One Touch of Venus


One Touch of Venus

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# Don't look now

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# But my heart is showing

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# For Venus shines tonight

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# The planet of love is bestowing

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# Such a bright, romantic light

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# I wonder whose body is glowing

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# It's Venus smiling above

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# The Goddess of Love must be knowing

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# That our hearts are such

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# We're needing her touch

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# Earth is calling for falling in love

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# Oh, the trouble

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# The trouble with women

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# It dates back to no-one knows when

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# But from Timbuktu to Kalamazoo

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# All the trouble with women is men. #

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HE HUMS

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HE BANGS LOUDLY

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Hatch!

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Mr Hatch!

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HE MUMBLES

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Mr Savory wants to see you.

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Mr Savory?

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Oh!

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Oh, I'm terribly sorry, Mr Crest.

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You will be. Come on, get going.

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Don't keep Mr Savory waiting.

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No, sir.

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He wants you to work in the art gallery.

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Yes, sir. I'll get this done right now.

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There we are.

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Excuse me, I...

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Oooh!

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Hatch, get a move on!

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There we are.

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Now, see, it's all finished now, Mr Crest.

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OOOWW!

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Oh! Oh, I'm awfully sorry.

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Did I hurt you?

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Get going, Mr Hatch.

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Yes, sir. Yes, sir.

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Eddie!

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Eddie!

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Oh, hi, Gloria.

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I was just up to the model home exhibit.

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They had the darlingest kitchen.

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All electric. Push a button,

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and you can cook without knowing how.

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No! I'll see you later.

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Where you going?

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To the fine arts department.

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Mr Savory wants me to do a special background.

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Mr Savory! Did he pick you?

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It's special work. Not everybody can do it.

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If you make a good impression,

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he might give you a better job.

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Well, let's talk about it some other time.

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Oh, Eddie,

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you do want to get married, don't you?

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Oh, of course, Gloria.

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I'll...I'll see you later.

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Oh, Mr Hatch.

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Yes, sir?

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Oh, hello, Joe.

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Hello, Eddie. Gloria was just up here.

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Yeah. I saw her.

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Look at the model home. Gloria was crazy about it.

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She would be. She's practically in her wedding veil.

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One false move, and I'll be on my honeymoon.

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Gloria's a wonderful girl, Eddie.

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I know, but she's so one-track-minded.

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Even when we have dinner, she only eats rice.

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BELL RINGS

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Holy mackerel! It's closing time.

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Joe, I have to work late.

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Will you take Gloria to Tony's?

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Sure.

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I'll get there soon.

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And save me some Spumoni.

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Closing time, ladies and gentlemen. I'm sorry.

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You've been after this Venus statue a long time.

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Ever since I opened the art gallery,

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I've dreamed of adding the Anatolian Venus to my collection.

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What did it cost?

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Let's put it this way,

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the store will not declare a dividend this year.

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Must we talk dollars and cents

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about this priceless piece?

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The last price was 200,000.

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200,000?! Wow!

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Is someone going to fix those drapes?

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Eddie Hatch. He'll be here soon.

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He's been with us for eight years.

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Is the statue for sale, Mr Savory?

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Hello, Eddie.

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Hello, Miss Grant.

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Mr Savory sent for me.

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He wants you to fix the drapes

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in front of the statue.

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It jams when the cord's pulled. Is that all?

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That's all for now.

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Hurry it up, will you?

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Miss Grant, may I have one, please?

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Oh, certainly. Wait a minute. The good side.

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HE HUMS

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To Venus, the Goddess of Love.

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May she take care of all of us.

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To Venus.

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< Whitfield, darling!

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Hello, Barbara.

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What is this about an eligible bachelor

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falling in love with a statue?

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Perhaps, my dear, she reminds me of you.

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Yeah. They both have large pedestals.

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Whitfield, you remember my daughter Brenda?

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Not little Brenda?

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You've, um, grown, Brenda.

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Hatch is waiting, chief.

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He finished the drapes.

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Oh, er, excuse me.

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Whitfield hasn't seen Brenda since she was a child.

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He used to bounce her on his knee.

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Well, I've been his secretary for ten years

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and haven't made it yet(!)

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Pardon me.

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Now we'll see if it works easily.

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You see? It jams there.

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Yes, sir.

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I don't know what could've happened to it.

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I want that material to go up smoothly

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to reveal the statue dramatically.

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I don't want to have to fumble with that rope.

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I'll take care of it, sir.

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Hurry up.

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Yes, sir.

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Oh, er, Mr Savory.

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Uh, you forgot your, er...

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Ahh.

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Golly, you're beautiful.

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THUNDER ROLLS

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HE HUMS

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Please. How can I fix this if you don't stand still?

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HE CONTINUES TO HUM

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Oh, I'm all right.

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I'm all right.

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Just a little overworked maybe,

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but I'm all right.

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You're moving!

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SHE SIGHS

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Was it you who kissed me?

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You're talking!

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You're alive!

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Of course I'm alive.

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What did you think I was?

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Well, I'm not very bright.

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I thought you were a statue.

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Excuse, er...

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Brandy! Smelling salts!

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Spirits of ammonia!

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Poor mortal. Are you frightened?

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Frightened?

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I don't know the meaning of the word.

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Why, you darling.

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You are frightened.

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Well, just from the toes up.

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Come here.

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Come here to me,

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close to me.

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Oh, he's wonderful.

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Thank you, Jupiter.

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There. That's better.

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What? How did I get out here?

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I brought you out for fresh air.

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Oh. Oh, thanks.

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I guess I fainted, didn't I?

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I...I was working on the draperies

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around the statue,

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and all of a sudden,

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I had the strangest feeling,

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some kind of a delirium.

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I dreamed that the statue came to life.

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It spoke to me. Isn't that silly?

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How do you feel now?

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Oh, I feel much better.

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Just rest. Mmm.

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There. Isn't that nice?

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Oh, that's wonderful.

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Oh, I, er...

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excuse me, but I...

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get back to my dra...

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It was you!

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The statue!

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Of course.

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You came to life.

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Don't ask questions. You'll only get confused.

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Get confused?

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I'm spinning like a merry-go-round.

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Look...

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Look, let's get this straight.

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Just a few minutes ago,

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you were cold marble.

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Yes, you were. I could feel you.

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Please!

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And now you're...

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And now?

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Don't come near me. I'll scream.

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Oh, aren't you ashamed?

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A big boy like you scared of a girl.

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But you're not a girl. You're a statue.

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Are you a betting man?

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Well...

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You WERE a statue.

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Oh, look, I don't understand any of this.

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Who are you?

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I am Venus - daughter of Jupiter, Goddess of Love.

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I'm very glad to know you.

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My name is Hatch. Eddie Hatch, display...

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Goddess of what?

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Love.

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The word seems to displease you.

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No, your Majesty, it's just that...

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Call me Venus.

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Venus.

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Could I go now?

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You don't want to stay here with me

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in the moonlight

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alone?

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If you won't think it's impertinent,

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frankly, no.

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See, er, excuse me.

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Some friends of mine

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are waiting for me for dinner at Tony's.

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They might be worried about me.

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Sounds charming. I will go with you.

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Oh, no. You wouldn't like it.

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They don't cater very much to goddesses.

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Well, see you around.

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Venus started the Trojan war with "I love you."

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LAUGHTER

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Some of you may recall the myth

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that Jupiter once breathed life

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into the chiselled perfection of this masterpiece,

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but in the 20th century,

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that's not worthwhile discussing.

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In fact, the beauty of face and form

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which I'm about to reveal

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is such that the 20th century

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would seem a little unworthy.

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Oh, what a nice man.

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Yeah. That's Mr Savory.

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He's my boss.

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He owns the store.

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SAVORY: As some of you may know...

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There's isn't going to be any statue there.

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You're the statue.

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But what about Mr Savory?

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He left me in charge.

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He's going to think I'm responsible.

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But no words of mine can do justice

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to what I want you now to behold.

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My good friends, lovers of art,

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the matchless Anatolian Venus.

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LAUGHTER

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Well, you're just full of surprises.

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It's gone.

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My statue, it's not here.

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This isn't a gag?

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Gag? It's been stolen.

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Hatch. Hatch!

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That's me.

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Hatch!

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Hatch!

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Hatch!

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Where's that idiot window trimmer?

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Don't be afraid.

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You're above mere mortals

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like this department store owner.

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You're now under the protection of the Olympian gods.

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Yeah? Well, supposing he fires me?

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What are you going to do,

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make me patron saint of the window trimmers?

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Shh! They'll hear you.

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Mr Savory's timing is off today.

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The cart before the horse, so to speak.

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I'll let you know when the horse gets back.

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We'll have another unveiling.

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I'm sorry you made this trip for nothing.

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Molly! Coming, sire.

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Bye, Shirley.

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Call the Kerrigan Detective Agency.

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I want their best men.

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All right.

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No. Mr Kerrigan personally.

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It shall be done.

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Years of work, endless patient search, fabulous expense,

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then it's gone.

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Want to advertise a reward for Eddie Hatch?

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Not for him.

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Just for his head on a pikestaff.

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Be reasonable.

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You don't think Eddie took that statue?

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When I left him, it was on that pedestal.

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I hold him responsible.

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Hallelujah.

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Well, that's that.

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Oh, you think so?

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Didn't you hear Mr Savory?

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He holds me responsible.

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What if he takes the price of the statue

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out of my pay? Huh?

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200,000, and I make 43.75 a week.

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Why, that's...

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let's see. That's...

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87 years.

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The twinkling of an eye.

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And besides, I shall wait a hundred, a thousand if necessary.

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No. You've gotten me into enough trouble.

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Just get back up on your pedestal

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and leave me alone.

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You do not want me?

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You're turning me away?

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Very well. Go.

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Go to your friends.

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Oh, I will,

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but, er, what about you?

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You can't stay out here on the balcony.

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You'll freeze in that, er...

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in what you're wearing.

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I'll be all right.

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Why don't you go inside,

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get up on your nice, warm pedestal.

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I'll stay here.

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Well, all right, if that's what you want.

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Good night.

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Say, Gloria, Eddie may be a long time.

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You better eat something.

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I can't. I'm too nervous.

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I can't wait to find out what's happened.

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I bet Mr Savory put Eddie in charge

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of window dressing in the store.

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Eddie has wonderful ideas.

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He didn't get his diploma from correspondence school for nothing.

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He's pretty smart, all right.

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Joe, you ought to be a success, too.

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You work hard.

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Someday Mr Savory will notice you,

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and you'll get a promotion, too.

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Remember, stay in there pitching. You'll get ahead.

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I don't know, Gloria.

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You do want to be a success, don't you?

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Yeah, but...

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JOE: Hey, Eddie. Over here.

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What happened?

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We bet you'd gotten lost or something.

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How was the unveiling?

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It was awful. The statue disappeared.

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I mean Mr Savory thinks it disappeared.

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But you weren't responsible, were you?

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Who, me?

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What's wrong, Eddie?

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What's my name?

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Tell me! What's my name?

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Eddie Hatch.

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Oh, that's right. Eddie Hatch.

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My name is Eddie Hatch.

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I work in the display department

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at Savory's department store.

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See? I know my name and where I work.

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I'm sane!

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I'm as sane as anybody.

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Of course you're sane, Eddie.

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Naturally. Isn't he, Gloria?

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I don't know. What happened to this statue?

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How did you get mixed up in it?

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I don't know. I mean I'm not sure.

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Anyway, Mr Savory holds me responsible.

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I heard him say so.

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But how did it disappear?

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A statue doesn't just get up and walk away.

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That's right.

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Well, it's ridiculous.

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I've got nothing to worry about.

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I'm in good shape.

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Oh! Eddie!

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You're in great shape(!)

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Your name Hatch?

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That's me. Why?

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Got to ask you a lot of questions, Hatch.

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What's all this?

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Police!

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Where are you taking him?

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Back to the store.

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Mr Savory wants to see him

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about a little 200,000 statue

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that climbed down and walked away.

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That's right! How did you know?

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Come on.

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See you later, Gloria.

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See you later, Joe.

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So long, Eddie.

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Come here to me.

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Come close to me.

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Ohh...

0:17:400:17:41

OK, OK, go on.

0:17:410:17:42

But I've already done it a hundred times.

0:17:420:17:45

Go on. Go on. Show me from the start.

0:17:450:17:48

Oh, for heaven's sakes.

0:17:480:17:50

I was here.

0:17:530:17:54

Show me again.

0:17:540:17:56

How can I fix this if you don't stand still?

0:17:570:18:01

Then all of a sudden, I was down here.

0:18:010:18:04

You're talking!

0:18:040:18:06

You're alive!

0:18:060:18:07

Of course I'm alive.

0:18:110:18:13

Then - oh! Then I was here.

0:18:150:18:17

He's still sticking to that story.

0:18:170:18:20

He'll crack.

0:18:200:18:22

I've dealt with clever shoplifters before.

0:18:220:18:23

Pretty clever.

0:18:230:18:24

He pretended a 1,000-pound statue

0:18:240:18:27

was an elk's tooth

0:18:270:18:28

and just wore it out.

0:18:280:18:29

I know he had help.

0:18:290:18:31

Probably a couple of elves.

0:18:310:18:32

I've got one accomplice lined up.

0:18:320:18:34

He had access. He's the ringleader.

0:18:340:18:36

Lay off. Hatch couldn't be leader

0:18:360:18:38

in ring around the roses.

0:18:380:18:39

I'm paying Kerrigan to be the detective.

0:18:390:18:42

Buy him some badge polish

0:18:420:18:43

and send him home.

0:18:430:18:44

Anyone can tell this boy isn't a thief.

0:18:440:18:47

Come on, Eddie.

0:18:470:18:48

I'll catch you some flies,

0:18:480:18:50

and you can pull their wings off.

0:18:500:18:52

Go home. Get some rest.

0:18:520:18:53

Come here to me.

0:18:530:18:55

Come close to me.

0:18:550:18:56

Take it easy, Eddie.

0:18:560:18:58

I might take you up on that...later.

0:18:580:19:00

He's plenty smart, but I'll keep my eye on him.

0:19:000:19:04

Pulse is OK.

0:19:090:19:10

Let's see now.

0:19:100:19:12

Oh...

0:19:120:19:14

Temperature's normal.

0:19:140:19:16

See, Eddie? You're all right.

0:19:160:19:17

Don't pay any attention to that crooked thermometer.

0:19:170:19:20

I must have a fever.

0:19:200:19:21

Nonsense. You're just upset.

0:19:210:19:23

With that Savory and that Dopey detective and...

0:19:230:19:25

Oh, I'm so sick.

0:19:250:19:26

I'll run a bath for you.

0:19:260:19:29

We'll go to Tony's

0:19:290:19:30

and get Eddie some nourishing soup.

0:19:300:19:32

Minestrone... your favourite.

0:19:320:19:34

You didn't have any dinner.

0:19:340:19:35

Oh, yeah. I must be weak from hunger.

0:19:350:19:37

We'll be right back. Come on, Gloria.

0:19:370:19:40

Don't let the water run over.

0:19:420:19:44

You...you're talking.

0:19:540:19:55

You're alive.

0:19:550:19:57

Come to me. Come close to me.

0:19:570:20:00

Oh, no!

0:20:160:20:18

What are you doing here?

0:20:180:20:21

You can't come in. Please.

0:20:210:20:22

Why not?

0:20:220:20:23

Because my girl's coming right back.

0:20:230:20:25

She's very jealous, you know.

0:20:260:20:28

Oh, she's like a wildcat when she gets angry.

0:20:280:20:31

She's eight feet tall,

0:20:310:20:32

and she's got very sharp fingernails.

0:20:320:20:34

What can she do to me?

0:20:340:20:36

I don't know, but she can do plenty to ME.

0:20:360:20:39

Please go away?

0:20:390:20:40

You sound hen-pecked.

0:20:400:20:41

I'll bet she runs your life like an assembly line.

0:20:410:20:44

And how. Why, even...

0:20:440:20:46

Nothing of the sort!

0:20:460:20:47

She's sweet. She's a very nice girl.

0:20:470:20:49

I'm a very nice girl.

0:20:490:20:51

Aw, please, please be reasonable, Miss Venus.

0:20:510:20:53

I'm not worth bothering about.

0:20:530:20:55

I'm not famous. I'm not rich.

0:20:550:20:58

I'm not even very bright.

0:20:580:21:00

I'm NOT bright.

0:21:000:21:01

In fact, there's insanity in my family,

0:21:010:21:03

starting with me TONIGHT.

0:21:030:21:05

I'm crazy!

0:21:050:21:06

Oh, you must have me mixed up with somebody else.

0:21:090:21:12

I'm just a good-for-nothing window trimmer.

0:21:120:21:14

You can be anything you want to be.

0:21:140:21:17

Can I be alone?

0:21:170:21:18

I'll leave if you'll go with me.

0:21:180:21:21

Oh, no. Please go away.

0:21:210:21:23

My landlady wouldn't understand.

0:21:230:21:24

She's got a rule.

0:21:240:21:25

Against me?

0:21:250:21:26

No. About girls being with boys.

0:21:260:21:28

Why, there's even a law against it.

0:21:280:21:31

PHONE RINGS

0:21:310:21:34

Oh, is this your landlady?

0:21:340:21:36

Oh, no, no, no.

0:21:360:21:37

Hello?

0:21:370:21:38

Oh, hello, Gloria.

0:21:380:21:39

I was just talking about you.

0:21:390:21:42

Uh, that is, er... to myself.

0:21:420:21:44

I had a quite a little chat. Me and...and me.

0:21:440:21:48

He's talking to himself.

0:21:480:21:50

Oh, that's bad.

0:21:500:21:51

Look, darling, keep calm.

0:21:510:21:52

They're all out of minestrone.

0:21:520:21:54

You could have either noodle or spinach.

0:21:540:21:56

Uh...noodle or spinach.

0:21:560:21:58

Uh, noodle. Spinach.

0:21:580:22:00

Noodle. Spinach.

0:22:000:22:02

Noodle. Don't bother me!

0:22:020:22:04

Who's bothering you?

0:22:040:22:06

I'm only trying to help!

0:22:060:22:08

Huh? But what do you mean?

0:22:080:22:10

I'd be glad to leave you alone!

0:22:120:22:14

Gloria!

0:22:140:22:15

I heard a woman!

0:22:150:22:17

Not in our room.

0:22:170:22:18

Well, it wasn't the zoo!

0:22:180:22:19

Wait!

0:22:190:22:20

I've had enough of this.

0:22:200:22:22

KNOCK ON DOOR

0:22:220:22:23

Who...who is it?

0:22:230:22:25

< It's me. I want to come in.

0:22:250:22:27

(It's my landlady.

0:22:270:22:28

(Uh, over here.)

0:22:280:22:30

KNOCK AT DOOR

0:22:300:22:32

Oh, that's no good.

0:22:320:22:33

Over here.

0:22:330:22:34

< Mr Hatch.

0:22:340:22:36

< Mr Hatch!

0:22:360:22:38

One moment, Mrs Gogerty.

0:22:380:22:39

Mr Hatch.

0:22:390:22:40

KNOCK AT DOOR

0:22:400:22:42

< Open up this very instant!

0:22:420:22:43

Coming, Mrs Gogerty! Coming!

0:22:430:22:45

KNOCK AT DOOR

0:22:460:22:47

Miss Venus? (Where are you?)

0:22:470:22:49

(Here I am. She'll never find me here.)

0:22:490:22:52

Aah!

0:22:520:22:53

KNOCK AT DOOR

0:22:530:22:55

Oh, not in here.

0:22:550:22:56

Quick, get up, please. Hurry.

0:22:560:22:58

Get behind the screen.

0:22:580:22:59

Don't say a word.

0:22:590:23:01

I'm coming in, Mr Hatch.

0:23:010:23:02

Oh, of course, Mrs Gogerty.

0:23:020:23:04

You've got a woman in this room.

0:23:040:23:07

Why, what an idea!

0:23:070:23:08

You know the rules.

0:23:080:23:09

You've got to both get out.

0:23:090:23:11

What's behind that screen?

0:23:110:23:13

Dirty dishes.

0:23:130:23:14

Kindly remove it.

0:23:140:23:15

Oh, I had to give her a square meal.

0:23:150:23:18

I said to myself,

0:23:180:23:19

"Mrs Gogerty, with her kind heart..."

0:23:190:23:21

There. You see?

0:23:230:23:25

There's nobody here.

0:23:250:23:26

Oh, Mrs Gogerty, there's nothing in there

0:23:260:23:29

but a sink and a tub.

0:23:290:23:30

Uh...

0:23:300:23:32

Oh!

0:23:320:23:33

So you take them, too?

0:23:330:23:34

What?

0:23:340:23:35

I adore bubble baths.

0:23:350:23:37

I take them all the time,

0:23:370:23:39

especially those ones with the lovely jasmine smell.

0:23:390:23:41

Mmm. Odour of Pine Tar.

0:23:410:23:43

My husband uses that.

0:23:430:23:44

Sorry to disturb you,

0:23:440:23:45

but one can't be too careful these days.

0:23:450:23:48

Well, good night, Mrs Gogerty.

0:23:480:23:49

Good night. Good night.

0:23:490:23:51

Love that smell.

0:23:510:23:53

Yes. Good night.

0:23:530:23:54

Miss Venus?

0:23:590:24:01

Your Majesty?

0:24:010:24:02

Miss Venus!

0:24:020:24:03

Here I am. Is she gone?

0:24:030:24:05

Oh! Get out of there, quick!

0:24:050:24:07

Oh, no! Wait a minute!

0:24:070:24:08

And get dressed in a hurry.

0:24:100:24:11

KNOCK AT DOOR

0:24:170:24:18

GLORIA: Open the door!

0:24:180:24:19

Eddie wouldn't do anything like that to you.

0:24:190:24:22

And get away with it.

0:24:220:24:23

(Hurry. Hurry!)

0:24:230:24:25

KNOCK AT DOOR

0:24:250:24:26

Come and get your soup!

0:24:260:24:28

It's hot!

0:24:280:24:29

(Hurr.. Oh!)

0:24:300:24:31

Did I help?

0:24:310:24:33

(Shhh! Yes, Yes. You were wonderful. Come on.)

0:24:330:24:35

KNOCK AT DOOR

0:24:350:24:37

Eddie! Open the door!

0:24:370:24:39

See, Gloria? There's no woman here.

0:24:450:24:47

There's no Eddie either.

0:24:470:24:48

That phony,

0:24:480:24:49

pretending he's sick just to get rid of me.

0:24:490:24:52

Wait till the next time I see him.

0:24:520:24:54

He won't have to pretend.

0:24:540:24:56

Oh.

0:24:560:24:58

Gloria, there wouldn't be anybody in there.

0:25:050:25:08

Oh...

0:25:080:25:09

Moonlight Madness?

0:25:180:25:20

40 an ounce. Smell.

0:25:200:25:22

It's worth it.

0:25:220:25:23

Worth it?

0:25:230:25:24

Oh, now, wait a minute!

0:25:240:25:26

Oh, Gloria.

0:25:270:25:30

Now, take it easy.

0:25:320:25:33

I chase around, worrying about his health, and...

0:25:330:25:36

he just chases around. Oh, you don't understand.

0:25:360:25:39

A lot of things could have happened.

0:25:390:25:42

Eddie... (Shh! quiet!

0:25:550:25:57

(You want the watchman to hear us?)

0:25:570:26:00

He won't bother us.

0:26:000:26:01

(He certainly will.

0:26:010:26:02

(Don't you realise I'm breaking into the store?)

0:26:020:26:05

(I'll turn him into an owl.)

0:26:050:26:07

(A what?)

0:26:070:26:08

(An owl.)

0:26:080:26:09

(I just go like that, and he's an owl.)

0:26:090:26:11

(Oh, come on.)

0:26:110:26:13

SHE GIGGLES

0:26:180:26:20

(Excuse me.)

0:26:210:26:23

HE RATTLES DOORKNOB

0:26:280:26:30

Aah.

0:26:300:26:32

(It's locked.

0:26:320:26:33

(Now what am I going to do?

0:26:330:26:36

(Well, haven't you got any ideas?

0:26:360:26:39

(Look, it's late.

0:26:410:26:42

(You've got to have someplace to stay.

0:26:420:26:45

(Don't you ever want to go to sleep?)

0:26:450:26:48

Mm-hmm.

0:26:480:26:49

You see? I trust you, Eddie.

0:26:580:27:00

< FOOTSTEPS

0:27:040:27:06

SHE GIGGLES

0:27:060:27:07

Shh!

0:27:070:27:08

Come on.

0:27:380:27:39

What's wrong now?

0:27:450:27:46

Aren't you going to carry me over the threshold?

0:27:460:27:49

Why do you keep acting

0:27:490:27:50

as if we were on our honeymoon?

0:27:500:27:53

Oh, all right.

0:27:530:27:55

You stay here tonight.

0:27:550:27:56

You'll be nice and comfortable.

0:27:560:27:58

I'll get you out in the morning.

0:27:580:28:01

Oh, it's lovely.

0:28:070:28:08

Well, this is the very latest thing.

0:28:080:28:11

Everything is operated through this master control.

0:28:110:28:13

There's the radio and the bed

0:28:130:28:16

and the air conditioning and the kitchen.

0:28:160:28:18

Show me how it works.

0:28:180:28:20

I'll turn on the radio.

0:28:200:28:22

We'll have to wait a little while,

0:28:220:28:24

you know, for it to warm up.

0:28:240:28:27

The beds.

0:28:270:28:30

I must have pushed the wrong button.

0:28:330:28:36

Well, I did.

0:28:390:28:42

It was marked "radio."

0:28:420:28:44

Here. We'll try this one.

0:28:440:28:46

Now it should work.

0:28:460:28:47

Oh, I...er...

0:28:470:28:50

There must be a short circuit someplace.

0:29:020:29:05

You know, it's getting late.

0:29:070:29:09

You better be getting some sleep.

0:29:090:29:11

But I'm wide-awake.

0:29:110:29:12

Oh, no, you're not.

0:29:120:29:13

You're sleepy.

0:29:130:29:15

You're very sleepy.

0:29:150:29:16

Close your eyes.

0:29:160:29:17

You want to sleep.

0:29:170:29:19

Sleep.

0:29:190:29:21

Sleep.

0:29:210:29:23

Sleep.

0:29:230:29:25

Sleep.

0:29:250:29:27

Sleep.

0:29:270:29:29

Sleep.

0:29:290:29:30

Oh! That's no good.

0:29:310:29:32

I'm hypnotizing myself.

0:29:320:29:34

Oh, Eddie, you're so cute.

0:29:340:29:36

I'm not cute.

0:29:360:29:37

Why, I'm a beast.

0:29:370:29:38

I'm terrible when you get to know me.

0:29:380:29:41

Ask Gloria.

0:29:410:29:42

No, no. Don't ask Gloria.

0:29:420:29:45

Oh, why are you messing up my life?

0:29:450:29:47

I was a dependable, respectable citizen until tonight.

0:29:470:29:50

Were you having any fun?

0:29:500:29:52

That's all you think about is fun.

0:29:520:29:55

That's all right for you,

0:29:550:29:56

flying around on Mount Olympus -

0:29:560:29:57

or wherever you come from -

0:29:570:29:59

without a care in the world,

0:29:590:30:01

but down here it's different.

0:30:010:30:02

We're practical and efficient.

0:30:020:30:04

Why, we've perfected a machine here...

0:30:050:30:08

What have I done?

0:30:090:30:10

You kissed me.

0:30:100:30:12

You made me do that.

0:30:120:30:13

That's not fair. You tricked me.

0:30:130:30:15

You used some kind of spell.

0:30:150:30:17

No, Eddie.

0:30:170:30:18

I wouldn't do that.

0:30:180:30:19

You mean I wanted to?

0:30:190:30:21

I hope so.

0:30:210:30:23

Well, as I was saying, the, er...

0:30:240:30:27

er, er...

0:30:270:30:28

There's another button here

0:30:280:30:30

that, er...

0:30:300:30:31

Turns on the automatic stove.

0:30:310:30:33

Yes, you can cook a whole meal by remote control

0:30:330:30:36

just by...

0:30:360:30:37

by pushing that button.

0:30:370:30:40

How do you fall in love?

0:30:400:30:43

In love?

0:30:430:30:44

To the music of harps and flutes?

0:30:440:30:47

Flutes?

0:30:470:30:48

FLUTE MUSIC PLAYS

0:30:480:30:50

So that's how you fall in love.

0:30:580:31:01

# Speak low

0:31:020:31:05

# When you speak love

0:31:050:31:08

# Our summer day

0:31:080:31:10

# Withers away

0:31:100:31:12

# Too soon

0:31:120:31:14

# Too soon

0:31:140:31:17

# Speak low

0:31:170:31:19

# When you speak love

0:31:190:31:23

# Our moment is swift

0:31:230:31:25

# Life ships adrift

0:31:250:31:26

# We're swept apart too soon.

0:31:260:31:30

# 'Speak low

0:31:300:31:34

# 'Darling, speak low

0:31:340:31:37

# 'Love's a spark

0:31:370:31:39

# 'Lost in the dark

0:31:390:31:41

# 'Too soon

0:31:410:31:43

# 'Too soon

0:31:430:31:45

# 'I feel

0:31:450:31:48

# 'Wherever I go

0:31:480:31:51

# 'That tomorrow is near

0:31:510:31:53

# 'Tomorrow is here

0:31:530:31:55

# 'And always too soon

0:31:550:32:00

# 'Time is old

0:32:000:32:03

# 'And love so brief

0:32:030:32:06

# 'Love is pure gold

0:32:060:32:09

# 'And time will keep.'

0:32:090:32:14

# We're late

0:32:140:32:17

# Darling, we're late

0:32:170:32:21

# The curtain descends

0:32:210:32:23

# Everything ends

0:32:230:32:25

# Too soon

0:32:250:32:27

# Too soon

0:32:270:32:29

# I wait

0:32:290:32:32

# Darling

0:32:320:32:34

# I wait

0:32:340:32:37

# Will you speak low

0:32:370:32:40

# To me?

0:32:400:32:43

# Speak low

0:32:530:32:56

# When you speak love

0:32:560:33:00

# Our summer day

0:33:000:33:02

# Withers away

0:33:020:33:04

# Too soon

0:33:040:33:06

# Too soon

0:33:060:33:07

# Speak low

0:33:070:33:10

# When you speak love

0:33:100:33:14

# Our moment is swift

0:33:140:33:16

# Like ships adrift

0:33:160:33:18

# We're swept apart

0:33:180:33:20

# Too soon

0:33:200:33:21

# Speak low

0:33:210:33:24

# Darling, speak low

0:33:240:33:28

# Love is a spark

0:33:280:33:30

# Lost in the dark

0:33:300:33:32

# Too soon

0:33:320:33:34

# Too soon...

0:33:340:33:36

# Time is old

0:33:530:33:56

# And love so brief

0:33:560:33:59

# Love is pure gold

0:33:590:34:02

# 'And time will keep'

0:34:020:34:06

# We're late

0:34:060:34:10

# Darling

0:34:100:34:11

# We're late

0:34:110:34:13

# 'The curtain descends

0:34:130:34:15

# 'Everything ends

0:34:150:34:19

# 'Too soon

0:34:190:34:21

# 'Too soon'

0:34:210:34:23

# I wait

0:34:230:34:27

# Darling

0:34:270:34:30

# I wait

0:34:300:34:33

# Will you speak low

0:34:340:34:38

# Will you speak love

0:34:380:34:42

# To me? #

0:34:420:34:49

Sunday papers here.

0:34:510:34:53

Get your Sunday morning paper.

0:34:530:34:55

Get your Sunday papers here.

0:34:580:35:00

Papers...

0:35:000:35:01

DOORBELL CHIMES

0:35:010:35:03

Hello, Stammers.

0:35:120:35:13

Where's the Great-White-Father?

0:35:130:35:14

Oh, he's with a detective

0:35:140:35:15

in the bedroom, Miss.

0:35:150:35:17

He'll find plenty of clues in there.

0:35:170:35:19

Hi, gumshoe.

0:35:190:35:20

Your handcuffs are showing.

0:35:200:35:22

Open up, sire.

0:35:250:35:27

Come on in, Molly.

0:35:270:35:28

Try every school and university in Europe.

0:35:280:35:31

The guy I want's an old professor named Ludivici Fisoli.

0:35:310:35:34

I met him once in Prague.

0:35:340:35:35

Oh, he must be 90 if he's alive.

0:35:350:35:38

He's the author of a famous volume

0:35:380:35:40

called The Strange Legends And Myths

0:35:400:35:42

Surrounding The Anatolian Venus.

0:35:420:35:44

What do I care what it costs?

0:35:440:35:46

I want action on this.

0:35:460:35:47

Right. Keep in touch.

0:35:470:35:49

Had a chat with Kerrigan.

0:35:490:35:51

He's been looking into Hatch's background.

0:35:510:35:53

How'd you sleep last night?

0:35:530:35:54

Not a wink.

0:35:540:35:56

I didn't think so.

0:35:560:35:57

At least it took your mind off cold marble.

0:35:570:36:00

What's that supposed to mean?

0:36:000:36:02

The little bundle tucked away in the model home.

0:36:020:36:04

She should be a sensation

0:36:040:36:05

during January clearance sales.

0:36:050:36:07

What are you talking about?

0:36:070:36:08

I've got to hand it to you.

0:36:080:36:11

She's an eyeful.

0:36:110:36:12

There's a girl downstairs?

0:36:120:36:14

Look, this is Molly.

0:36:140:36:16

Wh...who is she?

0:36:160:36:18

Somebody I know?

0:36:180:36:19

Yeah, Goldilocks.

0:36:190:36:20

She ate the porridge,

0:36:200:36:22

and now she snoozes under the model sheets

0:36:220:36:24

on the model bed in the model home.

0:36:240:36:26

We'll see about that.

0:36:260:36:28

I'm not running a motel for homeless girls.

0:36:280:36:30

DOOR OPENS

0:36:300:36:31

Hey, boss, wait for me.

0:36:310:36:33

It's no fire, boss.

0:36:340:36:36

Just a simple old-fashioned eviction.

0:36:360:36:38

She'll still be there.

0:36:380:36:39

Only long enough for me to throw her out.

0:36:390:36:42

The idea of a woman breaking into Savory's.

0:36:420:36:44

So unnecessary.

0:36:440:36:45

But what do we...

0:37:320:37:33

Shh...

0:37:330:37:34

Molly...

0:37:420:37:43

that girl, she...

0:37:440:37:45

she reminds me of someone.

0:37:450:37:47

Yeah?

0:37:470:37:48

I wish she reminded me of me.

0:37:480:37:51

She's the most beautiful creature I've ever seen.

0:37:510:37:53

Molly, I've always been able to count on you.

0:37:530:37:56

This time you must not fail me.

0:37:560:37:58

On your honour?

0:37:580:37:59

Don't wake her.

0:37:590:38:01

When she does get up,

0:38:010:38:03

her dreams must come true.

0:38:030:38:05

Get flowers,

0:38:050:38:06

clothes, jewellery,

0:38:060:38:08

everything.

0:38:080:38:09

Promise me.

0:38:090:38:10

I'll be right back.

0:38:110:38:13

DOOR OPENS

0:38:560:38:57

Good morning.

0:39:040:39:05

Oh, hello, Joe.

0:39:060:39:08

Where are you going so early?

0:39:080:39:10

Out.

0:39:100:39:11

Hey, Eddie, what happened last night?

0:39:110:39:13

When Gloria and I came back, you were gone.

0:39:130:39:15

Where'd you go?

0:39:150:39:16

Look, Joe,

0:39:160:39:18

there's something I got to talk to you about.

0:39:180:39:20

You're my best friend, aren't you?

0:39:200:39:23

Well, I'm not so sure.

0:39:230:39:24

Well, I can trust you, can't I, Joe?

0:39:240:39:27

Look, Eddie...

0:39:270:39:28

there's something you've just got to know.

0:39:280:39:30

It's Gloria.

0:39:300:39:32

Yeah, it's Gloria.

0:39:320:39:33

But it... it was the music or something.

0:39:330:39:36

Yeah, the music.

0:39:360:39:37

It..it did something to you.

0:39:370:39:39

All of a sudden for no reason,

0:39:390:39:42

you found yourself kissing her.

0:39:420:39:43

Yeah, that's right.

0:39:430:39:45

But remember, it wasn't her fault.

0:39:450:39:46

Oh, yes, it was, Joe.

0:39:460:39:48

She does something to you.

0:39:480:39:49

She sure does.

0:39:490:39:51

Thanks, Joe. You're a pal.

0:39:510:39:52

You understand.

0:39:520:39:53

You won't tell Gloria anything about it, will you?

0:39:530:39:56

Me?

0:39:560:39:57

Gloria?

0:39:570:39:58

Understand what?

0:39:580:39:59

About my kissing the statue.

0:39:590:40:00

She wouldn't understand.

0:40:000:40:02

Eddie, you kissed a statue?

0:40:020:40:03

Yeah, well,

0:40:030:40:04

she wasn't a statue then.

0:40:040:40:06

Who wasn't?

0:40:060:40:07

Venus, of course.

0:40:070:40:08

She was here taking a bubble bath.

0:40:080:40:11

You gave a statue a bubble bath?

0:40:110:40:12

No, she took it herself.

0:40:120:40:15

Look, Eddie, I think your fever's coming back.

0:40:150:40:17

I've got to get back to the model home

0:40:170:40:19

and get her out of bed.

0:40:190:40:21

Don't worry about having me come down, Miss Grant.

0:40:240:40:26

I don't mind.

0:40:260:40:28

Oh, he'd get the sultan out of bed.

0:40:280:40:30

Well, I guess these rags are the gladdest.

0:40:300:40:33

I hope you won't get into trouble doing things for me.

0:40:330:40:36

He told me to give you anything you need.

0:40:360:40:38

From where I stand, you don't need a thing.

0:40:380:40:42

The funniest thing happened to me last night.

0:40:430:40:46

Me, too. I was out with someone.

0:40:460:40:49

Oh, your sweetheart?

0:40:490:40:50

Oh, no.

0:40:500:40:51

That's what's so funny.

0:40:510:40:53

He was just a friend.

0:40:530:40:55

But...

0:40:550:40:56

all of a sudden...

0:40:560:40:57

he was the right one.

0:40:570:40:59

I just meet the wrong ones.

0:40:590:41:01

Oh.

0:41:010:41:02

I just can't figure it out.

0:41:020:41:04

One day you're out with someone

0:41:040:41:06

who isn't anybody special,

0:41:060:41:08

and then...

0:41:080:41:09

he makes you feel like everybody else is...

0:41:090:41:12

Well...

0:41:120:41:13

Nobody.

0:41:130:41:14

# You know the way you feel

0:41:200:41:22

# When there is autumn in the air

0:41:220:41:25

# That's him

0:41:250:41:26

# That's him

0:41:280:41:30

# The way you feel when Antoine

0:41:300:41:32

# Has finished with your hair

0:41:320:41:35

# That's him. #

0:41:350:41:36

That's him.

0:41:370:41:39

# You know the way you feel #

0:41:390:41:41

# When you smell fresh bread baking. #

0:41:410:41:44

The way you feel

0:41:440:41:46

when, oh, your aching back stops aching.

0:41:460:41:49

# Wonderful world

0:41:490:41:51

# Wonderful you

0:41:510:41:54

# That's him. #

0:41:540:41:56

That's him.

0:41:560:41:57

That's him.

0:41:570:41:58

# He's simple as a breeze that blows #

0:41:580:42:01

# In summer. #

0:42:010:42:03

He's natural,

0:42:030:42:05

not actory.

0:42:050:42:06

He's like a plumber

0:42:070:42:08

when you need a plumber.

0:42:080:42:10

GLORIA SIGHS

0:42:110:42:13

ALL: # He's satisfactory

0:42:130:42:15

# You know the way you feel at movies

0:42:150:42:19

# When the lights grow dimmer. #

0:42:190:42:22

The way you feel when overnight

0:42:220:42:24

your hips grow slimmer.

0:42:240:42:26

ALL: # Wonderful world

0:42:260:42:28

# Wonderful you. #

0:42:280:42:31

Say...

0:42:310:42:32

say Paree.

0:42:320:42:33

Say New York.

0:42:330:42:34

Savory.

0:42:340:42:35

# In the darkest caves and hallways

0:42:350:42:38

# I would know him always

0:42:380:42:41

# Cos I would see

0:42:410:42:42

# That he's the one for me

0:42:420:42:45

# How could I pass by him

0:42:450:42:48

# When I'd identify him

0:42:480:42:50

# So easily? #

0:42:500:42:52

Because...

0:42:520:42:53

that's he.

0:42:530:42:54

# You know the way you feel about

0:42:540:42:57

# The Rhapsody In Blue #

0:42:570:42:59

His eyes are blue.

0:42:590:43:00

His eyes are brown.

0:43:000:43:02

His are on the town.

0:43:020:43:04

The way you feel about a hat

0:43:040:43:07

created just for you.

0:43:070:43:09

That's him.

0:43:090:43:10

That's him.

0:43:120:43:13

# He's Christmas. #

0:43:130:43:15

He's caviar.

0:43:150:43:16

# He's a coke with cherry. #

0:43:160:43:18

Let's face it, girls.

0:43:180:43:20

He's a man.

0:43:200:43:21

ALL: # He's necessary

0:43:210:43:25

# Wonderful world

0:43:250:43:27

# Wonderful you

0:43:270:43:30

VENUS: # That's him

0:43:300:43:32

# That's him... #

0:43:320:43:34

ALL: That's him!

0:43:340:43:36

That's that.

0:43:380:43:39

Oops. No shoes.

0:43:390:43:41

OK, my little quarterback,

0:43:410:43:42

you're still carrying the ball.

0:43:420:43:44

Shoe department, size four and a half.

0:43:440:43:45

Four and a half?

0:43:450:43:46

Ridiculous.

0:43:460:43:47

Well, the stage is set.

0:43:470:43:49

I'll go get Romeo.

0:43:490:43:50

Hey, Eddie!

0:44:120:44:13

Shh.

0:44:130:44:14

Look, look, Eddie,

0:44:140:44:15

I don't really think you're...

0:44:150:44:16

well, crazy or anything.

0:44:160:44:18

I...I just think you're a little overworked.

0:44:180:44:20

I'll be all right.

0:44:200:44:22

Just as soon as I can get her out.

0:44:220:44:24

Why'd you bring a girl here?

0:44:240:44:26

I don't know the answer.

0:44:260:44:27

You're my pal, aren't you?

0:44:270:44:29

Yeah.

0:44:290:44:30

If anybody comes, you be my lookout.

0:44:300:44:32

Give me a whistle or something.

0:44:320:44:34

Look, Eddie...

0:44:340:44:35

Venus?

0:44:390:44:41

Your Majesty?

0:44:410:44:43

Venus?

0:44:430:44:44

Where are yo...

0:44:440:44:46

This is no time for games.

0:44:460:44:48

Of all the dresses you gave me,

0:44:480:44:50

I like this one the best.

0:44:500:44:52

Dresses? I gave you?

0:44:520:44:54

You don't like it?

0:44:540:44:56

Of course not.

0:44:560:44:57

I'll be fired.

0:44:570:44:58

Take it off.

0:44:580:45:00

I'm in enough trouble alrea...

0:45:000:45:01

< JOE WHISTLES

0:45:010:45:03

Take it off?

0:45:030:45:05

Hi, Gloria. Where are you going?

0:45:050:45:07

To the model home.

0:45:070:45:08

Come on.

0:45:100:45:11

You've got to...

0:45:110:45:13

What are you doing?

0:45:130:45:14

< JOE WHISTLES

0:45:140:45:15

Wh...what are you doing?

0:45:150:45:17

You didn't like it.

0:45:170:45:18

Oh, I love it.

0:45:180:45:19

Put it on and get out.

0:45:190:45:21

< JOE WHISTLES

0:45:210:45:22

No.

0:45:220:45:23

Hurry! Hurry!

0:45:230:45:24

I want to please you.

0:45:240:45:26

Oh, you can please me. Just get out.

0:45:260:45:28

Do you like this one?

0:45:280:45:30

I love it. It's beautiful.

0:45:300:45:31

Now, get in there, get dressed,

0:45:310:45:33

and don't come out until I call you.

0:45:330:45:36

Oh, Eddie,

0:45:360:45:37

are you sure you're going to like this one?

0:45:370:45:39

Oh, I'm crazy about it.

0:45:390:45:40

I'm nuts about it.

0:45:400:45:42

You, er, look awfully nice, Gloria.

0:45:420:45:44

HE WHISTLES

0:45:440:45:45

Thanks, Joe.

0:45:450:45:46

You look, er... neat.

0:45:460:45:48

Yep.

0:45:480:45:49

Real neat.

0:45:490:45:51

HE WHISTLES

0:45:510:45:53

Look, Joe, do you want to...

0:45:530:45:55

SHE WHISTLES

0:45:550:45:57

..or do you want to talk to me?

0:45:570:45:58

BANGING >

0:45:580:46:01

Is that Eddie?

0:46:010:46:02

Eddie? Oh, yeah.

0:46:020:46:04

That's Eddie. Eddie Hatch.

0:46:040:46:06

In there with that girl?

0:46:060:46:07

Girl?

0:46:070:46:08

There's no girl in there.

0:46:080:46:10

Eddie's in there alone.

0:46:100:46:11

Eddie's working.

0:46:110:46:12

Yep.

0:46:120:46:14

Just...working away.

0:46:140:46:16

I'll bet.

0:46:160:46:17

BANGING >

0:46:180:46:20

HE HUMS

0:46:230:46:25

Where did she go?

0:46:360:46:37

Oh, hello, Gloria.

0:46:370:46:39

Where did who go?

0:46:390:46:40

Never mind her.

0:46:400:46:42

Where did you go?

0:46:420:46:43

You look wonderful today, honey.

0:46:430:46:44

I like your hair.

0:46:440:46:46

You're going to wear your hair short

0:46:460:46:48

if you don't explain what happened last night.

0:46:480:46:50

Last night? Oh, last night.

0:46:500:46:52

Oh, you mean, er, er,

0:46:520:46:55

when I left while you were out getting soup?

0:46:550:46:56

What soup did you get, honey?

0:46:560:46:59

Noodle and spinach.

0:46:590:47:00

I didn't want your guest to be disappointed.

0:47:000:47:03

Oh, now, Gloria...

0:47:030:47:04

if I run into her, she'll wish she hadn't had any spinach.

0:47:040:47:08

If you think for one minute

0:47:080:47:10

you're going to make a fool of me...

0:47:100:47:12

Now, don't get upset. It's not good for you.

0:47:120:47:15

I suppose it's good to be stood up

0:47:150:47:17

by a two-timing chiseller.

0:47:170:47:19

Why, for two cents I'd hit you...

0:47:190:47:21

That's breakable. Oh, so is your head.

0:47:210:47:23

Gloria! Gloria, please!

0:47:230:47:25

Everything here is charged to me.

0:47:250:47:27

Let go! Let go!

0:47:270:47:28

I never want to see you again, Eddie Hatch!

0:47:310:47:33

You can go wherever you please!

0:47:330:47:35

Oh, Gloria, wait a minute!

0:47:350:47:36

I didn't mean anything by...

0:47:360:47:38

Do whatever you want!

0:47:380:47:40

I HATE you!

0:47:400:47:42

Hey, Eddie!

0:47:420:47:43

Eddie, give me the vase.

0:47:430:47:45

I think she's mad!

0:47:450:47:47

Hey, you're just that guy I'm looking for.

0:48:080:48:10

Oh, good morning, Mr Kerrigan.

0:48:100:48:12

The strangest thing just...

0:48:120:48:13

Yeah, I've got a warrant for your arrest.

0:48:130:48:16

Huh?

0:48:160:48:17

Mr Big.

0:48:230:48:25

Oh, I'm through with him.

0:48:250:48:27

Oh, cheer up, Gloria.

0:48:280:48:31

You and Eddie will be making up again.

0:48:310:48:33

What do you want to bet?

0:48:330:48:36

No more dates with him!

0:48:360:48:38

There are plenty of other fish in the sea.

0:48:380:48:41

Gloria!

0:48:470:48:48

Your...

0:48:480:48:49

Gloria, your shoe.

0:48:490:48:50

You know...

0:48:530:48:55

Gloria, if you...

0:48:550:48:57

ever need anything...

0:48:570:48:59

You can always count on me.

0:49:000:49:03

Thanks, Joe.

0:49:030:49:04

Well, I'll be seeing you.

0:49:040:49:06

When?

0:49:060:49:09

We'll see.

0:49:090:49:10

See ya.

0:49:120:49:13

See ya.

0:49:160:49:17

Say, maybe he's in the basement.

0:49:220:49:24

We'll give this floor the once-over. Come on.

0:49:240:49:28

Well, he ain't in here.

0:49:380:49:39

Come on.

0:49:390:49:41

Peekaboo, Hatch.

0:50:300:50:32

Cover the employees' entrance.

0:50:430:50:45

Pardon me.

0:50:520:50:53

Uh, we haven't met.

0:50:530:50:55

That is, you haven't met me,

0:50:550:50:56

but my name's Whitfield Savory II.

0:50:560:50:58

The same name as this establishment.

0:50:580:51:00

I AM this establishment.

0:51:000:51:02

Did you sleep well?

0:51:020:51:04

Yes, beautifully, thank you.

0:51:040:51:05

Yes, beautifully.

0:51:050:51:08

Uh, and the clothes?

0:51:080:51:09

Oh, divine.

0:51:090:51:10

A mere trifle. Take the whole store.

0:51:100:51:12

You can set fire to it if it amuses you.

0:51:120:51:15

You are generous, Mr Savory.

0:51:150:51:17

Call me Whitfield.

0:51:170:51:18

My car's waiting. Shall we go?

0:51:180:51:20

We?

0:51:200:51:21

I've arranged everything...

0:51:210:51:23

lunch at the Mum and Quiet Club,

0:51:230:51:25

then to Montauk Point for a candlelight dinner

0:51:250:51:28

at the Sand and Surf Yacht Club,

0:51:280:51:29

then a moonlit ride to the Adirondacks,

0:51:290:51:32

and breakfast at the Crop and Spur Club.

0:51:320:51:34

I don't think Eddie would approve.

0:51:340:51:36

Eddie? What Eddie?

0:51:360:51:37

Eddie Hatch, of course.

0:51:370:51:38

Hatch?

0:51:380:51:39

Yes. Last night he brought me here.

0:51:390:51:42

This morning he surprised me with all these clothes.

0:51:420:51:46

Hatch. That clerk?

0:51:460:51:47

That 40-a-week window dresser?

0:51:470:51:50

FOOTSTEPS

0:51:500:51:51

Eddie!

0:51:510:51:52

Eddie, where have you been?

0:51:520:51:54

Still trying to duck me?

0:51:540:51:55

I got questions for you.

0:51:550:51:57

Don't blame her. It's my fault.

0:51:570:51:59

Have you got the warrant?

0:51:590:52:00

Right here, Mr Savory.

0:52:000:52:01

Add these charges,

0:52:010:52:02

breaking into Savory's and stealing clothes.

0:52:020:52:06

Well...well, look,

0:52:060:52:07

if you'll just let her go,

0:52:070:52:08

I'll pay for everything.

0:52:080:52:09

Out of your 40 a week?

0:52:090:52:11

43.75!

0:52:110:52:12

Come on. One moment.

0:52:120:52:14

Does this document give you the right

0:52:140:52:16

to put Eddie in jail?

0:52:160:52:18

It does.

0:52:180:52:19

May I see it, please?

0:52:190:52:21

Don't worry about me.

0:52:210:52:23

Oh, it's very interesting.

0:52:230:52:24

What the...?

0:52:280:52:29

I thought you were a big boy now.

0:52:290:52:32

Darling, come on.

0:52:330:52:35

Wait. Wait.

0:52:360:52:37

I'll turn him into an owl.

0:52:370:52:39

I don't even understand it.

0:52:390:52:41

I don't know who...

0:52:410:52:42

whoo whoo.

0:52:420:52:43

What are you doing?

0:52:430:52:44

Arrest that man. Get going.

0:52:440:52:46

Oh, no. No, don't. Don't.

0:52:460:52:48

Stop it. Please. Stop it. Go on.

0:52:480:52:50

Don't stand there like a dummy. >

0:52:500:52:52

Whoo whoo whoo whoo.

0:52:520:52:53

Whoo whoo whoo whoo.

0:52:530:52:55

Whoo.

0:52:550:52:56

What's the matter with you?

0:52:560:52:57

I just had a funny feeling,

0:52:570:52:59

like I was going to lay an egg.

0:52:590:53:02

Got to get out of here - fast!

0:53:030:53:06

Wait a minute.

0:53:060:53:07

Why am I running away?

0:53:070:53:09

I'm not a criminal.

0:53:090:53:11

Course you're not.

0:53:110:53:12

But that detective thinks I stole the statue,

0:53:120:53:15

and Mr Savory accuses me of stealing your clothes,

0:53:150:53:18

Gloria's mad at me, Joe thinks I'm crazy,

0:53:180:53:21

I'm going to jail and losing my job, all because...

0:53:210:53:25

You kissed a statue.

0:53:250:53:26

Yeah.

0:53:260:53:27

That champagne made me do it.

0:53:270:53:30

I'm going to tell them the truth.

0:53:300:53:32

You did and they didn't believe you.

0:53:320:53:34

Oh, yeah.

0:53:340:53:36

You could be my witness.

0:53:370:53:39

That's it. You could explain it all to them,

0:53:390:53:42

the paper dolls and everything.

0:53:420:53:43

Mr Savory will believe me,

0:53:430:53:45

and he won't think I'm a criminal.

0:53:450:53:48

Perhaps I could persuade Mr Savory.

0:53:480:53:50

Oh, no. One of the girls told me all about him.

0:53:500:53:54

Did he ask you for a date?

0:53:540:53:57

Mm-hmm.

0:53:570:53:58

Now, look, your Majesty.

0:54:020:54:03

You are the Goddess of Love.

0:54:030:54:05

You belong on a pedestal

0:54:050:54:07

where people can see you and admire you!

0:54:070:54:09

Lots of people, thousands of people.

0:54:090:54:11

You want me to go back.

0:54:110:54:13

Will you?

0:54:130:54:14

I didn't think it was time.

0:54:140:54:16

Oh, there couldn't be a better time.

0:54:160:54:19

Ah, gee, it sure is swell of you, Miss Venus.

0:54:200:54:24

I really appreciate it, too.

0:54:240:54:26

Now my life will be just like it was before.

0:54:260:54:29

Sensible, orderly, and practical,

0:54:290:54:30

and I'll make up with Gloria.

0:54:300:54:32

Yup, just like it was before.

0:54:320:54:35

HE HUMS

0:54:360:54:37

Well...

0:54:570:54:58

Er...

0:54:580:54:59

will you be happy, er, that is, where you're going?

0:54:590:55:02

Oh, we worry a lot about you mortals.

0:55:020:55:05

What's it like, hmm?

0:55:060:55:08

Uh, have you got big cities like this,

0:55:080:55:11

places to go, movies and parks and things?

0:55:110:55:14

Gee, it's a shame you didn't get to see everything.

0:55:150:55:18

I could at least have taken you to the park.

0:55:180:55:21

I've caused you enough trouble already.

0:55:210:55:23

Trouble?

0:55:230:55:24

What do you mean?

0:55:240:55:26

We could see the park if we wanted to.

0:55:260:55:29

You don't really want to.

0:55:290:55:30

Of course I do.

0:55:300:55:31

I know my own mind.

0:55:310:55:33

Right now I want to take you to the park.

0:55:340:55:39

But I ask you, Molly,

0:55:390:55:40

even giving myself the worst of it,

0:55:400:55:42

what's this window trimmer got

0:55:420:55:43

that I haven't got?

0:55:430:55:45

To mention just one thing,

0:55:450:55:46

the girl you want.

0:55:460:55:48

I can offer her anything she wants,

0:55:480:55:50

anything that money can buy.

0:55:500:55:52

You did. It wasn't enough.

0:55:520:55:53

It doesn't make sense.

0:55:530:55:55

"Try to reason about love, and you'll lose your reason."

0:55:550:55:58

Old French proverb.

0:55:580:55:59

Well, I'm not through yet.

0:55:590:56:01

This is a challenge.

0:56:010:56:02

When I want something, I get it.

0:56:020:56:05

Not this time, I've got a feeling.

0:56:050:56:08

For everybody, there's bound to be one thing,

0:56:080:56:10

one person that's unattainable.

0:56:100:56:12

Well, not for me.

0:56:120:56:14

OK, Lord-and-Master.

0:56:140:56:16

Whoo hoo hoo...

0:56:210:56:23

Whooo...

0:56:280:56:30

I love your park, Eddie.

0:56:440:56:45

It seems more beautiful tonight

0:56:450:56:47

than it ever has.

0:56:470:56:49

THEY SING

0:56:490:56:51

# If this place is love

0:57:020:57:05

# Why didn't somebody tell me?

0:57:050:57:09

# Don't look now

0:57:090:57:12

# But my heart is showing

0:57:120:57:14

# No matter what I say or do

0:57:140:57:17

# Can't hide it

0:57:170:57:19

# My heart's Romeo-ing

0:57:190:57:21

# I can't stay away from you

0:57:210:57:24

# You smile, and my dreams start hello-ing

0:57:240:57:28

# They spin when you come into view

0:57:280:57:31

# In circles I may not be going

0:57:310:57:35

# But I feel I reel with you

0:57:350:57:38

# When Mister

0:57:380:57:41

# Kisses Miss

0:57:410:57:42

# No need for words to embroider

0:57:420:57:46

# When mister

0:57:460:57:48

# Kisses Miss

0:57:480:57:49

# Changing her name is in order

0:57:490:57:52

# You'll smile, and the stardust is blowing

0:57:520:57:56

# We're whirling in a world that's new

0:57:560:57:59

# Don't look now, but your heart is showing

0:57:590:58:03

# And it flips and halts

0:58:030:58:05

# And turns somersaults

0:58:050:58:06

# Darling, it wants to waltz with you

0:58:060:58:10

# Don't ask me, but here is my answer

0:58:180:58:21

# I think that you are magically he

0:58:210:58:25

# Who could be a love necromancer?

0:58:250:58:28

# Neck-romancing is for me

0:58:280:58:32

# Don't stop me, but I am replying

0:58:320:58:35

# I know that you are magically she

0:58:350:58:39

# The preacher would like to be tying

0:58:390:58:42

# As you coo

0:58:420:58:43

# I do

0:58:430:58:44

# With me.

0:58:440:58:45

# Around, 'round and 'round

0:58:450:58:49

# I'm just like a record that's playing

0:58:490:58:52

# Repeating the same sound

0:58:520:58:56

# The needle must like what I'm saying

0:58:560:58:59

# These wings that I feel I am growing

0:58:590:59:02

# Belong to someone I never knew

0:59:020:59:06

# Don't look now, but heaven is showing

0:59:060:59:09

# And tonight the sky

0:59:090:59:11

# Is my sky to fly

0:59:110:59:14

# Darling

0:59:140:59:16

# Falling in love

0:59:160:59:18

# Falling in love

0:59:180:59:22

# With you. #

0:59:220:59:27

I feel as if I'd swallowed a symphony orchestra

1:00:121:00:15

playing the most beautiful music in the world.

1:00:151:00:18

In two worlds, darling.

1:00:181:00:20

Troubled, angel?

1:00:261:00:27

Er, er, nothing.

1:00:271:00:30

Tell me.

1:00:301:00:32

Well, what about this fellow,

1:00:321:00:34

the one, er, you turned into an owl?

1:00:341:00:37

Uh, hip-hip-hip-hip-

1:00:371:00:39

Hippolytus?

1:00:391:00:40

Uh-huh.

1:00:401:00:41

Didn't you love him once?

1:00:411:00:43

Never.

1:00:431:00:44

He bothered me.

1:00:441:00:45

Oh.

1:00:451:00:47

Do I bother you?

1:00:471:00:49

No, dear.

1:00:501:00:51

Not like that.

1:00:511:00:53

Ooh...

1:00:551:00:56

Feathers...

1:00:561:00:57

What about...

1:00:591:01:01

what about this other one...

1:01:011:01:02

This poliph...

1:01:021:01:03

Peliphenes?

1:01:031:01:05

Very annoying.

1:01:051:01:06

What?

1:01:061:01:08

So annoying I finally had to turn him into a...

1:01:081:01:11

a rock.

1:01:121:01:14

You mean a boulder?

1:01:141:01:15

Mmm. A large one.

1:01:151:01:17

It's perched on the side of Mount Olympus.

1:01:171:01:19

None of them really had my love the way you do.

1:01:191:01:23

I'm glad if I'm different.

1:01:231:01:24

You are.

1:01:241:01:25

You're the only one.

1:01:251:01:27

Then I don't care what happens.

1:01:271:01:29

Turn me into a fire hydrant

1:01:291:01:31

or a goat if you want.

1:01:311:01:33

It's worth it.

1:01:331:01:35

This is the place, boss.

1:01:381:01:40

You sure he's here?

1:02:071:02:09

Sure. We tailed them both, then phoned you.

1:02:091:02:12

Savory doubled the ante if we nab Hatch tonight.

1:02:121:02:14

Come on.

1:02:141:02:16

Dear, I just can't believe that this is happening to me.

1:02:161:02:20

You know...

1:02:201:02:22

I...I don't know what to do.

1:02:221:02:24

I don't know what to say,

1:02:241:02:27

and I don't know what to do.

1:02:271:02:30

I'd like to do things for you.

1:02:301:02:32

I'd like to take you places,

1:02:321:02:34

like the men in the ads, men of distinction,

1:02:341:02:37

like Mr Savory.

1:02:371:02:39

He could buy you everything.

1:02:391:02:40

Everything?

1:02:401:02:41

Let me see...

1:02:411:02:43

could he buy me a bag of popcorn?

1:02:431:02:46

Ha ha. Don't be silly.

1:02:461:02:48

Of course not.

1:02:481:02:49

What would you want with a bag...

1:02:491:02:52

Popcorn?

1:02:531:02:55

Do you mean it?

1:02:551:02:57

Great big bag.

1:02:571:02:58

I'll be right back.

1:03:011:03:02

You'll still be here when I get back, won't you?

1:03:101:03:14

I'll be here, Eddie.

1:03:141:03:15

Your best bag of popcorn, please.

1:03:351:03:37

It's all the same.

1:03:371:03:38

It's got to be special.

1:03:381:03:39

Yeah. This is for a walkie-talkie statue.

1:03:391:03:42

Come to me.

1:03:421:03:44

Come close to me.

1:03:441:03:45

Grab him!

1:03:471:03:48

I can't come now. I'll come with you later.

1:03:491:03:52

Take him, boys.

1:03:521:03:54

I can't...I can't leave her here alone.

1:03:541:03:57

She's a goddess.

1:03:571:03:58

He's still crazy. Go on!

1:03:581:03:59

She doesn't know about mortals.

1:03:591:04:01

Keep moving.

1:04:011:04:02

Venus!

1:04:021:04:03

Venus!

1:04:031:04:05

Venus! >

1:04:061:04:07

Venus! >

1:04:071:04:09

What happened?

1:04:181:04:19

I don't know.

1:04:191:04:20

Some detectives just grabbed the kid.

1:04:201:04:22

What did he do?

1:04:221:04:23

Search me. He was buying popcorn and...

1:04:231:04:26

Debussy.

1:04:311:04:32

You know, Debussy does something to women.

1:04:321:04:35

Personally I go for Buzzy Ballou And His Musical Crew.

1:04:351:04:39

Save your needles, chum.

1:04:391:04:41

I suspect that this little gal

1:04:411:04:43

is going to be your Waterloo.

1:04:431:04:45

What else can she do?

1:04:451:04:46

When they toss Hatch into the Bastille,

1:04:461:04:49

she'll turn to me.

1:04:491:04:50

Only I can get him out.

1:04:501:04:52

Fine strategy, but it won't work, not with this baby.

1:04:521:04:55

Hello, baby.

1:04:571:04:59

My dear,

1:04:591:05:01

what a very unexpected pleasure.

1:05:011:05:03

Am I too late for that candlelight supper?

1:05:031:05:06

Gracious, no.

1:05:061:05:07

I'll put a couple of candles on to broil right away.

1:05:071:05:11

Uh, I'll manage, Molly.

1:05:111:05:12

I'm a whiz at tallow sauted A La Savory.

1:05:121:05:14

Good night, Molly.

1:05:141:05:16

I'll chill some wine. Any preference?

1:05:171:05:19

Your pleasure.

1:05:191:05:21

Don't worry.

1:05:301:05:31

Not me. You can take care of yourself.

1:05:311:05:34

I mean about him.

1:05:341:05:35

You really care for him, don't you?

1:05:351:05:38

Reminds me of a dog I had.

1:05:381:05:41

No. No, you really love him.

1:05:411:05:43

Well, why not?

1:05:431:05:45

Working here, I get a 20% discount.

1:05:451:05:47

Molly, you keep everything inside.

1:05:471:05:49

You shouldn't.

1:05:491:05:50

You must let him know.

1:05:501:05:52

You talk like an expert.

1:05:521:05:53

What do you think?

1:05:531:05:55

Mm-hmm.

1:05:571:05:58

Good night, Molly.

1:06:001:06:01

So long.

1:06:011:06:02

Watch out for Debussy.

1:06:021:06:04

This is lovely.

1:06:161:06:18

Yes.

1:06:181:06:19

To you.

1:06:281:06:29

To us.

1:06:291:06:30

"She walks in beauty like the night.

1:06:411:06:45

"Of cloudless climes and starry skies."

1:06:451:06:48

Poetic approach, huh?

1:06:481:06:50

Do you bother to learn the whole poem

1:06:501:06:52

or just those parts you can whisper to women?

1:06:521:06:55

Or they can whisper to me.

1:06:551:06:57

Another good one is,

1:06:591:07:01

"Oh, thou art fairer than the evening air,

1:07:011:07:04

"gladden the beauty of a thousand stars."

1:07:041:07:07

I'll make a note of that.

1:07:111:07:13

Some more wine?

1:07:131:07:15

Please.

1:07:151:07:16

You know, you are rather nice.

1:07:571:07:59

I'm sorry about the way I've acted.

1:07:591:08:02

"Beauty likened to a song.

1:08:051:08:07

"Such beauty can do no wrong."

1:08:071:08:10

Please.

1:08:101:08:11

You're maddening.

1:08:111:08:12

No, Whitfield.

1:08:131:08:14

I keep thinking... Me, too.

1:08:141:08:16

Eddie's been arrested.

1:08:161:08:17

Wonderful.

1:08:171:08:18

But it was all my fault.

1:08:181:08:20

Forget him.

1:08:201:08:21

Poor boy, in a cold cell.

1:08:211:08:23

I'll send him some blankets.

1:08:231:08:25

Maybe...maybe you could get him out?

1:08:251:08:28

Why, yes, of course. Anything. Anything.

1:08:281:08:30

It's the least I can do for you.

1:08:301:08:33

PHONE RINGS

1:08:391:08:41

Yes?

1:08:471:08:49

The city jail?

1:08:491:08:50

Oh, it's you.

1:08:501:08:52

Well, what now?

1:08:521:08:53

Hello, Kerrigan?

1:08:531:08:54

I want a word with you.

1:08:541:08:56

Now I'm Kerrigan, huh?

1:08:561:08:57

Well, begorra, I've got the feet for it.

1:08:571:09:01

Aha, Kerrigan, you are a card!

1:09:011:09:02

Tell him about Eddie.

1:09:021:09:04

(Yes, dear.)

1:09:041:09:05

Do something for me, old boy.

1:09:051:09:07

Oh, why don't you spin your platters?

1:09:071:09:09

You know, "Debussy does something to women".

1:09:091:09:11

Better yet, flip out your bank books.

1:09:111:09:14

You can give her anything money can buy.

1:09:141:09:16

Listen, Kerrigan, I want action on this, understand?

1:09:161:09:18

Whitfield, you're so wonderful.

1:09:181:09:20

Thank you, my dear.

1:09:201:09:21

Hold on, Kerrigan. What's that?

1:09:211:09:23

Hatch. Eddie Hatch.

1:09:231:09:24

I'll have him out in a minute.

1:09:241:09:26

Look here, Molly... er, Molligan...

1:09:261:09:28

er, Kerrigan.

1:09:281:09:29

Ha ha...

1:09:291:09:31

I'll put an ad in the paper for a secretary.

1:09:311:09:34

Help wanted. Female.

1:09:341:09:36

Must be able to take shorthand and body blows.

1:09:361:09:39

Don't do anything rash.

1:09:391:09:41

We'll talk...

1:09:411:09:42

Let me...

1:09:421:09:43

I'll handle this.

1:09:431:09:44

You've pulled a lot of chintzy deals,

1:09:441:09:47

but framing a kid to get his girl?

1:09:471:09:49

Even I'm finally ashamed of you.

1:09:491:09:51

No. Don't go. You know how I need you.

1:09:511:09:54

I depend on you.

1:09:541:09:56

You didn't seem to need me before.

1:09:561:09:58

You did everything but bounce me out.

1:09:581:10:01

I'll do anything.

1:10:011:10:02

Offer him a bonus.

1:10:021:10:03

I'll give you a bonus.

1:10:031:10:05

Please, I'll do this.

1:10:051:10:06

I'll come right over.

1:10:061:10:08

Me, too.

1:10:081:10:09

No, no. You wait here. I'll be back.

1:10:091:10:11

Wait there. I'll be over.

1:10:111:10:12

Save yourself the trip.

1:10:121:10:14

And thank baby for the advice.

1:10:141:10:16

I haven't felt so good in years.

1:10:161:10:18

So long, Whitfield.

1:10:181:10:19

"I walk out in beauty like the night"(!)

1:10:191:10:21

No, no, no...

1:10:211:10:23

Some wine, please, my dear.

1:10:231:10:25

You... Don't... You've got to listen.

1:10:251:10:27

Don't... don't hang up.

1:10:271:10:29

You can't leave me flat.

1:10:291:10:31

My dear, are you all right?

1:10:371:10:38

I'm fine.

1:10:381:10:39

Molly...Molly... Molly...Molly?

1:10:391:10:43

Molly?

1:10:451:10:47

She's hung up.

1:10:481:10:49

She wouldn't listen. She's leaving.

1:10:491:10:50

What are you doing here?

1:10:501:10:52

Right. She's one minute away.

1:10:521:10:53

Two minutes.

1:10:531:10:55

First you call Kerrigan.

1:10:551:10:56

Kerrigan?

1:10:561:10:57

Oh, why, of course.

1:10:571:10:58

Of course. Yes.

1:10:581:11:00

Hello, Molly? Molly...

1:11:041:11:05

Molly?

1:11:051:11:06

Who is this?

1:11:061:11:08

Who you kidding?

1:11:081:11:10

Oh, yes. Yes, Mr Savory.

1:11:101:11:13

I'm dropping all charges.

1:11:131:11:14

Release Hatch at once.

1:11:141:11:15

Tell Eddie I'll be waiting.

1:11:151:11:17

Send Hatch to my place right away.

1:11:171:11:19

The place is yours as long as you like.

1:11:191:11:21

Thank you, Whitfield.

1:11:211:11:23

Oh, this orchid. I think it would look nice on Molly.

1:11:231:11:26

Thank you.

1:11:271:11:28

Excuse me.

1:11:321:11:33

Oh, um...

1:11:351:11:36

tell Hatch he can have tomorrow off.

1:11:361:11:38

THUNDER CLAPS

1:11:421:11:44

No, no! Not now!

1:11:541:11:56

Please, please!

1:12:071:12:09

Just a few moments more!

1:12:091:12:11

CLOCK CHIMES

1:12:191:12:21

CLOCK CHIMES

1:12:241:12:25

CLOCK CHIMES

1:12:281:12:29

CLOCK CHIMES

1:12:321:12:33

Wait here.

1:12:471:12:48

Eddie! Joe!

1:12:501:12:51

I got your bail. I'll get you out.

1:12:511:12:53

You ARE out!

1:12:531:12:54

Savory dropped the charges.

1:12:541:12:55

Then they found the statue. Who stole it?

1:12:551:12:58

It wasn't stolen.

1:12:581:12:59

Venus is waiting for me right now.

1:12:591:13:01

Savory's Department Store.

1:13:011:13:02

Venus? Oh, no, Eddie. Not that again.

1:13:021:13:05

You said Savory's Department Store?

1:13:081:13:10

Yeah.

1:13:101:13:11

The nearest hospital.

1:13:111:13:12

Hospital. Savory's.

1:13:121:13:13

Make up your mind.

1:13:131:13:14

He wants the hospital.

1:13:141:13:16

Savory's. I'm paying for this.

1:13:161:13:18

Eddie, listen.

1:13:181:13:19

You're sick...

1:13:191:13:20

I'll show you. I'll introduce you to her.

1:13:201:13:22

You'll like her. She's wonderful.

1:13:221:13:24

Oh, Eddie... Faster!

1:13:241:13:26

I've got to get there, Joe.

1:13:261:13:28

She may leave.

1:13:281:13:29

I want her to stay, to marry her.

1:13:291:13:31

We'll get a place in Ozone Heights.

1:13:311:13:34

Yeah. I can just see you bouncing little statues on your knee.

1:13:341:13:38

You've got to stop talking like that.

1:13:381:13:40

She's not a statue, Joe.

1:13:401:13:42

She's Venus, Goddess of Love.

1:13:421:13:44

You win. To the hospital.

1:13:441:13:46

Savory's Department Store!

1:13:461:13:48

Look, Eddie. Just relax.

1:13:481:13:49

SOFT SINGING

1:13:491:13:51

Quiet. Listen.

1:13:511:13:55

# Our summer day withers away

1:13:551:13:59

# Too soon, too soon

1:13:591:14:03

# Speak low

1:14:031:14:06

# When you speak love... #

1:14:061:14:07

But... Listen.

1:14:071:14:09

I can hear her.

1:14:091:14:11

# Like ships adrift, we're swept apart... #

1:14:111:14:14

Don't be silly. That's just the radio.

1:14:141:14:17

That's Venus!

1:14:171:14:18

Faster!

1:14:181:14:19

Turn off your radio!

1:14:191:14:20

Ain't on. It must be on!

1:14:201:14:22

Clam up, bub. Let's listen.

1:14:221:14:24

We're all crazy.

1:14:241:14:26

# Lost in the dark

1:14:261:14:27

# Too soon

1:14:271:14:29

# Too soon

1:14:291:14:31

# I feel

1:14:311:14:34

# Wherever I go

1:14:341:14:38

# That tomorrow is near

1:14:381:14:40

# Tomorrow is here

1:14:401:14:42

# And always too soon

1:14:421:14:46

# Time is so old

1:14:461:14:49

# And love so brief

1:14:491:14:53

# Love is pure gold

1:14:531:14:56

# And time a thief

1:14:561:15:00

# We're late

1:15:001:15:03

# Darling, we're late

1:15:031:15:07

# The curtain descends

1:15:071:15:09

# Everything ends

1:15:091:15:11

# Too soon

1:15:111:15:13

# Too soon

1:15:131:15:15

# I wait

1:15:151:15:18

# Darling

1:15:181:15:23

# Will you speak love? #

1:15:231:15:31

Venus?

1:15:341:15:35

Venus?

1:15:351:15:36

I told you. There's nobody here.

1:15:361:15:38

She's got to be here. She must be here.

1:15:381:15:41

Venus?

1:15:411:15:42

Venus?

1:15:421:15:43

If Mr Savory sees us, we're both fired.

1:15:431:15:45

She's in the model home, that's where she is.

1:15:451:15:48

THUNDER ROLLS

1:15:481:15:49

Good shot, Ed.

1:15:571:15:59

Mr Savory, where did you have it hidden?

1:15:591:16:02

Well, the statue simply reappeared

1:16:021:16:04

as mysteriously as it disappeared.

1:16:041:16:06

Before you write this off

1:16:061:16:08

as another publicity gimmick,

1:16:081:16:09

look at Ludivici Fisoli's volume

1:16:091:16:11

on the strange legends and myths

1:16:111:16:13

surrounding the Anatolian Venus.

1:16:131:16:15

In our book department. Morocco-bound.

1:16:151:16:18

It's probably just coincidence,

1:16:181:16:19

but while our Goddess of Love was missing,

1:16:191:16:22

city hall ran out of marriage licenses.

1:16:221:16:25

Love sure reared its beautiful head.

1:16:251:16:27

Thanks, girl.

1:16:271:16:29

Did you tell Hatch about his three dollar raise?

1:16:291:16:31

3.75.

1:16:311:16:32

Oh, yes.

1:16:321:16:33

Well, if you'll excuse us,

1:16:331:16:35

a place called...

1:16:351:16:36

Niagara Falls.

1:16:361:16:37

We're going over in a barrel.

1:16:371:16:39

See you when we get back.

1:16:391:16:41

You never even said goodbye.

1:17:041:17:06

Oh, pardon me.

1:17:091:17:11

Could you direct me to the model home?

1:17:111:17:14

Yes. It's right through there. Second floor.

1:17:141:17:16

Thank you very much.

1:17:161:17:18

Uh, Miss...

1:17:201:17:22

Um...

1:17:291:17:30

You're looking for the model home?

1:17:301:17:32

Yes.

1:17:321:17:33

I just started to work here today.

1:17:331:17:35

Oh. That's fine.

1:17:351:17:37

My name is Hatch. Eddie Hatch.

1:17:371:17:39

Mine's Jones. Venus Jones.

1:17:391:17:41

That's beautiful.

1:17:411:17:42

Well, it's unusual anyway.

1:17:421:17:44

Nobody's ever likely to meet two girls named Venus.

1:17:441:17:48

No. I...I guess not.

1:17:481:17:49

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