
Browse content similar to It's a Wonderful Afterlife. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
MAN GROANS | 0:00:12 | 0:00:14 | |
SWISH OF KNIFE | 0:00:14 | 0:00:16 | |
POT BUBBLES | 0:00:20 | 0:00:22 | |
MAN GROANS AND PANTS | 0:00:27 | 0:00:31 | |
SIREN WAILS | 0:00:35 | 0:00:37 | |
Male found unconscious. BP 100 over 70. Sats 85%. | 0:00:45 | 0:00:51 | |
Can you beep the surgical registrar? | 0:00:55 | 0:00:57 | |
He may need an ultrasound. | 0:00:57 | 0:00:59 | |
I need him connected now. Pulse and blood pressure. | 0:00:59 | 0:01:02 | |
-Heart rate down to 100. -Blood pressure rising. | 0:01:02 | 0:01:04 | |
SCREAMS | 0:01:04 | 0:01:06 | |
STOMACH GURGLES | 0:01:07 | 0:01:09 | |
MONITOR FLATLINES | 0:01:11 | 0:01:13 | |
'Police remain baffled by this latest victim. | 0:01:36 | 0:01:39 | |
'The third member of the Asian community found dead | 0:01:39 | 0:01:41 | |
'in an Indian food-related incident this week. | 0:01:41 | 0:01:44 | |
'The first victims were also murdered here in Southall, | 0:01:44 | 0:01:47 | |
'London's Little India. | 0:01:47 | 0:01:49 | |
'The curry killer appears to remain at large | 0:01:49 | 0:01:51 | |
'while the police have no idea who it is or when they may strike again.' | 0:01:51 | 0:01:55 | |
Murder number one, Indian couple. | 0:01:55 | 0:01:59 | |
Wife hit on the head with a rolling pin, | 0:01:59 | 0:02:01 | |
husband suffocated with chapati dough. | 0:02:01 | 0:02:04 | |
-LAUGHTER -Shh. Naan of that, please(!) | 0:02:04 | 0:02:06 | |
We've classified this latest incident as murder | 0:02:06 | 0:02:09 | |
because forensics say the chilli content of the curry | 0:02:09 | 0:02:12 | |
was way off the human tolerance scale. | 0:02:12 | 0:02:15 | |
Everyone, this is Detective Sergeant Murthy. | 0:02:15 | 0:02:18 | |
He'll be assisting our team, | 0:02:18 | 0:02:20 | |
interviewing members of the local community and the like. | 0:02:20 | 0:02:23 | |
Let's get back to basics. | 0:02:23 | 0:02:25 | |
Murthy, what do you think is going on here? | 0:02:25 | 0:02:28 | |
I haven't been here long, but murders are rare. | 0:02:28 | 0:02:30 | |
Certainly never a serial killer. | 0:02:30 | 0:02:32 | |
We need some good community undercover work here. | 0:02:32 | 0:02:37 | |
You're an insider, Murthy. People will talk to you. | 0:02:37 | 0:02:40 | |
Whoever is committing these murders knows a thing or two about spices. | 0:02:40 | 0:02:44 | |
But, sir, everyone eats curry now. | 0:02:44 | 0:02:46 | |
Chicken tikka masala is the number one national dish, | 0:02:46 | 0:02:49 | |
everyone's a potential suspect. | 0:02:49 | 0:02:50 | |
Exactly. You're thinking laterally. That's why you're part of this team. | 0:02:50 | 0:02:55 | |
Sir, he's just currying favour. Currying. | 0:02:55 | 0:02:58 | |
See what I did with that, yeah? | 0:02:58 | 0:02:59 | |
MUSIC: "A-Team Theme" overlain with bhangra drums | 0:03:01 | 0:03:05 | |
Hello, Aunty. | 0:03:28 | 0:03:29 | |
-It's Raj. -Googly. | 0:03:31 | 0:03:34 | |
-I heard you were a police officer. -Googly! | 0:03:37 | 0:03:41 | |
Blimey, you've grown. | 0:03:41 | 0:03:43 | |
-Roopi? -Mmm. | 0:03:43 | 0:03:44 | |
So have you. | 0:03:44 | 0:03:45 | |
-Sorry to hear about Uncle's passing. -Thank you, beta. | 0:03:49 | 0:03:52 | |
It's been a year now since your uncle has gone. | 0:03:52 | 0:03:55 | |
I hope God will take me to him soon, too. | 0:03:55 | 0:03:58 | |
-Once my duty is done. -Mum! | 0:03:58 | 0:04:01 | |
You're not sick, are you? | 0:04:01 | 0:04:03 | |
Since Dad died she thinks she's next in line. | 0:04:03 | 0:04:05 | |
Apparently I'm holding up her plans because I won't get hitched. | 0:04:05 | 0:04:09 | |
I know the feeling. | 0:04:09 | 0:04:10 | |
What are you doing in London? | 0:04:10 | 0:04:11 | |
I transferred to the Southall station. | 0:04:11 | 0:04:13 | |
I'm working with the murder investigation team | 0:04:13 | 0:04:16 | |
-on these recent murders. -That couple that died, | 0:04:16 | 0:04:19 | |
their daughter ended up at our shelter more than a few times. | 0:04:19 | 0:04:22 | |
Shelter? | 0:04:22 | 0:04:23 | |
I work in a refuge centre, | 0:04:23 | 0:04:26 | |
protecting women from the so-called pillars of our community. | 0:04:26 | 0:04:29 | |
It's nice to see you both again. LOUD THROAT-CLEARING | 0:04:31 | 0:04:36 | |
I better get back to the station. | 0:04:36 | 0:04:38 | |
Come home some time for home-cooked food. | 0:04:38 | 0:04:40 | |
I will, Aunty. | 0:04:40 | 0:04:42 | |
-My God! -He's grown into a handsome man. | 0:04:44 | 0:04:47 | |
Maybe I should talk to his parents. They always liked you as a girl. | 0:04:47 | 0:04:51 | |
-Don't start, Mum. -Listen, beta. What is done is done. | 0:04:51 | 0:04:54 | |
That Tej was bad news. | 0:04:54 | 0:04:56 | |
But you have to move on. You're letting go so many chances. | 0:04:56 | 0:04:59 | |
Mum, you've got to stop all this wishy-washy fairy-tale nonsense. | 0:04:59 | 0:05:03 | |
Get real. | 0:05:03 | 0:05:04 | |
BOY: Who's home? Who's home? BOYS: Fat family. Fat family. | 0:05:10 | 0:05:14 | |
BOY: Fatty boom boom. | 0:05:14 | 0:05:15 | |
BOY: Who's home? BOYS: Fat family. | 0:05:20 | 0:05:23 | |
BOY: Fat family, fat family, fat family, fat family. | 0:05:24 | 0:05:28 | |
-PARROT: -Fat family's home! Fat family's home! | 0:05:28 | 0:05:32 | |
-Fat family's home! -Pappu, don't be a wanker. | 0:05:33 | 0:05:36 | |
Pappu, don't be a wanker! | 0:05:36 | 0:05:38 | |
SCREAMS | 0:05:43 | 0:05:44 | |
BOY: Got you! | 0:05:46 | 0:05:47 | |
BOYS LAUGH | 0:05:47 | 0:05:50 | |
SPEAKS PUNJABI | 0:05:54 | 0:05:56 | |
For God's sake, Jazz. | 0:05:56 | 0:05:59 | |
When are you going to grow up? | 0:05:59 | 0:06:01 | |
Mum's been through enough | 0:06:01 | 0:06:03 | |
without dealing with you and your gags. | 0:06:03 | 0:06:05 | |
Don't be a loser all your life. | 0:06:05 | 0:06:07 | |
If your father was alive, Jasminder would get a proper job. | 0:06:07 | 0:06:10 | |
Mum, I've got a proper job. I'm a DJ. | 0:06:10 | 0:06:13 | |
He's a DJ, innit? | 0:06:13 | 0:06:14 | |
And Roopi would be married and settled and I could go in peace. | 0:06:14 | 0:06:18 | |
-I'm sorry, Mum. I'm sorry. -PHONE RINGS | 0:06:18 | 0:06:22 | |
It's all right, Mum. | 0:06:23 | 0:06:25 | |
Yah, man, this is Jazz. How can I help you? | 0:06:25 | 0:06:27 | |
-WOMAN: 'Is that Mrs Sethi's house?' -Hello, Aunty. -'Go get your mother.' | 0:06:27 | 0:06:32 | |
-Hello? -'Mrs Sethi?' | 0:06:34 | 0:06:35 | |
Anji. | 0:06:35 | 0:06:36 | |
'I have a very good boy for your daughter. | 0:06:36 | 0:06:39 | |
-'My cousin's sister's son.' -Yes, of course. | 0:06:39 | 0:06:41 | |
-'You bring Roopi.' -She'll be there. | 0:06:41 | 0:06:43 | |
-'To the Guldana.' -Thank you. | 0:06:43 | 0:06:46 | |
Mum. Please tell me you haven't dropped me in it again. | 0:06:47 | 0:06:50 | |
MYSTICAL INDIAN MUSIC | 0:06:52 | 0:06:55 | |
-WOMAN: -Listen, what can we do now? | 0:07:40 | 0:07:42 | |
-It's the boy's decision, no? -You told me she'd lost weight. | 0:07:42 | 0:07:46 | |
How can I help you find someone for her | 0:07:46 | 0:07:49 | |
when she's bigger than the boys I show you? | 0:07:49 | 0:07:51 | |
But looks aren't everything. And she's strong. | 0:07:51 | 0:07:54 | |
Not like those pencil-thin girls who could snap at any time. | 0:07:54 | 0:07:57 | |
You're the mother, it's your fault. | 0:07:57 | 0:07:59 | |
You should have controlled her eating from the start. But, no. | 0:07:59 | 0:08:03 | |
And now everywhere does threading. | 0:08:03 | 0:08:05 | |
There is no excuse for a moustache like that. | 0:08:05 | 0:08:08 | |
WOMAN SPEAKS PUNJABI | 0:08:08 | 0:08:10 | |
CAR HORN BLAST LOUD MUSIC | 0:08:11 | 0:08:12 | |
REVS ENGINE | 0:08:16 | 0:08:18 | |
TYRES SCREECH | 0:08:30 | 0:08:33 | |
It's all right. Come on, let's go home. | 0:08:35 | 0:08:38 | |
OK, who is she? How is she connected to the others? | 0:08:53 | 0:08:57 | |
-What have you found out? -I've spoken to the neighbours. | 0:08:57 | 0:08:59 | |
She was a widow. Lived alone. | 0:08:59 | 0:09:01 | |
God-fearing, went to the Sikh temple all the time. | 0:09:01 | 0:09:03 | |
Murthy, you have described every bleeding old biddy in this town. | 0:09:03 | 0:09:08 | |
-Tell me something new. -Sir, you got a minute? | 0:09:08 | 0:09:11 | |
METALLIC SQUEAKING | 0:09:16 | 0:09:19 | |
CLATTERING | 0:09:43 | 0:09:44 | |
SCREAMS | 0:09:59 | 0:10:02 | |
Mum. Are you OK? | 0:10:02 | 0:10:04 | |
SHE WHIMPERS | 0:10:04 | 0:10:06 | |
THUNDERCLAP | 0:10:06 | 0:10:09 | |
PAPPU SQUAWKS | 0:10:50 | 0:10:52 | |
Shh. | 0:10:52 | 0:10:54 | |
GASPS | 0:11:23 | 0:11:25 | |
THUNDERCLAP | 0:11:36 | 0:11:39 | |
PAPPU SCREECHES | 0:11:39 | 0:11:41 | |
Pappu, quiet! Mum, what's wrong? | 0:11:41 | 0:11:44 | |
What are you looking at? What is it? | 0:11:49 | 0:11:52 | |
No, don't do it. | 0:12:04 | 0:12:05 | |
You're just missing Dad. I still wake up in a state, too. | 0:12:19 | 0:12:23 | |
Make you a hot cup of milk, hm? | 0:12:25 | 0:12:27 | |
It's all right. | 0:12:43 | 0:12:45 | |
THUNDERCLAP | 0:13:00 | 0:13:02 | |
BIRDSONG | 0:13:02 | 0:13:03 | |
SIGHS | 0:13:12 | 0:13:14 | |
SCREAMS | 0:13:19 | 0:13:20 | |
Why did you do it? | 0:13:22 | 0:13:24 | |
What were you thinking? | 0:13:24 | 0:13:26 | |
What is wrong with you? | 0:13:26 | 0:13:27 | |
MUFFLED | 0:13:27 | 0:13:29 | |
Morning, Mum. | 0:13:30 | 0:13:31 | |
Still looking a little pale. | 0:13:33 | 0:13:35 | |
Pale? She should see us. | 0:13:35 | 0:13:37 | |
How you feeling? | 0:13:39 | 0:13:40 | |
I'm OK. | 0:13:40 | 0:13:41 | |
I better get to work. | 0:13:41 | 0:13:43 | |
Sure you're OK? | 0:13:44 | 0:13:45 | |
Why worry about her? We're the ones who are dead. | 0:13:45 | 0:13:48 | |
The girl works too hard, that's why she's let her body go. | 0:13:48 | 0:13:51 | |
Fat mother, fat daughter. | 0:13:51 | 0:13:53 | |
What's wrong, Mum? | 0:13:53 | 0:13:55 | |
You're a million miles away. | 0:13:55 | 0:13:58 | |
I'm sorry, beta. You please go to work. | 0:13:59 | 0:14:01 | |
Take some stuffed parantas for lunch. | 0:14:01 | 0:14:05 | |
What? She already has a bottom like a buffalo. | 0:14:05 | 0:14:07 | |
Call me if you need anything. | 0:14:07 | 0:14:10 | |
I'm picking up Linda at the airport after work. | 0:14:10 | 0:14:13 | |
-That's why I did it. -What? | 0:14:18 | 0:14:21 | |
You said my daughter's too fat for you. | 0:14:22 | 0:14:24 | |
And you said she's too ugly for your cousin's sister's son. | 0:14:24 | 0:14:28 | |
And you? | 0:14:28 | 0:14:29 | |
You said she's not good enough for your nephew Tej. | 0:14:29 | 0:14:32 | |
So you broke her engagement, made some mischief and broke her heart. | 0:14:32 | 0:14:36 | |
You all rejected her without even knowing her. | 0:14:36 | 0:14:39 | |
You can't be nice to her even in death. | 0:14:39 | 0:14:42 | |
She is all I can ask for in a daughter. | 0:14:42 | 0:14:45 | |
She's loving, dutiful, considerate. | 0:14:45 | 0:14:48 | |
And still no-one will have her. | 0:14:48 | 0:14:50 | |
She deserves to have a good husband and a good family. | 0:14:50 | 0:14:53 | |
And you all got what you deserve. | 0:14:53 | 0:14:55 | |
Deserve this? For trying to help you find a match for moto-joto? | 0:15:03 | 0:15:07 | |
You killed us for telling the truth. Surely an over-reaction, no? | 0:15:07 | 0:15:11 | |
But we rejected so many girls. | 0:15:11 | 0:15:12 | |
Better to break an engagement than have a bad match for ever. | 0:15:12 | 0:15:15 | |
MUFFLED | 0:15:15 | 0:15:17 | |
This isn't real. This can't be happening. | 0:15:17 | 0:15:19 | |
It's real to us. | 0:15:19 | 0:15:20 | |
POSTMAN: Morning. | 0:15:25 | 0:15:28 | |
Oi, post wallah, look. | 0:15:28 | 0:15:29 | |
Mr Postman, look at us. | 0:15:29 | 0:15:32 | |
DOG BARKS | 0:15:33 | 0:15:36 | |
Milo! | 0:15:36 | 0:15:37 | |
What's wrong? You look bothered. | 0:15:39 | 0:15:41 | |
Are your son and my Ari raising your blood pressure? | 0:15:41 | 0:15:44 | |
Is there something different about me today? | 0:15:44 | 0:15:47 | |
Did you dye your hair? | 0:15:47 | 0:15:49 | |
Where do Jewish people go after they die? | 0:15:51 | 0:15:53 | |
-Willesden. -Huh? | 0:15:54 | 0:15:56 | |
The Jewish cemetery. It's lovely, all green and peaceful. | 0:15:56 | 0:15:59 | |
Milo! | 0:15:59 | 0:16:01 | |
No, I mean your spirit. Your soul. | 0:16:01 | 0:16:05 | |
Oh, that. Nothing. When you're dead you're dead. | 0:16:05 | 0:16:09 | |
That's sad. At least we have reincarnation. | 0:16:09 | 0:16:12 | |
You see, we have reincarnation. | 0:16:12 | 0:16:16 | |
-Everybody is reborn. -What, everyone? | 0:16:16 | 0:16:19 | |
If you're good in this life, | 0:16:19 | 0:16:21 | |
you come back again next time as something good, | 0:16:21 | 0:16:24 | |
like a holy person. | 0:16:24 | 0:16:26 | |
But if you're bad then you come back as something bad, like a cockroach. | 0:16:26 | 0:16:31 | |
So if we're dead why are we still here? | 0:16:33 | 0:16:37 | |
Why haven't we been reincarnated? | 0:16:37 | 0:16:39 | |
I have no idea. | 0:16:39 | 0:16:41 | |
Maybe you all did very bad things in your life | 0:16:41 | 0:16:43 | |
so you're off the scale. | 0:16:43 | 0:16:45 | |
But what about the bad you've done? What's going to happen to you? | 0:16:45 | 0:16:49 | |
You know I'm a vegetarian. Why stab me with chicken tikka kebab? | 0:16:49 | 0:16:53 | |
Why not panir? | 0:16:53 | 0:16:54 | |
Listen, panji, I was not bad to your daughter. | 0:16:54 | 0:16:57 | |
Why did you kill me? | 0:16:57 | 0:16:59 | |
He was the one who said she was not suitable. | 0:16:59 | 0:17:01 | |
He pushed his sister to break off the engagement. | 0:17:01 | 0:17:03 | |
MUFFLED | 0:17:03 | 0:17:06 | |
Of course you did. | 0:17:06 | 0:17:07 | |
You said whoever marries her will never need a mattress. | 0:17:07 | 0:17:11 | |
MUFFLED | 0:17:11 | 0:17:12 | |
-LAUGHS -Mattress! | 0:17:12 | 0:17:16 | |
ALL YELP | 0:17:17 | 0:17:18 | |
OK. | 0:17:18 | 0:17:20 | |
That's not right. | 0:17:20 | 0:17:23 | |
SINGS BADLY: # I'm losing my way | 0:17:23 | 0:17:25 | |
# And I'm trying to discover my sou-ou-ou-ou-oul... # | 0:17:25 | 0:17:35 | |
I mean maybe we should write a song about death. | 0:17:36 | 0:17:41 | |
No, no, I don't forget when it comes to my children. | 0:17:41 | 0:17:45 | |
That's my mum. She's got guests. That means she's cooking. | 0:17:46 | 0:17:49 | |
I've got the munchies. | 0:17:49 | 0:17:50 | |
You said that to me. You think I don't remember? | 0:17:50 | 0:17:54 | |
You think it doesn't hurt her mother? | 0:17:54 | 0:17:57 | |
It doesn't break her heart to hear such things. | 0:17:57 | 0:18:00 | |
Perhaps next time you'll think about her hurt and her pain. | 0:18:01 | 0:18:04 | |
AMERICAN TV VOICEOVER: 'From an early age, John Edward | 0:18:09 | 0:18:11 | |
'displayed remarkable psychic abilities. | 0:18:11 | 0:18:14 | |
'Predictions and premonitions he couldn't explain. | 0:18:14 | 0:18:17 | |
'At 15, a reading by a psychic changed his life. | 0:18:17 | 0:18:21 | |
'John was told what millions have witnessed. | 0:18:21 | 0:18:24 | |
'He can reunite people in the physical world | 0:18:24 | 0:18:26 | |
'with those who have crossed over.' | 0:18:26 | 0:18:28 | |
This guy's a scam artist. He can't help us. We need professional help. | 0:18:28 | 0:18:32 | |
'He's telling me to tell you | 0:18:33 | 0:18:36 | |
'about hiding in the back right-hand corner." | 0:18:36 | 0:18:38 | |
-'Would you go back there and hide? -Yeah.' | 0:18:38 | 0:18:41 | |
It's very emotional when he contacts the dead relatives. | 0:18:41 | 0:18:45 | |
Especially a wife whose husband died young. | 0:18:45 | 0:18:48 | |
-Hi, Mum. -Hi, Aunty. | 0:18:50 | 0:18:54 | |
Linda, beti. | 0:18:54 | 0:18:55 | |
-Namaste, Aunty. -Oh, you've come. Come, come. | 0:18:55 | 0:18:58 | |
If her daughter had that body we wouldn't be in this problem. | 0:19:02 | 0:19:05 | |
MUFFLED | 0:19:05 | 0:19:07 | |
I'm totally transformed. I am no longer Linda. | 0:19:07 | 0:19:09 | |
-I am Gitali. -Huh? | 0:19:09 | 0:19:12 | |
-It means "melodious one". -It also means you've lost the plot. | 0:19:14 | 0:19:18 | |
You went to India and changed your name? | 0:19:18 | 0:19:21 | |
Aunty, I met a wonderful numerologist in Ritikesh. | 0:19:21 | 0:19:24 | |
He said "L" is very bad for my date of birth. | 0:19:24 | 0:19:26 | |
It's been the "L" in Linda that has been blocking me in love. | 0:19:26 | 0:19:29 | |
He said if I changed my name to begin with "G" | 0:19:29 | 0:19:32 | |
it would be very lucky for me. Hence Gitali. | 0:19:32 | 0:19:37 | |
She may be cracked, but what a figure. | 0:19:37 | 0:19:39 | |
-This is very strange. -What is? | 0:19:41 | 0:19:43 | |
The room. It's vibrating. | 0:19:44 | 0:19:47 | |
It's just the bulb going. | 0:19:47 | 0:19:49 | |
It's haunted. | 0:19:49 | 0:19:51 | |
Don't be daft. This is Ealing. | 0:19:51 | 0:19:54 | |
-There are spirits present. -Spirits? What are you on about? | 0:19:54 | 0:19:58 | |
You know I've always been psychic, right? | 0:19:58 | 0:20:01 | |
While I was at the ashram, my guru taught me how to harness my gift. | 0:20:01 | 0:20:05 | |
And now I can feel everything. | 0:20:05 | 0:20:08 | |
She has a gift. | 0:20:08 | 0:20:10 | |
She can sense us. | 0:20:10 | 0:20:12 | |
Ooh. | 0:20:12 | 0:20:14 | |
Well, let's see if she can sense this. | 0:20:16 | 0:20:19 | |
SINGS | 0:20:19 | 0:20:22 | |
It's very creepy. | 0:20:25 | 0:20:27 | |
It's like cheap cologne. | 0:20:27 | 0:20:30 | |
Ask her why we're still here. | 0:20:30 | 0:20:33 | |
-Why are these spirits here, Linda? -It's Gitali. | 0:20:33 | 0:20:37 | |
I feel, Aunty, it's to do with the murders. | 0:20:37 | 0:20:40 | |
See, she will find you out. | 0:20:40 | 0:20:43 | |
What are you trying to say? | 0:20:44 | 0:20:46 | |
When someone is murdered their spirit is unleashed. | 0:20:46 | 0:20:49 | |
It's not easy for them to move on so they hang about. | 0:20:49 | 0:20:53 | |
ALL: For how long? | 0:20:53 | 0:20:55 | |
Sometimes their souls aren't ready for the next life. | 0:20:55 | 0:20:59 | |
I'm ready right now. MUFFLED | 0:20:59 | 0:21:01 | |
How much time before we rot away and disappear completely? Ask her. | 0:21:01 | 0:21:06 | |
What has to happen for them to move on? | 0:21:06 | 0:21:08 | |
Some believe that souls of the murdered | 0:21:08 | 0:21:12 | |
can only be reincarnated | 0:21:12 | 0:21:14 | |
once the murderer is dead. | 0:21:14 | 0:21:16 | |
Oh, God help us. | 0:21:17 | 0:21:20 | |
I need a large G and T. | 0:21:21 | 0:21:23 | |
And so do you. | 0:21:23 | 0:21:24 | |
Can you not feel that? | 0:21:24 | 0:21:26 | |
So... | 0:21:29 | 0:21:30 | |
do you want to hear my big news? | 0:21:30 | 0:21:33 | |
Apart from your brain transplant with an Indian shaman? | 0:21:33 | 0:21:36 | |
Stop being so closed off. | 0:21:36 | 0:21:38 | |
Listen, do you remember before I went I had a feeling | 0:21:38 | 0:21:42 | |
that I'd find my guy on this trip? | 0:21:42 | 0:21:45 | |
Oh, my God. | 0:21:45 | 0:21:46 | |
You haven't gone and fallen for a native, have you, Linda? | 0:21:46 | 0:21:49 | |
It's Gitali. When I was at the ashram, | 0:21:49 | 0:21:51 | |
I started having these strong feelings for this one guy. | 0:21:51 | 0:21:55 | |
My guru said that I should follow my feelings because guess what? | 0:21:55 | 0:21:59 | |
Enlighten me. | 0:21:59 | 0:22:00 | |
My guru thinks I've been married to him for five past lives. | 0:22:00 | 0:22:04 | |
My numerologist gave me his initials before I'd even met him. | 0:22:04 | 0:22:08 | |
-What?! -GIGGLES HELPLESSLY | 0:22:08 | 0:22:11 | |
-Just saying. -Oh, sorry. | 0:22:12 | 0:22:14 | |
It's all right. | 0:22:14 | 0:22:15 | |
OK. What's his name, then? | 0:22:15 | 0:22:18 | |
Devinderpal Singh Chandioke. | 0:22:18 | 0:22:20 | |
Mercy! | 0:22:22 | 0:22:24 | |
He's not from some backwater remote hillside village, is he? | 0:22:24 | 0:22:28 | |
Actually, he's from Gerrards Cross. | 0:22:28 | 0:22:31 | |
DOORBELL RINGS | 0:22:33 | 0:22:36 | |
-Googly. -Namaste, Aunty. | 0:22:36 | 0:22:39 | |
-Come in. -Thank you. | 0:22:39 | 0:22:41 | |
-I hope I haven't come at a bad time. -Nonsense. You're always welcome. | 0:22:45 | 0:22:50 | |
-Here you are. -Thank you. | 0:22:51 | 0:22:54 | |
Don't really know many people in London yet. | 0:22:54 | 0:22:56 | |
-This is your home. Come, sit. -Thank you. | 0:22:56 | 0:22:59 | |
-Your necklace is caught, Aunty. -Thank you, beta. | 0:22:59 | 0:23:03 | |
It was a gift from my husband on our wedding day. | 0:23:03 | 0:23:07 | |
So, what about you, then? | 0:23:07 | 0:23:10 | |
Erm... Nothing. | 0:23:10 | 0:23:12 | |
Can't handle it right now. | 0:23:14 | 0:23:15 | |
Come on, you've got to get yourself back out there. | 0:23:15 | 0:23:18 | |
I know. It's only been six months. | 0:23:18 | 0:23:21 | |
Tej is your past. | 0:23:21 | 0:23:24 | |
And "T" and "R", hopeless together. Wish I'd known that then. | 0:23:24 | 0:23:28 | |
So who is good for "R"? | 0:23:28 | 0:23:31 | |
"D". Or "R" itself. | 0:23:31 | 0:23:35 | |
"D" for desperate. And "R" for really desperate. | 0:23:35 | 0:23:40 | |
Stop it. Be positive. | 0:23:40 | 0:23:44 | |
And do you think I'd do my own love chart and not yours? | 0:23:44 | 0:23:48 | |
-Oh, it's good to have you back. -It's good to be back. | 0:23:48 | 0:23:51 | |
-He's very handsome. -Too handsome. | 0:23:51 | 0:23:54 | |
He's way out of moto's league. | 0:23:54 | 0:23:56 | |
Nice and tall. | 0:23:56 | 0:23:59 | |
But a little...dark, no? | 0:23:59 | 0:24:01 | |
Must be from south. | 0:24:01 | 0:24:03 | |
They have very bad table manners. | 0:24:03 | 0:24:06 | |
Anything wrong, Aunty? | 0:24:09 | 0:24:11 | |
No, I just remembered that I forgot to get the green chillies. | 0:24:11 | 0:24:15 | |
You must stay for dinner. I hope you're hungry. | 0:24:15 | 0:24:18 | |
Hi, Mum. | 0:24:18 | 0:24:20 | |
Look who's here. | 0:24:20 | 0:24:21 | |
-Hey, Googs. -Hey. | 0:24:21 | 0:24:24 | |
This is my old mate Linda. | 0:24:25 | 0:24:28 | |
Pleasure to meet you. | 0:24:28 | 0:24:30 | |
Please, call me Raj. No-one has called me Googly for years. | 0:24:30 | 0:24:34 | |
Ah, Raj. | 0:24:34 | 0:24:37 | |
Oh. | 0:24:37 | 0:24:39 | |
I'm Gitali. It's my rebirth name. | 0:24:40 | 0:24:43 | |
Hello, it's only me. | 0:24:43 | 0:24:46 | |
Here it is, love. Eggless cake you like so much. | 0:24:46 | 0:24:50 | |
You shouldn't have. Thank you so much. | 0:24:50 | 0:24:54 | |
Meet our family friend Raj from Kent. He's a police officer. | 0:24:54 | 0:24:58 | |
Very good. We need a lot of protection around here. | 0:25:00 | 0:25:03 | |
You have no idea. | 0:25:03 | 0:25:04 | |
So, Raj, are you here... | 0:25:04 | 0:25:08 | |
He is so gorgeous. | 0:25:08 | 0:25:10 | |
Oh, I know. | 0:25:10 | 0:25:13 | |
And? | 0:25:13 | 0:25:16 | |
His family stayed with us when they first came to England. | 0:25:16 | 0:25:19 | |
I used to go blackberry picking with him along the canal | 0:25:19 | 0:25:22 | |
when we were kids. | 0:25:22 | 0:25:24 | |
I've seen him in his underpants. | 0:25:24 | 0:25:26 | |
So you're halfway there. | 0:25:26 | 0:25:29 | |
Are you joking? | 0:25:29 | 0:25:31 | |
He could have anyone he wants. | 0:25:31 | 0:25:34 | |
He likes you. | 0:25:34 | 0:25:36 | |
I can sense it. | 0:25:36 | 0:25:38 | |
And he's an "R". | 0:25:38 | 0:25:40 | |
So, this latest woman with the kebab skewer, she was my age. | 0:25:42 | 0:25:46 | |
Why would anyone want to murder an old lady like that? | 0:25:46 | 0:25:48 | |
We can't figure it out. | 0:25:48 | 0:25:50 | |
You're no closer to finding the killer? | 0:25:50 | 0:25:52 | |
Investigating all avenues. | 0:25:52 | 0:25:54 | |
Have you ever come across this latest victim, Manjit Kaur? | 0:25:54 | 0:25:58 | |
No. | 0:25:58 | 0:26:00 | |
I've been interviewing her family today. It's sad. | 0:26:00 | 0:26:03 | |
She was estranged from her kids. | 0:26:03 | 0:26:05 | |
All the victims have dirty laundry, | 0:26:06 | 0:26:08 | |
which makes finding a motive more complicated. | 0:26:08 | 0:26:11 | |
What kind of dirty laundry? | 0:26:11 | 0:26:14 | |
The third victim was a serial bigamist. | 0:26:14 | 0:26:16 | |
He had two wives back home in India that he abandoned. | 0:26:16 | 0:26:19 | |
You don't know my wives, you'd have run away, too. | 0:26:19 | 0:26:21 | |
And he was trying to get married to a third here. | 0:26:21 | 0:26:24 | |
-Bastard. -Shameless. | 0:26:24 | 0:26:26 | |
-The third couple made their daughter marry a man who became abusive. -What? | 0:26:26 | 0:26:31 | |
He used to hit her. | 0:26:31 | 0:26:33 | |
When she came to me for help | 0:26:33 | 0:26:35 | |
they blamed her and made her go back to him to save face. | 0:26:35 | 0:26:38 | |
It's what I told you real pillars of the community(!) | 0:26:38 | 0:26:41 | |
The only link seems to be | 0:26:43 | 0:26:44 | |
the killer clearly has cooking skills and knows their spices. | 0:26:44 | 0:26:47 | |
Oh, I'm getting a feeling. | 0:26:50 | 0:26:52 | |
I'm getting a strong feeling... | 0:26:56 | 0:26:59 | |
..about the murderer. | 0:27:00 | 0:27:02 | |
What? | 0:27:02 | 0:27:03 | |
Linda's psychic. | 0:27:03 | 0:27:06 | |
Psychic or psycho? | 0:27:06 | 0:27:07 | |
She's just learning, | 0:27:10 | 0:27:11 | |
but her guru thinks she's got a big career ahead of her. | 0:27:11 | 0:27:16 | |
I'm sensing that the murderer is full of rage and anger. | 0:27:16 | 0:27:21 | |
CURRY MAN: That's a no-brainer(!) | 0:27:21 | 0:27:23 | |
If they know so much about cooking, do they think it's a man or a woman? | 0:27:23 | 0:27:27 | |
All my feelings are non gender-specific. | 0:27:29 | 0:27:32 | |
LAUGHS | 0:27:32 | 0:27:33 | |
MYSTICAL INDIAN MUSIC STARTS UP | 0:27:33 | 0:27:36 | |
Oh, sorry. That's my phone. | 0:27:38 | 0:27:40 | |
I'll just get that. Sorry. | 0:27:41 | 0:27:43 | |
She's just got back from six weeks in India. | 0:27:43 | 0:27:46 | |
Ah, that explains it. | 0:27:46 | 0:27:48 | |
All right, love. | 0:27:48 | 0:27:50 | |
I'm making Ari brisket for dinner. Night night. | 0:27:50 | 0:27:53 | |
You have to see these old photos I found of us. | 0:27:53 | 0:27:57 | |
How long can you keep this up? | 0:28:00 | 0:28:01 | |
That was too close. You can't carry on like this. | 0:28:01 | 0:28:04 | |
And neither can we. There's only one solution. | 0:28:04 | 0:28:07 | |
You have to kill yourself. | 0:28:08 | 0:28:10 | |
'Yes, you're right, it is a baffling case. | 0:28:12 | 0:28:14 | |
'I'm joined by some members of the Asian community in Southall. | 0:28:14 | 0:28:18 | |
'When is it going to end? | 0:28:18 | 0:28:20 | |
'You tell me. I don't know what the police are doing. | 0:28:20 | 0:28:23 | |
'I think they should get their act together and comfort the public.' | 0:28:23 | 0:28:26 | |
SWITCHES TV OFF | 0:28:26 | 0:28:28 | |
What's your team playing at? | 0:28:35 | 0:28:37 | |
We've got four bodies, no leads, | 0:28:37 | 0:28:40 | |
-no suspects, nothing. -Forensics are working overtime | 0:28:40 | 0:28:43 | |
and Murthy has interviewed the whole town. | 0:28:43 | 0:28:46 | |
I've got the local paper calling us a bunch of useless wallies. | 0:28:46 | 0:28:50 | |
Community groups on my case. There's got to be a simple motive. | 0:28:50 | 0:28:54 | |
Honour killings. | 0:28:55 | 0:28:56 | |
Arranged marriage gone sour. | 0:28:56 | 0:28:58 | |
Family feud. | 0:28:58 | 0:29:00 | |
Get me a suspect! | 0:29:00 | 0:29:02 | |
-We have one, sir. -What? | 0:29:06 | 0:29:10 | |
Roopi Sethi. | 0:29:10 | 0:29:11 | |
-She has connections to each victim. -Roopi? That's impossible. | 0:29:15 | 0:29:20 | |
I ran a background check on that shelter she works in. | 0:29:20 | 0:29:23 | |
She was brought in once about an attempted murder case | 0:29:23 | 0:29:26 | |
where the wife stabbed the husband and legged it. | 0:29:26 | 0:29:29 | |
She's also been up for assault against some poor sod trying | 0:29:29 | 0:29:32 | |
to keep his marriage together. She's radical, probably a lesbian. | 0:29:32 | 0:29:36 | |
What? | 0:29:36 | 0:29:37 | |
Manjit Kaur met Roopi at the Sikh temple the day she died. | 0:29:37 | 0:29:42 | |
Roopi. | 0:29:46 | 0:29:47 | |
Hello. | 0:29:50 | 0:29:52 | |
-Sorry to disturb you at work, Roopi. -We've got some questions for you. | 0:29:52 | 0:29:55 | |
Manjit Kaur, the latest murder victim. | 0:30:04 | 0:30:07 | |
-Are you sure you didn't know her? -No, I didn't. | 0:30:07 | 0:30:11 | |
Why does her phone say she called you the day before she met you? | 0:30:11 | 0:30:15 | |
And she met you the day she died. | 0:30:15 | 0:30:17 | |
We know she went to the temple at 1,700 hours. | 0:30:18 | 0:30:21 | |
Oh, my God, it's her. | 0:30:26 | 0:30:29 | |
I met her at the temple for the first time. | 0:30:32 | 0:30:34 | |
I didn't know her name. | 0:30:34 | 0:30:35 | |
What business did she have with you at the temple? | 0:30:35 | 0:30:38 | |
She was... | 0:30:38 | 0:30:40 | |
..looking at girls for her sister's nephew. | 0:30:42 | 0:30:45 | |
So, she rejected you. Are you desperate to get married? | 0:30:45 | 0:30:49 | |
Why? You asking? | 0:30:49 | 0:30:52 | |
Oh, nice. Like your kebabs, do you? | 0:30:52 | 0:30:54 | |
You're also acquainted with Mr and Mrs Chopra. | 0:30:56 | 0:31:00 | |
I never met them. I knew their daughter. | 0:31:04 | 0:31:07 | |
The same daughter you helped run away from her husband? | 0:31:07 | 0:31:11 | |
What is this? Googs, what's going on? | 0:31:11 | 0:31:13 | |
What about this poor geezer? Did you bust his balls and all? | 0:31:13 | 0:31:16 | |
What? | 0:31:16 | 0:31:17 | |
I only met him once. At a wedding. | 0:31:19 | 0:31:22 | |
He was a rude, sexist pig. You know he's a bigamist too, right? | 0:31:22 | 0:31:26 | |
-How do you know that? -I told her. | 0:31:26 | 0:31:30 | |
Sharing information with potential suspects, Googs? | 0:31:31 | 0:31:34 | |
-Suspect?! I barely know these people. -You didn't like them. | 0:31:34 | 0:31:37 | |
-Doesn't mean I killed them. -Then why did someone? | 0:31:37 | 0:31:39 | |
I've no idea. That's your job to find out. | 0:31:39 | 0:31:43 | |
Were you not once engaged to the Chopras' nephew, Tej Chopra? | 0:31:45 | 0:31:50 | |
You got dumped, didn't you? | 0:31:54 | 0:31:55 | |
-You? A murder suspect? -'It was awful. | 0:31:59 | 0:32:03 | |
'I didn't know that woman at the temple was the last victim. | 0:32:03 | 0:32:06 | |
'How did you know her?' | 0:32:06 | 0:32:07 | |
-This is really freaking me out. -'Listen to me.' | 0:32:07 | 0:32:11 | |
She was someone I met there once. | 0:32:11 | 0:32:15 | |
Now calm down and get back to work. It'll all be over soon. | 0:32:15 | 0:32:19 | |
-This is terrible. It's all my fault. -True. | 0:32:20 | 0:32:24 | |
They're going to send Roopi to jail. | 0:32:24 | 0:32:26 | |
I... I have to confess. | 0:32:26 | 0:32:28 | |
-What? No, you can't do that. -I have to. | 0:32:28 | 0:32:31 | |
I can't let Roopi go to jail for me. | 0:32:31 | 0:32:33 | |
But if you go to jail then we all go to jail. | 0:32:33 | 0:32:35 | |
And we'll never be reincarnated. | 0:32:35 | 0:32:38 | |
She's right. | 0:32:41 | 0:32:42 | |
You have to kill yourself. | 0:32:45 | 0:32:47 | |
You leave a note confessing to the murders and then Roopi will be safe. | 0:32:47 | 0:32:50 | |
Just one more. | 0:33:03 | 0:33:05 | |
Don't make it dry. | 0:33:07 | 0:33:09 | |
MUFFLED | 0:33:09 | 0:33:11 | |
LINDA: Hello? Aunty? | 0:33:36 | 0:33:37 | |
-Oh, come on...! -You home? | 0:33:37 | 0:33:41 | |
Roopi, what are you doing home? | 0:33:41 | 0:33:44 | |
Couldn't work after that police business. | 0:33:44 | 0:33:46 | |
She called me dead upset so I brought her home. | 0:33:46 | 0:33:49 | |
-Are you feeling better now, Roops? -Yeah. Sort of. | 0:33:49 | 0:33:53 | |
Well, let's take your mind off it. | 0:33:53 | 0:33:56 | |
I've got some good news. | 0:33:56 | 0:33:58 | |
Good news? | 0:33:58 | 0:34:00 | |
I wanted you both to know first. | 0:34:00 | 0:34:02 | |
I soon will be Mrs Devinderpal Singh Chandioke. | 0:34:03 | 0:34:07 | |
BOTH: What? | 0:34:07 | 0:34:09 | |
-I'm engaged to an Indian. -How? | 0:34:09 | 0:34:12 | |
A yoga retreat in the Himalayas. | 0:34:12 | 0:34:15 | |
What? Just like that? | 0:34:15 | 0:34:17 | |
Are you nuts? You just met him. | 0:34:17 | 0:34:20 | |
Roopi, why didn't you go with Linda to India? | 0:34:20 | 0:34:23 | |
-She begged you to go with her. -Mum! | 0:34:23 | 0:34:25 | |
With all due respect, I am not going to India to find a husband. | 0:34:25 | 0:34:30 | |
That's no loss for India. | 0:34:30 | 0:34:33 | |
I can't wait for you both to meet my Dev. | 0:34:33 | 0:34:36 | |
I'm sorry, panji. SHE SOBS | 0:34:39 | 0:34:42 | |
Your daughter will find someone, too. | 0:34:42 | 0:34:44 | |
You shouldn't be surprised her friend found someone first. | 0:34:44 | 0:34:47 | |
I mean she's so slim... | 0:34:47 | 0:34:49 | |
Even her English friend can find an Indian husband. | 0:34:49 | 0:34:53 | |
Roopi will find a good man, panji. | 0:34:53 | 0:34:56 | |
Maybe she'll have to be a little less choosy. | 0:34:56 | 0:34:59 | |
I hope that she marries well, | 0:34:59 | 0:35:01 | |
but you have to eat some ladoo so we can finish this. | 0:35:01 | 0:35:03 | |
I'm so sorry to all of you. | 0:35:03 | 0:35:06 | |
I wish I could take it all back. | 0:35:06 | 0:35:09 | |
But... | 0:35:09 | 0:35:11 | |
I can't do it. | 0:35:11 | 0:35:13 | |
What? | 0:35:13 | 0:35:14 | |
I can't kill myself until... | 0:35:14 | 0:35:17 | |
..I see my daughter married, too. | 0:35:20 | 0:35:22 | |
No, no, no, no way, no deal. That may never happen. | 0:35:22 | 0:35:25 | |
MUFFLED | 0:35:25 | 0:35:27 | |
They just said she'll find a husband. | 0:35:27 | 0:35:30 | |
They said that to make you feel better. | 0:35:30 | 0:35:32 | |
Who will marry that moto? Think of the grocery bills. | 0:35:32 | 0:35:35 | |
I don't want my daughter to be all alone. | 0:35:36 | 0:35:39 | |
SHE SOBS | 0:35:39 | 0:35:41 | |
We had such a blissful time together in India. | 0:35:47 | 0:35:51 | |
As soon as we met up here, I knew it was meant to be. | 0:35:51 | 0:35:56 | |
-I haven't even met him. -You will. | 0:35:56 | 0:35:59 | |
MRS GOLDMAN: Hello? Don't mind me. | 0:35:59 | 0:36:01 | |
Picking up my cake tin from yesterday. | 0:36:01 | 0:36:03 | |
You can't change your mind. It's not fair on all of us. | 0:36:03 | 0:36:07 | |
But if I go she will have no father or mother. | 0:36:07 | 0:36:11 | |
Her younger brother can't help get her married. | 0:36:11 | 0:36:14 | |
You should have thought of that before you put air con in me. | 0:36:14 | 0:36:17 | |
Be quiet, she said sorry. Can't you understand? | 0:36:17 | 0:36:19 | |
No mother wants to die without seeing her daughter married. | 0:36:19 | 0:36:22 | |
LOUD SQUELCHES | 0:36:22 | 0:36:24 | |
Eurgh! | 0:36:24 | 0:36:26 | |
I don't think we can wait | 0:36:27 | 0:36:28 | |
for someone that desperate to come along. | 0:36:28 | 0:36:31 | |
-MUFFLED -You two shut up! | 0:36:31 | 0:36:34 | |
Only a mother can know what another mother feels. | 0:36:34 | 0:36:38 | |
-We should help her. -That's right. | 0:36:38 | 0:36:42 | |
I'm sorry, Linda. | 0:36:53 | 0:36:56 | |
I'm really happy for you. | 0:36:56 | 0:36:58 | |
It's just that... | 0:36:58 | 0:37:01 | |
this week would have been my wedding | 0:37:01 | 0:37:02 | |
had it all worked out with Tej. | 0:37:02 | 0:37:04 | |
And now you'll be having the big Indian wedding | 0:37:06 | 0:37:09 | |
that my mother always dreamed of for me. | 0:37:09 | 0:37:12 | |
And I'll never find another man who'll love me. | 0:37:12 | 0:37:16 | |
Shh. | 0:37:16 | 0:37:18 | |
Don't be crazy, Roops. | 0:37:18 | 0:37:20 | |
Of course you will. | 0:37:20 | 0:37:23 | |
I was fine about it. | 0:37:24 | 0:37:26 | |
But when that police guy brought him up, it brought it all back. | 0:37:26 | 0:37:30 | |
He was right. | 0:37:32 | 0:37:33 | |
I was dumped. | 0:37:35 | 0:37:37 | |
I didn't do anything wrong. | 0:37:37 | 0:37:38 | |
That's just it. | 0:37:38 | 0:37:40 | |
You didn't do anything wrong. | 0:37:40 | 0:37:42 | |
He just turned out to be a spineless git | 0:37:42 | 0:37:44 | |
who let his family dictate who he should marry. | 0:37:44 | 0:37:48 | |
No, let's face it. | 0:37:48 | 0:37:49 | |
I wasn't good enough. | 0:37:51 | 0:37:53 | |
And they thought he could do better. | 0:37:54 | 0:37:57 | |
And my poor mum still keeps trying to get me hooked up, | 0:37:57 | 0:38:01 | |
even though people don't want to go near me because I'm tainted goods. | 0:38:01 | 0:38:05 | |
Shh. No, it's not true. | 0:38:05 | 0:38:09 | |
GASPS What? | 0:38:10 | 0:38:12 | |
I made five ladoos. There are only four. | 0:38:14 | 0:38:17 | |
-Roopi, did you eat something? -No, Mum. | 0:38:17 | 0:38:22 | |
Oh, Mum, Mrs Goldman came by to pick something up. | 0:38:22 | 0:38:28 | |
KEBAB WOMAN: And the note. Throw the note away. | 0:38:31 | 0:38:34 | |
PANICKED CHATTER | 0:38:34 | 0:38:36 | |
-Oh. -What? | 0:38:50 | 0:38:52 | |
ALL GASP | 0:38:53 | 0:38:54 | |
Oh, no. | 0:38:54 | 0:38:56 | |
SIREN WAILS | 0:39:03 | 0:39:04 | |
I don't believe it. I just don't believe it. | 0:39:07 | 0:39:10 | |
A third granny killed in her home. | 0:39:10 | 0:39:13 | |
And this one isn't even Indian. | 0:39:13 | 0:39:15 | |
What the hell is going on here, Smythe? | 0:39:16 | 0:39:19 | |
We're analysing the Indian sweet. | 0:39:19 | 0:39:21 | |
This is another link that points to the neighbours. | 0:39:21 | 0:39:24 | |
They were close to her. Why would they kill her? | 0:39:24 | 0:39:26 | |
Leave that to me, Murthy. I need you to focus on the Sethi daughter, | 0:39:26 | 0:39:29 | |
-since you seem to be well in there. -What? | 0:39:29 | 0:39:32 | |
Murthy here has a special relationship | 0:39:32 | 0:39:35 | |
with one of my suspects, Chief. | 0:39:35 | 0:39:37 | |
Good. | 0:39:37 | 0:39:39 | |
Let's use that. You're going undercover. | 0:39:39 | 0:39:42 | |
Looks like you've got yourself a girlfriend to take care of. | 0:39:42 | 0:39:45 | |
RABBI PRAYING | 0:39:45 | 0:39:48 | |
SHOVELS DIGGING | 0:39:48 | 0:39:50 | |
Who are you people? | 0:40:31 | 0:40:34 | |
-Call this funeral attire? -It's a long story. | 0:40:34 | 0:40:37 | |
Ladies and gentlemen, please return to the prayer hall | 0:40:37 | 0:40:40 | |
for the conclusion of the service. | 0:40:40 | 0:40:42 | |
-All right, man? -I wish you long life. | 0:40:42 | 0:40:46 | |
-These folks can't see me, can they? -No. | 0:40:46 | 0:40:50 | |
-Then what am I? -A spirit. | 0:40:50 | 0:40:54 | |
-I'm a spirit. -MILO WHIMPERS | 0:40:54 | 0:40:56 | |
And Milo, too? How did we die? | 0:40:56 | 0:40:59 | |
Ask Mrs Sethi. | 0:40:59 | 0:41:02 | |
I thought they couldn't hear me. | 0:41:02 | 0:41:04 | |
-Only she can. -Why's that? | 0:41:04 | 0:41:07 | |
Better ask her yourself. Story's getting longer. | 0:41:07 | 0:41:10 | |
Poor Ari. Who'll look after my son now? | 0:41:14 | 0:41:18 | |
I will. | 0:41:18 | 0:41:19 | |
-You really can hear me. -Yes. | 0:41:21 | 0:41:25 | |
I'm sorry. | 0:41:25 | 0:41:27 | |
For what? | 0:41:27 | 0:41:28 | |
You ate a poisoned ladoo I made. | 0:41:28 | 0:41:31 | |
I'm so sorry. I didn't mean to kill you. | 0:41:31 | 0:41:34 | |
-But she meant to kill all of us. -ALL AGREE | 0:41:34 | 0:41:38 | |
-She killed all of you? -ALL: Mm-hm. | 0:41:38 | 0:41:40 | |
And me? | 0:41:40 | 0:41:41 | |
And Milo, too? | 0:41:41 | 0:41:43 | |
My goodness. | 0:41:43 | 0:41:45 | |
What's got into you, love? | 0:41:45 | 0:41:48 | |
You know how hard I've tried to find a suitable match for Roopi? | 0:41:48 | 0:41:51 | |
No mother could have done more than you. | 0:41:51 | 0:41:53 | |
They were all horrible to her. | 0:41:53 | 0:41:56 | |
And I couldn't take it any more. | 0:41:56 | 0:41:59 | |
But you shouldn't be here. | 0:41:59 | 0:42:01 | |
You were always so nice to Roopi. | 0:42:01 | 0:42:04 | |
Well, I always said your cooking was so good | 0:42:04 | 0:42:07 | |
it was going to kill me one day. | 0:42:07 | 0:42:09 | |
The poisoned ladoo was for me. | 0:42:09 | 0:42:11 | |
I was supposed to eat it and die so they could all be reincarnated. | 0:42:11 | 0:42:16 | |
Oh, that's right. You said when we die we'll be reincarnated. | 0:42:16 | 0:42:20 | |
Maybe Abe and I will come back | 0:42:20 | 0:42:21 | |
as birds flying through the sky together. | 0:42:21 | 0:42:24 | |
We always wanted to travel but he died a month after he retired. | 0:42:24 | 0:42:28 | |
No-one is flying anywhere until she's dead. | 0:42:28 | 0:42:31 | |
And she won't kill herself until her jumbo daughter is married. | 0:42:31 | 0:42:35 | |
Is this true, love? | 0:42:35 | 0:42:36 | |
I just need to know that Roopi is happily married. | 0:42:36 | 0:42:39 | |
-And Jazz? -He's a boy, it's different. | 0:42:39 | 0:42:42 | |
He's happy with his music. But his sister's not happy. | 0:42:42 | 0:42:45 | |
I don't want her to live this life alone. | 0:42:45 | 0:42:48 | |
Once she has someone then I can move on with all of you. | 0:42:48 | 0:42:51 | |
Wait a minute. This is wonderful. | 0:42:51 | 0:42:54 | |
This is our chance to do a good deed. Roopi is a lovely girl. | 0:42:56 | 0:42:59 | |
If we can help her, | 0:43:00 | 0:43:02 | |
it'll help us come back as something better in our next life. | 0:43:02 | 0:43:05 | |
I'm sure we've all done things we're not proud of. | 0:43:05 | 0:43:09 | |
She's done us a favour. She's given us another chance. | 0:43:09 | 0:43:12 | |
I still don't see why we have to help her when she killed us. | 0:43:16 | 0:43:19 | |
I for one can't bear to see Roopi cry like that again. | 0:43:19 | 0:43:22 | |
Trust me, you need good deeds fast. | 0:43:22 | 0:43:24 | |
You want to come back new and improved, don't you? | 0:43:24 | 0:43:27 | |
Maybe you'll come back and have one happy marriage for life. | 0:43:27 | 0:43:30 | |
OK, OK, if finding moto a husband is the only way we get out of here | 0:43:49 | 0:43:53 | |
then I'm in. | 0:43:53 | 0:43:55 | |
Mazel tov. | 0:43:55 | 0:43:56 | |
BHANGRA MUSIC | 0:43:56 | 0:43:58 | |
# Oh baby | 0:44:39 | 0:44:40 | |
# Don't break my heart | 0:44:40 | 0:44:42 | |
# Don't break my heart Cos I've been waiting | 0:44:42 | 0:44:45 | |
# You're listening Don't break my heart | 0:44:45 | 0:44:48 | |
# Oh baby | 0:44:48 | 0:44:49 | |
# Don't break my heart | 0:44:49 | 0:44:51 | |
# Don't break my heart Cos I've been waiting | 0:44:51 | 0:44:55 | |
# For a long, long time | 0:44:55 | 0:44:57 | |
# Baby girl | 0:44:57 | 0:45:00 | |
# Baby girl | 0:45:00 | 0:45:02 | |
# Baby | 0:45:02 | 0:45:03 | |
# You're listening Don't break my heart | 0:45:03 | 0:45:07 | |
# If you want to look you want to know them... # | 0:45:07 | 0:45:10 | |
OK, try to find out what kind of man she likes. | 0:45:10 | 0:45:13 | |
Don't beat about the bush, just ask her. | 0:45:13 | 0:45:15 | |
Use guilt. You're her mother, it's your right. | 0:45:15 | 0:45:18 | |
Beti, I'm just saying if you were wanting to get married... | 0:45:19 | 0:45:25 | |
Mum! | 0:45:25 | 0:45:27 | |
If we're going to go on walks together it's a marriage-free zone. | 0:45:27 | 0:45:31 | |
Ask me about work. | 0:45:31 | 0:45:33 | |
Where I want to travel. | 0:45:33 | 0:45:34 | |
Who I'm voting for. | 0:45:34 | 0:45:36 | |
Anything except for marriage all the time. | 0:45:36 | 0:45:39 | |
Of course I'd like to meet someone. | 0:45:40 | 0:45:43 | |
-I'm not as beautiful as Linda. -And that's why we're doomed. | 0:45:43 | 0:45:49 | |
You know, there's nothing wrong with being single. | 0:45:49 | 0:45:52 | |
A lot of women are happy that way their whole lives. | 0:45:52 | 0:45:54 | |
HORRIFIED GASPS | 0:45:54 | 0:45:56 | |
MUFFLED SOUNDS | 0:45:56 | 0:45:58 | |
GASPS | 0:45:59 | 0:46:00 | |
Now we are truly in purgatory. | 0:46:02 | 0:46:04 | |
Chupa. Mrs Sethi, you're worse than my wife. | 0:46:04 | 0:46:08 | |
It is your duty to find her a husband now. | 0:46:08 | 0:46:10 | |
We should go to a marriage bureau, it's the fastest way. | 0:46:10 | 0:46:13 | |
That didn't do much for our daughter. | 0:46:13 | 0:46:16 | |
I'm not going to interfere. I have told her. | 0:46:16 | 0:46:19 | |
Mum, who are you talking to? | 0:46:19 | 0:46:21 | |
I'm sorry, beti. | 0:46:23 | 0:46:25 | |
I'm listening to you. | 0:46:25 | 0:46:27 | |
Mum, I don't mean to have a go at you. | 0:46:30 | 0:46:33 | |
I just don't understand why you can't let this marriage thing go. | 0:46:33 | 0:46:37 | |
You've got to stop. You'll make yourself crazy. | 0:46:37 | 0:46:41 | |
There is only one reason I did what I did. | 0:46:43 | 0:46:45 | |
-Hmm? -I mean do what I do. | 0:46:45 | 0:46:48 | |
Roopi. | 0:46:49 | 0:46:51 | |
I want you to know the same happiness I shared with your father. | 0:46:51 | 0:46:55 | |
The way he looked after me. | 0:46:55 | 0:46:57 | |
Then how he we both felt when I held you in my arms for the first time. | 0:46:57 | 0:47:03 | |
And then your brother. | 0:47:04 | 0:47:07 | |
I don't want you to miss out on this joy. | 0:47:07 | 0:47:09 | |
You'll grow another heart with every child. | 0:47:11 | 0:47:14 | |
And there isn't anything you wouldn't do for them. | 0:47:14 | 0:47:17 | |
Mum, if you really want to know, | 0:47:22 | 0:47:26 | |
there's nothing I want more than to have a baby. | 0:47:26 | 0:47:30 | |
I dream about it all the time. | 0:47:30 | 0:47:32 | |
But my fear is that I'll never meet that right person | 0:47:34 | 0:47:37 | |
and I'll end up settling for someone. | 0:47:37 | 0:47:40 | |
Because if I don't... | 0:47:40 | 0:47:43 | |
I may never meet anyone who'll want me. | 0:47:43 | 0:47:45 | |
Chup... | 0:47:45 | 0:47:46 | |
don't even think like that. | 0:47:46 | 0:47:49 | |
That is why you should let us help you. | 0:47:49 | 0:47:51 | |
-Us? -I mean me. | 0:47:51 | 0:47:54 | |
I know a few clubs where there are always men looking for women. | 0:47:56 | 0:47:59 | |
Not the sort of men we should be looking for. | 0:47:59 | 0:48:01 | |
What about trying this shaddi.com? | 0:48:01 | 0:48:03 | |
No. Too many people on the internet | 0:48:03 | 0:48:05 | |
lying about their age and their profession. It's unsafe. | 0:48:05 | 0:48:09 | |
But I've heard of something that might work. | 0:48:09 | 0:48:12 | |
Hello, I'm Jagjit. | 0:48:17 | 0:48:18 | |
-Hi. Roopi. -KEBAB WOMAN: He's panga. | 0:48:18 | 0:48:21 | |
-Beggars can't be choosers. -SPIRITS: Next. | 0:48:21 | 0:48:24 | |
MAN LAUGHS SPIRITS: Next. | 0:48:25 | 0:48:27 | |
What year did you say you were born? | 0:48:29 | 0:48:30 | |
Why ask trick questions? No-one's good enough for her. | 0:48:30 | 0:48:33 | |
KEBAB WOMAN: He's older than you. | 0:48:33 | 0:48:35 | |
Next. | 0:48:35 | 0:48:36 | |
-RAPS: -Yo, honey girl, sweet sugar dumpling. | 0:48:36 | 0:48:39 | |
Not bad, very modern. | 0:48:39 | 0:48:42 | |
Got speed daters to my left, speed daters to my right. | 0:48:42 | 0:48:44 | |
Don't you worry about me, I'll speed date you all night. | 0:48:44 | 0:48:47 | |
SPIRITS: Next. | 0:48:47 | 0:48:48 | |
BLOWS WHISTLE | 0:48:48 | 0:48:50 | |
Hi. | 0:48:56 | 0:48:57 | |
I can see a great future for us. | 0:48:58 | 0:49:01 | |
-Should've gone to Specsavers. -SPIRITS: Next. | 0:49:01 | 0:49:03 | |
Hi. | 0:49:03 | 0:49:04 | |
I am...Dilraj. | 0:49:07 | 0:49:09 | |
Poor little chap. | 0:49:11 | 0:49:12 | |
SPIRITS: Next! | 0:49:14 | 0:49:15 | |
Hi. | 0:49:18 | 0:49:19 | |
What are you doing here, Googs? | 0:49:19 | 0:49:21 | |
I guess we all have to bite the bullet and try to please our folks. | 0:49:21 | 0:49:24 | |
It doesn't matter how proud they are I'm a police officer, | 0:49:24 | 0:49:28 | |
they keep asking the same question. | 0:49:28 | 0:49:30 | |
This isn't any more surreal than the last time we met. | 0:49:30 | 0:49:33 | |
I am sorry for coming to your refuge like that. | 0:49:33 | 0:49:36 | |
I do hope that young woman you were helping is OK now. | 0:49:36 | 0:49:40 | |
She's getting there. Thanks. | 0:49:40 | 0:49:42 | |
But your partner is a right tosser. | 0:49:44 | 0:49:47 | |
He's not actually my partner. | 0:49:47 | 0:49:49 | |
Unfortunately, I didn't get to pick him. | 0:49:49 | 0:49:52 | |
It was arranged. | 0:49:52 | 0:49:54 | |
She's found a match. | 0:50:02 | 0:50:04 | |
Googly. | 0:50:04 | 0:50:05 | |
He's perfect. It's fate bringing them together. | 0:50:05 | 0:50:09 | |
He's a little dark, though. And he's not a Sikh, he's a Hindu. | 0:50:09 | 0:50:12 | |
-That is close enough. -He's breathing, he'll do. | 0:50:12 | 0:50:15 | |
You put yourself through this nightmare | 0:50:15 | 0:50:17 | |
-and you still haven't found anyone. -I did. | 0:50:17 | 0:50:20 | |
-I cheated. I knew her before. -Huh? | 0:50:20 | 0:50:23 | |
Will you have dinner with me? | 0:50:23 | 0:50:25 | |
MUSIC: "Wonderful Life" by Black | 0:50:25 | 0:50:30 | |
He's funny. | 0:50:33 | 0:50:35 | |
# Here I go | 0:50:45 | 0:50:48 | |
# Out to sea again | 0:50:48 | 0:50:50 | |
# The sunshine fills my hair | 0:50:50 | 0:50:54 | |
# And dreams hang in the air | 0:50:56 | 0:50:59 | |
# Gulls in the sky And in my blue eyes | 0:51:02 | 0:51:08 | |
# You know it feels unfair | 0:51:08 | 0:51:11 | |
# There's magic everywhere | 0:51:13 | 0:51:16 | |
# Look at me standing | 0:51:20 | 0:51:23 | |
# Here on my own again | 0:51:24 | 0:51:27 | |
# Up straight in the sunshine | 0:51:28 | 0:51:35 | |
# No need to run | 0:51:35 | 0:51:38 | |
# And hide | 0:51:38 | 0:51:39 | |
# It's a wonderful, wonderful life | 0:51:39 | 0:51:43 | |
# No need to laugh | 0:51:43 | 0:51:46 | |
# And cry | 0:51:46 | 0:51:48 | |
# It's a wonderful wonderful life... # | 0:51:48 | 0:51:52 | |
SAXOPHONE SOLO | 0:51:54 | 0:51:56 | |
She shouldn't drink in front of him. Very bad. | 0:52:05 | 0:52:07 | |
She certainly shouldn't eat, it'd scare anyone. | 0:52:07 | 0:52:10 | |
# ..I need a friend | 0:52:12 | 0:52:15 | |
# Oh, I need a friend | 0:52:15 | 0:52:17 | |
# To make me happy | 0:52:17 | 0:52:20 | |
# Not so alone | 0:52:23 | 0:52:29 | |
# Look at me here | 0:52:29 | 0:52:32 | |
# Here on my own again | 0:52:34 | 0:52:37 | |
# Up straight in the sunshine | 0:52:37 | 0:52:44 | |
# No need to run | 0:52:44 | 0:52:46 | |
# And hide | 0:52:47 | 0:52:49 | |
# It's a wonderful, wonderful Life | 0:52:49 | 0:52:53 | |
# No need to laugh and cry... # | 0:52:53 | 0:52:57 | |
-Hi, Roopi. -MUSIC CUTS OUT | 0:52:57 | 0:52:59 | |
Hi. Tej. | 0:53:01 | 0:53:04 | |
Roopi, this is... This is Karishma. | 0:53:06 | 0:53:09 | |
-And how do you two know each other? -We used to work together. | 0:53:09 | 0:53:13 | |
Sorry I'm late, darling. | 0:53:16 | 0:53:18 | |
This is Tej. And... | 0:53:21 | 0:53:24 | |
MUSIC RESUMES | 0:53:27 | 0:53:30 | |
# ..No need to run | 0:53:30 | 0:53:33 | |
# And hide | 0:53:33 | 0:53:35 | |
# It's a wonderful, wonderful life | 0:53:35 | 0:53:39 | |
# No need to laugh | 0:53:39 | 0:53:41 | |
# And cry It's a wonderful, wonderful... # | 0:53:41 | 0:53:44 | |
Good evening. # ..Wonderful life. # | 0:53:44 | 0:53:49 | |
Damn, she got lucky. | 0:53:49 | 0:53:52 | |
-Sorry? -Nothing. | 0:53:52 | 0:53:54 | |
I'm telling you, sir, it's not Roopi Sethi. | 0:53:58 | 0:54:02 | |
-How can you be sure? -I spent weeks with her. | 0:54:02 | 0:54:04 | |
There's no way she's the murderer. No motive, no evidence, nothing. | 0:54:04 | 0:54:08 | |
You can't rule her out just because you fancy her, Murthy. | 0:54:08 | 0:54:11 | |
Forensics found a small hair in the sweet Mrs Goldman was eating. | 0:54:11 | 0:54:14 | |
We need a DNA sample from Roopi now. Can I have a word, Chief? | 0:54:14 | 0:54:18 | |
-MURTHY: Namaste, Aunty. MRS SETHI: -Namaste. | 0:54:25 | 0:54:28 | |
We're not going to be late. I've got three new cases at work tomorrow. | 0:54:28 | 0:54:31 | |
-You all enjoy. Have a nice time. -Thank you. | 0:54:31 | 0:54:35 | |
I've left my phone. | 0:54:35 | 0:54:36 | |
-KEBAB WOMAN: That top is too low. CURRY MAN: -She's looking damn hot. | 0:54:36 | 0:54:40 | |
-LINDA: -I could murder a pizza. | 0:54:40 | 0:54:42 | |
KEBAB WOMAN: Why does she have to show everything? | 0:54:46 | 0:54:49 | |
-MRS GOLDMAN: -She looks nice. | 0:54:49 | 0:54:51 | |
I am totally serious. | 0:55:03 | 0:55:04 | |
I can read foreheads. | 0:55:04 | 0:55:06 | |
Does it work... | 0:55:15 | 0:55:17 | |
if you've had botox? | 0:55:17 | 0:55:19 | |
Does my forehead look big in this? | 0:55:25 | 0:55:27 | |
-SNIGGERS -OK. | 0:55:27 | 0:55:29 | |
Tense. | 0:55:31 | 0:55:33 | |
You both are not very good at being straight. | 0:55:35 | 0:55:38 | |
Are you saying Googly's a bent copper? | 0:55:38 | 0:55:40 | |
It's Raj, Roops, Raj. | 0:55:40 | 0:55:42 | |
I'm not saying he's bent, but I am seeing something. | 0:55:44 | 0:55:48 | |
What? | 0:55:50 | 0:55:52 | |
What can you see? | 0:55:52 | 0:55:53 | |
Are you hiding something from us? | 0:55:56 | 0:55:58 | |
Well, yeah, we can't go revealing all to you women. | 0:55:59 | 0:56:02 | |
Where's the romance in that? | 0:56:02 | 0:56:04 | |
OK. I admit it. | 0:56:07 | 0:56:10 | |
I have had botox. | 0:56:10 | 0:56:12 | |
Wine? | 0:56:18 | 0:56:19 | |
So, Dev, your families seem to have hit it off well. | 0:56:23 | 0:56:26 | |
Actually, it was perfect. | 0:56:26 | 0:56:28 | |
We're all looking forward to the engagement party. | 0:56:29 | 0:56:32 | |
Dev's parents are putting up a huge marquee in the garden. | 0:56:32 | 0:56:36 | |
And we've set a date for the wedding. | 0:56:36 | 0:56:39 | |
Spring wedding. | 0:56:39 | 0:56:41 | |
We've discussed a spring wedding. We love... | 0:56:41 | 0:56:45 | |
Dev, honey. Remember what our charts recommend? | 0:56:45 | 0:56:49 | |
Wedding day. 14th March, 11:45am GMT. | 0:56:49 | 0:56:56 | |
The charts also say I should give up meat and shave my head | 0:56:57 | 0:57:03 | |
so our marriage will be auspicious, but that's a lot to ask, darling. | 0:57:03 | 0:57:07 | |
I need to use the ladies'. | 0:57:15 | 0:57:17 | |
-ROOPI: -Ahem! | 0:57:22 | 0:57:24 | |
Excuse me. | 0:57:25 | 0:57:26 | |
(Why are you pushing so hard, Linda?) | 0:57:31 | 0:57:35 | |
I've asked you a thousand times. Please stop calling me Linda. | 0:57:35 | 0:57:38 | |
I'm Gitali. My luck won't work if you don't use the "G". | 0:57:38 | 0:57:42 | |
But you're forcing it. | 0:57:42 | 0:57:44 | |
What happened to the carefree ballsy girl I used to know? | 0:57:44 | 0:57:47 | |
-He's my destiny. -Linda... | 0:57:47 | 0:57:49 | |
Look, I'm not going to be stuck as Assistant Head of Human Resources | 0:57:49 | 0:57:53 | |
at Ealing Town Hall for the rest of my life. | 0:57:53 | 0:57:56 | |
He just needs a little bit of prodding. | 0:57:56 | 0:57:59 | |
-DEV: -Waiter. | 0:58:01 | 0:58:03 | |
The Barolo. This no good. | 0:58:03 | 0:58:06 | |
You miss two episodes and it has all changed. | 0:58:16 | 0:58:19 | |
-The brothers look different. -She killed the brother. | 0:58:19 | 0:58:22 | |
-MRS SETHI: -'I think his wife is in on it. | 0:58:22 | 0:58:25 | |
'But nobody else.' | 0:58:25 | 0:58:26 | |
Wife? Don't say we've missed one. | 0:58:26 | 0:58:29 | |
Get back out there, see if she's still on her own. | 0:58:29 | 0:58:33 | |
DRAMATIC MUSIC ON TV | 0:58:41 | 0:58:46 | |
It's so sad. | 0:58:48 | 0:58:50 | |
You watch this for fun?! | 0:58:50 | 0:58:52 | |
I know who did it. | 0:58:54 | 0:58:56 | |
-MRS SETHI: -'"I know who did it.' | 0:58:58 | 0:59:00 | |
She's on her own watching telly. I can see her from the window. | 0:59:05 | 0:59:09 | |
If she's on her own, who's she talking to? | 0:59:12 | 0:59:14 | |
She's a nutter. | 0:59:14 | 0:59:16 | |
Talks to herself all the time. | 0:59:16 | 0:59:18 | |
Oh, my God. | 0:59:23 | 0:59:24 | |
ALL SCREAM | 0:59:25 | 0:59:27 | |
LAUGHS UPROARIOUSLY | 0:59:29 | 0:59:32 | |
What are you doing? | 0:59:32 | 0:59:35 | |
-I'm DJ-ing this private party. -Why don't you get a proper job? | 0:59:35 | 0:59:39 | |
When are you going to get some responsibility? | 0:59:39 | 0:59:42 | |
You're sounding like a broken record. | 0:59:42 | 0:59:44 | |
Can I count on you to look after your sister when I'm gone? | 0:59:44 | 0:59:48 | |
Why are you talking like that, Mum? | 0:59:48 | 0:59:51 | |
What are you worried about? You're as strong as an ox. | 0:59:51 | 0:59:54 | |
If I die tomorrow, will you look after your sister? | 0:59:58 | 1:00:02 | |
You're scaring me now, Mum. | 1:00:03 | 1:00:05 | |
I'm going to be late tonight, so if you need anything call my mobile. | 1:00:05 | 1:00:09 | |
-Come sit down. -THUNDERCLAPS | 1:00:13 | 1:00:16 | |
MURTHY: It's like a monsoon. Roops, seriously, wait. | 1:00:29 | 1:00:32 | |
LAUGHTER AND SQUEALING | 1:00:32 | 1:00:34 | |
Hey, Mum. | 1:00:36 | 1:00:37 | |
So wet. | 1:00:38 | 1:00:39 | |
SCREAMS | 1:00:42 | 1:00:43 | |
-LINDA: -Aunty. | 1:00:45 | 1:00:46 | |
Your aura has got so dark. | 1:00:48 | 1:00:50 | |
I feel five spirits around you. I'm going to remove them. | 1:00:53 | 1:00:57 | |
SMYTHE: Five murders, five spirits. I knew it. There's a connection. | 1:00:58 | 1:01:03 | |
I'm going to do a spiritual cleansing. | 1:01:03 | 1:01:06 | |
Dev, move the table. Move it. | 1:01:06 | 1:01:09 | |
-Don't do this, Linda. -It's OK. | 1:01:09 | 1:01:11 | |
What's a cleansing? | 1:01:11 | 1:01:13 | |
-She's going to remove us. -Do you think she'll help us move on? | 1:01:13 | 1:01:16 | |
-Could be, could be. -Yes. | 1:01:16 | 1:01:18 | |
KEBAB WOMAN: God, forgive my mistakes. | 1:01:22 | 1:01:24 | |
I became bitter because my mother-in-law was the same to me. | 1:01:24 | 1:01:28 | |
Please, bring me back as a cat that never has to lift a finger. | 1:01:28 | 1:01:32 | |
This is it, we are leaving. | 1:01:32 | 1:01:35 | |
ROLLING PIN WOMAN: Wait, don't leave without me. | 1:01:35 | 1:01:37 | |
Please, God, give me good sperm in the next life | 1:01:37 | 1:01:40 | |
so my wife won't leave again. | 1:01:40 | 1:01:42 | |
LINDA CHANTS | 1:01:42 | 1:01:45 | |
RUMBLING YELLING | 1:01:49 | 1:01:51 | |
-MRS GOLDMAN: -There's a good boy. | 1:02:03 | 1:02:05 | |
Stop it. You're upsetting Mum. | 1:02:11 | 1:02:13 | |
-I am sorry. -Why are you sorry, Mum? | 1:02:16 | 1:02:20 | |
Why haven't the DNA results come back from the lab yet? | 1:02:38 | 1:02:41 | |
You can't rush forensics. | 1:02:41 | 1:02:43 | |
-See ya, Guv. -Ta-ra. | 1:02:43 | 1:02:45 | |
I only got that evidence to prove Roopi isn't the murderer. | 1:02:45 | 1:02:48 | |
We need to start looking at other suspects. | 1:02:48 | 1:02:50 | |
What do you think we've been doing? 500 interviews and not a bean. | 1:02:50 | 1:02:54 | |
My arse is on the line and so's yours. | 1:02:54 | 1:02:56 | |
We know the murderer cooks, Roopi hates cooking. | 1:02:56 | 1:02:59 | |
She won't even make chapatis. | 1:02:59 | 1:03:00 | |
She sees it as a symbol of women's oppression. | 1:03:00 | 1:03:03 | |
And the rest of the family? | 1:03:03 | 1:03:04 | |
Brother's a waster. He's harmless, no motive. | 1:03:04 | 1:03:06 | |
-What about the mother? -You are joking? | 1:03:06 | 1:03:10 | |
Women like Aunty couldn't hurt a fly. | 1:03:10 | 1:03:12 | |
We can't stop investigating this family. | 1:03:12 | 1:03:14 | |
They knew all the victims. We've got nothing else. | 1:03:14 | 1:03:18 | |
Keep seeing Roopi. | 1:03:18 | 1:03:20 | |
Go to that engagement party. | 1:03:20 | 1:03:22 | |
Wear a wire. She's bound to let something slip. | 1:03:22 | 1:03:26 | |
I'm bringing the mother in. | 1:03:26 | 1:03:28 | |
So... | 1:03:31 | 1:03:32 | |
-..we've been watching you, Mrs Sethi. -Why would you be watching me, sir? | 1:03:33 | 1:03:38 | |
It's odd that your family happens to know all the murder victims. | 1:03:38 | 1:03:43 | |
Say you didn't know all of them. | 1:03:43 | 1:03:46 | |
I didn't know all of them, sir. | 1:03:46 | 1:03:48 | |
Where were you on Friday, February 6th? | 1:03:48 | 1:03:51 | |
The night Mr and Mrs Chopra were killed. | 1:03:51 | 1:03:54 | |
Stay calm. My sister Rita Juj was having a party in Stanmore. | 1:03:54 | 1:03:58 | |
Say you were there. | 1:03:58 | 1:04:00 | |
I was in Stanmore at a party given by Ritu Juj. | 1:04:00 | 1:04:02 | |
What about Wednesday February 18th? The night Manjit Kaur was murdered. | 1:04:07 | 1:04:12 | |
KEBAB WOMAN: You were out shopping at B&Q. | 1:04:12 | 1:04:14 | |
I was shopping at B&Q off the Hayes bypass. | 1:04:16 | 1:04:20 | |
On Wednesday they give ten% discount to seniors. | 1:04:20 | 1:04:23 | |
What did you buy? | 1:04:23 | 1:04:24 | |
NAAN MAN: Say nothing, or they will check receipts. | 1:04:24 | 1:04:27 | |
Go on. | 1:04:28 | 1:04:29 | |
What did you buy? | 1:04:31 | 1:04:33 | |
-MRS GOLDMAN: -Say you were looking for a clothes dryer. | 1:04:34 | 1:04:37 | |
£19.99, steel finish, but they were out of stock. | 1:04:37 | 1:04:39 | |
Nothing. | 1:04:39 | 1:04:41 | |
I was looking for a clothes dryer, steel finish. | 1:04:41 | 1:04:43 | |
But they were out of stock. | 1:04:43 | 1:04:45 | |
-CURRY MAN: -OK, but they won't be fooled for ever. | 1:04:45 | 1:04:47 | |
Murthy has to marry Roopi or we have to find another plan. | 1:04:47 | 1:04:52 | |
And fast. | 1:04:52 | 1:04:54 | |
BHANGRA MUSIC | 1:04:54 | 1:04:57 | |
RHYTHMIC CLAPPING | 1:05:00 | 1:05:02 | |
Oi, garcon. | 1:05:51 | 1:05:53 | |
Thank you. | 1:05:53 | 1:05:54 | |
You sure this is cool, bruv? | 1:05:54 | 1:05:55 | |
This is what they do in the villages | 1:05:55 | 1:05:57 | |
when they want the families to laugh with each other. | 1:05:57 | 1:06:00 | |
-Ganja pakoras. -Wee pakora. | 1:06:00 | 1:06:03 | |
Don't mind if I do. Thank you very much. | 1:06:03 | 1:06:05 | |
You're welcome, sexy. | 1:06:05 | 1:06:07 | |
-Another one? -Go on then. Might as well. | 1:06:11 | 1:06:14 | |
Engagement day. | 1:06:14 | 1:06:16 | |
APPLAUSE AND DRUMMING | 1:06:23 | 1:06:26 | |
LINDA SCREAMS | 1:07:10 | 1:07:11 | |
Oh, my God, she's freaking out. | 1:07:15 | 1:07:17 | |
What's happened? | 1:07:18 | 1:07:19 | |
-She saw us. -Eh? | 1:07:19 | 1:07:22 | |
-CURRY MAN: -She sensed my energy. | 1:07:22 | 1:07:24 | |
-I've still got it. -Could she see us? | 1:07:24 | 1:07:26 | |
-Can you not see that? -The drummers? | 1:07:29 | 1:07:33 | |
Look. | 1:07:33 | 1:07:35 | |
I'm going to go and get Mum. | 1:07:37 | 1:07:39 | |
-Mrs Sethi? -Where's she gone? | 1:07:39 | 1:07:42 | |
-Jazz, have you seen Mum? -No. | 1:07:43 | 1:07:46 | |
-Why's Linda freaking out? -Probably one of my ganja pakoras. | 1:07:46 | 1:07:50 | |
-You didn't! Did you? -Yeah. | 1:07:50 | 1:07:52 | |
You idiot. Googs is here. He's a cop, you know. | 1:07:52 | 1:07:56 | |
Throw the rest away. | 1:07:57 | 1:07:58 | |
Ooh, sorry. | 1:08:05 | 1:08:07 | |
Dev, come on. | 1:08:08 | 1:08:09 | |
Chillax, Aunty. It's all good vibes. | 1:08:09 | 1:08:13 | |
It was my stupid brother's fault. He made bhang pakoras. | 1:08:13 | 1:08:16 | |
Ganja? | 1:08:16 | 1:08:18 | |
Let's get you some air. | 1:08:20 | 1:08:22 | |
Did you see the look on Aunty's face? | 1:08:24 | 1:08:28 | |
Have a seat, come here. | 1:08:32 | 1:08:33 | |
It's all right, don't worry. | 1:08:37 | 1:08:39 | |
Oh, no. Do you feel sick? | 1:08:39 | 1:08:42 | |
Yeah. | 1:08:44 | 1:08:45 | |
-But it's not the pakoras. -What? | 1:08:47 | 1:08:49 | |
I think I'm making a terrible mistake. | 1:08:49 | 1:08:52 | |
Here, today, with all of this. | 1:08:52 | 1:08:55 | |
Jeez. You're just realising this now? | 1:08:55 | 1:08:58 | |
I've been thinking it for weeks. | 1:08:58 | 1:09:01 | |
-I hoped it was just nerves. -It probably is. | 1:09:01 | 1:09:04 | |
The ganja's not helping. | 1:09:04 | 1:09:06 | |
Gitali is not my soulmate. | 1:09:09 | 1:09:11 | |
I think you are. | 1:09:14 | 1:09:16 | |
Dev, what are you doing? | 1:09:16 | 1:09:18 | |
I don't know. I'm sorry. | 1:09:18 | 1:09:21 | |
-It just felt so right. -Why did you agree to marry Linda? | 1:09:21 | 1:09:24 | |
Typical bullshit. I was worried I was getting past it. | 1:09:24 | 1:09:27 | |
Pressure from my folks. I really did like her at first in India. | 1:09:27 | 1:09:31 | |
But she's changed. | 1:09:31 | 1:09:34 | |
I feel more connected to you just in these last few weeks. | 1:09:34 | 1:09:38 | |
KEBAB WOMAN: Yes! | 1:09:38 | 1:09:39 | |
Here's our plan B. She has two husband options now. | 1:09:39 | 1:09:42 | |
Oh my God, Dev. You're a "D". | 1:09:42 | 1:09:45 | |
-Linda was right. -Don't start on that. | 1:09:45 | 1:09:49 | |
Just be real. | 1:09:49 | 1:09:51 | |
Look at the two of us. | 1:09:51 | 1:09:54 | |
We always get on. | 1:09:54 | 1:09:55 | |
You make me laugh. | 1:09:55 | 1:09:57 | |
We're both Punjabis. | 1:09:57 | 1:09:59 | |
It's the perfect match. | 1:09:59 | 1:10:02 | |
-You really feel that? -Yeah. | 1:10:02 | 1:10:04 | |
My folks, they really like her. | 1:10:06 | 1:10:09 | |
Even like the fact that she's English. | 1:10:09 | 1:10:11 | |
-Because she's beautiful. -And I'm not. | 1:10:11 | 1:10:13 | |
Yeah. No! | 1:10:13 | 1:10:15 | |
I mean I don't care... what you look like. | 1:10:15 | 1:10:20 | |
OK, forget that husband option. | 1:10:22 | 1:10:26 | |
Why say all this now? | 1:10:26 | 1:10:28 | |
You think I'm going to throw myself at some guy | 1:10:28 | 1:10:30 | |
who's going to break my best friend's heart? | 1:10:30 | 1:10:33 | |
INDISTINCT RECORDING PLAYS | 1:10:33 | 1:10:36 | |
'You think I'm going to throw myself at some guy | 1:10:36 | 1:10:39 | |
'who's going to break my best friend's heart?' | 1:10:39 | 1:10:42 | |
What is happening? | 1:10:42 | 1:10:43 | |
Googs. | 1:10:45 | 1:10:47 | |
What are you doing? | 1:10:48 | 1:10:49 | |
My iPhone's acting up. It turned itself on. | 1:10:49 | 1:10:53 | |
Why are you recording my conversation? | 1:10:53 | 1:10:55 | |
There goes the other husband option. | 1:10:55 | 1:10:57 | |
No, I wasn't. I had to make a phone call. | 1:10:57 | 1:11:01 | |
Are you still investigating me? | 1:11:01 | 1:11:03 | |
Roopi, let me explain. | 1:11:03 | 1:11:05 | |
You are. You're here undercover. Bugging my conversations. | 1:11:05 | 1:11:11 | |
And I thought we were actually having a nice time together. | 1:11:16 | 1:11:18 | |
How stupid am I? | 1:11:18 | 1:11:21 | |
-I was having a nice time. -Stop it. | 1:11:21 | 1:11:24 | |
I really thought my luck had changed. | 1:11:27 | 1:11:30 | |
I thought I'd been through all the humiliation I possibly could. | 1:11:32 | 1:11:36 | |
You've taken it to an all-time low. | 1:11:36 | 1:11:39 | |
Thank you... | 1:11:39 | 1:11:42 | |
for reminding me that the only way someone like you | 1:11:42 | 1:11:45 | |
would ever go out with me is if he was forced to. | 1:11:45 | 1:11:47 | |
Roopi, wait. I don't want to marry Linda, I want to marry YOU! | 1:11:55 | 1:11:59 | |
EVERYONE GASPS | 1:11:59 | 1:12:00 | |
MUSIC DIES OUT | 1:12:03 | 1:12:04 | |
ROOM FALLS SILENT | 1:12:07 | 1:12:08 | |
-YELLS: -No! | 1:12:17 | 1:12:18 | |
It's not true. | 1:12:18 | 1:12:20 | |
No! | 1:12:20 | 1:12:21 | |
So is this why you didn't want to set a wedding date? | 1:12:23 | 1:12:26 | |
Gitali, please. | 1:12:26 | 1:12:28 | |
Numerologist. Our charts, our foreheads, it's all just rubbish. | 1:12:31 | 1:12:35 | |
Maybe we make our own fate. | 1:12:37 | 1:12:40 | |
I'm sorry. | 1:12:40 | 1:12:42 | |
-No, ma'am, please. -Linda. What are you doing? | 1:12:49 | 1:12:53 | |
No. He's not worth it. | 1:12:53 | 1:12:56 | |
Don't do this. Just hand it back to me. Linda. | 1:12:56 | 1:12:59 | |
Gitali. | 1:13:00 | 1:13:02 | |
Maybe we could sit down. | 1:13:02 | 1:13:04 | |
Have a drink, talk about this, huh? | 1:13:04 | 1:13:07 | |
No, Gitali. | 1:13:09 | 1:13:11 | |
Give... Give me the bowl. | 1:13:11 | 1:13:13 | |
Give me the bowl, Gitali. | 1:13:13 | 1:13:16 | |
Give me the bowl. Give me this. | 1:13:16 | 1:13:18 | |
EVERYONE EXCLAIMS | 1:13:21 | 1:13:23 | |
REVERBERATING SCREAM | 1:13:34 | 1:13:39 | |
DEEP RUMBLING | 1:13:41 | 1:13:47 | |
THUNDERCLAPS SCREAMING | 1:13:47 | 1:13:51 | |
Stop, Linda! | 1:13:53 | 1:13:56 | |
CORKS POPPING | 1:14:10 | 1:14:14 | |
ELECTRICAL PULSING | 1:15:00 | 1:15:03 | |
SPIRITS SCREAM | 1:15:03 | 1:15:09 | |
-DEV: -No, Gitali. | 1:15:42 | 1:15:44 | |
SPIRITS SIGH AND GROAN | 1:15:53 | 1:15:56 | |
-LINDA: -ROOPI! | 1:15:59 | 1:16:03 | |
It's OK. | 1:16:05 | 1:16:07 | |
He's not the one for you. | 1:16:09 | 1:16:11 | |
He's not good enough for my best mate Linda. | 1:16:11 | 1:16:14 | |
Gitali. | 1:16:14 | 1:16:15 | |
It's Linda. | 1:16:19 | 1:16:21 | |
I'm Linda. | 1:16:23 | 1:16:25 | |
-Yeah. -I'm Linda. -Linda. | 1:16:25 | 1:16:27 | |
MAN: Has she stopped? | 1:16:43 | 1:16:44 | |
-Feel a bit better now. -Mm. | 1:16:46 | 1:16:48 | |
I could really do with a bath, actually. | 1:16:48 | 1:16:51 | |
It's a real mess in here, innit? | 1:16:52 | 1:16:54 | |
So, you got your cover blown. | 1:16:54 | 1:16:57 | |
-That's... That's genius. -Please don't take me off the team. | 1:16:57 | 1:17:01 | |
Too late. Smythe's already done it. I need answers. | 1:17:01 | 1:17:05 | |
You let your feelings get in the way. | 1:17:05 | 1:17:07 | |
I'm going after Roopi now, like we should have done from the start. | 1:17:07 | 1:17:10 | |
Why don't we have the DNA results? They'd prove Roopi's innocence. | 1:17:10 | 1:17:14 | |
We've had them for days, they're negative. | 1:17:14 | 1:17:16 | |
What? | 1:17:16 | 1:17:18 | |
Don't go over there, Murthy. | 1:17:23 | 1:17:25 | |
Because the DNA didn't match doesn't mean she's not the murderer. | 1:17:25 | 1:17:29 | |
-You'll compromise our case. -You should have told me. | 1:17:29 | 1:17:32 | |
I couldn't trust you. | 1:17:32 | 1:17:34 | |
You put her before the investigation. | 1:17:34 | 1:17:36 | |
He loves her. He's come back for her. | 1:17:43 | 1:17:46 | |
Googly? | 1:17:49 | 1:17:50 | |
Namaste, Aunty. I have to talk to Roopi. | 1:17:50 | 1:17:52 | |
Well done. | 1:17:52 | 1:17:54 | |
-Yes, come in. She's inside. -Thank you. | 1:17:54 | 1:17:58 | |
Let them work it out. | 1:17:59 | 1:18:02 | |
-CURRY MAN: -What's he up to? | 1:18:02 | 1:18:04 | |
Don't let him get in the way. | 1:18:06 | 1:18:08 | |
-KEBAB WOMAN: What's he doing, huh? -Mr Nasty. | 1:18:08 | 1:18:11 | |
-I don't trust him. -He's up to something. | 1:18:11 | 1:18:15 | |
What's he looking for? | 1:18:17 | 1:18:20 | |
He's going in the back. | 1:18:20 | 1:18:23 | |
ROLLING PIN WOMAN: Come quickly. | 1:18:26 | 1:18:28 | |
What are you doing? | 1:18:41 | 1:18:42 | |
This is my house. What are you doing here? | 1:18:42 | 1:18:45 | |
I'm stopping Murthy making the biggest mistake of his life. | 1:18:45 | 1:18:48 | |
-He keeps trying to protect her. -He's proposing to her. | 1:18:48 | 1:18:52 | |
Ah, good. | 1:18:52 | 1:18:54 | |
-I can't let him marry a murderer. -She's not a murderer. | 1:18:56 | 1:19:00 | |
-Now...! -Please. | 1:19:00 | 1:19:02 | |
-Now, now, Mrs Sethi. -Please let them be. | 1:19:02 | 1:19:04 | |
-Don't make me harm you. -Calm down. | 1:19:04 | 1:19:08 | |
SPIRITS GASP | 1:19:12 | 1:19:14 | |
My God. | 1:19:14 | 1:19:16 | |
It's you. | 1:19:17 | 1:19:19 | |
Put down the shears. | 1:19:21 | 1:19:23 | |
-I don't want to harm you. -Put down the shears. | 1:19:23 | 1:19:25 | |
Please. | 1:19:25 | 1:19:27 | |
HE GROANS | 1:19:29 | 1:19:30 | |
Look at that. | 1:19:36 | 1:19:37 | |
MILO BARKS | 1:19:37 | 1:19:38 | |
What happened? Where's Googly? | 1:19:41 | 1:19:44 | |
He asked me to marry him. | 1:19:44 | 1:19:46 | |
That is wonderful. | 1:19:46 | 1:19:49 | |
So why are you looking upset? | 1:19:49 | 1:19:51 | |
Because I said no. | 1:19:51 | 1:19:54 | |
-Why? -Mum! | 1:19:54 | 1:19:56 | |
He was spying on me. He wanted to arrest me. | 1:19:57 | 1:20:01 | |
Tell her it was the other one that was after her. | 1:20:01 | 1:20:03 | |
He was trying to protect her. | 1:20:03 | 1:20:05 | |
-He was only trying to protect you. -Why would you think that? | 1:20:05 | 1:20:09 | |
Because...his boss told me. | 1:20:09 | 1:20:13 | |
What? | 1:20:13 | 1:20:14 | |
When did you speak to his boss? | 1:20:14 | 1:20:17 | |
-They...took me for questioning. -What? | 1:20:19 | 1:20:24 | |
-Why, Mum? -Keep going, panji, keep going. | 1:20:24 | 1:20:26 | |
-Murthy loves her. -Anyone can see that. | 1:20:26 | 1:20:30 | |
Help her see the truth. | 1:20:30 | 1:20:32 | |
Roopi. | 1:20:35 | 1:20:37 | |
Sometimes things don't always make sense. | 1:20:37 | 1:20:40 | |
But deep inside you know what's right and what's wrong. | 1:20:40 | 1:20:44 | |
Trust me, beti. Googly is the one for you. | 1:20:44 | 1:20:47 | |
Don't let him go or you will always regret it. | 1:20:47 | 1:20:51 | |
Googs! | 1:21:05 | 1:21:07 | |
TYRES SCREECH | 1:21:09 | 1:21:10 | |
Mazel tov. | 1:21:55 | 1:21:57 | |
-JAZZ: -Mum! | 1:21:57 | 1:21:58 | |
-JAZZ: -Mum! | 1:22:00 | 1:22:01 | |
-See, even fat people can find love. -Of course. | 1:22:05 | 1:22:09 | |
-Why not? -Why not? | 1:22:09 | 1:22:10 | |
-What's all the noise about? -Your sister is getting married. | 1:22:12 | 1:22:16 | |
No way. | 1:22:16 | 1:22:17 | |
Come and see what's happening outside. | 1:22:17 | 1:22:20 | |
Cool, one minute. Stay there. | 1:22:20 | 1:22:22 | |
What's this? | 1:22:46 | 1:22:48 | |
I earned it DJ-ing. I've been saving it for Roopi's wedding. | 1:22:51 | 1:22:55 | |
Oh, my puta. | 1:22:56 | 1:22:59 | |
What are you crying for, Mum? | 1:23:04 | 1:23:06 | |
She's finally getting married. | 1:23:06 | 1:23:08 | |
MUSIC AND CHEERING | 1:23:11 | 1:23:12 | |
She looks beautiful. | 1:23:34 | 1:23:36 | |
Well, this whole thing is ridiculous. | 1:23:44 | 1:23:47 | |
I can't think of a worse motive in criminal history. | 1:23:47 | 1:23:51 | |
PEOPLE GASP CHATTER | 1:24:28 | 1:24:31 | |
Call a doctor! | 1:24:32 | 1:24:33 | |
MONITOR BEEPS | 1:24:35 | 1:24:37 | |
So, she never told you, huh? | 1:24:55 | 1:24:57 | |
-She didn't tell anyone. -It's a real shame. | 1:24:57 | 1:25:00 | |
Sadly there's not much we can do now. | 1:25:00 | 1:25:02 | |
Cancer was diagnosed months ago. | 1:25:02 | 1:25:06 | |
Why didn't you tell us, Mum? We could have got you treatment. | 1:25:06 | 1:25:09 | |
I wanted to be with my husband. | 1:25:09 | 1:25:11 | |
There's nothing left for me... | 1:25:13 | 1:25:14 | |
..except to see you find a husband... | 1:25:15 | 1:25:18 | |
as good as your father. | 1:25:18 | 1:25:21 | |
Can I speak to Mrs Sethi's children outside, please? | 1:25:21 | 1:25:24 | |
Thank you. | 1:25:26 | 1:25:27 | |
I have something for you. | 1:25:36 | 1:25:38 | |
-From the garden. -Finally. | 1:25:41 | 1:25:45 | |
Please don't tell Roopi. | 1:25:45 | 1:25:46 | |
It would kill her. | 1:25:49 | 1:25:51 | |
But you do know that you broke the law. | 1:25:55 | 1:25:59 | |
Big time. SPIRITS: We don't mind. | 1:25:59 | 1:26:01 | |
Yes, we do. She's a murderer. She deserves to be punished. | 1:26:01 | 1:26:04 | |
You be quiet. You were an accident. You killed yourself. | 1:26:04 | 1:26:07 | |
We're the real victims and do we mind? No. | 1:26:07 | 1:26:10 | |
You can't let her get away with this. | 1:26:10 | 1:26:12 | |
Roopi is like our own daughter now. Tell him, don't let her suffer. | 1:26:12 | 1:26:17 | |
She's been the best daughter, too. | 1:26:17 | 1:26:19 | |
Don't let him take away Roopi's happiness. | 1:26:19 | 1:26:21 | |
Tell him for God's sake, before she comes in. | 1:26:21 | 1:26:24 | |
NAAN MAN: Everything we did wrong you helped us put right with her. | 1:26:24 | 1:26:28 | |
I'm sorry I called her moto. | 1:26:28 | 1:26:29 | |
But you made me a much better man in death than I ever was in life. | 1:26:29 | 1:26:33 | |
Mum. What happened? | 1:26:41 | 1:26:43 | |
What did she say? | 1:26:43 | 1:26:46 | |
She said she wants me to make you the happiest woman alive. | 1:26:46 | 1:26:49 | |
I promised her I'll do everything I can to do it. | 1:26:49 | 1:26:52 | |
Mum. | 1:26:55 | 1:26:57 | |
We've been discussing with the doctor about a life support machine. | 1:26:57 | 1:27:01 | |
SPIRITS: No! | 1:27:01 | 1:27:02 | |
No, Doctor. Please let me go peacefully. I'm happy now. | 1:27:02 | 1:27:09 | |
Of course. | 1:27:09 | 1:27:10 | |
Don't be afraid, panji, it won't hurt. | 1:27:14 | 1:27:16 | |
We did it and we're all fine. | 1:27:16 | 1:27:19 | |
You'll see your husband and I'll finally get to see my Abe. | 1:27:19 | 1:27:22 | |
NAAN MAN: So you really want to come back as my wife in the next life? | 1:27:22 | 1:27:26 | |
I do. | 1:27:26 | 1:27:28 | |
All I need's another couple of lifetimes to figure out women | 1:27:28 | 1:27:31 | |
and I'll be set. | 1:27:31 | 1:27:32 | |
What's she smiling at? | 1:27:34 | 1:27:36 | |
Mum? | 1:27:41 | 1:27:42 | |
Mum? | 1:27:45 | 1:27:46 | |
MONITOR FLATLINES | 1:27:50 | 1:27:52 | |
ANGELIC MUSIC | 1:27:58 | 1:28:00 | |
MAN: Song one, take one. One, two, three, four. | 1:29:11 | 1:29:16 | |
MUSIC: "Stayin' Alive Desified" by Bally Sagoo feat. Stayin' Alive UK | 1:29:16 | 1:29:20 | |
LAUGHTER | 1:29:20 | 1:29:21 | |
# Ah, ah, ah, ah, stayin' alive Stayin' alive | 1:29:24 | 1:29:28 | |
# Ah, ah, ah, ah, stayin' alive Stayin' alive | 1:29:28 | 1:29:32 | |
# You can tell by the way I use my walk | 1:29:32 | 1:29:34 | |
# I'm a woman's man, no time to talk | 1:29:34 | 1:29:37 | |
# Music loud and women warm | 1:29:37 | 1:29:39 | |
# I've been kicked around since I was born | 1:29:39 | 1:29:41 | |
# And now it's all right, it's OK You may look the other way | 1:29:41 | 1:29:45 | |
# We can try to understand The New York Times' effect on man | 1:29:45 | 1:29:49 | |
# Whether you're a brother Or whether you're a mother | 1:29:49 | 1:29:52 | |
# You're staying alive Stayin' alive | 1:29:52 | 1:29:53 | |
# Feel the city breakin' And everybody shakin' | 1:29:53 | 1:29:56 | |
# And we're stayin' alive Stayin' alive | 1:29:56 | 1:29:58 | |
# Ah, ah, ah, ah, stayin' alive Stayin' alive | 1:29:58 | 1:30:02 | |
# Ah, ah, ah, ah, stayin' alive | 1:30:02 | 1:30:11 | |
# Well now I get low and I get high And if I can't either, I really try | 1:30:16 | 1:30:21 | |
# Got the wings of heaven on my shoes | 1:30:21 | 1:30:23 | |
# I'm a dancin' man and I just can't lose | 1:30:23 | 1:30:25 | |
# You know it's all right, it's OK I'll live to see another day | 1:30:25 | 1:30:29 | |
# We can try to understand The New York Times' effect on man | 1:30:29 | 1:30:33 | |
# Whether you're a brother Or whether you're a mother | 1:30:33 | 1:30:36 | |
# You're stayin' alive Stayin' alive | 1:30:36 | 1:30:37 | |
# Feel the city breakin' And everybody shakin' | 1:30:37 | 1:30:40 | |
# And we're stayin' alive Stayin' alive | 1:30:40 | 1:30:42 | |
# Ah, ah, ah, ah, stayin' alive Stayin' alive | 1:30:42 | 1:30:46 | |
# Ah, ah, ah, ah, stayin' alive... # | 1:30:46 | 1:30:56 | |
This is G... Guy Heeley. | 1:30:56 | 1:30:58 | |
# ..You're going nowhere | 1:31:01 | 1:31:03 | |
# Somebody help me | 1:31:03 | 1:31:06 | |
# Somebody help me, yeah | 1:31:06 | 1:31:08 | |
# I'm going nowhere Somebody help me, yeah... # | 1:31:12 | 1:31:15 | |
And to the left. And to the right. | 1:31:17 | 1:31:19 | |
# ..Oh, you can tell by the way I use my walk | 1:31:21 | 1:31:23 | |
# I'm a woman's man No time to talk | 1:31:23 | 1:31:26 | |
# Music loud and women warm... # | 1:31:26 | 1:31:27 | |
CAST AND CREW CHEER | 1:31:27 | 1:31:30 | |
# ..You know it's all right, it's OK You may look the other way | 1:31:30 | 1:31:34 | |
# We can try to understand The New York Times' effect on man | 1:31:34 | 1:31:38 | |
# Whether you're a brother Or whether you're a mother | 1:31:38 | 1:31:40 | |
# You're stayin' alive Stayin' alive | 1:31:40 | 1:31:42 | |
# Ah, ah, ah, ah, stayin' alive Stayin' alive | 1:31:42 | 1:31:47 | |
# Ah, ah, ah, ah, stayin' alive. # | 1:31:47 | 1:31:50 | |
MUSIC: "It's Love" by Mica Paris | 1:31:51 | 1:31:54 | |
# I can't believe this is happening | 1:32:02 | 1:32:07 | |
# Am I dreaming or is this real? | 1:32:07 | 1:32:10 | |
# Like the breath of spring | 1:32:10 | 1:32:13 | |
# The love you bring | 1:32:13 | 1:32:15 | |
# Boy, you rescued me | 1:32:16 | 1:32:19 | |
# Cos I was sad and lonely | 1:32:20 | 1:32:24 | |
# I lost my way | 1:32:24 | 1:32:26 | |
# Invisible but you noticed me | 1:32:26 | 1:32:29 | |
# I can't believe my dream's standing | 1:32:29 | 1:32:34 | |
# In front of me | 1:32:34 | 1:32:37 | |
# Yeah | 1:32:37 | 1:32:39 | |
# It's love | 1:32:39 | 1:32:41 | |
# Is this possible? | 1:32:41 | 1:32:43 | |
# I don't know | 1:32:43 | 1:32:46 | |
# I don't know what he sees in me | 1:32:46 | 1:32:50 | |
# I will love you | 1:32:50 | 1:32:53 | |
# In this life | 1:32:53 | 1:32:55 | |
# And I will love you for always... # | 1:32:55 | 1:32:58 |