
Browse content similar to The Proposal. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
(BIRDS CHIRP) | 0:00:10 | 0:00:14 | |
# I don't mean to trouble your mind | 0:00:14 | 0:00:16 | |
# I'm just trying to find my way home | 0:00:16 | 0:00:19 | |
# Silently I'm seeking a kind | 0:00:20 | 0:00:23 | |
# Of a way to get by on my own | 0:00:23 | 0:00:26 | |
# Downtown Saturday | 0:00:27 | 0:00:29 | |
# In a better way | 0:00:29 | 0:00:30 | |
# Than I ever was before | 0:00:30 | 0:00:33 | |
# Don't need anyone | 0:00:34 | 0:00:35 | |
# Standing in my sun | 0:00:35 | 0:00:37 | |
# Don't need that anymore | 0:00:37 | 0:00:40 | |
# Well, it's a long way, I know | 0:00:40 | 0:00:43 | |
# And there's no one way to go | 0:00:43 | 0:00:46 | |
# But it's all gonna show in the end | 0:00:46 | 0:00:52 | |
# I got to find my way | 0:00:53 | 0:00:55 | |
# Find my way | 0:00:55 | 0:00:57 | |
# Find my way home | 0:00:57 | 0:01:00 | |
Shit! | 0:01:00 | 0:01:01 | |
# All those plans that I made for myself | 0:01:01 | 0:01:03 | |
# I've got nobody else to lean on | 0:01:03 | 0:01:06 | |
# Gone so far with my head in the clouds | 0:01:07 | 0:01:10 | |
# Now it's time to come down and be gone | 0:01:10 | 0:01:13 | |
# Downtown Saturday | 0:01:14 | 0:01:15 | |
# In a better way | 0:01:15 | 0:01:17 | |
# Than I ever was before | 0:01:17 | 0:01:19 | |
Andrew. Hey. | 0:01:23 | 0:01:26 | |
Here you go. You regular lattes. | 0:01:27 | 0:01:29 | |
You literally saved my life. Thank you. Thank you. | 0:01:29 | 0:01:33 | |
# Find my way | 0:01:33 | 0:01:35 | |
# Find my way | 0:01:35 | 0:01:37 | |
# Find my way home | 0:01:37 | 0:01:40 | |
# Got to find my way | 0:01:40 | 0:01:42 | |
# Find my way | 0:01:42 | 0:01:44 | |
# Find my way home # | 0:01:44 | 0:01:47 | |
-Everyone OK? -Yeah. -Me, too. | 0:01:47 | 0:01:49 | |
Hello, Frank? How's my favourite writer? | 0:01:52 | 0:01:54 | |
Of course you've been thinking about our talk, because you know I'm right. | 0:01:54 | 0:01:58 | |
People in this country are busy, broke, and hate to read. | 0:01:58 | 0:02:01 | |
They need someone they can trust to say, "Don't watch CSI Indianapolis." | 0:02:01 | 0:02:05 | |
"Read a book! Frank's book." That person is Oprah. | 0:02:05 | 0:02:08 | |
-Cutting it close. -One of those mornings. Thanks. | 0:02:13 | 0:02:16 | |
-Oh. Oh. -Sweet... Jesus! -Sorry. | 0:02:16 | 0:02:20 | |
Rub some dirt on it, brother. | 0:02:20 | 0:02:22 | |
Frank, the truth is all A-plus novelists | 0:02:22 | 0:02:25 | |
do publicity. Roth, McCourt, Russo, and... | 0:02:25 | 0:02:28 | |
Can I tell you what else they have in common? A Pulitzer. | 0:02:28 | 0:02:31 | |
I need the shirt off your back. Literally. | 0:02:31 | 0:02:34 | |
-You're kidding, right? -Yankees, Boston, this Tuesday. | 0:02:34 | 0:02:37 | |
Two company seats. Five seconds. Five, four, three, two, one. | 0:02:37 | 0:02:41 | |
-(ELEVATOR DINGS) -Later. | 0:02:41 | 0:02:45 | |
-(COMPUTERS BEEP) -Hm? (GASPS) | 0:02:47 | 0:02:51 | |
-Whoa! -(COMPUTER BEEPS) | 0:02:51 | 0:02:54 | |
(COMPUTERS BEEP) | 0:02:56 | 0:02:59 | |
Er, hello? Hello? | 0:02:59 | 0:03:01 | |
Morning, boss. Conference call in 30 minutes. | 0:03:07 | 0:03:10 | |
-About marketing the spring books. I know. -Staff meeting at nine. | 0:03:10 | 0:03:13 | |
Did you call... What's her name? The one with the ugly hands. | 0:03:13 | 0:03:17 | |
-Janet. -Yes. -Yes. I told her if she doesn't get her manuscript in, | 0:03:17 | 0:03:20 | |
you won't give her a release date. Your immigration lawyer said... | 0:03:20 | 0:03:24 | |
Push the meeting to tomorrow, keep the lawyer on the sheets. | 0:03:24 | 0:03:27 | |
Get a hold of PR, have them draft a press release. Frank is doing Oprah. | 0:03:27 | 0:03:32 | |
Wow. Nicely done. | 0:03:32 | 0:03:34 | |
If I want your praise, I will ask for it. | 0:03:34 | 0:03:37 | |
Erm,... who is Jillian? | 0:03:39 | 0:03:43 | |
And why does she want me to call her? | 0:03:43 | 0:03:45 | |
Well, that was originally my cup. | 0:03:47 | 0:03:50 | |
-And I'm drinking your coffee, why? -Because your coffee spilled. | 0:03:50 | 0:03:54 | |
So, you drink unsweetened cinnamon light soy lattes? | 0:03:59 | 0:04:03 | |
I do. It's like Christmas in a cup. | 0:04:03 | 0:04:06 | |
-Is that a coincidence? -Incredibly, it is. | 0:04:06 | 0:04:09 | |
I wouldn't possibly drink the same coffee you drink | 0:04:09 | 0:04:12 | |
just in case yours spilled. That would be pathetic. | 0:04:12 | 0:04:15 | |
Morning. Miss Tate's office. Hey, Bob. | 0:04:15 | 0:04:19 | |
Actually, we're headed to your office right now. Yeah. | 0:04:20 | 0:04:23 | |
Why are we headed to Bob's office? | 0:04:23 | 0:04:26 | |
(COMPUTERS BEEP) | 0:04:36 | 0:04:39 | |
Have you finished the manuscript I gave you? | 0:04:40 | 0:04:43 | |
I read a few pages. I wasn't that impressed. | 0:04:43 | 0:04:45 | |
-Can I say something? -No. -I've read thousands of manuscripts, | 0:04:45 | 0:04:49 | |
it's the only one I've ever given you. It's an incredible novel. | 0:04:49 | 0:04:52 | |
-The kind you used to publish. -Er, wrong. | 0:04:52 | 0:04:55 | |
And I do think you order the same coffee me | 0:04:55 | 0:04:57 | |
just in case you spill, which is pathetic. | 0:04:57 | 0:04:59 | |
-Or impressive. -I'd be impressed if you didn't spill. | 0:04:59 | 0:05:02 | |
-Remember, you're a prop here. -I won't say a word. | 0:05:02 | 0:05:05 | |
Ah! Our fearless leader and her liege. Please, do come in. | 0:05:07 | 0:05:12 | |
Oh, beautiful breakfront. | 0:05:12 | 0:05:14 | |
-Is it new? -English Regency Egyptian Revival, | 0:05:14 | 0:05:18 | |
built in the 1800s but, yes, it is new to my office. | 0:05:18 | 0:05:21 | |
Witty. Bob, I'm letting you go. | 0:05:21 | 0:05:25 | |
-Pardon? -I asked you over a dozen times to get Frank to do Oprah, | 0:05:28 | 0:05:32 | |
and you didn't do it. You're fired. | 0:05:32 | 0:05:36 | |
I have told you that is impossible. | 0:05:36 | 0:05:38 | |
Frank hasn't done an interview in 20 years. | 0:05:38 | 0:05:41 | |
Interesting, because I just got off the phone with him and he is in. | 0:05:41 | 0:05:45 | |
-Excuse me? -You didn't even call him, did you? | 0:05:46 | 0:05:49 | |
-But... -I know, I know. | 0:05:49 | 0:05:52 | |
Frank can be a little scary to deal with. For you. | 0:05:52 | 0:05:55 | |
Now, I will give you two months | 0:05:55 | 0:05:58 | |
to find another job and you can tell everyone you resigned. OK? | 0:05:58 | 0:06:01 | |
-What's his 20? -He's moving. | 0:06:04 | 0:06:07 | |
-He has crazy eyes. -Don't do it, Bob. Don't do it. | 0:06:07 | 0:06:12 | |
You poisonous bitch! | 0:06:12 | 0:06:15 | |
-(ALL GASP) -You can't fire me! | 0:06:15 | 0:06:17 | |
You don't think I see what you're doing? | 0:06:17 | 0:06:20 | |
Sandbagging me on this Oprah thing so you can look good to the board? | 0:06:20 | 0:06:24 | |
Because you are threatened by me! And you are a monster! | 0:06:24 | 0:06:29 | |
-Bob, stop. -Just because you have no semblance of a life | 0:06:29 | 0:06:32 | |
outside of this office, you think that you can treat all of us | 0:06:32 | 0:06:36 | |
like your own personal slaves. You know what? I feel sorry for you. | 0:06:36 | 0:06:41 | |
Because you know what you'll have on your deathbed? Nothing and no one. | 0:06:41 | 0:06:45 | |
Listen carefully, Bob. | 0:06:49 | 0:06:51 | |
I didn't fire you because I feel threatened. No. | 0:06:51 | 0:06:54 | |
I fired you because you're lazy, entitled, incompetent | 0:06:54 | 0:06:58 | |
and spend more time cheating on your wife than working. | 0:06:58 | 0:07:01 | |
If you say another word, Andrew will have you thrown out on your ass. | 0:07:01 | 0:07:04 | |
Another word and you're going out of here with an armed escort. | 0:07:04 | 0:07:08 | |
Andrew will film it with his camera phone | 0:07:08 | 0:07:10 | |
-and put it on that site. What was it? -YouTube? -Is that what you want? | 0:07:10 | 0:07:14 | |
Didn't think so. I have work to do. | 0:07:15 | 0:07:17 | |
Have security put his breakfront in my conference room. | 0:07:19 | 0:07:22 | |
-Will do. -I need you this weekend to help review his files. -This weekend? | 0:07:22 | 0:07:26 | |
-You have a problem with that? -No, I... | 0:07:26 | 0:07:29 | |
Just my grandmother's 90th birthday, I was gonna go home. It's fine. | 0:07:29 | 0:07:32 | |
I'll cancel. You're saving me from a weekend of misery. Good talk, yeah. | 0:07:32 | 0:07:37 | |
I know, I know. OK, tell Gammy I'm sorry. What do...? | 0:07:37 | 0:07:42 | |
Mom. What do you want me to say? She's making me work the weekend. | 0:07:42 | 0:07:46 | |
No. No. Listen, I've worked too hard for this promotion | 0:07:46 | 0:07:49 | |
to throw it all away, OK? I'm sure that Dad is pissed | 0:07:49 | 0:07:52 | |
but we take all of our submissions very seriously | 0:07:52 | 0:07:54 | |
and we'll get back to you as soon as we can. | 0:07:54 | 0:07:57 | |
-Was that your family? -Yes. | 0:07:57 | 0:07:59 | |
-They tell you to quit? -Every day. Miss Tate's office. | 0:07:59 | 0:08:03 | |
Yeah. OK. All right. Bergen and Malloy wanna see you immediately. | 0:08:04 | 0:08:09 | |
(GROWLS) OK. Come get me in ten minutes. | 0:08:09 | 0:08:11 | |
-We've got a lot to do. -Okey doke. -(PHONE RINGS) | 0:08:11 | 0:08:16 | |
Good morning, Miss Tate. | 0:08:18 | 0:08:20 | |
-Jack, Edwin. -Congratulations on the Oprah thing. Terrific news. | 0:08:21 | 0:08:26 | |
Thank you. This isn't about my second raise, is it? (LAUGHS) | 0:08:26 | 0:08:30 | |
Margaret, remember when we agreed that you wouldn't go to Frankfurt | 0:08:30 | 0:08:35 | |
as you couldn't leave the country while your visa was being processed? | 0:08:35 | 0:08:39 | |
-Yes, I do. -And... you went to Frankfurt. -Yes, I did. | 0:08:39 | 0:08:42 | |
We were gonna lose DeLillo to Viking so really didn't have a choice. | 0:08:42 | 0:08:46 | |
It seems the US government doesn't care who publishes DeLillo. | 0:08:46 | 0:08:49 | |
We just spoke to your immigration attorney. | 0:08:49 | 0:08:52 | |
Great. So, we're all good? Everything good? | 0:08:52 | 0:08:55 | |
-Your visa application has been denied. -That... | 0:08:55 | 0:08:58 | |
-And you are being deported. -Deported? | 0:08:58 | 0:09:01 | |
-There was also some paperwork you didn't fill out in time. -Come on. | 0:09:01 | 0:09:06 | |
Come on! It's not like I'm even an immigrant! | 0:09:06 | 0:09:09 | |
I'm from Canada, for Christ's sake. There's gotta be something we can do. | 0:09:09 | 0:09:13 | |
We can reapply. But you have to leave the country | 0:09:13 | 0:09:16 | |
-for at least a year. -OK. | 0:09:16 | 0:09:20 | |
OK, well, that's not ideal, but, er, I can manage everything from Toronto | 0:09:21 | 0:09:26 | |
with videoconferencing and Internet. I can... | 0:09:26 | 0:09:30 | |
If you're deported, you can't work for an American company. | 0:09:30 | 0:09:33 | |
-For now, I'm turning operations over to Bob Spaulding. -Bob Spaulding? | 0:09:33 | 0:09:38 | |
-The guy I just fired? -We need an editor in chief. | 0:09:38 | 0:09:40 | |
-He's the only one with experience. -You can't be serious. I beg of you. | 0:09:40 | 0:09:44 | |
We are desperate to have you stay. | 0:09:44 | 0:09:46 | |
If there was any way, any way at all that we could make this thing work, | 0:09:46 | 0:09:50 | |
-we'd be doing it. -I am begging you. -No, Margaret. We're in a meeting. | 0:09:50 | 0:09:54 | |
-Sorry to interrupt. -What?! -Mary from Miss Winfrey's office called. | 0:09:54 | 0:09:58 | |
-She's on hold. -I know. | 0:09:58 | 0:10:00 | |
I told her you were otherwise engaged. She insisted, so... | 0:10:00 | 0:10:04 | |
So... | 0:10:04 | 0:10:06 | |
Er... | 0:10:15 | 0:10:17 | |
(WHISPERS) Come here! | 0:10:18 | 0:10:21 | |
Er, gentlemen, I understand... | 0:10:21 | 0:10:25 | |
I understand the predicament that we are in. | 0:10:25 | 0:10:29 | |
And, erm... | 0:10:29 | 0:10:31 | |
And there's, er... Well... | 0:10:31 | 0:10:34 | |
I think there's something that you should know. | 0:10:34 | 0:10:37 | |
Er, we're... we're getting married. | 0:10:38 | 0:10:42 | |
-We are getting married. -Who is getting married? | 0:10:42 | 0:10:45 | |
You and I. You and I are getting married! Yes. | 0:10:45 | 0:10:48 | |
-We are... getting married. -Getting married. Yes. | 0:10:48 | 0:10:51 | |
Isn't he your secretary? | 0:10:52 | 0:10:55 | |
-Assistant. -Executive assistant secretary. | 0:10:55 | 0:10:59 | |
Titles. Wouldn't be the first time one of us fell for our secretaries, | 0:10:59 | 0:11:03 | |
would it, Edwin? (LAUGHS) | 0:11:03 | 0:11:05 | |
With Laquisha. Remember? So, yeah. | 0:11:05 | 0:11:09 | |
The truth is, you know, Andrew and I, | 0:11:09 | 0:11:13 | |
we are just two people who weren't meant to fall in love, | 0:11:13 | 0:11:16 | |
-but we did. -No. -Yeah. | 0:11:16 | 0:11:18 | |
All those late nights at the office and weekend book fairs. | 0:11:18 | 0:11:24 | |
-No. -Something... happened. | 0:11:24 | 0:11:26 | |
-Something -Yeah. (LAUGHS) | 0:11:26 | 0:11:28 | |
Tried to fight it and... Can't fight a... | 0:11:28 | 0:11:32 | |
Can't... Can't fight a love like ours. | 0:11:32 | 0:11:34 | |
So, er, are we good with this? | 0:11:34 | 0:11:38 | |
Are you happy? Because, well, we are happy. So happy. | 0:11:38 | 0:11:43 | |
-Margaret. -Yes? -It's terrific. Just make it legal. Hm? | 0:11:43 | 0:11:48 | |
Oh! Legal. (LAUGHS) | 0:11:48 | 0:11:50 | |
Yeah, well, then that means we... | 0:11:50 | 0:11:53 | |
We need to get to the immigration office | 0:11:53 | 0:11:56 | |
so we can work this whole mess out. Right? | 0:11:56 | 0:11:58 | |
Thank you very much, gentlemen. We will do that right away. | 0:11:58 | 0:12:02 | |
-Thank you. -Gentlemen. -Thank you. | 0:12:02 | 0:12:05 | |
-(WHISPER) Margaret and Andrew are getting married! -What? | 0:12:08 | 0:12:11 | |
-Here they come. -(LAUGHS) | 0:12:11 | 0:12:14 | |
(ALL CHAT IN WHISPERS) | 0:12:14 | 0:12:17 | |
Dude, for real? Her? (LAUGHS) | 0:12:19 | 0:12:22 | |
I didn't even think they were dating. | 0:12:22 | 0:12:24 | |
-What? -I don't understand what's happening. | 0:12:45 | 0:12:49 | |
-Relax. This is for you, too. -Do explain. | 0:12:49 | 0:12:52 | |
-They were going to make Bob chief. -So, naturally, I have to marry you. | 0:12:52 | 0:12:56 | |
What's the problem? Like you were saving yourself for someone special? | 0:12:56 | 0:13:00 | |
I like to think so. Besides, it's illegal. | 0:13:00 | 0:13:03 | |
They're looking for terrorists, not for book publishers. | 0:13:03 | 0:13:06 | |
-Margaret. -Yes? -I'm not gonna marry you. -Sure you are. | 0:13:06 | 0:13:11 | |
If you don't, your dreams of touching millions | 0:13:11 | 0:13:14 | |
with the written word are dead. | 0:13:14 | 0:13:16 | |
Bob will fire you the second I'm gone. Guaranteed. | 0:13:21 | 0:13:23 | |
That means you're looking for a job. | 0:13:23 | 0:13:26 | |
So all the time we spent together, all the lattes, cancelled dates, | 0:13:26 | 0:13:29 | |
Tampax runs were for nothing and your dreams of being an editor are gone. | 0:13:29 | 0:13:33 | |
Don't worry, after the required time we'll get a quickie divorce. | 0:13:33 | 0:13:37 | |
Until then, like it or not, your wagon is hitched to mine. OK? | 0:13:37 | 0:13:41 | |
(PHONE RINGS) Phone. | 0:13:41 | 0:13:44 | |
(INDISTINCT CHATTER) | 0:13:50 | 0:13:53 | |
-This way. -But... -Just come. -..the line. | 0:13:56 | 0:14:00 | |
-Next, please. -Ooh. I just, er... I just need to ask him something. | 0:14:00 | 0:14:04 | |
I need you to file this fiance visa for me, please. | 0:14:04 | 0:14:07 | |
-Miss Tate? -Yes. -Please, come with me. | 0:14:10 | 0:14:16 | |
-I have a bad feeling about this. -(KNOCKS ON DOOR) | 0:14:18 | 0:14:22 | |
-Hi. Hello. -Hello. -I'm Mr Gilbertson. -Ah! | 0:14:25 | 0:14:29 | |
-And you must be Andrew, and you must be... -Margaret. | 0:14:29 | 0:14:32 | |
Sorry about the wait. It's a crazy day today. | 0:14:32 | 0:14:36 | |
Of course. We understand. And I can't tell you how much we appreciate | 0:14:36 | 0:14:40 | |
-you seeing us on such short notice. -OK. (SIGHS) | 0:14:40 | 0:14:44 | |
# Ba-ba-ba-ba-baaa So, I have one question for you. | 0:14:44 | 0:14:48 | |
Are you both committing fraud to avoid her deportation | 0:14:48 | 0:14:51 | |
so she can keep her position as editor in chief at Colden Books? | 0:14:51 | 0:14:55 | |
-That's ridiculous. -Where did you hear that? | 0:14:56 | 0:14:58 | |
We had a phone tip this afternoon from... | 0:14:58 | 0:15:01 | |
-Would it be Bob Spaulding? -Bob Spaulding. | 0:15:01 | 0:15:04 | |
Bob. Poor Bob. I am so sorry. | 0:15:04 | 0:15:07 | |
Bob is nothing but a disgruntled former employee. And I apologise. | 0:15:07 | 0:15:12 | |
But we know you're incredibly busy | 0:15:12 | 0:15:14 | |
with a room full of gardeners and delivery boys to tend to. | 0:15:14 | 0:15:18 | |
Just give us our next step | 0:15:18 | 0:15:20 | |
-and we'll be out of your hair and on our way. -Miss Tate, please. | 0:15:20 | 0:15:24 | |
Let me explain to you the process that's about to unfold. | 0:15:24 | 0:15:29 | |
Step one will be a scheduled interview. | 0:15:29 | 0:15:33 | |
I'll put you each in a room and I'll ask you every little question | 0:15:33 | 0:15:36 | |
that a real couple would know about each other. Step two, I dig deeper. | 0:15:36 | 0:15:40 | |
I look at your phone records, talk to neighbours, interview co-workers. | 0:15:40 | 0:15:44 | |
If your answers don't match up at every point, | 0:15:44 | 0:15:47 | |
you will be deported indefinitely. | 0:15:47 | 0:15:49 | |
And you, young man, will have committed a felony | 0:15:49 | 0:15:52 | |
punishable by a fine of 250,000 and a stay of five years | 0:15:52 | 0:15:58 | |
in federal prison. | 0:15:58 | 0:16:00 | |
So, Andrew. | 0:16:02 | 0:16:05 | |
You wanna... talk to me? | 0:16:06 | 0:16:09 | |
No? | 0:16:13 | 0:16:14 | |
Yes? | 0:16:17 | 0:16:18 | |
Er, the truth is... (CLEARS THROAT) | 0:16:22 | 0:16:27 | |
Mr Gilbertson, the truth is... | 0:16:27 | 0:16:30 | |
..Margaret and I... | 0:16:32 | 0:16:34 | |
..are just two people who weren't supposed to fall in love... | 0:16:36 | 0:16:39 | |
..but did. | 0:16:41 | 0:16:43 | |
We couldn't tell anyone we work with | 0:16:45 | 0:16:47 | |
because of my big promotion that I had coming up. | 0:16:47 | 0:16:50 | |
-Promotion? -Your... | 0:16:50 | 0:16:52 | |
We both felt, er, that it would be deeply inappropriate | 0:16:52 | 0:16:57 | |
if I were to be promoted to editor... | 0:16:57 | 0:16:59 | |
-Editor. -..while we were... | 0:16:59 | 0:17:01 | |
So,... have the two of you told your parents about your secret love? | 0:17:03 | 0:17:08 | |
Oh, er, impossible. My parents are dead. (LAUGHS) | 0:17:08 | 0:17:11 | |
-No brothers or sisters, either. -Gone. | 0:17:11 | 0:17:14 | |
-Are your parents dead? -Oh, no, his are very much alive. | 0:17:14 | 0:17:18 | |
-Very much. -We were gonna tell them this weekend. | 0:17:18 | 0:17:21 | |
Gammy's 90th birthday, the whole family's coming together. | 0:17:21 | 0:17:25 | |
-We thought it'd be a nice surprise. -Where's this taking place? | 0:17:25 | 0:17:29 | |
-At Andrew's parents' house. -Where is that located again? | 0:17:29 | 0:17:32 | |
Erm... Why am I doing all the talking? | 0:17:32 | 0:17:34 | |
It's your parents' house. You tell him where it is. Jump in. (LAUGHS) | 0:17:34 | 0:17:38 | |
-Sitka. -Sitka. | 0:17:38 | 0:17:41 | |
-Alaska. -Alaska? | 0:17:41 | 0:17:43 | |
-You're going to Alaska this weekend? -Yeah. -Yes, yes. | 0:17:43 | 0:17:48 | |
We are going to Alaska. Alaska, that's where... | 0:17:48 | 0:17:52 | |
That's where my little... where my Andrew's from. | 0:17:52 | 0:17:54 | |
OK. Fine. | 0:17:54 | 0:17:58 | |
I see how this is gonna go. | 0:17:58 | 0:18:00 | |
I'll see you both 11 o'clock Monday morning for your scheduled interview | 0:18:00 | 0:18:05 | |
and your answers better match up on every account. | 0:18:05 | 0:18:08 | |
-Thank you. -I'm looking forward to this one. | 0:18:09 | 0:18:12 | |
-Darling! -We're looking forward to it. | 0:18:12 | 0:18:14 | |
-It's gonna be fun. I'll be checking up on ya. -You got it. | 0:18:14 | 0:18:18 | |
OK, so, what's gonna happen is, we will go there, | 0:18:22 | 0:18:27 | |
pretend we're boyfriend and girlfriend, | 0:18:27 | 0:18:29 | |
tell your parents we're engaged. Use the miles for the tickets. | 0:18:29 | 0:18:33 | |
I guess I'll pop for you to fly first class. But use the miles. | 0:18:33 | 0:18:36 | |
Otherwise we're not doing it. And please confirm the vegan meal. | 0:18:36 | 0:18:39 | |
Last time they gave it to a vegan and they forced me to eat | 0:18:39 | 0:18:42 | |
this clammy, warm, creamy salad thing, which was... Hey. | 0:18:42 | 0:18:46 | |
-Why aren't you taking notes? -Were you not in that room? | 0:18:46 | 0:18:49 | |
What? What? Oh! The thing you said about being promoted? Genius. | 0:18:49 | 0:18:55 | |
-He completely fell for it. -I was serious. | 0:18:55 | 0:18:57 | |
I'm looking at a 250,000 fine and five years in jail. | 0:18:57 | 0:19:00 | |
-That changes things. -Promote you to editor? No, no way. | 0:19:00 | 0:19:05 | |
Then I quit. You're screwed. Bye. It's been a little slice of heaven. | 0:19:05 | 0:19:08 | |
Andrew! Fine, fine. | 0:19:08 | 0:19:11 | |
I'll make you editor. Fine. If you do the Alaska weekend | 0:19:12 | 0:19:17 | |
and the immigration interview, I will make you editor. Happy? | 0:19:17 | 0:19:20 | |
-And not in two years. Right away. -Fine. | 0:19:20 | 0:19:23 | |
-And you'll publish my manuscript. -10,000 copies, first... | 0:19:23 | 0:19:27 | |
20,000 copies, first run. And we'll tell my family about our engagement | 0:19:27 | 0:19:31 | |
-when and how I want. Now, ask me nicely. -Ask you nicely what? | 0:19:31 | 0:19:36 | |
Ask me nicely to marry you, Margaret. | 0:19:36 | 0:19:39 | |
-What does that mean? -You heard me. On your knee. | 0:19:41 | 0:19:44 | |
Fine. | 0:19:53 | 0:19:55 | |
-(CAR HORN HONKING) Does this work for you? -Oh, I like this, yeah. | 0:20:01 | 0:20:04 | |
-Will you marry me? -No. Say it like you mean it. | 0:20:04 | 0:20:08 | |
(CLEARS THROAT) | 0:20:08 | 0:20:10 | |
-Andrew? -Yes, Margaret? | 0:20:11 | 0:20:13 | |
Sweet Andrew? | 0:20:13 | 0:20:16 | |
-I'm listening. -Would you please, with cherries on top, marry me? | 0:20:16 | 0:20:20 | |
OK. I don't appreciate the sarcasm, but I'll do it. | 0:20:22 | 0:20:25 | |
-See you at the airport tomorrow. -Good. | 0:20:25 | 0:20:27 | |
(POLICE SIRENS BLARING) | 0:20:27 | 0:20:29 | |
So, these are the questions that INS is gonna ask us. | 0:20:40 | 0:20:43 | |
Now, the good news is I know everything about you. | 0:20:43 | 0:20:46 | |
The bad news is that you have four days to learn all this about me. | 0:20:46 | 0:20:49 | |
You should probably get studying. | 0:20:49 | 0:20:52 | |
-You know the answers to these questions about me? -Scary, isn't it? | 0:20:56 | 0:21:00 | |
-What am I allergic to? -Pine nuts. And the full spectrum of human emotion. | 0:21:00 | 0:21:04 | |
-Oh, that's funny. (LAUGHS FALSELY) -Mm-hm. -Um... | 0:21:04 | 0:21:08 | |
Here's a good one. Do I have any scars? | 0:21:08 | 0:21:10 | |
-I'm pretty sure that you have a tattoo. -Oh, you're pretty sure? | 0:21:10 | 0:21:14 | |
Two years ago, your dermatologist called | 0:21:14 | 0:21:16 | |
and asked about a Q-switched laser. I Googled a Q-switched laser | 0:21:16 | 0:21:20 | |
and found that they in fact remove tattoos. | 0:21:20 | 0:21:22 | |
But you cancelled your appointment. | 0:21:22 | 0:21:25 | |
So, what is it? Tribal ink? Japanese calligraphy? Barbed wire? | 0:21:25 | 0:21:28 | |
-It's exciting for me to experience you like this. -Thank you. | 0:21:28 | 0:21:32 | |
-You're gonna have to tell me where it is. -No. -They're gonna ask. | 0:21:32 | 0:21:35 | |
We're done with that question. On to another question. | 0:21:35 | 0:21:38 | |
Let me see, let me see. Oh, here's one. | 0:21:38 | 0:21:41 | |
Whose place do we stay at, yours or mine? That's easy. Mine. | 0:21:41 | 0:21:44 | |
-And why wouldn't we stay at mine? -Because I live at Central Park West. | 0:21:44 | 0:21:48 | |
And you probably live at a squalid little studio apartment | 0:21:48 | 0:21:51 | |
with stacks of yellowed Penguin Classics. | 0:21:51 | 0:21:53 | |
(WOMAN) "Ladies and gentlemen, please fasten your seat belts." | 0:21:53 | 0:21:56 | |
"We are beginning our descent into Juneau." | 0:21:56 | 0:21:59 | |
-Juneau? I thought we were going to Sitka. -We are. | 0:21:59 | 0:22:03 | |
Well, how are we getting to Sitka? | 0:22:03 | 0:22:06 | |
(RUMBLING) | 0:22:06 | 0:22:09 | |
-(RATTLING) -Whoa. | 0:22:09 | 0:22:11 | |
All right. Here we go. | 0:22:34 | 0:22:37 | |
-Where? Oh, there he is! -(WOMEN SQUEAL / CHUCKLE) | 0:22:39 | 0:22:43 | |
Hi. Hi! | 0:22:51 | 0:22:53 | |
-Oh! Oh, it's so good to see you! -You're suffocating him, Grace. | 0:22:53 | 0:22:57 | |
-Come here. -Hey, Gammy. Ah, Gammy. -(CHUCKLES) | 0:22:57 | 0:23:00 | |
-How are you doing? Where's Dad? -Oh, you know your father. | 0:23:00 | 0:23:03 | |
-He's always working. -Never mind about him. Where's your girl? | 0:23:03 | 0:23:06 | |
Uh, she's back right there. | 0:23:06 | 0:23:09 | |
-Ah. -There she is. -I guess the word "girl" is inappropriate. -(Annie!) | 0:23:09 | 0:23:14 | |
-Hi! -Hello. -Margaret, this is my mom. -Oh, hello. -Yeah, great. | 0:23:16 | 0:23:19 | |
-This is my gammy, Annie. -Pleasure. -Well, hello there. | 0:23:19 | 0:23:24 | |
Now, do you prefer being called Margaret or Satan's Mistress? | 0:23:24 | 0:23:28 | |
We've heard it both ways. | 0:23:28 | 0:23:30 | |
-Actually, we've heard it lots of ways. -She's kidding. | 0:23:30 | 0:23:34 | |
-Oh! Oh, OK. -(CHUCKLES) -Thank you so much | 0:23:34 | 0:23:37 | |
-for, uh, allowing me to be a part of this weekend. -Oh, you're welcome. | 0:23:37 | 0:23:40 | |
We're thrilled to have you. Lets get you two back to the fort. | 0:23:40 | 0:23:44 | |
-OK. -Oh, it's so good to see you. | 0:23:44 | 0:23:47 | |
-(GRUNTS) There we are. -(CHUCKLING) | 0:23:47 | 0:23:51 | |
(Andrew! Andrew!) | 0:24:22 | 0:24:24 | |
(LOUDER) (Andrew!) | 0:24:25 | 0:24:27 | |
-(GRUNTS) -(YELPS) Please, don't do that. | 0:24:28 | 0:24:30 | |
You didn't tell me about all the family businesses, honey. | 0:24:30 | 0:24:33 | |
-He was probably just being modest, dear. -Oh. | 0:24:33 | 0:24:38 | |
What are we doing? Shouldn't we check into our hotel now? | 0:24:45 | 0:24:48 | |
Oh, we cancelled your reservation. Family doesn't stay at a hotel. | 0:24:48 | 0:24:52 | |
-You're gonna stay in our home. -Oh, great! Great. | 0:24:52 | 0:24:55 | |
-What? -Oh, God. You're gonna wanna use your legs to lift that one. | 0:24:55 | 0:24:59 | |
Andrew! Help her with those. | 0:24:59 | 0:25:02 | |
I'd love to, but she won't let me do anything. | 0:25:02 | 0:25:04 | |
She insists on doing it all herself. She's a feminist. | 0:25:04 | 0:25:07 | |
(GRUNTS) | 0:25:12 | 0:25:14 | |
Come on, sweetie. | 0:25:16 | 0:25:19 | |
(GAMMY) Did you see the shoes that broad was wearing? | 0:25:19 | 0:25:21 | |
(GRUNTS) | 0:25:25 | 0:25:27 | |
This is the last of 'em. | 0:25:31 | 0:25:33 | |
-Oh! -Ooh. Five second rule. -Got it! Got it. | 0:25:33 | 0:25:38 | |
That will dry right off. | 0:25:38 | 0:25:40 | |
Psst! Psst! I'm not getting on that boat. | 0:25:40 | 0:25:42 | |
-You don't have to. See you in a few days. -Psst! You know I can't swim. | 0:25:42 | 0:25:46 | |
Hence, the boat. | 0:25:46 | 0:25:48 | |
Come on. | 0:25:55 | 0:25:58 | |
Come on. Here we go. | 0:26:01 | 0:26:03 | |
-Looking good, boss. Take your time, though. -Ssh! | 0:26:09 | 0:26:13 | |
She comes with a lot of baggage. | 0:26:18 | 0:26:21 | |
Just gonna give you a little hand here. | 0:26:21 | 0:26:24 | |
Hand off ass! Off ass! | 0:26:24 | 0:26:27 | |
There you go. You're there. | 0:26:29 | 0:26:32 | |
Congratulations. I'm a hundred years old now. | 0:26:36 | 0:26:40 | |
(BOAT ENGINE STARTING) | 0:26:40 | 0:26:43 | |
(GRACE) Here we are. We're home. | 0:27:05 | 0:27:08 | |
That is your home? | 0:27:10 | 0:27:12 | |
Who are you people? | 0:27:13 | 0:27:15 | |
-Why did you tell me you were poor? -I never said I was poor. | 0:27:29 | 0:27:32 | |
-But you never told me you were rich. -I'm not rich. My parents are rich. | 0:27:32 | 0:27:35 | |
That's something only rich people say. | 0:27:35 | 0:27:37 | |
-(WOMAN) Hey, Andrew! Welcome home! -Hi! Uh, Mom, wh-what is this? | 0:27:37 | 0:27:42 | |
Nothing. It's just a little welcoming party. Is that a crime? | 0:27:42 | 0:27:46 | |
Just 50 of our closest friends and neighbours, | 0:27:46 | 0:27:48 | |
-and all excited to meet you. -Oh, good. Good. -Come on. Come on. | 0:27:48 | 0:27:52 | |
-A party? -Yeah, I guess so. | 0:27:52 | 0:27:54 | |
Come on. Let's go. My grandma's moving faster than you. | 0:27:54 | 0:27:57 | |
-(GRUNTS) -Put your back into it. | 0:27:57 | 0:28:00 | |
# "I've Got You Under My Skin" - Michael Buble | 0:28:01 | 0:28:04 | |
(WOMAN) So nice to meet you. Welcome to Sitka. | 0:28:04 | 0:28:07 | |
-Jill? Hi. -Nice to meet you. -My pleasure. | 0:28:07 | 0:28:09 | |
-Why didn't you tell me you were some kind of Alaskan Kennedy? -How could I? | 0:28:09 | 0:28:13 | |
We were in the middle of talking about you for the last three years. | 0:28:13 | 0:28:16 | |
Timeout, OK? This bickering Bickerson thing has got to stop. | 0:28:16 | 0:28:20 | |
-People need to think we are in love, so - -That's no problem. | 0:28:20 | 0:28:23 | |
I can do that. I can pretend to be the doting fiance. That's easy. | 0:28:23 | 0:28:26 | |
But you, you have to stop snacking on children while they dream. | 0:28:26 | 0:28:30 | |
Very funny. When are you gonna tell them we're engaged? | 0:28:30 | 0:28:32 | |
-I'll pick the right moment. -Hey, Andrew. | 0:28:32 | 0:28:35 | |
Hi! | 0:28:35 | 0:28:37 | |
Mrs McKittrick. How are you? Nice to see you. | 0:28:37 | 0:28:40 | |
-Nice to see you. This is Margaret. -Hi. Pleasure. | 0:28:40 | 0:28:43 | |
-Margaret! -Hi, how are you? Pleasure. | 0:28:43 | 0:28:46 | |
I always wanted to know, what does a book editor do? | 0:28:46 | 0:28:48 | |
(MAN) That's a great question, Louise. | 0:28:48 | 0:28:51 | |
I'm curious to know the answer myself. | 0:28:51 | 0:28:53 | |
-Hello, Dad. -Son. | 0:28:53 | 0:28:55 | |
-This must be Maggie. -Uh, Margaret. | 0:28:55 | 0:28:59 | |
-Joe. Pleasure to meet you. -Pleasure's mine. | 0:28:59 | 0:29:03 | |
So, uh, why don't you tell us exactly what a book editor does | 0:29:03 | 0:29:06 | |
besides taking writers out to lunch and getting bombed. | 0:29:06 | 0:29:09 | |
(LOUISE) Now that sounds like fun. No wonder you like being an editor. | 0:29:09 | 0:29:13 | |
No, Andrew's not an editor, he's an editor's assistant. | 0:29:13 | 0:29:17 | |
-Maggie here is the editor. -Margaret. | 0:29:17 | 0:29:21 | |
-So, you're actually Andrew's boss? -Yeah. | 0:29:21 | 0:29:24 | |
-Well, how about that. -Huh. | 0:29:24 | 0:29:26 | |
-I think I'll get a refill. -Hm. | 0:29:26 | 0:29:29 | |
Charming. | 0:29:31 | 0:29:33 | |
-That's a hell of a first impression, Dad. -What the hell, Andrew? | 0:29:36 | 0:29:40 | |
You show up with this woman you hated. Now she's your girlfriend? | 0:29:40 | 0:29:44 | |
Can we wait a second before we throw the kitchen sink at each other? | 0:29:44 | 0:29:48 | |
I never figured you for a guy who slept his way to the middle. | 0:29:48 | 0:29:51 | |
That that woman is one of the most respected editors. | 0:29:51 | 0:29:54 | |
She's your meal ticket. You brought her to meet your mother. | 0:29:54 | 0:29:57 | |
She's not my meal ticket, Dad. She's my fiancee. | 0:29:57 | 0:30:01 | |
-What'd you say? -You heard me. I'm getting married. | 0:30:01 | 0:30:05 | |
-How are you? -Good. -Would you care for some hors d'oeuvres? | 0:30:08 | 0:30:12 | |
-No, I'm fine. Thank you. -It's a tradition. | 0:30:12 | 0:30:14 | |
-It's the texture. I'm not a fish person. -You'll like it. | 0:30:14 | 0:30:17 | |
-You're very sweet. -I think if you'll just taste it. | 0:30:17 | 0:30:21 | |
(MUFFLED) Thank you so much. | 0:30:21 | 0:30:23 | |
Ladies and gentlemen, I have an important announcement to make. | 0:30:26 | 0:30:29 | |
-Margaret and I are getting married. -Yes. It's paprika. -I'm so sorry. | 0:30:29 | 0:30:33 | |
That's OK. It's wash-and-wear. | 0:30:33 | 0:30:36 | |
(ANDREW) Yep. Honey? Where you at? | 0:30:37 | 0:30:41 | |
Uh... Here it is. | 0:30:41 | 0:30:43 | |
-Oh... -Come on down here, pumpkin. | 0:30:45 | 0:30:48 | |
-All right. -OK. -Oh, look at her. Look at her. -(APPLAUSE) | 0:30:48 | 0:30:53 | |
Right there, ladies and gentlemen. There she is. | 0:30:53 | 0:30:55 | |
-(WOMAN) Congratulations, Andrew. -Oh, thank you. | 0:30:55 | 0:30:59 | |
-Thank you very much. -(WOMAN) Let's get the champagne! | 0:30:59 | 0:31:03 | |
(CORK POPS) (LAUGHTER) | 0:31:03 | 0:31:05 | |
So, that was your idea of the perfect time to tell them we're engaged? | 0:31:05 | 0:31:09 | |
-Mm. -It was brilliant. Brilliant timing. -Andrew. Hi. | 0:31:09 | 0:31:12 | |
Gert? Oh, my God. Hey, hi. Wow. How you doing? I didn't know - | 0:31:12 | 0:31:17 | |
Your mom probably wanted it to be a surprise, so... surprise. | 0:31:17 | 0:31:22 | |
-Right. -(LAUGHS) And we're being completely rude. | 0:31:22 | 0:31:26 | |
-Hi. -Oh, God. This is my ex... -Hi. I'm Gertrude. | 0:31:26 | 0:31:30 | |
-Oh! Oh, wow. Wow! -You can call me Gert. | 0:31:30 | 0:31:32 | |
-Well, congratulations, you guys. -Thank you. -Thank you. | 0:31:32 | 0:31:36 | |
-So, did I miss the story? -What story? -What story? | 0:31:36 | 0:31:39 | |
-About how you proposed. -Oh! How a man proposes | 0:31:39 | 0:31:44 | |
-says a lot about his character. -Yes. -Yes, it does. | 0:31:44 | 0:31:47 | |
I actually would love to hear the story, Andrew. Would you tell us? | 0:31:47 | 0:31:51 | |
-(MAN) Yeah. -(CROWD MURMURS) Yeah. (GIGGLING) | 0:31:51 | 0:31:54 | |
You know what? Actually, Margaret loves telling this story, | 0:31:54 | 0:31:59 | |
so I'm just gonna let her go ahead and do that. | 0:31:59 | 0:32:02 | |
-I think we should just sit in rapture. -Huh! Wow, OK. | 0:32:02 | 0:32:06 | |
-Wow, where to begin... this story. -(CHUCKLES) | 0:32:06 | 0:32:10 | |
Well... um, wow. Mm, yeah. | 0:32:10 | 0:32:15 | |
OK, well, um, Andrew and I... | 0:32:15 | 0:32:20 | |
Andrew and I were about to celebrate our first anniversary together, | 0:32:20 | 0:32:25 | |
and I knew he'd been itching to ask me to marry him and he was scared. | 0:32:25 | 0:32:29 | |
Like a little tiny bird. So, I started leaving him little hints | 0:32:29 | 0:32:33 | |
because I knew he wouldn't have the guts to ask, but - | 0:32:33 | 0:32:36 | |
-That's not exactly how it happened. -No? -No. -Hm. | 0:32:36 | 0:32:40 | |
No. I mean, I picked up on all her little hints. | 0:32:40 | 0:32:43 | |
-This woman's about as subtle as a gun. -(ALL LAUGH) | 0:32:43 | 0:32:46 | |
What I was worried about was that she might find this little box - | 0:32:46 | 0:32:50 | |
Oh, the decoupage box that he made, | 0:32:50 | 0:32:53 | |
where he'd taken the time to cut out tiny little pictures of himself. Yes. | 0:32:53 | 0:32:58 | |
Just pasted all over the box. Oh! So beautiful. | 0:32:58 | 0:33:02 | |
So I opened that beautiful little decoupage | 0:33:02 | 0:33:04 | |
and out fluttered these tiny, little handcut heart confettis, | 0:33:04 | 0:33:08 | |
and once they cleared, I looked down, and I saw the most beautiful, big - | 0:33:08 | 0:33:14 | |
-Fat nothing. -(ALL) Oh. -No ring. | 0:33:14 | 0:33:17 | |
-No ring? -What? -No. | 0:33:17 | 0:33:20 | |
But inside that box, underneath all that crap, | 0:33:20 | 0:33:23 | |
there was a little handwritten note with the address to a hotel, | 0:33:23 | 0:33:27 | |
date, and time. Real Humphrey Bogart-type stuff. | 0:33:27 | 0:33:30 | |
-(MAN) Yeah! -Masculine. | 0:33:30 | 0:33:33 | |
-(GRUNTS) -Anyway, naturally, Margaret - | 0:33:33 | 0:33:36 | |
I thought he was seeing someone else. It was a terrible time for me, | 0:33:36 | 0:33:39 | |
but I went to that hotel anyway. | 0:33:39 | 0:33:41 | |
I went there and I pounded on the door, | 0:33:41 | 0:33:43 | |
but the door was already unlocked. And as swung open that door,... | 0:33:43 | 0:33:48 | |
-..there he was,... -Standing. -..kneeling. | 0:33:48 | 0:33:50 | |
-Like a man. -On a bed of rose petals, in a tuxedo. Your son. | 0:33:50 | 0:33:54 | |
Your son. And he was choking back soft, soft sobs. | 0:33:54 | 0:33:59 | |
And when he held back the tears and finally caught his breath, he said - | 0:33:59 | 0:34:03 | |
"Will you marry me?" And she said, "Yep." The end. Who's hungry? | 0:34:03 | 0:34:06 | |
(CROWD COOING) | 0:34:06 | 0:34:08 | |
That is quite a story. | 0:34:10 | 0:34:12 | |
-(GAMMY) Oh, Andy! -Gorgeous. -You are so sensitive. | 0:34:12 | 0:34:16 | |
-Handcut confetti? (LAUGHS) -Hey! Lets see a kiss | 0:34:16 | 0:34:22 | |
-from you two cuties. -(MAN) Give her a kiss! -No. Come on. | 0:34:22 | 0:34:25 | |
-Oh, yeah. -(GLASSES CLINKING) -Come on! | 0:34:25 | 0:34:27 | |
OK, all right. OK. Here we go. Ready? | 0:34:27 | 0:34:30 | |
-Mwah! -(LAUGHTER) What is this? Kiss her on the mouth like you mean it! | 0:34:30 | 0:34:35 | |
-(WOMAN) Kiss, kiss, kiss! -(CHANTS) Kiss her, kiss her! | 0:34:35 | 0:34:39 | |
(ALL CHANT) Kiss her! Kiss her! Kiss her! | 0:34:39 | 0:34:41 | |
-Kiss her! Kiss her! -OK! OK. | 0:34:41 | 0:34:45 | |
-OK, all right. Here we go. -OK. OK. Just... | 0:34:46 | 0:34:49 | |
-(BOTH) Mwah! -Oh! -Yes! | 0:34:49 | 0:34:52 | |
Andy! Give her a real kiss! | 0:34:52 | 0:34:55 | |
-(CHUCKLES) Gammy. -A real one! | 0:34:55 | 0:34:58 | |
-(WOMAN) You can do it. -(Why don't we just do it really fast?) | 0:34:58 | 0:35:01 | |
-OK. -(BOTH) Mmmm. | 0:35:01 | 0:35:04 | |
(APPLAUSE) | 0:35:04 | 0:35:07 | |
-(MUFFLED) OK. -Mm. -Hmm. | 0:35:07 | 0:35:09 | |
Hm. | 0:35:17 | 0:35:20 | |
I'm so happy for you two! | 0:35:20 | 0:35:22 | |
-So happy! So happy! -(WOMAN) Let's get the champagne! | 0:35:22 | 0:35:28 | |
So, here we are. | 0:35:28 | 0:35:30 | |
-This is your bedroom. -Wow. | 0:35:32 | 0:35:35 | |
Wow, this is, um,... beautiful. A-And the view. | 0:35:37 | 0:35:41 | |
-And here's the bed. -Hm? Wow! Exquisite bed. Exquisite. | 0:35:41 | 0:35:45 | |
So, uh, where is, um, Andrew's room? | 0:35:45 | 0:35:48 | |
Oh, we're not under any illusions | 0:35:48 | 0:35:50 | |
that you two don't sleep in the same bed. | 0:35:50 | 0:35:53 | |
-(LAUGHS) -He'll sleep in here with you. | 0:35:53 | 0:35:55 | |
-Great, cos we love to snuggle, don't we, honey? -We're huge snugglers. | 0:35:55 | 0:35:59 | |
(DOG BARKS) Oh, my God. What is it? | 0:35:59 | 0:36:01 | |
-Whoa! -Calm down, Kevin. -Whoa! You are cute. | 0:36:01 | 0:36:05 | |
-Oh! -Who is this? -That's Kevin. I'm sorry, Margaret. -So cute. | 0:36:05 | 0:36:10 | |
We just rescued him from the pound, and he's still in training. Sorry. | 0:36:10 | 0:36:14 | |
Just be sure you don't let him outside, | 0:36:14 | 0:36:16 | |
-or the eagles will snatch him. -No, don't you listen to her. | 0:36:16 | 0:36:20 | |
-She's just pulling your leg, isn't she? -There are extra towels | 0:36:20 | 0:36:24 | |
-and linens and things in here if you need them. -And if you get chilly, | 0:36:24 | 0:36:27 | |
use this. It has special powers. | 0:36:27 | 0:36:31 | |
Oh, what kind of... What kind of special powers? | 0:36:31 | 0:36:34 | |
-I call it the Baby Maker. -OK, well. Then I guess we... | 0:36:34 | 0:36:37 | |
..gonna be super careful with that one. Don't throw it on the bed. | 0:36:37 | 0:36:41 | |
We'd better turn in. It's been quite an evening. Good night, everybody. | 0:36:41 | 0:36:44 | |
-Good night. -Sleep well. -Good night. -OK, good night, Gammy. | 0:36:44 | 0:36:49 | |
-(CHUCKLES) Good night. -Good night. | 0:36:49 | 0:36:52 | |
-Good night. -Good night, Gammy. Thank you so much. | 0:36:54 | 0:36:57 | |
-Sweet dreams. -Bye-bye, now. -Bye. | 0:36:57 | 0:36:59 | |
(DOOR CLOSING) | 0:36:59 | 0:37:02 | |
So, uh, you haven't been home in a while. | 0:37:02 | 0:37:05 | |
I haven't had a lot of vacation time the last three years. | 0:37:05 | 0:37:08 | |
Stop complaining. | 0:37:08 | 0:37:10 | |
Um,... don't look, OK? | 0:37:13 | 0:37:16 | |
OK. | 0:37:16 | 0:37:18 | |
-Are your... Are your eyes closed? -Completely. | 0:37:19 | 0:37:22 | |
-Are you sure? -Yes, I'm sure. | 0:37:22 | 0:37:25 | |
Those are the pyjamas you decided to bring to Alaska? | 0:37:33 | 0:37:37 | |
Uh, yes, because I was supposed to be in a hotel alone. | 0:37:37 | 0:37:40 | |
-Remember? -Can we just go to sleep? -Fine. | 0:37:40 | 0:37:44 | |
Great. | 0:37:44 | 0:37:46 | |
(EXHALES) | 0:37:47 | 0:37:49 | |
(EXHALES / CLEARS THROAT) | 0:37:53 | 0:37:55 | |
(SIGHS) Well... (CLEARS THROAT) | 0:38:12 | 0:38:14 | |
Looks like I won't be getting much sleep with the sun streaming in. | 0:38:15 | 0:38:19 | |
Thank you. | 0:38:25 | 0:38:27 | |
(PHONE RINGING) | 0:38:41 | 0:38:43 | |
(Andrew! Phone!) | 0:38:47 | 0:38:50 | |
(Andrew!) | 0:38:50 | 0:38:52 | |
(Crap. Andrew, Andrew, phone.) | 0:38:52 | 0:38:55 | |
-Andrew! -Yeah, right. | 0:38:55 | 0:38:58 | |
-(Andrew, where is it?) -Purse, side pocket. | 0:39:02 | 0:39:04 | |
(PHONE CONTINUES RINGING) (THUMPING) | 0:39:04 | 0:39:07 | |
(PANTS) | 0:39:07 | 0:39:09 | |
Hello. Hello? Hello? | 0:39:09 | 0:39:12 | |
Frank! Frank, darling. Darling, Frank. | 0:39:13 | 0:39:16 | |
Are you there? Hello? Hello? Oh, crap. | 0:39:16 | 0:39:18 | |
I have horrible service, Frank. Give me just one minute. | 0:39:18 | 0:39:21 | |
-Oh, my God! Margaret! -(One... One minute.) | 0:39:21 | 0:39:24 | |
Frank, hold on just a second. Frank, hold on. No, no, no, no. | 0:39:24 | 0:39:28 | |
Frank. Frank, I'm sorry you feel I pressured you into doing Oprah, | 0:39:28 | 0:39:32 | |
but... Of course I want you to be happy. Yes, yes. | 0:39:32 | 0:39:36 | |
Frank. Frank. Frank, darling. Frank? It's going to be fine. | 0:39:36 | 0:39:42 | |
I can just call them and I can cancel. | 0:39:42 | 0:39:44 | |
You are so right, Frank. Yes, of course I am listening to you. | 0:39:48 | 0:39:53 | |
-Yes. I love listening to you, Frank. -(BARKS) | 0:39:53 | 0:39:57 | |
Ssh! Sit! Sit! | 0:39:57 | 0:40:00 | |
No. Not you, Frank. No, no... | 0:40:00 | 0:40:03 | |
-(YAPS) -Frank, if I may get down to it, | 0:40:03 | 0:40:05 | |
I think it would be a mistake to back out. | 0:40:05 | 0:40:09 | |
Because for so many years, you have - (BIRD CRIES) | 0:40:09 | 0:40:12 | |
..inspired me with your beautiful words... | 0:40:12 | 0:40:15 | |
(DOG BARKS) Dog, I'm on the phone! It's time that the world | 0:40:15 | 0:40:19 | |
got to enjoy them, as well. They are just so rich with... | 0:40:19 | 0:40:22 | |
passion, that I think we should all be privy to, and... | 0:40:22 | 0:40:27 | |
Frank, I just, er... I just want you to be happy! | 0:40:27 | 0:40:30 | |
Gimme that dog! And I need you to hold on just a second! | 0:40:30 | 0:40:34 | |
Just a second! Gimme that dog! | 0:40:34 | 0:40:37 | |
Come on! Come on, come on, come on! | 0:40:37 | 0:40:40 | |
Oh! Oh, oh! OK, OK! | 0:40:40 | 0:40:44 | |
Right, Frank. Right. So sorry! So sorry, so sorry! | 0:40:44 | 0:40:48 | |
I dropped the phone. Frank, I don't want to sell you on anything, | 0:40:48 | 0:40:52 | |
but this is your legacy, and it's up to you to present it to the world. | 0:40:52 | 0:40:57 | |
And... And... call me tomorrow with your decision, | 0:40:57 | 0:41:00 | |
and my phone is on all the time! (GASPS) Wait! | 0:41:00 | 0:41:03 | |
No! No! No, no, no... | 0:41:03 | 0:41:05 | |
Take the doggie. I need the phone. Take the dog! | 0:41:05 | 0:41:09 | |
Take the dog! I need that phone! | 0:41:09 | 0:41:11 | |
Take the dog! Take it! | 0:41:11 | 0:41:14 | |
-(BOTH LAUGH) -Is that cute, or what? | 0:41:14 | 0:41:18 | |
I know! | 0:41:18 | 0:41:20 | |
Morning, guys. Have you seen... Er... | 0:41:20 | 0:41:23 | |
She's playing with Kevin. We thought she didn't like him. | 0:41:23 | 0:41:27 | |
Go get her, Andy. We have a whole day planned for her, | 0:41:27 | 0:41:30 | |
-and she needs to get ready. -Tell her we have a big surprise for her. | 0:41:30 | 0:41:34 | |
Hmm... | 0:41:34 | 0:41:36 | |
Look! Give me my phone! Please just give me my phone! | 0:41:38 | 0:41:41 | |
-Come on! -What the hell are you doing? | 0:41:41 | 0:41:44 | |
My God, your grandmother was right. The eagle tried to take the dog. | 0:41:44 | 0:41:48 | |
I saved him, and then it came back and took my phone! | 0:41:48 | 0:41:52 | |
-Are you drunk? -I'm serious! Frank's calling me on that phone. | 0:41:52 | 0:41:56 | |
Relax, all right? We'll order another phone, | 0:41:56 | 0:41:59 | |
-same number, and get it tomorrow. -Really? -Yeah. | 0:41:59 | 0:42:02 | |
Oh, OK. | 0:42:02 | 0:42:04 | |
-All right. Well, you can go, then. -You have to get ready. | 0:42:04 | 0:42:07 | |
-You're going out with Mom and the girls. -I don't wanna go out. | 0:42:07 | 0:42:11 | |
-Shopping, sightseeing, and a surprise. -I hate shopping. | 0:42:11 | 0:42:15 | |
-You're going. -I'm not going. -Yes, you are. | 0:42:15 | 0:42:18 | |
Give me a hug. They'll think we're fighting. | 0:42:18 | 0:42:20 | |
-I don't wanna touch you. -Hug time. -I don't wanna! Andrew! | 0:42:20 | 0:42:23 | |
Oh, there we go! Yeah, that's nice. | 0:42:23 | 0:42:27 | |
Yeah. That's nice. | 0:42:28 | 0:42:31 | |
-There we go! Isn't that nice? -Mm-hm. | 0:42:31 | 0:42:35 | |
-Boop-boop-boop! -If you touch my ass one more time, | 0:42:35 | 0:42:38 | |
-I will cut your balls off in your sleep. OK? -Yeah. | 0:42:38 | 0:42:42 | |
-There you go. So, are we clear on that? -Yeah. | 0:42:42 | 0:42:45 | |
-Yeah. You're such a good fiance. -Yeah. | 0:42:45 | 0:42:49 | |
-(HITS BALL) Jeez... -You wanted to see me? | 0:43:01 | 0:43:04 | |
Your mom found these eco balls. They dissolve in water. | 0:43:04 | 0:43:09 | |
I dunno how she comes up with this stuff. | 0:43:11 | 0:43:14 | |
Anyway, she, er,... is a little peeved. | 0:43:14 | 0:43:17 | |
Apparently I wasn't the most gracious of hosts last night. | 0:43:17 | 0:43:21 | |
It was a little bit of a shock to find out you're getting married, | 0:43:21 | 0:43:25 | |
especially when none of us even knew you were dating. | 0:43:25 | 0:43:29 | |
The point is,... I owe you an apology. | 0:43:29 | 0:43:32 | |
Accepted. | 0:43:32 | 0:43:35 | |
And there's something else. | 0:43:35 | 0:43:37 | |
I've been going over my retirement plans recently. | 0:43:37 | 0:43:42 | |
It got me thinking. | 0:43:42 | 0:43:44 | |
I've done a lot of things in my life, | 0:43:44 | 0:43:47 | |
practically built an empire from the ground up... | 0:43:47 | 0:43:50 | |
-Doesn't mean anything - -Without someone to leave it to. | 0:43:50 | 0:43:53 | |
-We already discussed this. -I'd like to discuss it again. | 0:43:53 | 0:43:56 | |
You have responsibilities here. | 0:43:56 | 0:43:59 | |
I've been more than understanding about you goofing off in New York. | 0:43:59 | 0:44:04 | |
-I need you to quit playing around - -What I do is serious. | 0:44:04 | 0:44:08 | |
-You don't act seriously. -I'm sorry. | 0:44:08 | 0:44:11 | |
I feel sorry for you, Dad. I wish you had another son. I really do. | 0:44:12 | 0:44:17 | |
One who wanted to take over the family business, | 0:44:17 | 0:44:20 | |
marry somebody you approve of, but it's not me. | 0:44:20 | 0:44:24 | |
It must seem strange to you, my life, sitting in an office, | 0:44:24 | 0:44:27 | |
reading books. But it makes me happy. | 0:44:27 | 0:44:30 | |
Understand? | 0:44:30 | 0:44:33 | |
If that's what makes you happy, son, I got nothing to say. | 0:44:35 | 0:44:39 | |
Well, that's a first. You know what? Apology not accepted. | 0:44:39 | 0:44:43 | |
Have fun out here. | 0:44:43 | 0:44:45 | |
(ALL CHATTER AND LAUGH) | 0:44:57 | 0:45:00 | |
I hope you are ready for your big surprise, | 0:45:04 | 0:45:07 | |
because this is one of Sitka's greatest treasures. | 0:45:07 | 0:45:10 | |
-Oh, yeah. -Oh, yeah. | 0:45:10 | 0:45:12 | |
OK, this is the big surprise I was telling you about! | 0:45:12 | 0:45:16 | |
-You ready? -(PULSATING INTRO TO "RELAX" - FRANKIE GOES TO HOLLYWOOD) | 0:45:16 | 0:45:20 | |
-Oh, Margaret, you are gonna love it! -(CHEERING) | 0:45:20 | 0:45:23 | |
# When you wanna come... | 0:45:29 | 0:45:32 | |
(ALL CHEER AND SCREAM) | 0:45:32 | 0:45:34 | |
# Relax, don't do it, when you wanna go to it | 0:45:34 | 0:45:38 | |
# Relax, don't do it | 0:45:38 | 0:45:40 | |
# When you wanna come | 0:45:40 | 0:45:42 | |
# Relax, don't do it, when you wanna suck to it | 0:45:42 | 0:45:46 | |
# Relax, don't do it | 0:45:46 | 0:45:49 | |
# When you wanna come | 0:45:49 | 0:45:52 | |
-He's the only exotic dancer on the island. -We're lucky to have him! | 0:45:52 | 0:45:57 | |
# Relax, don't do it | 0:45:58 | 0:46:00 | |
# When you wanna go to it | 0:46:00 | 0:46:02 | |
# Relax, don't do it, when you wanna come | 0:46:02 | 0:46:04 | |
Work it, Ramone! | 0:46:04 | 0:46:07 | |
-Wow! -Over here, Ramone! | 0:46:07 | 0:46:10 | |
Over here, honey! | 0:46:10 | 0:46:13 | |
Show her what she's gonna be missing! | 0:46:13 | 0:46:16 | |
-Come, my sexy princess. -Oh, not necessary. | 0:46:16 | 0:46:19 | |
It's a really nice gesture, but I really need to... | 0:46:19 | 0:46:23 | |
OK. Pluck my eyes out. OK. | 0:46:23 | 0:46:26 | |
OK. Here we go. (ALL CHEER) | 0:46:26 | 0:46:29 | |
(PULSATING MUSIC CONTINUES) | 0:46:29 | 0:46:32 | |
(ALL CHEER AND WHISTLE) | 0:46:32 | 0:46:35 | |
Give it to her, Ramone! | 0:46:35 | 0:46:37 | |
Give it to her! | 0:46:42 | 0:46:46 | |
(ALL SCREAM) | 0:46:51 | 0:46:54 | |
# Relax, don't do it, when you wanna... # | 0:46:54 | 0:46:56 | |
That's a move I haven't seen! | 0:46:56 | 0:46:59 | |
-Look at her face! -(ALL LAUGH) | 0:46:59 | 0:47:03 | |
I don't wanna touch you. | 0:47:12 | 0:47:15 | |
Oh, OK. Thanks. Very sweet. | 0:47:15 | 0:47:18 | |
No, no, no... (POUNDING MUSIC CONTINUES) | 0:47:18 | 0:47:21 | |
-Smack him! -What? -Smack his ass! | 0:47:21 | 0:47:25 | |
Smack him? Oh, OK. Um... | 0:47:25 | 0:47:29 | |
-Smack him, Margaret! -Give it to him! | 0:47:29 | 0:47:32 | |
Can I get down now? | 0:47:35 | 0:47:37 | |
# Relax, don't do it, when you wanna... | 0:47:37 | 0:47:41 | |
(CHEERING) (POUNDING MUSIC) | 0:47:41 | 0:47:44 | |
Free! Be free... | 0:47:47 | 0:47:50 | |
Hey, there you are! How you holding up? | 0:47:57 | 0:48:00 | |
Oh, fine, fine. Just working on my tan. | 0:48:00 | 0:48:03 | |
Uh-huh. The Paxtons can be a bit overwhelming at times. | 0:48:03 | 0:48:07 | |
Yes. Yes. | 0:48:07 | 0:48:09 | |
-It's a little different than New York, huh? -A little bit. | 0:48:09 | 0:48:12 | |
-You ever been? -No. -No? | 0:48:12 | 0:48:15 | |
-That was Andy's dream, not mine. -You guys were pretty serious, huh? | 0:48:15 | 0:48:19 | |
Well, we dated in high school and all through college, | 0:48:19 | 0:48:23 | |
but we were kids. | 0:48:23 | 0:48:25 | |
And you guys called it off because of... | 0:48:26 | 0:48:29 | |
Well, um,... | 0:48:29 | 0:48:32 | |
..the night before we graduated school, | 0:48:33 | 0:48:36 | |
he proposed, and said he wanted to elope | 0:48:36 | 0:48:39 | |
and run away to New York with me. | 0:48:39 | 0:48:42 | |
-And... -You said no. | 0:48:42 | 0:48:45 | |
And I said no. | 0:48:45 | 0:48:47 | |
Yeah. I've never been anywhere but here. | 0:48:47 | 0:48:50 | |
This is home. | 0:48:50 | 0:48:52 | |
But, anyway, you're a lucky girl. He really is the best. | 0:48:52 | 0:48:59 | |
Which you obviously already know. | 0:48:59 | 0:49:01 | |
Oh, yep. Yep. Very much so. Yeah. | 0:49:01 | 0:49:05 | |
Well,... cheers to you guys. | 0:49:06 | 0:49:10 | |
Oh. Thank you. | 0:49:11 | 0:49:13 | |
(MUSIC POUNDS) (ALL CHATTER AND LAUGH) | 0:49:16 | 0:49:19 | |
Looks like Ramone's wrapping it up! | 0:49:19 | 0:49:22 | |
-Go, Annie! -Whoo! | 0:49:22 | 0:49:25 | |
-I've never seen him so... -No, he really got down. | 0:49:26 | 0:49:30 | |
-(BOTH LAUGH) -He was wonderful. | 0:49:30 | 0:49:34 | |
Oh, no! | 0:49:34 | 0:49:36 | |
-(ROCK MUSIC BLARES OVER HEADPHONES) -Andrew! | 0:49:38 | 0:49:43 | |
Andrew, honey, is everything OK? | 0:49:43 | 0:49:48 | |
-Wh-... What's he doing? -Er, something's up. | 0:49:48 | 0:49:51 | |
It's best to leave him alone. Come on, honey. | 0:49:51 | 0:49:55 | |
(MUSIC CONTINUES TO BLARE) | 0:49:55 | 0:49:58 | |
-"(COMMENTARY)" -Hey, what are you doing? | 0:49:58 | 0:50:01 | |
-I'm watching that. -Why is Andrew out there | 0:50:01 | 0:50:04 | |
hollowing out that old stupid canoe again? | 0:50:04 | 0:50:07 | |
-Maybe he's planning to escape. Why? -Er, I'm so tired. | 0:50:07 | 0:50:11 | |
I think I'm gonna take a shower, wash off Ramone's coconut body oil. | 0:50:11 | 0:50:15 | |
-Sure. -I had a great day today. Thank you. | 0:50:15 | 0:50:18 | |
-What did you do? -I didn't do anything. | 0:50:20 | 0:50:23 | |
I mean, I just had a frank conversation with him | 0:50:23 | 0:50:27 | |
-about his future. -Oh, that's a good idea(!) | 0:50:27 | 0:50:30 | |
That's a good idea, because he will never come back home now. | 0:50:30 | 0:50:34 | |
He's my son. I only get to see him every three years because of you! | 0:50:34 | 0:50:38 | |
-Because of you! I've had enough. -(BARKS) | 0:50:38 | 0:50:42 | |
-You are gonna be supportive of him marrying Margaret... -Ssh! | 0:50:42 | 0:50:45 | |
-(CONTINUES TO BARK) -If we're not careful, | 0:50:45 | 0:50:48 | |
we are gonna end up in this great big house, just you and me, | 0:50:48 | 0:50:52 | |
alone, and everything we're angry about, | 0:50:52 | 0:50:55 | |
and God forbid that they should have a grandchild we never get to see. | 0:50:55 | 0:51:00 | |
You are gonna fix this, Joe! I mean it. Fix it now! | 0:51:00 | 0:51:04 | |
# Relax, don't do it, when you wanna go to it | 0:51:08 | 0:51:11 | |
# Relax... Oh, where's a towel? | 0:51:11 | 0:51:15 | |
(ROCK MUSIC BLARES OVER HEADPHONES) | 0:51:18 | 0:51:21 | |
Towel... | 0:51:21 | 0:51:23 | |
Towel, towel, towel... | 0:51:25 | 0:51:27 | |
This is what they have for a towel?! Ridiculous. I can't get dry! | 0:51:27 | 0:51:32 | |
Hello? (MUSIC CONTINUES TO BLARE) | 0:51:34 | 0:51:37 | |
Hello? | 0:51:37 | 0:51:40 | |
Oh! | 0:51:44 | 0:51:46 | |
That's OK... (DOG BARKS) | 0:51:46 | 0:51:49 | |
Oh, no, no, no. Just... I'm sorry. Let me just get a towel. | 0:51:49 | 0:51:54 | |
-Just get a towel. -(BARKS) -Oh! | 0:51:54 | 0:51:56 | |
Look, you need to... I'm sorry, OK? | 0:51:56 | 0:51:59 | |
I'm sorry for feeding you to the eagle. | 0:51:59 | 0:52:02 | |
(DOG CONTINUES TO BARK) | 0:52:02 | 0:52:04 | |
-Go away. -(BARKS) | 0:52:06 | 0:52:08 | |
Just let me get a towel. Go! | 0:52:08 | 0:52:11 | |
(HAIRDRYER ROARS) | 0:52:15 | 0:52:18 | |
Ah! Huh? | 0:52:18 | 0:52:20 | |
-(WHIMPERS) -How you like that? Huh? | 0:52:20 | 0:52:23 | |
Take it. Take it. That's what I'm talking about. | 0:52:23 | 0:52:26 | |
You like that? | 0:52:26 | 0:52:30 | |
Oh... You like it. | 0:52:30 | 0:52:32 | |
-Come here. Come to Momma. -(BARKS) | 0:52:37 | 0:52:40 | |
That's right. Get on the carpet. That's a good boy! | 0:52:40 | 0:52:44 | |
Yes! That's a good boy! | 0:52:44 | 0:52:47 | |
-Come on! Come on! -(BARKS) | 0:52:47 | 0:52:50 | |
-Oh! -What the... | 0:52:54 | 0:52:56 | |
-Oh! -Oh, my God! | 0:52:58 | 0:53:00 | |
-Why are you naked? -Why are you wet? -Don't look at me! | 0:53:00 | 0:53:04 | |
-I don't understand! Why are you wet? -Don't... look at me! | 0:53:04 | 0:53:08 | |
Oh, you're showing everything! Cover it up, for the love of God! | 0:53:08 | 0:53:13 | |
Not the baby-maker... Explain yourself, please! | 0:53:15 | 0:53:18 | |
-Explain myself? -Yes. -I was outside! | 0:53:18 | 0:53:21 | |
-And you didn't hear me? -I was listening to... | 0:53:21 | 0:53:24 | |
What are you doing home? You jumped me out of nowhere! | 0:53:24 | 0:53:27 | |
I didn't mean to! Your dog was attacking me, | 0:53:27 | 0:53:30 | |
-and I had to run, and I ran into you! -What is it with you and this dog? | 0:53:30 | 0:53:35 | |
-Just... You know! Just... go! Go! -Fine. | 0:53:35 | 0:53:38 | |
-Go take a shower. You stink. -Nice tattoo, by the way. -What? | 0:53:38 | 0:53:41 | |
-(BARKS) -See? Exactly! You see that?! | 0:53:41 | 0:53:46 | |
Oh, barely made it out with my life there! | 0:53:46 | 0:53:48 | |
See the size of the teeth on that thing? | 0:53:48 | 0:53:51 | |
(CLEARS THROAT / RUSTLES SHEETS) | 0:54:00 | 0:54:03 | |
So,... | 0:54:05 | 0:54:07 | |
..so naked! | 0:54:09 | 0:54:11 | |
Can we, er, not talk about that, please? | 0:54:11 | 0:54:15 | |
Just sayin'. | 0:54:15 | 0:54:17 | |
So, er, what's the deal with you and your father? | 0:54:21 | 0:54:24 | |
Oh! I'm sorry. That question is not in the binder. | 0:54:24 | 0:54:28 | |
Really? I thought you said we needed to learn all this... | 0:54:28 | 0:54:32 | |
-Not about that. -But if the guy asks - | 0:54:32 | 0:54:35 | |
Not about that, Margaret! Good night. | 0:54:35 | 0:54:38 | |
(SIGHS) | 0:54:48 | 0:54:50 | |
-(CLEARS THROAT) -I like the Psychic Network. | 0:54:50 | 0:54:53 | |
-What? -Not in the "isn't it funny, she likes that trash" kind of way. | 0:54:55 | 0:54:59 | |
I actually quite enjoy it. | 0:54:59 | 0:55:02 | |
Um... | 0:55:02 | 0:55:03 | |
I took disco lessons in the sixth grade. | 0:55:06 | 0:55:09 | |
My first concert was Rob Base and DJ E-Z Rock. | 0:55:11 | 0:55:15 | |
I think Brian Dennehy is sexy. | 0:55:17 | 0:55:19 | |
Don't like flowers in the house cos they remind me of funerals. | 0:55:19 | 0:55:24 | |
Never played a video game. | 0:55:24 | 0:55:26 | |
I read Wuthering Heights every Christmas. | 0:55:26 | 0:55:29 | |
It's my favourite book. | 0:55:30 | 0:55:33 | |
Haven't... slept with a man in over a year now. | 0:55:35 | 0:55:39 | |
And I went to the bathroom and cried | 0:55:41 | 0:55:44 | |
after Bob called me a poisonous bitch. | 0:55:44 | 0:55:47 | |
And the, er, bird tattoo... They're swallows. | 0:55:48 | 0:55:52 | |
Got them when I was 16, after my parents died. | 0:55:54 | 0:55:59 | |
It was stupid. (CLEARS THROAT) | 0:56:01 | 0:56:04 | |
I'm sure there's many, many other things, | 0:56:04 | 0:56:06 | |
but that's all I can come up with right now. | 0:56:06 | 0:56:10 | |
Are you, er, there? | 0:56:15 | 0:56:18 | |
I'm here. | 0:56:19 | 0:56:21 | |
Just processing. | 0:56:23 | 0:56:26 | |
-You really haven't slept with anyone in 18 months? -Oh, my God! | 0:56:31 | 0:56:35 | |
-Out of all that, that's all you got? -That's a long time! | 0:56:35 | 0:56:38 | |
-Yeah, well, I've been a little busy. -Yeah... | 0:56:38 | 0:56:41 | |
-Who's, er,... Rob Base and DJ... -E-Z Rock? | 0:56:44 | 0:56:49 | |
-Yeah. -You know! | 0:56:49 | 0:56:52 | |
# It takes two to make a thing go right | 0:56:52 | 0:56:54 | |
# It takes two to make it out of sight... | 0:56:54 | 0:56:57 | |
-No? -Nn-nn. -They were good. | 0:56:57 | 0:56:59 | |
-(CHUCKLES) -What? | 0:57:02 | 0:57:04 | |
Nothing. | 0:57:04 | 0:57:07 | |
I know who they are. I just wanted to hear you sing it. | 0:57:07 | 0:57:10 | |
(LAUGHS) | 0:57:10 | 0:57:12 | |
(GRUNTS) | 0:57:14 | 0:57:16 | |
-Margaret? -Yes? | 0:57:18 | 0:57:21 | |
Don't take this the wrong way. | 0:57:22 | 0:57:25 | |
OK. | 0:57:26 | 0:57:28 | |
You are a very,... | 0:57:29 | 0:57:31 | |
very beautiful woman. | 0:57:31 | 0:57:34 | |
# I'm gonna rock right now | 0:57:38 | 0:57:40 | |
# I'm Rob Base and I came to get down | 0:57:40 | 0:57:43 | |
(BOTH) # I'm not internationally known | 0:57:43 | 0:57:45 | |
# But I'm known to rock the microphone | 0:57:45 | 0:57:47 | |
-(PIERCINGLY) -# It takes two to make a thing go right | 0:57:47 | 0:57:51 | |
-(LAUGHS) -# It takes two to make it out of sight | 0:57:51 | 0:57:55 | |
-# Dah-dah-dah -# It takes two to make a thing go right | 0:57:55 | 0:57:58 | |
Feel it deep, feel it low. | 0:57:58 | 0:58:01 | |
# It takes two... God, I can't sing that high! | 0:58:01 | 0:58:04 | |
(BOTH LAUGH) | 0:58:04 | 0:58:07 | |
(GASPS) Where am I? | 0:58:27 | 0:58:30 | |
What time is it? "(BEEPING)" What time is it? | 0:58:30 | 0:58:33 | |
(AUTOMATIC BLINDS WHOOSH) Ooh! Ssh, ssh... | 0:58:33 | 0:58:36 | |
Ssh-ssh-ssh-ssh-ssh! (WHOOSHING STOPS) | 0:58:36 | 0:58:38 | |
Oh, God! | 0:58:50 | 0:58:52 | |
-(KNOCK AT DOOR) -Room service! Breakfast for the happy couple! | 0:59:11 | 0:59:16 | |
-(Andrew! Andrew!) -(GRUNTS) | 0:59:16 | 0:59:18 | |
(Andrew!) | 0:59:18 | 0:59:20 | |
(Your mother's at the door! Get up!) | 0:59:20 | 0:59:22 | |
(Up here.) Just a second! | 0:59:22 | 0:59:26 | |
-Not the baby blanket! -All right... -Not the baby blanket. Get it off! | 0:59:29 | 0:59:33 | |
-Not the baby... All right. -Wait a second. Hold on. | 0:59:33 | 0:59:36 | |
-What? -Are you wearing makeup? -No, of course not! | 0:59:36 | 0:59:40 | |
-What do I do? -Just spoon me. Spoon. | 0:59:40 | 0:59:42 | |
-Oh, my God, what is that? -I'm sorry! It's morning! | 0:59:42 | 0:59:46 | |
-What do you mean, it's morning? -Are you OK? | 0:59:46 | 0:59:49 | |
Come in! One second. Everything's fine! | 0:59:49 | 0:59:52 | |
Disgusting... Ow! You're on my hair. OK, just... | 0:59:52 | 0:59:56 | |
-Oh, wow! -Ooh, smells good! | 1:00:02 | 1:00:04 | |
-Cinnamon rolls! -You shouldn't have gone to that trouble. | 1:00:04 | 1:00:08 | |
Oh, you're family now. It's no trouble. | 1:00:08 | 1:00:11 | |
Hey! Room for one more? | 1:00:11 | 1:00:13 | |
Wow. Could we not do the Brady family meeting right now? | 1:00:13 | 1:00:17 | |
We just got up. | 1:00:17 | 1:00:19 | |
Your mother and I have a proposition, | 1:00:19 | 1:00:22 | |
and I think it's a terrific idea... | 1:00:22 | 1:00:25 | |
We want you to get married here tomorrow. | 1:00:25 | 1:00:28 | |
-What? What... -You're gonna get married anyway, | 1:00:29 | 1:00:33 | |
so why don't you get married here, where we can be all together, | 1:00:33 | 1:00:37 | |
and that way Grandma Annie can be a part of it. | 1:00:37 | 1:00:40 | |
-Oh... -No. -No. | 1:00:40 | 1:00:43 | |
It's Gammy's big birthday tomorrow night. | 1:00:43 | 1:00:46 | |
-Big day for her. -We don't wanna ruin it. | 1:00:46 | 1:00:49 | |
I've had 89 birthday parties. I don't need another one! | 1:00:49 | 1:00:53 | |
-Oh, Gammy... -It would be a dream come true | 1:00:53 | 1:00:56 | |
for me to see my one grandchild's wedding. | 1:00:56 | 1:00:58 | |
A dream come true! So you'll do it? | 1:00:58 | 1:01:02 | |
Nn-nn... | 1:01:02 | 1:01:04 | |
-Before I'm dead? -(BOTH) OK! -OK, fine! | 1:01:04 | 1:01:07 | |
-(BOTH LAUGH) -Yes! | 1:01:07 | 1:01:09 | |
We will do everything. You can get married like we did, in the barn! | 1:01:09 | 1:01:14 | |
-It's a Paxton family tradition! -Oh, wow! | 1:01:14 | 1:01:17 | |
-Yup! -Wow! | 1:01:17 | 1:01:20 | |
-Oh, I've always wanted to get married in a,... in a barn! -I have. | 1:01:20 | 1:01:24 | |
It's a sign! A sign from the universe | 1:01:24 | 1:01:28 | |
that you're meant to be together. We must give thanks, I tell you. | 1:01:28 | 1:01:32 | |
Come, come. We must give thanks. | 1:01:32 | 1:01:35 | |
OK. I know I should leave you alone now. | 1:01:35 | 1:01:38 | |
-But we're just so excited! -(BOTH LAUGH) | 1:01:38 | 1:01:41 | |
-It's the greatest! -Really excited! | 1:01:41 | 1:01:44 | |
Go! Go! | 1:01:44 | 1:01:46 | |
Go... | 1:01:46 | 1:01:48 | |
Oh, my God. | 1:01:52 | 1:01:54 | |
When my mom finds out that this whole thing is a sham, | 1:01:54 | 1:01:57 | |
she's gonna be crushed, and my grandmother's gonna die. | 1:01:57 | 1:02:00 | |
-She won't find out. -My father! What's with the wedding thing? | 1:02:00 | 1:02:04 | |
-Where did that come from? -She got him worked up into it. | 1:02:04 | 1:02:08 | |
-She's not gonna find out. -Oh, God! Margaret! | 1:02:08 | 1:02:10 | |
They're not gonna find out, OK? Just relax. It's gonna be OK. | 1:02:10 | 1:02:15 | |
It's not like we're gonna be married forever. | 1:02:15 | 1:02:18 | |
We'll be happily divorced before we know it. It'll be fine. | 1:02:18 | 1:02:21 | |
It'll be fine. | 1:02:21 | 1:02:24 | |
OK? | 1:02:24 | 1:02:25 | |
Yeah. | 1:02:25 | 1:02:28 | |
-I'll get us some coffee. -Yeah. | 1:02:31 | 1:02:33 | |
So, would you like a cinnamon soy latte? | 1:02:33 | 1:02:38 | |
(LAUGHS) | 1:02:38 | 1:02:39 | |
You're right. We'll get a quickie divorce. We'll be fine. | 1:02:43 | 1:02:47 | |
-It's gonna be fine. -Everything is going to be great. | 1:02:47 | 1:02:50 | |
This little missus will learn to cook, | 1:02:50 | 1:02:53 | |
so she can take care of her husband. Don't want him leaving me | 1:02:53 | 1:02:57 | |
-for another woman. -Haven't left you yet, Margaret. | 1:02:57 | 1:03:00 | |
I got it. Let go. | 1:03:00 | 1:03:03 | |
-You all right? -Yeah! Um... | 1:03:05 | 1:03:07 | |
-You know what? I'm gonna go. -Where? | 1:03:07 | 1:03:10 | |
I just kinda feel like going outside. | 1:03:10 | 1:03:13 | |
-All right. Um, that's the bathroom. -Oh, yeah. I know. | 1:03:13 | 1:03:17 | |
-I'm gonna go to the bathroom, then I'm gonna go outside. -All right. | 1:03:17 | 1:03:21 | |
Whoo! All right. | 1:03:21 | 1:03:24 | |
OK. You just... You just have to focus, Margaret. | 1:03:34 | 1:03:38 | |
Just focus. This is a business deal. This is just a business deal. | 1:03:38 | 1:03:42 | |
Everything's gonna be just fine. | 1:03:42 | 1:03:45 | |
OK, this is a little rough... I can do this... | 1:03:47 | 1:03:51 | |
(BIKE RATTLES) Oh, my God! God, I hate nature! | 1:03:51 | 1:03:55 | |
I hate it! Not stopping... | 1:03:55 | 1:03:58 | |
Oh, why are you not stopping?! | 1:03:58 | 1:04:02 | |
Stop, stop, stop! Stop! | 1:04:02 | 1:04:04 | |
(GASPS) | 1:04:04 | 1:04:06 | |
I just wanted... some air. | 1:04:06 | 1:04:10 | |
OK... | 1:04:10 | 1:04:12 | |
(LOW, SLOW DRUMBEAT) | 1:04:12 | 1:04:14 | |
What is that? (FLUTE MELODY) | 1:04:14 | 1:04:17 | |
What now? What is that? | 1:04:17 | 1:04:19 | |
(DRUMBEAT CONTINUES) What is that? | 1:04:19 | 1:04:22 | |
What is that...? | 1:04:22 | 1:04:24 | |
(MUSIC CONTINUES) (WOMAN CHANTS) | 1:04:32 | 1:04:36 | |
What is that? | 1:04:36 | 1:04:38 | |
(WOMAN CONTINUES TO CHANT IN NATIVE AMERICAN LANGUAGE) | 1:04:38 | 1:04:42 | |
(CONTINUES TO CHANT) | 1:04:48 | 1:04:51 | |
(CALLS OUT A SUMMONS) Come to me, Margaret of New York! | 1:04:51 | 1:04:56 | |
It is I, Grandma Annie! | 1:04:57 | 1:04:59 | |
-Oh! -I see you are a curious one. | 1:04:59 | 1:05:03 | |
Come. See how I give thanks to Mother Earth. | 1:05:03 | 1:05:06 | |
You know, I'm actually not that curious. I'll just... | 1:05:06 | 1:05:09 | |
Look around you. Mother Earth has provided all this, | 1:05:09 | 1:05:12 | |
just as she brought you and Andrew together to be joined. | 1:05:12 | 1:05:17 | |
-Oh! -We must give thanks, | 1:05:17 | 1:05:19 | |
and ask that your loins be abundantly fertile. | 1:05:19 | 1:05:22 | |
Come, dance with me in celebration! | 1:05:22 | 1:05:26 | |
You know, can I just thank her from here? | 1:05:26 | 1:05:29 | |
-I insist! -OK! OK, OK... | 1:05:29 | 1:05:32 | |
I will, er... I will come down and dance with you. | 1:05:32 | 1:05:36 | |
Follow and learn. | 1:05:37 | 1:05:40 | |
(CHANTS IN NATIVE AMERICAN LANGUAGE) | 1:05:40 | 1:05:44 | |
Come on, Margaret! Feel the rhythm of the drums! | 1:05:44 | 1:05:47 | |
-Now you! -Me, what? | 1:05:47 | 1:05:49 | |
-Chant! -Chant what? -Whatever comes to you! | 1:05:49 | 1:05:52 | |
-It is the way. -But I don't know any chants. | 1:05:52 | 1:05:55 | |
To the trees! Use your vowels. Eee! Ooo! | 1:05:55 | 1:05:59 | |
-Ooo, eee... -Yes! Chant! | 1:05:59 | 1:06:02 | |
Eee... The trees... | 1:06:02 | 1:06:04 | |
-To the universe! -The universe! Ah, yes. Universe! | 1:06:04 | 1:06:08 | |
(Oh, to the crazy... To the window, to the window!) | 1:06:08 | 1:06:12 | |
(To the wall, to the wall, to the sweat drip down my balls, | 1:06:12 | 1:06:15 | |
-(to all you bitches...) -Louder! | 1:06:15 | 1:06:18 | |
# To the window, to the window | 1:06:18 | 1:06:19 | |
# To the walls, to the walls | 1:06:19 | 1:06:21 | |
# To the sweat drip down my balls | 1:06:21 | 1:06:23 | |
# To all you bitches, crawl | 1:06:23 | 1:06:25 | |
# All skeet-skeet, mother | 1:06:25 | 1:06:26 | |
# All skeet-skeet, goddamn | 1:06:26 | 1:06:28 | |
# To the window, to the wall | 1:06:28 | 1:06:31 | |
# To the sweat drip down my balls | 1:06:31 | 1:06:34 | |
# To all you bitches, crawl | 1:06:34 | 1:06:36 | |
# All skeet-skeet, goddamn | 1:06:36 | 1:06:38 | |
# To the window, to the window | 1:06:38 | 1:06:41 | |
# To the wall, to the wall | 1:06:41 | 1:06:42 | |
# To the sweat drip down my, oh | 1:06:42 | 1:06:44 | |
# To all you bitches, crawl | 1:06:44 | 1:06:46 | |
# Ooh, ooh, ooh, ooh... | 1:06:46 | 1:06:48 | |
Gammy! Let's take it to the bridge! Whoo! | 1:06:48 | 1:06:52 | |
# Let me see you get low, you scared, you scared | 1:06:52 | 1:06:54 | |
-# Drop your ass to the floor -# You scared | 1:06:54 | 1:06:55 | |
# Let me see you get low, you scared, you scared | 1:06:55 | 1:06:58 | |
-# Drop your ass to the floor -# You scared | 1:06:58 | 1:07:00 | |
# Let me see you get low, you scared, you scared | 1:07:00 | 1:07:01 | |
-# Your butt to the flo', you scared -# You scared | 1:07:01 | 1:07:03 | |
# Stop, now wiggle it | 1:07:03 | 1:07:05 | |
# Now stop, whoo, wiggle it... | 1:07:05 | 1:07:07 | |
What you doing? | 1:07:07 | 1:07:09 | |
Oh! Er... | 1:07:09 | 1:07:11 | |
Yeah, you know, Gammy wanted me to,... | 1:07:11 | 1:07:15 | |
you know, chant from the heart. | 1:07:15 | 1:07:17 | |
Balls? That's what came to your heart? | 1:07:17 | 1:07:21 | |
You know, it, er,... went with the beat. | 1:07:21 | 1:07:23 | |
-Your phone arrived. Wanna come pick it up? -Oh, yes! | 1:07:23 | 1:07:27 | |
I wanna go. Oh... Hold on. Is it OK if I go with him? | 1:07:27 | 1:07:32 | |
Whatever you do is what shall be. | 1:07:32 | 1:07:35 | |
But you're OK if I go? | 1:07:35 | 1:07:37 | |
-Fine! (LAUGHS) -Bye, Gammy. | 1:07:37 | 1:07:40 | |
-You're a freak... -Shut up! | 1:07:40 | 1:07:43 | |
-(LAUGHS) -Would you, please? -(LAUGHS) Ow! | 1:07:43 | 1:07:47 | |
-Hey, buddy! -Andrew! Hey! | 1:08:04 | 1:08:07 | |
-You got that phone I ordered? -Yes. It came in. How are you? | 1:08:07 | 1:08:10 | |
-Great. You? -Good! | 1:08:10 | 1:08:12 | |
Hola! | 1:08:13 | 1:08:15 | |
-Hey! Hi! -Remember this? | 1:08:15 | 1:08:18 | |
-# Relax, don't do it... -Yes. Wonderful. | 1:08:18 | 1:08:22 | |
-Wonderful. -Remember that? -Yes! | 1:08:22 | 1:08:24 | |
-# Don't do it... -I know! -# When you wanna come... | 1:08:24 | 1:08:28 | |
I think you made quite an impression on Ramone. | 1:08:29 | 1:08:32 | |
The part where I burst into tears really brought us together. | 1:08:32 | 1:08:35 | |
Fun fact about Andrew, number 11. I like Pringles. They're delicious. | 1:08:35 | 1:08:39 | |
All Hostess products. Coke, never Pepsi. Beef jerky. | 1:08:39 | 1:08:42 | |
-What are you, like, 13? -Mmm! -Here we go. | 1:08:42 | 1:08:45 | |
-It's all charged up, Andrew. -Thanks, buddy. | 1:08:45 | 1:08:48 | |
And I put your lady's number in, too. | 1:08:48 | 1:08:51 | |
-Thank you. -Milady! | 1:08:51 | 1:08:54 | |
(SQUEAKS PLAYFULLY) | 1:08:54 | 1:08:56 | |
Thank you very much. Thank you. Thank you. | 1:08:56 | 1:08:59 | |
Oh, my God. I have 37 messages. | 1:09:03 | 1:09:06 | |
Shit! I need a computer. Is there a computer in this godforsaken town? | 1:09:06 | 1:09:10 | |
OK. When it runs out, it gives you a warning. | 1:09:13 | 1:09:17 | |
Just put in more dimes. | 1:09:17 | 1:09:19 | |
-There you go. -What... You're kidding. Dimes?! | 1:09:19 | 1:09:23 | |
I'll be outside. Yell if you need me. | 1:09:23 | 1:09:25 | |
-What am I supposed to do... -You'll be fine. | 1:09:25 | 1:09:28 | |
OK, I can figure this out. I'm an intelligent woman. | 1:09:28 | 1:09:33 | |
Block 'em out, block 'em out. There you go. OK. | 1:09:33 | 1:09:36 | |
(CLEARS THROAT) Now... "(DIAL-UP TONE WHISTLES)" | 1:09:36 | 1:09:39 | |
What is that? What is that? "(WHISTLING / HISSING)" | 1:09:39 | 1:09:43 | |
Um... Er, excuse me. Excuse... | 1:09:44 | 1:09:47 | |
"(BEEPING)" OK. Just... | 1:09:50 | 1:09:53 | |
OK. | 1:09:55 | 1:09:57 | |
-So, it was nice to see Gertrude, huh? -Yeah! | 1:10:23 | 1:10:27 | |
-She looked really pretty today. -Yeah, she did. | 1:10:27 | 1:10:31 | |
Mm-hm. Must be nice to see each other again, | 1:10:31 | 1:10:35 | |
-and just catch up. -It's definitely good to see her. | 1:10:35 | 1:10:39 | |
Definitely. It's been a long time. | 1:10:39 | 1:10:41 | |
Oh, there they are! There they are! Margaret! | 1:10:41 | 1:10:45 | |
-We need Margaret. -We're gonna have to steal you away. | 1:10:45 | 1:10:49 | |
-Oh, no. I'm just gonna... -Not to worry! No strippers, | 1:10:49 | 1:10:53 | |
-no chanting in the woods. Promise! -Oh, well... -Come on. | 1:10:53 | 1:10:57 | |
But not you. It's girl stuff. You'd hate it. | 1:10:57 | 1:11:00 | |
-But... -Come on! | 1:11:00 | 1:11:03 | |
OK. Well, I... Are these shoes OK for what we're gonna do? | 1:11:03 | 1:11:07 | |
I can't believe this is happening! | 1:11:07 | 1:11:10 | |
My mother made this dress by hand, | 1:11:10 | 1:11:13 | |
in this very shop, in 1929! (LAUGHS) | 1:11:13 | 1:11:17 | |
It's funny how things come back in style. | 1:11:17 | 1:11:20 | |
-Just finishing up the buttons. -Don't worry about the fit. | 1:11:20 | 1:11:24 | |
-Annie is the best tailor in southeast Alaska. -Oh...! | 1:11:24 | 1:11:27 | |
Well, incredible. Maybe a tad loose in certain areas, | 1:11:30 | 1:11:33 | |
-but otherwise... -Oh, sorry. | 1:11:33 | 1:11:35 | |
I'm a bit chesty to begin with, and I happened to be knocked up | 1:11:35 | 1:11:39 | |
when I wore this. (LAUGHS) | 1:11:39 | 1:11:42 | |
Oh... Let's see if we can find your boobs. | 1:11:42 | 1:11:44 | |
-They're in there somewhere. -Er, it's there. | 1:11:46 | 1:11:49 | |
This is like an Easter-egg hunt! | 1:11:49 | 1:11:52 | |
Maybe they shrunk up in the cold Alaskan air. | 1:11:52 | 1:11:55 | |
-(ALL LAUGH) -Oh, there they are! | 1:11:55 | 1:11:59 | |
-Yes. That would be... -There, that's right. | 1:11:59 | 1:12:02 | |
I was thinking, if you like, | 1:12:02 | 1:12:05 | |
maybe we could head down your way for the holidays this year. | 1:12:05 | 1:12:09 | |
Oh! That would, er... That would be nice. | 1:12:09 | 1:12:12 | |
Or maybe we could come to you, too. | 1:12:12 | 1:12:14 | |
Well, that would be lovely. | 1:12:16 | 1:12:18 | |
I would like that very much. | 1:12:19 | 1:12:22 | |
Oh, Grace, for godsake! We got work to do. | 1:12:22 | 1:12:25 | |
-I know. Sorry. -Go make yourself some tea. | 1:12:25 | 1:12:28 | |
I'll finish this. Go! | 1:12:28 | 1:12:30 | |
Now, let's make this absolute perfection. | 1:12:30 | 1:12:34 | |
(CHUCKLES) | 1:12:36 | 1:12:38 | |
Now, just one special touch, and you're ready. | 1:12:38 | 1:12:42 | |
It's been in the family for more than 150 years. | 1:12:46 | 1:12:50 | |
-Annie, it's beautiful, but I - -Ssh! I'm not finished. -Oh, sorry. | 1:12:50 | 1:12:55 | |
My great grandfather gave it to my great grandmother | 1:12:55 | 1:12:59 | |
when they got married. They were quite a scandal, you know. | 1:12:59 | 1:13:03 | |
He was Russian and she was Tlingit. | 1:13:03 | 1:13:06 | |
Back then, you had to get approval from every member of the tribe | 1:13:06 | 1:13:10 | |
before you got married. Almost broke them up! | 1:13:10 | 1:13:13 | |
Well, how did they stay together, then? | 1:13:13 | 1:13:15 | |
She was a lot like you. Tough. | 1:13:15 | 1:13:18 | |
Wouldn't take no for an answer. | 1:13:18 | 1:13:21 | |
She was good for him. | 1:13:21 | 1:13:23 | |
I want you to have it. | 1:13:23 | 1:13:26 | |
-I can't. -I don't wanna hear it! | 1:13:26 | 1:13:29 | |
Grandmothers love to give their stuff to their grandchildren. | 1:13:29 | 1:13:33 | |
It makes us feel like we'll still be part of your lives | 1:13:33 | 1:13:36 | |
even after we're gone. Take it! | 1:13:36 | 1:13:39 | |
-(CLEARS THROAT) -Are... Are you... | 1:13:43 | 1:13:46 | |
Are you all right, dear? | 1:13:46 | 1:13:48 | |
(SIGHS) I, er... | 1:13:48 | 1:13:51 | |
I... Well, um... | 1:13:53 | 1:13:56 | |
I, er... | 1:13:58 | 1:14:00 | |
I just, er... I just wanted to... | 1:14:00 | 1:14:03 | |
make sure there was enough time to get all the sewing done. | 1:14:03 | 1:14:06 | |
Oh! Don't you worry about that! You're gonna be beautiful. | 1:14:06 | 1:14:11 | |
Now, let's get you out of those pins. | 1:14:11 | 1:14:14 | |
All right! | 1:14:36 | 1:14:39 | |
(STARTS ENGINE) | 1:14:40 | 1:14:42 | |
Get this untied... Hop on in. | 1:14:43 | 1:14:46 | |
Hey! Hey, hey! | 1:14:50 | 1:14:52 | |
Whoa! What... Mind telling me what the hell's wrong? | 1:14:52 | 1:14:56 | |
I just needed to get away from everybody! Stop talking, please! | 1:14:56 | 1:15:00 | |
Do you mind telling me what's happening now? | 1:15:07 | 1:15:11 | |
Margaret! | 1:15:11 | 1:15:13 | |
-Margaret! -I forgot, OK? | 1:15:14 | 1:15:17 | |
-You forget what? -I forgot what it was like to have a family! | 1:15:17 | 1:15:21 | |
I've been on my own since I was 16. I forgot what it felt like | 1:15:21 | 1:15:24 | |
to have people love you, and make you breakfast, | 1:15:24 | 1:15:27 | |
and say, "We'd love to come down for the holidays," | 1:15:27 | 1:15:30 | |
and I say, "Why don't we come up and see you instead," | 1:15:30 | 1:15:33 | |
and give you necklaces, and you have all that here, and you have Gertrude, | 1:15:33 | 1:15:37 | |
-and I'm just screwing it up! -No. I agreed to this. | 1:15:37 | 1:15:40 | |
-I was there, remember? -Your family loves you. -I know that! | 1:15:40 | 1:15:44 | |
-And you'd put them through this? -They're not gonna find out! | 1:15:44 | 1:15:47 | |
-How do you know? -You said so yourself. | 1:15:47 | 1:15:50 | |
-My God, if your mother... -Agh! | 1:15:50 | 1:15:53 | |
-The boat is moving! -What if Gammy finds out? | 1:15:53 | 1:15:56 | |
-She's gonna have a heart attack! -She's gonna be fine! Calm down! | 1:15:56 | 1:16:01 | |
Hold on! | 1:16:01 | 1:16:03 | |
Whoa! I don't think that hijacking a boat | 1:16:04 | 1:16:07 | |
is the proper way to express your frustration. | 1:16:07 | 1:16:11 | |
Now... Oh, now you decide to shut up... Margaret?! | 1:16:11 | 1:16:15 | |
-Margaret?! -Andrew! -Margaret! | 1:16:16 | 1:16:19 | |
Andy! | 1:16:22 | 1:16:24 | |
Margaret, to the buoy! | 1:16:24 | 1:16:27 | |
-What? -To the buoy! | 1:16:27 | 1:16:29 | |
OK! | 1:16:29 | 1:16:31 | |
-All right! Come on. Gimme your hand. -(SOBS) -Gimme your hand! | 1:16:44 | 1:16:48 | |
Margaret! | 1:16:48 | 1:16:50 | |
Gimme... Come on, gimme your hand. Come on. I got you, I got you. | 1:16:50 | 1:16:54 | |
I got you. | 1:16:55 | 1:16:57 | |
Come on! God, what the hell were you thinking? | 1:16:59 | 1:17:02 | |
-You could have been killed. -You turned the boat, | 1:17:02 | 1:17:05 | |
-and made me fall in, you jackass. -You let go the wheel, Ahab. | 1:17:05 | 1:17:08 | |
-I'm sorry. I'm sorry. -Come here. You got to get warm. | 1:17:08 | 1:17:12 | |
Come on. Come on. | 1:17:12 | 1:17:15 | |
It's OK. | 1:17:15 | 1:17:17 | |
It's OK. | 1:17:19 | 1:17:21 | |
It's OK. | 1:17:23 | 1:17:25 | |
I wanna talk to both of you. | 1:17:55 | 1:17:57 | |
Your mother is never to hear about any of this. | 1:18:09 | 1:18:12 | |
-Told you I'd check up on you! -What did you do? | 1:18:23 | 1:18:27 | |
I got a phone call from Mr Gilbertson here, | 1:18:27 | 1:18:30 | |
who told me that if you were lying, and he believes that you are, | 1:18:30 | 1:18:34 | |
he would send you to prison. So I flew him up here. | 1:18:34 | 1:18:38 | |
-Dad... -Luckily for you, | 1:18:38 | 1:18:40 | |
your father negotiated a deal on your behalf. | 1:18:40 | 1:18:43 | |
Now, this offer's gonna last for 20 seconds, so listen closely. | 1:18:43 | 1:18:47 | |
You're gonna make a statement admitting this marriage is a sham, | 1:18:47 | 1:18:50 | |
or you go to prison. Tell the truth, you're off the hook. | 1:18:50 | 1:18:54 | |
And she is gonna go back to Canada. | 1:18:54 | 1:18:56 | |
Er,... take the deal. | 1:19:02 | 1:19:04 | |
-I don't think so. -Don't be stupid, Andrew! | 1:19:04 | 1:19:08 | |
You want a statement? I've been working for Margaret Tate | 1:19:08 | 1:19:11 | |
for three years. We fell in love. I asked her to marry me. | 1:19:11 | 1:19:15 | |
She said yes. I'll see you at the wedding. | 1:19:15 | 1:19:18 | |
Ah, hell... | 1:19:28 | 1:19:30 | |
So,... | 1:19:50 | 1:19:52 | |
..you sure about this? | 1:19:54 | 1:19:56 | |
Not really. | 1:19:56 | 1:19:58 | |
I mean, I am very appreciative of what you've done, | 1:20:01 | 1:20:05 | |
-but I think that... -You'd do the same for me, right? | 1:20:05 | 1:20:08 | |
-(KNOCK AT DOOR) -Hope everyone is decent! | 1:20:08 | 1:20:12 | |
You need to come with me. Tomorrow's your wedding day. | 1:20:12 | 1:20:15 | |
Give the baby-maker a rest tonight. It's tradition. | 1:20:15 | 1:20:19 | |
-We're not gonna use... -Kiss your bride good night. | 1:20:19 | 1:20:22 | |
You got your whole lives to be together. Come on! | 1:20:22 | 1:20:25 | |
Come on! | 1:20:25 | 1:20:27 | |
-If I don't go with her, she's gonna... -Come right back. | 1:20:32 | 1:20:35 | |
Yeah. | 1:20:35 | 1:20:38 | |
-See you in the morning? -Yep. | 1:20:44 | 1:20:47 | |
"(TV CHATTER)" | 1:21:01 | 1:21:03 | |
(SWITCHES OFF) | 1:21:13 | 1:21:15 | |
(BABBLE OF VOICES) | 1:21:44 | 1:21:46 | |
Hey, Gammy. | 1:21:48 | 1:21:50 | |
Thanks, Gammy. | 1:21:51 | 1:21:53 | |
(LOW MURMUR OF CONVERSATION) | 1:21:53 | 1:21:56 | |
# "Canon In D Major" - Pachelbel | 1:21:59 | 1:22:01 | |
Everyone, please be seated. | 1:23:00 | 1:23:03 | |
-Ramone. -(Mi amor!) | 1:23:07 | 1:23:10 | |
We are gathered here today | 1:23:12 | 1:23:15 | |
to give thanks | 1:23:15 | 1:23:17 | |
and to celebrate... | 1:23:17 | 1:23:19 | |
one of life's greatest moments, | 1:23:19 | 1:23:23 | |
to give recognition to the beauty, honestly and unselfish ways | 1:23:23 | 1:23:28 | |
of Andrew and Margaret's true love | 1:23:28 | 1:23:31 | |
in front of family and friends. | 1:23:31 | 1:23:34 | |
For it is their family and friends who taught Andrew and Margaret | 1:23:34 | 1:23:39 | |
to love, so it is only right | 1:23:39 | 1:23:42 | |
that family and friends are - | 1:23:42 | 1:23:46 | |
-Mi amor, do you have a question? -Er, no. | 1:23:49 | 1:23:53 | |
Your hand is up. | 1:23:54 | 1:23:57 | |
Oh, it's... It's not a question. | 1:23:59 | 1:24:02 | |
-But I do have something I need to say. -(Margaret!) | 1:24:02 | 1:24:05 | |
-Can it wait till after? -Er... | 1:24:06 | 1:24:09 | |
No. No. | 1:24:11 | 1:24:14 | |
(CLEARS THROAT) Hi, there. (ALL, UNCERTAINLY) Hi. | 1:24:24 | 1:24:27 | |
Thank you all so much for coming out. | 1:24:27 | 1:24:29 | |
I have, er, a bit of an announcement to make about the wedding. | 1:24:29 | 1:24:34 | |
-A confession, actually. -What are you doing? | 1:24:34 | 1:24:37 | |
I am a Canadian. Yes, Canadian, with an expired visa, | 1:24:37 | 1:24:42 | |
who was about to be deported. | 1:24:42 | 1:24:45 | |
And because I didn't want to leave this wonderful country of yours, | 1:24:45 | 1:24:48 | |
-I forced Andrew here to marry me. -Margaret, stop it. | 1:24:48 | 1:24:53 | |
Andrew has always had this extraordinary work ethic. | 1:24:53 | 1:24:56 | |
Something I think he learned from you. | 1:24:58 | 1:25:00 | |
For three years, I watched him work harder than anyone else | 1:25:00 | 1:25:04 | |
at our company, and I knew that if I threatened to destroy his career, | 1:25:04 | 1:25:08 | |
he would do just about anything. | 1:25:08 | 1:25:11 | |
So I blackmailed him to come up here and to lie to you. | 1:25:14 | 1:25:18 | |
All of you. And I thought it would be easy to watch him do it. | 1:25:20 | 1:25:26 | |
But it wasn't. | 1:25:27 | 1:25:30 | |
Turns out it's not easy to ruin someone's life, | 1:25:31 | 1:25:34 | |
once you find out how wonderful they are. | 1:25:34 | 1:25:37 | |
(ASTONISHED WHISPERING) | 1:25:37 | 1:25:40 | |
You have a beautiful family. | 1:25:43 | 1:25:45 | |
Don't let this come between you. | 1:25:45 | 1:25:48 | |
This was my fault. | 1:25:51 | 1:25:54 | |
-Margaret... -Andrew, this was a business deal. | 1:25:54 | 1:25:57 | |
And you held up your end, but now the deal is off. | 1:25:57 | 1:26:01 | |
Sorry. | 1:26:03 | 1:26:05 | |
You, meet me at the dock. You're giving me a ride to the airport. | 1:26:05 | 1:26:10 | |
(ALL MURMUR) | 1:26:18 | 1:26:22 | |
-What were you thinking? -I don't know! | 1:26:25 | 1:26:28 | |
Let me get my head on straight, OK? I'll explain everything later. | 1:26:28 | 1:26:31 | |
I'm sorry. | 1:26:31 | 1:26:34 | |
"You were right. This book is special.' | 1:27:09 | 1:27:12 | |
"I lied because publishing meant I'd lose you as an assistant, | 1:27:12 | 1:27:16 | |
"but you have an extraordinary eye, and I'll make sure we buy this | 1:27:16 | 1:27:19 | |
"before I leave. Have an amazing life. You deserve it. Margaret." | 1:27:19 | 1:27:24 | |
Well, that was, er,... crazy. | 1:27:26 | 1:27:29 | |
You know, people are gonna be talking about this forever. | 1:27:29 | 1:27:33 | |
Yeah. Yeah. | 1:27:35 | 1:27:37 | |
-Are you OK? -Yeah. | 1:27:37 | 1:27:41 | |
No. Er... | 1:27:41 | 1:27:44 | |
I just feel... You know what the problem is? | 1:27:45 | 1:27:49 | |
The problem is that this woman is a gigantic pain in my ass. | 1:27:49 | 1:27:55 | |
First of all there's the whole leaving thing. I understand that. | 1:27:55 | 1:27:58 | |
It's a sham wedding. It's kinda stressful. | 1:27:58 | 1:28:01 | |
Then she goes ahead and she leaves this note, | 1:28:01 | 1:28:04 | |
because she doesn't have the decency to do it to my face. | 1:28:04 | 1:28:08 | |
Three years! Three years I work with this,... this terrorist, | 1:28:08 | 1:28:12 | |
never once has she had a nice thing to say. | 1:28:12 | 1:28:14 | |
-Then she writes this crap! -Andrew... | 1:28:14 | 1:28:17 | |
-And none of that matters, cos we had a deal! -Andrew! | 1:28:17 | 1:28:20 | |
I'm sorry. I just, er... She just makes me a little crazy. | 1:28:20 | 1:28:24 | |
Yeah. I can see that. | 1:28:24 | 1:28:27 | |
So... you're just gonna let her go? | 1:28:27 | 1:28:30 | |
So, what now? | 1:28:44 | 1:28:46 | |
Well, now that you're leaving voluntarily, | 1:28:46 | 1:28:49 | |
it all becomes very civilised. | 1:28:49 | 1:28:51 | |
Once we land in New York, you have 24 hours to head back to Canada. | 1:28:51 | 1:28:56 | |
-Andrew, what's happening now? -I got to talk to her. -Why? | 1:29:04 | 1:29:07 | |
-Stop it! -I'm not gonna let you do this. -Stop! | 1:29:07 | 1:29:10 | |
-I'm not asking your permission. -Agh! | 1:29:10 | 1:29:13 | |
Annie! Joe! Joe! | 1:29:13 | 1:29:16 | |
Gammy?! Joe! | 1:29:16 | 1:29:19 | |
I'm having a... heart attack. | 1:29:19 | 1:29:22 | |
-Somebody get a doctor! -Easy! Easy, Mom! | 1:29:22 | 1:29:25 | |
Andrew! | 1:29:57 | 1:29:59 | |
You two need to stop fighting! | 1:30:01 | 1:30:04 | |
You'll never see eye to eye, | 1:30:04 | 1:30:07 | |
but... | 1:30:07 | 1:30:09 | |
you're family! | 1:30:09 | 1:30:12 | |
Promise me... | 1:30:14 | 1:30:16 | |
you'll stand by Andrew... | 1:30:16 | 1:30:19 | |
even if you don't agree with him. | 1:30:19 | 1:30:22 | |
I promise! | 1:30:24 | 1:30:27 | |
Andrew,... | 1:30:27 | 1:30:29 | |
..promise me you'll work harder to be a part of this family. | 1:30:30 | 1:30:35 | |
I will. | 1:30:36 | 1:30:38 | |
I will, Gammy. | 1:30:40 | 1:30:43 | |
Well, then,... | 1:30:43 | 1:30:45 | |
the spirits can take me. | 1:30:45 | 1:30:48 | |
Gammy... | 1:30:48 | 1:30:51 | |
Gammy? | 1:30:56 | 1:30:59 | |
I guess they're not ready for me. I'm feeling much better, sonny. | 1:31:04 | 1:31:09 | |
No need to take us to the hospital. Take us to the airport, please. | 1:31:09 | 1:31:13 | |
Mom, are you faking a heart attack?! | 1:31:13 | 1:31:15 | |
It was the only way I could make you shut up and get us to the airport. | 1:31:15 | 1:31:20 | |
-Ma'am, I'm not authorised to - -Larry Ferris, | 1:31:20 | 1:31:23 | |
-don't make me call your mother. -You got it. | 1:31:23 | 1:31:26 | |
Scared the hell out of me! | 1:31:28 | 1:31:30 | |
Yeah. You should have given up back in New York. | 1:31:34 | 1:31:39 | |
See,... I'm like Eliot Ness. | 1:31:39 | 1:31:42 | |
I always get my man. | 1:31:42 | 1:31:44 | |
I'm that good. | 1:31:44 | 1:31:47 | |
1601, as soon as you're in position, you're cleared for take-off. | 1:31:48 | 1:31:52 | |
"Roger that, Chuck." | 1:31:52 | 1:31:55 | |
OK. Come on, come on. | 1:32:01 | 1:32:03 | |
-(MOBILE RINGS) -(LAUGHS) Tower! Talk to me! | 1:32:05 | 1:32:09 | |
-Chuck! It's Drew Paxton. -"Hey, dude!" | 1:32:09 | 1:32:12 | |
I have a little favour I need from you, buddy. | 1:32:12 | 1:32:15 | |
-Margaret's on that plane. Can you stop it? -"Oh, yeah!" | 1:32:15 | 1:32:18 | |
-I heard about her bailing. Drag-ola! -"CHUCK!" | 1:32:18 | 1:32:22 | |
I need you to stop the plane. Please! | 1:32:22 | 1:32:24 | |
"I can't do that. (LAUGHS)" | 1:32:24 | 1:32:27 | |
No, no, no. No, no, no, no! Come on! | 1:32:27 | 1:32:30 | |
Oh, no! | 1:32:30 | 1:32:32 | |
No! | 1:32:34 | 1:32:36 | |
-What's wrong? -Margaret's on board. -And he didn't get to tell her! | 1:32:38 | 1:32:41 | |
-Tell her what? -That he loves her. | 1:32:41 | 1:32:43 | |
So she could tell him she loves him. | 1:32:43 | 1:32:46 | |
-But how... -If she didn't love him, she wouldn't have left. | 1:32:46 | 1:32:49 | |
-Am I the only one not getting this? -Oh, Joe! | 1:32:49 | 1:32:52 | |
Chuck! Chuck! Look down! | 1:32:52 | 1:32:55 | |
Oh! Look down, like... | 1:32:55 | 1:32:58 | |
"Oh, there you are! Sorry, man. There was nothing I could do." | 1:32:58 | 1:33:01 | |
Thanks, Chuck. | 1:33:03 | 1:33:05 | |
I'm sorry, son. I... I didn't know how you felt about her. | 1:33:07 | 1:33:12 | |
Honey, it's gonna be OK. | 1:33:16 | 1:33:18 | |
Jordan? | 1:33:49 | 1:33:51 | |
-Jordan... -(BOTH CHATTER) -Jordan! | 1:34:09 | 1:34:12 | |
I need for you to send the boxes in my office | 1:34:12 | 1:34:16 | |
to this address, please. This one right here. | 1:34:16 | 1:34:19 | |
This address right here, OK? Can you do that? | 1:34:19 | 1:34:22 | |
-Er, yes. Sure. -Fine. All right. Thank you. | 1:34:22 | 1:34:26 | |
-Miss Tate? -Yes? What? What? | 1:34:26 | 1:34:28 | |
(PANTS) Hey. | 1:34:30 | 1:34:33 | |
Andrew! | 1:34:34 | 1:34:37 | |
Why... Why are you... panting? | 1:34:41 | 1:34:44 | |
Because I've been running. | 1:34:44 | 1:34:46 | |
-Really? From Alaska? -I need to talk to you. | 1:34:46 | 1:34:49 | |
I don't have time to talk. I need to catch a 5:45 to Toronto. | 1:34:49 | 1:34:53 | |
-Margaret... -I need the boxes to go today. I - | 1:34:53 | 1:34:56 | |
Margaret! Stop talking! | 1:34:56 | 1:34:58 | |
-(ALL GASP) -I got to say something. | 1:35:00 | 1:35:03 | |
-OK. -It'll just take a sec. | 1:35:03 | 1:35:05 | |
-Fine. What? -Three days ago,... | 1:35:05 | 1:35:09 | |
..I loathed you. I used to dream about you getting hit by a cab. | 1:35:10 | 1:35:15 | |
-Or poisoned. -Oh, that's nice. -I told you to stop talking. | 1:35:15 | 1:35:18 | |
Then we had our little adventure up in Alaska, and things changed. | 1:35:19 | 1:35:23 | |
Things changed when we kissed. | 1:35:23 | 1:35:26 | |
And when you told me about your tattoo. | 1:35:28 | 1:35:31 | |
-(ASTONISHED WHISPERING) -Even when you checked me out | 1:35:31 | 1:35:34 | |
-when we were naked. -(ALL GASP) -Naked! | 1:35:34 | 1:35:38 | |
-Well, I didn't see anything. -Yeah, you did. | 1:35:38 | 1:35:41 | |
But I didn't realise any of this until I was standing alone | 1:35:41 | 1:35:44 | |
in a barn,... wifeless. | 1:35:44 | 1:35:48 | |
Now, you can imagine my disappointment | 1:35:48 | 1:35:51 | |
when it suddenly dawned on me that the woman I love | 1:35:51 | 1:35:54 | |
-is about to be kicked out of the country. -(ALL GASP) | 1:35:54 | 1:35:58 | |
So, Margaret,... | 1:35:58 | 1:36:00 | |
..marry me. | 1:36:03 | 1:36:05 | |
Because I would like to date you. | 1:36:07 | 1:36:09 | |
Trust me. You don't really wanna be with me. | 1:36:21 | 1:36:25 | |
Yes, I do. | 1:36:25 | 1:36:27 | |
See, the thing is,... | 1:36:27 | 1:36:29 | |
there is a reason I've been alone all this time. | 1:36:29 | 1:36:32 | |
I'm comfortable that way, and it would just be a lot easier | 1:36:33 | 1:36:37 | |
if we forgot everything that happened, | 1:36:37 | 1:36:40 | |
and I just left. | 1:36:40 | 1:36:43 | |
You're right. | 1:36:45 | 1:36:47 | |
That would be easier. | 1:36:52 | 1:36:54 | |
-I'm scared. -Me, too. | 1:37:09 | 1:37:13 | |
(ALL GASP AND LAUGH) | 1:37:16 | 1:37:19 | |
(Aren't you supposed to get down on your knee or something?) | 1:37:35 | 1:37:39 | |
-I'm gonna take that as a "yes". -Oh, OK. | 1:37:39 | 1:37:42 | |
(ALL CHATTER AND LAUGH) | 1:37:52 | 1:37:55 | |
-(MAN) -Yeah! Show her who's boss, Andrew! | 1:37:55 | 1:37:59 | |
(ALL LAUGH) | 1:37:59 | 1:38:01 | |
(ALL APPLAUD) | 1:38:01 | 1:38:04 | |
'So, let me see if I've got this right.' | 1:38:06 | 1:38:10 | |
-You two are engaged again? -Yes. -Yes. | 1:38:10 | 1:38:13 | |
For... real? | 1:38:13 | 1:38:16 | |
-Yes. -Yeah. -You sure you wanna do this? | 1:38:16 | 1:38:19 | |
Because one wrong answer, I'm gonna take... you... down. | 1:38:19 | 1:38:23 | |
-OK. -OK. | 1:38:25 | 1:38:28 | |
Let's do it! | 1:38:29 | 1:38:31 | |
# "It Takes Two" - Rob Base and DJ E-Z Rock | 1:38:32 | 1:38:35 | |
-When did you first start to date? -Last week. | 1:38:39 | 1:38:43 | |
-Is that going well? -So far it's great. Thank you. | 1:38:43 | 1:38:46 | |
-What deodorant does Andrew use? -Men's Speed Stick. -What flavour? | 1:38:46 | 1:38:50 | |
Musk? Alpine? | 1:38:50 | 1:38:53 | |
-Was it love at first sight? -No. | 1:38:53 | 1:38:56 | |
I loved her from the beginning. | 1:38:56 | 1:38:59 | |
-What side of the bed does Margaret sleep on? -The left. | 1:39:00 | 1:39:03 | |
What side do you sleep on? | 1:39:03 | 1:39:05 | |
Look... Are they soul-mates? (SQUEAKS INCONCLUSIVELY) | 1:39:06 | 1:39:10 | |
Will they kill each other? No. | 1:39:10 | 1:39:13 | |
-Are you a good driver? -Oh, excellent driver. Excellent. | 1:39:13 | 1:39:16 | |
(MAKES METALLIC CRUNCHING SOUNDS / IMITATES SIREN) | 1:39:16 | 1:39:20 | |
In my mind I see her perhaps with someone more swarthy, darker. | 1:39:22 | 1:39:27 | |
We don't use the word "Margaret" around Kevin. | 1:39:27 | 1:39:30 | |
He still hasn't warmed up to her. | 1:39:30 | 1:39:33 | |
-"Margaret"! -(BARKS) | 1:39:33 | 1:39:35 | |
-"Margaret"! -(BARKS) -See? It's the damnedest thing! | 1:39:35 | 1:39:39 | |
I have never farted in front of him, nor will I ever. | 1:39:39 | 1:39:43 | |
She farts in her sleep. | 1:39:43 | 1:39:46 | |
-Is Margaret a good dancer? -You can tell by the way | 1:39:46 | 1:39:49 | |
she drinks her soda pop that she's a good dancer. | 1:39:49 | 1:39:52 | |
Uh-huh? | 1:39:52 | 1:39:54 | |
How is the soda pop relevant to the dancing? | 1:39:54 | 1:39:57 | |
I don't understand this... | 1:39:57 | 1:40:00 | |
-I call him, er, puppy... -Pumpkin? | 1:40:00 | 1:40:03 | |
-Monkey. -Daisy. -Kiddo. | 1:40:03 | 1:40:05 | |
-Er, bird. -Sometimes I call him Rick. | 1:40:05 | 1:40:08 | |
-How do you spell Ramone? -(SPELLS WITH STRONG ACCENT) | 1:40:10 | 1:40:13 | |
Could you do that again in English, please? | 1:40:13 | 1:40:16 | |
-When you say the position... -Top or bottom? | 1:40:16 | 1:40:20 | |
You're asking me a question about who's on top?! | 1:40:20 | 1:40:23 | |
-You took an oath when you came in. -When did I take an oath? | 1:40:23 | 1:40:27 | |
-Well, Laura should've done that... -Who's Laura? | 1:40:27 | 1:40:30 | |
The girl behind you. Don't look around. | 1:40:30 | 1:40:32 | |
-Which of the following numbers is not a prime? -17! | 1:40:32 | 1:40:36 | |
I'm sorry. Let me say the list, please. | 1:40:36 | 1:40:38 | |
-I'm sorry? -He knew your favourite colour. -Blue? | 1:40:38 | 1:40:41 | |
-Wrong! -Red? -No! | 1:40:41 | 1:40:43 | |
-Dark... Maybe like a hunter green? -No. White. -White?! | 1:40:43 | 1:40:48 | |
-Blue. -What's your favourite colour when she is not at home? | 1:40:48 | 1:40:52 | |
I don't know. | 1:40:52 | 1:40:54 | |
-Are you a citizen of this country? -Yes, I'm a citizen! (LAUGHS) | 1:40:54 | 1:40:58 | |
Are you crazy?! (LAUGHS) | 1:40:58 | 1:41:02 | |
What relevance a ball in a net, or a fruit roll-up, | 1:41:02 | 1:41:05 | |
or a pop tart, has to do with my relationship... | 1:41:05 | 1:41:09 | |
If you're getting excited... Who are you engaged to? | 1:41:09 | 1:41:12 | |
Andrew. | 1:41:13 | 1:41:14 | |
Good! Got one right! | 1:41:14 | 1:41:17 | |
-Who are you engaged to? -I'm engaged to Margaret Tate. | 1:41:18 | 1:41:20 | |
At the wedding day, who will be next to you? | 1:41:20 | 1:41:26 | |
I'm going to marry Margaret Tate. | 1:41:26 | 1:41:28 | |
-Final answer? -That work? Final answer. | 1:41:28 | 1:41:30 | |
What, is this a game show? I don't understand what... | 1:41:30 | 1:41:34 | |
# God bless America | 1:41:34 | 1:41:37 | |
# Lands that I love... | 1:41:37 | 1:41:40 | |
-That's a great song. -That was beautiful. | 1:41:40 | 1:41:43 | |
-Really beautiful. -Mama Cass. | 1:41:43 | 1:41:45 | |
# It takes two to make a thing go right | 1:41:47 | 1:41:50 | |
# It takes two to make it out of sight | 1:41:51 | 1:41:54 | |
# It takes two to make a thing go right | 1:41:55 | 1:41:58 | |
# It takes two to make it out of sight | 1:41:59 | 1:42:02 | |
# All right now, EZ Rock now | 1:42:02 | 1:42:05 | |
# When I count to three, I want you to get busy | 1:42:05 | 1:42:07 | |
# You ready now? | 1:42:07 | 1:42:08 | |
-# One, two, three, get loose, now -# It takes two to make a | 1:42:08 | 1:42:11 | |
# It take two to make a | 1:42:11 | 1:42:13 | |
# It take two to make a, it takes two to make a | 1:42:13 | 1:42:16 | |
# It takes two to make a | 1:42:16 | 1:42:19 | |
# It takes two to make a | 1:42:19 | 1:42:21 | |
# It takes two to make a thing go right | 1:42:24 | 1:42:26 | |
# It takes two to make it out of sight | 1:42:28 | 1:42:30 | |
# It takes two to make a thing go right... # | 1:42:32 | 1:42:34 |