Browse content similar to Tropic Thunder. Check below for episodes and series from the same categories and more!
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This film contains very strong language and some violent scenes from the start. | 0:00:02 | 0:00:09 | |
# ..The way is pussy I love a pussy | 0:00:09 | 0:00:12 | |
# I'm dripping off your Booty Sweat And busting a nut | 0:00:12 | 0:00:14 | |
# I'm Alpa Chino Got that pussy control # | 0:00:14 | 0:00:17 | |
Alpa Chino's Booty Sweat. Pop an ass open! | 0:00:17 | 0:00:20 | |
Booty Sweat and Bust-A-Nut bars available at concessions now. | 0:00:20 | 0:00:24 | |
-Temperatures have soared... -In 2013, | 0:00:26 | 0:00:28 | |
when the Earth's rotation came to a halt... | 0:00:28 | 0:00:31 | |
..declared all of North America a disaster area. | 0:00:31 | 0:00:35 | |
I call on my fellow Americans... | 0:00:35 | 0:00:37 | |
..the world called on the one man who could make a difference. | 0:00:37 | 0:00:41 | |
When it happened again, the world called on him once more. | 0:00:45 | 0:00:50 | |
And no-one saw it coming... | 0:00:50 | 0:00:53 | |
three...more...times. | 0:00:53 | 0:00:58 | |
Now, the one man who made a difference five times before... | 0:00:58 | 0:01:06 | |
is about to make a difference... again. | 0:01:06 | 0:01:11 | |
Only this time, it's different. | 0:01:11 | 0:01:15 | |
Who left the fridge open? | 0:01:16 | 0:01:19 | |
Tugg Speedman. | 0:01:19 | 0:01:21 | |
Scorcher Six, Global Meltdown. | 0:01:21 | 0:01:24 | |
Here we go again. | 0:01:27 | 0:01:29 | |
Again? | 0:01:29 | 0:01:31 | |
MUSIC: "The Four Seasons" by Vivaldi | 0:01:35 | 0:01:38 | |
Will there be anything else? | 0:01:38 | 0:01:41 | |
Oh, yes, my dear man, more beans. | 0:01:41 | 0:01:44 | |
-FARTS -Grannie, euw! | 0:01:44 | 0:01:48 | |
LAUGHS Oh, please! | 0:01:48 | 0:01:51 | |
This summer, America's favourite obese family is back. | 0:01:51 | 0:01:58 | |
-ALL FART -Euw, gross! | 0:01:58 | 0:02:01 | |
-You're just mad cos I'm skinny. -I'm not. | 0:02:01 | 0:02:04 | |
Jeff Portnoy, Jeff Portnoy, | 0:02:04 | 0:02:06 | |
Jeff Portnoy | 0:02:06 | 0:02:08 | |
and Jeff Portnoy are... | 0:02:08 | 0:02:12 | |
-ALL FART -The Fatties, Fart Two. | 0:02:12 | 0:02:14 | |
-In some countries... -FARTS | 0:02:14 | 0:02:17 | |
..it's considered a compliment. | 0:02:17 | 0:02:19 | |
Letting loose this summer. | 0:02:19 | 0:02:21 | |
In a time... | 0:02:31 | 0:02:33 | |
where to be different | 0:02:33 | 0:02:35 | |
was to be condemned... | 0:02:35 | 0:02:37 | |
..and to be condemned... | 0:02:49 | 0:02:51 | |
..was to die... | 0:02:53 | 0:02:56 | |
..one man chose to question his god. | 0:02:58 | 0:03:02 | |
SCREAMS | 0:03:02 | 0:03:06 | |
From Fox Searchlight... | 0:03:06 | 0:03:08 | |
MUSIC: "Sadeness (Part 1)" by Enigma | 0:03:08 | 0:03:10 | |
..five-time Academy Award winner Kirk Lazarus... | 0:03:16 | 0:03:20 | |
and MTV Movie Award Best Kiss winner Tobey Maguire. | 0:03:20 | 0:03:24 | |
Winner of the Beijing Film Festival's coveted | 0:03:31 | 0:03:34 | |
Crying Monkey award... | 0:03:34 | 0:03:37 | |
Satan's Alley. | 0:03:37 | 0:03:39 | |
I've been a bad, bad boy, Father. | 0:03:42 | 0:03:45 | |
RADIO CHATTER | 0:05:11 | 0:05:13 | |
Come on! | 0:05:53 | 0:05:56 | |
Come on, you damn heathens! | 0:05:56 | 0:06:00 | |
This is Boomer 17 in the Jeep. | 0:06:00 | 0:06:02 | |
I need fast movers on my Yankee. Throw something! | 0:06:02 | 0:06:05 | |
'Boomer this is Y - I got...' | 0:06:05 | 0:06:08 | |
Holy shit! | 0:06:08 | 0:06:10 | |
-Holy shit! -Get some firepower, boy! -Jesus Christ! | 0:06:10 | 0:06:14 | |
Listen, you cherry fuck! You call in that snake | 0:06:14 | 0:06:18 | |
and nape and get us some b-b-boom now! I'd do it myself | 0:06:18 | 0:06:21 | |
-but I'm kind of goddamn busy! -OK. | 0:06:21 | 0:06:23 | |
SHOUTING/EXPLOSIONS | 0:06:23 | 0:06:25 | |
Lock and load! | 0:06:25 | 0:06:27 | |
-What the fuck? -SCREAMS | 0:06:27 | 0:06:30 | |
SCREAMS | 0:06:30 | 0:06:35 | |
That's for Brooklyn, motherfucker! | 0:06:35 | 0:06:39 | |
-I think I can put it back in. -We gotta get back to the bird. | 0:06:39 | 0:06:42 | |
INDISTINCT SHOUTING | 0:06:42 | 0:06:44 | |
Want some? Get some! | 0:06:44 | 0:06:46 | |
-Hey, I ain't seen Four Leaf. -Don't count him out, | 0:06:46 | 0:06:50 | |
that bastard's got luck tattooed to his ass. | 0:06:50 | 0:06:52 | |
Get your Detroit jukebox Jheri curl ass in this chickenshit chop-chop! | 0:06:52 | 0:06:58 | |
-ASAFP! -Four Leaf is still outside the perimeter! -Miss me with that | 0:06:58 | 0:07:01 | |
cracker chump jive! We di di mau! We di di mau! | 0:07:01 | 0:07:03 | |
-Come on, get out! Get out! -What am I looking at? What is this? | 0:07:04 | 0:07:09 | |
Let's go! Come on, elevate up! | 0:07:09 | 0:07:12 | |
Sarge! It's Four Leaf. | 0:07:12 | 0:07:15 | |
No! | 0:07:27 | 0:07:28 | |
Survive! | 0:07:34 | 0:07:36 | |
Cover me, you limp dick fuck-ups! | 0:07:48 | 0:07:50 | |
Peek-a-boo! | 0:07:56 | 0:07:58 | |
I see you! | 0:07:58 | 0:08:00 | |
Hold on, Four Leaf! | 0:08:01 | 0:08:03 | |
Watch my right. | 0:08:09 | 0:08:10 | |
Come on, Leaf! | 0:08:12 | 0:08:14 | |
-No! -No! | 0:08:21 | 0:08:24 | |
Holy fuck! | 0:08:27 | 0:08:30 | |
SCREAMS | 0:08:30 | 0:08:31 | |
Oh, look at you, man. | 0:08:35 | 0:08:38 | |
Playing with grenades. | 0:08:38 | 0:08:40 | |
I'm cold, Linc. | 0:08:41 | 0:08:44 | |
I can't feel my legs. | 0:08:45 | 0:08:47 | |
Ain't nothing but a thang. | 0:08:47 | 0:08:51 | |
Hold my hands... | 0:08:51 | 0:08:54 | |
cos I got something to s... | 0:08:54 | 0:08:56 | |
I got something to say. | 0:08:56 | 0:08:58 | |
Oh, boy. | 0:08:58 | 0:09:01 | |
When we get back to the world, | 0:09:05 | 0:09:07 | |
I'm gonna finally teach you to juggle. | 0:09:07 | 0:09:11 | |
I ain't never been worth a nothing in this life. | 0:09:11 | 0:09:16 | |
But I want you to know something. | 0:09:16 | 0:09:18 | |
What, man? | 0:09:19 | 0:09:22 | |
You were my... | 0:09:22 | 0:09:24 | |
SOBS You're my brother. | 0:09:24 | 0:09:27 | |
SCREAMING | 0:09:32 | 0:09:34 | |
You're my brother. You're my... You're my... | 0:09:39 | 0:09:43 | |
-I'm sorry, can we cut? -What's he saying? -Can we cut? | 0:09:49 | 0:09:53 | |
No, no, we got the jets coming in, big explosions. Two minutes. Still rolling. | 0:09:53 | 0:09:58 | |
No, not still rolling. | 0:09:58 | 0:10:00 | |
-We're cutting. -Get out. -Hey, what's going on? My butt is hurting. | 0:10:00 | 0:10:04 | |
-This harness is riding up my crack. -Damien, cut it. -No! Still rolling. | 0:10:04 | 0:10:09 | |
-Are we cutting, sir? -No! | 0:10:09 | 0:10:10 | |
-No, I'm not cutting. -Damien, what's the deal? Are we gonna blow this | 0:10:10 | 0:10:14 | |
tree line or what? Tuk Tuk and Kim got the blue balls. | 0:10:14 | 0:10:17 | |
Gonna let them squirt if we're a go! | 0:10:17 | 0:10:19 | |
-Still rolling! -Can he hear me? That's C4, dipshit, put that back. | 0:10:19 | 0:10:23 | |
I said a detonator. I need some dudes who speak American! | 0:10:23 | 0:10:26 | |
He's making a fucking sweater, | 0:10:26 | 0:10:28 | |
I'm trying to put Tiger Balm on this jungle's nuts. | 0:10:28 | 0:10:32 | |
Whassup, baby? | 0:10:32 | 0:10:34 | |
What the fuck is going on here?! | 0:10:34 | 0:10:36 | |
Everyone, please shut up. Jets are coming in. We have one chance. | 0:10:36 | 0:10:39 | |
On three, baby. One, two, breathe. | 0:10:39 | 0:10:42 | |
-Do me a favour. I don't want to do a countdown before I do the scene. -No countdown? | 0:10:42 | 0:10:45 | |
-Can we just do it off action? -Just...in your own time. | 0:10:45 | 0:10:48 | |
-Good. -I'm not a rocket ship, OK. -All right. -And, action! | 0:10:48 | 0:10:51 | |
-Whatever floats your boat, baby. Fuck! -Erika, get me a VitaminWater! | 0:10:51 | 0:10:57 | |
You know what it is, Damien? I'm sorry. Not to get into his thing, | 0:10:57 | 0:11:00 | |
but if I'm crying, should Osiris be crying, too? | 0:11:00 | 0:11:03 | |
-No, it's everyone cry - We cutting -or we crying? -No, we're crying! | 0:11:03 | 0:11:05 | |
-Just call it! -Kirk, you can cry. Tugg, you can cry. -Thanks(!) | 0:11:05 | 0:11:08 | |
-You see how agitated he is now? -I know. -Let's go to work. -Rolling! | 0:11:08 | 0:11:13 | |
-Ridge is in sight, two miles out. -Jets are about to crest this line. | 0:11:14 | 0:11:17 | |
200 pounds of shit your pants. I need to know if we're ready to go. | 0:11:17 | 0:11:22 | |
You're my... See, that's what I think it is, Damien. | 0:11:25 | 0:11:29 | |
I think it's the line. | 0:11:29 | 0:11:30 | |
-Yeah? -I don't know if Four Leaf would say that. | 0:11:30 | 0:11:33 | |
-Were you crying when your hands blew up? -No. Yeah, I mean, just that's what... | 0:11:33 | 0:11:38 | |
-Now we in re-writes? -Where you going? -Let's re-write it! | 0:11:38 | 0:11:40 | |
-Action Jackson can't cry. -I'm ready to do the scene! | 0:11:40 | 0:11:45 | |
What scene? The scene is about emotionality. | 0:11:45 | 0:11:47 | |
Where is it? Time to flip the script! Need till Chinese New Year waiting for my man to cry. | 0:11:47 | 0:11:52 | |
Here they come! | 0:11:52 | 0:11:54 | |
-No! -Stop tailgating me, you pasty teabag! | 0:11:54 | 0:11:56 | |
Can I make a pee-pee? | 0:11:56 | 0:11:58 | |
-The planes are inbound! -Shit! Shit! | 0:11:58 | 0:12:02 | |
-Shit, shit, cocksucker, bollocks. Tropic tits! -That's the signal! | 0:12:02 | 0:12:04 | |
-Go, go, go, go, go! -Goddamn shit-picking cock! | 0:12:04 | 0:12:10 | |
It's beautiful! | 0:12:10 | 0:12:12 | |
Mother Nature just pissed her pantsuit! | 0:12:18 | 0:12:21 | |
-Sweet. -Oh, mama! | 0:12:27 | 0:12:30 | |
Bungle in the jungle. More bad news from the Vietnamese set | 0:12:32 | 0:12:36 | |
of Tropic Thunder, where a 4 million explosion | 0:12:36 | 0:12:39 | |
charred the Asian location and the camera wasn't even rolling. | 0:12:39 | 0:12:43 | |
Financed by hot-headed mega-mogul Les Grossman, | 0:12:43 | 0:12:45 | |
the film is rumoured to be one month behind schedule just five days in. | 0:12:45 | 0:12:49 | |
The reason? Fingers are pointed at rookie director Damien Cockburn, | 0:12:49 | 0:12:53 | |
who, insiders say, can't control a star-studded cast, | 0:12:53 | 0:12:58 | |
including flatulent star of the Fatties franchise, Jeff Portnoy. | 0:12:58 | 0:13:02 | |
A lot of people are disrespecting me. | 0:13:02 | 0:13:05 | |
They say the movie's just about farts. It's about family, and... | 0:13:05 | 0:13:09 | |
-(BEEP!) -..you! You can't do what I do. | 0:13:09 | 0:13:11 | |
Fresh from his most recent arrest for heroin, glue | 0:13:11 | 0:13:14 | |
and crack possession, Portnoy was almost uninsurable. | 0:13:14 | 0:13:18 | |
Also in is Booty Sweat hocking hip-hop hyphenate Alpa Chino. | 0:13:18 | 0:13:22 | |
I'm so excited, you know what I'm saying, about doing Tropic Thunder. | 0:13:22 | 0:13:25 | |
-Hey, drink Booty Sweat, baby. -But the real heavyweight on the set | 0:13:25 | 0:13:29 | |
is five-time Academy Award winner Kirk Lazarus. The brilliant | 0:13:29 | 0:13:32 | |
Australian, known for his bad boy antics off-screen, | 0:13:32 | 0:13:35 | |
is famous for his total immersion into any role he portrays. | 0:13:35 | 0:13:39 | |
Being an actor is no different than being a construction worker, save | 0:13:39 | 0:13:42 | |
for the fact that my tools are the mechanisms that trigger emotion. | 0:13:42 | 0:13:46 | |
Lazarus underwent a controversial pigmentation alteration procedure | 0:13:46 | 0:13:49 | |
to play the platoon's African American sergeant, Lincoln Osiris. | 0:13:49 | 0:13:54 | |
-Yeah! -Trying to hold his own on screen is action juggernaut | 0:13:54 | 0:13:57 | |
Tugg Speedman. | 0:13:57 | 0:13:59 | |
Once the highest grossing star in the world, | 0:13:59 | 0:14:02 | |
lately his Scorcher films have lost their heat. | 0:14:02 | 0:14:05 | |
Recently, Speedman opened up to Tyra. | 0:14:06 | 0:14:08 | |
You have no real family. You're on the wrong side of 40. | 0:14:08 | 0:14:12 | |
You're childless and alone. Somebody close to you said, | 0:14:12 | 0:14:16 | |
"One more flop and it's over." | 0:14:16 | 0:14:18 | |
Somebody said they were close to me? | 0:14:19 | 0:14:22 | |
Tough year for Tugg. Disappointing buddy comedy Chitlin' And The Dude | 0:14:23 | 0:14:27 | |
was followed by an ill-advised venture | 0:14:27 | 0:14:30 | |
into serious dramatic territory. | 0:14:30 | 0:14:31 | |
Simple Jack, the story of a mentally impaired farmhand | 0:14:31 | 0:14:34 | |
who can talk to animals, was a box office disaster | 0:14:34 | 0:14:38 | |
that many critics called, "One of the worst movies of all time." | 0:14:38 | 0:14:42 | |
I ain't got a g-g-good brain. | 0:14:42 | 0:14:47 | |
I think you've got a fine brain, Jack. | 0:14:47 | 0:14:50 | |
You m-m-m-m-m-make me happy. | 0:14:50 | 0:14:56 | |
But now the question is, can Speedman m-m-make audiences happy | 0:14:56 | 0:15:00 | |
-in what's being called the most expensive war movie never made? -Rick Peck. | 0:15:00 | 0:15:04 | |
Wishing Tugg all the best on that one. | 0:15:04 | 0:15:08 | |
Rum-Tum-Tuggernauts, it's the Pecker. You got time for your agent? | 0:15:08 | 0:15:11 | |
-Rick? -Hey, buddy, guess who I'm staring at right now. -What? | 0:15:11 | 0:15:14 | |
I'm looking at your ugly mug on the back cover of Vanity Fair magazine, | 0:15:14 | 0:15:18 | |
holding a panda from Cutesville. It is insane, bro. You are a rock star. | 0:15:18 | 0:15:23 | |
-Hey, did you get the gift basket I sent? -(From Rick.) | 0:15:23 | 0:15:26 | |
Yeah. Yeah. It's cool, man. Thanks. | 0:15:26 | 0:15:29 | |
All right, that is a real satellite phone, bro. Do not re-gift. | 0:15:29 | 0:15:33 | |
-Hey. You see that Access Hollywood piece? -Yeah, I did. It was like pistol-whipping a blind kid. | 0:15:33 | 0:15:38 | |
I mean, I'm not gonna sugar coat it, Tugg. You are a huge star. | 0:15:38 | 0:15:42 | |
But, right now, you're like that kid on the playground, | 0:15:42 | 0:15:46 | |
the one who has lice that none of the other kids want to play with? | 0:15:46 | 0:15:49 | |
-What do you mean? -We gotta shave your head and get you back on the monkey bars, right? -What? | 0:15:49 | 0:15:54 | |
-How did the crying scene go? -Horrible. Lazarus started crying. | 0:15:54 | 0:15:58 | |
-He starts drooling and dribbling, and it wasn't in the script... -Stop there! | 0:15:58 | 0:16:03 | |
You gotta buck up here, Tuggboat. Who cares how much more talented | 0:16:03 | 0:16:07 | |
he may be than you? If he cries, you cry harder, man. | 0:16:07 | 0:16:10 | |
Didn't your dog have leukaemia when you were a kid? I mean, think of that. Boom! End of story. | 0:16:10 | 0:16:16 | |
-They hook up the TiVo yet? -No. -What? | 0:16:16 | 0:16:18 | |
They have digital cable, but, I mean, it's OK. | 0:16:18 | 0:16:21 | |
No, no, no. Come on, man. It's not OK. | 0:16:21 | 0:16:23 | |
It is not OK, Tugg! | 0:16:23 | 0:16:24 | |
And you don't need to explain to me why you need TiVo | 0:16:24 | 0:16:28 | |
or clean water, clean sheets, food, shelter. | 0:16:28 | 0:16:32 | |
I fought for that in your contract. | 0:16:32 | 0:16:34 | |
How's the adoption thing coming, buddy? | 0:16:34 | 0:16:37 | |
Not too great. | 0:16:37 | 0:16:39 | |
Well, at least you get to choose yours. | 0:16:39 | 0:16:42 | |
I'm stuck with mine. | 0:16:42 | 0:16:44 | |
Tell you what, get back to work, genius soldier. | 0:16:46 | 0:16:48 | |
The Pecker's on a TiVo mission for the Y O U. | 0:16:48 | 0:16:51 | |
-Work on those tears, my man. -All right. Yeah. | 0:16:51 | 0:16:54 | |
-Say it for me one time. You m-m-m-make me happy. -M-M-Make me happy. | 0:16:54 | 0:17:00 | |
-I love you, buddy. -All right, bye. | 0:17:00 | 0:17:02 | |
Crisis meeting? What does that mean, exactly? I mean, are we in a crisis? | 0:17:02 | 0:17:06 | |
He's the head of the studio. He's reaching out. | 0:17:06 | 0:17:09 | |
We're 10,000 miles away. He wants a little face time. | 0:17:09 | 0:17:11 | |
You said that he called it a crisis meeting. So... | 0:17:11 | 0:17:14 | |
It's Les Grossman. He throws these words around. Crisis, explosion, | 0:17:14 | 0:17:19 | |
not rolling, fired. | 0:17:19 | 0:17:21 | |
-These are just words. -Yeah! Yeah! | 0:17:21 | 0:17:23 | |
Keep a secret? Camera truck in London ploughed into Judi Dench. | 0:17:23 | 0:17:27 | |
-Trust me, he's got bigger problems. -He may be able to see me, | 0:17:27 | 0:17:30 | |
-but I can't see him! -Move! Move! Les! -Get your ass out of my... | 0:17:30 | 0:17:34 | |
-Can he see us? -I don't know why we don't have... -Get him a Diet Coke. | 0:17:34 | 0:17:38 | |
Les! It's working! Yeah, whatever you're doing. | 0:17:38 | 0:17:42 | |
-Hello, Les! -OK. -We got you loud and clear, Les. -I see you. I see you. | 0:17:42 | 0:17:47 | |
I see you. Which one of you fuckfaces is Damien Cockburn? | 0:17:47 | 0:17:54 | |
That's me, sir. It's good to finally meet you, get some face time. | 0:17:54 | 0:17:59 | |
And who here is the key grip? You? | 0:17:59 | 0:18:03 | |
You. | 0:18:03 | 0:18:05 | |
Hit that director in the face, really fucking hard. | 0:18:05 | 0:18:08 | |
Sorry, man. | 0:18:14 | 0:18:16 | |
Ow! Ow. Ow. | 0:18:18 | 0:18:21 | |
This is your fault, you limey fuck! | 0:18:21 | 0:18:24 | |
You shit the money-bed, my friend. | 0:18:24 | 0:18:27 | |
Hey, Les, I understand if you're angry, | 0:18:27 | 0:18:31 | |
but I am dealing with a bunch of prima donnas! Clowns! | 0:18:31 | 0:18:34 | |
-Tugg Speedman, he can't cry! Can't cry! -You know how you handle actors? They whine about anything, | 0:18:34 | 0:18:38 | |
you pull down their pants and you spank their ass. | 0:18:38 | 0:18:41 | |
-You spank that ass, Les. -What? | 0:18:41 | 0:18:44 | |
Spanking a child turns him into a little snot. | 0:18:44 | 0:18:48 | |
Fear...makes him a man. | 0:18:48 | 0:18:51 | |
I know a place where a man's worth is measured | 0:18:51 | 0:18:56 | |
in the ears hanging from his dog tags. | 0:18:56 | 0:18:59 | |
The real deep shit. | 0:18:59 | 0:19:03 | |
You wanna make this movie right? | 0:19:03 | 0:19:04 | |
That's where you take your pansy-ass actors. | 0:19:04 | 0:19:09 | |
Who is this guy? | 0:19:09 | 0:19:12 | |
-Les, that's Four Leaf. -Sergeant Four Leaf Tayback. I wrote the book. | 0:19:12 | 0:19:17 | |
Oh. You're a great American. | 0:19:17 | 0:19:21 | |
This nation owes you a huge debt. | 0:19:21 | 0:19:23 | |
Now shut the fuck up and let me do my job! Cockburn? | 0:19:23 | 0:19:28 | |
-Yes? -From now on, my fist is gonna be so far up your shit hole | 0:19:28 | 0:19:32 | |
that every time you have a thought, it's gonna have to tiptoe past | 0:19:32 | 0:19:37 | |
my wedding ring. Take control of your actors, | 0:19:37 | 0:19:39 | |
or I will shut you down. Diet Coke! | 0:19:39 | 0:19:42 | |
When the herd loses its way, | 0:19:54 | 0:19:57 | |
the shepherd must kill the bull that leads them astray. | 0:19:57 | 0:20:01 | |
Four Leaf? | 0:20:01 | 0:20:03 | |
Come on over. It's OK. | 0:20:03 | 0:20:06 | |
-Sit down. -Yes. | 0:20:06 | 0:20:09 | |
-So, you don't like the hotel? -Beds give me nightmares. | 0:20:09 | 0:20:15 | |
I'm guessing right about now you couldn't find a Dixie coonskin | 0:20:20 | 0:20:24 | |
with an Ohio hooker holding your prick and showing you the way. | 0:20:24 | 0:20:29 | |
What? | 0:20:35 | 0:20:37 | |
I put my story in your limp Brit hands | 0:20:37 | 0:20:40 | |
and you are not going to fail me. | 0:20:40 | 0:20:44 | |
You think I was just blowing my own bagpipe in that meeting? | 0:20:44 | 0:20:47 | |
You must put those boys in the shit. | 0:20:47 | 0:20:51 | |
-What? I don't understand. -You wanna make your movie or not? -Yes, I do. | 0:20:51 | 0:20:56 | |
All right, you get some of those little video type cameras. | 0:20:56 | 0:20:59 | |
We take them out and we put them in the trees in different angles. | 0:20:59 | 0:21:03 | |
Then you give me and that pyromaniac Cody | 0:21:03 | 0:21:06 | |
all the smoke bombs, charges, explosives, detonators you got. | 0:21:06 | 0:21:11 | |
Then we take those boys up there, | 0:21:11 | 0:21:13 | |
me and Cody, we could light up that fucking jungle, | 0:21:13 | 0:21:16 | |
so those lily-dick actors would be shitting their pants | 0:21:16 | 0:21:19 | |
and screaming for their mammies. | 0:21:19 | 0:21:22 | |
They'd be begging for a body bag if it means a ride home. | 0:21:22 | 0:21:26 | |
I could do it. | 0:21:28 | 0:21:29 | |
I could shoot the whole thing guerrilla style. Gritty, dirty. | 0:21:29 | 0:21:33 | |
Get them away from their helpers and arse-licking assistants. | 0:21:33 | 0:21:36 | |
-Put them in the real shit. -Real shit. -With real fear in their eyes! | 0:21:36 | 0:21:40 | |
-Real emotion! Yes, Four Leaf, yes! -Yes! -Yes! -Yes! -Yes! | 0:21:40 | 0:21:43 | |
Take them off the fucking grid! | 0:21:43 | 0:21:46 | |
You are no longer actors in a movie! | 0:22:02 | 0:22:06 | |
You are five men in a helicopter! | 0:22:06 | 0:22:10 | |
With three other men! | 0:22:10 | 0:22:12 | |
How long are we gonna be gone? Cos I left most of my, er, vitamins at the hotel. | 0:22:18 | 0:22:22 | |
-Save your breath, maggots! -That's right, maggots! | 0:22:22 | 0:22:26 | |
Go, go, go! Get out of the chopper! | 0:22:48 | 0:22:50 | |
Move it, maggots! Move, grunts, move your ass! | 0:22:52 | 0:22:55 | |
Get out, you wriggly worms! | 0:22:55 | 0:22:57 | |
-It's up too high! -Move, move, move! | 0:22:57 | 0:23:00 | |
-See you in hell! -CACKLES | 0:23:03 | 0:23:05 | |
This is bullshit! | 0:23:16 | 0:23:18 | |
I gotta at least call my fucking assistant. | 0:23:18 | 0:23:21 | |
Fucking! Jesus! Dude! | 0:23:21 | 0:23:24 | |
You're sitting on a nest of hostile enemy VC. | 0:23:24 | 0:23:27 | |
Congratulations, Fats. You just got us all killed. | 0:23:27 | 0:23:31 | |
Anybody else care to give away our position to Charlie? | 0:23:31 | 0:23:34 | |
-Cellphones! -What the hell, Damien? | 0:23:34 | 0:23:38 | |
Weren't no cellphones in '69, man. I'm head-to-toe legitimate. | 0:23:38 | 0:23:42 | |
Gentlemen, I've got good news and bad news. | 0:23:42 | 0:23:45 | |
The studio wants to shut us down. That's the bad news. | 0:23:45 | 0:23:48 | |
And the good news. If you wanna save this movie, you will become a unit. | 0:23:48 | 0:23:54 | |
Your objective is to head north to the D'ang Kwook River | 0:23:54 | 0:23:58 | |
and liberate the POW camp, at which point Four Leaf | 0:23:58 | 0:24:00 | |
will get himself captured, at which point you will rescue him, | 0:24:00 | 0:24:03 | |
at which point we will chopper you home! | 0:24:03 | 0:24:08 | |
Damn. | 0:24:08 | 0:24:09 | |
Four Leaf, since you're staff sergeant, here's the map, | 0:24:09 | 0:24:13 | |
the scene list. Think you can handle it? | 0:24:13 | 0:24:15 | |
We have rigged this entire valley of death with hidden cameras. | 0:24:15 | 0:24:20 | |
And I will be shooting as well, from unseen vantage points, | 0:24:21 | 0:24:25 | |
so that every glorious moment is captured on film. | 0:24:25 | 0:24:29 | |
-LAUGHS -And believe me, gentlemen, it will be glorious. | 0:24:29 | 0:24:33 | |
If it looks real, chances are it probably is. | 0:24:33 | 0:24:36 | |
You wanted to be actors. You wanted to occupy the skin of another human being. | 0:24:36 | 0:24:40 | |
Well, get ready to occupy the skin of a terrified US Infantry grunt, | 0:24:40 | 0:24:43 | |
surrounded by death, crawling up Satan's bottom. | 0:24:43 | 0:24:47 | |
There'll be ambushes, enemy fire, your own little... personal slice of 'Nam. | 0:24:47 | 0:24:52 | |
This radio goes to the chopper and the chopper only. | 0:24:52 | 0:24:57 | |
The chopper is God, and I am Jesus Christ, his son. | 0:24:57 | 0:25:01 | |
You are my chosen disciples. | 0:25:01 | 0:25:03 | |
And no-one gets to go home till we get the shots. | 0:25:03 | 0:25:06 | |
Put on your war faces, gentlemen. | 0:25:06 | 0:25:09 | |
Now, let's go and make the greatest war movie ever! | 0:25:09 | 0:25:14 | |
Yeah! ALL CHEER | 0:25:14 | 0:25:16 | |
Oh. | 0:25:18 | 0:25:19 | |
Yeah! | 0:25:34 | 0:25:35 | |
SHOUTING | 0:25:37 | 0:25:39 | |
Not bad, Cockburn! | 0:25:53 | 0:25:56 | |
Not bad. | 0:25:56 | 0:25:59 | |
Wherever you are! | 0:25:59 | 0:26:02 | |
Wherever he is? Looks like he's all over the place. | 0:26:02 | 0:26:07 | |
Here we go. | 0:26:07 | 0:26:09 | |
Must be an old French mine. | 0:26:09 | 0:26:12 | |
Remnant from colonial Indo-China. This jungle must be full of them. | 0:26:12 | 0:26:16 | |
Hey! Don't you get it? | 0:26:16 | 0:26:18 | |
He's messing with our heads. That's what all that playing God stuff was about. | 0:26:18 | 0:26:23 | |
He's trying to get us to act good, save the movie. | 0:26:23 | 0:26:25 | |
He ain't playing God. He's being judged by Him. | 0:26:25 | 0:26:29 | |
That's our objective. | 0:26:32 | 0:26:34 | |
Complete the mission. | 0:26:34 | 0:26:35 | |
No offence, Kirk, I know you're the big fancy actor here, | 0:26:41 | 0:26:44 | |
but I've done more effects-driven event films than you. OK? | 0:26:44 | 0:26:48 | |
And I think I can spot... | 0:26:48 | 0:26:50 | |
a prop head when I see one. | 0:26:50 | 0:26:52 | |
Oh, Jesus. | 0:26:52 | 0:26:54 | |
It's corn syrup, guys. Corn syrup and latex. | 0:26:54 | 0:26:58 | |
Warm... | 0:27:00 | 0:27:02 | |
blood-flavoured corn syrup. | 0:27:02 | 0:27:04 | |
-Oh, God. -Smoke and mirrors, guys. Welcome to the movie factory. | 0:27:04 | 0:27:09 | |
Oldest trick in the book. | 0:27:09 | 0:27:13 | |
He getting down now. | 0:27:13 | 0:27:15 | |
Oh, my God! | 0:27:15 | 0:27:16 | |
Whoa, look at me! | 0:27:16 | 0:27:18 | |
ENGLISH ACCENT: You're going to get the shots, and I'm going to make sure | 0:27:18 | 0:27:22 | |
because I'm the director. I'm from London. | 0:27:22 | 0:27:25 | |
I direct plays. Hey, Damien! We got our war faces on! | 0:27:25 | 0:27:29 | |
ROARS | 0:27:29 | 0:27:31 | |
Look, I'm Dave Beckham. | 0:27:39 | 0:27:41 | |
So, we gotta light these boys up today, huh? | 0:27:49 | 0:27:52 | |
Blow some sense into these young men. | 0:27:52 | 0:27:54 | |
Hey, I don't want to come off as weird or anything, | 0:27:54 | 0:27:59 | |
but I might be your biggest fan. Yeah. | 0:27:59 | 0:28:03 | |
Tropic Thunder. Kind of like my Catcher In The Rye. | 0:28:03 | 0:28:07 | |
Yeah, I've never been in the military, per se, | 0:28:07 | 0:28:10 | |
but I have lost an appendage in the line of duty. | 0:28:10 | 0:28:14 | |
Driving Miss Daisy, first studio gig. | 0:28:14 | 0:28:16 | |
Yeah. It's a pretty cool sidearm you got there. | 0:28:16 | 0:28:20 | |
-What is it? -I don't know what it's called. | 0:28:20 | 0:28:24 | |
I just know the sound it makes... | 0:28:24 | 0:28:27 | |
when it takes a man's life. | 0:28:27 | 0:28:29 | |
OK. Damien, we're go for explosion. Ready to kick the tyres and light the fires on your say-so. | 0:28:31 | 0:28:36 | |
-CRACKLING -Damien, we're go for explosion. | 0:28:36 | 0:28:39 | |
'Do you copy? I got an itchy trigger finger here, and I'm ready to blow some shit up.' | 0:28:39 | 0:28:43 | |
All right, you happy now? Can we do the scene? | 0:28:43 | 0:28:47 | |
Or do you need a formal invitation? Come on, let's go! | 0:28:47 | 0:28:51 | |
Here. OK. "Scene 12, exterior, jungle clearing, day, ambush." | 0:28:51 | 0:28:55 | |
"Four Leaf notices movement in the brush. A dozen guerrilla fighters can be seen in the tree line. | 0:29:00 | 0:29:05 | |
"A mine explodes." And you. "I got a bad feeling on this one." | 0:29:05 | 0:29:10 | |
-Yeah. -No, that's your line. -I got... Now? -Yeah, but scared. | 0:29:10 | 0:29:14 | |
Like, scared. | 0:29:14 | 0:29:15 | |
-"I got a bad feeling on this one." -Dude, wait, like how? -"I got a bad feeling on this one." -OK. | 0:29:15 | 0:29:20 | |
Action. Go, come on. | 0:29:20 | 0:29:22 | |
I got a bad feeling on this one there, Fats. | 0:29:31 | 0:29:35 | |
Our asses don't get fragged, first thing I'm doing | 0:29:35 | 0:29:38 | |
is paying my two bucks so I can watch Brooklyn bust his cherry | 0:29:38 | 0:29:42 | |
on a sweet little mama-san's dinky dau poontang. | 0:29:42 | 0:29:45 | |
Shit, Brooklyn be bagged and tagged before he get any cooch. | 0:29:45 | 0:29:48 | |
He die, he probably die a coochless motherfucker. | 0:29:48 | 0:29:50 | |
-Zip it, Motown. -Man, I'm thirsty. | 0:29:50 | 0:29:53 | |
Might as well have some of this... | 0:29:54 | 0:29:57 | |
Booty Sweat I got back in Danang. | 0:29:57 | 0:30:00 | |
Yo, asshole! This motherfucker's dead! | 0:30:00 | 0:30:04 | |
Ain't no Criss Angel Mindfreak, | 0:30:04 | 0:30:06 | |
David Blaine trapdoor horseshit jumping off here! | 0:30:06 | 0:30:09 | |
Hey! You wanna get on the train here, or do you wanna ruin another take? | 0:30:09 | 0:30:13 | |
There ain't no goddamn takes, ain't no goddamn motion picture! | 0:30:13 | 0:30:16 | |
-You sure? -Oh, yeah. -Yeah? -For certain, man. | 0:30:16 | 0:30:20 | |
Then why are you still in character? | 0:30:20 | 0:30:22 | |
I know, but I don't have to tell you. | 0:30:22 | 0:30:26 | |
-You don't know. -I don't drop character till I done a DVD commentary. | 0:30:26 | 0:30:31 | |
GUNFIRE | 0:30:31 | 0:30:32 | |
-You happy now? We're out of position for the effects! -Get down, fool! | 0:30:32 | 0:30:37 | |
Didn't anyone read the script? This is the ambush! | 0:30:38 | 0:30:42 | |
This feels pretty real! | 0:30:42 | 0:30:44 | |
Exactly! Let's use it. | 0:30:44 | 0:30:46 | |
SCREAMS | 0:30:46 | 0:30:48 | |
Oh, yeah. | 0:30:56 | 0:31:00 | |
BOTH SCREAM | 0:31:00 | 0:31:03 | |
-Eat lead! -They're busting caps like a motherfucker down there. | 0:31:03 | 0:31:08 | |
-This is FUBAR. I say we juice them. What do you think? -Juice 'em. | 0:31:11 | 0:31:15 | |
Fuck you, Charlie! | 0:31:17 | 0:31:20 | |
Big-ass titties! | 0:31:21 | 0:31:23 | |
BEEPING | 0:31:23 | 0:31:24 | |
Look at that, huh? | 0:31:27 | 0:31:29 | |
And cut! | 0:31:34 | 0:31:36 | |
That's the trailer right there. | 0:31:38 | 0:31:40 | |
-Yeah! -What do we do now? | 0:31:40 | 0:31:43 | |
ALL CHEER | 0:31:43 | 0:31:44 | |
North. Man said to head north. | 0:31:44 | 0:31:46 | |
Did you see me shooting? I believed it. | 0:31:46 | 0:31:50 | |
D'ang Kwook River. I'm betting he's got more of these battles | 0:31:50 | 0:31:53 | |
and Viet Congs rigged for us along the way. | 0:31:53 | 0:31:56 | |
Sergeant Osiris, get your men. Load and lock. | 0:31:56 | 0:32:00 | |
Real, baby, I'm real. | 0:32:00 | 0:32:02 | |
Let's go! We got a lot of clicks to cover! | 0:32:02 | 0:32:05 | |
-Hump it up, gentlemen! Single formation. -Don't dawdle now! | 0:32:05 | 0:32:10 | |
D-Rod, D-Rod, this is Puddingface. How are we coming on that hotplate? | 0:32:34 | 0:32:38 | |
CRACKLING | 0:32:38 | 0:32:41 | |
Something's up. I think we better drag ass back there. | 0:32:41 | 0:32:44 | |
Make sure Damien ain't forgot how to use his talkbox again. | 0:32:44 | 0:32:47 | |
Yeah, baby, come on. Just a little taste. | 0:32:54 | 0:32:57 | |
-What are you doing, Jeff? -Fucking... Nothing, man! | 0:32:57 | 0:33:01 | |
-I'm eating jellybeans. -Wow, I love jellybeans. Can I please... | 0:33:01 | 0:33:04 | |
No, you can't have any fucking jellybeans! They're mine. | 0:33:04 | 0:33:07 | |
Think you're the only one who gets sick without his jellybeans? | 0:33:07 | 0:33:11 | |
Boundaries, man. Fuck. | 0:33:11 | 0:33:13 | |
Hey. I didn't mean to show you up back there. | 0:33:31 | 0:33:34 | |
I feel like we really need to set the example for the other guys. | 0:33:34 | 0:33:38 | |
It's gonna be tough, but I think Damien's gonna get some great shit out of us. | 0:33:38 | 0:33:43 | |
-Just wish I had a director like this on Jack. -On Jack. What? Jack? | 0:33:43 | 0:33:48 | |
-What you talking about? -Simple Jack? -Oh, yeah. | 0:33:48 | 0:33:51 | |
CHUCKLES | 0:33:51 | 0:33:53 | |
Simple Jack, yeah. You went all out on that one, huh? | 0:33:53 | 0:33:56 | |
Really swung for the fences, huh? | 0:33:56 | 0:33:58 | |
Thank you. Thanks. Yeah. | 0:33:58 | 0:34:01 | |
Yeah, it was an intense experience. You know, I just... I just did the work. | 0:34:01 | 0:34:06 | |
Watched a lot of retarded people. Spent time with them, observed them. | 0:34:06 | 0:34:10 | |
Watched all the retarded stuff they did. | 0:34:10 | 0:34:12 | |
Then again, I always found mere observation is a tad rudimentary. | 0:34:12 | 0:34:17 | |
Sometimes, we gotta dig deeper to mine the emotional pay dirt. | 0:34:17 | 0:34:20 | |
Thus, we can diagram the source of the pain and then live it, you know? | 0:34:20 | 0:34:25 | |
Yeah, yeah, live it. Yeah, exactly. You know, there were times... | 0:34:25 | 0:34:29 | |
when I was doing Jack that I actually felt retarded, | 0:34:29 | 0:34:32 | |
like really retarded. | 0:34:32 | 0:34:34 | |
-Damn. -I had to sort of just free myself up | 0:34:34 | 0:34:38 | |
to believe that it was OK to be stupid or dumb. | 0:34:38 | 0:34:40 | |
-To be a moron. -Yeah. -To be moronical. | 0:34:40 | 0:34:43 | |
-Exactly, to be a moron. -An imbecile. -Yeah. | 0:34:43 | 0:34:46 | |
Like the dumbest motherfucker that ever lived. | 0:34:46 | 0:34:48 | |
-When I was playing the character. -When you was. -As Jack, definitely. | 0:34:48 | 0:34:53 | |
Jack, stupid-ass Jack. | 0:34:53 | 0:34:55 | |
By the end of the whole thing, I was like, "Wait a minute, | 0:34:55 | 0:34:58 | |
"I flushed so much out, how am I gonna jumpstart it up again?" It's just like... | 0:34:58 | 0:35:02 | |
-Yeah. -Right? -You was farting in bathtubs | 0:35:02 | 0:35:05 | |
-and laughing your ass off. Hm? -Yeah. -Yeah. -I mean this was...crazy. | 0:35:05 | 0:35:09 | |
It's like working with mercury. | 0:35:09 | 0:35:11 | |
-It's high science, it's an art form. You an artist. -Hm. | 0:35:11 | 0:35:14 | |
-That's what we do. -Yeah. -Yeah. -Hats off for going there, | 0:35:14 | 0:35:17 | |
especially knowing how the Academy is about that shit. | 0:35:17 | 0:35:21 | |
CLEARS THROAT About what? | 0:35:21 | 0:35:24 | |
You're serious? You don't know? | 0:35:25 | 0:35:28 | |
Everybody knows you never go full retard. | 0:35:28 | 0:35:31 | |
What do you mean? | 0:35:31 | 0:35:33 | |
Check it out. Dustin Hoffman, Rain Man, look retarded, act retarded, | 0:35:33 | 0:35:37 | |
not retarded. | 0:35:37 | 0:35:38 | |
Count toothpicks, cheat at cards. Autistic, sure. Not retarded. | 0:35:38 | 0:35:43 | |
Then you got Tom Hanks, Forrest Gump. | 0:35:43 | 0:35:45 | |
Slow, yes, retarded, maybe, braces on his legs. But he charmed Nixon | 0:35:45 | 0:35:48 | |
and won a Ping-Pong competition. That ain't retarded. | 0:35:48 | 0:35:51 | |
Peter Sellers, Being There. Infantile, yes. Retarded, no. | 0:35:51 | 0:35:57 | |
You went full retard, man. | 0:35:57 | 0:36:00 | |
Never go full retard. | 0:36:00 | 0:36:02 | |
You don't buy that? Ask Sean Penn, 2001, I Am Sam. | 0:36:02 | 0:36:06 | |
Remember? Went full retard? Went home empty-handed. | 0:36:06 | 0:36:09 | |
Oh, my God! | 0:36:19 | 0:36:20 | |
Holy shit! | 0:36:20 | 0:36:22 | |
Good job, turd. You killed the director. | 0:36:22 | 0:36:25 | |
That's impossible, man. I rigged the whole tree line and this is here. | 0:36:25 | 0:36:29 | |
-He must have missed his mark. -Missed? -This isn't me. | 0:36:29 | 0:36:32 | |
Let's bag and tag the bastard and get back to the hotel. You're in a world of hurt, dumbo! | 0:36:32 | 0:36:36 | |
We're in a world of hurt! | 0:36:36 | 0:36:39 | |
-This isn't just on me! We're together on this. -Bullshit. | 0:36:39 | 0:36:42 | |
You're gonna run? What happened to "no man left behind"? | 0:36:42 | 0:36:45 | |
Just wait, just wait! Listen! Listen, OK? | 0:36:45 | 0:36:47 | |
-I don't wanna hear it. -Let me be real with you. | 0:36:47 | 0:36:50 | |
I almost blinded Jamie Lee Curtis on Freaky Friday, OK? | 0:36:50 | 0:36:53 | |
-This shit will fucking ruin me! -Get off me! You're pathetic. -I'm not! | 0:36:53 | 0:36:56 | |
You are not going back! | 0:36:56 | 0:36:58 | |
-What the fuck? -Now, wait a minute. | 0:37:02 | 0:37:05 | |
SIGHS | 0:37:15 | 0:37:17 | |
Agh! I fucking hate movies. | 0:37:19 | 0:37:23 | |
This is bullshit. I don't wanna be in this shitty movie. | 0:37:23 | 0:37:27 | |
MUSIC: "The Pusher" by Steppenwolf | 0:37:28 | 0:37:31 | |
Oh, no! That's my jellybeans! No! | 0:37:36 | 0:37:39 | |
-Kid, grab the bat! -TALKS GIBBERISH | 0:37:39 | 0:37:42 | |
Please! Shit! | 0:37:42 | 0:37:44 | |
-Yo, man, I got a Bust-A-Nut. -You go to hell! There he is. | 0:37:44 | 0:37:48 | |
Goddamn it! OK. Where'd he go? | 0:37:52 | 0:37:54 | |
You little piece of shit! I'm gonna fucking rip your wings off! | 0:37:54 | 0:37:57 | |
Sanducci. Hold up, man, keep it on the down-low. | 0:37:57 | 0:38:03 | |
-I don't really gotta piss. I'm trying to talk at you. -I need bait. | 0:38:03 | 0:38:08 | |
-You went to boot camp, right? You can read a map? -Yeah, I think so. | 0:38:08 | 0:38:13 | |
I know Speedman got everyone convinced we out here | 0:38:13 | 0:38:16 | |
making Planet of the Apes on YouTube or some shit, but I don't buy it. | 0:38:16 | 0:38:19 | |
You wanna step on a real landmine? You wanna die? Huh? | 0:38:19 | 0:38:22 | |
You wanna get shot by a real motherfucker? Keep looking ahead. | 0:38:22 | 0:38:26 | |
No, of course not. | 0:38:26 | 0:38:27 | |
If I can put that map in your hands, can I count on you? | 0:38:27 | 0:38:30 | |
-Uh, well, yeah, I guess you can. -Dynamite. I'm out. | 0:38:30 | 0:38:35 | |
-CHUCKLES -That smelled just like baloney for some reason. | 0:38:37 | 0:38:40 | |
Is anyone gonna fucking help me get this fucking thing? | 0:38:40 | 0:38:43 | |
Why are they even out in the daytime? I've had enough! | 0:38:43 | 0:38:47 | |
I'm gonna level with you, bro. I don't need to pee. | 0:38:48 | 0:38:51 | |
I need to talk to you. | 0:38:51 | 0:38:54 | |
LIQUID POURING | 0:38:54 | 0:38:58 | |
Lazarus... | 0:38:58 | 0:39:00 | |
is gonna torpedo the movie. He's out on a limb with this character | 0:39:00 | 0:39:06 | |
and I think he's getting cold feet. | 0:39:06 | 0:39:08 | |
-I need you on my side, Kyle. -It's Kevin. -Good. | 0:39:08 | 0:39:13 | |
Can I count on you? | 0:39:13 | 0:39:15 | |
If you want, I could give the map a look-see. | 0:39:16 | 0:39:19 | |
-I'll handle the map. -OK. -You stick with the programme, | 0:39:19 | 0:39:22 | |
we get this movie in the can, I think there could be a Teen Choice Award in it for you. | 0:39:22 | 0:39:27 | |
You have that potential. | 0:39:27 | 0:39:29 | |
They'll slime you, the whole deal. | 0:39:29 | 0:39:32 | |
Yeah, that's wicked. | 0:39:32 | 0:39:34 | |
BURBLES Good. | 0:39:34 | 0:39:36 | |
BIRD TWEETING | 0:39:38 | 0:39:40 | |
There it is! Yeah, now you're dead! | 0:39:41 | 0:39:44 | |
-GRUNTS -You OD'd! | 0:39:44 | 0:39:47 | |
Hold up now, Jeff. | 0:39:47 | 0:39:49 | |
SCREAMS | 0:39:49 | 0:39:51 | |
Fucking hell! | 0:39:51 | 0:39:52 | |
PANTS | 0:39:52 | 0:39:53 | |
What the hell, Jeff? That's a bat, man! | 0:39:53 | 0:39:56 | |
I don't have any more jellybeans. | 0:39:56 | 0:40:01 | |
You land there! | 0:40:05 | 0:40:08 | |
Wow. Look at these ruins. | 0:40:22 | 0:40:26 | |
Where the hell are we? | 0:40:26 | 0:40:28 | |
-D'ang Kwook River. -That so? How do you know that? | 0:40:28 | 0:40:32 | |
Only one way to find out, dude. Let's go. | 0:40:32 | 0:40:35 | |
Yeah. I'm not feeling so good right now. | 0:40:35 | 0:40:38 | |
Seriously, my skin hurts! | 0:40:38 | 0:40:40 | |
Enough from the peanut gallery! Into the water, ladies! | 0:40:40 | 0:40:42 | |
No, let me take a look at that map. | 0:40:42 | 0:40:44 | |
-Why are you obsessed with the map? -We're tired of being trail donkeys! | 0:40:44 | 0:40:48 | |
Acting like you some one-man GPS! | 0:40:48 | 0:40:50 | |
Goddamn it! We lost! We fucking super lost, man! | 0:40:50 | 0:40:54 | |
Tell him. Tell him what time it is. | 0:40:54 | 0:40:56 | |
-I don't believe you people. -Ha! What do you mean, "you people"? | 0:40:56 | 0:41:02 | |
-What do YOU mean, "you people"? -I think what Tugg means is... | 0:41:03 | 0:41:08 | |
No, look at his eyes, man. | 0:41:08 | 0:41:10 | |
ALL SHOUT AT ONCE | 0:41:10 | 0:41:12 | |
I gotta get back to the hotel, for real! | 0:41:12 | 0:41:14 | |
MACHINE GUN FIRE | 0:41:14 | 0:41:17 | |
Chill! All right? Just chill it. | 0:41:17 | 0:41:21 | |
Now, let's go get those Viet Congs. | 0:41:21 | 0:41:24 | |
-Viet Cong! -What? -It's "Viet Cong." There's no "S". | 0:41:24 | 0:41:29 | |
It's already plural. You wouldn't say "Chineses". | 0:41:29 | 0:41:32 | |
All right, that's enough of this insubordination! | 0:41:32 | 0:41:35 | |
If the machine breaks down, we break down. | 0:41:35 | 0:41:38 | |
You know how in Rambo I, he was big but puffy and then Rambo II, | 0:41:38 | 0:41:41 | |
-he got all shredded up? -Yeah. -That's how you look now. -Oh. | 0:41:41 | 0:41:44 | |
-Not Rambo I but II. -Really? -Yeah, when he was cut up. | 0:41:44 | 0:41:48 | |
-I'm not that... That's what I'm going for, but... -You more shredded than a Julienne salad, man. | 0:41:48 | 0:41:53 | |
-Thanks. -What's the secret, dude? -It's a diet. -Really? | 0:41:53 | 0:41:56 | |
Cos I'm trying to come up a little, but it's just... It's tough. | 0:41:56 | 0:41:59 | |
-Any tips? -What? -Any tips you got? -There's the pineapple... | 0:41:59 | 0:42:03 | |
-Give me that goddamn map! -Hey! -Fuck you! | 0:42:03 | 0:42:06 | |
-Hey! -All right, now! What it is, Sikorski, tell us where we really at. -That's bullshit! | 0:42:06 | 0:42:11 | |
It's a chump move. We just getting a second opinion, doc. | 0:42:11 | 0:42:15 | |
-Oh, we're going the wrong way! -Damn! -Son of a bitch. -God! | 0:42:15 | 0:42:19 | |
We were supposed to be doing this... and instead we did this. | 0:42:19 | 0:42:24 | |
Shit! Shit, shit, shit, shit, shitty shit, shit! | 0:42:24 | 0:42:28 | |
Think you can get us back to that drop zone, boy? | 0:42:28 | 0:42:31 | |
-JEFF YELLING/SQUEAKING -This is not cool! | 0:42:31 | 0:42:35 | |
Maybe. | 0:42:35 | 0:42:37 | |
This is insane! | 0:42:39 | 0:42:40 | |
Are you really going to abandon this movie? | 0:42:40 | 0:42:44 | |
We're supposed to be a unit! | 0:42:44 | 0:42:46 | |
Suck my unit! | 0:42:46 | 0:42:48 | |
All right, fine. | 0:42:48 | 0:42:50 | |
I'll finish it by myself. | 0:42:50 | 0:42:53 | |
You go be all you can be, man. | 0:42:53 | 0:42:55 | |
Tugg, you have no idea where you're going! | 0:42:55 | 0:42:58 | |
Yes, I do! I'm going to, "Exterior, rain forest, dusk." | 0:42:58 | 0:43:03 | |
"Smash cut to Four Leaf, who treks alone through a frightening jungle." | 0:43:03 | 0:43:08 | |
Suck on that unit, Kirk! | 0:43:08 | 0:43:10 | |
Come on, men. Let's get home. | 0:43:22 | 0:43:26 | |
MUSIC: "Sympathy For The Devil" by The Rolling Stones | 0:43:26 | 0:43:29 | |
# Please allow me To introduce myself | 0:43:29 | 0:43:32 | |
# I'm a man of wealth and taste | 0:43:32 | 0:43:36 | |
# I've been around For a long, long year | 0:43:36 | 0:43:40 | |
# Stole many a man's soul and faith | 0:43:40 | 0:43:44 | |
# Pleased to meet you | 0:43:47 | 0:43:49 | |
# Hope you guess my name | 0:43:49 | 0:43:52 | |
# But what's puzzling you Is the nature of my game | 0:43:53 | 0:44:00 | |
# Oh, yeah... # | 0:44:00 | 0:44:03 | |
(Hello, Mr Mantis.) | 0:44:03 | 0:44:04 | |
You're beautiful. | 0:44:06 | 0:44:07 | |
MANTIS BUZZES Ooh! | 0:44:07 | 0:44:09 | |
If you recall that hullabaloo where Hollywood was split into schisms, | 0:44:09 | 0:44:13 | |
some studios backing Blu-ray Disc, others backing HD DVD. | 0:44:13 | 0:44:16 | |
People thought it would come down to pixel rate or refresh rate. | 0:44:16 | 0:44:19 | |
What it came down to was a combination of gamers and porn. | 0:44:19 | 0:44:23 | |
Whichever format porno backs is usually the one that becomes | 0:44:23 | 0:44:26 | |
the most successful. But, you know, Sony, | 0:44:26 | 0:44:29 | |
-every PlayStation 3 has a Blu-ray in it. -You talking to me? | 0:44:29 | 0:44:34 | |
-I was talking to whoever was listening to me. -Jesus Christ, man! | 0:44:34 | 0:44:39 | |
# ..Pleased to meet you Hope you guess my name | 0:44:39 | 0:44:43 | |
# Oh, yeah | 0:44:43 | 0:44:46 | |
# But what's confusing you Is just the nature of my game... # | 0:44:46 | 0:44:51 | |
Booty Sweat. | 0:44:54 | 0:44:56 | |
WHIMPERING | 0:45:00 | 0:45:02 | |
Oh, God! Oh-oh-oh-oh-oh! Oh-oh! | 0:45:02 | 0:45:06 | |
It's cold! Ugh! Ugh! It's freezing. I'm fucking cold! | 0:45:06 | 0:45:10 | |
-You want my flak jacket? -What, are you insane? It's boiling! | 0:45:10 | 0:45:14 | |
It's like a sweat lodge out here! | 0:45:14 | 0:45:17 | |
Keep the volume down on that bitching, Flatch Adams. | 0:45:17 | 0:45:19 | |
I gotta take a fucking 12-pound shit! | 0:45:19 | 0:45:21 | |
-We making good time? -We are, but there's no way we make it over that ridge before sundown. | 0:45:21 | 0:45:27 | |
-All right, we're gonna make camp, rest up! -Oh, God. | 0:45:27 | 0:45:30 | |
Y'all might be in for a treat. | 0:45:30 | 0:45:31 | |
Back before the war broke out, I was a saucier in San Antone. | 0:45:31 | 0:45:35 | |
I bet I could collar up some of them greens. | 0:45:35 | 0:45:37 | |
Yeah, noodle some crawfish out the paddy, yo. | 0:45:37 | 0:45:41 | |
Ha! And maybe some crab apples for dessert, now, you hear? | 0:45:41 | 0:45:45 | |
-Hell, yeah! Ha! -Hell, yeah! Ha! | 0:45:45 | 0:45:49 | |
That's how we all talk. We all talk like this, suh! Yes, suh-huh. | 0:45:49 | 0:45:52 | |
Yeah, hm-hm, get some crawfish and some ribs, ah-ha! | 0:45:52 | 0:45:57 | |
Yeah! You're Australian! Be Australian! | 0:45:57 | 0:46:01 | |
Excuse me, Kangaroo Jack. | 0:46:01 | 0:46:03 | |
I get excited about my foods, man. | 0:46:07 | 0:46:09 | |
THUNDER | 0:46:09 | 0:46:11 | |
BOTH GRUNT | 0:46:34 | 0:46:37 | |
ROARING, TUGG SCREAMS | 0:47:15 | 0:47:18 | |
TUGG SCREAMS CONTINUOUSLY | 0:47:18 | 0:47:20 | |
GRUNTS | 0:47:26 | 0:47:27 | |
Die! | 0:47:31 | 0:47:34 | |
N-o-o-o! | 0:47:47 | 0:47:49 | |
-Bah! -GRUNTS | 0:47:52 | 0:47:55 | |
Dude, dude, what the hell is going on here? Where are we? | 0:47:55 | 0:47:58 | |
I have no idea. | 0:47:58 | 0:48:00 | |
I've never been outside the States. | 0:48:02 | 0:48:04 | |
Wait, are you fucking kidding me? Did you make this whole thing up? | 0:48:04 | 0:48:08 | |
-Were you even in the fucking service? -Yes. Of course. | 0:48:08 | 0:48:11 | |
-Coast Guard. -Coast Guard. -Sanitation Department. | 0:48:11 | 0:48:14 | |
Oh, my God! You're a fucking garbage man! | 0:48:14 | 0:48:17 | |
Damn it. FL Tayback lies to me and the whole goddamn US Of A. | 0:48:17 | 0:48:21 | |
-I wrote the book as a tribute! I'm a patriot! -You're the Milli Vanilli | 0:48:21 | 0:48:24 | |
of patriots. You lied about fighting the Vietnam War. | 0:48:24 | 0:48:27 | |
It's like punching the American flag in the face, goddamn it. | 0:48:27 | 0:48:30 | |
-God, and to think I believed in you! -Writers lie all the time. | 0:48:30 | 0:48:34 | |
Can I be tied to another post? OK. | 0:48:34 | 0:48:37 | |
MOBILE PHONE RINGING | 0:48:47 | 0:48:50 | |
-Ha! -'Rick?' -Tugg. | 0:48:56 | 0:48:59 | |
I killed one, Rick. | 0:48:59 | 0:49:01 | |
-The thing I love most in the world. -Vivica, get off the line now! | 0:49:01 | 0:49:06 | |
A hooker. All right, you killed a hooker. | 0:49:08 | 0:49:11 | |
Calm down. Here's what you're gonna do. Get your hands on some bleach, | 0:49:11 | 0:49:14 | |
-some hydrogen peroxide and a shitload of lime. -No, a panda. | 0:49:14 | 0:49:18 | |
-'I killed a panda.' -Amanda? Come on, dude. | 0:49:18 | 0:49:21 | |
-I mean, that's probably not even her real name. -No, a panda! | 0:49:21 | 0:49:25 | |
-A panda? -A sweet, cuddly, | 0:49:25 | 0:49:29 | |
-vicious little panda. -Jesus Christ, Tugg! Man, don't scare me like that! | 0:49:29 | 0:49:34 | |
-It's beautiful here. -You on the set? | 0:49:34 | 0:49:37 | |
-I am the set. -All right, man. Hey, how's the TiVo working out? | 0:49:37 | 0:49:41 | |
Screw TiVo. I'm way beyond TiVo. | 0:49:41 | 0:49:44 | |
Last I checked, they hadn't hooked it up, though. | 0:49:44 | 0:49:47 | |
Hadn't hooked it up? No TiVo? | 0:49:47 | 0:49:50 | |
It doesn't matter any more. | 0:49:50 | 0:49:52 | |
I've moved on. | 0:49:55 | 0:49:57 | |
Where have you moved on to? Another agency? | 0:49:57 | 0:50:00 | |
CHOKES | 0:50:00 | 0:50:01 | |
Who's with you? | 0:50:01 | 0:50:03 | |
'You are still my client, Tugg Speedman!' | 0:50:03 | 0:50:05 | |
I am getting the TiVo! Jacket's on, I'm out the door! | 0:50:05 | 0:50:08 | |
'Tugg?' | 0:50:08 | 0:50:10 | |
Please don't fire me. | 0:50:12 | 0:50:15 | |
Ga-ga! Oh! | 0:50:15 | 0:50:17 | |
Oh, mama. Oh, I'm thirsty. | 0:50:17 | 0:50:20 | |
He doesn't look too good. | 0:50:20 | 0:50:22 | |
Must drink, so I can... throw something up! | 0:50:22 | 0:50:27 | |
No, don't drink that water! That water's like a Petri dish! Don't! | 0:50:27 | 0:50:31 | |
-Alpa, do you have any Booty Sweat? -Yeah, get him chugging on | 0:50:31 | 0:50:34 | |
some of Alpa's ass water. It's a cure-all. | 0:50:34 | 0:50:37 | |
What you coming out in movies for? You need another revenue stream? | 0:50:37 | 0:50:41 | |
For your information, my revenue stream | 0:50:41 | 0:50:43 | |
currently generates 2,000,000 a year | 0:50:43 | 0:50:46 | |
-in contributions for my community. -Hot damn. | 0:50:46 | 0:50:49 | |
And why am I in this movie? Maybe I knew I had to represent, | 0:50:49 | 0:50:53 | |
cos they had one good part for a black man | 0:50:53 | 0:50:55 | |
and they gave it to Crocodile Dundee. | 0:50:55 | 0:50:58 | |
Pump your brakes, kid. That man is a national treasure. | 0:50:58 | 0:51:01 | |
I just wanted to throw another shrimp on your barbie. | 0:51:01 | 0:51:04 | |
-That shit ain't funny. -Hey, fellas! It's hot! We're tired! It stinks! | 0:51:04 | 0:51:08 | |
I'm just fucking with you! | 0:51:08 | 0:51:09 | |
-I'm sorry a dingo ate your baby. -You know that's a true story? | 0:51:09 | 0:51:12 | |
Lady lost her kid. You about to cross some fucking lines. | 0:51:12 | 0:51:15 | |
-Relax and stuff. -Fuck that! -I'm sick of this koala-hugging nigger | 0:51:15 | 0:51:19 | |
telling me... | 0:51:19 | 0:51:21 | |
For 400 years... | 0:51:24 | 0:51:27 | |
that word has kept us down. | 0:51:27 | 0:51:30 | |
What the fuck? | 0:51:30 | 0:51:32 | |
Took a whole lot o' tryin' just to get up that hill. | 0:51:32 | 0:51:36 | |
Now we up with the big leagues. | 0:51:36 | 0:51:39 | |
Can not turn bad. Long as we live, it's you and me, baby. | 0:51:39 | 0:51:43 | |
That's the theme song for The Jeffersons. You really need help. | 0:51:43 | 0:51:47 | |
Just cos it's the theme song don't make it not true. | 0:51:47 | 0:51:50 | |
Know what? I'm gonna tell you what's true. I'm gonna tag you back. | 0:51:50 | 0:51:54 | |
-You better believe that, baby. -Guys! | 0:51:54 | 0:51:57 | |
Hey, guys! | 0:51:57 | 0:51:59 | |
Jeff, stay away from that animal. | 0:51:59 | 0:52:02 | |
I'm gonna bite his hide. | 0:52:03 | 0:52:06 | |
I need... I need to wear his stomach skin like a unitard. | 0:52:06 | 0:52:10 | |
Ain't nobody doin' nothin' to no water body! | 0:52:10 | 0:52:14 | |
Not Mr Portnoy! You feelin' a little foolish, | 0:52:14 | 0:52:18 | |
don't wanna walk, put him up on that cloven-hoofed animal! | 0:52:18 | 0:52:21 | |
BELLOWS | 0:52:21 | 0:52:22 | |
We got ground to cover! | 0:52:22 | 0:52:24 | |
All right, PoW camp. Scene 67. | 0:52:51 | 0:52:55 | |
Bring it on, Cockburn! | 0:52:55 | 0:52:58 | |
My body may be shackled, but my mind wanders free. | 0:53:03 | 0:53:08 | |
Ah! Oh! | 0:53:08 | 0:53:10 | |
IMITATES HIM | 0:53:10 | 0:53:12 | |
Wait, wait, wait, let me do the line again. | 0:53:12 | 0:53:14 | |
My body may be shackled... but my mind wanders free. | 0:53:14 | 0:53:19 | |
-SPITS: -Poo! -Poo! | 0:53:19 | 0:53:21 | |
BOTH SPIT AND YELL | 0:53:21 | 0:53:22 | |
YELLING CONTINUES | 0:53:22 | 0:53:26 | |
Good, again. Again. | 0:53:26 | 0:53:28 | |
YELLS AND SPITS | 0:53:28 | 0:53:30 | |
Good, good. Now let's do the torture scene. | 0:53:33 | 0:53:35 | |
I see moss on both sides of that tree. | 0:53:35 | 0:53:37 | |
Well, maybe if I wasn't the only one acting... | 0:53:37 | 0:53:40 | |
Oh, God, it really hurts. I'm not joking. I'm nauseous. | 0:53:40 | 0:53:44 | |
I gotta puke! I don't wanna die like Hendrix! | 0:53:44 | 0:53:46 | |
RETCHES | 0:53:50 | 0:53:52 | |
-Are you OK, Jeff? -I'm awesome(!) | 0:53:52 | 0:53:56 | |
Holy shit! | 0:53:57 | 0:53:59 | |
Everyone down, down! | 0:54:04 | 0:54:06 | |
Man, now I'm sure that that looks like the PoW camp in the script. | 0:54:10 | 0:54:15 | |
-Speedman was right? -I don't think so. | 0:54:15 | 0:54:18 | |
Look at the cooking vats, the armed guards. | 0:54:18 | 0:54:20 | |
Looks like a heroin processing plant. | 0:54:20 | 0:54:24 | |
We were in that chopper for hours. I don't think we're in Vietnam now. | 0:54:25 | 0:54:30 | |
-Shit! We ain't in 'Nam? -Most likely Myanmar or Laos. | 0:54:30 | 0:54:33 | |
-What the fuck is Laos? -The golden triangle. | 0:54:33 | 0:54:36 | |
-World's hard-drug super highway. -How'd you know that? | 0:54:36 | 0:54:39 | |
I was on a long trip, I read the in-flight magazine. | 0:54:39 | 0:54:43 | |
-Cut! -Oh, Jesus! | 0:54:44 | 0:54:47 | |
What do you see? I'm blocked. | 0:54:47 | 0:54:50 | |
Damien, cut! | 0:54:50 | 0:54:52 | |
Hey, Damien, cut! | 0:54:52 | 0:54:54 | |
They got Speedman. And it doesn't look good. | 0:54:54 | 0:54:59 | |
Haaaaaaaaargh! | 0:55:21 | 0:55:25 | |
I'm Tran. You are a trespasser in my poppy fields! | 0:55:29 | 0:55:34 | |
You are DEA scum! | 0:55:35 | 0:55:38 | |
Were there some rewrites I missed? | 0:55:40 | 0:55:43 | |
YELLS IN AGONY | 0:55:45 | 0:55:47 | |
Oh! Ahh! | 0:55:47 | 0:55:49 | |
-Do you want to die?! Do you?! -No! | 0:55:49 | 0:55:52 | |
P-P-P-Please! | 0:55:52 | 0:55:55 | |
Don't hurt m-me! | 0:55:55 | 0:55:58 | |
Say that again. | 0:56:03 | 0:56:06 | |
Please don't hurt me. | 0:56:06 | 0:56:09 | |
No, like you did before! Say it! | 0:56:09 | 0:56:11 | |
-Wha...? -Say it! | 0:56:11 | 0:56:13 | |
P-P-P-Please d-d-don't h-hurt me! | 0:56:13 | 0:56:18 | |
SPEAKS MANDARIN | 0:56:19 | 0:56:22 | |
-What? -You are Simple Jack! | 0:56:31 | 0:56:35 | |
-You saw Simple Jack? -We loved the tale of this man Simple Jack. | 0:56:37 | 0:56:42 | |
CLICKS FINGERS | 0:56:42 | 0:56:43 | |
We have no luxuries here and Simple Jack is the only movie we possess. | 0:56:43 | 0:56:47 | |
Oh, that's good. | 0:56:47 | 0:56:49 | |
-It's VHS. -We have watched it many, many times. | 0:56:49 | 0:56:53 | |
You should have got Oscar. | 0:56:53 | 0:56:56 | |
Oh, well, you know, it's... | 0:56:58 | 0:57:01 | |
-just to be nominated. -You were nominated? | 0:57:01 | 0:57:04 | |
No, no, no, I wasn't nominated, I'm just saying to have been | 0:57:04 | 0:57:07 | |
nominated would have been nice. It's just very political. You have to... | 0:57:07 | 0:57:11 | |
-Shut up, now! -OK. | 0:57:11 | 0:57:13 | |
So, are you going to... | 0:57:13 | 0:57:16 | |
let me go? | 0:57:16 | 0:57:19 | |
No! We hold you for ransom! | 0:57:19 | 0:57:21 | |
-Much more money now! -(Shit.) | 0:57:21 | 0:57:24 | |
-He's in a meeting. -Yes, I know! In about two seconds, with the pecker! | 0:57:34 | 0:57:39 | |
I'm gonna rip your fucking tits off! You wanna talk about trouble? | 0:57:39 | 0:57:42 | |
That's trouble. Whoa, whoa, whoa. | 0:57:42 | 0:57:45 | |
What do you need, Peck? | 0:57:45 | 0:57:48 | |
More like what do you need, Les? | 0:57:48 | 0:57:51 | |
Glasses? | 0:57:51 | 0:57:53 | |
-What? -So you can read the Tropic Thunder contract that guarantees | 0:57:53 | 0:57:58 | |
my client Tug Speedman some form of digital recorder on location? | 0:57:58 | 0:58:03 | |
Huh? | 0:58:03 | 0:58:05 | |
Look, I'm busy so why don't you get the hell out of here | 0:58:08 | 0:58:10 | |
before I snap your dick off and jam it in your ass? ..Not you, Helen. | 0:58:10 | 0:58:15 | |
But I will rip your tits off if you don't get me those theatres. | 0:58:15 | 0:58:18 | |
-PHONE RINGS -Perfect. | 0:58:18 | 0:58:20 | |
Hey, Tugger nuts, I got you on speaker phone. | 0:58:20 | 0:58:23 | |
I'm here with Les Grossman and he's dying to tell you why he's wiped | 0:58:23 | 0:58:27 | |
his ass with the TiVo clause from your contract. | 0:58:27 | 0:58:31 | |
We are Flaming Dragon. Speedman is with us now. | 0:58:31 | 0:58:35 | |
'For 50 million, you will get him back.' | 0:58:35 | 0:58:39 | |
Who is this and how'd you get this phone? | 0:58:39 | 0:58:42 | |
We are Flaming Dragon! Simple Jack belong to us now! | 0:58:42 | 0:58:46 | |
Oh, he does, does he? | 0:58:48 | 0:58:50 | |
Let me tell you something, shit bird! | 0:58:50 | 0:58:53 | |
I've never even heard of your little agency. | 0:58:53 | 0:58:56 | |
-If you think you can poach my... -50 million or you never see | 0:58:56 | 0:59:00 | |
-Simple Jack again! We kill him! -Les Grossman, who is this? | 0:59:00 | 0:59:03 | |
This is Flaming Dragon! | 0:59:03 | 0:59:06 | |
OK, Flaming Dragon, fuck face. | 0:59:06 | 0:59:09 | |
First, take a big step back and literally FUCK YOUR OWN FACE! | 0:59:09 | 0:59:13 | |
I don't know what kind of power play bullshit you're trying to pull here | 0:59:13 | 0:59:18 | |
but Asia is my territory so whatever you're thinking, think again, | 0:59:18 | 0:59:22 | |
or I'll head down there and I will rain down a fucking fire storm upon | 0:59:22 | 0:59:27 | |
you, you'll have to call the United Nations to stop me destroying you. | 0:59:27 | 0:59:31 | |
I am talking scorched earth, motherfucker! I will massacre you! | 0:59:31 | 0:59:36 | |
I WILL FUCK YOU UP! | 0:59:36 | 0:59:38 | |
PHONE BEEPS | 0:59:42 | 0:59:44 | |
-Find out who that was. -Yeah. -Go! | 0:59:45 | 0:59:47 | |
-You wear these! More like Simple Jack teeth! -Oh... | 1:00:20 | 1:00:24 | |
OK. Look, I know you're a big fan and that's great... | 1:00:24 | 1:00:28 | |
Uuugh! | 1:00:28 | 1:00:29 | |
-LAUGHTER -You cheated! | 1:00:29 | 1:00:33 | |
-GROANS -Now do movie! | 1:00:38 | 1:00:41 | |
The whole movie? I can't, I can't... I don't... | 1:00:41 | 1:00:44 | |
-You perform! You perform or die! -All right! Oh... | 1:00:44 | 1:00:49 | |
Oh, Pa! Aaargh! | 1:00:52 | 1:00:54 | |
-More stupid! -Ow! Oh, Pa, why g-g-girl make me feel bad? | 1:00:55 | 1:01:03 | |
You saw what I saw. Tugg Speedman is dead meat if we don't do something. | 1:01:05 | 1:01:10 | |
-We could get our asses back to the hotel! -It ain't right! | 1:01:10 | 1:01:14 | |
What woulda happened in The Great Escape | 1:01:14 | 1:01:17 | |
if Steve McQueen and them dudes had turned tail and ran? | 1:01:17 | 1:01:21 | |
That's what that movie was about, they were escaping. They ran away. | 1:01:21 | 1:01:25 | |
The point is they did something. | 1:01:25 | 1:01:27 | |
What are we supposed to do, huh? Cos he's cleaning a gun with no bullets! | 1:01:27 | 1:01:32 | |
-Yeah, that's a plan(!) -I'm like a little boy, | 1:01:32 | 1:01:34 | |
playin' with his dick when he's nervous. | 1:01:34 | 1:01:37 | |
Wait a minute, wait a minute, wait a minute. | 1:01:37 | 1:01:41 | |
I got an idea. | 1:01:41 | 1:01:43 | |
-This may be a little crazy. -Crazy's better than nothing. | 1:01:43 | 1:01:46 | |
Back in 98 I did a low-budget titty comedy for Skinamax. | 1:01:46 | 1:01:51 | |
Sex Camp. Remember it? | 1:01:51 | 1:01:53 | |
Anyway, me and the campers from the uncool camp | 1:01:53 | 1:01:58 | |
had to break into the rich girl camp. | 1:01:58 | 1:02:00 | |
So, what we did, we built a catapult out of logs and underwear | 1:02:00 | 1:02:05 | |
and they shot us over the wall and we parachuted down. | 1:02:05 | 1:02:10 | |
Look, guys, we already know the plan. | 1:02:14 | 1:02:17 | |
-You gotta be kidding. I'm out! -We do it just like in the book. | 1:02:17 | 1:02:21 | |
Chapter 26 - The White Offensive. | 1:02:21 | 1:02:24 | |
The book of Tropic Thunder. | 1:02:24 | 1:02:26 | |
Yeah. You guys read the book? | 1:02:26 | 1:02:28 | |
Uh, the flap, the back flap. Some of the pictures. | 1:02:28 | 1:02:32 | |
-Well, it's OK, it's exactly the same as in the script. -Cool. | 1:02:32 | 1:02:38 | |
You guys all read the script, right? | 1:02:38 | 1:02:41 | |
I don't read the script, the script reads me. | 1:02:41 | 1:02:44 | |
-What the hell does that even mean? -What you getting at with the book?! | 1:02:44 | 1:02:48 | |
Script? Spit that shit out, man! | 1:02:48 | 1:02:52 | |
I... Oh... All right. The White Offensive. | 1:02:52 | 1:02:55 | |
Osirus and Phats go undercover as a diversion. | 1:02:55 | 1:02:58 | |
Motown and Brooklyn sneak in via the river. | 1:02:58 | 1:03:00 | |
Yeah, but those dudes was trained soldiers. | 1:03:00 | 1:03:04 | |
Yay! But we trained actors, motherfucker! | 1:03:05 | 1:03:09 | |
Time to man up. | 1:03:09 | 1:03:11 | |
I ain't gonna sugar-coat it. | 1:03:11 | 1:03:14 | |
-Some of us might not even make it back. -Whaddya mean? | 1:03:14 | 1:03:17 | |
Like...not on the same flight? | 1:03:17 | 1:03:19 | |
Alpa and I's already wearing earth mama's natural night camo. | 1:03:19 | 1:03:24 | |
-Cool it, Benson! -Sorry. | 1:03:24 | 1:03:27 | |
We gotta scam. Get a plan together. | 1:03:27 | 1:03:30 | |
We ain't back in 20, come lookin'. | 1:03:30 | 1:03:32 | |
'We are Flaming Dragon.' | 1:03:32 | 1:03:35 | |
Flaming Dragon are heroin manufacturers, | 1:03:41 | 1:03:43 | |
responsible for an eighth of the drug trade in Asia. | 1:03:43 | 1:03:46 | |
Huge profit margin. | 1:03:46 | 1:03:48 | |
Guys! | 1:03:48 | 1:03:50 | |
Will somebody please let me know what the game plan is?! | 1:03:50 | 1:03:54 | |
Peck, we have it handled! Please don't interrupt. | 1:03:54 | 1:03:58 | |
-It's under control. -I got it. -PHONE RINGS | 1:03:58 | 1:04:01 | |
-Les Grossman. -'We not get money yet!' | 1:04:10 | 1:04:13 | |
Price now 100 million! | 1:04:13 | 1:04:15 | |
You pay now or tomorrow Simple Jack die! | 1:04:15 | 1:04:18 | |
Great. Let me get this down. | 1:04:18 | 1:04:20 | |
100 million. | 1:04:20 | 1:04:22 | |
Oh, wait! I got a better idea. | 1:04:22 | 1:04:25 | |
Instead of 100 million, how about I send you a hobo's dick cheese? | 1:04:25 | 1:04:30 | |
'Then you kill him, skin the fucking bastard.' | 1:04:30 | 1:04:33 | |
-Go to town, man. Go to town! -No. | 1:04:33 | 1:04:35 | |
In the meantime and as usual, go fuck yourself. | 1:04:35 | 1:04:40 | |
-No. -We don't negotiate with terrorists. | 1:04:40 | 1:04:42 | |
APPLAUSE | 1:04:42 | 1:04:44 | |
Whoa, whoa, whoa! Are you insane?! | 1:04:44 | 1:04:47 | |
-I think I coulda done that better. -They're gonna kill him! | 1:04:47 | 1:04:50 | |
And...we'll weep for him... in the press, | 1:04:55 | 1:05:00 | |
set up a scholarship in his name. | 1:05:00 | 1:05:02 | |
Eventually, and I'm talking way, way down the road... | 1:05:02 | 1:05:06 | |
-we file an insurance claim. -Before the end of the fiscal year. | 1:05:06 | 1:05:10 | |
Actually, the claim alone would net us more than we would lose. | 1:05:10 | 1:05:15 | |
You can't be serious. | 1:05:15 | 1:05:18 | |
Let's face it. | 1:05:20 | 1:05:21 | |
The kids aren't dressing up as Scorcher for Purim any more. | 1:05:21 | 1:05:26 | |
Speedman is a dying star. | 1:05:26 | 1:05:30 | |
A white dwarf heading for a black hole. | 1:05:30 | 1:05:33 | |
That's physics. It's inevitable. | 1:05:33 | 1:05:35 | |
We've been handed an incredible opportunity here, Peck. | 1:05:35 | 1:05:38 | |
The universe is talking to us right now. | 1:05:38 | 1:05:42 | |
You just gotta listen. | 1:05:42 | 1:05:46 | |
MUSIC: "Low" by T Pain | 1:05:46 | 1:05:47 | |
# Boots with the fur With the fur | 1:05:47 | 1:05:50 | |
# The whole club was looking at her | 1:05:50 | 1:05:53 | |
# She hit the floor Next thing you know... # | 1:05:53 | 1:05:56 | |
See, this is the good part, Pecker. This is where the job gets fun. | 1:05:56 | 1:06:01 | |
-Yeah. -Ask and you shall receive. | 1:06:01 | 1:06:05 | |
All right, you play ball... we play ball. | 1:06:05 | 1:06:09 | |
I know you want the goodies. | 1:06:09 | 1:06:13 | |
Welcome to the goodie room. | 1:06:13 | 1:06:15 | |
You paying attention cos I'm talking... | 1:06:15 | 1:06:17 | |
G5 for Pecker. That's how you can roll. | 1:06:17 | 1:06:20 | |
-No more frequent-flyer bitch miles for my boy. -Um-umm. | 1:06:20 | 1:06:24 | |
Oh, yeah! Player? | 1:06:24 | 1:06:27 | |
Player? | 1:06:27 | 1:06:30 | |
Meet the player. | 1:06:30 | 1:06:32 | |
-Swinging past your knees. -Big dip, baby. -Yeah. | 1:06:32 | 1:06:36 | |
MUSIC STOPS | 1:06:37 | 1:06:39 | |
Or you can grow a conscience in the next five minutes | 1:06:39 | 1:06:42 | |
and see where that takes you. | 1:06:42 | 1:06:45 | |
Let me get this straight. | 1:06:49 | 1:06:51 | |
You want me to let my client of 15 years, one of my best friends, | 1:06:51 | 1:06:56 | |
die in the jungle, alone, for some money and a G5? | 1:06:56 | 1:07:01 | |
Yes. | 1:07:01 | 1:07:03 | |
A G5 airplane? | 1:07:07 | 1:07:10 | |
Yes. | 1:07:12 | 1:07:14 | |
And lots of money. | 1:07:14 | 1:07:18 | |
Player. | 1:07:18 | 1:07:20 | |
-MUSIC RESUMES -Yeah! | 1:07:20 | 1:07:24 | |
Smack it up, live it, rub it down, ho-oh! | 1:07:24 | 1:07:28 | |
# She hit the floor... # | 1:07:28 | 1:07:30 | |
My mom will take care of Jack a lot! | 1:07:30 | 1:07:33 | |
How many more sleeps before she wakes up again? | 1:07:33 | 1:07:37 | |
Sorry, Jack, she in heaven now! | 1:07:37 | 1:07:41 | |
Damn! I thought the movie was bad. | 1:07:41 | 1:07:45 | |
She sleep forever. | 1:07:45 | 1:07:47 | |
To the man's credit he's actually eased up on the retard throttle. | 1:07:47 | 1:07:51 | |
Now that's out of the balance, the audience can connect. | 1:07:51 | 1:07:54 | |
This is Theatre 101, but the guy's had a tough road | 1:07:54 | 1:07:58 | |
to become a naturalist, break down the aesthetic distance. And then... | 1:07:58 | 1:08:03 | |
Aaaargh! | 1:08:03 | 1:08:04 | |
Told ya I'd tag you back. | 1:08:04 | 1:08:07 | |
Can't tell you that I'm sorry | 1:08:09 | 1:08:11 | |
for any offence I might have caused. | 1:08:11 | 1:08:14 | |
-I just got caught up in... -Being a dumbass? -I guess so. | 1:08:14 | 1:08:18 | |
Why you still doing this Chicken George shit? I've no idea. | 1:08:18 | 1:08:21 | |
-Neither do I. -It's beyond me. -It's beyond me. | 1:08:21 | 1:08:23 | |
-You confused. -I am a little confused. -I know. | 1:08:23 | 1:08:27 | |
-But are we cool? -Not really. | 1:08:27 | 1:08:31 | |
-Hey, man, how's it going? -Good. Yourself? | 1:08:34 | 1:08:38 | |
If it's no big deal, I'm just gonna hang back here for the mission. | 1:08:38 | 1:08:42 | |
-Watch the stuff. Is that cool? -Well, no. | 1:08:42 | 1:08:46 | |
We need you, Jeff. What are you talking about? | 1:08:46 | 1:08:50 | |
OK, look, man. | 1:08:50 | 1:08:52 | |
-I got something to tell you. -OK. | 1:08:52 | 1:08:55 | |
You know those jelly beans I was eating? | 1:08:57 | 1:09:00 | |
Well, they weren't jelly beans. OK? | 1:09:00 | 1:09:03 | |
-They were drugs. -Really?! | 1:09:03 | 1:09:06 | |
I get down there near the mother lode, I am done! | 1:09:06 | 1:09:09 | |
I'm bad, man! I'm gonna do all the heroin in the fuckin' world! | 1:09:09 | 1:09:14 | |
If you guys wanna make it through this thing, | 1:09:16 | 1:09:18 | |
-you gotta strap me to a tree. -Oh! | 1:09:18 | 1:09:21 | |
-Really? Are you serious? -Yeah, I'm serious. Literally a tree. | 1:09:21 | 1:09:25 | |
And no matter what, you can't fucking untie me until it is done, | 1:09:25 | 1:09:29 | |
until it is out of my system. I'll say, "Hey, man, I'm cool." | 1:09:29 | 1:09:33 | |
-"Untie me." Don't listen! Anything I fucking say is a lie! -You got it! | 1:09:33 | 1:09:38 | |
Goodbye, Mama! Now you can have ice cream in heaven. | 1:09:38 | 1:09:43 | |
I'll see you tonight when I go to bed in my head movies. | 1:09:43 | 1:09:49 | |
But this head movie makes my eyes rain. | 1:09:49 | 1:09:54 | |
CRIES | 1:09:54 | 1:09:55 | |
APPLAUSE | 1:09:55 | 1:09:57 | |
Dang. Gilligan catching a kidney shot. | 1:10:02 | 1:10:05 | |
-Shh. They got him on the move! -That's torture, man. | 1:10:05 | 1:10:10 | |
-OK. That's where they keeping him. -I gotta get cracking on my costume. | 1:10:10 | 1:10:14 | |
-Are you good with a needle and thread? -Hell, yeah. | 1:10:14 | 1:10:17 | |
Alpa Chino chinos sold more than five million pairs last spring. | 1:10:17 | 1:10:21 | |
-I sewed them patterns myself. -Let's roll out. | 1:10:21 | 1:10:24 | |
# There's something happening here | 1:10:32 | 1:10:36 | |
# What it is ain't exactly clear CREAKING | 1:10:36 | 1:10:41 | |
# There's a man with a gun over there | 1:10:41 | 1:10:46 | |
# Telling me I got to beware | 1:10:46 | 1:10:50 | |
# I think it's time we stop, children What's that sound? # | 1:10:50 | 1:10:54 | |
It's a little twig man Oscar. | 1:10:54 | 1:10:57 | |
I'm going to call you Half Squat. | 1:11:01 | 1:11:05 | |
And you can call me... Papa. | 1:11:06 | 1:11:10 | |
# Paranoia strikes deep | 1:11:14 | 1:11:19 | |
# Into your life it will creep | 1:11:19 | 1:11:23 | |
# It starts when you're always afraid | 1:11:23 | 1:11:27 | |
# You step out of line The man come and take you away # | 1:11:27 | 1:11:33 | |
Wow, look at all those stars. | 1:11:33 | 1:11:35 | |
Really makes a guy feel pretty small. | 1:11:35 | 1:11:39 | |
This could be the last time we look at these stars. | 1:11:39 | 1:11:43 | |
Man, that's beauty. | 1:11:43 | 1:11:46 | |
Nights like tonight make a man wonder what it's all about. | 1:11:46 | 1:11:50 | |
Hey, you guys. Anybody got some bug spray? | 1:11:50 | 1:11:53 | |
-Don't ignore me! -Stick it out, man. We're gonna get through this. | 1:11:53 | 1:11:58 | |
-Hey, Kirk? -Yeah? | 1:11:58 | 1:12:01 | |
Are you still dating Jennifer Love Hewitt? Cos I think she's hot. | 1:12:01 | 1:12:05 | |
No, that was just some tabloid conjecture. | 1:12:05 | 1:12:08 | |
Hey, guys, I'm good. Ha, ha! I made it through. You can untie me now. | 1:12:08 | 1:12:13 | |
Funny, huh? The circus life 280 days a year on location. | 1:12:13 | 1:12:18 | |
It's hard to find a girl that can hang with that, you know? | 1:12:18 | 1:12:23 | |
-Not one worth keeping, no how. -Hey, Radar? Evans? | 1:12:23 | 1:12:28 | |
-It's Kevin. -Whatever the fuck. Come here. | 1:12:28 | 1:12:30 | |
I didn't tell you but Fatties Fart Three is coming down the pike | 1:12:30 | 1:12:34 | |
-and there's a role for you if you untie me. -Tough it out. | 1:12:34 | 1:12:39 | |
-Your mother's a cankerous whore! -Jesus, man. | 1:12:39 | 1:12:42 | |
Hey, man. Remember way back when | 1:12:42 | 1:12:44 | |
I said your mother was a cankerous whore? | 1:12:44 | 1:12:47 | |
-I'm sorry, man. I did not mean that. She's not. -How about you, man? | 1:12:47 | 1:12:52 | |
-You got some minx waiting for you on the other side of tomorrow? -Me? | 1:12:52 | 1:12:56 | |
I've barely even had a girlfriend and... | 1:12:56 | 1:12:59 | |
I was really hoping I'd get laid when this movie came out | 1:12:59 | 1:13:04 | |
-but that's not gonna happen. -What about you, Masterblaster? | 1:13:04 | 1:13:08 | |
You got a certain someone in the States? | 1:13:08 | 1:13:11 | |
What, Alpa Chino? He's ten girls deep 24-7. | 1:13:11 | 1:13:15 | |
I'm talking about something special. Big difference. How about it? | 1:13:15 | 1:13:19 | |
Yeah. | 1:13:19 | 1:13:22 | |
Yeah, there is. | 1:13:22 | 1:13:24 | |
-Well? What's the skinny? Y'all been on a date or what? -No. I mean... | 1:13:24 | 1:13:30 | |
I always wanted to, but I guess I just never had the courage to ask. | 1:13:30 | 1:13:34 | |
-It's... It's complicated. -No! It's simple as pie, man. | 1:13:34 | 1:13:39 | |
Look her in the eyes, say, "Hey, baby, you and me's going on a date." | 1:13:39 | 1:13:43 | |
-That's the end of story. What's her name? -Lance. | 1:13:43 | 1:13:47 | |
"Listen here, Lance..." | 1:13:47 | 1:13:50 | |
Lance? What the fuck did I just hear? Lance? | 1:13:50 | 1:13:54 | |
-Did you say Lance? -No! -That sounded like Lance. -No, I said Nance. | 1:13:54 | 1:13:58 | |
-That's what I said. -It sounded like Lance. -I'm Alpa Chino, OK? | 1:13:58 | 1:14:01 | |
I love the pussy! Lay your ass back down and look at the stars. | 1:14:01 | 1:14:05 | |
When you wrote I Love Tha Pussy, was you thinking of dangling your dice | 1:14:05 | 1:14:09 | |
-on Lance's forehead? -Hell, no! What? Come on. | 1:14:09 | 1:14:12 | |
-Man, everyone's gay once in a while. -I'm not gay! -This Hollywood. | 1:14:12 | 1:14:16 | |
-How about we get back to work? -OK. -This is ridiculous! -Cool. | 1:14:16 | 1:14:19 | |
We got a big day tomorrow. Let's get focused. | 1:14:19 | 1:14:22 | |
Alpa, if you untie me, I will literally suck your dick right now. | 1:14:24 | 1:14:29 | |
I told you for the last time, I love the pussy! | 1:14:29 | 1:14:33 | |
I'll cradle the balls, stroke the shaft | 1:14:33 | 1:14:36 | |
work the pipe and swallow the gravy. | 1:14:36 | 1:14:39 | |
Get it over here, buddy. Let's do this. | 1:14:39 | 1:14:42 | |
What's the plan? Are you gonna talk Vietnamese to those dudes? | 1:14:46 | 1:14:50 | |
No. No. Mandarin Chinese. It's what they speaking down there. | 1:14:50 | 1:14:53 | |
-How the hell do you know Chinese? -Land Of Silk And Money with Gong Li. | 1:14:53 | 1:14:57 | |
Second Globe, third Oscar. Prepped for that one by working in | 1:14:57 | 1:15:01 | |
a Beijing textile factory for eight months. That might be our ride. | 1:15:01 | 1:15:05 | |
-The straps are too tight! -Shut your mouth and follow my lead. | 1:15:14 | 1:15:18 | |
SPEAKS MANDARIN | 1:15:18 | 1:15:20 | |
All right. That looks like it could be the munitions hut right there. | 1:16:11 | 1:16:16 | |
I'll try to find Speedman. | 1:16:16 | 1:16:17 | |
-MUFFLED SHOUTING: -Get over here! | 1:16:34 | 1:16:38 | |
-What are you doing here? -He has hands. -He killed Damien. -Bullshit! | 1:16:38 | 1:16:43 | |
-He blinded Jamie Lee Curtis. -Almost! -What are you talking about? | 1:16:43 | 1:16:47 | |
-Damien stepped on a old landmine. -Oh, sweet. Thank God. | 1:16:47 | 1:16:50 | |
-We busting Speedman out. -Speedman? | 1:16:50 | 1:16:52 | |
Oh, ow! | 1:16:59 | 1:17:01 | |
My boom boom's up here. I take it y'all are doing | 1:17:01 | 1:17:03 | |
the Wet Offensive from the book. I can give y'all a diversion. | 1:17:03 | 1:17:06 | |
I got enough shit to light the place up like it's the 4h of fucking July | 1:17:06 | 1:17:11 | |
Yes, your farm. | 1:17:50 | 1:17:53 | |
Where is your farm?! | 1:17:57 | 1:17:59 | |
Americans! | 1:17:59 | 1:18:02 | |
My farm? | 1:18:05 | 1:18:08 | |
Oh, shit. | 1:18:08 | 1:18:10 | |
Here's my motherfucking farm! | 1:18:10 | 1:18:13 | |
Oh, yeah! | 1:18:13 | 1:18:15 | |
-Whoo ha! -YELLING | 1:18:15 | 1:18:18 | |
Yeah! Eat cock, baby! | 1:18:19 | 1:18:23 | |
Kwan-Lo! | 1:18:23 | 1:18:25 | |
I'm a lead farmer, motherfucker! | 1:18:25 | 1:18:28 | |
Yeah! | 1:18:28 | 1:18:30 | |
Yeah, yeah, yeah, yeah, yeah, keep your head down! | 1:18:30 | 1:18:34 | |
Keep your head down on the ground! Nobody move or I do the little guy! | 1:18:34 | 1:18:38 | |
That's right, we running this programme now, JP. | 1:18:38 | 1:18:42 | |
-Now show me where the drugs are. -What the fuck? | 1:18:42 | 1:18:46 | |
-That ain't the plan! -Don't judge me! | 1:18:46 | 1:18:50 | |
He's got a real serious problem. | 1:18:52 | 1:18:55 | |
Hey! Hey, you! | 1:18:55 | 1:18:57 | |
Take off your clothes! Take off your clothes! | 1:18:57 | 1:19:01 | |
-What do we do now? -Stick with the plan. Find Speedman. | 1:19:01 | 1:19:05 | |
-Keep this clown posse down. -Y'all heard the man. | 1:19:05 | 1:19:08 | |
Be suede! Don't move! Whoo! Fuck your do-rag. Fuck your do-rag. | 1:19:08 | 1:19:12 | |
-Door! -One, two, three! -Hyagh! | 1:19:12 | 1:19:15 | |
-I go high, you go low. -OK. | 1:19:27 | 1:19:30 | |
Get down! Get down! Chow Yun-Fat, get the hell down! | 1:19:33 | 1:19:37 | |
If I see one more head pop up, it'll be bullet Whac-A-Mole. | 1:19:37 | 1:19:41 | |
-Come on, come on! -Smoke grenade. Don't drop it now. | 1:19:41 | 1:19:46 | |
-Here. -What's this? -I don't know what it's called. | 1:19:46 | 1:19:50 | |
I just know the sound it makes when it lies. | 1:19:50 | 1:19:53 | |
Don't move, Matchbox, or I will shoot you. | 1:19:53 | 1:19:56 | |
I'm gonna put on this thing. Don't move. | 1:19:56 | 1:19:59 | |
-I can still see you. -GRUNTS | 1:19:59 | 1:20:02 | |
Tugg! | 1:20:06 | 1:20:08 | |
Tugg? | 1:20:10 | 1:20:11 | |
Gotcha. | 1:20:13 | 1:20:16 | |
-Roll your shit up, man. We going home. -Home? | 1:20:16 | 1:20:19 | |
But I'm doing five shows a day for a standing-room-only crowd. | 1:20:21 | 1:20:25 | |
-Don't you get it? I already am home. -Uh-oh. | 1:20:25 | 1:20:30 | |
All right now, dude, you gotta get it... | 1:20:30 | 1:20:33 | |
-My son gave this to me. -That's your stick buddy? | 1:20:33 | 1:20:37 | |
-His name is Twigman. -Does he wanna come with us? | 1:20:37 | 1:20:41 | |
-GROANS: -Hey! | 1:20:41 | 1:20:43 | |
Get the hell down! | 1:21:00 | 1:21:01 | |
What you doing? What you doing? Don't touch that gun. Don't do it! | 1:21:01 | 1:21:05 | |
Don't touch that gun! If you touch that gun... | 1:21:05 | 1:21:08 | |
Ah! | 1:21:11 | 1:21:13 | |
-Oh, shit, it's on! -Over here! | 1:21:13 | 1:21:15 | |
ROARS | 1:21:19 | 1:21:21 | |
BOTH YELL | 1:21:21 | 1:21:23 | |
GUNFIRE | 1:21:40 | 1:21:41 | |
Shadow me, Pinocchio! Smoke! | 1:21:45 | 1:21:48 | |
Jeff, don't! | 1:21:59 | 1:22:02 | |
It doesn't matter what I do. | 1:22:02 | 1:22:05 | |
I'll always be a screw-up. No-one'll respect me. | 1:22:05 | 1:22:07 | |
That's not true. You're not a screw-up! You make people laugh. | 1:22:07 | 1:22:11 | |
-They only laugh at my farts. -Jeff, we really need to go now! | 1:22:11 | 1:22:15 | |
This is all I deserve! | 1:22:15 | 1:22:17 | |
SPEAK MANDARIN | 1:22:17 | 1:22:19 | |
FARTS | 1:22:25 | 1:22:27 | |
LAUGHTER | 1:22:27 | 1:22:31 | |
ROARS | 1:22:31 | 1:22:35 | |
Laugh at that, you bastards! | 1:22:35 | 1:22:38 | |
Ha-ha! Oh, hilarious! Hilarious! | 1:22:38 | 1:22:41 | |
Let's move. We only have 16 hours before they wake up. | 1:22:43 | 1:22:48 | |
ALARM BLARES | 1:22:52 | 1:22:53 | |
The dinner bell's ringing. These assholes'll be crawling in here. | 1:22:53 | 1:22:58 | |
There. All right, you keep six right here. | 1:23:00 | 1:23:03 | |
Come on, let's go. | 1:23:05 | 1:23:07 | |
-What are you doing? Let's get out of here! -He's on tilt status. | 1:23:07 | 1:23:11 | |
Same thing happened to me when I played Neil Armstrong in Moonshot. | 1:23:11 | 1:23:15 | |
They found me in an alley, trying to re-enter the Earth's atmosphere | 1:23:15 | 1:23:18 | |
in an old refrigerator box. | 1:23:18 | 1:23:20 | |
Give me the flame thrower. Start the chopper. | 1:23:25 | 1:23:28 | |
-No, fuck that! Just give me this. -No time! I'll take care of this! | 1:23:28 | 1:23:31 | |
All right. Give me your hooks. | 1:23:31 | 1:23:34 | |
-Don't worry, I won't put 'em on again. -Give me your goddamn hooks. | 1:23:34 | 1:23:37 | |
-All right. Here. -Get those boys back to the bird pronto! | 1:23:37 | 1:23:41 | |
Shit! Enough! | 1:23:45 | 1:23:47 | |
Fake shit! Agh! | 1:23:47 | 1:23:50 | |
Fuck! | 1:23:52 | 1:23:54 | |
Go get your guys! Get them to the chopper! | 1:24:00 | 1:24:04 | |
I'll take care of these yahoos! | 1:24:04 | 1:24:08 | |
-Focus, motherfucker, and say it. It's me, Tugg! -It's me, Tugg. | 1:24:08 | 1:24:12 | |
-That's right! Now, Tugg who? -Tugg who? I don't know. Who are you? -Me? | 1:24:12 | 1:24:17 | |
I know who I am! I'm a dude playing a dude disguised as another dude. | 1:24:17 | 1:24:22 | |
-What? -You a dude that don't know what dude he is! | 1:24:22 | 1:24:25 | |
Or are you a dude who has no idea what dude he is | 1:24:25 | 1:24:28 | |
-and claims to know what dude he is... -What the fuck? | 1:24:28 | 1:24:31 | |
-..by playing other dudes? -I know what dude I am! -You're scared. | 1:24:31 | 1:24:34 | |
-I ain't scared. Scared of what? -Or scared of who? -Scared of who? | 1:24:34 | 1:24:38 | |
-Come, on guys. We really need to go! -Scared of you. | 1:24:38 | 1:24:42 | |
YELLS | 1:24:43 | 1:24:45 | |
-Jesus. -What's going on? -SOBBING | 1:24:45 | 1:24:48 | |
-The dudes are emerging. -He's right, you know. | 1:24:48 | 1:24:52 | |
I am not Sergeant Lincoln Osiris. | 1:24:53 | 1:24:58 | |
We gotta roll out. | 1:25:01 | 1:25:03 | |
-IRISH ACCENT: -Nor am I Father O'Malley. | 1:25:03 | 1:25:07 | |
-GRUFF AMERICAN ACCENT: -Or Neil Armstrong. | 1:25:08 | 1:25:12 | |
-AUSTRALIAN ACCENT: -I think I might be nobody. | 1:25:18 | 1:25:21 | |
Wow! The insecurity level with you guys is ridiculous! | 1:25:21 | 1:25:26 | |
-Everybody's got issues! -Yeah, man, everybody got issues. -Come on! | 1:25:26 | 1:25:30 | |
You're Kirk Lazarus. | 1:25:30 | 1:25:32 | |
You're the whole reason I got into acting. I memorised | 1:25:32 | 1:25:35 | |
-every single monologue you did when I was in theatre school. -Really? | 1:25:35 | 1:25:40 | |
Yeah. And, Tugg, I saw Scorcher 124 times when I was in eighth grade. | 1:25:40 | 1:25:44 | |
That shit blew me away! You the man! | 1:25:44 | 1:25:47 | |
Yeah. Let's get the fuck out of here! | 1:25:47 | 1:25:49 | |
Tugg? Tugger, you're the last piece of the puzzle, buddy. | 1:25:49 | 1:25:54 | |
We need you! Your men need you! Are you with us? | 1:25:54 | 1:25:58 | |
-I'm a rooster illusion. -Fuck it. We'll deal with him later. -Shit. | 1:26:00 | 1:26:04 | |
-Let's move. -Come on. Double time. Gotta go! | 1:26:04 | 1:26:07 | |
Come on, come on, come on. | 1:26:09 | 1:26:12 | |
YELLS | 1:26:12 | 1:26:14 | |
Bingo! Move out. | 1:26:14 | 1:26:17 | |
Oh, God. | 1:26:18 | 1:26:21 | |
Just say no to this, you drug-making midget. | 1:26:21 | 1:26:25 | |
Gotta hold on! | 1:26:29 | 1:26:31 | |
Four Leaf! | 1:26:36 | 1:26:38 | |
BOTH GROAN | 1:26:39 | 1:26:41 | |
You grew hands? | 1:26:41 | 1:26:43 | |
RPG, gentlemen! | 1:26:52 | 1:26:55 | |
-YELLING -Where are you going? | 1:26:55 | 1:26:57 | |
YELLS | 1:26:59 | 1:27:01 | |
Oh, my God. I am moving to catering after this. | 1:27:02 | 1:27:06 | |
DISTORTED SHOUTING | 1:27:15 | 1:27:18 | |
My ass! | 1:27:26 | 1:27:28 | |
My ass! Agh! | 1:27:30 | 1:27:33 | |
Hey, yo! We gotta get our shit together, Tugg! | 1:27:33 | 1:27:37 | |
We gotta get his cracker ass to the chopper! Are you still crazy? | 1:27:37 | 1:27:41 | |
-We gotta get Candisky to the chopper! -It's Sandusky. | 1:27:41 | 1:27:45 | |
-Kevin Sandusky. -That's my name. | 1:27:46 | 1:27:50 | |
-You remembered my name. -Alpa, go help Cody. | 1:27:50 | 1:27:53 | |
-Portnoy, get Sandusky back to the chopper. Go! -I got him! -Let's go! | 1:27:53 | 1:27:58 | |
Let's get out of here! | 1:27:58 | 1:28:00 | |
Hey, Leaf! | 1:28:12 | 1:28:13 | |
-Leaf! -Yeah? -Hit the plunger as soon as they clear the bridge! -Got it! | 1:28:13 | 1:28:17 | |
Come on! Get in the chopper! Come on! Move! | 1:28:18 | 1:28:22 | |
Kirk! Wait! | 1:28:22 | 1:28:24 | |
-< What the hell is he doing? -Laz, I'm gonna blow the bridge! | 1:28:26 | 1:28:30 | |
-Leaf's about to blow the bridge. -You don't have to! I'm staying. | 1:28:30 | 1:28:33 | |
-No, I can't let you do that, mate. We gotta go. -I'm not being crazy. | 1:28:33 | 1:28:37 | |
They'll listen to me. I have a connection with them. | 1:28:37 | 1:28:40 | |
-Get over here! -I have a son now. Little Half Squat. | 1:28:40 | 1:28:44 | |
Who in crikey fuck is Half Squat? | 1:28:44 | 1:28:46 | |
He's my son. He's my boy! He needs me. I have to go back to him. | 1:28:46 | 1:28:50 | |
-You tell the world what happened here. -What happened here? | 1:28:53 | 1:28:56 | |
I don't know, but you need to tell them. | 1:28:56 | 1:28:59 | |
I got this. | 1:29:00 | 1:29:03 | |
-Tugg! -You take care of the boys! I'll deal with these guys. | 1:29:03 | 1:29:10 | |
Where is he going? We're gonna fucking die! | 1:29:10 | 1:29:13 | |
Laz, come on. He joined the circus. Let's go. | 1:29:13 | 1:29:16 | |
-You've got hands. -Yeah. -Fuck! You've got hands? -Come on! Come on! | 1:29:16 | 1:29:20 | |
-Come on! Get in! -Come on! -He's staying? -He's a lost cause! | 1:29:20 | 1:29:25 | |
-Get out of here! -GUNFIRE > | 1:29:25 | 1:29:27 | |
I was wrong! Blow the bridge! Blow the fucking bridge! | 1:29:30 | 1:29:34 | |
I got this. | 1:29:39 | 1:29:41 | |
Leaf, no! | 1:29:41 | 1:29:42 | |
YELLING | 1:29:56 | 1:29:59 | |
CONTINUES TO YELL | 1:30:01 | 1:30:04 | |
Ogh! Whoa! | 1:30:04 | 1:30:07 | |
It's over! He's gone! | 1:30:25 | 1:30:28 | |
Cody! We gotta go! | 1:30:28 | 1:30:31 | |
Look. | 1:30:31 | 1:30:33 | |
Think he's done. Cover me! | 1:30:54 | 1:30:57 | |
-Come on! -Wait, come back! | 1:30:57 | 1:31:01 | |
How do we cover him? | 1:31:01 | 1:31:03 | |
All right, game over. Come on, mate. Come on. You all right, man? | 1:31:07 | 1:31:11 | |
I'm cold. I can't feel my legs. | 1:31:11 | 1:31:15 | |
No, no, they're in a puddle. See? There's a puddle there. No worries. | 1:31:15 | 1:31:18 | |
-Oh, good. -Come on, we gotta split. -You guys came back for me. -Course. | 1:31:18 | 1:31:24 | |
-Hey! I want you to know something. -What? | 1:31:24 | 1:31:27 | |
I know who you are. | 1:31:27 | 1:31:29 | |
You're my friend. | 1:31:30 | 1:31:33 | |
You're my brother. But like a really cool brother, you know? | 1:31:35 | 1:31:40 | |
-Like a brother with no animosity... -You got real tears going. | 1:31:40 | 1:31:44 | |
-Really? -That's the stuff accolades are made of. | 1:31:44 | 1:31:47 | |
Jesus, let's go, man! > | 1:31:47 | 1:31:50 | |
Upsy-daisy. | 1:31:51 | 1:31:52 | |
Come on! Come on! Come on! Let's go! Let's go! | 1:31:55 | 1:31:57 | |
YELLING | 1:31:57 | 1:31:59 | |
-Get in! Get in! -Come on! -Here we go! | 1:31:59 | 1:32:03 | |
< Tuggernuts! I got it! | 1:32:05 | 1:32:08 | |
-Tugger! -Rick! | 1:32:10 | 1:32:12 | |
-What the fuck? -I got the TiVo! | 1:32:15 | 1:32:18 | |
My friend wants a TiVo, my friend gets a TiVo! | 1:32:18 | 1:32:23 | |
Oh, shit! | 1:32:28 | 1:32:30 | |
Yeah, yeah, yeah! Whoo! | 1:32:49 | 1:32:51 | |
APPLAUSE | 1:32:59 | 1:33:02 | |
And the Oscar goes to... | 1:33:04 | 1:33:06 | |
Yes! Tugg Speedman. | 1:33:08 | 1:33:11 | |
Tropic Blunder: The True Story Behind the Making | 1:33:11 | 1:33:15 | |
of the Most Expensive Fake True War Story Ever. | 1:33:15 | 1:33:19 | |
-Yeah, you son of a bitch! -BOTH LAUGH | 1:33:25 | 1:33:28 | |
CHEERING | 1:33:41 | 1:33:43 | |
Eight Oscars, 400 million | 1:33:45 | 1:33:48 | |
and you saved Tugg Speedman's career. | 1:33:48 | 1:33:51 | |
Mmm! I couldn't have done it without you, Slolom. | 1:33:51 | 1:33:55 | |
-Really? -No, dickhead, of course I could. | 1:33:57 | 1:34:00 | |
-A nutless monkey could do your job. -Well, I... -Now, go get drunk | 1:34:00 | 1:34:04 | |
-and take credit at all the parties. -I would never do that to... -Joking. | 1:34:04 | 1:34:09 | |
-Yeah? -Yeah. -Very... OK, there he is. | 1:34:09 | 1:34:12 | |
-There he is. -Go have fun. -All right. We're having a... Fuck. OK. | 1:34:12 | 1:34:16 | |
-Thank you, Les. Have a good night. -But seriously, | 1:34:16 | 1:34:19 | |
-a nutless monkey could do your job. -Good. Thank you, sir. | 1:34:19 | 1:34:23 | |
DOOR CLOSES | 1:34:24 | 1:34:27 | |
BEEPING | 1:34:33 | 1:34:35 | |
MUSIC: "Get Back" by Ludacris | 1:34:39 | 1:34:40 | |
-# Heads up -Heads up | 1:34:40 | 1:34:42 | |
-# Whoo, whoo -Heads up | 1:34:42 | 1:34:44 | |
# Whoo, whoo, whoo | 1:34:44 | 1:34:45 | |
-# Here's another one -Another one -And a, and a -And another one | 1:34:45 | 1:34:48 | |
-# And another one -Whoa | 1:34:48 | 1:34:49 | |
# Yeek-yeek, woop-woop Why you all in my ear? | 1:34:49 | 1:34:51 | |
# Talkin' a whole bunch a shit That I ain't tryin' to hear | 1:34:51 | 1:34:54 | |
# Get back, motherfucker You don't know me like that | 1:34:54 | 1:34:57 | |
# Get back, motherfucker You don't know me like that | 1:34:57 | 1:34:59 | |
-# Whoo -# So, so, so come on, come on | 1:34:59 | 1:35:03 | |
# Don't Get swung on, swung on | 1:35:03 | 1:35:05 | |
# It's the knick-knack-patty-whack | 1:35:05 | 1:35:07 | |
# Still riding Cadillacs Family off the streets | 1:35:07 | 1:35:09 | |
-# Made my homies put the baggies back -# Whoo | 1:35:09 | 1:35:11 | |
-# Still stackin' plaques -Yup -Still action-packed -Yup | 1:35:11 | 1:35:13 | |
# And dope | 1:35:13 | 1:35:15 | |
# I keep it flippin' like acrobats | 1:35:15 | 1:35:16 | |
# That's why I pack a mack That'll crack a back | 1:35:16 | 1:35:19 | |
# Cos on my waist, there's more heat than the Shaq-attack | 1:35:19 | 1:35:22 | |
-# But I ain't speakin' about ballin' -# Ballin' | 1:35:22 | 1:35:24 | |
# Just thinkin' about brawlin' Till y'all start ballin' | 1:35:24 | 1:35:27 | |
# We all in together now Birds of a feather now | 1:35:27 | 1:35:30 | |
# Just bought a plane So we changin' the weather now | 1:35:30 | 1:35:32 | |
# So put your brakes on Cats, put your capes on | 1:35:32 | 1:35:35 | |
# And knock off your block, get dropped and have your face blown | 1:35:35 | 1:35:37 | |
# Cos I'll prove it Scratch off the music | 1:35:37 | 1:35:40 | |
# Like hey, little stupid Don't make me lose it | 1:35:40 | 1:35:43 | |
# Yeek-yeek, woop-woop Why you all in my ear? | 1:35:43 | 1:35:45 | |
# Talkin' a whole bunch a shit That I ain't tryin' to hear | 1:35:45 | 1:35:48 | |
# Get back, motherfucker You don't know me like that | 1:35:48 | 1:35:50 | |
# Get back, motherfucker You don't know me like that | 1:35:50 | 1:35:53 | |
# Yeek-yeek, woop-woop I ain't playin' around | 1:35:53 | 1:35:56 | |
# Make one false move I'll take you down | 1:35:56 | 1:35:59 | |
# Get back, motherfucker You don't know me like that | 1:35:59 | 1:36:01 | |
# Get back, motherfucker You don't know me like that | 1:36:01 | 1:36:04 | |
-# I came -I came -I saw -I saw | 1:36:04 | 1:36:06 | |
-# I hit him right dead in the jaw -# In the jaw | 1:36:06 | 1:36:10 | |
# See, I caught him with a right hook Caught him with a jab | 1:36:10 | 1:36:12 | |
# Caught him with an upper cut Kicked him in his ass | 1:36:12 | 1:36:15 | |
# Sent him on his way Cos I ain't for that talk | 1:36:15 | 1:36:17 | |
# And no trips to the county I ain't for that walk | 1:36:17 | 1:36:20 | |
# We split like two pins At the end of a lane | 1:36:20 | 1:36:23 | |
# We'll knock out your spotlight And put an end to your fame | 1:36:23 | 1:36:25 | |
# Put a DTP pendant at the end of your chain | 1:36:25 | 1:36:28 | |
# And put the booty of a swish at the end of a flame | 1:36:28 | 1:36:31 | |
# Yeek-yeek, woop-woop Why you all in my ear? | 1:36:31 | 1:36:33 | |
# Talkin' a whole bunch a shit That I ain't tryin to hear | 1:36:33 | 1:36:36 | |
# Get back, motherfucker You don't know me like that | 1:36:36 | 1:36:39 | |
# Get back, motherfucker You don't know me like that! # | 1:36:39 | 1:36:41 |