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-Is that guy hitching with a fridge? -Oh yes. | 0:00:32 | 0:00:35 | |
What an idiot. | 0:00:36 | 0:00:38 | |
And Bob? Where is Bob? Fantastic, Bob, you're looking great. | 0:00:47 | 0:00:50 | |
Really are, you're looking terrific. Got to hand it to him. | 0:00:50 | 0:00:54 | |
Still having sex at 64. | 0:00:54 | 0:00:56 | |
Trouble is he lives at 62. | 0:00:56 | 0:00:58 | |
LAUGHTER | 0:00:58 | 0:00:59 | |
I never used to believe in miracles. | 0:01:00 | 0:01:02 | |
I think what changes it for you | 0:01:02 | 0:01:04 | |
is when you see your first newborn baby. | 0:01:04 | 0:01:06 | |
Because what it is, it's the hands, the fantastic detail in the hands, | 0:01:06 | 0:01:09 | |
right the way down to the knuckle, the nail, | 0:01:09 | 0:01:11 | |
the quick in the nail, it's all there in perfect miniature. | 0:01:11 | 0:01:14 | |
And, as the man handed me this thing, I thought, "Now that is a miracle... | 0:01:14 | 0:01:18 | |
"because I'd ordered a pizza." | 0:01:18 | 0:01:20 | |
LAUGHTER | 0:01:20 | 0:01:21 | |
-OK, how many do you think I can do? -AUDIENCE MEMBER: 20! | 0:01:21 | 0:01:24 | |
I can do 20 easy, here we go. | 0:01:24 | 0:01:27 | |
1, 2, 3, 4, 5, 6, 7, 8, 9, 10, | 0:01:27 | 0:01:31 | |
11, 12, 13, 14, | 0:01:31 | 0:01:34 | |
15, 16, 17, 18, 19, 20! | 0:01:34 | 0:01:37 | |
APPLAUSE | 0:01:37 | 0:01:39 | |
I mean who hitchhikes with a fridge? I mean honestly, Trevor! | 0:01:42 | 0:01:46 | |
LAUGHTER | 0:01:46 | 0:01:48 | |
Thanks, Tony. We never tire of hearing that story. | 0:01:48 | 0:01:51 | |
Now it's time on Teatime With Trevor for our team captain Tony to reveal all. | 0:01:51 | 0:01:56 | |
What's it to be, Tony? Flip or flop? | 0:01:56 | 0:01:59 | |
And remember, it's a brave man who flips. | 0:01:59 | 0:02:03 | |
-I'm going to flip. -He's going to flip, folks. -It's a pair of trousers. | 0:02:03 | 0:02:07 | |
I don't believe it! It is a pair of trousers! Ha ha! | 0:02:07 | 0:02:11 | |
Tony, darling, mwah mwah! Loved the show yesterday. | 0:02:34 | 0:02:39 | |
Boy, was that funny! | 0:02:39 | 0:02:41 | |
Trousers! Ha ha! | 0:02:41 | 0:02:42 | |
I genuinely laughed. | 0:02:42 | 0:02:44 | |
So, here we are. How's Jenny? | 0:02:46 | 0:02:49 | |
Well, we split up four months ago. | 0:02:49 | 0:02:51 | |
Ah, so you did. Shame, I liked her. | 0:02:51 | 0:02:54 | |
Now, some good news. | 0:02:55 | 0:02:57 | |
-It's in the cupboard. -What? -Cupboard. | 0:02:57 | 0:03:00 | |
-What are you talking about? -Just a minute, Tony, I'm on the phone. | 0:03:00 | 0:03:03 | |
With the others. It's this new headset thingy. | 0:03:03 | 0:03:06 | |
I raise my arm like this when I'm on the phone so people know. | 0:03:06 | 0:03:09 | |
Now, some good news. | 0:03:09 | 0:03:11 | |
I reckon I can get you on the bill to do the Prince's Trust Royal Gala | 0:03:11 | 0:03:15 | |
Saturday week, live in front of royalty. | 0:03:15 | 0:03:18 | |
Stephen Kay has had to pull out, | 0:03:18 | 0:03:19 | |
and the producers will use you provided you do new material. | 0:03:19 | 0:03:23 | |
That won't be a problem, will it? | 0:03:23 | 0:03:26 | |
Hm, thought as much. Send in Dean Masterson. | 0:03:26 | 0:03:29 | |
-Who? -Dean Masterson, brilliant comedy writer. | 0:03:29 | 0:03:33 | |
-Look, I can write my own routines. -Can you? Can you really? | 0:03:33 | 0:03:37 | |
By Saturday week? | 0:03:37 | 0:03:39 | |
Tony! | 0:03:39 | 0:03:40 | |
You used to be able to write funny stuff, but now you're... | 0:03:40 | 0:03:45 | |
Well you need Dean Masterson. | 0:03:45 | 0:03:47 | |
Are you saying that I've lost it? | 0:03:47 | 0:03:49 | |
No, no, I'm saying it's hard work. | 0:03:49 | 0:03:51 | |
You need to go back to what you used to do. | 0:03:51 | 0:03:55 | |
Write about your ex-girlfriends, write about what you see in the park! | 0:03:55 | 0:03:58 | |
I'm just not sure you've got the desire any more. | 0:03:58 | 0:04:01 | |
-Sandra, you're wrong about me. -Then prove me wrong. | 0:04:01 | 0:04:05 | |
No, not the cupboard by the window! | 0:04:05 | 0:04:08 | |
'Parks. Erm, the thing about being friends of parks...' | 0:04:21 | 0:04:25 | |
No. | 0:04:25 | 0:04:27 | |
'Parks, erm... | 0:04:28 | 0:04:30 | |
'I love parks. No, no. | 0:04:30 | 0:04:34 | |
'Last week I had my ex... | 0:04:35 | 0:04:37 | |
'No. Last week I had my front window smashed in.' | 0:04:37 | 0:04:41 | |
Last week I had my window smashed in by my ex-girlfriend, | 0:04:41 | 0:04:44 | |
who lives just a stone's throw away! | 0:04:44 | 0:04:47 | |
Parks are good. | 0:04:49 | 0:04:50 | |
I like the way they have friends of the parks. | 0:04:50 | 0:04:52 | |
A while ago, I made friends with Hyde Park. | 0:04:52 | 0:04:55 | |
The trouble is we've fallen out recently. | 0:04:55 | 0:04:57 | |
It can't stand the fact that I walk through St James's Park | 0:04:57 | 0:05:00 | |
and it thinks I'm seeing a recreation ground on the side! | 0:05:00 | 0:05:02 | |
Hi, mate. Good to see you. Come in. | 0:05:19 | 0:05:21 | |
So, tonight's the big night, eh? | 0:05:23 | 0:05:25 | |
-How are you feeling? -Well, ready. I've done the work and I'm ready. | 0:05:25 | 0:05:28 | |
-How about you? -Oh, not so good. | 0:05:28 | 0:05:30 | |
Daniel's running a bit of a temperature. | 0:05:30 | 0:05:32 | |
BABY STARTS CRYING Which means we won't be able to come and see the Royal Gala. | 0:05:32 | 0:05:35 | |
Well, why not? | 0:05:35 | 0:05:37 | |
Tony, I can't just leave him. Not like that, with a babysitter. | 0:05:37 | 0:05:40 | |
Can't you? | 0:05:40 | 0:05:41 | |
-Well, no. -Well come by yourself, let Nicola look after him. | 0:05:41 | 0:05:46 | |
No, doesn't really work like that, mate, I'm afraid. | 0:05:46 | 0:05:48 | |
But we'll watch it on the telly later on. Anyway, I'd better take this on upstairs. | 0:05:48 | 0:05:51 | |
Mr Hawks, this is your two-minutes call. | 0:06:00 | 0:06:03 | |
'OK, Tony, stay focused. | 0:06:03 | 0:06:05 | |
'Enjoy yourself out there. Trust your material.' | 0:06:05 | 0:06:08 | |
KNOCK AT DOOR | 0:06:09 | 0:06:11 | |
Are you OK, darling? God, you look terrible. | 0:06:12 | 0:06:15 | |
Everyone is so excited! | 0:06:15 | 0:06:17 | |
This is what we've been waiting for. The new Tony! Mwah! | 0:06:17 | 0:06:21 | |
Your Royal Highness, my lords, ladies and gentlemen, | 0:06:23 | 0:06:27 | |
please welcome a stalwart of Teatime With Trevor, Mr Tony Hawks. | 0:06:27 | 0:06:32 | |
APPLAUSE | 0:06:32 | 0:06:34 | |
Come on, love. Tony's on! | 0:06:34 | 0:06:36 | |
Good evening. | 0:06:39 | 0:06:40 | |
Last week I had my front windows smashed in by my ex-girlfriend. | 0:06:41 | 0:06:46 | |
Er, parks! Parks are good! | 0:06:49 | 0:06:52 | |
I never used to believe in miracles. I think what changes it for you | 0:06:57 | 0:06:59 | |
is when you see your first newborn baby. What it is, it's the hands. | 0:06:59 | 0:07:03 | |
Fantastic detail in the hand, right the way down to the knuckle, | 0:07:03 | 0:07:06 | |
the nail, the quick in the nail. It's all there in perfect miniature. | 0:07:06 | 0:07:09 | |
And, as the man handed me this thing, I thought, "Now that is a miracle" | 0:07:09 | 0:07:12 | |
Because I'd ordered a pizza! | 0:07:12 | 0:07:14 | |
LAUGHTER | 0:07:14 | 0:07:15 | |
You know what's coming next, don't you? | 0:07:17 | 0:07:20 | |
AUDIENCE CHEERS | 0:07:22 | 0:07:24 | |
I did not bottle it. I made a calculated decision. | 0:07:29 | 0:07:34 | |
Live TV's the last place you'd try out new material. | 0:07:34 | 0:07:36 | |
Anyway, look guys, I'm really tired | 0:07:36 | 0:07:39 | |
and Daniel's bound to wake up in the night, so I'll leave you to it. | 0:07:39 | 0:07:42 | |
A good little artist, your daughter. | 0:07:44 | 0:07:46 | |
Perfect likeness, apart from the Afro hair. | 0:07:46 | 0:07:50 | |
Whoo! Fancy new fridge! | 0:07:53 | 0:07:56 | |
Are they finally paying you teachers more than the minimum wage at last? | 0:07:56 | 0:08:00 | |
By the way, did I ever tell you my Ireland fridge story? | 0:08:00 | 0:08:03 | |
Yes, you saw an old man hitching with a fridge the first time you went to Ireland. | 0:08:03 | 0:08:09 | |
You've told that story three times on Teatime With Trevor, it's a biennial. | 0:08:09 | 0:08:13 | |
Ah, so you do watch it then? | 0:08:13 | 0:08:15 | |
Well, Nicola's home during the day. | 0:08:15 | 0:08:17 | |
If it's on the telly, I'll sit down. | 0:08:17 | 0:08:19 | |
Look, I don't mind hearing the anecdote again, all right? | 0:08:19 | 0:08:22 | |
I never tire of it. Maybe tomorrow, yeah? Tonight I'd like to go to bed. | 0:08:22 | 0:08:26 | |
Whoa whoa whoa, you're not going anywhere, mate. | 0:08:26 | 0:08:29 | |
You and I are going to drink like we drank on the night I failed my finals. | 0:08:29 | 0:08:32 | |
No, I don't think we have enough Tesco cider! | 0:08:32 | 0:08:35 | |
-Oh no, mate, no. I'm strictly amateur these days. No. -Relax! | 0:08:35 | 0:08:39 | |
We're perfectly capable of drinking and still behaving like responsible adults. | 0:08:39 | 0:08:43 | |
-You flinched. -No, I didn't! -You flinched. | 0:08:45 | 0:08:48 | |
-It's a blink, it's not the same as... -Have a drink. | 0:08:48 | 0:08:51 | |
I'll take the drink but that was a blink, not a flinch. | 0:08:51 | 0:08:53 | |
That was definitely a flinch. My turn. | 0:08:53 | 0:08:56 | |
The thing is, if blinking... | 0:08:56 | 0:08:58 | |
OK, I flinched then. | 0:09:01 | 0:09:03 | |
Which is not the same as blinking. | 0:09:03 | 0:09:05 | |
-Well, it's good to have you back. -Where have I been? -Away. | 0:09:08 | 0:09:12 | |
You know, when you reached the pinnacle of your academic prowess | 0:09:14 | 0:09:18 | |
and failed your finals, | 0:09:18 | 0:09:19 | |
you were going to embark on an exciting, amazing journey. | 0:09:19 | 0:09:23 | |
I mean credit - you started it, | 0:09:23 | 0:09:25 | |
but somewhere along the line you got lost and now you're stuck. | 0:09:25 | 0:09:30 | |
You're pissed! | 0:09:30 | 0:09:33 | |
You're stuck. | 0:09:34 | 0:09:35 | |
You need to find something new, you know, extraordinary. | 0:09:35 | 0:09:39 | |
Like what? | 0:09:39 | 0:09:41 | |
Well... Well, there. You go on about it often enough. | 0:09:41 | 0:09:46 | |
The Ireland hitching fridge thing. | 0:09:46 | 0:09:48 | |
Hitchhike round Ireland with a fridge. | 0:09:50 | 0:09:52 | |
You what? | 0:09:52 | 0:09:53 | |
See, the old Tony, he could have done that. | 0:09:53 | 0:09:57 | |
But the new Tony, you, the new Tony, you couldn't do that. | 0:09:57 | 0:10:01 | |
-You're wrong about me, Kevin. -In fact I'm willing to make a bet you couldn't. | 0:10:01 | 0:10:05 | |
In fact all right, I'll make a bet with you. | 0:10:05 | 0:10:07 | |
You could not hitchhike round Ireland with a fridge. That's the bet. | 0:10:07 | 0:10:11 | |
How much? | 0:10:13 | 0:10:14 | |
£100, please. | 0:10:21 | 0:10:23 | |
-What? -You can pay up now. You owe it to Kevin anyway. | 0:10:23 | 0:10:26 | |
I don't owe Kevin £100. | 0:10:26 | 0:10:28 | |
Oh yes you do, unless you're actually going to go to Ireland, | 0:10:28 | 0:10:32 | |
buy a fridge, and spend a month hitching. | 0:10:32 | 0:10:34 | |
Let's face it, Tony, that's not going to happen, is it? | 0:10:34 | 0:10:36 | |
"I hereby bet Tony the sum of £100 that he cannot hitchhike | 0:10:39 | 0:10:42 | |
"around the circumference of Ireland with a fridge within one calendar month." | 0:10:42 | 0:10:46 | |
'Tony, what the hell's going on? | 0:11:03 | 0:11:05 | |
'You run away after the show, | 0:11:05 | 0:11:07 | |
'you don't answer the phone all day Sunday - this is madness! | 0:11:07 | 0:11:11 | |
'I got in this morning to seven messages | 0:11:11 | 0:11:13 | |
'from the Prince's Trust lot - I mean,' | 0:11:13 | 0:11:15 | |
what the hell were you doing out there? | 0:11:15 | 0:11:17 | |
I told you to use Dean Masterson - its breach of bloody contract, | 0:11:17 | 0:11:21 | |
darling, YOU said you'd do new material | 0:11:21 | 0:11:23 | |
and you did that Godawful thing with a golf club. | 0:11:23 | 0:11:26 | |
'You need to come over here today and personally apologise to them,' | 0:11:26 | 0:11:29 | |
otherwise I'M going to have to do it and I'm sorry, | 0:11:29 | 0:11:32 | |
but you know how bad I am at apologising. | 0:11:32 | 0:11:34 | |
I mean, what is it with you? | 0:11:34 | 0:11:36 | |
What exactly IS it you're looking for? | 0:11:36 | 0:11:38 | |
I'll tell you what I'm looking for. | 0:11:39 | 0:11:41 | |
-A fridge? -Yes. | 0:11:41 | 0:11:43 | |
I'm looking for a fridge. | 0:11:43 | 0:11:45 | |
This is the R2B52. | 0:11:45 | 0:11:47 | |
A lot of people like the R2 range. | 0:11:47 | 0:11:50 | |
This is a free frost. | 0:11:50 | 0:11:51 | |
A compact and reliable little model, very popular as a second fridge. | 0:11:51 | 0:11:56 | |
Or over here we've got the stylish GSP 12D50. | 0:11:56 | 0:12:01 | |
It's a bit heavier than I thought it was going to be. | 0:12:04 | 0:12:07 | |
# Hallelujah, hallelujah! # | 0:12:12 | 0:12:16 | |
Is that the lightest one you sell? | 0:12:16 | 0:12:19 | |
Lightest? Why, are you going to be moving it around much? | 0:12:19 | 0:12:22 | |
You could say that, yes. | 0:12:22 | 0:12:25 | |
Excuse me, where do I get the bus to Cavan? | 0:12:39 | 0:12:41 | |
Go into the shopping centre, up to the first floor | 0:12:41 | 0:12:43 | |
and then go out the Bridge Street exit. | 0:12:43 | 0:12:46 | |
MUSIC | 0:12:49 | 0:12:51 | |
And I never get tired of hearing that terrific song by, er... | 0:12:59 | 0:13:05 | |
by...them. By HIM - by him. | 0:13:05 | 0:13:08 | |
So, it's time to go back to the Ulysses Mall now, with Roving Roisin. | 0:13:08 | 0:13:12 | |
Roisin, are you there? | 0:13:12 | 0:13:13 | |
Yes, Dylan, here I am, Roving Roisin in the Ulysses shopping mall | 0:13:13 | 0:13:17 | |
in the heart of beautiful Dublin and the place is, as ever - buzzing. | 0:13:17 | 0:13:21 | |
Stay tuned, because we're going to be chatting to some of our shoppers | 0:13:21 | 0:13:25 | |
who have formed a huge, excited crowd around us | 0:13:25 | 0:13:28 | |
and hearing about some of their favourite plumbing stories... | 0:13:28 | 0:13:31 | |
Excuse me? Where's the bus station? | 0:13:31 | 0:13:33 | |
..I believe you had an experience with your septic tank? | 0:13:39 | 0:13:42 | |
MICROPHONE FEEDBACK | 0:13:42 | 0:13:45 | |
..Roisin? | 0:13:45 | 0:13:47 | |
'Roisin, are you there? Hello?' | 0:13:49 | 0:13:52 | |
Ow! | 0:13:52 | 0:13:53 | |
'Hello?' | 0:13:53 | 0:13:54 | |
Seem to have a few gremlins over there at the Ulysses Mall. Um... | 0:13:54 | 0:13:58 | |
'Roisin, are you there?' | 0:14:02 | 0:14:03 | |
Sorry about that, Dylan. So... | 0:14:11 | 0:14:14 | |
Hello? | 0:15:15 | 0:15:17 | |
Hello, Ireland! | 0:15:17 | 0:15:20 | |
Is anybody there? | 0:15:20 | 0:15:22 | |
Shit! Shit! | 0:15:47 | 0:15:49 | |
Shit! SHIT! | 0:15:49 | 0:15:51 | |
HE SIGHS | 0:15:51 | 0:15:53 | |
THUNDER RUMBLES | 0:16:05 | 0:16:08 | |
Stop! Stop! Stop! Stop! Stop! Stop! Stop! Stop! | 0:16:34 | 0:16:38 | |
As if you haven't got enough room in there! | 0:16:38 | 0:16:41 | |
Raining out. | 0:17:03 | 0:17:05 | |
You could say that, yeah. | 0:17:05 | 0:17:07 | |
I just did. | 0:17:07 | 0:17:09 | |
Does anyone actually work here? | 0:17:20 | 0:17:23 | |
Pat will be up in a minute. | 0:17:23 | 0:17:26 | |
He's down in the cellar... | 0:17:26 | 0:17:28 | |
stocktaking. | 0:17:28 | 0:17:29 | |
Be up soon, will he? | 0:17:34 | 0:17:37 | |
-Who? -Well, the barman. | 0:17:37 | 0:17:39 | |
Pat? Ah, right enough. | 0:17:39 | 0:17:42 | |
Ah, Pat. | 0:17:48 | 0:17:49 | |
That's not Pat. | 0:17:50 | 0:17:53 | |
Pat's got red hair. | 0:17:53 | 0:17:54 | |
I thought that was Pat. | 0:17:56 | 0:17:57 | |
No. Pat's down in the cellar. | 0:17:57 | 0:18:01 | |
Stocktaking. | 0:18:01 | 0:18:03 | |
Stocktaking, yes but does he actually know I'm here? | 0:18:03 | 0:18:05 | |
Listen, the sooner you learn to relax, the better. | 0:18:05 | 0:18:09 | |
Things happen a bit...slower round here. | 0:18:11 | 0:18:14 | |
Yeah, well, no offence, but it's a bit too slow for me, right? | 0:18:14 | 0:18:18 | |
I'll get a drink from a shop later. | 0:18:20 | 0:18:23 | |
Ah, fsss. | 0:18:25 | 0:18:27 | |
BIRDSONG | 0:18:30 | 0:18:32 | |
Come on, Ireland. | 0:18:34 | 0:18:36 | |
Won't someone have faith in this fridge? | 0:18:36 | 0:18:38 | |
COW MOOS | 0:18:38 | 0:18:40 | |
I'm only going as far as Caraghrararagh. | 0:18:57 | 0:18:59 | |
And how far is Caraghrararagh? | 0:18:59 | 0:19:02 | |
You mean Cararaclough Naraghraragh? | 0:19:02 | 0:19:04 | |
Yes... Cara... There, yes. How far is that? | 0:19:04 | 0:19:08 | |
Caraghraclough Naraghraragh? | 0:19:08 | 0:19:10 | |
-About three miles. -Three miles? | 0:19:10 | 0:19:12 | |
Well, throw your stuff in the back. | 0:19:12 | 0:19:15 | |
Yes, it's just sometimes it's best to try and find... | 0:19:15 | 0:19:17 | |
Throw them in. Throw them in! | 0:19:17 | 0:19:18 | |
But are there any main roads...? | 0:19:18 | 0:19:20 | |
Ah, jeez - throw the feckin' stuff in the feckin' back, will ya? | 0:19:20 | 0:19:24 | |
What you got there? | 0:19:24 | 0:19:26 | |
It's a fridge. | 0:19:26 | 0:19:27 | |
Jeez, you wouldn't want to be travelling too long with a fridge, now, would you? | 0:19:27 | 0:19:31 | |
So... Busy day ahead? | 0:20:08 | 0:20:10 | |
Just going to the cattle market up the road. | 0:20:10 | 0:20:12 | |
Are you going to buy a cow? | 0:20:12 | 0:20:14 | |
No! Just going to kill time. | 0:20:14 | 0:20:17 | |
Your dog's very clean. | 0:20:23 | 0:20:25 | |
What are you looking at? | 0:20:42 | 0:20:44 | |
Thanks. | 0:20:57 | 0:20:58 | |
Thanks for dropping me in the worst spot for hitching in the northern hemisphere. | 0:20:58 | 0:21:03 | |
Would you mind moving yourself there, fella? We want to park in that spot. | 0:21:47 | 0:21:50 | |
This is all your fault. If I'd picked a better looking fridge, we'd have got a lift by now. | 0:22:08 | 0:22:12 | |
Hello, there. | 0:22:24 | 0:22:25 | |
Am I doing something wrong? Do you want to park where my fridge is? | 0:22:25 | 0:22:28 | |
I KNEW it was a fridge! Listen, do you want a ride? | 0:22:28 | 0:22:32 | |
Are you sure? | 0:22:32 | 0:22:34 | |
Looks like rain, hop in. | 0:22:34 | 0:22:36 | |
I'm heading towards... Actually, I don't know where I'm heading. | 0:22:36 | 0:22:39 | |
I can take you as far as Cavan, I'm there to sell a few toiletries. | 0:22:39 | 0:22:42 | |
Anywhere's better than here. | 0:22:42 | 0:22:44 | |
Put your stuff in the back. My name's Brendan, by the way. | 0:22:44 | 0:22:46 | |
I'm Tony. | 0:22:46 | 0:22:48 | |
Maybe wipe those shoes, yeah, Tony? | 0:22:48 | 0:22:50 | |
Fridge! | 0:22:50 | 0:22:52 | |
I saw you about half an hour ago | 0:23:10 | 0:23:11 | |
when I was going the other way towards Kells, and I thought, | 0:23:11 | 0:23:14 | |
"what is that white thing he's hitching with?" | 0:23:14 | 0:23:16 | |
A fridge! A fridge! | 0:23:16 | 0:23:18 | |
What an item to be hitching with! | 0:23:18 | 0:23:20 | |
Yeah, I'm doing it to win a bet. | 0:23:20 | 0:23:23 | |
-You're kidding me! -Nope. I made it when I was drunk. | 0:23:23 | 0:23:26 | |
Oh, God - the things we do when we're drunk. | 0:23:26 | 0:23:30 | |
If Mary and I hadn't have gotten drunk, | 0:23:30 | 0:23:32 | |
we'd never have gotten it together. | 0:23:32 | 0:23:34 | |
-Is she your wife? -Someone else's. | 0:23:34 | 0:23:37 | |
It was fun while it lasted. But that's what counts, isn't it? | 0:23:37 | 0:23:41 | |
It's like you and your bet - you could have backed out of it, | 0:23:41 | 0:23:44 | |
but you didn't - you heard that little voice inside your head, telling you to do it. | 0:23:44 | 0:23:47 | |
That, my friend, is your intuition. | 0:23:47 | 0:23:50 | |
If I hadn't listened to that little voice inside my head, | 0:23:50 | 0:23:53 | |
I'd have never got into toiletries. | 0:23:53 | 0:23:56 | |
Isn't there a main road that will take us to Cavan? | 0:24:05 | 0:24:07 | |
There is. | 0:24:07 | 0:24:09 | |
And isn't that quicker? | 0:24:09 | 0:24:11 | |
Well, that depends on what way you look at it. | 0:24:11 | 0:24:14 | |
It's further on this road, that's true, but I think it's quicker because... | 0:24:14 | 0:24:19 | |
..it's more beautiful. | 0:24:20 | 0:24:22 | |
Brendan, do you have any plasters with your stuff? | 0:24:26 | 0:24:29 | |
These shoes are killing me. | 0:24:29 | 0:24:30 | |
I've run out. Toiletries don't grow on toilet-trees, you know(!) | 0:24:30 | 0:24:35 | |
I'll see what I have that might work. | 0:24:37 | 0:24:40 | |
Oh! Here - wedge a couple of these in. | 0:24:40 | 0:24:42 | |
Panty pads? | 0:24:42 | 0:24:45 | |
Yeah, they give you total freedom. | 0:24:45 | 0:24:47 | |
Oh, yeah - for a limited period only. | 0:24:48 | 0:24:51 | |
About to cross the border. | 0:24:55 | 0:24:57 | |
I zip in and out of Northern Ireland two or three times on this run. | 0:24:57 | 0:25:00 | |
A lot easier than it used to be. | 0:25:00 | 0:25:02 | |
See that hotel there? | 0:25:04 | 0:25:06 | |
That was blown up in the worst of the Troubles. | 0:25:06 | 0:25:09 | |
My uncle was killed by that bomb. | 0:25:09 | 0:25:11 | |
Wrong place, wrong time. | 0:25:11 | 0:25:14 | |
Mind you, taught me a very valuable lesson. | 0:25:14 | 0:25:18 | |
You might be dead tomorrow, Tony, so make sure you're alive today. | 0:25:19 | 0:25:23 | |
Murray Mint? | 0:25:24 | 0:25:26 | |
THUNDER RUMBLES | 0:25:42 | 0:25:45 | |
Yeah, you should be fine here. Looks clean enough. | 0:25:45 | 0:25:48 | |
Spoken like a true toiletry salesman. | 0:25:48 | 0:25:50 | |
Actually, I'm staying up the road myself later, | 0:25:50 | 0:25:53 | |
so if you fancy a pint... | 0:25:53 | 0:25:54 | |
Thanks, but I think I'll get my head down as soon as I can. | 0:25:54 | 0:25:57 | |
Well, if you change your mind, it's Doyle's bar. | 0:25:57 | 0:25:59 | |
But if I don't see you, good luck on that crazy adventure of yours. | 0:25:59 | 0:26:02 | |
It's a good idea! | 0:26:02 | 0:26:04 | |
Wouldn't do it myself, mind, but...it's a good idea! | 0:26:05 | 0:26:09 | |
Would those shoes be muddy? | 0:26:29 | 0:26:31 | |
A bit, yes. | 0:26:32 | 0:26:34 | |
Then would you mind taking them off? | 0:26:34 | 0:26:37 | |
I spent an age hoovering. | 0:26:37 | 0:26:39 | |
And what's that? | 0:26:47 | 0:26:48 | |
It's a panty pad. | 0:26:50 | 0:26:52 | |
And is that a panty pad as well? | 0:26:55 | 0:26:59 | |
Yes. | 0:26:59 | 0:27:00 | |
Right. | 0:27:00 | 0:27:02 | |
Well, will you be needing the room for just one night? | 0:27:02 | 0:27:06 | |
Yes, just one night, thanks. | 0:27:06 | 0:27:07 | |
Is that a fridge you have there? | 0:27:11 | 0:27:13 | |
Yes. | 0:27:15 | 0:27:17 | |
Right. | 0:27:17 | 0:27:18 | |
I'll show you to your room. | 0:27:21 | 0:27:23 | |
FRIDGE BUMPS UP STAIRS | 0:27:30 | 0:27:33 | |
Can you actually see the screen from the pillow? | 0:27:59 | 0:28:02 | |
I wouldn't think so. | 0:28:02 | 0:28:04 | |
Well then, why have it there? | 0:28:04 | 0:28:06 | |
We needed a telly in each room to get the two stars. | 0:28:06 | 0:28:10 | |
And no having sex when I'm not looking. | 0:28:40 | 0:28:43 | |
Ow! Oh! Ah! Too hot! | 0:28:46 | 0:28:49 | |
Boiling! | 0:28:49 | 0:28:50 | |
Ah! Freezing! | 0:28:50 | 0:28:52 | |
HE SCREAMS | 0:28:52 | 0:28:54 | |
TV:: 'And this depression will spread across the whole of Ireland, | 0:28:59 | 0:29:03 | |
'bringing more rain and I'm afraid it's a gloomy outlook...' | 0:29:03 | 0:29:06 | |
TV OFF | 0:29:06 | 0:29:07 | |
Who booked a car for Dublin airport? | 0:29:19 | 0:29:21 | |
I did. I'm going home. | 0:29:21 | 0:29:23 | |
Well, he's outside for you. | 0:29:23 | 0:29:25 | |
RADIO ON | 0:29:39 | 0:29:42 | |
Oh, good - I'm glad I caught you. | 0:29:44 | 0:29:45 | |
Driver, this man is going nowhere - | 0:29:45 | 0:29:48 | |
this is a matter of grave national importance, you've got to get out. | 0:29:48 | 0:29:51 | |
What? | 0:29:51 | 0:29:53 | |
I've got the Dylan Daley show on the line. | 0:29:53 | 0:29:55 | |
Who's Dylan Daley? | 0:29:55 | 0:29:57 | |
Only the best DJ on All Ireland Radio, and he love loves | 0:29:57 | 0:29:59 | |
this kind of wacky shit you're doing. | 0:29:59 | 0:30:02 | |
I had this idea, right - | 0:30:02 | 0:30:03 | |
so I gave him a call, told him what you're up to and they loved it! | 0:30:03 | 0:30:07 | |
Dylan wants to have a chat with you! | 0:30:07 | 0:30:09 | |
When? | 0:30:09 | 0:30:10 | |
Now, as soon as this record's finished! | 0:30:10 | 0:30:13 | |
'So let me get this straight - your name is Tony, you're from England | 0:30:13 | 0:30:17 | |
-'and you're hitchhiking round Ireland to win a £100 bet?' -That's right. | 0:30:17 | 0:30:20 | |
But the difference is, you're doing it with your fridge. | 0:30:20 | 0:30:24 | |
Correct. | 0:30:24 | 0:30:26 | |
Well, it sounds like a purposeless idea, but a damn fine one. | 0:30:26 | 0:30:30 | |
Here, Tony - this is exactly the kind of crazy stunt | 0:30:30 | 0:30:33 | |
that we at the Dylan Daley show like to keep track of, | 0:30:33 | 0:30:36 | |
so could you could phone us in a couple of days, let us know how you're getting on? | 0:30:36 | 0:30:39 | |
Well, I'll do my best, certainly. | 0:30:39 | 0:30:42 | |
That's grand. | 0:30:42 | 0:30:43 | |
Good luck to you, Tony - travel and weather after... | 0:30:43 | 0:30:47 | |
this. | 0:30:47 | 0:30:48 | |
Listen, Tony - will you stay on the line just a couple of seconds? | 0:30:50 | 0:30:53 | |
I want to just talk to my sidekick, Roisin, | 0:30:53 | 0:30:55 | |
she'll be back from the powder room any moment now. | 0:30:55 | 0:30:58 | |
Terrible weak bladder, that girl. | 0:30:58 | 0:31:00 | |
Roisin, I have found the most brilliant character - | 0:31:00 | 0:31:03 | |
he's hitchhiking round Ireland with his fridge. | 0:31:03 | 0:31:06 | |
-I saw him! I saw him, Dylan. -When? | 0:31:06 | 0:31:09 | |
Remember the outside broadcast that went tits-up? | 0:31:09 | 0:31:12 | |
Well, it was thanks to that gobshite. | 0:31:12 | 0:31:14 | |
BRENDAN LAUGHS | 0:31:14 | 0:31:15 | |
There must be some mistake. I'm not a gobshite! | 0:31:15 | 0:31:18 | |
That's just, er... | 0:31:18 | 0:31:20 | |
Roisin's wicked sense of humour there, Tony - | 0:31:20 | 0:31:23 | |
you'll have to get used to that. | 0:31:23 | 0:31:25 | |
Hi, Tony! Hope you appreciated my little joke there. | 0:31:28 | 0:31:32 | |
'Now, we'd love to hear more' | 0:31:32 | 0:31:35 | |
about this fridge-hiking adventure of yours, | 0:31:35 | 0:31:37 | |
so it'll be time for me to rev up the old radio car | 0:31:37 | 0:31:40 | |
and come and find you. Where will you be on Friday? | 0:31:40 | 0:31:43 | |
Um, I'm not sure, exactly. | 0:31:43 | 0:31:46 | |
That doesn't matter, Tony - | 0:31:48 | 0:31:49 | |
I'm sure we'll find some way of getting hold of you. | 0:31:49 | 0:31:51 | |
Just like we did this morning. So be prepared! | 0:31:51 | 0:31:54 | |
That was brilliant! Well done! | 0:31:54 | 0:31:57 | |
Dylan Daley! | 0:31:57 | 0:31:58 | |
HONKS HORN | 0:32:12 | 0:32:16 | |
-Are you Tony? -Yes! | 0:32:33 | 0:32:35 | |
Jason. I was just listening on the radio there - hilarious! | 0:32:35 | 0:32:39 | |
I was in stitches! | 0:32:39 | 0:32:40 | |
A fridge - you got yourself a lift, come on. | 0:32:40 | 0:32:43 | |
After I heard you on the radio, I was looking out for you both - | 0:32:46 | 0:32:50 | |
you and your fridge! | 0:32:50 | 0:32:52 | |
Can't wait to tell my mates that I got you! | 0:32:52 | 0:32:56 | |
Well done. | 0:32:56 | 0:32:58 | |
Fair play to you. | 0:32:58 | 0:33:00 | |
Hitching with a fridge! It's gas! | 0:33:00 | 0:33:03 | |
Yes it is, would you mind looking at the road again now? | 0:33:03 | 0:33:05 | |
CAR HORN BLARES | 0:33:05 | 0:33:07 | |
Ah, it's brilliant. | 0:33:07 | 0:33:09 | |
# A-I-R! # | 0:33:09 | 0:33:11 | |
'So, folks, keep an eye out for fridge man Tony Hawks, | 0:33:11 | 0:33:14 | |
'travelling round the country to try and win a bet. | 0:33:14 | 0:33:16 | |
'You might see him on the side of the road looking confused, | 0:33:16 | 0:33:19 | |
'or trying to get a lift. | 0:33:19 | 0:33:20 | |
'You might see him leaving a hostel or bed-and-breakfast. | 0:33:20 | 0:33:23 | |
'Apparently, he's wearing a suit, of all things. | 0:33:23 | 0:33:25 | |
'And of course, he's pulling a fridge behind him. | 0:33:25 | 0:33:27 | |
'You can't miss him, he's the biggest eejit in Ireland.' | 0:33:27 | 0:33:30 | |
Would you mind telling me what you have in your fridge? | 0:33:41 | 0:33:44 | |
Stuff, just... Stuff I couldn't fit in my bag, you know. | 0:33:44 | 0:33:48 | |
Shoes. | 0:33:48 | 0:33:50 | |
Shoes? | 0:33:50 | 0:33:51 | |
Nobody keeps shoes in a fridge. | 0:33:51 | 0:33:53 | |
I do. | 0:33:53 | 0:33:55 | |
Get away. | 0:33:55 | 0:33:56 | |
You can't keep shoes in a fridge. | 0:33:56 | 0:33:58 | |
Sierra Tango from 626, over. | 0:34:05 | 0:34:07 | |
'Sierra Tango receiving, have you asked him, Jimmy?' | 0:34:07 | 0:34:09 | |
Affirmative. I have asked him. | 0:34:09 | 0:34:12 | |
He keeps shoes in his fridge. Over. | 0:34:12 | 0:34:14 | |
'Shoes, is it? Maureen, it's shoes.' | 0:34:14 | 0:34:17 | |
'So call me, Dylan Daley, and let me know if you spot that mad fella, | 0:34:22 | 0:34:26 | |
'Tony Hawks - a square man, pulling a square fridge. | 0:34:26 | 0:34:29 | |
'I want to know, is he still wearing that suit? | 0:34:29 | 0:34:32 | |
'God, I hope not. | 0:34:32 | 0:34:34 | |
'Speaking of fridges, I had a call from a Dickie McCann from Ballyduff. | 0:34:35 | 0:34:39 | |
'He tells me that he made love to his wife on top of a freezer. | 0:34:39 | 0:34:42 | |
'They can never go to THAT supermarket again!' | 0:34:42 | 0:34:45 | |
How much was this bet for? | 0:34:50 | 0:34:51 | |
£100. | 0:34:51 | 0:34:52 | |
And how much was the fridge? | 0:34:52 | 0:34:54 | |
130. | 0:34:54 | 0:34:55 | |
Jeez, you're an idiot! What are you drinking? | 0:34:55 | 0:34:57 | |
And what's more, you can't leave the fridge down there | 0:34:57 | 0:35:00 | |
where she can't see what's going on. Lift her up on the barstool! | 0:35:00 | 0:35:03 | |
CHEERING | 0:35:06 | 0:35:09 | |
Sure it's nice to see it... out of context. | 0:35:09 | 0:35:12 | |
-Morning. -Morning. I wonder if you could help me? | 0:35:24 | 0:35:27 | |
I'm a photographer, I'm trying to take a picture of this lane here. | 0:35:27 | 0:35:30 | |
Great lane. | 0:35:30 | 0:35:31 | |
Yeah. Would you mind... holding up this branch for me? | 0:35:31 | 0:35:35 | |
I just want to get some foliage across the top of the frame. | 0:35:35 | 0:35:38 | |
Oh, yeah - foreground interest. | 0:35:38 | 0:35:39 | |
Ah, you've done this before! | 0:35:39 | 0:35:41 | |
Yeah. Oh, I'm going to need it much higher than that. | 0:35:41 | 0:35:44 | |
Hang on - I've just the thing. | 0:35:44 | 0:35:46 | |
Yeah - lovely. Lovely. | 0:35:50 | 0:35:52 | |
Oh, no - it's no good - I'm going to need you about two foot that way. | 0:35:52 | 0:35:56 | |
Yeah... Lovely. | 0:35:56 | 0:35:57 | |
Keep going, keep going... | 0:35:57 | 0:36:00 | |
Perfect. Thanks a million, you can relax now. | 0:36:02 | 0:36:04 | |
I've got what I need. | 0:36:04 | 0:36:06 | |
Tony Hawks, looking like a complete arse. | 0:36:06 | 0:36:08 | |
What? | 0:36:08 | 0:36:09 | |
I'm Roving Roisin from the Dylan Daley show. | 0:36:09 | 0:36:12 | |
Oh! I get it. This is all a setup. | 0:36:12 | 0:36:17 | |
Where are the hidden cameras? | 0:36:17 | 0:36:18 | |
Yep - it's set up, all right. It's not for the show - this is revenge. | 0:36:18 | 0:36:23 | |
You and your stupid fridge, you completely messed up my broadcast. | 0:36:23 | 0:36:26 | |
In Dublin, in the Ulysses Mall. | 0:36:26 | 0:36:28 | |
But it's all right, because now we're even, | 0:36:28 | 0:36:30 | |
cos I've made you look like a complete arse as well. | 0:36:30 | 0:36:34 | |
You're weird. | 0:36:34 | 0:36:36 | |
So, how about an interview for Dylan, then? | 0:36:38 | 0:36:40 | |
Interview? I'm really not sure about that - | 0:36:40 | 0:36:45 | |
I do a lot of TV in England, I'm pretty well known, | 0:36:45 | 0:36:47 | |
and I want to take a rest from that kind of stuff. | 0:36:47 | 0:36:49 | |
-You're not in hiding then, no? -In hiding? | 0:36:49 | 0:36:52 | |
I do my research, Tony. | 0:36:52 | 0:36:53 | |
That review from Maureen Mitchell for the Prince's Trust show... | 0:36:53 | 0:36:57 | |
Oh, she did not like that line about miracles and pizzas... | 0:36:57 | 0:37:00 | |
Yeah, well I don't read reviews, and I'm not in hiding. | 0:37:00 | 0:37:03 | |
If you're not in hiding, | 0:37:03 | 0:37:05 | |
then you won't mind doing a live interview. Great! | 0:37:05 | 0:37:07 | |
And here's the radio car. | 0:37:07 | 0:37:09 | |
So hop in - | 0:37:09 | 0:37:11 | |
we need to find higher ground just to get a better signal. | 0:37:11 | 0:37:13 | |
Don't worry, I'll make sure I keep you in the right direction, | 0:37:13 | 0:37:17 | |
so it'll keep you on track. | 0:37:17 | 0:37:18 | |
Hang on, hang on. Hold your horses. | 0:37:18 | 0:37:20 | |
I'm supposed to hitch the whole way. | 0:37:20 | 0:37:23 | |
If you drive me somewhere, | 0:37:23 | 0:37:25 | |
that will be contrary to the terms of the bet that I made with Kevin. | 0:37:25 | 0:37:28 | |
I don't want to cheat. | 0:37:28 | 0:37:30 | |
So I mustn't accept a lift from anyone I know. | 0:37:30 | 0:37:33 | |
Only strangers. | 0:37:33 | 0:37:34 | |
OK, Tony. Look... | 0:37:36 | 0:37:39 | |
How about if you took a lift from someone that you thought you | 0:37:39 | 0:37:44 | |
didn't know, but it turned out that you did know them, after all. | 0:37:44 | 0:37:47 | |
And... Something like that might happen further down | 0:37:47 | 0:37:49 | |
this road - there might be a place where in say, five minutes, | 0:37:49 | 0:37:52 | |
something like that might happen. OK, Tony? | 0:37:52 | 0:37:55 | |
HONKS HORN | 0:38:06 | 0:38:09 | |
US ACCENT: Hey, dude - are you looking for a ride? | 0:38:09 | 0:38:12 | |
Well, haul your buns on board! | 0:38:12 | 0:38:15 | |
Still feels like a cheat. | 0:38:15 | 0:38:17 | |
Oh, my God - will you get over this cheating business? | 0:38:17 | 0:38:20 | |
Don't be so uptight. | 0:38:20 | 0:38:23 | |
I swear to God, you English, | 0:38:23 | 0:38:25 | |
you're so up your own arses about this honour thing. | 0:38:25 | 0:38:27 | |
You're hitchhiking around Ireland with a feckin' fridge. | 0:38:27 | 0:38:31 | |
So tell me, what does this Kevin want? Blood? | 0:38:31 | 0:38:35 | |
No. £100. | 0:38:35 | 0:38:37 | |
He's not a vampire! | 0:38:37 | 0:38:39 | |
PHONE RINGS | 0:38:41 | 0:38:43 | |
Hi, Roisin here. | 0:38:54 | 0:38:56 | |
Oh, hi, mate. | 0:38:56 | 0:38:58 | |
Shit, really? | 0:38:58 | 0:39:00 | |
OK. Yeah, I'll be there. | 0:39:00 | 0:39:03 | |
Yep. Bye. | 0:39:03 | 0:39:05 | |
Breaking news - Minister of Health has just had a heart attack | 0:39:06 | 0:39:09 | |
and they need the car at the hospital, | 0:39:09 | 0:39:11 | |
-so I have to get it to them now. -So? | 0:39:11 | 0:39:12 | |
I've got to get it back that way, so I'm going to have to drop you here. | 0:39:12 | 0:39:17 | |
"My dear Kevin..." | 0:39:23 | 0:39:25 | |
No. "Kevin, you arse, much to my surprise, | 0:39:25 | 0:39:28 | |
"I'm beginning to warm to my task. | 0:39:28 | 0:39:30 | |
"Hitchhiking, I'm finding, is a rather noble pursuit. | 0:39:30 | 0:39:35 | |
"You set your ego to one side, plop yourself by the side of the road | 0:39:35 | 0:39:38 | |
"and wait for someone to come along and help you. | 0:39:38 | 0:39:41 | |
"And you know what? People do. Cos they're quite nice." | 0:39:41 | 0:39:44 | |
"And they're intrigued as to what I keep in the fridge. | 0:39:52 | 0:39:55 | |
"Lots of people have asked me if I have any beers in it, | 0:39:55 | 0:39:58 | |
"to which I reply, if only there was an extension lead long enough | 0:39:58 | 0:40:00 | |
"to go all the way around Ireland. | 0:40:00 | 0:40:02 | |
"I'm eating some gourmet meals, | 0:40:05 | 0:40:08 | |
"getting some interesting holiday snaps... | 0:40:08 | 0:40:10 | |
"..and the Tony who you said was stuck? | 0:40:13 | 0:40:16 | |
"Well - I've left him behind a tree." | 0:40:16 | 0:40:18 | |
TV: 'Waves - sometimes, they come in twos. | 0:40:20 | 0:40:23 | |
'Sometimes, in threes.' | 0:40:23 | 0:40:26 | |
He's a great man at pulling the Guinness, is Francie. | 0:40:26 | 0:40:29 | |
Nice and slow. | 0:40:29 | 0:40:31 | |
That's fine with me. | 0:40:31 | 0:40:34 | |
I'm in no hurry. | 0:40:34 | 0:40:35 | |
'Waves broke...' | 0:40:35 | 0:40:38 | |
Change the channel there, Francie, will you? This is shite. | 0:40:38 | 0:40:40 | |
'And now, on Teatime With Trevor.' | 0:40:41 | 0:40:44 | |
Christ, that's shite as well. | 0:40:44 | 0:40:47 | |
'With Bob, our new team captain.' | 0:40:47 | 0:40:50 | |
Mind you, that fella is mucking around with the other eejit | 0:40:50 | 0:40:53 | |
who used to do it. | 0:40:53 | 0:40:54 | |
'It's a brave man who flips.' | 0:40:54 | 0:40:56 | |
This is indeed a special occasion. | 0:40:56 | 0:40:59 | |
We hereby name this fridge Saiorse, the Gaelic word for freedom, | 0:40:59 | 0:41:03 | |
after all, there is no fridge in the world more free than this one! | 0:41:03 | 0:41:09 | |
APPLAUSE | 0:41:09 | 0:41:11 | |
May God bless and keep this fridge on her travels around Ireland | 0:41:13 | 0:41:16 | |
with her friend, Tony. May the local people... | 0:41:16 | 0:41:18 | |
"You wouldn't believe it, Dylan - the fridge has been christened | 0:41:18 | 0:41:21 | |
"and blessed." | 0:41:21 | 0:41:23 | |
Tony, I don't know what you or your fridge are doing to bring | 0:41:23 | 0:41:27 | |
all this out of the Irish people, but all I can say is, keep it up, | 0:41:27 | 0:41:30 | |
and call us in a few days - I can't wait for the next update. | 0:41:30 | 0:41:32 | |
Bye. | 0:41:32 | 0:41:34 | |
Cheers. | 0:41:34 | 0:41:36 | |
He's mad. | 0:41:36 | 0:41:38 | |
"Dear Kevin, this is hell. | 0:41:43 | 0:41:45 | |
"Recently, I was set upon by some hideous, ageing art students | 0:41:45 | 0:41:49 | |
"who got hold of my jacket and turned me into a new superhero. | 0:41:49 | 0:41:53 | |
"And you, poor devil, are still just plain Kevin, | 0:41:55 | 0:41:59 | |
"but I am now officially Fridge Man." | 0:41:59 | 0:42:02 | |
"And just now, I'm enjoying the peace | 0:42:02 | 0:42:04 | |
"and tranquillity that a man with a wife and two kids | 0:42:04 | 0:42:07 | |
"can only dream of." | 0:42:07 | 0:42:10 | |
"And the fridge, well - it's now called Saiorse, | 0:42:10 | 0:42:14 | |
"and it's becoming a work of art." | 0:42:14 | 0:42:17 | |
"And I'm being pursued... | 0:42:21 | 0:42:23 | |
HORN HONKS | 0:42:23 | 0:42:25 | |
"..by this strange woman." | 0:42:25 | 0:42:27 | |
AUSSIE ACCENT: Hop in, sport - I'll take you where you want to go. | 0:42:31 | 0:42:34 | |
'You're tuned to the Daley Show with Dylan Daley, on AIR, | 0:42:34 | 0:42:37 | |
'and for an update on Tony Hawks, our Fridge Man, | 0:42:37 | 0:42:40 | |
'we have Seamus on the line. Seamus, I hear you've spotted him?' | 0:42:40 | 0:42:43 | |
'Too right, I did, Dylan. | 0:42:43 | 0:42:44 | |
'When I saw him, I nearly crashed my wife's Honda.' | 0:42:44 | 0:42:47 | |
Excellent hat. | 0:42:49 | 0:42:50 | |
You're really quite the master of accents. | 0:42:50 | 0:42:53 | |
Irish is your best one, though. | 0:42:53 | 0:42:55 | |
By some considerable margin. | 0:42:55 | 0:42:57 | |
You really want this interview, don't you? | 0:42:58 | 0:43:00 | |
No. It's Dylan that wants you. | 0:43:00 | 0:43:02 | |
Frankly, I could do without this hassle. | 0:43:02 | 0:43:04 | |
You know how to flatter a man. | 0:43:04 | 0:43:07 | |
Well, the people who've given you lifts, they're all phoning in - | 0:43:07 | 0:43:09 | |
you've become a popular item. | 0:43:09 | 0:43:11 | |
I can see it on my gravestone now - | 0:43:11 | 0:43:14 | |
"Here lies Tony Hawks - popular item." | 0:43:14 | 0:43:17 | |
CAR GRINDS | 0:43:17 | 0:43:19 | |
That doesn't sound good. | 0:43:19 | 0:43:21 | |
CAR GRINDS, THEN STALLS | 0:43:21 | 0:43:24 | |
That ISN'T good. | 0:43:24 | 0:43:26 | |
You've a problem with your transmission. | 0:43:26 | 0:43:29 | |
Not good in a radio car. | 0:43:29 | 0:43:32 | |
It'll take some sorting, too. | 0:43:32 | 0:43:34 | |
You'll be lucky to get it back before tomorrow evening. | 0:43:34 | 0:43:37 | |
So, where will you be staying tonight? | 0:43:37 | 0:43:39 | |
I'm sorted - I'll stay with friends. What are you going to do? | 0:43:39 | 0:43:42 | |
Oh, something will turn up. | 0:43:42 | 0:43:43 | |
It might not. There's some music festival in town this weekend, | 0:43:43 | 0:43:46 | |
everywhere will be booked up. | 0:43:46 | 0:43:48 | |
It'll be OK - I have faith. | 0:43:48 | 0:43:50 | |
Faith in what? | 0:43:50 | 0:43:52 | |
Ah, that's the only bit I'm not sure of. | 0:43:52 | 0:43:55 | |
Maybe it's as simple as having faith in the fridge. | 0:43:57 | 0:44:00 | |
Faith in a fridge. | 0:44:00 | 0:44:04 | |
-Oh, thanks a million. -Well, it's a crap sausage roll. | 0:44:11 | 0:44:15 | |
You can't thank me a million. | 0:44:15 | 0:44:17 | |
That leaves you nowhere to go, gratitude wise. | 0:44:17 | 0:44:19 | |
More of a...thanks 82. | 0:44:19 | 0:44:22 | |
Thanks 86, at most. | 0:44:22 | 0:44:23 | |
Right, well thanks 86, then. | 0:44:23 | 0:44:25 | |
You're very welcome. | 0:44:25 | 0:44:26 | |
Given that you're a comedian, | 0:44:29 | 0:44:31 | |
I expected you to be funnier than you are. | 0:44:31 | 0:44:33 | |
Well, I'm saving you money. | 0:44:33 | 0:44:35 | |
I'm a professional comedian - if I'm funny, I have to invoice you. | 0:44:35 | 0:44:40 | |
So, are you married? | 0:44:41 | 0:44:42 | |
God, no. Please! | 0:44:42 | 0:44:45 | |
-Live-in boyfriend? -Uh-uh. | 0:44:45 | 0:44:47 | |
-Boyfriend? -No! | 0:44:47 | 0:44:48 | |
What is this, 20 feckin' questions? | 0:44:48 | 0:44:51 | |
And what about you? | 0:44:51 | 0:44:53 | |
Is this relationship with the fridge serious? | 0:44:53 | 0:44:56 | |
Is it a gay thing? | 0:44:56 | 0:44:57 | |
No, it is not a gay thing. I don't even know what sex it is. | 0:44:57 | 0:45:01 | |
I've been travelling on my own for a while, I haven't got that desperate. | 0:45:01 | 0:45:05 | |
No, I have no romantic attachments at present. | 0:45:05 | 0:45:08 | |
Is that why you're here? | 0:45:08 | 0:45:10 | |
What, you mean fleeing some broken romance? | 0:45:10 | 0:45:14 | |
Well, I just don't buy this bet thing, or running from bad reviews. | 0:45:14 | 0:45:17 | |
No, there's got to be more to it than that. | 0:45:17 | 0:45:19 | |
Like, you're "looking for yourself" or some spiritual shite like that. | 0:45:19 | 0:45:24 | |
See, there is a reason why I'm here. | 0:45:24 | 0:45:27 | |
The same reason you're here with me. | 0:45:27 | 0:45:30 | |
And that is? | 0:45:31 | 0:45:33 | |
Your radio car is shit. | 0:45:34 | 0:45:36 | |
I know, love. I know. | 0:45:44 | 0:45:46 | |
I know. I love you, too - OK, I have to go, bye bye. | 0:45:46 | 0:45:50 | |
Well... | 0:45:53 | 0:45:54 | |
All the hotels are full up. | 0:45:54 | 0:45:56 | |
What did I tell you? Right - come on. | 0:45:56 | 0:45:59 | |
We're going to have to figure out what to do with you, but first... | 0:45:59 | 0:46:03 | |
What's that? | 0:46:11 | 0:46:12 | |
It's a duck egg. | 0:46:12 | 0:46:14 | |
How much is it? | 0:46:14 | 0:46:16 | |
What do you want a duck egg for? | 0:46:16 | 0:46:17 | |
I don't know - I just like the look of it. How much is it? | 0:46:17 | 0:46:20 | |
Don't be so silly. | 0:46:20 | 0:46:21 | |
You don't want a duck egg. | 0:46:21 | 0:46:23 | |
I do. I want to buy this duck egg. | 0:46:23 | 0:46:25 | |
-No, you don't. -I do. | 0:46:25 | 0:46:27 | |
Now come on - what would you want with a duck egg? | 0:46:27 | 0:46:29 | |
Well, I liked the look of it. | 0:46:32 | 0:46:34 | |
Never mind about duck eggs. | 0:46:34 | 0:46:36 | |
You should be trying to find a hotel. | 0:46:36 | 0:46:38 | |
Something will turn up. | 0:46:38 | 0:46:39 | |
Yeah? You couldn't even buy an egg when you wanted to. | 0:46:39 | 0:46:42 | |
Yeah, well I worked out what happened there. | 0:46:42 | 0:46:45 | |
He was a wise man - he knew I didn't really want a duck egg, | 0:46:45 | 0:46:48 | |
so he didn't want to sell it to me. | 0:46:48 | 0:46:49 | |
He's there to give people what they want, not what they don't want. | 0:46:49 | 0:46:52 | |
And what is it that you want? | 0:46:52 | 0:46:53 | |
I want to hitchhike round Ireland with a fridge. | 0:46:53 | 0:46:56 | |
Why? I mean, really - cut the bullshit. | 0:46:56 | 0:46:59 | |
Once there was an old man who wanted to get his fridge home. | 0:46:59 | 0:47:03 | |
So he put it down by the side of the road, stuck his thumb out | 0:47:03 | 0:47:06 | |
and had faith that someone would come along and help. | 0:47:06 | 0:47:08 | |
You too can have faith in the fridge. | 0:47:08 | 0:47:11 | |
Come on! | 0:47:11 | 0:47:13 | |
Just come on! | 0:47:13 | 0:47:15 | |
No, you're right - I don't want your duck egg. | 0:47:25 | 0:47:28 | |
But if you could stay anywhere round here, where would you stay? | 0:47:28 | 0:47:32 | |
Let me think. | 0:47:32 | 0:47:34 | |
Well, there's always Anne-Marie's. | 0:47:34 | 0:47:36 | |
DOORBELL RINGS | 0:47:36 | 0:47:37 | |
Oh my God, it's you! | 0:47:38 | 0:47:40 | |
They told us to look out for you on the radio. | 0:47:41 | 0:47:43 | |
Will you be needing a room? | 0:47:43 | 0:47:46 | |
I was fully booked and someone just cancelled on me. | 0:47:46 | 0:47:49 | |
It's on the house, of course. | 0:47:49 | 0:47:50 | |
Yeah, OK - now I do have faith in the fridge. | 0:47:50 | 0:47:54 | |
And this must be Saiorse! | 0:47:54 | 0:47:57 | |
We heard all about the christening and the blessing. | 0:47:57 | 0:48:00 | |
Bring her in - I'll show you to your room. | 0:48:00 | 0:48:03 | |
Ready. | 0:48:06 | 0:48:08 | |
What are you doing? | 0:48:08 | 0:48:10 | |
Coming for a drink, like we said. Hear that bloke sing. | 0:48:10 | 0:48:13 | |
Where's Saiorse? | 0:48:13 | 0:48:15 | |
In my room. | 0:48:15 | 0:48:16 | |
It's a Friday night. You can't leave her on her own. | 0:48:16 | 0:48:18 | |
Go on. | 0:48:18 | 0:48:20 | |
Serious? | 0:48:20 | 0:48:21 | |
The eagle has landed. | 0:48:27 | 0:48:29 | |
Well, if it isn't the man with the fridge! | 0:48:29 | 0:48:32 | |
Have youse heard about this fella? | 0:48:32 | 0:48:34 | |
What are you drinking? | 0:48:34 | 0:48:36 | |
Give him that pint there. | 0:48:36 | 0:48:39 | |
Cheers. | 0:48:39 | 0:48:40 | |
Cheers! | 0:48:40 | 0:48:41 | |
That's yours as well, I'm afraid. | 0:48:44 | 0:48:45 | |
I'd just like to congratulate you. | 0:48:45 | 0:48:48 | |
-What for? -Well, take a look around. | 0:48:48 | 0:48:51 | |
Everybody is having a great laugh about you and your fridge - | 0:48:51 | 0:48:54 | |
you may not know it, but you're spreading joy. | 0:48:54 | 0:48:57 | |
You don't think I'm a bit mad, then? | 0:48:57 | 0:48:59 | |
Maybe you're sane and everybody else is mad. | 0:48:59 | 0:49:02 | |
Here's your wallet. | 0:49:05 | 0:49:06 | |
Little party trick of mine. Sort of close-up magic. | 0:49:06 | 0:49:09 | |
Yeah, it's more close-up theft, isn't it? | 0:49:09 | 0:49:12 | |
What are you having, Roisin? | 0:49:14 | 0:49:15 | |
Honest to God, Bingo, I actually have to go. | 0:49:15 | 0:49:18 | |
My friends were expecting me hours ago. | 0:49:18 | 0:49:20 | |
Stay! Stay, Roisin, we could do some...Irish dancing - look. | 0:49:20 | 0:49:24 | |
Jesus! | 0:49:25 | 0:49:27 | |
Michael Flatfoot! No, I think that's proof I have to go. | 0:49:27 | 0:49:30 | |
-Night. -Night, Tony - see you tomorrow. | 0:49:30 | 0:49:33 | |
-Will you? -Well, I will if you want me to. | 0:49:33 | 0:49:36 | |
Yeah, I want you to. | 0:49:36 | 0:49:38 | |
I'll call by your digs. Listen - don't drink too much... | 0:49:38 | 0:49:40 | |
Well, you already have, so don't drink too much more. | 0:49:40 | 0:49:43 | |
S'Bingo! There - him. Bingo. | 0:49:43 | 0:49:48 | |
Winning the West of Ireland surfing Championships. | 0:49:48 | 0:49:50 | |
Surfing, see! | 0:49:50 | 0:49:52 | |
Now he's the kind of landlord you want in your local pub. | 0:49:52 | 0:49:56 | |
Put it away, Michael. | 0:49:56 | 0:49:58 | |
You can surf round here? I've always wanted to try surfing. | 0:49:58 | 0:50:01 | |
Yeah? I could get you a suit and you could give it a go in the morning. | 0:50:01 | 0:50:04 | |
You're going to have to take the fridge with you. | 0:50:04 | 0:50:07 | |
Oh no, you can't go surfing by yourself | 0:50:07 | 0:50:09 | |
and not give the fridge a go. | 0:50:09 | 0:50:11 | |
I mean, that wouldn't be fair, would it? | 0:50:11 | 0:50:13 | |
I think Michael has a point. | 0:50:13 | 0:50:15 | |
If you surf, the fridge surfs. | 0:50:15 | 0:50:17 | |
Could you get that up on the board? | 0:50:17 | 0:50:20 | |
-I suppose so. -There you are, then. -Right! | 0:50:20 | 0:50:24 | |
Fellow drinkers of this grand public house - attention, please! | 0:50:24 | 0:50:30 | |
Tomorrow morning, Bingo | 0:50:30 | 0:50:34 | |
and our good friend Tony | 0:50:34 | 0:50:37 | |
will go surfing - | 0:50:37 | 0:50:40 | |
with the fridge. | 0:50:40 | 0:50:42 | |
Ah, thanks. | 0:50:45 | 0:50:47 | |
HE SNORES | 0:50:53 | 0:50:54 | |
KNOCK AT THE DOOR | 0:50:58 | 0:51:00 | |
Uh. | 0:51:00 | 0:51:01 | |
KNOCKING | 0:51:01 | 0:51:03 | |
< Tony. | 0:51:03 | 0:51:04 | |
Uh! | 0:51:04 | 0:51:05 | |
Jesus Christ. | 0:51:08 | 0:51:10 | |
It smells like a... | 0:51:10 | 0:51:11 | |
brewer's mop in here. | 0:51:11 | 0:51:14 | |
Look at the state of you. | 0:51:27 | 0:51:30 | |
Mm. | 0:51:30 | 0:51:31 | |
Come on. Come on - shake a leg. | 0:51:31 | 0:51:34 | |
Bingo is expecting you at the beach in ten minutes. | 0:51:34 | 0:51:36 | |
You're going surfing, remember? | 0:51:37 | 0:51:40 | |
Well, you and Saiorse - she's downstairs. | 0:51:40 | 0:51:43 | |
She's all ready - she can't wait. | 0:51:43 | 0:51:45 | |
No, no, no, no - that was just the drink talking. | 0:51:45 | 0:51:48 | |
Yeah, it was - | 0:51:48 | 0:51:49 | |
but now you're going to have the best hangover cure known to man - | 0:51:49 | 0:51:53 | |
it's called the Atlantic. | 0:51:53 | 0:51:55 | |
Oh, my God, would you look at this! | 0:52:05 | 0:52:07 | |
Before you make any remarks, can I just say that dignity is overrated. | 0:52:07 | 0:52:12 | |
I think you look grand. | 0:52:12 | 0:52:14 | |
No, he doesn't! | 0:52:14 | 0:52:15 | |
Hang on. | 0:52:23 | 0:52:24 | |
What is the plan, exactly? | 0:52:24 | 0:52:26 | |
Well, I think we should wade in, balance the fridge on board, | 0:52:26 | 0:52:30 | |
wait till the right breaker, and then, er... | 0:52:30 | 0:52:33 | |
Ride her in on a decent wave. | 0:52:33 | 0:52:35 | |
Right. Well, good luck with that, then. | 0:52:35 | 0:52:37 | |
-All right, Tony? -Yes. | 0:52:42 | 0:52:45 | |
OK - spin her around. | 0:52:52 | 0:52:54 | |
OK. To me, yes? | 0:52:54 | 0:52:56 | |
Careful, Tony. Careful. | 0:52:56 | 0:52:59 | |
You know what, Peter? They are mad. | 0:52:59 | 0:53:02 | |
Not so, Roisin - they're sane. | 0:53:02 | 0:53:05 | |
It's the rest of us who are mad. | 0:53:05 | 0:53:07 | |
Yes! | 0:53:17 | 0:53:18 | |
It appears to be a fridge. | 0:53:22 | 0:53:24 | |
Oh, a fridge, is it? | 0:53:24 | 0:53:26 | |
Will I put that in the report? | 0:53:26 | 0:53:28 | |
Not if you want that promotion. | 0:53:28 | 0:53:30 | |
MOBILE PHONE RINGS | 0:53:58 | 0:54:00 | |
Where is that sound coming from? | 0:54:00 | 0:54:03 | |
Is that yours, Tony? | 0:54:03 | 0:54:05 | |
No. It's Roisin's. | 0:54:05 | 0:54:07 | |
Hello, Roisin's mum. | 0:54:11 | 0:54:13 | |
It's Tony, a friend. | 0:54:13 | 0:54:15 | |
No, she's not far away. | 0:54:15 | 0:54:18 | |
Yeah, I'll give her the message. | 0:54:18 | 0:54:19 | |
Important. Yep. | 0:54:19 | 0:54:22 | |
OK, bye. | 0:54:22 | 0:54:24 | |
"Kevin, you wouldn't believe it, | 0:54:35 | 0:54:38 | |
"but the fridge is now a very competent surfer. | 0:54:38 | 0:54:40 | |
"It was such an uplifting scene, a crowd gathered on the beach..." | 0:54:40 | 0:54:45 | |
Am I disturbing you? | 0:54:46 | 0:54:49 | |
No, I was just thinking. | 0:54:49 | 0:54:50 | |
About what? | 0:54:50 | 0:54:52 | |
You know - stuff. | 0:54:52 | 0:54:54 | |
Big stuff or little stuff? | 0:54:54 | 0:54:56 | |
What do you mean? | 0:54:56 | 0:54:57 | |
Well, big stuff like why is there so much conflict in the world, | 0:54:57 | 0:55:01 | |
or little stuff like, I wonder who's taller - Madonna or Princess Anne? | 0:55:01 | 0:55:07 | |
Big-ish. | 0:55:07 | 0:55:09 | |
Care to share? | 0:55:09 | 0:55:11 | |
Not really. No, not just yet. | 0:55:11 | 0:55:14 | |
So this turned out to be quite some journey. | 0:55:14 | 0:55:17 | |
Have you given any thought to how you might like to end it all? | 0:55:17 | 0:55:20 | |
End it all? I wasn't thinking of suicide just yet. | 0:55:20 | 0:55:23 | |
No, no - end the journey. | 0:55:23 | 0:55:25 | |
You could end it with a march or something. | 0:55:25 | 0:55:27 | |
A march? | 0:55:27 | 0:55:28 | |
Yeah - Dylan and I were thinking of a kind of triumphal entry - | 0:55:28 | 0:55:31 | |
nothing too grand - Caesar enters Rome, that kind of thing. | 0:55:31 | 0:55:35 | |
"Tony enters Dublin." | 0:55:35 | 0:55:38 | |
We could get people to turn up | 0:55:38 | 0:55:40 | |
with a domestic appliance of their choice. | 0:55:40 | 0:55:42 | |
Consider it done - I'll square it with Dylan. | 0:55:42 | 0:55:45 | |
How does a one-hour homecoming special sound, | 0:55:45 | 0:55:48 | |
live from the Ulysses shopping mall? | 0:55:48 | 0:55:50 | |
Sounds brilliant. | 0:55:50 | 0:55:52 | |
Thanks for everything. | 0:55:52 | 0:55:54 | |
It's nice to be appreciated. At last. | 0:55:54 | 0:55:56 | |
Well, to use your own words, thanks a million. | 0:55:56 | 0:55:59 | |
Are you planning on kissing me? | 0:55:59 | 0:56:02 | |
I think it's a bit early. | 0:56:02 | 0:56:04 | |
I don't normally stay up much later than this. | 0:56:04 | 0:56:06 | |
-It's good for me. -There's a lot you don't know about me. | 0:56:06 | 0:56:09 | |
I thought it'd be fun finding out. | 0:56:09 | 0:56:12 | |
Well, you won't be getting any fun here - or at least | 0:56:12 | 0:56:16 | |
until you buy me a meal that's worth 40 euro. | 0:56:16 | 0:56:19 | |
Well, I think that's in the bag. | 0:56:21 | 0:56:24 | |
Tony! Tony, wake up! | 0:56:28 | 0:56:30 | |
-Why didn't you tell me to ring my mum? -Oh, shit. Sorry, I forgot. | 0:56:31 | 0:56:36 | |
You forgot? You had other things on your mind! | 0:56:36 | 0:56:39 | |
She said it was important, didn't she? | 0:56:39 | 0:56:41 | |
Yeah. Well, maybe give her a call now. | 0:56:41 | 0:56:44 | |
I already have. She was calling to tell me that my son was taken to hospital. | 0:56:44 | 0:56:48 | |
Son - yes, my son! | 0:56:48 | 0:56:50 | |
Kind of important. Though obviously not to you. | 0:56:50 | 0:56:53 | |
OK, well... Bye. | 0:56:59 | 0:57:01 | |
-Is he OK? -Oh yeah - | 0:57:02 | 0:57:04 | |
he just fell down some stairs, the silly monkey. | 0:57:04 | 0:57:06 | |
-How old is he? -Niall is seven. | 0:57:06 | 0:57:09 | |
Seven? Wow. | 0:57:09 | 0:57:10 | |
Well, I was young, things happen. | 0:57:10 | 0:57:12 | |
Look, Roisin - I'm really sorry about the business with the phone. | 0:57:14 | 0:57:17 | |
I'm sorry, I kind of turned on you there. | 0:57:17 | 0:57:19 | |
You're a good man, Tony. | 0:57:19 | 0:57:22 | |
Right. Well, I have to get back to Dublin now, so... | 0:57:22 | 0:57:25 | |
Just give us a call. | 0:57:25 | 0:57:27 | |
Will do and... Drive carefully in that thing. | 0:57:27 | 0:57:30 | |
By the way, thanks for the most surreal weekend of my life. | 0:57:34 | 0:57:39 | |
See you, Roisin. | 0:57:41 | 0:57:43 | |
Safe home, now. | 0:57:43 | 0:57:44 | |
Grand girl, eh? | 0:57:56 | 0:57:58 | |
Came right out of the blue. | 0:57:58 | 0:58:00 | |
Her having a kid, and all. | 0:58:00 | 0:58:03 | |
Puts some fellas off, that kind of baggage. | 0:58:03 | 0:58:06 | |
'Well, folks, Roving Roisin's been called back to Dublin | 0:58:10 | 0:58:13 | |
'on a special assignment and don't forget, at Finnegan's, | 0:58:13 | 0:58:17 | |
'the master butcher, all this week is their Festival of offal. | 0:58:17 | 0:58:20 | |
'If you can find cheaper offal in Dublin, then you're OFFALLY lucky. | 0:58:20 | 0:58:23 | |
Well, from your letters, | 0:58:23 | 0:58:25 | |
it sounds like you've been having a great time. | 0:58:25 | 0:58:28 | |
Yeah, we've been following your progress. | 0:58:28 | 0:58:30 | |
It all sounds bloody hilarious | 0:58:30 | 0:58:31 | |
and a triumphal entry on the 24th, eh? Brilliant. | 0:58:31 | 0:58:34 | |
-Just get your money ready. -Yeah, yeah. Course, the kids haven't eaten for a fortnight, | 0:58:34 | 0:58:38 | |
but your money's put by. | 0:58:38 | 0:58:39 | |
That's what I like to hear. | 0:58:39 | 0:58:40 | |
Listen, Kev - I've got to go, I'm checking out. | 0:58:40 | 0:58:43 | |
-I'll call you in a couple of days. -All right, mate - see ya. | 0:58:43 | 0:58:45 | |
Cheers, mate. | 0:58:45 | 0:58:47 | |
I don't feckin' believe it. | 0:59:01 | 0:59:03 | |
I've been listening to this fella for a month. | 0:59:03 | 0:59:04 | |
-What do you mean? -I've been listening to him on Dylan Daley. | 0:59:04 | 0:59:08 | |
-Been travelling round Ireland with a fridge. -What? | 0:59:08 | 0:59:10 | |
That thing there. | 0:59:10 | 0:59:13 | |
His fridge. His fridge! This is the fella with the fridge. | 0:59:13 | 0:59:15 | |
This is the fella off the radio. | 0:59:15 | 0:59:17 | |
The fella with the fridge. | 0:59:17 | 0:59:19 | |
-What the feck do you mean? -I told ya - he's travelling round the country with his fridge. | 0:59:19 | 0:59:23 | |
Why a fridge? | 0:59:23 | 0:59:25 | |
So, Tony... Are you a bachelor, then? | 0:59:27 | 0:59:29 | |
I am, yes. | 0:59:29 | 0:59:31 | |
You're not married to your fridge, then? | 0:59:31 | 0:59:33 | |
No, I'm not married to my fridge. | 0:59:33 | 0:59:36 | |
Ah... | 0:59:36 | 0:59:37 | |
You'll be fine, then. | 0:59:37 | 0:59:39 | |
Fine to do what? | 0:59:39 | 0:59:41 | |
To enter the bachelor festival. | 0:59:41 | 0:59:43 | |
Not sure I like the sound of an "enter the bachelor" festival. | 0:59:44 | 0:59:48 | |
Guy called Butch runs the hostel. | 0:59:55 | 0:59:56 | |
Tell him Brian and Joel sent you. He'll find you a bed. | 0:59:56 | 0:59:59 | |
Everywhere else will be full - | 0:59:59 | 1:00:01 | |
bank holiday weekend, full of gobshites from Dublin. | 1:00:01 | 1:00:03 | |
-Don't forget the bachelor festival. -Yeah, what am I actually meant to do? | 1:00:03 | 1:00:07 | |
Just do a bit of a turn. Try and impress the ladies. | 1:00:07 | 1:00:10 | |
Do well and you might get to cheat on your fridge! | 1:00:10 | 1:00:13 | |
Look, I've told you before - the fridge and I are not together. | 1:00:13 | 1:00:17 | |
Oh, don't be so sensitive. | 1:00:19 | 1:00:22 | |
DOORBELL RINGS | 1:00:26 | 1:00:28 | |
Could squeeze an extra bed in, I suppose. | 1:00:28 | 1:00:30 | |
There's only six of them in here, good lads. | 1:00:30 | 1:00:33 | |
Won't be in till the early hours, they'll be so pissed, they'll fall right asleep. | 1:00:33 | 1:00:36 | |
Yeah, and start snoring and farting. | 1:00:36 | 1:00:39 | |
There is that. | 1:00:39 | 1:00:41 | |
-Who's that? -Karen. | 1:00:41 | 1:00:44 | |
-Is she your girlfriend? -Nah. | 1:00:44 | 1:00:46 | |
Girlfriend left a couple of months after we opened. | 1:00:46 | 1:00:49 | |
Couldn't take the pressure. | 1:00:49 | 1:00:50 | |
She did take the dog, though - which was a drag. | 1:00:50 | 1:00:53 | |
I liked that dog. | 1:00:53 | 1:00:55 | |
Nothing left of her but that dog house. | 1:00:55 | 1:00:58 | |
A shrine to our failed relationship. | 1:00:58 | 1:01:01 | |
Would you like to meet her? | 1:01:03 | 1:01:05 | |
Well... | 1:01:05 | 1:01:06 | |
You're welcome to have a pop! | 1:01:06 | 1:01:09 | |
He's a bit of a celebrity. | 1:01:09 | 1:01:10 | |
Actually, you do look familiar. | 1:01:10 | 1:01:13 | |
It's that eejit I was telling you about who's bringing a fridge around Ireland. | 1:01:13 | 1:01:16 | |
-Oh. -I'm putting him in with the Dublin boys. | 1:01:16 | 1:01:20 | |
-Oh, yuck-oh. -Yeah, you know, Butch... I really don't think I can face that. | 1:01:20 | 1:01:24 | |
I tell you, there's no other bed left in the place, | 1:01:24 | 1:01:27 | |
unless you want to sleep with me, and I fart worse than they do. | 1:01:27 | 1:01:30 | |
Hold on... There is someone else I can sleep. | 1:01:30 | 1:01:32 | |
Ta-da! | 1:01:32 | 1:01:34 | |
Leave it out! You can't sleep in there. | 1:01:34 | 1:01:37 | |
It's just for one night. What's wrong with it? | 1:01:37 | 1:01:39 | |
It's perfect - it's waterproof, secluded location. | 1:01:39 | 1:01:43 | |
I'd lay money you wouldn't sleep in there. | 1:01:43 | 1:01:46 | |
I bet you 20 cents I do sleep in that dog house tonight. | 1:01:46 | 1:01:50 | |
Well, that seems to be settled, then. I'll get the mattress. | 1:01:54 | 1:01:58 | |
I'll get some blankets. | 1:01:59 | 1:02:01 | |
Karen? Are you doing anything later? | 1:02:03 | 1:02:06 | |
It's just I'm doing a bit of a turn at the bachelor festival. | 1:02:06 | 1:02:09 | |
You're brave. I always think that performing | 1:02:09 | 1:02:11 | |
is like sticking your head in the jaws of a crocodile. | 1:02:11 | 1:02:14 | |
It's easier than people think. I'm sure they'll be a nice crowd. | 1:02:14 | 1:02:18 | |
Off! Off! Off! Off! Off! | 1:02:18 | 1:02:20 | |
CHEERING | 1:02:27 | 1:02:30 | |
BOOING | 1:02:37 | 1:02:40 | |
WHISTLING | 1:02:41 | 1:02:43 | |
LAUGHTER | 1:02:57 | 1:02:59 | |
CHEERING | 1:03:01 | 1:03:02 | |
You all right there, fridge fella? | 1:03:07 | 1:03:10 | |
I'd just do about five minutes if I were you. | 1:03:10 | 1:03:12 | |
Sure you're going to use the guitar? | 1:03:12 | 1:03:14 | |
I think it's best. I thought I might do this... | 1:03:14 | 1:03:18 | |
# If I had a dollar... # | 1:03:18 | 1:03:21 | |
Seriously, the beer is on promotion, they've been drinking since noon. | 1:03:21 | 1:03:25 | |
Some of those fellows haven't had a shag since the millennium, you know? | 1:03:25 | 1:03:28 | |
This isn't some arts centre in Surrey. | 1:03:28 | 1:03:31 | |
Performing is all about risk. | 1:03:31 | 1:03:33 | |
Sticking your head in the jaws of a crocodile. | 1:03:33 | 1:03:36 | |
You can stick it up its arse for all the good it'll do you out there. | 1:03:36 | 1:03:39 | |
Why don't you just do that thing you did at the plastics awards last December? | 1:03:39 | 1:03:44 | |
You were there? | 1:03:44 | 1:03:46 | |
I...was the DJ. | 1:03:46 | 1:03:47 | |
BOOING | 1:04:04 | 1:04:07 | |
Patrick Quinlan. Give it up for Patrick Quinlan. | 1:04:11 | 1:04:15 | |
Maybe he'll give it up, huh? | 1:04:15 | 1:04:17 | |
Well, anyway, now - bachelors and spinsters of this parish, | 1:04:19 | 1:04:22 | |
we have a special treat for you - he's a late entry, he's been travelling all round Ireland | 1:04:22 | 1:04:27 | |
with his fridge, probably because nobody else wanted to... | 1:04:27 | 1:04:30 | |
Look, anyway - he's been on the Dylan Daley show and everything, | 1:04:30 | 1:04:34 | |
but we have him here tonight, so will you please welcome on stage, | 1:04:34 | 1:04:37 | |
the one and please God, the only - the fridge fella! | 1:04:37 | 1:04:41 | |
LONE CHEER | 1:04:41 | 1:04:44 | |
Good evening.. | 1:04:45 | 1:04:47 | |
Um... I'm going to play a song. | 1:04:47 | 1:04:51 | |
CHEERING | 1:04:58 | 1:05:01 | |
'OK, Roisin, I understand you're on the trail of our fridge man, Tony. | 1:05:12 | 1:05:16 | |
'That's right - we know where he is, | 1:05:16 | 1:05:18 | |
'and we're gonna surprise him any minute. | 1:05:18 | 1:05:20 | |
'This is live radio at its best, folks. | 1:05:20 | 1:05:23 | |
'Just about to ring the doorbell at the hostel where he's staying.' | 1:05:23 | 1:05:27 | |
DOORBELL RINGS | 1:05:27 | 1:05:29 | |
I'm told by Butch, the hostel owner, that Tony actually chose to spend | 1:05:37 | 1:05:42 | |
the night in a doghouse - he really is more crazy than we thought. | 1:05:42 | 1:05:46 | |
The guy is a mentalist, Roisin, but we always knew that, eh? | 1:05:46 | 1:05:49 | |
I'm approaching the doghouse, Dylan. | 1:05:49 | 1:05:52 | |
Any second now I'm going to surprise him. | 1:05:52 | 1:05:55 | |
Good morning, Tony, you're live on air... | 1:05:55 | 1:05:58 | |
-Ah! -Jesus Christ! | 1:05:58 | 1:06:01 | |
What is it? Roisin, are you all right? | 1:06:01 | 1:06:04 | |
No, I'm... | 1:06:04 | 1:06:06 | |
You bastard! | 1:06:06 | 1:06:08 | |
-What? -No, not you! | 1:06:08 | 1:06:11 | |
-You! -Roisin... -Right... Dylan - back to you in the studio | 1:06:11 | 1:06:17 | |
for some music, or travel, or something. | 1:06:17 | 1:06:20 | |
Right. Yes. OK. | 1:06:20 | 1:06:22 | |
Great. Um... Let's have... | 1:06:22 | 1:06:25 | |
This. OK, just played that - anyone? | 1:06:25 | 1:06:28 | |
What is that? That doesn't help me. OK. | 1:06:31 | 1:06:34 | |
Look, Roisin, it's not what you think. | 1:06:34 | 1:06:36 | |
Well, I suppose it depends what you think. | 1:06:36 | 1:06:39 | |
Come to think of it, it probably is. But the point is... | 1:06:39 | 1:06:42 | |
-You slut. -Who's she calling a slut? | 1:06:42 | 1:06:45 | |
-Well, me, I think. -Who is this, anyway? | 1:06:45 | 1:06:49 | |
It's Roving Roisin from the Dylan Daley show. | 1:06:49 | 1:06:51 | |
-Have we been on the radio? -No, she's just got here. You have just got here, haven't you? | 1:06:51 | 1:06:56 | |
Of course I have. | 1:06:56 | 1:06:57 | |
As if the nation wants to hear a couple of dogs rutting in a kennel. | 1:06:57 | 1:07:01 | |
I am not a dog. | 1:07:01 | 1:07:03 | |
-Then why are you sleeping in a doghouse? -Watch it! Where do you get off, lady? | 1:07:03 | 1:07:08 | |
Hold on - you two are an item, aren't you? | 1:07:08 | 1:07:11 | |
You're joking me?! | 1:07:11 | 1:07:13 | |
You misunderstand, Karen. | 1:07:13 | 1:07:15 | |
Yes, you are. I can see the way you're looking at each other. | 1:07:15 | 1:07:19 | |
I'm out of here. | 1:07:19 | 1:07:20 | |
Hold on a minute, I'm being cast as the villain of the piece. | 1:07:26 | 1:07:29 | |
What's the meaning of turning up with a radio car | 1:07:29 | 1:07:32 | |
and disturbing a man while he's trying to sleep? | 1:07:32 | 1:07:34 | |
Sleep?! I doubt there was much sleeping going on in there. | 1:07:34 | 1:07:37 | |
Faith in the fridge - you're a fraud, Tony. | 1:07:37 | 1:07:39 | |
Using your fridge to get attention. | 1:07:39 | 1:07:42 | |
Fridge Man. More like dirty old man! | 1:07:42 | 1:07:44 | |
What right have you got to be annoyed? We're not dating! | 1:07:44 | 1:07:47 | |
-Oh, we know why that is. -What are you talking about? | 1:07:47 | 1:07:49 | |
Come off it, Tony, your face fell the moment you heard I had a son. | 1:07:49 | 1:07:53 | |
You're one of those men who can't stand a woman with baggage. | 1:07:53 | 1:07:59 | |
One that's actually lived a life before she met you. | 1:07:59 | 1:08:02 | |
Well, do you know what? That's fine. | 1:08:02 | 1:08:04 | |
Because I'm not interested in you - and you - well, | 1:08:04 | 1:08:06 | |
you're certainly not interested in me. | 1:08:06 | 1:08:09 | |
So you can carry on and you can do whatever it is | 1:08:09 | 1:08:11 | |
you do do in a doghouse with some Aussie tart. | 1:08:11 | 1:08:15 | |
Oi! Kiwi tart - get your facts right. | 1:08:15 | 1:08:19 | |
You're a user, Tony. | 1:08:21 | 1:08:22 | |
You used your fridge to get this girl | 1:08:22 | 1:08:25 | |
and now you're using our show to revive your flagging career. | 1:08:25 | 1:08:28 | |
Oh, oh - so that's how I'd revive a flagging career, isn't it? | 1:08:28 | 1:08:32 | |
Of course - go on Irish radio! | 1:08:32 | 1:08:34 | |
Can I remind you that it's you that's following me? | 1:08:34 | 1:08:37 | |
I'm doing as I'm told. | 1:08:37 | 1:08:38 | |
Well, you won't need to any more, because I don't think I want anything more to do with your show. | 1:08:38 | 1:08:42 | |
Good! | 1:08:42 | 1:08:43 | |
-Think you might be in the doghouse. -Will you just piss off! | 1:08:56 | 1:09:00 | |
"Dear Kevin, I have decided to draw a halt to the dreadful media | 1:09:16 | 1:09:20 | |
"attention I've been getting, with all its neurotic roving reporters. | 1:09:20 | 1:09:24 | |
"After all, that wasn't what I came here for, was it? | 1:09:24 | 1:09:27 | |
"And just because I've stopped the radio stuff, | 1:09:27 | 1:09:30 | |
"that doesn't mean I'm on my own - | 1:09:30 | 1:09:32 | |
"it's just as much fun as it ever was, it's just one non-stop party. | 1:09:32 | 1:09:37 | |
"Not far to go now - victory will soon be mine. | 1:09:37 | 1:09:41 | |
"And by the way, well done for staying with Nicola | 1:09:41 | 1:09:44 | |
"for so long - how do you do that?" | 1:09:44 | 1:09:46 | |
All Ireland Radio? | 1:09:48 | 1:09:50 | |
Hello? Can you put you through to Roisin Mulvaney, | 1:09:50 | 1:09:53 | |
Dylan Daley show? Thanks. | 1:09:53 | 1:09:55 | |
Oh, don't go on about it. | 1:10:10 | 1:10:13 | |
I did phone, I just bottled it, that's all. | 1:10:13 | 1:10:16 | |
Well, you do it, then. | 1:10:16 | 1:10:18 | |
Geez - there you are. | 1:10:24 | 1:10:26 | |
I've been looking all over the place for you. | 1:10:26 | 1:10:29 | |
Hi. Can I get an urgent message to Dylan Daley? | 1:10:32 | 1:10:35 | |
Tell him Peter called and everything is OK - I've got your man. | 1:10:35 | 1:10:39 | |
I'll have him at the start on time, no problem. | 1:10:39 | 1:10:43 | |
Yes. He'll know. | 1:10:43 | 1:10:46 | |
Tell him to call me back. Thanks, bye. | 1:10:46 | 1:10:50 | |
What was all that about? And what are you doing all the way down here? | 1:10:50 | 1:10:53 | |
Dylan Daley's got half of Ireland out looking for you. | 1:10:58 | 1:11:00 | |
He wants to cover your triumphant arrival in Dublin - | 1:11:00 | 1:11:03 | |
-later this morning. -I won't be in Dublin later this morning. | 1:11:03 | 1:11:06 | |
-You are now. -Hang on. -You have to go. Dylan Daley's got a huge crowd of people | 1:11:06 | 1:11:11 | |
waiting to meet you. I'll drop you at the start | 1:11:11 | 1:11:13 | |
and you lead a procession of people through the streets and end up | 1:11:13 | 1:11:16 | |
in the Ulysses mall where there's a big celebration. | 1:11:16 | 1:11:18 | |
What makes you think I want to go? | 1:11:18 | 1:11:21 | |
One, the fridge journey is creating a lot of joy, | 1:11:21 | 1:11:24 | |
and there isn't a lot of that about. | 1:11:24 | 1:11:26 | |
Two, Roisin's name will be mud at AIR if you don't turn up, | 1:11:26 | 1:11:28 | |
and three, I nicked your passport then, when I hugged you. | 1:11:28 | 1:11:32 | |
If you don't do it, you'll have to stay in Ireland | 1:11:32 | 1:11:34 | |
and live with me in a one-bedroom cottage, without central heating. | 1:11:34 | 1:11:37 | |
So... | 1:11:37 | 1:11:39 | |
This is coercion. | 1:11:39 | 1:11:41 | |
That's a very harsh word. | 1:11:41 | 1:11:43 | |
I prefer to call it, what's the term? Kidnapping. | 1:11:43 | 1:11:46 | |
-Hang on, you can't kidnap me. -Oh, I think I can. | 1:11:46 | 1:11:50 | |
No, you can't. If you kidnap me, I'll lose the bet. | 1:11:50 | 1:11:53 | |
Being kidnapped is not the same as hitchhiking. | 1:11:53 | 1:11:55 | |
I should know the difference by now. | 1:11:55 | 1:11:57 | |
Fair point. Didn't think of that. | 1:11:57 | 1:12:01 | |
What can we do about it? | 1:12:01 | 1:12:03 | |
MEXICAN ACCENT: Eh, Gringo - do you want a lift in my motorcar? | 1:12:08 | 1:12:12 | |
'We've finally located the Fridge Man. He's got his final lift | 1:12:12 | 1:12:16 | |
'and he's on his way to Dublin. | 1:12:16 | 1:12:17 | |
'Now, we've got a huge ceremony planned at the Ulysses centre, | 1:12:17 | 1:12:21 | |
'where excited crowds are already gathering, | 1:12:21 | 1:12:24 | |
'with well-wishers also congregating at the Meeting House Square - | 1:12:24 | 1:12:27 | |
'the starting point for Tony's triumphal march through the city. | 1:12:27 | 1:12:29 | |
'Don't forget to take a domestic appliance of your choice.' | 1:12:29 | 1:12:33 | |
This traffic is shite. You're never going to make it. | 1:12:33 | 1:12:36 | |
-Unless you get out and make a run for it. -What? | 1:12:36 | 1:12:39 | |
Look... | 1:12:39 | 1:12:41 | |
Meeting House Square is just right across the river. | 1:12:41 | 1:12:43 | |
Well, go on with you! | 1:12:43 | 1:12:45 | |
Go, ya eejit, go! | 1:12:45 | 1:12:48 | |
'I just heard that the Fridge Man is here in Dublin. | 1:12:49 | 1:12:52 | |
'Yes, dear friends, he has come amongst us. | 1:12:52 | 1:12:54 | |
'Watch out for him | 1:12:54 | 1:12:56 | |
'and give him a cheer as he proceeds majestically towards the starting | 1:12:56 | 1:12:59 | |
'point for his triumphal procession through the streets with Saiorse. | 1:12:59 | 1:13:02 | |
'All police leave has been cancelled | 1:13:02 | 1:13:04 | |
'as whole areas of the city fall silent. | 1:13:04 | 1:13:06 | |
'Those not hurrying towards the centre are at home, | 1:13:06 | 1:13:08 | |
'glued to their radios for this special AIR broadcast. | 1:13:08 | 1:13:11 | |
'Our hand-picked team have been preparing for this broadcast | 1:13:11 | 1:13:15 | |
'for several hours and all the technical resources of AIR | 1:13:15 | 1:13:18 | |
'have been marshalled for one of the most ambitious outside broadcasts | 1:13:18 | 1:13:20 | |
'ever staged - can you imagine the scenes of hysterical excitement? | 1:13:20 | 1:13:25 | |
'Any second now, | 1:13:25 | 1:13:26 | |
'Tony will walk out into Meeting House Square | 1:13:26 | 1:13:28 | |
'to join the assembled throng. | 1:13:28 | 1:13:31 | |
'In association with Finnegans, the master butcher. | 1:13:32 | 1:13:35 | |
'They'll be pleased to meet you, with meat to please you.' | 1:13:35 | 1:13:37 | |
Ahem. Er... | 1:13:53 | 1:13:56 | |
Is, er...that a fridge? | 1:13:56 | 1:13:59 | |
It is. | 1:13:59 | 1:14:01 | |
-Are you Jim? -Tony. | 1:14:01 | 1:14:03 | |
Oh, I have to meet a Jim somebody. They said something about a fridge. | 1:14:03 | 1:14:08 | |
Who did? | 1:14:08 | 1:14:09 | |
All Ireland Radio. | 1:14:09 | 1:14:12 | |
Hi, Tony. Jim here. AIR, the Dylan Daley show? | 1:14:12 | 1:14:16 | |
Got my domestic appliance! You must be Mr O'Malley. | 1:14:16 | 1:14:18 | |
Great - we've got to go, we've got 20 minutes to get to | 1:14:18 | 1:14:21 | |
the Ulysses mall before Dylan goes off air. Come on! | 1:14:21 | 1:14:24 | |
Hold on - there's no-one here! | 1:14:24 | 1:14:26 | |
Don't worry about that. There'll be a big crowd waiting | 1:14:26 | 1:14:28 | |
at the other end, OK? It'll be grand. | 1:14:28 | 1:14:30 | |
Ah, he's just describing it now, as we speak - listen to that. | 1:14:30 | 1:14:34 | |
'He came across the pond, a young man and his fridge, | 1:14:34 | 1:14:37 | |
'searching for meaning and purpose in their lives.' | 1:14:37 | 1:14:40 | |
Now, how are you at running with that fridge? | 1:14:40 | 1:14:43 | |
Excuse me, excuse me. Thank you. | 1:14:45 | 1:14:47 | |
And now, we take you live to James Conroy, | 1:14:47 | 1:14:52 | |
who is on the ground with the man himself - Jimmy? | 1:14:52 | 1:14:54 | |
You won't believe it, Dylan - | 1:14:54 | 1:14:56 | |
people are come out in their thousands to meet the Fridge Man. | 1:14:56 | 1:14:58 | |
It's a fine sight. They're carrying all manner of domestic appliances. | 1:14:58 | 1:15:02 | |
As we march leisurely through the streets of Dublin. | 1:15:02 | 1:15:06 | |
That's all for now, Dylan, we'll catch you later... | 1:15:06 | 1:15:10 | |
That's the beauty of radio. | 1:15:11 | 1:15:12 | |
So now, with this huge parade making its way majestically down Connor Street... | 1:15:16 | 1:15:21 | |
we go over to Roving Roisin at the Ulysses Shopping Mall. | 1:15:21 | 1:15:24 | |
Roisin? | 1:15:24 | 1:15:25 | |
Good morning to you, Dylan. | 1:15:25 | 1:15:28 | |
We have a huge crowd awaiting the arrival of Tony. | 1:15:28 | 1:15:31 | |
This is his destination. His final port of call. | 1:15:33 | 1:15:37 | |
People have travelled from all over Ireland to be here | 1:15:37 | 1:15:40 | |
and the atmosphere is one of high expectation. | 1:15:40 | 1:15:43 | |
A feeling of calm before the storm. There's tension in the air. | 1:15:43 | 1:15:48 | |
Go on, go! | 1:16:06 | 1:16:09 | |
We're all desperate to see Tony. | 1:16:11 | 1:16:14 | |
And we're all desperate to hear you seeing Tony. Where is he? | 1:16:14 | 1:16:18 | |
Here he is...running towards us. | 1:16:20 | 1:16:23 | |
I only wish I could be there with you guys. | 1:16:23 | 1:16:26 | |
-Hi. -Hi. You made it then. -Look, I've been thinking. | 1:16:31 | 1:16:35 | |
There's some things I want to say. | 1:16:35 | 1:16:37 | |
There's some things I'd like to say to you, too. But I can't say them on air and we are on air. Now. | 1:16:37 | 1:16:42 | |
Come on. | 1:16:42 | 1:16:43 | |
In these, the last few minutes of his epic journey, what thoughts | 1:16:45 | 1:16:48 | |
must be swirling around the fevered brain of fridge man, Tony Hawks. | 1:16:48 | 1:16:52 | |
As Confucius said, a march of 1,000 miles begins with a single step. | 1:16:52 | 1:16:56 | |
Fair play to Confucius but he probably didn't have his fridge with him. | 1:16:56 | 1:17:00 | |
He might have, but I don't think so. | 1:17:01 | 1:17:04 | |
Tony Hawks has taken a domestic appliance | 1:17:04 | 1:17:06 | |
on an odyssey to rival that of Homer. | 1:17:06 | 1:17:09 | |
He accepted a fridge-based bet. | 1:17:09 | 1:17:12 | |
A frigi-dare if you will. | 1:17:12 | 1:17:14 | |
And he rose to the challenge taking | 1:17:14 | 1:17:17 | |
the white good into uncharted territories. | 1:17:17 | 1:17:20 | |
And so, ladies and gentlemen, the fridge man has arrived | 1:17:20 | 1:17:23 | |
and it's down to Roving Roisin to take us through | 1:17:23 | 1:17:25 | |
the final stages of this historic day. | 1:17:25 | 1:17:28 | |
Let's have a big cheer for the fridge man. | 1:17:28 | 1:17:32 | |
APPLAUSE | 1:17:32 | 1:17:39 | |
Roisin, love, can you get Tony to say a few words, there, please? | 1:17:39 | 1:17:42 | |
APPLAUSE | 1:17:42 | 1:17:45 | |
Well I've realised over the past month of trundling my fridge | 1:17:45 | 1:17:50 | |
round Ireland that it's the first time I've ever really been | 1:17:50 | 1:17:54 | |
responsible for something or someone else. | 1:17:54 | 1:17:58 | |
I've scolded and confided in Saiorse. | 1:17:58 | 1:18:02 | |
I've eaten, slept, I'd even surfed with Saiorse | 1:18:02 | 1:18:06 | |
and all the time you good people have entered into the spirit. | 1:18:06 | 1:18:10 | |
You seem to accept the fact that in a way we're all pulling | 1:18:10 | 1:18:15 | |
something along behind us. | 1:18:15 | 1:18:17 | |
We've all got baggage. | 1:18:17 | 1:18:18 | |
But you know what, you don't need to worry about the baggage. | 1:18:18 | 1:18:22 | |
Because it's the baggage handler that counts. | 1:18:23 | 1:18:26 | |
Thank you very much for that, Tony. Wise words from a complete twit. | 1:18:28 | 1:18:32 | |
Now, let's not forget this whole absurd trip began as a drunken bet and Roisin, | 1:18:32 | 1:18:36 | |
-I believe you have someone there ready to make good on that bet? -Indeed we do, Dylan. | 1:18:36 | 1:18:40 | |
All the way from London, it's Tony's best friend, Kevin. | 1:18:40 | 1:18:44 | |
APPLAUSE | 1:18:44 | 1:18:47 | |
Oh, uh, Tony, I didn't think that you could do this. | 1:18:49 | 1:18:54 | |
But I'm very pleased to say that you are a man who no longer needs | 1:18:54 | 1:18:58 | |
golf clubs, miracles, babies or pizza | 1:18:58 | 1:19:03 | |
because you have won yourself £100. | 1:19:03 | 1:19:06 | |
That's great, Kevin, thanks. Now tell us, what happens next? | 1:19:06 | 1:19:10 | |
Oh, right, well, obviously, a celebratory drink is in order | 1:19:10 | 1:19:14 | |
then it's straight back to the airport. I booked a seat for the fridge, first class of course. | 1:19:14 | 1:19:18 | |
At the cost of? | 1:19:18 | 1:19:20 | |
£100. | 1:19:20 | 1:19:21 | |
One thing remains. | 1:19:23 | 1:19:25 | |
To bestow upon you the fridge magnet mayoral chain of office. | 1:19:25 | 1:19:29 | |
Tony, Ireland now pronounces you its honorary fridge man. | 1:19:30 | 1:19:34 | |
APPLAUSE | 1:19:36 | 1:19:40 | |
RECORD PLAYS | 1:19:50 | 1:19:53 | |
Well, I've certainly got to hand it to you guys. | 1:19:58 | 1:20:01 | |
Talk about Irish blarney? | 1:20:01 | 1:20:03 | |
20 people turn up and you make it sound like the Pope's in town. | 1:20:03 | 1:20:06 | |
Very naughty but very funny, too. | 1:20:06 | 1:20:10 | |
You know, not so long ago you said it was too early. | 1:20:11 | 1:20:14 | |
It's much later now. | 1:20:16 | 1:20:18 | |
Yeah, well it's still not the right moment. | 1:20:19 | 1:20:22 | |
Nonsense. I've got a glass of champagne. | 1:20:22 | 1:20:25 | |
You've got a glass of champagne. Saiorse's got a glass of champagne. | 1:20:25 | 1:20:29 | |
That's not Saiorse any more. | 1:20:29 | 1:20:31 | |
This is a fridge. Yeah? | 1:20:31 | 1:20:33 | |
Look, Tony, the adventure, it's over, OK? | 1:20:33 | 1:20:36 | |
It might come as a surprise but some people are actually back in the real world now. | 1:20:36 | 1:20:40 | |
-Look, you don't understand. -What? | 1:20:40 | 1:20:42 | |
This whole journey won't have meant anything if I'm not able to take | 1:20:42 | 1:20:45 | |
what I've learned along the way and translate it into the real world. | 1:20:45 | 1:20:49 | |
Just because it's over doesn't mean I have to lose faith in the fridge. | 1:20:49 | 1:20:53 | |
Yeah? Well people who have faith, they believe in miracles. | 1:20:53 | 1:20:56 | |
They tend to be really disappointed when they expect the whole world | 1:20:56 | 1:21:00 | |
and they end up with, as you said, in your act, pizza. | 1:21:00 | 1:21:04 | |
Look, Tony, what you said on air, it was, it was really lovely. | 1:21:07 | 1:21:10 | |
But, no matter how much you like the baggage handler, | 1:21:10 | 1:21:14 | |
there is also the matter of the baggage. | 1:21:14 | 1:21:16 | |
In my case, it's my seven-year-old son, | 1:21:16 | 1:21:19 | |
and I just don't think you could handle that. | 1:21:19 | 1:21:22 | |
Bye, Tony. | 1:21:24 | 1:21:26 | |
Bye. | 1:21:28 | 1:21:29 | |
-Mr Hawks? -Yeah. | 1:22:00 | 1:22:03 | |
That's where you live, is it? On an island? | 1:22:03 | 1:22:06 | |
-That you have to row to and from? -Yeah, it is now. Cool, isn't it? | 1:22:06 | 1:22:10 | |
Cold more like. | 1:22:10 | 1:22:12 | |
By the way, don't take the motorway. | 1:22:18 | 1:22:21 | |
-It'll take a lot longer if we don't. -Take the river road, more beautiful. | 1:22:21 | 1:22:26 | |
I think it's quicker. | 1:22:26 | 1:22:27 | |
-Who shall I make it out to? -Nick. | 1:22:44 | 1:22:46 | |
-Cheers. -Thank you. | 1:22:48 | 1:22:50 | |
Who's this one for? | 1:22:50 | 1:22:51 | |
-Can you make it out to Niall? -Certainly. | 1:22:51 | 1:22:54 | |
Actually, can you make it out to my mum? | 1:22:55 | 1:22:57 | |
-Yeah, what's her name? -Roisin. | 1:22:57 | 1:23:00 | |
Hi. | 1:23:14 | 1:23:15 | |
Hi! | 1:23:17 | 1:23:18 | |
How's it selling? | 1:23:18 | 1:23:21 | |
Better than we thought. So, what are you doing over here? | 1:23:21 | 1:23:24 | |
-Oh, I'm a mature student. -Get away! -Well, a student. | 1:23:24 | 1:23:27 | |
I just started at uni, doing photography. | 1:23:27 | 1:23:30 | |
I'm getting on OK. | 1:23:30 | 1:23:32 | |
-I won a prize last month. Do you want to see the photo? -Yeah. | 1:23:32 | 1:23:35 | |
You've done well because that's not the fridge's best side! | 1:23:40 | 1:23:44 | |
-So you live in London now? -Yeah. | 1:23:46 | 1:23:49 | |
So you'd be free for a drink then? | 1:23:49 | 1:23:52 | |
Tony, I've got Niall with me. | 1:23:52 | 1:23:54 | |
You didn't put absolutely everything in the book, I hope? | 1:23:56 | 1:24:00 | |
Oh no, I left a few private moments out. | 1:24:00 | 1:24:02 | |
Mind you, we could always put them in the film? | 1:24:04 | 1:24:06 | |
Film? What film?! | 1:24:06 | 1:24:07 | |
Subtitles by Red Bee Media Ltd | 1:25:10 | 1:25:13 |