
Browse content similar to You Instead. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
'Hello, I'm Kim Cox, and this is Traffic Jam on ecolobby.org. | 0:00:30 | 0:00:34 | |
'Today we're coming to you from T in the Park, | 0:00:34 | 0:00:36 | |
'Scotland's biggest music festival, | 0:00:36 | 0:00:39 | |
'with an exclusive acoustic performance | 0:00:39 | 0:00:41 | |
'by US chart toppers The Make. | 0:00:41 | 0:00:44 | |
'Take it away, lads...' | 0:00:44 | 0:00:45 | |
-BOTH: -One, two, three, four. | 0:00:45 | 0:00:47 | |
MUSIC: "You Instead" | 0:00:47 | 0:00:49 | |
# He got loved up on the seashore | 0:01:02 | 0:01:06 | |
# Kissing with a girl He'd never met before | 0:01:06 | 0:01:10 | |
# The food was sparse But the drink was plenty | 0:01:10 | 0:01:13 | |
# Jack was 16 And Jill had just turned 20 | 0:01:13 | 0:01:17 | |
# Lying there on the midnight scent | 0:01:17 | 0:01:20 | |
# He said he'd give her the sky If she held his hand | 0:01:20 | 0:01:24 | |
-BOTH: -# She counted every star In the sky and said | 0:01:24 | 0:01:28 | |
# I-I don't want that I want you instead | 0:01:28 | 0:01:31 | |
# I-I don't want that I want you instead | 0:01:31 | 0:01:35 | |
# If you don't rearrange us | 0:01:36 | 0:01:40 | |
# If you don't rearrange us | 0:01:40 | 0:01:43 | |
# If you don't rearrange us | 0:01:43 | 0:01:47 | |
# If you don't rearrange | 0:01:47 | 0:01:50 | |
# She got loved down on the seashore | 0:01:50 | 0:01:54 | |
# Kissing with a boy She never met before | 0:01:54 | 0:01:58 | |
# The food was sparse But the booze was plenty | 0:01:58 | 0:02:02 | |
# Jill was 16 And Jack had just turned 20 | 0:02:02 | 0:02:06 | |
# Lying there on the midnight sand | 0:02:06 | 0:02:09 | |
# He said he'd give her the sky If she held his hand | 0:02:09 | 0:02:13 | |
# She counted every star In the sky and said | 0:02:13 | 0:02:16 | |
# I-I don't want that I want you instead | 0:02:16 | 0:02:20 | |
# I-I don't want that I want you instead | 0:02:20 | 0:02:23 | |
# I don't want that I want you instead | 0:02:23 | 0:02:27 | |
# I-I don't want that I want you instead | 0:02:27 | 0:02:31 | |
# II don't want that I want you instead | 0:02:31 | 0:02:35 | |
# I-I don't want that I want you instead... # | 0:02:35 | 0:02:38 | |
Oh, shit. Right. | 0:02:39 | 0:02:42 | |
OK. | 0:02:42 | 0:02:44 | |
The battery's gone flat now. | 0:02:44 | 0:02:47 | |
You told me you completely charged it up, you utter moron. | 0:02:47 | 0:02:51 | |
-Check out the wee car. -Hey, do you need a push? | 0:02:52 | 0:02:55 | |
Guys? | 0:02:55 | 0:02:56 | |
-Is that The Make? -Can you fuck off? | 0:02:56 | 0:02:59 | |
I said can you fuck off? We're rolling. | 0:02:59 | 0:03:01 | |
What'd she say? She's what? | 0:03:01 | 0:03:03 | |
She just gave me the finger. | 0:03:03 | 0:03:04 | |
She's saying something about rolling. | 0:03:04 | 0:03:07 | |
-Rolling over? -Only one thing for it! | 0:03:07 | 0:03:09 | |
# We won't change... # | 0:03:11 | 0:03:14 | |
Are you rolling now? | 0:03:14 | 0:03:16 | |
-Whoa! Hey! -Bit more. | 0:03:16 | 0:03:18 | |
Hey! Whoa! | 0:03:18 | 0:03:20 | |
Hey, guys! | 0:03:20 | 0:03:21 | |
-Hey, you, Mr Lady. -Mr Lady? | 0:03:21 | 0:03:24 | |
Do you want a gigantic veiny lawsuit up your fucking ass? | 0:03:24 | 0:03:28 | |
What? | 0:03:28 | 0:03:29 | |
You almost killed my band. That is attempted murder. | 0:03:29 | 0:03:33 | |
It's unconventional, but, hey, I feel welcome. | 0:03:33 | 0:03:35 | |
Hey, man, you all right? | 0:03:35 | 0:03:37 | |
You and your slag blowhole could be going away for a long time. | 0:03:37 | 0:03:41 | |
-Hey, Bobby, we're fine. -Do you understand me? | 0:03:41 | 0:03:44 | |
Our little eco brownie here has it all on tape. | 0:03:44 | 0:03:47 | |
-Can I get the tape, please? -No. | 0:03:47 | 0:03:50 | |
-Just give me the tape! -Bobby, breathe. | 0:03:50 | 0:03:52 | |
-So you guys are who? -The Dirty Pinks. | 0:03:52 | 0:03:56 | |
The Dirty Pinks? Why didn't you just call yourselves The Vaginas? | 0:03:56 | 0:04:00 | |
That is nice, actually, because you are gonna get fucked. | 0:04:00 | 0:04:04 | |
-Whoa. Hey! -What are you doing? | 0:04:04 | 0:04:06 | |
How about I re-tune this guitar on whoever doesn't piss off? | 0:04:06 | 0:04:09 | |
All right, what's this? | 0:04:09 | 0:04:12 | |
Oi. That was my granddad's. Take that off. | 0:04:13 | 0:04:16 | |
Sure, when you give me my guitar. | 0:04:16 | 0:04:18 | |
-OK. -Smash it, go on. | 0:04:19 | 0:04:21 | |
-She's not gonna. -Give me my jacket! | 0:04:21 | 0:04:24 | |
Give me the guitar. Put the fucking guitar down. | 0:04:24 | 0:04:27 | |
-Stop! Stop! Stop! -Chill the fuck out! | 0:04:27 | 0:04:30 | |
Shame on you people! | 0:04:30 | 0:04:32 | |
If musicians can't get along, what hope we got? | 0:04:32 | 0:04:36 | |
What hope the planet got? | 0:04:36 | 0:04:38 | |
-Sir, excuse me. -You know what we're gonna do? | 0:04:38 | 0:04:40 | |
Is he with you? We're gonna pray. | 0:04:40 | 0:04:42 | |
Everybody take hands. | 0:04:42 | 0:04:45 | |
Come on. Don't be bashful. | 0:04:45 | 0:04:48 | |
Lord, help me and these idiots | 0:04:48 | 0:04:50 | |
to use the gift you blessed us with | 0:04:50 | 0:04:53 | |
to come together. | 0:04:53 | 0:04:55 | |
Turn to your neighbour and say, "Man, I love you." | 0:04:55 | 0:04:58 | |
-Man, I love you. -Yeah. | 0:04:58 | 0:05:00 | |
-Say I love you. -She just tried to break my guitar. | 0:05:00 | 0:05:04 | |
-I'm not saying it to her. -He's a tit. | 0:05:04 | 0:05:06 | |
-All right, all right, I got a trick. -What you doing? | 0:05:06 | 0:05:10 | |
- I got a real good trick. - This guy's a wizard. | 0:05:10 | 0:05:13 | |
-What are you doing? -Magic. Magic for musicians. | 0:05:13 | 0:05:17 | |
-Sir. -Now what? | 0:05:17 | 0:05:19 | |
Can we get the key? | 0:05:19 | 0:05:21 | |
Together. This guy's good. | 0:05:21 | 0:05:23 | |
-He's joking, right? -You got the keys? | 0:05:23 | 0:05:25 | |
-Let's go. -Where's he going? | 0:05:25 | 0:05:28 | |
OK, he's not joking. No, no, no, no, no! | 0:05:28 | 0:05:30 | |
-Hey, Adam! -Bobby! | 0:05:30 | 0:05:32 | |
-No! -Stop that man! | 0:05:32 | 0:05:34 | |
Stop that buggy! | 0:05:34 | 0:05:35 | |
-Stop the buggy! -Ow! Ow! Can you get it off? | 0:05:35 | 0:05:38 | |
-Stop that buggy! -Come back! | 0:05:38 | 0:05:41 | |
Where did he go? | 0:05:42 | 0:05:43 | |
Ow! | 0:05:43 | 0:05:44 | |
Fuck's sake! | 0:05:44 | 0:05:46 | |
SINGER: Can you lot make some fucking noise? | 0:05:47 | 0:05:51 | |
HEAVY METAL PLAYS | 0:05:51 | 0:05:53 | |
CROWD CHEERS | 0:06:32 | 0:06:34 | |
-Where are they? -Where have they gone? | 0:06:36 | 0:06:39 | |
-Where have they gone? -They'll be in here. | 0:06:39 | 0:06:42 | |
Can't keep Tyko away from the hospitality. | 0:06:42 | 0:06:43 | |
Can I see your passes, please? | 0:06:43 | 0:06:45 | |
-All right. -Ow! That really hurt. | 0:06:45 | 0:06:47 | |
-Come on. -Thank you. | 0:06:47 | 0:06:50 | |
Can you be aware you are attached to me, unfortunately? | 0:06:50 | 0:06:53 | |
Can you just be nice? Yeah? No? | 0:06:53 | 0:06:56 | |
-No. -Ignoring me, wicked. | 0:06:56 | 0:06:58 | |
I don't mind talking to myself. | 0:06:58 | 0:07:00 | |
-Beautiful. Cheryl? Is that with a Y? -This is a major festival site. | 0:07:01 | 0:07:05 | |
-Oh, my God. -Where have you been? | 0:07:05 | 0:07:07 | |
We are on in three hours, guys. | 0:07:07 | 0:07:11 | |
Excuse me. Hi. Is there an events assistant anywhere? | 0:07:11 | 0:07:13 | |
-I got you a beer. -Thanks. | 0:07:13 | 0:07:17 | |
-Can I get a beer, please? -Can you get me one? | 0:07:17 | 0:07:20 | |
That is the funniest thing I've seen all week. | 0:07:20 | 0:07:23 | |
Apart from the chicken lady, but she was mentally ill. You can't laugh. | 0:07:23 | 0:07:26 | |
Bolt cutters, anything. Give me the site manager's number. | 0:07:26 | 0:07:31 | |
-Will you stop laughing? -Take it easy. | 0:07:31 | 0:07:33 | |
It's not that funny. | 0:07:33 | 0:07:35 | |
-I'll have to sit next to you. -I guess you will. | 0:07:36 | 0:07:38 | |
-Yep. -Lucky you. | 0:07:38 | 0:07:40 | |
So I'm Adam. | 0:07:40 | 0:07:43 | |
What's that? "I'm Monkey Girl. I'm in the world's worst band." | 0:07:44 | 0:07:48 | |
Ow! I am now. | 0:07:48 | 0:07:50 | |
As far as I can see, The Make only need their right hands. | 0:07:51 | 0:07:54 | |
Whereas you just need your fists, right? | 0:07:54 | 0:07:57 | |
Simmer down, boy band. | 0:07:57 | 0:07:59 | |
THEY HUM | 0:08:00 | 0:08:02 | |
What? I don't... What are you doing? | 0:08:02 | 0:08:04 | |
-Where's your manager? -Sorting it out. | 0:08:05 | 0:08:07 | |
Relax. He's taking care of business. | 0:08:07 | 0:08:10 | |
Thanks. | 0:08:12 | 0:08:13 | |
Sure. Hello again. | 0:08:13 | 0:08:15 | |
HE IMITATES A MONKEY | 0:08:15 | 0:08:17 | |
Bollocks, I'm gonna sort this out. | 0:08:17 | 0:08:18 | |
-I'm waiting for Bob. -Get up! | 0:08:18 | 0:08:20 | |
-What the fuck are you doing? -Come on, let's go. | 0:08:20 | 0:08:23 | |
I'm gonna sort this out. There's gotta be police. | 0:08:23 | 0:08:26 | |
-We have three hours, though. -I don't trust his manager. | 0:08:26 | 0:08:30 | |
MUSIC: "Upside Down" by Paloma Faith | 0:08:30 | 0:08:36 | |
SPEECH DROWNED OUT BY MUSIC | 0:08:38 | 0:08:40 | |
BOTH: Eco Lobby. | 0:08:44 | 0:08:46 | |
-Harder. -Harder! More! | 0:08:57 | 0:09:00 | |
-Ah! -Shit. | 0:09:00 | 0:09:01 | |
Dynamite's not gonna send a wood chisel through that. | 0:09:01 | 0:09:04 | |
Here's what you need. | 0:09:04 | 0:09:05 | |
You get a big cold chisel, | 0:09:05 | 0:09:07 | |
drop a sledgehammer on it, you're sorted, man. | 0:09:07 | 0:09:10 | |
-Where do we get a cold chisel? -Any blacksmith's. | 0:09:10 | 0:09:13 | |
-Moron! -Hey, hey, hey. | 0:09:16 | 0:09:18 | |
-Can't hear you! -Help us out. | 0:09:18 | 0:09:20 | |
Can you look for some bolt cutters? I'll be back in a bit. Thank you. | 0:09:20 | 0:09:25 | |
# That I'm no fool, fool, fool, fool | 0:09:27 | 0:09:30 | |
# I'm just upside down | 0:09:30 | 0:09:33 | |
# Ain't got no cares | 0:09:33 | 0:09:35 | |
# I ain't got no rules | 0:09:35 | 0:09:37 | |
# I think I like Living upside down... # | 0:09:38 | 0:09:42 | |
One, two, three... | 0:09:42 | 0:09:44 | |
ALL: Eco Lobby! | 0:09:44 | 0:09:46 | |
-We just need a set of bolt cutters. -There's a camping shop. | 0:09:46 | 0:09:49 | |
No, look, this is hardened steel. We need an industrial-strength tool. | 0:09:49 | 0:09:53 | |
I think I've found one. | 0:09:53 | 0:09:55 | |
Oh, ho, ho. | 0:09:55 | 0:09:56 | |
-Really? -A comedian. | 0:09:56 | 0:09:58 | |
Get your hands off me, man. | 0:09:58 | 0:10:00 | |
Go to Artist Liaisons, maybe then can help you. | 0:10:00 | 0:10:02 | |
What's wrong with you people? | 0:10:02 | 0:10:03 | |
Why would Artists Liaisons have bolt cutters? | 0:10:03 | 0:10:06 | |
Thank you, T in the Park! | 0:10:06 | 0:10:09 | |
CROWD CHEERS | 0:10:09 | 0:10:12 | |
SINGER: Are you having a good time? | 0:10:13 | 0:10:16 | |
-Harder. -It's too big. I can't get it in. | 0:10:20 | 0:10:23 | |
Adam? | 0:10:23 | 0:10:25 | |
Don't tell me this is not what it looks like. | 0:10:25 | 0:10:28 | |
-What does it look like? -Oh, no. | 0:10:28 | 0:10:30 | |
Like you're handcuffed to some girl. | 0:10:30 | 0:10:32 | |
Some crazy dude handcuffed us while we were praying. | 0:10:32 | 0:10:35 | |
-I don't know. It's fucked. -He said he was single. | 0:10:35 | 0:10:38 | |
-What? -Yeah, what? | 0:10:38 | 0:10:39 | |
Said he'd just split from some model that didn't get him. | 0:10:39 | 0:10:42 | |
Hi. I'm Morello. | 0:10:42 | 0:10:45 | |
You come with me, mister. | 0:10:45 | 0:10:46 | |
Uh... Ow, baby, wait. | 0:10:46 | 0:10:49 | |
Hello again. Yep. | 0:10:51 | 0:10:53 | |
-OK, get these off now. -We're trying. | 0:10:53 | 0:10:55 | |
-Where's the key? -If we had a key... | 0:10:55 | 0:10:57 | |
Let's use your catwalk-honed intellect to break free. | 0:10:57 | 0:11:00 | |
-Who is this? -She is this total stranger. | 0:11:00 | 0:11:02 | |
She is incredibly awful. | 0:11:02 | 0:11:04 | |
-And promiscuous. -Be... | 0:11:04 | 0:11:06 | |
-Baby, wait up. -Ow! | 0:11:06 | 0:11:08 | |
Can you just walk like a normal person? | 0:11:08 | 0:11:10 | |
You don't have to be like this. | 0:11:10 | 0:11:12 | |
I want no part of this Malibu Barbie hellscape. | 0:11:12 | 0:11:15 | |
-That's it. I'm done. -Come on. -Ow! | 0:11:15 | 0:11:17 | |
-Ow! Damn, that hurt. -You're gonna have to hold my hand. | 0:11:17 | 0:11:20 | |
All right, you know what? Baby, where are you gonna be? | 0:11:20 | 0:11:24 | |
Kasabian are about to play the main stage. | 0:11:24 | 0:11:26 | |
So why are you walking towards it? | 0:11:26 | 0:11:29 | |
-Are you holding hands? -Babe, let go. | 0:11:29 | 0:11:32 | |
I will pay you £100 to watch Kasabian. | 0:11:32 | 0:11:34 | |
-What? -I'm just trying to work it out. | 0:11:34 | 0:11:37 | |
Just call me when you're single. | 0:11:37 | 0:11:39 | |
Baby. All right, fine. I'll find you, all right? | 0:11:39 | 0:11:43 | |
-Nice girl. -Nice work. | 0:11:43 | 0:11:46 | |
MUSIC: "Papillon" by Editors | 0:11:46 | 0:11:49 | |
-Hey, man. -All right, mate? | 0:11:51 | 0:11:53 | |
-You get rid of that bloody gorgon? -Hey, I'm right... | 0:11:53 | 0:11:55 | |
MAN CHUCKLES | 0:11:55 | 0:11:57 | |
-No luck with the bolt cutters? -I thought you were looking. | 0:11:57 | 0:12:00 | |
-I'll sort you out first thing. -We gotta solve this now. | 0:12:00 | 0:12:03 | |
-I'm busy. -You've gotta have something. | 0:12:03 | 0:12:05 | |
-Hey, beautiful. -Baby! -She's got a gig to play. | 0:12:05 | 0:12:07 | |
Ow! Shit! | 0:12:07 | 0:12:09 | |
Jesus Christ. | 0:12:10 | 0:12:11 | |
It's Adam Elva you're handcuffed to. | 0:12:11 | 0:12:14 | |
Hi, man. I'm Mark. Good to meet you. | 0:12:14 | 0:12:16 | |
Hey, man. Nice to meet you. | 0:12:16 | 0:12:18 | |
-Excuse me. Hello! -So, what happened? | 0:12:18 | 0:12:21 | |
-I'm sorry about this, man. -For what? | 0:12:21 | 0:12:24 | |
What? Nothing. I don't know. What? | 0:12:24 | 0:12:26 | |
Yeah, that's right. Nothing happened. | 0:12:26 | 0:12:28 | |
You're trying to make me jealous because...? | 0:12:31 | 0:12:34 | |
Because. I don't know. Because I'm a dick. Sorry, man. | 0:12:34 | 0:12:37 | |
MARK CHUCKLES | 0:12:37 | 0:12:39 | |
Don't worry. We'll find a way out. Leave it with me. | 0:12:40 | 0:12:43 | |
We're gonna figure it out. | 0:12:43 | 0:12:45 | |
I have an appointment with my band. | 0:12:45 | 0:12:47 | |
-It's just a pair of handcuffs. -I know. I know. | 0:12:47 | 0:12:50 | |
Relax. Relax. | 0:12:50 | 0:12:53 | |
THUNDER RUMBLES | 0:12:53 | 0:12:55 | |
Now, your motivation to sing along with this particular piece of music | 0:12:57 | 0:13:01 | |
is that we are all pirates with rabies! | 0:13:01 | 0:13:04 | |
MUSIC: "Gone In The Morning" by Newton Faulkner | 0:13:04 | 0:13:06 | |
That is right, ladies and gentlemen. Pirates with rabies. | 0:13:06 | 0:13:10 | |
-Could you do just one more, please? -Eco Lobby. | 0:13:10 | 0:13:13 | |
And we are 60 feet from shore. | 0:13:13 | 0:13:16 | |
Now, on the shore are our arch nemeses, | 0:13:17 | 0:13:22 | |
the barbarian hordes. | 0:13:22 | 0:13:24 | |
And we are now 50 feet away from them. | 0:13:26 | 0:13:29 | |
50 feet from battle and almost certain death. | 0:13:29 | 0:13:33 | |
We are now 40 feet, 40 feet from battle and almost certain death. | 0:13:33 | 0:13:38 | |
We are now 30 feet from battle and almost certain death. | 0:13:38 | 0:13:41 | |
We are now 10 feet. | 0:13:41 | 0:13:44 | |
Nine feet! | 0:13:46 | 0:13:48 | |
Eight feet! | 0:13:50 | 0:13:51 | |
Six feet! | 0:13:53 | 0:13:55 | |
Five frickin; feet! | 0:13:57 | 0:13:59 | |
So let's dance some more. | 0:13:59 | 0:14:02 | |
Four, three! Before they're... | 0:14:02 | 0:14:04 | |
-ALL: -# Gone in the morning | 0:14:04 | 0:14:06 | |
# I wanna know Why they're gone in the morning | 0:14:06 | 0:14:11 | |
# I wanna know Why they're gone in the morning | 0:14:11 | 0:14:14 | |
# I wanna know Why they're gone in the morning | 0:14:14 | 0:14:18 | |
# Before they're gone in the morning | 0:14:18 | 0:14:22 | |
# I wanna know Why they're gone in the morning... # | 0:14:22 | 0:14:25 | |
Kim, it's The Prodigy. | 0:14:29 | 0:14:31 | |
Just say the name, Eco Lobby, promoting our charity | 0:14:31 | 0:14:35 | |
and if you can just lunge towards lens. | 0:14:35 | 0:14:37 | |
-You just need... -Yeah, just bang, like that. | 0:14:37 | 0:14:40 | |
-Right. I'm Tyko from The Make. -No, she's gonna give it to me. | 0:14:40 | 0:14:44 | |
-OK, cool. -You know how to lunge? -Hey, Tyko! | 0:14:44 | 0:14:46 | |
Hey, Danny! All right, man. | 0:14:46 | 0:14:49 | |
-Do you know...? -That's Danny. He died last year. | 0:14:51 | 0:14:54 | |
Anyway, I'm ready. | 0:14:56 | 0:14:58 | |
OK. On the count of three. | 0:14:58 | 0:14:59 | |
I'm gonna lunge towards you at the same time. So we did... | 0:14:59 | 0:15:03 | |
-When you're ready. -I'll go "One, two, three." | 0:15:03 | 0:15:05 | |
-OK. One, two, three. -I'm just doing this thing. | 0:15:05 | 0:15:08 | |
Hi, I'm Tyko from The Make. You're watching Eco Lobby. Check it. | 0:15:08 | 0:15:12 | |
Thank you. Great. Can you just hold that? | 0:15:12 | 0:15:15 | |
What is Eco Lobby? | 0:15:15 | 0:15:17 | |
You went on the website? I gave you the website address. | 0:15:17 | 0:15:20 | |
-Let's pretend I didn't. -OK. I'll explain to you. | 0:15:22 | 0:15:24 | |
Do you know how much it costs to buy an American senator? | 0:15:24 | 0:15:27 | |
-I do not. -Hundred thousand dollars, tops. | 0:15:27 | 0:15:30 | |
They'll vote for your tax cut, construction program. | 0:15:30 | 0:15:33 | |
Whatever you want. Look it up on the Internet. | 0:15:33 | 0:15:35 | |
For 5 million US dollars we could pass | 0:15:35 | 0:15:37 | |
a billion-dollar clean-energy program. | 0:15:37 | 0:15:40 | |
Wow, that's cool. | 0:15:40 | 0:15:42 | |
-Hi. -We're in the middle of an interview. | 0:15:42 | 0:15:44 | |
-Quick question. -Don't touch me. Don't touch me. | 0:15:44 | 0:15:47 | |
So you raise money to give to politicians? | 0:15:47 | 0:15:51 | |
It's what all the big businesses do, so why the bloody hell can't we? | 0:15:51 | 0:15:54 | |
Makes you sound simple. | 0:15:54 | 0:15:56 | |
-Really? -Yes. | 0:15:56 | 0:15:57 | |
You nailed it today, man, but you always do. | 0:15:57 | 0:16:00 | |
Seriously, it was cool. The boys loved it. | 0:16:00 | 0:16:02 | |
-Oh, well, thanks. -You happy? | 0:16:02 | 0:16:04 | |
-You happy with management? -Yeah, I think so. | 0:16:04 | 0:16:07 | |
Because horrible manager, I heard. | 0:16:07 | 0:16:10 | |
Because any time. | 0:16:10 | 0:16:11 | |
My dad's been managing me for the last... Since the beginning, really. | 0:16:11 | 0:16:15 | |
-How is he? Is he cool? -Yeah, no, he's very well. | 0:16:17 | 0:16:20 | |
-Keeps well. Cool. -Yeah, no, he's very good. | 0:16:20 | 0:16:23 | |
Listen, I gotta shoot, but there's a card. | 0:16:24 | 0:16:27 | |
-Cool. Excellent. -Tasteful Think it over. | 0:16:27 | 0:16:30 | |
-Thanks. Check you later. -Take care. | 0:16:30 | 0:16:32 | |
Take care, Newton. Cool. | 0:16:32 | 0:16:34 | |
CHATTERING | 0:16:36 | 0:16:38 | |
Yeah, but that'd be weird. | 0:16:41 | 0:16:44 | |
There you are. | 0:16:44 | 0:16:46 | |
-Hey. -How are you doing? | 0:16:46 | 0:16:49 | |
-Hey, man. -I heard about this. | 0:16:49 | 0:16:52 | |
Brought the old ball and chain, what? | 0:16:52 | 0:16:54 | |
-Who you calling a ball, dick? -Yeah, be nice to my orangutan. | 0:16:54 | 0:16:57 | |
-Adam. -Stop it, Adam. | 0:16:57 | 0:16:58 | |
Yeah, stop it, Adam. | 0:16:58 | 0:17:00 | |
Lake, this is Mike, Morello's boyfriend. | 0:17:00 | 0:17:02 | |
-Mark. -Mark. Big fan. -MARK CHUCKLES | 0:17:02 | 0:17:05 | |
Is that a joke? | 0:17:05 | 0:17:07 | |
-No, no, no. You were my screensaver. -HE CHUCKLES | 0:17:07 | 0:17:10 | |
Are you like a team of stalkers? Is this what you do? | 0:17:10 | 0:17:13 | |
Mainly I bank. | 0:17:13 | 0:17:15 | |
- So you're a banker, eh? - Yeah. | 0:17:16 | 0:17:18 | |
When did you first realise you were a banker? | 0:17:18 | 0:17:21 | |
So, Lake, how do you know each other? | 0:17:21 | 0:17:23 | |
We met at rehab. | 0:17:23 | 0:17:25 | |
Yeah, right. He's obviously slung one up her. | 0:17:28 | 0:17:30 | |
Morello. | 0:17:30 | 0:17:32 | |
Darling, I'm gonna leave you with these lovely people. | 0:17:32 | 0:17:34 | |
-See you later. -OK. | 0:17:34 | 0:17:36 | |
Brilliant. | 0:17:36 | 0:17:37 | |
You can't be angry at me for that. | 0:17:37 | 0:17:39 | |
How many people are you gonna offend? | 0:17:39 | 0:17:41 | |
-Are you OK? -I'm fine. | 0:17:41 | 0:17:43 | |
-What's the matter with you? -Let's not fight. | 0:17:43 | 0:17:45 | |
-You know he was gonna be here? -No. I ran into him. | 0:17:45 | 0:17:48 | |
I'm on in 45 minutes. There has to be a solution. | 0:17:48 | 0:17:51 | |
Why don't you put it on Facebook or something? | 0:17:51 | 0:17:54 | |
Twitter's so much better than Facebook. | 0:17:54 | 0:17:56 | |
Catwalk-honed. | 0:17:56 | 0:17:57 | |
-How many followers do you have? -Ten thousand. | 0:17:57 | 0:18:00 | |
Three hundred thousand. | 0:18:00 | 0:18:01 | |
-Nine hundred thousand. -You do not. | 0:18:01 | 0:18:03 | |
Isn't that the best way to ask a lot of people for help? | 0:18:03 | 0:18:06 | |
Well, not the best. | 0:18:08 | 0:18:10 | |
TECHNICIAN: Yeah, yeah. One, two. Yeah. Two, yeah. | 0:18:10 | 0:18:13 | |
Go on! | 0:18:13 | 0:18:14 | |
Go on! | 0:18:16 | 0:18:17 | |
Hello, everybody. I'm really sorry to barge in on you like this. | 0:18:19 | 0:18:23 | |
Someone bet me that a woman like me | 0:18:23 | 0:18:25 | |
could never become attached to a man with a tiny penis. | 0:18:25 | 0:18:29 | |
-Yeah! -I was massively tricked. | 0:18:29 | 0:18:31 | |
Oh, look. It's Adam Elva from The Make. | 0:18:31 | 0:18:34 | |
Yeah, all right, all right. Very funny. | 0:18:34 | 0:18:36 | |
We got hitched together by some crazy dude backstage. | 0:18:36 | 0:18:39 | |
I'd love to return his beautiful cuffs. If anyone has any bolt cutters... | 0:18:39 | 0:18:42 | |
Bolt cutters! | 0:18:46 | 0:18:48 | |
-Get off me! -All right, all right. | 0:18:48 | 0:18:52 | |
-Please. -Easy, guys. | 0:18:52 | 0:18:54 | |
They were just leaving. Show's over. | 0:18:54 | 0:18:56 | |
Good luck, boys. Good luck. | 0:18:56 | 0:18:58 | |
-Oh, my God. -How long have we got? | 0:18:58 | 0:19:00 | |
-15 minutes. -What stage you say you're on? | 0:19:00 | 0:19:03 | |
That way. That way. | 0:19:03 | 0:19:04 | |
-Run. -This is fun. | 0:19:04 | 0:19:07 | |
Keep him under control. Keep him under a blanket. | 0:19:07 | 0:19:09 | |
-Who's gonna do my solos? -I'll cover you. | 0:19:09 | 0:19:12 | |
-Welcome to my side project. -You're in The Vaginas. | 0:19:12 | 0:19:15 | |
-Where I've always wanted to be. -Shut up. Hurry up. | 0:19:15 | 0:19:17 | |
So are all their songs about vagine? | 0:19:17 | 0:19:20 | |
ALL: # And I would walk 500 miles | 0:19:20 | 0:19:24 | |
# And I would walk 500 more | 0:19:24 | 0:19:27 | |
# Just to be the man Who walks a thousand miles | 0:19:27 | 0:19:31 | |
# To fall down at your door | 0:19:31 | 0:19:34 | |
# Da, da, da Da, da, da | 0:19:34 | 0:19:37 | |
# Da, da, da Da, da, da... # | 0:19:37 | 0:19:39 | |
Oh, my God. Have you seen Twitter? It's crazy. | 0:19:40 | 0:19:44 | |
You see? | 0:19:44 | 0:19:45 | |
You were right. You were right, OK? | 0:19:45 | 0:19:47 | |
-Whoa. Sorry, man. -Look. | 0:19:47 | 0:19:50 | |
Oh, yeah? All right. | 0:19:50 | 0:19:52 | |
Excuse me. Can I get a photo with you? | 0:19:52 | 0:19:54 | |
-Yeah. -You want me to take it? | 0:19:54 | 0:19:56 | |
-Guys. -Wait up, wait up. | 0:19:56 | 0:19:58 | |
-Hurry up, hurry up. -Come on. | 0:19:58 | 0:20:00 | |
-Can you hurry up? -All right. | 0:20:00 | 0:20:02 | |
-Guys, can we just go, please? -Hello! | 0:20:02 | 0:20:05 | |
Nice, Tyko. Got a cheap one in the background. | 0:20:05 | 0:20:08 | |
Guys, come on. I'm on, like, now. | 0:20:08 | 0:20:10 | |
Hey, Morello. Jay played me one of your songs. They're really good. | 0:20:10 | 0:20:14 | |
I saw one of your poses. It was transcendent. | 0:20:14 | 0:20:16 | |
Thanks. | 0:20:16 | 0:20:17 | |
-Do you have to be that rude? -She's saying you're beautiful. | 0:20:17 | 0:20:20 | |
Lake, I'm sorry. | 0:20:20 | 0:20:23 | |
-You know what? -I need to go back for five minutes. | 0:20:26 | 0:20:28 | |
-Why? -Because I need a restroom. | 0:20:28 | 0:20:30 | |
-What? Go on the way. -I said a restroom, not a portaloo. | 0:20:30 | 0:20:33 | |
-Don't be such a baby, man. -Listen, Tintin, focus, OK? | 0:20:33 | 0:20:36 | |
We don't even want you on our stage. | 0:20:36 | 0:20:38 | |
But we have to play well or we're not getting invited back. | 0:20:38 | 0:20:41 | |
So if you could lower yourself to the level of the public, | 0:20:41 | 0:20:44 | |
that would be great. | 0:20:44 | 0:20:46 | |
All right. I can do that. Let's go. Come on. | 0:20:46 | 0:20:49 | |
-Really? -Sophie, it's me. How you doing? | 0:20:49 | 0:20:52 | |
-I cannot control him. -Watch and learn, Tyko. | 0:20:52 | 0:20:56 | |
Yeah, don't worry about the price. | 0:20:56 | 0:20:58 | |
-God. Here we go. -They're really not that bad. | 0:20:58 | 0:21:01 | |
-OK, keep me posted. -Oh, I think they are. | 0:21:01 | 0:21:04 | |
All right. | 0:21:05 | 0:21:07 | |
Oh, this is nice. | 0:21:08 | 0:21:10 | |
Ugh. Get off. | 0:21:10 | 0:21:12 | |
Sure you don't wanna come in? | 0:21:12 | 0:21:14 | |
SINGER: Look after each other, you hear me? | 0:21:14 | 0:21:17 | |
-Have you started yet? -I'm going as fast as I can. | 0:21:18 | 0:21:21 | |
Keep your fucking panties on. | 0:21:21 | 0:21:23 | |
Ow! Ow! | 0:21:23 | 0:21:26 | |
You... Fuck. | 0:21:26 | 0:21:27 | |
Aw, did you piss on yourself? | 0:21:27 | 0:21:29 | |
What the fuck are you doing, man? | 0:21:29 | 0:21:32 | |
Ready? Yeah? Wicked. Can we go to this gig now, please? | 0:21:32 | 0:21:35 | |
MUSIC: "Give It A Go" by the Dirty Pinks | 0:21:35 | 0:21:39 | |
# After trial and error | 0:21:43 | 0:21:45 | |
# From the first half fever Till the cold goodbye | 0:21:45 | 0:21:47 | |
# I've broken a few hearts They ripped mine | 0:21:47 | 0:21:51 | |
# Then I say never, never, never again Only one night stands for me | 0:21:51 | 0:21:55 | |
# Then another one comes along I give in so easily | 0:21:55 | 0:21:58 | |
# And I say no, no, no Gonna give it a go, go, go | 0:21:58 | 0:22:03 | |
# I want to know, know, know How good it feels | 0:22:03 | 0:22:05 | |
# To lie in someone's arms And hear them say baby... # | 0:22:05 | 0:22:09 | |
CROWD CHEERING | 0:22:09 | 0:22:11 | |
Thank you! Thank you very much. | 0:22:11 | 0:22:14 | |
So you might have noticed a little change to our usual lineup. | 0:22:19 | 0:22:23 | |
Morello's developed a nasty growth on her right hand. | 0:22:23 | 0:22:26 | |
-FAN: -Adam and Morello, you sexy beast! -Yeah. | 0:22:26 | 0:22:29 | |
Ready, ladies? | 0:22:29 | 0:22:31 | |
One, two, three, four! | 0:22:32 | 0:22:34 | |
Come on! | 0:22:34 | 0:22:36 | |
# Ahh | 0:22:39 | 0:22:43 | |
-CROWD SING ALONG: -# Ahhh... # | 0:22:46 | 0:22:49 | |
Hello? Bobby, yeah. Have you got the key? | 0:22:56 | 0:22:59 | |
-OK, Bobby, see you later. -OK, let's get it over here. | 0:22:59 | 0:23:03 | |
# Shame on you for trying To take me down a peg or two | 0:23:03 | 0:23:06 | |
# Ohh | 0:23:06 | 0:23:09 | |
# Taken the blame for a fairytale Of forbidden fruit | 0:23:09 | 0:23:12 | |
# Ooh | 0:23:12 | 0:23:14 | |
# Describe me a position But I don't wanna play | 0:23:14 | 0:23:17 | |
# Realise I should be pretty And have nothing to say | 0:23:17 | 0:23:20 | |
# I will not stay put and obey... # | 0:23:20 | 0:23:25 | |
Hey! | 0:23:30 | 0:23:33 | |
AUDIENCE LAUGHS | 0:23:33 | 0:23:34 | |
Get off! | 0:23:34 | 0:23:36 | |
# Dirty Pink covers all manner of sins | 0:23:38 | 0:23:42 | |
# The jilted brides that blush on cue | 0:23:44 | 0:23:47 | |
# That's just something A girl like me wouldn't do | 0:23:47 | 0:23:50 | |
# I will not wait for you | 0:23:50 | 0:23:55 | |
# Sometimes I feel I've got to | 0:23:55 | 0:23:59 | |
# Run away I've got to get away | 0:23:59 | 0:24:04 | |
# From the pain you drive Into the heart of me | 0:24:04 | 0:24:08 | |
# The love we share Seems to go nowhere | 0:24:08 | 0:24:13 | |
# And I've lost my light | 0:24:13 | 0:24:17 | |
# For I toss and turn I can't sleep at night | 0:24:17 | 0:24:20 | |
# Once I ran to you Come on! | 0:24:20 | 0:24:23 | |
# Now I run from you | 0:24:23 | 0:24:26 | |
BOTH: # This tainted love you've given | 0:24:26 | 0:24:29 | |
# I give you all a boy could give you | 0:24:29 | 0:24:31 | |
# Take my tears And that's not nearly all | 0:24:31 | 0:24:35 | |
# Tainted love Ohh | 0:24:35 | 0:24:38 | |
# Tainted love | 0:24:38 | 0:24:40 | |
-# Sometimes I feel I've got to -Dirty Pink covers all manner of sins | 0:24:40 | 0:24:44 | |
-# Get away I've got to -# Hey | 0:24:44 | 0:24:46 | |
# Sugar and filth Isn't all that I have been | 0:24:46 | 0:24:49 | |
# The pain you drive Into the heart of me | 0:24:49 | 0:24:52 | |
-# The jilted brides that blush on cue -Seems to go nowhere | 0:24:52 | 0:24:58 | |
-# And I've lost my light -I will not wait for you | 0:24:58 | 0:25:02 | |
# Can't sleep at night | 0:25:02 | 0:25:04 | |
BOTH: # Once I ran to you | 0:25:04 | 0:25:07 | |
-# Now I run from you -Ahh | 0:25:07 | 0:25:10 | |
# This tainted love you've given I give you all a boy could give you | 0:25:10 | 0:25:16 | |
# Take my tears And that's not nearly all. # | 0:25:16 | 0:25:20 | |
CHEERING | 0:25:27 | 0:25:29 | |
I can't believe you did that! | 0:25:36 | 0:25:38 | |
Hey, baby. You all right? | 0:25:38 | 0:25:41 | |
Sweetheart, that was incredible. It was great. | 0:25:41 | 0:25:45 | |
TYKO: Hey, Adam. | 0:25:45 | 0:25:47 | |
-Guys, I've just had good news. -Delivery from Bobby. | 0:25:47 | 0:25:49 | |
I have got what are now the world's most expensive bolt cutters | 0:25:49 | 0:25:53 | |
being taxied in from Edinburgh. They'll be here in a couple of hours. | 0:25:53 | 0:25:56 | |
-Oh, thank the Lord. -Oh, baby! | 0:25:56 | 0:25:58 | |
-And that's why he's my man. -Yes, it is. | 0:25:59 | 0:26:02 | |
ALL: Slainte! | 0:26:02 | 0:26:05 | |
All right. | 0:26:05 | 0:26:06 | |
GROANING AND COUGHING | 0:26:09 | 0:26:10 | |
-What the fuck was that? -Beer and gin. | 0:26:10 | 0:26:14 | |
-Why?! -I like it. | 0:26:14 | 0:26:16 | |
-That's disgusting. -There's the crazy guy. | 0:26:16 | 0:26:18 | |
The guy. TYKO: What guy? | 0:26:18 | 0:26:20 | |
-The handcuff guy. -Where, where, where? | 0:26:20 | 0:26:23 | |
He's there by that food stall. | 0:26:23 | 0:26:25 | |
Hey! Ha-ha-ha. | 0:26:25 | 0:26:27 | |
Do that shit! | 0:26:27 | 0:26:28 | |
-Let's go, let's go! -Where? | 0:26:28 | 0:26:30 | |
-I don't know. Wait. -Why are you being so slow? | 0:26:30 | 0:26:34 | |
-OK, OK. -Guys... | 0:26:34 | 0:26:37 | |
Where? He's gone off somewhere. Shit. | 0:26:37 | 0:26:41 | |
You religious pervert! | 0:26:41 | 0:26:44 | |
-You class nutter! -Where'd he go? | 0:26:44 | 0:26:47 | |
-Where's he gone? -I don't know. I can't see him. | 0:26:47 | 0:26:49 | |
-Cross man! -MARK: -We'll never find him. | 0:26:49 | 0:26:51 | |
There's 100,000 people here. | 0:26:51 | 0:26:54 | |
Listen, it's OK. The taxi's coming in a couple of hours. Let's chill. | 0:26:54 | 0:26:58 | |
There could be a worse way to spend a night, right? | 0:26:58 | 0:27:01 | |
Exactly. Let's have a good time. | 0:27:01 | 0:27:03 | |
Let's just go and get a drink. Let's have some fun, right? | 0:27:03 | 0:27:05 | |
See, it's not bad, is it? | 0:27:07 | 0:27:09 | |
-It's all right. -Who wants another one? | 0:27:09 | 0:27:12 | |
# I start to come undone... # | 0:27:13 | 0:27:16 | |
-Come on. -Ow! | 0:27:16 | 0:27:18 | |
# Sometimes I feel that It's all too much to take | 0:27:20 | 0:27:26 | |
# I look in the mirror But don't recognise... # | 0:27:27 | 0:27:32 | |
Hey. I know you. | 0:27:32 | 0:27:35 | |
-No. -You're Adam. | 0:27:35 | 0:27:37 | |
-Sorry. -I know you! | 0:27:37 | 0:27:40 | |
# It cuts like a knife... # | 0:27:40 | 0:27:42 | |
What should we do now? | 0:27:43 | 0:27:45 | |
# Things will turn out right | 0:27:45 | 0:27:48 | |
# So show me the light | 0:27:48 | 0:27:49 | |
# And tell me that Things will turn out right | 0:27:51 | 0:27:55 | |
# Remember the night | 0:27:55 | 0:27:57 | |
# How we would hold each other tight | 0:27:59 | 0:28:02 | |
# So show me the light... # | 0:28:02 | 0:28:04 | |
Shall we go on that? | 0:28:06 | 0:28:07 | |
# Soon it will be snowing | 0:28:07 | 0:28:10 | |
# The sky at night is dark | 0:28:11 | 0:28:13 | |
# The stars they all start glowing | 0:28:13 | 0:28:17 | |
# So show me the light | 0:28:17 | 0:28:19 | |
# Tell me that Things will turn out right | 0:28:20 | 0:28:24 | |
# It cuts like a knife | 0:28:24 | 0:28:26 | |
# When you say things... # | 0:28:28 | 0:28:29 | |
Can I have your biggest sausage? | 0:28:29 | 0:28:31 | |
-Oh, my God. That's disgusting. -You gonna eat that? Now? | 0:28:31 | 0:28:35 | |
-Ew. -Ew. | 0:28:35 | 0:28:37 | |
Let's go watch some bands play. | 0:28:37 | 0:28:39 | |
TYKO: Come on! KIRSTY: Yeah! | 0:28:39 | 0:28:42 | |
MUSIC: "Colours" by Calvin Harris | 0:28:42 | 0:28:44 | |
Animal! | 0:29:04 | 0:29:06 | |
-Animal beginning with E. -Beginning with E. | 0:29:06 | 0:29:09 | |
-Emu. -All right. | 0:29:09 | 0:29:10 | |
Drink while you think. | 0:29:10 | 0:29:12 | |
Body part. Start with a U. | 0:29:12 | 0:29:14 | |
-Umbilical cord. -Umbilical cord. | 0:29:15 | 0:29:18 | |
Animal beginning with E. | 0:29:18 | 0:29:21 | |
Edward. | 0:29:21 | 0:29:23 | |
That's the name of the animal. | 0:29:23 | 0:29:25 | |
THEY LAUGH | 0:29:25 | 0:29:26 | |
He happens to be a lemur, but his name is Edward. | 0:29:26 | 0:29:30 | |
Edward. | 0:29:30 | 0:29:31 | |
CELL PHONE CHIMES | 0:29:31 | 0:29:33 | |
-I love this game. -You win for that. | 0:29:33 | 0:29:35 | |
Right, that's the taxi arriving with the bolt cutters. | 0:29:35 | 0:29:38 | |
-Body part beginning with R. -OK, see you all in a minute. R... | 0:29:38 | 0:29:41 | |
Hi there. Have you got a package there? | 0:29:43 | 0:29:46 | |
There you are. This is yours. | 0:29:46 | 0:29:48 | |
What? | 0:29:52 | 0:29:54 | |
-Are you kidding me? -Just delivering a package. Sorry. | 0:29:55 | 0:29:58 | |
I've gotta cut my girlfriend off a rock star, not prune the bloody roses! | 0:30:01 | 0:30:06 | |
Fuck. | 0:30:07 | 0:30:08 | |
# People, get ready People, unite... # | 0:30:10 | 0:30:13 | |
Hey, we'll have to try again in the morning, all right? | 0:30:15 | 0:30:19 | |
-What'd you say? -They sent the wrong thing. | 0:30:19 | 0:30:22 | |
DJ: One thing's for sure, let's have a fucking great time right here. | 0:30:22 | 0:30:26 | |
T in the Park! Come on! | 0:30:26 | 0:30:28 | |
# People, get ready People, unite | 0:30:34 | 0:30:37 | |
# Yes | 0:30:37 | 0:30:38 | |
# People People | 0:30:44 | 0:30:48 | |
# People People... # | 0:30:48 | 0:30:50 | |
Yeah! | 0:30:55 | 0:30:57 | |
Whoo! | 0:30:57 | 0:30:59 | |
Whoo! | 0:31:01 | 0:31:02 | |
Guys, I'm so knackered. | 0:31:11 | 0:31:14 | |
That's it. I'm done. I've been up since three this morning. | 0:31:15 | 0:31:19 | |
This is going to be weird. | 0:31:19 | 0:31:21 | |
What, four in a bed? | 0:31:23 | 0:31:26 | |
No, that's fine. I just... I never had a guy there before. | 0:31:26 | 0:31:30 | |
SHE CHUCKLES | 0:31:30 | 0:31:31 | |
MUSIC PLAYING IN DISTANCE | 0:31:31 | 0:31:33 | |
TYKO: I'm serious, they're classic movies, right? | 0:31:52 | 0:31:56 | |
I got the whole back catalog remastered on Blu-ray. | 0:31:56 | 0:31:59 | |
No way. Really? | 0:31:59 | 0:32:00 | |
Have you ever seen Dumbo on mushrooms? | 0:32:00 | 0:32:02 | |
I have not done that. We should do that. | 0:32:02 | 0:32:05 | |
We should, right? We got a plasma screen on the tour bus, so... | 0:32:05 | 0:32:09 | |
Nice. How big is that? How many inches are we talking here? | 0:32:09 | 0:32:12 | |
-Does that matter to you? -No. | 0:32:12 | 0:32:16 | |
A little, maybe. | 0:32:16 | 0:32:18 | |
I am not sleeping in a tent. | 0:32:18 | 0:32:22 | |
It's a yurt. | 0:32:22 | 0:32:23 | |
Well, I am, and I'm sleeping with your boyfriend. | 0:32:23 | 0:32:26 | |
I'm not sleeping with yours. | 0:32:26 | 0:32:28 | |
Adam, it's been five days. | 0:32:29 | 0:32:31 | |
What, you just wanna go for it? | 0:32:31 | 0:32:33 | |
I got some strong sleeping pills if you guys want any. | 0:32:33 | 0:32:36 | |
There will be no sex, ever. | 0:32:36 | 0:32:39 | |
Mark, must be a real blow, man. No monkey sex. | 0:32:39 | 0:32:42 | |
MORELLO CHUCKLES | 0:32:42 | 0:32:44 | |
What is monkey sex? | 0:32:45 | 0:32:47 | |
We'll call ourselves The Sidekicks, right? | 0:32:47 | 0:32:50 | |
Let's be The Sidekicks. | 0:32:50 | 0:32:52 | |
It's a beautiful thing we're gonna do. | 0:32:52 | 0:32:54 | |
It's a very beautiful thing. Yeah. | 0:32:54 | 0:32:56 | |
-Hey... -Yes. I mean, you're... | 0:32:56 | 0:32:58 | |
You get it, right? | 0:32:58 | 0:33:00 | |
Yeah. I'm gonna come back in one minute. | 0:33:00 | 0:33:03 | |
OK. OK. | 0:33:03 | 0:33:05 | |
All right. | 0:33:05 | 0:33:07 | |
MUSIC PLAYING IN DISTANCE | 0:33:08 | 0:33:10 | |
I thought you said we were staying on a yacht. | 0:33:21 | 0:33:23 | |
-I said yurt. -Yurt. Yurt. Yurt. | 0:33:23 | 0:33:26 | |
You're gonna love this. | 0:33:26 | 0:33:29 | |
Oh, yes. | 0:33:29 | 0:33:30 | |
-Ready? -OK. | 0:33:30 | 0:33:33 | |
-Ta-da! -A bed! | 0:33:33 | 0:33:35 | |
See? It's not like a tent. It is like a...yurt. | 0:33:35 | 0:33:38 | |
I'm getting out of these wellies immediately. | 0:33:38 | 0:33:40 | |
It's not as bad as I thought. | 0:33:40 | 0:33:42 | |
Oh, no, don't put those there. | 0:33:42 | 0:33:44 | |
-Watch the... -MORELLO LAUGHS | 0:33:44 | 0:33:47 | |
-Ah! -Whoa. | 0:33:47 | 0:33:50 | |
Hello. | 0:33:50 | 0:33:52 | |
-This is... Oh, all right. -Let me take your jacket. | 0:33:52 | 0:33:56 | |
God, how do I get this off? Here. | 0:33:56 | 0:33:59 | |
Ow, ow, ow. | 0:33:59 | 0:34:02 | |
Oh, wait. We need to get... | 0:34:02 | 0:34:03 | |
-OK. -This fucking... | 0:34:03 | 0:34:06 | |
-Move over, sweetie. -Come here, baby. | 0:34:06 | 0:34:08 | |
This is not really what I had in mind for the evening. | 0:34:08 | 0:34:12 | |
Never mind. | 0:34:12 | 0:34:14 | |
-I'm falling out of the bed. -Please move up a bit. | 0:34:22 | 0:34:25 | |
-We can't move up. -Adam, move over a bit. | 0:34:25 | 0:34:27 | |
-That better be your hand, baby. -It is my hand. | 0:34:27 | 0:34:31 | |
Do you get...animals in here? | 0:34:32 | 0:34:34 | |
MUSIC: "Freaky Freaky Raving" by Found | 0:34:34 | 0:34:37 | |
# Side by side | 0:34:39 | 0:34:40 | |
# I'll just imagine | 0:34:44 | 0:34:47 | |
# The times we'd be having | 0:34:49 | 0:34:52 | |
# There's no room for napping | 0:34:55 | 0:34:58 | |
# Or anything | 0:35:00 | 0:35:02 | |
# Freaky freaky raving... # | 0:35:05 | 0:35:08 | |
So you know what monkey-facing is but you don't know what pirating is? | 0:35:08 | 0:35:13 | |
-SHE CLEARS THROAT -Whoa. | 0:35:15 | 0:35:18 | |
HE CHUCKLES | 0:35:18 | 0:35:20 | |
Tyko, hey, wait up. Where are you going, man? | 0:35:20 | 0:35:23 | |
Exploring. | 0:35:23 | 0:35:25 | |
Do not make it a big night. | 0:35:25 | 0:35:27 | |
We have a gig tomorrow, right? Remember Coachella? | 0:35:27 | 0:35:30 | |
Relax. They liked it. | 0:35:30 | 0:35:32 | |
Tyko, if you did that in Texas, it would have been illegal, OK? | 0:35:32 | 0:35:35 | |
-OK, whatever. -Tyko, this is Scotland. | 0:35:35 | 0:35:39 | |
Look at what you're wearing. | 0:35:39 | 0:35:41 | |
They will fucking deep-fry you out there. | 0:35:41 | 0:35:44 | |
Now, why don't we just have a couple of drinks, | 0:35:44 | 0:35:47 | |
and go for quick look around, huh? | 0:35:47 | 0:35:50 | |
-OK, we'll make it a quiet one. -That's my boy. | 0:35:50 | 0:35:54 | |
# Who's gonna give me a ride To the aftershow... # | 0:35:54 | 0:35:57 | |
-Ah! Number two! -OK. | 0:35:57 | 0:36:00 | |
-Three, two, one. -Three, two, one. | 0:36:00 | 0:36:03 | |
WOMAN SQUEALS | 0:36:05 | 0:36:07 | |
Hello! | 0:36:07 | 0:36:08 | |
Hi. Yeah, it's me. | 0:36:09 | 0:36:11 | |
Sign me, sign me, sign me! | 0:36:11 | 0:36:13 | |
All right. You're enthusiastic, aren't you? | 0:36:13 | 0:36:17 | |
-What's your name? -Jenny. | 0:36:17 | 0:36:20 | |
-Jenny with a Y? -Yes. Oh, my God! | 0:36:21 | 0:36:24 | |
All right. I'm gonna sign the last part backwards, | 0:36:24 | 0:36:27 | |
so you can read it in the mirror. | 0:36:27 | 0:36:29 | |
-All right! -All right. | 0:36:29 | 0:36:31 | |
-There we go. -Thank you! | 0:36:31 | 0:36:33 | |
Hey, I'm the manager. You want me to sign the other one? | 0:36:33 | 0:36:36 | |
No, no, no. Ugh. | 0:36:36 | 0:36:38 | |
I've got warm hands. | 0:36:38 | 0:36:40 | |
You can't do that. People don't like it. | 0:36:40 | 0:36:43 | |
Oh, come on. | 0:36:43 | 0:36:45 | |
-Let's get another drink, huh? -Yeah. You get them. | 0:36:45 | 0:36:48 | |
I'll stay and suck up the fans. | 0:36:48 | 0:36:52 | |
Who wants their titty signed? Come on. | 0:36:52 | 0:36:55 | |
I'm ready. | 0:36:55 | 0:36:58 | |
Let's get out of here. | 0:36:58 | 0:37:00 | |
ADAM MOANS | 0:37:10 | 0:37:11 | |
-WHISPERING: -Adam. | 0:37:11 | 0:37:13 | |
-Adam. -WHISPERING: -What? | 0:37:13 | 0:37:15 | |
I need the loo. | 0:37:15 | 0:37:17 | |
You could pee in a bottle or something. | 0:37:19 | 0:37:22 | |
I could pee on your face. | 0:37:22 | 0:37:23 | |
OK. Yeah. | 0:37:26 | 0:37:28 | |
Let's not do that. | 0:37:28 | 0:37:29 | |
OK. | 0:37:29 | 0:37:31 | |
BOTH CHUCKLE | 0:37:41 | 0:37:44 | |
Go on. After you. | 0:37:44 | 0:37:46 | |
Shh. Shh. | 0:37:51 | 0:37:52 | |
BOTH LAUGH | 0:37:55 | 0:37:59 | |
Shut up. | 0:37:59 | 0:38:01 | |
Right. I've gotta just do myself up at the bottom. | 0:38:11 | 0:38:16 | |
I've got, like, this really annoying body. It's like... | 0:38:16 | 0:38:19 | |
That I've got to do up underneath like a babygrow. | 0:38:19 | 0:38:22 | |
-Why would I wanna know that? -Pretty weird. | 0:38:22 | 0:38:25 | |
Like a toddler. | 0:38:25 | 0:38:27 | |
All right. | 0:38:29 | 0:38:31 | |
OK. First of all. | 0:38:31 | 0:38:34 | |
I always forget to wash my hands, actually. | 0:38:34 | 0:38:37 | |
I don't need that much. Go away. | 0:38:37 | 0:38:39 | |
Get your hands under there now. | 0:38:39 | 0:38:41 | |
Yes. | 0:38:41 | 0:38:42 | |
-Put them on there. -Put them on? | 0:38:49 | 0:38:51 | |
Put your hands on there. | 0:38:51 | 0:38:52 | |
No, it's that way. It's that way. | 0:39:01 | 0:39:04 | |
We just came from that way, definitely. | 0:39:04 | 0:39:06 | |
I'm kind of really awake now. You snore, by the way. | 0:39:09 | 0:39:12 | |
-I what? -Snore. | 0:39:12 | 0:39:13 | |
-I snore? -You snore. | 0:39:13 | 0:39:15 | |
You sound like a kind of... like a chainsaw on speed. | 0:39:15 | 0:39:18 | |
-I do not snore. -Yeah, you do. -SHE SNORTS | 0:39:18 | 0:39:20 | |
Like little, like, baby snores. Almost like you've got something stuck. | 0:39:20 | 0:39:24 | |
You know who snores really bad? You know who snores really bad? | 0:39:24 | 0:39:28 | |
Who? | 0:39:28 | 0:39:29 | |
L to the A to the K to the E. | 0:39:29 | 0:39:33 | |
-What? -Lake. | 0:39:33 | 0:39:34 | |
Really? I snore pretty bad as well. | 0:39:34 | 0:39:38 | |
Go on. Here you are. | 0:39:38 | 0:39:40 | |
SHE CHUCKLES | 0:39:40 | 0:39:41 | |
Mark speaks in his "spleep". | 0:39:45 | 0:39:47 | |
-He speaks in his "spleep"? -He sleeps... | 0:39:47 | 0:39:50 | |
-Speaks in his sleep? -Speaks in his sleep. | 0:39:50 | 0:39:52 | |
-He kind of... -SHE MUMBLES GIBBERISH | 0:39:52 | 0:39:54 | |
He wants to give orders in the morning. Muh-muh-muh! Coffee! | 0:39:54 | 0:39:58 | |
I've still got that song in my head. | 0:39:59 | 0:40:01 | |
# I've got to run away I've got to... ½ | 0:40:01 | 0:40:05 | |
You weren't as shit as I thought you'd be. | 0:40:05 | 0:40:08 | |
Shut up. | 0:40:08 | 0:40:09 | |
-Come on, baby. It was a joke. -You've seen me in the flesh. | 0:40:09 | 0:40:12 | |
-At least finish your drink. -You haven't seen me play. | 0:40:12 | 0:40:15 | |
You've gotta come tomorrow night for that. | 0:40:15 | 0:40:19 | |
-Hey, Bobby. -I'm cool. | 0:40:20 | 0:40:23 | |
-Are you OK? -Yeah. | 0:40:23 | 0:40:25 | |
We're kind of trying to have a moment. | 0:40:27 | 0:40:32 | |
What the fuck? | 0:40:32 | 0:40:33 | |
I'm sorry. That's Bobby. He's our manager. | 0:40:33 | 0:40:36 | |
Fucking here till Sunday. Try the veal. | 0:40:36 | 0:40:39 | |
I can't leave him on his own. | 0:40:40 | 0:40:42 | |
# Have twenty "one mores" Oh, it does not relent | 0:40:42 | 0:40:47 | |
# The good times are killing me... # | 0:40:49 | 0:40:52 | |
What do you wanna do now? | 0:40:56 | 0:40:58 | |
-I wanna go on somewhere else. -What's your name? I'm Bobby. | 0:40:58 | 0:41:01 | |
Now you're talking my language. | 0:41:01 | 0:41:03 | |
I don't wanna stay here. | 0:41:03 | 0:41:06 | |
OK. What do you have in mind? | 0:41:06 | 0:41:08 | |
-I saw you. -Shh. | 0:41:08 | 0:41:10 | |
What? I'm being quiet. | 0:41:10 | 0:41:13 | |
Where have you been?! | 0:41:13 | 0:41:15 | |
MORELLO LAUGHS | 0:41:15 | 0:41:17 | |
-Uh, little trip to the restroom. -Together? | 0:41:17 | 0:41:20 | |
-Well... -Incredible. | 0:41:20 | 0:41:22 | |
While you leave me alone with this pervert? | 0:41:22 | 0:41:25 | |
-What? -Come on, Lake. | 0:41:25 | 0:41:27 | |
-Don't "Lake" me. -Why not? It's your name. | 0:41:27 | 0:41:30 | |
Baby, the trick is to shut out her voice. | 0:41:30 | 0:41:32 | |
I know, she has a voice like the Elephant Man's face. | 0:41:32 | 0:41:35 | |
-Why don't you shut up? -Why don't you shut up? | 0:41:35 | 0:41:38 | |
-Why are you such a bitch? -Because I'm worth it. | 0:41:38 | 0:41:40 | |
I've seen your pores. You're not. | 0:41:40 | 0:41:42 | |
-Ooh. -Honey. | 0:41:42 | 0:41:43 | |
I've always wondered if models made fun of ordinary-person looks. | 0:41:43 | 0:41:46 | |
You are not an ordinary person. Ordinary purple... People... | 0:41:46 | 0:41:50 | |
LAUGHING | 0:41:50 | 0:41:53 | |
-What? Shut up. -Sorry. I can't. | 0:41:54 | 0:41:57 | |
-Shut up. -I'm trying. | 0:42:01 | 0:42:04 | |
Lake, what are you doing? Lake. | 0:42:04 | 0:42:07 | |
MORELLO LAUGHING | 0:42:07 | 0:42:09 | |
Don't... Wait. Baby. | 0:42:09 | 0:42:11 | |
-Morello. Morello. -It's over, Adam. | 0:42:13 | 0:42:15 | |
Lake, come on. | 0:42:15 | 0:42:16 | |
MUSIC PLAYING IN DISTANCE | 0:42:16 | 0:42:18 | |
Baby, come back, all right? We're just... | 0:42:18 | 0:42:20 | |
Lake. | 0:42:22 | 0:42:23 | |
Wait up. Lake! | 0:42:23 | 0:42:26 | |
Lake, hey, wait up. | 0:42:26 | 0:42:28 | |
Where'd she go? | 0:42:33 | 0:42:36 | |
HE SIGHS | 0:42:36 | 0:42:37 | |
Shit. | 0:42:42 | 0:42:44 | |
That was all my fault. I'm really sorry. | 0:42:44 | 0:42:46 | |
ELECTRO PLAYS | 0:42:49 | 0:42:53 | |
Hey, Bobby, we're gonna move on. | 0:43:03 | 0:43:05 | |
Yeah, I know, I fucking love this tune. | 0:43:05 | 0:43:08 | |
We should be dancing naked on a beach, right? | 0:43:08 | 0:43:11 | |
Hey. My jacket. | 0:43:11 | 0:43:13 | |
We got a friend. | 0:43:13 | 0:43:15 | |
I could fuck the hole in a dolphin's head. | 0:43:15 | 0:43:18 | |
MUSIC PLAYING IN DISTANCE | 0:43:19 | 0:43:21 | |
-Hey. -All right, Mark. | 0:43:22 | 0:43:25 | |
You know, working in music, | 0:43:33 | 0:43:38 | |
being in a band, you develop these... | 0:43:38 | 0:43:42 | |
..these telepathic connections, you know? | 0:43:44 | 0:43:48 | |
For that reason alone, I think it's the best way to spend your life. | 0:43:48 | 0:43:52 | |
You know? For that connection. | 0:43:52 | 0:43:54 | |
That's... That's wealth. | 0:43:55 | 0:43:57 | |
I'm really sorry about Lake. | 0:43:59 | 0:44:02 | |
No. No, no. She was... | 0:44:02 | 0:44:05 | |
We were... | 0:44:06 | 0:44:08 | |
-No connection. -I'm sorry. | 0:44:09 | 0:44:11 | |
Nothing compared to what I have with your girlfriend. | 0:44:12 | 0:44:15 | |
Am I lying? I mean... | 0:44:21 | 0:44:23 | |
You barely know her, man. | 0:44:24 | 0:44:26 | |
I've known her 10 hours and I have a better connection. | 0:44:26 | 0:44:29 | |
Of course, she'll say otherwise. | 0:44:29 | 0:44:32 | |
That's because you're the fall-back. | 0:44:32 | 0:44:34 | |
-What? -Gotta have a fall-back, right? | 0:44:34 | 0:44:36 | |
Don't listen to him. | 0:44:37 | 0:44:39 | |
Anyway, I need a drink, so let's go find a bar. | 0:44:43 | 0:44:47 | |
Just ignore him. Come on. | 0:44:47 | 0:44:49 | |
-Mark? -I'm not doing this again, Morello. | 0:44:52 | 0:44:55 | |
It's not happening again. | 0:44:55 | 0:44:58 | |
It's not happening again. | 0:44:59 | 0:45:01 | |
-You'd better go with him. -Mark. | 0:45:05 | 0:45:08 | |
Go. | 0:45:11 | 0:45:12 | |
MUSIC: "Mapped By What Surrounded Them" by the Twilight Sad | 0:45:18 | 0:45:21 | |
# And these walls | 0:45:24 | 0:45:25 | |
# And these walls are filled with blame | 0:45:25 | 0:45:30 | |
# And these walls | 0:45:37 | 0:45:39 | |
# And these walls Are filled with blame | 0:45:40 | 0:45:44 | |
# And she's sitting In the primrose garden | 0:45:48 | 0:45:53 | |
# And she's playing with her toys | 0:45:53 | 0:45:56 | |
# Just another child-like ghost | 0:46:01 | 0:46:03 | |
# The trees and animals cry... # | 0:46:05 | 0:46:08 | |
# My hole, I'll get my hole... # | 0:46:21 | 0:46:25 | |
You got any hobbies? | 0:46:25 | 0:46:28 | |
No. | 0:46:28 | 0:46:30 | |
# I'll get my hole... # | 0:46:31 | 0:46:32 | |
TYKO AND WOMAN MOAN IN TENT | 0:46:32 | 0:46:37 | |
# It's a choo-choo train... # | 0:46:37 | 0:46:41 | |
That's great. Yeah. | 0:46:42 | 0:46:44 | |
Oh, my God. | 0:46:44 | 0:46:46 | |
I charged it up again, so I can do it all tonight. | 0:46:46 | 0:46:48 | |
And then we can redo the sessions. | 0:46:48 | 0:46:51 | |
Hello. | 0:46:51 | 0:46:53 | |
-Hi. -Do you wanna join us? | 0:46:53 | 0:46:55 | |
Sure. | 0:46:58 | 0:47:00 | |
-You're Kim, right? -Yeah. Hi. Kim Cox from Eco Lobby. | 0:47:01 | 0:47:06 | |
-You're Mark. -Mark. That's it, yeah. | 0:47:06 | 0:47:10 | |
Morello's other half. This is Lucie. | 0:47:10 | 0:47:12 | |
-Hi. -She's just off to the toilet. | 0:47:12 | 0:47:15 | |
Yeah, Morello's other half. Yeah, well. | 0:47:15 | 0:47:18 | |
Sorry. Excuse me. | 0:47:18 | 0:47:21 | |
Well, I don't think I am, actually, any more. | 0:47:21 | 0:47:24 | |
-Do you wanna sit down? -Thanks. Thanks. | 0:47:25 | 0:47:29 | |
PEOPLE NEARBY CHATTER | 0:47:29 | 0:47:32 | |
I need a hug. | 0:47:45 | 0:47:47 | |
MUSIC: "The Black Sun" by Jo Mango | 0:47:52 | 0:47:55 | |
# I fell in love | 0:48:00 | 0:48:04 | |
# With a starling | 0:48:04 | 0:48:08 | |
# He died in my mother's arms | 0:48:11 | 0:48:15 | |
# Was buried and exhumed | 0:48:18 | 0:48:24 | |
# And now all I think of is | 0:48:28 | 0:48:32 | |
# Wings beating... # | 0:48:32 | 0:48:36 | |
TYKO: I'll just see where Bobby's gone. | 0:48:36 | 0:48:38 | |
Where's Bobby? Bobby? | 0:48:39 | 0:48:43 | |
Yeah! Whoo! | 0:48:43 | 0:48:45 | |
Hi, ladies. | 0:48:45 | 0:48:48 | |
Come here. Come here. | 0:48:48 | 0:48:50 | |
We can't keep apart. We cannot keep apart. | 0:48:51 | 0:48:54 | |
Come on. Come on. | 0:48:54 | 0:48:56 | |
# Between my fingers | 0:48:58 | 0:49:02 | |
# And the thumb | 0:49:03 | 0:49:04 | |
# I looked in his thousandth eye | 0:49:05 | 0:49:11 | |
# And saw... # | 0:49:11 | 0:49:12 | |
Can I just see you without your glasses? | 0:49:14 | 0:49:16 | |
Yeah. | 0:49:16 | 0:49:17 | |
Wow. | 0:49:19 | 0:49:21 | |
Yeah! | 0:49:21 | 0:49:24 | |
# Your bones... # | 0:49:28 | 0:49:30 | |
-MACHINE: -What a wimp. -Fuck you! | 0:49:33 | 0:49:35 | |
LAUGHTER | 0:49:37 | 0:49:39 | |
# I heard you singing | 0:49:42 | 0:49:47 | |
# With tiny lungs | 0:49:48 | 0:49:52 | |
Go away. Leave us alone. Go. | 0:49:55 | 0:49:58 | |
You all right? | 0:50:02 | 0:50:04 | |
# I've seen you grown massive | 0:50:04 | 0:50:07 | |
# My tiny one | 0:50:08 | 0:50:12 | |
# And I feel now your yearning | 0:50:13 | 0:50:18 | |
# For the black sun | 0:50:18 | 0:50:20 | |
# Oh, I feel that you're yearning... # | 0:50:23 | 0:50:28 | |
I'm really short-sighted. | 0:50:28 | 0:50:30 | |
# For the black sun... # | 0:50:31 | 0:50:33 | |
SHE CHUCKLES | 0:50:33 | 0:50:35 | |
It's OK. | 0:50:36 | 0:50:38 | |
# So I told him how I loved | 0:51:03 | 0:51:08 | |
# Your bones | 0:51:09 | 0:51:11 | |
# When we pulled them one by one | 0:51:14 | 0:51:19 | |
# Out the stone. # | 0:51:20 | 0:51:22 | |
You all right, pal? Hey, you all right? | 0:51:22 | 0:51:26 | |
I suggest you come back to the campsite. | 0:51:26 | 0:51:29 | |
Here, stand up, my man. | 0:51:29 | 0:51:31 | |
You're all right, ain't you? | 0:51:31 | 0:51:33 | |
Oh, for fuck's sake. | 0:51:33 | 0:51:35 | |
BOBBY MUMBLES | 0:51:35 | 0:51:37 | |
PIANO ACCORDION PLAYS MELANCHOLY TUNE | 0:51:37 | 0:51:40 | |
SWITCHES TO UPBEAT TUNE | 0:51:48 | 0:51:50 | |
-Yeah, that's my song. -Mm-hm. | 0:51:58 | 0:52:01 | |
-How do you do that? -Four chords. | 0:52:01 | 0:52:03 | |
OK, it's my turn. | 0:52:05 | 0:52:07 | |
Can I borrow your guitar? | 0:52:08 | 0:52:10 | |
You guys seem to get on pretty well. | 0:52:14 | 0:52:16 | |
Yeah, that's what womanisers do. | 0:52:17 | 0:52:20 | |
-I'm not a womaniser. -You are. | 0:52:20 | 0:52:23 | |
Play, play, play. | 0:52:25 | 0:52:27 | |
SHE HUMS NOTE | 0:52:35 | 0:52:37 | |
# I just wanna womanise you, baby | 0:52:38 | 0:52:42 | |
# I'll spread your thighs for you, baby | 0:52:46 | 0:52:49 | |
Mmm. | 0:52:49 | 0:52:51 | |
# Then say my goodbyes to you, baby | 0:52:53 | 0:52:57 | |
# Oh, don't be so shy, little lady | 0:52:58 | 0:53:02 | |
# Maybe, maybe tonight Will be your lucky night, baby | 0:53:03 | 0:53:10 | |
# It will be if you play your cards right | 0:53:10 | 0:53:14 | |
# I'm such a womaniser, baby # | 0:53:14 | 0:53:16 | |
# A womaniser... # | 0:53:16 | 0:53:17 | |
SHE LAUGHS | 0:53:17 | 0:53:19 | |
# I'm gonna leave you, baby | 0:53:19 | 0:53:22 | |
# No, you're not | 0:53:22 | 0:53:24 | |
# She can't go anywhere I can't get out | 0:53:26 | 0:53:32 | |
# I think I'm gonna scream and shout | 0:53:33 | 0:53:37 | |
-# Cos I'm a womaniser, baby -Womaniser, baby | 0:53:37 | 0:53:41 | |
-# Womanise all night long -All night long... # | 0:53:42 | 0:53:46 | |
BIRDS CAW | 0:53:47 | 0:53:50 | |
MORELLO AND ADAM SCREECH | 0:54:07 | 0:54:10 | |
MUSIC: "No Cigarette" by Withered Hand | 0:54:10 | 0:54:14 | |
# Think me and you Could maybe use a lost weekend | 0:54:14 | 0:54:19 | |
# I've been losing all my friends | 0:54:20 | 0:54:24 | |
# I wave another empty bottle... # | 0:54:25 | 0:54:28 | |
Oh, God. | 0:54:28 | 0:54:31 | |
# Like I'm hitting it hard But it's just pretend... # | 0:54:31 | 0:54:36 | |
Bobby? | 0:54:36 | 0:54:39 | |
-Tyko? -Bobby, is that you? | 0:54:39 | 0:54:41 | |
Tyko? | 0:54:41 | 0:54:43 | |
Bobby! Oh, Bobby. BOBBY LAUGHS | 0:54:43 | 0:54:46 | |
# I went and got lost | 0:54:47 | 0:54:50 | |
# Always the back end Of this pantomime horse | 0:54:51 | 0:54:54 | |
# All we seem to do these days Is wave our arms and yell | 0:55:00 | 0:55:05 | |
# Other people are hell... # | 0:55:06 | 0:55:08 | |
No! Ahh! | 0:55:08 | 0:55:11 | |
# It's getting to me | 0:55:11 | 0:55:13 | |
INDISTINCT CONVERSATION | 0:55:14 | 0:55:18 | |
# Maestro, a drum roll please This is the golden age. # | 0:55:18 | 0:55:24 | |
PEOPLE SHOUT IN DISTANCE | 0:55:25 | 0:55:28 | |
Where are you gonna go? | 0:55:46 | 0:55:47 | |
I don't know. | 0:55:47 | 0:55:49 | |
I'm getting into the safety position. | 0:55:51 | 0:55:53 | |
This is the safety position. Such... | 0:55:54 | 0:55:57 | |
THEY GRUNT | 0:55:58 | 0:56:00 | |
MORELLO SOBS | 0:56:05 | 0:56:07 | |
Are you crying? Are you crying? What's wrong? | 0:56:09 | 0:56:13 | |
What's wrong? | 0:56:13 | 0:56:15 | |
What's it all... | 0:56:15 | 0:56:18 | |
The band I've spent six years trying to build up, | 0:56:18 | 0:56:22 | |
it's a fucking joke. | 0:56:22 | 0:56:24 | |
I've just been dumped and womanised. | 0:56:24 | 0:56:27 | |
And now I'm in the mud, people! | 0:56:29 | 0:56:31 | |
It's all right. | 0:56:41 | 0:56:43 | |
And there's those people in there. | 0:56:51 | 0:56:54 | |
It's all right. | 0:56:56 | 0:56:58 | |
You smile like a girl. | 0:57:07 | 0:57:09 | |
You're incredibly beautiful. | 0:57:14 | 0:57:16 | |
MUSIC: "If I Don't Belong" by Strike The Colours | 0:57:18 | 0:57:21 | |
SHOWER RUNNING | 0:57:30 | 0:57:32 | |
# Be the one that I love | 0:57:42 | 0:57:46 | |
# And I will see your frown In the furrows of the mud | 0:57:48 | 0:57:53 | |
# Make me weak at the knees | 0:57:54 | 0:57:58 | |
# And I will see your eyes In the bark of the trees | 0:58:00 | 0:58:06 | |
-Maybe. -Maybe. -Possibly. -Maybe. | 0:58:16 | 0:58:18 | |
# Lay my head on the ground | 0:58:18 | 0:58:22 | |
# There won't be a sound As the dawn comes down | 0:58:24 | 0:58:29 | |
# And the leaking clouds | 0:58:30 | 0:58:34 | |
# Will fill up the streams That'll drown you out | 0:58:36 | 0:58:42 | |
# If I don't belong... # | 0:58:42 | 0:58:44 | |
Let's go. | 0:58:44 | 0:58:45 | |
Right. | 0:58:45 | 0:58:47 | |
# Lay my bones underneath the trees | 0:58:48 | 0:58:54 | |
# And let the wind have my body | 0:58:54 | 0:59:00 | |
# Commit each hair On my head to the sea. # | 0:59:00 | 0:59:06 | |
I'm sorry about your granddad's jacket. | 0:59:19 | 0:59:22 | |
Now we fought in it too. | 0:59:22 | 0:59:24 | |
Yeah. | 0:59:24 | 0:59:26 | |
SHE SIGHS | 0:59:34 | 0:59:35 | |
MUSIC PLAYING IN DISTANCE | 0:59:41 | 0:59:43 | |
Pass? | 0:59:50 | 0:59:51 | |
Pass, please. | 0:59:55 | 0:59:57 | |
Whoa. Hey, do you know who I am? | 0:59:57 | 1:00:00 | |
-Cool. Hey. -I'm the man... | 1:00:00 | 1:00:02 | |
Hey, I'm the manager of The Make. | 1:00:02 | 1:00:04 | |
Tyko! Shit! | 1:00:04 | 1:00:06 | |
Fuck you, you fucking shit blister! | 1:00:06 | 1:00:10 | |
-Fuck! Tyko! -Do you know this guy? | 1:00:10 | 1:00:14 | |
I've never seen him before in my life. | 1:00:14 | 1:00:17 | |
Hey, Tyko! Get this fucked-up fool off me! | 1:00:17 | 1:00:20 | |
Whoa, whoa, whoa, hey. | 1:00:20 | 1:00:21 | |
-He's trying to fuck me. -Hey, man. Excuse me? | 1:00:21 | 1:00:25 | |
I was joking. It doesn't seem so funny now. | 1:00:25 | 1:00:28 | |
You asswipe! I got my fucking meds in there! | 1:00:28 | 1:00:32 | |
Bobby. Hang tight, Bobby. I'll get you in here. Don't move. | 1:00:32 | 1:00:36 | |
You do not have a fucking job in the morning, sir. | 1:00:36 | 1:00:39 | |
All right. | 1:00:55 | 1:00:56 | |
We got coffee, black. | 1:00:56 | 1:00:59 | |
We got juices, orange, exotic, brown. | 1:00:59 | 1:01:04 | |
Like vitamin C. | 1:01:04 | 1:01:06 | |
And something called Irn-Bru, but I think that's a beer. | 1:01:06 | 1:01:10 | |
Just mix them together | 1:01:10 | 1:01:11 | |
-and pour them over my head. -Oh, look. | 1:01:11 | 1:01:14 | |
-Hey there, AWOL. -Hey, man. | 1:01:14 | 1:01:17 | |
-Can you keep it down to a whisper? -You OK? | 1:01:17 | 1:01:20 | |
-It's just been a little heavy. -Have you seen my girls? | 1:01:20 | 1:01:23 | |
I've been looking all over for you two. | 1:01:23 | 1:01:25 | |
I want my handcuffs back. | 1:01:25 | 1:01:28 | |
-What? -Hey, I got other people to cuff. | 1:01:28 | 1:01:31 | |
-Where is the key? -I gave the key to this young man. | 1:01:31 | 1:01:35 | |
-What? -I gave it to Tyko. | 1:01:36 | 1:01:39 | |
-Right, and I gave it to... -Uh-uh. | 1:01:39 | 1:01:41 | |
-Tyko? -My own...pocket. | 1:01:41 | 1:01:44 | |
You knew about this? | 1:01:47 | 1:01:48 | |
-So this was a joke to you? -No, it wasn't a joke. | 1:01:51 | 1:01:55 | |
-It wasn't a joke. -I don't care. | 1:01:55 | 1:01:57 | |
Can whoever has the key take these fucking things off me? | 1:01:57 | 1:02:00 | |
Nobody's gonna save the planet but you folks, you know that? | 1:02:00 | 1:02:04 | |
You cram 100,000 people together, | 1:02:04 | 1:02:06 | |
no music, what do you get? A riot. | 1:02:06 | 1:02:09 | |
You give them music, we all in this together. | 1:02:09 | 1:02:11 | |
-TYKO: OK, you're free. -Please, let me explain. | 1:02:11 | 1:02:14 | |
Please. Please, don't. | 1:02:14 | 1:02:15 | |
Music turns a mob into a movement. | 1:02:15 | 1:02:17 | |
Wait, Morello! | 1:02:17 | 1:02:18 | |
BOBBY GROANS | 1:02:18 | 1:02:20 | |
That guy is loud. | 1:02:23 | 1:02:26 | |
MUSIC: "Candy" by Paolo Nutini | 1:02:26 | 1:02:28 | |
# Well, I'm some stain there On your bed sheet | 1:02:30 | 1:02:34 | |
# You're my diamond in the rough | 1:02:34 | 1:02:37 | |
# Darling I'll bathe your skin | 1:02:37 | 1:02:42 | |
# I'll even wash your clothes | 1:02:42 | 1:02:45 | |
# Just give me some candy Before I go | 1:02:45 | 1:02:51 | |
CROWD CHEERING | 1:02:51 | 1:02:53 | |
# Oh, darling, I'll kiss your eyes | 1:02:53 | 1:02:57 | |
# And lay you down on your rug | 1:02:57 | 1:03:01 | |
# Just give me some candy | 1:03:01 | 1:03:03 | |
# After my hug | 1:03:05 | 1:03:08 | |
SPEECH DROWNED OUT BY MUSIC | 1:03:11 | 1:03:13 | |
# I know that there are writings On the wall... # | 1:03:32 | 1:03:38 | |
Gotta talk to her. | 1:03:39 | 1:03:41 | |
Do you wanna eat? | 1:03:45 | 1:03:47 | |
No. No. | 1:03:47 | 1:03:50 | |
You are knotted. | 1:03:50 | 1:03:52 | |
# Before I go | 1:03:52 | 1:03:55 | |
# Darling, I'll kiss your eyes | 1:03:55 | 1:04:00 | |
# Lay down on your rug | 1:04:00 | 1:04:03 | |
# Just give me some candy | 1:04:04 | 1:04:07 | |
# After my hug | 1:04:09 | 1:04:12 | |
# Oh, and I'll... # | 1:04:13 | 1:04:15 | |
The video sequence, that finishes there, OK? | 1:04:15 | 1:04:19 | |
-So if you just change the order. -Yeah, yeah. | 1:04:19 | 1:04:23 | |
CHEERING | 1:04:23 | 1:04:25 | |
This is such a beautiful thing, guys. | 1:04:26 | 1:04:28 | |
How are you? You want me to sign right here? | 1:04:28 | 1:04:30 | |
Be patient. We'll get you all. | 1:04:30 | 1:04:33 | |
CROWD: # I want you I want you instead, I want you... # | 1:04:33 | 1:04:38 | |
-Hello. -Hi. | 1:04:38 | 1:04:40 | |
-How are you? -I'm all right. How are you? | 1:04:40 | 1:04:42 | |
Oh, my God. Thank you! | 1:04:43 | 1:04:46 | |
-Hi. How you doing? All right? -All right, yeah. | 1:04:50 | 1:04:53 | |
-What's your name, man? -What's your name? | 1:04:55 | 1:04:57 | |
-Bryan. -Bryan. With a Y? | 1:04:57 | 1:05:01 | |
Come on! All right! Yeah! | 1:05:02 | 1:05:04 | |
-Hi. -Hey, pretty. | 1:05:04 | 1:05:05 | |
Hey, man. How are you? | 1:05:05 | 1:05:08 | |
That feels amazing. So many hands on my body. | 1:05:08 | 1:05:12 | |
I like it. Oh, my God, this is happening. | 1:05:12 | 1:05:14 | |
Will you let me down? | 1:05:14 | 1:05:16 | |
Beautiful. | 1:05:16 | 1:05:18 | |
-Thank you, guys. -Fuck this, man. | 1:05:18 | 1:05:22 | |
CROWD: # You let me feel real... # | 1:05:22 | 1:05:24 | |
Can we get out of here? | 1:05:24 | 1:05:26 | |
Love you. I'll wave. | 1:05:26 | 1:05:28 | |
CHEERING | 1:05:38 | 1:05:40 | |
Hey. | 1:05:48 | 1:05:50 | |
I came to say good luck. | 1:05:50 | 1:05:52 | |
You got yourself a soft landing. | 1:05:54 | 1:05:56 | |
You wanted me to wait to get pushed? | 1:05:58 | 1:06:00 | |
For her? | 1:06:00 | 1:06:02 | |
It seemed to me like you barely even needed the handcuffs. | 1:06:02 | 1:06:05 | |
Have a good show. | 1:06:11 | 1:06:14 | |
Shall we do this, man? | 1:06:18 | 1:06:20 | |
Yeah. | 1:06:20 | 1:06:21 | |
BOTH SCREAM | 1:06:25 | 1:06:26 | |
MUSIC: "You Instead" by The Make | 1:06:26 | 1:06:29 | |
# She got loved up On the seashore | 1:06:42 | 1:06:46 | |
# Kissing with a girl He'd never met before | 1:06:46 | 1:06:50 | |
# The food was sparse But the drink was plenty | 1:06:50 | 1:06:53 | |
# Jack was 16 And Jill had just turned 20 | 1:06:53 | 1:06:57 | |
# Lying there on the midnight sand | 1:06:57 | 1:07:00 | |
# He said he'd give her the sky If she held his hand | 1:07:00 | 1:07:03 | |
# She counted every star in the sky | 1:07:03 | 1:07:06 | |
# And said I-I don't want that I want you instead | 1:07:06 | 1:07:10 | |
# I want you instead | 1:07:12 | 1:07:14 | |
# I want you instead I want you... # | 1:07:15 | 1:07:19 | |
"YOU INSTEAD" PLAYS IN DISTANCE | 1:07:19 | 1:07:21 | |
He did look good in my jacket, didn't he? | 1:07:25 | 1:07:28 | |
Morello, it's not too late. | 1:07:31 | 1:07:33 | |
Just another imposter. | 1:07:34 | 1:07:36 | |
# I want you instead | 1:07:39 | 1:07:41 | |
CROWD CHEERING | 1:07:41 | 1:07:43 | |
# I want you instead | 1:07:43 | 1:07:45 | |
# I want you I want you instead | 1:07:45 | 1:07:48 | |
# Make me feel real | 1:07:52 | 1:07:53 | |
# Real Real | 1:07:54 | 1:07:57 | |
# You make me feel real | 1:07:58 | 1:08:01 | |
# Real Real | 1:08:01 | 1:08:05 | |
# Real | 1:08:05 | 1:08:07 | |
# She got loved up on the seashore | 1:08:07 | 1:08:10 | |
# You make me feel real | 1:08:13 | 1:08:14 | |
# Kissing with a girl He'd never met before... # | 1:08:14 | 1:08:17 | |
Whoo! | 1:08:23 | 1:08:24 | |
I think we need to go away after this. | 1:08:26 | 1:08:28 | |
-Yes. -Go away together for a week. | 1:08:28 | 1:08:31 | |
-No boys, no men. -No boys. | 1:08:31 | 1:08:33 | |
Just music. | 1:08:34 | 1:08:35 | |
CROWD CHEERING | 1:08:35 | 1:08:37 | |
Morello. | 1:08:45 | 1:08:47 | |
Morello! | 1:08:48 | 1:08:49 | |
I don't know if you heard about what's been happening, but... | 1:08:52 | 1:08:56 | |
You know what? I think I need your help. | 1:08:56 | 1:08:59 | |
Can you help me out? | 1:08:59 | 1:09:01 | |
CHEERING | 1:09:01 | 1:09:02 | |
Yeah? You are beautiful. | 1:09:02 | 1:09:05 | |
OK, can we all shout for Morello, please? | 1:09:05 | 1:09:10 | |
ALL: Morello! Morello! Morello! | 1:09:10 | 1:09:14 | |
Morello! Morello! Morello! | 1:09:14 | 1:09:18 | |
Morello! Morello! | 1:09:18 | 1:09:21 | |
Morello! Morello... | 1:09:21 | 1:09:22 | |
You gotta be louder than that. | 1:09:22 | 1:09:24 | |
Morello! Morello! Morello! | 1:09:24 | 1:09:28 | |
-I'm for music. -CHUCKLING | 1:09:28 | 1:09:31 | |
Uh... | 1:09:31 | 1:09:32 | |
CROWD: Morello! Morello! Morello! | 1:09:32 | 1:09:35 | |
CHANTING CONTINUES | 1:09:37 | 1:09:39 | |
Oh, my God. | 1:09:45 | 1:09:47 | |
I don't... I'm just gonna... I'm just gonna check it out. | 1:09:48 | 1:09:52 | |
ALL: Morello! Morello! Morello! | 1:09:52 | 1:09:55 | |
Morello! Morello! | 1:09:55 | 1:09:59 | |
I don't know if she's out there, but, Morello, this is for you. | 1:09:59 | 1:10:04 | |
If you can hear me, | 1:10:04 | 1:10:07 | |
you make me feel more real than any girl I've ever met. | 1:10:07 | 1:10:11 | |
I screwed up your set yesterday. Why don't you come screw mine up? | 1:10:11 | 1:10:15 | |
Go on. | 1:10:15 | 1:10:18 | |
MUSIC: "Dark Energy" by The Make | 1:10:18 | 1:10:20 | |
# Closer we get Temperatures rise | 1:10:24 | 1:10:26 | |
# The look on your face The fear in your eyes | 1:10:29 | 1:10:32 | |
# Tonight you're mine You're mine, you're mine | 1:10:35 | 1:10:38 | |
# Tonight you're mine You're mine, you're mine | 1:10:41 | 1:10:44 | |
# Tonight you're mine You're mine, you're mine | 1:10:47 | 1:10:50 | |
Morello coming through. | 1:10:52 | 1:10:53 | |
# Tonight you're mine You're mine, you're mine | 1:10:53 | 1:10:56 | |
# I feel your light shining on me | 1:10:59 | 1:11:02 | |
# Whenever you're around me | 1:11:02 | 1:11:06 | |
# I'm feeling so alive # | 1:11:06 | 1:11:08 | |
CHEERING | 1:11:08 | 1:11:10 | |
# I feel your light shining on me | 1:11:11 | 1:11:14 | |
# Whenever you're around me I'm feeling so alive | 1:11:14 | 1:11:19 | |
# Tonight you're mine You're mine, you're mine | 1:11:22 | 1:11:25 | |
# Tonight you're mine You're mine, you're mine... | 1:11:28 | 1:11:32 | |
Hey, hey! | 1:11:42 | 1:11:43 | |
Ladies and gentlemen, I give you Morello! | 1:11:49 | 1:11:52 | |
Morello's on-stage! | 1:11:52 | 1:11:54 | |
BOTH: # I feel your light shining on me | 1:12:07 | 1:12:10 | |
# Whenever you're around me I'm feeling so alive # | 1:12:10 | 1:12:15 | |
# I feel your light shining on me | 1:12:19 | 1:12:22 | |
# Whenever you're around me I'm feeling so alive... # | 1:12:22 | 1:12:27 | |
CHEERING | 1:12:44 | 1:12:47 | |
Oh, that's beautiful. | 1:12:47 | 1:12:50 | |
All right, you're making me lonely now. Is there anyone for me? | 1:12:51 | 1:12:55 | |
MUSIC: "Tainted Love" by Gloria Jones | 1:12:57 | 1:13:00 | |
# Sometimes I feel I've got to | 1:13:02 | 1:13:06 | |
# Run away, I've got to Get away from the pain | 1:13:06 | 1:13:10 | |
# You drive into the heart of me | 1:13:10 | 1:13:14 | |
# The love we share Seems to go nowhere | 1:13:14 | 1:13:18 | |
# And I've lost my light | 1:13:18 | 1:13:21 | |
# For I toss and turn I can't sleep at night | 1:13:21 | 1:13:25 | |
# Once I ran to you Now I run from you | 1:13:26 | 1:13:31 | |
# This tainted love you've given | 1:13:31 | 1:13:33 | |
# I give you all a girl can give you | 1:13:33 | 1:13:36 | |
# Take, not give And that's not nearly all | 1:13:36 | 1:13:40 | |
# Tainted love | 1:13:40 | 1:13:41 | |
# Now I know I've got to Run away | 1:13:44 | 1:13:49 | |
# I've got to Get away | 1:13:49 | 1:13:52 | |
# You don't really want Any love from me | 1:13:52 | 1:13:55 | |
# To make things right You need someone to hold you tight | 1:13:55 | 1:14:01 | |
# And you'll think love is to pray But I'm sorry I don't pray that way | 1:14:01 | 1:14:07 | |
# Once I ran to you Now I run from you | 1:14:07 | 1:14:13 | |
# The tainted love you've given I give you all a girl could give you | 1:14:13 | 1:14:18 | |
# Take, not give And that's not nearly all | 1:14:18 | 1:14:22 | |
# Tainted love | 1:14:22 | 1:14:23 | |
# Talking about the tainted love | 1:14:24 | 1:14:27 | |
# Talking about the tainted love | 1:14:27 | 1:14:30 | |
# Talking about the tainted love | 1:14:30 | 1:14:32 | |
# Talking about the tainted love | 1:14:32 | 1:14:35 | |
# Tainted love | 1:14:35 | 1:14:38 | |
# Tainted love | 1:14:38 | 1:14:41 | |
# Tainted love Ahh, yeah | 1:14:41 | 1:14:44 | |
# Tainted love... # | 1:14:44 | 1:14:46 |