bill did. -What? | 0:58:14 | 0:58:16 | |
Bill. He appeared in my trailer two months ago. | 0:58:16 | 0:58:20 | |
A psychic projection. | 0:58:20 | 0:58:22 | |
He called out my name. | 0:58:22 | 0:58:23 | |
Oh, Jesus. Lyn, there is no mission. | 0:58:23 | 0:58:27 | |
We're in the middle of the fucking desert cos you heard voices? | 0:58:27 | 0:58:31 | |
There's no-one here. | 0:58:31 | 0:58:33 | |
There's no-one fucking here! | 0:58:33 | 0:58:35 | |
'When the dust of Bill's discharge had settled, | 0:58:36 | 0:58:39 | |
'it revealed a surprising victor.' | 0:58:39 | 0:58:41 | |
What do you have for me, Sergeant? | 0:58:42 | 0:58:44 | |
This is a scientific report | 0:58:44 | 0:58:46 | |
I've done on possible offensive psy applications, sir. | 0:58:46 | 0:58:50 | |
I showed it to Lieutenant Colonel Django | 0:58:50 | 0:58:52 | |
-but he didn't seem interested. -I bet he wasn't. | 0:58:52 | 0:58:55 | |
We have men who can do this? | 0:58:59 | 0:59:01 | |
I can think of one, sir. | 0:59:01 | 0:59:02 | |
We don't have the resources. | 0:59:04 | 0:59:06 | |
Well, sir, there is the goat lab. | 0:59:08 | 0:59:12 | |
'Just 80 yards from Major Holtz's office was an abandoned hospital. | 0:59:14 | 0:59:18 | |
'Most of these soldiers who lived and worked in Fort Bragg had no idea | 0:59:18 | 0:59:21 | |
'about the actual function of this building. | 0:59:21 | 0:59:24 | |
'Although it was abandoned, the hospital was not empty. | 0:59:24 | 0:59:27 | |
'The goats had been secretly flown in from Central America | 0:59:27 | 0:59:30 | |
'to avoid customs.' | 0:59:30 | 0:59:32 | |
'Special Forces weren't worried about regular soldiers hearing the goats | 0:59:32 | 0:59:35 | |
'because they'd been debleated. | 0:59:35 | 0:59:37 | |
'Goat lab was originally created as a secret laboratory | 0:59:37 | 0:59:40 | |
'to provide in-the-field surgical training | 0:59:40 | 0:59:42 | |
'for Special Forces soldiers. | 0:59:42 | 0:59:44 | |
'The goats would get shot in the leg with a bolt gun | 0:59:44 | 0:59:47 | |
'and then a trainee would have to dress the wound successfully. | 0:59:47 | 0:59:50 | |
'Goat Lab actually used to be called Dog Lab. | 0:59:50 | 0:59:53 | |
'But it turned out most soldiers | 0:59:53 | 0:59:54 | |
'didn't feel good shooting dogs in the leg. | 0:59:54 | 0:59:57 | |
'The Army, though, had long felt fine about doing stuff to goats. | 0:59:57 | 1:00:01 | |
'Even testing atomic weapons on them.' | 1:00:01 | 1:00:03 | |
It's gone, Bob. | 1:00:05 | 1:00:07 | |
I can't find him. I've lost my powers. | 1:00:09 | 1:00:13 | |
It's the curse. | 1:00:14 | 1:00:15 | |
What curse? | 1:00:15 | 1:00:16 | |
They took this beautiful thing that we've been building and | 1:00:16 | 1:00:19 | |
they destroyed the New Earth Army. | 1:00:19 | 1:00:21 | |
Who destroyed it? | 1:00:21 | 1:00:23 | |
I did. | 1:00:25 | 1:00:26 | |
'Hooper and Holtz wanted me to do an experiment. | 1:00:28 | 1:00:31 | |
'They wanted me to stop the heart of a goat. | 1:00:31 | 1:00:33 | |
'What had that goat ever done to me?' | 1:00:33 | 1:00:35 | |
It was completely against the way of the Jedi. | 1:00:35 | 1:00:38 | |
I was just gonna pretend to try so they could see it wouldn't work | 1:00:38 | 1:00:41 | |
and they would forget about it. | 1:00:41 | 1:00:43 | |
'Then, as I sat there, I felt this pulse inside me. | 1:00:43 | 1:00:49 | |
'I couldn't stop it.' | 1:00:49 | 1:00:51 | |
Maybe deep down inside | 1:00:53 | 1:00:55 | |
some dark part of me wanted to see if I could do it. | 1:00:55 | 1:00:59 | |
BREATHES HEAVILY | 1:01:07 | 1:01:09 | |
Holy shit. | 1:01:21 | 1:01:23 | |
That was it. I'd used my powers for evil. | 1:01:25 | 1:01:28 | |
It was as if I'd brought a curse on all of us. | 1:01:28 | 1:01:31 | |
It's like that poem where the guy kills a seagull | 1:01:32 | 1:01:35 | |
and they make him wear it around his neck. | 1:01:35 | 1:01:38 | |
Every night I would dream about that goat. | 1:01:38 | 1:01:40 | |
Its mouth opening and closing without making a sound. | 1:01:40 | 1:01:44 | |
The silence of the goats. | 1:01:44 | 1:01:46 | |
I finished my tour and I quit, I walked out. Never went back. | 1:01:51 | 1:01:54 | |
'But before he could leave, Larry arranged one last parting gift.' | 1:01:56 | 1:02:00 | |
What do you - | 1:02:01 | 1:02:02 | |
It was the Dim Mak. | 1:02:09 | 1:02:10 | |
-The Dim Mak? -Dim Mak. | 1:02:10 | 1:02:13 | |
The quivering palm. The death touch. | 1:02:13 | 1:02:15 | |
It's forbidden in the New Earth Army. | 1:02:15 | 1:02:18 | |
What does the death touch do? | 1:02:18 | 1:02:20 | |
It kills you, Bob, with one touch. | 1:02:20 | 1:02:23 | |
Jesus. | 1:02:24 | 1:02:25 | |
There was a story that Wong Wufu, the great Chinese martial artist, | 1:02:25 | 1:02:28 | |
was in a fight with a guy who was beating him. | 1:02:28 | 1:02:31 | |
The guy gave him this light tap. | 1:02:31 | 1:02:34 | |
Wong looked at him, the guy just nodded. | 1:02:35 | 1:02:38 | |
That was it. | 1:02:38 | 1:02:40 | |
He'd given him the death touch. Wong died. | 1:02:40 | 1:02:43 | |
Then and there? | 1:02:44 | 1:02:46 | |
No. About 18 years later. | 1:02:46 | 1:02:49 | |
That's the thing about the Dim Mak. | 1:02:50 | 1:02:52 | |
You never know when it's gonna take effect. | 1:02:52 | 1:02:54 | |
'In a funny kind of way, I admired Lyn then. | 1:02:59 | 1:03:02 | |
'He believed in something so much he thought he could really die from it. | 1:03:02 | 1:03:07 | |
'I think that's what I'd been looking for all along. | 1:03:07 | 1:03:10 | |
'Something to believe in. Something to give meaning to my life.' | 1:03:10 | 1:03:14 | |
'That's why I'd fallen for Lyn's crazy stories. | 1:03:15 | 1:03:17 | |
'That's why I'd followed him out into the desert.' | 1:03:17 | 1:03:20 | |
BELL CLATTERS | 1:03:21 | 1:03:23 | |
Look. | 1:03:50 | 1:03:51 | |
Come on. Come on. | 1:03:55 | 1:03:57 | |
HELICOPTER FLIES OVERHEAD | 1:04:10 | 1:04:12 | |
RADIO: 'If you're looking for a way to spend your downtime, | 1:04:34 | 1:04:37 | |
'you might want to talk to Private First Class Don Roscoff | 1:04:37 | 1:04:39 | |
'who's in charge of the camp's remote control car races every Sunday. | 1:04:39 | 1:04:44 | |
'These are friendly competitions held between members of the camp. | 1:04:44 | 1:04:47 | |
'But if you think this sort of thing is for kids, | 1:04:47 | 1:04:50 | |
'you'd better think again. | 1:04:50 | 1:04:52 | |
'The cars reach speeds of up to 70mph | 1:04:52 | 1:04:55 | |
'while monster truck models can be up to a foot and a half in length.' | 1:04:55 | 1:04:59 | |
HE GROANS | 1:05:06 | 1:05:07 | |
Lyn? | 1:05:20 | 1:05:21 | |
Lyn, where are you going? | 1:05:28 | 1:05:29 | |
Lyn? | 1:05:36 | 1:05:37 | |
RADIO: 'Weather today, we're looking at another sunny day...' | 1:05:39 | 1:05:42 | |
Hello, Bill. | 1:06:20 | 1:06:21 | |
Hello, Lyn. | 1:06:25 | 1:06:27 | |
This is Bob. | 1:06:30 | 1:06:31 | |
Hello, Bob. | 1:06:32 | 1:06:33 | |
Hello. | 1:06:34 | 1:06:35 | |
Oh, good. The gang's all here. | 1:06:38 | 1:06:41 | |
This is primarily a psyops base. | 1:06:43 | 1:06:45 | |
Psy for psychic, right? | 1:06:46 | 1:06:47 | |
Psy for psychological but the irony isn't wasted on me. | 1:06:47 | 1:06:50 | |
Radio broadcasts, leaflets, things like that. | 1:06:50 | 1:06:53 | |
Oh. Here's an Iraqi psyops leaflet they dropped on us. | 1:06:53 | 1:06:57 | |
"American soldier. | 1:06:57 | 1:06:59 | |
"Your wives are back at home having sex with Bart Simpson and Burt Reynolds." | 1:06:59 | 1:07:04 | |
Didn't exactly do their homework there. | 1:07:04 | 1:07:05 | |
How'd you find us, Lyn? | 1:07:05 | 1:07:07 | |
I told you I remote viewed you. | 1:07:07 | 1:07:09 | |
If this is a psyops base, what are you doing here? | 1:07:09 | 1:07:12 | |
I said it was primarily psyops. | 1:07:12 | 1:07:15 | |
There are individuals in the current administration | 1:07:15 | 1:07:17 | |
who are looking for creative solutions to the War on Terror. | 1:07:17 | 1:07:19 | |
They're more open-minded than their predecessors. | 1:07:19 | 1:07:24 | |
-They outsourced experimental research to my company. -PSIC. | 1:07:24 | 1:07:28 | |
It's pronounced "psych". | 1:07:28 | 1:07:30 | |
Psychic Systems International Corp. | 1:07:30 | 1:07:33 | |
PSIC. | 1:07:33 | 1:07:34 | |
Turns out certain people had heard about the New Earth Army. | 1:07:35 | 1:07:38 | |
They were very interested in some of the work we were doing back then. | 1:07:38 | 1:07:42 | |
They got hold of me, I got hold of Bill. | 1:07:42 | 1:07:44 | |
Bill works for you? | 1:07:44 | 1:07:47 | |
Bill's looking into subliminal messaging. | 1:07:47 | 1:07:49 | |
Oh. This is one we designed to play to our own troops | 1:07:49 | 1:07:53 | |
before going into combat. Push play on that. | 1:07:53 | 1:07:56 | |
# MUSIC: "Wishing And Hoping" by Dionne Warwick | 1:07:57 | 1:08:00 | |
There's a subliminal message in this? | 1:08:03 | 1:08:05 | |
This one is called, "Don't get drunk before firing heavy machine guns." | 1:08:05 | 1:08:09 | |
We've got all sorts of new ideas in development. | 1:08:09 | 1:08:11 | |
-Give them one of our new ideas. -Airbag mine. | 1:08:11 | 1:08:14 | |
Airbag mine. Non-lethal. Catapults the fucker right into the air. | 1:08:14 | 1:08:18 | |
Give me another one. | 1:08:18 | 1:08:19 | |
Blast target with pheromones and then release attack bees. | 1:08:19 | 1:08:22 | |
Attack bees. The forces of nature. Another. | 1:08:22 | 1:08:25 | |
Project Achilles. We mutilate enemy - | 1:08:25 | 1:08:28 | |
We're not doing that one anymore, you idiot. | 1:08:28 | 1:08:30 | |
The point is, we got a budget, we got supporters. | 1:08:31 | 1:08:35 | |
I'm rebuilding the New Earth Army. | 1:08:35 | 1:08:37 | |
Only this time without all the hippy crap. | 1:08:37 | 1:08:39 | |
How you doing there, Bill? | 1:08:39 | 1:08:40 | |
I'm going to get some ice cream. | 1:08:40 | 1:08:42 | |
We get the occasional flash of what he used to be | 1:08:49 | 1:08:51 | |
but he's pretty burned out on the booze. | 1:08:51 | 1:08:55 | |
Still, he's the best. | 1:08:55 | 1:08:56 | |
Oh, Twizzlers. | 1:08:56 | 1:08:58 | |
-You want one? -No. | 1:08:59 | 1:09:01 | |
God, I love these things. | 1:09:01 | 1:09:03 | |
MUFFLED MUSIC | 1:09:08 | 1:09:10 | |
MUSIC GETS LOUDER | 1:09:17 | 1:09:19 | |
MUSIC GETS LOUDER | 1:09:25 | 1:09:27 | |
# MUSIC: "I Love You" by Barney the Purple Dinosaur | 1:09:48 | 1:09:51 | |
MAN GROANS | 1:09:52 | 1:09:53 | |
What? What is it? | 1:09:56 | 1:09:58 | |
The Dark Side. | 1:09:59 | 1:10:00 | |
What are you gonna do? | 1:10:09 | 1:10:10 | |
Lyn, what are you gonna do? | 1:10:11 | 1:10:13 | |
It's too late. | 1:10:14 | 1:10:15 | |
I'm dying, Bob. | 1:10:18 | 1:10:19 | |
You're not gonna die. | 1:10:19 | 1:10:21 | |
I don't believe you can be killed by mail order dim sum or... | 1:10:21 | 1:10:25 | |
-Dim Mak. -A Dim Mak. Whatever. | 1:10:25 | 1:10:26 | |
You can't just be tapped on the shoulder - | 1:10:26 | 1:10:29 | |
-It's cancer. -What? | 1:10:29 | 1:10:31 | |
I know it was the Dim Mak that caused it. | 1:10:34 | 1:10:38 | |
It's cancer. At least, that's what the doctors say. | 1:10:38 | 1:10:41 | |
There's different ways of looking at it. | 1:10:45 | 1:10:47 | |
Different names for a reality. | 1:10:49 | 1:10:51 | |
Give that to Bill. | 1:11:05 | 1:11:07 | |
I don't deserve it. | 1:11:08 | 1:11:10 | |
Take it. | 1:11:13 | 1:11:14 | |
'It wasn't the Dim Mak that was killing Lyn | 1:11:22 | 1:11:24 | |
'and it wasn't the cancer. | 1:11:24 | 1:11:26 | |
'He was dying of a broken heart. | 1:11:26 | 1:11:29 | |
'And maybe the cancer, as well. | 1:11:29 | 1:11:32 | |
'His mission had failed. | 1:11:32 | 1:11:34 | |
'And failure was something I knew too much about.' | 1:11:34 | 1:11:36 | |
Bill? | 1:11:37 | 1:11:38 | |
Lyn told me he didn't deserve this eagle feather. | 1:11:59 | 1:12:02 | |
He wanted me to give it back to you. | 1:12:03 | 1:12:05 | |
-It's fake. -What? | 1:12:08 | 1:12:10 | |
25,000 fine for taking an eagle feather. | 1:12:12 | 1:12:15 | |
This one's off a turkey. | 1:12:16 | 1:12:18 | |
You just dye the tip black. | 1:12:19 | 1:12:21 | |
Don't tell Lyn. | 1:12:24 | 1:12:25 | |
It isn't real. | 1:12:27 | 1:12:28 | |
None of it was real. | 1:12:30 | 1:12:31 | |
Lyn told me about the curse. | 1:12:37 | 1:12:40 | |
That by killing the goat he put a curse on all of you. | 1:12:40 | 1:12:43 | |
What's Larry gonna do with these goats? | 1:12:46 | 1:12:48 | |
Do you believe in redemption, Bill? | 1:12:54 | 1:12:56 | |
COUGHS LOUDLY | 1:13:15 | 1:13:16 | |
Oh. Sorry. Didn't mean to wake you. | 1:13:19 | 1:13:22 | |
How did you find us? | 1:13:24 | 1:13:26 | |
I told you, I remote viewed you. | 1:13:26 | 1:13:28 | |
Scotty Mercer told you, didn't he? | 1:13:30 | 1:13:33 | |
Yeah, he did. | 1:13:33 | 1:13:35 | |
We told Scotty we were coming over here, | 1:13:35 | 1:13:37 | |
asked him if he wanted some work. | 1:13:37 | 1:13:38 | |
I haven't seen Scotty. | 1:13:38 | 1:13:41 | |
That's funny cos he told me he ran into you | 1:13:41 | 1:13:43 | |
and mentioned there might be some jobs going over with us. | 1:13:43 | 1:13:46 | |
Isn't that why you came really, Lyn? | 1:13:47 | 1:13:50 | |
You want back in, don't you? | 1:13:52 | 1:13:53 | |
It can happen. | 1:13:55 | 1:13:56 | |
You only got to say the word. | 1:13:56 | 1:13:58 | |
This could be the new golden age for psy research. | 1:13:58 | 1:14:02 | |
You, me, Bill, back together again like the old days. | 1:14:02 | 1:14:06 | |
You don't have to make a decision now. | 1:14:12 | 1:14:16 | |
Tell me in the morning. | 1:14:16 | 1:14:17 | |
BOTH: Mother Earth, you are my life support system. | 1:14:27 | 1:14:31 | |
As a soldier I must drink your blue water, | 1:14:31 | 1:14:33 | |
live inside your red clay and eat your green skin. | 1:14:33 | 1:14:38 | |
Help me to balance myself as you hold in balance the Earth, | 1:14:38 | 1:14:42 | |
the sea and the space environments. | 1:14:42 | 1:14:45 | |
Help me to open my heart knowing that the universe will feed me. | 1:14:45 | 1:14:50 | |
I pray my boots will always kiss your face | 1:14:50 | 1:14:54 | |
and my footsteps match your heartbeat. | 1:14:54 | 1:14:56 | |
Carry my body through space and time. | 1:14:56 | 1:14:59 | |
You are my connection to the universe and all that comes after. | 1:14:59 | 1:15:04 | |
I am yours and you are mine. | 1:15:04 | 1:15:07 | |
I salute you. | 1:15:07 | 1:15:08 | |
I salute you. | 1:15:13 | 1:15:14 | |
Bill? Bill. | 1:15:23 | 1:15:24 | |
Bill. | 1:15:24 | 1:15:25 | |
Are you OK? | 1:15:27 | 1:15:28 | |
I just saw Timothy Leary. | 1:15:31 | 1:15:32 | |
Timothy Leary's dead. | 1:15:32 | 1:15:35 | |
I know. | 1:15:35 | 1:15:36 | |
Hey, I got an idea. | 1:15:37 | 1:15:39 | |
Good evening, gentlemen. | 1:15:44 | 1:15:46 | |
Wanna get some ice cream? | 1:15:46 | 1:15:48 | |
BUGLE PLAYS | 1:15:57 | 1:15:59 | |
RADIO: 'Good morning, ladies and gentlemen...' | 1:16:05 | 1:16:07 | |
Don't eat the eggs. | 1:16:33 | 1:16:35 | |
-What? -Don't eat the eggs. | 1:16:37 | 1:16:40 | |
What's going on? | 1:17:07 | 1:17:08 | |
We put LSD in the eggs. | 1:17:09 | 1:17:11 | |
Bill showed me where Larry had some bottles of LSD | 1:17:13 | 1:17:16 | |
and we put some in the powdered eggs last night. | 1:17:16 | 1:17:19 | |
And in the water. | 1:17:19 | 1:17:20 | |
What? | 1:17:22 | 1:17:23 | |
I put it in the main water tank, as well. | 1:17:23 | 1:17:26 | |
But we drank the water. | 1:17:26 | 1:17:28 | |
Yeah. | 1:17:29 | 1:17:30 | |
RADIO: 'Hold on.' | 1:17:50 | 1:17:52 | |
'Er, the weather today is gonna be... hot. | 1:17:52 | 1:17:57 | |
'I mean, I'm guessing. I haven't really looked at the thing. | 1:17:57 | 1:18:00 | |
'But it's gonna be fucking hot as balls out there again. | 1:18:00 | 1:18:05 | |
'Yeah. What else?' | 1:18:05 | 1:18:07 | |
'Big fucking shocker, right? It's gonna be hot again.' | 1:18:09 | 1:18:12 | |
Don't you think it would have been a good idea | 1:18:16 | 1:18:18 | |
if we hadn't drunk the fucking water? | 1:18:18 | 1:18:20 | |
That might have aroused suspicion. | 1:18:20 | 1:18:22 | |
But don't worry, over the years | 1:18:22 | 1:18:24 | |
I've developed a massive tolerance to all narcotics. | 1:18:24 | 1:18:26 | |
MAN: You're gonna hit the gate. | 1:18:43 | 1:18:45 | |
You're going to hit the gate. | 1:18:45 | 1:18:47 | |
It's cool. You missed it. | 1:18:51 | 1:18:53 | |
In the name of the New Earth Army and loving people everywhere, | 1:18:58 | 1:19:03 | |
I'm liberating you. | 1:19:03 | 1:19:05 | |
Come on. I'm liberating this base. | 1:19:13 | 1:19:16 | |
Come on. Go. | 1:19:26 | 1:19:28 | |
Everybody, go. | 1:19:32 | 1:19:33 | |
Come on. | 1:19:36 | 1:19:37 | |
Come on. | 1:19:39 | 1:19:40 | |
Be free now. | 1:19:53 | 1:19:54 | |
Come on! | 1:19:54 | 1:19:55 | |
Put the gun down, Larry. | 1:20:13 | 1:20:16 | |
Wow. I'm really hungry. | 1:20:28 | 1:20:31 | |
Let's go. Come on. | 1:20:35 | 1:20:37 | |
Don't be afraid. They're just goats. | 1:20:41 | 1:20:43 | |
Don't worry about the soap. | 1:20:50 | 1:20:51 | |
Peace be with you. | 1:20:57 | 1:20:58 | |
Be free! | 1:21:01 | 1:21:03 | |
GOAT'S BELL CLATTERS | 1:21:20 | 1:21:22 | |
Wait! Wait, wait for me. | 1:21:48 | 1:21:50 | |
Where are you going? What about the mission? | 1:21:50 | 1:21:52 | |
You're the mission, Bob. | 1:21:52 | 1:21:55 | |
Tell them what happened. Tell everybody what happened. | 1:21:56 | 1:21:59 | |
It's your job now. | 1:22:01 | 1:22:02 | |
'At the time I was hurt that Lyn hadn't taken me with him. | 1:22:08 | 1:22:11 | |
'But now I know it was because | 1:22:11 | 1:22:12 | |
'he and Bill had already seen what was to come.' | 1:22:12 | 1:22:15 | |
'Nobody exactly knows what happened. | 1:22:34 | 1:22:36 | |
'The official story is that their helicopter must have crashed. | 1:22:36 | 1:22:39 | |
'Either because they were hit by an RPG or because, | 1:22:39 | 1:22:42 | |
'well, that's what happens when you fly a helicopter | 1:22:42 | 1:22:45 | |
'while you're tripping on acid. | 1:22:45 | 1:22:47 | |
'All I know is they've never been seen since. | 1:22:47 | 1:22:51 | |
'Like all shaman, they returned to the sky.' | 1:22:51 | 1:22:54 | |
'When I got back, I wrote the story up. | 1:22:58 | 1:23:01 | |
'Everything. | 1:23:01 | 1:23:02 | |
'Lyn had handed the mission onto me and I would see it through. | 1:23:02 | 1:23:05 | |
'I would tell everyone what happened. | 1:23:05 | 1:23:08 | |
'I understood now that Debora and I weren't meant to be together | 1:23:08 | 1:23:11 | |
'and I was at peace with that. | 1:23:11 | 1:23:12 | |
'It wasn't my destiny to return to the life I had before. | 1:23:12 | 1:23:16 | |
'The universe has other plans for me. | 1:23:16 | 1:23:18 | |
'I sent the story to the newspapers and TV stations. | 1:23:18 | 1:23:21 | |
'I didn't care what the authorities did to me. | 1:23:21 | 1:23:23 | |
'I was ready to go to prison as long as the truth came out. | 1:23:23 | 1:23:26 | |
'But they didn't put me in prison. | 1:23:26 | 1:23:29 | |
'They did something much worse.' | 1:23:29 | 1:23:31 | |
'..a cruel and unusual tool to break the resistance of Iraqi PoWs." | 1:23:31 | 1:23:34 | |
'Trust me, a lot of parents would agree." | 1:23:34 | 1:23:36 | |
'Some prisoners are being forced to listen to Barney the Purple Dinosaur | 1:23:36 | 1:23:40 | |
'sing the I Love You song for 24 straight hours.' | 1:23:40 | 1:23:46 | |
'That was it. | 1:23:46 | 1:23:48 | |
'That was the only bit of my story that ran anywhere. | 1:23:48 | 1:23:51 | |
'And it was a joke. | 1:23:51 | 1:23:54 | |
'If I ever needed proof of how the Dark Side | 1:23:54 | 1:23:57 | |
'had taken the beautiful dream of what a nation could be | 1:23:57 | 1:24:00 | |
'and had twisted it, destroyed it... | 1:24:00 | 1:24:04 | |
'Well, that was it. | 1:24:04 | 1:24:06 | |
'But I won't stop. | 1:24:06 | 1:24:08 | |
'I won't give up.' | 1:24:08 | 1:24:10 | |
'Because when I look at what is happening in the world, | 1:24:10 | 1:24:12 | |
'I know that now, more than ever...' | 1:24:12 | 1:24:16 | |
'..we need to be all that we can be.' | 1:24:17 | 1:24:19 | |
Bob? | 1:24:19 | 1:24:21 | |
'Now, more than ever...' | 1:24:21 | 1:24:24 | |
'..we need the Jedi.' | 1:24:26 | 1:24:28 | |
# MUSIC: "More Than A Feeling" by Boston | 1:24:28 | 1:24:31 |