
Browse content similar to One Touch of Venus. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
# Don't look now | 0:00:19 | 0:00:21 | |
# But my heart is showing | 0:00:21 | 0:00:24 | |
# For Venus shines tonight | 0:00:24 | 0:00:28 | |
# The planet of love is bestowing | 0:00:28 | 0:00:32 | |
# Such a bright, romantic light | 0:00:32 | 0:00:35 | |
# I wonder whose body is glowing | 0:00:35 | 0:00:39 | |
# It's Venus smiling above | 0:00:39 | 0:00:42 | |
# The Goddess of Love must be knowing | 0:00:42 | 0:00:46 | |
# That our hearts are such | 0:00:46 | 0:00:48 | |
# We're needing her touch | 0:00:48 | 0:00:51 | |
# Earth is calling for falling in love | 0:00:51 | 0:00:57 | |
# Oh, the trouble | 0:01:10 | 0:01:12 | |
# The trouble with women | 0:01:12 | 0:01:14 | |
# It dates back to no-one knows when | 0:01:14 | 0:01:18 | |
# But from Timbuktu to Kalamazoo | 0:01:18 | 0:01:23 | |
# All the trouble with women is men. # | 0:01:23 | 0:01:28 | |
HE HUMS | 0:01:47 | 0:01:50 | |
HE BANGS LOUDLY | 0:01:59 | 0:02:00 | |
Hatch! | 0:02:02 | 0:02:03 | |
Mr Hatch! | 0:02:03 | 0:02:05 | |
HE MUMBLES | 0:02:05 | 0:02:07 | |
Mr Savory wants to see you. | 0:02:07 | 0:02:09 | |
Mr Savory? | 0:02:09 | 0:02:11 | |
Oh! | 0:02:12 | 0:02:13 | |
Oh, I'm terribly sorry, Mr Crest. | 0:02:13 | 0:02:15 | |
You will be. Come on, get going. | 0:02:15 | 0:02:18 | |
Don't keep Mr Savory waiting. | 0:02:18 | 0:02:20 | |
No, sir. | 0:02:20 | 0:02:21 | |
He wants you to work in the art gallery. | 0:02:21 | 0:02:24 | |
Yes, sir. I'll get this done right now. | 0:02:24 | 0:02:27 | |
There we are. | 0:02:27 | 0:02:28 | |
Excuse me, I... | 0:02:30 | 0:02:32 | |
Oooh! | 0:02:33 | 0:02:35 | |
Hatch, get a move on! | 0:02:35 | 0:02:37 | |
There we are. | 0:02:37 | 0:02:38 | |
Now, see, it's all finished now, Mr Crest. | 0:02:38 | 0:02:41 | |
OOOWW! | 0:02:41 | 0:02:43 | |
Oh! Oh, I'm awfully sorry. | 0:02:43 | 0:02:44 | |
Did I hurt you? | 0:02:44 | 0:02:45 | |
Get going, Mr Hatch. | 0:02:45 | 0:02:46 | |
Yes, sir. Yes, sir. | 0:02:46 | 0:02:47 | |
Eddie! | 0:02:50 | 0:02:52 | |
Eddie! | 0:02:52 | 0:02:53 | |
Oh, hi, Gloria. | 0:02:53 | 0:02:55 | |
I was just up to the model home exhibit. | 0:02:55 | 0:02:57 | |
They had the darlingest kitchen. | 0:02:57 | 0:02:59 | |
All electric. Push a button, | 0:02:59 | 0:03:00 | |
and you can cook without knowing how. | 0:03:00 | 0:03:02 | |
No! I'll see you later. | 0:03:02 | 0:03:04 | |
Where you going? | 0:03:04 | 0:03:05 | |
To the fine arts department. | 0:03:05 | 0:03:07 | |
Mr Savory wants me to do a special background. | 0:03:07 | 0:03:09 | |
Mr Savory! Did he pick you? | 0:03:09 | 0:03:12 | |
It's special work. Not everybody can do it. | 0:03:12 | 0:03:15 | |
If you make a good impression, | 0:03:15 | 0:03:18 | |
he might give you a better job. | 0:03:18 | 0:03:20 | |
Well, let's talk about it some other time. | 0:03:20 | 0:03:23 | |
Oh, Eddie, | 0:03:23 | 0:03:24 | |
you do want to get married, don't you? | 0:03:24 | 0:03:26 | |
Oh, of course, Gloria. | 0:03:26 | 0:03:28 | |
I'll...I'll see you later. | 0:03:28 | 0:03:30 | |
Oh, Mr Hatch. | 0:03:49 | 0:03:51 | |
Yes, sir? | 0:03:51 | 0:03:52 | |
Oh, hello, Joe. | 0:03:52 | 0:03:54 | |
Hello, Eddie. Gloria was just up here. | 0:03:54 | 0:03:56 | |
Yeah. I saw her. | 0:03:56 | 0:03:57 | |
Look at the model home. Gloria was crazy about it. | 0:03:57 | 0:04:00 | |
She would be. She's practically in her wedding veil. | 0:04:00 | 0:04:04 | |
One false move, and I'll be on my honeymoon. | 0:04:04 | 0:04:06 | |
Gloria's a wonderful girl, Eddie. | 0:04:06 | 0:04:08 | |
I know, but she's so one-track-minded. | 0:04:08 | 0:04:11 | |
Even when we have dinner, she only eats rice. | 0:04:11 | 0:04:14 | |
BELL RINGS | 0:04:14 | 0:04:15 | |
Holy mackerel! It's closing time. | 0:04:15 | 0:04:17 | |
Joe, I have to work late. | 0:04:17 | 0:04:19 | |
Will you take Gloria to Tony's? | 0:04:19 | 0:04:22 | |
Sure. | 0:04:22 | 0:04:23 | |
I'll get there soon. | 0:04:23 | 0:04:24 | |
And save me some Spumoni. | 0:04:24 | 0:04:26 | |
Closing time, ladies and gentlemen. I'm sorry. | 0:04:30 | 0:04:32 | |
You've been after this Venus statue a long time. | 0:04:32 | 0:04:36 | |
Ever since I opened the art gallery, | 0:04:36 | 0:04:39 | |
I've dreamed of adding the Anatolian Venus to my collection. | 0:04:39 | 0:04:42 | |
What did it cost? | 0:04:42 | 0:04:43 | |
Let's put it this way, | 0:04:43 | 0:04:45 | |
the store will not declare a dividend this year. | 0:04:45 | 0:04:48 | |
Must we talk dollars and cents | 0:04:48 | 0:04:50 | |
about this priceless piece? | 0:04:50 | 0:04:52 | |
The last price was 200,000. | 0:04:52 | 0:04:53 | |
200,000?! Wow! | 0:04:53 | 0:04:55 | |
Is someone going to fix those drapes? | 0:04:55 | 0:04:57 | |
Eddie Hatch. He'll be here soon. | 0:04:57 | 0:05:00 | |
He's been with us for eight years. | 0:05:00 | 0:05:02 | |
Is the statue for sale, Mr Savory? | 0:05:02 | 0:05:04 | |
Hello, Eddie. | 0:05:04 | 0:05:05 | |
Hello, Miss Grant. | 0:05:05 | 0:05:07 | |
Mr Savory sent for me. | 0:05:07 | 0:05:09 | |
He wants you to fix the drapes | 0:05:09 | 0:05:11 | |
in front of the statue. | 0:05:11 | 0:05:13 | |
It jams when the cord's pulled. Is that all? | 0:05:13 | 0:05:16 | |
That's all for now. | 0:05:16 | 0:05:17 | |
Hurry it up, will you? | 0:05:17 | 0:05:19 | |
Miss Grant, may I have one, please? | 0:05:19 | 0:05:22 | |
Oh, certainly. Wait a minute. The good side. | 0:05:22 | 0:05:26 | |
HE HUMS | 0:05:42 | 0:05:44 | |
To Venus, the Goddess of Love. | 0:05:57 | 0:06:00 | |
May she take care of all of us. | 0:06:00 | 0:06:03 | |
To Venus. | 0:06:03 | 0:06:04 | |
< Whitfield, darling! | 0:06:04 | 0:06:05 | |
Hello, Barbara. | 0:06:06 | 0:06:07 | |
What is this about an eligible bachelor | 0:06:07 | 0:06:10 | |
falling in love with a statue? | 0:06:10 | 0:06:12 | |
Perhaps, my dear, she reminds me of you. | 0:06:12 | 0:06:16 | |
Yeah. They both have large pedestals. | 0:06:16 | 0:06:20 | |
Whitfield, you remember my daughter Brenda? | 0:06:20 | 0:06:23 | |
Not little Brenda? | 0:06:23 | 0:06:25 | |
You've, um, grown, Brenda. | 0:06:25 | 0:06:27 | |
Hatch is waiting, chief. | 0:06:27 | 0:06:29 | |
He finished the drapes. | 0:06:29 | 0:06:30 | |
Oh, er, excuse me. | 0:06:30 | 0:06:32 | |
Whitfield hasn't seen Brenda since she was a child. | 0:06:32 | 0:06:35 | |
He used to bounce her on his knee. | 0:06:35 | 0:06:38 | |
Well, I've been his secretary for ten years | 0:06:38 | 0:06:40 | |
and haven't made it yet(!) | 0:06:40 | 0:06:42 | |
Pardon me. | 0:06:42 | 0:06:44 | |
Now we'll see if it works easily. | 0:06:49 | 0:06:51 | |
You see? It jams there. | 0:06:57 | 0:06:59 | |
Yes, sir. | 0:06:59 | 0:07:01 | |
I don't know what could've happened to it. | 0:07:01 | 0:07:03 | |
I want that material to go up smoothly | 0:07:03 | 0:07:06 | |
to reveal the statue dramatically. | 0:07:06 | 0:07:08 | |
I don't want to have to fumble with that rope. | 0:07:08 | 0:07:12 | |
I'll take care of it, sir. | 0:07:12 | 0:07:14 | |
Hurry up. | 0:07:14 | 0:07:15 | |
Yes, sir. | 0:07:15 | 0:07:16 | |
Oh, er, Mr Savory. | 0:07:19 | 0:07:21 | |
Uh, you forgot your, er... | 0:07:21 | 0:07:23 | |
Ahh. | 0:07:42 | 0:07:43 | |
Golly, you're beautiful. | 0:07:56 | 0:07:58 | |
THUNDER ROLLS | 0:08:11 | 0:08:13 | |
HE HUMS | 0:08:16 | 0:08:18 | |
Please. How can I fix this if you don't stand still? | 0:08:22 | 0:08:27 | |
HE CONTINUES TO HUM | 0:08:27 | 0:08:29 | |
Oh, I'm all right. | 0:08:37 | 0:08:39 | |
I'm all right. | 0:08:39 | 0:08:40 | |
Just a little overworked maybe, | 0:08:40 | 0:08:41 | |
but I'm all right. | 0:08:41 | 0:08:43 | |
You're moving! | 0:08:46 | 0:08:48 | |
SHE SIGHS | 0:08:48 | 0:08:50 | |
Was it you who kissed me? | 0:08:51 | 0:08:53 | |
You're talking! | 0:08:53 | 0:08:54 | |
You're alive! | 0:08:54 | 0:08:56 | |
Of course I'm alive. | 0:08:56 | 0:08:57 | |
What did you think I was? | 0:08:57 | 0:08:59 | |
Well, I'm not very bright. | 0:08:59 | 0:09:01 | |
I thought you were a statue. | 0:09:01 | 0:09:03 | |
Excuse, er... | 0:09:03 | 0:09:04 | |
Brandy! Smelling salts! | 0:09:04 | 0:09:05 | |
Spirits of ammonia! | 0:09:05 | 0:09:07 | |
Poor mortal. Are you frightened? | 0:09:07 | 0:09:10 | |
Frightened? | 0:09:10 | 0:09:11 | |
I don't know the meaning of the word. | 0:09:11 | 0:09:14 | |
Why, you darling. | 0:09:14 | 0:09:16 | |
You are frightened. | 0:09:16 | 0:09:17 | |
Well, just from the toes up. | 0:09:17 | 0:09:20 | |
Come here. | 0:09:20 | 0:09:23 | |
Come here to me, | 0:09:23 | 0:09:24 | |
close to me. | 0:09:24 | 0:09:26 | |
Oh, he's wonderful. | 0:09:34 | 0:09:36 | |
Thank you, Jupiter. | 0:09:38 | 0:09:40 | |
There. That's better. | 0:09:47 | 0:09:48 | |
What? How did I get out here? | 0:09:48 | 0:09:50 | |
I brought you out for fresh air. | 0:09:50 | 0:09:53 | |
Oh. Oh, thanks. | 0:09:53 | 0:09:55 | |
I guess I fainted, didn't I? | 0:09:55 | 0:09:58 | |
I...I was working on the draperies | 0:09:58 | 0:10:01 | |
around the statue, | 0:10:01 | 0:10:02 | |
and all of a sudden, | 0:10:02 | 0:10:04 | |
I had the strangest feeling, | 0:10:04 | 0:10:05 | |
some kind of a delirium. | 0:10:05 | 0:10:07 | |
I dreamed that the statue came to life. | 0:10:07 | 0:10:09 | |
It spoke to me. Isn't that silly? | 0:10:09 | 0:10:11 | |
How do you feel now? | 0:10:11 | 0:10:13 | |
Oh, I feel much better. | 0:10:13 | 0:10:14 | |
Just rest. Mmm. | 0:10:14 | 0:10:16 | |
There. Isn't that nice? | 0:10:16 | 0:10:18 | |
Oh, that's wonderful. | 0:10:18 | 0:10:19 | |
Oh, I, er... | 0:10:21 | 0:10:23 | |
excuse me, but I... | 0:10:23 | 0:10:25 | |
get back to my dra... | 0:10:25 | 0:10:27 | |
It was you! | 0:10:28 | 0:10:30 | |
The statue! | 0:10:30 | 0:10:31 | |
Of course. | 0:10:31 | 0:10:32 | |
You came to life. | 0:10:32 | 0:10:33 | |
Don't ask questions. You'll only get confused. | 0:10:33 | 0:10:36 | |
Get confused? | 0:10:36 | 0:10:38 | |
I'm spinning like a merry-go-round. | 0:10:38 | 0:10:40 | |
Look... | 0:10:40 | 0:10:41 | |
Look, let's get this straight. | 0:10:41 | 0:10:43 | |
Just a few minutes ago, | 0:10:43 | 0:10:44 | |
you were cold marble. | 0:10:44 | 0:10:46 | |
Yes, you were. I could feel you. | 0:10:46 | 0:10:48 | |
Please! | 0:10:48 | 0:10:49 | |
And now you're... | 0:10:49 | 0:10:51 | |
And now? | 0:10:51 | 0:10:52 | |
Don't come near me. I'll scream. | 0:10:52 | 0:10:53 | |
Oh, aren't you ashamed? | 0:10:53 | 0:10:55 | |
A big boy like you scared of a girl. | 0:10:55 | 0:10:58 | |
But you're not a girl. You're a statue. | 0:10:58 | 0:11:00 | |
Are you a betting man? | 0:11:00 | 0:11:02 | |
Well... | 0:11:02 | 0:11:03 | |
You WERE a statue. | 0:11:03 | 0:11:04 | |
Oh, look, I don't understand any of this. | 0:11:04 | 0:11:07 | |
Who are you? | 0:11:07 | 0:11:08 | |
I am Venus - daughter of Jupiter, Goddess of Love. | 0:11:08 | 0:11:11 | |
I'm very glad to know you. | 0:11:11 | 0:11:13 | |
My name is Hatch. Eddie Hatch, display... | 0:11:13 | 0:11:15 | |
Goddess of what? | 0:11:15 | 0:11:17 | |
Love. | 0:11:17 | 0:11:18 | |
The word seems to displease you. | 0:11:18 | 0:11:20 | |
No, your Majesty, it's just that... | 0:11:20 | 0:11:22 | |
Call me Venus. | 0:11:22 | 0:11:23 | |
Venus. | 0:11:23 | 0:11:24 | |
Could I go now? | 0:11:24 | 0:11:25 | |
You don't want to stay here with me | 0:11:25 | 0:11:28 | |
in the moonlight | 0:11:28 | 0:11:29 | |
alone? | 0:11:29 | 0:11:30 | |
If you won't think it's impertinent, | 0:11:30 | 0:11:33 | |
frankly, no. | 0:11:33 | 0:11:34 | |
See, er, excuse me. | 0:11:34 | 0:11:36 | |
Some friends of mine | 0:11:36 | 0:11:37 | |
are waiting for me for dinner at Tony's. | 0:11:37 | 0:11:40 | |
They might be worried about me. | 0:11:40 | 0:11:42 | |
Sounds charming. I will go with you. | 0:11:42 | 0:11:44 | |
Oh, no. You wouldn't like it. | 0:11:44 | 0:11:46 | |
They don't cater very much to goddesses. | 0:11:46 | 0:11:49 | |
Well, see you around. | 0:11:49 | 0:11:50 | |
Venus started the Trojan war with "I love you." | 0:11:50 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:54 | |
Some of you may recall the myth | 0:11:54 | 0:11:57 | |
that Jupiter once breathed life | 0:11:57 | 0:11:59 | |
into the chiselled perfection of this masterpiece, | 0:11:59 | 0:12:02 | |
but in the 20th century, | 0:12:02 | 0:12:04 | |
that's not worthwhile discussing. | 0:12:04 | 0:12:06 | |
In fact, the beauty of face and form | 0:12:06 | 0:12:08 | |
which I'm about to reveal | 0:12:08 | 0:12:10 | |
is such that the 20th century | 0:12:10 | 0:12:12 | |
would seem a little unworthy. | 0:12:12 | 0:12:13 | |
Oh, what a nice man. | 0:12:13 | 0:12:15 | |
Yeah. That's Mr Savory. | 0:12:15 | 0:12:16 | |
He's my boss. | 0:12:16 | 0:12:18 | |
He owns the store. | 0:12:18 | 0:12:19 | |
SAVORY: As some of you may know... | 0:12:19 | 0:12:21 | |
There's isn't going to be any statue there. | 0:12:21 | 0:12:24 | |
You're the statue. | 0:12:24 | 0:12:25 | |
But what about Mr Savory? | 0:12:25 | 0:12:26 | |
He left me in charge. | 0:12:26 | 0:12:28 | |
He's going to think I'm responsible. | 0:12:28 | 0:12:31 | |
But no words of mine can do justice | 0:12:31 | 0:12:33 | |
to what I want you now to behold. | 0:12:33 | 0:12:36 | |
My good friends, lovers of art, | 0:12:36 | 0:12:38 | |
the matchless Anatolian Venus. | 0:12:38 | 0:12:40 | |
LAUGHTER | 0:12:42 | 0:12:45 | |
Well, you're just full of surprises. | 0:12:51 | 0:12:52 | |
It's gone. | 0:12:52 | 0:12:54 | |
My statue, it's not here. | 0:12:54 | 0:12:55 | |
This isn't a gag? | 0:12:55 | 0:12:56 | |
Gag? It's been stolen. | 0:12:56 | 0:12:58 | |
Hatch. Hatch! | 0:12:58 | 0:12:59 | |
That's me. | 0:12:59 | 0:13:01 | |
Hatch! | 0:13:01 | 0:13:02 | |
Hatch! | 0:13:02 | 0:13:03 | |
Hatch! | 0:13:03 | 0:13:04 | |
Where's that idiot window trimmer? | 0:13:04 | 0:13:06 | |
Don't be afraid. | 0:13:06 | 0:13:07 | |
You're above mere mortals | 0:13:07 | 0:13:08 | |
like this department store owner. | 0:13:08 | 0:13:10 | |
You're now under the protection of the Olympian gods. | 0:13:10 | 0:13:14 | |
Yeah? Well, supposing he fires me? | 0:13:14 | 0:13:16 | |
What are you going to do, | 0:13:16 | 0:13:18 | |
make me patron saint of the window trimmers? | 0:13:18 | 0:13:20 | |
Shh! They'll hear you. | 0:13:20 | 0:13:22 | |
Mr Savory's timing is off today. | 0:13:22 | 0:13:24 | |
The cart before the horse, so to speak. | 0:13:24 | 0:13:26 | |
I'll let you know when the horse gets back. | 0:13:26 | 0:13:29 | |
We'll have another unveiling. | 0:13:29 | 0:13:30 | |
I'm sorry you made this trip for nothing. | 0:13:30 | 0:13:33 | |
Molly! Coming, sire. | 0:13:33 | 0:13:35 | |
Bye, Shirley. | 0:13:35 | 0:13:36 | |
Call the Kerrigan Detective Agency. | 0:13:36 | 0:13:38 | |
I want their best men. | 0:13:38 | 0:13:39 | |
All right. | 0:13:39 | 0:13:40 | |
No. Mr Kerrigan personally. | 0:13:40 | 0:13:42 | |
It shall be done. | 0:13:42 | 0:13:43 | |
Years of work, endless patient search, fabulous expense, | 0:13:43 | 0:13:46 | |
then it's gone. | 0:13:46 | 0:13:47 | |
Want to advertise a reward for Eddie Hatch? | 0:13:47 | 0:13:49 | |
Not for him. | 0:13:49 | 0:13:50 | |
Just for his head on a pikestaff. | 0:13:50 | 0:13:52 | |
Be reasonable. | 0:13:52 | 0:13:53 | |
You don't think Eddie took that statue? | 0:13:53 | 0:13:56 | |
When I left him, it was on that pedestal. | 0:13:56 | 0:13:59 | |
I hold him responsible. | 0:13:59 | 0:14:00 | |
Hallelujah. | 0:14:00 | 0:14:02 | |
Well, that's that. | 0:14:05 | 0:14:07 | |
Oh, you think so? | 0:14:07 | 0:14:09 | |
Didn't you hear Mr Savory? | 0:14:09 | 0:14:10 | |
He holds me responsible. | 0:14:10 | 0:14:12 | |
What if he takes the price of the statue | 0:14:12 | 0:14:15 | |
out of my pay? Huh? | 0:14:15 | 0:14:17 | |
200,000, and I make 43.75 a week. | 0:14:17 | 0:14:20 | |
Why, that's... | 0:14:20 | 0:14:21 | |
let's see. That's... | 0:14:21 | 0:14:22 | |
87 years. | 0:14:22 | 0:14:23 | |
The twinkling of an eye. | 0:14:23 | 0:14:25 | |
And besides, I shall wait a hundred, a thousand if necessary. | 0:14:25 | 0:14:28 | |
No. You've gotten me into enough trouble. | 0:14:28 | 0:14:31 | |
Just get back up on your pedestal | 0:14:31 | 0:14:33 | |
and leave me alone. | 0:14:33 | 0:14:34 | |
You do not want me? | 0:14:34 | 0:14:36 | |
You're turning me away? | 0:14:36 | 0:14:38 | |
Very well. Go. | 0:14:38 | 0:14:39 | |
Go to your friends. | 0:14:39 | 0:14:41 | |
Oh, I will, | 0:14:42 | 0:14:44 | |
but, er, what about you? | 0:14:44 | 0:14:45 | |
You can't stay out here on the balcony. | 0:14:45 | 0:14:48 | |
You'll freeze in that, er... | 0:14:48 | 0:14:49 | |
in what you're wearing. | 0:14:49 | 0:14:51 | |
I'll be all right. | 0:14:51 | 0:14:52 | |
Why don't you go inside, | 0:14:52 | 0:14:54 | |
get up on your nice, warm pedestal. | 0:14:54 | 0:14:56 | |
I'll stay here. | 0:14:56 | 0:14:57 | |
Well, all right, if that's what you want. | 0:14:57 | 0:15:00 | |
Good night. | 0:15:00 | 0:15:02 | |
Say, Gloria, Eddie may be a long time. | 0:15:28 | 0:15:30 | |
You better eat something. | 0:15:30 | 0:15:32 | |
I can't. I'm too nervous. | 0:15:32 | 0:15:33 | |
I can't wait to find out what's happened. | 0:15:33 | 0:15:36 | |
I bet Mr Savory put Eddie in charge | 0:15:36 | 0:15:38 | |
of window dressing in the store. | 0:15:38 | 0:15:40 | |
Eddie has wonderful ideas. | 0:15:40 | 0:15:41 | |
He didn't get his diploma from correspondence school for nothing. | 0:15:41 | 0:15:45 | |
He's pretty smart, all right. | 0:15:45 | 0:15:46 | |
Joe, you ought to be a success, too. | 0:15:46 | 0:15:49 | |
You work hard. | 0:15:49 | 0:15:50 | |
Someday Mr Savory will notice you, | 0:15:50 | 0:15:52 | |
and you'll get a promotion, too. | 0:15:52 | 0:15:54 | |
Remember, stay in there pitching. You'll get ahead. | 0:15:54 | 0:15:56 | |
I don't know, Gloria. | 0:15:56 | 0:15:58 | |
You do want to be a success, don't you? | 0:15:58 | 0:16:00 | |
Yeah, but... | 0:16:00 | 0:16:02 | |
JOE: Hey, Eddie. Over here. | 0:16:03 | 0:16:05 | |
What happened? | 0:16:05 | 0:16:06 | |
We bet you'd gotten lost or something. | 0:16:06 | 0:16:08 | |
How was the unveiling? | 0:16:08 | 0:16:09 | |
It was awful. The statue disappeared. | 0:16:09 | 0:16:11 | |
I mean Mr Savory thinks it disappeared. | 0:16:11 | 0:16:14 | |
But you weren't responsible, were you? | 0:16:14 | 0:16:16 | |
Who, me? | 0:16:16 | 0:16:17 | |
What's wrong, Eddie? | 0:16:17 | 0:16:18 | |
What's my name? | 0:16:18 | 0:16:20 | |
Tell me! What's my name? | 0:16:20 | 0:16:21 | |
Eddie Hatch. | 0:16:21 | 0:16:22 | |
Oh, that's right. Eddie Hatch. | 0:16:22 | 0:16:24 | |
My name is Eddie Hatch. | 0:16:24 | 0:16:26 | |
I work in the display department | 0:16:26 | 0:16:27 | |
at Savory's department store. | 0:16:27 | 0:16:29 | |
See? I know my name and where I work. | 0:16:29 | 0:16:32 | |
I'm sane! | 0:16:32 | 0:16:33 | |
I'm as sane as anybody. | 0:16:33 | 0:16:34 | |
Of course you're sane, Eddie. | 0:16:34 | 0:16:36 | |
Naturally. Isn't he, Gloria? | 0:16:36 | 0:16:37 | |
I don't know. What happened to this statue? | 0:16:37 | 0:16:40 | |
How did you get mixed up in it? | 0:16:40 | 0:16:42 | |
I don't know. I mean I'm not sure. | 0:16:42 | 0:16:44 | |
Anyway, Mr Savory holds me responsible. | 0:16:44 | 0:16:47 | |
I heard him say so. | 0:16:47 | 0:16:48 | |
But how did it disappear? | 0:16:48 | 0:16:50 | |
A statue doesn't just get up and walk away. | 0:16:50 | 0:16:53 | |
That's right. | 0:16:53 | 0:16:54 | |
Well, it's ridiculous. | 0:16:54 | 0:16:55 | |
I've got nothing to worry about. | 0:16:55 | 0:16:58 | |
I'm in good shape. | 0:16:58 | 0:17:00 | |
Oh! Eddie! | 0:17:00 | 0:17:01 | |
You're in great shape(!) | 0:17:01 | 0:17:02 | |
Your name Hatch? | 0:17:06 | 0:17:08 | |
That's me. Why? | 0:17:08 | 0:17:09 | |
Got to ask you a lot of questions, Hatch. | 0:17:09 | 0:17:12 | |
What's all this? | 0:17:12 | 0:17:13 | |
Police! | 0:17:13 | 0:17:14 | |
Where are you taking him? | 0:17:14 | 0:17:16 | |
Back to the store. | 0:17:16 | 0:17:17 | |
Mr Savory wants to see him | 0:17:17 | 0:17:19 | |
about a little 200,000 statue | 0:17:19 | 0:17:20 | |
that climbed down and walked away. | 0:17:20 | 0:17:22 | |
That's right! How did you know? | 0:17:22 | 0:17:24 | |
Come on. | 0:17:24 | 0:17:25 | |
See you later, Gloria. | 0:17:25 | 0:17:27 | |
See you later, Joe. | 0:17:27 | 0:17:28 | |
So long, Eddie. | 0:17:28 | 0:17:30 | |
Come here to me. | 0:17:37 | 0:17:39 | |
Come close to me. | 0:17:39 | 0:17:40 | |
Ohh... | 0:17:40 | 0:17:41 | |
OK, OK, go on. | 0:17:41 | 0:17:42 | |
But I've already done it a hundred times. | 0:17:42 | 0:17:45 | |
Go on. Go on. Show me from the start. | 0:17:45 | 0:17:48 | |
Oh, for heaven's sakes. | 0:17:48 | 0:17:50 | |
I was here. | 0:17:53 | 0:17:54 | |
Show me again. | 0:17:54 | 0:17:56 | |
How can I fix this if you don't stand still? | 0:17:57 | 0:18:01 | |
Then all of a sudden, I was down here. | 0:18:01 | 0:18:04 | |
You're talking! | 0:18:04 | 0:18:06 | |
You're alive! | 0:18:06 | 0:18:07 | |
Of course I'm alive. | 0:18:11 | 0:18:13 | |
Then - oh! Then I was here. | 0:18:15 | 0:18:17 | |
He's still sticking to that story. | 0:18:17 | 0:18:20 | |
He'll crack. | 0:18:20 | 0:18:22 | |
I've dealt with clever shoplifters before. | 0:18:22 | 0:18:23 | |
Pretty clever. | 0:18:23 | 0:18:24 | |
He pretended a 1,000-pound statue | 0:18:24 | 0:18:27 | |
was an elk's tooth | 0:18:27 | 0:18:28 | |
and just wore it out. | 0:18:28 | 0:18:29 | |
I know he had help. | 0:18:29 | 0:18:31 | |
Probably a couple of elves. | 0:18:31 | 0:18:32 | |
I've got one accomplice lined up. | 0:18:32 | 0:18:34 | |
He had access. He's the ringleader. | 0:18:34 | 0:18:36 | |
Lay off. Hatch couldn't be leader | 0:18:36 | 0:18:38 | |
in ring around the roses. | 0:18:38 | 0:18:39 | |
I'm paying Kerrigan to be the detective. | 0:18:39 | 0:18:42 | |
Buy him some badge polish | 0:18:42 | 0:18:43 | |
and send him home. | 0:18:43 | 0:18:44 | |
Anyone can tell this boy isn't a thief. | 0:18:44 | 0:18:47 | |
Come on, Eddie. | 0:18:47 | 0:18:48 | |
I'll catch you some flies, | 0:18:48 | 0:18:50 | |
and you can pull their wings off. | 0:18:50 | 0:18:52 | |
Go home. Get some rest. | 0:18:52 | 0:18:53 | |
Come here to me. | 0:18:53 | 0:18:55 | |
Come close to me. | 0:18:55 | 0:18:56 | |
Take it easy, Eddie. | 0:18:56 | 0:18:58 | |
I might take you up on that...later. | 0:18:58 | 0:19:00 | |
He's plenty smart, but I'll keep my eye on him. | 0:19:00 | 0:19:04 | |
Pulse is OK. | 0:19:09 | 0:19:10 | |
Let's see now. | 0:19:10 | 0:19:12 | |
Oh... | 0:19:12 | 0:19:14 | |
Temperature's normal. | 0:19:14 | 0:19:16 | |
See, Eddie? You're all right. | 0:19:16 | 0:19:17 | |
Don't pay any attention to that crooked thermometer. | 0:19:17 | 0:19:20 | |
I must have a fever. | 0:19:20 | 0:19:21 | |
Nonsense. You're just upset. | 0:19:21 | 0:19:23 | |
With that Savory and that Dopey detective and... | 0:19:23 | 0:19:25 | |
Oh, I'm so sick. | 0:19:25 | 0:19:26 | |
I'll run a bath for you. | 0:19:26 | 0:19:29 | |
We'll go to Tony's | 0:19:29 | 0:19:30 | |
and get Eddie some nourishing soup. | 0:19:30 | 0:19:32 | |
Minestrone... your favourite. | 0:19:32 | 0:19:34 | |
You didn't have any dinner. | 0:19:34 | 0:19:35 | |
Oh, yeah. I must be weak from hunger. | 0:19:35 | 0:19:37 | |
We'll be right back. Come on, Gloria. | 0:19:37 | 0:19:40 | |
Don't let the water run over. | 0:19:42 | 0:19:44 | |
You...you're talking. | 0:19:54 | 0:19:55 | |
You're alive. | 0:19:55 | 0:19:57 | |
Come to me. Come close to me. | 0:19:57 | 0:20:00 | |
Oh, no! | 0:20:16 | 0:20:18 | |
What are you doing here? | 0:20:18 | 0:20:21 | |
You can't come in. Please. | 0:20:21 | 0:20:22 | |
Why not? | 0:20:22 | 0:20:23 | |
Because my girl's coming right back. | 0:20:23 | 0:20:25 | |
She's very jealous, you know. | 0:20:26 | 0:20:28 | |
Oh, she's like a wildcat when she gets angry. | 0:20:28 | 0:20:31 | |
She's eight feet tall, | 0:20:31 | 0:20:32 | |
and she's got very sharp fingernails. | 0:20:32 | 0:20:34 | |
What can she do to me? | 0:20:34 | 0:20:36 | |
I don't know, but she can do plenty to ME. | 0:20:36 | 0:20:39 | |
Please go away? | 0:20:39 | 0:20:40 | |
You sound hen-pecked. | 0:20:40 | 0:20:41 | |
I'll bet she runs your life like an assembly line. | 0:20:41 | 0:20:44 | |
And how. Why, even... | 0:20:44 | 0:20:46 | |
Nothing of the sort! | 0:20:46 | 0:20:47 | |
She's sweet. She's a very nice girl. | 0:20:47 | 0:20:49 | |
I'm a very nice girl. | 0:20:49 | 0:20:51 | |
Aw, please, please be reasonable, Miss Venus. | 0:20:51 | 0:20:53 | |
I'm not worth bothering about. | 0:20:53 | 0:20:55 | |
I'm not famous. I'm not rich. | 0:20:55 | 0:20:58 | |
I'm not even very bright. | 0:20:58 | 0:21:00 | |
I'm NOT bright. | 0:21:00 | 0:21:01 | |
In fact, there's insanity in my family, | 0:21:01 | 0:21:03 | |
starting with me TONIGHT. | 0:21:03 | 0:21:05 | |
I'm crazy! | 0:21:05 | 0:21:06 | |
Oh, you must have me mixed up with somebody else. | 0:21:09 | 0:21:12 | |
I'm just a good-for-nothing window trimmer. | 0:21:12 | 0:21:14 | |
You can be anything you want to be. | 0:21:14 | 0:21:17 | |
Can I be alone? | 0:21:17 | 0:21:18 | |
I'll leave if you'll go with me. | 0:21:18 | 0:21:21 | |
Oh, no. Please go away. | 0:21:21 | 0:21:23 | |
My landlady wouldn't understand. | 0:21:23 | 0:21:24 | |
She's got a rule. | 0:21:24 | 0:21:25 | |
Against me? | 0:21:25 | 0:21:26 | |
No. About girls being with boys. | 0:21:26 | 0:21:28 | |
Why, there's even a law against it. | 0:21:28 | 0:21:31 | |
PHONE RINGS | 0:21:31 | 0:21:34 | |
Oh, is this your landlady? | 0:21:34 | 0:21:36 | |
Oh, no, no, no. | 0:21:36 | 0:21:37 | |
Hello? | 0:21:37 | 0:21:38 | |
Oh, hello, Gloria. | 0:21:38 | 0:21:39 | |
I was just talking about you. | 0:21:39 | 0:21:42 | |
Uh, that is, er... to myself. | 0:21:42 | 0:21:44 | |
I had a quite a little chat. Me and...and me. | 0:21:44 | 0:21:48 | |
He's talking to himself. | 0:21:48 | 0:21:50 | |
Oh, that's bad. | 0:21:50 | 0:21:51 | |
Look, darling, keep calm. | 0:21:51 | 0:21:52 | |
They're all out of minestrone. | 0:21:52 | 0:21:54 | |
You could have either noodle or spinach. | 0:21:54 | 0:21:56 | |
Uh...noodle or spinach. | 0:21:56 | 0:21:58 | |
Uh, noodle. Spinach. | 0:21:58 | 0:22:00 | |
Noodle. Spinach. | 0:22:00 | 0:22:02 | |
Noodle. Don't bother me! | 0:22:02 | 0:22:04 | |
Who's bothering you? | 0:22:04 | 0:22:06 | |
I'm only trying to help! | 0:22:06 | 0:22:08 | |
Huh? But what do you mean? | 0:22:08 | 0:22:10 | |
I'd be glad to leave you alone! | 0:22:12 | 0:22:14 | |
Gloria! | 0:22:14 | 0:22:15 | |
I heard a woman! | 0:22:15 | 0:22:17 | |
Not in our room. | 0:22:17 | 0:22:18 | |
Well, it wasn't the zoo! | 0:22:18 | 0:22:19 | |
Wait! | 0:22:19 | 0:22:20 | |
I've had enough of this. | 0:22:20 | 0:22:22 | |
KNOCK ON DOOR | 0:22:22 | 0:22:23 | |
Who...who is it? | 0:22:23 | 0:22:25 | |
< It's me. I want to come in. | 0:22:25 | 0:22:27 | |
(It's my landlady. | 0:22:27 | 0:22:28 | |
(Uh, over here.) | 0:22:28 | 0:22:30 | |
KNOCK AT DOOR | 0:22:30 | 0:22:32 | |
Oh, that's no good. | 0:22:32 | 0:22:33 | |
Over here. | 0:22:33 | 0:22:34 | |
< Mr Hatch. | 0:22:34 | 0:22:36 | |
< Mr Hatch! | 0:22:36 | 0:22:38 | |
One moment, Mrs Gogerty. | 0:22:38 | 0:22:39 | |
Mr Hatch. | 0:22:39 | 0:22:40 | |
KNOCK AT DOOR | 0:22:40 | 0:22:42 | |
< Open up this very instant! | 0:22:42 | 0:22:43 | |
Coming, Mrs Gogerty! Coming! | 0:22:43 | 0:22:45 | |
KNOCK AT DOOR | 0:22:46 | 0:22:47 | |
Miss Venus? (Where are you?) | 0:22:47 | 0:22:49 | |
(Here I am. She'll never find me here.) | 0:22:49 | 0:22:52 | |
Aah! | 0:22:52 | 0:22:53 | |
KNOCK AT DOOR | 0:22:53 | 0:22:55 | |
Oh, not in here. | 0:22:55 | 0:22:56 | |
Quick, get up, please. Hurry. | 0:22:56 | 0:22:58 | |
Get behind the screen. | 0:22:58 | 0:22:59 | |
Don't say a word. | 0:22:59 | 0:23:01 | |
I'm coming in, Mr Hatch. | 0:23:01 | 0:23:02 | |
Oh, of course, Mrs Gogerty. | 0:23:02 | 0:23:04 | |
You've got a woman in this room. | 0:23:04 | 0:23:07 | |
Why, what an idea! | 0:23:07 | 0:23:08 | |
You know the rules. | 0:23:08 | 0:23:09 | |
You've got to both get out. | 0:23:09 | 0:23:11 | |
What's behind that screen? | 0:23:11 | 0:23:13 | |
Dirty dishes. | 0:23:13 | 0:23:14 | |
Kindly remove it. | 0:23:14 | 0:23:15 | |
Oh, I had to give her a square meal. | 0:23:15 | 0:23:18 | |
I said to myself, | 0:23:18 | 0:23:19 | |
"Mrs Gogerty, with her kind heart..." | 0:23:19 | 0:23:21 | |
There. You see? | 0:23:23 | 0:23:25 | |
There's nobody here. | 0:23:25 | 0:23:26 | |
Oh, Mrs Gogerty, there's nothing in there | 0:23:26 | 0:23:29 | |
but a sink and a tub. | 0:23:29 | 0:23:30 | |
Uh... | 0:23:30 | 0:23:32 | |
Oh! | 0:23:32 | 0:23:33 | |
So you take them, too? | 0:23:33 | 0:23:34 | |
What? | 0:23:34 | 0:23:35 | |
I adore bubble baths. | 0:23:35 | 0:23:37 | |
I take them all the time, | 0:23:37 | 0:23:39 | |
especially those ones with the lovely jasmine smell. | 0:23:39 | 0:23:41 | |
Mmm. Odour of Pine Tar. | 0:23:41 | 0:23:43 | |
My husband uses that. | 0:23:43 | 0:23:44 | |
Sorry to disturb you, | 0:23:44 | 0:23:45 | |
but one can't be too careful these days. | 0:23:45 | 0:23:48 | |
Well, good night, Mrs Gogerty. | 0:23:48 | 0:23:49 | |
Good night. Good night. | 0:23:49 | 0:23:51 | |
Love that smell. | 0:23:51 | 0:23:53 | |
Yes. Good night. | 0:23:53 | 0:23:54 | |
Miss Venus? | 0:23:59 | 0:24:01 | |
Your Majesty? | 0:24:01 | 0:24:02 | |
Miss Venus! | 0:24:02 | 0:24:03 | |
Here I am. Is she gone? | 0:24:03 | 0:24:05 | |
Oh! Get out of there, quick! | 0:24:05 | 0:24:07 | |
Oh, no! Wait a minute! | 0:24:07 | 0:24:08 | |
And get dressed in a hurry. | 0:24:10 | 0:24:11 | |
KNOCK AT DOOR | 0:24:17 | 0:24:18 | |
GLORIA: Open the door! | 0:24:18 | 0:24:19 | |
Eddie wouldn't do anything like that to you. | 0:24:19 | 0:24:22 | |
And get away with it. | 0:24:22 | 0:24:23 | |
(Hurry. Hurry!) | 0:24:23 | 0:24:25 | |
KNOCK AT DOOR | 0:24:25 | 0:24:26 | |
Come and get your soup! | 0:24:26 | 0:24:28 | |
It's hot! | 0:24:28 | 0:24:29 | |
(Hurr.. Oh!) | 0:24:30 | 0:24:31 | |
Did I help? | 0:24:31 | 0:24:33 | |
(Shhh! Yes, Yes. You were wonderful. Come on.) | 0:24:33 | 0:24:35 | |
KNOCK AT DOOR | 0:24:35 | 0:24:37 | |
Eddie! Open the door! | 0:24:37 | 0:24:39 | |
See, Gloria? There's no woman here. | 0:24:45 | 0:24:47 | |
There's no Eddie either. | 0:24:47 | 0:24:48 | |
That phony, | 0:24:48 | 0:24:49 | |
pretending he's sick just to get rid of me. | 0:24:49 | 0:24:52 | |
Wait till the next time I see him. | 0:24:52 | 0:24:54 | |
He won't have to pretend. | 0:24:54 | 0:24:56 | |
Oh. | 0:24:56 | 0:24:58 | |
Gloria, there wouldn't be anybody in there. | 0:25:05 | 0:25:08 | |
Oh... | 0:25:08 | 0:25:09 | |
Moonlight Madness? | 0:25:18 | 0:25:20 | |
40 an ounce. Smell. | 0:25:20 | 0:25:22 | |
It's worth it. | 0:25:22 | 0:25:23 | |
Worth it? | 0:25:23 | 0:25:24 | |
Oh, now, wait a minute! | 0:25:24 | 0:25:26 | |
Oh, Gloria. | 0:25:27 | 0:25:30 | |
Now, take it easy. | 0:25:32 | 0:25:33 | |
I chase around, worrying about his health, and... | 0:25:33 | 0:25:36 | |
he just chases around. Oh, you don't understand. | 0:25:36 | 0:25:39 | |
A lot of things could have happened. | 0:25:39 | 0:25:42 | |
Eddie... (Shh! quiet! | 0:25:55 | 0:25:57 | |
(You want the watchman to hear us?) | 0:25:57 | 0:26:00 | |
He won't bother us. | 0:26:00 | 0:26:01 | |
(He certainly will. | 0:26:01 | 0:26:02 | |
(Don't you realise I'm breaking into the store?) | 0:26:02 | 0:26:05 | |
(I'll turn him into an owl.) | 0:26:05 | 0:26:07 | |
(A what?) | 0:26:07 | 0:26:08 | |
(An owl.) | 0:26:08 | 0:26:09 | |
(I just go like that, and he's an owl.) | 0:26:09 | 0:26:11 | |
(Oh, come on.) | 0:26:11 | 0:26:13 | |
SHE GIGGLES | 0:26:18 | 0:26:20 | |
(Excuse me.) | 0:26:21 | 0:26:23 | |
HE RATTLES DOORKNOB | 0:26:28 | 0:26:30 | |
Aah. | 0:26:30 | 0:26:32 | |
(It's locked. | 0:26:32 | 0:26:33 | |
(Now what am I going to do? | 0:26:33 | 0:26:36 | |
(Well, haven't you got any ideas? | 0:26:36 | 0:26:39 | |
(Look, it's late. | 0:26:41 | 0:26:42 | |
(You've got to have someplace to stay. | 0:26:42 | 0:26:45 | |
(Don't you ever want to go to sleep?) | 0:26:45 | 0:26:48 | |
Mm-hmm. | 0:26:48 | 0:26:49 | |
You see? I trust you, Eddie. | 0:26:58 | 0:27:00 | |
< FOOTSTEPS | 0:27:04 | 0:27:06 | |
SHE GIGGLES | 0:27:06 | 0:27:07 | |
Shh! | 0:27:07 | 0:27:08 | |
Come on. | 0:27:38 | 0:27:39 | |
What's wrong now? | 0:27:45 | 0:27:46 | |
Aren't you going to carry me over the threshold? | 0:27:46 | 0:27:49 | |
Why do you keep acting | 0:27:49 | 0:27:50 | |
as if we were on our honeymoon? | 0:27:50 | 0:27:53 | |
Oh, all right. | 0:27:53 | 0:27:55 | |
You stay here tonight. | 0:27:55 | 0:27:56 | |
You'll be nice and comfortable. | 0:27:56 | 0:27:58 | |
I'll get you out in the morning. | 0:27:58 | 0:28:01 | |
Oh, it's lovely. | 0:28:07 | 0:28:08 | |
Well, this is the very latest thing. | 0:28:08 | 0:28:11 | |
Everything is operated through this master control. | 0:28:11 | 0:28:13 | |
There's the radio and the bed | 0:28:13 | 0:28:16 | |
and the air conditioning and the kitchen. | 0:28:16 | 0:28:18 | |
Show me how it works. | 0:28:18 | 0:28:20 | |
I'll turn on the radio. | 0:28:20 | 0:28:22 | |
We'll have to wait a little while, | 0:28:22 | 0:28:24 | |
you know, for it to warm up. | 0:28:24 | 0:28:27 | |
The beds. | 0:28:27 | 0:28:30 | |
I must have pushed the wrong button. | 0:28:33 | 0:28:36 | |
Well, I did. | 0:28:39 | 0:28:42 | |
It was marked "radio." | 0:28:42 | 0:28:44 | |
Here. We'll try this one. | 0:28:44 | 0:28:46 | |
Now it should work. | 0:28:46 | 0:28:47 | |
Oh, I...er... | 0:28:47 | 0:28:50 | |
There must be a short circuit someplace. | 0:29:02 | 0:29:05 | |
You know, it's getting late. | 0:29:07 | 0:29:09 | |
You better be getting some sleep. | 0:29:09 | 0:29:11 | |
But I'm wide-awake. | 0:29:11 | 0:29:12 | |
Oh, no, you're not. | 0:29:12 | 0:29:13 | |
You're sleepy. | 0:29:13 | 0:29:15 | |
You're very sleepy. | 0:29:15 | 0:29:16 | |
Close your eyes. | 0:29:16 | 0:29:17 | |
You want to sleep. | 0:29:17 | 0:29:19 | |
Sleep. | 0:29:19 | 0:29:21 | |
Sleep. | 0:29:21 | 0:29:23 | |
Sleep. | 0:29:23 | 0:29:25 | |
Sleep. | 0:29:25 | 0:29:27 | |
Sleep. | 0:29:27 | 0:29:29 | |
Sleep. | 0:29:29 | 0:29:30 | |
Oh! That's no good. | 0:29:31 | 0:29:32 | |
I'm hypnotizing myself. | 0:29:32 | 0:29:34 | |
Oh, Eddie, you're so cute. | 0:29:34 | 0:29:36 | |
I'm not cute. | 0:29:36 | 0:29:37 | |
Why, I'm a beast. | 0:29:37 | 0:29:38 | |
I'm terrible when you get to know me. | 0:29:38 | 0:29:41 | |
Ask Gloria. | 0:29:41 | 0:29:42 | |
No, no. Don't ask Gloria. | 0:29:42 | 0:29:45 | |
Oh, why are you messing up my life? | 0:29:45 | 0:29:47 | |
I was a dependable, respectable citizen until tonight. | 0:29:47 | 0:29:50 | |
Were you having any fun? | 0:29:50 | 0:29:52 | |
That's all you think about is fun. | 0:29:52 | 0:29:55 | |
That's all right for you, | 0:29:55 | 0:29:56 | |
flying around on Mount Olympus - | 0:29:56 | 0:29:57 | |
or wherever you come from - | 0:29:57 | 0:29:59 | |
without a care in the world, | 0:29:59 | 0:30:01 | |
but down here it's different. | 0:30:01 | 0:30:02 | |
We're practical and efficient. | 0:30:02 | 0:30:04 | |
Why, we've perfected a machine here... | 0:30:05 | 0:30:08 | |
What have I done? | 0:30:09 | 0:30:10 | |
You kissed me. | 0:30:10 | 0:30:12 | |
You made me do that. | 0:30:12 | 0:30:13 | |
That's not fair. You tricked me. | 0:30:13 | 0:30:15 | |
You used some kind of spell. | 0:30:15 | 0:30:17 | |
No, Eddie. | 0:30:17 | 0:30:18 | |
I wouldn't do that. | 0:30:18 | 0:30:19 | |
You mean I wanted to? | 0:30:19 | 0:30:21 | |
I hope so. | 0:30:21 | 0:30:23 | |
Well, as I was saying, the, er... | 0:30:24 | 0:30:27 | |
er, er... | 0:30:27 | 0:30:28 | |
There's another button here | 0:30:28 | 0:30:30 | |
that, er... | 0:30:30 | 0:30:31 | |
Turns on the automatic stove. | 0:30:31 | 0:30:33 | |
Yes, you can cook a whole meal by remote control | 0:30:33 | 0:30:36 | |
just by... | 0:30:36 | 0:30:37 | |
by pushing that button. | 0:30:37 | 0:30:40 | |
How do you fall in love? | 0:30:40 | 0:30:43 | |
In love? | 0:30:43 | 0:30:44 | |
To the music of harps and flutes? | 0:30:44 | 0:30:47 | |
Flutes? | 0:30:47 | 0:30:48 | |
FLUTE MUSIC PLAYS | 0:30:48 | 0:30:50 | |
So that's how you fall in love. | 0:30:58 | 0:31:01 | |
# Speak low | 0:31:02 | 0:31:05 | |
# When you speak love | 0:31:05 | 0:31:08 | |
# Our summer day | 0:31:08 | 0:31:10 | |
# Withers away | 0:31:10 | 0:31:12 | |
# Too soon | 0:31:12 | 0:31:14 | |
# Too soon | 0:31:14 | 0:31:17 | |
# Speak low | 0:31:17 | 0:31:19 | |
# When you speak love | 0:31:19 | 0:31:23 | |
# Our moment is swift | 0:31:23 | 0:31:25 | |
# Life ships adrift | 0:31:25 | 0:31:26 | |
# We're swept apart too soon. | 0:31:26 | 0:31:30 | |
# 'Speak low | 0:31:30 | 0:31:34 | |
# 'Darling, speak low | 0:31:34 | 0:31:37 | |
# 'Love's a spark | 0:31:37 | 0:31:39 | |
# 'Lost in the dark | 0:31:39 | 0:31:41 | |
# 'Too soon | 0:31:41 | 0:31:43 | |
# 'Too soon | 0:31:43 | 0:31:45 | |
# 'I feel | 0:31:45 | 0:31:48 | |
# 'Wherever I go | 0:31:48 | 0:31:51 | |
# 'That tomorrow is near | 0:31:51 | 0:31:53 | |
# 'Tomorrow is here | 0:31:53 | 0:31:55 | |
# 'And always too soon | 0:31:55 | 0:32:00 | |
# 'Time is old | 0:32:00 | 0:32:03 | |
# 'And love so brief | 0:32:03 | 0:32:06 | |
# 'Love is pure gold | 0:32:06 | 0:32:09 | |
# 'And time will keep.' | 0:32:09 | 0:32:14 | |
# We're late | 0:32:14 | 0:32:17 | |
# Darling, we're late | 0:32:17 | 0:32:21 | |
# The curtain descends | 0:32:21 | 0:32:23 | |
# Everything ends | 0:32:23 | 0:32:25 | |
# Too soon | 0:32:25 | 0:32:27 | |
# Too soon | 0:32:27 | 0:32:29 | |
# I wait | 0:32:29 | 0:32:32 | |
# Darling | 0:32:32 | 0:32:34 | |
# I wait | 0:32:34 | 0:32:37 | |
# Will you speak low | 0:32:37 | 0:32:40 | |
# To me? | 0:32:40 | 0:32:43 | |
# Speak low | 0:32:53 | 0:32:56 | |
# When you speak love | 0:32:56 | 0:33:00 | |
# Our summer day | 0:33:00 | 0:33:02 | |
# Withers away | 0:33:02 | 0:33:04 | |
# Too soon | 0:33:04 | 0:33:06 | |
# Too soon | 0:33:06 | 0:33:07 | |
# Speak low | 0:33:07 | 0:33:10 | |
# When you speak love | 0:33:10 | 0:33:14 | |
# Our moment is swift | 0:33:14 | 0:33:16 | |
# Like ships adrift | 0:33:16 | 0:33:18 | |
# We're swept apart | 0:33:18 | 0:33:20 | |
# Too soon | 0:33:20 | 0:33:21 | |
# Speak low | 0:33:21 | 0:33:24 | |
# Darling, speak low | 0:33:24 | 0:33:28 | |
# Love is a spark | 0:33:28 | 0:33:30 | |
# Lost in the dark | 0:33:30 | 0:33:32 | |
# Too soon | 0:33:32 | 0:33:34 | |
# Too soon... | 0:33:34 | 0:33:36 | |
# Time is old | 0:33:53 | 0:33:56 | |
# And love so brief | 0:33:56 | 0:33:59 | |
# Love is pure gold | 0:33:59 | 0:34:02 | |
# 'And time will keep' | 0:34:02 | 0:34:06 | |
# We're late | 0:34:06 | 0:34:10 | |
# Darling | 0:34:10 | 0:34:11 | |
# We're late | 0:34:11 | 0:34:13 | |
# 'The curtain descends | 0:34:13 | 0:34:15 | |
# 'Everything ends | 0:34:15 | 0:34:19 | |
# 'Too soon | 0:34:19 | 0:34:21 | |
# 'Too soon' | 0:34:21 | 0:34:23 | |
# I wait | 0:34:23 | 0:34:27 | |
# Darling | 0:34:27 | 0:34:30 | |
# I wait | 0:34:30 | 0:34:33 | |
# Will you speak low | 0:34:34 | 0:34:38 | |
# Will you speak love | 0:34:38 | 0:34:42 | |
# To me? # | 0:34:42 | 0:34:49 | |
Sunday papers here. | 0:34:51 | 0:34:53 | |
Get your Sunday morning paper. | 0:34:53 | 0:34:55 | |
Get your Sunday papers here. | 0:34:58 | 0:35:00 | |
Papers... | 0:35:00 | 0:35:01 | |
DOORBELL CHIMES | 0:35:01 | 0:35:03 | |
Hello, Stammers. | 0:35:12 | 0:35:13 | |
Where's the Great-White-Father? | 0:35:13 | 0:35:14 | |
Oh, he's with a detective | 0:35:14 | 0:35:15 | |
in the bedroom, Miss. | 0:35:15 | 0:35:17 | |
He'll find plenty of clues in there. | 0:35:17 | 0:35:19 | |
Hi, gumshoe. | 0:35:19 | 0:35:20 | |
Your handcuffs are showing. | 0:35:20 | 0:35:22 | |
Open up, sire. | 0:35:25 | 0:35:27 | |
Come on in, Molly. | 0:35:27 | 0:35:28 | |
Try every school and university in Europe. | 0:35:28 | 0:35:31 | |
The guy I want's an old professor named Ludivici Fisoli. | 0:35:31 | 0:35:34 | |
I met him once in Prague. | 0:35:34 | 0:35:35 | |
Oh, he must be 90 if he's alive. | 0:35:35 | 0:35:38 | |
He's the author of a famous volume | 0:35:38 | 0:35:40 | |
called The Strange Legends And Myths | 0:35:40 | 0:35:42 | |
Surrounding The Anatolian Venus. | 0:35:42 | 0:35:44 | |
What do I care what it costs? | 0:35:44 | 0:35:46 | |
I want action on this. | 0:35:46 | 0:35:47 | |
Right. Keep in touch. | 0:35:47 | 0:35:49 | |
Had a chat with Kerrigan. | 0:35:49 | 0:35:51 | |
He's been looking into Hatch's background. | 0:35:51 | 0:35:53 | |
How'd you sleep last night? | 0:35:53 | 0:35:54 | |
Not a wink. | 0:35:54 | 0:35:56 | |
I didn't think so. | 0:35:56 | 0:35:57 | |
At least it took your mind off cold marble. | 0:35:57 | 0:36:00 | |
What's that supposed to mean? | 0:36:00 | 0:36:02 | |
The little bundle tucked away in the model home. | 0:36:02 | 0:36:04 | |
She should be a sensation | 0:36:04 | 0:36:05 | |
during January clearance sales. | 0:36:05 | 0:36:07 | |
What are you talking about? | 0:36:07 | 0:36:08 | |
I've got to hand it to you. | 0:36:08 | 0:36:11 | |
She's an eyeful. | 0:36:11 | 0:36:12 | |
There's a girl downstairs? | 0:36:12 | 0:36:14 | |
Look, this is Molly. | 0:36:14 | 0:36:16 | |
Wh...who is she? | 0:36:16 | 0:36:18 | |
Somebody I know? | 0:36:18 | 0:36:19 | |
Yeah, Goldilocks. | 0:36:19 | 0:36:20 | |
She ate the porridge, | 0:36:20 | 0:36:22 | |
and now she snoozes under the model sheets | 0:36:22 | 0:36:24 | |
on the model bed in the model home. | 0:36:24 | 0:36:26 | |
We'll see about that. | 0:36:26 | 0:36:28 | |
I'm not running a motel for homeless girls. | 0:36:28 | 0:36:30 | |
DOOR OPENS | 0:36:30 | 0:36:31 | |
Hey, boss, wait for me. | 0:36:31 | 0:36:33 | |
It's no fire, boss. | 0:36:34 | 0:36:36 | |
Just a simple old-fashioned eviction. | 0:36:36 | 0:36:38 | |
She'll still be there. | 0:36:38 | 0:36:39 | |
Only long enough for me to throw her out. | 0:36:39 | 0:36:42 | |
The idea of a woman breaking into Savory's. | 0:36:42 | 0:36:44 | |
So unnecessary. | 0:36:44 | 0:36:45 | |
But what do we... | 0:37:32 | 0:37:33 | |
Shh... | 0:37:33 | 0:37:34 | |
Molly... | 0:37:42 | 0:37:43 | |
that girl, she... | 0:37:44 | 0:37:45 | |
she reminds me of someone. | 0:37:45 | 0:37:47 | |
Yeah? | 0:37:47 | 0:37:48 | |
I wish she reminded me of me. | 0:37:48 | 0:37:51 | |
She's the most beautiful creature I've ever seen. | 0:37:51 | 0:37:53 | |
Molly, I've always been able to count on you. | 0:37:53 | 0:37:56 | |
This time you must not fail me. | 0:37:56 | 0:37:58 | |
On your honour? | 0:37:58 | 0:37:59 | |
Don't wake her. | 0:37:59 | 0:38:01 | |
When she does get up, | 0:38:01 | 0:38:03 | |
her dreams must come true. | 0:38:03 | 0:38:05 | |
Get flowers, | 0:38:05 | 0:38:06 | |
clothes, jewellery, | 0:38:06 | 0:38:08 | |
everything. | 0:38:08 | 0:38:09 | |
Promise me. | 0:38:09 | 0:38:10 | |
I'll be right back. | 0:38:11 | 0:38:13 | |
DOOR OPENS | 0:38:56 | 0:38:57 | |
Good morning. | 0:39:04 | 0:39:05 | |
Oh, hello, Joe. | 0:39:06 | 0:39:08 | |
Where are you going so early? | 0:39:08 | 0:39:10 | |
Out. | 0:39:10 | 0:39:11 | |
Hey, Eddie, what happened last night? | 0:39:11 | 0:39:13 | |
When Gloria and I came back, you were gone. | 0:39:13 | 0:39:15 | |
Where'd you go? | 0:39:15 | 0:39:16 | |
Look, Joe, | 0:39:16 | 0:39:18 | |
there's something I got to talk to you about. | 0:39:18 | 0:39:20 | |
You're my best friend, aren't you? | 0:39:20 | 0:39:23 | |
Well, I'm not so sure. | 0:39:23 | 0:39:24 | |
Well, I can trust you, can't I, Joe? | 0:39:24 | 0:39:27 | |
Look, Eddie... | 0:39:27 | 0:39:28 | |
there's something you've just got to know. | 0:39:28 | 0:39:30 | |
It's Gloria. | 0:39:30 | 0:39:32 | |
Yeah, it's Gloria. | 0:39:32 | 0:39:33 | |
But it... it was the music or something. | 0:39:33 | 0:39:36 | |
Yeah, the music. | 0:39:36 | 0:39:37 | |
It..it did something to you. | 0:39:37 | 0:39:39 | |
All of a sudden for no reason, | 0:39:39 | 0:39:42 | |
you found yourself kissing her. | 0:39:42 | 0:39:43 | |
Yeah, that's right. | 0:39:43 | 0:39:45 | |
But remember, it wasn't her fault. | 0:39:45 | 0:39:46 | |
Oh, yes, it was, Joe. | 0:39:46 | 0:39:48 | |
She does something to you. | 0:39:48 | 0:39:49 | |
She sure does. | 0:39:49 | 0:39:51 | |
Thanks, Joe. You're a pal. | 0:39:51 | 0:39:52 | |
You understand. | 0:39:52 | 0:39:53 | |
You won't tell Gloria anything about it, will you? | 0:39:53 | 0:39:56 | |
Me? | 0:39:56 | 0:39:57 | |
Gloria? | 0:39:57 | 0:39:58 | |
Understand what? | 0:39:58 | 0:39:59 | |
About my kissing the statue. | 0:39:59 | 0:40:00 | |
She wouldn't understand. | 0:40:00 | 0:40:02 | |
Eddie, you kissed a statue? | 0:40:02 | 0:40:03 | |
Yeah, well, | 0:40:03 | 0:40:04 | |
she wasn't a statue then. | 0:40:04 | 0:40:06 | |
Who wasn't? | 0:40:06 | 0:40:07 | |
Venus, of course. | 0:40:07 | 0:40:08 | |
She was here taking a bubble bath. | 0:40:08 | 0:40:11 | |
You gave a statue a bubble bath? | 0:40:11 | 0:40:12 | |
No, she took it herself. | 0:40:12 | 0:40:15 | |
Look, Eddie, I think your fever's coming back. | 0:40:15 | 0:40:17 | |
I've got to get back to the model home | 0:40:17 | 0:40:19 | |
and get her out of bed. | 0:40:19 | 0:40:21 | |
Don't worry about having me come down, Miss Grant. | 0:40:24 | 0:40:26 | |
I don't mind. | 0:40:26 | 0:40:28 | |
Oh, he'd get the sultan out of bed. | 0:40:28 | 0:40:30 | |
Well, I guess these rags are the gladdest. | 0:40:30 | 0:40:33 | |
I hope you won't get into trouble doing things for me. | 0:40:33 | 0:40:36 | |
He told me to give you anything you need. | 0:40:36 | 0:40:38 | |
From where I stand, you don't need a thing. | 0:40:38 | 0:40:42 | |
The funniest thing happened to me last night. | 0:40:43 | 0:40:46 | |
Me, too. I was out with someone. | 0:40:46 | 0:40:49 | |
Oh, your sweetheart? | 0:40:49 | 0:40:50 | |
Oh, no. | 0:40:50 | 0:40:51 | |
That's what's so funny. | 0:40:51 | 0:40:53 | |
He was just a friend. | 0:40:53 | 0:40:55 | |
But... | 0:40:55 | 0:40:56 | |
all of a sudden... | 0:40:56 | 0:40:57 | |
he was the right one. | 0:40:57 | 0:40:59 | |
I just meet the wrong ones. | 0:40:59 | 0:41:01 | |
Oh. | 0:41:01 | 0:41:02 | |
I just can't figure it out. | 0:41:02 | 0:41:04 | |
One day you're out with someone | 0:41:04 | 0:41:06 | |
who isn't anybody special, | 0:41:06 | 0:41:08 | |
and then... | 0:41:08 | 0:41:09 | |
he makes you feel like everybody else is... | 0:41:09 | 0:41:12 | |
Well... | 0:41:12 | 0:41:13 | |
Nobody. | 0:41:13 | 0:41:14 | |
# You know the way you feel | 0:41:20 | 0:41:22 | |
# When there is autumn in the air | 0:41:22 | 0:41:25 | |
# That's him | 0:41:25 | 0:41:26 | |
# That's him | 0:41:28 | 0:41:30 | |
# The way you feel when Antoine | 0:41:30 | 0:41:32 | |
# Has finished with your hair | 0:41:32 | 0:41:35 | |
# That's him. # | 0:41:35 | 0:41:36 | |
That's him. | 0:41:37 | 0:41:39 | |
# You know the way you feel # | 0:41:39 | 0:41:41 | |
# When you smell fresh bread baking. # | 0:41:41 | 0:41:44 | |
The way you feel | 0:41:44 | 0:41:46 | |
when, oh, your aching back stops aching. | 0:41:46 | 0:41:49 | |
# Wonderful world | 0:41:49 | 0:41:51 | |
# Wonderful you | 0:41:51 | 0:41:54 | |
# That's him. # | 0:41:54 | 0:41:56 | |
That's him. | 0:41:56 | 0:41:57 | |
That's him. | 0:41:57 | 0:41:58 | |
# He's simple as a breeze that blows # | 0:41:58 | 0:42:01 | |
# In summer. # | 0:42:01 | 0:42:03 | |
He's natural, | 0:42:03 | 0:42:05 | |
not actory. | 0:42:05 | 0:42:06 | |
He's like a plumber | 0:42:07 | 0:42:08 | |
when you need a plumber. | 0:42:08 | 0:42:10 | |
GLORIA SIGHS | 0:42:11 | 0:42:13 | |
ALL: # He's satisfactory | 0:42:13 | 0:42:15 | |
# You know the way you feel at movies | 0:42:15 | 0:42:19 | |
# When the lights grow dimmer. # | 0:42:19 | 0:42:22 | |
The way you feel when overnight | 0:42:22 | 0:42:24 | |
your hips grow slimmer. | 0:42:24 | 0:42:26 | |
ALL: # Wonderful world | 0:42:26 | 0:42:28 | |
# Wonderful you. # | 0:42:28 | 0:42:31 | |
Say... | 0:42:31 | 0:42:32 | |
say Paree. | 0:42:32 | 0:42:33 | |
Say New York. | 0:42:33 | 0:42:34 | |
Savory. | 0:42:34 | 0:42:35 | |
# In the darkest caves and hallways | 0:42:35 | 0:42:38 | |
# I would know him always | 0:42:38 | 0:42:41 | |
# Cos I would see | 0:42:41 | 0:42:42 | |
# That he's the one for me | 0:42:42 | 0:42:45 | |
# How could I pass by him | 0:42:45 | 0:42:48 | |
# When I'd identify him | 0:42:48 | 0:42:50 | |
# So easily? # | 0:42:50 | 0:42:52 | |
Because... | 0:42:52 | 0:42:53 | |
that's he. | 0:42:53 | 0:42:54 | |
# You know the way you feel about | 0:42:54 | 0:42:57 | |
# The Rhapsody In Blue # | 0:42:57 | 0:42:59 | |
His eyes are blue. | 0:42:59 | 0:43:00 | |
His eyes are brown. | 0:43:00 | 0:43:02 | |
His are on the town. | 0:43:02 | 0:43:04 | |
The way you feel about a hat | 0:43:04 | 0:43:07 | |
created just for you. | 0:43:07 | 0:43:09 | |
That's him. | 0:43:09 | 0:43:10 | |
That's him. | 0:43:12 | 0:43:13 | |
# He's Christmas. # | 0:43:13 | 0:43:15 | |
He's caviar. | 0:43:15 | 0:43:16 | |
# He's a coke with cherry. # | 0:43:16 | 0:43:18 | |
Let's face it, girls. | 0:43:18 | 0:43:20 | |
He's a man. | 0:43:20 | 0:43:21 | |
ALL: # He's necessary | 0:43:21 | 0:43:25 | |
# Wonderful world | 0:43:25 | 0:43:27 | |
# Wonderful you | 0:43:27 | 0:43:30 | |
VENUS: # That's him | 0:43:30 | 0:43:32 | |
# That's him... # | 0:43:32 | 0:43:34 | |
ALL: That's him! | 0:43:34 | 0:43:36 | |
That's that. | 0:43:38 | 0:43:39 | |
Oops. No shoes. | 0:43:39 | 0:43:41 | |
OK, my little quarterback, | 0:43:41 | 0:43:42 | |
you're still carrying the ball. | 0:43:42 | 0:43:44 | |
Shoe department, size four and a half. | 0:43:44 | 0:43:45 | |
Four and a half? | 0:43:45 | 0:43:46 | |
Ridiculous. | 0:43:46 | 0:43:47 | |
Well, the stage is set. | 0:43:47 | 0:43:49 | |
I'll go get Romeo. | 0:43:49 | 0:43:50 | |
Hey, Eddie! | 0:44:12 | 0:44:13 | |
Shh. | 0:44:13 | 0:44:14 | |
Look, look, Eddie, | 0:44:14 | 0:44:15 | |
I don't really think you're... | 0:44:15 | 0:44:16 | |
well, crazy or anything. | 0:44:16 | 0:44:18 | |
I...I just think you're a little overworked. | 0:44:18 | 0:44:20 | |
I'll be all right. | 0:44:20 | 0:44:22 | |
Just as soon as I can get her out. | 0:44:22 | 0:44:24 | |
Why'd you bring a girl here? | 0:44:24 | 0:44:26 | |
I don't know the answer. | 0:44:26 | 0:44:27 | |
You're my pal, aren't you? | 0:44:27 | 0:44:29 | |
Yeah. | 0:44:29 | 0:44:30 | |
If anybody comes, you be my lookout. | 0:44:30 | 0:44:32 | |
Give me a whistle or something. | 0:44:32 | 0:44:34 | |
Look, Eddie... | 0:44:34 | 0:44:35 | |
Venus? | 0:44:39 | 0:44:41 | |
Your Majesty? | 0:44:41 | 0:44:43 | |
Venus? | 0:44:43 | 0:44:44 | |
Where are yo... | 0:44:44 | 0:44:46 | |
This is no time for games. | 0:44:46 | 0:44:48 | |
Of all the dresses you gave me, | 0:44:48 | 0:44:50 | |
I like this one the best. | 0:44:50 | 0:44:52 | |
Dresses? I gave you? | 0:44:52 | 0:44:54 | |
You don't like it? | 0:44:54 | 0:44:56 | |
Of course not. | 0:44:56 | 0:44:57 | |
I'll be fired. | 0:44:57 | 0:44:58 | |
Take it off. | 0:44:58 | 0:45:00 | |
I'm in enough trouble alrea... | 0:45:00 | 0:45:01 | |
< JOE WHISTLES | 0:45:01 | 0:45:03 | |
Take it off? | 0:45:03 | 0:45:05 | |
Hi, Gloria. Where are you going? | 0:45:05 | 0:45:07 | |
To the model home. | 0:45:07 | 0:45:08 | |
Come on. | 0:45:10 | 0:45:11 | |
You've got to... | 0:45:11 | 0:45:13 | |
What are you doing? | 0:45:13 | 0:45:14 | |
< JOE WHISTLES | 0:45:14 | 0:45:15 | |
Wh...what are you doing? | 0:45:15 | 0:45:17 | |
You didn't like it. | 0:45:17 | 0:45:18 | |
Oh, I love it. | 0:45:18 | 0:45:19 | |
Put it on and get out. | 0:45:19 | 0:45:21 | |
< JOE WHISTLES | 0:45:21 | 0:45:22 | |
No. | 0:45:22 | 0:45:23 | |
Hurry! Hurry! | 0:45:23 | 0:45:24 | |
I want to please you. | 0:45:24 | 0:45:26 | |
Oh, you can please me. Just get out. | 0:45:26 | 0:45:28 | |
Do you like this one? | 0:45:28 | 0:45:30 | |
I love it. It's beautiful. | 0:45:30 | 0:45:31 | |
Now, get in there, get dressed, | 0:45:31 | 0:45:33 | |
and don't come out until I call you. | 0:45:33 | 0:45:36 | |
Oh, Eddie, | 0:45:36 | 0:45:37 | |
are you sure you're going to like this one? | 0:45:37 | 0:45:39 | |
Oh, I'm crazy about it. | 0:45:39 | 0:45:40 | |
I'm nuts about it. | 0:45:40 | 0:45:42 | |
You, er, look awfully nice, Gloria. | 0:45:42 | 0:45:44 | |
HE WHISTLES | 0:45:44 | 0:45:45 | |
Thanks, Joe. | 0:45:45 | 0:45:46 | |
You look, er... neat. | 0:45:46 | 0:45:48 | |
Yep. | 0:45:48 | 0:45:49 | |
Real neat. | 0:45:49 | 0:45:51 | |
HE WHISTLES | 0:45:51 | 0:45:53 | |
Look, Joe, do you want to... | 0:45:53 | 0:45:55 | |
SHE WHISTLES | 0:45:55 | 0:45:57 | |
..or do you want to talk to me? | 0:45:57 | 0:45:58 | |
BANGING > | 0:45:58 | 0:46:01 | |
Is that Eddie? | 0:46:01 | 0:46:02 | |
Eddie? Oh, yeah. | 0:46:02 | 0:46:04 | |
That's Eddie. Eddie Hatch. | 0:46:04 | 0:46:06 | |
In there with that girl? | 0:46:06 | 0:46:07 | |
Girl? | 0:46:07 | 0:46:08 | |
There's no girl in there. | 0:46:08 | 0:46:10 | |
Eddie's in there alone. | 0:46:10 | 0:46:11 | |
Eddie's working. | 0:46:11 | 0:46:12 | |
Yep. | 0:46:12 | 0:46:14 | |
Just...working away. | 0:46:14 | 0:46:16 | |
I'll bet. | 0:46:16 | 0:46:17 | |
BANGING > | 0:46:18 | 0:46:20 | |
HE HUMS | 0:46:23 | 0:46:25 | |
Where did she go? | 0:46:36 | 0:46:37 | |
Oh, hello, Gloria. | 0:46:37 | 0:46:39 | |
Where did who go? | 0:46:39 | 0:46:40 | |
Never mind her. | 0:46:40 | 0:46:42 | |
Where did you go? | 0:46:42 | 0:46:43 | |
You look wonderful today, honey. | 0:46:43 | 0:46:44 | |
I like your hair. | 0:46:44 | 0:46:46 | |
You're going to wear your hair short | 0:46:46 | 0:46:48 | |
if you don't explain what happened last night. | 0:46:48 | 0:46:50 | |
Last night? Oh, last night. | 0:46:50 | 0:46:52 | |
Oh, you mean, er, er, | 0:46:52 | 0:46:55 | |
when I left while you were out getting soup? | 0:46:55 | 0:46:56 | |
What soup did you get, honey? | 0:46:56 | 0:46:59 | |
Noodle and spinach. | 0:46:59 | 0:47:00 | |
I didn't want your guest to be disappointed. | 0:47:00 | 0:47:03 | |
Oh, now, Gloria... | 0:47:03 | 0:47:04 | |
if I run into her, she'll wish she hadn't had any spinach. | 0:47:04 | 0:47:08 | |
If you think for one minute | 0:47:08 | 0:47:10 | |
you're going to make a fool of me... | 0:47:10 | 0:47:12 | |
Now, don't get upset. It's not good for you. | 0:47:12 | 0:47:15 | |
I suppose it's good to be stood up | 0:47:15 | 0:47:17 | |
by a two-timing chiseller. | 0:47:17 | 0:47:19 | |
Why, for two cents I'd hit you... | 0:47:19 | 0:47:21 | |
That's breakable. Oh, so is your head. | 0:47:21 | 0:47:23 | |
Gloria! Gloria, please! | 0:47:23 | 0:47:25 | |
Everything here is charged to me. | 0:47:25 | 0:47:27 | |
Let go! Let go! | 0:47:27 | 0:47:28 | |
I never want to see you again, Eddie Hatch! | 0:47:31 | 0:47:33 | |
You can go wherever you please! | 0:47:33 | 0:47:35 | |
Oh, Gloria, wait a minute! | 0:47:35 | 0:47:36 | |
I didn't mean anything by... | 0:47:36 | 0:47:38 | |
Do whatever you want! | 0:47:38 | 0:47:40 | |
I HATE you! | 0:47:40 | 0:47:42 | |
Hey, Eddie! | 0:47:42 | 0:47:43 | |
Eddie, give me the vase. | 0:47:43 | 0:47:45 | |
I think she's mad! | 0:47:45 | 0:47:47 | |
Hey, you're just that guy I'm looking for. | 0:48:08 | 0:48:10 | |
Oh, good morning, Mr Kerrigan. | 0:48:10 | 0:48:12 | |
The strangest thing just... | 0:48:12 | 0:48:13 | |
Yeah, I've got a warrant for your arrest. | 0:48:13 | 0:48:16 | |
Huh? | 0:48:16 | 0:48:17 | |
Mr Big. | 0:48:23 | 0:48:25 | |
Oh, I'm through with him. | 0:48:25 | 0:48:27 | |
Oh, cheer up, Gloria. | 0:48:28 | 0:48:31 | |
You and Eddie will be making up again. | 0:48:31 | 0:48:33 | |
What do you want to bet? | 0:48:33 | 0:48:36 | |
No more dates with him! | 0:48:36 | 0:48:38 | |
There are plenty of other fish in the sea. | 0:48:38 | 0:48:41 | |
Gloria! | 0:48:47 | 0:48:48 | |
Your... | 0:48:48 | 0:48:49 | |
Gloria, your shoe. | 0:48:49 | 0:48:50 | |
You know... | 0:48:53 | 0:48:55 | |
Gloria, if you... | 0:48:55 | 0:48:57 | |
ever need anything... | 0:48:57 | 0:48:59 | |
You can always count on me. | 0:49:00 | 0:49:03 | |
Thanks, Joe. | 0:49:03 | 0:49:04 | |
Well, I'll be seeing you. | 0:49:04 | 0:49:06 | |
When? | 0:49:06 | 0:49:09 | |
We'll see. | 0:49:09 | 0:49:10 | |
See ya. | 0:49:12 | 0:49:13 | |
See ya. | 0:49:16 | 0:49:17 | |
Say, maybe he's in the basement. | 0:49:22 | 0:49:24 | |
We'll give this floor the once-over. Come on. | 0:49:24 | 0:49:28 | |
Well, he ain't in here. | 0:49:38 | 0:49:39 | |
Come on. | 0:49:39 | 0:49:41 | |
Peekaboo, Hatch. | 0:50:30 | 0:50:32 | |
Cover the employees' entrance. | 0:50:43 | 0:50:45 | |
Pardon me. | 0:50:52 | 0:50:53 | |
Uh, we haven't met. | 0:50:53 | 0:50:55 | |
That is, you haven't met me, | 0:50:55 | 0:50:56 | |
but my name's Whitfield Savory II. | 0:50:56 | 0:50:58 | |
The same name as this establishment. | 0:50:58 | 0:51:00 | |
I AM this establishment. | 0:51:00 | 0:51:02 | |
Did you sleep well? | 0:51:02 | 0:51:04 | |
Yes, beautifully, thank you. | 0:51:04 | 0:51:05 | |
Yes, beautifully. | 0:51:05 | 0:51:08 | |
Uh, and the clothes? | 0:51:08 | 0:51:09 | |
Oh, divine. | 0:51:09 | 0:51:10 | |
A mere trifle. Take the whole store. | 0:51:10 | 0:51:12 | |
You can set fire to it if it amuses you. | 0:51:12 | 0:51:15 | |
You are generous, Mr Savory. | 0:51:15 | 0:51:17 | |
Call me Whitfield. | 0:51:17 | 0:51:18 | |
My car's waiting. Shall we go? | 0:51:18 | 0:51:20 | |
We? | 0:51:20 | 0:51:21 | |
I've arranged everything... | 0:51:21 | 0:51:23 | |
lunch at the Mum and Quiet Club, | 0:51:23 | 0:51:25 | |
then to Montauk Point for a candlelight dinner | 0:51:25 | 0:51:28 | |
at the Sand and Surf Yacht Club, | 0:51:28 | 0:51:29 | |
then a moonlit ride to the Adirondacks, | 0:51:29 | 0:51:32 | |
and breakfast at the Crop and Spur Club. | 0:51:32 | 0:51:34 | |
I don't think Eddie would approve. | 0:51:34 | 0:51:36 | |
Eddie? What Eddie? | 0:51:36 | 0:51:37 | |
Eddie Hatch, of course. | 0:51:37 | 0:51:38 | |
Hatch? | 0:51:38 | 0:51:39 | |
Yes. Last night he brought me here. | 0:51:39 | 0:51:42 | |
This morning he surprised me with all these clothes. | 0:51:42 | 0:51:46 | |
Hatch. That clerk? | 0:51:46 | 0:51:47 | |
That 40-a-week window dresser? | 0:51:47 | 0:51:50 | |
FOOTSTEPS | 0:51:50 | 0:51:51 | |
Eddie! | 0:51:51 | 0:51:52 | |
Eddie, where have you been? | 0:51:52 | 0:51:54 | |
Still trying to duck me? | 0:51:54 | 0:51:55 | |
I got questions for you. | 0:51:55 | 0:51:57 | |
Don't blame her. It's my fault. | 0:51:57 | 0:51:59 | |
Have you got the warrant? | 0:51:59 | 0:52:00 | |
Right here, Mr Savory. | 0:52:00 | 0:52:01 | |
Add these charges, | 0:52:01 | 0:52:02 | |
breaking into Savory's and stealing clothes. | 0:52:02 | 0:52:06 | |
Well...well, look, | 0:52:06 | 0:52:07 | |
if you'll just let her go, | 0:52:07 | 0:52:08 | |
I'll pay for everything. | 0:52:08 | 0:52:09 | |
Out of your 40 a week? | 0:52:09 | 0:52:11 | |
43.75! | 0:52:11 | 0:52:12 | |
Come on. One moment. | 0:52:12 | 0:52:14 | |
Does this document give you the right | 0:52:14 | 0:52:16 | |
to put Eddie in jail? | 0:52:16 | 0:52:18 | |
It does. | 0:52:18 | 0:52:19 | |
May I see it, please? | 0:52:19 | 0:52:21 | |
Don't worry about me. | 0:52:21 | 0:52:23 | |
Oh, it's very interesting. | 0:52:23 | 0:52:24 | |
What the...? | 0:52:28 | 0:52:29 | |
I thought you were a big boy now. | 0:52:29 | 0:52:32 | |
Darling, come on. | 0:52:33 | 0:52:35 | |
Wait. Wait. | 0:52:36 | 0:52:37 | |
I'll turn him into an owl. | 0:52:37 | 0:52:39 | |
I don't even understand it. | 0:52:39 | 0:52:41 | |
I don't know who... | 0:52:41 | 0:52:42 | |
whoo whoo. | 0:52:42 | 0:52:43 | |
What are you doing? | 0:52:43 | 0:52:44 | |
Arrest that man. Get going. | 0:52:44 | 0:52:46 | |
Oh, no. No, don't. Don't. | 0:52:46 | 0:52:48 | |
Stop it. Please. Stop it. Go on. | 0:52:48 | 0:52:50 | |
Don't stand there like a dummy. > | 0:52:50 | 0:52:52 | |
Whoo whoo whoo whoo. | 0:52:52 | 0:52:53 | |
Whoo whoo whoo whoo. | 0:52:53 | 0:52:55 | |
Whoo. | 0:52:55 | 0:52:56 | |
What's the matter with you? | 0:52:56 | 0:52:57 | |
I just had a funny feeling, | 0:52:57 | 0:52:59 | |
like I was going to lay an egg. | 0:52:59 | 0:53:02 | |
Got to get out of here - fast! | 0:53:03 | 0:53:06 | |
Wait a minute. | 0:53:06 | 0:53:07 | |
Why am I running away? | 0:53:07 | 0:53:09 | |
I'm not a criminal. | 0:53:09 | 0:53:11 | |
Course you're not. | 0:53:11 | 0:53:12 | |
But that detective thinks I stole the statue, | 0:53:12 | 0:53:15 | |
and Mr Savory accuses me of stealing your clothes, | 0:53:15 | 0:53:18 | |
Gloria's mad at me, Joe thinks I'm crazy, | 0:53:18 | 0:53:21 | |
I'm going to jail and losing my job, all because... | 0:53:21 | 0:53:25 | |
You kissed a statue. | 0:53:25 | 0:53:26 | |
Yeah. | 0:53:26 | 0:53:27 | |
That champagne made me do it. | 0:53:27 | 0:53:30 | |
I'm going to tell them the truth. | 0:53:30 | 0:53:32 | |
You did and they didn't believe you. | 0:53:32 | 0:53:34 | |
Oh, yeah. | 0:53:34 | 0:53:36 | |
You could be my witness. | 0:53:37 | 0:53:39 | |
That's it. You could explain it all to them, | 0:53:39 | 0:53:42 | |
the paper dolls and everything. | 0:53:42 | 0:53:43 | |
Mr Savory will believe me, | 0:53:43 | 0:53:45 | |
and he won't think I'm a criminal. | 0:53:45 | 0:53:48 | |
Perhaps I could persuade Mr Savory. | 0:53:48 | 0:53:50 | |
Oh, no. One of the girls told me all about him. | 0:53:50 | 0:53:54 | |
Did he ask you for a date? | 0:53:54 | 0:53:57 | |
Mm-hmm. | 0:53:57 | 0:53:58 | |
Now, look, your Majesty. | 0:54:02 | 0:54:03 | |
You are the Goddess of Love. | 0:54:03 | 0:54:05 | |
You belong on a pedestal | 0:54:05 | 0:54:07 | |
where people can see you and admire you! | 0:54:07 | 0:54:09 | |
Lots of people, thousands of people. | 0:54:09 | 0:54:11 | |
You want me to go back. | 0:54:11 | 0:54:13 | |
Will you? | 0:54:13 | 0:54:14 | |
I didn't think it was time. | 0:54:14 | 0:54:16 | |
Oh, there couldn't be a better time. | 0:54:16 | 0:54:19 | |
Ah, gee, it sure is swell of you, Miss Venus. | 0:54:20 | 0:54:24 | |
I really appreciate it, too. | 0:54:24 | 0:54:26 | |
Now my life will be just like it was before. | 0:54:26 | 0:54:29 | |
Sensible, orderly, and practical, | 0:54:29 | 0:54:30 | |
and I'll make up with Gloria. | 0:54:30 | 0:54:32 | |
Yup, just like it was before. | 0:54:32 | 0:54:35 | |
HE HUMS | 0:54:36 | 0:54:37 | |
Well... | 0:54:57 | 0:54:58 | |
Er... | 0:54:58 | 0:54:59 | |
will you be happy, er, that is, where you're going? | 0:54:59 | 0:55:02 | |
Oh, we worry a lot about you mortals. | 0:55:02 | 0:55:05 | |
What's it like, hmm? | 0:55:06 | 0:55:08 | |
Uh, have you got big cities like this, | 0:55:08 | 0:55:11 | |
places to go, movies and parks and things? | 0:55:11 | 0:55:14 | |
Gee, it's a shame you didn't get to see everything. | 0:55:15 | 0:55:18 | |
I could at least have taken you to the park. | 0:55:18 | 0:55:21 | |
I've caused you enough trouble already. | 0:55:21 | 0:55:23 | |
Trouble? | 0:55:23 | 0:55:24 | |
What do you mean? | 0:55:24 | 0:55:26 | |
We could see the park if we wanted to. | 0:55:26 | 0:55:29 | |
You don't really want to. | 0:55:29 | 0:55:30 | |
Of course I do. | 0:55:30 | 0:55:31 | |
I know my own mind. | 0:55:31 | 0:55:33 | |
Right now I want to take you to the park. | 0:55:34 | 0:55:39 | |
But I ask you, Molly, | 0:55:39 | 0:55:40 | |
even giving myself the worst of it, | 0:55:40 | 0:55:42 | |
what's this window trimmer got | 0:55:42 | 0:55:43 | |
that I haven't got? | 0:55:43 | 0:55:45 | |
To mention just one thing, | 0:55:45 | 0:55:46 | |
the girl you want. | 0:55:46 | 0:55:48 | |
I can offer her anything she wants, | 0:55:48 | 0:55:50 | |
anything that money can buy. | 0:55:50 | 0:55:52 | |
You did. It wasn't enough. | 0:55:52 | 0:55:53 | |
It doesn't make sense. | 0:55:53 | 0:55:55 | |
"Try to reason about love, and you'll lose your reason." | 0:55:55 | 0:55:58 | |
Old French proverb. | 0:55:58 | 0:55:59 | |
Well, I'm not through yet. | 0:55:59 | 0:56:01 | |
This is a challenge. | 0:56:01 | 0:56:02 | |
When I want something, I get it. | 0:56:02 | 0:56:05 | |
Not this time, I've got a feeling. | 0:56:05 | 0:56:08 | |
For everybody, there's bound to be one thing, | 0:56:08 | 0:56:10 | |
one person that's unattainable. | 0:56:10 | 0:56:12 | |
Well, not for me. | 0:56:12 | 0:56:14 | |
OK, Lord-and-Master. | 0:56:14 | 0:56:16 | |
Whoo hoo hoo... | 0:56:21 | 0:56:23 | |
Whooo... | 0:56:28 | 0:56:30 | |
I love your park, Eddie. | 0:56:44 | 0:56:45 | |
It seems more beautiful tonight | 0:56:45 | 0:56:47 | |
than it ever has. | 0:56:47 | 0:56:49 | |
THEY SING | 0:56:49 | 0:56:51 | |
# If this place is love | 0:57:02 | 0:57:05 | |
# Why didn't somebody tell me? | 0:57:05 | 0:57:09 | |
# Don't look now | 0:57:09 | 0:57:12 | |
# But my heart is showing | 0:57:12 | 0:57:14 | |
# No matter what I say or do | 0:57:14 | 0:57:17 | |
# Can't hide it | 0:57:17 | 0:57:19 | |
# My heart's Romeo-ing | 0:57:19 | 0:57:21 | |
# I can't stay away from you | 0:57:21 | 0:57:24 | |
# You smile, and my dreams start hello-ing | 0:57:24 | 0:57:28 | |
# They spin when you come into view | 0:57:28 | 0:57:31 | |
# In circles I may not be going | 0:57:31 | 0:57:35 | |
# But I feel I reel with you | 0:57:35 | 0:57:38 | |
# When Mister | 0:57:38 | 0:57:41 | |
# Kisses Miss | 0:57:41 | 0:57:42 | |
# No need for words to embroider | 0:57:42 | 0:57:46 | |
# When mister | 0:57:46 | 0:57:48 | |
# Kisses Miss | 0:57:48 | 0:57:49 | |
# Changing her name is in order | 0:57:49 | 0:57:52 | |
# You'll smile, and the stardust is blowing | 0:57:52 | 0:57:56 | |
# We're whirling in a world that's new | 0:57:56 | 0:57:59 | |
# Don't look now, but your heart is showing | 0:57:59 | 0:58:03 | |
# And it flips and halts | 0:58:03 | 0:58:05 | |
# And turns somersaults | 0:58:05 | 0:58:06 | |
# Darling, it wants to waltz with you | 0:58:06 | 0:58:10 | |
# Don't ask me, but here is my answer | 0:58:18 | 0:58:21 | |
# I think that you are magically he | 0:58:21 | 0:58:25 | |
# Who could be a love necromancer? | 0:58:25 | 0:58:28 | |
# Neck-romancing is for me | 0:58:28 | 0:58:32 | |
# Don't stop me, but I am replying | 0:58:32 | 0:58:35 | |
# I know that you are magically she | 0:58:35 | 0:58:39 | |
# The preacher would like to be tying | 0:58:39 | 0:58:42 | |
# As you coo | 0:58:42 | 0:58:43 | |
# I do | 0:58:43 | 0:58:44 | |
# With me. | 0:58:44 | 0:58:45 | |
# Around, 'round and 'round | 0:58:45 | 0:58:49 | |
# I'm just like a record that's playing | 0:58:49 | 0:58:52 | |
# Repeating the same sound | 0:58:52 | 0:58:56 | |
# The needle must like what I'm saying | 0:58:56 | 0:58:59 | |
# These wings that I feel I am growing | 0:58:59 | 0:59:02 | |
# Belong to someone I never knew | 0:59:02 | 0:59:06 | |
# Don't look now, but heaven is showing | 0:59:06 | 0:59:09 | |
# And tonight the sky | 0:59:09 | 0:59:11 | |
# Is my sky to fly | 0:59:11 | 0:59:14 | |
# Darling | 0:59:14 | 0:59:16 | |
# Falling in love | 0:59:16 | 0:59:18 | |
# Falling in love | 0:59:18 | 0:59:22 | |
# With you. # | 0:59:22 | 0:59:27 | |
I feel as if I'd swallowed a symphony orchestra | 1:00:12 | 1:00:15 | |
playing the most beautiful music in the world. | 1:00:15 | 1:00:18 | |
In two worlds, darling. | 1:00:18 | 1:00:20 | |
Troubled, angel? | 1:00:26 | 1:00:27 | |
Er, er, nothing. | 1:00:27 | 1:00:30 | |
Tell me. | 1:00:30 | 1:00:32 | |
Well, what about this fellow, | 1:00:32 | 1:00:34 | |
the one, er, you turned into an owl? | 1:00:34 | 1:00:37 | |
Uh, hip-hip-hip-hip- | 1:00:37 | 1:00:39 | |
Hippolytus? | 1:00:39 | 1:00:40 | |
Uh-huh. | 1:00:40 | 1:00:41 | |
Didn't you love him once? | 1:00:41 | 1:00:43 | |
Never. | 1:00:43 | 1:00:44 | |
He bothered me. | 1:00:44 | 1:00:45 | |
Oh. | 1:00:45 | 1:00:47 | |
Do I bother you? | 1:00:47 | 1:00:49 | |
No, dear. | 1:00:50 | 1:00:51 | |
Not like that. | 1:00:51 | 1:00:53 | |
Ooh... | 1:00:55 | 1:00:56 | |
Feathers... | 1:00:56 | 1:00:57 | |
What about... | 1:00:59 | 1:01:01 | |
what about this other one... | 1:01:01 | 1:01:02 | |
This poliph... | 1:01:02 | 1:01:03 | |
Peliphenes? | 1:01:03 | 1:01:05 | |
Very annoying. | 1:01:05 | 1:01:06 | |
What? | 1:01:06 | 1:01:08 | |
So annoying I finally had to turn him into a... | 1:01:08 | 1:01:11 | |
a rock. | 1:01:12 | 1:01:14 | |
You mean a boulder? | 1:01:14 | 1:01:15 | |
Mmm. A large one. | 1:01:15 | 1:01:17 | |
It's perched on the side of Mount Olympus. | 1:01:17 | 1:01:19 | |
None of them really had my love the way you do. | 1:01:19 | 1:01:23 | |
I'm glad if I'm different. | 1:01:23 | 1:01:24 | |
You are. | 1:01:24 | 1:01:25 | |
You're the only one. | 1:01:25 | 1:01:27 | |
Then I don't care what happens. | 1:01:27 | 1:01:29 | |
Turn me into a fire hydrant | 1:01:29 | 1:01:31 | |
or a goat if you want. | 1:01:31 | 1:01:33 | |
It's worth it. | 1:01:33 | 1:01:35 | |
This is the place, boss. | 1:01:38 | 1:01:40 | |
You sure he's here? | 1:02:07 | 1:02:09 | |
Sure. We tailed them both, then phoned you. | 1:02:09 | 1:02:12 | |
Savory doubled the ante if we nab Hatch tonight. | 1:02:12 | 1:02:14 | |
Come on. | 1:02:14 | 1:02:16 | |
Dear, I just can't believe that this is happening to me. | 1:02:16 | 1:02:20 | |
You know... | 1:02:20 | 1:02:22 | |
I...I don't know what to do. | 1:02:22 | 1:02:24 | |
I don't know what to say, | 1:02:24 | 1:02:27 | |
and I don't know what to do. | 1:02:27 | 1:02:30 | |
I'd like to do things for you. | 1:02:30 | 1:02:32 | |
I'd like to take you places, | 1:02:32 | 1:02:34 | |
like the men in the ads, men of distinction, | 1:02:34 | 1:02:37 | |
like Mr Savory. | 1:02:37 | 1:02:39 | |
He could buy you everything. | 1:02:39 | 1:02:40 | |
Everything? | 1:02:40 | 1:02:41 | |
Let me see... | 1:02:41 | 1:02:43 | |
could he buy me a bag of popcorn? | 1:02:43 | 1:02:46 | |
Ha ha. Don't be silly. | 1:02:46 | 1:02:48 | |
Of course not. | 1:02:48 | 1:02:49 | |
What would you want with a bag... | 1:02:49 | 1:02:52 | |
Popcorn? | 1:02:53 | 1:02:55 | |
Do you mean it? | 1:02:55 | 1:02:57 | |
Great big bag. | 1:02:57 | 1:02:58 | |
I'll be right back. | 1:03:01 | 1:03:02 | |
You'll still be here when I get back, won't you? | 1:03:10 | 1:03:14 | |
I'll be here, Eddie. | 1:03:14 | 1:03:15 | |
Your best bag of popcorn, please. | 1:03:35 | 1:03:37 | |
It's all the same. | 1:03:37 | 1:03:38 | |
It's got to be special. | 1:03:38 | 1:03:39 | |
Yeah. This is for a walkie-talkie statue. | 1:03:39 | 1:03:42 | |
Come to me. | 1:03:42 | 1:03:44 | |
Come close to me. | 1:03:44 | 1:03:45 | |
Grab him! | 1:03:47 | 1:03:48 | |
I can't come now. I'll come with you later. | 1:03:49 | 1:03:52 | |
Take him, boys. | 1:03:52 | 1:03:54 | |
I can't...I can't leave her here alone. | 1:03:54 | 1:03:57 | |
She's a goddess. | 1:03:57 | 1:03:58 | |
He's still crazy. Go on! | 1:03:58 | 1:03:59 | |
She doesn't know about mortals. | 1:03:59 | 1:04:01 | |
Keep moving. | 1:04:01 | 1:04:02 | |
Venus! | 1:04:02 | 1:04:03 | |
Venus! | 1:04:03 | 1:04:05 | |
Venus! > | 1:04:06 | 1:04:07 | |
Venus! > | 1:04:07 | 1:04:09 | |
What happened? | 1:04:18 | 1:04:19 | |
I don't know. | 1:04:19 | 1:04:20 | |
Some detectives just grabbed the kid. | 1:04:20 | 1:04:22 | |
What did he do? | 1:04:22 | 1:04:23 | |
Search me. He was buying popcorn and... | 1:04:23 | 1:04:26 | |
Debussy. | 1:04:31 | 1:04:32 | |
You know, Debussy does something to women. | 1:04:32 | 1:04:35 | |
Personally I go for Buzzy Ballou And His Musical Crew. | 1:04:35 | 1:04:39 | |
Save your needles, chum. | 1:04:39 | 1:04:41 | |
I suspect that this little gal | 1:04:41 | 1:04:43 | |
is going to be your Waterloo. | 1:04:43 | 1:04:45 | |
What else can she do? | 1:04:45 | 1:04:46 | |
When they toss Hatch into the Bastille, | 1:04:46 | 1:04:49 | |
she'll turn to me. | 1:04:49 | 1:04:50 | |
Only I can get him out. | 1:04:50 | 1:04:52 | |
Fine strategy, but it won't work, not with this baby. | 1:04:52 | 1:04:55 | |
Hello, baby. | 1:04:57 | 1:04:59 | |
My dear, | 1:04:59 | 1:05:01 | |
what a very unexpected pleasure. | 1:05:01 | 1:05:03 | |
Am I too late for that candlelight supper? | 1:05:03 | 1:05:06 | |
Gracious, no. | 1:05:06 | 1:05:07 | |
I'll put a couple of candles on to broil right away. | 1:05:07 | 1:05:11 | |
Uh, I'll manage, Molly. | 1:05:11 | 1:05:12 | |
I'm a whiz at tallow sauted A La Savory. | 1:05:12 | 1:05:14 | |
Good night, Molly. | 1:05:14 | 1:05:16 | |
I'll chill some wine. Any preference? | 1:05:17 | 1:05:19 | |
Your pleasure. | 1:05:19 | 1:05:21 | |
Don't worry. | 1:05:30 | 1:05:31 | |
Not me. You can take care of yourself. | 1:05:31 | 1:05:34 | |
I mean about him. | 1:05:34 | 1:05:35 | |
You really care for him, don't you? | 1:05:35 | 1:05:38 | |
Reminds me of a dog I had. | 1:05:38 | 1:05:41 | |
No. No, you really love him. | 1:05:41 | 1:05:43 | |
Well, why not? | 1:05:43 | 1:05:45 | |
Working here, I get a 20% discount. | 1:05:45 | 1:05:47 | |
Molly, you keep everything inside. | 1:05:47 | 1:05:49 | |
You shouldn't. | 1:05:49 | 1:05:50 | |
You must let him know. | 1:05:50 | 1:05:52 | |
You talk like an expert. | 1:05:52 | 1:05:53 | |
What do you think? | 1:05:53 | 1:05:55 | |
Mm-hmm. | 1:05:57 | 1:05:58 | |
Good night, Molly. | 1:06:00 | 1:06:01 | |
So long. | 1:06:01 | 1:06:02 | |
Watch out for Debussy. | 1:06:02 | 1:06:04 | |
This is lovely. | 1:06:16 | 1:06:18 | |
Yes. | 1:06:18 | 1:06:19 | |
To you. | 1:06:28 | 1:06:29 | |
To us. | 1:06:29 | 1:06:30 | |
"She walks in beauty like the night. | 1:06:41 | 1:06:45 | |
"Of cloudless climes and starry skies." | 1:06:45 | 1:06:48 | |
Poetic approach, huh? | 1:06:48 | 1:06:50 | |
Do you bother to learn the whole poem | 1:06:50 | 1:06:52 | |
or just those parts you can whisper to women? | 1:06:52 | 1:06:55 | |
Or they can whisper to me. | 1:06:55 | 1:06:57 | |
Another good one is, | 1:06:59 | 1:07:01 | |
"Oh, thou art fairer than the evening air, | 1:07:01 | 1:07:04 | |
"gladden the beauty of a thousand stars." | 1:07:04 | 1:07:07 | |
I'll make a note of that. | 1:07:11 | 1:07:13 | |
Some more wine? | 1:07:13 | 1:07:15 | |
Please. | 1:07:15 | 1:07:16 | |
You know, you are rather nice. | 1:07:57 | 1:07:59 | |
I'm sorry about the way I've acted. | 1:07:59 | 1:08:02 | |
"Beauty likened to a song. | 1:08:05 | 1:08:07 | |
"Such beauty can do no wrong." | 1:08:07 | 1:08:10 | |
Please. | 1:08:10 | 1:08:11 | |
You're maddening. | 1:08:11 | 1:08:12 | |
No, Whitfield. | 1:08:13 | 1:08:14 | |
I keep thinking... Me, too. | 1:08:14 | 1:08:16 | |
Eddie's been arrested. | 1:08:16 | 1:08:17 | |
Wonderful. | 1:08:17 | 1:08:18 | |
But it was all my fault. | 1:08:18 | 1:08:20 | |
Forget him. | 1:08:20 | 1:08:21 | |
Poor boy, in a cold cell. | 1:08:21 | 1:08:23 | |
I'll send him some blankets. | 1:08:23 | 1:08:25 | |
Maybe...maybe you could get him out? | 1:08:25 | 1:08:28 | |
Why, yes, of course. Anything. Anything. | 1:08:28 | 1:08:30 | |
It's the least I can do for you. | 1:08:30 | 1:08:33 | |
PHONE RINGS | 1:08:39 | 1:08:41 | |
Yes? | 1:08:47 | 1:08:49 | |
The city jail? | 1:08:49 | 1:08:50 | |
Oh, it's you. | 1:08:50 | 1:08:52 | |
Well, what now? | 1:08:52 | 1:08:53 | |
Hello, Kerrigan? | 1:08:53 | 1:08:54 | |
I want a word with you. | 1:08:54 | 1:08:56 | |
Now I'm Kerrigan, huh? | 1:08:56 | 1:08:57 | |
Well, begorra, I've got the feet for it. | 1:08:57 | 1:09:01 | |
Aha, Kerrigan, you are a card! | 1:09:01 | 1:09:02 | |
Tell him about Eddie. | 1:09:02 | 1:09:04 | |
(Yes, dear.) | 1:09:04 | 1:09:05 | |
Do something for me, old boy. | 1:09:05 | 1:09:07 | |
Oh, why don't you spin your platters? | 1:09:07 | 1:09:09 | |
You know, "Debussy does something to women". | 1:09:09 | 1:09:11 | |
Better yet, flip out your bank books. | 1:09:11 | 1:09:14 | |
You can give her anything money can buy. | 1:09:14 | 1:09:16 | |
Listen, Kerrigan, I want action on this, understand? | 1:09:16 | 1:09:18 | |
Whitfield, you're so wonderful. | 1:09:18 | 1:09:20 | |
Thank you, my dear. | 1:09:20 | 1:09:21 | |
Hold on, Kerrigan. What's that? | 1:09:21 | 1:09:23 | |
Hatch. Eddie Hatch. | 1:09:23 | 1:09:24 | |
I'll have him out in a minute. | 1:09:24 | 1:09:26 | |
Look here, Molly... er, Molligan... | 1:09:26 | 1:09:28 | |
er, Kerrigan. | 1:09:28 | 1:09:29 | |
Ha ha... | 1:09:29 | 1:09:31 | |
I'll put an ad in the paper for a secretary. | 1:09:31 | 1:09:34 | |
Help wanted. Female. | 1:09:34 | 1:09:36 | |
Must be able to take shorthand and body blows. | 1:09:36 | 1:09:39 | |
Don't do anything rash. | 1:09:39 | 1:09:41 | |
We'll talk... | 1:09:41 | 1:09:42 | |
Let me... | 1:09:42 | 1:09:43 | |
I'll handle this. | 1:09:43 | 1:09:44 | |
You've pulled a lot of chintzy deals, | 1:09:44 | 1:09:47 | |
but framing a kid to get his girl? | 1:09:47 | 1:09:49 | |
Even I'm finally ashamed of you. | 1:09:49 | 1:09:51 | |
No. Don't go. You know how I need you. | 1:09:51 | 1:09:54 | |
I depend on you. | 1:09:54 | 1:09:56 | |
You didn't seem to need me before. | 1:09:56 | 1:09:58 | |
You did everything but bounce me out. | 1:09:58 | 1:10:01 | |
I'll do anything. | 1:10:01 | 1:10:02 | |
Offer him a bonus. | 1:10:02 | 1:10:03 | |
I'll give you a bonus. | 1:10:03 | 1:10:05 | |
Please, I'll do this. | 1:10:05 | 1:10:06 | |
I'll come right over. | 1:10:06 | 1:10:08 | |
Me, too. | 1:10:08 | 1:10:09 | |
No, no. You wait here. I'll be back. | 1:10:09 | 1:10:11 | |
Wait there. I'll be over. | 1:10:11 | 1:10:12 | |
Save yourself the trip. | 1:10:12 | 1:10:14 | |
And thank baby for the advice. | 1:10:14 | 1:10:16 | |
I haven't felt so good in years. | 1:10:16 | 1:10:18 | |
So long, Whitfield. | 1:10:18 | 1:10:19 | |
"I walk out in beauty like the night"(!) | 1:10:19 | 1:10:21 | |
No, no, no... | 1:10:21 | 1:10:23 | |
Some wine, please, my dear. | 1:10:23 | 1:10:25 | |
You... Don't... You've got to listen. | 1:10:25 | 1:10:27 | |
Don't... don't hang up. | 1:10:27 | 1:10:29 | |
You can't leave me flat. | 1:10:29 | 1:10:31 | |
My dear, are you all right? | 1:10:37 | 1:10:38 | |
I'm fine. | 1:10:38 | 1:10:39 | |
Molly...Molly... Molly...Molly? | 1:10:39 | 1:10:43 | |
Molly? | 1:10:45 | 1:10:47 | |
She's hung up. | 1:10:48 | 1:10:49 | |
She wouldn't listen. She's leaving. | 1:10:49 | 1:10:50 | |
What are you doing here? | 1:10:50 | 1:10:52 | |
Right. She's one minute away. | 1:10:52 | 1:10:53 | |
Two minutes. | 1:10:53 | 1:10:55 | |
First you call Kerrigan. | 1:10:55 | 1:10:56 | |
Kerrigan? | 1:10:56 | 1:10:57 | |
Oh, why, of course. | 1:10:57 | 1:10:58 | |
Of course. Yes. | 1:10:58 | 1:11:00 | |
Hello, Molly? Molly... | 1:11:04 | 1:11:05 | |
Molly? | 1:11:05 | 1:11:06 | |
Who is this? | 1:11:06 | 1:11:08 | |
Who you kidding? | 1:11:08 | 1:11:10 | |
Oh, yes. Yes, Mr Savory. | 1:11:10 | 1:11:13 | |
I'm dropping all charges. | 1:11:13 | 1:11:14 | |
Release Hatch at once. | 1:11:14 | 1:11:15 | |
Tell Eddie I'll be waiting. | 1:11:15 | 1:11:17 | |
Send Hatch to my place right away. | 1:11:17 | 1:11:19 | |
The place is yours as long as you like. | 1:11:19 | 1:11:21 | |
Thank you, Whitfield. | 1:11:21 | 1:11:23 | |
Oh, this orchid. I think it would look nice on Molly. | 1:11:23 | 1:11:26 | |
Thank you. | 1:11:27 | 1:11:28 | |
Excuse me. | 1:11:32 | 1:11:33 | |
Oh, um... | 1:11:35 | 1:11:36 | |
tell Hatch he can have tomorrow off. | 1:11:36 | 1:11:38 | |
THUNDER CLAPS | 1:11:42 | 1:11:44 | |
No, no! Not now! | 1:11:54 | 1:11:56 | |
Please, please! | 1:12:07 | 1:12:09 | |
Just a few moments more! | 1:12:09 | 1:12:11 | |
CLOCK CHIMES | 1:12:19 | 1:12:21 | |
CLOCK CHIMES | 1:12:24 | 1:12:25 | |
CLOCK CHIMES | 1:12:28 | 1:12:29 | |
CLOCK CHIMES | 1:12:32 | 1:12:33 | |
Wait here. | 1:12:47 | 1:12:48 | |
Eddie! Joe! | 1:12:50 | 1:12:51 | |
I got your bail. I'll get you out. | 1:12:51 | 1:12:53 | |
You ARE out! | 1:12:53 | 1:12:54 | |
Savory dropped the charges. | 1:12:54 | 1:12:55 | |
Then they found the statue. Who stole it? | 1:12:55 | 1:12:58 | |
It wasn't stolen. | 1:12:58 | 1:12:59 | |
Venus is waiting for me right now. | 1:12:59 | 1:13:01 | |
Savory's Department Store. | 1:13:01 | 1:13:02 | |
Venus? Oh, no, Eddie. Not that again. | 1:13:02 | 1:13:05 | |
You said Savory's Department Store? | 1:13:08 | 1:13:10 | |
Yeah. | 1:13:10 | 1:13:11 | |
The nearest hospital. | 1:13:11 | 1:13:12 | |
Hospital. Savory's. | 1:13:12 | 1:13:13 | |
Make up your mind. | 1:13:13 | 1:13:14 | |
He wants the hospital. | 1:13:14 | 1:13:16 | |
Savory's. I'm paying for this. | 1:13:16 | 1:13:18 | |
Eddie, listen. | 1:13:18 | 1:13:19 | |
You're sick... | 1:13:19 | 1:13:20 | |
I'll show you. I'll introduce you to her. | 1:13:20 | 1:13:22 | |
You'll like her. She's wonderful. | 1:13:22 | 1:13:24 | |
Oh, Eddie... Faster! | 1:13:24 | 1:13:26 | |
I've got to get there, Joe. | 1:13:26 | 1:13:28 | |
She may leave. | 1:13:28 | 1:13:29 | |
I want her to stay, to marry her. | 1:13:29 | 1:13:31 | |
We'll get a place in Ozone Heights. | 1:13:31 | 1:13:34 | |
Yeah. I can just see you bouncing little statues on your knee. | 1:13:34 | 1:13:38 | |
You've got to stop talking like that. | 1:13:38 | 1:13:40 | |
She's not a statue, Joe. | 1:13:40 | 1:13:42 | |
She's Venus, Goddess of Love. | 1:13:42 | 1:13:44 | |
You win. To the hospital. | 1:13:44 | 1:13:46 | |
Savory's Department Store! | 1:13:46 | 1:13:48 | |
Look, Eddie. Just relax. | 1:13:48 | 1:13:49 | |
SOFT SINGING | 1:13:49 | 1:13:51 | |
Quiet. Listen. | 1:13:51 | 1:13:55 | |
# Our summer day withers away | 1:13:55 | 1:13:59 | |
# Too soon, too soon | 1:13:59 | 1:14:03 | |
# Speak low | 1:14:03 | 1:14:06 | |
# When you speak love... # | 1:14:06 | 1:14:07 | |
But... Listen. | 1:14:07 | 1:14:09 | |
I can hear her. | 1:14:09 | 1:14:11 | |
# Like ships adrift, we're swept apart... # | 1:14:11 | 1:14:14 | |
Don't be silly. That's just the radio. | 1:14:14 | 1:14:17 | |
That's Venus! | 1:14:17 | 1:14:18 | |
Faster! | 1:14:18 | 1:14:19 | |
Turn off your radio! | 1:14:19 | 1:14:20 | |
Ain't on. It must be on! | 1:14:20 | 1:14:22 | |
Clam up, bub. Let's listen. | 1:14:22 | 1:14:24 | |
We're all crazy. | 1:14:24 | 1:14:26 | |
# Lost in the dark | 1:14:26 | 1:14:27 | |
# Too soon | 1:14:27 | 1:14:29 | |
# Too soon | 1:14:29 | 1:14:31 | |
# I feel | 1:14:31 | 1:14:34 | |
# Wherever I go | 1:14:34 | 1:14:38 | |
# That tomorrow is near | 1:14:38 | 1:14:40 | |
# Tomorrow is here | 1:14:40 | 1:14:42 | |
# And always too soon | 1:14:42 | 1:14:46 | |
# Time is so old | 1:14:46 | 1:14:49 | |
# And love so brief | 1:14:49 | 1:14:53 | |
# Love is pure gold | 1:14:53 | 1:14:56 | |
# And time a thief | 1:14:56 | 1:15:00 | |
# We're late | 1:15:00 | 1:15:03 | |
# Darling, we're late | 1:15:03 | 1:15:07 | |
# The curtain descends | 1:15:07 | 1:15:09 | |
# Everything ends | 1:15:09 | 1:15:11 | |
# Too soon | 1:15:11 | 1:15:13 | |
# Too soon | 1:15:13 | 1:15:15 | |
# I wait | 1:15:15 | 1:15:18 | |
# Darling | 1:15:18 | 1:15:23 | |
# Will you speak love? # | 1:15:23 | 1:15:31 | |
Venus? | 1:15:34 | 1:15:35 | |
Venus? | 1:15:35 | 1:15:36 | |
I told you. There's nobody here. | 1:15:36 | 1:15:38 | |
She's got to be here. She must be here. | 1:15:38 | 1:15:41 | |
Venus? | 1:15:41 | 1:15:42 | |
Venus? | 1:15:42 | 1:15:43 | |
If Mr Savory sees us, we're both fired. | 1:15:43 | 1:15:45 | |
She's in the model home, that's where she is. | 1:15:45 | 1:15:48 | |
THUNDER ROLLS | 1:15:48 | 1:15:49 | |
Good shot, Ed. | 1:15:57 | 1:15:59 | |
Mr Savory, where did you have it hidden? | 1:15:59 | 1:16:02 | |
Well, the statue simply reappeared | 1:16:02 | 1:16:04 | |
as mysteriously as it disappeared. | 1:16:04 | 1:16:06 | |
Before you write this off | 1:16:06 | 1:16:08 | |
as another publicity gimmick, | 1:16:08 | 1:16:09 | |
look at Ludivici Fisoli's volume | 1:16:09 | 1:16:11 | |
on the strange legends and myths | 1:16:11 | 1:16:13 | |
surrounding the Anatolian Venus. | 1:16:13 | 1:16:15 | |
In our book department. Morocco-bound. | 1:16:15 | 1:16:18 | |
It's probably just coincidence, | 1:16:18 | 1:16:19 | |
but while our Goddess of Love was missing, | 1:16:19 | 1:16:22 | |
city hall ran out of marriage licenses. | 1:16:22 | 1:16:25 | |
Love sure reared its beautiful head. | 1:16:25 | 1:16:27 | |
Thanks, girl. | 1:16:27 | 1:16:29 | |
Did you tell Hatch about his three dollar raise? | 1:16:29 | 1:16:31 | |
3.75. | 1:16:31 | 1:16:32 | |
Oh, yes. | 1:16:32 | 1:16:33 | |
Well, if you'll excuse us, | 1:16:33 | 1:16:35 | |
a place called... | 1:16:35 | 1:16:36 | |
Niagara Falls. | 1:16:36 | 1:16:37 | |
We're going over in a barrel. | 1:16:37 | 1:16:39 | |
See you when we get back. | 1:16:39 | 1:16:41 | |
You never even said goodbye. | 1:17:04 | 1:17:06 | |
Oh, pardon me. | 1:17:09 | 1:17:11 | |
Could you direct me to the model home? | 1:17:11 | 1:17:14 | |
Yes. It's right through there. Second floor. | 1:17:14 | 1:17:16 | |
Thank you very much. | 1:17:16 | 1:17:18 | |
Uh, Miss... | 1:17:20 | 1:17:22 | |
Um... | 1:17:29 | 1:17:30 | |
You're looking for the model home? | 1:17:30 | 1:17:32 | |
Yes. | 1:17:32 | 1:17:33 | |
I just started to work here today. | 1:17:33 | 1:17:35 | |
Oh. That's fine. | 1:17:35 | 1:17:37 | |
My name is Hatch. Eddie Hatch. | 1:17:37 | 1:17:39 | |
Mine's Jones. Venus Jones. | 1:17:39 | 1:17:41 | |
That's beautiful. | 1:17:41 | 1:17:42 | |
Well, it's unusual anyway. | 1:17:42 | 1:17:44 | |
Nobody's ever likely to meet two girls named Venus. | 1:17:44 | 1:17:48 | |
No. I...I guess not. | 1:17:48 | 1:17:49 | |
Subtitles by The National Captioning Institute | 1:17:52 | 1:17:55 |